WEBVTT - Episode 523 | GRICO

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<v Speaker 1>No Wullian.

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<v Speaker 2>Practicing your Johnny Pacatty verse. Women have been showing out

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<v Speaker 2>the last Philly. They showed out the Cold Show. You

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<v Speaker 2>got a lot of comp Come on, let's do a

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<v Speaker 2>practice round.

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<v Speaker 3>I would never try to. I would never attempt to

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<v Speaker 3>do that. I would never attempt to do that. Even

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<v Speaker 3>even if I could get every single word right, I

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<v Speaker 3>know I will fuck up out of pure nervousness.

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<v Speaker 1>I would even embarrass myself like that.

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<v Speaker 2>But you actually know how to wrap and your mannerism

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<v Speaker 2>like look natural.

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<v Speaker 4>I feel like you would smoke that.

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<v Speaker 3>Yeah, I'll get nervous just because of whose concert it was.

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<v Speaker 3>I would get nervous.

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<v Speaker 4>Now you gotta look cold in his size and do it.

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<v Speaker 2>Look at what you want me to do? You want

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<v Speaker 2>to put on? Yeah, yeah, I'm mad. We're going different days.

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<v Speaker 1>If they if they come to me to do it,

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<v Speaker 1>I'll do.

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<v Speaker 2>If they come to well, you got to be prepared.

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<v Speaker 2>What's the first four bars?

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<v Speaker 1>I'm not doing that?

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<v Speaker 2>What if they ask for like acapoca? Not even with

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<v Speaker 2>the beat, It's like the whole arena gets I.

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<v Speaker 1>Would get so nervous, my cheeks conturned so pink.

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<v Speaker 2>Cool for those that don't know Cole has his fans

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<v Speaker 2>rapping that verse. They brought some drunk girl by accident

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<v Speaker 2>one time, and I felt really bad for her because

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<v Speaker 2>she was right next to some guy that was sober

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<v Speaker 2>and a cold fan, and she was just kind of

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<v Speaker 2>mumbling her way through it was it was rough. Like

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<v Speaker 2>she regretted that the next day for sure.

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<v Speaker 3>Yeah, but I don't know what concert would you be

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<v Speaker 3>able to do that with, like a hover Oh never mind,

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<v Speaker 3>hole maul, What concert would you be able to do

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<v Speaker 3>that with?

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<v Speaker 1>Like rap war for word for with the rapper.

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<v Speaker 4>Dojah Cat December first, Madison Square Garden, I'll be there.

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<v Speaker 1>What was your nervous? Looking at her eyes? What song?

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<v Speaker 4>Not at all? You look right into herself? Did doja

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<v Speaker 4>cat that?

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<v Speaker 1>Give me? That?

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<v Speaker 4>Give me?

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<v Speaker 1>I did?

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<v Speaker 4>I dare her to put the spotlight on me in

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<v Speaker 4>the camera me and asked me to rap. What's so

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<v Speaker 4>any song get into it?

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<v Speaker 1>Yeah?

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<v Speaker 4>Any song? I could be lotter on the new joint.

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<v Speaker 3>Okay, look at my eyes when I slide when he

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<v Speaker 3>slide it in.

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<v Speaker 4>You know, when I time again, I change the words,

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<v Speaker 4>I'll make it, you know, looking at her eyes when

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<v Speaker 4>you slide in them? Hetero sexual I'll make it heterosexually.

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<v Speaker 1>Okay, okay, have you seen a video for that?

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<v Speaker 4>So long as videos? Almost as long as thriller.

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<v Speaker 2>When you put it on loop, it's as long as

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<v Speaker 2>you want it to be. That's the power of the loop.

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<v Speaker 2>That new lot of Doja Cat, that's as long as roots.

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<v Speaker 2>You remember roots, same ship and you walk in my house.

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<v Speaker 2>It's just pretty on the wall. It just plays all roots.

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<v Speaker 4>It's the Jackson five story and it's the the Dojah

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<v Speaker 4>Cat Lotto record.

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<v Speaker 2>It's a great great cinematography, the lighting incredible, just that

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<v Speaker 2>the treatment was was beautiful.

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<v Speaker 4>The only thing I wish they did was put it

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<v Speaker 4>in theaters so it can be nominated for an Oscar,

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<v Speaker 4>like if they had its just having it for a month.

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<v Speaker 4>Put it in theaters, select theaters around the city, just

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<v Speaker 4>so they can get nominated for an Oscar for this.

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<v Speaker 4>That's all. Yeah, that's the only thing I think they dropped.

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<v Speaker 4>The team dropped the ball on They should have definitely

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<v Speaker 4>put this in theaters.

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<v Speaker 2>I mean, I get they wanted to get get the

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<v Speaker 2>video out, but you know, submit to Sundance maybe south

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<v Speaker 2>of France. Come on, man, go through the proper channels.

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<v Speaker 1>They look good. The biracials look good in this one.

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<v Speaker 1>They looked good.

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<v Speaker 4>It was a good good display of that.

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<v Speaker 1>It's doja cat biracial biracial unity.

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<v Speaker 4>I didn't know.

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<v Speaker 2>Yeah, good, good display of Lotto's old rap name for sure. Yeah, man,

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<v Speaker 2>do you think she's still like if she didn't it

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<v Speaker 2>because she changed that like the peak of of the

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<v Speaker 2>wokeness on the internet. Do you feel like she'd be

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<v Speaker 2>okay if she was mulatto still, which, by the way,

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<v Speaker 2>I never even knew that was a bad word.

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<v Speaker 4>Yes, she would be okay. I think so everybody would

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<v Speaker 4>be fun.

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<v Speaker 2>Loto is a better rap name though, like she outside.

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<v Speaker 2>Of course she did it because she cares very deeply

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<v Speaker 2>about that being a terrible word.

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<v Speaker 4>We know why. Flatto is a better word.

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<v Speaker 3>For a rap for a rap name, and she's also flips. Yeah, yeah,

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<v Speaker 3>it was a.

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<v Speaker 4>Better choice for sure. Maybe she should have changed the

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<v Speaker 4>name Latte.

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<v Speaker 2>Those are kind of in the biracial world too, Like

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<v Speaker 2>you mean like a latte? Yeah what late.

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<v Speaker 1>Girls she used to call themselves mocha, remember that, So.

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<v Speaker 4>I'm saying that they still do. So it was lat

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<v Speaker 4>It's like, okay, go to a certain club, there's definitely

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<v Speaker 4>a Mocha on stage. It's a mocha. Macha.

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<v Speaker 3>Macha is her who the fuck calling themselves far away

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<v Speaker 3>from people.

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<v Speaker 4>If you think it's not a girl right now about

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<v Speaker 4>to go viral for a record, her name is Macha.

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<v Speaker 4>You got life twisted? Yeah? Remember I told you it's

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<v Speaker 4>gonna definitely gonna be a female rapper named Macha. If

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<v Speaker 4>it's not about that green she about that green good green.

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<v Speaker 1>Yeah, I see where you're going.

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<v Speaker 4>You think it's got an artist named Macha.

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<v Speaker 2>And she's all natural. Yeah, she'll have work done, but

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<v Speaker 2>she'll say she's like.

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<v Speaker 4>Come on now, good doctor. Oh damn, it's this one.

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<v Speaker 4>And she looked, No, the song got you I'm talking

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<v Speaker 4>about the artist will be named Macha. Definitely, it's a

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<v Speaker 4>Macha out there in the universe.

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<v Speaker 1>It's a new.

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<v Speaker 3>Rapper called Lynn that I wanted to give a shout

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<v Speaker 3>out to. She had an on the radar freestyle that

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<v Speaker 3>she did or song that she did, and she sounded

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<v Speaker 3>good like she could actually rap.

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<v Speaker 1>She sounded good.

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<v Speaker 4>Lynn l I n l y n n oh l

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<v Speaker 4>y n n Okay where she's from.

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<v Speaker 3>I don't know where she's from, you know, So Chris,

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<v Speaker 3>you always asked me that when I talk a new

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<v Speaker 3>artist and I never know where they're from.

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<v Speaker 1>But I literally just saw her on the radiar.

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<v Speaker 4>Just gonna say the name, where she's from, what's her background,

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<v Speaker 4>what's her star sign?

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<v Speaker 1>I do not know. I guess she's she's from Birmingham, Alabama.

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<v Speaker 4>She's always bam. Yeah she now there's in Austin text. Okay,

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<v Speaker 4>she's wrapping her ass off Lynn.

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<v Speaker 1>The bad guy.

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<v Speaker 4>Okay, I'm glad she got rid of the bad guy

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<v Speaker 4>and Lynn she wasn't.

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<v Speaker 3>It wasn't like pussy rap. It was good.

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<v Speaker 4>She was like giving us like like real bars.

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<v Speaker 1>She still has that like Southern down.

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<v Speaker 3>She kind of sounds like if Mona Leo and like

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<v Speaker 3>Kenderman and Lotto all just like joined hands and became

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<v Speaker 3>one person Lynn.

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<v Speaker 4>Okay, So okay, Lyn, I'm gonna check Lynn out. She

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<v Speaker 4>was she talking about.

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<v Speaker 2>Who's Who's a? Who's my girl? My guilty Pleasure song?

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<v Speaker 2>He loved, he loved my new body. That's my ship man.

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<v Speaker 2>I play that in the call by Myself.

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<v Speaker 1>Who's that? That's true?

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<v Speaker 3>That's the one that people compared to Nicki Mina rightfully so,

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<v Speaker 3>because she.

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<v Speaker 2>Does sound just like Nikki, but I don't really give

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<v Speaker 2>a fuckuse that new body, no Nobody.

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<v Speaker 4>I don't know what you're talking about.

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<v Speaker 3>You've never heard nobody pull up Nobody by Trim.

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<v Speaker 4>That's the song in the summer. Like, seriously, Nicki Minaj

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<v Speaker 4>hasn't said anything about this.

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<v Speaker 1>I don't I don't know what Nikki is thinking.

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<v Speaker 4>She sounds good, but this was almost blasphemous in hip

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<v Speaker 4>hop at one point. But knowing Niki like sounded exactly

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<v Speaker 4>like somebody was like that was outlawed and hip hop

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<v Speaker 4>and one.

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<v Speaker 2>I feel like the rules have changed. We've been talking

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<v Speaker 2>about it for like five Yeah, but this is different now. No,

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<v Speaker 2>this is acceptable.

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<v Speaker 4>Bro. That's a good record, man, no selfestys record. The

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<v Speaker 4>record sounds good, she sounds good, a record fire, But

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<v Speaker 4>that's Nicki. Like the fluctuations in there, that's Nicki Minaj.

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<v Speaker 1>He right there, Ryan, that's that touched the platform. These

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<v Speaker 1>host was pushing it forty when I got my platform.

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<v Speaker 4>I didn't hear it. No no, no, no, no no no

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<v Speaker 4>no no no.

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<v Speaker 1>Hold on, I didn't hear. I didn't hear that.

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<v Speaker 2>I saw that's before I heard the nobody that's not

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<v Speaker 2>and I was like, all right, that's crazy. Then I

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<v Speaker 2>heard the record and I was like, I see why

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<v Speaker 2>she gets away with it because the music.

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<v Speaker 3>Works that that's that's that's I didn't see that.

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<v Speaker 2>Here's my Here's don't know this young lady's full history.

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<v Speaker 2>But my guess is her team team put her up

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<v Speaker 2>to this. Like people are comparing you to NICKI.

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<v Speaker 1>Just gorag it.

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<v Speaker 4>NICKI, who says that because from a smart manager you

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<v Speaker 4>can't smart manager does not say that, like why the old.

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<v Speaker 1>Full Nikki quo.

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<v Speaker 2>A strategy of music now is to get attention, clicks

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<v Speaker 2>and traffic. This way is going to get you more

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<v Speaker 2>traffic than being a carbon copy of Nikki. So people

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<v Speaker 2>can say that and get you in the out rythm,

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<v Speaker 2>and then on top of that, get you actually make

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<v Speaker 2>okay music.

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<v Speaker 4>I get that, I get that and everything you're saying.

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<v Speaker 4>You sound like somebody that works at a label. That's

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<v Speaker 4>that's what I'm okay. So that's what I'm saying. You

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<v Speaker 4>sound like somebody that works at a label. What I'm

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<v Speaker 4>saying is as somebody that's listening to music, as somebody

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<v Speaker 4>that grew up in the cult of hip hop. This

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<v Speaker 4>is disrespectful this, that's not even you don't even sound

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<v Speaker 4>a little bit like yourself.

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<v Speaker 2>She sounds more like Nikki than Nikki.

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<v Speaker 4>That's what I'm saying, Like you don't even sound a

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<v Speaker 4>little bit like yourself. Like I'm not saying. We've heard

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<v Speaker 4>Jack Harlow records right where we're like little Drake coded.

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<v Speaker 4>Even Fab and Mace had some comparisons in the beginning,

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<v Speaker 4>We get that right, This though, is flat out, like

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<v Speaker 4>you said, a smart manager quote unquote, go full Nicki Minaj,

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<v Speaker 4>I think she probably had a Nikki influence when she

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<v Speaker 4>started making music. Everything influence every female rapper.

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<v Speaker 3>You don't even want to talk about the influence. I

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<v Speaker 3>want to talk about the sound you can because you

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<v Speaker 3>can't control if you sound like Nicki and Finajen when

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<v Speaker 3>you talk, then that's your voice. There's nothing you can

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<v Speaker 3>do about that. So that's why I've been sticking up

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<v Speaker 3>for her. But that freestyle is.

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<v Speaker 2>Well, I can't stuck up for that now because even

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<v Speaker 2>all right, like Action Bronson speaks the way he speaks,

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<v Speaker 2>he's gonna sound like ghost because that that's just the

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<v Speaker 2>voice he was born with. Where people gave Action Ship

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<v Speaker 2>was like some of his inflections and how he rapped

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<v Speaker 2>was like ghosts too, and you have the same voice

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<v Speaker 2>as him, that's this time is one thousand? Yeah, but

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<v Speaker 2>it's not and you're actually leaning into it.

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<v Speaker 4>Yeah, but it's not even the voice. It's the esthetic.

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<v Speaker 3>Well, I don't want to say the aesthetic because the

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<v Speaker 3>majority of like, what, oh my gosh, she even looked

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<v Speaker 3>she looks like Nicky right there.

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<v Speaker 1>Saying what about to say? Baby?

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<v Speaker 3>First of all, when I was about to speak on aesthetic,

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<v Speaker 3>all of the female rappers where the colored fucking wigs,

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<v Speaker 3>colored makeup, like they all baby, I'm talking about this

0:10:38.240 --> 0:10:40.640
<v Speaker 3>though she's not the first person. Listen, are you talking

0:10:40.640 --> 0:10:42.600
<v Speaker 3>about that? When you're talking about sthetic? I'm thinking you're

0:10:42.600 --> 0:10:44.079
<v Speaker 3>talking about the way she looks with her hair is

0:10:44.720 --> 0:10:48.800
<v Speaker 3>er is Okay, that's Mona Leo has had that same hairstyle,

0:10:48.920 --> 0:10:51.760
<v Speaker 3>like that's They all wear colored. When people used to

0:10:51.800 --> 0:10:53.599
<v Speaker 3>say that people are stealing from Nikki, people used to

0:10:53.600 --> 0:10:55.400
<v Speaker 3>go and pull back and say, okay, well, Nikki stealing

0:10:55.440 --> 0:10:58.439
<v Speaker 3>from Kim. They all wear colored wigs, big eyelashes.

0:10:58.480 --> 0:11:02.439
<v Speaker 4>Like how if some if a woman sounds exactly.

0:11:02.200 --> 0:11:05.079
<v Speaker 3>Like Nicki but she looks like Nicki Minaj. Now I'm

0:11:05.120 --> 0:11:07.240
<v Speaker 3>not talking about the aesthetic. I'm talking about her face.

0:11:07.640 --> 0:11:08.400
<v Speaker 1>She looks like.

0:11:08.920 --> 0:11:11.600
<v Speaker 4>This is what I'm saying, if your facial features somewhat

0:11:11.640 --> 0:11:16.719
<v Speaker 4>resemble Nicki Minaj. Right, wun't a smart manager to say, look,

0:11:16.760 --> 0:11:20.080
<v Speaker 4>you already look like you could be Nicky's cousin little sisters.

0:11:21.360 --> 0:11:23.920
<v Speaker 4>We can't do the wigs like Ice Spice came out.

0:11:24.040 --> 0:11:27.040
<v Speaker 4>She don't look like nobody. She may have did a

0:11:27.080 --> 0:11:29.320
<v Speaker 4>pink weight, but when we first saw Ice Spice we

0:11:29.440 --> 0:11:33.280
<v Speaker 4>sort of curly carrot top girl in the park didn't

0:11:33.280 --> 0:11:37.800
<v Speaker 4>look like nobody. Right, this like to Rory's point, speaking

0:11:37.920 --> 0:11:42.040
<v Speaker 4>on a record executive, this looks and feel like, No,

0:11:42.400 --> 0:11:45.800
<v Speaker 4>let's go full Nicki Minaj. Let's go full pink print,

0:11:46.040 --> 0:11:50.040
<v Speaker 4>Let's go full Piggy in the blanket of freestyle. Lets

0:11:50.400 --> 0:11:52.280
<v Speaker 4>like that. That's what this is. And I don't know,

0:11:52.520 --> 0:11:55.480
<v Speaker 4>like you know, whoever the girl is, Trim is her name,

0:11:56.440 --> 0:11:58.520
<v Speaker 4>like you know, Like, whatever she's trying to do, I

0:11:58.520 --> 0:12:01.160
<v Speaker 4>hope she's successful at that. She's obviously having some success,

0:12:01.160 --> 0:12:04.120
<v Speaker 4>but there's not much longevity in trying to be a

0:12:04.120 --> 0:12:05.840
<v Speaker 4>carbon copy of You.

0:12:06.280 --> 0:12:09.080
<v Speaker 2>Say that, but all right, can I give the perspective

0:12:09.280 --> 0:12:12.240
<v Speaker 2>of this kind of being the natural progression of things

0:12:12.520 --> 0:12:15.440
<v Speaker 2>when it went from digging through the crates to find

0:12:15.480 --> 0:12:18.120
<v Speaker 2>samples to them just using obvious samples because this is

0:12:18.200 --> 0:12:21.040
<v Speaker 2>a proven record that human ears like. So let's sample

0:12:21.080 --> 0:12:24.440
<v Speaker 2>it in a very obvious way, because we know it's

0:12:24.440 --> 0:12:26.480
<v Speaker 2>gonna work. We can put money against it. We know

0:12:26.520 --> 0:12:28.839
<v Speaker 2>we'll get some ROI on it because we know this works.

0:12:29.120 --> 0:12:31.120
<v Speaker 2>Then you go to movie industry, let's just remake Marvel

0:12:31.120 --> 0:12:33.280
<v Speaker 2>shit because we know it works. Let's do reboots of

0:12:33.280 --> 0:12:36.080
<v Speaker 2>movies that already work. The natural progression is going to be,

0:12:36.160 --> 0:12:39.000
<v Speaker 2>let's do a carbon fucking copy of an artist because

0:12:39.000 --> 0:12:41.120
<v Speaker 2>we know this is going to be the final form

0:12:41.720 --> 0:12:42.320
<v Speaker 2>that ever worked.

0:12:42.400 --> 0:12:45.400
<v Speaker 1>Hip hop is not. It's a progression of talking about

0:12:45.720 --> 0:12:46.160
<v Speaker 1>and music.

0:12:46.160 --> 0:12:48.840
<v Speaker 4>I'm talking about when an artist has ever sounded exactly

0:12:48.960 --> 0:12:50.600
<v Speaker 4>like and looked exactly like.

0:12:50.679 --> 0:12:53.520
<v Speaker 2>In my point, I'm saying, that's the natural progression of that.

0:12:53.520 --> 0:12:55.200
<v Speaker 4>That's the extreme of it. Yes it is, It's not

0:12:55.240 --> 0:12:57.480
<v Speaker 4>the natural progression. No artists are going to say so,

0:12:57.520 --> 0:12:59.240
<v Speaker 4>all right, So there's going to be a successful artist

0:12:59.320 --> 0:13:01.800
<v Speaker 4>that looks as sounds act like Michael Jackson. That artist

0:13:01.840 --> 0:13:04.160
<v Speaker 4>will be successful. I don't know, you know, it would

0:13:04.200 --> 0:13:05.960
<v Speaker 4>not work. Niggas would laugh at that. We see a

0:13:06.000 --> 0:13:08.240
<v Speaker 4>thousand of them niggas in Vegas every day. That shit

0:13:08.320 --> 0:13:11.439
<v Speaker 4>does not work. But it's not gonna work. They're singing

0:13:11.520 --> 0:13:14.200
<v Speaker 4>the same. That's it's a little bit different. I understand

0:13:14.240 --> 0:13:16.440
<v Speaker 4>where Rory's coming even if they wasn't. If an artist

0:13:16.520 --> 0:13:19.520
<v Speaker 4>came out right now and looked like Michael Jackson had

0:13:19.559 --> 0:13:25.000
<v Speaker 4>the glove, the high Waters, the loafers, everything, the hair

0:13:25.640 --> 0:13:27.840
<v Speaker 4>sounded like it ad libs everything. You telling me that

0:13:27.920 --> 0:13:30.760
<v Speaker 4>artists would to be successful. Oh where people may get

0:13:30.760 --> 0:13:34.480
<v Speaker 4>this shit out of here now, Trim, I don't know

0:13:34.520 --> 0:13:37.280
<v Speaker 4>if she's successful. She's going viral. People deem that as

0:13:37.320 --> 0:13:40.640
<v Speaker 4>success going viral, right, maybe that's what she's looking for.

0:13:41.040 --> 0:13:43.600
<v Speaker 4>Until she puts an album out of Project Out and

0:13:43.640 --> 0:13:45.760
<v Speaker 4>tries to sell some hard tickets to a show and arena.

0:13:46.000 --> 0:13:47.960
<v Speaker 4>That's when we can start to gauge if this thing

0:13:48.040 --> 0:13:50.920
<v Speaker 4>is working or not. A video going viral and all

0:13:50.920 --> 0:13:53.719
<v Speaker 4>of that. Okay, I see how people said that success.

0:13:54.120 --> 0:13:56.680
<v Speaker 4>I'm saying this is not much longevity in trying to

0:13:56.760 --> 0:13:59.920
<v Speaker 4>be a carbon copy of one of the most iconic

0:14:00.080 --> 0:14:03.240
<v Speaker 4>female MC's of all time. There's not much longevity there now.

0:14:03.240 --> 0:14:06.880
<v Speaker 4>I understand you saying the natural progression is fucking and samples.

0:14:06.880 --> 0:14:10.240
<v Speaker 4>There's the artists might as well. It's different with music,

0:14:10.559 --> 0:14:12.840
<v Speaker 4>and then when the artist is trying to sound and

0:14:13.000 --> 0:14:16.280
<v Speaker 4>look exactly like the artists, that's not gonna work. That's

0:14:16.360 --> 0:14:18.319
<v Speaker 4>just not with that progression.

0:14:18.320 --> 0:14:21.760
<v Speaker 2>The fans are changing and turning into people that give

0:14:21.880 --> 0:14:24.320
<v Speaker 2>less of a fuck and young enough. At some point

0:14:24.360 --> 0:14:26.600
<v Speaker 2>in the next twenty years. Of course, Nikki is an icon,

0:14:26.640 --> 0:14:28.040
<v Speaker 2>but there'd be a bunch of kids that don't really

0:14:28.080 --> 0:14:29.680
<v Speaker 2>know who the fuck Nicky is, and it's gonna feel

0:14:29.680 --> 0:14:31.200
<v Speaker 2>brand new feel.

0:14:31.240 --> 0:14:33.120
<v Speaker 1>That's what I'm talking about.

0:14:33.280 --> 0:14:36.080
<v Speaker 2>Even now, if you look, all these artists are using

0:14:36.080 --> 0:14:38.160
<v Speaker 2>the same fucking auto tune and trap drums that little

0:14:38.160 --> 0:14:39.920
<v Speaker 2>baby uses. I saw a white kid that looks like

0:14:40.000 --> 0:14:42.440
<v Speaker 2>me put on the exact same future filter and I

0:14:42.440 --> 0:14:43.600
<v Speaker 2>thought it was fucking future?

0:14:43.960 --> 0:14:45.760
<v Speaker 1>Is that all Hando's future?

0:14:45.920 --> 0:14:48.120
<v Speaker 2>The next step is just, hey, these young kids don't

0:14:48.120 --> 0:14:48.400
<v Speaker 2>know shit.

0:14:50.040 --> 0:14:52.280
<v Speaker 4>And to my point, you're naming all artists that did

0:14:52.320 --> 0:14:56.560
<v Speaker 4>not have longevity. Will it work for a second? Okay,

0:14:56.560 --> 0:14:59.360
<v Speaker 4>because the sound is familiar, like who's that that sound

0:14:59.400 --> 0:15:02.920
<v Speaker 4>like this person? I'm saying there's not much longevity in it.

0:15:03.000 --> 0:15:05.400
<v Speaker 4>When y'all can name an artist that has had longevity

0:15:05.800 --> 0:15:09.320
<v Speaker 4>and sounding and looking exactly like a very successful artist

0:15:09.320 --> 0:15:11.640
<v Speaker 4>that we've already had, then.

0:15:11.320 --> 0:15:13.120
<v Speaker 3>I think I think that's why I said I think

0:15:13.120 --> 0:15:14.560
<v Speaker 3>the trip is at the point where Roory says the

0:15:14.640 --> 0:15:17.560
<v Speaker 3>natural progression of things because this is the new thing.

0:15:17.640 --> 0:15:19.200
<v Speaker 1>Nobody's saying that it's a proven thing.

0:15:19.440 --> 0:15:20.960
<v Speaker 3>I don't know if it worked, but this is the

0:15:21.080 --> 0:15:24.880
<v Speaker 3>new thing. Number One, Nicki is missed in music. People

0:15:24.960 --> 0:15:27.680
<v Speaker 3>miss Nikki in music, but because of her actions, whether

0:15:27.720 --> 0:15:29.720
<v Speaker 3>you agree with them or not, on and off the

0:15:29.760 --> 0:15:32.280
<v Speaker 3>Internet and things like that, that's kind of made it

0:15:32.320 --> 0:15:33.720
<v Speaker 3>like where it's like, Okay, a lot of people don't

0:15:33.760 --> 0:15:36.040
<v Speaker 3>really fuck with Nikki like that, like but outset her

0:15:36.040 --> 0:15:38.440
<v Speaker 3>hardcore fans that she's had, like since the very beginning.

0:15:38.640 --> 0:15:41.920
<v Speaker 3>So when you have a new artist who is pandering

0:15:42.000 --> 0:15:45.480
<v Speaker 3>to a younger crowd who didn't get to have Nikki

0:15:45.520 --> 0:15:47.960
<v Speaker 3>the way that we got to have Nikki, it's different

0:15:48.000 --> 0:15:50.800
<v Speaker 3>because this is now new for them. This is fun

0:15:50.840 --> 0:15:53.120
<v Speaker 3>for them now. As far as her looks and her aesthetic,

0:15:53.160 --> 0:15:54.440
<v Speaker 3>the color wigs and all of that shit.

0:15:54.640 --> 0:15:56.240
<v Speaker 1>All of the female rappers do that now.

0:15:56.320 --> 0:15:58.520
<v Speaker 3>So if you're talking about somebody that's a carbon copy

0:15:58.760 --> 0:15:59.800
<v Speaker 3>of looking like Nikki.

0:16:00.040 --> 0:16:01.160
<v Speaker 1>Everybody does that already.

0:16:01.160 --> 0:16:04.160
<v Speaker 3>That's just with regular women in the streets dressed like

0:16:04.200 --> 0:16:06.280
<v Speaker 3>that now, So that's just like how the kids get down.

0:16:06.320 --> 0:16:09.840
<v Speaker 3>The kids all wear colored wigs and look like they're

0:16:09.840 --> 0:16:11.760
<v Speaker 3>just extra whatever. They all look like they're on fucking

0:16:12.240 --> 0:16:14.720
<v Speaker 3>the Hunger Games. But as far as the sound, the

0:16:14.800 --> 0:16:17.240
<v Speaker 3>kids never experienced that. We got to experience it. But

0:16:17.280 --> 0:16:19.720
<v Speaker 3>the kids never experienced that before, and it stands out

0:16:19.800 --> 0:16:22.120
<v Speaker 3>against all the female rappers that they have now, So

0:16:22.200 --> 0:16:22.920
<v Speaker 3>it could be.

0:16:23.440 --> 0:16:25.240
<v Speaker 1>It could be successful. Now, will she.

0:16:25.280 --> 0:16:28.280
<v Speaker 3>Reach extremely high heights? I hope that she does, but

0:16:28.360 --> 0:16:30.040
<v Speaker 3>female rap just isn't doing that right now?

0:16:30.160 --> 0:16:31.200
<v Speaker 1>Right she pivot?

