WEBVTT - El Playground, Good Vibes & Parce Connects Con Moffa

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<v Speaker 1>Come Again, a podcast by Honey German.

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<v Speaker 2>In this episode, we're sitting down with Mofa, an artist

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<v Speaker 2>who's already making some serious waves in the music scene.

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<v Speaker 2>Although he's a newcomer, he's already locked down some major

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<v Speaker 2>collaborations with artists such as Carol Gi and Manuel durisso

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<v Speaker 2>tapping to hear all about his journey, the collapse, and

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<v Speaker 2>what's next for the rising star being Benito my guy, Mofa. Man,

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<v Speaker 2>I'm so excited to be sitting here with you. You

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<v Speaker 2>know when I heard about you and I was just like,

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<v Speaker 2>I love what he's doing. I love your vibe, I

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<v Speaker 2>love the swag. We're gonna have to get a picture

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<v Speaker 2>that watch when we get off. I'm not trying to

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<v Speaker 2>put you on a spot or anything, but wow, this

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<v Speaker 2>watch is something different.

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<v Speaker 3>Freshen the muff. I was listening to that song.

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<v Speaker 1>The name Mofa say that.

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<v Speaker 3>So I was playing the song and they walked in.

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<v Speaker 3>They're like, why are you playing that song?

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<v Speaker 2>I said, I know why I'm playing that social Chris Brown?

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<v Speaker 3>Were you Chris Brown fan?

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<v Speaker 1>Growing up? I'm a super Chris Brown fan.

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<v Speaker 3>Still He's like top okay, you know, It's like, look

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<v Speaker 3>the personal to the personal persona not withing Lok the

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<v Speaker 3>artists versus the regular person.

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<v Speaker 2>But Chris Brown is one of the best artists to

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<v Speaker 2>have exceeded existed in our generation.

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<v Speaker 3>I can take you that much.

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<v Speaker 1>Was at R and B hip hop.

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<v Speaker 2>Don't listen, it's Michael Jackson Chris Brown. Come on with

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<v Speaker 2>the dancing, don't see. Chris Brown is not close to

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<v Speaker 2>MG when it comes to dancing, So.

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<v Speaker 1>I think that like they're the same when it comes

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<v Speaker 1>to dancing.

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<v Speaker 3>From do like there's I feel like that's definitely Chris

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<v Speaker 3>Brown's father is Michael Jackson when it not realistically, but

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<v Speaker 3>I mean like when it comes to like artistry and

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<v Speaker 3>performance and stage presence, I feel like he takes a

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<v Speaker 3>lot from him, and he's you know, he's not shy

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<v Speaker 3>to say that he takes a lot from him. Now

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<v Speaker 3>talk to me. Where were you born?

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<v Speaker 1>I was born in San Juan, Puerto Rico. Yeah, yeah,

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<v Speaker 1>since I can't remember. My my mom is from Agua,

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<v Speaker 1>my dad is from Isabela, but my biological family is

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<v Speaker 1>from Brazil and.

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<v Speaker 3>Better bean down inside and oh my god, you got

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<v Speaker 3>all my favorite roots, so you have all the bases

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<v Speaker 3>covered from me Okay, I was looking at your Instagram

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<v Speaker 3>to document. Yeah those are your daughter parents, your grandparents, and.

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<v Speaker 1>It's a song. Mean you said double my father okay

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<v Speaker 1>tells second building and miss powers so up adopted.

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<v Speaker 3>S my period.

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<v Speaker 1>Yeah period.

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<v Speaker 3>Let's say you're going to look at your instagram. Yeah

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<v Speaker 3>those were the ones. I'm like you. I was like,

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<v Speaker 3>you know, okay, seeing playing necessary con my.

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<v Speaker 1>Okay, would you still yeah, look, you're a baby, baby,

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<v Speaker 1>your baby.

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<v Speaker 3>But sometimes you know, people become famous.

