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Speaker 1: Oh god, it's so brighten here.

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Speaker 2: It's like I've been I have been sick and in

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Speaker 2: a cave.

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Speaker 1: So this is your You're like a slee stack coming

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Speaker 1: out in a cave.

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Speaker 2: Okay, so I say, I say slee stack, and I

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Speaker 2: do people still get that reference to you.

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Speaker 1: Think, well maybe our generation like our generation does, but

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Speaker 1: younger than younger than explaining what their sle sack is.

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Speaker 3: Please.

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Speaker 1: It's from Land of the Lost, an amazing show, critically acclaimed.

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Speaker 2: Oh my god, one of my favorites, up there with

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Speaker 2: Small Wonder, you know what I mean in believability and

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Speaker 2: entertaining in technology. I'm just the the the video effects.

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Speaker 2: It basically was like someone playing with little miniature dinosaurs

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Speaker 2: and then like like little green army people and they

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Speaker 2: were like this is actually a scene, but it was

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Speaker 2: great Land of the Lost and the slee stacks like

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Speaker 2: they like only lived in the dark.

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Speaker 1: They live underground or in a cave or in the dark,

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Speaker 1: and so when they have to come to the surface

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Speaker 1: of the earth, the sun is so blinding that they

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Speaker 1: just like they're like, yeah, like that's the sound they

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Speaker 1: make like uh, their.

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Speaker 2: Eyes, it's they cover their eyes and they make weird

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Speaker 2: sounds and that's cute one of what I'm doing right now. Yeah,

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Speaker 2: so I apologize everyone I saw. I have been super

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Speaker 2: duper sick, such a bummer. I had booked work and

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Speaker 2: it didn't work out, and I, you know, it's totally fine,

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Speaker 2: but I uh, and we had to force to rearrange

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Speaker 2: everything because I had booked something and then turns out

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Speaker 2: I was like, just kidding, Actually none.

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Speaker 1: Of that matters, darn it. Yeah, yeah, I s will be.

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Speaker 2: Trying to hack off here as like much as possible.

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Speaker 2: Manny's gonna have his work cut out for him. Me

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Speaker 2: just man just flemming it up all over the place,

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Speaker 2: you know what I mean?

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Speaker 1: Poor Manny has he has to listen to her.

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Speaker 2: He could probably diagnose my chest congestion and be like,

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Speaker 2: you know what, that actually sounds like something you need

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Speaker 2: antibiotics for. I was listening and the rattling is alarming.

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Speaker 1: It's a little it's a little more bronchi ole than

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Speaker 1: I like, yeah.

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Speaker 2: Oh god, and let me tell you this, poor dog, Oh,

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Speaker 2: because the scal's been out of town for work.

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Speaker 1: Huh.

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Speaker 2: You know last time he went out of town too,

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Speaker 2: the fires happened.

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Speaker 1: What And he was.

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Speaker 2: Conveniently go Wait a minute, he knows something. He's like, wait,

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Speaker 2: things are gonna it's gonna kind of hit the fan.

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Speaker 2: I think I'm gonna go.

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Speaker 1: Yeah, I'm just kidding.

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Speaker 3: It's like this dog.

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Speaker 1: Animals, pets can predict earthquakes, so it's right.

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Speaker 2: He's like, I feel like something is gonna go really wrong. No, anyway,

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Speaker 2: he's so he's been out of town, which is both

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Speaker 2: good and bad. I didn't have anyone in the house

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Speaker 2: to avoid. The kids were with me a little bit

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Speaker 2: over the weekend, but then for the past few days

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Speaker 2: the dad's had kept them. But I this poor dog

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Speaker 2: because she is used to, you know, me Scout works

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Speaker 2: from home. She's used to like multiple walks a day,

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Speaker 2: We're going on adventures.

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Speaker 3: Things are great.

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Speaker 2: And now my sag comes along and she's just like, hey,

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Speaker 2: I'm like.

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Speaker 3: OK, look, we're gonna do it like two walks a day.

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Speaker 2: Yeah.

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Speaker 3: So I had to call I had to call.

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Speaker 2: Celia over to come and walk the dog, and she

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Speaker 2: sent me chicken motsa ball soup and then came over

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Speaker 2: and made me soup.

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Speaker 1: And yeah, well good, I'm glad. I'm glad she was

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Speaker 1: around to rescue you. Rescue Lisa from from boredom.

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Speaker 2: The dog was just laying there listlessly on the ground,

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Speaker 2: like I hate my life?

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Speaker 3: Why does it suck? Why are you lame?

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Speaker 1: Yeah, she's any dog. She needs exercise like every day.

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Speaker 1: I'm sure.

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Speaker 3: Yeah, yeah, I'm with the amount of reachigots she needs.

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Speaker 2: But but then Celia also brought something over to me

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Speaker 2: that reminded me of you. What And I don't know

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Speaker 2: why she brought it to me when I was sick,

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Speaker 2: but the timing of it.

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Speaker 1: It's it's a book.

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Speaker 2: It's a sorry, it's your problem now because I'm dead

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Speaker 2: and it's to me. It's just basically like a book

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Speaker 2: where you can write all of your stuff.

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Speaker 3: I think most of.

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Speaker 2: This probably I have in some sort of a will

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Speaker 2: or something that I think I'm working on one.

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Speaker 1: Of those, yes, But.

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Speaker 2: But anyway, it just reminded me of you because of

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Speaker 2: the funeral file files, Like, oh, that's a that's a

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Speaker 2: handy addition to the funeral file.

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Speaker 3: Out there people.

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Speaker 1: Yeah, that's a great if you're looking to Bill like

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Speaker 1: a pack, you know, like we'll do funeral file lessons.

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Speaker 1: Get Darren my brother, So basically.

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Speaker 3: But where basically Darren should.

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Speaker 2: Start giving those out like uh, like banks did with toasters,

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Speaker 2: you know what I mean, Like you sign up for

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Speaker 2: an account with with Darren to plan your the end

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Speaker 2: of your life.

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Speaker 3: You get a little planner.

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Speaker 1: For You's like I think that would gift literally a

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Speaker 1: partying gift.

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Speaker 2: It really got all the information, so it's almost like

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Speaker 2: a work book, you know what I mean. Get and

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Speaker 2: then they can turn it in and then he just

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Speaker 2: goes from there. Doesn't even have to really interact with people,

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Speaker 2: just let them write it.

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Speaker 1: All that that's a great gift, that is useful. Darren,

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Speaker 1: You're welcome. We'll take We'll take our ten Darren. Yeah, yeah,

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Speaker 1: up with this idea.

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Speaker 3: No, but yeah.

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Speaker 2: So that's been my last few days. I have binge

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Speaker 2: watched Severance.

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Speaker 1: Oh I haven't watched it. I haven't watched it. Everyone's

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Speaker 1: talking about it though.

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Speaker 2: Oh my my my, ah.

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Speaker 1: My brain.

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Speaker 3: Explode.

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Speaker 1: Wow.

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Speaker 3: It's so good and so weird, and.

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Speaker 2: It's funny at times. It's almost satirical at times of

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Speaker 2: like corporate culture. It's also really dark and there's really

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Speaker 2: twisted stuff like.

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Speaker 1: It's let's right up your alley.

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Speaker 2: It is all over the no but it's brilliant. It

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Speaker 2: is brilliant, and I like the actors in it. Oh

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Speaker 2: my god, Patricia Arquette plays this character who is insane and.

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Speaker 3: She's so good.

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Speaker 1: Oh, she's so good.

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Speaker 3: Anyway, I highly recommend it.

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Speaker 2: It's on Apple Plus or Apple TV or I don't know,

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Speaker 2: whatever the whatever whatever streamer, but I.

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Speaker 3: It's it's really great.

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Speaker 2: It's been on my list for a while because people

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Speaker 2: were talking about it and I like, blew through the

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Speaker 2: first season and I'm a couple like two.

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Speaker 1: I'm on season or episode two of season two. So

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Speaker 1: how many seasons are there? Only two? It was just

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Speaker 1: two so far? Okay, okay, two and.

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Speaker 2: Their streamer seasons, you know, so it's like nine episodes, right,

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Speaker 2: it's not I'm not investing, which is great for me

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Speaker 2: as a binge watcher, not great for me as an actor, uh,

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Speaker 2: you know, for season wise work. But but anyway, I'm

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Speaker 2: rambling on. I have no idea what's going to happen.

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Speaker 2: Today's uh podcasts will be brought to you by theraf Fluid.

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Speaker 3: And and I Quill Vitamin C.

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Speaker 1: Day Quill Zinc.

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Speaker 2: This is the first day that I have drank coffee.

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Speaker 1: You didn't drink coffee all week?

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Speaker 3: Well, no, wonder you were sick over the weekend. What

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Speaker 3: how are you?

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Speaker 1: That's how sick I was.

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Speaker 2: Because I was like, coffee doesn't even sound good?

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Speaker 3: That near death.

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Speaker 1: Wow, that's probably why you were sick, because you weren't

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Speaker 1: getting enough caffeine through your veins. Oh no.

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Speaker 2: The first day I was like, oh, I'm gonna be okay,

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Speaker 2: and then I started feeling a little funny, and then

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Speaker 2: it was just that next day I was like.

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Speaker 1: I don't want it.

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Speaker 2: Yeah, So I am now enjoying coffee again, drinks just

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Speaker 2: to take the whole and the day.

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Speaker 1: Will I don't.

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Speaker 3: It's going to be a wild ri I guess let's go.

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Speaker 1: Well before we start, have you been well, no, you've

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Speaker 1: been watching Severance, But have you been watching it all?

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Speaker 1: Keeping up with these bald eagles in Big Bear, the

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Speaker 1: Live Camp, the Life Nest.

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Speaker 3: Yes, I have it on. The one one's gone.

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Speaker 1: It's now twins because of the triple Yeah, the third

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Speaker 1: one deceit is nice? Yeah, totally. Oh, it's the shadow

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Speaker 1: and what's the shot in Jackie?

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Speaker 3: Jackie?

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Speaker 1: That's right. The kids don't have names yet. I think

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Speaker 1: they get named in a contest later. Okay, that the

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Speaker 1: sweetest thing This is like April the Giraffe all over again.

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Speaker 1: Remember I was watching that when we were doing Fuller.

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Speaker 2: You guys, can I tell you when April the Giraffe,

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Speaker 2: which was what twenty eighteen nineteen.

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Speaker 1: Yeah, she was pregnant.

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Speaker 2: April the Giraffe was set to give birth and wasn't

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Speaker 2: it Like they don't know how long the Giraffe was pregnant,

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Speaker 2: so they're like, we don't know.

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Speaker 3: It looks like it could be anytime.

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Speaker 2: So there's basically a watch like they have no idea

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Speaker 2: when it's coming, but it's like like two.

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Speaker 1: Or three week period. It could just show up at

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Speaker 1: any point.

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Speaker 2: Andrea had her phone on her on set what set

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Speaker 2: on the live stream hidden places. It would be like

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Speaker 2: under a pillow in a drawer in the alcove or something.

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Speaker 2: We'd be doing rehearsal.

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Speaker 1: We'd be shooting and she'd be like.

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Speaker 2: Hold on, I need to go check my phone, and

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Speaker 2: she'd come back and she's.

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Speaker 3: Like, Nope, no baby draft yet.

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Speaker 2: I was like, so yeah, So I can only imagine now,

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Speaker 2: have you I mean, is that just all you've been doing?

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Speaker 1: Yeah, it's on in every room in the house wherever

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Speaker 1: I go. I can keep up exciting.

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Speaker 3: Seriously, Yeah, what could I lie about that?

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Speaker 1: No, you wouldn't. That's the best part, Michael. Michael's like,

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Speaker 1: just like watch anything else, you know what.

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Speaker 3: I'm so over these stupid birds.

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Speaker 1: The babies are growing like, they're very It's way more

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Speaker 1: exciting than the draft pregnant going on, Like.

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Speaker 3: Yeah, that's so.

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Speaker 2: You're like, there's no you know, it's not like a

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Speaker 2: little pan or anything. You're like, hey, you guys, are

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Speaker 2: y'all are out there? They survived a storm.

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Speaker 1: The storm was very scary. The storm. We all were

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Speaker 1: like collectively holding our breast right to make.

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Speaker 3: Sure they survived this.

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Speaker 2: Yeah, no, I'm I'm with you on this. I mean

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Speaker 2: I don't have it on in every room in my house.

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Speaker 2: I you know, I don't know every two or three

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Speaker 2: days have clicked on a story about it.

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Speaker 1: But it's probably enough. But now I'm just going to text.

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Speaker 3: You and be like I need minute by minute updates.

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Speaker 1: It's great. The babies are getting they're getting very big.

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Speaker 1: They're fighting, fighting over the food, even though there's plenty

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Speaker 1: of poodle. Yeah, no, it's I'm learning all species. Did

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Speaker 1: you know that they keep I think this is all eagles,

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Speaker 1: but definitely the babies. They have a crop. It's called

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Speaker 1: a crop, and it's like a little to go box

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Speaker 1: in their neck, right, and it's like keeps. They keep

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Speaker 1: the food there and then just access it whenever they want.

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Speaker 2: Heard that at some point because the crop sounds familiar.

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Speaker 2: But you know me, I probably read it in some

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Speaker 2: weird thing when I was looking up some.

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Speaker 1: I don't know. Yeah, right, yeah, but that's.

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Speaker 3: Fascinating, you know what it is. I think maybe I'm

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Speaker 3: thinking of like a.

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Speaker 1: Pellic oh because they have a similar big yeah storage system,

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Speaker 1: which is crazy. Oh yeah, you could store a whole

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Speaker 1: refrigerator in there. Man. This is such a good idea though. Man,

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Speaker 1: this would be if we could do this as humans

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Speaker 1: with toddlers, Like great, just fill up your crop kids,

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Speaker 1: and then you don't have to feed them snacks fifty

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Speaker 1: times a day.

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Speaker 3: Or you could give them like a little snack holder, you.

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Speaker 1: Know what I mean.

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Speaker 3: I don't know that they need like a throat pocket.

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Speaker 2: I mean I feel like I feel like if you

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Speaker 2: overalls would do it, you know, just a little front

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Speaker 2: pouch here.

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Speaker 1: They'll find a way to lose it, insane. It has

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Speaker 1: to be inside their body in the throat. Okay, so

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Speaker 1: they don't lose it.

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Speaker 2: Well, right, so they don't lose it, and so that

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Speaker 2: they're just like they don't have to even.

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Speaker 3: Bug you about it.

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Speaker 1: No, and they don't. They're not spelling goldfish all over your.

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Speaker 2: Car like you know, you know what that alone said,

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Speaker 2: that alone we did.

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Speaker 1: We need to put cross baby, figure out a way.

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Speaker 1: I'm in for everyone.

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Speaker 2: Well, everyone there, aren't you excited that you tuned in

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Speaker 2: today to listen.

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Speaker 3: To whatever the hell we were.

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Speaker 2: Just talking about. We went from from six to day

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Speaker 2: earl to I don't even know what?

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Speaker 1: Yeah, no, hey, this is from what I hear. People

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Speaker 1: like this pre show chatter. I don't know why. Every time.

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Speaker 1: I'm like, gosh, I hope people don't turn this off.

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Speaker 1: But I think it's the true fans love it.

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Speaker 2: So you know what the truth it's that we give

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Speaker 2: people a window into our insanity and our friendship.

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Speaker 1: Yeah, exactly, I love it. Well, let's get started though,

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Speaker 1: for real. Welcome back to how Rude Tanneritos. I'm Andrea

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Speaker 1: Barber and I'm Jodie Sweeten, and today we're discussing season four,

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Speaker 1: episode fourteen, Working Girl. It aired on January fourth, nineteen

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Speaker 1: ninety one. This is our first episode of nineteen ninety one.

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Speaker 1: Oh wow, Yeah, we're moving right along and it goes

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Speaker 1: a little something like this, DJ's grades suffer when she

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Speaker 1: takes a part time job. M all right, short and

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Speaker 1: sweet to the point. Yeah. It was directed by joel's Wick.

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Speaker 1: It was written by Mark Warren and Dennis Rintler. Yay,

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Speaker 1: we interviewed Mark a few months ago. Oh, such a

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Speaker 1: great it's so great to Yeah, just to catch up

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Speaker 1: with him. That was awesome.

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Speaker 2: Uh.

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Speaker 1: And we have three guest stars this week. We have

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Speaker 1: Andy Goldberg as Jack the photographer. He looked so familiar.

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Speaker 1: He's done tons of appearances. He's known for Inspector Gadget.

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Speaker 1: He did ten episodes I've inspected. Jody's very excited about this.

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Speaker 2: I love Inspector Gadget's Go Go Gadget Arms.

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Speaker 3: Oh my god, Kenny, I love that. I can picture

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Speaker 3: it in my head right now.

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Speaker 2: Okay.

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Speaker 1: It was one of my favorite cartoons. So there you go.

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Speaker 1: You were you were acting in a scene with somebody who.

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Speaker 3: Didn't even know I know, next to a legend.

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Speaker 1: Yes, absolutely so. He did a lot of appearances, but

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Speaker 1: like on Golden Girls, step By step Webster all those things,

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Speaker 1: but he is the founding member and at one time

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Speaker 1: the director of the world longest running all improv comedy

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Speaker 1: ensemble along with It's amazing.

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Speaker 3: That is actually really cool.

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Speaker 1: Oh it is. It is super cool, and he's still

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Speaker 1: doing it to this day, running off the Wall, and

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Speaker 1: so he's performed. These are some of the people that

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Speaker 1: were in this comedy ensemble, John Ritter, Gary Shandling, Robin Williams. Like,

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Speaker 1: there's so many, like huge names. It's amazing. So yeah,

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Speaker 1: it's still if you want to catch this, you can

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Speaker 1: still see you can see the show off the Wall

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Speaker 1: at the Fanatic Salon in Culver City.

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Speaker 2: Okay, yeah, so I'm like, this is we should go,

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Speaker 2: We should go. I know, my god, I would totally.

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Speaker 2: I would totally get.

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Speaker 1: Right up your alley.

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Speaker 2: I know that's fine, right, Jacky, someone note this down

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Speaker 2: because we're gonna I'm no, I'm gonna forget today.

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Speaker 3: Oh yeah, but I would totally go to that and

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Speaker 3: uh and yeah, and we.

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Speaker 2: Can go relive our Culver City days although it looks

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Speaker 2: completely different.

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Speaker 1: Oh for sure recognized. I don't think I've been to

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Speaker 1: Culver City since oh my god, since we were at Sony.

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Speaker 2: And Maria lives over there, so I go, I'll go

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Speaker 2: over there and visit her, and it's okay.

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Speaker 3: You drive around and you're like, this is not where

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Speaker 3: am I?

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Speaker 1: Completely different? Totally different? All right? Next, we have Donna

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Speaker 1: Lynn Levy as the Mother. She did appearances on Benson Punky's,

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Speaker 1: Twilight Zone, Valerie, Night Court, Family Matters, Sister Sister, Days

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Speaker 1: of Our Lives, and Bold and the Beautiful. Like, yeah,

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Speaker 1: she was very platable. She hit them all.

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Speaker 3: Yep.

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Speaker 1: And last, but certainly not least, we have Marcus Nunneley

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Speaker 1: as Anthony. He has two credits Full House and the

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Speaker 1: Ties that Bind Marcus or Marquise. I don't know. I

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Speaker 1: was wondering, is it Marquise or Marcus Marquise Marquise Nuneley fantastic.

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Speaker 1: This kid is so great. How he's like giveing DJ so.

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Speaker 2: Much grief about I have no patience.

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Speaker 1: It was excellent. He was fantastic. So we start with

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Speaker 1: the teaser in Jesse's room. Jesse is playing his drums

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Speaker 1: very loudly when Michelle appears at the doorway with a

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Speaker 1: big grit on her face.

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Speaker 2: Do you remember the drum set in John's dressing room. Yes, yes, yeah, so.

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Speaker 3: John, we all had dressing rooms like upstairs.

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Speaker 2: Well, this was when we moved to Warner. I'm trying

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Speaker 2: to remember how it was when we were in at Sony.

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Speaker 1: We were still he's.