0:16:31.280 --> 0:16:32.600
<v Speaker 2>This could be a way to get in and get

0:16:32.680 --> 0:16:33.320
<v Speaker 2>people talking.

0:16:33.800 --> 0:16:35.360
<v Speaker 1>I hope that she's really talented.

0:16:35.400 --> 0:16:38.680
<v Speaker 2>She could pivot and obviously still have a influence of

0:16:38.760 --> 0:16:41.600
<v Speaker 2>Nikki sound similar to Doja Cat. Definitely you could say

0:16:41.640 --> 0:16:42.600
<v Speaker 2>has an influence of Nikki.

0:16:42.600 --> 0:16:45.320
<v Speaker 4>As far as flowing Charleston, South Carolina.

0:16:45.360 --> 0:16:48.200
<v Speaker 1>Rose, Oh, I did not know Jack.

0:16:48.480 --> 0:16:49.680
<v Speaker 4>I thought this girls from Brooklyn.

0:16:49.880 --> 0:16:53.240
<v Speaker 3>I did not know she was from Charleston, South Carolina.

0:16:53.320 --> 0:16:55.280
<v Speaker 4>It's not the ship though, Like all that shit trying

0:16:55.280 --> 0:16:56.880
<v Speaker 4>to hear saying, I get it, we podcasting.

0:16:57.880 --> 0:16:58.360
<v Speaker 1>Can we look?

0:16:58.400 --> 0:16:59.880
<v Speaker 3>Can we look and see if she's ever lived in

0:16:59.880 --> 0:17:01.680
<v Speaker 3>New York. I didn't don't.

0:17:01.520 --> 0:17:04.639
<v Speaker 4>Care where she lived at. She's from Charleston, South Carolina.

0:17:05.760 --> 0:17:13.119
<v Speaker 2>Okay, Nikki wasn't from England and Roman existed. I know

0:17:13.240 --> 0:17:18.000
<v Speaker 2>that point in Lambs. Nikki was British for a whole year.

0:17:18.280 --> 0:17:24.080
<v Speaker 2>Low clap, I'm trying to definidh trim Man. Her name

0:17:24.160 --> 0:17:27.120
<v Speaker 2>is Alasia Krnicki. She is from Charleston, South Carolina, where

0:17:27.119 --> 0:17:28.200
<v Speaker 2>she grew up on King Street.

0:17:28.320 --> 0:17:31.159
<v Speaker 3>Her distinct accent and cadence them from her gully Geechee

0:17:31.160 --> 0:17:33.359
<v Speaker 3>hero atag Ruda in South Carolina.

0:17:34.640 --> 0:17:35.720
<v Speaker 1>I would have to hear her speak.

0:17:37.600 --> 0:17:39.360
<v Speaker 4>Hear her speak, I'm gonna listen to the song y'all

0:17:39.400 --> 0:17:42.359
<v Speaker 4>just played. I will be even more offended if I

0:17:42.359 --> 0:17:44.720
<v Speaker 4>hear speaking she sounds like she's from Charleston, South Carolina.

0:17:44.720 --> 0:17:45.640
<v Speaker 4>I will be more offitted.

0:17:46.800 --> 0:17:47.359
<v Speaker 1>Yeah.

0:17:47.880 --> 0:17:50.840
<v Speaker 3>Well, I like Trim's music because I miss Nikki making music.

0:17:52.520 --> 0:17:53.320
<v Speaker 1>But that's so.

0:17:53.600 --> 0:17:55.159
<v Speaker 3>I hope that she doesn't pivot because I missed that.

0:17:55.200 --> 0:17:56.080
<v Speaker 3>I missed that sound.

0:17:56.480 --> 0:18:00.359
<v Speaker 4>But yeah, I'm just saying, man, it's not there's no

0:18:00.400 --> 0:18:04.200
<v Speaker 4>longevity in that. She's playing the show a game with that.

0:18:04.200 --> 0:18:06.960
<v Speaker 4>That's so I admire the high expectations you have for

0:18:07.000 --> 0:18:09.320
<v Speaker 4>this era. No, not just the artist, the fans, not

0:18:09.359 --> 0:18:12.520
<v Speaker 4>the errors form. No, if I wish, I still have

0:18:12.600 --> 0:18:14.320
<v Speaker 4>that type of hope. If you, if you're to me,

0:18:14.359 --> 0:18:16.880
<v Speaker 4>if you're trying to get into music and create music

0:18:16.880 --> 0:18:19.440
<v Speaker 4>and do some anything, you sound dumb anything you're doing,

0:18:19.800 --> 0:18:23.680
<v Speaker 4>you should be thinking longevity like I would. I would think.

0:18:23.560 --> 0:18:30.000
<v Speaker 2>Again, you have a very high opinion of that generation. Okay,

0:18:30.080 --> 0:18:32.240
<v Speaker 2>I don't think those kids are thinking about longevity just

0:18:32.240 --> 0:18:37.000
<v Speaker 2>based by their digital footprint. Now, longevity is tough for

0:18:37.040 --> 0:18:40.000
<v Speaker 2>the average person trying to get a job like they're

0:18:40.040 --> 0:18:43.200
<v Speaker 2>thinking about today in the algorithm, nobody has longevity in

0:18:43.240 --> 0:18:45.000
<v Speaker 2>their head from that era, right.

0:18:45.200 --> 0:18:47.040
<v Speaker 3>I guess I made a cop did She was that

0:18:47.119 --> 0:18:50.639
<v Speaker 3>quote real where she said about she said that she

0:18:50.640 --> 0:18:52.040
<v Speaker 3>don't think she sounds like Nikki.

0:18:53.160 --> 0:18:56.439
<v Speaker 2>I'd have to that was like in text, I'd have

0:18:56.480 --> 0:18:59.800
<v Speaker 2>to hear her say that, like, yeah, she said it

0:18:59.800 --> 0:19:00.760
<v Speaker 2>don't sound like Beyonce.

0:19:02.240 --> 0:19:04.920
<v Speaker 3>Those she said that her song Coconut Water don't sound

0:19:04.960 --> 0:19:05.399
<v Speaker 3>like nothing.

0:19:05.480 --> 0:19:08.680
<v Speaker 4>Okay, I don't know it is what it is. I mean,

0:19:08.800 --> 0:19:12.000
<v Speaker 4>mall is appalled very rarely do I I'm not a ball,

0:19:12.080 --> 0:19:15.040
<v Speaker 4>but I'm just like, yo, that's to hear it very sound.

0:19:15.040 --> 0:19:17.280
<v Speaker 1>It's crazy. I love nobody though, but definitely.

0:19:18.400 --> 0:19:21.200
<v Speaker 4>Because y'all don't Again, y'all are missing what I'm saying.

0:19:21.240 --> 0:19:24.360
<v Speaker 4>I'm attaching to how blasphemous. At one point, this wasn't

0:19:24.400 --> 0:19:27.159
<v Speaker 4>hip hop to do something like that. Mm hm, like

0:19:27.440 --> 0:19:31.080
<v Speaker 4>to look and sound exactly like somebody. Hip hop was

0:19:31.119 --> 0:19:33.840
<v Speaker 4>like fighters were supposed to be. It's supposed to be original,

0:19:33.920 --> 0:19:36.080
<v Speaker 4>like you're supposed to. You need you get mad. If

0:19:36.080 --> 0:19:37.800
<v Speaker 4>somebody said, yo, you sound like it used to be

0:19:37.840 --> 0:19:39.959
<v Speaker 4>a fight. You sound like I sound like what?

0:19:40.040 --> 0:19:41.600
<v Speaker 1>And it was? It was? It would be literally be

0:19:41.640 --> 0:19:41.960
<v Speaker 1>a fight.

0:19:42.200 --> 0:19:44.240
<v Speaker 4>If you told the artist he sounds like or she

0:19:44.359 --> 0:19:45.679
<v Speaker 4>sounds like somebody, well.

0:19:45.520 --> 0:19:47.280
<v Speaker 3>I mean that's different because now all them niggas from

0:19:47.280 --> 0:19:50.560
<v Speaker 3>the South sound the same to me. Yeah, you can

0:19:50.640 --> 0:19:52.720
<v Speaker 3>replace all of them on each other's records and they

0:19:52.760 --> 0:19:54.680
<v Speaker 3>all sound the same. Only when that sound different, it's

0:19:54.680 --> 0:19:55.399
<v Speaker 3>twenty one savage.

0:19:55.680 --> 0:19:57.800
<v Speaker 2>Like Tomorrow's point, though, the most egregious thing ever was

0:19:57.840 --> 0:20:01.240
<v Speaker 2>Shine and Biggie, but Shine still had his own style.

0:20:01.560 --> 0:20:04.560
<v Speaker 2>It wasn't a carving, fucking cop. But even then that

0:20:04.680 --> 0:20:06.200
<v Speaker 2>was like, Noah, I can't funk with Sean sounds so

0:20:06.240 --> 0:20:06.640
<v Speaker 2>much like Big.

0:20:06.720 --> 0:20:08.760
<v Speaker 4>Yeah, that was the thing. It was like, yo' he's

0:20:08.760 --> 0:20:11.000
<v Speaker 4>trying to sound like Big and he signed a bad

0:20:11.040 --> 0:20:14.000
<v Speaker 4>boy like Sean went through like he he went through

0:20:14.000 --> 0:20:17.240
<v Speaker 4>some ship like just trying to be an artist. Forget

0:20:17.240 --> 0:20:19.359
<v Speaker 4>the purpose was natural speaking. Yeah, and that was just

0:20:19.400 --> 0:20:23.600
<v Speaker 4>his natural like voice. So this to me again, pardon me,

0:20:23.640 --> 0:20:26.280
<v Speaker 4>I'm from a different time and error in hip hop,

0:20:26.680 --> 0:20:28.560
<v Speaker 4>but seeing and hearing something like that, it's just like,

0:20:28.680 --> 0:20:35.200
<v Speaker 4>what the fuck? And people are like enjoying this jo

0:20:35.400 --> 0:20:38.040
<v Speaker 4>he said he was DMX and John nothing like that.

0:20:38.160 --> 0:20:40.920
<v Speaker 1>They don't sound nothing like.

0:20:41.720 --> 0:20:47.560
<v Speaker 4>Yeah, the no Shirt thing, I was like poc Yeah,

0:20:47.600 --> 0:20:52.120
<v Speaker 4>and he sounds nothing like Pac. That mustn't make any

0:20:52.200 --> 0:20:52.880
<v Speaker 4>music like pop.

0:20:52.920 --> 0:20:56.679
<v Speaker 3>I think just got those comparisons to DMX because his voice, right,

0:20:57.320 --> 0:20:59.840
<v Speaker 3>how deep his voices, which is something he can't even control.

0:21:00.440 --> 0:21:02.600
<v Speaker 2>And it didn't help that someone that just had two

0:21:02.640 --> 0:21:04.640
<v Speaker 2>number one albums said hey, that guy sounds.

0:21:04.440 --> 0:21:06.360
<v Speaker 4>Exactly like me. That didn't help either.

0:21:06.440 --> 0:21:09.880
<v Speaker 2>Yeah, I'm just yelling out loud in the same voice.

0:21:09.880 --> 0:21:10.720
<v Speaker 2>He sounds just like.

0:21:10.680 --> 0:21:13.679
<v Speaker 4>I'm from the time man, like that ship was not

0:21:14.000 --> 0:21:17.199
<v Speaker 4>the wave like you will get you will get fucking

0:21:18.520 --> 0:21:20.400
<v Speaker 4>with the with the Kanye teller girl in the room

0:21:20.400 --> 0:21:21.960
<v Speaker 4>to do. Shut up before you get what he said,

0:21:22.960 --> 0:21:26.000
<v Speaker 4>which time. I don't damn I wanted to use that

0:21:26.040 --> 0:21:27.720
<v Speaker 4>word right there, but yeah, that's that what you would

0:21:27.720 --> 0:21:30.240
<v Speaker 4>get what he was in like the hotel ChIL Okay,

0:21:30.760 --> 0:21:32.520
<v Speaker 4>you will get exiled from hip hop at one point

0:21:32.560 --> 0:21:34.800
<v Speaker 4>if you tried to sound and look exactly like somebody like,

0:21:34.920 --> 0:21:36.560
<v Speaker 4>people will slamming the doing you like, get out of

0:21:36.560 --> 0:21:36.760
<v Speaker 4>here with.

0:21:36.880 --> 0:21:39.520
<v Speaker 3>Time is changing, especially with these labels, because if they

0:21:39.560 --> 0:21:42.879
<v Speaker 3>know something works, if this is a proven thing, like,

0:21:42.920 --> 0:21:45.240
<v Speaker 3>they don't want the same thing. As Rory said, that's

0:21:45.240 --> 0:21:48.600
<v Speaker 3>why they keep remaking old movies and Marvel movies. If

0:21:48.640 --> 0:21:50.240
<v Speaker 3>we know this works, we're gonna stick to this because

0:21:50.240 --> 0:21:51.320
<v Speaker 3>we tired of losing money on Yo.

0:21:51.400 --> 0:21:52.600
<v Speaker 4>See the Doomsday trailer.

0:21:53.840 --> 0:21:54.720
<v Speaker 1>No, I didn't see it.

0:21:54.960 --> 0:21:57.879
<v Speaker 4>You don't see it. It's amazing, none of y'all saw.

0:21:57.960 --> 0:22:00.960
<v Speaker 4>It's like at a billion views. Hop, I didn't see

0:22:00.960 --> 0:22:02.240
<v Speaker 4>it's three billion, Like a billion.

0:22:02.240 --> 0:22:02.800
<v Speaker 1>People want to.

0:22:02.760 --> 0:22:05.520
<v Speaker 2>Get past the lotto, doja cat or nobody.

0:22:05.240 --> 0:22:08.239
<v Speaker 4>That that was probably just as long as dooms Day was,

0:22:08.480 --> 0:22:12.600
<v Speaker 4>but you had the doomsday trailer. Yeah, this might be,

0:22:12.640 --> 0:22:14.840
<v Speaker 4>this might be, this might be the greatest Marvel.

0:22:14.520 --> 0:22:18.280
<v Speaker 3>Movie Ever's gonna be better than I Play Rocky?

0:22:18.480 --> 0:22:20.200
<v Speaker 2>You got Rocky?

0:22:20.640 --> 0:22:22.639
<v Speaker 4>I said, this might be the best Marvel movie.

0:22:22.640 --> 0:22:24.000
<v Speaker 1>Oh so you don't think it's gonna be better than

0:22:24.040 --> 0:22:28.680
<v Speaker 1>I Play Rocky? Marvel movies, But what I'm asking Marvel movie.

0:22:28.480 --> 0:22:30.040
<v Speaker 3>What I'm asking you, do you think it's gonna be

0:22:30.040 --> 0:22:31.000
<v Speaker 3>better than I Play Rocky?

0:22:31.640 --> 0:22:34.560
<v Speaker 2>Because you said watch that tone before Frank come up here.

0:22:35.280 --> 0:22:37.600
<v Speaker 1>You said, I Play Rocky is gonna be the best.

0:22:37.400 --> 0:22:39.680
<v Speaker 3>Movie of the year, one of the best movies of

0:22:39.720 --> 0:22:41.879
<v Speaker 3>the year. Okay, correct, Do you think that this is

0:22:41.880 --> 0:22:42.840
<v Speaker 3>gonna be better than I Play?

0:22:42.880 --> 0:22:43.040
<v Speaker 4>Right?

0:22:43.520 --> 0:22:43.960
<v Speaker 1>Of course?

0:22:44.000 --> 0:22:47.040
<v Speaker 4>It is a Marvel movie, absolutely, this is This is

0:22:47.040 --> 0:22:48.600
<v Speaker 4>the movie the yot without a doubt.

0:22:49.680 --> 0:22:51.680
<v Speaker 1>Okay, this is a movie I don't want to hear about.

0:22:51.680 --> 0:22:54.359
<v Speaker 4>Ods shut the fuck up with you don't want to

0:22:54.560 --> 0:22:58.520
<v Speaker 4>I don't want to hear about. I gotta go see

0:22:58.520 --> 0:23:00.399
<v Speaker 4>it because I'm hearing great things about it. But if

0:23:00.520 --> 0:23:04.440
<v Speaker 4>y'all didn't watch this doomsday trailer, this is definitely gonna

0:23:04.440 --> 0:23:05.600
<v Speaker 4>be the best Marvel movie ever.

0:23:05.760 --> 0:23:08.560
<v Speaker 1>I'm excited. Y'all know how I feel about Marvel.

0:23:09.119 --> 0:23:11.280
<v Speaker 4>Yeah, this is this, This trail is incredible.

0:23:11.320 --> 0:23:14.840
<v Speaker 3>I gotta go back and rewatch all the fucking shows too, though.

0:23:16.040 --> 0:23:17.920
<v Speaker 2>But what like what about this one do you think

0:23:18.000 --> 0:23:19.080
<v Speaker 2>separates it?

0:23:19.160 --> 0:23:24.040
<v Speaker 4>Because everybody that's like got Ops, like Magneto and fucking

0:23:24.160 --> 0:23:28.560
<v Speaker 4>Professor X, gotta fucking become friends again. Okay, like everybody

0:23:28.600 --> 0:23:32.480
<v Speaker 4>that's Ops, everybody that's in order to obviously, you know,

0:23:33.720 --> 0:23:36.640
<v Speaker 4>fight the doomsday villain, they all have to come there,

0:23:36.640 --> 0:23:38.960
<v Speaker 4>like you, we don't we not beefing with each other.

0:23:39.160 --> 0:23:41.399
<v Speaker 4>This was like, uh, all of that year, all of that,

0:23:41.640 --> 0:23:42.920
<v Speaker 4>they got to tie the bandanners together.

0:23:42.920 --> 0:23:44.879
<v Speaker 2>This is bloods and crismas like when Tommy Goes and

0:23:44.880 --> 0:23:46.560
<v Speaker 2>fifty came together for one.

0:23:46.720 --> 0:23:48.760
<v Speaker 4>It's the same exactly when they met in the elementary

0:23:48.960 --> 0:23:52.160
<v Speaker 4>they went to this is it. Everybody's putting their beefs

0:23:52.200 --> 0:23:55.040
<v Speaker 4>aside to reach the side. This is a bigger thing

0:23:55.080 --> 0:23:58.159
<v Speaker 4>that this is the most This is the biggest force

0:23:58.320 --> 0:24:01.160
<v Speaker 4>that we've ever had to face. Marvel Universe.

0:24:02.640 --> 0:24:05.720
<v Speaker 1>Movie. Would they fighting Israel? Yeah?

0:24:06.040 --> 0:24:10.080
<v Speaker 4>Slow clap for slow claps. You probably love that.

0:24:10.200 --> 0:24:10.400
<v Speaker 2>JD.

0:24:10.520 --> 0:24:14.240
<v Speaker 4>Vans and Rogan interview didn't love this is slow clat Yeah,

0:24:14.240 --> 0:24:16.840
<v Speaker 4>but no, dudesday you gotta watch this though, definitely movie

0:24:16.880 --> 0:24:19.200
<v Speaker 4>to Yeah. I think it's coming out right before Christmas,

0:24:19.200 --> 0:24:22.280
<v Speaker 4>so you know they're getting that whole holiday rush. All right,

0:24:22.359 --> 0:24:23.120
<v Speaker 4>Well I'll see it.

0:24:23.520 --> 0:24:24.040
<v Speaker 1>You have to.

0:24:24.720 --> 0:24:26.800
<v Speaker 2>I don't like, I'm not super into the Marble stuff,

0:24:26.800 --> 0:24:28.639
<v Speaker 2>but I like good movies.

0:24:29.280 --> 0:24:29.800
<v Speaker 1>They're cool.

0:24:30.400 --> 0:24:32.480
<v Speaker 2>I'm not like, I'm not gonna dress up like you

0:24:33.359 --> 0:24:34.000
<v Speaker 2>who dressed.

0:24:34.720 --> 0:24:36.080
<v Speaker 4>You think that I dress up to go see a

0:24:36.080 --> 0:24:38.240
<v Speaker 4>Marvel movie, get the fuck out of it.

0:24:38.320 --> 0:24:38.480
<v Speaker 1>You know.

0:24:38.560 --> 0:24:42.760
<v Speaker 2>I'm not some like supreme collab that I don't know

0:24:42.800 --> 0:24:43.119
<v Speaker 2>about what.

0:24:43.600 --> 0:24:45.800
<v Speaker 3>You should have seen the hood niggas from Brooklyn dressing

0:24:45.880 --> 0:24:48.320
<v Speaker 3>up to go see uh, the Devil Wears product with

0:24:48.320 --> 0:24:49.160
<v Speaker 3>their girlfriends.

0:24:50.560 --> 0:24:52.600
<v Speaker 2>I did not see that Prada had to.

0:24:52.480 --> 0:24:57.480
<v Speaker 4>Toe to toe to go see Devil with Product.

0:24:57.400 --> 0:24:58.480
<v Speaker 1>With their girlfriends.

0:25:00.800 --> 0:25:00.919
<v Speaker 4>HM.

0:25:01.520 --> 0:25:03.840
<v Speaker 2>That's why I could find a pair of proud sniggers

0:25:03.840 --> 0:25:04.240
<v Speaker 2>in storage.

0:25:05.520 --> 0:25:07.119
<v Speaker 4>I mean, I'm not saying you can't with prod of

0:25:07.160 --> 0:25:10.560
<v Speaker 4>sneakers to go see Devil Whiz probably head to toe.

0:25:11.880 --> 0:25:12.400
<v Speaker 1>To toe.

0:25:12.800 --> 0:25:15.280
<v Speaker 4>I guess so you did it in O seven. I've

0:25:15.320 --> 0:25:17.040
<v Speaker 4>never wore full pride out for in my life.

0:25:17.200 --> 0:25:21.719
<v Speaker 3>All six have you ever worn anything full other than godspeet? Yeah,

0:25:22.240 --> 0:25:25.120
<v Speaker 3>Ralph Lauren Holo, Nike for show.

0:25:25.240 --> 0:25:31.560
<v Speaker 4>Nike for show. John Elliott mm hmmm yeah, talk to him.

0:25:31.720 --> 0:25:33.399
<v Speaker 4>I'm just saying I have I just don't know if

0:25:33.440 --> 0:25:35.280
<v Speaker 4>I'm putting on prod head to toe to go see

0:25:35.280 --> 0:25:39.240
<v Speaker 4>devil Whiz Proda too, you know what I'm saying. It's like,

0:25:39.200 --> 0:25:41.800
<v Speaker 4>all right, man, what are we doing? Am I the devil?

0:25:41.960 --> 0:25:44.639
<v Speaker 4>Like on a date with my girl? I'm the devil?

0:25:48.359 --> 0:25:49.920
<v Speaker 4>I mean, if that's what niggas is doing, I don't

0:25:49.920 --> 0:25:50.520
<v Speaker 4>know what they're doing.

0:25:53.840 --> 0:25:56.640
<v Speaker 2>Maul Demarus's flight was delayed and she couldn't rebook because

0:25:56.640 --> 0:25:58.919
<v Speaker 2>she didn't have service because she didn't have boost Mobile.

0:25:59.240 --> 0:26:01.359
<v Speaker 2>That proves that you don't have to overpay for great

0:26:01.400 --> 0:26:03.760
<v Speaker 2>wireless Hey when it happened, if she would have had Boosh,

0:26:03.760 --> 0:26:05.680
<v Speaker 2>she would have been home on time, it wouldn't be

0:26:05.720 --> 0:26:08.000
<v Speaker 2>this tired right now, and she could only pay twenty

0:26:08.040 --> 0:26:10.359
<v Speaker 2>five dollars a month forever. But instead she likes to

0:26:10.400 --> 0:26:13.240
<v Speaker 2>just hang out in airports with the other wireless people.

0:26:13.280 --> 0:26:15.520
<v Speaker 1>We don't even mess with them, so are they? Samara?

0:26:15.600 --> 0:26:18.920
<v Speaker 2>Stop overpaying and leave the airport and switch to a

0:26:19.000 --> 0:26:22.879
<v Speaker 2>fair price at boostmobile dot com today.

0:26:22.680 --> 0:26:25.000
<v Speaker 4>Based on average annual single line payment of AT and

0:26:25.000 --> 0:26:27.800
<v Speaker 4>T verizony T Mobile customers, compared to twelve months on

0:26:27.840 --> 0:26:31.080
<v Speaker 4>the boost Mobile Unlimited plan as of January twenty twenty six.

0:26:31.400 --> 0:26:39.960
<v Speaker 4>For full off of details, visit boostmobile dot com.

0:26:40.000 --> 0:26:42.120
<v Speaker 2>What's worse You're on a day and your man wears

0:26:42.520 --> 0:26:45.119
<v Speaker 2>all product to devils product or he goes to the

0:26:45.119 --> 0:26:48.879
<v Speaker 2>Doja Kat concert and wraps every verse to her face.

0:26:52.400 --> 0:26:57.840
<v Speaker 4>What's worse? Yeah, it's more of an ick.

0:26:58.359 --> 0:27:02.919
<v Speaker 1>More of aick a man rap it out loud at

0:27:02.960 --> 0:27:03.359
<v Speaker 1>a concert.

0:27:03.400 --> 0:27:06.480
<v Speaker 3>It's crazy. Yeah, that's more than it, you know. I

0:27:06.480 --> 0:27:09.120
<v Speaker 3>don't I like Stushman. I don't like that. I think

0:27:09.119 --> 0:27:10.800
<v Speaker 3>it's cute, like if it was my friend, but as

0:27:10.840 --> 0:27:11.160
<v Speaker 3>my man.

0:27:11.359 --> 0:27:12.040
<v Speaker 1>You can't be like.

0:27:12.040 --> 0:27:14.119
<v Speaker 4>Rapping word for word, no matter who the artists, no

0:27:14.200 --> 0:27:15.840
<v Speaker 4>matter who the artist is agree.

0:27:16.680 --> 0:27:18.960
<v Speaker 1>Unless it's like if what we survived to let out?

0:27:20.080 --> 0:27:21.760
<v Speaker 4>But other than that, that might be the worst song.

0:27:21.800 --> 0:27:23.440
<v Speaker 2>All right, you guys would have broke out in hives

0:27:23.480 --> 0:27:27.480
<v Speaker 2>at Yankee Stadium. Then every man was rapping word for word,

0:27:27.560 --> 0:27:29.920
<v Speaker 2>Oh for sure, for sure.

0:27:31.160 --> 0:27:34.320
<v Speaker 1>But that's different. That's Jay. It's cool to wrap. JJ's cool.

0:27:35.480 --> 0:27:36.560
<v Speaker 4>So the artist has to be cool.

0:27:36.560 --> 0:27:36.920
<v Speaker 1>The artist.

0:27:37.320 --> 0:27:38.400
<v Speaker 4>You have to deem the artists to.

0:27:38.320 --> 0:27:41.040
<v Speaker 2>Be cool, all right, say the artists that aren't cool.

0:27:42.400 --> 0:27:45.439
<v Speaker 3>Most artists. Artists ain't cool. There's not a lot of

0:27:45.480 --> 0:27:47.760
<v Speaker 3>cool like artists. Can you think of like a cool

0:27:47.760 --> 0:27:49.240
<v Speaker 3>like artist we be like, damn, they're cool.

0:27:50.280 --> 0:27:52.040
<v Speaker 4>I think Nas is one of the coolestort.

0:27:51.800 --> 0:27:54.480
<v Speaker 1>No, Nas is very is very cool. Nas and Jerry.

0:27:54.359 --> 0:27:57.199
<v Speaker 4>Cool their ra in particular.

0:27:57.240 --> 0:27:59.000
<v Speaker 2>But they're older than me, so I view like when

0:27:59.040 --> 0:28:01.520
<v Speaker 2>you were younger, you viewed older people as cool. But

0:28:01.560 --> 0:28:03.840
<v Speaker 2>even there sometimes you're on the corny when you got

0:28:03.840 --> 0:28:07.000
<v Speaker 2>to that age. Their peers think they're cool. Yeah, Like

0:28:07.040 --> 0:28:09.000
<v Speaker 2>I think everyone from Wu Tang is cool as fuck,

0:28:10.200 --> 0:28:11.040
<v Speaker 2>like just that era.

0:28:11.240 --> 0:28:14.199
<v Speaker 4>To me, they're all cool. I'm trying to think of

0:28:15.560 --> 0:28:15.959
<v Speaker 4>I don't know.

0:28:16.000 --> 0:28:18.280
<v Speaker 2>I mean having like hung out with artists to the

0:28:18.280 --> 0:28:20.399
<v Speaker 2>point of knowing if they're really cool or not. Like

0:28:20.440 --> 0:28:23.440
<v Speaker 2>that of what like famous ones that people can be cool.

0:28:23.480 --> 0:28:26.280
<v Speaker 2>He an actor, you can be a cool actor, you said,

0:28:26.960 --> 0:28:31.240
<v Speaker 2>math you can be a cool.

0:28:29.640 --> 0:28:33.200
<v Speaker 4>You can't be a cool actor the coolest in the world.

0:28:33.200 --> 0:28:35.200
<v Speaker 4>What are you talking that? What Denzel Washington might be

0:28:35.240 --> 0:28:36.359
<v Speaker 4>the coolest nigg in the world.

