WEBVTT - Case

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<v Speaker 1>R and B Money. Honey, we are.

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<v Speaker 2>Thanks take valoti.

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<v Speaker 3>We are the authority on all things.

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<v Speaker 2>R and B.

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<v Speaker 4>Ladies and gentlemen. My name is Tank and this is

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<v Speaker 4>the R and.

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<v Speaker 3>B Money Podcast, the authority.

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<v Speaker 2>On all things R and B. Yeah.

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<v Speaker 5>Yeah, yeah, you wanna be happy. Yeah, you gotta be happy.

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<v Speaker 2>Let's get into the thick of it. Boss. We're talking

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<v Speaker 2>nineties R and B. What huh a guy? The ship

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<v Speaker 2>is missing?

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<v Speaker 3>Yeah today that we are still trying to capture and cancelate.

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<v Speaker 3>Yeah in today's time, in twenty twenty four, perfect word missing, missing,

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<v Speaker 3>they're missing you sing you ship?

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<v Speaker 6>Yeah, good to be here.

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<v Speaker 2>I'm starting off like this. There was a guy by

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<v Speaker 2>the name of Greg Baker.

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<v Speaker 3>If you know Greg Baker. You know Greg Baker? Oh yeah,

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<v Speaker 3>Greg Baker was trying to recruit me out the church

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<v Speaker 3>to sing R and B music. Say word absolutely. At

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<v Speaker 3>that time he's working your record, touched me, tease me in.

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<v Speaker 6>D C New Greg's is high school no way ge

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<v Speaker 6>wiz brother from Heavy Dan and Boys.

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<v Speaker 3>So you know how smoking hot you was in the

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<v Speaker 3>d m V you were on five. Yeah, yeah, it

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<v Speaker 3>was lovely. It's a lovely time. I know you reap

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<v Speaker 3>said the benefits Chocolate City Boy to listen, because I'm there.

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<v Speaker 3>You were the recruiting tool.

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<v Speaker 4>Listen to this.

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<v Speaker 2>You two can beat this.

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<v Speaker 6>Let's get it.

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<v Speaker 2>You too can touch me, tease me.

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<v Speaker 7>I was like, but the Lord, the Lord doesn't want

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<v Speaker 7>me to touch and tse these ladies.

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<v Speaker 2>He wants me to pray, touch and the greed with

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<v Speaker 2>these ladies.

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<v Speaker 3>And I wouldn't go. But I remember that moment like

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<v Speaker 3>it was yesterday. Yeah great, and he was listening. You

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<v Speaker 3>were the selling point. He's like, you don't you want

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<v Speaker 3>this ship like this?

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<v Speaker 2>And you were it?

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<v Speaker 3>Yeah, chilling. It was popping to DC. And then a

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<v Speaker 3>year later I decided to do R and B. Come

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<v Speaker 3>on usmcliff and Jerry, and he got mad. He saw

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<v Speaker 3>me saying, now you're doing R and B.

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<v Speaker 6>I'm trying to yeah, yeah, yeah, yeah, but.

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<v Speaker 2>That's but that's but that's been my nigga ever since.

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<v Speaker 3>We always talked about that story, man, And since day one, Bro,

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<v Speaker 3>since day one meeting you like you're ship, I've never

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<v Speaker 3>heard anything anybody said anything bad about case Bro.

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<v Speaker 6>I've never yeah, because I just try to stay out

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<v Speaker 6>the way, don't talk about people, don't get in the

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<v Speaker 6>state of myself. I do what I do, I show

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<v Speaker 6>love and I get loved back.

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<v Speaker 2>I always show love.

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<v Speaker 6>I always show love, always always got you got.

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<v Speaker 3>It and listen and we'll get into that because we're

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<v Speaker 3>gonna we want to go in chronological order. But you

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<v Speaker 3>went toe to toe with Joe. Yeah, let's want to

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<v Speaker 3>throw that out there. Yeah, it's funny story behind that too.

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<v Speaker 2>That ain't that? Ain't We're gonna get to that.

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<v Speaker 3>Yea, We're gonna get to that. Yeah, Yeah, I just

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<v Speaker 3>want to throw that out there. You were toe to

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<v Speaker 3>toe with Joe. Yeah, yeah, ain't got to it.

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<v Speaker 2>All right, Let's go back Joe, Case, Where does.

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<v Speaker 6>This all start? Where does this all begin? How do

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<v Speaker 6>you become Case Man? They started when I was a

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<v Speaker 6>little kid. I got pictures when I was like two

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<v Speaker 6>three years old, performing for company.

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<v Speaker 4>My grandmother.

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<v Speaker 6>Her thing was all her grandkids had to know everything

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<v Speaker 6>by Ray Charles and everything by James Brown or he

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<v Speaker 6>was getting out nowhere. You had to, Yeah, you had

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<v Speaker 6>you had to. Okay, even if you couldn't sing or dance,

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<v Speaker 6>you better know these songs. And she would have company.

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<v Speaker 6>She would throw the best parties and we would have

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<v Speaker 6>to perform. My grandfather had the Ellis stereo system, took

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<v Speaker 6>up the whole wall, the microphone plugged in. We used

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<v Speaker 6>to have to do concerts for company. And so that's

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<v Speaker 6>when it started because and my pops was a singer.

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<v Speaker 6>He used to be in Cameo back when I was

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<v Speaker 6>a baby. It was called East Coast. Then my dad,

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<v Speaker 6>we're your father was in cameo. Yeah, but they weren't

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<v Speaker 6>Cameo at it. They were called East Coast because you're

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<v Speaker 6>from New York. Yeah, they were called East Coast where

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<v Speaker 6>they signed then or they were No, they weren't signed.

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<v Speaker 6>They were still on the come up. And then my

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<v Speaker 6>mom's got pregnant. It was like, so either you keep

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<v Speaker 6>running around on the road or you get a job

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<v Speaker 6>and take care of his kid.

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<v Speaker 4>So he got a job.

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<v Speaker 2>But so he never got the same word up.

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<v Speaker 6>He never Yeah, he never got to say none of that.

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<v Speaker 6>He never got to wear the cap.

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<v Speaker 2>You don't want to wear that man? Yeah? Yeah, yeah,

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<v Speaker 2>so it's your fut I.

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<v Speaker 6>Know that's crazy, right, I hope I tried. I tried.

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<v Speaker 6>I tried, my best I tried the bet. And so

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<v Speaker 6>he would always just be singing. He'd be like, come

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<v Speaker 6>sing with me, so we'd be singing, and so it

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<v Speaker 6>was always music in the house. It was always That's

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<v Speaker 6>why I don't know how to play cards, because when

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<v Speaker 6>the rest of my cousins was learning how to play cards,

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<v Speaker 6>I was in the old records.

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<v Speaker 3>When did it make sense to you, like to where

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<v Speaker 3>you or somebody was like, no, it's not just you know,

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<v Speaker 3>young kid performing for company and not just the hobby

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<v Speaker 3>like this, this could be serious.

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<v Speaker 4>Well.

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<v Speaker 6>I always wanted to make a record, but at that

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<v Speaker 6>time you're talking about I was a teenager. It was

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<v Speaker 6>like eighty forty five, eighty six. It was a dream.

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<v Speaker 6>I had no idea how to go about it. What

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<v Speaker 6>changed for me is I moved from Brooklyn. I grew

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<v Speaker 6>up in Brooklyn, New York. We moved to Mount Vernon.

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<v Speaker 6>When I got to Mount Vernon, I came out of

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<v Speaker 6>school and there Heavy Diver was right there. We went

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<v Speaker 6>to the same high school. He's right there, and it's

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<v Speaker 6>when is money. Yeah, yes, he had a gold blazer

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<v Speaker 6>that had Heavy on the window. So I'm like, so

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<v Speaker 6>now it's real to me because back then all of

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<v Speaker 6>the artists were older. It was like Kashief and Luther.

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<v Speaker 6>But to see somebody young. I was like, wait, this

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<v Speaker 6>is a little more real. Then I went to the

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<v Speaker 6>door one day, I'll be sure was in there. So

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<v Speaker 6>now I'm like, because we all went to the same

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<v Speaker 6>high school's one high school in that in our town,

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<v Speaker 6>so we all went to the same high school. I'm like,

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<v Speaker 6>so I'm talking to him. I'm like, okay, now I see.

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<v Speaker 6>And since they was popping that, everybody in the town

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<v Speaker 6>is trying to do music. So now I find my way,

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<v Speaker 6>like this one does music, this one does music. So

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<v Speaker 6>now I found a way. Then Puff got in the door,

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<v Speaker 6>and then it just it just kept rolling. And your

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<v Speaker 6>first two your session is when I'll be sure. I

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<v Speaker 6>used to run around al and he would like kind

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<v Speaker 6>of teach me about songwriting and stuff. And he was

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<v Speaker 6>working on his album Sexy Verses. So we're sitting there

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<v Speaker 6>in the in the Hit Factory and he's right on.

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<v Speaker 2>This is like this this is real history, this is real,

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<v Speaker 2>this is real. I just want to throw out there,

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<v Speaker 2>this is great.

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<v Speaker 6>And I didn't realize that. So he's sitting there writing

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<v Speaker 6>at the piece of paper.

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<v Speaker 4>The track is playing.

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<v Speaker 6>Vincent Herbert and Cayam Griffin had done They were still

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<v Speaker 6>on the come up to so sitting there so I

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<v Speaker 6>don't know. He was like huh. I'm like, yeah, look good.

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<v Speaker 6>He's like, nah, go sing. I'm like sing what? It

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<v Speaker 6>was no metaly with just words on the paper. He

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<v Speaker 6>was like, I'm gonna start the track. Just go in

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<v Speaker 6>there and sing whatever comes out. Mindra never sang in

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<v Speaker 6>the studio.

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<v Speaker 2>I'm like, how old are you at this one?

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<v Speaker 6>Seventeen maybe eighteen?

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<v Speaker 2>Still in high school? Or well.

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<v Speaker 6>I got kicked out of high school. When I talk

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<v Speaker 6>for that, they asked me to never come back. Oh

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<v Speaker 6>you one of those Yeah yeah, And I respected their decision.

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<v Speaker 3>I respect, like, yeah, I was a bit much get

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<v Speaker 3>kicked out. Can't you guys do us why you got

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<v Speaker 3>kicked out? There's a few things.

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<v Speaker 6>Here was a build up. It was some of it

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<v Speaker 6>was fighting. But I had this one special talent and

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<v Speaker 6>security came to me one day he was like, yo,

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<v Speaker 6>you be in school on time every day. You be

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<v Speaker 6>here all day and don't go to a single class,

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<v Speaker 6>but we never catch you in the hallway. I'm like,

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<v Speaker 6>it's a talent.

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<v Speaker 4>No way.

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<v Speaker 6>So first period I was roam in the hallways. Second

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<v Speaker 6>period I go in somebody study hall. Third period. I'm

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<v Speaker 6>back in the hallways. I go to fourth, fifth and

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<v Speaker 6>sixth period, lunch, seventh period.

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<v Speaker 2>Were you doing three periods of lunch?

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<v Speaker 6>Yeah, that's places, but I'm not eating. I'm just chilling.

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<v Speaker 6>And we had the court yard. We had dice games

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<v Speaker 6>and all type of stuff. It was a party for

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<v Speaker 6>me because my parents were Jehovah witnesses, so it was

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<v Speaker 6>really strict. So the only time I could be me

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<v Speaker 6>was that school school because the kid gonna be a

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<v Speaker 6>kid and I couldn't be a kid at home. So

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<v Speaker 6>I'm like, all right, bet, And it was like, he's

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<v Speaker 6>one of the smartest kids in the class.

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<v Speaker 2>He just don't do shit.

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<v Speaker 6>So they was like, yeah, you should probably. I showed

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<v Speaker 6>up to this one class. It was I think it

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<v Speaker 6>was English in May. School's over in June. So she's like,

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<v Speaker 6>who you. I'm like, I'm like Case. So she's like, uh,

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<v Speaker 6>I'm like, uh what Case said? You gotta drop from

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<v Speaker 6>this class in November. Like okay, well, I'm gonna just

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<v Speaker 6>go roam the hallways.

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<v Speaker 4>That was her choice.

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<v Speaker 5>I was in class, So that's how you made it

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<v Speaker 5>make sense? Yeah, was her choice, But that's what I said.

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<v Speaker 5>The case I got caught.

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<v Speaker 2>Shepped the case. I got caught, she kicked me out.

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<v Speaker 6>What was I to do?

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<v Speaker 2>Did you graduate? Now? He got kid?

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<v Speaker 6>They sent me to the alternative school and I wasn't

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<v Speaker 6>going there. So you haven't graduated high school to this day,

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<v Speaker 6>to this day. Fuck it, fuck it, I say, fuck.

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<v Speaker 3>It, ladies out in the morning. The story, there's no

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<v Speaker 3>real moral. I was gonna try to something this ship.

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<v Speaker 3>You don't need some hit records. You need some hit records. Yeah,

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<v Speaker 3>it's the only way to figure this ship out.

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<v Speaker 2>Yeah, pretty much.

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<v Speaker 6>Because I didn't have no plan B, because I don't

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<v Speaker 6>believe in plan B. If you have a plan B,

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<v Speaker 6>you set yourself up.

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<v Speaker 4>Yeah.

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<v Speaker 3>Yeah, yeah, that's what I always thought. So so what

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<v Speaker 3>do you sing? When alb says single comes to mind?

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<v Speaker 6>I went there singing nor More Freaking Women Friday night,

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<v Speaker 6>two or three at a time, and I'm singing and

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<v Speaker 6>he kept it on the song. He's it on the record.

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<v Speaker 6>He didn't give me no publishing, but whatever I was,

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<v Speaker 6>it was the experience. Yeah, funny part. It never occurred

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<v Speaker 6>to me that he'd gave me published untilbout a year ago.

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<v Speaker 6>Being he was talking, I'm like, hold up, and I

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<v Speaker 6>said it as a joke.

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<v Speaker 3>Yeah, yeah, on my publishing taken the early nineties. Yeah,

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<v Speaker 3>that's the thing. That's the thing. I think I got

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<v Speaker 3>a I got a seven hundred and fifty dollars check

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<v Speaker 3>for playing seven fifty on the live recording. But all

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<v Speaker 3>the songs I helped, right, I was like, yeah, yeah,

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<v Speaker 3>just come in.

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<v Speaker 2>Yeah, he's never come but y'all, let me tell you.

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<v Speaker 3>So.

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<v Speaker 6>I wrote the first song on US's first album. It's

0:10:32.360 --> 0:10:36.920
<v Speaker 6>called Baby. You know that I get make it right?

0:10:37.240 --> 0:10:39.560
<v Speaker 4>I co wrote that song. Right, Okay, you're still crispy too.

0:10:40.520 --> 0:10:44.000
<v Speaker 2>He's just it's still christy. But yeah, I tried to.

0:10:44.440 --> 0:10:46.000
<v Speaker 2>I see, it's a lot of us out there. You've

0:10:46.000 --> 0:10:47.560
<v Speaker 2>seen it. You've seen it.

0:10:47.679 --> 0:10:51.160
<v Speaker 6>Yeah, And so I'm like, so, now, my my girl

0:10:51.200 --> 0:10:53.400
<v Speaker 6>at the time, she's pregnant. I need money. So I'm like, yo,

0:10:53.920 --> 0:10:55.840
<v Speaker 6>I'm just selling my portion. They gave me a check

0:10:55.880 --> 0:10:59.480
<v Speaker 6>for four thousand. I'm like, I'm rich, but yeah, that's

0:10:59.760 --> 0:11:02.000
<v Speaker 6>that's but I sold that. So they gave me like

0:11:02.040 --> 0:11:04.760
<v Speaker 6>four thousand worked for hire, Yeah, because I needed the money.

0:11:04.760 --> 0:11:07.200
<v Speaker 6>She was pregnant and I had left my job, so

0:11:07.840 --> 0:11:08.600
<v Speaker 6>something had to happen.

0:11:09.480 --> 0:11:10.720
<v Speaker 2>Four thousand, four.

0:11:10.559 --> 0:11:14.600
<v Speaker 6>Thousand, four thousand and wins. This is ninety three. You're

0:11:14.640 --> 0:11:16.600
<v Speaker 6>trying to put it three ninety three.

0:11:16.640 --> 0:11:17.720
<v Speaker 2>What it really means right now?

0:11:17.760 --> 0:11:22.800
<v Speaker 3>Withig I was thinking eleventh grade, like four thousand three. Yeah,

0:11:23.760 --> 0:11:27.760
<v Speaker 3>how many pair of guest jeans? Nigga, the guest jeans

0:11:27.800 --> 0:11:29.840
<v Speaker 3>at that time. If you go to the outlet, Yeah,

0:11:29.960 --> 0:11:31.679
<v Speaker 3>you know what I'm saying that the hockey jerseys, they

0:11:31.760 --> 0:11:32.800
<v Speaker 3>was up about twenty some.

0:11:32.920 --> 0:11:35.240
<v Speaker 2>Dollars for the guests. Jesus answered, what did he buy?

0:11:35.320 --> 0:11:39.200
<v Speaker 2>What his thousand? You didn't give it all to the kid?

0:11:39.360 --> 0:11:42.000
<v Speaker 2>I know you didn't do You didn't know. No, he

0:11:42.040 --> 0:11:44.160
<v Speaker 2>wasn't born yet. He wasn't born yet.

0:11:44.880 --> 0:11:48.640
<v Speaker 6>In all, in all fairness, most of this, yeah, I'm

0:11:48.640 --> 0:11:51.640
<v Speaker 6>just using this to further the enterprise, right yeah, yeah,

0:11:51.880 --> 0:11:53.280
<v Speaker 6>this for us.

0:11:53.360 --> 0:11:57.000
<v Speaker 5>So you from the from working with LB now you've

0:11:57.400 --> 0:11:58.640
<v Speaker 5>started to become a songwriter.

0:11:59.000 --> 0:12:02.560
<v Speaker 6>Yeah, because he's teaching me structure and lyrics and arrangements

0:12:02.600 --> 0:12:05.320
<v Speaker 6>and stuff, which is which I didn't realize that I

0:12:05.320 --> 0:12:07.280
<v Speaker 6>had no idea, you know what I mean. I just

0:12:07.400 --> 0:12:10.000
<v Speaker 6>I would write songs. And how I started writing songs.

0:12:10.000 --> 0:12:12.319
<v Speaker 6>I would write songs to the melody of other songs

0:12:12.360 --> 0:12:14.680
<v Speaker 6>that I liked, and that's how it really got started writing.

0:12:14.880 --> 0:12:16.679
<v Speaker 6>But he was teaching me about structure and how to

0:12:16.840 --> 0:12:18.720
<v Speaker 6>put them together and how to make it make sense.

0:12:18.800 --> 0:12:21.679
<v Speaker 6>And there's certain stuff that's so good that Al has

0:12:21.720 --> 0:12:23.559
<v Speaker 6>written on that you don't even I bet you, I

0:12:23.600 --> 0:12:25.839
<v Speaker 6>don't even realize that. The second verse for fam My Lady,

0:12:26.080 --> 0:12:30.520
<v Speaker 6>don't rhyme. Never thought about that.

0:12:31.120 --> 0:12:32.640
<v Speaker 2>It's so dope that you don't realize it.

