1 00:00:00,080 --> 00:00:03,480 Speaker 1: This is an iHeart podcast, guaranteed Human. 2 00:00:08,760 --> 00:00:11,360 Speaker 2: I'm Buzzsnight, the host of the Taking a Walk podcast, 3 00:00:11,480 --> 00:00:14,320 Speaker 2: the podcast where we take a look at music history. 4 00:00:14,360 --> 00:00:17,760 Speaker 2: We talk to musicians and insiders, and on this episode, 5 00:00:17,840 --> 00:00:19,880 Speaker 2: we take a look at music history for the week 6 00:00:19,920 --> 00:00:23,400 Speaker 2: of January the thirteenth, and I'm joined at the music 7 00:00:23,520 --> 00:00:29,320 Speaker 2: history desk by my dear friend, rock fan, media personality, 8 00:00:30,440 --> 00:00:36,000 Speaker 2: former programmer and radio and also just somebody who knows 9 00:00:36,120 --> 00:00:38,559 Speaker 2: the biz and the music inside out, the one and 10 00:00:38,600 --> 00:00:39,519 Speaker 2: only Harry Jacobs. 11 00:00:39,560 --> 00:00:41,960 Speaker 1: Welcome to the Music History Desk. 12 00:00:42,040 --> 00:00:45,080 Speaker 3: Carry pleasure to be here to join. 13 00:00:45,120 --> 00:00:48,559 Speaker 4: You know, historically the beginning of January is when a 14 00:00:48,600 --> 00:00:48,919 Speaker 4: lot of. 15 00:00:48,840 --> 00:00:50,320 Speaker 3: Things aren't going on. 16 00:00:50,400 --> 00:00:53,240 Speaker 4: But we've managed to find some things that have happened 17 00:00:53,280 --> 00:00:56,200 Speaker 4: this week, and I'm excited to talk to you about them. 18 00:00:56,960 --> 00:00:59,240 Speaker 4: Johnny Cash would be the first one, not necessarily a 19 00:00:59,360 --> 00:01:01,920 Speaker 4: rock guy, but but you know, a lot of rock 20 00:01:01,960 --> 00:01:06,600 Speaker 4: guys took influence from Johnny Cash. Bruce Springsteen will often 21 00:01:06,680 --> 00:01:11,400 Speaker 4: talk about that Johnny Cash influence. And obviously he changed 22 00:01:11,480 --> 00:01:15,560 Speaker 4: and spent a lot of time doing country and western 23 00:01:15,680 --> 00:01:19,560 Speaker 4: sounding music as he's you know, grown in his career. 24 00:01:19,640 --> 00:01:23,120 Speaker 4: But Johnny Cash is at Fulsome prison came out this 25 00:01:23,160 --> 00:01:27,360 Speaker 4: week in nineteen sixty eight, probably something that wouldn't happen today, 26 00:01:27,440 --> 00:01:30,080 Speaker 4: think about it. They took a room full of prisoners 27 00:01:30,160 --> 00:01:33,959 Speaker 4: and let Johnny Cash, a former felon by the way, 28 00:01:34,240 --> 00:01:35,319 Speaker 4: play at the prison. 29 00:01:35,360 --> 00:01:38,080 Speaker 3: That was a big deal at that time. 30 00:01:39,040 --> 00:01:41,640 Speaker 2: Yeah, And I got to talk to jelly Roll way 31 00:01:41,680 --> 00:01:46,720 Speaker 2: back about a lot of different things, including, you know, 32 00:01:47,680 --> 00:01:51,080 Speaker 2: his view of Johnny Cash, and I'll never forget it. 33 00:01:51,120 --> 00:01:52,560 Speaker 3: He was like, he. 34 00:01:52,840 --> 00:01:56,640 Speaker 2: Leaned right in in terms of what a badass Johnny 35 00:01:56,640 --> 00:02:01,680 Speaker 2: Cash was. And obviously Jelly Roll has served time as 36 00:02:01,720 --> 00:02:05,080 Speaker 2: well behind bars, so he had a great respect for 37 00:02:05,720 --> 00:02:09,799 Speaker 2: Johnny's authenticity. He even recommended to me, And in case 38 00:02:09,880 --> 00:02:13,560 Speaker 2: you haven't seen it, the documentary, the Tricky Dick Johnny 39 00:02:13,600 --> 00:02:14,600 Speaker 2: Cash Documentary. 