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Speaker 1: It's nine O gene one engine with Jenny Garth and

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Speaker 1: Tory spelling.

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Speaker 2: Hi, you guys, it's another episode of nine oh two

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Speaker 2: one Angie, Did I break your ear?

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Speaker 3: Drums?

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Speaker 1: No?

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Speaker 3: Okay?

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Speaker 1: Hi, everybody super exciting, you guys, another episode?

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Speaker 3: But is it?

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Speaker 1: Yeah, We're yeah, We're a little divided on this one,

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Speaker 1: you guys. I feel like Tory and I might be

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Speaker 1: on the same page. Amy's on a different one.

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Speaker 4: I'm busting at my seams to ask you guys, so

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Speaker 4: many things.

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Speaker 1: Gosh, okay, let's get into it. Episode twenty one from

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Speaker 1: season four, Addicted to Love aired February sixteenth, nineteen ninety four.

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Speaker 2: Synopsis Lucinda spots her new target, Stuart reveals his true color.

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Speaker 2: Still in rescues Brenda Brandon, Burrows Kelly, and a spark

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Speaker 2: is ignited big time.

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Speaker 1: Directed by Let's land All, written Mary Molt Mary Mullen,

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Speaker 1: Mary Mullen, written by Larry Mullen and Richard Dulin's.

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Speaker 4: So, Jenny first and foremost, we don't have to do

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Speaker 4: it right at the beginning, but I was reading all

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Speaker 4: the comments on the Instagram. I guess it's called Instagram,

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Speaker 4: and the fans listeners really want you to spend time solo.

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Speaker 4: They said, no offense, amyent tory, but Jenny needs to

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Speaker 4: be able to express how she's feeling.

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Speaker 1: About like in life.

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Speaker 4: No, I'm assuming about it's about the first little sprinklings

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Speaker 4: we're getting.

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Speaker 1: Oh, the little tinklings, the sprinkling tinklings.

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Speaker 4: So you can do it from the top, or you

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Speaker 4: can do it at the end, whatever you prefer.

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Speaker 1: I don't know how I'm feeling about it. You guys,

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Speaker 1: is this is this the spark that's being ignited big

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Speaker 1: time that you're referring to? Because it felt so weird

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Speaker 1: and clunky, and Dylan is with the Lucinda and then

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Speaker 1: he goes to pick up Brenda, and I'm just confused.

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Speaker 1: But then Kelly does give Brandon that look like, hmmm,

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Speaker 1: you look good.

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Speaker 3: I like fighting my tongue. You two aim, Yeah, of course,

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Speaker 3: of course. Okay, keep going, keep going.

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Speaker 1: That's how that's it.

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Speaker 4: It fell like a give you feel you feel conflicted? Mixed?

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Speaker 1: I do? I feel I don't know what is happening

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Speaker 1: like and I don't remember this. I don't remember this

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Speaker 1: at all.

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Speaker 3: This is it?

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Speaker 1: How do they how is a spark ignited over this episode?

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Speaker 3: Like it.

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Speaker 1: Did it feel that meaningful to both of you?

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Speaker 3: You you need to share that first.

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Speaker 1: I I just did. It didn't feel that meaningful to me.

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Speaker 1: It felt like, Okay, Kelly was a thing and he

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Speaker 1: just happened to be there.

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Speaker 2: Just happened to be there too. In your opinion for Kelly,

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Speaker 2: do you think like at this point it could have

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Speaker 2: been any guy that kind of gave her attention? Was

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Speaker 2: there was a good guy happen to be there at

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Speaker 2: that moment?

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Speaker 3: No, I think she Killan.

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Speaker 1: Genuinely had a good time with Brandon because they're friends

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Speaker 1: and that's a great base for any relationship, I guess.

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Speaker 1: But I just feel like she feels really comfortable with

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Speaker 1: him and with Dylan. She doesn't know what you know, ever,

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Speaker 1: what's coming down the pipe, obviously, because it looks as

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Speaker 1: if he's going in two different directions at the moment.

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Speaker 1: But she does get a little reactive about the him

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Speaker 1: going to get Brenda thing and assumes what you should

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Speaker 1: never do, that something's going on with them, when I

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Speaker 1: don't think it is.

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Speaker 5: I mean, I might even know you guys, this is

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Speaker 5: what I would say, And I'm curious what you guys

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Speaker 5: think for me going to the party at the Chancellor's

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Speaker 5: house with Brandon, who's obviously like the Catcher the County.

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Speaker 4: Do you know what I mean? He's like the stud

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Speaker 4: of the.

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Speaker 3: Class Catcher the County. WHOA did we just go back

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Speaker 3: to like the fifties?

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Speaker 4: Fifties? Whoa for me? It took Kelly in her mind

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Speaker 4: to this elevated place. Suddenly she's the star of the show.

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Speaker 4: She's meaning the party, she's hobnobbing with the Chancellor. The

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Speaker 4: deans like, bring her around more. It's like, all of

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Speaker 4: a sudden, she is this.

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Speaker 3: Queen of the castle. Key doesn't care about She's always

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Speaker 3: what I feel like. Kelly doesn't care about that.

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Speaker 2: She's always she's always unpopular, She's always been number one

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Speaker 2: for everybody.

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Speaker 1: Maybe she feels useful to Brandon now, like she feels like, oh,

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Speaker 1: I I'm good at this, and it feels nice to

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Speaker 1: be appreciated for and put on what I bring to

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Speaker 1: the table. But is he gonna do that? I don't

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Speaker 1: know what's gonna oppen.

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Speaker 2: I don't know, you know what he really likes sitting

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Speaker 2: back and having a lady tie his shoes, So I

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Speaker 2: don't know if he's gonna want that.

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Speaker 3: You guys to put you on a pedestal.

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Speaker 1: That's so weirds. Why would they film her dressing him

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Speaker 1: like he's her child, it's a special.

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Speaker 4: It's just so weird.

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Speaker 2: I got nervous that something else was gonna happen.

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Speaker 4: Literally called it poor she. I was like.

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Speaker 2: Down down, and I was like, wait, this is the nineties,

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Speaker 2: this is nine to twenty.

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Speaker 3: Oh, that's not going to happen.

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Speaker 4: That was likely.

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Speaker 2: Agree, that was a new version we don't speak of, Like, okay,

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Speaker 2: so that's not gonna happen.

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Speaker 3: But then she tied his shoes and he was.

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Speaker 2: Like like made that face like, oh yeah, it was

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Speaker 2: so weird.

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Speaker 1: Nice, he looked. She got it when she got him

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Speaker 1: out of the shower. When she took him out of

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Speaker 1: the shower, you're a little baby. Uh did you notice

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Speaker 1: she was towering over him like I didn't. Do you

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Speaker 1: remember her being a lot taller than Jason?

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Speaker 6: No, but no, but I who And then all of

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Speaker 6: a sudden they were the same height when they were

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Speaker 6: getting when she was dressing him, and then when she

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Speaker 6: said take me now, oh god.

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Speaker 4: I couldn't. It was gaggy.

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Speaker 1: Why now he just got all dressed?

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Speaker 2: He did all that work but now we're just having

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Speaker 2: a lot of Brandon top top lists. This is it

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Speaker 2: feels like a note came down, like he's our heart throb,

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Speaker 2: our leading man. We want to see his shirt off more.

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Speaker 2: And it's two episodes back to back with his shirt off.

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Speaker 4: I feel like another writer comes in to write for

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Speaker 4: Brandon and Lucinda. The writing is so I like, your disgusting,

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Speaker 4: don't like maybe they visited from the porn set across

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Speaker 4: the alley.

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Speaker 1: Maybe they've had the director come on over from there.

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Speaker 4: It's like so porny. And then it's like, I wish

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Speaker 4: I could take you with me to the Deans. Well

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Speaker 4: you can take me now, Like it's.

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Speaker 2: Just like it is so roast and not our show,

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Speaker 2: and it just I'm no prude, you guys, but it

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Speaker 2: made me want to puke.

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Speaker 1: This is true. You are no fruit.