0:12:32.640 --> 0:12:35.480
<v Speaker 3>Don't rhyn there's no mean what we do, and it

0:12:35.520 --> 0:12:41.280
<v Speaker 3>does keep doing the next line to me, life would happened,

0:12:41.360 --> 0:12:43.640
<v Speaker 3>no mean, And I pray that you always.

0:12:43.360 --> 0:12:46.200
<v Speaker 6>Stayed with me the whole second the whole second part,

0:12:46.200 --> 0:12:48.440
<v Speaker 6>don't rhyme at all. But it's so good good, And

0:12:48.480 --> 0:12:50.160
<v Speaker 6>that's what he told me. He was like, it don't matter,

0:12:50.400 --> 0:12:52.600
<v Speaker 6>just make it good. That whole that whole second part

0:12:52.600 --> 0:12:53.800
<v Speaker 6>of that second verse, don't come.

0:12:53.679 --> 0:12:54.319
<v Speaker 4>Close to rhynd me.

0:12:54.480 --> 0:12:57.160
<v Speaker 6>But you never noticed that because it's so good. It's

0:12:57.280 --> 0:13:01.240
<v Speaker 6>so good, it's so good thing, so good. Yes, everything

0:13:01.240 --> 0:13:03.680
<v Speaker 6>about it is so good that that never enters your mind.

0:13:03.920 --> 0:13:06.120
<v Speaker 6>Or Goodbye love. You don't know what's the chorus for

0:13:06.120 --> 0:13:09.800
<v Speaker 6>goodbye love guy, Because it's so good.

0:13:10.080 --> 0:13:12.520
<v Speaker 2>I feel like that's the course, which is at the

0:13:12.600 --> 0:13:15.600
<v Speaker 2>end of the song. You just said you never leave me.

0:13:16.000 --> 0:13:17.440
<v Speaker 2>I said, that's not the curus.

0:13:17.760 --> 0:13:19.320
<v Speaker 6>The chorus don't come to the end of the song

0:13:19.720 --> 0:13:24.000
<v Speaker 6>after the bridge, after the bridge is good bye. That's

0:13:24.040 --> 0:13:26.520
<v Speaker 6>the curse. The chorus don't come to the end of

0:13:26.520 --> 0:13:26.880
<v Speaker 6>the song.

0:13:26.960 --> 0:13:30.120
<v Speaker 4>Wow, I'll be sure. No, that was that was Aaron.

0:13:31.000 --> 0:13:32.439
<v Speaker 4>Aaron wrote, that got it.

0:13:33.160 --> 0:13:36.280
<v Speaker 6>But what I was teaching me was just to like

0:13:36.320 --> 0:13:38.440
<v Speaker 6>you said, it don't always have to rhyme, and just

0:13:38.640 --> 0:13:41.480
<v Speaker 6>about what you're saying and the melody structure. Melody is

0:13:41.520 --> 0:13:44.160
<v Speaker 6>king was the first that he would always say, because

0:13:44.440 --> 0:13:46.840
<v Speaker 6>babies know the ABC song. They don't know the ABC's,

0:13:46.880 --> 0:13:50.400
<v Speaker 6>but they know that melody absolutely, So He's like, melody,

0:13:50.440 --> 0:13:53.280
<v Speaker 6>melody is way more important. But then he also was

0:13:53.320 --> 0:13:55.000
<v Speaker 6>saying stuff, so he was like, but you need to

0:13:55.040 --> 0:13:55.640
<v Speaker 6>be saying something.

0:13:55.880 --> 0:13:58.520
<v Speaker 2>So songwriting one on one, and I was I would

0:13:58.559 --> 0:13:58.840
<v Speaker 2>just stay.

0:13:58.920 --> 0:14:01.000
<v Speaker 6>I'd be sitting in there why he's writing songs, like

0:14:01.559 --> 0:14:03.400
<v Speaker 6>just learning, just seeing what he's doing and how he's

0:14:03.400 --> 0:14:05.560
<v Speaker 6>putting it together and how he's and I'm just sitting there.

0:14:05.600 --> 0:14:07.200
<v Speaker 6>I'm like eighteen, I'm just sitting on there.

0:14:07.200 --> 0:14:07.400
<v Speaker 4>You know.

0:14:07.440 --> 0:14:08.800
<v Speaker 2>The Hit Factor had that little ledge.

0:14:09.040 --> 0:14:11.360
<v Speaker 6>I'm sitting there just chilling, being quiet, so nobody will

0:14:11.360 --> 0:14:12.400
<v Speaker 6>notice I'm still here.

0:14:12.760 --> 0:14:15.040
<v Speaker 5>H So, are you signed to him or anything? He

0:14:15.200 --> 0:14:17.160
<v Speaker 5>just he was like that, it's my young homie from

0:14:17.160 --> 0:14:17.680
<v Speaker 5>Mount Vernon.

0:14:17.760 --> 0:14:19.920
<v Speaker 6>Yeah, it was just that I'm put him on yep

0:14:19.960 --> 0:14:21.960
<v Speaker 6>and Jojo brim being him with the best friends.

0:14:22.960 --> 0:14:24.400
<v Speaker 2>Yeah, yeah, he just landed.

0:14:24.440 --> 0:14:28.440
<v Speaker 6>Actually yeah, but he we've been best friends since we

0:14:28.600 --> 0:14:32.320
<v Speaker 6>was about eighteen, and so they were they were best

0:14:32.360 --> 0:14:33.960
<v Speaker 6>friends and that's how I got in with Al. And

0:14:34.000 --> 0:14:35.600
<v Speaker 6>he was like, yeah, you know we're gonna die together.

0:14:35.680 --> 0:14:37.200
<v Speaker 6>You know that's ours think we're gonna die together.

0:14:37.840 --> 0:14:39.640
<v Speaker 4>He was like, yo, I got you, I got you, I.

0:14:39.560 --> 0:14:41.600
<v Speaker 6>Got myna teach you. So I just sat there and

0:14:41.600 --> 0:14:42.200
<v Speaker 6>just soaked it up.

0:14:43.040 --> 0:14:46.360
<v Speaker 5>How many years are you with him? Just working and writing?

0:14:46.520 --> 0:14:47.880
<v Speaker 5>And are you singing? You singing?

0:14:47.960 --> 0:14:49.720
<v Speaker 2>You singing? So obviously you singing on the demos too.

0:14:49.800 --> 0:14:51.920
<v Speaker 6>Yeah, I'm sing references. I gotta I got a reference

0:14:51.920 --> 0:14:55.800
<v Speaker 6>in my phone from nineteen ninety one. It's me my homeboy,

0:14:55.800 --> 0:14:58.920
<v Speaker 6>Brian and Dave Hollister to a song that Kyle West

0:14:58.920 --> 0:15:03.320
<v Speaker 6>produced and Al ro Dope Man. So we singing references legends. Yeah,

0:15:03.360 --> 0:15:06.800
<v Speaker 6>we singing references. That's Casey and Jojo and Dave Hollis

0:15:06.800 --> 0:15:09.360
<v Speaker 6>that was doing references too. At the same time they was,

0:15:09.680 --> 0:15:13.160
<v Speaker 6>they were doing references for Tevin Campbell. We were just all.

0:15:13.320 --> 0:15:14.640
<v Speaker 6>He had a bunch of singers that he would have

0:15:14.680 --> 0:15:16.720
<v Speaker 6>do references for him, and that was us. It was me,

0:15:16.920 --> 0:15:18.960
<v Speaker 6>Casey and Jojo, Dave Hollis, it was a whole team.

0:15:19.000 --> 0:15:21.440
<v Speaker 6>He had my man t O Cross, he had all

0:15:21.440 --> 0:15:23.480
<v Speaker 6>of us just doing stuff. So we all learned from him.

0:15:23.520 --> 0:15:25.200
<v Speaker 2>Yeah, that's crazy.

0:15:25.280 --> 0:15:28.920
<v Speaker 4>Yeah, did you know Jonathan Hall? No, who's that? Okay

0:15:28.960 --> 0:15:32.480
<v Speaker 4>he's from He's from Jersey.

0:15:33.280 --> 0:15:35.960
<v Speaker 6>Oh no, no, no, no, okay, okay, okay.

0:15:36.080 --> 0:15:39.840
<v Speaker 5>So at this point when you're when you're doing you're

0:15:39.880 --> 0:15:42.560
<v Speaker 5>doing demos, you're right and you singing background, you're doing

0:15:42.640 --> 0:15:46.280
<v Speaker 5>everything you possibly can in business. Are you actively pushing

0:15:46.320 --> 0:15:47.680
<v Speaker 5>toward a solo career?

0:15:47.920 --> 0:15:48.080
<v Speaker 2>No?

0:15:48.680 --> 0:15:50.760
<v Speaker 6>Actually it was me and a good friend of mine,

0:15:50.840 --> 0:15:54.720
<v Speaker 6>Little Bee. We were a duo called Black and we

0:15:54.760 --> 0:15:56.760
<v Speaker 6>went up to Uptown and Jimmy Jenkins said he was

0:15:56.760 --> 0:16:00.320
<v Speaker 6>gonna sign us. He loved us, and it never happened,

0:16:00.360 --> 0:16:04.080
<v Speaker 6>of course, And then a few months later there was

0:16:04.120 --> 0:16:05.720
<v Speaker 6>a group that was we were in the same management

0:16:05.720 --> 0:16:08.960
<v Speaker 6>group called La Day and one of the members of

0:16:09.000 --> 0:16:10.680
<v Speaker 6>La Day got kicked out as a four man group

0:16:11.040 --> 0:16:13.000
<v Speaker 6>and they wanted me and Brian to join Lo Day.

0:16:13.280 --> 0:16:15.000
<v Speaker 6>So Brian came to me. They already had a deal.

0:16:15.640 --> 0:16:19.280
<v Speaker 6>So Brian was like, Yo, I'm broke. You broke you

0:16:19.320 --> 0:16:20.960
<v Speaker 6>wanted to I'm like nah. He's like, well, would you

0:16:21.000 --> 0:16:22.680
<v Speaker 6>be mad if I did? I'm like, nah, do your thing?

0:16:23.280 --> 0:16:25.320
<v Speaker 2>No hert. We spoke the other day for three hours.

0:16:25.320 --> 0:16:27.120
<v Speaker 6>That's my man. I'm like, nah, you know, hard feelings,

0:16:27.120 --> 0:16:29.040
<v Speaker 6>do your thing. And it's at that moment I'm like, Okay,

0:16:29.080 --> 0:16:30.120
<v Speaker 6>I'm just gonna do it by myself.

0:16:30.800 --> 0:16:32.280
<v Speaker 2>So that's how you becoming.

0:16:32.400 --> 0:16:34.040
<v Speaker 6>That's how it became a solart because I was always

0:16:34.200 --> 0:16:36.160
<v Speaker 6>trying to be in a group for some reason, because

0:16:36.480 --> 0:16:38.920
<v Speaker 6>I love Commission and Guy and got there, so I

0:16:38.920 --> 0:16:40.480
<v Speaker 6>wanted to be in a group, you know what I'm saying.

0:16:40.520 --> 0:16:43.280
<v Speaker 6>So it never occurred to me to go solo. So

0:16:43.280 --> 0:16:44.840
<v Speaker 6>what's your first move? Now you solo?

0:16:45.000 --> 0:16:45.560
<v Speaker 4>What are you doing?

0:16:46.120 --> 0:16:46.320
<v Speaker 5>Ah?

0:16:46.760 --> 0:16:52.320
<v Speaker 6>What am I doing? Still recording just demos? And I

0:16:52.360 --> 0:16:55.840
<v Speaker 6>think it was uh Dom? What's is doms? And he

0:16:55.880 --> 0:16:57.800
<v Speaker 6>passed away recently to exoty Dom. He used to work

0:16:57.800 --> 0:17:00.680
<v Speaker 6>a uptown. He was like, y'all wrote a song for you,

0:17:02.520 --> 0:17:04.720
<v Speaker 6>and he took me to Kyle west House, who's our's cousin.

0:17:05.240 --> 0:17:08.439
<v Speaker 6>It's called all Right and if we demoed it, I'm like,

0:17:08.760 --> 0:17:10.480
<v Speaker 6>and we to this day, people talk about this, so

0:17:10.520 --> 0:17:12.280
<v Speaker 6>it was dope. I'm like, yeah, did a song with

0:17:12.359 --> 0:17:14.639
<v Speaker 6>Kyle West I'm playing for every right on the cassette.

0:17:15.320 --> 0:17:19.359
<v Speaker 6>And from there, I just kept trying, kept trying. And

0:17:19.400 --> 0:17:22.920
<v Speaker 6>then me and Mysa Lisa Hilton, we went to high

0:17:22.960 --> 0:17:26.760
<v Speaker 6>school together and so we were friends from all. Yeah,

0:17:26.760 --> 0:17:28.800
<v Speaker 6>we all from and it's one high school. It's four

0:17:28.800 --> 0:17:31.240
<v Speaker 6>square miles. Half of that is white people, so the

0:17:31.280 --> 0:17:34.240
<v Speaker 6>other half is two square miles of us and it's

0:17:34.240 --> 0:17:38.920
<v Speaker 6>one high school. So everybody knows everybody. And she's like, yeah,

0:17:38.960 --> 0:17:40.880
<v Speaker 6>you know, I know that you're trying to do whatever.

0:17:40.920 --> 0:17:42.159
<v Speaker 6>I want to help you, because she was like, I

0:17:42.160 --> 0:17:44.040
<v Speaker 6>see you know your good father to your son, and

0:17:44.080 --> 0:17:46.439
<v Speaker 6>I like family men and this and that. So she

0:17:46.880 --> 0:17:50.400
<v Speaker 6>gets faith evidence to write a song for me called

0:17:50.440 --> 0:17:52.280
<v Speaker 6>Don't be Afraid.

0:17:54.960 --> 0:17:58.200
<v Speaker 2>Crazy Drops. This is so crazy, you gots we gotta

0:17:58.280 --> 0:17:58.960
<v Speaker 2>keep the track of that.

0:17:59.000 --> 0:18:04.159
<v Speaker 3>We just ticker every time a legendary name is drug.

0:18:05.880 --> 0:18:07.520
<v Speaker 2>So she wrote a song called Don't Be Afraid.

0:18:08.920 --> 0:18:10.840
<v Speaker 6>I had signed with this guy, Kenny Smooth, who was

0:18:10.880 --> 0:18:14.560
<v Speaker 6>signed to Eddie f for Touchable Untouchable. Yeah, so it's

0:18:14.600 --> 0:18:17.119
<v Speaker 6>all connected, you know what I mean? And then Russell

0:18:17.200 --> 0:18:19.720
<v Speaker 6>was Russell and Leo were looking for They was like

0:18:19.840 --> 0:18:21.800
<v Speaker 6>they wanted the R and B singer like d m X.

0:18:21.920 --> 0:18:25.119
<v Speaker 6>I'm like, this is Leo's words, I swear. He was like,

0:18:25.280 --> 0:18:27.439
<v Speaker 6>would the R and B singer that? When he finished,

0:18:27.440 --> 0:18:30.119
<v Speaker 6>you get off the stage and fucking rob you Like,

0:18:30.240 --> 0:18:32.159
<v Speaker 6>I don't know about that, but okay, I see what

0:18:32.200 --> 0:18:32.520
<v Speaker 6>you mean.

0:18:32.640 --> 0:18:34.240
<v Speaker 2>I mean, you did get kicked out of school.

0:18:34.560 --> 0:18:36.840
<v Speaker 6>I didn't rob nobody, not in high school, but you

0:18:36.880 --> 0:18:40.159
<v Speaker 6>could have used it. No, I got what him men,

0:18:40.240 --> 0:18:41.960
<v Speaker 6>I'm like, I got you. So I stole somebody's desk

0:18:42.480 --> 0:18:45.679
<v Speaker 6>he signed, Yeah, so this is me.

0:18:45.800 --> 0:18:45.919
<v Speaker 4>Uh.

0:18:57.920 --> 0:18:59.480
<v Speaker 2>Russell heard it. He loved it. He was like, yeah,

0:18:59.480 --> 0:18:59.840
<v Speaker 2>I'm signing.

0:19:00.119 --> 0:19:03.480
<v Speaker 6>And the funny part, I'm the last artist that Russell

0:19:03.520 --> 0:19:05.440
<v Speaker 6>personally signed to death jam l was the first ever

0:19:05.520 --> 0:19:09.040
<v Speaker 6>in the last ever oh shit, wow, yeah, the last

0:19:09.119 --> 0:19:10.080
<v Speaker 6>artist yep.

0:19:11.320 --> 0:19:15.560
<v Speaker 5>So did you come with the record, because obviously you

0:19:15.560 --> 0:19:18.320
<v Speaker 5>were already working with Kenny smooth Right who produced Touched

0:19:18.359 --> 0:19:19.320
<v Speaker 5>Me tas Right.

0:19:19.600 --> 0:19:21.520
<v Speaker 6>Well, all we have was Don't be Afraid. Don't Be Afraid.

0:19:21.560 --> 0:19:23.679
<v Speaker 6>It was supposed to be the first single, that was

0:19:23.720 --> 0:19:25.639
<v Speaker 6>setting stone for I signed my deal in like March

0:19:25.640 --> 0:19:28.560
<v Speaker 6>of ninety five, all the way up to we didn't

0:19:28.560 --> 0:19:31.359
<v Speaker 6>do Touch Me, Tease Me till Christmas Eve of ninety five.

0:19:32.920 --> 0:19:35.800
<v Speaker 6>Why did they let Russell hear it? He's like, scrap everything.

0:19:36.080 --> 0:19:38.280
<v Speaker 6>That's the first single. I'm like, y'all just messed up,

0:19:39.240 --> 0:19:42.560
<v Speaker 6>that's what you're thinking. Yeah, y'all messed up because it

0:19:42.600 --> 0:19:45.160
<v Speaker 6>was a better It was a bigger record than Don't

0:19:45.160 --> 0:19:46.359
<v Speaker 6>Be Afraid was ever going to be.

0:19:46.600 --> 0:19:48.320
<v Speaker 4>Okay, that's why you don't.

0:19:48.200 --> 0:19:50.320
<v Speaker 6>Let him hear that now, because for the past year

0:19:50.400 --> 0:19:52.040
<v Speaker 6>that was the play Don't be Afraid, and then we'll

0:19:52.080 --> 0:19:54.280
<v Speaker 6>have something else. That was the something else. They let

0:19:54.359 --> 0:19:56.600
<v Speaker 6>Russell here it, and so that ends up being the

0:19:56.600 --> 0:19:58.560
<v Speaker 6>first single, and you're not changing Russell's mind.

0:19:59.280 --> 0:20:02.320
<v Speaker 2>You can maybe you're not changing if you play me,

0:20:02.400 --> 0:20:06.800
<v Speaker 2>touch Me, Tease Me, you're not changed. I'm like, why

0:20:06.800 --> 0:20:08.800
<v Speaker 2>would you play it for him? So you wanted a

0:20:08.840 --> 0:20:11.880
<v Speaker 2>set up? Yeah, yeah, definitely, okay, But.

0:20:12.000 --> 0:20:15.200
<v Speaker 5>Okay, now in hindsight, in hindsight, and obviously this was

0:20:15.240 --> 0:20:17.440
<v Speaker 5>a different time than the music businesses.

