WEBVTT - What’s the best guitar for beginners?

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<v Speaker 1>What's up everybody. Welcome to the Granger Smith Podcast. Thank

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<v Speaker 1>you for watching and listening. So much stuff going on

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<v Speaker 1>here at the EE Farm. We have a truck giveaway.

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<v Speaker 1>My truck we're going to give away to one of you.

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<v Speaker 1>I'm going to announce that on October thirtieth. See today's

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<v Speaker 1>the twenty third. As I record this, we're announcing on

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<v Speaker 1>October thirtieth. All the details exactly how to do it,

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<v Speaker 1>how you could be qualified to do it, and how

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<v Speaker 1>you could actually win this truck right here with me

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<v Speaker 1>at the EEE Farm. And maybe now that I think

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<v Speaker 1>about it, maybe we should bring that winner right here

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<v Speaker 1>to this room and get on the podcast. That'd be

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<v Speaker 1>pretty cool. We have a new album coming out. We

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<v Speaker 1>just released Country Things Volume one. We have Country Things

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<v Speaker 1>Volume two coming out November twenty seventh, so I'm going

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<v Speaker 1>to be talking about that. That will be the completion

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<v Speaker 1>to Volume one, sixteen songs total if you add up

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<v Speaker 1>Volume one and Volume two. We're gonna have the physical copy,

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<v Speaker 1>which is going to be CD and vinyl. So all

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<v Speaker 1>that's coming out on If you can't remember November twenty seventh,

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<v Speaker 1>remember Black Friday is when this is going down and

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<v Speaker 1>that's also the same time, within a few days that

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<v Speaker 1>we give away the truck, all that will be cleared up.

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<v Speaker 1>You could follow this stuff right here on this YouTube page.

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<v Speaker 1>We will be putting out videos not only of the

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<v Speaker 1>information on how you could win that truck, but how

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<v Speaker 1>we're upgrading that Silverado pickup truck. And I'm also going

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<v Speaker 1>to be teasing a lot of these songs. So other

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<v Speaker 1>ways you could follow me. You can follow me on

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<v Speaker 1>cameo dot com. If you want to get like a

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<v Speaker 1>birthday shout out or happy anniversary or a little pep

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<v Speaker 1>talk or whatever, you can find me on cameo dot

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<v Speaker 1>com and I could shoot you a message. It's super simple.

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<v Speaker 1>It's a video message I could send you. You could

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<v Speaker 1>follow on ye nation dot com. This is a exclusive

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<v Speaker 1>fan club that we started. It's brand new. Anything that

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<v Speaker 1>I feel is super exclusive that I don't want to

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<v Speaker 1>tell everybody all at once, I'm putting on ye nation

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<v Speaker 1>dot com. So go check that website out, and then

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<v Speaker 1>everything else, ye Apparel, everything we have going on, all

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<v Speaker 1>the stuff we got cooking is on yee dot com.

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<v Speaker 1>So there's a lot of dot coms and all this stuff.

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<v Speaker 1>If you can't tell I have had so much dagam

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<v Speaker 1>iced tea. I'm completely hopped up on iced ta and

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<v Speaker 1>I'm gonna finish this. I'm gonna go film some Earldibbles Junior,

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<v Speaker 1>dip them and pick them, and then I'm gonna go

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<v Speaker 1>right across over here to the EE garage and work

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<v Speaker 1>on Earldibbles old truck that I'm doing with Butch and Bull.

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<v Speaker 1>We're building this truck from scratch. We took it down

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<v Speaker 1>all the way to the frame and we're building it

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<v Speaker 1>all the way back up. It's it's been such a

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<v Speaker 1>fun series that we're putting out on YouTube. I think

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<v Speaker 1>we're like we're into like part sixteen on this series

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<v Speaker 1>building this truck. So so much fun stuff going on,

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<v Speaker 1>and I'm glad that you guys joined me on this

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<v Speaker 1>podcast this morning. I want to talk about something that

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<v Speaker 1>I get asked a lot, and I think it's it's

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<v Speaker 1>finally time to really get into detail about it. But

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<v Speaker 1>decy is what if you want to learn guitar? What

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<v Speaker 1>if you want to learn guitar? And it seems overwhelming

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<v Speaker 1>on how in the world you even know where to

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<v Speaker 1>buy a guitar or how to learn or what how

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<v Speaker 1>do you how do you get started if you want

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<v Speaker 1>to play guitar, and I could give you my best

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<v Speaker 1>advice on that. I could tell you what I've done

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<v Speaker 1>and what I did to learn guitar at the time,

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<v Speaker 1>and I think it worked for me and I think

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<v Speaker 1>it could work for you. If anything you hear today

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<v Speaker 1>adds value to your life in any way, I would ask,

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<v Speaker 1>because this is free to listen to on all fourmats,

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<v Speaker 1>I would ask that you just tell a friend and

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<v Speaker 1>you subscribe, comment, spread the message in all these ways.

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<v Speaker 1>I mean, just hitting that little like button right here

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<v Speaker 1>below this page is huge to making this podcast grow.

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<v Speaker 1>Subscribing to whatever page you're watching or listening to right

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<v Speaker 1>now is huge to making this podcast grow. And even

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<v Speaker 1>bigger than those two things, even bigger is telling a friend.

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<v Speaker 1>If someone says, hey, where'd you where'd you get that from?

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<v Speaker 1>You go? Uh, Granger Smith told me on his podcast

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<v Speaker 1>over there, the Greater Smith Podcast, So that that that

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<v Speaker 1>is awesome. That's my only price for you today listening

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<v Speaker 1>to this, and I hope, I hope you can get

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<v Speaker 1>some from it. We're gonna dig deep, We're going for

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<v Speaker 1>it right now. Welcome to Granger Smith Podcast. Ye ye

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<v Speaker 1>did chids in DC un times and so long line

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<v Speaker 1>I'm fool up and down on back Ranger coage. Yeah

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<v Speaker 1>that gation. If you're new to this podcast, I'm getting

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<v Speaker 1>these questions from you guys at Granger Smith Podcast at

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<v Speaker 1>gmail dot com. So if you want to ask me

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<v Speaker 1>anything under the sun, everything is is okay to ask.

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<v Speaker 1>If you listened listened before you could you could tell

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<v Speaker 1>that there are three lighthearted questions. There's very deep questions.

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<v Speaker 1>There's questions about life, there's questions about music. Whatever you have,

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<v Speaker 1>email me Grangersmith podcast at gmail dot com. I'll read

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<v Speaker 1>your question, include your name and where you're from. I'll

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<v Speaker 1>read the question on the podcast and answer it the

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<v Speaker 1>best I can, and I have them right here. I'm

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<v Speaker 1>gonna kind of flip through so it makes it somewhat random,

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<v Speaker 1>and go right here to Stephanie. And this question says,

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<v Speaker 1>Hey Granger, my name is Stephanie. I'm from South Dakota.

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<v Speaker 1>I just wanted to start off by saying I love

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<v Speaker 1>your music and a door watching your family on the Smiths,

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<v Speaker 1>I was wondering how you choose songs that are on

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<v Speaker 1>the radio. What makes you think, oh, this song is

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<v Speaker 1>going to be a great hit. Also, are there any

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<v Speaker 1>of your older songs that, whenever you think of them,

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<v Speaker 1>you think, Man, I wish I would have written that

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<v Speaker 1>different or change the lyrics to this. Your song Tractor

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<v Speaker 1>means the world to me. It was played at my

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<v Speaker 1>grandpa's funeral and there is not a dry eye when

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<v Speaker 1>it was played because it fit him to tea. October

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<v Speaker 1>sixteenth will be a year since we lost him. It

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<v Speaker 1>was an amazing He was an amazing man, and I

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<v Speaker 1>bet that him and your dad would have had some

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<v Speaker 1>interesting conversations. I've been struggling since he passed, but listening

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<v Speaker 1>to you and Amber talk about lost love and faith

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<v Speaker 1>has helped me move forward through this time and be

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<v Speaker 1>grateful and all the time that I did get to

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<v Speaker 1>spend with him while he was here. Thank you for

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<v Speaker 1>being open and honest in this crazy world we live in.

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<v Speaker 1>I cannot wait for Country Things Volume two. Ye Ye.

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<v Speaker 1>Thank you Stephanie so much. Shout out to South Dakota.

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<v Speaker 1>Thank you for listening to the music and watching me

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<v Speaker 1>and my family on the Smiths on our YouTube channel.

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<v Speaker 1>And you have a couple questions here, so I'll dive

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<v Speaker 1>in with the first question on how a chew songs

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<v Speaker 1>for the radio. And that's an interesting question, often misunderstood

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<v Speaker 1>if you're not in the music business, and it's complicated,

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<v Speaker 1>and I wish that it wasn't. And to be honest

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<v Speaker 1>with you, Stephanie, this is the most frustrating subject in

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<v Speaker 1>my career is country music radio songs that go to radio,

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<v Speaker 1>what determines a single, and the possibility of skipping over

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<v Speaker 1>the songs, or at least not talking about them as much,

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<v Speaker 1>at least not making music videos of the songs in

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<v Speaker 1>between the radio singles on the albums. And it's tough

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<v Speaker 1>because you mentioned Tracter that song, just like you said,

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<v Speaker 1>for you, that song's very special for me. I wrote

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<v Speaker 1>it about my dad after he passed away in twenty fourteen.

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<v Speaker 1>It was on my album Remington, and it means so

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<v Speaker 1>much to me that actually I've only played it a

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<v Speaker 1>few times at shows, and it's difficult for me to

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<v Speaker 1>play that song because it was about my dad and

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<v Speaker 1>it's so close to me, the story of him through

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<v Speaker 1>those lyrics and through that melody. It's one of my

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<v Speaker 1>favorite music videos we've ever done. If you haven't seen

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<v Speaker 1>that music video, please take a look at it. Because

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<v Speaker 1>I poured my heart into it. It's the music video

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<v Speaker 1>kind of goes through the song itself visually and talks

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<v Speaker 1>about my dad. And then we had to use an

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<v Speaker 1>actor to play my dad, and so that actor I

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<v Speaker 1>picked my dad's best friend. So these guys were inseparable.