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Speaker 2: Still stairs but like off on his anyway, he always

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Speaker 2: had like a music room because John loves music and

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Speaker 2: it's his weight online. But he always had a drum

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Speaker 2: set in his dressing room and he would play the drums.

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Speaker 1: Just like this, just like this teaser. Yeah he did,

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Speaker 1: you know. It was like.

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Speaker 2: And yeah, and you'd go pop your head in and

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Speaker 2: you know, kind of bop along kind of like Michelle did.

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Speaker 3: And yeah.

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Speaker 2: It was again one of those moments where I was like,

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Speaker 2: oh yeah, this was like we actually did this around set.

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Speaker 2: You know.

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Speaker 1: It's so John, and it's it's so John to have

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Speaker 1: a full, a full drum set. It's not like just

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Speaker 1: a guitar. He can strum no noween scenes. No, it

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Speaker 1: is a full a drum set. John wanted to be

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Speaker 1: a musician.

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Speaker 2: He was he wanted to be a drummer, and he

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Speaker 2: just it so happened that he was, you know, also

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Speaker 2: a pretty face and wound up on General Hospital.

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Speaker 3: Right, so right, you know, and it worked out well.

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Speaker 1: But he's that was his first love, so it was oh, yep, yep,

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Speaker 1: this this did bring back a lot of memories. Yeah,

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Speaker 1: so Michelle's dancing along to these drum beats. Once he finishes,

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Speaker 1: she happily declares, it's my turn. Jesse is enthused that

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Speaker 1: Michelle wants to be just like him, so he plops

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Speaker 1: her on the stool and hands her two drumsticks. He

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Speaker 1: gives her a quick lesson on how to play, but

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Speaker 1: it is extremely complicated the way he's explaining it, so

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Speaker 1: Michelle gives him a confused look and asks, are you

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Speaker 1: talking to me? Realization hits and he says, oh, forget

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Speaker 1: all that, just bang the heck out of him, and

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Speaker 1: Michelle does that. She plays the drums to her little

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Speaker 1: heart's content. Jesse lifts her up and she holds the

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Speaker 1: drumsticks in the air as he shouts rock and roll,

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Speaker 1: and she says, we love you San Francisco and bangs

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Speaker 1: on the simple yay, super curious. Yeah, Michelle looks adorable.

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Speaker 1: She's got like kind of a gibbler esque like this

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Speaker 1: polka dot.

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Speaker 3: We are we're entering the nineties, can you feel it?

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Speaker 3: You know it's it's happening.

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Speaker 1: Is getting worse by the minute.

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Speaker 2: Yeah, matchie, matchie, the scrunchies, the side pony.

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Speaker 1: Yeah she had a matching scrunchy, the Poka dot scrunchies.

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Speaker 1: It's fantastic.

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Speaker 2: Every outfit I think that you bought for kids basically

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Speaker 2: had a scrunchy, not even for kids, like it was

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Speaker 2: just like again, there was an attached scrunchy just matching.

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Speaker 1: It was. Yeah, the go to accessory for all out.

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Speaker 4: Yes, Yes, welcome to casual chaos, where I'm telling my

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Speaker 4: story unfiltered, unedited and unapologetic for a moment you didn't

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Speaker 4: see on camera, to secrets nobody dared to spill. I'm

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Speaker 4: bringing you behind the scenes like never before. I'm talking

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Speaker 4: love life because let's be real here, it's been a

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Speaker 4: journey wellness and the truth behind the headlines, and of

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Speaker 4: course I've got the receipts. Plus I'll be sitting down

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Speaker 4: with some of the biggest named in pop culture for

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Speaker 4: casually chaotic conversations you won't hear anywhere else. So pour

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Speaker 4: yourself and espresso martini and get ready because once you

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Speaker 4: start listening, you'll be waking up in the morning, thinking

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Speaker 4: about so many things. Listen to Casual Chaos starting on

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Speaker 4: March twenty fourth on the iHeartRadio app, Apple Podcasts or

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Speaker 4: wherever you get your podcasts.

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Speaker 1: So next, in the kitchen, Danny walks in Carrie Michelle

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Speaker 1: as he says hi to Steph. He tells her that

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Speaker 1: they just got back from preschool and Michelle has something

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Speaker 1: to show her. Michelle says, want to see what I got,

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Speaker 1: and Steph nods sure, why not. Michelle reminds her, you

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Speaker 1: have to say please. Stuff rolls her eyes. I'm not

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Speaker 1: that interested, right.

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Speaker 3: Like it's true? Well, hold on, I don't yeah, I

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Speaker 3: don't want to have to work for it.

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Speaker 1: Barely interested originally. Now you're definitely not interested.

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Speaker 3: Now I got a beg for it.

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Speaker 1: Nothing, So Danny begs her to play along. Apparently it's

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Speaker 1: politeness week at preschool. Michelle is now an officer of

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Speaker 1: the Polite Police. They start him young yep. Michelle narrows

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Speaker 1: her eyes at Stephanie and pulls back her card again

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Speaker 1: to reveal a star attached to her overalls. She threatens,

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Speaker 1: I'll be watching you, mister amazing delivery. This was just

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Speaker 1: timing with the pulling of the card. Again and the

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Speaker 1: like she just she nailed that whole bit. She gets

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Speaker 1: out of her chair and pokes Stefph on the shoulder

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Speaker 1: and smiles and says, have a very nice day, then,

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Speaker 1: do you. J and Kimmy burst through the door. DJ

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Speaker 1: makes a beeline for her dad and gives him a

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Speaker 1: big hug, saying, boy, I missed you. How's the greatest

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Speaker 1: dad in the history of Dad's feeling today?

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Speaker 2: Yeah, just nothing like when your kid walks in. My

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Speaker 2: mom uses it when I go, Mama, what you want?

441
00:21:18,240 --> 00:21:19,800
Speaker 3: And I was like, how does she know?

442
00:21:20,600 --> 00:21:20,639
Speaker 2: It?

443
00:21:21,480 --> 00:21:22,440
Speaker 1: Said Mama?

444
00:21:22,520 --> 00:21:27,000
Speaker 2: And now there is a tone and a mom when

445
00:21:27,040 --> 00:21:28,080
Speaker 2: they come in the room.

446
00:21:27,920 --> 00:21:30,040
Speaker 1: And you're like, oh you want money or a rad Yeah,

447
00:21:30,320 --> 00:21:33,320
Speaker 1: you can tell just by the intonation of the voice,

448
00:21:33,400 --> 00:21:35,960
Speaker 1: or like if it's even remotely nice, you're like, oh

449
00:21:36,040 --> 00:21:37,800
Speaker 1: they want someone? Do they want they want something?

450
00:21:37,840 --> 00:21:42,040
Speaker 2: Well, it's not even nice, it's it's it's little and high.

451
00:21:41,840 --> 00:21:45,520
Speaker 1: Yeah, And I'm like, okay, like here we go, here

452
00:21:45,560 --> 00:21:50,800
Speaker 1: we go. So Danny is definitely suspicious, and Kimmy suggests

453
00:21:50,800 --> 00:21:54,680
Speaker 1: to DJ compliment him on his shoe, sock and pant combination.

454
00:21:54,920 --> 00:21:58,399
Speaker 1: Dad's love that and my hair is noticeably shorter. I

455
00:21:58,400 --> 00:22:00,520
Speaker 1: don't know if it was cut or just really curl.

456
00:22:00,640 --> 00:22:03,359
Speaker 3: It was it was it was really.

457
00:22:03,119 --> 00:22:06,479
Speaker 1: Curly, super curly. Yeah, and at least I thought it

458
00:22:06,520 --> 00:22:07,320
Speaker 1: was an improvement.

459
00:22:07,520 --> 00:22:10,600
Speaker 2: You and I have switched hair textures. I am now

460
00:22:10,920 --> 00:22:13,280
Speaker 2: straight hair and you have curly hair.

461
00:22:13,600 --> 00:22:17,120
Speaker 1: Yeah, I've got the Stephanie dippity do hair style.

462
00:22:17,680 --> 00:22:18,600
Speaker 3: It's super curly.

463
00:22:19,119 --> 00:22:19,560
Speaker 1: Was your hair?

464
00:22:19,720 --> 00:22:21,960
Speaker 3: And your hair is like wavy sort of but not

465
00:22:22,080 --> 00:22:23,160
Speaker 3: curly crazy.

466
00:22:22,880 --> 00:22:25,840
Speaker 1: But it's no, it's not curly curly, so I don't remember.

467
00:22:26,000 --> 00:22:27,840
Speaker 3: It was the nineties, man.

468
00:22:28,280 --> 00:22:29,760
Speaker 2: It was a lot of curling, a lot of a

469
00:22:29,760 --> 00:22:32,680
Speaker 2: lot of fan bangs. I mean, Candae is you know.

470
00:22:32,720 --> 00:22:34,840
Speaker 1: Oh she's got Yeah. The feather wine looked like.

471
00:22:34,800 --> 00:22:36,760
Speaker 3: A small explosion on the front of my head.

472
00:22:36,920 --> 00:22:40,679
Speaker 1: Yeah, my bangs are looking more suspiciously like yours. This

473
00:22:40,800 --> 00:22:43,760
Speaker 1: was definitely a technique that Frankie developed.

474
00:22:44,000 --> 00:22:45,240
Speaker 3: Well yeah, everybody.

475
00:22:47,080 --> 00:22:49,360
Speaker 2: Yeah, and a small round not like a big one

476
00:22:49,359 --> 00:22:51,080
Speaker 2: that kind of let them flip No, no, no, like

477
00:22:51,080 --> 00:22:53,320
Speaker 2: a nice little tight one, tight one. Yeah.

478
00:22:53,359 --> 00:22:54,720
Speaker 1: Yeah, Oh is that the secret? Okay?

479
00:22:54,760 --> 00:22:55,919
Speaker 2: Well, and then you had to then you had to

480
00:22:55,920 --> 00:22:58,320
Speaker 2: flip it back. You had to get the round brush

481
00:22:58,400 --> 00:23:03,520
Speaker 2: and that sort of reverse action going. So it really

482
00:23:03,600 --> 00:23:06,600
Speaker 2: looked like a bird nest. Yeah right, yeah, it is

483
00:23:06,600 --> 00:23:09,000
Speaker 2: like a bros front, you know. Yeah, Oh, I'm gonna

484
00:23:09,240 --> 00:23:11,400
Speaker 2: that's it. I'm cutting banks today. I need the bird

485
00:23:11,440 --> 00:23:13,080
Speaker 2: nest bank, so I can, you know, to go along

486
00:23:13,119 --> 00:23:16,119
Speaker 2: with my bald eagle watching. Oh my god, people are

487
00:23:16,119 --> 00:23:19,280
Speaker 2: gonna I'm gonna I'm gonna have a wellness check on you, okay,

488
00:23:19,320 --> 00:23:22,320
Speaker 2: because you do like cut banks in times of crisis,

489
00:23:22,440 --> 00:23:26,320
Speaker 2: and I'm it's I'm gonna be like, you know what though,

490
00:23:26,720 --> 00:23:28,760
Speaker 2: if now is the time to cut bangs, if ever

491
00:23:28,760 --> 00:23:30,080
Speaker 2: there was one, you know what I mean.

492
00:23:30,000 --> 00:23:32,840
Speaker 3: You know what I say, crisis level, crisis level banks.

493
00:23:32,720 --> 00:23:37,080
Speaker 1: Let's let's go everybody banks for everybody. But my mouth

494
00:23:37,160 --> 00:23:39,280
Speaker 1: is still still so dang awkward. I'm still trying to

495
00:23:39,280 --> 00:23:41,959
Speaker 1: get used to those clear braces, and I can just

496
00:23:42,040 --> 00:23:46,280
Speaker 1: see my mouth struggling to like, watch my diction. I

497
00:23:46,320 --> 00:23:47,280
Speaker 1: can't watch my diction.

498
00:23:48,320 --> 00:23:50,560
Speaker 3: It's hard to watch your diction with braces.

499
00:23:50,760 --> 00:23:53,919
Speaker 2: And usually most kids don't have to really worry about.

500
00:23:53,680 --> 00:23:58,720
Speaker 1: That, right very you know, Yeah, it was very distracting

501
00:23:58,880 --> 00:24:01,840
Speaker 1: for me to watch myself. But that's okay. That's when

502
00:24:01,840 --> 00:24:04,719
Speaker 1: you're a teenager. This is what you do. Right. So

503
00:24:04,840 --> 00:24:07,199
Speaker 1: DJ ushers Danny over to a chair so he can

504
00:24:07,280 --> 00:24:11,760
Speaker 1: be comfortable, and Stephanie warns, be careful, dad. She needs money,

505
00:24:11,840 --> 00:24:15,679
Speaker 1: and lots of it. DJ asks how she knows, and

506
00:24:15,720 --> 00:24:18,800
Speaker 1: Stephanie points out the obvious. We go back eight years.

507
00:24:19,000 --> 00:24:21,800
Speaker 1: We all know when it's kiss up time. She takes

508
00:24:21,800 --> 00:24:23,760
Speaker 1: her sandwich and leaves the room. Yeah. I mean you

509
00:24:23,800 --> 00:24:25,960
Speaker 1: have a good point. I love that you just drop

510
00:24:26,000 --> 00:24:28,000
Speaker 1: this knowledge and you take your sandwich to go.

511
00:24:28,240 --> 00:24:29,959
Speaker 3: Like, I'm not an idiot.

512
00:24:29,960 --> 00:24:33,000
Speaker 2: I'd be eight years old, almost nine, but I'm not dumb.

513
00:24:33,240 --> 00:24:36,240
Speaker 2: Yeah right, yeah, No, you're just like I'm here to

514
00:24:36,320 --> 00:24:37,120
Speaker 2: drop my truth.

515
00:24:37,880 --> 00:24:39,399
Speaker 3: Like, have your moment. You know, I don't want to

516
00:24:39,520 --> 00:24:40,800
Speaker 3: ruin it, so yeah, go for it.

517
00:24:40,880 --> 00:24:46,000
Speaker 1: Yeah. So Danny asks DJ how much she needs, and

518
00:24:46,040 --> 00:24:49,960
Speaker 1: she prefaces this money's not for anything fun, it's for clothes,

519
00:24:50,280 --> 00:24:54,560
Speaker 1: a basic necessity of life. Danny asks again how much,

520
00:24:54,960 --> 00:24:57,840
Speaker 1: and DJ continues to beat around the bush. She tells

521
00:24:57,920 --> 00:25:00,760
Speaker 1: him they're the coolest tennis shoes and they're only eighty

522
00:25:00,800 --> 00:25:05,520
Speaker 1: bucks her shoe. Danny bursts out in laughter, so Kimmy

523
00:25:05,520 --> 00:25:09,040
Speaker 1: and DJ follow suit. Then DJ wonders why are they laughing?

524
00:25:09,600 --> 00:25:12,240
Speaker 1: Danny says it's because he actually thought she was asking

525
00:25:12,280 --> 00:25:15,240
Speaker 1: for one hundred and sixty dollars sneakers, and DJ says,

526
00:25:15,280 --> 00:25:18,960
Speaker 1: I did. Danny laughs again, So Kimmy chimes in, these

527
00:25:18,960 --> 00:25:23,840
Speaker 1: aren't just sneakers, these are blowouts, and DJ explains what

528
00:25:25,040 --> 00:25:28,760
Speaker 1: why they're so rad? They inhale and exhale as you ask.

529
00:25:29,119 --> 00:25:31,280
Speaker 1: When she was like, but they're so rad, I was like,

530
00:25:31,320 --> 00:25:34,640
Speaker 1: oh my god. This was oh, welcome to nineteen ninety

531
00:25:34,640 --> 00:25:38,800
Speaker 1: one from the ninety one so great, and Hi Lisa,

532
00:25:38,920 --> 00:25:39,560
Speaker 1: I seea.

533
00:25:39,640 --> 00:25:41,439
Speaker 2: I'm like, oh yeah, well that was why I had

534
00:25:41,480 --> 00:25:43,240
Speaker 2: to step away from him, because she was scratching at

535
00:25:43,280 --> 00:25:43,560
Speaker 2: the door.

536
00:25:43,720 --> 00:25:46,080
Speaker 1: Okay, I know she needs her mom.

537
00:25:46,560 --> 00:25:47,320
Speaker 3: It's her time.

538
00:25:47,960 --> 00:25:49,080
Speaker 1: It's ten thirty.

539
00:25:49,680 --> 00:25:52,520
Speaker 3: She goes on a little do do do do oh.

540
00:25:51,960 --> 00:25:56,000
Speaker 2: So she's like, I'm here, You're supposed to do things

541
00:25:56,040 --> 00:25:58,040
Speaker 2: and I'm like, sorry, sorrybra, I'm working.

542
00:25:58,200 --> 00:26:00,720
Speaker 1: She gets to be the studio audience she gets today.

543
00:26:01,040 --> 00:26:02,240
Speaker 3: Yes, she's adorable.

544
00:26:03,960 --> 00:26:08,080
Speaker 1: So yeah, blowouts, the inhale and exhale as you walk.

545
00:26:08,160 --> 00:26:10,480
Speaker 1: I can't think of any sort of did we have these?

546
00:26:10,960 --> 00:26:15,119
Speaker 3: This was a k nights the pump sneakers.

547
00:26:14,760 --> 00:26:16,359
Speaker 1: And that you would pump up the tongue.

548
00:26:16,480 --> 00:26:16,639
Speaker 3: Is that?

549
00:26:16,760 --> 00:26:17,040
Speaker 1: Okay?

550
00:26:17,040 --> 00:26:20,800
Speaker 2: That's and there was that and then like yeah, you

551
00:26:20,880 --> 00:26:22,600
Speaker 2: Georgias were just coming out around this time.

552
00:26:22,640 --> 00:26:23,640
Speaker 1: It was like you'll jump.

553
00:26:23,560 --> 00:26:26,320
Speaker 2: High, you know, Okay, okay, yeah, so this was like

554
00:26:26,359 --> 00:26:28,640
Speaker 2: the this was I mean, I feel like Jensen would

555
00:26:28,720 --> 00:26:30,760
Speaker 2: probably be the expert on this, but I feel like

556
00:26:30,800 --> 00:26:33,679
Speaker 2: this was really kind of the start of you know,

557
00:26:33,800 --> 00:26:35,520
Speaker 2: of like the sneaker head era.

558
00:26:35,720 --> 00:26:39,200
Speaker 1: Yeah, trendy, trendy sneakers. Yeaheah, this was the start of it. Okay,

559
00:26:39,400 --> 00:26:42,720
Speaker 1: so love it. DJ's like, she's a sneakerhead. We didn't

560
00:26:42,760 --> 00:26:43,800
Speaker 1: even know. I did not know that.

561
00:26:43,840 --> 00:26:46,240
Speaker 2: He's got a secret wall in that house which you

562
00:26:46,520 --> 00:26:47,560
Speaker 2: push it away and it's just.

563
00:26:47,680 --> 00:26:54,720
Speaker 1: Stacks and stacks sneakers. Yeah, boxes of expensive tennis shoes. Hey,

564
00:26:54,880 --> 00:26:59,840
Speaker 1: everybody's got something, you know. So DJ says if she

565
00:27:00,040 --> 00:27:02,159
Speaker 1: doesn't get these, she's going to be a total geek,

566
00:27:02,760 --> 00:27:05,680
Speaker 1: and Kimmy nudges Danny and says, you know how that feels,

567
00:27:05,760 --> 00:27:06,200
Speaker 1: mister t.

568
00:27:08,040 --> 00:27:11,399
Speaker 3: I left such a brilliant exchange between you two. I

569
00:27:11,480 --> 00:27:12,240
Speaker 3: laughed out loud.

570
00:27:12,320 --> 00:27:15,760
Speaker 1: It was great. So Kimmy and Danny have a little

571
00:27:15,760 --> 00:27:19,159
Speaker 1: stearing contest before Danny retorts. It takes one to know

572
00:27:19,320 --> 00:27:20,480
Speaker 1: one like.

573
00:27:20,480 --> 00:27:22,440
Speaker 3: This is a face. It was perfect.

574
00:27:22,600 --> 00:27:25,399
Speaker 1: It was perfect, like this is the beginning of the

575
00:27:25,520 --> 00:27:29,080
Speaker 1: Kimmy and Danny sparring matches, and I love it so much.

