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Speaker 1: We're speed shocking on the patio. We have the stack of.

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Speaker 2: The corn and we have the stuff on it and

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Speaker 2: where we said go and we speed shuck me and Jonathan.

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Speaker 1: And stop.

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Speaker 3: You told me this already, Okay, you told me this before.

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Speaker 3: I don't want to hear this again.

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Speaker 2: Okay, Well, if you get so, that is actually I'm

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Speaker 2: so glad. I certainly don't want to say it again.

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Speaker 1: Okay.

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Speaker 2: I'm really I'm really glad that I have told you

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Speaker 2: this before, because I was getting to a point where

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Speaker 2: I was realizing I didn't remember how it ends.

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Speaker 3: Well, you speed shuck so hard that you blacked out, okay,

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Speaker 3: And then it was something about you woke up in

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Speaker 3: the hospital and then the doctors told you that like

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Speaker 3: there was so much corn silk in your bloodstream, yeah,

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Speaker 3: that you were technically becoming a scarecrow okay. And then

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Speaker 3: you were like mad at them and started rip out

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Speaker 3: your ivs and stuff and like swinging around the IV

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Speaker 3: stand with the hospital staff like get back, get back,

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Speaker 3: and then you like obviously blacked out again.

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Speaker 1: And then you woke up again.

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Speaker 3: And then at this point you had on like the

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Speaker 3: hat and you had like a stick that you were

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Speaker 3: stuck on. Yeah, and you had the straw coming in.

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Speaker 1: Who did that? The doctors did that?

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Speaker 3: Well, I mean it seems like you did it to yourself.

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Speaker 3: I mean the doctor's orders they gave.

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Speaker 2: You pretty different. Oh that sounds like something I might do.

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Speaker 2: Is they were saying I was becoming a scarecrow, and

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Speaker 2: so I would say, like, I want to do that,

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Speaker 2: doing it on purpose?

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Speaker 1: Yeah, because you never can admit your mistake.

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Speaker 3: By blackout, I get very stubborn and you go like, yeah,

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Speaker 3: I know, of course in becoming a scarecrow, that's what

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Speaker 3: I wanted. And then you were in that corn maze

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Speaker 3: for that whole Halloween season.

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Speaker 1: Well that's good. I had a good story.

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Speaker 3: I'm so glow, I know, but it's just like I

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Speaker 3: didn't know if it was going to be so good.

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Speaker 1: But I just don't want to hear it again.

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Speaker 2: Hi, Welcome to Hollywood Carpet lineback Holler, which industry. We

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Speaker 2: talk showbiz, We are podcasts and we work on entertainment,

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Speaker 2: but we can also be fans of people.

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Speaker 1: Sorry, yes, Hollywood handbugs, Hi didn't hear what do you

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Speaker 1: think you said that? Okay, but go ahead.

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Speaker 2: That is gross, but that's funny. We have people that

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Speaker 2: we admire and we look up to in this business,

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Speaker 2: and one of them is Scott Ackerman, and we just

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Speaker 2: want to join the chorus of adults and babies and

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Speaker 2: all the people that love comedy bang bang and say

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Speaker 2: you did it so white people.

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Speaker 3: Yes, everyone has been saying podcasts and comedy podcasts. You know,

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Speaker 3: from adults to babies to white people all love comedy podcasts.

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Speaker 3: And we are a part of that same group. And

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Speaker 3: we also love to laugh.

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Speaker 2: Yeah, and we love just like the stuff that we

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Speaker 2: hear about you doing is so an accomplishment and we

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Speaker 2: just think like hooray.

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Speaker 1: And the number of them, yeah, big number.

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Speaker 2: I'm sorry if you introduced me or oh I think

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Speaker 2: I did, I mentioned you didn't say that's right, I'm sorry.

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Speaker 2: And this is part of my admiration for you that

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Speaker 2: it is such a well oiled machine on your show

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Speaker 2: that like it's like you have a very formal introduction

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Speaker 2: every time.

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Speaker 4: Two minutes and thirty seconds you have to introduce the

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Speaker 4: guest that that's how you podcast.

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Speaker 3: Hey, Scott Akerman's here milk was a bad choice.

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Speaker 2: It's huge, it's so funny, and the we are sorry

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Speaker 2: that we couldn't make it for the five hundredth episode.

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Speaker 1: Oh my god, I felt like shit about that.

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Speaker 4: Yeah, you couldn't make it to the five hundredth episode.

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Speaker 3: Yes, what does that know? Crazy? Well, one thing is

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Speaker 3: I couldn't get into my email.

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Speaker 1: Yeah. What what happened with your emi? The Sony hack?

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Speaker 4: Oh okay, you were involved in the Sony hack?

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Speaker 1: You were hacking? Well, I was so scared of it.

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Speaker 3: Oh, if I go in there, somebody's watching me, then

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Speaker 3: they hack me, then they send myself to Sony.

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Speaker 1: I had a similar thing. You know about this I

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Speaker 1: Love You virus? No, I haven't heard about this. I

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Speaker 1: love this is.

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Speaker 2: This major virus and I words, yes, oh, AIDS.

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Speaker 1: I think that's what he's talking about. I don't know.

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Speaker 4: This is something different I've.

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Speaker 2: Heard I was talking about a computer virus. Oh okay, yeah.

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Speaker 1: But AIDS is sort of an I Love you virus.

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Speaker 1: It is.

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Speaker 2: Yeah, I don't think people refer Yes, people are always

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Speaker 2: referring to the negative elements of it, but it is.

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Speaker 2: But it's a very loves a result of Oh what

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Speaker 2: do you don't want people to love each other?

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Speaker 1: Yeah, well that's what it's trying to stop. Uh So, anyway. Yeah,

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Speaker 1: they email, I'm sorry to talking about your computer virus.

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Speaker 2: I don't know about that I love you virus. Yeah,

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Speaker 2: someone sends a message that someone loves you, a message

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Speaker 2: that says I love you. Say it's not.

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Speaker 1: A normal one of those.

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Speaker 2: So yes, if you're like people, I guess you are

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Speaker 2: getting messages like this all the time. And you see

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Speaker 2: when it says I love you, you click on it.

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Speaker 2: And sometimes it's animated in like a fun way where

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Speaker 2: it's like Valentine's come out like a jib jab. Yes, yes,

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Speaker 2: there's a jib jab virus. Yes, it's a virus that

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Speaker 2: tricks you into thinking it's a loving jip, loving gyp.

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Speaker 3: Yes, and it gives you the opportunity to like be

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Speaker 3: Santa or whatever.

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Speaker 1: Right your own face and then one of the elves.

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Speaker 1: And then yeah, and.

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Speaker 4: So wait, your face is one of the elves or Santa,

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Speaker 4: because I want to be Santa in that situation.

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Speaker 3: Okay, well, well that works out great because I'd like

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Speaker 3: to be one of the l's. Oh so you and

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Speaker 3: I are in the jib jab together, you guys, You

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Speaker 3: see how you guys could be a great jib jab?

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Speaker 1: What about missus?

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Speaker 4: Clause who do you see is missus clause in this situation?

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Speaker 4: You're Ryan enginr Ryan. That was my first thought as well.

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Speaker 4: And and who are you?

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Speaker 1: Blitzer? Blitzer got it? Yeah, Blitzer, Yeah, well Blitzer.

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Speaker 4: Yeah, that would be funny when you really think about it.

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Speaker 4: Of like, I wonder if CNN has ever thought about

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Speaker 4: that for their Christmas card, like Donner Richard Richard so

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Speaker 4: funnily Tapper and Blitzer and Cooper.

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Speaker 2: I mean that's like lord, no, not anymore. Yeah, yeah, oops,

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Speaker 2: they shouldn't talk about that. I don't think that should

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Speaker 2: be in the jib jeb which hunt?

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Speaker 1: Yeah?

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Speaker 4: Probably do?

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Speaker 1: Which hashtag? Which hunt?

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Speaker 2: So anyway, the email is on the email you open

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Speaker 2: up an email, almost everyone you open has that like

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Speaker 2: animated skull made out of numbers.

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Speaker 1: It's going like movies. Yes, it's like every other email

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Speaker 1: that is like this.

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Speaker 2: Yes, and it's from like the Dark Demon the dark

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Speaker 2: demons like constantly.

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Speaker 1: Sorry to me, laughing is not scary.

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Speaker 4: You said that you love to laugh, by the way,

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Speaker 4: and yeah, I've never heard you laugh.

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Speaker 3: Yes, well it's private act for me. What does it

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Speaker 3: sound like when I laughed? Yeah? Kind of putting me

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Speaker 3: on the spot. Can you do it right, a spot Akerman. Yeah,

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Speaker 3: that's kind of that's kind of my laugh. It's a

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Speaker 3: very pleasant, lilting laugh.

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Speaker 4: And boy, I can't Yeah, I wonder what your loved

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Speaker 4: ones think of that.

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Speaker 3: Oh gosh, Well, you'd have to ask them, you know,

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Speaker 3: I try not to.

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Speaker 4: Have they ever been your loved ones in their entirety?

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Speaker 4: Have they ever been on this program?

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Speaker 1: My loved ones personally? Hmmm, I guess I love all

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Speaker 1: my guests.

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Speaker 2: Yeah, it's interesting that you would separate the idea of

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Speaker 2: loving someone from having them as as.

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Speaker 1: A guest on your pocket.

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Speaker 2: Because we are we do love all our guests, and

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Speaker 2: we are in love with all of them as we're

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Speaker 2: in love.

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Speaker 1: We love you, and we're in love with you.

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Speaker 4: Yes, we're in love.

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Speaker 1: And I love you Scott, and I'm in love with

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Speaker 1: you Scott.

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Speaker 2: Okay, Well, I like you guys, and that includes the engineers,

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Speaker 2: who are human beings. And it would be nice if

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Speaker 2: you said that to the engineer as well. I, you

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Speaker 2: know what.

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Speaker 1: To be honest, it's a little tough to even see

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Speaker 1: them anymore.

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Speaker 2: It's well so for me, it's actually very easy, and

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Speaker 2: I make a real effort to see them all the time,

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Speaker 2: and I am I will look at it and Ryan,

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Speaker 2: I love you and I'm in love with engineer Ryan.

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Speaker 2: You're a human being and I love you and I'm

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Speaker 2: in love with you.

