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Speaker 1: Yes, friend of being, an Iron Rapport stereo podcast is here.

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Speaker 1: Have no fear on today's museum quality I Am Rappaport

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Speaker 1: Stereo podcast. Where have the hard fouls in the NBA gone?

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Speaker 1: Where have a gone? Plus? Tucker Carlson is out from

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Speaker 1: Fox News and Deuced Pacino aka Deuce Collins joins us

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Speaker 1: on this hard hitting, museum quality Iron Rapports Stereo podcast

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Speaker 1: coming up right now. Miles Jordan, a kid the Bleacher Brothers.

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Speaker 1: Start this puppy over something real nice. Start this puppy

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Speaker 1: over something real loud the most importantly, start this puppy

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Speaker 1: off with something real funcky. It's see I Am Rapports

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Speaker 1: Stereo Podcast. Blick at it, Let's go.

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Speaker 2: Boom?

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Speaker 1: Yes, oh yes, have no fear of the I Am

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Speaker 1: Rappaport Stereo podcast is here. Welcome to the Iron Dome Disruption.

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Speaker 1: Welcome to the Zickety Zone of disruption. Name is Michael

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Speaker 1: Rappaport aka the Gringo man Dingo aka the inflamed Osganazie

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Speaker 1: aka Captain Klitis aka the Raging Bullshit or Hope everybody's

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Speaker 1: feeling good, Hope everybody is feeling safe. Hope everybody is

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Speaker 1: feeling really sane. I am Rappaport stereo podcast is here,

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Speaker 1: have no fear, and I gotta be honest.

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Speaker 3: I had a plan and then Monday started.

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Speaker 1: I had a plan for today's podcast, and then the

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Speaker 1: week started. But let me pace myself because I'm a

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Speaker 1: little amped up. Oh yeah, as I should be.

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Speaker 3: Number one.

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Speaker 1: The Knicks are up three games to one versus the

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Speaker 1: Cleveland Cavaliers.

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Speaker 3: Number two.

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Speaker 1: I had a great weekend at Uncle Vinnie's in New Jersey.

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Speaker 3: Number three.

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Speaker 1: I'm gonna be in Philadelphia at Philadelphi this weekend. I'm

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Speaker 1: gonna be in Philadelphia at the Helium Comedy Club the

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Speaker 1: twenty seventh, twenty eighth, and twenty ninth, twenty seventh, twenty eighth,

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Speaker 1: twenty ninth, And as I was coming down here to

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Speaker 1: do today's podcast.

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Speaker 3: On a I mean a beautiful, an impeccable day in New.

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Speaker 1: York, A gorgeous, prototypical spring day. When you think of

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Speaker 1: spring days in New York. Today is every single thing

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Speaker 1: you can hope and or imagine it would be like,

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Speaker 1: had a great workout pumped that thick steel, you see it, right?

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Speaker 1: I mean, sometimes I try to cover I try not

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Speaker 1: to show too much skin because I want you to

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Speaker 1: be paying attention to my thoughts and ideas. So I

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Speaker 1: try not to show too much skin because I do

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Speaker 1: not want to be known as just a piece of meat. Right,

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Speaker 1: I cover up, but you see, you see what's happening.

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Speaker 1: You see the shoulders, you see it all nice workout,

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Speaker 1: fixed steel, jump rope, all that coffee. Avoided going to

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Speaker 1: the bakery. I walked by my bakery this morning and

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Speaker 1: it was like, I was like, because they had some

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Speaker 1: they got these morning morning buns. Then they got chocolate

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Speaker 1: morning buns.

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Speaker 2: They call you.

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Speaker 1: I don't even know why I walk. I should avoid

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Speaker 1: the street. The reason why I didn't avoid the street

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Speaker 1: because I was thinking about.

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Speaker 3: Going in there. I was like, let me just I

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Speaker 3: want to go. I'm gonna go, But then I didn't go.

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Speaker 1: That's neither here nor there. Okay, Nicks are up three

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Speaker 1: to one. The playoffs have been great. And right before

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Speaker 1: I picked up the Golden Mic to do this podcast,

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Speaker 1: I found out that Tucker the motherfucker Carlson's gone from

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Speaker 1: Fox News.

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Speaker 2: He's out.

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Speaker 1: I believe this cocksucker has the highest rated cable news program,

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Speaker 1: Tucker Carlson, and I understand why this guy's a lying buffoon,

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Speaker 1: just a a lying maniacal fuck with Trump derangement syndrome.

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Speaker 1: And as we reported on the Iron Wrap Port Stereo

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Speaker 1: podcast last week, Dan Bongino Bye bye from Fox News

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Speaker 1: last week. This is all on the heels of seven

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Speaker 1: hundred and eighty seven million dollars seven hundred and eighty

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Speaker 1: seven million dollars settlement.

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Speaker 3: Fox News had to pay.

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Speaker 1: Out to the Dominion Voting Group Dominion Voting Corporation, you

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Speaker 1: know when you go vote the little booths. Some guy

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Speaker 1: created a great business and then they have to be

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Speaker 1: slandered by Fox News saying that the Dominion Voting Group

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Speaker 1: had something to do with a rigged election. So what happens.

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Speaker 1: They fucking sued them, and instead of going to court

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Speaker 1: and fighting for what they thought or what they knew

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Speaker 1: was right, they settled the fuck out because they knew

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Speaker 1: it was all wrong.

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Speaker 3: So Dan Bongino's out.

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Speaker 1: And now Tucker the motherfucker Carlson is out it Foxos,

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Speaker 1: and I say, good, get rid of all of them.

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Speaker 1: I want that wonky eyed freak Laura Ingram, I want

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Speaker 1: her out next you know Ingram, the Ingram angle. I

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Speaker 1: want her in that fucking lazy eye and her face

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Speaker 1: which is just pumped to the nine with botox. Fucking

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Speaker 1: face doesn't even move. Trump with that fucking smirk, that

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Speaker 1: perpetual smirk, which is only because it doesn't move.

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Speaker 3: You're fair.

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Speaker 1: I'm Laura ingam this inglam angle ba ba ba bah.

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Speaker 1: Loosen your shit up? Can you go like this, Laura Ingham?

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Speaker 1: Does your forehead go like that? Doesn't move, You can't frown,

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Speaker 1: you can't smile.

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Speaker 3: Your shit's just like this. Shit's frozen, bitch, shit is

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Speaker 3: frozen like that.

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Speaker 1: Anyway, Tucker Carlson is the leader of the pack and

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Speaker 1: he's gone. And allegedly a friend told me, I got

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Speaker 1: this from Trump. He does this all the time. This

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Speaker 1: is how you face no consequences.

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Speaker 2: You go.

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Speaker 3: A friend told me. I heard.

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Speaker 1: Well, a friend told me that he allegedly heard that

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Speaker 1: the reason why Tucker the motherfucker Carlson is also leaving

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Speaker 1: Fox News is because of the dominion voting settlement of

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Speaker 1: seven hundred and eighty two million dollars. Allegedly, that's what

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Speaker 1: I heard. That's what a friend told me. And I say, good,

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Speaker 1: you fuck this is not news. And I'm not saying

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Speaker 1: CNN is unbiased News. But Fox News is not fucking news.

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Speaker 1: We ain't talking about CNN right now. We're talking about

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Speaker 1: Fox News. They're the ones who had to settle seven

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Speaker 1: hundred and eighty eight million dollars, not CNN. Okay, Dan Bongino,

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Speaker 1: Don Bongino, Tucker the fucker, Carlson showing.

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Speaker 3: Handed to your next you fuck watch your mouth.

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Speaker 1: Watch your fucking that's that's, that's what it all comes

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Speaker 1: down to. Watch your fucking mouth. Can't just be saying

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Speaker 1: everything in anything and call yourself a news station, a

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Speaker 1: news broadcast. Motherfuckers will sue you, to sue you real

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Speaker 1: nice and they'll sue your real proper anyway. The NBA

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Speaker 1: is and always will be fantastic. The NBA playoffs are.

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Speaker 3: They're great. They're great.

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Speaker 1: People are fighting. There's been injuries. Anthony Edwards kept the float.

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Speaker 1: The Minnesota Timberwolves, Steph Curry, Klay Thompson, Jordan Poole, Draymond Green,

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Speaker 1: the Warriors, they tied it up with the Sacramento Kings.

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Speaker 3: Giannie is hurt. They're looking like they're in trouble.

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Speaker 1: The Knicks are three games to one ahead verse the

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Speaker 1: Cleveland Cavaliers. Cleveland, this is for you, you fucks three to one.

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Speaker 1: I thought you motherfucker was gonna push them.

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Speaker 3: To the seventh game.

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Speaker 1: The sad thing about the NBA Playoffs first round is

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Speaker 1: that the word that has been you who's the most

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Speaker 1: during the playoffs is growing private parts, Penis Johnson and

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Speaker 1: Jeweles because the NBA the fouls that have gone on

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Speaker 1: in the first round of the playoffs, between Draymond Green's

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Speaker 1: chest stomp kick to Joe el Embiid's dick kick on

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Speaker 1: Nick Claxton, to James Harden's dick flick or elbow to

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Speaker 1: the dick to Dylan Brooks blatant dick flick on Lebron James.

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Speaker 1: The amount of times this has been discussed in the

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Speaker 1: last week, week and a half is embarrassing if you're

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Speaker 1: an NBA fan. Last week listen is Steven A. Smith,

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Speaker 1: Kenny Charles Shack, Skip Bayless, Shannon Sharp, frank Is Soola,

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Speaker 1: and every other NBA an list and correspondent. Doris Burke,

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Speaker 1: Poor Doris Burke, she had to get in there and

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Speaker 1: talk about all the kick to the growns private parts,

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Speaker 1: sensitive parts. Yo, Can we bring back some just straight

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Speaker 1: up hard fouls you want to foul? A guy clothesline them.

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Speaker 1: You want to foul a guy, push them, you want

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Speaker 1: to foul a guy? Forearm shiver, These low key kicks

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Speaker 1: to the dick, these low key flicks to the dick.

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Speaker 3: It's embarrassing.

