WEBVTT - Oh Goat, You Devil - Part 2

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey you welcome to Stuff to Blow Your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>we're back with part two of our series on the Goat.

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<v Speaker 1>That's right, it's Halloween season and for some reason, all

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<v Speaker 1>of our Halloween episodes so far have been livestock based.

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<v Speaker 1>And this is part two of our look at the goat,

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<v Speaker 1>a creature that in reality is uh, you know, pretty

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<v Speaker 1>pretty pretty gentle. Uh, nothing too weird about the goat

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<v Speaker 1>for the most part, nothing to ferry us, certainly, but

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<v Speaker 1>within the larger traditions of mythology and folklore, various other

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<v Speaker 1>connotations take over and kind of spin out of control

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<v Speaker 1>until you have ultimately demonic goats, uh, half goat, half

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<v Speaker 1>human hybrids that may not have the best intentions at her.

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<v Speaker 1>And then also even a few, you know, cinematic incarnations,

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<v Speaker 1>horror movie incarnations of the goat. We mentioned the Witch

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<v Speaker 1>in the first episode, of course, and Joe and I

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<v Speaker 1>were trying to off Mike. We're trying to think of

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<v Speaker 1>other spooky goats in films, or even two spooky goat

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<v Speaker 1>people in films, and there aren't maybe a ton of them,

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<v Speaker 1>Like there are more way more killer cat movies and

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<v Speaker 1>certainly killer dog movies than there are killer goat movies. Well,

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<v Speaker 1>it depends on if you include goat headed demons. That

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<v Speaker 1>then that massively expands the range. And as we were discussing,

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<v Speaker 1>there is one Italian horror movie that has a really

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<v Speaker 1>glorious goat costume that you only see for a couple

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<v Speaker 1>of seconds. But it's in the church yesday. That's film.

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<v Speaker 1>It's been a while since I've seen it, but it

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<v Speaker 1>was produced by Dario Argento and a few others and

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<v Speaker 1>is it's quite an interesting film, kind of a lower

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<v Speaker 1>budget occult film that was perhaps partially inspired by the

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<v Speaker 1>Name of the Road. Was like, what if the Name

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<v Speaker 1>of the Rose um had one of the actors from

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<v Speaker 1>the Name of the Rose but then also a demonic

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<v Speaker 1>goatman roman about okay, yeah, And of course The Devil

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<v Speaker 1>Rides Out, which we discussed on Weirdout Cinema earlier in

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<v Speaker 1>the year, that has a great goat man in it

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<v Speaker 1>as well, but they're not a wonderful big old goat

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<v Speaker 1>boy at a party. Uh yeah, probably one of the

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<v Speaker 1>better ones committed to the screen, but you don't see

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<v Speaker 1>them a lot. Um. I think I've mentioned before, I

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<v Speaker 1>think the first cinematic vision of like goat obsessed Cultists

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<v Speaker 1>was the movie adaptation of dragnet Um. This was that,

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<v Speaker 1>I think a seven film. Dan Ackroyd heavily involved in that.

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<v Speaker 1>I think Christopher Plummer is in it as well and

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<v Speaker 1>plays one of the cultists, and so there's you know,

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<v Speaker 1>they're scenes of some sort of Hollywood black mass thing

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<v Speaker 1>going on, and people wearing goat leggings and goat heads

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<v Speaker 1>and so forth. You're saying, that's the first one you

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<v Speaker 1>remember seeing. That's the first one I remember seeing as

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<v Speaker 1>a kid, because you know, that was I think essentially

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<v Speaker 1>supposed to be a family movie. You though, I remember

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<v Speaker 1>there being plenty of elements in it there were maybe

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<v Speaker 1>not so family friendly, but you know, it was the eighties.

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<v Speaker 1>Oh and Seth just uh poked in to mention, of

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<v Speaker 1>course Pans Labyrinth Gamel del Toro's film, which does have

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<v Speaker 1>a fabulous uh pan incarnation as well as well as

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<v Speaker 1>some other just fabulous creatures. Um. Definitely not a family

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<v Speaker 1>movie that one either. It's got some some brutal violence

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<v Speaker 1>and some very real world themes. But also a fantastic

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<v Speaker 1>mythological world. Yeah, everybody remembers the monster with the eyes

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<v Speaker 1>in its hands in that movie, even though pans in

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<v Speaker 1>the title. Yeah, it's it's not called Eyes and Palms

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<v Speaker 1>Labyrinth for many of you. Though, when you think cinematic

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<v Speaker 1>goat men um imagined for an entire generation of people,

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<v Speaker 1>there's one particular portrayal you're going to think of, and

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<v Speaker 1>that's gonna be James McAvoy's two thousand and five portrayal

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<v Speaker 1>of Mr tum Us in The Lion, The Witch and

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<v Speaker 1>the Wardrobe. I never saw that adaptation. Oh well, I

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<v Speaker 1>have a feeling. Go get around to it. Uh it's uh,

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<v Speaker 1>it's it's it's a good one. It rewatched it recently

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<v Speaker 1>holds up pretty well. It's got some great creatures in it.

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<v Speaker 1>And of course, in addition to James bacavoy, we have

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<v Speaker 1>a tremendous Tilda Swinton performance as the as the White Witch.

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<v Speaker 1>So those two elements are alone alone or enough reason

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<v Speaker 1>to check it out. Does the movie have Turkish delight

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<v Speaker 1>in it? Oh? Of course you can't not have Turkish

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<v Speaker 1>delight in it. So I was thinking about Mr Tumnus

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<v Speaker 1>because we were talking about satyrs and fauns in the

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<v Speaker 1>last episode, and I realized that this is an odd,

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<v Speaker 1>pretty obvious modern fictional presentation of particularly a fawn. In

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<v Speaker 1>this situation. He's described as a fawn. Of course, Piers

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<v Speaker 1>appears in C. S. Lewis's Narnia book The Lion, The

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<v Speaker 1>Witch and the Wardrobe and various adaptations of that work.

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<v Speaker 1>And despite all of the various connotations of the satyr

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<v Speaker 1>and the fawn and that Lewis was obviously quite aware of,

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<v Speaker 1>Mr Tumnus is a rather compassionate figure and not at

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<v Speaker 1>all a nasty old he goat. About The worst thing

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<v Speaker 1>you can say about him is that he's technically working

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<v Speaker 1>for the White Witch. He's technically prepared to poison one

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<v Speaker 1>of the children and then deliver her to the White Witch.

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<v Speaker 1>But then he quickly betrays the White Witch to help

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<v Speaker 1>the children of Earth. So while he's he's not really

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<v Speaker 1>betrayed for the most part as a sexual being. Uh

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<v Speaker 1>Still James mcgiboy's two thousand and five portrayal UH is

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<v Speaker 1>perhaps that has it perhaps a little bit of unintended

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<v Speaker 1>allure to it. I think it's one of those situations

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<v Speaker 1>where even if you try and strip those elements away

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<v Speaker 1>from the visual satyr or faun. If you then recreate

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<v Speaker 1>the faun, especially using an actual person, an actual actor,

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<v Speaker 1>you cannot help but evoke some of its symbolic essence. Lewis,

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<v Speaker 1>by the way, also wrote a poem titled The Satyr,

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<v Speaker 1>which also seems to dwell on the creatures more sublime

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<v Speaker 1>quality's um. This is one that he wrote much earlier

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<v Speaker 1>as an adolescent atheist, is pointed out by Joe R.

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<v Speaker 1>Christopher in a two thousand sixteen paper title C. S.

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<v Speaker 1>Lewis's Two Satyrs, referring to this poem and then to

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<v Speaker 1>Mr Tumnus, I thought, I thought I might read just

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<v Speaker 1>a little of this poem. You can find the whole

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<v Speaker 1>thing at all poetry dot com. But it begins like this,

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<v Speaker 1>when the flowery hands of spring forth their woodland riches,

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<v Speaker 1>fling through the meadows, through the valleys, goes the satyr

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<v Speaker 1>caroling from the mountain, and the more forest green and

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<v Speaker 1>ocean shore, all the fairy ken he rallies making music.

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<v Speaker 1>Ever more. See the shaggy pelf doth grow on his

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<v Speaker 1>twisted shanks below, and his dreadful feet are cloven, though

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<v Speaker 1>his brow be white as snow, and it goes on

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<v Speaker 1>from there. Uh. It's it's, it's it's a it's a

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<v Speaker 1>fun little little poem. Uh. Now, Christopher's ride up is uh,

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<v Speaker 1>I think a pretty interesting analysis, as long as you're

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<v Speaker 1>in for sort of at times a psycho sexual interpretation

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<v Speaker 1>of a Narnia book, which I realized it's not everyone's

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<v Speaker 1>cup of tea, but um. But still I think it's

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<v Speaker 1>quite interesting. And he points out that while Mr Tumnus

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<v Speaker 1>is largely desadiarized defontinized, if you will, there are still

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<v Speaker 1>hints of the basic nature he is overcoming and being civilized,

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<v Speaker 1>and so forth. Mentions of times when quote and this

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<v Speaker 1>is from the line the Witch and the Wardrobe quote,

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<v Speaker 1>the woods were green and old selenas on his fat

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<v Speaker 1>donkey would come to visit them, and sometimes Bacchus himself,

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<v Speaker 1>and then the streams would run with wine instead of water,

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<v Speaker 1>and the whole forest would give itself up to jollification

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<v Speaker 1>for weeks on end jollification. Yeah. So, Christopher ultimately writes

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<v Speaker 1>in this paper, quote, if one compares Lewis's two satyrs,

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<v Speaker 1>one finds that both are about the split in the

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<v Speaker 1>male human. Partly, he has led by reason, by wisdom

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<v Speaker 1>and high thoughts, by family, Moore's and philia, and partially

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<v Speaker 1>he is driven by sexual or bestial or devilish and

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<v Speaker 1>or traitorous impulses. The satyr attracts fairy maidens by his unhappiness.

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<v Speaker 1>Perhaps he is unhappy because women flee from him, but

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<v Speaker 1>more likely, has suggested before, he is unhappy because he

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<v Speaker 1>has self divided himself about his relationship to women. The

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<v Speaker 1>fon Mr Tumnus shows that a man can control his impulses,

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<v Speaker 1>his animal or devilish side, and treat a woman well. Huh, Well,

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<v Speaker 1>I don't know quite what to make that, because I

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<v Speaker 1>haven't read this book since I was a kid. Yeah,

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<v Speaker 1>I I listen to the audiobook version of it in

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<v Speaker 1>recent years, so it's a little fresher on my mind

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<v Speaker 1>as well. But I'd love to hear it from everyone

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<v Speaker 1>out there, because I know we have a lot of

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<v Speaker 1>There are a lot of people out there who either

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<v Speaker 1>grew up on these books or these movies, and and

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<v Speaker 1>maybe I thought one way about them at one point

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<v Speaker 1>in their life and thought another way much later. But

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<v Speaker 1>Mr Tumnus is still there, standing essentially naked in the snow.

