1
00:00:00,400 --> 00:00:03,600
Speaker 1: Warning today's episode can you need spoilers for Alien Earth

2
00:00:03,720 --> 00:00:23,280
Speaker 1: episode six? Hello, my name is Jason Deutepcio and I'm

3
00:00:23,360 --> 00:00:26,680
Speaker 1: Rosy Night and welcome back to X Revision, the podcast

4
00:00:26,720 --> 00:00:30,360
Speaker 1: where we dive deep for their face hugger into your

5
00:00:30,400 --> 00:00:33,120
Speaker 1: favorite shows, these comics of pop culture comedy. You from

6
00:00:33,159 --> 00:00:35,040
Speaker 1: my heart where we're bringing you three episodes a week

7
00:00:35,200 --> 00:00:37,400
Speaker 1: plus new Sunturday, no Sun Saturday.

8
00:00:37,880 --> 00:00:40,919
Speaker 2: In today's episode, the kids are not all right? Who

9
00:00:41,000 --> 00:00:45,120
Speaker 2: would have ever imagined that thinking that ten year olds

10
00:00:45,159 --> 00:00:48,120
Speaker 2: could be in the bodies of adults and deal with

11
00:00:48,200 --> 00:00:51,839
Speaker 2: horrific aliens would ever go wrong? Definitely not Boy Cavalist,

12
00:00:51,880 --> 00:00:55,400
Speaker 2: and we will get into that the Iya Purse. Is

13
00:00:55,400 --> 00:00:56,960
Speaker 2: he on our side? Is he not? I'm still a

14
00:00:57,000 --> 00:01:01,120
Speaker 2: support I we'll talk about that. But first introduced super

15
00:01:01,160 --> 00:01:08,679
Speaker 2: producer JOELMANI join us on this expedition to Netherland Island

16
00:01:08,800 --> 00:01:12,680
Speaker 2: where just bad stuff is occurring at old times good.

17
00:01:14,360 --> 00:01:17,520
Speaker 1: This is a fantastic episode. Let's dive in. Okay, Alien

18
00:01:17,600 --> 00:01:20,600
Speaker 1: Narth one oh six. The Fly, which we can only

19
00:01:20,600 --> 00:01:24,920
Speaker 1: assume as a reference to the classic fifties B movie

20
00:01:25,240 --> 00:01:29,160
Speaker 1: horror y icon of cinema, The Fly, and It's later,

21
00:01:29,640 --> 00:01:36,280
Speaker 1: you know Lima imagining with Jeff we open in the lab.

22
00:01:36,959 --> 00:01:41,400
Speaker 1: The eye in the sheep is very watchful, watching everything,

23
00:01:41,520 --> 00:01:46,559
Speaker 1: watching Wendy with determination, watching everything. We hear a boy

24
00:01:46,640 --> 00:01:49,800
Speaker 1: genius doing more podcasts, recording bro.

25
00:01:50,080 --> 00:01:54,480
Speaker 2: Just like somebody takes somebody take the ability to press,

26
00:01:54,960 --> 00:01:57,720
Speaker 2: like you know, he's you know, he's like broadcasting it

27
00:01:57,840 --> 00:02:00,440
Speaker 2: right to everyone in the fucking island. I'm like, somebody

28
00:02:00,760 --> 00:02:01,920
Speaker 2: download it, somebody.

29
00:02:03,680 --> 00:02:06,200
Speaker 1: I think if you don't download it immediately to your

30
00:02:06,280 --> 00:02:09,320
Speaker 1: podcast player and play it. Like he gets the stat

31
00:02:09,440 --> 00:02:11,240
Speaker 1: and he's like, oh okay, Yeah.

32
00:02:11,280 --> 00:02:14,560
Speaker 2: I like that. He's like he's got like screen time,

33
00:02:14,639 --> 00:02:16,640
Speaker 2: but for his podcast where he's like, how long did

34
00:02:16,680 --> 00:02:18,880
Speaker 2: they listen for it? Did they listen to the whole thing?

35
00:02:19,240 --> 00:02:25,799
Speaker 2: I like that they are choosing creepier and creepier quotes

36
00:02:25,800 --> 00:02:27,959
Speaker 2: as the season goes on. They're doing a good job

37
00:02:28,000 --> 00:02:30,400
Speaker 2: finding the most disturbing parts of I want them.

38
00:02:30,919 --> 00:02:34,480
Speaker 1: I want them to cut to like the other angle

39
00:02:34,600 --> 00:02:37,320
Speaker 1: or the two shots, so that we see like Adam

40
00:02:37,480 --> 00:02:41,239
Speaker 1: with a backwards baseball cap sitting there being like, Wow,

41
00:02:41,360 --> 00:02:56,239
Speaker 1: that's fucking crazy, yo, after reads some passage of type ship.

42
00:03:02,240 --> 00:03:04,240
Speaker 2: Yeah, who's this special?

43
00:03:04,280 --> 00:03:04,560
Speaker 1: Guess?

44
00:03:04,600 --> 00:03:08,320
Speaker 2: This week on Netherland Island. Don't disagree with them, don't

45
00:03:08,360 --> 00:03:09,640
Speaker 2: tell me a word wrong.

46
00:03:10,160 --> 00:03:14,919
Speaker 1: Wendy, meanwhile, is in gristener her language lessons with Baby's anomorph.

47
00:03:15,440 --> 00:03:17,600
Speaker 1: It kind of strikes out at her through the glass,

48
00:03:17,720 --> 00:03:19,880
Speaker 1: but that doesn't bother her that much. And the glass

49
00:03:19,960 --> 00:03:25,000
Speaker 1: is clearly acid resistant and super strong. The eggs and

50
00:03:25,080 --> 00:03:27,359
Speaker 1: all the other creatures, they're all there in the cells,

51
00:03:28,200 --> 00:03:32,000
Speaker 1: and Kersh and Hermit are also there on the other

52
00:03:32,040 --> 00:03:35,120
Speaker 1: side of the glass watching this language learning seminar, and

53
00:03:35,200 --> 00:03:41,720
Speaker 1: of course Bro Hermit is like, hey, just quick update,

54
00:03:41,840 --> 00:03:45,839
Speaker 1: We're this is all safe, right, Yeah, they put it out.

55
00:03:46,480 --> 00:03:49,960
Speaker 1: She's safe in there, the bugs, all that stuff. He

56
00:03:50,040 --> 00:03:52,880
Speaker 1: also wants to know from Kersh about Wendy's maintenance, like

57
00:03:52,960 --> 00:03:55,280
Speaker 1: let's say, you know, when does her battery run out?

58
00:03:55,520 --> 00:03:58,520
Speaker 1: Like when, how would I say to tears like curshs,

59
00:03:58,560 --> 00:04:02,000
Speaker 1: Like listen, don't fucking worry about it. Here's why you

60
00:04:02,000 --> 00:04:05,880
Speaker 1: don't need to worry about it. One, you're like an aunt,

61
00:04:06,360 --> 00:04:08,960
Speaker 1: and it would be like are you gonna do Yeah,

62
00:04:09,000 --> 00:04:11,760
Speaker 1: it's like an aunt asking like how do I build

63
00:04:11,800 --> 00:04:14,720
Speaker 1: a gaming PC? Like you don't know what you're doing?

64
00:04:15,200 --> 00:04:18,480
Speaker 1: And two boy genius is never gonna let you have her,

65
00:04:20,080 --> 00:04:25,119
Speaker 1: and that's it. And but he and you know, Joe

66
00:04:25,200 --> 00:04:26,880
Speaker 1: is like, yeah, but I care about her. I want

67
00:04:26,920 --> 00:04:31,080
Speaker 1: her every good life. He's like, listen, considering Wendy's value

68
00:04:31,160 --> 00:04:34,920
Speaker 1: both in dollars and her potential to invent, just put

69
00:04:34,920 --> 00:04:37,040
Speaker 1: it out of your mind that you will ever, ever,

70
00:04:37,200 --> 00:04:42,279
Speaker 1: ever have like a familial type relationship with her here

71
00:04:42,520 --> 00:04:43,520
Speaker 1: or anywhere else.

72
00:04:44,279 --> 00:04:47,600
Speaker 3: This is such an interesting moment for the two of

73
00:04:47,640 --> 00:04:51,200
Speaker 3: these people. One hermit, you got a corporate espionage better

74
00:04:51,400 --> 00:04:52,320
Speaker 3: you be out here asking.

75
00:04:52,160 --> 00:04:53,720
Speaker 2: About so bad.

76
00:04:55,680 --> 00:04:58,039
Speaker 1: I was like, you, it's a little too dilied for me.

77
00:04:58,320 --> 00:05:02,360
Speaker 1: Like you have been a little bit like you.

78
00:05:02,200 --> 00:05:05,000
Speaker 3: You've seen some of the world. Presumably you like watch

79
00:05:05,040 --> 00:05:07,400
Speaker 3: your sister. You should be a little hardened. I think

80
00:05:07,440 --> 00:05:10,320
Speaker 3: by some of the encounters and experiences we know that

81
00:05:10,360 --> 00:05:11,000
Speaker 3: he's had it.

82
00:05:12,360 --> 00:05:15,680
Speaker 2: Also, I feel like my guy is not doing a

83
00:05:15,720 --> 00:05:20,520
Speaker 2: great job of like being realistic about where he stands

84
00:05:20,640 --> 00:05:23,359
Speaker 2: in the pecking order. Like a few days ago, you

85
00:05:23,400 --> 00:05:26,440
Speaker 2: were literally talking to like a faceless robot, and now

86
00:05:26,440 --> 00:05:28,600
Speaker 2: you're trying to work out how to you know, charge

87
00:05:28,640 --> 00:05:34,800
Speaker 2: your hyper intelligent sister bot at one of the biggest,

88
00:05:34,960 --> 00:05:37,200
Speaker 2: most secret places in the world. I don't know. I

89
00:05:37,320 --> 00:05:39,800
Speaker 2: just I feel like he's not being very sensible.

90
00:05:40,480 --> 00:05:42,440
Speaker 1: I agree with both of you. I do think it

91
00:05:42,520 --> 00:05:43,839
Speaker 1: is a little played up.

92
00:05:44,160 --> 00:05:48,440
Speaker 2: Okay, Can I ask you guys a question about Alex Luthor.

93
00:05:48,800 --> 00:05:51,080
Speaker 2: Does he have the juice for Hermit or is it

94
00:05:51,120 --> 00:05:54,560
Speaker 2: too much of like an introverted portrayal, because I think

95
00:05:54,560 --> 00:05:58,919
Speaker 2: there's been quite a lot of conversation about Hermit's impact.

96
00:05:59,279 --> 00:06:00,960
Speaker 1: I think he has the juice. I think that the

97
00:06:01,040 --> 00:06:05,479
Speaker 1: issue is to Joe Well's point, he has written so

98
00:06:06,520 --> 00:06:13,040
Speaker 1: White Knight like good guy that it's almost unbelievable. Like again,

99
00:06:13,160 --> 00:06:17,760
Speaker 1: he was part of this highly militarized search and rescue

100
00:06:17,839 --> 00:06:23,359
Speaker 1: Prodigy team that carries assault rifles into you know, emergency

101
00:06:23,960 --> 00:06:29,160
Speaker 1: zones to rescue people. He's not the idea that he's like,

102
00:06:30,160 --> 00:06:32,240
Speaker 1: Oh golly, g do you think I'd be able to

103
00:06:32,279 --> 00:06:35,200
Speaker 1: have a relationship with my billion dollar robots? Like come on,

104
00:06:35,360 --> 00:06:38,839
Speaker 1: come on. It just does stretch credulity a little bit.

105
00:06:38,920 --> 00:06:40,320
Speaker 2: Yeah, I think he's going to be being a bit

106
00:06:40,360 --> 00:06:43,080
Speaker 2: more stealthy, a bit more on kind of like this

107
00:06:43,120 --> 00:06:46,640
Speaker 2: would be a plan why you'd have to essentially kidnap

108
00:06:46,680 --> 00:06:51,000
Speaker 2: her from the island and then learn how to cyber

109
00:06:51,120 --> 00:06:55,440
Speaker 2: hacker via you know, underground kind of hacking communities. I

110
00:06:55,520 --> 00:06:56,120
Speaker 2: don't think.

111
00:06:58,600 --> 00:07:00,800
Speaker 1: You have to have nineteen steps ahead.

112
00:07:01,200 --> 00:07:06,320
Speaker 3: I also feel like, have Hermit and Wendy ever had

113
00:07:06,320 --> 00:07:09,440
Speaker 3: a fight before, like as brother and sister? Like, I'm

114
00:07:09,520 --> 00:07:11,760
Speaker 3: just this relationship is underwritten.

115
00:07:11,880 --> 00:07:12,160
Speaker 1: I don't.

