WEBVTT - Leonardo Nam

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<v Speaker 1>And I had to leave. And I remember I'd gone

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<v Speaker 1>out the night before and I kept pressing snooze, and

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<v Speaker 1>I remember thinking, you know what, Leo, if you can't

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<v Speaker 1>get up, if you can't get your ass up and

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<v Speaker 1>go to school for the reason why you left everything

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<v Speaker 1>in Australia, because you're too busy going out and partying

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<v Speaker 1>or doing you know, trying to experience this other side

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<v Speaker 1>of New York and not the real reason why you've

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<v Speaker 1>come here. Then you just accept it. For the next month,

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<v Speaker 1>you go, you party your balls off, you do it,

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<v Speaker 1>and then you get on a plane and you go

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<v Speaker 1>back to Australia. Or you make the decision and you

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<v Speaker 1>make the choice now that you show up for yourself,

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<v Speaker 1>you show up for what you came here to do.

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<v Speaker 1>You give it your all, and then you see what happens.

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<v Speaker 1>And that really was the moment that really changed my life.

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<v Speaker 1>Hey guys, I'm Leonardo nam I currently have a show

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<v Speaker 1>called Maggie on Hulu. But you may know me from

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<v Speaker 1>things like Westwold or Assisted of the Trampling Pants all

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<v Speaker 1>my first movie The Perfect Score. Hello everybody, and welcome

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<v Speaker 1>to a brand spanking new episode of Off the Beat.

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<v Speaker 1>And would you look at that. It's me your host,

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<v Speaker 1>Brian Baumgartner. Today, as you just heard, we are going

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<v Speaker 1>to be speaking to the truly amazing Leonardo nam Now

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<v Speaker 1>you may know Leo as Westworld employee Felix Lutz or

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<v Speaker 1>currently as Dave on Hulu's new hit comedy Maggie. Now.

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<v Speaker 1>So interesting about Leo. He was so sure that he

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<v Speaker 1>wanted to be an actor that he traveled across the

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<v Speaker 1>world literally to sleep on a bench in Central Park.

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<v Speaker 1>That's where New York concrete jungle, where dreams are made of.

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<v Speaker 1>That is where he got his start. And now he's

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<v Speaker 1>been on so many incredible TV shows and movies. After

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<v Speaker 1>starting performing Shakespeare in Shakespeare in the Park where he

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<v Speaker 1>slept originally, He's gone on to star in The Perfect Score,

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<v Speaker 1>The Fast and the Furious, Sisterhood of the Traveling Pants,

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<v Speaker 1>even where he was cast originally by the offices Ken Kappas.

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<v Speaker 1>And I'm told that some of you may be excited

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<v Speaker 1>to know that he was once featured in Steve Aoki's

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<v Speaker 1>music video with BTS. So there you go. I thought

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<v Speaker 1>it was pretty amazing. You should go and check it out. Uh.

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<v Speaker 1>With all of that said, let's get to it shall

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<v Speaker 1>we my new best friend Leo nam Bubba Squeak. I

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<v Speaker 1>love it. Bubble and Squeak, Bubble and squeaker cookie every

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<v Speaker 1>month left over from the Nabby. What's up Leo? Hey, Brian,

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<v Speaker 1>how are you? I'm good? How are you? I'm great, man,

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<v Speaker 1>I'm I'm excited to be on your show. Hey, thanks

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<v Speaker 1>for having me. Oh, thanks so much, thank you. You

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<v Speaker 1>know your your accent right now? Is is? Really? I

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<v Speaker 1>wasn't sure what accent I was gonna get. You got

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<v Speaker 1>the accent right now. I mean, you're you're from all

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<v Speaker 1>four corners of the globe. I am a little bit.

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<v Speaker 1>You were born in Buenos Ares to Korean parents. You

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<v Speaker 1>grew up in Sydney, that's the accident I'm hearing, and

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<v Speaker 1>then to New York. This is uh yeah, you're you're

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<v Speaker 1>Mr International for sure. Well, it does feel nice to

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<v Speaker 1>to hear someone repeat to me like, oh, where I've

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<v Speaker 1>lived and what I've done, you know most of that stuff.

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<v Speaker 1>By the way, you know, it was like not by choice.

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<v Speaker 1>It's not like I was like, you know what, I'm

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<v Speaker 1>decided to be born in you know what I mean?

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<v Speaker 1>Nudge me over there. You know, well, I was an

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<v Speaker 1>early adapter and passionate fan of Westworld when it started.

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<v Speaker 1>Every Sunday night was sending tweets about how it was

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<v Speaker 1>blowing my mind. And obviously you played a pivotal role

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<v Speaker 1>in that. But I do want to go back to

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<v Speaker 1>start with your childhood. I mean, obviously an incredibly diverse background.

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<v Speaker 1>When did you move to Sydney from argent Tina. I'm

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<v Speaker 1>we moved when I was seven. I believe we started

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<v Speaker 1>to kind of make the trip when I was about six,

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<v Speaker 1>and yeah, it got to Australia, um right at the

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<v Speaker 1>end of first grade, I believe when I started school there.

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<v Speaker 1>What do you consider yourself besides international man of Mystery

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<v Speaker 1>are are you? Are you Australian? What do you consider yourself? Yeah,

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<v Speaker 1>I mean I feel like I am Australian like culturally,

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<v Speaker 1>you know, I relate to people most um by as

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<v Speaker 1>being an Australian and I think a lot of that

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<v Speaker 1>comes from, um, you know, my formative years being in Australia,

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<v Speaker 1>and Australia has this sensibility about themselves where you're Australian first,

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<v Speaker 1>you know more than anything else, and so you're Australian

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<v Speaker 1>and you know whether good or bad. You know, people

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<v Speaker 1>have different perspectives about that, um and and I certainly

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<v Speaker 1>you know, do my off. But but I do love

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<v Speaker 1>that quality about Australians, that you're Australian like first and foremost.

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<v Speaker 1>You know, Australia also has like this tall poppy syndrome

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<v Speaker 1>expect where you know everyone's the same and you're like

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<v Speaker 1>and if that, if one starts to pop out, you

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<v Speaker 1>can cut them off. But yeah, I'm Australian, Korean and

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<v Speaker 1>American and those are kind of the the big key ones.

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<v Speaker 1>Argentinian is you know when you look back at my life, yes,

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<v Speaker 1>I definitely am Argentinians as well. But other than you know,

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<v Speaker 1>other aspects of small aspects of food and um, some

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<v Speaker 1>aspects of you know, culturally, how I how I relate

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<v Speaker 1>to other people is Argentinian. But you know, ultimately, when

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<v Speaker 1>someone first meets me, what I believe I present first

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<v Speaker 1>is Australian and that's how I feel most comfortable when

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<v Speaker 1>someone relates to me that way. How do you think

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<v Speaker 1>that your background there, your history, helped shape you into

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<v Speaker 1>who you are? Oh, great question, you know, I feel

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<v Speaker 1>like the whole idea and concept of an immigrant is

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<v Speaker 1>all I've known and so the idea that you're not

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<v Speaker 1>of this country, but you are this country in that

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<v Speaker 1>you're living here now you're contributing to this country. And

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<v Speaker 1>so I think that that concept of you know, my

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<v Speaker 1>parents being immigrants in Argentina and then being in a

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<v Speaker 1>double immigrant then going to Australia, I think that really

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<v Speaker 1>that that put a sense of hope and possibility in

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<v Speaker 1>my life. You know, one thing that happened in Argentina

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<v Speaker 1>was the Falkland Wars were happening, and it was kind

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<v Speaker 1>of a moment where my family's realized that, you know,

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<v Speaker 1>ship's going down in Argentin. So my aunt married and

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<v Speaker 1>Aussie and you know, in process of getting married, um,

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<v Speaker 1>my grandmother then it was in Australia and was saying, hey,

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<v Speaker 1>this is definitely a place that is not you know,

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<v Speaker 1>in the midst of war, and it was in the

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<v Speaker 1>kind of in her understanding of Western culture. You know,

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<v Speaker 1>there was an exodus you know from Korea at that time,

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<v Speaker 1>it was very much a third world country and so

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<v Speaker 1>looking to to move to the West. You know, their

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<v Speaker 1>first stop was Argentina and then along the way, you know,

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<v Speaker 1>the Fookland Wars happened. So then they moved to Australia.

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<v Speaker 1>But I feel like because I came from a family

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<v Speaker 1>that has moved around and have always been able to

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<v Speaker 1>find their feet no matter what, I really connect to

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<v Speaker 1>a sense of hope that I believe is possible. You know,

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<v Speaker 1>like growing up, did I see anyone that looks like

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<v Speaker 1>me on screen? And no, there wasn't. There was maybe one,

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<v Speaker 1>you know, that was the idea of Bruce Lee, but

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<v Speaker 1>that was even during my time. He was dead and

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<v Speaker 1>so there was no one that was actively telling story

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<v Speaker 1>that looked like me. But I do think that it

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<v Speaker 1>was because I had family that did immigrate and immigrated

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<v Speaker 1>twice and really carved their own life in their own

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<v Speaker 1>way for their family. For me, for um, it really

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<v Speaker 1>does instan has instilled in me a sense of hope.

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<v Speaker 1>I really believe. That's so interesting to me because you know,

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<v Speaker 1>in a lot of ways, I'm the opposite, right, I mean,

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<v Speaker 1>I'm from the south of the United States, right, and

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<v Speaker 1>most of my family have lived in that region, from

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<v Speaker 1>the kind of the lower Midwest to the deep South.

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<v Speaker 1>I mean, me moving to California was a big deal.

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<v Speaker 1>I mean, that was that was that was a trip

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<v Speaker 1>where that's like a totally different country from down there.

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<v Speaker 1>But yeah, did they think of you as a betrayer?

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<v Speaker 1>Did you like betray them? By betray maybe a strong

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<v Speaker 1>too strong of a world that you know? I mean,

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<v Speaker 1>I traveled around it, did the are quite a bit?

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<v Speaker 1>And I guess there was a sense of comeback here.

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<v Speaker 1>I mean, not not so much from my parents. My

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<v Speaker 1>parents were very supportive, but I think there was always

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<v Speaker 1>that sort of idea of why are you somewhere else? Now?

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<v Speaker 1>I'll tell you now that I'm in southern California. My

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<v Speaker 1>family likes to visit here, so they want so there's

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<v Speaker 1>kind of a free pass for this little in this

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<v Speaker 1>little island here. But yeah, but that idea of of

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<v Speaker 1>not being too far from home. And I don't know,

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<v Speaker 1>I'm kind of going off on a tangent here, but

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<v Speaker 1>your experience having started so early on that journey of

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<v Speaker 1>finding a new place, finding a new identity in some

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<v Speaker 1>ways in a new place, and that your family had

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<v Speaker 1>done that so often that that becomes second nature. And

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<v Speaker 1>I do think we do live in a global world now,

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<v Speaker 1>and and the idea that you have been or had

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<v Speaker 1>experiences and family and in so much of it is awesome.

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<v Speaker 1>And I love the idea that that brings hope to you. Yeah, yea,

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<v Speaker 1>that there's there there can be a rebirth. But I

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<v Speaker 1>feel like anyone that strikes out on their own right

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<v Speaker 1>like you did and what have you, I feel like

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<v Speaker 1>we all have to. We have this camaraderie of hope.

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<v Speaker 1>We have this camaraderie of belief in humanity and striving

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<v Speaker 1>for for the best life that you can. And I

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<v Speaker 1>love hearing that that you've decided, you made the choice

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<v Speaker 1>to like, you know, get out of the town that

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<v Speaker 1>you were in and made it to southern California no

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<v Speaker 1>matter what. And um, I have to say, I'm in

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<v Speaker 1>the same way. You know, we're just we're just traveling shows,

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<v Speaker 1>right but you um so okay. So you arrive basically

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<v Speaker 1>end of your first grade year to Australia, when do

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<v Speaker 1>you start to get a thought of being an actor?

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<v Speaker 1>You know? I feel like it kind of started in

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<v Speaker 1>when I was in sixth grade. There was a sense

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<v Speaker 1>of performance that started to come into my sphere. My

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<v Speaker 1>brother's a choreographer. He was older than I am, and

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<v Speaker 1>it is older than I am, and he had to

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<v Speaker 1>kind of navigate his way through as a dancer at

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<v Speaker 1>the time, and he was very much involved with that.

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<v Speaker 1>Dance world was more hip hop and that kind of stuff.

