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Speaker 1: No Wullian.

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Speaker 2: Practicing your Johnny Pacatty verse. Women have been showing out

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Speaker 2: the last Philly. They showed out the Cold Show. You

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Speaker 2: got a lot of comp Come on, let's do a

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Speaker 2: practice round.

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Speaker 3: I would never try to. I would never attempt to

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Speaker 3: do that. I would never attempt to do that. Even

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Speaker 3: even if I could get every single word right, I

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Speaker 3: know I will fuck up out of pure nervousness.

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Speaker 1: I would even embarrass myself like that.

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Speaker 2: But you actually know how to wrap and your mannerism

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Speaker 2: like look natural.

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Speaker 4: I feel like you would smoke that.

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Speaker 3: Yeah, I'll get nervous just because of whose concert it was.

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Speaker 3: I would get nervous.

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Speaker 4: Now you gotta look cold in his size and do it.

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Speaker 2: Look at what you want me to do? You want

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Speaker 2: to put on? Yeah, yeah, I'm mad. We're going different days.

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Speaker 1: If they if they come to me to do it,

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Speaker 1: I'll do.

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Speaker 2: If they come to well, you got to be prepared.

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Speaker 2: What's the first four bars?

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Speaker 1: I'm not doing that?

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Speaker 2: What if they ask for like acapoca? Not even with

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Speaker 2: the beat, It's like the whole arena gets I.

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Speaker 1: Would get so nervous, my cheeks conturned so pink.

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Speaker 2: Cool for those that don't know Cole has his fans

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Speaker 2: rapping that verse. They brought some drunk girl by accident

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Speaker 2: one time, and I felt really bad for her because

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Speaker 2: she was right next to some guy that was sober

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Speaker 2: and a cold fan, and she was just kind of

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Speaker 2: mumbling her way through it was it was rough. Like

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Speaker 2: she regretted that the next day for sure.

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Speaker 3: Yeah, but I don't know what concert would you be

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Speaker 3: able to do that with, like a hover Oh never mind,

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Speaker 3: hole maul, What concert would you be able to do

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Speaker 3: that with?

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Speaker 1: Like rap war for word for with the rapper.

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Speaker 4: Dojah Cat December first, Madison Square Garden, I'll be there.

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Speaker 1: What was your nervous? Looking at her eyes? What song?

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Speaker 4: Not at all? You look right into herself? Did doja

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Speaker 4: cat that?

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Speaker 1: Give me? That?

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Speaker 4: Give me?

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Speaker 1: I did?

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Speaker 4: I dare her to put the spotlight on me in

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Speaker 4: the camera me and asked me to rap. What's so

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Speaker 4: any song get into it?

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Speaker 1: Yeah?

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Speaker 4: Any song? I could be lotter on the new joint.

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Speaker 3: Okay, look at my eyes when I slide when he

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Speaker 3: slide it in.

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Speaker 4: You know, when I time again, I change the words,

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Speaker 4: I'll make it, you know, looking at her eyes when

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Speaker 4: you slide in them? Hetero sexual I'll make it heterosexually.

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Speaker 1: Okay, okay, have you seen a video for that?

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Speaker 4: So long as videos? Almost as long as thriller.

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Speaker 2: When you put it on loop, it's as long as

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Speaker 2: you want it to be. That's the power of the loop.

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Speaker 2: That new lot of Doja Cat, that's as long as roots.

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Speaker 2: You remember roots, same ship and you walk in my house.

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Speaker 2: It's just pretty on the wall. It just plays all roots.

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Speaker 4: It's the Jackson five story and it's the the Dojah

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Speaker 4: Cat Lotto record.

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Speaker 2: It's a great great cinematography, the lighting incredible, just that

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Speaker 2: the treatment was was beautiful.

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Speaker 4: The only thing I wish they did was put it

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Speaker 4: in theaters so it can be nominated for an Oscar,

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Speaker 4: like if they had its just having it for a month.

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Speaker 4: Put it in theaters, select theaters around the city, just

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Speaker 4: so they can get nominated for an Oscar for this.

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Speaker 4: That's all. Yeah, that's the only thing I think they dropped.

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Speaker 4: The team dropped the ball on They should have definitely

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Speaker 4: put this in theaters.

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Speaker 2: I mean, I get they wanted to get get the

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Speaker 2: video out, but you know, submit to Sundance maybe south

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Speaker 2: of France. Come on, man, go through the proper channels.

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Speaker 1: They look good. The biracials look good in this one.

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Speaker 1: They looked good.

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Speaker 4: It was a good good display of that.

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Speaker 1: It's doja cat biracial biracial unity.

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Speaker 4: I didn't know.

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Speaker 2: Yeah, good, good display of Lotto's old rap name for sure. Yeah, man,

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Speaker 2: do you think she's still like if she didn't it

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Speaker 2: because she changed that like the peak of of the

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Speaker 2: wokeness on the internet. Do you feel like she'd be

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Speaker 2: okay if she was mulatto still, which, by the way,

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Speaker 2: I never even knew that was a bad word.

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Speaker 4: Yes, she would be okay. I think so everybody would

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Speaker 4: be fun.

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Speaker 2: Loto is a better rap name though, like she outside.

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Speaker 2: Of course she did it because she cares very deeply

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Speaker 2: about that being a terrible word.

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Speaker 4: We know why. Flatto is a better word.

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Speaker 3: For a rap for a rap name, and she's also flips. Yeah, yeah,

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Speaker 3: it was a.

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Speaker 4: Better choice for sure. Maybe she should have changed the

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Speaker 4: name Latte.

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Speaker 2: Those are kind of in the biracial world too, Like

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Speaker 2: you mean like a latte? Yeah what late.

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Speaker 1: Girls she used to call themselves mocha, remember that, So.

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Speaker 4: I'm saying that they still do. So it was lat

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Speaker 4: It's like, okay, go to a certain club, there's definitely

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Speaker 4: a Mocha on stage. It's a mocha. Macha.

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Speaker 3: Macha is her who the fuck calling themselves far away

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Speaker 3: from people.

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Speaker 4: If you think it's not a girl right now about

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Speaker 4: to go viral for a record, her name is Macha.

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Speaker 4: You got life twisted? Yeah? Remember I told you it's

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Speaker 4: gonna definitely gonna be a female rapper named Macha. If

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Speaker 4: it's not about that green she about that green good green.

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Speaker 1: Yeah, I see where you're going.

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Speaker 4: You think it's got an artist named Macha.

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Speaker 2: And she's all natural. Yeah, she'll have work done, but

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Speaker 2: she'll say she's like.

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Speaker 4: Come on now, good doctor. Oh damn, it's this one.

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Speaker 4: And she looked, No, the song got you I'm talking

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Speaker 4: about the artist will be named Macha. Definitely, it's a

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Speaker 4: Macha out there in the universe.

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Speaker 1: It's a new.

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Speaker 3: Rapper called Lynn that I wanted to give a shout

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Speaker 3: out to. She had an on the radar freestyle that

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Speaker 3: she did or song that she did, and she sounded

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Speaker 3: good like she could actually rap.

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Speaker 1: She sounded good.

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Speaker 4: Lynn l I n l y n n oh l

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Speaker 4: y n n Okay where she's from.

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Speaker 3: I don't know where she's from, you know, So Chris,

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Speaker 3: you always asked me that when I talk a new

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Speaker 3: artist and I never know where they're from.

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Speaker 1: But I literally just saw her on the radiar.

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Speaker 4: Just gonna say the name, where she's from, what's her background,

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Speaker 4: what's her star sign?

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Speaker 1: I do not know. I guess she's she's from Birmingham, Alabama.

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Speaker 4: She's always bam. Yeah she now there's in Austin text. Okay,

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Speaker 4: she's wrapping her ass off Lynn.

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Speaker 1: The bad guy.

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Speaker 4: Okay, I'm glad she got rid of the bad guy

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Speaker 4: and Lynn she wasn't.

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Speaker 3: It wasn't like pussy rap. It was good.

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Speaker 4: She was like giving us like like real bars.

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Speaker 1: She still has that like Southern down.

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Speaker 3: She kind of sounds like if Mona Leo and like

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Speaker 3: Kenderman and Lotto all just like joined hands and became

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Speaker 3: one person Lynn.

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Speaker 4: Okay, So okay, Lyn, I'm gonna check Lynn out. She

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Speaker 4: was she talking about.

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Speaker 2: Who's Who's a? Who's my girl? My guilty Pleasure song?

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Speaker 2: He loved, he loved my new body. That's my ship man.

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Speaker 2: I play that in the call by Myself.

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Speaker 1: Who's that? That's true?

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Speaker 3: That's the one that people compared to Nicki Mina rightfully so,

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Speaker 3: because she.

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Speaker 2: Does sound just like Nikki, but I don't really give

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Speaker 2: a fuckuse that new body, no Nobody.

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Speaker 4: I don't know what you're talking about.

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Speaker 3: You've never heard nobody pull up Nobody by Trim.

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Speaker 4: That's the song in the summer. Like, seriously, Nicki Minaj

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Speaker 4: hasn't said anything about this.

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Speaker 1: I don't I don't know what Nikki is thinking.

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Speaker 4: She sounds good, but this was almost blasphemous in hip

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Speaker 4: hop at one point. But knowing Niki like sounded exactly

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Speaker 4: like somebody was like that was outlawed and hip hop

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Speaker 4: and one.

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Speaker 2: I feel like the rules have changed. We've been talking

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Speaker 2: about it for like five Yeah, but this is different now. No,

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Speaker 2: this is acceptable.

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Speaker 4: Bro. That's a good record, man, no selfestys record. The

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Speaker 4: record sounds good, she sounds good, a record fire, But

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Speaker 4: that's Nicki. Like the fluctuations in there, that's Nicki Minaj.

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Speaker 1: He right there, Ryan, that's that touched the platform. These

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Speaker 1: host was pushing it forty when I got my platform.

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Speaker 4: I didn't hear it. No no, no, no, no no no

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Speaker 4: no no no.

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Speaker 1: Hold on, I didn't hear. I didn't hear that.

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Speaker 2: I saw that's before I heard the nobody that's not

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Speaker 2: and I was like, all right, that's crazy. Then I

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Speaker 2: heard the record and I was like, I see why

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Speaker 2: she gets away with it because the music.

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Speaker 3: Works that that's that's that's I didn't see that.

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Speaker 2: Here's my Here's don't know this young lady's full history.

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Speaker 2: But my guess is her team team put her up

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Speaker 2: to this. Like people are comparing you to NICKI.

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Speaker 1: Just gorag it.

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Speaker 4: NICKI, who says that because from a smart manager you

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Speaker 4: can't smart manager does not say that, like why the old.

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Speaker 1: Full Nikki quo.

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Speaker 2: A strategy of music now is to get attention, clicks

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Speaker 2: and traffic. This way is going to get you more

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Speaker 2: traffic than being a carbon copy of Nikki. So people

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Speaker 2: can say that and get you in the out rythm,

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Speaker 2: and then on top of that, get you actually make

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Speaker 2: okay music.

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Speaker 4: I get that, I get that and everything you're saying.

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Speaker 4: You sound like somebody that works at a label. That's

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Speaker 4: that's what I'm okay. So that's what I'm saying. You

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Speaker 4: sound like somebody that works at a label. What I'm

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Speaker 4: saying is as somebody that's listening to music, as somebody

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Speaker 4: that grew up in the cult of hip hop. This

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Speaker 4: is disrespectful this, that's not even you don't even sound

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Speaker 4: a little bit like yourself.

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Speaker 2: She sounds more like Nikki than Nikki.

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Speaker 4: That's what I'm saying, Like you don't even sound a

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Speaker 4: little bit like yourself. Like I'm not saying. We've heard

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Speaker 4: Jack Harlow records right where we're like little Drake coded.

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Speaker 4: Even Fab and Mace had some comparisons in the beginning,

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Speaker 4: We get that right, This though, is flat out, like

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Speaker 4: you said, a smart manager quote unquote, go full Nicki Minaj,

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Speaker 4: I think she probably had a Nikki influence when she

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Speaker 4: started making music. Everything influence every female rapper.

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Speaker 3: You don't even want to talk about the influence. I

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Speaker 3: want to talk about the sound you can because you

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Speaker 3: can't control if you sound like Nicki and Finajen when

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Speaker 3: you talk, then that's your voice. There's nothing you can

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Speaker 3: do about that. So that's why I've been sticking up

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Speaker 3: for her. But that freestyle is.

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Speaker 2: Well, I can't stuck up for that now because even

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Speaker 2: all right, like Action Bronson speaks the way he speaks,

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Speaker 2: he's gonna sound like ghost because that that's just the

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Speaker 2: voice he was born with. Where people gave Action Ship

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Speaker 2: was like some of his inflections and how he rapped

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Speaker 2: was like ghosts too, and you have the same voice

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Speaker 2: as him, that's this time is one thousand? Yeah, but

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Speaker 2: it's not and you're actually leaning into it.

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Speaker 4: Yeah, but it's not even the voice. It's the esthetic.

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Speaker 3: Well, I don't want to say the aesthetic because the

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Speaker 3: majority of like, what, oh my gosh, she even looked

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Speaker 3: she looks like Nicky right there.

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Speaker 1: Saying what about to say? Baby?

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Speaker 3: First of all, when I was about to speak on aesthetic,

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Speaker 3: all of the female rappers where the colored fucking wigs,

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Speaker 3: colored makeup, like they all baby, I'm talking about this

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Speaker 3: though she's not the first person. Listen, are you talking

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Speaker 3: about that? When you're talking about sthetic? I'm thinking you're

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Speaker 3: talking about the way she looks with her hair is

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Speaker 3: er is Okay, that's Mona Leo has had that same hairstyle,

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Speaker 3: like that's They all wear colored. When people used to

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Speaker 3: say that people are stealing from Nikki, people used to

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Speaker 3: go and pull back and say, okay, well, Nikki stealing

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Speaker 3: from Kim. They all wear colored wigs, big eyelashes.

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Speaker 4: Like how if some if a woman sounds exactly.

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Speaker 3: Like Nicki but she looks like Nicki Minaj. Now I'm

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Speaker 3: not talking about the aesthetic. I'm talking about her face.

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Speaker 1: She looks like.

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Speaker 4: This is what I'm saying, if your facial features somewhat

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Speaker 4: resemble Nicki Minaj. Right, wun't a smart manager to say, look,

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Speaker 4: you already look like you could be Nicky's cousin little sisters.

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Speaker 4: We can't do the wigs like Ice Spice came out.

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Speaker 4: She don't look like nobody. She may have did a

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Speaker 4: pink weight, but when we first saw Ice Spice we

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Speaker 4: sort of curly carrot top girl in the park didn't

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Speaker 4: look like nobody. Right, this like to Rory's point, speaking

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Speaker 4: on a record executive, this looks and feel like, No,

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Speaker 4: let's go full Nicki Minaj. Let's go full pink print,

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Speaker 4: Let's go full Piggy in the blanket of freestyle. Lets

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Speaker 4: like that. That's what this is. And I don't know,

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Speaker 4: like you know, whoever the girl is, Trim is her name,

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Speaker 4: like you know, Like, whatever she's trying to do, I

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Speaker 4: hope she's successful at that. She's obviously having some success,

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Speaker 4: but there's not much longevity in trying to be a

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Speaker 4: carbon copy of You.

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Speaker 2: Say that, but all right, can I give the perspective

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Speaker 2: of this kind of being the natural progression of things

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Speaker 2: when it went from digging through the crates to find

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Speaker 2: samples to them just using obvious samples because this is

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Speaker 2: a proven record that human ears like. So let's sample

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Speaker 2: it in a very obvious way, because we know it's

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Speaker 2: gonna work. We can put money against it. We know

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Speaker 2: we'll get some ROI on it because we know this works.

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Speaker 2: Then you go to movie industry, let's just remake Marvel

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Speaker 2: shit because we know it works. Let's do reboots of

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Speaker 2: movies that already work. The natural progression is going to be,

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Speaker 2: let's do a carbon fucking copy of an artist because

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Speaker 2: we know this is going to be the final form

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Speaker 2: that ever worked.

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Speaker 1: Hip hop is not. It's a progression of talking about

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Speaker 1: and music.

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Speaker 4: I'm talking about when an artist has ever sounded exactly

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Speaker 4: like and looked exactly like.

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Speaker 2: In my point, I'm saying, that's the natural progression of that.

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Speaker 4: That's the extreme of it. Yes it is, It's not

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Speaker 4: the natural progression. No artists are going to say so,

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Speaker 4: all right, So there's going to be a successful artist

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Speaker 4: that looks as sounds act like Michael Jackson. That artist

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Speaker 4: will be successful. I don't know, you know, it would

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Speaker 4: not work. Niggas would laugh at that. We see a

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Speaker 4: thousand of them niggas in Vegas every day. That shit

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Speaker 4: does not work. But it's not gonna work. They're singing

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Speaker 4: the same. That's it's a little bit different. I understand

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Speaker 4: where Rory's coming even if they wasn't. If an artist

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Speaker 4: came out right now and looked like Michael Jackson had

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Speaker 4: the glove, the high Waters, the loafers, everything, the hair

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Speaker 4: sounded like it ad libs everything. You telling me that

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Speaker 4: artists would to be successful. Oh where people may get

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Speaker 4: this shit out of here now, Trim, I don't know

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Speaker 4: if she's successful. She's going viral. People deem that as

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Speaker 4: success going viral, right, maybe that's what she's looking for.

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Speaker 4: Until she puts an album out of Project Out and

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Speaker 4: tries to sell some hard tickets to a show and arena.

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Speaker 4: That's when we can start to gauge if this thing

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Speaker 4: is working or not. A video going viral and all

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Speaker 4: of that. Okay, I see how people said that success.

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Speaker 4: I'm saying this is not much longevity in trying to

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Speaker 4: be a carbon copy of one of the most iconic

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Speaker 4: female MC's of all time. There's not much longevity there now.

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Speaker 4: I understand you saying the natural progression is fucking and samples.

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Speaker 4: There's the artists might as well. It's different with music,

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Speaker 4: and then when the artist is trying to sound and

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Speaker 4: look exactly like the artists, that's not gonna work. That's

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Speaker 4: just not with that progression.

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Speaker 2: The fans are changing and turning into people that give

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Speaker 2: less of a fuck and young enough. At some point

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Speaker 2: in the next twenty years. Of course, Nikki is an icon,

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Speaker 2: but there'd be a bunch of kids that don't really

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Speaker 2: know who the fuck Nicky is, and it's gonna feel

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Speaker 2: brand new feel.

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Speaker 1: That's what I'm talking about.

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Speaker 2: Even now, if you look, all these artists are using

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Speaker 2: the same fucking auto tune and trap drums that little

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Speaker 2: baby uses. I saw a white kid that looks like

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Speaker 2: me put on the exact same future filter and I

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Speaker 2: thought it was fucking future?

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Speaker 1: Is that all Hando's future?

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Speaker 2: The next step is just, hey, these young kids don't

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Speaker 2: know shit.

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Speaker 4: And to my point, you're naming all artists that did

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Speaker 4: not have longevity. Will it work for a second? Okay,

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Speaker 4: because the sound is familiar, like who's that that sound

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Speaker 4: like this person? I'm saying there's not much longevity in it.

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Speaker 4: When y'all can name an artist that has had longevity

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Speaker 4: and sounding and looking exactly like a very successful artist

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Speaker 4: that we've already had, then.

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Speaker 3: I think I think that's why I said I think

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Speaker 3: the trip is at the point where Roory says the

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Speaker 3: natural progression of things because this is the new thing.

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Speaker 1: Nobody's saying that it's a proven thing.

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Speaker 3: I don't know if it worked, but this is the

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Speaker 3: new thing. Number One, Nicki is missed in music. People

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Speaker 3: miss Nikki in music, but because of her actions, whether

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Speaker 3: you agree with them or not, on and off the

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Speaker 3: Internet and things like that, that's kind of made it

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Speaker 3: like where it's like, Okay, a lot of people don't

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Speaker 3: really fuck with Nikki like that, like but outset her

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Speaker 3: hardcore fans that she's had, like since the very beginning.

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Speaker 3: So when you have a new artist who is pandering

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Speaker 3: to a younger crowd who didn't get to have Nikki

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Speaker 3: the way that we got to have Nikki, it's different

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Speaker 3: because this is now new for them. This is fun

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Speaker 3: for them now. As far as her looks and her aesthetic,

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Speaker 3: the color wigs and all of that shit.

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Speaker 1: All of the female rappers do that now.

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Speaker 3: So if you're talking about somebody that's a carbon copy

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Speaker 3: of looking like Nikki.

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Speaker 1: Everybody does that already.

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Speaker 3: That's just with regular women in the streets dressed like

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Speaker 3: that now, So that's just like how the kids get down.

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Speaker 3: The kids all wear colored wigs and look like they're

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Speaker 3: just extra whatever. They all look like they're on fucking

359
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Speaker 3: the Hunger Games. But as far as the sound, the

360
00:16:14,800 --> 00:16:17,240
Speaker 3: kids never experienced that. We got to experience it. But

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Speaker 3: the kids never experienced that before, and it stands out

362
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Speaker 3: against all the female rappers that they have now, So

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Speaker 3: it could be.

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Speaker 1: It could be successful. Now, will she.

365
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Speaker 3: Reach extremely high heights? I hope that she does, but

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Speaker 3: female rap just isn't doing that right now?

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Speaker 1: Right she pivot?

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Speaker 2: This could be a way to get in and get

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Speaker 2: people talking.

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Speaker 1: I hope that she's really talented.

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Speaker 2: She could pivot and obviously still have a influence of

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Speaker 2: Nikki sound similar to Doja Cat. Definitely you could say

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Speaker 2: has an influence of Nikki.

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Speaker 4: As far as flowing Charleston, South Carolina.

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Speaker 1: Rose, Oh, I did not know Jack.

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Speaker 4: I thought this girls from Brooklyn.

377
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Speaker 3: I did not know she was from Charleston, South Carolina.

378
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Speaker 4: It's not the ship though, Like all that shit trying

379
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Speaker 4: to hear saying, I get it, we podcasting.

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Speaker 1: Can we look?

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Speaker 3: Can we look and see if she's ever lived in

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Speaker 3: New York. I didn't don't.

383
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Speaker 4: Care where she lived at. She's from Charleston, South Carolina.

384
00:17:05,760 --> 00:17:13,119
Speaker 2: Okay, Nikki wasn't from England and Roman existed. I know

385
00:17:13,240 --> 00:17:18,000
Speaker 2: that point in Lambs. Nikki was British for a whole year.

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Speaker 2: Low clap, I'm trying to definidh trim Man. Her name

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00:17:24,160 --> 00:17:27,120
Speaker 2: is Alasia Krnicki. She is from Charleston, South Carolina, where

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Speaker 2: she grew up on King Street.

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Speaker 3: Her distinct accent and cadence them from her gully Geechee

390
00:17:31,160 --> 00:17:33,359
Speaker 3: hero atag Ruda in South Carolina.

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Speaker 1: I would have to hear her speak.

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Speaker 4: Hear her speak, I'm gonna listen to the song y'all

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Speaker 4: just played. I will be even more offended if I

394
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Speaker 4: hear speaking she sounds like she's from Charleston, South Carolina.

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Speaker 4: I will be more offitted.

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Speaker 1: Yeah.

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Speaker 3: Well, I like Trim's music because I miss Nikki making music.

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Speaker 1: But that's so.

399
00:17:53,600 --> 00:17:55,159
Speaker 3: I hope that she doesn't pivot because I missed that.

400
00:17:55,200 --> 00:17:56,080
Speaker 3: I missed that sound.

401
00:17:56,480 --> 00:18:00,359
Speaker 4: But yeah, I'm just saying, man, it's not there's no

402
00:18:00,400 --> 00:18:04,200
Speaker 4: longevity in that. She's playing the show a game with that.

403
00:18:04,200 --> 00:18:06,960
Speaker 4: That's so I admire the high expectations you have for

404
00:18:07,000 --> 00:18:09,320
Speaker 4: this era. No, not just the artist, the fans, not

405
00:18:09,359 --> 00:18:12,520
Speaker 4: the errors form. No, if I wish, I still have

406
00:18:12,600 --> 00:18:14,320
Speaker 4: that type of hope. If you, if you're to me,

407
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Speaker 4: if you're trying to get into music and create music

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00:18:16,880 --> 00:18:19,440
Speaker 4: and do some anything, you sound dumb anything you're doing,

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Speaker 4: you should be thinking longevity like I would. I would think.

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Speaker 2: Again, you have a very high opinion of that generation. Okay,

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Speaker 2: I don't think those kids are thinking about longevity just

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00:18:32,240 --> 00:18:37,000
Speaker 2: based by their digital footprint. Now, longevity is tough for

413
00:18:37,040 --> 00:18:40,000
Speaker 2: the average person trying to get a job like they're

414
00:18:40,040 --> 00:18:43,200
Speaker 2: thinking about today in the algorithm, nobody has longevity in

415
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Speaker 2: their head from that era, right.

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00:18:45,200 --> 00:18:47,040
Speaker 3: I guess I made a cop did She was that

417
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Speaker 3: quote real where she said about she said that she

418
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Speaker 3: don't think she sounds like Nikki.

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Speaker 2: I'd have to that was like in text, I'd have

420
00:18:56,480 --> 00:18:59,800
Speaker 2: to hear her say that, like, yeah, she said it

421
00:18:59,800 --> 00:19:00,760
Speaker 2: don't sound like Beyonce.

422
00:19:02,240 --> 00:19:04,920
Speaker 3: Those she said that her song Coconut Water don't sound

423
00:19:04,960 --> 00:19:05,399
Speaker 3: like nothing.

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Speaker 4: Okay, I don't know it is what it is. I mean,

425
00:19:08,800 --> 00:19:12,000
Speaker 4: mall is appalled very rarely do I I'm not a ball,

426
00:19:12,080 --> 00:19:15,040
Speaker 4: but I'm just like, yo, that's to hear it very sound.

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Speaker 1: It's crazy. I love nobody though, but definitely.

428
00:19:18,400 --> 00:19:21,200
Speaker 4: Because y'all don't Again, y'all are missing what I'm saying.

429
00:19:21,240 --> 00:19:24,360
Speaker 4: I'm attaching to how blasphemous. At one point, this wasn't

430
00:19:24,400 --> 00:19:27,159
Speaker 4: hip hop to do something like that. Mm hm, like

431
00:19:27,440 --> 00:19:31,080
Speaker 4: to look and sound exactly like somebody. Hip hop was

432
00:19:31,119 --> 00:19:33,840
Speaker 4: like fighters were supposed to be. It's supposed to be original,

433
00:19:33,920 --> 00:19:36,080
Speaker 4: like you're supposed to. You need you get mad. If

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00:19:36,080 --> 00:19:37,800
Speaker 4: somebody said, yo, you sound like it used to be

435
00:19:37,840 --> 00:19:39,959
Speaker 4: a fight. You sound like I sound like what?

436
00:19:40,040 --> 00:19:41,600
Speaker 1: And it was? It was? It would be literally be

437
00:19:41,640 --> 00:19:41,960
Speaker 1: a fight.

438
00:19:42,200 --> 00:19:44,240
Speaker 4: If you told the artist he sounds like or she

439
00:19:44,359 --> 00:19:45,679
Speaker 4: sounds like somebody, well.

440
00:19:45,520 --> 00:19:47,280
Speaker 3: I mean that's different because now all them niggas from

441
00:19:47,280 --> 00:19:50,560
Speaker 3: the South sound the same to me. Yeah, you can

442
00:19:50,640 --> 00:19:52,720
Speaker 3: replace all of them on each other's records and they

443
00:19:52,760 --> 00:19:54,680
Speaker 3: all sound the same. Only when that sound different, it's

444
00:19:54,680 --> 00:19:55,399
Speaker 3: twenty one savage.

445
00:19:55,680 --> 00:19:57,800
Speaker 2: Like Tomorrow's point, though, the most egregious thing ever was

446
00:19:57,840 --> 00:20:01,240
Speaker 2: Shine and Biggie, but Shine still had his own style.

447
00:20:01,560 --> 00:20:04,560
Speaker 2: It wasn't a carving, fucking cop. But even then that

448
00:20:04,680 --> 00:20:06,200
Speaker 2: was like, Noah, I can't funk with Sean sounds so

449
00:20:06,240 --> 00:20:06,640
Speaker 2: much like Big.