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Speaker 2: To gross me out and shock me and make me

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Speaker 2: get like, eh, you know, it's a lot.

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Speaker 4: Two questions, so I will say accurate nineties bathroom very

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Speaker 4: like Hirely and pink. And it looked like the Walsh's back.

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Speaker 1: I thought it was at first, But why do you

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Speaker 1: get that water going?

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Speaker 4: Like is that a real shower?

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Speaker 3: Oh my god, that show it last week. Now you

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Speaker 3: want to talk about the shower we clean cleaning pipes

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Speaker 3: or whatever.

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Speaker 4: So obviously he's in a shower.

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Speaker 1: He's in a shower, but it's not a real shower.

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Speaker 1: They just like pipe it in for that.

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Speaker 3: Yeah, that one's on the other side.

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Speaker 4: Are you joking me? No, you guys, I'm getting way

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Speaker 4: too many revelations on things this week because I also.

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Speaker 1: Learned the showers are never real.

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Speaker 4: The kitchen appliance don't work.

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Speaker 3: No, duh, wait you thought they worked?

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Speaker 4: One hundred Oh my gosh. So someone's like got a hose,

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Speaker 4: so he's thinking a freezing shower.

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Speaker 1: No, they have like a warm bucket of water back there.

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Speaker 3: Oh my gosh.

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Speaker 2: Amy would have for sure fallen off the set like

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Speaker 2: she would have been so excited thinking everything's real, she

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Speaker 2: would have climbed those stairs in the wall shouse and

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Speaker 2: fell off the back.

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Speaker 3: Not they have five hundred buckets.

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Speaker 4: Because it was a lengthy shower.

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Speaker 1: He got right out. But I mean, yeah, no that,

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Speaker 1: I mean that couldn't have been a working shower.

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Speaker 3: I don't know.

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Speaker 2: I just can't imagine they the tying of the shoes

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Speaker 2: and the face he made. Who was okay, like, and

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Speaker 2: then my dad was okay with that.

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Speaker 1: I feel like, yeah, it was weird. And then at

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Speaker 1: the end when there's the whole Kelly Brandon sparky thing,

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Speaker 1: I was like, eh, I don't want Kelly to be

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Speaker 1: with him. I'm so grossed out by the Lucinda situation.

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Speaker 2: Or Dad is such no, she's made that is such

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Speaker 2: a good point that we crave and we want Kelly

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Speaker 2: and Brandon to be together, but not back.

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Speaker 3: To back, not after that.

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Speaker 4: Fine with that there, so I can purge this vomit

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Speaker 4: from my mind very quickly.

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Speaker 3: Really, Okay, first of all, I love.

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Speaker 4: The juxtaposition of the cheesiest, most cringiest scene ever and

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Speaker 4: then Brandon flash too is with the Grannis step immediately

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Speaker 4: I'm like, very cute.

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Speaker 3: Wait, I have a question. How much older is Lucinda

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Speaker 3: supposed to be?

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Speaker 1: Maybe fight years, eight years?

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Speaker 4: Okay, yeah, it's just the vomit script.

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Speaker 2: So she's entered twenties or like, I just can't gauge.

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Speaker 2: She could be eighteen, she could be thirty.

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Speaker 1: Five, Yeah, mid twenties.

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Speaker 3: Okay.

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Speaker 4: I feel like, yeah, he's twenty so much now, like she's.

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Speaker 3: So miss Robinson.

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Speaker 1: I know she's going to go after Dylan. If that happens,

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Speaker 1: you guys, I feel like I can't watch the show anymore.

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Speaker 3: Then I guess you can't watch the show anymore.

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Speaker 1: Oh my god.

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Speaker 4: First of all, he was a little handsy.

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Speaker 1: Was he not right across from Kelly.

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Speaker 4: Yes, it's like Kelly worships her, so it's almost like

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Speaker 4: Kelly doesn't care. It was so weird.

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Speaker 2: So I don't remember Burst your Bubble, but like, this

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Speaker 2: is life imitating art imitating life. The boys were handsy

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Speaker 2: with her.

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Speaker 4: Offset she was so cute.

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Speaker 1: Yeah, they liked her.

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Speaker 3: They liked her a lot. I'm not talking anything weird.

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Speaker 2: They were just very friendly and very friendly some of

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Speaker 2: the actresses. No, but I just remember she got in

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Speaker 2: like and they loved her.

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Speaker 3: We liked her too. She was like a cool, nice girl.

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Speaker 3: But the boys, I felt like we're always touching her.

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Speaker 3: Am I wrong?

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Speaker 4: No, she's very pretty and cool.

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Speaker 3: Yeah she is.

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Speaker 4: Also, I forgive my memory. I don't remember Josh and

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Speaker 4: Brandon being quite so contentious, like they want to murder

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Speaker 4: each other.

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Speaker 1: Yeah, he's out for blood. Josh wants to take Brandon down. Why, well, yeah,

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Speaker 1: what's some because he's too perfect? Suddenly, for Josh.

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Speaker 3: What tips him off?

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Speaker 2: He just wants justice like he he wishes no, he

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Speaker 2: wants to be Brandon Walsh. So he's gonna take him down.

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Speaker 2: It's like all about Eve. It's like show Girls. He's

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Speaker 2: gonna push him down the stairs.

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Speaker 1: I like that character, though. I like Josh. Me too,

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Speaker 1: Me too, me too Richland, Josh Richland, Oh.

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Speaker 3: My god, I love Josh Henderson. Oh do you know

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Speaker 3: what I'm talking about? So and hot?

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Speaker 4: Sorry that actor Josh Henderson. Yes, oh my god, that's

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Speaker 4: a random Oh my god.

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Speaker 3: She said it.

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Speaker 1: I did not say it.

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Speaker 2: You're a filthy liar retrolling his Instagram. Why did you say,

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Speaker 2: Josh Henderson? That was a Freudian slip. I'm totally amassing

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Speaker 2: whether she has no idea who that is.

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Speaker 1: So I think I'm friends with him.

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Speaker 4: Oh oops, he's nice.

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Speaker 1: We've got my golf together.

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Speaker 4: I think that makes sense. My other question is we

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Speaker 4: got a two second scene, like the shortest scene of

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Speaker 4: all time of Donna chopping cookie dough like it was frozen,

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Speaker 4: like the wrapper on it.

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Speaker 1: Like take it out of the wrapper like.

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Speaker 3: I like it.

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Speaker 2: But I was so offended because I was like, oh gosh,

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Speaker 2: I guess This is before I like learned how to

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Speaker 2: bake or cook or do anything like.

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Speaker 3: But why would they do it? Why would you do

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Speaker 3: it on the cookie baking sheet like you would have

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Speaker 3: done it on And why was it just crumbling everywhere?

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Speaker 3: What was she going to do bake that mess?

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Speaker 4: Also, we've all cut cookie dough. You can cut that

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Speaker 4: with your fingers, like that stuff to sock. They literally

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Speaker 4: froze it like a block of bikehole and gave you

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Speaker 4: a meat cleaver.

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Speaker 2: On purpose so it would crumble so he could be like, oh,

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Speaker 2: there's crumbles, Like, what do you think I'm gonna snort

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Speaker 2: the cookie dough?

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Speaker 4: And the scene was all of thirty seconds. Thirty seconds.

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Speaker 2: Yeah, and I did like the double scrunchy though it

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Speaker 2: was into it.

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Speaker 1: But you know I have oh screen cheese? You did

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Speaker 1: we get a piano in the apartment? I don't remember

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Speaker 1: that ever happened.

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Speaker 4: Well, there is one. They play heart and Soul on

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Speaker 4: it at the end.

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Speaker 1: What at the lamest party I've ever seen in my life.

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Speaker 3: Living there right now? So like I.

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Speaker 1: Each of these mas of me reminds me of one

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Speaker 1: of you. I'm a tomato. It's the worst thing I've

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Speaker 1: ever heard in corn.

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Speaker 3: It was just like such a random thing, no offense,

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Speaker 3: but offense because the script.

