WEBVTT - #352: Bulls Balls & Gravy

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<v Speaker 1>Start up, dot up, start Up, Brooklyn Boys, start Up,

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<v Speaker 1>Brooklyn Boys.

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<v Speaker 2>Start up, dot up, dot up.

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<v Speaker 1>They making noise dot up, start up, dot up up,

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<v Speaker 1>dot dot up. Episode three fifty two. Welcome to the

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<v Speaker 1>Brooklyn Boys Podcast. My name is Scary Jones. This is

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<v Speaker 1>David Brody over here over here, over there. I'm over

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<v Speaker 1>there now. Yeah, what's going on, David Brody? How you

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<v Speaker 1>feeling tonight? I'm good, it's uh, well, it's a what

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<v Speaker 1>is it?

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<v Speaker 2>Wednesday?

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<v Speaker 1>Wednesday? Man Wednesday? And when you're when you Wednesday night,

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<v Speaker 1>when you're not working, you lose track of the days, right.

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<v Speaker 2>Lose track of the days. Uh, you know what.

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<v Speaker 1>I'm just I'm a little flustered because you know, I'm

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<v Speaker 1>a Mets fan and as am I am home tonight.

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<v Speaker 1>I am home tonight to watch the game, so no

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<v Speaker 1>one can ruin it for me, right, and I would

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<v Speaker 1>have preferred if someone ruined it for me, because they're

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<v Speaker 1>losing six nothing and maybe uh losing their way out

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<v Speaker 1>of the playoffs. So I think they it's a foregone

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<v Speaker 1>conclusion they already lost their way out of the playoffs.

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<v Speaker 1>I mean, and our football teams are both ow and

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<v Speaker 1>three at this point. Terrible. New York is owing six

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<v Speaker 1>in National Football League if but who's county the Yankees doing?

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<v Speaker 1>The Yankees are doing well. We're not Yankees. And you

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<v Speaker 1>know who else is doing well? The former quarterback of

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<v Speaker 1>the New York Giants, Daniel Jones is crushing it with

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<v Speaker 1>the cults. He had he had two good weeks. His

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<v Speaker 1>last week was okay, he still three and O god?

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<v Speaker 1>What why is it these players see? I really believe

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<v Speaker 1>they can't play and take the heat. It's playing under

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<v Speaker 1>the New York City lights, the big lights. A lot

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<v Speaker 1>of these players they choke when they come to New York.

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<v Speaker 1>What's the matter, Brody? I don't know if that's the

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<v Speaker 1>kid over there. Oh, the Pirates just scored a run.

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<v Speaker 1>They're up three to We're hoping they beat the Reds.

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<v Speaker 1>Sorry if you're a Reds fan anyway, this is not

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<v Speaker 1>a sports podcast.

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<v Speaker 2>No, let's get off sports.

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<v Speaker 1>No, but let's talk about let's talk about choking under

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<v Speaker 1>the pressure. Are you're having your big moment in New York? Think?

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<v Speaker 1>I mean, so many players have been awesome before they

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<v Speaker 1>got here. I'm talking about general sports. In all the sports,

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<v Speaker 1>A lot of players were great before they got here.

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<v Speaker 1>They get here, they're underwhelming. They can't take the heat,

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<v Speaker 1>they can't take the criticism, the press, the fans, and

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<v Speaker 1>then they do horribly and then they leave and then

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<v Speaker 1>they continue on their path of success. So what is

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<v Speaker 1>it about? Is there too much pressure about being here

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<v Speaker 1>in New York City? And I'm just gigibrilizing. Now take

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<v Speaker 1>a breath. Yeah, Okay, that was a very long question.

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<v Speaker 1>All right, weird that was almost too your weird out question.

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<v Speaker 1>That was your weird out questions. It's gonna here's what

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<v Speaker 1>I'll say about New York. Everything here is magnified. So

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<v Speaker 1>like after the game, when the reporters come to your locker,

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<v Speaker 1>it's forty reporters, not three, right, And a lot of

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<v Speaker 1>times guys who grew up in small town America, it's

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<v Speaker 1>a lot for them, even though they played college ball.

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<v Speaker 1>It's a lot of attention, it's a lot of fan reaction,

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<v Speaker 1>and there's a lot.

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<v Speaker 2>Of pressure to win.

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<v Speaker 1>Yeah, maybe more so in bigger cities where you have

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<v Speaker 1>you know, in the New York Tristate area, you've got

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<v Speaker 1>twelve to thirteen million people right the general area, So

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<v Speaker 1>that's a lot of people. Right. You can't walk down

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<v Speaker 1>the street. Maybe you're not comfortable going out at night

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<v Speaker 1>in the city because you're you're a farm boy or something.

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<v Speaker 1>It's a lot and I would imagine if you're a

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<v Speaker 1>city boy, you know, going to play for a small

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<v Speaker 1>town team, maybe you don't do as well, you're not

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<v Speaker 1>as happy to live in a small town. But I

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<v Speaker 1>think it's a cliche to say that most players can't

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<v Speaker 1>handle the pressure. I think I think there's definitely a

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<v Speaker 1>small amount. But whatever team you root for in professional sports,

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<v Speaker 1>you only remember the players that did well somewhere else,

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<v Speaker 1>and you're always gonna.

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<v Speaker 2>Go, oh, nobody does well. They always did the best.

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<v Speaker 1>There's also players that don't do well other places come

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<v Speaker 1>to New York and thrive. There's both sides of the

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<v Speaker 1>both sides of the story then, all right, But I

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<v Speaker 1>only see it one way because I just see all

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<v Speaker 1>these big name players being signed with these crazy, crazy

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<v Speaker 1>bonuses and awesome paychecks, and and then they I'm like, Okay,

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<v Speaker 1>you're in the this is your spot, this is the time,

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<v Speaker 1>this is why we pay you, and then they strike out.

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<v Speaker 1>So money doesn't money doesn't help you. Wan So is

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<v Speaker 1>having an MVP year? What are you talking about? I

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<v Speaker 1>know but I know, but he he comes up in

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<v Speaker 1>big spots and I don't know the ones that I'm

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<v Speaker 1>sorry the team that he's carrying the team the last

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<v Speaker 1>two months. He's one of the hottest players in baseball.

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<v Speaker 1>I know, but you you're a headline reader. I just

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<v Speaker 1>I just see him. No, he could have he could

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<v Speaker 1>have done something for us the other night, and I

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<v Speaker 1>don't know. Never mind, forget it. I don't want to

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<v Speaker 1>get it. We're not it is not a sports podcast.

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<v Speaker 1>But you hold on. Are you saying Juan Soto a

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<v Speaker 1>place for the Mets? If you don't know, is one

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<v Speaker 1>of those guys who doesn't come through every time like

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<v Speaker 1>some players do. Nobody comes through every time. You know,

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<v Speaker 1>a Hall of Fame baseball player fails seven out of

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<v Speaker 1>ten times. No, that's a crazy stat. Well, a three

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<v Speaker 1>hundred hitter, a three hundred seven out of ten times.

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<v Speaker 1>No other sports I like that. If you shoot three

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<v Speaker 1>hundred percent in basketball, you're out of a job. You're

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<v Speaker 1>out of a job. If you complete, if you complete

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<v Speaker 1>thirty percent of your passes in football, you're out of

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<v Speaker 1>a job. You're out of a job. In baseball, that's

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<v Speaker 1>a good thing. You're in the Hall of Famer, right, So,

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<v Speaker 1>because again the old expression, hitting a round ball with

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<v Speaker 1>a round piece of wood and hitting squarely is the

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<v Speaker 1>hardest thing to do in professional sports that some people

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<v Speaker 1>would say. You know, I listen, race car driving is

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<v Speaker 1>very difficult as a lot of things. But hitting one

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<v Speaker 1>hundred mile an hour baseball with a piece of wood

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<v Speaker 1>and making it go somewhere you want is very difficult.

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<v Speaker 1>I heard not listen not to continue on the sports team,

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<v Speaker 1>but you know, uh in sports tip here. But you

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<v Speaker 1>and I worked in New York radio and we succeeded somehow.

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<v Speaker 2>We handled the pressure.

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<v Speaker 1>We did we did, Okay, I hear that in football

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<v Speaker 1>the punter who has to kick a kick a weird

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<v Speaker 1>a weird shaped object, you know, and you don't know

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<v Speaker 1>where it's gonna go. Uh, the punter is is is

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<v Speaker 1>a dying art. And uh, they're using the punter less

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<v Speaker 1>and less because more teams are going for it on

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<v Speaker 1>fourth down, so they don't really need the punter as

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<v Speaker 1>much as they used to. They're not punting the ball

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<v Speaker 1>away they're going And I think it's then we don't

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<v Speaker 1>do a sports podcast. But the punter is talking about

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<v Speaker 1>the least important one of the least important players on

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<v Speaker 1>a football team.

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<v Speaker 2>That's how deep we're going sports.

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<v Speaker 1>We're going all we going all the way in tonight,

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<v Speaker 1>We're going balls deep on sports balls. I mean basketball, football, baseball,

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<v Speaker 1>pick your ball. I'm kidding anyway. No, I just read

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<v Speaker 1>that little stat and I was wondering. Yeah, okay, that

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<v Speaker 1>reminds me on Slice Time earlier this week, Slice Time

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<v Speaker 1>for episode three fifty one. I've promised to do my

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<v Speaker 1>my bulls balls joke. Okay, I think you should do

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<v Speaker 1>it right here. All right, this is a joke I've

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<v Speaker 1>been telling since I'm like eight years old. I don't

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<v Speaker 1>know a lot of jokes because I'm not a joke teller.

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<v Speaker 1>I say things that are funny. I say funny things.

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<v Speaker 1>I say things funny, right that. That's like, that's what

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<v Speaker 1>a comic does. He says things in a funny way. Right. Yeah,

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<v Speaker 1>So okay, for those who care, I care, this this happened,

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<v Speaker 1>This happened a long time ago. Francisco Abere is just

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<v Speaker 1>homeward and now it's six to one. Oh whoohoo. All right,

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<v Speaker 1>by the time you hear this podcast, all of this

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<v Speaker 1>will be irrelevant. But continue. Yeah, okay, so this guy

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<v Speaker 1>goes to Mexico. Yeah, and he's by himself on a

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<v Speaker 1>business trip. Yeah, and he goes into somebody recommended a

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<v Speaker 1>restaurant that he goes into. He goes into a restaurant

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<v Speaker 1>and he says to the waiter, listen, I'm mean here

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<v Speaker 1>by myself tonight, I'm on business. Uh what do you got?

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<v Speaker 1>What's the specialty here? What should I have? And the

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<v Speaker 1>waiter system signor you should have bulls balls? Bulls balls.

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<v Speaker 1>It's a he says. So he says, let me, let me,

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<v Speaker 1>let me, let me go back a second. He says,

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<v Speaker 1>I got you just have the special.

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<v Speaker 2>So he's like, you bring me a special whatever it is.

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<v Speaker 1>So he brings in this plate and it's two giant

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<v Speaker 1>round balls covered in in a in a red sauce. Right,

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<v Speaker 1>and he says what is it? And he says bullsballs.

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<v Speaker 1>He says, bullsballs. Just signor it's a good delicacy. You

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<v Speaker 1>will love it. Try the bulls balls. They're fantastic. So

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<v Speaker 1>he takes a bite of one and he's like, oh

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<v Speaker 1>my god, it's so tender, so delicious. He eats it,

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<v Speaker 1>loves it, goes back three or four nights in a row,

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<v Speaker 1>every night to the same restaurant.

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<v Speaker 2>He gets bullsballs, loves it.

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<v Speaker 1>So it's his last night in Mexico before he's flying

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<v Speaker 1>back to America on his from his business trip.

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<v Speaker 2>He goes in, he goes, give me a special.

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<v Speaker 1>They bring it out and it's it's two they're very

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<v Speaker 1>small balls on the plate in red sauce, and he

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<v Speaker 1>calls the waiter. Nobody says, uh, signor, I've been here

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<v Speaker 1>every night this week.

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<v Speaker 2>What happened?

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<v Speaker 1>Why are they so small? And the waiters says, senor.

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<v Speaker 1>Sometimes the bullwinds very funny. Yes, I get it, very nice,

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<v Speaker 1>David Brody, I like that. I wish I had a timpany.

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<v Speaker 1>I wish i'd kind of a rim shot for you.

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<v Speaker 1>But all right, well that's one of the jokes I've

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<v Speaker 1>been telling since I'm a kid. All Right, I don't

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<v Speaker 1>you remember jokes, but that one's an easy one. Your

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<v Speaker 1>your go to. All Right, remember that next time. Sometimes

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<v Speaker 1>the bull wins. And if you're at a party and

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<v Speaker 1>things are looking glum, people aren't having fun, you shoot,

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<v Speaker 1>you too, should tell the bulls balls joke. It'll be

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<v Speaker 1>a crowd. I have I think, I think in my

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<v Speaker 1>life I have three jokes. So maybe some other time

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<v Speaker 1>I'll do another one of them, one of the three. Ye,

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<v Speaker 1>we will be right back. Uh, yeah, I have a

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<v Speaker 1>few offensive ones I'm not gonna tell. I was thinking

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<v Speaker 1>during the break there. Yeah, I'm just gonna move on. Whoa, whoa.

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<v Speaker 1>If you have an offensive jokes before this podcast is over,

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<v Speaker 1>I think the slices and I would like to hear it.

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<v Speaker 2>I know Reggie would like to hear it.

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<v Speaker 1>Reggie there, Now, is it offensive dirty sexual? Or is

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<v Speaker 1>it like racial and offensive to minority groups like some

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<v Speaker 1>of your jokes are. Yes, I'm not gonna do that.

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<v Speaker 1>And by the way, I'm just I'm just joking. Scary

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<v Speaker 1>doesn't tell jokes like that. No, no, but I've heard

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<v Speaker 1>a few of them. All right, all right, hey, yeah ahead.

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<v Speaker 1>I have a couple of problems that I've had in restaurants,

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<v Speaker 1>but this one had nothing to do with service, and

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<v Speaker 1>I wanted to run it by you to see your thoughts,

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<v Speaker 1>and if you're a server, I would like you to

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<v Speaker 1>leave us a talk back which with your thoughts on

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<v Speaker 1>if you would do this or what you think of

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<v Speaker 1>this waiter. So I went to see my one of

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<v Speaker 1>my favorite meetians, Gary Goleman g U L M A N.

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<v Speaker 1>I've talked about him on the podcast before. I believe

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<v Speaker 1>brilliant comedian. And I went with my friend Paper Menu

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<v Speaker 1>and two of his friends. So the four of us

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<v Speaker 1>went to a comedy show and we drove up to Poughkeepsie,

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<v Speaker 1>New York. So if you're listening to Poughkeepsie, you're like,

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<v Speaker 1>oh my god, he just said Poughkeepsie. So it's it's

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<v Speaker 1>about an hour and a half drive up to Poughkeepsie.

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<v Speaker 1>It's a cute little town, very nice, and we went

0:11:24.840 --> 0:11:27.880
<v Speaker 1>to a nice theater, but we got there maybe forty

0:11:27.880 --> 0:11:30.920
<v Speaker 1>five half hour, forty minutes before the show started. So

0:11:30.960 --> 0:11:33.800
<v Speaker 1>one of the guys says, hey, why don't we walk

0:11:33.840 --> 0:11:35.600
<v Speaker 1>to the restaurant we were gonna go to dinner at

0:11:35.640 --> 0:11:37.959
<v Speaker 1>because we canceled dinner plans at the last minute. Why

0:11:37.960 --> 0:11:41.319
<v Speaker 1>don't we walk over there, get a pregame drink, and

0:11:42.200 --> 0:11:44.079
<v Speaker 1>then we'll go to the show. So I was like,

0:11:44.080 --> 0:11:46.360
<v Speaker 1>all right, well we'll go over there. So we went

0:11:46.400 --> 0:11:48.200
<v Speaker 1>to a restaurant I'm gonna say who it is because

0:11:48.200 --> 0:11:51.079
<v Speaker 1>I'll give a f called Millhouse in.