450
00:20:06,720 --> 00:20:08,760
Speaker 4: Yeah, that was the thing. It was like, yo' he's

451
00:20:08,760 --> 00:20:11,000
Speaker 4: trying to sound like Big and he signed a bad

452
00:20:11,040 --> 00:20:14,000
Speaker 4: boy like Sean went through like he he went through

453
00:20:14,000 --> 00:20:17,240
Speaker 4: some ship like just trying to be an artist. Forget

454
00:20:17,240 --> 00:20:19,359
Speaker 4: the purpose was natural speaking. Yeah, and that was just

455
00:20:19,400 --> 00:20:23,600
Speaker 4: his natural like voice. So this to me again, pardon me,

456
00:20:23,640 --> 00:20:26,280
Speaker 4: I'm from a different time and error in hip hop,

457
00:20:26,680 --> 00:20:28,560
Speaker 4: but seeing and hearing something like that, it's just like,

458
00:20:28,680 --> 00:20:35,200
Speaker 4: what the fuck? And people are like enjoying this jo

459
00:20:35,400 --> 00:20:38,040
Speaker 4: he said he was DMX and John nothing like that.

460
00:20:38,160 --> 00:20:40,920
Speaker 1: They don't sound nothing like.

461
00:20:41,720 --> 00:20:47,560
Speaker 4: Yeah, the no Shirt thing, I was like poc Yeah,

462
00:20:47,600 --> 00:20:52,120
Speaker 4: and he sounds nothing like Pac. That mustn't make any

463
00:20:52,200 --> 00:20:52,880
Speaker 4: music like pop.

464
00:20:52,920 --> 00:20:56,679
Speaker 3: I think just got those comparisons to DMX because his voice, right,

465
00:20:57,320 --> 00:20:59,840
Speaker 3: how deep his voices, which is something he can't even control.

466
00:21:00,440 --> 00:21:02,600
Speaker 2: And it didn't help that someone that just had two

467
00:21:02,640 --> 00:21:04,640
Speaker 2: number one albums said hey, that guy sounds.

468
00:21:04,440 --> 00:21:06,360
Speaker 4: Exactly like me. That didn't help either.

469
00:21:06,440 --> 00:21:09,880
Speaker 2: Yeah, I'm just yelling out loud in the same voice.

470
00:21:09,880 --> 00:21:10,720
Speaker 2: He sounds just like.

471
00:21:10,680 --> 00:21:13,679
Speaker 4: I'm from the time man, like that ship was not

472
00:21:14,000 --> 00:21:17,199
Speaker 4: the wave like you will get you will get fucking

473
00:21:18,520 --> 00:21:20,400
Speaker 4: with the with the Kanye teller girl in the room

474
00:21:20,400 --> 00:21:21,960
Speaker 4: to do. Shut up before you get what he said,

475
00:21:22,960 --> 00:21:26,000
Speaker 4: which time. I don't damn I wanted to use that

476
00:21:26,040 --> 00:21:27,720
Speaker 4: word right there, but yeah, that's that what you would

477
00:21:27,720 --> 00:21:30,240
Speaker 4: get what he was in like the hotel ChIL Okay,

478
00:21:30,760 --> 00:21:32,520
Speaker 4: you will get exiled from hip hop at one point

479
00:21:32,560 --> 00:21:34,800
Speaker 4: if you tried to sound and look exactly like somebody like,

480
00:21:34,920 --> 00:21:36,560
Speaker 4: people will slamming the doing you like, get out of

481
00:21:36,560 --> 00:21:36,760
Speaker 4: here with.

482
00:21:36,880 --> 00:21:39,520
Speaker 3: Time is changing, especially with these labels, because if they

483
00:21:39,560 --> 00:21:42,879
Speaker 3: know something works, if this is a proven thing, like,

484
00:21:42,920 --> 00:21:45,240
Speaker 3: they don't want the same thing. As Rory said, that's

485
00:21:45,240 --> 00:21:48,600
Speaker 3: why they keep remaking old movies and Marvel movies. If

486
00:21:48,640 --> 00:21:50,240
Speaker 3: we know this works, we're gonna stick to this because

487
00:21:50,240 --> 00:21:51,320
Speaker 3: we tired of losing money on Yo.

488
00:21:51,400 --> 00:21:52,600
Speaker 4: See the Doomsday trailer.

489
00:21:53,840 --> 00:21:54,720
Speaker 1: No, I didn't see it.

490
00:21:54,960 --> 00:21:57,879
Speaker 4: You don't see it. It's amazing, none of y'all saw.

491
00:21:57,960 --> 00:22:00,960
Speaker 4: It's like at a billion views. Hop, I didn't see

492
00:22:00,960 --> 00:22:02,240
Speaker 4: it's three billion, Like a billion.

493
00:22:02,240 --> 00:22:02,800
Speaker 1: People want to.

494
00:22:02,760 --> 00:22:05,520
Speaker 2: Get past the lotto, doja cat or nobody.

495
00:22:05,240 --> 00:22:08,239
Speaker 4: That that was probably just as long as dooms Day was,

496
00:22:08,480 --> 00:22:12,600
Speaker 4: but you had the doomsday trailer. Yeah, this might be,

497
00:22:12,640 --> 00:22:14,840
Speaker 4: this might be, this might be the greatest Marvel.

498
00:22:14,520 --> 00:22:18,280
Speaker 3: Movie Ever's gonna be better than I Play Rocky?

499
00:22:18,480 --> 00:22:20,200
Speaker 2: You got Rocky?

500
00:22:20,640 --> 00:22:22,639
Speaker 4: I said, this might be the best Marvel movie.

501
00:22:22,640 --> 00:22:24,000
Speaker 1: Oh so you don't think it's gonna be better than

502
00:22:24,040 --> 00:22:28,680
Speaker 1: I Play Rocky? Marvel movies, But what I'm asking Marvel movie.

503
00:22:28,480 --> 00:22:30,040
Speaker 3: What I'm asking you, do you think it's gonna be

504
00:22:30,040 --> 00:22:31,000
Speaker 3: better than I Play Rocky?

505
00:22:31,640 --> 00:22:34,560
Speaker 2: Because you said watch that tone before Frank come up here.

506
00:22:35,280 --> 00:22:37,600
Speaker 1: You said, I Play Rocky is gonna be the best.

507
00:22:37,400 --> 00:22:39,680
Speaker 3: Movie of the year, one of the best movies of

508
00:22:39,720 --> 00:22:41,879
Speaker 3: the year. Okay, correct, Do you think that this is

509
00:22:41,880 --> 00:22:42,840
Speaker 3: gonna be better than I Play?

510
00:22:42,880 --> 00:22:43,040
Speaker 4: Right?

511
00:22:43,520 --> 00:22:43,960
Speaker 1: Of course?

512
00:22:44,000 --> 00:22:47,040
Speaker 4: It is a Marvel movie, absolutely, this is This is

513
00:22:47,040 --> 00:22:48,600
Speaker 4: the movie the yot without a doubt.

514
00:22:49,680 --> 00:22:51,680
Speaker 1: Okay, this is a movie I don't want to hear about.

515
00:22:51,680 --> 00:22:54,359
Speaker 4: Ods shut the fuck up with you don't want to

516
00:22:54,560 --> 00:22:58,520
Speaker 4: I don't want to hear about. I gotta go see

517
00:22:58,520 --> 00:23:00,399
Speaker 4: it because I'm hearing great things about it. But if

518
00:23:00,520 --> 00:23:04,440
Speaker 4: y'all didn't watch this doomsday trailer, this is definitely gonna

519
00:23:04,440 --> 00:23:05,600
Speaker 4: be the best Marvel movie ever.

520
00:23:05,760 --> 00:23:08,560
Speaker 1: I'm excited. Y'all know how I feel about Marvel.

521
00:23:09,119 --> 00:23:11,280
Speaker 4: Yeah, this is this, This trail is incredible.

522
00:23:11,320 --> 00:23:14,840
Speaker 3: I gotta go back and rewatch all the fucking shows too, though.

523
00:23:16,040 --> 00:23:17,920
Speaker 2: But what like what about this one do you think

524
00:23:18,000 --> 00:23:19,080
Speaker 2: separates it?

525
00:23:19,160 --> 00:23:24,040
Speaker 4: Because everybody that's like got Ops, like Magneto and fucking

526
00:23:24,160 --> 00:23:28,560
Speaker 4: Professor X, gotta fucking become friends again. Okay, like everybody

527
00:23:28,600 --> 00:23:32,480
Speaker 4: that's Ops, everybody that's in order to obviously, you know,

528
00:23:33,720 --> 00:23:36,640
Speaker 4: fight the doomsday villain, they all have to come there,

529
00:23:36,640 --> 00:23:38,960
Speaker 4: like you, we don't we not beefing with each other.

530
00:23:39,160 --> 00:23:41,399
Speaker 4: This was like, uh, all of that year, all of that,

531
00:23:41,640 --> 00:23:42,920
Speaker 4: they got to tie the bandanners together.

532
00:23:42,920 --> 00:23:44,879
Speaker 2: This is bloods and crismas like when Tommy Goes and

533
00:23:44,880 --> 00:23:46,560
Speaker 2: fifty came together for one.

534
00:23:46,720 --> 00:23:48,760
Speaker 4: It's the same exactly when they met in the elementary

535
00:23:48,960 --> 00:23:52,160
Speaker 4: they went to this is it. Everybody's putting their beefs

536
00:23:52,200 --> 00:23:55,040
Speaker 4: aside to reach the side. This is a bigger thing

537
00:23:55,080 --> 00:23:58,159
Speaker 4: that this is the most This is the biggest force

538
00:23:58,320 --> 00:24:01,160
Speaker 4: that we've ever had to face. Marvel Universe.

539
00:24:02,640 --> 00:24:05,720
Speaker 1: Movie. Would they fighting Israel? Yeah?

540
00:24:06,040 --> 00:24:10,080
Speaker 4: Slow clap for slow claps. You probably love that.

541
00:24:10,200 --> 00:24:10,400
Speaker 2: JD.

542
00:24:10,520 --> 00:24:14,240
Speaker 4: Vans and Rogan interview didn't love this is slow clat Yeah,

543
00:24:14,240 --> 00:24:16,840
Speaker 4: but no, dudesday you gotta watch this though, definitely movie

544
00:24:16,880 --> 00:24:19,200
Speaker 4: to Yeah. I think it's coming out right before Christmas,

545
00:24:19,200 --> 00:24:22,280
Speaker 4: so you know they're getting that whole holiday rush. All right,

546
00:24:22,359 --> 00:24:23,120
Speaker 4: Well I'll see it.

547
00:24:23,520 --> 00:24:24,040
Speaker 1: You have to.

548
00:24:24,720 --> 00:24:26,800
Speaker 2: I don't like, I'm not super into the Marble stuff,

549
00:24:26,800 --> 00:24:28,639
Speaker 2: but I like good movies.

550
00:24:29,280 --> 00:24:29,800
Speaker 1: They're cool.

551
00:24:30,400 --> 00:24:32,480
Speaker 2: I'm not like, I'm not gonna dress up like you

552
00:24:33,359 --> 00:24:34,000
Speaker 2: who dressed.

553
00:24:34,720 --> 00:24:36,080
Speaker 4: You think that I dress up to go see a

554
00:24:36,080 --> 00:24:38,240
Speaker 4: Marvel movie, get the fuck out of it.

555
00:24:38,320 --> 00:24:38,480
Speaker 1: You know.

556
00:24:38,560 --> 00:24:42,760
Speaker 2: I'm not some like supreme collab that I don't know

557
00:24:42,800 --> 00:24:43,119
Speaker 2: about what.

558
00:24:43,600 --> 00:24:45,800
Speaker 3: You should have seen the hood niggas from Brooklyn dressing

559
00:24:45,880 --> 00:24:48,320
Speaker 3: up to go see uh, the Devil Wears product with

560
00:24:48,320 --> 00:24:49,160
Speaker 3: their girlfriends.

561
00:24:50,560 --> 00:24:52,600
Speaker 2: I did not see that Prada had to.

562
00:24:52,480 --> 00:24:57,480
Speaker 4: Toe to toe to go see Devil with Product.

563
00:24:57,400 --> 00:24:58,480
Speaker 1: With their girlfriends.

564
00:25:00,800 --> 00:25:00,919
Speaker 4: HM.

565
00:25:01,520 --> 00:25:03,840
Speaker 2: That's why I could find a pair of proud sniggers

566
00:25:03,840 --> 00:25:04,240
Speaker 2: in storage.

567
00:25:05,520 --> 00:25:07,119
Speaker 4: I mean, I'm not saying you can't with prod of

568
00:25:07,160 --> 00:25:10,560
Speaker 4: sneakers to go see Devil Whiz probably head to toe.

569
00:25:11,880 --> 00:25:12,400
Speaker 1: To toe.

570
00:25:12,800 --> 00:25:15,280
Speaker 4: I guess so you did it in O seven. I've

571
00:25:15,320 --> 00:25:17,040
Speaker 4: never wore full pride out for in my life.

572
00:25:17,200 --> 00:25:21,719
Speaker 3: All six have you ever worn anything full other than godspeet? Yeah,

573
00:25:22,240 --> 00:25:25,120
Speaker 3: Ralph Lauren Holo, Nike for show.

574
00:25:25,240 --> 00:25:31,560
Speaker 4: Nike for show. John Elliott mm hmmm yeah, talk to him.

575
00:25:31,720 --> 00:25:33,399
Speaker 4: I'm just saying I have I just don't know if

576
00:25:33,440 --> 00:25:35,280
Speaker 4: I'm putting on prod head to toe to go see

577
00:25:35,280 --> 00:25:39,240
Speaker 4: devil Whiz Proda too, you know what I'm saying. It's like,

578
00:25:39,200 --> 00:25:41,800
Speaker 4: all right, man, what are we doing? Am I the devil?

579
00:25:41,960 --> 00:25:44,639
Speaker 4: Like on a date with my girl? I'm the devil?

580
00:25:48,359 --> 00:25:49,920
Speaker 4: I mean, if that's what niggas is doing, I don't

581
00:25:49,920 --> 00:25:50,520
Speaker 4: know what they're doing.

582
00:25:53,840 --> 00:25:56,640
Speaker 2: Maul Demarus's flight was delayed and she couldn't rebook because

583
00:25:56,640 --> 00:25:58,919
Speaker 2: she didn't have service because she didn't have boost Mobile.

584
00:25:59,240 --> 00:26:01,359
Speaker 2: That proves that you don't have to overpay for great

585
00:26:01,400 --> 00:26:03,760
Speaker 2: wireless Hey when it happened, if she would have had Boosh,

586
00:26:03,760 --> 00:26:05,680
Speaker 2: she would have been home on time, it wouldn't be

587
00:26:05,720 --> 00:26:08,000
Speaker 2: this tired right now, and she could only pay twenty

588
00:26:08,040 --> 00:26:10,359
Speaker 2: five dollars a month forever. But instead she likes to

589
00:26:10,400 --> 00:26:13,240
Speaker 2: just hang out in airports with the other wireless people.

590
00:26:13,280 --> 00:26:15,520
Speaker 1: We don't even mess with them, so are they? Samara?

591
00:26:15,600 --> 00:26:18,920
Speaker 2: Stop overpaying and leave the airport and switch to a

592
00:26:19,000 --> 00:26:22,879
Speaker 2: fair price at boostmobile dot com today.

593
00:26:22,680 --> 00:26:25,000
Speaker 4: Based on average annual single line payment of AT and

594
00:26:25,000 --> 00:26:27,800
Speaker 4: T verizony T Mobile customers, compared to twelve months on

595
00:26:27,840 --> 00:26:31,080
Speaker 4: the boost Mobile Unlimited plan as of January twenty twenty six.

596
00:26:31,400 --> 00:26:39,960
Speaker 4: For full off of details, visit boostmobile dot com.

597
00:26:40,000 --> 00:26:42,120
Speaker 2: What's worse You're on a day and your man wears

598
00:26:42,520 --> 00:26:45,119
Speaker 2: all product to devils product or he goes to the

599
00:26:45,119 --> 00:26:48,879
Speaker 2: Doja Kat concert and wraps every verse to her face.

600
00:26:52,400 --> 00:26:57,840
Speaker 4: What's worse? Yeah, it's more of an ick.

601
00:26:58,359 --> 00:27:02,919
Speaker 1: More of aick a man rap it out loud at

602
00:27:02,960 --> 00:27:03,359
Speaker 1: a concert.

603
00:27:03,400 --> 00:27:06,480
Speaker 3: It's crazy. Yeah, that's more than it, you know. I

604
00:27:06,480 --> 00:27:09,120
Speaker 3: don't I like Stushman. I don't like that. I think

605
00:27:09,119 --> 00:27:10,800
Speaker 3: it's cute, like if it was my friend, but as

606
00:27:10,840 --> 00:27:11,160
Speaker 3: my man.

607
00:27:11,359 --> 00:27:12,040
Speaker 1: You can't be like.

608
00:27:12,040 --> 00:27:14,119
Speaker 4: Rapping word for word, no matter who the artists, no

609
00:27:14,200 --> 00:27:15,840
Speaker 4: matter who the artist is agree.

610
00:27:16,680 --> 00:27:18,960
Speaker 1: Unless it's like if what we survived to let out?

611
00:27:20,080 --> 00:27:21,760
Speaker 4: But other than that, that might be the worst song.

612
00:27:21,800 --> 00:27:23,440
Speaker 2: All right, you guys would have broke out in hives

613
00:27:23,480 --> 00:27:27,480
Speaker 2: at Yankee Stadium. Then every man was rapping word for word,

614
00:27:27,560 --> 00:27:29,920
Speaker 2: Oh for sure, for sure.

615
00:27:31,160 --> 00:27:34,320
Speaker 1: But that's different. That's Jay. It's cool to wrap. JJ's cool.

616
00:27:35,480 --> 00:27:36,560
Speaker 4: So the artist has to be cool.

617
00:27:36,560 --> 00:27:36,920
Speaker 1: The artist.

618
00:27:37,320 --> 00:27:38,400
Speaker 4: You have to deem the artists to.

619
00:27:38,320 --> 00:27:41,040
Speaker 2: Be cool, all right, say the artists that aren't cool.

620
00:27:42,400 --> 00:27:45,439
Speaker 3: Most artists. Artists ain't cool. There's not a lot of

621
00:27:45,480 --> 00:27:47,760
Speaker 3: cool like artists. Can you think of like a cool

622
00:27:47,760 --> 00:27:49,240
Speaker 3: like artist we be like, damn, they're cool.

623
00:27:50,280 --> 00:27:52,040
Speaker 4: I think Nas is one of the coolestort.

624
00:27:51,800 --> 00:27:54,480
Speaker 1: No, Nas is very is very cool. Nas and Jerry.

625
00:27:54,359 --> 00:27:57,199
Speaker 4: Cool their ra in particular.

626
00:27:57,240 --> 00:27:59,000
Speaker 2: But they're older than me, so I view like when

627
00:27:59,040 --> 00:28:01,520
Speaker 2: you were younger, you viewed older people as cool. But

628
00:28:01,560 --> 00:28:03,840
Speaker 2: even there sometimes you're on the corny when you got

629
00:28:03,840 --> 00:28:07,000
Speaker 2: to that age. Their peers think they're cool. Yeah, Like

630
00:28:07,040 --> 00:28:09,000
Speaker 2: I think everyone from Wu Tang is cool as fuck,

631
00:28:10,200 --> 00:28:11,040
Speaker 2: like just that era.

632
00:28:11,240 --> 00:28:14,199
Speaker 4: To me, they're all cool. I'm trying to think of

633
00:28:15,560 --> 00:28:15,959
Speaker 4: I don't know.

634
00:28:16,000 --> 00:28:18,280
Speaker 2: I mean having like hung out with artists to the

635
00:28:18,280 --> 00:28:20,399
Speaker 2: point of knowing if they're really cool or not. Like

636
00:28:20,440 --> 00:28:23,440
Speaker 2: that of what like famous ones that people can be cool.

637
00:28:23,480 --> 00:28:26,280
Speaker 2: He an actor, you can be a cool actor, you said,

638
00:28:26,960 --> 00:28:31,240
Speaker 2: math you can be a cool.

639
00:28:29,640 --> 00:28:33,200
Speaker 4: You can't be a cool actor the coolest in the world.

640
00:28:33,200 --> 00:28:35,200
Speaker 4: What are you talking that? What Denzel Washington might be

641
00:28:35,240 --> 00:28:36,359
Speaker 4: the coolest nigg in the world.

642
00:28:37,280 --> 00:28:39,880
Speaker 3: But Denzel played it, said, but I just had this conversation.

643
00:28:40,040 --> 00:28:42,960
Speaker 3: Dinzel plays the cool nigga in every role he played

644
00:28:42,960 --> 00:28:43,800
Speaker 3: other than that one.

645
00:28:43,760 --> 00:28:45,680
Speaker 4: He's playing himself exactly.

646
00:28:45,920 --> 00:28:46,680
Speaker 1: That's you think.

647
00:28:46,720 --> 00:28:49,719
Speaker 4: He's just happened to be recording Denzel on the date

648
00:28:49,840 --> 00:28:50,080
Speaker 4: with that.

649
00:28:50,400 --> 00:28:51,160
Speaker 1: But that's why I.

650
00:28:51,160 --> 00:28:53,400
Speaker 3: Literally just had the conversation because somebody we were having

651
00:28:53,400 --> 00:28:56,640
Speaker 3: the Will Smith versus Denzel, like who's the better having there?

652
00:28:57,160 --> 00:28:58,800
Speaker 3: I was having to act a lot of people have

653
00:28:58,880 --> 00:29:02,160
Speaker 3: that argument sometimes. Yeah people, Yeah, whether well are a

654
00:29:02,200 --> 00:29:06,320
Speaker 3: better is Betterelas But that's just my thought.

655
00:29:06,320 --> 00:29:08,320
Speaker 2: But yeah, people have that. And if you're talking like

656
00:29:08,560 --> 00:29:10,120
Speaker 2: whose people who.

657
00:29:09,960 --> 00:29:11,680
Speaker 4: Can make that? They can make a debate off not

658
00:29:11,760 --> 00:29:12,120
Speaker 4: on it.

659
00:29:12,120 --> 00:29:14,520
Speaker 3: It's not even my huge lists, not even box office

660
00:29:14,560 --> 00:29:17,360
Speaker 3: to me. For me, me personally what I think. And

661
00:29:17,440 --> 00:29:20,200
Speaker 3: y'all know, Denzel is like I love Dinzel so much.

662
00:29:20,240 --> 00:29:21,800
Speaker 3: He's extremely, extremely talented.

663
00:29:21,800 --> 00:29:23,920
Speaker 4: Happy birthday to the legendary Denzel. He turned eighty. I

664
00:29:23,920 --> 00:29:27,400
Speaker 4: didn't even know he did eighty. Denzel Washington is eighty

665
00:29:27,440 --> 00:29:27,880
Speaker 4: years old.

666
00:29:28,320 --> 00:29:32,560
Speaker 3: That's crazy. I believe that's crazy. Eighty is crazy. He

667
00:29:32,600 --> 00:29:33,200
Speaker 3: can't be eighty.

668
00:29:33,240 --> 00:29:35,160
Speaker 2: Get him in front of that screen. Now, that man

669
00:29:35,240 --> 00:29:38,000
Speaker 2: is seventy one years old. Oh god, I was like Denzel.

670
00:29:39,120 --> 00:29:41,240
Speaker 3: Years of Denzel being alive, you were scaring the shit

671
00:29:41,280 --> 00:29:41,600
Speaker 3: out of me.

672
00:29:41,880 --> 00:29:43,520
Speaker 4: Seventy one seventy one.

673
00:29:44,120 --> 00:29:45,800
Speaker 1: He looks good. He would look at day over.

674
00:29:45,680 --> 00:29:50,240
Speaker 3: Sixty seventy one, Denzel, Happy birthday, Denzel.

675
00:29:50,760 --> 00:29:53,480
Speaker 2: Okay, is Will Smith a better actor? Because Will is

676
00:29:53,520 --> 00:29:55,960
Speaker 2: probably not cool and he's come across cool in movies

677
00:29:57,080 --> 00:30:00,320
Speaker 2: anything that when Denzel breathes, he's cool Smith.

678
00:30:00,360 --> 00:30:01,760
Speaker 4: We know he's not cool. He showed a stad at

679
00:30:01,800 --> 00:30:04,600
Speaker 4: the Oscars, but the freestyle saved them though. He got

680
00:30:04,600 --> 00:30:08,080
Speaker 4: back to coolness, right according to y'all. Yeah, according to y'all,

681
00:30:08,120 --> 00:30:09,920
Speaker 4: y'all thought that was great freestyle of the year.

682
00:30:10,000 --> 00:30:13,440
Speaker 3: I think that Will has more range. That's why I

683
00:30:13,480 --> 00:30:15,080
Speaker 3: think that Will is a better actor. I think Will

684
00:30:15,120 --> 00:30:15,840
Speaker 3: has more range.

685
00:30:15,640 --> 00:30:17,880
Speaker 2: Because he did one accent in Concussion.

686
00:30:18,000 --> 00:30:19,240
Speaker 1: No, it's not about an accent.

687
00:30:19,320 --> 00:30:22,200
Speaker 3: Will can be can play a funny role, Will can

688
00:30:22,200 --> 00:30:25,080
Speaker 3: play an action role, Will can play a serious role.

689
00:30:25,320 --> 00:30:27,920
Speaker 3: Will can pretend to be somebody else. Will can act

690
00:30:27,960 --> 00:30:30,720
Speaker 3: and just be himself in a movie and still Malcolm X.

691
00:30:30,760 --> 00:30:33,600
Speaker 3: He has he has more. Y'all just said that that

692
00:30:33,880 --> 00:30:35,600
Speaker 3: Denzel plays himself in every role.

693
00:30:35,680 --> 00:30:36,960
Speaker 2: He said that, I didn't say that.

694
00:30:38,040 --> 00:30:39,760
Speaker 1: Yeah, Denzel plays himself in every role.

695
00:30:39,760 --> 00:30:41,400
Speaker 3: There's something that he stood out where it was a

696
00:30:41,400 --> 00:30:43,720
Speaker 3: little bit different, But for the most part, he plays himself.

697
00:30:43,840 --> 00:30:46,160
Speaker 1: Will doesn't do that. Will has a lot of rights.

698
00:30:46,200 --> 00:30:48,280
Speaker 2: What do you mean, of course, his own personality is

699
00:30:48,280 --> 00:30:51,480
Speaker 2: going to blend in, But what do you mean by that?

700
00:30:52,120 --> 00:30:56,600
Speaker 3: I just I literally just explained it to you. You

701
00:30:56,640 --> 00:30:58,280
Speaker 3: think Denzel could be a comedian in.

702
00:30:58,200 --> 00:31:01,080
Speaker 2: The movie, probably if it was written you think, I

703
00:31:01,080 --> 00:31:04,800
Speaker 2: think he has the ability to look at a script

704
00:31:04,840 --> 00:31:06,960
Speaker 2: and figure out what they're trying to get across.

705
00:31:07,200 --> 00:31:08,680
Speaker 3: Have you think he has that ability? Has he ever

706
00:31:08,680 --> 00:31:10,520
Speaker 3: shown that ability? Do you remember him showing you that

707
00:31:10,600 --> 00:31:12,280
Speaker 3: ability that you you know.

708
00:31:12,320 --> 00:31:12,920
Speaker 4: That he was in it?

709
00:31:13,040 --> 00:31:14,160
Speaker 1: He could be a comedic actor.

710
00:31:14,360 --> 00:31:15,800
Speaker 4: Yes, yeah, No.

711
00:31:15,720 --> 00:31:19,640
Speaker 2: I don't think Denzel's taking like a traditional comedic role.

712
00:31:19,720 --> 00:31:23,280
Speaker 2: But Denzel is funny without being funny, which makes me

713
00:31:23,400 --> 00:31:24,080
Speaker 2: think that.

714
00:31:24,120 --> 00:31:25,440
Speaker 4: He could do that if he wanted to.