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Speaker 7: Anco since we're talking about the most wackadoo thing ever,

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Speaker 7: may I please bring up the literally the dumbest thing in.

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Speaker 4: This whole episode.

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Speaker 1: What Okay, we'll get.

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Speaker 4: Into the whole conversation about the range drover and and

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Speaker 4: Stuie and Brenda, but may I ask you the rain

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Speaker 4: drivers in the middle of the desert with the keys

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Speaker 4: locked in it, why would these hardened criminals who are

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Speaker 4: able to strip a car not just drive it away

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Speaker 4: the keys?

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Speaker 1: They mean, they broke in and they could have just

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Speaker 1: taken the car. I got they're so smart.

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Speaker 4: I was like, I don't understand, Like they're in the

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Speaker 4: middle of nowhere.

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Speaker 1: They need to console with you because maybe they're just

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Speaker 1: not very smart.

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Speaker 4: They're good criminals. Obviously, if criminals knew how to strip

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Speaker 4: a car that, why would they not just drive it away?

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Speaker 4: The keys were in it? Hilarious?

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Speaker 3: Oh my god, I would never have noticed that. I

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Speaker 3: was like, yep, yep.

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Speaker 4: I was.

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Speaker 1: Like, you have the I was befuddled by when when

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Speaker 1: Stewie came to the door to pick up Brenda. Why

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Speaker 1: why did Jim bring his corn flakes to the foyer.

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Speaker 3: That's what bothered you. Yeah, first of all, the biggest

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Speaker 3: ass breakfast I've ever seen for two people, like corn flakes,

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Speaker 3: fruit cut up, growing fruit in a bowl like they

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Speaker 3: were letting at the local.

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Speaker 4: Like that's not how you hut the bananas cutting the bananas.

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Speaker 1: I mean, not a lot of people do breakfast like that,

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Speaker 1: Like Cyndy Walsh.

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Speaker 4: Bananas on cereals. I don't mind a banana with the cereal,

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Speaker 4: but in the cereals.

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Speaker 1: When I was a kid, that's that's a staple.

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Speaker 2: No's I was crossed out when he was like talked

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Speaker 2: about the vacuum cleaner and she goes like, excellent suction

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Speaker 2: roth again and you know sa same writing now just

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Speaker 2: put onto them.

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Speaker 1: It reminded me of something Branda Brandon would say, Hey, Brando.

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Speaker 4: Sidebar, do we think it's weird that Brandon goes to

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Speaker 4: like ask permission to bring Kelly and then ask Kelly like, oh, like.

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Speaker 1: She's like a car that can be borrowed, like it's so,

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Speaker 1: and he says, don't bring her back, but don't put

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Speaker 1: any dings in her or something. What I was offended, And.

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Speaker 4: Then he's sort of an ass at the end you

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Speaker 4: want to take her again.

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Speaker 3: I'm you, guys, this the whole episode is very like awesome, awesome, No,

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Speaker 3: it's just like.

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Speaker 2: A creepy and like I mean if you were like

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Speaker 2: a if you I don't know the late just like

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Speaker 2: it's just not how you speak to women, first of all,

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Speaker 2: or about women. I'm trying to like be pc but

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Speaker 2: it's like and I'm pretty cool, like I don't take

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Speaker 2: offense to anything, like it was offensive for us women the.

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Speaker 4: Way totally and awesome.

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Speaker 1: The it was just I'm you're befuddled. I'm befuddled by

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Speaker 1: that whole thing, Like why would Kelly allow them to

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Speaker 1: treat her like a commodity like that? I didn't get it.

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Speaker 1: But she's cute, she was a good sport. She was

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Speaker 1: like totally, that's it's fun. I've always wanted to meet

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Speaker 1: the Chancellor. Like I like her energy much better than Dylan's.

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Speaker 4: So yeah, I agree, I'm mad at But.

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Speaker 2: Here's why I write. Your whole energy lightens when you're

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Speaker 2: with Brandon. Agree, it's like happy happy from the inside.

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Speaker 3: It feels nice.

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Speaker 4: Here's what I find like totally confusing. You have this

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Speaker 4: episode that is written obviously the same writer wrote the

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Speaker 4: whole episode. So on the one hand, the right or

349
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Speaker 4: is writing this grossest stuff, this cheesy script and Kelly's

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Speaker 4: a possession and can I bother do take her again,

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Speaker 4: while simultaneously you have this whole other plotline about women

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Speaker 4: and empower men, and Lucinda's writing this whole thing and

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Speaker 4: they're talking about sex is power and don't be ashamed

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Speaker 4: and the whole thing.

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Speaker 3: What So they're flip flopping.

356
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Speaker 4: Ish like it was.

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Speaker 2: So Kelly's Kelly's a possession. But Brandon, on the other hand,

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Speaker 2: a female is a possession. A male is also a

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Speaker 2: possession because he's a possession of Lucinda.

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Speaker 4: Then in the same episode, so they probably frenda same episode,

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Speaker 4: same writer, Brenda realizes Stuart is a tool who overreacted

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Speaker 4: over an innocent mistake and she is done so and

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Speaker 4: she is just strong as bleep and says you're crazy

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Speaker 4: to the dadause you treat your son like poo poo

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Speaker 4: and by the way, son, you're a complete ass. And

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Speaker 4: it's like this whole thing where you're like, what, well,

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Speaker 4: there's so many confined.

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Speaker 1: Do you think that the dad went and got the

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Speaker 1: ring out of the pool though I'm pretty sure he did.

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Speaker 3: Was he pool guy do it? Oh? Yeah, he didn't

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Speaker 3: do it?

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Speaker 1: So is this the end of stud now?

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Speaker 3: Is that it?

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Speaker 1: Are we done?

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00:19:24,640 --> 00:19:24,840
Speaker 3: Done?

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Speaker 6: Now?

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Speaker 1: Have we done?

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00:19:25,960 --> 00:19:27,480
Speaker 4: That was a big old ring and a lot of

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Speaker 4: money thrown into that pool.

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Speaker 2: It's so funny that he was taking here to Palm

381
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Speaker 2: Springs when he originally played the other character originally in

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Speaker 2: Palm Springs as the bell guy, right, the bellman.

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Speaker 4: My question is, have any of you ever called it

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Speaker 4: the springs?

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Speaker 1: No?

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Speaker 3: But was that a thing back then? I don't know.

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00:19:47,800 --> 00:19:51,000
Speaker 1: No, No one's ever said that ever since the beginning

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Speaker 1: of Palm Springs.

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Speaker 2: Well, Richard Golance does is.

390
00:19:58,520 --> 00:20:01,560
Speaker 3: Why we love Larry so if and if we have

391
00:20:01,600 --> 00:20:04,959
Speaker 3: to like, if anything, we have to blame Richard. Sorry, Richard,

392
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Speaker 3: we knew not as well as Larry.

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Speaker 4: Two other flags on the play. We know Andrea is pregnant.

394
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Speaker 4: Now why are they still making her hold like no because.

395
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Speaker 3: It's too far along? Like she's pregnant? Pregnant it was

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00:20:18,320 --> 00:20:20,080
Speaker 3: like egnant probably yeah?

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Speaker 1: Or also she's so short, she's so petite, so tiny

398
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Speaker 1: that it shows Yeah, really fat.

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Speaker 4: Jenny, this one's for you. But what who asked their

400
00:20:29,800 --> 00:20:32,600
Speaker 4: teacher out of nowhere to go get a cup of coffee?

401
00:20:32,760 --> 00:20:34,840
Speaker 1: Yeah, why does she like this bitch so much? I

402
00:20:34,840 --> 00:20:39,760
Speaker 1: don't get it. I don't like Kelly is smart?

403
00:20:39,800 --> 00:20:40,199
Speaker 3: What does she?

404
00:20:41,480 --> 00:20:46,040
Speaker 4: And then she brings her to meet the boyfriend and

405
00:20:46,280 --> 00:20:49,840
Speaker 4: Lucinda is way too up in his grill and he's

406
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Speaker 4: way too googly eyed at her. It was just like gross.

