WEBVTT - What to Know About George C. Thomas Jr. (ft. Geoff Shackelford)

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<v Speaker 1>Welcome back to another edition of the Frida Egg Podcast.

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<v Speaker 1>Today's episode is with Jeff Shackleford. So we are continuing

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<v Speaker 1>our series on golf course architects after many people stated

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<v Speaker 1>that they loved the podcast with Wayne Morrison recently on

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<v Speaker 1>William Flynn, so we figured who better to talk about

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<v Speaker 1>George Thomas than Jeff Shackleford. Jeff has written the club

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<v Speaker 1>History for Riviera as well as The Captain, a profile

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<v Speaker 1>book on George Thomas, the man himself, the man, the architecture,

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<v Speaker 1>his courses. Obviously. Another thing on George Thomas you can

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<v Speaker 1>look into is his book Golf Architecture in America, which

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<v Speaker 1>a reprint is available on Amazon for fourteen bucks. So

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<v Speaker 1>if you want to dive into George Thomas more, that's available.

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<v Speaker 1>But this is a riveting chat with Jeff Shackleford, obviously

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<v Speaker 1>the owner of Jeff Shackleford dot com. He also has

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<v Speaker 1>a substack newsletter called The Quadrilateral that is fifty bucks

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<v Speaker 1>a year that I subscribe to. I really enjoy it,

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<v Speaker 1>recommend that and without further ado, here is Jeff Shackelford.

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<v Speaker 1>I miss a green for example, I'm already upset when

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<v Speaker 1>I find my ball in the bunker.

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<v Speaker 2>I'm really upset.

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<v Speaker 1>And when I find my ball.

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<v Speaker 2>In a fried egg Friday Egg, the dreaded Frida Egg,

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<v Speaker 2>Frida Egg, fridagg Brian egg Lie, I'm about ready to

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<v Speaker 2>run off of the course.

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<v Speaker 1>Jeff, you are the foremost living George Thomas expert. In

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<v Speaker 1>my opinion, You've written an entire novel, The Captain. I'm

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<v Speaker 1>George Tom I'd love to hear how you first got

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<v Speaker 1>interested in George Thomas.

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<v Speaker 2>Well, I was very lucky Andy that my dad joined

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<v Speaker 2>Riviera when I was sixteen years old and kind of

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<v Speaker 2>an aspiring player at the time. And he also had

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<v Speaker 2>a copy of Golf Architecture in America, And so the

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<v Speaker 2>combination of kind of getting to look at it. And

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<v Speaker 2>that was when, by the way, when when copies of

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<v Speaker 2>the book were a big deal and very scarce. Now

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<v Speaker 2>there's reprints and it's easier to get your hands on.

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<v Speaker 2>But and it's such an incredible book. So it was

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<v Speaker 2>it was as somebody who had kind of doodled golf

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<v Speaker 2>holes and and had a young mind, and in that book,

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<v Speaker 2>more than any of the great books, has just got

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<v Speaker 2>so much in it visually, and so many little tantalizing

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<v Speaker 2>things once you start playing some of his courses, like well, wait,

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<v Speaker 2>what was this? What on earth is that photo of

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<v Speaker 2>where's that course now? And so I was kind of

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<v Speaker 2>in that mindset as a teenager. And then again when

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<v Speaker 2>I was sixteen, he joined Riviera, and so then I

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<v Speaker 2>got to play Riviera and that was a crazy time there.

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<v Speaker 2>It was a very busy place, so it was a

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<v Speaker 2>miracle to get out before three o'clock. It was like

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<v Speaker 2>a muni. But I grew to love the course, even

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<v Speaker 2>in it's sort of not well aged state. And then

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<v Speaker 2>as I played in college and got more into architecture,

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<v Speaker 2>and they had the Greens project there in ninety three

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<v Speaker 2>and ninety four, and I got to know Ben Crenshaw

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<v Speaker 2>and Dave Excellent and Dan Procter were doing a lot

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<v Speaker 2>of the shaping on site. And one thing led to another,

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<v Speaker 2>and I just started looking for old photos. Went to

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<v Speaker 2>the just kind of as my game was starting to stink.

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<v Speaker 2>I had a bad risk, I hit too many balls,

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<v Speaker 2>never took enough days off, and I started hunting for

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<v Speaker 2>photos because they started this project and there were a

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<v Speaker 2>lot of questions we had. There were things that Ben

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<v Speaker 2>new and figured out, and then I went found photos

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<v Speaker 2>and really just got more and more into that, and

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<v Speaker 2>that's what kind of led to me pitching a book

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<v Speaker 2>to the ownership after college on the history Riviera. And

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<v Speaker 2>then I followed that up pretty quickly at age twenty

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<v Speaker 2>four with a self published book, The Captain, and it

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<v Speaker 2>was printed quite stunningly by a member just did a

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<v Speaker 2>beautiful job, and it was bound and a nice way.

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<v Speaker 2>I'm very proud of all that. The writing makes me

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<v Speaker 2>cringe a little bit, but I'm very proud of the

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<v Speaker 2>book still. And I used to be able to draw too.

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<v Speaker 2>I was kind of excited when I could. My hand

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<v Speaker 2>was steady or something. But it was just labor of

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<v Speaker 2>love kind of thing. And and uh, there were just

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<v Speaker 2>so many questions to try to answer about the man,

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<v Speaker 2>not only his golf architecture, but his his unbelievable.

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<v Speaker 1>Life with the with Riviera. You joined your sixty, you'd

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<v Speaker 1>played golf before, obviously you were you know, you played

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<v Speaker 1>college golf, so you at this point you're a you know,

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<v Speaker 1>aspiring golfer. As you said, Yeah, what did you notice

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<v Speaker 1>that was different about Riviera than the other courses that

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<v Speaker 1>you had grown up playing?

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<v Speaker 2>Oh, well, it's just the scale of it. Was so grand.

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<v Speaker 2>And and again even with more trees than and different

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<v Speaker 2>things that that were clearly kind of not quite right.

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<v Speaker 2>I mean, there were really a lot of trees. Eucalyptus

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<v Speaker 2>were really dense, not trimmed. I mean it was it

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<v Speaker 2>was a there were a lot of tight drives in

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<v Speaker 2>but uh, the bunkers of course, even sort of in

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<v Speaker 2>that state, were beautiful. And you know, the the ultimate

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<v Speaker 2>thing about Riviera that got me was it's just it

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<v Speaker 2>was just so much fun to play every day. You

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<v Speaker 2>never got tired of it. No hole ever got boring,

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<v Speaker 2>even the holes that look you know, if you looked

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<v Speaker 2>at them on Google Earth today or or then, which

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<v Speaker 2>it didn't exist, but if you looked at them from

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<v Speaker 2>afar as, some holes didn't look that captivating. Other holes

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<v Speaker 2>obviously did, like sixteen and the part threes, all of

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<v Speaker 2>them really and and there just so were so many

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<v Speaker 2>subtleties and different elements, even with cocuya, which also messes

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<v Speaker 2>up a lot of the great components of that design,

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<v Speaker 2>the approaches in particular that are just beautifully done. And

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<v Speaker 2>so it was just that kind of that that interest

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<v Speaker 2>in playing it every day, you just never get tired

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<v Speaker 2>of it.

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<v Speaker 1>I didn't want to. I didn't This is jumping way ahead.

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<v Speaker 2>Rat hole, We're going to go down.

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<v Speaker 1>But why is it cocuya? Does it need to be cocula?

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<v Speaker 1>Could it be grassed differently? Yeah, to get those approaches back.

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<v Speaker 2>Yeah. To answer the last question first, yes, I do

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<v Speaker 2>think it's kind of sad that, you know, a lot

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<v Speaker 2>of people have thrown that idea out before, of why

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<v Speaker 2>can't you have bermuda collars and approaches, kind of like

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<v Speaker 2>Tory Pines did that when when Reese Jones redid it,

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<v Speaker 2>one of the things they did was kept the kakua.

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<v Speaker 1>How rustic is.

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<v Speaker 2>Yeah, yeah, it's bent, and uh, we'd want to have

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<v Speaker 2>a little more of the bent in the fairways. And

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<v Speaker 2>originally it was rye fairways. Then the the bent approaches

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<v Speaker 2>and by the way, the bent approaches are unbelievably healthy

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<v Speaker 2>on the native soil, whereas the California greens are. They're fine,

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<v Speaker 2>but they're not as healthy. It tells you a little

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<v Speaker 2>bit about you know, when you have good native soil,

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<v Speaker 2>you should use it. And Rustic had it on all

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<v Speaker 2>but one green site, so but Riviera it would be

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<v Speaker 2>really nice to have that. And I know the USGA

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<v Speaker 2>threw it out when Tim Morgan was there, and some

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<v Speaker 2>other people have pitched that idea, and it just never

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<v Speaker 2>happened because in the summertime it's just a It really

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<v Speaker 2>kills the the the allure of having hard, firm, hard greens,

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<v Speaker 2>because if you landed three feet short of some of

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<v Speaker 2>those greens or three yards short again in the summer,

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<v Speaker 2>it just stops. Now they've done a lot since to

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<v Speaker 2>get the kukua a little tighter, and they use primo

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<v Speaker 2>and it's still though, is not you don't run the

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<v Speaker 2>ball up, but in the winter time you can at

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<v Speaker 2>least see balls and that a running ball will move,

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<v Speaker 2>and that's that's nice because there's just some of the

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<v Speaker 2>most beautiful approaches. The other thing that kind of got

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<v Speaker 2>screwed with over time is every green has like a

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<v Speaker 2>little raw style ridge in front, and that that wasn't Thomas.

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<v Speaker 2>Thomas had very clean approach. He and Bell built their

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<v Speaker 2>approaches right into the green. But years of top dressing

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<v Speaker 2>built these little rims or or up slopes or false

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<v Speaker 2>fronts or whatever you want column and they're awful because

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<v Speaker 2>I mean, I remember as a kid when you know

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<v Speaker 2>you're hitting a forewood into some of these holes that

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<v Speaker 2>are really long, like eighteen, You hit the most beautiful

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<v Speaker 2>shot and it just hits that little upslope. Sometimes they

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<v Speaker 2>would come back at you and you're like, oh God,

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<v Speaker 2>that was such a good shot and a stupid coculea

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<v Speaker 2>ruins it. So coculea was brought there for one of

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<v Speaker 2>two reasons. Don't really know which one is. After all

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<v Speaker 2>these years, I still don't know the actual reason, but

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<v Speaker 2>either one of them works either. For the polo fields

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<v Speaker 2>that were next door to the first fairway, is one

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<v Speaker 2>version that it was a grass sought to be tougher

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<v Speaker 2>to handle the polo. I think that's a less likely reason.

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<v Speaker 2>The more likely is that after the big flood that

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<v Speaker 2>went through the course in thirty eight, Willie Hunter the

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<v Speaker 2>pro was kind of charged with trying to reinforce the

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<v Speaker 2>seventh and eighth holes and prevent them from from washing

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<v Speaker 2>out and having more damage. They were damaged in that

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<v Speaker 2>flo and they use kukuya to stabilize the banks and

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<v Speaker 2>be a tougher grass, And I think that's the more

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<v Speaker 2>likely story. And then it's spread through the course and

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<v Speaker 2>spread through all of West la. If you ever round here,

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<v Speaker 2>you can look at a parking sign and the grass

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<v Speaker 2>actually grows up through the railing and comes out the top.

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<v Speaker 2>So it's it's just a noxious, brutal weed. And I

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<v Speaker 2>don't think there's any way you could get it off

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<v Speaker 2>the property now, I mean it would take I mean

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<v Speaker 2>it's so that the root structure is incredible. It just

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<v Speaker 2>keeps coming back. But I do think you could, and

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<v Speaker 2>it makes a great fairway grass. And they've learned to

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<v Speaker 2>manage it, by the way. You know, when I was

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<v Speaker 2>younger and playing there, they'd scalped and it was so puffy.

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<v Speaker 2>I mean, you would be exhausted after eighteen holes, just

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<v Speaker 2>because like walking on a sponge. Now it's it's managed better.

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<v Speaker 2>I wouldn't lick your ball or anything out there. Just

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<v Speaker 2>premo is probably not a great thing to ingest. But

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<v Speaker 2>I would say that that ultimately, if you could get

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<v Speaker 2>the approaches regrasped, smooth out that transition to the front

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<v Speaker 2>of the green, and it would be it would just

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<v Speaker 2>make the course so much better, and it would allow

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<v Speaker 2>you to really have those greens nice and firm and

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<v Speaker 2>still let somebody land a ball short for those front pins.

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<v Speaker 1>So let's talk a little bit about George Thomas. He said,

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<v Speaker 1>what an amazing person in life he led. Tell us

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<v Speaker 1>a little bit about George Thomas. You know, his upbringing

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<v Speaker 1>and then his eventual move out to California.

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<v Speaker 2>Well, he made his living the old fashioned way. He

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<v Speaker 2>was the executor of the family estate. But you know,

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<v Speaker 2>the beautiful thing about George Thomas is that, you know,

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<v Speaker 2>he only lived fifty nine years. And yeah, he was

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<v Speaker 2>born into money and never really had to work. But

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<v Speaker 2>boy did he do a lot in his fifty nine years.

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<v Speaker 2>From serving our country and uh to experimenting with roses

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<v Speaker 2>was one of his obsessions. Golf architecture, we know, flyfish, shoating, yachting.

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<v Speaker 2>He had a nice yacht. Dogs. He was into tobri

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<v Speaker 2>I have a trophy up here somewhere in my collection

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<v Speaker 2>that his grandson gave me. Uh uh, English shutters I

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<v Speaker 2>believe were his his dog of choice that he showed. Now.

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<v Speaker 2>I don't know if he was out in the ring,

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<v Speaker 2>you know, I don't. I don't actually know that part.

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<v Speaker 2>But he had a he had an interest in dogs,

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<v Speaker 2>he got. He just was a busy guy. He really

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<v Speaker 2>did a lot, and.

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<v Speaker 1>He wrote a lot too.

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<v Speaker 2>He did. He wrote two books on Roses one on

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<v Speaker 2>fly fishing and of course golf architecture in America, and

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<v Speaker 2>multiple articles for various publications, and very inter goal in

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<v Speaker 2>you know, the creation of Pine Valley. A founding member,

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<v Speaker 2>a friend of Dry George Crump was out there quite

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<v Speaker 2>a bit. You know. One of my real regrets is

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<v Speaker 2>there was a little blurb and I cannot find it.

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<v Speaker 2>When I went back to the USGA after I had

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<v Speaker 2>done the Captain and went through the library, I found

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<v Speaker 2>some things that answered some questions that I could not

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<v Speaker 2>answer in the book. And one of those though, was

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<v Speaker 2>a blurb that I I know, I'm not hallucinating, but

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<v Speaker 2>it made clear that he was coming back to help

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<v Speaker 2>William Flynn with the alternate green on number nine, and

0:13:36.000 --> 0:13:38.760
<v Speaker 2>just drives me nuts that I don't don't have that

0:13:38.800 --> 0:13:42.720
<v Speaker 2>little blurb that he made the trip back. So he

0:13:42.800 --> 0:13:46.120
<v Speaker 2>was very devoted to that place, and he mentioned George

0:13:46.120 --> 0:13:49.200
<v Speaker 2>Crump and his his book and obviously tilling Hast and Ross.

0:13:49.240 --> 0:13:51.720
<v Speaker 2>He had a lot of experience. The one question I've

0:13:51.760 --> 0:13:55.319
<v Speaker 2>never been able to answer is during and I speculated

0:13:55.360 --> 0:13:58.960
<v Speaker 2>on in the book is when he was in World

0:13:58.960 --> 0:14:03.280
<v Speaker 2>War One. He must have there must have been a

0:14:03.280 --> 0:14:06.679
<v Speaker 2>way he saw the great links because he refers to

0:14:06.720 --> 0:14:10.319
<v Speaker 2>some of them, and he clearly was inspired by elements

0:14:10.320 --> 0:14:15.080
<v Speaker 2>of golf there, but he never really wrote anything about

0:14:15.280 --> 0:14:18.600
<v Speaker 2>any trips, in particular the way Tilling has did about

0:14:18.640 --> 0:14:22.040
<v Speaker 2>going to visit Tom Morris and took photos of him

0:14:22.120 --> 0:14:25.000
<v Speaker 2>and all that stuff. And so I don't think he

0:14:25.040 --> 0:14:26.960
<v Speaker 2>got all this through a w. Tilly ass. I think

0:14:26.960 --> 0:14:29.200
<v Speaker 2>he had to have gotten some of it through experience.

0:14:29.480 --> 0:14:32.560
<v Speaker 1>So he was really if you look at the golden

0:14:32.600 --> 0:14:37.680
<v Speaker 1>age of American golf was you had kind of McDonald

0:14:38.920 --> 0:14:46.000
<v Speaker 1>leads Fowler, and then you had also Ross doing early

0:14:46.080 --> 0:14:49.000
<v Speaker 1>work in the nineteen tents. Obviously he had his work

0:14:49.320 --> 0:14:53.040
<v Speaker 1>at Marion, So he was more if you would, you'd

0:14:53.120 --> 0:14:56.600
<v Speaker 1>kind of classify him as almost like the second generation

0:14:56.840 --> 0:15:00.280
<v Speaker 1>of the first generation of American golf architect in a

0:15:00.320 --> 0:15:04.080
<v Speaker 1>way where he had the benefit of having people that

0:15:04.720 --> 0:15:05.920
<v Speaker 1>somewhat mentored him.

0:15:06.640 --> 0:15:09.240
<v Speaker 2>Correct. Yeah, and he made that very clear in his

0:15:09.440 --> 0:15:10.040
<v Speaker 2>own writings.

0:15:10.080 --> 0:15:13.000
<v Speaker 1>Yeah, and who were those people, well.

0:15:12.720 --> 0:15:16.960
<v Speaker 2>He Tilling, Hast and Ross he singled out as having

0:15:17.040 --> 0:15:21.080
<v Speaker 2>been huge parts of his life. Crump, Hugh Wilson, the

0:15:21.080 --> 0:15:28.600
<v Speaker 2>whole Philadelphia gang there were really vital to his education.

0:15:28.840 --> 0:15:32.440
<v Speaker 2>And then he attempted and built the golf course on

0:15:32.520 --> 0:15:36.040
<v Speaker 2>the family estate at White Marsh, which still exists today.

0:15:37.560 --> 0:15:40.240
<v Speaker 2>So it was a combination of all those people. I'm

0:15:40.240 --> 0:15:45.800
<v Speaker 2>sure William Flynn was another person that was vital to

0:15:45.840 --> 0:15:48.080
<v Speaker 2>his education at the time.

0:15:48.440 --> 0:15:52.760
<v Speaker 1>With Pine Valley that was you know of course that

0:15:53.280 --> 0:15:55.440
<v Speaker 1>you know, there are shades of all different types of

0:15:56.320 --> 0:15:59.400
<v Speaker 1>all different architects in there. You know, obviously like health

0:15:59.400 --> 0:16:02.920
<v Speaker 1>half acre is a tilling half feature or believed to

0:16:02.960 --> 0:16:06.000
<v Speaker 1>be what what would you say are the things that

0:16:06.000 --> 0:16:09.080
<v Speaker 1>that screamed George Thomas at Pine Valley other than the

0:16:09.160 --> 0:16:11.000
<v Speaker 1>ninth graden You know.