576
00:27:29,960 --> 00:27:31,320
Speaker 1: I was trying to take it.

577
00:27:31,440 --> 00:27:32,240
Speaker 3: Was also this one.

578
00:27:33,400 --> 00:27:36,920
Speaker 1: Was it mean like this was funny scene? Yeah? Yeah,

579
00:27:36,960 --> 00:27:40,720
Speaker 1: it wasn't mean very appropriate. Uh no, it was just

580
00:27:40,760 --> 00:27:43,800
Speaker 1: the right amount of teasing without crossing the line. So

581
00:27:44,040 --> 00:27:47,600
Speaker 1: I loved it. Bob's fantastic between sparring with Bob and

582
00:27:47,640 --> 00:27:49,919
Speaker 1: sparring with you. It's just like, this was my favorite

583
00:27:49,960 --> 00:27:54,359
Speaker 1: thing right on the show. So Danny reminds DJ she

584
00:27:54,400 --> 00:27:57,320
Speaker 1: doesn't always need to go with the crowd. In fact,

585
00:27:57,440 --> 00:27:59,240
Speaker 1: when he was a kid, he went out and bought

586
00:27:59,280 --> 00:28:02,760
Speaker 1: some sensible sands a belt pants with an adjustable waist

587
00:28:02,880 --> 00:28:06,000
Speaker 1: band while the other kids were buying evil Knievel jumpsuits.

588
00:28:07,359 --> 00:28:10,480
Speaker 2: I don't even know what in the seventies sands a

589
00:28:10,520 --> 00:28:14,480
Speaker 2: belt pants are other than the fact that if I

590
00:28:14,560 --> 00:28:16,000
Speaker 2: break the word down.

591
00:28:17,560 --> 00:28:21,200
Speaker 3: Or sands s a n s is one.

592
00:28:21,000 --> 00:28:24,080
Speaker 1: Word without without a.

593
00:28:23,760 --> 00:28:26,359
Speaker 2: Belt, and then you just combine it so it's in

594
00:28:26,400 --> 00:28:28,520
Speaker 2: a like like an adjustable waistband.

595
00:28:28,600 --> 00:28:31,320
Speaker 1: That's exactly what they were. Yeah, it was just like these,

596
00:28:31,600 --> 00:28:34,639
Speaker 1: like just straight pants with the adjustable waistband. It was

597
00:28:35,520 --> 00:28:37,239
Speaker 1: I thought they were nice, Like I looked them up.

598
00:28:37,240 --> 00:28:39,960
Speaker 1: They looked nice. That looked like something that pilots would

599
00:28:39,960 --> 00:28:43,480
Speaker 1: wear or I guess bowlers in this case, although I

600
00:28:43,480 --> 00:28:45,560
Speaker 1: don't I don't know about that, but yeah, no, they

601
00:28:45,680 --> 00:28:48,240
Speaker 1: I mean they were It's no evil Knievl jumpsuit.

602
00:28:48,320 --> 00:28:50,880
Speaker 3: Should I do you want a pair? I mean you

603
00:28:50,920 --> 00:28:51,720
Speaker 3: sound really into it.

604
00:28:51,800 --> 00:28:54,320
Speaker 1: No, No, it's I feel like it's more year towards

605
00:28:54,320 --> 00:28:54,640
Speaker 1: the band.

606
00:28:54,720 --> 00:28:56,720
Speaker 3: You know what I'm gonna I'm gonna package it together with.

607
00:28:59,200 --> 00:29:01,720
Speaker 2: Pants and the and that sorr's your problem now because

608
00:29:01,720 --> 00:29:04,240
Speaker 2: I'm dead, because I think you're injuring your way very

609
00:29:04,320 --> 00:29:04,800
Speaker 2: very close.

610
00:29:05,400 --> 00:29:07,400
Speaker 1: Yeah, once you wear those, it's just you know, once you.

611
00:29:07,400 --> 00:29:08,160
Speaker 3: Wear those, it's over.

612
00:29:08,320 --> 00:29:11,960
Speaker 2: Yeah, those those orthopedic shoes that your grandma would wear,

613
00:29:12,400 --> 00:29:16,360
Speaker 2: or like the big black wrap around you know, like yeah.

614
00:29:15,800 --> 00:29:19,240
Speaker 1: Yeah, yeah, well hey anything was an adjustable waistban. I'm

615
00:29:19,280 --> 00:29:21,120
Speaker 1: a fan. I just gotta say, you.

616
00:29:21,080 --> 00:29:23,680
Speaker 2: Know, well, you gotta be comfortable when you're sitting around

617
00:29:23,720 --> 00:29:24,520
Speaker 2: watching eaglets.

618
00:29:24,800 --> 00:29:31,320
Speaker 1: Yes, right. My whole style is evolving during this podcast,

619
00:29:31,760 --> 00:29:34,760
Speaker 1: and perhaps not in a good way. So Danny ends

620
00:29:34,800 --> 00:29:39,520
Speaker 1: the conversation with the reference to Sanzebell pants, and DJ

621
00:29:39,720 --> 00:29:42,960
Speaker 1: is prepared with a Plan B. She asks her dad,

622
00:29:42,960 --> 00:29:45,080
Speaker 1: wouldn't it be great if I never had to weasel

623
00:29:45,120 --> 00:29:48,080
Speaker 1: money out of you? Again, Danny admits he likes Plan

624
00:29:48,160 --> 00:29:51,240
Speaker 1: B so far. DJ continues, I can earn my own

625
00:29:51,280 --> 00:29:53,920
Speaker 1: money by getting a job. There's a photographer down at

626
00:29:53,920 --> 00:29:55,920
Speaker 1: the mall, and he said I could be his part

627
00:29:55,960 --> 00:29:59,000
Speaker 1: time assistant. There you go, all right, there you go.

628
00:29:59,120 --> 00:30:02,200
Speaker 1: Danny worries about her schoolwork since her science grade has

629
00:30:02,240 --> 00:30:05,200
Speaker 1: been slipping, and this is when Kimmy steps in and

630
00:30:05,240 --> 00:30:08,840
Speaker 1: assures him I give you my personal guarantee that DJ

631
00:30:08,960 --> 00:30:13,560
Speaker 1: will raise her grade in science, and Danny sarcastically responds, oh,

632
00:30:13,720 --> 00:30:16,760
Speaker 1: the Gibler guarantee. Well that changes.

633
00:30:16,400 --> 00:30:21,200
Speaker 2: Everything, right, A Gibler guarantee on anything academics is worth nothing.

634
00:30:21,640 --> 00:30:26,120
Speaker 1: Yeah, it actually does the opposite of what's intended to do.

635
00:30:26,120 --> 00:30:28,480
Speaker 3: Don't worry, I'm going to tutor her. Well, there goes

636
00:30:28,520 --> 00:30:28,960
Speaker 3: that idiot.

637
00:30:32,360 --> 00:30:34,960
Speaker 1: So DJ begs Danny to give her a chance. She's

638
00:30:35,000 --> 00:30:39,200
Speaker 1: fourteen years old and she's ready for adult responsibilities. Danny

639
00:30:39,280 --> 00:30:41,720
Speaker 1: finally gives in, if you can keep your grades up,

640
00:30:41,840 --> 00:30:44,360
Speaker 1: you can take the job. DJ gives him a big

641
00:30:44,440 --> 00:30:46,920
Speaker 1: hug and thanks him, and then Kimmy gives him a

642
00:30:46,920 --> 00:30:50,160
Speaker 1: big hug and says thanks mister T. And Danny can't

643
00:30:50,160 --> 00:30:53,760
Speaker 1: help but wonder why Kimmy's so happy. She explains DJ's

644
00:30:53,760 --> 00:30:56,880
Speaker 1: getting blowouts and we have the same size feet, and

645
00:30:56,920 --> 00:31:00,360
Speaker 1: then they give Danny a kiss on the cheek, ending

646
00:31:00,360 --> 00:31:02,040
Speaker 1: to the scene. That was cute. That was it was

647
00:31:02,160 --> 00:31:04,560
Speaker 1: very cute. And Candice and I almost have the same

648
00:31:04,600 --> 00:31:06,760
Speaker 1: size feet. She's a size six, I'm a size five,

649
00:31:06,920 --> 00:31:08,600
Speaker 1: so we're just one size apart.

650
00:31:09,000 --> 00:31:10,760
Speaker 3: You have those tiny, tiny little feet.

651
00:31:10,840 --> 00:31:14,080
Speaker 1: I have very very I guarantee my feet have not

652
00:31:14,200 --> 00:31:17,160
Speaker 1: grown since this episode, Like they just stopped growing.

653
00:31:17,360 --> 00:31:18,360
Speaker 3: They just stopped growing.

654
00:31:18,520 --> 00:31:18,760
Speaker 1: Yeah.

655
00:31:18,920 --> 00:31:21,520
Speaker 2: Well, I mean, thank god you're not like super tall.

656
00:31:21,720 --> 00:31:24,280
Speaker 2: That would be right, that would be unwieldy, you know,

657
00:31:24,720 --> 00:31:26,640
Speaker 2: be able to balance over all the time.

658
00:31:26,720 --> 00:31:29,840
Speaker 1: Yeah, yeah, I'm glad I stopped growing five to two

659
00:31:30,440 --> 00:31:31,280
Speaker 1: size five feet.

660
00:31:31,320 --> 00:31:35,200
Speaker 2: That's okay, Or it would also be oppositely weird if

661
00:31:35,240 --> 00:31:39,080
Speaker 2: you were your height and had gigantic feet, Yes, that would.

662
00:31:38,840 --> 00:31:41,479
Speaker 1: Be so, that's right. That's an episode coming up when

663
00:31:41,560 --> 00:31:47,800
Speaker 1: Michelle grows really big feet, do you remember? Oh my god, great? Yeah,

664
00:31:47,880 --> 00:31:51,200
Speaker 1: talk about horrifying dream sequences. There's quite a few in

665
00:31:51,280 --> 00:31:54,480
Speaker 1: this series. So next to Jesse's room, Jesse's playing the

666
00:31:54,520 --> 00:31:57,520
Speaker 1: guitar and Becky rushes in he's he moved.

667
00:31:57,280 --> 00:32:00,120
Speaker 3: The drum set obviously, Uh carried it up to the ad.

668
00:32:00,200 --> 00:32:03,840
Speaker 2: Because you know, letting a drum set around is one

669
00:32:03,840 --> 00:32:04,840
Speaker 2: of the easier things to do.

670
00:32:05,320 --> 00:32:09,160
Speaker 3: I'm sure staircases in Victorian homes, DJ.

671
00:32:09,080 --> 00:32:12,200
Speaker 1: And Steph know how to move rooms in like an hour.

672
00:32:12,440 --> 00:32:13,680
Speaker 1: So he just got the.

673
00:32:13,840 --> 00:32:16,920
Speaker 2: Little house dobby the house elf do they have running

674
00:32:16,920 --> 00:32:18,920
Speaker 2: around that it does all this stuff for them, you

675
00:32:18,920 --> 00:32:25,719
Speaker 2: know what I mean. We don't see the people that

676
00:32:25,760 --> 00:32:27,400
Speaker 2: are actually making the house run.

677
00:32:27,440 --> 00:32:30,120
Speaker 1: Yeah, the little elves that are running around. Yeah, yeah,

678
00:32:30,160 --> 00:32:34,120
Speaker 1: there has to be there's something because three flights of stairs. Heck,

679
00:32:34,440 --> 00:32:37,920
Speaker 1: no way. So Becky says, my folks called today and

680
00:32:37,920 --> 00:32:40,960
Speaker 1: they have this wacky idea that since we're engaged, we

681
00:32:41,000 --> 00:32:43,480
Speaker 1: should actually set a date in a place for the wedding.

682
00:32:44,640 --> 00:32:46,800
Speaker 1: Jesse rolls his eyes and says, time to say the

683
00:32:46,840 --> 00:32:52,479
Speaker 1: magic word Graceland. Becky's unamused, like the rest of us.

684
00:32:52,880 --> 00:32:56,479
Speaker 1: Right here we go, here we go, though it's his

685
00:32:56,600 --> 00:32:59,800
Speaker 1: dream to get married at that tacky place. She believes

686
00:32:59,800 --> 00:33:02,360
Speaker 1: there there are more benefits to getting married in her

687
00:33:02,400 --> 00:33:08,240
Speaker 1: hometown of Valentine, Nebraska. It's named Valentine, it's the city

688
00:33:08,240 --> 00:33:08,600
Speaker 1: of law.

689
00:33:09,200 --> 00:33:10,720
Speaker 3: You know. Come on, this is.

690
00:33:10,720 --> 00:33:15,040
Speaker 1: A no brainer. Come on. But Jesse glares at her

691
00:33:15,120 --> 00:33:19,040
Speaker 1: and challenges her to name one benefit. Becky size, it's

692
00:33:19,080 --> 00:33:23,320
Speaker 1: not Graceland. Excellent point. It's true that nothing more needs

693
00:33:23,320 --> 00:33:27,080
Speaker 1: to be said. It's not Graceland. They argue, talking over

694
00:33:27,120 --> 00:33:29,560
Speaker 1: one another to try to get their points across, and

695
00:33:29,600 --> 00:33:32,120
Speaker 1: that's when Joey darts into the room. He interrupts their

696
00:33:32,120 --> 00:33:35,479
Speaker 1: fighting to ask Jesse for his credit card. Joey admits

697
00:33:35,480 --> 00:33:38,200
Speaker 1: he's way over his limit and the shopping Network is

698
00:33:38,240 --> 00:33:41,320
Speaker 1: offering a special on the Barney Rebel bath collection.

699
00:33:43,200 --> 00:33:44,840
Speaker 3: This entire thing.

700
00:33:45,280 --> 00:33:49,240
Speaker 2: He ran in the room and I was like, what

701
00:33:49,440 --> 00:33:53,520
Speaker 2: thinks this person should be responsible for children?

702
00:33:54,480 --> 00:33:55,800
Speaker 1: How is you know what I mean? How is he

703
00:33:55,880 --> 00:33:57,800
Speaker 1: over his limit on his credit card? What is hen

704
00:33:59,080 --> 00:34:00,640
Speaker 1: rent he does? And pay?

705
00:34:00,800 --> 00:34:00,960
Speaker 3: Like?

706
00:34:01,440 --> 00:34:03,080
Speaker 1: Does he have a car payment? I don't even have?

707
00:34:03,520 --> 00:34:04,560
Speaker 3: I mean, have you seen the basement?

708
00:34:04,680 --> 00:34:06,880
Speaker 2: It's I mean, there's a lot the puppets don't buy

709
00:34:06,960 --> 00:34:13,080
Speaker 2: themselves salts. Okay, yeah, nu, these days, you know you

710
00:34:13,080 --> 00:34:15,800
Speaker 2: got to find them outfits full hockey uniforms.

711
00:34:15,800 --> 00:34:18,719
Speaker 1: You know how much that costs A lot. That explains

712
00:34:18,760 --> 00:34:22,240
Speaker 1: why he's over his credit card limit. But goodness, gracious,

713
00:34:21,840 --> 00:34:26,160
Speaker 1: this is great. So Jesse Scoff's no way you still

714
00:34:26,200 --> 00:34:30,240
Speaker 1: haven't paid me back for that California Raisin chess set. Okay,

715
00:34:30,280 --> 00:34:32,000
Speaker 1: get this. I had to look it up. I had

716
00:34:32,000 --> 00:34:37,120
Speaker 1: to look it up. There is a raisin brand chess set. Yes,

717
00:34:37,719 --> 00:34:40,520
Speaker 1: it's on eBay for the low price of sixty dollars.

718
00:34:41,920 --> 00:34:44,239
Speaker 1: It's just wait, there's a raisin brand.

719
00:34:44,680 --> 00:34:49,320
Speaker 2: Ess, Say what is what it's is a raisin brand

720
00:34:49,440 --> 00:34:53,200
Speaker 2: chess What are the characters of raisin brand? What do

721
00:34:53,320 --> 00:34:53,960
Speaker 2: you even?

722
00:34:54,560 --> 00:34:54,880
Speaker 3: What?

723
00:34:54,880 --> 00:34:55,600
Speaker 1: What the house?

724
00:34:56,320 --> 00:34:59,400
Speaker 3: Was it just a bunch of raisins? Was it just

725
00:34:59,440 --> 00:35:02,239
Speaker 3: a raisin? And then your pawns are little brand.

726
00:35:02,000 --> 00:35:04,200
Speaker 1: Flakes, like what is it? I don't know, but the

727
00:35:04,239 --> 00:35:07,920
Speaker 1: don't keep them apart, you know what I mean?

728
00:35:07,960 --> 00:35:11,840
Speaker 2: You have got two colored raisins, golden raisins and regular raisins.

729
00:35:11,840 --> 00:35:15,080
Speaker 1: Well you okay, I think you've out a lot more than.

730
00:35:15,120 --> 00:35:18,200
Speaker 3: If someone eats their chest set.

731
00:35:19,239 --> 00:35:22,640
Speaker 2: I just don't this doesn't feel this sixty dollars feels

732
00:35:22,960 --> 00:35:26,360
Speaker 2: expensive for just like a handful of Raisin brand thrown

733
00:35:26,480 --> 00:35:27,880
Speaker 2: on a checkerboard, you know what I mean.

734
00:35:28,160 --> 00:35:30,600
Speaker 1: Well, it's the full cereal box. So this is like

735
00:35:30,680 --> 00:35:34,680
Speaker 1: the unopened apparently the unopened cereal box that you just

736
00:35:34,800 --> 00:35:37,320
Speaker 1: cut the cardboard and then you have your chest set.

737
00:35:37,840 --> 00:35:40,600
Speaker 1: The description didn't say what the little pawns were though,

738
00:35:40,640 --> 00:35:42,879
Speaker 1: so I don't know. Maybe it is you you use

739
00:35:42,920 --> 00:35:47,160
Speaker 1: the Raisins. Those Raisins after how many years, twenty years,

740
00:35:47,400 --> 00:35:48,360
Speaker 1: thirty years, those have.

741
00:35:48,440 --> 00:35:51,520
Speaker 2: Got to be pretty dried out. That banana taped to

742
00:35:51,560 --> 00:35:52,600
Speaker 2: the wall piece of art.

743
00:35:52,760 --> 00:35:53,200
Speaker 3: It doesn't.

744
00:35:53,640 --> 00:35:55,000
Speaker 1: It's just not as.

745
00:35:54,960 --> 00:35:56,920
Speaker 2: Much as somebody tells you on eBay that this is

746
00:35:57,040 --> 00:35:58,560
Speaker 2: this is the original, it's not.

747
00:35:58,719 --> 00:36:05,640
Speaker 1: No, it's Raisins amazing. Similarly, there is now there is

748
00:36:05,680 --> 00:36:09,680
Speaker 1: a California Raisins board game, not a chest set, like

749
00:36:09,880 --> 00:36:12,760
Speaker 1: Jesse said, it's a board game. It looks very similar

750
00:36:12,760 --> 00:36:13,800
Speaker 1: to Shoots and Ladders.

751
00:36:14,120 --> 00:36:17,360
Speaker 2: Is it like like them on their way like the

752
00:36:17,480 --> 00:36:20,360
Speaker 2: first there on the vine and they're nice full little

753
00:36:20,360 --> 00:36:22,160
Speaker 2: grapes and then what they shrivel up.

754
00:36:22,040 --> 00:36:24,120
Speaker 1: And die like is that is.

755
00:36:24,120 --> 00:36:25,640
Speaker 3: That's basically a raisin you know.

756
00:36:26,040 --> 00:36:29,120
Speaker 2: Well, it doesn't evolves off to get crushed and make wine,

757
00:36:29,600 --> 00:36:33,160
Speaker 2: and some go to the Welches factory like I don't.

758
00:36:33,400 --> 00:36:36,080
Speaker 1: It doesn't end well for any of them. You put

759
00:36:36,120 --> 00:36:39,200
Speaker 1: way more forethought into this than any has or any

760
00:36:39,239 --> 00:36:40,320
Speaker 1: of the creators.

761
00:36:40,360 --> 00:36:42,760
Speaker 3: This is just off the top of my head.