407
00:20:54,000 --> 00:20:56,200
Speaker 1: Yeah, and that like they showed a shot of him

408
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Speaker 1: like looking at her body. Oh like on the.

409
00:21:00,160 --> 00:21:04,240
Speaker 4: See that, of course. And then Brandon's got the daggers

410
00:21:04,280 --> 00:21:07,000
Speaker 4: and NAT's like, who's the who's the hottie over in

411
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Speaker 4: the corner.

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00:21:07,520 --> 00:21:09,920
Speaker 1: It's just like the whole thing was okay, So here's

413
00:21:09,960 --> 00:21:13,679
Speaker 1: something like okay, so that scene, so Brandon has to

414
00:21:13,720 --> 00:21:16,679
Speaker 1: look over and see something that bothers him, right, And

415
00:21:16,720 --> 00:21:20,399
Speaker 1: if you notice Dylan and Lucinda in the back of

416
00:21:20,480 --> 00:21:24,800
Speaker 1: Kelly's head, you can see Dylan doing something going like

417
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Speaker 1: this with his hands. No, I swear to god, he

418
00:21:28,960 --> 00:21:33,600
Speaker 1: goes like this like he's explaining something, and I know

419
00:21:33,920 --> 00:21:37,280
Speaker 1: I know him. That was him walking around.

420
00:21:37,680 --> 00:21:41,240
Speaker 2: Explaining a double fisted hand job. What are you talking about?

421
00:21:41,359 --> 00:21:45,040
Speaker 1: Where to God, go back and watch it. There's some

422
00:21:45,040 --> 00:21:48,359
Speaker 1: something shady going down right there and I can't he

423
00:21:48,520 --> 00:21:52,880
Speaker 1: was having fun, like messing with either Jason or.

424
00:21:52,920 --> 00:21:55,920
Speaker 2: I don't know, oh my, and no one caught it

425
00:21:56,000 --> 00:21:58,960
Speaker 2: and they left it in amazing.

426
00:21:59,720 --> 00:22:01,000
Speaker 1: Yeah.

427
00:22:01,080 --> 00:22:04,119
Speaker 4: I also sort of love that the peach pit, which

428
00:22:04,800 --> 00:22:08,359
Speaker 4: Kelly has gone to for one hundred years, she now

429
00:22:08,400 --> 00:22:10,120
Speaker 4: calls her boyfriend's restaurant.

430
00:22:13,560 --> 00:22:13,720
Speaker 3: Huh.

431
00:22:15,240 --> 00:22:16,720
Speaker 1: I don't know, that's too weird.

432
00:22:17,160 --> 00:22:21,200
Speaker 4: But I also love how Brandon as he's enticing his love,

433
00:22:21,880 --> 00:22:25,760
Speaker 4: I want to be able to buy you a megaburger.

434
00:22:25,000 --> 00:22:28,480
Speaker 1: Like, isn't that what every boy dreams of?

435
00:22:31,880 --> 00:22:33,040
Speaker 3: It's so weird.

436
00:22:33,359 --> 00:22:38,359
Speaker 2: I'm surprised with Lucinda's vibe and sex is empowerment and

437
00:22:38,440 --> 00:22:42,040
Speaker 2: female empowerment, and that she doesn't like try hooking up

438
00:22:42,040 --> 00:22:44,920
Speaker 2: with like one of the girls at this point, Oh.

439
00:22:44,800 --> 00:22:47,399
Speaker 1: You know right, like that would be maybe that's coming.

440
00:22:48,080 --> 00:22:51,680
Speaker 1: Oh nah, maybe we both blocked it from our memories.

441
00:22:51,800 --> 00:22:55,800
Speaker 1: What about Steve Flavor speaking of strong women and women

442
00:22:56,240 --> 00:22:59,440
Speaker 1: like using their sexuality. Then you have Steve in Andrea's

443
00:22:59,480 --> 00:23:03,359
Speaker 1: dorm looking at a playboy. Like there's so many little

444
00:23:04,840 --> 00:23:08,000
Speaker 1: little things in this episode about women and women's bodies,

445
00:23:08,080 --> 00:23:11,400
Speaker 1: and like, oh weird, it's too much?

446
00:23:11,680 --> 00:23:14,639
Speaker 2: Was it all here's the thing. Was it like clever

447
00:23:15,160 --> 00:23:16,920
Speaker 2: and they were it was all on purpose?

448
00:23:17,160 --> 00:23:20,199
Speaker 3: Or no? That's what I want to know. That's my

449
00:23:20,440 --> 00:23:22,960
Speaker 3: meaning nowadays, Cause it was shows, you'd be like, oh,

450
00:23:23,359 --> 00:23:26,720
Speaker 3: that was intentional something, yes, but I wouldn't think sure,

451
00:23:27,160 --> 00:23:27,800
Speaker 3: me too, But I.

452
00:23:27,720 --> 00:23:31,040
Speaker 4: Would think it wasn't except for the fact that then

453
00:23:31,040 --> 00:23:34,400
Speaker 4: you've got this whole storyline about Lucinda and the empowering

454
00:23:34,480 --> 00:23:37,040
Speaker 4: women and sexist power and don't be ashamed and all

455
00:23:37,080 --> 00:23:40,400
Speaker 4: this monogamy talk, and you know, all the different things

456
00:23:40,640 --> 00:23:43,240
Speaker 4: that she's explaining in her class, and so I'm like.

457
00:23:44,080 --> 00:23:47,680
Speaker 1: I feel I feel like the playboy was intentional, Like what,

458
00:23:48,680 --> 00:23:52,280
Speaker 1: that's something that's never been on the show, Steve's never

459
00:23:52,359 --> 00:23:53,919
Speaker 1: been like that before.

460
00:23:56,240 --> 00:23:59,720
Speaker 2: It's just weird because it went on. It was foreshadowing

461
00:24:00,200 --> 00:24:03,280
Speaker 2: that Ian would then go on to Mary.

462
00:24:03,000 --> 00:24:04,480
Speaker 3: And Mary playmate.

463
00:24:05,400 --> 00:24:10,080
Speaker 1: Oh maybe in that episode that edition of the magazine.

464
00:24:10,320 --> 00:24:12,840
Speaker 4: The other thing I think it was intentional is the

465
00:24:13,119 --> 00:24:18,040
Speaker 4: ra comes in that ra and she's like, I used

466
00:24:18,040 --> 00:24:20,679
Speaker 4: to date a cag man, Like she's so done with

467
00:24:20,760 --> 00:24:22,359
Speaker 4: that crap, do you know what I mean? And she

468
00:24:22,440 --> 00:24:25,200
Speaker 4: sort of recrimmands in the tad bit and then she's

469
00:24:25,240 --> 00:24:27,360
Speaker 4: all keep it on as Sanders like.

470
00:24:28,840 --> 00:24:31,720
Speaker 3: Ford, I fast forwarded through that, but that.

471
00:24:31,840 --> 00:24:35,159
Speaker 4: Character was sort of like powerful in a way again

472
00:24:35,440 --> 00:24:37,400
Speaker 4: Kathy Fisher, and I'm like, what's going on?

473
00:24:38,520 --> 00:24:40,600
Speaker 1: I don't know. Maybe other people have a completely different

474
00:24:40,640 --> 00:24:43,159
Speaker 1: take on this episode that the three of us aren't

475
00:24:43,800 --> 00:24:48,200
Speaker 1: aren't seeing or or are missing, but it just yeah,

476
00:24:48,240 --> 00:24:48,760
Speaker 1: I wish we.

477
00:24:48,800 --> 00:24:52,399
Speaker 4: Had Lucinda, not Dina Meyer, but the actual Lucinda.

478
00:24:53,000 --> 00:24:57,919
Speaker 1: There's not a real amy. I'm sorry to break this.

479
00:24:58,800 --> 00:25:01,760
Speaker 4: And why is dumb stew sleeping on a chair? Like

480
00:25:02,160 --> 00:25:03,119
Speaker 4: get in the bed?