0:16:11.000 --> 0:16:13.840
<v Speaker 2>I never really thought of it that way. I can't.

0:16:13.880 --> 0:16:17.200
<v Speaker 2>I can't say there's anything that I would I would

0:16:18.760 --> 0:16:21.520
<v Speaker 2>attribute to him. It's just hard to tell, you know,

0:16:21.560 --> 0:16:23.960
<v Speaker 2>when you have you look at Pine Valley and you

0:16:23.960 --> 0:16:28.440
<v Speaker 2>look at Colt drawings, and you you know, some things

0:16:28.440 --> 0:16:32.480
<v Speaker 2>are maybe attributed to Crump that that weren't his. It's

0:16:32.520 --> 0:16:36.600
<v Speaker 2>it's just it's hard to say. For me, honestly, I

0:16:36.600 --> 0:16:41.680
<v Speaker 2>would I would certainly look at the twelfth hole is

0:16:42.040 --> 0:16:45.920
<v Speaker 2>the one hole that I've always wondered how much that

0:16:46.000 --> 0:16:49.880
<v Speaker 2>influenced Thomas or how much Thomas influenced that because it

0:16:50.080 --> 0:16:54.320
<v Speaker 2>has some shades of the tenth or Riviera, sort of

0:16:54.520 --> 0:16:59.560
<v Speaker 2>sort of almost playing away and taking the longer path,

0:17:00.120 --> 0:17:04.720
<v Speaker 2>uh for the approach shot into the better angle into

0:17:04.760 --> 0:17:09.200
<v Speaker 2>the green, which is is a I think the most

0:17:09.240 --> 0:17:12.040
<v Speaker 2>fascinating thing he did with with the tenth of Riviera,

0:17:12.080 --> 0:17:16.280
<v Speaker 2>and with that more people don't like to try and do,

0:17:16.480 --> 0:17:18.920
<v Speaker 2>which is which is create a hole where there's obviously

0:17:18.960 --> 0:17:23.080
<v Speaker 2>the instinct to take the short route, but if you

0:17:23.160 --> 0:17:27.080
<v Speaker 2>actually take the longer path, which is so against anybody's

0:17:27.119 --> 0:17:30.680
<v Speaker 2>instinct as a golfer, uh, but you get this better angle.

0:17:30.720 --> 0:17:32.440
<v Speaker 2>We tried to do it on the on the twelfth

0:17:32.440 --> 0:17:35.280
<v Speaker 2>at rust A Canyon and just just a total ripoff

0:17:35.320 --> 0:17:39.120
<v Speaker 2>of that concept from from Thomas and and a little

0:17:39.119 --> 0:17:41.600
<v Speaker 2>bit of Pine Valley. Although I don't I don't really

0:17:41.640 --> 0:17:43.840
<v Speaker 2>know if it works on twelve at Pine Valley because

0:17:43.840 --> 0:17:47.440
<v Speaker 2>I've I've hit it over to the right. I don't.

0:17:47.520 --> 0:17:51.760
<v Speaker 2>I it's I haven't seen it since Fazzio uh took

0:17:51.760 --> 0:17:54.000
<v Speaker 2>a dump on it. But I can't imagine it's looking

0:17:54.040 --> 0:17:56.679
<v Speaker 2>too great these days from every what everybody says. But uh,

0:17:57.200 --> 0:18:00.439
<v Speaker 2>but I love that concept that because it just it's

0:18:00.680 --> 0:18:05.440
<v Speaker 2>just not what anybody, especially now with carry distances, anybody

0:18:05.480 --> 0:18:07.280
<v Speaker 2>wants to do you It's like, why would I make

0:18:07.320 --> 0:18:10.000
<v Speaker 2>the hole longer to get a better angle? And it

0:18:10.200 --> 0:18:14.199
<v Speaker 2>just it's something that especially good players just just loath doing,

0:18:14.880 --> 0:18:19.639
<v Speaker 2>even when they've seen it play out in a way

0:18:19.680 --> 0:18:22.719
<v Speaker 2>that you know that, yeah, if you take if you're

0:18:22.720 --> 0:18:28.480
<v Speaker 2>gonna play the whole ten times and you're gonna you're

0:18:28.480 --> 0:18:30.560
<v Speaker 2>gonna your average score is going to be better, and

0:18:30.600 --> 0:18:33.000
<v Speaker 2>you're gonna take out double bogie and you're gonna take

0:18:33.000 --> 0:18:36.439
<v Speaker 2>out and maybe you're gonna make a few, you know,

0:18:36.640 --> 0:18:40.919
<v Speaker 2>fewer birdies or no eagle. But over the over the

0:18:40.960 --> 0:18:45.480
<v Speaker 2>long haul, playing safe, playing the longer way in uh,

0:18:45.640 --> 0:18:47.560
<v Speaker 2>is the better way to do it. It's just still

0:18:48.600 --> 0:18:51.760
<v Speaker 2>fascinating that that if the hole is done right, when

0:18:51.960 --> 0:18:55.960
<v Speaker 2>when the golfer just just resists that and uh, that

0:18:55.960 --> 0:18:59.320
<v Speaker 2>that that he got from probably from Pine Valley and

0:18:59.400 --> 0:19:02.520
<v Speaker 2>tried to carry Riviera is to me really really need

0:19:02.560 --> 0:19:06.919
<v Speaker 2>and something not enough. The architects explore with especially with

0:19:06.960 --> 0:19:08.560
<v Speaker 2>short part fours.

0:19:08.280 --> 0:19:12.560
<v Speaker 1>Well the idea too. You know, it's an architecture that

0:19:12.640 --> 0:19:17.439
<v Speaker 1>reveals your reveals itself after multiple plays, that counterintuitive nature

0:19:17.520 --> 0:19:20.520
<v Speaker 1>of it. The first time you play it, everybody's going

0:19:20.600 --> 0:19:23.719
<v Speaker 1>to hit it up that can hit it is going

0:19:23.760 --> 0:19:25.960
<v Speaker 1>to hit it up into the spot that the architect

0:19:26.359 --> 0:19:28.960
<v Speaker 1>wants you to really hit it and realize this is

0:19:29.160 --> 0:19:31.119
<v Speaker 1>the best spot to be. And it could take a

0:19:31.160 --> 0:19:34.679
<v Speaker 1>long time to figure out, Wait, I should play way left.

0:19:34.920 --> 0:19:39.120
<v Speaker 1>And obviously the strategy for tour professionals that Riviera has

0:19:39.200 --> 0:19:43.960
<v Speaker 1>changed drastically because of the immense carry distance. And I

0:19:44.040 --> 0:19:47.720
<v Speaker 1>just want to clarify that before any any of our

0:19:47.760 --> 0:19:48.760
<v Speaker 1>friends come at us.

0:19:49.000 --> 0:19:51.280
<v Speaker 2>Yeah, and that's very recent, by the way too. I mean,

0:19:51.480 --> 0:19:53.880
<v Speaker 2>and that's why I've always I wish the whole would

0:19:53.880 --> 0:19:56.680
<v Speaker 2>be lengthened fifteen twenty yards, so I just.

0:19:56.680 --> 0:19:58.760
<v Speaker 1>They could put it back on the on the roof

0:19:58.840 --> 0:19:59.800
<v Speaker 1>of the clubhouse.

0:20:00.480 --> 0:20:02.560
<v Speaker 2>Well, I wouldn't go quite that far. I just go

0:20:02.760 --> 0:20:05.080
<v Speaker 2>there's a nice little pocket on the other side of

0:20:05.119 --> 0:20:06.720
<v Speaker 2>the Gargantua.

0:20:06.160 --> 0:20:07.480
<v Speaker 1>County up there too.

0:20:08.359 --> 0:20:11.840
<v Speaker 2>They well they might well know. I wouldn't be surprised. Uh,

0:20:12.400 --> 0:20:14.399
<v Speaker 2>they have cheat off. The club used to have a

0:20:14.440 --> 0:20:18.600
<v Speaker 2>green Monster tournament and they did create a tea up

0:20:18.640 --> 0:20:20.679
<v Speaker 2>on the on the deck of the clubhouse. They actually

0:20:20.680 --> 0:20:23.520
<v Speaker 2>built a platform and and and put a mat down.

0:20:23.560 --> 0:20:27.600
<v Speaker 2>It was pretty wild, and uh, I'm not sure liability wise,

0:20:27.720 --> 0:20:29.199
<v Speaker 2>is the smartest thing to do, but it was. It

0:20:29.240 --> 0:20:29.840
<v Speaker 2>was pretty cool.

0:20:30.600 --> 0:20:35.320
<v Speaker 1>So he's he's in Philly, he's he builds Marion, which

0:20:35.359 --> 0:20:39.000
<v Speaker 1>was up in Massachusetts. He then goes to World War One,

0:20:39.160 --> 0:20:42.480
<v Speaker 1>and then as I understand it correctly, he builds White

0:20:42.560 --> 0:20:46.920
<v Speaker 1>Marsh Valley after that, right, I.

0:20:46.880 --> 0:20:49.239
<v Speaker 2>Don't remember the exact year, but because that's correct, and

0:20:49.280 --> 0:20:51.760
<v Speaker 2>then also Spring Lake in New Jersey.

0:20:52.800 --> 0:20:56.800
<v Speaker 1>M and then what prompts him to move to California.

0:20:56.600 --> 0:21:00.280
<v Speaker 2>Well, according to him, I mean, he was pretty bang up.

0:21:00.320 --> 0:21:02.760
<v Speaker 2>He crashed three times, he was lucky to survive.

0:21:04.000 --> 0:21:06.160
<v Speaker 1>He was a pilot, right, Yeah, he was a.

0:21:06.119 --> 0:21:12.080
<v Speaker 2>Pilot, crashed three crashes, he did, and uh, there's there's

0:21:12.200 --> 0:21:14.719
<v Speaker 2>that that he he was his famous quote as he

0:21:14.760 --> 0:21:17.120
<v Speaker 2>was damn lucky to survive as more of a miracle

0:21:17.160 --> 0:21:20.600
<v Speaker 2>of something like that to Zane Gray, the famous author

0:21:20.600 --> 0:21:24.639
<v Speaker 2>who was his buddy out at the out of Catalina

0:21:24.800 --> 0:21:30.560
<v Speaker 2>flight of deep sea fishing, and uh, he was clearly

0:21:31.840 --> 0:21:34.160
<v Speaker 2>never quite the same from that. He had health problems

0:21:34.160 --> 0:21:37.080
<v Speaker 2>and he died at fifty nine. And there were a

0:21:37.119 --> 0:21:40.199
<v Speaker 2>lot of references to various times even when he was

0:21:40.240 --> 0:21:43.600
<v Speaker 2>out here. You know, he never got to Stamford, which

0:21:43.600 --> 0:21:46.320
<v Speaker 2>he did with Billy Bell and and because of his health,

0:21:46.359 --> 0:21:48.720
<v Speaker 2>and and he never really quite got the south course

0:21:48.760 --> 0:21:51.720
<v Speaker 2>at La Country Club going because of his health. And

0:21:52.520 --> 0:21:54.639
<v Speaker 2>he did plans which are all gone, of course we

0:21:54.720 --> 0:21:57.520
<v Speaker 2>never saw. I never know. They're in the dump somewhere.

0:21:58.880 --> 0:22:02.320
<v Speaker 2>But he wanted to move west in search of better

0:22:02.400 --> 0:22:06.360
<v Speaker 2>rose growing conditions and probably just better weather to kind

0:22:06.359 --> 0:22:09.320
<v Speaker 2>of enjoy. And he was banged up, but the roses

0:22:09.320 --> 0:22:13.000
<v Speaker 2>were the primary reason, according to him and all sources

0:22:13.040 --> 0:22:16.920
<v Speaker 2>that he came here in search of better conditions for

0:22:17.040 --> 0:22:21.280
<v Speaker 2>hybridizing roses, which was a huge passion of his.

0:22:22.960 --> 0:22:26.840
<v Speaker 1>So it would you say he was a avid rose gardener,

0:22:27.040 --> 0:22:29.679
<v Speaker 1>I feel like that might be under selling it. He

0:22:29.840 --> 0:22:34.240
<v Speaker 1>was one of the best rose gardeners in the entire world. Correct.

0:22:35.359 --> 0:22:37.840
<v Speaker 2>Well, it turned out that, yeah, one of the roses

0:22:37.880 --> 0:22:40.560
<v Speaker 2>that he created wasn't a very attractive rose, but it

0:22:40.680 --> 0:22:43.879
<v Speaker 2>ended up ended up doctor Hughey, who was sort of

0:22:43.880 --> 0:22:46.480
<v Speaker 2>his mentor. He named it after It's it's like a

0:22:46.560 --> 0:22:50.400
<v Speaker 2>dark red not it's just not a very attractive rose,

0:22:50.440 --> 0:22:54.720
<v Speaker 2>but the rootstock of it kind of the And I

0:22:54.760 --> 0:22:57.280
<v Speaker 2>apologize to any rosaria and listening to this because I

0:22:57.520 --> 0:23:01.240
<v Speaker 2>still don't understand this, but it essentially is the core

0:23:01.440 --> 0:23:06.480
<v Speaker 2>DNA of the plant that was used to as the

0:23:06.520 --> 0:23:12.120
<v Speaker 2>basis for hybridizing a large majority of the roses by

0:23:12.160 --> 0:23:16.280
<v Speaker 2>one of the main makers. And so because it contained

0:23:16.320 --> 0:23:19.720
<v Speaker 2>elements that made the rose, did did different things for

0:23:19.760 --> 0:23:22.960
<v Speaker 2>different roses but made them hardy. So it was kind

0:23:22.960 --> 0:23:24.920
<v Speaker 2>of accidental, but it ended up being one of the

0:23:24.960 --> 0:23:29.080
<v Speaker 2>most important roses ever created. And then yes, he hybridized

0:23:30.119 --> 0:23:34.200
<v Speaker 2>multiple others. In Is he had this incredible estate which

0:23:34.200 --> 0:23:38.280
<v Speaker 2>has now been subdivided. It appears to me I haven't

0:23:38.440 --> 0:23:40.280
<v Speaker 2>been up there, but I did go there one day.

0:23:41.600 --> 0:23:43.920
<v Speaker 2>I just walked into the backyard, which I can't believe

0:23:43.920 --> 0:23:47.840
<v Speaker 2>I did in hindsight, but where you could still see

0:23:47.840 --> 0:23:50.159
<v Speaker 2>the remnants of this which are the photos are in

0:23:50.200 --> 0:23:53.159
<v Speaker 2>the captain of this incredible sort of layered tiered garden

0:23:53.200 --> 0:23:56.560
<v Speaker 2>he had where he did all this. And I have

0:23:56.600 --> 0:23:59.200
<v Speaker 2>some film that the family had that's really cool. It's

0:23:59.200 --> 0:24:02.840
<v Speaker 2>on YouTube somewhere. I've posted it, uh, and it shows

0:24:02.920 --> 0:24:06.479
<v Speaker 2>him walking around the garden, amazing garden and UH, and

0:24:06.480 --> 0:24:09.000
<v Speaker 2>that's where he did all of his experimentation work and

0:24:09.080 --> 0:24:13.800
<v Speaker 2>creation of multiple roses that went to the market. Very

0:24:13.840 --> 0:24:17.359
<v Speaker 2>few are available now, but you can still get people

0:24:17.359 --> 0:24:20.880
<v Speaker 2>to make cuttings and things. LA Country Club just planted

0:24:20.960 --> 0:24:24.439
<v Speaker 2>some what i'd call I guess I'm sure there's a

0:24:24.480 --> 0:24:27.000
<v Speaker 2>rose term, but but children of his roses, you know,

0:24:27.200 --> 0:24:32.159
<v Speaker 2>where somebody created a rose taking Captain Thomas. Well you know,

0:24:33.320 --> 0:24:35.800
<v Speaker 2>well it's not even looks, it's just sometimes some of

0:24:35.840 --> 0:24:39.120
<v Speaker 2>them are you know, they have defects whatever they are.

0:24:39.240 --> 0:24:43.159
<v Speaker 2>Every rose has are not every but most roses have

0:24:45.560 --> 0:24:48.359
<v Speaker 2>now come on. Now, I don't mock.

0:24:50.760 --> 0:24:52.439
<v Speaker 1>To play that. I couldn't. I couldn't.

0:24:52.480 --> 0:24:57.400
<v Speaker 2>You can go there, but uh, you know, like in

0:24:57.440 --> 0:24:59.680
<v Speaker 2>his time he was trying to create a better rose

0:24:59.720 --> 0:25:02.560
<v Speaker 2>and and taking different ones, and now people have taken

0:25:02.600 --> 0:25:05.000
<v Speaker 2>some of his and yeah, one of them is called

0:25:07.600 --> 0:25:11.000
<v Speaker 2>Golden Showers that's created from Captain Thomas, and another one

0:25:11.640 --> 0:25:14.720
<v Speaker 2>that that is still available. I don't think the name

0:25:15.320 --> 0:25:19.159
<v Speaker 2>has aged very well, unfortunately because of some recent events.

0:25:19.200 --> 0:25:23.359
<v Speaker 2>But so there are still some that you that are

0:25:23.440 --> 0:25:25.440
<v Speaker 2>made from his roses. There were a couple of very

0:25:25.480 --> 0:25:28.520
<v Speaker 2>famous roses that are sort of up in the air

0:25:28.520 --> 0:25:30.480
<v Speaker 2>as to whether he was involved in them. So, yeah,

0:25:30.680 --> 0:25:33.520
<v Speaker 2>it was he had an amazing career on that front,

0:25:33.560 --> 0:25:36.200
<v Speaker 2>and then he when he passed, everything was left to

0:25:36.240 --> 0:25:40.240
<v Speaker 2>the American Rose Society. But there were some some issues

0:25:40.240 --> 0:25:44.080
<v Speaker 2>there and some tension with with I think his wife

0:25:44.080 --> 0:25:47.960
<v Speaker 2>and family, and there were some roses named after women.

0:25:48.040 --> 0:25:50.080
<v Speaker 2>I don't know who they were, and I have a

0:25:50.080 --> 0:25:53.000
<v Speaker 2>feeling the rose Garden was kind of destroyed in a

0:25:53.160 --> 0:25:54.920
<v Speaker 2>in a sort of a sad way. So I've never

0:25:54.960 --> 0:25:58.120
<v Speaker 2>really gotten that full story, but it I never since

0:25:58.200 --> 0:26:00.600
<v Speaker 2>It was a kind of a it was an odd

0:26:00.680 --> 0:26:03.720
<v Speaker 2>ending to his rose career after he passed.

0:26:04.600 --> 0:26:08.680
<v Speaker 1>So he moved to California for roses. He's an accomplished

0:26:08.680 --> 0:26:13.000
<v Speaker 1>player in the Northeast in Philadelphia, He's built some golf courses.

0:26:13.240 --> 0:26:16.359
<v Speaker 1>How does he get into the golf scene in Los Angeles?

0:26:17.040 --> 0:26:17.200
<v Speaker 2>Well?