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<v Speaker 1>They were childhood buddies, they grew up together, they were

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<v Speaker 1>friends all through adult life. They had children at the

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<v Speaker 1>same time, and it was they were so close, and

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<v Speaker 1>they dressed the same, they talked the same, they had

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<v Speaker 1>the same interest and so being able to use Steve

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<v Speaker 1>in the music video playing my dad makes it even

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<v Speaker 1>more special to me, and it makes him visually, really,

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<v Speaker 1>if you know, my family really hits home with that

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<v Speaker 1>music video. And also my son, Lincoln is in that

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<v Speaker 1>music video and he's a baby, and it's a really,

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<v Speaker 1>I think, a really good tie together with Lincoln and

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<v Speaker 1>Steve Lincoln. My son was three months old when my

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<v Speaker 1>dad died, so my dad knew him for three months

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<v Speaker 1>and Lincoln will never be able to remember that, and

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<v Speaker 1>so there's an interesting tie between those two. So thank

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<v Speaker 1>you for bringing up that song, because that's a perfect

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<v Speaker 1>example of a song that the rest of the world,

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<v Speaker 1>the casual country music listener probably would never hear unless

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<v Speaker 1>you're a fan of me. But what the casual fan

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<v Speaker 1>of country music would here is my radio singles. And

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<v Speaker 1>I've had a handful of independent, really independently, really least

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<v Speaker 1>radio singles that I put out in regional radio when

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<v Speaker 1>I lived when I was just marketing to the state

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<v Speaker 1>of Texas and Oklahoma. And then I have a handful

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<v Speaker 1>of songs that we worked at national radio, starting with

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<v Speaker 1>back Road Song in twenty fifteen. That was my first

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<v Speaker 1>national radio single. My first regional radio single was Colorblind,

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<v Speaker 1>And one day, I promise you I will be a

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<v Speaker 1>whistleblower on this whole process. And I've actually had dreams

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<v Speaker 1>of being the whistleblower to the whole process because it's

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<v Speaker 1>it's frustrating and it's devastating to the artist. But in

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<v Speaker 1>a lot of ways, it's a necessity to try to

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<v Speaker 1>get your music to more people, and ultimately that's you know,

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<v Speaker 1>in a lot of ways. I can't speak for me personally,

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<v Speaker 1>but in a lot of ways, artists have the goal

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<v Speaker 1>of reaching more people. Who who wouldn't want their music

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<v Speaker 1>to get to more people. No one really says I

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<v Speaker 1>want to grow to a certain amount of fans and

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<v Speaker 1>then I want to stop right there and I don't

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<v Speaker 1>want to gain anymore. I want to just have those

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<v Speaker 1>fans and never get any more. So you get what

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<v Speaker 1>I'm saying. It's like any business. You have a concrete company,

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<v Speaker 1>you want to increase your client base, and that's what

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<v Speaker 1>songs are for musicians. So what we have to do

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<v Speaker 1>is we have to pick one and then we have

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<v Speaker 1>to pitch that to radio, and radio can only when

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<v Speaker 1>we give them one. They can only play that one

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<v Speaker 1>if they want to play right, If they pick another

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<v Speaker 1>one and decide to play that, it hurts the current single.

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<v Speaker 1>And if it hurts the current single, then the current

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<v Speaker 1>single will never move up the charts because radio stations

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<v Speaker 1>look at each other's playlist and they share them together.

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<v Speaker 1>And so we need to be unified on one song,

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<v Speaker 1>so that the radio stations across the country in the

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<v Speaker 1>world are unified on one song because as they each

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<v Speaker 1>contribute their amount of spins, those spins are counted and

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<v Speaker 1>that counts for the chart system, which you guys might

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<v Speaker 1>know as the Billboard chart where a song starts going

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<v Speaker 1>up the chart, and that's based on spins per market

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<v Speaker 1>per radio station. So we have to focus on one.

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<v Speaker 1>So here's the problem. There's a lot of problems, but

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<v Speaker 1>here's one of them. Say Philadelphia jumps on this song early,

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<v Speaker 1>the current radio single from me, and they start playing it,

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<v Speaker 1>but Portland, Oregon, they're not sure yet, or they're too full,

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<v Speaker 1>maybe their playlist is too full because they can only

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<v Speaker 1>play so many songs in one day, so they want

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<v Speaker 1>to wait a little bit longer. And then Boston jumps in,

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<v Speaker 1>and then Louisville, Kentucky, jumps in on it, and then

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<v Speaker 1>and then Fort Lauderdale jumps on it. But Portland's still

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<v Speaker 1>not playing it. So then six months goes by and

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<v Speaker 1>Portland goes, Okay, we're ready. We think this song's a hit.

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<v Speaker 1>So they start playing it. But now, guess what, Philadelphia's

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<v Speaker 1>been playing it for six months, and it's getting to

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<v Speaker 1>be a little bit old to them. So it's brand

0:14:28.360 --> 0:14:31.040
<v Speaker 1>new in Portland, it's old in Philadelphia. And you got

0:14:31.040 --> 0:14:32.640
<v Speaker 1>to get them all to keep on playing it. So

0:14:32.720 --> 0:14:36.480
<v Speaker 1>it keeps going up to chart, and some stations say,

0:14:36.680 --> 0:14:39.560
<v Speaker 1>I don't want to play it till say Detroit will

0:14:39.600 --> 0:14:42.280
<v Speaker 1>throw that out there. SA Detroit says, we don't want

0:14:42.320 --> 0:14:44.480
<v Speaker 1>to play it until it's top thirty. On the chart.

0:14:45.520 --> 0:14:47.600
<v Speaker 1>So Detroit's not even going to touch it until it

0:14:47.600 --> 0:14:50.160
<v Speaker 1>gets the top thirty. And so you need Portland to

0:14:50.160 --> 0:14:52.840
<v Speaker 1>start playing it. You need Philadelphia to stay active on it.

0:14:53.320 --> 0:14:56.680
<v Speaker 1>You need Fort Lauderdell to start increasing their spins on

0:14:56.760 --> 0:14:58.920
<v Speaker 1>it so that it gets top thirty. So Detroit adds it.

0:14:59.120 --> 0:15:01.680
<v Speaker 1>Then Detroit adds and they're brand new on it and

0:15:01.720 --> 0:15:04.880
<v Speaker 1>they're eight months in. But Philadelphia, now they're eight months

0:15:04.880 --> 0:15:06.880
<v Speaker 1>old with the you know what I mean, it's a

0:15:06.960 --> 0:15:12.680
<v Speaker 1>huge problem. And and my my fan base is thinking, yeah,

0:15:12.680 --> 0:15:14.920
<v Speaker 1>we've heard this song for eight months now, he's still

0:15:14.920 --> 0:15:19.080
<v Speaker 1>talking about it. And that's why you might hear an artist,

0:15:19.120 --> 0:15:22.520
<v Speaker 1>a major artist that's keeps talking about the same song

0:15:22.560 --> 0:15:25.880
<v Speaker 1>on Instagram and you've heard it a million times, but

0:15:25.960 --> 0:15:29.040
<v Speaker 1>he's still or she's still talking about it. It's because

0:15:29.040 --> 0:15:31.000
<v Speaker 1>they still got to get these other stations on board.

0:15:31.040 --> 0:15:33.880
<v Speaker 1>So by the time this whole process is done today

0:15:33.920 --> 0:15:38.760
<v Speaker 1>and today today's world, it's like it's it's like a

0:15:38.960 --> 0:15:44.400
<v Speaker 1>year's process, like fifty weeks or more. So by the

0:15:44.440 --> 0:15:46.760
<v Speaker 1>time that year goes by, you've been pumping one song,

0:15:46.800 --> 0:15:49.000
<v Speaker 1>You've got all the stations, it's peaked out at whatever

0:15:49.040 --> 0:15:53.320
<v Speaker 1>position on the chart, and then then you have to

0:15:53.320 --> 0:15:56.720
<v Speaker 1>decide should we release another single from this album or

0:15:57.080 --> 0:15:59.360
<v Speaker 1>I already have all these new songs written, maybe we

0:15:59.400 --> 0:16:01.560
<v Speaker 1>should just put up a new album. And it's a

0:16:01.560 --> 0:16:03.520
<v Speaker 1>big dilemma. Then you put out a new album and

0:16:03.560 --> 0:16:07.280
<v Speaker 1>then guess what happens. All those songs that you thought

0:16:07.320 --> 0:16:11.560
<v Speaker 1>were good are now old and on the previous record

0:16:12.280 --> 0:16:16.440
<v Speaker 1>and it's super frustrating. How do you fix the problem?

0:16:16.680 --> 0:16:19.240
<v Speaker 1>I mean, there's that's that's another question for another day.

0:16:19.280 --> 0:16:22.640
<v Speaker 1>It's very it's very detailed, and one day, like I said,

0:16:22.680 --> 0:16:25.280
<v Speaker 1>I might maybe I'll write a book about this. And

0:16:26.120 --> 0:16:30.040
<v Speaker 1>it's not one person or one station or one artist problem.

0:16:30.320 --> 0:16:34.880
<v Speaker 1>It's all of them collectively creating a system that's a

0:16:34.920 --> 0:16:39.880
<v Speaker 1>monster to the music business. And it's not it's not

0:16:39.920 --> 0:16:43.560
<v Speaker 1>like some people say, like Nashville sucks, Well, it's not Nashville.

