1 00:00:02,840 --> 00:00:06,240 Speaker 1: Hey everybody, what's up y'all? Welcome back to the show. 2 00:00:06,920 --> 00:00:09,680 Speaker 1: I'm so excited today. This is a very special Maybe 3 00:00:10,039 --> 00:00:11,760 Speaker 1: I've said it before, but I think this might be 4 00:00:11,800 --> 00:00:14,440 Speaker 1: our specialist episode. They just get more and more special 5 00:00:14,840 --> 00:00:19,919 Speaker 1: every time we can improve, stop getting special. Thank you 6 00:00:19,960 --> 00:00:23,520 Speaker 1: all for tuning in. We're talking today with two of 7 00:00:23,560 --> 00:00:26,640 Speaker 1: our brand new best friends. Uh from the I Heart 8 00:00:26,720 --> 00:00:34,680 Speaker 1: Radio podcast Tossed Popcorn. We have Leanna and Sienna here today. Hello, hello, 9 00:00:34,720 --> 00:00:38,000 Speaker 1: new best friends. Thank you for joining us. So honored 10 00:00:38,000 --> 00:00:41,239 Speaker 1: time here. Oh yeah, we love We love expanding our 11 00:00:41,240 --> 00:00:45,360 Speaker 1: little romantic circle over here. We like to invite new 12 00:00:45,360 --> 00:00:48,159 Speaker 1: people and keep it fresh. You know what I meant 13 00:00:48,400 --> 00:00:54,040 Speaker 1: interesting sound you know? Um? Will you tell us a 14 00:00:54,080 --> 00:00:58,320 Speaker 1: little about your show and yourselves? That is I'm just 15 00:00:58,360 --> 00:01:02,959 Speaker 1: throwing this at you like I was born and I 16 00:01:03,000 --> 00:01:07,320 Speaker 1: was born to we both we are two women, both 17 00:01:07,319 --> 00:01:11,160 Speaker 1: were birth. We have so much in comment. Thank you. 18 00:01:11,440 --> 00:01:15,679 Speaker 1: We're very We have a movie podcast where we are 19 00:01:15,680 --> 00:01:18,400 Speaker 1: going down the A f I S one hundred Greatest 20 00:01:18,440 --> 00:01:22,840 Speaker 1: American Movies of all Time, the tant Anniversary edition. Um, 21 00:01:22,959 --> 00:01:27,200 Speaker 1: and we both don't really get a lot of movies, 22 00:01:27,760 --> 00:01:31,759 Speaker 1: nor have we enjoyed a lot before doing this, so 23 00:01:31,800 --> 00:01:33,800 Speaker 1: we thought, we're going to go through all the classics, 24 00:01:33,840 --> 00:01:37,120 Speaker 1: see what we think, see what we get from them 25 00:01:37,160 --> 00:01:39,880 Speaker 1: as people who don't really get the medium. Yes, we're 26 00:01:39,920 --> 00:01:42,080 Speaker 1: taking them off their pedestal and given them a blunt 27 00:01:42,080 --> 00:01:48,720 Speaker 1: and honest Look. I love Marvel films just by the way, 28 00:01:48,760 --> 00:01:56,160 Speaker 1: that's us. I like movies with good colors and things, 29 00:01:56,240 --> 00:02:00,040 Speaker 1: so not the blue tone or whatever of Marvel. I 30 00:02:00,040 --> 00:02:04,960 Speaker 1: don't know what marble colors are, but mustard colors now, 31 00:02:05,200 --> 00:02:07,920 Speaker 1: I also love them. Muppets. Yeah, between the two of you, 32 00:02:08,400 --> 00:02:10,440 Speaker 1: these are those are pretty much our two favorit kinds 33 00:02:10,480 --> 00:02:13,359 Speaker 1: of movies. So beautiful. I'll also say this is the 34 00:02:13,440 --> 00:02:16,280 Speaker 1: second recording in two hours in which Sianna has mentioned Muppets. 35 00:02:17,440 --> 00:02:21,480 Speaker 1: She's a big Muppets should be mentioned often. Guilty, I 36 00:02:21,520 --> 00:02:24,480 Speaker 1: can't talk about them too much. But no more Muppets 37 00:02:24,520 --> 00:02:28,720 Speaker 1: please now, more than ever, Yes, more than ever. Read Muppets. 38 00:02:28,800 --> 00:02:32,520 Speaker 1: That's actually true, because they're so pure and friendly and 39 00:02:32,560 --> 00:02:35,520 Speaker 1: wholesome and kind. We could use more of that. And 40 00:02:35,760 --> 00:02:42,680 Speaker 1: flustered and hilarious and frustrated. Ermit frustration as someone who 41 00:02:43,000 --> 00:02:46,119 Speaker 1: was artistic director of a theater company for a few years, 42 00:02:46,680 --> 00:02:51,760 Speaker 1: kermits flustered backstage, like the challenge just keeping his ship 43 00:02:51,840 --> 00:02:57,600 Speaker 1: together is definitely something I relate to. Yes, y'all, y'all 44 00:02:57,600 --> 00:03:01,280 Speaker 1: have some theater background too, isn't that right? Thank you 45 00:03:01,320 --> 00:03:06,639 Speaker 1: so much. Yeah, I was a theater major in college 46 00:03:06,760 --> 00:03:11,120 Speaker 1: and then do comedy stuff here in l A. Awesome. 47 00:03:11,240 --> 00:03:15,120 Speaker 1: We met on our improv team, and I hear in 48 00:03:15,280 --> 00:03:17,200 Speaker 1: l A was once told on a date that I 49 00:03:17,200 --> 00:03:23,480 Speaker 1: looked like I had quote improv hair. Also it wasn't here. 50 00:03:24,840 --> 00:03:27,639 Speaker 1: That's a very good insight into dating in Los Angeles. 51 00:03:28,000 --> 00:03:30,840 Speaker 1: How much Nightmare did well. It is so awesome to 52 00:03:30,880 --> 00:03:33,400 Speaker 1: have you guys on Ridiculous Romance. I think we came 53 00:03:33,480 --> 00:03:37,360 Speaker 1: up with a really good crossover type episode for our 54 00:03:37,400 --> 00:03:41,080 Speaker 1: two podcasts um where we're going to talk about the 55 00:03:41,120 --> 00:03:47,200 Speaker 1: real story behind the Adam Sandler Drew Barrymore hit movie. 56 00:03:47,240 --> 00:03:49,720 Speaker 1: We can go on a hit Yeah, sure, yeah, hit 57 00:03:49,800 --> 00:03:55,040 Speaker 1: movie something fifty first dates. Yeah, it hit somebody, somebody 58 00:03:55,120 --> 00:03:58,000 Speaker 1: loved you know somebody. I heard somebody got hit in 59 00:03:58,000 --> 00:04:01,280 Speaker 1: the movie. There were Yeah, several people got filth I 60 00:04:01,360 --> 00:04:08,120 Speaker 1: got hit. Yeah. Yeah, Rob Schneider getting the best part 61 00:04:08,120 --> 00:04:10,480 Speaker 1: of the movie. I would watch a movie just Rob 62 00:04:10,520 --> 00:04:14,520 Speaker 1: Schneider getting hit by a bat alright, Leanna has Leona 63 00:04:14,560 --> 00:04:16,919 Speaker 1: has described several of the classic movies that we have 64 00:04:17,000 --> 00:04:19,960 Speaker 1: seen as just men getting hit with the bat men. 65 00:04:21,600 --> 00:04:28,200 Speaker 1: So this can slide right in today. If I lose this, okay, yeah, 66 00:04:28,680 --> 00:04:32,120 Speaker 1: it would change the tone. It would change the tone. Well, 67 00:04:32,160 --> 00:04:35,640 Speaker 1: I know that everyone's been waiting for someone to do it. 68 00:04:35,760 --> 00:04:39,200 Speaker 1: A nice hour long review of the movie fifty first Dates. Um, 69 00:04:39,279 --> 00:04:42,560 Speaker 1: and that's the best place to do it. Yeah, everybody's 70 00:04:42,560 --> 00:04:46,560 Speaker 1: saying it. It's trending. It's constantly trending, pinged about it 71 00:04:46,680 --> 00:04:49,279 Speaker 1: every day. When I saw your email that you were 72 00:04:49,320 --> 00:04:51,560 Speaker 1: gonna be talking about this, I said, thank god, Yes, 73 00:04:53,560 --> 00:04:57,799 Speaker 1: now more than we thought this is a big episode. 74 00:04:57,880 --> 00:04:59,400 Speaker 1: Is this the right one to use it on? I 75 00:04:59,440 --> 00:05:02,080 Speaker 1: think I think it's I think this is it's time. 76 00:05:02,279 --> 00:05:06,280 Speaker 1: It's time. Well, we found this woman, Michelle Philip Potts 77 00:05:06,279 --> 00:05:09,560 Speaker 1: and her husband Ian who she suffers from a very 78 00:05:09,600 --> 00:05:12,520 Speaker 1: similar condition to the one that Drew Barrymore has in 79 00:05:12,560 --> 00:05:15,119 Speaker 1: Fifty First States. And it must be said that fifty 80 00:05:15,160 --> 00:05:18,479 Speaker 1: First States is not based on this woman's story. A 81 00:05:18,480 --> 00:05:22,280 Speaker 1: lot of people says, say it is, but it's very different. Um. 82 00:05:22,800 --> 00:05:25,760 Speaker 1: Any neuropsychologist would tell you that the movie is an 83 00:05:25,760 --> 00:05:32,560 Speaker 1: outrageous depiction of this particular type of amnesia. Um but 84 00:05:32,560 --> 00:05:35,480 Speaker 1: but a lot of people associate this story with this movie. 85 00:05:35,839 --> 00:05:37,520 Speaker 1: So we want to talk about that day. We brought 86 00:05:37,520 --> 00:05:39,680 Speaker 1: you guys here to talk about this movie and this 87 00:05:39,760 --> 00:05:43,159 Speaker 1: condition which has been really fascinating to learn about. Uh. 88 00:05:43,200 --> 00:05:46,599 Speaker 1: And we're gonna make some new memories we talk about 89 00:05:46,600 --> 00:05:50,040 Speaker 1: this and hopefully not lose them. Should we dive into 90 00:05:50,040 --> 00:05:52,359 Speaker 1: the theme song? Yeah, let's do it all right, let's go. 91 00:05:52,560 --> 00:05:56,400 Speaker 1: Hey the French, come listen. Well, Eli and Diana got 92 00:05:56,440 --> 00:05:59,560 Speaker 1: some stories to tell. There's no match making a romantic 93 00:05:59,680 --> 00:06:03,760 Speaker 1: to It's just about ridiculous relationships. I love it might 94 00:06:03,760 --> 00:06:06,920 Speaker 1: be any type of person at all. And abstract concept 95 00:06:06,960 --> 00:06:09,719 Speaker 1: are a concrete wall. But if there's a story where 96 00:06:09,800 --> 00:06:15,520 Speaker 1: the second clans ridiculous role a production of I Heart Radio. 97 00:06:16,920 --> 00:06:20,000 Speaker 1: So Michelle Philpotts is a year old woman in the 98 00:06:20,120 --> 00:06:23,160 Speaker 1: UK who suffers from an extreme case of a condition 99 00:06:23,240 --> 00:06:27,080 Speaker 1: called in terrograde amnesia, which is where her brain has 100 00:06:27,160 --> 00:06:31,800 Speaker 1: lost the ability to store new memories. Um. So this 101 00:06:32,240 --> 00:06:34,200 Speaker 1: I mean and I can relate to this because I can't. 102 00:06:34,760 --> 00:06:36,240 Speaker 1: I shouldn't say I can relate to this because it's 103 00:06:36,240 --> 00:06:40,520 Speaker 1: probably a very different legitimate disability to my just clinically 104 00:06:40,560 --> 00:06:45,359 Speaker 1: shitty memory. Yeah so but I have the same condition 105 00:06:45,400 --> 00:06:51,640 Speaker 1: that you do. Yeah, clinically shitty. Yeah. So let's talk memory. 106 00:06:51,800 --> 00:06:54,080 Speaker 1: We dug up some information about this because we like 107 00:06:54,279 --> 00:06:57,320 Speaker 1: to learn stuff that you know, isn't necessarily the direct 108 00:06:57,360 --> 00:07:00,480 Speaker 1: subject of our show, but hey we're learning. Right. Um, 109 00:07:00,520 --> 00:07:03,560 Speaker 1: there's two types of memory, right, We've got declarative memory 110 00:07:03,640 --> 00:07:07,120 Speaker 1: and procedural memory. And declarative memory is your recollection of 111 00:07:07,160 --> 00:07:11,400 Speaker 1: facts like these are subdivided into episodic memory, which can 112 00:07:11,400 --> 00:07:14,760 Speaker 1: be real specific, uh, something like you know, some asshole 113 00:07:14,840 --> 00:07:17,720 Speaker 1: and a red SUV cut me off yesterday while he 114 00:07:17,760 --> 00:07:20,440 Speaker 1: was coming out of the Starbucks, like very specific details. 115 00:07:20,800 --> 00:07:27,720 Speaker 1: I remember that happened. I'll never forget exactly. Uh. Then 116 00:07:27,760 --> 00:07:30,360 Speaker 1: there's semantic memory, the other type of declarative memory, which 117 00:07:30,400 --> 00:07:34,440 Speaker 1: is more like, Um, I know that I own a stapler, 118 00:07:34,560 --> 00:07:37,520 Speaker 1: but I don't know where it is. It's got staples 119 00:07:37,520 --> 00:07:39,840 Speaker 1: in it, I don't know where I bought it, just 120 00:07:40,400 --> 00:07:45,080 Speaker 1: deep in my brain somewhere, but it doesn'txist years. Um. 121 00:07:45,120 --> 00:07:47,720 Speaker 1: And then there's procedural memory. On the flip side, which 122 00:07:47,760 --> 00:07:52,080 Speaker 1: is like how to do things right. I know how 123 00:07:52,080 --> 00:07:53,880 Speaker 1: to use a can opener, I know how to tie 124 00:07:53,920 --> 00:07:56,920 Speaker 1: my shoes. I could still do to the macarena. That's 125 00:07:57,080 --> 00:08:05,520 Speaker 1: procedural memory. Wow, right, big day for you. Yeah yeah, 126 00:08:05,720 --> 00:08:13,000 Speaker 1: and that's a Friday. Yeah. So in tarograde amnesia typically 127 00:08:13,240 --> 00:08:16,600 Speaker 1: just affects that type of declarative memory. So people with 128 00:08:16,640 --> 00:08:18,840 Speaker 1: this condition they can remember how to make a phone call, 129 00:08:19,520 --> 00:08:21,880 Speaker 1: or if they already knew, they can remember how to 130 00:08:21,880 --> 00:08:25,000 Speaker 1: play the piano. Imagine they can't just suddenly play the piano. 131 00:08:25,040 --> 00:08:34,480 Speaker 1: What do your memory that happened to someone? Yeah, like 132 00:08:34,480 --> 00:08:36,760 Speaker 1: a guy like suddenly knew Spanish or something. Yeah, it 133 00:08:36,880 --> 00:08:39,079 Speaker 1: was like some brain injury and yeah he had it, 134 00:08:39,080 --> 00:08:42,160 Speaker 1: suddenly had a totally different personality and skill set. It'd 135 00:08:42,160 --> 00:08:45,240 Speaker 1: be cool if you could knock your heads together and 136 00:08:45,360 --> 00:08:49,840 Speaker 1: memories would transfer between Like Apple products can kind of 137 00:08:49,840 --> 00:08:55,800 Speaker 1: do that now, Yeah, just air drop things, yeah, smacking you. 138 00:08:57,600 --> 00:09:01,640 Speaker 1: I'm ready deleted scene from the matrix. They didn't show us, 139 00:09:03,240 --> 00:09:08,880 Speaker 1: Well why not? Alright? So yeah, so when you have 140 00:09:08,920 --> 00:09:11,960 Speaker 1: interrograde amnesia, you remember how to play the piano, but 141 00:09:12,080 --> 00:09:15,920 Speaker 1: you can't necessarily remember what you did this morning. You know, 142 00:09:16,040 --> 00:09:19,839 Speaker 1: something very recent, and according to very well mind dot com, 143 00:09:20,360 --> 00:09:23,880 Speaker 1: that's because declarative and procedural memories are stored in different 144 00:09:23,880 --> 00:09:27,480 Speaker 1: parts of the brain, and typically people lose the episodic 145 00:09:27,520 --> 00:09:30,600 Speaker 1: memory but not the semantics. So they again, they remember 146 00:09:30,679 --> 00:09:32,640 Speaker 1: that they owned the stapler, but they can't remember if 147 00:09:32,679 --> 00:09:35,400 Speaker 1: they used it today. There anything they did. They just 148 00:09:35,440 --> 00:09:38,160 Speaker 1: suddenly have stapled pages and they're like, well, I'll go 149 00:09:38,559 --> 00:09:40,280 Speaker 1: and two together if I can remember how to do that? 150 00:09:41,440 --> 00:09:43,520 Speaker 1: Is now the time? Have you all been watching Moon 151 00:09:43,679 --> 00:09:51,160 Speaker 1: Night on? Absolutely, it is the time. Let's go at 152 00:09:51,360 --> 00:09:55,200 Speaker 1: night down for a night. I know he has completely 153 00:09:55,200 --> 00:09:58,560 Speaker 1: a different situation going on, but I'm sure he woke 154 00:09:58,640 --> 00:10:02,000 Speaker 1: up with something staple that he did not remember stapling exactly. 