1 00:00:00,360 --> 00:00:04,680 Speaker 1: Yeah, what do you want to rehash this debate? Why 2 00:00:04,680 --> 00:00:05,600 Speaker 1: does everyone to hate Jalo? 3 00:00:05,760 --> 00:00:07,440 Speaker 2: Oh my god? Please? 4 00:00:09,080 --> 00:00:11,880 Speaker 1: So this is on TikTok. This is a Jlo debate 5 00:00:11,880 --> 00:00:14,040 Speaker 1: that I've missed. Yes, man, I'm so sad that's not 6 00:00:14,080 --> 00:00:17,160 Speaker 1: on my algorithm. Oh everyone, we can make it on you. 7 00:00:17,239 --> 00:00:20,239 Speaker 1: I'm I said something that I'm probably listening. It's probably 8 00:00:20,200 --> 00:00:22,200 Speaker 1: be on there now. Why is there one to hate Jlo? 9 00:00:22,400 --> 00:00:23,560 Speaker 3: So they're taking this clip? 10 00:00:23,720 --> 00:00:24,520 Speaker 1: Hold on? Hold on? 11 00:00:24,560 --> 00:00:24,920 Speaker 2: Hold on? 12 00:00:25,200 --> 00:00:27,840 Speaker 1: I asked, Oh, I'm sorry, why is everybody, hey Jaylo? 13 00:00:28,400 --> 00:00:28,840 Speaker 1: Hear that? So? 14 00:00:28,920 --> 00:00:31,440 Speaker 4: I made a video last night on TikTok because there's 15 00:00:31,480 --> 00:00:35,120 Speaker 4: a clip going around from her Prime documentary where she's 16 00:00:35,200 --> 00:00:36,279 Speaker 4: like shaking her hair and. 17 00:00:36,200 --> 00:00:38,600 Speaker 2: She's like, yo, when I was on the block in 18 00:00:38,640 --> 00:00:39,479 Speaker 2: the Bronx, And so. 19 00:00:39,440 --> 00:00:41,920 Speaker 4: Everybody's just dragging her because they're tired of this act 20 00:00:41,960 --> 00:00:44,200 Speaker 4: of she came from the struggle and why. 21 00:00:44,040 --> 00:00:47,560 Speaker 1: Because she grew up in like Madison, Wisconsin or something. 22 00:00:46,080 --> 00:00:48,640 Speaker 4: That's what he's given. They're saying she has. She has 23 00:00:48,680 --> 00:00:51,680 Speaker 4: no real talent. It's so sad they're dragging her, and 24 00:00:51,720 --> 00:00:54,000 Speaker 4: I just wanted to know why. But after watching the 25 00:00:54,040 --> 00:00:56,520 Speaker 4: documentary and this film that she just put out. I 26 00:00:56,640 --> 00:01:00,480 Speaker 4: understand why it's really bad where she actually from. 27 00:01:00,720 --> 00:01:04,840 Speaker 1: She's from there, But then she never. 28 00:01:04,640 --> 00:01:06,680 Speaker 2: Says what Block three? 29 00:01:07,000 --> 00:01:10,080 Speaker 3: They're like, what does she have to so you've been 30 00:01:10,080 --> 00:01:10,680 Speaker 3: talking about. 31 00:01:10,520 --> 00:01:13,440 Speaker 1: This block for seventy years. Well, she's from the block. 32 00:01:14,959 --> 00:01:16,959 Speaker 2: She's from. Great, there's a ton of Boks there. 33 00:01:17,600 --> 00:01:19,959 Speaker 1: Don't be fooled by the rocks she got because she's 34 00:01:20,000 --> 00:01:21,080 Speaker 1: still the same person. 35 00:01:22,240 --> 00:01:24,760 Speaker 2: Oh my goodness, so bad they're dragging that poor lady 36 00:01:24,959 --> 00:01:26,720 Speaker 2: does say she's from the Bronx. 