0:28:37.280 --> 0:28:39.880
<v Speaker 3>But Denzel played it, said, but I just had this conversation.

0:28:40.040 --> 0:28:42.960
<v Speaker 3>Dinzel plays the cool nigga in every role he played

0:28:42.960 --> 0:28:43.800
<v Speaker 3>other than that one.

0:28:43.760 --> 0:28:45.680
<v Speaker 4>He's playing himself exactly.

0:28:45.920 --> 0:28:46.680
<v Speaker 1>That's you think.

0:28:46.720 --> 0:28:49.719
<v Speaker 4>He's just happened to be recording Denzel on the date

0:28:49.840 --> 0:28:50.080
<v Speaker 4>with that.

0:28:50.400 --> 0:28:51.160
<v Speaker 1>But that's why I.

0:28:51.160 --> 0:28:53.400
<v Speaker 3>Literally just had the conversation because somebody we were having

0:28:53.400 --> 0:28:56.640
<v Speaker 3>the Will Smith versus Denzel, like who's the better having there?

0:28:57.160 --> 0:28:58.800
<v Speaker 3>I was having to act a lot of people have

0:28:58.880 --> 0:29:02.160
<v Speaker 3>that argument sometimes. Yeah people, Yeah, whether well are a

0:29:02.200 --> 0:29:06.320
<v Speaker 3>better is Betterelas But that's just my thought.

0:29:06.320 --> 0:29:08.320
<v Speaker 2>But yeah, people have that. And if you're talking like

0:29:08.560 --> 0:29:10.120
<v Speaker 2>whose people who.

0:29:09.960 --> 0:29:11.680
<v Speaker 4>Can make that? They can make a debate off not

0:29:11.760 --> 0:29:12.120
<v Speaker 4>on it.

0:29:12.120 --> 0:29:14.520
<v Speaker 3>It's not even my huge lists, not even box office

0:29:14.560 --> 0:29:17.360
<v Speaker 3>to me. For me, me personally what I think. And

0:29:17.440 --> 0:29:20.200
<v Speaker 3>y'all know, Denzel is like I love Dinzel so much.

0:29:20.240 --> 0:29:21.800
<v Speaker 3>He's extremely, extremely talented.

0:29:21.800 --> 0:29:23.920
<v Speaker 4>Happy birthday to the legendary Denzel. He turned eighty. I

0:29:23.920 --> 0:29:27.400
<v Speaker 4>didn't even know he did eighty. Denzel Washington is eighty

0:29:27.440 --> 0:29:27.880
<v Speaker 4>years old.

0:29:28.320 --> 0:29:32.560
<v Speaker 3>That's crazy. I believe that's crazy. Eighty is crazy. He

0:29:32.600 --> 0:29:33.200
<v Speaker 3>can't be eighty.

0:29:33.240 --> 0:29:35.160
<v Speaker 2>Get him in front of that screen. Now, that man

0:29:35.240 --> 0:29:38.000
<v Speaker 2>is seventy one years old. Oh god, I was like Denzel.

0:29:39.120 --> 0:29:41.240
<v Speaker 3>Years of Denzel being alive, you were scaring the shit

0:29:41.280 --> 0:29:41.600
<v Speaker 3>out of me.

0:29:41.880 --> 0:29:43.520
<v Speaker 4>Seventy one seventy one.

0:29:44.120 --> 0:29:45.800
<v Speaker 1>He looks good. He would look at day over.

0:29:45.680 --> 0:29:50.240
<v Speaker 3>Sixty seventy one, Denzel, Happy birthday, Denzel.

0:29:50.760 --> 0:29:53.480
<v Speaker 2>Okay, is Will Smith a better actor? Because Will is

0:29:53.520 --> 0:29:55.960
<v Speaker 2>probably not cool and he's come across cool in movies

0:29:57.080 --> 0:30:00.320
<v Speaker 2>anything that when Denzel breathes, he's cool Smith.

0:30:00.360 --> 0:30:01.760
<v Speaker 4>We know he's not cool. He showed a stad at

0:30:01.800 --> 0:30:04.600
<v Speaker 4>the Oscars, but the freestyle saved them though. He got

0:30:04.600 --> 0:30:08.080
<v Speaker 4>back to coolness, right according to y'all. Yeah, according to y'all,

0:30:08.120 --> 0:30:09.920
<v Speaker 4>y'all thought that was great freestyle of the year.

0:30:10.000 --> 0:30:13.440
<v Speaker 3>I think that Will has more range. That's why I

0:30:13.480 --> 0:30:15.080
<v Speaker 3>think that Will is a better actor. I think Will

0:30:15.120 --> 0:30:15.840
<v Speaker 3>has more range.

0:30:15.640 --> 0:30:17.880
<v Speaker 2>Because he did one accent in Concussion.

0:30:18.000 --> 0:30:19.240
<v Speaker 1>No, it's not about an accent.

0:30:19.320 --> 0:30:22.200
<v Speaker 3>Will can be can play a funny role, Will can

0:30:22.200 --> 0:30:25.080
<v Speaker 3>play an action role, Will can play a serious role.

0:30:25.320 --> 0:30:27.920
<v Speaker 3>Will can pretend to be somebody else. Will can act

0:30:27.960 --> 0:30:30.720
<v Speaker 3>and just be himself in a movie and still Malcolm X.

0:30:30.760 --> 0:30:33.600
<v Speaker 3>He has he has more. Y'all just said that that

0:30:33.880 --> 0:30:35.600
<v Speaker 3>Denzel plays himself in every role.

0:30:35.680 --> 0:30:36.960
<v Speaker 2>He said that, I didn't say that.

0:30:38.040 --> 0:30:39.760
<v Speaker 1>Yeah, Denzel plays himself in every role.

0:30:39.760 --> 0:30:41.400
<v Speaker 3>There's something that he stood out where it was a

0:30:41.400 --> 0:30:43.720
<v Speaker 3>little bit different, But for the most part, he plays himself.

0:30:43.840 --> 0:30:46.160
<v Speaker 1>Will doesn't do that. Will has a lot of rights.

0:30:46.200 --> 0:30:48.280
<v Speaker 2>What do you mean, of course, his own personality is

0:30:48.280 --> 0:30:51.480
<v Speaker 2>going to blend in, But what do you mean by that?

0:30:52.120 --> 0:30:56.600
<v Speaker 3>I just I literally just explained it to you. You

0:30:56.640 --> 0:30:58.280
<v Speaker 3>think Denzel could be a comedian in.

0:30:58.200 --> 0:31:01.080
<v Speaker 2>The movie, probably if it was written you think, I

0:31:01.080 --> 0:31:04.800
<v Speaker 2>think he has the ability to look at a script

0:31:04.840 --> 0:31:06.960
<v Speaker 2>and figure out what they're trying to get across.

0:31:07.200 --> 0:31:08.680
<v Speaker 3>Have you think he has that ability? Has he ever

0:31:08.680 --> 0:31:10.520
<v Speaker 3>shown that ability? Do you remember him showing you that

0:31:10.600 --> 0:31:12.280
<v Speaker 3>ability that you you know.

0:31:12.320 --> 0:31:12.920
<v Speaker 4>That he was in it?

0:31:13.040 --> 0:31:14.160
<v Speaker 1>He could be a comedic actor.

0:31:14.360 --> 0:31:15.800
<v Speaker 4>Yes, yeah, No.

0:31:15.720 --> 0:31:19.640
<v Speaker 2>I don't think Denzel's taking like a traditional comedic role.

0:31:19.720 --> 0:31:23.280
<v Speaker 2>But Denzel is funny without being funny, which makes me

0:31:23.400 --> 0:31:24.080
<v Speaker 2>think that.

0:31:24.120 --> 0:31:25.440
<v Speaker 4>He could do that if he wanted to.

0:31:25.560 --> 0:31:28.240
<v Speaker 2>Like even in Flight, when they're at like the end

0:31:28.280 --> 0:31:30.280
<v Speaker 2>at the hearing and he's like, I'm drunk right now,

0:31:30.360 --> 0:31:34.200
<v Speaker 2>I fell out of my chair laughing, Like, Denzel can

0:31:34.280 --> 0:31:35.200
<v Speaker 2>be funny.

0:31:35.280 --> 0:31:38.040
<v Speaker 3>Even if it's not that it's funny. The Denzel the

0:31:38.040 --> 0:31:39.280
<v Speaker 3>person is naturally funny.

0:31:39.360 --> 0:31:39.520
<v Speaker 1>Yeah.

0:31:39.520 --> 0:31:42.360
<v Speaker 2>So that's why I'm saying, like, Okay, you have a point,

0:31:42.360 --> 0:31:45.280
<v Speaker 2>because there's not like a direct example.

0:31:44.840 --> 0:31:45.680
<v Speaker 4>Of him being in.

0:31:48.200 --> 0:31:50.520
<v Speaker 2>To say he couldn't do that is kind of crazy.

0:31:51.040 --> 0:31:53.200
<v Speaker 2>And I mean, Will yes has it ranged because he

0:31:53.240 --> 0:31:55.560
<v Speaker 2>started on a comedy site's.

0:31:54.960 --> 0:31:57.800
<v Speaker 4>Viral clip of I'm leaving here with something that's comedy.

0:31:57.640 --> 0:31:59.240
<v Speaker 1>That's hilarious, but that's not acting.

0:31:59.640 --> 0:32:01.680
<v Speaker 3>That's it be himself. He's naturally a funny, That's what

0:32:01.680 --> 0:32:03.480
<v Speaker 3>I'm saying. I think he could be he I don't.

0:32:03.520 --> 0:32:06.400
<v Speaker 3>I don't think that he was lyrics. I don't think

0:32:06.440 --> 0:32:08.680
<v Speaker 3>it's you're looking at me like explain that. I don't

0:32:08.680 --> 0:32:10.400
<v Speaker 3>think it needs to be explained that Will Smith has

0:32:10.440 --> 0:32:13.080
<v Speaker 3>shown I won't say has let's say, has shown in

0:32:13.120 --> 0:32:15.840
<v Speaker 3>his filmography that he has more range than.

0:32:15.960 --> 0:32:19.440
<v Speaker 1>He's a better comedic. It's not even just comedy. It's

0:32:19.520 --> 0:32:20.440
<v Speaker 1>not even just comedy.

0:32:20.480 --> 0:32:23.160
<v Speaker 4>Well, I mean Will comes from TV and it was

0:32:23.200 --> 0:32:26.920
<v Speaker 4>a comedy. So it was like, you know, okay, all right,

0:32:27.400 --> 0:32:29.840
<v Speaker 4>comedy drama. I guess no.

0:32:30.000 --> 0:32:31.080
<v Speaker 2>Well, first of all, I want to make it I

0:32:31.120 --> 0:32:33.600
<v Speaker 2>think Will Smith is a great, great actor.

0:32:33.720 --> 0:32:35.280
<v Speaker 3>You don't have to agree that you don't think that

0:32:35.320 --> 0:32:37.080
<v Speaker 3>Denzel is a better actor to him, that's fine, that's

0:32:37.160 --> 0:32:39.960
<v Speaker 3>opinion only. But when I say he has more range

0:32:39.960 --> 0:32:41.480
<v Speaker 3>and he's shown more range, I don't think.

0:32:41.360 --> 0:32:46.760
<v Speaker 2>That the range only speaks to one one part of acting,

0:32:46.760 --> 0:32:48.400
<v Speaker 2>and to me it's the comedic part, because I think

0:32:48.760 --> 0:32:53.240
<v Speaker 2>Denzel beats Will in every other category besides comedy. But

0:32:53.320 --> 0:32:55.280
<v Speaker 2>if that's the deciding factor of the full range thing,

0:32:55.320 --> 0:32:57.480
<v Speaker 2>then sure Will could have more range.

0:32:57.520 --> 0:33:01.880
<v Speaker 4>The difference between Will Smith and Denzel is Denzel's a thespian.

0:33:02.200 --> 0:33:03.960
<v Speaker 4>Will Smith is a lesbian.

0:33:07.120 --> 0:33:10.240
<v Speaker 1>Slow class football, medium class. It was a medium class.

0:33:12.120 --> 0:33:12.440
<v Speaker 1>That was.

0:33:14.080 --> 0:33:16.520
<v Speaker 4>Funny how long you've been saying on that while he

0:33:16.640 --> 0:33:19.120
<v Speaker 4>was debating, that's what he was thinking of because because

0:33:19.120 --> 0:33:23.000
<v Speaker 4>because Denzel comes from theater that was there always an

0:33:23.000 --> 0:33:25.800
<v Speaker 4>amazing Will Smith's origin is rap, hip hop and then

0:33:25.880 --> 0:33:29.479
<v Speaker 4>obviously fresh prints. So it's like, you know, then he

0:33:29.520 --> 0:33:34.000
<v Speaker 4>moved into film, but Denzel started in the theater and

0:33:34.040 --> 0:33:36.880
<v Speaker 4>then moved the film. So it's just a different type

0:33:36.880 --> 0:33:40.200
<v Speaker 4>of actor, different type of Yeah, and I'm joking about

0:33:40.200 --> 0:33:41.720
<v Speaker 4>Will being a lesbian. He's not a lesbian.

0:33:41.960 --> 0:33:44.280
<v Speaker 2>Well, and also why that debate even exists because they're

0:33:44.280 --> 0:33:46.720
<v Speaker 2>both black, Like, I don't think.

0:33:46.560 --> 0:33:48.040
<v Speaker 4>That'd be a what do you mean that both black?

0:33:48.320 --> 0:33:49.920
<v Speaker 2>That's why I think people have that. I don't think

0:33:49.960 --> 0:33:51.680
<v Speaker 2>they should be in a debate because they're different type

0:33:51.680 --> 0:33:53.960
<v Speaker 2>of actors. I think De Niro and Denzel would be

0:33:54.000 --> 0:33:57.040
<v Speaker 2>a better debate than Will Smith and Denzel because they're

0:33:57.040 --> 0:33:57.960
<v Speaker 2>they're different.

0:33:57.680 --> 0:33:59.200
<v Speaker 4>Type of actors. They're different type of actors.

0:33:59.240 --> 0:34:00.920
<v Speaker 1>I'm saying the only and that people are having that

0:34:00.960 --> 0:34:01.560
<v Speaker 1>debates because but.

0:34:01.560 --> 0:34:05.600
<v Speaker 4>I mean the narrow actors. But de Narro has done

0:34:05.680 --> 0:34:09.360
<v Speaker 4>de Niro has done comedies though yes, yes, now was

0:34:09.360 --> 0:34:11.520
<v Speaker 4>he trying to be funny in those comedies maybe not,

0:34:11.600 --> 0:34:14.200
<v Speaker 4>but it was funny Like DENI also met the fox

0:34:14.440 --> 0:34:16.440
<v Speaker 4>He wasn't trying to funny to meet the Foxers, but

0:34:16.760 --> 0:34:18.560
<v Speaker 4>his role was funny though you get what I'm saying

0:34:18.560 --> 0:34:21.880
<v Speaker 4>at and stuff. Yeah, yeah, that type, but he's hilarious.

0:34:21.880 --> 0:34:24.920
<v Speaker 4>I think Denzel can do that. I don't think Denzel's

0:34:24.960 --> 0:34:28.120
<v Speaker 4>can do Kevin Hart type of comedy or Dave Chappelle

0:34:28.200 --> 0:34:30.560
<v Speaker 4>comedy in a movie, But I think the way de

0:34:30.680 --> 0:34:33.040
<v Speaker 4>Niro wasn't Meet the Foxers, I think Denzel could do that.

0:34:33.160 --> 0:34:34.640
<v Speaker 1>You think Dinzel could be a superhero.

0:34:35.200 --> 0:34:39.719
<v Speaker 4>Yeah, he is a super He's Malcolm X. Got you there,

0:34:39.800 --> 0:34:44.400
<v Speaker 4>he was Jake Shuttlesworth, you got me. He could be

0:34:44.400 --> 0:34:46.880
<v Speaker 4>a superhero. I loved him though, it's my baby. He

0:34:47.000 --> 0:34:50.160
<v Speaker 4>love him. Then you never talked about the saddest party.

0:34:50.160 --> 0:34:51.640
<v Speaker 4>He got game with it end when they was like

0:34:51.960 --> 0:34:54.000
<v Speaker 4>we got over on New Denzel. He went to big State,

0:34:54.080 --> 0:34:56.560
<v Speaker 4>but you didn't technically do it. Sitting at Aka for

0:34:56.600 --> 0:34:58.960
<v Speaker 4>the rest of your life. Yeah, so we know the

0:34:59.000 --> 0:35:01.879
<v Speaker 4>government was going to do that. He was a great movie. Though,

0:35:01.960 --> 0:35:03.720
<v Speaker 4>how do we even get on that topic?

0:35:04.760 --> 0:35:05.760
<v Speaker 1>What were we talking about?

0:35:05.760 --> 0:35:06.200
<v Speaker 4>Actors?

0:35:06.880 --> 0:35:08.880
<v Speaker 1>Oh about playing yourself in every role. But where do

0:35:08.960 --> 0:35:11.920
<v Speaker 1>we get from there? Oh? Being cool?

0:35:13.520 --> 0:35:15.080
<v Speaker 4>Oh rapping at the concert? Being cool?

0:35:15.239 --> 0:35:16.080
<v Speaker 1>Yeah, who's cool?

0:35:16.200 --> 0:35:16.920
<v Speaker 4>Who's the cool?

0:35:17.520 --> 0:35:20.239
<v Speaker 1>Yeah? Cool rappers? Then Zelle was super cool.

0:35:20.440 --> 0:35:22.239
<v Speaker 4>Super cool, super cool? Then Zel?

0:35:22.760 --> 0:35:24.719
<v Speaker 2>Okay, then what then? What era are you asking for

0:35:24.719 --> 0:35:25.680
<v Speaker 2>cool rappers to get back to?

0:35:25.719 --> 0:35:25.799
<v Speaker 4>That?

0:35:26.600 --> 0:35:27.040
<v Speaker 1>This era?

0:35:27.160 --> 0:35:28.840
<v Speaker 4>I don't know. I have no idea.

0:35:28.880 --> 0:35:30.080
<v Speaker 2>But I'm not cool, so I don't want to be

0:35:30.120 --> 0:35:34.000
<v Speaker 2>that guy that is the gatekeeper of cool when I'm not.

0:35:34.520 --> 0:35:36.600
<v Speaker 3>I'm just like that everybody looks up to, like cool,

0:35:36.719 --> 0:35:39.720
<v Speaker 3>like damn, like they're cool like cool.

0:35:39.600 --> 0:35:40.439
<v Speaker 1>Only this No more.

0:35:40.600 --> 0:35:41.640
<v Speaker 4>Kanye was cool.

0:35:43.320 --> 0:35:46.479
<v Speaker 3>No, he was never cool. He came out being a nerd,

0:35:46.560 --> 0:35:47.560
<v Speaker 3>like he was never the cool.

0:35:47.600 --> 0:35:50.799
<v Speaker 2>He ushered in the new world where nerds became cool

0:35:50.800 --> 0:35:54.520
<v Speaker 2>and high fashion became cool and everyone dressed more like

0:35:54.600 --> 0:35:57.520
<v Speaker 2>Kanye than anyone else about. Yeah, but that cool influence,

0:35:57.840 --> 0:35:59.920
<v Speaker 2>if you're influencing how everyone is dressing. To me, that

0:36:00.160 --> 0:36:01.920
<v Speaker 2>is probably one of the biggest examples of being cool.

0:36:01.960 --> 0:36:03.520
<v Speaker 3>That's not well, that's not what I refer to when

0:36:03.520 --> 0:36:04.000
<v Speaker 3>I refers to.

0:36:04.120 --> 0:36:06.480
<v Speaker 2>A SAP and his crew were cool as fun when

0:36:06.480 --> 0:36:08.439
<v Speaker 2>I came out, now was cool.

0:36:08.920 --> 0:36:11.879
<v Speaker 3>But to the younger generation, that's not what I refer

0:36:11.920 --> 0:36:13.520
<v Speaker 3>to when I heerd so cool, What do you mean them?

0:36:13.680 --> 0:36:14.840
<v Speaker 1>I mean when I say cool.

0:36:14.680 --> 0:36:17.040
<v Speaker 3>I mean like the cool, like laid back, like almost

0:36:17.040 --> 0:36:19.440
<v Speaker 3>like don't talk like just that type of cool where

0:36:19.480 --> 0:36:24.359
<v Speaker 3>Larry June is cool, good job Larry, and.

0:36:24.320 --> 0:36:27.000
<v Speaker 2>He's positive and ship like, that's cool to me. The

0:36:27.040 --> 0:36:28.520
<v Speaker 2>fact that all you got to say is good job

0:36:28.600 --> 0:36:30.799
<v Speaker 2>to the crowd and everyone cheers like that's some real

0:36:30.840 --> 0:36:31.440
<v Speaker 2>cool ship.

0:36:31.280 --> 0:36:32.080
<v Speaker 4>And that's some cool ship.

0:36:32.200 --> 0:36:34.879
<v Speaker 1>That's cool, cool cool for sure.

0:36:34.920 --> 0:36:37.080
<v Speaker 4>Garry June is definitely a cool rapper. He you know

0:36:37.120 --> 0:36:38.799
<v Speaker 4>he got juice balls and ship, like.

0:36:38.719 --> 0:36:43.359
<v Speaker 1>Which, what are y'all gonna take take ownership of the orange? Uh?

0:36:43.440 --> 0:36:45.759
<v Speaker 2>We had that conversation the first time we kicked it

0:36:45.800 --> 0:36:49.600
<v Speaker 2>with Larry at Made in America and his answer was

0:36:49.640 --> 0:36:50.160
<v Speaker 2>cool as fuck.

0:36:50.560 --> 0:36:51.279
<v Speaker 4>You can have it too.

0:36:52.239 --> 0:36:54.919
<v Speaker 1>Damn he's sharing ship. That's cool. Share as cool as fuck.

0:36:56.400 --> 0:36:57.439
<v Speaker 4>Larry's cool. I like Larry.

0:36:58.040 --> 0:37:01.280
<v Speaker 2>He was so cool when we went go kart riding

0:37:01.520 --> 0:37:05.640
<v Speaker 2>with him and Alchemist mia Al and Maul were competitive

0:37:05.640 --> 0:37:07.759
<v Speaker 2>and trying to beat each other. I think he lit up,

0:37:08.200 --> 0:37:10.799
<v Speaker 2>Like in the go cart place. He was behind us

0:37:10.840 --> 0:37:13.000
<v Speaker 2>going five miles an hour on the go cart track,

0:37:13.080 --> 0:37:15.360
<v Speaker 2>lean like this, We're trying to race some shit looking

0:37:15.400 --> 0:37:18.080
<v Speaker 2>like nerds. Larry.

0:37:18.120 --> 0:37:21.799
<v Speaker 4>On lap one, Larry I lost to al by like

0:37:22.000 --> 0:37:25.840
<v Speaker 4>zero point eight seconds yeahing like that. I was pissed.

0:37:26.800 --> 0:37:29.600
<v Speaker 4>I ain't like that shit. Yeah, I'm all I need

0:37:29.640 --> 0:37:30.920
<v Speaker 4>to do off. I need to rematch man.

0:37:31.080 --> 0:37:33.040
<v Speaker 3>Asap was cool until he said he was slipping out

0:37:33.040 --> 0:37:35.640
<v Speaker 3>seat man. I think that's what he lost his cool points.

0:37:36.280 --> 0:37:38.239
<v Speaker 1>It's not his fault though. Yeah, but you ain't have

0:37:38.239 --> 0:37:40.880
<v Speaker 1>to tell us that we love you, Asap.

0:37:41.000 --> 0:37:42.760
<v Speaker 3>You didn't have to tell us that Fab was cool.

0:37:43.520 --> 0:37:44.959
<v Speaker 3>Fab was the definition of cool.

0:37:45.000 --> 0:37:45.720
<v Speaker 1>He was cool.

0:37:46.239 --> 0:37:50.160
<v Speaker 2>Fab was definitely cool. He was cool like fifties era.

0:37:50.320 --> 0:37:54.440
<v Speaker 2>Fifty was more fifty perception of fear than I think

0:37:55.400 --> 0:37:58.760
<v Speaker 2>there wasn't Besides people like me that bought those white beaters.

0:37:58.760 --> 0:38:00.880
<v Speaker 2>No one was like I want to be like and

0:38:01.000 --> 0:38:01.760
<v Speaker 2>dressed like fifty.

0:38:02.640 --> 0:38:04.200
<v Speaker 1>That wasn't really that wasn't really a lot of people

0:38:04.200 --> 0:38:04.799
<v Speaker 1>wanted to dress like.

0:38:04.920 --> 0:38:07.800
<v Speaker 2>People bought Juni T shirts and ship, But fifty wasn't

0:38:07.800 --> 0:38:12.839
<v Speaker 2>like a style icon the way maybe I would say,

0:38:12.880 --> 0:38:14.719
<v Speaker 2>Hope is a style come but when he said something

0:38:14.719 --> 0:38:18.520
<v Speaker 2>people wore, fifty wasn't really that. That wasn't his thing,

0:38:19.200 --> 0:38:20.799
<v Speaker 2>but he was coming at the tail and again of

0:38:20.840 --> 0:38:23.399
<v Speaker 2>the gangster rap shit and Kanye's era came in. Yeah,

0:38:23.440 --> 0:38:26.520
<v Speaker 2>and people's wearing big ass T shirts in the South, Like, yeah,

0:38:26.520 --> 0:38:28.120
<v Speaker 2>fifty really wasn't that per.

0:38:27.960 --> 0:38:32.319
<v Speaker 4>Se the coolest rapper ever Snoop though, yeah, they gotta

0:38:32.360 --> 0:38:33.799
<v Speaker 4>be Snooped though Snoopoop.

0:38:33.960 --> 0:38:35.400
<v Speaker 1>Snoop is cool because Snoop.

0:38:35.520 --> 0:38:37.520
<v Speaker 3>I don't think Snoop cares about being cool, and that

0:38:37.800 --> 0:38:39.520
<v Speaker 3>is what makes him cool. Like I don't even think

0:38:39.520 --> 0:38:40.759
<v Speaker 3>he'd be trying to do shit to be cool, and

0:38:40.800 --> 0:38:41.640
<v Speaker 3>it's just like cool.

0:38:41.480 --> 0:38:43.319
<v Speaker 4>Well, that's what makes you cool. You're not trying to

0:38:43.320 --> 0:38:47.279
<v Speaker 4>be cool, you just just are. Yeah. You know what

0:38:47.320 --> 0:38:49.480
<v Speaker 4>I'm saying. Snoop is probably the coolest rapper up.

0:38:49.600 --> 0:38:53.160
<v Speaker 2>Yeah, I think uh, three Stacks and Big Boy like

0:38:53.800 --> 0:38:56.640
<v Speaker 2>as a duo is like the coolest Yin and Yang.

0:38:57.680 --> 0:39:00.879
<v Speaker 4>Both of them are completely different but super cool. Yeah.

0:39:00.920 --> 0:39:02.919
<v Speaker 4>That would put out cast there.

0:39:03.800 --> 0:39:05.200
<v Speaker 3>But see there's people that would look at you and

0:39:05.239 --> 0:39:06.799
<v Speaker 3>look at you and say you're crazy for saying that.

0:39:06.920 --> 0:39:08.680
<v Speaker 3>When I say cool, I mean like everybody would think

0:39:08.680 --> 0:39:10.520
<v Speaker 3>they're cool. Most people would not think that they're cool.

0:39:11.320 --> 0:39:16.040
<v Speaker 3>That thousands and that Andre, yeah they were, they weren't

0:39:16.600 --> 0:39:19.560
<v Speaker 3>labeled as like cool the way they like, well Andre,

0:39:19.640 --> 0:39:21.279
<v Speaker 3>the way he dressed and stuff like that, that's not

0:39:21.320 --> 0:39:22.120
<v Speaker 3>typically cool.

0:39:22.239 --> 0:39:22.919
<v Speaker 1>That wouldn't be.

0:39:23.160 --> 0:39:25.200
<v Speaker 4>Andred Thousands one of the coolest dudes ever.

0:39:25.719 --> 0:39:28.520
<v Speaker 1>Ice Cold was his name, Ice Cold. What's cooler than

0:39:28.600 --> 0:39:31.439
<v Speaker 1>being cool? Ice Cold? What?

0:39:32.080 --> 0:39:34.520
<v Speaker 2>Yeah, I'm not saying that. It's because everyone couldn't dress

0:39:34.560 --> 0:39:34.879
<v Speaker 2>that way.

0:39:35.120 --> 0:39:38.600
<v Speaker 4>Yeah, like it was, Yeah, the shit that anybody can't pull,

0:39:38.640 --> 0:39:39.800
<v Speaker 4>like if.

0:39:40.160 --> 0:39:42.279
<v Speaker 2>You had a little bit of money. When Kanye first

0:39:42.280 --> 0:39:44.840
<v Speaker 2>came out, and you just wanted to buy a Louisvaittan

0:39:44.960 --> 0:39:47.680
<v Speaker 2>backpack and a polo, you could do that that was accessible.