0:26:17.440 --> 0:26:19.359
<v Speaker 1>Joined What was the golf scene like? What was like

0:26:19.400 --> 0:26:21.880
<v Speaker 1>the golf secene like when he got there, Well.

0:26:21.720 --> 0:26:25.080
<v Speaker 2>It was emerging. There were interesting people around, like Norman

0:26:25.160 --> 0:26:28.879
<v Speaker 2>macbeth who did Wiltshire, And there were these characters like

0:26:28.920 --> 0:26:31.840
<v Speaker 2>the founders of La Country Club, Ed Tufts and Joseph

0:26:31.880 --> 0:26:35.760
<v Speaker 2>Sartorre who were trying to grow the game and build

0:26:35.760 --> 0:26:38.880
<v Speaker 2>out and there were different people wanting to create clubs,

0:26:38.880 --> 0:26:44.280
<v Speaker 2>and so it was burgeoning, I guess would be the word.

0:26:44.320 --> 0:26:46.520
<v Speaker 2>And then during the twenties it really took off and

0:26:46.560 --> 0:26:49.800
<v Speaker 2>we had some amazing things created around here, and a

0:26:49.840 --> 0:26:52.679
<v Speaker 2>lot of them obviously left us during the depression years,

0:26:52.680 --> 0:26:59.440
<v Speaker 2>but an incredible number of courses and wild locations, and

0:26:59.480 --> 0:27:02.080
<v Speaker 2>there's photo of all sorts of interesting holes. And so

0:27:02.119 --> 0:27:05.159
<v Speaker 2>when he got here, he joined LA Country Club, and

0:27:06.359 --> 0:27:09.000
<v Speaker 2>being a member of Pine Valley and already kind of

0:27:09.040 --> 0:27:13.760
<v Speaker 2>the the story of Pine Valley being known, he was

0:27:14.960 --> 0:27:21.920
<v Speaker 2>asked to supervise the carrying out of Herbert Fowler's plans

0:27:22.000 --> 0:27:26.399
<v Speaker 2>for renovating the two courses at Los Angeles Country Club.

0:27:26.640 --> 0:27:29.200
<v Speaker 2>And Herbert Fowler wasn't here much, and so he really

0:27:29.240 --> 0:27:34.200
<v Speaker 2>took that job on and oversaw those those courses and

0:27:34.280 --> 0:27:37.439
<v Speaker 2>the creation of them, and they were very much in

0:27:37.440 --> 0:27:40.320
<v Speaker 2>the style of Fallor in terms of the bunkering, a

0:27:40.359 --> 0:27:44.000
<v Speaker 2>little more grass faced, and they were there were there

0:27:44.000 --> 0:27:48.040
<v Speaker 2>were parts that were really fascinating, and there were parts

0:27:48.040 --> 0:27:52.199
<v Speaker 2>that were frankly kind of aggressive in the way that

0:27:52.280 --> 0:27:54.840
<v Speaker 2>because it's a very severe property, and they took on

0:27:54.920 --> 0:27:59.080
<v Speaker 2>some weird parts of the property. So that was his

0:28:00.720 --> 0:28:03.560
<v Speaker 2>that was the beginning of his career here, and then

0:28:03.920 --> 0:28:07.840
<v Speaker 2>in a couple of years later he did the two

0:28:07.920 --> 0:28:11.480
<v Speaker 2>courses at Griffith Park. They ran out of money. He

0:28:11.880 --> 0:28:16.760
<v Speaker 2>funded the creation are the completion of the work, and

0:28:16.840 --> 0:28:19.600
<v Speaker 2>they gave him a pass. There's some great photos of

0:28:19.640 --> 0:28:22.720
<v Speaker 2>the opening day that I that I have photocopies of,

0:28:22.760 --> 0:28:24.960
<v Speaker 2>and I think there's some in the No, I don't

0:28:24.960 --> 0:28:26.440
<v Speaker 2>think those are in the Captain. I think I got

0:28:26.480 --> 0:28:30.600
<v Speaker 2>those after the book was done. I can't even remember

0:28:30.640 --> 0:28:33.919
<v Speaker 2>now anyway, I'm looking here, But big opening day, the

0:28:33.960 --> 0:28:35.960
<v Speaker 2>whole thing. They gave him the essentially the version of

0:28:36.000 --> 0:28:37.920
<v Speaker 2>key to the city. They gave him a golf pass

0:28:37.960 --> 0:28:43.000
<v Speaker 2>for life, which was really cool, and and so that

0:28:43.040 --> 0:28:44.800
<v Speaker 2>was that was sort of the next They were called

0:28:44.800 --> 0:28:48.160
<v Speaker 2>the La Municipal courses. Now it's Griffith Park and the

0:28:48.160 --> 0:28:51.760
<v Speaker 2>Harding and Wilson courses, and so from there and then

0:28:51.800 --> 0:28:54.200
<v Speaker 2>from there it just went were nuts.

0:28:54.880 --> 0:28:57.200
<v Speaker 1>Very little of the Thomases left correct.

0:28:58.560 --> 0:29:02.040
<v Speaker 2>The Wilson routing is quite a bit of his, and

0:29:02.040 --> 0:29:04.840
<v Speaker 2>and a good portion of the Harding is. But yes,

0:29:04.880 --> 0:29:08.800
<v Speaker 2>there was a wash and a freeway installed and and

0:29:08.880 --> 0:29:12.320
<v Speaker 2>so they lost some holes there and then yeah, architecturally,

0:29:12.440 --> 0:29:15.320
<v Speaker 2>the they've screwed with it over the years and added

0:29:15.360 --> 0:29:18.880
<v Speaker 2>water bunkers and done all sorts of weird things, and

0:29:19.600 --> 0:29:21.600
<v Speaker 2>but it, you know, it's the Wilson starts with his

0:29:22.600 --> 0:29:27.480
<v Speaker 2>signature touch of a of a nice par five, gettable

0:29:27.560 --> 0:29:31.400
<v Speaker 2>and then a pretty tough part four. Those two holes

0:29:31.400 --> 0:29:34.280
<v Speaker 2>are beautiful, just a great start, and and then the

0:29:34.320 --> 0:29:36.280
<v Speaker 2>third holes of part three, and then the fourths of

0:29:36.480 --> 0:29:39.760
<v Speaker 2>a short part four that somebody put a pond on

0:29:39.920 --> 0:29:44.120
<v Speaker 2>and I might have taken that out now, but I

0:29:44.160 --> 0:29:45.680
<v Speaker 2>haven't been. I haven't been on that part of the

0:29:45.720 --> 0:29:47.960
<v Speaker 2>course in a while. Last time I was there was

0:29:47.960 --> 0:29:51.760
<v Speaker 2>when the Special Olympics was played and they played the hearting,

0:29:52.320 --> 0:29:54.320
<v Speaker 2>So I didn't get much out on the On the Wilson,

0:29:54.320 --> 0:29:56.000
<v Speaker 2>it's it's hard to look at. I mean when you

0:29:56.560 --> 0:29:58.440
<v Speaker 2>and we have a pretty good aerial too of it,

0:29:58.640 --> 0:30:02.160
<v Speaker 2>and it yeah, but again it was not on the

0:30:02.240 --> 0:30:04.000
<v Speaker 2>level of the work he did with Billy Bell. It

0:30:04.040 --> 0:30:07.720
<v Speaker 2>was good, it was solid, but things got better. A

0:30:07.800 --> 0:30:08.720
<v Speaker 2>few years later.

0:30:09.800 --> 0:30:13.600
<v Speaker 1>He wrote about municipal golf and designing for municipal golf

0:30:13.640 --> 0:30:15.120
<v Speaker 1>correct mm hmmm.

0:30:16.200 --> 0:30:17.600
<v Speaker 2>And it was a big passion of his.

0:30:18.240 --> 0:30:21.880
<v Speaker 1>What was his prebis obviously, that's that's something that Gus

0:30:21.960 --> 0:30:24.040
<v Speaker 1>talked about a lot, is that this is the way

0:30:24.640 --> 0:30:27.640
<v Speaker 1>municipal golf or public golf has to be. We can't

0:30:27.680 --> 0:30:30.840
<v Speaker 1>do this for public golf. What was his stance on

0:30:31.520 --> 0:30:37.160
<v Speaker 1>the difference between designing for public, you know, municipal golf

0:30:37.240 --> 0:30:38.720
<v Speaker 1>versus private golf, do you Yeah.

0:30:38.600 --> 0:30:41.160
<v Speaker 2>He may have overcorrected a little, but he definitely had

0:30:41.160 --> 0:30:43.920
<v Speaker 2>a mindset of of a little more rudimentary and a

0:30:43.920 --> 0:30:47.240
<v Speaker 2>little more playable and not beat people up. And it

0:30:47.280 --> 0:30:50.480
<v Speaker 2>may have been an overreaction to the Pine Valley.

0:30:50.480 --> 0:30:53.560
<v Speaker 1>I saw like seventy five yard wide fairways.

0:30:53.680 --> 0:30:55.480
<v Speaker 2>Right, Yeah, he I mean he always built all of

0:30:55.520 --> 0:30:58.280
<v Speaker 2>his courses were built pretty wide, even though he was

0:30:58.320 --> 0:31:02.320
<v Speaker 2>apparently a very good ball striker horrible putter, But yeah,

0:31:02.360 --> 0:31:04.520
<v Speaker 2>he was into with and he wanted with and he

0:31:04.560 --> 0:31:09.240
<v Speaker 2>wanted people to get around and have fun. And he

0:31:09.640 --> 0:31:11.920
<v Speaker 2>might have taken that a little far. But like I said,

0:31:11.960 --> 0:31:15.440
<v Speaker 2>it may have been overreaction to sort of the Pine

0:31:15.520 --> 0:31:20.120
<v Speaker 2>Valley inspiration in his career and not wanting to and

0:31:20.160 --> 0:31:23.040
<v Speaker 2>having seen that kind of golf and thinking that the

0:31:23.360 --> 0:31:26.360
<v Speaker 2>public golfer needs to have a place where they can

0:31:26.760 --> 0:31:29.800
<v Speaker 2>ease into the game. But you know, in hindsight, he Bill,

0:31:29.840 --> 0:31:32.040
<v Speaker 2>all of this course is pretty tough. When you think

0:31:32.040 --> 0:31:35.120
<v Speaker 2>about what the clubs were at the time, I can't

0:31:35.160 --> 0:31:38.959
<v Speaker 2>I can't fathom. Well, Bobby Jones, frankly, he came right

0:31:39.000 --> 0:31:40.880
<v Speaker 2>out and said it. After he played Riviera, you know

0:31:40.880 --> 0:31:43.479
<v Speaker 2>where do the members play? And there's a great photo

0:31:43.640 --> 0:31:45.640
<v Speaker 2>we found. I was so excited. It was. It's a

0:31:45.640 --> 0:31:47.520
<v Speaker 2>little out of focus, so we ran it real small

0:31:47.520 --> 0:31:49.680
<v Speaker 2>in the Riviera book, but it's Bobby Jones and you

0:31:49.680 --> 0:31:51.680
<v Speaker 2>can tell he's out on the third green. If you

0:31:51.720 --> 0:31:53.560
<v Speaker 2>know Riviera, you kind of can tell by where the

0:31:53.600 --> 0:31:55.680
<v Speaker 2>clubhouse is. His hair is just a mess, and he

0:31:55.800 --> 0:31:59.240
<v Speaker 2>just looks he just looks shot and so and that

0:31:59.320 --> 0:32:03.160
<v Speaker 2>was when he was at it his at his his peak. Really,

0:32:03.280 --> 0:32:05.640
<v Speaker 2>it was when he was here filming the Warner Brothers

0:32:05.680 --> 0:32:08.800
<v Speaker 2>films and he still could play great and he thought

0:32:08.800 --> 0:32:14.280
<v Speaker 2>it was impossible. So he definitely builds his courses pretty tough.

0:32:14.280 --> 0:32:15.960
<v Speaker 2>And when you look at Riviera and you think about

0:32:16.080 --> 0:32:21.000
<v Speaker 2>playing that with Hickory's, wow, it was it was. It

0:32:21.040 --> 0:32:21.560
<v Speaker 2>was a beast.

0:32:22.320 --> 0:32:27.240
<v Speaker 1>Well, so this was before Bell. When did he meet Bell?

0:32:27.920 --> 0:32:30.040
<v Speaker 1>And who was Billy Bell at the time.

0:32:31.400 --> 0:32:34.680
<v Speaker 2>He was a superintendent at the time. I don't know

0:32:35.160 --> 0:32:39.880
<v Speaker 2>exactly how they meant, but he was from Pasadena and

0:32:40.160 --> 0:32:43.960
<v Speaker 2>obviously a very innovative guy with a background and engineering

0:32:44.080 --> 0:32:48.800
<v Speaker 2>and and then got into golf maintenance and created a

0:32:48.840 --> 0:32:53.600
<v Speaker 2>sod cutter and quite a talented, brilliant guy. Really in

0:32:53.680 --> 0:32:57.920
<v Speaker 2>hindsight when you think about what they accomplished, and they

0:32:58.040 --> 0:33:03.600
<v Speaker 2>first worked together on and now I'm forgetting if it

0:33:03.640 --> 0:33:06.560
<v Speaker 2>was Ohio La Cumbre first, but anyway, mid twenties.

0:33:06.280 --> 0:33:07.280
<v Speaker 1>I think it's La Cumbre.

0:33:08.040 --> 0:33:09.960
<v Speaker 2>Yeah, it probably was. I think that was twenty four

0:33:10.000 --> 0:33:14.640
<v Speaker 2>and then OHI followed that's correct, And yeah, I would

0:33:14.680 --> 0:33:17.479
<v Speaker 2>love to know how they got linked up. But George

0:33:17.520 --> 0:33:20.080
<v Speaker 2>was a busy guy. He had roses, he had his yacht,

0:33:20.560 --> 0:33:23.040
<v Speaker 2>he had to go deep sea fishing, and so bell

0:33:23.200 --> 0:33:27.760
<v Speaker 2>was the perfect person to oversee the construction on a

0:33:27.840 --> 0:33:30.240
<v Speaker 2>daily basis, and that's what he did, and handle the

0:33:30.280 --> 0:33:33.400
<v Speaker 2>engineering of all these very difficult sites they took on.

0:33:34.120 --> 0:33:37.520
<v Speaker 2>I mean, they're not difficult now compared to where people

0:33:37.520 --> 0:33:40.640
<v Speaker 2>build a course, but at the time they were canyons

0:33:40.680 --> 0:33:44.320
<v Speaker 2>and different things. Riviera was awful, soil La was a redo.

0:33:44.440 --> 0:33:47.120
<v Speaker 2>Bell Air was a bunch of canyons and a real

0:33:47.200 --> 0:33:51.760
<v Speaker 2>estate development and La Cumbre was had some spots that

0:33:51.800 --> 0:33:55.680
<v Speaker 2>were really tough, and o Hi's obviously another difficult site.

0:33:56.840 --> 0:34:01.440
<v Speaker 2>So he was the perfect guy and really brought his

0:34:03.360 --> 0:34:08.120
<v Speaker 2>a different level of construction expertise. And then as they

0:34:08.360 --> 0:34:10.720
<v Speaker 2>work together, you see it in the photos each course

0:34:10.760 --> 0:34:13.840
<v Speaker 2>they got more and more aggressive with the bunkering style,

0:34:14.560 --> 0:34:16.960
<v Speaker 2>to the point where by the end at Stanford they

0:34:16.960 --> 0:34:22.239
<v Speaker 2>were just doing some really crazy, wild, cool shapes and

0:34:22.280 --> 0:34:24.399
<v Speaker 2>it's fascinating how you just look at the photos each

0:34:24.480 --> 0:34:26.800
<v Speaker 2>course they just got a little bit more and more aggressive.

0:34:27.280 --> 0:34:30.640
<v Speaker 2>And so they worked together. They were in about a

0:34:30.719 --> 0:34:36.080
<v Speaker 2>seven year eight year span and created some incredible courses.

0:34:37.320 --> 0:34:41.480
<v Speaker 1>With those bunkers. One interesting thing I kind of think

0:34:41.480 --> 0:34:43.560
<v Speaker 1>about a lot is a lot of architects seem to

0:34:43.600 --> 0:34:47.880
<v Speaker 1>get subdued and worn down the more they the work

0:34:47.920 --> 0:34:53.920
<v Speaker 1>they do because of the green's committees or owners working

0:34:54.000 --> 0:34:57.440
<v Speaker 1>on them over time, and they get almost safer and safer,

0:34:58.160 --> 0:35:01.080
<v Speaker 1>whereas their style seemed to get more and more eccentric.

0:35:02.200 --> 0:35:05.960
<v Speaker 2>Yeah, and I don't know what in particular inspired them

0:35:06.000 --> 0:35:08.719
<v Speaker 2>to do that, except that they just probably got reactions

0:35:08.760 --> 0:35:10.960
<v Speaker 2>to things and let's take it more, and they just

0:35:11.000 --> 0:35:15.800
<v Speaker 2>became very consumed with the look of erosion and really

0:35:15.880 --> 0:35:21.839
<v Speaker 2>capturing your eye with great bunkering, and thankfully they did

0:35:21.840 --> 0:35:26.040
<v Speaker 2>do that. The only I guess downside was that it appears,

0:35:26.400 --> 0:35:29.840
<v Speaker 2>based on photos during construction of some of them, that

0:35:29.920 --> 0:35:34.600
<v Speaker 2>the process was to sort of seed and grass the

0:35:34.680 --> 0:35:36.759
<v Speaker 2>whole thing or a large portion and then come in

0:35:36.800 --> 0:35:41.560
<v Speaker 2>and handcut some of those shapes out. And they lost

0:35:41.600 --> 0:35:45.680
<v Speaker 2>those shapes fairly fast once somebody, once the depression came

0:35:45.760 --> 0:35:49.560
<v Speaker 2>and it was harder to get the resources to pay

0:35:49.600 --> 0:35:54.200
<v Speaker 2>people to maintain them, or the desire to maintain these

0:35:54.280 --> 0:35:57.680
<v Speaker 2>little frilly edges that somebody probably thought were ridiculous. And

0:35:57.719 --> 0:36:00.640
<v Speaker 2>then obviously as things got better or they got in

0:36:00.719 --> 0:36:04.120
<v Speaker 2>people got it edgers and weed eaters, and that's kind

0:36:04.120 --> 0:36:08.080
<v Speaker 2>of how you have the current look of of the

0:36:08.080 --> 0:36:10.279
<v Speaker 2>their bunkers and a lot of the courses, and why

0:36:10.320 --> 0:36:13.560
<v Speaker 2>we came up with the style we did at LA North,

0:36:13.760 --> 0:36:16.360
<v Speaker 2>which is to to replicate some of those shapes, but

0:36:16.480 --> 0:36:19.600
<v Speaker 2>to make them look old and to build them in

0:36:19.640 --> 0:36:23.200
<v Speaker 2>a way where those shapes were very are hard are

0:36:23.200 --> 0:36:27.680
<v Speaker 2>almost impossible to edge out, but they did. They obviously

0:36:27.680 --> 0:36:31.680
<v Speaker 2>didn't know how that look was going to evolve at

0:36:31.719 --> 0:36:32.120
<v Speaker 2>the time.