0:11:52.600 --> 0:11:57.160
<v Speaker 2>Very nice place. In fact, it was packed. It's like

0:11:57.760 --> 0:11:58.319
<v Speaker 2>it looks like.

0:11:58.280 --> 0:12:02.559
<v Speaker 1>A giant like all armhouse or a really nice looking

0:12:02.679 --> 0:12:03.640
<v Speaker 1>big restaurant.

0:12:03.840 --> 0:12:04.480
<v Speaker 2>It was packed.

0:12:04.520 --> 0:12:07.679
<v Speaker 1>It's all like woodenside, like a barn, sort of like

0:12:07.920 --> 0:12:10.880
<v Speaker 1>very rustic motif. The place was had a lot of

0:12:10.920 --> 0:12:14.720
<v Speaker 1>It was very busy, and we were there on Saturday night,

0:12:15.440 --> 0:12:17.000
<v Speaker 1>so I get it, you know, busy place.

0:12:17.800 --> 0:12:19.880
<v Speaker 2>And we're standing at the bar. Now, the way the

0:12:19.880 --> 0:12:21.360
<v Speaker 2>bar is. The bar is.

0:12:23.040 --> 0:12:25.160
<v Speaker 1>There's a bunch of rooms because it's like a house

0:12:25.280 --> 0:12:28.079
<v Speaker 1>right in this room. The bar is on the short

0:12:28.160 --> 0:12:33.400
<v Speaker 1>side of the big room against the wall, and then

0:12:33.800 --> 0:12:36.040
<v Speaker 1>two thirds of the room is tables.

0:12:36.520 --> 0:12:37.240
<v Speaker 2>You got it so far?

0:12:37.440 --> 0:12:44.440
<v Speaker 1>Yeah, okay, so imagine the tables are yeah, the two

0:12:44.440 --> 0:12:47.679
<v Speaker 1>thirds of the room table okay. So all the seats

0:12:47.679 --> 0:12:49.800
<v Speaker 1>at the bar are taken, and at the bar there's

0:12:49.840 --> 0:12:53.600
<v Speaker 1>TV sets and there's baseball games on and whatever's going on.

0:12:54.400 --> 0:13:00.000
<v Speaker 1>And we just walked maybe five blocks from the theater,

0:13:01.120 --> 0:13:03.079
<v Speaker 1>and I was a little crampy from the car ride,

0:13:03.280 --> 0:13:06.679
<v Speaker 1>so I wanted to sit down. So there's a table

0:13:07.040 --> 0:13:11.000
<v Speaker 1>of four top table right by the bar, right where

0:13:11.120 --> 0:13:16.160
<v Speaker 1>where the tables begin, right, and it's maybe six or

0:13:16.200 --> 0:13:20.440
<v Speaker 1>seven feet from the bar, but nobody's sitting there. Okay,

0:13:21.600 --> 0:13:27.360
<v Speaker 1>it's now. I sit down around seven thirty five. Show

0:13:27.360 --> 0:13:30.520
<v Speaker 1>starts at eight. Okay, yeah, seven thirty five. I sit

0:13:30.559 --> 0:13:32.520
<v Speaker 1>down at the table. I make sure to turn the

0:13:32.600 --> 0:13:35.000
<v Speaker 1>chair around so I'm not sitting at the table. I'm

0:13:35.000 --> 0:13:37.320
<v Speaker 1>not touching the silverware'm not touching the napkin. I'm just

0:13:37.320 --> 0:13:40.000
<v Speaker 1>sitting in a chair. And my friends are all standing

0:13:40.040 --> 0:13:42.679
<v Speaker 1>right there okay, drinking, drinking beers.

0:13:42.400 --> 0:13:43.000
<v Speaker 2>Whatever they had.

0:13:44.240 --> 0:13:46.920
<v Speaker 1>And a waiter comes over and he says, excuse me,

0:13:46.920 --> 0:13:47.880
<v Speaker 1>so I'm gonna need you to get up.

0:13:49.400 --> 0:13:50.480
<v Speaker 2>I said, why, what's the matter?

0:13:50.840 --> 0:13:54.320
<v Speaker 1>He says, I have a reservation for that table, So

0:13:54.440 --> 0:13:58.520
<v Speaker 1>I said, so, I said, well, all right, well when

0:13:58.520 --> 0:14:02.240
<v Speaker 1>they come, I'll be glad to get up. Now I

0:14:02.280 --> 0:14:05.120
<v Speaker 1>need the table's reserved, so I need the table, all right,

0:14:05.120 --> 0:14:07.079
<v Speaker 1>no problem. So I stand up, I put the chair

0:14:07.160 --> 0:14:10.080
<v Speaker 1>back where it is, and we stand there. Now it's

0:14:10.080 --> 0:14:16.480
<v Speaker 1>seven thirty seven. Scary, we wait, we were there until

0:14:16.520 --> 0:14:21.040
<v Speaker 1>seven forty six. Yeah, so another ten minutes roughly, Yeah,

0:14:22.000 --> 0:14:25.600
<v Speaker 1>nobody came for the table. So my question is, was

0:14:25.640 --> 0:14:29.240
<v Speaker 1>the reservation for seven thirty and at seven thirty seven

0:14:29.240 --> 0:14:31.600
<v Speaker 1>he tells me to get up when they're not there yet?

0:14:32.000 --> 0:14:35.280
<v Speaker 1>Or is the reservation for seven forty five because they

0:14:35.280 --> 0:14:38.640
<v Speaker 1>weren't there, or is the reservation for eight The reservation

0:14:38.840 --> 0:14:43.640
<v Speaker 1>was for eight o'clock, guaranteed guaranteed eight o'clock reservation, right,

0:14:44.160 --> 0:14:46.000
<v Speaker 1>So why is he making me get up at seven

0:14:46.120 --> 0:14:49.360
<v Speaker 1>thirty seven for some But there's nobody coming.

0:14:49.720 --> 0:14:50.560
<v Speaker 2>There's nobody there.

0:14:50.640 --> 0:14:53.960
<v Speaker 1>We left at seven forty eight, roughly seven forty seven.

0:14:54.440 --> 0:14:59.600
<v Speaker 1>There was nobody there, nobody your juju around that table.

0:15:00.600 --> 0:15:04.080
<v Speaker 2>He doesn't know my religion, but.

0:15:05.920 --> 0:15:08.760
<v Speaker 1>He didn't. That guy's an asshole? Am I wrong? He's

0:15:08.800 --> 0:15:11.240
<v Speaker 1>an asshole. He could have let you hang out a

0:15:11.240 --> 0:15:14.480
<v Speaker 1>few more minutes. I mean, what he probably didn't want

0:15:14.960 --> 0:15:20.000
<v Speaker 1>was the incoming party to look and see you sitting

0:15:20.400 --> 0:15:24.280
<v Speaker 1>in their seat from a distance, and then you like,

0:15:24.360 --> 0:15:27.160
<v Speaker 1>he shoes you away and then they're like someone was

0:15:27.200 --> 0:15:29.840
<v Speaker 1>just sitting there. They don't want to when people walk

0:15:29.880 --> 0:15:32.640
<v Speaker 1>into it wasting on the plates. When people walk into

0:15:32.680 --> 0:15:36.040
<v Speaker 1>a venue, they want to walk into they want to

0:15:36.040 --> 0:15:37.840
<v Speaker 1>walk into the restaurant, they want to walk in to

0:15:37.960 --> 0:15:42.640
<v Speaker 1>see their table, like ready to roll clean. Nobody there.

0:15:43.200 --> 0:15:49.400
<v Speaker 1>You're like literally completely empty the entire space. You ran

0:15:49.440 --> 0:15:55.360
<v Speaker 1>the riss Would you care? It's attiquette by the way,

0:15:55.360 --> 0:15:58.600
<v Speaker 1>I'm coming back to myself again, and it's coming back again.

0:15:58.640 --> 0:16:02.000
<v Speaker 1>It's coming through your No, it's not, it's you my

0:16:02.120 --> 0:16:04.960
<v Speaker 1>How can my equipment loop back? You have the you

0:16:05.040 --> 0:16:07.440
<v Speaker 1>have the board there, it's your four million dollar appointment.

0:16:07.520 --> 0:16:09.320
<v Speaker 1>It's it's it's throwing me a little bit. All right,

0:16:09.320 --> 0:16:14.880
<v Speaker 1>it's gone anyway. So what I'm telling you is when

0:16:14.920 --> 0:16:17.160
<v Speaker 1>you be offended. If you came to your table and

0:16:17.200 --> 0:16:19.200
<v Speaker 1>someone was sitting in a chair turned around yes, and

0:16:19.280 --> 0:16:22.920
<v Speaker 1>and I got yes, I'd be pissed. Pissed.

0:16:22.960 --> 0:16:23.760
<v Speaker 2>You'd be pissed.

0:16:23.920 --> 0:16:26.160
<v Speaker 1>That's because you think nobody sits in those chairs before

0:16:26.200 --> 0:16:31.040
<v Speaker 1>you get there. How fancy is this place? I just

0:16:31.080 --> 0:16:35.920
<v Speaker 1>told you it's like a rustic old farmhouse, still a restaurant, okay,

0:16:35.960 --> 0:16:37.760
<v Speaker 1>but you asked me how fancy it was, because you know,

0:16:37.880 --> 0:16:39.200
<v Speaker 1>damn well, it's not fancy.

0:16:39.320 --> 0:16:40.760
<v Speaker 2>If it was fancy, it.

0:16:40.520 --> 0:16:42.200
<v Speaker 1>Is it a ball okay, if it was a bar,

0:16:42.960 --> 0:16:45.680
<v Speaker 1>if it was Chili's, if it was you know, then

0:16:45.680 --> 0:16:49.400
<v Speaker 1>who cares, you know? But if you have a resermetation casual,

0:16:49.520 --> 0:16:53.080
<v Speaker 1>it's a casual dining place. I think there was a

0:16:53.200 --> 0:16:55.880
<v Speaker 1>bar five feet away and these were some of the

0:16:55.920 --> 0:16:58.000
<v Speaker 1>tables by the ball. I think things get a little

0:16:58.040 --> 0:17:01.840
<v Speaker 1>bit more serious when reservations are in play.

0:17:02.520 --> 0:17:04.520
<v Speaker 2>If it was like legedly, if.

0:17:04.359 --> 0:17:07.879
<v Speaker 1>He was if he had let's say, he was just

0:17:07.920 --> 0:17:10.520
<v Speaker 1>seating a party that just walked in off the street

0:17:10.680 --> 0:17:12.159
<v Speaker 1>and I see you, you know, and that was me

0:17:12.320 --> 0:17:15.520
<v Speaker 1>and I saw you sitting there, not a problem. But

0:17:16.600 --> 0:17:19.960
<v Speaker 1>if I, as the customer, made a reservation and saw

0:17:20.000 --> 0:17:22.200
<v Speaker 1>you switting there, but it changes the things.

0:17:22.400 --> 0:17:23.720
<v Speaker 2>It's seven thirty seven.

0:17:24.080 --> 0:17:26.440
<v Speaker 1>If the reservation was for eight, couldn't he just say

0:17:26.440 --> 0:17:28.280
<v Speaker 1>to me, yes, he's a duke, he's a douche I

0:17:28.280 --> 0:17:30.200
<v Speaker 1>have a yeah cue. He could have there we go.

0:17:30.359 --> 0:17:32.520
<v Speaker 1>He could have kicked you out at seven fifty seven.

0:17:32.920 --> 0:17:35.000
<v Speaker 1>I'm just telling him, I have a party coming in

0:17:35.000 --> 0:17:36.000
<v Speaker 1>in twenty three minutes.

0:17:36.080 --> 0:17:37.960
<v Speaker 2>Yeah, I'm When I come back, I'm.

0:17:37.800 --> 0:17:42.160
<v Speaker 1>Going to ask you, you know, complete moron, schmuck, right, asshole, douchebag,

0:17:42.359 --> 0:17:44.800
<v Speaker 1>every name, come on, throw on him, throw every name

0:17:44.840 --> 0:17:45.440
<v Speaker 1>of the book at him.

0:17:45.560 --> 0:17:48.359
<v Speaker 2>Yeah, absolutely, Marker. He could have he could have been a.

0:17:48.359 --> 0:17:51.360
<v Speaker 1>Little bit more accommodating to you. But uh, that's all. Yeah,

0:17:51.400 --> 0:17:53.239
<v Speaker 1>if it was an eight o'clock reservation, it was. If

0:17:53.240 --> 0:17:56.440
<v Speaker 1>it was a seven forty five reservation, which you said

0:17:56.440 --> 0:17:59.080
<v Speaker 1>it wasn't because the people didn't come in at seven

0:17:59.160 --> 0:18:02.040
<v Speaker 1>forty eight, then then they were late for that. Then

0:18:02.520 --> 0:18:04.680
<v Speaker 1>they could have been late. If it was a seven

0:18:04.720 --> 0:18:07.080
<v Speaker 1>forty five reservation and you're sitting there at seven thirty seven,

0:18:07.880 --> 0:18:10.080
<v Speaker 1>that your ass is getting up. But I'm more than

0:18:10.119 --> 0:18:12.920
<v Speaker 1>likely it was an eight o'clock reservation. And uh, he

0:18:12.960 --> 0:18:14.720
<v Speaker 1>was being a douche because he wanted to kick you

0:18:14.800 --> 0:18:17.879
<v Speaker 1>out twenty minutes early, all right, so you would be

0:18:17.880 --> 0:18:19.720
<v Speaker 1>annoyed also if you were sitting I just want to

0:18:19.760 --> 0:18:21.720
<v Speaker 1>just want to check. The other thing I was thinking

0:18:21.800 --> 0:18:24.199
<v Speaker 1>is there was no reservation, and he was afraid the

0:18:24.240 --> 0:18:27.360
<v Speaker 1>hostess or host wouldn't seat that table because they thought

0:18:27.400 --> 0:18:30.800
<v Speaker 1>someone was already sitting there. I mean, I couldn't think

0:18:30.800 --> 0:18:32.680
<v Speaker 1>about in a reason why he was being a dick

0:18:32.720 --> 0:18:35.320
<v Speaker 1>about it. Yeah, no, there there's no especially if you

0:18:35.359 --> 0:18:37.200
<v Speaker 1>were facing the other way and you weren't even touching

0:18:37.200 --> 0:18:39.920
<v Speaker 1>the silverware anything. Though. I wouldn't. I wouldn't ever mess

0:18:40.000 --> 0:18:46.399
<v Speaker 1>up a tables on the table cloth. I've I've managed restaurants.

0:18:46.400 --> 0:18:51.400
<v Speaker 1>Come on, I wouldn't a tablecloth place or no, no,

0:18:51.400 --> 0:18:54.679
<v Speaker 1>no tablecloth. Okay, Again, it was a farmhouse. It was

0:18:54.720 --> 0:18:57.800
<v Speaker 1>like casual dining. It wasn't there was no table cloth.

0:18:57.880 --> 0:19:00.639
<v Speaker 1>It wasn't like it was just like wooden table. A

0:19:01.440 --> 0:19:08.240
<v Speaker 1>cracker barrel, all right, an upscale cracker barrel I met,

0:19:08.240 --> 0:19:09.760
<v Speaker 1>you know, like all the walls of the war, the

0:19:09.800 --> 0:19:12.040
<v Speaker 1>tables of wood. Yes, it was a nice place. I

0:19:12.040 --> 0:19:14.000
<v Speaker 1>would I would go back, except this way.

