1 00:00:00,040 --> 00:00:05,480 Speaker 1: Too Much Information is a production of I Heart Radio. 2 00:00:09,200 --> 00:00:12,360 Speaker 1: Hello everyone, and welcome to Too Much Information, the show 3 00:00:12,400 --> 00:00:15,360 Speaker 1: that brings you the secret histories and little known, fascinating 4 00:00:15,400 --> 00:00:19,200 Speaker 1: facts and figures behind your favorite movies, music, TV shows, 5 00:00:19,239 --> 00:00:22,880 Speaker 1: and more. We're your two realtors of random facts. I'm 6 00:00:22,920 --> 00:00:25,160 Speaker 1: Alex Heigel. That one wasn't that good. Don't give me 7 00:00:25,239 --> 00:00:29,320 Speaker 1: that it's not bad. I'm Jordan Red Talk and Jordan's 8 00:00:29,560 --> 00:00:32,360 Speaker 1: Today we're talking about one of the cornerstones of MTVS 9 00:00:32,440 --> 00:00:36,720 Speaker 1: early ods, cable Dominance, the show that updated the lifestyles 10 00:00:36,720 --> 00:00:39,000 Speaker 1: of the rich and famous formula for a blissful pre 11 00:00:39,159 --> 00:00:42,320 Speaker 1: nine eleven era of celebrity voyeurism and provided a pre 12 00:00:42,440 --> 00:00:45,680 Speaker 1: social media, first person glimpse into the way the other 13 00:00:45,760 --> 00:00:50,040 Speaker 1: half lives. That's right, we're talking about MTV Cribs, which 14 00:00:50,080 --> 00:00:53,479 Speaker 1: turned twenty two this fall. This is one of the 15 00:00:53,520 --> 00:00:56,280 Speaker 1: few reality shows that I remember watching as a kid, 16 00:00:56,640 --> 00:00:59,880 Speaker 1: Maybe just passively, but there's like certain images from it 17 00:01:00,200 --> 00:01:03,080 Speaker 1: really burned into my brain. Chiefly among them is the 18 00:01:03,080 --> 00:01:07,560 Speaker 1: one of Fat Joe demonstrating that he had never worn 19 00:01:07,600 --> 00:01:11,440 Speaker 1: a particular pair of nikes by licking licking the shoe. 20 00:01:11,520 --> 00:01:14,160 Speaker 1: The entire soul of the shoe from bottom to top. 21 00:01:14,520 --> 00:01:16,959 Speaker 1: That will stay with me long after the faces of 22 00:01:17,000 --> 00:01:20,920 Speaker 1: my loved ones have faded. How about you? You know, 23 00:01:21,120 --> 00:01:24,520 Speaker 1: I actually that I very much do remember as well. 24 00:01:24,640 --> 00:01:26,600 Speaker 1: I don't know. I just sort of absorbed it through 25 00:01:26,640 --> 00:01:30,039 Speaker 1: some sort of culturals Moses. Uh. Yeah. During the early 26 00:01:30,040 --> 00:01:32,840 Speaker 1: two thousand's, that was my era of really not engaging 27 00:01:32,880 --> 00:01:36,520 Speaker 1: with contemporary popular culture, and I was basically doing everything 28 00:01:36,520 --> 00:01:39,199 Speaker 1: in my power to live life like it was sixty six. 29 00:01:39,280 --> 00:01:42,400 Speaker 1: So I didn't really watch Cribs unless I was with friends. 30 00:01:42,760 --> 00:01:45,199 Speaker 1: And the problem for me was that I really didn't 31 00:01:45,240 --> 00:01:47,640 Speaker 1: know a lot of the people on it. And to 32 00:01:47,720 --> 00:01:49,360 Speaker 1: this day, like I bet if I looked up the 33 00:01:49,360 --> 00:01:53,840 Speaker 1: first few seasons of Cribs, I could probably name maybe 34 00:01:53,960 --> 00:01:58,640 Speaker 1: half the people, like a song by them or something like. Look, 35 00:01:58,680 --> 00:02:00,760 Speaker 1: to this day, I don't know who red Man is. 36 00:02:00,840 --> 00:02:03,280 Speaker 1: He's known the Meat entirely because of his appearance something 37 00:02:03,320 --> 00:02:07,120 Speaker 1: You've never seen, how high his comedic masterpiece with Methane Man. 38 00:02:07,680 --> 00:02:11,720 Speaker 1: You've never seen Seed of Chucky, the third or fourth 39 00:02:11,760 --> 00:02:16,880 Speaker 1: best Chucky sequel, never a great running gag that movie 40 00:02:16,880 --> 00:02:21,640 Speaker 1: where Jennifer Tilly keeps pronouncing his name is Redmond that's good. 41 00:02:21,840 --> 00:02:24,440 Speaker 1: That's good. I didn't know him, I did. I didn't 42 00:02:24,440 --> 00:02:28,800 Speaker 1: know Lit. I didn't know Silk, the Shockers, No Lit, dude, 43 00:02:28,919 --> 00:02:33,000 Speaker 1: I didn't know Trick Daddy. These are all no no 44 00:02:32,960 --> 00:02:38,400 Speaker 1: no net nah my own worst enemy. Yeah. See, I 45 00:02:38,400 --> 00:02:40,600 Speaker 1: don't know I we we checked out at different times then, 46 00:02:40,639 --> 00:02:42,440 Speaker 1: because like when I was like, you know, this would 47 00:02:42,440 --> 00:02:45,000 Speaker 1: have been I was thirteen. Yeah, I was so very 48 00:02:45,080 --> 00:02:47,400 Speaker 1: much getting a lot of pop culture from MTV. Does 49 00:02:47,480 --> 00:02:49,160 Speaker 1: Lit of that album cover that kind of looks a 50 00:02:49,200 --> 00:02:53,520 Speaker 1: little fifties, because I do remember that. Do you remember 51 00:02:53,520 --> 00:02:55,399 Speaker 1: the music video where they're crawling all over a giant 52 00:02:55,480 --> 00:02:59,040 Speaker 1: sized Pam Anderson. No, but I remember really liking the 53 00:02:59,080 --> 00:03:02,359 Speaker 1: gugi arts style of their album covers, placing the sun 54 00:03:02,400 --> 00:03:04,760 Speaker 1: and chipping the light. Fantastic. Yeah. I remember thinking that 55 00:03:04,960 --> 00:03:07,720 Speaker 1: the logo was cool. Seems kind of fifties. Yeah, Placed 56 00:03:07,760 --> 00:03:10,600 Speaker 1: in the Sun has the good singles on it. Anyway, 57 00:03:10,800 --> 00:03:16,360 Speaker 1: that's enough about that. I just I want to I 58 00:03:16,360 --> 00:03:19,400 Speaker 1: want to see, like, who else baffles you on the 59 00:03:19,480 --> 00:03:22,560 Speaker 1: list of cribs. We're gonna do a quick, quick parlor 60 00:03:22,639 --> 00:03:30,639 Speaker 1: game here. Cisco, Yeah, yes, yes, Jewel, come on, Jewel, Yeah, 61 00:03:31,160 --> 00:03:36,240 Speaker 1: big big boy. Well, outcasts a. J. McClean, Backstreet Boys, 62 00:03:36,760 --> 00:03:41,200 Speaker 1: Sugar Ray, Yeah, Destiny's Child Yeah, well okay yeah, p 63 00:03:41,320 --> 00:03:47,000 Speaker 1: O d sort of yeah, yeah, we are we are. 64 00:03:47,040 --> 00:03:54,160 Speaker 1: You do the Nation, Snoop Doug Yeah, yeah yeah, Tommy 65 00:03:54,240 --> 00:03:59,680 Speaker 1: Lee Yeah Foo Foo Foo Foo Fighters, Fiders did Cribs, 66 00:04:00,360 --> 00:04:04,680 Speaker 1: don't remember, along with Pam Anderson and Poison. That's a 67 00:04:04,720 --> 00:04:10,560 Speaker 1: hell of an episode. Yeah. They had some oldar they 68 00:04:10,600 --> 00:04:12,840 Speaker 1: had some oldar on. They had like boy George was 69 00:04:12,880 --> 00:04:17,719 Speaker 1: on one of these. Um, I remember rob Zombies actually, 70 00:04:17,920 --> 00:04:21,599 Speaker 1: and then they did start getting older people on here. Um. 71 00:04:21,760 --> 00:04:25,520 Speaker 1: Patti LaBelle is in an episode of this Jens Simmons Downtown, 72 00:04:25,640 --> 00:04:30,640 Speaker 1: Jolie Brown, Wayne Newton, Wayne Newton pops up sandwich between 73 00:04:30,760 --> 00:04:34,640 Speaker 1: Jamie Lynn Ziggler of the Sopranos and Gary Payton of 74 00:04:34,760 --> 00:04:42,320 Speaker 1: the Seattle SuperSonics. Anyway, all right, Well, from the tremendous 75 00:04:42,360 --> 00:04:46,880 Speaker 1: throne of lies that these assembled celebrity guests presided over 76 00:04:47,880 --> 00:04:51,240 Speaker 1: as they paraded other people's wealth as their own, to 77 00:04:51,360 --> 00:04:55,880 Speaker 1: the surprisingly heartfelt icon to icon piano related story at 78 00:04:55,880 --> 00:04:59,039 Speaker 1: the center of one of its most absurd episodes too. Yes, 79 00:05:00,120 --> 00:05:04,559 Speaker 1: that iconic episode starring Redman. Here's Everything you never knew 80 00:05:04,800 --> 00:05:13,400 Speaker 1: about MTV Cribs in a way. Cribs dates back to 81 00:05:14,360 --> 00:05:18,080 Speaker 1: when an Entertainment Tonight reporter named Robin Leach cold called 82 00:05:18,160 --> 00:05:22,080 Speaker 1: a Dallas camera woman for PM magazine and the local 83 00:05:22,120 --> 00:05:25,719 Speaker 1: ABC affiliate by the name of lee Ellen Patchen with 84 00:05:25,800 --> 00:05:29,039 Speaker 1: a job offer to film some segments for the pilot 85 00:05:29,080 --> 00:05:31,640 Speaker 1: of the TV show he was developing. He did not 86 00:05:31,760 --> 00:05:34,320 Speaker 1: bother to explain anything about it other than the fact 87 00:05:34,320 --> 00:05:37,120 Speaker 1: that it was called Lifestyles of the Rich and Famous. 88 00:05:37,560 --> 00:05:39,840 Speaker 1: That show would run for the next twelve years and 89 00:05:39,920 --> 00:05:42,600 Speaker 1: sixty eight episodes and make an impression on a woman 90 00:05:42,680 --> 00:05:47,039 Speaker 1: named Nina L. Diaz, who arrived at MTV as a 91 00:05:47,080 --> 00:05:50,240 Speaker 1: young freelancer and within a few years became a staff 92 00:05:50,320 --> 00:05:54,400 Speaker 1: executive producer with MTV News and their documentary Wing. I 93 00:05:54,520 --> 00:06:00,960 Speaker 1: just okay, Wow, she's a young freelancer in Crim's premiered 94 00:06:00,960 --> 00:06:05,520 Speaker 1: in September two thousand. But from freelancer to successfully pitching 95 00:06:05,560 --> 00:06:08,880 Speaker 1: a show through the series and three years, I can't 96 00:06:08,880 --> 00:06:12,320 Speaker 1: remizine that ever happening today. Wow. Yeah, And she's and 97 00:06:12,400 --> 00:06:15,680 Speaker 1: she's um, she's like head of Viacom something. She's like 98 00:06:15,720 --> 00:06:18,720 Speaker 1: a real power player. Her dad was a longtime New 99 00:06:18,760 --> 00:06:22,000 Speaker 1: York journalist named David Diaz, but she started doing their 100 00:06:22,040 --> 00:06:24,760 Speaker 1: documentary stuff for them, so she was actually like a 101 00:06:24,839 --> 00:06:28,719 Speaker 1: legitimate journalist, and then, as I'll explain in a moment, 102 00:06:29,000 --> 00:06:33,920 Speaker 1: got tired of it, showed Entertainment Weekly. I was doing 103 00:06:34,000 --> 00:06:37,640 Speaker 1: long form music news pieces and documentaries covering artists and 104 00:06:37,680 --> 00:06:41,640 Speaker 1: celebrities in very structured interviews. As a fan, first, I 105 00:06:41,720 --> 00:06:45,280 Speaker 1: was always curious to explore more about these dynamic personalities 106 00:06:45,480 --> 00:06:49,160 Speaker 1: and get to know them in more authentic and unfiltered ways. 107 00:06:49,760 --> 00:06:52,400 Speaker 1: Back then, we didn't have as much access to peek 108 00:06:52,440 --> 00:06:55,839 Speaker 1: behind the curtain and have intimacy with our favorite artists. 