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Speaker 1: Yes, it's way ye.

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Speaker 2: Put angela Ye, I'm Angelae. And Shanela Hampton is here.

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Speaker 2: We just had a whole conversation and she's like, wait,

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Speaker 2: we wasn't.

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Speaker 3: House talk, and I thought we were doing because you

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Speaker 3: were so good at a conversation.

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Speaker 1: Now that was you. You came in here like Ben,

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Speaker 1: I'm in the room saying you made a theme song

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Speaker 1: for me. Thank you? Way up? Oh go no, way up?

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Speaker 2: Yeah, all right, don't sue us later when we start playing.

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Speaker 2: But you did you did Broadway before?

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Speaker 3: Right, No, that was actually my dream. Honestly, That's what

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Speaker 3: I thought I was going to do. When I went

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Speaker 3: and I got my Master's of Fine Arts from University

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Speaker 3: of Illinois, I was outside of Chicago area, and what

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Speaker 3: I thought all my life is I was going to

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Speaker 3: be a Broadway actress. And then my dad, who's very

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Speaker 3: big on education, was like, you have to go and

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Speaker 3: learn all the things. I did an internship in LA

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Speaker 3: at a casting office, got my first job, got tap Hartley,

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Speaker 3: which put me in the Union, and then I realized

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Speaker 3: that spirit was saying, Nope, you're not going to New York.

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Speaker 3: You need to go to LA because the doors just

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Speaker 3: started opening in it worked out quite well. And I

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Speaker 3: still have not made it to Broadway yet, but holler

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Speaker 3: at me.

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Speaker 1: I can tell you because I don't see how, but

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Speaker 1: it's gonna happen. Thank you.

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Speaker 3: Yeah, I believe it. I really go to place I do.

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Speaker 3: I love, I love. I wasn't able this trip to

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Speaker 3: go to a show, but I'm coming back next week

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Speaker 3: and I'm going to a show next week. Okay, but

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Speaker 3: I have my my mama who was on Shameless. But

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Speaker 3: that's about callaways in the show right now. I wanted

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Speaker 3: to see her Monday night, but they're dark. But yeah,

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Speaker 3: I love theater.

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Speaker 2: I could tell because you are very definitely since I

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Speaker 2: was fine, well, let's talk about the show found because

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Speaker 2: that's where we're here for. And I actually did get

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Speaker 2: to watch the first eight episodes, you know, so I

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Speaker 2: didn't last not I didn't see it because I was

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Speaker 2: unfortunately working all night and I was exhausted by the

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Speaker 2: time I came home.

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Speaker 1: Absolutely, but you.

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Speaker 2: Know, the show is fascinating. I have a million questions

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Speaker 2: because as I'm watching it, I'm thinking of like different

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Speaker 2: things right now, clearly at the center of this show,

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Speaker 2: because we keep on finding new things out about your

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Speaker 2: character but Found is about making sure that people who

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Speaker 2: have gone missing are found.

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Speaker 1: That's right, right, And underserved communities.

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Speaker 2: Yes, and underserved communities, And each episode definitely focuses on

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Speaker 2: an underserved community.

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Speaker 1: It's not just children.

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Speaker 3: Either, right, right, It's not just children as people of color.

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Speaker 3: It is sex workers and how indigenous, all those stories

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Speaker 3: that we have not seen on our TV screens or

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Speaker 3: in our media in real life. Those are the people

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Speaker 3: that we are looking to find because there has been

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Speaker 3: such a gap in the representation when someone goes missing

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Speaker 3: at the same time. Two people can go missing the

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Speaker 3: same week and only one person gets a lot of

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Speaker 3: the media attention or a hashtag, and everybody knows the

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Speaker 3: name in the face of that missing person, but there's

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Speaker 3: still another young lady, same age, different color, and the

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Speaker 3: media attention is not there. So this show really tries

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Speaker 3: to not only bring that to light, but also says

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Speaker 3: that every missing person deserves to be found. It's such

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Speaker 3: a good story. I think throughout the procedural aspect, this

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Speaker 3: is the first time we've seen anybody looking for this specifically.

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Speaker 2: Yeah, and that definitely plays out on one of the

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Speaker 2: episodes where there's the missing white girl, which you know,

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Speaker 2: God willing, we always want children who are missing to

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Speaker 2: come home and get fund but it gets so much

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Speaker 2: more attention.

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Speaker 1: You get the Amber alerts, yep.

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Speaker 2: And then if a young black kid goes missing, you

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Speaker 2: don't get that same type of focus. Sometimes they also

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Speaker 2: feel like, oh that they ran away, ran around, Oh

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Speaker 2: they were a bad kid, and yeah.

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Speaker 3: And and I think that that's been such a misrepresentation

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Speaker 3: of so many communities, is that it's so easy to

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Speaker 3: throw away those someone who is unhoused or someone who

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Speaker 3: is a person of color. And that's what we want

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Speaker 3: to do. We want to change the face of the

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Speaker 3: missing for everyone. That's what this show is really about.

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Speaker 3: And when you see that, and I think that what

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Speaker 3: we want to also always understand and you said it

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Speaker 3: best be careful of is we're not saying don't look

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Speaker 3: for them. We're saying look for us too, and look

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Speaker 3: for the indigenous too, and look for the sex worker too,

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Speaker 3: and look for the un housed to like, look for everybody.

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Speaker 1: People. We got to add that.

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Speaker 3: Tow to everything, apparently, because if not, then it becomes

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Speaker 3: this is not a.

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Speaker 1: That's right all of us, exactly, all of us.

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Speaker 3: That's it.

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Speaker 2: And you're also a producer on the series. So how

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Speaker 2: did that happen? Because this was brought to you as

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Speaker 2: like you'd be perfect for this role. Right, did you

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Speaker 2: have to audition for it?