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Speaker 1: You guys are ginormous men, physical specimens, and the way

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Speaker 1: you're heart fouling each other in twenty twenty three is

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Speaker 1: dick shots, basically shots of the dick. The Great Maurice Lucas,

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Speaker 1: the Great Lonnie Shelton, the Great Charles Oakley, the Great

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Speaker 1: Anthony Mason are laughing at you, guys. You want to

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Speaker 1: make a hard foul, make a blatant hard foul. But literally,

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Speaker 1: this is the entire conversation was last week. I had

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Speaker 1: to turn it off. And I love NBA banter, I

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Speaker 1: love NBA discussion, NBA debate, but like, I literally had

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Speaker 1: to turn off.

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Speaker 3: I was like, what are we talking about here?

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Speaker 1: Is Dylan Brook's gonna be suspended for him hitting Lebron

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Speaker 1: James in the dick? Is Joel and b gonna be

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Speaker 1: suspended for kicking Nick Claxon in the dick? Should James

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Speaker 1: Harden have been thrown out of the game for elbowing

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Speaker 1: or flicking so inside, what is this? Are we playing

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Speaker 1: grabmass or is this the NBA? Man, it's a fucking playoffs.

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Speaker 1: You got a problem with a guy? You want to

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Speaker 1: make a hard fel make a hard felt like a

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Speaker 1: fucking man. NBA isn't always will be fantastic. And I'm

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Speaker 1: enjoying the playoffs. I just I've had enough of that.

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Speaker 1: I'm also enjoying being on the roll. Like I said,

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Speaker 1: I had great shows at Uncle Vinnie's in Jersey. Shout

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Speaker 1: out to everybody that came to the shows. I will

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Speaker 1: be in Philly the twenty seven, twenty eighth, and twenty

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Speaker 1: ninth this Thursday, Friday, and Saturday at the Helium Comedy Club,

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Speaker 1: and then I am going to be in Houston the

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Speaker 1: fifth and the sixth of May, Burlington, Vermont the eighteenth, nineteenth,

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Speaker 1: and twentieth. Then I am going to be in Rhode

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Speaker 1: Island the eighth, ninth, and tenth.

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Speaker 3: I'll be in Chickapea, Massachusetts one night.

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Speaker 1: June eleventh, and then I'll be in Denver the fifteenth, sixteenth,

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Speaker 1: and seventeenth.

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Speaker 3: All tickets are up on my website.

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Speaker 1: All tickets, all information is available at Michael Rappaportcomedy dot

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Speaker 1: com excited about those shows, having a good time on

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Speaker 1: the road. My voice is back, feeling good. I got

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Speaker 1: bunkerd down. I had a situation in a hotel. So

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Speaker 1: I was in Jersey and I was like.

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Speaker 3: This shouldn't be an issue.

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Speaker 1: I booked my hotel for one night, and I was like,

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Speaker 1: I could do a late checkout and maybe I'll even

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Speaker 1: have to pay for an extended late checkout. And I

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Speaker 1: was even willing to pay if I needed to use

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Speaker 1: the room for a few X hours, and they said

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Speaker 1: you had to pay the whole night. So I booked

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Speaker 1: the room for one night. The next morning, I get

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Speaker 1: up at eleven and they go, are you checking out?

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Speaker 1: I going, I ain't checking out, going to get some coffee.

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Speaker 1: They go, well, you need to check out at one pm.

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Speaker 1: Now it's eleven thirty. I said, well, I don't want

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Speaker 1: to check out at one pm. My show ain't till seven.

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Speaker 1: They said, well you need to check out at one pm.

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Speaker 1: We're sold out. Literally had just gotten up. I said, okay,

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Speaker 1: I'll be right back. So I'm driving around Jersey trying

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Speaker 1: to find some coffee. Jersey's big. Let me tell you

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Speaker 1: something Jersey's a big police You don't just walk around

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Speaker 1: with Jersey unless you're in one of these towns or

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Speaker 1: something like that. Anyway, I get my coffee and I, uh,

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Speaker 1: I'm coming back into the hotel. And unbeknownst to me,

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Speaker 1: when I'm coming back into the hotel, I leave my

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Speaker 1: phone in my car. I'll get to that later, but

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Speaker 1: I put my hoodie on. I go, I'm gonna go

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Speaker 1: in my room and I'm gonna bunk or the fuck down.

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Speaker 1: I'm not checking out at one. I'm not checking out

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Speaker 1: six hours before my show. I got a show at seven,

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Speaker 1: seven point thirty. I just got up. I'm not leaving

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Speaker 1: the fucking You're just sold out. We're in the middle

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Speaker 1: of nowhere. I'm in the Jersey Shore. It's a random

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Speaker 1: Saturday the hotel so it's not like the fourth season.

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Speaker 1: It's a nice hotel and uh, full transparency. When I

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Speaker 1: checked in, they were like, oh, we're big fans. Wendy

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Speaker 1: Williams is, can you take a selfie? YadA, YadA, YadA.

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Speaker 1: Next day like you gotta leave, I go, okay, I'll

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Speaker 1: see I walk in the hotel room and I go,

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Speaker 1: this is going to be a standoff. They're gonna have

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Speaker 1: to smoke me out. I'm not just leaving the fucking room.

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Speaker 1: I'm not just I don't know what what am I

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Speaker 1: gonna do? Stay in my car for five hours? Like

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Speaker 1: I want to, like, you know, go get some food

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Speaker 1: or something like that. But I'm not killing six hours

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Speaker 1: on a Saturday. There's games on. So I get back

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Speaker 1: in the room. One o'clock comes here. I start here

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Speaker 1: and knocking at the door. Room service.

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Speaker 3: I go, I'm not ready. They go, we come back.

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Speaker 1: One thirty. The phone rings. They go, you know, check

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Speaker 1: out is one o'clock. I go, yeah, I know, I'm

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Speaker 1: not ready yet. Get myself together, having a tough day.

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Speaker 1: They go, okay. Forty five minutes later, room service, I go, wait, wait,

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Speaker 1: we're not ready yet.

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Speaker 3: Now it's weet. It's not just me, it's wee. I

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Speaker 3: don't know why I said. We phone's ringing. I take

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Speaker 3: the phone off the hook.

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Speaker 1: They're knocking. They're I don't have my phone because they're

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Speaker 1: calling the whole the room phone. I realized I left

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Speaker 1: my phone in my car, and I'm afraid to go

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Speaker 1: to my phone in my car because I fraid. I'm

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Speaker 1: afraid if I go to my phone in my car.

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Speaker 1: They'll kick me out of my room, and I don't

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Speaker 1: want an incident. I'm trying to avoid incidents. I got

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Speaker 1: enough incidents. Every day of my life is an incident.

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Speaker 1: When I wake up, it's an incident. So I'm trying

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Speaker 1: to minimize my incidents. Anyway, three point thirty, they're knocking,

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Speaker 1: they're calling the room.

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Speaker 3: I figured out how to work my I watch.

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Speaker 1: My wife's calling. The dust brothers are calling. I don't

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Speaker 1: know what the fuck is going on. Anyway, I'm watching

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Speaker 1: the games. I got my stuff packed in case the

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Speaker 1: cops show up, because that's what I was thinking was

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Speaker 1: gonna happen. The cops were gonna show up and be like, sir,

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Speaker 1: you have to leave the room.

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Speaker 3: And I was prepared for that.

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Speaker 1: But anything other than the cops, the managers calling the lady,

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Speaker 1: I said, didn't you ask me for a Selfiees says,

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Speaker 1: She goes, yes, I know. But the managers, I go, well,

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Speaker 1: what you doing? Aren't you a fan? You're trying to

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Speaker 1: fucking put me in the streets. Anyway, somehow, someway, they

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Speaker 1: didn't smoke me out of there, and the cops, I

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Speaker 1: was I didn't want new Jersey State troopers showing up

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Speaker 1: at my door, going, mister rappaport, where you know you're

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Speaker 1: in there, you gotta get the fuck out. Inevitably, I

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Speaker 1: wanted up leaving peacefully. It was a peaceful standoff about

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Speaker 1: five point fifteen after my game and halfway through the

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Speaker 1: other game. I don't remember what game was on, but

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Speaker 1: the point is is that I was concerned they were

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Speaker 1: going to smoke me out. You know, they were gonna

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Speaker 1: start throwing in the tear gas and smoked me out

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Speaker 1: of there, and I was gonna but I was prepared.

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Speaker 1: I had my fucking clothes on and my sneakers at

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Speaker 1: the door in case anything went down, my bags packed.

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Speaker 3: And closed on. Nonetheless, it all worked out.

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Speaker 1: But for a minute, they were they were pressing me,

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Speaker 1: pressing me hard, and it's fucked up when, like, you know,

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Speaker 1: just the day before they're they're taking selfies and shit.

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Speaker 2: Podcast what else is going on?

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Speaker 1: The fun thing about this episode is I'm bringing in

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Speaker 1: the Shooter Dean Collins aka the Young Shooter aka Deuce

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Speaker 1: con aka Deuce Patino. Normally I'll bring him in for

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Speaker 1: the entire episode when he comes in, but I said.

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Speaker 3: A little bit of the shooter goes a long way.

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Speaker 1: Plus, the shooter's like Ferris Bueller, like everything's got to

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Speaker 1: be like right the time and all that stuff. He's

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Speaker 1: on the West Coast. The son's got to be, you know, risen,

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Speaker 1: but not too risen. Can't be too hot, can't be

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Speaker 1: too cold. But without further ado, let's bring in the

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Speaker 1: young shooter, Deuce Pacino, Deuce Collins.

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Speaker 3: We got him there. Holy wow, that was what a transition.

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Speaker 3: We got him. Hello, Hey, hey, Dean, Hey, how are you?

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Speaker 4: How you doing man? Nice backdrop?

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Speaker 3: Thank you.

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Speaker 1: I am doing well. I'm all amped up, all fired up,

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Speaker 1: happy to have you. And normally I ask you what

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Speaker 1: have you been doing? What have you been watching? But

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Speaker 1: I'll just jump into this. I watched the first two

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Speaker 1: episodes of the FX slash Hulu documentary Dear Mama, directed

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Speaker 1: by Alan Hughes of the Hughes Brothers.

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Speaker 3: Obviously they directed.

