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Speaker 1: Show, Lisa Welcome two Thursday Show Morning Studio Morning. Let's

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Speaker 1: go around the room. It always makes him smile when

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Speaker 1: he randomly sees people he knows out in the wild. Yeah,

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Speaker 1: I love even though you see him every day, you're

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Speaker 1: like little school here he is produce ready.

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Speaker 2: All right, question for you guys, is this creepy or

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Speaker 2: completely normal? So I'm driving around my family and we

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Speaker 2: passed by one of our old neighborhoods that I used

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Speaker 2: to live in, and I was.

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Speaker 1: Like, guys, let's go by our old house.

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Speaker 2: And so we drive by the old house and it

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Speaker 2: was for sale and it said come on in. And

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Speaker 2: I'm like, hey, hold on, if it's open, let's go

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Speaker 2: check out the house. So I get out. I check

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Speaker 2: the front door. It's locked. I go around the back door,

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Speaker 2: wide open.

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Speaker 1: Cool.

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Speaker 2: So I say, kids, get out, let's go check out

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Speaker 2: this house. So, man, we hang out. We go in

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Speaker 2: the kitchen, we talk talk about old times. I sit

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Speaker 2: in the backyard, like, man, I used to barbecue back here.

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Speaker 2: We're there for about thirty minutes and then I was like,

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Speaker 2: all right, this is kind of weird.

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Speaker 1: We got to get out of here. This is a song.

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Speaker 1: I'll say your kids'd be so bored. No, two of

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Speaker 1: them were like, oh I remember this room.

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Speaker 2: The other two that we adopted they didn't live there,

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Speaker 2: so they were kind of bored.

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Speaker 1: But that's pretty cool though, to go for you to

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Speaker 1: get to see all that.

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Speaker 2: Yeah, And I was like, look this is where well

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Speaker 2: unch Bus's wife fell on these stairs are here.

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Speaker 1: That's really cool.

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Speaker 3: That was bad, but I think it's pretty funny that

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Speaker 3: you went in the back door.

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Speaker 1: You like broken entered, let's it go. But the sign

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Speaker 1: said come on in. Your wife fell on his stairs? Yeah?

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Speaker 1: Are we talking about this? It's like seven years ago.

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Speaker 1: We might have talked about this. I mean, I don't know,

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Speaker 1: it was so long ago.

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Speaker 3: Okay, Yeah, she's like checking on her now she falls

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Speaker 3: and gets hurt a lot.

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Speaker 1: She's not. You know, I've never seen that before where

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Speaker 1: it's like, hey, come on in, check it all out.

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Speaker 1: I think I feel like.

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Speaker 3: It was an open house and they just left the

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Speaker 3: sign open up and you went around the back door

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Speaker 3: when this open house was over and you broke into

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Speaker 3: the house.

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Speaker 4: Did it have furniture?

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Speaker 1: No? It was empty.

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Speaker 4: Oh see, Oh that makes you feel better.

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Speaker 1: Yeah, I think it was an open hell. It's creepy.

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Speaker 1: I think it's odd. I've never heard of that before

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Speaker 1: for a house doing that. Yeah, do you think they do?

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Speaker 1: You really think they meant for people just to go

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Speaker 1: in at that time or do you think they left

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Speaker 1: to sign up? Yeah? The sign. I think the sign's

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Speaker 1: still up. I'll drive by today.

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Speaker 2: If it's still open, I'll go check it out.

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Speaker 1: I don't think it's creepy. A lot of memories in

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Speaker 1: that house. I think it's kind of cool. And it

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Speaker 1: is Miranda Lamberth house to tell me, And you know what,

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Speaker 1: I think our dog's buried in that backyard. Wow, exactly.

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Speaker 1: I didn't realize that he got asked to speak in

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Speaker 1: an elementary school for career day. But even half our

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Speaker 1: listeners don't like to hear what he has to say.

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Speaker 5: Here.

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Speaker 3: He is lunchbox everybody.

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Speaker 1: I'd like to spill the tea. Oh hey, I got

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Speaker 1: a little tea for youys early.

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Speaker 3: It's more coffee time than tea time. But okay, let's

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Speaker 3: go listen. You can mess with me, mess with Eddie.

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Speaker 1: I don't know.

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Speaker 3: You know, if you want to mess with Bobby, probably

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Speaker 3: a bad idea. But Abby has gone too far this time.

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Speaker 3: She has messed with the B team and she doesn't

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Speaker 3: even realize she's messed with the bat.

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Speaker 1: How do you attack Abby at all points at all today?

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Speaker 3: Because we had a caller call in like a month

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Speaker 3: ago saying, hey, I'm like everybody's signature on a piece

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Speaker 3: of paper so I can get an autograph. So Abby

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Speaker 3: came to all of us, we signed a piece of paper.

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Speaker 3: It's been a month and guess where that piece of

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Speaker 3: paper is still sitting by Abby's computer?

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Speaker 4: Oh the tattoo person.

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Speaker 1: Yeah, yeah, let's talk to Abby. Then. First of all,

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Speaker 1: it's just weird that he finds reasons to go after

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Speaker 1: Abbey every hour of the show.

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Speaker 3: I just happened to see it sitting there and lapped

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Speaker 3: to and I'm like, wow, are you not going to

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Speaker 3: mail this to the listeners?

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Speaker 6: Okay, well, you know we do have technology, so it

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Speaker 6: has been like scanned into pediaf form and center. Yeah,

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Speaker 6: an email that's at faster than nailing it.

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Speaker 1: What would you like to say? Like got it? He's

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Speaker 1: like embarrassed. Now he's like, oh crap, I don't know

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Speaker 1: what that means. Basically, let me uh, they took a

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Speaker 1: picture of it and then you can punt out the

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Speaker 1: pictures exactly the same. Oh you can.

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Speaker 7: Huh.

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Speaker 3: Didn't know that, but I just was told. I didn't

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Speaker 3: want to ask before you came on the air to

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Speaker 3: spell tea.

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Speaker 7: No.

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Speaker 3: I even took the piece of paper and was like,

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Speaker 3: she's gonna be looking for it and you here it is.

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Speaker 1: Oh my god, I'm gonna be like, yeah, you know,

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Speaker 1: you know where it is. You fool.

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Speaker 6: I thought that'd be more reliable than mailing it, because

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Speaker 6: you never know it could get lost.

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Speaker 1: No, I mean, have you trusted the postal service?

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Speaker 3: They are amazing. We're not turning into a post service.

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Speaker 3: You need to apologize to her. No, I don't need

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Speaker 3: to apologize. I'm just glad to see she's doing her job.

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Speaker 3: I've got checks and balances, Bobby, that's what you always say.

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Speaker 1: We got to No, I don't always say checking balance.

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Speaker 1: That's the government.

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Speaker 3: You say that we need to look out and make

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Speaker 3: sure everybody's pulling their way around.

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Speaker 1: No, I don't say that.

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Speaker 3: I don't say that everybody needs to do that to

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Speaker 3: everybody says Scuba does that.

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Speaker 6: I do that from the guy that mailed shoes and

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Speaker 6: they got lost and we lost.

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Speaker 1: One hundred and fifty dollars. How much you make, Bobby,

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Speaker 1: you got paid. We lost more than I made on

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Speaker 1: profit from that one pair of shoes. I don't know

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Speaker 1: what happened there. That was That was weird. Her watermill

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Speaker 1: keeps coming back high.

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Speaker 3: She can't figure it out, and when she's frustrated, she

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Speaker 3: goes in her garage and just gives a big old shout.

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Speaker 1: Here she is amy everybody.

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Speaker 6: So I have a little message for Eddie that I

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Speaker 6: think is going to brighten his day. And I'm not

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Speaker 6: one that's very big on commenting on people's bodies, but I.

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Speaker 3: Know, good morning, buddy, he should check out Eddie.

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Speaker 1: Amie.

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Speaker 4: Ever, no, I'm not checking Eddie out.

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Speaker 3: My pastor is even weird.

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Speaker 1: Okay, go ahead.

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Speaker 6: So he happened to see Eddie out in about I

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Speaker 6: guess y'all had a video shoot where he was. It's

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Speaker 6: also it's kind of creepy because's where there's an after

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Speaker 6: school program, and he thought, thought.

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Speaker 1: Eddie, oh, it's where there's a church, like a church.

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Speaker 4: Yeah, So I got this voice text from him.

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Speaker 2: I was and this guy was walking around amongst all

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Speaker 2: the high school kids coming off the school program.

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Speaker 1: I didn't fully look kind of familiarish. We always pay

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Speaker 1: attention when this strange adults walking around. We don't know

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Speaker 1: it was Eddie and I didn't recognize him, and he

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Speaker 1: knew my name, and I wanted him to know.

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Speaker 8: That it's because he's he looks in great shape, looks

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Speaker 8: more magnificent than I remember.

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Speaker 1: Wow, it was He's supposed to get to you. That's crazy. Yeah,

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Speaker 1: it is weird to see an adult man walk. But

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Speaker 1: we were literally shooting a video at a place where

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Speaker 1: it's an after school outreach for that a church put

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Speaker 1: on and I was looking for the makeup room, which

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Speaker 1: was downstairs, and I went upstairs with all the kids, like, hello,

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Speaker 1: fellow kids. He said, you look good. How do you feel?

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Speaker 1: I feel great, dude, He's saying, I basically just mixed in.

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Speaker 1: I look like a high school No, he's saying, you

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Speaker 1: look physically better and more in shape than the last

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Speaker 1: time he saw you. I mean, that's awesome.

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Speaker 9: I think he said, Yeah, you have gray in your beard.

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Speaker 9: You don't look like a dot. Thought look great, by

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Speaker 9: the way, and you have no hair on your head

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Speaker 9: a hat. Why do you have to bring that up.

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Speaker 1: We have a moratorium for thirty days in this segment

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Speaker 1: were talking about Eddie's bald head. Thank you. I've cut

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Speaker 1: off all the introts to that talk about you having

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Speaker 1: no hair, you being bald. I feel like that's every

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Speaker 1: intro you aging way early on the top of your head.

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Speaker 1: You're crany on being. I go into it like all

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Speaker 1: those things. Okay, well that's good for you. I like that.

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Speaker 1: Thank you, Amy, Good for your pastor.

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Speaker 4: Pastor Matt he said, has it always been the way

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Speaker 4: Eddie looking that way?

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Speaker 1: Edie killing were working every day, two or three times

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Speaker 1: a week. It's brutal out in the yard. Prison workouts, dude,

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Speaker 1: it's prison workout. So that's what it feels like. I

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Speaker 1: do it from Mountain Pine, Arkansas. He doesn't like to

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Speaker 1: run the entire time. He only thinks about being done.

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Speaker 1: Bobby Bones, thank you. I do hey running. Here's what

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Speaker 1: I want to say. I want to address something. It's

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Speaker 1: been a mile controversy, and I want to say a

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Speaker 1: couple of things so you guys will get off my back.

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Speaker 1: Number one, I have an old Bronco. I drove it

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Speaker 1: to work today. It's old seventy four Bronco that's been

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Speaker 1: kind of rebuilt. I don't know anything about cars. People

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Speaker 1: ask me what's six and why and the jibbi gab.

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Speaker 1: I have no idea. I know nothing about it. It's

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Speaker 1: just cool, that's it. Here's the thing. It doesn't have

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Speaker 1: a shoulder strap. And so I put up a video

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Speaker 1: of my wife and I from behind. We're driving down

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Speaker 1: and listening to Jake Owen and it's just like hopefully

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Speaker 1: weekends like ours, I have a seat belt around the

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Speaker 1: lap and seventy four they didn't have the shoulder straps

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Speaker 1: on these Broncos. But it's legal to wear a seat

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Speaker 1: belt just around the waist, but you can't see it

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Speaker 1: from behind. The like O you earn a seat belt

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Speaker 1: turned into a controversy on the internet on Instagram, and

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Speaker 1: then recently TikTok Scooba Stee was in police in the

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Speaker 1: comments turned into a whole deal. Secondly, I'm bent over

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Speaker 1: a little bit when I'm driving. I'm too tall. I

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Speaker 1: guess in the seventies people weren't as tall as me.

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Speaker 1: I was just gonna say right now people got taller,

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Speaker 1: because what's happened if I sit all the way up,

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Speaker 1: all the way up, because there's no top on it.