0:16:44.840 --> 0:16:48.840
<v Speaker 1>It's collectively everyone cooperating in the same in the same

0:16:48.960 --> 0:16:56.680
<v Speaker 1>system that becomes the problem. So to answer your original question, Stephanie,

0:16:56.720 --> 0:16:58.960
<v Speaker 1>how do you pick it? We just guess. I mean,

0:16:59.000 --> 0:17:02.680
<v Speaker 1>we guess what might work well on radio. We guess

0:17:02.840 --> 0:17:06.200
<v Speaker 1>what we might play it for a few people radio

0:17:06.280 --> 0:17:09.800
<v Speaker 1>stations and see if they have a top song out

0:17:09.800 --> 0:17:13.200
<v Speaker 1>of three that we give them, and then what sucks

0:17:13.240 --> 0:17:15.520
<v Speaker 1>is you got to you got to pick the song

0:17:15.640 --> 0:17:20.399
<v Speaker 1>that you know is gonna work well in all fifty

0:17:20.440 --> 0:17:25.080
<v Speaker 1>states of the United States and Canada and Australia and Europe,

0:17:25.240 --> 0:17:29.720
<v Speaker 1>and you it's really hard to find a song that

0:17:29.840 --> 0:17:35.600
<v Speaker 1>works in San Antonio, Texas and every other city you

0:17:35.640 --> 0:17:38.560
<v Speaker 1>could possibly think of. I mean, I mean, you can't.

0:17:38.960 --> 0:17:41.840
<v Speaker 1>You can't sit here and go okay. Sioux Falls works

0:17:41.880 --> 0:17:47.240
<v Speaker 1>with Portland, Maine, which works with Portland, Oregon, which works

0:17:47.240 --> 0:17:52.080
<v Speaker 1>with Miami, Florida, which works with Charlotte, North Carolina, which

0:17:52.280 --> 0:17:58.240
<v Speaker 1>works with Phoenix, with you know, Albuquerque. It just it's

0:17:58.240 --> 0:18:01.840
<v Speaker 1>a crazy mess, and it's a great question, Stephanie. I

0:18:01.880 --> 0:18:04.040
<v Speaker 1>hope that. I hope they kind of got to it

0:18:04.080 --> 0:18:13.160
<v Speaker 1>for you here. Let's move on. Next question random It says, Hey, there, Granger.

0:18:13.840 --> 0:18:17.239
<v Speaker 1>Everyone has their own definition of success. Was there a

0:18:17.280 --> 0:18:22.320
<v Speaker 1>moment or time that you felt like you actually made it?

0:18:24.560 --> 0:18:26.920
<v Speaker 1>Just hitting this time in my music career, almost twenty

0:18:26.960 --> 0:18:29.320
<v Speaker 1>five years later, my definition turns out to be much

0:18:29.440 --> 0:18:32.919
<v Speaker 1>less glamorous than what I ever expected it to be.

0:18:33.400 --> 0:18:39.760
<v Speaker 1>Thanks man, Love the show, Randy. Awesome question Randy, and

0:18:40.800 --> 0:18:46.359
<v Speaker 1>success is a very volatile word because the reality about

0:18:46.359 --> 0:18:50.679
<v Speaker 1>success is everyone has their own definition and you have

0:18:50.720 --> 0:18:56.560
<v Speaker 1>to almost categorize success in your career, success in family,

0:18:57.560 --> 0:19:03.680
<v Speaker 1>success in life, and those are multi layered, each of those.

0:19:03.800 --> 0:19:05.920
<v Speaker 1>So if you just want to look at career, that's

0:19:05.960 --> 0:19:07.960
<v Speaker 1>one thing, but you might have been a failure in

0:19:08.000 --> 0:19:09.960
<v Speaker 1>your family. If you want to be a success in

0:19:10.000 --> 0:19:12.680
<v Speaker 1>your family, you might be a failure in your career.

0:19:13.760 --> 0:19:17.040
<v Speaker 1>So how do you balance all that? So how you

0:19:17.200 --> 0:19:21.879
<v Speaker 1>define success, Randy is different than your next door neighbor,

0:19:22.000 --> 0:19:29.080
<v Speaker 1>or me, or your mother. So I get this question

0:19:29.160 --> 0:19:33.080
<v Speaker 1>a lot when people ask me when was the time

0:19:33.160 --> 0:19:37.840
<v Speaker 1>you felt like you made it? It's such a It's

0:19:37.880 --> 0:19:42.359
<v Speaker 1>such a common question and yet so difficult to answer

0:19:42.440 --> 0:19:48.119
<v Speaker 1>because whenever I hear that or read that, I always think, well,

0:19:48.119 --> 0:19:56.600
<v Speaker 1>I haven't made it yet. And you might listen to

0:19:56.680 --> 0:20:00.960
<v Speaker 1>the show Randy and think, well, bro, I follow you,

0:20:01.440 --> 0:20:04.399
<v Speaker 1>I listen to your music. You have plaques hanging on

0:20:04.440 --> 0:20:08.720
<v Speaker 1>the wall, you have a podcast, and you've made it, dude.

0:20:09.160 --> 0:20:14.919
<v Speaker 1>But I don't think I have and I don't think

0:20:15.000 --> 0:20:18.080
<v Speaker 1>I ever will kick back in the chair in country

0:20:18.119 --> 0:20:22.520
<v Speaker 1>music and go, ha made it. I made it. And

0:20:22.880 --> 0:20:26.440
<v Speaker 1>then even if I did, what would I do? Then

0:20:28.160 --> 0:20:31.800
<v Speaker 1>where would I go from there? Well, why if I

0:20:31.840 --> 0:20:34.680
<v Speaker 1>did make it, what would I Why would I still

0:20:34.720 --> 0:20:38.440
<v Speaker 1>make music? Would it just be for fun? After I've

0:20:38.560 --> 0:20:41.000
<v Speaker 1>made it? Why would I want to put out another

0:20:41.040 --> 0:20:47.359
<v Speaker 1>record just because I can? And so you see the

0:20:47.520 --> 0:20:52.840
<v Speaker 1>interesting problem that occurs with saying I've made it. But

0:20:52.920 --> 0:20:55.240
<v Speaker 1>I could dig in a little bit and say there

0:20:55.240 --> 0:21:04.240
<v Speaker 1>are moments in my career when got better are easier. Okay,

0:21:04.800 --> 0:21:08.440
<v Speaker 1>even that creates problems because then you think, well, with more,

0:21:08.600 --> 0:21:10.439
<v Speaker 1>a little bit more success, you get a little bit

0:21:10.440 --> 0:21:13.359
<v Speaker 1>more problems. And that is so true. You make a

0:21:13.400 --> 0:21:16.480
<v Speaker 1>little bit more money, you're spending more money every time.

0:21:16.840 --> 0:21:20.399
<v Speaker 1>Every time you make more money in any business, you're

0:21:20.720 --> 0:21:25.720
<v Speaker 1>inevitably also spending more money. And sometimes you can make

0:21:26.960 --> 0:21:31.560
<v Speaker 1>just enough money and spend exactly that amount, and then

0:21:31.680 --> 0:21:33.960
<v Speaker 1>make more money and spend that, so you end up

0:21:34.119 --> 0:21:37.760
<v Speaker 1>not making anything different than you were ten years ago.

0:21:39.240 --> 0:21:46.399
<v Speaker 1>And it's hard to really create a separation between if

0:21:46.440 --> 0:21:50.520
<v Speaker 1>you're a small business like me, creating a separation between

0:21:51.200 --> 0:21:54.879
<v Speaker 1>the extra money you're making from a successful business and

0:21:54.880 --> 0:21:57.000
<v Speaker 1>then the extra money then you need to spend to

0:21:57.080 --> 0:22:00.400
<v Speaker 1>keep up with that new success that you have. And

0:22:00.440 --> 0:22:05.600
<v Speaker 1>that's as simple as take employees. For example, if I

0:22:05.600 --> 0:22:08.640
<v Speaker 1>if my career grows as a musician and we get

0:22:08.240 --> 0:22:12.800
<v Speaker 1>bigger and better shows, then I have to pay my

0:22:13.000 --> 0:22:17.080
<v Speaker 1>guys bigger and better money. I can't just pay them

0:22:17.080 --> 0:22:18.720
<v Speaker 1>what I paid them when we were in the van

0:22:18.880 --> 0:22:21.560
<v Speaker 1>and say, ah, this is great, we're doing good, we're

0:22:21.600 --> 0:22:23.320
<v Speaker 1>getting good shows, and I have to I don't have

0:22:23.359 --> 0:22:28.520
<v Speaker 1>to pay my guys anything. That's my responsibility to keep

0:22:28.560 --> 0:22:31.840
<v Speaker 1>them relatively moving up with their salaries and their money

0:22:31.880 --> 0:22:35.040
<v Speaker 1>so that that they're joining in on all of this.

0:22:36.720 --> 0:22:43.119
<v Speaker 1>So digging into your question, my definition, as you say, Randy,

0:22:43.240 --> 0:22:46.280
<v Speaker 1>my definition turns out to be much less glamorous than

0:22:46.280 --> 0:22:49.600
<v Speaker 1>what I expected it to be. And that is exactly right,

0:22:49.640 --> 0:22:54.159
<v Speaker 1>and that is not any different than anyone else. The

0:22:54.240 --> 0:22:58.359
<v Speaker 1>keyword that you said in that sentence is expected, because

0:22:58.480 --> 0:23:03.399
<v Speaker 1>expectation is a dangerous game that you play with yourself,

0:23:04.400 --> 0:23:08.399
<v Speaker 1>and you have to keep your gratefulness higher than your

0:23:08.440 --> 0:23:12.600
<v Speaker 1>expectation at all times because if you don't, then when

0:23:12.640 --> 0:23:14.760
<v Speaker 1>you get to where you thought you had made it,

0:23:15.040 --> 0:23:19.640
<v Speaker 1>where you expected to make it, it's going to be disappointing.

0:23:20.000 --> 0:23:25.160
<v Speaker 1>Unless you're a little bit more grateful. And I've said

0:23:25.160 --> 0:23:27.520
<v Speaker 1>this before, but if you're going to have higher expectations,

0:23:27.960 --> 0:23:31.560
<v Speaker 1>you better have really high gratitude. And I don't want

0:23:31.600 --> 0:23:34.440
<v Speaker 1>anyone listen to this podcast to have low expectations in

0:23:34.480 --> 0:23:36.959
<v Speaker 1>their life or their love, or their business or their family.