0:20:17.040 --> 0:20:20.200
<v Speaker 2>Now where you need to put your best foot forward.

0:20:21.119 --> 0:20:23.360
<v Speaker 5>This was a time where people had set up records,

0:20:23.160 --> 0:20:25.200
<v Speaker 5>get people, go and get the interest.

0:20:25.720 --> 0:20:27.320
<v Speaker 2>So is that how you're thinking of it.

0:20:27.680 --> 0:20:30.280
<v Speaker 5>Yeah, instead of listen, I got a smash in the

0:20:30.320 --> 0:20:32.679
<v Speaker 5>world needs to hear the smash the smash.

0:20:33.440 --> 0:20:36.320
<v Speaker 6>Yeah, let me tell you. I can't pick a up

0:20:36.320 --> 0:20:38.080
<v Speaker 6>temper record to save my life. I could pick a

0:20:38.119 --> 0:20:41.000
<v Speaker 6>ballot in my sleep. What I went by was everybody

0:20:41.040 --> 0:20:41.639
<v Speaker 6>else's reaction.

0:20:42.480 --> 0:20:42.960
<v Speaker 2>This is dope.

0:20:42.960 --> 0:20:44.920
<v Speaker 6>They're like, you create them, Like, okay, this is dope.

0:20:45.119 --> 0:20:48.159
<v Speaker 6>So no, I didn't know everybody else's reaction, and I

0:20:48.240 --> 0:20:49.800
<v Speaker 6>keep a bunch of no people around me. I don't

0:20:49.840 --> 0:20:52.520
<v Speaker 6>mess with yes people. When all of no people are

0:20:52.560 --> 0:20:54.440
<v Speaker 6>saying hell yeah, that's what made me know it was

0:20:54.440 --> 0:20:57.160
<v Speaker 6>a smash, right, But I'm like, don't put because here's

0:20:57.200 --> 0:20:59.560
<v Speaker 6>the thing. They wanted to put it on the soundtrack,

0:21:00.040 --> 0:21:01.359
<v Speaker 6>and that's what Russell said. This is going on one

0:21:01.440 --> 0:21:04.600
<v Speaker 6>hundred million dollars soundtrack. So what ended up happening is

0:21:04.680 --> 0:21:07.840
<v Speaker 6>Touch Me, Teach Me went platinum. The soundtrack went platinum.

0:21:08.119 --> 0:21:11.560
<v Speaker 6>But now when my album comes. Nobody's buying an album

0:21:11.560 --> 0:21:13.399
<v Speaker 6>because it touched me. TV really shot out load. They

0:21:13.440 --> 0:21:15.840
<v Speaker 6>already have it, and that was the problem that was,

0:21:15.920 --> 0:21:17.280
<v Speaker 6>that was the problem that I had. I saw that

0:21:17.320 --> 0:21:18.080
<v Speaker 6>one coming.

0:21:18.080 --> 0:21:18.680
<v Speaker 4>Right, so.

0:21:20.960 --> 0:21:24.600
<v Speaker 2>Kind of a good problem. Yeah, it's definitely that. It's

0:21:24.600 --> 0:21:26.520
<v Speaker 2>definitely a good problem in hindsight.

0:21:26.600 --> 0:21:28.000
<v Speaker 6>But at the time, I'm like, damn, we might have

0:21:28.080 --> 0:21:30.600
<v Speaker 6>just messed up because in my mind, I'm like, I

0:21:30.640 --> 0:21:32.359
<v Speaker 6>don't know how many shots i'mnna get at this, you

0:21:32.400 --> 0:21:32.920
<v Speaker 6>know what I'm saying.

0:21:33.000 --> 0:21:36.040
<v Speaker 3>Well, And also at that time, like you know, when

0:21:36.119 --> 0:21:38.760
<v Speaker 3>you're when you're in it at the moment, you don't

0:21:38.840 --> 0:21:42.480
<v Speaker 3>know that you're making generational records right right. You don't

0:21:42.560 --> 0:21:45.000
<v Speaker 3>know that you have a record that is now going

0:21:45.080 --> 0:21:47.200
<v Speaker 3>to be played in clubs.

0:21:46.880 --> 0:21:48.879
<v Speaker 6>Every party four yeah, every party.

0:21:48.920 --> 0:21:49.160
<v Speaker 4>Yeah.

0:21:49.320 --> 0:21:51.320
<v Speaker 6>I had no idea. I had no idea if it

0:21:51.359 --> 0:21:53.119
<v Speaker 6>was even good or not. I had to ask people,

0:21:53.200 --> 0:21:55.680
<v Speaker 6>So did you know Foxy already?

0:21:55.880 --> 0:21:56.320
<v Speaker 4>No.

0:21:56.480 --> 0:21:58.480
<v Speaker 6>What happened was we were trying to we had the

0:21:58.520 --> 0:22:00.879
<v Speaker 6>record done and we did a Christmas like I said,

0:22:01.280 --> 0:22:03.840
<v Speaker 6>and we was like we need a rapper. He was like,

0:22:04.240 --> 0:22:07.359
<v Speaker 6>let's get a female rapper. So He's like, left eye, Nah,

0:22:07.840 --> 0:22:10.400
<v Speaker 6>Lauren Hill. Nah, little Kim went through the whole lesson.

0:22:10.440 --> 0:22:13.480
<v Speaker 6>Then somebody was like, yo, Foxy And this is when

0:22:14.160 --> 0:22:16.159
<v Speaker 6>a Shatcha came out and she was starting a bubbles

0:22:16.160 --> 0:22:18.159
<v Speaker 6>like yo, she's right on our label. Nobody thought of that,

0:22:18.800 --> 0:22:20.720
<v Speaker 6>called that. She came in did it one night?

0:22:21.280 --> 0:22:22.000
<v Speaker 4>She went crazy?

0:22:22.040 --> 0:22:23.920
<v Speaker 2>Yeah, she was crazy. She killed that record too.

0:22:23.960 --> 0:22:25.560
<v Speaker 6>I got a picture of me and her in the booth.

0:22:26.600 --> 0:22:29.040
<v Speaker 6>I got a forty of Saint eyes in my head. Yeah,

0:22:29.520 --> 0:22:30.800
<v Speaker 6>I had a forty eyes.

0:22:32.000 --> 0:22:34.280
<v Speaker 2>Yeah, yeah, I guess so it was just what I guess,

0:22:34.280 --> 0:22:34.760
<v Speaker 2>it makes sense.

0:22:34.840 --> 0:22:36.560
<v Speaker 6>Yeah, it's a picture of us in the studio in

0:22:36.560 --> 0:22:38.240
<v Speaker 6>the I got a forty of Sayan eyes and we

0:22:38.280 --> 0:22:40.479
<v Speaker 6>was laughing about something. But yeah, that's how we end

0:22:40.560 --> 0:22:41.840
<v Speaker 6>up getting Foxy because we was like, we need a

0:22:41.920 --> 0:22:44.680
<v Speaker 6>we need a female rapper, and we're just trying to

0:22:44.680 --> 0:22:46.080
<v Speaker 6>figure out who right.

0:22:46.440 --> 0:22:50.840
<v Speaker 3>Give me because at that time, like promo tour was

0:22:50.840 --> 0:22:53.600
<v Speaker 3>a thing, right, Yeah, to put you on a promo

0:22:53.720 --> 0:22:57.560
<v Speaker 3>tour and then you get to watch the audience build.

0:22:57.720 --> 0:22:59.440
<v Speaker 3>If you have that kind of record, you get to

0:22:59.480 --> 0:23:03.879
<v Speaker 3>see it go from seventy five people to seventy five hundred.

0:23:03.920 --> 0:23:09.120
<v Speaker 4>Give me that.

0:23:07.040 --> 0:23:09.280
<v Speaker 3>That layout in terms of you get on that first

0:23:09.400 --> 0:23:11.080
<v Speaker 3>van and go do your first.

0:23:11.960 --> 0:23:14.560
<v Speaker 6>Well, my first promo tour wasn't like that. The second

0:23:14.600 --> 0:23:16.399
<v Speaker 6>one was the first my first promo tour. They had

0:23:16.440 --> 0:23:19.840
<v Speaker 6>an event. They had a remember the briefcase from the

0:23:20.080 --> 0:23:22.199
<v Speaker 6>beginning to touch Me Teach Me video. Yeah, okay, so

0:23:22.200 --> 0:23:23.920
<v Speaker 6>they had the briefcase and it was filled with money

0:23:24.520 --> 0:23:26.920
<v Speaker 6>and they had it was intimate clubs up and down

0:23:26.960 --> 0:23:29.560
<v Speaker 6>the up and down the East Coast, and there was

0:23:29.600 --> 0:23:32.000
<v Speaker 6>a contest and the winner, whoever's key opened it, won

0:23:32.119 --> 0:23:35.320
<v Speaker 6>the money. Okay, So the audience didn't really build because

0:23:35.320 --> 0:23:37.159
<v Speaker 6>the record was a hit and it was it was

0:23:37.200 --> 0:23:39.240
<v Speaker 6>real intimate, so it wasn't really shows. And I would

0:23:39.280 --> 0:23:41.200
<v Speaker 6>sing touch Me, Teach Me and only touch Me teach

0:23:41.240 --> 0:23:46.080
<v Speaker 6>Me until I got to Atlanta. We get to Atlanta

0:23:46.119 --> 0:23:47.760
<v Speaker 6>because Kevin I was like Noah, only saying touch me.

0:23:47.800 --> 0:23:49.359
<v Speaker 6>Nobody wants to hear a bunch of records they don't know,

0:23:49.920 --> 0:23:52.119
<v Speaker 6>so I'm like, okay, he knows better than me. So

0:23:52.160 --> 0:23:55.000
<v Speaker 6>it's me and Foxy Wing in Atlanta, pulling up. It's

0:23:55.040 --> 0:23:59.119
<v Speaker 6>so packed that there's cars parked on the highway and

0:23:59.160 --> 0:24:02.360
<v Speaker 6>people is walking from the highway to the club. It's

0:24:02.400 --> 0:24:04.440
<v Speaker 6>a jam packed, so were in the back. I'm like, y,

0:24:04.440 --> 0:24:06.920
<v Speaker 6>you're about to get busy. We go out on the

0:24:07.000 --> 0:24:11.760
<v Speaker 6>dance floor and Foxy almost slipped. Somebody spilled beer, so

0:24:12.240 --> 0:24:13.840
<v Speaker 6>stop the music. We go in the back while they

0:24:13.880 --> 0:24:17.320
<v Speaker 6>get it cleaned up. Go back out. Now it feels

0:24:17.359 --> 0:24:19.200
<v Speaker 6>like we're still on ice. So we performed We Stand

0:24:19.240 --> 0:24:22.119
<v Speaker 6>in One Spot. DJ plays the wrong version. He plays

0:24:22.160 --> 0:24:26.080
<v Speaker 6>the version of touching me, tease me without Foxy, so

0:24:26.119 --> 0:24:28.240
<v Speaker 6>she did her second verse, but first verse was all

0:24:28.280 --> 0:24:30.920
<v Speaker 6>messed up, and he told me don't sing any other records.

0:24:30.920 --> 0:24:31.760
<v Speaker 2>So I'm like, okay, good night.

0:24:31.840 --> 0:24:32.320
<v Speaker 4>It was like.

0:24:33.960 --> 0:24:36.800
<v Speaker 6>Boo, I'm like I called that Jay. I'm like, yeah,

0:24:37.240 --> 0:24:39.000
<v Speaker 6>from now on, I'm doing what I want. And the

0:24:39.040 --> 0:24:40.640
<v Speaker 6>next show is in Detroit, and I did a whole show.

0:24:40.680 --> 0:24:42.280
<v Speaker 6>People's like I was in Atlanta. How come you didn't

0:24:42.320 --> 0:24:45.119
<v Speaker 6>do that? I'm like listening to somebody else. So my

0:24:45.160 --> 0:24:47.480
<v Speaker 6>first promo tour wasn't really like what you' The second

0:24:47.480 --> 0:24:49.240
<v Speaker 6>one was like that, But the first one wasn't like that.

0:24:49.320 --> 0:24:50.000
<v Speaker 6>It was real intimate.

0:24:50.040 --> 0:24:51.360
<v Speaker 3>So by the time it got to the second one,

0:24:51.400 --> 0:24:54.320
<v Speaker 3>you was they they was packing it up for y'allready.

0:24:54.840 --> 0:24:57.399
<v Speaker 6>No, not really, because this was the thing, and I

0:24:58.359 --> 0:25:00.960
<v Speaker 6>feed off of people not believing in me. I don't

0:25:01.000 --> 0:25:03.240
<v Speaker 6>know why more than our feed off of people believing it.

0:25:04.000 --> 0:25:06.120
<v Speaker 6>And the knock on me was, yeah, he can't really

0:25:06.160 --> 0:25:08.520
<v Speaker 6>sing because touch me teaching. Anybody could sing that, and

0:25:08.600 --> 0:25:11.840
<v Speaker 6>I agree. And so when it came time to do

0:25:11.880 --> 0:25:15.320
<v Speaker 6>the second album, Keith Al was in Leo's office.

0:25:15.359 --> 0:25:17.280
<v Speaker 2>He played Faded Pictures and.

0:25:17.240 --> 0:25:18.960
<v Speaker 6>He was like, yeah, Joe, this is Joe's record, but

0:25:19.000 --> 0:25:20.800
<v Speaker 6>he wants to do it as a duet. So Leo

0:25:20.880 --> 0:25:23.680
<v Speaker 6>was like, what about Case. Yeah, Case can't really sing.

0:25:24.000 --> 0:25:26.719
<v Speaker 6>I had just recorded Happily of After, so he was like, Kathy,

0:25:27.400 --> 0:25:30.240
<v Speaker 6>bring that fucking Case record in here. So he plays

0:25:30.240 --> 0:25:32.160
<v Speaker 6>it and then he calls me in there. So I'm

0:25:32.160 --> 0:25:33.920
<v Speaker 6>standing there. I'm like, what's up. He's like, just sit down,

0:25:33.920 --> 0:25:36.760
<v Speaker 6>you little motherfucker. So I'm sitting there and he's playing

0:25:36.760 --> 0:25:39.320
<v Speaker 6>Happily of After. Keith I was like, oh, yeah, never mind.

0:25:39.480 --> 0:25:41.879
<v Speaker 6>He's like, what you're doing this song with Joe, And

0:25:41.880 --> 0:25:45.040
<v Speaker 6>that's how we ended up doing it. So they weren't

0:25:45.040 --> 0:25:48.600
<v Speaker 6>packing it out because it wasn't there yet, you know

0:25:48.640 --> 0:25:50.480
<v Speaker 6>what I mean. And the first single from the next

0:25:50.520 --> 0:25:53.240
<v Speaker 6>album was Faded pictures, so I had to kind of

0:25:53.240 --> 0:25:55.000
<v Speaker 6>build that up and that so.

0:25:55.280 --> 0:25:57.080
<v Speaker 2>Was faded pictures of soundtrack record too.

0:25:57.080 --> 0:25:58.280
<v Speaker 6>He was on rush out.

0:25:58.000 --> 0:26:03.960
<v Speaker 5>Because I noticed that, like you were, in my opinion,

0:26:04.520 --> 0:26:06.440
<v Speaker 5>kind of the king of the soundtracks.

0:26:06.840 --> 0:26:09.360
<v Speaker 2>Yeah, you know, all your songs on the sound.

0:26:09.200 --> 0:26:13.719
<v Speaker 5>Depth cham they those were those were all controlled by

0:26:13.760 --> 0:26:16.520
<v Speaker 5>all these soundtracks were controlled back then by depth jam

0:26:17.240 --> 0:26:19.760
<v Speaker 5>and it seemed like that's how they were launching all

0:26:19.760 --> 0:26:20.520
<v Speaker 5>of your music.

0:26:20.920 --> 0:26:23.800
<v Speaker 6>Yeah, because what people don't realize is that when you

0:26:23.840 --> 0:26:26.440
<v Speaker 6>do it on the movie soundtrack, the movie company pays

0:26:26.480 --> 0:26:27.879
<v Speaker 6>half of these half of.

0:26:27.840 --> 0:26:31.200
<v Speaker 2>Them all half talking about the business and so yeah.

0:26:31.320 --> 0:26:33.639
<v Speaker 6>So I'm like, okay, if I can spend half the

0:26:33.720 --> 0:26:36.159
<v Speaker 6>money for the promotion, sure you can put it on

0:26:36.200 --> 0:26:38.400
<v Speaker 6>the soundtrack. The downside to that is, like I said,

0:26:39.720 --> 0:26:41.800
<v Speaker 6>from they're buying it from the soundtracks. So unless you

0:26:41.840 --> 0:26:45.320
<v Speaker 6>got something else coming, you're gonna be kind of asked out.

0:26:45.400 --> 0:26:47.000
<v Speaker 6>The soundtrack is going to sell and then when you

0:26:47.040 --> 0:26:49.200
<v Speaker 6>drop yours and that, and I learned that from the

0:26:49.240 --> 0:26:50.720
<v Speaker 6>first time, So I made sure it didn't happen the

0:26:50.720 --> 0:26:51.160
<v Speaker 6>second time.

0:26:51.720 --> 0:26:53.280
<v Speaker 5>What do you mean you you made sure it didn't

0:26:53.280 --> 0:26:55.160
<v Speaker 5>happen the second time as far as because you said

0:26:55.160 --> 0:26:57.760
<v Speaker 5>it having something to you had another record, right, yeah,

0:26:57.760 --> 0:26:58.280
<v Speaker 5>I had it.

0:26:58.320 --> 0:27:00.600
<v Speaker 6>I haven't locked and loaded this time, Okay, yeah. And

0:27:00.600 --> 0:27:02.280
<v Speaker 6>that was Happily of After ye.

0:27:03.359 --> 0:27:06.239
<v Speaker 5>Because we jumping because he said that you're gonna give

0:27:06.280 --> 0:27:08.280
<v Speaker 5>us a story about this this you know this this

0:27:08.440 --> 0:27:11.080
<v Speaker 5>Joe thing man and y'all rocking again.

0:27:11.240 --> 0:27:11.959
<v Speaker 2>That that's that was it.

0:27:12.280 --> 0:27:13.920
<v Speaker 6>He was like, yeah, you can't really saying this and that,

0:27:14.119 --> 0:27:16.480
<v Speaker 6>and then he played Happily of After. I mean, yeah,

0:27:16.480 --> 0:27:18.560
<v Speaker 6>happily of after. He was like, okay, yeah, never mind,

0:27:18.560 --> 0:27:19.840
<v Speaker 6>and then we end up doing the record.

0:27:20.080 --> 0:27:24.359
<v Speaker 2>Because who produced happily after Joe? Christ Hendon produced Happily

0:27:24.359 --> 0:27:24.720
<v Speaker 2>ever After?

0:27:24.840 --> 0:27:29.880
<v Speaker 6>Yeah, Christina, Yeah, but but Joe because we we love

0:27:30.000 --> 0:27:32.120
<v Speaker 6>Joe here, yes, we all love that's my guy.

0:27:33.640 --> 0:27:36.160
<v Speaker 2>The experience of did y'all even know each other yet?