40 00:02:14,639 --> 00:02:15,840 Speaker 1: Have you ever checked that one out? 41 00:02:16,240 --> 00:02:18,760 Speaker 4: You told me after you did the interview with Jelly Roll, 42 00:02:18,840 --> 00:02:21,400 Speaker 4: you told me about it, and it's kind of buried 43 00:02:21,400 --> 00:02:23,560 Speaker 4: on my list. I need to get in there and 44 00:02:24,440 --> 00:02:25,200 Speaker 4: take a look at that. 45 00:02:25,600 --> 00:02:27,679 Speaker 1: It's really well done, so Johnny. 46 00:02:27,880 --> 00:02:30,520 Speaker 2: And then of course what Johnny would ultimately end up 47 00:02:30,760 --> 00:02:35,280 Speaker 2: doing with Bob Dylan was certainly incredible as well. And 48 00:02:35,320 --> 00:02:38,400 Speaker 2: that TV show that Johnny had was sort of this 49 00:02:38,720 --> 00:02:45,600 Speaker 2: amazing you know, combining country and sort of rock Americana together. 50 00:02:45,760 --> 00:02:49,640 Speaker 2: So an iconic period in music history when Johnny was 51 00:02:49,680 --> 00:02:50,720 Speaker 2: at the fulsome prison. 52 00:02:51,280 --> 00:02:53,519 Speaker 4: Yeah, one of my favorite pictures of Johnny is that 53 00:02:54,120 --> 00:02:56,320 Speaker 4: that picture where he's given the finger to the camera. 54 00:02:56,440 --> 00:02:59,360 Speaker 4: He looks really angry and he's just you know, to 55 00:02:59,400 --> 00:03:04,040 Speaker 4: me that it describes the times right that we were 56 00:03:04,040 --> 00:03:06,600 Speaker 4: in at that time. Think about where we were in 57 00:03:06,680 --> 00:03:10,520 Speaker 4: sixty eight that picture was taking it around. That may 58 00:03:10,560 --> 00:03:15,519 Speaker 4: probably earlier, but you know, still it's an iconic photo Johnny. 59 00:03:15,360 --> 00:03:16,359 Speaker 1: No doubt, no doubt. 60 00:03:17,880 --> 00:03:23,440 Speaker 4: In nineteen seventy three, this is the time that Pete 61 00:03:23,480 --> 00:03:28,400 Speaker 4: Townshend organized the Rainbow Concert essentially to support Eric Clapton. 62 00:03:28,600 --> 00:03:30,400 Speaker 3: Now there were a whole bunch of people that played. 63 00:03:30,440 --> 00:03:33,720 Speaker 4: Obviously Townshend Clapton played, but Steve Winwood and a bunch 64 00:03:33,760 --> 00:03:38,160 Speaker 4: of others. We learned through the documentary through the Twelve 65 00:03:38,200 --> 00:03:43,440 Speaker 4: Bars Life through Twelve Bars, I believe that that was 66 00:03:43,480 --> 00:03:46,920 Speaker 4: a time that Eric Clapton in seventy three was really 67 00:03:46,960 --> 00:03:49,920 Speaker 4: at the height of his drug use, was really struggling, 68 00:03:49,960 --> 00:03:53,520 Speaker 4: had kind of disappeared at times. I remember seeing there 69 00:03:53,560 --> 00:03:57,040 Speaker 4: was a period of time before for sixty one Ocean Boulevard. 70 00:03:57,080 --> 00:03:59,160 Speaker 4: I guess that was the album at that time with 71 00:03:59,640 --> 00:04:02,320 Speaker 4: the main line Florida on it, among other things. But 72 00:04:03,120 --> 00:04:06,320 Speaker 4: this was an interesting time for Clapton and to have 73 00:04:06,480 --> 00:04:11,640 Speaker 4: the Townshend and gather others to rally around him, it 74 00:04:11,720 --> 00:04:12,280 Speaker 4: was important. 