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Speaker 3: Oh? No, No, I don't audition anymore, thinking Lord, I paid

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Speaker 3: my tid in.

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Speaker 1: But no.

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Speaker 3: What happened was our showrunner and k Carroll. She and

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Speaker 3: I were meeting. I was meeting to go direct on

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Speaker 3: one of her other shows. She has three shows on

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Speaker 3: the air right now, all American Homecoming and now Fast Amazed.

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Speaker 3: So this is doing great things and she's a great person.

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Speaker 3: And we were just meeting talking because my hustle as

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Speaker 3: an actor has changed. It's not as much of a hustle,

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Speaker 3: but my hustle as a director is back at the

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Speaker 3: grind okay, And so I'm taking meetings and I was

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Speaker 3: talking to her about directing on one of her shows,

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Speaker 3: and she was looking at me and apparently now I

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Speaker 3: didn't know this. Then she was texting as we were

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Speaker 3: taking this meeting, saying I found my Gabby. So towards

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Speaker 3: the end of me she says to me, are you

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Speaker 3: still acting? I said, yes, ma'am, I still have to

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Speaker 3: pay bills, so of course, still acting, And she said,

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Speaker 3: I think I have a script for you. So it

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Speaker 3: all happened from a meeting that was about something else.

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Speaker 3: And one of the things that I knew moving forward

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Speaker 3: from doing Shameless for so long is I was never

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Speaker 3: going to be just an actor for hire, Dan. I

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Speaker 3: wanted to put my thumb print and as a producer

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Speaker 3: and be sort of not sort of, but be part

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Speaker 3: of the process as a boss. And that was what

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Speaker 3: I said, was determined to do. So anyone that wasn't

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Speaker 3: going to accept that, and my role wasn't going to

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Speaker 3: be a place that I wanted to partner with. And

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Speaker 3: of course NK and Great Lancey and the folks at

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Speaker 3: NBC have been so good and warnered. But so that's why,

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Speaker 3: and I'm a producer on it. But not just to hyphenate.

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Speaker 3: I think sometimes people will hyphenate for hyphenating saying that.

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Speaker 3: It's because if I want, if I have something to say,

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Speaker 3: I want to be able to say it. I don't

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Speaker 3: speak when I don't need to speak. I don't have

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Speaker 3: to prove that I'm the boss. You know.

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Speaker 2: Nice to think about how far like things have progressed

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Speaker 2: from when you know you first start, look at where

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Speaker 2: you are now like not having you don't have to audition,

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Speaker 2: you're producing, you know, major shows, and you're in demand.

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Speaker 2: It's just crazy, like to think about where you are,

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Speaker 2: Like when you first got stuted, you got married at

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Speaker 2: a young age.

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Speaker 1: I did. Yeah, you get married for what you said

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Speaker 1: almost twenty four years in March. Yes, it's a wonderful

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Speaker 1: thank you. But I'm Southern, so it.

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Speaker 3: Kind of makes I'm from South Carolina. Yeah, in South Carolina,

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Speaker 3: you gotta get out of high school. You can now,

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Speaker 3: I'm just kidding. Southern, I know, but no, but yeah

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Speaker 3: it is because I'm just a little, dark skinned girl

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Speaker 3: from a small town. Now it is a bigger town

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Speaker 3: in South Carolina. And I had a dream since I

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Speaker 3: was five years old. It was to be on stage,

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Speaker 3: but to be an actress. This is what I always

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Speaker 3: thought I was going to do. So to do it

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Speaker 3: and have been blessed in this way. But let me

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Speaker 3: just be clear, because see here's what happens. You see this,

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Speaker 3: you think, oh my gosh, look at that. It's so easy.

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Speaker 3: This is twenty some odd years in the making to

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Speaker 3: get just to this level. By the time I got shameless,

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Speaker 3: which is the thing that really changes my life exactly.

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Speaker 3: But I had already been in Los Angeles for ten years, right,

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Speaker 3: So it's the perseverance is you got to you got

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Speaker 3: to push through all of this stuff and all of

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Speaker 3: the tears. There's a lot of tears in the car,

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Speaker 3: a lot of tears in the closet, you know that

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Speaker 3: throwing up tears where you throw a coat. You're so

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Speaker 3: upset those things and so uh and then you get

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Speaker 3: here and there's still and there's still a hustle once

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Speaker 3: you get here, because you don't want to be complacent, right.

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Speaker 2: I mean how because it seems like you're very pleasant

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Speaker 2: to work with, right, and that people Maria am.

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Speaker 1: I not pleasant to work with? Amen?

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Speaker 2: But I do think people don't understand the importance of

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Speaker 2: that also, you know, just because yes, even for who

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Speaker 2: you decide you want to work with, right, that we

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Speaker 2: all have options, but we get to to when you

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Speaker 2: get the chance to choose who you went to be

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Speaker 2: around or who you want to be on set with.

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Speaker 2: That does make a difference too with those types of relationships.

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Speaker 3: Well, yeah, and we've said it before, and this was

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Speaker 3: one of the things that when NK and I met,

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Speaker 3: we always we leave with love.

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Speaker 1: I don't start.

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Speaker 3: We have a no jerk policy, and that it's a

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Speaker 3: for real no jerk policy, and we I don't start

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Speaker 3: the day, everyone will tell you because we gotta. We

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Speaker 3: get so caught up in our work that we forget

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Speaker 3: that the humans that are behind the job that we're doing.

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Speaker 3: Everybody went home to a family, everybody had a night.

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Speaker 3: So we don't start the day without me checking in

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Speaker 3: with everybody on a human level first. And now we

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Speaker 3: can get to work and we still make our day.