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<v Speaker 1>But then we were also involved in church, and there

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<v Speaker 1>was a Korean church kind of um, you know, they

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<v Speaker 1>do these performances about about why this is a sin

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<v Speaker 1>to instill fearing, right, and I was like, oh, I

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<v Speaker 1>could get into that. Let's do that, right, uh, And

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<v Speaker 1>and we we would perform and do these we write

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<v Speaker 1>these plays and stuff and about you know, someone robbing

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<v Speaker 1>a convenience store or you know, bashing an old lady

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<v Speaker 1>and why that was bad and what happened and then

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<v Speaker 1>you know, the devil comes in or what have you. Right,

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<v Speaker 1>So these really like wild stories and I really kind

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<v Speaker 1>of enjoyed that. But the next step from there onwards

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<v Speaker 1>was I was part of a public speaking after school program.

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<v Speaker 1>And the after school program happened to have a ballet

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<v Speaker 1>school that was part of it too, and also a

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<v Speaker 1>drama side to it. And I remember going in and

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<v Speaker 1>originally I was part of the public speaking program, and

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<v Speaker 1>I remember I did rather well, and I kept like

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<v Speaker 1>not winning. I was like second place or you know,

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<v Speaker 1>just a great job that you know, you just didn't

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<v Speaker 1>get it. And I remember the teacher, Miss Hopwood. She

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<v Speaker 1>said to me, you know, Leo, you um, you're either

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<v Speaker 1>so passionate it or you're so technical, and you need

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<v Speaker 1>to find a hybrid. And she said, maybe what would

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<v Speaker 1>help you is if you did some drama, and so

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<v Speaker 1>she gave me king Lear. At welve, I did the

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<v Speaker 1>Edmund speech and it blew my mind. It blew my

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<v Speaker 1>mind that I thought, oh my goodness, like someone has

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<v Speaker 1>written this from you know, youngkers Ago and I relate

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<v Speaker 1>and resonate in some weird wave even though I'm saying

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<v Speaker 1>these strange words, but I kind of get this feeling.

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<v Speaker 1>And so that kind of was the key that unlocked

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<v Speaker 1>it for me. And so after that, I then started

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<v Speaker 1>to join a theater troupe. And I went to an

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<v Speaker 1>all boys technical high school in Australia that was there

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<v Speaker 1>was no drama, and I started that. I started a

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<v Speaker 1>theater club at school and then because of that, I

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<v Speaker 1>end up doing my I guess what you would call

0:14:54.360 --> 0:14:56.320
<v Speaker 1>your s A t S been Australia back then, it

0:14:56.400 --> 0:14:59.280
<v Speaker 1>was called the HC. But I did that in drama

0:14:59.640 --> 0:15:02.160
<v Speaker 1>and in the process of doing that, I found some

0:15:02.240 --> 0:15:06.040
<v Speaker 1>wonderful lifelong friends and you know, us theater geeks and

0:15:06.360 --> 0:15:09.200
<v Speaker 1>you know, feeling awkward and weird and trying to find

0:15:09.240 --> 0:15:13.320
<v Speaker 1>ourselves and all that good stuff. Right, I found my

0:15:13.440 --> 0:15:17.520
<v Speaker 1>jam of people, and um, within that, I also found

0:15:17.560 --> 0:15:20.920
<v Speaker 1>my jam of people that were very ambitious and very

0:15:20.960 --> 0:15:24.880
<v Speaker 1>focused and we're really reaching for the stars and and

0:15:24.920 --> 0:15:28.840
<v Speaker 1>you know we're writing musicals, were writing plays, we're writing

0:15:28.880 --> 0:15:32.880
<v Speaker 1>films in high school. Um. So I joined that crew,

0:15:33.480 --> 0:15:37.440
<v Speaker 1>that community, and because of that, I connected with an

0:15:37.480 --> 0:15:41.640
<v Speaker 1>agent in Australia who put me in touch with someone

0:15:41.680 --> 0:15:44.280
<v Speaker 1>that's still my mentor to this day. Uh and he

0:15:44.400 --> 0:15:47.920
<v Speaker 1>swan In in Sydney, and um, she really was the

0:15:47.960 --> 0:15:51.560
<v Speaker 1>one if I can attribute the idea of craft and

0:15:51.600 --> 0:15:56.320
<v Speaker 1>the respect of craft and class really you know, you know,

0:15:56.400 --> 0:16:01.160
<v Speaker 1>being able to have taste and discern meant and she

0:16:01.400 --> 0:16:05.440
<v Speaker 1>brought this concept of elevating my world. And so, um,

0:16:05.480 --> 0:16:08.920
<v Speaker 1>that's kind of how my that that bug happened for me.

0:16:09.280 --> 0:16:13.560
<v Speaker 1>And then from there the leap to New York happened. Yeah.

0:16:13.760 --> 0:16:18.480
<v Speaker 1>I mean I had a similar situation myself when it

0:16:18.720 --> 0:16:21.120
<v Speaker 1>changed for me, and it sounds like it roughly the

0:16:21.160 --> 0:16:25.720
<v Speaker 1>same age where I realized that this was not just

0:16:25.840 --> 0:16:30.360
<v Speaker 1>an activity, but that this was this was something deeper,

0:16:30.600 --> 0:16:33.360
<v Speaker 1>and I was involved in a program similar to what

0:16:33.400 --> 0:16:37.920
<v Speaker 1>you're talking about, where it was like, oh, I see

0:16:38.720 --> 0:16:44.000
<v Speaker 1>everyone had that like, oh, there's so much more to

0:16:44.680 --> 0:16:48.600
<v Speaker 1>this that I want to know about. And you decided

0:16:48.640 --> 0:16:51.240
<v Speaker 1>that to pursue this, you you needed to be in

0:16:51.280 --> 0:16:54.240
<v Speaker 1>New York. So I understand it. Nineteen years of age,

0:16:54.440 --> 0:16:58.120
<v Speaker 1>you moved to New York to study acting. I hear

0:16:58.160 --> 0:17:01.080
<v Speaker 1>you spent a few nights in Central Park. It yeah,

0:17:01.320 --> 0:17:04.280
<v Speaker 1>may I mean I had no money. I mean I

0:17:04.359 --> 0:17:06.679
<v Speaker 1>three hundred bucks in my back pocket and a credit

0:17:06.680 --> 0:17:10.119
<v Speaker 1>card that didn't work. And I thought, hey, it's a

0:17:10.119 --> 0:17:13.520
<v Speaker 1>good idea, great idea, guys, let's just going up and leave.

0:17:13.720 --> 0:17:19.240
<v Speaker 1>Let's do it. And you know I I was um,

0:17:20.600 --> 0:17:24.080
<v Speaker 1>I just had that that vision and the ambition, you know,

0:17:24.200 --> 0:17:26.679
<v Speaker 1>to go through it. I landed in New York, and

0:17:27.000 --> 0:17:31.080
<v Speaker 1>I remember the only thing that I knew about was

0:17:31.400 --> 0:17:35.360
<v Speaker 1>Broadway Times Square in Central Park. And so at that

0:17:35.400 --> 0:17:39.639
<v Speaker 1>time I remember walking through Times Square just looking at

0:17:39.640 --> 0:17:41.879
<v Speaker 1>all these billboards, being like, oh my god, you know,

0:17:41.960 --> 0:17:44.119
<v Speaker 1>I've made it here. I am here, I am you know,

0:17:44.480 --> 0:17:45.960
<v Speaker 1>And then at like two in the morning, You're like,

0:17:45.960 --> 0:17:48.400
<v Speaker 1>where am I going to sleep? It didn't click for me.

0:17:48.760 --> 0:17:50.600
<v Speaker 1>I was like, where am I gonna sleep? I don't know.

0:17:51.240 --> 0:17:53.960
<v Speaker 1>All I had was the audition date, you know, at

0:17:54.040 --> 0:17:58.000
<v Speaker 1>that school. And so I I then just I mean

0:17:58.040 --> 0:18:01.040
<v Speaker 1>there was a cab drive that that drove me around

0:18:01.040 --> 0:18:04.639
<v Speaker 1>for a little bit. Uh, and he offered me some weed,

0:18:05.320 --> 0:18:10.840
<v Speaker 1>which was really uh funny. I was like, what, like, yeah,

0:18:11.240 --> 0:18:16.399
<v Speaker 1>but what's going on? Like okay? Um? And and I

0:18:16.520 --> 0:18:19.919
<v Speaker 1>ended up, yes, staying at Central Park near Columbus Circle,

0:18:20.040 --> 0:18:23.000
<v Speaker 1>and uh, you know, it was in the middle of

0:18:23.040 --> 0:18:26.560
<v Speaker 1>summer and so it was hot, so it didn't need anything.

0:18:26.640 --> 0:18:29.320
<v Speaker 1>And but I remember, like, you know, talking to some

0:18:29.320 --> 0:18:31.600
<v Speaker 1>some people that that were there that were you know,

0:18:31.880 --> 0:18:35.480
<v Speaker 1>experiencing homelessness themselves, and and they were like they gave

0:18:35.560 --> 0:18:38.800
<v Speaker 1>me ideas like you know, if a newspaper while people

0:18:38.800 --> 0:18:40.960
<v Speaker 1>why people, why did they use that so it you know,

0:18:41.000 --> 0:18:43.600
<v Speaker 1>it keeps them warm somewhat and what have you. Um.

0:18:43.720 --> 0:18:46.919
<v Speaker 1>And so I didn't need that, thank god. But the

0:18:47.000 --> 0:18:50.639
<v Speaker 1>next day I was like, rightly, you gotta pull it together.

0:18:51.920 --> 0:18:55.159
<v Speaker 1>This can't happen. I should actually say I did have

0:18:55.240 --> 0:18:58.560
<v Speaker 1>a place to stay, but the person that I was

0:18:58.640 --> 0:19:00.720
<v Speaker 1>supposed to stay with at least that you know, the

0:19:00.720 --> 0:19:03.200
<v Speaker 1>first couple of nights, I didn't pick up the phone

0:19:03.600 --> 0:19:07.520
<v Speaker 1>when I called, and so there was this sense of like,

0:19:08.200 --> 0:19:10.639
<v Speaker 1>well and here, maybe they'll they'll pick up later. And

0:19:10.680 --> 0:19:13.480
<v Speaker 1>that's why at two am, I was like, oh my god,

0:19:13.800 --> 0:19:16.600
<v Speaker 1>where am I going to sleep? Okay? This is now,

0:19:16.640 --> 0:19:20.000
<v Speaker 1>this is This makes me feel better because I was like,

0:19:20.720 --> 0:19:23.680
<v Speaker 1>you got off the plane and you don't you have

0:19:23.840 --> 0:19:27.840
<v Speaker 1>no like, you haven't thought about anything. This makes it

0:19:27.880 --> 0:19:30.879
<v Speaker 1>a little better for me. Yeah. Yeah, that I should

0:19:30.880 --> 0:19:35.560
<v Speaker 1>have prevented by saying that. And he happened to be

0:19:35.640 --> 0:19:38.800
<v Speaker 1>a flight attendant and so he had to take a

0:19:38.840 --> 0:19:41.879
<v Speaker 1>trip and so that's why he wasn't available, and so

0:19:42.040 --> 0:19:45.600
<v Speaker 1>that's the whole reason why I experienced that. And so

0:19:45.640 --> 0:19:49.560
<v Speaker 1>then after a week of this, then he finally picked

0:19:49.600 --> 0:19:51.920
<v Speaker 1>up the phone and then I was able to stay

0:19:52.280 --> 0:20:14.120
<v Speaker 1>after a week. So you you mentioned there you had

0:20:14.200 --> 0:20:16.439
<v Speaker 1>an audition that you said the studio. Now is this

0:20:16.680 --> 0:20:23.840
<v Speaker 1>HB Studio? Yeah, my goodness. So for those of you

0:20:24.119 --> 0:20:30.399
<v Speaker 1>who don't know, HB Studio basically was training all of

0:20:30.440 --> 0:20:33.879
<v Speaker 1>the best actors in New York City for years and years.

0:20:34.160 --> 0:20:37.880
<v Speaker 1>My favorite book that I studied, I never met her

0:20:38.520 --> 0:20:43.080
<v Speaker 1>Udha Haggins. Respect for acting. I studied that at school.