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Speaker 1: Thank you.

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Speaker 4: I guess I understand like loving the human race as

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Speaker 4: as a people were all part of the collective consciousness.

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Speaker 4: I mean engineer Ryan in particular. I don't think that

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Speaker 4: I love as like an individual, but as part of you.

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Speaker 2: Know, human So it's purely sexual and there is no

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Speaker 2: love component.

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Speaker 4: There's probably nothing sexual about me and Ryan, I mean Ryan,

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Speaker 4: we were on tour together. I don't think there was

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Speaker 4: anything sexual that ever happened.

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Speaker 1: What happens, what.

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Speaker 3: Happens on tour, sean, Oh, what happens and it stays

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Speaker 3: on tour, And there's definitely a charge, and they're definitely

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Speaker 3: juiced up, and they're sort of it's it's not that

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Speaker 3: they're locking eyes and having this sort of like intense gaze.

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Speaker 3: It's actually more telling that they won't look at each

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Speaker 3: other as if maybe there's something they don't want to

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Speaker 3: remember from what happens on tour.

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Speaker 4: It is charged.

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Speaker 2: When you're on the road. There is like road dog

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Speaker 2: and is definitely a road dog.

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Speaker 3: Road dog, yes, yeah, yeah, and there's there's a term

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Speaker 3: hit that ship road dog and bail.

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Speaker 4: There's a term called RoadHead, which you've heard of.

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Speaker 1: Yeah. No, yeah.

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Speaker 4: Occasionally we would, you know, play around with of like, oh,

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Speaker 4: do we do RoadHead today?

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Speaker 1: Yeah? Fancy RoadHead? Yeah, give RoadHead. Yeah.

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Speaker 2: Hey, we've been on the road for a week. Now,

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Speaker 2: where's my RoadHead?

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Speaker 1: Yeah? Yeah, RoadHead in four days? Yeah? Yeah, some good.

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Speaker 4: I mean, when you're on the road, you want at

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Speaker 4: least one RoadHead.

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Speaker 1: Yeah.

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Speaker 3: Well otherwise why go on the road exactly, because you

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Speaker 3: could just stay home.

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Speaker 1: Yeah.

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Speaker 4: Homehead, Yeah, it's fine.

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Speaker 1: Homehead. I think it sucks. I hate it. Yeah, you've

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Speaker 1: heard somebody.

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Speaker 3: Somebody tries to give me bed head, freaking they get

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Speaker 3: they get boot in the butt. Yeah, unfortunately for them,

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Speaker 3: I would kick that out of bed forgiving me that

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Speaker 3: I have and I do.

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Speaker 1: Yeah.

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Speaker 2: My favorite is a she heads Oh right, definitely. Yeah,

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Speaker 2: radiohead you read that is good? Yeah yeah, yeah, but no,

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Speaker 2: but I don't. We're sorry we couldn't do the show,

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Speaker 2: and we're sorry about We're so happy to have you

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Speaker 2: for one ninety nine two hundred.

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Speaker 1: Unfortunately is all booked up. That sucks. Oh, I'm sorry.

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Speaker 1: This sucks. I'm suck.

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Speaker 2: You've been doing the show one hundred and ninety nine

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Speaker 2: times kind of yeah, not this show like sanctioned.

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Speaker 4: Oh wait, are you counting your old your your you're

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Speaker 4: a good show, the reality show show. Are you counting

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Speaker 4: that the good one? No, that's not part of the

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Speaker 4: two hundre you've been doing.

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Speaker 1: Top Sky Please, it's not the good one. Neither of

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Speaker 1: them are good. No, but they're also better than everything else.

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Speaker 4: Well, I liked the old show because you guys talked

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Speaker 4: about like real things. Mmm, you know what I mean? Like, yeah, hey,

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Speaker 4: then you.

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Speaker 1: Unfortunately, Scott, I have to break it to you.

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Speaker 2: Reality TV is fake and it's not creating a fake culture.

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Speaker 2: And so that was a big reason that we stopped

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Speaker 2: doing it. And maybe we didn't even do it.

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Speaker 4: No, but I guess what I mean is you you

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Speaker 4: had skin in the game when it came to that show,

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Speaker 4: like you actually liked watching those things, and this show

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Speaker 4: with it's sort of like, oh I.

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Speaker 1: Actually thought we liked that. Oh my god, that was

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Speaker 1: that was all in ironic? Oh that is so I

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Speaker 1: actually love that. I actually think that's great.

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Speaker 2: I love the idea of people listening to it and

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Speaker 2: just like being part of like the illusion of it

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Speaker 2: and being like, oh my god, these guys actually like

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Speaker 2: this is so crazy.

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Speaker 3: I'm so out of touch with that that I'm like,

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Speaker 3: oh my god, that's really cute.

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Speaker 2: You watched so like hate watched all of these shows

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Speaker 2: just to do it.

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Speaker 1: To be able to believe something like that, just to.

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Speaker 4: Do a show that five hundred people listen.

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Speaker 1: To, to watch a show, well, that's that's what was so

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Speaker 1: kaufman esque. Mm hmm yeah, and that's not why we

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Speaker 1: Kaufman Kaufman.

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Speaker 3: M Marta Kaufman and David Oh yeah, they're great. Yeah,

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Speaker 3: they're really good.

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Speaker 2: And speaking of it, to watch their show and for

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Speaker 2: you to watch them and be like, oh my god,

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Speaker 2: these guys are like really friends.

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Speaker 4: And like you know, yeah you mean Jane Fonda and

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Speaker 4: Willie Tomlin.

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Speaker 2: Yes, yeah, yeah, Oh they're really that horny.

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Speaker 3: They no, they're not, They're not. No, they don't they're

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Speaker 3: not horny.

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Speaker 1: I bet they're horny.

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Speaker 4: I bet they're so horny when they stop those scenes

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Speaker 4: like we've been playing horny, now I'm actually horny.

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Speaker 3: That might be right, that they actually trick their bodies

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Speaker 3: into becoming.

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Speaker 2: But while they're on screen, they're not horny. No, they're

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Speaker 2: pretending to be horny.

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Speaker 4: They're pretending to be horny, but then they're like I

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Speaker 4: was so in touch with my horniness, Like now I'm horny.

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Speaker 4: It'd be dangerous. It's like rub one out or get

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Speaker 4: some road.

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Speaker 3: They might have to go blast off in their trailer

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Speaker 3: as soon as they ran. Yeah, but I don't want

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Speaker 3: to talk about them blasting off.

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Speaker 1: We just talk about yeah, uh, we're stacked. We're just

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Speaker 1: too fully stacked. Yeah, that's fine.

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Speaker 2: We got Mary Holland and Zukas, Gabris Crollyft obviously forgot

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Speaker 2: even even mentioned.

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Speaker 4: We have anyone who wasn't on my five hundredths.

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Speaker 2: I wondered about that because I did notice that they

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Speaker 2: were all on our show before they did your five emisode.

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Speaker 2: Every single one, every single lap is sorry for good

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Speaker 2: of course he's coming.

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Speaker 1: Yes, he was not on my or was he? I

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Speaker 1: don't even remember, sorry, Drew, oh Drew? Was he really?

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Speaker 2: I think he was on like part two or whatever,

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Speaker 2: which is like, don't worry everyone, ours will only be

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Speaker 2: like one one long part, yes, right, and like Carl

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Speaker 2: and like I like.

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Speaker 4: All these people are going so so the I guess

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Speaker 4: the only people who weren't on the five hundredth episode

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Speaker 4: or you.

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Speaker 1: Too, exactly, And again, we are really sorry about like feeling,

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Speaker 1: but I feel like fucking ship about that.

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Speaker 4: There's literally no need to apologize at all.

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Speaker 1: Scott, You're right, we were we were busy. Don't be

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Speaker 1: nice about this.

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Speaker 4: What were you guys doing before?

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Speaker 3: I me, yeah, Oh, I mean I know that there

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Speaker 3: was sation, but you were visial long ago.

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Speaker 1: Yeah.

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Speaker 4: Were you still in the hospital or because I heard that,

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Speaker 4: against doctors orders, you stayed in the hospital.

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Speaker 2: I yes, I was staying there. I had made a

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Speaker 2: lot of friends while I was there, right.

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Speaker 1: Uh, sort of a red band society situations.

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Speaker 2: And they're saying like, Okay, no, you have to like

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Speaker 2: leave the hospital and abandon all your friends, and it's like, no, actually,

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Speaker 2: I care about my friendships and I'm not going.

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Speaker 1: To do that. And you do have to pay me

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Speaker 1: to work here, now, Oh and didn't you save a

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Speaker 1: lot of them? Yeah?

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Speaker 2: And so that is why I'm like, I should be

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Speaker 2: compensated for this, because I'm going around giving the kind

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Speaker 2: of medicine that like the doctors don't necessarily know how

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Speaker 2: to give, which is like.

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Speaker 4: Being funny and well, time is money and they if

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Speaker 4: you spend some time somewhere, they should pay you for it.

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Speaker 1: Thank you.

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Speaker 3: I remember what I was doing, which is I was

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Speaker 3: rewatching age of Ultron. Oh yeah, that Ultron. Like some

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Speaker 3: of his schemes, I'm just like, I was so scared

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Speaker 3: what might happen?

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Speaker 4: Yeah, he had the one scheme to turn the city

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Speaker 4: into an island.

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Speaker 2: Remember, and into like a another Ultron looks like Ultron.

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Speaker 1: I like an Ultron version of an island.

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Speaker 3: Looks like I gotta watch it again, Yeah, because I

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Speaker 3: missed that part.

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Speaker 4: Do you think his schemes were.

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Speaker 1: He's just like, he's so scary, there's no strings on him.

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Speaker 2: So he was like a modern day ask kind of Yeah, yeah,

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Speaker 2: who's Geppetto in this?

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Speaker 1: In that probably iron Man? Iron Man was yeah, yeah, yeah,

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Speaker 1: who's the.

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Speaker 2: Isn't there a fox on the on the the Island

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Speaker 2: of Lost Children who like beckons and says, hey, come

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Speaker 2: on in here, pepper pots.

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Speaker 1: Yeah yeah right yeah. And then the whale is like the.