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Speaker 3: It takes no time to say, how you doing, how

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Speaker 3: to sleep, You're all right, how's the baby? I know

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Speaker 3: she was sick, loud, you know, having those human interactions first,

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Speaker 3: that's the kind of set that environment that we've created.

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Speaker 3: And we're a family there, right, and that's how it

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Speaker 3: should be. And it doesn't matter the wee hours of

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Speaker 3: the morning or whatever. Let's go, let's ride, let's get it,

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Speaker 3: get some coffee. Yeah, let's go.

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Speaker 2: Because I always picture like in Hollywood when you first

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Speaker 2: got started. You know, sometimes you're taking jobs and you

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Speaker 2: may feel like this isn't the most pleasant experience, but

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Speaker 2: I gotta just you know, keep because you're trying to

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Speaker 2: get somewhere.

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Speaker 1: Well, Yeah.

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Speaker 3: No, It's funny because I remember some of the less

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Speaker 3: pleasant experiences, and I remember looking at the folks that

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Speaker 3: were being.

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Speaker 1: For me.

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Speaker 3: It felt so ungrateful for the opportunity they had. You know,

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Speaker 3: you go on as a guest. So are you looking

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Speaker 3: at these series regulars? Are you looking at these people

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Speaker 3: that are the main leads? And you say that would

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Speaker 3: be all I would want? How are you not happy

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Speaker 3: coming and working? How are you not full of joy

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Speaker 3: coming to work every day? And how and even just

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Speaker 3: going to speak to like people in the background and stuff.

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Speaker 3: Everyone has such a role in this in this attitude

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Speaker 3: of the for lack of a better word, don't look

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Speaker 3: at me or talk to.

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Speaker 1: Me in between.

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Speaker 3: It just was something that I cannot grasp is even

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Speaker 3: to this day. It's about the human being first and

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Speaker 3: we're just doing a job. So why do you have

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Speaker 3: to like that?

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Speaker 2: Even for you getting into character unfound because there are

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Speaker 2: some dark elements to this show. There have to be

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Speaker 2: some episodes that were hired for you to be able

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Speaker 2: to to film and like you have to take a

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Speaker 2: moment I saw now with the sag after union. They

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Speaker 2: also are going to have people on set that help

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Speaker 2: with certain things like intimacy, even to have those type

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Speaker 2: of coordinators, things that never were considered requirements before moving forward.

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Speaker 2: But even for you being on set and having to

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Speaker 2: do I mean, you know, people going missing the unhoused community,

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Speaker 2: like you said, and having to film certain scenes like that.

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Speaker 1: Usually.

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Speaker 2: Now, the first three episodes I've seen, and I'm not

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Speaker 2: giving any spoilists because the show has been one.

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Speaker 1: So yeah, that's exactly right.

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Speaker 2: You know. I hate to talk about it just in

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Speaker 2: case somebody's listening and they haven't seen it and they're like,

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Speaker 2: I want to go back and watch it, so I

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Speaker 2: won't give too much. But one of the main things

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Speaker 2: is you were you know, as a child, you were taken, yes, right?

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Speaker 1: And I was Here's.

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Speaker 2: What I was thinking because I couldn't understand what the

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Speaker 2: relationship was there because it didn't seem like there was

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Speaker 2: anything intimate between the two of them, right, because normally

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Speaker 2: when we think that happens, there's like some type of

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Speaker 2: like sexual assault or something going on.

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Speaker 1: But I was trying did he just want you to

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Speaker 1: be like his child?

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Speaker 2: I just couldn't understand what it was that, sir, is

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Speaker 2: who's the person that abducted you?

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Speaker 1: Was trying to get from you.

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Speaker 3: Yeah, and so when Gabby, my character was abducted, you're

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Speaker 3: going to see so last night's episode, I don't want

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Speaker 3: to spoil it for you, but you'll see where's from

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Speaker 3: when Sir came.

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Speaker 1: So it's flashbacks.

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Speaker 3: So you're going to that that episode kind of explains

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Speaker 3: the psyche of Sir. But what's really fun about this

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Speaker 3: It is not sexual, so it makes it creepier and weirder,

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Speaker 3: and everybody is what is it. It's some sort of obsession,

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Speaker 3: the need for companionship but not in a sexual way,

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Speaker 3: the need for family, the need all of those things.

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Speaker 3: And you're going to see now that the season, as

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Speaker 3: the season unfolds, how they even came to be, how

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Speaker 3: they met, what Sir was in her life prior to

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Speaker 3: the abduction, which will open up all the things, the

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Speaker 3: adoration he had for her brain, all of those that

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Speaker 3: stuff that's all going to be answered this.

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Speaker 2: That was one thing because I was trying to say,

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Speaker 2: maybe they're not showing that.

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Speaker 1: I couldn't figure it out.

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Speaker 2: And then even in one of the episodes, was it

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Speaker 2: Lacey who is a law student, she also was somebody

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Speaker 2: that was abducted by Sir. She was like, he just

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Speaker 2: all he cared about was you, and I came and

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Speaker 2: ruined that dynamic. And you know, and then even in

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Speaker 2: one scene, he wants you to tell him that you

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Speaker 2: love him, and I was like, does she love him?

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Speaker 2: Like I really am trying to fit. I'm like, is

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Speaker 2: this a Stockholm Syncerome type of situation? Because and this

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Speaker 2: is not giving away too much, but he is now

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Speaker 2: your captive in the basement. You have him chained up,

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Speaker 2: I have chained up, but he doesn't want to leave anyway.

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Speaker 2: And it took me a minute to realize that he

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Speaker 2: could also go to jail, and so maybe he'd rather

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Speaker 2: be in the basement than in jail.

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Speaker 3: Yeah, but I don't think he worries about that, right

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Speaker 3: because no one they weren't able to catch him for

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Speaker 3: all those years.