0:36:33.840 --> 0:36:36.160
<v Speaker 1>How would you, I mean, I know it's hard because

0:36:36.200 --> 0:36:39.719
<v Speaker 1>they're there. Would what would be the best way to

0:36:39.800 --> 0:36:43.240
<v Speaker 1>describe a bunker And obviously this is probably a visual

0:36:43.320 --> 0:36:46.560
<v Speaker 1>thing better shown by pictures over than rather audio, but

0:36:46.680 --> 0:36:49.600
<v Speaker 1>would like kind of like an amoeba, or like if

0:36:49.640 --> 0:36:52.759
<v Speaker 1>you if you cracked an egg into a pan and

0:36:53.080 --> 0:36:55.520
<v Speaker 1>there go with the egg, let it go all of

0:36:55.800 --> 0:36:57.680
<v Speaker 1>I know, I knew you were going to get me

0:36:57.840 --> 0:36:58.000
<v Speaker 1>with it.

0:36:58.160 --> 0:37:00.719
<v Speaker 2>Yeah, no, I would say, you know, the two the

0:37:00.760 --> 0:37:06.600
<v Speaker 2>things that I mean, Mackenzie supposedly was kind of pointed

0:37:06.640 --> 0:37:09.040
<v Speaker 2>to clouds. If you look at a little floating clouds,

0:37:10.760 --> 0:37:12.600
<v Speaker 2>and I think that's a shape that you if you

0:37:12.760 --> 0:37:14.680
<v Speaker 2>just watched a little floater and you look at the

0:37:15.239 --> 0:37:17.319
<v Speaker 2>shape of them, the bottoms a little cleaner and the

0:37:17.320 --> 0:37:22.319
<v Speaker 2>top has sort of the more rough edged I think

0:37:22.320 --> 0:37:25.400
<v Speaker 2>they were trying to portray erosion. I think that was

0:37:25.480 --> 0:37:27.319
<v Speaker 2>part of it, is to have that look a little

0:37:27.360 --> 0:37:29.560
<v Speaker 2>bit of a more maintained dune look.

0:37:30.840 --> 0:37:33.719
<v Speaker 1>And that was that fit kind of that fit the

0:37:33.840 --> 0:37:36.759
<v Speaker 1>landscape they were working in, correct, like, because you know

0:37:36.800 --> 0:37:38.600
<v Speaker 1>they were working in these places. If you go for

0:37:38.680 --> 0:37:42.560
<v Speaker 1>hikes anywhere around La, you see that type of natural

0:37:42.760 --> 0:37:46.880
<v Speaker 1>erosion look. On edges of you know, land forms.

0:37:47.200 --> 0:37:49.799
<v Speaker 2>Yeah, and I think mackenzie did it in part. If

0:37:49.840 --> 0:37:52.920
<v Speaker 2>you look at the Monterey Cypress, some of the shapes

0:37:52.920 --> 0:37:55.640
<v Speaker 2>of the bunkers and cypress for instance, or Lake Merced

0:37:55.800 --> 0:37:58.799
<v Speaker 2>or cow clubs, some of those, they were kind of

0:37:58.800 --> 0:38:01.520
<v Speaker 2>mimicking those shapes the trees. So yeah, I think they were.

0:38:01.600 --> 0:38:05.440
<v Speaker 2>They were working in these canyon settings and kind of

0:38:05.520 --> 0:38:09.800
<v Speaker 2>saw those little blowouts and different landslide things, and that

0:38:09.800 --> 0:38:14.480
<v Speaker 2>that inspired it. Obviously again the in the uh influence

0:38:14.520 --> 0:38:18.200
<v Speaker 2>of Scotland, and because bunkers back then in Scotland were

0:38:18.239 --> 0:38:22.440
<v Speaker 2>not the bathtub sod wall things that so many courses

0:38:22.440 --> 0:38:27.719
<v Speaker 2>now unfortunately have a reaction to those bunkers evolving in

0:38:27.760 --> 0:38:31.160
<v Speaker 2>ways that people didn't like. But but that certainly was uh,

0:38:31.440 --> 0:38:35.880
<v Speaker 2>because Thomas wrote extensively about naturalness. They all did, you know,

0:38:35.920 --> 0:38:40.279
<v Speaker 2>they were fighting. Uh. Even the Fowler style that he

0:38:40.520 --> 0:38:45.840
<v Speaker 2>was overseeing at LA initially was a more from the

0:38:45.880 --> 0:38:50.680
<v Speaker 2>Penal school of of design, where the bunkers were were

0:38:50.680 --> 0:38:53.279
<v Speaker 2>more in your face and less natural looking. Yeah, they

0:38:53.280 --> 0:38:57.319
<v Speaker 2>were trenches, they were they were not attractive and you know,

0:38:57.400 --> 0:38:59.520
<v Speaker 2>he wrote about it. McKenzie wrote about it. They were

0:38:59.520 --> 0:39:03.520
<v Speaker 2>all clear in a mindset of trying to get people

0:39:03.560 --> 0:39:08.279
<v Speaker 2>back to a very simple, seemingly simple concept, which is

0:39:08.320 --> 0:39:13.319
<v Speaker 2>that if something is natural or seemingly natural, you will

0:39:13.400 --> 0:39:16.640
<v Speaker 2>enjoy taking it on. If it seems artificial, if it

0:39:16.680 --> 0:39:20.120
<v Speaker 2>seems like the hand of man is trying to screw

0:39:20.160 --> 0:39:23.360
<v Speaker 2>with your game and get in the way, it takes

0:39:23.360 --> 0:39:27.640
<v Speaker 2>you out of that sort of quest to take on nature,

0:39:27.840 --> 0:39:30.799
<v Speaker 2>and it's not as satisfying, and you're offended by an

0:39:30.880 --> 0:39:33.759
<v Speaker 2>architect when they are screwing with you that way, and

0:39:33.760 --> 0:39:36.759
<v Speaker 2>that mentality. Max Bear wrote about it, and Thomas and

0:39:37.120 --> 0:39:41.080
<v Speaker 2>Max Bear were friendly as well. That was what Max

0:39:41.120 --> 0:39:43.680
<v Speaker 2>Bear was consumed with and writing articles here at the time,

0:39:43.719 --> 0:39:45.879
<v Speaker 2>so they were all. They were all kind of even

0:39:45.920 --> 0:39:47.840
<v Speaker 2>if they had little disagreements, they were all from that

0:39:47.920 --> 0:39:51.399
<v Speaker 2>same mindset and trying to get golf back to that

0:39:51.719 --> 0:39:56.520
<v Speaker 2>after a period of player architects and people with less

0:39:56.760 --> 0:40:04.040
<v Speaker 2>artistic sensibility feeling like that's that that more in your

0:40:04.080 --> 0:40:07.800
<v Speaker 2>face style of design was proper, and they were saying, no,

0:40:07.960 --> 0:40:09.839
<v Speaker 2>that's not going to age, well, that doesn't have any

0:40:09.920 --> 0:40:11.640
<v Speaker 2>permanence to it, and so we're trying to do it

0:40:11.680 --> 0:40:13.840
<v Speaker 2>this way. And then Thomas and Bell when they got together,

0:40:13.960 --> 0:40:17.719
<v Speaker 2>really took thanks to another level in terms of the

0:40:17.760 --> 0:40:23.640
<v Speaker 2>details of every little feature, feeling as if it were natural,

0:40:23.680 --> 0:40:27.160
<v Speaker 2>when in fact they did some unbelievable stuff that was

0:40:27.480 --> 0:40:33.319
<v Speaker 2>required a lot of work to make it feel like

0:40:33.400 --> 0:40:34.239
<v Speaker 2>it was always there.

0:40:35.360 --> 0:40:40.520
<v Speaker 1>So it is time. In California, he designed roughly about

0:40:40.640 --> 0:40:46.600
<v Speaker 1>about twelve or so courses yep, give take how many

0:40:46.640 --> 0:40:51.040
<v Speaker 1>of them are still mainly intact, Where you could you know,

0:40:51.600 --> 0:40:54.040
<v Speaker 1>responsibly call it a George Thomas design.

0:40:54.920 --> 0:40:58.960
<v Speaker 2>It's really down to the big three in La you know,

0:40:59.040 --> 0:41:02.279
<v Speaker 2>Riviera bell Airne. I can't really say, Look, I mean

0:41:02.320 --> 0:41:08.400
<v Speaker 2>nothing's Lakumber has just been slaughtered. OHI has moments, but

0:41:08.520 --> 0:41:12.520
<v Speaker 2>it's really been butchered in a lot of spots as well.

0:41:14.000 --> 0:41:16.560
<v Speaker 2>So yeah, it's it's really down to the to the

0:41:16.560 --> 0:41:17.080
<v Speaker 2>big ones.

0:41:18.640 --> 0:41:21.440
<v Speaker 1>From from those three courses and obviously one we get

0:41:21.440 --> 0:41:24.239
<v Speaker 1>to watch on TV every single year. One we'll get

0:41:24.239 --> 0:41:27.879
<v Speaker 1>to watch on TV in two years. Uh what what

0:41:28.440 --> 0:41:32.600
<v Speaker 1>would you decipher as his strengths and weaknesses as an architect?

0:41:34.880 --> 0:41:38.480
<v Speaker 2>I I don't really view him as having had any weaknesses.

0:41:38.560 --> 0:41:42.200
<v Speaker 2>I'm biased obviously because I'm I'm his biographer, and.

0:41:42.680 --> 0:41:46.080
<v Speaker 1>Uh I recognize it.

0:41:46.440 --> 0:41:49.520
<v Speaker 2>Yeah, Oh yeah, well, I I really just think when

0:41:49.560 --> 0:41:52.200
<v Speaker 2>he and Bell were at their peak, I just don't

0:41:52.239 --> 0:41:55.440
<v Speaker 2>know if there was anybody a team that was better

0:41:55.640 --> 0:41:59.400
<v Speaker 2>in terms especially when you know what they took and

0:41:59.480 --> 0:42:03.600
<v Speaker 2>what they care created. They weren't given great sites. I

0:42:03.640 --> 0:42:06.839
<v Speaker 2>mean La North for instance, was a redo they I mean,

0:42:06.880 --> 0:42:09.360
<v Speaker 2>there there's an area where you see people out playing

0:42:09.400 --> 0:42:11.640
<v Speaker 2>while they're redoing it. And it's hard to believe when

0:42:11.680 --> 0:42:15.200
<v Speaker 2>you look at La North now that that that that

0:42:15.320 --> 0:42:17.919
<v Speaker 2>was a redesign that was done in a fairly short

0:42:17.960 --> 0:42:21.200
<v Speaker 2>amount of time with people playing and the whole thing

0:42:21.280 --> 0:42:25.359
<v Speaker 2>and and it, and yet it comes together as this

0:42:25.480 --> 0:42:29.160
<v Speaker 2>amazing thing like they built it from scratch and it

0:42:29.200 --> 0:42:29.640
<v Speaker 2>really was.

0:42:29.719 --> 0:42:32.920
<v Speaker 1>What were the big the big changes that they made

0:42:32.920 --> 0:42:35.600
<v Speaker 1>to La North in that redesign? How did it change

0:42:35.600 --> 0:42:38.840
<v Speaker 1>for people that aren't familiar with the you know, either design?

0:42:38.880 --> 0:42:41.600
<v Speaker 1>Really what what were the big themes of the redesign?

0:42:42.920 --> 0:42:47.200
<v Speaker 2>Just replacing some bad holes and turning turning some of

0:42:47.239 --> 0:42:50.319
<v Speaker 2>those into great holes, or just creating new holes like

0:42:50.360 --> 0:42:53.720
<v Speaker 2>the eleventh and the fifteenth, the two back nine par threes,

0:42:53.760 --> 0:42:57.440
<v Speaker 2>which are just two extraordinary holes, and the eleventh you

0:42:57.520 --> 0:42:59.319
<v Speaker 2>just you know, you look at and you think, how

0:42:59.400 --> 0:43:03.959
<v Speaker 2>on earth did they imagine this location for a sort

0:43:03.960 --> 0:43:07.200
<v Speaker 2>of a reverse d Dan Part three with his green site,

0:43:07.520 --> 0:43:10.280
<v Speaker 2>you know, just built up there was They just created

0:43:10.280 --> 0:43:12.560
<v Speaker 2>that whole thing. It wasn't like they carved out a

0:43:12.600 --> 0:43:16.520
<v Speaker 2>little thing allege and put that that hole there. It

0:43:16.680 --> 0:43:22.520
<v Speaker 2>they created that, and obviously he was trying to fix

0:43:22.840 --> 0:43:26.319
<v Speaker 2>something and having to put in pieces. But still in

0:43:26.360 --> 0:43:29.040
<v Speaker 2>the fifteenth does you know for years it used to

0:43:29.120 --> 0:43:31.920
<v Speaker 2>be viewed as an afterthought, like what the hell happened here?

0:43:31.920 --> 0:43:35.200
<v Speaker 2>This little short part three that that does feel like

0:43:35.280 --> 0:43:38.719
<v Speaker 2>it's a little bit forced in in a sense because

0:43:40.320 --> 0:43:43.000
<v Speaker 2>it's short. But now I think not to you know,

0:43:43.080 --> 0:43:47.120
<v Speaker 2>toot our restoration, but it it's now an integral part

0:43:47.120 --> 0:43:49.000
<v Speaker 2>of the back nine. And mostly because the hole was

0:43:49.040 --> 0:43:50.920
<v Speaker 2>fine when he built it. It was great, but it was

0:43:51.680 --> 0:43:53.160
<v Speaker 2>and he may have built a bunker in the middle

0:43:53.160 --> 0:43:56.440
<v Speaker 2>of the green, but it didn't last very long if

0:43:56.440 --> 0:43:58.200
<v Speaker 2>he did. We have one photo where you can kind

0:43:58.200 --> 0:44:01.160
<v Speaker 2>of see it. I interview him, who took me right

0:44:01.200 --> 0:44:05.000
<v Speaker 2>out there, and he is a sharp guy. He recently

0:44:05.040 --> 0:44:07.400
<v Speaker 2>passed away, but he insisted it was there for a

0:44:07.400 --> 0:44:11.080
<v Speaker 2>while and he replaced it with this bump in the green.

0:44:11.160 --> 0:44:16.880
<v Speaker 2>But anyway, the point is he he took, he created

0:44:16.920 --> 0:44:22.799
<v Speaker 2>new holes, he fixed old holes, he eliminated, i think reluctantly,

0:44:22.840 --> 0:44:25.399
<v Speaker 2>the old seventeenth, which we ended up putting back, which

0:44:25.440 --> 0:44:29.960
<v Speaker 2>was not our I mean, it was our suggestion there.

0:44:29.960 --> 0:44:31.920
<v Speaker 1>Was a hot topic hole. Huh.

0:44:31.960 --> 0:44:34.480
<v Speaker 2>And well in Thomas's time. Yeah. So the other thing

0:44:34.760 --> 0:44:36.560
<v Speaker 2>we didn't get into is he he was also very

0:44:36.600 --> 0:44:40.040
<v Speaker 2>involved in course set up and he had a Tom

0:44:40.080 --> 0:44:45.160
<v Speaker 2>Meeks moment in the California State Open they played there.

0:44:45.360 --> 0:44:46.640
<v Speaker 2>I always thought it was the LA Open, but it

0:44:46.680 --> 0:44:50.160
<v Speaker 2>was a State Open. And someday I'll have to just

0:44:50.239 --> 0:44:52.319
<v Speaker 2>do the whole seventeenth, whole story, because there was a

0:44:52.320 --> 0:44:55.680
<v Speaker 2>poem written about the hole by his friend Scott E. Chisholm,

0:44:55.719 --> 0:44:58.719
<v Speaker 2>who documented a lot of the work, and they had

0:44:58.719 --> 0:45:01.879
<v Speaker 2>a sant Ana win and he put the pin down

0:45:01.880 --> 0:45:05.920
<v Speaker 2>in the front, and uh, he was a problem hole

0:45:06.680 --> 0:45:10.600
<v Speaker 2>in tournament conditions before I think, uh, or it was

0:45:10.600 --> 0:45:12.600
<v Speaker 2>was it was. It was definitely iffy to put the

0:45:12.600 --> 0:45:16.200
<v Speaker 2>pin down in front. And of course he wrote multiplely.

0:45:16.280 --> 0:45:18.560
<v Speaker 2>You know, he was very his writing was so succinct.

0:45:18.640 --> 0:45:20.799
<v Speaker 2>He got he just didn't waste time. But yet in

0:45:20.880 --> 0:45:23.960
<v Speaker 2>golf architecture, in America. He kind of waxes on for

0:45:24.000 --> 0:45:27.799
<v Speaker 2>a while, sort of defensively, like McDonald smith was a

0:45:27.840 --> 0:45:31.280
<v Speaker 2>smart guy because he basically like played to make bogey

0:45:32.840 --> 0:45:34.200
<v Speaker 2>as sart of was he his.

0:45:34.320 --> 0:45:37.280
<v Speaker 1>Sharp part three And he's justifying that it was fine

0:45:37.560 --> 0:45:39.040
<v Speaker 1>because one guy.

0:45:39.880 --> 0:45:42.560
<v Speaker 2>The winner, the winner. Yeah, let's be honest, the guy

0:45:42.560 --> 0:45:45.239
<v Speaker 2>who won the tournament. But he uh but he screwed up.

0:45:45.400 --> 0:45:48.240
<v Speaker 2>And uh but the Santa Ana Blue, Now, they didn't

0:45:48.239 --> 0:45:52.319
<v Speaker 2>have the weather forecast that uh we have now. So

0:45:53.920 --> 0:45:56.360
<v Speaker 2>in his defense, you know, he didn't know what the

0:45:56.400 --> 0:45:59.000
<v Speaker 2>wind was going to be like probably and uh yeah,

0:45:59.000 --> 0:46:00.520
<v Speaker 2>he put it down there and nobody they could keep

0:46:00.520 --> 0:46:06.000
<v Speaker 2>it on the green. And and so that hole survived

0:46:06.080 --> 0:46:08.439
<v Speaker 2>for the LA Open in twenties. The first LA Open

0:46:08.480 --> 0:46:10.320
<v Speaker 2>was at La Country Club and they played the Fowler

0:46:10.400 --> 0:46:15.319
<v Speaker 2>Course and the sixteenth hole was was apart four and

0:46:15.320 --> 0:46:17.360
<v Speaker 2>and then part three was the seventeenth and then the

0:46:17.400 --> 0:46:21.080
<v Speaker 2>eighteenth was a blind t shot and he changed all

0:46:21.120 --> 0:46:23.080
<v Speaker 2>of that. But he did take the hole out, but

0:46:23.080 --> 0:46:24.719
<v Speaker 2>it was clear it was it was hard for him

0:46:24.719 --> 0:46:26.360
<v Speaker 2>because it was a neat little hole. It was a

0:46:26.360 --> 0:46:28.839
<v Speaker 2>beloved little hole. Robert Hunter took a little shot at

0:46:28.880 --> 0:46:32.480
<v Speaker 2>it there were obviously people that were detractors at the

0:46:32.560 --> 0:46:35.040
<v Speaker 2>time as well. It was a controversial hole for sure,

0:46:35.080 --> 0:46:38.640
<v Speaker 2>but there were definitely people who absolutely adored it. And

0:46:38.680 --> 0:46:41.120
<v Speaker 2>you see some great scenes in the tournaments out there

0:46:41.840 --> 0:46:45.800
<v Speaker 2>where people are are are was it was a place

0:46:45.840 --> 0:46:47.120
<v Speaker 2>to hang out and watch the golf.