0:39:48.000 --> 0:39:51.000
<v Speaker 2>You had to go thrifting and search for ship like

0:39:51.040 --> 0:39:53.080
<v Speaker 2>you have to go find Ego feathers in Vancouver to

0:39:53.120 --> 0:39:55.759
<v Speaker 2>go dressed like fucking three stacks. But people thought he

0:39:55.840 --> 0:39:57.440
<v Speaker 2>was cool and big boy was he was on the

0:39:57.520 --> 0:40:00.560
<v Speaker 2>pim shit like he was Coole Ast fuck rest in

0:40:00.560 --> 0:40:04.440
<v Speaker 2>Peace Nip. Nip was cool as he comes from the

0:40:04.680 --> 0:40:09.440
<v Speaker 2>Snoop Snoop family tree of cool. Yeah, Nip was cools full,

0:40:09.560 --> 0:40:14.319
<v Speaker 2>naturally cool. Yeah, damn pe. When he came to I

0:40:14.360 --> 0:40:17.160
<v Speaker 2>was like, oh, this is not a facade. This the

0:40:17.760 --> 0:40:19.680
<v Speaker 2>aura changed where he walked in like he was by

0:40:19.719 --> 0:40:22.360
<v Speaker 2>far the coolest person in there. He came just just

0:40:22.440 --> 0:40:25.000
<v Speaker 2>him and Lauren London in a Porsche, no security like

0:40:25.480 --> 0:40:27.000
<v Speaker 2>he yeah, he was the coolest person in the room

0:40:27.080 --> 0:40:28.040
<v Speaker 2>and it wasn't even close.

0:40:29.040 --> 0:40:32.600
<v Speaker 4>Like he was one of those rest in Peace Nip. Yeah.

0:40:32.600 --> 0:40:33.879
<v Speaker 4>While we're speaking of West Coast shit.

0:40:34.680 --> 0:40:38.040
<v Speaker 2>Right before we started recording, YG was detained in LA

0:40:38.239 --> 0:40:42.839
<v Speaker 2>for the Draco. I've heard people say Drakyo Draco, which

0:40:42.880 --> 0:40:45.200
<v Speaker 2>one is it? Because I get corrected everything DRAKEO.

0:40:45.560 --> 0:40:46.120
<v Speaker 4>It's Draco.

0:40:46.280 --> 0:40:47.600
<v Speaker 1>Yeah, thank you.

0:40:48.160 --> 0:40:49.680
<v Speaker 2>I want to make sure because I've said Drake Yo

0:40:49.719 --> 0:40:52.200
<v Speaker 2>before and I've been threatened by the West Coast, and

0:40:52.239 --> 0:40:54.760
<v Speaker 2>I think he was one of one of the modern

0:40:54.800 --> 0:40:57.319
<v Speaker 2>greatest of the West and I think everyone has used

0:40:57.320 --> 0:40:59.160
<v Speaker 2>his flow, so I want to get it correctly. But

0:40:59.280 --> 0:41:02.040
<v Speaker 2>YG was detained in connection.

0:41:02.520 --> 0:41:06.000
<v Speaker 4>To his murder, and there was a search warrant at

0:41:06.000 --> 0:41:07.400
<v Speaker 4>his crib Or studio wherever it was.

0:41:07.440 --> 0:41:10.000
<v Speaker 2>But tonight, as you're hearing this, we don't know if

0:41:10.040 --> 0:41:11.720
<v Speaker 2>it happened or not. But there is the verses against

0:41:11.800 --> 0:41:15.640
<v Speaker 2>Game n YG in a few hours. But if he

0:41:15.719 --> 0:41:17.720
<v Speaker 2>was detained, maybe they released him already.

0:41:18.040 --> 0:41:22.440
<v Speaker 4>Yeah, detained doesn't mean arrested obviously, but you know, away

0:41:22.440 --> 0:41:26.000
<v Speaker 4>from just being able to do the verses, it is

0:41:26.120 --> 0:41:29.399
<v Speaker 4>very interesting that he was detained and it is being

0:41:29.440 --> 0:41:36.000
<v Speaker 4>investigated in connection with Draco's h with murder, so it means,

0:41:37.160 --> 0:41:39.680
<v Speaker 4>you know, that's not a good thing. You don't ever

0:41:39.719 --> 0:41:41.680
<v Speaker 4>want to be part of an investigation. You don't ever

0:41:41.719 --> 0:41:44.840
<v Speaker 4>want to be detained by police for anything. But we

0:41:44.880 --> 0:41:46.560
<v Speaker 4>will have to wait and see what comes of this,

0:41:46.680 --> 0:41:50.239
<v Speaker 4>if anything comes of this. But yeah, I mean, he

0:41:50.239 --> 0:41:53.280
<v Speaker 4>he isn't arrested, so he should the verses should still

0:41:53.320 --> 0:41:58.279
<v Speaker 4>be able to go on tonight. We kind of felt

0:41:58.320 --> 0:42:00.680
<v Speaker 4>like something was gonna happen leading up to this. I

0:42:00.680 --> 0:42:03.960
<v Speaker 4>don't know if it was this. I know I didn't

0:42:04.239 --> 0:42:04.680
<v Speaker 4>expect this.

0:42:04.920 --> 0:42:07.799
<v Speaker 2>I mean, because you know, the murder was almost five

0:42:07.880 --> 0:42:11.840
<v Speaker 2>years ago, and you know, I'm not trying to down

0:42:11.960 --> 0:42:14.879
<v Speaker 2>the efforts of the Los Angeles Police Department, but usually

0:42:14.960 --> 0:42:16.520
<v Speaker 2>if it's been that long, it kind of feels like

0:42:16.560 --> 0:42:19.279
<v Speaker 2>maybe the cops have checked the fuck out. Yeah, so, yes,

0:42:19.320 --> 0:42:23.600
<v Speaker 2>that is a little surprising, and in connection to YG.

0:42:23.880 --> 0:42:26.800
<v Speaker 2>I'm not even gonna pretend nor want to know whatever

0:42:27.360 --> 0:42:29.719
<v Speaker 2>history ties between that or whatever what happened at the

0:42:29.719 --> 0:42:33.200
<v Speaker 2>festival none of my business. But yes, I will say

0:42:33.200 --> 0:42:35.919
<v Speaker 2>that the timing is definitely interesting, to say the least,

0:42:37.760 --> 0:42:40.279
<v Speaker 2>So I'm sure we'll hear much more about that as

0:42:40.320 --> 0:42:42.720
<v Speaker 2>the days go. I talked to a lot of people

0:42:43.719 --> 0:42:46.680
<v Speaker 2>on the West Coast over this week. They thought we

0:42:46.680 --> 0:42:51.799
<v Speaker 2>were kind of crazy. Why in our discussion we didn't

0:42:51.840 --> 0:42:53.719
<v Speaker 2>really pick a winner. We said we weren't particularly sure

0:42:53.800 --> 0:42:55.560
<v Speaker 2>and did say that YG has a lot of records

0:42:55.600 --> 0:42:57.800
<v Speaker 2>that would work well in a versus and at parties.

0:42:58.760 --> 0:43:00.839
<v Speaker 2>Everyone I talked to things. Why is going to clean

0:43:00.920 --> 0:43:04.319
<v Speaker 2>him up? And these people from the West Coast that

0:43:04.360 --> 0:43:07.520
<v Speaker 2>grew up on game as well around my age like nine,

0:43:07.560 --> 0:43:11.480
<v Speaker 2>a versus those YG records, especially since they're doing it

0:43:11.520 --> 0:43:13.040
<v Speaker 2>on the West Coast and there's gonna be a West

0:43:13.040 --> 0:43:16.640
<v Speaker 2>Coast crowd, the reactions to those records are gonna look different.

0:43:16.640 --> 0:43:18.799
<v Speaker 4>Then we say that in HI though like the like

0:43:18.920 --> 0:43:22.400
<v Speaker 4>YG has the records that at a verse has probably

0:43:22.440 --> 0:43:24.520
<v Speaker 4>performed better. I feel like we said that when I.

0:43:24.440 --> 0:43:26.600
<v Speaker 3>Think, yeah, I think they just heard a given game

0:43:26.640 --> 0:43:29.520
<v Speaker 3>a lot of credit and they probably interpret it like

0:43:29.520 --> 0:43:31.800
<v Speaker 3>they think it's going to be a sweet, a sweet.

0:43:32.040 --> 0:43:35.640
<v Speaker 4>They're on that side, but the game is not getting

0:43:35.680 --> 0:43:36.200
<v Speaker 4>swept in over.

0:43:36.239 --> 0:43:38.200
<v Speaker 3>I think our New York bias comes in a lot

0:43:38.239 --> 0:43:40.560
<v Speaker 3>because we look at game the way we look at

0:43:40.640 --> 0:43:42.080
<v Speaker 3>game and over in New York.

0:43:42.440 --> 0:43:44.759
<v Speaker 2>Listen, and I want to make this very clear. This

0:43:44.800 --> 0:43:48.960
<v Speaker 2>is not anyone on this podcast opinion, even if you

0:43:49.000 --> 0:43:52.880
<v Speaker 2>try to clip it. Whatever somebody from the West Coast

0:43:52.880 --> 0:43:57.680
<v Speaker 2>said pre beef, YG would give Kendrick a long night

0:43:58.480 --> 0:44:03.000
<v Speaker 2>in verses. How people revere YG in a versus setting

0:44:03.400 --> 0:44:08.200
<v Speaker 2>is much higher than I expected. But if they go

0:44:08.360 --> 0:44:10.920
<v Speaker 2>they go out every weekend. I'm sure YG is a

0:44:10.960 --> 0:44:13.680
<v Speaker 2>great majority of the songs that they hear. H with

0:44:13.760 --> 0:44:15.359
<v Speaker 2>how long he's been around in the hits that he has,

0:44:15.400 --> 0:44:18.320
<v Speaker 2>so I get it, but I hope this does happen tonight.

0:44:18.840 --> 0:44:22.719
<v Speaker 2>Obviously Hygi has some things going on, but I like

0:44:22.760 --> 0:44:24.600
<v Speaker 2>both their music, so I'm here for this one.

0:44:25.640 --> 0:44:25.879
<v Speaker 1>Yeah.

0:44:25.920 --> 0:44:29.200
<v Speaker 4>I mean again the versus setting, uh with the crowd

0:44:29.239 --> 0:44:31.080
<v Speaker 4>being there, Well, obviously we know the records that both

0:44:31.120 --> 0:44:34.440
<v Speaker 4>of these artists have, but I could see how people

0:44:34.480 --> 0:44:38.279
<v Speaker 4>are leaning towards YG having the better performing records when

0:44:38.280 --> 0:44:43.200
<v Speaker 4>it comes to this type of platform. Game probably has

0:44:43.320 --> 0:44:48.160
<v Speaker 4>better songs. Game is probably Game is probably the better rapper.

0:44:48.719 --> 0:44:50.400
<v Speaker 4>But when we talk about just throwing on the record

0:44:50.440 --> 0:44:53.680
<v Speaker 4>and the crowd reacting, YG has a lot of those.

0:44:54.719 --> 0:44:56.920
<v Speaker 4>He has a lot of those records where as soon

0:44:56.960 --> 0:45:00.040
<v Speaker 4>as it drops there's a reaction. He has a a

0:45:00.040 --> 0:45:05.919
<v Speaker 4>lot of those, you know, those those party club, atmosphere,

0:45:06.040 --> 0:45:08.960
<v Speaker 4>cookout like. He has a lot of those records. Game

0:45:09.040 --> 0:45:11.480
<v Speaker 4>has some of lot in it as well, but wy

0:45:11.600 --> 0:45:14.040
<v Speaker 4>G probably makes it more of a focal point to

0:45:14.040 --> 0:45:15.080
<v Speaker 4>have those type of songs.

0:45:15.360 --> 0:45:16.280
<v Speaker 1>Yeah.

0:45:16.360 --> 0:45:20.000
<v Speaker 2>Yeah, you saw that stack Quota clip where he was

0:45:20.000 --> 0:45:22.200
<v Speaker 2>saying he's had a lot of conversations with Game where

0:45:22.200 --> 0:45:25.520
<v Speaker 2>he felt like Kendrick was dissing them for like the

0:45:25.600 --> 0:45:29.839
<v Speaker 2>last ten years. Some of those were a little they

0:45:29.840 --> 0:45:32.320
<v Speaker 2>were reaches, But I do think that Kendrick has.

0:45:32.200 --> 0:45:36.200
<v Speaker 4>This game before. Do you think Kendrick has this game?

0:45:36.360 --> 0:45:38.320
<v Speaker 2>I think in that full clip, and we don't have

0:45:38.320 --> 0:45:39.520
<v Speaker 2>to go through all of them because some of them

0:45:39.520 --> 0:45:40.680
<v Speaker 2>were just such a reach.

0:45:41.960 --> 0:45:43.359
<v Speaker 4>That I think it was just Game being Game.

0:45:43.640 --> 0:45:46.319
<v Speaker 2>But I do think that Game was not dissed or

0:45:46.360 --> 0:45:49.560
<v Speaker 2>not like us, but was mentioned and could take it

0:45:49.600 --> 0:45:51.480
<v Speaker 2>as a disc when he has said let me put

0:45:51.520 --> 0:45:52.200
<v Speaker 2>y'all on game.

0:45:52.520 --> 0:45:53.960
<v Speaker 4>The settlers was using town folk.

0:45:55.719 --> 0:45:58.520
<v Speaker 2>I mean Game did bring Drake to Compton to do

0:45:58.600 --> 0:46:03.359
<v Speaker 2>that song where Dre did dis Kendrick in Coompton. Let

0:46:03.360 --> 0:46:05.640
<v Speaker 2>me put you on a game is on the documentary.

0:46:05.719 --> 0:46:06.359
<v Speaker 1>His name is Game.

0:46:07.280 --> 0:46:11.920
<v Speaker 2>Yeah, I think that was a that's ships that's a

0:46:12.000 --> 0:46:14.600
<v Speaker 2>really fair, like like your game is nuts?

0:46:14.719 --> 0:46:14.759
<v Speaker 3>Is?

0:46:14.800 --> 0:46:17.799
<v Speaker 1>Like I don't is he let me put you on game?

0:46:17.880 --> 0:46:20.000
<v Speaker 2>If town folks they're both in the same fucking town

0:46:20.239 --> 0:46:22.520
<v Speaker 2>was using settlers and he's calling Drake a settler throughout

0:46:22.520 --> 0:46:25.880
<v Speaker 2>the entire record. Game's not crazy for saying that Kendrick

0:46:25.880 --> 0:46:26.960
<v Speaker 2>distem That's all I'm saying.

0:46:27.120 --> 0:46:29.200
<v Speaker 4>I'm just saying if I'm Game, I would have some

0:46:29.360 --> 0:46:31.920
<v Speaker 4>questions too. I would want to ask Kendrick, like, Yo,

0:46:32.080 --> 0:46:34.160
<v Speaker 4>fam that bar, Like what you meant?

0:46:34.320 --> 0:46:35.640
<v Speaker 1>Why you say like that?

0:46:37.040 --> 0:46:38.920
<v Speaker 4>All right there? What you meant by that?

0:46:39.200 --> 0:46:40.160
<v Speaker 1>He said that bar?

0:46:40.440 --> 0:46:42.560
<v Speaker 4>Yeah, let's talk about that bar right there?

0:46:42.640 --> 0:46:44.040
<v Speaker 1>Like that bar right there?

0:46:44.080 --> 0:46:46.800
<v Speaker 4>Yeah, let's talk about that. Because I'm I got questions.

0:46:46.800 --> 0:46:49.520
<v Speaker 4>That's why I'm not mad at Game for having some

0:46:49.600 --> 0:46:52.040
<v Speaker 4>type of feelings towards certain things being said, and not

0:46:52.080 --> 0:46:56.160
<v Speaker 4>only that. To me, that makes sense why you know,

0:46:56.520 --> 0:46:59.239
<v Speaker 4>Game didn't show up to the pop out because he's

0:46:59.280 --> 0:47:02.799
<v Speaker 4>probably always felt like there was something there between him

0:47:02.840 --> 0:47:06.719
<v Speaker 4>and Kendrick anyway. Now, obviously his alliance and his you know,

0:47:08.520 --> 0:47:11.840
<v Speaker 4>he sided with Drake. Drake is his guy. But I

0:47:11.880 --> 0:47:14.000
<v Speaker 4>think away from that, I think, yeah, I can see

0:47:14.360 --> 0:47:17.040
<v Speaker 4>Game kind of having those feelings for a while, Like, Yo,

0:47:17.160 --> 0:47:19.840
<v Speaker 4>he felt like Kendrick was sending a couple of shots

0:47:19.840 --> 0:47:22.160
<v Speaker 4>his way, like you know, in a competitive not a

0:47:22.200 --> 0:47:25.840
<v Speaker 4>beef nature, but like being from the same city. You

0:47:25.840 --> 0:47:28.399
<v Speaker 4>know what I'm saying. It's like nah, like I'm you know,

0:47:28.520 --> 0:47:31.600
<v Speaker 4>it's like that type of competitive thing in okay, but

0:47:31.719 --> 0:47:32.160
<v Speaker 4>in a.

0:47:33.760 --> 0:47:36.520
<v Speaker 2>Like rapper brain, would you have to add that context

0:47:36.520 --> 0:47:37.040
<v Speaker 2>into this.

0:47:38.800 --> 0:47:39.720
<v Speaker 1>Game gave Kendrick.

0:47:40.080 --> 0:47:43.280
<v Speaker 2>You know, it's probably first shot from a professional, reputable rapper,

0:47:43.560 --> 0:47:45.480
<v Speaker 2>like Game mixtapes had Kate out on it, took him

0:47:45.480 --> 0:47:48.680
<v Speaker 2>on tour, like, Yeah, they've had a very long, long relationship.

0:47:49.400 --> 0:47:51.879
<v Speaker 2>And not to say that Game owes him anything per se,

0:47:52.440 --> 0:47:55.960
<v Speaker 2>but as a rapper, I may have in some type

0:47:55.960 --> 0:47:57.600
<v Speaker 2>of an issue with someone I've known for that long

0:47:58.920 --> 0:48:04.640
<v Speaker 2>being cool taking someone dissing me to my hometown to

0:48:04.680 --> 0:48:06.600
<v Speaker 2>shoot a video where you're dissing me.

0:48:09.360 --> 0:48:11.560
<v Speaker 4>Yeah, I can see that.

0:48:11.800 --> 0:48:14.000
<v Speaker 2>Like if you're standing on a Compton block saying if

0:48:14.040 --> 0:48:17.560
<v Speaker 2>I didn't go pop and stay conscious, I would have

0:48:17.600 --> 0:48:20.279
<v Speaker 2>all of your fans like, damn, you're gonna take them.

0:48:20.160 --> 0:48:21.279
<v Speaker 1>To see your block to say that.

0:48:22.400 --> 0:48:24.239
<v Speaker 2>I could see Kendrick not being like, yo, fuck game,

0:48:24.320 --> 0:48:27.640
<v Speaker 2>but like that's kind of weird, Like if it was

0:48:27.680 --> 0:48:29.920
<v Speaker 2>just a record, I get it, but he's legitimately dissing

0:48:29.960 --> 0:48:33.000
<v Speaker 2>me on the song. Yeah, So I could see Kendrick

0:48:33.000 --> 0:48:37.000
<v Speaker 2>feeling a little bit away. Yeah, but that's.

0:48:38.880 --> 0:48:41.759
<v Speaker 4>Something that not from the same city, you know, It's

0:48:41.880 --> 0:48:43.960
<v Speaker 4>it's a it's a it's a competitive thing. It's a

0:48:44.040 --> 0:48:47.680
<v Speaker 4>rapid ego thing. I don't think it's a real beef

0:48:47.840 --> 0:48:49.959
<v Speaker 4>like some street ship. I don't think it's that, oh no,

0:48:50.000 --> 0:48:53.719
<v Speaker 4>But I think it's definitely like the rapid ego being

0:48:53.719 --> 0:48:58.000
<v Speaker 4>from the same city type of like nudget for position

0:48:58.160 --> 0:49:00.960
<v Speaker 4>type of thing, like good, healthy competition. I don't think

0:49:00.960 --> 0:49:03.759
<v Speaker 4>that there's any real ill feelings between these two, but

0:49:04.480 --> 0:49:06.719
<v Speaker 4>you know, obviously people are gonna try to paint it

0:49:06.760 --> 0:49:09.319
<v Speaker 4>that way. And then game not going to the pop

0:49:09.320 --> 0:49:11.600
<v Speaker 4>out and addressing why he didn't go and things like that,

0:49:11.719 --> 0:49:13.920
<v Speaker 4>it kind of put in the middle, I guess a

0:49:13.920 --> 0:49:17.080
<v Speaker 4>little further wedge in between him and Kindrick relationship, if

0:49:17.080 --> 0:49:20.120
<v Speaker 4>you will. I don't know, you know, personally their relationship,

0:49:20.160 --> 0:49:22.799
<v Speaker 4>but you know, just on the outside looking in, it's

0:49:22.840 --> 0:49:26.080
<v Speaker 4>it's there's definitely something between these two, but I don't

0:49:26.080 --> 0:49:29.000
<v Speaker 4>think it's like a beef. I don't think it's that.

0:49:29.000 --> 0:49:31.719
<v Speaker 2>That would have been a good gauge for tonight's versus

0:49:31.840 --> 0:49:34.520
<v Speaker 2>because YG's set at the pop out was great, and

0:49:34.560 --> 0:49:37.960
<v Speaker 2>you could see the reception that he got for that,

0:49:38.120 --> 0:49:40.960
<v Speaker 2>like ten twelve minutes that he did. I'm curious what

0:49:41.000 --> 0:49:43.279
<v Speaker 2>the reaction with it because I game popping out that

0:49:43.280 --> 0:49:45.360
<v Speaker 2>stadium would have went nuts.

0:49:45.760 --> 0:49:48.160
<v Speaker 4>Oh oh yeah, oh for the pop up out. Yeah games,

0:49:48.200 --> 0:49:50.319
<v Speaker 4>you know what I'm saying, Like it's so crazy. You

0:49:50.360 --> 0:49:53.200
<v Speaker 4>know again, I think this versus is gonna be very

0:49:53.200 --> 0:49:57.360
<v Speaker 4>interesting just to see, you know, because now it's again

0:49:57.440 --> 0:49:59.800
<v Speaker 4>it's it's it's who's in the room. The energy and

0:49:59.840 --> 0:50:03.160
<v Speaker 4>the room is who's there? What is the crowd? Is

0:50:03.200 --> 0:50:06.800
<v Speaker 4>it a younger crowd, is it a little older crowd?

0:50:07.719 --> 0:50:09.760
<v Speaker 4>Like who's in the who's in the room.

0:50:09.840 --> 0:50:13.279
<v Speaker 2>I just hope why G goes by himself if you

0:50:13.320 --> 0:50:17.560
<v Speaker 2>have the cops knowing where everybody is. No, if I

0:50:17.600 --> 0:50:21.280
<v Speaker 2>know why G, I'm not going to that innocent guilty.

0:50:21.560 --> 0:50:24.160
<v Speaker 2>I'm not going to any there's an address of where

0:50:24.160 --> 0:50:25.880
<v Speaker 2>we're going to be in the time after people are

0:50:26.160 --> 0:50:31.160
<v Speaker 2>getting to changed. Yeah, you should go there, just him

0:50:31.200 --> 0:50:33.880
<v Speaker 2>and Karen Sivil. That's it should show up to that.

0:50:34.000 --> 0:50:35.000
<v Speaker 4>What time is that tonight?

0:50:38.520 --> 0:50:43.120
<v Speaker 2>I feel calued, man, I feel them. Man, listen to

0:50:43.280 --> 0:50:45.040
<v Speaker 2>the very few people that I'm grateful for that keep

0:50:45.080 --> 0:50:46.160
<v Speaker 2>asking where my album is.

0:50:46.239 --> 0:50:46.719
<v Speaker 4>They don't know that.

0:50:46.760 --> 0:50:48.319
<v Speaker 2>I just saw the jay Z show, so I got

0:50:48.320 --> 0:50:48.879
<v Speaker 2>to push it back.

0:50:49.920 --> 0:50:51.120
<v Speaker 4>M M. I saw it.

0:50:51.200 --> 0:50:54.120
<v Speaker 2>I got inspired that, like, nah, let's push this back.

0:50:58.719 --> 0:51:00.080
<v Speaker 2>I was gonna put it out the next day, and

0:51:00.200 --> 0:51:03.560
<v Speaker 2>I was like, yeah, no, I can't do that. Come boy,

0:51:04.239 --> 0:51:06.080
<v Speaker 2>I just I just saw feeling it, like I can't.

0:51:06.120 --> 0:51:10.520
<v Speaker 2>Come on, you got a spy came up thirty That's

0:51:10.520 --> 0:51:13.120
<v Speaker 2>what's up. Kaled just heard reasonable doubt that day. Yeah's

0:51:16.000 --> 0:51:19.359
<v Speaker 2>but I mean this all right. I want to say

0:51:19.360 --> 0:51:21.440
<v Speaker 2>this respectful. I feel like it's gonna come off.

0:51:21.560 --> 0:51:22.040
<v Speaker 4>Like it's not.

0:51:22.320 --> 0:51:25.480
<v Speaker 2>This is not a shot at Kalid. But Khaled's marketing

0:51:26.840 --> 0:51:27.799
<v Speaker 2>is to be full of shit.

0:51:29.080 --> 0:51:29.680
<v Speaker 4>What do he means?

0:51:29.840 --> 0:51:34.160
<v Speaker 2>He's he's one of the best marketers of they hate us,

0:51:34.200 --> 0:51:35.719
<v Speaker 2>They've been doubted, like no one knows who they is.

0:51:35.800 --> 0:51:38.520
<v Speaker 2>It's all just full of shit taglines. He's a great marketer.

0:51:38.600 --> 0:51:42.600
<v Speaker 2>It's it's just like you know, it's like riddles. He's

0:51:42.640 --> 0:51:44.600
<v Speaker 2>a character of himself. And I don't mean that in

0:51:44.640 --> 0:51:46.480
<v Speaker 2>a bad way. That's why he's so successful, That's why

0:51:46.520 --> 0:51:49.240
<v Speaker 2>we love him. Like this is gonna be the greatest

0:51:49.239 --> 0:51:51.200
<v Speaker 2>song of all times, Like we know it's not better

0:51:51.200 --> 0:51:53.960
<v Speaker 2>than the Rihanna Brison Teller record. Don't tell me that

0:51:54.000 --> 0:51:55.400
<v Speaker 2>this little baby song is going to be that.

0:51:55.480 --> 0:51:55.799
<v Speaker 4>It's not.

0:51:56.400 --> 0:51:59.080
<v Speaker 2>His whole marketing scheme is being full of shit. So

0:51:59.120 --> 0:52:01.879
<v Speaker 2>it's right on par Yeah. I pushed it back because

0:52:01.920 --> 0:52:03.879
<v Speaker 2>I saw it. I went to Roots Picnic and I said, nah,

0:52:03.960 --> 0:52:04.640
<v Speaker 2>no more album.

0:52:04.920 --> 0:52:07.800
<v Speaker 4>Yeah, yeah, that's.

0:52:07.719 --> 0:52:08.839
<v Speaker 1>That's all Kal. It's hold.

0:52:08.920 --> 0:52:11.279
<v Speaker 2>But he's like a motivational speaker too, that's also full

0:52:11.280 --> 0:52:11.520
<v Speaker 2>of shit.

0:52:11.600 --> 0:52:13.520
<v Speaker 4>Yeah, but it's different. It's different this time though.

0:52:13.600 --> 0:52:15.319
<v Speaker 2>As a person, he's not full of shit. I want

0:52:15.320 --> 0:52:16.759
<v Speaker 2>to make that clear. I don't know, no, just it's

0:52:16.800 --> 0:52:17.280
<v Speaker 2>just promote.

0:52:17.320 --> 0:52:19.600
<v Speaker 1>As a marketer, he's full of shit, and marketing's full.

0:52:19.440 --> 0:52:22.239
<v Speaker 4>Of every body in marketing, the promotion is full of shit.

0:52:22.280 --> 0:52:24.040
<v Speaker 4>At some point, you gotta you got that's part of

0:52:24.120 --> 0:52:26.799
<v Speaker 4>marketing promotion. You got to put some bullshit in the game.

0:52:26.920 --> 0:52:29.440
<v Speaker 2>Like if Kali did these real serious sit downs and

0:52:29.520 --> 0:52:32.279
<v Speaker 2>like long podcasts, we really got to know him and

0:52:32.400 --> 0:52:34.920
<v Speaker 2>the inner workings of how he then I'd be like, well,

0:52:34.960 --> 0:52:38.720
<v Speaker 2>this is corny. But everything Kaled has done to promote

0:52:39.440 --> 0:52:42.360
<v Speaker 2>other artists, his label, his music has been this and

0:52:42.400 --> 0:52:44.360
<v Speaker 2>this is why we like it. So yeah, I laughed

0:52:44.360 --> 0:52:47.279
<v Speaker 2>at it, but I respect that he keeps coming up

0:52:47.280 --> 0:52:48.480
<v Speaker 2>with even more creative lives.