0:20:43.760 --> 0:20:46.480
<v Speaker 1>My favorite book still to this day, it's in my

0:20:46.640 --> 0:20:51.320
<v Speaker 1>office still here. You obviously you you have to be

0:20:51.359 --> 0:20:54.680
<v Speaker 1>doing something there or be connected to the right people

0:20:54.720 --> 0:20:57.720
<v Speaker 1>in Australia for for you to even get an audition there.

0:20:58.240 --> 0:21:01.760
<v Speaker 1>So you get accepted, Yeah, I got accept it. Yeah. Um.

0:21:01.800 --> 0:21:05.560
<v Speaker 1>And it was to be in Buddhist class and and

0:21:05.600 --> 0:21:08.240
<v Speaker 1>so I really, you know, it was desperate to to

0:21:08.400 --> 0:21:12.520
<v Speaker 1>be around the best. And so I remember what my

0:21:13.320 --> 0:21:16.120
<v Speaker 1>mentor in Australia had said. You know, when you meet

0:21:16.119 --> 0:21:19.400
<v Speaker 1>someone and you you see that their work is excellent,

0:21:19.760 --> 0:21:22.840
<v Speaker 1>work with them. Do whatever you can to say I'm

0:21:22.840 --> 0:21:24.520
<v Speaker 1>going to work with you. I'm gonna work with you.

0:21:24.520 --> 0:21:28.240
<v Speaker 1>I'm gonna work with you. And so really deciding and

0:21:28.600 --> 0:21:32.240
<v Speaker 1>to take that road of studying UM and and being

0:21:32.280 --> 0:21:35.720
<v Speaker 1>in in her class really changed my life. It isn't

0:21:35.760 --> 0:21:39.800
<v Speaker 1>the most um you know, prestigious school, and what happens

0:21:39.840 --> 0:21:41.960
<v Speaker 1>more like a working man school, you know, even though

0:21:41.960 --> 0:21:45.560
<v Speaker 1>the alumni is like al Paccino, Cynthia, next sent I mean, Babarah.

0:21:45.560 --> 0:21:47.640
<v Speaker 1>So it goes on and on and on. But it's

0:21:47.680 --> 0:21:51.359
<v Speaker 1>because they welcomed everyone and they believed everyone should have

0:21:51.440 --> 0:21:54.800
<v Speaker 1>access to this kind of work. Um. And so I

0:21:54.840 --> 0:21:58.560
<v Speaker 1>made the decision pretty early on actually to only work

0:21:58.600 --> 0:22:00.800
<v Speaker 1>with the best because when I was landed there, all

0:22:00.800 --> 0:22:03.679
<v Speaker 1>I wanted to do was just party because I was like,

0:22:03.720 --> 0:22:06.280
<v Speaker 1>I'm in New York City. I can't believe this. Oh

0:22:06.280 --> 0:22:08.000
<v Speaker 1>my god, this is great. This is a fantastic this

0:22:08.119 --> 0:22:12.440
<v Speaker 1>fantastic game whatever from the cab drivers. This is the

0:22:12.560 --> 0:22:14.720
<v Speaker 1>cab driver Like, what are you talking about? This is

0:22:14.720 --> 0:22:19.920
<v Speaker 1>I've made it. I've made it. And so I I remember,

0:22:19.960 --> 0:22:23.119
<v Speaker 1>actually pretty early on, I was in a class in

0:22:23.160 --> 0:22:27.080
<v Speaker 1>the Shakespeare class with Jeffrey Owens, who was teaching you know,

0:22:27.240 --> 0:22:31.400
<v Speaker 1>legendary guy. It was a ten am class and I

0:22:31.480 --> 0:22:33.520
<v Speaker 1>lived in the East Village and the school is in

0:22:33.560 --> 0:22:37.719
<v Speaker 1>the West Village, and I had to leave my house

0:22:38.240 --> 0:22:42.000
<v Speaker 1>by nine thereabouts. Mind you, I had like a red

0:22:42.000 --> 0:22:45.320
<v Speaker 1>mohawk at the time, and I got to school on

0:22:45.440 --> 0:22:50.640
<v Speaker 1>rollerblades even in the snow. I mean, hello, crazy Aussie,

0:22:50.760 --> 0:22:55.199
<v Speaker 1>just like coming throw guys coming through. Um. And I

0:22:55.240 --> 0:22:57.480
<v Speaker 1>had to leave at and I remember i'd gone out

0:22:57.520 --> 0:23:00.720
<v Speaker 1>the night before and I kept pressing snows remember thinking,

0:23:01.200 --> 0:23:05.160
<v Speaker 1>you know what, Leo, if you can't get up, if

0:23:05.240 --> 0:23:08.480
<v Speaker 1>you can't get your ass up, and go to school

0:23:09.280 --> 0:23:13.320
<v Speaker 1>for the reason why you left everything in Australia because

0:23:13.600 --> 0:23:17.359
<v Speaker 1>you're too busy going out and partying or doing you know,

0:23:17.400 --> 0:23:19.399
<v Speaker 1>trying to experience this other side of New York and

0:23:19.440 --> 0:23:22.919
<v Speaker 1>not the real reason why you've come here. Then you

0:23:23.040 --> 0:23:25.720
<v Speaker 1>just accept it for the next month, you go, you

0:23:26.080 --> 0:23:28.360
<v Speaker 1>part of your balls off, you do it, and then

0:23:28.400 --> 0:23:30.639
<v Speaker 1>you get on a plane and you go back to Australia,

0:23:31.119 --> 0:23:33.439
<v Speaker 1>or you make the decision and you make the choice

0:23:33.480 --> 0:23:36.439
<v Speaker 1>now that you show up for yourself, you show up

0:23:36.480 --> 0:23:38.560
<v Speaker 1>for what you came here to do. You give it

0:23:38.600 --> 0:23:41.560
<v Speaker 1>your all, and then you see what happens. And that

0:23:41.640 --> 0:23:44.560
<v Speaker 1>really was the moment that really changed my life. Um,

0:23:44.840 --> 0:23:47.480
<v Speaker 1>not only did I decide right there and then that

0:23:48.280 --> 0:23:51.520
<v Speaker 1>I would make the commitment to myself to the work,

0:23:51.640 --> 0:23:54.199
<v Speaker 1>to you know, the platform that that's been given to

0:23:54.280 --> 0:23:56.840
<v Speaker 1>me at that moment and for the rest of my

0:23:56.920 --> 0:24:01.080
<v Speaker 1>life what I would be doing, but also me realize, like,

0:24:01.440 --> 0:24:03.280
<v Speaker 1>what are you doing sleeping on the floor, Leo, Like,

0:24:03.320 --> 0:24:07.040
<v Speaker 1>get it together, get it together? Like yeah, at the beginning,

0:24:07.040 --> 0:24:09.720
<v Speaker 1>it was sure, it was fun. Yeah whatever I did this,

0:24:09.880 --> 0:24:12.280
<v Speaker 1>I slept here in the park, yeah whatever, you know,

0:24:12.320 --> 0:24:15.320
<v Speaker 1>And I kind of imagined that i'd go back and say, hey,

0:24:15.359 --> 0:24:17.719
<v Speaker 1>back in the day, this is what I did, you know, Like,

0:24:18.200 --> 0:24:22.040
<v Speaker 1>but there in living in I realized like, nah, I

0:24:22.119 --> 0:24:25.399
<v Speaker 1>don't want to do this, you know, get your finger

0:24:25.440 --> 0:24:28.680
<v Speaker 1>out of here, as Leo and let's go um. And

0:24:28.760 --> 0:24:31.480
<v Speaker 1>so that that really was a big turning point for me.

0:24:31.520 --> 0:24:33.920
<v Speaker 1>And then after that it was, you know, every week

0:24:34.200 --> 0:24:37.760
<v Speaker 1>figuring out how I work, how other people work, um,

0:24:37.960 --> 0:24:39.760
<v Speaker 1>And I started to take a lot of ownership of

0:24:40.240 --> 0:24:43.320
<v Speaker 1>my own discovery of what it meant to be in

0:24:43.400 --> 0:24:46.960
<v Speaker 1>my own craft, what it meant to feed my own beast,

0:24:47.440 --> 0:24:53.080
<v Speaker 1>and what my beast likes to eat. Right, that's so awesome.

0:24:53.520 --> 0:24:56.560
<v Speaker 1>I love that story. Are you starting to work outside

0:24:56.560 --> 0:24:59.480
<v Speaker 1>of the studio at this point? How does that transition

0:24:59.520 --> 0:25:03.080
<v Speaker 1>start to work for you from doing the work, putting

0:25:03.080 --> 0:25:08.000
<v Speaker 1>in the effort, and then also started to play other roles. God,

0:25:08.080 --> 0:25:11.120
<v Speaker 1>I love that you're making me connect the dots from

0:25:11.119 --> 0:25:16.960
<v Speaker 1>back there, um, because it was it's a mixture of magic. Really,

0:25:17.800 --> 0:25:21.200
<v Speaker 1>it's a mixture of like when you show up for yourself, right,

0:25:21.560 --> 0:25:23.520
<v Speaker 1>and you show up for yourself and you don't know

0:25:24.000 --> 0:25:26.919
<v Speaker 1>what's going to happen, that you show up with the

0:25:27.040 --> 0:25:30.919
<v Speaker 1>belief in yourself, and you show up with the work

0:25:31.280 --> 0:25:35.240
<v Speaker 1>on your craft and respect for it, then other things

0:25:35.240 --> 0:25:37.480
<v Speaker 1>start to fall into place. And so one of the

0:25:37.520 --> 0:25:41.679
<v Speaker 1>things that happened was I met someone that was like

0:25:41.720 --> 0:25:44.760
<v Speaker 1>at a cafe and it was you know, definitely one

0:25:44.760 --> 0:25:47.800
<v Speaker 1>of those moments of like, you know, everyone's drinking coffee

0:25:47.800 --> 0:25:50.000
<v Speaker 1>and like they got berets, and like it kind of

0:25:50.000 --> 0:25:52.399
<v Speaker 1>felt like that you were wet, but you know what

0:25:52.400 --> 0:25:55.800
<v Speaker 1>I mean, like in the eighth Village, Tompkins Square Path,

0:25:56.000 --> 0:25:58.880
<v Speaker 1>like all that stuff, and and and someone had told

0:25:58.920 --> 0:26:01.959
<v Speaker 1>me about like that they that there was an abandoned

0:26:01.960 --> 0:26:05.960
<v Speaker 1>school and that a friend of theirs was going to

0:26:06.760 --> 0:26:10.159
<v Speaker 1>put up a production, a Shakespeare production, and he thought

0:26:10.200 --> 0:26:12.960
<v Speaker 1>it was going to be Hamlet, but he wasn't sure.

0:26:13.359 --> 0:26:16.000
<v Speaker 1>But back in the day, there was at this story

0:26:16.000 --> 0:26:18.840
<v Speaker 1>it still is around now backstage right, And so that's

0:26:18.840 --> 0:26:21.320
<v Speaker 1>where a lot of people would get you know, their

0:26:21.359 --> 0:26:24.600
<v Speaker 1>their their auditions, especially when they're starting off. And it

0:26:24.640 --> 0:26:28.719
<v Speaker 1>was a non union project, and so I would scour

0:26:28.760 --> 0:26:32.760
<v Speaker 1>that all the time, and I found that one posting

0:26:33.160 --> 0:26:35.159
<v Speaker 1>and so I connected the dots. I went back to

0:26:35.240 --> 0:26:37.280
<v Speaker 1>that dude in the cafe and was like, hey, you know,

0:26:37.320 --> 0:26:39.280
<v Speaker 1>he's that the guy and blah blah blah blah. And

0:26:39.280 --> 0:26:41.640
<v Speaker 1>then I went off and I auditioned and I got

0:26:41.680 --> 0:26:46.040
<v Speaker 1>the role of Ozdric. Uh. And I played Ozdric as

0:26:46.080 --> 0:26:51.400
<v Speaker 1>a drag queen on roller blades. Yeah, okay, follow me, Yeah,

0:26:51.480 --> 0:26:54.879
<v Speaker 1>stay with me. I like it because the director and

0:26:54.960 --> 0:26:57.760
<v Speaker 1>I were chatting about, you know, what it is that

0:26:58.240 --> 0:27:01.040
<v Speaker 1>he wanted to do with the production in and you know,

0:27:01.080 --> 0:27:03.520
<v Speaker 1>and I love that stuff. I love someone being like, yeah,

0:27:03.560 --> 0:27:05.879
<v Speaker 1>let's flip the swit like the script, let's do it.