37 00:01:26,440 --> 00:01:28,760 Speaker 3: Right, and then they bring up the whole her and 38 00:01:28,800 --> 00:01:32,440 Speaker 3: Ashanti thing and her not singing on the songs she. 39 00:01:32,360 --> 00:01:34,400 Speaker 2: Couldn't sing, and we were just keeping that quiet. 40 00:01:34,680 --> 00:01:37,160 Speaker 4: But I like the music. You know, she makes good music. 41 00:01:37,200 --> 00:01:40,040 Speaker 4: She can really dance. I like her movies. I watch 42 00:01:40,160 --> 00:01:41,280 Speaker 4: enough so many times. 43 00:01:41,280 --> 00:01:43,480 Speaker 2: As a child. Yeah, I was like, I'll never have 44 00:01:43,560 --> 00:01:47,240 Speaker 2: a Manhattan. Yeah I will. 45 00:01:47,560 --> 00:01:50,880 Speaker 4: But after seeing this latest film, which is a really 46 00:01:50,880 --> 00:01:54,360 Speaker 4: long music video, I understand why she's getting the dragging 47 00:01:54,400 --> 00:01:56,520 Speaker 4: that she's getting. You are not Taylor swift Man, and 48 00:01:56,560 --> 00:01:57,960 Speaker 4: you are certainly not Beyonce. 49 00:01:58,160 --> 00:02:00,840 Speaker 5: Okay, al tried it, but I still love her. I 50 00:02:00,840 --> 00:02:02,120 Speaker 5: think she's one of the nice I mean, I feel 51 00:02:02,120 --> 00:02:03,280 Speaker 5: like she was so nice when she came in. 52 00:02:03,800 --> 00:02:05,480 Speaker 1: She was very nice, and for me. 53 00:02:05,480 --> 00:02:07,640 Speaker 5: Sometimes that's all it takes because people. 54 00:02:07,360 --> 00:02:08,480 Speaker 2: Aren't really nice that often. 55 00:02:09,320 --> 00:02:11,160 Speaker 6: I think with her too, it's the pushing to be 56 00:02:11,280 --> 00:02:13,880 Speaker 6: relevant thing that people have a problem with, you know 57 00:02:13,880 --> 00:02:15,800 Speaker 6: what I mean. Like she's just like still trying to 58 00:02:15,840 --> 00:02:18,760 Speaker 6: like be her and I saw a lot of tiktoks too. 59 00:02:18,600 --> 00:02:20,040 Speaker 2: And I don't know. I love her. 60 00:02:20,040 --> 00:02:21,680 Speaker 6: I think she's an icon, but it's also okay to 61 00:02:21,720 --> 00:02:23,840 Speaker 6: rest as an icon that you think, Yeah, takes some 62 00:02:23,960 --> 00:02:24,560 Speaker 6: time to rest. 63 00:02:24,840 --> 00:02:27,160 Speaker 2: Yeah, you know, don't don't push like documentaries on us 64 00:02:29,880 --> 00:02:33,280 Speaker 2: wants the work. You have to sit down just because 65 00:02:33,320 --> 00:02:34,080 Speaker 2: she's getting older. 66 00:02:38,440 --> 00:02:42,040 Speaker 1: If she wants not watch the things that trigger you, 67 00:02:42,040 --> 00:02:43,119 Speaker 1: you could just ignore them. 68 00:02:43,200 --> 00:02:43,840 Speaker 2: This is true. 69 00:02:44,000 --> 00:02:46,400 Speaker 4: But I definitely watch because I am a j Low girl. 70 00:02:46,680 --> 00:02:49,120 Speaker 4: I am, But I do now see the other side. 71 00:02:49,200 --> 00:02:52,440 Speaker 4: I see exactly why she's getting what she's getting right now. 72 00:02:53,320 --> 00:02:57,200 Speaker 1: She was a fly girl living color Man. 73 00:02:57,600 --> 00:02:59,959 Speaker 5: Yeah, you know, she gets better with age, which she's 74 00:03:00,080 --> 00:03:01,320 Speaker 5: looking amazing does. 75 00:03:01,800 --> 00:03:04,160 Speaker 1: Yeah, I mean, for my money, her role in Selena, 76 00:03:04,280 --> 00:03:06,040 Speaker 1: it it doesn't get much better than that. I think 77 00:03:06,040 --> 00:03:06,919 Speaker 1: she did a really good job. 78 00:03:07,880 --> 00:03:14,560 Speaker 3: I thought that movie you watched a conda, a wedding 79 00:03:14,560 --> 00:03:16,959 Speaker 3: planner made in Manhattan. 