481
00:25:04,000 --> 00:25:07,439
Speaker 1: Yeah, right, and then he puts that filth feet bedspread

482
00:25:07,520 --> 00:25:08,200
Speaker 1: all the way.

483
00:25:08,119 --> 00:25:10,920
Speaker 4: Up to his chin, dirtiest blanket of all.

484
00:25:11,000 --> 00:25:14,160
Speaker 1: Never do that, you guys in a hotel room, Never

485
00:25:14,200 --> 00:25:16,399
Speaker 1: sleep under a bedspread.

486
00:25:16,480 --> 00:25:17,600
Speaker 3: Also, when you.

487
00:25:17,600 --> 00:25:19,520
Speaker 1: Go or when you like go, like I just had

488
00:25:19,520 --> 00:25:22,480
Speaker 1: this happen and there's like a furry blanket on the bed.

489
00:25:23,680 --> 00:25:27,440
Speaker 1: It's never been them put that immediately, like.

490
00:25:28,080 --> 00:25:29,640
Speaker 3: Or take the black light is a black light?

491
00:25:29,760 --> 00:25:31,520
Speaker 1: Oh, don't take a black leg. I don't ever want

492
00:25:31,520 --> 00:25:31,679
Speaker 1: to know.

493
00:25:32,440 --> 00:25:34,840
Speaker 4: I bring a sleepsack.

494
00:25:35,400 --> 00:25:36,400
Speaker 3: What's a sleep sack?

495
00:25:36,480 --> 00:25:41,440
Speaker 4: Sorry, it's like a sheet. Allegedly they helped prevent bed bugs.

496
00:25:41,640 --> 00:25:45,320
Speaker 4: I have this like total paranoid of bed bugs. So

497
00:25:45,359 --> 00:25:47,439
Speaker 4: you it's almost like a sleeping bag, but it's just

498
00:25:47,480 --> 00:25:48,000
Speaker 4: a sheet.

499
00:25:48,240 --> 00:25:50,600
Speaker 1: What if you need to stretch out? Like what if

500
00:25:50,600 --> 00:25:52,639
Speaker 1: you got you gotta you want to go like that

501
00:25:52,880 --> 00:25:55,280
Speaker 1: with your legs in the in the bed? What's it

502
00:25:55,320 --> 00:25:56,200
Speaker 1: called bed bag?

503
00:25:56,680 --> 00:25:57,399
Speaker 4: Sleep sock?

504
00:25:57,680 --> 00:26:00,800
Speaker 1: Sleepsack? Like what if you need to move around a little?

505
00:26:00,960 --> 00:26:03,400
Speaker 1: You can't. It's like a body bag.

506
00:26:03,800 --> 00:26:06,600
Speaker 2: But you just gave me another fear that I have

507
00:26:06,720 --> 00:26:08,920
Speaker 2: to hat to my list, So thank you, another paranoid.

508
00:26:10,000 --> 00:26:12,480
Speaker 2: I always get freaked out because kids don't know. And

509
00:26:12,600 --> 00:26:14,439
Speaker 2: like my six year old, like when we get to

510
00:26:14,440 --> 00:26:16,800
Speaker 2: a hotel, he first thing he does is he runs

511
00:26:16,840 --> 00:26:19,880
Speaker 2: and puts his face on him like, ah, screamed, not

512
00:26:19,920 --> 00:26:20,800
Speaker 2: on the bad spread.

513
00:26:21,520 --> 00:26:22,840
Speaker 3: Yeah, you have to give up.

514
00:26:22,880 --> 00:26:23,840
Speaker 4: It's like what can you do?

515
00:26:23,960 --> 00:26:26,199
Speaker 1: What can you do? Kind of like this episode what

516
00:26:26,320 --> 00:26:26,800
Speaker 1: can you do?

517
00:26:40,000 --> 00:26:43,960
Speaker 4: So let's ask the question, are Dylan and Brandon friends

518
00:26:44,040 --> 00:26:48,680
Speaker 4: are competitors? Like loose Cinda ask?

519
00:26:48,760 --> 00:26:51,240
Speaker 1: They're friends? What are you doing? They're friends?

520
00:26:52,119 --> 00:26:55,520
Speaker 4: That's why I'm like, why is he so mad? It's

521
00:26:55,520 --> 00:26:56,200
Speaker 4: just bad.

522
00:26:56,480 --> 00:27:00,480
Speaker 1: It doesn't feel right, but.

523
00:27:00,400 --> 00:27:02,960
Speaker 2: They have to do that because otherwise than Brandon's just

524
00:27:03,000 --> 00:27:05,919
Speaker 2: a total dick if he just like swoops.

525
00:27:05,560 --> 00:27:06,399
Speaker 3: In and takes Kelly.

526
00:27:06,800 --> 00:27:09,480
Speaker 2: So there has to be a little conflict otherwise you're

527
00:27:09,480 --> 00:27:11,520
Speaker 2: not like gunning for Brandon Kelly.

528
00:27:11,720 --> 00:27:13,960
Speaker 1: But I don't think Dylan is gonna care because he's

529
00:27:14,000 --> 00:27:19,080
Speaker 1: already seeming to be moving on before they've even broken up.

530
00:27:20,040 --> 00:27:23,600
Speaker 2: So the last scene, sorry, what is the line where

531
00:27:24,000 --> 00:27:27,240
Speaker 2: he says something about borrowing her what?

532
00:27:27,520 --> 00:27:29,879
Speaker 3: I don't know. I feel like his delivery of it.

533
00:27:30,040 --> 00:27:34,000
Speaker 2: He super cares and he throws it away on purpose

534
00:27:34,160 --> 00:27:37,120
Speaker 2: to be like his deep down he feels like everyone

535
00:27:37,200 --> 00:27:39,760
Speaker 2: leaves him. He doesn't deserve anyone. Look what happened to

536
00:27:39,800 --> 00:27:41,800
Speaker 2: his family and his dad, like, so.

537
00:27:43,119 --> 00:27:45,560
Speaker 3: He does care. Well.

538
00:27:46,040 --> 00:27:49,080
Speaker 4: The last scene is so dramatic and comes out of

539
00:27:49,119 --> 00:27:55,399
Speaker 4: nowhere because Kelly's so mad, and then super whatever she says,

540
00:27:55,480 --> 00:27:57,920
Speaker 4: is this why you're so anxious for me to move out?

541
00:27:58,080 --> 00:27:59,280
Speaker 4: All mad? That's it.

542
00:27:59,320 --> 00:28:00,080
Speaker 3: That's the one.

543
00:28:00,240 --> 00:28:03,880
Speaker 2: And his reply, you guys, I don't know the exact wording,

544
00:28:04,760 --> 00:28:07,440
Speaker 2: but it was kind of like I don't care, like whatever.

545
00:28:07,520 --> 00:28:11,200
Speaker 4: And then yeah he says to Brandon, but.

546
00:28:11,200 --> 00:28:14,160
Speaker 2: I felt deep inside he does care. He loves her

547
00:28:14,480 --> 00:28:19,040
Speaker 2: and he's going to lose her because same thing, we like,

548
00:28:19,160 --> 00:28:22,040
Speaker 2: do this to ourselves, we self sabotage ourselves with what

549
00:28:22,119 --> 00:28:24,560
Speaker 2: we have going on, our biggest fears, and then it's

550
00:28:24,560 --> 00:28:25,679
Speaker 2: gonna we manifest it.

551
00:28:26,080 --> 00:28:30,480
Speaker 3: He's gonna lose her. Now I'm sad.

552
00:28:31,359 --> 00:28:33,119
Speaker 4: Yeah, the end really kind of was a bomber. And

553
00:28:33,119 --> 00:28:35,760
Speaker 4: then there's that conversation in the car What did you

554
00:28:35,800 --> 00:28:39,120
Speaker 4: guys think of that between Brenda and Dylan where she's

555
00:28:39,120 --> 00:28:43,120
Speaker 4: sort of like, I love you, I had the right guy.

556
00:28:43,600 --> 00:28:47,480
Speaker 1: I wasn't listening. Oh really, sorry to say like I

557
00:28:47,880 --> 00:28:48,600
Speaker 1: was bored by it.