109 00:06:55,960 --> 00:06:59,960 Speaker 1: There was so much more mystique surrounding celebrity images. Uh. 110 00:07:00,000 --> 00:07:02,240 Speaker 1: Then she told The Washington Post that same year, I 111 00:07:02,279 --> 00:07:04,480 Speaker 1: wanted to go deeper. I wanted to know who they 112 00:07:04,520 --> 00:07:07,599 Speaker 1: were when they were off campus, if you will, um, 113 00:07:07,600 --> 00:07:09,560 Speaker 1: and she basically pitched the idea for the show to 114 00:07:09,720 --> 00:07:12,720 Speaker 1: her boss is at MTV as Lifestyles Rich and Famous 115 00:07:12,760 --> 00:07:15,560 Speaker 1: without a host. Um, she said, it was clearer that 116 00:07:15,600 --> 00:07:17,280 Speaker 1: I didn't want to host. I wanted it to be 117 00:07:17,360 --> 00:07:21,320 Speaker 1: first person. I wanted that unfiltered, raw reel, let your 118 00:07:21,360 --> 00:07:24,640 Speaker 1: hair down version of these artists and celebrities. While her 119 00:07:24,680 --> 00:07:26,760 Speaker 1: boss has got the concept right away, it was a 120 00:07:26,880 --> 00:07:30,600 Speaker 1: harder sell for the proposed subjects. We were told that 121 00:07:30,680 --> 00:07:33,520 Speaker 1: no one would ever entertain the idea of letting us 122 00:07:33,560 --> 00:07:37,040 Speaker 1: into their homes, she told Entertainment Weekly. All the record 123 00:07:37,120 --> 00:07:39,000 Speaker 1: labels and many of the people told us that it 124 00:07:39,040 --> 00:07:42,000 Speaker 1: was impossible. She added to The Washington Post, we got 125 00:07:42,040 --> 00:07:45,080 Speaker 1: the flat out you're crazy, This will never happen. No 126 00:07:45,080 --> 00:07:47,840 Speaker 1: one is ever letting you into their house. We're talking 127 00:07:47,880 --> 00:07:50,800 Speaker 1: pre Housewives, pre Instagram and social media all of this. 128 00:07:51,640 --> 00:07:54,080 Speaker 1: You weren't supposed to have the peak behind the gates, 129 00:07:54,200 --> 00:07:57,600 Speaker 1: she continued. You did not have access as a fan 130 00:07:57,800 --> 00:08:01,360 Speaker 1: to that level of information about your favorite artist. Celebrities 131 00:08:01,400 --> 00:08:04,800 Speaker 1: had a high level of privacy outside of those promotional venues. 132 00:08:05,000 --> 00:08:07,760 Speaker 1: They didn't need to let you that deep into their world, 133 00:08:07,880 --> 00:08:11,080 Speaker 1: and they had an image they needed to maintain. Yeah, 134 00:08:11,080 --> 00:08:13,720 Speaker 1: I mean, it's like we talked about in the Osbournes episode. Now, 135 00:08:13,720 --> 00:08:15,720 Speaker 1: in the social media era, it's hard to remember how 136 00:08:15,960 --> 00:08:18,920 Speaker 1: rare it was that basically just see celebrities be boring, 137 00:08:19,240 --> 00:08:21,760 Speaker 1: just like, see them in their car, see them in 138 00:08:21,800 --> 00:08:24,480 Speaker 1: their living room, like and just the idea of like 139 00:08:24,560 --> 00:08:27,120 Speaker 1: I mean coming off like media. I mean, like sports 140 00:08:27,120 --> 00:08:30,520 Speaker 1: figures have media training and stuff, but like the idea 141 00:08:30,560 --> 00:08:32,840 Speaker 1: of one of these labels like letting one of their 142 00:08:32,920 --> 00:08:37,720 Speaker 1: massive investments essentially roll around without a handler and talk 143 00:08:37,840 --> 00:08:40,880 Speaker 1: to a camera nflight that probably had like you know, 144 00:08:41,120 --> 00:08:45,480 Speaker 1: Irving as Off quaking in his boots, you know. But 145 00:08:45,679 --> 00:08:50,120 Speaker 1: it was little old Jermaine dupri who bust the floodgates open. Yeah, 146 00:08:50,240 --> 00:08:54,000 Speaker 1: said Diaz would later say that was huge. The house 147 00:08:54,040 --> 00:08:56,040 Speaker 1: he was living at in Atlanta for the episode that 148 00:08:56,080 --> 00:08:59,320 Speaker 1: they filmed was barely furnished at the time, was filled 149 00:08:59,320 --> 00:09:02,559 Speaker 1: with luxury car, was a Champagne but had only tombstone 150 00:09:02,600 --> 00:09:06,360 Speaker 1: frozen pizzas in the fridge. And you know, after career 151 00:09:06,400 --> 00:09:09,840 Speaker 1: working in stage managed MTV news segments, Diaz was just 152 00:09:10,040 --> 00:09:12,280 Speaker 1: bowled over by the level of access that you wound 153 00:09:12,400 --> 00:09:14,959 Speaker 1: up with these celebrities. She said, nine times out of ten, 154 00:09:15,200 --> 00:09:17,600 Speaker 1: there wouldn't be a publicist, a wrapper, a manager there. 155 00:09:17,760 --> 00:09:20,480 Speaker 1: The celebrities were just so at home, literally, they were 156 00:09:20,520 --> 00:09:23,440 Speaker 1: so relaxed about the whole thing. It's nice that Jermaine 157 00:09:23,480 --> 00:09:27,280 Speaker 1: dupri Is may responsible for helping make Cribs happen because 158 00:09:27,920 --> 00:09:29,920 Speaker 1: I booked him when I was at VH one for 159 00:09:30,000 --> 00:09:34,640 Speaker 1: a film segment film crew and uh didn't show day 160 00:09:34,679 --> 00:09:38,640 Speaker 1: of I had to pay everybody, and I don't. I 161 00:09:38,679 --> 00:09:40,960 Speaker 1: don't care how much for Jermaine Dupri, but I guess 162 00:09:41,040 --> 00:09:44,520 Speaker 1: we can thank him for Cribs. So for that, I'm 163 00:09:44,559 --> 00:09:48,559 Speaker 1: slightly less bitter. They must have filmed these and it 164 00:09:48,640 --> 00:09:52,320 Speaker 1: out of sequence broadcasting amount of order because I read 165 00:09:52,360 --> 00:09:55,480 Speaker 1: that the core group that they launched with as a 166 00:09:55,520 --> 00:10:01,559 Speaker 1: demographic sampler for Cribs was Dupri, Steve Harwell from smash Mouth, 167 00:10:02,640 --> 00:10:08,720 Speaker 1: Fieldy from Corn and Carmen Electra. They filmed all those 168 00:10:08,760 --> 00:10:12,240 Speaker 1: in four weeks. That was the pilot program for that. 169 00:10:12,240 --> 00:10:14,600 Speaker 1: That is a I gotta say that's a pretty stirring 170 00:10:14,679 --> 00:10:18,720 Speaker 1: cross section of the year two thousand. One of the 171 00:10:18,800 --> 00:10:21,840 Speaker 1: producers for the show, named Erica Clark, told The Thrillist 172 00:10:22,080 --> 00:10:25,280 Speaker 1: initially was hard asking if you could go into someone's house. 173 00:10:25,679 --> 00:10:28,760 Speaker 1: Rappers and athletes were way more into doing it because 174 00:10:28,800 --> 00:10:31,520 Speaker 1: of the culture of look at what we have. That's interesting. 175 00:10:32,520 --> 00:10:35,960 Speaker 1: Crib's executive producer, David scherul Nick has pegged Jermaine Dupris 176 00:10:36,040 --> 00:10:39,600 Speaker 1: episode as especially influential because there's a scene many shows 177 00:10:39,600 --> 00:10:42,280 Speaker 1: off as Bentley saying with a luxury car was a 178 00:10:42,320 --> 00:10:45,640 Speaker 1: true sign of a big dog his words, who really 179 00:10:45,679 --> 00:10:48,880 Speaker 1: made it? And Cyril Nick estimates that a dozen other 180 00:10:49,000 --> 00:10:52,160 Speaker 1: celebrities went out and bought or at very least rented 181 00:10:52,200 --> 00:10:55,600 Speaker 1: Bentley's after this, and also made sure their fridges were 182 00:10:55,600 --> 00:10:59,880 Speaker 1: conspicuously stalked with Chris stal uh just based on the 183 00:11:00,040 --> 00:11:05,360 Speaker 1: precedent Jermaine Dupre set in his early episode Incredible. As 184 00:11:05,360 --> 00:11:07,920 Speaker 1: the show became more popular, producers stopped having to seek 185 00:11:07,960 --> 00:11:11,600 Speaker 1: out celebrities, who quickly started watching their peers and came 186 00:11:11,600 --> 00:11:13,920 Speaker 1: to view the show as a form of image management. 187 00:11:14,040 --> 00:11:16,920 Speaker 1: The executive producer later told ABC some of the most 188 00:11:17,000 --> 00:11:20,120 Speaker 1: dedicated viewers of Cribs were other celebrities. Oh, I'm sure 189 00:11:20,280 --> 00:11:23,880 Speaker 1: it's probably the ultimate, like keeping up with the Jones situation. Yeah. 190 00:11:24,080 --> 00:11:26,520 Speaker 1: Darryl E. Smith, the show's director of photography, told The 191 00:11:26,520 --> 00:11:29,200 Speaker 1: Washington Post, the best way to explain it is there 192 00:11:29,280 --> 00:11:32,160 Speaker 1: was a shift the agents and the celebrities found out 193 00:11:32,200 --> 00:11:34,880 Speaker 1: that if I'm on Cribs, my stock goes up. It 194 00:11:34,920 --> 00:11:38,160 Speaker 1: became integral somebody's career. You're not on Cribs. How come 195 00:11:38,200 --> 00:11:42,000 Speaker 1: you're not on Cribs? The show wasn't traditional, he continued. 196 00:11:42,080 --> 00:11:44,480 Speaker 1: You couldn't stop and restart, You had to just reset 197 00:11:44,480 --> 00:11:47,240 Speaker 1: on the fly. We moved and we captured so much 198 00:11:47,240 --> 00:11:49,480 Speaker 1: that way versus stopping and setting up. At the time, 199 00:11:50,480 --> 00:11:52,920 Speaker 1: DS said in a book on the show, how minimal 200 00:11:52,920 --> 00:11:55,520 Speaker 1: they're set up really was. We have a two camera crew, 201 00:11:55,720 --> 00:11:58,200 Speaker 1: one director, one producer, and then the two cameras are 202 00:11:58,240 --> 00:12:00,760 Speaker 1: a steady cam and a guy on handheld getting b roll. 203 00:12:01,320 --> 00:12:04,680 Speaker 1: Director of photography and audio people. So there are six 204 00:12:04,760 --> 00:12:07,120 Speaker 1: or seven people who show up on an artist doorstep. 205 00:12:07,200 --> 00:12:09,760 Speaker 1: But really it's other than the audio. It's just two 206 00:12:09,760 --> 00:12:12,319 Speaker 1: camera guys. It's a lot of equipment and takes an 207 00:12:12,320 --> 00:12:14,920 Speaker 1: hour just to set up. Then we do a walkthrough 208 00:12:15,040 --> 00:12:17,000 Speaker 1: and yes, that is the first time we are seeing 209 00:12:17,040 --> 00:12:19,280 Speaker 1: the house. We don't know anything about it going in. 210 00:12:19,640 --> 00:12:22,120 Speaker 1: Typical day of shooting was about five to eight hours, 211 00:12:22,160 --> 00:12:24,160 Speaker 1: they said. Um as the show picked up Steve and 212 00:12:24,200 --> 00:12:26,120 Speaker 1: went from shooting just a few times a month to 213 00:12:26,240 --> 00:12:29,040 Speaker 1: almost every week, agents picked up on it as a 214 00:12:29,080 --> 00:12:32,600 Speaker 1: way to pitch their young talent MTV, including Paul Walker, 215 00:12:33,120 --> 00:12:36,199 Speaker 1: Fast and The Furious era. Paul Walker Smith said when 216 00:12:36,200 --> 00:12:37,880 Speaker 1: we did his place, he had a hole in the 217 00:12:37,960 --> 00:12:40,840 Speaker 1: kitchen floor, a hole in the wall. Nobody knew he 218 00:12:40,880 --> 00:12:44,480 Speaker 1: was going to be what he became. Ashton Kutcher, same way, 219 00:12:44,520 --> 00:12:48,760 Speaker 1: except he had a better place. Those punk books, Yeah, 220 00:12:48,760 --> 00:12:55,960 Speaker 1: that's true. Or seventies. That guy's really just been inescapable 221 00:12:56,440 --> 00:13:01,520 Speaker 1: for someone who just sucks for so damn long, so 222 00:13:01,600 --> 00:13:05,240 Speaker 1: much money from Three and a half Man, Yeah he was. 223 00:13:05,320 --> 00:13:08,400 Speaker 1: He was like, what if that seventy show for Fox money, 224 00:13:08,480 --> 00:13:12,320 Speaker 1: syndication money his aboard of stabb at being a movie star, 225 00:13:12,400 --> 00:13:16,920 Speaker 1: for which I'm sure he's still got big paychecks from Worth. 