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Speaker 1: The only thing that is in my eye line is

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Speaker 1: that top of the windshield, and that's hard. It's like

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Speaker 1: a piece of metal. So I have to bend down

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Speaker 1: about three or four inches if I want to see

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Speaker 1: out in front of me. So instead of hunching over, though,

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Speaker 1: could you just like lean back, like that's what you

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Speaker 1: should do.

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Speaker 5: I can.

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Speaker 1: But the road we were all was extremely bumpy, and

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Speaker 1: those old Broncos are tough. So I'm just like focused

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Speaker 1: on and I'm not a big lean backer me either, man,

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Speaker 1: I think I am, but I'm like I can't see anything. Yes,

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Speaker 1: same also look lame. So I'm the two things that

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Speaker 1: people people keep bringing up said a message, I'm warning

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Speaker 1: a sea belt. You can go. Look. It's like four

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Speaker 1: posts back on Instagram and it was Bobby Bones, I'm

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Speaker 1: wearing a seatbelt. And two I'm kind of bent over

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Speaker 1: just a little bit because I'm trying to watch for

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Speaker 1: these massive potholes. Because this Bronco, even though we've rebuilt it,

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Speaker 1: it still drives like at times like a seventy four Bronco.

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Speaker 1: It's old, but it is cool. I like it and

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Speaker 1: I drive like this morning, I drove it into work

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Speaker 1: and you know it's fifty one. Yeah, that's cool. When

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Speaker 1: I drove it in and I'm always like, it's gonna

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Speaker 1: be eighty to day. Let's drove with the Bronco. I

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Speaker 1: get seven minutes. I was freezing. It does wake me up, though.

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Speaker 1: Let's check in on the mail bag. You send the

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Speaker 1: game mail and he's breathing all the air.

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Speaker 5: Pick something we call Bobby's mail bag.

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Speaker 1: Yeah, oh, Bobby Bones. My supervisor at work told me

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Speaker 1: he thinks the way I dress is inappropriate for the office,

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Speaker 1: but didn't really tell me what he doesn't like about it.

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Speaker 1: I'm the only woman in my office. My male co

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Speaker 1: workers wear jeans and button up shirts. I've been wearing

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Speaker 1: dresses that aren't fancy but are nice and not too short.

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Speaker 1: I would feel uncomfortable going back and asking him to clarify. Now,

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Speaker 1: what do you think he meant? How should I change

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Speaker 1: what I wear? Should I start wearing jeans? Signed wardrobe

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Speaker 1: woes in Wichita? Well, this is tricky because there's the

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Speaker 1: boss saying it to you, And I don't think there's

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Speaker 1: anything weird about not going back and asking, but just

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Speaker 1: asking if there is a dress protocol. I mean, I'd

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Speaker 1: probably be like, hey, I'm looking to start dressing up

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Speaker 1: a little more like, what are the rules here? I

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Speaker 1: don't want to get too dressy, you know, throw them

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Speaker 1: off so that way they don't think I'm trying to

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Speaker 1: be too skanky, you know what I mean? The other

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Speaker 1: way so I'd be like but still even then he

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Speaker 1: had to see or think something is inappropriate. He may

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Speaker 1: be a loser. I don't know, but you do have

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Speaker 1: to be supervised by the supervisor. If the dudes are

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Speaker 1: wearing jeans, I would just probably wear jeans. If you

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Speaker 1: don't want to ask, because you're gonna have to ask,

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Speaker 1: or there's got to be some sort of handbook, but

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Speaker 1: there's got to be some sort of code of conduct.

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Speaker 1: But it's not crazy to ask it. He's not gonna

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Speaker 1: It's not like you've been hanging out with somebody for

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Speaker 1: two days and you gotta go back and ask their name.

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Speaker 1: That's always awkward because it happened. Sometimes it's like, hey,

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Speaker 1: can you g me direction, I'm going to buy some

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Speaker 1: new wardrobe for the spring, Like we have restrictions what

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Speaker 1: we can or can't wear, but there's no shame in

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Speaker 1: asking what you can and can't wear. What about trying

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Speaker 1: different things? Like i'day you were in the experiences. On Tuesday,

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Speaker 1: you wear the short skirt.

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Speaker 9: I know.

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Speaker 1: I wouldn't experiment with that. I would just ask the question,

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Speaker 1: get the answer, move on with your life. Wednesday, leather pants, Okay,

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Speaker 1: I go on Thursday, Okay, unitar Thursday. Yeah, ask the question.

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Speaker 1: That's all. Just let him know, or get a new job.

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Speaker 3: If he's a creep bikini Friday, Oh my gosh, her

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Speaker 3: supervisor is probably like a lunchball.

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Speaker 1: Okay, that's it. That's the mail bag. It's easy, close

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Speaker 1: it up.

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Speaker 5: We got your mail, read it on your Now, let's

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Speaker 5: find the clothes Bobby's mail bag.

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Speaker 1: It's rare to see movie Mike get upset about something, Mike.

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Speaker 1: He never gets mad. He's just quiet the whole lie

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Speaker 1: Quiet Mike. Movie Mike, So what are you upset about?

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Speaker 1: They are remaking Mwana. The movie came out in twenty

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Speaker 1: sixteen and twenty twenty three. They're gonna do a live

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Speaker 1: action remake. Is it really a straight remake? Though? If

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Speaker 1: it's with live action, it's.

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Speaker 8: A straight remake.

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Speaker 3: They're gonna make the exact same story, but with the

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Speaker 3: Rock in it as himself. Well, I feel like it's

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Speaker 3: different enough as live action though, I've never Seenjuana.

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Speaker 1: Moana's great good movie. A great song from it, how

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Speaker 1: Far I'll Go? Yeah, I couldn't sing that to how

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Speaker 1: Far Rock? And then have you ever heard what played?

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Speaker 1: I say? Hold on? What was the next part?

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Speaker 7: You did? Oh? I know that? Yeah?

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Speaker 1: Yeah, that is that?

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Speaker 3: The one that is the Rock's voice in it? Yeah,

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Speaker 3: he plays Maui. Okay, so who are they using as humans? Well,

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Speaker 3: so far they just have the Rock. Oh he's gonna

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Speaker 3: be in it, yeah.

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Speaker 1: Playing the same person, probably the same person.

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Speaker 8: And the girl who is the voice of Majana is

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Speaker 8: gonna be in it too, but probably is not the

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Speaker 8: right age to play Mowana.

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Speaker 1: Why are you so mad?

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Speaker 8: Because it hasn't even been ten years, It's been seven

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Speaker 8: years since the original one came out. I think you

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Speaker 8: cannot make a movie a remake until at least twenty years.

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Speaker 1: I just feel like the humans don't make it different.

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Speaker 1: I feel like it's lie.

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Speaker 8: But Disney is remaking everything right now. Any big movie

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Speaker 8: they have, they got to remake it.

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Speaker 1: It's seven years insane. Okay. He has a very strong

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Speaker 1: opinion on this. I really don't have a strong opinion

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Speaker 1: on this. But what is your strongest opinion about a

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00:13:21,440 --> 00:13:26,839
Speaker 1: very small issue, Eddie, Leave Justin Haley Beaver alone, please,

325
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Speaker 1: like seriously, like I want them to succeed.

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Speaker 2: And if the paparazzi and everyone starts taking video of

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Speaker 2: them at a concert, oh Justin was yeah, oh they're

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Speaker 2: fighting again. Like, guys, we want their relationship to live.

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Speaker 2: Just because they're famous doesn't mean we need to be

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Speaker 2: all up in their business. Stop, get back into your

331
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Speaker 2: life and your issues. Leave Justin and Haley alone. Just

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Speaker 2: dim specifically, not every celebrity come out. My first one

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Speaker 2: is songs with sirens in them should not be played

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Speaker 2: on the radio. I don't know how annoying it is.

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Speaker 1: If there's a siren or something that sounds like a

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Speaker 1: cop car or ambulance and it's in a song, you're like,

337
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Speaker 1: oh god, oh god, God, got where is it that?

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Speaker 1: Don't no more? Have they have radio edits of songs

339
00:14:06,120 --> 00:14:07,520
Speaker 1: bad words, and then they have radio edits a song

340
00:14:07,600 --> 00:14:09,640
Speaker 1: to have sirens in them. So that's my first one.

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Speaker 1: Lunch Butchers, it's easy. Quit asking for tips everywhere we go.

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00:14:14,040 --> 00:14:16,680
Speaker 1: It is so annoying. Anywhere you go to buy something

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Speaker 1: you want to tip me. You go to the gas station.

344
00:14:18,720 --> 00:14:20,040
Speaker 1: You want to leave a tip? No, I don't want

345
00:14:20,040 --> 00:14:21,640
Speaker 1: to leave a tip. I'm just getting a Snickers bar.

346
00:14:22,280 --> 00:14:23,960
Speaker 1: So annoying. You don't have to leave a tip though,

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00:14:24,200 --> 00:14:26,800
Speaker 1: I know, but it makes it. It makes it uncomfortable

348
00:14:26,800 --> 00:14:28,120
Speaker 1: because you're like, man, I'm not tipping you.

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Speaker 6: But that's quite the exaggeration. I've never been asked to

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Speaker 6: tip at the gas station.

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Speaker 2: First of all, they have a little tip jar there

352
00:14:33,080 --> 00:14:34,360
Speaker 2: that's a penny leave a penny ticket.

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Speaker 1: That's where the kids are set.

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Speaker 7: Dude.

355
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Speaker 1: That's not a tip for the person that's marking the register.

356
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Speaker 4: Like, if someone happens you need a penny, you leave it.

357
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Speaker 1: There, right. That's for build a home that's home for heroes. Bro,

358
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Speaker 1: My god, lets it stumps out.

359
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Speaker 3: I literally pulled up it to drive through the other

360
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Speaker 3: day and the lady was like, would you like to

361
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Speaker 3: leave a tip?

362
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Speaker 1: No, I meant to drive through. Just give me my food.

363
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Speaker 1: That's a very strong opinion. I mean, what's your strong

364
00:14:55,960 --> 00:14:57,040
Speaker 1: opinion about a small issue.

365
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Speaker 4: Mine is that toilet papers should be over, not under.

366
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Speaker 6: And if I met someone's house and they have it under,

367
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Speaker 6: I'll even take it off and put it on correctly because.

368
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Speaker 4: It should be over.

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Speaker 1: I wouldn't know if you switched it at our house,

370
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Speaker 1: because I guess I don't care.

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Speaker 6: I assume anybody putting it under clearly doesn't care.

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Speaker 4: And now why I'm going to help them?

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Speaker 6: Because when it's under, it fall it like rolls down,

374
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Speaker 6: and it's when it's over, it just lays nicely on

375
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Speaker 6: top and it doesn't hang down.

376
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Speaker 1: But what if it's over, if it's over enough, it

377
00:15:26,000 --> 00:15:27,520
Speaker 1: does rolls back up.

378
00:15:27,640 --> 00:15:28,400
Speaker 4: You get it, just right?

379
00:15:28,880 --> 00:15:30,280
Speaker 1: Their toilet paper under?

380
00:15:30,320 --> 00:15:30,680
Speaker 4: Trust me?

381
00:15:30,840 --> 00:15:34,480
Speaker 1: Hey, Amy, leave the toilet paper alone.

382
00:15:36,480 --> 00:15:36,680
Speaker 4: Over?

383
00:15:36,880 --> 00:15:37,400
Speaker 1: Yeah, thank you?

384
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Speaker 7: I have more.

385
00:15:38,120 --> 00:15:41,160
Speaker 1: If someone cheats with you, they'll cheat on you. That's

386
00:15:41,160 --> 00:15:44,160
Speaker 1: not always true. That's true? Oh because they had they

387
00:15:44,840 --> 00:15:45,120
Speaker 1: that's it.

388
00:15:45,480 --> 00:15:46,400
Speaker 4: Why do you say it's true?

389
00:15:46,840 --> 00:15:48,520
Speaker 1: Because if someone cheats with you, if you're like, I

390
00:15:48,640 --> 00:15:51,080
Speaker 1: met this guy and yeah we got together. He cheated

391
00:15:51,120 --> 00:15:53,040
Speaker 1: on his girl'll be with me and now we're together,

392
00:15:53,360 --> 00:15:55,400
Speaker 1: do you think all of a sudden you're the queen princess.