155 00:10:02,440 --> 00:10:05,880 Speaker 1: He's clearly going out and buying goldfish every other line, right, 156 00:10:07,440 --> 00:10:09,719 Speaker 1: That was so sweet. I know that was sweet. I 157 00:10:09,720 --> 00:10:11,720 Speaker 1: would like to see a scene of Mark Spector buying 158 00:10:11,720 --> 00:10:19,400 Speaker 1: the gold his self by each other so much like 159 00:10:19,440 --> 00:10:24,000 Speaker 1: Little Brothers. I love it. It's beautiful. Obsessed Also Oscar 160 00:10:24,040 --> 00:10:27,440 Speaker 1: Isaac like I do anything that he could ruin my life, 161 00:10:27,440 --> 00:10:34,480 Speaker 1: and I would say thank you the same. Good time. 162 00:10:34,600 --> 00:10:38,720 Speaker 1: Universal opinion I think about Oscar is just a special someone. 163 00:10:39,200 --> 00:10:40,920 Speaker 1: So some memories are stored in a different part of 164 00:10:40,960 --> 00:10:43,480 Speaker 1: the brain, and some memories are stored in another one 165 00:10:43,480 --> 00:10:47,120 Speaker 1: of you who's in there beingilized by disgraced God by 166 00:10:47,120 --> 00:10:52,280 Speaker 1: a mercenary. For some reason, they didn't include the mercenary 167 00:10:52,280 --> 00:11:00,559 Speaker 1: God at stated inaccurate. Thank you would like to see 168 00:11:00,559 --> 00:11:03,120 Speaker 1: Adam stand there and count you have a little conversation. Yeah, 169 00:11:04,320 --> 00:11:07,839 Speaker 1: he's going to be the next avatar. Oh what a 170 00:11:07,920 --> 00:11:15,120 Speaker 1: different Uh. Now we've got retro grand amnesia. That's the 171 00:11:15,120 --> 00:11:18,080 Speaker 1: other kind, that's the kind you see in movies a lot. Uh. 172 00:11:18,120 --> 00:11:23,120 Speaker 1: This is where like, yeah, the differentiation between retrograde and 173 00:11:23,320 --> 00:11:27,240 Speaker 1: arrograde is the moment where the incident happened that caused 174 00:11:27,240 --> 00:11:28,800 Speaker 1: you to lose your memories, Like if it was a 175 00:11:28,800 --> 00:11:32,280 Speaker 1: head trauma or something like that. Retrograde amnesia, you totally 176 00:11:32,280 --> 00:11:35,839 Speaker 1: forget everything you know, you ever knew. You'll retain your 177 00:11:35,880 --> 00:11:39,640 Speaker 1: identity usually, uh, and your skills, but I can't remember 178 00:11:39,679 --> 00:11:42,040 Speaker 1: what I did six years ago before the accident. But 179 00:11:42,120 --> 00:11:45,679 Speaker 1: a teragrade amnesia you remember everything before the accident, but 180 00:11:45,840 --> 00:11:48,640 Speaker 1: you lose your short term memory afterwards. And that's kind 181 00:11:48,640 --> 00:11:51,200 Speaker 1: of the difference here. So if somebody dropped a piano 182 00:11:51,240 --> 00:11:54,400 Speaker 1: on your head. From that day forward, you can't remember 183 00:11:54,400 --> 00:11:56,640 Speaker 1: what you did each day, but you still remember your 184 00:11:56,640 --> 00:12:01,800 Speaker 1: whole life before the piano incident. That's in terra grade anisia. Yeah. Also, 185 00:12:01,840 --> 00:12:08,319 Speaker 1: amazing of you two have made it through that, seriously issues, 186 00:12:08,440 --> 00:12:13,240 Speaker 1: that's kind of incredible. Yeah, that's how you learn to 187 00:12:13,240 --> 00:12:16,400 Speaker 1: play the piano. S Matthew on the head and air 188 00:12:16,480 --> 00:12:26,400 Speaker 1: drops pianos a player piano. Okay, rarer still is psychogenic amnesia, 189 00:12:26,960 --> 00:12:30,600 Speaker 1: which is like the Jason Bourne situation, the sort of 190 00:12:30,960 --> 00:12:33,800 Speaker 1: where am I? Who am I? How can I kill 191 00:12:33,840 --> 00:12:38,160 Speaker 1: someone with a ballpoint pen? I could do that? Um. 192 00:12:38,280 --> 00:12:41,840 Speaker 1: Jennifer tell Rico, who is an assistant professor of psychology 193 00:12:41,920 --> 00:12:46,680 Speaker 1: at Lafayette College, says that born Jason Bourne's amnesia is 194 00:12:46,760 --> 00:12:51,320 Speaker 1: quote grounded in real life experiences. But him forgetting and 195 00:12:51,360 --> 00:12:55,160 Speaker 1: then like slowly retrieving his memories and like remembering throughout 196 00:12:55,160 --> 00:12:58,560 Speaker 1: the movie more and more information. That's more plot device 197 00:12:58,760 --> 00:13:02,000 Speaker 1: than actual reality, right right. Yeah, you'll find a lot 198 00:13:02,000 --> 00:13:06,439 Speaker 1: of neuropsychologists talking about movies and amnesia and what nonsense 199 00:13:06,520 --> 00:13:08,880 Speaker 1: they are. Um. I did find one though, this woman, 200 00:13:09,040 --> 00:13:13,000 Speaker 1: UM Sally Baxendale from England. She says that most of 201 00:13:13,000 --> 00:13:16,160 Speaker 1: these movies are nonsense, but she says three exceptions stand 202 00:13:16,160 --> 00:13:19,640 Speaker 1: out for her. One is a Spanish TV series called 203 00:13:19,760 --> 00:13:23,360 Speaker 1: I Know Who You Are from seventeen. I'm not familiar 204 00:13:23,360 --> 00:13:26,439 Speaker 1: with this, but she says it's really well researched, pretty 205 00:13:26,480 --> 00:13:31,280 Speaker 1: good depiction of amnesia. Another, she says is Memento Uh 206 00:13:31,480 --> 00:13:33,679 Speaker 1: Christopher Nolan movie from two thousands. She said, that's actually 207 00:13:33,720 --> 00:13:35,680 Speaker 1: pretty accurate, and the way that he cuts it together 208 00:13:35,880 --> 00:13:37,480 Speaker 1: does give you kind of an idea of what it 209 00:13:37,480 --> 00:13:43,240 Speaker 1: would be like to live with that, constantly going what what? What? 210 00:13:43,559 --> 00:13:48,199 Speaker 1: How did I get here? What's happening? Um? The third 211 00:13:48,240 --> 00:13:52,559 Speaker 1: I was quite fascinated, she said, as an accurate portrayal 212 00:13:52,679 --> 00:13:56,480 Speaker 1: of people with memory difficulties and the people who who 213 00:13:56,559 --> 00:14:02,600 Speaker 1: associate with them, is Finding Me, she says. She says 214 00:14:02,600 --> 00:14:04,640 Speaker 1: it's played for laughs a lot, but there's some really 215 00:14:04,640 --> 00:14:07,800 Speaker 1: poignant moments with Dory where she's lost and alone and confused, 216 00:14:08,160 --> 00:14:10,640 Speaker 1: and that the frustration that the other fish have dealing 217 00:14:10,679 --> 00:14:13,440 Speaker 1: with her is really accurate in terms of a depiction 218 00:14:13,480 --> 00:14:16,360 Speaker 1: of how people who live with amnesiac patients feel. Oh 219 00:14:16,360 --> 00:14:20,520 Speaker 1: my god. Um, so big ups to Finding Dory. P 220 00:14:20,720 --> 00:14:27,040 Speaker 1: Sherman forty two Wallaby Way, Sitney. Look at that memory 221 00:14:27,360 --> 00:14:32,760 Speaker 1: a single detail about my own friends. I don't know 222 00:14:32,840 --> 00:14:36,680 Speaker 1: my best friend's address, but I can tell you. But 223 00:14:37,000 --> 00:14:39,160 Speaker 1: the main movie that we're here to talk about today 224 00:14:39,840 --> 00:14:43,280 Speaker 1: is the two thousand four romantic comedy starring Drew Barrymore 225 00:14:43,400 --> 00:14:47,600 Speaker 1: and Adam Sandler, Fifty First Dates. And Yeah, we don't 226 00:14:47,600 --> 00:14:51,040 Speaker 1: normally tackle fictional romances on this show, although we've thought 227 00:14:51,040 --> 00:14:53,480 Speaker 1: about it. Um, but this is going to lead us 228 00:14:53,520 --> 00:14:55,840 Speaker 1: into a true story of a woman who has Antaro 229 00:14:55,920 --> 00:14:59,720 Speaker 1: grade amnesia and her husband who cares for her. And 230 00:15:00,040 --> 00:15:02,200 Speaker 1: so we're going to get into all that right after 231 00:15:02,280 --> 00:15:09,120 Speaker 1: this commercial break. Welcome back to Ridiculous Romance and tossed 232 00:15:09,160 --> 00:15:15,640 Speaker 1: popcorn to the present. Fifty First Dates. Um, two thousand 233 00:15:15,680 --> 00:15:18,760 Speaker 1: four movie. Uh, we just we just saw for the 234 00:15:18,760 --> 00:15:21,400 Speaker 1: first time the other night. Yeah, in in our heavy 235 00:15:21,440 --> 00:15:25,560 Speaker 1: research for this show. Um, and uh it's quite a 236 00:15:25,840 --> 00:15:29,640 Speaker 1: quite a film. I don't know, are are you guys? 237 00:15:30,080 --> 00:15:32,560 Speaker 1: You guys aren't big. Your your thing is that you're 238 00:15:32,560 --> 00:15:34,880 Speaker 1: not big movie people, right like you? You know, Like, 239 00:15:35,680 --> 00:15:41,640 Speaker 1: so what's your Adam Sandler take? History? And everyone has one? Yeah, 240 00:15:41,640 --> 00:15:46,000 Speaker 1: everybody's take. Honestly, we actually haven't discussed this yet. If 241 00:15:46,040 --> 00:15:47,640 Speaker 1: you can believe it, he has not had a film 242 00:15:47,640 --> 00:15:52,120 Speaker 1: on the AH Highlist. Yeah, come on, shocking, Honestly, I 243 00:15:52,120 --> 00:15:55,280 Speaker 1: I love someone who just really addresses how they wish 244 00:15:55,320 --> 00:16:00,280 Speaker 1: to in a very comfortable way. The heck out of that. Um. 245 00:16:00,360 --> 00:16:02,600 Speaker 1: I've seen Fifty First Dates and I've seen his movie 246 00:16:02,600 --> 00:16:10,080 Speaker 1: Click about the role did not see Click surprisingly poignant, 247 00:16:10,320 --> 00:16:12,440 Speaker 1: which is also how I felt about Fifty First Dates, 248 00:16:12,520 --> 00:16:16,280 Speaker 1: actually true, and I've I've heard great things about him 249 00:16:16,280 --> 00:16:18,520 Speaker 1: and Uncut Gems and film I will absolutely never watch 250 00:16:18,840 --> 00:16:21,840 Speaker 1: due today. We haven't done that yet. That's right, Yeah, right, 251 00:16:21,920 --> 00:16:24,080 Speaker 1: that's definitely. It's been on our list for a long time. 252 00:16:24,120 --> 00:16:25,600 Speaker 1: But it's one of those you're like, all right, I 253 00:16:25,600 --> 00:16:28,560 Speaker 1: gotta like year myself up for this. Really got to 254 00:16:28,600 --> 00:16:30,400 Speaker 1: be in a certain state of One time, somebody came 255 00:16:30,400 --> 00:16:32,000 Speaker 1: over to pick something up for my apartment and he 256 00:16:32,040 --> 00:16:35,080 Speaker 1: was like, I'm just in the middle of watching Uncut Gems. 257 00:16:35,120 --> 00:16:39,280 Speaker 1: Like what it feels very weird, Like I feel sort 258 00:16:39,320 --> 00:16:42,920 Speaker 1: of invasive seeing you in the middle of experiencing Uncut Gems. 259 00:16:43,000 --> 00:16:45,600 Speaker 1: You should go back take care of that. People keep 260 00:16:45,640 --> 00:16:48,520 Speaker 1: telling me you've got to watch it. It's so stressful. 261 00:16:49,520 --> 00:16:54,520 Speaker 1: That's not You'll feel so bad, so bad, but then 262 00:16:54,520 --> 00:16:57,160 Speaker 1: I guess to the end and you'll feel worse. Right, 263 00:16:57,800 --> 00:17:00,880 Speaker 1: I can't wait to spend my very small amount of 264 00:17:01,000 --> 00:17:05,040 Speaker 1: entertainment hours feel bad and stressed out. Yes, so I 265 00:17:05,040 --> 00:17:07,879 Speaker 1: felt recommending Succession to people and like the very when 266 00:17:07,920 --> 00:17:10,320 Speaker 1: it first came out, I was like, you should watch it. 267 00:17:10,320 --> 00:17:12,719 Speaker 1: It's really good. But also I don't want to make you. 268 00:17:12,920 --> 00:17:15,159 Speaker 1: I mean, your your day might be it's going to 269 00:17:15,240 --> 00:17:18,639 Speaker 1: be a dark end to your day. Yeah. We watched 270 00:17:19,359 --> 00:17:22,879 Speaker 1: Succession too, and it was very true. All right. We 271 00:17:22,920 --> 00:17:24,680 Speaker 1: had to take a break because we were midway through 272 00:17:24,680 --> 00:17:28,560 Speaker 1: season one, like during the election, and it was just like, 273 00:17:28,600 --> 00:17:33,240 Speaker 1: I can't keep watching these things. But we went back 274 00:17:33,240 --> 00:17:35,440 Speaker 1: to it and loved it. Yeah, it was definitely worth it, 275 00:17:35,520 --> 00:17:41,240 Speaker 1: definitely worth it. Myself and Adam Sandler are sort of relationship. Adam, 276 00:17:43,760 --> 00:17:48,840 Speaker 1: I've seen bedtime stories on Accedent. We know that film. Yeah, 277 00:17:48,840 --> 00:17:51,439 Speaker 1: I don't know if he even somehow I saw some 278 00:17:51,520 --> 00:17:53,479 Speaker 1: of that and it was pretty bad. I was like 279 00:17:53,720 --> 00:17:56,760 Speaker 1: an age where I knew it was bad. It was 280 00:17:56,760 --> 00:17:59,119 Speaker 1: like a high school It's like this, I think this 281 00:17:59,240 --> 00:18:00,719 Speaker 1: might not be a good in the movie, but it 282 00:18:00,800 --> 00:18:02,760 Speaker 1: was I don't think people are talking about how good 283 00:18:02,760 --> 00:18:07,800 Speaker 1: Bedtime Stories is. So And then I've seen part of 284 00:18:07,840 --> 00:18:13,720 Speaker 1: fifty First Dates and Dates, yeah, I guessaw the beginning 285 00:18:13,760 --> 00:18:17,040 Speaker 1: and the end. Well yeah, then I saw the trailers 286 00:18:17,200 --> 00:18:23,840 Speaker 1: You've got it's close enough. Yeah, basically the movie. H 287 00:18:24,760 --> 00:18:27,000 Speaker 1: what about you? What's your Adam Sandler take? Well, I mean, 288 00:18:27,359 --> 00:18:29,600 Speaker 1: you know, when I was a kid, it was I 289 00:18:29,640 --> 00:18:33,200 Speaker 1: guess Billy Now Happy Gilmore was the first one I saw. 290 00:18:33,920 --> 00:18:38,040 Speaker 1: The Happy Gilmore's It's funny. It's funny, it's a little aggressive, 291 00:18:38,400 --> 00:18:40,960 Speaker 1: it's very loud, um. And that was always my problem 292 00:18:41,000 --> 00:18:43,960 Speaker 1: with Billy Madison is just a lot of screaming, um, 293 00:18:43,960 --> 00:18:46,400 Speaker 1: and that was always too much. But I will say 294 00:18:46,400 --> 00:18:48,320 Speaker 1: that I thought Fifty First Dates was really kind of 295 00:18:48,320 --> 00:18:53,560 Speaker 1: sweet and poignant too. Um. I mean, he's he's got 296 00:18:53,640 --> 00:18:57,880 Speaker 1: that even in what I would say. I've actually seen 297 00:18:57,920 --> 00:19:00,040 Speaker 1: a lot of his movies, I guess, uh, and I 298 00:19:00,080 --> 00:19:03,199 Speaker 1: don't like any of them, like Big Daddy, uh some 299 00:19:03,320 --> 00:19:06,680 Speaker 1: of those, And I was like, he does put heart 300 00:19:06,760 --> 00:19:09,800 Speaker 1: into them. Um, it's just hard because he does these 301 00:19:09,840 --> 00:19:14,040 Speaker 1: like intentionally obnoxious characters a lot. Um. But but you 302 00:19:14,080 --> 00:19:18,840 Speaker 1: know they're sweet. Little NICKI actually surprised me in its sweetness. 