715
00:31:25,560 --> 00:31:28,240
Speaker 2: Like even in Flight, when they're at like the end

716
00:31:28,280 --> 00:31:30,280
Speaker 2: at the hearing and he's like, I'm drunk right now,

717
00:31:30,360 --> 00:31:34,200
Speaker 2: I fell out of my chair laughing, Like, Denzel can

718
00:31:34,280 --> 00:31:35,200
Speaker 2: be funny.

719
00:31:35,280 --> 00:31:38,040
Speaker 3: Even if it's not that it's funny. The Denzel the

720
00:31:38,040 --> 00:31:39,280
Speaker 3: person is naturally funny.

721
00:31:39,360 --> 00:31:39,520
Speaker 1: Yeah.

722
00:31:39,520 --> 00:31:42,360
Speaker 2: So that's why I'm saying, like, Okay, you have a point,

723
00:31:42,360 --> 00:31:45,280
Speaker 2: because there's not like a direct example.

724
00:31:44,840 --> 00:31:45,680
Speaker 4: Of him being in.

725
00:31:48,200 --> 00:31:50,520
Speaker 2: To say he couldn't do that is kind of crazy.

726
00:31:51,040 --> 00:31:53,200
Speaker 2: And I mean, Will yes has it ranged because he

727
00:31:53,240 --> 00:31:55,560
Speaker 2: started on a comedy site's.

728
00:31:54,960 --> 00:31:57,800
Speaker 4: Viral clip of I'm leaving here with something that's comedy.

729
00:31:57,640 --> 00:31:59,240
Speaker 1: That's hilarious, but that's not acting.

730
00:31:59,640 --> 00:32:01,680
Speaker 3: That's it be himself. He's naturally a funny, That's what

731
00:32:01,680 --> 00:32:03,480
Speaker 3: I'm saying. I think he could be he I don't.

732
00:32:03,520 --> 00:32:06,400
Speaker 3: I don't think that he was lyrics. I don't think

733
00:32:06,440 --> 00:32:08,680
Speaker 3: it's you're looking at me like explain that. I don't

734
00:32:08,680 --> 00:32:10,400
Speaker 3: think it needs to be explained that Will Smith has

735
00:32:10,440 --> 00:32:13,080
Speaker 3: shown I won't say has let's say, has shown in

736
00:32:13,120 --> 00:32:15,840
Speaker 3: his filmography that he has more range than.

737
00:32:15,960 --> 00:32:19,440
Speaker 1: He's a better comedic. It's not even just comedy. It's

738
00:32:19,520 --> 00:32:20,440
Speaker 1: not even just comedy.

739
00:32:20,480 --> 00:32:23,160
Speaker 4: Well, I mean Will comes from TV and it was

740
00:32:23,200 --> 00:32:26,920
Speaker 4: a comedy. So it was like, you know, okay, all right,

741
00:32:27,400 --> 00:32:29,840
Speaker 4: comedy drama. I guess no.

742
00:32:30,000 --> 00:32:31,080
Speaker 2: Well, first of all, I want to make it I

743
00:32:31,120 --> 00:32:33,600
Speaker 2: think Will Smith is a great, great actor.

744
00:32:33,720 --> 00:32:35,280
Speaker 3: You don't have to agree that you don't think that

745
00:32:35,320 --> 00:32:37,080
Speaker 3: Denzel is a better actor to him, that's fine, that's

746
00:32:37,160 --> 00:32:39,960
Speaker 3: opinion only. But when I say he has more range

747
00:32:39,960 --> 00:32:41,480
Speaker 3: and he's shown more range, I don't think.

748
00:32:41,360 --> 00:32:46,760
Speaker 2: That the range only speaks to one one part of acting,

749
00:32:46,760 --> 00:32:48,400
Speaker 2: and to me it's the comedic part, because I think

750
00:32:48,760 --> 00:32:53,240
Speaker 2: Denzel beats Will in every other category besides comedy. But

751
00:32:53,320 --> 00:32:55,280
Speaker 2: if that's the deciding factor of the full range thing,

752
00:32:55,320 --> 00:32:57,480
Speaker 2: then sure Will could have more range.

753
00:32:57,520 --> 00:33:01,880
Speaker 4: The difference between Will Smith and Denzel is Denzel's a thespian.

754
00:33:02,200 --> 00:33:03,960
Speaker 4: Will Smith is a lesbian.

755
00:33:07,120 --> 00:33:10,240
Speaker 1: Slow class football, medium class. It was a medium class.

756
00:33:12,120 --> 00:33:12,440
Speaker 1: That was.

757
00:33:14,080 --> 00:33:16,520
Speaker 4: Funny how long you've been saying on that while he

758
00:33:16,640 --> 00:33:19,120
Speaker 4: was debating, that's what he was thinking of because because

759
00:33:19,120 --> 00:33:23,000
Speaker 4: because Denzel comes from theater that was there always an

760
00:33:23,000 --> 00:33:25,800
Speaker 4: amazing Will Smith's origin is rap, hip hop and then

761
00:33:25,880 --> 00:33:29,479
Speaker 4: obviously fresh prints. So it's like, you know, then he

762
00:33:29,520 --> 00:33:34,000
Speaker 4: moved into film, but Denzel started in the theater and

763
00:33:34,040 --> 00:33:36,880
Speaker 4: then moved the film. So it's just a different type

764
00:33:36,880 --> 00:33:40,200
Speaker 4: of actor, different type of Yeah, and I'm joking about

765
00:33:40,200 --> 00:33:41,720
Speaker 4: Will being a lesbian. He's not a lesbian.

766
00:33:41,960 --> 00:33:44,280
Speaker 2: Well, and also why that debate even exists because they're

767
00:33:44,280 --> 00:33:46,720
Speaker 2: both black, Like, I don't think.

768
00:33:46,560 --> 00:33:48,040
Speaker 4: That'd be a what do you mean that both black?

769
00:33:48,320 --> 00:33:49,920
Speaker 2: That's why I think people have that. I don't think

770
00:33:49,960 --> 00:33:51,680
Speaker 2: they should be in a debate because they're different type

771
00:33:51,680 --> 00:33:53,960
Speaker 2: of actors. I think De Niro and Denzel would be

772
00:33:54,000 --> 00:33:57,040
Speaker 2: a better debate than Will Smith and Denzel because they're

773
00:33:57,040 --> 00:33:57,960
Speaker 2: they're different.

774
00:33:57,680 --> 00:33:59,200
Speaker 4: Type of actors. They're different type of actors.

775
00:33:59,240 --> 00:34:00,920
Speaker 1: I'm saying the only and that people are having that

776
00:34:00,960 --> 00:34:01,560
Speaker 1: debates because but.

777
00:34:01,560 --> 00:34:05,600
Speaker 4: I mean the narrow actors. But de Narro has done

778
00:34:05,680 --> 00:34:09,360
Speaker 4: de Niro has done comedies though yes, yes, now was

779
00:34:09,360 --> 00:34:11,520
Speaker 4: he trying to be funny in those comedies maybe not,

780
00:34:11,600 --> 00:34:14,200
Speaker 4: but it was funny Like DENI also met the fox

781
00:34:14,440 --> 00:34:16,440
Speaker 4: He wasn't trying to funny to meet the Foxers, but

782
00:34:16,760 --> 00:34:18,560
Speaker 4: his role was funny though you get what I'm saying

783
00:34:18,560 --> 00:34:21,880
Speaker 4: at and stuff. Yeah, yeah, that type, but he's hilarious.

784
00:34:21,880 --> 00:34:24,920
Speaker 4: I think Denzel can do that. I don't think Denzel's

785
00:34:24,960 --> 00:34:28,120
Speaker 4: can do Kevin Hart type of comedy or Dave Chappelle

786
00:34:28,200 --> 00:34:30,560
Speaker 4: comedy in a movie, But I think the way de

787
00:34:30,680 --> 00:34:33,040
Speaker 4: Niro wasn't Meet the Foxers, I think Denzel could do that.

788
00:34:33,160 --> 00:34:34,640
Speaker 1: You think Dinzel could be a superhero.

789
00:34:35,200 --> 00:34:39,719
Speaker 4: Yeah, he is a super He's Malcolm X. Got you there,

790
00:34:39,800 --> 00:34:44,400
Speaker 4: he was Jake Shuttlesworth, you got me. He could be

791
00:34:44,400 --> 00:34:46,880
Speaker 4: a superhero. I loved him though, it's my baby. He

792
00:34:47,000 --> 00:34:50,160
Speaker 4: love him. Then you never talked about the saddest party.

793
00:34:50,160 --> 00:34:51,640
Speaker 4: He got game with it end when they was like

794
00:34:51,960 --> 00:34:54,000
Speaker 4: we got over on New Denzel. He went to big State,

795
00:34:54,080 --> 00:34:56,560
Speaker 4: but you didn't technically do it. Sitting at Aka for

796
00:34:56,600 --> 00:34:58,960
Speaker 4: the rest of your life. Yeah, so we know the

797
00:34:59,000 --> 00:35:01,879
Speaker 4: government was going to do that. He was a great movie. Though,

798
00:35:01,960 --> 00:35:03,720
Speaker 4: how do we even get on that topic?

799
00:35:04,760 --> 00:35:05,760
Speaker 1: What were we talking about?

800
00:35:05,760 --> 00:35:06,200
Speaker 4: Actors?

801
00:35:06,880 --> 00:35:08,880
Speaker 1: Oh about playing yourself in every role. But where do

802
00:35:08,960 --> 00:35:11,920
Speaker 1: we get from there? Oh? Being cool?

803
00:35:13,520 --> 00:35:15,080
Speaker 4: Oh rapping at the concert? Being cool?

804
00:35:15,239 --> 00:35:16,080
Speaker 1: Yeah, who's cool?

805
00:35:16,200 --> 00:35:16,920
Speaker 4: Who's the cool?

806
00:35:17,520 --> 00:35:20,239
Speaker 1: Yeah? Cool rappers? Then Zelle was super cool.

807
00:35:20,440 --> 00:35:22,239
Speaker 4: Super cool, super cool? Then Zel?

808
00:35:22,760 --> 00:35:24,719
Speaker 2: Okay, then what then? What era are you asking for

809
00:35:24,719 --> 00:35:25,680
Speaker 2: cool rappers to get back to?

810
00:35:25,719 --> 00:35:25,799
Speaker 4: That?

811
00:35:26,600 --> 00:35:27,040
Speaker 1: This era?

812
00:35:27,160 --> 00:35:28,840
Speaker 4: I don't know. I have no idea.

813
00:35:28,880 --> 00:35:30,080
Speaker 2: But I'm not cool, so I don't want to be

814
00:35:30,120 --> 00:35:34,000
Speaker 2: that guy that is the gatekeeper of cool when I'm not.

815
00:35:34,520 --> 00:35:36,600
Speaker 3: I'm just like that everybody looks up to, like cool,

816
00:35:36,719 --> 00:35:39,720
Speaker 3: like damn, like they're cool like cool.

817
00:35:39,600 --> 00:35:40,439
Speaker 1: Only this No more.

818
00:35:40,600 --> 00:35:41,640
Speaker 4: Kanye was cool.

819
00:35:43,320 --> 00:35:46,479
Speaker 3: No, he was never cool. He came out being a nerd,

820
00:35:46,560 --> 00:35:47,560
Speaker 3: like he was never the cool.

821
00:35:47,600 --> 00:35:50,799
Speaker 2: He ushered in the new world where nerds became cool

822
00:35:50,800 --> 00:35:54,520
Speaker 2: and high fashion became cool and everyone dressed more like

823
00:35:54,600 --> 00:35:57,520
Speaker 2: Kanye than anyone else about. Yeah, but that cool influence,

824
00:35:57,840 --> 00:35:59,920
Speaker 2: if you're influencing how everyone is dressing. To me, that

825
00:36:00,160 --> 00:36:01,920
Speaker 2: is probably one of the biggest examples of being cool.

826
00:36:01,960 --> 00:36:03,520
Speaker 3: That's not well, that's not what I refer to when

827
00:36:03,520 --> 00:36:04,000
Speaker 3: I refers to.

828
00:36:04,120 --> 00:36:06,480
Speaker 2: A SAP and his crew were cool as fun when

829
00:36:06,480 --> 00:36:08,439
Speaker 2: I came out, now was cool.

830
00:36:08,920 --> 00:36:11,879
Speaker 3: But to the younger generation, that's not what I refer

831
00:36:11,920 --> 00:36:13,520
Speaker 3: to when I heerd so cool, What do you mean them?

832
00:36:13,680 --> 00:36:14,840
Speaker 1: I mean when I say cool.

833
00:36:14,680 --> 00:36:17,040
Speaker 3: I mean like the cool, like laid back, like almost

834
00:36:17,040 --> 00:36:19,440
Speaker 3: like don't talk like just that type of cool where

835
00:36:19,480 --> 00:36:24,359
Speaker 3: Larry June is cool, good job Larry, and.

836
00:36:24,320 --> 00:36:27,000
Speaker 2: He's positive and ship like, that's cool to me. The

837
00:36:27,040 --> 00:36:28,520
Speaker 2: fact that all you got to say is good job

838
00:36:28,600 --> 00:36:30,799
Speaker 2: to the crowd and everyone cheers like that's some real

839
00:36:30,840 --> 00:36:31,440
Speaker 2: cool ship.

840
00:36:31,280 --> 00:36:32,080
Speaker 4: And that's some cool ship.

841
00:36:32,200 --> 00:36:34,879
Speaker 1: That's cool, cool cool for sure.

842
00:36:34,920 --> 00:36:37,080
Speaker 4: Garry June is definitely a cool rapper. He you know

843
00:36:37,120 --> 00:36:38,799
Speaker 4: he got juice balls and ship, like.

844
00:36:38,719 --> 00:36:43,359
Speaker 1: Which, what are y'all gonna take take ownership of the orange? Uh?

845
00:36:43,440 --> 00:36:45,759
Speaker 2: We had that conversation the first time we kicked it

846
00:36:45,800 --> 00:36:49,600
Speaker 2: with Larry at Made in America and his answer was

847
00:36:49,640 --> 00:36:50,160
Speaker 2: cool as fuck.

848
00:36:50,560 --> 00:36:51,279
Speaker 4: You can have it too.

849
00:36:52,239 --> 00:36:54,919
Speaker 1: Damn he's sharing ship. That's cool. Share as cool as fuck.

850
00:36:56,400 --> 00:36:57,439
Speaker 4: Larry's cool. I like Larry.

851
00:36:58,040 --> 00:37:01,280
Speaker 2: He was so cool when we went go kart riding

852
00:37:01,520 --> 00:37:05,640
Speaker 2: with him and Alchemist mia Al and Maul were competitive

853
00:37:05,640 --> 00:37:07,759
Speaker 2: and trying to beat each other. I think he lit up,

854
00:37:08,200 --> 00:37:10,799
Speaker 2: Like in the go cart place. He was behind us

855
00:37:10,840 --> 00:37:13,000
Speaker 2: going five miles an hour on the go cart track,

856
00:37:13,080 --> 00:37:15,360
Speaker 2: lean like this, We're trying to race some shit looking

857
00:37:15,400 --> 00:37:18,080
Speaker 2: like nerds. Larry.

858
00:37:18,120 --> 00:37:21,799
Speaker 4: On lap one, Larry I lost to al by like

859
00:37:22,000 --> 00:37:25,840
Speaker 4: zero point eight seconds yeahing like that. I was pissed.

860
00:37:26,800 --> 00:37:29,600
Speaker 4: I ain't like that shit. Yeah, I'm all I need

861
00:37:29,640 --> 00:37:30,920
Speaker 4: to do off. I need to rematch man.

862
00:37:31,080 --> 00:37:33,040
Speaker 3: Asap was cool until he said he was slipping out

863
00:37:33,040 --> 00:37:35,640
Speaker 3: seat man. I think that's what he lost his cool points.

864
00:37:36,280 --> 00:37:38,239
Speaker 1: It's not his fault though. Yeah, but you ain't have

865
00:37:38,239 --> 00:37:40,880
Speaker 1: to tell us that we love you, Asap.

866
00:37:41,000 --> 00:37:42,760
Speaker 3: You didn't have to tell us that Fab was cool.

867
00:37:43,520 --> 00:37:44,959
Speaker 3: Fab was the definition of cool.

868
00:37:45,000 --> 00:37:45,720
Speaker 1: He was cool.

869
00:37:46,239 --> 00:37:50,160
Speaker 2: Fab was definitely cool. He was cool like fifties era.

870
00:37:50,320 --> 00:37:54,440
Speaker 2: Fifty was more fifty perception of fear than I think

871
00:37:55,400 --> 00:37:58,760
Speaker 2: there wasn't Besides people like me that bought those white beaters.

872
00:37:58,760 --> 00:38:00,880
Speaker 2: No one was like I want to be like and

873
00:38:01,000 --> 00:38:01,760
Speaker 2: dressed like fifty.

874
00:38:02,640 --> 00:38:04,200
Speaker 1: That wasn't really that wasn't really a lot of people

875
00:38:04,200 --> 00:38:04,799
Speaker 1: wanted to dress like.

876
00:38:04,920 --> 00:38:07,800
Speaker 2: People bought Juni T shirts and ship, But fifty wasn't

877
00:38:07,800 --> 00:38:12,839
Speaker 2: like a style icon the way maybe I would say,

878
00:38:12,880 --> 00:38:14,719
Speaker 2: Hope is a style come but when he said something

879
00:38:14,719 --> 00:38:18,520
Speaker 2: people wore, fifty wasn't really that. That wasn't his thing,

880
00:38:19,200 --> 00:38:20,799
Speaker 2: but he was coming at the tail and again of

881
00:38:20,840 --> 00:38:23,399
Speaker 2: the gangster rap shit and Kanye's era came in. Yeah,

882
00:38:23,440 --> 00:38:26,520
Speaker 2: and people's wearing big ass T shirts in the South, Like, yeah,

883
00:38:26,520 --> 00:38:28,120
Speaker 2: fifty really wasn't that per.

884
00:38:27,960 --> 00:38:32,319
Speaker 4: Se the coolest rapper ever Snoop though, yeah, they gotta

885
00:38:32,360 --> 00:38:33,799
Speaker 4: be Snooped though Snoopoop.

886
00:38:33,960 --> 00:38:35,400
Speaker 1: Snoop is cool because Snoop.

887
00:38:35,520 --> 00:38:37,520
Speaker 3: I don't think Snoop cares about being cool, and that

888
00:38:37,800 --> 00:38:39,520
Speaker 3: is what makes him cool. Like I don't even think

889
00:38:39,520 --> 00:38:40,759
Speaker 3: he'd be trying to do shit to be cool, and

890
00:38:40,800 --> 00:38:41,640
Speaker 3: it's just like cool.

891
00:38:41,480 --> 00:38:43,319
Speaker 4: Well, that's what makes you cool. You're not trying to

892
00:38:43,320 --> 00:38:47,279
Speaker 4: be cool, you just just are. Yeah. You know what

893
00:38:47,320 --> 00:38:49,480
Speaker 4: I'm saying. Snoop is probably the coolest rapper up.

894
00:38:49,600 --> 00:38:53,160
Speaker 2: Yeah, I think uh, three Stacks and Big Boy like

895
00:38:53,800 --> 00:38:56,640
Speaker 2: as a duo is like the coolest Yin and Yang.

896
00:38:57,680 --> 00:39:00,879
Speaker 4: Both of them are completely different but super cool. Yeah.

897
00:39:00,920 --> 00:39:02,919
Speaker 4: That would put out cast there.

898
00:39:03,800 --> 00:39:05,200
Speaker 3: But see there's people that would look at you and

899
00:39:05,239 --> 00:39:06,799
Speaker 3: look at you and say you're crazy for saying that.

900
00:39:06,920 --> 00:39:08,680
Speaker 3: When I say cool, I mean like everybody would think

901
00:39:08,680 --> 00:39:10,520
Speaker 3: they're cool. Most people would not think that they're cool.

902
00:39:11,320 --> 00:39:16,040
Speaker 3: That thousands and that Andre, yeah they were, they weren't

903
00:39:16,600 --> 00:39:19,560
Speaker 3: labeled as like cool the way they like, well Andre,

904
00:39:19,640 --> 00:39:21,279
Speaker 3: the way he dressed and stuff like that, that's not

905
00:39:21,320 --> 00:39:22,120
Speaker 3: typically cool.

906
00:39:22,239 --> 00:39:22,919
Speaker 1: That wouldn't be.

907
00:39:23,160 --> 00:39:25,200
Speaker 4: Andred Thousands one of the coolest dudes ever.

908
00:39:25,719 --> 00:39:28,520
Speaker 1: Ice Cold was his name, Ice Cold. What's cooler than

909
00:39:28,600 --> 00:39:31,439
Speaker 1: being cool? Ice Cold? What?

910
00:39:32,080 --> 00:39:34,520
Speaker 2: Yeah, I'm not saying that. It's because everyone couldn't dress

911
00:39:34,560 --> 00:39:34,879
Speaker 2: that way.

912
00:39:35,120 --> 00:39:38,600
Speaker 4: Yeah, like it was, Yeah, the shit that anybody can't pull,

913
00:39:38,640 --> 00:39:39,800
Speaker 4: like if.

914
00:39:40,160 --> 00:39:42,279
Speaker 2: You had a little bit of money. When Kanye first

915
00:39:42,280 --> 00:39:44,840
Speaker 2: came out, and you just wanted to buy a Louisvaittan

916
00:39:44,960 --> 00:39:47,680
Speaker 2: backpack and a polo, you could do that that was accessible.

917
00:39:48,000 --> 00:39:51,000
Speaker 2: You had to go thrifting and search for ship like

918
00:39:51,040 --> 00:39:53,080
Speaker 2: you have to go find Ego feathers in Vancouver to

919
00:39:53,120 --> 00:39:55,759
Speaker 2: go dressed like fucking three stacks. But people thought he

920
00:39:55,840 --> 00:39:57,440
Speaker 2: was cool and big boy was he was on the

921
00:39:57,520 --> 00:40:00,560
Speaker 2: pim shit like he was Coole Ast fuck rest in

922
00:40:00,560 --> 00:40:04,440
Speaker 2: Peace Nip. Nip was cool as he comes from the

923
00:40:04,680 --> 00:40:09,440
Speaker 2: Snoop Snoop family tree of cool. Yeah, Nip was cools full,

924
00:40:09,560 --> 00:40:14,319
Speaker 2: naturally cool. Yeah, damn pe. When he came to I

925
00:40:14,360 --> 00:40:17,160
Speaker 2: was like, oh, this is not a facade. This the

926
00:40:17,760 --> 00:40:19,680
Speaker 2: aura changed where he walked in like he was by

927
00:40:19,719 --> 00:40:22,360
Speaker 2: far the coolest person in there. He came just just

928
00:40:22,440 --> 00:40:25,000
Speaker 2: him and Lauren London in a Porsche, no security like

929
00:40:25,480 --> 00:40:27,000
Speaker 2: he yeah, he was the coolest person in the room

930
00:40:27,080 --> 00:40:28,040
Speaker 2: and it wasn't even close.

931
00:40:29,040 --> 00:40:32,600
Speaker 4: Like he was one of those rest in Peace Nip. Yeah.

932
00:40:32,600 --> 00:40:33,879
Speaker 4: While we're speaking of West Coast shit.

933
00:40:34,680 --> 00:40:38,040
Speaker 2: Right before we started recording, YG was detained in LA

934
00:40:38,239 --> 00:40:42,839
Speaker 2: for the Draco. I've heard people say Drakyo Draco, which

935
00:40:42,880 --> 00:40:45,200
Speaker 2: one is it? Because I get corrected everything DRAKEO.

936
00:40:45,560 --> 00:40:46,120
Speaker 4: It's Draco.

937
00:40:46,280 --> 00:40:47,600
Speaker 1: Yeah, thank you.

938
00:40:48,160 --> 00:40:49,680
Speaker 2: I want to make sure because I've said Drake Yo

939
00:40:49,719 --> 00:40:52,200
Speaker 2: before and I've been threatened by the West Coast, and

940
00:40:52,239 --> 00:40:54,760
Speaker 2: I think he was one of one of the modern

941
00:40:54,800 --> 00:40:57,319
Speaker 2: greatest of the West and I think everyone has used

942
00:40:57,320 --> 00:40:59,160
Speaker 2: his flow, so I want to get it correctly. But

943
00:40:59,280 --> 00:41:02,040
Speaker 2: YG was detained in connection.

944
00:41:02,520 --> 00:41:06,000
Speaker 4: To his murder, and there was a search warrant at

945
00:41:06,000 --> 00:41:07,400
Speaker 4: his crib Or studio wherever it was.

946
00:41:07,440 --> 00:41:10,000
Speaker 2: But tonight, as you're hearing this, we don't know if

947
00:41:10,040 --> 00:41:11,720
Speaker 2: it happened or not. But there is the verses against

948
00:41:11,800 --> 00:41:15,640
Speaker 2: Game n YG in a few hours. But if he

949
00:41:15,719 --> 00:41:17,720
Speaker 2: was detained, maybe they released him already.

950
00:41:18,040 --> 00:41:22,440
Speaker 4: Yeah, detained doesn't mean arrested obviously, but you know, away

951
00:41:22,440 --> 00:41:26,000
Speaker 4: from just being able to do the verses, it is

952
00:41:26,120 --> 00:41:29,399
Speaker 4: very interesting that he was detained and it is being

953
00:41:29,440 --> 00:41:36,000
Speaker 4: investigated in connection with Draco's h with murder, so it means,

954
00:41:37,160 --> 00:41:39,680
Speaker 4: you know, that's not a good thing. You don't ever

955
00:41:39,719 --> 00:41:41,680
Speaker 4: want to be part of an investigation. You don't ever

956
00:41:41,719 --> 00:41:44,840
Speaker 4: want to be detained by police for anything. But we

957
00:41:44,880 --> 00:41:46,560
Speaker 4: will have to wait and see what comes of this,

958
00:41:46,680 --> 00:41:50,239
Speaker 4: if anything comes of this. But yeah, I mean, he

959
00:41:50,239 --> 00:41:53,280
Speaker 4: he isn't arrested, so he should the verses should still

960
00:41:53,320 --> 00:41:58,279
Speaker 4: be able to go on tonight. We kind of felt

961
00:41:58,320 --> 00:42:00,680
Speaker 4: like something was gonna happen leading up to this. I

962
00:42:00,680 --> 00:42:03,960
Speaker 4: don't know if it was this. I know I didn't

963
00:42:04,239 --> 00:42:04,680
Speaker 4: expect this.

964
00:42:04,920 --> 00:42:07,799
Speaker 2: I mean, because you know, the murder was almost five

965
00:42:07,880 --> 00:42:11,840
Speaker 2: years ago, and you know, I'm not trying to down

966
00:42:11,960 --> 00:42:14,879
Speaker 2: the efforts of the Los Angeles Police Department, but usually

967
00:42:14,960 --> 00:42:16,520
Speaker 2: if it's been that long, it kind of feels like

968
00:42:16,560 --> 00:42:19,279
Speaker 2: maybe the cops have checked the fuck out. Yeah, so, yes,

969
00:42:19,320 --> 00:42:23,600
Speaker 2: that is a little surprising, and in connection to YG.

970
00:42:23,880 --> 00:42:26,800
Speaker 2: I'm not even gonna pretend nor want to know whatever

971
00:42:27,360 --> 00:42:29,719
Speaker 2: history ties between that or whatever what happened at the

972
00:42:29,719 --> 00:42:33,200
Speaker 2: festival none of my business. But yes, I will say

973
00:42:33,200 --> 00:42:35,919
Speaker 2: that the timing is definitely interesting, to say the least,

974
00:42:37,760 --> 00:42:40,279
Speaker 2: So I'm sure we'll hear much more about that as

975
00:42:40,320 --> 00:42:42,720
Speaker 2: the days go. I talked to a lot of people

976
00:42:43,719 --> 00:42:46,680
Speaker 2: on the West Coast over this week. They thought we

977
00:42:46,680 --> 00:42:51,799
Speaker 2: were kind of crazy. Why in our discussion we didn't

978
00:42:51,840 --> 00:42:53,719
Speaker 2: really pick a winner. We said we weren't particularly sure

979
00:42:53,800 --> 00:42:55,560
Speaker 2: and did say that YG has a lot of records

980
00:42:55,600 --> 00:42:57,800
Speaker 2: that would work well in a versus and at parties.