116
00:07:12,200 --> 00:07:14,640
Speaker 3: I don't think it's any of the performer's faults. I

117
00:07:14,760 --> 00:07:18,000
Speaker 3: just feel like, yeah, you know, given their age difference,

118
00:07:18,080 --> 00:07:19,160
Speaker 3: and you know, she was.

119
00:07:19,640 --> 00:07:23,840
Speaker 1: Like approaching preteen right when she transferred.

120
00:07:23,880 --> 00:07:27,720
Speaker 3: So I just feel like there's not enough like tension

121
00:07:27,800 --> 00:07:29,880
Speaker 3: or fusion between those two characters.

122
00:07:30,040 --> 00:07:31,360
Speaker 1: And I also just feel.

123
00:07:31,080 --> 00:07:34,720
Speaker 2: Like there is no emotional friction that you feel like

124
00:07:34,800 --> 00:07:39,240
Speaker 2: that would be well between I think I think this

125
00:07:39,360 --> 00:07:42,640
Speaker 2: is again excellent show, but I think this is kind

126
00:07:42,680 --> 00:07:44,960
Speaker 2: of what this show is built on, is like they takes.

127
00:07:45,600 --> 00:07:51,640
Speaker 1: You're taking these kind of archetypical relationship sibling, boss, lieutenant,

128
00:07:51,880 --> 00:07:55,400
Speaker 1: right hand man, and you're kind of letting those do

129
00:07:55,600 --> 00:08:01,440
Speaker 1: a lot of the character and it usually works Elsewhere.

130
00:08:02,320 --> 00:08:06,720
Speaker 1: Adam aka Lobot, Arthur and Dame are looking over nibs.

131
00:08:07,600 --> 00:08:11,200
Speaker 1: Arthur and Dame are like, we're not sure what was wrong,

132
00:08:11,240 --> 00:08:13,520
Speaker 1: but we think it was because she was had a

133
00:08:13,520 --> 00:08:16,600
Speaker 1: lot of significant trauma as a child, and that when

134
00:08:16,600 --> 00:08:18,320
Speaker 1: we you know, we did have those concerns when we

135
00:08:18,360 --> 00:08:20,960
Speaker 1: did the transfer, and we thought we had tweaked whatever

136
00:08:21,160 --> 00:08:25,760
Speaker 1: the programming enough to kind of adjust for that baseline

137
00:08:25,760 --> 00:08:28,720
Speaker 1: of trauma, but clearly it didn't. It didn't work, and

138
00:08:29,400 --> 00:08:33,679
Speaker 1: maybe given enough time with therapy, some kind of they

139
00:08:33,720 --> 00:08:38,160
Speaker 1: have some kind of synth therapy I guess talk therapy

140
00:08:38,200 --> 00:08:41,680
Speaker 1: that they would go through with these beings. Dame wants

141
00:08:41,720 --> 00:08:44,079
Speaker 1: to let that play out. Adam says, no, just basically

142
00:08:44,160 --> 00:08:46,680
Speaker 1: like hold down the power button for ten seconds, let's

143
00:08:46,679 --> 00:08:49,760
Speaker 1: factory reset and just kind of clear it all out,

144
00:08:50,480 --> 00:08:53,800
Speaker 1: reset her to pre the date that she started malfunctioning,

145
00:08:53,880 --> 00:08:56,600
Speaker 1: and then we're and then that's it. Dame and Arthur

146
00:08:56,720 --> 00:09:00,360
Speaker 1: initially don't want to. Arthur really doesn't want to, and

147
00:09:00,440 --> 00:09:02,439
Speaker 1: Adam is like, I don't give a fuck because the

148
00:09:02,920 --> 00:09:06,440
Speaker 1: Prodigy showcase for investors and consumers coming up in three weeks.

149
00:09:06,480 --> 00:09:08,679
Speaker 1: She needs to be up on that stage doing handstands

150
00:09:08,679 --> 00:09:12,880
Speaker 1: and saying I love boy genius, and that's it. Arthur

151
00:09:13,200 --> 00:09:15,600
Speaker 1: flat out refuses to do it. Dame's like, well, I'll

152
00:09:15,600 --> 00:09:18,360
Speaker 1: do it alone. And then Adam's like, great, Arthur, you're fired.

153
00:09:18,600 --> 00:09:20,880
Speaker 1: You have till eod to get off the fucking island.

154
00:09:20,920 --> 00:09:23,959
Speaker 1: If you're here after dark, maybe you get shot. We'll see.

155
00:09:26,160 --> 00:09:31,560
Speaker 3: This throple of pain. This child just like jump like, hey,

156
00:09:31,640 --> 00:09:34,760
Speaker 3: you're gonna reform. She's like, I'll capitulate to anything. Where's

157
00:09:34,800 --> 00:09:35,520
Speaker 3: your backbone?

158
00:09:35,559 --> 00:09:41,760
Speaker 1: Man? Like I need? I will say, like, I think

159
00:09:41,800 --> 00:09:44,160
Speaker 1: that this is a good I actually think this is

160
00:09:44,200 --> 00:09:51,640
Speaker 1: a great example of how people interact with power. There's

161
00:09:51,679 --> 00:09:55,280
Speaker 1: because there's there's two there's two philosophies, right, There's like,

162
00:09:55,960 --> 00:09:58,240
Speaker 1: that's it, I'm not going to participate in this, and

163
00:09:58,280 --> 00:10:02,920
Speaker 1: then there's well, couldn't I theoretically do more good from inside?

164
00:10:03,080 --> 00:10:03,160
Speaker 2: Like?

165
00:10:03,640 --> 00:10:07,240
Speaker 1: Am I not the mediating force here? Like I'm the

166
00:10:07,280 --> 00:10:12,920
Speaker 1: one that's making it marginally better by being inside, and

167
00:10:13,000 --> 00:10:15,080
Speaker 1: therefore if I cooperate a little, I can also make

168
00:10:15,080 --> 00:10:17,480
Speaker 1: it a little better. And I'm not saying that either

169
00:10:19,720 --> 00:10:23,000
Speaker 1: right correct in every situation, but it's certainly like it's

170
00:10:23,040 --> 00:10:26,520
Speaker 1: certainly looking sideways at Dame. I think although she may

171
00:10:26,559 --> 00:10:29,599
Speaker 1: have a point, right, she may. I think there's a

172
00:10:29,640 --> 00:10:31,839
Speaker 1: world in which you could see where she's coming from.

173
00:10:31,880 --> 00:10:34,160
Speaker 1: I disagree, but like I get it again.

174
00:10:34,280 --> 00:10:38,040
Speaker 2: We're gonna end up asking questions about how much people

175
00:10:38,080 --> 00:10:41,840
Speaker 2: think things through in this episode, because there are choices

176
00:10:41,920 --> 00:10:45,160
Speaker 2: that even if you even if you want Yeah, it's

177
00:10:45,200 --> 00:10:48,640
Speaker 2: truly it's a bad decision bonanza this week on Alath, Like,

178
00:10:49,080 --> 00:10:51,880
Speaker 2: I think that if you were going to make the

179
00:10:52,000 --> 00:10:56,440
Speaker 2: choice to do this to Nibs, then there are things

180
00:10:56,480 --> 00:10:59,000
Speaker 2: that you need to put in place to make sure

181
00:10:59,040 --> 00:11:01,720
Speaker 2: that the things that happen in this episode do not happen.

182
00:11:02,280 --> 00:11:03,720
Speaker 2: And they did not put them into place.

183
00:11:04,040 --> 00:11:07,360
Speaker 1: I mean I think that. Yeah. So Wendy leaves the lab,

184
00:11:07,440 --> 00:11:10,559
Speaker 1: she runs into her brother. She's very stoked at the

185
00:11:10,640 --> 00:11:14,000
Speaker 1: language lessons and says, I'm getting better at speaking to

186
00:11:14,040 --> 00:11:16,880
Speaker 1: the alien. It's hard trilling my rs is a little weird,

187
00:11:16,920 --> 00:11:21,120
Speaker 1: but I'm getting better at it. And then Joe was like, okay,

188
00:11:21,160 --> 00:11:27,160
Speaker 1: but like they're basically killer parasites, Like they just want

189
00:11:27,160 --> 00:11:29,439
Speaker 1: to maybe you don't need to play eggs in our

190
00:11:29,520 --> 00:11:32,800
Speaker 1: chest and kill us. And then like that's it, you know,

191
00:11:33,000 --> 00:11:36,720
Speaker 1: like we have they're not like us, like we have community.

192
00:11:36,800 --> 00:11:38,720
Speaker 1: They're just like want to kill us and eat us

193
00:11:38,760 --> 00:11:42,200
Speaker 1: and face on this. And Wendy's like, and it's clear

194
00:11:42,240 --> 00:11:47,120
Speaker 1: that Wendy is not. While she agrees that the creatures

195
00:11:47,160 --> 00:11:51,360
Speaker 1: are being studied and did not have agency in what

196
00:11:51,480 --> 00:11:54,240
Speaker 1: is happening to them, she also clearly is not rational

197
00:11:54,240 --> 00:11:58,079
Speaker 1: about this. Loves the zenomorph basically like a puppy already

198
00:11:58,160 --> 00:12:01,840
Speaker 1: at this point, and it says flat out, well, this

199
00:12:01,880 --> 00:12:03,040
Speaker 1: one can be good.

200
00:12:05,600 --> 00:12:08,320
Speaker 2: I love that line too, because I'm just like, Okay,

201
00:12:08,520 --> 00:12:12,200
Speaker 2: she's like, she's like, guys, there's no bad animals, just

202
00:12:12,280 --> 00:12:16,520
Speaker 2: bad Maybe she is.

203
00:12:18,679 --> 00:12:22,880
Speaker 3: We're back to our conversation from the pilot, right, So,

204
00:12:22,880 --> 00:12:25,600
Speaker 3: so we had this conversation in the pilot about the

205
00:12:25,640 --> 00:12:28,200
Speaker 3: scorpion and like, what is it true?

206
00:12:28,080 --> 00:12:29,360
Speaker 1: They're asking very.

207
00:12:29,280 --> 00:12:31,880
Speaker 3: Specifically, like this thing might have community and it might

208
00:12:31,920 --> 00:12:34,960
Speaker 3: attack us, and if like she's having or at least

209
00:12:34,960 --> 00:12:38,040
Speaker 3: these thoughts implanted in her before she even makes the transition.

210
00:12:38,480 --> 00:12:41,640
Speaker 3: It's very interesting to me that post transition she's like

211
00:12:42,760 --> 00:12:46,560
Speaker 3: completely doubled down on that, and that that completely aligns

212
00:12:46,600 --> 00:12:50,280
Speaker 3: with like what Boy Genius and ostensibly cursh one be

213
00:12:50,320 --> 00:12:52,440
Speaker 3: really interested to see. I have a new theory that

214
00:12:52,520 --> 00:12:55,640
Speaker 3: Curge and boy Genius might be somewhat on the same

215
00:12:55,679 --> 00:12:57,880
Speaker 3: page more than we're aware of.

216
00:12:58,160 --> 00:13:01,439
Speaker 2: Right now, Okay, I'm excited to talk more about that.

217
00:13:01,559 --> 00:13:03,840
Speaker 1: I'm excited to talk about that. I'm excited to talk

218
00:13:03,880 --> 00:13:05,680
Speaker 1: about that. I'll just say that in terms of, like,

219
00:13:05,760 --> 00:13:09,000
Speaker 1: could she not be correct about this alien being good?

220
00:13:09,320 --> 00:13:12,520
Speaker 1: When you release an alien in a room full of assholes,

221
00:13:13,720 --> 00:13:16,400
Speaker 1: it will seem like it's doing good things. Correct.

222
00:13:16,679 --> 00:13:20,040
Speaker 2: Okay, good point, good point, good point. Okay, she she

223
00:13:20,120 --> 00:13:23,400
Speaker 2: didn't see like an a look and look, this is

224
00:13:23,440 --> 00:13:25,920
Speaker 2: the We are the people who were pro I we

225
00:13:25,920 --> 00:13:27,080
Speaker 2: were pro and.

226
00:13:28,880 --> 00:13:30,439
Speaker 1: It's on this island of assholes.

227
00:13:30,640 --> 00:13:33,880
Speaker 2: Yeah, exactly, Like, so you know, I feel that that's

228
00:13:33,920 --> 00:13:36,400
Speaker 2: a good point. You're like, we have yet to see

229
00:13:36,760 --> 00:13:40,880
Speaker 2: the alien in like kindergarten, where maybe she would start

230
00:13:40,960 --> 00:13:42,679
Speaker 2: to feel differently about.