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<v Speaker 2>Yeah sure, and they're like, oh I'm moving now, I'm

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<v Speaker 2>getting my own apartment. I don't want nobody telling.

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<v Speaker 3>Me what to do. So that's of you that you

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<v Speaker 3>still live with them.

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<v Speaker 1>You want to that? I mean like a central part

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<v Speaker 1>of Puerto Rico, So if I move, it doesn't make

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<v Speaker 1>no sense not.

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<v Speaker 3>To be ready making you the Porto Joe.

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<v Speaker 1>I love the Cholic sal okay, you love the Cholic

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<v Speaker 1>like in the central level, like it's not gonna make

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<v Speaker 1>no sense, no, yeah, yeah, yeah, it's a good spot,

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<v Speaker 1>even in the young theo. So may.

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<v Speaker 3>You're loyal.

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<v Speaker 1>Yeah you're not to be a loyal person, you know,

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<v Speaker 1>one of.

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<v Speaker 3>These spoiled kids. That's like, I'm out of here Bro

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<v Speaker 3>has been bothering me too long.

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<v Speaker 1>My mama's boy, your mama, Yeah, what name? My mom's

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<v Speaker 1>name is Lulu Temple. She she loves no no am

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<v Speaker 1>so your handle Peru conta Rica.

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<v Speaker 2>He never see that, said lod Musica full time was

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<v Speaker 2>the first time that you said in school and you

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<v Speaker 2>said this not for me?

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<v Speaker 3>What was it? What was it about sitting in.

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<v Speaker 2>That in that class that made you realize you had

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<v Speaker 2>to take music to the next.

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<v Speaker 1>Album just then you will see that. Yeah, Core and

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<v Speaker 1>Andoco Perro don't play with.

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<v Speaker 3>Anyway pro P.

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<v Speaker 1>Quadri. I was like, I I sat down on my

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<v Speaker 1>chair and I was like, what am I doing here?

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<v Speaker 1>This not for me? Like I'm done, I'm done. And

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<v Speaker 1>then like three weeks later, the pandemic started, so everything

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<v Speaker 1>shut down. Yeah, and then my parents told me like, okay, Jose, uh,

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<v Speaker 1>the world has stopped, has stopped, So what do you

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<v Speaker 1>want to do? I know you love music. Was look

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<v Speaker 1>at musica so amazing set up, Yes you can record,

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<v Speaker 1>And I was like, okay, well not let's go.

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<v Speaker 3>You're mama's boy. All that good?

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<v Speaker 4>And you loyal?

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<v Speaker 5>Man.

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<v Speaker 1>I love my parents. I love my parents.

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<v Speaker 3>Your parents? Had you doing music since you were early

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<v Speaker 3>like studying music.

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<v Speaker 1>Yeah, ten.

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<v Speaker 3>What did they say, like you're going to go to

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<v Speaker 3>this special school? Did they see something in you like

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<v Speaker 3>a gift, like a musical inclination?

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<v Speaker 1>A teacher saw some thinking me, She said to my

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<v Speaker 1>parents like, Okay, that kid has has talent, he has

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<v Speaker 1>a voice.

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<v Speaker 5>You need to take him to that because there was

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<v Speaker 5>a class in my in my school like that wasn't

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<v Speaker 5>like my I got that from you. You know you're

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<v Speaker 5>a happy person.

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<v Speaker 1>Yeah, yeah, okay, don't miss him.

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<v Speaker 2>Yeah, it's crazy that you say that because so many

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<v Speaker 2>people have sat here and said it was an educator

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<v Speaker 2>or a teacher that either took them to an audition

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<v Speaker 2>or told them to do this. It shows how important,

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<v Speaker 2>you know, teachers are, and you know we don't celebrate

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<v Speaker 2>them enough. And look how this teacher changed the course.

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<v Speaker 3>Of your life.

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<v Speaker 1>Shout out to.

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<v Speaker 3>Must be so proud of you. Yeah, she's probably looking

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<v Speaker 3>at you like that's my guy, that's my boy.