0:46:47.160 --> 0:46:51.200
<v Speaker 1>Clearly, what was something having you know, worked out there

0:46:51.280 --> 0:46:55.520
<v Speaker 1>for so many years and obviously a historic restoration, one

0:46:55.520 --> 0:46:59.920
<v Speaker 1>of the most influential restorations of this era of restoration,

0:47:00.080 --> 0:47:03.000
<v Speaker 1>And what were some things that you picked up on,

0:47:03.239 --> 0:47:06.080
<v Speaker 1>like maybe just more subtle ones that you wouldn't pick

0:47:06.160 --> 0:47:08.239
<v Speaker 1>up on your first time out there, that you just

0:47:08.360 --> 0:47:11.560
<v Speaker 1>really love about La his work at La North.

0:47:12.840 --> 0:47:16.279
<v Speaker 2>Actually the greens, you know, because Thomas didn't build the

0:47:16.320 --> 0:47:22.880
<v Speaker 2>most build the most exciting greens, but the and it

0:47:23.000 --> 0:47:24.880
<v Speaker 2>was believed because he was just not a good putter.

0:47:24.920 --> 0:47:27.719
<v Speaker 2>And he wrote a story an article about wanting to

0:47:27.719 --> 0:47:31.680
<v Speaker 2>make putts a half stroke, which Hogan probably it.

0:47:31.760 --> 0:47:33.400
<v Speaker 1>Was called a vandal.

0:47:34.080 --> 0:47:37.120
<v Speaker 2>Yeah, yeah, that wasn't it was not. Everybody loved that one,

0:47:37.880 --> 0:47:40.320
<v Speaker 2>but he felt like there was an over emphasis on putting.

0:47:40.400 --> 0:47:43.239
<v Speaker 2>I can't even fathom what he'd think of what the

0:47:43.280 --> 0:47:45.920
<v Speaker 2>game looks like today with the over emphasis on putting,

0:47:46.239 --> 0:47:49.560
<v Speaker 2>you know, watching his greens at Riviera at thirteen and

0:47:50.000 --> 0:47:54.560
<v Speaker 2>guys marking eighteen inches because of poet and you know,

0:47:54.600 --> 0:47:58.879
<v Speaker 2>they're scary little putts in February, and I just think

0:47:58.920 --> 0:48:01.520
<v Speaker 2>he would say, oh, my lord, putting has really become

0:48:01.640 --> 0:48:07.200
<v Speaker 2>ridiculously overvalued. So he made his case, and I admired

0:48:07.239 --> 0:48:10.400
<v Speaker 2>that he made the case. But I think when you

0:48:10.400 --> 0:48:14.880
<v Speaker 2>look at at l A, it's such a the greens

0:48:14.960 --> 0:48:21.560
<v Speaker 2>just are. They're interesting enough and they don't ever detract.

0:48:21.719 --> 0:48:25.000
<v Speaker 2>And then there there's a nice variety of them, and

0:48:25.040 --> 0:48:26.960
<v Speaker 2>they are a couple that are that are more severe,

0:48:27.440 --> 0:48:29.560
<v Speaker 2>and they are a couple that are just beautifully contoured.

0:48:29.600 --> 0:48:33.359
<v Speaker 2>And and I think when you what I what I

0:48:33.360 --> 0:48:36.560
<v Speaker 2>love about his greens is in la in particular, is

0:48:36.600 --> 0:48:39.919
<v Speaker 2>there's usually one or two key features on each green,

0:48:40.600 --> 0:48:43.960
<v Speaker 2>and as a player, you can you can remember those

0:48:44.239 --> 0:48:46.520
<v Speaker 2>and use those to your advantage depending on where the

0:48:46.560 --> 0:48:50.680
<v Speaker 2>whole is obviously, uh to place a shot or to

0:48:50.880 --> 0:48:54.759
<v Speaker 2>know I can't miss it there. And I love that

0:48:56.160 --> 0:48:58.959
<v Speaker 2>in that Not enough people bill greens that way where

0:49:00.280 --> 0:49:04.799
<v Speaker 2>they're they're they're memorable enough. There's just too many greens

0:49:04.840 --> 0:49:07.160
<v Speaker 2>where there's just too many things to try to remember

0:49:07.520 --> 0:49:10.000
<v Speaker 2>and and and they're hard to visualize as you're trying

0:49:10.040 --> 0:49:13.040
<v Speaker 2>to play a shot in so he he really allowed

0:49:13.080 --> 0:49:18.000
<v Speaker 2>you to if you could perform the shot, uh, use

0:49:18.040 --> 0:49:22.480
<v Speaker 2>those features to your advantage. And I just think that's it.

0:49:22.640 --> 0:49:26.680
<v Speaker 2>Certainly wasn't making life easier. It was just making the

0:49:26.760 --> 0:49:27.319
<v Speaker 2>golf better.

0:49:28.840 --> 0:49:33.080
<v Speaker 1>It's something that I've kind of started to really believe in,

0:49:33.600 --> 0:49:37.040
<v Speaker 1>is that confidence as an architect is the ability to

0:49:37.120 --> 0:49:41.560
<v Speaker 1>build a really subtly brilliant green, not the really like

0:49:41.680 --> 0:49:45.399
<v Speaker 1>we everybody always says, oh that the boldness of that green.

0:49:45.520 --> 0:49:46.200
<v Speaker 1>Can you believe?

0:49:46.320 --> 0:49:47.759
<v Speaker 2>How how you know?

0:49:48.440 --> 0:49:52.080
<v Speaker 1>How confident that architect is to build something severe? But

0:49:52.320 --> 0:49:55.600
<v Speaker 1>in reality, I think the opposite is true, where you

0:49:55.760 --> 0:49:58.600
<v Speaker 1>know you could build something very subtle and small and

0:49:58.719 --> 0:50:00.480
<v Speaker 1>that it's going to be just by yeah.

0:50:00.840 --> 0:50:03.000
<v Speaker 2>Yeah, And he was. He was really good at that,

0:50:03.320 --> 0:50:06.560
<v Speaker 2>and Bell was was great at that. And I think

0:50:06.600 --> 0:50:08.560
<v Speaker 2>a big part of the influence on that as well.

0:50:08.680 --> 0:50:12.520
<v Speaker 2>They love to use little bumps kind of on the

0:50:12.640 --> 0:50:15.680
<v Speaker 2>side of a green and create little little corners and

0:50:15.760 --> 0:50:18.960
<v Speaker 2>tiers and wings, and they knew that was enough to

0:50:19.120 --> 0:50:22.400
<v Speaker 2>just create interest without going nuts with the contours. And

0:50:22.440 --> 0:50:24.000
<v Speaker 2>then the other thing they did with their greens that

0:50:25.440 --> 0:50:29.080
<v Speaker 2>again you swear their courses were just sort of often

0:50:29.200 --> 0:50:31.040
<v Speaker 2>lay of the land, but they really weren't that they

0:50:31.280 --> 0:50:34.480
<v Speaker 2>they but they were an extension of the fairway essentially

0:50:34.640 --> 0:50:39.080
<v Speaker 2>that that they didn't you didn't just have this kind

0:50:39.120 --> 0:50:40.799
<v Speaker 2>of quiet ground and then get up to this green

0:50:40.880 --> 0:50:43.919
<v Speaker 2>that was just going bonkers. And so that again fed

0:50:44.000 --> 0:50:48.560
<v Speaker 2>to their mindset that if it seems natural, people embrace it.

0:50:48.680 --> 0:50:52.640
<v Speaker 2>If it seems man made, they rejected. And and I

0:50:52.680 --> 0:50:54.760
<v Speaker 2>don't like that when you're when you're on pretty quiet

0:50:54.800 --> 0:50:56.240
<v Speaker 2>ground and then you get up there and the greens

0:50:56.320 --> 0:51:00.080
<v Speaker 2>just a roller coaster ride. It It takes you. It,

0:51:00.200 --> 0:51:02.880
<v Speaker 2>it makes you think of the architect and and and

0:51:03.000 --> 0:51:06.600
<v Speaker 2>and can be quite annoying if the green is getting

0:51:06.640 --> 0:51:09.400
<v Speaker 2>in your way of trying to score in a in

0:51:09.480 --> 0:51:13.200
<v Speaker 2>a way that that isn't isn't much. Uh, I don't

0:51:13.200 --> 0:51:16.239
<v Speaker 2>want to say unfair, but isn't fun. So that that,

0:51:16.400 --> 0:51:17.719
<v Speaker 2>you know, that was a big thing at l A

0:51:17.840 --> 0:51:20.640
<v Speaker 2>to me is is is kind of having that that trust.

0:51:20.680 --> 0:51:23.040
<v Speaker 2>Plus it's a it's a site where that you just

0:51:23.080 --> 0:51:28.399
<v Speaker 2>get so few flat stances and so you just don't

0:51:28.480 --> 0:51:31.080
<v Speaker 2>need the green to be doing much because that alone

0:51:32.160 --> 0:51:37.839
<v Speaker 2>throws you off enough that any slight tilt back, front, sideways,

0:51:38.000 --> 0:51:42.440
<v Speaker 2>whatever is accentuated. And uh so that's a beautiful part

0:51:42.480 --> 0:51:44.960
<v Speaker 2>of the design. Uh there for for sure and probably

0:51:45.000 --> 0:51:47.680
<v Speaker 2>doesn't get a lot of attention just because again the uh,

0:51:47.920 --> 0:51:50.160
<v Speaker 2>there's so much more to look at their tee to

0:51:50.560 --> 0:51:52.000
<v Speaker 2>Tita fringe with the.

0:51:52.200 --> 0:51:56.840
<v Speaker 1>Uh with with the other courses bel Air and Riviera,

0:51:56.960 --> 0:52:00.120
<v Speaker 1>how did the sites differ from l A, which you

0:52:00.200 --> 0:52:03.840
<v Speaker 1>just it was a more severe site, big big canyons

0:52:04.239 --> 0:52:07.759
<v Speaker 1>that La is kind of situated. And how were bell

0:52:07.840 --> 0:52:10.879
<v Speaker 1>Air and Riviera different and how did the designs differ there?

0:52:11.480 --> 0:52:14.279
<v Speaker 2>Yeah, well, bell Air was a real estate development. He

0:52:14.400 --> 0:52:17.799
<v Speaker 2>wanted to He used his plane supposedly to fly over

0:52:17.840 --> 0:52:23.279
<v Speaker 2>the canyons and kind of help mister Bell, Alfonso Bell,

0:52:23.400 --> 0:52:25.880
<v Speaker 2>the developer find the best site. He wanted to be

0:52:26.000 --> 0:52:28.200
<v Speaker 2>on the other side of Sunset. And there are some

0:52:28.320 --> 0:52:33.960
<v Speaker 2>renderings showing not actual architectural rendering, sort of an artist rendering.

0:52:34.440 --> 0:52:36.759
<v Speaker 2>And then now that and then the state wanted that

0:52:36.880 --> 0:52:39.160
<v Speaker 2>for UCLA and it became UCLA. So he had to

0:52:39.239 --> 0:52:42.319
<v Speaker 2>stay on the I guess the north or the east

0:52:42.400 --> 0:52:46.919
<v Speaker 2>side of Sunset, and that forced their hand to really

0:52:47.040 --> 0:52:49.839
<v Speaker 2>keep everything in those canyons and then figure out how

0:52:49.880 --> 0:52:51.719
<v Speaker 2>to go from one canyon to another. So they came

0:52:51.840 --> 0:52:56.920
<v Speaker 2>up with the tunnel system. Really unbelievable what they accomplished.

0:52:58.120 --> 0:53:01.000
<v Speaker 2>But down in the flats of the canyons, I can't

0:53:01.000 --> 0:53:03.279
<v Speaker 2>even fathom what it once was like. It had to

0:53:03.360 --> 0:53:05.360
<v Speaker 2>be incredible to try to well, it had to be

0:53:05.520 --> 0:53:08.160
<v Speaker 2>pretty awful what they destroyed, I'm sure in terms of beauty,

0:53:08.239 --> 0:53:13.040
<v Speaker 2>but it to create corridors for golf. And then bel Air,

0:53:13.360 --> 0:53:15.719
<v Speaker 2>you know, his daughter who I got to speak to.

0:53:15.920 --> 0:53:21.400
<v Speaker 2>She was, you know, obviously conflicted. I think George had

0:53:21.440 --> 0:53:23.920
<v Speaker 2>some affairs or something, and so she had kind of

0:53:23.960 --> 0:53:27.840
<v Speaker 2>a She and her mom had clearly a complicated relationship

0:53:27.880 --> 0:53:30.160
<v Speaker 2>with him because she she ended up being a very

0:53:30.200 --> 0:53:32.360
<v Speaker 2>good golfer and a longtime member of LA and an

0:53:32.480 --> 0:53:36.440
<v Speaker 2>unbelievable woman. Just amazing woman to talk to. And I

0:53:36.960 --> 0:53:39.520
<v Speaker 2>had some really fun phone calls with her at the time,

0:53:39.840 --> 0:53:42.520
<v Speaker 2>just discussing things and trying to get things out of

0:53:42.600 --> 0:53:47.680
<v Speaker 2>her and what she she could never you know, how

0:53:47.719 --> 0:53:50.680
<v Speaker 2>it is, they people don't really know what's of interest

0:53:50.760 --> 0:53:54.200
<v Speaker 2>sometimes when you're trying to find out about an architect,

0:53:54.320 --> 0:53:56.360
<v Speaker 2>and but one of the main things she told me

0:53:56.560 --> 0:53:59.880
<v Speaker 2>was that, and she held this against bel Air by

0:53:59.880 --> 0:54:02.560
<v Speaker 2>the but she he made very clear that was his

0:54:03.120 --> 0:54:08.920
<v Speaker 2>greatest accomplishment to her and his favorite design because it

0:54:09.080 --> 0:54:11.040
<v Speaker 2>was so difficult, and then he built some of his

0:54:11.200 --> 0:54:17.319
<v Speaker 2>most I don't know, flamboyant or bold or nuts kind

0:54:17.360 --> 0:54:20.080
<v Speaker 2>of stuff like the may West hole, and and so

0:54:20.840 --> 0:54:23.279
<v Speaker 2>when they did screw that up, both both she and

0:54:23.400 --> 0:54:25.520
<v Speaker 2>of course Joe Novak, who was a pro at the time,

0:54:25.640 --> 0:54:29.719
<v Speaker 2>kind of a legendary instructor, and he really held it

0:54:29.760 --> 0:54:33.560
<v Speaker 2>against Dick Wilson, and she did too. In fact, she

0:54:33.680 --> 0:54:36.680
<v Speaker 2>told me she stopped going there for team matches and things,

0:54:36.760 --> 0:54:40.520
<v Speaker 2>and so it was interesting. She kind of admitted that

0:54:40.600 --> 0:54:43.320
<v Speaker 2>it took her time in golf to start to realize

0:54:43.400 --> 0:54:45.920
<v Speaker 2>the magnitude of what he did. But she played at

0:54:46.080 --> 0:54:48.560
<v Speaker 2>LA and was a wonderful woman. So bell Air was

0:54:48.680 --> 0:54:53.279
<v Speaker 2>just his most and Billy Bell the combination artist. Yeah,

0:54:53.360 --> 0:54:55.360
<v Speaker 2>I mean, just what they pulled off and in the

0:54:55.480 --> 0:54:57.759
<v Speaker 2>time they did it. And you know, my only question

0:54:57.920 --> 0:55:01.560
<v Speaker 2>on bell Air is is and we don't have that

0:55:01.560 --> 0:55:04.640
<v Speaker 2>that perfect photo right when it opened. There's a few

0:55:04.680 --> 0:55:07.560
<v Speaker 2>photos though that show some better bunkering. But the bunkering there.

0:55:09.080 --> 0:55:11.000
<v Speaker 2>I know, it just didn't It just wasn't quite as

0:55:11.120 --> 0:55:16.840
<v Speaker 2>nuts as it was at even at Ohi or La Cumbre,

0:55:17.000 --> 0:55:20.280
<v Speaker 2>where they were a little more interesting with the bunkering.

0:55:20.320 --> 0:55:23.280
<v Speaker 2>And then obviously Riviera in La They and then Stanford

0:55:23.320 --> 0:55:26.680
<v Speaker 2>they went to another another level. So that was that

0:55:26.880 --> 0:55:29.680
<v Speaker 2>was the complication with bel Air, was just pulling that off,

0:55:30.400 --> 0:55:36.200
<v Speaker 2>and they did it spectacularly and also used it's interesting

0:55:36.239 --> 0:55:38.759
<v Speaker 2>there you think about. They were more into the little

0:55:38.800 --> 0:55:41.000
<v Speaker 2>bumps I mentioned by the Greens. They went bigger there.

0:55:41.080 --> 0:55:45.920
<v Speaker 2>They were bigger scale moldings as he called them. And

0:55:46.000 --> 0:55:48.520
<v Speaker 2>then Riviera was just a river bed. It was not

0:55:48.719 --> 0:55:54.280
<v Speaker 2>an attractive site in terms of soil. It would flood.

0:55:54.400 --> 0:55:56.399
<v Speaker 2>There were all these issues. It did have this cool

0:55:57.120 --> 0:55:59.880
<v Speaker 2>feature going through it a lot like what we had

0:56:00.120 --> 0:56:03.000
<v Speaker 2>Rustic Canyon, and we kept more intact I guess to

0:56:03.120 --> 0:56:06.400
<v Speaker 2>Rustic because we had to environmentally with the sort of

0:56:06.480 --> 0:56:11.000
<v Speaker 2>a sage scrub style wash that ended up obviously being

0:56:11.000 --> 0:56:13.200
<v Speaker 2>a little bit of a problem in nineteen thirty eight,

0:56:13.360 --> 0:56:14.680
<v Speaker 2>but so crappy.

0:56:14.760 --> 0:56:18.840
<v Speaker 1>So well, that's the wash that runs along. It's not

0:56:18.960 --> 0:56:23.480
<v Speaker 1>the Baranca eleven thirteen, yeah. Eight. For those that have

0:56:24.120 --> 0:56:25.239
<v Speaker 1>you know seated on TV.

0:56:25.719 --> 0:56:29.120
<v Speaker 2>Yeah, yeah, and it's now a deep, deep ditch baranca

0:56:29.800 --> 0:56:35.920
<v Speaker 2>with a with a concrete Army Corps of Engineers washway

0:56:36.680 --> 0:56:38.960
<v Speaker 2>or channel underneath. It goes all the way down to

0:56:39.840 --> 0:56:42.960
<v Speaker 2>the ocean and at the end of Santa Monica Canyon.

