WEBVTT - The Color of Friendship

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<v Speaker 1>When you were growing up, did you ever have or

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<v Speaker 1>consider becoming an exchange student.

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<v Speaker 2>I thought about this exchange student that I knew didn't

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<v Speaker 2>go to my high school, but went to my best

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<v Speaker 2>friend's high school. And it actually started with her friend

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<v Speaker 2>went to Germany and did an exchange program, met the family.

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<v Speaker 2>I don't know if they started dating or not, but

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<v Speaker 2>the teenage boy that was the same age as her

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<v Speaker 2>came in did an exchange system with her family in

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<v Speaker 2>the States, and then he stayed and they got.

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<v Speaker 1>Married, so then they were dating. My guess is if

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<v Speaker 1>they ended up married, they were probably dating.

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<v Speaker 3>They dated definitely when they're here.

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<v Speaker 2>I don't know if she started dating him while he

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<v Speaker 2>was in German, But I thought about them throughout so

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<v Speaker 2>much of this movie because I.

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<v Speaker 3>Just kept thinking.

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<v Speaker 2>And obviously there's a difference within the seventies versus early

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<v Speaker 2>two thousands, but how scary it would be for both

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<v Speaker 2>the individual and their parents for your child to be

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<v Speaker 2>across in a different country with the family that you

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<v Speaker 2>don't really know. I mean, it was just I just

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<v Speaker 2>could not, like, my brain kept swirling. I had to

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<v Speaker 2>keep rewinding it because my brain started spinning off and

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<v Speaker 2>off of what it would be like to either be

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<v Speaker 2>an exchange student, have an exchange student, or be parents

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<v Speaker 2>of either of those situations.

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<v Speaker 1>While my cousin lived with us, he was from Germany

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<v Speaker 1>and he lived with us for a year and went

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<v Speaker 1>to high school. Oh, it was awesome because he was

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<v Speaker 1>super popular.

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<v Speaker 2>So he did he up your social game?

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<v Speaker 1>He did well? Yeah, so because I was in eighth grade.

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<v Speaker 1>So then by the time I moved freshman year, all

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<v Speaker 1>his friends were senior so I got it, like I

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<v Speaker 1>figured it out out. So it was like they all

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<v Speaker 1>knew me by the time I got there. So I

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<v Speaker 1>had friends my freshman year. It was the only time

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<v Speaker 1>I had friends in high school. But it was fun

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<v Speaker 1>that one time, my time.

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<v Speaker 2>You say something like that, I just want you to

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<v Speaker 2>know me, and the rest of the audience do not

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<v Speaker 2>believe you.

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<v Speaker 1>That's great, I love that. The sad thing is it's its.

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<v Speaker 2>One hundred percent chance you were not super cool in

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<v Speaker 2>high school. I just don't believe it.

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<v Speaker 1>We had the same thing on pod Metro when my

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<v Speaker 1>dad came and and was one of the guests and

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<v Speaker 1>writer and Danielle. Danielle was like, Okay, we can finally

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<v Speaker 1>put this to rest. Can you please tell us how

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<v Speaker 1>many girlfriends Will had, and my dad's like, Will didn't

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<v Speaker 1>have any girlfriends, and it just shut them down because

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<v Speaker 1>it's true. I was not popular and had no girlfriends.

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<v Speaker 2>Absolutely, absolutely fat is insanity to me.

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<v Speaker 1>I just it's absolutely believe.

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<v Speaker 2>Wow, I'm not sure if I'm there yet. I might

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<v Speaker 2>have to actually meet your dad.

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<v Speaker 1>That's funny. You will, you will, he'll explain. And uh,

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<v Speaker 1>they were my best friends. So that's who I was

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<v Speaker 1>hanging out with the whole time in high school. So cool.

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<v Speaker 1>Welcome back to Magical Rewind, the show that makes you

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<v Speaker 1>want to grab your friends, your pjs, and your popcorn

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<v Speaker 1>and go back to a time when all the houses

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<v Speaker 1>were smart. The waves are tsunamis and the high school's musical.

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<v Speaker 3>I'm Wilfordell and I'm Sabrina Brian, and.

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<v Speaker 1>It is time to look beyond black and white, because

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<v Speaker 1>this week we're talking about a very special Disney Channel

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<v Speaker 1>original movie from the year two thousand, our second based

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<v Speaker 1>on actual events. Sabrina, do you remember the first one,

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<v Speaker 1>No Gotta Kick it Up?

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<v Speaker 2>Oh that's right, yes.

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<v Speaker 1>Yes, gotta kick it up.

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<v Speaker 2>Yes that's true.

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<v Speaker 1>So this is number two, and this week's movie is

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<v Speaker 1>the Color of Friendship. It first aired on February fifth

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<v Speaker 1>of two thousand, purposefully debuting during Black History Month. It

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<v Speaker 1>would be released on VHS two years later, and it

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<v Speaker 1>is one of the best review d cooms of all time.

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<v Speaker 1>The La Times calling the film surprisingly compelling and stated

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<v Speaker 1>that although it is frequently predictable, it quote delves unexpectedly

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<v Speaker 1>deeper quote. The Seattle Times wrote that the film breaks

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<v Speaker 1>the nauseatingly simple after school special mold of most child

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<v Speaker 1>friendly Teleflix and that it is certainly one of the

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<v Speaker 1>better films you'll se on the Disney Channel, which again

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<v Speaker 1>I agree with all that, but we'll get into it.

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<v Speaker 1>Ben a while since we've had a movie that made

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<v Speaker 1>this list, but Complex had it as number ten on

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<v Speaker 1>the top twenty five d COM's list, and Collider ranked

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<v Speaker 1>it at number fifteen. And I hate to bury the

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<v Speaker 1>lead here, but it is also our first Emmy winner ever.

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<v Speaker 1>We thought Going to the Mat could have could have

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<v Speaker 1>been one, seriously could have been one. But this is

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<v Speaker 1>our first ever Emmy winner. It won the Award for

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<v Speaker 1>Outstanding Children's Program in two thousand. It also won the

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<v Speaker 1>Humanities Prize and NAACP Image Award. A WJA Award and

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<v Speaker 1>was nominated for a DGA Award. It is safe to

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<v Speaker 1>say that neither Luck of the Irish or I'm going

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<v Speaker 1>to throw in Fuzzbucket had a chance of winning it.

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<v Speaker 3>A slightly slightly missed the mark on those, so.

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<v Speaker 1>We are definitely entering a different type of category today.

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<v Speaker 1>It is viewable on Disney Plus, so you can check

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<v Speaker 1>it out there, or maybe you already have. We're not

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<v Speaker 1>keeping track. You do you now? Amongst the critical and

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<v Speaker 1>industry praise, Sabrina, did you know about the Color of

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<v Speaker 1>Friendship before we watched it here on our Wonderful podcast?

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<v Speaker 2>I did. I was excited for this like this one.

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<v Speaker 1>I did.

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<v Speaker 2>I really did like this one. I was excited to

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<v Speaker 2>rewatch it again. It's crazy how I will remember loving

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<v Speaker 2>a movie and then when it starts, I just have

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<v Speaker 2>no recollection of where things are going to.

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<v Speaker 3>Start because it's just been so long.

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<v Speaker 1>Yeah it's been twenty four years.

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<v Speaker 2>Yes, and I remember, and I still felt the same

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<v Speaker 2>way watching this of Wow, Disney took such a beautiful

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<v Speaker 2>leap into and exploring and explaining something that is super important,

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<v Speaker 2>but they did it in an amazing Disney way.

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<v Speaker 3>I just thought it.

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<v Speaker 2>It was done so well and you know it, but

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<v Speaker 2>also a risk for them, right, critics and everything are

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<v Speaker 2>talking about this is not a typical thing for Disney

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<v Speaker 2>to dive into something that is very controversial, you know,

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<v Speaker 2>So I thought it was they just Disney blows.

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<v Speaker 3>My mind again, Disney Channel.

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<v Speaker 1>Jeez, you know what, I think this will surprise nobody

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<v Speaker 1>when I say that I knew nothing of it. I

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<v Speaker 1>am starting to realize that I've heard of maybe three.

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<v Speaker 2>Things, see three different I've.

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<v Speaker 1>Seen like i'd heard that, I'd heard of the Cheetah Girls, obviously,

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<v Speaker 1>I'd heard of high school musical. I've heard of my

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<v Speaker 1>date with the President's daughter because I was in it.

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<v Speaker 1>Other than that, I really hadn't heard it. So yes,

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<v Speaker 1>so everybody out there, don't lock yourself in a room.

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<v Speaker 1>Just that a room that's not even yours, by the way,

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<v Speaker 1>Just yet, it's time for the synopsis.

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<v Speaker 2>Here we go.

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<v Speaker 1>A white South African girl finds herself in a difficult

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<v Speaker 1>situation when she is sent to spend a term with

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<v Speaker 1>a black family in America. So I think we just

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<v Speaker 1>got your early thoughts. You loved it, right, Yes.

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<v Speaker 2>I was almost nervous how they were going to handle

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<v Speaker 2>certain things though. I was kind of going, oh, here

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<v Speaker 2>we go, oh, and then it turned out it just

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<v Speaker 2>just was done really well.

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<v Speaker 1>This is one of those movies. So first of all,

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<v Speaker 1>I thought this movie was phenomenal, absolutely phenomenal.

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<v Speaker 3>I knew you were going to love it.

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<v Speaker 1>I loved this movie. I loved basically everything about it,

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<v Speaker 1>down to the music. I mean, I loved everything about

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<v Speaker 1>this movie. I really did. This one surprised the hell

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<v Speaker 1>out of me how much I liked it. That being said,

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<v Speaker 1>I would love to have originally seen this in two thousand,

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<v Speaker 1>to have watched it then, because you know, we live

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<v Speaker 1>in a different time now, a different contry. Twenty four

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<v Speaker 1>years is a very very different time. I would love

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<v Speaker 1>to have seen it first then to add initial thoughts,

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<v Speaker 1>and then seen it now because there are some things

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<v Speaker 1>that you know, some language and things like that that

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<v Speaker 1>would never pass muster nowadays. But that were I think

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<v Speaker 1>was necessary and powerful and it was so this movie

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<v Speaker 1>blew me away. I absolutely thought it was great.

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<v Speaker 3>The cast was wonderful.

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<v Speaker 1>Oh, so let's get into that. To say it's an

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<v Speaker 1>impressive cast of actors is an Understatementally. Vindseay Hahn plays

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<v Speaker 1>Maury Bach the white South African exchange student. It was

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<v Speaker 1>an incredibly challenging and nuanced role that she I thought

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<v Speaker 1>knocked out of the park. The two leads, the two

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<v Speaker 1>girls that really headlined this movie. We'll get into the adults,

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<v Speaker 1>but the two girls were so good, yes, and so layered,

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<v Speaker 1>and oh, it was absolutely wonderful. You've seen Lindsay most

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<v Speaker 1>notably on True Blood, where she played Hadley Hale, but

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<v Speaker 1>you've also seen her on Melrose play star Trek Voyager

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<v Speaker 1>and her father. I know it's all about her, but dude,

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<v Speaker 1>her father is the guitarist for Air Supply, and I

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<v Speaker 1>know we can't afford it, but I'm still gonna sit

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<v Speaker 1>here and say I'm all out of love. I'm so

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<v Speaker 1>else with you. Sorry song. I knew every word too,

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<v Speaker 1>I think I was three.

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<v Speaker 2>I love that.

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<v Speaker 1>Air Supply very important in Wilfordell's life, so that was

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<v Speaker 1>just an awesome thing to learn. Shaddya Simmons plays Piper Dellums,

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<v Speaker 1>the daughter of the family Maury will be staying with,

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<v Speaker 1>and she is so optimistic and happy about possibly gaining

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<v Speaker 1>a sister in the process of all of this. She

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<v Speaker 1>is a Canadian actress who has already appeared in another

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<v Speaker 1>dcon by this time A Saintly Switch, which again I

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<v Speaker 1>have not heard of.

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<v Speaker 3>I have not heard of that one.

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<v Speaker 1>Okay, I'm sure we'll get to it. She also appeared

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<v Speaker 1>in Xenon the zequel yet and also a movie called HS.

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<v Speaker 1>But we're going to get more into that lady.

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<v Speaker 3>Yeah.

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<v Speaker 1>She is married to legendary soccer player Freddie Adou, who,

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<v Speaker 1>at the age of fourteen, became the youngest player ever

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<v Speaker 1>signed to Major League Soccer. He was a phenomenon. He

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<v Speaker 1>was everywhere. They were hailing him as the Michael Jordan

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<v Speaker 1>of soccer. He was it. He put soccer on the

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<v Speaker 1>map for a lot of people, and what he accomplished

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<v Speaker 1>at his age is really amazing. And Shadia has since

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<v Speaker 1>retired from acting and she is a teacher in Canada.

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<v Speaker 3>Wow.

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<v Speaker 1>Carl Lumley plays the father of the House Congressman Ron Dellams.

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<v Speaker 1>He made his acting Give You in the nineteen seventy

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<v Speaker 1>nine movie Oh Wait for It Escape from Alcatraz. Awesome movie,

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<v Speaker 1>and hasn't looked back since. His recent appearance in This

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<v Speaker 1>Is Us and Marvel's The Falcon and Winter Soldier might

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<v Speaker 1>be the most recognizable, but there's also Supergirl, Doctor Sleep,

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<v Speaker 1>The Fall of the House of Usher, Obliterated, the shy

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<v Speaker 1>and opposite Robert Niro in Men of Honor. He is

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<v Speaker 1>an incredible actor. He also plays or is the voice

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<v Speaker 1>of Martian Man Huh in Justice League and Justice League unlmited.

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<v Speaker 1>I've gotten to work with him fifty times. He's the

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<v Speaker 1>nicest guy you will ever meet in your life. Phenomenally talented.

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<v Speaker 2>He was so good.

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<v Speaker 1>He is so good in this movie.

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<v Speaker 2>I loved his character.

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<v Speaker 3>I mean it was awesome.

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<v Speaker 1>There was not There was not a week link in

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<v Speaker 1>this cast anywhere. I mean usually there's like one or

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<v Speaker 1>two you point to and you go like, yeah, that

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<v Speaker 1>wasn't the bit nowhere. They were all amazing.

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<v Speaker 2>Even the annoying brother I thought, you're curious, were so good.

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<v Speaker 2>I loved him.

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<v Speaker 1>They were the whole group of friends she had together.

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<v Speaker 1>Oh Penny Johnson Gerald is his wife, Roscoe Dellums. She

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<v Speaker 1>is already well known as Beverly Barnes on The Larry

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<v Speaker 1>Sanders Show, with appearances on Er and Star Trek Deep

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<v Speaker 1>Spase nine DSN, but she later on became a very

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<v Speaker 1>big star on the show twenty four Castle and the Orville,

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<v Speaker 1>another just actress who has been working forever and is

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<v Speaker 1>amazingly talented. Another actor worth mentioning is a mod Stoner

0:10:56.840 --> 0:10:59.920
<v Speaker 1>who plays Daniel, Piper's friend. He's in the other two

0:10:59.880 --> 0:11:02.240
<v Speaker 1>story d com Gotta Kick It Up, so he is

0:11:02.600 --> 0:11:04.960
<v Speaker 1>in both of them and was no nap of the

0:11:04.960 --> 0:11:07.320
<v Speaker 1>Lost Boys in hook He was also on a little

0:11:07.360 --> 0:11:10.840
<v Speaker 1>known show called Boy Meets World. Ah, I'm on Good

0:11:10.880 --> 0:11:13.480
<v Speaker 1>Guy and the other thing we were talking about the

0:11:13.520 --> 0:11:17.960
<v Speaker 1>brother that's Ron Dellam's actual son and Piper's brother in

0:11:17.960 --> 0:11:21.480
<v Speaker 1>real life, Eric, who does appear in the movie.

0:11:21.559 --> 0:11:23.600
<v Speaker 2>Yeah, that's very cool, super cool.

0:11:24.040 --> 0:11:26.240
<v Speaker 1>This film clocks in at eighty seven minutes.

0:11:26.520 --> 0:11:29.640
<v Speaker 2>Ah, we're so close, three minutes, three.