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<v Speaker 1>Yeah yeah, yeah, you've been filtable my wise pro. Yeah yeah,

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<v Speaker 1>child was a tro child, classic was a t child

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<v Speaker 1>pro in previous on me, dam even though pro she

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<v Speaker 1>wasn't a hater.

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<v Speaker 3>Yeah, yes, the little boys a pen in the ass,

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<v Speaker 3>but he can think, so take him there. That's what's up.

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<v Speaker 3>So your parents took you how long were you in school?

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<v Speaker 2>Like studying music and being trained because I saw that

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<v Speaker 2>you're a pianist, like you learned how to play the piano.

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<v Speaker 2>That this all happened before you even graduated high school.

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<v Speaker 1>Yeah, quinto musica then finalist the high school musica bought

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<v Speaker 1>like in a funny way like yeah, but don't, I don't. Okay,

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<v Speaker 1>let's do it. It's over. But solid forma.

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<v Speaker 3>That's what's up.

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<v Speaker 1>I love that.

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<v Speaker 2>I'm already like, I already love your parents because you know,

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<v Speaker 2>a lot of times parents want us to take the

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<v Speaker 2>safe rout and be a lawyer.

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<v Speaker 3>Be a teacher.

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<v Speaker 1>There was a fim there was with wheah with my

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<v Speaker 1>mom because she wanted me to like study, worry about us. Yeah,

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<v Speaker 1>you know, I'll go to well, like how to navigate

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<v Speaker 1>in the music industry for you to be safe.

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<v Speaker 2>In the music industry financially and be able to provide

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<v Speaker 2>for yourself till you're fifty sixty seventy.

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<v Speaker 3>So she had you know, what did she want.

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<v Speaker 5>You to be?

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<v Speaker 1>She wanted me nothing pacific, God, nothing is specific, but

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<v Speaker 1>she she she wanted me to study and then have

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<v Speaker 1>a bachelor's degree.

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<v Speaker 3>Okay, so.

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<v Speaker 1>Yeah, they're looking for said They're looking for said Pero

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<v Speaker 1>thinking I sat down in your like it. You know,

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<v Speaker 1>I'll go like, this is not my place.

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<v Speaker 2>It was in your environment and if you weren't feeling it,

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<v Speaker 2>you weren't feeling it. And you know what, sometimes God

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<v Speaker 2>puts that in your heart because you have a gift

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<v Speaker 2>that if you ignore it, you're gonna rob us of it.

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<v Speaker 2>Because you know what, your gift belongs to the world,

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<v Speaker 2>and the world is a better place because you're in it.

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<v Speaker 3>And music is very powerful. Music heels, music motivates, music inspires,

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<v Speaker 3>And I say it all the time. I'm like, it's

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<v Speaker 3>so crazy how a million people can love one person

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<v Speaker 3>because they sing and somethings that wonder. I'm like, it's

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<v Speaker 3>so fucking crazy.

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<v Speaker 2>People people do everything all over the world and you

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<v Speaker 2>see footage of let's say, Michael Jackson, people fainting, people crying.

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<v Speaker 3>It's crazy what music can do.

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<v Speaker 1>Come on, Koral, I said, So, they don't play this

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<v Speaker 1>for for when you're sad, for you're happy, for when

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<v Speaker 1>you just want to have fun. So La Mosica can

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<v Speaker 1>drive you places you feel me?

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<v Speaker 3>No, it definitely does. I have I have my one album.

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<v Speaker 3>I have a J Cole album.

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<v Speaker 2>Then it's like when I'm gonna lose it for your

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<v Speaker 2>eyes only, I know that that album top to bottom.

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<v Speaker 2>I'm talking like every single word, and when I'm gonna

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<v Speaker 2>lose it, bro, I put that album on and I'm like, album,

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<v Speaker 2>I swear to you, I swear to you that.

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<v Speaker 3>Is my album. Do you have an album or an

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<v Speaker 3>artist that when you just need that?