303 00:19:19,560 --> 00:19:21,320 Speaker 1: It is hard to watch him do that character for 304 00:19:21,400 --> 00:19:24,159 Speaker 1: ninety minutes, but it's got it's got some heart to it. 305 00:19:25,440 --> 00:19:27,840 Speaker 1: I don't know, I like I like to I loved 306 00:19:27,840 --> 00:19:31,399 Speaker 1: wedding singer um when I was in high school, and 307 00:19:32,280 --> 00:19:35,120 Speaker 1: I liked I like his sweeter ones, I guess more 308 00:19:35,160 --> 00:19:43,159 Speaker 1: than his screaming obnoxious child's men child. Yeah, yeah, I 309 00:19:43,200 --> 00:19:45,560 Speaker 1: think so. I think it's a pretty reasonable take. I 310 00:19:45,600 --> 00:19:49,520 Speaker 1: did walk out of Punch Drunk Love that was supposed 311 00:19:49,520 --> 00:19:53,119 Speaker 1: to be his like first, I don't know, serious type 312 00:19:53,160 --> 00:19:56,560 Speaker 1: of or whatever. Yeah, I was like, first, like I'm 313 00:19:56,840 --> 00:19:59,320 Speaker 1: gonna try this acting thing, and a lot of people 314 00:19:59,359 --> 00:20:02,040 Speaker 1: really like it, and I just was like, okay, I'm 315 00:20:02,040 --> 00:20:04,320 Speaker 1: gonna go. I think I went and saw eight Mile. 316 00:20:06,200 --> 00:20:08,760 Speaker 1: I went to see eight Mile. It's a good switch. 317 00:20:10,520 --> 00:20:13,360 Speaker 1: I didn't regret it at the time. I feel fine 318 00:20:13,359 --> 00:20:16,320 Speaker 1: about it now. So I don't know. Yeah, but this 319 00:20:16,359 --> 00:20:19,200 Speaker 1: movie surprised me because I really definitely saw the trailer 320 00:20:19,240 --> 00:20:20,639 Speaker 1: for this when it came out, and I was like, 321 00:20:20,720 --> 00:20:23,399 Speaker 1: that sounds so creepy that she can't remember him and 322 00:20:23,440 --> 00:20:26,200 Speaker 1: he can do anything. You know, at any time, you 323 00:20:26,200 --> 00:20:28,679 Speaker 1: would not have any idea the next day. That's really 324 00:20:31,119 --> 00:20:33,520 Speaker 1: I was like, I'm not watching that ship. Yeah, we're 325 00:20:33,560 --> 00:20:36,080 Speaker 1: watching it. Was like, no, they really addressed that. They 326 00:20:36,119 --> 00:20:38,960 Speaker 1: you know, they made it. They made it work well. 327 00:20:39,000 --> 00:20:41,280 Speaker 1: I guess for the listeners real quick who aren't familiar 328 00:20:41,280 --> 00:20:44,560 Speaker 1: with the movie, just to recap, it is about Adam 329 00:20:44,640 --> 00:20:47,480 Speaker 1: Sandler is for some reason at the beginning of the movie, 330 00:20:48,520 --> 00:20:53,320 Speaker 1: a nasty con man lies to women with them and 331 00:20:54,480 --> 00:20:56,359 Speaker 1: I hadn't seen this in years. And then we watched 332 00:20:56,400 --> 00:20:58,800 Speaker 1: the trailer for it before this recording, and I was like, 333 00:21:00,320 --> 00:21:02,800 Speaker 1: because I remember the end of it being very sweet 334 00:21:02,840 --> 00:21:04,600 Speaker 1: and their kind of relationship between the two of them 335 00:21:04,640 --> 00:21:07,640 Speaker 1: being quite sweet, and that's the only thing I held onto. 336 00:21:07,960 --> 00:21:11,960 Speaker 1: And then see him like pretend to be a spy 337 00:21:12,040 --> 00:21:14,320 Speaker 1: and there's like a whole rotating door of white women 338 00:21:14,359 --> 00:21:17,639 Speaker 1: that he's been going out with. What the heck? And 339 00:21:17,880 --> 00:21:21,000 Speaker 1: and Kevin James that one time, So I guess he's 340 00:21:21,040 --> 00:21:23,320 Speaker 1: open to experimentation. Is that what we needed to know 341 00:21:23,320 --> 00:21:26,320 Speaker 1: about Henry? And then that only lasts for like the 342 00:21:26,359 --> 00:21:28,080 Speaker 1: first ten minutes of the movie, and then all of 343 00:21:28,119 --> 00:21:31,400 Speaker 1: a sudden, he's very sweet and kind and like wants 344 00:21:31,440 --> 00:21:33,000 Speaker 1: to do the right thing all the time, So it's 345 00:21:33,240 --> 00:21:36,640 Speaker 1: it was super weird to me. Couldn't the movie right? 346 00:21:38,040 --> 00:21:39,600 Speaker 1: Made't know that in two thousand four, you know what? 347 00:21:39,600 --> 00:21:41,680 Speaker 1: I think that was? That's true. We were all learning 348 00:21:41,960 --> 00:21:44,800 Speaker 1: as we're unaware that then could just be nice to women. 349 00:21:45,520 --> 00:21:52,320 Speaker 1: I don't think. So. Isn't he like a vet or something? 350 00:21:52,320 --> 00:21:54,960 Speaker 1: I saw him with the wallet. He's a marine vet 351 00:21:55,440 --> 00:21:58,919 Speaker 1: or I don't know, not a not a military marine, 352 00:21:58,960 --> 00:22:06,359 Speaker 1: but he's an if you're a marine and you have 353 00:22:06,400 --> 00:22:09,919 Speaker 1: a dog, he will look at it. He's on it 354 00:22:10,520 --> 00:22:14,440 Speaker 1: an aquarium. Yeah, he's like an aquarium vet um and 355 00:22:14,560 --> 00:22:17,440 Speaker 1: uh and and he meets Drew Barrymore at a cafe 356 00:22:18,080 --> 00:22:22,520 Speaker 1: and she has a made up condition they called it 357 00:22:22,560 --> 00:22:26,640 Speaker 1: in the movie like what was it called? Phelp gold? 358 00:22:26,920 --> 00:22:28,960 Speaker 1: It was something weird, like something right, I guess we 359 00:22:29,000 --> 00:22:32,760 Speaker 1: should have totally invented. But it is a sort of 360 00:22:33,080 --> 00:22:36,200 Speaker 1: version of Aigrain amnesia where every day she wakes up 361 00:22:36,520 --> 00:22:40,440 Speaker 1: and can't remember anything after this car accident that she has. 362 00:22:40,520 --> 00:22:43,960 Speaker 1: She still thinks it's how many how long has it been? 363 00:22:44,040 --> 00:22:46,640 Speaker 1: Have been a year? Been a year? So she still 364 00:22:46,640 --> 00:22:49,399 Speaker 1: thought it was a year before and her dad and brother, 365 00:22:49,480 --> 00:22:52,560 Speaker 1: for some reason, we're like making her relive the same 366 00:22:52,680 --> 00:22:55,359 Speaker 1: day over and over again, so it was always his 367 00:22:55,440 --> 00:22:57,919 Speaker 1: birthday for a year, and she would paint a mural 368 00:22:57,960 --> 00:22:59,760 Speaker 1: and they would paint over it after she was just 369 00:23:00,680 --> 00:23:03,080 Speaker 1: they would replace a newspaper. I was just like, why 370 00:23:03,119 --> 00:23:07,120 Speaker 1: are you doing this? Her brother played by Sean Aston, 371 00:23:08,280 --> 00:23:11,040 Speaker 1: coming straight out of Lord of the Rings, who apparently 372 00:23:11,080 --> 00:23:16,920 Speaker 1: just wanted something very different and he found that. I mean, 373 00:23:16,960 --> 00:23:22,440 Speaker 1: if nothing else was definitely different. He had a mess 374 00:23:22,480 --> 00:23:26,440 Speaker 1: shirts on and stuff long way from the potato stew 375 00:23:27,080 --> 00:23:33,520 Speaker 1: share the Lord Mr Frodo. But interestingly enough, like kind 376 00:23:33,520 --> 00:23:36,320 Speaker 1: of we were talking about with this movie, he is 377 00:23:37,119 --> 00:23:40,159 Speaker 1: this character who I think, ten years earlier, in like 378 00:23:40,200 --> 00:23:42,800 Speaker 1: a nineties movie, would have been the bad guy, like 379 00:23:42,840 --> 00:23:47,280 Speaker 1: this jock asshole, but he's also ultimately very sweet. He's 380 00:23:47,280 --> 00:23:49,240 Speaker 1: just kind of dumb. And I think the only way 381 00:23:49,280 --> 00:23:53,280 Speaker 1: this movie works is that every character is actually incredibly 382 00:23:53,359 --> 00:23:57,600 Speaker 1: sweet at the end of the day, because otherwise, any 383 00:23:57,640 --> 00:24:00,920 Speaker 1: one of them she would be constant under constant threat 384 00:24:00,920 --> 00:24:03,440 Speaker 1: of being taken advantage of, I think, and it only 385 00:24:03,480 --> 00:24:06,760 Speaker 1: works because everyone in the movie is never going to 386 00:24:06,880 --> 00:24:10,080 Speaker 1: do that. Yeah, it's yeah, it was definitely I was like, 387 00:24:10,119 --> 00:24:13,000 Speaker 1: how do I feel like rom com vibes when I'm 388 00:24:13,040 --> 00:24:17,240 Speaker 1: like constantly on the alert inappropriate it. It really is 389 00:24:17,280 --> 00:24:20,080 Speaker 1: a lot of love between all the characters, which is nice, 390 00:24:20,480 --> 00:24:24,520 Speaker 1: but it is truly funny that, like if you get 391 00:24:24,560 --> 00:24:25,959 Speaker 1: in a car crash and then your dad and your 392 00:24:26,000 --> 00:24:28,200 Speaker 1: brother are like, I guess we have to do this 393 00:24:28,320 --> 00:24:30,720 Speaker 1: day over and over again for a year, Like how 394 00:24:30,920 --> 00:24:37,600 Speaker 1: was that possibly the best solution? Exprageous exactly, and the 395 00:24:37,640 --> 00:24:39,920 Speaker 1: fact that it lasted a whole year before anyone else 396 00:24:39,960 --> 00:24:42,040 Speaker 1: came along and said, why don't we try something different? 397 00:24:42,680 --> 00:24:46,840 Speaker 1: I did that for two days exactly. The first time 398 00:24:46,880 --> 00:24:49,760 Speaker 1: I had to repaint a mural, I'd be like, thought this, yeah, 399 00:24:50,240 --> 00:24:54,720 Speaker 1: I'm not having another pineapple upside down cake. I pretending either, like, 400 00:24:54,720 --> 00:24:57,280 Speaker 1: oh yeah, let's definitely get a pineapple for the first time, 401 00:24:57,400 --> 00:25:01,920 Speaker 1: not the seventh time. This week, they watched The Sixth 402 00:25:01,960 --> 00:25:05,320 Speaker 1: Cents every night because that she bought her dad for 403 00:25:05,400 --> 00:25:08,240 Speaker 1: his birthday the vhs of six Cents and they have 404 00:25:08,320 --> 00:25:10,760 Speaker 1: to pretend he's getting it as his gift and then 405 00:25:10,800 --> 00:25:12,600 Speaker 1: watch it every night and pretend they don't know the 406 00:25:12,680 --> 00:25:17,400 Speaker 1: ending twist. There's definitely like the third time I would 407 00:25:17,400 --> 00:25:23,440 Speaker 1: have broken yeah, yeah, yeah, anyway, let's just tell her 408 00:25:23,520 --> 00:25:27,880 Speaker 1: the truth. So Adam Sandler comes along, falls in love 409 00:25:27,920 --> 00:25:32,919 Speaker 1: with her, uh, meets her every day uh, and and 410 00:25:33,040 --> 00:25:36,320 Speaker 1: reintroduces himself because he just at first he's I think 411 00:25:36,320 --> 00:25:38,080 Speaker 1: he's trying to prove to himself that he can make 412 00:25:38,119 --> 00:25:41,200 Speaker 1: this girl like him over and over again. But eventually 413 00:25:41,240 --> 00:25:43,440 Speaker 1: he just wants to spend an hour hanging out with her, 414 00:25:44,000 --> 00:25:47,600 Speaker 1: like like like a first date. I guess every day, 415 00:25:47,640 --> 00:25:51,280 Speaker 1: and she almost always goes for it. Um gets a 416 00:25:51,320 --> 00:25:54,240 Speaker 1: little weird into the He kind of manipulates her a 417 00:25:54,240 --> 00:25:56,600 Speaker 1: little bit, like when he ties himself up on the 418 00:25:56,640 --> 00:25:59,359 Speaker 1: side of the road pretending to be kidnapped, knowing that 419 00:25:59,359 --> 00:26:02,480 Speaker 1: she's going to dry I buy waiting for her. He 420 00:26:02,560 --> 00:26:05,240 Speaker 1: gets Rob Schneider if I can pause and talk about 421 00:26:05,280 --> 00:26:07,240 Speaker 1: Rob Schneider in this movie for a second. He was 422 00:26:07,280 --> 00:26:11,840 Speaker 1: doing this weird like brown face and accent Hawaiian accent 423 00:26:11,920 --> 00:26:15,520 Speaker 1: that he's gotten no business. There's no place of origin 424 00:26:15,640 --> 00:26:19,800 Speaker 1: for that accent. It is from all over the world. Yeah, yeah, 425 00:26:19,920 --> 00:26:22,560 Speaker 1: that's uncomfortable. It was weird. And then he had these 426 00:26:22,560 --> 00:26:26,200 Speaker 1: pineapple like leaves or banana leaves, and he was doing 427 00:26:26,240 --> 00:26:28,480 Speaker 1: some weird dance that I feel like he shouldn't be 428 00:26:28,520 --> 00:26:32,200 Speaker 1: allowed to do right. Yeah, I don't know. In every 429 00:26:32,240 --> 00:26:35,280 Speaker 1: two thousan four film there's a character who now watching it, 430 00:26:35,280 --> 00:26:37,160 Speaker 1: it's like, oh, I don't think this should be allowed, 431 00:26:38,200 --> 00:26:43,959 Speaker 1: like the whole person. Yeah, today sixty of those characters 432 00:26:43,960 --> 00:26:47,320 Speaker 1: are played by Rob Schneider. Yeah, he seems to really 433 00:26:47,440 --> 00:26:52,760 Speaker 1: take to those roles. Yeah. I wonder what that says anything. 