80 00:03:17,120 --> 00:03:18,200 Speaker 1: Look at her body of work. 81 00:03:18,120 --> 00:03:20,240 Speaker 2: Guys have made in Manhattan. 82 00:03:20,520 --> 00:03:24,080 Speaker 1: Okay, I mean back to her roots, right, because guys, 83 00:03:24,120 --> 00:03:28,120 Speaker 1: she's from the block. We don't know which one, but 84 00:03:28,240 --> 00:03:30,040 Speaker 1: it's a block and it says where she's from. 85 00:03:30,160 --> 00:03:32,520 Speaker 2: I hate, I hate this is happening. Her new music 86 00:03:32,560 --> 00:03:35,440 Speaker 2: is so good, but nobody cares but me and Jason. 87 00:03:35,560 --> 00:03:38,440 Speaker 2: I know the album is good. Yeah, it's out. 88 00:03:39,080 --> 00:03:39,760 Speaker 1: Oh my god. 89 00:03:41,200 --> 00:03:43,480 Speaker 2: Maybe is it also titled this is Me Now? It is? 90 00:03:43,840 --> 00:03:44,000 Speaker 4: Yes? 91 00:03:45,000 --> 00:03:45,839 Speaker 1: What were you saying? Cale? 92 00:03:46,280 --> 00:03:48,480 Speaker 5: Maybe she just like rushed the documentary because it was 93 00:03:48,480 --> 00:03:50,760 Speaker 5: like the thing to do, you know now, and she 94 00:03:50,800 --> 00:03:51,680 Speaker 5: should have taken her. 95 00:03:51,560 --> 00:03:53,720 Speaker 2: Time a little bit more. Maybe that's an idea. 96 00:03:53,480 --> 00:03:56,360 Speaker 5: You know, like maybe filmed herself on tour at home 97 00:03:56,400 --> 00:03:57,840 Speaker 5: with Ben. We would like to see that, wouldn't We 98 00:03:57,840 --> 00:03:59,160 Speaker 5: want to see him in the back smoke and say 99 00:03:59,240 --> 00:03:59,600 Speaker 5: how's that? 100 00:03:59,600 --> 00:04:00,160 Speaker 2: I want to know? 101 00:04:00,200 --> 00:04:02,680 Speaker 1: And you know, he was like, no, I don't want 102 00:04:02,720 --> 00:04:04,600 Speaker 1: to be part of this anything. 103 00:04:04,760 --> 00:04:05,560 Speaker 2: No ever. 104 00:04:06,120 --> 00:04:11,240 Speaker 1: No, he's done. Yep, he's done, he's he's had enough. 105 00:04:11,800 --> 00:04:16,160 Speaker 1: And again that commercial was it the Duncan commercial when 106 00:04:16,160 --> 00:04:19,600 Speaker 1: he was talking about how and I didn't really think 107 00:04:19,640 --> 00:04:22,520 Speaker 1: of it this way, but he was explaining to someone 108 00:04:22,880 --> 00:04:27,320 Speaker 1: much younger that his greatest work is before she was 109 00:04:27,320 --> 00:04:29,120 Speaker 1: even born. I mean a lot of it is like 110 00:04:29,200 --> 00:04:31,160 Speaker 1: you know, Goodwill Hunting and whatever. That's a thirty year 111 00:04:31,200 --> 00:04:31,839 Speaker 1: old movie. 