0:11:29.480 --> 0:11:31.560
<v Speaker 1>Minutes away from the bull's eyes. Someday we are going

0:11:31.640 --> 0:11:33.480
<v Speaker 1>to watch the worst d common history. But we're not

0:11:33.520 --> 0:11:35.960
<v Speaker 1>gonna care. We're gonna give it ten nineties because it

0:11:36.000 --> 0:11:39.720
<v Speaker 1>made ninety minutes long. But that seems like a small

0:11:39.720 --> 0:11:41.680
<v Speaker 1>little complaint when this thing is an Emmy winner. It

0:11:41.760 --> 0:11:45.719
<v Speaker 1>was directed by Kevin Hooks, who received obviously very high

0:11:45.760 --> 0:11:48.240
<v Speaker 1>praise for this film and reviews. He's another person involved

0:11:48.280 --> 0:11:51.480
<v Speaker 1>in this movie with just an outstanding career. He started

0:11:51.480 --> 0:11:53.640
<v Speaker 1>as a director on TV shows like Sainte Elsewhere with

0:11:53.679 --> 0:11:56.760
<v Speaker 1>mister Bill Daniels, twenty one, Jump Street with mister Johnny

0:11:56.800 --> 0:12:00.720
<v Speaker 1>Depp twenty one, Jump Street, and er, then shifting to

0:12:00.760 --> 0:12:03.600
<v Speaker 1>movies like the Tommy Davison comedy Strictly Business and the

0:12:03.600 --> 0:12:08.840
<v Speaker 1>Wesley Snipes action film Passenger fifty seven. Great movie. He's

0:12:08.880 --> 0:12:11.880
<v Speaker 1>still a massive figure in TV directing with episodes of Lost,

0:12:12.080 --> 0:12:14.400
<v Speaker 1>This Is Us, ex Files, and Prison Break all on

0:12:14.480 --> 0:12:16.960
<v Speaker 1>his resume. It is written by Paris. I think it's

0:12:17.040 --> 0:12:19.440
<v Speaker 1>qualas is how you say it might be Qualls, who

0:12:19.520 --> 0:12:21.640
<v Speaker 1>was a writer on Quantum, Leap and Lewis and Clark

0:12:21.880 --> 0:12:24.600
<v Speaker 1>and moved on from this to The Rosa Park Story

0:12:24.640 --> 0:12:27.720
<v Speaker 1>starring Angela Bassett and a more recent rendition of Raisin

0:12:27.800 --> 0:12:30.560
<v Speaker 1>in the Sun, the TV movie. One other crew member

0:12:30.640 --> 0:12:33.720
<v Speaker 1>that is certainly worth pointing out is Stanley Clark, and

0:12:33.840 --> 0:12:36.240
<v Speaker 1>we need to talk about mister Clark because he is

0:12:36.280 --> 0:12:38.960
<v Speaker 1>a five time Grammy winner who's considered a living legend

0:12:38.960 --> 0:12:40.880
<v Speaker 1>when it comes to the bass and the birth of

0:12:41.000 --> 0:12:45.720
<v Speaker 1>jazz fusion. He played with Miles Davis, Jeff Beck, Ronnie

0:12:45.760 --> 0:12:49.120
<v Speaker 1>Wood and Keith Richards of The Rolling Stones and George Duke.

0:12:49.320 --> 0:12:51.960
<v Speaker 1>He is I mean, probably easiest to predict. He was

0:12:52.400 --> 0:12:55.000
<v Speaker 1>the lead of the Stanley Clark Band, makes sense since

0:12:55.040 --> 0:12:57.360
<v Speaker 1>his name is Stanley Clark, perfectly named and was given

0:12:57.400 --> 0:12:59.640
<v Speaker 1>what seems to be free reign to be the most

0:13:00.160 --> 0:13:02.760
<v Speaker 1>Clark he could be for this movie. He did the

0:13:02.840 --> 0:13:05.640
<v Speaker 1>music for Boys in the Hood, Romeo Must Die, and

0:13:05.679 --> 0:13:07.880
<v Speaker 1>the TV show Soul Food. So he is a real

0:13:07.920 --> 0:13:09.559
<v Speaker 1>bass genius. And I think that since the movie is

0:13:09.559 --> 0:13:12.360
<v Speaker 1>set in the seventies, it plays a big part. So

0:13:12.520 --> 0:13:14.880
<v Speaker 1>I think we should talk first of a little bit

0:13:14.880 --> 0:13:18.560
<v Speaker 1>about the music, because it was amazing. I mean the music,

0:13:19.000 --> 0:13:22.760
<v Speaker 1>every song that came on was had so much personality

0:13:22.840 --> 0:13:25.600
<v Speaker 1>in this movie. Yes, I am one of those people.

0:13:25.600 --> 0:13:27.080
<v Speaker 1>As much as I would love to sit here and

0:13:27.120 --> 0:13:31.240
<v Speaker 1>be like, oh man, I hear the music in every

0:13:31.400 --> 0:13:35.079
<v Speaker 1>movie I watch, I don't. Sometimes, No, it's just kind

0:13:35.120 --> 0:13:37.400
<v Speaker 1>of in the background right for a lot of people,

0:13:37.440 --> 0:13:42.280
<v Speaker 1>it is this was right there in your face. Amazing.

0:13:43.040 --> 0:13:45.000
<v Speaker 1>I felt the music. It was really really cool.

0:13:45.320 --> 0:13:47.800
<v Speaker 2>It was and it set like you said, it's set

0:13:47.840 --> 0:13:51.320
<v Speaker 2>the tone of the seventies. It also brought in, you know,

0:13:51.520 --> 0:13:54.680
<v Speaker 2>the African drum. Like there was so many times where

0:13:54.679 --> 0:13:58.320
<v Speaker 2>you felt the cultural aspect that you needed to everything

0:13:58.400 --> 0:14:01.640
<v Speaker 2>really and everything really flow. Didn't feel sometimes you know,

0:14:01.679 --> 0:14:03.760
<v Speaker 2>all of a sudden you hear a song and you're

0:14:04.400 --> 0:14:07.560
<v Speaker 2>actually hearing it because it just comes out of nowhere.

0:14:07.720 --> 0:14:11.840
<v Speaker 2>The way the music is introduced and flows throughout this

0:14:11.960 --> 0:14:14.240
<v Speaker 2>whole movie is just it's easy.

0:14:14.320 --> 0:14:15.319
<v Speaker 3>It's an easy listen.

0:14:15.440 --> 0:14:17.480
<v Speaker 1>Yeah, right, it was very organic. It just kind of

0:14:17.559 --> 0:14:20.000
<v Speaker 1>it worked throughout the entire thing. But it's also good

0:14:20.040 --> 0:14:21.880
<v Speaker 1>time to talk about when the movie was set. So

0:14:22.440 --> 0:14:26.920
<v Speaker 1>the real story was in nineteen seventy seven, and so

0:14:27.080 --> 0:14:30.200
<v Speaker 1>your Disney in two thousand is not only taking a

0:14:30.240 --> 0:14:34.480
<v Speaker 1>swing at subject matter that is very adult, very real,

0:14:35.360 --> 0:14:39.840
<v Speaker 1>very important, but they're also doing a period piece. Right, Yes,

0:14:40.400 --> 0:14:41.760
<v Speaker 1>did you like the seventies vibe?

0:14:42.560 --> 0:14:46.000
<v Speaker 2>I felt the wardrobe could.

0:14:45.720 --> 0:14:46.720
<v Speaker 3>Have been better.

0:14:47.160 --> 0:14:52.520
<v Speaker 2>Oh really, Yeah, I didn't love everything. There were some aspects,

0:14:52.560 --> 0:14:56.640
<v Speaker 2>so I'm thinking specifically about, you know, when they're in

0:14:56.760 --> 0:14:59.200
<v Speaker 2>the mall going getting ready for school, you know, the

0:14:59.240 --> 0:15:00.440
<v Speaker 2>first day of school, they're.

0:15:00.240 --> 0:15:01.120
<v Speaker 3>Doing this this.

0:15:02.920 --> 0:15:06.320
<v Speaker 2>In and out of dressing room type thing. I didn't

0:15:06.400 --> 0:15:10.800
<v Speaker 2>really love any of that. Out those outfits they either

0:15:10.840 --> 0:15:14.040
<v Speaker 2>were so kind of basic. And maybe it's because the

0:15:14.080 --> 0:15:15.440
<v Speaker 2>seventies has come back.

0:15:15.480 --> 0:15:16.240
<v Speaker 3>In a lot of ways.

0:15:16.520 --> 0:15:19.640
<v Speaker 2>And fashion. Well, it's you know when you see bell

0:15:19.720 --> 0:15:21.400
<v Speaker 2>bottoms and things like that, you're.

0:15:21.280 --> 0:15:23.560
<v Speaker 1>Saying, you know, like I'm going to know that fashion

0:15:23.640 --> 0:15:25.600
<v Speaker 1>is coming back. I have no idea what you're talking about.

0:15:25.840 --> 0:15:27.600
<v Speaker 2>Well, I'm saying this is what I'm thinking. Because it

0:15:27.640 --> 0:15:31.800
<v Speaker 2>either looked basic or it looked very cartoony, like I didn't.

0:15:32.000 --> 0:15:35.240
<v Speaker 2>There was no middle mountain or feeling of really authentic

0:15:35.720 --> 0:15:39.280
<v Speaker 2>seventies where compared to other movies. But then again, it's

0:15:39.320 --> 0:15:43.080
<v Speaker 2>the Disney channel that you know, you think about what

0:15:43.080 --> 0:15:46.440
<v Speaker 2>what the budget was right and things like that. But

0:15:46.480 --> 0:15:50.880
<v Speaker 2>then like I loved what Piper's mom was always wearing.

0:15:50.920 --> 0:15:53.920
<v Speaker 2>She always was dressed so beautifully, and so there was

0:15:54.000 --> 0:15:56.280
<v Speaker 2>aspects of it that were great, but I feel the

0:15:56.840 --> 0:16:00.640
<v Speaker 2>age the kids stuff didn't really look that great. La

0:16:00.680 --> 0:16:02.800
<v Speaker 2>I wouldn't have loved that wardrobe for myself.

0:16:02.880 --> 0:16:06.320
<v Speaker 1>So my dad is a big car guy and he's

0:16:06.360 --> 0:16:08.200
<v Speaker 1>passed that on to me. So one of the things

0:16:08.200 --> 0:16:09.920
<v Speaker 1>we used to do every time we watch period pieces

0:16:10.000 --> 0:16:11.520
<v Speaker 1>is you look in the background to see if they

0:16:11.560 --> 0:16:13.800
<v Speaker 1>messed up any of the cars, Like, wait, the seventies

0:16:13.800 --> 0:16:16.360
<v Speaker 1>and there's a nineteen ninety Dodge Dart behind whatever it.

0:16:16.280 --> 0:16:18.600
<v Speaker 3>Is oh my, you know cars that well.

0:16:18.600 --> 0:16:21.720
<v Speaker 1>Enough there, I mean enough to know if it's in

0:16:21.760 --> 0:16:24.720
<v Speaker 1>the right decade anyway, and I wasn't wasn't able to

0:16:24.720 --> 0:16:27.960
<v Speaker 1>spot any mistakes. So I though pretty impressive. And again

0:16:28.000 --> 0:16:30.160
<v Speaker 1>there's probably people watching that's like I saw six I

0:16:30.160 --> 0:16:33.120
<v Speaker 1>don't know, but I wasn't able to spot any mistake.

0:16:33.280 --> 0:16:35.760
<v Speaker 2>Yeah, but I did the cars, actually I did notice,

0:16:35.800 --> 0:16:37.440
<v Speaker 2>you know, when they were in the driveway and things

0:16:37.480 --> 0:16:37.800
<v Speaker 2>like that.

0:16:37.920 --> 0:16:38.520
<v Speaker 1>It looked great.

0:16:38.600 --> 0:16:47.040
<v Speaker 2>Yeah.

0:16:47.080 --> 0:16:49.080
<v Speaker 1>So we opened the film with shots that, of course

0:16:49.120 --> 0:16:52.000
<v Speaker 1>immediately caught my attention because it looked like My Date

0:16:52.040 --> 0:16:52.880
<v Speaker 1>with President's daughter.

0:16:54.320 --> 0:16:58.520
<v Speaker 2>First thing on my Sabrina Sea Bill's movie makes sake cameo.

0:16:58.960 --> 0:17:01.520
<v Speaker 1>It does look like My Date with the President's Daughter.

0:17:01.640 --> 0:17:04.040
<v Speaker 1>Establishing shots at d C where the movie is supposed

0:17:04.080 --> 0:17:06.320
<v Speaker 1>to take place. But of course it's a dcom, so

0:17:06.640 --> 0:17:09.560
<v Speaker 1>it's either shot in Canada or in Utah. I think

0:17:09.560 --> 0:17:12.200
<v Speaker 1>they just flip a coin to decide where it's going

0:17:12.240 --> 0:17:15.840
<v Speaker 1>to be shot. This one was shot in Canada. It

0:17:15.960 --> 0:17:21.320
<v Speaker 1>was difficult to see some of the monuments without seeing

0:17:21.359 --> 0:17:23.719
<v Speaker 1>me green screen poorly in front of them, trying to

0:17:23.760 --> 0:17:27.480
<v Speaker 1>awkwardly kiss Elizabeth Arnoaugh, if I'm honest, right there in the.

0:17:27.480 --> 0:17:31.639
<v Speaker 2>Beginning, I did think they're establishing shots were a little

0:17:31.640 --> 0:17:34.240
<v Speaker 2>bit better than than that green screen.

0:17:34.359 --> 0:17:36.879
<v Speaker 1>That's true, that's very much a little better. It was

0:17:36.880 --> 0:17:38.720
<v Speaker 1>by that point it had been three years, and three

0:17:38.800 --> 0:17:40.880
<v Speaker 1>years in film makes a big difference, you could tell

0:17:41.840 --> 0:17:44.760
<v Speaker 1>it does. So there's the killer seventies music playing, and

0:17:44.760 --> 0:17:47.879
<v Speaker 1>we joined the Dolom family in their home. Now, this

0:17:48.000 --> 0:17:50.840
<v Speaker 1>is interesting because one thing that was really considered groundbreaking

0:17:50.880 --> 0:17:53.320
<v Speaker 1>at the time, and we love that this is based

0:17:53.359 --> 0:17:56.120
<v Speaker 1>on a true story, is depicting a black family as

0:17:56.240 --> 0:17:59.879
<v Speaker 1>financially well off. There they're the family of power. And

0:18:00.119 --> 0:18:02.080
<v Speaker 1>in these movies and in a lot of movies that

0:18:02.119 --> 0:18:05.200
<v Speaker 1>we've seen, it's an adjustment from what you normally see

0:18:05.240 --> 0:18:06.720
<v Speaker 1>in the media. Like we talked about during Got to

0:18:06.760 --> 0:18:08.800
<v Speaker 1>Kick It Up, it's a common trope of the white

0:18:08.920 --> 0:18:12.760
<v Speaker 1>savior and you know that, oh that it's an underprivileged

0:18:12.800 --> 0:18:17.480
<v Speaker 1>minority group, the white teacher, white whoever comes in and

0:18:17.720 --> 0:18:21.159
<v Speaker 1>saves the day, and that is you know, this is

0:18:21.680 --> 0:18:24.320
<v Speaker 1>literally the exact opposite. They took the trope, they flipped

0:18:24.320 --> 0:18:28.880
<v Speaker 1>it upside down. It felt fresh and real, and because

0:18:28.920 --> 0:18:31.320
<v Speaker 1>it's based on a true story, it also lends it

0:18:31.359 --> 0:18:33.600
<v Speaker 1>to the fact to like, well, why are we only

0:18:33.640 --> 0:18:35.480
<v Speaker 1>depicting them one way when this is based on a

0:18:35.520 --> 0:18:36.720
<v Speaker 1>true story, And this is how it what you know

0:18:36.760 --> 0:18:40.120
<v Speaker 1>what I mean, it was it was great. So yeah,

0:18:40.160 --> 0:18:42.520
<v Speaker 1>we learn right off the bat that the daughter of

0:18:42.560 --> 0:18:46.480
<v Speaker 1>the family, Piper, is dead set on getting an African

0:18:46.520 --> 0:18:49.080
<v Speaker 1>transfer student, and her father, the congressman, is not so

0:18:49.200 --> 0:18:52.920
<v Speaker 1>keen on the idea. He eventually gives in. They talk

0:18:52.960 --> 0:18:56.840
<v Speaker 1>about it, and we're immediately then cut to South Africa,

0:18:57.200 --> 0:19:00.119
<v Speaker 1>where we meet Maury, who is part of the very

0:19:00.680 --> 0:19:04.800
<v Speaker 1>like fancy white family, at a dinner that you can

0:19:04.840 --> 0:19:11.159
<v Speaker 1>tell it is for upschedule country club whites in South Africa.

0:19:11.280 --> 0:19:15.120
<v Speaker 1>She also wants to be part of the transfer program.

0:19:15.680 --> 0:19:19.880
<v Speaker 1>They show something very interesting with the family dynamic right

0:19:19.920 --> 0:19:24.399
<v Speaker 1>away because it's her talking to her mom and she says,

0:19:24.600 --> 0:19:26.600
<v Speaker 1>I want to do this. I really want to do this.

0:19:26.840 --> 0:19:30.359
<v Speaker 1>Can I go? And her mom literally says, your father

0:19:30.400 --> 0:19:32.800
<v Speaker 1>will make the decision. Yes, it's not up to me.

0:19:33.160 --> 0:19:35.159
<v Speaker 1>I don't get to decide this year, and she's like,

0:19:35.240 --> 0:19:38.040
<v Speaker 1>but he listens to you. So they're really setting it

0:19:38.119 --> 0:19:43.600
<v Speaker 1>up that it is a patriarchal this their dynamic in

0:19:43.720 --> 0:19:46.960
<v Speaker 1>that family is what the dad says, goes, he makes

0:19:47.000 --> 0:19:49.560
<v Speaker 1>the decisions. That's how it's gonna be right. How did

0:19:49.560 --> 0:19:50.359
<v Speaker 1>all that sit with you?