0:27:06.080 --> 0:27:09.320
<v Speaker 1>Let's figure out how you are going to add value

0:27:09.359 --> 0:27:12.480
<v Speaker 1>to this production. And so I had shown up in

0:27:12.880 --> 0:27:18.119
<v Speaker 1>role blades. I can't believe that with a mohawk, and

0:27:18.119 --> 0:27:21.000
<v Speaker 1>and I did the piece, you know, first of all

0:27:21.040 --> 0:27:23.280
<v Speaker 1>without rollers. But then I said, hey, you know, I've

0:27:23.320 --> 0:27:24.679
<v Speaker 1>got this idea. What do you think if I do

0:27:24.720 --> 0:27:26.520
<v Speaker 1>it like this? And like I said, it was an

0:27:26.560 --> 0:27:30.439
<v Speaker 1>abandoned school. Um. And so I would roll a blade

0:27:30.480 --> 0:27:35.159
<v Speaker 1>around as I would would do the my audition and

0:27:35.160 --> 0:27:38.120
<v Speaker 1>and then speak. That ended up being part of the show. Um.

0:27:38.440 --> 0:27:42.119
<v Speaker 1>And so that was my first kind of transition into

0:27:42.640 --> 0:27:45.679
<v Speaker 1>doing work and being paid for work. And it was

0:27:45.920 --> 0:27:48.399
<v Speaker 1>still at the time that I was still sleeping on

0:27:48.480 --> 0:27:52.159
<v Speaker 1>the floor. Um. And so there was one night that

0:27:52.240 --> 0:27:54.560
<v Speaker 1>I was like, I I'm going to sleep here in

0:27:54.640 --> 0:28:00.520
<v Speaker 1>the theater, in this abandoned school because I made more

0:28:00.560 --> 0:28:02.399
<v Speaker 1>sense for me to be there. I didn't have to

0:28:02.440 --> 0:28:05.560
<v Speaker 1>be anywhere, you know. And and that's kind of my

0:28:05.680 --> 0:28:09.200
<v Speaker 1>first moment of realizing like how much it fed me,

0:28:09.760 --> 0:28:14.520
<v Speaker 1>how much doing this kind of work in the most obscure,

0:28:15.320 --> 0:28:20.040
<v Speaker 1>strange way but yet magical for me. Everybody else may

0:28:20.200 --> 0:28:24.000
<v Speaker 1>maybe like horrified, but for me, it was so magical

0:28:24.040 --> 0:28:27.359
<v Speaker 1>to connect those dots. And that kind of was the

0:28:27.440 --> 0:28:30.600
<v Speaker 1>turning point for me, because then after that then I

0:28:30.640 --> 0:28:33.840
<v Speaker 1>was like super hyper focused on getting into Shakespeare in

0:28:33.880 --> 0:28:37.320
<v Speaker 1>the Park and super focused on trying to figure out

0:28:38.160 --> 0:28:41.600
<v Speaker 1>what and how what I needed to do to have

0:28:41.760 --> 0:28:46.000
<v Speaker 1>longevity in this business. And so from there it went

0:28:46.040 --> 0:28:49.160
<v Speaker 1>off and I got Shakespeare in the Park welfth Night,

0:28:49.600 --> 0:28:54.200
<v Speaker 1>and I really enjoyed that audition process. I really enjoyed that, um,

0:28:54.360 --> 0:28:58.320
<v Speaker 1>the process of rehearsal um. You know, I really I

0:28:58.360 --> 0:29:00.200
<v Speaker 1>thought that I had made it. I was like, I've

0:29:00.200 --> 0:29:01.640
<v Speaker 1>come here to do shakes me to the Park, New

0:29:01.720 --> 0:29:04.840
<v Speaker 1>York conquered. He'll be yes, I'm you know, spear carrying

0:29:04.960 --> 0:29:08.600
<v Speaker 1>number three. Um, but I did not care, you know.

0:29:08.800 --> 0:29:12.280
<v Speaker 1>I mean, there was the possibility of understudying someone, but

0:29:12.320 --> 0:29:15.440
<v Speaker 1>I was like, whatever, I've made it. Here we go. Um.

0:29:15.560 --> 0:29:18.480
<v Speaker 1>And then at that same time is when I got

0:29:18.760 --> 0:29:21.560
<v Speaker 1>my first film audition. And the film audition was for

0:29:21.800 --> 0:29:24.960
<v Speaker 1>a movie called The Perfect Score. I've done one indie

0:29:25.000 --> 0:29:26.960
<v Speaker 1>film before that, but this was my first kind of

0:29:27.160 --> 0:29:33.600
<v Speaker 1>bigger Wait, this is your first film audition The Perfect Score? Yeah, yeah,

0:29:33.640 --> 0:29:36.040
<v Speaker 1>my first real film audition. The one before, I guess

0:29:36.080 --> 0:29:38.640
<v Speaker 1>it was like an indie film, a New York indie

0:29:38.680 --> 0:29:41.440
<v Speaker 1>film that kind of, you know, was more of a

0:29:41.520 --> 0:29:45.960
<v Speaker 1>homegrown project. This was my first like, hey, this script

0:29:46.000 --> 0:29:49.200
<v Speaker 1>has done, this has been financed, you know, here we go,

0:29:49.720 --> 0:29:53.800
<v Speaker 1>my first Hollywood film, so to speak. So his first audition,

0:29:54.160 --> 0:29:56.600
<v Speaker 1>he ends up landing the role in The Perfect Score

0:29:56.960 --> 0:30:02.040
<v Speaker 1>cast alongside Scarlett Johansson Chris Evans Christensen. What kind of

0:30:02.040 --> 0:30:05.640
<v Speaker 1>a moment was that for you? Oh? You know what?

0:30:06.440 --> 0:30:09.480
<v Speaker 1>It was a moment like, I swear to god, it

0:30:09.600 --> 0:30:13.600
<v Speaker 1>felt like I was in fame, Like I swear, I

0:30:13.680 --> 0:30:16.760
<v Speaker 1>should you not? So I'm in I'm at the public

0:30:16.840 --> 0:30:20.000
<v Speaker 1>theater right and I am, like I said, I'm like

0:30:20.280 --> 0:30:23.479
<v Speaker 1>so chuffed. I'm like, yeah, man, I've made this is

0:30:23.520 --> 0:30:27.560
<v Speaker 1>so great. And I go to the bathroom and i

0:30:27.600 --> 0:30:31.080
<v Speaker 1>see thirteen miss calls and I'm like, what the fuck like?

0:30:31.680 --> 0:30:35.840
<v Speaker 1>And mind you how I got the role was so

0:30:35.920 --> 0:30:39.120
<v Speaker 1>you know, when I said, hey, I've I learned how

0:30:39.160 --> 0:30:41.880
<v Speaker 1>to feed my beast, right, I look, I was. I

0:30:41.880 --> 0:30:45.440
<v Speaker 1>started to be open to the receptors of that as

0:30:45.480 --> 0:30:48.800
<v Speaker 1>an artist, like what can feed me? You know, new perspectives.

0:30:49.120 --> 0:30:52.120
<v Speaker 1>And I've never done yoga, so I go do yoga.

0:30:53.160 --> 0:30:57.640
<v Speaker 1>And I had auditioned already tried to audition for this role.

0:30:57.760 --> 0:31:01.440
<v Speaker 1>You know, I scoured the breakdown of all the auditions

0:31:01.480 --> 0:31:06.000
<v Speaker 1>I'd scoured backstage. I'd learned that every movie needed to

0:31:06.160 --> 0:31:10.080
<v Speaker 1>have a film permit, and they got film permits by

0:31:10.120 --> 0:31:12.880
<v Speaker 1>going down to city Hall. And so from there you

0:31:12.920 --> 0:31:15.120
<v Speaker 1>were able to find out the phone number of a

0:31:15.200 --> 0:31:18.000
<v Speaker 1>production and there was a name so you could call

0:31:18.160 --> 0:31:23.000
<v Speaker 1>and call someone. I mean, you love this, yo, I

0:31:23.080 --> 0:31:28.840
<v Speaker 1>was like laser focus. Yeah, and so anyone out there,

0:31:28.920 --> 0:31:31.400
<v Speaker 1>That's what I'm saying, Like, you can do it man. Anyway,

0:31:31.440 --> 0:31:34.040
<v Speaker 1>So I I find out about this project. I had

0:31:34.040 --> 0:31:36.840
<v Speaker 1>heard about the perfect score they were looking for, you know,

0:31:37.000 --> 0:31:39.960
<v Speaker 1>a character that was originally um, you know, it's just

0:31:40.040 --> 0:31:43.480
<v Speaker 1>a teenager, uh, and then assumed as a white character.

0:31:43.920 --> 0:31:46.320
<v Speaker 1>But I submitted, and then it came around again a

0:31:46.360 --> 0:31:48.840
<v Speaker 1>couple of months later and it was you know, um,

0:31:48.880 --> 0:31:52.840
<v Speaker 1>an African American guy, and then and then nothing. I

0:31:52.880 --> 0:31:56.000
<v Speaker 1>submitted again. Then it said a Latino or African American

0:31:56.520 --> 0:32:00.520
<v Speaker 1>or white, and then it said open ethnicity. And I

0:32:00.600 --> 0:32:03.880
<v Speaker 1>was like, guys, I gotta fall under that, Like come on,

0:32:04.800 --> 0:32:09.520
<v Speaker 1>I'm purple, you know. And so then at that time,

0:32:09.720 --> 0:32:12.880
<v Speaker 1>I go to that yoga class and someone I just

0:32:12.920 --> 0:32:14.920
<v Speaker 1>got to know that was just happened to be next

0:32:14.960 --> 0:32:19.360
<v Speaker 1>to me, and she is a baby print agent and

0:32:19.520 --> 0:32:22.200
<v Speaker 1>you know you you go to have tea or hang

0:32:22.240 --> 0:32:24.760
<v Speaker 1>out afterwards after you again, that's how I discovered that.

0:32:25.240 --> 0:32:27.200
<v Speaker 1>And so I said to him, you know what, there

0:32:27.240 --> 0:32:31.280
<v Speaker 1>was this audition that I have been trying to submit for.

0:32:31.440 --> 0:32:33.880
<v Speaker 1>I think that they would be more receptive to it

0:32:33.960 --> 0:32:36.600
<v Speaker 1>if it came from under the banner of an agency.

0:32:36.640 --> 0:32:39.400
<v Speaker 1>And she's like, you do realize it is literally for

0:32:39.480 --> 0:32:44.840
<v Speaker 1>babies and for prints for baby magazine. That's what she does.

0:32:44.920 --> 0:32:47.040
<v Speaker 1>And I was like, I don't care, just go through it.

0:32:47.560 --> 0:32:50.160
<v Speaker 1>And you know, she submitted me and I got in.

0:32:50.960 --> 0:32:55.640
<v Speaker 1>But anyway, so then ye she calls me like thirteen

0:32:56.040 --> 0:32:59.000
<v Speaker 1>thirteen miss calls and I was like, what is going on? Say?

0:32:59.120 --> 0:33:03.240
<v Speaker 1>I hear the voicemail and she says, hey, after after class,

0:33:03.360 --> 0:33:05.960
<v Speaker 1>come meet me. She's like, you got the You've got

0:33:06.000 --> 0:33:09.200
<v Speaker 1>the role. They're they're talking about offering you this three

0:33:09.240 --> 0:33:12.400
<v Speaker 1>picture deal and this and that, And I never experienced

0:33:12.400 --> 0:33:13.960
<v Speaker 1>any of this stuff. I was like, what is this

0:33:14.080 --> 0:33:17.400
<v Speaker 1>even moving? Right? And so then I go out there

0:33:17.400 --> 0:33:19.440
<v Speaker 1>and I at the public Theater at the time. There

0:33:19.520 --> 0:33:22.880
<v Speaker 1>was these glass doors and with a with a railing

0:33:22.920 --> 0:33:24.520
<v Speaker 1>on it, and I went up to and I just

0:33:24.680 --> 0:33:28.760
<v Speaker 1>kicked open the door and asked door plays like kicked

0:33:28.800 --> 0:33:31.959
<v Speaker 1>open the door, like you know, like, oh, I've made it.