981
00:42:58,760 --> 00:43:00,839
Speaker 2: Everyone I talked to things. Why is going to clean

982
00:43:00,920 --> 00:43:04,319
Speaker 2: him up? And these people from the West Coast that

983
00:43:04,360 --> 00:43:07,520
Speaker 2: grew up on game as well around my age like nine,

984
00:43:07,560 --> 00:43:11,480
Speaker 2: a versus those YG records, especially since they're doing it

985
00:43:11,520 --> 00:43:13,040
Speaker 2: on the West Coast and there's gonna be a West

986
00:43:13,040 --> 00:43:16,640
Speaker 2: Coast crowd, the reactions to those records are gonna look different.

987
00:43:16,640 --> 00:43:18,799
Speaker 4: Then we say that in HI though like the like

988
00:43:18,920 --> 00:43:22,400
Speaker 4: YG has the records that at a verse has probably

989
00:43:22,440 --> 00:43:24,520
Speaker 4: performed better. I feel like we said that when I.

990
00:43:24,440 --> 00:43:26,600
Speaker 3: Think, yeah, I think they just heard a given game

991
00:43:26,640 --> 00:43:29,520
Speaker 3: a lot of credit and they probably interpret it like

992
00:43:29,520 --> 00:43:31,800
Speaker 3: they think it's going to be a sweet, a sweet.

993
00:43:32,040 --> 00:43:35,640
Speaker 4: They're on that side, but the game is not getting

994
00:43:35,680 --> 00:43:36,200
Speaker 4: swept in over.

995
00:43:36,239 --> 00:43:38,200
Speaker 3: I think our New York bias comes in a lot

996
00:43:38,239 --> 00:43:40,560
Speaker 3: because we look at game the way we look at

997
00:43:40,640 --> 00:43:42,080
Speaker 3: game and over in New York.

998
00:43:42,440 --> 00:43:44,759
Speaker 2: Listen, and I want to make this very clear. This

999
00:43:44,800 --> 00:43:48,960
Speaker 2: is not anyone on this podcast opinion, even if you

1000
00:43:49,000 --> 00:43:52,880
Speaker 2: try to clip it. Whatever somebody from the West Coast

1001
00:43:52,880 --> 00:43:57,680
Speaker 2: said pre beef, YG would give Kendrick a long night

1002
00:43:58,480 --> 00:44:03,000
Speaker 2: in verses. How people revere YG in a versus setting

1003
00:44:03,400 --> 00:44:08,200
Speaker 2: is much higher than I expected. But if they go

1004
00:44:08,360 --> 00:44:10,920
Speaker 2: they go out every weekend. I'm sure YG is a

1005
00:44:10,960 --> 00:44:13,680
Speaker 2: great majority of the songs that they hear. H with

1006
00:44:13,760 --> 00:44:15,359
Speaker 2: how long he's been around in the hits that he has,

1007
00:44:15,400 --> 00:44:18,320
Speaker 2: so I get it, but I hope this does happen tonight.

1008
00:44:18,840 --> 00:44:22,719
Speaker 2: Obviously Hygi has some things going on, but I like

1009
00:44:22,760 --> 00:44:24,600
Speaker 2: both their music, so I'm here for this one.

1010
00:44:25,640 --> 00:44:25,879
Speaker 1: Yeah.

1011
00:44:25,920 --> 00:44:29,200
Speaker 4: I mean again the versus setting, uh with the crowd

1012
00:44:29,239 --> 00:44:31,080
Speaker 4: being there, Well, obviously we know the records that both

1013
00:44:31,120 --> 00:44:34,440
Speaker 4: of these artists have, but I could see how people

1014
00:44:34,480 --> 00:44:38,279
Speaker 4: are leaning towards YG having the better performing records when

1015
00:44:38,280 --> 00:44:43,200
Speaker 4: it comes to this type of platform. Game probably has

1016
00:44:43,320 --> 00:44:48,160
Speaker 4: better songs. Game is probably Game is probably the better rapper.

1017
00:44:48,719 --> 00:44:50,400
Speaker 4: But when we talk about just throwing on the record

1018
00:44:50,440 --> 00:44:53,680
Speaker 4: and the crowd reacting, YG has a lot of those.

1019
00:44:54,719 --> 00:44:56,920
Speaker 4: He has a lot of those records where as soon

1020
00:44:56,960 --> 00:45:00,040
Speaker 4: as it drops there's a reaction. He has a a

1021
00:45:00,040 --> 00:45:05,919
Speaker 4: lot of those, you know, those those party club, atmosphere,

1022
00:45:06,040 --> 00:45:08,960
Speaker 4: cookout like. He has a lot of those records. Game

1023
00:45:09,040 --> 00:45:11,480
Speaker 4: has some of lot in it as well, but wy

1024
00:45:11,600 --> 00:45:14,040
Speaker 4: G probably makes it more of a focal point to

1025
00:45:14,040 --> 00:45:15,080
Speaker 4: have those type of songs.

1026
00:45:15,360 --> 00:45:16,280
Speaker 1: Yeah.

1027
00:45:16,360 --> 00:45:20,000
Speaker 2: Yeah, you saw that stack Quota clip where he was

1028
00:45:20,000 --> 00:45:22,200
Speaker 2: saying he's had a lot of conversations with Game where

1029
00:45:22,200 --> 00:45:25,520
Speaker 2: he felt like Kendrick was dissing them for like the

1030
00:45:25,600 --> 00:45:29,839
Speaker 2: last ten years. Some of those were a little they

1031
00:45:29,840 --> 00:45:32,320
Speaker 2: were reaches, But I do think that Kendrick has.

1032
00:45:32,200 --> 00:45:36,200
Speaker 4: This game before. Do you think Kendrick has this game?

1033
00:45:36,360 --> 00:45:38,320
Speaker 2: I think in that full clip, and we don't have

1034
00:45:38,320 --> 00:45:39,520
Speaker 2: to go through all of them because some of them

1035
00:45:39,520 --> 00:45:40,680
Speaker 2: were just such a reach.

1036
00:45:41,960 --> 00:45:43,359
Speaker 4: That I think it was just Game being Game.

1037
00:45:43,640 --> 00:45:46,319
Speaker 2: But I do think that Game was not dissed or

1038
00:45:46,360 --> 00:45:49,560
Speaker 2: not like us, but was mentioned and could take it

1039
00:45:49,600 --> 00:45:51,480
Speaker 2: as a disc when he has said let me put

1040
00:45:51,520 --> 00:45:52,200
Speaker 2: y'all on game.

1041
00:45:52,520 --> 00:45:53,960
Speaker 4: The settlers was using town folk.

1042
00:45:55,719 --> 00:45:58,520
Speaker 2: I mean Game did bring Drake to Compton to do

1043
00:45:58,600 --> 00:46:03,359
Speaker 2: that song where Dre did dis Kendrick in Coompton. Let

1044
00:46:03,360 --> 00:46:05,640
Speaker 2: me put you on a game is on the documentary.

1045
00:46:05,719 --> 00:46:06,359
Speaker 1: His name is Game.

1046
00:46:07,280 --> 00:46:11,920
Speaker 2: Yeah, I think that was a that's ships that's a

1047
00:46:12,000 --> 00:46:14,600
Speaker 2: really fair, like like your game is nuts?

1048
00:46:14,719 --> 00:46:14,759
Speaker 3: Is?

1049
00:46:14,800 --> 00:46:17,799
Speaker 1: Like I don't is he let me put you on game?

1050
00:46:17,880 --> 00:46:20,000
Speaker 2: If town folks they're both in the same fucking town

1051
00:46:20,239 --> 00:46:22,520
Speaker 2: was using settlers and he's calling Drake a settler throughout

1052
00:46:22,520 --> 00:46:25,880
Speaker 2: the entire record. Game's not crazy for saying that Kendrick

1053
00:46:25,880 --> 00:46:26,960
Speaker 2: distem That's all I'm saying.

1054
00:46:27,120 --> 00:46:29,200
Speaker 4: I'm just saying if I'm Game, I would have some

1055
00:46:29,360 --> 00:46:31,920
Speaker 4: questions too. I would want to ask Kendrick, like, Yo,

1056
00:46:32,080 --> 00:46:34,160
Speaker 4: fam that bar, Like what you meant?

1057
00:46:34,320 --> 00:46:35,640
Speaker 1: Why you say like that?

1058
00:46:37,040 --> 00:46:38,920
Speaker 4: All right there? What you meant by that?

1059
00:46:39,200 --> 00:46:40,160
Speaker 1: He said that bar?

1060
00:46:40,440 --> 00:46:42,560
Speaker 4: Yeah, let's talk about that bar right there?

1061
00:46:42,640 --> 00:46:44,040
Speaker 1: Like that bar right there?

1062
00:46:44,080 --> 00:46:46,800
Speaker 4: Yeah, let's talk about that. Because I'm I got questions.

1063
00:46:46,800 --> 00:46:49,520
Speaker 4: That's why I'm not mad at Game for having some

1064
00:46:49,600 --> 00:46:52,040
Speaker 4: type of feelings towards certain things being said, and not

1065
00:46:52,080 --> 00:46:56,160
Speaker 4: only that. To me, that makes sense why you know,

1066
00:46:56,520 --> 00:46:59,239
Speaker 4: Game didn't show up to the pop out because he's

1067
00:46:59,280 --> 00:47:02,799
Speaker 4: probably always felt like there was something there between him

1068
00:47:02,840 --> 00:47:06,719
Speaker 4: and Kendrick anyway. Now, obviously his alliance and his you know,

1069
00:47:08,520 --> 00:47:11,840
Speaker 4: he sided with Drake. Drake is his guy. But I

1070
00:47:11,880 --> 00:47:14,000
Speaker 4: think away from that, I think, yeah, I can see

1071
00:47:14,360 --> 00:47:17,040
Speaker 4: Game kind of having those feelings for a while, Like, Yo,

1072
00:47:17,160 --> 00:47:19,840
Speaker 4: he felt like Kendrick was sending a couple of shots

1073
00:47:19,840 --> 00:47:22,160
Speaker 4: his way, like you know, in a competitive not a

1074
00:47:22,200 --> 00:47:25,840
Speaker 4: beef nature, but like being from the same city. You

1075
00:47:25,840 --> 00:47:28,399
Speaker 4: know what I'm saying. It's like nah, like I'm you know,

1076
00:47:28,520 --> 00:47:31,600
Speaker 4: it's like that type of competitive thing in okay, but

1077
00:47:31,719 --> 00:47:32,160
Speaker 4: in a.

1078
00:47:33,760 --> 00:47:36,520
Speaker 2: Like rapper brain, would you have to add that context

1079
00:47:36,520 --> 00:47:37,040
Speaker 2: into this.

1080
00:47:38,800 --> 00:47:39,720
Speaker 1: Game gave Kendrick.

1081
00:47:40,080 --> 00:47:43,280
Speaker 2: You know, it's probably first shot from a professional, reputable rapper,

1082
00:47:43,560 --> 00:47:45,480
Speaker 2: like Game mixtapes had Kate out on it, took him

1083
00:47:45,480 --> 00:47:48,680
Speaker 2: on tour, like, Yeah, they've had a very long, long relationship.

1084
00:47:49,400 --> 00:47:51,879
Speaker 2: And not to say that Game owes him anything per se,

1085
00:47:52,440 --> 00:47:55,960
Speaker 2: but as a rapper, I may have in some type

1086
00:47:55,960 --> 00:47:57,600
Speaker 2: of an issue with someone I've known for that long

1087
00:47:58,920 --> 00:48:04,640
Speaker 2: being cool taking someone dissing me to my hometown to

1088
00:48:04,680 --> 00:48:06,600
Speaker 2: shoot a video where you're dissing me.

1089
00:48:09,360 --> 00:48:11,560
Speaker 4: Yeah, I can see that.

1090
00:48:11,800 --> 00:48:14,000
Speaker 2: Like if you're standing on a Compton block saying if

1091
00:48:14,040 --> 00:48:17,560
Speaker 2: I didn't go pop and stay conscious, I would have

1092
00:48:17,600 --> 00:48:20,279
Speaker 2: all of your fans like, damn, you're gonna take them.

1093
00:48:20,160 --> 00:48:21,279
Speaker 1: To see your block to say that.

1094
00:48:22,400 --> 00:48:24,239
Speaker 2: I could see Kendrick not being like, yo, fuck game,

1095
00:48:24,320 --> 00:48:27,640
Speaker 2: but like that's kind of weird, Like if it was

1096
00:48:27,680 --> 00:48:29,920
Speaker 2: just a record, I get it, but he's legitimately dissing

1097
00:48:29,960 --> 00:48:33,000
Speaker 2: me on the song. Yeah, So I could see Kendrick

1098
00:48:33,000 --> 00:48:37,000
Speaker 2: feeling a little bit away. Yeah, but that's.

1099
00:48:38,880 --> 00:48:41,759
Speaker 4: Something that not from the same city, you know, It's

1100
00:48:41,880 --> 00:48:43,960
Speaker 4: it's a it's a it's a competitive thing. It's a

1101
00:48:44,040 --> 00:48:47,680
Speaker 4: rapid ego thing. I don't think it's a real beef

1102
00:48:47,840 --> 00:48:49,959
Speaker 4: like some street ship. I don't think it's that, oh no,

1103
00:48:50,000 --> 00:48:53,719
Speaker 4: But I think it's definitely like the rapid ego being

1104
00:48:53,719 --> 00:48:58,000
Speaker 4: from the same city type of like nudget for position

1105
00:48:58,160 --> 00:49:00,960
Speaker 4: type of thing, like good, healthy competition. I don't think

1106
00:49:00,960 --> 00:49:03,759
Speaker 4: that there's any real ill feelings between these two, but

1107
00:49:04,480 --> 00:49:06,719
Speaker 4: you know, obviously people are gonna try to paint it

1108
00:49:06,760 --> 00:49:09,319
Speaker 4: that way. And then game not going to the pop

1109
00:49:09,320 --> 00:49:11,600
Speaker 4: out and addressing why he didn't go and things like that,

1110
00:49:11,719 --> 00:49:13,920
Speaker 4: it kind of put in the middle, I guess a

1111
00:49:13,920 --> 00:49:17,080
Speaker 4: little further wedge in between him and Kindrick relationship, if

1112
00:49:17,080 --> 00:49:20,120
Speaker 4: you will. I don't know, you know, personally their relationship,

1113
00:49:20,160 --> 00:49:22,799
Speaker 4: but you know, just on the outside looking in, it's

1114
00:49:22,840 --> 00:49:26,080
Speaker 4: it's there's definitely something between these two, but I don't

1115
00:49:26,080 --> 00:49:29,000
Speaker 4: think it's like a beef. I don't think it's that.

1116
00:49:29,000 --> 00:49:31,719
Speaker 2: That would have been a good gauge for tonight's versus

1117
00:49:31,840 --> 00:49:34,520
Speaker 2: because YG's set at the pop out was great, and

1118
00:49:34,560 --> 00:49:37,960
Speaker 2: you could see the reception that he got for that,

1119
00:49:38,120 --> 00:49:40,960
Speaker 2: like ten twelve minutes that he did. I'm curious what

1120
00:49:41,000 --> 00:49:43,279
Speaker 2: the reaction with it because I game popping out that

1121
00:49:43,280 --> 00:49:45,360
Speaker 2: stadium would have went nuts.

1122
00:49:45,760 --> 00:49:48,160
Speaker 4: Oh oh yeah, oh for the pop up out. Yeah games,

1123
00:49:48,200 --> 00:49:50,319
Speaker 4: you know what I'm saying, Like it's so crazy. You

1124
00:49:50,360 --> 00:49:53,200
Speaker 4: know again, I think this versus is gonna be very

1125
00:49:53,200 --> 00:49:57,360
Speaker 4: interesting just to see, you know, because now it's again

1126
00:49:57,440 --> 00:49:59,800
Speaker 4: it's it's it's who's in the room. The energy and

1127
00:49:59,840 --> 00:50:03,160
Speaker 4: the room is who's there? What is the crowd? Is

1128
00:50:03,200 --> 00:50:06,800
Speaker 4: it a younger crowd, is it a little older crowd?

1129
00:50:07,719 --> 00:50:09,760
Speaker 4: Like who's in the who's in the room.

1130
00:50:09,840 --> 00:50:13,279
Speaker 2: I just hope why G goes by himself if you

1131
00:50:13,320 --> 00:50:17,560
Speaker 2: have the cops knowing where everybody is. No, if I

1132
00:50:17,600 --> 00:50:21,280
Speaker 2: know why G, I'm not going to that innocent guilty.

1133
00:50:21,560 --> 00:50:24,160
Speaker 2: I'm not going to any there's an address of where

1134
00:50:24,160 --> 00:50:25,880
Speaker 2: we're going to be in the time after people are

1135
00:50:26,160 --> 00:50:31,160
Speaker 2: getting to changed. Yeah, you should go there, just him

1136
00:50:31,200 --> 00:50:33,880
Speaker 2: and Karen Sivil. That's it should show up to that.

1137
00:50:34,000 --> 00:50:35,000
Speaker 4: What time is that tonight?

1138
00:50:38,520 --> 00:50:43,120
Speaker 2: I feel calued, man, I feel them. Man, listen to

1139
00:50:43,280 --> 00:50:45,040
Speaker 2: the very few people that I'm grateful for that keep

1140
00:50:45,080 --> 00:50:46,160
Speaker 2: asking where my album is.

1141
00:50:46,239 --> 00:50:46,719
Speaker 4: They don't know that.

1142
00:50:46,760 --> 00:50:48,319
Speaker 2: I just saw the jay Z show, so I got

1143
00:50:48,320 --> 00:50:48,879
Speaker 2: to push it back.

1144
00:50:49,920 --> 00:50:51,120
Speaker 4: M M. I saw it.

1145
00:50:51,200 --> 00:50:54,120
Speaker 2: I got inspired that, like, nah, let's push this back.

1146
00:50:58,719 --> 00:51:00,080
Speaker 2: I was gonna put it out the next day, and

1147
00:51:00,200 --> 00:51:03,560
Speaker 2: I was like, yeah, no, I can't do that. Come boy,

1148
00:51:04,239 --> 00:51:06,080
Speaker 2: I just I just saw feeling it, like I can't.

1149
00:51:06,120 --> 00:51:10,520
Speaker 2: Come on, you got a spy came up thirty That's

1150
00:51:10,520 --> 00:51:13,120
Speaker 2: what's up. Kaled just heard reasonable doubt that day. Yeah's

1151
00:51:16,000 --> 00:51:19,359
Speaker 2: but I mean this all right. I want to say

1152
00:51:19,360 --> 00:51:21,440
Speaker 2: this respectful. I feel like it's gonna come off.

1153
00:51:21,560 --> 00:51:22,040
Speaker 4: Like it's not.

1154
00:51:22,320 --> 00:51:25,480
Speaker 2: This is not a shot at Kalid. But Khaled's marketing

1155
00:51:26,840 --> 00:51:27,799
Speaker 2: is to be full of shit.

1156
00:51:29,080 --> 00:51:29,680
Speaker 4: What do he means?

1157
00:51:29,840 --> 00:51:34,160
Speaker 2: He's he's one of the best marketers of they hate us,

1158
00:51:34,200 --> 00:51:35,719
Speaker 2: They've been doubted, like no one knows who they is.

1159
00:51:35,800 --> 00:51:38,520
Speaker 2: It's all just full of shit taglines. He's a great marketer.

1160
00:51:38,600 --> 00:51:42,600
Speaker 2: It's it's just like you know, it's like riddles. He's

1161
00:51:42,640 --> 00:51:44,600
Speaker 2: a character of himself. And I don't mean that in

1162
00:51:44,640 --> 00:51:46,480
Speaker 2: a bad way. That's why he's so successful, That's why

1163
00:51:46,520 --> 00:51:49,240
Speaker 2: we love him. Like this is gonna be the greatest

1164
00:51:49,239 --> 00:51:51,200
Speaker 2: song of all times, Like we know it's not better

1165
00:51:51,200 --> 00:51:53,960
Speaker 2: than the Rihanna Brison Teller record. Don't tell me that

1166
00:51:54,000 --> 00:51:55,400
Speaker 2: this little baby song is going to be that.

1167
00:51:55,480 --> 00:51:55,799
Speaker 4: It's not.

1168
00:51:56,400 --> 00:51:59,080
Speaker 2: His whole marketing scheme is being full of shit. So

1169
00:51:59,120 --> 00:52:01,879
Speaker 2: it's right on par Yeah. I pushed it back because

1170
00:52:01,920 --> 00:52:03,879
Speaker 2: I saw it. I went to Roots Picnic and I said, nah,

1171
00:52:03,960 --> 00:52:04,640
Speaker 2: no more album.

1172
00:52:04,920 --> 00:52:07,800
Speaker 4: Yeah, yeah, that's.

1173
00:52:07,719 --> 00:52:08,839
Speaker 1: That's all Kal. It's hold.

1174
00:52:08,920 --> 00:52:11,279
Speaker 2: But he's like a motivational speaker too, that's also full

1175
00:52:11,280 --> 00:52:11,520
Speaker 2: of shit.

1176
00:52:11,600 --> 00:52:13,520
Speaker 4: Yeah, but it's different. It's different this time though.

1177
00:52:13,600 --> 00:52:15,319
Speaker 2: As a person, he's not full of shit. I want

1178
00:52:15,320 --> 00:52:16,759
Speaker 2: to make that clear. I don't know, no, just it's

1179
00:52:16,800 --> 00:52:17,280
Speaker 2: just promote.

1180
00:52:17,320 --> 00:52:19,600
Speaker 1: As a marketer, he's full of shit, and marketing's full.

1181
00:52:19,440 --> 00:52:22,239
Speaker 4: Of every body in marketing, the promotion is full of shit.

1182
00:52:22,280 --> 00:52:24,040
Speaker 4: At some point, you gotta you got that's part of

1183
00:52:24,120 --> 00:52:26,799
Speaker 4: marketing promotion. You got to put some bullshit in the game.

1184
00:52:26,920 --> 00:52:29,440
Speaker 2: Like if Kali did these real serious sit downs and

1185
00:52:29,520 --> 00:52:32,279
Speaker 2: like long podcasts, we really got to know him and

1186
00:52:32,400 --> 00:52:34,920
Speaker 2: the inner workings of how he then I'd be like, well,

1187
00:52:34,960 --> 00:52:38,720
Speaker 2: this is corny. But everything Kaled has done to promote

1188
00:52:39,440 --> 00:52:42,360
Speaker 2: other artists, his label, his music has been this and

1189
00:52:42,400 --> 00:52:44,360
Speaker 2: this is why we like it. So yeah, I laughed

1190
00:52:44,360 --> 00:52:47,279
Speaker 2: at it, but I respect that he keeps coming up

1191
00:52:47,280 --> 00:52:48,480
Speaker 2: with even more creative lives.

1192
00:52:48,480 --> 00:52:50,080
Speaker 1: To why his album's not out.

1193
00:52:50,280 --> 00:52:52,400
Speaker 4: Yeah, I mean, I think we all know why his

1194
00:52:52,520 --> 00:52:54,960
Speaker 4: album is getting pushed back or why he's pushing back

1195
00:52:55,040 --> 00:52:57,920
Speaker 4: his album because I'm pretty sure he has enough music

1196
00:52:58,320 --> 00:53:00,560
Speaker 4: to put his album out if he wants to it out.

1197
00:53:00,880 --> 00:53:03,480
Speaker 2: Well, I mean, Kali it is is smart and I

1198
00:53:04,600 --> 00:53:08,040
Speaker 2: because he is this great marketer. Kalid doesn't have the

1199
00:53:08,080 --> 00:53:10,560
Speaker 2: ability to just put an album out and it be

1200
00:53:11,480 --> 00:53:13,799
Speaker 2: successful if he just dropped something. He doesn't have a

1201
00:53:13,840 --> 00:53:16,440
Speaker 2: core fan base that's just going to pay attention to

1202
00:53:16,440 --> 00:53:19,160
Speaker 2: do that. He needs to have a big single with

1203
00:53:19,600 --> 00:53:22,480
Speaker 2: two A list artists and do a proper rollout. That's

1204
00:53:22,480 --> 00:53:24,080
Speaker 2: why I didn't believe two weeks ago that ship was

1205
00:53:24,080 --> 00:53:26,399
Speaker 2: coming out, Like there's no records. Who would those two

1206
00:53:26,400 --> 00:53:28,279
Speaker 2: A list artists be right now? I don't know, because

1207
00:53:28,280 --> 00:53:31,680
Speaker 2: I think that's That's also why the last two Kalid

1208
00:53:31,719 --> 00:53:36,280
Speaker 2: albums I felt weren't that great. It's funny his album

1209
00:53:36,320 --> 00:53:38,520
Speaker 2: sometimes are really a reflection of where music is at

1210
00:53:38,560 --> 00:53:40,880
Speaker 2: currently because Kalid is going to get the biggest artists

1211
00:53:40,880 --> 00:53:44,520
Speaker 2: no matter what. And at the time, like you know,

1212
00:53:44,560 --> 00:53:46,640
Speaker 2: he got draking Little Baby, but I thought that song

1213
00:53:46,719 --> 00:53:49,759
Speaker 2: was dirt like it reflected the times, and right now,

1214
00:53:49,840 --> 00:53:51,080
Speaker 2: I wouldn't know who that would be either.

1215
00:53:51,239 --> 00:53:53,400
Speaker 4: To your question, well, why he keeps.

1216
00:53:53,200 --> 00:53:56,680
Speaker 2: Pushing it back because he's not going to get I

1217
00:53:56,719 --> 00:53:59,279
Speaker 2: don't think he's going to get a record from the

1218
00:53:59,320 --> 00:53:59,680
Speaker 2: Big three.

1219
00:53:59,880 --> 00:54:01,720
Speaker 4: The he's gonna get one from Nicky.

1220
00:54:01,760 --> 00:54:03,520
Speaker 2: I think he could get one easily from future of

1221
00:54:03,600 --> 00:54:05,440
Speaker 2: Travis Scott, but they'd be throwaways that I don't think

1222
00:54:05,480 --> 00:54:08,120
Speaker 2: would be that great. I don't know if there's a

1223
00:54:09,280 --> 00:54:12,600
Speaker 2: with his strategy, if there is a pool of artists

1224
00:54:12,600 --> 00:54:15,040
Speaker 2: that he can really pick from where Kalib will go

1225
00:54:15,120 --> 00:54:17,560
Speaker 2: number one with an album, and how he handled the

1226
00:54:17,560 --> 00:54:21,360
Speaker 2: Tyler thing a few years ago. I think Khaled is

1227
00:54:21,400 --> 00:54:24,440
Speaker 2: a little sensitive and has a strange ego when it

1228
00:54:24,480 --> 00:54:25,120
Speaker 2: comes to numbers.

1229
00:54:25,960 --> 00:54:26,880
Speaker 1: I think he's shown us that.

1230
00:54:27,239 --> 00:54:30,759
Speaker 2: So I think Khaled is scared that if he puts

1231
00:54:30,800 --> 00:54:33,719
Speaker 2: something out it could really flop if he doesn't have

1232
00:54:33,840 --> 00:54:37,800
Speaker 2: the proper a list, rollout and listen as a whole venger.

1233
00:54:38,320 --> 00:54:40,319
Speaker 2: I don't know if Hove doing the intro can save you.

1234
00:54:41,480 --> 00:54:43,760
Speaker 2: I don't know if that's gonna get it done, because

1235
00:54:43,800 --> 00:54:45,239
Speaker 2: that's what saved it last time, and that was just

1236
00:54:45,320 --> 00:54:45,760
Speaker 2: one record.

1237
00:54:45,840 --> 00:54:47,480
Speaker 4: Yeah, but I was just great to say there's only

1238
00:54:47,520 --> 00:54:51,319
Speaker 4: one artist he creates it. He could probably have one

1239
00:54:51,360 --> 00:54:54,560
Speaker 4: the lead single right now where it would do something

1240
00:54:54,560 --> 00:54:55,200
Speaker 4: in nas Jay.

1241
00:54:56,320 --> 00:54:58,319
Speaker 2: He's done that so much and I'm listen, if Kalin

1242
00:54:58,320 --> 00:55:00,640
Speaker 2: wants to go get a Jay, no one's gonn fucking complain.