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Speaker 2: Freaking Hulk, right, yeah, I see that big the big ness, Yeah,

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Speaker 2: I guess so, yeah, the whole is the black whales

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Speaker 2: like a bread salesman in Pinocchio? Was there a bread

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Speaker 2: salesman in that in Pinocchio? Yeah, I'm trying to think.

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Speaker 1: Yeah, I think there's a guy selling bread.

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Speaker 4: Oh yeah, there there was that one he where Pinocchio

359
00:16:00,680 --> 00:16:02,040
Speaker 4: is like I want to be a real boy dad

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Speaker 4: and someone's like.

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Speaker 1: Bread, get your breast, bread here, hot bread.

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Speaker 2: And Scott like thinks it's all real on the screen,

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Speaker 2: like he thought our show was real.

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Speaker 1: So he was like, oh, I'll take I'm hungry, I'll take.

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Speaker 4: That happens all the time. I hate to go see

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Speaker 4: any movies in New York because I know there will

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Speaker 4: be a scene where they go to a hot dog

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Speaker 4: cart and I'm just going to order five of them.

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Speaker 1: Yeah, and just for your.

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Speaker 4: Just sitting there waiting, going hey, excuse me, Yeah, where

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Speaker 4: are my hot dogs?

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Speaker 1: Yeah? Yeah, and it's miss so whole rest of it.

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Speaker 2: Yeah, and you have you know, you look great now

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Speaker 2: because you're.

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Speaker 4: Because I'm just not eating those hot dogs.

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Speaker 1: Yeah, exactly.

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Speaker 4: Yeah.

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00:16:41,480 --> 00:16:43,960
Speaker 3: Movie theater hot dogs people always say like, oh, that's gross,

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Speaker 3: but actually they're not gross because you can't even get them.

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Speaker 1: No, they won't bring them to you.

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00:16:48,040 --> 00:16:51,040
Speaker 4: No, there's no purple rows of Cairo situation where like,

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Speaker 4: imagine that you know, we're all inventing things like virtual

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Speaker 4: reality and stuff like that, But imagine if you were

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Speaker 4: to go see a movie and there's someone selling hot

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Speaker 4: dogs and you order them, and the person comes off

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Speaker 4: the screen and gives you a hot dog. That's what

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Speaker 4: I want to say.

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Speaker 2: And Purple Rosa Cairo, I have to say it was

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Speaker 2: also a fake movie, and so like, do you think

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Speaker 2: that that that was just as fake as all the

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Speaker 2: other ones?

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Speaker 1: Can we back up?

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Speaker 3: You said we're all inventing things like virtual reality and stuff, you're.

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Speaker 1: Not inventing interesting idea to pick apart?

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Speaker 3: Well, no, I mean, I'm I'm all inventing things like

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Speaker 3: virtual reality, but I always thought that was just me

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Speaker 3: and like my private little hobby.

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Speaker 4: No, if you're not inventing something like you are a

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00:17:27,760 --> 00:17:29,960
Speaker 4: reality yeaheah, you're deventing something.

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00:17:30,200 --> 00:17:33,400
Speaker 3: Okay, wow, okay, Scoop Troop, get out your pens.

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00:17:33,840 --> 00:17:35,399
Speaker 1: It's time to write down a tip.

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Speaker 3: Scott Anchorman has made a great point, which is if

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Speaker 3: you're not inventing something like virtual reality and stuff, which

404
00:17:42,440 --> 00:17:45,320
Speaker 3: we're all doing, you're deventing something. Let's talk a little

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Speaker 3: bit about what deventing means to you.

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Speaker 4: Well, obviously, uh, de evolution is the opposite of evolution.

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Speaker 4: So if you add D to anything, then it's the opposite.

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00:17:57,840 --> 00:18:00,920
Speaker 1: In the reverse. It sounds like a d's nut d evo. Yeah,

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00:18:01,080 --> 00:18:01,919
Speaker 1: he's trying to get me.

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00:18:02,440 --> 00:18:05,040
Speaker 4: Yeah, that is the opposite of ease nuts.

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Speaker 1: I'm knock, I'm not.

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Speaker 3: And that's never Yeah, he's nuts, the opposite of his nuts.

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00:18:14,920 --> 00:18:17,480
Speaker 3: And then the opposite is these nuts exactly.

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Speaker 4: So you don't you want to be ease nuts?

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00:18:19,840 --> 00:18:21,320
Speaker 1: Oh you know I do.

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00:18:21,720 --> 00:18:23,919
Speaker 4: Yeah, you want to be out there doing things like

417
00:18:23,920 --> 00:18:28,240
Speaker 4: the Murphy Group. Plus you're intimate with slow exactly. Can

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00:18:28,240 --> 00:18:31,359
Speaker 4: we talk about Sloan about one minutes?

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00:18:31,520 --> 00:18:33,880
Speaker 1: Yeah, can we just like really break it down.

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Speaker 4: Ladies, take a breather from this podcast. Oh wait, are

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Speaker 4: there any listening.

422
00:18:37,119 --> 00:18:39,040
Speaker 3: If you're oh yeah, if you're in the car with

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Speaker 3: your girlfriend, push her out of the car, because we're

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Speaker 3: going to talk a little bit about Sloan Sloon.

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Speaker 1: So like, becuse she's one of the guys. She's comfortable

426
00:18:48,760 --> 00:18:49,480
Speaker 1: hanging out with the guys.

427
00:18:49,720 --> 00:18:53,440
Speaker 2: She's so comfortable and she's cool with anything he does.

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00:18:54,160 --> 00:18:56,920
Speaker 2: She's freaking one of the dudes, and like, like, look,

429
00:18:57,160 --> 00:18:59,919
Speaker 2: you need to go off with with Vinnie, you know,

430
00:19:00,119 --> 00:19:01,560
Speaker 2: over there to Queen's Boulevard.

431
00:19:01,640 --> 00:19:05,600
Speaker 1: Go she can bust chobs better than drama can't.

432
00:19:05,640 --> 00:19:08,320
Speaker 2: And I love how well you know the show, just

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Speaker 2: like your depth of knowledge of the show. Sometimes even

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00:19:10,560 --> 00:19:13,000
Speaker 2: for me, someone who knows really some of the Vinnie

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00:19:13,040 --> 00:19:13,920
Speaker 2: and Queen's Boulevard.

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00:19:14,000 --> 00:19:17,160
Speaker 4: Well, I actually liked the show, unlike you guys who

437
00:19:17,160 --> 00:19:18,679
Speaker 4: watched something and hate watch it.

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00:19:18,720 --> 00:19:22,359
Speaker 1: Apparently, well, reality TV show we hate watch.

439
00:19:22,880 --> 00:19:27,639
Speaker 3: Then Entourage we didn't watch, and then wait, you know,

440
00:19:27,880 --> 00:19:30,720
Speaker 3: and then we love comedy podcast?

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00:19:30,920 --> 00:19:31,560
Speaker 1: What about Slow?

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00:19:31,600 --> 00:19:34,760
Speaker 4: How do you know Sloan? If you didn't watch, how

443
00:19:34,800 --> 00:19:35,600
Speaker 4: do you know Sloan?

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00:19:35,880 --> 00:19:40,560
Speaker 2: I'm a recap junkie, a recap You're attracted to Sloan

445
00:19:40,640 --> 00:19:41,480
Speaker 2: from the recaps?

446
00:19:41,840 --> 00:19:45,080
Speaker 1: Yeah, let me show you that physically.

447
00:19:45,160 --> 00:19:46,280
Speaker 4: Let me show you a picture of her.

448
00:19:46,560 --> 00:19:47,520
Speaker 1: Okay, here we go.

449
00:19:50,080 --> 00:19:53,520
Speaker 4: Sorry, I sorry to spoil the re The illusion is

450
00:19:53,520 --> 00:19:59,320
Speaker 4: that recent? Yeah, it's from yesterday. I'm put that on TV.

451
00:20:00,040 --> 00:20:01,399
Speaker 4: I have a Google alert for Sloan.

452
00:20:01,760 --> 00:20:06,080
Speaker 1: They yeah, she got that job.

453
00:20:06,680 --> 00:20:10,720
Speaker 2: Should we talk about we love the show. We're so happy,

454
00:20:10,760 --> 00:20:13,760
Speaker 2: we have such a big happiness for you. Yeah, I'm

455
00:20:13,960 --> 00:20:16,640
Speaker 2: in your coverage. Yeah, yeah, we do want to talk

456
00:20:16,640 --> 00:20:17,639
Speaker 2: about the interview.

457
00:20:17,680 --> 00:20:20,359
Speaker 1: I guess yeah, you think we should?

458
00:20:20,480 --> 00:20:23,960
Speaker 3: Yeah, yes, so, uh, Seth Rogan and James Franco made

459
00:20:24,000 --> 00:20:27,520
Speaker 3: this movie, the interview round the part they weren't allowed

460
00:20:27,520 --> 00:20:28,320
Speaker 3: to release it.

461
00:20:28,680 --> 00:20:30,320
Speaker 1: The song did oh gosh.

462
00:20:30,400 --> 00:20:33,159
Speaker 2: Yes, so it all comes full circle. That reminds me

463
00:20:33,480 --> 00:20:38,119
Speaker 2: of the interview that Scott did talk about. Yeah, No,

464
00:20:38,200 --> 00:20:40,639
Speaker 2: we were going to talk about the Seth Rogan movie. Actually,

465
00:20:40,640 --> 00:20:42,760
Speaker 2: since Scott is here, I think we should talk about

466
00:20:42,800 --> 00:20:43,800
Speaker 2: the We.

467
00:20:43,760 --> 00:20:45,560
Speaker 4: Can talk about the Seth Rogan movie.

468
00:20:45,640 --> 00:20:49,200
Speaker 2: No, I think it's good to talk about the CBS interview, Scott.

469
00:20:49,240 --> 00:20:50,840
Speaker 1: I think we should talk about it.

470
00:20:51,720 --> 00:20:53,480
Speaker 4: CBS interview. That's not ringing about.

471
00:20:53,560 --> 00:20:57,120
Speaker 2: You did a CBS You did the interview with them.

472
00:20:57,920 --> 00:21:02,480
Speaker 2: I uh, it makes more sense to me now that

473
00:21:02,520 --> 00:21:04,320
Speaker 2: you didn't know what was happening while you were doing

474
00:21:04,400 --> 00:21:07,000
Speaker 2: it because of how fucked up it was.