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Speaker 1: So the jails, you could easily have just called the cops.

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Speaker 2: And you know, so he's going to be quiet when

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Speaker 2: people come to the house because at.

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Speaker 1: The end of the day, he'd rather be there.

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Speaker 2: You know, your intern as my intern as my partner too.

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Speaker 2: Better to save a case about people who are missing

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Speaker 2: than people who was who.

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Speaker 3: Were the birth Yeah, I feel what better way to

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Speaker 3: find a monster than to use monster's mind and that

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Speaker 3: and what's great about it is and I think you'll

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Speaker 3: see more and more because it does in that and

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Speaker 3: it's purposely done in a way. I think NK did

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Speaker 3: a great job of saying, this is a relationship that

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Speaker 3: is so complex, very you know, even in the first episodes,

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Speaker 3: you get to I get to read. I don't do

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Speaker 3: too much, but people will send me stuff They said, well,

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Speaker 3: why is she fixing her hair or her necklaces. She's

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Speaker 3: trying to look good for him, But no, you think

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Speaker 3: about the foundation he spent a year trying to make

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Speaker 3: her perfect. Those things stick with you any human being

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Speaker 3: who's been as much as you want to. Your parents

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Speaker 3: can do awful I have great parents, but your parents

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Speaker 3: can do awful things you like, I'll never be like them.

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Speaker 1: But then when you get older.

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Speaker 3: You'll see little things that'll creep up that it's like

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Speaker 3: from your parents. Something stick with you that have been

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Speaker 3: putting you. And that's sort of where Gabby is. So

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Speaker 3: when she fixes her hair or her necklace to be perfect,

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Speaker 3: it's almost subconscious because it's something that he gave her.

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Speaker 3: He put it in her to be that kind of perfection.

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Speaker 3: And Gabby always looks perfect on the show. By the way,

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Speaker 3: hair close. Yep, everything is perfection exactly. And that was

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Speaker 3: one of the things when you go to the flashback scenes,

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Speaker 3: having the perfect dinner, reading the perfect all of those

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Speaker 3: things are something that Sir wanted. Why did he want it?

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Speaker 3: I mean, I think you really do find the answer

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Speaker 3: more of what happens to a sick person's mind, and

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00:14:41,600 --> 00:14:43,880
Speaker 3: that also comes from somewhere too, so that messes with

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Speaker 3: you too, because you don't want to feel for this character,

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Speaker 3: this sir character who did this horrible thing. But you know,

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Speaker 3: horrible people usually have had horrible things happen to.

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Speaker 2: Them, right, Okay, I cannot wait to see what happened

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Speaker 2: what happened to Sarah because I am very curious about

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Speaker 2: his whole backstory to and you have a cent of

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Speaker 2: a daughter.

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Speaker 1: In real life.

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Speaker 3: I do.

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Speaker 2: So when you're doing a show like this, does that

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Speaker 2: ever like creep into.

349
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Speaker 1: Your never knock at all?

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Speaker 2: I am because as a mom you have to be

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Speaker 2: thinking like bringing that into the acting of like, Okay,

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Speaker 2: you know this is somebody's child, this is yeah, I do,

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Speaker 2: but I try to I'm very separate and everybody has

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Speaker 2: a different process. My process is very because I am

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Speaker 2: an impath by nature. I just feel energy. That's just

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Speaker 2: what I do. So for work in order for me

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Speaker 2: to have the mental capacity capacity to just survive in

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Speaker 2: the world.

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Speaker 1: Work is very separate from me. Okay.

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Speaker 3: I when I tell you it's separate, they will tell

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Speaker 3: you will go from me singing and dancing to action

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Speaker 3: and I'm Gabby Mosley. And then when your ammors a

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Speaker 3: if I'm doing a quiantine, I take the moment to

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Speaker 3: prepare for it, we do it, and then when it's over,

365
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Speaker 3: we're back getting it, getting it, getting it, getting it,

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Speaker 3: getting it, getting it because you got to release it.

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Speaker 3: So with my children, I don't ever take work home ever.

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Speaker 2: Okay, all right, now that's I mean, I imagine that has

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Speaker 2: to be something that is like, you know, when people

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Speaker 2: are watching the show, because even when I'm watching it,

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Speaker 2: there many times to not be getting a little like yeah,

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Speaker 2: it is an emotional thing very much to be able

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Speaker 2: to watch. So being on set that has to be

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Speaker 2: emotional at times too, where you got to take a

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Speaker 2: breather life.

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Speaker 1: Yeah, this was deep.

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00:16:18,440 --> 00:16:20,560
Speaker 3: Yeah yeah, And I think that that and then when

378
00:16:20,600 --> 00:16:23,960
Speaker 3: you want to pay, you want to make sure that

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Speaker 3: you are honoring those who have gone through any sort

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Speaker 3: of tragedy or suffering.

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Speaker 1: So you want to come from a very real place.

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Speaker 3: So it does get hard, especially when you think about

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Speaker 3: those people who are not being I mean, you look

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Speaker 3: at Ohio right now. There's so many children that are missing,

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Speaker 3: and so many families that are hurting, right, extended families,

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00:16:42,560 --> 00:16:45,360
Speaker 3: and so you can't help but to feel that just

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Speaker 3: on a human level.

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Speaker 1: Now, there was something that Gabby did that I did

389
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Speaker 1: not like.

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Speaker 3: Okay, let's talk about it, okay, Because there is a

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Speaker 3: police officer who is, yeah, very helpful, and he might

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Speaker 3: lose his job because of you, I know, and I

393
00:17:00,520 --> 00:17:03,960
Speaker 3: kind of felt like you should have, you know, caused

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Speaker 3: in and been like I'm the person.