75 00:04:13,000 --> 00:04:15,480 Speaker 2: Yeah, And I think we knew there were problems back then. 76 00:04:15,720 --> 00:04:18,599 Speaker 2: It was certainly reported I think in you know, like 77 00:04:18,720 --> 00:04:22,640 Speaker 2: Rolling Stone or Crawdaddy magazine or something like that, So 78 00:04:22,760 --> 00:04:26,120 Speaker 2: there was word out there that there were problems with 79 00:04:26,120 --> 00:04:26,719 Speaker 2: with Eric. 80 00:04:28,360 --> 00:04:31,320 Speaker 1: Frankly, there were problems with all of the musicians at 81 00:04:31,320 --> 00:04:31,800 Speaker 1: that point. 82 00:04:31,920 --> 00:04:35,680 Speaker 2: It felt like so many of them sadly, you know, struggled. 83 00:04:37,040 --> 00:04:41,160 Speaker 2: And then I remember when ultimately the Rainbow Concert was released. 84 00:04:43,160 --> 00:04:49,640 Speaker 2: I think it was received fairly tepidly because for acts 85 00:04:49,680 --> 00:04:53,800 Speaker 2: that were so great in concert, it wasn't there, you know, 86 00:04:54,080 --> 00:04:57,839 Speaker 2: most memorable performances. So that's how I started to remember 87 00:04:58,360 --> 00:05:01,520 Speaker 2: the way the concert went, came out, was released, in 88 00:05:01,560 --> 00:05:02,600 Speaker 2: the way it was received. 89 00:05:02,640 --> 00:05:03,400 Speaker 1: That could be wrong. 90 00:05:04,080 --> 00:05:07,480 Speaker 4: This was not a concert, if my memory serves me correctly, 91 00:05:07,480 --> 00:05:10,320 Speaker 4: where you know, each group did their own little set. 92 00:05:10,360 --> 00:05:13,479 Speaker 4: This was the this was the jam session, you know, 93 00:05:13,680 --> 00:05:16,120 Speaker 4: pre you know, what they're doing now as an example 94 00:05:16,120 --> 00:05:18,919 Speaker 4: for the Rock and Roll Hall of Fame, right, birthday 95 00:05:18,960 --> 00:05:21,120 Speaker 4: concert or some sort of celebration of a band. 96 00:05:21,320 --> 00:05:21,800 Speaker 1: That's right. 97 00:05:21,880 --> 00:05:25,400 Speaker 2: It was not orchestrated and staged to the degree that 98 00:05:25,480 --> 00:05:29,400 Speaker 2: things are not by that guy Joel Gallan who does 99 00:05:29,480 --> 00:05:31,960 Speaker 2: all the did all the stuff for you know, the 100 00:05:32,520 --> 00:05:35,279 Speaker 2: Rock and Roll Hall of Fame. He staged things and 101 00:05:35,320 --> 00:05:37,359 Speaker 2: he's brilliant at that. Yeah, that I think that's a 102 00:05:37,400 --> 00:05:39,000 Speaker 2: good point there, for sure. 103 00:05:39,520 --> 00:05:42,040 Speaker 4: Yeah, that's an It's an interesting thing when you think 104 00:05:42,080 --> 00:05:44,000 Speaker 4: about it. You know, it'd be interesting to go back 105 00:05:44,040 --> 00:05:47,160 Speaker 4: now and watch it knowing how things have evolved from 106 00:05:47,160 --> 00:05:50,880 Speaker 4: a production you know, standpoint, yes, listen, it's like watching 107 00:05:50,880 --> 00:05:53,760 Speaker 4: a football game from nineteen seventy five versus watching one. 108 00:05:54,000 --> 00:05:57,440 Speaker 4: It's right now to see what technology and just kind 109 00:05:57,440 --> 00:06:00,520 Speaker 4: of where people have gone in terms of organization these things. 