475
00:21:07,800 --> 00:21:10,520
Speaker 4: Oh wait, do you mean the CBS This Morning interview?

476
00:21:11,200 --> 00:21:12,720
Speaker 1: No, this was like a long time ago.

477
00:21:12,880 --> 00:21:14,760
Speaker 2: No, but that's like I would say, like a week

478
00:21:14,800 --> 00:21:18,040
Speaker 2: and a half ago, you did the CBS interview.

479
00:21:18,119 --> 00:21:19,160
Speaker 1: Well compared to this Morning.

480
00:21:19,359 --> 00:21:22,760
Speaker 4: I live in the moment I'm all about the future.

481
00:21:22,520 --> 00:21:27,240
Speaker 2: Though, the CBS for true reality taking like putting aside

482
00:21:27,240 --> 00:21:29,240
Speaker 2: of the fact that CBS is barely a show anymore

483
00:21:29,760 --> 00:21:34,040
Speaker 2: that you work, Yeah, exactly, CBS This Morning is a show.

484
00:21:34,200 --> 00:21:36,760
Speaker 2: CBS is a network. I just said that CBS is

485
00:21:36,800 --> 00:21:39,560
Speaker 2: barely a show anymore. Yeah, and you're like, oh, and

486
00:21:39,560 --> 00:21:41,960
Speaker 2: you're no, yeah, you're correcting me, saying oh, yeah, it's

487
00:21:41,960 --> 00:21:43,600
Speaker 2: not a show, and I'm saying, like, yeah, that's what

488
00:21:43,640 --> 00:21:45,480
Speaker 2: I just said, that it's not a show anymore.

489
00:21:45,480 --> 00:21:48,359
Speaker 1: It's this other thing, right, it.

490
00:21:48,280 --> 00:21:49,359
Speaker 4: Never was a show though.

491
00:21:50,200 --> 00:21:50,440
Speaker 1: Yeah.

492
00:21:51,240 --> 00:21:53,800
Speaker 4: I don't think CBS ever put out a show called CBS.

493
00:21:53,840 --> 00:21:57,840
Speaker 4: Although it's not bad branding. I would think that maybe

494
00:21:57,880 --> 00:22:01,200
Speaker 4: it would be popular if they were search love CBS.

495
00:22:00,800 --> 00:22:08,399
Speaker 3: Hard to search, got to think about optimizing your search, Yeah, unfortunately,

496
00:22:08,440 --> 00:22:09,080
Speaker 3: can't do that.

497
00:22:09,440 --> 00:22:12,199
Speaker 2: I wonder if okay, so, but wait a minute, if

498
00:22:12,440 --> 00:22:14,240
Speaker 2: you were to search for CBS and you wanted to

499
00:22:14,240 --> 00:22:18,160
Speaker 2: watch that particular program and you accidentally recorded everything on CBS,

500
00:22:18,160 --> 00:22:19,440
Speaker 2: that would be good for CBS.

501
00:22:19,520 --> 00:22:22,120
Speaker 4: So maybe it's hard to search in a great way.

502
00:22:22,280 --> 00:22:25,399
Speaker 3: Now when you fill your whole entire frigging cloud and

503
00:22:25,440 --> 00:22:27,120
Speaker 3: then you go and look in and then you're mad

504
00:22:27,160 --> 00:22:28,199
Speaker 3: at CBS about it.

505
00:22:28,240 --> 00:22:29,880
Speaker 4: Oh, and you never forgive CBS.

506
00:22:29,960 --> 00:22:32,080
Speaker 2: Wait a minute, did you hear the steps ahead? I'm

507
00:22:32,119 --> 00:22:34,520
Speaker 2: like hosting the show. It's my show. And then he goes,

508
00:22:34,600 --> 00:22:36,000
Speaker 2: wait a minute, and.

509
00:22:36,040 --> 00:22:38,440
Speaker 1: This is actually and this is exactly, this.

510
00:22:38,400 --> 00:22:43,480
Speaker 2: Is exactly what we want to talk about. Doesn't to

511
00:22:43,520 --> 00:22:47,199
Speaker 2: be a guest in the interview the Seth Rogan movie.

512
00:22:48,280 --> 00:22:51,560
Speaker 2: What is that about that guy in the news lately?

513
00:22:53,640 --> 00:22:55,040
Speaker 1: Uh, we don't want to.

514
00:22:55,440 --> 00:22:58,840
Speaker 2: So he told us privately about like the secret political

515
00:22:58,880 --> 00:23:03,680
Speaker 2: stuff around it. Yes, it's actually that is actually about

516
00:23:03,680 --> 00:23:04,280
Speaker 2: a real guy.

517
00:23:04,320 --> 00:23:05,520
Speaker 4: He's been on the show before.

518
00:23:06,119 --> 00:23:08,720
Speaker 2: Even you know, we don't have these kind of conversations

519
00:23:08,800 --> 00:23:09,280
Speaker 2: on the show.

520
00:23:09,480 --> 00:23:10,960
Speaker 1: We don't take all our personal.

521
00:23:10,640 --> 00:23:15,080
Speaker 2: Relationships and use them for like our benefit on the

522
00:23:15,200 --> 00:23:18,520
Speaker 2: podcast two hundred because he wants to yes, and it

523
00:23:18,640 --> 00:23:20,200
Speaker 2: sucks that you couldn't be there for that. I would

524
00:23:20,280 --> 00:23:22,119
Speaker 2: never actually have asked him to do that, and I

525
00:23:22,160 --> 00:23:24,080
Speaker 2: appreciate and I hope he's not doing that of some

526
00:23:24,200 --> 00:23:26,880
Speaker 2: kind of like obligation or something. I think he's doing yes,

527
00:23:26,960 --> 00:23:28,919
Speaker 2: And I think he's just doing it because he likes

528
00:23:28,960 --> 00:23:30,520
Speaker 2: the show and he likes us, and he's a fan.

529
00:23:30,400 --> 00:23:33,320
Speaker 4: In a friend. Good get for you. He's been on

530
00:23:33,359 --> 00:23:35,560
Speaker 4: Bang Bang a few times? How many times is a

531
00:23:35,560 --> 00:23:41,280
Speaker 4: few handful? If you can hold two or three, I

532
00:23:41,320 --> 00:23:42,960
Speaker 4: don't know what you can hold. I don't know what

533
00:23:43,000 --> 00:23:46,160
Speaker 4: you're Okay, that is how nimble your fingers are.

534
00:23:46,920 --> 00:23:50,840
Speaker 1: He's got rheumatism. This is I noticed that they're they're

535
00:23:50,960 --> 00:23:51,639
Speaker 1: very gnarled.

536
00:23:52,480 --> 00:23:55,679
Speaker 2: Yeah, they're gnarally. That's a good People like that. People

537
00:23:55,680 --> 00:23:57,720
Speaker 2: say that it is like a good Oh your fingers.

538
00:23:57,600 --> 00:23:59,880
Speaker 4: No, no, no, I mean yours are very ugly and crooked?

539
00:24:00,800 --> 00:24:04,159
Speaker 1: Is everything all right? Yeah? What sucks it being? I

540
00:24:04,240 --> 00:24:06,760
Speaker 1: guess this is what I'm saying because I am the host.

541
00:24:06,880 --> 00:24:09,399
Speaker 2: Yeah, I'm supposed to ask you if your body, if

542
00:24:09,440 --> 00:24:12,720
Speaker 2: you like what you're like, like medical problems are.

543
00:24:12,680 --> 00:24:15,880
Speaker 1: Hayes is the host, I'm the sidekick. You're the guest.

544
00:24:15,960 --> 00:24:21,320
Speaker 4: You're the sidekick. Yeah, that's something that we should talk about, okay,

545
00:24:21,920 --> 00:24:24,040
Speaker 4: because as the head of Earwolf and I, you know,

546
00:24:24,119 --> 00:24:26,000
Speaker 4: I have full creative control over this show.

547
00:24:26,080 --> 00:24:29,040
Speaker 1: Oh yeah, we run everything by you. Yeah. I think

548
00:24:29,080 --> 00:24:32,199
Speaker 1: that you need to step out. Really, you need to

549
00:24:32,240 --> 00:24:32,760
Speaker 1: get out.

550
00:24:32,600 --> 00:24:33,880
Speaker 4: Of this shadow over here.

551
00:24:34,760 --> 00:24:38,639
Speaker 2: You know, like you're you're so pale, you know, you know,

552
00:24:38,760 --> 00:24:39,600
Speaker 2: get into the sun.

553
00:24:40,160 --> 00:24:42,040
Speaker 1: Yeah, I guess I could use a little vitamin D.

554
00:24:42,760 --> 00:24:46,000
Speaker 4: You know, stop taking supplements, get it from the sun.

555
00:24:46,119 --> 00:24:51,320
Speaker 1: Boy mm yeah boy, I like that all right. Uh anyway, Hey,

556
00:24:51,320 --> 00:24:54,840
Speaker 1: I not know about Masterclass. Do you think he does

557
00:24:55,600 --> 00:24:57,560
Speaker 1: what my Stitcher Premium exclusive.

558
00:24:57,640 --> 00:25:01,000
Speaker 4: Well, I'm the CEO of Stitcher pre me I'm exclusive,

559
00:25:01,640 --> 00:25:02,880
Speaker 4: of course I know about.

560
00:25:03,520 --> 00:25:05,480
Speaker 1: Aware of it. Yeah. Yeah.

561
00:25:05,640 --> 00:25:08,080
Speaker 3: And then when I stepped out and how successful that

562
00:25:08,200 --> 00:25:09,040
Speaker 3: was for all of us.

563
00:25:09,880 --> 00:25:13,000
Speaker 1: But let's not talk about that. Let's talk about you

564
00:25:13,080 --> 00:25:15,080
Speaker 1: and criticize you.

565
00:25:14,680 --> 00:25:19,280
Speaker 2: Knowing how to handle yourself and in a setting where

566
00:25:19,440 --> 00:25:23,480
Speaker 2: you are the guests on a show, answering questions appropriately. Hey,

567
00:25:23,520 --> 00:25:26,480
Speaker 2: I'm just doing your job coming off and I'm just

568
00:25:26,520 --> 00:25:27,399
Speaker 2: realizing something.