112 00:04:32,200 --> 00:04:32,640 Speaker 2: I mean, you. 113 00:04:32,640 --> 00:04:35,680 Speaker 1: Forget, like some of the biggest stuff he's done was 114 00:04:36,120 --> 00:04:36,800 Speaker 1: that long ago. 115 00:04:36,920 --> 00:04:39,320 Speaker 5: Put some respect on Gone Girl and his wiener that 116 00:04:39,400 --> 00:04:40,400 Speaker 5: he shows in the movie. 117 00:04:40,520 --> 00:04:43,840 Speaker 2: Oh, I was, yes, yeah, knee. 118 00:04:43,640 --> 00:04:44,840 Speaker 1: But you know, I don't I don't believe it. I 119 00:04:44,880 --> 00:04:47,600 Speaker 1: don't believe wiener shots in movies though, because or TV shows, 120 00:04:47,600 --> 00:04:50,120 Speaker 1: because remember that whole sex Live thing, and that guy 121 00:04:50,160 --> 00:04:52,120 Speaker 1: had the wiener that went to his ankles, and then 122 00:04:53,080 --> 00:04:55,120 Speaker 1: finally he admitted that it was a prosthetic because it 123 00:04:55,320 --> 00:04:56,960 Speaker 1: was because you wouldn't be able to wear pants if 124 00:04:57,000 --> 00:04:57,640 Speaker 1: you had that thing. 125 00:04:58,320 --> 00:05:00,279 Speaker 3: So I don't believe some kind of because that that 126 00:05:00,480 --> 00:05:02,839 Speaker 3: woman left her husband for that guy, right well. 127 00:05:02,760 --> 00:05:05,440 Speaker 1: I mean maybe it was for more than the fake 128 00:05:05,480 --> 00:05:09,760 Speaker 1: we I mean, maybe maybe the woman in that movie 129 00:05:10,040 --> 00:05:11,720 Speaker 1: left him because he was a nice person. I don't 130 00:05:12,279 --> 00:05:15,200 Speaker 1: he left her husband. I mean, or maybe he straps 131 00:05:15,240 --> 00:05:17,040 Speaker 1: that thing on And I don't know, why did you 132 00:05:17,160 --> 00:05:19,520 Speaker 1: watch that I have no idea. It was so bad. 133 00:05:20,160 --> 00:05:23,400 Speaker 1: It was so bad. That was a pandemic show, wasn't it. 134 00:05:23,880 --> 00:05:25,919 Speaker 5: I think so they asked you so bad and everything 135 00:05:25,960 --> 00:05:27,640 Speaker 5: would be like can you pass me that you know 136 00:05:27,680 --> 00:05:28,160 Speaker 5: the sugar? 137 00:05:28,520 --> 00:05:28,919 Speaker 2: Oh? 138 00:05:29,000 --> 00:05:32,160 Speaker 5: Yes, the show and they would start doing It's like, wait, hello, the. 139 00:05:32,120 --> 00:05:34,560 Speaker 1: Same with that other show. What was the one who 140 00:05:34,600 --> 00:05:36,960 Speaker 1: made me watch where everything tell me lies? It was 141 00:05:37,000 --> 00:05:40,600 Speaker 1: like should we go to class, No, we should have SAgs, 142 00:05:40,960 --> 00:05:42,800 Speaker 1: or then it was like should we get lunch, no, 143 00:05:42,960 --> 00:05:46,320 Speaker 1: we should make passionate love, and then the clothes get ripped. 144 00:05:46,440 --> 00:05:49,960 Speaker 1: It's like come on, but oh no, one's life is 145 00:05:50,000 --> 00:05:52,760 Speaker 1: that way at the beginning it is. I feel like 146 00:05:52,920 --> 00:05:56,040 Speaker 1: I don't know, Maybe I think I'm Ben Affleck. I'm 147 00:05:56,080 --> 00:05:58,240 Speaker 1: in the corner smoking a cigarette. I'm like whatever,