0:19:14.080 --> 0:19:14.680
<v Speaker 2>It was a dish.

0:19:14.800 --> 0:19:18.440
<v Speaker 1>By the way, I'm sorry if I'm dragging a little bit.

0:19:19.119 --> 0:19:24.800
<v Speaker 1>I finally completed my bedroom. Sit up, Oh sorry, sit up.

0:19:25.040 --> 0:19:28.399
<v Speaker 1>I did sit ups. I struggle with those at the gym.

0:19:28.600 --> 0:19:34.360
<v Speaker 1>I did three sets of ten, got thirty thirty since

0:19:34.440 --> 0:19:39.199
<v Speaker 1>January first. Yeah, shut up, dick, no, I I I

0:19:39.240 --> 0:19:42.000
<v Speaker 1>finished my bed. My bedroom is done. I got the rug,

0:19:42.200 --> 0:19:46.960
<v Speaker 1>I got the three lamps. I got the rug has

0:19:47.280 --> 0:19:50.360
<v Speaker 1>earth tones in it. It's white, but it's got it's

0:19:50.400 --> 0:19:53.240
<v Speaker 1>got some earth tones in it, like some You told

0:19:53.280 --> 0:19:56.200
<v Speaker 1>me you were doing a very colorful rug to offset

0:19:56.240 --> 0:19:59.000
<v Speaker 1>the room. Okay, I wanted one, and I saw the

0:19:59.000 --> 0:20:01.600
<v Speaker 1>perfect one, but I had to wait till the end

0:20:01.600 --> 0:20:03.840
<v Speaker 1>of November to get it. So I'm like, fuck that

0:20:05.240 --> 0:20:07.199
<v Speaker 1>I want. I don't know if you've ever heard of this,

0:20:07.280 --> 0:20:09.880
<v Speaker 1>but there's a thing called the Internet. You can get

0:20:09.920 --> 0:20:13.320
<v Speaker 1>anything you want at any moment, anytime. Not so you

0:20:13.400 --> 0:20:16.000
<v Speaker 1>saw one rug you couldn't get till November. You're like,

0:20:16.000 --> 0:20:18.000
<v Speaker 1>fuck it, I'm getting a white rug it was? How

0:20:18.080 --> 0:20:18.840
<v Speaker 1>was your backup plan?

0:20:19.000 --> 0:20:19.080
<v Speaker 3>No?

0:20:19.240 --> 0:20:21.520
<v Speaker 1>Wait a second, how am I gonna find this rug?

0:20:21.600 --> 0:20:26.520
<v Speaker 1>If they if they only Google image search, you can

0:20:26.600 --> 0:20:29.160
<v Speaker 1>get one similar. Are you telling me you can't find

0:20:29.200 --> 0:20:31.399
<v Speaker 1>a rug with colors in it? Well, I got you

0:20:31.480 --> 0:20:33.480
<v Speaker 1>gotta once you get a beige rug to go with

0:20:33.560 --> 0:20:36.000
<v Speaker 1>your white run. Nah, there's some blues in there. It's cool,

0:20:36.040 --> 0:20:38.760
<v Speaker 1>it's it's nice. I think you'll like it if you

0:20:38.800 --> 0:20:41.600
<v Speaker 1>if you ever this foot of my apartment again, No, no,

0:20:41.640 --> 0:20:43.800
<v Speaker 1>go inside, go inside right now. Take a picture of it.

0:20:43.960 --> 0:20:45.800
<v Speaker 1>Send me a picture right now. Go I'll wait. The

0:20:45.920 --> 0:20:47.520
<v Speaker 1>slice is of waight, go no, I want to see it.

0:20:47.520 --> 0:20:49.199
<v Speaker 1>I'm gonna hold up a picture of it. Hold on,

0:20:49.280 --> 0:20:52.159
<v Speaker 1>I have a picture of it. Here. I took a

0:20:52.160 --> 0:20:54.439
<v Speaker 1>picture righty here, I'm gonna send you this picture. Here,

0:20:54.440 --> 0:20:56.639
<v Speaker 1>I'm gonna hold up to the camera. You tell me

0:20:56.680 --> 0:21:00.000
<v Speaker 1>what you think of it, and I'm gonna show you

0:21:00.480 --> 0:21:03.000
<v Speaker 1>where is so. I sent this to Robin today.

0:21:04.720 --> 0:21:05.440
<v Speaker 2>What did she say?

0:21:06.320 --> 0:21:13.360
<v Speaker 1>Okay? She loves it. Yeah. Nice. Oh see see see

0:21:13.400 --> 0:21:16.080
<v Speaker 1>that it's got tones. Now you really can't see the

0:21:16.080 --> 0:21:20.320
<v Speaker 1>color very well, but there's blues in there. There's tones

0:21:20.359 --> 0:21:23.200
<v Speaker 1>and I yeah, but there's you know, see the nice

0:21:23.240 --> 0:21:26.000
<v Speaker 1>little lamps I got there two lamps at least you

0:21:26.040 --> 0:21:28.160
<v Speaker 1>got okay, you got a great Is that a cover sheet,

0:21:28.600 --> 0:21:31.600
<v Speaker 1>a top sheet. That's a duvet cover. That's my accent piece.

0:21:31.720 --> 0:21:34.920
<v Speaker 1>That's my accent duvet cover. You are such a boogie fox.

0:21:35.000 --> 0:21:37.800
<v Speaker 1>Look there it is that that's that's one of the drawers.

0:21:37.960 --> 0:21:40.359
<v Speaker 1>I mean, that's one of the side the Newton the stands.

0:21:40.880 --> 0:21:45.320
<v Speaker 1>Is that is that wicker? Wicker? I don't even know her. Yeah, no,

0:21:45.400 --> 0:21:48.960
<v Speaker 1>it's not wicker. It looks No, that's it's lacquer. It's

0:21:49.000 --> 0:21:52.440
<v Speaker 1>it's shine. It's good. It's nice way blacker, yeah, lacker.

0:21:52.480 --> 0:21:55.159
<v Speaker 1>I don't know her right exactly. And my bed my

0:21:55.240 --> 0:21:59.000
<v Speaker 1>bed frame. Look, I got another robin before you did

0:21:59.000 --> 0:22:01.159
<v Speaker 1>this the other side, but I sleep. Look at that

0:22:01.280 --> 0:22:03.160
<v Speaker 1>nice I got nice little you.

0:22:03.160 --> 0:22:05.400
<v Speaker 2>Are you are definitely a single man.

0:22:05.480 --> 0:22:09.600
<v Speaker 1>I got a white hamper from from pottery barn. Stand

0:22:09.600 --> 0:22:12.080
<v Speaker 1>Looking at that that lamp right there, Look at the lamps.

0:22:12.080 --> 0:22:13.720
<v Speaker 2>The lamps are white slices.

0:22:13.720 --> 0:22:15.520
<v Speaker 1>I'm sorry, scary you gotta post this on your social

0:22:15.520 --> 0:22:20.000
<v Speaker 1>media after the podcast? Why what's the matter? Because I

0:22:20.040 --> 0:22:21.760
<v Speaker 1>want I want the slices to see how you matched

0:22:21.760 --> 0:22:25.120
<v Speaker 1>white with white. This is this is a very tasteful

0:22:25.160 --> 0:22:29.200
<v Speaker 1>looking room. It's nice, beautiful. I love it. I feel calm.

0:22:29.280 --> 0:22:32.000
<v Speaker 1>And what's the what's the hood with the point at

0:22:32.000 --> 0:22:33.240
<v Speaker 1>the top laying on the chair?

0:22:33.280 --> 0:22:33.760
<v Speaker 2>What is that?

0:22:34.800 --> 0:22:43.600
<v Speaker 1>What? Oh? You're an asshole? Wow? Wow, brody making jokes?

0:22:44.200 --> 0:22:46.040
<v Speaker 2>Wow?

0:22:46.200 --> 0:22:48.080
<v Speaker 1>I need what that was? I need? I need to

0:22:48.080 --> 0:22:57.439
<v Speaker 1>redo here, Hold on, I need white, teak, sleek, clean, Okay,

0:22:57.440 --> 0:23:02.560
<v Speaker 1>we're back. Yeah, I'll say wow. So go ahead. I've

0:23:02.600 --> 0:23:04.800
<v Speaker 1>got by the way, I've got something. I got something

0:23:04.800 --> 0:23:06.200
<v Speaker 1>that I don't know if I should get Robin on

0:23:06.240 --> 0:23:07.879
<v Speaker 1>the phone for this. This is going to cause a

0:23:07.920 --> 0:23:09.600
<v Speaker 1>war between Robin and I. But you know what, for

0:23:09.640 --> 0:23:12.600
<v Speaker 1>the sake of the podcast and the slices, for the

0:23:12.640 --> 0:23:15.159
<v Speaker 1>sake of slices and I and me and you, I

0:23:15.200 --> 0:23:18.440
<v Speaker 1>think we should we should cover this topic. But continue

0:23:18.720 --> 0:23:21.400
<v Speaker 1>you wanted to say something? No, no, I'll get Robin

0:23:21.440 --> 0:23:22.600
<v Speaker 1>on the phone. I want to ask her about it.

0:23:22.680 --> 0:23:26.240
<v Speaker 1>Your your no, your your your your your white milk bedroom,

0:23:26.440 --> 0:23:28.320
<v Speaker 1>and I said white milk on purpose. She is not

0:23:28.480 --> 0:23:32.160
<v Speaker 1>going to uh she want be participating in the following conversation.

0:23:33.640 --> 0:23:37.280
<v Speaker 1>What she will not be participating in the following conversation?

0:23:37.560 --> 0:23:39.360
<v Speaker 1>Because what do you mean the following conversation?

0:23:39.400 --> 0:23:39.840
<v Speaker 2>What followed?

0:23:39.880 --> 0:23:42.440
<v Speaker 1>The one of them, the one I'm about to talk about.

0:23:42.480 --> 0:23:43.600
<v Speaker 1>But I want you to go first.

0:23:43.600 --> 0:23:45.240
<v Speaker 2>Why are we wait then?

0:23:45.280 --> 0:23:45.480
<v Speaker 1>Why?

0:23:45.640 --> 0:23:46.879
<v Speaker 2>I thought you wanted to get her on the on

0:23:46.920 --> 0:23:47.680
<v Speaker 2>the on the podcast.

0:23:47.680 --> 0:23:49.879
<v Speaker 1>Oh no, no, no, no, no no no, I need to

0:23:49.880 --> 0:23:52.760
<v Speaker 1>talk behind her back on this one because I it's

0:23:53.840 --> 0:23:57.040
<v Speaker 1>it's okay. So because this this could all right, I'm

0:23:57.080 --> 0:24:01.840
<v Speaker 1>just gonna come right out with it. So I'm getta

0:24:01.840 --> 0:24:05.960
<v Speaker 1>girl pregnant. Obviously, we are going another vacation. I know

0:24:06.200 --> 0:24:08.920
<v Speaker 1>this is a sore point for you and thislicense. Okay,

0:24:09.000 --> 0:24:12.040
<v Speaker 1>another vacation is coming up in a couple of weeks.

0:24:12.240 --> 0:24:15.280
<v Speaker 1>Not again. The whole show goes off the air together.

0:24:15.320 --> 0:24:17.960
<v Speaker 1>We all go together, We all take our vacation together. Right,

0:24:18.800 --> 0:24:25.480
<v Speaker 1>So we're off from October from the third on the Friday.

0:24:26.000 --> 0:24:28.480
<v Speaker 1>We are coming back on Tuesday, the fourteenth, the day

0:24:28.520 --> 0:24:34.280
<v Speaker 1>after Columbus Day. All right, now, so we have a

0:24:34.359 --> 0:24:37.840
<v Speaker 1>week and a day So for the first few days,

0:24:38.359 --> 0:24:40.000
<v Speaker 1>Rob and I are going to meet a couple of

0:24:40.000 --> 0:24:42.640
<v Speaker 1>couples that we know and we usually traditionally go away

0:24:42.640 --> 0:24:45.680
<v Speaker 1>with this time of year, and we're going to Scottsdale, Arizona.

0:24:45.800 --> 0:24:47.520
<v Speaker 1>We're going to We're going to hang out, we're gonna

0:24:47.560 --> 0:24:50.480
<v Speaker 1>have some fun, we're gonna relax because it's one of

0:24:50.520 --> 0:24:52.720
<v Speaker 1>our friend's birthdays. And this is what he loves to

0:24:52.760 --> 0:24:55.480
<v Speaker 1>do is pick a new place. We go different, a

0:24:55.520 --> 0:24:57.760
<v Speaker 1>different city. Last year we went to New Orleans if

0:24:57.800 --> 0:25:01.600
<v Speaker 1>you remember. This year, we went to Origia once to Savannah.

0:25:01.640 --> 0:25:07.480
<v Speaker 1>This year we're going to uh to Phoenix Spot and Scottsdale. Great.

0:25:08.320 --> 0:25:11.760
<v Speaker 1>Here's the thing, Robin does not get the time off

0:25:12.440 --> 0:25:17.160
<v Speaker 1>that I get off. I get more than her. On

0:25:17.200 --> 0:25:24.080
<v Speaker 1>that Monday Am I expected to end my vacation and

0:25:24.200 --> 0:25:29.159
<v Speaker 1>fly home and still have another eight days off to

0:25:29.240 --> 0:25:32.480
<v Speaker 1>myself with that because she's got to go back to

0:25:32.520 --> 0:25:33.280
<v Speaker 1>work on Tuesday.

0:25:36.600 --> 0:25:38.240
<v Speaker 2>Yes, Now, what do you mean?

0:25:38.359 --> 0:25:42.919
<v Speaker 1>Yes? Why do I have to curb and curtail my

0:25:43.040 --> 0:25:48.520
<v Speaker 1>vacation if she's if she's off and not off, I'm off.

0:25:48.680 --> 0:25:52.080
<v Speaker 1>She's not off. I'm supposed to sit around in my

0:25:52.119 --> 0:25:57.000
<v Speaker 1>apartment with my in my in my white bedroom for

0:25:57.119 --> 0:26:01.760
<v Speaker 1>eight days straight and not she's got to work on

0:26:01.840 --> 0:26:04.440
<v Speaker 1>But are you feeling me here? You see what I'm saying.

0:26:04.600 --> 0:26:07.840
<v Speaker 1>She took off the Friday. She took off Friday and Monday,

0:26:07.960 --> 0:26:10.520
<v Speaker 1>so she's we could do this long weekend. But on

0:26:10.920 --> 0:26:14.399
<v Speaker 1>Monday morning, we're we're flying back to New York and

0:26:14.520 --> 0:26:17.080
<v Speaker 1>I'm like ready to go west. I'm ready to double

0:26:17.119 --> 0:26:19.679
<v Speaker 1>down and go to like Cabo or like go to

0:26:19.760 --> 0:26:23.000
<v Speaker 1>Tuloom or hang out or go somewhere else while I'm

0:26:23.000 --> 0:26:24.800
<v Speaker 1>in that or San Diego while I'm in that part

0:26:24.840 --> 0:26:27.840
<v Speaker 1>of the country. I mean, it's my vacation time, which

0:26:28.080 --> 0:26:30.640
<v Speaker 1>you know, we know life is short. Take your vacation

0:26:30.840 --> 0:26:34.240
<v Speaker 1>and use it to the max. It's gone on vacation.

0:26:34.880 --> 0:26:39.960
<v Speaker 1>You've gone on vacation seventeen times this year. You've gone

0:26:39.960 --> 0:26:44.159
<v Speaker 1>on multiple destinations per vacation. You can't give up a

0:26:44.200 --> 0:26:46.880
<v Speaker 1>couple of days to spend time locally with your girlfriend.