0:19:50.400 --> 0:19:50.840
<v Speaker 4>Just curious?

0:19:50.960 --> 0:19:54.639
<v Speaker 2>Oh that smacked me in the face. Oh my gosh,

0:19:54.680 --> 0:19:58.280
<v Speaker 2>I hated it. I wrote it down immediately for a

0:19:58.280 --> 0:20:01.080
<v Speaker 2>Sabrina sees whether or we talked about it. I wanted

0:20:01.080 --> 0:20:03.879
<v Speaker 2>to bring it up because it just was. It just

0:20:03.920 --> 0:20:05.960
<v Speaker 2>makes me so grateful that I didn't grow up in

0:20:06.000 --> 0:20:10.240
<v Speaker 2>that era, because that would be so hard to That's

0:20:10.280 --> 0:20:12.560
<v Speaker 2>not the way my parents, you know, raised me. That

0:20:13.000 --> 0:20:15.879
<v Speaker 2>that wasn't the family household that I lived in. And

0:20:16.000 --> 0:20:19.160
<v Speaker 2>to it to be also not just said, but said

0:20:19.160 --> 0:20:23.720
<v Speaker 2>specifically to her daughter, meaning setting up the next generation

0:20:23.920 --> 0:20:28.240
<v Speaker 2>to to have their family handle that was just oh gosh,

0:20:28.240 --> 0:20:30.560
<v Speaker 2>it just it just it.

0:20:30.560 --> 0:20:31.160
<v Speaker 3>It was sad.

0:20:31.240 --> 0:20:34.560
<v Speaker 2>It was already set up this situation of you know,

0:20:35.080 --> 0:20:37.800
<v Speaker 2>she doesn't even have a chance to see what it

0:20:37.800 --> 0:20:40.399
<v Speaker 2>could be to have a different lifestyle. You know, this

0:20:40.480 --> 0:20:42.640
<v Speaker 2>is what she's growing up in and that's all she has.

0:20:42.880 --> 0:20:45.040
<v Speaker 1>That's what this movie does so well though, that we

0:20:45.320 --> 0:20:47.560
<v Speaker 1>to get into it later where it's like you can't

0:20:47.640 --> 0:20:52.240
<v Speaker 1>blame the children for how their parents are raising them

0:20:52.240 --> 0:20:55.080
<v Speaker 1>and the system that they're raised in You can only

0:20:55.080 --> 0:20:59.000
<v Speaker 1>hope to break that with the next generation and make

0:20:59.040 --> 0:21:00.639
<v Speaker 1>it better. So I thought that that was interesting too,

0:21:00.720 --> 0:21:03.240
<v Speaker 1>is maybe they're trying to break that as well of

0:21:03.320 --> 0:21:05.720
<v Speaker 1>kind of the patriarchy of her family. The whole thing

0:21:05.840 --> 0:21:07.280
<v Speaker 1>just worked on a whole bunch of different This is

0:21:07.280 --> 0:21:08.600
<v Speaker 1>one of those movies. This is why I loved it

0:21:08.600 --> 0:21:11.119
<v Speaker 1>so much, as it worked on so many levels.

0:21:11.160 --> 0:21:15.080
<v Speaker 2>It's brought up so many different topics. Really did to

0:21:15.119 --> 0:21:19.639
<v Speaker 2>be discuss, need to be learned from, need to change, evolve,

0:21:20.440 --> 0:21:21.520
<v Speaker 2>so many different things.

0:21:21.560 --> 0:21:22.280
<v Speaker 3>It was amazing.

0:21:22.800 --> 0:21:25.119
<v Speaker 1>So, yeah, she wants to go to the US to

0:21:25.119 --> 0:21:27.200
<v Speaker 1>be part of the transfer program. Her parents are also

0:21:27.320 --> 0:21:29.479
<v Speaker 1>having well, her dad especially having trouble with the idea.

0:21:29.840 --> 0:21:33.080
<v Speaker 1>But her dad comes in. He's a police officer and

0:21:33.119 --> 0:21:36.359
<v Speaker 1>he's very excited because they caught an activist, Steve Beko,

0:21:36.800 --> 0:21:39.399
<v Speaker 1>Stephen Bico and they put him in jail, which is

0:21:39.440 --> 0:21:41.679
<v Speaker 1>of course part of a much larger race issue in

0:21:41.720 --> 0:21:44.480
<v Speaker 1>the country with apartheid, which is practiced at the time

0:21:44.560 --> 0:21:48.080
<v Speaker 1>of legalized racial separation, depriving black people of political and

0:21:48.080 --> 0:21:51.480
<v Speaker 1>civil rights. Something we see immediately when a white restaurant

0:21:51.480 --> 0:21:56.439
<v Speaker 1>patron kicks a poor bus boy spilled his plate and

0:21:56.520 --> 0:22:00.520
<v Speaker 1>calls him a horrible, horrible name. Oh my, I mean,

0:22:00.560 --> 0:22:06.960
<v Speaker 1>they're showing this horrible system and they bring it back

0:22:07.040 --> 0:22:09.919
<v Speaker 1>later in America the same kind of situation that happens,

0:22:09.960 --> 0:22:12.960
<v Speaker 1>but right that. I mean, it makes you physically ill

0:22:13.000 --> 0:22:13.920
<v Speaker 1>when you see and I.

0:22:13.880 --> 0:22:17.560
<v Speaker 2>Don't remember it being as serious and to the point

0:22:17.640 --> 0:22:20.040
<v Speaker 2>when I watched it when I was younger, I think

0:22:20.080 --> 0:22:22.639
<v Speaker 2>it was more interested in the dynamic of the two

0:22:22.720 --> 0:22:28.359
<v Speaker 2>friendships of the teenagers versus the actual worldly issues of

0:22:28.680 --> 0:22:31.000
<v Speaker 2>what was going on and how heavy it was, and

0:22:31.040 --> 0:22:36.479
<v Speaker 2>it was like, whoa, okay, I'm not remembering, you know, yeah,

0:22:36.520 --> 0:22:40.600
<v Speaker 2>and wow, what a what a not great scene.

0:22:40.280 --> 0:22:41.080
<v Speaker 3>To have to sit there.

0:22:41.160 --> 0:22:44.240
<v Speaker 1>It also shows how good a movie this is, though,

0:22:44.400 --> 0:22:46.480
<v Speaker 1>when you can watch it and get one thing out

0:22:46.480 --> 0:22:48.320
<v Speaker 1>of it when you're a kid and you're watching the

0:22:48.400 --> 0:22:50.840
<v Speaker 1>kids and you're still learning lessons, But when you watch

0:22:50.920 --> 0:22:53.320
<v Speaker 1>it as an adult, it's a whole other level.

0:22:53.359 --> 0:22:53.760
<v Speaker 3>Absolutely.

0:22:53.800 --> 0:22:55.520
<v Speaker 1>We talk about that with things like Born Meet's World,

0:22:55.560 --> 0:22:58.600
<v Speaker 1>where you know, bad movies. If you watch if it's

0:22:58.640 --> 0:23:00.480
<v Speaker 1>a kid's movie and just a kid's movie, adults watch

0:23:00.520 --> 0:23:02.159
<v Speaker 1>it and they hate it. They're never going to get

0:23:02.160 --> 0:23:04.159
<v Speaker 1>anything out of it and vice versa if it's an

0:23:04.160 --> 0:23:06.719
<v Speaker 1>adult movie. But you get these movies and shows occasionally

0:23:06.760 --> 0:23:11.240
<v Speaker 1>that every generation gets something different when they watch totally

0:23:11.280 --> 0:23:14.679
<v Speaker 1>this was one of them. Really really worked. Did you

0:23:14.760 --> 0:23:19.240
<v Speaker 1>know about apartheid and the system and everything before the

0:23:19.280 --> 0:23:19.920
<v Speaker 1>film or.

0:23:20.280 --> 0:23:22.800
<v Speaker 2>No, No, I know that that was like I had

0:23:22.840 --> 0:23:25.040
<v Speaker 2>a lot of questions when I first watched it.

0:23:25.080 --> 0:23:28.359
<v Speaker 1>After sure, well, it also shows the power of movies.

0:23:28.400 --> 0:23:31.080
<v Speaker 1>I know it sounds ridiculous, but for people of my

0:23:31.240 --> 0:23:33.880
<v Speaker 1>generation and a little younger than me, are a little

0:23:33.920 --> 0:23:35.720
<v Speaker 1>older than me, I should say. One of the ways

0:23:35.760 --> 0:23:39.160
<v Speaker 1>we learned about South Africa was they were the bad

0:23:39.200 --> 0:23:42.639
<v Speaker 1>guys in Lethal Weapon two. Wow. And it's one of

0:23:42.640 --> 0:23:46.400
<v Speaker 1>those things where you then see it, you hear about it,

0:23:46.560 --> 0:23:49.439
<v Speaker 1>and then hopefully you go and you study it, which

0:23:49.480 --> 0:23:52.000
<v Speaker 1>is what I was googling things the entire time I

0:23:52.040 --> 0:23:54.160
<v Speaker 1>was watching this movie. To have that kind of information

0:23:54.240 --> 0:23:57.240
<v Speaker 1>at my fingertips. Yeah, just about the whole system and

0:23:57.280 --> 0:23:59.320
<v Speaker 1>about Stephen Bikoe and all the kind of stuff that

0:23:59.359 --> 0:24:03.639
<v Speaker 1>was going on is really incredible, right, So yeah, it was.

0:24:04.080 --> 0:24:06.720
<v Speaker 1>That was It's a tough it's a tough watch, it

0:24:06.760 --> 0:24:10.480
<v Speaker 1>really is. Yeah, in a wonderful way, though, I don't know,

0:24:10.520 --> 0:24:11.320
<v Speaker 1>it's hard to explain.

0:24:12.520 --> 0:24:15.480
<v Speaker 2>No, it's exactly it's it's tough because you, like I said,

0:24:15.480 --> 0:24:19.240
<v Speaker 2>it's a heavier set of storylines than what.

0:24:19.119 --> 0:24:22.639
<v Speaker 3>We're used to. It's not just that feel good, easy going.

0:24:22.720 --> 0:24:26.960
<v Speaker 2>We're talking about a love interest and a difference of

0:24:27.280 --> 0:24:27.880
<v Speaker 2>home life.

0:24:27.960 --> 0:24:30.520
<v Speaker 3>We're talking about worldly issues.

0:24:30.600 --> 0:24:33.840
<v Speaker 2>We're talking about there's so much, so much weight on

0:24:33.920 --> 0:24:36.440
<v Speaker 2>this that it's not it's not the same of as

0:24:36.440 --> 0:24:40.080
<v Speaker 2>your every every other day Disney Channel original movie.

0:24:40.160 --> 0:24:41.879
<v Speaker 1>No, like this, this is another one of those that

0:24:41.920 --> 0:24:44.000
<v Speaker 1>I feel like they could have Disney could have watched

0:24:44.040 --> 0:24:46.120
<v Speaker 1>and said, this is not a dcom. We should release

0:24:46.160 --> 0:24:48.600
<v Speaker 1>this in theaters. Like I could see I could see

0:24:48.600 --> 0:24:52.960
<v Speaker 1>that conversation happening somewhere. Yes, we are now back in Washington.

0:24:53.160 --> 0:24:57.200
<v Speaker 1>Piper is very very excited about the African visitor coming soon.

0:24:57.280 --> 0:24:59.760
<v Speaker 1>She's clearly expecting a new best friend. She talks about

0:24:59.800 --> 0:25:03.200
<v Speaker 1>having a black sister, even after she learns of apartheid

0:25:03.240 --> 0:25:05.720
<v Speaker 1>from her friend, a term she's heard her congressman dad

0:25:05.720 --> 0:25:07.840
<v Speaker 1>talk about a lot, because it is an issue that

0:25:07.960 --> 0:25:10.760
<v Speaker 1>is very very important to him. They talk about not

0:25:10.880 --> 0:25:12.640
<v Speaker 1>knowing what tribe she's going to be a part of

0:25:12.680 --> 0:25:15.440
<v Speaker 1>how different the African cultures are. She's asking her friend

0:25:15.440 --> 0:25:19.199
<v Speaker 1>from Nigeria who says something really interesting where she's like, well,

0:25:19.200 --> 0:25:22.280
<v Speaker 1>tell me about South Africa. He's like, I'm Nigerian. He

0:25:22.280 --> 0:25:24.200
<v Speaker 1>goes as far as I know, that's as far away

0:25:24.240 --> 0:25:27.120
<v Speaker 1>from like New York and London. He's like, these are it's.

0:25:27.040 --> 0:25:29.119
<v Speaker 2>Completely different cultures.

0:25:28.640 --> 0:25:32.240
<v Speaker 1>Different things. So he's trying to explain stuff to them,

0:25:32.359 --> 0:25:35.040
<v Speaker 1>but not knowing himself a whole lot about it with

0:25:35.480 --> 0:25:39.200
<v Speaker 1>their whole friend group, so they don't know what tribe

0:25:39.240 --> 0:25:42.080
<v Speaker 1>she's part of, but they are just she's so excited

0:25:42.119 --> 0:25:45.399
<v Speaker 1>about meeting her and bringing her to her school and

0:25:45.440 --> 0:25:49.760
<v Speaker 1>they're setting all that up. Then we go back to

0:25:49.800 --> 0:25:54.200
<v Speaker 1>South Africa and Maury is also getting ready to come

0:25:54.960 --> 0:25:58.000
<v Speaker 1>to America. She's very excited. Her little brother ends up

0:25:58.040 --> 0:26:02.119
<v Speaker 1>bringing a caged bird that he has found, which is

0:26:02.119 --> 0:26:04.600
<v Speaker 1>the new family pet, and there's some keep that in

0:26:04.640 --> 0:26:09.040
<v Speaker 1>mind because there's some foreshadowing there, and Marie's nanny recognizes

0:26:09.680 --> 0:26:11.920
<v Speaker 1>all of a sudden, So Maury's talking to her and says,

0:26:12.080 --> 0:26:13.919
<v Speaker 1>you know, I'm going to America. I'm so excited, But

0:26:14.000 --> 0:26:16.280
<v Speaker 1>she's in her mind saying, I hope I get to

0:26:16.440 --> 0:26:18.960
<v Speaker 1>go to New York or la, I think that's gonna

0:26:18.960 --> 0:26:21.000
<v Speaker 1>be a ton of fun. She's like, she literally says,

0:26:21.040 --> 0:26:22.639
<v Speaker 1>I'm not there to learn anything. I'm there to have

0:26:22.680 --> 0:26:23.120
<v Speaker 1>a good time.

0:26:23.200 --> 0:26:24.080
<v Speaker 2>Let's have a good time.

0:26:24.160 --> 0:26:26.439
<v Speaker 1>I'm a kid, I'm gonna have fun, right, And she

0:26:26.680 --> 0:26:29.840
<v Speaker 1>says the name of the family that she's going to

0:26:29.880 --> 0:26:33.240
<v Speaker 1>live with, she says, but she says instead of the Dellum,

0:26:33.280 --> 0:26:36.320
<v Speaker 1>she says Dilom. She says it's the Deloms, and that

0:26:36.400 --> 0:26:40.400
<v Speaker 1>triggers something in her Nanny's mind, who's kind of saying, okay, Delom,

0:26:40.480 --> 0:26:42.200
<v Speaker 1>I kind of know the name, and.

0:26:42.960 --> 0:26:45.600
<v Speaker 2>That she doesn't really know, and she's like, it's so

0:26:45.760 --> 0:26:48.359
<v Speaker 2>insistent of no, it's not Delham, it's just a Loom,

0:26:49.320 --> 0:26:53.240
<v Speaker 2>Like you don't actually know, you aren't there, really.

0:26:54.560 --> 0:26:55.000
<v Speaker 3>Di Loom.

0:26:56.960 --> 0:27:00.400
<v Speaker 1>So she's adamant about it. But yeah, what the thing

0:27:00.480 --> 0:27:03.600
<v Speaker 1>is is you come to find out that nanny actually

0:27:03.600 --> 0:27:07.000
<v Speaker 1>has press clippings from the congressman because he is so

0:27:07.280 --> 0:27:10.280
<v Speaker 1>anti apartheidan and and one of the leaders of the fight,

0:27:10.840 --> 0:27:14.960
<v Speaker 1>that she has press. So she knows beforehand that she's

0:27:15.040 --> 0:27:17.240
<v Speaker 1>going Maury is going to be staying with a black

0:27:17.280 --> 0:27:21.119
<v Speaker 1>family and is all for It is essentially like, just

0:27:21.200 --> 0:27:23.080
<v Speaker 1>keep your eyes open. I think this is going to

0:27:23.160 --> 0:27:27.720
<v Speaker 1>be really really good for you. So she gets on

0:27:27.720 --> 0:27:33.400
<v Speaker 1>the plane, she arrives the not the Deloms. The Dellums

0:27:33.640 --> 0:27:35.960
<v Speaker 1>go to pick her up at the airport, and they're

0:27:36.040 --> 0:27:37.600
<v Speaker 1>doing this kind of thing with like, oh, that's got

0:27:37.640 --> 0:27:40.119
<v Speaker 1>to be her. And a young girl gets off the

0:27:40.119 --> 0:27:43.199
<v Speaker 1>plane wearing a full African dress who walks right by

0:27:43.240 --> 0:27:45.760
<v Speaker 1>her and hugs another family like, okay, I guess she's

0:27:45.800 --> 0:27:48.800
<v Speaker 1>not on the plane, and they say they go to

0:27:48.960 --> 0:27:51.680
<v Speaker 1>excuse me, where's Maury Bach, And you hear I'm Maury

0:27:51.680 --> 0:27:53.280
<v Speaker 1>back and you turn around and there's of course this

0:27:53.320 --> 0:27:59.760
<v Speaker 1>white girl standing there, and instantly Mary gives the worst

0:27:59.840 --> 0:28:00.720
<v Speaker 1>for impression.