0:23:37.400 --> 0:23:40.600
<v Speaker 1>You shouldn't have low expectations. You need to have high.

0:23:41.040 --> 0:23:45.119
<v Speaker 1>So that requires super high gratitude, and so many people

0:23:45.920 --> 0:23:49.680
<v Speaker 1>forget that part of it. They forget that they need

0:23:49.720 --> 0:23:56.440
<v Speaker 1>to stack up their gratefulness. The world teaches you to run,

0:23:56.720 --> 0:24:01.359
<v Speaker 1>succeed and get up early and fight and claw and

0:24:01.560 --> 0:24:06.280
<v Speaker 1>expect greatness, but the world doesn't always teach you to

0:24:07.160 --> 0:24:11.760
<v Speaker 1>constantly be looking around and grateful where you are right now,

0:24:12.160 --> 0:24:15.359
<v Speaker 1>right here, right now. What are you grateful for today?

0:24:16.280 --> 0:24:19.240
<v Speaker 1>And if you have trouble with that question, you should

0:24:19.240 --> 0:24:23.879
<v Speaker 1>seriously consider thinking about it and dissecting that in your brain,

0:24:24.000 --> 0:24:25.880
<v Speaker 1>because if you can't think of what you're grateful for

0:24:25.920 --> 0:24:28.360
<v Speaker 1>today right now, you have to go all the way

0:24:28.400 --> 0:24:31.879
<v Speaker 1>back to Huh, I'm grateful that I'm sitting in this

0:24:31.960 --> 0:24:34.600
<v Speaker 1>room in a T shirt, I'm not sweating and I'm

0:24:34.680 --> 0:24:40.440
<v Speaker 1>not cold. Simple as that, I'm grateful for an air conditioner.

0:24:40.440 --> 0:24:44.239
<v Speaker 1>That's keeping this room right around seventy degrees because I've

0:24:44.280 --> 0:24:45.960
<v Speaker 1>been in a lot of situations when I'm really hot

0:24:45.960 --> 0:24:48.080
<v Speaker 1>and sweating and miserable. I've been in a lot of

0:24:48.080 --> 0:24:50.880
<v Speaker 1>situations where I'm freezing cold and can't not warm up.

0:24:51.680 --> 0:24:53.840
<v Speaker 1>So right now, I am grateful to beat a T

0:24:53.960 --> 0:24:57.280
<v Speaker 1>shirt and have a normal temperature. Right I mean that

0:24:57.359 --> 0:25:00.960
<v Speaker 1>sounds stupid, but that is how you can find gratefulness

0:25:01.359 --> 0:25:04.720
<v Speaker 1>in everything you do, And if you learn to cultivate

0:25:04.760 --> 0:25:11.880
<v Speaker 1>that gratefulness, then it will start counteracting that high expectation

0:25:12.040 --> 0:25:17.960
<v Speaker 1>that you have. I don't know if I really gave

0:25:18.000 --> 0:25:21.280
<v Speaker 1>you the answer that you wanted, but that's the truth.

0:25:21.400 --> 0:25:24.399
<v Speaker 1>I don't know if I've ever felt like I made it,

0:25:25.359 --> 0:25:29.040
<v Speaker 1>And I could be retired from music one day and

0:25:29.240 --> 0:25:32.280
<v Speaker 1>still not think that. But as long as I have

0:25:32.359 --> 0:25:45.320
<v Speaker 1>a high gratefulness, I'm okay with that. Good question, buddy,

0:25:46.240 --> 0:25:48.399
<v Speaker 1>here's a question from John. He says, Hey, Granger, my

0:25:48.480 --> 0:25:50.280
<v Speaker 1>name is John. I would like to know how you

0:25:50.320 --> 0:25:54.000
<v Speaker 1>come up with song with the song I Kill Spiders.

0:25:54.760 --> 0:25:57.639
<v Speaker 1>I also wondered, is the little girl's voice in that

0:25:57.760 --> 0:26:01.040
<v Speaker 1>song your daughter? Like the new album? I can't wait

0:26:01.080 --> 0:26:03.960
<v Speaker 1>for Volume two? God bless you your family, crew and friends.

0:26:04.000 --> 0:26:08.320
<v Speaker 1>Stay safe. John h. Thank you, buddy, thank you for

0:26:09.040 --> 0:26:13.320
<v Speaker 1>those kind words. And I Kill Spiders is on the

0:26:13.359 --> 0:26:18.600
<v Speaker 1>Country Things Volume one album. I wrote that about my

0:26:18.720 --> 0:26:22.080
<v Speaker 1>daughter London, and I wrote it with my buddy Tim Owens,

0:26:22.080 --> 0:26:25.199
<v Speaker 1>who's a dear friend of mine, longtime songwriter with me

0:26:25.520 --> 0:26:29.159
<v Speaker 1>and close friend. And he called me one day here

0:26:29.200 --> 0:26:32.320
<v Speaker 1>at the Yege Farm and he said, Granger, I got

0:26:32.359 --> 0:26:35.200
<v Speaker 1>a great idea for a song. It's called I Kill Spiders.

0:26:36.040 --> 0:26:39.040
<v Speaker 1>That's how he talks. And I said, all right, I

0:26:39.119 --> 0:26:41.960
<v Speaker 1>don't I said, I'm intrigued. I don't know what that means,

0:26:41.960 --> 0:26:44.720
<v Speaker 1>but I'm intrigued. And he said it's basically the idea

0:26:45.240 --> 0:26:47.760
<v Speaker 1>that no matter what I achieve in my life and

0:26:47.880 --> 0:26:52.040
<v Speaker 1>my career, to her, I'll always be the hero. They

0:26:52.040 --> 0:26:59.000
<v Speaker 1>could kill spiders for her figuratively. And I mean, I thought, man, Tim,

0:26:59.000 --> 0:27:01.520
<v Speaker 1>that's an awesome idea. So I went home that day.

0:27:01.960 --> 0:27:03.919
<v Speaker 1>I wrote the song probably less than an hour. It

0:27:04.000 --> 0:27:06.880
<v Speaker 1>was one of these super easy songs to write. And

0:27:07.160 --> 0:27:11.399
<v Speaker 1>I wrote it from my daughter's perspective because it's just

0:27:11.520 --> 0:27:16.560
<v Speaker 1>such such a cool image to think about the many

0:27:16.600 --> 0:27:20.720
<v Speaker 1>times when she's called me into her room. Because she's scared.

0:27:21.680 --> 0:27:23.679
<v Speaker 1>Maybe there's something she feels like, there's something in the

0:27:23.720 --> 0:27:25.679
<v Speaker 1>sheets or under the bed or in the closet or

0:27:25.680 --> 0:27:28.479
<v Speaker 1>on the floor, or maybe there's a cricket climbing up

0:27:28.480 --> 0:27:31.000
<v Speaker 1>the wall. We've all been there, and you come in

0:27:31.040 --> 0:27:33.119
<v Speaker 1>as a dad and you're just the hero that takes

0:27:33.119 --> 0:27:35.800
<v Speaker 1>the cricket and throws it outside. And I thought, well,

0:27:35.800 --> 0:27:37.520
<v Speaker 1>you know, what a cool idea for a song. So

0:27:37.600 --> 0:27:41.560
<v Speaker 1>after I finished it, I was in the studio right

0:27:41.600 --> 0:27:44.119
<v Speaker 1>here at the EE Farm actually recording guitars, and I

0:27:44.160 --> 0:27:46.760
<v Speaker 1>felt like there was needed, it needed one more thing

0:27:47.000 --> 0:27:50.719
<v Speaker 1>to that recording, So I called London. She was with

0:27:50.760 --> 0:27:53.959
<v Speaker 1>my mother and I said, hey, can you send me

0:27:54.000 --> 0:27:57.840
<v Speaker 1>some voice memos on your phone of you acting scared?

0:27:58.720 --> 0:28:05.000
<v Speaker 1>So she said yeah, yeah. So she's she loves acting

0:28:05.119 --> 0:28:09.159
<v Speaker 1>and pretending and that's that's just way up her ally.

0:28:09.480 --> 0:28:12.120
<v Speaker 1>I'm gonna I'm gonna pull it up right here, and

0:28:20.000 --> 0:28:22.800
<v Speaker 1>so that's the beginning of that song. And she did

0:28:22.800 --> 0:28:25.359
<v Speaker 1>that on one take and I added it to the

0:28:25.440 --> 0:28:27.960
<v Speaker 1>track and I think it made it a lot better.

0:28:28.200 --> 0:28:30.040
<v Speaker 1>So if y'all haven't heard that song, check it out.

0:28:30.480 --> 0:28:32.480
<v Speaker 1>I'm proud of her, and it's something that I'll be

0:28:32.520 --> 0:28:37.520
<v Speaker 1>able to look back on in ten years and hear

0:28:37.560 --> 0:28:39.600
<v Speaker 1>her sweet little voice when she was a little girl,

0:28:39.600 --> 0:28:43.120
<v Speaker 1>and it'll it'll remind me of this time in twenty

0:28:43.160 --> 0:28:46.240
<v Speaker 1>twenty when we were recording at the Yee Farm making

0:28:46.280 --> 0:28:49.800
<v Speaker 1>this album Country Things, and it'll be a very special

0:28:49.840 --> 0:28:53.720
<v Speaker 1>memory for us. Thank you, John, appreciate it, buddy. I'm

0:28:53.720 --> 0:29:00.960
<v Speaker 1>gonna take a quick break. You're right back. This next

0:29:01.000 --> 0:29:05.440
<v Speaker 1>question says, Hey Granger, It's Mary from Lowell, Michigan. What

0:29:05.600 --> 0:29:09.120
<v Speaker 1>is some relationship advice your parents gave you whenever you're younger,

0:29:10.200 --> 0:29:14.600
<v Speaker 1>either before or during your time with Amber. Thank you, Mary,

0:29:14.840 --> 0:29:24.920
<v Speaker 1>Iowa State University, Agricultural Engineering. Thank you, Mary. That's a

0:29:24.960 --> 0:29:29.680
<v Speaker 1>good question. And I haven't talked a lot about me

0:29:29.840 --> 0:29:34.000
<v Speaker 1>growing up in my relationship with my parents, but it

0:29:34.040 --> 0:29:37.400
<v Speaker 1>was a good one. I'm very blessed to have had

0:29:38.360 --> 0:29:46.400
<v Speaker 1>some really good parents that were they were very thoughtful

0:29:46.520 --> 0:29:51.760
<v Speaker 1>in their parenting, and they had a good balance of

0:29:51.800 --> 0:29:55.960
<v Speaker 1>protecting us as little boys, the three of us, and

0:29:56.000 --> 0:30:00.280
<v Speaker 1>maybe even more so, preparing us for the world. And

0:30:00.320 --> 0:30:05.200
<v Speaker 1>what I mean is it is more important to prepare

0:30:05.360 --> 0:30:09.160
<v Speaker 1>your children for the world than protect them from that,

0:30:09.760 --> 0:30:12.720
<v Speaker 1>because if you constantly are protecting them from the world.