434 00:26:53,240 --> 00:26:55,840 Speaker 1: Um So Yeah, so she she does end up kind 435 00:26:55,840 --> 00:26:58,720 Speaker 1: of falling for him. Day after day. He decides to 436 00:26:58,800 --> 00:27:01,919 Speaker 1: make her a video help her every morning wake up 437 00:27:01,920 --> 00:27:04,399 Speaker 1: and watch it and understand what has happened to her 438 00:27:04,560 --> 00:27:08,360 Speaker 1: her life catch up. Yeah, but she doesn't remember. Some 439 00:27:08,440 --> 00:27:11,560 Speaker 1: days she reacts well to it. Others she reacts less 440 00:27:11,600 --> 00:27:13,879 Speaker 1: well because every day she learns that a year of 441 00:27:13,920 --> 00:27:15,880 Speaker 1: her life has gone by and she doesn't know any 442 00:27:15,920 --> 00:27:21,080 Speaker 1: of it. Um And they end up. It works out. 443 00:27:21,119 --> 00:27:23,640 Speaker 1: It's a rom com. It works out, it works out, 444 00:27:23,760 --> 00:27:26,359 Speaker 1: it's all great. Yeah, although it's so weird when she 445 00:27:26,400 --> 00:27:29,200 Speaker 1: wakes up to watch a tape and finds out that 446 00:27:29,480 --> 00:27:32,639 Speaker 1: yesterday you were in Hawaii, today and you're in the 447 00:27:32,760 --> 00:27:35,760 Speaker 1: Arctic and you have a five year old child. If 448 00:27:35,800 --> 00:27:39,480 Speaker 1: I woke up and that would just I would I 449 00:27:39,520 --> 00:27:40,879 Speaker 1: don't know what I could. I would have to. I 450 00:27:40,920 --> 00:27:44,800 Speaker 1: would need some time like ninety minutes to myself on clothing, 451 00:27:44,920 --> 00:27:47,560 Speaker 1: just like waking up on a boat. That alone would 452 00:27:47,560 --> 00:27:51,679 Speaker 1: be that alone, shocking, terrifying. Right in my own neighborhood 453 00:27:51,680 --> 00:27:56,320 Speaker 1: on a boat, I would shock a different surprise to 454 00:27:56,359 --> 00:27:58,560 Speaker 1: wake up on a boat in West Hollywood. Yeah, it 455 00:27:58,640 --> 00:28:03,480 Speaker 1: would really throw me for a little and weirder in Atlanta, Atlanta, 456 00:28:03,480 --> 00:28:07,880 Speaker 1: I would like, what wait, what be on the lake somewhere? Um? 457 00:28:07,920 --> 00:28:10,080 Speaker 1: But yeah, and he wins over her dad and brother 458 00:28:10,119 --> 00:28:12,480 Speaker 1: as well, because at first they're like, don't come near her. 459 00:28:12,640 --> 00:28:15,440 Speaker 1: She's got this this memory thing and all you're gonna 460 00:28:15,480 --> 00:28:17,879 Speaker 1: do is be a creep. And then they find out, Okay, 461 00:28:17,880 --> 00:28:19,919 Speaker 1: he's not a creep. He's a cool guy. She clearly 462 00:28:19,920 --> 00:28:22,240 Speaker 1: cares about him, so he wins them over. And that's 463 00:28:22,280 --> 00:28:24,320 Speaker 1: kind of cute too that it's sort of almost the 464 00:28:24,520 --> 00:28:27,680 Speaker 1: long term relationship is almost with her family rather than 465 00:28:27,720 --> 00:28:30,280 Speaker 1: her because she can't remember, so I thought that was 466 00:28:30,320 --> 00:28:33,919 Speaker 1: kind of an interesting angle for that. But yeah, he 467 00:28:33,960 --> 00:28:35,919 Speaker 1: does sort of date her dad and her brother more 468 00:28:35,960 --> 00:28:39,360 Speaker 1: than he dates her, and it has to Yeah, be 469 00:28:39,400 --> 00:28:43,160 Speaker 1: like I brought flowers, give them to her how it goes. 470 00:28:44,080 --> 00:28:48,280 Speaker 1: It goes you're dating their dad and their brother and 471 00:28:48,680 --> 00:28:53,200 Speaker 1: you know best, and then you choose which one you 472 00:28:53,200 --> 00:28:55,080 Speaker 1: like the best, and you married up and you marry 473 00:28:55,120 --> 00:28:59,240 Speaker 1: that one. You'll see all of them family reunions. It's 474 00:28:59,240 --> 00:29:03,040 Speaker 1: going to be right. It's not weird, not weird at all. 475 00:29:03,200 --> 00:29:07,520 Speaker 1: It's the what was that movie? River runs through it? 476 00:29:06,400 --> 00:29:08,760 Speaker 1: I don't know why is that Brad Pitt movie where 477 00:29:08,840 --> 00:29:19,280 Speaker 1: she basically is every single brother just allegen queenship. He 478 00:29:19,400 --> 00:29:24,120 Speaker 1: got them all all not bad. The only other thing 479 00:29:24,160 --> 00:29:27,160 Speaker 1: I remember about the film that really stuck with me 480 00:29:27,280 --> 00:29:30,400 Speaker 1: was waffles. There's waffles in that movie that looks so good. 481 00:29:30,760 --> 00:29:36,600 Speaker 1: I remember that you only saw part of it. This 482 00:29:36,640 --> 00:29:39,360 Speaker 1: is Sienna brains. Sienna, My brains are very much like 483 00:29:39,360 --> 00:29:42,560 Speaker 1: a ven diagram, and in the middle is waffles. And 484 00:29:43,360 --> 00:29:49,400 Speaker 1: like Smash the NBC show, that's great good venn diagram, 485 00:29:49,560 --> 00:29:52,520 Speaker 1: Waffles is a good thing to fixate on. I feel safe, 486 00:29:52,840 --> 00:29:57,200 Speaker 1: delicious breakfast food. I'll say I'll do a little uh 487 00:29:57,600 --> 00:30:00,800 Speaker 1: inside baseball here because it gave me a little PTSD 488 00:30:00,840 --> 00:30:04,840 Speaker 1: because I used to work props on movies and um 489 00:30:04,880 --> 00:30:08,400 Speaker 1: watching and a breakfast scene is just going to be 490 00:30:08,480 --> 00:30:11,880 Speaker 1: the worst day of your year. And watching her with 491 00:30:11,920 --> 00:30:14,000 Speaker 1: those little waffle houses, I'm like, you know, they had 492 00:30:14,400 --> 00:30:17,800 Speaker 1: sixteen to those waffle houses off camera and somebody spent 493 00:30:17,840 --> 00:30:22,840 Speaker 1: the whole night making them. And it's I don't know 494 00:30:22,880 --> 00:30:25,080 Speaker 1: how Drew Barrymore is, but some actors would be like, 495 00:30:25,120 --> 00:30:27,240 Speaker 1: these waffles need to be hot. I'm not doing this 496 00:30:27,320 --> 00:30:31,120 Speaker 1: scene if they're not, even if she's not eating them. Uh, 497 00:30:31,160 --> 00:30:34,920 Speaker 1: lots of stuff like that. But but you know, they 498 00:30:34,960 --> 00:30:38,640 Speaker 1: did a good job with it. In perspective, it was amazing. 499 00:30:38,960 --> 00:30:41,360 Speaker 1: So whatever ever suffered for it, it was worth it. 500 00:30:41,760 --> 00:30:45,720 Speaker 1: Exactly exactly whoever it sucked for, thank you, Thank you 501 00:30:45,760 --> 00:30:49,160 Speaker 1: for your service. And I will say they were she 502 00:30:49,480 --> 00:30:52,320 Speaker 1: They were pretty much dry waffles, which is a huge help. 503 00:30:53,120 --> 00:30:55,720 Speaker 1: And that might have been Adam Sandler, I've heard is 504 00:30:55,760 --> 00:30:57,720 Speaker 1: like one of the best people to work for in Hollywood. 505 00:30:58,160 --> 00:31:02,800 Speaker 1: Takes care of everyone. Apparently this movie itself was originally 506 00:31:02,800 --> 00:31:05,600 Speaker 1: written to take place in Seattle, and he said let's 507 00:31:05,800 --> 00:31:10,600 Speaker 1: go to Hawaii instead, and writing movies that take place 508 00:31:10,640 --> 00:31:12,280 Speaker 1: in Hawaii just so he can bring all his friends 509 00:31:12,320 --> 00:31:16,840 Speaker 1: out there and have fun making a movie. Maybe maybe 510 00:31:16,840 --> 00:31:18,760 Speaker 1: he was like, no Syrup that's too hard in the 511 00:31:18,760 --> 00:31:24,600 Speaker 1: props people. Whenever there's somebody who's kind of like they 512 00:31:24,640 --> 00:31:28,640 Speaker 1: have weird characters or there, their stuff could be obnoxious. 513 00:31:28,640 --> 00:31:29,800 Speaker 1: I haven't seen a lot of his stuff. I know 514 00:31:29,880 --> 00:31:33,360 Speaker 1: it's like people like it. But since he plays a 515 00:31:33,400 --> 00:31:36,760 Speaker 1: lot of screaming little boys, I'm like, he must be 516 00:31:37,320 --> 00:31:39,520 Speaker 1: really good to work with because he's made a lot 517 00:31:39,520 --> 00:31:41,600 Speaker 1: of movies, and so there are people who could be 518 00:31:41,640 --> 00:31:43,760 Speaker 1: screaming little boys on screen and then also screaming little 519 00:31:43,760 --> 00:31:47,239 Speaker 1: boys off screen, and the successful ones, You're like, I 520 00:31:47,280 --> 00:31:50,400 Speaker 1: bet they're great. Yeah, I bet they call for dry 521 00:31:50,400 --> 00:31:54,680 Speaker 1: waffles on set. Absolutely, Like, don't suck this up too much, 522 00:31:54,720 --> 00:31:56,280 Speaker 1: because I don't want to make the props guy make 523 00:31:56,320 --> 00:32:02,120 Speaker 1: a whole other one tired. Let him goes someone shaking 524 00:32:02,120 --> 00:32:08,120 Speaker 1: in the corner, surrounded by waffle scraps. Ye've been there. 525 00:32:08,200 --> 00:32:13,880 Speaker 1: Don't make another house a tower this time. Why. I'm 526 00:32:13,920 --> 00:32:20,400 Speaker 1: not an architect. I'm just a waffle maker. I'm just 527 00:32:20,520 --> 00:32:29,000 Speaker 1: a humble studio waffle maker. The script we found out 528 00:32:29,000 --> 00:32:34,120 Speaker 1: was originally called fifty Feet Kisses. That's where Drew Barrymore 529 00:32:34,280 --> 00:32:36,400 Speaker 1: says several times in the movie, can we have another 530 00:32:36,440 --> 00:32:41,000 Speaker 1: first kiss? Um? Oh, there's nothing like a first kiss 531 00:32:41,640 --> 00:32:48,760 Speaker 1: every time. Um. I read two things. One I AMDB 532 00:32:48,880 --> 00:32:51,480 Speaker 1: Trivia said they changed it because they didn't want to 533 00:32:51,560 --> 00:32:57,360 Speaker 1: confuse people with Drew Barrymore's movie Never Been Kissed. Um, 534 00:32:57,400 --> 00:33:00,760 Speaker 1: But the director said that the marketing department found that 535 00:33:00,800 --> 00:33:11,000 Speaker 1: the word kisses was turning off male audiences. Men don't kissing. 536 00:33:12,480 --> 00:33:21,040 Speaker 1: From my experience one time, I mean, I'll share it 537 00:33:21,080 --> 00:33:22,840 Speaker 1: on the pot. This is a romantic policy, bring it. 538 00:33:22,920 --> 00:33:25,200 Speaker 1: I went on a hinge date last summer and the 539 00:33:25,240 --> 00:33:27,080 Speaker 1: only thing really that we did was kiss And then 540 00:33:27,160 --> 00:33:29,320 Speaker 1: later he was like, I'm just not feeling it romantically 541 00:33:30,920 --> 00:33:33,240 Speaker 1: all the kissing, and I was like what My friend 542 00:33:33,320 --> 00:33:36,440 Speaker 1: was like, Yeah, I love kissing non romantically. What what 543 00:33:36,480 --> 00:33:43,640 Speaker 1: are you saying? Professional kissing? Very business like? Would have 544 00:33:43,640 --> 00:33:51,160 Speaker 1: hated that title. Yeah, first dates. I'm in tender men 545 00:33:51,280 --> 00:33:59,080 Speaker 1: kissing right, fascinating? Well, I guess what are we? Three 546 00:33:59,120 --> 00:34:02,000 Speaker 1: to one women to men? Is that the gender ratio 547 00:34:02,040 --> 00:34:05,960 Speaker 1: of this current zoom? Yeah? Okay, so Eli as a man, Yeah, 548 00:34:06,240 --> 00:34:10,839 Speaker 1: could you see fifty kisses? I mean technically I didn't 549 00:34:10,880 --> 00:34:14,000 Speaker 1: see fifty first dates for a long time. I my 550 00:34:14,080 --> 00:34:20,759 Speaker 1: choice the title wasn't what was maybe the group was 551 00:34:20,800 --> 00:34:24,319 Speaker 1: not being asked the right questions, right, yea, yeah, I 552 00:34:24,360 --> 00:34:27,279 Speaker 1: need more information about what was being asked to the room, 553 00:34:27,360 --> 00:34:29,080 Speaker 1: what was being showed in the room. But I will 554 00:34:29,120 --> 00:34:33,080 Speaker 1: say I never saw, never been kissed. Um what kissed 555 00:34:33,080 --> 00:34:37,480 Speaker 1: movies have I seen? I saw? Um? No, I'm trying 556 00:34:37,480 --> 00:34:40,880 Speaker 1: to I didn't see kissed the girls. I didn't see. 557 00:34:41,440 --> 00:34:42,960 Speaker 1: I can't think of other movies that have kissed in 558 00:34:42,960 --> 00:34:46,080 Speaker 1: the title. Maybe maybe you do hate maybe I do 559 00:34:46,160 --> 00:34:50,040 Speaker 1: hate kisses I have. Do you think more men would 560 00:34:50,080 --> 00:34:51,839 Speaker 1: have seen it? This is allowed to ask the women 561 00:34:51,880 --> 00:34:54,520 Speaker 1: would have seen it if it was fifty first six, 562 00:34:56,640 --> 00:35:04,040 Speaker 1: first six, probably right waiting into it because kisses, they're like, 563 00:35:04,120 --> 00:35:13,520 Speaker 1: oh oh sex, no kissing, very pretty woman about it, 564 00:35:14,719 --> 00:35:21,879 Speaker 1: kissing sex all met first bang bang, Yes, well that's 565 00:35:21,960 --> 00:35:25,359 Speaker 1: weirst experience that on our podcast. We both got bangs. Yes, 566 00:35:27,880 --> 00:35:32,719 Speaker 1: I have to clarify. Yeah, oh, and yes, you can 567 00:35:32,760 --> 00:35:35,239 Speaker 1: say anything in this podcast. We're explicit every episode. So 568 00:35:35,600 --> 00:35:41,399 Speaker 1: oh great, great, Yeah, get ready say your favorite curse 569 00:35:41,480 --> 00:35:47,640 Speaker 1: for now. She's been holding onto that for a while 570 00:35:51,080 --> 00:36:01,600 Speaker 1: every hour. Fair, that's her weird anything she forgets if 571 00:36:01,600 --> 00:36:05,040 Speaker 1: she said it, yeah, I better go for it. Just 572 00:36:05,520 --> 00:36:07,960 Speaker 1: she'll forget everything. If she doesn't say asked once an hour, 573 00:36:10,840 --> 00:36:13,600 Speaker 1: let's make that movie. If we could just be making 574 00:36:13,640 --> 00:36:19,840 Speaker 1: shut up, let's do it. So okay, So at the 575 00:36:19,920 --> 00:36:22,720 Speaker 1: end of the day, this movie is about a sweet couple. 