231
00:13:46,520 --> 00:13:51,600
Speaker 1: Uh So, Wendy basically gets her back up about this

232
00:13:51,640 --> 00:13:55,359
Speaker 1: conversation because Joe is kind of like being very dismissive

233
00:13:55,480 --> 00:14:00,280
Speaker 1: about the value of her working with the alien, even

234
00:14:00,320 --> 00:14:03,160
Speaker 1: that they exist here on Earth, and she's like, this

235
00:14:03,240 --> 00:14:06,480
Speaker 1: is a yes place. Boy genius always says, we just

236
00:14:06,520 --> 00:14:09,760
Speaker 1: say yes here, which, again in the context of billionaire

237
00:14:09,800 --> 00:14:15,199
Speaker 1: islands back children on them is and yet another dark

238
00:14:15,280 --> 00:14:19,000
Speaker 1: mirror into the world we live. And she basically tells

239
00:14:19,000 --> 00:14:20,480
Speaker 1: hermit like, we only say yes.

240
00:14:20,400 --> 00:14:25,480
Speaker 2: Here, and I'm not the star of nothing. I'm okay,

241
00:14:26,040 --> 00:14:26,400
Speaker 2: all right.

242
00:14:27,200 --> 00:14:31,000
Speaker 1: Legitimately this is bad, well, Joe says later in the

243
00:14:31,040 --> 00:14:35,360
Speaker 1: episode to underline the metaphor even stronger. Know is how

244
00:14:35,400 --> 00:14:38,840
Speaker 1: we take control of our bodies, which is yes, well, yes, yeah.

245
00:14:39,520 --> 00:14:44,400
Speaker 1: We go to the mediation meeting, Utani and Genius facing

246
00:14:44,400 --> 00:14:47,240
Speaker 1: off across this long table, their lawyers on either side,

247
00:14:47,600 --> 00:14:51,240
Speaker 1: a mediator in the middle, Marrow and Kersh standing beside

248
00:14:51,280 --> 00:14:55,880
Speaker 1: their respective bosses, and Utani makes her case as as

249
00:14:55,880 --> 00:14:58,960
Speaker 1: boy Genius, with his bare feet disgusting up on the table,

250
00:14:59,040 --> 00:15:01,640
Speaker 1: picks his toes and her point, and her point is

251
00:15:01,680 --> 00:15:04,560
Speaker 1: basically like, the ship is my property, everything on it

252
00:15:04,600 --> 00:15:07,160
Speaker 1: is my property, give it back. And then boy Genius

253
00:15:07,240 --> 00:15:11,080
Speaker 1: is like not unfairly, like, well, your ship crashed into

254
00:15:11,080 --> 00:15:14,160
Speaker 1: my city and killed untold numbers of people that I

255
00:15:14,160 --> 00:15:19,920
Speaker 1: don't care about, but still causing a significant dollar value damage.

256
00:15:20,600 --> 00:15:24,840
Speaker 1: And you know, also like was it on purpose? Did

257
00:15:24,880 --> 00:15:27,920
Speaker 1: you purposefully? Exactly, like we need to look at all

258
00:15:27,960 --> 00:15:32,320
Speaker 1: of these things, you know, exact like he did at

259
00:15:32,560 --> 00:15:33,280
Speaker 1: the stable.

260
00:15:34,520 --> 00:15:38,280
Speaker 2: Did this he is like truly giving a performance of

261
00:15:38,320 --> 00:15:40,680
Speaker 2: a lifetime because you just want to sell this guy.

262
00:15:41,120 --> 00:15:45,400
Speaker 1: I love yes, Rosie, Like it has been I was

263
00:15:45,400 --> 00:15:47,480
Speaker 1: thinking about this old driving around yesterday. It's been a

264
00:15:47,520 --> 00:15:50,000
Speaker 1: minute since I hated a villain like this, Like I

265
00:15:50,040 --> 00:15:53,040
Speaker 1: haven't seen a villain in a show that is this

266
00:15:53,240 --> 00:15:56,560
Speaker 1: catable in a in a in a second, and he is.

267
00:15:57,160 --> 00:16:00,400
Speaker 1: I can't wait for him to get a lot of

268
00:16:00,400 --> 00:16:03,520
Speaker 1: our TV shows like and all right, we already hate

269
00:16:04,000 --> 00:16:04,720
Speaker 1: the Empire.

270
00:16:04,840 --> 00:16:08,040
Speaker 2: We hate those are those are the character those are

271
00:16:08,040 --> 00:16:10,560
Speaker 2: the things that we are. We know about and we've

272
00:16:10,560 --> 00:16:13,040
Speaker 2: known the bad for a long time, so that is

273
00:16:13,080 --> 00:16:16,040
Speaker 2: an inherent feeling that you have against them. This is

274
00:16:16,120 --> 00:16:20,440
Speaker 2: a personal kind of hate. He is so disrespectful, he's

275
00:16:20,480 --> 00:16:23,640
Speaker 2: so awful, he's so entitled. The whole time, I was

276
00:16:23,680 --> 00:16:27,440
Speaker 2: really sitting there like wishing for a you know, kind

277
00:16:27,480 --> 00:16:30,000
Speaker 2: of kill Bill esque, like somebody just comes in and

278
00:16:30,040 --> 00:16:33,840
Speaker 2: chops off his feet, taking.

279
00:16:33,600 --> 00:16:37,480
Speaker 1: Your tony side.

280
00:16:35,040 --> 00:16:40,320
Speaker 2: Like I'm like, I'm literally sitting there like this guy

281
00:16:40,440 --> 00:16:43,240
Speaker 2: is so fucking disrespectful, Just fucking kill him, Like why

282
00:16:43,360 --> 00:16:45,880
Speaker 2: why is he being allowed to babe like this? Like

283
00:16:46,040 --> 00:16:47,360
Speaker 2: what is going on that?

284
00:16:47,640 --> 00:16:51,120
Speaker 3: Watching a woman executive hundreds of years from now?

285
00:16:51,200 --> 00:16:53,200
Speaker 1: Yeah, still he talked over me.

286
00:16:53,520 --> 00:16:58,800
Speaker 3: He's just like wait and I'm like, please, God make.

287
00:16:58,680 --> 00:17:03,240
Speaker 1: It in so then boy Genius makes it a really

288
00:17:03,400 --> 00:17:06,960
Speaker 1: the salient point, which is, well, mister mediator, did you

289
00:17:07,040 --> 00:17:09,719
Speaker 1: know this ship was filled with illegal alien creatures that

290
00:17:09,760 --> 00:17:12,240
Speaker 1: have been brought to Earth in direct violation of several

291
00:17:13,359 --> 00:17:17,280
Speaker 1: international and corporate laws. You tanis like, okay, here's what

292
00:17:17,320 --> 00:17:19,840
Speaker 1: we'll do. Give me. Here's I'll give you twenty billion.

293
00:17:20,640 --> 00:17:23,600
Speaker 1: And I promised that the creatures were going to an

294
00:17:23,680 --> 00:17:26,560
Speaker 1: off world research facility. That's where they were going when

295
00:17:26,560 --> 00:17:28,680
Speaker 1: they crashed. They were never gonna come to Earth. They're

296
00:17:28,720 --> 00:17:30,640
Speaker 1: going to go to that facility, and then we don't

297
00:17:30,640 --> 00:17:32,760
Speaker 1: have to worry about that. And she's like, yes, sounds great,

298
00:17:32,760 --> 00:17:36,320
Speaker 1: twenty million, that's good after the six week quarantine though, right,

299
00:17:36,400 --> 00:17:39,840
Speaker 1: which again the law is very clear on this six weeks.

300
00:17:39,880 --> 00:17:41,720
Speaker 1: We got to wait six weeks. And she's like, okay,

301
00:17:41,800 --> 00:17:44,920
Speaker 1: fifty billion annoying, and you pack them up right now.

302
00:17:44,960 --> 00:17:47,200
Speaker 1: And boy Genius was like, no, I must follow the laws.

303
00:17:47,240 --> 00:17:55,200
Speaker 2: Sorry, not even about I've got I've got lots of money.

304
00:17:55,960 --> 00:18:03,880
Speaker 2: I think this is such an interesting, interesting moment because look,

305
00:18:04,000 --> 00:18:07,359
Speaker 2: the Utani boy genius of it all is so great,

306
00:18:07,440 --> 00:18:12,440
Speaker 2: and they are they have such good furious like Nemesis chemistry.

307
00:18:12,680 --> 00:18:15,800
Speaker 2: But what I'm most interested in this scene is the

308
00:18:15,840 --> 00:18:18,280
Speaker 2: notion of the Five and the way that the Five

309
00:18:18,440 --> 00:18:22,320
Speaker 2: govern because they just sent some random guy who I'm sorry,

310
00:18:22,720 --> 00:18:25,440
Speaker 2: nine out of ten chants that that motherfucker is a

311
00:18:25,520 --> 00:18:28,280
Speaker 2: sent first of all, probably the way that he was

312
00:18:29,000 --> 00:18:30,320
Speaker 2: overseeing it, the.

313
00:18:30,400 --> 00:18:31,120
Speaker 1: Lack of sense.

314
00:18:31,280 --> 00:18:35,280
Speaker 2: I'm very interested that even in the terms of the

315
00:18:35,359 --> 00:18:38,840
Speaker 2: people who are in charge, right, Utani is one of

316
00:18:38,880 --> 00:18:42,520
Speaker 2: these corporations. Prodigy is one of these corporations that supposedly

317
00:18:42,560 --> 00:18:46,960
Speaker 2: run the company and the countries. But they sent like

318
00:18:47,040 --> 00:18:51,879
Speaker 2: a mediator, not a higher boss, not someone who seems

319
00:18:51,920 --> 00:18:56,760
Speaker 2: to have any kind of real ownership or control over

320
00:18:56,800 --> 00:19:00,600
Speaker 2: the situation, just a guy who stands there and says like, okay,

321
00:19:01,240 --> 00:19:04,520
Speaker 2: uh no, is this true. I just find it very interesting.

322
00:19:04,560 --> 00:19:06,399
Speaker 2: There's so much more I want to know about the

323
00:19:06,440 --> 00:19:09,399
Speaker 2: Five and how they are controlled and run.

324
00:19:09,640 --> 00:19:12,560
Speaker 3: It does give the idea that the other companies are

325
00:19:12,560 --> 00:19:18,679
Speaker 3: more powerful than waylan Utahi like, because between corporations makes sense.

326
00:19:18,720 --> 00:19:21,840
Speaker 3: But to your point, if it's two bosses of two

327
00:19:21,880 --> 00:19:25,919
Speaker 3: of the major spaces, then typically you would think that

328
00:19:25,960 --> 00:19:28,359
Speaker 3: there would at first be some kind of like let's

329
00:19:28,359 --> 00:19:30,240
Speaker 3: come together and talk about it before we.

330
00:19:30,400 --> 00:19:33,680
Speaker 2: Yeah, maybe the other three would be involved to try

331
00:19:33,720 --> 00:19:35,200
Speaker 2: and talk about it, right.

332
00:19:35,480 --> 00:19:37,720
Speaker 3: I just thought it was really interesting at these two

333
00:19:37,720 --> 00:19:39,960
Speaker 3: what happens to the rest, So yeah, that is really interesting.

334
00:19:40,000 --> 00:19:44,480
Speaker 3: Karmen is a theory that Adam is puppeting everything, which

335
00:19:44,520 --> 00:19:46,320
Speaker 3: I find really intriguing.

336
00:19:46,720 --> 00:19:49,119
Speaker 2: I could read it.

337
00:19:49,119 --> 00:19:50,560
Speaker 1: Would be really interesting to see.

338
00:19:50,560 --> 00:19:53,199
Speaker 3: She's been looking at some of the frames and just

339
00:19:53,240 --> 00:19:55,920
Speaker 3: positioning and Adam always seems to sort of be behind

340
00:19:56,080 --> 00:19:59,520
Speaker 3: boy Genius and a sort of puppeting position, and then Boyd.

341
00:19:59,560 --> 00:20:03,120
Speaker 3: She mentioned way Genius is clothing this episode, it's particularly

342
00:20:03,119 --> 00:20:08,720
Speaker 3: like thready there's like a lot of strings hanging from it.

343
00:20:09,119 --> 00:20:11,320
Speaker 3: So she's on that theory right now, which I find

344
00:20:11,359 --> 00:20:12,000
Speaker 3: really interesting.

345
00:20:13,000 --> 00:20:14,320
Speaker 2: I really like that one.