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<v Speaker 1>I have an album that be a handle like in

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<v Speaker 1>a fly or when I'm road tripping or when I'm

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<v Speaker 1>with my family, and it's fantas. I know that album

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<v Speaker 1>from top to bottom, and it's an album that not

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<v Speaker 1>say and I cry like it's the only song that

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<v Speaker 1>makes me cry.

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<v Speaker 3>It just touches you.

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<v Speaker 1>Yeah, yeah, yes, wow, Wow, it's crazy.

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<v Speaker 3>It's big shoutout. He was with us Atta super dope.

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<v Speaker 1>Tell me that my guy. That's my guy, you know,

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<v Speaker 1>Samono Sup?

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<v Speaker 2>When I'm in this young and how did you end

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<v Speaker 2>up working with and first of all, how did you

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<v Speaker 2>end up working.

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<v Speaker 1>With man and and Puerto Rico Hando per like a

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<v Speaker 1>group of friends that started like having fun and then.

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<v Speaker 3>Tempo the same crew with the five people, so.

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<v Speaker 1>Yeah yeah, yeah, yeah, yeah, yeah yeah yeah. Log I

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<v Speaker 1>was like a runner and on a restaurant and the

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<v Speaker 1>guys told me like okay by Plato and I was

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<v Speaker 1>like okayo to who's yo.

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<v Speaker 3>You gotta do what you gotta do.

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<v Speaker 1>I gotta gotta do what you go Alida and you

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<v Speaker 1>and I was like broo, the the moment come on

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<v Speaker 1>instinct like going to them him like something's gonna happen.

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<v Speaker 3>With this see and I break the like I see

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<v Speaker 3>something big for the song.

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<v Speaker 1>Yeah yeah gon Ca.

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<v Speaker 6>But Coscholl shout out to faith making that happen.

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<v Speaker 3>Yeah, I'm like he loves Columbian artists.

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<v Speaker 1>I love to columb the music coming Maluma like ma Colombia,

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<v Speaker 1>it's my heart.

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<v Speaker 3>You know what's crazy? Every time we talk about Colombia,

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<v Speaker 3>I think about Nikki jam and what Colombia did for

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<v Speaker 3>his career. It is insane. Now let's talk about what

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<v Speaker 3>you got going on right now?

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<v Speaker 1>Okay, right now, right now? I play like in my

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<v Speaker 1>rebranding era, what does that mean? Talk to me like

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<v Speaker 1>I want to like sit down for a second and

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<v Speaker 1>study my music, like like finite direction from for my music,

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<v Speaker 1>but like I want to do something bigger, something wild,

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<v Speaker 1>like cam not proud of it. Wow, I did this,

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<v Speaker 1>so I played like against the stage in the middle.

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<v Speaker 3>You made the playground, playground play. You know what's crazy?

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<v Speaker 2>Playground says a lot about you because it was your

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<v Speaker 2>debut album, correct, and you didn't put yourself on the cover.

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<v Speaker 3>You choose a child that looked like you when you

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<v Speaker 3>were younger. And I said, this says so much about

0:16:05.240 --> 0:16:08.280
<v Speaker 3>him as an artist because people are so egotistical, people

0:16:08.320 --> 0:16:13.440
<v Speaker 3>are so self centered, people want all the shine that

0:16:13.560 --> 0:16:15.800
<v Speaker 3>and I was like, I was like, wow, I said

0:16:15.840 --> 0:16:17.640
<v Speaker 3>I like him. I haven't met yet and I like him.

0:16:18.120 --> 0:16:31.440
<v Speaker 1>Yes, your album album? Since I then throw the album

0:16:31.600 --> 0:16:41.720
<v Speaker 1>tom album Toco up the best com okay album?

0:16:44.160 --> 0:16:47.320
<v Speaker 3>Why who was calling those shots or me?

0:16:47.640 --> 0:16:48.360
<v Speaker 4>No? No, no, me.