393
00:15:55,480 --> 00:15:57,640
Speaker 1: He's not gonna cheat on He obviously has shown that

394
00:15:57,840 --> 00:16:01,800
Speaker 1: if the right situation presents itself, he has the ability

395
00:16:01,840 --> 00:16:04,640
Speaker 1: to do it again. If he cheats with you, he's

396
00:16:04,640 --> 00:16:08,240
Speaker 1: probably gonna cheat on you, but he probably well, everything's

397
00:16:08,240 --> 00:16:11,440
Speaker 1: probably in life, there are very few universal truths, and

398
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Speaker 1: most of the universal truths we know at times are

399
00:16:13,200 --> 00:16:15,360
Speaker 1: proven not to be universal truths at all. But I'm saying,

400
00:16:15,400 --> 00:16:17,600
Speaker 1: if he cheats on you, oh yeah, name something, universal

401
00:16:17,640 --> 00:16:24,200
Speaker 1: truths go water is okays, No, no, that's not anyway.

402
00:16:24,920 --> 00:16:28,560
Speaker 1: If you tell me a time to be somewhere and

403
00:16:28,640 --> 00:16:32,720
Speaker 1: then that's the agreed upon time, you you can't be late.

404
00:16:33,120 --> 00:16:34,960
Speaker 1: And also if you tell me a time that it's

405
00:16:34,960 --> 00:16:37,520
Speaker 1: agreed upon and it's even two weeks out, I don't

406
00:16:37,560 --> 00:16:39,240
Speaker 1: have to check back in with you to say I'm

407
00:16:39,280 --> 00:16:41,520
Speaker 1: gonna be there at that time. We've already agreed to it.

408
00:16:41,720 --> 00:16:43,320
Speaker 1: Do you know how many times people are like, well

409
00:16:43,680 --> 00:16:46,720
Speaker 1: I never heard from you. Yeah, because nine days before

410
00:16:46,760 --> 00:16:48,120
Speaker 1: we said we were gonna meet here at this time,

411
00:16:48,200 --> 00:16:49,360
Speaker 1: I didn't know I had to come back in do

412
00:16:49,440 --> 00:16:51,120
Speaker 1: it progress check nine days?

413
00:16:51,240 --> 00:16:51,440
Speaker 9: Yeah?

414
00:16:51,840 --> 00:16:53,640
Speaker 1: Is that a long time. That's a real long time

415
00:16:53,680 --> 00:16:56,400
Speaker 1: to check in. You think, yeah, okay, But if it changes,

416
00:16:56,400 --> 00:16:59,120
Speaker 1: call and say hey, we're not on anymore. That's the change.

417
00:16:59,160 --> 00:17:00,760
Speaker 3: The changes of that person is not on anymore. You've

418
00:17:00,760 --> 00:17:02,840
Speaker 3: got to call and make the change. Otherwise it is there.

419
00:17:03,040 --> 00:17:04,439
Speaker 1: It is set in stone. It is the calendar.

420
00:17:04,520 --> 00:17:06,280
Speaker 4: You don't ever say, hey, we're still good for today.

421
00:17:07,400 --> 00:17:10,679
Speaker 1: Second, Oh, I mean, how long is it more than

422
00:17:10,760 --> 00:17:12,440
Speaker 1: five days? You got to make sure they're good to go.

423
00:17:12,600 --> 00:17:16,320
Speaker 1: We've said it, that's it. I don't schedule like I

424
00:17:16,400 --> 00:17:19,680
Speaker 1: have a con or a comedy show three months out

425
00:17:19,880 --> 00:17:21,560
Speaker 1: week of he guess theater's still good for me to

426
00:17:21,560 --> 00:17:25,320
Speaker 1: show up. No, we set a date, but it's all

427
00:17:25,359 --> 00:17:28,119
Speaker 1: a contract to me. It's a human contract. Here's another one,

428
00:17:28,560 --> 00:17:30,879
Speaker 1: Cereal first than milk, any other way you're a stalker,

429
00:17:30,960 --> 00:17:35,040
Speaker 1: cycle killer, Yeah, milk cereal next one. Stop. You should

430
00:17:35,119 --> 00:17:37,920
Speaker 1: never refer to your pets as fur babies, creepy, weird.

431
00:17:38,160 --> 00:17:40,840
Speaker 1: Love it and it's you just filling a void. I

432
00:17:40,960 --> 00:17:43,440
Speaker 1: say it babies. Yeah, hey, what's the void that you

433
00:17:43,480 --> 00:17:45,280
Speaker 1: don't have a baby? I know it could be a baby,

434
00:17:45,400 --> 00:17:50,000
Speaker 1: could be friends, could be any connection at all. You

435
00:17:50,080 --> 00:17:51,760
Speaker 1: don't use the word literally. If you don't mean literally,

436
00:17:52,280 --> 00:17:56,480
Speaker 1: you don't have to say figuratively, and you can do hey, man,

437
00:17:56,520 --> 00:17:58,480
Speaker 1: look at that he's he's the big as a mountain.

438
00:17:59,480 --> 00:18:01,440
Speaker 1: But don't say he says literally big as amount because

439
00:18:01,480 --> 00:18:03,760
Speaker 1: literally actually shifts the whole meaning of it. You would

440
00:18:03,760 --> 00:18:04,960
Speaker 1: have to literally be that base.

441
00:18:05,560 --> 00:18:06,760
Speaker 4: It's part of the sarcasm.

442
00:18:07,000 --> 00:18:09,440
Speaker 1: It's not sarcasm though, You're not being sarcastic by saying that.

443
00:18:10,640 --> 00:18:14,000
Speaker 1: That's like hype again. H yeah, yeah, just say dang,

444
00:18:14,119 --> 00:18:16,439
Speaker 1: look at Eddie. He says he's gotten a skinny as

445
00:18:16,480 --> 00:18:19,120
Speaker 1: a bean pole. Yeah. Now, if I say that, that's okay.

446
00:18:19,160 --> 00:18:20,639
Speaker 1: But if I go he's literally as skinny as a

447
00:18:20,680 --> 00:18:24,439
Speaker 1: bean pole, that's actually innaccurate. He's right about the saming ya.

448
00:18:24,760 --> 00:18:25,879
Speaker 4: I know that he's right about it.

449
00:18:25,920 --> 00:18:29,639
Speaker 1: But obviously, finally, you cannot give more than one hundred percent.

450
00:18:29,960 --> 00:18:32,920
Speaker 1: That's it. That's the fullness. You can't do one hundred

451
00:18:32,920 --> 00:18:34,280
Speaker 1: and ten. You can't do two thirty, you can't do

452
00:18:34,320 --> 00:18:36,960
Speaker 1: one thousand percent. It is one hundred percent. That's the

453
00:18:37,040 --> 00:18:39,399
Speaker 1: most maximum you could ever give, one hundred all the

454
00:18:39,440 --> 00:18:41,160
Speaker 1: way filled up the end. You can't do one hundred

455
00:18:41,160 --> 00:18:42,920
Speaker 1: and one. You can't do one hundred and twenty. It's

456
00:18:42,920 --> 00:18:44,399
Speaker 1: one hundred percent. That's at the end. Thank you.

457
00:18:44,560 --> 00:18:46,840
Speaker 6: When the Boston girls were in here, what they said

458
00:18:46,880 --> 00:18:49,000
Speaker 6: that your opry performance. I said one out of ten

459
00:18:49,080 --> 00:18:50,119
Speaker 6: and they were like eleven twelve.

460
00:18:50,160 --> 00:18:52,080
Speaker 4: He's amazing. You didn't you didn't correct them.

461
00:18:52,080 --> 00:18:54,040
Speaker 1: Because it's not a percentage, just not one hundred percent,

462
00:18:54,160 --> 00:18:55,840
Speaker 1: but it was a one out of ten skill. It

463
00:18:55,880 --> 00:18:58,480
Speaker 1: can't go over ten. But I don't care. They were

464
00:18:58,520 --> 00:18:59,000
Speaker 1: talking about me.

465
00:18:59,240 --> 00:19:01,000
Speaker 4: That was saying that you were No, I don't care.

466
00:19:01,040 --> 00:19:02,480
Speaker 1: They were saying I was better than a tent. So

467
00:19:02,480 --> 00:19:03,960
Speaker 1: why am I going to say, girls, I don't like that.

468
00:19:04,359 --> 00:19:06,920
Speaker 1: I will let that slide. Yes, Eddie, I have a situation.

469
00:19:07,040 --> 00:19:07,359
Speaker 1: Go ahead.

470
00:19:07,400 --> 00:19:10,000
Speaker 2: When you're like looking at like stock prices and numbers,

471
00:19:10,040 --> 00:19:12,280
Speaker 2: they say your returning investment was one hundred and.

472
00:19:12,320 --> 00:19:15,040
Speaker 1: Ten percent, that actually can't happen accurate. That's what I'm saying.

473
00:19:15,640 --> 00:19:17,000
Speaker 1: That's not a scale. I got that.

474
00:19:19,440 --> 00:19:20,520
Speaker 4: I'm actually with Bobby.

475
00:19:20,560 --> 00:19:23,600
Speaker 1: I'm not a scale. That's a that's mathematics up till

476
00:19:23,720 --> 00:19:25,399
Speaker 1: hundred percent. Is this number of anything more than one

477
00:19:25,480 --> 00:19:27,320
Speaker 1: hundred percent? It gets into one oh five one, it

478
00:19:27,359 --> 00:19:32,640
Speaker 1: can be three hundred percent. That before hard.

479
00:19:32,760 --> 00:19:34,359
Speaker 6: Sometimes when you have people on your side and then

480
00:19:34,359 --> 00:19:36,000
Speaker 6: they go say something like that, yes I know, right.

481
00:19:36,480 --> 00:19:38,000
Speaker 1: Then your buddy's turn full idiot, and then you're like,

482
00:19:38,080 --> 00:19:41,520
Speaker 1: well great, nor all right, everybody good?

483
00:19:41,560 --> 00:19:42,960
Speaker 3: Yeah, I gave one hundred and ten percent on that

484
00:19:42,960 --> 00:19:46,520
Speaker 3: sege And no clapping when the airplane lands less less

485
00:19:47,240 --> 00:19:49,320
Speaker 3: there was like some crazy turbulents than you almost died.

486
00:19:49,480 --> 00:19:51,360
Speaker 1: I love doing that though. It's so much fun.

487
00:19:51,480 --> 00:19:54,080
Speaker 6: Also, no jokes from the flight deck, from the from

488
00:19:54,160 --> 00:19:57,679
Speaker 6: the pilot, like about you know, whether destination or.

489
00:19:57,680 --> 00:20:00,840
Speaker 1: Kind of flight or trivia? Yeah, thank you? All right,

490
00:20:00,920 --> 00:20:03,600
Speaker 1: that's it. Small things. We have strong opinions, Mike, sorry

491
00:20:03,600 --> 00:20:05,399
Speaker 1: about more on about that. That's what I started with,

492
00:20:06,480 --> 00:20:09,200
Speaker 1: yelling at each other. It's time for the good news.

493
00:20:09,960 --> 00:20:10,200
Speaker 10: Ready.

494
00:20:14,200 --> 00:20:16,479
Speaker 2: I want to shout out a nonprofit out of western

495
00:20:16,560 --> 00:20:20,119
Speaker 2: North Carolina called Project Linus, and what they do is

496
00:20:20,200 --> 00:20:23,439
Speaker 2: they make blankets for kids in need, like hospital shelters.

497
00:20:23,480 --> 00:20:26,320
Speaker 2: They deliver them, but they call these blankets hugs because

498
00:20:26,320 --> 00:20:28,080
Speaker 2: the kids they put the blanket on, they feel like

499
00:20:28,080 --> 00:20:30,600
Speaker 2: they're being hugged, which is really cool. But since COVID hit,

500
00:20:30,960 --> 00:20:32,920
Speaker 2: you know, three years ago, they have an event that

501
00:20:33,040 --> 00:20:34,879
Speaker 2: they usually do, but they weren't able to do it.