0:52:48.480 --> 0:52:50.080
<v Speaker 1>To why his album's not out.

0:52:50.280 --> 0:52:52.400
<v Speaker 4>Yeah, I mean, I think we all know why his

0:52:52.520 --> 0:52:54.960
<v Speaker 4>album is getting pushed back or why he's pushing back

0:52:55.040 --> 0:52:57.920
<v Speaker 4>his album because I'm pretty sure he has enough music

0:52:58.320 --> 0:53:00.560
<v Speaker 4>to put his album out if he wants to it out.

0:53:00.880 --> 0:53:03.480
<v Speaker 2>Well, I mean, Kali it is is smart and I

0:53:04.600 --> 0:53:08.040
<v Speaker 2>because he is this great marketer. Kalid doesn't have the

0:53:08.080 --> 0:53:10.560
<v Speaker 2>ability to just put an album out and it be

0:53:11.480 --> 0:53:13.799
<v Speaker 2>successful if he just dropped something. He doesn't have a

0:53:13.840 --> 0:53:16.440
<v Speaker 2>core fan base that's just going to pay attention to

0:53:16.440 --> 0:53:19.160
<v Speaker 2>do that. He needs to have a big single with

0:53:19.600 --> 0:53:22.480
<v Speaker 2>two A list artists and do a proper rollout. That's

0:53:22.480 --> 0:53:24.080
<v Speaker 2>why I didn't believe two weeks ago that ship was

0:53:24.080 --> 0:53:26.399
<v Speaker 2>coming out, Like there's no records. Who would those two

0:53:26.400 --> 0:53:28.279
<v Speaker 2>A list artists be right now? I don't know, because

0:53:28.280 --> 0:53:31.680
<v Speaker 2>I think that's That's also why the last two Kalid

0:53:31.719 --> 0:53:36.280
<v Speaker 2>albums I felt weren't that great. It's funny his album

0:53:36.320 --> 0:53:38.520
<v Speaker 2>sometimes are really a reflection of where music is at

0:53:38.560 --> 0:53:40.880
<v Speaker 2>currently because Kalid is going to get the biggest artists

0:53:40.880 --> 0:53:44.520
<v Speaker 2>no matter what. And at the time, like you know,

0:53:44.560 --> 0:53:46.640
<v Speaker 2>he got draking Little Baby, but I thought that song

0:53:46.719 --> 0:53:49.759
<v Speaker 2>was dirt like it reflected the times, and right now,

0:53:49.840 --> 0:53:51.080
<v Speaker 2>I wouldn't know who that would be either.

0:53:51.239 --> 0:53:53.400
<v Speaker 4>To your question, well, why he keeps.

0:53:53.200 --> 0:53:56.680
<v Speaker 2>Pushing it back because he's not going to get I

0:53:56.719 --> 0:53:59.279
<v Speaker 2>don't think he's going to get a record from the

0:53:59.320 --> 0:53:59.680
<v Speaker 2>Big three.

0:53:59.880 --> 0:54:01.720
<v Speaker 4>The he's gonna get one from Nicky.

0:54:01.760 --> 0:54:03.520
<v Speaker 2>I think he could get one easily from future of

0:54:03.600 --> 0:54:05.440
<v Speaker 2>Travis Scott, but they'd be throwaways that I don't think

0:54:05.480 --> 0:54:08.120
<v Speaker 2>would be that great. I don't know if there's a

0:54:09.280 --> 0:54:12.600
<v Speaker 2>with his strategy, if there is a pool of artists

0:54:12.600 --> 0:54:15.040
<v Speaker 2>that he can really pick from where Kalib will go

0:54:15.120 --> 0:54:17.560
<v Speaker 2>number one with an album, and how he handled the

0:54:17.560 --> 0:54:21.360
<v Speaker 2>Tyler thing a few years ago. I think Khaled is

0:54:21.400 --> 0:54:24.440
<v Speaker 2>a little sensitive and has a strange ego when it

0:54:24.480 --> 0:54:25.120
<v Speaker 2>comes to numbers.

0:54:25.960 --> 0:54:26.880
<v Speaker 1>I think he's shown us that.

0:54:27.239 --> 0:54:30.759
<v Speaker 2>So I think Khaled is scared that if he puts

0:54:30.800 --> 0:54:33.719
<v Speaker 2>something out it could really flop if he doesn't have

0:54:33.840 --> 0:54:37.800
<v Speaker 2>the proper a list, rollout and listen as a whole venger.

0:54:38.320 --> 0:54:40.319
<v Speaker 2>I don't know if Hove doing the intro can save you.

0:54:41.480 --> 0:54:43.760
<v Speaker 2>I don't know if that's gonna get it done, because

0:54:43.800 --> 0:54:45.239
<v Speaker 2>that's what saved it last time, and that was just

0:54:45.320 --> 0:54:45.760
<v Speaker 2>one record.

0:54:45.840 --> 0:54:47.480
<v Speaker 4>Yeah, but I was just great to say there's only

0:54:47.520 --> 0:54:51.319
<v Speaker 4>one artist he creates it. He could probably have one

0:54:51.360 --> 0:54:54.560
<v Speaker 4>the lead single right now where it would do something

0:54:54.560 --> 0:54:55.200
<v Speaker 4>in nas Jay.

0:54:56.320 --> 0:54:58.319
<v Speaker 2>He's done that so much and I'm listen, if Kalin

0:54:58.320 --> 0:55:00.640
<v Speaker 2>wants to go get a Jay, no one's gonn fucking complain.

0:55:00.680 --> 0:55:05.160
<v Speaker 4>Go get Kendrick. Kendrick's not doing that, though, Go get

0:55:05.280 --> 0:55:08.520
<v Speaker 4>Ja Cole. I don't think Cole's doing that, then who

0:55:08.560 --> 0:55:10.200
<v Speaker 4>are you going to get? That was kind of what

0:55:10.200 --> 0:55:12.680
<v Speaker 4>I was. There's no pool right now that I think

0:55:14.680 --> 0:55:20.000
<v Speaker 4>we said who Let me just say it, because people said,

0:55:20.000 --> 0:55:20.960
<v Speaker 4>why wouldn't Jay Cole do it?

0:55:21.040 --> 0:55:21.680
<v Speaker 1>Let me just say it.

0:55:21.719 --> 0:55:23.600
<v Speaker 4>Nobody wants to hit J Cole on the lead single

0:55:23.600 --> 0:55:27.440
<v Speaker 4>from Kalid If Calus not, that's not who J Cole is.

0:55:27.880 --> 0:55:28.600
<v Speaker 1>I don't want to hear that.

0:55:28.719 --> 0:55:29.840
<v Speaker 4>Nobody wants to hear that.

0:55:29.880 --> 0:55:31.640
<v Speaker 3>Unless twenty one Savage is on it.

0:55:32.080 --> 0:55:36.000
<v Speaker 4>Sorry Jake Cole on twenty one Savage. Don't think that's

0:55:36.040 --> 0:55:37.080
<v Speaker 4>going to happen anytime soon.

0:55:38.320 --> 0:55:42.520
<v Speaker 2>I just like Cal's biggest strength to me as an

0:55:42.640 --> 0:55:45.759
<v Speaker 2>executive producer was creating moments, and I just don't know

0:55:45.800 --> 0:55:48.040
<v Speaker 2>if there's artists that have moments that we care about

0:55:48.080 --> 0:55:51.359
<v Speaker 2>like that right now, in the Khalid lens, Like, Yeah,

0:55:51.360 --> 0:55:54.399
<v Speaker 2>it would be cool for Cole to give him a record,

0:55:54.480 --> 0:55:56.239
<v Speaker 2>but it would have to be a moment where it's

0:55:56.280 --> 0:55:58.160
<v Speaker 2>with an artist we don't expect Cole to be with

0:55:58.320 --> 0:56:00.400
<v Speaker 2>or on a beat that we don't expect Cold to

0:56:00.440 --> 0:56:01.200
<v Speaker 2>be on, like.

0:56:01.600 --> 0:56:05.359
<v Speaker 4>Unless unless he wants to go all the way left

0:56:05.400 --> 0:56:10.360
<v Speaker 4>field and do some type of hip hop record with

0:56:10.440 --> 0:56:18.280
<v Speaker 4>Taylor Swift post Malone, He's gonna have to pivot. His pivot,

0:56:18.280 --> 0:56:20.480
<v Speaker 4>gonna have to look like a travel in NBA. Like

0:56:20.560 --> 0:56:23.560
<v Speaker 4>his pivot, he's gonna have to drag his pivot, like

0:56:24.080 --> 0:56:26.160
<v Speaker 4>because then let's just be what it is. You had

0:56:26.200 --> 0:56:28.640
<v Speaker 4>two Drake songs, you don't have those no more. I

0:56:28.680 --> 0:56:31.680
<v Speaker 4>don't care who you are. That shifts your entire out.

0:56:31.480 --> 0:56:33.640
<v Speaker 2>Okay, But I also kind of feel the same way

0:56:35.080 --> 0:56:37.360
<v Speaker 2>about that and not same with the j thing, Like, No,

0:56:37.440 --> 0:56:39.200
<v Speaker 2>I would never be mad if Kalied went and got

0:56:39.239 --> 0:56:42.319
<v Speaker 2>another five minute ja verse. No, I'd never been mad

0:56:42.320 --> 0:56:47.200
<v Speaker 2>at Kalid. He's done that every time I'm talking lead

0:56:47.239 --> 0:56:49.840
<v Speaker 2>single and I'm saying that that can't like that doesn't

0:56:49.880 --> 0:56:50.520
<v Speaker 2>really get it done.

0:56:53.520 --> 0:56:55.400
<v Speaker 1>I don't know. I don't think I haven't heard it.

0:56:56.080 --> 0:56:58.600
<v Speaker 2>I feel like I saw a Calid video you're thinking

0:56:58.640 --> 0:57:02.359
<v Speaker 2>of him with and Jada and stove God. But again,

0:57:02.400 --> 0:57:05.200
<v Speaker 2>that wasn't his record. That was he just happened to

0:57:05.200 --> 0:57:11.480
<v Speaker 2>be on the episode that day. Oh yeah, maybe hoving one.

0:57:11.520 --> 0:57:14.080
<v Speaker 2>We're in the office listening to one of them.

0:57:14.280 --> 0:57:19.160
<v Speaker 4>Yeah that didn't work. Yeah, I knew we put a

0:57:19.200 --> 0:57:20.840
<v Speaker 4>record out. I just couldn't remember the record.

0:57:21.840 --> 0:57:22.200
<v Speaker 1>Call it.

0:57:22.080 --> 0:57:24.600
<v Speaker 2>It has to find some I'm not saying some new

0:57:24.680 --> 0:57:30.360
<v Speaker 2>sound and some uh like abstract way wait.

0:57:29.720 --> 0:57:30.840
<v Speaker 1>The artists on the same beat.

0:57:30.840 --> 0:57:32.560
<v Speaker 4>It's not doing it on the Hold hold on, bro,

0:57:32.640 --> 0:57:35.640
<v Speaker 4>this is different. I totally forgot about this record. That

0:57:35.960 --> 0:57:38.560
<v Speaker 4>Future and Little Baby single.

0:57:38.360 --> 0:57:40.160
<v Speaker 2>The snippet it when the snipper came out, we said

0:57:40.200 --> 0:57:40.920
<v Speaker 2>that was gonna come and go.

0:57:41.040 --> 0:57:42.800
<v Speaker 3>Well, a Little Baby ain't really getting it done for

0:57:42.840 --> 0:57:46.880
<v Speaker 3>the the number one you no more Futures on the song. Yeah, Future,

0:57:46.960 --> 0:57:51.440
<v Speaker 3>but at the time Future didn't have an album.

0:57:51.360 --> 0:57:52.680
<v Speaker 4>Debut at number seventy.

0:57:54.840 --> 0:57:55.360
<v Speaker 1>Damn bro.

0:57:56.440 --> 0:57:58.760
<v Speaker 4>Yeah, it's a it's a bigger conversation to have, man

0:58:00.080 --> 0:58:04.120
<v Speaker 4>it shit shit shit, Ba's a little real different number seventy.

0:58:04.400 --> 0:58:06.720
<v Speaker 2>When I heard that snippet and then that record, that

0:58:06.840 --> 0:58:10.840
<v Speaker 2>told me that you know what, maybe Kalied isn't lying

0:58:11.320 --> 0:58:13.400
<v Speaker 2>about that Yankee Stadium shit. When I heard that Future

0:58:13.400 --> 0:58:15.560
<v Speaker 2>in Little Baby shit, I said, oh, Kaled is officially

0:58:15.680 --> 0:58:18.720
<v Speaker 2>checked out of actually caring about the music too, outside

0:58:18.720 --> 0:58:22.760
<v Speaker 2>of the moment and the marketing. Because Kalin, outside of

0:58:22.760 --> 0:58:24.880
<v Speaker 2>the last two has made great albums, Like Kalid really

0:58:24.920 --> 0:58:26.480
<v Speaker 2>does have a good body of work when you get

0:58:26.480 --> 0:58:29.600
<v Speaker 2>into it. I know now it doesn't appear that way,

0:58:29.720 --> 0:58:32.400
<v Speaker 2>but last ten years, yes, there's been great Kalid moments

0:58:32.400 --> 0:58:35.120
<v Speaker 2>and albums. Maybe he did get inspired and go, yeah,

0:58:35.240 --> 0:58:38.600
<v Speaker 2>I've been lazy and I'm just doing lazy dog shit. Yo, Future,

0:58:38.640 --> 0:58:41.800
<v Speaker 2>you got something? Oh shit, open verse, yo, Baby, I'll

0:58:41.840 --> 0:58:43.320
<v Speaker 2>email this to you. Let's put it out.

0:58:43.400 --> 0:58:43.960
<v Speaker 1>That's lazy.

0:58:44.440 --> 0:58:48.040
<v Speaker 2>Maybe he was inspired, Maybe he realized that that that

0:58:48.240 --> 0:58:50.640
<v Speaker 2>Future and Baby record was dog shit. It was lazy,

0:58:50.680 --> 0:58:52.320
<v Speaker 2>It wasn't a moment and said, you know what, I

0:58:52.360 --> 0:58:53.800
<v Speaker 2>gotta get back to the drawing board and care about

0:58:53.800 --> 0:58:54.280
<v Speaker 2>the shit again.

0:58:54.960 --> 0:58:56.680
<v Speaker 4>But even if he cares about it, yeah, but he

0:58:56.800 --> 0:58:58.960
<v Speaker 4>But this is not to Cojo Baby, but to what

0:58:58.960 --> 0:59:01.880
<v Speaker 4>you're saying, Roy, I can't with that. Because he announced

0:59:01.880 --> 0:59:05.160
<v Speaker 4>the seventeenth as a release date after that song didn't work,

0:59:07.040 --> 0:59:10.240
<v Speaker 4>he put that song out in April and then told

0:59:10.320 --> 0:59:11.120
<v Speaker 4>us the seventeenth.

0:59:12.640 --> 0:59:16.440
<v Speaker 2>When you get complacent and lazy, sometimes you have a

0:59:17.160 --> 0:59:20.800
<v Speaker 2>delusional point of view of your career and you think

0:59:20.840 --> 0:59:22.600
<v Speaker 2>anything you put out people are gonna gobble up and

0:59:22.640 --> 0:59:26.560
<v Speaker 2>left until it doesn't happen, and then you're like, oh, okay, yeah,

0:59:26.600 --> 0:59:29.160
<v Speaker 2>this is kind of shitty.

0:59:29.920 --> 0:59:32.200
<v Speaker 4>Yo. I don't yeah, I don't know what Cala gonna

0:59:32.200 --> 0:59:32.680
<v Speaker 4>do at this point.

0:59:32.720 --> 0:59:34.680
<v Speaker 3>But also I think it speaks to like you said,

0:59:34.760 --> 0:59:37.640
<v Speaker 3>it shows the landscape of hip hop. His albums usually

0:59:37.640 --> 0:59:39.840
<v Speaker 3>show the landscape of hip hop at the time. We

0:59:39.960 --> 0:59:42.080
<v Speaker 3>have been talking about the landscape of hip hop not

0:59:42.160 --> 0:59:45.040
<v Speaker 3>being the greatest right now. So I don't even think

0:59:45.040 --> 0:59:47.360
<v Speaker 3>that's on calid at this moment, because.

0:59:47.120 --> 0:59:50.200
<v Speaker 1>Even we can't do that. No, no, we can't do that. Yes,

0:59:50.400 --> 0:59:50.840
<v Speaker 1>can't do that.

0:59:50.800 --> 0:59:54.600
<v Speaker 2>All right, then they show me how good you really are.

0:59:54.720 --> 0:59:56.800
<v Speaker 4>No, no, no, no, I'm gonna tell you why we

0:59:56.840 --> 0:59:59.080
<v Speaker 4>can't make that as an excuse, because if he had

0:59:59.120 --> 1:00:02.280
<v Speaker 4>those two Drake recors, this album would be out. Okay,

1:00:02.280 --> 1:00:04.800
<v Speaker 4>But that's so we can't say the landscape of hip hop.

1:00:05.120 --> 1:00:07.040
<v Speaker 4>We can't say none of that. But that's not what

1:00:07.040 --> 1:00:10.760
<v Speaker 4>that's that's one. That doesn't mean that. That doesn't mean

1:00:10.840 --> 1:00:12.680
<v Speaker 4>that the album would be good. I'm not talking about

1:00:12.680 --> 1:00:17.960
<v Speaker 4>the album. I'm not talking about the album being good.

1:00:17.960 --> 1:00:19.880
<v Speaker 4>I'm talking about the album being released already.

1:00:19.960 --> 1:00:22.400
<v Speaker 3>Okay, that's fine, but I don't the album. Even if

1:00:22.400 --> 1:00:25.000
<v Speaker 3>the album was released, the album is probably not released

1:00:25.040 --> 1:00:25.880
<v Speaker 3>because the album is not going.

1:00:25.880 --> 1:00:26.160
<v Speaker 1>To be good.

1:00:26.200 --> 1:00:28.320
<v Speaker 3>But if he had two Drake album, if you had

1:00:28.320 --> 1:00:30.120
<v Speaker 3>two Drake singles, would it be released.

1:00:30.200 --> 1:00:32.040
<v Speaker 1>Yes, But that doesn't mean that the album would be good.

1:00:32.120 --> 1:00:34.640
<v Speaker 3>So now I'm speaking to that now, if you don't

1:00:34.680 --> 1:00:36.760
<v Speaker 3>have the Drake singles, then the album has to be good,

1:00:36.800 --> 1:00:39.280
<v Speaker 3>which is probably why it's not coming out, because where

1:00:39.400 --> 1:00:41.439
<v Speaker 3>where would you go to make the album good? Where

1:00:41.440 --> 1:00:44.120
<v Speaker 3>would you go out album the same people that already put.

1:00:43.960 --> 1:00:47.000
<v Speaker 4>On To me, I'm no music executive. I'm just a

1:00:47.000 --> 1:00:49.480
<v Speaker 4>fan of the coaching music and hip hop. To me,

1:00:49.600 --> 1:00:51.760
<v Speaker 4>the album is not out because the lead single did

1:00:51.800 --> 1:00:57.760
<v Speaker 4>not work. Yeah I could not, of course, So all

1:00:57.760 --> 1:00:59.560
<v Speaker 4>of this I got inspired to Roy's point.

1:00:59.560 --> 1:01:00.000
<v Speaker 1>Maybe he did.

1:01:00.480 --> 1:01:02.280
<v Speaker 4>Maybe he felt like, damn, like I need to really

1:01:02.320 --> 1:01:05.120
<v Speaker 4>go ahere and pay more attention to detail to the music,

1:01:05.200 --> 1:01:07.560
<v Speaker 4>like not just grab people and put them on records

1:01:07.560 --> 1:01:09.800
<v Speaker 4>because of their names and thinking people will click on

1:01:09.840 --> 1:01:13.479
<v Speaker 4>the song because of their names. Whatever it is, I'm saying,

1:01:13.480 --> 1:01:16.800
<v Speaker 4>it's a safe assumption that if he had those two

1:01:16.880 --> 1:01:19.640
<v Speaker 4>Drake songs, this album will be out. Now, whether that

1:01:19.680 --> 1:01:23.320
<v Speaker 4>album will be good or not, that's subjective. I'm saying

1:01:23.360 --> 1:01:26.360
<v Speaker 4>the album would be out, is what I'm saying. And

1:01:26.400 --> 1:01:29.320
<v Speaker 4>it's not because he had to pivot future little Baby

1:01:29.360 --> 1:01:34.200
<v Speaker 4>record didn't work. Now what to the maatsis point? Is

1:01:34.240 --> 1:01:36.960
<v Speaker 4>there anything else on this album that's good, anything that's

1:01:36.960 --> 1:01:41.440
<v Speaker 4>gonna get people like? I don't know. But if it's

1:01:41.480 --> 1:01:44.080
<v Speaker 4>a safe assumption that if he had the lead single,

1:01:44.080 --> 1:01:46.920
<v Speaker 4>which would have been a Drake record, and then had

1:01:46.920 --> 1:01:50.600
<v Speaker 4>another Drake record on the album, this album would have

1:01:50.600 --> 1:01:50.880
<v Speaker 4>been out.

1:01:51.040 --> 1:01:54.280
<v Speaker 2>I mean, that's that's just a catch twenty two of

1:01:54.320 --> 1:01:58.240
<v Speaker 2>your whole marketing plan being getting a listers together and

1:01:58.280 --> 1:02:02.080
<v Speaker 2>then the concept of a list superstars is now gone

1:02:02.120 --> 1:02:04.960
<v Speaker 2>when it comes to the new crowd, so now you

1:02:04.960 --> 1:02:06.680
<v Speaker 2>have to go back to dro onboard like.

1:02:08.880 --> 1:02:09.240
<v Speaker 1>That's it.

1:02:09.320 --> 1:02:11.800
<v Speaker 2>And he kind of shot himself in the foot when

1:02:11.880 --> 1:02:13.680
<v Speaker 2>he's dis Tyler when he didn't get the number one.

1:02:13.680 --> 1:02:15.480
<v Speaker 2>She's like nobody trying to hear that. Shiit bro Tyler

1:02:15.920 --> 1:02:19.080
<v Speaker 2>outstreams every record you put out in the last however

1:02:19.080 --> 1:02:24.080
<v Speaker 2>many years, outstreams anything future Little Baby is gonna put out.

1:02:24.120 --> 1:02:26.320
<v Speaker 2>Right now, that whole world that you thought was nerds

1:02:26.320 --> 1:02:30.000
<v Speaker 2>and weirdos are making one incredible music to streaming very well,

1:02:30.200 --> 1:02:33.000
<v Speaker 2>selling hard tickets. They're relevant, people care about them, they

1:02:33.000 --> 1:02:36.760
<v Speaker 2>want to support them, and you diss that entire universe

1:02:37.040 --> 1:02:39.640
<v Speaker 2>because you thought the only way to get to the

1:02:39.640 --> 1:02:42.800
<v Speaker 2>top is to fuck with a listers. Now he has

1:02:42.840 --> 1:02:46.439
<v Speaker 2>to go and maybe beg Bad Bunny to do something

1:02:46.480 --> 1:02:47.840
<v Speaker 2>with NBA young Boy, like.

1:02:53.760 --> 1:02:55.280
<v Speaker 1>Get that one done. I'm not mad at it.

1:02:56.800 --> 1:03:00.840
<v Speaker 4>Collab. That's a sick ass collab. Me throwing NB a

1:03:00.880 --> 1:03:01.320
<v Speaker 4>young boy.

1:03:01.360 --> 1:03:02.400
<v Speaker 1>I want to hear it kind of.

1:03:02.480 --> 1:03:03.560
<v Speaker 4>That's a sick ass collass.

1:03:03.560 --> 1:03:06.200
<v Speaker 2>I wouldn't be mad at But but I'm saying if he,

1:03:06.560 --> 1:03:08.920
<v Speaker 2>if he wants to get back to creating good records

1:03:08.960 --> 1:03:10.439
<v Speaker 2>in moments, he's gonna have to do that ship because

1:03:10.480 --> 1:03:13.360
<v Speaker 2>you dissed the whole a whole part of music.

1:03:13.440 --> 1:03:16.080
<v Speaker 4>Right now, there's a major shift that has happened in music,

1:03:16.920 --> 1:03:19.040
<v Speaker 4>especially in our genre and our culture. There's a major

1:03:19.040 --> 1:03:24.960
<v Speaker 4>shift that has happened creatively, artistically, sonically, I think a

1:03:24.960 --> 1:03:26.760
<v Speaker 4>lot a lot has changed, and I think we're just

1:03:26.800 --> 1:03:29.520
<v Speaker 4>starting to like we're in it now, so we're gonna

1:03:29.520 --> 1:03:33.000
<v Speaker 4>start seeing it, We're gonna start feeling it. But yes,

1:03:33.120 --> 1:03:35.280
<v Speaker 4>it's it's it's apparent that there has been a major

1:03:35.440 --> 1:03:45.000
<v Speaker 4>major shift in music. So yeah, maybe he can get

1:03:45.080 --> 1:03:48.200
<v Speaker 4>J I D and in cold co working with anybody

1:03:48.200 --> 1:03:51.360
<v Speaker 4>else other than J I D. Y'ah and y'all. So

1:03:51.520 --> 1:03:53.800
<v Speaker 4>so y'all not gonna say that I was right?

1:03:54.480 --> 1:03:57.160
<v Speaker 2>Are you still we gave you flowers after that?

1:03:59.600 --> 1:04:00.000
<v Speaker 1>Flowers?

1:04:00.280 --> 1:04:02.320
<v Speaker 4>No, I don't know. I don't remember getting flowers, baby D.

1:04:03.000 --> 1:04:04.040
<v Speaker 4>I don't remember getting flowers.

1:04:04.040 --> 1:04:06.160
<v Speaker 2>I'll get the monthly subscriptions, so they go to your house.

1:04:06.280 --> 1:04:07.560
<v Speaker 2>They go to your house first, everywhere.

1:04:08.080 --> 1:04:09.800
<v Speaker 4>I just don't remember getting flowers. That's what I'm saying.

1:04:09.840 --> 1:04:12.240
<v Speaker 2>No, when when J I D tweeted and deleted all that,

1:04:12.280 --> 1:04:15.480
<v Speaker 2>I came in. He had a whole conversation, no no, no, no,

1:04:15.960 --> 1:04:17.760
<v Speaker 2>you down. I was completely no no, no, no no no.

1:04:17.880 --> 1:04:20.480
<v Speaker 4>But something else happens since then, I haven't seen Cole

1:04:20.560 --> 1:04:22.280
<v Speaker 4>put out a whole album where he was working with

1:04:22.280 --> 1:04:23.080
<v Speaker 4>what's the dude's name?

1:04:23.440 --> 1:04:25.960
<v Speaker 1>Oh, his Man's from a from North Carolina. The whole

1:04:26.000 --> 1:04:28.480
<v Speaker 1>album with Homie, The whole album is crazy. I think

1:04:28.520 --> 1:04:30.880
<v Speaker 1>he gave him two songs. He produced it, produced the

1:04:31.040 --> 1:04:32.400
<v Speaker 1>entire he produced it.

1:04:32.520 --> 1:04:34.360
<v Speaker 4>He produced the entire thing in his own three records,

1:04:34.760 --> 1:04:36.120
<v Speaker 4>two verses and one of them the hook.

1:04:36.160 --> 1:04:37.960
<v Speaker 3>Okay, so okay, but you know it's not that project,

1:04:38.280 --> 1:04:39.480
<v Speaker 3>say anymore, got that flowers?

1:04:40.280 --> 1:04:40.920
<v Speaker 1>Respectfully.

1:04:41.280 --> 1:04:43.760
<v Speaker 3>Everybody clowns Cole's production all the time anyway, So it

1:04:43.800 --> 1:04:44.200
<v Speaker 3>ain't like he.

1:04:44.200 --> 1:04:45.440
<v Speaker 1>It ain't like Kanye produced it.

1:04:45.720 --> 1:04:49.320
<v Speaker 2>Baby D Gonna swing for Cold No, it's no, it's

1:04:49.360 --> 1:04:50.960
<v Speaker 2>actually she's doing the opposite. And I was gonna make

1:04:51.000 --> 1:04:53.200
<v Speaker 2>that point to respectfully. I don't think j I D.

1:04:53.280 --> 1:04:57.440
<v Speaker 2>Wants an entirely produced a nobody Cole doesn't want an

1:04:57.520 --> 1:04:58.640
<v Speaker 2>entirely produce the whole album.

1:04:58.760 --> 1:04:59.360
<v Speaker 4>I'll be missing.

1:04:59.600 --> 1:05:01.560
<v Speaker 1>Yes, he he do want that, but he did it.

1:05:01.480 --> 1:05:03.480
<v Speaker 2>For the first one, and then after that was like guys.