576 00:36:22,920 --> 00:36:25,200 Speaker 1: A woman who can't remember who wakes up every day 577 00:36:25,280 --> 00:36:30,080 Speaker 1: realizing that she's spend dating Adam Sandler for a while. Um, 578 00:36:30,120 --> 00:36:31,960 Speaker 1: and one day wakes up and realizes that she has 579 00:36:32,000 --> 00:36:35,120 Speaker 1: a five year old son with him or daughter is 580 00:36:35,120 --> 00:36:40,720 Speaker 1: a daughter? Yeah? Yeah, yeah. There is a horror movie 581 00:36:40,800 --> 00:36:42,960 Speaker 1: version of this out there, which she points out in 582 00:36:43,000 --> 00:36:45,560 Speaker 1: the movie, but we don't see. Is the while she 583 00:36:45,680 --> 00:36:49,239 Speaker 1: was pregnant. Can you imagine waking up pregnant and have 584 00:36:49,400 --> 00:36:53,080 Speaker 1: to like watch a freaking videotape that's explaining to you, 585 00:36:53,200 --> 00:36:58,840 Speaker 1: oh why you are suddenly have alien like aliens have 586 00:36:58,880 --> 00:37:01,600 Speaker 1: a trauma. The day you give birth would be the 587 00:37:01,600 --> 00:37:05,400 Speaker 1: most horrifying. Bay you wake up and they have to 588 00:37:05,440 --> 00:37:08,479 Speaker 1: take you to the hospital and you were like, what, 589 00:37:09,600 --> 00:37:12,040 Speaker 1: I'm not doing that, don't don't worry, You'll forget it 590 00:37:12,080 --> 00:37:17,879 Speaker 1: tomorrow your boat and are pregnant, Like that's too much? Yeah, 591 00:37:17,920 --> 00:37:19,680 Speaker 1: and what if, like, are you sure I signed up 592 00:37:19,719 --> 00:37:21,880 Speaker 1: for this? Show me a tape of me saying yesterday, 593 00:37:22,600 --> 00:37:26,040 Speaker 1: that is what I need to say of consent going on. 594 00:37:26,120 --> 00:37:29,120 Speaker 1: What if it's one of those multi day labors too, Yeah, 595 00:37:30,560 --> 00:37:33,120 Speaker 1: she could forget after she falls asleep, wake up and 596 00:37:33,160 --> 00:37:39,399 Speaker 1: you're already in labor. Does it is her? Is her 597 00:37:39,400 --> 00:37:43,799 Speaker 1: memory thing? It resets when she goes to bed, right roughly? Yeah, 598 00:37:43,960 --> 00:37:47,160 Speaker 1: and after she went to sleep, Yeah, she would wake 599 00:37:47,239 --> 00:37:51,360 Speaker 1: up the next day. Just keep her awake. I wondered, 600 00:37:51,400 --> 00:37:58,719 Speaker 1: what happens? What about naps? She forgets a little, she 601 00:37:58,760 --> 00:38:02,919 Speaker 1: forgets that morning she remembers going down for the nap, 602 00:38:03,360 --> 00:38:06,000 Speaker 1: right right? Um, I will say I think the Walrus 603 00:38:06,520 --> 00:38:09,840 Speaker 1: stole the show. The Wals name his name Jacko, and 604 00:38:10,520 --> 00:38:15,080 Speaker 1: it's Adam Sandler's best friend. Besides because his other best 605 00:38:15,120 --> 00:38:19,320 Speaker 1: friends Rob Schneiders. Anyway, Jackie's best friend. He's a better listener, 606 00:38:19,960 --> 00:38:22,520 Speaker 1: gives great so you might there here is a world 607 00:38:22,560 --> 00:38:26,000 Speaker 1: in which Drew Barrymore wakes up nine months pregnant, married 608 00:38:26,040 --> 00:38:29,520 Speaker 1: to a man whose best friend is a Walrus exactly 609 00:38:30,480 --> 00:38:38,759 Speaker 1: and Rob Schneider problematic person of Rob Schneider. Things you say, 610 00:38:38,920 --> 00:38:44,359 Speaker 1: the worst it gets. That is a horror right there? Yeah, 611 00:38:45,239 --> 00:38:47,920 Speaker 1: happen to me. I really don't want the don't want that. 612 00:38:48,960 --> 00:38:54,000 Speaker 1: I'll be the first to say please. Well. Fortunately, the 613 00:38:54,080 --> 00:38:56,960 Speaker 1: near psychologist Sally Backs and Deli mentioned earlier, says the 614 00:38:56,960 --> 00:39:00,359 Speaker 1: movie falls into Hollywood traditions of pretty much picking up 615 00:39:00,360 --> 00:39:04,160 Speaker 1: an amnesia condition in the plot device. She also says, 616 00:39:04,680 --> 00:39:08,760 Speaker 1: quote some viewers might envy Miss Barrymore's ability to forget 617 00:39:08,760 --> 00:39:15,600 Speaker 1: her romantic encounters with Mr Sandler. You know, you were 618 00:39:15,640 --> 00:39:21,960 Speaker 1: a critic of Diana asked me while we were watching it, 619 00:39:22,520 --> 00:39:24,600 Speaker 1: because I had said, I you know, it must be 620 00:39:24,680 --> 00:39:27,840 Speaker 1: really shocking to you know, your true Barrymore and you 621 00:39:27,880 --> 00:39:30,320 Speaker 1: wake up and you realize that your long term boyfriend 622 00:39:30,400 --> 00:39:33,799 Speaker 1: that you didn't know about is Adam Sandler. And she said, 623 00:39:33,840 --> 00:39:35,799 Speaker 1: would you you know, would you be upset if you 624 00:39:35,800 --> 00:39:38,240 Speaker 1: woke up and found out that I was your wife 625 00:39:38,239 --> 00:39:40,000 Speaker 1: and you had no idea? Oh my god, you're not. 626 00:39:40,680 --> 00:39:45,160 Speaker 1: You're not Adam's risky game to play. I know, Well 627 00:39:45,200 --> 00:39:47,280 Speaker 1: we've been together for a while, so you gotta again 628 00:39:47,600 --> 00:39:53,080 Speaker 1: keep the risk, you know. Yeah, you got to give 629 00:39:53,120 --> 00:39:55,920 Speaker 1: somebody an opportunity to say something that's really gonna upset you. 630 00:39:56,200 --> 00:39:58,279 Speaker 1: If I woke up next to you and it was 631 00:39:58,320 --> 00:40:01,319 Speaker 1: just a strange man in my bed. I would freak out. 632 00:40:01,800 --> 00:40:03,600 Speaker 1: I think I would freak out. And then also we've 633 00:40:03,640 --> 00:40:05,680 Speaker 1: moved a few times. It would be a new house. 634 00:40:06,160 --> 00:40:09,600 Speaker 1: Would I remember my dog? That's very upsetting. But we 635 00:40:09,680 --> 00:40:12,680 Speaker 1: might finally watch our wedding video, which we've never watched. 636 00:40:14,239 --> 00:40:17,760 Speaker 1: So that's right. We're very bad at that. We haven't forgetting. 637 00:40:17,880 --> 00:40:21,280 Speaker 1: We just didn't get cooked together as like a narrative 638 00:40:21,480 --> 00:40:24,839 Speaker 1: or what happens in a wedding video. Great, I don't 639 00:40:24,840 --> 00:40:31,920 Speaker 1: know video. We have no idea. Hopefully with me on 640 00:40:32,040 --> 00:40:36,000 Speaker 1: top of the piano, but I doubt I think he 641 00:40:36,080 --> 00:40:37,560 Speaker 1: was gone by then. No, I saw you on the 642 00:40:37,600 --> 00:40:41,000 Speaker 1: top of the piano. No, the videographer rapher. But we 643 00:40:41,040 --> 00:40:42,640 Speaker 1: did ask a friend of ours, so he might have. 644 00:40:42,680 --> 00:40:45,319 Speaker 1: Actually he did actually actually reach out, was like, did 645 00:40:45,320 --> 00:40:46,759 Speaker 1: you watch it? Is a good I hope it's good. 646 00:40:46,760 --> 00:40:49,080 Speaker 1: And we're like, oh, yeah, it's great. I never did 647 00:40:49,080 --> 00:40:51,160 Speaker 1: watch it, So I'm like, what if he did something special? 648 00:40:53,280 --> 00:40:55,439 Speaker 1: He like asked all our friends to say nice things 649 00:40:55,480 --> 00:40:58,640 Speaker 1: about us. Oh, that's very sweet. Is truly funny that 650 00:40:58,680 --> 00:41:01,720 Speaker 1: you've never watched that? Watch it? You watch it sometime 651 00:41:01,760 --> 00:41:05,759 Speaker 1: and it'll feel great. Look at young name. It was 652 00:41:05,800 --> 00:41:08,840 Speaker 1: not that long ago. When we're when we're like hanging 653 00:41:08,920 --> 00:41:11,560 Speaker 1: on by a thread, things aren't going so good, we'll 654 00:41:11,600 --> 00:41:15,520 Speaker 1: be like, let's let's watch this one. Things start going downhill. Yeah, 655 00:41:15,960 --> 00:41:18,359 Speaker 1: wake up next to you and don't scream. I'm not 656 00:41:18,440 --> 00:41:22,479 Speaker 1: happy about it. As soon as one of your friends 657 00:41:22,480 --> 00:41:26,200 Speaker 1: of Walrus, you've got to turn on that video. There's 658 00:41:26,239 --> 00:41:29,800 Speaker 1: a Walrus poly fuel in this movie where because Jacko 659 00:41:29,880 --> 00:41:32,799 Speaker 1: has three girlfriends, you all live together in harmony. And 660 00:41:32,880 --> 00:41:36,719 Speaker 1: I would also watch that movie. It's like more of 661 00:41:36,920 --> 00:41:41,359 Speaker 1: more of this love Island, but with Walrus. Oh my gosh, 662 00:41:41,400 --> 00:41:44,600 Speaker 1: that's so like kisses to each other. I mean, that's 663 00:41:45,160 --> 00:41:50,560 Speaker 1: ideas I'm saying at Animal Planet Love hear us out 664 00:41:50,680 --> 00:41:54,080 Speaker 1: Hot British Walrus is go to Mayorka for six weeks. 665 00:41:56,280 --> 00:42:03,399 Speaker 1: Amazing idea for you. We're going to make so much money. Well, 666 00:42:03,680 --> 00:42:06,000 Speaker 1: all right, well we've we've we've gone on about fifty 667 00:42:06,040 --> 00:42:08,520 Speaker 1: first states. But we do have an actual ridiculous romance 668 00:42:08,719 --> 00:42:11,560 Speaker 1: that we should get to. Um, So let's take a 669 00:42:11,560 --> 00:42:14,040 Speaker 1: little break and then let's come back and talk about 670 00:42:14,320 --> 00:42:16,400 Speaker 1: these true stories. A couple of true stories that kind 671 00:42:16,440 --> 00:42:19,000 Speaker 1: of mirror this movie a little bit. We'll get to 672 00:42:19,040 --> 00:42:26,800 Speaker 1: that right after this. All right, everybody, welcome back to 673 00:42:26,880 --> 00:42:30,120 Speaker 1: the show. Alright, So, as we've said, there's a lot 674 00:42:30,200 --> 00:42:32,640 Speaker 1: of info out there. The fifty First Dates is based 675 00:42:32,719 --> 00:42:36,800 Speaker 1: on this true story, but it definitely is not actually 676 00:42:36,920 --> 00:42:40,520 Speaker 1: based on this story. Um, There's been a few similar incidents, 677 00:42:40,640 --> 00:42:43,840 Speaker 1: but the movie doesn't parallel like anybody's story directly. They 678 00:42:43,920 --> 00:42:47,920 Speaker 1: definitely took many a liberty with this tale. Most of 679 00:42:47,960 --> 00:42:50,399 Speaker 1: the other stories of this type of MMGIA I found 680 00:42:50,719 --> 00:42:53,840 Speaker 1: a lot of them were in the UK. Um, nobody 681 00:42:54,000 --> 00:42:56,240 Speaker 1: Nobody hanging out on the beach in Hawaii, which sounds 682 00:42:56,280 --> 00:42:58,680 Speaker 1: like a way better place. I mean, no no judgment 683 00:42:58,719 --> 00:43:01,920 Speaker 1: to the UK, who we love, but but it's Hawaii, 684 00:43:02,080 --> 00:43:04,560 Speaker 1: Hawaiian beach. If I got to be dealing with some ship, 685 00:43:05,120 --> 00:43:07,600 Speaker 1: it's not not a bad place. It was a nice 686 00:43:07,640 --> 00:43:11,320 Speaker 1: lady making the spam and eggs every day crisis in 687 00:43:11,360 --> 00:43:16,640 Speaker 1: the UK and let me kind of deal with it 688 00:43:16,960 --> 00:43:21,920 Speaker 1: in the ring the local cafe and then stopped by 689 00:43:21,960 --> 00:43:25,440 Speaker 1: the pub. Yeah, I should I let the scenery get 690 00:43:25,440 --> 00:43:27,120 Speaker 1: ahead of me there because actually, not that you mentioned it, 691 00:43:27,200 --> 00:43:29,520 Speaker 1: the idea of being trapped on a tiny island dealing 692 00:43:29,560 --> 00:43:32,960 Speaker 1: with a crisis does sound a little worse. Let me 693 00:43:33,000 --> 00:43:38,040 Speaker 1: on a bigger island. Yeah. Um. But there is one 694 00:43:38,120 --> 00:43:43,720 Speaker 1: similar story about Michelle Philipotts from Lincolnshire, a region in England, 695 00:43:44,160 --> 00:43:46,800 Speaker 1: and Michelle was born in nineteen sixty five, when she 696 00:43:47,000 --> 00:43:50,040 Speaker 1: was twenty years old, she was in a serious motorcycle 697 00:43:50,080 --> 00:43:53,799 Speaker 1: accident and hit her head. Then just five years later 698 00:43:53,920 --> 00:43:57,400 Speaker 1: in she was in a serious car accident and she 699 00:43:57,520 --> 00:44:01,160 Speaker 1: sustained more head injuries. I know. I'm like, maybe we 700 00:44:01,239 --> 00:44:04,520 Speaker 1: don't motor around anymore, and maybe we ride a bus. 701 00:44:05,200 --> 00:44:08,960 Speaker 1: I don't know. But the trauma came on gradually over 702 00:44:09,040 --> 00:44:12,520 Speaker 1: the course of a few years, and by nineteen four 703 00:44:12,680 --> 00:44:15,480 Speaker 1: she was diagnosed with epilepsy as a result of these 704 00:44:15,520 --> 00:44:20,560 Speaker 1: two accidents, so she, you know, is dealing with seizures. 705 00:44:20,920 --> 00:44:23,680 Speaker 1: She started to become more and more forgetful. Eventually she 706 00:44:23,719 --> 00:44:27,000 Speaker 1: even lost her job because she spent an entire day 707 00:44:27,239 --> 00:44:29,760 Speaker 1: just photo copying the same document over and over again. 708 00:44:30,360 --> 00:44:35,680 Speaker 1: Damn yeah. Eventually her memory deteriorated where she couldn't remember 709 00:44:35,680 --> 00:44:40,719 Speaker 1: anything passed the year nineteen ninety four. This was interregrade amnesia, which, 710 00:44:40,719 --> 00:44:43,600 Speaker 1: like we said before, affected mostly her episodic declarative memory, 711 00:44:43,680 --> 00:44:46,120 Speaker 1: so she could still remember who she was. Uh, she 712 00:44:46,160 --> 00:44:48,400 Speaker 1: remember what her life was like before the accident. She 713 00:44:48,520 --> 00:44:51,879 Speaker 1: remembers meeting her husband Ian. They met in the same 714 00:44:51,960 --> 00:44:54,399 Speaker 1: year as the motorcycle accident, but they didn't get married 715 00:44:54,480 --> 00:44:58,839 Speaker 1: until after she lost her memory. So she knows who 716 00:44:58,880 --> 00:45:00,600 Speaker 1: he is every day. She knows she's dating him, but 717 00:45:00,680 --> 00:45:04,200 Speaker 1: she doesn't know they're married. Um, do you think a 718 00:45:04,360 --> 00:45:07,640 Speaker 1: wedding video? He says, he's got an album he shows 719 00:45:07,680 --> 00:45:10,919 Speaker 1: her every morning. I get some photos. That's pretty close 720 00:45:11,000 --> 00:45:13,399 Speaker 1: to it will eventually have to do when I lose 721 00:45:13,480 --> 00:45:19,080 Speaker 1: my memory. And in her day to day Michelle leaves 722 00:45:19,280 --> 00:45:23,839 Speaker 1: post it notes for herself everywhere, and she's now able 723 00:45:23,920 --> 00:45:28,080 Speaker 1: to leave herself helpful reminders on her cell phone these days, fortunately, 724 00:45:28,360 --> 00:45:30,719 Speaker 1: But yeah, she she must be very I mean, do 725 00:45:30,800 --> 00:45:33,440 Speaker 1: you wake up and think it's and then someone's like, 726 00:45:33,560 --> 00:45:38,800 Speaker 1: look at this magic rectangle, like suddenly going from no 727 00:45:38,960 --> 00:45:44,040 Speaker 1: cell phones to like an iPhone? All right, that's a 728 00:45:44,080 --> 00:45:47,040 Speaker 1: little bit interesting. She just she has to retrain herself 729 00:45:47,520 --> 00:45:49,759 Speaker 1: on it every day or something. I don't know. That's 730 00:45:49,800 --> 00:45:52,560 Speaker 1: got to be so hard. That's like there's a trend 731 00:45:52,800 --> 00:45:55,960 Speaker 1: joke online of like if you gave Abraham Lincoln us 732 00:45:56,040 --> 00:46:01,640 Speaker 1: write he would die instantly. People just can't process today 733 00:46:02,120 --> 00:46:09,759 Speaker 1: from the past like a McDonald immediately. Did you ever 734 00:46:09,800 --> 00:46:13,799 Speaker 1: watch the show Good Omens? Yes? No, read the book there. 