226 00:13:20,559 --> 00:13:23,480 Speaker 1: That's the show picked up steam. Certain phrases, bits if 227 00:13:23,520 --> 00:13:27,400 Speaker 1: you will, became indelibly lodged into the zeit guys because 228 00:13:27,440 --> 00:13:31,000 Speaker 1: of them. To wit the phrase where the magic happens, 229 00:13:31,360 --> 00:13:34,880 Speaker 1: which is usually how a male celebrity would introduce his bedroom. 230 00:13:35,120 --> 00:13:37,319 Speaker 1: There was always males here, right, I didn't really think 231 00:13:37,320 --> 00:13:41,120 Speaker 1: about the Joey McIntyre, formerly of the band New Kids 232 00:13:41,120 --> 00:13:42,880 Speaker 1: on the Block, may have been the first to use 233 00:13:42,880 --> 00:13:45,160 Speaker 1: the phrase on the show. You can hear him say 234 00:13:45,200 --> 00:13:48,680 Speaker 1: it as he flops onto his bed. Earlier on that segment, 235 00:13:48,800 --> 00:13:51,920 Speaker 1: McIntyre says his home was a stop on the underground 236 00:13:51,960 --> 00:13:56,160 Speaker 1: railroad and highlights his secret passageway, so he and his 237 00:13:56,240 --> 00:14:01,400 Speaker 1: crib contain multitudes. Speaking of ribbs, how did a word 238 00:14:01,440 --> 00:14:05,199 Speaker 1: associated with babies arrive at being shorthand for one's adult 239 00:14:05,320 --> 00:14:10,720 Speaker 1: sized and presumably very costly dwelling well thanks to installment 240 00:14:10,720 --> 00:14:15,040 Speaker 1: of NPRS code switch column by Lakshmi Gandhi. According to 241 00:14:15,080 --> 00:14:17,680 Speaker 1: the Oxford English Dictionary, the first time crib was used 242 00:14:17,720 --> 00:14:21,040 Speaker 1: to mean a small dwelling came in William Shakespeare's fift 243 00:14:21,360 --> 00:14:25,560 Speaker 1: nine seven play Henry the Sixth damn It William, specifically 244 00:14:25,640 --> 00:14:28,720 Speaker 1: in part one, when King Henry delivers this soliloquy about 245 00:14:28,720 --> 00:14:32,160 Speaker 1: his subjects and expresses bewilderment at their living arrangements. You 246 00:14:32,160 --> 00:14:35,680 Speaker 1: were in Shakespeare Society, you should read, No, I don't 247 00:14:35,720 --> 00:14:39,560 Speaker 1: do that. Don't work on Monday's. Give me your John Gilgood, 248 00:14:39,720 --> 00:14:42,560 Speaker 1: Give me your John Gilgood. I know I'll give you 249 00:14:42,680 --> 00:14:48,160 Speaker 1: Richard Harris. Okay, yeah, Actually, if I could do Richard Harris, 250 00:14:48,240 --> 00:14:50,600 Speaker 1: if I had like twenty minutes to like, get the 251 00:14:50,680 --> 00:14:55,360 Speaker 1: tamper while I'd rather sleep, liest thou in smoky cribs 252 00:14:55,680 --> 00:14:58,880 Speaker 1: upont on easy palette, stretching thee and hush it with 253 00:14:59,000 --> 00:15:02,120 Speaker 1: buzzed nightfly is to thy slumber than in the perfume 254 00:15:02,280 --> 00:15:07,960 Speaker 1: chambers of the Great. Well done, thank you. Yeah, yeah, 255 00:15:08,120 --> 00:15:13,120 Speaker 1: we have to put Shakespeare in this bitch more. The 256 00:15:13,160 --> 00:15:14,840 Speaker 1: thing is, though I don't know what I just said. 257 00:15:15,040 --> 00:15:17,120 Speaker 1: I just said, no one does. We're all just we're 258 00:15:17,120 --> 00:15:18,800 Speaker 1: all just faking it. I want to do I want 259 00:15:18,840 --> 00:15:21,040 Speaker 1: to do Macbeth, but I want to do McBeth as 260 00:15:21,240 --> 00:15:24,640 Speaker 1: Denzel Washington because he did Macbeth. He was in McBeth, 261 00:15:25,080 --> 00:15:29,960 Speaker 1: and I just he does it all in his Denzel voice. Yeah, um, 262 00:15:30,000 --> 00:15:32,160 Speaker 1: I did do all that may become a man. He 263 00:15:32,880 --> 00:15:36,640 Speaker 1: who dares more is none. I believe you just did 264 00:15:36,800 --> 00:15:39,760 Speaker 1: Shakespeare as Denzel and I did exactly. It's because it's 265 00:15:39,760 --> 00:15:42,640 Speaker 1: because I was just repeating that lot line reading. I 266 00:15:42,720 --> 00:15:45,320 Speaker 1: just yeah, it's a great one. It's the Cohen Brothers. 267 00:15:45,840 --> 00:15:49,560 Speaker 1: Francis McDorman is Lady Macbeth. Oh that was good. And 268 00:15:49,600 --> 00:15:57,640 Speaker 1: then Polanski uman, oh Macbeth. See yeah, I haven't seen that. 269 00:15:57,840 --> 00:16:00,640 Speaker 1: Oh that's a lot of people say was his way 270 00:16:00,680 --> 00:16:05,720 Speaker 1: of sort of exercising his demons after Sharon Tate's murder. 271 00:16:06,160 --> 00:16:11,280 Speaker 1: It's it's a rough watch, but it is it's powerful. 272 00:16:11,480 --> 00:16:15,880 Speaker 1: We watched that in our English class onto a much 273 00:16:15,960 --> 00:16:20,840 Speaker 1: less distinguished juice of the word Shakespeare's sidebar over Yes. 274 00:16:21,000 --> 00:16:23,560 Speaker 1: By the early eight hundreds, the word crib took on 275 00:16:23,600 --> 00:16:26,920 Speaker 1: a much more scandalous connotation. For Jonathan Green in his 276 00:16:27,000 --> 00:16:30,440 Speaker 1: book Crooked Talk, five years of the Language of Crime, 277 00:16:31,040 --> 00:16:32,960 Speaker 1: crib had come to refer to the room where a 278 00:16:33,080 --> 00:16:37,080 Speaker 1: prostitute would entertain her clients, and the phrase crib girl 279 00:16:37,320 --> 00:16:40,480 Speaker 1: emerged to refer to prostitutes themselves. I've never heard that 280 00:16:41,440 --> 00:16:44,720 Speaker 1: and across the pond in England. Crib had a very 281 00:16:44,760 --> 00:16:48,640 Speaker 1: different meaning in the Dickenzie and underworld. Basically, it was 282 00:16:48,760 --> 00:16:51,800 Speaker 1: used interchangeably as a place we wanted to rob and 283 00:16:51,840 --> 00:16:54,840 Speaker 1: also as a verb meaning to rob the crib something. 284 00:16:54,840 --> 00:16:56,480 Speaker 1: It's kind of like when you're cheating off a test 285 00:16:56,520 --> 00:16:59,120 Speaker 1: you crib answers from somebody. Yeah, it's still sort of used. 286 00:16:59,760 --> 00:17:03,160 Speaker 1: The wan Us Fagan in Charles dickens eighteen thirty eight 287 00:17:03,240 --> 00:17:07,600 Speaker 1: novel Oliver Twist makes several references to breaking into cribs 288 00:17:07,720 --> 00:17:09,960 Speaker 1: throughout the novel, and then about a century later, in 289 00:17:09,960 --> 00:17:13,240 Speaker 1: the nineteen forties, came the first Black American references to 290 00:17:13,320 --> 00:17:16,600 Speaker 1: cribs as holmes, and that was included in Dan Burley's 291 00:17:16,640 --> 00:17:19,919 Speaker 1: original handbook of Harlem Jive, which is the source of 292 00:17:20,000 --> 00:17:23,119 Speaker 1: many other popular words and phrases. As Burley wrote in 293 00:17:23,160 --> 00:17:26,760 Speaker 1: one verse, twas the night before nick Tide, and all 294 00:17:26,840 --> 00:17:31,160 Speaker 1: through the crib you could hear Joe hipspeeling that righteous 295 00:17:31,200 --> 00:17:34,680 Speaker 1: ad lib. I don't know what that means either's I'm 296 00:17:34,760 --> 00:17:37,560 Speaker 1: three for three and non understanding why just read? But 297 00:17:37,760 --> 00:17:40,359 Speaker 1: like that? And African writers begin to pick up the 298 00:17:40,440 --> 00:17:43,439 Speaker 1: term crib following Burley's book, and in nineteen fifty eight 299 00:17:43,760 --> 00:17:45,760 Speaker 1: the word was common enough that it was included in 300 00:17:45,840 --> 00:17:48,840 Speaker 1: Langston Hughes and Arna Wendell bon Tom's The Book of 301 00:17:48,920 --> 00:17:52,320 Speaker 1: Negro Folklore, in which they defined a crib as quote 302 00:17:52,520 --> 00:17:55,080 Speaker 1: a house home where you can not only hang your 303 00:17:55,080 --> 00:17:58,040 Speaker 1: hat but raise hell. And it was that meaning of 304 00:17:58,119 --> 00:18:03,440 Speaker 1: crib that was carried on to MTV. We're going to 305 00:18:03,520 --> 00:18:05,719 Speaker 1: take a quick break, but we'll be right back with 306 00:18:05,760 --> 00:18:20,000 Speaker 1: more too much information in just a moment. But now 307 00:18:20,040 --> 00:18:22,000 Speaker 1: we must arrive at the portion of the program that 308 00:18:22,040 --> 00:18:25,600 Speaker 1: I assume all of you small, mean spirited people out there, 309 00:18:26,000 --> 00:18:28,199 Speaker 1: of which I account myself as one, we're waiting for 310 00:18:28,320 --> 00:18:32,280 Speaker 1: with the proverbially bated breath the part where we puncture 311 00:18:32,280 --> 00:18:35,800 Speaker 1: a bunch of celebrities appearances on Cribs. According to red Man, 312 00:18:35,880 --> 00:18:38,440 Speaker 1: who will get to in a bit, he'd already suspected 313 00:18:38,480 --> 00:18:41,280 Speaker 1: something was afoot when the show reached out to him. 314 00:18:41,359 --> 00:18:44,040 Speaker 1: Let's be very clear, he told up Rocks earlier this month, 315 00:18:44,359 --> 00:18:47,000 Speaker 1: a lot of people were renting houses for MTV Cribs, 316 00:18:47,400 --> 00:18:49,880 Speaker 1: and I used to be like, you know, their house too. 317 00:18:49,960 --> 00:18:52,919 Speaker 1: Neat every house they showed on there was neat the 318 00:18:52,960 --> 00:18:56,480 Speaker 1: refrigerators stocked full with food and water. I was like, yo, 319 00:18:56,720 --> 00:18:59,080 Speaker 1: there's something going on that I'm not getting until they 320 00:18:59,119 --> 00:19:01,720 Speaker 1: asked me. And the first thing they said was, we've 321 00:19:01,760 --> 00:19:05,199 Speaker 1: got a couple of houses picked out for you. This 322 00:19:05,359 --> 00:19:09,600 Speaker 1: never dawned on me until research, because again, this is 323 00:19:09,640 --> 00:19:13,680 Speaker 1: ground zero for reality TV. We're like idiot children being 324 00:19:13,680 --> 00:19:16,719 Speaker 1: like they can't lie to us on television. I just 325 00:19:16,880 --> 00:19:18,639 Speaker 1: I didn't think that they would care or not. I 326 00:19:18,640 --> 00:19:23,280 Speaker 1: don't know, it's assumed that, like they actually had these houses. Perhaps. 