558
00:28:49,360 --> 00:28:51,480
Speaker 3: Oh, jeally exact same way.

559
00:28:51,600 --> 00:28:56,160
Speaker 1: Sorry, Like not that I don't don't feel like for

560
00:28:56,280 --> 00:28:58,240
Speaker 1: both of those characters, but I was like, oh, haven't

561
00:28:58,280 --> 00:28:58,800
Speaker 1: we done this?

562
00:28:59,640 --> 00:29:04,040
Speaker 3: Yes, have seen you had moved on, right, you've moved

563
00:29:04,320 --> 00:29:05,360
Speaker 3: on as a viewer.

564
00:29:06,920 --> 00:29:10,320
Speaker 4: Well, Dylan did the right thing there. He doesn't encourage her,

565
00:29:10,360 --> 00:29:12,720
Speaker 4: he doesn't flirt with her, he's a good friend to her,

566
00:29:13,600 --> 00:29:17,160
Speaker 4: and he sort of shoots her down, in my opinion,

567
00:29:17,200 --> 00:29:21,080
Speaker 4: in a very caring way. And then she sort of says, oh,

568
00:29:21,120 --> 00:29:24,560
Speaker 4: maybe I'm just feeling sorry for myself over the Stewart thing. Well,

569
00:29:24,600 --> 00:29:26,240
Speaker 4: you know, whatever I.

570
00:29:26,200 --> 00:29:29,600
Speaker 2: Got to say at this point in this juncture, I

571
00:29:29,640 --> 00:29:32,960
Speaker 2: don't feel like I want Dylan with Brenda.

572
00:29:33,080 --> 00:29:34,600
Speaker 3: I don't want Dylan with Kelly.

573
00:29:36,240 --> 00:29:40,480
Speaker 2: I'm like the Brandon Kelly thing made me really excited,

574
00:29:40,520 --> 00:29:43,400
Speaker 2: which I didn't expect because I was always like, no, no,

575
00:29:43,640 --> 00:29:44,320
Speaker 2: I love Dylan.

576
00:29:44,440 --> 00:29:47,080
Speaker 3: Yeah, I've always told you that.

577
00:29:47,400 --> 00:29:50,440
Speaker 2: And then I saw this and I just like, I

578
00:29:50,480 --> 00:29:52,800
Speaker 2: got excited. And I think it was more like I

579
00:29:52,800 --> 00:29:53,920
Speaker 2: got excited.

580
00:29:53,560 --> 00:29:56,360
Speaker 3: From what I felt from you. Maybe it was a

581
00:29:56,360 --> 00:29:58,680
Speaker 3: friend thing, like I was happy. I felt happy that

582
00:29:58,760 --> 00:30:00,120
Speaker 3: you were feeling happy.

583
00:29:59,840 --> 00:30:05,400
Speaker 1: But somebody, mm hmm, I'm interested to see what happens,

584
00:30:05,440 --> 00:30:07,440
Speaker 1: where this goes, how it unfolds.

585
00:30:09,040 --> 00:30:11,560
Speaker 4: Yeah, that's an interesting point you're making, because I did.

586
00:30:11,680 --> 00:30:16,320
Speaker 4: She was very glowy at the Chancellor party. They get

587
00:30:16,360 --> 00:30:22,040
Speaker 4: along amazing, interesting, your.

588
00:30:21,920 --> 00:30:23,040
Speaker 3: Hair's in full effect.

589
00:30:23,160 --> 00:30:26,480
Speaker 2: It was like bouncing and it was a commercial and

590
00:30:26,560 --> 00:30:29,600
Speaker 2: I was like, you're looking great.

591
00:30:30,080 --> 00:30:33,240
Speaker 1: That was It's the beginning of Brelly. I guess, right,

592
00:30:34,480 --> 00:30:36,840
Speaker 1: what they used to call it Brelly Brandon and Kelly.

593
00:30:37,960 --> 00:30:40,240
Speaker 4: Well, they elevate each other. Did I say that already?

594
00:30:40,280 --> 00:30:43,600
Speaker 4: That's sort of maybe the right word. They elevate each other.

595
00:30:44,640 --> 00:30:49,080
Speaker 4: They both you know, it's the it's the it's the

596
00:30:50,520 --> 00:30:53,120
Speaker 4: it's the Fancy Couple, The Bell of the.

597
00:30:53,080 --> 00:30:56,120
Speaker 2: Ball, there are twenty twenty three. Let's change it to

598
00:30:56,240 --> 00:30:58,520
Speaker 2: Keldon because I want her name first.

599
00:30:58,640 --> 00:31:02,680
Speaker 1: Okay, all right with you, Kelden? What what about? Do

600
00:31:02,760 --> 00:31:06,640
Speaker 1: you think Don is taking it slowly with David on purpose?

601
00:31:07,640 --> 00:31:10,400
Speaker 2: I think they had a lot of storylines to deal

602
00:31:10,440 --> 00:31:13,120
Speaker 2: with this episode, and he just couldn't deal with those two.

603
00:31:13,640 --> 00:31:15,120
Speaker 3: So there was like a flash in the pan.

604
00:31:16,440 --> 00:31:19,200
Speaker 1: But I guess Kelly is going to be moving back in,

605
00:31:19,440 --> 00:31:23,440
Speaker 1: so all will be right again in the beach apartment. Yes,

606
00:31:23,720 --> 00:31:28,880
Speaker 1: until something else happens, because I don't know. Somebody a

607
00:31:28,960 --> 00:31:32,640
Speaker 1: girl moves in? Where did does David end up leaving?

608
00:31:32,720 --> 00:31:33,960
Speaker 1: I don't know what's going to happen, you.

609
00:31:33,880 --> 00:31:36,280
Speaker 3: Guys, Well eventually Claire.

610
00:31:37,360 --> 00:31:43,080
Speaker 4: Yet we meet Claire soon, guys, we meet Claire soon

611
00:31:43,160 --> 00:31:46,320
Speaker 4: this year in like two episodes, one or one or

612
00:31:46,320 --> 00:31:47,080
Speaker 4: two episodes.

613
00:31:47,600 --> 00:31:50,360
Speaker 3: Chancellor the Chancellor's Daughter.

614
00:31:50,880 --> 00:31:53,760
Speaker 1: Oh my gosh, I just love the Chancellor, you guys.

615
00:31:54,400 --> 00:31:55,360
Speaker 1: He's so cute.

616
00:31:55,640 --> 00:31:59,160
Speaker 4: He's a very famous action chlas He's so great.

617
00:31:59,680 --> 00:32:00,520
Speaker 1: I'm him.

618
00:32:00,840 --> 00:32:06,840
Speaker 3: And in real life, Mary was married to the actress

619
00:32:06,840 --> 00:32:07,920
Speaker 3: who played Steve's.

620
00:32:07,600 --> 00:32:09,520
Speaker 1: Mom, Samantha Sanders.

621
00:32:09,680 --> 00:32:14,480
Speaker 4: Please yes, Oh, I forgot this a little trivia you

622
00:32:14,560 --> 00:32:18,600
Speaker 4: had there? Yeah, okay, Oh sorry, I'm just about done

623
00:32:18,640 --> 00:32:19,680
Speaker 4: with Lucinda, are.

624
00:32:19,520 --> 00:32:21,400
Speaker 1: You guys, I'm just about done with this episode?

625
00:32:22,600 --> 00:32:22,760
Speaker 3: Yeah?

626
00:32:22,840 --> 00:32:24,680
Speaker 1: Same. I mean, let's rate it.

627
00:32:24,720 --> 00:32:28,480
Speaker 4: What do you give it? I wanted to talk about

628
00:32:28,520 --> 00:32:32,240
Speaker 4: the ranger over. That was a sweet ride. Oh my god,

629
00:32:33,200 --> 00:32:36,240
Speaker 4: I don't know what that Oh my god. The difference

630
00:32:36,280 --> 00:32:37,400
Speaker 4: between us is just.