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Speaker 1: Dead Presidents and Menace to Society, and I did not

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Speaker 1: have high expectations, not because Alan huses in't a ridiculous filmmaker,

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Speaker 1: because he made that five part documentary series. I just thought,

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Speaker 1: how much more can we get? How much more can

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Speaker 1: we learn? How much more can be riveting about Tupac,

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Speaker 1: and I gotta tell you it's fantastic. It's so well done,

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Speaker 1: so compelling, the filmmaking and the storytelling and the things

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Speaker 1: he did with music, and the way he just broke

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Speaker 1: down every little bit of his life thus far, and

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Speaker 1: his mother's life of Fenni Shakor, who I knew about,

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Speaker 1: but I didn't know the details about just all the

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Speaker 1: stuff she had been into as a black panther, and

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Speaker 1: I knew that she represented herself and the other black

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Speaker 1: panthers in this famous court case when they wanted to

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Speaker 1: give her, I believe, three hundred and sixty five years

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Speaker 1: in prison. Literally, it's so fucking good. I cannot recommend

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Speaker 1: it highly enough. Dear Mama. On FX Slash Hulu, the

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Speaker 1: first two episodes are up now, and like I said,

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Speaker 1: it's directed by Alan Hughes, brilliant filmmaking. I can't wait

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Speaker 1: for the rest of the documentary to drop.

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Speaker 3: Did you watch it?

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Speaker 4: I've heard about this documentary and I've seen like little

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Speaker 4: clips or trailers teasers, and it looks good, but I

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Speaker 4: know I didn't watch it.

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Speaker 3: Yo, It's fuck dope.

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Speaker 4: Is the family involved in the doc.

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Speaker 1: The family is involved, and apparently the family and the estate,

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Speaker 1: you know, wanted Alan Hughes to direct it.

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Speaker 3: And it's excellent. It's fucking excellent.

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Speaker 1: And of course there's stuff that you've seen because Tupac.

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Speaker 1: I mean I was trying to think of I know,

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Speaker 1: four documentaries that I watched about Tupac, but the way

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Speaker 1: he tells the story and the way it goes back

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Speaker 1: and forth, and the things that they do with music,

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Speaker 1: and the things that they do with archival footage and

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Speaker 1: the things that they do with some footage I had

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Speaker 1: never seen. And you know, I'm a big, big, big,

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Speaker 1: big big Tupac fan.

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Speaker 3: It's excellent.

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Speaker 1: I mean it was really really really good filmmaking, great documentary,

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Speaker 1: and like I said, it's five parts, and I really

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Speaker 1: would love Alan Hughes on the podcast because I would

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Speaker 1: love to talk to him about just how he went

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Speaker 1: about doing it.

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Speaker 3: Really fucking good.

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Speaker 1: You should definitely take a look at it, and anybody

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Speaker 1: who is curious or I was thinking the same thing,

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Speaker 1: like I thought.

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Speaker 4: Trust me, it's well worth watching it. Well that's a

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Speaker 4: rate review. I mean, you sound like really passionate about it.

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Speaker 4: I got to check it out.

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Speaker 3: Thank you. You you sound pretty passionate yourself too many.

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Speaker 4: I'm not as passionate about you as how you are

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Speaker 4: with the documentary because I haven't seen it. But I'm

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Speaker 4: passionate person. I've been watching things, but I haven't. There

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Speaker 4: hasn't been anything on TV that I've been like, oh

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Speaker 4: my god, I love this, or you have to watch this.

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Speaker 4: So that's nice to hear that there is something on

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Speaker 4: effects it's worth watching.

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Speaker 1: It's great. I'm telling you, it's fucking great. I started

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Speaker 1: rewatching it again this morning just because I was thinking.

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Speaker 1: I was just I'm telling you, it's really really really

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Speaker 1: well done. All right, cool, it's really really really well done.

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Speaker 3: Are you awake, my friend?

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Speaker 4: I woke up not too long ago, but I'm here.

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Speaker 4: I'm here telling worry about when I woke up. How

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Speaker 4: don't you hot? You know I don't do coffee. I

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00:25:03,600 --> 00:25:06,400
Speaker 4: haven't had any hot chocolate. But after this, I'm planning

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Speaker 4: on getting back my smoothie game back with the green juices.

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Speaker 4: I got some celery, carrots, kale, I got a lot

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Speaker 4: of greens. I'm gonna put that in a blender. And

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Speaker 4: because I need, I'm watching I really am watching my

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Speaker 4: figure these days like I'm watching what I eat. Because

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Speaker 4: the past couple of weeks have been really bad. I've

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Speaker 4: joined a gym that's up the street for me, So

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Speaker 4: I'm walking to the gym. I'm getting my steps in,

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Speaker 4: I'm doing the treadmill for I don't.

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Speaker 1: Want to give too much details as to where you live,

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Speaker 1: because yeah, fans will come after you.

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Speaker 4: Oh it'll be like the Beatles outside my house.

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Speaker 1: But when you say walk to the gym, come on,

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Speaker 1: let's not make it seem like it's like you're walking

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Speaker 1: two blocks.

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Speaker 4: It's like, I mean, I wouldn't say two, I mean

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Speaker 4: maybe three. Three. I mean probably like three blocks. So okay,

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Speaker 4: you got me probably about three or three blocks, three

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Speaker 4: or four blocks.

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Speaker 3: Okay.

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Speaker 1: And what are you doing these days? Like are we

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Speaker 1: doing that steal? Like what are we on?

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Speaker 4: No, we're just we're doing treadmill. We're doing treadmill.

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Speaker 3: We're doing it.

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Speaker 4: You're running for like forty five minutes. Not even we're

403
00:26:07,640 --> 00:26:12,280
Speaker 4: not running either. We're doing a three speed on the treadmill,

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00:26:12,400 --> 00:26:15,000
Speaker 4: but we're doing an incline at about eight to twelve

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Speaker 4: incline and we're doing it for about thirty to forty

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Speaker 4: five minutes. Because there are these girls and then these

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00:26:20,800 --> 00:26:22,880
Speaker 4: girls on TikTok believe it or not, they talk about

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Speaker 4: weight loss and how you don't have to run on

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Speaker 4: the treadmill to achieve your weight loss goal, that you

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00:26:28,720 --> 00:26:32,439
Speaker 4: could set it on an it's called the thirty three

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Speaker 4: twelve or the twelve three thirty method or whatever it is.

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Speaker 4: You put it on a twelve incline, which is really

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Speaker 4: fucking hard. I have to tell you it's hard. You

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Speaker 4: walk for three speed, it's like a light you know,

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Speaker 4: it's like a quick pace there with the walk, but

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Speaker 4: you're on.

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Speaker 3: That shoe for forty five minutes. It doesn't get boring.

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Speaker 4: Not at a twelve incline, I'm not. It's really hard

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Speaker 4: to that, but for about an for about like an

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Speaker 4: eight incline, I'm doing that for about thirty to forty

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Speaker 4: five minutes. It gets boring. And after the first five

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Speaker 4: ten minutes, I'm thinking, there's no way I'm going to

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Speaker 4: be doing this for forty minutes. And sometimes I'll get off.

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Speaker 4: But I've been doing it, but I have to watch

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Speaker 4: what I eat because I've been going crazy on the

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00:27:13,200 --> 00:27:16,320
Speaker 4: ben and Jerry's lately. Yeah, it's not an everyday thing.

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Speaker 4: It's not even in every other day thing. It's once

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Speaker 4: in a while. But Ben and Jerry's fucked my head

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Speaker 4: up because there is a flavor that you know, because

430
00:27:24,080 --> 00:27:27,840
Speaker 4: I was really hot on the tonight dough with Jimmy

431
00:27:27,840 --> 00:27:31,200
Speaker 4: Fallon and I love that ice cream. I'm not a

432
00:27:31,240 --> 00:27:33,840
Speaker 4: big fan of Jimmy Fallon, but his ice cream is fantastic.

433
00:27:34,400 --> 00:27:36,919
Speaker 4: And God, it's such a great ice cream. If you

434
00:27:36,920 --> 00:27:39,359
Speaker 4: haven't had it, if the fans haven't had that ice cream,

435
00:27:39,440 --> 00:27:42,280
Speaker 4: it is life changing, I think. And it's also filled

436
00:27:42,320 --> 00:27:46,199
Speaker 4: with fucking like thirteen hundred calories a pint. But I

437
00:27:46,200 --> 00:27:47,760
Speaker 4: got off of that for a while. I was feeling

438
00:27:47,760 --> 00:27:51,840
Speaker 4: good and then I was introduced to a flavor called

439
00:27:51,960 --> 00:27:55,080
Speaker 4: Chocolate Milk and Cookies. And this is something that I

440
00:27:55,119 --> 00:27:57,119
Speaker 4: just I just stumbled upon. I picked it up and

441
00:27:57,160 --> 00:27:59,520
Speaker 4: I was watching TV, and I was like, WHOA. Once

442
00:27:59,560 --> 00:28:02,280
Speaker 4: it hit my it's like cocaine or something. It's like

443
00:28:02,320 --> 00:28:02,760
Speaker 4: a drug.

444
00:28:03,040 --> 00:28:03,119
Speaker 2: Like.

445
00:28:03,200 --> 00:28:06,080
Speaker 4: Once I tasted it, it really got me going. And

446
00:28:06,080 --> 00:28:08,199
Speaker 4: so I've been craving that and I'm but I'm finding

447
00:28:08,240 --> 00:28:12,800
Speaker 4: myself going all across town to search for the fucking

448
00:28:12,840 --> 00:28:14,800
Speaker 4: thing because they don't have it at CBS. They don't

449
00:28:14,840 --> 00:28:16,840
Speaker 4: have it at right aid. They don't have it at gels,

450
00:28:16,840 --> 00:28:18,280
Speaker 4: and so I have to like go to like a

451
00:28:18,320 --> 00:28:22,440
Speaker 4: target in like the ghetto to like find chocolate, milk

452
00:28:22,440 --> 00:28:24,719
Speaker 4: and cookies. Like I'm scouring the fucking aisles, and when

453
00:28:24,760 --> 00:28:25,720
Speaker 4: you get to that eye.