762
00:36:43,120 --> 00:36:46,120
Speaker 2: If I had forethought, I would have a list of questions.

763
00:36:46,880 --> 00:36:48,600
Speaker 3: I think we've gotten a little off track.

764
00:36:49,000 --> 00:36:54,520
Speaker 1: Let's go back to I. There's the way. I'm sorry.

765
00:36:54,600 --> 00:36:55,280
Speaker 1: I did research.

766
00:36:56,040 --> 00:36:56,480
Speaker 3: I love it.

767
00:36:57,040 --> 00:36:59,399
Speaker 1: I'm going to tell you the research, whether you want

768
00:36:59,440 --> 00:37:00,000
Speaker 1: to hear it or not.

769
00:37:00,280 --> 00:37:02,200
Speaker 3: No, no, no, I always want to hear random research.

770
00:37:02,280 --> 00:37:06,480
Speaker 1: Okay, Barney Rubbel bubble bath is a real thing from

771
00:37:06,520 --> 00:37:09,160
Speaker 1: the nineteen sixties. Oh you knew this, Okay.

772
00:37:09,360 --> 00:37:12,080
Speaker 3: I thought for sure they had made huge They would have.

773
00:37:12,160 --> 00:37:15,000
Speaker 2: You had like the old because I like to go

774
00:37:15,040 --> 00:37:17,319
Speaker 2: to antique stores and vineae stores, so you'll see them

775
00:37:17,360 --> 00:37:18,360
Speaker 2: all the time, like the old.

776
00:37:19,760 --> 00:37:20,240
Speaker 1: Uh.

777
00:37:20,680 --> 00:37:23,279
Speaker 2: Like it's like the bath containers and they would have

778
00:37:23,320 --> 00:37:25,880
Speaker 2: like the head of whatever on it, and it would

779
00:37:25,880 --> 00:37:27,040
Speaker 2: be yeah, and that was a whole.

780
00:37:27,120 --> 00:37:29,680
Speaker 1: I had them when I was a kid. Oh okay, Okay,

781
00:37:29,719 --> 00:37:30,200
Speaker 1: So I mean not.

782
00:37:30,239 --> 00:37:32,319
Speaker 2: I don't think I had Biden have Barney rubble ones.

783
00:37:32,360 --> 00:37:35,319
Speaker 2: But I but yes, I I remember those. Yeah, that

784
00:37:35,480 --> 00:37:36,120
Speaker 2: was the thing.

785
00:37:36,520 --> 00:37:37,759
Speaker 1: It's it's it's great.

786
00:37:37,840 --> 00:37:40,319
Speaker 2: Do you not have any character bubble baths? What kind

787
00:37:40,360 --> 00:37:41,360
Speaker 2: of sad sheltered?

788
00:37:42,239 --> 00:37:45,440
Speaker 1: Had a very sad silty What was that, Bathy? I

789
00:37:45,480 --> 00:37:49,480
Speaker 1: think it's just plain dove like, I I'm sorry, I

790
00:37:49,560 --> 00:37:56,360
Speaker 1: must my mom was punishing me clearly. Barney rubbel bubble baths, right, fantastic.

791
00:37:56,400 --> 00:37:58,440
Speaker 1: You can find the Barney rubble bubble bath on eBay

792
00:37:58,480 --> 00:38:01,719
Speaker 1: as well. Becky chin in and tells Joey that she

793
00:38:01,800 --> 00:38:04,720
Speaker 1: will buy him the Rebel bubble Bath, but in return,

794
00:38:04,800 --> 00:38:07,120
Speaker 1: she wants him to sell Jesse on the idea of

795
00:38:07,160 --> 00:38:10,560
Speaker 1: a Nebraska wedding. So Joey starts to brainstorm the best

796
00:38:10,560 --> 00:38:14,000
Speaker 1: way to sell Nebraska. He puts on his best Midwestern

797
00:38:14,000 --> 00:38:17,960
Speaker 1: impression Alla Walter Brennan, Grandpa Amos in the real McCoys.

798
00:38:18,040 --> 00:38:20,680
Speaker 1: He does that whole like, oh boy, it was.

799
00:38:20,800 --> 00:38:26,000
Speaker 2: Yeah, someone committed amilies all from the Midwest. I can't

800
00:38:26,000 --> 00:38:29,359
Speaker 2: say it was entirely wrong, but no, but it was like, yeah,

801
00:38:29,360 --> 00:38:31,439
Speaker 2: it was definitely yeah.

802
00:38:31,520 --> 00:38:34,560
Speaker 3: You're like, oh it was I don't know, Yeah.

803
00:38:34,520 --> 00:38:37,000
Speaker 1: Dave committed, though you know these bits were not committed

804
00:38:37,160 --> 00:38:38,120
Speaker 1: unless he committed.

805
00:38:38,239 --> 00:38:40,959
Speaker 2: I mean, sure, the nice folks, the great weather, other

806
00:38:41,040 --> 00:38:43,160
Speaker 2: than the you know, tornadoes, Yeah.

807
00:38:43,080 --> 00:38:45,520
Speaker 1: No, they're down to earth or friendly.

808
00:38:45,600 --> 00:38:48,600
Speaker 3: You know, I'm thinking dances. Never mind Kansas and tornadoes.

809
00:38:49,200 --> 00:38:51,920
Speaker 1: Well, I'm sure there's other natural disasters in the Midwest,

810
00:38:51,960 --> 00:38:57,160
Speaker 1: and you know that's okay. So Joey urges Jesse to

811
00:38:57,239 --> 00:38:59,359
Speaker 1: just picture it. And that's when which is.

812
00:38:59,360 --> 00:39:02,400
Speaker 3: All just picture It is a setup as if you

813
00:39:02,440 --> 00:39:04,560
Speaker 3: hear those three words on a sitcom, you're about to

814
00:39:04,640 --> 00:39:05,359
Speaker 3: enter a dream seat.

815
00:39:05,480 --> 00:39:08,360
Speaker 1: Yep, that that is. It's a Pavlovian response. You have

816
00:39:08,800 --> 00:39:10,200
Speaker 1: you have to have a dream second.

817
00:39:09,960 --> 00:39:12,640
Speaker 3: One picture right and there it.

818
00:39:12,760 --> 00:39:19,040
Speaker 1: So enter Jesse's dream sequence. He's dressed in overalls, paired

819
00:39:19,040 --> 00:39:21,440
Speaker 1: with a white T shirt and a black top hat

820
00:39:21,719 --> 00:39:24,960
Speaker 1: and a bow tie. He approaches a goat and asks

821
00:39:25,000 --> 00:39:28,280
Speaker 1: if he's seen his fiance anywhere, and just then Becky

822
00:39:28,360 --> 00:39:31,480
Speaker 1: rides in on a tractor, wearing an overly poofy dress,

823
00:39:31,560 --> 00:39:35,759
Speaker 1: braided pigtails sticking straight out, and black stuff over her

824
00:39:35,800 --> 00:39:37,600
Speaker 1: two front teeth to make it look like she is

825
00:39:38,040 --> 00:39:44,960
Speaker 1: missing teeth. What is happening, dude? You got me?

826
00:39:45,200 --> 00:39:45,719
Speaker 3: Okay?

827
00:39:46,000 --> 00:39:48,000
Speaker 1: And we haven't even gotten to the second one yet, so.

828
00:39:49,640 --> 00:39:50,160
Speaker 3: I don't know.

829
00:39:50,400 --> 00:39:53,040
Speaker 2: This was just again it's an excuse for costumes, but

830
00:39:53,120 --> 00:39:56,000
Speaker 2: it is very it is very weird and probably offensive

831
00:39:56,440 --> 00:39:59,400
Speaker 2: to uh large swaths of the country.

832
00:39:59,800 --> 00:40:03,920
Speaker 1: Well probably, yes, it was sa sense the but the

833
00:40:04,000 --> 00:40:04,840
Speaker 1: dress was cute.

834
00:40:05,520 --> 00:40:07,440
Speaker 3: Just imagine though all that were They had to go

835
00:40:07,480 --> 00:40:09,480
Speaker 3: out to a farm somewhere, or they had to, you know,

836
00:40:09,560 --> 00:40:12,040
Speaker 3: go shoot all of that. And the best part is

837
00:40:12,040 --> 00:40:14,200
Speaker 3: is when you take it outside of the studio, all

838
00:40:14,200 --> 00:40:16,920
Speaker 3: of a sudden you switch to like film.

839
00:40:17,200 --> 00:40:19,640
Speaker 2: Yeah, and then when you come back to the stuff

840
00:40:19,680 --> 00:40:21,200
Speaker 2: you shoot in studio, you're on tape.

841
00:40:21,719 --> 00:40:23,640
Speaker 1: Oh yeah, it looks it looks different.

842
00:40:23,800 --> 00:40:25,840
Speaker 2: It looks different, like the quality of it looks a

843
00:40:25,880 --> 00:40:27,800
Speaker 2: little bit different, which is always interesting.

844
00:40:27,840 --> 00:40:30,640
Speaker 1: You throw in a goat, an unpredictable goat, like, man,

845
00:40:30,760 --> 00:40:33,640
Speaker 1: how long could it take to get this shot right? Amazing?

846
00:40:34,600 --> 00:40:37,200
Speaker 1: Uh So Becky calls out to him in a country

847
00:40:37,239 --> 00:40:41,399
Speaker 1: accent and exclaims time to get hitched. Farm boy Jesse.

848
00:40:41,440 --> 00:40:44,759
Speaker 1: He complains about being dressed like a Beverly hillbilly, but

849
00:40:44,800 --> 00:40:47,040
Speaker 1: Becky insists he's cuter than a hound dog and a

850
00:40:47,040 --> 00:40:47,319
Speaker 1: hair in.

851
00:40:47,320 --> 00:40:49,840
Speaker 3: It sounds like something my dad would say.

852
00:40:50,280 --> 00:40:51,840
Speaker 1: Second, totally pictures Sam.

853
00:40:52,160 --> 00:40:54,120
Speaker 3: This is sam ism cuter and a hound dog and

854
00:40:54,160 --> 00:40:54,600
Speaker 3: a hairnet.

855
00:40:54,719 --> 00:40:58,880
Speaker 1: You know Sam is. She jumps into Jesse's arms and

856
00:40:58,880 --> 00:41:01,480
Speaker 1: gives him a big smile. Jesse takes in her new

857
00:41:01,520 --> 00:41:05,080
Speaker 1: look and cringes have mercy. She pulls him in for

858
00:41:05,080 --> 00:41:08,920
Speaker 1: a big kiss, and his eyes widen with terror. I

859
00:41:08,960 --> 00:41:11,480
Speaker 1: don't know how Jeff convinced these adults keep doing these

860
00:41:11,560 --> 00:41:14,279
Speaker 1: dream sequences, like we had the weird Michelle one when

861
00:41:14,360 --> 00:41:15,480
Speaker 1: her first day school.

862
00:41:15,480 --> 00:41:17,960
Speaker 3: I mean, it was you're contractually obligated.

863
00:41:18,000 --> 00:41:19,840
Speaker 1: At some point you just go, oh god, can you

864
00:41:19,880 --> 00:41:23,319
Speaker 1: imagine John complain? John would complain about this and be like.

865
00:41:23,400 --> 00:41:26,120
Speaker 2: Remember remember the episode I fought with the clown Remember

866
00:41:26,120 --> 00:41:26,760
Speaker 2: that episode?

867
00:41:27,200 --> 00:41:31,160
Speaker 1: Yes, that just sometimes you just gotta suck it up

868
00:41:31,160 --> 00:41:33,479
Speaker 1: and do it, you know what I mean? Oh gosh, yeah,

869
00:41:33,520 --> 00:41:36,760
Speaker 1: Well they they committed. I gotta admit they committed.

870
00:41:36,960 --> 00:41:40,040
Speaker 2: And if you're gonna be in it, you go full

871
00:41:40,200 --> 00:41:43,200
Speaker 2: you know what I mean, go for it. But sometimes

872
00:41:43,200 --> 00:41:44,360
Speaker 2: you just gotta fight the clowns.

873
00:41:45,120 --> 00:41:47,439
Speaker 1: I guess, pick and choose your battles. That's why John

874
00:41:47,480 --> 00:41:50,440
Speaker 1: agreed to this. I don't know, but it was. It

875
00:41:50,480 --> 00:41:52,080
Speaker 1: was a thing that we saw. That's all I gotta

876
00:41:52,120 --> 00:41:52,680
Speaker 1: say about this.

877
00:41:53,160 --> 00:41:56,320
Speaker 3: Well, sitcom dream sequences are always been terrifying.

878
00:41:56,520 --> 00:41:59,959
Speaker 1: Yes, so thank god. This stream sequence ends and Jess

879
00:42:00,200 --> 00:42:03,080
Speaker 1: is shell shocked. He says, I'm not getting married on

880
00:42:03,200 --> 00:42:05,440
Speaker 1: hee haw and then he runs up to Becky and

881
00:42:05,520 --> 00:42:07,200
Speaker 1: takes a good look at her teeth to make sure

882
00:42:07,239 --> 00:42:11,360
Speaker 1: that dream wasn't a reality. Jesse begs Joey to explain

883
00:42:11,400 --> 00:42:15,919
Speaker 1: the virtues of a classy, elegant wedding at Graceland. Joey

884
00:42:16,000 --> 00:42:19,360
Speaker 1: approaches this by imitating Robin Leech from Lifestyles of the

885
00:42:19,400 --> 00:42:22,840
Speaker 1: Rich and Famous, and he shouts in Becky's face, imagine

886
00:42:22,880 --> 00:42:26,120
Speaker 1: yourself at Graceland, and he highlights all the wonders of

887
00:42:26,200 --> 00:42:30,080
Speaker 1: this estate before yelling her to picture it. And that's

888
00:42:30,080 --> 00:42:36,440
Speaker 1: when Becky's dream sequence begins, also nearly as horrifying. So

889
00:42:36,600 --> 00:42:39,680
Speaker 1: at Graceland, which really just looks like a gate at

890
00:42:39,680 --> 00:42:44,440
Speaker 1: the studio that they put some decor arm. It was

891
00:42:44,760 --> 00:42:46,880
Speaker 1: Culver Study. It was the front of every Sony. It

892
00:42:46,960 --> 00:42:48,400
Speaker 1: looked like Sony stud.

893
00:42:48,600 --> 00:42:50,560
Speaker 3: Not Sony Culver Study.

894
00:42:50,640 --> 00:42:53,600
Speaker 2: Okay, you remember we were Sony was where we were,

895
00:42:53,640 --> 00:42:57,600
Speaker 2: and Sony was had been Lorimar had been MGM. That

896
00:42:57,719 --> 00:42:59,319
Speaker 2: was kind of like in the center of col she

897
00:43:00,080 --> 00:43:05,000
Speaker 2: you went down uh not Braddock, but if you went

898
00:43:05,080 --> 00:43:09,440
Speaker 2: down Culver or whatever to and kind of off a

899
00:43:09,440 --> 00:43:12,400
Speaker 2: little bit like I guess east and south of that

900
00:43:13,200 --> 00:43:15,800
Speaker 2: was Culver Studios with that big white house.

901
00:43:16,239 --> 00:43:18,960
Speaker 1: Oh oh oh, a big white.

902
00:43:19,760 --> 00:43:21,480
Speaker 3: House and the lawn and all of that.

903
00:43:21,560 --> 00:43:23,560
Speaker 2: And then behind that was Culver Studios, and that was

904
00:43:23,600 --> 00:43:26,319
Speaker 2: I think where they shot I Love Lucy and stuff,

905
00:43:26,400 --> 00:43:28,319
Speaker 2: or they shot a bunch of stuff and it's been

906
00:43:28,320 --> 00:43:28,880
Speaker 2: there forever.

907
00:43:29,080 --> 00:43:30,440
Speaker 3: Oh wow, it doesn't look at.

908
00:43:30,400 --> 00:43:33,040
Speaker 2: All like that now, but I believe it was the

909
00:43:33,080 --> 00:43:34,759
Speaker 2: gates in front.

910
00:43:34,600 --> 00:43:36,440
Speaker 3: Of that building.

911
00:43:36,840 --> 00:43:41,040
Speaker 2: Okay, totally wrong, but I think that was it. And

912
00:43:41,080 --> 00:43:43,040
Speaker 2: then they just put the little music notes all over

913
00:43:43,080 --> 00:43:43,520
Speaker 2: them or whatever.

914
00:43:43,640 --> 00:43:43,839
Speaker 3: Yeah.

915
00:43:44,000 --> 00:43:46,320
Speaker 1: These were clearly just sort of stuck on with tape.

916
00:43:46,360 --> 00:43:47,480
Speaker 3: Yeah, yeah, it was.

917
00:43:47,800 --> 00:43:49,600
Speaker 1: Did they not have a budget for a set? Like

918
00:43:49,640 --> 00:43:52,400
Speaker 1: why why are they? It was kind of a phoned

919
00:43:52,480 --> 00:43:57,480
Speaker 1: in location, so like why why that? Did you want

920
00:43:57,520 --> 00:44:01,400
Speaker 1: them to fly to Graceland? I mean something that looked

921
00:44:01,640 --> 00:44:03,480
Speaker 1: more like Graceland than just throwing nineteen.

922
00:44:04,280 --> 00:44:06,719
Speaker 2: No one was paying that close attention, you know what

923
00:44:06,719 --> 00:44:11,359
Speaker 2: I mean? Remember Land of the Lost. Okay, that's all

924
00:44:11,400 --> 00:44:13,080
Speaker 2: I have to say, Land of the Lost, we were

925
00:44:13,560 --> 00:44:14,920
Speaker 2: small wonder we were watching that.

926
00:44:15,400 --> 00:44:19,760
Speaker 1: Okay, so this is very believable. Actually, if if wow,

927
00:44:19,800 --> 00:44:20,520
Speaker 1: did they are?

928
00:44:20,760 --> 00:44:22,520
Speaker 2: You know that there's a large percentage of people out

929
00:44:22,520 --> 00:44:24,680
Speaker 2: there that like, wait, they didn't go to Graceland.

930
00:44:25,800 --> 00:44:28,680
Speaker 1: I'm sorry, guys, really sorry. They spent the whole budget

931
00:44:28,680 --> 00:44:31,799
Speaker 1: on costumes, I guess or Becky's bee hive, like, they

932
00:44:31,880 --> 00:44:36,280
Speaker 1: must have blown the budget on that. So Jesse hops

933
00:44:36,320 --> 00:44:40,759
Speaker 1: out of his red convertible dressed in his best Elvis jumpsuit. Parent,

934
00:44:40,800 --> 00:44:41,480
Speaker 1: would you pick.

935
00:44:41,400 --> 00:44:45,040
Speaker 3: That era of the Elvis? You know I was wondering, Yeah,

936
00:44:45,080 --> 00:44:49,480
Speaker 3: I was thinking more always go for the cute fifties.

937
00:44:49,840 --> 00:44:53,920
Speaker 1: Yeah, Elvis, Well campy, this is this whole thing is campy.

938
00:44:54,000 --> 00:44:55,719
Speaker 1: So got to go for the campy. You need a

939
00:44:55,760 --> 00:44:59,920
Speaker 1: good suit. Yeah. So he's talking in his Elvis boy

940
00:45:00,120 --> 00:45:02,560
Speaker 1: and tells Becky to join him. That's when we see

941
00:45:02,600 --> 00:45:06,160
Speaker 1: Becky with hair five times the size of Priscilla Presley's.

942
00:45:07,200 --> 00:45:10,080
Speaker 1: She looks like she's in physical pain, admitting she can

943
00:45:10,120 --> 00:45:14,040
Speaker 1: barely hold her head up with this particular hairstyle. She

944
00:45:14,080 --> 00:45:16,040
Speaker 1: looks great though, like I really like the dark hair

945
00:45:16,160 --> 00:45:21,360
Speaker 1: and the frost of yes, like fantastical. You really can. Yeah,

946
00:45:21,640 --> 00:45:24,799
Speaker 1: Jesse insists she looks prettier than a fried peanut butter

947
00:45:24,840 --> 00:45:28,000
Speaker 1: and nan or sandwich, and then she was so delicious.