0:30:13.760 --> 0:30:16.200
<v Speaker 1>They're going to get. The world's going to teach them

0:30:16.240 --> 0:30:20.120
<v Speaker 1>a lesson whether or not you're around or not, and

0:30:20.200 --> 0:30:23.800
<v Speaker 1>so it's better to prepare them. And I feel like

0:30:23.840 --> 0:30:27.080
<v Speaker 1>my parents did a good job of preparing us for

0:30:27.120 --> 0:30:34.160
<v Speaker 1>the world. And they were more or less, they were

0:30:34.200 --> 0:30:37.400
<v Speaker 1>pretty strict on us. They disciplined us, they were strict

0:30:37.480 --> 0:30:42.240
<v Speaker 1>on us. We were raising a god fearing home. And

0:30:42.320 --> 0:30:45.720
<v Speaker 1>sometimes during those times, I was, you know, I get

0:30:45.720 --> 0:30:48.840
<v Speaker 1>frustrated and see friends that had more freedom than I did,

0:30:48.920 --> 0:30:51.080
<v Speaker 1>and I'd get get frustrated with that. But then I

0:30:51.080 --> 0:30:52.520
<v Speaker 1>got older and I looked back and I was like,

0:30:52.560 --> 0:30:56.480
<v Speaker 1>oh my god, I'm so glad that they were. They

0:30:56.560 --> 0:30:59.160
<v Speaker 1>were They had a close rope on me. You know,

0:30:59.320 --> 0:31:03.800
<v Speaker 1>they kept us on leash, and that's a good thing.

0:31:04.040 --> 0:31:08.680
<v Speaker 1>That's a good thing. When it came to relationships, they

0:31:08.920 --> 0:31:14.520
<v Speaker 1>encouraged us to date as many people as possible as

0:31:14.520 --> 0:31:18.400
<v Speaker 1>opposed to get stuck in a serious relationship when you're young,

0:31:18.960 --> 0:31:22.760
<v Speaker 1>talking middle school, high school. They would discourage us from

0:31:23.280 --> 0:31:27.120
<v Speaker 1>getting into these serious relationships, which we still did. You know,

0:31:27.160 --> 0:31:30.240
<v Speaker 1>we still did, but I remember Dad would always be like,

0:31:30.320 --> 0:31:33.000
<v Speaker 1>why you do he's still dating her I'm a gradear

0:31:33.040 --> 0:31:35.320
<v Speaker 1>I wish she would. Wish you'd date other a lot

0:31:35.400 --> 0:31:37.080
<v Speaker 1>of other girls. There's a lot of other girls you

0:31:37.200 --> 0:31:39.120
<v Speaker 1>just kind of skip around. And what he meant he

0:31:39.440 --> 0:31:41.400
<v Speaker 1>maybe he didn't explain it right to a teenager, but

0:31:41.440 --> 0:31:43.640
<v Speaker 1>what he meant was and what he wanted to see

0:31:43.680 --> 0:31:48.040
<v Speaker 1>from me, is explore all the options. Learn of learn

0:31:48.080 --> 0:31:50.080
<v Speaker 1>all the people you don't want, the kinds of people

0:31:50.120 --> 0:31:52.560
<v Speaker 1>you don't want to date, so that you could narrow

0:31:52.600 --> 0:31:56.000
<v Speaker 1>it down when you get older to exactly what you

0:31:56.120 --> 0:32:00.160
<v Speaker 1>need and what you want, instead of wasting two years

0:32:00.160 --> 0:32:03.240
<v Speaker 1>of your high school with one girl, and then you

0:32:03.280 --> 0:32:05.200
<v Speaker 1>get out of high school and it's like you haven't

0:32:05.280 --> 0:32:12.800
<v Speaker 1>really seen much of the dating world. And Dad also

0:32:14.000 --> 0:32:19.040
<v Speaker 1>worried about me not spending time with my guy friends

0:32:19.040 --> 0:32:21.880
<v Speaker 1>because you're stuck in a relationship. So if you're stuck

0:32:21.920 --> 0:32:25.719
<v Speaker 1>every weekend hanging out with his girl watching movies on

0:32:25.720 --> 0:32:29.480
<v Speaker 1>her couch, then you're missing out on really important bonding

0:32:29.520 --> 0:32:33.480
<v Speaker 1>time with your buddies. Dad saw that. Dad warned me

0:32:33.640 --> 0:32:36.680
<v Speaker 1>that I didn't always listen to him. I did spend

0:32:36.680 --> 0:32:40.800
<v Speaker 1>a lot of time on couches watching movies with you know, girlfriends,

0:32:41.480 --> 0:32:44.080
<v Speaker 1>And he was right sometimes you got to get out

0:32:44.160 --> 0:32:47.280
<v Speaker 1>and mess things up with your buddies a little bit,

0:32:47.600 --> 0:32:50.080
<v Speaker 1>you know, bro time you got to do that as well.

0:32:51.640 --> 0:32:54.480
<v Speaker 1>But they were strict when it came to things like

0:32:55.120 --> 0:33:00.960
<v Speaker 1>no closed doors inside the house in a relationship. They

0:33:01.680 --> 0:33:03.600
<v Speaker 1>always wanted to know where I was. I always had

0:33:03.600 --> 0:33:06.280
<v Speaker 1>a curfew. I could never just go out and disappear

0:33:06.360 --> 0:33:09.560
<v Speaker 1>and oh, hey, I'm spending the night so somewhere, or

0:33:09.920 --> 0:33:12.880
<v Speaker 1>going camping with a bunch of people, guys and girls.

0:33:13.960 --> 0:33:18.920
<v Speaker 1>They were onto that, and so they were very They

0:33:18.920 --> 0:33:22.440
<v Speaker 1>were very involved when it came to our relationships growing up.

0:33:23.040 --> 0:33:27.160
<v Speaker 1>And when I got out of high school, when I

0:33:27.240 --> 0:33:28.960
<v Speaker 1>left the house, I was out in the real world.

0:33:29.040 --> 0:33:34.160
<v Speaker 1>I was playing music. They still had rules like you

0:33:34.200 --> 0:33:37.840
<v Speaker 1>can't live with a girl. You can't. There was a

0:33:37.920 --> 0:33:42.560
<v Speaker 1>lot of things that they didn't want us doing if

0:33:42.560 --> 0:33:47.280
<v Speaker 1>we weren't married, and they stayed honest about that kind

0:33:47.280 --> 0:33:49.640
<v Speaker 1>of stuff, and they would disapprove if we went in

0:33:49.720 --> 0:33:55.480
<v Speaker 1>another direction. So maybe most important of all that is

0:33:55.520 --> 0:34:04.160
<v Speaker 1>they taught us to love are our partner through their

0:34:04.240 --> 0:34:07.320
<v Speaker 1>example of their love for each other. So that's probably

0:34:09.239 --> 0:34:11.840
<v Speaker 1>You asked me, what is some relationship advice your parents

0:34:11.920 --> 0:34:16.000
<v Speaker 1>gave you? What probably more important is what they showed me,

0:34:16.640 --> 0:34:20.839
<v Speaker 1>the relationship advice that they showed me through them and

0:34:20.880 --> 0:34:25.120
<v Speaker 1>their love, and that is the most important thing they

0:34:25.160 --> 0:34:28.080
<v Speaker 1>could have done for me. We'll spin through here and

0:34:28.080 --> 0:34:31.800
<v Speaker 1>find another random All right, here we go. This question says,

0:34:32.320 --> 0:34:35.959
<v Speaker 1>Hey Granger. I'm Will from New Hampshire. I saw you

0:34:36.360 --> 0:34:39.120
<v Speaker 1>for the first time at Bernie's in New Hampshire. It

0:34:39.200 --> 0:34:41.839
<v Speaker 1>was awesome, love the show, and it was the second

0:34:41.880 --> 0:34:44.920
<v Speaker 1>time I got to see you. I'm just wondering, do

0:34:45.080 --> 0:34:49.600
<v Speaker 1>you and your band own your staging and do you

0:34:49.640 --> 0:34:52.839
<v Speaker 1>ever go and rent them? I'm just curious and as

0:34:53.080 --> 0:34:56.040
<v Speaker 1>how all that works. Ye, thank you Will, good question, man.