0:33:32.000 --> 0:33:35.160
<v Speaker 1>Here we go. So that was my experience. It was

0:33:35.480 --> 0:33:37.960
<v Speaker 1>super wild man. And you know, I've got to say

0:33:38.000 --> 0:33:42.400
<v Speaker 1>like I went through a bit of a a crisis

0:33:42.440 --> 0:33:46.440
<v Speaker 1>at that time because here I was someone that had

0:33:46.480 --> 0:33:50.600
<v Speaker 1>gotten my dream of being in a part of the

0:33:50.640 --> 0:33:54.200
<v Speaker 1>Shakespeare in the Park production, and I thought, for life,

0:33:54.360 --> 0:33:58.000
<v Speaker 1>I'm just gonna be doing theater for life. Then I

0:33:58.080 --> 0:34:02.520
<v Speaker 1>get this movie and it's you know, an ensemble role,

0:34:02.600 --> 0:34:05.800
<v Speaker 1>and it's one of the leads, and I was so torn.

0:34:05.880 --> 0:34:08.480
<v Speaker 1>So I went to go to see Heidi Griffiths at

0:34:08.680 --> 0:34:11.560
<v Speaker 1>um Jordan's Faylor at the Public there were the Carson

0:34:11.600 --> 0:34:16.480
<v Speaker 1>directors and I said to them, you know, like, oh

0:34:16.520 --> 0:34:18.480
<v Speaker 1>my god, I feel so sad that I had to

0:34:18.480 --> 0:34:22.800
<v Speaker 1>tell them this. And they were like, are you crazy,

0:34:23.120 --> 0:34:27.840
<v Speaker 1>Like what are you talking about? Like, oh, sweet child,

0:34:27.960 --> 0:34:31.960
<v Speaker 1>what are you talking about? And and and they really

0:34:32.000 --> 0:34:34.319
<v Speaker 1>put it into perspective for me that were like, Leo,

0:34:35.160 --> 0:34:38.800
<v Speaker 1>you know your spear carrying number three, and it's wonderful

0:34:38.800 --> 0:34:41.239
<v Speaker 1>that you are part of this. But no one is

0:34:41.280 --> 0:34:44.840
<v Speaker 1>going to go see an Asian Hamlet. They're just not

0:34:44.960 --> 0:34:47.279
<v Speaker 1>going to see that. They're not going to go see

0:34:47.320 --> 0:34:52.400
<v Speaker 1>a Black Hamlet. They're going to see Denzel Washington as Hamlet,

0:34:53.080 --> 0:34:57.040
<v Speaker 1>or or they're gonna see Leonardo nam as that. That's

0:34:57.080 --> 0:34:59.879
<v Speaker 1>the perspective you've got to you've got to start to look.

0:35:00.440 --> 0:35:04.920
<v Speaker 1>And I thought, oh shit, okay, I'll do that. And

0:35:04.960 --> 0:35:07.520
<v Speaker 1>they said, go off and do that, Go do the movies,

0:35:07.560 --> 0:35:09.560
<v Speaker 1>Go do these things that you need to do, and

0:35:09.600 --> 0:35:14.600
<v Speaker 1>then come back and then play this. And I thought, right,

0:35:14.719 --> 0:35:16.880
<v Speaker 1>that's what I'm gonna do. So HI do if you're listening.

0:35:17.440 --> 0:35:24.000
<v Speaker 1>I want to come back. That is so awesome. Oh god,

0:35:24.160 --> 0:35:27.080
<v Speaker 1>I love By the way, did the did the baby

0:35:27.160 --> 0:35:30.960
<v Speaker 1>print agent take ten percent? Oh yeah, oh yeah, she

0:35:31.040 --> 0:35:33.320
<v Speaker 1>talked ten percent? Let me tell you. And I remember

0:35:33.360 --> 0:35:38.520
<v Speaker 1>actually going into I actually broken my own deal. I

0:35:38.600 --> 0:35:41.600
<v Speaker 1>was like the one on the phone with business affairs,

0:35:42.200 --> 0:35:45.280
<v Speaker 1>you know, being like, yeah, okay, we'll hold on please,

0:35:45.600 --> 0:35:47.400
<v Speaker 1>and then I put you know, put them on hold

0:35:47.520 --> 0:35:51.279
<v Speaker 1>as if like I'm my own assistant. And then there

0:35:51.280 --> 0:35:53.560
<v Speaker 1>were these the other baby Print agents and I'd be like,

0:35:53.560 --> 0:35:56.360
<v Speaker 1>what are we gonna do there? What does the schedule

0:35:56.440 --> 0:36:00.160
<v Speaker 1>f mean? They're like I don't know. And I was like, well,

0:36:00.200 --> 0:36:03.560
<v Speaker 1>like just double it. We did literally went in and

0:36:03.560 --> 0:36:05.920
<v Speaker 1>said and then just try to double it. We was

0:36:06.120 --> 0:36:09.840
<v Speaker 1>so like, just went for it. It was great, get it.

0:36:09.920 --> 0:36:12.239
<v Speaker 1>But I learned that you have to ask. You have

0:36:12.320 --> 0:36:16.799
<v Speaker 1>to ask. Um, this movie send your career in an

0:36:16.960 --> 0:36:20.160
<v Speaker 1>entirely new direction. I do have to mention. The next year,

0:36:20.560 --> 0:36:24.120
<v Speaker 1>he gets cast in the Sisterhood of the Traveling Pants

0:36:24.640 --> 0:36:32.120
<v Speaker 1>with notably my old boss coworker Ken Kappas. Oh yes, yes,

0:36:32.719 --> 0:36:37.479
<v Speaker 1>from the pilot. Yeah, what a what an amazing guy

0:36:37.560 --> 0:36:42.759
<v Speaker 1>he is? Huh, what an amazing gem he is. I

0:36:42.800 --> 0:36:46.759
<v Speaker 1>am so grateful that you know, he is such a

0:36:46.880 --> 0:36:53.360
<v Speaker 1>kind and gentle soul with you know, fantastic, fantastic you

0:36:53.360 --> 0:36:57.200
<v Speaker 1>know ability and taste. Really, I mean he cost me

0:36:58.520 --> 0:37:01.880
<v Speaker 1>and it cost you what doing no, but it was

0:37:02.200 --> 0:37:04.799
<v Speaker 1>it was a mixture of not only Ken Corpus, but

0:37:04.880 --> 0:37:07.960
<v Speaker 1>also Deborah Martin Chase, the producer of Sisters of the

0:37:08.000 --> 0:37:11.960
<v Speaker 1>Traveling Pants. It was a you know, based on books,

0:37:12.760 --> 0:37:16.520
<v Speaker 1>pre existing books, and the role was written as a

0:37:16.520 --> 0:37:20.960
<v Speaker 1>blonde hair, blue eyed guy. And it was because Deborah

0:37:20.960 --> 0:37:24.920
<v Speaker 1>Martin Chase had seen me in the Perfect Score, you know,

0:37:25.040 --> 0:37:28.319
<v Speaker 1>she really and Ken had decided that, you know, there

0:37:28.400 --> 0:37:32.439
<v Speaker 1>is opportunity here to expand the story and to really

0:37:32.480 --> 0:37:35.560
<v Speaker 1>delve in deeper and what would what would it be

0:37:35.640 --> 0:37:40.480
<v Speaker 1>like if I came on board the film and it's fantastic.

0:37:40.480 --> 0:37:43.880
<v Speaker 1>I mean, the Sister of the Traveling Pants um audience

0:37:43.960 --> 0:37:46.719
<v Speaker 1>and the fans are just you know, fanatics that are wonderful.

0:37:47.000 --> 0:37:50.319
<v Speaker 1>They gave me belief and hoping myself that the industry

0:37:51.120 --> 0:37:57.399
<v Speaker 1>would want to see actors and characters like me. And

0:37:57.520 --> 0:37:59.800
<v Speaker 1>it made me believe that you know, even though something

0:37:59.880 --> 0:38:02.880
<v Speaker 1>is written a certain way, when if you get wonderful

0:38:02.960 --> 0:38:06.720
<v Speaker 1>minds together, then a whole new world can be cracked open.

0:38:06.920 --> 0:38:09.480
<v Speaker 1>Little did I know that not everyone things like that,

0:38:10.200 --> 0:38:12.160
<v Speaker 1>you know, And I was very lucky that my early

0:38:12.200 --> 0:38:14.360
<v Speaker 1>in my career that I was kind of helped along

0:38:14.400 --> 0:38:17.239
<v Speaker 1>by people like that, and it really you know, said, yeah,

0:38:17.280 --> 0:38:19.600
<v Speaker 1>it really did set my my career in a new

0:38:19.640 --> 0:38:22.240
<v Speaker 1>track because of that. You know, you talked early on

0:38:22.280 --> 0:38:25.839
<v Speaker 1>about not seeing a lot of people that looked like

0:38:26.000 --> 0:38:31.560
<v Speaker 1>you in in the film as a kid that spoke English,

0:38:31.600 --> 0:38:33.840
<v Speaker 1>that spoke English, that was a big deal to that

0:38:33.880 --> 0:38:38.359
<v Speaker 1>spoke English, that lived in a world like mind, having

0:38:38.400 --> 0:38:41.080
<v Speaker 1>experiences like mind, Sorry going no. Do you do you

0:38:41.160 --> 0:38:44.760
<v Speaker 1>think that this this opportunity and sisterhood of the Traveling Pants.

0:38:44.800 --> 0:38:47.799
<v Speaker 1>Do you think that that began to maybe crack that

0:38:47.880 --> 0:38:52.360
<v Speaker 1>door open a little bit for other Asian actors and

0:38:52.360 --> 0:38:55.680
<v Speaker 1>and for for viewers as well to see a more

0:38:55.880 --> 0:39:00.840
<v Speaker 1>diverse canvas if you will. Yeah, you know, it's I

0:39:00.920 --> 0:39:03.920
<v Speaker 1>have to say that. Um. You know, throughout my career,

0:39:04.960 --> 0:39:08.280
<v Speaker 1>people have you know, consistently come up to me and

0:39:08.600 --> 0:39:11.600
<v Speaker 1>talk to me about how impactful it was to see

0:39:11.640 --> 0:39:15.000
<v Speaker 1>my face on the poster of a movie. But we'll

0:39:15.040 --> 0:39:17.719
<v Speaker 1>be like, oh my God, Like, I never knew that

0:39:17.880 --> 0:39:21.479
<v Speaker 1>we could have our face up there. I never knew that.

0:39:21.920 --> 0:39:25.200
<v Speaker 1>And there are people in this industry that have come

0:39:25.239 --> 0:39:27.319
<v Speaker 1>up to me and said, oh, because of seeing you

0:39:27.400 --> 0:39:30.160
<v Speaker 1>and that I have now been decided to take on

0:39:30.200 --> 0:39:32.360
<v Speaker 1>this career and what have you. And sister of the

0:39:32.440 --> 0:39:35.520
<v Speaker 1>Driving Pants also did did do that. And I'll give

0:39:35.560 --> 0:39:38.640
<v Speaker 1>the example of just how one mind was was changed.

0:39:38.719 --> 0:39:42.440
<v Speaker 1>So you know, as you can imagine, people were very

0:39:42.719 --> 0:39:45.160
<v Speaker 1>they're rabid fans of the book. You know obviously as

0:39:45.200 --> 0:39:47.359
<v Speaker 1>to why they made it into a movie. You don't

0:39:47.360 --> 0:39:49.640
<v Speaker 1>want to mess with like fourteen year old girls, man,

0:39:49.800 --> 0:39:52.200
<v Speaker 1>like fourteen year old girls, and they found out was

0:39:52.360 --> 0:39:57.040
<v Speaker 1>something like that is it, mate? You better watch out?

0:39:57.640 --> 0:40:00.879
<v Speaker 1>And I had no idea. And so I remember when

0:40:00.920 --> 0:40:04.080
<v Speaker 1>I did the film, and um I would get these

0:40:04.120 --> 0:40:08.400
<v Speaker 1>this fan mail and um no, always fans because I

0:40:08.440 --> 0:40:10.560
<v Speaker 1>remember this one girl wrote to me and it was

0:40:10.600 --> 0:40:13.279
<v Speaker 1>in like you know, bubble writing with like you know,

0:40:13.400 --> 0:40:16.960
<v Speaker 1>love hearts over the eyes and that kind of stuff, right,

0:40:17.640 --> 0:40:21.440
<v Speaker 1>but it was vicious. It was like, I don't see

0:40:21.480 --> 0:40:25.200
<v Speaker 1>you as this character. You don't look like him. What

0:40:25.320 --> 0:40:28.440
<v Speaker 1>makes you think that you can play him? You're ruining

0:40:28.600 --> 0:40:32.120
<v Speaker 1>this Like that, and I just was like, whoa. And

0:40:32.160 --> 0:40:34.319
<v Speaker 1>it was really kind of a strange feeling. I was

0:40:34.360 --> 0:40:36.120
<v Speaker 1>like kind of looking over my shoulder, being like, oh

0:40:36.120 --> 0:40:37.920
<v Speaker 1>my god, is this fourteen year old girl going to

0:40:38.000 --> 0:40:43.600
<v Speaker 1>be the one that like? But but then, but then

0:40:43.760 --> 0:40:47.720
<v Speaker 1>actually the film came out and that same girl wrote

0:40:47.719 --> 0:40:52.359
<v Speaker 1>to me and she said, I'm sorry that I said that.