948
00:45:28,040 --> 00:45:31,479
Speaker 1: It does sound good. My mom used to a little

949
00:45:31,520 --> 00:45:35,040
Speaker 1: drizzle of honey on top the best little afternoon snack.

950
00:45:36,960 --> 00:45:38,960
Speaker 1: So Becky looks at him with hers.

951
00:45:38,960 --> 00:45:41,520
Speaker 2: I listen to us, and I'm like, we sound like

952
00:45:41,719 --> 00:45:45,400
Speaker 2: the some occasionally we'll go off on a little comment

953
00:45:45,440 --> 00:45:48,600
Speaker 2: and we sound like those the two ladies from SNL.

954
00:45:48,760 --> 00:45:53,200
Speaker 2: That's it where they're the librarians have their own NBR

955
00:45:53,400 --> 00:45:58,600
Speaker 2: like NPR show that just occasionally we'll say something, I'm like.

956
00:45:58,719 --> 00:46:03,000
Speaker 1: Ah, either the SNL girls or the grumpy muppet balcony

957
00:46:03,040 --> 00:46:06,359
Speaker 1: muppets that are right judging everything got larryd.

958
00:46:06,400 --> 00:46:06,960
Speaker 3: Waldorf.

959
00:46:07,560 --> 00:46:10,440
Speaker 1: Sorry I didn't know their name. Sorry, of course stricted me.

960
00:46:10,880 --> 00:46:13,120
Speaker 1: So Becky looks at him. She's got these over the

961
00:46:13,120 --> 00:46:16,640
Speaker 1: top fake eyelashes and hot pink lipstick, and she reminds

962
00:46:16,680 --> 00:46:19,520
Speaker 1: him her name is Rebecca, but he continues to call

963
00:46:19,560 --> 00:46:23,160
Speaker 1: her Priscilla a few more times, and he decides that

964
00:46:23,160 --> 00:46:26,920
Speaker 1: they need to make her beehive even bigger. He strikes

965
00:46:26,960 --> 00:46:29,800
Speaker 1: a pose with the cape that is attached to the jumpsuit,

966
00:46:30,239 --> 00:46:34,680
Speaker 1: and Becky passes out at this awful sight. She snaps

967
00:46:34,719 --> 00:46:38,000
Speaker 1: back to reality and approaches her fiance with fire in

968
00:46:38,040 --> 00:46:40,720
Speaker 1: her eyes. My name is Rebecca and I'm not getting

969
00:46:40,719 --> 00:46:42,840
Speaker 1: married with a hairdoo like Marge Simpson.

970
00:46:43,719 --> 00:46:46,360
Speaker 2: And that joke has lasted through the years because the

971
00:46:46,400 --> 00:46:47,399
Speaker 2: Simpsons will never die.

972
00:46:47,480 --> 00:46:51,160
Speaker 3: Yeah, that's right, they are predicting the future.

973
00:46:51,200 --> 00:46:54,600
Speaker 1: But they are. Yeah, isn't that cart That's very uncanny.

974
00:46:54,640 --> 00:47:00,560
Speaker 1: But someone's a time traveler. So they argue again. They

975
00:47:00,600 --> 00:47:04,680
Speaker 1: talk over each other again, so Joey again has to interrupt.

976
00:47:04,960 --> 00:47:08,480
Speaker 1: He suggests they learn to compromise before they're married. He

977
00:47:08,520 --> 00:47:11,600
Speaker 1: throws out the idea that they get married here in

978
00:47:11,640 --> 00:47:15,719
Speaker 1: San Francisco, where they live and where all their friends are.

979
00:47:16,120 --> 00:47:18,320
Speaker 3: Shocking, what a thought.

980
00:47:19,360 --> 00:47:22,040
Speaker 1: Becky and Jesse love this idea, and they agree that

981
00:47:22,080 --> 00:47:25,600
Speaker 1: they'll get married in San Francisco. Becky suggests that they

982
00:47:25,640 --> 00:47:28,319
Speaker 1: also get married on the most romantic day of the year,

983
00:47:29,120 --> 00:47:33,920
Speaker 1: and Jesse agrees on Elvis's birthday. God let it go like,

984
00:47:34,360 --> 00:47:40,080
Speaker 1: let this good, Jesse, Yes, stop shoehorning Elvis into your line.

985
00:47:40,680 --> 00:47:43,279
Speaker 2: Right, I'd be concerned if I were back I'd be like,

986
00:47:43,360 --> 00:47:49,799
Speaker 2: I don't. I think this is borderline concerning, very very so.

987
00:47:49,760 --> 00:47:54,680
Speaker 1: Becky says, no Valentine's Day. Jesse loves that idea too,

988
00:47:54,719 --> 00:47:57,320
Speaker 1: and they immediately become a happy couple again.

989
00:47:58,080 --> 00:48:02,080
Speaker 2: Second mention of more dream sequences, what oh.

990
00:48:02,600 --> 00:48:05,840
Speaker 1: As long as it ends the dream sequences, right, I think? Please?

991
00:48:06,280 --> 00:48:08,480
Speaker 1: Yeh No, I was just remarking that Becky has mentioned

992
00:48:08,560 --> 00:48:12,520
Speaker 1: Valentine twice in one scene Valentine, Nebraska, and now they're

993
00:48:12,520 --> 00:48:15,040
Speaker 1: getting married. She's got a thing for the day of love.

994
00:48:15,120 --> 00:48:17,799
Speaker 2: I guess it's yeah. I feel like there's some sort

995
00:48:17,800 --> 00:48:19,719
Speaker 2: of are we supposed to pay attention to this? Maybe

996
00:48:19,760 --> 00:48:21,200
Speaker 2: I watched too much Drupe Crime, you.

997
00:48:21,280 --> 00:48:25,160
Speaker 1: Know what I mean? Yes, for shadow attention.

998
00:48:25,239 --> 00:48:26,960
Speaker 3: This person's gonna come come back now.

999
00:48:27,280 --> 00:48:28,040
Speaker 1: It's not that deep.

1000
00:48:29,000 --> 00:48:39,279
Speaker 5: The writers just like I just picked something right. You

1001
00:48:39,360 --> 00:48:42,520
Speaker 5: met Michelle Lally in the hit Bravo show The Valley.

1002
00:48:42,719 --> 00:48:45,920
Speaker 5: You met me literally during the most difficult chapter in

1003
00:48:45,960 --> 00:48:48,000
Speaker 5: my life. Now it's time for you to meet the

1004
00:48:48,040 --> 00:48:51,680
Speaker 5: real Meet Michelle Sennie. Yes, I changed my name and

1005
00:48:51,719 --> 00:48:53,759
Speaker 5: I want you to follow me on my journey to

1006
00:48:54,000 --> 00:48:57,680
Speaker 5: the pursuit of sassiness. So much has happened to me before, during,

1007
00:48:57,719 --> 00:49:01,080
Speaker 5: and after the show. Before you can really understand the

1008
00:49:01,160 --> 00:49:03,520
Speaker 5: eight weeks that you saw on TV, I think you

1009
00:49:03,600 --> 00:49:06,040
Speaker 5: have to know what was going on from the very beginning,

1010
00:49:06,200 --> 00:49:09,399
Speaker 5: from being raised by two immigrant parents, paying my own

1011
00:49:09,440 --> 00:49:12,640
Speaker 5: way through college and working at Hooters, to starting my

1012
00:49:12,760 --> 00:49:16,800
Speaker 5: own real estate empire, getting married, having a baby during COVID,

1013
00:49:17,040 --> 00:49:20,360
Speaker 5: to that very same marriage falling apart on national TV,

1014
00:49:20,640 --> 00:49:24,080
Speaker 5: to losing my mom, to eventually finding love again. There

1015
00:49:24,120 --> 00:49:26,840
Speaker 5: is so much to unpack and share. I'm on the

1016
00:49:26,880 --> 00:49:30,200
Speaker 5: pursuit of happiness and most importantly, I'm on the pursuit

1017
00:49:30,239 --> 00:49:33,920
Speaker 5: of sassiness. Listen to Pursuit of Sasiness starting on March

1018
00:49:34,000 --> 00:49:37,960
Speaker 5: seventeenth on the iHeartRadio app, Apple Podcasts, or wherever you

1019
00:49:38,000 --> 00:49:39,120
Speaker 5: get your podcasts.

1020
00:49:39,360 --> 00:49:42,080
Speaker 1: So Becky thanks Joey for the help, and he nods

1021
00:49:42,320 --> 00:49:45,279
Speaker 1: you're welcome. Now, well, somebody please give me a credit card.

1022
00:49:45,400 --> 00:49:47,680
Speaker 1: If I call now, they'll throw in a free Bam

1023
00:49:47,719 --> 00:49:50,840
Speaker 1: Bam soap on a rope And I could not find

1024
00:49:50,880 --> 00:49:52,120
Speaker 1: that on the internet, by the way.

1025
00:49:52,480 --> 00:49:53,319
Speaker 3: That's disappointing.

1026
00:49:54,200 --> 00:49:57,320
Speaker 1: Jesse hands him his credit card and Jesse walks away,

1027
00:49:57,440 --> 00:50:01,880
Speaker 1: or Joey walks away Jesse hold each other while happiness

1028
00:50:01,960 --> 00:50:05,080
Speaker 1: radiates from both of their faces. Jesse admits he can

1029
00:50:05,120 --> 00:50:09,080
Speaker 1: hardly believe they're getting married in six weeks. Becky screams

1030
00:50:09,080 --> 00:50:11,920
Speaker 1: at the top of her lungs. In response, she reiterates,

1031
00:50:11,960 --> 00:50:14,800
Speaker 1: six weeks. We have a million things to do, and

1032
00:50:14,920 --> 00:50:17,160
Speaker 1: she begins to rattle off a whole list, So Jesse

1033
00:50:17,239 --> 00:50:19,720
Speaker 1: interrupts her to suggest, well, why don't we just elope,

1034
00:50:20,400 --> 00:50:22,799
Speaker 1: and in response, Becky lists off all the things they'd

1035
00:50:22,840 --> 00:50:25,239
Speaker 1: need to do to a lope. She storms out of

1036
00:50:25,239 --> 00:50:27,920
Speaker 1: the room and determination still listing off all of her

1037
00:50:28,040 --> 00:50:28,520
Speaker 1: to dos.

1038
00:50:29,840 --> 00:50:33,120
Speaker 3: Six weeks though, Yeah, that is six, like six weeks.

1039
00:50:33,160 --> 00:50:35,799
Speaker 1: They've been engaged for fourteen episodes. Now, why are we

1040
00:50:35,880 --> 00:50:38,600
Speaker 1: rushing it now? Like is it sweeps week?

1041
00:50:38,719 --> 00:50:38,839
Speaker 2: Like?

1042
00:50:39,280 --> 00:50:44,440
Speaker 1: Why the rush for day? I don't know this was

1043
00:50:44,680 --> 00:50:48,080
Speaker 1: I mean maybe just to create more drama. I don't know.

1044
00:50:48,239 --> 00:50:50,359
Speaker 2: Yeah, probably, Yeah, that's I mean, that's what it is.

1045
00:50:50,400 --> 00:50:52,799
Speaker 2: It creates you if you have a short window of

1046
00:50:52,840 --> 00:50:55,480
Speaker 2: time to do something extraordinary in you know.

1047
00:50:56,120 --> 00:50:58,920
Speaker 1: It's odd though, because they were picking out cake samples

1048
00:50:59,719 --> 00:51:03,640
Speaker 1: of episodes ago. But Becky doesn't have a dress, they

1049
00:51:03,640 --> 00:51:05,319
Speaker 1: don't have a location, they don't like.

1050
00:51:05,480 --> 00:51:08,640
Speaker 2: They're picking out cake samdals, but you don't have a location. Yeah, yeah,

1051
00:51:08,719 --> 00:51:12,040
Speaker 2: that shows their priorities. Cake is a priority in the

1052
00:51:12,040 --> 00:51:12,560
Speaker 2: full house.

1053
00:51:12,960 --> 00:51:14,759
Speaker 3: This was probably.

1054
00:51:16,120 --> 00:51:20,360
Speaker 2: I would gather that the people who were writing this

1055
00:51:20,640 --> 00:51:23,200
Speaker 2: probably didn't have a ton of experience in planning weddings.

1056
00:51:23,480 --> 00:51:27,439
Speaker 1: No, probably not. They're just like cake, yeah, time for great.

1057
00:51:27,440 --> 00:51:29,360
Speaker 1: They were like, sure you get cake, right? I mean that.

1058
00:51:29,520 --> 00:51:31,399
Speaker 3: Yeah, and there's a thing in there dread. Yeah.

1059
00:51:31,520 --> 00:51:34,720
Speaker 1: Six weeks plenty of time to plan a wedding, she writes.

1060
00:51:34,920 --> 00:51:37,000
Speaker 3: Now I think they yeah, but I think it just gives.

1061
00:51:36,840 --> 00:51:40,040
Speaker 1: It a little bit of it just raises the steaks

1062
00:51:40,160 --> 00:51:41,440
Speaker 1: as this raises the stakes.

1063
00:51:41,520 --> 00:51:41,680
Speaker 3: Yep.

1064
00:51:42,680 --> 00:51:45,680
Speaker 1: So next we are at the mall in the photographer's studio.

1065
00:51:46,400 --> 00:51:48,840
Speaker 1: The little boy is sitting in front of a rainbow mural,

1066
00:51:49,360 --> 00:51:51,920
Speaker 1: but there is no sign of joy on his face.

1067
00:51:52,520 --> 00:51:55,200
Speaker 1: His mom is begging him to smile, and the photographer

1068
00:51:55,280 --> 00:52:00,560
Speaker 1: is standing by in anticipation, but this boy refusesographer tells

1069
00:52:00,600 --> 00:52:03,680
Speaker 1: the mom to leave it to the professionals, and he

1070
00:52:03,760 --> 00:52:06,799
Speaker 1: calls out for his happy helper and DJ walks out

1071
00:52:06,920 --> 00:52:12,279
Speaker 1: dressed like raggedy ann. The photographer is this whole thing?

1072
00:52:12,320 --> 00:52:12,920
Speaker 3: You could see it?

1073
00:52:13,040 --> 00:52:17,040
Speaker 1: She mortified. She does not like doing like kookie stuff

1074
00:52:17,160 --> 00:52:17,920
Speaker 1: like you know, she.

1075
00:52:17,880 --> 00:52:21,920
Speaker 2: Does not like the silly or like looking stupid, and

1076
00:52:22,080 --> 00:52:23,680
Speaker 2: that was yeah.

1077
00:52:23,360 --> 00:52:25,960
Speaker 1: Yes, no anything like. She like, she never would have

1078
00:52:25,960 --> 00:52:27,719
Speaker 1: been able to do the Gibbler character because that was

1079
00:52:27,800 --> 00:52:32,520
Speaker 1: far too embarrassing, like ridiculous things. But yeah, you could

1080
00:52:32,520 --> 00:52:34,200
Speaker 1: tell she well, at.

1081
00:52:34,080 --> 00:52:37,200
Speaker 2: Fourteen, who wants to dress like fourteen? Worse than Yeah,

1082
00:52:37,239 --> 00:52:37,520
Speaker 2: you're like.

1083
00:52:37,760 --> 00:52:43,000
Speaker 1: Nobody wants to do that anyways, so uh. The photographer

1084
00:52:43,000 --> 00:52:46,320
Speaker 1: instructs her to help the child smile, so DJ bends

1085
00:52:46,320 --> 00:52:49,879
Speaker 1: down in front of him and enthusiastically introduces herself as

1086
00:52:49,920 --> 00:52:53,040
Speaker 1: the happy helper. She asks the boy to give her

1087
00:52:53,040 --> 00:52:55,960
Speaker 1: a big smile, and he shouts no in her face,

1088
00:52:56,719 --> 00:52:58,800
Speaker 1: so she resorts to doing a bunch of silly faces

1089
00:52:58,800 --> 00:53:01,080
Speaker 1: to try and make him laugh, but the boy stares

1090
00:53:01,120 --> 00:53:04,160
Speaker 1: at her stone faced and says, that's not funny.

1091
00:53:05,320 --> 00:53:08,320
Speaker 3: I mean, you know, it wasn't funny.

1092
00:53:08,560 --> 00:53:11,680
Speaker 1: It wasn't funny. It wasn't funny. I mean this kid

1093
00:53:11,680 --> 00:53:14,600
Speaker 1: had this kid had you know something he was not.

1094
00:53:14,760 --> 00:53:16,120
Speaker 1: He wasn't having. She talked to Steph.

1095
00:53:16,239 --> 00:53:17,760
Speaker 2: I feel like they'd have a lot to talk about,

1096
00:53:18,680 --> 00:53:19,360
Speaker 2: you know what I mean.

1097
00:53:19,320 --> 00:53:22,239
Speaker 1: Like the reality of situations. There's like what are we doing? Like,

1098
00:53:22,320 --> 00:53:24,359
Speaker 1: why is this happy hoper in front of me making

1099
00:53:24,360 --> 00:53:27,880
Speaker 1: a fool out of herself? So DJ grabs a stuffed

1100
00:53:27,920 --> 00:53:30,600
Speaker 1: hippo out of one of the toy chests and shows

1101
00:53:30,600 --> 00:53:34,000
Speaker 1: the boy how he can zippo and flipo before admitting

1102
00:53:34,080 --> 00:53:37,520
Speaker 1: she really feels like a dippo, and again the boy

1103
00:53:37,560 --> 00:53:41,080
Speaker 1: reminds her she's not funny. So DJ asks what it'll

1104
00:53:41,080 --> 00:53:43,600
Speaker 1: take to make him laugh, and the boy demands be

1105
00:53:43,719 --> 00:53:47,719
Speaker 1: a duck. DJ says okay and waddles around the floor,

1106
00:53:47,840 --> 00:53:50,400
Speaker 1: saying quack quack. I'm sure.

1107
00:53:53,160 --> 00:53:54,839
Speaker 3: I wonder if he did this the rest of his life,

1108
00:53:54,840 --> 00:53:56,080
Speaker 3: you know what I mean? I wonder if it's just

1109
00:53:56,239 --> 00:53:57,280
Speaker 3: what it was like if.

1110
00:53:57,120 --> 00:53:57,839
Speaker 1: This was his thing.

1111
00:53:58,680 --> 00:54:02,640
Speaker 2: Yeah, this is negotiating this, yeah, her negotiator or just

1112
00:54:02,680 --> 00:54:04,480
Speaker 2: like this is what he's into, Like be a duck,

1113
00:54:04,560 --> 00:54:05,080
Speaker 2: you know what I mean?

1114
00:54:05,120 --> 00:54:09,680
Speaker 1: Like, yeah, yeah, okay, hey whatever, whatever does it for you?

1115
00:54:09,760 --> 00:54:09,960
Speaker 2: Boy?

1116
00:54:10,040 --> 00:54:12,799
Speaker 1: Okay? Right? And it does? He smiles. He gives her

1117
00:54:12,800 --> 00:54:16,520
Speaker 1: a huge smile. The photographer snaps a picture and tells

1118
00:54:16,560 --> 00:54:18,759
Speaker 1: the mom what a beautiful child. Is that going to

1119
00:54:18,800 --> 00:54:22,319
Speaker 1: be cash or card? She responds, check, and they make

1120
00:54:22,360 --> 00:54:25,280
Speaker 1: their way over to the register. You're people, my people.

1121
00:54:25,360 --> 00:54:27,560
Speaker 1: She's writing a check. She's writing this check.

1122
00:54:27,800 --> 00:54:30,000
Speaker 3: Yay, but it's nineteen ninety one.

1123
00:54:30,239 --> 00:54:36,120
Speaker 1: Just don't get to notice that. Okay, hey, I sometimes

1124
00:54:36,120 --> 00:54:38,279
Speaker 1: I don't want to write a check, but sometimes I

1125
00:54:38,320 --> 00:54:41,480
Speaker 1: have to write a check. Someone's forcing you to write

1126
00:54:41,480 --> 00:54:44,160
Speaker 1: a check. Us I just wrote one. The other day.