569
00:25:28,160 --> 00:25:32,480
Speaker 4: Did you say that I'd sucked as a guest? That

570
00:25:32,680 --> 00:25:36,879
Speaker 4: just hit me, like two thousand pounds of bricks.

571
00:25:39,440 --> 00:25:44,359
Speaker 2: That Sally got the you two reference and we don't.

572
00:25:44,800 --> 00:25:46,679
Speaker 1: Yeah, I know you do the like Adam Clay two

573
00:25:46,720 --> 00:25:47,200
Speaker 1: thousand pounds.

574
00:25:47,200 --> 00:25:47,720
Speaker 4: Thanks for listening.

575
00:25:47,720 --> 00:25:51,440
Speaker 1: It's always great to meet a fan, but you should

576
00:25:51,440 --> 00:25:52,400
Speaker 1: have caught that right away.

577
00:25:52,440 --> 00:25:54,080
Speaker 3: And that's part of being a guest that I think

578
00:25:54,119 --> 00:25:58,600
Speaker 3: you're not used to your host muscles are jacked.

579
00:25:59,240 --> 00:26:03,920
Speaker 1: Yeah, you're hosting Michael, Michael Sana, Yeah, Michael Sarah. Yeah.

580
00:26:04,520 --> 00:26:07,720
Speaker 3: And so you're in great shape as a host, but

581
00:26:07,760 --> 00:26:12,399
Speaker 3: as a guest, you're like a puny little like yeah,

582
00:26:12,440 --> 00:26:13,320
Speaker 3: like baby group.

583
00:26:13,400 --> 00:26:16,360
Speaker 4: Like two pounds shy of one hundred weakling.

584
00:26:17,359 --> 00:26:20,800
Speaker 1: Mm hmm. Yeah, that's exactly how I would.

585
00:26:20,640 --> 00:26:23,600
Speaker 2: Have put a two pounds of one hundred weekly five

586
00:26:23,640 --> 00:26:27,960
Speaker 2: foot nothing, one hundred nothing and it totally Yeah, And

587
00:26:28,040 --> 00:26:32,480
Speaker 2: I think you have to agree that being a pipsqueak sucks.

588
00:26:32,760 --> 00:26:33,320
Speaker 1: Yeah.

589
00:26:33,400 --> 00:26:35,760
Speaker 4: Are you guys here to kick sand in my face somehow?

590
00:26:36,040 --> 00:26:38,200
Speaker 1: No? No, we're here to train you.

591
00:26:38,640 --> 00:26:40,640
Speaker 3: We're here to work you out and get you nice

592
00:26:40,680 --> 00:26:42,359
Speaker 3: and rich because you could be so strong?

593
00:26:42,480 --> 00:26:45,639
Speaker 4: What's wrong with my guesting? I've never really.

594
00:26:45,520 --> 00:26:46,480
Speaker 1: Thought should we play?

595
00:26:46,800 --> 00:26:49,000
Speaker 2: Like maybe it will help for you to hear it yourself,

596
00:26:49,040 --> 00:26:50,879
Speaker 2: because it's hard for me to imagine, Like maybe as

597
00:26:50,920 --> 00:26:52,600
Speaker 2: you're doing it, you're like, oh, this is going right.

598
00:26:53,000 --> 00:26:55,040
Speaker 4: I thought it was fine. I thought people enjoyed it.

599
00:26:55,920 --> 00:27:00,399
Speaker 1: Hear it, Okay, maybe we should hear a little bit. Yeah.

600
00:27:01,080 --> 00:27:02,640
Speaker 4: Is the pause normal for this show?

601
00:27:03,000 --> 00:27:06,240
Speaker 1: Always always waiting for something come on? Not this for

602
00:27:06,359 --> 00:27:07,160
Speaker 1: this episode?

603
00:27:09,119 --> 00:27:13,760
Speaker 2: I mean, thank you allows us to continue running our business, Chase.

604
00:27:14,119 --> 00:27:14,840
Speaker 4: Chase Mobile app.

605
00:27:15,240 --> 00:27:20,400
Speaker 3: I hope this money wor business virtually anywhere Chase Mobile apps.

606
00:27:21,400 --> 00:27:23,560
Speaker 4: Such strange product integration.

607
00:27:24,640 --> 00:27:27,320
Speaker 2: This was your This is the ad that they sold

608
00:27:27,359 --> 00:27:29,520
Speaker 2: for your Okay, well now I'm even more worried that

609
00:27:29,560 --> 00:27:32,000
Speaker 2: you didn't get paid for that for the Chase Mobile

610
00:27:32,040 --> 00:27:33,960
Speaker 2: ad of course at first. Yeah, okay, thank you.

611
00:27:34,880 --> 00:27:37,400
Speaker 1: Chase's bank, so it should be a lot of money.

612
00:27:37,600 --> 00:27:41,240
Speaker 4: Well exactly, like that's it's such a scam how they're

613
00:27:41,280 --> 00:27:43,560
Speaker 4: able to buy any advertisement they want because they.

614
00:27:43,480 --> 00:27:45,719
Speaker 1: Just go into the bank. If they're using my money

615
00:27:45,880 --> 00:27:46,800
Speaker 1: to advertise to me.

616
00:27:47,040 --> 00:27:51,720
Speaker 2: Yeah, okay, so here's this guy. What what was the

617
00:27:51,720 --> 00:27:52,280
Speaker 2: guy's name?

618
00:27:53,760 --> 00:27:56,639
Speaker 1: I want to say Wolf Wolf See.

619
00:27:56,800 --> 00:28:01,840
Speaker 2: Okay, now in this case, you are right, right, but

620
00:28:03,000 --> 00:28:05,000
Speaker 2: it's good to know a little you know about these

621
00:28:05,040 --> 00:28:06,119
Speaker 2: guys ahead.

622
00:28:05,880 --> 00:28:08,919
Speaker 4: Of time, so you can you know, I don't know,

623
00:28:08,960 --> 00:28:11,560
Speaker 4: big influence, you said, you know, like you get what

624
00:28:11,600 --> 00:28:12,080
Speaker 4: I'm saying.

625
00:28:12,119 --> 00:28:16,680
Speaker 1: But yeah, that's just no clue. It's obvious Steve barn

626
00:28:16,680 --> 00:28:17,600
Speaker 1: a big influence on you.

627
00:28:17,960 --> 00:28:20,000
Speaker 4: I love Steve Martin as a kid, I mean I

628
00:28:20,000 --> 00:28:21,639
Speaker 4: I and as an adult.

629
00:28:21,680 --> 00:28:24,720
Speaker 1: But I what do we think we did wrong with

630
00:28:24,880 --> 00:28:25,960
Speaker 1: m when do we think?

631
00:28:29,800 --> 00:28:33,119
Speaker 4: I mean, let's see, he asked a question and I

632
00:28:33,240 --> 00:28:36,760
Speaker 4: answered it. I that seems like good guesting to me

633
00:28:37,640 --> 00:28:38,480
Speaker 4: what he thinks?

634
00:28:38,520 --> 00:28:41,160
Speaker 3: He answered it, Well, do me a favor, because you're

635
00:28:41,160 --> 00:28:42,720
Speaker 3: obviously more comfortable being the host.

636
00:28:42,880 --> 00:28:44,480
Speaker 1: Why don't you be the host? And you just asked

637
00:28:44,480 --> 00:28:47,160
Speaker 1: Hayes that question? I can't even remember what the question was.

638
00:28:47,280 --> 00:28:48,600
Speaker 5: Steve influence on you?

639
00:28:48,840 --> 00:28:51,640
Speaker 4: Okay? Was Steve Martin a big influence on you?

640
00:28:52,480 --> 00:28:53,800
Speaker 5: Steve Barner, big influence on you.

641
00:28:54,360 --> 00:28:55,720
Speaker 1: I want to hear wolf do it.

642
00:28:55,720 --> 00:28:58,160
Speaker 2: It's easier for me because even this he's not good

643
00:28:58,160 --> 00:29:00,000
Speaker 2: at you know, I mean he's or he's not wolf.

644
00:29:00,320 --> 00:29:03,440
Speaker 1: He's not wolf. Yeah that's for sure. Okay, so yeah,

645
00:29:04,400 --> 00:29:07,000
Speaker 1: a big influence on you. Let me have down. Okay,

646
00:29:07,400 --> 00:29:14,640
Speaker 1: Steve influence on you? Who see? Is that like your

647
00:29:14,680 --> 00:29:17,160
Speaker 1: friend or something? See?

648
00:29:17,280 --> 00:29:20,640
Speaker 2: Why would I like? Why would your friend be like

649
00:29:20,680 --> 00:29:21,680
Speaker 2: an influence on me?

650
00:29:21,880 --> 00:29:25,760
Speaker 1: See? Right? You? That's cool? That's interesting?

651
00:29:26,040 --> 00:29:27,240
Speaker 4: Wait you think that?

652
00:29:27,720 --> 00:29:30,200
Speaker 2: Because now can I can we pause for just.

653
00:29:30,280 --> 00:29:34,160
Speaker 1: Instead of you? Who's liked? I love so cool before

654
00:29:34,400 --> 00:29:36,600
Speaker 1: and later and now I.

655
00:29:36,600 --> 00:29:38,080
Speaker 2: Like him when I was a kid, and I'm still

656
00:29:38,120 --> 00:29:39,800
Speaker 2: like all the stuff I liked when I was a kid.

657
00:29:39,920 --> 00:29:42,240
Speaker 1: I know who you're talking about. Like, it's like, so, no,

658
00:29:42,680 --> 00:29:45,120
Speaker 1: what's cool is like? What? Who?

659
00:29:45,240 --> 00:29:45,320
Speaker 3: Like?

660
00:29:45,360 --> 00:29:47,240
Speaker 1: Some guy you're obsessed with? I did it myself?

661
00:29:48,440 --> 00:29:49,000
Speaker 4: Do you not know?

662
00:29:49,160 --> 00:29:51,680
Speaker 1: Do you not know who Steve Martin is? Doesn't matter?

663
00:29:52,080 --> 00:29:56,520
Speaker 1: Do you No? I don't ask me? Ask me? Yeah?

664
00:29:56,560 --> 00:29:58,960
Speaker 1: Ask him here? I have which one of you? Oh? Yeah?