0:16:50.880 --> 0:16:55.600
<v Speaker 1>A c Jose when I was young, like a vision

0:16:56.160 --> 0:17:00.960
<v Speaker 1>an album. But Lisa, this some to me. So I'm

0:17:00.960 --> 0:17:08.160
<v Speaker 1>a child, I'm new at this, so I'm a funny person, Basil.

0:17:09.280 --> 0:17:11.800
<v Speaker 1>But at the same time, I gotta focus on my career.

0:17:12.119 --> 0:17:17.320
<v Speaker 1>So your mimo, okay, mofa, let's stop for a minute

0:17:17.800 --> 0:17:18.800
<v Speaker 1>and see what we have.

0:17:22.000 --> 0:17:24.440
<v Speaker 2>They wanted to make it very cohesive. I guess the

0:17:24.560 --> 0:17:27.119
<v Speaker 2>way it goes. It's even the songs, the way they

0:17:27.160 --> 0:17:29.800
<v Speaker 2>were positioned, it just sounds perfect. I can see what

0:17:29.920 --> 0:17:32.560
<v Speaker 2>they did there and why it took time. Now, talk

0:17:32.600 --> 0:17:34.720
<v Speaker 2>to me sports. Right now, you're wearing a Yankee hat.

0:17:36.200 --> 0:17:37.040
<v Speaker 2>You're a baseball fan.

0:17:37.520 --> 0:17:42.280
<v Speaker 1>I'm not a super baseball fan, but I watch NBA

0:17:42.560 --> 0:17:45.560
<v Speaker 1>NBA basketball guy. Yeah, I'm a basketball guy. Boy.

0:17:45.840 --> 0:17:46.920
<v Speaker 3>Grandpa loves baseball.

0:17:47.040 --> 0:17:50.640
<v Speaker 1>Yeah, my grandpa loved baseball and he was a Yankees fan.

0:17:50.800 --> 0:17:53.159
<v Speaker 1>So we're supporting RP grandpa.

0:17:53.760 --> 0:17:56.560
<v Speaker 2>Yeah, and you know what, but they did you know, Yeah,

0:17:56.560 --> 0:17:59.240
<v Speaker 2>we didn't win the World Series, but we were the

0:17:59.280 --> 0:18:00.880
<v Speaker 2>last one up there, right, that's yeah.

0:18:00.960 --> 0:18:08.840
<v Speaker 1>No, so he said, Mocho, I give ya maintain Mundo

0:18:09.280 --> 0:18:17.200
<v Speaker 1>the New York he's a Yankees fan. When we lost Aleta,

0:18:17.359 --> 0:18:20.720
<v Speaker 1>like super sad, sad, like I've never seen that guy

0:18:20.960 --> 0:18:22.200
<v Speaker 1>so sad in my life.

0:18:23.520 --> 0:18:25.200
<v Speaker 2>Mahina, because you know what, to make it all the

0:18:25.240 --> 0:18:28.560
<v Speaker 2>way to the worst series and not when yeah, we

0:18:28.720 --> 0:18:31.720
<v Speaker 2>made it, but yeah we lost, especially if we lost

0:18:31.960 --> 0:18:32.119
<v Speaker 2>l A.

0:18:32.280 --> 0:18:33.240
<v Speaker 3>That is a big problem.

0:18:33.320 --> 0:18:36.119
<v Speaker 1>Okay, it's tough. It's tough.

0:18:37.000 --> 0:18:38.960
<v Speaker 2>Now talk to me a little bit more about you know,

0:18:39.040 --> 0:18:44.480
<v Speaker 2>the future. I know that you know you're working on rebranding. Yeah, millennial, talk.

0:18:44.320 --> 0:18:45.359
<v Speaker 3>To me about twenty twenty five.