1243
00:55:00,680 --> 00:55:05,160
Speaker 4: Go get Kendrick. Kendrick's not doing that, though, Go get

1244
00:55:05,280 --> 00:55:08,520
Speaker 4: Ja Cole. I don't think Cole's doing that, then who

1245
00:55:08,560 --> 00:55:10,200
Speaker 4: are you going to get? That was kind of what

1246
00:55:10,200 --> 00:55:12,680
Speaker 4: I was. There's no pool right now that I think

1247
00:55:14,680 --> 00:55:20,000
Speaker 4: we said who Let me just say it, because people said,

1248
00:55:20,000 --> 00:55:20,960
Speaker 4: why wouldn't Jay Cole do it?

1249
00:55:21,040 --> 00:55:21,680
Speaker 1: Let me just say it.

1250
00:55:21,719 --> 00:55:23,600
Speaker 4: Nobody wants to hit J Cole on the lead single

1251
00:55:23,600 --> 00:55:27,440
Speaker 4: from Kalid If Calus not, that's not who J Cole is.

1252
00:55:27,880 --> 00:55:28,600
Speaker 1: I don't want to hear that.

1253
00:55:28,719 --> 00:55:29,840
Speaker 4: Nobody wants to hear that.

1254
00:55:29,880 --> 00:55:31,640
Speaker 3: Unless twenty one Savage is on it.

1255
00:55:32,080 --> 00:55:36,000
Speaker 4: Sorry Jake Cole on twenty one Savage. Don't think that's

1256
00:55:36,040 --> 00:55:37,080
Speaker 4: going to happen anytime soon.

1257
00:55:38,320 --> 00:55:42,520
Speaker 2: I just like Cal's biggest strength to me as an

1258
00:55:42,640 --> 00:55:45,759
Speaker 2: executive producer was creating moments, and I just don't know

1259
00:55:45,800 --> 00:55:48,040
Speaker 2: if there's artists that have moments that we care about

1260
00:55:48,080 --> 00:55:51,359
Speaker 2: like that right now, in the Khalid lens, Like, Yeah,

1261
00:55:51,360 --> 00:55:54,399
Speaker 2: it would be cool for Cole to give him a record,

1262
00:55:54,480 --> 00:55:56,239
Speaker 2: but it would have to be a moment where it's

1263
00:55:56,280 --> 00:55:58,160
Speaker 2: with an artist we don't expect Cole to be with

1264
00:55:58,320 --> 00:56:00,400
Speaker 2: or on a beat that we don't expect Cold to

1265
00:56:00,440 --> 00:56:01,200
Speaker 2: be on, like.

1266
00:56:01,600 --> 00:56:05,359
Speaker 4: Unless unless he wants to go all the way left

1267
00:56:05,400 --> 00:56:10,360
Speaker 4: field and do some type of hip hop record with

1268
00:56:10,440 --> 00:56:18,280
Speaker 4: Taylor Swift post Malone, He's gonna have to pivot. His pivot,

1269
00:56:18,280 --> 00:56:20,480
Speaker 4: gonna have to look like a travel in NBA. Like

1270
00:56:20,560 --> 00:56:23,560
Speaker 4: his pivot, he's gonna have to drag his pivot, like

1271
00:56:24,080 --> 00:56:26,160
Speaker 4: because then let's just be what it is. You had

1272
00:56:26,200 --> 00:56:28,640
Speaker 4: two Drake songs, you don't have those no more. I

1273
00:56:28,680 --> 00:56:31,680
Speaker 4: don't care who you are. That shifts your entire out.

1274
00:56:31,480 --> 00:56:33,640
Speaker 2: Okay, But I also kind of feel the same way

1275
00:56:35,080 --> 00:56:37,360
Speaker 2: about that and not same with the j thing, Like, No,

1276
00:56:37,440 --> 00:56:39,200
Speaker 2: I would never be mad if Kalied went and got

1277
00:56:39,239 --> 00:56:42,319
Speaker 2: another five minute ja verse. No, I'd never been mad

1278
00:56:42,320 --> 00:56:47,200
Speaker 2: at Kalid. He's done that every time I'm talking lead

1279
00:56:47,239 --> 00:56:49,840
Speaker 2: single and I'm saying that that can't like that doesn't

1280
00:56:49,880 --> 00:56:50,520
Speaker 2: really get it done.

1281
00:56:53,520 --> 00:56:55,400
Speaker 1: I don't know. I don't think I haven't heard it.

1282
00:56:56,080 --> 00:56:58,600
Speaker 2: I feel like I saw a Calid video you're thinking

1283
00:56:58,640 --> 00:57:02,359
Speaker 2: of him with and Jada and stove God. But again,

1284
00:57:02,400 --> 00:57:05,200
Speaker 2: that wasn't his record. That was he just happened to

1285
00:57:05,200 --> 00:57:11,480
Speaker 2: be on the episode that day. Oh yeah, maybe hoving one.

1286
00:57:11,520 --> 00:57:14,080
Speaker 2: We're in the office listening to one of them.

1287
00:57:14,280 --> 00:57:19,160
Speaker 4: Yeah that didn't work. Yeah, I knew we put a

1288
00:57:19,200 --> 00:57:20,840
Speaker 4: record out. I just couldn't remember the record.

1289
00:57:21,840 --> 00:57:22,200
Speaker 1: Call it.

1290
00:57:22,080 --> 00:57:24,600
Speaker 2: It has to find some I'm not saying some new

1291
00:57:24,680 --> 00:57:30,360
Speaker 2: sound and some uh like abstract way wait.

1292
00:57:29,720 --> 00:57:30,840
Speaker 1: The artists on the same beat.

1293
00:57:30,840 --> 00:57:32,560
Speaker 4: It's not doing it on the Hold hold on, bro,

1294
00:57:32,640 --> 00:57:35,640
Speaker 4: this is different. I totally forgot about this record. That

1295
00:57:35,960 --> 00:57:38,560
Speaker 4: Future and Little Baby single.

1296
00:57:38,360 --> 00:57:40,160
Speaker 2: The snippet it when the snipper came out, we said

1297
00:57:40,200 --> 00:57:40,920
Speaker 2: that was gonna come and go.

1298
00:57:41,040 --> 00:57:42,800
Speaker 3: Well, a Little Baby ain't really getting it done for

1299
00:57:42,840 --> 00:57:46,880
Speaker 3: the the number one you no more Futures on the song. Yeah, Future,

1300
00:57:46,960 --> 00:57:51,440
Speaker 3: but at the time Future didn't have an album.

1301
00:57:51,360 --> 00:57:52,680
Speaker 4: Debut at number seventy.

1302
00:57:54,840 --> 00:57:55,360
Speaker 1: Damn bro.

1303
00:57:56,440 --> 00:57:58,760
Speaker 4: Yeah, it's a it's a bigger conversation to have, man

1304
00:58:00,080 --> 00:58:04,120
Speaker 4: it shit shit shit, Ba's a little real different number seventy.

1305
00:58:04,400 --> 00:58:06,720
Speaker 2: When I heard that snippet and then that record, that

1306
00:58:06,840 --> 00:58:10,840
Speaker 2: told me that you know what, maybe Kalied isn't lying

1307
00:58:11,320 --> 00:58:13,400
Speaker 2: about that Yankee Stadium shit. When I heard that Future

1308
00:58:13,400 --> 00:58:15,560
Speaker 2: in Little Baby shit, I said, oh, Kaled is officially

1309
00:58:15,680 --> 00:58:18,720
Speaker 2: checked out of actually caring about the music too, outside

1310
00:58:18,720 --> 00:58:22,760
Speaker 2: of the moment and the marketing. Because Kalin, outside of

1311
00:58:22,760 --> 00:58:24,880
Speaker 2: the last two has made great albums, Like Kalid really

1312
00:58:24,920 --> 00:58:26,480
Speaker 2: does have a good body of work when you get

1313
00:58:26,480 --> 00:58:29,600
Speaker 2: into it. I know now it doesn't appear that way,

1314
00:58:29,720 --> 00:58:32,400
Speaker 2: but last ten years, yes, there's been great Kalid moments

1315
00:58:32,400 --> 00:58:35,120
Speaker 2: and albums. Maybe he did get inspired and go, yeah,

1316
00:58:35,240 --> 00:58:38,600
Speaker 2: I've been lazy and I'm just doing lazy dog shit. Yo, Future,

1317
00:58:38,640 --> 00:58:41,800
Speaker 2: you got something? Oh shit, open verse, yo, Baby, I'll

1318
00:58:41,840 --> 00:58:43,320
Speaker 2: email this to you. Let's put it out.

1319
00:58:43,400 --> 00:58:43,960
Speaker 1: That's lazy.

1320
00:58:44,440 --> 00:58:48,040
Speaker 2: Maybe he was inspired, Maybe he realized that that that

1321
00:58:48,240 --> 00:58:50,640
Speaker 2: Future and Baby record was dog shit. It was lazy,

1322
00:58:50,680 --> 00:58:52,320
Speaker 2: It wasn't a moment and said, you know what, I

1323
00:58:52,360 --> 00:58:53,800
Speaker 2: gotta get back to the drawing board and care about

1324
00:58:53,800 --> 00:58:54,280
Speaker 2: the shit again.

1325
00:58:54,960 --> 00:58:56,680
Speaker 4: But even if he cares about it, yeah, but he

1326
00:58:56,800 --> 00:58:58,960
Speaker 4: But this is not to Cojo Baby, but to what

1327
00:58:58,960 --> 00:59:01,880
Speaker 4: you're saying, Roy, I can't with that. Because he announced

1328
00:59:01,880 --> 00:59:05,160
Speaker 4: the seventeenth as a release date after that song didn't work,

1329
00:59:07,040 --> 00:59:10,240
Speaker 4: he put that song out in April and then told

1330
00:59:10,320 --> 00:59:11,120
Speaker 4: us the seventeenth.

1331
00:59:12,640 --> 00:59:16,440
Speaker 2: When you get complacent and lazy, sometimes you have a

1332
00:59:17,160 --> 00:59:20,800
Speaker 2: delusional point of view of your career and you think

1333
00:59:20,840 --> 00:59:22,600
Speaker 2: anything you put out people are gonna gobble up and

1334
00:59:22,640 --> 00:59:26,560
Speaker 2: left until it doesn't happen, and then you're like, oh, okay, yeah,

1335
00:59:26,600 --> 00:59:29,160
Speaker 2: this is kind of shitty.

1336
00:59:29,920 --> 00:59:32,200
Speaker 4: Yo. I don't yeah, I don't know what Cala gonna

1337
00:59:32,200 --> 00:59:32,680
Speaker 4: do at this point.

1338
00:59:32,720 --> 00:59:34,680
Speaker 3: But also I think it speaks to like you said,

1339
00:59:34,760 --> 00:59:37,640
Speaker 3: it shows the landscape of hip hop. His albums usually

1340
00:59:37,640 --> 00:59:39,840
Speaker 3: show the landscape of hip hop at the time. We

1341
00:59:39,960 --> 00:59:42,080
Speaker 3: have been talking about the landscape of hip hop not

1342
00:59:42,160 --> 00:59:45,040
Speaker 3: being the greatest right now. So I don't even think

1343
00:59:45,040 --> 00:59:47,360
Speaker 3: that's on calid at this moment, because.

1344
00:59:47,120 --> 00:59:50,200
Speaker 1: Even we can't do that. No, no, we can't do that. Yes,

1345
00:59:50,400 --> 00:59:50,840
Speaker 1: can't do that.

1346
00:59:50,800 --> 00:59:54,600
Speaker 2: All right, then they show me how good you really are.

1347
00:59:54,720 --> 00:59:56,800
Speaker 4: No, no, no, no, I'm gonna tell you why we

1348
00:59:56,840 --> 00:59:59,080
Speaker 4: can't make that as an excuse, because if he had

1349
00:59:59,120 --> 01:00:02,280
Speaker 4: those two Drake recors, this album would be out. Okay,

1350
01:00:02,280 --> 01:00:04,800
Speaker 4: But that's so we can't say the landscape of hip hop.

1351
01:00:05,120 --> 01:00:07,040
Speaker 4: We can't say none of that. But that's not what

1352
01:00:07,040 --> 01:00:10,760
Speaker 4: that's that's one. That doesn't mean that. That doesn't mean

1353
01:00:10,840 --> 01:00:12,680
Speaker 4: that the album would be good. I'm not talking about

1354
01:00:12,680 --> 01:00:17,960
Speaker 4: the album. I'm not talking about the album being good.

1355
01:00:17,960 --> 01:00:19,880
Speaker 4: I'm talking about the album being released already.

1356
01:00:19,960 --> 01:00:22,400
Speaker 3: Okay, that's fine, but I don't the album. Even if

1357
01:00:22,400 --> 01:00:25,000
Speaker 3: the album was released, the album is probably not released

1358
01:00:25,040 --> 01:00:25,880
Speaker 3: because the album is not going.

1359
01:00:25,880 --> 01:00:26,160
Speaker 1: To be good.

1360
01:00:26,200 --> 01:00:28,320
Speaker 3: But if he had two Drake album, if you had

1361
01:00:28,320 --> 01:00:30,120
Speaker 3: two Drake singles, would it be released.

1362
01:00:30,200 --> 01:00:32,040
Speaker 1: Yes, But that doesn't mean that the album would be good.

1363
01:00:32,120 --> 01:00:34,640
Speaker 3: So now I'm speaking to that now, if you don't

1364
01:00:34,680 --> 01:00:36,760
Speaker 3: have the Drake singles, then the album has to be good,

1365
01:00:36,800 --> 01:00:39,280
Speaker 3: which is probably why it's not coming out, because where

1366
01:00:39,400 --> 01:00:41,439
Speaker 3: where would you go to make the album good? Where

1367
01:00:41,440 --> 01:00:44,120
Speaker 3: would you go out album the same people that already put.

1368
01:00:43,960 --> 01:00:47,000
Speaker 4: On To me, I'm no music executive. I'm just a

1369
01:00:47,000 --> 01:00:49,480
Speaker 4: fan of the coaching music and hip hop. To me,

1370
01:00:49,600 --> 01:00:51,760
Speaker 4: the album is not out because the lead single did

1371
01:00:51,800 --> 01:00:57,760
Speaker 4: not work. Yeah I could not, of course, So all

1372
01:00:57,760 --> 01:00:59,560
Speaker 4: of this I got inspired to Roy's point.

1373
01:00:59,560 --> 01:01:00,000
Speaker 1: Maybe he did.

1374
01:01:00,480 --> 01:01:02,280
Speaker 4: Maybe he felt like, damn, like I need to really

1375
01:01:02,320 --> 01:01:05,120
Speaker 4: go ahere and pay more attention to detail to the music,

1376
01:01:05,200 --> 01:01:07,560
Speaker 4: like not just grab people and put them on records

1377
01:01:07,560 --> 01:01:09,800
Speaker 4: because of their names and thinking people will click on

1378
01:01:09,840 --> 01:01:13,479
Speaker 4: the song because of their names. Whatever it is, I'm saying,

1379
01:01:13,480 --> 01:01:16,800
Speaker 4: it's a safe assumption that if he had those two

1380
01:01:16,880 --> 01:01:19,640
Speaker 4: Drake songs, this album will be out. Now, whether that

1381
01:01:19,680 --> 01:01:23,320
Speaker 4: album will be good or not, that's subjective. I'm saying

1382
01:01:23,360 --> 01:01:26,360
Speaker 4: the album would be out, is what I'm saying. And

1383
01:01:26,400 --> 01:01:29,320
Speaker 4: it's not because he had to pivot future little Baby

1384
01:01:29,360 --> 01:01:34,200
Speaker 4: record didn't work. Now what to the maatsis point? Is

1385
01:01:34,240 --> 01:01:36,960
Speaker 4: there anything else on this album that's good, anything that's

1386
01:01:36,960 --> 01:01:41,440
Speaker 4: gonna get people like? I don't know. But if it's

1387
01:01:41,480 --> 01:01:44,080
Speaker 4: a safe assumption that if he had the lead single,

1388
01:01:44,080 --> 01:01:46,920
Speaker 4: which would have been a Drake record, and then had

1389
01:01:46,920 --> 01:01:50,600
Speaker 4: another Drake record on the album, this album would have

1390
01:01:50,600 --> 01:01:50,880
Speaker 4: been out.

1391
01:01:51,040 --> 01:01:54,280
Speaker 2: I mean, that's that's just a catch twenty two of

1392
01:01:54,320 --> 01:01:58,240
Speaker 2: your whole marketing plan being getting a listers together and

1393
01:01:58,280 --> 01:02:02,080
Speaker 2: then the concept of a list superstars is now gone

1394
01:02:02,120 --> 01:02:04,960
Speaker 2: when it comes to the new crowd, so now you

1395
01:02:04,960 --> 01:02:06,680
Speaker 2: have to go back to dro onboard like.

1396
01:02:08,880 --> 01:02:09,240
Speaker 1: That's it.

1397
01:02:09,320 --> 01:02:11,800
Speaker 2: And he kind of shot himself in the foot when

1398
01:02:11,880 --> 01:02:13,680
Speaker 2: he's dis Tyler when he didn't get the number one.

1399
01:02:13,680 --> 01:02:15,480
Speaker 2: She's like nobody trying to hear that. Shiit bro Tyler

1400
01:02:15,920 --> 01:02:19,080
Speaker 2: outstreams every record you put out in the last however

1401
01:02:19,080 --> 01:02:24,080
Speaker 2: many years, outstreams anything future Little Baby is gonna put out.

1402
01:02:24,120 --> 01:02:26,320
Speaker 2: Right now, that whole world that you thought was nerds

1403
01:02:26,320 --> 01:02:30,000
Speaker 2: and weirdos are making one incredible music to streaming very well,

1404
01:02:30,200 --> 01:02:33,000
Speaker 2: selling hard tickets. They're relevant, people care about them, they

1405
01:02:33,000 --> 01:02:36,760
Speaker 2: want to support them, and you diss that entire universe

1406
01:02:37,040 --> 01:02:39,640
Speaker 2: because you thought the only way to get to the

1407
01:02:39,640 --> 01:02:42,800
Speaker 2: top is to fuck with a listers. Now he has

1408
01:02:42,840 --> 01:02:46,439
Speaker 2: to go and maybe beg Bad Bunny to do something

1409
01:02:46,480 --> 01:02:47,840
Speaker 2: with NBA young Boy, like.

1410
01:02:53,760 --> 01:02:55,280
Speaker 1: Get that one done. I'm not mad at it.

1411
01:02:56,800 --> 01:03:00,840
Speaker 4: Collab. That's a sick ass collab. Me throwing NB a

1412
01:03:00,880 --> 01:03:01,320
Speaker 4: young boy.

1413
01:03:01,360 --> 01:03:02,400
Speaker 1: I want to hear it kind of.

1414
01:03:02,480 --> 01:03:03,560
Speaker 4: That's a sick ass collass.

1415
01:03:03,560 --> 01:03:06,200
Speaker 2: I wouldn't be mad at But but I'm saying if he,

1416
01:03:06,560 --> 01:03:08,920
Speaker 2: if he wants to get back to creating good records

1417
01:03:08,960 --> 01:03:10,439
Speaker 2: in moments, he's gonna have to do that ship because

1418
01:03:10,480 --> 01:03:13,360
Speaker 2: you dissed the whole a whole part of music.

1419
01:03:13,440 --> 01:03:16,080
Speaker 4: Right now, there's a major shift that has happened in music,

1420
01:03:16,920 --> 01:03:19,040
Speaker 4: especially in our genre and our culture. There's a major

1421
01:03:19,040 --> 01:03:24,960
Speaker 4: shift that has happened creatively, artistically, sonically, I think a

1422
01:03:24,960 --> 01:03:26,760
Speaker 4: lot a lot has changed, and I think we're just

1423
01:03:26,800 --> 01:03:29,520
Speaker 4: starting to like we're in it now, so we're gonna

1424
01:03:29,520 --> 01:03:33,000
Speaker 4: start seeing it, We're gonna start feeling it. But yes,

1425
01:03:33,120 --> 01:03:35,280
Speaker 4: it's it's it's apparent that there has been a major

1426
01:03:35,440 --> 01:03:45,000
Speaker 4: major shift in music. So yeah, maybe he can get

1427
01:03:45,080 --> 01:03:48,200
Speaker 4: J I D and in cold co working with anybody

1428
01:03:48,200 --> 01:03:51,360
Speaker 4: else other than J I D. Y'ah and y'all. So

1429
01:03:51,520 --> 01:03:53,800
Speaker 4: so y'all not gonna say that I was right?

1430
01:03:54,480 --> 01:03:57,160
Speaker 2: Are you still we gave you flowers after that?

1431
01:03:59,600 --> 01:04:00,000
Speaker 1: Flowers?

1432
01:04:00,280 --> 01:04:02,320
Speaker 4: No, I don't know. I don't remember getting flowers, baby D.

1433
01:04:03,000 --> 01:04:04,040
Speaker 4: I don't remember getting flowers.

1434
01:04:04,040 --> 01:04:06,160
Speaker 2: I'll get the monthly subscriptions, so they go to your house.

1435
01:04:06,280 --> 01:04:07,560
Speaker 2: They go to your house first, everywhere.

1436
01:04:08,080 --> 01:04:09,800
Speaker 4: I just don't remember getting flowers. That's what I'm saying.

1437
01:04:09,840 --> 01:04:12,240
Speaker 2: No, when when J I D tweeted and deleted all that,

1438
01:04:12,280 --> 01:04:15,480
Speaker 2: I came in. He had a whole conversation, no no, no, no,

1439
01:04:15,960 --> 01:04:17,760
Speaker 2: you down. I was completely no no, no, no no no.

1440
01:04:17,880 --> 01:04:20,480
Speaker 4: But something else happens since then, I haven't seen Cole

1441
01:04:20,560 --> 01:04:22,280
Speaker 4: put out a whole album where he was working with

1442
01:04:22,280 --> 01:04:23,080
Speaker 4: what's the dude's name?

1443
01:04:23,440 --> 01:04:25,960
Speaker 1: Oh, his Man's from a from North Carolina. The whole

1444
01:04:26,000 --> 01:04:28,480
Speaker 1: album with Homie, The whole album is crazy. I think

1445
01:04:28,520 --> 01:04:30,880
Speaker 1: he gave him two songs. He produced it, produced the

1446
01:04:31,040 --> 01:04:32,400
Speaker 1: entire he produced it.

1447
01:04:32,520 --> 01:04:34,360
Speaker 4: He produced the entire thing in his own three records,

1448
01:04:34,760 --> 01:04:36,120
Speaker 4: two verses and one of them the hook.

1449
01:04:36,160 --> 01:04:37,960
Speaker 3: Okay, so okay, but you know it's not that project,

1450
01:04:38,280 --> 01:04:39,480
Speaker 3: say anymore, got that flowers?

1451
01:04:40,280 --> 01:04:40,920
Speaker 1: Respectfully.

1452
01:04:41,280 --> 01:04:43,760
Speaker 3: Everybody clowns Cole's production all the time anyway, So it

1453
01:04:43,800 --> 01:04:44,200
Speaker 3: ain't like he.

1454
01:04:44,200 --> 01:04:45,440
Speaker 1: It ain't like Kanye produced it.

1455
01:04:45,720 --> 01:04:49,320
Speaker 2: Baby D Gonna swing for Cold No, it's no, it's

1456
01:04:49,360 --> 01:04:50,960
Speaker 2: actually she's doing the opposite. And I was gonna make

1457
01:04:51,000 --> 01:04:53,200
Speaker 2: that point to respectfully. I don't think j I D.

1458
01:04:53,280 --> 01:04:57,440
Speaker 2: Wants an entirely produced a nobody Cole doesn't want an

1459
01:04:57,520 --> 01:04:58,640
Speaker 2: entirely produce the whole album.

1460
01:04:58,760 --> 01:04:59,360
Speaker 4: I'll be missing.

1461
01:04:59,600 --> 01:05:01,560
Speaker 1: Yes, he he do want that, but he did it.

1462
01:05:01,480 --> 01:05:03,480
Speaker 2: For the first one, and then after that was like guys.

1463
01:05:03,480 --> 01:05:06,640
Speaker 4: Saying j I D. Wants in an entire album produced

1464
01:05:06,640 --> 01:05:10,440
Speaker 4: by J Cole. I'm saying what I've been saying them.

1465
01:05:10,520 --> 01:05:12,360
Speaker 4: Niggas ain't on no songs together.

1466
01:05:12,520 --> 01:05:15,840
Speaker 1: We ben said that we agreed with you bad long ago.

1467
01:05:16,200 --> 01:05:17,880
Speaker 4: No, But then this came out and y'all didn't say

1468
01:05:17,920 --> 01:05:19,800
Speaker 4: nothing about that. You want us to agree with you again,

1469
01:05:20,840 --> 01:05:22,760
Speaker 4: at least be like, Yo, ma ain't gonna lie. It's yeah,

1470
01:05:22,800 --> 01:05:24,880
Speaker 4: it's looking it's looking like they they don't fuck with

1471
01:05:24,880 --> 01:05:25,240
Speaker 4: each other.

1472
01:05:25,320 --> 01:05:26,200
Speaker 1: We already said that.

1473
01:05:26,720 --> 01:05:28,800
Speaker 4: You ain't say that. You ain't say that. You did

1474
01:05:28,840 --> 01:05:31,680
Speaker 4: not play that when aay that, When you did not

1475
01:05:31,720 --> 01:05:32,400
Speaker 4: say that out.

1476
01:05:32,280 --> 01:05:34,200
Speaker 3: We said, damn mar you got a point. You're probably

1477
01:05:34,280 --> 01:05:35,880
Speaker 3: right they don't fuck with each other. Because of the tweets,

1478
01:05:35,880 --> 01:05:38,360
Speaker 3: it is obvious something's wrong. We had a whole episode

1479
01:05:38,400 --> 01:05:38,760
Speaker 3: about it.

1480
01:05:38,840 --> 01:05:42,320
Speaker 4: You said that, yeah, and say that, I don't know

1481
01:05:42,360 --> 01:05:43,920
Speaker 4: if you've said that. I don't know.

1482
01:05:44,240 --> 01:05:47,320
Speaker 2: He's holding out for the Kalid moment with j I

1483
01:05:47,400 --> 01:05:50,400
Speaker 2: D And Cole. This is y know that in that

1484
01:05:50,600 --> 01:05:54,320
Speaker 2: entire PFG album is part of Kaled's rollout to start

1485
01:05:54,320 --> 01:05:56,200
Speaker 2: the tension between the j I D and Cold Shit.

1486
01:05:57,560 --> 01:05:59,479
Speaker 4: That's all it is. That's gonna be the moment.

1487
01:05:59,720 --> 01:06:03,720
Speaker 2: Damn man, man, you want to be a cool moment

1488
01:06:03,760 --> 01:06:05,840
Speaker 2: that Kala could do if they're in a good place,

1489
01:06:07,440 --> 01:06:12,880
Speaker 2: quav On offset, that would be a cool moment. I

1490
01:06:12,880 --> 01:06:14,600
Speaker 2: would like that moment just because the're family and everything

1491
01:06:14,600 --> 01:06:17,080
Speaker 2: that happened. But that would be a moment.

1492
01:06:17,920 --> 01:06:18,120
Speaker 1: Yo.

1493
01:06:18,160 --> 01:06:22,880
Speaker 4: Look what Kali gotta get family back together. Yeah no,

1494
01:06:22,880 --> 01:06:23,919
Speaker 4: now it's time to yo.

1495
01:06:24,200 --> 01:06:26,240
Speaker 1: Now it's time to you gotta be good.

1496
01:06:26,280 --> 01:06:29,840
Speaker 4: Though I care about niggas pleasing up a relationship, the

1497
01:06:29,960 --> 01:06:33,560
Speaker 4: music gotta be good. If the music ain't good, none

1498
01:06:33,600 --> 01:06:34,680
Speaker 4: of that shit matters.

1499
01:06:34,360 --> 01:06:36,200
Speaker 2: No morement like well, anything on the hard drive. I

1500
01:06:36,200 --> 01:06:40,560
Speaker 2: want them to save for whatever Migo's tribute album that

1501
01:06:40,960 --> 01:06:43,000
Speaker 2: they put out, save all that. Don't get that to nobody.

1502
01:06:43,000 --> 01:06:46,080
Speaker 2: But I think Quavon offset if they were in a

1503
01:06:46,120 --> 01:06:49,920
Speaker 2: good space personally, both are have the ability to make

1504
01:06:49,960 --> 01:06:53,520
Speaker 2: a great song together, a new song, the two of

1505
01:06:53,520 --> 01:06:54,720
Speaker 2: them in twenty twenty six.