0:56:43.080 --> 0:56:46.200
<v Speaker 2>And that was installed after the flood and was a

0:56:46.239 --> 0:56:48.880
<v Speaker 2>big excuse me. That was installed in the seventies, But

0:56:49.200 --> 0:56:52.560
<v Speaker 2>after the flood, the baranca got a lot deeper. If

0:56:52.560 --> 0:56:54.920
<v Speaker 2>you see the early photos of Riviera was more shallow

0:56:54.960 --> 0:56:56.960
<v Speaker 2>and you could go play a ball more easily out

0:56:57.000 --> 0:57:00.120
<v Speaker 2>of it. So, yeah, the biggest complication there was they

0:57:00.160 --> 0:57:03.480
<v Speaker 2>wanted to build the homes on the side and the

0:57:03.560 --> 0:57:05.800
<v Speaker 2>thirty six holes down at the bottom of the canyon

0:57:06.200 --> 0:57:08.759
<v Speaker 2>and still plenty of movement in the ground and the

0:57:08.840 --> 0:57:12.080
<v Speaker 2>tilt of the canyon, but it was essentially pretty flat.

0:57:12.880 --> 0:57:19.800
<v Speaker 2>And that's their greatest construction accomplishment in terms of subtlety.

0:57:19.840 --> 0:57:22.440
<v Speaker 2>And this is what I really learned from Ben Crenshaw,

0:57:22.600 --> 0:57:25.240
<v Speaker 2>so much that I just didn't understand. And there was

0:57:25.280 --> 0:57:28.440
<v Speaker 2>a great old story by the first club manager, and

0:57:28.760 --> 0:57:32.120
<v Speaker 2>he detailed each of the green sites where they the

0:57:32.400 --> 0:57:36.360
<v Speaker 2>number of feet they brought them up like eighteen number

0:57:36.440 --> 0:57:39.280
<v Speaker 2>one and number four, all these greens where you go

0:57:39.440 --> 0:57:42.000
<v Speaker 2>Holy cow. So that was at this elevation and they

0:57:42.120 --> 0:57:44.520
<v Speaker 2>raised it, but you would never know when you're out there,

0:57:45.440 --> 0:57:48.120
<v Speaker 2>and so that was where they and they really pushed

0:57:48.280 --> 0:57:51.320
<v Speaker 2>sort of the boundaries. They talked about bringing out roadscrapers,

0:57:51.400 --> 0:57:54.200
<v Speaker 2>and they pushed the boundaries of construction and sort of

0:57:54.320 --> 0:57:58.000
<v Speaker 2>elevated the art of construction. And then drainage was Bells

0:57:59.400 --> 0:58:02.680
<v Speaker 2>where he was just truly incredible the way he he

0:58:03.640 --> 0:58:07.480
<v Speaker 2>dealt with that site. And even though yes there were

0:58:07.520 --> 0:58:09.560
<v Speaker 2>floods and and it did damage, but it was a

0:58:09.720 --> 0:58:12.960
<v Speaker 2>historic flood. It damaged many things in southern California, led

0:58:13.000 --> 0:58:15.080
<v Speaker 2>to the La River being it was a big deal.

0:58:15.120 --> 0:58:18.240
<v Speaker 2>It was a bad, bad al Nino, and so even

0:58:18.360 --> 0:58:20.120
<v Speaker 2>no matter what he did, it wouldn't have mattered.

0:58:20.720 --> 0:58:23.440
<v Speaker 1>I think a few years ago you posted a video

0:58:23.720 --> 0:58:28.160
<v Speaker 1>from Riviera, if I remember correctly, on social media showing

0:58:28.520 --> 0:58:30.960
<v Speaker 1>all the way the drainage works out there.

0:58:31.160 --> 0:58:35.200
<v Speaker 2>Yeah, it's crazy, like when there's a huge nutty downpour,

0:58:36.080 --> 0:58:39.000
<v Speaker 2>you suddenly see these little beautiful rivers through the property

0:58:39.400 --> 0:58:41.000
<v Speaker 2>and it all takes it over to the Baranka and

0:58:41.080 --> 0:58:44.720
<v Speaker 2>out to the ocean. And he they just create and

0:58:44.840 --> 0:58:46.840
<v Speaker 2>and then what's great about him, though, is they add

0:58:47.040 --> 0:58:49.520
<v Speaker 2>interest to the golf. They add these little swales and

0:58:49.640 --> 0:58:52.160
<v Speaker 2>things and break up the land and and uh. But

0:58:52.280 --> 0:58:54.480
<v Speaker 2>then but when you get these monster rains that we

0:58:54.520 --> 0:58:56.760
<v Speaker 2>can get by the sea, the coast and an al nino,

0:58:57.520 --> 0:58:59.360
<v Speaker 2>And when I worked on the book, I saw it

0:58:59.480 --> 0:59:02.280
<v Speaker 2>and and out there that was the first time. It's

0:59:02.360 --> 0:59:04.080
<v Speaker 2>just wild because you can stand up on the hill

0:59:04.080 --> 0:59:07.040
<v Speaker 2>and you just see these perfect little little rivers. One

0:59:07.120 --> 0:59:10.760
<v Speaker 2>goes through the range and uh, one, one, two, and ten,

0:59:11.000 --> 0:59:13.880
<v Speaker 2>and there's some so there's an unbelievable one. But there's

0:59:13.880 --> 0:59:17.360
<v Speaker 2>a great feature on the fifth hole. Anybody who's played

0:59:17.400 --> 0:59:23.000
<v Speaker 2>their noses, it's big, funky, weird mound. And uh. After

0:59:23.120 --> 0:59:25.080
<v Speaker 2>one of the really big al ninos, I went out

0:59:25.120 --> 0:59:28.520
<v Speaker 2>there in a cart, stayed on the path and there

0:59:28.600 --> 0:59:31.320
<v Speaker 2>was just this unbelievable amount of water coming out of

0:59:31.360 --> 0:59:34.000
<v Speaker 2>the hillside but kind of bouncing off and around that

0:59:34.160 --> 0:59:37.280
<v Speaker 2>big mound and then kind of snaking down in front

0:59:37.280 --> 0:59:39.800
<v Speaker 2>of the sixth hole to the to the washway and

0:59:39.880 --> 0:59:42.200
<v Speaker 2>out to the ocean. It was just and it was like, oh, well,

0:59:42.240 --> 0:59:46.320
<v Speaker 2>maybe they there was maybe some rock underneath there. Who

0:59:46.400 --> 0:59:48.720
<v Speaker 2>knows there was some reason they created it, and then

0:59:48.760 --> 0:59:51.160
<v Speaker 2>it also served this great purpose of drainage, so they

0:59:51.400 --> 0:59:53.480
<v Speaker 2>they were masters. That's sort of that dual purpose thing.

0:59:53.560 --> 0:59:57.240
<v Speaker 2>But you don't really notice unless you are looking really

0:59:57.320 --> 0:59:59.400
<v Speaker 2>really hard for it. And that's what Ben opened my

0:59:59.480 --> 1:00:02.160
<v Speaker 2>eyes to was and he wrote about that in the

1:00:02.600 --> 1:00:06.000
<v Speaker 2>forward of the Riviera book. What a what a master

1:00:06.160 --> 1:00:09.640
<v Speaker 2>work of And maybe he thinks the greatest created golf course.

1:00:11.560 --> 1:00:14.280
<v Speaker 2>I think he say the world anyway, greatest created course

1:00:14.960 --> 1:00:16.920
<v Speaker 2>that that he can And what he meant by that

1:00:17.200 --> 1:00:20.560
<v Speaker 2>is that they kind of took nothing and made it

1:00:21.000 --> 1:00:22.000
<v Speaker 2>something spectacular.

1:00:23.040 --> 1:00:26.440
<v Speaker 1>But it looks completely natural the ground does.

1:00:26.520 --> 1:00:29.320
<v Speaker 2>I mean, now it doesn't because there's just so many. Yeah,

1:00:29.480 --> 1:00:31.680
<v Speaker 2>bunkers are so clean and they've kind of gotten the

1:00:31.760 --> 1:00:35.600
<v Speaker 2>barancas have lost their their shape and their impuct Yeah,

1:00:35.640 --> 1:00:38.120
<v Speaker 2>I mean there are elements that have. The greens have

1:00:38.160 --> 1:00:40.600
<v Speaker 2>been screwed with in weird ways, so it's lost some

1:00:40.720 --> 1:00:42.240
<v Speaker 2>of that. But yes, if you actually just look at

1:00:42.280 --> 1:00:47.760
<v Speaker 2>the groundwork, Uh, you just can't believe how many elements

1:00:47.800 --> 1:00:49.479
<v Speaker 2>out there were man made.

1:00:50.000 --> 1:00:53.200
<v Speaker 1>We're at this point with restoration where we're getting down.

1:00:53.640 --> 1:00:56.560
<v Speaker 1>Yale is getting restored. Lookout out and it's getting restored

1:00:56.600 --> 1:00:58.720
<v Speaker 1>all day, and I start to think about, you know,

1:00:58.840 --> 1:01:02.800
<v Speaker 1>what are the great durations left, and you know, Riviera

1:01:02.920 --> 1:01:04.880
<v Speaker 1>is one that jumps to mind, but oh yeah, other

1:01:05.000 --> 1:01:10.840
<v Speaker 1>ones include Ohi and which potentially La Cumbra. I don't

1:01:10.880 --> 1:01:13.440
<v Speaker 1>know how much there could be done there, but you

1:01:13.560 --> 1:01:15.360
<v Speaker 1>start to think about it, it's like, well like kind

1:01:15.400 --> 1:01:19.320
<v Speaker 1>of like three of the best restoration candidates that exist

1:01:19.440 --> 1:01:23.400
<v Speaker 1>in golf, in American golf at least are George Thomas courses.

1:01:23.760 --> 1:01:27.040
<v Speaker 2>Yeah. Yeah, I mean Riviera was called the Pine Valley

1:01:27.080 --> 1:01:28.600
<v Speaker 2>of the West at the time, and you look at

1:01:28.600 --> 1:01:30.760
<v Speaker 2>the photos and you see how dramatic it was, and

1:01:30.880 --> 1:01:34.560
<v Speaker 2>you think, my god, with the right approach and getting

1:01:34.600 --> 1:01:39.200
<v Speaker 2>that back and getting some of the strategy lost back

1:01:39.480 --> 1:01:41.560
<v Speaker 2>and fixing the approaches, I mean, it would be a

1:01:41.600 --> 1:01:46.360
<v Speaker 2>big job, but it should easily be one of the

1:01:46.480 --> 1:01:50.640
<v Speaker 2>top fifteen courses in the world if in that original state.

1:01:50.760 --> 1:01:54.280
<v Speaker 2>I mean, there's just not a week hole. There's a

1:01:54.360 --> 1:01:57.080
<v Speaker 2>case that it's the greatest set of part threes. There's

1:01:57.120 --> 1:02:03.560
<v Speaker 2>a case that it's got just just multiple unbelievable part fours.

1:02:05.000 --> 1:02:08.240
<v Speaker 2>But it's in good shape and it's the bunkers are clean,

1:02:08.360 --> 1:02:11.720
<v Speaker 2>and it's fair and people like that, and so it

1:02:11.880 --> 1:02:14.959
<v Speaker 2>does fine, it's it's it's still ranked very well still,

1:02:15.600 --> 1:02:18.400
<v Speaker 2>but as a work of artist, would be the very best,

1:02:18.880 --> 1:02:22.040
<v Speaker 2>it really would. It would be. Yeah, it would be incredible.

1:02:22.040 --> 1:02:23.840
<v Speaker 2>I would throw Pine Valley by the way onto your

1:02:23.880 --> 1:02:28.600
<v Speaker 2>restorational list. I think it's it's been screwed with a

1:02:28.640 --> 1:02:32.200
<v Speaker 2>little ways. Yeah, well we won't go down that at hole. Yeah,

1:02:33.880 --> 1:02:34.680
<v Speaker 2>and obviously.

1:02:34.440 --> 1:02:37.080
<v Speaker 1>That's a whole other podcast. Yeah yeah, yeah.

1:02:37.160 --> 1:02:37.360
<v Speaker 2>Yeah.

1:02:37.840 --> 1:02:41.400
<v Speaker 1>Of the other courses, which one would you most like

1:02:41.480 --> 1:02:45.440
<v Speaker 1>to see returned or would you have most like to

1:02:45.520 --> 1:02:51.000
<v Speaker 1>see in its you know, great state of all the

1:02:51.080 --> 1:02:52.240
<v Speaker 1>other courses.

1:02:52.160 --> 1:02:55.720
<v Speaker 2>Probably, OHI just because it's such a beautiful place and

1:02:56.000 --> 1:02:59.720
<v Speaker 2>and in a difficult site. I mean I saw o Hi.

1:03:01.040 --> 1:03:03.040
<v Speaker 2>You know. They used to play the Champions Senior Tour

1:03:03.160 --> 1:03:06.439
<v Speaker 2>up there, and I was roommates with the Algeiberger's son John,

1:03:06.560 --> 1:03:08.560
<v Speaker 2>and so I would always go up and watch that,

1:03:08.760 --> 1:03:14.320
<v Speaker 2>and my dad I played there even before the Moorish projects,

1:03:14.400 --> 1:03:16.760
<v Speaker 2>So I saw parts of it. But obviously the abandoned

1:03:16.760 --> 1:03:19.880
<v Speaker 2>holes that they tried to bring back weren't weren't in place.

1:03:20.040 --> 1:03:22.240
<v Speaker 2>But it's just such a The back nine is so

1:03:22.360 --> 1:03:24.440
<v Speaker 2>beautiful and there were elements that you could see were

1:03:24.520 --> 1:03:27.200
<v Speaker 2>really great that they've kind of lost, So that that

1:03:27.240 --> 1:03:31.040
<v Speaker 2>would be I mean La Cumbro would be tough because

1:03:31.080 --> 1:03:33.440
<v Speaker 2>there were other changes, but you still have the lake

1:03:33.520 --> 1:03:37.360
<v Speaker 2>holes and you could still capture certain elements for sure.

1:03:37.720 --> 1:03:40.760
<v Speaker 1>Could they get that canyon hole back? Is that even feasible?

1:03:40.960 --> 1:03:41.400
<v Speaker 2>I think so?

1:03:41.680 --> 1:03:43.439
<v Speaker 1>What was it the sixteenth Yeah?

1:03:43.560 --> 1:03:45.760
<v Speaker 2>I think so. I don't you know, it's been filled

1:03:45.800 --> 1:03:47.800
<v Speaker 2>in the canyon. I don't know what you would do.

1:03:48.040 --> 1:03:51.200
<v Speaker 2>I think you couldn't quite recapture the depth of the

1:03:51.280 --> 1:03:53.560
<v Speaker 2>old canyon, but you could do something to get that

1:03:53.760 --> 1:03:56.680
<v Speaker 2>look of that green out on that crazy spot. The

1:03:56.800 --> 1:03:59.440
<v Speaker 2>next part three is gone. It's the maintenance buildings on

1:03:59.520 --> 1:04:02.840
<v Speaker 2>that green site. I don't think that that one would

1:04:02.840 --> 1:04:04.560
<v Speaker 2>be easy to get back. That would be that would

1:04:04.560 --> 1:04:06.960
<v Speaker 2>be a big project. But it was.

1:04:07.280 --> 1:04:09.480
<v Speaker 1>There's a lot of money in Santa Barbara, Yeah.

1:04:09.320 --> 1:04:11.640
<v Speaker 2>There is, and it was and it was a crazy

1:04:11.840 --> 1:04:15.560
<v Speaker 2>cool little Part three. So he built he built amazing

1:04:15.600 --> 1:04:18.760
<v Speaker 2>Part three's. I think that's another part of his career

1:04:18.920 --> 1:04:24.800
<v Speaker 2>that makes him stand out. I don't know many people

1:04:24.840 --> 1:04:30.640
<v Speaker 2>who built more diverse and memorable and unusual, but but

1:04:30.960 --> 1:04:34.400
<v Speaker 2>great and fun Part threes and than George Thomas. I

1:04:34.520 --> 1:04:39.120
<v Speaker 2>really don't know there's anybody. I mean, I obviously if

1:04:39.160 --> 1:04:42.280
<v Speaker 2>you love your your template, Holes and Rayner McDonald, Rayner

1:04:42.560 --> 1:04:46.200
<v Speaker 2>Rayner built amazing Part threes. But I would also say

1:04:46.520 --> 1:04:49.760
<v Speaker 2>and and and varied and and went off in great

1:04:49.840 --> 1:04:53.840
<v Speaker 2>tangents away from the the template and and not to

1:04:53.960 --> 1:04:56.600
<v Speaker 2>diminish that in any way, because they're amazing, but in

1:04:56.720 --> 1:05:00.760
<v Speaker 2>terms of originality, I just don't think anybody was in

1:05:01.320 --> 1:05:04.480
<v Speaker 2>the league of Thomas and Bell and their their prime

1:05:06.000 --> 1:05:08.840
<v Speaker 2>and they also, you know, these awful sites we're talking

1:05:08.840 --> 1:05:13.360
<v Speaker 2>about did lend themselves to some fantastic Part three though.

1:05:13.400 --> 1:05:18.200
<v Speaker 1>That's the one positive of canyons. Canyons, Yeah, severe ground

1:05:18.360 --> 1:05:20.240
<v Speaker 1>is a great place to put apart exactly.

1:05:20.360 --> 1:05:22.720
<v Speaker 2>And they but but as we know, people screw that up,

1:05:22.800 --> 1:05:25.320
<v Speaker 2>and they didn't. They really got the most out of

1:05:25.400 --> 1:05:28.640
<v Speaker 2>those and that's another thing that makes them so so amazing.

1:05:29.520 --> 1:05:31.880
<v Speaker 1>So one last thing I wanted to hit on. This

1:05:32.000 --> 1:05:36.280
<v Speaker 1>has been terrific. Uh he In your book you have

1:05:36.400 --> 1:05:39.560
<v Speaker 1>some excerpts of him talking about raiding golf courses. What

1:05:39.880 --> 1:05:43.280
<v Speaker 1>was his theory around rating a golf course and how

1:05:43.320 --> 1:05:44.040
<v Speaker 1>it should be done?

1:05:45.240 --> 1:05:48.560
<v Speaker 2>Yeah, he called it standard of competitive merits of Courses.

1:05:48.800 --> 1:05:51.120
<v Speaker 2>I just happened to flip open the book to that page.

1:05:51.120 --> 1:05:53.200
<v Speaker 1>I think he would do You think he would appreciate

1:05:53.720 --> 1:05:56.440
<v Speaker 1>the golf ranking system as they stand today.

1:05:56.760 --> 1:05:59.800
<v Speaker 2>You know, it's a great question because it was such

1:05:59.800 --> 1:06:04.040
<v Speaker 2>a it was such an odd thing for him to

1:06:04.160 --> 1:06:07.760
<v Speaker 2>go off in this mindset, and I would love to know.

1:06:07.880 --> 1:06:09.800
<v Speaker 2>It's one of the things you would love to ask him,

1:06:10.000 --> 1:06:13.880
<v Speaker 2>like why was this such a thing for you? But

1:06:15.560 --> 1:06:18.080
<v Speaker 2>in a nutshell, no, I think he'd think the rankings.