0:40:52.880 --> 0:40:56.560
<v Speaker 1>I saw the film and you were wonderful in it.

0:40:57.000 --> 0:40:59.960
<v Speaker 1>You know, you made Brian more than what I thought

0:41:00.040 --> 0:41:03.480
<v Speaker 1>he was going to be. And you know that basically

0:41:03.520 --> 0:41:05.400
<v Speaker 1>now that she was on a fan and on board,

0:41:05.880 --> 0:41:11.360
<v Speaker 1>and I remember being like, what, like, I this random person,

0:41:11.840 --> 0:41:14.560
<v Speaker 1>their mind has been changed? And I think so. I

0:41:14.560 --> 0:41:16.680
<v Speaker 1>think I think it did change people's minds after that

0:41:16.960 --> 0:41:19.680
<v Speaker 1>a little bit, I have to say, you know, it

0:41:19.960 --> 0:41:42.240
<v Speaker 1>must have. I think, yeah, you continue on a number

0:41:42.280 --> 0:41:44.760
<v Speaker 1>of roles. I want to talk a little bit about

0:41:45.000 --> 0:41:49.880
<v Speaker 1>West World. I was so blown away by the story,

0:41:50.200 --> 0:41:56.319
<v Speaker 1>first of all, and the potential I don't know, political

0:41:56.800 --> 0:42:04.520
<v Speaker 1>or geopolitical ramifications of this created world, the class and

0:42:04.880 --> 0:42:10.279
<v Speaker 1>money and control, and um, did you were you given

0:42:10.320 --> 0:42:14.920
<v Speaker 1>the opportunity to read the script before you auditioned? M

0:42:15.840 --> 0:42:19.879
<v Speaker 1>uh no, hell no, are you kidding me? So far?

0:42:19.960 --> 0:42:24.839
<v Speaker 1>Down the totem pole. But I did know very early on.

0:42:25.200 --> 0:42:28.000
<v Speaker 1>You know, I've been very lucky to have people in

0:42:28.000 --> 0:42:32.520
<v Speaker 1>my corner that look at me as as I think

0:42:33.320 --> 0:42:36.200
<v Speaker 1>an actor, as an artist, as someone that can create

0:42:36.560 --> 0:42:39.280
<v Speaker 1>a character. And so there was the Custo and director

0:42:39.360 --> 0:42:41.960
<v Speaker 1>John poppsy Darius, someone that has you know, for the

0:42:42.040 --> 0:42:45.200
<v Speaker 1>longest time would bring me in on things, you know,

0:42:45.280 --> 0:42:50.960
<v Speaker 1>someone that reflects back to you, like the the idea that, um,

0:42:51.040 --> 0:42:54.239
<v Speaker 1>you can possibly play these roles Like I'd always be like,

0:42:54.560 --> 0:42:56.839
<v Speaker 1>you think I can play this role? Like wow, very

0:42:56.880 --> 0:42:59.640
<v Speaker 1>like I was. I was really flattered, you know, like

0:42:59.719 --> 0:43:01.719
<v Speaker 1>every time it would be a role that I'm like

0:43:01.880 --> 0:43:06.400
<v Speaker 1>what wow? Um. And so when this role came around,

0:43:07.200 --> 0:43:10.160
<v Speaker 1>you know, I was in down in the dumps in

0:43:10.200 --> 0:43:14.400
<v Speaker 1>regards to the industry, and I had a really hard time,

0:43:14.800 --> 0:43:19.759
<v Speaker 1>you know, trying to uh find and reinvent myself. You know,

0:43:20.200 --> 0:43:22.279
<v Speaker 1>people had seen me for so long as only like

0:43:22.320 --> 0:43:26.120
<v Speaker 1>a young teenager. And then again with the industry, there

0:43:26.200 --> 0:43:29.000
<v Speaker 1>just wasn't a lot of opportunity for people that look

0:43:29.080 --> 0:43:32.759
<v Speaker 1>like me. I turned down other roles, and little did

0:43:32.760 --> 0:43:35.959
<v Speaker 1>I know that in turning down those roles, there would

0:43:36.040 --> 0:43:39.359
<v Speaker 1>not be other lead roles that for people that look

0:43:39.440 --> 0:43:41.560
<v Speaker 1>like it just didn't exist, and I kept being like, no,

0:43:41.680 --> 0:43:43.319
<v Speaker 1>I don't want to do that stuff. I want to

0:43:43.320 --> 0:43:46.280
<v Speaker 1>do this kind of work. So ironically, in a way,

0:43:46.440 --> 0:43:49.440
<v Speaker 1>the lowest point in my career where really in this

0:43:49.520 --> 0:43:53.240
<v Speaker 1>really hard place that I was at, this little gift

0:43:53.320 --> 0:43:57.440
<v Speaker 1>came in again from someone that has the vision like John,

0:43:57.960 --> 0:44:01.239
<v Speaker 1>and they asked me to come into play this role

0:44:01.600 --> 0:44:04.360
<v Speaker 1>of Felix of it was just called LUTs at the time,

0:44:05.320 --> 0:44:08.120
<v Speaker 1>and he gave me an idea and a breakdown of

0:44:08.239 --> 0:44:10.880
<v Speaker 1>what the story is and just a little bit of

0:44:10.920 --> 0:44:14.399
<v Speaker 1>information and he basically said, you know, come in and

0:44:15.120 --> 0:44:19.160
<v Speaker 1>you know, go nuts, go go do magic um. And

0:44:19.200 --> 0:44:22.640
<v Speaker 1>what I've always loved about going into to see people

0:44:22.680 --> 0:44:25.560
<v Speaker 1>like John Papsida and other other fantastic cast and directors

0:44:25.640 --> 0:44:28.839
<v Speaker 1>or producers or directors that think in this way, they

0:44:28.880 --> 0:44:32.760
<v Speaker 1>always have me in the room with other random types.

0:44:33.360 --> 0:44:35.399
<v Speaker 1>You know, if there was like a sixth year old

0:44:35.440 --> 0:44:37.960
<v Speaker 1>you know African American lady and I are playing, are

0:44:38.040 --> 0:44:40.719
<v Speaker 1>going in for the same role as well as you know,

0:44:41.440 --> 0:44:44.239
<v Speaker 1>a forty year old you know, Latin guy, and we're

0:44:44.239 --> 0:44:47.359
<v Speaker 1>all going in for the same kind of particular role.

0:44:48.000 --> 0:44:50.279
<v Speaker 1>So so I go in for the audition and it's

0:44:50.320 --> 0:44:52.600
<v Speaker 1>a whole bunch of different people and I just was like,

0:44:52.680 --> 0:44:55.360
<v Speaker 1>oh my god, oh shit. But what I wanted to

0:44:55.440 --> 0:44:57.440
<v Speaker 1>really play with this character and I thought would be

0:44:57.480 --> 0:45:01.520
<v Speaker 1>really interesting is that this guy that just finding in

0:45:01.640 --> 0:45:05.560
<v Speaker 1>himself his own awakening. One of the questions that they're

0:45:05.560 --> 0:45:09.160
<v Speaker 1>asking was the evolution of sin, and I just thought,

0:45:09.200 --> 0:45:11.640
<v Speaker 1>Oh my god, wouldn't this be I just kept getting

0:45:11.680 --> 0:45:14.080
<v Speaker 1>this image of like a dove. This guy was like

0:45:14.120 --> 0:45:18.239
<v Speaker 1>a dove in this theme park, and so this whole

0:45:18.320 --> 0:45:21.200
<v Speaker 1>idea of like pure and innocence and then disawakening of

0:45:21.360 --> 0:45:24.160
<v Speaker 1>this dove that then has to go out there and like,

0:45:24.400 --> 0:45:25.960
<v Speaker 1>you know, I don't know what he's gonna have to do,

0:45:26.040 --> 0:45:29.440
<v Speaker 1>but like this innocence and then just this birth that happens,

0:45:29.520 --> 0:45:34.160
<v Speaker 1>and so taking that with me and then also the

0:45:33.280 --> 0:45:38.040
<v Speaker 1>the name in itself LUTs, I was like, oh, it's

0:45:38.080 --> 0:45:41.839
<v Speaker 1>like lots and lots of love, like and so I

0:45:41.920 --> 0:45:45.400
<v Speaker 1>kind of started to play around with this whole concept

0:45:45.480 --> 0:45:49.440
<v Speaker 1>of you know, having an awakening about love, um and

0:45:49.520 --> 0:45:52.439
<v Speaker 1>in this world where you know, they don't have love,

0:45:52.520 --> 0:45:54.960
<v Speaker 1>or this idea that they don't know how to feel

0:45:55.000 --> 0:45:57.799
<v Speaker 1>love or what that is that I have that. So

0:45:57.920 --> 0:46:00.680
<v Speaker 1>that's kind of what I tried to to hold on

0:46:00.800 --> 0:46:05.040
<v Speaker 1>too as I as I went through the audition process

0:46:05.120 --> 0:46:09.719
<v Speaker 1>and I didn't get access to the script um. And

0:46:09.760 --> 0:46:12.480
<v Speaker 1>even while we were filming, you know, I didn't for

0:46:12.520 --> 0:46:14.440
<v Speaker 1>the first season, I didn't get access to the script.

0:46:14.520 --> 0:46:17.000
<v Speaker 1>I'd just be called in for the scenes I needed

0:46:17.040 --> 0:46:19.560
<v Speaker 1>to do the days I needed to work. All the

0:46:19.600 --> 0:46:23.640
<v Speaker 1>stuff was blacked out around me. So you know, I

0:46:23.719 --> 0:46:28.600
<v Speaker 1>knew that it was written, but literally nothing could see nothing, um.

0:46:28.800 --> 0:46:31.960
<v Speaker 1>And so I was the guy on set where you know,

0:46:32.040 --> 0:46:34.560
<v Speaker 1>we we do these rehearsals and and the writers would

0:46:34.560 --> 0:46:37.520
<v Speaker 1>be there and I'd be like, um, I've got a question. Um,

0:46:37.840 --> 0:46:40.920
<v Speaker 1>you know, why does it say he grabs the door knob,

0:46:41.239 --> 0:46:43.759
<v Speaker 1>like because he's got to leave. I'm like, but why

0:46:43.800 --> 0:46:46.160
<v Speaker 1>did you write that? Like why can't he do this?

0:46:46.239 --> 0:46:48.200
<v Speaker 1>Why can't you do that? Why can't he push it?

0:46:48.280 --> 0:46:51.120
<v Speaker 1>Like I would just always be that guy that's asking

0:46:51.160 --> 0:46:53.080
<v Speaker 1>all these questions. I'd be like, I'm sorry, I have

0:46:53.120 --> 0:46:56.280
<v Speaker 1>to because there is no access to any other parts

0:46:56.280 --> 0:46:58.600
<v Speaker 1>of it. And so many times they they they'd have

0:46:58.760 --> 0:47:02.760
<v Speaker 1>they'd say, I wish I could tell you, I wish

0:47:02.840 --> 0:47:05.839
<v Speaker 1>I could tell you, I just I just can't. But

0:47:05.840 --> 0:47:08.000
<v Speaker 1>but if you feel that you go for it, you

0:47:08.360 --> 0:47:10.680
<v Speaker 1>just go for it and then the director will will

0:47:10.840 --> 0:47:14.399
<v Speaker 1>will reel you in in that way. And so that's

0:47:14.480 --> 0:47:17.440
<v Speaker 1>kind of how it started. And I would every time

0:47:17.480 --> 0:47:22.200
<v Speaker 1>I would go into set, two things would happen. My

0:47:22.600 --> 0:47:25.279
<v Speaker 1>I needed to have an entry point each time. And

0:47:25.320 --> 0:47:27.960
<v Speaker 1>so I recognized that after we did the pilot that

0:47:28.080 --> 0:47:30.080
<v Speaker 1>was like a six month break and then we you know,

0:47:30.120 --> 0:47:33.960
<v Speaker 1>started shooting the series, that it was going to be

0:47:34.000 --> 0:47:38.280
<v Speaker 1>really sporadic for me. And so I was discovering opera

0:47:38.640 --> 0:47:42.239
<v Speaker 1>at the time, and it was just something that I

0:47:42.280 --> 0:47:47.279
<v Speaker 1>happened to stumble upon. Then started to use opera as

0:47:47.400 --> 0:47:51.800
<v Speaker 1>my way into two play lot interesting getting into westwell,

0:47:51.840 --> 0:47:56.400
<v Speaker 1>because they needed to have a feeling of change. Everything

0:47:56.640 --> 0:48:00.640
<v Speaker 1>just changes the vibration. And so what we shot in

0:48:00.680 --> 0:48:03.080
<v Speaker 1>Santa Clarita, it took me forty minutes to drive up there.