1127
00:54:44,200 --> 00:54:46,439
Speaker 1: I had a guy putting up blind the blinds guy

1128
00:54:46,880 --> 00:54:51,399
Speaker 1: that he's not blind, but he's puts blinds up on windows, right,

1129
00:54:52,360 --> 00:54:54,759
Speaker 1: and he wanted a check. He doesn't want doesn't I

1130
00:54:54,800 --> 00:54:58,440
Speaker 1: offered Zell, I offered Venmo, I offered PayPal, and he

1131
00:54:58,560 --> 00:55:00,400
Speaker 1: was just like, no, I really just want to. And

1132
00:55:00,440 --> 00:55:02,920
Speaker 1: I was like, I almost called you and put him

1133
00:55:02,920 --> 00:55:04,000
Speaker 1: on the phone with you, because.

1134
00:55:03,840 --> 00:55:06,719
Speaker 2: I was like, see, my friend doesn't believe that people still,

1135
00:55:07,280 --> 00:55:09,080
Speaker 2: I know, people still accept checks.

1136
00:55:08,719 --> 00:55:10,839
Speaker 3: I like to make fun of you about it.

1137
00:55:10,920 --> 00:55:12,400
Speaker 1: I know, Okay, then I do it.

1138
00:55:12,680 --> 00:55:16,680
Speaker 2: I had been doing that one guy, just writing checks, yes,

1139
00:55:17,480 --> 00:55:19,759
Speaker 2: keeping keeping the check printers alive, you.

1140
00:55:19,680 --> 00:55:22,520
Speaker 1: Know, only just the two of us, yes.

1141
00:55:22,440 --> 00:55:24,880
Speaker 3: Yeah, yeah. Do you get the custom checks with like

1142
00:55:24,920 --> 00:55:25,920
Speaker 3: the little cats on them?

1143
00:55:26,120 --> 00:55:28,160
Speaker 1: I used to, but I know I don't want to.

1144
00:55:28,280 --> 00:55:31,520
Speaker 1: Like when I when I fill my first checking account

1145
00:55:31,600 --> 00:55:33,560
Speaker 1: that I opened when I must have been like eighteen.

1146
00:55:34,239 --> 00:55:36,440
Speaker 1: Uh yeah, I was so excited to order like the

1147
00:55:36,480 --> 00:55:39,440
Speaker 1: custom checks and I was like into florals and I

1148
00:55:39,480 --> 00:55:42,080
Speaker 1: never did the cartoons. Why are you you're so judging me?

1149
00:55:42,200 --> 00:55:42,560
Speaker 1: Right now?

1150
00:55:42,680 --> 00:55:47,000
Speaker 2: Get that express because I probably had the same I

1151
00:55:47,040 --> 00:55:48,960
Speaker 2: probably had like dogs online or something, you know what

1152
00:55:49,000 --> 00:55:53,120
Speaker 2: I mean. I'm just I'm laughing at the absolute old

1153
00:55:53,200 --> 00:55:54,239
Speaker 2: schoolness of it.

1154
00:55:54,239 --> 00:55:58,600
Speaker 1: It's oh, yeah, no, it's it's you know. That was cool.

1155
00:55:58,640 --> 00:56:02,040
Speaker 1: I felt like such an adult by having personalized checks

1156
00:56:02,680 --> 00:56:05,440
Speaker 1: with personal flowers on or whatever I picked. Yeah, that

1157
00:56:05,560 --> 00:56:06,400
Speaker 1: was a sign.

1158
00:56:06,239 --> 00:56:08,520
Speaker 3: Of little leg for a photo shoot.

1159
00:56:09,200 --> 00:56:14,840
Speaker 1: Yes, So, while DJ is tidying up, Kimmy appears. She

1160
00:56:15,080 --> 00:56:17,600
Speaker 1: laughs at the sight of DJ, who looks like she's

1161
00:56:17,640 --> 00:56:21,040
Speaker 1: at her wits end. She asks, Kimmy, do you really

1162
00:56:21,040 --> 00:56:23,239
Speaker 1: have to come by every day and laugh at me?

1163
00:56:23,920 --> 00:56:26,359
Speaker 1: And Kimmy corrects her, I'm not laughing at you. I'm

1164
00:56:26,400 --> 00:56:30,000
Speaker 1: laughing with you. Only you're not joining in like a

1165
00:56:30,080 --> 00:56:32,279
Speaker 1: true best friend, does I know? Come on, Kimmy, like

1166
00:56:32,320 --> 00:56:34,920
Speaker 1: this is just mean. She she's one of those aigan

1167
00:56:35,120 --> 00:56:37,560
Speaker 1: DJ on to earn the money to buy the blowouts

1168
00:56:37,560 --> 00:56:39,680
Speaker 1: that Kimmy was then going to steal for her own closet.

1169
00:56:40,000 --> 00:56:42,799
Speaker 2: But first of all, if your friend was dressed as

1170
00:56:42,840 --> 00:56:46,520
Speaker 2: a clown at the mall, would you not go by

1171
00:56:47,640 --> 00:56:50,880
Speaker 2: every day and laugh a little bit at them? If

1172
00:56:51,360 --> 00:56:53,600
Speaker 2: your best friend, Because I can tell you right now,

1173
00:56:53,680 --> 00:56:54,840
Speaker 2: I absolutely would.

1174
00:56:54,920 --> 00:56:58,319
Speaker 1: You would? You absolutely would, Yes, you would not pass

1175
00:56:58,400 --> 00:57:05,200
Speaker 1: up that opportunity. I'm just saying, Oh, poor Dj, Okay, well,

1176
00:57:05,719 --> 00:57:08,400
Speaker 1: bookmark this outfit that I'm wearing. It's gonna be my

1177
00:57:08,440 --> 00:57:15,160
Speaker 1: everywhere you look later on. Oh okay, that's mental note.

1178
00:57:15,200 --> 00:57:17,120
Speaker 3: I don't remember what it was, but we will, okay.

1179
00:57:17,800 --> 00:57:20,440
Speaker 1: Uh, it was the floral. It was the green sweater

1180
00:57:20,480 --> 00:57:23,080
Speaker 1: with it was all floral, floral plants, floral sweater with

1181
00:57:23,120 --> 00:57:26,440
Speaker 1: the green. Okay, So Kimmy begs DJ to go on

1182
00:57:26,560 --> 00:57:29,520
Speaker 1: break because two cute boys want to buy them pizza.

1183
00:57:30,080 --> 00:57:31,960
Speaker 1: She points over to the boys and they give a

1184
00:57:31,960 --> 00:57:35,960
Speaker 1: little wave in response. DJ's humiliated. I don't want anyone

1185
00:57:36,080 --> 00:57:39,360
Speaker 1: cute seeing me like this. Jimmy says, how about afterwork?

1186
00:57:39,720 --> 00:57:41,960
Speaker 1: And DJ says, I have to go home, eat dinner,

1187
00:57:42,000 --> 00:57:44,200
Speaker 1: and then try and stay awake long enough to study

1188
00:57:44,200 --> 00:57:48,520
Speaker 1: for my science test. Kimmy frowns and response, poor kid,

1189
00:57:48,840 --> 00:57:50,960
Speaker 1: you're working like a dog and dressing like a dweeb.

1190
00:57:51,400 --> 00:57:53,120
Speaker 1: You must really want those blowouts.

1191
00:57:53,920 --> 00:58:02,160
Speaker 2: Damn, Kimmy, she's just unforgiving, ruthless, ruthless. Right, Yeah, He's like, meanwhile,

1192
00:58:02,320 --> 00:58:05,080
Speaker 2: I'm gonna go hang out with these two guys, And

1193
00:58:05,080 --> 00:58:07,680
Speaker 2: how is Kimmy hitting all these guys? Like, Wow, she's

1194
00:58:07,720 --> 00:58:12,240
Speaker 2: got because she's not confidence, you know what I mean.

1195
00:58:13,640 --> 00:58:17,280
Speaker 2: She's just said she got that kind of energy.

1196
00:58:17,680 --> 00:58:20,200
Speaker 1: She really does, and you know that must be it.

1197
00:58:20,280 --> 00:58:22,560
Speaker 1: That must be it, because anyone that dresses like that

1198
00:58:22,720 --> 00:58:27,360
Speaker 1: and acts like that begets confidence. That's all confidence. Yes,

1199
00:58:29,320 --> 00:58:32,000
Speaker 1: So DJ admits it's about more than just the shoes.

1200
00:58:32,200 --> 00:58:36,200
Speaker 1: She's trying to be a responsible adult, and Kimmy suggests,

1201
00:58:36,400 --> 00:58:39,600
Speaker 1: then I'd lose the clown suit, and she turns to leave,

1202
00:58:39,640 --> 00:58:43,240
Speaker 1: telling the boys to come on. DJ watches them in disappointment.

1203
00:58:45,520 --> 00:58:45,760
Speaker 3: Yeah.

1204
00:58:46,360 --> 00:58:48,720
Speaker 1: So, back in the kitchen, Michelle is sitting at the

1205
00:58:48,760 --> 00:58:51,600
Speaker 1: table with her little Sheriff's star pinned to her chest.

1206
00:58:52,160 --> 00:58:54,360
Speaker 1: She's holding up a treat for Comet, who sits on

1207
00:58:54,400 --> 00:58:58,400
Speaker 1: his hind legs and begs. In response, Michelle reminds him

1208
00:58:58,400 --> 00:59:01,080
Speaker 1: it's not polite to beg. She instructs the dog to

1209
00:59:01,120 --> 00:59:04,600
Speaker 1: say please, so Comet arcs, Michelle nods in approval and

1210
00:59:04,600 --> 00:59:07,200
Speaker 1: hands him the treat as a reward. The dog runs

1211
00:59:07,200 --> 00:59:09,840
Speaker 1: away and Michelle shouts, you forgot to say thank you,

1212
00:59:11,000 --> 00:59:12,960
Speaker 1: like she's really this is going to her head like

1213
00:59:13,000 --> 00:59:15,720
Speaker 1: you know, this polite police thing again.

1214
00:59:16,200 --> 00:59:18,240
Speaker 2: The one thing we don't need is Michelle in a

1215
00:59:18,280 --> 00:59:25,080
Speaker 2: position of power, right, okay, you know now she needed

1216
00:59:25,160 --> 00:59:28,120
Speaker 2: authority over I mean she's already everyone's therapist and now

1217
00:59:28,200 --> 00:59:30,040
Speaker 2: she's now she's making the rules.

1218
00:59:30,360 --> 00:59:32,280
Speaker 1: Yeah, this is this is not good.

1219
00:59:32,280 --> 00:59:37,000
Speaker 3: This poor dog, absolutely and Michelle is an example of that.

1220
00:59:38,920 --> 00:59:42,080
Speaker 1: So DJ and Kimmy walk in. Michelle wishes them a

1221
00:59:42,200 --> 00:59:45,320
Speaker 1: good afternoon. Give me and DJ roll their eyes before

1222
00:59:45,360 --> 00:59:50,200
Speaker 1: saying in Unison, good afternoon Michelle. DJ nervously asks if

1223
00:59:50,240 --> 00:59:55,360
Speaker 1: their dad is home, and Michelle politely tells her, no.

1224
00:59:54,280 --> 00:59:55,680
Speaker 3: I'm just hanging out here by myself.

1225
00:59:56,000 --> 00:59:58,919
Speaker 1: Well, of course, why would Danny be watching her took off?

1226
00:59:59,000 --> 01:00:02,200
Speaker 3: Yeah, no, I'm alone from school.

1227
01:00:01,960 --> 01:00:04,439
Speaker 1: Home alone training the dog like this is what she does.

1228
01:00:05,760 --> 01:00:08,560
Speaker 1: DJ lets out a sigh of relief. That means at

1229
01:00:08,640 --> 01:00:10,720
Speaker 1: least she'll stay out of trouble for a few minutes,

1230
01:00:11,440 --> 01:00:13,680
Speaker 1: but Kimmy reminds her she doesn't have to show her

1231
01:00:13,760 --> 01:00:17,960
Speaker 1: dad the science test. DJ begs to differ. I promised

1232
01:00:18,000 --> 01:00:20,240
Speaker 1: him i'd raise my grade and he knows I'm getting

1233
01:00:20,240 --> 01:00:23,240
Speaker 1: my test back today. She pulls the test out of

1234
01:00:23,240 --> 01:00:26,959
Speaker 1: her backpack and says, when he says this, I'm dead.

1235
01:00:27,640 --> 01:00:31,280
Speaker 1: Her paper has a giant red F written on the front.

1236
01:00:33,360 --> 01:00:35,480
Speaker 2: That was so painful, man, when your test would get

1237
01:00:35,480 --> 01:00:37,200
Speaker 2: handed back to you.

1238
01:00:36,680 --> 01:00:37,720
Speaker 1: You didn't do well on one.

1239
01:00:37,960 --> 01:00:39,880
Speaker 3: Oh yeah, like today where it goes back to like

1240
01:00:39,920 --> 01:00:40,640
Speaker 3: your school year.

1241
01:00:40,680 --> 01:00:43,560
Speaker 2: What it's all electronic, Like, yeah, people knew they'd be

1242
01:00:43,600 --> 01:00:44,600
Speaker 2: side eyeing you and be like.

1243
01:00:44,600 --> 01:00:47,200
Speaker 1: Oh yeah, as the teacher passes out the tests, you

1244
01:00:47,200 --> 01:00:50,040
Speaker 1: would look to see what your friend got and yeah, yeah, sure.

1245
01:00:50,680 --> 01:00:54,200
Speaker 3: But the writing on the top of it, Yes, it was.

1246
01:00:54,120 --> 01:00:56,360
Speaker 1: A little strange that this test didn't have like more

1247
01:00:56,440 --> 01:00:58,600
Speaker 1: red markings on it, like this is what you got

1248
01:00:58,640 --> 01:01:02,479
Speaker 1: wrong or I needed more claireification here. But that's okay.

1249
01:01:02,680 --> 01:01:05,440
Speaker 3: Just I mean, once she starts, once they start reading it,

1250
01:01:05,440 --> 01:01:07,280
Speaker 3: it's obvious why it's just just an.

1251
01:01:07,200 --> 01:01:09,800
Speaker 1: F, just an F. Like there's no no, no, no

1252
01:01:09,880 --> 01:01:14,360
Speaker 1: words needed, It's just an F. DJ slumps into her

1253
01:01:14,440 --> 01:01:17,080
Speaker 1: chair and puts her head in her hands. This is

1254
01:01:17,120 --> 01:01:21,200
Speaker 1: the first f she's ever received. Michelle interrupts her pity

1255
01:01:21,240 --> 01:01:24,320
Speaker 1: party by reminding DJ there's no elbows on the table.

1256
01:01:25,120 --> 01:01:29,240
Speaker 1: Miss Michelle read the room like, this is not the time, right,

1257
01:01:29,520 --> 01:01:34,080
Speaker 1: Like gosh, yeah, she just wants to boss people around.

1258
01:01:34,360 --> 01:01:35,240
Speaker 3: Yeah.

1259
01:01:35,440 --> 01:01:37,320
Speaker 1: DJ is certain that her dad is going to make

1260
01:01:37,360 --> 01:01:40,320
Speaker 1: her quit this job, so Kimmy decides to step in.

1261
01:01:41,040 --> 01:01:43,520
Speaker 1: She grabs DJ's paper and pulls out a red pen

1262
01:01:43,600 --> 01:01:46,320
Speaker 1: of her own. She makes Kimmy has a red pen

1263
01:01:46,560 --> 01:01:49,640
Speaker 1: handily available right here, she does, you know, I love

1264
01:01:49,680 --> 01:01:53,000
Speaker 1: me a good red pen, you know me. She makes

1265
01:01:53,000 --> 01:01:56,160
Speaker 1: a mark on the paper and then reveals the most

1266
01:01:56,280 --> 01:02:00,480
Speaker 1: unconvincing A in the history of education, Like that's why

1267
01:02:00,600 --> 01:02:01,760
Speaker 1: was it so square?

1268
01:02:02,000 --> 01:02:04,160
Speaker 2: It was like, well, how else are you going to

1269
01:02:04,200 --> 01:02:05,520
Speaker 2: turn an F into an A?

1270
01:02:05,840 --> 01:02:07,680
Speaker 1: I mean, you've got it.

1271
01:02:08,080 --> 01:02:11,800
Speaker 2: I think the joke is is that obviously no one's

1272
01:02:11,880 --> 01:02:13,360
Speaker 2: going to buy that, kimmey.

1273
01:02:13,640 --> 01:02:15,000
Speaker 1: True, okay, you know what I mean?

1274
01:02:15,360 --> 01:02:20,200
Speaker 2: Like, who in their right mind is gonna be fooled

1275
01:02:20,200 --> 01:02:20,760
Speaker 2: by fooled?

1276
01:02:20,800 --> 01:02:23,080
Speaker 1: This is true, Danny's fooled. But I feel like she

1277
01:02:23,120 --> 01:02:24,560
Speaker 1: should have gone for a B. It would have been

1278
01:02:24,600 --> 01:02:26,160
Speaker 1: able to make the f.

1279
01:02:26,720 --> 01:02:29,320
Speaker 2: B and never Yeah, if you're gonna cheat, never go

1280
01:02:29,440 --> 01:02:30,840
Speaker 2: for the top top you know what I mean?

1281
01:02:30,960 --> 01:02:31,440
Speaker 1: You want to.

1282
01:02:31,400 --> 01:02:34,480
Speaker 2: Blend in, go a little just a little below yep,

1283
01:02:34,640 --> 01:02:37,040
Speaker 2: like passing but not crazy.

1284
01:02:36,800 --> 01:02:39,640
Speaker 1: Sy but not perfect. Yeah, yeah, Jimmy, really.

1285
01:02:39,600 --> 01:02:41,560
Speaker 3: That I am encouraging that at all. I'm just saying

1286
01:02:41,680 --> 01:02:42,080
Speaker 3: that's true.

1287
01:02:42,320 --> 01:02:45,400
Speaker 1: We do not encourage forgery. Children who are listening to this.

1288
01:02:47,680 --> 01:02:50,000
Speaker 1: So DJ snatches the paper out of her hands and

1289
01:02:50,040 --> 01:02:53,360
Speaker 1: shouts how did you do that? And Michelle, butson, it's

1290
01:02:53,400 --> 01:02:54,680
Speaker 1: not polite to yell.

1291
01:02:55,840 --> 01:02:58,360
Speaker 3: With the pen. How did you do that? Why did you?

1292
01:02:58,360 --> 01:03:00,440
Speaker 1: Why did you do that? Right? Why how did you

1293
01:03:00,480 --> 01:03:03,680
Speaker 1: do and watched you with a red pen? It's easy.

1294
01:03:04,560 --> 01:03:08,040
Speaker 1: Michelle frowns and yells at DJ. You forgot to say please.

1295
01:03:09,000 --> 01:03:11,480
Speaker 1: DJ's had enough. She pulls Michelle out of her chair,

1296
01:03:11,880 --> 01:03:13,960
Speaker 1: walks her into the living room, and as she's being

1297
01:03:13,960 --> 01:03:16,840
Speaker 1: carried out, Michelle repeats over and over, this is not polite,

1298
01:03:17,000 --> 01:03:20,080
Speaker 1: This is not polite. DJ puts her of the show,

1299
01:03:21,880 --> 01:03:23,440
Speaker 1: just removing Michelle.

1300
01:03:24,480 --> 01:03:26,760
Speaker 3: Thank yeah, you over there.

1301
01:03:27,200 --> 01:03:30,360
Speaker 1: DJ puts her down and says thank you, and Michelle replies,

1302
01:03:30,520 --> 01:03:33,840
Speaker 1: you are not welcome, and then walks off it's great,

1303
01:03:34,240 --> 01:03:36,280
Speaker 1: great delivery, though, you know it was. It was.

1304
01:03:36,440 --> 01:03:37,240
Speaker 3: It was very funny.

1305
01:03:37,320 --> 01:03:41,040
Speaker 2: It's weird now, like you know, everybody, we just were

1306
01:03:41,080 --> 01:03:41,680
Speaker 2: joking around.

1307
01:03:42,320 --> 01:03:42,840
Speaker 3: Yeah it was.

1308
01:03:42,880 --> 01:03:45,360
Speaker 2: It was cute and funny. But if it was real life,

1309
01:03:46,160 --> 01:03:47,720
Speaker 2: you'd be so so sick of it.