0:28:01.520 --> 0:28:07.080
<v Speaker 2>Instantly assumes they're the help, assumes they're you know, they're

0:28:08.160 --> 0:28:12.920
<v Speaker 2>they work for the congressman, and just, I mean, the

0:28:12.960 --> 0:28:14.520
<v Speaker 2>worst first impression.

0:28:14.840 --> 0:28:18.400
<v Speaker 1>He hands her, hands them tickets and says, I have

0:28:18.480 --> 0:28:23.200
<v Speaker 1>two bags. I'll point them out to you. Yeah, just not.

0:28:24.800 --> 0:28:26.520
<v Speaker 2>A crappy house guest.

0:28:26.680 --> 0:28:29.040
<v Speaker 1>Oh yeah, she says, Now I want to go meet

0:28:29.080 --> 0:28:32.400
<v Speaker 1>the congressman. They're like, okay, we're going to go meet

0:28:32.440 --> 0:28:35.040
<v Speaker 1>the congress. They're playing it very the Dellams are playing

0:28:35.080 --> 0:28:38.400
<v Speaker 1>it very cool because they're just as shocked as anybody else. Yeah,

0:28:38.600 --> 0:28:41.160
<v Speaker 1>there's a great scene where they're leaving the airport and

0:28:41.760 --> 0:28:44.000
<v Speaker 1>Piper says to her mom, like, how did this happen?

0:28:44.600 --> 0:28:48.160
<v Speaker 1>And her mom says, assumptions. She assumed we were going

0:28:48.200 --> 0:28:50.640
<v Speaker 1>to be white, and we assumed she was going to

0:28:50.680 --> 0:28:53.840
<v Speaker 1>be black. We both assume. But when we get her home,

0:28:54.400 --> 0:28:56.120
<v Speaker 1>everything's going to be great, right.

0:28:56.360 --> 0:28:57.880
<v Speaker 3>I loved that teaching moment.

0:28:58.560 --> 0:29:03.080
<v Speaker 2>Loved it. Awesome assumptions because you come across that every

0:29:03.200 --> 0:29:08.120
<v Speaker 2>day in your life, with things eaten on so many

0:29:08.120 --> 0:29:10.720
<v Speaker 2>different spectrums. No, I just I really loved that.

0:29:10.960 --> 0:29:12.840
<v Speaker 3>I love a good mom teaching moment.

0:29:12.960 --> 0:29:15.600
<v Speaker 1>Yep, And it was great, And I love also still

0:29:15.760 --> 0:29:19.240
<v Speaker 1>the optimism, like, it'll be fine when we get her home,

0:29:19.640 --> 0:29:21.200
<v Speaker 1>and she's gonna be great, she's gonna fit in with

0:29:21.200 --> 0:29:23.800
<v Speaker 1>her family. We're not gonna have a problem, right, We're

0:29:23.840 --> 0:29:26.040
<v Speaker 1>gonna we're gonna roll with this no matter what, we'll

0:29:26.200 --> 0:29:32.320
<v Speaker 1>work through it. So obviously, this is not what Maury

0:29:32.440 --> 0:29:38.560
<v Speaker 1>was expecting. It is nothing like South Africa. She's she's

0:29:38.920 --> 0:29:43.120
<v Speaker 1>completely taken out of the situation. She goes to the congressman,

0:29:43.520 --> 0:29:47.240
<v Speaker 1>he's she's surrounded by by black people. She doesn't know

0:29:47.280 --> 0:29:49.080
<v Speaker 1>what to do, She can't believe she's there. She gets

0:29:49.120 --> 0:29:54.040
<v Speaker 1>back home to the uh Dellham's home and runs upstairs

0:29:54.040 --> 0:29:56.000
<v Speaker 1>and locks herself into the first bedroom she can find.

0:29:56.600 --> 0:30:00.120
<v Speaker 2>Which could that be any more of a weird cho

0:30:00.920 --> 0:30:04.720
<v Speaker 2>as weird as in any horror film when the bad

0:30:04.840 --> 0:30:09.560
<v Speaker 2>guy comes in and you instantly run upstairs and then

0:30:09.680 --> 0:30:12.120
<v Speaker 2>also not into like a restroom, you're gonna go into

0:30:12.200 --> 0:30:13.520
<v Speaker 2>someone's bedroom.

0:30:13.240 --> 0:30:15.120
<v Speaker 1>And just lock yourself in there. And she chose a

0:30:15.240 --> 0:30:15.800
<v Speaker 1>room that.

0:30:16.040 --> 0:30:19.680
<v Speaker 2>Was the strangest choice, no vags, you know what's funny.

0:30:19.720 --> 0:30:21.520
<v Speaker 1>And again we have to keep in mind that this

0:30:21.600 --> 0:30:24.240
<v Speaker 1>was based on a true story. It's such a strange

0:30:24.280 --> 0:30:26.640
<v Speaker 1>thing that I can't wait to read the book because

0:30:26.680 --> 0:30:30.240
<v Speaker 1>it seems like that came right from life. Like, it's

0:30:30.280 --> 0:30:33.240
<v Speaker 1>so weird that the writer of the script wouldn't be like,

0:30:33.280 --> 0:30:34.960
<v Speaker 1>I'm gonna have her just run in and lock herself.

0:30:35.080 --> 0:30:38.320
<v Speaker 1>I feel like when Piper was writing or whoever wrote

0:30:38.320 --> 0:30:40.360
<v Speaker 1>the book, was like, and then she just ran into

0:30:40.360 --> 0:30:42.240
<v Speaker 1>the house and locked herself into a room. Yeah, I

0:30:42.280 --> 0:30:44.080
<v Speaker 1>don't know. We got to check that out.

0:30:44.080 --> 0:30:45.840
<v Speaker 3>So it seems so strange.

0:30:46.160 --> 0:30:57.880
<v Speaker 1>Yes, So the movie delves into a lot of difficult

0:30:57.880 --> 0:31:01.760
<v Speaker 1>topics we've talked about. We've also talked about there's several

0:31:01.840 --> 0:31:07.840
<v Speaker 1>racial slurs that are said throughout the movie, some of

0:31:07.880 --> 0:31:11.960
<v Speaker 1>them as teaching moments, some of them simply as hate

0:31:12.000 --> 0:31:16.760
<v Speaker 1>filled speeches. Do you think they would do this movie

0:31:16.880 --> 0:31:19.920
<v Speaker 1>now with the same dialogue in twenty twenty four.

0:31:20.600 --> 0:31:23.560
<v Speaker 2>I don't think they. I don't think they could.

0:31:23.600 --> 0:31:24.560
<v Speaker 1>I don't think it would.

0:31:24.640 --> 0:31:28.440
<v Speaker 2>It would pass through. You know, Disney really does do

0:31:28.600 --> 0:31:33.880
<v Speaker 2>a lot of you know, diving into things that are appropriate.

0:31:33.400 --> 0:31:35.840
<v Speaker 1>And sure, we've diversity and everything out that with.

0:31:35.960 --> 0:31:38.560
<v Speaker 2>Wardrobe as well as dialogue and stuff, and I just

0:31:38.720 --> 0:31:45.000
<v Speaker 2>feel they would have a harder time getting selling, you know,

0:31:45.240 --> 0:31:49.080
<v Speaker 2>it to everyone to approve and give it a green light.

0:31:48.920 --> 0:31:50.160
<v Speaker 3>Because it is.

0:31:50.320 --> 0:31:54.520
<v Speaker 2>It was I feel the roughest of dialogue that I

0:31:54.880 --> 0:31:57.120
<v Speaker 2>think I've ever recognized on the Channel.

0:31:57.320 --> 0:32:01.920
<v Speaker 1>Well, the casual way that they both used the N

0:32:02.000 --> 0:32:05.840
<v Speaker 1>word I in one scene. It was so casual that

0:32:05.960 --> 0:32:08.040
<v Speaker 1>it was like, ooh, I mean, it's to hear that

0:32:08.120 --> 0:32:10.720
<v Speaker 1>at all anymore, but to hear it from two children

0:32:11.200 --> 0:32:15.320
<v Speaker 1>right in regular conversation on a Disney movie.

0:32:15.080 --> 0:32:18.720
<v Speaker 2>A Disney Channel movie, it's you know, but it also

0:32:20.160 --> 0:32:26.360
<v Speaker 2>for me watching it, it seems very normal as far

0:32:26.400 --> 0:32:30.920
<v Speaker 2>as how two teenagers would handle that, you know means

0:32:30.920 --> 0:32:34.400
<v Speaker 2>either one of them then yeah, right right, that's true.

0:32:34.640 --> 0:32:35.360
<v Speaker 3>But I still.

0:32:35.240 --> 0:32:39.200
<v Speaker 2>Feel that teenagers have when they're comfortable enough with each other.

0:32:39.200 --> 0:32:42.760
<v Speaker 2>And when that dialogue started happening, they had set the

0:32:42.800 --> 0:32:45.120
<v Speaker 2>tone that they were getting closer and closer, you know.

0:32:45.680 --> 0:32:48.640
<v Speaker 2>And I because I hear girls talking about different things

0:32:48.640 --> 0:32:50.680
<v Speaker 2>all the time, you know, with my song girls, they

0:32:50.760 --> 0:32:53.320
<v Speaker 2>always forget to know that I'm in the room with them,

0:32:53.720 --> 0:32:56.000
<v Speaker 2>and you know, I just hear them talking.

0:32:56.080 --> 0:32:57.800
<v Speaker 3>And the way they handle.

0:32:57.840 --> 0:33:00.240
<v Speaker 2>Things that they're not they're learning from you each other

0:33:00.280 --> 0:33:03.000
<v Speaker 2>and they're not quite sure. It was as simple as that,

0:33:03.120 --> 0:33:05.880
<v Speaker 2>you know, talking about it, saying it, and one person

0:33:05.920 --> 0:33:07.920
<v Speaker 2>saying no, no, no, no, I would never say that,

0:33:08.000 --> 0:33:08.200
<v Speaker 2>you know.

0:33:08.480 --> 0:33:09.960
<v Speaker 3>And the way that they went.

0:33:09.840 --> 0:33:15.120
<v Speaker 2>Back that exchange to me was how I feel kids

0:33:15.320 --> 0:33:18.240
<v Speaker 2>can learn sometimes, you know, having a conversation. If you

0:33:18.280 --> 0:33:20.719
<v Speaker 2>don't ask questions, then you're not going to know how,

0:33:20.720 --> 0:33:21.800
<v Speaker 2>You're not going to know what's right now.

0:33:21.840 --> 0:33:23.480
<v Speaker 1>It was a very real conversation.

0:33:23.680 --> 0:33:24.840
<v Speaker 3>It was so I.

0:33:24.800 --> 0:33:28.720
<v Speaker 2>Think that the conversation was tough, but I liked how

0:33:29.040 --> 0:33:32.600
<v Speaker 2>it opened the door of you know, when you find

0:33:32.600 --> 0:33:36.240
<v Speaker 2>somebody comfortable that you can talk and actually ask questions.

0:33:36.400 --> 0:33:39.520
<v Speaker 2>Was great, you know, and the aftermath but got a

0:33:39.520 --> 0:33:42.600
<v Speaker 2>little nerve wracking because obviously, when she's talking to her

0:33:42.680 --> 0:33:46.360
<v Speaker 2>dad about what she's learning as a parent, you're going

0:33:46.400 --> 0:33:49.040
<v Speaker 2>to obviously want to defend, You're going to want to protect,

0:33:49.120 --> 0:33:51.800
<v Speaker 2>of course, but it was also it got I mean

0:33:51.840 --> 0:33:53.960
<v Speaker 2>I was i because again there's parts of the movie

0:33:53.960 --> 0:33:56.720
<v Speaker 2>that I wasn't. I don't really one hundred percent remember

0:33:56.760 --> 0:33:58.120
<v Speaker 2>from watching it so many years ago.

0:33:58.760 --> 0:34:01.040
<v Speaker 3>It was like, oh gosh, what's gonna happen?

0:34:01.080 --> 0:34:03.280
<v Speaker 2>Oh gosh, is he got you know it's on this

0:34:03.320 --> 0:34:03.760
<v Speaker 2>little tea.

0:34:03.880 --> 0:34:06.200
<v Speaker 1>Yeah, No, there are tense moments. There are tense moments

0:34:06.240 --> 0:34:09.920
<v Speaker 1>watching this movie. So yeah, the family is obviously offended

0:34:09.960 --> 0:34:13.040
<v Speaker 1>that she's locked herself in the room. Uh. The congressman,

0:34:13.440 --> 0:34:15.440
<v Speaker 1>who spent you know a lot of his political weight

0:34:15.600 --> 0:34:19.719
<v Speaker 1>fighting this type of racist ways and segregation doesn't want

0:34:19.719 --> 0:34:23.280
<v Speaker 1>her around anymore. But again, Maury's father in South Africa

0:34:23.280 --> 0:34:25.719
<v Speaker 1>has set it up essentially like and he did it jokingly,

0:34:25.800 --> 0:34:27.799
<v Speaker 1>but it was like, you're gonna hate this. You're gonna

0:34:27.800 --> 0:34:30.320
<v Speaker 1>be back in a week because you're a weak little girls.

0:34:30.640 --> 0:34:32.839
<v Speaker 1>How it kind of red and.

0:34:32.920 --> 0:34:35.160
<v Speaker 2>He challenges her. He challenges her.

0:34:35.000 --> 0:34:37.479
<v Speaker 1>And like kind of tussling her hair, like you're gonna

0:34:37.480 --> 0:34:38.960
<v Speaker 1>be back in a week because you're gonna hate this

0:34:39.040 --> 0:34:41.520
<v Speaker 1>and be homesick. So she picks up the phone to

0:34:41.560 --> 0:34:45.399
<v Speaker 1>call her father or parents to kind of say, you're

0:34:45.440 --> 0:34:47.040
<v Speaker 1>not gonna believe where I am or what's going on,

0:34:47.160 --> 0:34:50.359
<v Speaker 1>and he reminds her, I told you so, and so

0:34:50.440 --> 0:34:53.560
<v Speaker 1>she's like, I'm not gonna say anything. I Am going

0:34:53.640 --> 0:34:56.000
<v Speaker 1>to stick it out, even if I'm just stuck in

0:34:56.040 --> 0:34:59.760
<v Speaker 1>the bedroom for a while. Right Meanwhile, the the Dellms

0:34:59.760 --> 0:35:01.480
<v Speaker 1>are how having a conversation about getting rid of her.

0:35:01.520 --> 0:35:04.839
<v Speaker 1>What do they do till finally the mom says, she's

0:35:04.840 --> 0:35:06.400
<v Speaker 1>got to eat, but I'm not going to bring in

0:35:06.480 --> 0:35:08.480
<v Speaker 1>the food. Piper, you bring in the food. Piper goes up,

0:35:08.560 --> 0:35:11.480
<v Speaker 1>picks the lock, pops the door open, and it is

0:35:11.560 --> 0:35:12.920
<v Speaker 1>essentially like, because it's.

0:35:12.840 --> 0:35:17.959
<v Speaker 2>You're in my room, this is there because it's her room.

0:35:18.280 --> 0:35:20.279
<v Speaker 1>Yeah, She's like, I think I know I've locked myself

0:35:20.280 --> 0:35:21.600
<v Speaker 1>out of my room enough to know how to get in,

0:35:21.680 --> 0:35:24.840
<v Speaker 1>but you're in my room, dude.

0:35:24.239 --> 0:35:26.839
<v Speaker 2>Which is also funny to me that a teenager has

0:35:26.880 --> 0:35:28.560
<v Speaker 2>a door that they can lock.

0:35:29.040 --> 0:35:30.520
<v Speaker 3>Yeah, that seems kind of scary.

0:35:31.360 --> 0:35:33.239
<v Speaker 1>It's also strange. I get they're trying to get her

0:35:33.239 --> 0:35:35.040
<v Speaker 1>out of the bedroom, but the only food they bring

0:35:35.080 --> 0:35:36.720
<v Speaker 1>her is what French fries in a milkshit.

0:35:37.040 --> 0:35:39.040
<v Speaker 2>Yeah, just that's it. That's it.