0:18:45.480 --> 0:18:47.720
<v Speaker 1>Twenty twenty five is gonna be big. Twenty twenty five

0:18:47.920 --> 0:18:51.560
<v Speaker 1>is gonna be some R and B stuff. The MANFA RMB,

0:18:51.680 --> 0:18:54.359
<v Speaker 1>solid R and B. Okay, I like that, Like that's

0:18:54.640 --> 0:18:57.240
<v Speaker 1>a makina. That's what I love. That's what I like.

0:18:57.600 --> 0:18:58.320
<v Speaker 1>R and B A bro.

0:18:58.920 --> 0:19:01.879
<v Speaker 3>So, who are your army artists that you love? I

0:19:02.000 --> 0:19:04.200
<v Speaker 3>think we already mentioned Brown.

0:19:04.080 --> 0:19:08.920
<v Speaker 1>Chris Brown, Bresent Taylor is a fan. I'm not a

0:19:09.080 --> 0:19:14.120
<v Speaker 1>Caason fan yet because I haven't like studied her her. Yeah, women,

0:19:14.200 --> 0:19:16.639
<v Speaker 1>we just love when it. Know, like she has a

0:19:16.720 --> 0:19:20.040
<v Speaker 1>lot of popularity right now, so I want to study her.

0:19:20.119 --> 0:19:21.760
<v Speaker 1>I want to see what she she.

0:19:21.760 --> 0:19:23.200
<v Speaker 3>Has the store, get deep into it.

0:19:23.280 --> 0:19:26.960
<v Speaker 2>So Bryson Taylor, Chris Brown, give me one more Tory

0:19:27.040 --> 0:19:29.280
<v Speaker 2>Lanez big shout out toy Man. You know, it's sad

0:19:29.359 --> 0:19:30.800
<v Speaker 2>what happened to him. You know, he got caught up

0:19:30.800 --> 0:19:32.879
<v Speaker 2>in the wrong things. But he is an artist and

0:19:32.960 --> 0:19:36.240
<v Speaker 2>he knows how to make hits. Okay the man again,

0:19:36.400 --> 0:19:41.040
<v Speaker 2>separating the man from the personal his music. But I

0:19:41.119 --> 0:19:42.200
<v Speaker 2>loved him as an artist.

0:19:44.520 --> 0:19:49.680
<v Speaker 1>He's like a big person and it's joy also life sessions,

0:19:49.760 --> 0:19:50.600
<v Speaker 1>and I'm like, bro.

0:19:52.119 --> 0:19:53.440
<v Speaker 2>He's kind of like a genius when it comes to

0:19:53.480 --> 0:19:55.119
<v Speaker 2>the music stuff and the way he puts together you know,

0:19:55.200 --> 0:19:58.760
<v Speaker 2>his music and the way he crafs you know, it's

0:19:58.840 --> 0:20:01.359
<v Speaker 2>toughce tailor tailor.

0:20:01.440 --> 0:20:03.720
<v Speaker 3>Yeah, he's a dope one. You know what's crazy?

0:20:04.440 --> 0:20:07.879
<v Speaker 2>I saw bryceon Taylor at Radio City Music Hall and

0:20:07.960 --> 0:20:10.840
<v Speaker 2>I couldn't see him. They had the lights down. He

0:20:11.000 --> 0:20:13.680
<v Speaker 2>want to show his face really yeah. It was like

0:20:13.760 --> 0:20:16.159
<v Speaker 2>when he first started. And I know he doesn't care

0:20:16.200 --> 0:20:19.240
<v Speaker 2>if I say the story, but he had like acne problems,

0:20:20.400 --> 0:20:21.679
<v Speaker 2>and I was like, why can't I see him?

0:20:21.680 --> 0:20:22.320
<v Speaker 3>Why can I see him?

0:20:22.320 --> 0:20:24.080
<v Speaker 2>Why can And I asked somebody because they had invited

0:20:24.080 --> 0:20:25.520
<v Speaker 2>me to see him, and they're like, oh, he doesn't

0:20:25.520 --> 0:20:27.720
<v Speaker 2>really want to show his first dangn and.