454
00:28:25,720 --> 00:28:27,840
Speaker 3: Like you'll go anywhere and everywhere to get it.

455
00:28:28,119 --> 00:28:30,800
Speaker 1: I'm like calling, like I'm like talking, I'm like a

456
00:28:31,040 --> 00:28:32,720
Speaker 1: targets and asking them if they have it.

457
00:28:33,440 --> 00:28:35,800
Speaker 4: I'm like they're they're transferring me to like the frozen

458
00:28:35,840 --> 00:28:38,080
Speaker 4: food manager, and so I have to ask the frozen

459
00:28:38,120 --> 00:28:40,440
Speaker 4: food manager if they have it. And so I'm scouring

460
00:28:40,480 --> 00:28:43,520
Speaker 4: the aisles at like a janky target, and then when

461
00:28:43,560 --> 00:28:47,280
Speaker 4: you get to the aisle, inevitably there's like four other

462
00:28:47,320 --> 00:28:49,600
Speaker 4: people that are like hovering over the ice.

463
00:28:49,400 --> 00:28:51,400
Speaker 3: Cream chocolate too.

464
00:28:52,040 --> 00:28:54,440
Speaker 4: They want they want the chocolate, milk and cookies.

465
00:28:54,840 --> 00:28:55,160
Speaker 3: Sugar.

466
00:28:55,240 --> 00:28:57,680
Speaker 1: Sugar is an addictive thing. I was just talking earlier

467
00:28:57,720 --> 00:29:01,000
Speaker 1: on the podcast today. Man, there's a walked myself off

468
00:29:01,000 --> 00:29:02,800
Speaker 1: the ledgs this morning because I wanted this.

469
00:29:03,320 --> 00:29:04,880
Speaker 3: I don't even know what the fuck it is something

470
00:29:06,280 --> 00:29:07,880
Speaker 3: I wasn't even have my cookie yet. This is in

471
00:29:07,920 --> 00:29:08,440
Speaker 3: the morning.

472
00:29:08,960 --> 00:29:12,080
Speaker 1: I don't eat cookies until the afternoon, but this bakery

473
00:29:12,120 --> 00:29:17,280
Speaker 1: cold or washers man. I I had to I but

474
00:29:17,400 --> 00:29:18,800
Speaker 1: luckily I walked away from it.

475
00:29:19,920 --> 00:29:22,600
Speaker 4: Good for you because because because it's a it's a

476
00:29:22,640 --> 00:29:24,720
Speaker 4: low moment. When you wake up at about eight thirty

477
00:29:24,720 --> 00:29:26,200
Speaker 4: in the morning and you're going for the pine of

478
00:29:26,240 --> 00:29:30,520
Speaker 4: ice cream you eat that's when no, hell no, but

479
00:29:30,880 --> 00:29:34,160
Speaker 4: I can't say that it hasn't happened. You've eaten eat

480
00:29:34,200 --> 00:29:38,240
Speaker 4: in the morning for sure. For sure I've done that.

481
00:29:38,320 --> 00:29:40,800
Speaker 4: And that's and that's a low that ain't good. No,

482
00:29:40,840 --> 00:29:42,880
Speaker 4: but I can recognize that that's not a good moment

483
00:29:42,960 --> 00:29:45,080
Speaker 4: and and that I'm probably in trouble at that point.

484
00:29:45,200 --> 00:29:48,520
Speaker 4: So I joined the gym. I went to the grocery

485
00:29:48,560 --> 00:29:51,160
Speaker 4: store the other day and I got tons of veggies

486
00:29:51,240 --> 00:29:54,160
Speaker 4: and all this shit, and and I'm just like, I'm

487
00:29:54,160 --> 00:29:56,800
Speaker 4: fucking starving. I'm like eating rabbit food here. It's no

488
00:29:56,840 --> 00:29:59,120
Speaker 4: way to live. It's so fucking boring. But I'm gonna

489
00:29:59,160 --> 00:29:59,920
Speaker 4: be making any smash.

490
00:30:00,160 --> 00:30:00,360
Speaker 2: Man.

491
00:30:00,400 --> 00:30:03,720
Speaker 1: Don't eat after six seven pm. Eat from seven. That's

492
00:30:03,760 --> 00:30:06,160
Speaker 1: the best way to do it, that's what they say.

493
00:30:06,280 --> 00:30:06,880
Speaker 1: That's so easy.

494
00:30:06,880 --> 00:30:09,680
Speaker 3: Any way to do that is the easiest thing to do.

495
00:30:09,760 --> 00:30:10,840
Speaker 3: I don't know.

496
00:30:10,920 --> 00:30:11,120
Speaker 2: You.

497
00:30:11,120 --> 00:30:14,800
Speaker 3: You can't sleep, you got problems. I don't listen. I

498
00:30:14,800 --> 00:30:16,640
Speaker 3: don't give a fuck what you're eating. To be honest

499
00:30:16,640 --> 00:30:19,120
Speaker 3: with you, I don't, Okay, no, excuse me. I don't

500
00:30:19,120 --> 00:30:20,080
Speaker 3: want to spend.

501
00:30:21,560 --> 00:30:26,880
Speaker 1: This episode talking about you and your celery and your carrots.

502
00:30:27,040 --> 00:30:29,520
Speaker 3: I don't give a either. I don't give a fuck

503
00:30:29,560 --> 00:30:31,320
Speaker 3: what you're eating. To be honest, I.

504
00:30:31,240 --> 00:30:35,120
Speaker 1: Wanted to talk about the Tupac documentary, which is excellent.

505
00:30:35,840 --> 00:30:38,960
Speaker 1: I was talking about Tucker Carlson's leaving Fox News already.

506
00:30:39,000 --> 00:30:41,000
Speaker 4: I saw that, and do you see Don Lemon is

507
00:30:41,120 --> 00:30:42,960
Speaker 4: fired to WHOA?

508
00:30:43,840 --> 00:30:46,120
Speaker 3: They did that this morning too.

509
00:30:46,640 --> 00:30:49,320
Speaker 4: I'm like a correspondent over here, over over the fucking

510
00:30:49,320 --> 00:30:49,840
Speaker 4: ear waves.

511
00:30:50,440 --> 00:30:54,080
Speaker 1: They should bring me in for real, because you know

512
00:30:54,120 --> 00:30:57,280
Speaker 1: what's fucked up? Did you notice the Daily Show formerly

513
00:30:57,360 --> 00:31:00,880
Speaker 1: with Trevor Noah they have They're bringing in guest hosts.

514
00:31:01,680 --> 00:31:06,479
Speaker 1: Everybody's guests. Everybody is guest host from Marla Waians, who

515
00:31:06,600 --> 00:31:12,640
Speaker 1: is great, John Leguzamo, this comic, that comic, Sarah Silverman, this,

516
00:31:12,760 --> 00:31:17,520
Speaker 1: that and the third, the Daily Show interchangeable guest host

517
00:31:18,080 --> 00:31:22,520
Speaker 1: week after week. The only person who hasn't been brought

518
00:31:22,560 --> 00:31:26,280
Speaker 1: in to host the Daily Show is me, Michael Rappaport.

519
00:31:26,880 --> 00:31:28,440
Speaker 3: But when the shit hits.

520
00:31:28,160 --> 00:31:32,600
Speaker 1: The fan, who's the guy on the front lines talking

521
00:31:33,000 --> 00:31:34,920
Speaker 1: that shit the most?

522
00:31:35,960 --> 00:31:39,000
Speaker 3: Me Michael Rappaport and full transparency.

523
00:31:39,040 --> 00:31:41,560
Speaker 1: I had a conversation with them about it, and they

524
00:31:41,600 --> 00:31:46,240
Speaker 1: acted like like I was fucking I don't know, but

525
00:31:46,280 --> 00:31:49,080
Speaker 1: I'm offended that the motherfuckers at the Daily Show have

526
00:31:49,200 --> 00:31:52,200
Speaker 1: not had me in for not even one episode to

527
00:31:52,240 --> 00:31:54,440
Speaker 1: host the Daily Show. But now you're getting rid of

528
00:31:54,480 --> 00:31:57,240
Speaker 1: Tucker Carls and Don Lemon and all of them because

529
00:31:57,280 --> 00:32:01,600
Speaker 1: you know why, because these guys they're too radical. Don

530
00:32:01,680 --> 00:32:05,120
Speaker 1: Lemon is a jack faker and Tucker Crossing is a

531
00:32:05,160 --> 00:32:10,720
Speaker 1: complete jack faker. And I didn't know that they got

532
00:32:10,800 --> 00:32:12,320
Speaker 1: rid of Don Lemon this morning.

533
00:32:12,840 --> 00:32:17,520
Speaker 4: That's breaking news after seventeen years fired from CNN, and

534
00:32:17,720 --> 00:32:18,920
Speaker 4: he and so wild.

535
00:32:18,640 --> 00:32:21,600
Speaker 3: Shit about the women in Wow, seventeen years.

536
00:32:22,480 --> 00:32:24,440
Speaker 4: That's a long time. But when you see all these

537
00:32:24,480 --> 00:32:27,320
Speaker 4: guest hosts on on the Daily Show and all that stuff,

538
00:32:28,000 --> 00:32:30,000
Speaker 4: and you don't get that phone call and your phone

539
00:32:30,080 --> 00:32:33,640
Speaker 4: doesn't ring, do you go internally and say why?

540
00:32:34,080 --> 00:32:35,720
Speaker 1: No, I mean, don't say why, because I know I

541
00:32:35,800 --> 00:32:39,480
Speaker 1: know what it is. I know it's about bullshit diversity.

542
00:32:39,560 --> 00:32:44,560
Speaker 1: They had Al Franken, who deserves it. Al Frankin, they

543
00:32:44,640 --> 00:32:47,840
Speaker 1: fucked him. I know what it is. I know what

544
00:32:48,240 --> 00:32:52,400
Speaker 1: he's it. It's some bullshit, diversity shit. It's like, it's

545
00:32:52,480 --> 00:32:53,280
Speaker 1: just some bullshit.

546
00:32:53,520 --> 00:32:55,720
Speaker 4: But what they needed they need an Oshknazi jew on

547
00:32:55,760 --> 00:32:56,160
Speaker 4: that show.