0:35:39.120 --> 0:35:41.000
<v Speaker 1>Not even a burger. Come on. It's like it's like

0:35:41.000 --> 0:35:42.640
<v Speaker 1>they got her at number one, but somebody ate the

0:35:42.640 --> 0:35:46.760
<v Speaker 1>big mac in the way. So she changed, She changed

0:35:46.760 --> 0:35:49.480
<v Speaker 1>her changes her mind. She doesn't want to admit defeat

0:35:49.520 --> 0:35:52.319
<v Speaker 1>in front of her her family, so Maury changes her mind.

0:35:52.440 --> 0:35:57.000
<v Speaker 1>She's going to stay, and they slowly start to build

0:35:57.320 --> 0:36:00.200
<v Speaker 1>a relationship as friends. Because one thing about kids, no

0:36:00.200 --> 0:36:03.120
<v Speaker 1>matter where you're from, what you learn, kids are very malleable.

0:36:04.120 --> 0:36:07.279
<v Speaker 1>They adapt very quickly, and they both start to do that,

0:36:07.520 --> 0:36:09.640
<v Speaker 1>which is which is a nice thing to say. So

0:36:09.680 --> 0:36:12.880
<v Speaker 1>they start to hit it off, even coincidentally finally giving

0:36:12.920 --> 0:36:15.800
<v Speaker 1>each other a gift. They it's like, you were coming,

0:36:15.840 --> 0:36:17.560
<v Speaker 1>I bought you this while I was coming here, so

0:36:17.600 --> 0:36:20.160
<v Speaker 1>I bought you this, And they were essentially the same thing.

0:36:20.239 --> 0:36:23.279
<v Speaker 1>They both bought them like these really nice little necklaces

0:36:23.320 --> 0:36:27.440
<v Speaker 1>as a welcome gift. The congressman is still very stressed

0:36:27.440 --> 0:36:31.279
<v Speaker 1>out about going on. He hears that her father is

0:36:31.280 --> 0:36:35.080
<v Speaker 1>a police officer in South Africa and this is kind

0:36:35.080 --> 0:36:39.080
<v Speaker 1>of exactly who he's fighting against at the time. He

0:36:39.680 --> 0:36:42.480
<v Speaker 1>essentially says this line, He's like, I get that apartheid

0:36:42.680 --> 0:36:47.879
<v Speaker 1>is very complicated, racism is not, which was an interesting

0:36:48.000 --> 0:36:50.600
<v Speaker 1>take on it, where yes, the system itself is very

0:36:50.719 --> 0:36:54.440
<v Speaker 1>very complicated. The actual acts behind racism and the thoughts

0:36:54.440 --> 0:36:56.960
<v Speaker 1>behind racism that's not complicated at all. That's just you

0:36:57.120 --> 0:37:00.440
<v Speaker 1>judging based solely on race. So there's a lot of

0:37:00.560 --> 0:37:05.120
<v Speaker 1>those really kind of deep, interesting conversations that happened throughout

0:37:05.120 --> 0:37:07.359
<v Speaker 1>this movie. And the thing that always struck me as

0:37:07.360 --> 0:37:10.880
<v Speaker 1>I was watching it was it's so easy to get

0:37:10.920 --> 0:37:14.720
<v Speaker 1>out of the Disney Channel realm and make this really

0:37:14.920 --> 0:37:18.080
<v Speaker 1>heavy and really, I don't want to watch this. There's

0:37:18.120 --> 0:37:21.000
<v Speaker 1>nothing enjoyable about this. It's just two hours of teaching

0:37:21.440 --> 0:37:23.840
<v Speaker 1>and it's not that at all. It's still at all

0:37:24.080 --> 0:37:28.560
<v Speaker 1>still Disney and still young, and times are light and

0:37:28.600 --> 0:37:32.239
<v Speaker 1>you're still are rooting for both these kids and really good.

0:37:32.640 --> 0:37:37.399
<v Speaker 2>I feel like the mom is really what helps keep

0:37:37.480 --> 0:37:42.080
<v Speaker 2>pulling it back into that light. You know, let's make

0:37:42.160 --> 0:37:45.279
<v Speaker 2>this a good, a good experience because again I think

0:37:45.320 --> 0:37:50.920
<v Speaker 2>she's thinking of her daughter, her kids growing from this.

0:37:51.080 --> 0:37:53.840
<v Speaker 2>She sees an opportunity for her husband, for the whole

0:37:53.880 --> 0:37:58.439
<v Speaker 2>family to grow from this experience of welcoming somebody who

0:37:59.120 --> 0:38:03.200
<v Speaker 2>who has been differently, who has different thought processes, and

0:38:03.280 --> 0:38:06.920
<v Speaker 2>hopefully do a nice positive spin on everything. You know,

0:38:07.040 --> 0:38:09.480
<v Speaker 2>she seems to for me of the movie, she was

0:38:09.560 --> 0:38:13.080
<v Speaker 2>kind of the center of, you know, keeping the family,

0:38:13.239 --> 0:38:16.640
<v Speaker 2>keeping things on a good positive track with what the

0:38:16.680 --> 0:38:19.319
<v Speaker 2>storyline and you know what her mission was for her

0:38:19.480 --> 0:38:20.640
<v Speaker 2>as her family.

0:38:20.440 --> 0:38:22.719
<v Speaker 1>With Mariy too, because she comes down for she when

0:38:22.719 --> 0:38:25.399
<v Speaker 1>she finally decides that she wants to stay, she kind

0:38:25.440 --> 0:38:27.680
<v Speaker 1>of apologizes, but not really. It's just like I was

0:38:27.680 --> 0:38:30.120
<v Speaker 1>obviously overwhelmed, I want to say. She sits down a

0:38:30.160 --> 0:38:33.360
<v Speaker 1>breakfast and orders all this random stuff at the breakfast table. Yeah,

0:38:33.480 --> 0:38:39.040
<v Speaker 1>I want breakfast, sausage, eggs, something called bringel rusks. She's

0:38:39.120 --> 0:38:42.560
<v Speaker 1>ordering all this stuff, and the mom very nicely is like,

0:38:43.719 --> 0:38:45.319
<v Speaker 1>I'm gonna I'm going to do the best thing I

0:38:45.360 --> 0:38:46.879
<v Speaker 1>can for you. I'm gonna treat you just like I'm

0:38:46.880 --> 0:38:49.680
<v Speaker 1>gonna treat my kids, no better, no worse. You're having

0:38:49.760 --> 0:38:51.600
<v Speaker 1>cheerios this morning of course they can't say that, so

0:38:52.400 --> 0:38:57.359
<v Speaker 1>like Generico's, it was sugars, sugaros or something like that. Yeah,

0:38:57.480 --> 0:39:00.919
<v Speaker 1>so it's really great. They are still accepting her into

0:39:00.920 --> 0:39:03.279
<v Speaker 1>the family and now she's learning to be closer to

0:39:03.320 --> 0:39:07.040
<v Speaker 1>the pam. They show the kids getting closer as friends,

0:39:07.239 --> 0:39:09.000
<v Speaker 1>and then of course they go to exactly what you

0:39:09.000 --> 0:39:12.400
<v Speaker 1>were talking about, the lovely stereotypical, because it worked perfectly

0:39:12.440 --> 0:39:14.360
<v Speaker 1>here changing room montage.

0:39:14.560 --> 0:39:16.160
<v Speaker 2>Yes, well, this is where we heard a lot of

0:39:16.160 --> 0:39:18.640
<v Speaker 2>the music. Yes, they did it. They had a whole

0:39:18.640 --> 0:39:21.440
<v Speaker 2>little dance session in the bedroom together. They had the

0:39:21.520 --> 0:39:24.880
<v Speaker 2>clothing change montage. Yeah, and we got to hear some

0:39:25.000 --> 0:39:28.880
<v Speaker 2>great music during all of these different little scenes. That

0:39:28.960 --> 0:39:32.080
<v Speaker 2>shows the girls getting closer and closer, which I always

0:39:32.080 --> 0:39:34.600
<v Speaker 2>love because I think music really brings the whole world together.

0:39:34.600 --> 0:39:36.560
<v Speaker 3>It does, that.

0:39:36.600 --> 0:39:37.239
<v Speaker 2>Is my take.

0:39:37.520 --> 0:39:42.520
<v Speaker 1>I agree, have music, food, and com Yes, so they're

0:39:42.560 --> 0:39:45.040
<v Speaker 1>getting together and they finish with an ice cream day

0:39:45.200 --> 0:39:48.239
<v Speaker 1>at Barrels. Have you heard of Barrels?

0:39:48.640 --> 0:39:53.600
<v Speaker 2>No, but I've My dad's favorite ice cream place was

0:39:53.800 --> 0:39:55.080
<v Speaker 2>a place called Farrels.

0:39:55.200 --> 0:39:58.279
<v Speaker 1>Okay, So is I think farrels and barrels are related?

0:39:58.360 --> 0:39:58.960
<v Speaker 1>I believe.

0:39:59.400 --> 0:40:01.120
<v Speaker 3>Okay, so of the same chain.

0:40:02.719 --> 0:40:04.640
<v Speaker 1>What is, so what was Farrell's.

0:40:05.200 --> 0:40:08.239
<v Speaker 2>So Farrell's was like a big ice cream place that

0:40:08.320 --> 0:40:08.680
<v Speaker 2>you'd go.

0:40:09.200 --> 0:40:11.440
<v Speaker 1>They changed their name.

0:40:11.760 --> 0:40:14.040
<v Speaker 3>They changed it, Okay, so that makes sense. So that

0:40:14.239 --> 0:40:14.759
<v Speaker 3>was the thing.

0:40:15.120 --> 0:40:18.480
<v Speaker 2>My dad has this amazing story from when my sister

0:40:18.640 --> 0:40:22.480
<v Speaker 2>was really young that he had to take by himself

0:40:22.960 --> 0:40:25.799
<v Speaker 2>seven or eight kids that were like six or seven

0:40:25.840 --> 0:40:29.160
<v Speaker 2>years old. And he didn't know, but I think it

0:40:29.200 --> 0:40:31.439
<v Speaker 2>was a Bible study or something my mom had going

0:40:31.440 --> 0:40:33.280
<v Speaker 2>on and she needed all the kids, all the friends'

0:40:33.320 --> 0:40:35.440
<v Speaker 2>kids to go and basically just put it in my

0:40:35.520 --> 0:40:38.680
<v Speaker 2>dad's lap, like get figure something out, and he took

0:40:38.800 --> 0:40:41.640
<v Speaker 2>them to this ice cream place. So his so he

0:40:41.680 --> 0:40:43.800
<v Speaker 2>has a great story. But my dad is a huge

0:40:43.840 --> 0:40:48.000
<v Speaker 2>ice cream lover. Banana splits are his love language to

0:40:48.120 --> 0:40:51.799
<v Speaker 2>no belief, and so this was his favorite place. That

0:40:52.239 --> 0:40:56.239
<v Speaker 2>is it gonexist the one that's here in California or

0:40:56.400 --> 0:40:59.359
<v Speaker 2>down in Like it's not necessarily oh see, I think

0:40:59.360 --> 0:41:02.520
<v Speaker 2>it's just right out side of it. It was in Downy, Okay.

0:41:03.320 --> 0:41:06.239
<v Speaker 2>I think it's considered La County that one's gone. So

0:41:06.320 --> 0:41:08.799
<v Speaker 2>that's the one that I think I think it was,

0:41:08.920 --> 0:41:10.719
<v Speaker 2>or maybe I don't. I don't remember what city was

0:41:10.760 --> 0:41:12.240
<v Speaker 2>in but it's no longer.

0:41:12.280 --> 0:41:13.800
<v Speaker 1>It's gonna be like ed Debevics, where we're going to

0:41:13.840 --> 0:41:15.960
<v Speaker 1>find one left in someplace and have to fly there.

0:41:16.200 --> 0:41:19.680
<v Speaker 1>Yeahs say, we went to the one in Chicago. It

0:41:19.719 --> 0:41:20.000
<v Speaker 1>was great.

0:41:20.320 --> 0:41:23.080
<v Speaker 2>Oh I went to the one in La so fun.

0:41:23.280 --> 0:41:25.239
<v Speaker 1>Yeah. Oh no, that's well, that's We originally went to

0:41:25.239 --> 0:41:26.839
<v Speaker 1>the one in Los Angeles, but then it closed down

0:41:26.840 --> 0:41:30.279
<v Speaker 1>and there's one left in Chicago we went last year. No, uh, yes,

0:41:30.400 --> 0:41:32.640
<v Speaker 1>so that's what I'm saying. Yeah, it's great. Ah, right,

0:41:32.760 --> 0:41:36.560
<v Speaker 1>But it's it's at Farrells or Barrels that we see

0:41:36.680 --> 0:41:40.640
<v Speaker 1>a replay of the same spilling incident that we saw

0:41:40.680 --> 0:41:45.799
<v Speaker 1>in South Africa, and another young black waiter spills on

0:41:45.840 --> 0:41:48.520
<v Speaker 1>a white customer who's like, dude, don't worry about it,

0:41:48.560 --> 0:41:49.960
<v Speaker 1>not your fault. And the guy's like, can I bring

0:41:50.000 --> 0:41:51.279
<v Speaker 1>you anything? And he's like, bring me one of these

0:41:51.280 --> 0:41:53.640
<v Speaker 1>Sundays because they're good, and so she gets to see

0:41:54.239 --> 0:41:58.200
<v Speaker 1>essentially the same exact thing happened. Happened. Then, by the way,

0:41:58.200 --> 0:42:00.640
<v Speaker 1>we just heard sadly that Farrell's closed their last location

0:42:00.719 --> 0:42:03.680
<v Speaker 1>in twenty nineteen, which is a shame because I just

0:42:03.719 --> 0:42:05.560
<v Speaker 1>heard about it and now I can't eat any and

0:42:05.600 --> 0:42:06.080
<v Speaker 1>now I'm.

0:42:05.960 --> 0:42:10.080
<v Speaker 2>Sad found out what you were missing, and we'll still

0:42:10.120 --> 0:42:11.120
<v Speaker 2>miss exactly.

0:42:20.000 --> 0:42:24.120
<v Speaker 1>So Mariy is starting to get more into the family.

0:42:24.520 --> 0:42:26.960
<v Speaker 1>She's learning more about their culture. They're trying to learn

0:42:26.960 --> 0:42:30.320
<v Speaker 1>a little bit about her culture, and she is walking

0:42:30.360 --> 0:42:33.640
<v Speaker 1>around the house and she finds the book Roots, So

0:42:34.040 --> 0:42:36.880
<v Speaker 1>she's starting to see kind of the importance of everything

0:42:36.960 --> 0:42:39.319
<v Speaker 1>going on. And this is where I think we need

0:42:39.360 --> 0:42:41.480
<v Speaker 1>to talk a little bit about some of the differences

0:42:41.480 --> 0:42:44.680
<v Speaker 1>between the real life book and the movie, one being

0:42:44.719 --> 0:42:48.800
<v Speaker 1>that these scenes were actually from two visits from two

0:42:48.840 --> 0:42:52.800
<v Speaker 1>different foreign exchange students, so they took the two different

0:42:52.840 --> 0:42:57.120
<v Speaker 1>and combined them into one character for the script. Both

0:42:57.160 --> 0:43:00.239
<v Speaker 1>were surprised by the Delems being a black family. For

0:43:00.360 --> 0:43:04.080
<v Speaker 1>one of them, it was an absolutely life changing experience

0:43:04.280 --> 0:43:06.040
<v Speaker 1>that they show in the movie, but even to a

0:43:06.080 --> 0:43:09.160
<v Speaker 1>more extreme because first of all, according to the book,

0:43:09.160 --> 0:43:11.640
<v Speaker 1>the girl's name was not Maury, it was Carrie, which

0:43:11.680 --> 0:43:13.360
<v Speaker 1>was most likely changed to give her kind of the

0:43:13.400 --> 0:43:16.640
<v Speaker 1>ambiguously racial name. They didn't they you didn't want to

0:43:16.680 --> 0:43:18.600
<v Speaker 1>know who she was getting off the plane. The family

0:43:18.600 --> 0:43:21.120
<v Speaker 1>didn't want to know who she was getting off the plane.