110 00:06:00,600 --> 00:06:03,160 Speaker 1: Yeah, and the eye that some director puts to it. 111 00:06:03,560 --> 00:06:07,240 Speaker 4: Sure, Yeah, but at any rate that happened Clapton was 112 00:06:07,839 --> 00:06:11,800 Speaker 4: arguably a disaster. He was struggling with the situation with 113 00:06:11,800 --> 00:06:16,440 Speaker 4: Patty Harrison, George Harrison's wife at the time, being you know, 114 00:06:16,520 --> 00:06:20,560 Speaker 4: in love with his best friend's wife. It created all 115 00:06:20,640 --> 00:06:23,719 Speaker 4: kinds of ants and added to the drug use fueled 116 00:06:24,120 --> 00:06:24,640 Speaker 4: all of that. 117 00:06:26,560 --> 00:06:29,560 Speaker 1: And as they say, the rest history, the rest is history. 118 00:06:29,560 --> 00:06:32,000 Speaker 4: Here. Yeah, we'll get I'm sure we'll get to Layla 119 00:06:32,080 --> 00:06:33,920 Speaker 4: and Derek and the Dominoes at some point down the 120 00:06:34,000 --> 00:06:37,159 Speaker 4: road this week as well, no doubt. 121 00:06:37,920 --> 00:06:39,400 Speaker 3: In nineteen sixty. 122 00:06:39,080 --> 00:06:43,480 Speaker 4: Seven, The Stones appeared on Ed Sullivan and Ed Sullivan 123 00:06:43,520 --> 00:06:45,360 Speaker 4: had a request when they said we were going to 124 00:06:45,400 --> 00:06:48,880 Speaker 4: play Let's spend the Night together at Sullivan had them 125 00:06:48,960 --> 00:06:53,599 Speaker 4: change the lyrics to let's spend some time together, because 126 00:06:53,600 --> 00:06:56,640 Speaker 4: in nineteen sixty seven you couldn't talk about two people 127 00:06:56,640 --> 00:07:00,800 Speaker 4: that weren't married, I guess spending time under the sheets. 128 00:07:00,880 --> 00:07:01,159 Speaker 3: Yeah. 129 00:07:01,279 --> 00:07:03,520 Speaker 2: I could only wish that we could have been a 130 00:07:03,560 --> 00:07:09,240 Speaker 2: fly on the wall to mister Sullivan having the conversation 131 00:07:09,760 --> 00:07:13,160 Speaker 2: probably with you know, Mick and Keith or the whole 132 00:07:13,200 --> 00:07:16,600 Speaker 2: band or something. I don't think he maybe he started 133 00:07:16,720 --> 00:07:20,800 Speaker 2: going through their management, you know, mediary, but you know 134 00:07:20,920 --> 00:07:22,000 Speaker 2: he's had to speak to the. 135 00:07:21,960 --> 00:07:25,120 Speaker 1: Band about it in some form. I would love to 136 00:07:25,160 --> 00:07:27,080 Speaker 1: see how that played out. Well, we know how it 137 00:07:27,120 --> 00:07:27,880 Speaker 1: played out, you know. 138 00:07:28,320 --> 00:07:28,480 Speaker 3: Yeah. 139 00:07:28,520 --> 00:07:30,320 Speaker 4: I was just gonna ask, did did you ever see 140 00:07:30,320 --> 00:07:33,480 Speaker 4: anyone in any interviews with anyone in Jagger or Richards 141 00:07:33,480 --> 00:07:35,600 Speaker 4: have they have? Have you seen him talk speak to 142 00:07:35,640 --> 00:07:37,840 Speaker 4: that particular incident. 143 00:07:38,520 --> 00:07:41,720 Speaker 2: I have not, but you know, uh, there's so many 144 00:07:41,760 --> 00:07:43,920 Speaker 2: incidents with the Stones, That's why we love him. 145 00:07:44,440 --> 00:07:46,960 Speaker 4: You're right, And this was tame compared to anything else, 146 00:07:47,160 --> 00:07:48,560 Speaker 4: That's right when you think about it. 147 00:07:48,640 --> 00:07:51,480 Speaker 3: Sixty seven. This was the beginning, you know, of time 148 00:07:51,760 --> 00:07:53,320 Speaker 3: for them in a sense. 