0:34:56.719 --> 0:35:01.239
<v Speaker 1>And when it comes to touring and staging, we you

0:35:01.400 --> 0:35:07.440
<v Speaker 1>don't ever own or rent staging until you're really in

0:35:07.640 --> 0:35:10.680
<v Speaker 1>the arena tour level. So arena bands, if you've ever

0:35:10.680 --> 0:35:16.080
<v Speaker 1>been to a big arena concert, the headliner of that

0:35:16.320 --> 0:35:21.839
<v Speaker 1>concert is renting that stage. And they've come into that

0:35:23.800 --> 0:35:27.480
<v Speaker 1>empty arena early that morning and they unload their semis

0:35:27.680 --> 0:35:30.960
<v Speaker 1>and they build their stage that's all packed up in

0:35:31.000 --> 0:35:33.600
<v Speaker 1>their semis, and they build it right then and there

0:35:33.640 --> 0:35:38.040
<v Speaker 1>for you, including lights and everything. Everything. It's literally started

0:35:38.080 --> 0:35:41.280
<v Speaker 1>as a basketball or a hockey or a soccer arena,

0:35:41.680 --> 0:35:44.520
<v Speaker 1>and they built the concert out of that. And we've

0:35:44.520 --> 0:35:48.360
<v Speaker 1>been on tours with guys like Forda, Georgia Line and

0:35:48.440 --> 0:35:50.879
<v Speaker 1>Luke Bryan and Kane Brown that we're all in these

0:35:50.880 --> 0:35:53.400
<v Speaker 1>big arena tours and so I've watched it. Sometimes I

0:35:53.400 --> 0:35:55.160
<v Speaker 1>would get up at seven am just to see the

0:35:55.239 --> 0:35:57.799
<v Speaker 1>stage go up. And it takes hours and hours and

0:35:57.800 --> 0:35:59.719
<v Speaker 1>hours to build and hours and hours and hours to

0:35:59.719 --> 0:36:04.320
<v Speaker 1>break down. So these crew guys are the last ones

0:36:04.320 --> 0:36:06.759
<v Speaker 1>to close the doors on the truck late at night,

0:36:07.200 --> 0:36:09.160
<v Speaker 1>that the last ones to go to bed, and they're

0:36:09.200 --> 0:36:11.600
<v Speaker 1>the first ones back up in the next city the

0:36:11.640 --> 0:36:14.080
<v Speaker 1>next morning in the new arena and they're out there.

0:36:14.160 --> 0:36:16.799
<v Speaker 1>First thing they do about seven am or whenever they

0:36:16.880 --> 0:36:19.720
<v Speaker 1>arrive is they go out there with their tape measures

0:36:19.760 --> 0:36:22.080
<v Speaker 1>and their tape and they start taping off the floor

0:36:22.560 --> 0:36:26.000
<v Speaker 1>and measuring and seeing where all the legs of the

0:36:26.000 --> 0:36:30.759
<v Speaker 1>staging is going to go. So typically, like you said

0:36:30.800 --> 0:36:36.000
<v Speaker 1>you saw me in New Hampshire Bernie's. Typically the at

0:36:36.000 --> 0:36:38.440
<v Speaker 1>a venue like Bernie's, the stage is already there. It's

0:36:38.440 --> 0:36:40.640
<v Speaker 1>already there when you get it. The lights are already hanging.

0:36:41.640 --> 0:36:45.719
<v Speaker 1>Festivals that you go to that they provided that stage

0:36:45.960 --> 0:36:49.440
<v Speaker 1>or the lighting. It's only in arenas when bands bring

0:36:49.920 --> 0:36:53.319
<v Speaker 1>their stage. What we do bring is we bring all

0:36:53.360 --> 0:36:56.760
<v Speaker 1>of our equipment. We bring all of our anything sitting

0:36:56.800 --> 0:37:01.600
<v Speaker 1>on the stage, and that includes risers, the little stages

0:37:01.640 --> 0:37:04.360
<v Speaker 1>that sit on top of the big stage, the lights

0:37:04.440 --> 0:37:08.959
<v Speaker 1>that shine at the people, all the instruments, banners, things

0:37:09.000 --> 0:37:12.319
<v Speaker 1>like that. That's all from the band that came that night.

0:37:12.840 --> 0:37:14.520
<v Speaker 1>But that's a good question. Will thank you for that.

0:37:19.080 --> 0:37:23.320
<v Speaker 1>Here's a question from Pam. It says, know you've answered

0:37:23.320 --> 0:37:25.920
<v Speaker 1>this one hundred times, but how hard is it living?

0:37:27.480 --> 0:37:31.080
<v Speaker 1>Excuse me? How hard was it leaving the last place

0:37:31.280 --> 0:37:34.319
<v Speaker 1>that river was alive? I could never imagine what you'll

0:37:34.320 --> 0:37:36.400
<v Speaker 1>have been through. And I have a handicaped son in

0:37:36.400 --> 0:37:41.360
<v Speaker 1>a wheelchair and he's nonverbal, and I could never handle

0:37:41.719 --> 0:37:44.080
<v Speaker 1>if something ever happened to him. You and your wife

0:37:44.120 --> 0:37:47.719
<v Speaker 1>are amazing people. I followed you guys on YouTube and

0:37:47.760 --> 0:37:51.600
<v Speaker 1>your channel since forever. My name is Pam. My hometown

0:37:52.280 --> 0:37:58.320
<v Speaker 1>is isel Town, Ohio, a little town between Cincinnati and Dayton.

0:38:01.719 --> 0:38:10.799
<v Speaker 1>Thank you, Pam. I'm trying to think how to start this,

0:38:11.000 --> 0:38:16.680
<v Speaker 1>but thank you for your kind words. My heart goes

0:38:16.680 --> 0:38:20.680
<v Speaker 1>out to you with your nonverbal, handicapped son in a wheelchair.

0:38:23.719 --> 0:38:28.440
<v Speaker 1>I can't imagine the difficulty that you have. You've been

0:38:28.440 --> 0:38:32.439
<v Speaker 1>through with him, and you say, here, I could never

0:38:32.520 --> 0:38:37.160
<v Speaker 1>handle it if something happened to him. I'm here to

0:38:37.200 --> 0:38:41.840
<v Speaker 1>tell you, Pam, that you could. You could. And I

0:38:41.880 --> 0:38:45.799
<v Speaker 1>know that that's just a it's just it's a way

0:38:45.840 --> 0:38:48.120
<v Speaker 1>of saying it that you typed I could never handle it.

0:38:48.160 --> 0:38:56.600
<v Speaker 1>But it's a tremendously beautiful thing what humans could go

0:38:56.719 --> 0:39:01.759
<v Speaker 1>through and what they could persevere through, and the suffering

0:39:02.440 --> 0:39:05.840
<v Speaker 1>that they can handle. And the reason I say that

0:39:05.840 --> 0:39:09.160
<v Speaker 1>is because look at history. You look at the horrors

0:39:09.440 --> 0:39:15.719
<v Speaker 1>of history and the wars and holocaust and the craziness

0:39:16.560 --> 0:39:21.640
<v Speaker 1>of human history, and the one thing that's consistent to

0:39:21.760 --> 0:39:25.160
<v Speaker 1>that craziness is the chaos that is bound to happen

0:39:25.200 --> 0:39:28.200
<v Speaker 1>and the suffering. And the other thing that's consistent is

0:39:28.920 --> 0:39:33.279
<v Speaker 1>people persevere through it. They always do. They always have

0:39:35.600 --> 0:39:39.520
<v Speaker 1>something very well might happen to your son or someone

0:39:39.560 --> 0:39:43.640
<v Speaker 1>else around you. Probably that's just the oddogy that we

0:39:43.680 --> 0:39:48.640
<v Speaker 1>play as humans. And so you say I could never

0:39:48.680 --> 0:39:51.240
<v Speaker 1>handle it, but I'm here to tell you you could.

0:39:51.600 --> 0:39:53.839
<v Speaker 1>I can't tell you how I can't tell you it's

0:39:53.880 --> 0:40:02.240
<v Speaker 1>going to be easy, but you would because you are

0:40:02.280 --> 0:40:07.120
<v Speaker 1>apparently very strong, uh, for dealing what you've you've already

0:40:07.160 --> 0:40:12.480
<v Speaker 1>dealt with so far, so it could get worse and

0:40:12.520 --> 0:40:16.960
<v Speaker 1>you you could handle it. To answer your question specifically,

0:40:18.080 --> 0:40:21.040
<v Speaker 1>was it hard leaving the last place that river was alive? Oh?

0:40:21.040 --> 0:40:27.360
<v Speaker 1>My god, yeah, absolutely it was. It was. It's one

0:40:27.400 --> 0:40:30.080
<v Speaker 1>of the worst things in my life to leave, leave

0:40:30.160 --> 0:40:33.880
<v Speaker 1>the place where we raised my little boy who passed away,

0:40:34.880 --> 0:40:40.080
<v Speaker 1>and it was. It was terrible. There's not there's not

0:40:40.200 --> 0:40:43.960
<v Speaker 1>a there's not an adjective to describe how terrible it was.

0:40:44.840 --> 0:40:49.719
<v Speaker 1>But there was one thing worse than that, and that

0:40:49.800 --> 0:40:55.480
<v Speaker 1>would have been staying there longer. Because Amber and Not

0:40:55.520 --> 0:41:00.319
<v Speaker 1>talked many times about how we have a million good

0:41:00.360 --> 0:41:06.000
<v Speaker 1>memories there and one bad one, and unfortunately, the one

0:41:06.080 --> 0:41:12.360
<v Speaker 1>bad one is what forced me to relocate for my

0:41:12.440 --> 0:41:16.440
<v Speaker 1>own sanity and for our family's sanity, and for a

0:41:16.480 --> 0:41:24.200
<v Speaker 1>restart afresh beginning where we could take what we've learned

0:41:24.239 --> 0:41:27.440
<v Speaker 1>and take our love and move forward. And there's a

0:41:27.480 --> 0:41:31.200
<v Speaker 1>difference between moving on and moving forward. But the only

0:41:31.239 --> 0:41:38.640
<v Speaker 1>way to go is forward and relocating to a new place,

0:41:39.280 --> 0:41:45.520
<v Speaker 1>which we've now done twice. Since then. It was my

0:41:45.640 --> 0:41:52.080
<v Speaker 1>only option, regardless of how difficult it was. And that

0:41:52.160 --> 0:41:57.279
<v Speaker 1>sums up life in a lot of ways that when

0:41:57.280 --> 0:42:00.279
<v Speaker 1>you only have one option, that doesn't matter, matter if

0:42:00.320 --> 0:42:03.400
<v Speaker 1>it's easier or hard, that is your only option and

0:42:03.520 --> 0:42:06.719
<v Speaker 1>you got to do it. So that's what we were

0:42:06.800 --> 0:42:12.160
<v Speaker 1>faced with. We had a lot of challenges and where

0:42:12.200 --> 0:42:15.120
<v Speaker 1>we were living and moving to a new place was

0:42:15.719 --> 0:42:18.160
<v Speaker 1>one of the smaller problems we were having at the time,

0:42:20.280 --> 0:42:24.080
<v Speaker 1>but nonetheless it was terrible and it was one of

0:42:24.440 --> 0:42:27.560
<v Speaker 1>one of the one of the hard things that we

0:42:27.640 --> 0:42:32.319
<v Speaker 1>had to deal with out of the darkest time in

0:42:32.360 --> 0:42:41.600
<v Speaker 1>my life so far, and we've also grown a lot mentally, spiritually,

0:42:42.320 --> 0:42:47.239
<v Speaker 1>the love for each other. And I am a firm

0:42:47.239 --> 0:42:52.120
<v Speaker 1>believer that through that suffering, through any suffering, we grow.