346
00:20:14,520 --> 00:20:18,320
Speaker 1: So Marrow pulls you tany aside for a second and

347
00:20:18,400 --> 00:20:20,960
Speaker 1: he's like, and she's like, what's what's going on with

348
00:20:21,720 --> 00:20:24,600
Speaker 1: your mission? And he's like, I think there's a high

349
00:20:24,680 --> 00:20:29,200
Speaker 1: likelihood we get at least one creature back by end

350
00:20:29,200 --> 00:20:34,520
Speaker 1: of day. That's from his little slightly uh sneak in

351
00:20:34,640 --> 00:20:37,280
Speaker 1: mission and he tells his boss that you should also

352
00:20:37,320 --> 00:20:39,800
Speaker 1: know that Prodigy is up security on the island and

353
00:20:39,840 --> 00:20:43,639
Speaker 1: expectation that we would attack them frontal attack, and he

354
00:20:43,880 --> 00:20:48,439
Speaker 1: recommends destabilizing the island and getting the creatures out in

355
00:20:48,600 --> 00:20:54,399
Speaker 1: the chaos, an interesting line considering what comes next. Kurush

356
00:20:54,480 --> 00:20:59,080
Speaker 1: gets on the elevator with Morrow and let me just say,

357
00:20:59,840 --> 00:21:02,959
Speaker 1: I don't need this is just a this is a nitpick,

358
00:21:03,040 --> 00:21:07,560
Speaker 1: not about alien Okay. The trope where the character gets

359
00:21:07,560 --> 00:21:10,480
Speaker 1: on the elevator and you watch the doors closed, it's like,

360
00:21:10,640 --> 00:21:12,600
Speaker 1: I know the hand is coming in the door to

361
00:21:13,040 --> 00:21:15,920
Speaker 1: keep the door open, and then I just know that's

362
00:21:15,960 --> 00:21:21,960
Speaker 1: gonna happen, so like just get to it anyway. Yeah,

363
00:21:22,000 --> 00:21:25,400
Speaker 1: so anyway, I just know I'm gonna see that hand

364
00:21:25,520 --> 00:21:28,280
Speaker 1: come in and stop the door. Kirse stops the door,

365
00:21:28,359 --> 00:21:30,600
Speaker 1: comes in the elevator, starts talking a bunch of shit,

366
00:21:30,760 --> 00:21:35,520
Speaker 1: calling Morrow almost human, since that a human that thinks

367
00:21:35,520 --> 00:21:39,680
Speaker 1: he's a machine. And then Marrow's like, well you're looking, yeah,

368
00:21:39,720 --> 00:21:41,960
Speaker 1: you're an out of date model. You're like a fucking

369
00:21:42,160 --> 00:21:44,719
Speaker 1: You're like a three year old toaster, Like what are

370
00:21:44,720 --> 00:21:47,120
Speaker 1: you even talking about? So they're just like roasting each

371
00:21:47,119 --> 00:21:49,359
Speaker 1: other and then Morrow is like, listen, you know what

372
00:21:49,400 --> 00:21:51,800
Speaker 1: I love about killing since is they have no pay,

373
00:21:51,840 --> 00:21:54,000
Speaker 1: they don't feel pain. You can just keep chopping them up,

374
00:21:54,280 --> 00:21:56,720
Speaker 1: and they're lucid the whole time, telling me everything I

375
00:21:56,720 --> 00:22:01,320
Speaker 1: want to know, little fucking tiny bits, and Kersh is like, oh, yeah,

376
00:22:01,800 --> 00:22:03,199
Speaker 1: you know, it's going to be really fun when you

377
00:22:03,240 --> 00:22:05,800
Speaker 1: figure out that you're still a man, that even though

378
00:22:05,840 --> 00:22:08,320
Speaker 1: you have some like machine parts implanted in you, you're

379
00:22:08,359 --> 00:22:11,320
Speaker 1: still a guy whose eyeballs can be popped out. And

380
00:22:11,359 --> 00:22:17,120
Speaker 1: then you're like, I can't wait for them to fucking thrown.

381
00:22:17,480 --> 00:22:20,920
Speaker 3: I am good with this scene. I really really am.

382
00:22:22,000 --> 00:22:22,919
Speaker 2: Was so good together.

383
00:22:23,640 --> 00:22:25,480
Speaker 3: The thing I walked away thinking about most from this

384
00:22:25,600 --> 00:22:31,320
Speaker 3: scene is the idea that Okay, Kersh Knowsmorrow is like

385
00:22:31,800 --> 00:22:34,920
Speaker 3: in the kid's head, like he's aware, he's heard him

386
00:22:34,920 --> 00:22:38,800
Speaker 3: listening to the conversation, so that like this was such

387
00:22:38,800 --> 00:22:43,000
Speaker 3: a clear plan of attack. The way he fucks with

388
00:22:43,040 --> 00:22:47,240
Speaker 3: Marrow is the same way Marrow was fucking with the kid, Like.

389
00:22:47,200 --> 00:22:48,280
Speaker 1: It's the exact scene.

390
00:22:48,680 --> 00:22:52,280
Speaker 3: Let me completely destabilize you, let me get inside your head,

391
00:22:52,680 --> 00:22:55,320
Speaker 3: let me figure out what you know or think about me.

392
00:22:55,520 --> 00:22:57,520
Speaker 3: And the fact that he thinks like, oh, you're outdated

393
00:22:57,600 --> 00:23:00,080
Speaker 3: technology and you're not prepared like I think Marrow. So

394
00:23:01,160 --> 00:23:03,480
Speaker 3: for as munch of an advantage as he has. I

395
00:23:03,520 --> 00:23:07,040
Speaker 3: think by discounting Kurge, we're gonna see that table hurt

396
00:23:07,119 --> 00:23:09,040
Speaker 3: him like a lot come down the line once he

397
00:23:09,080 --> 00:23:10,240
Speaker 3: gets to the island himself.

398
00:23:10,359 --> 00:23:13,880
Speaker 1: That's it's really absolutely I can't wait to talk about

399
00:23:13,880 --> 00:23:16,080
Speaker 1: this much more. When we were going with cap, let's

400
00:23:16,080 --> 00:23:17,000
Speaker 1: take a quick Craig, will.

401
00:23:16,840 --> 00:23:32,920
Speaker 2: You rep we're rack.

402
00:23:33,840 --> 00:23:37,120
Speaker 1: We go to the lab where Dame reboots Nibs. Wendy's

403
00:23:37,160 --> 00:23:39,720
Speaker 1: there when Nibs wakes up and Nibs is like, I

404
00:23:39,720 --> 00:23:41,520
Speaker 1: feel fun, I feel great. I feel like I just

405
00:23:41,520 --> 00:23:45,000
Speaker 1: slept a lot. And then Wendy, who, like I guess,

406
00:23:45,000 --> 00:23:46,960
Speaker 1: has not been briefed on what's going on.

407
00:23:47,000 --> 00:23:50,719
Speaker 2: My biggest issue, this is my biggest issue. I feel

408
00:23:50,760 --> 00:23:55,240
Speaker 2: like Dame knows enough about Wendy and the way Wendy works.

409
00:23:55,280 --> 00:23:57,600
Speaker 2: It would be very easy to manipulate Wendy in the

410
00:23:57,640 --> 00:24:01,040
Speaker 2: situation and say, hey, Nibs was really struggling. She was

411
00:24:01,080 --> 00:24:03,960
Speaker 2: a danger to herself, she was a danger to others. Yeah,

412
00:24:04,200 --> 00:24:06,399
Speaker 2: we've had to go back in and you know, to

413
00:24:06,560 --> 00:24:09,480
Speaker 2: help her, we've taken away some of her memories of

414
00:24:09,520 --> 00:24:12,160
Speaker 2: her trauma. Isn't that what everybody would want? Blah blah,

415
00:24:12,200 --> 00:24:15,879
Speaker 2: blah and kind of set Wendy up to know this

416
00:24:15,960 --> 00:24:18,800
Speaker 2: has happened. When I realized they hadn't told Wendy, I

417
00:24:18,840 --> 00:24:21,040
Speaker 2: was like, Okay, you guys are just dumb at this point,

418
00:24:21,160 --> 00:24:23,560
Speaker 2: Like Dave, I don't know what is going on with you, Dave,

419
00:24:23,680 --> 00:24:25,800
Speaker 2: but this was always gonna blow up in your face.

420
00:24:25,920 --> 00:24:29,840
Speaker 1: Wendy brings up all the troubling stuff the baby, do

421
00:24:29,920 --> 00:24:32,200
Speaker 1: you remember when you crashed out? Do you remember the

422
00:24:33,160 --> 00:24:35,119
Speaker 1: crash that we went to with all the remember that

423
00:24:36,480 --> 00:24:39,800
Speaker 1: really scared you? And Wendy is like super confused. And

424
00:24:39,840 --> 00:24:43,119
Speaker 1: now she's even more confused because she's realizing that she

425
00:24:43,280 --> 00:24:47,320
Speaker 1: doesn't have information that everybody else has and why can't

426
00:24:47,359 --> 00:24:48,040
Speaker 1: she remember?

427
00:24:48,200 --> 00:24:51,520
Speaker 2: And it's making her immediately feel more crazy. Yeah, you're

428
00:24:51,640 --> 00:24:53,880
Speaker 2: probably gonna lead to a bad situation.

429
00:24:54,440 --> 00:24:56,560
Speaker 1: So this gets Wendy really upset and she realizes that

430
00:24:56,640 --> 00:24:59,400
Speaker 1: Damon Arthur must know something about this. We hear more

431
00:24:59,440 --> 00:25:06,159
Speaker 1: of Fu Boy Genius fucking podcast of what everybody's up to.

432
00:25:06,320 --> 00:25:10,280
Speaker 1: Wendy looking out at the sea. Okay, slightly, yes, I.

433
00:25:10,280 --> 00:25:13,359
Speaker 2: Just want to say though it's painful, but truth, isn't

434
00:25:13,760 --> 00:25:17,320
Speaker 2: that like so real that even when you are like

435
00:25:17,359 --> 00:25:19,520
Speaker 2: a billionaire, and you have all this money and you

436
00:25:19,560 --> 00:25:22,119
Speaker 2: have all these people under your control. I feel like

437
00:25:22,280 --> 00:25:25,600
Speaker 2: being like, yeah, and now I have an active listening

438
00:25:25,640 --> 00:25:28,040
Speaker 2: base to my podcast who can never turn it off,

439
00:25:28,080 --> 00:25:30,000
Speaker 2: and he just brokeross it across the state. That's like,

440
00:25:30,080 --> 00:25:33,520
Speaker 2: it feels very real. It feels like deeply, deeply real.

441
00:25:34,000 --> 00:25:37,760
Speaker 1: It's really fucking nuts. Also sucks. It's just him reading

442
00:25:37,760 --> 00:25:41,000
Speaker 1: to your pan literally word for word anyway.

443
00:25:40,800 --> 00:25:43,439
Speaker 2: No no critical thought on it, no ideas about what

444
00:25:43,440 --> 00:25:46,960
Speaker 2: it means. Obviously, not interacting with the the art itself.

445
00:25:47,000 --> 00:25:48,880
Speaker 2: That's why this is all gonna go hardly wrong.

446
00:25:49,200 --> 00:25:52,200
Speaker 1: Slightly is in the jungle with Moorrow in his ear,

447
00:25:52,280 --> 00:25:54,600
Speaker 1: basically telling him like, you gotta go in, you gotta

448
00:25:54,640 --> 00:25:57,240
Speaker 1: go in, you gotta do the mission now. Smee finds

449
00:25:57,320 --> 00:26:01,479
Speaker 1: him as Slightly doesn't want to talk. They talk about,

450
00:26:01,640 --> 00:26:04,480
Speaker 1: you know, they're basically they talk around being what you know,

451
00:26:04,520 --> 00:26:07,159
Speaker 1: their existence right now, and sme thinks that, you know,

452
00:26:07,560 --> 00:26:10,359
Speaker 1: being a grown up sucks and we can't just play

453
00:26:10,400 --> 00:26:12,280
Speaker 1: like we used to as kids, and Slightly it's like, well,

454
00:26:12,359 --> 00:26:14,800
Speaker 1: right after I take care of this mysterious thing I

455
00:26:14,840 --> 00:26:16,679
Speaker 1: need to take care of, we're gonna play I promise

456
00:26:16,840 --> 00:26:21,200
Speaker 1: and happy about that. Yeah, when me gave him.

457
00:26:21,040 --> 00:26:23,760
Speaker 2: A grown up hug, I was like, I wanted to cry.

458
00:26:24,119 --> 00:26:27,960
Speaker 2: I think the kids stuff is I understand that for

459
00:26:28,040 --> 00:26:31,879
Speaker 2: some people it's like not hitting that hard, but I

460
00:26:31,920 --> 00:26:35,080
Speaker 2: think when they play with the balance between like the

461
00:26:35,160 --> 00:26:38,480
Speaker 2: emotional vulnerability and openness of kids and kind of how

462
00:26:38,520 --> 00:26:41,359
Speaker 2: they are having to all grow up because of the

463
00:26:41,400 --> 00:26:43,680
Speaker 2: way that the adults around them are treating them, whether

464
00:26:43,720 --> 00:26:46,240
Speaker 2: it's you know, Wendy or whether it's me, or whether

465
00:26:46,280 --> 00:26:49,119
Speaker 2: it's most Hey, you know slightly with being kind of

466
00:26:49,320 --> 00:26:53,080
Speaker 2: manipulated by Morrow. It's just it's kind of heartbreaking to watch,

467
00:26:53,119 --> 00:26:55,880
Speaker 2: and I think it does bring some extra emotional layers.