0:27:37.560 --> 0:27:40.239
<v Speaker 6>No, I actually don't think we had ever met at

0:27:40.280 --> 0:27:40.640
<v Speaker 6>that time.

0:27:41.560 --> 0:27:44.240
<v Speaker 5>But this wasn't the age of I'm gonna send you

0:27:44.720 --> 0:27:46.879
<v Speaker 5>the m P three and we got you gotta get

0:27:46.920 --> 0:27:48.159
<v Speaker 5>in this, you gotta get in the studio.

0:27:48.400 --> 0:27:50.600
<v Speaker 6>And the first night we got in the studio, I

0:27:50.680 --> 0:27:54.160
<v Speaker 6>bought a bunch of okay, somebody bought a bunch of strippers.

0:27:55.640 --> 0:27:57.320
<v Speaker 2>You just said you. I didn't say that.

0:27:59.119 --> 0:28:02.159
<v Speaker 1>Ahead you think the drugs you're looking for him?

0:28:03.800 --> 0:28:04.520
<v Speaker 2>I hit you tonight?

0:28:06.280 --> 0:28:07.040
<v Speaker 6>Do you think I said that?

0:28:09.640 --> 0:28:09.920
<v Speaker 2>Okay?

0:28:09.960 --> 0:28:15.320
<v Speaker 5>So the strippers somehow they appeared, okay, faded pictures, yes, okay.

0:28:15.520 --> 0:28:16.520
<v Speaker 2>Yeah, yeah it was that.

0:28:16.800 --> 0:28:19.080
<v Speaker 6>It was a different time, right. So we got a dice.

0:28:19.119 --> 0:28:21.280
<v Speaker 6>So then Joe got a somebody brought an envelope of money.

0:28:21.320 --> 0:28:23.040
<v Speaker 6>He had like ten thousands. So I pull out the dice.

0:28:23.960 --> 0:28:25.679
<v Speaker 6>So we got a dice game game. He takes all

0:28:25.800 --> 0:28:26.200
<v Speaker 6>my money.

0:28:27.040 --> 0:28:27.280
<v Speaker 2>Yeah.

0:28:28.080 --> 0:28:30.480
<v Speaker 6>So now I'm like, nah, I'm putting up jewelry. And

0:28:30.640 --> 0:28:32.760
<v Speaker 6>it was like, yo, this game is over. So then

0:28:33.640 --> 0:28:36.480
<v Speaker 6>the session is getting done whatever, and at the end

0:28:36.800 --> 0:28:40.120
<v Speaker 6>said the death day was like, you guys sound drunk,

0:28:41.160 --> 0:28:44.120
<v Speaker 6>Like I don't know why that is, but okay, So

0:28:45.160 --> 0:28:52.680
<v Speaker 6>then we went back like two nights later. Yeah, so

0:28:52.840 --> 0:28:54.440
<v Speaker 6>then I go we go back like two day later.

0:28:54.440 --> 0:28:56.640
<v Speaker 2>We knock it out. It was fine. So so y'all

0:28:56.680 --> 0:28:57.600
<v Speaker 2>had to sing that twice?

0:28:58.200 --> 0:29:01.120
<v Speaker 6>Yeah, well I had to sing all of mine. His

0:29:01.280 --> 0:29:03.520
<v Speaker 6>parts was pretty much done except for the new stuff

0:29:03.520 --> 0:29:05.240
<v Speaker 6>that we added. Yeah, yeah, we gotta do it again.

0:29:05.440 --> 0:29:06.280
<v Speaker 6>But it was it was fun.

0:29:06.720 --> 0:29:08.280
<v Speaker 2>It was fun. This is the R and B stories.

0:29:08.320 --> 0:29:10.640
<v Speaker 2>We love those days.

0:29:10.920 --> 0:29:13.880
<v Speaker 4>Man, when somebody showed up with a bunch of strippers.

0:29:14.120 --> 0:29:15.200
<v Speaker 2>Yeah, it's crazy.

0:29:15.560 --> 0:29:19.240
<v Speaker 3>Some dice and some you got to die. Yeah yeah,

0:29:19.320 --> 0:29:23.400
<v Speaker 3>yeah had some. I didn't know you got that. Like, man, listen,

0:29:23.440 --> 0:29:25.360
<v Speaker 3>I'm move a little dice in my time. I learned

0:29:25.360 --> 0:29:27.200
<v Speaker 3>from you know, I can stituent here.

0:29:27.560 --> 0:29:32.960
<v Speaker 2>I stopped. I stopped with me attached to my keys.

0:29:33.080 --> 0:29:37.080
<v Speaker 2>I learned my lesson. No, no, no, no, we got

0:29:37.160 --> 0:29:38.400
<v Speaker 2>rid of Yeah.

0:29:38.440 --> 0:29:39.880
<v Speaker 6>Yeah, you had the trick dice.

0:29:40.240 --> 0:29:43.120
<v Speaker 3>No not see look what you're no, they're not trick dice.

0:29:43.240 --> 0:29:45.600
<v Speaker 3>He just he just don't see this niggas lucky.

0:29:46.320 --> 0:29:49.360
<v Speaker 2>I just don't play fifteen thousands of years ago. You know,

0:29:49.960 --> 0:29:51.800
<v Speaker 2>you know he waiting on the song.

0:29:52.560 --> 0:29:57.120
<v Speaker 3>This man is waiting on the life changes, taking his

0:29:57.240 --> 0:29:58.760
<v Speaker 3>money in his pockets, in his pockets.

0:29:58.840 --> 0:29:59.840
<v Speaker 2>He was just kind of man.

0:30:00.000 --> 0:30:03.600
<v Speaker 6>Oh yeah, we was trying to pass the time when

0:30:03.640 --> 0:30:06.040
<v Speaker 6>it passed, was trying to pass be mad.

0:30:06.160 --> 0:30:08.440
<v Speaker 2>I was mad as hell. I know that feeling.

0:30:08.480 --> 0:30:10.200
<v Speaker 6>You're like, I don't even want sing this ship.

0:30:10.240 --> 0:30:11.800
<v Speaker 4>But it all back with the hit record.

0:30:12.160 --> 0:30:14.200
<v Speaker 6>Yeah that makes sense now, and it makes sense that night.

0:30:14.720 --> 0:30:15.640
<v Speaker 2>It's that night.

0:30:15.720 --> 0:30:18.400
<v Speaker 6>I'm like, well, I'll never forget you for the ship.

0:30:18.760 --> 0:30:20.000
<v Speaker 2>So that night you mad as hell.

0:30:20.120 --> 0:30:21.200
<v Speaker 4>What is your first tour?

0:30:22.240 --> 0:30:27.960
<v Speaker 6>First tour was me, Drew Hill, Faith Evans, a man

0:30:28.680 --> 0:30:32.880
<v Speaker 6>and total I was cooking And that was the tour

0:30:33.200 --> 0:30:35.000
<v Speaker 6>that I And that was I had my tour bus,

0:30:35.080 --> 0:30:37.680
<v Speaker 6>had my whole album cover on. Of course, I was like, course,

0:30:38.080 --> 0:30:39.560
<v Speaker 6>I got pictures up in my pharm. I was like, man,

0:30:39.640 --> 0:30:42.000
<v Speaker 6>look at this. You had a little yellow, yellow camera.

0:30:42.600 --> 0:30:45.760
<v Speaker 6>So that was the tour win because Happily of After

0:30:45.920 --> 0:30:48.000
<v Speaker 6>was out. So I remember the first show was in

0:30:48.080 --> 0:30:49.280
<v Speaker 6>DC at Constitution Hall.

0:30:49.440 --> 0:30:49.680
<v Speaker 4>Come on.

0:30:50.280 --> 0:30:54.480
<v Speaker 6>So I get on stage and everybody knew faded pictures

0:30:54.480 --> 0:30:56.920
<v Speaker 6>and touched me, tease me. When Happily After came, they

0:30:56.960 --> 0:30:59.880
<v Speaker 6>sat there. It was like two people clapped. They sat

0:31:00.000 --> 0:31:02.080
<v Speaker 6>and when I hit the long note literally then when

0:31:02.120 --> 0:31:03.760
<v Speaker 6>I hit the long note, that then a bide clapped.

0:31:03.760 --> 0:31:07.600
<v Speaker 6>When nobody got the seats. Second show, then the piano starts.

0:31:07.600 --> 0:31:10.160
<v Speaker 6>It was like maybe fifty people clapped, A couple of

0:31:10.160 --> 0:31:12.479
<v Speaker 6>people stood up. Everybody clapped when I hit the note

0:31:12.520 --> 0:31:15.720
<v Speaker 6>by like the third fourth show. Soon as everybody stood

0:31:15.720 --> 0:31:18.280
<v Speaker 6>I was like, oh shit, we got one. Yeah, that's

0:31:18.360 --> 0:31:20.840
<v Speaker 6>that is curious. Yeah, I was like, Okay, we got something.

0:31:21.600 --> 0:31:27.320
<v Speaker 5>I never forget Jojo playing me that record, and I

0:31:27.400 --> 0:31:30.120
<v Speaker 5>spoke about it on another on another episode actually when

0:31:30.240 --> 0:31:33.120
<v Speaker 5>music came because he also I also never forgot when

0:31:33.320 --> 0:31:37.080
<v Speaker 5>him playing me love the first time. Now he used

0:31:37.120 --> 0:31:40.000
<v Speaker 5>to pull up and just have smash like y'all just

0:31:40.080 --> 0:31:41.400
<v Speaker 5>had smashes at this time.

0:31:41.440 --> 0:31:44.320
<v Speaker 2>Bro, like these records were going say, and he's like,

0:31:45.480 --> 0:31:47.640
<v Speaker 2>we got one. We got one.

0:31:48.800 --> 0:31:50.840
<v Speaker 5>He was like, we got the wedding song of all time,

0:31:51.160 --> 0:31:52.600
<v Speaker 5>the wedding song of all time, Nigga.

0:31:52.600 --> 0:31:54.640
<v Speaker 2>I'm telling you. I'm telling you, I'm the problem. Chad.

0:31:55.800 --> 0:31:59.680
<v Speaker 5>H'm Then I got that Nigga played happily ever after,

0:31:59.720 --> 0:32:03.720
<v Speaker 5>and I was like, this ship is special.

0:32:04.240 --> 0:32:05.680
<v Speaker 6>Yeah, I still do their wedding is to this day.

0:32:05.720 --> 0:32:09.760
<v Speaker 6>It's crazy, right, even if you're not there. Yeah yeah, yeah,

0:32:10.720 --> 0:32:12.360
<v Speaker 6>but you know it's crazy. When I when I first

0:32:12.400 --> 0:32:14.160
<v Speaker 6>did my first interviews coming in the game, they'd be like,

0:32:14.160 --> 0:32:16.800
<v Speaker 6>what do you want accomplish? It was never money awards.

0:32:16.880 --> 0:32:19.560
<v Speaker 6>It always was I wanted to make music that because

0:32:19.560 --> 0:32:22.080
<v Speaker 6>my parents were still listening to the old I'm like,

0:32:22.120 --> 0:32:24.760
<v Speaker 6>I want to make music that when people get that age,

0:32:24.800 --> 0:32:26.680
<v Speaker 6>they still want to hear it. That was That was

0:32:26.760 --> 0:32:29.080
<v Speaker 6>my only goal because that then you live forever. When

0:32:29.120 --> 0:32:31.840
<v Speaker 6>you make trendy stuff, you're not you're there, and there's

0:32:31.840 --> 0:32:34.240
<v Speaker 6>some people that's going to reminisced over it. But when

0:32:34.280 --> 0:32:37.280
<v Speaker 6>it's when it's classic and it's quality, they're gonna they're

0:32:37.280 --> 0:32:38.960
<v Speaker 6>gonna remember it and they're always going to want to

0:32:39.000 --> 0:32:39.960
<v Speaker 6>hear it. And that's what I wanted to do.

0:32:40.480 --> 0:32:42.560
<v Speaker 2>You think you got some of them, but.

0:32:42.640 --> 0:32:46.560
<v Speaker 3>I think, like, and just to add to what you're saying, like,

0:32:49.040 --> 0:32:52.960
<v Speaker 3>it wasn't not trendy. It wasn't not for the time.

0:32:54.400 --> 0:32:58.000
<v Speaker 3>It was just it was just very good music. Yeah,

0:32:58.040 --> 0:33:00.760
<v Speaker 3>But there's a difference between for the time and trend Well,

0:33:00.800 --> 0:33:05.720
<v Speaker 3>I mean it wasn't. It's hard to say because because

0:33:05.760 --> 0:33:08.520
<v Speaker 3>in nineties and in nineties, I don't remember a lot

0:33:08.600 --> 0:33:10.400
<v Speaker 3>of trendy music in the nineties.

0:33:11.000 --> 0:33:13.240
<v Speaker 4>I remember in the nineties it was a lot of

0:33:13.480 --> 0:33:15.800
<v Speaker 4>great in the yeah, a couple of ye.

0:33:15.960 --> 0:33:19.720
<v Speaker 2>It was in between a lot less than Yeah.

0:33:20.360 --> 0:33:20.800
<v Speaker 6>It was late.

0:33:21.480 --> 0:33:25.200
<v Speaker 3>There was like if there was eighty percent eighty five

0:33:25.280 --> 0:33:29.479
<v Speaker 3>percent quality music in the nineties, easy that is still

0:33:29.720 --> 0:33:32.720
<v Speaker 3>play easy to this day, and I think that that

0:33:33.200 --> 0:33:34.000
<v Speaker 3>was the trend.

0:33:34.720 --> 0:33:38.520
<v Speaker 4>Yeah, in that time, was you gotta make some fires.

0:33:38.600 --> 0:33:40.440
<v Speaker 2>I think a lot of us, I think a lot

0:33:40.480 --> 0:33:41.160
<v Speaker 2>of us felt that way.

0:33:41.200 --> 0:33:44.160
<v Speaker 3>That was the that was the now. Now today's trend

0:33:44.320 --> 0:33:47.760
<v Speaker 3>is viral. He's got to make TikTok, right right, Yeah,

0:33:48.160 --> 0:33:50.840
<v Speaker 3>But what I'm saying, I'm saying that to say like that.

0:33:51.040 --> 0:33:51.640
<v Speaker 4>Was the trend.

0:33:52.200 --> 0:33:55.480
<v Speaker 3>To be fly, to be fired, to have some substance

0:33:56.200 --> 0:34:00.160
<v Speaker 3>to be around man, that was it. Yeah, people were

0:34:00.320 --> 0:34:03.000
<v Speaker 3>signing that. Yeah, that's what they're looking for. What they

0:34:03.120 --> 0:34:07.960
<v Speaker 3>was looking for, Where's where, where's the all timer? It's

0:34:08.000 --> 0:34:10.320
<v Speaker 3>Clive Davis. Yeah, Yeah, that's what they're looking for.

0:34:10.960 --> 0:34:11.440
<v Speaker 2>And that's why.

0:34:11.560 --> 0:34:13.680
<v Speaker 6>But the music reflected that, you know what I mean,

0:34:13.719 --> 0:34:17.640
<v Speaker 6>that's what the musicians and the music nigga.

0:34:17.440 --> 0:34:21.240
<v Speaker 3>You got nigga nigga, y'all wasn't singing through no auto tune,

0:34:21.920 --> 0:34:25.080
<v Speaker 3>through no like never heard of, never heard of it, y'all.

0:34:25.520 --> 0:34:29.960
<v Speaker 3>Y'all was standing on business like sing nigga.

0:34:30.520 --> 0:34:31.040
<v Speaker 2>You better say.

0:34:31.120 --> 0:34:32.719
<v Speaker 6>That's what Uncle Charlie used to Come here, you better

0:34:32.760 --> 0:34:35.680
<v Speaker 6>be singing, boy, keep gapping see every folk keep gapping

0:34:35.719 --> 0:34:36.480
<v Speaker 6>baby here hang up.

0:34:36.560 --> 0:34:37.879
<v Speaker 2>I mean at the end of the song he said,

0:34:38.280 --> 0:34:45.120
<v Speaker 2>I can't sing no more. On the pict sang, oh boy,

0:34:45.160 --> 0:34:49.160
<v Speaker 2>you know what I'm saying, like, because it wasn't about

0:34:51.040 --> 0:34:51.520
<v Speaker 2>punching in.

0:34:51.840 --> 0:34:54.920
<v Speaker 5>It wasn't about punching. It was about just full out singing.

0:34:55.200 --> 0:34:58.960
<v Speaker 5>People don't realize probably how many times you had to sing.

0:34:58.880 --> 0:35:00.879
<v Speaker 2>That song over and over.

0:35:00.960 --> 0:35:03.120
<v Speaker 6>That night, they had to sing it twice.

0:35:03.280 --> 0:35:04.000
<v Speaker 2>He just sang through.

0:35:04.320 --> 0:35:06.560
<v Speaker 6>But because I was sick. I had before that whole week,

0:35:06.600 --> 0:35:10.279
<v Speaker 6>I had laryngitis. I landed in La on Monday. It

0:35:10.360 --> 0:35:11.880
<v Speaker 6>was like, we gotta do this song, missing you. I

0:35:12.000 --> 0:35:14.239
<v Speaker 6>was like, all right, cool. I get here on Monday night.

0:35:15.080 --> 0:35:18.560
<v Speaker 6>I don't know what happened. Tuesday, I can't sing, so

0:35:18.600 --> 0:35:20.439
<v Speaker 6>I'm like, all right, push it to Wednesday. Wednesday, still

0:35:20.440 --> 0:35:21.759
<v Speaker 6>can't sing. I'm drinking stuff all day.

0:35:22.320 --> 0:35:22.879
<v Speaker 2>I still can't.

0:35:22.920 --> 0:35:25.080
<v Speaker 6>No. No, this time, I honestly don't know what happened.

0:35:25.160 --> 0:35:27.440
<v Speaker 6>It came out of nowhere. So now it's Wednesday night,

0:35:27.719 --> 0:35:31.399
<v Speaker 6>I still can't sing. Thursday night, I started feeling better.

0:35:31.400 --> 0:35:33.840
<v Speaker 6>I'm like, bet, let's make it for them arow. But

0:35:33.960 --> 0:35:35.640
<v Speaker 6>then that night I go to the studio with Joab.

0:35:35.719 --> 0:35:38.480
<v Speaker 6>We do living it up and then I go hang

0:35:38.520 --> 0:35:42.040
<v Speaker 6>out afterwards man and I lost my voice again. But

0:35:42.160 --> 0:35:45.040
<v Speaker 6>this time I can't talk. So today is like it

0:35:45.160 --> 0:35:46.759
<v Speaker 6>is Friday. If we don't do it today, we can't

0:35:46.800 --> 0:35:48.480
<v Speaker 6>do missing you. So I get to the studio. I'm like,

0:35:48.480 --> 0:35:48.759
<v Speaker 6>I try.

0:35:48.800 --> 0:35:49.319
<v Speaker 2>I've been drinking.

0:35:49.360 --> 0:35:51.400
<v Speaker 6>I'm drinking everything all day. It's not working.

0:35:51.920 --> 0:35:52.800
<v Speaker 2>So JoJo's with me.