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Speaker 1: Yeah, I do feel like that. I think that's why

396
00:17:08,080 --> 00:17:09,000
Speaker 1: a man about.

397
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Speaker 2: To lose his damn job. You and you ain't even

398
00:17:11,640 --> 00:17:12,520
Speaker 2: give him none.

399
00:17:12,560 --> 00:17:15,359
Speaker 3: I know, not at all, not even not only did

400
00:17:15,400 --> 00:17:18,080
Speaker 3: I give him, not a kiss, not even a pinky.

401
00:17:19,400 --> 00:17:20,480
Speaker 1: He lost his job.

402
00:17:20,560 --> 00:17:23,439
Speaker 2: Well, he's suspended because of you. You on the couch

403
00:17:23,560 --> 00:17:27,000
Speaker 2: chatting it up, not even a kiss. He clearly likes you, yes,

404
00:17:27,240 --> 00:17:29,080
Speaker 2: and you just gonna let this man lose his job.

405
00:17:29,320 --> 00:17:30,320
Speaker 1: Yeah, I mean.

406
00:17:30,200 --> 00:17:34,320
Speaker 3: I think it's tricky because he already took the rap

407
00:17:34,359 --> 00:17:37,440
Speaker 3: for it, so it's kind of like, I but what's

408
00:17:37,520 --> 00:17:39,000
Speaker 3: what's funny about that? Really?

409
00:17:39,280 --> 00:17:40,159
Speaker 1: Gabby does?

410
00:17:41,359 --> 00:17:44,280
Speaker 3: There is a level to Gabby And this is why

411
00:17:44,280 --> 00:17:47,159
Speaker 3: I wanted to player, because it's complex. Every time you

412
00:17:47,160 --> 00:17:49,119
Speaker 3: have a hero on a show, everybody thinks you have

413
00:17:49,160 --> 00:17:51,239
Speaker 3: to just love them, and they are like, we're on

414
00:17:51,280 --> 00:17:54,040
Speaker 3: your side, I got your back. But Gabby presents so

415
00:17:54,280 --> 00:17:57,720
Speaker 3: many beautifully flawed moments that it's like I have to

416
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Speaker 3: even question our hero. This was this, That's what's exciting

417
00:18:01,080 --> 00:18:09,119
Speaker 3: about our show. They're mad about that. Yeah, and and

418
00:18:09,160 --> 00:18:11,960
Speaker 3: they're mad about that. They're mad when Gabby told him

419
00:18:12,000 --> 00:18:14,520
Speaker 3: that something is fleeting. What was the emotions or fleet

420
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Speaker 3: it was something that he said and just shut him down.

421
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Speaker 3: They get mad, honey, and I love it. I love

422
00:18:20,240 --> 00:18:22,040
Speaker 3: I love to hear what they met at Gavy about.

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Speaker 1: So is there a season two already mapped out or well?

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Speaker 3: I know that there is a season two plan in

425
00:18:28,200 --> 00:18:31,639
Speaker 3: action as far as Nka knows what she wants to

426
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Speaker 3: do with season two. And now we are just waiting

427
00:18:34,240 --> 00:18:36,879
Speaker 3: for the go. You know, we just got finished with

428
00:18:36,880 --> 00:18:39,800
Speaker 3: a strike, everybody knows the business is in has been

429
00:18:39,800 --> 00:18:41,879
Speaker 3: in such flux and such a weird position. What I

430
00:18:41,920 --> 00:18:44,320
Speaker 3: am proud about is that people are talking about it

431
00:18:44,359 --> 00:18:48,320
Speaker 3: in a real way and they've accepted the content in

432
00:18:48,359 --> 00:18:51,040
Speaker 3: a way that I could never imagine. And we have

433
00:18:51,480 --> 00:18:55,480
Speaker 3: already begun to close that gap because we've talked about

434
00:18:55,480 --> 00:18:58,760
Speaker 3: it in different communities if you're in underserved communities about

435
00:18:59,040 --> 00:19:03,000
Speaker 3: the discrepancy between the but other people haven't, and now

436
00:19:03,000 --> 00:19:05,639
Speaker 3: it's on the lips of other people.

437
00:19:05,960 --> 00:19:07,640
Speaker 2: Yeah, that has to be hard because the show did

438
00:19:07,720 --> 00:19:10,560
Speaker 2: launch during the strike, and so now it's like, okay,

439
00:19:10,560 --> 00:19:11,879
Speaker 2: we're on episode nine.

440
00:19:12,040 --> 00:19:14,040
Speaker 3: Yeah, I think now and I'm just now, you're just

441
00:19:14,280 --> 00:19:16,400
Speaker 3: and I'm just now sitting down with you. That's right,

442
00:19:16,520 --> 00:19:19,240
Speaker 3: exactly exactly. So I think we'll I think we'll hear

443
00:19:19,400 --> 00:19:24,800
Speaker 3: very soon. I am pretty confident that we're gonna do

444
00:19:24,840 --> 00:19:26,480
Speaker 3: this for season two and many more.

445
00:19:26,720 --> 00:19:26,920
Speaker 1: Yeah.

446
00:19:26,960 --> 00:19:28,240
Speaker 2: I can feel it too, because of the way that

447
00:19:28,280 --> 00:19:31,480
Speaker 2: I was able to binge watch all of the episodes

448
00:19:31,520 --> 00:19:32,840
Speaker 2: back to back to back, and then.

449
00:19:34,680 --> 00:19:35,760
Speaker 1: It's my favorite thing to do.

450
00:19:36,160 --> 00:19:38,480
Speaker 2: And it's hard because I remember the days when we

451
00:19:38,560 --> 00:19:40,080
Speaker 2: used to have to watch a show and then wait

452
00:19:40,080 --> 00:19:42,359
Speaker 2: for the next week and you know, set the and

453
00:19:42,640 --> 00:19:44,640
Speaker 2: you know, if you had a TV O you was lip.