0:26:47.760 --> 0:26:51.000
<v Speaker 1>But she's got to work every day, So why don't

0:26:51.000 --> 0:26:53.680
<v Speaker 1>you stay at her apartment and when she comes home

0:26:53.760 --> 0:26:56.120
<v Speaker 1>you can be like, you know, hey, no, we don't,

0:26:56.280 --> 0:26:59.280
<v Speaker 1>we don't. No, no, no, that's not how this works. Now,

0:26:59.359 --> 0:27:02.199
<v Speaker 1>now here's the here. This was the last time you slept.

0:27:03.160 --> 0:27:06.119
<v Speaker 1>Her apartment is uncomfortable. And by the way, I just

0:27:06.119 --> 0:27:09.120
<v Speaker 1>got a new temporopedic mattress in there today, and my god,

0:27:09.359 --> 0:27:11.879
<v Speaker 1>it's so good. It's like sleeping on a block of

0:27:11.960 --> 0:27:14.840
<v Speaker 1>cream cheese. It's amazing. It's like a block a cream

0:27:15.920 --> 0:27:20.920
<v Speaker 1>cream the walls. You lay on it and you sink

0:27:21.000 --> 0:27:24.320
<v Speaker 1>into it nice and slowly. I'm telling you, this is

0:27:24.359 --> 0:27:26.159
<v Speaker 1>a place to be. And plus I'm right here by

0:27:26.160 --> 0:27:29.480
<v Speaker 1>the city and everything. That's not that's not the issue.

0:27:30.440 --> 0:27:32.639
<v Speaker 1>There is a little small issue, and that is the

0:27:32.680 --> 0:27:37.040
<v Speaker 1>anniversary of our first date is Thursday night of that week,

0:27:37.840 --> 0:27:39.120
<v Speaker 1>so I you.

0:27:39.119 --> 0:27:41.120
<v Speaker 2>Definitely can't go away, so I have to be there

0:27:41.160 --> 0:27:41.480
<v Speaker 2>for that.

0:27:42.119 --> 0:27:45.640
<v Speaker 1>But why do I have to? I don't. I shouldn't

0:27:45.640 --> 0:27:48.240
<v Speaker 1>have to dance around that. And look, I can dance

0:27:48.280 --> 0:27:50.919
<v Speaker 1>around it, but and be there on the Thursday. But

0:27:51.359 --> 0:27:54.679
<v Speaker 1>I should still be able. I'm off until Tuesday, So

0:27:54.720 --> 0:27:56.600
<v Speaker 1>what am I gonna like? I need to get out

0:27:56.600 --> 0:27:59.639
<v Speaker 1>of town. I need to travel and explore things. I

0:27:59.680 --> 0:28:03.080
<v Speaker 1>get time. I've earned this to I've earned this to

0:28:03.560 --> 0:28:06.439
<v Speaker 1>you've earned it, Yes, you have earned You have not

0:28:06.560 --> 0:28:11.600
<v Speaker 1>earned eleventeen vacations thirty days. I have thirty years doing this.

0:28:12.960 --> 0:28:17.000
<v Speaker 1>I'm a fifty one year old man. Yeah. Most only women.

0:28:17.240 --> 0:28:19.119
<v Speaker 1>Most we're the only woman you'll ever love for the

0:28:19.160 --> 0:28:21.880
<v Speaker 1>rest of your frigging life. Most would say, I'm I'm

0:28:21.920 --> 0:28:25.439
<v Speaker 1>in the latter part. I'm I'm definitely on the second

0:28:25.440 --> 0:28:27.480
<v Speaker 1>half of life. You would say I'm on the third quarter,

0:28:27.840 --> 0:28:30.359
<v Speaker 1>the third out of fourth quarter, four quarters of life.

0:28:30.440 --> 0:28:32.520
<v Speaker 1>I mean, who knows. We don't know what's going on.

0:28:32.600 --> 0:28:35.200
<v Speaker 1>I don't know. I mean you do you not know

0:28:35.240 --> 0:28:43.000
<v Speaker 1>that that love sometimes involves sacrifice. I understand being there

0:28:43.080 --> 0:28:44.480
<v Speaker 1>for our third I.

0:28:44.480 --> 0:28:48.360
<v Speaker 2>Don't think you do. I think you love Cabo more

0:28:48.360 --> 0:28:49.360
<v Speaker 2>than you love Robin.

0:28:49.640 --> 0:28:51.720
<v Speaker 1>Well, no, I wanted her to come with me. I

0:28:51.840 --> 0:28:53.520
<v Speaker 1>want to do this with her. I'm not I'm not

0:28:53.520 --> 0:28:56.000
<v Speaker 1>going to go to Cabo without her. Okay, let's be clear.

0:28:56.320 --> 0:28:58.560
<v Speaker 1>See I'm trying to tell her to take the rest

0:28:58.600 --> 0:28:59.760
<v Speaker 1>of the week off. I'm like, come on, let's go

0:28:59.760 --> 0:29:04.800
<v Speaker 1>to till No. No, no, Yeah, that's very easy for you. You're

0:29:04.160 --> 0:29:06.520
<v Speaker 1>you're very generously telling her to take off from work,

0:29:06.560 --> 0:29:09.120
<v Speaker 1>but she can't. It's up to her to tell you

0:29:09.840 --> 0:29:13.040
<v Speaker 1>to say, you go away without me. I'm good, but

0:29:13.080 --> 0:29:18.480
<v Speaker 1>she hasn't said that yet. I still want listen. I

0:29:18.520 --> 0:29:21.800
<v Speaker 1>will be there. I will be there. I will make

0:29:21.840 --> 0:29:23.320
<v Speaker 1>I will make sure of it. I will be back.

0:29:23.400 --> 0:29:24.480
<v Speaker 1>But I need to.

0:29:24.720 --> 0:29:26.680
<v Speaker 2>Here's an idea. But here's an idea.

0:29:27.320 --> 0:29:31.240
<v Speaker 1>Why don't you rent a nice hotel room for a

0:29:31.280 --> 0:29:35.440
<v Speaker 1>few days in Manhattan so that every day she gets

0:29:35.440 --> 0:29:38.040
<v Speaker 1>off work, she can just go right to the hotel,

0:29:38.480 --> 0:29:40.200
<v Speaker 1>and you guys can go out to dinner, to your

0:29:40.200 --> 0:29:40.960
<v Speaker 1>Broadway show.

0:29:41.200 --> 0:29:44.920
<v Speaker 2>You could be away from your home. This way.

0:29:44.960 --> 0:29:48.000
<v Speaker 1>It's like you're on vacation, but you're treating her like

0:29:48.040 --> 0:29:50.360
<v Speaker 1>a queen. She gets to go to work and commute

0:29:50.360 --> 0:29:53.240
<v Speaker 1>from the hotel. After work, come right to the hotel.

0:29:53.520 --> 0:29:55.360
<v Speaker 1>You guys could bang it out, then go to dinner,

0:29:55.560 --> 0:29:57.800
<v Speaker 1>then go to a show, go to a club. She

0:29:57.840 --> 0:29:59.840
<v Speaker 1>can go out late to the club because she has

0:29:59.880 --> 0:30:02.440
<v Speaker 1>a short commute in the morning. That's what you should do.

0:30:02.640 --> 0:30:07.560
<v Speaker 1>I'm a genius. That is unacceptable. First of all, I

0:30:07.560 --> 0:30:10.520
<v Speaker 1>would do that, but she won't. She would. Here's the

0:30:10.600 --> 0:30:12.600
<v Speaker 1>man of the people. Okay, she does not know I.

0:30:13.240 --> 0:30:17.200
<v Speaker 1>Because I know her better than you, it's fair to say, Okay,

0:30:17.360 --> 0:30:19.200
<v Speaker 1>she doesn't. She's not gonna She's not gonna pack it.

0:30:19.360 --> 0:30:21.600
<v Speaker 1>She's not gonna pack a bag. She's not gonna pack

0:30:21.640 --> 0:30:25.160
<v Speaker 1>a bag. She's not gonna pack a bag and join

0:30:25.240 --> 0:30:28.000
<v Speaker 1>me in a hotel for a few nights. She won't

0:30:28.000 --> 0:30:31.440
<v Speaker 1>do it. She's like, this is stupid. She would tell

0:30:31.440 --> 0:30:33.840
<v Speaker 1>you it's stupid if you get if you put her

0:30:33.840 --> 0:30:36.120
<v Speaker 1>in mine. I live here, I live ten minutes away.

0:30:36.200 --> 0:30:38.440
<v Speaker 1>Why would I go to it. You want to talk

0:30:38.440 --> 0:30:44.280
<v Speaker 1>about throwing money away. I mean people throw money away,

0:30:44.560 --> 0:30:46.280
<v Speaker 1>but you have the money to throw away. I don't

0:30:46.320 --> 0:30:48.600
<v Speaker 1>have the money to throw away. Don't stun spending my money.

0:30:49.200 --> 0:30:51.360
<v Speaker 1>How nice would it be? You get a nice high

0:30:51.440 --> 0:30:54.560
<v Speaker 1>floor with a beautiful view, You go on carriage rides,

0:30:54.760 --> 0:30:57.080
<v Speaker 1>you can see a show every night, you can get drunk,

0:30:57.400 --> 0:30:58.720
<v Speaker 1>wander back to your hotel room.

0:30:58.800 --> 0:30:59.560
<v Speaker 2>She go right to work.

0:30:59.560 --> 0:31:03.200
<v Speaker 1>How nice would it be to see Japan? Okay, listen,

0:31:03.520 --> 0:31:06.840
<v Speaker 1>I have lofty goals. Listen, I could have gone. You

0:31:06.880 --> 0:31:09.440
<v Speaker 1>and I on Japan. You and I are not to

0:31:09.480 --> 0:31:13.240
<v Speaker 1>say gone to Japan instead of going to fucking uh

0:31:13.240 --> 0:31:15.480
<v Speaker 1>Sancho pe with with with a boy with a male

0:31:15.520 --> 0:31:18.400
<v Speaker 1>friend of yours have gone. Robin could not take the

0:31:18.480 --> 0:31:21.480
<v Speaker 1>full week of that week. Let's not twist my fucking words.

0:31:22.080 --> 0:31:24.440
<v Speaker 1>She was only able to take those four days, and

0:31:24.480 --> 0:31:26.360
<v Speaker 1>we made the most of them. We went to Sicily

0:31:26.400 --> 0:31:29.920
<v Speaker 1>in those four days. Where else have you gone on

0:31:30.040 --> 0:31:30.680
<v Speaker 1>vacation this week?

0:31:30.960 --> 0:31:32.280
<v Speaker 2>This year, Robin? Where else did you go?

0:31:34.800 --> 0:31:37.720
<v Speaker 1>Let's I got? I got? I think back to February. Mark. No,

0:31:38.320 --> 0:31:40.280
<v Speaker 1>she was supposed to come to Jamaica with us, but

0:31:40.360 --> 0:31:42.360
<v Speaker 1>she couldn't make it. She was starting a new job.

0:31:42.400 --> 0:31:46.200
<v Speaker 1>She started listening. It's very I'm just being I'm being

0:31:46.440 --> 0:31:50.640
<v Speaker 1>very straight up here. She No, she does not get

0:31:50.680 --> 0:31:53.040
<v Speaker 1>the vacation time that I get in her new job.

0:31:53.120 --> 0:31:54.640
<v Speaker 1>She's got a new job. He does. She's got a

0:31:54.640 --> 0:31:58.200
<v Speaker 1>new job. Nobody does, right, But why should I be punished?

0:31:58.840 --> 0:32:02.960
<v Speaker 1>Shouldn't I take advantage of my days? Should shouldn't I

0:32:02.960 --> 0:32:04.120
<v Speaker 1>be able to do your anniversary?

0:32:04.960 --> 0:32:05.040
<v Speaker 3>No?

0:32:05.400 --> 0:32:07.800
<v Speaker 1>As I said, I will be, don't twist my words.

0:32:07.840 --> 0:32:11.160
<v Speaker 1>You're changing my story. You're changing my narrative, my story.

0:32:11.680 --> 0:32:15.280
<v Speaker 1>I said I will be there for our anniversary. I

0:32:15.320 --> 0:32:19.200
<v Speaker 1>said Friday to Wednesday. You're going Friday and Wednesday. I

0:32:20.360 --> 0:32:24.680
<v Speaker 1>could stay out do something from Monday until Thursday. As

0:32:24.680 --> 0:32:28.200
<v Speaker 1>long as i'm back Thursday morning, it don't matter. Or

0:32:28.320 --> 0:32:31.720
<v Speaker 1>I leave Friday morning, for somewhere else until Monday. The

0:32:31.800 --> 0:32:35.080
<v Speaker 1>point is I get these days off, she does it.

0:32:35.560 --> 0:32:39.480
<v Speaker 1>Why would I waste eight vacation days sitting in New

0:32:39.560 --> 0:32:42.880
<v Speaker 1>Jersey just sitting here. It doesn't make a damn bit

0:32:42.920 --> 0:32:49.400
<v Speaker 1>of sense. Once again, I'm fifty one, right, We're talking

0:32:49.400 --> 0:32:52.840
<v Speaker 1>about seeing the world and doing things and living your life.

0:32:53.960 --> 0:32:57.760
<v Speaker 1>I don't see fault in wanting to take advantage of

0:32:57.840 --> 0:33:03.320
<v Speaker 1>every last minute. I'm sorry, every last day. I see

0:33:03.400 --> 0:33:07.680
<v Speaker 1>life very differently. Once again, I have different I have

0:33:07.760 --> 0:33:10.960
<v Speaker 1>different visions You're you're talking about, like, ooh, the big

0:33:11.000 --> 0:33:14.040
<v Speaker 1>shiny city. I'm looking at that right I turned my

0:33:14.080 --> 0:33:15.800
<v Speaker 1>head and I'm looking at that right now. I'm looking

0:33:15.840 --> 0:33:18.280
<v Speaker 1>at the city I go to Manhattan because you've never

0:33:18.280 --> 0:33:19.880
<v Speaker 1>been to Manhattan. But I said it would be a

0:33:19.960 --> 0:33:22.480
<v Speaker 1>nice thing to do for Robin, of course, but she

0:33:22.600 --> 0:33:25.640
<v Speaker 1>doesn't want to do that. She would rather But my point,

0:33:26.640 --> 0:33:31.520
<v Speaker 1>my caller and Ascar, I just I don't want to

0:33:31.560 --> 0:33:36.840
<v Speaker 1>feel like I'm being made out to feel selfish about

0:33:37.440 --> 0:33:40.800
<v Speaker 1>about living my life, about wanting to see to see

0:33:40.800 --> 0:33:43.240
<v Speaker 1>new things. I you know, I see a lot. Listen.

0:33:43.320 --> 0:33:44.720
<v Speaker 1>I know I spent I spent a lot of time

0:33:44.720 --> 0:33:46.520
<v Speaker 1>on social mediaings I see a lot of time in

0:33:46.560 --> 0:33:48.640
<v Speaker 1>the same place you go to this that's not true.

0:33:48.720 --> 0:33:52.640
<v Speaker 1>I made a pact on this fucking podcast and that

0:33:52.760 --> 0:33:55.480
<v Speaker 1>I will see and do different things and not going

0:33:55.480 --> 0:33:58.280
<v Speaker 1>to the same five vacation places. Have I not gone

0:33:58.520 --> 0:34:01.040
<v Speaker 1>to different vacation places? Have I not lived on to

0:34:01.120 --> 0:34:04.120
<v Speaker 1>my own promise three to three years ago that I

0:34:04.160 --> 0:34:06.200
<v Speaker 1>made on the radio, on the Big Show, and on

0:34:06.240 --> 0:34:08.680
<v Speaker 1>this and on this podcast. So how am I supposed

0:34:08.719 --> 0:34:10.920
<v Speaker 1>to sue? See, you didn't go to Jamaica again, and

0:34:10.960 --> 0:34:12.040
<v Speaker 1>you did go to Atlantis again.