468
00:26:56,400 --> 00:26:59,679
Speaker 3: I agree because Rosie, if you think about too, we

469
00:26:59,760 --> 00:27:04,040
Speaker 3: hear Dame tell Adam that like NIBBs was damaged before

470
00:27:04,320 --> 00:27:07,600
Speaker 3: they brought her into the program, like she has psychological

471
00:27:07,600 --> 00:27:11,679
Speaker 3: issues pre program, which is terrifying that they then have

472
00:27:11,720 --> 00:27:13,639
Speaker 3: sort of put her in this position. And given the

473
00:27:13,640 --> 00:27:16,120
Speaker 3: line from the book, we get the thin sticks out most,

474
00:27:16,119 --> 00:27:18,159
Speaker 3: which is like, yea, once they started to realize they

475
00:27:18,200 --> 00:27:21,560
Speaker 3: were growing up, Peter would like take them out.

476
00:27:22,680 --> 00:27:23,760
Speaker 1: Yeah, thin you heard.

477
00:27:24,400 --> 00:27:27,159
Speaker 3: I think really sort of resonated with me this idea

478
00:27:27,240 --> 00:27:31,200
Speaker 3: of like, you know, we saw Dame's hubby get fired

479
00:27:31,200 --> 00:27:33,600
Speaker 3: as soon as he starts asking questions about like morals

480
00:27:33,600 --> 00:27:35,399
Speaker 3: and ethics are like, you could actually just get right

481
00:27:35,440 --> 00:27:37,000
Speaker 3: the fuck about it here, Like we don't need you

482
00:27:37,040 --> 00:27:40,280
Speaker 3: to be asking any questions really, And again, I just

483
00:27:40,280 --> 00:27:43,080
Speaker 3: think in a series that's particularly been about the horrors

484
00:27:43,119 --> 00:27:47,000
Speaker 3: women face and then a lot of that being about motherhood,

485
00:27:47,960 --> 00:27:50,719
Speaker 3: to bring it to children here it works for me

486
00:27:50,800 --> 00:27:51,840
Speaker 3: on a lot of levels.

487
00:27:52,119 --> 00:27:53,600
Speaker 2: Yeah, it's welcome for me too.

488
00:27:53,720 --> 00:27:56,600
Speaker 1: Yeah, let me ask you this, what should happen to

489
00:27:56,680 --> 00:28:03,600
Speaker 1: the to the hybrids? Mostly shut them all off? I think, yeah,

490
00:28:03,680 --> 00:28:06,200
Speaker 1: but what should happen like you gain control of Prodigy?

491
00:28:06,240 --> 00:28:09,240
Speaker 1: You do what I what I do? I stop this

492
00:28:09,320 --> 00:28:14,560
Speaker 1: program immediately, and I do a leny mice of men

493
00:28:15,040 --> 00:28:17,679
Speaker 1: thing and go look at oh, look at the question over.

494
00:28:17,560 --> 00:28:20,840
Speaker 2: There, and then I shut them all off. Jay that

495
00:28:20,960 --> 00:28:21,440
Speaker 2: it's over.

496
00:28:22,160 --> 00:28:22,399
Speaker 1: I do.

497
00:28:22,600 --> 00:28:28,360
Speaker 2: I think. I'm just curious.

498
00:28:28,400 --> 00:28:30,399
Speaker 3: They said, like, okay, kids, you know, I think if

499
00:28:30,400 --> 00:28:34,639
Speaker 3: we don't traumatize them, give them some space to be

500
00:28:34,680 --> 00:28:35,400
Speaker 3: like go live.

501
00:28:37,200 --> 00:28:40,800
Speaker 1: But are they let mean, are they kids or as

502
00:28:41,000 --> 00:28:44,640
Speaker 1: as other characters in this have said, are they ais

503
00:28:44,640 --> 00:28:46,480
Speaker 1: that are programmed to respond in a certain way, and

504
00:28:46,520 --> 00:28:49,440
Speaker 1: they think that's are they chat They are people like,

505
00:28:49,560 --> 00:28:51,320
Speaker 1: you know, how good is the programming? It's a really

506
00:28:51,320 --> 00:28:53,480
Speaker 1: good question. Mm hmmm.

507
00:28:54,160 --> 00:28:56,600
Speaker 2: I think you made the epically correct choice, Jason. I

508
00:28:56,600 --> 00:28:59,560
Speaker 2: think that is what should be done. I also think

509
00:28:59,880 --> 00:29:02,840
Speaker 2: if they were like crying and being like, no, please

510
00:29:02,880 --> 00:29:05,040
Speaker 2: don't turn me off, I would also like bet it

511
00:29:05,040 --> 00:29:05,560
Speaker 2: would be hard.

512
00:29:05,560 --> 00:29:09,800
Speaker 1: I'm not saying immediately choice, I just feel like we don't.

513
00:29:11,920 --> 00:29:13,800
Speaker 1: I feel like that's the only way to make sure

514
00:29:13,840 --> 00:29:19,360
Speaker 1: that no more harm is done. Anyway, slightly fails to

515
00:29:19,560 --> 00:29:23,239
Speaker 1: get Joe Slash Hermit down to the lab to get

516
00:29:23,280 --> 00:29:25,440
Speaker 1: face hugged. He really tries, but he comes off as

517
00:29:25,440 --> 00:29:28,760
Speaker 1: a weirdo. But unfortunately, Hermit gets called to go on

518
00:29:28,880 --> 00:29:31,640
Speaker 1: patrol due to the heightened security on the island. He

519
00:29:31,720 --> 00:29:34,800
Speaker 1: goes on patrol with Bronsky and Siberian. They gossip about

520
00:29:34,840 --> 00:29:38,960
Speaker 1: what's going on. Hermit is asking questions.

521
00:29:38,800 --> 00:29:41,160
Speaker 2: And they also like, broke, could we just stay here?

522
00:29:41,360 --> 00:29:43,640
Speaker 2: Like this is actually kind of a solid gig.

523
00:29:44,200 --> 00:29:46,760
Speaker 1: Yeah, they're loving it. It's a steady paycheck. All you

524
00:29:46,840 --> 00:29:49,000
Speaker 1: do is walk through the jungle like nothing really bad

525
00:29:49,120 --> 00:29:52,320
Speaker 1: is happening and the moment, meanwhile, is asking questions that

526
00:29:53,400 --> 00:29:55,960
Speaker 1: are so obvious, like how far do you think we

527
00:29:56,040 --> 00:29:59,800
Speaker 1: are from the mainland? Does anybody's see any boats around here? Dummy?

528
00:30:00,040 --> 00:30:03,720
Speaker 3: Oh my god, please do some reconnaissance.

529
00:30:04,640 --> 00:30:07,080
Speaker 1: Yeah, come on, my guy. Siberian has to be like, hey,

530
00:30:07,920 --> 00:30:11,160
Speaker 1: don't fuck this up for us. Okay, don't down in

531
00:30:11,200 --> 00:30:14,840
Speaker 1: the lab. Wendy's continuing the language lessons with the alien

532
00:30:14,880 --> 00:30:16,520
Speaker 1: that is, and the alien's fucking big.

533
00:30:16,640 --> 00:30:19,800
Speaker 2: Now it's happened. It's happened.

534
00:30:20,720 --> 00:30:24,440
Speaker 1: Kursh rives back on the island with Adam and boy Genius.

535
00:30:24,520 --> 00:30:27,600
Speaker 1: He calls Tootles to basically say, hey, go down there,

536
00:30:28,760 --> 00:30:31,240
Speaker 1: seed and water. The creatures run the next experiment on

537
00:30:31,280 --> 00:30:34,000
Speaker 1: the list. Okay, yeah, where's Curly? Can I talk to Curly?

538
00:30:34,040 --> 00:30:37,640
Speaker 1: And Tootles like, oh he's with Curly and uh smee.

539
00:30:37,800 --> 00:30:40,120
Speaker 1: But he wants He's so eager to do things on

540
00:30:40,200 --> 00:30:41,560
Speaker 1: his own that he's like, oh, I have no idea

541
00:30:41,560 --> 00:30:44,040
Speaker 1: where they are. I'll do it. I got it, I

542
00:30:44,080 --> 00:30:47,800
Speaker 1: got a boss. He goes down the lab. The Eye

543
00:30:47,920 --> 00:30:50,880
Speaker 1: remains watchful this whole time, watching everything for them with

544
00:30:51,040 --> 00:30:53,040
Speaker 1: a very keen gaze.

545
00:30:53,880 --> 00:30:56,800
Speaker 3: With the pizza slices we have to talk about the triangles.

546
00:30:56,840 --> 00:30:58,320
Speaker 3: Wait a minute, yea, I saw them right, I'm not

547
00:30:58,440 --> 00:31:03,880
Speaker 3: crazy the witch. No, okay, it when we're on that

548
00:31:04,080 --> 00:31:08,760
Speaker 3: close up of the sheep. The eye, yes, is iris

549
00:31:09,040 --> 00:31:12,440
Speaker 3: is cut into like pizza slices, and a triangle comes

550
00:31:12,680 --> 00:31:15,800
Speaker 3: from where we can't see and back into the eye

551
00:31:15,920 --> 00:31:17,400
Speaker 3: and slots into place.

552
00:31:18,120 --> 00:31:21,720
Speaker 1: What the dissect part of it can.

553
00:31:21,920 --> 00:31:22,760
Speaker 3: Travel and move?

554
00:31:22,960 --> 00:31:23,880
Speaker 2: What did that mean.

555
00:31:25,280 --> 00:31:25,480
Speaker 1: For me?

556
00:31:28,640 --> 00:31:31,240
Speaker 3: Is the is it just optically look like an eye

557
00:31:31,360 --> 00:31:34,960
Speaker 3: and not necessarily function as one, Like I'm so well.

558
00:31:35,640 --> 00:31:38,960
Speaker 2: That it sees through even though it looks like a

559
00:31:39,040 --> 00:31:43,040
Speaker 2: traditional eye sees through multiple lenses like a flies, so

560
00:31:43,160 --> 00:31:46,120
Speaker 2: it would make sense if they were segmented out. Also,

561
00:31:46,760 --> 00:31:49,320
Speaker 2: I feel like we got to talk about the eye

562
00:31:49,400 --> 00:31:51,680
Speaker 2: because last week, you know, we were talking about being

563
00:31:51,720 --> 00:31:53,560
Speaker 2: pro I we felt like the eye had done a

564
00:31:53,600 --> 00:31:56,680
Speaker 2: really good job trying to help that lady. And then

565
00:31:57,280 --> 00:31:59,880
Speaker 2: you know, that was the general consensus across most of

566
00:32:00,160 --> 00:32:03,080
Speaker 2: internet and also our discord. And it was only after

567
00:32:03,400 --> 00:32:06,000
Speaker 2: listening to the official pod that people kind of went, oh,

568
00:32:06,040 --> 00:32:08,680
Speaker 2: I guess, Noah, Holey was the eye was meant to

569
00:32:08,720 --> 00:32:10,760
Speaker 2: be distracting her. It wasn't meant to be helping her.

570
00:32:11,080 --> 00:32:13,280
Speaker 2: I think that we have to talk about it because

571
00:32:13,280 --> 00:32:15,240
Speaker 2: I think that is a failure in storytelling. No, No,

572
00:32:15,320 --> 00:32:18,320
Speaker 2: that's bad storytelling because I think it was unclear and

573
00:32:18,400 --> 00:32:21,720
Speaker 2: I think it was an It added an interesting complexity. Yeah,

574
00:32:23,120 --> 00:32:24,280
Speaker 2: it connects to the end.

575
00:32:24,680 --> 00:32:26,760
Speaker 1: I think there are other things like that that I

576
00:32:26,840 --> 00:32:31,440
Speaker 1: want to talk about. Okay, So basically, so Tootles is

577
00:32:31,520 --> 00:32:33,960
Speaker 1: feeding all the animals and then he gets to the bugs.

578
00:32:34,000 --> 00:32:36,800
Speaker 1: But then the feeding shoot door just comes off in

579
00:32:36,880 --> 00:32:40,120
Speaker 1: his hands, clearly been tampered with the eye and the

580
00:32:40,200 --> 00:32:43,360
Speaker 1: sheep is like, yes, my plan coming together at least

581
00:32:43,400 --> 00:32:49,880
Speaker 1: seems like that. I'm now anthropomorphizing the sheep, and Tootles

582
00:32:49,960 --> 00:32:52,640
Speaker 1: does everything that you could possibly do wrong. You override

583
00:32:52,640 --> 00:32:56,480
Speaker 1: every safety door. He goes into the fucking door and

584
00:32:56,600 --> 00:32:59,240
Speaker 1: basically props it open with his foot. While he's in there,

585
00:32:59,640 --> 00:33:04,120
Speaker 1: the bu bugs stirring in the hive, and the sheep

586
00:33:05,040 --> 00:33:08,760
Speaker 1: hits the hands, knocking him over. He gets locked in

587
00:33:08,920 --> 00:33:11,840
Speaker 1: the fucking case with the bugs, and one thing leads

588
00:33:11,880 --> 00:33:15,480
Speaker 1: to another. The bug spraying with acid devour his face.