0:48:03.120 --> 0:48:05.239
<v Speaker 1>I would listen to opera and it would be a

0:48:05.560 --> 0:48:08.840
<v Speaker 1>way of changing everything, and then I would receive the

0:48:08.840 --> 0:48:14.399
<v Speaker 1>script and go in with that mindset. Wow. Yeah, it's

0:48:14.400 --> 0:48:18.200
<v Speaker 1>interesting too because the show itself and some of those

0:48:18.760 --> 0:48:22.359
<v Speaker 1>early scenes in the lab, is that the right word

0:48:22.440 --> 0:48:26.880
<v Speaker 1>in the lab Lab and the body shop. The body shop,

0:48:26.920 --> 0:48:31.600
<v Speaker 1>they yeah, yeah, kind of have an operaretic feel to

0:48:31.760 --> 0:48:38.400
<v Speaker 1>them in a way. And your preciseness of movement within

0:48:38.440 --> 0:48:46.719
<v Speaker 1>a world of robots basically very interesting, fascinating. Thanks man I,

0:48:47.160 --> 0:48:49.560
<v Speaker 1>it was you know, so much of that first season

0:48:49.920 --> 0:48:53.120
<v Speaker 1>everyone was asking am I a host or am my humans?

0:48:54.400 --> 0:48:58.440
<v Speaker 1>And you know, I didn't know. The creators wouldn't tell

0:48:58.480 --> 0:49:02.120
<v Speaker 1>me either. They just played this scene and these are

0:49:02.120 --> 0:49:04.279
<v Speaker 1>the boundaries, and there's you know, and this is what

0:49:04.320 --> 0:49:08.800
<v Speaker 1>we're talking about. Um. But one thing that I will

0:49:09.200 --> 0:49:13.839
<v Speaker 1>never forget is that Jonah would always say to me, Leo,

0:49:13.960 --> 0:49:18.520
<v Speaker 1>this is entertainment. All of this is happening and all,

0:49:18.840 --> 0:49:21.000
<v Speaker 1>but at the end of the day, it's entertainment. You've

0:49:21.000 --> 0:49:25.080
<v Speaker 1>got to entertain. And so that was my the way

0:49:25.120 --> 0:49:30.080
<v Speaker 1>I interpreted that was everything that you do on screen

0:49:30.400 --> 0:49:37.960
<v Speaker 1>has to be breathtaking, has to be super hyper focused,

0:49:38.239 --> 0:49:42.040
<v Speaker 1>because the scenes that we did were super quiet, were

0:49:42.120 --> 0:49:44.880
<v Speaker 1>very quiet, and they could be very boring, and they

0:49:44.920 --> 0:49:48.440
<v Speaker 1>could be, but I needed to find something that that

0:49:48.520 --> 0:49:51.440
<v Speaker 1>would heighten it. And so that also, to me, was

0:49:51.760 --> 0:49:56.040
<v Speaker 1>the reason why I used opera as well, because it's

0:49:56.080 --> 0:50:00.319
<v Speaker 1>life or death. You know, like everything that this guy

0:50:00.360 --> 0:50:03.920
<v Speaker 1>that Letts was doing was life or death. I'm a target.

0:50:05.000 --> 0:50:10.239
<v Speaker 1>Or what I also saw was I now see humanity

0:50:10.320 --> 0:50:14.560
<v Speaker 1>and love in something else that I've never seen. And

0:50:14.640 --> 0:50:17.400
<v Speaker 1>so then that is the awakening for me. And once

0:50:17.640 --> 0:50:21.799
<v Speaker 1>once you see that, you can never unsee that. So

0:50:22.120 --> 0:50:24.800
<v Speaker 1>that's what I held onto as as I was filming.

0:50:26.320 --> 0:50:30.279
<v Speaker 1>I love that nominated for a SAG Award for Outstanding

0:50:30.400 --> 0:50:36.560
<v Speaker 1>Ensemble for a Drama Series. That must have been fun, right,

0:50:37.000 --> 0:50:40.080
<v Speaker 1>Oh man, it was so fun, And I've got to say,

0:50:40.160 --> 0:50:42.920
<v Speaker 1>like it was so wonderful. I worked, you know, a

0:50:42.920 --> 0:50:46.839
<v Speaker 1>lot with Tandy Way, and her leadership is something I'm

0:50:46.880 --> 0:50:51.759
<v Speaker 1>never going to forget, like her lovely way of including everyone,

0:50:52.400 --> 0:50:56.120
<v Speaker 1>of really kind of cheering on everyone. And so when

0:50:56.239 --> 0:50:59.160
<v Speaker 1>when that nomination came by, I remember she called me

0:50:59.160 --> 0:51:03.000
<v Speaker 1>and she and she said we did it. We did it,

0:51:04.080 --> 0:51:09.200
<v Speaker 1>And I was like, wow, like we you did? Like

0:51:09.280 --> 0:51:12.640
<v Speaker 1>what are you talking about? Right? But just her way

0:51:12.680 --> 0:51:15.759
<v Speaker 1>of you know, really kind of bringing everyone in and

0:51:15.800 --> 0:51:20.320
<v Speaker 1>saying no, it was like all at what we're talking about,

0:51:20.320 --> 0:51:22.520
<v Speaker 1>like this evolution of sin, of these themes, and that

0:51:22.560 --> 0:51:25.840
<v Speaker 1>would have you that stuff bled out onto the set

0:51:25.920 --> 0:51:30.040
<v Speaker 1>like we would talk about humanity. We would talk about

0:51:30.120 --> 0:51:35.280
<v Speaker 1>what it means to be human between ourselves. In between tapes,

0:51:35.800 --> 0:51:38.560
<v Speaker 1>we would talk I was just having kids at that time,

0:51:38.640 --> 0:51:41.960
<v Speaker 1>and she had kids already, and we would talk about,

0:51:42.320 --> 0:51:45.560
<v Speaker 1>you know, what it means to now be in the

0:51:45.600 --> 0:51:49.160
<v Speaker 1>presence of another soul that is here. And I was

0:51:49.400 --> 0:51:53.000
<v Speaker 1>just trying to figure out what's happening, you know, Like

0:51:53.040 --> 0:51:54.680
<v Speaker 1>I was like, what are you? What's going on? And

0:51:55.480 --> 0:51:58.680
<v Speaker 1>this is crazy, you know, and and so a lot

0:51:58.719 --> 0:52:02.000
<v Speaker 1>of that was also like involved in the scenes, and

0:52:02.040 --> 0:52:05.120
<v Speaker 1>so it was so wonderful to hear when she called

0:52:05.160 --> 0:52:07.200
<v Speaker 1>me and was like, we did it. It It was wonderful.

0:52:07.800 --> 0:52:09.920
<v Speaker 1>It was great. It was a great feeling. Pretty part

0:52:09.920 --> 0:52:15.080
<v Speaker 1>of that uh in you hosted HBO celebration of the

0:52:15.080 --> 0:52:21.200
<v Speaker 1>Asian Pacific American Visionaries Showcase. How cool was that to

0:52:21.280 --> 0:52:25.080
<v Speaker 1>be a part of that competition and that celebration. First

0:52:25.120 --> 0:52:28.319
<v Speaker 1>of all, is wonderful to know that um HBO was

0:52:28.600 --> 0:52:32.359
<v Speaker 1>backing something like this right um where they're looking for

0:52:32.480 --> 0:52:36.080
<v Speaker 1>to give opportunities and give breaks to people and and

0:52:36.160 --> 0:52:40.399
<v Speaker 1>specifically people that of the A p I community so

0:52:40.440 --> 0:52:45.080
<v Speaker 1>that they can learn to in a way make refined work.

0:52:45.480 --> 0:52:48.520
<v Speaker 1>Because if you haven't been given an opportunity over the years,

0:52:48.560 --> 0:52:51.600
<v Speaker 1>you don't know how to out keep elevating the work,

0:52:51.920 --> 0:52:54.239
<v Speaker 1>and so it was really important for me too. And

0:52:54.280 --> 0:52:56.440
<v Speaker 1>I was so flattered that they invited me to be

0:52:56.480 --> 0:53:00.000
<v Speaker 1>a part of that because I then started to connect

0:53:00.320 --> 0:53:04.279
<v Speaker 1>with new filmmakers and it's wonderful to be a part

0:53:04.320 --> 0:53:06.280
<v Speaker 1>of that. It kind of gives you fresh eyes again

0:53:06.560 --> 0:53:08.640
<v Speaker 1>in that same way of you know, when I played

0:53:08.640 --> 0:53:11.799
<v Speaker 1>Ozric for the first time or yeah, I was like, Oh,

0:53:11.880 --> 0:53:15.360
<v Speaker 1>this is fantastic, Wow, so passionate about this that it

0:53:15.480 --> 0:53:17.400
<v Speaker 1>was so interesting to be on the other side of

0:53:17.440 --> 0:53:20.600
<v Speaker 1>that and to see these filmmakers that it knew that

0:53:21.160 --> 0:53:24.480
<v Speaker 1>you know, just like bursting out of their skin, just

0:53:24.640 --> 0:53:28.799
<v Speaker 1>wanting to tell these stories and pouring their hard into it.

0:53:28.800 --> 0:53:31.000
<v Speaker 1>It was great. It was super wonderful and and it

0:53:31.120 --> 0:53:35.040
<v Speaker 1>continues on, you know, the HBO Visionaries. I can't wait

0:53:35.040 --> 0:53:37.279
<v Speaker 1>to see what they're going to do next. Man. Yeah,

0:53:37.719 --> 0:53:39.760
<v Speaker 1>let me ask you this. Do you feel a sense

0:53:39.840 --> 0:53:44.880
<v Speaker 1>of responsibility in terms of representing both the Asian American

0:53:44.920 --> 0:53:50.600
<v Speaker 1>community the LGBTQ communities through your work or do you

0:53:50.840 --> 0:53:54.640
<v Speaker 1>feel like you're just a guy playing a character, Like

0:53:54.719 --> 0:53:58.640
<v Speaker 1>how important is it for you your identity or is

0:53:58.719 --> 0:54:00.959
<v Speaker 1>it for you just about out the work and trying

0:54:01.000 --> 0:54:06.239
<v Speaker 1>to normalize those aspects of yourself, you know, I it's

0:54:06.280 --> 0:54:10.560
<v Speaker 1>a really interesting question that I hope we can continue

0:54:10.600 --> 0:54:12.239
<v Speaker 1>to be asked over the years, because I think it's

0:54:12.280 --> 0:54:16.200
<v Speaker 1>going to change. So back in the day, UM, when

0:54:16.280 --> 0:54:18.680
<v Speaker 1>I first started, there was no way that you could

0:54:18.719 --> 0:54:22.600
<v Speaker 1>be someone that is out, that is gay, that also

0:54:23.000 --> 0:54:26.800
<v Speaker 1>that is a non white male as the lead telling

0:54:27.080 --> 0:54:32.040
<v Speaker 1>these non white male stories because everything was centered around that. Um.