0:34:12.080 --> 0:34:14.480
<v Speaker 2>Did you what that was?

0:34:14.640 --> 0:34:18.280
<v Speaker 1>Those were work trips. Those don't count that that that's.

0:34:18.160 --> 0:34:20.120
<v Speaker 2>Worth in Jamaica with your family. Did you go to Jamaica?

0:34:20.200 --> 0:34:22.920
<v Speaker 1>Yeah, we saw it from a different way. We rented

0:34:22.920 --> 0:34:24.799
<v Speaker 1>a villa. We we hung out with our family. It

0:34:24.840 --> 0:34:25.520
<v Speaker 1>was a very difference.

0:34:26.360 --> 0:34:29.080
<v Speaker 2>I thought you had the villa. You had the villa. Yeah, yeah,

0:34:29.200 --> 0:34:29.640
<v Speaker 2>I look.

0:34:29.800 --> 0:34:31.640
<v Speaker 1>I think if you want to go away to a

0:34:31.640 --> 0:34:33.960
<v Speaker 1>place that isn't on her checklist, I shouldn't feel a

0:34:33.960 --> 0:34:36.799
<v Speaker 1>bit back in time. Yeah, if you go away for

0:34:36.840 --> 0:34:39.040
<v Speaker 1>four days and come back in time for your anniversary,

0:34:39.200 --> 0:34:41.719
<v Speaker 1>then I'm okay with it. You know what she tells me,

0:34:41.800 --> 0:34:43.480
<v Speaker 1>you should rent to I still think you should rent

0:34:43.480 --> 0:34:46.120
<v Speaker 1>a hotel maybe Wednesday, Thursday, Friday, how about that? You know,

0:34:46.239 --> 0:34:48.120
<v Speaker 1>you know what you told you know what you told me.

0:34:48.960 --> 0:34:53.000
<v Speaker 1>She told me, Hey, when you take your vacations, you

0:34:53.040 --> 0:34:55.319
<v Speaker 1>do what you want to do. She was, but if

0:34:55.360 --> 0:34:57.160
<v Speaker 1>it's a place that I also want to see, you

0:34:57.239 --> 0:35:01.880
<v Speaker 1>can't go. So she named six places that she wants

0:35:01.920 --> 0:35:03.040
<v Speaker 1>me to go to in Europe.

0:35:03.320 --> 0:35:05.640
<v Speaker 2>Okay, she was, she was, why don't.

0:35:05.440 --> 0:35:09.879
<v Speaker 1>You go to Poland? Okay she's, oh, yeah, yeah, yes,

0:35:10.280 --> 0:35:12.600
<v Speaker 1>she's what she was. Go to Munich, have a Munich,

0:35:13.200 --> 0:35:18.480
<v Speaker 1>she go see Munich. She's now dictating, no, they're not.

0:35:19.080 --> 0:35:23.920
<v Speaker 1>She goes, how about Denmark or Sweden? Oh no, I

0:35:23.920 --> 0:35:25.680
<v Speaker 1>can't go to Norway because we gotta go see the

0:35:25.719 --> 0:35:28.960
<v Speaker 1>northern likes together. But go to Sweden. Go to Sweden,

0:35:29.239 --> 0:35:31.520
<v Speaker 1>you know what, that would be great? That's a great

0:35:31.600 --> 0:35:36.960
<v Speaker 1>Belarus is lovely this time of year. Why why uh

0:35:37.280 --> 0:35:42.279
<v Speaker 1>uh Iraq? That's the kind of place she'll tell me

0:35:42.280 --> 0:35:46.880
<v Speaker 1>to go. That's it. I'm yeah, you don't want to

0:35:46.880 --> 0:35:47.560
<v Speaker 1>go to Tehran.

0:35:47.640 --> 0:35:50.879
<v Speaker 2>I want to go to Tehran. And I'm not saying

0:35:50.920 --> 0:35:51.920
<v Speaker 2>it's not if you're from there.

0:35:51.920 --> 0:35:53.560
<v Speaker 1>And I'm sure I'm sure it's beautiful, but not a

0:35:53.560 --> 0:35:56.080
<v Speaker 1>place Scary would put on his list. But can you

0:35:56.080 --> 0:35:59.120
<v Speaker 1>imagine that she was no, no, no, because you got

0:35:59.120 --> 0:36:01.719
<v Speaker 1>to save a za for me, Yeah, says a saved

0:36:01.719 --> 0:36:05.160
<v Speaker 1>Pussitano for me, save save Greece. Can't go to greet

0:36:05.440 --> 0:36:08.480
<v Speaker 1>that's the big one. Can't go to Greece. I cannot

0:36:08.520 --> 0:36:11.000
<v Speaker 1>go to Greece without her. So I have to wait

0:36:11.040 --> 0:36:14.320
<v Speaker 1>for her vacation, and rightfully so to go to Greece.

0:36:15.040 --> 0:36:17.279
<v Speaker 1>But but then I said, all right, I want to

0:36:17.280 --> 0:36:19.160
<v Speaker 1>see Japan. Oh no, no, no, I want to see that too.

0:36:19.560 --> 0:36:22.920
<v Speaker 1>So like she's putting the claiming gig Japan without her,

0:36:23.160 --> 0:36:26.280
<v Speaker 1>she's claiming DIBs on, putting DIBs on everything. Boom boom boom,

0:36:26.360 --> 0:36:28.520
<v Speaker 1>all that stuff. We have to see together. But if

0:36:28.560 --> 0:36:31.279
<v Speaker 1>you don't have the vacation that I have, then how

0:36:31.320 --> 0:36:34.120
<v Speaker 1>we ever going to achieve any of this? You know?

0:36:34.239 --> 0:36:36.759
<v Speaker 2>Okay, let me let me let me say this again.

0:36:36.880 --> 0:36:38.719
<v Speaker 1>I don't mean this sound like a brat, And I

0:36:38.760 --> 0:36:41.080
<v Speaker 1>know a lot of people of rolling their eyes. I

0:36:41.080 --> 0:36:43.040
<v Speaker 1>could see some of you rolling your eyes right now.

0:36:43.239 --> 0:36:47.480
<v Speaker 1>But but am I not right? This is this is

0:36:47.520 --> 0:36:50.680
<v Speaker 1>the time that I'm afforded, and I should be able

0:36:50.680 --> 0:36:51.920
<v Speaker 1>to do what I want.

0:36:51.800 --> 0:36:53.040
<v Speaker 2>Being a dead horse.

0:36:53.360 --> 0:36:55.560
<v Speaker 1>You can go away for a few days as long

0:36:55.600 --> 0:36:58.239
<v Speaker 1>as you're back on Thursday, in my opinion. But I

0:36:58.280 --> 0:37:00.239
<v Speaker 1>think she gets to tell you this certain places she'd

0:37:00.280 --> 0:37:03.200
<v Speaker 1>like to experience with you. But I when I worked,

0:37:03.239 --> 0:37:05.200
<v Speaker 1>when I worked with you at the Morning Show, I

0:37:05.239 --> 0:37:07.320
<v Speaker 1>think the height of my vacation time was six and

0:37:07.320 --> 0:37:11.799
<v Speaker 1>a half weeks when I worked there. Now, uh, my

0:37:11.920 --> 0:37:16.200
<v Speaker 1>wife and kids didn't have off all those vacation times. Again,

0:37:16.320 --> 0:37:19.360
<v Speaker 1>I I, I'm married and have kids. You are not,

0:37:19.560 --> 0:37:24.880
<v Speaker 1>don't have kids. I will, I will say unequivocally, there's

0:37:24.920 --> 0:37:27.839
<v Speaker 1>there's not a place in the world that I would

0:37:27.920 --> 0:37:29.160
<v Speaker 1>rather go without my family.

0:37:30.360 --> 0:37:33.000
<v Speaker 2>Then I would want to go with them, understood.

0:37:33.280 --> 0:37:35.319
<v Speaker 1>So, but you and I are not the same and

0:37:35.360 --> 0:37:38.720
<v Speaker 1>we have a different dynamic in my relationships. But I'm talking,

0:37:39.080 --> 0:37:42.160
<v Speaker 1>but I'm speaking from David Brody's body, So I'm talking

0:37:42.160 --> 0:37:45.040
<v Speaker 1>about what David Brody would say, And I'm saying I

0:37:45.080 --> 0:37:47.040
<v Speaker 1>would never in a million years think of going to

0:37:47.120 --> 0:37:50.600
<v Speaker 1>Greece without my without my understood, without my family. That's fair,

0:37:50.800 --> 0:37:53.480
<v Speaker 1>But that's that's so. But if you're trying to be objective.

0:37:53.480 --> 0:37:57.040
<v Speaker 1>I know sometimes you have an ounce of objectivity in you.

0:37:57.440 --> 0:37:59.640
<v Speaker 1>I was looking for you. I wouldn't go to boundary

0:38:00.080 --> 0:38:03.799
<v Speaker 1>it be my boy No, not Greece. But I'm crazy?

0:38:04.040 --> 0:38:07.200
<v Speaker 1>Am I crazy for not want? The whole crux of

0:38:07.200 --> 0:38:10.560
<v Speaker 1>this is where Am I crazy for not wanting to

0:38:10.560 --> 0:38:16.960
<v Speaker 1>squander eight eight days of a vacation sitting here because

0:38:17.200 --> 0:38:20.560
<v Speaker 1>my partner has to work for those days. That's not

0:38:20.719 --> 0:38:23.840
<v Speaker 1>my problem, that's not my fault. But I should be

0:38:23.880 --> 0:38:25.560
<v Speaker 1>able to get to do what I want to do.

0:38:26.520 --> 0:38:29.560
<v Speaker 1>It's not your fault, but it's twenty five percent your

0:38:29.600 --> 0:38:34.359
<v Speaker 1>problem because you're in a relationship with understood. Yes, yes

0:38:34.400 --> 0:38:37.680
<v Speaker 1>I am. So you do have to have a conversation, sure,

0:38:38.400 --> 0:38:40.120
<v Speaker 1>because maybe she's gonna be like, oh, I'm at work

0:38:40.120 --> 0:38:43.000
<v Speaker 1>and there's my boyfriend all over social media.

0:38:43.120 --> 0:38:45.680
<v Speaker 2>Yes, so she's forced to see where you are. That's

0:38:45.719 --> 0:38:46.279
<v Speaker 2>another thing.

0:38:46.600 --> 0:38:49.239
<v Speaker 1>If normal people go on vacation without their spouse, maybe

0:38:49.280 --> 0:38:52.040
<v Speaker 1>they don't post everything everything because I love it? Yes,

0:38:52.080 --> 0:38:55.799
<v Speaker 1>I know so now right, so maybe you should block

0:38:55.920 --> 0:38:58.759
<v Speaker 1>Robin from social media. Would never do that, stop it

0:38:59.200 --> 0:39:01.840
<v Speaker 1>now getting me in trouble. I would never do that.

0:39:01.840 --> 0:39:06.640
<v Speaker 1>That's not what I did, not so I should hide her.

0:39:06.920 --> 0:39:09.759
<v Speaker 1>I should? She should. I should. That's why you hurt

0:39:09.760 --> 0:39:12.399
<v Speaker 1>her feelings when you're out like dancing on a bar

0:39:12.520 --> 0:39:15.320
<v Speaker 1>and cabo and she's like a slave to the grind

0:39:15.320 --> 0:39:17.960
<v Speaker 1>in Manhattan. She should go on social media and not

0:39:18.000 --> 0:39:22.160
<v Speaker 1>be like, oh I gotta greaded times. Great, Okay, I'm

0:39:22.200 --> 0:39:25.480
<v Speaker 1>working great, I'm on a hot subway train. Yeah all right,

0:39:25.840 --> 0:39:27.120
<v Speaker 1>Oh we gotta take a break.

0:39:27.120 --> 0:39:29.200
<v Speaker 2>Scarry is gonna go on vacation while we're taking a break.

0:39:30.320 --> 0:39:34.279
<v Speaker 1>Boys podcast, I.

0:39:34.160 --> 0:39:34.960
<v Speaker 2>Got a question for us.

0:39:35.440 --> 0:39:37.960
<v Speaker 1>I mean to sound so entitled, but no, no, no,

0:39:38.239 --> 0:39:40.640
<v Speaker 1>these are the cobus I have so yet, Yeah, what's yours?

0:39:40.800 --> 0:39:43.040
<v Speaker 1>I know, I know. I got a friend who got

0:39:43.080 --> 0:39:47.000
<v Speaker 1>a new car, and and uh, you know how the

0:39:47.560 --> 0:39:52.520
<v Speaker 1>central control dashboard, the navigation system lets you control the

0:39:52.640 --> 0:39:57.440
<v Speaker 1>radio and and uh where you're going, and everything's in

0:39:57.480 --> 0:40:00.960
<v Speaker 1>that one screen, right, Yeah, everything's controlled by the screen.

0:40:01.280 --> 0:40:04.200
<v Speaker 2>And usually as the driver, you control all of it.

0:40:04.960 --> 0:40:08.960
<v Speaker 1>You control the music, you control where you go in,

0:40:09.440 --> 0:40:13.360
<v Speaker 1>you control what route you're taking. You're the boss, right, sure,

0:40:13.360 --> 0:40:18.800
<v Speaker 1>well this car, this car has an auxiliary navigation screen

0:40:19.120 --> 0:40:22.839
<v Speaker 1>above the glove compartment, which gives the controls to the

0:40:22.920 --> 0:40:28.840
<v Speaker 1>passenger as an option, so the passenger can control the

0:40:28.960 --> 0:40:34.600
<v Speaker 1>radio and the navigation, right, they can be in charge

0:40:34.600 --> 0:40:39.279
<v Speaker 1>of it right now. Okay, I'm of the mindset, keep

0:40:39.320 --> 0:40:43.680
<v Speaker 1>in mind depends on who's my passenger. Okay, but for

0:40:43.719 --> 0:40:46.279
<v Speaker 1>the most part, when you're driving, you're king of the

0:40:46.320 --> 0:40:50.680
<v Speaker 1>castle and you control all of it, the temperature, the radio,

0:40:50.960 --> 0:40:54.360
<v Speaker 1>whatever you're playing. Yes, yes, now, I know the passenger

0:40:54.400 --> 0:40:57.680
<v Speaker 1>can reach over and touch the middle screen. But when

0:40:57.719 --> 0:41:01.320
<v Speaker 1>you give them their own screen and they can control everything,

0:41:01.920 --> 0:41:03.680
<v Speaker 1>it could be your kid, I could be.

0:41:03.640 --> 0:41:05.400
<v Speaker 2>Your husband or wife.

0:41:05.520 --> 0:41:08.319
<v Speaker 1>Do you want that? No, that's next level. I mean

0:41:08.480 --> 0:41:11.600
<v Speaker 1>I get it. The reach over, it will make them

0:41:11.600 --> 0:41:14.960
<v Speaker 1>think twice about it. They won't think twice if they

0:41:15.000 --> 0:41:17.959
<v Speaker 1>have their own personal controls. Yeah, that's rough.

0:41:19.520 --> 0:41:20.840
<v Speaker 2>Bye, I'm gonna change the station.

0:41:21.080 --> 0:41:23.640
<v Speaker 1>Is that a safety feature? What are they trying to do?

0:41:23.680 --> 0:41:25.760
<v Speaker 1>They're trying to be like, you know what, you focus

0:41:25.800 --> 0:41:28.959
<v Speaker 1>on driving and let the passenger figure out everything else.