0:35:52.880 --> 0:35:54.400
<v Speaker 6>He was like, I'll talk to you. He's like yo,

0:35:55.000 --> 0:35:57.600
<v Speaker 6>he don't have his voice. He's like, we're gonna do

0:35:57.680 --> 0:35:59.600
<v Speaker 6>what we can. So he was like, Okay, can you

0:35:59.680 --> 0:36:00.600
<v Speaker 6>go through it one time?

0:36:01.719 --> 0:36:01.919
<v Speaker 4>Yeah?

0:36:01.960 --> 0:36:03.839
<v Speaker 6>So he puts it, puts it on and go through

0:36:03.880 --> 0:36:05.960
<v Speaker 6>it the first time. He's like, you give me one more.

0:36:06.000 --> 0:36:09.200
<v Speaker 6>I was like, So I get to the the end

0:36:09.320 --> 0:36:11.759
<v Speaker 6>of the of the song and I felt it was

0:36:11.960 --> 0:36:14.920
<v Speaker 6>I'm like I can't sing no more. And I'm like this,

0:36:15.160 --> 0:36:18.000
<v Speaker 6>like I can't sing no more, babe. And then I

0:36:18.120 --> 0:36:20.239
<v Speaker 6>stopped and so I go and I'm knocking on the window.

0:36:20.320 --> 0:36:22.160
<v Speaker 6>They all in there like this. So I come out

0:36:22.239 --> 0:36:25.080
<v Speaker 6>the booth and tap. I'm like it's still. I'm like, yeah, song,

0:36:25.120 --> 0:36:27.560
<v Speaker 6>I'm like, I'm like, I can't talk no more.

0:36:27.719 --> 0:36:28.160
<v Speaker 2>It was over.

0:36:28.800 --> 0:36:31.640
<v Speaker 6>So that that was that it was really over. I

0:36:31.680 --> 0:36:33.680
<v Speaker 6>mean the crazy probably both of them songs that nominated

0:36:33.719 --> 0:36:34.400
<v Speaker 6>for Grammy.

0:36:45.520 --> 0:36:46.479
<v Speaker 2>Bean say in the video.

0:36:47.480 --> 0:36:49.920
<v Speaker 6>Yeah, but see, nobody knew who she was, didn't really

0:36:49.960 --> 0:36:53.080
<v Speaker 6>they were they was new right right right now. It's

0:36:53.120 --> 0:36:56.320
<v Speaker 6>a stroke of brilliance. Yeah, that was a stroke of brillids.

0:36:56.360 --> 0:36:59.279
<v Speaker 6>But for me, we wanted we wanted somebody for the video.

0:36:59.320 --> 0:37:03.640
<v Speaker 6>If you remember back then people had known people videos.

0:37:03.840 --> 0:37:05.480
<v Speaker 6>He's like, who could we get like and that that's

0:37:05.600 --> 0:37:09.319
<v Speaker 6>everybody was in somebody else's video. So I wanted somebody knew.

0:37:09.600 --> 0:37:11.840
<v Speaker 6>So it's like Niel Long, No, she's in this. So

0:37:11.880 --> 0:37:13.239
<v Speaker 6>we're going through the list. We're like, we got to

0:37:13.280 --> 0:37:16.680
<v Speaker 6>figure out something. And I was in JoJo's office and BT,

0:37:16.880 --> 0:37:18.960
<v Speaker 6>one of BT shows was on in the video with

0:37:19.120 --> 0:37:21.880
<v Speaker 6>why Cleff came on. I'm like, who's that Zake, I

0:37:21.920 --> 0:37:24.480
<v Speaker 6>don't know, we'll find out, go get her. And that's

0:37:24.520 --> 0:37:26.920
<v Speaker 6>how it happened. So we called called down there. They

0:37:27.000 --> 0:37:29.920
<v Speaker 6>wanted to hear the song, played the song and he's like,

0:37:29.960 --> 0:37:32.600
<v Speaker 6>I bet she came up her her mom, Sa Pop,

0:37:32.680 --> 0:37:35.160
<v Speaker 6>Solange and Kelly. Matter of fact, we had a three

0:37:35.239 --> 0:37:37.600
<v Speaker 6>days shoot. It was cool as hell. Three day shoot,

0:37:37.760 --> 0:37:41.240
<v Speaker 6>three days shoot, three days, three day shoot.

0:37:41.360 --> 0:37:43.719
<v Speaker 3>I shot slowly, Yeah, for two and a half, two

0:37:43.719 --> 0:37:46.200
<v Speaker 3>and a half spent on a slowly video about seven

0:37:46.640 --> 0:37:47.200
<v Speaker 3>and eight hundred.

0:37:48.520 --> 0:37:52.640
<v Speaker 6>Yeah, them long she spent happily ever after. I don't

0:37:52.640 --> 0:37:54.279
<v Speaker 6>even know. I think it was about six something like that.

0:37:54.480 --> 0:37:56.480
<v Speaker 4>You know, it was seven six.

0:37:57.200 --> 0:37:59.600
<v Speaker 2>When I was talking about six thousands. It's about seven

0:37:59.640 --> 0:38:02.960
<v Speaker 2>thousand talking about tape.

0:38:03.200 --> 0:38:08.000
<v Speaker 6>Yeah, tape, nothing digital, it's all tape. Yeah, you gotta

0:38:08.040 --> 0:38:09.239
<v Speaker 6>pay for the actual tape.

0:38:09.760 --> 0:38:12.560
<v Speaker 4>The tape was running. Yeah, we blew up a building

0:38:13.239 --> 0:38:13.880
<v Speaker 4>a whole bit.

0:38:15.000 --> 0:38:15.560
<v Speaker 2>What do you mean?

0:38:15.680 --> 0:38:18.120
<v Speaker 3>I was actually he was slowly, why would you blow up?

0:38:18.120 --> 0:38:23.160
<v Speaker 3>Because I was saying, he wrote slowly, Yeah, we blew

0:38:23.200 --> 0:38:27.080
<v Speaker 3>it up. We used the stunt men from the Matrix. Yeah,

0:38:27.280 --> 0:38:30.880
<v Speaker 3>the actual stunt men almost cut my finger off with

0:38:31.000 --> 0:38:33.920
<v Speaker 3>the wire, the hanging wire when I did my Ninja

0:38:34.040 --> 0:38:38.440
<v Speaker 3>kick kicked I'm hanging med air j boutine in the

0:38:38.520 --> 0:38:39.680
<v Speaker 3>middle of a warehouse.

0:38:39.920 --> 0:38:42.000
<v Speaker 2>I was like to go listen to the lyrics so

0:38:42.120 --> 0:38:44.640
<v Speaker 2>slowly yeah, yeah, yeah, yeah yeah, and didn't think about

0:38:44.640 --> 0:38:48.080
<v Speaker 2>all the dumb shit f up this was going on.

0:38:49.000 --> 0:38:52.200
<v Speaker 2>Don't lose her fingers slowly, that's fucked up. Take off

0:38:52.280 --> 0:38:53.080
<v Speaker 2>this dedication that.

0:38:57.360 --> 0:38:59.479
<v Speaker 1>Look at my hand is gone.

0:39:01.120 --> 0:39:06.200
<v Speaker 2>You're gonna join in on this. It was a whole

0:39:06.200 --> 0:39:06.880
<v Speaker 2>bunch of rolls.

0:39:07.440 --> 0:39:14.239
<v Speaker 3>Yeah, right, cool, it was part of a reel, It

0:39:14.360 --> 0:39:16.920
<v Speaker 3>was part of my real It all worked out, though,

0:39:17.120 --> 0:39:17.960
<v Speaker 3>it works out, And.

0:39:19.560 --> 0:39:20.960
<v Speaker 2>Now he wanted to know why he ain't never seen

0:39:21.000 --> 0:39:21.440
<v Speaker 2>the royalty.

0:39:22.719 --> 0:39:23.040
<v Speaker 3>Not for that.

0:39:26.440 --> 0:39:28.319
<v Speaker 2>No, I'm saying, you know, I'm seeing royalties now.

0:39:31.239 --> 0:39:31.440
<v Speaker 3>You know.

0:39:33.880 --> 0:39:36.560
<v Speaker 5>That's all the matters. Those days were just wow that

0:39:36.640 --> 0:39:42.600
<v Speaker 5>you were like, it was normal, customary. Absolutely if you

0:39:42.800 --> 0:39:43.200
<v Speaker 5>if your.

0:39:43.200 --> 0:39:45.759
<v Speaker 6>Video wasn't at least a quarter million, they didn't care

0:39:45.800 --> 0:39:48.160
<v Speaker 6>about you, right, And then it got to a point

0:39:48.160 --> 0:39:49.839
<v Speaker 6>where people was trying to top each other.

0:39:50.120 --> 0:39:53.320
<v Speaker 5>Right, once Missy came with the million dollars her and

0:39:53.360 --> 0:39:55.080
<v Speaker 5>Buster rymes a million dollar videos.

0:39:55.400 --> 0:39:57.520
<v Speaker 6>I remember I was on the set for Buster when

0:39:57.520 --> 0:40:00.319
<v Speaker 6>he did the video with Janet Yeah, and we was like, say, yo,

0:40:00.360 --> 0:40:02.160
<v Speaker 6>this video costs I think it was like two million

0:40:02.200 --> 0:40:07.760
<v Speaker 6>and something crazy like wow, wow dollars two dollars dollars

0:40:08.680 --> 0:40:11.640
<v Speaker 6>and I think touch Me Teach Me video only costs

0:40:11.760 --> 0:40:16.160
<v Speaker 6>maybe maybe a hundred and Brett Ratner shot it. Brett

0:40:16.200 --> 0:40:18.319
<v Speaker 6>Ratner was directed to Touch Me TV. It didn't cost

0:40:18.640 --> 0:40:20.799
<v Speaker 6>it costs nothing because it was real simple, right, But yeah,

0:40:20.840 --> 0:40:21.800
<v Speaker 6>we were spending money on it.

0:40:22.600 --> 0:40:24.759
<v Speaker 2>In hindsight, that. I guess it didn't make too much sense,

0:40:24.800 --> 0:40:26.680
<v Speaker 2>but it made so much sense at the time. But

0:40:26.880 --> 0:40:30.000
<v Speaker 2>then this was part of making the star. Yeah, this

0:40:30.080 --> 0:40:30.440
<v Speaker 2>is part of it.

0:40:30.680 --> 0:40:35.440
<v Speaker 5>It's like we're making movie stars, making entertainers necessary. It's necessary.

0:40:36.239 --> 0:40:40.440
<v Speaker 2>Cost that video move the needle. Yes, thanks to Michael Jackson.

0:40:40.640 --> 0:40:44.040
<v Speaker 3>Yeah, yeah, you had a fire video that could change

0:40:44.080 --> 0:40:46.400
<v Speaker 3>the complexion of your song at radio and all of that,

0:40:46.640 --> 0:40:46.880
<v Speaker 3>and just.

0:40:46.960 --> 0:40:49.120
<v Speaker 6>In general, just for the consumer, because there isn't plenty

0:40:49.160 --> 0:40:50.840
<v Speaker 6>of times I saw I heard a song and I

0:40:50.920 --> 0:40:53.200
<v Speaker 6>was like, you see the video, Like, now, wait a minute,

0:40:53.239 --> 0:40:55.000
<v Speaker 6>this is kind of right, you know what I'm saying

0:40:55.000 --> 0:40:55.800
<v Speaker 6>that and that happened.

0:40:55.800 --> 0:40:58.719
<v Speaker 2>That happens sometimes. So how was it being signed to

0:41:00.239 --> 0:41:00.800
<v Speaker 2>rap label?

0:41:00.920 --> 0:41:02.880
<v Speaker 5>Yeah, as an R and B R because yeah, you

0:41:02.880 --> 0:41:04.920
<v Speaker 5>can say, okay, yeah, they was talking about the R

0:41:04.920 --> 0:41:06.239
<v Speaker 5>and B d and makes it, but you're still an

0:41:06.400 --> 0:41:07.880
<v Speaker 5>R and B singer at the end of the day.

0:41:07.920 --> 0:41:12.279
<v Speaker 2>And this is historically very much so it was. It was.

0:41:12.400 --> 0:41:16.759
<v Speaker 6>It has some trying times because the sensibilities between hip

0:41:16.800 --> 0:41:19.960
<v Speaker 6>hop and especially a hardcore hip hop label and R

0:41:20.040 --> 0:41:23.719
<v Speaker 6>and B. Sometime they didn't get it. Sometimes you can't

0:41:23.719 --> 0:41:26.680
<v Speaker 6>really explain it to them. Other times they would listen

0:41:26.719 --> 0:41:28.359
<v Speaker 6>to the people that they had in place that did

0:41:28.440 --> 0:41:30.799
<v Speaker 6>get it. But there were there were definitely times when

0:41:30.840 --> 0:41:34.400
<v Speaker 6>it was stuff that we I think, I feel like

0:41:34.440 --> 0:41:36.080
<v Speaker 6>we should have did things that we could have done

0:41:36.440 --> 0:41:38.239
<v Speaker 6>that didn't happen because they didn't get it.

0:41:38.239 --> 0:41:38.759
<v Speaker 2>They didn't get it.

0:41:38.880 --> 0:41:40.840
<v Speaker 6>Yeah, and that that's the only downside to something like.

0:41:40.880 --> 0:41:41.840
<v Speaker 2>Did you did you find?

0:41:42.080 --> 0:41:44.040
<v Speaker 5>You know because Tank talks about this because you kind

0:41:44.040 --> 0:41:45.520
<v Speaker 5>of have one of those names too, even though your

0:41:45.600 --> 0:41:48.560
<v Speaker 5>real name is actually Case, you have a name that

0:41:48.960 --> 0:41:52.880
<v Speaker 5>is not R And you know what I'm saying, like,

0:41:53.239 --> 0:41:55.080
<v Speaker 5>you don't know if Case is a rapper. You don't

0:41:55.080 --> 0:41:57.439
<v Speaker 5>know if Cases are. So did you have that early

0:41:57.560 --> 0:41:59.800
<v Speaker 5>on too, where they were putting you on these shows?

0:41:59.840 --> 0:42:02.799
<v Speaker 5>It's esecially because your first record came with a rapper too. Yeah,

0:42:03.400 --> 0:42:05.160
<v Speaker 5>well you're like the only R and B guy and

0:42:05.239 --> 0:42:06.960
<v Speaker 5>it's you method man.

0:42:07.520 --> 0:42:09.480
<v Speaker 6>And you know what I'm saying, like, well, yeah, because

0:42:09.680 --> 0:42:11.720
<v Speaker 6>I think we did a lot of the nutty professor

0:42:11.800 --> 0:42:15.680
<v Speaker 6>stuff together, so Me, Foxy, jay Z, State Property, all

0:42:15.719 --> 0:42:18.320
<v Speaker 6>of all of them dudes, and it was it was

0:42:18.360 --> 0:42:18.719
<v Speaker 6>the worst.

0:42:18.719 --> 0:42:19.000
<v Speaker 2>I see.

0:42:19.040 --> 0:42:21.600
<v Speaker 6>I remember one time we had a show in at

0:42:21.640 --> 0:42:24.239
<v Speaker 6>the Paramount theater. You might have been there. It was

0:42:24.719 --> 0:42:30.800
<v Speaker 6>Little Kim Biggie, somebody else, me and Aliyah, and I'm like,

0:42:31.440 --> 0:42:35.560
<v Speaker 6>who did this? I'm it was probably like this is

0:42:35.600 --> 0:42:39.320
<v Speaker 6>like ninety six okay, I'm like who did this? Like,

0:42:39.400 --> 0:42:41.560
<v Speaker 6>I mean it was all rappers, like it might have

0:42:41.600 --> 0:42:44.320
<v Speaker 6>been like Mob Deep. I'm like, who put me in

0:42:44.320 --> 0:42:45.120
<v Speaker 6>the lee on this show?

0:42:45.160 --> 0:42:45.279
<v Speaker 4>Yo?

0:42:45.719 --> 0:42:48.000
<v Speaker 6>Like that? So it was a lot of that, like

0:42:48.040 --> 0:42:51.000
<v Speaker 6>we would do like homecomings like Delaware State and stuff,

0:42:51.000 --> 0:42:52.080
<v Speaker 6>and it's all them homecomings.

0:42:52.160 --> 0:42:54.839
<v Speaker 3>Yeah, we did all the super wrapped out, super wrapped out.

0:42:55.120 --> 0:42:56.879
<v Speaker 3>Like when I came in it was the Dirty South

0:42:57.040 --> 0:42:58.120
<v Speaker 3>was well yeah.

0:42:58.080 --> 0:42:59.560
<v Speaker 2>Yeah, he was on the rise.

0:43:00.480 --> 0:43:03.960
<v Speaker 5>So I'm in there with yin Yang Twins, Chris and

0:43:04.400 --> 0:43:07.320
<v Speaker 5>Miracle because at least he was also singing touch Me

0:43:07.400 --> 0:43:10.000
<v Speaker 5>Teach Me, which I didn't have a touch Me teach me.

0:43:10.400 --> 0:43:16.879
<v Speaker 6>Yeah, I'm singing maybe I deserve I'm like this, Oh yeah,

0:43:16.880 --> 0:43:17.359
<v Speaker 6>that's hard work.

0:43:17.360 --> 0:43:18.480
<v Speaker 4>Who's going next you?

0:43:20.400 --> 0:43:21.200
<v Speaker 6>Yeah, that's how it work.

0:43:22.520 --> 0:43:24.319
<v Speaker 3>I just ran into one of the Yang Twins at

0:43:24.360 --> 0:43:26.680
<v Speaker 3>the in Vegas the other day. He's like, what I

0:43:26.920 --> 0:43:33.840
<v Speaker 3>think I used to kick my ass man? Yeah, but

0:43:34.000 --> 0:43:35.680
<v Speaker 3>it was like my name was Tank, like you said,

0:43:35.760 --> 0:43:38.759
<v Speaker 3>so like they wouldn't even listen to my record. The

0:43:38.920 --> 0:43:40.719
<v Speaker 3>radio stations like, well, just send him down here and

0:43:40.760 --> 0:43:42.239
<v Speaker 3>put them on this show, and then we'll think about

0:43:42.239 --> 0:43:44.360
<v Speaker 3>putting his record in and I end up that's me

0:43:44.480 --> 0:43:48.320
<v Speaker 3>and a little mull on all hip hop shows. At

0:43:48.360 --> 0:43:52.080
<v Speaker 3>the worst show it was in the beginning, I hated

0:43:52.120 --> 0:43:57.680
<v Speaker 3>it because it's like nobody's there for me at all,

0:43:57.920 --> 0:44:00.840
<v Speaker 3>at all at all, Like, not only do they not

0:44:01.040 --> 0:44:04.440
<v Speaker 3>know me, but who's the nigga singing?

0:44:04.920 --> 0:44:08.680
<v Speaker 4>Why is the nigga singing? Read the room the nigga?

0:44:08.719 --> 0:44:11.520
<v Speaker 4>But if the room was not a room for me.

0:44:11.880 --> 0:44:14.279
<v Speaker 6>That happened to me in Philly one time at the

0:44:14.640 --> 0:44:17.600
<v Speaker 6>Dell East. They put me on the show with the Whispers.

0:44:19.040 --> 0:44:21.399
<v Speaker 6>So I'm looking out there, this is a whispers crowd,

0:44:21.600 --> 0:44:24.080
<v Speaker 6>all my fans. We still yet they was way in

0:44:24.200 --> 0:44:26.680
<v Speaker 6>the bag because they ain't have no jobs and stuff.