502
00:20:35,080 --> 00:20:37,320
Speaker 2: It's called Day of Love, and finally they got to

503
00:20:37,359 --> 00:20:39,400
Speaker 2: do it a couple of weeks ago. They collected all

504
00:20:39,520 --> 00:20:42,160
Speaker 2: kinds of blankets, they delivered them. But in the twenty

505
00:20:42,200 --> 00:20:44,760
Speaker 2: five years that they've been a nonprofit, they have made

506
00:20:44,840 --> 00:20:47,560
Speaker 2: over eighty seven thousand blankets or hugs, whatever you want

507
00:20:47,600 --> 00:20:49,680
Speaker 2: to call it they make. They make, yeah, all kinds

508
00:20:49,680 --> 00:20:51,400
Speaker 2: of blankets. They say it knit.

509
00:20:51,840 --> 00:20:53,399
Speaker 1: They felt like something you would do for a second

510
00:20:53,480 --> 00:20:54,880
Speaker 1: and all your hobbies that you have for a minute.

511
00:20:55,680 --> 00:21:00,720
Speaker 4: I'm so I can se yeah, but knit knitting.

512
00:21:00,960 --> 00:21:04,040
Speaker 1: Sewing is basically sewing things together, right, yeah, but on

513
00:21:04,160 --> 00:21:07,080
Speaker 1: a machine. Yeah, but you're not creating a bleak.

514
00:21:07,240 --> 00:21:07,560
Speaker 4: Correct.

515
00:21:07,600 --> 00:21:10,320
Speaker 1: So you're like sewing like that movie Human Centipede. You're

516
00:21:10,320 --> 00:21:12,040
Speaker 1: selling people together. That's a weird movie.

517
00:21:12,960 --> 00:21:13,160
Speaker 4: Weird.

518
00:21:14,400 --> 00:21:16,479
Speaker 1: I never heard that one. Okay, you ever heard that one?

519
00:21:16,600 --> 00:21:20,359
Speaker 1: Got it? Yeah, So people are knitting blankets basically. No, no, no, no,

520
00:21:20,520 --> 00:21:23,560
Speaker 1: they don't knit them. They don't know. Absolutely they do

521
00:21:23,680 --> 00:21:28,080
Speaker 1: knitted blankets. They do crochete blankets. All kinds of difference

522
00:21:28,160 --> 00:21:29,600
Speaker 1: knitting and crochet. I have no, I don't know.

523
00:21:30,240 --> 00:21:32,480
Speaker 6: This is a like a knitted would be like you

524
00:21:32,600 --> 00:21:35,159
Speaker 6: have the yarn and it looks like yeah, and then

525
00:21:35,600 --> 00:21:37,880
Speaker 6: a quilt is more of like fabric sewn together.

526
00:21:37,960 --> 00:21:38,600
Speaker 1: What's crocheted?

527
00:21:39,080 --> 00:21:39,720
Speaker 4: Crochete?

528
00:21:40,280 --> 00:21:47,000
Speaker 1: Like, yes, I do that, but that was knitting exactly.

529
00:21:47,280 --> 00:21:48,480
Speaker 1: It's like an expert of torocheting.

530
00:21:49,000 --> 00:21:50,560
Speaker 4: I've never dug either, I'm not.

531
00:21:50,640 --> 00:21:54,440
Speaker 1: Actually, I don't know the difference. I like this. Put

532
00:21:54,480 --> 00:21:57,600
Speaker 1: the name again. Yeah, they're called project liness, Carol.

533
00:21:58,600 --> 00:21:59,640
Speaker 4: This is telling me something good.

534
00:21:59,680 --> 00:21:59,920
Speaker 8: I'm not.

535
00:22:00,960 --> 00:22:04,200
Speaker 1: No, we're having a conversation. Question was what's the difference

536
00:22:04,200 --> 00:22:06,320
Speaker 1: in crocheg and knitting? And I'm being told here now.

537
00:22:06,640 --> 00:22:09,560
Speaker 1: Knitting uses a pair of long needles to form the loops,

538
00:22:09,640 --> 00:22:11,600
Speaker 1: moving a set of loops from one needle to the other.

539
00:22:12,080 --> 00:22:12,719
Speaker 4: That's what I was doing.

540
00:22:13,000 --> 00:22:14,760
Speaker 1: Shane uses a single hook to hook the loops to

541
00:22:15,240 --> 00:22:20,520
Speaker 1: the guys exactly. Let's move on. What anyway, I do

542
00:22:20,680 --> 00:22:23,800
Speaker 1: care about this project? That is what it's all about.

543
00:22:24,920 --> 00:22:29,000
Speaker 1: That was telling me something good. Amy, What do you

544
00:22:29,040 --> 00:22:29,960
Speaker 1: have over there I have?

545
00:22:30,680 --> 00:22:32,640
Speaker 4: Do we care about this or do we not care

546
00:22:32,680 --> 00:22:33,000
Speaker 4: about this?

547
00:22:33,800 --> 00:22:35,240
Speaker 1: A list or just one thing?

548
00:22:35,840 --> 00:22:38,359
Speaker 6: No, it's a whole list of things, like someone had posted, like,

549
00:22:38,400 --> 00:22:40,720
Speaker 6: I just don't really care about these sorts of things, so.

550
00:22:40,800 --> 00:22:42,239
Speaker 4: I wanted to see how you felt about them.

551
00:22:42,280 --> 00:22:43,479
Speaker 1: Okay, go give them the first one.

552
00:22:43,560 --> 00:22:47,440
Speaker 6: Okay, SAT scores or act scores of your friends or

553
00:22:47,560 --> 00:22:48,600
Speaker 6: anybody that you're hanging out with.

554
00:22:48,960 --> 00:22:50,960
Speaker 1: I don't really care, and I don't bring mine up

555
00:22:51,000 --> 00:22:52,280
Speaker 1: unless it gets brought up, but I do like it

556
00:22:52,320 --> 00:22:53,840
Speaker 1: when it gets brought up because I did pretty good.

557
00:22:54,000 --> 00:22:58,160
Speaker 1: What was yours on the act? Twenty eight? Is that good?

558
00:22:58,640 --> 00:22:58,800
Speaker 7: Yeah?

559
00:22:59,200 --> 00:23:02,000
Speaker 1: That means yeah good. If my math would have been

560
00:23:02,040 --> 00:23:04,240
Speaker 1: better out had like crushed it because I I mean,

561
00:23:04,280 --> 00:23:07,440
Speaker 1: I did thirty six as the maxim moment's perfect score

562
00:23:08,160 --> 00:23:11,639
Speaker 1: twenty three got us scholarship anywhere in the state and

563
00:23:11,840 --> 00:23:16,440
Speaker 1: so which I did that in seventh grade. Dang, it's

564
00:23:16,480 --> 00:23:19,000
Speaker 1: awesome genius. It also took a lot of pressure off

565
00:23:19,040 --> 00:23:20,520
Speaker 1: of me because I always wondered how was I going

566
00:23:20,560 --> 00:23:22,520
Speaker 1: to afford to go to college? So because I had

567
00:23:22,560 --> 00:23:24,399
Speaker 1: that twenty four to punch it, So I did a

568
00:23:24,440 --> 00:23:27,800
Speaker 1: twenty eight back then. So if you're accounting inflation, i'd

569
00:23:27,800 --> 00:23:31,040
Speaker 1: be at thirty three today. Yeah, it's really the same thing.

570
00:23:31,160 --> 00:23:34,320
Speaker 3: But I know I don't care about someone's SAT or ACT,

571
00:23:34,440 --> 00:23:35,920
Speaker 3: but it's fun to talk about for me.

572
00:23:36,359 --> 00:23:40,640
Speaker 1: What'd you guys get? Well? Which one act? I didn't

573
00:23:40,640 --> 00:23:42,240
Speaker 1: take the SAT we didn't have that as an option.

574
00:23:42,400 --> 00:23:45,359
Speaker 4: I only took the ACT once and I got a nineteen.

575
00:23:46,080 --> 00:23:47,840
Speaker 3: Fair that's where an athlete needs really to get in

576
00:23:47,920 --> 00:23:49,760
Speaker 3: to get into college, and I'm bad sports.

577
00:23:50,359 --> 00:23:53,399
Speaker 1: I took the SAT once ten ten got four digits.

578
00:23:53,440 --> 00:23:55,480
Speaker 1: I'm out. Yeah, I don't. I don't know the scale

579
00:23:55,520 --> 00:23:56,240
Speaker 1: of the says.

580
00:23:56,200 --> 00:23:58,880
Speaker 3: Sixteen hundred is the best. I got a ten ten, Mike,

581
00:23:58,960 --> 00:24:01,119
Speaker 3: can you tell me what the scores would be A

582
00:24:01,200 --> 00:24:01,520
Speaker 3: ten ten?

583
00:24:01,840 --> 00:24:05,600
Speaker 1: Eddie? I remember taking Act SAT like seven hundred.

584
00:24:06,040 --> 00:24:06,880
Speaker 4: No, what, Eddie?

585
00:24:07,040 --> 00:24:08,320
Speaker 1: That's no, it wasn't good.

586
00:24:08,480 --> 00:24:08,840
Speaker 4: I remember.

587
00:24:08,840 --> 00:24:09,959
Speaker 1: I remember my parents freaking out.

588
00:24:10,000 --> 00:24:12,400
Speaker 4: I haven't met anybody that's no, No, you met, Eddie.

589
00:24:12,560 --> 00:24:16,119
Speaker 2: I believe that's like they didn't have easy questions on

590
00:24:16,200 --> 00:24:16,560
Speaker 2: the SAT.

591
00:24:16,720 --> 00:24:19,359
Speaker 1: I wasn't easy trivia, No, because you do rocks and

592
00:24:19,400 --> 00:24:21,080
Speaker 1: easy trivia. Thank you, Matt. Relax.

593
00:24:21,320 --> 00:24:24,399
Speaker 3: Okay, so a ten ten ten would be in the

594
00:24:24,480 --> 00:24:29,280
Speaker 3: category of below average four hundred to ten ten is

595
00:24:29,320 --> 00:24:30,080
Speaker 3: below average?

596
00:24:30,359 --> 00:24:34,320
Speaker 1: Whoa studio? Below average? Excuse me? That's probably it was

597
00:24:34,359 --> 00:24:36,080
Speaker 1: the top of below average. Open matter exactly. That's what

598
00:24:36,119 --> 00:24:39,080
Speaker 1: I'm saying. I was top fifty percent of my high

599
00:24:39,080 --> 00:24:42,000
Speaker 1: school class. Okay, next up, what do we care? Do

600
00:24:42,000 --> 00:24:43,120
Speaker 1: you guys care about acts?

601
00:24:43,200 --> 00:24:43,240
Speaker 7: No?

602
00:24:43,560 --> 00:24:45,800
Speaker 1: No, no, I do only I mean I bra to

603
00:24:45,840 --> 00:24:48,400
Speaker 1: talk about if it comes up for me anyways, it's.

604
00:24:48,320 --> 00:24:50,240
Speaker 4: Like you're going to care. Oh, your friend made that up?

605
00:24:50,520 --> 00:24:51,280
Speaker 1: A lease you guys are.

606
00:24:52,920 --> 00:24:55,040
Speaker 4: What anyone baby did that day?

607
00:24:55,560 --> 00:24:57,480
Speaker 1: Oh No, I don't have kids, so I don't relate

608
00:24:57,800 --> 00:24:59,960
Speaker 1: when they're like, oh my six year old, look he pooped,

609
00:25:00,000 --> 00:25:01,640
Speaker 1: I need it, and I'm like, well that's the first grader.

610
00:25:01,720 --> 00:25:03,720
Speaker 1: Well why is that happening? And so that's I don't

611
00:25:03,760 --> 00:25:06,040
Speaker 1: get it. You don't like those poop stories. I don't

612
00:25:06,080 --> 00:25:08,280
Speaker 1: like any kids the baby stories unless I know the kids.

613
00:25:08,280 --> 00:25:09,960
Speaker 1: Then I was like, oh, yeah, I look at that. Okay,

614
00:25:10,160 --> 00:25:13,520
Speaker 1: but no, since I've never had kids, don't have them yet,

615
00:25:13,920 --> 00:25:16,800
Speaker 1: not really interops kids unless I have a personal relationship

616
00:25:16,840 --> 00:25:19,359
Speaker 1: with them. Care, don't care? I like it. I mean

617
00:25:19,560 --> 00:25:22,159
Speaker 1: I like telling the stories, so I'll hear some. No,

618
00:25:22,280 --> 00:25:24,280
Speaker 1: do you care that they hear O? The pis not really?