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<v Speaker 1>I think he's wearing a scarf. In the movie version,

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<v Speaker 1>it otherwise looks very naked, except you know, for the goat.

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<v Speaker 1>For okay, Well, in the previous episode, we were talking

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<v Speaker 1>about the question of why the cultural association, especially stemming

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<v Speaker 1>from Christian Continental Europe, between goats and devils or between

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<v Speaker 1>goats and wickedness. Where does this association come from, especially

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<v Speaker 1>given that it's not universal of course, not like every

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<v Speaker 1>culture thinks goats are evil? So what are the origin points?

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<v Speaker 1>And I think we can possibly find some points of

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<v Speaker 1>inspiration for this mental link link between goats and demons

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<v Speaker 1>in the Biblical tradition itself, going all the way back

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<v Speaker 1>to the Torah. One of the most prominent appearances of

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<v Speaker 1>goats in the Hebrew Bible is the prescription for the

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<v Speaker 1>day of Atonement or yam Kapoor. Yam Kapoor is the

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<v Speaker 1>holiest day of the year in Judaism. It is a

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<v Speaker 1>day dedicated to the ritual cleansing of sin, and the

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<v Speaker 1>ritual is described in the Book of Leviticus, chapter sixteen.

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<v Speaker 1>As a prelude, the Lord is talking to Moses, and

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<v Speaker 1>the Lord tells Moses that Aaron, the high priest uh

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<v Speaker 1>he can't just come into the presence of the Ark

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<v Speaker 1>of the Covenant at any time, or God may appear

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<v Speaker 1>in a cloud upon the cover of the Ark and

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<v Speaker 1>kill him. And this is coming after God has already

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<v Speaker 1>struck out from the Ark and and killed people who

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<v Speaker 1>did the wrong thing with it, who may be brought

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<v Speaker 1>strange fire before it. Instead, at an appointed time, the

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<v Speaker 1>high priest will bathe his body and water, and will

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<v Speaker 1>put on special holy vestments, and then he can enter

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<v Speaker 1>into the presence of the Lord of the presence of

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<v Speaker 1>the Ark to give offerings Uh. And then regarding the

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<v Speaker 1>day of atonement, we're told the following. This is from

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<v Speaker 1>the n rs V, beginning chapter sixteen, verse five. He

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<v Speaker 1>shall take from the congregation of the Israelites two male

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<v Speaker 1>goats for a purification offering, and one ram for a

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<v Speaker 1>burnt offering. Aaron shall offer the bull as a purification

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<v Speaker 1>offering for himself, and shall make atonement for himself and

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<v Speaker 1>for his house. He shall take the two goats and

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<v Speaker 1>set them before the Lord at the entrance of the

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<v Speaker 1>tent of meeting, and Aaron shall cast lots on the

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<v Speaker 1>two goats, one lot for the Lord and the other

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<v Speaker 1>lot for Azazel. Aaron shall present the goat on which

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<v Speaker 1>the lot fell for the Lord and offer it as

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<v Speaker 1>a purification offering. But the goat on which the lot

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<v Speaker 1>fell for Azazel shall be presented alive before the Lord

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<v Speaker 1>to make atonement over it, that it may be sent

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<v Speaker 1>away into the wilderness to Azazel. And in the tradition

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<v Speaker 1>of the Second Temple, as described in the Mishnah, this

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<v Speaker 1>ritual is understood to mean that one goat is sacrifice

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<v Speaker 1>to the Lord for purification, and the other goat becomes

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<v Speaker 1>a scapegoat. That word scapegoat in the English language, I

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<v Speaker 1>believe comes from the William Tindale translation of the Bible.

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<v Speaker 1>William Tindale, by the way, executed for heresy, even though

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<v Speaker 1>he gave us most of the English translation that would

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<v Speaker 1>end up in the King James Bible. But so that

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<v Speaker 1>that English word scapegoat, there is an attempt to translate

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<v Speaker 1>the concept of the goat for Azazel from the day

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<v Speaker 1>of atonement. So this is a goat that is ritually

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<v Speaker 1>designated as a vessel for the sins of the Jewish people,

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<v Speaker 1>and then after being after the sins of the people

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<v Speaker 1>are placed upon it, it is driven out into the

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<v Speaker 1>wilderness perhaps to fall off a cliff and die. So

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<v Speaker 1>what does it mean to say that the scapegoat was

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<v Speaker 1>for Azazel. Well, rabbis and scholars have interpreted this phrase

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<v Speaker 1>in a number of different ways over the ages. So

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<v Speaker 1>one interpretation is that Azazel is the name of the

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<v Speaker 1>place to which the goat was sent, specifically maybe a rocky,

0:13:01.640 --> 0:13:06.000
<v Speaker 1>desolate mountaintop or a land of impassable cliffs. Uh So,

0:13:06.000 --> 0:13:10.240
<v Speaker 1>so there are different linguistic interpretations. But other commentaries have

0:13:10.400 --> 0:13:14.480
<v Speaker 1>held that as Azel was a proper name, the name

0:13:14.760 --> 0:13:19.800
<v Speaker 1>of a supernatural entity or power. And obviously this interpretation

0:13:19.920 --> 0:13:22.880
<v Speaker 1>is more relevant to what we're talking about today. In

0:13:23.040 --> 0:13:26.840
<v Speaker 1>this reading, as a Zele is some kind of demon

0:13:27.160 --> 0:13:31.720
<v Speaker 1>or fallen angel, a spirit of defilement and wickedness haunting

0:13:31.760 --> 0:13:34.480
<v Speaker 1>the desert, and the goat on which the high priest

0:13:34.600 --> 0:13:38.200
<v Speaker 1>places the sins of the people is sent out for him.

0:13:38.280 --> 0:13:40.520
<v Speaker 1>And so, despite the fact that in this ritual actually

0:13:40.559 --> 0:13:45.240
<v Speaker 1>both the Lord and this demonic figure each get one goat,

0:13:45.760 --> 0:13:48.320
<v Speaker 1>the scapegoat, the goat that carries the sins of the

0:13:48.320 --> 0:13:51.080
<v Speaker 1>people away to meet a filthy devil in the waste land,

0:13:51.520 --> 0:13:54.160
<v Speaker 1>I think might be the more salient image kind of

0:13:54.200 --> 0:13:58.440
<v Speaker 1>in the same way that um, even in most early

0:13:58.520 --> 0:14:01.560
<v Speaker 1>Christian literature that the into the idea of the afterlife,

0:14:01.559 --> 0:14:05.280
<v Speaker 1>descriptions of hell tend to be more vivid than descriptions

0:14:05.280 --> 0:14:08.000
<v Speaker 1>of heaven, just because of I don't know, certain features

0:14:08.000 --> 0:14:10.640
<v Speaker 1>of human psychology. Yes, as well, like I guess a

0:14:10.720 --> 0:14:13.959
<v Speaker 1>lot of these traditions in which Hell is described to

0:14:15.280 --> 0:14:18.240
<v Speaker 1>those descriptions, very descriptions of Hell are kind of the

0:14:19.320 --> 0:14:22.880
<v Speaker 1>oftentimes one of the only available avenues into which into

0:14:22.880 --> 0:14:27.040
<v Speaker 1>which you can pour your dark imagination. Um, if you

0:14:27.040 --> 0:14:29.520
<v Speaker 1>want to, if you want to create paint devils and

0:14:29.560 --> 0:14:35.000
<v Speaker 1>demons and grotesque hybrids. Uh, there're certain approved areas of interest,

0:14:35.600 --> 0:14:38.520
<v Speaker 1>generally religious or of certain later on in Western traditions,

0:14:38.520 --> 0:14:41.360
<v Speaker 1>you know, the mythological realm uh In paint whatever you want,

0:14:41.400 --> 0:14:44.400
<v Speaker 1>as long as you're you're depicting one of these stories.

0:14:44.440 --> 0:14:46.960
<v Speaker 1>It's important to a given culture, right, Yeah, you could

0:14:47.040 --> 0:14:51.000
<v Speaker 1>use the dark imagination for allegedly, at least the purpose

0:14:51.040 --> 0:14:54.280
<v Speaker 1>of discouraging sins, saying, look, what will happen to you? Uh.

0:14:54.320 --> 0:14:56.760
<v Speaker 1>Though it's interesting you could argue that that's the same

0:14:56.800 --> 0:14:59.960
<v Speaker 1>principle on which exploitation movies are made. It's like, well,

0:15:00.280 --> 0:15:03.000
<v Speaker 1>we have important subject matter to talk about here. This

0:15:03.080 --> 0:15:06.640
<v Speaker 1>is a film educating people about the dangers of of

0:15:06.720 --> 0:15:10.000
<v Speaker 1>using marijuana. Uh, never mind that it's also just an

0:15:10.000 --> 0:15:13.520
<v Speaker 1>excuse to show a bunch of debauchery and party scenes

0:15:13.560 --> 0:15:17.200
<v Speaker 1>and stuff. You know. The other thing about this scapegoat scenario,

0:15:17.360 --> 0:15:19.400
<v Speaker 1>And I was thinking it kind of matches up with

0:15:19.440 --> 0:15:22.240
<v Speaker 1>some stuff I was thinking about recently because I I

0:15:22.280 --> 0:15:26.280
<v Speaker 1>started using a new meditation practice that that I was taught,

0:15:26.840 --> 0:15:29.400
<v Speaker 1>UH called It's a bitch, rather simple, it's just called

0:15:30.120 --> 0:15:33.000
<v Speaker 1>uh leaves them a stream where you take a particular

0:15:33.040 --> 0:15:37.800
<v Speaker 1>thought and you sort of externalize yourself from that thought.