0:44:26.719 --> 0:44:28.840
<v Speaker 6>Back we were still not join these. So I'm on

0:44:29.000 --> 0:44:33.400
<v Speaker 6>stage just like pull your pasts up. So I'm like, okay,

0:44:33.800 --> 0:44:34.560
<v Speaker 6>I'm performing there.

0:44:34.560 --> 0:44:35.279
<v Speaker 2>Yelling from the crowd.

0:44:35.360 --> 0:44:38.319
<v Speaker 6>Yeah it was the same dude. So the crowd is laughing, right,

0:44:38.520 --> 0:44:40.640
<v Speaker 6>it's the same dude. He like where the whisp was

0:44:40.680 --> 0:44:44.320
<v Speaker 6>at late. I'm like, stop the music. Though, I'm like,

0:44:44.400 --> 0:44:45.840
<v Speaker 6>I don't know if y'all old asses got to go

0:44:45.880 --> 0:44:47.800
<v Speaker 6>to work tomorrow whatever, but I ain't going nowhere. The

0:44:47.840 --> 0:44:50.160
<v Speaker 6>whispers in the back somewhere. So I looked at my

0:44:50.400 --> 0:44:51.799
<v Speaker 6>Bernard Bell God bless it dead.

0:44:51.800 --> 0:44:52.000
<v Speaker 5>He was.

0:44:52.080 --> 0:44:53.400
<v Speaker 6>He was my MD. I'm like, be you know what

0:44:53.480 --> 0:44:53.680
<v Speaker 6>to do.

0:44:54.200 --> 0:44:56.759
<v Speaker 2>So we went hard time. I was done, got to

0:44:56.760 --> 0:44:58.120
<v Speaker 2>stand over age. By the time we got back to

0:44:58.200 --> 0:44:58.640
<v Speaker 2>the hotel.

0:44:58.800 --> 0:45:00.880
<v Speaker 6>I was on the news. B I'm like, dig go

0:45:00.960 --> 0:45:03.560
<v Speaker 6>to whispers. I'm like, but I know that feeling of

0:45:03.680 --> 0:45:06.440
<v Speaker 6>they didn't come for you, Like damn, I wish we

0:45:06.520 --> 0:45:08.320
<v Speaker 6>got to make the show this long tonight, like you

0:45:08.760 --> 0:45:09.600
<v Speaker 6>want to get up out of there.

0:45:09.680 --> 0:45:13.320
<v Speaker 4>So I'm going to show in Baltimore. What ever I do.

0:45:15.360 --> 0:45:17.320
<v Speaker 3>I'm like, here your show to everybody that's gonna be

0:45:17.440 --> 0:45:21.080
<v Speaker 3>this is gonna be great. Hell yeah, come out there

0:45:22.239 --> 0:45:26.840
<v Speaker 3>doing my aggressive R and B thing. I'm well coated

0:45:26.920 --> 0:45:33.880
<v Speaker 3>in oil, done enough push ups to make this exciting

0:45:33.920 --> 0:45:34.319
<v Speaker 3>and interest.

0:45:34.360 --> 0:45:36.400
<v Speaker 2>It should be okay, should be okay.

0:45:36.480 --> 0:45:36.960
<v Speaker 4>Shirt off.

0:45:37.080 --> 0:45:40.560
<v Speaker 3>You just think it's all women. Everybody get a nigga.

0:45:40.600 --> 0:45:42.320
<v Speaker 3>They are sitting in the audience.

0:45:42.040 --> 0:45:45.600
<v Speaker 2>Like this, Oh, I hate that.

0:45:47.760 --> 0:45:49.040
<v Speaker 4>You ain't got no incense, nigga.

0:45:50.080 --> 0:45:51.680
<v Speaker 6>I was thinking that in my head, like you left

0:45:51.719 --> 0:45:52.800
<v Speaker 6>out the incense, you ain't got it.

0:45:53.080 --> 0:45:54.200
<v Speaker 2>Yeah, we had shoes on.

0:45:54.239 --> 0:45:56.759
<v Speaker 4>Where's your wrap? I had my shoes on. That was

0:45:56.760 --> 0:45:57.640
<v Speaker 4>the first first.

0:45:57.800 --> 0:46:02.200
<v Speaker 2>Yeah, you got you got to be you gotta be bedfoot.

0:46:03.040 --> 0:46:03.440
<v Speaker 4>I forgot.

0:46:03.480 --> 0:46:06.680
<v Speaker 2>I learned that do a show. Yeah you have. This

0:46:06.760 --> 0:46:07.920
<v Speaker 2>is a barefoot experiences.

0:46:09.400 --> 0:46:09.879
<v Speaker 4>It's a thing.

0:46:10.480 --> 0:46:13.759
<v Speaker 3>We're not talking about the wine. I literally was like,

0:46:13.960 --> 0:46:17.640
<v Speaker 3>what is going on out here? They were not there

0:46:17.800 --> 0:46:20.480
<v Speaker 3>for me. Yeah, and you can't take it personal. They

0:46:20.520 --> 0:46:22.920
<v Speaker 3>can take a person in front of my energy either.

0:46:23.480 --> 0:46:26.920
<v Speaker 3>They weren't there for that. They came for a seance.

0:46:27.200 --> 0:46:29.160
<v Speaker 6>They wanted to hear you say beloved a lot they want,

0:46:30.480 --> 0:46:34.480
<v Speaker 6>I'm telling you because I don't. I'm no joints like that. Dog.

0:46:34.800 --> 0:46:38.520
<v Speaker 6>You gotta like it's certain audiences that ain't.

0:46:39.360 --> 0:46:40.920
<v Speaker 4>It just ain't today for you.

0:46:41.040 --> 0:46:46.440
<v Speaker 2>Sometimes, am I lying up? The beloved audience is not?

0:46:46.520 --> 0:46:50.000
<v Speaker 2>Really they'll be checking for some of stuff we'd be doing.

0:46:50.840 --> 0:46:51.680
<v Speaker 2>Oh my god.

0:46:52.000 --> 0:46:55.400
<v Speaker 5>Now you definitely have to even when you know still

0:46:55.520 --> 0:46:57.640
<v Speaker 5>as even from the management side. For me, when certain

0:46:57.680 --> 0:47:01.279
<v Speaker 5>shows come in, I'm like, yeah, I don't know how

0:47:01.360 --> 0:47:04.279
<v Speaker 5>that one will make sense. We have those conversations. I'm like,

0:47:04.960 --> 0:47:08.560
<v Speaker 5>you know, because at first, early on, I didn't used

0:47:08.560 --> 0:47:11.920
<v Speaker 5>to think to ask who's on the lineup, you know

0:47:11.920 --> 0:47:13.800
<v Speaker 5>what I mean, because we just we grind it.

0:47:14.560 --> 0:47:15.359
<v Speaker 4>We need that money.

0:47:15.480 --> 0:47:18.480
<v Speaker 2>Yeah, we get into these shows. And then it started

0:47:18.520 --> 0:47:18.920
<v Speaker 2>to be like.

0:47:20.080 --> 0:47:22.560
<v Speaker 5>You know what, I need to ask who's on the

0:47:22.640 --> 0:47:25.640
<v Speaker 5>lineup because we've been to one too many shows that

0:47:25.840 --> 0:47:28.919
<v Speaker 5>just don't make sense and you're not getting the best

0:47:29.000 --> 0:47:29.800
<v Speaker 5>experience out of it.

0:47:29.880 --> 0:47:32.759
<v Speaker 2>And he can't give his best because, like he said,

0:47:33.440 --> 0:47:34.520
<v Speaker 2>they wasn't there for him.

0:47:34.719 --> 0:47:36.040
<v Speaker 6>Yeah, and they make it known.

0:47:36.080 --> 0:47:37.240
<v Speaker 2>You got to get to your people.

0:47:37.800 --> 0:47:40.359
<v Speaker 5>Like it's cool, right, Like you get a couple extra

0:47:41.160 --> 0:47:46.520
<v Speaker 5>fans out of performing with certain people. But these crowds

0:47:46.560 --> 0:47:50.480
<v Speaker 5>and these audiences, especially whoever the headliner is, if you're

0:47:50.520 --> 0:47:53.800
<v Speaker 5>not the headliner too, Yep, they're coming for the headliner.

0:47:53.800 --> 0:47:55.360
<v Speaker 2>They come for the whispers. Like you said, that's what

0:47:55.400 --> 0:47:56.880
<v Speaker 2>they came for. They was coming for Badu.

0:47:57.320 --> 0:47:57.560
<v Speaker 4>Yep.

0:47:58.000 --> 0:48:03.040
<v Speaker 3>So everybody got a camera, so now everybody is filming this.

0:48:03.200 --> 0:48:07.399
<v Speaker 3>Now they can document the document that this happened. Yeah,

0:48:07.520 --> 0:48:09.000
<v Speaker 3>Nigga wasn't sweet right here though.

0:48:09.360 --> 0:48:11.080
<v Speaker 2>Yeah, I'll be chilling these shows.

0:48:13.680 --> 0:48:18.680
<v Speaker 6>Yeah, yeah, that's different. Yeah, sir, who do you pat

0:48:18.760 --> 0:48:19.279
<v Speaker 6>on your vocal?

0:48:19.400 --> 0:48:19.600
<v Speaker 2>After?

0:48:19.840 --> 0:48:21.719
<v Speaker 4>I have I have a guess, but I want who

0:48:21.760 --> 0:48:21.960
<v Speaker 4>do you?

0:48:22.440 --> 0:48:22.560
<v Speaker 1>Who?

0:48:22.600 --> 0:48:23.000
<v Speaker 4>Do you think?

0:48:23.160 --> 0:48:26.560
<v Speaker 6>It's a combination. It's a lot of Charlie Wilson, a

0:48:26.640 --> 0:48:29.000
<v Speaker 6>whole lot of Charlie. Yeah, it's like I remember he

0:48:29.120 --> 0:48:31.320
<v Speaker 6>used to call and just be like, yeah, this is

0:48:31.360 --> 0:48:33.160
<v Speaker 6>how you do it. I sat on the floor behind

0:48:33.239 --> 0:48:34.920
<v Speaker 6>him while he was I wrote a song for him

0:48:35.120 --> 0:48:36.400
<v Speaker 6>and he's doing the vocals, Like, how you want me

0:48:36.400 --> 0:48:39.160
<v Speaker 6>to sing it? I'm like, sing you can sing it

0:48:39.200 --> 0:48:42.439
<v Speaker 6>in Spanish if you so, I'm sitting on the floor

0:48:42.440 --> 0:48:44.680
<v Speaker 6>while he's doing his vocals. Mind, there's no iPhones. I'm

0:48:44.719 --> 0:48:47.719
<v Speaker 6>just sitting there like a kid, and he's doing his vocals. So, yes,

0:48:47.840 --> 0:48:51.160
<v Speaker 6>like Charlie, is Marvin Gaye in there, some David ruffin.

0:48:51.719 --> 0:48:54.160
<v Speaker 6>It's just different stuff you Charlie.

0:48:54.640 --> 0:48:57.360
<v Speaker 2>Yeah, that's it. You're like, yeah, Charlie, he's one of

0:48:57.400 --> 0:49:00.480
<v Speaker 2>the disciples. Yeah, but I got that too. He brought

0:49:00.480 --> 0:49:01.239
<v Speaker 2>me on stage one day.

0:49:01.280 --> 0:49:03.759
<v Speaker 6>He's like, okay, this this is when they was all

0:49:03.800 --> 0:49:05.160
<v Speaker 6>on stage gap and he was like, he's gonna get

0:49:05.160 --> 0:49:05.920
<v Speaker 6>gaptized tonight.

0:49:06.840 --> 0:49:08.440
<v Speaker 2>So he's like gapitized.

0:49:08.760 --> 0:49:10.920
<v Speaker 6>He's like, this is gonna be his gaptism tonight. He goes,

0:49:10.960 --> 0:49:14.160
<v Speaker 6>we're gonna gae night. Yeah, I got a I got

0:49:14.200 --> 0:49:16.760
<v Speaker 6>gaptized on stage in Saint Martin.

0:49:17.160 --> 0:49:18.359
<v Speaker 4>We need just talked Uncle Chuck.

0:49:18.560 --> 0:49:20.839
<v Speaker 6>He brought me on stage and but he see here's

0:49:20.840 --> 0:49:22.839
<v Speaker 6>what he did. So I met him earlier that day.

0:49:23.560 --> 0:49:25.480
<v Speaker 6>So he's on stage. I'm at the concert. He's like, yeah,

0:49:25.520 --> 0:49:28.279
<v Speaker 6>there's a young brother. You know, I met him. I'm

0:49:28.280 --> 0:49:31.080
<v Speaker 6>really really George work da da da, which I think

0:49:31.120 --> 0:49:33.080
<v Speaker 6>maybe I should do a song. So now I'm mad

0:49:33.160 --> 0:49:35.120
<v Speaker 6>as hell, like because everybody with me knew he was

0:49:35.120 --> 0:49:37.160
<v Speaker 6>gonna bring I didn't know. So I'm like, we about

0:49:37.160 --> 0:49:37.640
<v Speaker 6>to bring up here.

0:49:37.680 --> 0:49:38.160
<v Speaker 2>I'm heated.

0:49:38.400 --> 0:49:40.879
<v Speaker 6>I'm like he should bring me up there. So as

0:49:41.080 --> 0:49:42.759
<v Speaker 6>he's doing this whole big build up and then they

0:49:42.800 --> 0:49:45.360
<v Speaker 6>bring me, I'm like, oh me, and I did Yearning

0:49:45.400 --> 0:49:47.799
<v Speaker 6>for Your Love with him. He was like, Okay, you've

0:49:47.840 --> 0:49:50.080
<v Speaker 6>been gaptized. And he was like, you've been gaptized now,

0:49:50.160 --> 0:49:50.720
<v Speaker 6>young nigga.

0:49:51.160 --> 0:49:51.799
<v Speaker 2>He on the base.

0:49:51.840 --> 0:49:54.400
<v Speaker 6>He like, yeah, that was funny. He's like, yeah, you've

0:49:54.400 --> 0:49:57.560
<v Speaker 6>been gaptized. Now you're a little gapper. I haven't been gaptized.

0:49:58.000 --> 0:49:59.880
<v Speaker 6>I got my little gapper tattoo too. You got the

0:50:00.040 --> 0:50:03.640
<v Speaker 6>baby gappers, the old gappers. You love Napolis toe tappers.

0:50:04.440 --> 0:50:07.200
<v Speaker 2>He used to say all that when he was on

0:50:07.280 --> 0:50:17.320
<v Speaker 2>his apple. Yeah, you feel indeed.

0:50:17.840 --> 0:50:21.080
<v Speaker 5>You know it's crazy though, because I feel like when

0:50:21.160 --> 0:50:26.160
<v Speaker 5>I met you, it was during the phase of you

0:50:26.280 --> 0:50:28.359
<v Speaker 5>were kind of in and out. I was out by

0:50:28.400 --> 0:50:31.480
<v Speaker 5>the time I met you, right, yeah, So, and obviously

0:50:31.520 --> 0:50:34.520
<v Speaker 5>we met through Jojo and I remember I pulled up

0:50:34.520 --> 0:50:38.320
<v Speaker 5>to your crib, that crib in Atlanta, yep.

0:50:38.280 --> 0:50:41.680
<v Speaker 4>Ready bucket, and I had I had to, I had to,

0:50:41.840 --> 0:50:42.680
<v Speaker 4>had the cousins with me.

0:50:43.719 --> 0:50:44.799
<v Speaker 2>I had run it down with me.

0:50:46.400 --> 0:50:50.880
<v Speaker 5>Full gangsters, and I just remember us leaving them niggas

0:50:50.920 --> 0:50:52.360
<v Speaker 5>being like that nigga case crazy.

0:50:53.600 --> 0:50:59.680
<v Speaker 2>These was too full fledged, you know, gangsters, niggas like

0:51:00.719 --> 0:51:01.240
<v Speaker 2>case crazy.

0:51:03.360 --> 0:51:06.360
<v Speaker 6>Around that time, my crib was would Man. Yeah, And

0:51:06.480 --> 0:51:08.239
<v Speaker 6>I tell her my crib. What we used to do

0:51:08.400 --> 0:51:10.759
<v Speaker 6>is go to the strip club, hang out whatever. After

0:51:10.760 --> 0:51:12.200
<v Speaker 6>the strip club, they all come into my crib.

0:51:12.719 --> 0:51:16.640
<v Speaker 4>Which which strip club? Oh what is it?

0:51:16.960 --> 0:51:18.640
<v Speaker 6>I think that was the Masters because were you in

0:51:18.719 --> 0:51:19.920
<v Speaker 6>the bucket?

0:51:19.960 --> 0:51:21.319
<v Speaker 2>It was buggets. Yeah.

0:51:21.600 --> 0:51:24.080
<v Speaker 6>And so if you come you came on a team night.

0:51:24.920 --> 0:51:27.920
<v Speaker 6>Who a team name on the team. So we come

0:51:28.000 --> 0:51:30.239
<v Speaker 6>in this is it's like sid my homeboys, like, yo,

0:51:30.320 --> 0:51:30.640
<v Speaker 6>come here.

0:51:31.040 --> 0:51:31.680
<v Speaker 4>I'm like, what's up.

0:51:32.120 --> 0:51:34.680
<v Speaker 6>He's like, what's wrong with you? I'm like, come on

0:51:34.760 --> 0:51:37.000
<v Speaker 6>me outside. I walk outside. He's like he opened the

0:51:37.400 --> 0:51:40.279
<v Speaker 6>now look around. I was like, yeah, He's like, this

0:51:40.280 --> 0:51:45.239
<v Speaker 6>ship don't look real. What's the problem. But this looked

0:51:45.239 --> 0:51:47.040
<v Speaker 6>like He's like this ship looked like a Guns and

0:51:47.160 --> 0:51:50.520
<v Speaker 6>Roses dressing room, like it was chicks in the dining room,

0:51:51.320 --> 0:51:54.760
<v Speaker 6>calling himself black and Rose. But they started They started

0:51:54.800 --> 0:51:57.279
<v Speaker 6>that because Mike Kaiser and them used to be like,

0:51:57.360 --> 0:51:59.360
<v Speaker 6>you know what when they first made me, like, you

0:51:59.400 --> 0:52:01.040
<v Speaker 6>don't act like R and B singing. You need to

0:52:01.080 --> 0:52:03.719
<v Speaker 6>be a rock and roll dude. You act like a Roles.

0:52:03.840 --> 0:52:05.440
<v Speaker 6>Was like, yeah, but I'm black and that's what it's.

0:52:05.760 --> 0:52:08.640
<v Speaker 6>It's black and rolls a black Ax Roles. But yeah,

0:52:08.680 --> 0:52:11.160
<v Speaker 6>he used to be buck wild at that crib. Yeah

0:52:11.320 --> 0:52:11.880
<v Speaker 6>it was wold.

0:52:12.680 --> 0:52:13.719
<v Speaker 2>I was still on the Tame Night.

0:52:14.480 --> 0:52:15.120
<v Speaker 4>Yeah JK.