454
00:19:44,880 --> 00:19:45,080
Speaker 3: Yeah.

455
00:19:45,840 --> 00:19:49,000
Speaker 1: Yes, my husband brought me my first one. I had

456
00:19:49,040 --> 00:19:49,800
Speaker 1: an ex boyfriend.

457
00:19:50,000 --> 00:19:51,760
Speaker 2: He gave me my first ever TV and it had

458
00:19:51,760 --> 00:19:54,400
Speaker 2: the lifetime subscription on it, which is worthless now because

459
00:19:56,880 --> 00:19:59,120
Speaker 2: but now it's like, you can just sit down and watch.

460
00:19:59,400 --> 00:20:01,400
Speaker 1: What do you do? You prefer a binge watch?

461
00:20:01,640 --> 00:20:07,880
Speaker 3: Absolutely, I am constant gratification. Microwave me please, so man,

462
00:20:08,280 --> 00:20:10,560
Speaker 3: watch the Wholet season and I won't watch. And I

463
00:20:10,760 --> 00:20:13,040
Speaker 3: generally I'm not recommending this for Fann go ahead and

464
00:20:13,119 --> 00:20:16,320
Speaker 3: ketch up now on Peak Up. But I, however, will

465
00:20:16,320 --> 00:20:18,720
Speaker 3: wait for a full season of something to go that

466
00:20:18,800 --> 00:20:21,760
Speaker 3: I'm into, like the Morning Show or or you know,

467
00:20:22,520 --> 00:20:24,320
Speaker 3: anything that I'm into. I was so happy the Other

468
00:20:24,359 --> 00:20:27,879
Speaker 3: Black Girl, uh had put all the episodes on.

469
00:20:27,920 --> 00:20:29,840
Speaker 1: Have you seen that? Oh it's really good. It's called

470
00:20:29,880 --> 00:20:31,359
Speaker 1: The Other Black Girls. Really good. I haven't seen it.

471
00:20:31,480 --> 00:20:34,320
Speaker 2: I know, oh you know what I did see? I watched, like,

472
00:20:34,480 --> 00:20:36,800
Speaker 2: I think the first episode. I gotta go back in

473
00:20:36,840 --> 00:20:40,440
Speaker 2: my but I was watching that. But she worked infice, Yes,

474
00:20:40,560 --> 00:20:41,640
Speaker 2: but it's turns.

475
00:20:41,320 --> 00:20:43,119
Speaker 1: On Greece and anyway.

476
00:20:43,240 --> 00:20:46,919
Speaker 3: But but yeah, so I I like to binge and

477
00:20:46,960 --> 00:20:49,960
Speaker 3: I will wait to binge even on my reality TV shows,

478
00:20:50,000 --> 00:20:50,960
Speaker 3: all the Real Housewives.

479
00:20:51,000 --> 00:20:52,439
Speaker 1: I'm a big bravo. Nie stop.

480
00:20:52,760 --> 00:20:57,720
Speaker 2: Oh, Karen, I'm huger. Was just here, okay, caring from Potoma.

481
00:20:57,800 --> 00:20:58,760
Speaker 1: Do you love her? I do?

482
00:20:58,920 --> 00:21:01,159
Speaker 2: She Actually, this is my first time sitting down with

483
00:21:01,200 --> 00:21:02,879
Speaker 2: her like that, and she gets how so she was

484
00:21:02,880 --> 00:21:05,280
Speaker 2: here all the whole show and she was a good time.

485
00:21:05,359 --> 00:21:05,760
Speaker 1: Oh good.

486
00:21:05,800 --> 00:21:07,600
Speaker 3: I know Giselle wasn't with her because you know, they

487
00:21:07,640 --> 00:21:11,240
Speaker 3: don't get there like that. Yeah, oh they are okay,

488
00:21:11,280 --> 00:21:12,960
Speaker 3: They're okay now. Yeah. I think they have a friend

489
00:21:12,960 --> 00:21:15,399
Speaker 3: of me thing that it goes on, right, But Robin

490
00:21:15,400 --> 00:21:18,320
Speaker 3: and Giselle are always Oh I watched it.

491
00:21:18,560 --> 00:21:21,399
Speaker 1: My guilty pleasure is ninety Day Fiance. Oh my gosh.

492
00:21:21,480 --> 00:21:23,480
Speaker 1: I like Marred at First Sight and Love is Blind.

493
00:21:23,560 --> 00:21:25,199
Speaker 2: I like Love is Blind. I haven't watched Married at

494
00:21:25,200 --> 00:21:26,720
Speaker 2: First Sight. But the other one that's really great is

495
00:21:26,800 --> 00:21:27,679
Speaker 2: Love after lock Up.

496
00:21:27,880 --> 00:21:30,000
Speaker 1: That's what I mean. Where's that? I Love at the

497
00:21:30,040 --> 00:21:32,480
Speaker 1: lock Up? And I heard about ninety Day Fiance. Yet

498
00:21:32,800 --> 00:21:35,919
Speaker 1: dance is amazing you. It seems like just from.

499
00:21:35,760 --> 00:21:38,399
Speaker 2: Your social media you still it's hard, right, but you

500
00:21:38,480 --> 00:21:39,720
Speaker 2: still like your husband.

501
00:21:39,800 --> 00:21:42,440
Speaker 1: You know, oh four years.

502
00:21:42,560 --> 00:21:46,160
Speaker 2: Yes, these pictures you can see like the happiness. How

503
00:21:46,320 --> 00:21:48,879
Speaker 2: was it for you being home, you know, during the

504
00:21:48,960 --> 00:21:53,200
Speaker 2: strike and during the pandemic too, and having that time.