735 00:46:13,880 --> 00:46:18,040 Speaker 1: I love the prophet. The witch in that story is 736 00:46:18,280 --> 00:46:20,399 Speaker 1: from like the sixteen hundreds or something, and she could 737 00:46:20,400 --> 00:46:22,680 Speaker 1: see the future and they have all her predictions, but 738 00:46:22,719 --> 00:46:24,440 Speaker 1: they don't make any sense because she doesn't know what 739 00:46:24,560 --> 00:46:26,600 Speaker 1: she's looking at. So she's like, I don't know, it 740 00:46:26,719 --> 00:46:29,879 Speaker 1: looks like some kind of big metal. She didn't even 741 00:46:29,880 --> 00:46:31,239 Speaker 1: know what metal is, so she would just have to 742 00:46:31,360 --> 00:46:33,400 Speaker 1: describe what she was looking at, and they're trying to 743 00:46:33,480 --> 00:46:36,719 Speaker 1: figure out as time goes on where they belong. I 744 00:46:36,840 --> 00:46:39,080 Speaker 1: just think that's makes so much sense for fortune telling, 745 00:46:39,080 --> 00:46:41,880 Speaker 1: because how would you years in the future and have 746 00:46:41,960 --> 00:46:45,480 Speaker 1: any idea what you were looking at. Like there's something 747 00:46:45,560 --> 00:46:49,439 Speaker 1: called a sprite. I don't know that is, don't drink 748 00:46:49,480 --> 00:46:52,160 Speaker 1: it looks like there's a lot of energy in it. 749 00:46:53,640 --> 00:47:02,040 Speaker 1: Energy energy. It's heresy. I do love you know, it's 750 00:47:02,120 --> 00:47:08,200 Speaker 1: very funny. Even now, is such a change? Yeah? Really? Yeah? 751 00:47:08,360 --> 00:47:10,719 Speaker 1: I mean you got to explain to her every day 752 00:47:11,200 --> 00:47:15,320 Speaker 1: every day, I don't know, every very day. First things, First, 753 00:47:17,239 --> 00:47:18,880 Speaker 1: I know you live in the UK, but this is 754 00:47:18,920 --> 00:47:25,560 Speaker 1: the really most important thing. You start with the Alamo. 755 00:47:26,680 --> 00:47:40,200 Speaker 1: We'll go She hasna the Alamo. She's remember that somebody 756 00:47:40,280 --> 00:47:46,839 Speaker 1: called the doctor. That's all we ask. We had one 757 00:47:46,920 --> 00:47:49,759 Speaker 1: job about the Alamo. Now you can't even do that. 758 00:47:53,640 --> 00:47:55,839 Speaker 1: So poor Michelle's trying to tap up on her cell 759 00:47:55,880 --> 00:47:58,799 Speaker 1: phone every day, figure that shut out and figure out 760 00:47:58,800 --> 00:48:03,200 Speaker 1: who serious. And she and Ian sat down for an 761 00:48:03,280 --> 00:48:06,399 Speaker 1: interview with Matt Lower on Today on the Today Show 762 00:48:06,520 --> 00:48:11,440 Speaker 1: in yeah, you have to tell her about I know 763 00:48:11,520 --> 00:48:18,680 Speaker 1: about Matt Lower, surely wishing everybody still thought. He's like, oh, 764 00:48:18,800 --> 00:48:25,840 Speaker 1: I love this interview subject. She has no idea and 765 00:48:25,920 --> 00:48:28,000 Speaker 1: by the end of the interview she had forgotten Matt 766 00:48:28,040 --> 00:48:30,920 Speaker 1: Lower's name. So hopefully we'll all be there one day. 767 00:48:35,600 --> 00:48:37,880 Speaker 1: Let's all get a little bit of Michelle's energy on 768 00:48:38,000 --> 00:48:41,560 Speaker 1: this one. She wakes up every day thinking Bill Clinton 769 00:48:41,760 --> 00:48:45,400 Speaker 1: is the US president, Ace of Base is hottest music 770 00:48:45,480 --> 00:48:48,520 Speaker 1: on the charts, and everybody is lined up around the 771 00:48:48,600 --> 00:48:52,799 Speaker 1: block to see Forest Gump in theaters. That's a bit 772 00:48:52,840 --> 00:48:57,719 Speaker 1: of a mixed bag for all Michelle. Um. Fortunately she 773 00:48:57,760 --> 00:48:59,879 Speaker 1: got a surgery in two thousand five which did stop 774 00:49:00,040 --> 00:49:03,480 Speaker 1: up the seizures for the most part. Um, but the 775 00:49:03,760 --> 00:49:07,160 Speaker 1: memory conditions themselves don't really improve. So at this point 776 00:49:07,200 --> 00:49:08,520 Speaker 1: she has to wake up every day and kind of 777 00:49:08,600 --> 00:49:10,720 Speaker 1: just fill in the last eighteen years of her life. 778 00:49:10,760 --> 00:49:14,319 Speaker 1: Oh my god. She said that some moments stick better 779 00:49:14,360 --> 00:49:20,920 Speaker 1: than others. Actually that'd be eight years it would. Yeah, 780 00:49:21,360 --> 00:49:29,759 Speaker 1: we all got very young for a second there. She 781 00:49:29,840 --> 00:49:32,120 Speaker 1: says some moments stick better than others. For example, like 782 00:49:32,200 --> 00:49:33,960 Speaker 1: she would go on the Today Show and she said 783 00:49:33,960 --> 00:49:35,759 Speaker 1: she would have a memory of having done that. She's like, 784 00:49:35,840 --> 00:49:37,960 Speaker 1: this will probably stick. I'll have an idea that I 785 00:49:38,280 --> 00:49:40,440 Speaker 1: came to New York and went on this big interview. 786 00:49:41,040 --> 00:49:43,920 Speaker 1: But while she's in New York seeing as individual landmarks, 787 00:49:43,960 --> 00:49:46,360 Speaker 1: they would show her pictures like you were at the 788 00:49:46,800 --> 00:49:49,640 Speaker 1: Madison Square gardens yesterday, and she's like, nah, sure, okay 789 00:49:49,680 --> 00:49:54,120 Speaker 1: if you say so, and doesn't remember that. But is 790 00:49:54,120 --> 00:49:56,360 Speaker 1: it like a big event thing maybe or something that 791 00:49:56,640 --> 00:50:00,719 Speaker 1: I guess so enter your long term memory in a 792 00:50:00,800 --> 00:50:03,239 Speaker 1: different way. I don't know. I don't know, because that 793 00:50:03,280 --> 00:50:05,279 Speaker 1: seems like I tried to travel, so it's like a 794 00:50:05,320 --> 00:50:07,799 Speaker 1: big event. So maybe that's it thinks a little better, 795 00:50:07,880 --> 00:50:11,879 Speaker 1: really significant, I don't I know so little about the brain. Yeah, 796 00:50:13,400 --> 00:50:16,120 Speaker 1: just like we should know more about our own. Yeah, 797 00:50:18,200 --> 00:50:23,040 Speaker 1: my brain is not interested in it. It's barely functioning 798 00:50:23,080 --> 00:50:27,960 Speaker 1: and that's all it needs to do. There is. For 799 00:50:28,000 --> 00:50:30,640 Speaker 1: a while she can remember like series of numbers, but 800 00:50:30,760 --> 00:50:32,560 Speaker 1: she has now gotten up to being able to memorize 801 00:50:32,560 --> 00:50:35,840 Speaker 1: six numbers in a row, she said, by picturing punching 802 00:50:35,880 --> 00:50:38,400 Speaker 1: them into a keypad, so she can remember not the numbers, 803 00:50:38,440 --> 00:50:41,520 Speaker 1: but the pattern that that helped her to it. Which 804 00:50:41,560 --> 00:50:43,360 Speaker 1: I get that too, because if someone tells me a 805 00:50:43,360 --> 00:50:47,000 Speaker 1: phone number, I have to envision dialing it in on 806 00:50:47,120 --> 00:50:49,960 Speaker 1: a keypad. That's how I remember. It's just the pattern. No, 807 00:50:50,360 --> 00:50:52,759 Speaker 1: that's just me. Yeah, No, I think I'm more of 808 00:50:52,840 --> 00:50:54,719 Speaker 1: a rote memorizer. Like I'd have to stay it a 809 00:50:54,800 --> 00:50:56,800 Speaker 1: few times and write it down a few times and 810 00:50:56,840 --> 00:50:59,279 Speaker 1: then it might stick. But I couldn't picture of a 811 00:50:59,360 --> 00:51:02,080 Speaker 1: pat that would never work for me like a lot 812 00:51:02,560 --> 00:51:04,080 Speaker 1: I was due to do. And then I went off 813 00:51:04,840 --> 00:51:07,960 Speaker 1: to a whole other Has she been able to work? 814 00:51:09,600 --> 00:51:11,600 Speaker 1: She has not been working. And they talked in a 815 00:51:11,840 --> 00:51:15,320 Speaker 1: in an interview about uh, the challenges with dealing with 816 00:51:15,440 --> 00:51:18,719 Speaker 1: the UK disability program and how they've you know, kind 817 00:51:18,760 --> 00:51:20,320 Speaker 1: of gotten it and then lost it and had to 818 00:51:20,360 --> 00:51:23,359 Speaker 1: fight to get it back again a few times. Um, which, 819 00:51:23,360 --> 00:51:25,919 Speaker 1: of course, living here in the US, just even having 820 00:51:25,960 --> 00:51:32,319 Speaker 1: the option for it sounds like a right very happy 821 00:51:32,360 --> 00:51:37,480 Speaker 1: for them than this. Uh yeah, yeah, that was something 822 00:51:37,520 --> 00:51:39,360 Speaker 1: I did like about the movie was that he was 823 00:51:39,520 --> 00:51:42,120 Speaker 1: so like, you, you don't have to cut her off 824 00:51:42,280 --> 00:51:45,400 Speaker 1: from a lot of life just because she has a disability. 825 00:51:45,560 --> 00:51:47,600 Speaker 1: She can still get married, she can still have kids, 826 00:51:47,680 --> 00:51:49,279 Speaker 1: she can still have a full life, and we can 827 00:51:49,360 --> 00:51:52,520 Speaker 1: figure it out. Like I did really like that message, 828 00:51:52,560 --> 00:51:55,719 Speaker 1: I guess you could say in the film. And it 829 00:51:56,000 --> 00:51:58,279 Speaker 1: was also very frustrating to be like, well, they got 830 00:51:58,360 --> 00:52:01,640 Speaker 1: married and that's great, but in a mary, actually people 831 00:52:01,680 --> 00:52:06,080 Speaker 1: with disabilities lose their benefits if they get married. Yea, often, yes, 832 00:52:06,200 --> 00:52:08,320 Speaker 1: they can't. That's actually there's a lot of there's a 833 00:52:08,400 --> 00:52:11,120 Speaker 1: whole like there's no marriage equality in America yet because 834 00:52:12,239 --> 00:52:16,000 Speaker 1: disabled people cannot get married without losing their benefits there, 835 00:52:16,280 --> 00:52:18,960 Speaker 1: especially if if two disabled people want to marry each other, 836 00:52:19,120 --> 00:52:21,719 Speaker 1: they certainly can't because they have no other you know, 837 00:52:22,160 --> 00:52:30,680 Speaker 1: income talk. It's just self fustrated. So yeah, I was like, well, 838 00:52:30,719 --> 00:52:32,800 Speaker 1: that's cool that she got married to him and everything. 839 00:52:32,960 --> 00:52:35,080 Speaker 1: It's just too bad that you might not see that 840 00:52:35,200 --> 00:52:37,840 Speaker 1: in real life in America at least, what does the 841 00:52:37,920 --> 00:52:41,239 Speaker 1: government think happens if you have a disability and then 842 00:52:41,239 --> 00:52:44,160 Speaker 1: get married, right, And I like that that d is 843 00:52:44,160 --> 00:52:49,200 Speaker 1: going to do it for you. I guess, I don't know, Yeah, 844 00:52:49,239 --> 00:52:51,320 Speaker 1: I guess. Yeah, your your spouse's problem. And if you 845 00:52:51,400 --> 00:52:54,600 Speaker 1: both have live on disability benefits, you shouldn't be together. 846 00:52:54,719 --> 00:52:57,120 Speaker 1: You're not a whole person. I don't I don't know. Yeah. 847 00:52:57,120 --> 00:52:59,840 Speaker 1: I think it's it's like that so dehumanizing to say, like, 848 00:53:00,200 --> 00:53:04,000 Speaker 1: I don't deserve every other, you know, every option that's 849 00:53:04,000 --> 00:53:06,839 Speaker 1: available to me. Yeah, I was gonna say though, talking 850 00:53:06,840 --> 00:53:10,600 Speaker 1: about when she she's working in the movie, Drew Barrymore's 851 00:53:10,640 --> 00:53:13,560 Speaker 1: character is working like as an art teacher at the end, 852 00:53:14,200 --> 00:53:17,200 Speaker 1: and Adam Sandler has this idea that she remembers him. 853 00:53:17,200 --> 00:53:19,960 Speaker 1: Now she goes he goes to see her, and she 854 00:53:20,360 --> 00:53:22,440 Speaker 1: doesn't know who he is really, but she takes him 855 00:53:22,440 --> 00:53:26,000 Speaker 1: into a room and she has painted hundreds of paintings 856 00:53:26,080 --> 00:53:28,759 Speaker 1: of Adam Sandler. And what's amazing is that they're all 857 00:53:29,040 --> 00:53:34,000 Speaker 1: in very distinct, different artistic styles. So I'm like, she 858 00:53:34,200 --> 00:53:39,520 Speaker 1: is a master of every made a bust of Adam 859 00:53:39,680 --> 00:53:43,239 Speaker 1: Sandler's face and neck and shoulder. There's like, you know, 860 00:53:43,360 --> 00:53:51,560 Speaker 1: classical realism and Cubism and all these things professional. I 861 00:53:51,680 --> 00:53:54,319 Speaker 1: just made a bust of Adam Sandler and I don't 862 00:53:54,360 --> 00:53:57,520 Speaker 1: know why. I don't know why. I think I'm very sick. 863 00:53:58,760 --> 00:54:02,640 Speaker 1: Is happening, something is clear. She also played it really 864 00:54:02,719 --> 00:54:05,680 Speaker 1: cool when he walked in this man that she's been 865 00:54:05,760 --> 00:54:11,600 Speaker 1: mysteriously painting for. There's a bust of you in the band. 866 00:54:12,280 --> 00:54:17,439 Speaker 1: I've been expecting you. Did I make you? Didn't dream 867 00:54:17,480 --> 00:54:21,280 Speaker 1: you to life? It's another one, well, Michelle. Philip Potts 868 00:54:21,640 --> 00:54:24,960 Speaker 1: is her husband. Ian is kind of the real Adam 869 00:54:25,040 --> 00:54:28,360 Speaker 1: Sandler in the most complimentary way. We didn't say that 870 00:54:30,880 --> 00:54:34,479 Speaker 1: because he did stay with Michelle this whole time, after 871 00:54:34,640 --> 00:54:37,360 Speaker 1: both of her accidents and after all of her issues 872 00:54:37,480 --> 00:54:41,440 Speaker 1: with her memory and stuff. He married her despite you know, 873 00:54:41,520 --> 00:54:44,960 Speaker 1: the challenges of her condition, and he said, quote, it 874 00:54:45,080 --> 00:54:47,000 Speaker 1: can be frustrating for me, but I have to be 875 00:54:47,080 --> 00:54:50,480 Speaker 1: patient and understand and accept that she struggles to remember. 