0:41:29.239 --> 0:41:31.759
<v Speaker 1>Is that what they're Is that the message? I think

0:41:31.800 --> 0:41:34.400
<v Speaker 1>it's a luxury like, oh, well, you know what, search

0:41:34.440 --> 0:41:39.400
<v Speaker 1>for the nearest Taco bell, search for the nearest whatever,

0:41:39.680 --> 0:41:43.640
<v Speaker 1>search for the nearest Marriott hotel. So yeah, it is helpful.

0:41:43.840 --> 0:41:46.680
<v Speaker 1>If you ask them for help, but if you give

0:41:46.719 --> 0:41:49.200
<v Speaker 1>them the controls. By the way, the medsin now losing

0:41:49.239 --> 0:41:52.319
<v Speaker 1>ten to two, so it's over. I'm waiting for it

0:41:52.360 --> 0:41:56.399
<v Speaker 1>to be ten to four, over and out. Oh it's

0:41:56.440 --> 0:42:00.319
<v Speaker 1>pretty much. Yeah, okay, So I do not want this

0:42:00.360 --> 0:42:03.600
<v Speaker 1>in my car. Would you want it your car? So

0:42:03.640 --> 0:42:07.080
<v Speaker 1>your boys are sitting there changing the radio, and I

0:42:07.120 --> 0:42:07.680
<v Speaker 1>don't trust that.

0:42:08.080 --> 0:42:08.719
<v Speaker 2>I never want it.

0:42:09.440 --> 0:42:11.200
<v Speaker 1>I would never want it in my car with you

0:42:11.280 --> 0:42:13.640
<v Speaker 1>in my car, because you're always mister I got another

0:42:13.680 --> 0:42:14.239
<v Speaker 1>way to get there.

0:42:14.480 --> 0:42:16.560
<v Speaker 2>Oh, I got a short cut. You'd be re routing

0:42:16.640 --> 0:42:17.399
<v Speaker 2>us all over the place.

0:42:17.440 --> 0:42:20.600
<v Speaker 1>Oh, for sure, two hundred percent. You know, when I'm

0:42:20.640 --> 0:42:25.759
<v Speaker 1>in Jetski Bryan's car, which always reeks a pot, he's

0:42:25.880 --> 0:42:29.720
<v Speaker 1>always company. He's always on either the Bob Marley station

0:42:29.960 --> 0:42:33.840
<v Speaker 1>or serious XM chill. And I'm cool with it because,

0:42:34.160 --> 0:42:37.880
<v Speaker 1>first of all, I'm smelling the weed. I'm getting secondhand,

0:42:38.040 --> 0:42:41.160
<v Speaker 1>secondhand high. So I'm sitting there and I'm vibing out

0:42:41.239 --> 0:42:43.560
<v Speaker 1>and I'm in the moment, and I'm like and the

0:42:43.680 --> 0:42:46.640
<v Speaker 1>music just goes with the atmosphere and the smells of

0:42:46.680 --> 0:42:49.600
<v Speaker 1>his car. So I'm like, this is perfect. I mean, yeah,

0:42:49.640 --> 0:42:53.240
<v Speaker 1>I mean some Bob Marley playing, so so I don't

0:42:53.400 --> 0:42:55.560
<v Speaker 1>want to be in control in other people's cars. I

0:42:56.080 --> 0:42:59.560
<v Speaker 1>rarely do a takeover. So if I get in a

0:42:59.600 --> 0:43:01.360
<v Speaker 1>car and the I was playing Bob Marley, I definitely

0:43:01.360 --> 0:43:02.320
<v Speaker 1>want to take over the radio.

0:43:02.680 --> 0:43:07.359
<v Speaker 2>Really, I feel like slices back me up here.

0:43:07.960 --> 0:43:10.520
<v Speaker 1>If you're in the car, you should choose the music, absolutely,

0:43:11.000 --> 0:43:13.640
<v Speaker 1>But if the people in the car do not listen

0:43:13.680 --> 0:43:15.560
<v Speaker 1>to a genre of music, you know they don't listen

0:43:15.640 --> 0:43:19.880
<v Speaker 1>to it, then find something that's palatable, right, Like, if

0:43:19.920 --> 0:43:23.480
<v Speaker 1>my kids are in the car, I'm not gonna play

0:43:24.280 --> 0:43:27.880
<v Speaker 1>like eighties nineties metal because they're not gonna like that.

0:43:28.360 --> 0:43:33.400
<v Speaker 1>But I might play like twenty twenty hard rock. I

0:43:33.480 --> 0:43:36.560
<v Speaker 1>might play something they like, or or I might play I

0:43:36.640 --> 0:43:38.839
<v Speaker 1>might let them pick the music I'm not gonna put

0:43:38.880 --> 0:43:42.480
<v Speaker 1>on Bob Marley. If I'll give you an example, So

0:43:42.600 --> 0:43:44.920
<v Speaker 1>on this trip, you tell me what you think of this.

0:43:45.440 --> 0:43:47.120
<v Speaker 1>On the trip to go see the comedian my friend

0:43:47.160 --> 0:43:50.480
<v Speaker 1>paper menus driving the car, okay, the paper Menu and

0:43:50.520 --> 0:43:54.400
<v Speaker 1>I are both in our fifties like you, okay, and

0:43:54.440 --> 0:43:58.400
<v Speaker 1>obviously our musical tastes range anywhere from the nineteen sixties

0:43:58.480 --> 0:44:01.880
<v Speaker 1>to now right maybe earlier because I listened to my

0:44:01.920 --> 0:44:03.960
<v Speaker 1>parents listened to the car. I grew up listening to

0:44:04.000 --> 0:44:05.839
<v Speaker 1>what they listen That's what you do, right, Your parents

0:44:05.960 --> 0:44:08.400
<v Speaker 1>listen to music from their era. Oh when you're in

0:44:08.440 --> 0:44:10.400
<v Speaker 1>the car at eight years old or you're listening to

0:44:10.440 --> 0:44:13.520
<v Speaker 1>their music. So our musical range is probably from the

0:44:13.560 --> 0:44:19.280
<v Speaker 1>forties till now. Okay, Well, paper Menu has two friends

0:44:20.000 --> 0:44:25.000
<v Speaker 1>from the neighborhood and they're like in their thirties, much

0:44:25.040 --> 0:44:28.120
<v Speaker 1>younger than us. So in the car ride, he puts

0:44:28.160 --> 0:44:30.920
<v Speaker 1>on a playlist of like seventies classic hits.

0:44:32.040 --> 0:44:35.120
<v Speaker 2>Yeah, now, I yeah.

0:44:35.080 --> 0:44:37.000
<v Speaker 1>I get it. I know that I know the music

0:44:37.160 --> 0:44:39.560
<v Speaker 1>right right, Yeah, But the guys in the back in

0:44:39.640 --> 0:44:40.920
<v Speaker 1>their thirties weren't born.

0:44:42.040 --> 0:44:43.200
<v Speaker 2>They were born in they.

0:44:43.000 --> 0:44:45.840
<v Speaker 1>Were born, And like, yeah, that's that's downright selfish, you know,

0:44:46.360 --> 0:44:50.280
<v Speaker 1>you know I can. I'll say this when I'm driving

0:44:51.640 --> 0:44:54.359
<v Speaker 1>and I'm going to pick up my dad and we're

0:44:54.400 --> 0:44:57.520
<v Speaker 1>going for breakfast on a Saturday morning, or we're going

0:44:57.560 --> 0:44:59.800
<v Speaker 1>out not putting a DM on, are you no? I

0:45:00.120 --> 0:45:03.600
<v Speaker 1>actually switch away. I'm always because by default Scary Jones

0:45:03.680 --> 0:45:07.600
<v Speaker 1>driving alone, it's always it's always a dance channel. It's

0:45:07.600 --> 0:45:11.000
<v Speaker 1>always dance it's always em always right, right. And I

0:45:11.040 --> 0:45:14.080
<v Speaker 1>don't even listen to Z one hundred necessarily, I I

0:45:14.120 --> 0:45:15.960
<v Speaker 1>you know, yeah, sometimes I do. In the morning, I

0:45:16.080 --> 0:45:18.160
<v Speaker 1>listen to like news because I want to hear what's

0:45:18.200 --> 0:45:20.080
<v Speaker 1>going on and make sure I'm up to date on

0:45:20.120 --> 0:45:23.520
<v Speaker 1>some things. But I will, Yeah, I'm old school. I

0:45:23.560 --> 0:45:27.160
<v Speaker 1>listened to news in the morning. But but Z one

0:45:27.239 --> 0:45:31.839
<v Speaker 1>hundred leisurely here and there, you know, not not all

0:45:31.880 --> 0:45:36.640
<v Speaker 1>the time, but Scary Jones driving alone ed m And

0:45:36.840 --> 0:45:38.279
<v Speaker 1>then when I go to pick up my dad, I

0:45:38.400 --> 0:45:41.840
<v Speaker 1>make a conscious effort to put on the oldies channel

0:45:42.280 --> 0:45:48.000
<v Speaker 1>because that's me being unselfish, the opposite of selfish, the

0:45:48.000 --> 0:45:51.239
<v Speaker 1>softer side of scary. Right. Then, Yeah, it's like, you

0:45:51.280 --> 0:45:55.160
<v Speaker 1>know what, that wouldn't go on vacation if the particle exactly.

0:45:56.480 --> 0:45:59.000
<v Speaker 1>And so when I'm going down every time I turn

0:45:59.080 --> 0:46:01.360
<v Speaker 1>down that block and I see him coming down the steps,

0:46:01.800 --> 0:46:05.800
<v Speaker 1>I'm like, uh, gotta find sixties on six or seventies

0:46:05.840 --> 0:46:09.200
<v Speaker 1>on seven or solid gold, you know, because his era

0:46:09.440 --> 0:46:12.279
<v Speaker 1>was the nineteen fifties, the duops and the doop music

0:46:12.320 --> 0:46:14.400
<v Speaker 1>in the sixties and stuff like that, right, so you

0:46:14.440 --> 0:46:16.000
<v Speaker 1>want to get as close to what he might like

0:46:16.239 --> 0:46:19.320
<v Speaker 1>By the way, I also love that music because uh,

0:46:19.400 --> 0:46:21.960
<v Speaker 1>you know, I can appreciate it. So it's it's common

0:46:21.960 --> 0:46:25.359
<v Speaker 1>ground for both of us. EDM is not. That's why

0:46:25.400 --> 0:46:28.880
<v Speaker 1>I think your friend was super selfish. Paper Menu should

0:46:28.920 --> 0:46:33.959
<v Speaker 1>have should have at least had the decency to find

0:46:33.960 --> 0:46:39.080
<v Speaker 1>some common ground between the two generations. Yeah, because these

0:46:39.080 --> 0:46:41.520
<v Speaker 1>guys were so young. I don't think their parents listened

0:46:41.520 --> 0:46:42.480
<v Speaker 1>to seventies music.

0:46:42.760 --> 0:46:44.520
<v Speaker 2>I mean maybe, but they didn't.

0:46:44.560 --> 0:46:46.839
<v Speaker 1>They didn't listen to seventies music growing up. And they

0:46:46.880 --> 0:46:49.040
<v Speaker 1>were Look, they were both sitting in the back. That

0:46:49.160 --> 0:46:49.560
<v Speaker 1>was fine.

0:46:49.960 --> 0:46:51.200
<v Speaker 2>But I was just like I said to I go

0:46:51.239 --> 0:46:53.520
<v Speaker 2>paper Menu, I go PM.

0:46:54.239 --> 0:46:56.840
<v Speaker 1>Maybe put on something a little leonelnwer He said, na,

0:46:57.200 --> 0:46:57.960
<v Speaker 1>classic stuff.

0:46:58.000 --> 0:46:59.680
<v Speaker 2>It's great. I'm in the mood.

0:47:00.160 --> 0:47:00.960
<v Speaker 1>I you know.

0:47:01.840 --> 0:47:05.240
<v Speaker 2>Okay, So you're gonna alienate half the car.

0:47:05.920 --> 0:47:08.960
<v Speaker 1>Don't you want a don't you want everybody to like

0:47:09.080 --> 0:47:12.000
<v Speaker 1>be singing along and having the same memories? And I

0:47:12.040 --> 0:47:16.400
<v Speaker 1>don't know some again, common ground, I guess not. No,

0:47:17.480 --> 0:47:18.040
<v Speaker 1>you know what song?

0:47:18.120 --> 0:47:19.880
<v Speaker 2>You know what song he played for these guys in

0:47:19.920 --> 0:47:22.840
<v Speaker 2>the thirties. Ooh got choka, ooh got choka?

0:47:23.000 --> 0:47:27.360
<v Speaker 1>Uga? Okaying this fee feeling? Yeah? Right? You and I

0:47:27.360 --> 0:47:31.280
<v Speaker 1>would have been like, that's great, yeah, no, not hooked feeling?

0:47:31.400 --> 0:47:33.000
<v Speaker 1>What was that like nineteen seventy two?

0:47:33.840 --> 0:47:34.200
<v Speaker 2>I don't know.

0:47:34.239 --> 0:47:36.520
<v Speaker 1>So I turn around and go, guys, you love this song, Like,

0:47:36.560 --> 0:47:38.880
<v Speaker 1>what is this? They didn't even know that that's a

0:47:38.960 --> 0:47:41.000
<v Speaker 1>that's a classic song. I'm shocked they don't know it.

0:47:41.400 --> 0:47:43.319
<v Speaker 2>Let's see what he hooked on a feeling.

0:47:43.080 --> 0:47:48.360
<v Speaker 1>Came out hooked on a feeling, hold on hooked on

0:47:48.440 --> 0:47:49.080
<v Speaker 1>a feeling.

0:47:49.520 --> 0:47:51.040
<v Speaker 2>It's nineteen seventy four, scary?

0:47:51.040 --> 0:47:55.080
<v Speaker 1>Come on? Yeh yeah, okay, I said, what did I say?

0:47:55.080 --> 0:47:56.279
<v Speaker 1>Seventy two, seventy three?

0:47:56.480 --> 0:48:00.000
<v Speaker 2>Yeah, yeah, it was close. But fifty one years ago.

0:48:02.080 --> 0:48:05.280
<v Speaker 1>Think about that. It's fifty one years ago my age.

0:48:05.320 --> 0:48:08.120
<v Speaker 1>What year were seventy four? Year? Were one? Scary? I know?

0:48:08.520 --> 0:48:10.680
<v Speaker 2>So fifty but you know that song?

0:48:10.960 --> 0:48:12.719
<v Speaker 1>Right, it's hard. We know songs from the year we

0:48:12.719 --> 0:48:14.799
<v Speaker 1>were born because our parents played it in the car.

0:48:14.960 --> 0:48:17.680
<v Speaker 1>It's hard to it's hard to believe that song is

0:48:17.920 --> 0:48:22.480
<v Speaker 1>fifty one. Fifty one years that's a long fucking time. Guy.