631
00:32:39,400 --> 00:32:41,600
Speaker 1: I gave it a three. JR. Gave it a seven

632
00:32:42,040 --> 00:32:45,880
Speaker 1: and you got it a ten ten. What is wrong

633
00:32:46,000 --> 00:32:46,480
Speaker 1: with you?

634
00:32:48,080 --> 00:32:48,720
Speaker 4: Entertaining?

635
00:32:49,520 --> 00:32:53,880
Speaker 2: This is because she loves you and what you bring

636
00:32:53,920 --> 00:32:56,440
Speaker 2: to that character so much. She's so excited about Brandon

637
00:32:56,440 --> 00:32:58,560
Speaker 2: and Kelly in the hook.

638
00:32:58,720 --> 00:33:04,320
Speaker 4: Yes, so entertaining. The cheesy ass script is so bad

639
00:33:04,360 --> 00:33:07,120
Speaker 4: that I love it. I couldn't love it more.

640
00:33:07,880 --> 00:33:08,720
Speaker 1: Oh I'm glad.

641
00:33:08,960 --> 00:33:16,640
Speaker 2: But wasn't cheesy, but it had moments like this tendency.

642
00:33:17,040 --> 00:33:19,120
Speaker 3: I don't know, like it kind of hurts my heart

643
00:33:19,120 --> 00:33:21,960
Speaker 3: a little bit because I'm like, why why is this allowed?

644
00:33:22,000 --> 00:33:24,720
Speaker 3: This writing? Like what I wish someone had said something?

645
00:33:25,720 --> 00:33:27,480
Speaker 1: Is that the cologne I got here?

646
00:33:28,800 --> 00:33:32,680
Speaker 3: I don't know. It's where's our female writers in the

647
00:33:32,720 --> 00:33:33,400
Speaker 3: writer's room?

648
00:33:33,640 --> 00:33:34,160
Speaker 1: I don't know.

649
00:33:34,520 --> 00:33:39,400
Speaker 4: Well, great point, where was that Palm Springs mansion. Anything.

650
00:33:39,600 --> 00:33:42,520
Speaker 4: That place looked amazing, hotel mansion.

651
00:33:42,680 --> 00:33:44,840
Speaker 3: Probably in now, I don't know. It's like it wasn't

652
00:33:44,880 --> 00:33:45,440
Speaker 3: Palm Spring.

653
00:33:46,040 --> 00:33:48,120
Speaker 4: It didn't look like that range river was lost in

654
00:33:48,160 --> 00:33:49,560
Speaker 4: the desert, way too hilly.

655
00:33:49,760 --> 00:33:52,120
Speaker 1: What would you guys do if you got got out

656
00:33:52,160 --> 00:33:54,000
Speaker 1: of your car in the desert.

657
00:33:53,920 --> 00:33:56,239
Speaker 4: Break the window a thousand.

658
00:33:57,720 --> 00:33:59,720
Speaker 3: I'd go looking for aliens, of course.

659
00:34:01,560 --> 00:34:04,160
Speaker 1: I mean I was like, get a rock, Brenda, do something.

660
00:34:04,920 --> 00:34:05,440
Speaker 3: She said it.

661
00:34:05,560 --> 00:34:08,640
Speaker 1: He's like, no, not my rover, I'll pay for it.

662
00:34:08,640 --> 00:34:09,080
Speaker 1: It's okay.

663
00:34:10,120 --> 00:34:14,240
Speaker 4: It's like, obviously, dude, and look what he ended up with, stripped.

664
00:34:13,880 --> 00:34:17,040
Speaker 1: Car, getting his getting feathers all over him. Because that

665
00:34:17,239 --> 00:34:19,680
Speaker 1: is something that happens all the time in the desert.

666
00:34:20,000 --> 00:34:26,760
Speaker 1: A guy drives by with open chicken cages in the desert.

667
00:34:27,840 --> 00:34:31,920
Speaker 3: And there's saw massacre. But like, not like Palm Springs.

668
00:34:32,280 --> 00:34:34,920
Speaker 4: There's not a lot of places that are thirty miles

669
00:34:34,960 --> 00:34:38,000
Speaker 4: from the desert, Like you're basically in La thirty miles

670
00:34:38,000 --> 00:34:38,520
Speaker 4: from the desert.

671
00:34:38,520 --> 00:34:39,719
Speaker 3: Where's the windmills?

672
00:34:40,680 --> 00:34:41,880
Speaker 1: They didn't show the windmill.

673
00:34:42,040 --> 00:34:43,400
Speaker 4: Where's the outlets?

674
00:34:44,960 --> 00:34:47,239
Speaker 3: I love those outlets.

675
00:34:47,760 --> 00:34:49,640
Speaker 4: Where's the date shape, where's the date.

676
00:34:49,560 --> 00:34:51,760
Speaker 1: Chap that was in the Giant Dinosaurs.

677
00:34:52,080 --> 00:34:54,640
Speaker 4: Oh my god, the best of those shoes all there

678
00:34:54,680 --> 00:34:59,960
Speaker 4: in the nineties. Of course, Sweet rides Stewart. But you don't,

679
00:35:00,239 --> 00:35:04,960
Speaker 4: You're gone bye but me. And then did you notice

680
00:35:05,120 --> 00:35:07,160
Speaker 4: Brandon did have a little bit more of a beard

681
00:35:07,320 --> 00:35:09,640
Speaker 4: in the next scene, you know how he had the

682
00:35:09,760 --> 00:35:14,000
Speaker 4: clean shaven face that she didn't love or something. And

683
00:35:14,040 --> 00:35:15,960
Speaker 4: then she said, a beard for your beard.

684
00:35:18,160 --> 00:35:21,160
Speaker 3: Guess what she said? What a beard for your beard? Wait?

685
00:35:21,200 --> 00:35:21,640
Speaker 3: Say it again?

686
00:35:21,640 --> 00:35:27,319
Speaker 4: And what she suggests taking Kelly? And she says, a

687
00:35:27,320 --> 00:35:29,959
Speaker 4: beard for your beard? And he had a little bit more.

688
00:35:30,680 --> 00:35:34,760
Speaker 2: Wait, did she's you suggest that she's gonna take Kelly?

689
00:35:35,800 --> 00:35:38,360
Speaker 4: No, No, I know you dream of that. No, she

690
00:35:38,560 --> 00:35:43,760
Speaker 4: tells him bring a date, Bring Kelly. And then she says,

691
00:35:43,880 --> 00:35:45,759
Speaker 4: a beard for your beard.

692
00:35:47,200 --> 00:35:52,960
Speaker 1: Kelly, so I can go after her. Man, lady, I'm watching,

693
00:35:53,239 --> 00:35:54,879
Speaker 1: I'm watching you. I know what you're doing.

694
00:35:57,239 --> 00:35:57,520
Speaker 3: Well.

695
00:35:57,640 --> 00:36:00,800
Speaker 2: Unfortunately, thirty years later, you can't stop or it's happened.

696
00:36:01,840 --> 00:36:03,879
Speaker 3: You can't unless you have a time machine. You can

697
00:36:03,960 --> 00:36:07,560
Speaker 3: go back to nineteen ninety four and stop what's about

698
00:36:07,560 --> 00:36:08,080
Speaker 3: to happen?

699
00:36:08,200 --> 00:36:10,960
Speaker 1: Oh god, can you imagine watching that? If we could

700
00:36:11,040 --> 00:36:16,319
Speaker 1: do that, that would be fun change the trajectory of

701
00:36:16,360 --> 00:36:19,040
Speaker 1: the show to the way we wanted.

702
00:36:18,760 --> 00:36:21,480
Speaker 3: It in the metaverse, you guys, we could do.

703
00:36:21,440 --> 00:36:25,600
Speaker 1: That make our own. Yeah, I like that.

704
00:36:26,320 --> 00:36:27,560
Speaker 3: Oh my god, we're honest.

705
00:36:27,840 --> 00:36:27,960
Speaker 4: Thing.