876 00:54:50,840 --> 00:54:53,080 Speaker 1: I have to keep calm because I love her. She 877 00:54:53,200 --> 00:54:55,600 Speaker 1: still remembers when we first met, but it's the day 878 00:54:55,640 --> 00:54:58,440 Speaker 1: to day things she struggles to recall. So he's got 879 00:54:58,560 --> 00:55:01,600 Speaker 1: to just constantly be like, you know, yesterday you promised 880 00:55:01,680 --> 00:55:03,560 Speaker 1: to I don't know why I let you promise anything. 881 00:55:05,080 --> 00:55:08,760 Speaker 1: You promised to do that thing today. That's really sweet. 882 00:55:09,360 --> 00:55:12,759 Speaker 1: I know, it's nice. They sound like a good couple. Um, 883 00:55:12,960 --> 00:55:15,120 Speaker 1: they've been doing this for a while now, I know. 884 00:55:15,280 --> 00:55:17,960 Speaker 1: And I did wonder that about fifty first dates because 885 00:55:18,320 --> 00:55:21,400 Speaker 1: the first time we see her tape about her condition, 886 00:55:21,920 --> 00:55:23,560 Speaker 1: he's like, I'm gonna fill you in on everything you've 887 00:55:23,600 --> 00:55:25,960 Speaker 1: missed so far, and I'm like, don't doesn't it as 888 00:55:26,040 --> 00:55:30,560 Speaker 1: time goes on, that tapes so long, she's gonna take 889 00:55:30,560 --> 00:55:32,319 Speaker 1: all day to watch it and then she's gonna miss 890 00:55:32,320 --> 00:55:35,680 Speaker 1: a day if we're like, but another great thing, you know, 891 00:55:35,800 --> 00:55:38,920 Speaker 1: as smartphones show up and you can just take quick videos, 892 00:55:38,960 --> 00:55:41,560 Speaker 1: that's gonna make it so much easier, right, having a 893 00:55:42,120 --> 00:55:45,600 Speaker 1: full on video camera every day, like film myself saying yes, 894 00:55:46,040 --> 00:55:49,279 Speaker 1: you are married to Adam Sandler. It's okay. You like it. 895 00:55:50,360 --> 00:55:55,120 Speaker 1: You like it for some reason. Yeah. Actually that does 896 00:55:55,600 --> 00:55:58,600 Speaker 1: bring me into another couple, this woman, Nicky Pegram and 897 00:55:58,640 --> 00:56:02,520 Speaker 1: her husband Chris dealing with a similar situation, also a 898 00:56:02,560 --> 00:56:06,279 Speaker 1: British couple. Um Nicky slipped and hit her head on 899 00:56:06,320 --> 00:56:11,400 Speaker 1: a metal pole and lost her short term memory after that, 900 00:56:11,840 --> 00:56:13,680 Speaker 1: and she did an interview on Good Morning Britain in 901 00:56:14,680 --> 00:56:17,880 Speaker 1: a year later where she discusses the journal that she 902 00:56:17,960 --> 00:56:20,400 Speaker 1: has to keep every day, and what's really crazy to 903 00:56:20,480 --> 00:56:22,160 Speaker 1: me is she had to write in that journal on 904 00:56:22,239 --> 00:56:25,920 Speaker 1: the first page it says, Chris is not lying to 905 00:56:26,000 --> 00:56:29,960 Speaker 1: you about anything, so she's got to tell herself every day, 906 00:56:30,040 --> 00:56:34,640 Speaker 1: like listen, it's you're gonna think he's manipulating you or something, 907 00:56:34,760 --> 00:56:36,920 Speaker 1: but he's not. This is all true whenever he tells you, 908 00:56:37,960 --> 00:56:41,520 Speaker 1: which is so scary to me. Well, and even in 909 00:56:41,600 --> 00:56:43,640 Speaker 1: the movie, she has a journal where she's writing to 910 00:56:43,719 --> 00:56:46,800 Speaker 1: herself and she says, it's like I'm telling myself instead 911 00:56:46,800 --> 00:56:48,560 Speaker 1: of being told, and I prefer it. But then she 912 00:56:48,719 --> 00:56:52,040 Speaker 1: completely erases their entire relationship by throwing out every part 913 00:56:52,120 --> 00:56:54,759 Speaker 1: of her journal that mentions him. How weird to do 914 00:56:54,920 --> 00:56:57,200 Speaker 1: that to yourself or have the ability to do that 915 00:56:57,400 --> 00:56:59,400 Speaker 1: to somebody. That's crazy. And then he helped her do 916 00:56:59,520 --> 00:57:02,200 Speaker 1: it in the movie, he helped you do it, which 917 00:57:02,200 --> 00:57:06,200 Speaker 1: I was like, that's really painful breakup, like you straight 918 00:57:06,280 --> 00:57:11,480 Speaker 1: up to existence from the life. But that movie that also, 919 00:57:11,920 --> 00:57:14,080 Speaker 1: like the movie had a lot of interesting things about 920 00:57:14,239 --> 00:57:17,960 Speaker 1: kind of that sort of consent because she just trusted that. 921 00:57:18,240 --> 00:57:21,040 Speaker 1: She said, if I'm breaking up with you, I'm trusting 922 00:57:21,120 --> 00:57:22,919 Speaker 1: that you're going to agree to that and not show 923 00:57:23,040 --> 00:57:25,840 Speaker 1: up tomorrow and tell me that this never happened, which 924 00:57:25,920 --> 00:57:29,480 Speaker 1: is you know, again that movie only works with everyone 925 00:57:29,600 --> 00:57:33,720 Speaker 1: being a good person because you just sort of no, Okay, 926 00:57:33,760 --> 00:57:35,720 Speaker 1: well he's not going to show up tomorrow and pretend 927 00:57:35,800 --> 00:57:38,960 Speaker 1: that never happened. He asks at one point, what if 928 00:57:39,000 --> 00:57:40,800 Speaker 1: I just do that? And she says, you know, I 929 00:57:40,840 --> 00:57:44,200 Speaker 1: think she just says you won't. He's like, yeah, I won't. Well, 930 00:57:44,240 --> 00:57:46,880 Speaker 1: at least her dad and brother there to like help 931 00:57:46,960 --> 00:57:48,960 Speaker 1: with that a little bit. But if she was alone 932 00:57:49,080 --> 00:57:52,600 Speaker 1: and single and like no family around, yeah, she would 933 00:57:52,640 --> 00:57:57,919 Speaker 1: have to really hope for the best situation. Yeah, this woman, 934 00:57:58,320 --> 00:58:00,960 Speaker 1: Nikki in England, she said she has a really hard 935 00:58:01,000 --> 00:58:03,360 Speaker 1: time reading that journal every day. Again, like sometimes it's 936 00:58:03,400 --> 00:58:05,800 Speaker 1: harder than others. She even said during that interview, She's like, 937 00:58:05,800 --> 00:58:08,240 Speaker 1: I only slept a couple of hours last night, so 938 00:58:08,400 --> 00:58:11,120 Speaker 1: I can still kind of remember yesterday, so I guess 939 00:58:11,160 --> 00:58:14,080 Speaker 1: it is like a really hard reset during sleep. Um. 940 00:58:15,080 --> 00:58:17,760 Speaker 1: But but they said that their doctors told them there 941 00:58:17,960 --> 00:58:20,560 Speaker 1: is a possibility that she will just be sitting on 942 00:58:20,640 --> 00:58:24,120 Speaker 1: the couch one day and suddenly remember everything. It's not likely, 943 00:58:24,520 --> 00:58:26,680 Speaker 1: and it's more likely that she'll it'll never come back, 944 00:58:26,960 --> 00:58:30,800 Speaker 1: but apparently that's they've told her that's a possibility. Now. 945 00:58:30,840 --> 00:58:32,680 Speaker 1: That would be an experience. I would pay like a 946 00:58:32,760 --> 00:58:35,320 Speaker 1: stimulation chamber for We're just sitting there one day and 947 00:58:35,400 --> 00:58:37,640 Speaker 1: suddenly a bunch of memories come flooding into your brain. 948 00:58:38,200 --> 00:58:40,880 Speaker 1: That's got to be a very weird. Yeah. I don't 949 00:58:40,920 --> 00:58:42,160 Speaker 1: want it for my real life, but I would do 950 00:58:42,240 --> 00:58:45,040 Speaker 1: it once and like to stimulate. Like I was not 951 00:58:47,680 --> 00:58:49,280 Speaker 1: remember a lot of things. I'm like, I think, actually 952 00:58:49,320 --> 00:58:53,600 Speaker 1: I'm good. Yeah, don't love it. I'm going to assume 953 00:58:53,680 --> 00:58:57,360 Speaker 1: my brain decided for a reason memories that one. Unless 954 00:58:57,400 --> 00:58:59,920 Speaker 1: you can pick a genre of memories to come rushing back, 955 00:59:00,400 --> 00:59:03,320 Speaker 1: like real slapper moments from the past where you were 956 00:59:03,360 --> 00:59:06,680 Speaker 1: like this is great. Only those you'll just get hit 957 00:59:06,760 --> 00:59:09,000 Speaker 1: by on the couch or what if I don't know 958 00:59:09,000 --> 00:59:11,720 Speaker 1: if you'll ever saw a total recall the Arnold movie 959 00:59:11,760 --> 00:59:15,880 Speaker 1: from the eighties. He uh, there's this that The setup 960 00:59:15,920 --> 00:59:17,720 Speaker 1: of that movie is there's a service where you can 961 00:59:17,760 --> 00:59:21,560 Speaker 1: go have memories of a vacation implanted in your head, 962 00:59:22,080 --> 00:59:24,280 Speaker 1: so it feels so you're sort of living it in 963 00:59:24,400 --> 00:59:26,480 Speaker 1: real time during the procedure, and you wake up with 964 00:59:26,560 --> 00:59:30,480 Speaker 1: the memory of the vacation and he chooses a spy 965 00:59:30,680 --> 00:59:34,640 Speaker 1: mission on Mars, and then you don't know the whole movie, 966 00:59:34,680 --> 00:59:37,520 Speaker 1: if it's really happening or if it's just a It's great. 967 00:59:40,000 --> 00:59:41,400 Speaker 1: But I think about that. I'm like, what if I 968 00:59:41,440 --> 00:59:44,560 Speaker 1: could just think I have a memory, like a fabricated, 969 00:59:44,920 --> 00:59:48,760 Speaker 1: really cool memory. I spoke to a near a psychologist 970 00:59:48,800 --> 00:59:53,000 Speaker 1: once about my clinically shitty memory and she said I. 971 00:59:53,120 --> 00:59:55,080 Speaker 1: I asked her as like, can you work on, you know, 972 00:59:55,200 --> 00:59:57,760 Speaker 1: getting your old memories back? And she said it's we 973 00:59:58,280 --> 01:00:00,440 Speaker 1: don't really push for it because you can't trust them. 974 01:00:01,240 --> 01:00:03,760 Speaker 1: So whatever you develop is probably not even what really 975 01:00:03,800 --> 01:00:11,160 Speaker 1: happened anyway. That's the weird strange so because they even 976 01:00:11,200 --> 01:00:15,160 Speaker 1: say if when you do remember something, the more the 977 01:00:15,240 --> 01:00:17,680 Speaker 1: more you tell the story of the memory, the more 978 01:00:17,800 --> 01:00:21,400 Speaker 1: you're creating a false memory in place of the real thing. 979 01:00:22,400 --> 01:00:25,040 Speaker 1: High school psychology is rushing back to me right now. 980 01:00:26,200 --> 01:00:36,120 Speaker 1: It's long term, potentially a psychopathic memory. The simulations I'm 981 01:00:36,320 --> 01:00:41,960 Speaker 1: on Mars. Oh my god, you all seen this? Um 982 01:00:42,280 --> 01:00:44,360 Speaker 1: the Snapchat filter that makes it look like you're crying 983 01:00:45,000 --> 01:00:47,840 Speaker 1: for the TikTok. It's incredibly funny. I saw that, and 984 01:00:47,880 --> 01:00:51,520 Speaker 1: I'm like, this is I can't We can't trust anything anymore. 985 01:00:51,520 --> 01:00:54,440 Speaker 1: We can't trust our memories and video documentation is out 986 01:00:54,480 --> 01:00:57,960 Speaker 1: the window. Nothing is real, So you might as well 987 01:00:58,040 --> 01:00:59,760 Speaker 1: just go with whatever your memory, you have the flow 988 01:00:59,840 --> 01:01:08,080 Speaker 1: you exactly chill out, put a filter on while the 989 01:01:08,160 --> 01:01:13,000 Speaker 1: world ends. Who my aunt Kathie, who listens to this podcast, 990 01:01:13,040 --> 01:01:17,920 Speaker 1: so she'll hear this? Uh they did? Um her my cousin, 991 01:01:18,040 --> 01:01:20,920 Speaker 1: her daughter did a video of her getting her birthday 992 01:01:21,000 --> 01:01:23,280 Speaker 1: cake and it was the first time I'd seen this filter, 993 01:01:23,400 --> 01:01:25,240 Speaker 1: so I genuinely thought it was real. And she is 994 01:01:25,320 --> 01:01:29,080 Speaker 1: just weeping. She answered this store bought in a box 995 01:01:29,440 --> 01:01:31,720 Speaker 1: birthday cake, and I was like, wow, she was really 996 01:01:31,800 --> 01:01:36,360 Speaker 1: touched this cake cake. But she showed the full video 997 01:01:36,400 --> 01:01:38,400 Speaker 1: and just for a second as she turns her head, 998 01:01:38,480 --> 01:01:41,880 Speaker 1: it like cuts back to her real face smiling, laughing. Yeah, 999 01:01:42,000 --> 01:01:44,520 Speaker 1: and it's it's the most haunting thing. Oh yeah, handle it. 1000 01:01:44,800 --> 01:01:46,880 Speaker 1: We are inching so close to just living in a 1001 01:01:46,920 --> 01:01:53,720 Speaker 1: black mirror episode where yes, the thing is real. At 1002 01:01:53,800 --> 01:01:55,720 Speaker 1: least give me a spy mission to Mars or something 1003 01:01:55,800 --> 01:02:01,120 Speaker 1: cool right to live in. I'm good to go Buffle 1004 01:02:01,160 --> 01:02:05,560 Speaker 1: apartment waffles after this, I really want to waffle. I 1005 01:02:05,800 --> 01:02:10,439 Speaker 1: was just thinking, yeah, they're so good. A Barney's beener 1006 01:02:10,520 --> 01:02:16,240 Speaker 1: Ether shouts out to local Barney's been. It's like you're 1007 01:02:16,280 --> 01:02:18,520 Speaker 1: putting in my dress. There's not waffles in there. There's 1008 01:02:18,560 --> 01:02:20,280 Speaker 1: waffles in there. We're gonna get a picture of my 1009 01:02:20,840 --> 01:02:27,120 Speaker 1: l list right now this year. But there's no parking. Ok, 1010 01:02:27,720 --> 01:02:29,920 Speaker 1: I assume there's no You just have to move within 1011 01:02:30,040 --> 01:02:34,960 Speaker 1: walking distance where and they're parking on Apparently there's parking 1012 01:02:35,840 --> 01:02:38,919 Speaker 1: the neighborhood. Are we talking? This is west where I look? 1013 01:02:39,040 --> 01:02:43,720 Speaker 1: So I just walked there. That's because you've never had 1014 01:02:43,720 --> 01:02:49,120 Speaker 1: a car, because I've never parked. That's like I've never 1015 01:02:49,200 --> 01:02:51,360 Speaker 1: thought about it. I really don't feel that I have 1016 01:02:51,560 --> 01:02:55,480 Speaker 1: established some object permanence in some ways, where like if 1017 01:02:55,480 --> 01:02:57,439 Speaker 1: I haven't seen it, it's not real, it doesn't exist. 