0:42:53.600 --> 0:42:57.160
<v Speaker 1>And in order for anything to grow, it has to

0:42:57.160 --> 0:42:59.080
<v Speaker 1>be broken first, at some level. It needs to be

0:42:59.080 --> 0:43:05.239
<v Speaker 1>broken to grow from there. And that's what we did

0:43:05.280 --> 0:43:08.400
<v Speaker 1>and that's what we're doing. My heart goes out to you, Pam.

0:43:09.080 --> 0:43:10.880
<v Speaker 1>It sounds like you have a challenge on your hands,

0:43:11.840 --> 0:43:15.359
<v Speaker 1>unthinkable challenge, and my prayers go to you. Thank you

0:43:15.360 --> 0:43:28.640
<v Speaker 1>for emailing the show. This question comes from Stephanie says

0:43:28.680 --> 0:43:31.920
<v Speaker 1>Hey grangeer, my name is Stephanie, and it said hang

0:43:31.960 --> 0:43:33.920
<v Speaker 1>on a second, let me let me read. Let me

0:43:33.920 --> 0:43:36.279
<v Speaker 1>correct myself as I'm reading. Like I said, I read

0:43:36.280 --> 0:43:38.520
<v Speaker 1>these just off the cuff. I don't prep these at all.

0:43:38.560 --> 0:43:40.520
<v Speaker 1>I read them off the cuff. So let me phrase this.

0:43:40.719 --> 0:43:43.560
<v Speaker 1>Let me read it exactly how she said it. Hey granger,

0:43:43.680 --> 0:43:51.480
<v Speaker 1>my name is Stephane, not Stephanie Stephane. So figured if

0:43:51.520 --> 0:43:54.560
<v Speaker 1>I at least I can get a shout out. I'm

0:43:54.560 --> 0:43:57.920
<v Speaker 1>from a tailgate town called Windover, Ontario, in Canada, and

0:43:57.960 --> 0:44:00.960
<v Speaker 1>I was wondering if we would see a song featuring

0:44:01.000 --> 0:44:04.360
<v Speaker 1>Donnie Cowboy, maybe he could even team up with Earl Dibbles.

0:44:04.400 --> 0:44:08.319
<v Speaker 1>I'm a huge fan. New album is awesome. Can't wait

0:44:08.320 --> 0:44:14.680
<v Speaker 1>for volume two. Congrats, Thank you buddy. This is something

0:44:14.719 --> 0:44:18.280
<v Speaker 1>I think about a lot because Donnie Cowboy is another character,

0:44:18.360 --> 0:44:22.200
<v Speaker 1>if you guys don't know, on my YouTube page that's

0:44:22.360 --> 0:44:27.160
<v Speaker 1>in a group of Earl Dibbles, Junior, Bobby Wayne, Live

0:44:27.200 --> 0:44:32.799
<v Speaker 1>with Lionel Freddie, Donnie Cowboy. And there's a lot of

0:44:32.840 --> 0:44:35.600
<v Speaker 1>characters on there that aren't as popular as Earl Dibbles,

0:44:36.280 --> 0:44:38.480
<v Speaker 1>and I wish they were. I love Donnie He's one

0:44:38.520 --> 0:44:43.560
<v Speaker 1>of my favorites. Donnie is coffee and cigarettes to Earl Dibbles,

0:44:43.640 --> 0:44:47.279
<v Speaker 1>beer and dipon and he loves nineties country and he

0:44:47.360 --> 0:44:49.480
<v Speaker 1>has a song called Parked Out by the Lake that

0:44:49.520 --> 0:44:52.680
<v Speaker 1>we have a music video for that I love on YouTube.

0:44:53.800 --> 0:44:56.000
<v Speaker 1>He's just not quite as popular, so I don't actively

0:44:56.040 --> 0:44:59.239
<v Speaker 1>pursue him. It's not as fun for me creatively to

0:44:59.360 --> 0:45:01.880
<v Speaker 1>pursue so thing that I know is not going to

0:45:01.920 --> 0:45:06.520
<v Speaker 1>get as much attention as Earl. And you know, right

0:45:06.560 --> 0:45:08.960
<v Speaker 1>now as I finished this podcast, we're about to go

0:45:09.000 --> 0:45:11.600
<v Speaker 1>out and shoot another Earl Dibbles Junior Diploman pick them,

0:45:11.719 --> 0:45:14.840
<v Speaker 1>which is so fun for me to pick college football

0:45:14.840 --> 0:45:17.000
<v Speaker 1>games as Earl. And it goes on CBS Sports on

0:45:17.040 --> 0:45:20.160
<v Speaker 1>Tuesday nights, and I know that people watch it and

0:45:20.200 --> 0:45:23.120
<v Speaker 1>people like it, and people laugh, people smile, And if

0:45:23.160 --> 0:45:28.560
<v Speaker 1>I know I'm making people laugh and smile at a

0:45:28.640 --> 0:45:31.160
<v Speaker 1>large level like Earl does, it makes me want to

0:45:31.200 --> 0:45:36.360
<v Speaker 1>do more. And although I know people laugh at Donnie,

0:45:36.400 --> 0:45:42.640
<v Speaker 1>it's just it's not as popular. So I definitely would

0:45:42.640 --> 0:45:44.480
<v Speaker 1>want to do another song besides Parked Out by the

0:45:44.520 --> 0:45:47.440
<v Speaker 1>Lake for Donnie. But I'll keep you, I'll keep you

0:45:47.400 --> 0:45:52.040
<v Speaker 1>in the loop Buddy shout out to Windover, Ontario. Cannot

0:45:52.040 --> 0:45:53.800
<v Speaker 1>wait to get back to you guys up in Canada.

0:45:56.360 --> 0:45:59.160
<v Speaker 1>Let's chip another one here. This one is from Liam says,

0:45:59.200 --> 0:46:02.680
<v Speaker 1>Hey Granger. I'm I'm a high schooler from Northeastern New York.

0:46:02.719 --> 0:46:04.200
<v Speaker 1>I would like to thank you for all your music

0:46:04.239 --> 0:46:06.960
<v Speaker 1>You've provided me as a listener, and I can't thank

0:46:07.000 --> 0:46:10.600
<v Speaker 1>you enough. I remember when I first heard you while

0:46:10.719 --> 0:46:13.040
<v Speaker 1>watching Off the Ranch with Matt Carricker in the summer

0:46:13.080 --> 0:46:15.840
<v Speaker 1>of twenty nineteen. I've been hooked ever since. I try

0:46:15.840 --> 0:46:19.520
<v Speaker 1>and spread your music as much as I can. Every

0:46:19.719 --> 0:46:22.320
<v Speaker 1>event in my life can be put to your music.

0:46:24.080 --> 0:46:25.600
<v Speaker 1>I've been there in the best of times and the

0:46:25.680 --> 0:46:27.400
<v Speaker 1>not so great times. Hate you like I love you

0:46:27.480 --> 0:46:30.240
<v Speaker 1>hits my heart so hard in the song I'm actually

0:46:30.239 --> 0:46:32.359
<v Speaker 1>listening to. It's the song I'm actually listening to as

0:46:32.400 --> 0:46:34.520
<v Speaker 1>I type this. I hope you and your family are

0:46:34.520 --> 0:46:37.080
<v Speaker 1>staying safe and healthy during this tough time. My question

0:46:37.120 --> 0:46:40.480
<v Speaker 1>to you is I would like to start playing guitar.

0:46:40.640 --> 0:46:44.480
<v Speaker 1>What guitar do you think is best to begin with? Also,

0:46:44.520 --> 0:46:47.160
<v Speaker 1>where do you get your inspiration for your music? Thank

0:46:47.200 --> 0:46:51.920
<v Speaker 1>you and God bless sincerely, Liam shout out to Northeastern

0:46:52.080 --> 0:46:54.840
<v Speaker 1>New York. Thank you for your question, Liam, Thank you

0:46:54.880 --> 0:46:57.960
<v Speaker 1>for listening to the music and finding me off the ranch.

0:46:57.960 --> 0:47:01.160
<v Speaker 1>That's pretty cool. Thank you for listening to Hate You

0:47:01.239 --> 0:47:03.920
<v Speaker 1>Like I Love You. That song, by the way, is

0:47:03.960 --> 0:47:06.560
<v Speaker 1>doing well for me. It's getting streamed a lot, it's

0:47:06.560 --> 0:47:08.840
<v Speaker 1>getting looked at it on YouTube a lot. And so

0:47:09.000 --> 0:47:10.879
<v Speaker 1>to go back to the beginning of this podcast, it's

0:47:10.920 --> 0:47:12.799
<v Speaker 1>interesting because then you look at a song like hate

0:47:12.800 --> 0:47:15.000
<v Speaker 1>You like I Love You, and you go, okay, this

0:47:15.160 --> 0:47:20.240
<v Speaker 1>is leading all signs leading to being a radio single.