706
00:36:28,480 --> 00:36:31,920
Speaker 2: We could ask the fans what they in an alternate universe,

707
00:36:31,960 --> 00:36:33,680
Speaker 2: in a metaverse, what they would have liked to have

708
00:36:33,719 --> 00:36:36,399
Speaker 2: seen happen that maybe didn't happen, and then we could

709
00:36:36,440 --> 00:36:36,960
Speaker 2: create it.

710
00:36:37,200 --> 00:36:38,520
Speaker 3: I don't know how I love it.

711
00:36:38,600 --> 00:36:40,719
Speaker 4: I've always said to a scripted podcast, and.

712
00:36:40,640 --> 00:36:43,960
Speaker 3: I have said that, she's always said it before, you

713
00:36:44,000 --> 00:36:44,440
Speaker 3: guys go.

714
00:36:44,920 --> 00:36:47,920
Speaker 4: I do have to say Brenda's hair is a ten

715
00:36:48,000 --> 00:36:50,759
Speaker 4: out of ten. Her hair is phenomenal, and.

716
00:36:50,800 --> 00:36:51,960
Speaker 3: Her whole looks amazing.

717
00:36:52,600 --> 00:36:56,520
Speaker 4: Yeah in that black dress, Yeah, ten out of ten.

718
00:36:56,640 --> 00:36:57,359
Speaker 1: She looks good.

719
00:36:58,520 --> 00:37:01,680
Speaker 4: She really does. I loved it. I don't know why.

720
00:37:03,600 --> 00:37:06,440
Speaker 3: We just didn't love the episode, didn't love it to.

721
00:37:06,560 --> 00:37:07,200
Speaker 1: Each his own.

722
00:37:07,960 --> 00:37:11,359
Speaker 4: I love everything about it, even that fool Josh going

723
00:37:11,400 --> 00:37:15,480
Speaker 4: around it, joker, He's like trying to get the dirt

724
00:37:15,640 --> 00:37:17,240
Speaker 4: on it. It's just so good.

725
00:37:17,600 --> 00:37:18,160
Speaker 1: It's good.

726
00:37:18,480 --> 00:37:20,480
Speaker 4: And I thought Steve Sanders was going to blow it.

727
00:37:20,560 --> 00:37:24,360
Speaker 1: I'm like, Steve, I think he probably did in some way. Yeah,

728
00:37:24,719 --> 00:37:25,680
Speaker 1: that's that will.

729
00:37:25,520 --> 00:37:30,160
Speaker 4: Be revealed Denim on Denim Steve, I have.

730
00:37:30,120 --> 00:37:33,440
Speaker 2: A question, is there any episode in the ten years

731
00:37:33,480 --> 00:37:34,520
Speaker 2: that you didn't like?

732
00:37:35,480 --> 00:37:35,680
Speaker 1: Oh?

733
00:37:35,719 --> 00:37:39,800
Speaker 4: Me, yeah, you know it's weird. This is hard to admit.

734
00:37:40,440 --> 00:37:42,920
Speaker 4: I don't like the first season as much as I

735
00:37:43,000 --> 00:37:46,719
Speaker 4: do later. The first season was kind of slow for me.

736
00:37:49,920 --> 00:37:52,399
Speaker 3: I like it, are you watching it now or then?

737
00:37:53,440 --> 00:37:55,760
Speaker 4: I can't remember then, but I know when we started

738
00:37:55,760 --> 00:37:59,399
Speaker 4: this podcast, I was like, oh, because that is because

739
00:37:59,440 --> 00:38:03,040
Speaker 4: I remember. And then by season two three then it

740
00:38:03,120 --> 00:38:05,719
Speaker 4: was really kicking in and I was it's same thing

741
00:38:05,800 --> 00:38:08,600
Speaker 4: as people like, you know when the summer episode started

742
00:38:08,640 --> 00:38:12,600
Speaker 4: and the show took off. That's how that was my experience.

743
00:38:12,719 --> 00:38:15,879
Speaker 4: I think then and rewatching it, I'm like, oh, and

744
00:38:15,920 --> 00:38:16,880
Speaker 4: now I just love it.

745
00:38:16,920 --> 00:38:19,440
Speaker 7: The cheesier, the better, the more sort of soapy, and

746
00:38:19,680 --> 00:38:21,120
Speaker 7: yeah it's gonna get so good.

747
00:38:21,800 --> 00:38:22,759
Speaker 4: Oh good, it is.

748
00:38:22,760 --> 00:38:23,920
Speaker 3: Gonna get soapy.

749
00:38:24,760 --> 00:38:25,919
Speaker 4: Oh it's so good.

750
00:38:26,160 --> 00:38:27,719
Speaker 3: I mean a good way. I guess it's fun.

751
00:38:28,880 --> 00:38:31,200
Speaker 1: It's good, clean fun without the cleans.

752
00:38:32,440 --> 00:38:35,160
Speaker 2: If fans had to say when they feel nine O

753
00:38:35,239 --> 00:38:38,399
Speaker 2: two and zero jumped the shark, sorry just saying because

754
00:38:38,440 --> 00:38:41,520
Speaker 2: people have opinions, when did they usually say eight?

755
00:38:42,080 --> 00:38:42,799
Speaker 4: I say eight?

756
00:38:43,280 --> 00:38:43,919
Speaker 3: You say eight?

757
00:38:44,400 --> 00:38:44,959
Speaker 4: Seven, eight.

758
00:38:45,120 --> 00:38:48,880
Speaker 2: Is there consensus out there, like a percentage? We know

759
00:38:49,000 --> 00:38:51,560
Speaker 2: you love all ten seasons, so do we, But we

760
00:38:51,560 --> 00:38:53,719
Speaker 2: should ask that people have like.

761
00:38:53,760 --> 00:38:57,320
Speaker 3: Opinions like was it after high school? Was it after college?

762
00:38:57,640 --> 00:39:00,640
Speaker 4: No? No, no, not after high school? Nobody, no, no, no.

763
00:39:01,960 --> 00:39:04,719
Speaker 4: There's not a soul in America that thinks that.

764
00:39:05,040 --> 00:39:09,200
Speaker 2: Well, there's some hardcore Brenda fans. They're going to say

765
00:39:09,840 --> 00:39:11,480
Speaker 2: season five probably.

766
00:39:11,080 --> 00:39:14,480
Speaker 1: When she left the show, she leaves, Yeah, understandable.

767
00:39:14,840 --> 00:39:17,080
Speaker 4: Yeah, I don't agree.

768
00:39:17,160 --> 00:39:18,400
Speaker 3: We want to hear. We want to hear that.

769
00:39:18,440 --> 00:39:21,400
Speaker 1: I can't wait to see because I mean, I'm going

770
00:39:21,440 --> 00:39:24,080
Speaker 1: to be interested to watch that as a fan. How

771
00:39:24,120 --> 00:39:27,919
Speaker 1: I feel about when when there is no Brenda because

772
00:39:27,920 --> 00:39:30,520
Speaker 1: I can't pick no, I can't picture no.

773
00:39:30,840 --> 00:39:33,399
Speaker 3: Oh, you guys as a fan too, right now, I.

774
00:39:33,360 --> 00:39:37,280
Speaker 4: Cannot wait to see what you think of five.

775
00:39:37,719 --> 00:39:41,920
Speaker 1: Oh my god, Well there's so much fun in store,

776
00:39:42,280 --> 00:39:45,879
Speaker 1: that is for sure. We have another episode next week.

777
00:39:45,920 --> 00:39:48,200
Speaker 1: What's the title of it? Anyone? Anyone? Anyone?

778
00:39:48,920 --> 00:39:51,840
Speaker 4: Change partners, change next.

779
00:39:51,600 --> 00:39:55,440
Speaker 1: Week, change literal. I feel like we're we know what.

780
00:39:56,480 --> 00:39:57,960
Speaker 4: Yeah?

781
00:39:58,800 --> 00:40:01,279
Speaker 1: Oh god, all right, you guys are so good. You

782
00:40:01,440 --> 00:40:09,279
Speaker 1: have a good week, Love you, love you. M