505
00:21:53,320 --> 00:21:55,639
Speaker 3: Yeah, but there's nothing more important than family to me.

506
00:21:56,119 --> 00:21:58,880
Speaker 3: And being a mom is my first job. So even

507
00:21:58,920 --> 00:22:01,520
Speaker 3: when I was shooting the show in Atlanta and I

508
00:22:01,600 --> 00:22:03,600
Speaker 3: live in Los Angeles, But even when we were shooting,

509
00:22:04,040 --> 00:22:06,359
Speaker 3: I worked during the week, and I flew home every

510
00:22:06,359 --> 00:22:07,720
Speaker 3: single weekend for five months.

511
00:22:07,800 --> 00:22:09,359
Speaker 1: Okay, to you have my kids. I set out the clothes.

512
00:22:09,359 --> 00:22:10,000
Speaker 1: I'm very type A.

513
00:22:10,359 --> 00:22:12,240
Speaker 3: Set out the clothes for the week, did the Washington

514
00:22:12,240 --> 00:22:14,679
Speaker 3: did my wife, We duties all the things, okay, to

515
00:22:14,720 --> 00:22:17,080
Speaker 3: make sure that my household's gonna still run.

516
00:22:17,280 --> 00:22:18,080
Speaker 1: So anytime.

517
00:22:18,160 --> 00:22:20,200
Speaker 3: What's great about being an ATA and also what's great

518
00:22:20,200 --> 00:22:22,480
Speaker 3: about the show that I spent eleven years on. You

519
00:22:22,520 --> 00:22:26,560
Speaker 3: get a hiatus, so I spend lp of my year busting, busting,

520
00:22:26,600 --> 00:22:28,600
Speaker 3: and the next time I'm gonna stay at home mom.

521
00:22:28,400 --> 00:22:29,760
Speaker 1: Which I really really enjoy.

522
00:22:30,000 --> 00:22:32,919
Speaker 3: During the strike was really good because the fall is

523
00:22:32,960 --> 00:22:35,960
Speaker 3: the busiest time for kids, so to get them going

524
00:22:36,200 --> 00:22:40,320
Speaker 3: and started, and I spent my husband calls my PFO

525
00:22:40,440 --> 00:22:42,560
Speaker 3: duties pta duties at the school with my full time

526
00:22:42,640 --> 00:22:45,040
Speaker 3: job spent like forty hours a week at their school.

527
00:22:44,840 --> 00:22:45,480
Speaker 1: Is no problem.

528
00:22:47,240 --> 00:22:49,400
Speaker 3: And are you a sports fanatic too? Oh gosh, yes,

529
00:22:49,440 --> 00:22:51,199
Speaker 3: all right, what's your team? Minnesota Vikings?

530
00:22:51,240 --> 00:22:56,200
Speaker 1: Okay, football house? See, I gotta tell you a good time? Yes,

531
00:22:56,400 --> 00:22:56,960
Speaker 1: well listen.

532
00:22:57,200 --> 00:22:58,760
Speaker 2: Oh and one last thing, I'm going to ask you

533
00:22:58,840 --> 00:23:01,760
Speaker 2: from all the characters on the show on found right,

534
00:23:03,320 --> 00:23:07,080
Speaker 2: besides Lacey, because clearly you'll have a certain bond as

535
00:23:07,080 --> 00:23:08,879
Speaker 2: the just as the characters on the show. Not in

536
00:23:08,920 --> 00:23:12,000
Speaker 2: real life I love her yet, but as the characters

537
00:23:12,000 --> 00:23:15,119
Speaker 2: on the show, who would you say, of all the

538
00:23:15,119 --> 00:23:17,120
Speaker 2: people that she works with, is the one that she's

539
00:23:17,200 --> 00:23:17,960
Speaker 2: most connected to?

540
00:23:18,119 --> 00:23:22,280
Speaker 3: Gabby's character? What would you guess by looking? Can you

541
00:23:22,359 --> 00:23:24,560
Speaker 3: kind of tell? I'll answer, but I'm just wondering if

542
00:23:24,560 --> 00:23:26,320
Speaker 3: you can feel you know.

543
00:23:26,280 --> 00:23:30,320
Speaker 1: Who I feel the most for the one? What is

544
00:23:30,320 --> 00:23:33,600
Speaker 1: her name? Margaret? Yeah? The station? Oh my god, that's

545
00:23:33,760 --> 00:23:36,320
Speaker 1: heart Yeah, that is heartbreaking. I'm gonna tell you.

546
00:23:36,400 --> 00:23:38,240
Speaker 2: The one part where I got a little teary eyed

547
00:23:38,480 --> 00:23:40,679
Speaker 2: was when I was like, when she was trying to

548
00:23:40,720 --> 00:23:43,480
Speaker 2: find out you know who took the So just for

549
00:23:43,480 --> 00:23:45,560
Speaker 2: people listening, if you haven't seen it, and you definitely

550
00:23:45,560 --> 00:23:47,919
Speaker 2: should make sure you watch it and binge watch it

551
00:23:48,440 --> 00:23:50,159
Speaker 2: because you can still catch up before the season ends

552
00:23:50,200 --> 00:23:51,240
Speaker 2: and we could talk about it together.

553
00:23:52,320 --> 00:23:54,440
Speaker 1: But she has the rip.

554
00:23:54,240 --> 00:23:57,600
Speaker 2: Off, you know, missing and the phone number and somebody

555
00:23:57,680 --> 00:23:59,960
Speaker 2: ripped off the tags and she goes to the bus

556
00:24:00,000 --> 00:24:02,119
Speaker 2: step every day, so she can't even go on certain

557
00:24:02,160 --> 00:24:04,680
Speaker 2: missions because she needs to be close so she can

558
00:24:04,720 --> 00:24:07,199
Speaker 2: go to the bus stop and somebody ripped off you know,

559
00:24:07,240 --> 00:24:10,360
Speaker 2: the phone number, and she's just who ripped it off?