1:05:03.480 --> 1:05:06.640
<v Speaker 4>Saying j I D. Wants in an entire album produced

1:05:06.640 --> 1:05:10.440
<v Speaker 4>by J Cole. I'm saying what I've been saying them.

1:05:10.520 --> 1:05:12.360
<v Speaker 4>Niggas ain't on no songs together.

1:05:12.520 --> 1:05:15.840
<v Speaker 1>We ben said that we agreed with you bad long ago.

1:05:16.200 --> 1:05:17.880
<v Speaker 4>No, But then this came out and y'all didn't say

1:05:17.920 --> 1:05:19.800
<v Speaker 4>nothing about that. You want us to agree with you again,

1:05:20.840 --> 1:05:22.760
<v Speaker 4>at least be like, Yo, ma ain't gonna lie. It's yeah,

1:05:22.800 --> 1:05:24.880
<v Speaker 4>it's looking it's looking like they they don't fuck with

1:05:24.880 --> 1:05:25.240
<v Speaker 4>each other.

1:05:25.320 --> 1:05:26.200
<v Speaker 1>We already said that.

1:05:26.720 --> 1:05:28.800
<v Speaker 4>You ain't say that. You ain't say that. You did

1:05:28.840 --> 1:05:31.680
<v Speaker 4>not play that when aay that, When you did not

1:05:31.720 --> 1:05:32.400
<v Speaker 4>say that out.

1:05:32.280 --> 1:05:34.200
<v Speaker 3>We said, damn mar you got a point. You're probably

1:05:34.280 --> 1:05:35.880
<v Speaker 3>right they don't fuck with each other. Because of the tweets,

1:05:35.880 --> 1:05:38.360
<v Speaker 3>it is obvious something's wrong. We had a whole episode

1:05:38.400 --> 1:05:38.760
<v Speaker 3>about it.

1:05:38.840 --> 1:05:42.320
<v Speaker 4>You said that, yeah, and say that, I don't know

1:05:42.360 --> 1:05:43.920
<v Speaker 4>if you've said that. I don't know.

1:05:44.240 --> 1:05:47.320
<v Speaker 2>He's holding out for the Kalid moment with j I

1:05:47.400 --> 1:05:50.400
<v Speaker 2>D And Cole. This is y know that in that

1:05:50.600 --> 1:05:54.320
<v Speaker 2>entire PFG album is part of Kaled's rollout to start

1:05:54.320 --> 1:05:56.200
<v Speaker 2>the tension between the j I D and Cold Shit.

1:05:57.560 --> 1:05:59.479
<v Speaker 4>That's all it is. That's gonna be the moment.

1:05:59.720 --> 1:06:03.720
<v Speaker 2>Damn man, man, you want to be a cool moment

1:06:03.760 --> 1:06:05.840
<v Speaker 2>that Kala could do if they're in a good place,

1:06:07.440 --> 1:06:12.880
<v Speaker 2>quav On offset, that would be a cool moment. I

1:06:12.880 --> 1:06:14.600
<v Speaker 2>would like that moment just because the're family and everything

1:06:14.600 --> 1:06:17.080
<v Speaker 2>that happened. But that would be a moment.

1:06:17.920 --> 1:06:18.120
<v Speaker 1>Yo.

1:06:18.160 --> 1:06:22.880
<v Speaker 4>Look what Kali gotta get family back together. Yeah no,

1:06:22.880 --> 1:06:23.919
<v Speaker 4>now it's time to yo.

1:06:24.200 --> 1:06:26.240
<v Speaker 1>Now it's time to you gotta be good.

1:06:26.280 --> 1:06:29.840
<v Speaker 4>Though I care about niggas pleasing up a relationship, the

1:06:29.960 --> 1:06:33.560
<v Speaker 4>music gotta be good. If the music ain't good, none

1:06:33.600 --> 1:06:34.680
<v Speaker 4>of that shit matters.

1:06:34.360 --> 1:06:36.200
<v Speaker 2>No morement like well, anything on the hard drive. I

1:06:36.200 --> 1:06:40.560
<v Speaker 2>want them to save for whatever Migo's tribute album that

1:06:40.960 --> 1:06:43.000
<v Speaker 2>they put out, save all that. Don't get that to nobody.

1:06:43.000 --> 1:06:46.080
<v Speaker 2>But I think Quavon offset if they were in a

1:06:46.120 --> 1:06:49.920
<v Speaker 2>good space personally, both are have the ability to make

1:06:49.960 --> 1:06:53.520
<v Speaker 2>a great song together, a new song, the two of

1:06:53.520 --> 1:06:54.720
<v Speaker 2>them in twenty twenty six.

1:06:57.240 --> 1:06:58.640
<v Speaker 4>Do we think Kali goes Cardi?

1:07:01.200 --> 1:07:07.720
<v Speaker 1>Oh, I'm assuming so he's some oth together Cardi Cardi squared.

1:07:11.440 --> 1:07:15.440
<v Speaker 4>Mm hmmm, does he go there? No, I don't want

1:07:15.440 --> 1:07:18.560
<v Speaker 4>to hear that either. I'm just throwing ship. We just

1:07:18.600 --> 1:07:20.360
<v Speaker 4>we just we're just whiteboarding right now.

1:07:20.360 --> 1:07:22.000
<v Speaker 3>We just do, which is probably what the fuck he

1:07:22.040 --> 1:07:23.520
<v Speaker 3>was doing, because he trying to figure out who the fuck?

1:07:23.560 --> 1:07:24.160
<v Speaker 4>Oh he doing more?

1:07:24.400 --> 1:07:26.920
<v Speaker 3>Unless you're gonna keep reusing the same artists over and

1:07:26.960 --> 1:07:28.600
<v Speaker 3>over and over again for every album Who Are You?

1:07:29.040 --> 1:07:31.400
<v Speaker 3>Unless you jump completely into the new generation. You have

1:07:31.440 --> 1:07:32.800
<v Speaker 3>to jump completely into the new generation.

1:07:32.840 --> 1:07:36.160
<v Speaker 2>But this is this was also inevitable too, because people

1:07:36.160 --> 1:07:38.080
<v Speaker 2>do start to age. Kalid did a great job of

1:07:38.120 --> 1:07:39.920
<v Speaker 2>even when he was starting to age, still fucking with

1:07:39.920 --> 1:07:41.960
<v Speaker 2>the young artists. It's not like all the Kalid albums

1:07:42.000 --> 1:07:44.680
<v Speaker 2>were all legacy acts or artists his age. He was

1:07:44.680 --> 1:07:47.240
<v Speaker 2>fucking with the young artists. But he may just getting

1:07:47.240 --> 1:07:50.360
<v Speaker 2>to the age that this new set of young artists

1:07:50.400 --> 1:07:52.960
<v Speaker 2>just really ain't for me, like this was eventually gonna happen.

1:07:53.440 --> 1:07:56.360
<v Speaker 2>Kald tried to stay relevant and did with the generation

1:07:56.440 --> 1:07:58.680
<v Speaker 2>below him, and I applaud him for that because that's difficult.

1:07:58.880 --> 1:08:02.920
<v Speaker 2>But two generations is below you? Yeah, because Kyle is

1:08:02.960 --> 1:08:04.120
<v Speaker 2>not cool to them. And I don't mean that as

1:08:04.160 --> 1:08:07.120
<v Speaker 2>a slight the young kids. Is that that that's not

1:08:07.160 --> 1:08:07.480
<v Speaker 2>their thing?

1:08:07.960 --> 1:08:10.520
<v Speaker 4>Kyli gonna get a Pharrell and Jay record?

1:08:12.240 --> 1:08:14.120
<v Speaker 1>I want to hear it? Yeah, No, I want to

1:08:14.160 --> 1:08:15.960
<v Speaker 1>hear it, Like I could.

1:08:15.800 --> 1:08:20.160
<v Speaker 4>See that being a move or Clips, Clips and Jay.

1:08:20.160 --> 1:08:21.960
<v Speaker 1>You think Beyonce gonna breathe on a record for him?

1:08:22.439 --> 1:08:22.759
<v Speaker 4>Listen?

1:08:22.960 --> 1:08:25.960
<v Speaker 2>Beyonce has been sitting next to three chairs for the

1:08:26.000 --> 1:08:28.800
<v Speaker 2>past month. It means Act three is coming, like y'all

1:08:28.840 --> 1:08:32.439
<v Speaker 2>not paying attention to the clues that she's given us. Yeah, now,

1:08:32.439 --> 1:08:33.839
<v Speaker 2>Beyonce is Act three tomorrow.

1:08:34.040 --> 1:08:35.160
<v Speaker 1>Act three is not tomorrow.

1:08:35.360 --> 1:08:37.200
<v Speaker 2>As they're listening to this, Act three dropped.

1:08:37.960 --> 1:08:40.280
<v Speaker 1>She babysitting. She got babysit her kids right now.

1:08:40.439 --> 1:08:42.920
<v Speaker 4>Babysitting your own kids is crazy. Babysit their kids.

1:08:43.160 --> 1:08:44.080
<v Speaker 1>How are you babies.

1:08:44.280 --> 1:08:49.679
<v Speaker 3>Babysitting baby because you're you're a mom twenty four to seven.

1:08:49.760 --> 1:08:51.519
<v Speaker 3>But you know she got her kids right now. Jay

1:08:51.600 --> 1:08:54.480
<v Speaker 3>usually having with tour. Jay on tour, she got the kids.

1:08:54.840 --> 1:08:58.240
<v Speaker 4>So babysitting your kids is funny. He doing spot dates.

1:09:00.240 --> 1:09:02.920
<v Speaker 3>And you know it's Jay time right now. Act three

1:09:02.920 --> 1:09:06.040
<v Speaker 3>will be out in twenty twenty eight. I think twenty

1:09:06.080 --> 1:09:10.080
<v Speaker 3>eight Nah, two years? No way, you thinky twenty seven?

1:09:10.240 --> 1:09:13.080
<v Speaker 4>Yeah? If not two different photos of three chip like,

1:09:13.120 --> 1:09:16.000
<v Speaker 4>I think we get Active to Share, we get Doomsday, Marvel.

1:09:17.360 --> 1:09:18.840
<v Speaker 1>Damn play on words.

1:09:19.439 --> 1:09:22.080
<v Speaker 4>Yeah, I think we get the same day December eighteenth.

1:09:22.120 --> 1:09:23.720
<v Speaker 4>I could see be doing something right at that time.

1:09:25.040 --> 1:09:27.639
<v Speaker 2>I mean, listen, kle it is rock Nation. J could

1:09:27.680 --> 1:09:32.160
<v Speaker 2>ask Beyonce for a favor. What records not making Act three?

1:09:34.360 --> 1:09:37.080
<v Speaker 4>You know why that's a tough spot. This is why

1:09:37.080 --> 1:09:38.800
<v Speaker 4>that's a tough spot. And we can move on after this.

1:09:38.880 --> 1:09:44.160
<v Speaker 4>But because the first single didn't work, whatever single he

1:09:44.240 --> 1:09:47.559
<v Speaker 4>goes with next, there's a lot of pressure.

1:09:47.600 --> 1:09:49.680
<v Speaker 1>Yeah, you can't, you can't play with this one. You

1:09:49.720 --> 1:09:52.479
<v Speaker 1>can't pressure. I don't think anybody's looking for it for

1:09:52.560 --> 1:09:53.040
<v Speaker 1>there to be.

1:09:53.040 --> 1:09:55.640
<v Speaker 2>Pressure, but their internal world.

1:09:55.439 --> 1:09:58.560
<v Speaker 1>Is, oh, like the yeah, hey I'm talking about.

1:09:58.400 --> 1:10:00.280
<v Speaker 2>I don't think that can still be success. So just

1:10:00.280 --> 1:10:01.960
<v Speaker 2>because you have a dud in this era, you could

1:10:01.960 --> 1:10:04.280
<v Speaker 2>come out three weeks later and no one's gonna remember

1:10:04.320 --> 1:10:04.920
<v Speaker 2>that ship if this.

1:10:04.880 --> 1:10:07.439
<v Speaker 4>Shit is good. But it's just a lot of but

1:10:07.479 --> 1:10:10.280
<v Speaker 4>for the song to work, it's a lot of pressure

1:10:10.320 --> 1:10:14.519
<v Speaker 4>on whatever artist that is because now, because this will

1:10:14.560 --> 1:10:17.519
<v Speaker 4>be the backup plan, right, the first single didn't work,

1:10:17.960 --> 1:10:20.080
<v Speaker 4>the next the next one out the chamber gotta work.

1:10:21.520 --> 1:10:26.920
<v Speaker 4>So if you go, huh.

1:10:25.400 --> 1:10:28.800
<v Speaker 1>He gotta go with Thames, he gotta go with Tims

1:10:28.880 --> 1:10:32.720
<v Speaker 1>or Kailanie. I don't know if I want to hear

1:10:32.720 --> 1:10:33.840
<v Speaker 1>the Kailani Calid record.

1:10:34.600 --> 1:10:37.639
<v Speaker 2>I'm cool with a Thames Calid record. To me makes sense.

1:10:39.600 --> 1:10:44.599
<v Speaker 2>Thames and the Thames an't gonna have a record, not

1:10:44.680 --> 1:10:45.000
<v Speaker 2>that I.

1:10:44.960 --> 1:10:47.519
<v Speaker 1>Know, let's look that up because I could have forgotten.

1:10:49.160 --> 1:10:53.360
<v Speaker 2>Now I could see a Thames in gonna if the

1:10:53.439 --> 1:10:55.040
<v Speaker 2>right favors were pulled.

1:10:55.520 --> 1:10:59.840
<v Speaker 4>M h tams an't gunna. I like that that sounds palatable.

1:11:00.600 --> 1:11:03.519
<v Speaker 4>That would be good. I like that that sounds palatable.

1:11:03.560 --> 1:11:05.160
<v Speaker 4>I'm not mad at that. I would click on that

1:11:05.360 --> 1:11:09.760
<v Speaker 4>to hear what they did. I don't want to hear.

1:11:09.800 --> 1:11:12.320
<v Speaker 2>Beab Bees is always a good, good backup for Kalied

1:11:12.320 --> 1:11:12.880
<v Speaker 2>when he needs it.

1:11:13.400 --> 1:11:15.840
<v Speaker 4>But we got the how many Calid b Beaba records

1:11:15.840 --> 1:11:18.880
<v Speaker 4>we got cut him out? And I feel like if

1:11:18.920 --> 1:11:21.080
<v Speaker 4>it ain't a Calid Biber record, Biber record gonna sound

1:11:21.080 --> 1:11:23.920
<v Speaker 4>like a calid record, Like I don't want to hear that.

1:11:24.040 --> 1:11:27.639
<v Speaker 2>The Beabs and Thames uh that chemistry on the Coachella stage,

1:11:28.560 --> 1:11:33.439
<v Speaker 2>you never know. I'm sure they've worked. I do think

1:11:33.479 --> 1:11:35.280
<v Speaker 2>Khalid is going to a lot of studio sessions and

1:11:35.360 --> 1:11:36.519
<v Speaker 2>listening to a lot of hard drives.

1:11:36.960 --> 1:11:39.400
<v Speaker 4>I'll say that one million. I say that he's been

1:11:39.439 --> 1:11:42.400
<v Speaker 4>in New York for a while. Yes, he's been working

1:11:43.040 --> 1:11:43.639
<v Speaker 4>so well.

1:11:43.720 --> 1:11:45.519
<v Speaker 1>Let's I mean, let's look at the billboard.

1:11:45.720 --> 1:11:48.400
<v Speaker 4>I'm gonna bill Ward put out a listen.

1:11:50.840 --> 1:11:54.160
<v Speaker 2>I could see Thames and Leon Thomas. Khaled does like

1:11:54.360 --> 1:11:58.200
<v Speaker 2>to focus on who liked the up and coming big

1:11:58.320 --> 1:11:59.000
<v Speaker 2>actors as well.

1:11:59.360 --> 1:12:01.800
<v Speaker 4>He gotta have rap on it though. The first thing

1:12:01.840 --> 1:12:02.960
<v Speaker 4>we've got to be raped.

1:12:03.479 --> 1:12:03.680
<v Speaker 3>Do it?

1:12:04.080 --> 1:12:06.479
<v Speaker 1>Yes, some of his biggest hits are not rap at all.

1:12:08.479 --> 1:12:11.840
<v Speaker 1>His biggest hit is a rap.

1:12:13.520 --> 1:12:17.479
<v Speaker 4>It's rapid Jason though Bryson is kind of like, it's

1:12:17.640 --> 1:12:21.640
<v Speaker 4>R and B but it's rap. Nah. Yeah, I mean

1:12:21.680 --> 1:12:22.439
<v Speaker 4>it's it's Bryson.

1:12:22.439 --> 1:12:22.920
<v Speaker 1>It's R and B.

1:12:23.040 --> 1:12:24.760
<v Speaker 3>That's what he does both, so it's kind of you know,

1:12:25.160 --> 1:12:28.280
<v Speaker 3>that's Bryson, so it's not and popped. Also, I'm the

1:12:28.360 --> 1:12:30.040
<v Speaker 3>One's pop. Wild Thoughts is pop.

1:12:30.439 --> 1:12:35.320
<v Speaker 2>Look who's on there rap? It has to be raped,

1:12:35.840 --> 1:12:38.320
<v Speaker 2>it has to be you're same ones. But if you

1:12:38.400 --> 1:12:40.160
<v Speaker 2>go to like the top stream ones, if we want

1:12:40.200 --> 1:12:42.760
<v Speaker 2>to make that matter, because it does. The Khalid like

1:12:43.920 --> 1:12:47.080
<v Speaker 2>the first four, three out of four are not wrapped.

1:12:47.160 --> 1:12:49.800
<v Speaker 1>Wild Thoughts is I'm the one.

1:12:49.920 --> 1:12:53.080
<v Speaker 4>Wild Thoughts for Free Wayne and chanced to rap us

1:12:53.120 --> 1:12:53.920
<v Speaker 4>on there. That's rap.

1:12:54.760 --> 1:12:57.400
<v Speaker 1>Yeah, But I'm the One's not a rap song. It's

1:12:57.439 --> 1:12:58.519
<v Speaker 1>a pop. That's a pop song.

1:12:58.640 --> 1:12:59.559
<v Speaker 4>Is Wayne rapping on there?

1:13:00.080 --> 1:13:02.560
<v Speaker 3>It's not just because of a doesn't make it a

1:13:02.640 --> 1:13:06.120
<v Speaker 3>rap song. It's a pop song. I said, it needs rap.

1:13:06.680 --> 1:13:09.120
<v Speaker 4>You have to have a rapper on the record, which

1:13:09.160 --> 1:13:11.160
<v Speaker 4>is why I said, I like Tim's gunner, that is

1:13:11.280 --> 1:13:13.240
<v Speaker 4>palatable to me, but you need gunner.

1:13:13.280 --> 1:13:15.760
<v Speaker 2>You gotta have rap on this somewhere. He can't just

1:13:15.800 --> 1:13:19.080
<v Speaker 2>give us full straight rm B as the least. Does

1:13:19.120 --> 1:13:22.120
<v Speaker 2>Grease have any rap on it? No Wold thoughts, no.

1:13:26.160 --> 1:13:29.400
<v Speaker 4>Miami Young Miami Wave.

1:13:29.720 --> 1:13:31.080
<v Speaker 1>I don't think so, Na Bro.

1:13:32.000 --> 1:13:35.800
<v Speaker 2>If Khalid was if this was like ten years ago

1:13:36.080 --> 1:13:38.200
<v Speaker 2>and that Young Miami record came out, yes I could

1:13:38.200 --> 1:13:40.400
<v Speaker 2>see klit in Young Miami, that would be the next

1:13:40.439 --> 1:13:43.160
<v Speaker 2>single for sure. But I don't know if Young Miami

1:13:43.400 --> 1:13:45.519
<v Speaker 2>maybe that's going to give that to Khalid, Like maybe

1:13:45.560 --> 1:13:48.519
<v Speaker 2>that's why she left the tour because Klett said she

1:13:48.600 --> 1:13:51.080
<v Speaker 2>gotta go do the record again, mean disrespectful. I don't

1:13:51.080 --> 1:13:53.160
<v Speaker 2>know if Kalleent's in that position now where every artist

1:13:53.280 --> 1:13:55.080
<v Speaker 2>is like, oh, that's the cool thing for me to

1:13:55.160 --> 1:13:55.599
<v Speaker 2>do right now.

1:13:56.200 --> 1:13:56.679
<v Speaker 1>Mm hmmm.

1:13:57.360 --> 1:13:58.760
<v Speaker 4>So we'll see.

1:13:58.800 --> 1:14:02.040
<v Speaker 1>But remember holy Key, the thing I know I know who.

1:14:01.920 --> 1:14:04.679
<v Speaker 4>He gotta go get. I ain't gonna say it because

1:14:04.680 --> 1:14:05.920
<v Speaker 4>I don't work for cal It, but I know who

1:14:05.960 --> 1:14:07.479
<v Speaker 4>he gotta go get. I know who could save him

1:14:07.560 --> 1:14:07.760
<v Speaker 4>right now?

1:14:09.240 --> 1:14:13.640
<v Speaker 1>Who? I'm so sorry. No, I know who I know

1:14:13.720 --> 1:14:15.439
<v Speaker 1>who could who could give him a bomb right now?

1:14:15.520 --> 1:14:15.880
<v Speaker 1>For sure?

1:14:15.960 --> 1:14:19.080
<v Speaker 4>But you gotta pay me for that, all.

1:14:19.040 --> 1:14:21.240
<v Speaker 1>Right, Well we'll bleep it, he said, because we want

1:14:21.280 --> 1:14:24.120
<v Speaker 1>to Don Tolliver. I figured you.

1:14:25.120 --> 1:14:25.360
<v Speaker 4>Yeah.

1:14:28.640 --> 1:14:32.240
<v Speaker 2>But also now you're acting like the commentators that I hate,

1:14:32.280 --> 1:14:35.160
<v Speaker 2>Like that is that's kind of I'm sure Called has

1:14:35.200 --> 1:14:38.680
<v Speaker 2>thought of that, Like, I'm sure that's that's been a

1:14:38.720 --> 1:14:41.240
<v Speaker 2>conversation in a Rock Nation office that hey, we should.

1:14:40.960 --> 1:14:41.519
<v Speaker 1>Go get that guy.

1:14:43.479 --> 1:14:45.200
<v Speaker 4>They did one together years ago.

1:14:45.840 --> 1:14:48.760
<v Speaker 1>Yeah, but Donna's in a whole different hold space.

1:14:48.560 --> 1:14:51.000
<v Speaker 4>Right now, whole different I like the whole different speech.

1:14:51.400 --> 1:14:54.840
<v Speaker 4>You know, it's in a whole different space. Yeah, that

1:14:55.080 --> 1:14:58.519
<v Speaker 4>that would definitely work for sure.

1:15:02.320 --> 1:15:04.400
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<v Speaker 2>But you gotta see the billboard rip ta Keith, Yeah, Stephie.

1:16:39.439 --> 1:16:41.640
<v Speaker 1>R and P. Sorry his name was just listed as

1:16:41.640 --> 1:16:43.200
<v Speaker 1>the producer for that track.

1:16:43.880 --> 1:16:46.320
<v Speaker 2>We got another list, of course halfway through the year.

1:16:46.640 --> 1:16:48.400
<v Speaker 2>How could we stop? But at least R and B

1:16:48.560 --> 1:16:51.200
<v Speaker 2>is getting some looks on these halfway through the year.

1:16:51.320 --> 1:16:55.360
<v Speaker 2>The staff picks from Billboard Hottest R and B Acts

1:16:55.439 --> 1:16:59.080
<v Speaker 2>of twenty twenty six kind of just more on the

1:16:59.120 --> 1:17:00.760
<v Speaker 2>side of reading them. Don't know, we're going to get

1:17:01.240 --> 1:17:02.280
<v Speaker 2>a big argument out.

1:17:02.200 --> 1:17:02.519
<v Speaker 4>Of this one.

1:17:02.640 --> 1:17:04.559
<v Speaker 3>I love how they put this, how they put staff

1:17:04.640 --> 1:17:06.960
<v Speaker 3>picks now so that Billboard doesn't get like now, the

1:17:07.400 --> 1:17:08.479
<v Speaker 3>all the writers get like.

1:17:09.000 --> 1:17:11.880
<v Speaker 4>Yeah, in trouble for it. The hottest K one A

1:17:12.000 --> 1:17:13.360
<v Speaker 4>number ten is already wrong for me.

1:17:13.640 --> 1:17:14.800
<v Speaker 1>But where would she be?

1:17:15.200 --> 1:17:18.559
<v Speaker 4>She got to be hired in top five all pride h.

1:17:20.479 --> 1:17:22.599
<v Speaker 1>K one is hotter than give On right now? Y'all

1:17:22.680 --> 1:17:23.360
<v Speaker 1>know I love Givey.

1:17:23.600 --> 1:17:27.680
<v Speaker 4>That is a fact, Duran, But now he might need

1:17:27.720 --> 1:17:29.799
<v Speaker 4>to be hired. He was just nominated for how many Grammys?

1:17:30.280 --> 1:17:30.639
<v Speaker 4>A lot?

1:17:31.280 --> 1:17:33.479
<v Speaker 3>Yeah, well let's see who's hired in them before we

1:17:33.560 --> 1:17:36.720
<v Speaker 3>make that judgment. Brent, all of them people need to

1:17:36.720 --> 1:17:38.320
<v Speaker 3>be hired and Brent respectfully right now.

1:17:38.800 --> 1:17:40.439
<v Speaker 2>And I mean, I really like Brent's album.

1:17:40.479 --> 1:17:45.160
<v Speaker 3>But I hear you what Duran K one And they

1:17:45.200 --> 1:17:48.360
<v Speaker 3>said I don't know about Givian give you On?

1:17:48.560 --> 1:17:49.120
<v Speaker 1>Yeah, I don't know.

1:17:49.479 --> 1:17:51.720
<v Speaker 3>Okay, they have give I mean they have Durant at

1:17:52.680 --> 1:17:56.080
<v Speaker 3>eight and they have Brent at seven, Joe Scott at six.

1:17:56.240 --> 1:18:01.360
<v Speaker 2>Okay, listen. Where I just disagree with this list is

1:18:01.400 --> 1:18:03.519
<v Speaker 2>the word hottest. That's what I'm focusing. Yes, hot, like

1:18:03.560 --> 1:18:06.720
<v Speaker 2>I like Jill Scott's album, but hottest, like even to

1:18:06.760 --> 1:18:08.320
<v Speaker 2>give You I Don't Give You On is the hottest.

1:18:08.560 --> 1:18:11.840
<v Speaker 3>No, Chris Brown is selling out stadiums. Well, he's number five,

1:18:13.400 --> 1:18:17.080
<v Speaker 3>he's five. Ray is number ray or four. I really

1:18:17.160 --> 1:18:19.280
<v Speaker 3>love Ray is really hot, but I don't know if

1:18:19.280 --> 1:18:22.400
<v Speaker 3>she's hotter than Chris Brown right now. Tims is hot

1:18:22.439 --> 1:18:24.200
<v Speaker 3>I don't know if Tims is hotter than k one

1:18:25.840 --> 1:18:27.200
<v Speaker 3>in durand right now?

1:18:28.880 --> 1:18:31.200
<v Speaker 1>Is she R and B? And is she R and B?

1:18:31.360 --> 1:18:32.280
<v Speaker 4>And is she R and B?

1:18:32.800 --> 1:18:35.560
<v Speaker 1>Which is her R and B songs go crazy? But

1:18:35.880 --> 1:18:37.200
<v Speaker 1>I don't know if that's the bulk of her.

1:18:38.000 --> 1:18:40.200
<v Speaker 2>The core of her stuff is definitely afrobeats. Her solo

1:18:40.240 --> 1:18:43.479
<v Speaker 2>stuff is afrobeats to me. But she sings R and

1:18:43.560 --> 1:18:46.800
<v Speaker 2>B on afrobeats, So yeah, she can go in twenty

1:18:46.840 --> 1:18:47.240
<v Speaker 2>twenty six.

1:18:47.320 --> 1:18:48.120
<v Speaker 4>Maybe that is R and B.

1:18:48.800 --> 1:18:51.320
<v Speaker 2>Afrobeats is one of the biggest genres, but there's gonna

1:18:51.360 --> 1:18:55.200
<v Speaker 2>be some type of gray area. Okay, Like I wouldn't

1:18:55.200 --> 1:18:56.840
<v Speaker 2>say she is an R and B, but she's not

1:18:57.120 --> 1:18:59.720
<v Speaker 2>like a solely an R and B artist like a Kailani.

1:18:59.479 --> 1:19:00.599
<v Speaker 1>Is Leones two.

1:19:01.320 --> 1:19:03.920
<v Speaker 4>He was number two last year, so he ain't.

1:19:04.120 --> 1:19:05.519
<v Speaker 1>Honey is number one right now.

1:19:06.439 --> 1:19:08.040
<v Speaker 2>I'm not mad at that. I just think Chris Brown

1:19:08.080 --> 1:19:09.240
<v Speaker 2>should be top three.