619
00:25:24,280 --> 00:25:25,720
Speaker 1: If it's not Mike you, I don't care. I don't

620
00:25:25,720 --> 00:25:27,760
Speaker 1: care about other kids. I talk about mine. You listen

621
00:25:27,760 --> 00:25:29,080
Speaker 1: to my story. I don't want to hear yours.

622
00:25:30,200 --> 00:25:31,840
Speaker 4: So do you care or not care? If a friend

623
00:25:31,960 --> 00:25:33,280
Speaker 4: unfollows you on Instagram?

624
00:25:33,720 --> 00:25:34,880
Speaker 1: Yeah? I care? What why?

625
00:25:35,720 --> 00:25:35,920
Speaker 7: Yeah?

626
00:25:36,040 --> 00:25:38,920
Speaker 1: I would care. I didn't unfollow you and your content sucks,

627
00:25:39,000 --> 00:25:41,280
Speaker 1: so you can follow follow me? Do you reach out

628
00:25:41,320 --> 00:25:41,800
Speaker 1: and ask them?

629
00:25:42,119 --> 00:25:42,159
Speaker 7: No?

630
00:25:42,320 --> 00:25:45,920
Speaker 1: I just don't follow them. Oh got them, yeah, unfollowed

631
00:25:45,920 --> 00:25:48,080
Speaker 1: with an unfollowed So how you do it? Yeah? Maybe

632
00:25:48,080 --> 00:25:50,760
Speaker 1: even on block? Oh until they make them reach out

633
00:25:50,800 --> 00:25:54,639
Speaker 1: to me? Uh yeah, I care? Uh yeah, I care.

634
00:25:54,680 --> 00:25:55,840
Speaker 1: I want to know why I don't care. I have

635
00:25:55,880 --> 00:25:57,639
Speaker 1: no idea who follows me? Okay, next up?

636
00:25:57,800 --> 00:26:01,120
Speaker 6: Okay, if someone steals your designated parking spot.

637
00:26:00,920 --> 00:26:01,600
Speaker 1: I'll be the one to talk.

638
00:26:02,600 --> 00:26:03,840
Speaker 4: We're the only one with one.

639
00:26:04,359 --> 00:26:06,480
Speaker 1: No one steals your spot. One time it did, remember,

640
00:26:06,520 --> 00:26:08,399
Speaker 1: I was like what. Oh yeah, And I was like,

641
00:26:08,440 --> 00:26:10,119
Speaker 1: we're gonna tell this person or what And we didn't.

642
00:26:10,280 --> 00:26:13,399
Speaker 1: We didn't. We I'm gonna say again, we didn't. We

643
00:26:13,520 --> 00:26:16,760
Speaker 1: left it b But you care? Yeah, I care. My

644
00:26:16,960 --> 00:26:19,520
Speaker 1: last contract didn't negotiate that stupid spot, like they want

645
00:26:19,560 --> 00:26:20,520
Speaker 1: to get the don't want to give me a bunch

646
00:26:20,520 --> 00:26:21,800
Speaker 1: of crap. And I was like, let's give me a

647
00:26:21,880 --> 00:26:24,600
Speaker 1: parking spot because sometimes a good parent I can't park.

648
00:26:24,960 --> 00:26:26,480
Speaker 1: And they're like, fine, we'll give you a parking spot.

649
00:26:26,840 --> 00:26:28,480
Speaker 1: Yeah I care, and then you guys can have it

650
00:26:28,520 --> 00:26:30,800
Speaker 1: when I'm out here. Yeah that's awesome, thank you? All right?

651
00:26:30,880 --> 00:26:31,679
Speaker 1: What else do you care?

652
00:26:31,840 --> 00:26:36,119
Speaker 6: Not care what someone's spent on their outfit or clothing items.

653
00:26:36,160 --> 00:26:38,240
Speaker 1: Don't care at all, couldn't, couldn't care any less.

654
00:26:38,280 --> 00:26:40,560
Speaker 3: You guys, I care when I see celebrities. I'm my dang,

655
00:26:40,560 --> 00:26:42,680
Speaker 3: I wonder how much that costs. I want to know

656
00:26:42,720 --> 00:26:45,920
Speaker 3: what they're rolling with. That's awesome jewelry? Yeah, like I

657
00:26:46,000 --> 00:26:47,560
Speaker 3: mean like when I saw Diddy and he had all

658
00:26:47,600 --> 00:26:49,840
Speaker 3: those rings on his head, I'm like, dude, that has

659
00:26:49,880 --> 00:26:52,440
Speaker 3: to be a million dollars, million dollars in the necklaces.

660
00:26:52,520 --> 00:26:54,720
Speaker 1: I mean, it's so cool. You ever asked anybody, no,

661
00:26:55,320 --> 00:26:57,720
Speaker 1: do you care? Yeah? Jewelry, yeah, clothes. Now, I don't

662
00:26:57,760 --> 00:26:59,360
Speaker 1: even know what's good or not. I let's start asking

663
00:26:59,400 --> 00:27:00,879
Speaker 1: them how much can I dare you?

664
00:27:01,080 --> 00:27:01,360
Speaker 5: I will.

665
00:27:01,680 --> 00:27:03,600
Speaker 1: I will start asking celeb go ahead, how much.

666
00:27:03,440 --> 00:27:05,600
Speaker 4: You can bench press? Or someone can?

667
00:27:06,400 --> 00:27:08,159
Speaker 1: I guess if they're pretty jacked, I'd be like, what

668
00:27:08,200 --> 00:27:09,480
Speaker 1: are you doing over there? How much you mentioned?

669
00:27:09,560 --> 00:27:09,600
Speaker 7: You?

670
00:27:09,680 --> 00:27:11,360
Speaker 1: Ask them a lot just for funny, because I don't

671
00:27:11,359 --> 00:27:12,760
Speaker 1: really know what I venture pressed. I know what I

672
00:27:12,800 --> 00:27:15,480
Speaker 1: can do like six eight times, but I don't I

673
00:27:15,640 --> 00:27:20,520
Speaker 1: could probably do two twenty five six times, which is

674
00:27:20,960 --> 00:27:24,160
Speaker 1: pretty good since I'm about one seventy. I've worked hard

675
00:27:24,200 --> 00:27:27,320
Speaker 1: to get there. Maybe four times, but nobody cares. But

676
00:27:27,440 --> 00:27:29,399
Speaker 1: when they do ask what you do, you tell them

677
00:27:29,480 --> 00:27:32,600
Speaker 1: that the max is it. I don't max. Yeah, you

678
00:27:32,680 --> 00:27:34,399
Speaker 1: can't tell them that I do that six times. That

679
00:27:34,480 --> 00:27:34,960
Speaker 1: sounds weird.

680
00:27:35,160 --> 00:27:38,080
Speaker 3: Yeah, I don't care unless I'm asking it as a

681
00:27:38,240 --> 00:27:39,880
Speaker 3: kind of a joke. Right, Yeah, do you guys care?

682
00:27:40,119 --> 00:27:40,159
Speaker 7: No?

683
00:27:40,280 --> 00:27:43,000
Speaker 1: No, I'm never asking about horoscopes.

684
00:27:43,040 --> 00:27:43,399
Speaker 3: Do you care?

685
00:27:43,920 --> 00:27:43,960
Speaker 7: No?

686
00:27:45,040 --> 00:27:45,879
Speaker 1: Okay, all right?

687
00:27:46,000 --> 00:27:48,439
Speaker 4: Do you care and not care about music before nineteen sixty?

688
00:27:49,240 --> 00:27:49,280
Speaker 7: No?

689
00:27:49,600 --> 00:27:50,399
Speaker 1: Seen sixty?

690
00:27:50,520 --> 00:27:50,680
Speaker 4: Yeah?

691
00:27:50,760 --> 00:27:54,600
Speaker 1: Yeah, like some of the early early rock you know,

692
00:27:54,760 --> 00:27:58,200
Speaker 1: Buddy Hawley type situation. That's fifty So yeah, that care?

693
00:27:58,480 --> 00:28:01,840
Speaker 1: But yeah, so yeah I do. Yeah, go ahead, award shows, yes,

694
00:28:02,240 --> 00:28:04,520
Speaker 1: because they won't let me host. So that's that's the

695
00:28:04,560 --> 00:28:04,919
Speaker 1: whole thing.

696
00:28:05,000 --> 00:28:05,960
Speaker 4: Do you care or not care?

697
00:28:07,760 --> 00:28:11,240
Speaker 1: I care that they keep banning me from hosting these shows.

698
00:28:11,359 --> 00:28:13,399
Speaker 1: You should care about that? Yeah, that's it. Yeah, I

699
00:28:13,440 --> 00:28:15,600
Speaker 1: do care when I talk about that though. That's the question.

700
00:28:15,760 --> 00:28:16,040
Speaker 1: All right.

701
00:28:16,080 --> 00:28:19,040
Speaker 4: One more tan lines on your own body.

702
00:28:19,320 --> 00:28:22,920
Speaker 1: A farmer's tan embarrasses me sometimes because if I am like,

703
00:28:23,720 --> 00:28:25,560
Speaker 1: I wear a cut off to work out, and if

704
00:28:25,560 --> 00:28:27,639
Speaker 1: I'm outside, I get farmers tan like rider on a

705
00:28:27,720 --> 00:28:29,520
Speaker 1: nips and the sides of them. But if I'm wearing

706
00:28:29,560 --> 00:28:31,000
Speaker 1: a shirt and I'm playing golf. I get that second

707
00:28:31,040 --> 00:28:32,800
Speaker 1: far so I got a three level farmer tan And

708
00:28:32,880 --> 00:28:35,320
Speaker 1: that's pretty embarrassing sometimes, but I don't really care that much.

709
00:28:35,680 --> 00:28:37,280
Speaker 4: Yeah, but nobody cares. That's the thing too.

710
00:28:37,320 --> 00:28:40,560
Speaker 1: Well, do you guys care? No, really about the girl there?

711
00:28:40,600 --> 00:28:40,960
Speaker 7: You go? Care?

712
00:28:41,560 --> 00:28:44,520
Speaker 1: What about this segment? I don't even care. Care It's

713
00:28:44,520 --> 00:28:48,240
Speaker 1: all good there too. Okay, Ray's gonna play us a

714
00:28:48,320 --> 00:28:52,440
Speaker 1: classic TV catchphrase. For example, this was the example hit

715
00:28:52,520 --> 00:28:55,960
Speaker 1: that one, whoa, whoa, So that would have been blossom. Yeah,

716
00:28:56,000 --> 00:28:57,960
Speaker 1: it's a classic show, right, What are the parameters on

717
00:28:58,000 --> 00:29:00,560
Speaker 1: the years here? So these shows are at least thirty

718
00:29:00,640 --> 00:29:03,280
Speaker 1: years old? They could be as much as sixty years old.

719
00:29:03,480 --> 00:29:05,480
Speaker 1: So thirty years If this is twenty three, that means

720
00:29:05,480 --> 00:29:08,800
Speaker 1: seven years back from two thousand, So the Big Night

721
00:29:08,880 --> 00:29:11,960
Speaker 1: Wow ninety three, so ninety three would be classic. Well

722
00:29:12,440 --> 00:29:15,320
Speaker 1: that is stupid. We're getting the old time marches on

723
00:29:15,720 --> 00:29:17,520
Speaker 1: all right, So RAYO give us seven of these. Write

724
00:29:17,560 --> 00:29:19,280
Speaker 1: your answers down, guys, and we'll see who does the

725
00:29:19,320 --> 00:29:28,320
Speaker 1: best at the end. Right, ready for number one? Gimme? Yeah,

726
00:29:30,520 --> 00:29:32,840
Speaker 1: I feel like that's easy. Yeah, I think it's easy

727
00:29:33,040 --> 00:29:35,640
Speaker 1: Scooby Doo. That's what I have to Okay, Scooby Doo,

728
00:29:35,800 --> 00:29:43,440
Speaker 1: Scooby doo, Scooby doo. All right, good, that's what dang thing.