327 00:19:23,280 --> 00:19:26,360 Speaker 1: Nowhere is this more clear than the episode featuring erstwhile 328 00:19:27,119 --> 00:19:30,520 Speaker 1: hip hop icons the Ying Yang Twins. I remember the 329 00:19:30,680 --> 00:19:36,160 Speaker 1: Yang Twins. Jordan's oh yeah that used Yes, I remember 330 00:19:36,240 --> 00:19:38,439 Speaker 1: we used to do that and not we friends of 331 00:19:38,440 --> 00:19:40,800 Speaker 1: mine used to do that in class as a way 332 00:19:40,800 --> 00:19:42,560 Speaker 1: to dare each other and see how long they can 333 00:19:42,640 --> 00:19:51,240 Speaker 1: go until the teacher noticed it's sure. Um. They supposedly 334 00:19:51,280 --> 00:19:54,400 Speaker 1: rented a house in Atlanta for their episode, completely sight unseen, 335 00:19:56,040 --> 00:19:59,720 Speaker 1: and promptly toured through ad libbing the entire thing, and 336 00:19:59,800 --> 00:20:03,439 Speaker 1: never were once giving anything away in the light of 337 00:20:03,480 --> 00:20:06,680 Speaker 1: the obvious fact the place had not been decorated by 338 00:20:06,720 --> 00:20:10,679 Speaker 1: them or anyone in their employ At one point, pointing 339 00:20:10,680 --> 00:20:12,800 Speaker 1: to a painting of the fish, one of them says 340 00:20:12,840 --> 00:20:17,520 Speaker 1: he caught it in Johannesburg. I mean that episode is hilarious. 341 00:20:17,560 --> 00:20:19,800 Speaker 1: They're just picking up random bits of the of like 342 00:20:19,840 --> 00:20:22,399 Speaker 1: the decor and playing with it. It's it's it's actually 343 00:20:22,400 --> 00:20:26,000 Speaker 1: really funny. It is like performance hearts. But before we 344 00:20:26,040 --> 00:20:29,320 Speaker 1: get to the houses of lies, let's start with the 345 00:20:29,400 --> 00:20:35,680 Speaker 1: garages of lies. Aside from the transparent chillery of opening 346 00:20:35,680 --> 00:20:38,840 Speaker 1: a fridge in his nineteen bedroom, six kitchen, Connecticut mansion 347 00:20:38,880 --> 00:20:42,280 Speaker 1: that had been completely and solely stocked with vitamin water, 348 00:20:42,760 --> 00:20:46,360 Speaker 1: which he had just inked to deal with, fifties parade 349 00:20:46,560 --> 00:20:50,760 Speaker 1: of Ferraris in his driveway, an Enzo and f fifty 350 00:20:50,800 --> 00:20:55,440 Speaker 1: and in this episode caught the eye of some enthusiasts 351 00:20:55,520 --> 00:20:59,720 Speaker 1: of the brand on the car forum Ferrari Chat, and 352 00:20:59,760 --> 00:21:03,520 Speaker 1: these amateur sluts quickly identified that trio of cars as 353 00:21:03,560 --> 00:21:07,520 Speaker 1: belonging to a Connecticut collector only identified by the initials 354 00:21:07,720 --> 00:21:12,240 Speaker 1: s C. There are two dead giveaways to this bit 355 00:21:12,280 --> 00:21:16,840 Speaker 1: of decades old Connecticut car drama, according to the posters. 356 00:21:17,440 --> 00:21:20,680 Speaker 1: One is that there is only one yellow Ferrari Enzo 357 00:21:20,720 --> 00:21:24,080 Speaker 1: in the state of Connecticut, and that that dude owns it, 358 00:21:24,800 --> 00:21:28,080 Speaker 1: Mr sc possibly Steve Carrell, We have no idea or 359 00:21:28,119 --> 00:21:32,680 Speaker 1: Steve Coogan, you know, because because Alan Partridge was taken 360 00:21:32,720 --> 00:21:39,400 Speaker 1: off at the time. Also that guy people yeah, oh yeah, yeah, 361 00:21:39,720 --> 00:21:42,640 Speaker 1: um this forum person, They're like, I know that guy. 362 00:21:42,800 --> 00:21:45,840 Speaker 1: He lives a few miles away from where fifty lives 363 00:21:46,680 --> 00:21:51,200 Speaker 1: because fifty bought that house from Mike Tyson. Um, oh 364 00:21:51,280 --> 00:21:54,679 Speaker 1: wow yeah so uh. And then the other giveaway, and 365 00:21:54,720 --> 00:21:57,359 Speaker 1: this is that their numbers on the windshields of the 366 00:21:57,400 --> 00:22:00,400 Speaker 1: f fifty and the Enzo, which he recognized from both 367 00:22:00,440 --> 00:22:04,160 Speaker 1: of those cars. Appearing in a car show in Hartford recently, 368 00:22:04,680 --> 00:22:08,840 Speaker 1: Fifty finally unloaded that mansion, which he got the show 369 00:22:09,080 --> 00:22:12,239 Speaker 1: cribs to dedicate an entire episode two instead of just 370 00:22:12,359 --> 00:22:15,439 Speaker 1: the segment I got rid of it nuts. It was 371 00:22:15,480 --> 00:22:19,480 Speaker 1: like he was completely insane. Yeah, well, uh yeah. There's 372 00:22:19,480 --> 00:22:21,760 Speaker 1: a great bit where he uh he marvels at the 373 00:22:21,880 --> 00:22:26,080 Speaker 1: eighty thousand dollar backer at crystal chandelier in a room 374 00:22:26,119 --> 00:22:29,840 Speaker 1: he never eats in, and he says, I could have 375 00:22:29,880 --> 00:22:32,679 Speaker 1: bought a BMW for that. He finally got rid of 376 00:22:32,720 --> 00:22:35,760 Speaker 1: it in the mansion, not the chandelier or the rented 377 00:22:35,840 --> 00:22:41,200 Speaker 1: ferraris um in nineteen at an eighty four percent discount 378 00:22:41,320 --> 00:22:45,560 Speaker 1: after twelve years on the market. Mike Tyson didn't know 379 00:22:45,640 --> 00:22:48,160 Speaker 1: what he was doing. He was the he got out 380 00:22:48,160 --> 00:22:51,160 Speaker 1: while the getting was good. Well, did you get into 381 00:22:51,240 --> 00:22:53,120 Speaker 1: the whole thing later on about how fifty cent when 382 00:22:53,119 --> 00:22:56,919 Speaker 1: he filed for bankruptcy, claimed that, like he's doing some 383 00:22:56,960 --> 00:22:59,359 Speaker 1: shady things with money because he basically claims that he 384 00:22:59,440 --> 00:23:02,680 Speaker 1: had no money ever and everything was all rented. This 385 00:23:02,720 --> 00:23:06,480 Speaker 1: was in I think I remember, yeah, yeah, and he 386 00:23:06,520 --> 00:23:09,879 Speaker 1: claimed that everything in that episode was rented. He somehow, 387 00:23:10,280 --> 00:23:12,320 Speaker 1: because I think he was somebody was filing for divorce 388 00:23:12,440 --> 00:23:16,080 Speaker 1: or something, and he somehow all of his assets and 389 00:23:16,160 --> 00:23:18,719 Speaker 1: money in other people's hands so that he could just 390 00:23:18,760 --> 00:23:27,000 Speaker 1: claim that he had no money, which was uh deliciously evil. Um. 391 00:23:27,040 --> 00:23:31,480 Speaker 1: Moving on, Birdman and bow Wow whither you know surely 392 00:23:31,520 --> 00:23:35,280 Speaker 1: those names mean something to you? Yes, yes, okay, Uh 393 00:23:35,320 --> 00:23:37,600 Speaker 1: that was actually bird Band's real mansion. But the pride 394 00:23:37,640 --> 00:23:41,840 Speaker 1: and joy of it. Uh, This nineteen seventy two Chevy 395 00:23:42,000 --> 00:23:46,280 Speaker 1: Phantom conversion. It's a Rolls Royce Phantom chopped with a 396 00:23:46,400 --> 00:23:49,760 Speaker 1: seventies Chevy. Uh that he I d s is like 397 00:23:49,920 --> 00:23:53,040 Speaker 1: his pride and joy? Uh? That was built by a 398 00:23:53,040 --> 00:23:56,520 Speaker 1: guy named a Mere Records had a shop called Spade 399 00:23:56,560 --> 00:24:00,280 Speaker 1: Creations in Cincinnati. Uh, and the car was actually owned 400 00:24:00,320 --> 00:24:04,239 Speaker 1: by a gentleman named Congo. I assume like like like 401 00:24:04,480 --> 00:24:08,800 Speaker 1: Bono or share. Uh. You can find the guy driving 402 00:24:08,800 --> 00:24:11,760 Speaker 1: this car around on YouTube. But yeah, baby liked enough 403 00:24:11,800 --> 00:24:13,320 Speaker 1: that he rented it for the day and passed it 404 00:24:13,400 --> 00:24:16,840 Speaker 1: off as his own. This is my sweet card A 405 00:24:17,520 --> 00:24:21,200 Speaker 1: really good car rapper. Bow Wow, Who I guess by 406 00:24:21,200 --> 00:24:23,720 Speaker 1: that point? Was he still little? At that point? I 407 00:24:24,160 --> 00:24:26,680 Speaker 1: think it was definite, So we'll honor the convention. Little 408 00:24:26,680 --> 00:24:31,400 Speaker 1: Bow on his UH appearance, showed off a Bentley, a Lamborghini, 409 00:24:31,480 --> 00:24:35,399 Speaker 1: and a Cadillac Escalade. On his cript segment, all of 410 00:24:35,400 --> 00:24:38,840 Speaker 1: which can be seen burying the word Prestige on the 411 00:24:38,880 --> 00:24:41,639 Speaker 1: side of them, which is the visual calling card of 412 00:24:41,640 --> 00:24:47,159 Speaker 1: a Miami car rental company called Prestige Luxury Rentals. That's 413 00:24:47,240 --> 00:24:50,879 Speaker 1: a rookie move again, not something that you could the 414 00:24:51,240 --> 00:24:53,560 Speaker 1: internet was not around people like you could have just 415 00:24:54,000 --> 00:24:56,080 Speaker 1: flogged this stuff off and no one would have caught you. 416 00:24:56,280 --> 00:24:58,879 Speaker 1: It's only twenty years later that we're exposing your lies. 417 00:25:00,240 --> 00:25:05,359 Speaker 1: Bow wow, holding your feet to the fire. Well didn't. 418 00:25:05,359 --> 00:25:06,880 Speaker 1: He also did that thing a couple of years ago 419 00:25:06,880 --> 00:25:09,360 Speaker 1: where he posted like a stock photo of a private 420 00:25:09,440 --> 00:25:11,920 Speaker 1: jet on Instagram and claimed that it was like his own, 421 00:25:12,280 --> 00:25:18,359 Speaker 1: and then people just reverse iven searched it. Oh, I think, yes, yes, yes, yes, yes. 422 00:25:19,080 --> 00:25:21,919 Speaker 1: Good for him. And now we must come to the 423 00:25:21,960 --> 00:25:25,600 Speaker 1: people who betrayed their viewers trust by failing to live 424 00:25:25,680 --> 00:25:29,119 Speaker 1: up to even the most simple mandate of the show 425 00:25:29,160 --> 00:25:34,000 Speaker 1: that this be your house their crib. Uh oh jaw, 426 00:25:34,880 --> 00:25:38,760 Speaker 1: precious sweet jaw rule God? What is he like? You know? 427 00:25:39,160 --> 00:25:43,440 Speaker 1: What's that? What's that quote? In Yiddish? In Yiddish, there's 428 00:25:43,640 --> 00:25:47,080 Speaker 1: uh the guy who gets the soup spilled on him, 429 00:25:47,720 --> 00:25:51,359 Speaker 1: schmil And the guy who gets spilled on him is 430 00:25:51,400 --> 00:25:55,680 Speaker 1: the schmuck or schamazzle or something. They're pointing to another 431 00:25:55,760 --> 00:25:59,439 Speaker 1: character and they're like, he's both the smile and the schmazzle, 432 00:26:00,080 --> 00:26:05,080 Speaker 1: and that's job rule um. In a now hilarious presaging 433 00:26:05,119 --> 00:26:10,000 Speaker 1: of his fire Festival, Tobaco Jaws appearance on Cribs ended 434 00:26:10,160 --> 00:26:15,240 Speaker 1: in uh ignominee and litigation. For his two thousand fourth segment, 435 00:26:15,320 --> 00:26:18,600 Speaker 1: he rented an eight thousand square foot Miami mansion for 436 00:26:18,600 --> 00:26:21,480 Speaker 1: forty six thousand dollars for four days to film the 437 00:26:21,480 --> 00:26:25,800 Speaker 1: show without receiving permission from the landlord to actually film 438 00:26:25,800 --> 00:26:29,479 Speaker 1: at the house or have parties. The owner, Janette Varilla, 439 00:26:29,680 --> 00:26:32,080 Speaker 1: was outraged when she watched the episode and saw what 440 00:26:32,160 --> 00:26:37,960 Speaker 1: was taking place. She's settling in on MTV sees her 441 00:26:38,040 --> 00:26:41,199 Speaker 1: house with job role walking through it literally like he 442 00:26:41,240 --> 00:26:44,560 Speaker 1: owns the place. Six hundred people showed up to be 443 00:26:44,600 --> 00:26:47,919 Speaker 1: a part of this shoot. In the least agreement, it 444 00:26:48,000 --> 00:26:51,320 Speaker 1: was specified it could be occupied by eight adults. Oh 445 00:26:51,400 --> 00:26:54,040 Speaker 1: is that the one where like like like jay Z 446 00:26:54,200 --> 00:27:01,880 Speaker 1: show up or something yeah on like RV yep, yep, yep, yep, 447 00:27:02,440 --> 00:27:05,080 Speaker 1: And uh yeah, I guess all these guys showed up 448 00:27:05,119 --> 00:27:08,480 Speaker 1: with like tour buses and stuff, and we're like backing 449 00:27:08,520 --> 00:27:10,879 Speaker 1: into different parts of the home because she says she 450 00:27:10,920 --> 00:27:14,640 Speaker 1: came home and she found uh severe structural damage and 451 00:27:14,880 --> 00:27:18,840 Speaker 1: discarded condom rappers and syringes all over her house and 452 00:27:18,920 --> 00:27:22,399 Speaker 1: she took jaw to court for over a million dollars 453 00:27:22,440 --> 00:27:24,359 Speaker 1: in damages. He wasn't able to find out how that 454 00:27:24,400 --> 00:27:28,000 Speaker 1: shaked out. I assumed probably not well for jobs. Assumed 455 00:27:28,080 --> 00:27:32,160 Speaker 1: poorly for him. And this brings us to Robbie Williams. 456 00:27:32,160 --> 00:27:34,040 Speaker 1: How well is he really known over here? I know 457 00:27:34,160 --> 00:27:38,639 Speaker 1: him from Millennium and rock DJ. Really, I was just 458 00:27:38,640 --> 00:27:41,480 Speaker 1: about to say that's the thing I know for gross 459 00:27:41,640 --> 00:27:45,640 Speaker 1: video but like Elvis level star in the UK. He 460 00:27:45,720 --> 00:27:47,879 Speaker 1: was just twenty three years old when he appeared on 461 00:27:48,080 --> 00:27:51,360 Speaker 1: Cribs in a Saint Catharine's Court mansion in the town 462 00:27:51,440 --> 00:27:55,160 Speaker 1: of Bath, England that he passed off as his, which 463 00:27:55,200 --> 00:27:59,720 Speaker 1: he'd rented from the actress Jane Seymour without telling her 464 00:27:59,760 --> 00:28:02,720 Speaker 1: what his plans for this work. That's a horrible thing 465 00:28:02,720 --> 00:28:06,359 Speaker 1: to pull over on Dr Quinn medicine woman. Uh he 466 00:28:06,440 --> 00:28:08,960 Speaker 1: also this is this is easily my favorite part. In 467 00:28:09,000 --> 00:28:11,760 Speaker 1: addition to renting the house, he also rented a crew 468 00:28:11,760 --> 00:28:14,720 Speaker 1: of butlers that came on and waited on the while 469 00:28:14,720 --> 00:28:19,600 Speaker 1: he was on camera. He made a public apology to 470 00:28:19,640 --> 00:28:26,680 Speaker 1: her for this deception twenty three years later. It was 471 00:28:26,720 --> 00:28:34,480 Speaker 1: just in March. He's like in Lockdown Early Lockdown, going 472 00:28:34,560 --> 00:28:40,320 Speaker 1: through his past wrongs making amends. We didn't let Jane know. 473 00:28:40,440 --> 00:28:42,800 Speaker 1: I was going to pretend it was my house, and 474 00:28:42,840 --> 00:28:45,240 Speaker 1: because I was like twenty three and full of spunk, 475 00:28:45,680 --> 00:28:49,080 Speaker 1: I didn't even consider other people's thoughts or feelings. So 476 00:28:49,120 --> 00:28:51,760 Speaker 1: I would like to take this opportunity to apologize to 477 00:28:51,880 --> 00:28:58,200 Speaker 1: Jane Seymour. So safe Roby wasn't he in? He was 478 00:28:58,280 --> 00:29:00,520 Speaker 1: in some boy band, right, yeah? He was. Take that. 479 00:29:00,760 --> 00:29:04,960 Speaker 1: Take that. Millennium is a great song? Is it samples? 480 00:29:05,160 --> 00:29:07,920 Speaker 1: You only Live Twice? My favorite Bond theme I don't 481 00:29:07,960 --> 00:29:10,920 Speaker 1: write is that? Is that the Skeleton video? No, that's 482 00:29:10,960 --> 00:29:13,480 Speaker 1: rock DJ. He's like stripping and then he reads the 483 00:29:13,480 --> 00:29:16,600 Speaker 1: skin off and that that video is hilarious. Kim Kardashian 484 00:29:17,640 --> 00:29:21,640 Speaker 1: sporting her mark one face. Kim takes fans on a 485 00:29:21,680 --> 00:29:24,560 Speaker 1: tour of the Hidden Hills mansion owned by her mother, 486 00:29:24,680 --> 00:29:29,560 Speaker 1: Chris Jenner, filled with not her things, like her now 487 00:29:29,600 --> 00:29:33,760 Speaker 1: stepmother's Olympic medal. She doubles down on this trail of 488 00:29:33,760 --> 00:29:37,360 Speaker 1: deception by strolling into the kitchen confidently declaring, I am 489 00:29:37,360 --> 00:29:40,360 Speaker 1: a baker and then pointing to a tray of obviously 490 00:29:40,440 --> 00:29:45,160 Speaker 1: store bought cookies. Uh. There's also a part where she 491 00:29:45,160 --> 00:29:49,320 Speaker 1: picks up a copy of dub magazine in which she 492 00:29:49,400 --> 00:29:53,200 Speaker 1: claimed to have collaborated with the guys that Platinum Motorsports 493 00:29:53,320 --> 00:29:56,160 Speaker 1: and designed a line of rims that I'm calling the 494 00:29:56,200 --> 00:29:59,760 Speaker 1: Princess Line. I was unable to verify that ever, actually 495 00:30:00,160 --> 00:30:02,840 Speaker 1: to fruition. But the important thing is that while holding 496 00:30:02,840 --> 00:30:05,600 Speaker 1: the magazine, she sized to herself, there's nothing better to 497 00:30:05,600 --> 00:30:07,920 Speaker 1: do on a Sunday than sit and read about yourself. 498 00:30:10,120 --> 00:30:12,240 Speaker 1: She has the bedroom with the strip pole in it, right, Yeah, 499 00:30:12,320 --> 00:30:15,080 Speaker 1: she had the strip poll which again, like I don't know, 500 00:30:15,240 --> 00:30:17,640 Speaker 1: people were like she was would have been living in 501 00:30:18,120 --> 00:30:20,840 Speaker 1: Beverly Hills at the time, because this is like just 502 00:30:20,960 --> 00:30:23,960 Speaker 1: coming out of Paris Hilton Closet Organizer, Like, she would 503 00:30:24,000 --> 00:30:27,680 Speaker 1: not have been living in Hidden Hills with Chris. But 504 00:30:27,800 --> 00:30:29,880 Speaker 1: I don't know. The cookies thing, though, is pretty innocuous 505 00:30:29,920 --> 00:30:33,160 Speaker 1: when you consider another well documented bold faced live from 506 00:30:33,160 --> 00:30:37,400 Speaker 1: the show's run, when Brooke Hogan, Remember Brooke Hogan being 507 00:30:37,440 --> 00:30:40,920 Speaker 1: a known quantity in the world. Uh. When she was 508 00:30:40,920 --> 00:30:43,680 Speaker 1: taking viewers through the home she shared with her siblings, 509 00:30:43,680 --> 00:30:47,520 Speaker 1: her dad, the Hulkster, and his then wife Linda Brooke, 510 00:30:47,640 --> 00:30:50,200 Speaker 1: claimed that her mother had lived in Paris for five 511 00:30:50,280 --> 00:30:54,000 Speaker 1: years to study architecture and had actually designed the home 512 00:30:54,080 --> 00:30:58,000 Speaker 1: they were living in. This was not true. No, from 513 00:30:58,040 --> 00:31:00,640 Speaker 1: what I understand, they designed. The actual designers of the 514 00:31:00,680 --> 00:31:03,280 Speaker 1: house were quite hurt and annoyed when they heard that 515 00:31:03,320 --> 00:31:08,000 Speaker 1: on TV. We should be very careful, but what we 516 00:31:08,040 --> 00:31:11,200 Speaker 1: say about any of the Huggans, considering that Hulk single 517 00:31:11,240 --> 00:31:14,560 Speaker 1: handedly brought down gone well with Peter Teel in his 518 00:31:14,640 --> 00:31:20,520 Speaker 1: back pocket. Yeah, and Bubba the love Sponge. And this 519 00:31:20,640 --> 00:31:25,600 Speaker 1: brings us to Jojo, a fellow Boston kid just like me. 520 00:31:27,040 --> 00:31:31,000 Speaker 1: Oh yeah, she's sang two thousand four's leave Parentheses get 521 00:31:31,040 --> 00:31:34,360 Speaker 1: out as a teenager. So it turned out she didn't 522 00:31:34,360 --> 00:31:36,680 Speaker 1: have a home of her own when she appeared on Cribs, 523 00:31:37,000 --> 00:31:40,320 Speaker 1: which is sad hearing me say that out loud. We 524 00:31:40,360 --> 00:31:41,960 Speaker 1: didn't have a home at that point. She told the 525 00:31:42,040 --> 00:31:45,280 Speaker 1: Huffington Post. My mom and I were living out of 526 00:31:45,320 --> 00:31:48,000 Speaker 1: suitcases and we were mostly in hotels. So that was 527 00:31:48,040 --> 00:31:51,320 Speaker 1: actually my uncle's house on the Cape see Boston. Thing 528 00:31:51,560 --> 00:31:53,720 Speaker 1: that wasn't my house, that wasn't my stuff. When I 529 00:31:53,760 --> 00:31:56,280 Speaker 1: was sitting on that spinny thing, that was his kids, 530 00:31:56,280 --> 00:31:59,480 Speaker 1: spinny thing. That's the truth. I should have bawled hard 531 00:31:59,520 --> 00:32:02,560 Speaker 1: and been welcome to my crib. Look at how luxurious 532 00:32:02,560 --> 00:32:04,240 Speaker 1: it is, and I should have rented out of place. 533 00:32:04,480 --> 00:32:06,800 Speaker 1: But no, I just used my uncle's crib. So that 534 00:32:06,880 --> 00:32:10,600 Speaker 1: was me lying on cribs. And for her part, show 535 00:32:10,640 --> 00:32:16,120 Speaker 1: creator Nina Diaz was not especially concerned about the deceit, 536 00:32:16,400 --> 00:32:18,600 Speaker 1: telling Vice that to her, the house is just a 537 00:32:18,680 --> 00:32:22,240 Speaker 1: backdrop for an entertaining interview. She's quoted as saying, I 538 00:32:22,400 --> 00:32:24,520 Speaker 1: was at the Robbie Williams one, and as you know, 539 00:32:24,640 --> 00:32:27,440 Speaker 1: it was thoroughly entertaining. I've never seen that side of him, 540 00:32:27,600 --> 00:32:30,120 Speaker 1: so we felt a huge sense of accomplishment and pride. 