1:19:09.760 --> 1:19:13.360
<v Speaker 3>Yes, I agree Chris Brown is hotter than Leon. Leon

1:19:13.439 --> 1:19:15.439
<v Speaker 3>Thomas is hot, but Chris Brown is always hotter than

1:19:15.479 --> 1:19:16.080
<v Speaker 3>these people.

1:19:16.240 --> 1:19:18.880
<v Speaker 2>I almost you know how I feel about Leon. But

1:19:19.760 --> 1:19:21.920
<v Speaker 2>the person that's opening up for the guy can't be

1:19:22.280 --> 1:19:27.519
<v Speaker 2>higher on this than the guy. We'll be told the

1:19:27.640 --> 1:19:29.200
<v Speaker 2>opener can't be hotter than the headline.

1:19:29.240 --> 1:19:31.200
<v Speaker 4>Almost. I almost was gonna buy tickets to that usher

1:19:31.240 --> 1:19:34.000
<v Speaker 4>Chris Brown show. But then I saw a clip and

1:19:34.320 --> 1:19:35.760
<v Speaker 4>she got it. She got his ass hot.

1:19:35.800 --> 1:19:38.760
<v Speaker 1>I'm like, as way cool.

1:19:39.040 --> 1:19:40.720
<v Speaker 4>I'm like, I'm cool, man, I can't That ain't for me.

1:19:40.800 --> 1:19:41.920
<v Speaker 4>I think that's for the lady. I think it's the

1:19:42.000 --> 1:19:47.000
<v Speaker 4>Lady's only tour, like if you know those legends. But

1:19:47.040 --> 1:19:48.200
<v Speaker 4>I think I'm gonna sit this one out.

1:19:48.920 --> 1:19:51.360
<v Speaker 2>Well, in the clip, you'll probably know when that set is,

1:19:51.479 --> 1:19:53.040
<v Speaker 2>like when he brings the lamp, I'll just close out.

1:19:53.040 --> 1:19:55.680
<v Speaker 4>It's no, no, I'm cool zooming. I think it's the

1:19:55.760 --> 1:19:59.600
<v Speaker 4>ladies only, ladies only, I believe. I think that's what

1:19:59.640 --> 1:20:01.879
<v Speaker 4>the ticket say. I mean, it's it's just butchies.

1:20:02.880 --> 1:20:07.400
<v Speaker 3>You barely saw a crack. I'll see more pg just

1:20:07.439 --> 1:20:08.840
<v Speaker 3>crack in this office than that.

1:20:10.520 --> 1:20:12.760
<v Speaker 2>Yeah, that's not gonna stop me from singing you got

1:20:12.800 --> 1:20:13.519
<v Speaker 2>it bad at the show.

1:20:14.280 --> 1:20:16.320
<v Speaker 3>Mind you, the person on the phone zoomed in. If

1:20:16.360 --> 1:20:17.519
<v Speaker 3>you were at the show, I don't even think you

1:20:17.560 --> 1:20:18.120
<v Speaker 3>would notice that.

1:20:18.479 --> 1:20:22.160
<v Speaker 2>Maybe that was just at that show and his pants sacks, like,

1:20:22.240 --> 1:20:24.360
<v Speaker 2>maybe that's not that's part of it, as part of it.

1:20:25.320 --> 1:20:27.880
<v Speaker 4>First of all, Usher is he might be in the

1:20:27.920 --> 1:20:31.120
<v Speaker 4>midlife crisis. Let's let's talk about it. He got his

1:20:31.240 --> 1:20:33.720
<v Speaker 4>ass out on tour, on his tour right now, and

1:20:33.840 --> 1:20:36.720
<v Speaker 4>we love Usher, super legend. He got his ass out

1:20:36.760 --> 1:20:38.040
<v Speaker 4>at the show and then he.

1:20:38.120 --> 1:20:41.240
<v Speaker 1>Came to the Yankee stayed in with jay Z.

1:20:41.360 --> 1:20:41.560
<v Speaker 4>What is?

1:20:41.680 --> 1:20:41.880
<v Speaker 2>What is?

1:20:42.040 --> 1:20:42.800
<v Speaker 4>It? Was chested out?

1:20:43.280 --> 1:20:45.160
<v Speaker 3>Yeah, I mean he's an R and B singer. Let's

1:20:45.160 --> 1:20:47.920
<v Speaker 3>bring back now, let's bring R and B. Put his

1:20:48.040 --> 1:20:50.040
<v Speaker 3>shirt on, man, No R and B used to be

1:20:50.479 --> 1:20:51.200
<v Speaker 3>jay Z show.

1:20:51.240 --> 1:20:54.559
<v Speaker 4>You can put your shirt on, Nahu that leather jacket

1:20:54.600 --> 1:20:58.320
<v Speaker 4>on with no shirt, R and B that this is

1:20:58.479 --> 1:21:01.680
<v Speaker 4>jay Z's concert, So put a shirt off.

1:21:01.720 --> 1:21:06.000
<v Speaker 1>Man, How many rappers take their shirts saying this is

1:21:06.120 --> 1:21:07.040
<v Speaker 1>jay Z's concert.

1:21:07.120 --> 1:21:08.840
<v Speaker 4>Ain't no rapper take their shirt off? At jay Jhoe

1:21:09.520 --> 1:21:11.400
<v Speaker 4>who had their shirt off? It was the only nigga

1:21:11.400 --> 1:21:12.559
<v Speaker 4>in the hood of Rate staying in with the shirt.

1:21:12.640 --> 1:21:14.559
<v Speaker 1>I guarantee R Kelly had his shirt off at wood show.

1:21:15.160 --> 1:21:19.360
<v Speaker 1>It was two shows and know he didn't. We talk

1:21:19.439 --> 1:21:22.960
<v Speaker 1>about sure he took his shirt off shows.

1:21:23.000 --> 1:21:26.920
<v Speaker 4>Maybe three and know he did not. Yeah, I'm just

1:21:26.920 --> 1:21:28.720
<v Speaker 4>saying she's going through something right now. He trying to

1:21:28.720 --> 1:21:30.400
<v Speaker 4>think you're going through something. He has R and B show.

1:21:30.520 --> 1:21:31.240
<v Speaker 1>I know he's the eldest.

1:21:31.479 --> 1:21:33.679
<v Speaker 2>How many rap shows is rappers just where they shirt

1:21:33.680 --> 1:21:34.360
<v Speaker 2>off the whole time?

1:21:34.560 --> 1:21:36.680
<v Speaker 4>We're talking about that at jay z concert? Why do

1:21:36.720 --> 1:21:39.360
<v Speaker 4>you I've never seen tips shirt jay Z show. I'm

1:21:39.360 --> 1:21:41.000
<v Speaker 4>talking about ya Kee talking about a rap show. I'm

1:21:41.000 --> 1:21:42.080
<v Speaker 4>talking about jay Z's.

1:21:42.640 --> 1:21:44.400
<v Speaker 3>What is okay? So it's still a rap show? What

1:21:44.560 --> 1:21:47.519
<v Speaker 3>makes his show so different that people can't have their

1:21:47.520 --> 1:21:48.200
<v Speaker 3>shirts off at it?

1:21:48.360 --> 1:21:51.240
<v Speaker 2>And they were performing throw that you're a Confessions record.

1:21:51.400 --> 1:21:52.000
<v Speaker 4>He's a guest.

1:21:54.520 --> 1:21:55.040
<v Speaker 1>He's a guest.

1:21:55.080 --> 1:21:56.920
<v Speaker 2>I've definitely had my shirt off at the guest house before.

1:21:57.880 --> 1:22:01.880
<v Speaker 4>That's why they didn't invite you, batter, you're a guest.

1:22:02.000 --> 1:22:06.000
<v Speaker 4>Keep your shirt on? Yeah, usher Man, no man?

1:22:06.400 --> 1:22:08.479
<v Speaker 1>You singing the hook? The game and why you got

1:22:08.560 --> 1:22:09.320
<v Speaker 1>a new song.

1:22:09.400 --> 1:22:12.400
<v Speaker 2>Produced by Swizz and Timberland Day. The verses created by

1:22:12.479 --> 1:22:17.759
<v Speaker 2>Swiss and Timberland happened coincidence. I just know if today

1:22:17.840 --> 1:22:19.519
<v Speaker 2>is the day to talk about organized crime.

1:22:22.640 --> 1:22:24.360
<v Speaker 1>Wheybe they had like scheduled it to come out.

1:22:25.240 --> 1:22:25.600
<v Speaker 3>Maybe it was.

1:22:25.560 --> 1:22:27.680
<v Speaker 2>Pretty Actually it sounds it sounds great. I mean the

1:22:27.840 --> 1:22:28.800
<v Speaker 2>West Coast sample like.

1:22:28.800 --> 1:22:32.320
<v Speaker 4>That sample probably two hundred times already, but it still

1:22:32.400 --> 1:22:34.760
<v Speaker 4>works every time. No, that's what I'm saying. That's that's

1:22:34.800 --> 1:22:36.519
<v Speaker 4>what the car record was to get grab the ear

1:22:36.640 --> 1:22:39.600
<v Speaker 4>like this sounds familiar and notice this this song. But

1:22:39.720 --> 1:22:42.200
<v Speaker 4>it's like you would hate a little bit, how a

1:22:42.240 --> 1:22:44.080
<v Speaker 4>little bit telling us to keep his shirt on? This

1:22:44.280 --> 1:22:48.120
<v Speaker 4>is hating out of jay Z. Hey, I'm not saying

1:22:48.200 --> 1:22:50.840
<v Speaker 4>keep your shirt on him and Chris Brown show when

1:22:50.840 --> 1:22:52.360
<v Speaker 4>you're coming out to sing a hook with jay Z,

1:22:52.479 --> 1:22:53.920
<v Speaker 4>you can put a fucking shirt on, Bro.

1:22:55.840 --> 1:22:57.759
<v Speaker 3>Maybe you spilled it was I mean, they was backstage

1:22:57.800 --> 1:22:59.600
<v Speaker 3>for mad fucking long. Maybe he spelled something on it.

1:23:00.040 --> 1:23:02.439
<v Speaker 3>In the meantime, there was mad merch in the building.

1:23:04.280 --> 1:23:06.519
<v Speaker 3>There was merch everywhere that nigga could have put.

1:23:06.439 --> 1:23:08.479
<v Speaker 2>On, putting on a merch tea with leather pants.

1:23:08.600 --> 1:23:10.200
<v Speaker 4>He could have put on a duce a T shirt.

1:23:10.280 --> 1:23:12.320
<v Speaker 4>He could have put on a Yankee jersey, he could

1:23:12.320 --> 1:23:14.960
<v Speaker 4>have put on all kind of shit. No, he's in here.

1:23:15.560 --> 1:23:16.080
<v Speaker 1>I'm telling you.

1:23:16.200 --> 1:23:18.880
<v Speaker 4>He knows. He's the elder statesman in R and B.

1:23:19.000 --> 1:23:21.679
<v Speaker 4>He on tour with this young hot nigga, Chris Brown.

1:23:22.080 --> 1:23:24.040
<v Speaker 4>He wanted to show nigga I'm in shape, nigga. I'm

1:23:24.080 --> 1:23:26.240
<v Speaker 4>forty plus years old, my ship.

1:23:26.240 --> 1:23:29.600
<v Speaker 2>That's that's not a midlife Like if he looks like

1:23:29.720 --> 1:23:31.599
<v Speaker 2>Bobby Brown now and came out without a shirt, I'd

1:23:31.600 --> 1:23:33.080
<v Speaker 2>be like, this may be a mid life Prices should

1:23:33.080 --> 1:23:33.920
<v Speaker 2>put a shirt on your body.

1:23:34.360 --> 1:23:36.200
<v Speaker 4>That's called body shaming, baby d in my correct? Oh

1:23:36.320 --> 1:23:38.080
<v Speaker 4>I think is that called body shaming?

1:23:38.120 --> 1:23:38.599
<v Speaker 1>Baby d? Am?

1:23:38.640 --> 1:23:43.080
<v Speaker 4>I correct? Am? I correct? Baby? Is that body shame?

1:23:43.760 --> 1:23:45.920
<v Speaker 2>I think we need more of that in the world. Yeah, Sam,

1:23:46.000 --> 1:23:48.840
<v Speaker 2>body shaving. See, I'm not body shaming. My body doesn't

1:23:48.840 --> 1:23:49.160
<v Speaker 2>look great.

1:23:50.360 --> 1:23:51.360
<v Speaker 1>Put a shirt on at a.

1:23:51.400 --> 1:23:53.559
<v Speaker 4>Jay Z show. You don't got to sexy niggas out

1:23:53.560 --> 1:23:54.320
<v Speaker 4>at the jay Z show.

1:23:55.120 --> 1:23:55.600
<v Speaker 1>This ain't that.

1:23:56.320 --> 1:23:59.720
<v Speaker 3>This nigga up here, you niggas wasn't in half and

1:24:00.040 --> 1:24:02.799
<v Speaker 3>it with the doves or I mean with the dancers,

1:24:02.880 --> 1:24:03.320
<v Speaker 3>not the doves.

1:24:03.360 --> 1:24:07.320
<v Speaker 4>The dancers was not half naked. She had on the

1:24:07.360 --> 1:24:10.040
<v Speaker 4>T shirt and shorts them shorts was this long bull

1:24:10.240 --> 1:24:12.160
<v Speaker 4>all right? So she didn't have fucking capris on. So

1:24:12.280 --> 1:24:14.240
<v Speaker 4>now so that mean she was half naked.

1:24:14.520 --> 1:24:15.800
<v Speaker 1>Ass was out and that's okay.

1:24:16.600 --> 1:24:19.840
<v Speaker 3>But respectfully, yeah, no, why complain about that because it's

1:24:19.920 --> 1:24:21.599
<v Speaker 3>us Sure we can't the ladies can't get nothing.

1:24:22.200 --> 1:24:24.840
<v Speaker 4>I'm just saying this is that's first of all, that's

1:24:24.880 --> 1:24:29.320
<v Speaker 4>Jay's wife, so cool, nigga, you a guest, put a

1:24:29.479 --> 1:24:32.439
<v Speaker 4>put a shirt on, bro the same, This is hip hop,

1:24:33.479 --> 1:24:36.760
<v Speaker 4>the same. Sexy Tom, don't you come try to sexy

1:24:36.800 --> 1:24:37.599
<v Speaker 4>out Yankee Stadium?

1:24:38.120 --> 1:24:41.479
<v Speaker 2>The throwback a Confessions record, Yes it was, it was

1:24:41.560 --> 1:24:42.080
<v Speaker 2>sexy Time.

1:24:43.040 --> 1:24:44.960
<v Speaker 4>Yeah, he did that song mad Times with a shirt on.

1:24:46.280 --> 1:24:49.519
<v Speaker 4>He performed those records, Matt. Matter of fact, I saw

1:24:49.600 --> 1:24:50.040
<v Speaker 4>him at his.

1:24:50.200 --> 1:24:52.800
<v Speaker 2>Show at bock Clay's last year and he had a

1:24:52.840 --> 1:24:55.360
<v Speaker 2>shirt on. Mall's talking like Jadakiss came out with a

1:24:55.400 --> 1:24:57.280
<v Speaker 2>shirt off. We told her an R and B singer

1:24:57.360 --> 1:24:58.360
<v Speaker 2>named our shirt dude.

1:24:58.880 --> 1:25:00.920
<v Speaker 1>I don't think he's going through midlife crisis.

1:25:01.040 --> 1:25:04.040
<v Speaker 4>I just I think he still when you sit down,

1:25:04.160 --> 1:25:06.160
<v Speaker 4>when he sit down with fucking what's my guy's name?

1:25:06.240 --> 1:25:07.800
<v Speaker 4>Or theybody sit down when they're having a midlife price.

1:25:07.840 --> 1:25:09.479
<v Speaker 2>So you know what, I'm gonna get them all here,

1:25:09.640 --> 1:25:12.439
<v Speaker 2>j Sheddy, Who's that to Maris what's more of a

1:25:12.479 --> 1:25:15.160
<v Speaker 2>mid life crisis usher coming out with his shirt off

1:25:15.720 --> 1:25:17.920
<v Speaker 2>or Jay Z at his age with security wearing a

1:25:17.960 --> 1:25:20.280
<v Speaker 2>bulletproof vest on stage. What's more of a midlife crisis?

1:25:20.400 --> 1:25:21.400
<v Speaker 2>What's more of a midlight crisis?

1:25:21.439 --> 1:25:23.200
<v Speaker 4>How is that a midlife crisis? Like, first of all,

1:25:23.240 --> 1:25:25.200
<v Speaker 4>he was it's a it's a it's an anniversary to

1:25:25.240 --> 1:25:26.800
<v Speaker 4>this thirty years, thirty year album.

1:25:26.880 --> 1:25:30.080
<v Speaker 2>That's a uniform that represents his music. Usher without a

1:25:30.120 --> 1:25:31.880
<v Speaker 2>shirt is a uniform.

1:25:31.600 --> 1:25:32.120
<v Speaker 1>Of his music.

1:25:32.720 --> 1:25:34.400
<v Speaker 2>That's what R and B singers do. No, it's not,

1:25:34.640 --> 1:25:37.040
<v Speaker 2>And I think there's nothing wrong with Jay wearing that.

1:25:37.080 --> 1:25:39.000
<v Speaker 3>Ain't take their shirt over that because these niggas don't

1:25:39.000 --> 1:25:39.880
<v Speaker 3>have nice bodies no more.

1:25:39.880 --> 1:25:41.320
<v Speaker 1>And that's my point again, y'all mad.

1:25:42.240 --> 1:25:45.519
<v Speaker 4>Make R and B singers on the same pace to

1:25:45.560 --> 1:25:48.840
<v Speaker 4>be healthy body, make ur stop drinking, glean and do

1:25:48.960 --> 1:25:52.000
<v Speaker 4>some sit ups. I'm saying that a jay Z anniversary show,

1:25:52.360 --> 1:25:53.920
<v Speaker 4>you could come out do your R and B ship.

1:25:54.160 --> 1:25:55.000
<v Speaker 4>You can put a shirt on.

1:25:55.360 --> 1:25:57.240
<v Speaker 2>If you don't wear a through vest, which I thought

1:25:57.360 --> 1:25:59.120
<v Speaker 2>was great. I thought that was the coolest ship that

1:25:59.280 --> 1:26:02.920
<v Speaker 2>Hope could wear for those anniversaries. I think somebody his age,

1:26:03.000 --> 1:26:05.080
<v Speaker 2>from his era as an R and B artist, when

1:26:05.120 --> 1:26:08.000
<v Speaker 2>they're in shape, should go no shirt. We're representing the

1:26:08.120 --> 1:26:09.120
<v Speaker 2>arrass crazy as hell.

1:26:09.200 --> 1:26:11.240
<v Speaker 3>I want I want to find niggas back in music again.

1:26:11.280 --> 1:26:14.559
<v Speaker 3>Remember ll These rappers don't look like no more. Every

1:26:14.640 --> 1:26:16.800
<v Speaker 3>rapper is ugly as the fuck, and I'm tired of

1:26:16.840 --> 1:26:20.400
<v Speaker 3>that ship. No, I'm cool, but I want him to

1:26:20.439 --> 1:26:23.439
<v Speaker 3>look like LLL again, Like I bring sexy back to music.

1:26:23.560 --> 1:26:23.680
<v Speaker 4>Yo.

1:26:24.720 --> 1:26:25.439
<v Speaker 1>That's all I'm saying.

1:26:26.320 --> 1:26:28.360
<v Speaker 4>Breakway before before we do.

1:26:28.800 --> 1:26:32.360
<v Speaker 2>What happened was rappers used to take steroids, only take ozimpic.

1:26:34.880 --> 1:26:36.160
<v Speaker 4>Whatever you stopped us to do that.

1:26:37.240 --> 1:26:38.680
<v Speaker 2>I was gonna go in a conversation, but then you

1:26:38.760 --> 1:26:43.120
<v Speaker 2>got mad. I was gonna go to a conversation, but

1:26:43.160 --> 1:26:44.160
<v Speaker 2>then you look like I don't want to talk.

1:26:44.680 --> 1:26:48.519
<v Speaker 1>No, he got a p. He wanted to talk about ozimpic.

1:26:49.439 --> 1:26:52.960
<v Speaker 1>Shut the fuck up. It's an epidemic. No, go ahead,

1:26:53.360 --> 1:26:53.760
<v Speaker 1>keep talking.

1:26:53.800 --> 1:26:56.760
<v Speaker 3>Let ma p what you was saying about Olympic. You

1:26:56.920 --> 1:26:59.080
<v Speaker 3>talking about mid life crisis. Nigga, you can't even get

1:26:59.120 --> 1:27:01.840
<v Speaker 3>up off the couch. Oh was the one I kept

1:27:01.840 --> 1:27:02.679
<v Speaker 3>trying to make, but Mall.

1:27:02.600 --> 1:27:06.439
<v Speaker 1>Kept stepping on it. Peeves over here.

1:27:06.840 --> 1:27:09.560
<v Speaker 3>I was trying to segue, but mal kept stepping on

1:27:09.680 --> 1:27:10.840
<v Speaker 3>the segway peages over.

1:27:10.720 --> 1:27:11.080
<v Speaker 1>Here, dying.

1:27:11.120 --> 1:27:14.920
<v Speaker 3>I'm like, I'm trying to move a time. No, I

1:27:15.040 --> 1:27:17.320
<v Speaker 3>was trying to I was trying to know. I was

1:27:17.439 --> 1:27:20.360
<v Speaker 3>trying to say that what the fuck was I trying

1:27:20.400 --> 1:27:24.760
<v Speaker 3>to say? The Billboard list like transfer from Calits. Yeah

1:27:24.800 --> 1:27:27.600
<v Speaker 3>I did I did hear, Yeah, I did hear that

1:27:28.080 --> 1:27:28.639
<v Speaker 3>that ship.

1:27:28.560 --> 1:27:30.559
<v Speaker 1>Pieces over here. He was over here fucking dying.

1:27:31.760 --> 1:27:34.679
<v Speaker 4>Yeah, I had me to step on your transmission, baby,

1:27:37.120 --> 1:27:39.120
<v Speaker 4>I ain't mean to step on them all.

1:27:39.080 --> 1:27:42.400
<v Speaker 2>Right, Well, since we're on transmissions before we get to

1:27:42.479 --> 1:27:43.720
<v Speaker 2>new music, can we talked about last week?

1:27:44.720 --> 1:27:45.840
<v Speaker 1>Okay, what happened last week?

1:27:46.479 --> 1:27:48.559
<v Speaker 2>That was like one of my favorite new music Fridays

1:27:49.800 --> 1:27:52.400
<v Speaker 2>of the year. It was like my my type of

1:27:52.520 --> 1:27:54.400
<v Speaker 2>R and B all decided to drop in one day,

1:27:54.560 --> 1:27:56.280
<v Speaker 2>Like it took me a week to even get to

1:27:56.360 --> 1:28:02.479
<v Speaker 2>everyone's project. Sego Fix Your Face. It's my favorite mis

1:28:02.520 --> 1:28:05.840
<v Speaker 2>Sago album today. It's hard like it's it's his best music.

1:28:06.640 --> 1:28:09.679
<v Speaker 2>Omre Pali incredible And and I don't.

1:28:09.560 --> 1:28:11.760
<v Speaker 4>Like the fact that you ain't talking about everybody told

1:28:11.760 --> 1:28:14.240
<v Speaker 4>about Jay cutting this here, you ain't talk about Seago cutting.

1:28:14.040 --> 1:28:15.920
<v Speaker 1>His well, I didn't see it was.

1:28:16.080 --> 1:28:17.680
<v Speaker 4>I mean the first single that, yeah, it was, that

1:28:17.760 --> 1:28:21.120
<v Speaker 4>was part of it. Yeah, like me cut his ship too,

1:28:22.200 --> 1:28:22.800
<v Speaker 4>That's what's up?

1:28:23.640 --> 1:28:26.920
<v Speaker 1>Yeah, Dame, you know what I'm saying, like just cutting

1:28:26.920 --> 1:28:27.280
<v Speaker 1>their head.

1:28:29.520 --> 1:28:31.200
<v Speaker 2>You know why you're not talking about I hate that

1:28:31.320 --> 1:28:33.120
<v Speaker 2>long like to cut it, I.

1:28:33.160 --> 1:28:34.720
<v Speaker 3>Mean, but like I like to see you. You know

1:28:34.760 --> 1:28:39.000
<v Speaker 3>what I'm saying, what with wave length? With waves waves man,

1:28:40.400 --> 1:28:41.120
<v Speaker 3>maybe see sick.

1:28:41.320 --> 1:28:48.320
<v Speaker 4>I got vertigo already. It's really slow three three got

1:28:48.400 --> 1:28:55.200
<v Speaker 4>three slow claps and he got three. You test your

1:28:55.240 --> 1:28:58.360
<v Speaker 4>heart monitor, you might be stroking out.

1:28:58.800 --> 1:29:01.720
<v Speaker 2>Check the comments that that one's gonna age. Well, the

1:29:01.800 --> 1:29:03.960
<v Speaker 2>internet will slow birth. The Internet will prove that that

1:29:04.080 --> 1:29:04.920
<v Speaker 2>one was a good joke.

1:29:05.439 --> 1:29:06.320
<v Speaker 1>You guys are wrong.

1:29:06.840 --> 1:29:08.320
<v Speaker 4>Yeah, that's a slow bird. That might be a slow

1:29:08.360 --> 1:29:10.200
<v Speaker 4>bird right there. You right, that's a slow bird for sure.

1:29:10.960 --> 1:29:13.639
<v Speaker 2>But also I have to give mall some flowers outside

1:29:13.640 --> 1:29:16.599
<v Speaker 2>of like yes please Ombre. We already know what Tommon

1:29:16.720 --> 1:29:18.840
<v Speaker 2>is with her happy she has this project out. But

1:29:18.920 --> 1:29:21.640
<v Speaker 2>it does add into Maul's theory of lesbians making the

1:29:21.680 --> 1:29:24.639
<v Speaker 2>best star beatio. We forgot to add Ambre onto.

1:29:24.520 --> 1:29:27.640
<v Speaker 4>That listing to tell yeah, you're not listening, you're not

1:29:27.760 --> 1:29:31.680
<v Speaker 4>doing the science with me. The lesbians are running R

1:29:31.760 --> 1:29:32.439
<v Speaker 4>and B right now?

1:29:33.320 --> 1:29:35.120
<v Speaker 1>Is it that the lesbians are running R and B?

1:29:35.360 --> 1:29:37.040
<v Speaker 1>Or is it that everybody's a lesbian?

1:29:38.760 --> 1:29:43.640
<v Speaker 2>Things the percentages and two things can be true. But

1:29:44.240 --> 1:29:46.800
<v Speaker 2>Sid dropped in a dope project, Beard, which is a

1:29:46.960 --> 1:29:47.719
<v Speaker 2>hilarious title.

1:29:48.120 --> 1:29:52.360
<v Speaker 4>Hilarious title. We know what Sid doing. Ombre another dope project.

1:29:52.439 --> 1:29:52.920
<v Speaker 1>Did you get.

1:29:54.560 --> 1:29:55.280
<v Speaker 4>How good is that shit?

1:29:55.479 --> 1:29:55.799
<v Speaker 1>Crazy?

1:29:55.920 --> 1:29:58.599
<v Speaker 4>But to me, she doesn't have a bad project. She's

1:29:58.600 --> 1:30:04.880
<v Speaker 4>so good like m Rate another dope project like the

1:30:05.000 --> 1:30:08.439
<v Speaker 4>Lesbie honest, because the best music is made about women.

1:30:09.120 --> 1:30:09.439
<v Speaker 1>That's why.

1:30:09.880 --> 1:30:11.479
<v Speaker 3>That's why hip hop ain't good nowere all they want

1:30:11.479 --> 1:30:12.760
<v Speaker 3>to talk about is disrespecting women.

1:30:12.760 --> 1:30:14.640
<v Speaker 1>If he was to talk about loving women the music, now,

1:30:14.840 --> 1:30:18.120
<v Speaker 1>that's that's just today they started in mail R and

1:30:18.200 --> 1:30:20.400
<v Speaker 1>B talk about loving women. It'll get better.

1:30:21.920 --> 1:30:23.360
<v Speaker 4>Well, I mean the R and B, the R and

1:30:23.439 --> 1:30:26.479
<v Speaker 4>B artist is this there's some gay representation on that

1:30:26.600 --> 1:30:27.640
<v Speaker 4>side as well. Good R and B.

1:30:28.320 --> 1:30:34.519
<v Speaker 1>Duran cleaning Niggas up smoking my second favorite album last

1:30:34.560 --> 1:30:38.519
<v Speaker 1>year and they say. Leon Thomas looked like, see, we're.

1:30:38.400 --> 1:30:38.760
<v Speaker 4>Not doing that.

1:30:38.840 --> 1:30:40.200
<v Speaker 1>You ain't say that. When he was here to face

1:30:40.640 --> 1:30:42.360
<v Speaker 1>they said, that's crazy.