149 00:07:53,600 --> 00:07:58,280 Speaker 2: Oh yeah, for sure. But yeah Ed Ed Sullivan churned 150 00:07:58,320 --> 00:07:59,360 Speaker 2: them all out, you know. 151 00:08:00,480 --> 00:08:01,880 Speaker 4: So let me give you. Let me give you two 152 00:08:01,920 --> 00:08:04,160 Speaker 4: other things to think about. Think about where we are 153 00:08:04,320 --> 00:08:08,440 Speaker 4: now with you know, with marijuana usage in our country 154 00:08:08,440 --> 00:08:12,480 Speaker 4: and dispensaries and you know how mainstream it is. This 155 00:08:12,560 --> 00:08:15,680 Speaker 4: is the time January sixteenth, nineteen eighty, when Paul McCartney 156 00:08:16,160 --> 00:08:20,560 Speaker 4: was arrested in Tokyo and he and Wings were due 157 00:08:20,560 --> 00:08:24,920 Speaker 4: to be there part of their tour in Japan, and 158 00:08:25,120 --> 00:08:28,520 Speaker 4: he was deported. They held him for nine days. Imagine 159 00:08:28,520 --> 00:08:33,160 Speaker 4: that bag of weed he gets nine days in Tokyo. 160 00:08:33,960 --> 00:08:36,880 Speaker 2: Yeah, it is funny thinking about it now, but that 161 00:08:37,600 --> 00:08:41,280 Speaker 2: caused a lot of misery for Paul at that time, 162 00:08:41,600 --> 00:08:45,480 Speaker 2: and certainly I'm sure cost him a few bucks along 163 00:08:45,480 --> 00:08:50,280 Speaker 2: the way for that delay and Yeah, it is kind 164 00:08:50,280 --> 00:08:52,520 Speaker 2: of mind blowing thinking about how far we've come. 165 00:08:52,880 --> 00:08:55,959 Speaker 4: Yeah, and here's another one nineteen sixty seven and other 166 00:08:56,160 --> 00:08:59,120 Speaker 4: Beatles related thing, but this is one I had no 167 00:08:59,240 --> 00:09:03,440 Speaker 4: clue about. Nineteen sixty seven January seventeenth, the Daily Mail newspaper, 168 00:09:04,160 --> 00:09:08,480 Speaker 4: they printed an article saying there were four thousand potholes 169 00:09:08,480 --> 00:09:12,360 Speaker 4: in Blackburn, Lancashire, and the death of Guinness are terror 170 00:09:12,360 --> 00:09:17,320 Speaker 4: Brown in a car crash. And these articles inspired the 171 00:09:17,400 --> 00:09:19,559 Speaker 4: lyrics for which Beatles song bus. 172 00:09:20,440 --> 00:09:22,959 Speaker 1: I did not know that. No, I knew that A 173 00:09:23,040 --> 00:09:24,240 Speaker 1: day in the life. I'm sorry. 174 00:09:25,120 --> 00:09:27,240 Speaker 3: Yeah, I had I when I saw it when I 175 00:09:27,240 --> 00:09:28,520 Speaker 3: was doing research for the week. I saw that. 176 00:09:28,600 --> 00:09:31,560 Speaker 4: I thought, there's one that's going going into this group. 177 00:09:31,640 --> 00:09:32,440 Speaker 4: That's a great story. 178 00:09:32,800 --> 00:09:35,640 Speaker 2: But what was so awesome and how you know the 179 00:09:35,679 --> 00:09:40,720 Speaker 2: songwriting genius of Lennon and McCartney, you know, scanning every 180 00:09:40,760 --> 00:09:45,960 Speaker 2: possible source for some inspiration and finding finding that in 181 00:09:46,160 --> 00:09:48,960 Speaker 2: the Daily Mail, I think that's you just adds to 182 00:09:49,000 --> 00:09:51,520 Speaker 2: the brilliance of their songwriting. 183 00:09:52,640 --> 00:09:56,480 Speaker 4: Johnny Rotten in nineteen seventy eight was thrown out of 184 00:09:56,520 --> 00:10:02,520 Speaker 4: the Sex Pistols unceremoniously dismissed, leading to the band's breakup. 