0:15:37.880 --> 0:15:41.080
<v Speaker 1>You realize that you're thinking that thought, and you imagine

0:15:41.120 --> 0:15:44.680
<v Speaker 1>yourself at a stream. You imagine yourself taking that thought,

0:15:45.080 --> 0:15:48.280
<v Speaker 1>placing it on the leaf, and letting it float down

0:15:48.360 --> 0:15:51.360
<v Speaker 1>the stream away from you. And and that's all there

0:15:51.440 --> 0:15:52.800
<v Speaker 1>is to it, you know. It's just it's a very

0:15:52.880 --> 0:15:57.680
<v Speaker 1>simple exercise of removing yourself from a thought and then

0:15:57.760 --> 0:16:01.000
<v Speaker 1>sending that thought away. Um, you know, not trying to

0:16:01.360 --> 0:16:05.160
<v Speaker 1>avoid thinking that thought or avoid feeling that feeling, but

0:16:05.680 --> 0:16:08.960
<v Speaker 1>acknowledging it and then letting it go. And I was

0:16:09.120 --> 0:16:11.760
<v Speaker 1>and as I was after using it, and finding it

0:16:11.840 --> 0:16:14.360
<v Speaker 1>rather helpful. The last couple of weeks, I was thinking, well,

0:16:14.400 --> 0:16:17.800
<v Speaker 1>I wonder how much of this is present in various

0:16:18.680 --> 0:16:22.440
<v Speaker 1>religious practices throughout history. The idea, the simple concept of

0:16:22.480 --> 0:16:27.520
<v Speaker 1>like acknowledging something and then sending it away. Uh, it

0:16:27.560 --> 0:16:29.480
<v Speaker 1>seems like it in may line up in some ways

0:16:29.520 --> 0:16:31.680
<v Speaker 1>with this sort of practice as well. Yeah, I can

0:16:31.680 --> 0:16:34.000
<v Speaker 1>totally see that. Though. Again I think it's interesting the

0:16:34.080 --> 0:16:37.320
<v Speaker 1>specifics of the imagery here, which is that the the

0:16:37.400 --> 0:16:40.320
<v Speaker 1>goat is being sent away for as a zel for

0:16:40.480 --> 0:16:44.520
<v Speaker 1>this this demon in the desert. And you could obviously

0:16:44.560 --> 0:16:49.160
<v Speaker 1>see how this standard tradition of yam Kapur could later

0:16:49.200 --> 0:16:53.080
<v Speaker 1>give rise to a mental association between goats and the

0:16:53.080 --> 0:16:55.760
<v Speaker 1>creatures of hell, because the goat is being sent out

0:16:55.840 --> 0:16:58.120
<v Speaker 1>to meet this this devil. Yeah, what does he do

0:16:58.160 --> 0:17:00.520
<v Speaker 1>with these goats? Does he? Did they just hang out

0:17:00.560 --> 0:17:03.880
<v Speaker 1>with him? Did they morph into strange goat creatures? Does

0:17:03.920 --> 0:17:06.880
<v Speaker 1>he eat them? Either way, it would make you maybe

0:17:06.960 --> 0:17:09.720
<v Speaker 1>think twice about seeing a feral goat in the wild,

0:17:10.880 --> 0:17:12.560
<v Speaker 1>which is something to think about. I mean, even though

0:17:12.600 --> 0:17:15.280
<v Speaker 1>these are domesticated species, you'll end up with feral goats

0:17:15.320 --> 0:17:17.520
<v Speaker 1>out there, and I can imagine there might be something

0:17:17.600 --> 0:17:21.640
<v Speaker 1>kind of haunting about a feral domestic species that you encounter.

0:17:21.800 --> 0:17:24.440
<v Speaker 1>It's kind of like a ghost town or a haunted house.

0:17:24.760 --> 0:17:27.480
<v Speaker 1>Oh yeah, absolutely. And I also want to be clear

0:17:27.560 --> 0:17:32.199
<v Speaker 1>that the overall format of the scapegoat ritual is not

0:17:32.440 --> 0:17:35.840
<v Speaker 1>unique to Jewish tradition. The scapegoat rituals of various kinds

0:17:35.840 --> 0:17:38.480
<v Speaker 1>are used in a number of ancient cultures, in many

0:17:38.480 --> 0:17:42.479
<v Speaker 1>instances not involving goats. For example, ancient Greece, I think,

0:17:42.600 --> 0:17:48.679
<v Speaker 1>especially like like Athens and Ionia, would sometimes banish human

0:17:48.840 --> 0:17:52.199
<v Speaker 1>scapegoats to appease the gods and avoid some kind of

0:17:52.240 --> 0:17:55.800
<v Speaker 1>bad fates, such as in the festival of thar Galia,

0:17:56.400 --> 0:17:59.199
<v Speaker 1>which was a festival of Apollo, where it said that

0:17:59.240 --> 0:18:02.320
<v Speaker 1>often sort of a couple like a man and a

0:18:02.359 --> 0:18:06.680
<v Speaker 1>woman who were despised in some way, or who were

0:18:06.720 --> 0:18:10.640
<v Speaker 1>considered physically ugly or for some reason we're not wanted

0:18:10.640 --> 0:18:13.560
<v Speaker 1>by the people, would be selected and then they would

0:18:13.560 --> 0:18:16.520
<v Speaker 1>be paraded around the town and they would be whipped

0:18:16.560 --> 0:18:20.399
<v Speaker 1>with with branches, like branches of trees or pieces of

0:18:20.480 --> 0:18:23.159
<v Speaker 1>vegetation that I think was supposed to symbolize a kind

0:18:23.200 --> 0:18:28.119
<v Speaker 1>of transference of of guilt or or impurity of some

0:18:28.240 --> 0:18:31.280
<v Speaker 1>kind from the people onto the couple, and then they

0:18:31.280 --> 0:18:35.399
<v Speaker 1>would be banished outside of the city, exiled, presumably to

0:18:35.480 --> 0:18:38.720
<v Speaker 1>die outside in the wilderness. Well, we're not we're not

0:18:38.800 --> 0:18:43.240
<v Speaker 1>advising anyone try that out. What that that doesn't doesn't

0:18:43.280 --> 0:18:46.400
<v Speaker 1>just doesn't sound helpful to anybody. Uh No, I yeah,

0:18:46.400 --> 0:18:49.760
<v Speaker 1>I think our gailea we can we can safely put

0:18:49.800 --> 0:19:01.440
<v Speaker 1>to rest. Okay, I've got another biblical association between goats

0:19:01.760 --> 0:19:06.280
<v Speaker 1>and sin or evil or impurity. This one comes from

0:19:06.320 --> 0:19:09.320
<v Speaker 1>the New Testament. This comes from Christian traditions. Some people

0:19:09.320 --> 0:19:12.600
<v Speaker 1>will probably be familiar with the story of the sheep

0:19:12.800 --> 0:19:15.960
<v Speaker 1>and the goats in the New Testament. One passage to

0:19:16.080 --> 0:19:18.760
<v Speaker 1>zero in on here is in the Gospel of Matthew,

0:19:18.920 --> 0:19:22.959
<v Speaker 1>chapter five, and for context, this is part of the

0:19:23.040 --> 0:19:27.440
<v Speaker 1>so called olivet Discourse, which is a discourse in which

0:19:27.520 --> 0:19:30.400
<v Speaker 1>Jesus is giving a bunch of teachings that are full

0:19:30.440 --> 0:19:34.200
<v Speaker 1>of apocalyptic statements about what is going to happen when

0:19:34.200 --> 0:19:36.720
<v Speaker 1>the Son of Man comes. And these appearing all three

0:19:36.760 --> 0:19:41.480
<v Speaker 1>of the Synoptic Gospels, Mark, Luke, and Matthew. And they've

0:19:41.480 --> 0:19:44.400
<v Speaker 1>got different kinds of predictions. You know, there might be

0:19:44.440 --> 0:19:49.040
<v Speaker 1>like earthquakes and disasters and uh and the destruction of

0:19:49.200 --> 0:19:52.200
<v Speaker 1>the temple and so forth. But one of the things

0:19:52.200 --> 0:19:55.520
<v Speaker 1>described happening when the Son of Man comes in glory,

0:19:55.680 --> 0:19:59.399
<v Speaker 1>begins in Matthew chapter five, verse thirty one, And to

0:19:59.480 --> 0:20:02.080
<v Speaker 1>quote from the in RSV, it reads, when the Son

0:20:02.160 --> 0:20:05.639
<v Speaker 1>of Man comes in glory and all the angels with him,

0:20:05.760 --> 0:20:08.360
<v Speaker 1>then he will sit on the throne of his glory.

0:20:08.840 --> 0:20:11.639
<v Speaker 1>All the nations will be gathered before him, and he

0:20:11.720 --> 0:20:16.560
<v Speaker 1>will separate people one from another, as a shepherd separates

0:20:16.680 --> 0:20:19.199
<v Speaker 1>the sheep from the goats, and he will put the

0:20:19.240 --> 0:20:22.199
<v Speaker 1>sheep at his right hand and the goats at the left.

0:20:22.680 --> 0:20:26.439
<v Speaker 1>I definitely remember growing up hearing this in church, and

0:20:26.600 --> 0:20:28.560
<v Speaker 1>I mean on one level, it's like, okay, he's separating

0:20:28.560 --> 0:20:31.840
<v Speaker 1>people like good from bad. But I never really understood

0:20:31.880 --> 0:20:35.760
<v Speaker 1>like the sheep goat duality aspect of this. I'm I'm

0:20:35.800 --> 0:20:37.439
<v Speaker 1>kind of like, well, a sheep and a goat. I mean,

0:20:37.480 --> 0:20:40.520
<v Speaker 1>I've been around both of them at petting zoos, and

0:20:40.600 --> 0:20:43.600
<v Speaker 1>it's not like one is grosser than the other or anything,

0:20:43.800 --> 0:20:46.840
<v Speaker 1>or that one sweeter than the other. They're both domesticated

0:20:46.880 --> 0:20:49.720
<v Speaker 1>farm animals, and just one the goat has a lot

0:20:49.760 --> 0:20:53.640
<v Speaker 1>more personality than the sheep. In my opinion, I remember

0:20:53.680 --> 0:20:55.920
<v Speaker 1>being confused to It's actually one of a number of

0:20:56.760 --> 0:21:01.600
<v Speaker 1>uh comparisons or parables or stories in the New Testament

0:21:01.640 --> 0:21:04.200
<v Speaker 1>that kind of don't make sense if you're not familiar

0:21:04.280 --> 0:21:07.359
<v Speaker 1>with like an ancient agricultural context. Like tons of these

0:21:08.080 --> 0:21:10.960
<v Speaker 1>stories are about agriculture, and like, I don't know what

0:21:11.359 --> 0:21:13.800
<v Speaker 1>reaping and sewing are and stuff when I'm a little kid.

0:21:13.800 --> 0:21:15.719
<v Speaker 1>I'm not a farmer, so I like, I don't know

0:21:15.800 --> 0:21:17.960
<v Speaker 1>what to think about this stuff. But a lot of

0:21:18.000 --> 0:21:20.080
<v Speaker 1>it ends up just being picked up anyway, and people

0:21:20.080 --> 0:21:21.560
<v Speaker 1>are like, yeah, you want to be a sheep or goat?