1310
01:03:49,240 --> 01:03:52,640
Speaker 1: So, after all that's handled, DJ looks at Kimmy with dread.

1311
01:03:52,800 --> 01:03:54,560
Speaker 1: I have to go to work, and you know, you

1312
01:03:54,680 --> 01:03:57,080
Speaker 1: really messed me up by giving me that A. Now

1313
01:03:57,080 --> 01:03:59,720
Speaker 1: I can't show it to my dad, give me questions

1314
01:03:59,720 --> 01:04:01,680
Speaker 1: why not. It's a perfect forgery.

1315
01:04:02,320 --> 01:04:05,040
Speaker 2: And this is why Kimmy is failing school because she's

1316
01:04:05,080 --> 01:04:08,360
Speaker 2: like that totally looks like, wow, you would write an A.

1317
01:04:08,840 --> 01:04:12,600
Speaker 2: Everyone's like explains a lot in like qnea form, like

1318
01:04:12,680 --> 01:04:13,840
Speaker 2: what do you like what?

1319
01:04:14,360 --> 01:04:17,240
Speaker 1: This is why Kimmy got only accepted to Clown College

1320
01:04:17,560 --> 01:04:19,120
Speaker 1: a few seasons later.

1321
01:04:18,920 --> 01:04:22,520
Speaker 3: Because well, she took the outfit from DJ's work.

1322
01:04:24,480 --> 01:04:30,880
Speaker 1: Who got the last laugh? There? Ell, it's true. So

1323
01:04:30,960 --> 01:04:35,040
Speaker 1: DJ reminds Kimmy that it's wrong, it's dishonest, it's deceitful.

1324
01:04:35,720 --> 01:04:38,480
Speaker 1: She picks up the paper and stops herself. It really

1325
01:04:38,520 --> 01:04:41,720
Speaker 1: does look like an A. Yeah, no, no, I know what.

1326
01:04:41,880 --> 01:04:43,080
Speaker 1: Maybe you've got a on the test.

1327
01:04:43,360 --> 01:04:46,320
Speaker 3: You know what I mean, anyone is fooled by this A.

1328
01:04:46,600 --> 01:04:48,920
Speaker 3: I we need to check this A.

1329
01:04:49,200 --> 01:04:52,320
Speaker 1: This A is burned into my brain like just it's

1330
01:04:52,360 --> 01:04:56,760
Speaker 1: like the scarlet letter of terrible as. Yeah it is

1331
01:04:56,840 --> 01:04:57,520
Speaker 1: that should.

1332
01:04:57,240 --> 01:05:00,400
Speaker 2: Be like like it's what like a like a A

1333
01:05:00,440 --> 01:05:02,960
Speaker 2: see and say would type as an A. You know

1334
01:05:03,000 --> 01:05:05,000
Speaker 2: what I mean, if you had to, like it had

1335
01:05:05,040 --> 01:05:07,400
Speaker 2: to be like straight lines over little.

1336
01:05:07,120 --> 01:05:10,680
Speaker 1: Square yeah, an angular? Yeah, this is this This is

1337
01:05:10,720 --> 01:05:13,000
Speaker 1: like the cover photo of this episode. That's all I

1338
01:05:13,040 --> 01:05:17,800
Speaker 1: remember about this episode is that terrible A. So next

1339
01:05:17,800 --> 01:05:21,280
Speaker 1: at the mall, two twin babies are seated for pictures

1340
01:05:21,600 --> 01:05:24,000
Speaker 1: and DJ is dressed in her usual get up as

1341
01:05:24,040 --> 01:05:26,840
Speaker 1: she waddles around the floor, quacking and trying to get

1342
01:05:26,840 --> 01:05:31,040
Speaker 1: the babies to smile. Then do you, Danny Stephan Michelle

1343
01:05:31,080 --> 01:05:33,880
Speaker 1: walk in. Danny proudly snaps a picture of his daughter

1344
01:05:34,160 --> 01:05:36,800
Speaker 1: and she frowns, Oh great, more humiliation.

1345
01:05:38,400 --> 01:05:42,400
Speaker 2: I have to say that I forgot how uh like

1346
01:05:42,440 --> 01:05:45,120
Speaker 2: you can sneakily take pictures now, like with your phone.

1347
01:05:45,160 --> 01:05:45,680
Speaker 3: You know what I mean?

1348
01:05:45,920 --> 01:05:48,240
Speaker 2: It was you were obvious when you were taking a

1349
01:05:48,280 --> 01:05:49,640
Speaker 2: picture in nineteen ninety one.

1350
01:05:49,720 --> 01:05:52,080
Speaker 1: Oh yeah, you had a noise there was a flash.

1351
01:05:52,120 --> 01:05:57,840
Speaker 1: You had to hold a thing up to your face there. Yeah, no,

1352
01:05:58,080 --> 01:06:00,600
Speaker 1: and the and the photographer guy does not even notice

1353
01:06:00,600 --> 01:06:03,000
Speaker 1: that this strange man has walked in with a camera,

1354
01:06:03,320 --> 01:06:05,640
Speaker 1: walked into a photography studio with his own camera and

1355
01:06:05,760 --> 01:06:09,120
Speaker 1: is taking pictures of the assistant like this is not

1356
01:06:09,160 --> 01:06:14,880
Speaker 1: a red flag? Come on a photographer? H so oh so,

1357
01:06:14,960 --> 01:06:17,160
Speaker 1: DJ goes over to her family and asks what are

1358
01:06:17,160 --> 01:06:19,640
Speaker 1: they doing here? Danny explains that they were in the

1359
01:06:19,640 --> 01:06:22,440
Speaker 1: neighborhood and he had his camera, so why not stop

1360
01:06:22,480 --> 01:06:26,080
Speaker 1: by and say hi? Stephanie asks, do you know you

1361
01:06:26,160 --> 01:06:30,360
Speaker 1: have a mop on your head? Oh? Steph to point

1362
01:06:30,360 --> 01:06:35,120
Speaker 1: out the obvious, you know right, DJ glares at her, Yes,

1363
01:06:35,480 --> 01:06:38,680
Speaker 1: it's part of my uniform, and Steph asks, can I

1364
01:06:38,680 --> 01:06:43,480
Speaker 1: borrow your uniform next Halloween? She just oh, stephan is

1365
01:06:43,560 --> 01:06:47,160
Speaker 1: just so. She's not letting this go No. DJ rolls

1366
01:06:47,200 --> 01:06:49,800
Speaker 1: her eyes in response, and then directs her attention back

1367
01:06:49,800 --> 01:06:51,960
Speaker 1: to Danny. She tells him she has to get back

1368
01:06:51,960 --> 01:06:55,200
Speaker 1: to work, but Danny says, if I'm not mistaken, and

1369
01:06:55,320 --> 01:06:58,959
Speaker 1: I'm not, wasn't your science test do back today? How'd

1370
01:06:58,960 --> 01:07:02,320
Speaker 1: you do? DJ tries to avoid this conversation, telling her

1371
01:07:02,360 --> 01:07:04,880
Speaker 1: Dad that she should really get back to work, but

1372
01:07:05,000 --> 01:07:08,040
Speaker 1: Danny wants to hear how she did. He asks if

1373
01:07:08,040 --> 01:07:11,160
Speaker 1: she brought the test with her. DJ nods and walks

1374
01:07:11,200 --> 01:07:14,760
Speaker 1: over to grab the test from her backpack, admitting, I'll

1375
01:07:14,760 --> 01:07:17,480
Speaker 1: show you, but there's something I should really tell you.

1376
01:07:18,280 --> 01:07:20,840
Speaker 1: Danny stares at the paper in awe, you got an A.

1377
01:07:21,720 --> 01:07:24,280
Speaker 1: This is going right up on the refrigerator.

1378
01:07:24,320 --> 01:07:26,320
Speaker 3: Now, Danny, I'm starting to question you a little bit.

1379
01:07:26,440 --> 01:07:27,360
Speaker 1: Or do you think THEA is?

1380
01:07:27,400 --> 01:07:27,720
Speaker 3: Actually?

1381
01:07:28,360 --> 01:07:34,080
Speaker 1: Is this fool so many people? Kimmy's not the dumb one.

1382
01:07:35,240 --> 01:07:37,360
Speaker 1: Everybody else is the dumb one.

1383
01:07:38,360 --> 01:07:41,160
Speaker 3: Jimmy's like, I'm just meeting you guys where you're at.

1384
01:07:41,280 --> 01:07:46,360
Speaker 1: Okay? She she has a good read on the Tanners

1385
01:07:46,560 --> 01:07:51,080
Speaker 1: and their gullibility. Yes, So DJ takes the paper from

1386
01:07:51,160 --> 01:07:54,560
Speaker 1: him and begins to explain this isn't really what, but

1387
01:07:54,640 --> 01:07:57,760
Speaker 1: Danny cuts her off. He admits, I'm a little embarrassed

1388
01:07:57,760 --> 01:08:00,000
Speaker 1: to tell you this, but I had my doubts about you,

1389
01:08:00,320 --> 01:08:02,479
Speaker 1: but you just proved to me that you can hold

1390
01:08:02,480 --> 01:08:05,720
Speaker 1: a job and actually improve on your schoolwork. I have

1391
01:08:05,960 --> 01:08:09,080
Speaker 1: never been so proud. And then he asks, what is

1392
01:08:09,120 --> 01:08:13,200
Speaker 1: it you wanted to tell me? How many sitcom misunderstandings

1393
01:08:13,240 --> 01:08:16,240
Speaker 1: would be easily solved if people would just stop interrupting

1394
01:08:16,280 --> 01:08:18,120
Speaker 1: and let the other person finish a sentence.

1395
01:08:19,200 --> 01:08:22,639
Speaker 2: Well, because in sitcom land only one person can speak

1396
01:08:22,640 --> 01:08:27,240
Speaker 2: at a time. That the rules of engagement are totally

1397
01:08:27,280 --> 01:08:28,759
Speaker 2: different than they are in the real world.

1398
01:08:28,800 --> 01:08:33,480
Speaker 1: They are, yes, they are no rules don't apply your socializity.

1399
01:08:33,520 --> 01:08:35,519
Speaker 1: It's not like let me talk.

1400
01:08:35,840 --> 01:08:38,400
Speaker 2: No, it is like, oh no, I've stopped talking and

1401
01:08:38,439 --> 01:08:40,439
Speaker 2: you're talking, and you're taking us down this road and

1402
01:08:40,439 --> 01:08:41,439
Speaker 2: now I have to follow you.

1403
01:08:41,720 --> 01:08:45,200
Speaker 1: Yep. Yeah, it is so true and it's it's such

1404
01:08:45,200 --> 01:08:47,280
Speaker 1: a trope and it's hysterical.

1405
01:08:47,520 --> 01:08:50,000
Speaker 3: I don't know why, but when Danny said I had

1406
01:08:50,080 --> 01:08:52,280
Speaker 3: my doubts about you that one, I felt like, how

1407
01:08:52,880 --> 01:08:53,840
Speaker 3: that's just kind of hurt.

1408
01:08:54,000 --> 01:08:57,000
Speaker 1: Well, I guess doubts that he could juggle the job

1409
01:08:57,160 --> 01:09:00,439
Speaker 1: and the science test. I know that. I like, I

1410
01:09:00,439 --> 01:09:01,559
Speaker 1: don't know, I just feel like.

1411
01:09:03,200 --> 01:09:06,400
Speaker 2: Like I really thought you'd suck, but here we are,

1412
01:09:06,840 --> 01:09:07,439
Speaker 2: you know what I mean.

1413
01:09:07,680 --> 01:09:11,880
Speaker 1: Like it's a brutal it's a little brutal.

1414
01:09:12,000 --> 01:09:15,280
Speaker 2: Like I know what the sentiment was struck me as like,

1415
01:09:16,520 --> 01:09:18,760
Speaker 2: especially for dj something your friend would say, but like

1416
01:09:18,800 --> 01:09:19,639
Speaker 2: when your parents.

1417
01:09:19,520 --> 01:09:20,040
Speaker 1: Like I don't know.

1418
01:09:20,080 --> 01:09:21,800
Speaker 3: I think you would make it.

1419
01:09:22,120 --> 01:09:23,400
Speaker 1: I never really thought you would fail.

1420
01:09:23,920 --> 01:09:25,479
Speaker 2: I mean, that's something they say to you when you're

1421
01:09:25,520 --> 01:09:27,320
Speaker 2: like thirty five, and you know what I mean, and

1422
01:09:27,360 --> 01:09:29,800
Speaker 2: they're like telling you the truth about who you were

1423
01:09:29,840 --> 01:09:30,360
Speaker 2: as a child.

1424
01:09:30,439 --> 01:09:34,320
Speaker 1: Oh yeah, yeah, no, well it's it's DJ is such

1425
01:09:34,320 --> 01:09:37,240
Speaker 1: a straight A student that. Yeah, Danny shouldn't really be

1426
01:09:37,360 --> 01:09:40,240
Speaker 1: surprised by the the A because you know, that's that's

1427
01:09:40,240 --> 01:09:44,240
Speaker 1: how she do So DJ, of course, just can't bring

1428
01:09:44,280 --> 01:09:48,800
Speaker 1: herself to say what she wanted to say. Instead, she

1429
01:09:48,880 --> 01:09:52,080
Speaker 1: tells him there's a sale on sponges down at Broombarn.

1430
01:09:52,720 --> 01:09:57,280
Speaker 1: Oh is that next to Pickleton? Yes, I got it.

1431
01:09:57,880 --> 01:10:02,200
Speaker 1: Excellentographer makes his way over to the family and he

1432
01:10:02,240 --> 01:10:05,200
Speaker 1: tells Danny what beautiful children? Can I help you people?

1433
01:10:06,360 --> 01:10:09,719
Speaker 1: Danny admits, we had no intention of having any pictures taken,

1434
01:10:09,840 --> 01:10:12,360
Speaker 1: but your bright young assistant convinced me to get some

1435
01:10:12,400 --> 01:10:16,120
Speaker 1: shots of my sweet little Michelle over there. Dja's boss

1436
01:10:16,160 --> 01:10:18,759
Speaker 1: is happy to hear this. He asks her to start

1437
01:10:18,880 --> 01:10:22,400
Speaker 1: happy helping, so DJ grabs Michelle's hand and pretends like

1438
01:10:22,479 --> 01:10:26,160
Speaker 1: she doesn't know her. Danny tells a photographer that bright

1439
01:10:26,200 --> 01:10:29,240
Speaker 1: young lady in the clown costume is fabulous. Better give

1440
01:10:29,240 --> 01:10:31,000
Speaker 1: her a raise. But what the heck do I know?

1441
01:10:31,160 --> 01:10:35,240
Speaker 1: I've never seen her before in my life. Danny shut up, Like, Danny,

1442
01:10:35,280 --> 01:10:36,759
Speaker 1: you are making stop talking.

1443
01:10:36,800 --> 01:10:38,360
Speaker 3: You know that's one thing Danny cannot do.

1444
01:10:38,479 --> 01:10:43,360
Speaker 1: He cannot do it. So DJ asks Michelle to say cheese,

1445
01:10:43,840 --> 01:10:48,920
Speaker 1: but Michelle reminds her, you mean say cheese. Please. DJ

1446
01:10:49,080 --> 01:10:52,439
Speaker 1: corrects herself and Michelle does as she's told. She holds

1447
01:10:52,439 --> 01:10:54,840
Speaker 1: her hands up to her chin and poses sweetly for

1448
01:10:54,920 --> 01:10:59,160
Speaker 1: the camera. Danny fakes a gasp. This is amazing, My

1449
01:10:59,200 --> 01:11:04,960
Speaker 1: sweet little Michelle has never smiled in her entire life. Michelle,

1450
01:11:05,040 --> 01:11:09,080
Speaker 1: I honestly asking more questions about that. I'd be like,

1451
01:11:09,800 --> 01:11:14,120
Speaker 1: really the photographer. The photographer is either like, I'll put

1452
01:11:14,160 --> 01:11:15,600
Speaker 1: up with this kook as long as I get his

1453
01:11:15,640 --> 01:11:17,080
Speaker 1: money and he doesn't have to write a check.

1454
01:11:17,120 --> 01:11:20,559
Speaker 2: But honestly, no, as long as he writes me a check,

1455
01:11:20,560 --> 01:11:22,800
Speaker 2: I'm good. You know he doesn't Care's nineteen ninety one.

1456
01:11:22,880 --> 01:11:25,200
Speaker 2: Everybody's writing checks, checks.

1457
01:11:24,960 --> 01:11:29,520
Speaker 1: For groceries, checks for photo studios, checks for everything. Yes,

1458
01:11:29,680 --> 01:11:34,320
Speaker 1: you know. Okay, So back in the kitchen, Stephanie brings

1459
01:11:34,320 --> 01:11:37,200
Speaker 1: a glass of milk and a hostess cupcake on a

1460
01:11:37,280 --> 01:11:40,240
Speaker 1: plate over to the table to eat. This is very,

1461
01:11:40,360 --> 01:11:45,080
Speaker 1: very formal for a cupcake plate and only one. Come on,

1462
01:11:45,479 --> 01:11:49,880
Speaker 1: come on, this is not believable. Michelle is eyeing her

1463
01:11:49,880 --> 01:11:55,120
Speaker 1: dessert and asks, may I have that cupcake please? Stephanie responds, no,

1464
01:11:55,400 --> 01:11:58,720
Speaker 1: you may not. Michelle argues, but I was polite and

1465
01:11:58,760 --> 01:12:02,680
Speaker 1: I said please. Stephanie counters, I was polite too, I

1466
01:12:02,760 --> 01:12:07,200
Speaker 1: said no, you may not. Michelle snaps. She pulls the

1467
01:12:07,240 --> 01:12:09,719
Speaker 1: star off of her sweatshirt and slams it on the table.

1468
01:12:10,120 --> 01:12:14,600
Speaker 1: She angrily states, guess what politeness week is over? She

1469
01:12:14,640 --> 01:12:16,599
Speaker 1: grabs cupcake and runs out of the room with it

1470
01:12:16,720 --> 01:12:18,320
Speaker 1: and stuff. Shows what happens.

1471
01:12:17,960 --> 01:12:22,120
Speaker 3: When you tell Michelle no, right right? She loses it.

1472
01:12:22,240 --> 01:12:26,400
Speaker 1: She loses it the first time. Yes, she was just

1473
01:12:26,439 --> 01:12:29,840
Speaker 1: like I'm not getting what I want by sugar. Have

1474
01:12:29,920 --> 01:12:32,640
Speaker 1: you noticed, yeah, the cake between the cake obsession, the

1475
01:12:32,680 --> 01:12:36,639
Speaker 1: sugar benches. Yeah, yep. This is how she's self soothing

1476
01:12:36,800 --> 01:12:39,439
Speaker 1: in this family where she's left alone. She left alone

1477
01:12:39,439 --> 01:12:42,639
Speaker 1: a lot, right, Yeah, She's like, I'll just I'll fill

1478
01:12:42,680 --> 01:12:45,519
Speaker 1: that void in my heart with cake and cupcakes. This

1479
01:12:45,760 --> 01:12:49,799
Speaker 1: is how she copes. So Jesse walks into the kitchen

1480
01:12:49,960 --> 01:12:53,719
Speaker 1: and sees DJ's science test hanging on the fridge. At first,

1481
01:12:53,800 --> 01:12:56,080
Speaker 1: he admires the a, but then he holds it up

1482
01:12:56,120 --> 01:12:58,080
Speaker 1: to the light and realizes it's fake.

1483
01:12:58,880 --> 01:13:02,559
Speaker 2: Finally, only one that figured it, And I mean I

1484
01:13:02,600 --> 01:13:06,640
Speaker 2: know why, Yeah, yeah, I get the whole family.

1485
01:13:06,000 --> 01:13:10,519
Speaker 1: He's the only one, yep, and that only one that

1486
01:13:10,560 --> 01:13:12,200
Speaker 1: knows what an a looks like in the family. I

1487
01:13:12,200 --> 01:13:14,040
Speaker 1: guess he's the only one that knows what a forgery

1488
01:13:14,080 --> 01:13:16,759
Speaker 1: looks like because he did it all throughout high school.