541 00:32:30,360 --> 00:32:32,200 Speaker 1: We knew that he was just staying there to record 542 00:32:32,240 --> 00:32:34,560 Speaker 1: an album, but what we captured was so fun and 543 00:32:34,640 --> 00:32:40,120 Speaker 1: interesting and revealing. That's your opinion, one woman's opinion. Now 544 00:32:40,160 --> 00:32:43,480 Speaker 1: that we successfully filtered out the draws here, we're gonna 545 00:32:43,480 --> 00:32:46,680 Speaker 1: spend some time with the cream of the crop. Arguably 546 00:32:46,720 --> 00:32:51,760 Speaker 1: the show's two highest watermark, episodes Mariah Carey and the 547 00:32:51,840 --> 00:32:57,160 Speaker 1: aforementioned Red Man, but two extremes. Carries. Two thousand two 548 00:32:57,160 --> 00:33:00,560 Speaker 1: episode of Cribs showed off her eleven that thousands square 549 00:33:00,600 --> 00:33:04,280 Speaker 1: foot Tribeca penthouse, which she called her first apartment. Ever, 550 00:33:05,520 --> 00:33:07,560 Speaker 1: it took twenty four hours for them to get all 551 00:33:07,600 --> 00:33:11,560 Speaker 1: the footage of the tri level dwelling throughout which Carrie 552 00:33:11,640 --> 00:33:15,000 Speaker 1: changed outfits multiple times once on camera with the aid 553 00:33:15,000 --> 00:33:18,200 Speaker 1: of an assistant. She also gets into a bathtub full 554 00:33:18,320 --> 00:33:21,760 Speaker 1: while still wearing a towel, gets on her StairMaster while 555 00:33:21,760 --> 00:33:25,720 Speaker 1: wearing stiletto heels. The image for me Yeah shows off 556 00:33:25,800 --> 00:33:30,880 Speaker 1: the salon and lingerie only closet included in there mentions 557 00:33:30,920 --> 00:33:33,120 Speaker 1: that she's only used her shower once because it has 558 00:33:33,160 --> 00:33:37,640 Speaker 1: too many knobs, and my personal favorite displayed the Mermaid Room, 559 00:33:37,960 --> 00:33:41,160 Speaker 1: which is a movie theater where the saltwater aquarium that 560 00:33:41,600 --> 00:33:45,320 Speaker 1: is full of fish that she says have been changed 561 00:33:45,360 --> 00:33:49,440 Speaker 1: to be nocturnal to match her sleep schedule. There's just 562 00:33:49,480 --> 00:33:52,400 Speaker 1: so much to unpack their how are they changed? Maria? 563 00:33:52,680 --> 00:33:56,120 Speaker 1: Can you do? Can you whatever? When the fish sleep? 564 00:33:57,160 --> 00:34:01,640 Speaker 1: I guess whatever? When when? When Mariah says they can. 565 00:34:04,200 --> 00:34:06,959 Speaker 1: This leads us all into perhaps her most baffling claim, 566 00:34:07,080 --> 00:34:10,200 Speaker 1: which is that she owns Marilynn Rose piano and that 567 00:34:10,320 --> 00:34:12,160 Speaker 1: she would show it to the cameras if she could, 568 00:34:12,600 --> 00:34:15,120 Speaker 1: but she can't, which is a little bit like the 569 00:34:15,160 --> 00:34:19,440 Speaker 1: Canadian girlfriend thing, like no, I totally have a girlfriend. 570 00:34:19,719 --> 00:34:21,760 Speaker 1: No you can't meet her. She she goes to summer 571 00:34:21,760 --> 00:34:24,800 Speaker 1: camp in Canada. And this is what bothers me about. 572 00:34:25,400 --> 00:34:27,320 Speaker 1: I mean, this is what we do well on this shows. 573 00:34:27,360 --> 00:34:30,160 Speaker 1: We fact check this stuff because if you google Mariah 574 00:34:30,160 --> 00:34:32,920 Speaker 1: Carey cribs, you're gonna get twelve thousand listicles that are 575 00:34:32,960 --> 00:34:36,840 Speaker 1: like she says, she is Marilyn's piano. Does Marilyn even 576 00:34:36,880 --> 00:34:41,279 Speaker 1: play piano? Well, folks, because we go the extra damn 577 00:34:41,280 --> 00:34:43,959 Speaker 1: mile for you here on t M I you're gonna 578 00:34:44,040 --> 00:34:48,320 Speaker 1: learn something today. Yes, Maria Carry actually does own Maryland's piano. 579 00:34:48,840 --> 00:34:52,000 Speaker 1: Marilyn Marro was born Norma Jean Baker in nineteen twenty six, 580 00:34:52,040 --> 00:34:54,800 Speaker 1: the Gladys Pearl Baker, who surrendered her to a foster 581 00:34:54,920 --> 00:34:58,600 Speaker 1: family and reclaimed her when Maryland was seven. In three 582 00:34:59,360 --> 00:35:01,400 Speaker 1: they lived together there in one room in a house 583 00:35:01,440 --> 00:35:05,040 Speaker 1: that Gladys had bought, furnished and mostly rented out and 584 00:35:05,160 --> 00:35:09,040 Speaker 1: Marilyn wrote and her postumely published autobiography, My Story. One 585 00:35:09,120 --> 00:35:12,040 Speaker 1: day a grand piano arrived at my home. It was 586 00:35:12,080 --> 00:35:14,759 Speaker 1: out of condition. My mother had bought a second hand. 587 00:35:15,280 --> 00:35:17,520 Speaker 1: It was for me. I was going to be given 588 00:35:17,560 --> 00:35:20,720 Speaker 1: piano lessons on it. It was a very important piano, 589 00:35:20,800 --> 00:35:23,360 Speaker 1: despite being a little banged up. It had belonged to 590 00:35:23,360 --> 00:35:26,839 Speaker 1: the movie star Friedrich March. You play piano over here 591 00:35:26,880 --> 00:35:29,399 Speaker 1: by the windows, my mother said. And here on each 592 00:35:29,440 --> 00:35:31,640 Speaker 1: side of the fireplace, they'll be a love seat and 593 00:35:31,719 --> 00:35:34,239 Speaker 1: we can sit listening to you. As soon as I 594 00:35:34,239 --> 00:35:35,920 Speaker 1: pay off a few other things, I'll get the love 595 00:35:36,000 --> 00:35:38,040 Speaker 1: seats and we're all sitting them at night, and we'll 596 00:35:38,040 --> 00:35:42,120 Speaker 1: listen to you play the piano. Sadly. Eventually, Marilyn's mother 597 00:35:42,200 --> 00:35:45,279 Speaker 1: was taken to the Norwalk Mental Hospital and Monroe was 598 00:35:45,320 --> 00:35:48,239 Speaker 1: sent to an orphanage, losing all of her belongings in 599 00:35:48,280 --> 00:35:51,600 Speaker 1: the process. But she continued in her book, I never 600 00:35:51,640 --> 00:35:55,040 Speaker 1: forgot the white painted house in its furniture. Years later, 601 00:35:55,080 --> 00:35:57,200 Speaker 1: when I was beginning to earn some money from modeling, 602 00:35:57,560 --> 00:36:01,000 Speaker 1: I started looking for the Frederick March piano. After about 603 00:36:01,000 --> 00:36:03,000 Speaker 1: a year, I found it in an old auction room 604 00:36:03,040 --> 00:36:05,359 Speaker 1: and bought it. I have it into my home now 605 00:36:05,360 --> 00:36:08,640 Speaker 1: in Hollywood. It's been painted a lovely white and it 606 00:36:08,719 --> 00:36:11,960 Speaker 1: has new strings and plays as wonderfully as any piano 607 00:36:12,000 --> 00:36:15,319 Speaker 1: in the world. And when Moreau died, she left all 608 00:36:15,320 --> 00:36:18,920 Speaker 1: her possessions to Lee Straussburg, her acting coach and confidant, 609 00:36:19,560 --> 00:36:22,719 Speaker 1: and when Strasburg died Maryland's the state transferred ownership to 610 00:36:22,719 --> 00:36:26,920 Speaker 1: Strasbourg's wife, Anna, who contacted Christie's about setting up an auction. 611 00:36:28,000 --> 00:36:31,560 Speaker 1: The piano expected to sell between ten and fifteen thousand dollars, 612 00:36:31,560 --> 00:36:36,239 Speaker 1: but it went for six hundred and sixty two thousand 613 00:36:36,280 --> 00:36:40,560 Speaker 1: dollars in October. To Mariah Carey, who had been fixated 614 00:36:40,600 --> 00:36:42,560 Speaker 1: on Maryland since she'd been given a copy of Norman 615 00:36:42,600 --> 00:36:45,680 Speaker 1: Mayler's biography of her when she was just ten years old, 616 00:36:45,920 --> 00:36:48,239 Speaker 1: Mariah said, I didn't want somebody to get this that 617 00:36:48,320 --> 00:36:51,520 Speaker 1: didn't understand that this was her childhood embodied in something, 618 00:36:51,560 --> 00:36:53,719 Speaker 1: because it was her mom's and it was the only 619 00:36:53,760 --> 00:36:56,200 Speaker 1: thing she had of hers. Carrie Total, reporter in two 620 00:36:56,200 --> 00:36:59,320 Speaker 1: thousand and seven, added that she hadn't even had it tuned, 621 00:36:59,600 --> 00:37:02,840 Speaker 1: which I like the conservative and me appreciates that leave it, 622 00:37:02,920 --> 00:37:05,400 Speaker 1: leave it alone, Leave it completely alone. That's from a 623 00:37:05,440 --> 00:37:08,360 Speaker 1: really interesting tape that I found online that is just 624 00:37:08,440 --> 00:37:11,000 Speaker 1: someone taping her talking in her house, and it's like, 625 00:37:11,520 --> 00:37:16,040 Speaker 1: pretty yeah, it's pretty unmistakably Mariah's voice. Um, but she's 626 00:37:16,080 --> 00:37:18,359 Speaker 1: just talking about it. And she went way more into 627 00:37:18,360 --> 00:37:20,719 Speaker 1: detail about the piano thing, talking about when she was 628 00:37:20,760 --> 00:37:25,319 Speaker 1: growing up they had a piano and even as her 629 00:37:25,320 --> 00:37:28,239 Speaker 1: home life sort of fell apart and Mariah did not 630 00:37:28,320 --> 00:37:31,520 Speaker 1: have an easy early life, she could always go to 631 00:37:31,600 --> 00:37:35,440 Speaker 1: the piano and sit down and play and sing and 632 00:37:35,480 --> 00:37:39,480 Speaker 1: that was her refuge. And I just love that she 633 00:37:39,600 --> 00:37:43,440 Speaker 1: was so touched by the thing, that that this was 634 00:37:43,480 --> 00:37:46,560 Speaker 1: the thing that Maryland clung to, that she wanted to 635 00:37:46,640 --> 00:37:48,560 Speaker 1: keep it out of the hands of someone who didn't 636 00:37:48,640 --> 00:37:51,959 Speaker 1: understand how important that could be for a little girl. 637 00:37:52,560 --> 00:37:55,319 Speaker 1: Really humanizes her in my eyes, considering how daffy she 638 00:37:55,400 --> 00:37:58,120 Speaker 1: comes across and the rest of that. But I bear 639 00:37:58,239 --> 00:38:02,200 Speaker 1: no quarrel to Mariah carry Man talent in every way 640 00:38:02,239 --> 00:38:05,200 Speaker 1: a person can have talent, and just a delight to 641 00:38:05,320 --> 00:38:12,080 Speaker 1: be on countin, on camera, delight as you meditate on that, 642 00:38:12,400 --> 00:38:15,160 Speaker 1: we'll be right back with more too much information after 643 00:38:15,200 --> 00:38:28,120 Speaker 1: these messages. Well, now we arrived. What you've all been 644 00:38:28,160 --> 00:38:32,280 Speaker 1: waiting for. Really is Rapper and How High? And Seat 645 00:38:32,320 --> 00:38:36,879 Speaker 1: of Chucky star Redman's episode of Cribs has become legendary 646 00:38:36,960 --> 00:38:39,680 Speaker 1: for the way gleefully turned the show's conventions on his ear. 647 00:38:40,400 --> 00:38:42,600 Speaker 1: Red turned down the Cribs Cruise offered to rent him 648 00:38:42,600 --> 00:38:44,440 Speaker 1: a place, and instead directed them to show up at 649 00:38:44,440 --> 00:38:47,440 Speaker 1: his Staten Island home, which memorily featured a doorbell that 650 00:38:47,480 --> 00:38:50,160 Speaker 1: had to be wrong by touching two exposed wires together, 651 00:38:50,600 --> 00:38:52,839 Speaker 1: a box full of loose money in the kitchen, and 652 00:38:52,880 --> 00:38:56,279 Speaker 1: Redmond's cousin, sugar Bear, sleeping on the floor. We had 653 00:38:56,320 --> 00:38:58,200 Speaker 1: no idea what we were getting into, t S said 654 00:38:58,280 --> 00:39:00,799 Speaker 1: the Cribs book. We were just to surprise is our 655 00:39:00,880 --> 00:39:03,120 Speaker 1: viewers to see a broken screen