1506
01:06:57,240 --> 01:06:58,640
Speaker 4: Do we think Kali goes Cardi?

1507
01:07:01,200 --> 01:07:07,720
Speaker 1: Oh, I'm assuming so he's some oth together Cardi Cardi squared.

1508
01:07:11,440 --> 01:07:15,440
Speaker 4: Mm hmmm, does he go there? No, I don't want

1509
01:07:15,440 --> 01:07:18,560
Speaker 4: to hear that either. I'm just throwing ship. We just

1510
01:07:18,600 --> 01:07:20,360
Speaker 4: we just we're just whiteboarding right now.

1511
01:07:20,360 --> 01:07:22,000
Speaker 3: We just do, which is probably what the fuck he

1512
01:07:22,040 --> 01:07:23,520
Speaker 3: was doing, because he trying to figure out who the fuck?

1513
01:07:23,560 --> 01:07:24,160
Speaker 4: Oh he doing more?

1514
01:07:24,400 --> 01:07:26,920
Speaker 3: Unless you're gonna keep reusing the same artists over and

1515
01:07:26,960 --> 01:07:28,600
Speaker 3: over and over again for every album Who Are You?

1516
01:07:29,040 --> 01:07:31,400
Speaker 3: Unless you jump completely into the new generation. You have

1517
01:07:31,440 --> 01:07:32,800
Speaker 3: to jump completely into the new generation.

1518
01:07:32,840 --> 01:07:36,160
Speaker 2: But this is this was also inevitable too, because people

1519
01:07:36,160 --> 01:07:38,080
Speaker 2: do start to age. Kalid did a great job of

1520
01:07:38,120 --> 01:07:39,920
Speaker 2: even when he was starting to age, still fucking with

1521
01:07:39,920 --> 01:07:41,960
Speaker 2: the young artists. It's not like all the Kalid albums

1522
01:07:42,000 --> 01:07:44,680
Speaker 2: were all legacy acts or artists his age. He was

1523
01:07:44,680 --> 01:07:47,240
Speaker 2: fucking with the young artists. But he may just getting

1524
01:07:47,240 --> 01:07:50,360
Speaker 2: to the age that this new set of young artists

1525
01:07:50,400 --> 01:07:52,960
Speaker 2: just really ain't for me, like this was eventually gonna happen.

1526
01:07:53,440 --> 01:07:56,360
Speaker 2: Kald tried to stay relevant and did with the generation

1527
01:07:56,440 --> 01:07:58,680
Speaker 2: below him, and I applaud him for that because that's difficult.

1528
01:07:58,880 --> 01:08:02,920
Speaker 2: But two generations is below you? Yeah, because Kyle is

1529
01:08:02,960 --> 01:08:04,120
Speaker 2: not cool to them. And I don't mean that as

1530
01:08:04,160 --> 01:08:07,120
Speaker 2: a slight the young kids. Is that that that's not

1531
01:08:07,160 --> 01:08:07,480
Speaker 2: their thing?

1532
01:08:07,960 --> 01:08:10,520
Speaker 4: Kyli gonna get a Pharrell and Jay record?

1533
01:08:12,240 --> 01:08:14,120
Speaker 1: I want to hear it? Yeah, No, I want to

1534
01:08:14,160 --> 01:08:15,960
Speaker 1: hear it, Like I could.

1535
01:08:15,800 --> 01:08:20,160
Speaker 4: See that being a move or Clips, Clips and Jay.

1536
01:08:20,160 --> 01:08:21,960
Speaker 1: You think Beyonce gonna breathe on a record for him?

1537
01:08:22,439 --> 01:08:22,759
Speaker 4: Listen?

1538
01:08:22,960 --> 01:08:25,960
Speaker 2: Beyonce has been sitting next to three chairs for the

1539
01:08:26,000 --> 01:08:28,800
Speaker 2: past month. It means Act three is coming, like y'all

1540
01:08:28,840 --> 01:08:32,439
Speaker 2: not paying attention to the clues that she's given us. Yeah, now,

1541
01:08:32,439 --> 01:08:33,839
Speaker 2: Beyonce is Act three tomorrow.

1542
01:08:34,040 --> 01:08:35,160
Speaker 1: Act three is not tomorrow.

1543
01:08:35,360 --> 01:08:37,200
Speaker 2: As they're listening to this, Act three dropped.

1544
01:08:37,960 --> 01:08:40,280
Speaker 1: She babysitting. She got babysit her kids right now.

1545
01:08:40,439 --> 01:08:42,920
Speaker 4: Babysitting your own kids is crazy. Babysit their kids.

1546
01:08:43,160 --> 01:08:44,080
Speaker 1: How are you babies.

1547
01:08:44,280 --> 01:08:49,679
Speaker 3: Babysitting baby because you're you're a mom twenty four to seven.

1548
01:08:49,760 --> 01:08:51,519
Speaker 3: But you know she got her kids right now. Jay

1549
01:08:51,600 --> 01:08:54,480
Speaker 3: usually having with tour. Jay on tour, she got the kids.

1550
01:08:54,840 --> 01:08:58,240
Speaker 4: So babysitting your kids is funny. He doing spot dates.

1551
01:09:00,240 --> 01:09:02,920
Speaker 3: And you know it's Jay time right now. Act three

1552
01:09:02,920 --> 01:09:06,040
Speaker 3: will be out in twenty twenty eight. I think twenty

1553
01:09:06,080 --> 01:09:10,080
Speaker 3: eight Nah, two years? No way, you thinky twenty seven?

1554
01:09:10,240 --> 01:09:13,080
Speaker 4: Yeah? If not two different photos of three chip like,

1555
01:09:13,120 --> 01:09:16,000
Speaker 4: I think we get Active to Share, we get Doomsday, Marvel.

1556
01:09:17,360 --> 01:09:18,840
Speaker 1: Damn play on words.

1557
01:09:19,439 --> 01:09:22,080
Speaker 4: Yeah, I think we get the same day December eighteenth.

1558
01:09:22,120 --> 01:09:23,720
Speaker 4: I could see be doing something right at that time.

1559
01:09:25,040 --> 01:09:27,639
Speaker 2: I mean, listen, kle it is rock Nation. J could

1560
01:09:27,680 --> 01:09:32,160
Speaker 2: ask Beyonce for a favor. What records not making Act three?

1561
01:09:34,360 --> 01:09:37,080
Speaker 4: You know why that's a tough spot. This is why

1562
01:09:37,080 --> 01:09:38,800
Speaker 4: that's a tough spot. And we can move on after this.

1563
01:09:38,880 --> 01:09:44,160
Speaker 4: But because the first single didn't work, whatever single he

1564
01:09:44,240 --> 01:09:47,559
Speaker 4: goes with next, there's a lot of pressure.

1565
01:09:47,600 --> 01:09:49,680
Speaker 1: Yeah, you can't, you can't play with this one. You

1566
01:09:49,720 --> 01:09:52,479
Speaker 1: can't pressure. I don't think anybody's looking for it for

1567
01:09:52,560 --> 01:09:53,040
Speaker 1: there to be.

1568
01:09:53,040 --> 01:09:55,640
Speaker 2: Pressure, but their internal world.

1569
01:09:55,439 --> 01:09:58,560
Speaker 1: Is, oh, like the yeah, hey I'm talking about.

1570
01:09:58,400 --> 01:10:00,280
Speaker 2: I don't think that can still be success. So just

1571
01:10:00,280 --> 01:10:01,960
Speaker 2: because you have a dud in this era, you could

1572
01:10:01,960 --> 01:10:04,280
Speaker 2: come out three weeks later and no one's gonna remember

1573
01:10:04,320 --> 01:10:04,920
Speaker 2: that ship if this.

1574
01:10:04,880 --> 01:10:07,439
Speaker 4: Shit is good. But it's just a lot of but

1575
01:10:07,479 --> 01:10:10,280
Speaker 4: for the song to work, it's a lot of pressure

1576
01:10:10,320 --> 01:10:14,519
Speaker 4: on whatever artist that is because now, because this will

1577
01:10:14,560 --> 01:10:17,519
Speaker 4: be the backup plan, right, the first single didn't work,

1578
01:10:17,960 --> 01:10:20,080
Speaker 4: the next the next one out the chamber gotta work.

1579
01:10:21,520 --> 01:10:26,920
Speaker 4: So if you go, huh.

1580
01:10:25,400 --> 01:10:28,800
Speaker 1: He gotta go with Thames, he gotta go with Tims

1581
01:10:28,880 --> 01:10:32,720
Speaker 1: or Kailanie. I don't know if I want to hear

1582
01:10:32,720 --> 01:10:33,840
Speaker 1: the Kailani Calid record.

1583
01:10:34,600 --> 01:10:37,639
Speaker 2: I'm cool with a Thames Calid record. To me makes sense.

1584
01:10:39,600 --> 01:10:44,599
Speaker 2: Thames and the Thames an't gonna have a record, not

1585
01:10:44,680 --> 01:10:45,000
Speaker 2: that I.

1586
01:10:44,960 --> 01:10:47,519
Speaker 1: Know, let's look that up because I could have forgotten.

1587
01:10:49,160 --> 01:10:53,360
Speaker 2: Now I could see a Thames in gonna if the

1588
01:10:53,439 --> 01:10:55,040
Speaker 2: right favors were pulled.

1589
01:10:55,520 --> 01:10:59,840
Speaker 4: M h tams an't gunna. I like that that sounds palatable.

1590
01:11:00,600 --> 01:11:03,519
Speaker 4: That would be good. I like that that sounds palatable.

1591
01:11:03,560 --> 01:11:05,160
Speaker 4: I'm not mad at that. I would click on that

1592
01:11:05,360 --> 01:11:09,760
Speaker 4: to hear what they did. I don't want to hear.

1593
01:11:09,800 --> 01:11:12,320
Speaker 2: Beab Bees is always a good, good backup for Kalied

1594
01:11:12,320 --> 01:11:12,880
Speaker 2: when he needs it.

1595
01:11:13,400 --> 01:11:15,840
Speaker 4: But we got the how many Calid b Beaba records

1596
01:11:15,840 --> 01:11:18,880
Speaker 4: we got cut him out? And I feel like if

1597
01:11:18,920 --> 01:11:21,080
Speaker 4: it ain't a Calid Biber record, Biber record gonna sound

1598
01:11:21,080 --> 01:11:23,920
Speaker 4: like a calid record, Like I don't want to hear that.

1599
01:11:24,040 --> 01:11:27,639
Speaker 2: The Beabs and Thames uh that chemistry on the Coachella stage,

1600
01:11:28,560 --> 01:11:33,439
Speaker 2: you never know. I'm sure they've worked. I do think

1601
01:11:33,479 --> 01:11:35,280
Speaker 2: Khalid is going to a lot of studio sessions and

1602
01:11:35,360 --> 01:11:36,519
Speaker 2: listening to a lot of hard drives.

1603
01:11:36,960 --> 01:11:39,400
Speaker 4: I'll say that one million. I say that he's been

1604
01:11:39,439 --> 01:11:42,400
Speaker 4: in New York for a while. Yes, he's been working

1605
01:11:43,040 --> 01:11:43,639
Speaker 4: so well.

1606
01:11:43,720 --> 01:11:45,519
Speaker 1: Let's I mean, let's look at the billboard.

1607
01:11:45,720 --> 01:11:48,400
Speaker 4: I'm gonna bill Ward put out a listen.

1608
01:11:50,840 --> 01:11:54,160
Speaker 2: I could see Thames and Leon Thomas. Khaled does like

1609
01:11:54,360 --> 01:11:58,200
Speaker 2: to focus on who liked the up and coming big

1610
01:11:58,320 --> 01:11:59,000
Speaker 2: actors as well.

1611
01:11:59,360 --> 01:12:01,800
Speaker 4: He gotta have rap on it though. The first thing

1612
01:12:01,840 --> 01:12:02,960
Speaker 4: we've got to be raped.

1613
01:12:03,479 --> 01:12:03,680
Speaker 3: Do it?

1614
01:12:04,080 --> 01:12:06,479
Speaker 1: Yes, some of his biggest hits are not rap at all.

1615
01:12:08,479 --> 01:12:11,840
Speaker 1: His biggest hit is a rap.

1616
01:12:13,520 --> 01:12:17,479
Speaker 4: It's rapid Jason though Bryson is kind of like, it's

1617
01:12:17,640 --> 01:12:21,640
Speaker 4: R and B but it's rap. Nah. Yeah, I mean

1618
01:12:21,680 --> 01:12:22,439
Speaker 4: it's it's Bryson.

1619
01:12:22,439 --> 01:12:22,920
Speaker 1: It's R and B.

1620
01:12:23,040 --> 01:12:24,760
Speaker 3: That's what he does both, so it's kind of you know,

1621
01:12:25,160 --> 01:12:28,280
Speaker 3: that's Bryson, so it's not and popped. Also, I'm the

1622
01:12:28,360 --> 01:12:30,040
Speaker 3: One's pop. Wild Thoughts is pop.

1623
01:12:30,439 --> 01:12:35,320
Speaker 2: Look who's on there rap? It has to be raped,

1624
01:12:35,840 --> 01:12:38,320
Speaker 2: it has to be you're same ones. But if you

1625
01:12:38,400 --> 01:12:40,160
Speaker 2: go to like the top stream ones, if we want

1626
01:12:40,200 --> 01:12:42,760
Speaker 2: to make that matter, because it does. The Khalid like

1627
01:12:43,920 --> 01:12:47,080
Speaker 2: the first four, three out of four are not wrapped.

1628
01:12:47,160 --> 01:12:49,800
Speaker 1: Wild Thoughts is I'm the one.

1629
01:12:49,920 --> 01:12:53,080
Speaker 4: Wild Thoughts for Free Wayne and chanced to rap us

1630
01:12:53,120 --> 01:12:53,920
Speaker 4: on there. That's rap.

1631
01:12:54,760 --> 01:12:57,400
Speaker 1: Yeah, But I'm the One's not a rap song. It's

1632
01:12:57,439 --> 01:12:58,519
Speaker 1: a pop. That's a pop song.

1633
01:12:58,640 --> 01:12:59,559
Speaker 4: Is Wayne rapping on there?

1634
01:13:00,080 --> 01:13:02,560
Speaker 3: It's not just because of a doesn't make it a

1635
01:13:02,640 --> 01:13:06,120
Speaker 3: rap song. It's a pop song. I said, it needs rap.

1636
01:13:06,680 --> 01:13:09,120
Speaker 4: You have to have a rapper on the record, which

1637
01:13:09,160 --> 01:13:11,160
Speaker 4: is why I said, I like Tim's gunner, that is

1638
01:13:11,280 --> 01:13:13,240
Speaker 4: palatable to me, but you need gunner.

1639
01:13:13,280 --> 01:13:15,760
Speaker 2: You gotta have rap on this somewhere. He can't just

1640
01:13:15,800 --> 01:13:19,080
Speaker 2: give us full straight rm B as the least. Does

1641
01:13:19,120 --> 01:13:22,120
Speaker 2: Grease have any rap on it? No Wold thoughts, no.

1642
01:13:26,160 --> 01:13:29,400
Speaker 4: Miami Young Miami Wave.

1643
01:13:29,720 --> 01:13:31,080
Speaker 1: I don't think so, Na Bro.

1644
01:13:32,000 --> 01:13:35,800
Speaker 2: If Khalid was if this was like ten years ago

1645
01:13:36,080 --> 01:13:38,200
Speaker 2: and that Young Miami record came out, yes I could

1646
01:13:38,200 --> 01:13:40,400
Speaker 2: see klit in Young Miami, that would be the next

1647
01:13:40,439 --> 01:13:43,160
Speaker 2: single for sure. But I don't know if Young Miami

1648
01:13:43,400 --> 01:13:45,519
Speaker 2: maybe that's going to give that to Khalid, Like maybe

1649
01:13:45,560 --> 01:13:48,519
Speaker 2: that's why she left the tour because Klett said she

1650
01:13:48,600 --> 01:13:51,080
Speaker 2: gotta go do the record again, mean disrespectful. I don't

1651
01:13:51,080 --> 01:13:53,160
Speaker 2: know if Kalleent's in that position now where every artist

1652
01:13:53,280 --> 01:13:55,080
Speaker 2: is like, oh, that's the cool thing for me to

1653
01:13:55,160 --> 01:13:55,599
Speaker 2: do right now.

1654
01:13:56,200 --> 01:13:56,679
Speaker 1: Mm hmmm.

1655
01:13:57,360 --> 01:13:58,760
Speaker 4: So we'll see.

1656
01:13:58,800 --> 01:14:02,040
Speaker 1: But remember holy Key, the thing I know I know who.

1657
01:14:01,920 --> 01:14:04,679
Speaker 4: He gotta go get. I ain't gonna say it because

1658
01:14:04,680 --> 01:14:05,920
Speaker 4: I don't work for cal It, but I know who

1659
01:14:05,960 --> 01:14:07,479
Speaker 4: he gotta go get. I know who could save him

1660
01:14:07,560 --> 01:14:07,760
Speaker 4: right now?

1661
01:14:09,240 --> 01:14:13,640
Speaker 1: Who? I'm so sorry. No, I know who I know

1662
01:14:13,720 --> 01:14:15,439
Speaker 1: who could who could give him a bomb right now?

1663
01:14:15,520 --> 01:14:15,880
Speaker 1: For sure?

1664
01:14:15,960 --> 01:14:19,080
Speaker 4: But you gotta pay me for that, all.

1665
01:14:19,040 --> 01:14:21,240
Speaker 1: Right, Well we'll bleep it, he said, because we want

1666
01:14:21,280 --> 01:14:24,120
Speaker 1: to Don Tolliver. I figured you.

1667
01:14:25,120 --> 01:14:25,360
Speaker 4: Yeah.

1668
01:14:28,640 --> 01:14:32,240
Speaker 2: But also now you're acting like the commentators that I hate,

1669
01:14:32,280 --> 01:14:35,160
Speaker 2: Like that is that's kind of I'm sure Called has

1670
01:14:35,200 --> 01:14:38,680
Speaker 2: thought of that, Like, I'm sure that's that's been a

1671
01:14:38,720 --> 01:14:41,240
Speaker 2: conversation in a Rock Nation office that hey, we should.

1672
01:14:40,960 --> 01:14:41,519
Speaker 1: Go get that guy.

1673
01:14:43,479 --> 01:14:45,200
Speaker 4: They did one together years ago.

1674
01:14:45,840 --> 01:14:48,760
Speaker 1: Yeah, but Donna's in a whole different hold space.

1675
01:14:48,560 --> 01:14:51,000
Speaker 4: Right now, whole different I like the whole different speech.

1676
01:14:51,400 --> 01:14:54,840
Speaker 4: You know, it's in a whole different space. Yeah, that

1677
01:14:55,080 --> 01:14:58,519
Speaker 4: that would definitely work for sure.

1678
01:15:02,320 --> 01:15:04,400
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1709
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1710
01:16:34,800 --> 01:16:39,680
Speaker 2: But you gotta see the billboard rip ta Keith, Yeah, Stephie.

1711
01:16:39,439 --> 01:16:41,640
Speaker 1: R and P. Sorry his name was just listed as

1712
01:16:41,640 --> 01:16:43,200
Speaker 1: the producer for that track.

1713
01:16:43,880 --> 01:16:46,320
Speaker 2: We got another list, of course halfway through the year.

1714
01:16:46,640 --> 01:16:48,400
Speaker 2: How could we stop? But at least R and B

1715
01:16:48,560 --> 01:16:51,200
Speaker 2: is getting some looks on these halfway through the year.

1716
01:16:51,320 --> 01:16:55,360
Speaker 2: The staff picks from Billboard Hottest R and B Acts

1717
01:16:55,439 --> 01:16:59,080
Speaker 2: of twenty twenty six kind of just more on the

1718
01:16:59,120 --> 01:17:00,760
Speaker 2: side of reading them. Don't know, we're going to get

1719
01:17:01,240 --> 01:17:02,280
Speaker 2: a big argument out.

1720
01:17:02,200 --> 01:17:02,519
Speaker 4: Of this one.

1721
01:17:02,640 --> 01:17:04,559
Speaker 3: I love how they put this, how they put staff

1722
01:17:04,640 --> 01:17:06,960
Speaker 3: picks now so that Billboard doesn't get like now, the

1723
01:17:07,400 --> 01:17:08,479
Speaker 3: all the writers get like.

1724
01:17:09,000 --> 01:17:11,880
Speaker 4: Yeah, in trouble for it. The hottest K one A

1725
01:17:12,000 --> 01:17:13,360
Speaker 4: number ten is already wrong for me.

1726
01:17:13,640 --> 01:17:14,800
Speaker 1: But where would she be?

1727
01:17:15,200 --> 01:17:18,559
Speaker 4: She got to be hired in top five all pride h.

1728
01:17:20,479 --> 01:17:22,599
Speaker 1: K one is hotter than give On right now? Y'all

1729
01:17:22,680 --> 01:17:23,360
Speaker 1: know I love Givey.

1730
01:17:23,600 --> 01:17:27,680
Speaker 4: That is a fact, Duran, But now he might need

1731
01:17:27,720 --> 01:17:29,799
Speaker 4: to be hired. He was just nominated for how many Grammys?

1732
01:17:30,280 --> 01:17:30,639
Speaker 4: A lot?

1733
01:17:31,280 --> 01:17:33,479
Speaker 3: Yeah, well let's see who's hired in them before we

1734
01:17:33,560 --> 01:17:36,720
Speaker 3: make that judgment. Brent, all of them people need to

1735
01:17:36,720 --> 01:17:38,320
Speaker 3: be hired and Brent respectfully right now.

1736
01:17:38,800 --> 01:17:40,439
Speaker 2: And I mean, I really like Brent's album.

1737
01:17:40,479 --> 01:17:45,160
Speaker 3: But I hear you what Duran K one And they

1738
01:17:45,200 --> 01:17:48,360
Speaker 3: said I don't know about Givian give you On?

1739
01:17:48,560 --> 01:17:49,120
Speaker 1: Yeah, I don't know.

1740
01:17:49,479 --> 01:17:51,720
Speaker 3: Okay, they have give I mean they have Durant at

1741
01:17:52,680 --> 01:17:56,080
Speaker 3: eight and they have Brent at seven, Joe Scott at six.

1742
01:17:56,240 --> 01:18:01,360
Speaker 2: Okay, listen. Where I just disagree with this list is

1743
01:18:01,400 --> 01:18:03,519
Speaker 2: the word hottest. That's what I'm focusing. Yes, hot, like

1744
01:18:03,560 --> 01:18:06,720
Speaker 2: I like Jill Scott's album, but hottest, like even to

1745
01:18:06,760 --> 01:18:08,320
Speaker 2: give You I Don't Give You On is the hottest.

1746
01:18:08,560 --> 01:18:11,840
Speaker 3: No, Chris Brown is selling out stadiums. Well, he's number five,

1747
01:18:13,400 --> 01:18:17,080
Speaker 3: he's five. Ray is number ray or four. I really

1748
01:18:17,160 --> 01:18:19,280
Speaker 3: love Ray is really hot, but I don't know if

1749
01:18:19,280 --> 01:18:22,400
Speaker 3: she's hotter than Chris Brown right now. Tims is hot

1750
01:18:22,439 --> 01:18:24,200
Speaker 3: I don't know if Tims is hotter than k one

1751
01:18:25,840 --> 01:18:27,200
Speaker 3: in durand right now?

1752
01:18:28,880 --> 01:18:31,200
Speaker 1: Is she R and B? And is she R and B?

1753
01:18:31,360 --> 01:18:32,280
Speaker 4: And is she R and B?

1754
01:18:32,800 --> 01:18:35,560
Speaker 1: Which is her R and B songs go crazy? But

1755
01:18:35,880 --> 01:18:37,200
Speaker 1: I don't know if that's the bulk of her.

1756
01:18:38,000 --> 01:18:40,200
Speaker 2: The core of her stuff is definitely afrobeats. Her solo

1757
01:18:40,240 --> 01:18:43,479
Speaker 2: stuff is afrobeats to me. But she sings R and

1758
01:18:43,560 --> 01:18:46,800
Speaker 2: B on afrobeats, So yeah, she can go in twenty

1759
01:18:46,840 --> 01:18:47,240
Speaker 2: twenty six.

1760
01:18:47,320 --> 01:18:48,120
Speaker 4: Maybe that is R and B.

1761
01:18:48,800 --> 01:18:51,320
Speaker 2: Afrobeats is one of the biggest genres, but there's gonna

1762
01:18:51,360 --> 01:18:55,200
Speaker 2: be some type of gray area. Okay, Like I wouldn't

1763
01:18:55,200 --> 01:18:56,840
Speaker 2: say she is an R and B, but she's not

1764
01:18:57,120 --> 01:18:59,720
Speaker 2: like a solely an R and B artist like a Kailani.

1765
01:18:59,479 --> 01:19:00,599
Speaker 1: Is Leones two.

1766
01:19:01,320 --> 01:19:03,920
Speaker 4: He was number two last year, so he ain't.

1767
01:19:04,120 --> 01:19:05,519
Speaker 1: Honey is number one right now.

1768
01:19:06,439 --> 01:19:08,040
Speaker 2: I'm not mad at that. I just think Chris Brown

1769
01:19:08,080 --> 01:19:09,240
Speaker 2: should be top three.

1770
01:19:09,760 --> 01:19:13,360
Speaker 3: Yes, I agree Chris Brown is hotter than Leon. Leon

1771
01:19:13,439 --> 01:19:15,439
Speaker 3: Thomas is hot, but Chris Brown is always hotter than

1772
01:19:15,479 --> 01:19:16,080
Speaker 3: these people.

1773
01:19:16,240 --> 01:19:18,880
Speaker 2: I almost you know how I feel about Leon. But

1774
01:19:19,760 --> 01:19:21,920
Speaker 2: the person that's opening up for the guy can't be

1775
01:19:22,280 --> 01:19:27,519
Speaker 2: higher on this than the guy. We'll be told the

1776
01:19:27,640 --> 01:19:29,200
Speaker 2: opener can't be hotter than the headline.

1777
01:19:29,240 --> 01:19:31,200
Speaker 4: Almost. I almost was gonna buy tickets to that usher

1778
01:19:31,240 --> 01:19:34,000
Speaker 4: Chris Brown show. But then I saw a clip and

1779
01:19:34,320 --> 01:19:35,760
Speaker 4: she got it. She got his ass hot.

1780
01:19:35,800 --> 01:19:38,760
Speaker 1: I'm like, as way cool.

1781
01:19:39,040 --> 01:19:40,720
Speaker 4: I'm like, I'm cool, man, I can't That ain't for me.

1782
01:19:40,800 --> 01:19:41,920
Speaker 4: I think that's for the lady. I think it's the

1783
01:19:42,000 --> 01:19:47,000
Speaker 4: Lady's only tour, like if you know those legends. But

1784
01:19:47,040 --> 01:19:48,200
Speaker 4: I think I'm gonna sit this one out.

1785
01:19:48,920 --> 01:19:51,360
Speaker 2: Well, in the clip, you'll probably know when that set is,

1786
01:19:51,479 --> 01:19:53,040
Speaker 2: like when he brings the lamp, I'll just close out.

1787
01:19:53,040 --> 01:19:55,680
Speaker 4: It's no, no, I'm cool zooming. I think it's the

1788
01:19:55,760 --> 01:19:59,600
Speaker 4: ladies only, ladies only, I believe. I think that's what

1789
01:19:59,640 --> 01:20:01,879
Speaker 4: the ticket say. I mean, it's it's just butchies.

1790
01:20:02,880 --> 01:20:07,400
Speaker 3: You barely saw a crack. I'll see more pg just

1791
01:20:07,439 --> 01:20:08,840
Speaker 3: crack in this office than that.

1792
01:20:10,520 --> 01:20:12,760
Speaker 2: Yeah, that's not gonna stop me from singing you got

1793
01:20:12,800 --> 01:20:13,519
Speaker 2: it bad at the show.

1794
01:20:14,280 --> 01:20:16,320
Speaker 3: Mind you, the person on the phone zoomed in. If

1795
01:20:16,360 --> 01:20:17,519
Speaker 3: you were at the show, I don't even think you

1796
01:20:17,560 --> 01:20:18,120
Speaker 3: would notice that.