1:30:43.880 --> 1:30:48.719
<v Speaker 4>Mad the meme when but you're retweeting it though you retweet,

1:30:48.760 --> 1:30:51.200
<v Speaker 4>I didn't retweet. I know I love him whenever you

1:30:51.320 --> 1:30:54.160
<v Speaker 4>say they first of all, that's they.

1:30:53.720 --> 1:30:55.920
<v Speaker 3>Laughed, at it. He on the real I'm referring to

1:30:56.040 --> 1:30:58.240
<v Speaker 3>he's on the real laughing. They say that he looks

1:30:58.240 --> 1:30:58.799
<v Speaker 3>like a lesbian.

1:31:00.520 --> 1:31:01.760
<v Speaker 4>Okay, if he's okay with him.

1:31:01.840 --> 1:31:08.120
<v Speaker 1>He laughed at it. It's funny. Leon.

1:31:08.200 --> 1:31:10.439
<v Speaker 4>I'm only laughing because you laugh, Like I ain't laughing

1:31:10.479 --> 1:31:11.120
<v Speaker 4>if you ain't laughing.

1:31:11.160 --> 1:31:12.920
<v Speaker 3>But we know Leon's not gay. Leon get bitches. But

1:31:12.960 --> 1:31:14.799
<v Speaker 3>they say he looks like you don't know his situation.

1:31:15.640 --> 1:31:17.679
<v Speaker 3>I'm sorry, he can be in a committed relationship.

1:31:17.720 --> 1:31:19.000
<v Speaker 4>He might get niggas in bitches.

1:31:20.280 --> 1:31:21.679
<v Speaker 2>I meant like he may have a girl.

1:31:21.720 --> 1:31:23.640
<v Speaker 4>I'm just saying, we don't know, we don't know.

1:31:24.120 --> 1:31:26.160
<v Speaker 3>I think I know that Leon, I don't get niggas. Okay,

1:31:26.360 --> 1:31:28.240
<v Speaker 3>we don't don't want the niggas that he may get.

1:31:28.640 --> 1:31:29.479
<v Speaker 3>Let's just changeing.

1:31:31.040 --> 1:31:35.120
<v Speaker 1>That was the greatest Ombre's girlfriend is gorgeous.

1:31:35.280 --> 1:31:38.040
<v Speaker 4>Yeah you hate him for a relationship, that's shout out

1:31:38.080 --> 1:31:39.920
<v Speaker 4>the Armbred. Another dope project man.

1:31:40.320 --> 1:31:42.840
<v Speaker 2>Steve Lacy, came out as well. Oh yeah, it was

1:31:42.880 --> 1:31:45.479
<v Speaker 2>a great music Friday last week. Like, I can't say

1:31:45.560 --> 1:31:46.240
<v Speaker 2>enough about Steve.

1:31:46.320 --> 1:31:48.320
<v Speaker 4>Steve is gay, right, I don't.

1:31:48.120 --> 1:31:50.920
<v Speaker 2>Know, And I know some people find that offensive, but

1:31:51.080 --> 1:31:52.600
<v Speaker 2>I'm not sure, and I think that may have been

1:31:52.680 --> 1:31:52.920
<v Speaker 2>a thing.

1:31:52.960 --> 1:31:53.280
<v Speaker 1>I don't know.

1:31:53.360 --> 1:31:54.040
<v Speaker 4>He flew.

1:31:54.400 --> 1:31:56.599
<v Speaker 1>Well, stop talking, I don't know, Please stop talking.

1:31:57.000 --> 1:32:00.280
<v Speaker 4>I'm why y'all get mad. I'm asking, I'm searching for

1:32:00.400 --> 1:32:02.000
<v Speaker 4>the answers. I'm asking questions.

1:32:03.120 --> 1:32:05.519
<v Speaker 2>He's strictly I said, he's strictly straight.

1:32:05.640 --> 1:32:11.680
<v Speaker 1>He identifies his sexuality is not strictly straight, fluid like

1:32:11.720 --> 1:32:12.960
<v Speaker 1>you said, Mom, Okay.

1:32:12.760 --> 1:32:15.559
<v Speaker 4>See, I'll be saying ship and y'all be thinking I'm trying.

1:32:15.400 --> 1:32:17.120
<v Speaker 1>To be funny and just offended you. I said, I

1:32:17.160 --> 1:32:21.040
<v Speaker 1>wasn't sure. He's fluid. Yeah, he's fluid and queer. All right.

1:32:22.080 --> 1:32:25.160
<v Speaker 2>So outside outside of Sago, it was a very lgbt

1:32:25.320 --> 1:32:28.960
<v Speaker 2>Q friendly R and B Friday that as someone that

1:32:29.080 --> 1:32:33.400
<v Speaker 2>is strictly straight, loved Yes, what Friday? I supported last

1:32:33.439 --> 1:32:36.280
<v Speaker 2>Friday Friday. But it was on the calendar. I know

1:32:36.360 --> 1:32:40.160
<v Speaker 2>what type of holiday it was, but the representation.

1:32:39.720 --> 1:32:40.719
<v Speaker 4>Was heavy and I supported.

1:32:40.960 --> 1:32:44.879
<v Speaker 2>Y'all saw speaking of Durant, did you see what homeon

1:32:44.960 --> 1:32:50.680
<v Speaker 2>Vlad that was allegedly fucking Stephan Dick's That was the

1:32:50.720 --> 1:32:51.840
<v Speaker 2>craziest clip I've seen it.

1:32:52.200 --> 1:32:54.479
<v Speaker 4>I didn't see that. I don't really click on like.

1:32:54.560 --> 1:32:56.840
<v Speaker 2>He said, there's He said he heard Durant say there's

1:32:56.840 --> 1:32:59.680
<v Speaker 2>a difference between heterosexual and straight, and he's like, I

1:32:59.720 --> 1:33:01.040
<v Speaker 2>don't know what that is. So I just want to

1:33:01.080 --> 1:33:05.040
<v Speaker 2>make y'all know that I am completely straight. And then

1:33:05.080 --> 1:33:08.920
<v Speaker 2>he went on to describe Stephan Diggs taking him out

1:33:08.960 --> 1:33:10.680
<v Speaker 2>shopping like he was one of the girls. He was like,

1:33:11.120 --> 1:33:13.200
<v Speaker 2>in my opinion, we weren't in a relationship. I don't

1:33:13.200 --> 1:33:16.519
<v Speaker 2>know if we were. But I'm straight, I don't know

1:33:16.600 --> 1:33:18.640
<v Speaker 2>if we were in a relationship. If you're straight, you

1:33:18.760 --> 1:33:21.160
<v Speaker 2>know you're not in a relationship with a man. If

1:33:21.240 --> 1:33:23.479
<v Speaker 2>you not straight, you know you're in a relationship. Like

1:33:23.520 --> 1:33:25.080
<v Speaker 2>you know if you're in a relationship or not. Like,

1:33:25.120 --> 1:33:25.880
<v Speaker 2>what are we talking about?

1:33:25.960 --> 1:33:27.519
<v Speaker 4>So he and then He's went on say, this is

1:33:27.560 --> 1:33:29.880
<v Speaker 4>a quotlationship.

1:33:30.000 --> 1:33:32.759
<v Speaker 3>It's before you a girl has been in a relationship

1:33:32.760 --> 1:33:34.120
<v Speaker 3>with you and you ain't been a relationship with her

1:33:34.160 --> 1:33:36.000
<v Speaker 3>before and you ain't No, you ain't know that that

1:33:36.080 --> 1:33:36.880
<v Speaker 3>was your she was out.

1:33:36.760 --> 1:33:41.879
<v Speaker 4>Here, I said, you know when you're in a relationship,

1:33:42.080 --> 1:33:44.719
<v Speaker 4>you know when you're not in a relationship. In your mind,

1:33:44.760 --> 1:33:46.040
<v Speaker 4>you might want to be in a relation, but you

1:33:46.080 --> 1:33:51.240
<v Speaker 4>know that ain't your man. See, that's delusion. That'd be

1:33:51.280 --> 1:33:53.439
<v Speaker 4>a delusion, and I can't. I can't fight the delusion

1:33:53.520 --> 1:33:56.760
<v Speaker 4>for you, that's your battle to fight, right. We both

1:33:56.840 --> 1:33:58.840
<v Speaker 4>know we in in a relationship. We kick it, we

1:33:58.960 --> 1:34:01.720
<v Speaker 4>hang out, we do those type of things. But you know,

1:34:01.840 --> 1:34:04.240
<v Speaker 4>if you see me on a random Tuesday at lunch

1:34:04.280 --> 1:34:06.200
<v Speaker 4>with a young lady, you know you can't come up

1:34:06.240 --> 1:34:08.280
<v Speaker 4>to the table acting crazy. You know you can't do that.

1:34:08.439 --> 1:34:12.040
<v Speaker 2>Of course, but because you're straight and she's straight, there

1:34:12.240 --> 1:34:15.880
<v Speaker 2>is a possibility that that could even exist. Right, But

1:34:17.080 --> 1:34:20.200
<v Speaker 2>if a man has that same delusion, it's still no

1:34:20.320 --> 1:34:22.160
<v Speaker 2>way we're in a relationship because there's not even a

1:34:22.240 --> 1:34:26.639
<v Speaker 2>chance for fucking right. Yeah, and then this guy said,

1:34:27.920 --> 1:34:29.560
<v Speaker 2>didn't this guy reach out to both of us to

1:34:29.600 --> 1:34:30.920
<v Speaker 2>try to come on the show to clear this up?

1:34:31.200 --> 1:34:31.400
<v Speaker 1>Yeah?

1:34:31.479 --> 1:34:31.720
<v Speaker 3>He did.

1:34:31.840 --> 1:34:33.840
<v Speaker 2>He went on like a mass DM streak to every

1:34:33.920 --> 1:34:36.559
<v Speaker 2>podcaster to come on the show. He said, and I quote,

1:34:36.960 --> 1:34:41.160
<v Speaker 2>in my bitch ass mind, I didn't realize that he

1:34:41.400 --> 1:34:45.840
<v Speaker 2>was only buying bags for the girls and me. The

1:34:45.920 --> 1:34:47.479
<v Speaker 2>camera guy they were with didn't get a bag, His

1:34:47.600 --> 1:34:48.320
<v Speaker 2>brother didn't.

1:34:48.080 --> 1:34:48.519
<v Speaker 1>Get a bag.

1:34:48.960 --> 1:34:51.559
<v Speaker 2>He said, I was getting gifts like I was one

1:34:51.600 --> 1:34:52.160
<v Speaker 2>of the girlies.

1:34:55.920 --> 1:34:58.479
<v Speaker 4>I got news for you. I was waiting for it.

1:35:01.200 --> 1:35:04.599
<v Speaker 4>Step Fa Diggs is buying the girls and you were back.

1:35:05.920 --> 1:35:08.519
<v Speaker 4>I got news for you. I mean he trying to

1:35:08.600 --> 1:35:12.000
<v Speaker 4>hit ma just saying.

1:35:12.800 --> 1:35:17.679
<v Speaker 3>You say he backed up? Excuse me, I mean saying,

1:35:17.680 --> 1:35:20.479
<v Speaker 3>can this be backed up? Can we like is this proven?

1:35:20.640 --> 1:35:22.400
<v Speaker 3>Or is is he on a smear campaign?

1:35:23.240 --> 1:35:26.160
<v Speaker 4>No, well he's in some litigation with because he got

1:35:28.000 --> 1:35:30.200
<v Speaker 4>remember he was, Yeah, he just submitted like over a

1:35:30.320 --> 1:35:33.799
<v Speaker 4>thousand I think emails with text messages to the authorities

1:35:33.800 --> 1:35:36.920
<v Speaker 4>and ship like that. So I mean he's listen, man,

1:35:37.000 --> 1:35:38.880
<v Speaker 4>he he don't seem like he going away. And I've

1:35:38.880 --> 1:35:40.720
<v Speaker 4>seen he had a little back and forth with Cardi too.

1:35:42.320 --> 1:35:43.479
<v Speaker 4>I think Cardi has I.

1:35:43.479 --> 1:35:46.200
<v Speaker 2>Mean that usually happens with x'es and baby mothers.

1:35:46.680 --> 1:35:52.280
<v Speaker 4>Yeah, yes, right on par so. Yeah, I just to

1:35:52.439 --> 1:35:54.519
<v Speaker 4>me and we're just talking ship. But to me, in

1:35:54.640 --> 1:35:58.360
<v Speaker 4>all seriousness, when you was heterosexual, you don't go heterosexual.

1:35:58.439 --> 1:35:59.240
<v Speaker 4>Men don't go through it like that.

1:35:59.320 --> 1:36:01.360
<v Speaker 2>You don't think he had the web mean moment where

1:36:01.400 --> 1:36:01.800
<v Speaker 2>he was like.

1:36:03.360 --> 1:36:04.439
<v Speaker 1>I was one of the girls.

1:36:04.560 --> 1:36:06.160
<v Speaker 4>Yeah, like that don't that's not a real thing.

1:36:06.240 --> 1:36:06.519
<v Speaker 3>You don't.

1:36:06.600 --> 1:36:07.479
<v Speaker 4>You don't go through them.

1:36:09.000 --> 1:36:11.240
<v Speaker 1>Calling him a light skined lizard funny as fuck. That's

1:36:11.240 --> 1:36:13.840
<v Speaker 1>actually mad funny. Who called him that? Are they saying

1:36:13.880 --> 1:36:16.120
<v Speaker 1>Cardi you called him that? But I don't.

1:36:16.200 --> 1:36:18.040
<v Speaker 3>I don't know if that's like confirmed, but they said

1:36:18.080 --> 1:36:19.439
<v Speaker 3>Cardi called him a light skined lizard.

1:36:19.479 --> 1:36:20.519
<v Speaker 1>That's actually mad funny.

1:36:22.840 --> 1:36:24.960
<v Speaker 4>I mean, listen, man, it is love who you love, man,

1:36:25.640 --> 1:36:27.840
<v Speaker 4>what it is. But you can't be beating niggas up

1:36:27.840 --> 1:36:29.759
<v Speaker 4>because they don't want to give you no Buttoh that's crazy,

1:36:31.240 --> 1:36:32.320
<v Speaker 4>or send your brother to go do it.

1:36:32.360 --> 1:36:33.400
<v Speaker 1>Yeah, like you can't be doing that.

1:36:33.479 --> 1:36:36.719
<v Speaker 4>That's a gay rico. Yeah, yeah, yeah, that's a Greek.

1:36:46.920 --> 1:36:58.160
<v Speaker 1>Richard. He put him in the Richard. Niggas is in

1:36:58.240 --> 1:36:58.960
<v Speaker 1>the Greek.

1:37:01.200 --> 1:37:02.320
<v Speaker 4>Put him in the Dick Grego.

1:37:07.400 --> 1:37:09.880
<v Speaker 1>Yo. You niggas living sick lives out here.

1:37:11.120 --> 1:37:14.599
<v Speaker 4>Oh my god, that's some funny ship right there. Man.

1:37:15.160 --> 1:37:17.040
<v Speaker 4>You niggas is in a Greco baby.

1:37:18.280 --> 1:37:21.680
<v Speaker 1>Unsuspect. They don't even know yo.

1:37:22.080 --> 1:37:26.320
<v Speaker 4>Man, this is craziness, Yo, that is wild as fuck.

1:37:29.479 --> 1:37:31.800
<v Speaker 1>Rory, did you see that Victoria Money has a new

1:37:31.800 --> 1:37:34.280
<v Speaker 1>album coming out, Debars? What if we were dating?

1:37:34.320 --> 1:37:36.920
<v Speaker 2>You found out my past that a man, a man

1:37:37.000 --> 1:37:45.240
<v Speaker 2>took me shopping and brought me bags and I still

1:37:45.280 --> 1:37:47.320
<v Speaker 2>got the bag I take it on dates with us.

1:37:56.800 --> 1:38:03.760
<v Speaker 4>Oh ship anyways, Victoria Monet have anotherThe less being she's bisexual.

1:38:04.240 --> 1:38:07.880
<v Speaker 4>Oh I'm sorry, yeah, bi sexual. She put a toe

1:38:07.920 --> 1:38:08.559
<v Speaker 4>in the pool. Yeah.

1:38:09.520 --> 1:38:12.679
<v Speaker 2>She put her album cover out classic already no skips

1:38:13.360 --> 1:38:14.120
<v Speaker 2>Frequency of Love.

1:38:15.040 --> 1:38:16.599
<v Speaker 4>She on there talking bad aoy.

1:38:17.000 --> 1:38:17.759
<v Speaker 1>Look at the cover.

1:38:19.960 --> 1:38:23.639
<v Speaker 4>I mean October second. Yeah, damn.

1:38:23.880 --> 1:38:26.160
<v Speaker 1>But she did drop us. She dropped a single, which

1:38:26.200 --> 1:38:26.519
<v Speaker 1>is great.

1:38:26.920 --> 1:38:29.040
<v Speaker 2>But I mean, I'm glad she gave us this image,

1:38:29.240 --> 1:38:29.840
<v Speaker 2>like you.

1:38:29.880 --> 1:38:34.160
<v Speaker 3>Know, K produced, king Out and d Mile If I'm

1:38:34.200 --> 1:38:39.479
<v Speaker 3>not mistaken, reach Out single, reach Out, Yeah, it sounds

1:38:39.520 --> 1:38:42.800
<v Speaker 3>really good. I remember the internet was Yeah, the internet

1:38:42.920 --> 1:38:44.640
<v Speaker 3>was like fake turning on her saying she didn't have

1:38:44.680 --> 1:38:46.840
<v Speaker 3>a sound. I think that's such bullshit. I think Victoria

1:38:46.880 --> 1:38:49.000
<v Speaker 3>has a very strong sound. Yeah, she has a very

1:38:49.040 --> 1:38:52.559
<v Speaker 3>strong sound, which we can contribute a lot to DMU.

1:38:52.680 --> 1:38:56.000
<v Speaker 2>But yeah, and what's wrong with also not having like

1:38:56.240 --> 1:38:59.000
<v Speaker 2>just a signature sound. She has a signature, I think

1:38:59.040 --> 1:39:00.880
<v Speaker 2>she does, but like, there's also nothing wrong if you

1:39:00.920 --> 1:39:01.360
<v Speaker 2>don't have one.

1:39:02.120 --> 1:39:03.760
<v Speaker 3>Well, they were saying like we don't know what to

1:39:03.880 --> 1:39:05.400
<v Speaker 3>do with her. We don't know what to put, where

1:39:05.439 --> 1:39:06.800
<v Speaker 3>to put her. They don't know how to market her,

1:39:06.840 --> 1:39:08.680
<v Speaker 3>you know, the internet is fucking stupid.

1:39:08.479 --> 1:39:11.880
<v Speaker 4>But Jaguar two was incredible whatever they did. This is

1:39:11.920 --> 1:39:13.439
<v Speaker 4>the same market on the internet saying we don't know

1:39:13.479 --> 1:39:18.519
<v Speaker 4>how to market. Y'all are not marketers, Like what you mean,

1:39:18.720 --> 1:39:21.360
<v Speaker 4>niggas onything like, we don't know how to market, y'all

1:39:21.479 --> 1:39:25.439
<v Speaker 4>not marketings, so you shouldn't know how to market exactly.

1:39:26.400 --> 1:39:28.519
<v Speaker 2>But I'm excited shout out and shout out to Punch.

1:39:28.520 --> 1:39:30.559
<v Speaker 2>I'm not being a dick at that promise. I saw

1:39:30.680 --> 1:39:33.800
<v Speaker 2>somebody tweet yo, I love Abs Soul, but we should

1:39:33.920 --> 1:39:36.720
<v Speaker 2>like put him in the studio with Pharrell and lock In,

1:39:36.880 --> 1:39:38.920
<v Speaker 2>and Punch replied, damn, you should be in the business.

1:39:41.800 --> 1:39:42.200
<v Speaker 1>I'm sure.

1:39:46.479 --> 1:39:51.040
<v Speaker 3>Yeah, that's funny, lock In, that's one hell of a cook,

1:39:51.120 --> 1:39:52.759
<v Speaker 3>Like who even if it made your brain?

1:39:53.000 --> 1:39:55.320
<v Speaker 4>Yeah, no, no, no, Rapp has ever thought about locking

1:39:55.360 --> 1:39:57.760
<v Speaker 4>in with Pharrell? Like, I don't even niggas don't even

1:39:57.800 --> 1:39:58.240
<v Speaker 4>think about that.

1:39:59.280 --> 1:40:02.560
<v Speaker 2>But yes today, hey new music Friday, shout out to

1:40:02.720 --> 1:40:05.799
<v Speaker 2>last week. But we do have a Tyler full project.

1:40:06.160 --> 1:40:09.599
<v Speaker 2>She just put out like a EP, right, a pretty

1:40:09.640 --> 1:40:14.200
<v Speaker 2>quick turnaround definitely a few months. But I funck with Tyler.

1:40:14.240 --> 1:40:15.600
<v Speaker 2>But the way y'all speak about Tyler is how I

1:40:15.640 --> 1:40:20.439
<v Speaker 2>feel about Thames when we had that argument of like

1:40:20.479 --> 1:40:21.320
<v Speaker 2>the next round.

1:40:21.600 --> 1:40:24.599
<v Speaker 1>Her EP was sorry just her EP was last year,

1:40:24.720 --> 1:40:27.519
<v Speaker 1>this this time last year. Okay, yes, I don't know

1:40:27.560 --> 1:40:29.680
<v Speaker 1>why I thought. I thought it was Chopol like this year.

1:40:30.880 --> 1:40:33.519
<v Speaker 4>That's why I'm all right by threw everything off of you.

1:40:33.960 --> 1:40:35.720
<v Speaker 4>It's COVID all over again for you. Don't worry about that.

1:40:35.960 --> 1:40:39.000
<v Speaker 4>That's true a construt.

1:40:39.080 --> 1:40:40.800
<v Speaker 1>He might be able to clap on the tune four Now.

1:40:42.640 --> 1:40:44.200
<v Speaker 4>Maybe you have to test that.

1:40:44.360 --> 1:40:46.000
<v Speaker 2>That was kind of the trash part of that. Like

1:40:46.000 --> 1:40:48.120
<v Speaker 2>I thought I was gonna come out with powers, but yeah,

1:40:48.320 --> 1:40:53.120
<v Speaker 2>it didn't work. Just brain fuck. But yeah, how y'all

1:40:53.160 --> 1:40:55.639
<v Speaker 2>speak about Tyler. It's all the things that attribute to Thames.

1:40:55.680 --> 1:40:57.920
<v Speaker 2>But I'm still here for it. I like Tyler a lot.

1:40:59.400 --> 1:41:02.360
<v Speaker 1>We're gonna is that Willow Smith, I'm here for that.

1:41:02.800 --> 1:41:05.240
<v Speaker 4>I fuck with Willow. I did not know Cypercill had

1:41:05.240 --> 1:41:08.160
<v Speaker 4>a project coming out Baby Drill, all right, all.

1:41:08.120 --> 1:41:09.519
<v Speaker 1>Right, last week was more for me. But there's some

1:41:09.560 --> 1:41:09.840
<v Speaker 1>shit here.

1:41:11.360 --> 1:41:12.760
<v Speaker 4>It's a lot. I mean, it's a lot of music

1:41:12.840 --> 1:41:15.519
<v Speaker 4>dropping for sure. I know, Uh, Damarus is really excited

1:41:15.560 --> 1:41:15.680
<v Speaker 4>for that.

1:41:15.720 --> 1:41:19.880
<v Speaker 2>Boston Rigie, what you said it off Mike, Why would

1:41:19.880 --> 1:41:22.479
<v Speaker 2>I be excited for that out of the entire list?

1:41:22.560 --> 1:41:24.320
<v Speaker 2>Off Mike, you said, I said, Oh, I didn't know

1:41:24.360 --> 1:41:25.280
<v Speaker 2>he was putting the project out.

1:41:26.160 --> 1:41:27.559
<v Speaker 4>Oh look, Kaylee's putting out a single.

1:41:27.760 --> 1:41:30.280
<v Speaker 2>It's already Chad Hugo's out out.

1:41:30.160 --> 1:41:32.880
<v Speaker 4>And the video it's great. It's gonna work too, Like

1:41:33.439 --> 1:41:35.080
<v Speaker 4>it's a really really good record. She texted me and

1:41:35.080 --> 1:41:36.560
<v Speaker 4>told me she was putting out some new ship, so

1:41:36.600 --> 1:41:37.280
<v Speaker 4>I gotta check it out.

1:41:37.360 --> 1:41:41.080
<v Speaker 2>Yeah, videos dope too. You know, the the freel Chad

1:41:41.120 --> 1:41:43.800
<v Speaker 2>Hugo beef it's about to start.

1:41:43.840 --> 1:41:45.720
<v Speaker 4>Man, wake up.

1:41:46.280 --> 1:41:48.560
<v Speaker 2>We saw the stuff behind the scenes with certain lawsuits

1:41:48.640 --> 1:41:51.040
<v Speaker 2>and little things here and there, but Chad's always quiet.

1:41:52.720 --> 1:41:56.400
<v Speaker 2>Chad's talking and shit. Now yeah, okay, I don't think

1:41:56.439 --> 1:41:58.320
<v Speaker 2>Chad wants to be quiet anymore. I'm not saying a

1:41:58.360 --> 1:42:00.600
<v Speaker 2>real beef, but I think this is the start of

1:42:00.760 --> 1:42:04.559
<v Speaker 2>Chad coming outside, and I think that's going to start

1:42:04.600 --> 1:42:05.719
<v Speaker 2>the conversation, which I don't.

1:42:05.600 --> 1:42:06.120
<v Speaker 4>Deem to be true.

1:42:06.120 --> 1:42:09.080
<v Speaker 2>I think they're both incredible producers that helped each other

1:42:09.160 --> 1:42:11.400
<v Speaker 2>out in every way. But that's going to start the

1:42:11.520 --> 1:42:14.120
<v Speaker 2>online ship. Like yo, I told y'all Forrell didn't do anything,

1:42:14.160 --> 1:42:16.280
<v Speaker 2>and it was always Chad. I think that's gonna start happening.

1:42:16.360 --> 1:42:17.599
<v Speaker 1>Oh, we know that for sure.

1:42:17.680 --> 1:42:21.880
<v Speaker 2>But it's a really good run. But yeah, that's that's

1:42:21.960 --> 1:42:25.120
<v Speaker 2>new music Fridays. There's a whole list Ryan will put

1:42:25.160 --> 1:42:25.759
<v Speaker 2>in the description.

1:42:25.880 --> 1:42:30.519
<v Speaker 4>I guess, all right, do we have voicemails? None of

1:42:30.600 --> 1:42:33.040
<v Speaker 4>y'all were even reading anything, So I'm not reading all that.

1:42:33.280 --> 1:42:34.439
<v Speaker 4>I'm not even listening to all that shit.

1:42:34.479 --> 1:42:37.920
<v Speaker 1>Oh we kidding, you know what, I appreciate it real, nigga,

1:42:38.479 --> 1:42:38.760
<v Speaker 1>I'm not.

1:42:38.880 --> 1:42:40.559
<v Speaker 4>Listening to all I don't listen a lot of those artists.

1:42:40.560 --> 1:42:42.320
<v Speaker 4>I don't care if they're dropping something I was saying.

1:42:42.320 --> 1:42:44.280
<v Speaker 4>That's why I read the ones I cared about. Yeah,

1:42:44.439 --> 1:42:45.840
<v Speaker 4>I'm not gonna read all that shit just to read

1:42:45.880 --> 1:42:48.560
<v Speaker 4>it good and putting our music dope. A lot of

1:42:48.600 --> 1:42:50.439
<v Speaker 4>that ship I'm not listening to though. Why is it

1:42:50.520 --> 1:42:54.000
<v Speaker 4>bold that Boston Richie's putting something we do is bold?

1:42:54.160 --> 1:42:56.880
<v Speaker 4>That's what Jamara said. I'm asking, Oh, I don't know,

1:42:57.000 --> 1:42:57.680
<v Speaker 4>why did you say that?

1:42:57.960 --> 1:43:01.720
<v Speaker 2>For no reason? Huh, no reason? So why'd you say that?

1:43:02.200 --> 1:43:04.360
<v Speaker 2>I just felt like saying it, all right, Well, and

1:43:04.520 --> 1:43:06.840
<v Speaker 2>she's lying, I'm gonna I'm gonna get down to the bottom.

1:43:06.880 --> 1:43:08.439
<v Speaker 4>Let's talk about it on patron. We talk about on patreon.

1:43:10.160 --> 1:43:11.880
<v Speaker 4>Can we share? Get into it a little bit?

1:43:12.040 --> 1:43:12.479
<v Speaker 1>All right? Fuck?

1:43:12.479 --> 1:43:13.640
<v Speaker 4>Are we going to patrent? We talked to you all

1:43:13.640 --> 1:43:15.040
<v Speaker 4>the minute. We said, be blocks on the nigga. He's

1:43:15.040 --> 1:43:15.599
<v Speaker 4>a git beast.

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<v Speaker 3>No, we had