0:48:23.040 --> 0:48:26.719
<v Speaker 1>Every generation didn't they go around now. I'm sorry, like

0:48:26.920 --> 0:48:30.200
<v Speaker 1>you know thirty years ago? Uh you know from it's

0:48:30.239 --> 0:48:32.280
<v Speaker 1>like back that whole Yeah, I haven't seen that one

0:48:32.640 --> 0:48:35.120
<v Speaker 1>and back to the future. He went back from eight

0:48:35.200 --> 0:48:38.319
<v Speaker 1>nineteen eighty five to nineteen fifty five, that would be

0:48:38.320 --> 0:48:40.520
<v Speaker 1>the same thing as if he went back now to

0:48:40.600 --> 0:48:44.239
<v Speaker 1>nineteen ninety five. That's right. But to us, nineteen ninety

0:48:44.239 --> 0:48:45.640
<v Speaker 1>five is like not that long ago. It wasn't that

0:48:45.680 --> 0:48:47.919
<v Speaker 1>long ago, but it was the exact amount of time

0:48:48.719 --> 0:48:51.319
<v Speaker 1>thirty years. Yeah, but eighty five to fifty, eighty five

0:48:51.360 --> 0:48:55.680
<v Speaker 1>to fifty five. Technically, that's because of the technological advances

0:48:55.719 --> 0:48:57.600
<v Speaker 1>from nineteen fifty five to eighty five. I mean, color

0:48:57.680 --> 0:49:02.680
<v Speaker 1>television was you know, became prevalent, and you know, now

0:49:02.680 --> 0:49:06.520
<v Speaker 1>it's like ninety five the internet existed to now, I mean, yeah,

0:49:06.560 --> 0:49:09.480
<v Speaker 1>things are different. I mean, look, Friends came out in

0:49:09.560 --> 0:49:13.200
<v Speaker 1>nineteen ninety four, but things from the nineties are still relevant,

0:49:13.360 --> 0:49:16.799
<v Speaker 1>still relevant because people watch Friends like it's a new show.

0:49:17.120 --> 0:49:18.000
<v Speaker 2>Oh, I watch Friends all.

0:49:17.920 --> 0:49:21.040
<v Speaker 1>The time, which is also Friends a lot of a

0:49:21.040 --> 0:49:24.880
<v Speaker 1>lot of clubs and bars, they're still dropping songs from

0:49:24.920 --> 0:49:27.840
<v Speaker 1>the nineties and two thousands and they play them and

0:49:28.239 --> 0:49:31.160
<v Speaker 1>like they're new. And I couldn't figure that out at first.

0:49:31.200 --> 0:49:33.759
<v Speaker 1>I'm like, why this song is like twenty five thirty

0:49:33.840 --> 0:49:37.360
<v Speaker 1>years old? These kids are twenty five and thirty years old.

0:49:37.640 --> 0:49:40.640
<v Speaker 1>They were just being born, and some of them weren't

0:49:40.760 --> 0:49:43.280
<v Speaker 1>when this song came out. Yet they know the words.

0:49:43.320 --> 0:49:46.560
<v Speaker 1>And yet these DJs, I'm like, are they just are

0:49:46.560 --> 0:49:52.160
<v Speaker 1>they just not realizing that they're that old. But I

0:49:52.200 --> 0:49:55.360
<v Speaker 1>think that certain things from the nineties and two thousands

0:49:55.400 --> 0:49:57.919
<v Speaker 1>are timeless at this point, where if you were bringing

0:49:57.920 --> 0:49:59.600
<v Speaker 1>in the nineties and things in the fifties were not

0:50:00.719 --> 0:50:03.040
<v Speaker 1>the song sweet Child of Mine by Guns and Roses,

0:50:03.040 --> 0:50:06.440
<v Speaker 1>you know, that's nineteen eighty seven, nineteen eighty seven, appetite,

0:50:06.560 --> 0:50:11.760
<v Speaker 1>Appetite for destruction. Yeah, but it's still it's still people

0:50:11.760 --> 0:50:14.640
<v Speaker 1>playing in bars, it's still at My kids would probably

0:50:14.640 --> 0:50:17.439
<v Speaker 1>know that song, you know, it would be my guest.

0:50:17.880 --> 0:50:20.359
<v Speaker 1>So a lot of these songs were carried along, they

0:50:20.400 --> 0:50:24.239
<v Speaker 1>were dragged along with us, whereas they're in movies, in

0:50:24.320 --> 0:50:26.520
<v Speaker 1>pop culture where we were. But when we were in

0:50:26.920 --> 0:50:33.200
<v Speaker 1>the nineteen eighties and growing up eighties nineties, it we

0:50:33.360 --> 0:50:36.839
<v Speaker 1>songs from the sixties weren't really being dragged to our

0:50:36.960 --> 0:50:40.560
<v Speaker 1>era as much. No, except the classic rock songs were

0:50:40.600 --> 0:50:42.520
<v Speaker 1>like led Zeppelin. Okay, different again, I don't I don't

0:50:42.560 --> 0:50:44.640
<v Speaker 1>want to make this an old podcast.

0:50:44.719 --> 0:50:45.640
<v Speaker 2>Or podcast.

0:50:45.680 --> 0:50:48.560
<v Speaker 1>We're old, No, no, we're just listen. We have a

0:50:48.640 --> 0:50:51.560
<v Speaker 1>long variety of music. My point was I wouldn't have

0:50:51.560 --> 0:50:54.319
<v Speaker 1>put on seventies music in a corwood a couple of

0:50:54.320 --> 0:50:57.520
<v Speaker 1>guys who's combined age wasn't seventy right, But there is

0:50:57.560 --> 0:51:06.719
<v Speaker 1>definitely combined age. There is definitely, though, a necessity for

0:51:06.840 --> 0:51:09.799
<v Speaker 1>the driver to main contain control of the vehicle and

0:51:09.880 --> 0:51:12.840
<v Speaker 1>the car and the and the and the and the music.

0:51:12.960 --> 0:51:15.400
<v Speaker 1>I think that I think the driver has the first

0:51:15.520 --> 0:51:18.839
<v Speaker 1>right of refusal, but they should be considerate in their

0:51:18.880 --> 0:51:23.960
<v Speaker 1>song selections depending on who's there. That's all all right,

0:51:24.239 --> 0:51:25.000
<v Speaker 1>we took a break down.

0:51:25.560 --> 0:51:26.160
<v Speaker 2>I think we can.

0:51:26.239 --> 0:51:30.360
<v Speaker 1>Yeah, all right with Scary and Brody.

0:51:33.160 --> 0:51:34.080
<v Speaker 2>Is this our last break?

0:51:34.160 --> 0:51:36.759
<v Speaker 1>This is it? You always ask that question, and it

0:51:36.800 --> 0:51:38.759
<v Speaker 1>always is. Well, I want to make sure I have

0:51:38.840 --> 0:51:40.680
<v Speaker 1>time for the things I want to have time for. Okay,

0:51:40.760 --> 0:51:42.719
<v Speaker 1>well you got We've got nothing but time. My friend,

0:51:42.800 --> 0:51:46.719
<v Speaker 1>this is an audio untimed podcast. Well, I want to

0:51:46.719 --> 0:51:50.160
<v Speaker 1>play some audio off my phone because I want to

0:51:50.200 --> 0:51:52.200
<v Speaker 1>get it off my phone, so I need to play it.

0:51:52.200 --> 0:51:54.680
<v Speaker 1>I've had it here for like three episodes already, so

0:51:55.040 --> 0:51:58.279
<v Speaker 1>you know I've been getting all those spam calls where

0:51:58.320 --> 0:51:59.960
<v Speaker 1>they all want to give me a they want to

0:52:00.120 --> 0:52:03.240
<v Speaker 1>give me a loan. Right, Oh, we're just one step

0:52:03.280 --> 0:52:05.759
<v Speaker 1>away from the loan. We're just going to finalize one

0:52:05.840 --> 0:52:07.360
<v Speaker 1>last thing to approve your loan. And I'm like, I

0:52:07.400 --> 0:52:08.120
<v Speaker 1>never applied for loan.

0:52:08.160 --> 0:52:08.800
<v Speaker 2>Y're all scams.

0:52:09.920 --> 0:52:13.000
<v Speaker 1>There's a new strategy going on. Now, there's a new thing.

0:52:13.840 --> 0:52:15.600
<v Speaker 1>They're all giving us a name. They're all giving me

0:52:15.640 --> 0:52:17.120
<v Speaker 1>a name. Now, what's that.

0:52:17.120 --> 0:52:18.239
<v Speaker 2>They're all telling me their name.

0:52:18.640 --> 0:52:21.040
<v Speaker 1>No, no, so oh so they come right out with

0:52:21.080 --> 0:52:25.239
<v Speaker 1>a name to show you how honest they are. Yeah,

0:52:25.600 --> 0:52:28.440
<v Speaker 1>so uh here here are my calls, ready, can you

0:52:28.440 --> 0:52:28.759
<v Speaker 1>hear it?

0:52:29.200 --> 0:52:31.719
<v Speaker 3>Hold on, ook, Hey, this is Noura Sancho's giving you

0:52:31.760 --> 0:52:33.520
<v Speaker 3>a quick right here we go. Hey, this is Noura

0:52:33.560 --> 0:52:36.759
<v Speaker 3>Sancho's giving you a quick cally review unit. I see

0:52:36.800 --> 0:52:38.640
<v Speaker 3>here that we were able to get you preapproved for

0:52:38.719 --> 0:52:40.880
<v Speaker 3>a personal loan as much as fifty thousand dollars.

0:52:40.960 --> 0:52:42.759
<v Speaker 1>Thank you, Nora Sanchez.

0:52:42.840 --> 0:52:44.240
<v Speaker 2>Who else is calling me scary?

0:52:44.880 --> 0:52:45.239
<v Speaker 1>Hm? Hmm?

0:52:45.760 --> 0:52:48.160
<v Speaker 3>Hey? Is it dolatoris making sure you got our last

0:52:48.160 --> 0:52:49.799
<v Speaker 3>message from the pre qualification death?

0:52:49.960 --> 0:52:50.120
<v Speaker 1>Oh?

0:52:50.160 --> 0:52:50.319
<v Speaker 3>Oh?

0:52:50.440 --> 0:52:51.680
<v Speaker 2>Is it Belatorious is calling you?

0:52:51.880 --> 0:52:52.960
<v Speaker 1>Okay? Oh?

0:52:53.200 --> 0:52:55.560
<v Speaker 3>Hey, is it bellatoris making sure you got our last

0:52:56.200 --> 0:52:58.759
<v Speaker 3>prequification death. I see here that we were able to

0:52:58.760 --> 0:53:01.680
<v Speaker 3>get you past initial review for a debt consolidation loan.

0:53:01.960 --> 0:53:04.160
<v Speaker 1>Oh I got passed initial review. I have no debt

0:53:04.920 --> 0:53:07.600
<v Speaker 1>to say. How that debt consolidation but you have none

0:53:07.600 --> 0:53:08.799
<v Speaker 1>of that? Yeah?

0:53:08.880 --> 0:53:11.000
<v Speaker 2>Okay, who else is calling me? Let's see?

0:53:11.400 --> 0:53:14.000
<v Speaker 3>Hey, this is Harper Anderson circling back from the approval team.

0:53:14.280 --> 0:53:19.799
<v Speaker 1>I see here that we were Copper Anderson Opera circling back. Yeah,

0:53:20.080 --> 0:53:22.440
<v Speaker 1>using business terms. Now who now?

0:53:22.440 --> 0:53:23.360
<v Speaker 2>Who is this calling me?

0:53:24.880 --> 0:53:27.360
<v Speaker 3>This is Harper Anderson circling back from the approval team.

0:53:28.000 --> 0:53:31.120
<v Speaker 1>Calling me again with the same recording, with the same message.

0:53:31.880 --> 0:53:33.200
<v Speaker 2>Yeah, let's see who this is.

0:53:34.600 --> 0:53:37.640
<v Speaker 3>Hey, this is Kamila Jones circling back from the funding approval.

0:53:37.280 --> 0:53:45.080
<v Speaker 1>In it this this loan is thirty thousand dollars. Let

0:53:45.080 --> 0:53:48.520
<v Speaker 1>me see who this one's from. Hold on, hey, this

0:53:48.600 --> 0:53:49.360
<v Speaker 1>is Kamila Jones.

0:53:52.200 --> 0:53:52.880
<v Speaker 3>We were able to get you.

0:53:53.320 --> 0:53:56.160
<v Speaker 1>You didn't You didn't call her back. That's why that's

0:53:56.160 --> 0:53:59.520
<v Speaker 1>why she's circling back. Brody, but here, this is this

0:53:59.600 --> 0:54:02.120
<v Speaker 1>is my face favor Ready, hold on, here we go.

0:54:02.640 --> 0:54:04.480
<v Speaker 3>Hey, this is Lucy and Winn circling back from the

0:54:04.520 --> 0:54:05.160
<v Speaker 3>approval team.

0:54:05.239 --> 0:54:06.799
<v Speaker 1>It's Lucy and that we were able.

0:54:06.760 --> 0:54:09.840
<v Speaker 3>To atentatively approve for a personal loan of sixty.

0:54:09.960 --> 0:54:11.000
<v Speaker 1>Sixty thousand dollars.

0:54:11.239 --> 0:54:14.520
<v Speaker 2>Wow, oh my Lucy. Let's hear it again.

0:54:15.080 --> 0:54:17.720
<v Speaker 1>This is Lucy and Winn circling back Lucy and Gwen.

0:54:18.280 --> 0:54:20.680
<v Speaker 1>But apparently only Lucy does the Lucy doesn't talking on

0:54:20.680 --> 0:54:23.520
<v Speaker 1>that one, but this time with a with a budget.

0:54:23.600 --> 0:54:26.520
<v Speaker 1>I get a budget loan for sixty thousand dollars. They're

0:54:26.560 --> 0:54:29.000
<v Speaker 1>just circling back, so that's the big thing. They're all

0:54:29.040 --> 0:54:33.120
<v Speaker 1>leaving their names now, Oh oh, thank you, Harper Anderson,

0:54:33.280 --> 0:54:38.440
<v Speaker 1>not your real name? And Isabella Chez. Yeah, everybody almost

0:54:38.440 --> 0:54:45.000
<v Speaker 1>everyone's Hispanic ros Milla, Camilla stop, Camilla Jones, Isabella Torres,

0:54:45.080 --> 0:54:46.120
<v Speaker 1>Nora Sanchez.

0:54:46.520 --> 0:54:47.959
<v Speaker 2>Uh yeah, who.

0:54:47.880 --> 0:54:50.040
<v Speaker 1>Do you got there? That's what do I have? You

0:54:50.080 --> 0:54:54.960
<v Speaker 1>hold on? God? Hi, this is Marvin. I got Marvin

0:54:55.040 --> 0:54:57.600
<v Speaker 1>calling me. They're the guys.

0:54:58.920 --> 0:55:01.800
<v Speaker 2>Yeah, but yeah, thanks for calling Hawper Anderson.

0:55:02.680 --> 0:55:07.280
<v Speaker 1>See now you're getting that on voicemail. I get it

0:55:07.320 --> 0:55:10.359
<v Speaker 1>in the form of text messages. Oh read me yours,

0:55:10.400 --> 0:55:12.440
<v Speaker 1>I got something I gotta read. Let's do that be

0:55:12.440 --> 0:55:16.279
<v Speaker 1>in the second Mary fam text I am married from Aerotech. Hey,

0:55:16.320 --> 0:55:19.439
<v Speaker 1>we recently we learned about your outstanding background and would

0:55:19.480 --> 0:55:22.480
<v Speaker 1>like to recommend you for a high paying remote job opportunity.

0:55:22.920 --> 0:55:25.719
<v Speaker 1>Oh get isn't that cool, brody? They knew that I was,

0:55:25.920 --> 0:55:28.799
<v Speaker 1>that I was so miserable at my current job that

0:55:28.840 --> 0:55:31.840
<v Speaker 1>they want They want me to choose part time or

0:55:31.840 --> 0:55:34.960
<v Speaker 1>full time remote. And the work is simple and it

0:55:35.000 --> 0:55:38.080
<v Speaker 1>can be completed right here at home in sexy hotly

0:55:38.120 --> 0:55:41.879
<v Speaker 1>get up up to three weeks vacation, you know, talk

0:55:41.920 --> 0:55:44.319
<v Speaker 1>about wait, hold on, ready, ready for this one. Oh?