0:21:21.560 --> 0:21:23.200
<v Speaker 1>Of course you want to be a sheep. And you

0:21:23.280 --> 0:21:24.760
<v Speaker 1>might go, yeah, of course I want to be a sheep.

0:21:24.800 --> 0:21:26.560
<v Speaker 1>But then again you might ask, well, is there a

0:21:26.560 --> 0:21:29.520
<v Speaker 1>third option? Is there a farm animal I could be

0:21:29.560 --> 0:21:31.679
<v Speaker 1>in this scenario? Well, as best I can tell, I

0:21:31.680 --> 0:21:35.160
<v Speaker 1>think it is just a point of uh. The point

0:21:35.240 --> 0:21:38.720
<v Speaker 1>is really about the separation. But to explain the rest

0:21:38.760 --> 0:21:41.160
<v Speaker 1>of the story, So the sheep go on the right

0:21:41.200 --> 0:21:43.760
<v Speaker 1>hand and the son of Man will bless them, uh,

0:21:43.800 --> 0:21:46.000
<v Speaker 1>And they're gonna ask why are we being blessed? What

0:21:46.040 --> 0:21:48.199
<v Speaker 1>did we do, and Jesus goes on for the to

0:21:48.240 --> 0:21:50.840
<v Speaker 1>give these famous statements. He says, quote, for I was

0:21:50.920 --> 0:21:53.119
<v Speaker 1>hungry and you gave me food. I was thirsty and

0:21:53.160 --> 0:21:55.520
<v Speaker 1>you gave me something to drink. I was a stranger

0:21:55.560 --> 0:21:58.000
<v Speaker 1>and you welcomed me. I was naked and you gave

0:21:58.040 --> 0:22:00.080
<v Speaker 1>me clothing. I was sick and you took care of me.

0:22:00.320 --> 0:22:02.879
<v Speaker 1>I was in prison and you visited me. And then

0:22:02.920 --> 0:22:04.840
<v Speaker 1>they're gonna ask when did we do any of that?

0:22:05.080 --> 0:22:07.719
<v Speaker 1>And then the Son of Man will say to them, truly,

0:22:07.760 --> 0:22:10.080
<v Speaker 1>I tell you, just as you did it to one

0:22:10.080 --> 0:22:12.520
<v Speaker 1>of the least of these brothers and sisters of mine,

0:22:12.880 --> 0:22:15.920
<v Speaker 1>you did it to me. Uh. And then we get

0:22:15.920 --> 0:22:18.920
<v Speaker 1>the same answer inverted for the goats at the left hand.

0:22:18.960 --> 0:22:22.000
<v Speaker 1>Why are they at his left because they didn't do

0:22:22.040 --> 0:22:24.360
<v Speaker 1>any of that stuff for him? And they protest, well,

0:22:24.400 --> 0:22:28.439
<v Speaker 1>they never denied him food or drink or comfort, and uh. Quote.

0:22:28.480 --> 0:22:30.639
<v Speaker 1>Then he will answer them, truly, I tell you, just

0:22:30.720 --> 0:22:32.240
<v Speaker 1>as you did not do it to one of the

0:22:32.320 --> 0:22:34.600
<v Speaker 1>least of these, you did not do it to me.

0:22:35.359 --> 0:22:37.680
<v Speaker 1>And then it says, and these will go away into

0:22:37.800 --> 0:22:42.239
<v Speaker 1>eternal punishment, but the righteous into eternal life. So in

0:22:42.240 --> 0:22:44.760
<v Speaker 1>this story, the sheep are representing the righteous who will

0:22:44.800 --> 0:22:47.639
<v Speaker 1>inherit the Kingdom of God, and the goats are representing

0:22:47.720 --> 0:22:52.159
<v Speaker 1>the unrighteous, who must depart into destruction to be annihilated

0:22:52.200 --> 0:22:54.560
<v Speaker 1>when the Son of Man comes in power. And so

0:22:54.840 --> 0:22:58.439
<v Speaker 1>I was thinking, why goats here? I didn't find an

0:22:58.480 --> 0:23:03.399
<v Speaker 1>answer to this that I found super authoritatively convincing. I

0:23:03.480 --> 0:23:07.720
<v Speaker 1>read one like evangelical theological blog post that had an

0:23:07.720 --> 0:23:11.359
<v Speaker 1>interesting idea. I don't know how valid this was, but

0:23:11.440 --> 0:23:15.760
<v Speaker 1>at least it suggested that when you're maintaining mixed herds

0:23:15.800 --> 0:23:18.080
<v Speaker 1>of goats and sheep, which I do think was actually

0:23:18.080 --> 0:23:21.879
<v Speaker 1>common in the Levant at this time, goats reproduce faster

0:23:22.040 --> 0:23:25.960
<v Speaker 1>than sheep, so herdsman would have to regularly call young

0:23:26.040 --> 0:23:29.760
<v Speaker 1>male goats to maintain the correct balance of their flocks.

0:23:29.800 --> 0:23:32.600
<v Speaker 1>And if they didn't regularly call the young male goats,

0:23:32.920 --> 0:23:35.440
<v Speaker 1>the goats would reproduce faster and they would take over

0:23:35.640 --> 0:23:37.240
<v Speaker 1>there would be too many of them in the flock.

0:23:37.840 --> 0:23:40.359
<v Speaker 1>M M okay, well that that that's that seems to

0:23:40.359 --> 0:23:41.920
<v Speaker 1>match up with some of what we were talking about

0:23:41.920 --> 0:23:45.240
<v Speaker 1>in the last episode about the sex life of the goat.

0:23:45.480 --> 0:23:47.480
<v Speaker 1>But I would say the question of like, what is

0:23:47.520 --> 0:23:50.960
<v Speaker 1>the underlying agricultural reasoning about the goats and the sheep.

0:23:50.960 --> 0:23:53.760
<v Speaker 1>Here that may be true, but I don't know. I'm

0:23:53.800 --> 0:23:55.800
<v Speaker 1>still interested in this. I feel like there's got to

0:23:55.840 --> 0:23:59.000
<v Speaker 1>be a good answer out there I just haven't found yet. Yeah, yeah,

0:23:59.040 --> 0:24:01.439
<v Speaker 1>this is certainly if we have any people with with

0:24:01.560 --> 0:24:06.760
<v Speaker 1>hurting experience or vaster hurting, acknowledge right in and let

0:24:06.840 --> 0:24:09.119
<v Speaker 1>us know what that was a good reason to separate

0:24:09.280 --> 0:24:11.399
<v Speaker 1>the goats from the sheep. Now, at this point, I

0:24:11.440 --> 0:24:14.320
<v Speaker 1>thought we might get into some other examples of folklore

0:24:14.520 --> 0:24:17.480
<v Speaker 1>of the goat and the he goat, and perhaps some

0:24:17.560 --> 0:24:22.360
<v Speaker 1>more religious traditions and mythological traditions of the goat. Uh.

0:24:22.400 --> 0:24:24.320
<v Speaker 1>Some of these are going to match up and be

0:24:24.400 --> 0:24:27.000
<v Speaker 1>more in line with some of the demonic goat ideas

0:24:27.000 --> 0:24:29.320
<v Speaker 1>that we've discussed thus far. Some are going to go

0:24:29.640 --> 0:24:32.400
<v Speaker 1>in an entirely different direction. We're gonna get a little

0:24:32.400 --> 0:24:38.200
<v Speaker 1>bit into essentially divine goats at times. Uh. One example

0:24:38.280 --> 0:24:40.679
<v Speaker 1>that came up in my research, this is from an

0:24:40.720 --> 0:24:43.360
<v Speaker 1>eighteenth century folklore is by the name of John Brand.

0:24:43.840 --> 0:24:47.840
<v Speaker 1>Brand wrote, quote, there is a popular superstition relative to goats.

0:24:48.240 --> 0:24:50.960
<v Speaker 1>They are supposed never to be seen for twenty four

0:24:50.960 --> 0:24:54.400
<v Speaker 1>hours together, and that once in that space they pay

0:24:54.440 --> 0:24:57.080
<v Speaker 1>a visit to the devil in order to have their

0:24:57.119 --> 0:25:00.560
<v Speaker 1>beards combed. This is common both in England and Scotland.

0:25:01.040 --> 0:25:05.920
<v Speaker 1>What I don't think I even understand what that's claiming? What?

0:25:05.920 --> 0:25:09.040
<v Speaker 1>What is it? How did you understand the never seen

0:25:09.200 --> 0:25:13.480
<v Speaker 1>for twenty four hours together? This I took to to

0:25:13.600 --> 0:25:15.840
<v Speaker 1>be about this sort of the nature of the goat,

0:25:16.000 --> 0:25:18.520
<v Speaker 1>Like the goat is gonna get around, it's gonna explore,

0:25:18.560 --> 0:25:21.160
<v Speaker 1>it's gonna climb a little bit, it's gonna poke around

0:25:21.160 --> 0:25:24.280
<v Speaker 1>and see what's are available to eat. And therefore I'm

0:25:24.320 --> 0:25:27.240
<v Speaker 1>imagining a herdsman might maybe have a little more of

0:25:27.240 --> 0:25:31.000
<v Speaker 1>a time keeping track of the goats and it'd be like, well,

0:25:31.040 --> 0:25:32.840
<v Speaker 1>I think one's missing, and then you find them and

0:25:32.880 --> 0:25:34.639
<v Speaker 1>they're like, okay, now we have all the goats. I

0:25:34.680 --> 0:25:37.320
<v Speaker 1>wonder where that goat went. It's probably just the other

0:25:37.320 --> 0:25:39.320
<v Speaker 1>side of the hill or was poking around under something.

0:25:39.840 --> 0:25:42.359
<v Speaker 1>But what if it was visiting the devil? And what

0:25:42.400 --> 0:25:45.120
<v Speaker 1>would a goat? I feel like there's kind of this.