729
00:29:43,560 --> 00:29:47,120
Speaker 4: What we've had this one. I mean, I feel like

730
00:29:47,160 --> 00:29:47,760
Speaker 4: I should know this.

731
00:29:47,840 --> 00:29:53,760
Speaker 1: And pretty famous I'm in. Yeah it is. This is

732
00:29:53,840 --> 00:30:01,200
Speaker 1: old old old Amy shaking her head, lunchbox.

733
00:30:01,200 --> 00:30:04,240
Speaker 4: Do you know it needs like one Martina tiny hit?

734
00:30:04,560 --> 00:30:06,360
Speaker 1: Oh yeah, I need a little hen But we don't

735
00:30:06,480 --> 00:30:06,880
Speaker 1: do hints.

736
00:30:06,880 --> 00:30:09,240
Speaker 4: I mean the clip, it's the second one.

737
00:30:09,800 --> 00:30:12,720
Speaker 1: Okay, he's talking to Willis and he's asking him what

738
00:30:12,720 --> 00:30:15,520
Speaker 1: he's talking about. Yeah, I know, I know.

739
00:30:17,520 --> 00:30:20,360
Speaker 4: We're talking about this one. All right, everybody, Yeah, okay,

740
00:30:20,920 --> 00:30:21,600
Speaker 4: all in the family.

741
00:30:22,040 --> 00:30:23,960
Speaker 1: Not a bad gues not it, but not a bad guy.

742
00:30:24,360 --> 00:30:26,840
Speaker 1: Lunchbox fans, welcome back Conner. It is not not a

743
00:30:26,880 --> 00:30:30,120
Speaker 1: bad guess. OHI the same ish time period Eddie won

744
00:30:30,200 --> 00:30:33,800
Speaker 1: two three different thro it. I thought that was thought

745
00:30:33,840 --> 00:30:37,600
Speaker 1: what I thought that was? Never mind, you didn't think anything.

746
00:30:37,640 --> 00:30:39,640
Speaker 1: How you just thought that was about I thought it

747
00:30:39,720 --> 00:30:41,760
Speaker 1: was something different. I thought that was. They don't ask

748
00:30:41,760 --> 00:30:43,560
Speaker 1: me what I thought that was when they were in school?

749
00:30:43,680 --> 00:30:48,760
Speaker 1: All right? Next up? Wait what I don't know what

750
00:30:48,880 --> 00:30:54,240
Speaker 1: they said, do it. Everybody quiet, ready, go dude, I

751
00:30:54,320 --> 00:30:58,480
Speaker 1: don't know. I have no idea what they're saying. We're

752
00:30:58,520 --> 00:31:00,480
Speaker 1: all hearing the same thing, lunchbo should I get Disadvand

753
00:31:02,000 --> 00:31:03,560
Speaker 1: he's like, you, guys, cann hear what I was saying

754
00:31:04,080 --> 00:31:04,520
Speaker 1: one more time?

755
00:31:08,160 --> 00:31:14,080
Speaker 2: He's not so a catch phrase is now.

756
00:31:14,360 --> 00:31:16,520
Speaker 1: Sounds like me talking. I know it, So I don't

757
00:31:16,520 --> 00:31:19,880
Speaker 1: want him to play it again. You could play that

758
00:31:19,960 --> 00:31:21,920
Speaker 1: a thousand times and I'm not gonna get you know

759
00:31:21,920 --> 00:31:24,560
Speaker 1: what they're yelling. If you knew what they were yelling.

760
00:31:25,200 --> 00:31:26,240
Speaker 1: I think you would get it.

761
00:31:27,560 --> 00:31:29,920
Speaker 6: Hold on, hold on, Oh my gosh, it just like

762
00:31:30,160 --> 00:31:32,200
Speaker 6: was It's so crazy how sometimes in your.

763
00:31:32,120 --> 00:31:37,560
Speaker 1: Brain and I don't talk anything that three ss it

764
00:31:37,640 --> 00:31:42,160
Speaker 1: helps to remember things in my head and know it

765
00:31:42,240 --> 00:31:46,080
Speaker 1: though you have that possible look on wants ready to

766
00:31:46,120 --> 00:31:50,960
Speaker 1: play it again. They're yelling lunchbox no, iund like they're

767
00:31:51,000 --> 00:31:53,360
Speaker 1: yelling no, okay, we can't write anything down now, y

768
00:31:53,400 --> 00:31:57,480
Speaker 1: played again? Okay here, listen to the end of it.

769
00:31:57,920 --> 00:31:59,680
Speaker 1: Listen it's not no. There's a sound at the end.

770
00:31:59,720 --> 00:32:01,880
Speaker 1: Listen to the sound at the end of no, okay,

771
00:32:01,960 --> 00:32:06,720
Speaker 1: go no, I know it. What do you think they're

772
00:32:06,800 --> 00:32:07,560
Speaker 1: yelling golly.

773
00:32:08,640 --> 00:32:11,120
Speaker 4: It's like I hear when what's.

774
00:32:10,960 --> 00:32:11,320
Speaker 1: The show you have?

775
00:32:11,440 --> 00:32:11,600
Speaker 3: Uch of?

776
00:32:12,240 --> 00:32:16,160
Speaker 1: But friends? Good times? Amy? Do you have anything?

777
00:32:16,640 --> 00:32:16,680
Speaker 7: No?

778
00:32:18,200 --> 00:32:25,320
Speaker 1: I think they're yelling Norm. Norm cheers, Oh, cheers? Okay,

779
00:32:26,120 --> 00:32:27,840
Speaker 1: ready to play. Let's listen for them. It's the end

780
00:32:27,880 --> 00:32:32,120
Speaker 1: of it, and somebody goes Norm. It's a very end,

781
00:32:33,440 --> 00:32:34,600
Speaker 1: is it? Cheers you?

782
00:32:36,200 --> 00:32:38,520
Speaker 2: I've never heard that before in my life. So when

783
00:32:38,560 --> 00:32:40,640
Speaker 2: you say cheers, that's the catchphrase they're known for.

784
00:32:40,800 --> 00:32:45,440
Speaker 1: For when Norm walks in. Norm Okay, all right, okay.

785
00:32:46,240 --> 00:32:47,800
Speaker 3: Well rough you Ray?

786
00:32:48,840 --> 00:32:51,040
Speaker 1: What you rang?

787
00:32:52,360 --> 00:32:52,880
Speaker 7: You rang?

788
00:32:53,720 --> 00:32:54,280
Speaker 6: You rang?

789
00:32:55,960 --> 00:32:59,240
Speaker 1: Sounds like a creep you Right? This is the show

790
00:32:59,240 --> 00:33:00,840
Speaker 1: I'm thinking about. It's I'm gonna give you guys hint

791
00:33:00,840 --> 00:33:02,160
Speaker 1: because I don't know even though this is it, I'm

792
00:33:02,160 --> 00:33:03,600
Speaker 1: gonna put you on the wrong trail. I believe it's

793
00:33:03,600 --> 00:33:04,160
Speaker 1: black and white.

794
00:33:05,680 --> 00:33:06,400
Speaker 4: Was picturing.

795
00:33:07,680 --> 00:33:08,200
Speaker 7: You ring?

796
00:33:09,000 --> 00:33:13,920
Speaker 1: You think you ring? Who says that? All right? I

797
00:33:14,000 --> 00:33:17,160
Speaker 1: got something written down, got it? I'm torn between two.

798
00:33:17,200 --> 00:33:20,400
Speaker 1: I'm gonna tell you what they are. Monsters and Adam's family. Eh,

799
00:33:23,320 --> 00:33:28,080
Speaker 1: that's the Frankenstein like Lurch Lurch. I just can't remember

800
00:33:28,120 --> 00:33:31,360
Speaker 1: what show Lurch was in. He's the one that looks

801
00:33:31,360 --> 00:33:35,440
Speaker 1: like Frankston. I believe, Yeah, I think so. I'm gonna

802
00:33:35,440 --> 00:33:38,520
Speaker 1: go with Adam's family because I think Herman Monster was

803
00:33:38,600 --> 00:33:41,000
Speaker 1: the Monster and the Monsters. Oh yeah, her. So I'm

804
00:33:41,000 --> 00:33:43,640
Speaker 1: gonna go Lurch Adams, Adam's family.

805
00:33:43,800 --> 00:33:46,800
Speaker 4: I have Adam's family, Alfred Hitchcock.

806
00:33:47,000 --> 00:33:50,320
Speaker 1: I have Inspector Gadget. Yeah that was bad. Yes, and

807
00:33:50,440 --> 00:33:53,440
Speaker 1: I thought it was the claw guy. Yeah, pretty good. Guest,

808
00:33:53,440 --> 00:33:57,640
Speaker 1: Is is it Adam's family? Yep? Well you're dominating. That

809
00:33:57,720 --> 00:34:00,400
Speaker 1: was a tough one, though. Next one, Don't make me angry.

810
00:34:00,760 --> 00:34:04,400
Speaker 1: You wouldn't like me when I'm angry? Classic? This is

811
00:34:05,000 --> 00:34:05,960
Speaker 1: This is a classic classic.

812
00:34:06,480 --> 00:34:07,400
Speaker 8: Don't make me angry.

813
00:34:07,760 --> 00:34:11,120
Speaker 1: You wouldn't like me when I'm angry. This one's been

814
00:34:11,160 --> 00:34:14,320
Speaker 1: remade a bunch. Really, if it's what I think it is,

815
00:34:15,920 --> 00:34:19,560
Speaker 1: I don't know, remade a bunch. I've never seen a

816
00:34:19,600 --> 00:34:20,080
Speaker 1: remake of this.

817
00:34:20,200 --> 00:34:20,759
Speaker 5: I mean you have.

818
00:34:21,120 --> 00:34:22,759
Speaker 1: If it's what I could be wrong. I could be wrong.

819
00:34:23,040 --> 00:34:25,120
Speaker 1: But who gets angry? Everybody gets when I think angry.

820
00:34:25,360 --> 00:34:27,200
Speaker 1: It's incredible Hulk when he breaks out of his clothes.

821
00:34:28,200 --> 00:34:30,600
Speaker 3: It's a TV a TV show, Yeah, but it's been

822
00:34:30,640 --> 00:34:33,560
Speaker 3: remade as a movies pictures.

823
00:34:33,920 --> 00:34:36,120
Speaker 1: But I don't know that's true. I have incredible Hulk. You,

824
00:34:40,760 --> 00:34:43,640
Speaker 1: mister Belvidere, that is I don't know what that is.

825
00:34:44,160 --> 00:34:46,640
Speaker 1: That's uh, mister Belvidere's from England, came over to work

826
00:34:46,640 --> 00:34:49,200
Speaker 1: with the kids, the housekeeper. Is it incredible Hawk?

827
00:34:50,520 --> 00:34:52,120
Speaker 4: Was Robin Williams incredible Hulk?

828
00:34:52,280 --> 00:34:54,919
Speaker 1: No, it sounded just like Robin Williams. Though it didn't.

829
00:34:54,960 --> 00:34:58,960
Speaker 1: All right, next up it did. It's long and prosper.

830
00:34:59,400 --> 00:35:05,120
Speaker 1: Got it? Live what, Live Long and prosper. No one's

831
00:35:05,160 --> 00:35:06,800
Speaker 1: heard these, Yeah they have, and I'll show you the

832
00:35:06,880 --> 00:35:08,759
Speaker 1: thing that you would see from it, and you may

833
00:35:08,840 --> 00:35:13,600
Speaker 1: get it. Live Long and prosper, Long and prosper.

834
00:35:14,520 --> 00:35:18,120
Speaker 3: They're not Australian, Buddy, Live Long, and they're not American

835
00:35:18,160 --> 00:35:19,239
Speaker 3: though I'm telling you that they're not.

836
00:35:20,600 --> 00:35:24,359
Speaker 1: Everybody in Oh, I'm gonna write this. I can't let

837
00:35:24,360 --> 00:35:27,200
Speaker 1: me change right now. You can't change. You said you're in.

838
00:35:27,320 --> 00:35:29,239
Speaker 1: What does this mean to you? Amy? I don't know

839
00:35:29,520 --> 00:35:31,120
Speaker 1: my hand is he's flipping you off? Now. I got

840
00:35:31,160 --> 00:35:33,399
Speaker 1: two fingers together, two fingers together.