0:54:32.560 --> 0:54:38.760
<v Speaker 1>Now I feel like there is more space for stories

0:54:38.880 --> 0:54:42.919
<v Speaker 1>to be told that are focused on other narratives as well,

0:54:43.520 --> 0:54:48.160
<v Speaker 1>And my responsibility within that is to be the best

0:54:48.239 --> 0:54:51.120
<v Speaker 1>actor that I can be to tell the stories, to

0:54:51.200 --> 0:54:54.160
<v Speaker 1>give life and breath to those voices that would otherwise

0:54:54.239 --> 0:54:58.480
<v Speaker 1>be unheard. But I also recognize that I am in

0:54:58.560 --> 0:55:01.879
<v Speaker 1>a position where I do need to say something by

0:55:01.920 --> 0:55:04.680
<v Speaker 1>the very being of who I am, and part of

0:55:04.840 --> 0:55:08.719
<v Speaker 1>that journey for me has also become in has has

0:55:08.760 --> 0:55:13.360
<v Speaker 1>happened in becoming a father. My journey in being a

0:55:13.520 --> 0:55:18.120
<v Speaker 1>father and finding my voice in a community that has

0:55:18.200 --> 0:55:22.320
<v Speaker 1>been under served and underrepresented, and to normalize that is

0:55:22.440 --> 0:55:24.120
<v Speaker 1>part of now my journey too, So it's kind of

0:55:24.160 --> 0:55:26.759
<v Speaker 1>a two pronged thing that happens. You know, for the

0:55:26.880 --> 0:55:30.680
<v Speaker 1>longest time, I was only of the thought that you

0:55:30.880 --> 0:55:34.480
<v Speaker 1>do your work as the actor and nothing else can

0:55:34.600 --> 0:55:38.840
<v Speaker 1>come into it. You, by your very presence is political.

0:55:39.880 --> 0:55:44.200
<v Speaker 1>That's that's it, that's your power. And now I feel

0:55:44.360 --> 0:55:49.359
<v Speaker 1>like it's shifting and it's changing. And definitely you, by

0:55:49.400 --> 0:55:53.080
<v Speaker 1>your very nature that's still is very much true, is political,

0:55:54.160 --> 0:55:57.080
<v Speaker 1>by the very nature of who you are in that role,

0:55:57.400 --> 0:55:59.480
<v Speaker 1>doing the work that you do, bringing the life that

0:55:59.560 --> 0:56:04.520
<v Speaker 1>you do. But I also recognize that we have now,

0:56:04.760 --> 0:56:07.759
<v Speaker 1>because of the technology of these different platforms, these other

0:56:07.840 --> 0:56:13.440
<v Speaker 1>opportunities to be the face of or to represent another

0:56:13.520 --> 0:56:16.279
<v Speaker 1>part of the community. And it's important that we do,

0:56:17.000 --> 0:56:21.439
<v Speaker 1>I think, because it's important that we keep showing these

0:56:21.760 --> 0:56:24.960
<v Speaker 1>um these different facets and sides of a community that

0:56:25.360 --> 0:56:29.320
<v Speaker 1>has never been seen and has been marginalized. So I

0:56:29.520 --> 0:56:33.120
<v Speaker 1>now do take more responsibility of that. Part of that

0:56:33.440 --> 0:56:38.800
<v Speaker 1>responsibility is now turned into producing projects, you know, that

0:56:39.000 --> 0:56:45.200
<v Speaker 1>where I now see opportunities that like the HBO Visionary Awards.

0:56:45.239 --> 0:56:48.640
<v Speaker 1>But I started to get access to these young filmmakers

0:56:48.960 --> 0:56:51.400
<v Speaker 1>and these these storytellers where I now am able to

0:56:51.480 --> 0:56:55.160
<v Speaker 1>say Oh, actually, that's so interesting. I wrote resonate with

0:56:55.280 --> 0:56:57.640
<v Speaker 1>that I can connect you with these other people to

0:56:57.800 --> 0:57:04.000
<v Speaker 1>hopefully make space in the entertainment industry for that story.

0:57:04.600 --> 0:57:07.360
<v Speaker 1>Um So I think, I think, um, it's only going

0:57:07.400 --> 0:57:10.400
<v Speaker 1>to keep growing. Um but I do hope that we

0:57:10.880 --> 0:57:13.440
<v Speaker 1>that you know, we we keep asking this question, and

0:57:13.840 --> 0:57:17.640
<v Speaker 1>in another ten fifteen years it will be different, right,

0:57:17.840 --> 0:57:22.200
<v Speaker 1>it'll yeah, it'll be different. It will be evolved. Who

0:57:22.240 --> 0:57:26.120
<v Speaker 1>knows what. Yeah. I love that you've gotten into producing

0:57:26.240 --> 0:57:29.920
<v Speaker 1>and you're accessing those young filmmakers that HBO is is

0:57:30.000 --> 0:57:33.640
<v Speaker 1>highlighting and isn't that kind of the point. So that's

0:57:34.160 --> 0:57:38.520
<v Speaker 1>that's that's awesome. I can't say goodbye without mentioning, Maggie,

0:57:38.960 --> 0:57:44.800
<v Speaker 1>your new show on Hulu with my old pound Angelique

0:57:44.840 --> 0:57:50.280
<v Speaker 1>cabral Uh. Very different by the way, than a lot

0:57:50.360 --> 0:57:54.880
<v Speaker 1>of your other work. Romantic Comedy is very different than

0:57:55.040 --> 0:57:59.960
<v Speaker 1>than West World. I know you play Amy, played by Angelique,

0:58:00.800 --> 0:58:04.360
<v Speaker 1>her fiance. She is a psychic. My question for you

0:58:05.120 --> 0:58:09.240
<v Speaker 1>is our psychics real? Oh? Yeah, I think psychics are real.

0:58:09.800 --> 0:58:11.920
<v Speaker 1>Let me tell you a man, like there are so

0:58:12.080 --> 0:58:15.600
<v Speaker 1>many times that that someone has said something and then

0:58:15.640 --> 0:58:19.040
<v Speaker 1>it happens that you're like That's where some people are

0:58:19.120 --> 0:58:21.440
<v Speaker 1>just more in tune with that kind of stuff, Like

0:58:21.680 --> 0:58:23.200
<v Speaker 1>they can say I feel like this is gonna and

0:58:23.240 --> 0:58:26.120
<v Speaker 1>then it happens, and I'm like, well, that's a little

0:58:26.160 --> 0:58:28.840
<v Speaker 1>crazy that, you know, every time you say it's going

0:58:28.880 --> 0:58:30.760
<v Speaker 1>to happen, it happens. So I've met people like that,

0:58:31.480 --> 0:58:33.120
<v Speaker 1>but yeah, you know, doing that role on like on

0:58:33.280 --> 0:58:38.680
<v Speaker 1>Maggie was like such a interesting muscle for me to use,

0:58:39.000 --> 0:58:42.000
<v Speaker 1>and I wanted to do that. I wanted to swing

0:58:42.200 --> 0:58:46.760
<v Speaker 1>into comedy, and I wanted to swing into something that

0:58:46.920 --> 0:58:50.120
<v Speaker 1>didn't necessarily have to be a network show or you know,

0:58:50.360 --> 0:58:52.680
<v Speaker 1>a streamer show, but I knew I wanted to play

0:58:52.720 --> 0:58:56.120
<v Speaker 1>in the comedy space. And once I started to read

0:58:56.280 --> 0:59:00.080
<v Speaker 1>for Maggie and that started to become a reality, it

0:59:00.320 --> 0:59:04.160
<v Speaker 1>was such an interesting brain shift for me. You know,

0:59:04.200 --> 0:59:07.040
<v Speaker 1>I've never been in a show that's just like an

0:59:07.080 --> 0:59:10.000
<v Speaker 1>episode episodic show. I guess I've never done that before,

0:59:10.040 --> 0:59:12.640
<v Speaker 1>and it's a different beast and the way that that

0:59:12.840 --> 0:59:17.760
<v Speaker 1>comedy rooms are run, and and also we shotted during COVID.

0:59:17.840 --> 0:59:21.360
<v Speaker 1>It was also another weird experience. But I've got to

0:59:21.400 --> 0:59:24.040
<v Speaker 1>say I really enjoyed it. I I really love that

0:59:24.160 --> 0:59:27.000
<v Speaker 1>I stretched myself to play that, and I hope it

0:59:27.120 --> 0:59:30.320
<v Speaker 1>was funny. I hope it was really entertaining for people.

0:59:30.800 --> 0:59:34.120
<v Speaker 1>And yeah, I think Maggie is so fun and so

0:59:34.360 --> 0:59:37.160
<v Speaker 1>great for you to show a different side of yourself.

0:59:37.680 --> 0:59:42.280
<v Speaker 1>You know, you and Angelique together both you know, amazing

0:59:42.600 --> 0:59:44.680
<v Speaker 1>in your own ways. Seeing the two of you playing

0:59:44.720 --> 0:59:48.760
<v Speaker 1>together is super super fun for me. Oh thanks man,

0:59:48.840 --> 0:59:50.960
<v Speaker 1>it was fun. It's fun to play fund to play

0:59:51.000 --> 0:59:52.680
<v Speaker 1>with her, fun to play with everyone on that on

0:59:52.800 --> 0:59:55.600
<v Speaker 1>that show, Um and I and I've got to say

0:59:55.640 --> 0:59:57.960
<v Speaker 1>I love that. You know, when when I came on

0:59:58.040 --> 1:00:01.320
<v Speaker 1>board that show that they were really into the improv. Oh,

1:00:01.560 --> 1:00:04.880
<v Speaker 1>there was a lot of impro Oh okay, great, Yeah,

1:00:05.000 --> 1:00:09.000
<v Speaker 1>I was like, great, let's go, you know, um and

1:00:09.160 --> 1:00:12.080
<v Speaker 1>I then I had to learn the boundaries of that,

1:00:12.360 --> 1:00:18.840
<v Speaker 1>you know. I was like, oh, okay, you know, Um,

1:00:19.680 --> 1:00:25.240
<v Speaker 1>you are so delightful and so interesting and I wish

1:00:25.320 --> 1:00:28.680
<v Speaker 1>you nothing but the best coming up. I know you've

1:00:28.720 --> 1:00:31.000
<v Speaker 1>got a bunch more projects. You come back and talk

1:00:31.080 --> 1:00:34.680
<v Speaker 1>to me when Hummingbird comes out, and I look forward

1:00:34.720 --> 1:00:36.920
<v Speaker 1>to to speaking with you again and to continue to

1:00:36.960 --> 1:00:39.280
<v Speaker 1>watch your career. I'm a big fan. So thank you

1:00:39.440 --> 1:00:42.000
<v Speaker 1>so much, Leo for a man. I'm a big fan

1:00:42.080 --> 1:00:58.640
<v Speaker 1>of yours too, cheer. Thank you all right, jis mate Leo.

1:00:59.640 --> 1:01:02.480
<v Speaker 1>Thank you so much for stopping by today. It was

1:01:02.560 --> 1:01:04.560
<v Speaker 1>so great to get to know you and to hear

1:01:04.640 --> 1:01:07.760
<v Speaker 1>your story. I can't wait to see what you come

1:01:07.800 --> 1:01:11.840
<v Speaker 1>out with next. And to you listeners, thanks for tuning

1:01:11.880 --> 1:01:15.360
<v Speaker 1>in to another episode. I hope you have a fantastic

1:01:16.080 --> 1:01:18.720
<v Speaker 1>rest of your week. Don't forget to follow us on

1:01:19.080 --> 1:01:21.880
<v Speaker 1>at Off the Beat, and please go leave us a

1:01:21.920 --> 1:01:25.880
<v Speaker 1>review on Apple Podcasts. Give us five stars, make a

1:01:26.000 --> 1:01:29.840
<v Speaker 1>comment something. I can't tell you how much that helps us,

1:01:30.480 --> 1:01:34.000
<v Speaker 1>And with that I will bid you all in the

1:01:34.040 --> 1:01:38.440
<v Speaker 1>words of shakespeare ade. I don't know if that's Shakespeare

1:01:38.520 --> 1:01:49.960
<v Speaker 1>or not, but we'll see you next time. Off the

1:01:50.040 --> 1:01:53.880
<v Speaker 1>Beat is hosted an executive produced by me Brian Baumgartner,

1:01:54.160 --> 1:01:59.320
<v Speaker 1>alongside our executive producer Langley. Our producers are Diego Tapia,

1:01:59.600 --> 1:02:03.800
<v Speaker 1>Liz Has, Hannah Harris, and Emily Carr. Our talent producer

1:02:04.120 --> 1:02:08.280
<v Speaker 1>is Ryan Papa Zachary, and our intern is Sammy Katz.

1:02:08.720 --> 1:02:12.280
<v Speaker 1>Our theme song Bubble and Squeak performed by my great

1:02:12.360 --> 1:02:15.920
<v Speaker 1>friend Greed Bratton, and the episode was mixed by Seth

1:02:16.000 --> 1:02:16.680
<v Speaker 1>Olandski