1797
01:20:18,479 --> 01:20:22,160
Speaker 2: Maybe that was just at that show and his pants sacks, like,

1798
01:20:22,240 --> 01:20:24,360
Speaker 2: maybe that's not that's part of it, as part of it.

1799
01:20:25,320 --> 01:20:27,880
Speaker 4: First of all, Usher is he might be in the

1800
01:20:27,920 --> 01:20:31,120
Speaker 4: midlife crisis. Let's let's talk about it. He got his

1801
01:20:31,240 --> 01:20:33,720
Speaker 4: ass out on tour, on his tour right now, and

1802
01:20:33,840 --> 01:20:36,720
Speaker 4: we love Usher, super legend. He got his ass out

1803
01:20:36,760 --> 01:20:38,040
Speaker 4: at the show and then he.

1804
01:20:38,120 --> 01:20:41,240
Speaker 1: Came to the Yankee stayed in with jay Z.

1805
01:20:41,360 --> 01:20:41,560
Speaker 4: What is?

1806
01:20:41,680 --> 01:20:41,880
Speaker 2: What is?

1807
01:20:42,040 --> 01:20:42,800
Speaker 4: It? Was chested out?

1808
01:20:43,280 --> 01:20:45,160
Speaker 3: Yeah, I mean he's an R and B singer. Let's

1809
01:20:45,160 --> 01:20:47,920
Speaker 3: bring back now, let's bring R and B. Put his

1810
01:20:48,040 --> 01:20:50,040
Speaker 3: shirt on, man, No R and B used to be

1811
01:20:50,479 --> 01:20:51,200
Speaker 3: jay Z show.

1812
01:20:51,240 --> 01:20:54,559
Speaker 4: You can put your shirt on, Nahu that leather jacket

1813
01:20:54,600 --> 01:20:58,320
Speaker 4: on with no shirt, R and B that this is

1814
01:20:58,479 --> 01:21:01,680
Speaker 4: jay Z's concert, So put a shirt off.

1815
01:21:01,720 --> 01:21:06,000
Speaker 1: Man, How many rappers take their shirts saying this is

1816
01:21:06,120 --> 01:21:07,040
Speaker 1: jay Z's concert.

1817
01:21:07,120 --> 01:21:08,840
Speaker 4: Ain't no rapper take their shirt off? At jay Jhoe

1818
01:21:09,520 --> 01:21:11,400
Speaker 4: who had their shirt off? It was the only nigga

1819
01:21:11,400 --> 01:21:12,559
Speaker 4: in the hood of Rate staying in with the shirt.

1820
01:21:12,640 --> 01:21:14,559
Speaker 1: I guarantee R Kelly had his shirt off at wood show.

1821
01:21:15,160 --> 01:21:19,360
Speaker 1: It was two shows and know he didn't. We talk

1822
01:21:19,439 --> 01:21:22,960
Speaker 1: about sure he took his shirt off shows.

1823
01:21:23,000 --> 01:21:26,920
Speaker 4: Maybe three and know he did not. Yeah, I'm just

1824
01:21:26,920 --> 01:21:28,720
Speaker 4: saying she's going through something right now. He trying to

1825
01:21:28,720 --> 01:21:30,400
Speaker 4: think you're going through something. He has R and B show.

1826
01:21:30,520 --> 01:21:31,240
Speaker 1: I know he's the eldest.

1827
01:21:31,479 --> 01:21:33,679
Speaker 2: How many rap shows is rappers just where they shirt

1828
01:21:33,680 --> 01:21:34,360
Speaker 2: off the whole time?

1829
01:21:34,560 --> 01:21:36,680
Speaker 4: We're talking about that at jay z concert? Why do

1830
01:21:36,720 --> 01:21:39,360
Speaker 4: you I've never seen tips shirt jay Z show. I'm

1831
01:21:39,360 --> 01:21:41,000
Speaker 4: talking about ya Kee talking about a rap show. I'm

1832
01:21:41,000 --> 01:21:42,080
Speaker 4: talking about jay Z's.

1833
01:21:42,640 --> 01:21:44,400
Speaker 3: What is okay? So it's still a rap show? What

1834
01:21:44,560 --> 01:21:47,519
Speaker 3: makes his show so different that people can't have their

1835
01:21:47,520 --> 01:21:48,200
Speaker 3: shirts off at it?

1836
01:21:48,360 --> 01:21:51,240
Speaker 2: And they were performing throw that you're a Confessions record.

1837
01:21:51,400 --> 01:21:52,000
Speaker 4: He's a guest.

1838
01:21:54,520 --> 01:21:55,040
Speaker 1: He's a guest.

1839
01:21:55,080 --> 01:21:56,920
Speaker 2: I've definitely had my shirt off at the guest house before.

1840
01:21:57,880 --> 01:22:01,880
Speaker 4: That's why they didn't invite you, batter, you're a guest.

1841
01:22:02,000 --> 01:22:06,000
Speaker 4: Keep your shirt on? Yeah, usher Man, no man?

1842
01:22:06,400 --> 01:22:08,479
Speaker 1: You singing the hook? The game and why you got

1843
01:22:08,560 --> 01:22:09,320
Speaker 1: a new song.

1844
01:22:09,400 --> 01:22:12,400
Speaker 2: Produced by Swizz and Timberland Day. The verses created by

1845
01:22:12,479 --> 01:22:17,759
Speaker 2: Swiss and Timberland happened coincidence. I just know if today

1846
01:22:17,840 --> 01:22:19,519
Speaker 2: is the day to talk about organized crime.

1847
01:22:22,640 --> 01:22:24,360
Speaker 1: Wheybe they had like scheduled it to come out.

1848
01:22:25,240 --> 01:22:25,600
Speaker 3: Maybe it was.

1849
01:22:25,560 --> 01:22:27,680
Speaker 2: Pretty Actually it sounds it sounds great. I mean the

1850
01:22:27,840 --> 01:22:28,800
Speaker 2: West Coast sample like.

1851
01:22:28,800 --> 01:22:32,320
Speaker 4: That sample probably two hundred times already, but it still

1852
01:22:32,400 --> 01:22:34,760
Speaker 4: works every time. No, that's what I'm saying. That's that's

1853
01:22:34,800 --> 01:22:36,519
Speaker 4: what the car record was to get grab the ear

1854
01:22:36,640 --> 01:22:39,600
Speaker 4: like this sounds familiar and notice this this song. But

1855
01:22:39,720 --> 01:22:42,200
Speaker 4: it's like you would hate a little bit, how a

1856
01:22:42,240 --> 01:22:44,080
Speaker 4: little bit telling us to keep his shirt on? This

1857
01:22:44,280 --> 01:22:48,120
Speaker 4: is hating out of jay Z. Hey, I'm not saying

1858
01:22:48,200 --> 01:22:50,840
Speaker 4: keep your shirt on him and Chris Brown show when

1859
01:22:50,840 --> 01:22:52,360
Speaker 4: you're coming out to sing a hook with jay Z,

1860
01:22:52,479 --> 01:22:53,920
Speaker 4: you can put a fucking shirt on, Bro.

1861
01:22:55,840 --> 01:22:57,759
Speaker 3: Maybe you spilled it was I mean, they was backstage

1862
01:22:57,800 --> 01:22:59,600
Speaker 3: for mad fucking long. Maybe he spelled something on it.

1863
01:23:00,040 --> 01:23:02,439
Speaker 3: In the meantime, there was mad merch in the building.

1864
01:23:04,280 --> 01:23:06,519
Speaker 3: There was merch everywhere that nigga could have put.

1865
01:23:06,439 --> 01:23:08,479
Speaker 2: On, putting on a merch tea with leather pants.

1866
01:23:08,600 --> 01:23:10,200
Speaker 4: He could have put on a duce a T shirt.

1867
01:23:10,280 --> 01:23:12,320
Speaker 4: He could have put on a Yankee jersey, he could

1868
01:23:12,320 --> 01:23:14,960
Speaker 4: have put on all kind of shit. No, he's in here.

1869
01:23:15,560 --> 01:23:16,080
Speaker 1: I'm telling you.

1870
01:23:16,200 --> 01:23:18,880
Speaker 4: He knows. He's the elder statesman in R and B.

1871
01:23:19,000 --> 01:23:21,679
Speaker 4: He on tour with this young hot nigga, Chris Brown.

1872
01:23:22,080 --> 01:23:24,040
Speaker 4: He wanted to show nigga I'm in shape, nigga. I'm

1873
01:23:24,080 --> 01:23:26,240
Speaker 4: forty plus years old, my ship.

1874
01:23:26,240 --> 01:23:29,600
Speaker 2: That's that's not a midlife Like if he looks like

1875
01:23:29,720 --> 01:23:31,599
Speaker 2: Bobby Brown now and came out without a shirt, I'd

1876
01:23:31,600 --> 01:23:33,080
Speaker 2: be like, this may be a mid life Prices should

1877
01:23:33,080 --> 01:23:33,920
Speaker 2: put a shirt on your body.

1878
01:23:34,360 --> 01:23:36,200
Speaker 4: That's called body shaming, baby d in my correct? Oh

1879
01:23:36,320 --> 01:23:38,080
Speaker 4: I think is that called body shaming?

1880
01:23:38,120 --> 01:23:38,599
Speaker 1: Baby d? Am?

1881
01:23:38,640 --> 01:23:43,080
Speaker 4: I correct? Am? I correct? Baby? Is that body shame?

1882
01:23:43,760 --> 01:23:45,920
Speaker 2: I think we need more of that in the world. Yeah, Sam,

1883
01:23:46,000 --> 01:23:48,840
Speaker 2: body shaving. See, I'm not body shaming. My body doesn't

1884
01:23:48,840 --> 01:23:49,160
Speaker 2: look great.

1885
01:23:50,360 --> 01:23:51,360
Speaker 1: Put a shirt on at a.

1886
01:23:51,400 --> 01:23:53,559
Speaker 4: Jay Z show. You don't got to sexy niggas out

1887
01:23:53,560 --> 01:23:54,320
Speaker 4: at the jay Z show.

1888
01:23:55,120 --> 01:23:55,600
Speaker 1: This ain't that.

1889
01:23:56,320 --> 01:23:59,720
Speaker 3: This nigga up here, you niggas wasn't in half and

1890
01:24:00,040 --> 01:24:02,799
Speaker 3: it with the doves or I mean with the dancers,

1891
01:24:02,880 --> 01:24:03,320
Speaker 3: not the doves.

1892
01:24:03,360 --> 01:24:07,320
Speaker 4: The dancers was not half naked. She had on the

1893
01:24:07,360 --> 01:24:10,040
Speaker 4: T shirt and shorts them shorts was this long bull

1894
01:24:10,240 --> 01:24:12,160
Speaker 4: all right? So she didn't have fucking capris on. So

1895
01:24:12,280 --> 01:24:14,240
Speaker 4: now so that mean she was half naked.

1896
01:24:14,520 --> 01:24:15,800
Speaker 1: Ass was out and that's okay.

1897
01:24:16,600 --> 01:24:19,840
Speaker 3: But respectfully, yeah, no, why complain about that because it's

1898
01:24:19,920 --> 01:24:21,599
Speaker 3: us Sure we can't the ladies can't get nothing.

1899
01:24:22,200 --> 01:24:24,840
Speaker 4: I'm just saying this is that's first of all, that's

1900
01:24:24,880 --> 01:24:29,320
Speaker 4: Jay's wife, so cool, nigga, you a guest, put a

1901
01:24:29,479 --> 01:24:32,439
Speaker 4: put a shirt on, bro the same, This is hip hop,

1902
01:24:33,479 --> 01:24:36,760
Speaker 4: the same. Sexy Tom, don't you come try to sexy

1903
01:24:36,800 --> 01:24:37,599
Speaker 4: out Yankee Stadium?

1904
01:24:38,120 --> 01:24:41,479
Speaker 2: The throwback a Confessions record, Yes it was, it was

1905
01:24:41,560 --> 01:24:42,080
Speaker 2: sexy Time.

1906
01:24:43,040 --> 01:24:44,960
Speaker 4: Yeah, he did that song mad Times with a shirt on.

1907
01:24:46,280 --> 01:24:49,519
Speaker 4: He performed those records, Matt. Matter of fact, I saw

1908
01:24:49,600 --> 01:24:50,040
Speaker 4: him at his.

1909
01:24:50,200 --> 01:24:52,800
Speaker 2: Show at bock Clay's last year and he had a

1910
01:24:52,840 --> 01:24:55,360
Speaker 2: shirt on. Mall's talking like Jadakiss came out with a

1911
01:24:55,400 --> 01:24:57,280
Speaker 2: shirt off. We told her an R and B singer

1912
01:24:57,360 --> 01:24:58,360
Speaker 2: named our shirt dude.

1913
01:24:58,880 --> 01:25:00,920
Speaker 1: I don't think he's going through midlife crisis.

1914
01:25:01,040 --> 01:25:04,040
Speaker 4: I just I think he still when you sit down,

1915
01:25:04,160 --> 01:25:06,160
Speaker 4: when he sit down with fucking what's my guy's name?

1916
01:25:06,240 --> 01:25:07,800
Speaker 4: Or theybody sit down when they're having a midlife price.

1917
01:25:07,840 --> 01:25:09,479
Speaker 2: So you know what, I'm gonna get them all here,

1918
01:25:09,640 --> 01:25:12,439
Speaker 2: j Sheddy, Who's that to Maris what's more of a

1919
01:25:12,479 --> 01:25:15,160
Speaker 2: mid life crisis usher coming out with his shirt off

1920
01:25:15,720 --> 01:25:17,920
Speaker 2: or Jay Z at his age with security wearing a

1921
01:25:17,960 --> 01:25:20,280
Speaker 2: bulletproof vest on stage. What's more of a midlife crisis?

1922
01:25:20,400 --> 01:25:21,400
Speaker 2: What's more of a midlight crisis?

1923
01:25:21,439 --> 01:25:23,200
Speaker 4: How is that a midlife crisis? Like, first of all,

1924
01:25:23,240 --> 01:25:25,200
Speaker 4: he was it's a it's a it's an anniversary to

1925
01:25:25,240 --> 01:25:26,800
Speaker 4: this thirty years, thirty year album.

1926
01:25:26,880 --> 01:25:30,080
Speaker 2: That's a uniform that represents his music. Usher without a

1927
01:25:30,120 --> 01:25:31,880
Speaker 2: shirt is a uniform.

1928
01:25:31,600 --> 01:25:32,120
Speaker 1: Of his music.

1929
01:25:32,720 --> 01:25:34,400
Speaker 2: That's what R and B singers do. No, it's not,

1930
01:25:34,640 --> 01:25:37,040
Speaker 2: And I think there's nothing wrong with Jay wearing that.

1931
01:25:37,080 --> 01:25:39,000
Speaker 3: Ain't take their shirt over that because these niggas don't

1932
01:25:39,000 --> 01:25:39,880
Speaker 3: have nice bodies no more.

1933
01:25:39,880 --> 01:25:41,320
Speaker 1: And that's my point again, y'all mad.

1934
01:25:42,240 --> 01:25:45,519
Speaker 4: Make R and B singers on the same pace to

1935
01:25:45,560 --> 01:25:48,840
Speaker 4: be healthy body, make ur stop drinking, glean and do

1936
01:25:48,960 --> 01:25:52,000
Speaker 4: some sit ups. I'm saying that a jay Z anniversary show,

1937
01:25:52,360 --> 01:25:53,920
Speaker 4: you could come out do your R and B ship.

1938
01:25:54,160 --> 01:25:55,000
Speaker 4: You can put a shirt on.

1939
01:25:55,360 --> 01:25:57,240
Speaker 2: If you don't wear a through vest, which I thought

1940
01:25:57,360 --> 01:25:59,120
Speaker 2: was great. I thought that was the coolest ship that

1941
01:25:59,280 --> 01:26:02,920
Speaker 2: Hope could wear for those anniversaries. I think somebody his age,

1942
01:26:03,000 --> 01:26:05,080
Speaker 2: from his era as an R and B artist, when

1943
01:26:05,120 --> 01:26:08,000
Speaker 2: they're in shape, should go no shirt. We're representing the

1944
01:26:08,120 --> 01:26:09,120
Speaker 2: arrass crazy as hell.

1945
01:26:09,200 --> 01:26:11,240
Speaker 3: I want I want to find niggas back in music again.

1946
01:26:11,280 --> 01:26:14,559
Speaker 3: Remember ll These rappers don't look like no more. Every

1947
01:26:14,640 --> 01:26:16,800
Speaker 3: rapper is ugly as the fuck, and I'm tired of

1948
01:26:16,840 --> 01:26:20,400
Speaker 3: that ship. No, I'm cool, but I want him to

1949
01:26:20,439 --> 01:26:23,439
Speaker 3: look like LLL again, Like I bring sexy back to music.

1950
01:26:23,560 --> 01:26:23,680
Speaker 4: Yo.

1951
01:26:24,720 --> 01:26:25,439
Speaker 1: That's all I'm saying.

1952
01:26:26,320 --> 01:26:28,360
Speaker 4: Breakway before before we do.

1953
01:26:28,800 --> 01:26:32,360
Speaker 2: What happened was rappers used to take steroids, only take ozimpic.

1954
01:26:34,880 --> 01:26:36,160
Speaker 4: Whatever you stopped us to do that.

1955
01:26:37,240 --> 01:26:38,680
Speaker 2: I was gonna go in a conversation, but then you

1956
01:26:38,760 --> 01:26:43,120
Speaker 2: got mad. I was gonna go to a conversation, but

1957
01:26:43,160 --> 01:26:44,160
Speaker 2: then you look like I don't want to talk.

1958
01:26:44,680 --> 01:26:48,519
Speaker 1: No, he got a p. He wanted to talk about ozimpic.

1959
01:26:49,439 --> 01:26:52,960
Speaker 1: Shut the fuck up. It's an epidemic. No, go ahead,

1960
01:26:53,360 --> 01:26:53,760
Speaker 1: keep talking.

1961
01:26:53,800 --> 01:26:56,760
Speaker 3: Let ma p what you was saying about Olympic. You

1962
01:26:56,920 --> 01:26:59,080
Speaker 3: talking about mid life crisis. Nigga, you can't even get

1963
01:26:59,120 --> 01:27:01,840
Speaker 3: up off the couch. Oh was the one I kept

1964
01:27:01,840 --> 01:27:02,679
Speaker 3: trying to make, but Mall.

1965
01:27:02,600 --> 01:27:06,439
Speaker 1: Kept stepping on it. Peeves over here.

1966
01:27:06,840 --> 01:27:09,560
Speaker 3: I was trying to segue, but mal kept stepping on

1967
01:27:09,680 --> 01:27:10,840
Speaker 3: the segway peages over.

1968
01:27:10,720 --> 01:27:11,080
Speaker 1: Here, dying.

1969
01:27:11,120 --> 01:27:14,920
Speaker 3: I'm like, I'm trying to move a time. No, I

1970
01:27:15,040 --> 01:27:17,320
Speaker 3: was trying to I was trying to know. I was

1971
01:27:17,439 --> 01:27:20,360
Speaker 3: trying to say that what the fuck was I trying

1972
01:27:20,400 --> 01:27:24,760
Speaker 3: to say? The Billboard list like transfer from Calits. Yeah

1973
01:27:24,800 --> 01:27:27,600
Speaker 3: I did I did hear, Yeah, I did hear that

1974
01:27:28,080 --> 01:27:28,639
Speaker 3: that ship.

1975
01:27:28,560 --> 01:27:30,559
Speaker 1: Pieces over here. He was over here fucking dying.

1976
01:27:31,760 --> 01:27:34,679
Speaker 4: Yeah, I had me to step on your transmission, baby,

1977
01:27:37,120 --> 01:27:39,120
Speaker 4: I ain't mean to step on them all.

1978
01:27:39,080 --> 01:27:42,400
Speaker 2: Right, Well, since we're on transmissions before we get to

1979
01:27:42,479 --> 01:27:43,720
Speaker 2: new music, can we talked about last week?

1980
01:27:44,720 --> 01:27:45,840
Speaker 1: Okay, what happened last week?

1981
01:27:46,479 --> 01:27:48,559
Speaker 2: That was like one of my favorite new music Fridays

1982
01:27:49,800 --> 01:27:52,400
Speaker 2: of the year. It was like my my type of

1983
01:27:52,520 --> 01:27:54,400
Speaker 2: R and B all decided to drop in one day,

1984
01:27:54,560 --> 01:27:56,280
Speaker 2: Like it took me a week to even get to

1985
01:27:56,360 --> 01:28:02,479
Speaker 2: everyone's project. Sego Fix Your Face. It's my favorite mis

1986
01:28:02,520 --> 01:28:05,840
Speaker 2: Sago album today. It's hard like it's it's his best music.

1987
01:28:06,640 --> 01:28:09,679
Speaker 2: Omre Pali incredible And and I don't.

1988
01:28:09,560 --> 01:28:11,760
Speaker 4: Like the fact that you ain't talking about everybody told

1989
01:28:11,760 --> 01:28:14,240
Speaker 4: about Jay cutting this here, you ain't talk about Seago cutting.

1990
01:28:14,040 --> 01:28:15,920
Speaker 1: His well, I didn't see it was.

1991
01:28:16,080 --> 01:28:17,680
Speaker 4: I mean the first single that, yeah, it was, that

1992
01:28:17,760 --> 01:28:21,120
Speaker 4: was part of it. Yeah, like me cut his ship too,

1993
01:28:22,200 --> 01:28:22,800
Speaker 4: That's what's up?

1994
01:28:23,640 --> 01:28:26,920
Speaker 1: Yeah, Dame, you know what I'm saying, like just cutting

1995
01:28:26,920 --> 01:28:27,280
Speaker 1: their head.

1996
01:28:29,520 --> 01:28:31,200
Speaker 2: You know why you're not talking about I hate that

1997
01:28:31,320 --> 01:28:33,120
Speaker 2: long like to cut it, I.

1998
01:28:33,160 --> 01:28:34,720
Speaker 3: Mean, but like I like to see you. You know

1999
01:28:34,760 --> 01:28:39,000
Speaker 3: what I'm saying, what with wave length? With waves waves man,

2000
01:28:40,400 --> 01:28:41,120
Speaker 3: maybe see sick.

2001
01:28:41,320 --> 01:28:48,320
Speaker 4: I got vertigo already. It's really slow three three got

2002
01:28:48,400 --> 01:28:55,200
Speaker 4: three slow claps and he got three. You test your

2003
01:28:55,240 --> 01:28:58,360
Speaker 4: heart monitor, you might be stroking out.

2004
01:28:58,800 --> 01:29:01,720
Speaker 2: Check the comments that that one's gonna age. Well, the

2005
01:29:01,800 --> 01:29:03,960
Speaker 2: internet will slow birth. The Internet will prove that that

2006
01:29:04,080 --> 01:29:04,920
Speaker 2: one was a good joke.

2007
01:29:05,439 --> 01:29:06,320
Speaker 1: You guys are wrong.

2008
01:29:06,840 --> 01:29:08,320
Speaker 4: Yeah, that's a slow bird. That might be a slow

2009
01:29:08,360 --> 01:29:10,200
Speaker 4: bird right there. You right, that's a slow bird for sure.

2010
01:29:10,960 --> 01:29:13,639
Speaker 2: But also I have to give mall some flowers outside

2011
01:29:13,640 --> 01:29:16,599
Speaker 2: of like yes please Ombre. We already know what Tommon

2012
01:29:16,720 --> 01:29:18,840
Speaker 2: is with her happy she has this project out. But

2013
01:29:18,920 --> 01:29:21,640
Speaker 2: it does add into Maul's theory of lesbians making the

2014
01:29:21,680 --> 01:29:24,639
Speaker 2: best star beatio. We forgot to add Ambre onto.

2015
01:29:24,520 --> 01:29:27,640
Speaker 4: That listing to tell yeah, you're not listening, you're not

2016
01:29:27,760 --> 01:29:31,680
Speaker 4: doing the science with me. The lesbians are running R

2017
01:29:31,760 --> 01:29:32,439
Speaker 4: and B right now?

2018
01:29:33,320 --> 01:29:35,120
Speaker 1: Is it that the lesbians are running R and B?

2019
01:29:35,360 --> 01:29:37,040
Speaker 1: Or is it that everybody's a lesbian?

2020
01:29:38,760 --> 01:29:43,640
Speaker 2: Things the percentages and two things can be true. But

2021
01:29:44,240 --> 01:29:46,800
Speaker 2: Sid dropped in a dope project, Beard, which is a

2022
01:29:46,960 --> 01:29:47,719
Speaker 2: hilarious title.

2023
01:29:48,120 --> 01:29:52,360
Speaker 4: Hilarious title. We know what Sid doing. Ombre another dope project.

2024
01:29:52,439 --> 01:29:52,920
Speaker 1: Did you get.

2025
01:29:54,560 --> 01:29:55,280
Speaker 4: How good is that shit?

2026
01:29:55,479 --> 01:29:55,799
Speaker 1: Crazy?

2027
01:29:55,920 --> 01:29:58,599
Speaker 4: But to me, she doesn't have a bad project. She's

2028
01:29:58,600 --> 01:30:04,880
Speaker 4: so good like m Rate another dope project like the

2029
01:30:05,000 --> 01:30:08,439
Speaker 4: Lesbie honest, because the best music is made about women.

2030
01:30:09,120 --> 01:30:09,439
Speaker 1: That's why.

2031
01:30:09,880 --> 01:30:11,479
Speaker 3: That's why hip hop ain't good nowere all they want

2032
01:30:11,479 --> 01:30:12,760
Speaker 3: to talk about is disrespecting women.

2033
01:30:12,760 --> 01:30:14,640
Speaker 1: If he was to talk about loving women the music, now,

2034
01:30:14,840 --> 01:30:18,120
Speaker 1: that's that's just today they started in mail R and

2035
01:30:18,200 --> 01:30:20,400
Speaker 1: B talk about loving women. It'll get better.

2036
01:30:21,920 --> 01:30:23,360
Speaker 4: Well, I mean the R and B, the R and

2037
01:30:23,439 --> 01:30:26,479
Speaker 4: B artist is this there's some gay representation on that

2038
01:30:26,600 --> 01:30:27,640
Speaker 4: side as well. Good R and B.

2039
01:30:28,320 --> 01:30:34,519
Speaker 1: Duran cleaning Niggas up smoking my second favorite album last

2040
01:30:34,560 --> 01:30:38,519
Speaker 1: year and they say. Leon Thomas looked like, see, we're.

2041
01:30:38,400 --> 01:30:38,760
Speaker 4: Not doing that.

2042
01:30:38,840 --> 01:30:40,200
Speaker 1: You ain't say that. When he was here to face

2043
01:30:40,640 --> 01:30:42,360
Speaker 1: they said, that's crazy.

2044
01:30:43,880 --> 01:30:48,719
Speaker 4: Mad the meme when but you're retweeting it though you retweet,

2045
01:30:48,760 --> 01:30:51,200
Speaker 4: I didn't retweet. I know I love him whenever you

2046
01:30:51,320 --> 01:30:54,160
Speaker 4: say they first of all, that's they.

2047
01:30:53,720 --> 01:30:55,920
Speaker 3: Laughed, at it. He on the real I'm referring to

2048
01:30:56,040 --> 01:30:58,240
Speaker 3: he's on the real laughing. They say that he looks

2049
01:30:58,240 --> 01:30:58,799
Speaker 3: like a lesbian.

2050
01:31:00,520 --> 01:31:01,760
Speaker 4: Okay, if he's okay with him.

2051
01:31:01,840 --> 01:31:08,120
Speaker 1: He laughed at it. It's funny. Leon.

2052
01:31:08,200 --> 01:31:10,439
Speaker 4: I'm only laughing because you laugh, Like I ain't laughing

2053
01:31:10,479 --> 01:31:11,120
Speaker 4: if you ain't laughing.

2054
01:31:11,160 --> 01:31:12,920
Speaker 3: But we know Leon's not gay. Leon get bitches. But

2055
01:31:12,960 --> 01:31:14,799
Speaker 3: they say he looks like you don't know his situation.

2056
01:31:15,640 --> 01:31:17,679
Speaker 3: I'm sorry, he can be in a committed relationship.