665
00:29:59,440 --> 00:30:00,280
Speaker 5: Big influence on you?

666
00:30:01,200 --> 00:30:04,640
Speaker 1: What the fuck are you talking about? You're being a

667
00:30:04,680 --> 00:30:05,880
Speaker 1: fucking loser.

668
00:30:05,640 --> 00:30:09,880
Speaker 2: Man, right, that is how you like? Now you own

669
00:30:10,640 --> 00:30:14,120
Speaker 2: now it's now, it is your interview. Okay, but you're

670
00:30:14,160 --> 00:30:15,960
Speaker 2: still being a good guest that you are still like

671
00:30:16,520 --> 00:30:19,560
Speaker 2: technically answering the question. Yeah, but you're responding putting him

672
00:30:19,600 --> 00:30:20,440
Speaker 2: back on his heels.

673
00:30:20,520 --> 00:30:23,520
Speaker 1: Hit me with Wolf again, the same question. Yeah, please

674
00:30:23,880 --> 00:30:25,120
Speaker 1: Steve influence on you?

675
00:30:25,200 --> 00:30:27,880
Speaker 3: Ask me that one more time. I fucking dare you, man?

676
00:30:28,320 --> 00:30:30,440
Speaker 3: Ask me one more time. I swear to god, I

677
00:30:30,440 --> 00:30:30,920
Speaker 3: don't know.

678
00:30:31,000 --> 00:30:33,560
Speaker 1: I feel like you'll leave here in a fucking body bag.

679
00:30:34,000 --> 00:30:35,440
Speaker 4: You're going to kill Wolf?

680
00:30:36,120 --> 00:30:36,239
Speaker 1: Now?

681
00:30:36,320 --> 00:30:39,080
Speaker 4: That's your version as a kid, I mean I I

682
00:30:39,120 --> 00:30:41,600
Speaker 4: and as an adult not. I used to listen to

683
00:30:41,640 --> 00:30:43,360
Speaker 4: his albums over and over again.

684
00:30:43,440 --> 00:30:46,520
Speaker 1: I don't know, you're like scared of Wolf? Like you're like,

685
00:30:46,640 --> 00:30:48,560
Speaker 1: oh no, what does he like?

686
00:30:48,560 --> 00:30:52,720
Speaker 3: Like, he's yeah, he's dumbing you your total cook.

687
00:30:54,480 --> 00:30:58,040
Speaker 4: I that's what an interview technically is, isn't it? I

688
00:30:58,040 --> 00:31:01,959
Speaker 4: mean that you if if I didn't respond to any question,

689
00:31:02,600 --> 00:31:06,280
Speaker 4: wouldn't I? I feel like the interview would shut down

690
00:31:06,280 --> 00:31:07,640
Speaker 4: immediately after the first one?

691
00:31:07,720 --> 00:31:12,560
Speaker 3: MM okay, okay, but what if you owned Wolf? Okay,

692
00:31:12,680 --> 00:31:15,160
Speaker 3: like the way me and Hayes showed you. Okay, and

693
00:31:15,200 --> 00:31:17,040
Speaker 3: then now all of a sudden, he's like, what do

694
00:31:17,080 --> 00:31:17,960
Speaker 3: you want me to ask?

695
00:31:18,320 --> 00:31:20,000
Speaker 4: And then I tell him what to ask me?

696
00:31:20,120 --> 00:31:20,720
Speaker 1: Yeah, that's right.

697
00:31:20,880 --> 00:31:22,080
Speaker 4: What do I want him to ask me?

698
00:31:22,440 --> 00:31:25,560
Speaker 3: Probably like well here, okay, here's a couple of things

699
00:31:25,600 --> 00:31:29,480
Speaker 3: you can have him ask you. Okay, is it okay

700
00:31:29,480 --> 00:31:32,880
Speaker 3: that I'm even here right now? Wolf would say that

701
00:31:32,920 --> 00:31:34,840
Speaker 3: to you, is it okay that I'm even here right now?

702
00:31:35,640 --> 00:31:37,240
Speaker 1: And you go like am I even allowed to be

703
00:31:37,280 --> 00:31:38,360
Speaker 1: doing this? Yeah? Yeah?

704
00:31:38,400 --> 00:31:40,440
Speaker 2: And then you could think about it and then like

705
00:31:40,640 --> 00:31:42,200
Speaker 2: kind of set some of your terms.

706
00:31:42,400 --> 00:31:44,720
Speaker 3: Yeah that's right, And then everything else that happens is

707
00:31:44,720 --> 00:31:45,960
Speaker 3: that you're a discretion.

708
00:31:46,200 --> 00:31:47,800
Speaker 1: And what do you think about? Like what are you

709
00:31:47,840 --> 00:31:50,000
Speaker 1: what were you hoping to get out of this? Mm?

710
00:31:50,080 --> 00:31:54,680
Speaker 4: Hmm, Well, I guess an understanding of the process of

711
00:31:54,720 --> 00:31:57,760
Speaker 4: my comedy. Uh, you know, it's it's it can be

712
00:31:57,840 --> 00:32:00,960
Speaker 4: so difficult sometimes to understan and a comedian's point of

713
00:32:01,040 --> 00:32:02,800
Speaker 4: view and where they where they come from and where

714
00:32:02,840 --> 00:32:05,520
Speaker 4: they think they're going. And I just thought, you know,

715
00:32:05,600 --> 00:32:08,040
Speaker 4: if I could shine a light on my heart, maybe

716
00:32:08,240 --> 00:32:11,280
Speaker 4: people would understand the show a little better and they

717
00:32:11,320 --> 00:32:13,120
Speaker 4: would laugh a little more freely.

718
00:32:13,520 --> 00:32:18,800
Speaker 1: Mm hmm. That's what about some good head? Yeah? What

719
00:32:18,840 --> 00:32:24,600
Speaker 1: about getting hit? Wait, so you think somebody who knows

720
00:32:24,600 --> 00:32:25,880
Speaker 1: like tricks and stuff.

721
00:32:25,960 --> 00:32:29,240
Speaker 4: That's the the end result of an interview, if you're

722
00:32:29,240 --> 00:32:30,120
Speaker 4: being interviewed, I could.

723
00:32:31,880 --> 00:32:33,680
Speaker 2: I can tell you it is not the end result

724
00:32:33,720 --> 00:32:38,440
Speaker 2: of this interview I watched. Nobody is getting ahead from anybody.

725
00:32:38,560 --> 00:32:40,960
Speaker 3: Well, a wolf isn't turned on at all because he's

726
00:32:41,000 --> 00:32:43,520
Speaker 3: because he doesn't feel like he has anything to.

727
00:32:43,600 --> 00:32:44,040
Speaker 1: Prove to you.

728
00:32:44,720 --> 00:32:48,080
Speaker 4: So if I were to nag him and I were

729
00:32:48,120 --> 00:32:50,800
Speaker 4: to toss it back in his face, you think that

730
00:32:50,920 --> 00:32:52,640
Speaker 4: he would then give me head of you.

731
00:32:52,840 --> 00:32:55,000
Speaker 2: At the very least you're talking about like listening to

732
00:32:55,120 --> 00:32:57,520
Speaker 2: Steve Martin albums or whatever. If I'm Wolf, I'm not

733
00:32:57,560 --> 00:33:00,760
Speaker 2: saying like, oh, that sounds like a great activity for

734
00:33:01,000 --> 00:33:03,080
Speaker 2: me and Scott to do together after the show, and

735
00:33:03,120 --> 00:33:06,320
Speaker 2: then maybe we do some head like some version of this.

736
00:33:07,080 --> 00:33:10,280
Speaker 4: Okay, So I'll have well fast me again and I'll

737
00:33:10,320 --> 00:33:10,920
Speaker 4: see what I can do.

738
00:33:11,000 --> 00:33:12,880
Speaker 1: I'll see if I can adjust, and this will be good.

739
00:33:13,520 --> 00:33:14,880
Speaker 5: Steve a big influence on you.

740
00:33:16,360 --> 00:33:21,080
Speaker 4: Hey, dude, if I can call you dude, and I'm

741
00:33:21,120 --> 00:33:22,000
Speaker 4: gonna call you dude.

742
00:33:22,040 --> 00:33:25,680
Speaker 1: Good, okay, great, great? Better. I was worried. I really

743
00:33:25,720 --> 00:33:26,160
Speaker 1: saved it.

744
00:33:26,240 --> 00:33:31,400
Speaker 4: Yeah, So dude, why don't you stop worrying about Steve

745
00:33:31,440 --> 00:33:34,920
Speaker 4: Martin and start concentrating on this dick?

746
00:33:35,920 --> 00:33:38,400
Speaker 1: Okay, and whose dick are you talking about? I'm talking

747
00:33:38,400 --> 00:33:42,160
Speaker 1: about my dick, dude, perfect, that's perfect.

748
00:33:41,560 --> 00:33:44,160
Speaker 2: And not and like it would help to get more

749
00:33:44,200 --> 00:33:46,840
Speaker 2: details because if he maybe he thinks you want him to,

750
00:33:46,960 --> 00:33:50,320
Speaker 2: like it's something draw.

751
00:33:51,240 --> 00:33:57,080
Speaker 4: For plus inches of of thin.

752
00:33:57,800 --> 00:33:59,800
Speaker 1: Steel, thin yeah, thin metal.

753
00:34:00,400 --> 00:34:04,440
Speaker 4: Yeah, then almost as if there's like a pipe cleaner

754
00:34:04,560 --> 00:34:08,279
Speaker 4: was put in it to experience and steal. Yeah yeah,

755
00:34:08,440 --> 00:34:11,320
Speaker 4: yeah yeah dragon glass.

756
00:34:11,440 --> 00:34:14,759
Speaker 2: Kevin said, no, camera, don't do that. Hey, Kevin, put

757
00:34:14,760 --> 00:34:18,120
Speaker 2: the headphones on the headphones. This is chef Kevin.

758
00:34:18,160 --> 00:34:21,279
Speaker 1: Do you know Scott, Scott, who are you? There's a

759
00:34:21,320 --> 00:34:22,080
Speaker 1: big moment for you.

760
00:34:22,200 --> 00:34:24,120
Speaker 2: This is really big because I know you've been here

761
00:34:24,160 --> 00:34:28,040
Speaker 2: for so long, been where he works.