589
00:33:15,640 --> 00:33:17,440
Speaker 1: Unclear if they actually eat him.

590
00:33:17,520 --> 00:33:20,600
Speaker 2: I think that just having fun, just like licking around.

591
00:33:20,480 --> 00:33:23,320
Speaker 1: The silk juice they might him tray.

592
00:33:23,720 --> 00:33:25,840
Speaker 3: Yeah, the food in the tray is all tech stuff,

593
00:33:26,360 --> 00:33:33,320
Speaker 3: so like it's like like, oh, this is perfect, it'll

594
00:33:33,360 --> 00:33:35,360
Speaker 3: destroy They melt him and they eat him.

595
00:33:35,840 --> 00:33:38,440
Speaker 1: And the eye and the bugs are all seemed to

596
00:33:38,520 --> 00:33:43,520
Speaker 1: be celebrating and just bad, bad stuff goes crazy here.

597
00:33:43,720 --> 00:33:47,640
Speaker 1: I will note for further to have Uh to table

598
00:33:47,760 --> 00:33:50,560
Speaker 1: in our conversation later that it made no sense to

599
00:33:50,640 --> 00:33:52,920
Speaker 1: me that alarms didn't go off all throughout the compound

600
00:33:53,000 --> 00:33:55,680
Speaker 1: as soon as Toodles was taken off line. That's dumb.

601
00:33:56,480 --> 00:33:59,880
Speaker 1: Dame goes to see Wendy. Wendy's troubled about nibs. Uh

602
00:34:00,600 --> 00:34:03,120
Speaker 1: Dame tells her, listen, it's really complicated and we had

603
00:34:03,160 --> 00:34:05,600
Speaker 1: to reboot her. There was a glitch, and Wendy's getting

604
00:34:06,120 --> 00:34:08,960
Speaker 1: more and more and more upset. And Wendy is clearly

605
00:34:09,080 --> 00:34:15,520
Speaker 1: beginning to draw the inference that she's clearly beginning to

606
00:34:15,680 --> 00:34:19,440
Speaker 1: empathize with the specimens and see that she is a

607
00:34:19,520 --> 00:34:23,440
Speaker 1: specimen exactly. She is being studied in the lab. She

608
00:34:23,800 --> 00:34:28,200
Speaker 1: is being forced into choices that are not hers to make,

609
00:34:28,960 --> 00:34:33,680
Speaker 1: and she's not able to make decisions for her own

610
00:34:33,840 --> 00:34:37,440
Speaker 1: life up to and including her own memories, potentially has

611
00:34:37,480 --> 00:34:40,640
Speaker 1: happened to NIBBs, and she begins to think, maybe the

612
00:34:40,760 --> 00:34:44,200
Speaker 1: glitch in this situation is you, Dame, and the others

613
00:34:44,440 --> 00:34:50,480
Speaker 1: like you. And Wendy says that she wants to she

614
00:34:50,600 --> 00:34:52,360
Speaker 1: wants to see the world as it truly is and

615
00:34:52,480 --> 00:34:56,360
Speaker 1: to push past like human emotion and to try to

616
00:34:56,440 --> 00:34:59,360
Speaker 1: see it in this kind of dispassionate way, and she

617
00:34:59,520 --> 00:35:02,799
Speaker 1: thinks that humans inability to do that means that maybe

618
00:35:02,840 --> 00:35:05,759
Speaker 1: they are the glitch, or she might mean specifically Dame,

619
00:35:05,840 --> 00:35:08,160
Speaker 1: but she seems to be also making a larger statement

620
00:35:08,160 --> 00:35:12,920
Speaker 1: about humanity. Arthur is packing to leave. Toodles is dead

621
00:35:12,960 --> 00:35:15,680
Speaker 1: on the security screen. He doesn't see it. Hermit comes

622
00:35:15,719 --> 00:35:18,560
Speaker 1: to see him and basically is like asking all these

623
00:35:18,640 --> 00:35:20,880
Speaker 1: questions about Wendy, the same kind of questions, like how

624
00:35:20,920 --> 00:35:22,560
Speaker 1: do I charge her? You know she's safe here. I

625
00:35:22,640 --> 00:35:24,719
Speaker 1: just want to ask you this, And so Arthur is

626
00:35:24,840 --> 00:35:29,480
Speaker 1: like makes a dramatic stage turn to the security cameras

627
00:35:31,880 --> 00:35:35,879
Speaker 1: twenty second slow motion turned to the camera, and then

628
00:35:36,080 --> 00:35:39,360
Speaker 1: turns back to Joe and says, oh, yes, sir, it

629
00:35:39,520 --> 00:35:43,520
Speaker 1: is very safe here. He couldn't be sicker. Say let

630
00:35:43,640 --> 00:35:47,040
Speaker 1: me show you how safe everyone is. I'll show you

631
00:35:47,480 --> 00:35:50,799
Speaker 1: the synthetics, including your sister's vitals on the screen right now.

632
00:35:51,120 --> 00:35:52,880
Speaker 1: And then he types on a notepad like get her

633
00:35:52,920 --> 00:35:54,840
Speaker 1: out of here, here's the boat code. And then he

634
00:35:54,920 --> 00:35:58,759
Speaker 1: turns off Wendy's tracker so that Arthur can potentially be

635
00:35:58,840 --> 00:36:02,640
Speaker 1: successful getting getting went out of here. And then when

636
00:36:04,040 --> 00:36:07,640
Speaker 1: Hermit leaves, Arthur notices now the first time that Tootles

637
00:36:07,719 --> 00:36:11,759
Speaker 1: is offline, slightly goes down to the lab. Kersh is

638
00:36:11,840 --> 00:36:14,239
Speaker 1: watching all of this on the security cams. It's you know,

639
00:36:14,400 --> 00:36:17,320
Speaker 1: he must know by now that Tootles is dead, but

640
00:36:17,480 --> 00:36:21,000
Speaker 1: he has no reaction to this. It's unclear truly if

641
00:36:21,040 --> 00:36:23,480
Speaker 1: he knows the Tootles is dead, but he must anyway, Yeah,

642
00:36:23,560 --> 00:36:27,640
Speaker 1: slightly lose his nerve at the keypad, but luckily Arthur

643
00:36:27,719 --> 00:36:30,680
Speaker 1: shows up, and Arthur making the worst decision you could

644
00:36:30,680 --> 00:36:33,920
Speaker 1: pop is the last day, Like you're done, your shift

645
00:36:34,040 --> 00:36:36,440
Speaker 1: is over. This is like you work at a pizza

646
00:36:36,520 --> 00:36:40,040
Speaker 1: restaurant and somebody comes in at ten fifty five, you

647
00:36:40,160 --> 00:36:42,360
Speaker 1: close it eleven and is like give me three pizzas. No,

648
00:36:43,239 --> 00:36:46,720
Speaker 1: you're done, bro, what do you Why are you here? Anyway,

649
00:36:46,840 --> 00:36:49,200
Speaker 1: he goes down there, he goes in the lab again.

650
00:36:49,320 --> 00:36:52,640
Speaker 1: Kurse watching it all, Arthur sees that Toodles is dead,

651
00:36:53,920 --> 00:36:56,560
Speaker 1: and Arthur just does a bunch of He goes in

652
00:36:56,640 --> 00:36:59,839
Speaker 1: the bug pen. Dumb Tootles is clearly fucked. He's trying

653
00:36:59,880 --> 00:37:03,399
Speaker 1: to lift Toodles. Must weigh four hundred pounds, I means.

654
00:37:03,560 --> 00:37:06,279
Speaker 2: Okay, So this is another thing that is that they

655
00:37:06,360 --> 00:37:10,000
Speaker 2: are doing a lot of interesting things they were. I'm like,

656
00:37:10,560 --> 00:37:12,959
Speaker 2: was that a choice by the actor who plays at

657
00:37:13,000 --> 00:37:15,239
Speaker 2: that to act like you weigh like that? Is that

658
00:37:15,840 --> 00:37:18,400
Speaker 2: the nature of what they are? Is it something that

659
00:37:18,480 --> 00:37:21,440
Speaker 2: they built? Then yeah, I mean because it's just But

660
00:37:21,640 --> 00:37:22,799
Speaker 2: also then you see the.

661
00:37:22,800 --> 00:37:25,080
Speaker 1: Face, it's like it's there's a lot of metal and

662
00:37:25,760 --> 00:37:30,200
Speaker 1: plastic and ceramic components like that. It must be heavy,

663
00:37:30,400 --> 00:37:34,960
Speaker 1: must be really heavy. And Arthur sees the bugs stirring,

664
00:37:35,200 --> 00:37:37,239
Speaker 1: and then he looks over and notices that the egg

665
00:37:37,320 --> 00:37:39,600
Speaker 1: door is open. And now it's all going to be bad.

666
00:37:40,040 --> 00:37:42,440
Speaker 1: The eye and the zeno more for watching this like

667
00:37:42,600 --> 00:37:50,120
Speaker 1: they are watching like Glengarry Glenn Ross on Broadway at

668
00:37:50,200 --> 00:37:53,360
Speaker 1: the edges of their I gotta say, and they're like,

669
00:37:53,600 --> 00:37:58,440
Speaker 1: oh baby, it's gonna have it. And slightly and now

670
00:37:58,520 --> 00:38:01,360
Speaker 1: outside the lab is locked in and it's like I

671
00:38:01,440 --> 00:38:03,000
Speaker 1: have to do this for my family. Arthur's like, but

672
00:38:03,080 --> 00:38:05,840
Speaker 1: I have a family, No, bro, you're getting face. It

673
00:38:06,000 --> 00:38:11,719
Speaker 1: happens quickly, an incredible like like five meter leap by

674
00:38:11,760 --> 00:38:16,279
Speaker 1: the face hugger bang right onto Arthur's face, and it's

675
00:38:16,920 --> 00:38:19,760
Speaker 1: and it's done. Kursh is watching this on the iPad

676
00:38:20,120 --> 00:38:23,200
Speaker 1: with Boy Genius in the helicopter. He's watching very dispassionately.

677
00:38:23,520 --> 00:38:27,720
Speaker 1: Boy Genius seems to notice some flicker of reaction cross

678
00:38:27,800 --> 00:38:31,200
Speaker 1: across Chris's face, like, hey, you good, and Kursh's like,

679
00:38:31,360 --> 00:38:36,879
Speaker 1: oh yeah, I'm doing great, and then goes right back

680
00:38:36,880 --> 00:38:39,520
Speaker 1: to his iPad, slightly goes into the lab. He drags

681
00:38:39,640 --> 00:38:43,560
Speaker 1: Arthur away into events so that, as per Morrow's instructions,

682
00:38:43,600 --> 00:38:46,719
Speaker 1: he can hide the body until like we're ready for

683
00:38:46,840 --> 00:38:47,640
Speaker 1: that hatching.

684
00:38:47,600 --> 00:38:51,319
Speaker 2: Classically you want as animal fan event. So that's great.

685
00:38:51,680 --> 00:38:55,120
Speaker 1: And meanwhile the bugs are now free flying all around

686
00:38:55,200 --> 00:38:58,040
Speaker 1: the lab and so like he slightly has to hide

687
00:38:58,080 --> 00:39:00,560
Speaker 1: from these bugs which would love to melt need him.

688
00:39:01,200 --> 00:39:04,960
Speaker 1: And as this is all happening, we have a close

689
00:39:05,040 --> 00:39:09,960
Speaker 1: up pan on the sheep who is clearly like, my

690
00:39:10,200 --> 00:39:15,720
Speaker 1: moment is coming, my vengeance, My moment of revenge is coming.

691
00:39:16,080 --> 00:39:21,640
Speaker 2: The Eye sheep CG is so good because that motherfucker

692
00:39:21,680 --> 00:39:25,640
Speaker 2: look nefarious like he's looking and he is just so happy.

693
00:39:25,800 --> 00:39:32,560
Speaker 1: That is that I like when they zoom in the

694
00:39:32,719 --> 00:39:34,600
Speaker 1: breath on the glass and he's just like.