548
00:32:56,360 --> 00:32:59,200
Speaker 3: That's what I'm saying. Who does The Daily Show hate

549
00:32:59,280 --> 00:32:59,880
Speaker 3: Jewish men?

550
00:33:00,360 --> 00:33:02,560
Speaker 1: They had Sarah some them, but let me tell you something,

551
00:33:02,720 --> 00:33:06,640
Speaker 1: nobody would do it like me. Nobody and John Leguzamo

552
00:33:06,800 --> 00:33:10,320
Speaker 1: killed it. Marla Walliams was awesome. Marla Walliams was funny

553
00:33:10,360 --> 00:33:16,160
Speaker 1: as fuck. When Marlon Wayans is on point, Mary wan funny, motherfucker.

554
00:33:16,760 --> 00:33:18,960
Speaker 1: I mean, they've had everybody do it, and I was like,

555
00:33:19,360 --> 00:33:21,240
Speaker 1: they're gonna call I don't even need to think they're

556
00:33:21,280 --> 00:33:25,320
Speaker 1: gonna of course they're gonna call me. I've hosted I

557
00:33:25,360 --> 00:33:28,320
Speaker 1: hosted close to fifty episodes of The Wendy Williams Show.

558
00:33:28,600 --> 00:33:32,080
Speaker 1: I'm the host of the worldwide phenomenon Iron Rapport Cerio podcast.

559
00:33:32,280 --> 00:33:35,400
Speaker 1: I've been on live TV on sports shows, this, that,

560
00:33:35,480 --> 00:33:36,040
Speaker 1: and the third.

561
00:33:36,720 --> 00:33:39,880
Speaker 4: I'm knowing you're in Grand theft Auto for God's sakes.

562
00:33:40,280 --> 00:33:43,720
Speaker 1: Exactly, and you got everybody hosting the Daily Show, but

563
00:33:43,720 --> 00:33:47,520
Speaker 1: you're not coming to me, the Grengo Mandingo, me, the

564
00:33:47,640 --> 00:33:52,720
Speaker 1: inflamed oush me, the guy that came up with the moniker,

565
00:33:52,800 --> 00:33:55,280
Speaker 1: Dick Staine, Donald Trump. So when you say do I

566
00:33:55,320 --> 00:33:59,480
Speaker 1: ask why? I just know it's some some bullshit. It's

567
00:33:59,520 --> 00:34:01,520
Speaker 1: almost like I'm too hot for the block. The block

568
00:34:01,600 --> 00:34:03,960
Speaker 1: is I make the block too hot if I go

569
00:34:04,080 --> 00:34:04,440
Speaker 1: on there?

570
00:34:05,520 --> 00:34:07,440
Speaker 4: Yeah, I mean I don't see Sarah Silverman and Marlon

571
00:34:07,480 --> 00:34:10,880
Speaker 4: Wayne's at the Trump rallies talking to the Antifa people

572
00:34:10,960 --> 00:34:13,280
Speaker 4: and telling them to go around the corner with them.

573
00:34:14,640 --> 00:34:16,680
Speaker 4: Now I'll see I don't see it. Maybe maybe it's

574
00:34:16,719 --> 00:34:20,959
Speaker 4: out there. Maybe I say more? May I say more?

575
00:34:37,800 --> 00:34:40,960
Speaker 1: I know that you specifically had one thing you wanted

576
00:34:40,960 --> 00:34:47,040
Speaker 1: to talk about on today's podcast. Oh about our relationship, Yes,

577
00:34:47,200 --> 00:34:50,919
Speaker 1: you said, I want to talk about the origin story. Yes,

578
00:34:51,360 --> 00:34:56,000
Speaker 1: of Michael Rappaport and Dean Collins. You said, I want

579
00:34:56,040 --> 00:34:57,520
Speaker 1: to do the origin story.

580
00:34:58,360 --> 00:35:01,040
Speaker 4: Well, because sometimes when I go to the YouTube videos,

581
00:35:01,120 --> 00:35:04,759
Speaker 4: I see some comments every now and again say how

582
00:35:04,800 --> 00:35:07,480
Speaker 4: come you don't put my name in the description like

583
00:35:07,880 --> 00:35:10,480
Speaker 4: co hosted, or that I'm make an appearance there, And

584
00:35:10,520 --> 00:35:11,960
Speaker 4: so some people say I want to tell you why.

585
00:35:12,600 --> 00:35:14,600
Speaker 3: I am going to tell you why. I do not

586
00:35:14,640 --> 00:35:14,920
Speaker 3: put you.

587
00:35:15,040 --> 00:35:16,759
Speaker 4: I don't even get the fucking credit. I'm waking up

588
00:35:16,760 --> 00:35:18,560
Speaker 4: at nine am. I can't even get a fucking title.

589
00:35:18,600 --> 00:35:19,040
Speaker 2: Excuse me.

590
00:35:19,320 --> 00:35:21,919
Speaker 1: I'm going to tell you why I don't put your name,

591
00:35:23,000 --> 00:35:25,919
Speaker 1: and I'm no longer going to put your pictures specifically

592
00:35:26,000 --> 00:35:31,960
Speaker 1: on the YouTube videos because you're YouTube shit. When I

593
00:35:32,160 --> 00:35:35,680
Speaker 1: put your pictures up there, the content is at YouTube shit.

594
00:35:35,800 --> 00:35:38,960
Speaker 1: I think very highly of you. But for some reason,

595
00:35:39,000 --> 00:35:41,840
Speaker 1: when I mentioned your name, I put your face up there.

596
00:35:42,840 --> 00:35:44,040
Speaker 4: And we know they don't want it.

597
00:35:44,080 --> 00:35:45,719
Speaker 3: We know we make gold.

598
00:35:46,320 --> 00:35:49,680
Speaker 1: The stuff that you and I do, it's literally like

599
00:35:50,400 --> 00:35:54,480
Speaker 1: gold flakes, like fourteen carrot gold flakes out of the sky.

600
00:35:55,120 --> 00:35:57,160
Speaker 1: But for some reason, when I put you up there

601
00:35:57,200 --> 00:36:01,239
Speaker 1: on YouTube nothing, it's almost like, I don't know if

602
00:36:01,840 --> 00:36:06,440
Speaker 1: it's like a repellent. Your YouTube repellent, got it, So

603
00:36:06,640 --> 00:36:10,600
Speaker 1: I understand the photo maybe somewhere in that long description

604
00:36:11,480 --> 00:36:14,000
Speaker 1: that shit. I'm happy to put you no, But you know,

605
00:36:14,040 --> 00:36:16,120
Speaker 1: I'm gonna remember that because I'm gonna remember that when

606
00:36:16,120 --> 00:36:17,960
Speaker 1: I start my own podcast and I get my own

607
00:36:18,000 --> 00:36:19,640
Speaker 1: YouTube channel cooking, I'm gonna remember.

608
00:36:19,640 --> 00:36:22,040
Speaker 4: I'm gonna when I put your photo up there, it's

609
00:36:22,080 --> 00:36:24,680
Speaker 4: like fucking the numbers are all the way down. No

610
00:36:24,680 --> 00:36:25,799
Speaker 4: one wants to see you there.

611
00:36:26,080 --> 00:36:27,120
Speaker 3: Remember that. I don't know.

612
00:36:27,200 --> 00:36:29,400
Speaker 1: But just in case people listen, I do have a

613
00:36:29,480 --> 00:36:35,400
Speaker 1: YouTube channel at Michael Rappaport and it's fantastic. It is

614
00:36:35,600 --> 00:36:39,480
Speaker 1: really good. Anyway, go on the Origin story. I'll just

615
00:36:39,560 --> 00:36:42,759
Speaker 1: ask you this question. I'll just ask you, Okay, I'll

616
00:36:42,760 --> 00:36:43,160
Speaker 1: ask you that.

617
00:36:43,200 --> 00:36:44,480
Speaker 4: No, but that was that was a part of the

618
00:36:44,560 --> 00:36:46,000
Speaker 4: That was a part of the thing where people were

619
00:36:46,000 --> 00:36:48,719
Speaker 4: saying who is They were saying, you don't tag me

620
00:36:48,719 --> 00:36:50,400
Speaker 4: in the videos and they were saying, no, who is

621
00:36:50,440 --> 00:36:51,040
Speaker 4: this person?

622
00:36:51,600 --> 00:36:56,600
Speaker 3: How do you know this person? Okay, So the Origin Story.

623
00:36:56,760 --> 00:36:59,879
Speaker 1: You met me for the first time when you auditioned

624
00:37:00,760 --> 00:37:03,799
Speaker 1: for the war at home and they had told me

625
00:37:03,800 --> 00:37:07,520
Speaker 1: they said, there's a kid. He's great, he's funny, and

626
00:37:07,560 --> 00:37:10,240
Speaker 1: he actually looks like he could actually be your son.

627
00:37:11,000 --> 00:37:13,239
Speaker 3: And you came back for the second audition. At that

628
00:37:13,320 --> 00:37:16,680
Speaker 3: point in your life, what did you know about Michael Rappaport.

629
00:37:17,239 --> 00:37:20,600
Speaker 4: Zero? I knew zero, and a lot of people my

630
00:37:20,719 --> 00:37:23,640
Speaker 4: family didn't know too much. But my older brother was like, oh, yeah,

631
00:37:23,640 --> 00:37:25,680
Speaker 4: of course, Michael Rappaport. You don't know who that is.

632
00:37:25,719 --> 00:37:27,759
Speaker 4: And he pulled up a photo for me, and I

633
00:37:27,760 --> 00:37:30,920
Speaker 4: remember this was two thousand and five and I was

634
00:37:31,000 --> 00:37:34,680
Speaker 4: fifteen years old and he pulled up a photo of

635
00:37:34,719 --> 00:37:36,480
Speaker 4: me and it was like you in like a blue

636
00:37:36,800 --> 00:37:39,160
Speaker 4: sweatshirt with your hood up at like some premiere. It

637
00:37:39,200 --> 00:37:41,160
Speaker 4: was like your IMDb photo at the time. And I

638
00:37:41,200 --> 00:37:42,840
Speaker 4: was like, oh, okay, like I kind of see that,

639
00:37:43,000 --> 00:37:46,560
Speaker 4: and you kind of he was like the resemblance. I

640
00:37:46,600 --> 00:37:49,800
Speaker 4: guess kind of see I kind of saw the resemblance. Okay,

641
00:37:50,120 --> 00:37:53,839
Speaker 4: you were a pasty white guy, had like blondish hair

642
00:37:53,920 --> 00:37:56,080
Speaker 4: or whatever. But he was like, you haven't seen him

643
00:37:56,080 --> 00:37:58,840
Speaker 4: in this, and you gotta watch this movie Bamboozled. And

644
00:37:58,880 --> 00:38:03,520
Speaker 4: he was all about Bamboo, the Spike Lee movie Bamboozled, and.