0:20:27.920 --> 0:20:30.960
<v Speaker 3>So much talent. And he's at Radio City Music Hall.

0:20:31.000 --> 0:20:31.640
<v Speaker 3>You know what I'm saying.

0:20:32.000 --> 0:20:34.840
<v Speaker 2>It's a huge msg Radio City. Those are the biggest

0:20:34.880 --> 0:20:38.440
<v Speaker 2>venues here. And he was so in his head about

0:20:38.600 --> 0:20:40.520
<v Speaker 2>his look and his appearance that.

0:20:40.600 --> 0:20:41.640
<v Speaker 3>He he just had the lights down.

0:20:41.640 --> 0:20:55.600
<v Speaker 1>The temple yeah yeah, so Billino and and it's tough.

0:20:56.440 --> 0:20:56.840
<v Speaker 1>Maybe not.

0:21:01.880 --> 0:21:04.720
<v Speaker 3>Because it was Radio City. We loved him.

0:21:04.720 --> 0:21:07.800
<v Speaker 2>We were there, it was thousands of us, and he

0:21:07.960 --> 0:21:09.960
<v Speaker 2>was all in his head. But he's an amazing artist.

0:21:23.720 --> 0:21:27.399
<v Speaker 2>But speaking of artists, two influenzias old school.

0:21:31.000 --> 0:21:33.480
<v Speaker 1>Why okay, Influencia Influencia Influencia.

0:21:36.480 --> 0:21:45.920
<v Speaker 2>Okay, because you're young, did your parents listen to No? Okay, yeah,

0:21:45.960 --> 0:21:51.240
<v Speaker 2>because they're a little older, like Liver the Military.

0:21:57.560 --> 0:22:08.560
<v Speaker 1>Class, No c Yeah, Perro at the same time, and

0:22:08.640 --> 0:22:14.480
<v Speaker 1>I'm gonna young and don't music confronts.

0:22:17.720 --> 0:22:17.879
<v Speaker 3>You know?

0:22:18.600 --> 0:22:18.800
<v Speaker 5>You know?

0:22:19.160 --> 0:22:26.800
<v Speaker 1>Yeah, music like she had read on and she was

0:22:26.840 --> 0:22:36.200
<v Speaker 1>like a music and I was like, apply up on

0:22:37.840 --> 0:22:45.680
<v Speaker 1>bron and it's apply yeah, and local like told Temple toil,

0:22:45.720 --> 0:22:48.880
<v Speaker 1>tim don't don't I want to get out?

0:22:50.119 --> 0:22:52.359
<v Speaker 3>Okay to my mind, no.

0:22:54.000 --> 0:23:04.560
<v Speaker 1>Temple, And I'm being clean. I'm so and I see

0:23:04.600 --> 0:23:08.280
<v Speaker 1>I look at.

0:23:11.640 --> 0:23:21.840
<v Speaker 3>He was like the hell No Soombert, oh yeah, big shot.

0:23:22.320 --> 0:23:25.880
<v Speaker 2>He was at Latina too, all your homies Latino only

0:23:25.960 --> 0:23:28.680
<v Speaker 2>you were missing, Okay, But we gotta manifested Hi Radio.

0:23:28.720 --> 0:23:34.240
<v Speaker 3>We gotta get MafA on stage that.

0:23:38.720 --> 0:23:40.960
<v Speaker 1>Morning. Though you've been so tom.

0:23:41.840 --> 0:23:42.600
<v Speaker 3>No, that's for sure.

0:23:43.800 --> 0:23:45.520
<v Speaker 2>You know twenty twenty five is going to be you

0:23:45.600 --> 0:23:47.119
<v Speaker 2>know that year that you know you just go to

0:23:47.280 --> 0:23:48.800
<v Speaker 2>like that superstar level.

0:23:49.160 --> 0:23:49.320
<v Speaker 4>Man.