762
00:34:28,160 --> 00:34:28,920
Speaker 1: He just walked in.

763
00:34:29,040 --> 00:34:32,640
Speaker 2: He works at this Scott, I promise you. I know

764
00:34:32,760 --> 00:34:35,600
Speaker 2: this seems unbelievable. He works here, he has worked here

765
00:34:35,640 --> 00:34:38,800
Speaker 2: for a million years. He is doing the same job.

766
00:34:39,120 --> 00:34:39,560
Speaker 4: This guy.

767
00:34:39,800 --> 00:34:42,240
Speaker 1: Yes, this is Kevin. This is Chef Kevin.

768
00:34:44,360 --> 00:34:45,320
Speaker 2: Good morning everyone.

769
00:34:46,640 --> 00:34:49,319
Speaker 3: Scott's the creative director here at Erewolf. Of course, you

770
00:34:49,400 --> 00:34:51,520
Speaker 3: know he has his hands.

771
00:34:51,280 --> 00:34:52,960
Speaker 4: And chief everief executive.

772
00:34:53,080 --> 00:34:57,560
Speaker 3: Every single decision and anything you hear on Earwolf has

773
00:34:57,600 --> 00:35:00,719
Speaker 3: gone through Scott and Stitch a premium and.

774
00:35:01,239 --> 00:35:04,040
Speaker 4: CEO of Stitcher Premium.

775
00:35:04,200 --> 00:35:07,040
Speaker 1: That's awesome. Yeah, chief executive. And what do you do

776
00:35:07,080 --> 00:35:10,360
Speaker 1: for the company. I'm the young lad. I'm the production coordinator.

777
00:35:11,000 --> 00:35:12,160
Speaker 1: I don't know what there is.

778
00:35:12,640 --> 00:35:19,480
Speaker 4: Hey, dude, you better stop coordinating productions and start coordinating Dicky.

779
00:35:19,880 --> 00:35:24,640
Speaker 3: Alright, that's good. Now, this guy is in charge here.

780
00:35:25,080 --> 00:35:25,640
Speaker 1: Why can't you.

781
00:35:25,760 --> 00:35:28,640
Speaker 2: I guess it's easier with employees, Chef Kevin.

782
00:35:28,719 --> 00:35:29,960
Speaker 1: Yeah, yeah, it's a good.

783
00:35:31,120 --> 00:35:33,640
Speaker 2: The way to practice, actually is to sit down with

784
00:35:33,719 --> 00:35:37,120
Speaker 2: Chef Kevin before This is what I do before interviews, right, uh,

785
00:35:37,440 --> 00:35:40,759
Speaker 2: and just get in a place where I am dominating

786
00:35:40,760 --> 00:35:43,520
Speaker 2: the situation and manipulating him mentally in ways that he

787
00:35:43,520 --> 00:35:45,760
Speaker 2: doesn't even know is happening while I'm doing it, because

788
00:35:46,040 --> 00:35:49,480
Speaker 2: I'm like doing all these running programs on him.

789
00:35:49,480 --> 00:35:53,279
Speaker 4: Basically, you're pacing around him right now, You're circling him

790
00:35:53,880 --> 00:35:54,719
Speaker 4: like a predator.

791
00:35:54,800 --> 00:35:57,600
Speaker 2: Yeah, And he's doing exactly He's reacting exactly the way

792
00:35:57,640 --> 00:35:58,120
Speaker 2: I want him to.

793
00:35:58,320 --> 00:36:01,520
Speaker 3: He completely controls the space Kevin's in and is able

794
00:36:01,560 --> 00:36:03,919
Speaker 3: to sort of plant him where he wants. And then

795
00:36:04,160 --> 00:36:06,640
Speaker 3: when Hayes strikes, Kevin has no choice but to give

796
00:36:06,719 --> 00:36:07,640
Speaker 3: him really good head.

797
00:36:09,239 --> 00:36:12,520
Speaker 4: That's it. Is that the goal? And this is fascinating, guys,

798
00:36:12,560 --> 00:36:14,600
Speaker 4: I haven't really thought about that, but is that the

799
00:36:14,640 --> 00:36:17,239
Speaker 4: goal for any interaction into Hollywood is to try to

800
00:36:17,280 --> 00:36:18,080
Speaker 4: get head at the end.

801
00:36:19,000 --> 00:36:24,600
Speaker 3: Well, it's never a bad thing to also get a

802
00:36:24,719 --> 00:36:26,120
Speaker 3: nice chunk of change.

803
00:36:26,400 --> 00:36:28,880
Speaker 4: To get paid for someone to give you.

804
00:36:28,880 --> 00:36:33,840
Speaker 2: You can't you can't eat head, Yeah, it's true, it's true.

805
00:36:33,960 --> 00:36:34,360
Speaker 1: Yeah.

806
00:36:34,600 --> 00:36:40,200
Speaker 3: I mean I think sweetbreads is that that penises?

807
00:36:40,480 --> 00:36:44,000
Speaker 1: Sweetbreads are penises. Don't what Sean call them?

808
00:36:44,320 --> 00:36:49,640
Speaker 3: I don't know, But honestly, even if you could eat head,

809
00:36:49,760 --> 00:36:50,919
Speaker 3: you wouldn't want it every meal.

810
00:36:51,400 --> 00:36:53,359
Speaker 1: Some meals you'd want to be able to buy, like.

811
00:36:54,000 --> 00:36:59,320
Speaker 4: Tashimi, Oh yeah, or like Ramen ramen or yeah, seminary

812
00:36:59,600 --> 00:37:02,919
Speaker 4: guitar or one of your famous movie hot dogs. Right, yes,

813
00:37:03,080 --> 00:37:07,080
Speaker 4: I'll take three please, Yeah, get on that, inventors.

814
00:37:07,480 --> 00:37:08,480
Speaker 1: Yeah yeah.

815
00:37:08,520 --> 00:37:10,279
Speaker 2: Should we continue with the thing. Maybe we can have

816
00:37:10,360 --> 00:37:13,279
Speaker 2: Chef Kevin as just an unbiased observer we're giving.

817
00:37:13,320 --> 00:37:16,040
Speaker 1: Oh, he can say which interview answer he likes better? Yeah,

818
00:37:16,040 --> 00:37:17,000
Speaker 1: why did he walk in here?

819
00:37:17,040 --> 00:37:19,520
Speaker 2: By the way he comes in, he has like these

820
00:37:19,560 --> 00:37:22,120
Speaker 2: little like plans for every episode. I can kind of

821
00:37:22,120 --> 00:37:23,759
Speaker 2: see him coming up with them, Like when we're coming in,

822
00:37:23,800 --> 00:37:25,600
Speaker 2: he's like, Okay, like I'm gonna like do this fun

823
00:37:25,719 --> 00:37:27,960
Speaker 2: bit every time. I'm gonna like take these pictures or whatever.

824
00:37:28,160 --> 00:37:30,560
Speaker 3: Also, he's lost a lot of times. He's lost, like

825
00:37:30,560 --> 00:37:32,680
Speaker 3: as far as I know, he lives here. And then

826
00:37:32,800 --> 00:37:34,840
Speaker 3: just like has sort of a goldfish memory where he

827
00:37:34,920 --> 00:37:36,880
Speaker 3: suddenly is like coming back into the room all the

828
00:37:36,920 --> 00:37:38,759
Speaker 3: time and'll just be like, oh where am I just

829
00:37:38,760 --> 00:37:40,160
Speaker 3: like and then he's like this is a new room.

830
00:37:40,200 --> 00:37:42,480
Speaker 3: And then he just like comes walking into the studio.

831
00:37:42,200 --> 00:37:46,400
Speaker 2: A strange uniform he's wearing too. Yeah, yeah, yeah.

832
00:37:46,280 --> 00:37:48,600
Speaker 4: He's wearing a uniform. He's one of the queens at

833
00:37:48,600 --> 00:37:49,200
Speaker 4: the stone Age.

834
00:37:49,280 --> 00:37:51,680
Speaker 2: Yeah, he's got like a three wolf moon thing going on.

835
00:37:53,000 --> 00:37:56,319
Speaker 2: This is a Brett thing that like he has. People

836
00:37:56,360 --> 00:37:58,279
Speaker 2: are trying to imitate Brett and like pretending to like

837
00:37:58,400 --> 00:37:59,920
Speaker 2: music and who's studio?

838
00:38:00,239 --> 00:38:04,160
Speaker 1: See, sorry, I forgot Brett is an engineer here. Uh

839
00:38:05,640 --> 00:38:06,600
Speaker 1: he's another.

840
00:38:08,080 --> 00:38:12,120
Speaker 2: He's like a Kevin type who has just become essentially

841
00:38:12,120 --> 00:38:13,040
Speaker 2: part of the furniture.

842
00:38:14,280 --> 00:38:17,439
Speaker 4: Oh I see I Oh wait is that the thing

843
00:38:17,480 --> 00:38:19,640
Speaker 4: that's on the chair sometimes when I do my show?

844
00:38:19,800 --> 00:38:20,080
Speaker 1: Yes?

845
00:38:20,280 --> 00:38:22,800
Speaker 2: And so this is yeah, so this is the difference

846
00:38:22,800 --> 00:38:26,239
Speaker 2: between you and us where we everyone here while they

847
00:38:26,520 --> 00:38:29,279
Speaker 2: like we are disgusted by them and like they're like

848
00:38:29,320 --> 00:38:32,360
Speaker 2: the fact that they have no plan is very upsetting

849
00:38:32,400 --> 00:38:35,239
Speaker 2: to me for like what is next. I do love

850
00:38:35,280 --> 00:38:37,040
Speaker 2: them and I'm in love with them. Kevin, I love you.

851
00:38:37,080 --> 00:38:38,839
Speaker 2: I'm in love with Kevin. I love you and I'm

852
00:38:38,880 --> 00:38:43,480
Speaker 2: in love with you. This is huge for me. Thanks everyone. Likewise, Hi,

853
00:38:43,520 --> 00:38:44,279
Speaker 2: it's nice to meet you.

854
00:38:44,360 --> 00:38:44,920
Speaker 1: Hi Scott.

855
00:38:46,280 --> 00:38:50,440
Speaker 4: So pardon me, pardon me, pardon me? What did you

856
00:38:50,640 --> 00:38:53,320
Speaker 4: fucking just say to me?