2057
01:31:17,720 --> 01:31:19,000
Speaker 4: He might get niggas in bitches.

2058
01:31:20,280 --> 01:31:21,679
Speaker 2: I meant like he may have a girl.

2059
01:31:21,720 --> 01:31:23,640
Speaker 4: I'm just saying, we don't know, we don't know.

2060
01:31:24,120 --> 01:31:26,160
Speaker 3: I think I know that Leon, I don't get niggas. Okay,

2061
01:31:26,360 --> 01:31:28,240
Speaker 3: we don't don't want the niggas that he may get.

2062
01:31:28,640 --> 01:31:29,479
Speaker 3: Let's just changeing.

2063
01:31:31,040 --> 01:31:35,120
Speaker 1: That was the greatest Ombre's girlfriend is gorgeous.

2064
01:31:35,280 --> 01:31:38,040
Speaker 4: Yeah you hate him for a relationship, that's shout out

2065
01:31:38,080 --> 01:31:39,920
Speaker 4: the Armbred. Another dope project man.

2066
01:31:40,320 --> 01:31:42,840
Speaker 2: Steve Lacy, came out as well. Oh yeah, it was

2067
01:31:42,880 --> 01:31:45,479
Speaker 2: a great music Friday last week. Like, I can't say

2068
01:31:45,560 --> 01:31:46,240
Speaker 2: enough about Steve.

2069
01:31:46,320 --> 01:31:48,320
Speaker 4: Steve is gay, right, I don't.

2070
01:31:48,120 --> 01:31:50,920
Speaker 2: Know, And I know some people find that offensive, but

2071
01:31:51,080 --> 01:31:52,600
Speaker 2: I'm not sure, and I think that may have been

2072
01:31:52,680 --> 01:31:52,920
Speaker 2: a thing.

2073
01:31:52,960 --> 01:31:53,280
Speaker 1: I don't know.

2074
01:31:53,360 --> 01:31:54,040
Speaker 4: He flew.

2075
01:31:54,400 --> 01:31:56,599
Speaker 1: Well, stop talking, I don't know, Please stop talking.

2076
01:31:57,000 --> 01:32:00,280
Speaker 4: I'm why y'all get mad. I'm asking, I'm searching for

2077
01:32:00,400 --> 01:32:02,000
Speaker 4: the answers. I'm asking questions.

2078
01:32:03,120 --> 01:32:05,519
Speaker 2: He's strictly I said, he's strictly straight.

2079
01:32:05,640 --> 01:32:11,680
Speaker 1: He identifies his sexuality is not strictly straight, fluid like

2080
01:32:11,720 --> 01:32:12,960
Speaker 1: you said, Mom, Okay.

2081
01:32:12,760 --> 01:32:15,559
Speaker 4: See, I'll be saying ship and y'all be thinking I'm trying.

2082
01:32:15,400 --> 01:32:17,120
Speaker 1: To be funny and just offended you. I said, I

2083
01:32:17,160 --> 01:32:21,040
Speaker 1: wasn't sure. He's fluid. Yeah, he's fluid and queer. All right.

2084
01:32:22,080 --> 01:32:25,160
Speaker 2: So outside outside of Sago, it was a very lgbt

2085
01:32:25,320 --> 01:32:28,960
Speaker 2: Q friendly R and B Friday that as someone that

2086
01:32:29,080 --> 01:32:33,400
Speaker 2: is strictly straight, loved Yes, what Friday? I supported last

2087
01:32:33,439 --> 01:32:36,280
Speaker 2: Friday Friday. But it was on the calendar. I know

2088
01:32:36,360 --> 01:32:40,160
Speaker 2: what type of holiday it was, but the representation.

2089
01:32:39,720 --> 01:32:40,719
Speaker 4: Was heavy and I supported.

2090
01:32:40,960 --> 01:32:44,879
Speaker 2: Y'all saw speaking of Durant, did you see what homeon

2091
01:32:44,960 --> 01:32:50,680
Speaker 2: Vlad that was allegedly fucking Stephan Dick's That was the

2092
01:32:50,720 --> 01:32:51,840
Speaker 2: craziest clip I've seen it.

2093
01:32:52,200 --> 01:32:54,479
Speaker 4: I didn't see that. I don't really click on like.

2094
01:32:54,560 --> 01:32:56,840
Speaker 2: He said, there's He said he heard Durant say there's

2095
01:32:56,840 --> 01:32:59,680
Speaker 2: a difference between heterosexual and straight, and he's like, I

2096
01:32:59,720 --> 01:33:01,040
Speaker 2: don't know what that is. So I just want to

2097
01:33:01,080 --> 01:33:05,040
Speaker 2: make y'all know that I am completely straight. And then

2098
01:33:05,080 --> 01:33:08,920
Speaker 2: he went on to describe Stephan Diggs taking him out

2099
01:33:08,960 --> 01:33:10,680
Speaker 2: shopping like he was one of the girls. He was like,

2100
01:33:11,120 --> 01:33:13,200
Speaker 2: in my opinion, we weren't in a relationship. I don't

2101
01:33:13,200 --> 01:33:16,519
Speaker 2: know if we were. But I'm straight, I don't know

2102
01:33:16,600 --> 01:33:18,640
Speaker 2: if we were in a relationship. If you're straight, you

2103
01:33:18,760 --> 01:33:21,160
Speaker 2: know you're not in a relationship with a man. If

2104
01:33:21,240 --> 01:33:23,479
Speaker 2: you not straight, you know you're in a relationship. Like

2105
01:33:23,520 --> 01:33:25,080
Speaker 2: you know if you're in a relationship or not. Like,

2106
01:33:25,120 --> 01:33:25,880
Speaker 2: what are we talking about?

2107
01:33:25,960 --> 01:33:27,519
Speaker 4: So he and then He's went on say, this is

2108
01:33:27,560 --> 01:33:29,880
Speaker 4: a quotlationship.

2109
01:33:30,000 --> 01:33:32,759
Speaker 3: It's before you a girl has been in a relationship

2110
01:33:32,760 --> 01:33:34,120
Speaker 3: with you and you ain't been a relationship with her

2111
01:33:34,160 --> 01:33:36,000
Speaker 3: before and you ain't No, you ain't know that that

2112
01:33:36,080 --> 01:33:36,880
Speaker 3: was your she was out.

2113
01:33:36,760 --> 01:33:41,879
Speaker 4: Here, I said, you know when you're in a relationship,

2114
01:33:42,080 --> 01:33:44,719
Speaker 4: you know when you're not in a relationship. In your mind,

2115
01:33:44,760 --> 01:33:46,040
Speaker 4: you might want to be in a relation, but you

2116
01:33:46,080 --> 01:33:51,240
Speaker 4: know that ain't your man. See, that's delusion. That'd be

2117
01:33:51,280 --> 01:33:53,439
Speaker 4: a delusion, and I can't. I can't fight the delusion

2118
01:33:53,520 --> 01:33:56,760
Speaker 4: for you, that's your battle to fight, right. We both

2119
01:33:56,840 --> 01:33:58,840
Speaker 4: know we in in a relationship. We kick it, we

2120
01:33:58,960 --> 01:34:01,720
Speaker 4: hang out, we do those type of things. But you know,

2121
01:34:01,840 --> 01:34:04,240
Speaker 4: if you see me on a random Tuesday at lunch

2122
01:34:04,280 --> 01:34:06,200
Speaker 4: with a young lady, you know you can't come up

2123
01:34:06,240 --> 01:34:08,280
Speaker 4: to the table acting crazy. You know you can't do that.

2124
01:34:08,439 --> 01:34:12,040
Speaker 2: Of course, but because you're straight and she's straight, there

2125
01:34:12,240 --> 01:34:15,880
Speaker 2: is a possibility that that could even exist. Right, But

2126
01:34:17,080 --> 01:34:20,200
Speaker 2: if a man has that same delusion, it's still no

2127
01:34:20,320 --> 01:34:22,160
Speaker 2: way we're in a relationship because there's not even a

2128
01:34:22,240 --> 01:34:26,639
Speaker 2: chance for fucking right. Yeah, and then this guy said,

2129
01:34:27,920 --> 01:34:29,560
Speaker 2: didn't this guy reach out to both of us to

2130
01:34:29,600 --> 01:34:30,920
Speaker 2: try to come on the show to clear this up?

2131
01:34:31,200 --> 01:34:31,400
Speaker 1: Yeah?

2132
01:34:31,479 --> 01:34:31,720
Speaker 3: He did.

2133
01:34:31,840 --> 01:34:33,840
Speaker 2: He went on like a mass DM streak to every

2134
01:34:33,920 --> 01:34:36,559
Speaker 2: podcaster to come on the show. He said, and I quote,

2135
01:34:36,960 --> 01:34:41,160
Speaker 2: in my bitch ass mind, I didn't realize that he

2136
01:34:41,400 --> 01:34:45,840
Speaker 2: was only buying bags for the girls and me. The

2137
01:34:45,920 --> 01:34:47,479
Speaker 2: camera guy they were with didn't get a bag, His

2138
01:34:47,600 --> 01:34:48,320
Speaker 2: brother didn't.

2139
01:34:48,080 --> 01:34:48,519
Speaker 1: Get a bag.

2140
01:34:48,960 --> 01:34:51,559
Speaker 2: He said, I was getting gifts like I was one

2141
01:34:51,600 --> 01:34:52,160
Speaker 2: of the girlies.

2142
01:34:55,920 --> 01:34:58,479
Speaker 4: I got news for you. I was waiting for it.

2143
01:35:01,200 --> 01:35:04,599
Speaker 4: Step Fa Diggs is buying the girls and you were back.

2144
01:35:05,920 --> 01:35:08,519
Speaker 4: I got news for you. I mean he trying to

2145
01:35:08,600 --> 01:35:12,000
Speaker 4: hit ma just saying.

2146
01:35:12,800 --> 01:35:17,679
Speaker 3: You say he backed up? Excuse me, I mean saying,

2147
01:35:17,680 --> 01:35:20,479
Speaker 3: can this be backed up? Can we like is this proven?

2148
01:35:20,640 --> 01:35:22,400
Speaker 3: Or is is he on a smear campaign?

2149
01:35:23,240 --> 01:35:26,160
Speaker 4: No, well he's in some litigation with because he got

2150
01:35:28,000 --> 01:35:30,200
Speaker 4: remember he was, Yeah, he just submitted like over a

2151
01:35:30,320 --> 01:35:33,799
Speaker 4: thousand I think emails with text messages to the authorities

2152
01:35:33,800 --> 01:35:36,920
Speaker 4: and ship like that. So I mean he's listen, man,

2153
01:35:37,000 --> 01:35:38,880
Speaker 4: he he don't seem like he going away. And I've

2154
01:35:38,880 --> 01:35:40,720
Speaker 4: seen he had a little back and forth with Cardi too.

2155
01:35:42,320 --> 01:35:43,479
Speaker 4: I think Cardi has I.

2156
01:35:43,479 --> 01:35:46,200
Speaker 2: Mean that usually happens with x'es and baby mothers.

2157
01:35:46,680 --> 01:35:52,280
Speaker 4: Yeah, yes, right on par so. Yeah, I just to

2158
01:35:52,439 --> 01:35:54,519
Speaker 4: me and we're just talking ship. But to me, in

2159
01:35:54,640 --> 01:35:58,360
Speaker 4: all seriousness, when you was heterosexual, you don't go heterosexual.

2160
01:35:58,439 --> 01:35:59,240
Speaker 4: Men don't go through it like that.

2161
01:35:59,320 --> 01:36:01,360
Speaker 2: You don't think he had the web mean moment where

2162
01:36:01,400 --> 01:36:01,800
Speaker 2: he was like.

2163
01:36:03,360 --> 01:36:04,439
Speaker 1: I was one of the girls.

2164
01:36:04,560 --> 01:36:06,160
Speaker 4: Yeah, like that don't that's not a real thing.

2165
01:36:06,240 --> 01:36:06,519
Speaker 3: You don't.

2166
01:36:06,600 --> 01:36:07,479
Speaker 4: You don't go through them.

2167
01:36:09,000 --> 01:36:11,240
Speaker 1: Calling him a light skined lizard funny as fuck. That's

2168
01:36:11,240 --> 01:36:13,840
Speaker 1: actually mad funny. Who called him that? Are they saying

2169
01:36:13,880 --> 01:36:16,120
Speaker 1: Cardi you called him that? But I don't.

2170
01:36:16,200 --> 01:36:18,040
Speaker 3: I don't know if that's like confirmed, but they said

2171
01:36:18,080 --> 01:36:19,439
Speaker 3: Cardi called him a light skined lizard.

2172
01:36:19,479 --> 01:36:20,519
Speaker 1: That's actually mad funny.

2173
01:36:22,840 --> 01:36:24,960
Speaker 4: I mean, listen, man, it is love who you love, man,

2174
01:36:25,640 --> 01:36:27,840
Speaker 4: what it is. But you can't be beating niggas up

2175
01:36:27,840 --> 01:36:29,759
Speaker 4: because they don't want to give you no Buttoh that's crazy,

2176
01:36:31,240 --> 01:36:32,320
Speaker 4: or send your brother to go do it.

2177
01:36:32,360 --> 01:36:33,400
Speaker 1: Yeah, like you can't be doing that.

2178
01:36:33,479 --> 01:36:36,719
Speaker 4: That's a gay rico. Yeah, yeah, yeah, that's a Greek.

2179
01:36:46,920 --> 01:36:58,160
Speaker 1: Richard. He put him in the Richard. Niggas is in

2180
01:36:58,240 --> 01:36:58,960
Speaker 1: the Greek.

2181
01:37:01,200 --> 01:37:02,320
Speaker 4: Put him in the Dick Grego.

2182
01:37:07,400 --> 01:37:09,880
Speaker 1: Yo. You niggas living sick lives out here.

2183
01:37:11,120 --> 01:37:14,599
Speaker 4: Oh my god, that's some funny ship right there. Man.

2184
01:37:15,160 --> 01:37:17,040
Speaker 4: You niggas is in a Greco baby.

2185
01:37:18,280 --> 01:37:21,680
Speaker 1: Unsuspect. They don't even know yo.

2186
01:37:22,080 --> 01:37:26,320
Speaker 4: Man, this is craziness, Yo, that is wild as fuck.

2187
01:37:29,479 --> 01:37:31,800
Speaker 1: Rory, did you see that Victoria Money has a new

2188
01:37:31,800 --> 01:37:34,280
Speaker 1: album coming out, Debars? What if we were dating?

2189
01:37:34,320 --> 01:37:36,920
Speaker 2: You found out my past that a man, a man

2190
01:37:37,000 --> 01:37:45,240
Speaker 2: took me shopping and brought me bags and I still

2191
01:37:45,280 --> 01:37:47,320
Speaker 2: got the bag I take it on dates with us.

2192
01:37:56,800 --> 01:38:03,760
Speaker 4: Oh ship anyways, Victoria Monet have anotherThe less being she's bisexual.

2193
01:38:04,240 --> 01:38:07,880
Speaker 4: Oh I'm sorry, yeah, bi sexual. She put a toe

2194
01:38:07,920 --> 01:38:08,559
Speaker 4: in the pool. Yeah.

2195
01:38:09,520 --> 01:38:12,679
Speaker 2: She put her album cover out classic already no skips

2196
01:38:13,360 --> 01:38:14,120
Speaker 2: Frequency of Love.

2197
01:38:15,040 --> 01:38:16,599
Speaker 4: She on there talking bad aoy.

2198
01:38:17,000 --> 01:38:17,759
Speaker 1: Look at the cover.

2199
01:38:19,960 --> 01:38:23,639
Speaker 4: I mean October second. Yeah, damn.

2200
01:38:23,880 --> 01:38:26,160
Speaker 1: But she did drop us. She dropped a single, which

2201
01:38:26,200 --> 01:38:26,519
Speaker 1: is great.

2202
01:38:26,920 --> 01:38:29,040
Speaker 2: But I mean, I'm glad she gave us this image,

2203
01:38:29,240 --> 01:38:29,840
Speaker 2: like you.

2204
01:38:29,880 --> 01:38:34,160
Speaker 3: Know, K produced, king Out and d Mile If I'm

2205
01:38:34,200 --> 01:38:39,479
Speaker 3: not mistaken, reach Out single, reach Out, Yeah, it sounds

2206
01:38:39,520 --> 01:38:42,800
Speaker 3: really good. I remember the internet was Yeah, the internet

2207
01:38:42,920 --> 01:38:44,640
Speaker 3: was like fake turning on her saying she didn't have

2208
01:38:44,680 --> 01:38:46,840
Speaker 3: a sound. I think that's such bullshit. I think Victoria

2209
01:38:46,880 --> 01:38:49,000
Speaker 3: has a very strong sound. Yeah, she has a very

2210
01:38:49,040 --> 01:38:52,559
Speaker 3: strong sound, which we can contribute a lot to DMU.

2211
01:38:52,680 --> 01:38:56,000
Speaker 2: But yeah, and what's wrong with also not having like

2212
01:38:56,240 --> 01:38:59,000
Speaker 2: just a signature sound. She has a signature, I think

2213
01:38:59,040 --> 01:39:00,880
Speaker 2: she does, but like, there's also nothing wrong if you

2214
01:39:00,920 --> 01:39:01,360
Speaker 2: don't have one.

2215
01:39:02,120 --> 01:39:03,760
Speaker 3: Well, they were saying like we don't know what to

2216
01:39:03,880 --> 01:39:05,400
Speaker 3: do with her. We don't know what to put, where

2217
01:39:05,439 --> 01:39:06,800
Speaker 3: to put her. They don't know how to market her,

2218
01:39:06,840 --> 01:39:08,680
Speaker 3: you know, the internet is fucking stupid.

2219
01:39:08,479 --> 01:39:11,880
Speaker 4: But Jaguar two was incredible whatever they did. This is

2220
01:39:11,920 --> 01:39:13,439
Speaker 4: the same market on the internet saying we don't know

2221
01:39:13,479 --> 01:39:18,519
Speaker 4: how to market. Y'all are not marketers, Like what you mean,

2222
01:39:18,720 --> 01:39:21,360
Speaker 4: niggas onything like, we don't know how to market, y'all

2223
01:39:21,479 --> 01:39:25,439
Speaker 4: not marketings, so you shouldn't know how to market exactly.

2224
01:39:26,400 --> 01:39:28,519
Speaker 2: But I'm excited shout out and shout out to Punch.

2225
01:39:28,520 --> 01:39:30,559
Speaker 2: I'm not being a dick at that promise. I saw

2226
01:39:30,680 --> 01:39:33,800
Speaker 2: somebody tweet yo, I love Abs Soul, but we should

2227
01:39:33,920 --> 01:39:36,720
Speaker 2: like put him in the studio with Pharrell and lock In,

2228
01:39:36,880 --> 01:39:38,920
Speaker 2: and Punch replied, damn, you should be in the business.

2229
01:39:41,800 --> 01:39:42,200
Speaker 1: I'm sure.

2230
01:39:46,479 --> 01:39:51,040
Speaker 3: Yeah, that's funny, lock In, that's one hell of a cook,

2231
01:39:51,120 --> 01:39:52,759
Speaker 3: Like who even if it made your brain?

2232
01:39:53,000 --> 01:39:55,320
Speaker 4: Yeah, no, no, no, Rapp has ever thought about locking

2233
01:39:55,360 --> 01:39:57,760
Speaker 4: in with Pharrell? Like, I don't even niggas don't even

2234
01:39:57,800 --> 01:39:58,240
Speaker 4: think about that.

2235
01:39:59,280 --> 01:40:02,560
Speaker 2: But yes today, hey new music Friday, shout out to

2236
01:40:02,720 --> 01:40:05,799
Speaker 2: last week. But we do have a Tyler full project.

2237
01:40:06,160 --> 01:40:09,599
Speaker 2: She just put out like a EP, right, a pretty

2238
01:40:09,640 --> 01:40:14,200
Speaker 2: quick turnaround definitely a few months. But I funck with Tyler.

2239
01:40:14,240 --> 01:40:15,600
Speaker 2: But the way y'all speak about Tyler is how I

2240
01:40:15,640 --> 01:40:20,439
Speaker 2: feel about Thames when we had that argument of like

2241
01:40:20,479 --> 01:40:21,320
Speaker 2: the next round.

2242
01:40:21,600 --> 01:40:24,599
Speaker 1: Her EP was sorry just her EP was last year,

2243
01:40:24,720 --> 01:40:27,519
Speaker 1: this this time last year. Okay, yes, I don't know

2244
01:40:27,560 --> 01:40:29,680
Speaker 1: why I thought. I thought it was Chopol like this year.

2245
01:40:30,880 --> 01:40:33,519
Speaker 4: That's why I'm all right by threw everything off of you.

2246
01:40:33,960 --> 01:40:35,720
Speaker 4: It's COVID all over again for you. Don't worry about that.

2247
01:40:35,960 --> 01:40:39,000
Speaker 4: That's true a construt.

2248
01:40:39,080 --> 01:40:40,800
Speaker 1: He might be able to clap on the tune four Now.

2249
01:40:42,640 --> 01:40:44,200
Speaker 4: Maybe you have to test that.

2250
01:40:44,360 --> 01:40:46,000
Speaker 2: That was kind of the trash part of that. Like

2251
01:40:46,000 --> 01:40:48,120
Speaker 2: I thought I was gonna come out with powers, but yeah,

2252
01:40:48,320 --> 01:40:53,120
Speaker 2: it didn't work. Just brain fuck. But yeah, how y'all

2253
01:40:53,160 --> 01:40:55,639
Speaker 2: speak about Tyler. It's all the things that attribute to Thames.

2254
01:40:55,680 --> 01:40:57,920
Speaker 2: But I'm still here for it. I like Tyler a lot.

2255
01:40:59,400 --> 01:41:02,360
Speaker 1: We're gonna is that Willow Smith, I'm here for that.

2256
01:41:02,800 --> 01:41:05,240
Speaker 4: I fuck with Willow. I did not know Cypercill had

2257
01:41:05,240 --> 01:41:08,160
Speaker 4: a project coming out Baby Drill, all right, all.

2258
01:41:08,120 --> 01:41:09,519
Speaker 1: Right, last week was more for me. But there's some

2259
01:41:09,560 --> 01:41:09,840
Speaker 1: shit here.

2260
01:41:11,360 --> 01:41:12,760
Speaker 4: It's a lot. I mean, it's a lot of music

2261
01:41:12,840 --> 01:41:15,519
Speaker 4: dropping for sure. I know, Uh, Damarus is really excited

2262
01:41:15,560 --> 01:41:15,680
Speaker 4: for that.

2263
01:41:15,720 --> 01:41:19,880
Speaker 2: Boston Rigie, what you said it off Mike, Why would

2264
01:41:19,880 --> 01:41:22,479
Speaker 2: I be excited for that out of the entire list?

2265
01:41:22,560 --> 01:41:24,320
Speaker 2: Off Mike, you said, I said, Oh, I didn't know

2266
01:41:24,360 --> 01:41:25,280
Speaker 2: he was putting the project out.

2267
01:41:26,160 --> 01:41:27,559
Speaker 4: Oh look, Kaylee's putting out a single.

2268
01:41:27,760 --> 01:41:30,280
Speaker 2: It's already Chad Hugo's out out.

2269
01:41:30,160 --> 01:41:32,880
Speaker 4: And the video it's great. It's gonna work too, Like

2270
01:41:33,439 --> 01:41:35,080
Speaker 4: it's a really really good record. She texted me and

2271
01:41:35,080 --> 01:41:36,560
Speaker 4: told me she was putting out some new ship, so

2272
01:41:36,600 --> 01:41:37,280
Speaker 4: I gotta check it out.

2273
01:41:37,360 --> 01:41:41,080
Speaker 2: Yeah, videos dope too. You know, the the freel Chad

2274
01:41:41,120 --> 01:41:43,800
Speaker 2: Hugo beef it's about to start.

2275
01:41:43,840 --> 01:41:45,720
Speaker 4: Man, wake up.

2276
01:41:46,280 --> 01:41:48,560
Speaker 2: We saw the stuff behind the scenes with certain lawsuits

2277
01:41:48,640 --> 01:41:51,040
Speaker 2: and little things here and there, but Chad's always quiet.

2278
01:41:52,720 --> 01:41:56,400
Speaker 2: Chad's talking and shit. Now yeah, okay, I don't think

2279
01:41:56,439 --> 01:41:58,320
Speaker 2: Chad wants to be quiet anymore. I'm not saying a

2280
01:41:58,360 --> 01:42:00,600
Speaker 2: real beef, but I think this is the start of

2281
01:42:00,760 --> 01:42:04,559
Speaker 2: Chad coming outside, and I think that's going to start

2282
01:42:04,600 --> 01:42:05,719
Speaker 2: the conversation, which I don't.

2283
01:42:05,600 --> 01:42:06,120
Speaker 4: Deem to be true.

2284
01:42:06,120 --> 01:42:09,080
Speaker 2: I think they're both incredible producers that helped each other

2285
01:42:09,160 --> 01:42:11,400
Speaker 2: out in every way. But that's going to start the

2286
01:42:11,520 --> 01:42:14,120
Speaker 2: online ship. Like yo, I told y'all Forrell didn't do anything,

2287
01:42:14,160 --> 01:42:16,280
Speaker 2: and it was always Chad. I think that's gonna start happening.

2288
01:42:16,360 --> 01:42:17,599
Speaker 1: Oh, we know that for sure.

2289
01:42:17,680 --> 01:42:21,880
Speaker 2: But it's a really good run. But yeah, that's that's

2290
01:42:21,960 --> 01:42:25,120
Speaker 2: new music Fridays. There's a whole list Ryan will put

2291
01:42:25,160 --> 01:42:25,759
Speaker 2: in the description.

2292
01:42:25,880 --> 01:42:30,519
Speaker 4: I guess, all right, do we have voicemails? None of

2293
01:42:30,600 --> 01:42:33,040
Speaker 4: y'all were even reading anything, So I'm not reading all that.

2294
01:42:33,280 --> 01:42:34,439
Speaker 4: I'm not even listening to all that shit.

2295
01:42:34,479 --> 01:42:37,920
Speaker 1: Oh we kidding, you know what, I appreciate it real, nigga,

2296
01:42:38,479 --> 01:42:38,760
Speaker 1: I'm not.

2297
01:42:38,880 --> 01:42:40,559
Speaker 4: Listening to all I don't listen a lot of those artists.

2298
01:42:40,560 --> 01:42:42,320
Speaker 4: I don't care if they're dropping something I was saying.

2299
01:42:42,320 --> 01:42:44,280
Speaker 4: That's why I read the ones I cared about. Yeah,

2300
01:42:44,439 --> 01:42:45,840
Speaker 4: I'm not gonna read all that shit just to read

2301
01:42:45,880 --> 01:42:48,560
Speaker 4: it good and putting our music dope. A lot of

2302
01:42:48,600 --> 01:42:50,439
Speaker 4: that ship I'm not listening to though. Why is it

2303
01:42:50,520 --> 01:42:54,000
Speaker 4: bold that Boston Richie's putting something we do is bold?

2304
01:42:54,160 --> 01:42:56,880
Speaker 4: That's what Jamara said. I'm asking, Oh, I don't know,

2305
01:42:57,000 --> 01:42:57,680
Speaker 4: why did you say that?

2306
01:42:57,960 --> 01:43:01,720
Speaker 2: For no reason? Huh, no reason? So why'd you say that?

2307
01:43:02,200 --> 01:43:04,360
Speaker 2: I just felt like saying it, all right, Well, and

2308
01:43:04,520 --> 01:43:06,840
Speaker 2: she's lying, I'm gonna I'm gonna get down to the bottom.

2309
01:43:06,880 --> 01:43:08,439
Speaker 4: Let's talk about it on patron. We talk about on patreon.

2310
01:43:10,160 --> 01:43:11,880
Speaker 4: Can we share? Get into it a little bit?

2311
01:43:12,040 --> 01:43:12,479
Speaker 1: All right? Fuck?

2312
01:43:12,479 --> 01:43:13,640
Speaker 4: Are we going to patrent? We talked to you all

2313
01:43:13,640 --> 01:43:15,040
Speaker 4: the minute. We said, be blocks on the nigga. He's

2314
01:43:15,040 --> 01:43:15,599
Speaker 4: a git beast.

2315
01:43:16,040 --> 01:43:17,120
Speaker 3: No, we had