841
00:35:34,080 --> 00:35:35,480
Speaker 4: I don't know what it means.

842
00:35:36,520 --> 00:35:38,640
Speaker 1: It's some nerd show, but.

843
00:35:38,719 --> 00:35:39,799
Speaker 4: This is what I have written down.

844
00:35:39,880 --> 00:35:42,160
Speaker 1: Stars Star Trek Star Trek is what I have to

845
00:35:42,800 --> 00:35:44,839
Speaker 1: Star Trek. What do you have now? I have Buck

846
00:35:45,000 --> 00:35:50,800
Speaker 1: Rogers Rogers, I have England's finest right, yep, do this

847
00:35:50,840 --> 00:35:51,160
Speaker 1: hand out?

848
00:35:51,719 --> 00:35:52,600
Speaker 4: Not everybody can do that.

849
00:35:52,680 --> 00:35:54,120
Speaker 1: I can't do that. I can't do that. Look, I

850
00:35:54,239 --> 00:35:58,680
Speaker 1: do my tongue. There's nothing to do with anything. All right,

851
00:35:58,719 --> 00:35:59,000
Speaker 1: one more?

852
00:36:00,080 --> 00:36:00,600
Speaker 7: No, we do.

853
00:36:02,480 --> 00:36:09,160
Speaker 1: That's a good one. You knows we do. I'm in

854
00:36:11,120 --> 00:36:16,600
Speaker 1: hr and I'm back one. I've actually heard. I'm good.

855
00:36:16,800 --> 00:36:19,920
Speaker 1: Welcome back by everybody back. I'm back. Anybody you have

856
00:36:20,320 --> 00:36:24,319
Speaker 1: happy days? Welcome back. That's wrong, lunch trucks, happy days,

857
00:36:24,560 --> 00:36:30,520
Speaker 1: Welcome back. That's wrong. Welcome back, Carter, Welcome back. Dude?

858
00:36:30,680 --> 00:36:32,400
Speaker 1: You have that earlier? That's classic.

859
00:36:32,880 --> 00:36:33,040
Speaker 7: Good.

860
00:36:33,200 --> 00:36:35,040
Speaker 1: I ran that one seven seven. Oh, it's over.

861
00:36:35,280 --> 00:36:35,480
Speaker 7: Yeah.

862
00:36:35,680 --> 00:36:37,399
Speaker 1: You don't want to make one like twelve points? Yeah,

863
00:36:37,440 --> 00:36:42,240
Speaker 1: why not? For this one's for ten thousand points. Go ahead,

864
00:36:43,520 --> 00:36:49,799
Speaker 1: you be my neighbor. I'm I'm in okay, all right,

865
00:36:50,200 --> 00:36:54,719
Speaker 1: I picked Punky Brewster. He did. Really, that's.

866
00:36:57,239 --> 00:37:00,840
Speaker 3: It's like, wow, dude, okay, good Yeah, mister Rogers. At

867
00:37:00,880 --> 00:37:02,640
Speaker 3: the end of a game, we may compete during the game,

868
00:37:02,680 --> 00:37:05,160
Speaker 3: but in the end we still like each other.

869
00:37:05,200 --> 00:37:12,120
Speaker 1: I do not really, I love my game. I love

870
00:37:12,160 --> 00:37:14,600
Speaker 1: a game. I love a game early in the morning

871
00:37:15,719 --> 00:37:17,719
Speaker 1: of a game early in the morning. What's that from?

872
00:37:18,160 --> 00:37:21,719
Speaker 1: I don't know about it more struggle with Yeah, it's

873
00:37:22,000 --> 00:37:26,080
Speaker 1: one of those days. Here's a voicemail from Liz and

874
00:37:26,200 --> 00:37:26,960
Speaker 1: Oklahoma City.

875
00:37:27,280 --> 00:37:30,000
Speaker 10: I called about two weeks ago and just needed some

876
00:37:30,120 --> 00:37:32,160
Speaker 10: good vibes for this test I was getting ready to

877
00:37:32,200 --> 00:37:35,400
Speaker 10: take for licensing and credentials for this career I've been

878
00:37:35,440 --> 00:37:38,120
Speaker 10: working for for like a decade. Well, I ended up

879
00:37:38,360 --> 00:37:41,880
Speaker 10: not passing the test by one thinking point, so studied

880
00:37:41,920 --> 00:37:44,279
Speaker 10: some more. I'm going to fight, grind, and repeat and

881
00:37:44,400 --> 00:37:46,440
Speaker 10: fail until I don't and I'm going to retake my

882
00:37:46,520 --> 00:37:48,600
Speaker 10: test tomorrow. So if you guys can just send some

883
00:37:48,760 --> 00:37:51,200
Speaker 10: extra good vibes my way tomorrow, because I'm going to

884
00:37:51,280 --> 00:37:53,160
Speaker 10: pass this test, hopefully the second time.

885
00:37:53,239 --> 00:37:54,840
Speaker 1: Is to charm. Here's why you're going to pass it.

886
00:37:54,880 --> 00:37:58,040
Speaker 1: First of all, you only failed by one point. Secondly,

887
00:37:58,080 --> 00:37:59,279
Speaker 1: you're not gonna be as nervous about it this time

888
00:37:59,280 --> 00:38:01,239
Speaker 1: because've already been to it, which is a great thing

889
00:38:01,239 --> 00:38:03,640
Speaker 1: about doing it again. Just generally when you fail, you

890
00:38:03,719 --> 00:38:05,880
Speaker 1: go and you try it again. You already had an

891
00:38:05,880 --> 00:38:09,080
Speaker 1: advantage over the first time, because you know what to expect.

892
00:38:09,640 --> 00:38:12,120
Speaker 1: You're gonna nail this thing. You don't even need our vibes.

893
00:38:12,680 --> 00:38:14,640
Speaker 1: All you need to do is show up. That's what

894
00:38:14,760 --> 00:38:16,879
Speaker 1: it is. It's just showing up over and over again.

895
00:38:16,920 --> 00:38:20,440
Speaker 1: You got this list, Get it next up. Jocelyn eight

896
00:38:20,520 --> 00:38:22,360
Speaker 1: years old. We got a kid call from Tampa.

897
00:38:22,880 --> 00:38:25,239
Speaker 6: I have a morning corny for a Why did the

898
00:38:25,360 --> 00:38:29,240
Speaker 6: teita hate crane hide and Seek because he always got spotted?

899
00:38:33,200 --> 00:38:35,400
Speaker 1: That's good. Kids kind of crush it. And I don't know,

900
00:38:35,440 --> 00:38:38,040
Speaker 1: because they're kids, but they're always much funnier than sometimes.

901
00:38:38,719 --> 00:38:40,600
Speaker 4: No, I can I can answer that for you. It's

902
00:38:40,640 --> 00:38:41,719
Speaker 4: absolutely because they're kids.

903
00:38:41,719 --> 00:38:44,120
Speaker 1: And that's a pretty good one though. Yeah, I've told

904
00:38:44,160 --> 00:38:46,400
Speaker 1: that one like you say it. I have told that one, right.

905
00:38:46,440 --> 00:38:47,359
Speaker 1: We didn't do it again.

906
00:38:48,160 --> 00:38:48,840
Speaker 4: Then I don't have the.

907
00:38:48,840 --> 00:38:52,280
Speaker 1: Cute giggle like maybe just saying maybe go to giggle

908
00:38:52,320 --> 00:38:53,000
Speaker 1: training or something, so.

909
00:38:52,960 --> 00:38:54,680
Speaker 6: You want me to talk like a kid and giggle

910
00:38:54,880 --> 00:39:02,040
Speaker 6: that Creepy's pile of story. Amazon has a new streaming

911
00:39:02,160 --> 00:39:06,719
Speaker 6: feature called Dialogue Boost, and it lets you increase the

912
00:39:06,840 --> 00:39:10,440
Speaker 6: volume of the dialogue only. For example, they have it

913
00:39:10,560 --> 00:39:13,239
Speaker 6: on Jack Ryan, which if you're watching that, maybe you

914
00:39:13,320 --> 00:39:15,640
Speaker 6: want to hear what Jack is saying, but you don't

915
00:39:15,640 --> 00:39:17,960
Speaker 6: want to hear the explosions louder and stuff like that.

916
00:39:18,440 --> 00:39:19,280
Speaker 1: Oh that's interesting.

917
00:39:19,400 --> 00:39:19,640
Speaker 3: Okay.

918
00:39:20,360 --> 00:39:21,640
Speaker 1: So I don't feel like this would work all the

919
00:39:21,680 --> 00:39:23,040
Speaker 1: time with every show because a lot of times the

920
00:39:23,080 --> 00:39:25,080
Speaker 1: only thing happening on their dialogue, Yeah, that would just

921
00:39:25,120 --> 00:39:28,360
Speaker 1: be called the volume button. But I guess if there's.

922
00:39:28,320 --> 00:39:30,960
Speaker 4: Music and there's a lot of other things, Yeah, yeah, a.

923
00:39:31,120 --> 00:39:33,680
Speaker 1: Peloton has that. I get on the old Peloton treadmill

924
00:39:34,120 --> 00:39:36,400
Speaker 1: and they have the trainer. It's like, okay, Bobby, you

925
00:39:36,440 --> 00:39:38,000
Speaker 1: don't suck. I think they're talking to me. They or not.

926
00:39:38,040 --> 00:39:40,560
Speaker 1: They don't say Bobby ever. But and there's music going

927
00:39:40,640 --> 00:39:42,640
Speaker 1: to the trainer and he's doing his thing. But there's

928
00:39:42,640 --> 00:39:45,720
Speaker 1: a button you can push to go more trainer, more music,

929
00:39:46,360 --> 00:39:48,040
Speaker 1: and then the music plants a loge here the trainer

930
00:39:48,040 --> 00:39:50,600
Speaker 1: at all. But yeah, I like it. I think they're

931
00:39:50,640 --> 00:39:51,960
Speaker 1: going or you can just do what I do, turn

932
00:39:52,040 --> 00:39:54,200
Speaker 1: close caption on. That's what I do want works wonders.

933
00:39:54,320 --> 00:39:55,799
Speaker 4: Well, and that's the thing they said. It's not because

934
00:39:55,840 --> 00:39:56,520
Speaker 4: we're getting older.

935
00:39:56,680 --> 00:39:59,120
Speaker 6: It's just, for whatever reason, dialogue and movies and TV

936
00:39:59,160 --> 00:40:00,040
Speaker 6: shows is getting.

937
00:39:59,760 --> 00:40:01,279
Speaker 1: Hard harder to wish that the case.

938
00:40:01,320 --> 00:40:04,799
Speaker 6: Now we're getting even young people are addicted to subtitles.

939
00:40:05,400 --> 00:40:08,600
Speaker 1: Yeah, I hear you, but to me, it's definitely getting

940
00:40:08,640 --> 00:40:09,439
Speaker 1: older or what else?

941
00:40:09,600 --> 00:40:09,799
Speaker 4: Okay.

942
00:40:09,920 --> 00:40:15,080
Speaker 6: Mentionitis is a when someone constantly talks about another person.

943
00:40:15,840 --> 00:40:18,400
Speaker 6: It could be someone they work with, a gym buddy,

944
00:40:18,480 --> 00:40:21,640
Speaker 6: a new friend, but it's definitely signed that someone has

945
00:40:21,680 --> 00:40:22,839
Speaker 6: caught their eye.

946
00:40:23,000 --> 00:40:26,880
Speaker 1: So it's not name dropping, no, it's just they're kind

947
00:40:26,920 --> 00:40:29,320
Speaker 1: of obsessed with something, so it keeps coming up in conversation.

948
00:40:29,480 --> 00:40:31,840
Speaker 4: Oh, it's always like, oh, but the bobby this or

949
00:40:32,440 --> 00:40:34,280
Speaker 4: this or I'm trying.

950
00:40:34,120 --> 00:40:35,880
Speaker 1: To think if you guys have any sort of mentionitis.

951
00:40:35,920 --> 00:40:38,479
Speaker 1: I don't believe so. No, I don't think so, because

952
00:40:38,520 --> 00:40:40,600
Speaker 1: we're all cool and chill, yeah, fun, and we just

953
00:40:40,640 --> 00:40:41,320
Speaker 1: do our own thing, you know.