0:43:21.280 --> 0:43:23.600
<v Speaker 1>But this one the actual story and this is from

0:43:23.719 --> 0:43:27.439
<v Speaker 1>the real life. Piper's account is that Carrie went back

0:43:27.480 --> 0:43:30.720
<v Speaker 1>to South Africa and became the first student underground activist

0:43:30.800 --> 0:43:33.359
<v Speaker 1>to want to fight to abolish partheid. She then lost

0:43:33.400 --> 0:43:35.880
<v Speaker 1>contact with her and fears that she was actually arrested

0:43:36.000 --> 0:43:38.959
<v Speaker 1>or killed for her actions, which we also learned later

0:43:39.000 --> 0:43:41.560
<v Speaker 1>in the movie is what happened to the actual, real

0:43:41.600 --> 0:43:45.200
<v Speaker 1>life what they call agitator, what we would obviously call

0:43:45.600 --> 0:43:50.359
<v Speaker 1>movement leader Stephen Bill, activist Stephen Bilco. Thank you, now,

0:43:50.400 --> 0:43:52.960
<v Speaker 1>none of this, we should say, none of this story

0:43:52.960 --> 0:43:57.880
<v Speaker 1>has been confirmed outside of Piper's story, and there's a

0:43:57.920 --> 0:43:59.759
<v Speaker 1>lot of confusion around it when you actually try to

0:43:59.760 --> 0:44:02.319
<v Speaker 1>do some of the research. So take that story for

0:44:02.360 --> 0:44:06.200
<v Speaker 1>what it's worth. Hopefully. Of course, this young girl, Carrie

0:44:06.520 --> 0:44:09.000
<v Speaker 1>was not arrested or killed back in South Africa, but

0:44:09.040 --> 0:44:12.200
<v Speaker 1>apparently Piper did lose contact with her. But it does

0:44:12.840 --> 0:44:15.319
<v Speaker 1>it showed the importance of what was going on in

0:44:15.360 --> 0:44:17.279
<v Speaker 1>the country, the danger of what was going on in

0:44:17.320 --> 0:44:20.720
<v Speaker 1>the country at the time. So back to the movie itself,

0:44:20.719 --> 0:44:23.759
<v Speaker 1>the girls are now getting closer and closer, even with

0:44:23.880 --> 0:44:26.120
<v Speaker 1>the conversation you and I were having about the racial

0:44:26.120 --> 0:44:31.080
<v Speaker 1>slur where she Piper mistakenly tells her dad that she

0:44:31.320 --> 0:44:36.080
<v Speaker 1>thinks that called her a bad name when she actually didn't.

0:44:36.440 --> 0:44:39.240
<v Speaker 2>She couldn't remember which one she actually used. Was having

0:44:39.239 --> 0:44:42.000
<v Speaker 2>a hard time because there was a lot of you know,

0:44:42.040 --> 0:44:45.440
<v Speaker 2>the main point was and I thought that was really interesting.

0:44:46.440 --> 0:44:48.040
<v Speaker 3>They had all these names.

0:44:48.520 --> 0:44:50.359
<v Speaker 2>But when she said, well, what do they call white people?

0:44:50.360 --> 0:44:52.880
<v Speaker 3>Ast like, they just call them white people. They're just white.

0:44:52.880 --> 0:44:55.360
<v Speaker 2>And it was just so crazy that there was she

0:44:55.440 --> 0:44:59.799
<v Speaker 2>blurts out six different ways to explain and yet for

0:45:00.080 --> 0:45:01.560
<v Speaker 2>you know, so that's kind of where she was.

0:45:01.600 --> 0:45:05.400
<v Speaker 3>So she was sort of reeling and not remembering.

0:45:04.960 --> 0:45:06.839
<v Speaker 2>Every single name and what it was for which ones

0:45:06.880 --> 0:45:09.120
<v Speaker 2>were good and which ones were bad, that kind of thing.

0:45:09.280 --> 0:45:10.560
<v Speaker 3>So miscommunication.

0:45:10.800 --> 0:45:12.440
<v Speaker 1>Yeah, I think she was overwhelmed with the fact that

0:45:12.480 --> 0:45:14.880
<v Speaker 1>we're all It's like, why are there so many categories

0:45:14.880 --> 0:45:15.760
<v Speaker 1>and you're just white?

0:45:16.080 --> 0:45:17.920
<v Speaker 3>Yes, I'm so crazy.

0:45:18.080 --> 0:45:18.360
<v Speaker 2>It was.

0:45:18.480 --> 0:45:21.919
<v Speaker 1>It was so they're working through their differences, and they

0:45:21.920 --> 0:45:23.799
<v Speaker 1>teach her a lot. They even they go to sea

0:45:23.800 --> 0:45:26.120
<v Speaker 1>Freaky Friday in the theaters. I mean, they loved that.

0:45:26.280 --> 0:45:29.560
<v Speaker 1>They're having fun. They're sharing hot dogs, they're riding bikes,

0:45:29.560 --> 0:45:30.760
<v Speaker 1>they're dancing, they're kids.

0:45:30.920 --> 0:45:33.640
<v Speaker 2>Yeah, they're they're learning from each other. She tells them

0:45:33.680 --> 0:45:36.400
<v Speaker 2>how what they she couldn't understand what she meant by

0:45:36.480 --> 0:45:39.560
<v Speaker 2>movie that kind. They're teaching each other ling on a

0:45:39.600 --> 0:45:42.040
<v Speaker 2>different level as well. You know, it's not all heavy, No,

0:45:42.160 --> 0:45:45.400
<v Speaker 2>they're just learning each other's lives and how different they aren't.

0:45:45.160 --> 0:45:48.719
<v Speaker 1>Comparing kids, just becoming friends, Yeah, getting to know each

0:45:48.719 --> 0:45:51.640
<v Speaker 1>other despite all their differences, which is what happens when

0:45:51.680 --> 0:45:53.600
<v Speaker 1>you throw two kids together. Ninety percent of the time,

0:45:53.640 --> 0:45:56.319
<v Speaker 1>they just become friends, right, which is what's so great about.

0:45:56.640 --> 0:45:59.959
<v Speaker 1>Everything's looking great until all of a sudden, the member

0:46:00.200 --> 0:46:02.640
<v Speaker 1>of the South African Embassy show up at the Doloom's

0:46:02.640 --> 0:46:06.040
<v Speaker 1>house and they take her away. She's going home where

0:46:06.080 --> 0:46:08.160
<v Speaker 1>it's not safe for you here. We don't like it.

0:46:08.200 --> 0:46:11.520
<v Speaker 1>We're sending you home. And she's like, what, I don't

0:46:11.520 --> 0:46:13.759
<v Speaker 1>want to leave. I'm having a great time. And they're like,

0:46:13.840 --> 0:46:14.960
<v Speaker 1>don't care, you're leaving.

0:46:15.160 --> 0:46:19.200
<v Speaker 2>This is where my mama bear heart is starting to

0:46:19.840 --> 0:46:21.919
<v Speaker 2>fall apart and freak out.

0:46:21.960 --> 0:46:23.800
<v Speaker 3>My brain is going what no, what?

0:46:24.560 --> 0:46:29.000
<v Speaker 2>No? Everybody pas pas, yeah, this is insane.

0:46:29.520 --> 0:46:32.080
<v Speaker 1>Well it's because back in South Africa Stephen Bilko had

0:46:32.080 --> 0:46:36.399
<v Speaker 1>been killed. They which is all this is real. They

0:46:36.520 --> 0:46:40.239
<v Speaker 1>announced that he had killed himself, I believe when it

0:46:40.320 --> 0:46:42.160
<v Speaker 1>turned out that he was actually beaten to death by

0:46:42.160 --> 0:46:45.719
<v Speaker 1>the police. So they were afraid that things were international

0:46:45.760 --> 0:46:48.560
<v Speaker 1>relations were going to get crazy, that there was going

0:46:48.640 --> 0:46:53.960
<v Speaker 1>to be some sort of reprisal, and so they take

0:46:54.000 --> 0:46:56.919
<v Speaker 1>her away. Now this is where there's another great turn

0:46:56.960 --> 0:47:00.719
<v Speaker 1>where Congressom Jellums is like, no, that's okay with me.

0:47:01.280 --> 0:47:03.080
<v Speaker 1>You don't just get to come into my home and

0:47:03.160 --> 0:47:05.680
<v Speaker 1>take this girl who we now consider part of our family,

0:47:05.719 --> 0:47:09.000
<v Speaker 1>who we love having around, out of my house, and

0:47:09.040 --> 0:47:11.440
<v Speaker 1>you're sending her home if she doesn't want to go home.

0:47:11.760 --> 0:47:14.759
<v Speaker 1>So he uses his pull and is able to get

0:47:14.760 --> 0:47:20.080
<v Speaker 1>her back, which leads to actually an argument between the

0:47:20.080 --> 0:47:23.640
<v Speaker 1>two girls about what's going on in South Africa. It's

0:47:23.680 --> 0:47:25.800
<v Speaker 1>not going on in South Africa. It's another great level

0:47:25.920 --> 0:47:29.520
<v Speaker 1>of not always being able to see a broken system

0:47:29.600 --> 0:47:32.960
<v Speaker 1>when you're in the system right, And so there's that

0:47:33.080 --> 0:47:38.200
<v Speaker 1>conversation about what's happening there. Again, it's just it's this

0:47:38.400 --> 0:47:41.320
<v Speaker 1>for a Disney Channel movie. It really is on another level,

0:47:41.320 --> 0:47:41.759
<v Speaker 1>it really is.

0:47:41.800 --> 0:47:46.000
<v Speaker 2>And this scene was done so well by these two

0:47:46.040 --> 0:47:46.640
<v Speaker 2>young actors.

0:47:46.680 --> 0:47:48.960
<v Speaker 1>Oh they're so good. Because Peper just says, can I

0:47:49.360 --> 0:47:51.880
<v Speaker 1>well why can't I come visit you? Yeah, it's like

0:47:51.920 --> 0:47:53.799
<v Speaker 1>you can come here, but I can't go to you

0:47:53.880 --> 0:47:57.160
<v Speaker 1>and your country. Don't you find that a little weird? Right?

0:47:57.480 --> 0:48:00.319
<v Speaker 1>How is that not odd to you that I can't

0:48:00.360 --> 0:48:00.759
<v Speaker 1>go there?

0:48:01.000 --> 0:48:03.520
<v Speaker 2>And Maury, she's not it's not necessarily that she doesn't

0:48:03.520 --> 0:48:05.960
<v Speaker 2>want her to come. She just doesn't see how that

0:48:06.000 --> 0:48:08.319
<v Speaker 2>would be a good place for her to come. And

0:48:08.360 --> 0:48:11.440
<v Speaker 2>she's not really one hundred percent sure why, you know

0:48:11.680 --> 0:48:15.520
<v Speaker 2>what it's. It's you can tell she is trying to

0:48:15.560 --> 0:48:18.360
<v Speaker 2>figure it out in her own brain, you know, remembering

0:48:18.400 --> 0:48:21.360
<v Speaker 2>that she's a teenager. She loves this girl, she loves

0:48:21.360 --> 0:48:25.120
<v Speaker 2>this new best friend. Yeah, and how to explain what

0:48:25.239 --> 0:48:27.319
<v Speaker 2>she doesn't? I don't, like you said, she's in the

0:48:27.360 --> 0:48:30.840
<v Speaker 2>system herself. She's not really actually seen everything.

0:48:30.440 --> 0:48:31.160
<v Speaker 3>For what it is.

0:48:31.400 --> 0:48:33.600
<v Speaker 2>And she's a kid, and she's a little one.

0:48:33.800 --> 0:48:37.200
<v Speaker 1>She's the kid is supposed to be able to understand

0:48:37.280 --> 0:48:38.680
<v Speaker 1>these nuances.

0:48:38.360 --> 0:48:41.480
<v Speaker 2>And I'm sure not everything's one hundred percent explained to her.

0:48:41.560 --> 0:48:43.719
<v Speaker 3>Even this is the.

0:48:43.719 --> 0:48:46.080
<v Speaker 1>Way it is, especially in that family with the day.

0:48:46.160 --> 0:48:48.040
<v Speaker 3>This is how it's always been, you know, that's.

0:48:47.920 --> 0:48:49.640
<v Speaker 1>How it's going to be in my family, And this

0:48:49.680 --> 0:48:52.359
<v Speaker 1>is how it's always going to be. Maury runs off

0:48:52.360 --> 0:48:54.319
<v Speaker 1>crying and has a great scene with the congressman who

0:48:54.400 --> 0:48:56.720
<v Speaker 1>explains that she can't change how her country is running,

0:48:56.960 --> 0:49:00.000
<v Speaker 1>but she can change herself to help to change the future,

0:49:00.239 --> 0:49:05.080
<v Speaker 1>which is just great. The girls makeup. Maury returns to

0:49:05.120 --> 0:49:08.640
<v Speaker 1>South Africa now as an ally. She runs up to

0:49:08.800 --> 0:49:12.200
<v Speaker 1>her housekeeper and this time she opens the inside of

0:49:12.200 --> 0:49:15.279
<v Speaker 1>her jacket and she has the flag that represents the

0:49:15.320 --> 0:49:19.360
<v Speaker 1>new South Africa that they want sewn inside her vest.

0:49:19.920 --> 0:49:22.960
<v Speaker 1>Really really cool. It's the it's a freedom flag. And

0:49:23.000 --> 0:49:24.880
<v Speaker 1>she goes and she frees that bird from the cage

0:49:25.120 --> 0:49:27.200
<v Speaker 1>that her brother brought home. At the end of the movie.

0:49:27.280 --> 0:49:30.560
<v Speaker 1>It was very moving. It was really cool, doubly so

0:49:31.280 --> 0:49:33.720
<v Speaker 1>because you know that it's based on a true story.

0:49:34.000 --> 0:49:38.480
<v Speaker 1>Just totally cool. Yeah, So, I mean that's the film. Now,

0:49:38.480 --> 0:49:39.480
<v Speaker 1>did you have a favorite scene.

0:49:41.120 --> 0:49:44.520
<v Speaker 2>I did love it because I, you know, obviously paying

0:49:44.560 --> 0:49:48.120
<v Speaker 2>attention with the different storylines and things that were said.

0:49:48.719 --> 0:49:52.080
<v Speaker 2>I loved the nanny's story and how it came full

0:49:52.120 --> 0:49:55.600
<v Speaker 2>circle to the end, and honestly was watching it and

0:49:55.680 --> 0:49:59.680
<v Speaker 2>when Maury's explaining it is when I caught on of

0:50:00.400 --> 0:50:03.680
<v Speaker 2>you know, I took it as the community of the

0:50:03.719 --> 0:50:07.560
<v Speaker 2>birds in the nest, right, I did not take on

0:50:07.880 --> 0:50:11.280
<v Speaker 2>until Morey talks about the different colors of the birds

0:50:11.440 --> 0:50:14.080
<v Speaker 2>and them all living together. I just took on the community.

0:50:14.080 --> 0:50:16.480
<v Speaker 2>There's a lot of birds. It's not just one family

0:50:16.480 --> 0:50:18.239
<v Speaker 2>in a nest. There's a bunch of them. I took

0:50:18.280 --> 0:50:21.360
<v Speaker 2>on the community aspect. I loved that full circle moment

0:50:21.400 --> 0:50:23.239
<v Speaker 2>and that it even made more to me in the

0:50:23.360 --> 0:50:26.520
<v Speaker 2>end than it did in the beginning. I really loved that,

0:50:28.440 --> 0:50:28.640
<v Speaker 2>you know.

0:50:29.120 --> 0:50:29.359
<v Speaker 3>There.

0:50:29.480 --> 0:50:34.799
<v Speaker 2>I loved the congressman Congress Delham when he came in

0:50:34.840 --> 0:50:38.160
<v Speaker 2>to fight for her into the embassy. That was such

0:50:38.560 --> 0:50:42.160
<v Speaker 2>an awesome moment because, like you said, this isn't the

0:50:42.600 --> 0:50:45.680
<v Speaker 2>This is a totally different trope than what we normally see,

0:50:45.719 --> 0:50:47.480
<v Speaker 2>and it was just amazing for him to really end

0:50:47.600 --> 0:50:51.000
<v Speaker 2>up being her personal hero, you know, in this movie

0:50:51.320 --> 0:50:53.960
<v Speaker 2>was so great. Obviously Piper is a big hero as

0:50:53.960 --> 0:50:56.640
<v Speaker 2>well for her, you know, with their friendship, but him

0:50:57.160 --> 0:51:00.680
<v Speaker 2>having his own transformation with her and how he viewed

0:51:01.200 --> 0:51:04.040
<v Speaker 2>the importance of her and in his family now was

0:51:04.080 --> 0:51:06.919
<v Speaker 2>something that I felt was so moving. I loved that part.

0:51:07.040 --> 0:51:08.360
<v Speaker 2>That's probably my favorite scene.

0:51:08.480 --> 0:51:10.600
<v Speaker 1>My favorite scene is still I mean, I loved. I

0:51:10.600 --> 0:51:12.360
<v Speaker 1>loved all that stuff. I loved every time it was

0:51:12.400 --> 0:51:15.319
<v Speaker 1>the two of them together. But the scene of the

0:51:15.360 --> 0:51:18.000
<v Speaker 1>mom walking out of the airport, just saying, we all

0:51:18.040 --> 0:51:20.719
<v Speaker 1>made assumptions. Yes, it was so quick, but there was

0:51:20.760 --> 0:51:23.440
<v Speaker 1>something about that scene that was so like, we're gonna

0:51:23.480 --> 0:51:26.799
<v Speaker 1>roll with it, we all. I loved it.

0:51:26.920 --> 0:51:33.120
<v Speaker 2>However, though, when they leave the Congressman's building whatever that

0:51:33.239 --> 0:51:34.920
<v Speaker 2>was where he was, I can't remember what it's called.

0:51:35.640 --> 0:51:38.560
<v Speaker 2>She is kind of walking just her and Piper this

0:51:38.719 --> 0:51:41.600
<v Speaker 2>is some of thees and leaving her really far.

0:51:42.120 --> 0:51:43.799
<v Speaker 1>Yeah, it's kind of like to catch up.