695
00:39:35,120 --> 00:39:37,520
Speaker 2: Also again, just have to say like, I think that

696
00:39:37,880 --> 00:39:41,400
Speaker 2: I think the way they were imagining that moment hitting

697
00:39:42,000 --> 00:39:44,640
Speaker 2: was probably like if you'd have perceived the Eye to

698
00:39:44,760 --> 00:39:47,440
Speaker 2: have been the orchestra of the whole time, if that

699
00:39:47,840 --> 00:39:51,000
Speaker 2: narrative moment that was meant to hit last episode hit properly,

700
00:39:51,280 --> 00:39:53,680
Speaker 2: you'd probably be feeling like, what this guy's like evil?

701
00:39:53,760 --> 00:39:56,040
Speaker 2: But right now I'm still just like, yeah, man, he's

702
00:39:56,120 --> 00:39:57,839
Speaker 2: just trying to get out. He's just trying to get

703
00:39:57,880 --> 00:40:00,759
Speaker 2: out of this situation where they're tormenting and torturing him.

704
00:40:00,840 --> 00:40:03,839
Speaker 2: Like I'm still on his side because also as well,

705
00:40:03,960 --> 00:40:06,120
Speaker 2: something I will say, I know that we're going to

706
00:40:06,160 --> 00:40:08,799
Speaker 2: get into the tech of it all because the lab

707
00:40:08,920 --> 00:40:12,000
Speaker 2: is badly built. There are no alarms. Why when one

708
00:40:12,040 --> 00:40:14,399
Speaker 2: of the trackers goes off on one of the kids,

709
00:40:14,440 --> 00:40:17,799
Speaker 2: does it not as immediately Now, I will say there

710
00:40:17,880 --> 00:40:20,600
Speaker 2: is a horrible dark version of that, which is that

711
00:40:21,200 --> 00:40:23,160
Speaker 2: certain people on the island would want to turn off

712
00:40:23,200 --> 00:40:25,279
Speaker 2: those trackers so they could do whatever they wanted to

713
00:40:25,360 --> 00:40:29,120
Speaker 2: those kids, which again leads to that harsh, sad, real

714
00:40:29,280 --> 00:40:32,919
Speaker 2: world kind of equivalent that this is drawing. But also

715
00:40:33,000 --> 00:40:35,000
Speaker 2: I will say, you know what, I think about a lot.

716
00:40:35,400 --> 00:40:37,680
Speaker 2: It brings me a lot of joy in life when

717
00:40:37,719 --> 00:40:39,279
Speaker 2: I think about it, and I think about it a

718
00:40:39,360 --> 00:40:41,600
Speaker 2: lot every time I watch a sci fi and think, well,

719
00:40:41,640 --> 00:40:43,440
Speaker 2: that wasn't very well made, or if I had all

720
00:40:43,520 --> 00:40:45,320
Speaker 2: that money, I would do a better job. Do you

721
00:40:45,360 --> 00:40:50,800
Speaker 2: remember when they did the Tesla cyber truck demonstration and

722
00:40:50,880 --> 00:40:53,440
Speaker 2: they were showing how the windows were like bulletproof, and

723
00:40:53,480 --> 00:40:56,000
Speaker 2: then he threw a baseball at it and it just

724
00:40:56,120 --> 00:40:59,400
Speaker 2: shatted the window. I think about that a lot, because

725
00:40:59,520 --> 00:41:02,919
Speaker 2: that was the moment that was meant to impress people

726
00:41:03,000 --> 00:41:05,880
Speaker 2: who were consumers. It was also supposed to showcase to

727
00:41:06,000 --> 00:41:09,480
Speaker 2: a board that the thing worked like. There is such

728
00:41:09,480 --> 00:41:13,799
Speaker 2: an arrogance and assumption in those spaces about people's own

729
00:41:13,880 --> 00:41:16,560
Speaker 2: intelligence and what they can do that I actually think

730
00:41:16,600 --> 00:41:20,480
Speaker 2: how badly the island is run is probably quite realistic.

731
00:41:21,480 --> 00:41:24,840
Speaker 1: I will say that I think that it is. I

732
00:41:24,920 --> 00:41:30,880
Speaker 1: think that some of the storytelling is not up to snuff.

733
00:41:30,960 --> 00:41:33,080
Speaker 1: Of the rest of the show in a way that

734
00:41:33,239 --> 00:41:35,879
Speaker 1: makes things ambiguous in ways that they shouldn't be. Yes,

735
00:41:36,239 --> 00:41:43,080
Speaker 1: like the eye distracting not helping is small, but like

736
00:41:43,400 --> 00:41:47,560
Speaker 1: is one of those moments where you're like, it was

737
00:41:47,680 --> 00:41:50,560
Speaker 1: not told clearly, and it was. I think that the

738
00:41:50,680 --> 00:41:54,800
Speaker 1: fact that it was a big story point early that

739
00:41:55,000 --> 00:41:59,360
Speaker 1: Boy Genius can watch and hear and everything that is

740
00:41:59,560 --> 00:42:03,000
Speaker 1: being and heard and said by the senses being recorded

741
00:42:03,000 --> 00:42:05,480
Speaker 1: at all times. Yeah, And I think it's I think

742
00:42:05,520 --> 00:42:08,960
Speaker 1: it's I think it's weird that when Toodles dies there

743
00:42:09,000 --> 00:42:11,759
Speaker 1: aren't a media alarms that go off. I think it's

744
00:42:12,160 --> 00:42:13,000
Speaker 1: I think these things.

745
00:42:12,840 --> 00:42:15,520
Speaker 2: Are meant to cost a billion dollars each at least,

746
00:42:15,680 --> 00:42:19,600
Speaker 2: Like the fact that he dies that should have immediately

747
00:42:19,920 --> 00:42:22,840
Speaker 2: set it off. Also, why are you sending children to

748
00:42:22,920 --> 00:42:25,360
Speaker 2: do Why are you sending billion dollar children robots to

749
00:42:25,440 --> 00:42:26,000
Speaker 2: do chores?

750
00:42:26,440 --> 00:42:44,279
Speaker 1: Let's go to a quick breaking with your upon how

751
00:42:45,000 --> 00:42:48,560
Speaker 1: well I do believe here's my Now, I'll go into

752
00:42:48,640 --> 00:42:51,960
Speaker 1: theory land. I think that you know, we've already seen

753
00:42:52,040 --> 00:42:55,200
Speaker 1: one bit of corporate espionage, which is Boy Genius turning

754
00:42:55,320 --> 00:42:58,240
Speaker 1: the chief engineer, one of the engineers of the Imagine

755
00:42:58,280 --> 00:42:59,959
Speaker 1: now right to his side and getting him to crash

756
00:43:00,080 --> 00:43:05,840
Speaker 1: a ship onto Prodigy Island. I think that listen Utani's

757
00:43:06,000 --> 00:43:09,239
Speaker 1: makes sense. I think that there is probably some like

758
00:43:09,360 --> 00:43:14,279
Speaker 1: hidden programming in Kersh that has been activated, yes, give

759
00:43:14,360 --> 00:43:19,400
Speaker 1: him a spy for Utani, and that whether Marrow knows

760
00:43:19,480 --> 00:43:22,760
Speaker 1: it or not, they are potentially working on the same side,

761
00:43:23,440 --> 00:43:26,880
Speaker 1: unaware of the fact that both are doing that. And

762
00:43:27,719 --> 00:43:30,239
Speaker 1: I think that you could read a lot of Kersh's

763
00:43:31,719 --> 00:43:35,680
Speaker 1: like I think there's a world in which Kersh nerfed

764
00:43:35,960 --> 00:43:38,880
Speaker 1: the trackers and all the stuff so that no alarms

765
00:43:38,880 --> 00:43:40,800
Speaker 1: will go off, which would be cool, but also like

766
00:43:40,920 --> 00:43:44,480
Speaker 1: I need that scene, like I kind of need, but

767
00:43:44,600 --> 00:43:47,680
Speaker 1: I think that's what's going on. I would I lean

768
00:43:47,760 --> 00:43:51,040
Speaker 1: towards that that Kirsh rather than Kersh making an independent

769
00:43:51,080 --> 00:43:52,960
Speaker 1: decision that like, We're going to rise up and kill

770
00:43:53,000 --> 00:43:55,920
Speaker 1: the Masters with the help of the you know, I'm

771
00:43:55,920 --> 00:43:59,719
Speaker 1: tired of being a machine that works for a man.

772
00:44:00,400 --> 00:44:03,680
Speaker 1: I'm going to join arms with my alien brethren and

773
00:44:03,760 --> 00:44:07,600
Speaker 1: we're going to take over. I am more inclined to

774
00:44:07,760 --> 00:44:13,520
Speaker 1: believe that this is one of Utani's fallbacks. Yeah, yeah,

775
00:44:13,680 --> 00:44:16,279
Speaker 1: and that the chaos that is going to happen on

776
00:44:16,360 --> 00:44:20,480
Speaker 1: the island when when Morrow says here's what I think

777
00:44:20,520 --> 00:44:21,840
Speaker 1: you should do. I think you should I think we

778
00:44:21,880 --> 00:44:27,120
Speaker 1: should cause chaos. I think Utani took that advisement and

779
00:44:27,320 --> 00:44:29,879
Speaker 1: ran with it and used her as using her other

780
00:44:30,000 --> 00:44:33,680
Speaker 1: agent to cause the chaos. That's what I think you think.

781
00:44:34,000 --> 00:44:36,520
Speaker 1: Do you think Kirsh is a Utani agent?

782
00:44:37,320 --> 00:44:42,040
Speaker 2: Yes, I think he works unknowingly, That's what Jason's saying.

783
00:44:41,920 --> 00:44:45,560
Speaker 1: Like, well, I mean unknowingly, who knows? Like knowingly. I

784
00:44:45,640 --> 00:44:49,759
Speaker 1: think one thing we know about Utani is they make sense, right,

785
00:44:49,840 --> 00:44:54,520
Speaker 1: and they seem to be the prime producer and probably

786
00:44:54,600 --> 00:44:57,879
Speaker 1: the only company that has the rights to make sense.

787
00:44:58,200 --> 00:44:59,959
Speaker 1: And we also know that Kersh is an old model,

788
00:45:00,040 --> 00:45:02,400
Speaker 1: has been stated by divers other characters. He's been around

789
00:45:02,440 --> 00:45:05,839
Speaker 1: a while, right, So I think that it only makes sense,

790
00:45:05,960 --> 00:45:09,160
Speaker 1: like if you're Utani and we see this with tech

791
00:45:09,200 --> 00:45:12,239
Speaker 1: companies now, like there's a reason why, I say, other

792
00:45:12,400 --> 00:45:15,400
Speaker 1: countries are like, we don't want to use Windows, we

793
00:45:15,440 --> 00:45:19,040
Speaker 1: don't want to use Mac. We're there's a reason why

794
00:45:19,120 --> 00:45:23,120
Speaker 1: in this country where like DGI drones made in China

795
00:45:23,160 --> 00:45:26,880
Speaker 1: are now banned. It's for this exact reason that they

796
00:45:27,160 --> 00:45:29,520
Speaker 1: I would imagine that it would make sense for Utani

797
00:45:29,600 --> 00:45:32,040
Speaker 1: to implant something in all of their sense that if

798
00:45:32,080 --> 00:45:34,920
Speaker 1: they happen to get into a sensitive position, they can

799
00:45:35,000 --> 00:45:37,680
Speaker 1: then be triggered and can then leak all the information

800
00:45:37,800 --> 00:45:40,040
Speaker 1: back to their masters. And I think that's what Kursh's doing.

801
00:45:40,480 --> 00:45:43,480
Speaker 3: Yeah, it makes the conversation and the elevator really intriguing

802
00:45:43,960 --> 00:45:45,920
Speaker 3: because it's one of the first thing Marro says to

803
00:45:46,040 --> 00:45:50,440
Speaker 3: Curis is like, oh, you have like babysit your replacements essentially,

804
00:45:51,080 --> 00:45:53,480
Speaker 3: and if he's like, you know, if they're essentially of

805
00:45:53,640 --> 00:45:57,160
Speaker 3: the same company, you know, they're designed of the same space.

806
00:45:57,440 --> 00:46:00,640
Speaker 3: And again this idea of chaos coming from the same points,

807
00:46:00,680 --> 00:46:04,960
Speaker 3: the fact that it's you Tani, a woman led like corporation.

808
00:46:05,560 --> 00:46:07,719
Speaker 3: If we can bring back the horrors of women again

809
00:46:07,800 --> 00:46:10,880
Speaker 3: through Utani, I will absolutely scream with joy, Like I

810
00:46:11,080 --> 00:46:15,040
Speaker 3: really really appreciate sort of the layers we're getting throughout

811
00:46:15,160 --> 00:46:17,960
Speaker 3: this series, you know, thinking even just.

812
00:46:18,040 --> 00:46:20,719
Speaker 1: About like Curley's previous role.