185 00:10:02,520 --> 00:10:04,360 Speaker 3: You know why they kicked him out? 186 00:10:04,960 --> 00:10:07,160 Speaker 1: Probably something about his hairdo No, I don't know. 187 00:10:07,240 --> 00:10:09,319 Speaker 3: He said he wasn't weird enough. 188 00:10:09,600 --> 00:10:13,960 Speaker 1: Oh my god, that's still weird enough to me. That's hysterical. 189 00:10:14,160 --> 00:10:14,719 Speaker 3: Yeah. 190 00:10:14,760 --> 00:10:17,280 Speaker 1: Well, as I was thinking about him getting kicked. 191 00:10:17,000 --> 00:10:20,280 Speaker 2: Out of the band, I'm thinking, well, isn't that the 192 00:10:20,320 --> 00:10:21,720 Speaker 2: definition of punk anyway? 193 00:10:21,760 --> 00:10:22,880 Speaker 1: Getting kicked out of a band? 194 00:10:23,840 --> 00:10:25,199 Speaker 4: How bad do you have to be to get kicked 195 00:10:25,200 --> 00:10:26,680 Speaker 4: out of a What kind of an ass do you 196 00:10:26,720 --> 00:10:28,720 Speaker 4: have to be to get kicked out of a punk band? 197 00:10:28,800 --> 00:10:31,079 Speaker 1: That's apparently, you know, bad enough. 198 00:10:32,040 --> 00:10:35,680 Speaker 4: And one pop culture or one historic event that happened 199 00:10:35,720 --> 00:10:40,800 Speaker 4: this week to wrap us up. January fifteenth, nineteen nineteen 200 00:10:41,160 --> 00:10:44,360 Speaker 4: was the date of the Great Molasses Flood in Boston. 201 00:10:44,880 --> 00:10:48,240 Speaker 4: Something I don't think I was taught growing up in 202 00:10:48,280 --> 00:10:52,160 Speaker 4: the suburbs of Boston, But twenty one people actually died 203 00:10:52,200 --> 00:10:52,960 Speaker 4: in that and one. 204 00:10:52,920 --> 00:10:56,320 Speaker 3: Hundred and fifty were injured. Pretty crazy story. 205 00:10:56,600 --> 00:10:59,080 Speaker 2: I got to think that that was not the back 206 00:10:59,160 --> 00:11:01,720 Speaker 2: bay of Boston that occurred. That had to be somewhere 207 00:11:01,760 --> 00:11:05,760 Speaker 2: in the you know, the true city of Boston, you know, 208 00:11:06,520 --> 00:11:09,000 Speaker 2: near the Harbor or whatever where that occurred. 209 00:11:09,040 --> 00:11:12,360 Speaker 4: You know, twenty one people died death by molasses. Kind 210 00:11:12,360 --> 00:11:13,560 Speaker 4: of slow and painful. 211 00:11:13,840 --> 00:11:17,200 Speaker 2: It's a tragedy for sure, and traffic was terrible at 212 00:11:17,200 --> 00:11:20,840 Speaker 2: that moment and to this day it's still hillatious in Boston. 213 00:11:21,640 --> 00:11:22,120 Speaker 1: That's right. 214 00:11:22,480 --> 00:11:23,679 Speaker 3: There you go, there's the week. 215 00:11:24,280 --> 00:11:25,040 Speaker 1: It's a rap. 216 00:11:25,200 --> 00:11:28,280 Speaker 2: Harry Jacobs, thanks for being on Taking a Walk for 217 00:11:28,559 --> 00:11:32,000 Speaker 2: this week in music and pop culture and molasses history 218 00:11:32,040 --> 00:11:34,840 Speaker 2: for the week of January the thirteenth, And thanks for 219 00:11:34,920 --> 00:11:37,679 Speaker 2: checking out the Taking a Walk podcast. You can listen 220 00:11:37,720 --> 00:11:41,400 Speaker 2: to it on the iHeartRadio app, Apple Podcasts, or wherever 221 00:11:41,559 --> 00:11:43,440 Speaker 2: you get your podcasts. 222 00:11:44,880 --> 00:11:48,280 Speaker 1: This is an iHeart podcast guaranteed Human