door and a sleeping 656 00:39:03,200 --> 00:39:04,840 Speaker 1: artist who told us to wake him up. When we 657 00:39:04,880 --> 00:39:08,040 Speaker 1: had the cameras on, the mess was real. One of 658 00:39:08,080 --> 00:39:10,760 Speaker 1: his gold albums was propped up against the bathroom door. 659 00:39:11,040 --> 00:39:13,440 Speaker 1: There were no sheets on his bed. That was the 660 00:39:13,480 --> 00:39:16,440 Speaker 1: fastest crib we've ever shot. Four hours is usually the 661 00:39:16,440 --> 00:39:19,319 Speaker 1: minimum it takes to film a segment. Redman had a 662 00:39:19,360 --> 00:39:21,959 Speaker 1: doctor's appointment to go to, so we shot the whole 663 00:39:21,960 --> 00:39:25,160 Speaker 1: thing in under an hour thrill Lists did an astounding 664 00:39:25,320 --> 00:39:29,279 Speaker 1: oral history of just this segment of cribs. So this 665 00:39:29,360 --> 00:39:31,600 Speaker 1: is where a lot of this comes from. Uh. Whereas 666 00:39:31,600 --> 00:39:34,240 Speaker 1: other people would wait until they got this ball horrific 667 00:39:34,400 --> 00:39:36,879 Speaker 1: place to let us in because they had watched all 668 00:39:36,920 --> 00:39:39,040 Speaker 1: these other ones, like Master p who was living in 669 00:39:39,080 --> 00:39:43,760 Speaker 1: a gold Louisiana mansion. DS told thrill Us. People saw 670 00:39:43,800 --> 00:39:45,400 Speaker 1: that and they would say, I'm not ready. You have 671 00:39:45,440 --> 00:39:46,799 Speaker 1: to give me another year. I have to make some 672 00:39:46,840 --> 00:39:49,760 Speaker 1: more bank. But that was not the way of red Man, 673 00:39:50,320 --> 00:39:53,560 Speaker 1: as he explained, Not every entertainment this Actually, I really 674 00:39:53,600 --> 00:39:56,640 Speaker 1: like this, he says. Not every entertainer's living lavish. They 675 00:39:56,680 --> 00:39:58,799 Speaker 1: may have a more lavish set on the street, but 676 00:39:58,840 --> 00:40:00,560 Speaker 1: it's still real. For a lot of cats out here 677 00:40:00,560 --> 00:40:03,680 Speaker 1: in the entertainment game, we're okay, but we're not rich. 678 00:40:03,840 --> 00:40:05,920 Speaker 1: And that's what I wanted to display to my fans. 679 00:40:06,920 --> 00:40:10,080 Speaker 1: Although I do get a little tinge of like Sir 680 00:40:10,160 --> 00:40:12,319 Speaker 1: mix a lot saying that baby got back. It was 681 00:40:12,960 --> 00:40:16,200 Speaker 1: purely written because of body positivity, a little bit of 682 00:40:16,239 --> 00:40:19,480 Speaker 1: self serving, but I appreciate that anyway. The home was 683 00:40:19,520 --> 00:40:23,080 Speaker 1: apparently supposed to Redman's first real estate investment that he 684 00:40:23,160 --> 00:40:25,120 Speaker 1: was going to fix up and flip, but then he 685 00:40:25,200 --> 00:40:27,560 Speaker 1: ended up liking the space so much that he stayed, 686 00:40:27,640 --> 00:40:30,960 Speaker 1: Oh I like that too, and uh really dragged his 687 00:40:31,000 --> 00:40:34,480 Speaker 1: feet on the whole fixing up thing. Apparently the crew 688 00:40:34,520 --> 00:40:36,920 Speaker 1: for Cribs arrived so early that he didn't even have 689 00:40:37,000 --> 00:40:39,040 Speaker 1: the time to do the bare amount of cleaning that 690 00:40:39,120 --> 00:40:41,440 Speaker 1: he wanted to do, so they decided to keep him 691 00:40:41,520 --> 00:40:43,839 Speaker 1: bleary eyed and pretend that they were in fact just 692 00:40:43,920 --> 00:40:48,120 Speaker 1: getting him out of bed to film. Um Don Reinholtz, 693 00:40:48,160 --> 00:40:51,080 Speaker 1: who was the unit manager and camera operator for this shoot, 694 00:40:51,400 --> 00:40:53,880 Speaker 1: recall that the setup in the small place was tricky 695 00:40:54,000 --> 00:40:56,520 Speaker 1: because they usually park all the equipment in the garage, 696 00:40:56,920 --> 00:40:58,560 Speaker 1: so in this guy they had the stash it in 697 00:40:58,600 --> 00:41:01,360 Speaker 1: the kitchen, and the two camera setup made it difficult 698 00:41:01,360 --> 00:41:03,920 Speaker 1: to maneuver around the tight space and keep the cameras 699 00:41:03,920 --> 00:41:07,040 Speaker 1: and equipment out of the show, but keep it's very dynamic. 700 00:41:07,080 --> 00:41:10,480 Speaker 1: Red Man in he's quoted as saying, my space don't 701 00:41:10,480 --> 00:41:13,359 Speaker 1: even have a back door. He's talking to Thrillist. There's 702 00:41:13,400 --> 00:41:17,120 Speaker 1: one way in and there's one way out. Ryan Holtz added, 703 00:41:17,120 --> 00:41:19,279 Speaker 1: the Red Man quote invited me to come back any 704 00:41:19,360 --> 00:41:22,000 Speaker 1: time I needed to hide from any boyfriends. I just 705 00:41:22,040 --> 00:41:25,080 Speaker 1: love how he gets the segment where he's ironing clothes 706 00:41:25,120 --> 00:41:31,520 Speaker 1: on the floor. H Now, I present to you, unedited 707 00:41:32,320 --> 00:41:35,120 Speaker 1: the following explanation for the presence of sugar Bear, who 708 00:41:35,160 --> 00:41:38,080 Speaker 1: he still takes on tours with him as like a 709 00:41:38,120 --> 00:41:40,839 Speaker 1: sideman and like a hype guy on stage and introduces 710 00:41:41,320 --> 00:41:43,400 Speaker 1: him as like the guy who's sleeping on my floor 711 00:41:43,440 --> 00:41:48,480 Speaker 1: and cribs and people people who blow up their minds. Yeah, 712 00:41:48,960 --> 00:41:51,640 Speaker 1: Redman said, that's my first cousin. He was still in 713 00:41:51,719 --> 00:41:53,759 Speaker 1: Jersey and traveling back and forth to me a pain 714 00:41:53,800 --> 00:41:55,960 Speaker 1: in the ass, so he was just crashing in my crib. 715 00:41:56,440 --> 00:41:58,280 Speaker 1: He had a chance to sleep on the damn sofa, 716 00:41:58,400 --> 00:42:02,319 Speaker 1: but he just chose the damn floor. Sugar Bear, I 717 00:42:02,360 --> 00:42:05,000 Speaker 1: actually was sleeping, and I remember waking up and it 718 00:42:05,040 --> 00:42:07,120 Speaker 1: was just cameras in my face and they were going 719 00:42:07,160 --> 00:42:09,160 Speaker 1: to sign this for me. It was some kind of 720 00:42:09,160 --> 00:42:11,640 Speaker 1: a release and I was like, oh, there's something going on. 721 00:42:13,040 --> 00:42:15,080 Speaker 1: The reason I was on the floor was because the couch. 722 00:42:15,360 --> 00:42:16,640 Speaker 1: You know how it is when you're sleeping on a 723 00:42:16,719 --> 00:42:19,480 Speaker 1: leather couch and it gets all hot. Jordan, you know 724 00:42:19,520 --> 00:42:21,319 Speaker 1: how it is. I know how I know what he's 725 00:42:21,360 --> 00:42:23,600 Speaker 1: talking about when it's too hot to sleep on the couch, 726 00:42:23,920 --> 00:42:26,680 Speaker 1: I just go right to the floor. It's a cooler situation. 727 00:42:27,800 --> 00:42:32,800 Speaker 1: And just like that, he skirted into television immortality. Redman 728 00:42:32,880 --> 00:42:36,879 Speaker 1: returned with the network to the very same crib in 729 00:42:37,280 --> 00:42:40,360 Speaker 1: for an updated segment to show off some of his upgrades. 730 00:42:40,760 --> 00:42:44,920 Speaker 1: A door on the closet, a bigger TV, a screen 731 00:42:45,320 --> 00:42:48,480 Speaker 1: in the storm door, new tiles in the bathroom, and 732 00:42:48,560 --> 00:42:52,680 Speaker 1: a dollar sock instead of the dollar box. Oh that's 733 00:42:52,680 --> 00:42:55,560 Speaker 1: sadity upgrade. I don't I think it has a downgrade. Personally, 734 00:42:56,800 --> 00:42:59,759 Speaker 1: he's staying true to himself. Though. In in closing to 735 00:42:59,880 --> 00:43:04,000 Speaker 1: the Realist on the segments Enduring Appeal, Redman said, once 736 00:43:04,040 --> 00:43:07,239 Speaker 1: you do things and keep things with yourself, you can 737 00:43:07,280 --> 00:43:11,080 Speaker 1: never lose. And that's just what happened. That's why we won. 738 00:43:11,480 --> 00:43:13,640 Speaker 1: We kept it one hundred and we kept it truthful 739 00:43:13,719 --> 00:43:16,719 Speaker 1: all the way. And before we go out, we'd like 740 00:43:16,800 --> 00:43:20,160 Speaker 1: to offer a random grab bag of highlights from Cribs. 741 00:43:20,760 --> 00:43:25,680 Speaker 1: Uh Snoop Dogg had an untouchable room of untouchable ism. 742 00:43:26,000 --> 00:43:28,840 Speaker 1: Uh where. I guess it's just like you know, the 743 00:43:28,880 --> 00:43:30,680 Speaker 1: fancy room in your parents house, so you're not really 744 00:43:30,719 --> 00:43:33,400 Speaker 1: allowed to do anything in. He also had a studio 745 00:43:33,440 --> 00:43:36,040 Speaker 1: with a handwritten sign, I don't know why I love 746 00:43:36,120 --> 00:43:38,200 Speaker 1: this so much that said, this is not a kick 747 00:43:38,239 --> 00:43:43,440 Speaker 1: a spot on the door, which is great. Um. John Travolta, 748 00:43:43,520 --> 00:43:46,719 Speaker 1: instead of going through his house, gave viewers a tour 749 00:43:46,800 --> 00:43:51,279 Speaker 1: of his private jet, which he then flew himself. After 750 00:43:51,360 --> 00:43:53,759 Speaker 1: walking through the cabin and showing off all the amenities, 751 00:43:54,040 --> 00:43:57,640 Speaker 1: he goes into the captain's seat and flies the show 752 00:43:57,680 --> 00:44:02,560 Speaker 1: to l A has gotta be, that's gonna be. That's 753 00:44:00,880 --> 00:44:09,240 Speaker 1: a shock. Had a twelve bedroom, fifteen bathroom, fifteen bathroom. 754 00:44:09,360 --> 00:44:11,359 Speaker 1: I don't know fifteen people that would need to all 755 00:44:11,400 --> 00:44:15,120 Speaker 1: go to the bathroom at the same time. Orlando Mansion 756 00:44:15,760 --> 00:44:18,640 Speaker 1: one of the most impressive houses in the show's history. 757 00:44:19,280 --> 00:44:21,240 Speaker 1: The thing that's most impressive to me is this custom 758 00:44:21,280 --> 00:44:25,280 Speaker 1: made bed that's fifteen ft long and thirty ft wide, 759 00:44:25,400 --> 00:44:28,960 Speaker 1: which he proudly proclaimed the biggest bed in the world. 