1018 01:02:59,280 --> 01:03:03,600 Speaker 1: I don't believe you. It's great being a co host 1019 01:03:03,920 --> 01:03:07,440 Speaker 1: of someone who, uh, who doesn't really remember anything. I 1020 01:03:07,440 --> 01:03:11,120 Speaker 1: don't know if you feel this way, Diana, right, because 1021 01:03:11,520 --> 01:03:15,360 Speaker 1: when I do remember something, Leanna will be so impressed like, 1022 01:03:15,440 --> 01:03:17,440 Speaker 1: how do you know? How are you? How are you 1023 01:03:17,600 --> 01:03:19,440 Speaker 1: sure that we did talk about this in the episode, 1024 01:03:19,640 --> 01:03:25,640 Speaker 1: And I'm like, because I remember doing that. I impressed 1025 01:03:25,680 --> 01:03:28,560 Speaker 1: myself sometimes because it's like Diana will say, I don't 1026 01:03:28,560 --> 01:03:31,120 Speaker 1: think we've seen that movie, and I'm like, no, I 1027 01:03:31,280 --> 01:03:34,760 Speaker 1: know that we have. Actually remember this. It's rare. With 1028 01:03:34,920 --> 01:03:37,320 Speaker 1: some things. I have a very good memory, but with 1029 01:03:37,400 --> 01:03:39,960 Speaker 1: the other thing, like sometimes with movies, I'm like, well, anyway, 1030 01:03:40,040 --> 01:03:44,560 Speaker 1: that was that happened? Putting that somewhere else past. Yeah. 1031 01:03:44,800 --> 01:03:48,400 Speaker 1: I hold onto very little information, just like almost anything 1032 01:03:48,440 --> 01:03:51,640 Speaker 1: that's said to me, I will not. But you're so 1033 01:03:52,360 --> 01:03:56,880 Speaker 1: productive and like efficient efficient. I think Sienna remembers everything 1034 01:03:56,960 --> 01:03:59,480 Speaker 1: and it takes her two hours to send a team 1035 01:03:59,520 --> 01:04:05,959 Speaker 1: do anything. Yeah, remember so he's done in the same 1036 01:04:06,080 --> 01:04:12,920 Speaker 1: email to the same person a hundred times. Documents like 1037 01:04:13,320 --> 01:04:16,800 Speaker 1: you just sent this five minutes ago, had time to respond. 1038 01:04:17,440 --> 01:04:20,640 Speaker 1: I could. Information stays pretty well with me, but events 1039 01:04:20,800 --> 01:04:24,120 Speaker 1: are like it never happened. Yeah, it's weird. I can 1040 01:04:24,200 --> 01:04:27,720 Speaker 1: remember lines like if I have to memorize lines for something, yeah, 1041 01:04:27,840 --> 01:04:29,080 Speaker 1: I can do. It was super quick, and I can 1042 01:04:29,120 --> 01:04:35,520 Speaker 1: hold onto those. But significant travel moments, family memories, nothing 1043 01:04:35,760 --> 01:04:39,400 Speaker 1: we honeymooned. We had an amazing honeymoon. Honeymoon alert because 1044 01:04:44,200 --> 01:04:46,560 Speaker 1: uh yeah, we were in Europe. We did a whole 1045 01:04:46,600 --> 01:04:50,040 Speaker 1: backpacking thing. We're there for a while and I know 1046 01:04:50,280 --> 01:04:56,040 Speaker 1: that we did, but that, yeah, that is it sucks 1047 01:04:56,080 --> 01:04:58,720 Speaker 1: to because it was Europe. Was totally worth remembering. But 1048 01:04:58,800 --> 01:05:00,840 Speaker 1: we did do a lot of musing and they kind 1049 01:05:00,880 --> 01:05:03,000 Speaker 1: of they do kind of smear together in my brain 1050 01:05:03,040 --> 01:05:06,200 Speaker 1: actually tell you you know day we were irritated by 1051 01:05:06,280 --> 01:05:10,439 Speaker 1: which tour group at which but it definitely happened multiple times. Yeah, 1052 01:05:10,520 --> 01:05:12,720 Speaker 1: I remember getting kicked out of a loof you got 1053 01:05:12,840 --> 01:05:19,480 Speaker 1: kicked out of It was closing time and without a 1054 01:05:19,520 --> 01:05:21,720 Speaker 1: good story. You know the French, you know how they 1055 01:05:21,760 --> 01:05:25,120 Speaker 1: are to make it so very very closed their businesses. 1056 01:05:25,160 --> 01:05:29,480 Speaker 1: And then yeah, so close to the paintings I wanted 1057 01:05:29,520 --> 01:05:31,439 Speaker 1: to see, and we're like they're right there, and there's 1058 01:05:31,440 --> 01:05:33,880 Speaker 1: these cards shooting us out. No no, no, no no 1059 01:05:34,120 --> 01:05:40,240 Speaker 1: no no no biento. Yeah, yeah exactly. And for me 1060 01:05:40,360 --> 01:05:42,680 Speaker 1: to go home and make love to my wife. That's 1061 01:05:42,720 --> 01:05:47,840 Speaker 1: really hard. I'm so sorry to you when it closed. Yeah, 1062 01:05:48,200 --> 01:05:53,120 Speaker 1: it's we we live a challenged life. Yeah, it wasn't really. 1063 01:05:53,320 --> 01:05:55,560 Speaker 1: He had to write about it in his journal, but 1064 01:05:55,640 --> 01:05:57,480 Speaker 1: it got over every day writing a one man show 1065 01:05:57,480 --> 01:06:01,800 Speaker 1: about it. Struggle. We need more than ever's more. One 1066 01:06:01,880 --> 01:06:06,240 Speaker 1: man shows a real dirt about going to hear us. 1067 01:06:07,760 --> 01:06:11,840 Speaker 1: It's a unique experience. My perspective is valuable. People need 1068 01:06:11,920 --> 01:06:15,640 Speaker 1: to hear that straight white male perspective of being in Europe. 1069 01:06:15,720 --> 01:06:20,600 Speaker 1: It's really important. That's okay. I went to the Rob 1070 01:06:20,960 --> 01:06:23,360 Speaker 1: Rob Schneider School of Acting. I'll pert some accents in there. 1071 01:06:23,440 --> 01:06:35,200 Speaker 1: It'll be great. I'll do my own diversity. You're welcome, diversity. 1072 01:06:43,720 --> 01:06:49,439 Speaker 1: Could you try it again, but more diverse. We really 1073 01:06:49,520 --> 01:06:53,919 Speaker 1: care well. We have taken up a lot of your time. 1074 01:06:54,120 --> 01:06:56,240 Speaker 1: We're so glad you guys came on the show today 1075 01:06:56,400 --> 01:06:59,960 Speaker 1: to talk about this movie. This these couples, this crazy situation, 1076 01:07:00,040 --> 01:07:03,880 Speaker 1: and yeah, thank you so much. They're dealing with Yeah, 1077 01:07:04,280 --> 01:07:06,120 Speaker 1: it was really fun. We've got to do this again. 1078 01:07:06,160 --> 01:07:09,080 Speaker 1: There's gotta be another movie out there. I will say 1079 01:07:09,640 --> 01:07:11,720 Speaker 1: we I mean, I love a movie, but we have 1080 01:07:11,840 --> 01:07:21,760 Speaker 1: not seen the top underlist ourselves. You've seen a better 1081 01:07:21,920 --> 01:07:23,880 Speaker 1: experience than any film on the A F I List. 1082 01:07:26,400 --> 01:07:31,040 Speaker 1: I've talked about it on recordings. It's like com We 1083 01:07:31,200 --> 01:07:33,960 Speaker 1: definitely slip into our like Marvel tangents a lot on 1084 01:07:34,080 --> 01:07:38,280 Speaker 1: this show too. Just have a little segment Marvel Alert 1085 01:07:39,240 --> 01:07:42,040 Speaker 1: Marvel alerts exactly. I did have fun listening to you 1086 01:07:42,080 --> 01:07:44,720 Speaker 1: guys Tear apart Et. That was the first episode of 1087 01:07:44,800 --> 01:07:47,640 Speaker 1: years I listened to and I was like, wow, et 1088 01:07:47,840 --> 01:07:55,400 Speaker 1: finally getting the treatment. And that guy a little puppets 1089 01:07:55,440 --> 01:08:05,680 Speaker 1: sucked up little he's in my closet. Another Drew Barrymore film, 1090 01:08:07,840 --> 01:08:12,680 Speaker 1: Full Circle. Yeah, she's out there. She's you know what, 1091 01:08:12,880 --> 01:08:17,439 Speaker 1: she was the heart of this. She got me tear. 1092 01:08:17,760 --> 01:08:20,000 Speaker 1: She got me tear when she first found out, and 1093 01:08:20,040 --> 01:08:22,080 Speaker 1: then she had to really do some acting there, and 1094 01:08:22,120 --> 01:08:24,519 Speaker 1: I was like, I was pretty good, Drew. You went 1095 01:08:24,600 --> 01:08:26,439 Speaker 1: to your knees on that dock, and I felt that 1096 01:08:26,840 --> 01:08:29,080 Speaker 1: we we briefly saw that scene. Siana was like, I'm 1097 01:08:29,080 --> 01:08:34,040 Speaker 1: skipping to exactly the midpoint of that scene. I've seen 1098 01:08:34,080 --> 01:08:35,920 Speaker 1: the beginning. And then, by the way, this movie is 1099 01:08:36,000 --> 01:08:40,960 Speaker 1: free on YouTube. I like to plug that the full movie, 1100 01:08:42,479 --> 01:08:44,439 Speaker 1: the whole thing is out there. I knew i'd seen 1101 01:08:44,479 --> 01:08:45,560 Speaker 1: the beginning in the end, so I just had to 1102 01:08:45,600 --> 01:08:48,439 Speaker 1: check out the middle, and I think I got it. 1103 01:08:49,360 --> 01:08:51,400 Speaker 1: I mean, what's a story about the beginning? Middle and end, 1104 01:08:51,920 --> 01:08:54,559 Speaker 1: you've seen it. You don't have to watch in that order. 1105 01:08:57,320 --> 01:09:00,560 Speaker 1: The middle beginning. Now it's like you're watching Memnto, the 1106 01:09:00,720 --> 01:09:04,720 Speaker 1: Memento version of Yeah. Got a friend Jason who's been 1107 01:09:04,720 --> 01:09:07,080 Speaker 1: on the show before, and he's he's got a philosophy 1108 01:09:07,160 --> 01:09:09,880 Speaker 1: that you should be able to watch twenty minutes of 1109 01:09:09,920 --> 01:09:13,000 Speaker 1: any movie and get it and at any point in 1110 01:09:13,040 --> 01:09:15,720 Speaker 1: the movie, any twenty minute chunk, and you should have 1111 01:09:15,800 --> 01:09:18,639 Speaker 1: seen enough. That feels insane to me. But we sort 1112 01:09:18,680 --> 01:09:20,800 Speaker 1: of have the opposite take, where about a lot of 1113 01:09:20,840 --> 01:09:23,160 Speaker 1: these classics, we feel like you could easily cut forty 1114 01:09:23,200 --> 01:09:25,599 Speaker 1: five minutes to an hour and we would still understand 1115 01:09:26,080 --> 01:09:29,679 Speaker 1: what you're trying to say. Yeah, you would get everything 1116 01:09:29,960 --> 01:09:34,599 Speaker 1: you were trying to do absolutely done. Or hottest take 1117 01:09:34,720 --> 01:09:36,600 Speaker 1: is that The Godfather could have been thirty minutes, and 1118 01:09:37,280 --> 01:09:39,200 Speaker 1: people get mad about that, But I think that's a compliment. 1119 01:09:41,120 --> 01:09:44,920 Speaker 1: I can't explain how, but I think it is we 1120 01:09:45,040 --> 01:09:47,479 Speaker 1: could honor your movie in a way that people actually 1121 01:09:47,520 --> 01:09:50,760 Speaker 1: would be able to watch. Yeah, I get it. I 1122 01:09:50,880 --> 01:09:53,200 Speaker 1: get a bit of a less of a time commitment. 1123 01:09:53,880 --> 01:09:57,360 Speaker 1: They still get to os of a director's cut, like 1124 01:09:58,479 --> 01:10:09,040 Speaker 1: viewers two of The Godfather. The task popcorn cut. Remember 1125 01:10:09,080 --> 01:10:17,840 Speaker 1: those illustrated classics versions of classic books. It's just that, yeah, exactly, Yes, yeah, 1126 01:10:18,720 --> 01:10:26,840 Speaker 1: are indigestible the God Dad, God Dad. I'm ready. I'm 1127 01:10:26,920 --> 01:10:30,439 Speaker 1: ready to watch it. I would also watch it the 1128 01:10:30,520 --> 01:10:35,200 Speaker 1: fifty first States trailer as a horror movie. Yeah, that's 1129 01:10:35,240 --> 01:10:39,519 Speaker 1: like somebody put the Cats trailer to the music from 1130 01:10:39,560 --> 01:10:42,160 Speaker 1: the trailer for us, like the very slow down, there's 1131 01:10:42,400 --> 01:10:44,600 Speaker 1: five on it. If you just take that music, can 1132 01:10:44,640 --> 01:10:47,600 Speaker 1: put it on the fifty first States trailer verifying, so 1133 01:10:48,520 --> 01:10:51,160 Speaker 1: very true, very true. It's like, what is he doing 1134 01:10:51,240 --> 01:10:58,280 Speaker 1: to this woman? Now he's got a guitar. That's the 1135 01:10:58,360 --> 01:11:02,719 Speaker 1: true horrors when a man shows up with a guitar. Yeah, anyway, 1136 01:11:02,760 --> 01:11:10,559 Speaker 1: here's wonder Wall. Well yeah, thanks so much for being here. 1137 01:11:10,560 --> 01:11:16,600 Speaker 1: It's just so much fun. Everybody listen to Tossed Popcorn absolutely, 1138 01:11:16,920 --> 01:11:19,080 Speaker 1: dell have socials or anything you want to throw out 1139 01:11:19,160 --> 01:11:24,360 Speaker 1: for listeners. Our podcast is at Tossed Popcorn all over Instagram, Twitter, TikTok. 1140 01:11:24,960 --> 01:11:28,680 Speaker 1: I'm at Leona Holston on Instagram and Twitter. I'm at 1141 01:11:28,960 --> 01:11:32,920 Speaker 1: Sienna Benna on Twitter and at Sienna Jacoble on Instagram. 1142 01:11:33,640 --> 01:11:36,280 Speaker 1: It is what it is, you know. Yeah, just to popcorn. 1143 01:11:36,320 --> 01:11:39,720 Speaker 1: I do that more. Yeah. Where I'm at these days, 1144 01:11:40,800 --> 01:11:43,080 Speaker 1: um well, you can find me on Twitter, Instagram, I'm 1145 01:11:43,120 --> 01:11:47,360 Speaker 1: at Oh great, it's Eli Dana Mate Boom and our 1146 01:11:47,360 --> 01:11:50,680 Speaker 1: show is at Raddick Romance on those platforms as well, 1147 01:11:50,760 --> 01:11:53,640 Speaker 1: So check us out, check out Tossed Popcorn. Thank you 1148 01:11:53,680 --> 01:11:57,040 Speaker 1: all for tuning in. We hope this episode sticks in 1149 01:11:57,120 --> 01:12:01,720 Speaker 1: your mind, keep keep it, keep it in there worth remembering, 1150 01:12:02,439 --> 01:12:04,880 Speaker 1: and remember that we'll have new episodes at next week 1151 01:12:05,000 --> 01:12:09,160 Speaker 1: and we'll catch it in love you bye, so long friends, 1152 01:12:09,200 --> 01:12:12,880 Speaker 1: it's time to go. Thanks for listening to our show. 1153 01:12:13,439 --> 01:12:17,000 Speaker 1: Tell your friends neighbor's uncle indance to listen to a show. 1154 01:12:17,120 --> 01:12:18,360 Speaker 1: Ridiculous Well Dance