0:51:44.760 --> 0:51:46.719
<v Speaker 2>I wanted to say one of my favorite things to

0:51:46.719 --> 0:51:49.440
<v Speaker 2>say when people start whispering around me, excuse me. It's

0:51:49.440 --> 0:51:53.960
<v Speaker 2>hard for me to eavesdrop when you lower your voice. Yeah,

0:51:53.960 --> 0:51:56.719
<v Speaker 2>are there talking about me a little bit? Could you

0:51:56.719 --> 0:51:58.160
<v Speaker 2>guys just slow down a little bit so I.

0:51:58.080 --> 0:51:58.959
<v Speaker 1>Could hear a little easy.

0:51:59.080 --> 0:51:59.279
<v Speaker 4>Yeah.

0:51:59.360 --> 0:52:02.719
<v Speaker 1>I think they need the uh yeah, I need they

0:52:02.800 --> 0:52:05.160
<v Speaker 1>needed the moment alone.

0:52:04.800 --> 0:52:05.479
<v Speaker 4>Mother and daughter.

0:52:05.600 --> 0:52:06.359
<v Speaker 3>They totally did.

0:52:06.400 --> 0:52:08.480
<v Speaker 2>But it was just funny because I mean, I feel

0:52:08.520 --> 0:52:11.520
<v Speaker 2>as a parent, I wouldn't leave a kid behind that right,

0:52:12.080 --> 0:52:21.640
<v Speaker 2>who doesn't know where she's going, She'll she'll just follow us.

0:52:25.840 --> 0:52:29.399
<v Speaker 1>Let's do our real reviews. I think I will. Why

0:52:29.400 --> 0:52:31.160
<v Speaker 1>don't I take the five star one this time? Because

0:52:31.160 --> 0:52:32.840
<v Speaker 1>I think I had the one star last time. I

0:52:32.840 --> 0:52:36.040
<v Speaker 1>believe Yes, So our five star review is from big

0:52:36.080 --> 0:52:39.680
<v Speaker 1>Boy and so the Color Bike Boy. The Color of

0:52:39.719 --> 0:52:42.320
<v Speaker 1>Friendship is an amazing movie that teaches so many lessons,

0:52:42.360 --> 0:52:44.319
<v Speaker 1>like the horrors of racism, never judging a book by

0:52:44.320 --> 0:52:46.759
<v Speaker 1>its cover, and the importance of knowing history. On top

0:52:46.840 --> 0:52:48.840
<v Speaker 1>of that, the acting is great. A great film for

0:52:48.880 --> 0:52:50.920
<v Speaker 1>the whole family to enjoy. Couldn't agree with that?

0:52:50.960 --> 0:52:53.040
<v Speaker 3>More awesome? Nice one?

0:52:53.520 --> 0:52:55.360
<v Speaker 1>This is This is an interesting review.

0:52:56.040 --> 0:52:57.480
<v Speaker 3>Is seen one star.

0:52:57.760 --> 0:53:00.640
<v Speaker 2>I was confused. It's short, but it feels very cool,

0:53:00.680 --> 0:53:04.840
<v Speaker 2>so weird. This is by Lilian DS. This movie was

0:53:04.920 --> 0:53:09.200
<v Speaker 2>a great movie. I've never seen it, but it's good

0:53:09.880 --> 0:53:10.640
<v Speaker 2>or bad.

0:53:11.080 --> 0:53:11.600
<v Speaker 3>I don't know.

0:53:12.080 --> 0:53:14.840
<v Speaker 1>There you go, all right, love Bank and it covers

0:53:14.880 --> 0:53:16.760
<v Speaker 1>all the bases. Thank you, Lillian.

0:53:17.640 --> 0:53:19.200
<v Speaker 2>Not a wrong answer in that.

0:53:19.440 --> 0:53:22.080
<v Speaker 1>Yes, its Lillian is a politician who likes to ride

0:53:22.120 --> 0:53:24.120
<v Speaker 1>the fence. That's what we can tell about Lilian.

0:53:25.040 --> 0:53:26.320
<v Speaker 2>Thank you, Lilian.

0:53:26.719 --> 0:53:28.400
<v Speaker 1>We are now going to do as we like to

0:53:28.400 --> 0:53:30.080
<v Speaker 1>play new fun games on our show. We are going

0:53:30.120 --> 0:53:32.600
<v Speaker 1>to do any love these games called based on a

0:53:32.640 --> 0:53:35.120
<v Speaker 1>true question. Now we know that the Color of Friendship

0:53:35.120 --> 0:53:36.480
<v Speaker 1>and Got to kick it up for that matter, is

0:53:36.520 --> 0:53:39.560
<v Speaker 1>based on a true story, which is awesome. So we're

0:53:39.560 --> 0:53:41.440
<v Speaker 1>going to get in some other movies and we have

0:53:41.520 --> 0:53:43.480
<v Speaker 1>to guess if it's based on a true story or

0:53:43.520 --> 0:53:47.000
<v Speaker 1>it's completely made up. An example would be Titanic that's

0:53:47.040 --> 0:53:49.680
<v Speaker 1>based on a true story, while say, Ernest goes to

0:53:49.760 --> 0:53:53.600
<v Speaker 1>Jail is only half based on a true story. Okay,

0:53:53.880 --> 0:53:55.520
<v Speaker 1>did you know that half of Ernest Goes to Jails

0:53:55.520 --> 0:53:56.360
<v Speaker 1>based on a true story?

0:53:56.440 --> 0:53:57.319
<v Speaker 3>I did not know that.

0:53:57.480 --> 0:53:59.840
<v Speaker 1>It's because I'm lying to you, and once again you're gullible.

0:54:02.200 --> 0:54:04.520
<v Speaker 1>Ernest goes to Jail be based on a true story.

0:54:06.760 --> 0:54:09.640
<v Speaker 2>It sometimes you bring up lots of movies I haven't seen.

0:54:09.680 --> 0:54:11.720
<v Speaker 1>But do you know the earnest movies?

0:54:12.160 --> 0:54:12.359
<v Speaker 2>No?

0:54:12.719 --> 0:54:15.200
<v Speaker 1>Oh, okay, we're gonna We're gonna do an Earnest movie night.

0:54:15.360 --> 0:54:18.840
<v Speaker 1>We're not because we'd never make it through. For Again,

0:54:19.200 --> 0:54:21.279
<v Speaker 1>as we've said every time with these games, we do

0:54:21.360 --> 0:54:23.680
<v Speaker 1>not know the answers to any of these. We really don't.

0:54:24.080 --> 0:54:26.400
<v Speaker 1>So we are going to jump in and uh, a

0:54:26.440 --> 0:54:29.560
<v Speaker 1>producer will tell us if we're right or not. So

0:54:29.640 --> 0:54:33.359
<v Speaker 1>the first movie Number one, one of my favorite movies.

0:54:33.520 --> 0:54:34.560
<v Speaker 3>Great movies.

0:54:34.719 --> 0:54:35.680
<v Speaker 2>I love this movie.

0:54:35.840 --> 0:54:39.040
<v Speaker 1>Love this movie. Fifty First Dates starring Drew Berrymore and

0:54:39.040 --> 0:54:40.719
<v Speaker 1>Adam Sandler, where a man falls in love with a

0:54:40.760 --> 0:54:43.240
<v Speaker 1>woman that suffers from short term memory loss, so every

0:54:43.280 --> 0:54:44.840
<v Speaker 1>morning the man is forced to make or fall in

0:54:44.920 --> 0:54:48.480
<v Speaker 1>love with him all over again. I know it's based

0:54:48.520 --> 0:54:53.759
<v Speaker 1>on a real syndrome, like short term memory loss is

0:54:53.800 --> 0:54:54.919
<v Speaker 1>absolutely a real thing.

0:54:55.360 --> 0:54:57.760
<v Speaker 2>No, I want to say this is this is based

0:54:57.800 --> 0:54:58.600
<v Speaker 2>on a real story.

0:54:58.719 --> 0:55:01.480
<v Speaker 1>I so want it to be based on a true story.

0:55:01.520 --> 0:55:03.359
<v Speaker 1>So I'm going to agree with you because I want

0:55:03.400 --> 0:55:03.960
<v Speaker 1>it to be real.

0:55:04.080 --> 0:55:05.840
<v Speaker 2>I'm going to go as far as like I feel

0:55:05.880 --> 0:55:08.040
<v Speaker 2>like I remember when they were doing press for it,

0:55:08.719 --> 0:55:11.200
<v Speaker 2>Adams mentioned something, I.

0:55:11.160 --> 0:55:13.160
<v Speaker 3>Feel like you've heard this before.

0:55:13.200 --> 0:55:13.840
<v Speaker 1>Oh I hope you're right.

0:55:14.080 --> 0:55:15.640
<v Speaker 3>It's probably gonna ruin my life right now.

0:55:16.080 --> 0:55:17.320
<v Speaker 4>No, it's a true story.

0:55:17.520 --> 0:55:23.480
<v Speaker 1>Yes, yes, yes, I love that. The next one is

0:55:23.520 --> 0:55:25.960
<v Speaker 1>another is a different type of romantic comedy. It's called

0:55:25.960 --> 0:55:27.279
<v Speaker 1>the Texas Chainsaw.

0:55:27.000 --> 0:55:28.560
<v Speaker 3>Massacre, Super Romantic.

0:55:28.800 --> 0:55:31.040
<v Speaker 1>On their way to see their grandfather's grave, Sally and

0:55:31.040 --> 0:55:33.600
<v Speaker 1>her paraplegic brother run into a group of crazed, murderous

0:55:33.600 --> 0:55:35.840
<v Speaker 1>outcasts and are attacked by a chainsaw wielding man with

0:55:35.880 --> 0:55:40.200
<v Speaker 1>a mask made of human skin. No, I'm hoping it's No.

0:55:40.400 --> 0:55:43.080
<v Speaker 1>I think it's an amalgam, amalgamation of a bunch of things,

0:55:43.120 --> 0:55:44.799
<v Speaker 1>so like the mass made of human skin I think

0:55:44.880 --> 0:55:47.799
<v Speaker 1>is ed gean. I think it's at so, But I

0:55:47.840 --> 0:55:51.200
<v Speaker 1>also feel like I've heard that maybe it's real. I'm

0:55:51.200 --> 0:55:53.800
<v Speaker 1>gonna say based on my I'm gonna say, based on

0:55:53.840 --> 0:55:54.400
<v Speaker 1>a true story.

0:55:54.920 --> 0:55:57.200
<v Speaker 4>Well, good luck sleeping tonight, Sabrina, it's a true story.

0:55:57.480 --> 0:56:04.560
<v Speaker 2>Oh no, no, no, no, Yes.

0:56:06.680 --> 0:56:12.800
<v Speaker 1>And now our third movie is Cocaine Bear. A giant

0:56:12.840 --> 0:56:15.400
<v Speaker 1>black bear consumes a significant amount of cocaine and embarks

0:56:15.400 --> 0:56:18.240
<v Speaker 1>on a drug field rampage through a Georgia forest, endangering

0:56:18.280 --> 0:56:20.080
<v Speaker 1>the lives of cops, criminals, and tourists.

0:56:20.480 --> 0:56:23.319
<v Speaker 2>I could totally see that happening. I would feel so

0:56:23.440 --> 0:56:24.440
<v Speaker 2>terrible for the bear.

0:56:24.680 --> 0:56:26.879
<v Speaker 1>I'm pretty sure I read something that this is based

0:56:26.920 --> 0:56:27.600
<v Speaker 1>on a true story.

0:56:27.719 --> 0:56:29.000
<v Speaker 3>Yes, I think so too.

0:56:31.280 --> 0:56:32.480
<v Speaker 4>It is a true story.

0:56:32.760 --> 0:56:37.360
<v Speaker 2>Yeah, bear had something had to have happened to that

0:56:37.440 --> 0:56:40.440
<v Speaker 2>for Bear, though, Do you have any idea how clean

0:56:40.520 --> 0:56:41.600
<v Speaker 2>that bear's den would be?

0:56:42.760 --> 0:56:47.280
<v Speaker 1>Oh, I've been up for four days cleaning. Okay, Number

0:56:47.280 --> 0:56:50.200
<v Speaker 1>four cheaper by the dozen the Bakers? Was it really

0:56:50.200 --> 0:56:52.439
<v Speaker 1>the Baker's There was a Baker's dozen? Wow? I never

0:56:52.440 --> 0:56:55.759
<v Speaker 1>got that the Bakers have compromised their careers to raise

0:56:55.800 --> 0:56:58.200
<v Speaker 1>twelve children. But when the mom writes a parenting memoir

0:56:58.239 --> 0:56:59.520
<v Speaker 1>and goes on a book tour, the dad is in

0:56:59.600 --> 0:57:02.120
<v Speaker 1>charge of the children and the household falls into chaos.

0:57:06.640 --> 0:57:10.040
<v Speaker 2>True, I'm gonna say this seems like it could easily happen.

0:57:10.400 --> 0:57:12.879
<v Speaker 1>But that's why. Don't you think producer Jensen threw one

0:57:12.920 --> 0:57:14.880
<v Speaker 1>in to mess us up? I'm gonna say false.

0:57:15.200 --> 0:57:18.920
<v Speaker 4>Okay, I'm thinking it's a true story.

0:57:19.120 --> 0:57:22.800
<v Speaker 1>Oh man, yikes, yikes.

0:57:23.040 --> 0:57:23.840
<v Speaker 3>Oh gosh.

0:57:23.880 --> 0:57:27.000
<v Speaker 1>And finally number five, Oh.

0:57:26.840 --> 0:57:29.560
<v Speaker 3>My worst enemy. I hate this movie.

0:57:29.840 --> 0:57:33.680
<v Speaker 1>Oh it's such a good movie. Completely the local beach,

0:57:33.760 --> 0:57:36.040
<v Speaker 1>killing beach goers and sending a group of fishermen on

0:57:36.080 --> 0:57:39.120
<v Speaker 1>a journey to protect the city Sabrina.

0:57:40.840 --> 0:57:43.880
<v Speaker 2>Well, you can see how that could be pulled from anything, right,

0:57:44.000 --> 0:57:47.520
<v Speaker 2>because there's so many shark attacks. The ocean is not

0:57:47.760 --> 0:57:51.320
<v Speaker 2>your friend. You should not just go in the ocean.

0:57:51.360 --> 0:57:54.840
<v Speaker 2>I'm so scared of sharks. I'm gonna say true, No,

0:57:55.200 --> 0:57:55.920
<v Speaker 2>it can't.

0:57:55.680 --> 0:57:58.760
<v Speaker 1>Be no, Okay, So I happen to know for a

0:57:58.800 --> 0:58:02.360
<v Speaker 1>fact that Peter Bench wrote this book based on seeing

0:58:02.400 --> 0:58:05.360
<v Speaker 1>a twenty five to thirty foot great white shark hanging

0:58:05.400 --> 0:58:08.480
<v Speaker 1>that fisherman caught it off of the coast.

0:58:08.680 --> 0:58:11.200
<v Speaker 2>That's not a true story. That's just saying, oh wow,

0:58:11.240 --> 0:58:12.640
<v Speaker 2>there's big sharks out there.

0:58:12.640 --> 0:58:16.160
<v Speaker 1>Well, let's see what accounts as so Jensen.

0:58:16.240 --> 0:58:18.120
<v Speaker 4>They are all true stories.

0:58:18.240 --> 0:58:24.600
<v Speaker 2>Yeah, talk about a score, talk about something that will

0:58:24.600 --> 0:58:25.880
<v Speaker 2>live with you forever.

0:58:26.280 --> 0:58:31.520
<v Speaker 1>Wow, oh wow. Oh Texas chainsaw maskers real. No, I

0:58:31.560 --> 0:58:34.400
<v Speaker 1>think I would rather face cocaine bear than the Texas

0:58:34.440 --> 0:58:35.640
<v Speaker 1>chainsaw massacre people.

0:58:35.800 --> 0:58:41.200
<v Speaker 2>Yeah, are you kidding me? Oh my gosh, I would unbelieve.

0:58:41.240 --> 0:58:43.360
<v Speaker 2>I mean, the cocaine bear would be very scary.

0:58:43.600 --> 0:58:46.600
<v Speaker 1>It would be well again, it's just oh my god. Yeah,

0:58:46.640 --> 0:58:51.120
<v Speaker 1>crazy man on the street, se vcr and everything. All right,

0:58:51.240 --> 0:58:51.800
<v Speaker 1>so so.

0:58:51.800 --> 0:58:55.480
<v Speaker 2>Much anxiety now, thank you, Jensen, thank you so much.

0:58:55.720 --> 0:59:02.560
<v Speaker 1>Let's do some Sabrina seas this time.

0:59:02.720 --> 0:59:04.640
<v Speaker 3>Oh man today. Okay.

0:59:04.680 --> 0:59:07.160
<v Speaker 2>So one of the first things that happened, right, and

0:59:07.240 --> 0:59:09.040
<v Speaker 2>I thought you were gonna because it was just so.

0:59:09.120 --> 0:59:11.200
<v Speaker 3>Funny, the little kid.

0:59:11.240 --> 0:59:16.320
<v Speaker 2>That's as soon as the dad Cornerson Della is coming up.