0:25:45.119 --> 0:25:47.439
<v Speaker 1>This is one of those folk beliefs that maybe as

0:25:47.440 --> 0:25:49.520
<v Speaker 1>a little tongue in cheek, you know, like why would

0:25:49.520 --> 0:25:51.639
<v Speaker 1>a goat actually go to the devil. What do they

0:25:51.680 --> 0:25:54.879
<v Speaker 1>have that the devil can offer them? Well, their beards

0:25:54.920 --> 0:26:00.399
<v Speaker 1>need combed every now and get that nice sheen. Uh. So,

0:26:00.520 --> 0:26:01.760
<v Speaker 1>I don't know. I found it. I kind of more

0:26:01.760 --> 0:26:05.080
<v Speaker 1>amusing than illuminating. It's like when the dog just gets

0:26:05.080 --> 0:26:08.160
<v Speaker 1>back from the groomers. It's it's the goat just comes back,

0:26:08.200 --> 0:26:11.119
<v Speaker 1>but he's been with the devil. He looks luxurious. Yeah,

0:26:11.320 --> 0:26:14.040
<v Speaker 1>I guess it's something about a domesticated species that it

0:26:14.160 --> 0:26:16.000
<v Speaker 1>if it has a little bit of a it still

0:26:16.000 --> 0:26:18.760
<v Speaker 1>has some of that adventurous spirit to it. You know,

0:26:18.920 --> 0:26:22.440
<v Speaker 1>we often have uh, supernatural ideas about what it does

0:26:22.480 --> 0:26:24.880
<v Speaker 1>and where it goes and what its intentions are, such

0:26:24.920 --> 0:26:27.640
<v Speaker 1>as with the cat. The cat is going to want

0:26:27.640 --> 0:26:29.680
<v Speaker 1>to go off and do its own things. Where does

0:26:29.720 --> 0:26:33.199
<v Speaker 1>the cat go? Uh? Well, what is it up to? Uh?

0:26:33.320 --> 0:26:36.159
<v Speaker 1>That sort of thing? Now? An an interesting paper I

0:26:36.200 --> 0:26:39.679
<v Speaker 1>was looking at is uh paper titled a Note on

0:26:39.760 --> 0:26:44.640
<v Speaker 1>Goats Defoe on Crusoe's Devil from and this is by

0:26:44.680 --> 0:26:49.640
<v Speaker 1>Aaron Santisso. Uh this of course is referring to Robinson

0:26:49.680 --> 0:26:53.720
<v Speaker 1>Crussoe by Daniel Dafoe. Robinson Crusoe not a work that

0:26:53.760 --> 0:26:56.639
<v Speaker 1>I think I've ever read um, but I've certainly I

0:26:56.680 --> 0:27:00.639
<v Speaker 1>think seen various film or even cartoon at duptations of

0:27:00.640 --> 0:27:02.879
<v Speaker 1>it over the years. Maybe I read it in school,

0:27:02.880 --> 0:27:04.840
<v Speaker 1>but it's been a very long time. I think when

0:27:04.880 --> 0:27:08.720
<v Speaker 1>I was a kid, I had a children's abridged an

0:27:08.119 --> 0:27:11.320
<v Speaker 1>adapted version of it, which is weird to think about.

0:27:12.080 --> 0:27:14.320
<v Speaker 1>I think that may have been how I encountered it

0:27:14.359 --> 0:27:18.360
<v Speaker 1>as well, But uh, this is still an interesting paper

0:27:18.400 --> 0:27:20.679
<v Speaker 1>to to read. I didn't know they were I did

0:27:20.720 --> 0:27:23.679
<v Speaker 1>not remember there being any goats in it, but but

0:27:23.760 --> 0:27:26.639
<v Speaker 1>that seems to be the case. The author here writes

0:27:26.680 --> 0:27:29.760
<v Speaker 1>that by the eighteenth century, old goat and goat foot

0:27:29.800 --> 0:27:33.399
<v Speaker 1>were popular euphemisms for Satan, and the devil was said

0:27:33.440 --> 0:27:36.119
<v Speaker 1>to take the form of a goat, and the image

0:27:36.119 --> 0:27:38.480
<v Speaker 1>of Satan was often depicted as that of a robed

0:27:38.920 --> 0:27:42.479
<v Speaker 1>goat headed man. That kind of became the staple image.

0:27:43.800 --> 0:27:46.280
<v Speaker 1>But apparently yeah, to explain the title of the work,

0:27:46.320 --> 0:27:49.720
<v Speaker 1>there is a bit in Robinson Crusoe where he encounters goats,

0:27:50.119 --> 0:27:52.840
<v Speaker 1>and at the same time, Daniel Duffoe wrote an entire

0:27:52.880 --> 0:27:56.359
<v Speaker 1>book on the perceived presence of Satan and global affairs.

0:27:56.600 --> 0:28:00.520
<v Speaker 1>The political history of the devil from se Funny with

0:28:00.560 --> 0:28:03.879
<v Speaker 1>that title, that could be either a really interesting book

0:28:04.000 --> 0:28:09.920
<v Speaker 1>of historical scholarship or that could be a wild conspiracy tract. Yeah,

0:28:10.359 --> 0:28:12.320
<v Speaker 1>it's another work I've not I've not read. I only

0:28:12.359 --> 0:28:16.239
<v Speaker 1>have just a a brief brief summaries understanding of it.

0:28:16.320 --> 0:28:20.160
<v Speaker 1>But um, at any rate, I thought it was worth mentioning. Uh,

0:28:20.320 --> 0:28:23.720
<v Speaker 1>real quick. A couple of goat man type creatures that

0:28:23.760 --> 0:28:26.879
<v Speaker 1>seems related in some guise to the satyrs and the

0:28:26.880 --> 0:28:31.399
<v Speaker 1>fonds that pop up in the encyclopedias of Carol Rose.

0:28:31.960 --> 0:28:35.600
<v Speaker 1>There's the Bachman. This is a goatman of German folklore,

0:28:35.760 --> 0:28:38.560
<v Speaker 1>used as a nursery bogey to keep kids away from

0:28:38.600 --> 0:28:41.280
<v Speaker 1>the forest, so don't go near the forest and the

0:28:41.320 --> 0:28:44.720
<v Speaker 1>bachman might get you. And of course, in imagining a

0:28:44.760 --> 0:28:47.239
<v Speaker 1>Germatic goatman, we of course can't help but think of

0:28:48.000 --> 0:28:51.000
<v Speaker 1>the Crampus creatures as well. Oh yeah, I was gonna,

0:28:51.040 --> 0:28:53.760
<v Speaker 1>I was gonna bring up cramp Us. But also as

0:28:53.760 --> 0:28:56.320
<v Speaker 1>a brief refresher on on the idea of a nursery bogey,

0:28:56.440 --> 0:28:58.640
<v Speaker 1>this was an idea we explored in our series on

0:28:58.800 --> 0:29:02.719
<v Speaker 1>Jinny Green Teeth from a few October's back, which is

0:29:02.760 --> 0:29:05.640
<v Speaker 1>a a famous nursery bogie. I think the concept of

0:29:05.640 --> 0:29:09.680
<v Speaker 1>a nursery bogie is a monster that is specifically designed

0:29:09.760 --> 0:29:14.360
<v Speaker 1>to warn children away from some type of dangerous behavior. Yeah,

0:29:14.360 --> 0:29:18.040
<v Speaker 1>and we actually mentioned nursery boggies in the last episode, uh,

0:29:18.120 --> 0:29:21.360
<v Speaker 1>talking about Goya, Goya, You're talking about Goya and the

0:29:21.360 --> 0:29:23.360
<v Speaker 1>one bit bit about the you know, watch out for

0:29:23.400 --> 0:29:25.239
<v Speaker 1>the Boogeyman. It was both a It was a kind

0:29:25.240 --> 0:29:29.040
<v Speaker 1>of a takedown of of parents engaging and supernatural ideas

0:29:29.080 --> 0:29:31.960
<v Speaker 1>to scare obedience into their children and at the same

0:29:31.960 --> 0:29:36.440
<v Speaker 1>time like preparing them for adulthood full of supernatural beliefs.

0:29:36.800 --> 0:29:40.320
<v Speaker 1>Another creature that Rose mentions is the Buka knock, which

0:29:40.400 --> 0:29:43.960
<v Speaker 1>is described She describes as a quote a vast, menacing goat,

0:29:44.360 --> 0:29:48.320
<v Speaker 1>and it's said to terrify travelers on lonely irish roads

0:29:48.360 --> 0:29:50.760
<v Speaker 1>at night, which I think is interesting and makes me

0:29:50.840 --> 0:29:56.720
<v Speaker 1>think of of the experience even today of encountering either

0:29:56.800 --> 0:30:01.120
<v Speaker 1>a feral goat or a wandering goat on the roadside

0:30:01.120 --> 0:30:04.680
<v Speaker 1>and seeing it illuminated in your headlights. Obviously wouldn't be

0:30:04.720 --> 0:30:09.240
<v Speaker 1>the same situation on lonely irish roads in in olden times,

0:30:09.280 --> 0:30:11.600
<v Speaker 1>but still, perhaps if you had some sort of a lantern,

0:30:12.040 --> 0:30:15.600
<v Speaker 1>and your your lantern light caught the eyes of the

0:30:15.600 --> 0:30:18.280
<v Speaker 1>goat just right, might be a bit creepy. Now sticking

0:30:18.280 --> 0:30:21.200
<v Speaker 1>to the British Isles for a minute, I came across

0:30:21.320 --> 0:30:27.400
<v Speaker 1>an interesting goat related creature known as the Glystig or

0:30:27.440 --> 0:30:33.960
<v Speaker 1>the Green Maiden, a malevolent fairy from Scottish Gaelic mythology.

0:30:34.000 --> 0:30:39.160
<v Speaker 1>According to the Oxford Reference Encyclopedia, this monster sometimes appears

0:30:39.200 --> 0:30:43.400
<v Speaker 1>as a beautiful woman, but other times as a half woman,

0:30:43.520 --> 0:30:48.080
<v Speaker 1>half goat, and she seduces a male victim, brings him,

0:30:48.160 --> 0:30:51.440
<v Speaker 1>lures him to her hideaway near a secluded pool, and

0:30:51.440 --> 0:30:54.520
<v Speaker 1>then when they are alone, she slashes his throat and

0:30:54.640 --> 0:30:57.800
<v Speaker 1>drinks all his blood. And I thought this was interesting

0:30:57.840 --> 0:31:02.320
<v Speaker 1>because it echoes the idea of goats as sort of

0:31:03.240 --> 0:31:06.880
<v Speaker 1>a sexual danger in some way, except usually it's like

0:31:07.000 --> 0:31:09.920
<v Speaker 1>the idea of a of a of a lusty higo

0:31:10.160 --> 0:31:13.320
<v Speaker 1>to that is that kind of mythological threat. Here, instead,

0:31:13.440 --> 0:31:18.240
<v Speaker 1>it is a an evil fairywoman who seduces male victims.