1:06:18.120 --> 1:06:21.680
<v Speaker 2>I mean, who would who would look at what not

1:06:21.880 --> 1:06:24.800
<v Speaker 2>not necessarily Golf magazine because they're they're they're they're going

1:06:24.840 --> 1:06:26.680
<v Speaker 2>in a good direction, but like who would look at

1:06:26.720 --> 1:06:29.000
<v Speaker 2>what Golf digest in golf we do now for rankings

1:06:29.040 --> 1:06:31.600
<v Speaker 2>and say, oh, that's that's a great idea. Yeah, that's

1:06:31.720 --> 1:06:32.360
<v Speaker 2>that's superb.

1:06:33.120 --> 1:06:40.240
<v Speaker 1>Anybody a chief revenue officer was I just wanted and correct,

1:06:40.320 --> 1:06:42.000
<v Speaker 1>look correct? How much money they make?

1:06:42.080 --> 1:06:43.800
<v Speaker 2>I know it's up to three hundred a year and

1:06:44.120 --> 1:06:47.160
<v Speaker 2>thirteen hundred as a down payment, and it's probably going

1:06:47.240 --> 1:06:51.000
<v Speaker 2>to be double that in a couple of years. But uh, yeah,

1:06:51.080 --> 1:06:53.040
<v Speaker 2>it was interesting that he went down this rat hole

1:06:53.600 --> 1:06:56.520
<v Speaker 2>sort of of trying to do this. I'm guessing that

1:06:57.960 --> 1:07:00.080
<v Speaker 2>you know, so much of this probably was dicked a

1:07:00.360 --> 1:07:03.080
<v Speaker 2>by kind of the climate of the time. When you

1:07:03.160 --> 1:07:07.000
<v Speaker 2>go back to what what he and and Mackenzie and

1:07:07.560 --> 1:07:09.680
<v Speaker 2>we didn't discuss their little spat I would love to

1:07:09.720 --> 1:07:12.720
<v Speaker 2>clarify that if you'd like me too, But go for

1:07:12.960 --> 1:07:15.920
<v Speaker 2>what they were all bitching and not bitching and moaning,

1:07:16.000 --> 1:07:21.080
<v Speaker 2>but they were they were advocating very hard for their philosophy,

1:07:21.120 --> 1:07:24.040
<v Speaker 2>and each of them had little slightly different takes. But

1:07:25.840 --> 1:07:28.160
<v Speaker 2>Mackenzie and Thomas, their work is very similar in a

1:07:28.200 --> 1:07:31.640
<v Speaker 2>lot of ways, especially when Thomas joined with Bell in

1:07:31.800 --> 1:07:34.960
<v Speaker 2>terms of the artistry, and Mackenzie obviously had such an

1:07:35.000 --> 1:07:38.840
<v Speaker 2>incredible group of people building his work. And but they

1:07:38.880 --> 1:07:42.520
<v Speaker 2>were all rather they just they just felt the need

1:07:42.680 --> 1:07:48.240
<v Speaker 2>to keep pressing this case for for a certain kind

1:07:48.640 --> 1:07:53.680
<v Speaker 2>of naturalness and permanence to design, having seen in their

1:07:53.760 --> 1:07:58.440
<v Speaker 2>lifetimes the various phases that golf architecture had gone in,

1:07:58.680 --> 1:08:02.600
<v Speaker 2>and they all well, especially Thomas and McKenzie, explicitly wrote

1:08:02.640 --> 1:08:04.480
<v Speaker 2>that they thought they were just at the beginning that

1:08:05.240 --> 1:08:07.640
<v Speaker 2>the next wave of people would take their ideas and

1:08:07.720 --> 1:08:09.920
<v Speaker 2>go to the next level. Obviously, that didn't happen. It

1:08:09.960 --> 1:08:13.400
<v Speaker 2>went the other direction. So I think they almost in

1:08:13.600 --> 1:08:17.000
<v Speaker 2>a way be a little disappointed that there hasn't been

1:08:17.160 --> 1:08:22.840
<v Speaker 2>a more intricately strategic old course style trend of of

1:08:23.080 --> 1:08:28.400
<v Speaker 2>just crazy crazy strategy as part of the theme of architecture.

1:08:28.439 --> 1:08:32.639
<v Speaker 2>But they were really working hard to make their case

1:08:32.720 --> 1:08:35.560
<v Speaker 2>because they believe that's what was the right thing for

1:08:35.640 --> 1:08:38.360
<v Speaker 2>the land, and what was the right thing for the

1:08:38.400 --> 1:08:43.479
<v Speaker 2>golf and the beauty and and and the responsibility of

1:08:44.479 --> 1:08:48.200
<v Speaker 2>plowing this property for golf and leaving it behind for

1:08:48.600 --> 1:08:53.800
<v Speaker 2>peoples to make it natural seemingly natural, and both for.

1:08:54.640 --> 1:08:57.800
<v Speaker 1>Golf to do it. California, you know, like the most

1:08:57.960 --> 1:08:59.280
<v Speaker 1>naturally beautiful place in.

1:08:59.320 --> 1:09:03.200
<v Speaker 2>Americaa well, and they were probably realizing that there was

1:09:03.240 --> 1:09:08.200
<v Speaker 2>a responsibility they were they were taking on, especially Mackenzie's case,

1:09:08.240 --> 1:09:12.760
<v Speaker 2>some amazing sites so so, and that's why it is

1:09:12.960 --> 1:09:15.960
<v Speaker 2>kind of odd that they clearly had attention. And I

1:09:17.080 --> 1:09:19.720
<v Speaker 2>wrote a piece about Mackenzie's time in la which was

1:09:19.840 --> 1:09:24.280
<v Speaker 2>just kind of one cluster after another. He had projects

1:09:24.320 --> 1:09:25.920
<v Speaker 2>fall through, and this and that I wrote this for

1:09:27.960 --> 1:09:32.160
<v Speaker 2>for the upcoming book on Mackenzie that Josh has done.

1:09:32.800 --> 1:09:34.920
<v Speaker 2>And I wrote just a just a look at his

1:09:35.040 --> 1:09:39.400
<v Speaker 2>time in la because I did have a story related

1:09:39.439 --> 1:09:41.880
<v Speaker 2>to that from my research on Thomas. Because one of

1:09:41.920 --> 1:09:45.000
<v Speaker 2>the things that could not figure out when the Spirit

1:09:45.040 --> 1:09:47.439
<v Speaker 2>of Saint Andrews came out in ninety five and when

1:09:47.479 --> 1:09:49.040
<v Speaker 2>I was sort of in the middle of all this,

1:09:50.960 --> 1:09:55.439
<v Speaker 2>was why why did Mackenzie just crap on Thomas? And

1:09:55.880 --> 1:09:58.519
<v Speaker 2>it was obviously Thomas in his part three course at

1:09:58.600 --> 1:10:04.360
<v Speaker 2>Riviera in the to Saint Andrew's and it's he never

1:10:04.479 --> 1:10:08.120
<v Speaker 2>names him, but it's obvious who he's speaking of. And

1:10:08.400 --> 1:10:10.840
<v Speaker 2>Riviera had this par three course where the range is now,

1:10:11.160 --> 1:10:14.760
<v Speaker 2>and it was magnificent. It was very heavily bunkered. It

1:10:14.880 --> 1:10:20.560
<v Speaker 2>was a pitch and putt course and it really the

1:10:20.680 --> 1:10:24.280
<v Speaker 2>ground for it was there until the tour had a

1:10:24.360 --> 1:10:29.400
<v Speaker 2>phase I guess it's now been what twelve or so years,

1:10:29.560 --> 1:10:33.479
<v Speaker 2>maybe even fifteen now, about ten to twelve where for

1:10:33.600 --> 1:10:36.320
<v Speaker 2>some reason every range had to be a grass field

1:10:36.400 --> 1:10:38.880
<v Speaker 2>with little stakes. That's that was the feedback they got

1:10:38.920 --> 1:10:43.040
<v Speaker 2>from players in a survey. So Riviera redoing its range

1:10:43.560 --> 1:10:45.760
<v Speaker 2>to try to get majors, you know, did a nice

1:10:45.800 --> 1:10:48.080
<v Speaker 2>job building a huge, big tea, but they just took

1:10:48.160 --> 1:10:51.000
<v Speaker 2>the landing area of the range and bulldozed it and

1:10:52.160 --> 1:10:54.720
<v Speaker 2>is heartbreaking because all the remnants of the old par

1:10:54.840 --> 1:10:57.639
<v Speaker 2>three course were out there, and I you know, walked

1:10:57.720 --> 1:10:59.680
<v Speaker 2>it a few times when the range was closed the

1:10:59.720 --> 1:11:02.920
<v Speaker 2>lad evening and found some of the old greens and

1:11:03.000 --> 1:11:05.240
<v Speaker 2>one of them was this crazy little clover leaf thing.

1:11:05.360 --> 1:11:09.840
<v Speaker 2>And anyway, so it was a it was a bold

1:11:09.960 --> 1:11:11.680
<v Speaker 2>part three course, let's call it that. I mean, it

1:11:11.760 --> 1:11:15.680
<v Speaker 2>was tough, I'm sure for what those guys at the

1:11:15.720 --> 1:11:17.920
<v Speaker 2>time thought a part three course should do. And anyway,

1:11:18.320 --> 1:11:20.200
<v Speaker 2>I think it was an opening for McKenzie to take

1:11:20.200 --> 1:11:23.360
<v Speaker 2>a shot because the story that was relayed to me

1:11:24.600 --> 1:11:28.400
<v Speaker 2>by Frank Hathaway, who was the grandson of one of

1:11:28.439 --> 1:11:31.840
<v Speaker 2>the founders of Riviera, of Frank Garbett. There were two

1:11:32.200 --> 1:11:34.680
<v Speaker 2>key founders and they were big, big guys in the

1:11:34.720 --> 1:11:37.559
<v Speaker 2>city of la William My Garland who brought the Olympics

1:11:37.600 --> 1:11:39.880
<v Speaker 2>here in Frank Garbett, and they co founded the La

1:11:39.960 --> 1:11:43.920
<v Speaker 2>Athletic Club. And Frank Hathaway was really gracious and spending

1:11:43.920 --> 1:11:46.120
<v Speaker 2>a lot of time with me when I worked on

1:11:46.200 --> 1:11:48.160
<v Speaker 2>the Riviera book, and I mean he should have been

1:11:48.200 --> 1:11:50.040
<v Speaker 2>They got one hundred and eight million dollars for the place,

1:11:50.160 --> 1:11:52.240
<v Speaker 2>so he should have been in a he was living

1:11:52.280 --> 1:11:54.960
<v Speaker 2>in a nice place, but he and he didn't know

1:11:55.120 --> 1:11:57.000
<v Speaker 2>the full story. But I helped him kind of piece

1:11:57.080 --> 1:12:00.160
<v Speaker 2>it together. We kind of pieced it together, talked looking

1:12:00.240 --> 1:12:03.400
<v Speaker 2>it through. But essentially there was a mix up. And

1:12:03.600 --> 1:12:06.920
<v Speaker 2>there's those famous photos that Scott Eachishom took of Mackenzie

1:12:07.720 --> 1:12:10.840
<v Speaker 2>out on the side at Riviera, and they're in and

1:12:10.880 --> 1:12:13.200
<v Speaker 2>they're in my books and all over and they're all

1:12:13.280 --> 1:12:15.800
<v Speaker 2>dressed up and they're looking at sketches and Thomas says

1:12:15.840 --> 1:12:18.280
<v Speaker 2>his little glasses on and they're pointing, you know, and

1:12:18.360 --> 1:12:21.560
<v Speaker 2>the whole thing. And there was a mix up that

1:12:21.640 --> 1:12:26.000
<v Speaker 2>Mackenzie thought he was being brought in to to be

1:12:26.200 --> 1:12:32.559
<v Speaker 2>the architect with with this group, and he was clearly

1:12:33.040 --> 1:12:35.240
<v Speaker 2>rather resentful of that from that day on. I mean,

1:12:35.280 --> 1:12:37.040
<v Speaker 2>he put on a good show. He came out there

1:12:37.479 --> 1:12:39.160
<v Speaker 2>and one of the things he did was he brought

1:12:39.200 --> 1:12:42.840
<v Speaker 2>a box of golf Ark his book Golf Architecture. And

1:12:44.080 --> 1:12:47.000
<v Speaker 2>it's another side story, but I many years later a

1:12:47.080 --> 1:12:50.120
<v Speaker 2>member sold me a copy they had. It's the original

1:12:50.160 --> 1:12:52.040
<v Speaker 2>with the dust jacket on it, and I paid on

1:12:52.160 --> 1:12:54.240
<v Speaker 2>her books for it. Yeah, they're worth like two grand.

1:12:54.280 --> 1:12:58.000
<v Speaker 2>Now there's very rare, and uh, he he brought this

1:12:58.120 --> 1:13:00.559
<v Speaker 2>box of the books and they sat in the club forever.

1:13:00.680 --> 1:13:04.639
<v Speaker 2>And then Ron Rhodes, the great Man, one of the pros,

1:13:04.720 --> 1:13:07.360
<v Speaker 2>put them out for sale. They didn't sell for years.

1:13:07.439 --> 1:13:09.920
<v Speaker 2>They just apparently sat in the shop, you know, just

1:13:10.080 --> 1:13:12.799
<v Speaker 2>out and nobody, nobody wanted a book in the eighties

1:13:12.920 --> 1:13:16.320
<v Speaker 2>or seventies. And Willie Hunter and Mac Hunter the old

1:13:16.320 --> 1:13:18.880
<v Speaker 2>pros before him, and I guess they didn't throw them away,

1:13:18.960 --> 1:13:23.200
<v Speaker 2>which was nice. And so he brought books. He put

1:13:23.280 --> 1:13:26.360
<v Speaker 2>on the full show and he gets there and and uh,

1:13:26.560 --> 1:13:28.960
<v Speaker 2>there was a misunderstanding, so he was kind of bitter

1:13:29.040 --> 1:13:31.320
<v Speaker 2>from that point on. It sounds like, which is too bad,

1:13:31.400 --> 1:13:35.400
<v Speaker 2>because again their styles were were pretty similar. Now and

1:13:35.479 --> 1:13:38.280
<v Speaker 2>then I also might as well take this moment to

1:13:38.360 --> 1:13:41.679
<v Speaker 2>clarify that Mackenzie had nothing to do with any changes

1:13:41.720 --> 1:13:45.479
<v Speaker 2>to the course. There's a kind of a huckster there

1:13:45.560 --> 1:13:47.840
<v Speaker 2>named Mike Yamacky who tried to peddle a story with

1:13:48.400 --> 1:13:52.519
<v Speaker 2>using Ian Scott Taylor and Phil Young's claims of these

1:13:52.680 --> 1:13:55.519
<v Speaker 2>these drawings of Mackenzie and they're they're total fakes.

1:13:55.560 --> 1:13:58.160
<v Speaker 1>They're totally from mackenzie papers.

1:13:58.520 --> 1:14:02.439
<v Speaker 2>Yeah, just total, total fraudulent stuff. And the thing that

1:14:02.560 --> 1:14:07.760
<v Speaker 2>they didn't know when they embarked on this canard was

1:14:07.800 --> 1:14:10.800
<v Speaker 2>that after I did the Captain, I found when I

1:14:10.840 --> 1:14:13.080
<v Speaker 2>went back to the USGA and these old Pacific Golf

1:14:13.120 --> 1:14:16.719
<v Speaker 2>and Motor and Country Club magazines an article by Scotty

1:14:16.800 --> 1:14:19.320
<v Speaker 2>Chisholm explaining what George Thomas was going to do to

1:14:19.400 --> 1:14:22.240
<v Speaker 2>the course for the nineteen twenty nine LA Open. So

1:14:22.360 --> 1:14:24.360
<v Speaker 2>I have that article and I obviously shared it with

1:14:24.439 --> 1:14:25.880
<v Speaker 2>the people who needed to see it. And there's even

1:14:25.880 --> 1:14:29.680
<v Speaker 2>a photo of the tenth hole where Billy Bell is supervising.

1:14:29.720 --> 1:14:31.840
<v Speaker 2>Not Billy Bell's not in the photo, but it says

1:14:31.920 --> 1:14:35.120
<v Speaker 2>that he's out there supervising the changes to the tenth

1:14:35.200 --> 1:14:38.439
<v Speaker 2>and a few other tweaks for the coming nineteen twenty

1:14:38.560 --> 1:14:41.639
<v Speaker 2>nine LA Open. And it shows the installation of new

1:14:41.680 --> 1:14:43.800
<v Speaker 2>bunkers on ten that really made the hole what it

1:14:43.960 --> 1:14:47.320
<v Speaker 2>is around the green and all that. Mackenzie had nothing

1:14:47.360 --> 1:14:49.200
<v Speaker 2>to do with any of that. It was all Thomas

1:14:49.320 --> 1:14:52.120
<v Speaker 2>and Bell and it was all in preparation for the

1:14:52.160 --> 1:14:53.920
<v Speaker 2>twenty nine LA Open. But I didn't have that in

1:14:54.000 --> 1:14:57.800
<v Speaker 2>the Captain found that out about two years after a

1:14:57.880 --> 1:14:59.840
<v Speaker 2>year and a half after but they didn't know that,

1:15:00.120 --> 1:15:05.320
<v Speaker 2>so they tried this, this ridiculous scam to claim that

1:15:05.439 --> 1:15:09.160
<v Speaker 2>McKenzie did all this work there. And unfortunately, the club

1:15:09.439 --> 1:15:11.519
<v Speaker 2>tried to tell everybody and their brother that this was

1:15:11.600 --> 1:15:14.479
<v Speaker 2>the case. I don't know if they wanted to enhance

1:15:14.520 --> 1:15:17.040
<v Speaker 2>the value of the place or whatever. But he never

1:15:17.120 --> 1:15:20.320
<v Speaker 2>set foot out there again after his h as far

1:15:20.400 --> 1:15:23.000
<v Speaker 2>as I know, and as far as the McKenzie folks

1:15:23.040 --> 1:15:27.040
<v Speaker 2>who've documented his travels know. I mean, he might have

1:15:27.200 --> 1:15:29.200
<v Speaker 2>popped out there one day and seen the Part three

1:15:29.280 --> 1:15:33.519
<v Speaker 2>course and that was his excuse to slam it. But anyhow,

1:15:33.680 --> 1:15:36.960
<v Speaker 2>so it's uh that that part of the mackenzie legacy

1:15:37.000 --> 1:15:39.240
<v Speaker 2>at Riviera is just really more about a site visit

1:15:39.320 --> 1:15:42.120
<v Speaker 2>and a misunderstanding. And like I said, all his time

1:15:42.160 --> 1:15:44.160
<v Speaker 2>in La just was sort of it seemed like it

1:15:44.280 --> 1:15:46.160
<v Speaker 2>was jinxed for McKenzie.

1:15:47.120 --> 1:15:50.760
<v Speaker 1>So about the course rating system, back to the so

1:15:51.160 --> 1:15:53.559
<v Speaker 1>what how did he went hole by hole?

1:15:53.720 --> 1:15:53.880
<v Speaker 2>Right?