0:55:44.640 --> 0:55:47.440
<v Speaker 1>You know, it's funny you say that, brody, because the

0:55:47.640 --> 0:55:51.799
<v Speaker 1>salary range is three hundred to seven hundred dollars a

0:55:51.960 --> 0:55:56.640
<v Speaker 1>day at all, and the monthly income is guaranteed to

0:55:56.680 --> 0:56:01.040
<v Speaker 1>be no less than ten grand a month. And how

0:56:01.080 --> 0:56:05.320
<v Speaker 1>about this in addition fifteen how many weeks vacation do

0:56:05.360 --> 0:56:09.720
<v Speaker 1>you say? I get three fifteen to twenty five days

0:56:09.760 --> 0:56:12.759
<v Speaker 1>of paid annual leave a year.

0:56:12.840 --> 0:56:15.960
<v Speaker 2>Wow, that's five weeks for you. That's a that's a cart.

0:56:16.080 --> 0:56:19.360
<v Speaker 1>So yeah, So that's Mary from Aerotech. Thank you, Mary.

0:56:19.520 --> 0:56:21.680
<v Speaker 1>Oh Mary, Well, let me tell you I got this

0:56:21.760 --> 0:56:24.839
<v Speaker 1>text message, how are you David? It's been a few

0:56:24.960 --> 0:56:27.200
<v Speaker 1>days and we wanted to make sure everything is going well.

0:56:27.440 --> 0:56:30.160
<v Speaker 1>If you'd like a follow up, visit book one here

0:56:30.719 --> 0:56:35.239
<v Speaker 1>at crazy ass uurl that doesn't exist. Scam.

0:56:35.440 --> 0:56:36.680
<v Speaker 2>Oh here's another one.

0:56:36.719 --> 0:56:37.040
<v Speaker 1>Scary.

0:56:38.280 --> 0:56:40.000
<v Speaker 2>Hey, you're in luck.

0:56:40.360 --> 0:56:43.319
<v Speaker 1>We're on track to buy a stock with an anticipated

0:56:43.400 --> 0:56:46.280
<v Speaker 1>sixty percent gain by the end of the week. Interested

0:56:46.280 --> 0:56:49.120
<v Speaker 1>in getting in on this? Reply yes for free trade updates?

0:56:49.280 --> 0:56:49.680
<v Speaker 2>Scary?

0:56:49.719 --> 0:56:51.440
<v Speaker 1>How can I say no? You know what I I

0:56:51.440 --> 0:56:54.200
<v Speaker 1>can get a sixty thousand dollars loan from Harper Anderson.

0:56:54.440 --> 0:56:57.160
<v Speaker 1>Why take that money? Take that money and get a

0:56:57.200 --> 0:57:01.120
<v Speaker 1>sixty percent gain from these people? Just I replying Yes, Brody,

0:57:01.160 --> 0:57:02.719
<v Speaker 1>I might have to recommend you for this job that

0:57:02.760 --> 0:57:05.800
<v Speaker 1>I'm about to turn down from. Okay, tell me from

0:57:06.120 --> 0:57:10.600
<v Speaker 1>from Lyra from the Robert Half recruitment team. Apparently Mary

0:57:10.600 --> 0:57:14.320
<v Speaker 1>from Aerotech must have passed my name over to these people,

0:57:14.719 --> 0:57:20.160
<v Speaker 1>because now I'm good for a current remote part time

0:57:20.240 --> 0:57:24.600
<v Speaker 1>position assisting companies like Costco and Sam's Club to enhance

0:57:24.640 --> 0:57:29.840
<v Speaker 1>their product visibility and customer engagement. And get this flexible

0:57:29.880 --> 0:57:34.240
<v Speaker 1>working hours only ninety minutes a day, four days a week,

0:57:34.840 --> 0:57:37.960
<v Speaker 1>where I'm not a day five hundred dollars a day.

0:57:38.000 --> 0:57:42.200
<v Speaker 1>Brody and that's funny. That's only during the probation period.

0:57:42.480 --> 0:57:45.560
<v Speaker 1>Basic salary will be six hundred and he's gonna be

0:57:45.600 --> 0:57:48.920
<v Speaker 1>getting a lump sum after just three days of work.

0:57:49.120 --> 0:57:51.720
<v Speaker 1>So basically, they're gonna have fabed my full year salary

0:57:52.080 --> 0:57:55.040
<v Speaker 1>in three days after working for them for three days

0:57:55.360 --> 0:57:59.400
<v Speaker 1>and fifteen to twenty days of paid annual leave. Not

0:57:59.520 --> 0:58:02.480
<v Speaker 1>quite as good as Mary's offer that was offering me

0:58:02.520 --> 0:58:06.800
<v Speaker 1>twenty five days, but thirty five open positions. So I'm

0:58:06.800 --> 0:58:10.320
<v Speaker 1>one of thirty five lucky people. Bertie, if you want,

0:58:10.360 --> 0:58:12.880
<v Speaker 1>I'll send you their number to text. You know what

0:58:12.920 --> 0:58:15.360
<v Speaker 1>you should do, Scary, You should get that to Robin.

0:58:15.680 --> 0:58:17.640
<v Speaker 1>Let her get the job. Then you guys can go

0:58:17.640 --> 0:58:21.360
<v Speaker 1>on more vacations together. Ah, now we're talking. Who else

0:58:21.360 --> 0:58:25.919
<v Speaker 1>you got? Okay, so slices, this may be the job

0:58:25.960 --> 0:58:35.080
<v Speaker 1>for me. Hello, period, I'm Carrie car Capital I of

0:58:35.360 --> 0:58:40.120
<v Speaker 1>Tall Team or twel Team. Okay, very exciting, Carrie ar

0:58:40.520 --> 0:58:43.760
<v Speaker 1>Capital I. I'm here to send a quick note about

0:58:43.760 --> 0:58:49.439
<v Speaker 1>an available role. Shall I send you the summary? I mean, hello,

0:58:49.640 --> 0:58:51.800
<v Speaker 1>what are you waiting for? Send that summary to me

0:58:51.920 --> 0:58:54.760
<v Speaker 1>right now? Bring it on, baby, you know what I'm

0:58:54.760 --> 0:58:57.640
<v Speaker 1>gonna do. I don't even care about the salary because

0:58:57.680 --> 0:59:00.560
<v Speaker 1>I just got sixty thousand dollars from Harper Anderson. I

0:59:00.680 --> 0:59:03.040
<v Speaker 1>rolled it over into a sixty percent stock market game,

0:59:03.600 --> 0:59:06.000
<v Speaker 1>so I'm rolling in the money. I'll work for TOWL

0:59:06.040 --> 0:59:08.240
<v Speaker 1>team for nothing, just so I can work for the

0:59:08.280 --> 0:59:10.800
<v Speaker 1>brilliance of car Capital.

0:59:10.840 --> 0:59:13.280
<v Speaker 2>I I mean, what more do I want?

0:59:14.160 --> 0:59:14.680
<v Speaker 1>Wow?

0:59:16.400 --> 0:59:17.680
<v Speaker 2>And how polite? Scary?

0:59:17.960 --> 0:59:21.120
<v Speaker 1>Shall I send you the summary? Yes you shall, Yes

0:59:21.160 --> 0:59:27.480
<v Speaker 1>you shall. Yeah. Also Jasmine Martin hr at WBD Global

0:59:27.520 --> 0:59:30.280
<v Speaker 1>Streaming checking in with a job offered from me that

0:59:30.440 --> 0:59:34.320
<v Speaker 1>was three days ago and I decided not to answer them.

0:59:37.240 --> 0:59:37.840
<v Speaker 2>That's a shame.

0:59:37.920 --> 0:59:41.840
<v Speaker 1>Hey. By the way, TWEL team, Yeah, carry car Capital.

0:59:41.920 --> 0:59:45.120
<v Speaker 1>I right, that's from area code three sixty eight. Now

0:59:45.120 --> 0:59:47.680
<v Speaker 1>you're saying yourself, huh, I don't know that that number.

0:59:47.800 --> 0:59:50.240
<v Speaker 1>Where in America is area code three six eight? You

0:59:50.280 --> 0:59:52.760
<v Speaker 1>would be wrong scary if you thought that because it's

0:59:52.760 --> 0:59:56.680
<v Speaker 1>in the Canadian province of Alberta. Oh in Canada. You're

0:59:56.720 --> 0:59:59.680
<v Speaker 1>not even Canadian. How is this going to be something

0:59:59.680 --> 1:00:02.000
<v Speaker 1>that you can you get involved with? I guess they're

1:00:02.080 --> 1:00:04.800
<v Speaker 1>hiring outside sources to recruit for this great company. I

1:00:04.840 --> 1:00:07.040
<v Speaker 1>guess that's why she's so polite. Shall I send you

1:00:07.080 --> 1:00:10.520
<v Speaker 1>the summary all the way from Canada. Oh please do now, Brody.

1:00:10.760 --> 1:00:14.920
<v Speaker 1>You always complain that you're getting job opportunity offers that

1:00:15.000 --> 1:00:19.240
<v Speaker 1>are nowhere near your field, right nowhere near? Well, how

1:00:19.280 --> 1:00:25.080
<v Speaker 1>about a recruiter from Mirrormax. Is Abella checked in with

1:00:25.160 --> 1:00:27.720
<v Speaker 1>me and saw my profile on Wait a minute, Wait

1:00:27.720 --> 1:00:29.280
<v Speaker 1>a minute, Wait a minute, Wait a minute, wait a minute.

1:00:29.360 --> 1:00:31.080
<v Speaker 1>Are we gonna read them together? Are we gonna read

1:00:31.080 --> 1:00:34.200
<v Speaker 1>this way together? Hold on a second, Hold on, let's

1:00:34.280 --> 1:00:38.600
<v Speaker 1>read it in unison. Hold on me before you no, no,

1:00:38.640 --> 1:00:41.240
<v Speaker 1>before you tell me. I wonder if it's this person

1:00:41.560 --> 1:00:44.120
<v Speaker 1>Oka is a bellaturis making sure you got our last

1:00:44.120 --> 1:00:47.600
<v Speaker 1>message from this just as a bella. But is that

1:00:47.680 --> 1:00:50.400
<v Speaker 1>from Mira Max? Because this is a bella saw my

1:00:50.480 --> 1:00:54.920
<v Speaker 1>profile on several online recruitment platforms and was so impressed

1:00:54.920 --> 1:00:58.320
<v Speaker 1>by my background and experience. So they're offering these flexible

1:00:58.360 --> 1:01:01.760
<v Speaker 1>part time opportunities. Brody, Wow, Oh you know what this is.

1:01:02.120 --> 1:01:06.920
<v Speaker 1>The position is assisting YouTubers and major brands to increase

1:01:07.000 --> 1:01:11.800
<v Speaker 1>data traffic, and my salary is going to be anywhere

1:01:11.840 --> 1:01:16.320
<v Speaker 1>from fifty dollars to three thousand dollars a day. How's

1:01:16.360 --> 1:01:19.840
<v Speaker 1>that possible? I don't know scary, but you know, I'm

1:01:19.880 --> 1:01:21.560
<v Speaker 1>on a lot of job sites and I put in

1:01:21.560 --> 1:01:24.880
<v Speaker 1>the word radio or host. Yeah, you know, podcast host,

1:01:25.360 --> 1:01:28.400
<v Speaker 1>radio host, radio in general radio. I got a job,

1:01:28.440 --> 1:01:31.360
<v Speaker 1>I got a I got a job suggestion from you know,

1:01:31.480 --> 1:01:34.760
<v Speaker 1>zip recruiter or one of these companies. The Radio Hotel

1:01:35.360 --> 1:01:38.800
<v Speaker 1>in New York, in Manhattan is looking for a a

1:01:38.960 --> 1:01:44.320
<v Speaker 1>host for their restaurant. The Radio Hotel is looking Foray,

1:01:45.320 --> 1:01:49.000
<v Speaker 1>why to what I'm looking for? It's so close. You

1:01:49.040 --> 1:01:50.280
<v Speaker 1>were right there anyway?

1:01:50.680 --> 1:01:52.320
<v Speaker 2>Yeah, yeah, I love that.

1:01:52.640 --> 1:01:55.440
<v Speaker 1>I want to know. Listen, I know none of ours

1:01:55.720 --> 1:01:58.360
<v Speaker 1>fall for these, but but if any of you got

1:01:58.360 --> 1:02:01.360
<v Speaker 1>a job but five hundred dollars one thousand dollars a

1:02:01.440 --> 1:02:04.760
<v Speaker 1>day from one of these text messages or a stock investment.

1:02:04.600 --> 1:02:06.720
<v Speaker 2>Or a loan, if any of these worked for you,

1:02:06.920 --> 1:02:08.880
<v Speaker 2>let us know legit, you know.

1:02:09.200 --> 1:02:11.600
<v Speaker 1>And if they don't work for any of us or

1:02:11.680 --> 1:02:14.240
<v Speaker 1>people listening, who the hell does it work for? It

1:02:14.320 --> 1:02:14.840
<v Speaker 1>must work.

1:02:15.120 --> 1:02:17.640
<v Speaker 2>Some of my grandmothers is calling.

1:02:17.800 --> 1:02:22.440
<v Speaker 1>There are people that are being tricked because they wouldn't

1:02:22.480 --> 1:02:25.160
<v Speaker 1>continue these scams if they weren't working, So they must

1:02:25.160 --> 1:02:30.000
<v Speaker 1>be working. Wow. Well, maybe the other scams weren't work

1:02:30.040 --> 1:02:34.000
<v Speaker 1>and that's why they're putting names in them now, Isabella Torres,

1:02:35.160 --> 1:02:36.560
<v Speaker 1>Camilla Jones.

1:02:38.560 --> 1:02:39.280
<v Speaker 2>Lucy and Gwen.

1:02:40.040 --> 1:02:41.720
<v Speaker 1>You think you think Lucy and Gwen are like our

1:02:41.760 --> 1:02:44.320
<v Speaker 1>old friends, that they work together, They go out to

1:02:44.320 --> 1:02:47.600
<v Speaker 1>dinner together, Lucy and Gwen, they make calls together. You

1:02:47.640 --> 1:02:50.240
<v Speaker 1>think Gwen like they work on commission And Lucy was like,

1:02:50.640 --> 1:02:53.000
<v Speaker 1>you know what, Gwen, you need some commission money.

1:02:53.480 --> 1:02:54.760
<v Speaker 2>I'm going to make the call, but.

1:02:54.720 --> 1:02:56.440
<v Speaker 1>I'm gonna put your name in the call so that

1:02:56.480 --> 1:02:59.160
<v Speaker 1>when they call back, we'll both get credit for the call. Lucy,

1:02:59.200 --> 1:03:01.440
<v Speaker 1>that's really nice to you. Oh, no problem, Gwen, you're

1:03:01.480 --> 1:03:03.520
<v Speaker 1>my best friend. You know what, Brody, if you and

1:03:03.560 --> 1:03:05.800
<v Speaker 1>I are still alive in twenty five thirty years and

1:03:05.840 --> 1:03:08.919
<v Speaker 1>we're retired, maybe we could be the new Lucian Gwen.

1:03:09.000 --> 1:03:12.400
<v Speaker 1>Maybe we can actually make people's days and recruit them

1:03:12.440 --> 1:03:16.240
<v Speaker 1>for jobs. Maybe that should be we could be headhunters. Yeah,

1:03:16.240 --> 1:03:17.760
<v Speaker 1>but you know what, you would call up and go, hey,

1:03:17.840 --> 1:03:19.600
<v Speaker 1>it's scary and brody, and I'd be like, no, it's

1:03:19.600 --> 1:03:37.040
<v Speaker 1>brody and scary. That's so true. We'll fight till the death. Boys, boys,