0:31:18.760 --> 0:31:22.080
<v Speaker 1>Interesting though it's also noted that in other variations, the

0:31:22.320 --> 0:31:25.440
<v Speaker 1>glystick is not dangerous and is a helpful creature who

0:31:25.440 --> 0:31:28.520
<v Speaker 1>protects children and the elderly. That's an interesting one. Yeah,

0:31:28.560 --> 0:31:31.280
<v Speaker 1>I hadn't heard of that one. Now, in Norse tradition,

0:31:31.360 --> 0:31:35.840
<v Speaker 1>we have a pair of giant goats that are rather famous.

0:31:36.200 --> 0:31:39.320
<v Speaker 1>They are tang Grishner and tan Groshner. There are two

0:31:39.320 --> 0:31:41.640
<v Speaker 1>giant goats that pull the chariot of Thor across the

0:31:41.680 --> 0:31:44.640
<v Speaker 1>skies in Norse mythology. I may have butchered their names

0:31:44.680 --> 0:31:47.959
<v Speaker 1>a little bit, but they're Those are translated as tooth

0:31:48.040 --> 0:31:51.720
<v Speaker 1>nasher and tooth grinder, and these are depicted in the

0:31:51.800 --> 0:31:55.680
<v Speaker 1>latest Thor movie as well as screaming goats screaming like

0:31:55.720 --> 0:31:58.920
<v Speaker 1>the goats from the internet video. Yeah, just screaming the

0:31:58.920 --> 0:32:01.440
<v Speaker 1>whole time. It's pretty pretty music. There's some amusing stuff

0:32:01.440 --> 0:32:04.560
<v Speaker 1>in that film. Now, another creature I came across as

0:32:04.640 --> 0:32:08.040
<v Speaker 1>the the Yale or syne Coore is the mythical beasts

0:32:08.040 --> 0:32:13.080
<v Speaker 1>found in European mythology and ultimately European heraldry, described by

0:32:13.160 --> 0:32:16.560
<v Speaker 1>plenty of the elder. Depictions vary from goat like to

0:32:16.720 --> 0:32:20.120
<v Speaker 1>more of than more like an antelope, and the descriptions

0:32:20.160 --> 0:32:23.880
<v Speaker 1>have been linked to varying creatures from distant lands. Uh

0:32:23.920 --> 0:32:26.640
<v Speaker 1>So this is where we kind of get into we

0:32:26.640 --> 0:32:28.560
<v Speaker 1>We mentioned this in the last episode. When you're dealing

0:32:28.560 --> 0:32:33.560
<v Speaker 1>with either mythological creatures, folkloric creatures, or accounts of actual

0:32:33.640 --> 0:32:38.760
<v Speaker 1>creatures in distant lands, the translation of them may take

0:32:38.800 --> 0:32:42.480
<v Speaker 1>on different forms that it might end up being a

0:32:42.480 --> 0:32:44.520
<v Speaker 1>little more goat like, it might be more horse like.

0:32:44.680 --> 0:32:46.520
<v Speaker 1>In there are examples where it might take on the

0:32:46.560 --> 0:32:49.480
<v Speaker 1>forms of other animals. Uh. You know. It reminds me

0:32:49.560 --> 0:32:53.320
<v Speaker 1>too of of of Europeans going out into the world, uh,

0:32:53.320 --> 0:32:56.600
<v Speaker 1>and discovering new fruits and thinking, oh, what kind of

0:32:56.600 --> 0:33:00.840
<v Speaker 1>apple is this? Oh, we will call it the pineapple? Like,

0:33:00.920 --> 0:33:03.720
<v Speaker 1>what kind of strange goat is this? We will interpret

0:33:03.800 --> 0:33:06.800
<v Speaker 1>this idea of a new creature by using the goat

0:33:06.840 --> 0:33:09.560
<v Speaker 1>as a base point. Now, another creature that I read

0:33:09.600 --> 0:33:13.400
<v Speaker 1>about is the us lat a rog. This is a white,

0:33:13.600 --> 0:33:18.160
<v Speaker 1>golden horned goat in the traditions of Slovenia. And the

0:33:18.200 --> 0:33:20.240
<v Speaker 1>basic idea here is that this is a fabulous I

0:33:20.240 --> 0:33:23.440
<v Speaker 1>mean it's not only is it a big goat, almost

0:33:23.520 --> 0:33:27.239
<v Speaker 1>like a ram like creature, it also has horns that

0:33:27.360 --> 0:33:31.120
<v Speaker 1>are gold, presumably real gold. So of course hunters want it.

0:33:31.440 --> 0:33:33.800
<v Speaker 1>Hunters go out, they chase it around. But this is

0:33:33.800 --> 0:33:36.800
<v Speaker 1>a smart creature. This is a uh, this is a

0:33:36.800 --> 0:33:39.720
<v Speaker 1>a savvy creature, and it may well lead you over

0:33:39.800 --> 0:33:43.040
<v Speaker 1>a ravine where you fall to your death. Um. The

0:33:43.080 --> 0:33:45.960
<v Speaker 1>creature is also known as or as translated to just

0:33:46.040 --> 0:33:49.680
<v Speaker 1>being called gold Horn, and it also seems to be

0:33:50.000 --> 0:33:54.080
<v Speaker 1>the mascot of a Slovenian beer. So if if anyone

0:33:54.080 --> 0:33:57.720
<v Speaker 1>out there is a fan of of international beers, or

0:33:57.760 --> 0:34:01.000
<v Speaker 1>if you have any uh drinker of this particular beer,

0:34:01.040 --> 0:34:02.800
<v Speaker 1>I would love to hear your thoughts on it. I

0:34:02.800 --> 0:34:05.480
<v Speaker 1>looked it up on Beer Advocate. It has a score

0:34:05.480 --> 0:34:09.279
<v Speaker 1>of seventy three there, which I guess that's okay. It

0:34:09.320 --> 0:34:13.560
<v Speaker 1>says okay right here, okay, must be an okay beer. Rob,

0:34:13.640 --> 0:34:17.719
<v Speaker 1>I have had this beer? What well? I drank this

0:34:17.840 --> 0:34:22.279
<v Speaker 1>when I was in Slovenia. Um. Yeah, so in Slovenia.

0:34:22.480 --> 0:34:25.160
<v Speaker 1>I don't know if it's still this way, but when

0:34:25.239 --> 0:34:28.000
<v Speaker 1>I was there, it seemed to me there were basically

0:34:28.120 --> 0:34:31.960
<v Speaker 1>two types of beer. There was Union, which is spelled

0:34:32.000 --> 0:34:35.920
<v Speaker 1>like the English word union, and there was Lashko and Uh.

0:34:36.120 --> 0:34:40.040
<v Speaker 1>I recall thinking that it seemed like the bars were

0:34:40.200 --> 0:34:42.719
<v Speaker 1>divided by which beer they sold. I don't know if

0:34:42.719 --> 0:34:44.360
<v Speaker 1>that's really true, but it seemed that way. To me,

0:34:44.440 --> 0:34:47.000
<v Speaker 1>so you have like an Union bar and a Lashko bar,

0:34:47.520 --> 0:34:48.719
<v Speaker 1>and it's like, do you want to go to the

0:34:48.760 --> 0:34:50.560
<v Speaker 1>place that has Lashko or do you want to go

0:34:50.600 --> 0:34:54.000
<v Speaker 1>to the other place? Uh? And for whatever reason, I

0:34:54.080 --> 0:34:56.760
<v Speaker 1>ended up on the Lashco side, So I was drinking those.

0:34:57.200 --> 0:35:00.000
<v Speaker 1>I think I only had a couple of Unions need

0:35:00.080 --> 0:35:02.400
<v Speaker 1>never enough to fall into a ravine. That's the no.

0:35:04.400 --> 0:35:07.479
<v Speaker 1>To be fair, I know I drank Loshko. I don't

0:35:07.480 --> 0:35:13.240
<v Speaker 1>know if I if it was the slaughter rog Um variety.

0:35:13.280 --> 0:35:15.439
<v Speaker 1>I think it probably was because it looks like that's

0:35:15.480 --> 0:35:17.960
<v Speaker 1>one of their their flagship beers, but I can't be

0:35:18.000 --> 0:35:20.239
<v Speaker 1>positive it was. I mean, because it looks like there's

0:35:20.280 --> 0:35:22.680
<v Speaker 1>also like just you know, Lashko light and stuff like that.

0:35:22.719 --> 0:35:25.560
<v Speaker 1>But I think I had this one. I definitely had

0:35:25.560 --> 0:35:30.880
<v Speaker 1>plenty of Lashko. Awesome. Well, I that's that's fabulous question answered.

0:35:31.040 --> 0:35:32.839
<v Speaker 1>But then then, of course, if anyone out there has

0:35:32.880 --> 0:35:37.319
<v Speaker 1>more experience with with this beer right in, let us know. Yeah,

0:35:37.320 --> 0:35:41.160
<v Speaker 1>I would appreciate it. Slovenian listeners. To clarify my memories,

0:35:41.200 --> 0:35:44.000
<v Speaker 1>are there actually Lashko bars and Union bars or is

0:35:44.040 --> 0:35:46.120
<v Speaker 1>that is that just all mixed up in my head?

0:35:46.600 --> 0:35:50.239
<v Speaker 1>Another thing about drinking in Slovenia was I remember everywhere

0:35:50.239 --> 0:35:54.160
<v Speaker 1>I went people would show up with wine in unlabeled

0:35:54.280 --> 0:35:57.359
<v Speaker 1>jugs that just have these glass jugs of you because

0:35:57.400 --> 0:35:59.440
<v Speaker 1>you had red wine and you had white wine. And

0:35:59.480 --> 0:36:02.680
<v Speaker 1>it wasn't like, oh, yeah, it's this vineyard, this vintage

0:36:02.760 --> 0:36:05.479
<v Speaker 1>is just to juggle wine. I don't know where it's from. Yeah.

0:36:05.520 --> 0:36:08.279
<v Speaker 1>And and travel. One of the many, the many things

0:36:08.320 --> 0:36:10.600
<v Speaker 1>that's great about traveling is of course finding out what

0:36:10.760 --> 0:36:14.879
<v Speaker 1>if there's a local drinking tradition, what is it? And

0:36:14.960 --> 0:36:17.520
<v Speaker 1>if there is a local beer or a national beer,

0:36:17.800 --> 0:36:20.319
<v Speaker 1>what is that. Not being a beer enthusiast, they all

0:36:20.360 --> 0:36:22.480
<v Speaker 1>tend to kind of taste the same to me, but

0:36:23.040 --> 0:36:25.320
<v Speaker 1>there's something that's kind of kind of fun about traveling

0:36:25.320 --> 0:36:27.719
<v Speaker 1>to a place and then having the national beer of

0:36:27.760 --> 0:36:31.680
<v Speaker 1>that particular country. I also remember in Slovenia a very

0:36:31.719 --> 0:36:36.120
<v Speaker 1>fruity type of liqueur called sleeve of its that I

0:36:36.160 --> 0:36:39.520
<v Speaker 1>think the innkeeper where I stayed would would like give

0:36:39.600 --> 0:36:43.160
<v Speaker 1>us in the morning. It's how you start your dead.