0:47:20.920 --> 0:47:23.920
<v Speaker 1>So kind of looping back to the original question, how

0:47:23.920 --> 0:47:26.480
<v Speaker 1>do you pick a radio single, Well, something like this,

0:47:26.560 --> 0:47:27.840
<v Speaker 1>you look at it and go, man, A lot of

0:47:27.840 --> 0:47:31.879
<v Speaker 1>people are streaming and watching this song on YouTube, so

0:47:32.200 --> 0:47:34.480
<v Speaker 1>that's a really good indicator that hates You like I

0:47:34.480 --> 0:47:37.680
<v Speaker 1>Love You could go to radio. I always like to

0:47:37.719 --> 0:47:40.239
<v Speaker 1>say when someone asked me about playing guitar and the

0:47:40.239 --> 0:47:43.160
<v Speaker 1>best guitar to start with, this is not a very

0:47:43.160 --> 0:47:47.319
<v Speaker 1>popular opinion, but I like to say that instead of

0:47:47.360 --> 0:47:49.840
<v Speaker 1>spending a lot of money on a nice guitar, because

0:47:49.840 --> 0:47:53.400
<v Speaker 1>there's just like cars, there's a difference in a cheap

0:47:53.880 --> 0:47:57.000
<v Speaker 1>guitar and the way it plays and an expensive guitar

0:47:57.000 --> 0:48:00.160
<v Speaker 1>in the way it plays. It's an expensive guitar. It's

0:48:00.200 --> 0:48:03.880
<v Speaker 1>easier to play, it's lighter on your fingers, and it

0:48:03.960 --> 0:48:08.400
<v Speaker 1>sounds better. It stays in tune better a cheap guitar,

0:48:08.480 --> 0:48:10.640
<v Speaker 1>and say a pawn shop guitar is going to feel

0:48:10.719 --> 0:48:13.200
<v Speaker 1>rough on your hands, it's hard to push down the strings,

0:48:13.200 --> 0:48:17.240
<v Speaker 1>it sounds like crap, it's it's always out of tune.

0:48:18.200 --> 0:48:21.560
<v Speaker 1>So that there there lies the dilemma. You know, So

0:48:21.640 --> 0:48:23.200
<v Speaker 1>what do you do if you're a brand new guitar

0:48:23.239 --> 0:48:26.320
<v Speaker 1>player and you don't want to spend over a thousand

0:48:26.360 --> 0:48:30.040
<v Speaker 1>bucks for a nice guitar some I mean some guitars.

0:48:30.480 --> 0:48:36.200
<v Speaker 1>You're talking three four thousand dollars for a super nice guitar,

0:48:36.440 --> 0:48:38.239
<v Speaker 1>or you're sitting there looking at the pawn shop and

0:48:38.280 --> 0:48:40.400
<v Speaker 1>you go, hey, that one's one hundred and fifty, Like

0:48:40.440 --> 0:48:43.680
<v Speaker 1>maybe I should just do that. So what I like

0:48:43.719 --> 0:48:48.080
<v Speaker 1>to say to compromise between these two things is try

0:48:48.840 --> 0:48:53.319
<v Speaker 1>a an on brand, like a brand that you recognize,

0:48:53.600 --> 0:48:58.920
<v Speaker 1>a brand that you've actually heard before, and instead of

0:48:59.239 --> 0:49:03.680
<v Speaker 1>some weird Japanese brand that you don't you've never heard

0:49:03.719 --> 0:49:07.960
<v Speaker 1>of in your life. So get a cheap on brand guitar,

0:49:08.840 --> 0:49:11.719
<v Speaker 1>take the strings off of it and replace them with

0:49:12.239 --> 0:49:16.520
<v Speaker 1>nylon strings. Nylon strings are typically used for Latin guitars.

0:49:16.680 --> 0:49:20.440
<v Speaker 1>Got string guitars, as they're called. Sometimes you can get

0:49:20.440 --> 0:49:25.080
<v Speaker 1>them at any guitar store or any music shop. Put

0:49:25.200 --> 0:49:31.160
<v Speaker 1>nylon strings on the cheaper on brand guitar, and you

0:49:31.160 --> 0:49:33.800
<v Speaker 1>could have the guy at the at the guitar shop

0:49:33.920 --> 0:49:37.120
<v Speaker 1>do it for you. Say hey, I want that guitar

0:49:37.480 --> 0:49:40.600
<v Speaker 1>and I want those strings, nylon strings, and the guy's

0:49:40.600 --> 0:49:42.959
<v Speaker 1>gonna go, what, no, No, that does that doesn't go together?

0:49:43.000 --> 0:49:45.440
<v Speaker 1>And you go, yeah, but Granger Smith on the podcast

0:49:45.440 --> 0:49:47.680
<v Speaker 1>told me I should do this, and he's gonna go,

0:49:47.760 --> 0:49:49.960
<v Speaker 1>that doesn't it doesn't match up, and you can you

0:49:50.000 --> 0:49:51.959
<v Speaker 1>just please try to do it? Yeah, but it doesn't

0:49:51.960 --> 0:49:53.600
<v Speaker 1>have a metal ball at the end. Can you tie

0:49:53.600 --> 0:49:55.440
<v Speaker 1>a knot at the end and just make it work?

0:49:55.880 --> 0:49:58.560
<v Speaker 1>Trust me, Guys, put these nylon strings on here. They're

0:49:58.640 --> 0:50:00.800
<v Speaker 1>so much easier on your fingers. There's so much easier

0:50:00.840 --> 0:50:04.080
<v Speaker 1>to push down and navigate. They don't stay in tune. Great,

0:50:04.200 --> 0:50:08.480
<v Speaker 1>but that's the one compromise. But you're gonna thank me

0:50:08.600 --> 0:50:11.480
<v Speaker 1>for it, and you're gonna want to play guitar more.

0:50:11.520 --> 0:50:14.759
<v Speaker 1>If your fingers aren't hurting as bad. That's a big deal.

0:50:14.800 --> 0:50:19.319
<v Speaker 1>When you get your fingers aching and it sounds like

0:50:19.400 --> 0:50:22.120
<v Speaker 1>crap and your fingers are bleeding on the end, you're

0:50:22.120 --> 0:50:24.160
<v Speaker 1>not going to want to go back and play guitar again.

0:50:24.239 --> 0:50:27.160
<v Speaker 1>And the whole purpose of learning guitar is so you

0:50:27.160 --> 0:50:30.600
<v Speaker 1>want to just practice over and over and over. So, Liam,

0:50:31.200 --> 0:50:34.120
<v Speaker 1>great question. I hope you follow this advice and then

0:50:34.200 --> 0:50:37.759
<v Speaker 1>come back to this podcast and email it back Grangersmith

0:50:37.760 --> 0:50:40.799
<v Speaker 1>Podcast at gmail dot com and let me know how

0:50:40.880 --> 0:50:45.680
<v Speaker 1>it went for you. And as far as the inspiration

0:50:45.760 --> 0:50:48.440
<v Speaker 1>your last question, where you get your inspiration free music

0:50:49.040 --> 0:50:52.440
<v Speaker 1>life all over it? Everything. I listen to everything. I

0:50:52.520 --> 0:50:54.960
<v Speaker 1>listen to my friends talk, I listen to the fans,

0:50:55.040 --> 0:50:59.239
<v Speaker 1>I listen to a conversation in the movies, and I

0:50:59.239 --> 0:51:01.439
<v Speaker 1>write it all down phone. So I hear somebody say

0:51:01.480 --> 0:51:03.920
<v Speaker 1>something in a movie or a friends or in a

0:51:03.960 --> 0:51:07.640
<v Speaker 1>conversation and they say something, I write it down, and

0:51:07.680 --> 0:51:11.399
<v Speaker 1>then when I start writing, I use the experiences I've

0:51:11.400 --> 0:51:15.680
<v Speaker 1>had in my life to make a story around that line,

0:51:15.920 --> 0:51:21.319
<v Speaker 1>that phrase, that melody, And I know that that's that's

0:51:21.320 --> 0:51:24.000
<v Speaker 1>a hard way to answer that question, but that's the truth.

0:51:24.040 --> 0:51:27.040
<v Speaker 1>That's where the inspiration comes from. It comes from life.

0:51:27.320 --> 0:51:32.480
<v Speaker 1>I appreciate you guys so much. Once again, this podcast

0:51:33.560 --> 0:51:37.920
<v Speaker 1>is free for you. My request is if you like it,

0:51:38.360 --> 0:51:41.440
<v Speaker 1>subscribe to this channel, give it a thumbs up and

0:51:41.520 --> 0:51:44.920
<v Speaker 1>tell a friend, Tell a friend that, hey, you know what.

0:51:45.160 --> 0:51:47.080
<v Speaker 1>I had a question and Gradersmith answered it for me

0:51:47.160 --> 0:51:50.480
<v Speaker 1>on this podcast. Where the Graander Smith Podcast all the

0:51:50.480 --> 0:51:54.280
<v Speaker 1>places you could listen to podcast apps in whatever format

0:51:54.400 --> 0:51:57.239
<v Speaker 1>you like it. I'm there, I'm there, and also thank

0:51:57.280 --> 0:51:59.120
<v Speaker 1>you for watching on YouTube. If you guys are watching me,

0:51:59.239 --> 0:52:02.280
<v Speaker 1>thank you for that too. Spread the message comment below

0:52:02.400 --> 0:52:05.239
<v Speaker 1>if you like it and it keeps me going. It

0:52:05.280 --> 0:52:09.920
<v Speaker 1>keeps me wanting to continue these every single Monday morning,

0:52:10.239 --> 0:52:12.400
<v Speaker 1>and I love you guys for that. We'll see you

0:52:12.400 --> 0:52:13.040
<v Speaker 1>next week. E