954
00:40:41,600 --> 00:40:44,279
Speaker 6: So for a single person, it might just be that, yeah,

955
00:40:44,320 --> 00:40:47,720
Speaker 6: they've found someone that really click with at work or again,

956
00:40:47,800 --> 00:40:50,600
Speaker 6: like at the gym or whatever. But pay attention because

957
00:40:50,600 --> 00:40:52,640
Speaker 6: if your partner has mentionitis, then they say it could

958
00:40:52,680 --> 00:40:53,239
Speaker 6: be a red flag.

959
00:40:53,640 --> 00:40:58,000
Speaker 1: Well, yeah, there's actually somebody ork or the gym, that's right.

960
00:40:58,280 --> 00:41:01,600
Speaker 6: What else can you just was asked when he's going

961
00:41:01,680 --> 00:41:04,279
Speaker 6: to be releasing new music, and he said he's working

962
00:41:04,320 --> 00:41:06,279
Speaker 6: on it, but he is not in a.

963
00:41:06,320 --> 00:41:06,879
Speaker 4: Rush at all.

964
00:41:07,320 --> 00:41:09,000
Speaker 1: People ask me when's it going to come out?

965
00:41:09,080 --> 00:41:10,880
Speaker 7: And best to answer I have, honestly is when I

966
00:41:10,960 --> 00:41:13,440
Speaker 7: feel like it's dumb, it's easy to rush it. Luckily,

967
00:41:13,520 --> 00:41:15,719
Speaker 7: I don't have a lot of yes people in my camp,

968
00:41:16,040 --> 00:41:18,200
Speaker 7: and that's really important. I have a lot of people

969
00:41:18,320 --> 00:41:21,399
Speaker 7: within my circle that have really you know, that really

970
00:41:21,440 --> 00:41:23,279
Speaker 7: good song since you know, so I've been.

971
00:41:23,200 --> 00:41:28,200
Speaker 1: Blessed that way. I feel like, wouldn't yes people just

972
00:41:28,280 --> 00:41:29,879
Speaker 1: agree with him, like you don't even to put music out?

973
00:41:30,000 --> 00:41:30,160
Speaker 7: Yeah?

974
00:41:30,200 --> 00:41:32,959
Speaker 1: Like there are yes people, but people who are like, no, Kenny,

975
00:41:32,960 --> 00:41:34,200
Speaker 1: I think it's time to put music out. You know,

976
00:41:34,239 --> 00:41:37,440
Speaker 1: our contracts is this or they Okay? So I think

977
00:41:37,440 --> 00:41:39,680
Speaker 1: he's old twisted on this. However, anybody says they don't

978
00:41:39,680 --> 00:41:42,000
Speaker 1: have any yes people at that level, they have a

979
00:41:42,040 --> 00:41:45,359
Speaker 1: lot of yes and how you can't. It's as natural

980
00:41:45,360 --> 00:41:47,920
Speaker 1: if you're that famous, even the people that you think

981
00:41:47,920 --> 00:41:49,879
Speaker 1: aren't yes people are going to turn into yes people

982
00:41:49,880 --> 00:41:51,080
Speaker 1: because they don't want to get fired if they got

983
00:41:51,120 --> 00:41:51,560
Speaker 1: a big job.

984
00:41:52,280 --> 00:41:52,480
Speaker 4: Yeah.

985
00:41:52,760 --> 00:41:54,919
Speaker 6: I also kind of heard it as that he's taking

986
00:41:54,960 --> 00:41:56,400
Speaker 6: his time with it because he's not just going to

987
00:41:56,440 --> 00:41:58,239
Speaker 6: play a song for his people and they're gonna be like, oh, yeah,

988
00:41:58,320 --> 00:41:59,440
Speaker 6: that's good, canny, good job.

989
00:42:00,080 --> 00:42:01,280
Speaker 1: Yes, oh that's interesting.

990
00:42:01,800 --> 00:42:03,480
Speaker 6: Like that's how I heard it too, is that he's

991
00:42:03,520 --> 00:42:06,239
Speaker 6: taking his time because he's not there, they're able to

992
00:42:06,280 --> 00:42:08,319
Speaker 6: be honest with him and being eh, not that good.

993
00:42:08,520 --> 00:42:10,560
Speaker 1: But he doesn't write most of his music.

994
00:42:10,520 --> 00:42:13,040
Speaker 4: Well him performing it thinking I'm not that good.

995
00:42:13,560 --> 00:42:15,279
Speaker 1: I know. I just anybody says, I have a lot

996
00:42:15,320 --> 00:42:15,839
Speaker 1: of yes people.

997
00:42:15,960 --> 00:42:17,880
Speaker 4: Yeah, I see your point, and maybe even.

998
00:42:17,800 --> 00:42:19,080
Speaker 1: You guys don't even bring it up because I do

999
00:42:19,200 --> 00:42:20,799
Speaker 1: have people that are like, yeah, that's great. But then

1000
00:42:20,800 --> 00:42:22,600
Speaker 1: I have you guys who definitely tell me everything sucks,

1001
00:42:22,640 --> 00:42:23,760
Speaker 1: so yeah, it's a good balance.

1002
00:42:24,040 --> 00:42:27,040
Speaker 4: Yeah, or they figure out how to be supportive without

1003
00:42:28,719 --> 00:42:30,160
Speaker 4: seeming like you know what I mean.

1004
00:42:30,440 --> 00:42:32,520
Speaker 1: Yeah, And I think to get that big, you can't

1005
00:42:32,560 --> 00:42:34,640
Speaker 1: have yes people early and even middle. I wrote a

1006
00:42:34,640 --> 00:42:36,959
Speaker 1: whole chapter in my second book it's called fail until

1007
00:42:37,000 --> 00:42:38,279
Speaker 1: you don't like you have to have somebody who trust

1008
00:42:38,320 --> 00:42:40,520
Speaker 1: to tell you suck so when you actually are doing good,

1009
00:42:40,680 --> 00:42:42,799
Speaker 1: you can believe them. Because I never believe anybody when

1010
00:42:42,800 --> 00:42:44,839
Speaker 1: they tell me I'm doing good, unless it's somebody who

1011
00:42:44,880 --> 00:42:46,719
Speaker 1: in the past I've went to and I said, hey,

1012
00:42:46,760 --> 00:42:47,759
Speaker 1: what do you think and they were like, I don't

1013
00:42:47,760 --> 00:42:49,719
Speaker 1: think this is your best work. So I need that

1014
00:42:49,840 --> 00:42:53,400
Speaker 1: from somebody before I can get from them hey it's awesome.

1015
00:42:54,200 --> 00:42:56,480
Speaker 1: Oh everybody can say both oh you suck or hey

1016
00:42:56,520 --> 00:42:59,360
Speaker 1: you're awesome. But I got to have like one or

1017
00:42:59,400 --> 00:43:01,719
Speaker 1: two people that I know when I've not been my

1018
00:43:01,800 --> 00:43:04,080
Speaker 1: best if like, I just expected a little more out

1019
00:43:04,120 --> 00:43:06,239
Speaker 1: of it. So when they do say my wife's a

1020
00:43:06,360 --> 00:43:08,480
Speaker 1: prime example of that, well she was like, man, that's good.

1021
00:43:08,640 --> 00:43:11,960
Speaker 1: I believe it, because if it ain't good, She's like, yeah,

1022
00:43:12,000 --> 00:43:14,040
Speaker 1: I wouldn't feeling that. So you got to have somebody

1023
00:43:14,120 --> 00:43:15,400
Speaker 1: that tells you you sucks. You can believe when they

1024
00:43:15,400 --> 00:43:17,040
Speaker 1: tell you're good. And if you're super rich and famous,

1025
00:43:17,040 --> 00:43:19,239
Speaker 1: you have a lot of young people. That's the truth

1026
00:43:19,280 --> 00:43:19,440
Speaker 1: of it.

1027
00:43:19,560 --> 00:43:21,719
Speaker 4: Like Kenny, Yeah, that's my file.

1028
00:43:22,760 --> 00:43:26,000
Speaker 1: That was Amy's pile of stories. It's time for the

1029
00:43:26,080 --> 00:43:26,560
Speaker 1: good news.

1030
00:43:26,880 --> 00:43:27,360
Speaker 7: Like Bobby.

1031
00:43:31,400 --> 00:43:34,239
Speaker 1: There's a family from Pennsylvania. They go into Low's and

1032
00:43:34,400 --> 00:43:36,600
Speaker 1: they were trying to make life easier for their son, William,

1033
00:43:36,760 --> 00:43:39,960
Speaker 1: who has cerebral palsy. So they're in and one of

1034
00:43:39,960 --> 00:43:43,759
Speaker 1: the employees sees William's parents looking at some PV sea

1035
00:43:43,800 --> 00:43:45,160
Speaker 1: pipes and it's like, hey, can I help you guys,

1036
00:43:45,560 --> 00:43:47,160
Speaker 1: And they're like, well, we're trying to build a set

1037
00:43:47,160 --> 00:43:49,200
Speaker 1: of parallel bars to help them walk. Parallel bars, the

1038
00:43:49,239 --> 00:43:51,719
Speaker 1: ones like one on each side, like coming up to

1039
00:43:51,760 --> 00:43:54,920
Speaker 1: the hips basically, and you see the gymnasts they'll do

1040
00:43:55,080 --> 00:43:57,719
Speaker 1: the parallel bars in the Olympics. But they were trying

1041
00:43:57,760 --> 00:43:58,960
Speaker 1: to have that so we could walk through. You see

1042
00:43:59,000 --> 00:44:03,080
Speaker 1: in therapy a lot too people walking. So he's like, okay, cool,

1043
00:44:03,239 --> 00:44:05,800
Speaker 1: let me know some more about this. He's like, got it,

1044
00:44:05,880 --> 00:44:07,439
Speaker 1: gott I got it. Well, let me help you guys.

1045
00:44:07,560 --> 00:44:09,719
Speaker 1: So Dave the employee went above and beyond. He spent

1046
00:44:10,560 --> 00:44:13,440
Speaker 1: basically an hour just fitting and cutting the pipes right

1047
00:44:13,480 --> 00:44:15,400
Speaker 1: to the specifications. Because they had research and found it.

1048
00:44:15,480 --> 00:44:18,640
Speaker 1: Then we're gonna do it to all themselves. Basically built

1049
00:44:18,680 --> 00:44:20,320
Speaker 1: them this whole set. All they had to do was

1050
00:44:20,320 --> 00:44:22,640
Speaker 1: get it home and just kind of tag it back together.

1051
00:44:22,960 --> 00:44:24,600
Speaker 1: Here is Dave talking about why did it?

1052
00:44:25,200 --> 00:44:28,479
Speaker 5: I thought I would just be finding some fittings, making

1053
00:44:28,760 --> 00:44:31,200
Speaker 5: a couple of counts, and then I saw will I

1054
00:44:31,360 --> 00:44:34,359
Speaker 5: found out what we're building and game the test will

1055
00:44:34,880 --> 00:44:36,759
Speaker 5: got up out of his wheelchair and grabbed hold of

1056
00:44:36,760 --> 00:44:39,960
Speaker 5: those bars, and I think you saw that courageous smile

1057
00:44:40,040 --> 00:44:44,840
Speaker 5: at his sense of pride, and it keeps getting me.

1058
00:44:45,280 --> 00:44:47,760
Speaker 1: Will can now use these bars to practice walking forward

1059
00:44:47,800 --> 00:44:49,960
Speaker 1: side to side, pulled himself up to stand, and his

1060
00:44:50,080 --> 00:44:53,000
Speaker 1: family says it means the world to them that they

1061
00:44:53,040 --> 00:44:55,439
Speaker 1: would do this, and the day was so cool about

1062
00:44:55,440 --> 00:44:57,120
Speaker 1: it without even really knowing the full story, and that

1063
00:44:57,400 --> 00:45:00,640
Speaker 1: William is already making progress. That is it. That's a

1064
00:45:00,719 --> 00:45:04,200
Speaker 1: great story. That is what it's all about. That was

1065
00:45:04,280 --> 00:45:05,200
Speaker 1: telling me something good.