760 00:44:31,560 --> 00:44:36,200 Speaker 1: It seems that way. Yeah. Uh. Missy Elliott had a 761 00:44:36,320 --> 00:44:40,080 Speaker 1: chair that was built into fish tanks, which I had 762 00:44:40,120 --> 00:44:44,640 Speaker 1: a She has signed a photo of Oprah because Oprah 763 00:44:44,640 --> 00:44:46,239 Speaker 1: meant so much to her growing up, and she went 764 00:44:46,360 --> 00:44:50,359 Speaker 1: and she finally met Oprah I just thought that was cute. Yeah, 765 00:44:50,400 --> 00:44:53,640 Speaker 1: but she had a chair made of fish tanks, and 766 00:44:53,800 --> 00:44:57,160 Speaker 1: she turned a lambeau. She turned a lambeau into her bed. 767 00:44:57,800 --> 00:45:02,239 Speaker 1: Oh right, unintentionally parenting the kirk Rand how the Kirk 768 00:45:02,320 --> 00:45:05,120 Speaker 1: vand Houghton episode of The Simpsons where he's like, my 769 00:45:05,200 --> 00:45:07,600 Speaker 1: bed is a race car. I sleep in a race car. 770 00:45:07,680 --> 00:45:09,640 Speaker 1: Do you sleep in a race car? Over he goes, 771 00:45:09,880 --> 00:45:15,359 Speaker 1: I sleep in a big bed with my wife. No, no, no, 772 00:45:15,400 --> 00:45:18,280 Speaker 1: absolutely not. T Pain had a club in his basement 773 00:45:18,320 --> 00:45:20,880 Speaker 1: with a fiber optics stripper pole that his wife had 774 00:45:20,880 --> 00:45:25,520 Speaker 1: installed for him as a surprise, um iced Tea. I'll 775 00:45:25,520 --> 00:45:28,520 Speaker 1: never forget this. He had an indoor pool with a 776 00:45:28,560 --> 00:45:32,319 Speaker 1: retractable roof that could then become an outdoor pool, which 777 00:45:32,360 --> 00:45:36,680 Speaker 1: I guess remember that having an outdoor pool and an 778 00:45:36,680 --> 00:45:39,840 Speaker 1: indoor pool, although imagine he probably has both anyway, Melissa 779 00:45:39,920 --> 00:45:43,040 Speaker 1: Joan Hart, this was the weirdest flex that I remember 780 00:45:43,120 --> 00:45:47,040 Speaker 1: on the show. Uh. She had a very normal looking bedroom, 781 00:45:47,080 --> 00:45:52,640 Speaker 1: except she had several picassos in there. Lord, I don't 782 00:45:52,680 --> 00:45:55,640 Speaker 1: think I remember that. Maybe maybe it was a joke. 783 00:45:55,800 --> 00:45:57,840 Speaker 1: I yeah, you know, I don't remember them being like 784 00:45:57,880 --> 00:45:59,960 Speaker 1: close up on him. Oh yeah, this is Joan Hard 785 00:46:00,000 --> 00:46:04,040 Speaker 1: also had all the Shirley Temples. I don't remember that. Yeah, 786 00:46:04,080 --> 00:46:10,120 Speaker 1: like a descending hallway series of Shirley Temple prints. Uh, 787 00:46:10,560 --> 00:46:14,520 Speaker 1: I kind of remember. Yeah. Darryl Arnhardt Jr. Showed off 788 00:46:14,600 --> 00:46:18,680 Speaker 1: his twittered acre estate in North Carolina that had a 789 00:46:18,800 --> 00:46:22,480 Speaker 1: small fake town in the backyard, like an old almost 790 00:46:22,520 --> 00:46:27,160 Speaker 1: like spawn ranch style Western set with a barbershop, a bank, 791 00:46:27,400 --> 00:46:30,759 Speaker 1: post office, a general store, a sheriff's office, and a 792 00:46:30,920 --> 00:46:34,440 Speaker 1: church with a seventy five ft steeple and the saloon. 793 00:46:35,000 --> 00:46:38,560 Speaker 1: So that's that's weird to do? What with just like 794 00:46:38,680 --> 00:46:42,680 Speaker 1: drive around real fast? I have parties in I don't. 795 00:46:42,880 --> 00:46:46,879 Speaker 1: I don't know. Alright, I'm not sure. We already talked 796 00:46:46,920 --> 00:46:54,239 Speaker 1: about Fat Joe, famous sneaker aficionado, wanting to demonstrate and 797 00:46:54,400 --> 00:46:59,560 Speaker 1: Nikes had never been worn by licking the bottom of them. Yeah. 798 00:47:00,040 --> 00:47:04,360 Speaker 1: Richard Branson spent eighty million dollars renovating a private island 799 00:47:04,400 --> 00:47:07,960 Speaker 1: compounds seventy eight acres. For some reason, he was very 800 00:47:07,960 --> 00:47:13,200 Speaker 1: excited about his outdoor bathrooms and uh, yes, yeah, that's 801 00:47:13,200 --> 00:47:18,800 Speaker 1: how that episode I believe ends. Um, that's nice. Naomie 802 00:47:18,840 --> 00:47:22,040 Speaker 1: Campbell filmed her episode while staying at the estate in 803 00:47:22,160 --> 00:47:25,879 Speaker 1: Jamaica that Ian Fleming wrote James Bond books Golden Nie 804 00:47:25,960 --> 00:47:29,880 Speaker 1: the Golden Eye Estate, which it's not even a rental, 805 00:47:30,000 --> 00:47:32,879 Speaker 1: It's like a resort or something. Yeah, I'm not really 806 00:47:32,880 --> 00:47:35,920 Speaker 1: sure how that works, but you know, Ian Fleming his 807 00:47:35,960 --> 00:47:39,560 Speaker 1: family sold at to Bob Marley. Really, so the house 808 00:47:39,600 --> 00:47:43,160 Speaker 1: was owned by Ian Fleming, Bob Marley, and then Chris Blackwell, 809 00:47:43,200 --> 00:47:46,160 Speaker 1: who found the island records, and then it became some 810 00:47:46,280 --> 00:47:48,920 Speaker 1: kind of I think through Chris Blackwell became some kind 811 00:47:48,960 --> 00:47:51,520 Speaker 1: of resort, which is today. I wonder if that's how 812 00:47:51,520 --> 00:47:55,920 Speaker 1: the CIA got to Bob Marley. I mean, because Fleming 813 00:47:56,000 --> 00:47:58,160 Speaker 1: was kind of a spook, wasn't he. Yeah, I mean 814 00:47:58,200 --> 00:48:02,120 Speaker 1: that was why he based Jameis Bond on people. We've 815 00:48:02,160 --> 00:48:05,120 Speaker 1: worked with intelligence during the war. I'm making connections. Man 816 00:48:05,239 --> 00:48:07,440 Speaker 1: is beautiful mind, and I'm a beautiful mind in here. 817 00:48:07,800 --> 00:48:10,640 Speaker 1: Uh sorry, continue, I think it's about all those are 818 00:48:10,640 --> 00:48:13,799 Speaker 1: the most interesting things. Wilmer, Wilmer volder Rama. Do you 819 00:48:13,800 --> 00:48:16,160 Speaker 1: want to do his? Oh you should do his? I 820 00:48:16,160 --> 00:48:20,080 Speaker 1: know how much you hate that seventy show. Wilmer Valderrama 821 00:48:21,200 --> 00:48:26,759 Speaker 1: proudly displayed his down market decor in his in his home, 822 00:48:27,239 --> 00:48:31,520 Speaker 1: a single mattress on the floor like sex dungeon style, 823 00:48:32,520 --> 00:48:36,080 Speaker 1: and uh later it pans over to a china cabinet 824 00:48:36,160 --> 00:48:38,400 Speaker 1: he has in living room filled with red solo cups 825 00:48:38,440 --> 00:48:43,800 Speaker 1: and paper plates. All right, let's bring this. We mentioned 826 00:48:43,840 --> 00:48:47,279 Speaker 1: Cribs basically gave us the Osbournes when producers touring the 827 00:48:47,400 --> 00:48:50,200 Speaker 1: home for that show just found Jack and Kelly's dynamic 828 00:48:50,280 --> 00:48:53,799 Speaker 1: hilarious and pitched Sharon based on the strength of that 829 00:48:53,880 --> 00:48:57,120 Speaker 1: segment alone. Uh So, in a way, there is an 830 00:48:57,200 --> 00:49:01,160 Speaker 1: unbroken line from Robin Leach's uns listited phone call in 831 00:49:01,239 --> 00:49:05,439 Speaker 1: ninete to the Osbourne's to whatever circle of reality TV 832 00:49:05,560 --> 00:49:10,640 Speaker 1: hell we're currently occupying. Cribs also anticipated the shift of 833 00:49:10,680 --> 00:49:14,360 Speaker 1: the paras social relationships we enjoy with our beloved celebrities 834 00:49:14,680 --> 00:49:18,800 Speaker 1: to one largely couched in the first person narrative format, 835 00:49:19,560 --> 00:49:22,640 Speaker 1: by which I mean, you know, longer needed an intermediary. 836 00:49:22,680 --> 00:49:25,040 Speaker 1: You could just have celebrities talk right to your face, 837 00:49:25,800 --> 00:49:28,719 Speaker 1: and once they had phones and social media, they didn't 838 00:49:28,719 --> 00:49:32,960 Speaker 1: even need cameraman anymore, just as MTV had cut out 839 00:49:33,040 --> 00:49:37,000 Speaker 1: the middleman of anchors and journalists. In a way, MTV 840 00:49:37,480 --> 00:49:42,240 Speaker 1: defeated itself by putting these changes in motion, MTV killed Them, 841 00:49:42,239 --> 00:49:46,640 Speaker 1: TV Star MHM, and frankly, with all the conversations about 842 00:49:46,640 --> 00:49:49,320 Speaker 1: wealth inequality in this country, I think we've even moved 843 00:49:49,400 --> 00:49:53,080 Speaker 1: past the braggadocious flaunting tone of these shows. I mean, 844 00:49:53,120 --> 00:49:55,480 Speaker 1: I think any celebrity with half a finger on the 845 00:49:55,520 --> 00:50:02,200 Speaker 1: pulse would probably think the better of displaying their ostentatious wealth. 846 00:50:02,360 --> 00:50:04,239 Speaker 1: I think a more generous reading of cribs that it 847 00:50:04,360 --> 00:50:07,960 Speaker 1: captures artists at very specific phases in their career, usually 848 00:50:08,080 --> 00:50:11,520 Speaker 1: before they're jaded and miserable, and they're just young and 849 00:50:11,719 --> 00:50:14,200 Speaker 1: occasionally flushed to have money for the first time and 850 00:50:14,239 --> 00:50:17,000 Speaker 1: just excited about showing it off. That's I think, uh, 851 00:50:18,320 --> 00:50:20,399 Speaker 1: the more positive spin that you can put on this thing. 852 00:50:21,160 --> 00:50:23,880 Speaker 1: You know, and they've aged, as have we all, and 853 00:50:24,000 --> 00:50:26,640 Speaker 1: with that aging, the swag becomes a little more grounded 854 00:50:27,040 --> 00:50:30,480 Speaker 1: or dare I say mature. I'd like to close out 855 00:50:30,520 --> 00:50:34,680 Speaker 1: this episode with a specific incident illustrating image from the 856 00:50:34,719 --> 00:50:39,200 Speaker 1: show UH Outcasts. Big Boy led the MTV crew down 857 00:50:39,320 --> 00:50:41,200 Speaker 1: to a room in his home he called the boom 858 00:50:41,200 --> 00:50:45,920 Speaker 1: Boom Room. Chad walls painted red, giant pool table and 859 00:50:45,960 --> 00:50:49,160 Speaker 1: a stripper pole. On an episode of Jesus and Miro. 860 00:50:49,920 --> 00:50:52,640 Speaker 1: Years later, he explained that the Boom Boom Room has 861 00:50:52,719 --> 00:50:56,520 Speaker 1: become the Den Den where his mom, who now owns 862 00:50:56,520 --> 00:51:01,920 Speaker 1: the house, hosts Thanksgiving dinner. And if that isn't a 863 00:51:01,920 --> 00:51:06,839 Speaker 1: microcosm of life, I don't know what is. Folks. Thank 864 00:51:06,840 --> 00:51:09,560 Speaker 1: you for listening. This has been too much information. I'm 865 00:51:09,600 --> 00:51:12,319 Speaker 1: Alex Heagele, just in time for Thanksgiving, and I'm Jordan 866 00:51:12,400 --> 00:51:20,440 Speaker 1: run Tug. We'll catch you next time. Too Much Information 867 00:51:20,480 --> 00:51:23,239 Speaker 1: was a production of I Heart Radio. The show's executive 868 00:51:23,239 --> 00:51:26,120 Speaker 1: producers are Noel Brown and Jordan run Talk. The show's 869 00:51:26,120 --> 00:51:29,960 Speaker 1: supervising producer is Michael Alder June. The show was researched, 870 00:51:30,080 --> 00:51:32,760 Speaker 1: written and hosted by Jordan run Talk and Alex Hegel, 871 00:51:32,920 --> 00:51:36,120 Speaker 1: with original music by Seth Applebaum and the Ghost Funk Orchestra. 872 00:51:36,480 --> 00:51:38,520 Speaker 1: If you like what you heard, please subscribe and leave 873 00:51:38,560 --> 00:51:41,439 Speaker 1: us a review. For more podcasts on iHeart Radio, visit 874 00:51:41,480 --> 00:51:44,400 Speaker 1: the I heart Radio app, Apple Podcast, or wherever you 875 00:51:44,440 --> 00:51:45,600 Speaker 1: listen to your favorite shows