645
00:38:03,440 --> 00:38:05,520
Speaker 1: That was in that film and it's a great film.

646
00:38:05,560 --> 00:38:08,040
Speaker 1: You are particularly good in that film.

647
00:38:08,560 --> 00:38:10,960
Speaker 4: Great movie. Uh great performance.

648
00:38:11,040 --> 00:38:13,200
Speaker 3: What you would call that as a ballsy performance.

649
00:38:13,680 --> 00:38:15,960
Speaker 4: Yeah, you like jumped up on the table at one point.

650
00:38:15,719 --> 00:38:16,160
Speaker 1: In the movie.

651
00:38:16,120 --> 00:38:17,960
Speaker 3: I'll see performance.

652
00:38:18,480 --> 00:38:21,760
Speaker 4: One hundred and I remember watching that before the second audition,

653
00:38:22,280 --> 00:38:26,279
Speaker 4: and uh, I remember going in for that, uh that role,

654
00:38:26,320 --> 00:38:30,120
Speaker 4: and like the directors and writers were like laughing because

655
00:38:30,160 --> 00:38:33,600
Speaker 4: they were like, you look exactly like Michael like they

656
00:38:33,600 --> 00:38:36,080
Speaker 4: were tripped out by the fact that I could really

657
00:38:36,080 --> 00:38:38,880
Speaker 4: play your son on that show. But that's when I

658
00:38:38,880 --> 00:38:41,320
Speaker 4: met you. There's an amazing photo after that. It was

659
00:38:41,360 --> 00:38:43,399
Speaker 4: a live audience taping, and I remember, I've never done

660
00:38:43,440 --> 00:38:44,839
Speaker 4: a live audience taping like.

661
00:38:44,920 --> 00:38:48,520
Speaker 1: For the pilot show. At home, we did a live audience, did.

662
00:38:48,360 --> 00:38:50,120
Speaker 4: A live audience for the pilot and I was so

663
00:38:50,239 --> 00:38:56,120
Speaker 4: fucking nervous I threw up before the live audience show and.

664
00:38:55,239 --> 00:38:58,200
Speaker 1: And fai because I could have said, well, now I

665
00:38:58,239 --> 00:38:59,279
Speaker 1: don't like that little shit.

666
00:39:00,040 --> 00:39:01,480
Speaker 4: I don't think you had I don't think you had

667
00:39:01,520 --> 00:39:02,080
Speaker 4: a lot to do.

668
00:39:02,560 --> 00:39:05,920
Speaker 1: I had total casting authority, and I could have said

669
00:39:06,600 --> 00:39:08,240
Speaker 1: I don't like that little shit.

670
00:39:08,800 --> 00:39:10,960
Speaker 3: Let's go with another one of these little shits.

671
00:39:11,719 --> 00:39:13,239
Speaker 4: Thank god, I mean thank god.

672
00:39:13,360 --> 00:39:16,799
Speaker 3: Have you ever actually said thank you? No?

673
00:39:16,960 --> 00:39:19,480
Speaker 4: Because I said thank you to Rob Lotterstein, the writer,

674
00:39:20,040 --> 00:39:23,120
Speaker 4: creator of the show, the producer. I said thank you

675
00:39:23,160 --> 00:39:25,200
Speaker 4: to a lot of people, a slew of people. But

676
00:39:25,320 --> 00:39:26,839
Speaker 4: you were never on the list of someone that I

677
00:39:26,880 --> 00:39:29,279
Speaker 4: thanked because I didn't know that you had a hand

678
00:39:29,320 --> 00:39:31,120
Speaker 4: in that. You never told me you had a hand

679
00:39:31,120 --> 00:39:32,360
Speaker 4: in that casting process.

680
00:39:32,560 --> 00:39:34,160
Speaker 3: So are you gonna say thank you today or you're

681
00:39:34,200 --> 00:39:35,040
Speaker 3: just going to keep going.

682
00:39:36,520 --> 00:39:37,920
Speaker 4: I don't think I need to say thank you. I mean,

683
00:39:37,960 --> 00:39:39,279
Speaker 4: I don't think I need to say thank you to

684
00:39:39,360 --> 00:39:41,200
Speaker 4: you about that, because I don't think you weren't there

685
00:39:41,239 --> 00:39:43,239
Speaker 4: in the casting process, not like you showed up at

686
00:39:43,239 --> 00:39:48,160
Speaker 4: the casting process, noad with me late or way. You're right,

687
00:39:48,200 --> 00:39:50,440
Speaker 4: You're right, So I guess thank you for reading with

688
00:39:50,480 --> 00:39:51,360
Speaker 4: me at the time.

689
00:39:51,320 --> 00:39:55,520
Speaker 1: You fucking go What was your first impression of me,

690
00:39:56,040 --> 00:39:57,400
Speaker 1: Michael Rappaport.

691
00:39:58,680 --> 00:40:04,600
Speaker 4: My first impression of you was go on, was that

692
00:40:04,719 --> 00:40:09,040
Speaker 4: you were very loud, a big personality, not easy to

693
00:40:09,480 --> 00:40:12,560
Speaker 4: be around for more than you know, ten twenty minutes.

694
00:40:12,840 --> 00:40:15,239
Speaker 4: Really nice guy, great guy, and you could be a

695
00:40:15,320 --> 00:40:17,480
Speaker 4: nice guy and have all those things that come with it,

696
00:40:17,520 --> 00:40:20,200
Speaker 4: you know what I mean. And I remember also like

697
00:40:20,480 --> 00:40:22,440
Speaker 4: we would have to eat a lot of fake food

698
00:40:22,560 --> 00:40:25,040
Speaker 4: on the set, and and like they would teach you

699
00:40:25,080 --> 00:40:27,640
Speaker 4: how to eat mime, how to eat food or whatever.

700
00:40:27,640 --> 00:40:29,799
Speaker 4: And then sometimes on our lunch breaks we would eat

701
00:40:30,200 --> 00:40:33,560
Speaker 4: on the set at the actual table in the kitchen

702
00:40:34,120 --> 00:40:36,879
Speaker 4: set of the show, and I remember, you know, I'd

703
00:40:36,920 --> 00:40:38,360
Speaker 4: had my fork and knife and I'd be eating my

704
00:40:38,440 --> 00:40:40,640
Speaker 4: chicken and be cutting everything up, and you were like

705
00:40:40,680 --> 00:40:42,960
Speaker 4: a caveman. You would like stab the chicken with like

706
00:40:43,000 --> 00:40:46,360
Speaker 4: your fork. You'd have the fork in your right hand.

707
00:40:46,640 --> 00:40:48,760
Speaker 4: You didn't have proper etiquette. I remember, I was always

708
00:40:48,760 --> 00:40:51,319
Speaker 4: like raised with manners, and my parents like told me

709
00:40:51,320 --> 00:40:52,760
Speaker 4: how to like hold a fork and knife.

710
00:40:53,040 --> 00:40:55,080
Speaker 3: Cut your motherfucker. That's because your British.

711
00:40:55,120 --> 00:40:57,640
Speaker 4: My mother grow up in London. Excuse getting grow up

712
00:40:57,680 --> 00:40:58,120
Speaker 4: in London.

713
00:40:58,440 --> 00:41:02,279
Speaker 1: Well your father did, okay, sure, and and and that's

714
00:41:02,320 --> 00:41:06,640
Speaker 1: that that bullshit, you know, like bureaucracy, Uh, you know

715
00:41:06,719 --> 00:41:07,279
Speaker 1: from the what.

716
00:41:07,280 --> 00:41:07,800
Speaker 3: Is it called?

717
00:41:08,160 --> 00:41:11,520
Speaker 4: What is it called the royal family? I don't I mean,

718
00:41:11,520 --> 00:41:11,920
Speaker 4: I don't.

719
00:41:11,760 --> 00:41:14,680
Speaker 3: Know whatever, you like whatever. I didn't grow up like that.

720
00:41:15,280 --> 00:41:18,800
Speaker 1: And my brother eats correctly, and I'm ambidexterrous. That's why

721
00:41:19,239 --> 00:41:23,560
Speaker 1: I my right hand and then also eat with my

722
00:41:23,680 --> 00:41:24,080
Speaker 1: right hand.

723
00:41:24,160 --> 00:41:25,600
Speaker 4: So I don't know what is it chewing with your

724
00:41:25,600 --> 00:41:28,200
Speaker 4: mouth open? Where does that come into the ambidextrious part

725
00:41:28,200 --> 00:41:28,520
Speaker 4: of it?

726
00:41:28,719 --> 00:41:29,799
Speaker 3: Don't worry about that.

727
00:41:30,200 --> 00:41:32,200
Speaker 1: So that's I just remember thinking like this is the

728
00:41:32,239 --> 00:41:35,360
Speaker 1: origin story. You're trying to criticize the way I eat. Motherfucker.

729
00:41:35,840 --> 00:41:36,040
Speaker 3: No.

730
00:41:36,160 --> 00:41:38,000
Speaker 4: I just remember thinking like you had a lot of

731
00:41:38,040 --> 00:41:41,680
Speaker 4: caveman tendencies, Like it was like watching like a wilderbeast.

732
00:41:41,719 --> 00:41:43,520
Speaker 4: On the set, it was like whoa, and what is this?

733
00:41:43,880 --> 00:41:45,799
Speaker 4: What is this creature? But we had a lot of

734
00:41:46,239 --> 00:41:47,240
Speaker 4: great times together.