0:36:47.760 --> 0:36:52.480
<v Speaker 1>Thank thank okay, I got another goat god type figure.

0:36:53.200 --> 0:36:58.720
<v Speaker 1>So in pre Christian Basque mythology of the Basque people,

0:36:59.320 --> 0:37:02.960
<v Speaker 1>there was a deity known as Mari uh m a

0:37:03.160 --> 0:37:06.200
<v Speaker 1>r i that was sort of a queen of the gods,

0:37:06.280 --> 0:37:09.759
<v Speaker 1>a a supreme female deity uh in the in the

0:37:09.800 --> 0:37:14.279
<v Speaker 1>Basque pantheon, and she would be depicted as like you know,

0:37:14.480 --> 0:37:17.440
<v Speaker 1>flying around and through the air in a chariot, but

0:37:17.560 --> 0:37:23.239
<v Speaker 1>also sometimes as riding on a ram well. According to

0:37:23.440 --> 0:37:26.839
<v Speaker 1>the Rutledge Dictionary of Gods and Goddesses, Devils and Demons

0:37:27.120 --> 0:37:32.680
<v Speaker 1>by Manford Lurker, two thousand five, one of the representatives

0:37:32.680 --> 0:37:36.520
<v Speaker 1>for the physical forms representing the power of the god

0:37:36.840 --> 0:37:42.000
<v Speaker 1>or the goddess Mari is this figure called aker Belts,

0:37:42.120 --> 0:37:46.279
<v Speaker 1>which means black billy goat. He he looks exactly how

0:37:46.280 --> 0:37:48.839
<v Speaker 1>he sounds. He is a billy goat with a black coat.

0:37:49.440 --> 0:37:53.680
<v Speaker 1>And this goat spirit is thought to be a protector

0:37:54.000 --> 0:37:58.760
<v Speaker 1>of people's flocks, of their livestock. Lurker writes quote people

0:37:58.760 --> 0:38:01.640
<v Speaker 1>who want their animals to do well turned to him

0:38:01.800 --> 0:38:05.200
<v Speaker 1>for help. In earlier times, a black billy goat was

0:38:05.280 --> 0:38:07.879
<v Speaker 1>kept in the farm steading to protect the herd from

0:38:07.960 --> 0:38:12.239
<v Speaker 1>plague and sickness. In the sixteenth and seventeen centuries, he

0:38:12.320 --> 0:38:16.240
<v Speaker 1>was venerated as a god by witches and wizards sacrifices

0:38:16.280 --> 0:38:18.920
<v Speaker 1>were made to him, and dance formed part of the

0:38:19.040 --> 0:38:23.240
<v Speaker 1>ritual in his honor. So Ocker Belts is cool. Acker Belts,

0:38:23.280 --> 0:38:27.720
<v Speaker 1>we like it seems this is another example of a goat,

0:38:28.480 --> 0:38:31.799
<v Speaker 1>a spiritual goat creature that is not a demonic at

0:38:31.800 --> 0:38:34.319
<v Speaker 1>all from what I can tell, except maybe viewed you know,

0:38:34.400 --> 0:38:37.360
<v Speaker 1>through like a hostile Christian lens on the Basque mythology.

0:38:37.440 --> 0:38:40.239
<v Speaker 1>But within the Basque mythology, it seems like, yeah, this

0:38:40.680 --> 0:38:42.800
<v Speaker 1>is just a this is a good thing that protects

0:38:42.800 --> 0:38:46.880
<v Speaker 1>your flocks. Yeah, I mean flock. The flocks are life. Yeah,

0:38:46.920 --> 0:38:48.759
<v Speaker 1>this is this is something that it really has has

0:38:48.800 --> 0:38:50.719
<v Speaker 1>also been a part of of all these episodes we've

0:38:50.760 --> 0:38:55.640
<v Speaker 1>looked at, uh this Halloween season regarding domesticated animals. It's

0:38:55.680 --> 0:38:58.359
<v Speaker 1>like these are the lifeblood of the people who raised them,

0:38:58.640 --> 0:39:01.719
<v Speaker 1>and so threats to those at those animals, be they

0:39:01.760 --> 0:39:07.040
<v Speaker 1>real threats or perceived threats or supernatural interpretations of threats. Uh,

0:39:07.040 --> 0:39:10.399
<v Speaker 1>you know, it's it's it's serious business. Life and death

0:39:10.440 --> 0:39:13.400
<v Speaker 1>depends upon it. And this would be by no means

0:39:13.440 --> 0:39:19.839
<v Speaker 1>the only mythological or spiritual goat form that is beneficent

0:39:19.920 --> 0:39:23.600
<v Speaker 1>in nature, that is sacred or good or holy or

0:39:23.640 --> 0:39:26.000
<v Speaker 1>considered so by the people who believe in it. Not

0:39:26.200 --> 0:39:29.520
<v Speaker 1>all of the goat based mythical creatures are are malevolent

0:39:29.600 --> 0:39:33.040
<v Speaker 1>wild things that want to want to destroy you. Yeah,

0:39:33.080 --> 0:39:35.760
<v Speaker 1>and this brings us to the sacred goats of China,

0:39:35.920 --> 0:39:38.279
<v Speaker 1>and China we have in Chinese traditions we have at

0:39:38.360 --> 0:39:42.040
<v Speaker 1>least one really special goat in the form of the

0:39:42.160 --> 0:39:46.239
<v Speaker 1>z which you might think of as a kind of unicorn.

0:39:46.360 --> 0:39:50.319
<v Speaker 1>I think this is word is often translated as unicorn um.

0:39:50.480 --> 0:39:53.600
<v Speaker 1>Of course, if we've if we've discussed on the show

0:39:53.600 --> 0:39:57.160
<v Speaker 1>previously in our episodes about unicorns. Even in Western traditions,

0:39:57.480 --> 0:40:00.239
<v Speaker 1>there's a lot of drift regarding the unicorn. So times

0:40:00.239 --> 0:40:04.279
<v Speaker 1>the unicorn is more goat like, sometimes it's more horse like,

0:40:04.960 --> 0:40:09.000
<v Speaker 1>and and it's often used in later in Christian traditions

0:40:09.520 --> 0:40:13.040
<v Speaker 1>as um as as kind of an incarnation of Jesus.

0:40:13.719 --> 0:40:16.480
<v Speaker 1>So so in these in many of these traditions, the

0:40:16.600 --> 0:40:20.920
<v Speaker 1>unicorn is both goat like and christ like, which is

0:40:20.960 --> 0:40:24.439
<v Speaker 1>in stark contrast to these demonic ideas concerning the goat.

0:40:24.520 --> 0:40:26.880
<v Speaker 1>So that's something that's worth keeping in mind as we

0:40:26.960 --> 0:40:29.600
<v Speaker 1>go forward, is that you don't even have to remove

0:40:29.640 --> 0:40:33.759
<v Speaker 1>yourself from Christian traditions in the West to find some

0:40:33.880 --> 0:40:36.759
<v Speaker 1>examples of holy goats. Now with the z she here

0:40:36.920 --> 0:40:40.960
<v Speaker 1>it it's essentially like a dark, shaggy goat or perhaps

0:40:41.000 --> 0:40:44.680
<v Speaker 1>an ox. Again, we see this kind of a drift

0:40:44.719 --> 0:40:47.000
<v Speaker 1>occur with any of these creatures, like is it does

0:40:47.000 --> 0:40:48.160
<v Speaker 1>it have the body of a goat? Does it have

0:40:48.200 --> 0:40:52.040
<v Speaker 1>the body of an ox? I looked at various images

0:40:52.080 --> 0:40:55.400
<v Speaker 1>of statues and depictions, and some of them I included

0:40:55.440 --> 0:40:56.880
<v Speaker 1>a picture here of one for you, Joe, that I

0:40:56.880 --> 0:40:59.680
<v Speaker 1>think looks very goat like, clearly has goat like legs,

0:40:59.719 --> 0:41:03.080
<v Speaker 1>even its head is more fantastic. But then there's another

0:41:03.120 --> 0:41:05.440
<v Speaker 1>one that looks very much kind of like a bulldog

0:41:05.560 --> 0:41:08.200
<v Speaker 1>or like a cat. Uh So, it has a totally

0:41:08.200 --> 0:41:11.360
<v Speaker 1>different morphology going on, at least to my non expert I.

0:41:11.880 --> 0:41:15.800
<v Speaker 1>But these are noble, divine creatures uh so. So Again,

0:41:16.320 --> 0:41:19.200
<v Speaker 1>in that sense, they are more like the Western idea

0:41:19.200 --> 0:41:21.440
<v Speaker 1>of the unicorn. I'm gonna say, at least for these

0:41:21.480 --> 0:41:24.080
<v Speaker 1>two pictures you attach for me, these are good boys.

0:41:25.239 --> 0:41:28.960
<v Speaker 1>These are good boys who deserves a good scratch. Now

0:41:28.960 --> 0:41:32.240
<v Speaker 1>in the Chinese city of Guangzhou. Uh there is also

0:41:32.320 --> 0:41:34.759
<v Speaker 1>the legend of the Five Goats, So This is a

0:41:34.800 --> 0:41:39.960
<v Speaker 1>founding myth regarding the five immortals writing to the spot

0:41:39.960 --> 0:41:43.359
<v Speaker 1>of the city's founding and bringing the knowledge of rice

0:41:43.440 --> 0:41:47.520
<v Speaker 1>cultivation there. And when the immortals leave, according to the myth,

0:41:47.920 --> 0:41:51.520
<v Speaker 1>they left their goats behind, and these goats became the

0:41:51.600 --> 0:41:54.839
<v Speaker 1>stones of the Dallas temple of the Five immortals there.

0:41:55.280 --> 0:41:58.120
<v Speaker 1>And there is also in the in the city in Guangzhou,

0:41:58.239 --> 0:42:01.880
<v Speaker 1>there's a splendid statue of the five goats atop a

0:42:01.960 --> 0:42:06.319
<v Speaker 1>hill in this expansive garden in the city which which

0:42:06.360 --> 0:42:08.880
<v Speaker 1>i've i have visited, and I actually marched to the

0:42:08.920 --> 0:42:11.400
<v Speaker 1>top of this hill and got to see the statue

0:42:11.440 --> 0:42:13.560
<v Speaker 1>of the goats. There included a picture here for you, Joe.