0:52:15.239 --> 0:52:17.080
<v Speaker 6>It was a team night cause and the nigga still

0:52:17.160 --> 0:52:19.080
<v Speaker 6>was like that nigga crazy because I had to keep

0:52:19.120 --> 0:52:20.759
<v Speaker 6>a team because I ain't know him and I ain't

0:52:20.760 --> 0:52:22.439
<v Speaker 6>want to offend him, you know what I'm taking. Jojo

0:52:22.560 --> 0:52:24.080
<v Speaker 6>was like, yeah, he cool whatever. So I'm like, well,

0:52:25.000 --> 0:52:27.040
<v Speaker 6>I can't. I can't invite him into the full fledge

0:52:27.040 --> 0:52:29.560
<v Speaker 6>because he might be like Nigga. So I was like,

0:52:29.640 --> 0:52:31.080
<v Speaker 6>you're gonna be cool, y'all, but.

0:52:31.600 --> 0:52:36.279
<v Speaker 2>Nick Case is gonna be one of my hand Yeah, yeah, yeah,

0:52:37.120 --> 0:52:37.279
<v Speaker 2>I know.

0:52:37.400 --> 0:52:38.200
<v Speaker 4>That was exciting.

0:52:38.360 --> 0:52:42.279
<v Speaker 5>Oh man, oh boy, this is pretty thanks and it

0:52:42.400 --> 0:52:46.520
<v Speaker 5>was a celebration, man, oh man, and you wake up

0:52:46.560 --> 0:52:48.919
<v Speaker 5>the next day you be stepping over people. I'm like, yeah,

0:52:49.760 --> 0:52:55.320
<v Speaker 5>is this around the time, nigga when you accidentally shot yourself?

0:52:55.400 --> 0:52:58.560
<v Speaker 6>Nigga, No, accidentally shot myself February fifth, two thousand and two,

0:52:59.120 --> 0:53:00.759
<v Speaker 6>the day after the Patriots win the Super Bowl, the

0:53:00.800 --> 0:53:01.440
<v Speaker 6>first Super Bowl.

0:53:03.080 --> 0:53:04.080
<v Speaker 4>How the fuck you do that?

0:53:05.440 --> 0:53:08.400
<v Speaker 6>Dig if you wiel the picture. So I'm sitting in

0:53:08.480 --> 0:53:10.080
<v Speaker 6>the crib, me and my girl at the time.

0:53:10.800 --> 0:53:11.400
<v Speaker 4>We fucked up.

0:53:11.640 --> 0:53:13.799
<v Speaker 6>We had we've been out, we've been wilding out all night.

0:53:14.239 --> 0:53:16.640
<v Speaker 6>So I used to keep the gun behind the behind

0:53:16.680 --> 0:53:20.880
<v Speaker 6>the headboard. So I'm doing it and now I'm fucked

0:53:20.960 --> 0:53:23.320
<v Speaker 6>up and I'm playing with the shit. Not little, but

0:53:23.360 --> 0:53:25.160
<v Speaker 6>I'm I'm fiddling with the shit when I should have

0:53:25.239 --> 0:53:27.279
<v Speaker 6>just did it. And I started talking and that shit

0:53:27.360 --> 0:53:31.120
<v Speaker 6>went off. It blew my ass across the room and

0:53:31.200 --> 0:53:33.959
<v Speaker 6>I'm laying there, and I remember it was the most

0:53:34.040 --> 0:53:36.680
<v Speaker 6>peaceful feeling that lady was like, I think he died

0:53:36.719 --> 0:53:38.040
<v Speaker 6>because they said that was gonna be dead by the

0:53:38.080 --> 0:53:39.800
<v Speaker 6>time I got to the hospital. But it was the

0:53:39.880 --> 0:53:43.480
<v Speaker 6>most peaceful. I can't even explain the most peaceful feeling

0:53:43.520 --> 0:53:46.320
<v Speaker 6>I ever felt. And it was just dead quiet. And

0:53:46.400 --> 0:53:48.279
<v Speaker 6>I remember in my head being like, yo, I fucking

0:53:48.400 --> 0:53:51.640
<v Speaker 6>killed myself. I'm like, I fucking shot myself. And I

0:53:51.760 --> 0:53:53.840
<v Speaker 6>heard a voice say get up, and I sat up

0:53:53.880 --> 0:53:55.840
<v Speaker 6>and the TV was black, Good Times was on. It

0:53:55.880 --> 0:53:56.799
<v Speaker 6>was like five thirty in the morning.

0:53:57.120 --> 0:53:57.640
<v Speaker 2>The lights was on.

0:53:57.760 --> 0:53:59.600
<v Speaker 6>My girl was screaming and running. She ran through the

0:53:59.600 --> 0:54:02.479
<v Speaker 6>subject vision back in the house, screaming, but I didn't

0:54:02.480 --> 0:54:04.600
<v Speaker 6>hear none of that. And now I went to see

0:54:04.760 --> 0:54:06.640
<v Speaker 6>where because I knew I didn't know where I was shot.

0:54:06.760 --> 0:54:08.719
<v Speaker 6>So I went and looked in the mirror and I

0:54:08.840 --> 0:54:10.839
<v Speaker 6>tried to sing. And once I saw I could say,

0:54:10.840 --> 0:54:13.880
<v Speaker 6>I sat down, smoked a cigarette, waited. But what she

0:54:14.080 --> 0:54:14.239
<v Speaker 6>was on?

0:54:14.680 --> 0:54:15.919
<v Speaker 2>What that she was? Wow?

0:54:16.320 --> 0:54:16.360
<v Speaker 5>What?

0:54:17.080 --> 0:54:17.839
<v Speaker 4>Yeah? She was Wow?

0:54:18.920 --> 0:54:20.880
<v Speaker 2>That was your first thought I'm about to smoke this

0:54:20.960 --> 0:54:21.400
<v Speaker 2>cit No.

0:54:21.560 --> 0:54:24.040
<v Speaker 6>The first thought was where my shot. The first thought

0:54:24.160 --> 0:54:24.919
<v Speaker 6>was wearing my shot.

0:54:25.200 --> 0:54:27.640
<v Speaker 4>Okay, let's go with the second thought my cigarette.

0:54:27.719 --> 0:54:30.040
<v Speaker 6>No, no no. The second thought was I try to sing.

0:54:30.960 --> 0:54:33.400
<v Speaker 2>Hard thought, somebody give me a pack of new Ports man.

0:54:33.480 --> 0:54:35.839
<v Speaker 6>Well, oh if I couldn't sing, yeah, I was gonna

0:54:35.840 --> 0:54:38.680
<v Speaker 6>fish that off. Yeah what if I tried to sing

0:54:38.719 --> 0:54:40.799
<v Speaker 6>any Because they said it was like a hair from

0:54:40.840 --> 0:54:44.520
<v Speaker 6>my vocal cars going in right there and it came

0:54:44.600 --> 0:54:47.399
<v Speaker 6>out a hair from hitting my spine. They said, either

0:54:47.440 --> 0:54:48.759
<v Speaker 6>you was going to not be able to sing or

0:54:48.800 --> 0:54:52.239
<v Speaker 6>talk or you paralyzed. And he was like, we don't

0:54:52.239 --> 0:54:52.520
<v Speaker 6>know how.

0:54:52.560 --> 0:54:53.279
<v Speaker 2>And they did a test.

0:54:53.320 --> 0:54:54.920
<v Speaker 6>They was like it missed everything. And they was like,

0:54:54.960 --> 0:54:57.040
<v Speaker 6>we don't know how that's possible. Straight through They said

0:54:57.080 --> 0:54:58.520
<v Speaker 6>it was straight that came in and they said it

0:54:58.560 --> 0:55:00.920
<v Speaker 6>but it missed everything. Gular vein is right there. I

0:55:01.000 --> 0:55:04.680
<v Speaker 6>missed everything. And I'm sitting in there and I'm like,

0:55:05.000 --> 0:55:07.600
<v Speaker 6>so people keep coming in my room because everybody's there,

0:55:08.440 --> 0:55:10.239
<v Speaker 6>My baby, mama is there, my girl at the time

0:55:10.320 --> 0:55:12.600
<v Speaker 6>is there, and they looking all sad and shit, and

0:55:12.640 --> 0:55:14.720
<v Speaker 6>now nobodys telling me nothing. I'm cracking jokes so everybody

0:55:14.800 --> 0:55:16.960
<v Speaker 6>keeps coming in the room. So I'm like, why is

0:55:17.000 --> 0:55:19.400
<v Speaker 6>everybody coming in here? And later because they want to

0:55:19.400 --> 0:55:21.120
<v Speaker 6>see the dude that they said over the radio is

0:55:21.120 --> 0:55:22.719
<v Speaker 6>gonna be dead when he got here. He's sitting here

0:55:22.760 --> 0:55:25.720
<v Speaker 6>cracking jokes. That's why they keep coming in here. Somebody

0:55:25.760 --> 0:55:27.879
<v Speaker 6>put that on the radio over No, not the radio

0:55:28.200 --> 0:55:30.640
<v Speaker 6>over there. They would transport me in the ambulance and

0:55:30.680 --> 0:55:32.279
<v Speaker 6>they was like, I was probably gonna be dead when

0:55:32.320 --> 0:55:34.120
<v Speaker 6>I got there. And they was like, and now they

0:55:34.200 --> 0:55:36.200
<v Speaker 6>hear you and hear cracking jokes. That's why everybody keeps

0:55:36.200 --> 0:55:38.600
<v Speaker 6>coming and looking in the room, coming into the hospital room,

0:55:38.719 --> 0:55:41.040
<v Speaker 6>into my room. They looking like because niggas like hearing

0:55:41.040 --> 0:55:43.640
<v Speaker 6>they're cracking jokes. They're like, hell no, and they looking

0:55:43.719 --> 0:55:46.320
<v Speaker 6>They're like this nigga's cracking jokes. But nobody's telling me this.

0:55:46.400 --> 0:55:48.480
<v Speaker 6>At the time, I'm just like, why is everybody coming

0:55:48.520 --> 0:55:51.760
<v Speaker 6>in here? And they said that was why that she's crazy.

0:56:02.160 --> 0:56:04.040
<v Speaker 2>These are the stories that make you feel musical. Huh

0:56:04.280 --> 0:56:06.640
<v Speaker 2>is what you feel. That's where it comes.

0:56:06.480 --> 0:56:18.000
<v Speaker 3>From, right, you know what I'm saying. Yeah, brother, case,

0:56:19.680 --> 0:56:34.880
<v Speaker 3>my fellow, the real enthusiastic in all your years breaking

0:56:34.920 --> 0:56:38.960
<v Speaker 3>the rules. Yeah, putting your own life in jeopardy, youth.

0:56:41.960 --> 0:56:44.399
<v Speaker 3>You know this music thing, man, you do this music thing,

0:56:44.560 --> 0:56:45.800
<v Speaker 3>then you try.

0:56:45.880 --> 0:56:50.560
<v Speaker 4>Try my best. You've been gaptized.

0:56:52.160 --> 0:56:52.879
<v Speaker 2>He's a rock star.

0:56:53.600 --> 0:56:54.480
<v Speaker 1>He's a rock star.

0:56:57.440 --> 0:57:00.000
<v Speaker 3>In the midst of all this deparchery that you've participated

0:57:00.120 --> 0:57:04.800
<v Speaker 3>it in, I thought there was some music playing. It

0:57:05.000 --> 0:57:08.080
<v Speaker 3>ended up being some of your favorite brother case. The

0:57:08.120 --> 0:57:09.520
<v Speaker 3>world wants to know what's your What.

0:57:09.600 --> 0:57:10.040
<v Speaker 2>They want to know?

0:57:11.120 --> 0:57:12.480
<v Speaker 8>Top five?

0:57:16.000 --> 0:57:17.000
<v Speaker 4>Your top five?

0:57:17.840 --> 0:57:26.480
<v Speaker 8>You know you got top five, your top five R

0:57:26.600 --> 0:57:28.080
<v Speaker 8>and B singers?

0:57:29.120 --> 0:57:31.760
<v Speaker 2>What else are and so.

0:57:34.560 --> 0:57:38.760
<v Speaker 1>You go to no shot in your th you.

0:57:39.040 --> 0:57:39.960
<v Speaker 4>Hold a node.

0:57:40.160 --> 0:57:49.200
<v Speaker 1>If you still to this day, what your yes, I

0:57:49.280 --> 0:57:50.200
<v Speaker 1>can't say this is.

0:57:50.240 --> 0:57:57.680
<v Speaker 4>All you.

0:58:06.320 --> 0:58:06.840
<v Speaker 2>Think about?

0:58:06.920 --> 0:58:07.200
<v Speaker 3>Mind?

0:58:08.840 --> 0:58:18.640
<v Speaker 2>Yes, sir? Yeah, yeah? Top five real the case you're

0:58:18.920 --> 0:58:22.200
<v Speaker 2>top five R and B singer R and B singers.

0:58:22.240 --> 0:58:25.640
<v Speaker 6>I mean they can be saying, Okay, Stevie Wonder talk,

0:58:26.520 --> 0:58:30.560
<v Speaker 6>Charlie Wilson, come on man, Donny Hathaway, come on man,

0:58:31.400 --> 0:58:39.560
<v Speaker 6>Marvin Gaye. A Twinkie clock, Twinkie clock that was nasty

0:58:39.680 --> 0:58:40.960
<v Speaker 6>weighted in that Yeah.

0:58:40.840 --> 0:58:43.600
<v Speaker 2>Yeah, ye, save that one. I saved that one. Yes,

0:58:43.880 --> 0:58:45.240
<v Speaker 2>I thought she was gonna hit the pitch anyway.

0:58:45.360 --> 0:58:50.360
<v Speaker 4>Yeah, yeah, yeah, yeah. Yeah, she just does something.

0:58:50.200 --> 0:58:53.160
<v Speaker 6>Different, something different with a complimentary. Now to Ella Fitzgerald,

0:58:53.520 --> 0:58:58.000
<v Speaker 6>probably she's she's a machine. She was a machine dog

0:58:59.360 --> 0:58:59.840
<v Speaker 6>high level.

0:59:00.760 --> 0:59:04.160
<v Speaker 3>She was a top tier, top tier, top top tier.

0:59:04.280 --> 0:59:08.080
<v Speaker 3>Those are foundational all day. Yeah, you can build a career. Yeah,

0:59:08.120 --> 0:59:09.520
<v Speaker 3>you gotta have a piece of you gotta have a

0:59:09.600 --> 0:59:13.440
<v Speaker 3>piece of all of Yeah. Yeah, a lease have an

0:59:13.480 --> 0:59:17.040
<v Speaker 3>understanding of what those are. Yeah, you gotta be in

0:59:17.200 --> 0:59:19.280
<v Speaker 3>order to be an ARMB singer. That's a fact.

0:59:19.400 --> 0:59:21.920
<v Speaker 4>Definitely top five ARMB songs.

0:59:24.160 --> 0:59:25.880
<v Speaker 6>That this change is depending on the day of my

0:59:26.000 --> 0:59:32.360
<v Speaker 6>movie Tender Love for some d Yeah, break your fall

0:59:32.480 --> 0:59:35.880
<v Speaker 6>on your day O love that song. That's actually my

0:59:35.960 --> 0:59:36.640
<v Speaker 6>ringtoe right.

0:59:36.520 --> 0:59:39.360
<v Speaker 4>Now she said, Oh my gosh, we love her. Yeah,

0:59:39.440 --> 0:59:39.920
<v Speaker 4>we love her.

0:59:40.520 --> 0:59:40.800
<v Speaker 2>Get her.

0:59:42.160 --> 0:59:44.960
<v Speaker 6>Don't you worry about the thanks Stevie Wonder because from

0:59:45.000 --> 0:59:47.040
<v Speaker 6>the time as long as I can remember, I could

0:59:47.040 --> 0:59:49.000
<v Speaker 6>be having the worst day ever. If I play that song,

0:59:49.080 --> 0:59:54.480
<v Speaker 6>I instantly feel better, instantly to this day. Yeh, come

0:59:54.520 --> 0:59:59.120
<v Speaker 6>get to this. Marvin Gay love It and off the Wall.

0:59:59.200 --> 1:00:00.760
<v Speaker 6>Michael Jackson, all.

1:00:00.640 --> 1:00:03.680
<v Speaker 3>Right, so let's put together your R and B Voltron.

1:00:04.640 --> 1:00:07.480
<v Speaker 3>All right, you're gonna put together your super R and

1:00:07.600 --> 1:00:10.600
<v Speaker 3>B artists. So who you're gonna get the vocal from

1:00:11.000 --> 1:00:16.200
<v Speaker 3>the performance style, the styling, and then the passion of

1:00:16.360 --> 1:00:19.080
<v Speaker 3>the artists, the heart of the artist. Who you getting

1:00:19.080 --> 1:00:21.720
<v Speaker 3>the vocal from to make your super artists.

1:00:24.960 --> 1:00:27.400
<v Speaker 6>Getting the vocal from Michael Jackson.

1:00:29.360 --> 1:00:35.120
<v Speaker 5>All tempo, yeah yeah, any up, temple, mid temple, ballads, any.

1:00:35.040 --> 1:00:38.919
<v Speaker 4>Anything you do. Young Michael was young.

1:00:38.960 --> 1:00:40.200
<v Speaker 6>Michael was killing own man.

1:00:40.560 --> 1:00:44.760
<v Speaker 4>He was a killer performance style on stage.

1:00:46.160 --> 1:00:51.720
<v Speaker 6>Combination of Michael Slodstone, Yeah, Slyde was a beast beaf.

1:00:51.800 --> 1:00:54.840
<v Speaker 6>Sly Stone was a beast. Were studying the handbone uts.

1:00:54.880 --> 1:00:57.400
<v Speaker 2>I love slod SnO, It's called losing yourself in the

1:00:57.520 --> 1:01:01.040
<v Speaker 2>music every time his whatstop performance. You know he's from

1:01:01.080 --> 1:01:02.760
<v Speaker 2>the base, so I already know I'm.

1:01:02.640 --> 1:01:05.400
<v Speaker 6>The biggest slang and in the family Stone.

1:01:05.440 --> 1:01:08.600
<v Speaker 5>I think that is something that needs to be revisiting

1:01:08.960 --> 1:01:12.840
<v Speaker 5>in music. Well, he changed every from my opinion, just yeah,

1:01:12.880 --> 1:01:16.840
<v Speaker 5>absolutely the way he changed things. But artists literally losing

1:01:16.960 --> 1:01:21.120
<v Speaker 5>themselves in the song. Yeah, if you go back and

1:01:21.200 --> 1:01:26.400
<v Speaker 5>you watch literally James Brown losing ten pounds a sholl yeah, yeah,

1:01:26.880 --> 1:01:29.560
<v Speaker 5>because he didn't work so hard, or Marvin Gay or

1:01:29.960 --> 1:01:33.320
<v Speaker 5>Teddy Pens a new addition, but.

1:01:33.400 --> 1:01:35.200
<v Speaker 6>You know what I believe and you correct me if

1:01:35.240 --> 1:01:37.160
<v Speaker 6>I'm wrong. I believe that a lot of that has

1:01:37.200 --> 1:01:38.600
<v Speaker 6>to do with the fact that you get on stage

1:01:38.640 --> 1:01:40.080
<v Speaker 6>and you see a bunch of cameras in your face.