735
00:41:47,320 --> 00:41:49,440
Speaker 3: There you go, motherfucker, we had great times.

736
00:41:50,160 --> 00:41:53,360
Speaker 4: No, you're talking about first impressions.

737
00:41:53,440 --> 00:41:56,640
Speaker 1: You're talking about firsts the origin story, like it.

738
00:41:56,560 --> 00:42:03,439
Speaker 3: Was fucking spider Man and Batman and shit, that's good.

739
00:42:03,920 --> 00:42:06,480
Speaker 4: Well but no, And there's an amazing photo of me

740
00:42:06,480 --> 00:42:08,279
Speaker 4: and you. I remember after the taping I went into

741
00:42:08,320 --> 00:42:10,839
Speaker 4: I was I was actually like nervous to get a

742
00:42:10,880 --> 00:42:13,440
Speaker 4: photo with you. After the show ended, I was like,

743
00:42:13,600 --> 00:42:15,080
Speaker 4: I'm gonna knock on his door. Maybe I can get

744
00:42:15,120 --> 00:42:17,279
Speaker 4: a picture with him, just you know, for keepsake. And

745
00:42:17,320 --> 00:42:19,680
Speaker 4: I remember knocking on your door with my mom, I think,

746
00:42:19,760 --> 00:42:21,400
Speaker 4: and she took a photo of us, and I have

747
00:42:22,040 --> 00:42:24,200
Speaker 4: I and I gave a thumbs up in every fucking

748
00:42:24,239 --> 00:42:26,560
Speaker 4: photo in two thousand and five. Two thousand and five

749
00:42:26,680 --> 00:42:28,759
Speaker 4: was like my year of just putting the thumbs up.

750
00:42:28,760 --> 00:42:31,120
Speaker 4: And so there's a great photo. I look so young.

751
00:42:31,160 --> 00:42:34,400
Speaker 4: I'm fifteen and we're twenty years apart exactly. So I

752
00:42:34,480 --> 00:42:37,879
Speaker 4: was fifteen, No, I was fifteen. I was thirty five

753
00:42:37,960 --> 00:42:39,040
Speaker 4: and you were thirty five.

754
00:42:39,080 --> 00:42:39,880
Speaker 3: Which crazy.

755
00:42:40,120 --> 00:42:43,080
Speaker 4: And you know what's crazy, I'm gonna be thirty three

756
00:42:43,280 --> 00:42:49,080
Speaker 4: next month, so I'm almost close to your age, close

757
00:42:49,120 --> 00:42:51,560
Speaker 4: to the age that you were when you did the

758
00:42:51,600 --> 00:42:54,759
Speaker 4: War at Home, which is mind blowing to me. And

759
00:42:54,880 --> 00:42:57,160
Speaker 4: I don't look like an adult person that should have

760
00:42:57,200 --> 00:42:59,520
Speaker 4: a wife on a show. I still look like I

761
00:42:59,560 --> 00:43:03,839
Speaker 4: should be trying out for fucking Disney Channel characters, or

762
00:43:04,719 --> 00:43:06,759
Speaker 4: I just shouldn't. I shouldn't have like a spouse. I

763
00:43:06,800 --> 00:43:11,279
Speaker 4: mean that looks crazy, right right. I thought you were

764
00:43:11,280 --> 00:43:12,600
Speaker 4: gonna go somewhere else with that.

765
00:43:14,080 --> 00:43:17,520
Speaker 1: No, okay, because you're not gonna continue fucking insulting me. I,

766
00:43:17,640 --> 00:43:20,480
Speaker 1: oh goddamn podcast, you fuck? And then ask why you're

767
00:43:20,480 --> 00:43:24,200
Speaker 1: not in the YouTube description, you little prick wondering why

768
00:43:24,440 --> 00:43:25,120
Speaker 1: you a little prick?

769
00:43:25,200 --> 00:43:25,239
Speaker 2: You?

770
00:43:26,719 --> 00:43:29,400
Speaker 4: I didn't even notice the YouTube description. Someone pointed that out,

771
00:43:29,440 --> 00:43:31,279
Speaker 4: But that's okay. You don't have to put me up there.

772
00:43:31,520 --> 00:43:33,160
Speaker 4: I'll keep note of that. But no, we had some

773
00:43:33,200 --> 00:43:34,439
Speaker 4: great times on that show.

774
00:43:34,719 --> 00:43:35,680
Speaker 3: We didn't want a video.

775
00:43:35,719 --> 00:43:37,840
Speaker 1: We had so much for what a What a fun

776
00:43:38,000 --> 00:43:43,040
Speaker 1: Good Show? They really ran us off that network and

777
00:43:43,080 --> 00:43:45,160
Speaker 1: they had nothing to do with us, nothing to do

778
00:43:45,239 --> 00:43:50,160
Speaker 1: with the show. Listen shows get canceled for a variety

779
00:43:50,200 --> 00:43:53,759
Speaker 1: of reasons, speaking of which, Yo, this writer's strike is

780
00:43:53,840 --> 00:43:54,480
Speaker 1: going down.

781
00:43:55,280 --> 00:43:57,160
Speaker 4: That's what I heard. I heard. There's like not gonna

782
00:43:57,160 --> 00:44:00,440
Speaker 4: be a lot of work for for a lot people.

783
00:44:00,480 --> 00:44:02,120
Speaker 3: The writer's strike is going down.

784
00:44:02,800 --> 00:44:06,520
Speaker 1: And the thing that people are gonna notice first is

785
00:44:06,600 --> 00:44:07,440
Speaker 1: late night TV.

786
00:44:08,400 --> 00:44:10,680
Speaker 3: Late night TV is gonna be pulled off the air.

787
00:44:10,880 --> 00:44:12,320
Speaker 3: This is effect of May first.

788
00:44:12,560 --> 00:44:16,239
Speaker 1: Now, there could be a hail Mary that stops the

789
00:44:16,280 --> 00:44:18,840
Speaker 1: writer's strike, but I'd bet the house that the writer's

790
00:44:18,840 --> 00:44:22,040
Speaker 1: strike is going down. So there's gonna be no more

791
00:44:22,120 --> 00:44:25,520
Speaker 1: late night TV until this is resolved. Unless things are

792
00:44:25,560 --> 00:44:29,440
Speaker 1: already in production. There's not gonna be any more TV

793
00:44:29,680 --> 00:44:32,719
Speaker 1: or movies shot unless they're already in production, or the

794
00:44:32,760 --> 00:44:37,680
Speaker 1: scripts are already submitted, or things are obviously already There's

795
00:44:37,719 --> 00:44:39,839
Speaker 1: a bunch of stuff that has already been shot.

796
00:44:40,120 --> 00:44:42,919
Speaker 3: But it's gonna get ugly. It's gonna get ugly.

797
00:44:42,960 --> 00:44:45,479
Speaker 1: And the reason why this strike is going it's gonna

798
00:44:45,480 --> 00:44:47,800
Speaker 1: be it's a variety of reasons, but the WGA, the

799
00:44:47,840 --> 00:44:50,640
Speaker 1: Writers Guild, A lot of it has to do with

800
00:44:50,800 --> 00:44:55,600
Speaker 1: streamers and money and streamers.

801
00:44:55,239 --> 00:44:56,400
Speaker 3: Residuals and all that stuff.

802
00:44:56,400 --> 00:44:58,520
Speaker 1: Because when you do a streaming show on like a

803
00:44:58,560 --> 00:45:02,560
Speaker 1: network show, you get paid a flat fee, and unless

804
00:45:02,600 --> 00:45:05,880
Speaker 1: you're like Brad Pitt or you know, Jennifer Anderson who

805
00:45:05,920 --> 00:45:07,600
Speaker 1: does a lot of stuff on, they'll pay you that

806
00:45:08,160 --> 00:45:10,600
Speaker 1: crazy amount of money. But no one else is making

807
00:45:10,640 --> 00:45:14,200
Speaker 1: any money except for the streamers. So if a show

808
00:45:14,560 --> 00:45:17,440
Speaker 1: or a movie is on a streamer and it gets

809
00:45:17,600 --> 00:45:20,000
Speaker 1: and it's popular and it airs over and over and over,

810
00:45:20,040 --> 00:45:22,200
Speaker 1: the writers aren't getting more money because if a writer

811
00:45:22,280 --> 00:45:24,800
Speaker 1: writes an episode of let's say, Law and Order SVU,

812
00:45:25,480 --> 00:45:28,000
Speaker 1: the more it airs, the more money you get. But

813
00:45:28,120 --> 00:45:33,200
Speaker 1: on the streamers, for movies and television, you get paid once.

814
00:45:33,760 --> 00:45:36,440
Speaker 1: And that's a big problem. And I don't know how

815
00:45:36,480 --> 00:45:39,280
Speaker 1: long this strike is gonna last, but it's going down

816
00:45:39,360 --> 00:45:41,920
Speaker 1: and it's starting, I believe May first.

817
00:45:42,520 --> 00:45:44,879
Speaker 4: But why is that just for the writers, because isn't

818
00:45:44,880 --> 00:45:47,080
Speaker 4: that the same with actors as well? On actors and

819
00:45:47,120 --> 00:45:48,600
Speaker 4: directors stream.

820
00:45:48,680 --> 00:45:52,600
Speaker 1: See the actors deal. I believe is sometime in June.

821
00:45:52,760 --> 00:45:54,960
Speaker 1: It might be June thirtieth or June first. I think

822
00:45:54,960 --> 00:45:57,520
Speaker 1: it's June thirtieth. It comes to an enter June thirty first.

823
00:45:57,520 --> 00:46:00,799
Speaker 1: How many days are in June you want to think?

824
00:46:01,200 --> 00:46:03,439
Speaker 1: Or is it a is it thirty or thirty one?

825
00:46:04,320 --> 00:46:04,560
Speaker 3: Fuck?

826
00:46:04,960 --> 00:46:08,520
Speaker 4: These these months are so tricky. It's thirty, it's definitely thirty.

827
00:46:08,719 --> 00:46:11,560
Speaker 1: You get thirtieth and I, I don't know. I think

828
00:46:11,560 --> 00:46:12,479
Speaker 1: this is gonna be bad.