0:23:49.400 --> 0:23:50.720
<v Speaker 2>You know what I'm saying, I have a lot of

0:23:50.720 --> 0:23:52.520
<v Speaker 2>hope for your career and I feel like a lot

0:23:52.800 --> 0:23:56.160
<v Speaker 2>you're super super talented and you're humble, which is most

0:23:56.240 --> 0:23:57.360
<v Speaker 2>important in this industry.

0:23:58.400 --> 0:23:59.960
<v Speaker 5>No, no, the.

0:24:01.760 --> 0:24:02.760
<v Speaker 3>Have a piano here right now.

0:24:03.880 --> 0:24:11.639
<v Speaker 1>But why do you make that pile me? But how

0:24:11.760 --> 0:24:18.280
<v Speaker 1>I say this? Yeah, yeah, yeah, pianos a lot of

0:24:19.560 --> 0:24:23.720
<v Speaker 1>head class the piano. But at that time album so

0:24:23.880 --> 0:24:29.359
<v Speaker 1>I was like class list top so come on wild ride.

0:24:29.760 --> 0:24:31.480
<v Speaker 3>You know another I mentioned the piano. We do have

0:24:31.560 --> 0:24:35.960
<v Speaker 3>a little piano right there at the dressing room, the

0:24:36.000 --> 0:24:50.879
<v Speaker 3>green room. It's little though, it's like piano not all

0:24:51.000 --> 0:24:52.320
<v Speaker 3>if you're not gonna play the piano.

0:24:52.400 --> 0:24:54.080
<v Speaker 2>But I do want, I do want you to give

0:24:54.119 --> 0:24:56.640
<v Speaker 2>me one of your hooks. Okay, when you how's your voice?

0:24:56.640 --> 0:25:00.440
<v Speaker 2>You wantt W No, no, you know what crazy you're

0:25:00.440 --> 0:25:01.880
<v Speaker 2>being interbed the Mariah carry.

0:25:02.160 --> 0:25:07.399
<v Speaker 3>Your common potato chips pangras her throat. Yeah, you know

0:25:07.560 --> 0:25:10.040
<v Speaker 3>potato chips are like a little oily and I saw

0:25:10.119 --> 0:25:14.520
<v Speaker 3>she's like potato chips. That pause.

0:25:17.600 --> 0:25:18.960
<v Speaker 1>Okay, okay, so.

0:25:20.560 --> 0:25:24.160
<v Speaker 3>Your favorite hook, porcelana? What are you thinking do blue blue?

0:25:26.240 --> 0:25:28.520
<v Speaker 3>You were't blue anyway, so it makes sense, it makes sense.

0:25:29.000 --> 0:25:32.760
<v Speaker 4>Give it to me, Louisa, my Cara Cono, Philip Booting,

0:25:33.680 --> 0:25:44.080
<v Speaker 4>oh so lichor me blue sile seeing yeah, yeah, y'all

0:25:44.200 --> 0:25:49.280
<v Speaker 4>looking at you, Norman Media, I see oh my side

0:25:49.640 --> 0:25:50.600
<v Speaker 4>please no.

0:25:53.840 --> 0:25:56.080
<v Speaker 1>Beautiful. I love that.

0:25:56.160 --> 0:25:58.639
<v Speaker 3>I mean, thank you so much, thank you for joining

0:25:58.720 --> 0:25:59.159
<v Speaker 3>us today.

0:25:59.400 --> 0:26:03.760
<v Speaker 1>Can I see this? Relman? Doesn't hell.

0:26:07.480 --> 0:26:22.240
<v Speaker 3>Super cut, super important? Especially all your.

0:26:24.240 --> 0:26:24.560
<v Speaker 1>All right?

0:26:27.880 --> 0:26:29.840
<v Speaker 3>And know Grassiers come again.

0:26:33.440 --> 0:26:45.800
<v Speaker 1>Like on Yeah. Grassiers Come Again is a production of

0:26:45.880 --> 0:26:49.919
<v Speaker 1>Honey Germany Productions in partnership with Iheart's Microtura podcast network