1:01:40.960 --> 1:01:42.920
<v Speaker 2>It automatically don't want to mess up it.

1:01:43.000 --> 1:01:45.440
<v Speaker 6>Automatically, even if you're not conscious of that.

1:01:45.520 --> 1:01:48.760
<v Speaker 5>It puts it in your head that this is going

1:01:48.800 --> 1:01:51.280
<v Speaker 5>to be This is live everywhere, This is a lot, right,

1:01:52.040 --> 1:01:53.600
<v Speaker 5>It's not just the one night only thing.

1:01:53.600 --> 1:01:56.040
<v Speaker 6>Right, it's live everywhere. This is live for the world.

1:01:56.120 --> 1:01:59.080
<v Speaker 6>This is like performing at Live eight. You're not trying

1:01:59.120 --> 1:02:01.000
<v Speaker 6>to mess up on live back in the days or

1:02:02.080 --> 1:02:03.800
<v Speaker 6>like that. I think that puts something in your head

1:02:03.840 --> 1:02:06.439
<v Speaker 6>when it comes to losing yourself in the in the music,

1:02:06.480 --> 1:02:07.160
<v Speaker 6>in the performance.

1:02:07.240 --> 1:02:09.080
<v Speaker 2>Yeah. No, I can appreciate the artist.

1:02:09.240 --> 1:02:12.520
<v Speaker 5>I can appreciate the artist not messing up on the

1:02:12.600 --> 1:02:15.680
<v Speaker 5>word maybe fall like listen, it's just the performer.

1:02:16.000 --> 1:02:18.960
<v Speaker 6>Yeah, And it's like yeah, because you know, there's nothing

1:02:19.000 --> 1:02:19.320
<v Speaker 6>to feed it.

1:02:19.360 --> 1:02:19.720
<v Speaker 2>It's just this.

1:02:20.520 --> 1:02:22.160
<v Speaker 6>And the first thing I remember the first time I

1:02:22.240 --> 1:02:24.880
<v Speaker 6>saw that, like, didn't they rest rerun for filming the

1:02:24.920 --> 1:02:25.920
<v Speaker 6>du Beat Brothers concert?

1:02:26.200 --> 1:02:26.560
<v Speaker 2>Taking it?

1:02:27.280 --> 1:02:29.080
<v Speaker 4>And I'm like, hey, Bady, you got a phone.

1:02:29.680 --> 1:02:32.280
<v Speaker 6>I'm like, it just puts something in my head.

1:02:32.360 --> 1:02:32.800
<v Speaker 2>The first time.

1:02:32.920 --> 1:02:36.440
<v Speaker 6>I'm like, it immediately changed my mindset. When I got

1:02:36.520 --> 1:02:39.320
<v Speaker 6>on stage and saw everybody had phones, I'm like, it

1:02:39.360 --> 1:02:40.480
<v Speaker 6>took me a minute to get used to that.

1:02:40.880 --> 1:02:45.439
<v Speaker 2>Yeah. Who are you getting the styling from the drip

1:02:45.480 --> 1:02:46.120
<v Speaker 2>of the artists?

1:02:46.640 --> 1:02:51.880
<v Speaker 6>Marvin gay hmm yeah, Marve Gang classic, Yes, sir, that's

1:02:52.040 --> 1:02:53.680
<v Speaker 6>that's what a lot of Michael Jackson stuff came them.

1:02:53.680 --> 1:02:54.080
<v Speaker 2>Aviator is.

1:02:54.160 --> 1:02:56.280
<v Speaker 6>Marvin Gaye was wearing those first, and the military jackets,

1:02:56.280 --> 1:02:59.160
<v Speaker 6>Marvin Gaye was wearing those first, and and Michael Jackson

1:02:59.200 --> 1:03:04.360
<v Speaker 6>started doing it well studies yeah, friend, yeah, yeah, definitely, yeah,

1:03:04.360 --> 1:03:04.560
<v Speaker 6>he was.

1:03:04.600 --> 1:03:05.160
<v Speaker 2>He was the problem.

1:03:05.640 --> 1:03:07.920
<v Speaker 4>Who are in the passion of the artist from ra

1:03:08.080 --> 1:03:10.120
<v Speaker 4>Chall's h m hm.

1:03:10.920 --> 1:03:13.920
<v Speaker 6>That passion there, David Rouffing, that type of passion.

1:03:13.880 --> 1:03:14.360
<v Speaker 2>It's different.

1:03:14.720 --> 1:03:17.160
<v Speaker 6>That's different. Different, that's different. That's a different type of

1:03:17.160 --> 1:03:18.960
<v Speaker 6>emotion that niggas sing about anything.

1:03:19.400 --> 1:03:25.160
<v Speaker 2>Very very aggressive man, very aggressive man, easy listen, torture.

1:03:25.200 --> 1:03:28.000
<v Speaker 3>Sing a song called Let's get Let's go get stoned.

1:03:28.400 --> 1:03:29.680
<v Speaker 3>You know what I feel like they did it.

1:03:29.920 --> 1:03:33.520
<v Speaker 4>I said, nigga, what come on?

1:03:33.680 --> 1:03:36.240
<v Speaker 3>Yeah, yeah, before you get out of here, my brother

1:03:40.320 --> 1:03:43.400
<v Speaker 3>I ain't saying no niggs. I ain't saying no names. Yeah,

1:03:43.480 --> 1:03:46.920
<v Speaker 3>I ain't saying no names. Ain't saying no niggas. You are.

1:03:49.480 --> 1:03:57.160
<v Speaker 2>What you need, don't see she I ain't said no names.

1:04:08.000 --> 1:04:08.720
<v Speaker 4>You're gonna break.

1:04:09.480 --> 1:04:14.240
<v Speaker 2>Yeah, we go down. This is gonna be broke. Man actually.

1:04:16.920 --> 1:04:17.240
<v Speaker 4>Galling.

1:04:17.360 --> 1:04:17.919
<v Speaker 1>You gotta gather.

1:04:18.760 --> 1:04:21.040
<v Speaker 5>All right, so we have this, you know, very important

1:04:21.080 --> 1:04:24.400
<v Speaker 5>segment of the show. Yeah, cart I ain't saying no names. Yes, sir,

1:04:24.960 --> 1:04:27.240
<v Speaker 5>the rule to the game. She just can't say no names.

1:04:27.680 --> 1:04:30.240
<v Speaker 5>That's the only rule. You tell us a story funnier,

1:04:30.320 --> 1:04:33.840
<v Speaker 5>fucked up? Are funny and fucked up? All your story

1:04:33.920 --> 1:04:35.400
<v Speaker 5>seemed to be Jesus Christ.

1:04:35.760 --> 1:04:37.320
<v Speaker 2>I got one that I can say the name because

1:04:37.320 --> 1:04:39.479
<v Speaker 2>it's just funny names.

1:04:39.520 --> 1:04:39.760
<v Speaker 4>Okay.

1:04:40.040 --> 1:04:42.280
<v Speaker 2>I just got you out the way. It is easy

1:04:42.320 --> 1:04:42.800
<v Speaker 2>way to say.

1:04:43.520 --> 1:04:46.760
<v Speaker 6>Okay, asking brothers, I got you back it up first

1:04:46.800 --> 1:04:48.520
<v Speaker 6>of all, because.

1:04:48.320 --> 1:04:51.600
<v Speaker 2>We would like to live happily. You know, we don't

1:04:51.600 --> 1:04:52.200
<v Speaker 2>want no trouble.

1:04:52.360 --> 1:04:54.760
<v Speaker 6>Y'all gonna be y'all don't like that.

1:04:56.880 --> 1:04:57.280
<v Speaker 2>Right now?

1:04:57.840 --> 1:05:00.880
<v Speaker 5>It's the man is hit to himself himself case, I

1:05:00.960 --> 1:05:02.200
<v Speaker 5>ain't saying no names.

1:05:02.800 --> 1:05:03.080
<v Speaker 4>Okay.

1:05:03.160 --> 1:05:06.520
<v Speaker 6>So there was an R and B artist that wrote

1:05:06.520 --> 1:05:09.400
<v Speaker 6>a song for me for one of my albums. So

1:05:09.600 --> 1:05:12.080
<v Speaker 6>she invited me and my homeboy over to hear the song.

1:05:12.120 --> 1:05:14.000
<v Speaker 6>Because back in them days it was cassettes. It wasn't

1:05:14.000 --> 1:05:15.680
<v Speaker 6>no emailing the song back and forth whatever.

1:05:18.000 --> 1:05:18.680
<v Speaker 2>So we're in there.

1:05:19.360 --> 1:05:22.160
<v Speaker 6>Her dude shows up. He's like a big rapper.

1:05:22.640 --> 1:05:23.320
<v Speaker 2>He don't know us.

1:05:23.960 --> 1:05:26.439
<v Speaker 6>So he rolls up and two dudes in his crib

1:05:26.560 --> 1:05:29.040
<v Speaker 6>with his chick that he don't know. So he looking

1:05:29.160 --> 1:05:33.160
<v Speaker 6>us up and down, introduced ourselves. He's like whatever, So

1:05:33.240 --> 1:05:36.200
<v Speaker 6>we leave. We go to getting our rental cars outside.

1:05:37.520 --> 1:05:39.400
<v Speaker 6>We get in the car, the rental car won't start.

1:05:40.960 --> 1:05:43.040
<v Speaker 6>So now he comes out with her maybe an hour

1:05:43.160 --> 1:05:44.720
<v Speaker 6>later to go pick up the kid from.

1:05:44.680 --> 1:05:47.040
<v Speaker 2>Day because we know we calling the toe truck.

1:05:48.200 --> 1:05:50.160
<v Speaker 6>We're sitting across the street from his crib in the car.

1:05:50.200 --> 1:05:51.760
<v Speaker 6>I'm like, Nigga, dis looks crazy.

1:05:51.800 --> 1:05:52.480
<v Speaker 2>It looks crazy.

1:05:53.480 --> 1:05:56.520
<v Speaker 6>They come back. We're still sitting in the car like Nigga,

1:05:56.600 --> 1:06:01.080
<v Speaker 6>dis looks crazy. But it's freezing outside. We can't wait outside,

1:06:02.120 --> 1:06:04.000
<v Speaker 6>so I'm like, I make sure I get out so

1:06:04.040 --> 1:06:05.960
<v Speaker 6>I could tell her yo what's going on. But I

1:06:06.000 --> 1:06:10.000
<v Speaker 6>could see already that he looking like it looked real suspect.

1:06:11.000 --> 1:06:14.240
<v Speaker 6>So finally the tow truck comes and we get off.

1:06:14.280 --> 1:06:15.800
<v Speaker 6>So then I ran into him. At this time, I

1:06:15.880 --> 1:06:17.960
<v Speaker 6>hadn't had a record out, so I run into him

1:06:18.520 --> 1:06:20.360
<v Speaker 6>and I'm like, yo, remember blah blah blah.

1:06:20.640 --> 1:06:21.320
<v Speaker 4>I was like that was me.

1:06:21.440 --> 1:06:24.400
<v Speaker 2>He was like, yo, b I thought your niggas was

1:06:24.440 --> 1:06:25.120
<v Speaker 2>on some bs.

1:06:25.200 --> 1:06:27.520
<v Speaker 6>I'm like, nah, we was. And we laughed about it.

1:06:27.640 --> 1:06:29.680
<v Speaker 6>So but that almost got real hairy.

1:06:30.360 --> 1:06:30.600
<v Speaker 1>Yeah.

1:06:31.200 --> 1:06:32.720
<v Speaker 2>Yeah, outside of the spot.

1:06:32.920 --> 1:06:35.720
<v Speaker 6>Yeah, for hour, I'm like, yo, this is this don't

1:06:35.760 --> 1:06:37.560
<v Speaker 6>look good. It was nothing we could do because we

1:06:37.600 --> 1:06:39.400
<v Speaker 6>were we just got out the car. First of all,

1:06:39.400 --> 1:06:42.120
<v Speaker 6>it was freezing, but the neighborhood we was in it

1:06:42.280 --> 1:06:45.520
<v Speaker 6>went down. It went down, so we were stuck.

1:06:45.680 --> 1:06:45.880
<v Speaker 2>Yeah.

1:06:46.040 --> 1:06:46.400
<v Speaker 4>Ain't cool.

1:06:46.640 --> 1:06:50.960
<v Speaker 6>Yeah, now this is funny. So this chicken dating, we

1:06:51.080 --> 1:06:54.080
<v Speaker 6>go out to dinner at this at this seafood place.

1:06:54.880 --> 1:06:56.240
<v Speaker 6>So me and a limo driver we're like, we're going

1:06:56.320 --> 1:06:58.240
<v Speaker 6>to jump out and get the food. Leaf from the limo.

1:06:59.240 --> 1:07:00.440
<v Speaker 6>We get the food, we come my mouth was like,

1:07:01.240 --> 1:07:04.240
<v Speaker 6>where's the limo? So we can't find a limo.

1:07:04.560 --> 1:07:06.680
<v Speaker 4>Hold you and the limo driver get out.

1:07:06.560 --> 1:07:06.920
<v Speaker 2>Get out.

1:07:07.280 --> 1:07:08.760
<v Speaker 6>We run out, pulled the hat down. We run in

1:07:08.800 --> 1:07:11.600
<v Speaker 6>to get the food. We leave the chicken in the limo, in.

1:07:11.640 --> 1:07:12.880
<v Speaker 2>The limo, in the back of the limo.

1:07:13.080 --> 1:07:17.200
<v Speaker 6>Right, Okay, we come out. The limo's gone, but the

1:07:17.320 --> 1:07:20.160
<v Speaker 6>driver with you. The driver's with me, so he looking

1:07:20.200 --> 1:07:22.680
<v Speaker 6>at me. I'm looking at him like nigg I don't know.

1:07:23.480 --> 1:07:26.280
<v Speaker 6>So we're seeing there, we're looking around. Cell phone is

1:07:26.360 --> 1:07:28.240
<v Speaker 6>not really a thing back then, so we're like, yo,

1:07:29.600 --> 1:07:32.560
<v Speaker 6>what the hell happened? So then we see the limo

1:07:32.680 --> 1:07:36.200
<v Speaker 6>come from around the corner. But as it turns, it

1:07:36.280 --> 1:07:38.440
<v Speaker 6>got the whole side of it is a dent and

1:07:38.520 --> 1:07:43.400
<v Speaker 6>it's yellow. So what happened was traffic started building up

1:07:43.440 --> 1:07:46.880
<v Speaker 6>behind the limo. Shorty crawls through the thing. It tries

1:07:46.920 --> 1:07:48.040
<v Speaker 6>to move it, but you know what I mean, yellow

1:07:48.120 --> 1:07:50.400
<v Speaker 6>poles in the part. She caught the side of the

1:07:50.480 --> 1:07:54.200
<v Speaker 6>pole and scraped the whole side of the limo. It tried,

1:07:54.240 --> 1:07:56.560
<v Speaker 6>and then people say, yo, that's so and so it

1:07:56.680 --> 1:07:59.040
<v Speaker 6>scraped the whole side of the limo. It just sat

1:07:59.080 --> 1:08:04.160
<v Speaker 6>there like sorry, yo, yo. The lmo driver was six. Yeah,

1:08:04.200 --> 1:08:08.840
<v Speaker 6>she destroyed his joint. Yeah, she destroyed his joint. It

1:08:08.960 --> 1:08:10.360
<v Speaker 6>was at that moment I'm like, we're going on the

1:08:10.400 --> 1:08:13.640
<v Speaker 6>second date. Doug Life yeah, we was going.

1:08:13.520 --> 1:08:14.080
<v Speaker 2>On the second date.

1:08:14.160 --> 1:08:16.280
<v Speaker 6>That earned her a second date, That earned her second date.

1:08:16.680 --> 1:08:19.400
<v Speaker 6>Just the balls of this person. Yeah yeah, that earned

1:08:19.400 --> 1:08:21.760
<v Speaker 6>her second date. I drive limos, now this happen.

1:08:22.640 --> 1:08:27.000
<v Speaker 2>That told me she do what she gotta do if

1:08:27.040 --> 1:08:27.760
<v Speaker 2>it needs to be done.

1:08:28.760 --> 1:08:33.320
<v Speaker 5>Drive jumped through the partition already is on some foolish

1:08:33.680 --> 1:08:34.160
<v Speaker 5>She's different.

1:08:34.840 --> 1:08:38.240
<v Speaker 2>Yeah, she's different. That's different. That's fair, my brother, case

1:08:38.439 --> 1:08:39.120
<v Speaker 2>uh man.

1:08:40.439 --> 1:08:43.479
<v Speaker 3>First of all, it's always a time man, Yes, sir,

1:08:44.360 --> 1:08:47.719
<v Speaker 3>anytime were in the building together, it's always love, always

1:08:47.760 --> 1:08:54.200
<v Speaker 3>the time. We appreciate your your contributions to this thing, man,

1:08:54.320 --> 1:08:59.080
<v Speaker 3>Thank you. Your music's timeless, absolutely, and apparently you are

1:08:59.160 --> 1:09:01.280
<v Speaker 3>too long. You know what I'm saying.

1:09:01.920 --> 1:09:02.920
<v Speaker 2>Along here, man, and.

1:09:04.560 --> 1:09:09.200
<v Speaker 3>We look forward two more, yes sir, Yeah, come on man,

1:09:09.240 --> 1:09:12.280
<v Speaker 3>you know what I mean. As we spoke before the pod.

1:09:12.439 --> 1:09:16.760
<v Speaker 3>We look forward to more because because you deserve it.

1:09:17.560 --> 1:09:20.680
<v Speaker 6>Thank you, man. I appreciate you'll. Thank you for having me, yes, man,

1:09:21.960 --> 1:09:23.439
<v Speaker 6>and you have our support.

1:09:25.560 --> 1:09:26.439
<v Speaker 4>Yes you got that.

1:09:27.200 --> 1:09:28.080
<v Speaker 2>Yes, sir, let me.

1:09:28.400 --> 1:09:31.919
<v Speaker 3>My name is Tank and this is the Army Money Podcast,

1:09:32.000 --> 1:09:35.240
<v Speaker 3>the authority of all things R and B.

1:09:40.360 --> 1:09:46.560
<v Speaker 2>That's not the case, y'all? Yes, sir, Yes, Sir R

1:09:46.600 --> 1:09:47.599
<v Speaker 2>and B Money.

1:09:48.760 --> 1:09:50.519
<v Speaker 5>R and B Money is a production of the Black

1:09:50.560 --> 1:09:55.080
<v Speaker 5>Effect Podcast Network. For more podcasts from iHeart Radio, is

1:09:55.120 --> 1:09:58.960
<v Speaker 5>it the iHeartRadio app, Apple Podcasts, or wherever you listen

1:09:59.040 --> 1:10:02.280
<v Speaker 5>to your favorite show, don't forget to subscribe to and

1:10:02.520 --> 1:10:04.760
<v Speaker 5>rate our show, and you can connect with us on

1:10:04.880 --> 1:10:08.400
<v Speaker 5>social media at Jay Valentine and at the Real Tank.

1:10:08.840 --> 1:10:13.519
<v Speaker 5>For the extended episode, subscribe to YouTube dot com or

1:10:13.760 --> 1:10:15.120
<v Speaker 5>slash R and B Money