1:15:54.120 --> 1:15:58.360
<v Speaker 1>And it was there was one point for a feature hole, yeah, correct,

1:15:58.400 --> 1:16:02.320
<v Speaker 1>two point two points for a good hole. So he

1:16:02.479 --> 1:16:05.960
<v Speaker 1>basically graded he graded out every hole from a score

1:16:06.200 --> 1:16:09.320
<v Speaker 1>of I believe one to five and one was like

1:16:09.439 --> 1:16:13.200
<v Speaker 1>a truly great hole, right, And then you know, and

1:16:13.640 --> 1:16:15.760
<v Speaker 1>it's an interesting way. I think about this all the

1:16:15.840 --> 1:16:19.160
<v Speaker 1>time because it's a format that I really like, because

1:16:19.479 --> 1:16:22.599
<v Speaker 1>it's I always ask the question how many bad holes

1:16:22.680 --> 1:16:25.960
<v Speaker 1>can a great course have? Right, and it exposes courses

1:16:26.040 --> 1:16:29.479
<v Speaker 1>with bad holes, and I think it also lends insight

1:16:29.600 --> 1:16:32.920
<v Speaker 1>into how he built his courses because you know so

1:16:33.120 --> 1:16:35.439
<v Speaker 1>often and I think, obviously this is a modern thing,

1:16:35.560 --> 1:16:39.960
<v Speaker 1>but it's it becomes about the picture holes, the spectacular holes, right,

1:16:40.320 --> 1:16:46.800
<v Speaker 1>and it sometimes great holes or are given away in

1:16:47.000 --> 1:16:49.559
<v Speaker 1>order to get to a place where that spectacular picture

1:16:49.640 --> 1:16:52.639
<v Speaker 1>is taken, and the entire golf course as a whole

1:16:52.840 --> 1:16:56.479
<v Speaker 1>loses some of its luster because of that. And I think,

1:16:56.800 --> 1:17:00.559
<v Speaker 1>you know, when you look at Thomas and the courses

1:17:00.640 --> 1:17:02.800
<v Speaker 1>that I've seen, and I haven't studied nearly as much

1:17:02.880 --> 1:17:06.759
<v Speaker 1>as you, but you whenever you get off and done playing,

1:17:06.880 --> 1:17:09.760
<v Speaker 1>you go, wow, that was that was really spectacular. And

1:17:09.840 --> 1:17:12.599
<v Speaker 1>one of the toughest questions to answer would be what's

1:17:12.680 --> 1:17:15.760
<v Speaker 1>the weakest hole at La North, what's the weakest hole

1:17:15.880 --> 1:17:19.200
<v Speaker 1>at bel Air, what's the weakest hole at at Riviera.

1:17:19.360 --> 1:17:22.040
<v Speaker 1>You you could sit and argue that for hours.

1:17:23.680 --> 1:17:26.400
<v Speaker 2>You could, although I will say the one weakness of

1:17:26.560 --> 1:17:29.519
<v Speaker 2>his of his design work, and I think it was

1:17:29.600 --> 1:17:32.000
<v Speaker 2>more product of the time than than than and the

1:17:32.080 --> 1:17:36.720
<v Speaker 2>equipment than than his ability. Were his par fives. He

1:17:36.920 --> 1:17:39.479
<v Speaker 2>generally didn't really make them very tough at the end

1:17:39.560 --> 1:17:41.479
<v Speaker 2>at the Green, and I think it was because they

1:17:41.520 --> 1:17:43.479
<v Speaker 2>were pretty long and people were I mean, if you

1:17:43.560 --> 1:17:47.160
<v Speaker 2>went through his with his his system, you would probably

1:17:47.280 --> 1:17:50.160
<v Speaker 2>knock his par fives the most. But again I would

1:17:50.200 --> 1:17:53.120
<v Speaker 2>say is because he built Some of them were five

1:17:53.720 --> 1:17:57.680
<v Speaker 2>sixty seventy, which in the day of Hickory's is yeah,

1:17:57.720 --> 1:17:59.920
<v Speaker 2>you're hitting a long club into those. So he tended

1:17:59.920 --> 1:18:02.360
<v Speaker 2>to and we in fact at La on the eighth hole,

1:18:02.479 --> 1:18:04.880
<v Speaker 2>we just flat out said we're going to make this

1:18:05.200 --> 1:18:07.600
<v Speaker 2>more difficult by the green because he didn't make it

1:18:07.800 --> 1:18:11.120
<v Speaker 2>very difficult, and I really but it was not just

1:18:11.240 --> 1:18:13.000
<v Speaker 2>that hole. I mean, he did it at seventeen and

1:18:14.160 --> 1:18:19.519
<v Speaker 2>at Riviera eleven, at Rivie Era, so he that was

1:18:19.600 --> 1:18:22.479
<v Speaker 2>his one week spot where you'd probably knock him down.

1:18:22.520 --> 1:18:25.280
<v Speaker 2>But I do think, I mean, I do think there

1:18:25.360 --> 1:18:29.120
<v Speaker 2>is something to the system. It's a little like the

1:18:30.080 --> 1:18:33.559
<v Speaker 2>match play system of matching courses against each other, because

1:18:33.640 --> 1:18:35.960
<v Speaker 2>even though some people don't like that, you ultimately do

1:18:38.520 --> 1:18:42.840
<v Speaker 2>speak to those holes that are not as spectacular. You know,

1:18:43.000 --> 1:18:45.639
<v Speaker 2>it's really fun to match play Riviera in La North

1:18:45.760 --> 1:18:50.360
<v Speaker 2>and you do kind of or well any combination of

1:18:50.439 --> 1:18:53.200
<v Speaker 2>courses and you do, it does almost highlight more not

1:18:53.360 --> 1:18:56.479
<v Speaker 2>the great holes, but those those moments of where like, well,

1:18:56.520 --> 1:18:58.960
<v Speaker 2>why didn't the architect just do something to get a

1:18:59.000 --> 1:19:03.040
<v Speaker 2>little more life out of this whole, to to make

1:19:03.120 --> 1:19:06.360
<v Speaker 2>it interesting enough? And uh, you know, and that was

1:19:06.400 --> 1:19:08.439
<v Speaker 2>where he and Bell were amazing. They just they're just

1:19:08.960 --> 1:19:11.800
<v Speaker 2>they just didn't do any uh bland holes. They might

1:19:11.840 --> 1:19:15.519
<v Speaker 2>not photograph well like you you know, but there was character,

1:19:15.920 --> 1:19:19.200
<v Speaker 2>there were there were there were subtleties and uh but

1:19:19.320 --> 1:19:21.280
<v Speaker 2>they they most of the time they kind of hit

1:19:21.320 --> 1:19:25.519
<v Speaker 2>you over the head with pretty pretty uh inspiring looking stuff.

1:19:25.560 --> 1:19:28.160
<v Speaker 2>They didn't they didn't like to, but they threw it enough.

1:19:28.200 --> 1:19:29.800
<v Speaker 2>I mean, you've got to have some holes that are

1:19:29.880 --> 1:19:34.240
<v Speaker 2>not You can't have every I think he even was here, mackensey,

1:19:34.240 --> 1:19:36.200
<v Speaker 2>I mean you can't have no actually it was uh

1:19:37.280 --> 1:19:40.000
<v Speaker 2>it was tilling ass. You can't have attacks of hysteria.

1:19:40.040 --> 1:19:41.479
<v Speaker 2>I believe it was a line on it. You know,

1:19:41.640 --> 1:19:45.200
<v Speaker 2>you don't want every hole to be uh just an

1:19:45.280 --> 1:19:48.000
<v Speaker 2>incredible you know why. You know, Pine Valley does that,

1:19:48.240 --> 1:19:50.680
<v Speaker 2>but but how many courses can do that and make

1:19:50.760 --> 1:19:53.800
<v Speaker 2>you want to keep playing the game and not lose

1:19:53.840 --> 1:19:56.439
<v Speaker 2>your mind where it's just relentless. And that was always

1:19:56.520 --> 1:20:00.360
<v Speaker 2>the mentality of Pine Valley and obviously inspired him to

1:20:01.000 --> 1:20:02.920
<v Speaker 2>create those kinds of holes. But you just can't and

1:20:03.040 --> 1:20:05.800
<v Speaker 2>of course people are going to play every day, and

1:20:06.160 --> 1:20:08.360
<v Speaker 2>he thought more in that mindset. He also thought that

1:20:08.439 --> 1:20:11.240
<v Speaker 2>way with routing. As you know, he was into loops

1:20:11.280 --> 1:20:13.080
<v Speaker 2>of holes and he made a big deal about that.

1:20:14.520 --> 1:20:17.920
<v Speaker 2>And I was fortunate to experience that playing Riviera, the

1:20:18.320 --> 1:20:20.519
<v Speaker 2>great little loops of holes. You just go out and

1:20:20.520 --> 1:20:23.040
<v Speaker 2>play three or four holes and you're you're right there.

1:20:23.160 --> 1:20:24.600
<v Speaker 2>You know, you're not stuck out at the far end

1:20:24.640 --> 1:20:27.360
<v Speaker 2>of the property. You're right there. And he took La

1:20:27.439 --> 1:20:29.960
<v Speaker 2>Country Club has great little loops around there, So he

1:20:30.120 --> 1:20:33.800
<v Speaker 2>was he was a little more cognizant of that day

1:20:33.880 --> 1:20:38.640
<v Speaker 2>to day enjoyability of a course while still blending in

1:20:38.760 --> 1:20:41.640
<v Speaker 2>the crazy and the magnificent and all that. And I

1:20:41.720 --> 1:20:45.280
<v Speaker 2>think that's why he's so so incredible as an architect.

1:20:47.400 --> 1:20:50.880
<v Speaker 1>All Right, that's perfect place stand it. You know, it's

1:20:50.960 --> 1:20:54.880
<v Speaker 1>a waxing poetic about George Thomas. Hopefully we will see

1:20:55.240 --> 1:20:59.639
<v Speaker 1>more Thomas restorations in the next ten years. Who knows.

1:21:00.320 --> 1:21:03.439
<v Speaker 1>Hopefully one can one can dream. Yeah, I think we

1:21:03.520 --> 1:21:09.559
<v Speaker 1>were dreaming about Yale for ten Who would have thought years.

1:21:09.479 --> 1:21:13.400
<v Speaker 2>Yeah, what about our Inverness or Oakland Hills or Congressional

1:21:13.800 --> 1:21:17.000
<v Speaker 2>or I mean, there's quite a f I was just

1:21:17.120 --> 1:21:19.120
<v Speaker 2>pondering that looking at the golf list I wrote about

1:21:19.160 --> 1:21:21.519
<v Speaker 2>in the newsletter that you know, I mean, just amazing

1:21:21.600 --> 1:21:24.960
<v Speaker 2>to think Congressional and Oakland Hills, these old PGA sites

1:21:25.040 --> 1:21:28.559
<v Speaker 2>in southern Hills that had gotten either tired or now

1:21:28.640 --> 1:21:31.519
<v Speaker 2>look where they are. You're like, Wow, if you told

1:21:31.560 --> 1:21:34.200
<v Speaker 2>me that ten years ago, I never would have Those

1:21:34.200 --> 1:21:36.760
<v Speaker 2>wouldn't have been the ones I predicted seeing the light

1:21:36.960 --> 1:21:38.960
<v Speaker 2>and look look where we are now. It's pretty cool.

1:21:39.400 --> 1:21:41.760
<v Speaker 1>Maybe Griffith Park who knows, who knows?

1:21:42.680 --> 1:21:45.720
<v Speaker 2>We need a rich guy, We need a rich guy

1:21:45.800 --> 1:21:48.360
<v Speaker 2>to write a check and uh that that's that would

1:21:48.400 --> 1:21:48.920
<v Speaker 2>be key.

1:21:49.560 --> 1:21:52.960
<v Speaker 1>So people can find you. You got Jeff Shackleford dot com,

1:21:53.400 --> 1:21:57.160
<v Speaker 1>yelf's og blogger. You know you were you were the first.

1:21:57.880 --> 1:22:01.719
<v Speaker 1>We all owe you a debt of grad Thank you, dude.

1:22:01.800 --> 1:22:04.439
<v Speaker 1>I think that's the way and Uh, then you've got

1:22:04.680 --> 1:22:08.720
<v Speaker 1>your You're also on substack. You're very trendy. Yeah, you've

1:22:08.760 --> 1:22:12.840
<v Speaker 1>got the Quadrilateral. It is a subscription. I subscribe. I

1:22:13.120 --> 1:22:15.599
<v Speaker 1>enjoy it. I read it all the time. I highly

1:22:15.720 --> 1:22:18.599
<v Speaker 1>recommend people subscribe. It's what fifty bucks a year.

1:22:19.360 --> 1:22:20.600
<v Speaker 2>It's like correct.

1:22:25.000 --> 1:22:28.360
<v Speaker 1>A Starbucks trip, one latte a month, and you can

1:22:28.439 --> 1:22:33.440
<v Speaker 1>get Jeff's writing delivered right to your end box. It's delightful.

1:22:33.680 --> 1:22:36.400
<v Speaker 1>I would recommend it. And uh, then you're on Twitter

1:22:36.479 --> 1:22:40.000
<v Speaker 1>and Instagram at Jeff Shack, so I can find you

1:22:42.000 --> 1:22:45.600
<v Speaker 1>anything else, any parting thoughts on on Thomas. Anything to

1:22:45.680 --> 1:22:49.040
<v Speaker 1>leave people with, you just wish your book probably was cheaper.

1:22:48.920 --> 1:22:53.320
<v Speaker 2>Right, Yeah, it is kind of kind of amazing how

1:22:53.400 --> 1:22:57.840
<v Speaker 2>expensive it is now. I do have a stash that

1:22:57.960 --> 1:23:00.439
<v Speaker 2>I need to get out on the market. Think that's

1:23:00.439 --> 1:23:03.040
<v Speaker 2>going to lower the price much. But it was great.

1:23:03.360 --> 1:23:05.400
<v Speaker 2>It was great fun to self publish that, and I

1:23:05.479 --> 1:23:08.000
<v Speaker 2>got very lucky again with the quality of it. But

1:23:08.680 --> 1:23:11.280
<v Speaker 2>you know, the thought I'd leave you with is, don't

1:23:11.280 --> 1:23:14.040
<v Speaker 2>feel bad. But because he didn't inherent a lot of

1:23:14.080 --> 1:23:17.240
<v Speaker 2>money and had a lot of free time. But when

1:23:17.280 --> 1:23:19.200
<v Speaker 2>you think about what he did in fifty nine years

1:23:19.560 --> 1:23:25.439
<v Speaker 2>it's with health problems in a war in between. It's

1:23:25.720 --> 1:23:28.760
<v Speaker 2>it's inspiring. Again. He had a nice bank roll and

1:23:28.960 --> 1:23:31.000
<v Speaker 2>we would all but still I'm not sure.

1:23:31.120 --> 1:23:35.640
<v Speaker 1>There was no television either, and the tour wasn't occupying

1:23:35.800 --> 1:23:37.519
<v Speaker 1>fifty weeks of our lives.

1:23:37.960 --> 1:23:41.000
<v Speaker 2>That is correct, that is those were all key points.

1:23:41.120 --> 1:23:44.000
<v Speaker 2>But I think it was a diversification of interest, you

1:23:44.080 --> 1:23:46.559
<v Speaker 2>know that he could he could go from the roses

1:23:46.600 --> 1:23:52.320
<v Speaker 2>to the catching these these amazing fish off tuna. Yeah,

1:23:52.479 --> 1:23:54.439
<v Speaker 2>and then the Tuna Club and all that and and

1:23:54.640 --> 1:23:57.960
<v Speaker 2>what and you know, which was part of the movie Chinatown.

1:23:58.080 --> 1:24:01.519
<v Speaker 2>The albu Core Club was inspired by that. You know,

1:24:01.600 --> 1:24:03.840
<v Speaker 2>it was an amazing time at Catalina. You know, Bobby

1:24:03.880 --> 1:24:06.040
<v Speaker 2>Jones had a tournament out there and Wrigley and the

1:24:06.320 --> 1:24:09.120
<v Speaker 2>Billy Bell did the course out there. That's that's a mess.

1:24:09.200 --> 1:24:12.439
<v Speaker 2>That would be cool to see restored as well. But yeah,

1:24:12.600 --> 1:24:13.599
<v Speaker 2>just an inspiring life.

1:24:13.960 --> 1:24:18.400
<v Speaker 1>Like there's just a heap of Billy Bell and Thomas

1:24:18.520 --> 1:24:25.120
<v Speaker 1>courses in southern California. Yeah, that are just just getting there.

1:24:25.520 --> 1:24:27.000
<v Speaker 2>Yeah, it was a dark time. We had a lot

1:24:27.040 --> 1:24:29.360
<v Speaker 2>of people come through and not not get the uh

1:24:29.880 --> 1:24:33.040
<v Speaker 2>get what those two guys were about. And we're getting there,

1:24:33.120 --> 1:24:35.920
<v Speaker 2>but it's still compared to other parts of the country.

1:24:35.960 --> 1:24:38.960
<v Speaker 2>We're we're not quite there. But the I think, you know,

1:24:39.000 --> 1:24:41.280
<v Speaker 2>with the US open coming and and all that stuff,

1:24:41.520 --> 1:24:43.759
<v Speaker 2>it'll it'll keep we'll keep chipping away.

1:24:44.360 --> 1:24:48.360
<v Speaker 1>All right. Well, thank you and uh we'll talk to

1:24:48.400 --> 1:24:48.800
<v Speaker 1>you soon.

1:24:49.000 --> 1:24:51.439
<v Speaker 2>Thank you, Andy. I appreciate you giving me the time

1:24:51.520 --> 1:24:52.559
<v Speaker 2>to talk about the Captain.

1:25:02.200 --> 1:25:05.360
<v Speaker 1>Thank you for listening to another edition of the Frida

1:25:05.400 --> 1:25:10.840
<v Speaker 1>Egg Podcast. Today's episode was edited by Meg Atkins. Thank you, Meg.

1:25:11.479 --> 1:25:14.960
<v Speaker 1>And just as a quick reminder, we have a terrific

1:25:15.120 --> 1:25:17.640
<v Speaker 1>three day week newsletter. We're talking about newsletters a lot.

1:25:17.760 --> 1:25:20.839
<v Speaker 1>Jeff's is the Quadrilateral. Ours is just the Frida Egg newsletter.

1:25:21.160 --> 1:25:22.880
<v Speaker 1>If you go to the Frida Egg dot com you

1:25:22.920 --> 1:25:24.840
<v Speaker 1>can sign up for it. It comes out every Monday

1:25:24.840 --> 1:25:29.080
<v Speaker 1>Wednesday Friday. Will Knights writes it. It is covering some

1:25:29.240 --> 1:25:32.559
<v Speaker 1>really interesting topics in golf. Obviously a lot of news

1:25:32.640 --> 1:25:37.360
<v Speaker 1>with what's going on with the Saudis and the alternative leagues,

1:25:37.520 --> 1:25:41.479
<v Speaker 1>and then obviously we get into some other fun topics.

1:25:41.560 --> 1:25:45.679
<v Speaker 1>We have a public golf musty that comes out every

1:25:45.920 --> 1:25:49.320
<v Speaker 1>week or so. So check out the newsletter. Sign up

1:25:49.360 --> 1:25:51.840
<v Speaker 1>for it at the Frida egg dot com and we

1:25:52.000 --> 1:25:53.800
<v Speaker 1>will talk to you soon.