1489
01:13:17,840 --> 01:13:20,960
Speaker 1: At that moment, DJ runs down the stairs. She notices

1490
01:13:21,040 --> 01:13:23,840
Speaker 1: Jesse eyeing her paper, so she tries to sneak back up,

1491
01:13:24,160 --> 01:13:27,519
Speaker 1: but he spots her. He casually mentions her a paper

1492
01:13:27,840 --> 01:13:31,240
Speaker 1: and she tells him, oh, it was nothing, So Jesse

1493
01:13:31,320 --> 01:13:33,719
Speaker 1: decides to read her answers aloud so he can see

1494
01:13:33,720 --> 01:13:38,120
Speaker 1: what an A paper looks like. On question one, DJ said,

1495
01:13:38,520 --> 01:13:43,800
Speaker 1: photosynthesis is the process of photos being synthesized, and then

1496
01:13:43,840 --> 01:13:47,040
Speaker 1: he wonders what an F paper looks like. He places

1497
01:13:47,080 --> 01:13:50,120
Speaker 1: his fingers over Kimmy's forgery and shows her it looks

1498
01:13:50,320 --> 01:13:55,639
Speaker 1: something like this, the big f. DJ asks how he knew,

1499
01:13:56,080 --> 01:13:59,000
Speaker 1: and Jesse scoffs at the question, telling Telly DJ, he

1500
01:13:59,080 --> 01:14:02,320
Speaker 1: used to change forties to nineties, zero's to hundreds, and

1501
01:14:02,360 --> 01:14:05,599
Speaker 1: he brags about the time he changed awful to awesome.

1502
01:14:06,840 --> 01:14:10,479
Speaker 1: Kind of impressive. Actually, yeah. DJ stares at him in shock,

1503
01:14:10,760 --> 01:14:13,639
Speaker 1: and Jesse finally stops himself. He tells her the point

1504
01:14:13,760 --> 01:14:16,599
Speaker 1: is it was wrong and what she did is wrong too.

1505
01:14:17,560 --> 01:14:20,160
Speaker 1: DJ tries to defend herself, Kimmy was the one who

1506
01:14:20,240 --> 01:14:23,559
Speaker 1: changed the grade. Jesse points out, yes, but you didn't

1507
01:14:23,560 --> 01:14:26,959
Speaker 1: do anything about it, did you. When she has no response,

1508
01:14:27,000 --> 01:14:29,080
Speaker 1: he asks, you know what you have to do with

1509
01:14:29,160 --> 01:14:32,800
Speaker 1: this paper, don't you? And DJ hopes keep my mouth

1510
01:14:32,840 --> 01:14:36,040
Speaker 1: shut and do better next time. Jesse shakes his head no,

1511
01:14:36,400 --> 01:14:39,960
Speaker 1: and DJ accepts defeat. She asks where her dad is,

1512
01:14:40,000 --> 01:14:42,759
Speaker 1: and Jesse points her towards the living room, where Danny

1513
01:14:42,840 --> 01:14:47,880
Speaker 1: is rotating couch cushions. This was good. This was a

1514
01:14:47,880 --> 01:14:50,720
Speaker 1: good little the moment between Jesse and This was a good.

1515
01:14:50,800 --> 01:14:52,240
Speaker 1: He knows about.

1516
01:14:52,400 --> 01:14:55,479
Speaker 3: Forgery and screwed up plenty of times.

1517
01:14:55,680 --> 01:14:58,920
Speaker 1: Yeah, he's passing that knowledge down to DJ. Now. Yeah,

1518
01:15:00,040 --> 01:15:02,759
Speaker 1: so in the living room, sure enough, Danny is rotating

1519
01:15:02,760 --> 01:15:05,440
Speaker 1: couch cushions, which is actually, I do this, this is necessary.

1520
01:15:06,040 --> 01:15:09,519
Speaker 3: I was like oh, am rot there's always one that

1521
01:15:09,560 --> 01:15:10,880
Speaker 3: you sit on all the time. You got to switch

1522
01:15:10,880 --> 01:15:11,320
Speaker 3: it out with the other.

1523
01:15:11,400 --> 01:15:13,679
Speaker 1: You got to switch it out so you don't get away,

1524
01:15:13,960 --> 01:15:16,640
Speaker 1: so you don't. Yeah, yeah, no, this is smart. This

1525
01:15:16,720 --> 01:15:17,559
Speaker 1: is not neurotic.

1526
01:15:18,040 --> 01:15:21,000
Speaker 3: No, this is not neurotic. This is this is good housekeeping.

1527
01:15:20,560 --> 01:15:25,439
Speaker 1: Good housekeeping, I totally agree. DJ approaches him with the

1528
01:15:25,479 --> 01:15:28,760
Speaker 1: paper in her hand and decides to give and he

1529
01:15:28,840 --> 01:15:31,680
Speaker 1: decides to give her a helpful hint, always rotate your

1530
01:15:31,720 --> 01:15:36,080
Speaker 1: couch cushions every twenty twenty five thousand sits. DJ tells

1531
01:15:36,160 --> 01:15:37,960
Speaker 1: them they need to talk, so they sit on the

1532
01:15:37,960 --> 01:15:41,680
Speaker 1: newly rotated cushions. She asks Danny, you know what I

1533
01:15:41,800 --> 01:15:45,519
Speaker 1: like about you best? And Danny guesses my charm, my rugged,

1534
01:15:45,560 --> 01:15:49,920
Speaker 1: good looks, and DJ says, you're forgiving nature. She takes

1535
01:15:49,960 --> 01:15:52,960
Speaker 1: a deep breath before admitting my science grade was an

1536
01:15:53,120 --> 01:15:57,120
Speaker 1: F and Kimmy changed it to an A. Danny stares

1537
01:15:57,160 --> 01:16:00,240
Speaker 1: at the paper in awe and says, I'm guessing she

1538
01:16:00,280 --> 01:16:03,640
Speaker 1: doesn't have the authority to do this. DJ tries to

1539
01:16:03,640 --> 01:16:06,280
Speaker 1: tell her dad how sorry she is, but with work

1540
01:16:06,360 --> 01:16:08,639
Speaker 1: and all of her other classes, she didn't have time

1541
01:16:08,720 --> 01:16:12,360
Speaker 1: to study for the test. Danny sternly tells her, then

1542
01:16:12,360 --> 01:16:14,439
Speaker 1: you should have come to me and told me what

1543
01:16:14,640 --> 01:16:17,639
Speaker 1: was going on. You wanted to be a responsible adult,

1544
01:16:17,720 --> 01:16:20,320
Speaker 1: and this was the least responsible thing you could have done.

1545
01:16:21,400 --> 01:16:24,040
Speaker 1: DJ size, I just wanted to prove that I could

1546
01:16:24,080 --> 01:16:27,120
Speaker 1: earn my own money. Danny tells her that's all out

1547
01:16:27,120 --> 01:16:29,360
Speaker 1: the window. Now she's gonna have to quit her job,

1548
01:16:29,439 --> 01:16:31,120
Speaker 1: and he won't allow her to hang out at the

1549
01:16:31,160 --> 01:16:35,840
Speaker 1: mall until her grade is up. DJ sighs, Okay, I

1550
01:16:35,880 --> 01:16:38,960
Speaker 1: guess I'll go back to being a kid again. Danny

1551
01:16:39,000 --> 01:16:41,679
Speaker 1: softens his tone and puts his arm around his daughter.

1552
01:16:42,160 --> 01:16:44,400
Speaker 1: He tells her there's nothing wrong with being a kid.

1553
01:16:44,680 --> 01:16:46,960
Speaker 1: In fact, she should enjoy it. She's got the rest

1554
01:16:47,000 --> 01:16:50,599
Speaker 1: of her life to be an adult. So it's so true.

1555
01:16:51,800 --> 01:16:54,439
Speaker 1: DJ admits, well, I guess if being an adult means

1556
01:16:54,439 --> 01:16:57,320
Speaker 1: wearing a red mop on my head, I can handle

1557
01:16:57,400 --> 01:17:00,439
Speaker 1: being a kid a little bit longer. Danny laughs, like it.

1558
01:17:00,560 --> 01:17:02,960
Speaker 2: I feel like it does metaphorically, you know what I mean.

1559
01:17:03,000 --> 01:17:04,679
Speaker 2: I feel like much of the time as an adult

1560
01:17:04,720 --> 01:17:05,719
Speaker 2: you're dressed as a clown.

1561
01:17:06,160 --> 01:17:07,559
Speaker 1: It's just in your own mind.

1562
01:17:07,600 --> 01:17:09,519
Speaker 3: You're right, you know.

1563
01:17:09,720 --> 01:17:10,439
Speaker 1: This isn't worth it?

1564
01:17:10,520 --> 01:17:10,680
Speaker 2: Yep.

1565
01:17:10,760 --> 01:17:19,400
Speaker 1: Yeah, yeah, this sucks. Yeah it works. Yep. Uh so

1566
01:17:19,880 --> 01:17:20,360
Speaker 1: where am I?

1567
01:17:20,439 --> 01:17:21,639
Speaker 3: Danny last interrupted.

1568
01:17:21,640 --> 01:17:25,200
Speaker 1: No, that's okay, Danny tells her, in case I forgot

1569
01:17:25,240 --> 01:17:28,160
Speaker 1: to mention it, you're a pretty great kid. She gives

1570
01:17:28,200 --> 01:17:30,320
Speaker 1: him a big hug and thanks him for the compliment,

1571
01:17:31,120 --> 01:17:33,919
Speaker 1: and then she pulls out her first and last paycheck.

1572
01:17:34,520 --> 01:17:36,720
Speaker 1: They both look at it, and Danny wonders, are you

1573
01:17:36,760 --> 01:17:38,640
Speaker 1: going to use it to help pay for those blowouts?

1574
01:17:39,479 --> 01:17:41,760
Speaker 1: And DJ is surprised he would ask such a thing.

1575
01:17:41,880 --> 01:17:44,759
Speaker 1: Are you kidding pay one hundred and sixty dollars for shoes?

1576
01:17:45,200 --> 01:17:47,280
Speaker 1: Do you know how much quacking and waddling I had

1577
01:17:47,280 --> 01:17:49,559
Speaker 1: to do to earn this money? It's going in the bank.

1578
01:17:50,880 --> 01:17:53,400
Speaker 1: Not so like kids are so willing to spend your money,

1579
01:17:53,439 --> 01:17:55,639
Speaker 1: but when it's their money, they don't want to spend

1580
01:17:55,680 --> 01:17:57,120
Speaker 1: any of it, right, Yeah, no.

1581
01:17:57,400 --> 01:18:00,040
Speaker 2: My kids, My kids will spend like they'll try and

1582
01:18:00,320 --> 01:18:01,360
Speaker 2: sort of spend their money.

1583
01:18:01,760 --> 01:18:03,719
Speaker 1: Are they good at saving? Are they good at saving

1584
01:18:03,720 --> 01:18:05,599
Speaker 1: their money? No? No, I mean they're saving them.

1585
01:18:05,640 --> 01:18:08,120
Speaker 2: They're good at spending the money. They don't have any

1586
01:18:08,160 --> 01:18:10,120
Speaker 2: problem being like, oh I wouldn't buy that. They're like no,

1587
01:18:10,160 --> 01:18:13,240
Speaker 2: I would totally buy that. Yes, it's worth it.

1588
01:18:13,320 --> 01:18:19,880
Speaker 1: Yeah, so Danny nods approvingly. It looks like DJ's understanding

1589
01:18:20,080 --> 01:18:23,280
Speaker 1: the value of a dollar. She nods an agreement. I am,

1590
01:18:23,600 --> 01:18:25,760
Speaker 1: and I appreciate how you're gonna feel when I ask

1591
01:18:25,840 --> 01:18:28,400
Speaker 1: you this. Can I have a raise on my allowance?

1592
01:18:29,360 --> 01:18:32,200
Speaker 1: Danny pivots the conversation back to the couch cushions, but

1593
01:18:32,320 --> 01:18:35,200
Speaker 1: DJ tries to plead her case. They argue back and

1594
01:18:35,200 --> 01:18:39,480
Speaker 1: forth as the audience chairs, And that is our show,

1595
01:18:42,240 --> 01:18:47,160
Speaker 1: loving it? Hi? That was that was That was an episode.

1596
01:18:47,280 --> 01:18:49,280
Speaker 1: That was a not a bad episode.

1597
01:18:50,080 --> 01:18:53,840
Speaker 2: It was a cute episode and very like relevant to

1598
01:18:53,880 --> 01:18:55,720
Speaker 2: that stage of life. I know, you know Zoe has

1599
01:18:55,760 --> 01:18:58,559
Speaker 2: been talking about wanting to get a part time job, and.

1600
01:19:00,040 --> 01:19:01,640
Speaker 3: He has talked about want to babysit. You know that

1601
01:19:02,360 --> 01:19:06,240
Speaker 3: middle school, high school age when you're like, okay, you know,

1602
01:19:06,360 --> 01:19:07,719
Speaker 3: I wanna I'm wanna be a little.

1603
01:19:07,479 --> 01:19:09,800
Speaker 1: More responsible for some Yeah, they have things they want.

1604
01:19:09,840 --> 01:19:11,719
Speaker 1: They want to buy Starbucks, they want to buy stuff

1605
01:19:11,720 --> 01:19:13,800
Speaker 1: at the mall, and they need to earn their own money.

1606
01:19:13,840 --> 01:19:16,599
Speaker 1: So this is it. Yeah, I'm having this conversation with Felicity. Now,

1607
01:19:16,640 --> 01:19:19,240
Speaker 1: I'm like, you're gonna be eighteen. Time to get a job.

1608
01:19:19,840 --> 01:19:23,120
Speaker 1: Yeah in the summertime. Yeah, it is it's time girl.

1609
01:19:23,200 --> 01:19:24,439
Speaker 1: You've waited long enough, so.

1610
01:19:24,520 --> 01:19:26,360
Speaker 3: Time for you to wear the red mop my friend?

1611
01:19:27,000 --> 01:19:30,280
Speaker 2: Yes, yes, So what was your okay, you're everywhere you look?

1612
01:19:30,360 --> 01:19:33,679
Speaker 1: You had one going back to this outfit. As soon

1613
01:19:33,680 --> 01:19:37,920
Speaker 1: as I saw it, I was like, whoa visual memory?

1614
01:19:38,080 --> 01:19:40,600
Speaker 1: I have pictures of myself wearing this outfit in my

1615
01:19:40,720 --> 01:19:43,120
Speaker 1: like family pictures at home. This was. These were my

1616
01:19:43,160 --> 01:19:47,000
Speaker 1: own clothes that I brought to set and for some

1617
01:19:47,080 --> 01:19:50,080
Speaker 1: reason decided they wardrobe was like, yeah, wear are those?

1618
01:19:50,080 --> 01:19:52,800
Speaker 1: Those are great? Like this? This is something my mother

1619
01:19:52,920 --> 01:19:54,759
Speaker 1: picked out and I wore at home.

1620
01:19:55,200 --> 01:19:58,200
Speaker 3: It did seem quite tame.

1621
01:19:58,640 --> 01:20:02,200
Speaker 1: It seemed tame, camble like the floor. It was not attractive,

1622
01:20:02,640 --> 01:20:06,360
Speaker 1: but it was tamer than Kimmy's normal wacky pattern situation.

1623
01:20:06,439 --> 01:20:09,000
Speaker 2: This was It was like a knit cardigan with sort

1624
01:20:09,000 --> 01:20:12,000
Speaker 2: of three D flowers. Yeah, onto it right.

1625
01:20:12,080 --> 01:20:14,320
Speaker 1: It looked like, you know, a grandmother's couch or something.

1626
01:20:14,320 --> 01:20:17,240
Speaker 1: You know. It was. It was not fashionable, but not

1627
01:20:17,320 --> 01:20:18,719
Speaker 1: very gibbler. This was my own.

1628
01:20:19,400 --> 01:20:21,799
Speaker 2: Maybe you really do you think maybe you really hated

1629
01:20:21,840 --> 01:20:23,759
Speaker 2: what they picked out for you that week, and maybe

1630
01:20:23,800 --> 01:20:25,040
Speaker 2: like you brought.

1631
01:20:24,840 --> 01:20:28,519
Speaker 1: That in or something, wondering why, like, was there a

1632
01:20:28,520 --> 01:20:31,880
Speaker 1: budgetary issue, Like, no, it was probably Yeah. I didn't

1633
01:20:31,920 --> 01:20:33,760
Speaker 1: like what they had picked out, and I was like, well,

1634
01:20:33,760 --> 01:20:37,280
Speaker 1: how about this instead? I don't know, but I think

1635
01:20:37,640 --> 01:20:39,280
Speaker 1: you look cute. Oh well, thank you.

1636
01:20:39,560 --> 01:20:42,759
Speaker 3: And obviously those the boys eating pizza them all agreed.

1637
01:20:42,960 --> 01:20:45,840
Speaker 1: So they liked Grandma's couch look couch.

1638
01:20:45,920 --> 01:20:47,839
Speaker 3: Yeah, no, they thought you were wearing a very attracted

1639
01:20:47,840 --> 01:20:48,920
Speaker 3: about it.

1640
01:20:49,200 --> 01:20:51,920
Speaker 1: Amazing. Well. Yeah, one one of the only times, probably

1641
01:20:52,000 --> 01:20:54,680
Speaker 1: the only time I wore my own clothes as Gibbler.

1642
01:20:55,240 --> 01:20:59,280
Speaker 3: Other than the Mermaid butt ondesday. That's I know, it's yours.

1643
01:20:59,520 --> 01:21:04,759
Speaker 1: I know, Jody Mermaid. I will never live that down.

1644
01:21:05,680 --> 01:21:08,280
Speaker 3: I because I'm jealous of the Mermaid, but wanty I

1645
01:21:08,280 --> 01:21:08,760
Speaker 3: would wear it.

1646
01:21:09,600 --> 01:21:13,920
Speaker 1: Yeah, anyway, just be careful, be careful what you wish.

1647
01:21:13,960 --> 01:21:15,000
Speaker 1: That's true.

1648
01:21:15,280 --> 01:21:22,000
Speaker 2: Frank warv ab here and myself a wash in them everywhere. Yes, well,

1649
01:21:22,120 --> 01:21:24,760
Speaker 2: thank you guys for joining us on another ridiculous and

1650
01:21:24,800 --> 01:21:27,960
Speaker 2: unhinged episode of how Rude tanner Rito's We love that

1651
01:21:28,000 --> 01:21:28,599
Speaker 2: you guys listen.

1652
01:21:28,600 --> 01:21:29,280
Speaker 3: Thank you so much.

1653
01:21:29,760 --> 01:21:32,120
Speaker 2: Make sure you're liking and subscribing and reading the podcast

1654
01:21:32,120 --> 01:21:34,479
Speaker 2: wherever you're listening to it. If you want to follow

1655
01:21:34,560 --> 01:21:36,559
Speaker 2: us on Instagram, you can check us out at how

1656
01:21:36,640 --> 01:21:38,760
Speaker 2: Rude Podcast, or you can send us an email at

1657
01:21:38,760 --> 01:21:42,160
Speaker 2: how Rude Tanatos at gmail dot com.

1658
01:21:42,240 --> 01:21:46,160
Speaker 3: Here you go, thank for a moment there, but again,

1659
01:21:46,600 --> 01:21:49,040
Speaker 3: we appreciate you, guys. We love you, fan ritos, and

1660
01:21:49,240 --> 01:21:53,599
Speaker 3: uh remember the world is small. The house is full

1661
01:21:55,880 --> 01:21:57,559
Speaker 3: of red mops, just full of them.

1662
01:21:57,960 --> 01:21:59,760
Speaker 1: Yes, everyone's wearing red mops.

1663
01:22:00,040 --> 01:22:03,280
Speaker 2: One's wearing red mops. Everyone and quacking and waddling.

1664
01:22:03,800 --> 01:22:06,040
Speaker 3: Yeah, yep, I'm gonna go do it right now.

1665
01:22:06,160 --> 01:22:08,560
Speaker 1: Hey, I'm gonna cut some bangs. I'm gonna put a

1666
01:22:08,600 --> 01:22:11,519
Speaker 1: mop on my head right, changing my whole blendon. I

1667
01:22:11,520 --> 01:22:15,759
Speaker 1: think welfare check on Jody and Andrea