560
00:24:10,359 --> 00:24:12,720
Speaker 1: And y'all was going through the footage.

561
00:24:12,359 --> 00:24:14,000
Speaker 3: And then it turned out that they just ripped it

562
00:24:14,040 --> 00:24:16,200
Speaker 3: off to wrap their gummy.

563
00:24:16,280 --> 00:24:20,440
Speaker 1: When I tell you, I was, I thought shit.

564
00:24:20,520 --> 00:24:23,440
Speaker 3: But Gabby has a connection to all of those characters.

565
00:24:23,480 --> 00:24:25,679
Speaker 3: That's why she they are part of the team. She

566
00:24:25,760 --> 00:24:29,160
Speaker 3: said that they've all been had something happen to them

567
00:24:29,200 --> 00:24:29,800
Speaker 3: in their lives.

568
00:24:29,840 --> 00:24:30,840
Speaker 1: That's and that's the.

569
00:24:31,000 --> 00:24:34,479
Speaker 3: Other great central theme of the of the show is

570
00:24:34,520 --> 00:24:40,000
Speaker 3: that tragedy does not discriminate. It doesn't say it's going

571
00:24:40,000 --> 00:24:43,120
Speaker 3: to hit a certain color or an age or gender.

572
00:24:43,480 --> 00:24:48,160
Speaker 3: It's everybody experiences tragedy and healing can look a lot

573
00:24:48,160 --> 00:24:51,240
Speaker 3: of different ways, so we shouldn't judge how each other's

574
00:24:51,240 --> 00:24:55,240
Speaker 3: healing processes. So the connection for Gabby, the character I play,

575
00:24:55,440 --> 00:24:57,239
Speaker 3: is with all of them, but the one that I

576
00:24:57,320 --> 00:25:02,199
Speaker 3: think gets her for dance, that question would be done. Okay, okay,

577
00:25:02,920 --> 00:25:05,600
Speaker 3: all right, tell me why. I think you'll start to

578
00:25:05,640 --> 00:25:10,719
Speaker 3: see more and more. I think Don's real ability to

579
00:25:10,840 --> 00:25:16,240
Speaker 3: not judge will reveal itself and other things. Well, I

580
00:25:16,280 --> 00:25:18,400
Speaker 3: don't want to spoil it because you're about to see,

581
00:25:18,440 --> 00:25:21,080
Speaker 3: but you'll see why I said die. You'll see why,

582
00:25:21,359 --> 00:25:23,639
Speaker 3: and you can kind of you and once you see

583
00:25:23,640 --> 00:25:25,680
Speaker 3: what ended up happening, you'll go back and watch the

584
00:25:25,760 --> 00:25:28,760
Speaker 3: season and you'll see glimpses of it and you'll be like, oh,

585
00:25:28,960 --> 00:25:32,600
Speaker 3: oh when they did the thing with the thing, Oh

586
00:25:32,640 --> 00:25:33,680
Speaker 3: my gosh.

587
00:25:33,760 --> 00:25:36,520
Speaker 2: So yeah, Well, listen, you guys, thank you so much

588
00:25:36,560 --> 00:25:37,880
Speaker 2: for joining me today.

589
00:25:37,960 --> 00:25:39,080
Speaker 1: I really appreciate it.

590
00:25:39,280 --> 00:25:42,800
Speaker 2: You guys gotta watch Found you know, honestly, where you

591
00:25:42,880 --> 00:25:44,639
Speaker 2: got time? You got time to catch up before this

592
00:25:44,680 --> 00:25:47,040
Speaker 2: season ends, and we definitely want a season two, so

593
00:25:47,119 --> 00:25:50,560
Speaker 2: let's make sure that is, you know, solid. But Sanela Hampton,

594
00:25:50,600 --> 00:25:52,840
Speaker 2: for you as an individual, I appreciate you for coming

595
00:25:52,880 --> 00:25:55,040
Speaker 2: here with all the energy that you came in here with.

596
00:25:55,280 --> 00:25:58,879
Speaker 1: And you know, just thank you. I appreciate you, Boss.

597
00:25:59,000 --> 00:26:01,040
Speaker 3: You're doing a lot of things, and I'm so proud

598
00:26:01,119 --> 00:26:02,880
Speaker 3: and I'm happy to be in your presence and thank

599
00:26:02,920 --> 00:26:03,439
Speaker 3: you for having me.

600
00:26:03,440 --> 00:26:05,920
Speaker 1: Truly, truly, truly, you're doing.

601
00:26:06,280 --> 00:26:08,480
Speaker 3: Really really big things, and I think that you are

602
00:26:08,560 --> 00:26:11,639
Speaker 3: such an example of what can be and what should be.

603
00:26:11,960 --> 00:26:14,680
Speaker 1: And so I'm really really really honored to be here

604
00:26:14,920 --> 00:26:17,160
Speaker 1: and so honor. This is amazing for me. Well, thank

605
00:26:17,200 --> 00:26:18,280
Speaker 1: you so much. Again.

606
00:26:18,440 --> 00:26:20,280
Speaker 2: I'm gonna tell you some more things off air about

607
00:26:20,320 --> 00:26:22,760
Speaker 2: the show that I feel like is politically incorrect for

608
00:26:22,800 --> 00:26:23,080
Speaker 2: me to.

609
00:26:23,000 --> 00:26:25,800
Speaker 1: Say, Yeah, let's not get in trouble to die. One

610
00:26:25,800 --> 00:26:26,479
Speaker 1: more thing, all right,