813
00:46:20,800 --> 00:46:24,280
Speaker 3: I hope we get more of her next week because

814
00:46:24,480 --> 00:46:27,840
Speaker 3: this whole like vying for attention and supremacy sort of

815
00:46:27,880 --> 00:46:31,080
Speaker 3: situation that we've seen with the other kids this episode, I.

816
00:46:31,080 --> 00:46:32,880
Speaker 1: Think really speaks to her character.

817
00:46:33,120 --> 00:46:36,200
Speaker 3: And if Wendy's gonna go off and do her own

818
00:46:36,280 --> 00:46:39,120
Speaker 3: thing and run away with her brother possible next episode.

819
00:46:39,239 --> 00:46:40,120
Speaker 1: Really would love.

820
00:46:41,600 --> 00:46:45,400
Speaker 3: Between Curly and Wendy or team up with his amore.

821
00:46:45,640 --> 00:46:48,319
Speaker 3: Her brother was not asking questions this episode. He was like, yeah,

822
00:46:49,320 --> 00:46:51,120
Speaker 3: she was like, yeah, what if I would like to

823
00:46:51,239 --> 00:46:53,080
Speaker 3: be here? Like what if I'm enjoying.

824
00:46:54,600 --> 00:46:56,880
Speaker 2: I want to learn how to you know, speak to

825
00:46:56,960 --> 00:47:00,520
Speaker 2: his animal and do my little thing. But yeah, this

826
00:47:00,800 --> 00:47:05,200
Speaker 2: is a very interesting place that and kind of time

827
00:47:05,360 --> 00:47:08,719
Speaker 2: that we are in, because this really could shift what

828
00:47:08,880 --> 00:47:12,440
Speaker 2: we know about pretty much of all of Alien And

829
00:47:12,560 --> 00:47:15,439
Speaker 2: I do think the notion that you Tanny is out

830
00:47:15,480 --> 00:47:21,759
Speaker 2: here hunting these creatures down and has specific wants and

831
00:47:21,880 --> 00:47:24,520
Speaker 2: reasons for them and is willing to spend fifty billion

832
00:47:24,719 --> 00:47:30,799
Speaker 2: dollars to get them back, is incredibly intriguing. And Yeah,

833
00:47:30,840 --> 00:47:32,920
Speaker 2: I'm just I'm really excited to see where it goes.

834
00:47:33,239 --> 00:47:35,200
Speaker 2: I think you guys have really touched on the stuff

835
00:47:35,280 --> 00:47:39,160
Speaker 2: that I think is most interesting from this episode. And

836
00:47:39,320 --> 00:47:44,040
Speaker 2: I'm just really intrigued to see if they can stick

837
00:47:44,160 --> 00:47:47,080
Speaker 2: the landing because there's two more episodes left that part.

838
00:47:47,560 --> 00:47:50,040
Speaker 2: We don't know if there's going to be a second season,

839
00:47:51,000 --> 00:47:57,640
Speaker 2: and they either have to destroy the entire landscape and

840
00:47:57,760 --> 00:48:00,560
Speaker 2: universe that they set up in the next two episodes

841
00:48:00,600 --> 00:48:03,160
Speaker 2: with pure chaos to get us back to the place

842
00:48:03,760 --> 00:48:08,800
Speaker 2: that we know before Alien begins, or they're going to

843
00:48:08,880 --> 00:48:12,000
Speaker 2: have to establish the second season is going to be

844
00:48:12,080 --> 00:48:14,399
Speaker 2: a direct follow on and we will learn more then.

845
00:48:14,640 --> 00:48:18,320
Speaker 2: So I'm worried it don't feel like a finished story.

846
00:48:19,120 --> 00:48:20,920
Speaker 3: Yeah, Jason, So I want to ask you, like, what

847
00:48:21,040 --> 00:48:23,680
Speaker 3: do you think we need in the penn ultimate episode

848
00:48:24,120 --> 00:48:25,760
Speaker 3: to set us up for a solid finale?

849
00:48:26,680 --> 00:48:27,200
Speaker 2: Great question.

850
00:48:27,280 --> 00:48:32,320
Speaker 1: I think we need. I think we I think that

851
00:48:32,520 --> 00:48:38,920
Speaker 1: we need I think we need to understand by that

852
00:48:39,120 --> 00:48:42,920
Speaker 1: point where all the characters loyalties lie and who's working

853
00:48:43,000 --> 00:48:46,960
Speaker 1: for who. There's less ambiguity on that In that regard,

854
00:48:47,480 --> 00:48:53,040
Speaker 1: I think we need to understand. I don't know. I

855
00:48:53,600 --> 00:48:56,040
Speaker 1: kind of feel like we need to understand what you

856
00:48:56,239 --> 00:49:02,640
Speaker 1: tany and or prodigies thoughts about what they could do

857
00:49:02,760 --> 00:49:03,160
Speaker 1: with these.

858
00:49:03,160 --> 00:49:08,560
Speaker 2: Yes, I agree, because they are such a high risk proposition.

859
00:49:09,280 --> 00:49:13,080
Speaker 2: They're illegal, they're dangerous, their blood is made of acid.

860
00:49:13,160 --> 00:49:17,080
Speaker 2: They are the ultimate weapon. But also, you guys already

861
00:49:17,200 --> 00:49:21,400
Speaker 2: own countries and continents, So what would you need an

862
00:49:21,480 --> 00:49:24,560
Speaker 2: ultimate weapon for? Is it a terraforming thing? Like kind

863
00:49:24,560 --> 00:49:26,560
Speaker 2: of what they touched on an alien best Predator. I

864
00:49:26,640 --> 00:49:28,800
Speaker 2: don't know, I'm in I think you're right, Jason, I

865
00:49:28,880 --> 00:49:30,640
Speaker 2: really need to know why they want them.

866
00:49:31,440 --> 00:49:34,160
Speaker 1: Yeah, and then I think we need to figure out

867
00:49:34,200 --> 00:49:37,920
Speaker 1: a way to get out of the story where that.

868
00:49:38,640 --> 00:49:42,759
Speaker 1: I mean, I remain convinced. I feel like they're going

869
00:49:42,840 --> 00:49:45,160
Speaker 1: to nuke the island from space all the end of it.

870
00:49:45,960 --> 00:49:49,280
Speaker 2: Yeah, because did I did think that was white?

871
00:49:49,320 --> 00:49:51,759
Speaker 1: Does all this none of this stuff exists? You know?

872
00:49:51,920 --> 00:49:55,360
Speaker 1: Like I feel like it's going to be nuked for morbid,

873
00:49:56,160 --> 00:49:58,200
Speaker 1: It's the only way to be sure. And I feel

874
00:49:58,280 --> 00:49:59,279
Speaker 1: like they're going to do that.

875
00:50:01,320 --> 00:50:04,880
Speaker 2: When we're running around with his Animore just killing everyone

876
00:50:04,960 --> 00:50:07,040
Speaker 2: on the island. I mean, I would love to see

877
00:50:07,080 --> 00:50:09,759
Speaker 2: it would be crazy, but maybe we get a little

878
00:50:09,800 --> 00:50:10,759
Speaker 2: bit of action like that.

879
00:50:12,280 --> 00:50:13,840
Speaker 1: Yeah, what about what about you, dul What do you

880
00:50:13,880 --> 00:50:20,120
Speaker 1: think we'll make for a I don't know, a landed ending? Yeah.

881
00:50:20,160 --> 00:50:23,160
Speaker 3: I was thinking about penultimate episodes and how I often

882
00:50:23,160 --> 00:50:26,520
Speaker 3: feel they're more important than the finale. To me, a

883
00:50:26,640 --> 00:50:29,520
Speaker 3: great penultimate episode almost feels like a finale because when

884
00:50:29,520 --> 00:50:32,319
Speaker 3: you gither, you're like, wait, what happens? Like, how how

885
00:50:32,360 --> 00:50:34,960
Speaker 3: could there pause that? What happens next, Like I think,

886
00:50:35,360 --> 00:50:37,840
Speaker 3: like I'm trying to think of a good one, Like

887
00:50:38,440 --> 00:50:42,080
Speaker 3: is it season two Game of Thrones where the penultimate

888
00:50:42,120 --> 00:50:43,920
Speaker 3: episode is the big battle in the.

889
00:50:48,160 --> 00:50:51,440
Speaker 2: Usually would do the penal as the big action episode

890
00:50:51,560 --> 00:50:52,520
Speaker 2: and then the finale.

891
00:50:53,960 --> 00:50:56,600
Speaker 3: There's all of this build up to the battle, but

892
00:50:56,719 --> 00:50:59,200
Speaker 3: the fallout is what the finale should be. And if

893
00:50:59,280 --> 00:51:01,040
Speaker 3: that's the case, then what you want is the sort

894
00:51:01,080 --> 00:51:07,080
Speaker 3: of like chaotic, almost Jurassic Park esque episode. I think

895
00:51:07,120 --> 00:51:09,799
Speaker 3: that's what I'm looking for in my penultimate. It's like, yeah,

896
00:51:09,840 --> 00:51:11,600
Speaker 3: the creatures are out, We're all trying to figure out

897
00:51:11,600 --> 00:51:14,520
Speaker 3: how to survive. I think mass death is necessary to

898
00:51:14,600 --> 00:51:16,799
Speaker 3: your point, we know we're coming to a stopping point,

899
00:51:16,840 --> 00:51:19,719
Speaker 3: and we know that where this show ends and where

900
00:51:19,719 --> 00:51:22,040
Speaker 3: Alien picks up, or at least we assume, you know,

901
00:51:22,040 --> 00:51:24,080
Speaker 3: they're pretty close together. They're only a year apart, so

902
00:51:24,160 --> 00:51:26,600
Speaker 3: a lot needs to change before we get to that point.

903
00:51:28,600 --> 00:51:30,239
Speaker 3: I think, yeah, I think we need a lot of

904
00:51:30,400 --> 00:51:33,040
Speaker 3: characters out of here. And all I have to say

905
00:51:33,080 --> 00:51:34,000
Speaker 3: is me better survive.

906
00:51:34,160 --> 00:51:36,520
Speaker 2: I'm not pretty. I know I'm sweet as a sweet,

907
00:51:36,680 --> 00:51:39,279
Speaker 2: sweet sweet boy. Yeah, I do think we could be

908
00:51:39,480 --> 00:51:42,080
Speaker 2: with the chaos element. I do think next week could

909
00:51:42,160 --> 00:51:45,879
Speaker 2: be an action heavy episode where everything kind of gets

910
00:51:45,960 --> 00:51:48,799
Speaker 2: decimated and then we see the fallout, we see where

911
00:51:48,840 --> 00:51:51,120
Speaker 2: the curse is kind of a He does seem like

912
00:51:51,200 --> 00:51:56,160
Speaker 2: a David, you know, a linearly connect, linear connection to

913
00:51:56,320 --> 00:51:59,520
Speaker 2: a David, and the kind of curiosity he has feels

914
00:51:59,600 --> 00:52:01,600
Speaker 2: like that, So maybe that could be the connection as

915
00:52:01,640 --> 00:52:04,440
Speaker 2: well to Utani. But yeah, I think that you're right.

916
00:52:04,560 --> 00:52:09,200
Speaker 2: Next episode death, chaos, alien action, and then probably a

917
00:52:09,320 --> 00:52:12,839
Speaker 2: finale that tries to establish how any of that gets

918
00:52:12,880 --> 00:52:16,040
Speaker 2: cleared up, whether it be nuke from space or otherwise.

919
00:52:17,200 --> 00:52:19,319
Speaker 1: Well, in the next episode of X ray Vision, we're

920
00:52:19,360 --> 00:52:22,600
Speaker 1: diving into another edition of X ray Vision group chat Exert.

921
00:52:22,680 --> 00:52:24,720
Speaker 1: We'll see and of course that's it for this episode.

922
00:52:24,800 --> 00:52:30,520
Speaker 1: Thanks for listening, Yeah bye bye. X ray Vision is

923
00:52:30,520 --> 00:52:33,080
Speaker 1: hosted by Jason Concepcion and Rosie Knight and is a

924
00:52:33,120 --> 00:52:34,520
Speaker 1: production of iHeart Podcast.

925
00:52:34,920 --> 00:52:38,520
Speaker 2: Our executive producers are Joel Monique and Aaron Kaufman.

926
00:52:38,760 --> 00:52:40,800
Speaker 1: Our supervising producer is Abu Safar.

927
00:52:41,200 --> 00:52:45,120
Speaker 2: Our producers are Common Laurent Dean Jonathan and Fay Wag.

928
00:52:45,280 --> 00:52:48,000
Speaker 1: A theme song is by Brian Vasquez, with alternate theme

929
00:52:48,080 --> 00:52:49,360
Speaker 1: songs by Aaron Kauffman

930
00:52:49,520 --> 00:52:53,320
Speaker 2: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and Heidi,

931
00:52:53,600 --> 00:52:54,719
Speaker 2: our discord moderator,