0:42:13.600 --> 0:42:15.880
<v Speaker 1>This is not my picture that you're looking at. There

0:42:15.920 --> 0:42:17.799
<v Speaker 1>are a lot of images of this of the goat

0:42:17.920 --> 0:42:21.200
<v Speaker 1>statues online, but it's quite quite splendid and again at

0:42:21.200 --> 0:42:23.920
<v Speaker 1>the top of this hill in this enormous park beautiful.

0:42:24.280 --> 0:42:28.160
<v Speaker 1>Now as a widely domesticated species, we of course find

0:42:28.160 --> 0:42:32.040
<v Speaker 1>goats in Indian traditions as well. Um In Hinduism, a

0:42:32.080 --> 0:42:34.920
<v Speaker 1>goat is the vehicle of both the fire god Agni

0:42:35.320 --> 0:42:39.680
<v Speaker 1>and sometimes the vehicle of the solar deity Pushan. The

0:42:39.760 --> 0:42:43.759
<v Speaker 1>god Daksha has the head of a goat following his

0:42:43.840 --> 0:42:48.120
<v Speaker 1>insult of Shiva and subsequent execution by the order of Shiva.

0:42:48.400 --> 0:42:51.600
<v Speaker 1>But then Shiva shows mercy and allows Daksha to return

0:42:51.640 --> 0:42:54.200
<v Speaker 1>to life with the head of the first living being

0:42:54.320 --> 0:42:58.160
<v Speaker 1>he meets. Upon his return to life. That animal turns

0:42:58.160 --> 0:43:00.400
<v Speaker 1>out to be a goat. So he didn't a generally

0:43:00.440 --> 0:43:03.479
<v Speaker 1>have a goat head, he gets one. Okay, I see, yeah, yeah,

0:43:03.480 --> 0:43:04.960
<v Speaker 1>he had a more I guess the human head, a

0:43:05.000 --> 0:43:08.320
<v Speaker 1>humanoid head. But then he lost that head because he

0:43:08.360 --> 0:43:12.520
<v Speaker 1>earned himself beheading. But then the god shows mercy and says,

0:43:12.520 --> 0:43:14.239
<v Speaker 1>all right, you can have your life back. You can

0:43:14.280 --> 0:43:16.120
<v Speaker 1>have your head back, but it has to be the

0:43:16.160 --> 0:43:18.600
<v Speaker 1>first head of the head of the first animal you

0:43:18.640 --> 0:43:22.000
<v Speaker 1>see in the world. Is this is so he gets

0:43:22.000 --> 0:43:24.120
<v Speaker 1>to go about with the goat head. Is this interpreted

0:43:24.160 --> 0:43:26.760
<v Speaker 1>as a kind of curse or humiliation in the story

0:43:26.880 --> 0:43:30.919
<v Speaker 1>or or not so much? Um I'm not so sure

0:43:30.960 --> 0:43:33.240
<v Speaker 1>about that, because you're getting into, I guess a deeper

0:43:33.320 --> 0:43:37.560
<v Speaker 1>question of how the goat perceived in in in in

0:43:37.560 --> 0:43:41.800
<v Speaker 1>in India and in Hindu culture. Um. I was reading

0:43:41.800 --> 0:43:46.400
<v Speaker 1>about this particular tale in Nandita Krishna's Sacred Animals of India,

0:43:46.800 --> 0:43:49.480
<v Speaker 1>and according to this author, the tale is often used

0:43:49.520 --> 0:43:54.440
<v Speaker 1>to justify goat sacrifices, as Daksha was essentially the sacrifice

0:43:54.480 --> 0:43:58.640
<v Speaker 1>of Shiva um, you know, albeit with a pre goat head,

0:43:58.800 --> 0:44:02.759
<v Speaker 1>and it's you know, execution and sacrifice. Trying to you know,

0:44:02.840 --> 0:44:06.799
<v Speaker 1>draw parallels there. Goats are also a sacrifice to the

0:44:06.800 --> 0:44:10.640
<v Speaker 1>mother Goddess, according to Krishna here and sometimes to Cali

0:44:10.800 --> 0:44:14.239
<v Speaker 1>as well. Man, there is so much goat lore you

0:44:14.239 --> 0:44:18.520
<v Speaker 1>could have an entire Wikipedia style goat database just for

0:44:18.600 --> 0:44:23.520
<v Speaker 1>goat backstory, goat lore, goat mythology, Internet goat database. Yeah, yeah,

0:44:23.600 --> 0:44:25.239
<v Speaker 1>I can see that working. I mean, there's just a

0:44:25.239 --> 0:44:26.680
<v Speaker 1>lot of it. And I think it comes down to,

0:44:26.920 --> 0:44:28.680
<v Speaker 1>you know what we've been discussing here. It's just it

0:44:28.719 --> 0:44:31.840
<v Speaker 1>has been such a part of human traditions for so long.

0:44:32.360 --> 0:44:36.720
<v Speaker 1>We've spent plenty of time watching goats, comparing ourselves to goats,

0:44:36.719 --> 0:44:39.279
<v Speaker 1>comparing our ways to the ways of goats, and then

0:44:39.360 --> 0:44:43.120
<v Speaker 1>out of that all these various fanciful ideas emerge. Those

0:44:43.360 --> 0:44:46.759
<v Speaker 1>ideas kind of uh then breed with each other, and

0:44:46.960 --> 0:44:49.960
<v Speaker 1>uh we are left with all these interesting traditions of

0:44:49.960 --> 0:44:54.160
<v Speaker 1>of the divine, that the demonic UH, and everything in between. Okay,

0:44:54.200 --> 0:44:56.400
<v Speaker 1>I think we have to call it for this episode,

0:44:56.880 --> 0:44:59.279
<v Speaker 1>just for time, but we've got more goats stuff to

0:44:59.280 --> 0:45:02.520
<v Speaker 1>talk about, that's right. We'll be coming back in the

0:45:02.560 --> 0:45:07.920
<v Speaker 1>in the next episode with discussions of Egyptian traditions. UH.

0:45:08.200 --> 0:45:12.320
<v Speaker 1>We'll get into occultism a little bit, goat intelligence, wars

0:45:12.400 --> 0:45:15.400
<v Speaker 1>on goats. There's a lot more to talk about, but

0:45:15.520 --> 0:45:17.600
<v Speaker 1>certainly in the meantime, feel free to write into us,

0:45:17.800 --> 0:45:20.799
<v Speaker 1>particularly if you have experience with any of the or

0:45:20.920 --> 0:45:23.920
<v Speaker 1>or background in any of the traditions that we've discussed

0:45:23.920 --> 0:45:26.640
<v Speaker 1>here and would like to share more about them. If

0:45:26.719 --> 0:45:30.440
<v Speaker 1>you have personal experience with goats, if you have lived

0:45:30.480 --> 0:45:33.600
<v Speaker 1>any part of your life among the goats, UH, you

0:45:33.680 --> 0:45:36.160
<v Speaker 1>probably have insight to share and we would love to

0:45:36.200 --> 0:45:38.120
<v Speaker 1>hear from you. You can catch up on all our

0:45:38.160 --> 0:45:40.440
<v Speaker 1>episodes and the Stuff to Blow your Mind podcast feed

0:45:40.520 --> 0:45:44.279
<v Speaker 1>on Tuesdays and Thursdays, we have our core episodes. On Wednesdays,

0:45:44.320 --> 0:45:47.600
<v Speaker 1>we do a short form artifact or monster fact. On

0:45:47.680 --> 0:45:49.719
<v Speaker 1>Monday's we do listener mail. On on on Fridays, we do

0:45:49.760 --> 0:45:51.879
<v Speaker 1>Weird How Cinema. That's our time to set aside most

0:45:51.920 --> 0:45:55.719
<v Speaker 1>serious concerns and just talk about a weird film like

0:45:55.960 --> 0:45:58.520
<v Speaker 1>The Devil Rides Out. So if you want some more

0:45:58.520 --> 0:46:01.800
<v Speaker 1>discussion of goat people, I think that that may be

0:46:01.920 --> 0:46:06.239
<v Speaker 1>the only goat film we've watched. Perhaps your memories better

0:46:06.239 --> 0:46:08.520
<v Speaker 1>than mine, and you can remember another goat that's popped up.

0:46:09.320 --> 0:46:11.560
<v Speaker 1>That's the only one come to mind, But I don't know.

0:46:11.640 --> 0:46:13.839
<v Speaker 1>Our back catalog is starting to get kind of long,

0:46:13.960 --> 0:46:17.280
<v Speaker 1>so we're finally reaching the point where I am forgetting

0:46:17.280 --> 0:46:20.319
<v Speaker 1>which movies we've covered. Yeah, I think this week's film

0:46:20.320 --> 0:46:22.920
<v Speaker 1>will be the ninety film that we have looked at

0:46:23.000 --> 0:46:25.480
<v Speaker 1>hum Weird House Cinema. It's been a wild ride so far,

0:46:26.480 --> 0:46:28.759
<v Speaker 1>but we have miles to go before we sleep. A

0:46:28.920 --> 0:46:34.880
<v Speaker 1>wild goat ride in nowhere. Huge thanks as always to

0:46:35.040 --> 0:46:39.319
<v Speaker 1>our excellent audio producer Seth Nicholas Johnson. If you would

0:46:39.360 --> 0:46:42.160
<v Speaker 1>like to get in touch with us with feedback on

0:46:42.200 --> 0:46:45.360
<v Speaker 1>this episode or any other, to suggest a topic for

0:46:45.400 --> 0:46:48.759
<v Speaker 1>the future, to shed some to to shed some light

0:46:48.800 --> 0:46:51.640
<v Speaker 1>on goats, to share personal experience about goats, if you

0:46:51.640 --> 0:46:54.480
<v Speaker 1>are a goat hurd yourself, or if you just want

0:46:54.520 --> 0:46:56.719
<v Speaker 1>to get in touch and say hi, any of that's

0:46:56.719 --> 0:46:59.440
<v Speaker 1>fair game. You can always write us at contact at

0:46:59.520 --> 0:47:09.759
<v Speaker 1>Stuff to Blow Your Mind dot com. Stuff to Blow

0:47:09.800 --> 0:47:12.319
<v Speaker 1>Your Mind is production of I heart Radio. For more

0:47:12.360 --> 0:47:14.959
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0:47:15.120 --> 0:47:29.680
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