0:59:16.600 --> 0:59:18.919
<v Speaker 2>When the little kid's looking out the window and he's

0:59:18.920 --> 0:59:20.920
<v Speaker 2>got that. Is it like a little telescope because it

0:59:20.920 --> 0:59:25.160
<v Speaker 2>wasn't binocular? Okay, little he's got that going, and it's

0:59:25.200 --> 0:59:26.919
<v Speaker 2>like the street.

0:59:26.600 --> 0:59:27.120
<v Speaker 3>Is right there.

0:59:29.360 --> 0:59:30.720
<v Speaker 2>He was so funny because it was.

0:59:30.680 --> 0:59:32.440
<v Speaker 3>So cute, like the little little kid thing.

0:59:32.520 --> 0:59:34.640
<v Speaker 2>That was just funny, like why do you need that

0:59:34.840 --> 0:59:36.919
<v Speaker 2>the street is right out in front of your door?

0:59:37.200 --> 0:59:38.439
<v Speaker 3>It's not way down there.

0:59:39.120 --> 0:59:41.400
<v Speaker 2>I did say the fleeing up the stairs that was

0:59:41.440 --> 0:59:43.240
<v Speaker 2>part of it because I thought that was kind of funny.

0:59:43.680 --> 0:59:49.840
<v Speaker 2>Before that, the nanny when she has that when remember

0:59:50.640 --> 0:59:56.520
<v Speaker 2>Maury's brother finds the flagg the flag and she grabs it,

0:59:56.600 --> 0:59:59.160
<v Speaker 2>puts it away. You obviously know it's hers, you know,

0:59:59.240 --> 1:00:03.240
<v Speaker 2>right from then the car is all of two feet

1:00:03.240 --> 1:00:05.960
<v Speaker 2>away from her when she pulls it out, like it

1:00:06.000 --> 1:00:08.600
<v Speaker 2>was the timing, And obviously that's just because of what

1:00:08.640 --> 1:00:10.520
<v Speaker 2>they were needing for the scene and everything, But it

1:00:10.600 --> 1:00:12.880
<v Speaker 2>was just kind of funny to me that she is

1:00:12.880 --> 1:00:14.520
<v Speaker 2>trying to hide it but then pulls it out as

1:00:14.520 --> 1:00:15.840
<v Speaker 2>soon as people could.

1:00:15.920 --> 1:00:17.000
<v Speaker 3>They're not even far away.

1:00:17.840 --> 1:00:20.840
<v Speaker 2>And then I wanted to see because I know you

1:00:20.880 --> 1:00:25.200
<v Speaker 2>do click into the voiceover type stuff that happens. It

1:00:25.320 --> 1:00:30.120
<v Speaker 2>was almost nauseating during the time where they were going

1:00:30.200 --> 1:00:34.000
<v Speaker 2>from the dance to the dancing together. It was the

1:00:34.120 --> 1:00:38.600
<v Speaker 2>montage sequence, right, like the multiple montages the dancing into

1:00:38.840 --> 1:00:41.840
<v Speaker 2>the changing of outfits into that following scene.

1:00:41.840 --> 1:00:44.000
<v Speaker 3>So it's three montage scenes that happened.

1:00:44.280 --> 1:00:50.200
<v Speaker 2>The amount of the voiceover giggling started to irritate me, So, okay,

1:00:50.320 --> 1:00:53.120
<v Speaker 2>get it, they're out of fun. Please stop making them.

1:00:53.160 --> 1:01:02.080
<v Speaker 2>It's like they're showing them giggle bonding. I love to laugh,

1:01:02.160 --> 1:01:03.840
<v Speaker 2>So I don't know why irritated me, but it was

1:01:03.880 --> 1:01:04.680
<v Speaker 2>just for so long.

1:01:04.760 --> 1:01:07.000
<v Speaker 3>It was a good four or five minutes. It felt

1:01:07.000 --> 1:01:08.919
<v Speaker 3>like it kept going on and on.

1:01:09.520 --> 1:01:14.160
<v Speaker 2>And then I did see Oh, the South African Embassy.

1:01:14.880 --> 1:01:18.320
<v Speaker 2>That whole section was just kind of crazy to me.

1:01:18.440 --> 1:01:21.640
<v Speaker 2>How they had this young girl who it was such

1:01:21.680 --> 1:01:24.320
<v Speaker 2>a big deal. First of all, I can't believe she

1:01:24.440 --> 1:01:26.200
<v Speaker 2>was able to leave, and I know this is a movie,

1:01:26.200 --> 1:01:28.959
<v Speaker 2>but the fact that they were letting her leave when

1:01:29.320 --> 1:01:33.200
<v Speaker 2>she's in their care, right, that whole situation was just

1:01:33.760 --> 1:01:37.880
<v Speaker 2>so crazy and wild to me that you know, they've

1:01:37.880 --> 1:01:41.439
<v Speaker 2>got this young girl who's in their care. They don't

1:01:41.480 --> 1:01:47.320
<v Speaker 2>know these embassy people. There's no identification check, there was nothing.

1:01:47.360 --> 1:01:48.840
<v Speaker 2>And then now they're going to take her to a

1:01:48.880 --> 1:01:51.120
<v Speaker 2>building and just didn't seem like there was enough questions

1:01:51.480 --> 1:01:54.800
<v Speaker 2>that were happening. And then my overall thing with this

1:01:54.880 --> 1:01:57.880
<v Speaker 2>movie again, I loved this movie. This is me just

1:01:58.280 --> 1:02:01.360
<v Speaker 2>really trying to find sure, right because there was so

1:02:01.560 --> 1:02:05.560
<v Speaker 2>much that was so epic, the idea, like I said

1:02:05.640 --> 1:02:09.760
<v Speaker 2>at the beginning, having an exchange student, really thinking about

1:02:09.760 --> 1:02:13.520
<v Speaker 2>what that meant. In the seventies, it was wild to

1:02:13.640 --> 1:02:17.560
<v Speaker 2>let your kid go right, you're talking, because there's no internet,

1:02:17.880 --> 1:02:21.440
<v Speaker 2>you're talking. They did they obviously, I would think there

1:02:21.520 --> 1:02:24.280
<v Speaker 2>was at least a picture of the family or something,

1:02:24.360 --> 1:02:28.200
<v Speaker 2>and you got at least some kind of packet of paper.

1:02:28.640 --> 1:02:31.680
<v Speaker 1>I don't know, it was just written down. It's a

1:02:31.680 --> 1:02:34.120
<v Speaker 1>congressman's family. That's probably all they needed to know.

1:02:34.280 --> 1:02:37.959
<v Speaker 2>It's so crazy to allow your kid to go live

1:02:38.040 --> 1:02:42.320
<v Speaker 2>somewhere where you don't know anything about them, right, And

1:02:42.920 --> 1:02:45.480
<v Speaker 2>nowadays you could get someone's name, you could look them up,

1:02:46.160 --> 1:02:49.000
<v Speaker 2>you can, you can have conversations back and forth, way

1:02:49.040 --> 1:02:50.400
<v Speaker 2>before you they go anywhere.

1:02:50.680 --> 1:02:51.760
<v Speaker 1>It was the seventies though.

1:02:52.080 --> 1:02:55.800
<v Speaker 2>It was the seventies and the way that that there

1:02:55.840 --> 1:02:57.800
<v Speaker 2>was only a limited amount, right, Yeah, every time she

1:02:57.880 --> 1:03:00.680
<v Speaker 2>makes a call, she's you know, for we'll talk about

1:03:00.680 --> 1:03:01.560
<v Speaker 2>their their phone bill.

1:03:01.640 --> 1:03:03.560
<v Speaker 1>Oh, the bill would have been crazy. Yeah, bill would

1:03:03.560 --> 1:03:04.160
<v Speaker 1>have been crazy.

1:03:04.360 --> 1:03:06.120
<v Speaker 2>Every time she makes the calls, it's like a collect

1:03:06.160 --> 1:03:08.280
<v Speaker 2>call to get back to her, you know.

1:03:08.440 --> 1:03:09.080
<v Speaker 3>Oh gosh.

1:03:09.280 --> 1:03:11.080
<v Speaker 1>Just keep in mind in the seventies, it was like wait,

1:03:11.120 --> 1:03:13.200
<v Speaker 1>by the time you were ten, you ran outside and

1:03:13.200 --> 1:03:15.560
<v Speaker 1>your mom went be back by dinner. Yes, that was it.

1:03:15.560 --> 1:03:18.600
<v Speaker 2>When the lights come on, right, yeah, the street lights

1:03:18.600 --> 1:03:20.040
<v Speaker 2>come on, your lights come out right.

1:03:20.200 --> 1:03:22.920
<v Speaker 1>See in twelve hours how it was. And if you

1:03:22.960 --> 1:03:27.560
<v Speaker 1>wanted to drink, he found somebody's hoes. Thank you for that.

1:03:28.240 --> 1:03:31.240
<v Speaker 1>And now we must rate our film. As you know,

1:03:31.280 --> 1:03:33.760
<v Speaker 1>we always read our movies based one of ten, one

1:03:33.800 --> 1:03:36.040
<v Speaker 1>being the worst, ten being the best. I don't know

1:03:36.040 --> 1:03:37.440
<v Speaker 1>why we do it the other way around. That wouldn't

1:03:37.440 --> 1:03:39.760
<v Speaker 1>make any sense. And so we have to figure out

1:03:39.880 --> 1:03:43.720
<v Speaker 1>should this be one out of ten d com Emmys Washington,

1:03:43.800 --> 1:03:50.440
<v Speaker 1>DC based Establishing Shots, seventies based jams, Barrel's Ice Cream Sundays,

1:03:51.280 --> 1:03:56.200
<v Speaker 1>Disco Dancing montages, or Freaky Friday cross promotions? What do

1:03:56.280 --> 1:03:56.560
<v Speaker 1>you like?

1:03:58.640 --> 1:04:01.840
<v Speaker 2>I think we got to go because it is just

1:04:01.880 --> 1:04:04.800
<v Speaker 2>so incredible that this dcom one an Emmy.

1:04:04.880 --> 1:04:06.600
<v Speaker 3>I think we got to go dcom Emmys.

1:04:06.720 --> 1:04:10.600
<v Speaker 1>Okay, you got it. So how many out of ten

1:04:10.760 --> 1:04:12.600
<v Speaker 1>dcom Emmys do you give this movie?

1:04:13.560 --> 1:04:17.720
<v Speaker 2>I mean, I feel this was right up there to

1:04:17.760 --> 1:04:20.360
<v Speaker 2>the last one that I gave attend to.

1:04:20.840 --> 1:04:21.960
<v Speaker 3>I loved this movie.

1:04:22.160 --> 1:04:26.520
<v Speaker 2>Yeah, I think it was so moving and it's It's

1:04:26.600 --> 1:04:31.000
<v Speaker 2>definitely a movie you know, when Monroe is at a

1:04:31.040 --> 1:04:35.640
<v Speaker 2>good age to have some kind of learning experience, I

1:04:35.960 --> 1:04:39.479
<v Speaker 2>will love I will want to show her this movie.

1:04:39.560 --> 1:04:41.080
<v Speaker 1>Yeah, you know, so you get you get a ten.

1:04:41.560 --> 1:04:43.040
<v Speaker 3>Yeah, I'm going with a ten.

1:04:43.320 --> 1:04:45.160
<v Speaker 1>Now you know me, I will never give a ten.

1:04:45.280 --> 1:04:48.200
<v Speaker 1>I can't tend to me as perfection. But this is

1:04:48.240 --> 1:04:51.640
<v Speaker 1>the most solid nine point five dcom Emmys that you

1:04:51.680 --> 1:04:53.919
<v Speaker 1>can give it. I mean, this was This movie really

1:04:54.000 --> 1:04:56.960
<v Speaker 1>surprised me because I knew nothing about it. It so

1:04:57.240 --> 1:05:00.400
<v Speaker 1>easily could have gone the quote unquote stereo tip called

1:05:00.640 --> 1:05:03.880
<v Speaker 1>decom route. Even with the same subject matter, they could

1:05:03.880 --> 1:05:07.439
<v Speaker 1>have gone much lighter with it than they did. Much

1:05:07.520 --> 1:05:10.880
<v Speaker 1>less about the parents, much less about, uh, you know,

1:05:10.960 --> 1:05:14.360
<v Speaker 1>the actual system of racism in place in South Africa,

1:05:14.760 --> 1:05:18.800
<v Speaker 1>and more of the wacky white girl lives what's going on?

1:05:19.360 --> 1:05:21.720
<v Speaker 1>You know, lives in is living with a black family

1:05:21.720 --> 1:05:23.640
<v Speaker 1>in America. They could have gone that route and they didn't.

1:05:24.000 --> 1:05:25.880
<v Speaker 1>I love that they played against that. This is a

1:05:25.960 --> 1:05:29.040
<v Speaker 1>solid nine point five for me. This movie really surprised me.

1:05:29.400 --> 1:05:29.920
<v Speaker 3>Yeah.

1:05:30.240 --> 1:05:33.560
<v Speaker 2>I loved this movie far more than what I loved

1:05:33.960 --> 1:05:35.880
<v Speaker 2>when I loved it back when it first came up.

1:05:35.960 --> 1:05:38.080
<v Speaker 1>Yeah, I mean watching it at a different level.

1:05:38.160 --> 1:05:43.480
<v Speaker 2>Yeah, Yes, such a better appreciation for everything that this

1:05:43.600 --> 1:05:47.480
<v Speaker 2>movie rings, you know to the audience. Yes, it was wonderful.

1:05:47.560 --> 1:05:48.840
<v Speaker 2>I love loved.

1:05:48.720 --> 1:05:51.280
<v Speaker 1>This is one everybody. You really if you have not

1:05:51.360 --> 1:05:55.120
<v Speaker 1>seen it, you should watch it. It is really really good. Well,

1:05:55.200 --> 1:05:57.960
<v Speaker 1>thank you so much for joining us on another episode

1:05:57.960 --> 1:06:00.720
<v Speaker 1>of Magical Rewind. The next movie is an other film

1:06:00.880 --> 1:06:05.320
<v Speaker 1>with Shaddya Simmons that we're doing two thousands Quints, which

1:06:05.360 --> 1:06:09.160
<v Speaker 1>is a movie about Quinn tuplets. And I'm assuming she

1:06:09.200 --> 1:06:12.280
<v Speaker 1>plays four roles or I don't know. We'll find out.

1:06:12.280 --> 1:06:14.000
<v Speaker 1>I don't even want to. I'm excited to even find

1:06:14.000 --> 1:06:15.920
<v Speaker 1>out because I have no idea. Well, Quints is five,

1:06:16.520 --> 1:06:20.960
<v Speaker 1>no quiz, Yeah, you're right, Quad's is four? Yeah, Oh

1:06:20.960 --> 1:06:23.080
<v Speaker 1>my god, she plays five different roles. I was never

1:06:23.120 --> 1:06:27.520
<v Speaker 1>good with math when it comes in word form. So

1:06:27.680 --> 1:06:29.439
<v Speaker 1>remember to subscribe to our feed and you can follow

1:06:29.520 --> 1:06:32.080
<v Speaker 1>us at the Magical rewind Pod, on the Instagram Machine,

1:06:32.320 --> 1:06:35.560
<v Speaker 1>and on our Park Copper episode. This week, we get

1:06:35.600 --> 1:06:38.360
<v Speaker 1>to have a great conversation I'm so excited with one

1:06:38.400 --> 1:06:40.520
<v Speaker 1>of the stars of the Color of Friendship, Lindsay Hahn.

1:06:41.000 --> 1:06:42.800
<v Speaker 1>So make sure you go over there and check it

1:06:42.840 --> 1:06:45.000
<v Speaker 1>out because the interview is amazing. Here's a clip.

1:06:47.920 --> 1:06:50.600
<v Speaker 5>At that point, there wasn't really a lot of touchstones

1:06:50.680 --> 1:06:53.400
<v Speaker 5>for the accent. You know, we didn't have Trevor Noah,

1:06:53.400 --> 1:06:55.520
<v Speaker 5>we didn't have like a lot of South African stuff.

1:06:55.560 --> 1:06:58.240
<v Speaker 5>So I tracked down this movie from Hollywood Video called

1:06:58.280 --> 1:07:02.120
<v Speaker 5>If the Gods Were Monsters, because that was really the

1:07:02.160 --> 1:07:06.200
<v Speaker 5>only way that you could listen to an authentic South

1:07:06.200 --> 1:07:09.920
<v Speaker 5>African accent if you didn't know anyone. And it was,

1:07:10.480 --> 1:07:13.960
<v Speaker 5>first of all, great movie and I never returned it, and.

1:07:16.040 --> 1:07:17.000
<v Speaker 1>I love that.

1:07:17.880 --> 1:07:22.480
<v Speaker 2>VHS or a DVD HS. Back in the day, it

1:07:22.520 --> 1:07:23.600
<v Speaker 2>was the only copy they had.

1:07:26.320 --> 1:07:27.840
<v Speaker 1>Thank you so much for joining us, and we will

1:07:27.840 --> 1:07:30.560
<v Speaker 1>see you times five next time. Bye everybody.

1:07:30.600 --> 1:07:42.120
<v Speaker 2>Bye,