829
00:46:13,760 --> 00:46:16,040
Speaker 4: I think it's what do you so so if everything's

830
00:46:16,040 --> 00:46:17,840
Speaker 4: shutting down and there's a crazy strike and there's not

831
00:46:17,840 --> 00:46:19,520
Speaker 4: gonna be a lot of work, are you gonna be

832
00:46:20,520 --> 00:46:24,040
Speaker 4: diving like head into stand up and like touring and

833
00:46:24,080 --> 00:46:25,040
Speaker 4: stuff like that, Like what do.

834
00:46:25,120 --> 00:46:28,160
Speaker 3: You continue touring? And then there's a show that.

835
00:46:29,640 --> 00:46:33,120
Speaker 1: I may do that the scripts have already been submitted,

836
00:46:33,160 --> 00:46:36,160
Speaker 1: because there's like if the scripts have already been submitted,

837
00:46:36,719 --> 00:46:37,360
Speaker 1: you can.

838
00:46:38,160 --> 00:46:39,920
Speaker 4: You can you can start production on that.

839
00:46:40,080 --> 00:46:43,480
Speaker 1: Exactly exactly right. Well, it can't be any rewrites. It's

840
00:46:43,520 --> 00:46:44,319
Speaker 1: it's a whole thing.

841
00:46:44,640 --> 00:46:47,280
Speaker 3: It's gonna be messy. It's gonna be this this strike.

842
00:46:47,320 --> 00:46:49,520
Speaker 1: If it goes down, and I truly believe it's gonna

843
00:46:49,520 --> 00:46:51,960
Speaker 1: go down, it's gonna be messy anyway.

844
00:46:52,320 --> 00:46:54,920
Speaker 4: You you you before we go, you need to you

845
00:46:54,960 --> 00:46:57,200
Speaker 4: need to like get on some Bo Burnham ship and

846
00:46:57,280 --> 00:46:59,719
Speaker 4: do your own like late night talk show from your

847
00:46:59,719 --> 00:47:02,480
Speaker 4: fuck house, do your own lighting, do your own shit.

848
00:47:02,560 --> 00:47:03,959
Speaker 3: Is he doing a late night talk show.

849
00:47:04,640 --> 00:47:07,399
Speaker 4: No, but you know how Bo Burnham did his side right,

850
00:47:07,400 --> 00:47:09,400
Speaker 4: you know, he did everything himself. He shot it, he

851
00:47:09,400 --> 00:47:10,040
Speaker 4: did the lighting.

852
00:47:10,200 --> 00:47:11,000
Speaker 3: The Daily Show.

853
00:47:11,440 --> 00:47:12,720
Speaker 4: Fuck, that's what I'm saying.

854
00:47:12,880 --> 00:47:13,839
Speaker 3: Fuck the Daily Show.

855
00:47:13,840 --> 00:47:16,480
Speaker 1: You got everybody and their mother guest hosting except for

856
00:47:16,840 --> 00:47:21,120
Speaker 1: the motherfucker who has laid it down the most. That's

857
00:47:21,120 --> 00:47:24,719
Speaker 1: what I'm saying, Fuck the Daily Show. I hate to

858
00:47:24,719 --> 00:47:26,200
Speaker 1: say it, but fuck the Daily Show.

859
00:47:27,200 --> 00:47:28,600
Speaker 4: No, there you go. I don't blame you.

860
00:47:29,239 --> 00:47:31,439
Speaker 1: I ain't the first time I've told somebody to fuck off.

861
00:47:34,239 --> 00:47:35,280
Speaker 1: Ain't gonna be the last.

862
00:47:36,160 --> 00:47:36,359
Speaker 4: Right.

863
00:47:37,560 --> 00:47:42,440
Speaker 1: Anyway, It's been a great podcast. It's an hour long episode,

864
00:47:43,320 --> 00:47:50,560
Speaker 1: an hour sixty minutes of chaos, craziness and disruption. Anyway, Dean,

865
00:47:51,560 --> 00:47:54,480
Speaker 1: you got any parting words? The origin story thing just

866
00:47:54,560 --> 00:47:55,880
Speaker 1: really kind of fell.

867
00:47:56,200 --> 00:47:58,120
Speaker 4: Well, yeah, we didn't dive into that. I don't think

868
00:47:58,239 --> 00:47:59,240
Speaker 4: I don't want to dive.

869
00:47:59,080 --> 00:48:01,960
Speaker 1: Into it because once we started, you're like, oh, I'm

870
00:48:02,000 --> 00:48:04,120
Speaker 1: sitting there, I'm fifteen, and I'm eeting and you're like

871
00:48:04,200 --> 00:48:06,080
Speaker 1: chewing with your mouth like you're going into it. Was

872
00:48:06,160 --> 00:48:08,879
Speaker 1: just it was my foo into a weird place. You're

873
00:48:08,880 --> 00:48:11,879
Speaker 1: putting me in a weird a weird spot when you're

874
00:48:11,920 --> 00:48:14,160
Speaker 1: saying I'm fifteen and I'm meeting with you, and you'd like,

875
00:48:14,440 --> 00:48:16,279
Speaker 1: you know, like that's the kind of shit people could

876
00:48:16,320 --> 00:48:17,080
Speaker 1: get canceled for.

877
00:48:17,719 --> 00:48:19,040
Speaker 4: Okay, well, I'm not trying to cancel you.

878
00:48:19,080 --> 00:48:21,560
Speaker 3: But it didn't sound try to cancel me, motherfucker.

879
00:48:22,560 --> 00:48:24,960
Speaker 4: It didn't sound like you had amazing words for me

880
00:48:25,000 --> 00:48:28,440
Speaker 4: as a first impression either, motherfucker. So you didn't have

881
00:48:28,480 --> 00:48:30,680
Speaker 4: anything that great to say about me when you first

882
00:48:30,680 --> 00:48:32,880
Speaker 4: met me. I mean, what was your first impression to me?

883
00:48:32,920 --> 00:48:34,680
Speaker 4: We don't have to go back to it, but you didn't.

884
00:48:34,440 --> 00:48:39,080
Speaker 1: Have an actor, just a guy, an artist, right, just

885
00:48:39,120 --> 00:48:42,680
Speaker 1: a guy. It's a guy who got gassed, lucky enough

886
00:48:42,719 --> 00:48:44,160
Speaker 1: to be cast as my son.

887
00:48:45,040 --> 00:48:48,640
Speaker 4: One hundred percent. And I never took that show for granted.

888
00:48:48,880 --> 00:48:50,759
Speaker 4: I think a lot of people on that show took

889
00:48:50,800 --> 00:48:51,320
Speaker 4: it for granted.

890
00:48:51,360 --> 00:48:53,040
Speaker 3: And we had the most fun.

891
00:48:53,239 --> 00:48:56,680
Speaker 1: You and I were having a ball doing The War

892
00:48:56,719 --> 00:48:59,120
Speaker 1: at Home, the now defunct Fox.

893
00:49:00,239 --> 00:49:02,479
Speaker 3: Television sitcom. We had a.

894
00:49:02,640 --> 00:49:06,279
Speaker 4: Ball, definitely, and we've talked about it before. But you

895
00:49:06,360 --> 00:49:09,160
Speaker 4: got me into some of the hottest nightclubs in LA

896
00:49:09,360 --> 00:49:11,759
Speaker 4: when I was fifteen years old. Maybe I shouldn't say

897
00:49:11,800 --> 00:49:15,600
Speaker 4: that on record, but that happened too, and they were

898
00:49:15,640 --> 00:49:18,279
Speaker 4: like charting people who were almost twenty one and like, oh,

899
00:49:18,320 --> 00:49:20,160
Speaker 4: you're not twenty one yet, and I just slid in it.

900
00:49:20,719 --> 00:49:21,520
Speaker 3: How that happened.

901
00:49:21,560 --> 00:49:23,840
Speaker 1: But I remember at one time on the dance floor,

902
00:49:24,440 --> 00:49:26,319
Speaker 1: do you and I were both dancing and I was

903
00:49:26,400 --> 00:49:30,120
Speaker 1: single and you were fifteen, and we were dancing with

904
00:49:30,160 --> 00:49:31,080
Speaker 1: some chicks and we.

905
00:49:31,040 --> 00:49:33,439
Speaker 3: Hived high five to high five years.

906
00:49:34,920 --> 00:49:37,480
Speaker 4: We were fucking best friends at that point, and that

907
00:49:37,640 --> 00:49:40,600
Speaker 4: was a great time, had some amazing moments. We'll have

908
00:49:40,640 --> 00:49:43,759
Speaker 4: to dive into that era from two thousand and five

909
00:49:43,800 --> 00:49:46,080
Speaker 4: to two thousand and seven, but my god, that was

910
00:49:46,120 --> 00:49:48,080
Speaker 4: a great time. And they need to they need to

911
00:49:48,160 --> 00:49:53,080
Speaker 4: put those seasons somewhere on streaming, on Netflix, on gurlu wherever.

912
00:49:53,160 --> 00:49:55,000
Speaker 4: So good because they were originally but we need to

913
00:49:55,040 --> 00:49:57,520
Speaker 4: find those and the people should do some digging and

914
00:49:57,560 --> 00:49:59,080
Speaker 4: look for those shows because we had a great time

915
00:49:59,080 --> 00:49:59,560
Speaker 4: shooting it.

916
00:50:01,040 --> 00:50:08,719
Speaker 1: Saw Disrupted, Kiggey Came, Saw Disrupted, Deuce Columns, Deuced, Puccino,

917
00:50:09,680 --> 00:50:12,640
Speaker 1: I Am rap Port Stereo podcast, Moles Jordan. Take me

918
00:50:12,719 --> 00:50:16,200
Speaker 1: out of here with something real nice, yes, Take us

919
00:50:16,239 --> 00:50:16,800
Speaker 1: out here.

920
00:50:16,680 --> 00:50:17,879
Speaker 3: With something real loud, yes.

921
00:50:18,040 --> 00:50:21,520
Speaker 1: But most importantly, end this puppy with something real funky

922
00:50:21,560 --> 00:50:23,080
Speaker 1: i'm rap Port Stereo podcast.

923
00:50:23,120 --> 00:50:24,600
Speaker 3: Tell a friend to tell a friend