857
00:38:54,440 --> 00:38:55,840
Speaker 1: Hi? Scott? Sorry?

858
00:38:57,200 --> 00:39:02,040
Speaker 4: First of all, HI is short for what hello? Exactly?

859
00:39:02,920 --> 00:39:05,880
Speaker 2: Use the full term when you talk to me, and

860
00:39:05,920 --> 00:39:09,200
Speaker 2: you should probably stop saying hi to Scott and start

861
00:39:09,200 --> 00:39:10,359
Speaker 2: saying hi to this Dick.

862
00:39:10,880 --> 00:39:15,000
Speaker 4: Yeah, that's start saying hello to this story.

863
00:39:15,600 --> 00:39:19,560
Speaker 2: Sir, because you better use the long version because I

864
00:39:20,000 --> 00:39:20,719
Speaker 2: know he's.

865
00:39:20,440 --> 00:39:20,920
Speaker 1: Going to.

866
00:39:22,440 --> 00:39:29,960
Speaker 2: So try it again. Hello Scott, No, Hello Dick. Hello

867
00:39:31,600 --> 00:39:34,120
Speaker 2: this this thank you?

868
00:39:34,880 --> 00:39:39,040
Speaker 1: Shake shake my dick. There you go.

869
00:39:42,520 --> 00:39:44,960
Speaker 2: So should we hear more of the interview? Yeah, just

870
00:39:45,000 --> 00:39:47,080
Speaker 2: some of what Wolf has been saying. This is good,

871
00:39:47,120 --> 00:39:50,240
Speaker 2: and let's get back to Wolf. Kevin can weigh in.

872
00:39:50,400 --> 00:39:52,560
Speaker 4: But I used to listen to his albums.

873
00:39:52,840 --> 00:39:54,879
Speaker 1: Still on this you know him.

874
00:39:55,560 --> 00:39:58,520
Speaker 4: This is my biggest influences growing answer that you guys

875
00:39:58,520 --> 00:40:00,680
Speaker 4: have already as.

876
00:40:00,560 --> 00:40:04,359
Speaker 5: An influence on you. Our parents didn't get a lot

877
00:40:04,400 --> 00:40:05,000
Speaker 5: of what we.

878
00:40:04,880 --> 00:40:06,400
Speaker 4: Share the same parents. By the way, a lot of

879
00:40:06,400 --> 00:40:09,560
Speaker 4: people should know that. Queer brothers.

880
00:40:10,480 --> 00:40:17,200
Speaker 1: What are you talking about, Scott? That's not true.

881
00:40:18,440 --> 00:40:20,960
Speaker 2: Why do you want people to like? What is the

882
00:40:21,880 --> 00:40:25,600
Speaker 2: mission there of that? Why?

883
00:40:25,360 --> 00:40:29,160
Speaker 4: My mission? My goal?

884
00:40:29,600 --> 00:40:34,600
Speaker 1: Yeah, to do the trick on everyone in America and

885
00:40:34,800 --> 00:40:35,480
Speaker 1: on Wolf.

886
00:40:36,200 --> 00:40:39,120
Speaker 4: I was sort of trying to evade his question. Quite honestly,

887
00:40:39,160 --> 00:40:41,880
Speaker 4: I knew it was headed down a certain path that

888
00:40:41,920 --> 00:40:44,680
Speaker 4: I wasn't comfortable with, and I was trying to deflect.

889
00:40:45,040 --> 00:40:47,239
Speaker 3: Well, and that's a corner you've painted yourself in by

890
00:40:47,280 --> 00:40:48,520
Speaker 3: answering the first question.

891
00:40:48,760 --> 00:40:49,840
Speaker 4: Yes, it's true.

892
00:40:49,960 --> 00:40:53,000
Speaker 3: You know, you could have established some ground rules up top.

893
00:40:53,360 --> 00:40:55,320
Speaker 3: So now you are in danger of having to answer

894
00:40:55,320 --> 00:40:57,560
Speaker 3: the question. But to lie and tell Wolf that you're

895
00:40:57,600 --> 00:40:59,600
Speaker 3: his brother when you know that he's adopted and he's

896
00:40:59,640 --> 00:41:01,600
Speaker 3: always wanted to have a little brother mm.

897
00:41:01,560 --> 00:41:04,279
Speaker 1: Hmm, like and he's always been looking for who his

898
00:41:04,400 --> 00:41:07,239
Speaker 1: real brother is. I didn't know that about it. I

899
00:41:07,280 --> 00:41:10,239
Speaker 1: guess I didn't do my research before. Yeah, and that's

900
00:41:10,800 --> 00:41:11,959
Speaker 1: sort of what Hayes was saying.

901
00:41:12,040 --> 00:41:14,400
Speaker 4: Yeah, yeah, so how should I have.

902
00:41:14,600 --> 00:41:16,400
Speaker 1: Why do you think his name is? Is Woff?

903
00:41:17,360 --> 00:41:19,280
Speaker 4: I guess I never thought about this. He was adopted

904
00:41:19,280 --> 00:41:23,000
Speaker 4: as a dog. Yeah, he was adopted as a dog. Yeah,

905
00:41:23,280 --> 00:41:25,239
Speaker 4: so they knew he was a human, but then they

906
00:41:25,280 --> 00:41:27,440
Speaker 4: treated him like a dog, or they thought he was

907
00:41:27,440 --> 00:41:28,520
Speaker 4: a dog, and they.

908
00:41:29,120 --> 00:41:31,440
Speaker 1: All the PaperWorks said that he was a dog. Right

909
00:41:32,880 --> 00:41:36,719
Speaker 1: and this is before online mm hmm right, wof that

910
00:41:36,760 --> 00:41:38,680
Speaker 1: makes sense? Yeah, so he was Wolf.

911
00:41:39,120 --> 00:41:42,160
Speaker 3: Yeah, so for you to sit there and go like, hey,

912
00:41:42,200 --> 00:41:44,480
Speaker 3: I'm your brother, it's like maybe Hayes could.

913
00:41:44,280 --> 00:41:46,200
Speaker 1: Show you what you should have said? Yeah, what what

914
00:41:46,239 --> 00:41:47,839
Speaker 1: should I have said? Okay, we'll let me go back

915
00:41:47,840 --> 00:41:48,360
Speaker 1: to the question.

916
00:41:48,719 --> 00:41:52,200
Speaker 5: Yeah, as an influence on you.

917
00:41:52,520 --> 00:41:54,520
Speaker 4: I think one of my biggest influences growing up.

918
00:41:54,560 --> 00:41:58,560
Speaker 6: And pee wee Herman, you've mentioned what Herman a lot

919
00:41:58,600 --> 00:42:00,000
Speaker 6: as an influence on you.

920
00:42:00,880 --> 00:42:03,279
Speaker 5: Our parents didn't get a lot of what we.

921
00:42:03,200 --> 00:42:04,319
Speaker 4: Share the same parents, by the.

922
00:42:04,280 --> 00:42:08,600
Speaker 1: Way, Okay, wait, let me go back. Yeah. Do you

923
00:42:08,640 --> 00:42:10,319
Speaker 1: want to know what I would do in this spot? Yeah?

924
00:42:10,400 --> 00:42:12,640
Speaker 1: Can I just play it for you? Yeah? Please? It's

925
00:42:12,680 --> 00:42:15,040
Speaker 1: disorienting because you also don't even let him finish the question.

926
00:42:15,120 --> 00:42:17,839
Speaker 4: And David Letterman, I think we're my biggest influences growing up.

927
00:42:17,840 --> 00:42:20,719
Speaker 6: And pe wee Herman, you've mentioned Letterman a lot as

928
00:42:20,800 --> 00:42:21,759
Speaker 6: an influence on you.

929
00:42:21,920 --> 00:42:23,440
Speaker 5: Wolf, our parents.

930
00:42:23,600 --> 00:42:26,879
Speaker 1: There's a bomb strapped to my chest a lot of people.

931
00:42:28,080 --> 00:42:31,680
Speaker 3: It's going to go off. My hand is taped to

932
00:42:31,719 --> 00:42:36,360
Speaker 3: a remote. If I release this trigger, this entire building's

933
00:42:36,440 --> 00:42:37,040
Speaker 3: going up.

934
00:42:39,040 --> 00:42:42,200
Speaker 1: Now. Tell me what really happened with the financial crisis?

935
00:42:44,200 --> 00:42:45,440
Speaker 1: I lost everything?

936
00:42:46,960 --> 00:42:50,200
Speaker 2: How Why would Wolf know these monster?

937
00:42:50,920 --> 00:42:51,760
Speaker 4: Your money monster?

938
00:42:51,840 --> 00:42:52,040
Speaker 2: Oh?

939
00:42:52,080 --> 00:42:54,080
Speaker 1: I see hit him with the money monster?

940
00:42:54,400 --> 00:42:57,719
Speaker 4: Got it money monstering. I hadn't thought about doing that.

941
00:42:57,760 --> 00:43:00,479
Speaker 2: Can I also just say most people don't don't think

942
00:43:00,880 --> 00:43:05,719
Speaker 2: what pee Wee Herman did was good that time, and

943
00:43:05,880 --> 00:43:09,600
Speaker 2: I think they definitely wouldn't say that it was an influence.

944
00:43:09,120 --> 00:43:09,680
Speaker 1: On I was.

945
00:43:09,920 --> 00:43:14,120
Speaker 4: I wasn't saying that he was an influence the time

946
00:43:14,200 --> 00:43:17,560
Speaker 4: that that he was arrested, and I was saying that

947
00:43:17,640 --> 00:43:19,920
Speaker 4: his body of work was an influence on.

948
00:43:19,920 --> 00:43:23,440
Speaker 1: Him, his work and his body working on his body.

949
00:43:23,480 --> 00:43:27,759
Speaker 4: Hey can yes, can you say something? Why don't you

950
00:43:27,760 --> 00:43:29,080
Speaker 4: say something to this dick?

951
00:43:29,239 --> 00:43:31,360
Speaker 1: See? This is good now?

952
00:43:31,400 --> 00:43:35,520
Speaker 2: That's and the thing that is so reprehensible about what

953
00:43:35,560 --> 00:43:37,799
Speaker 2: pee Wee Herman did is he had given up.

954
00:43:37,800 --> 00:43:42,520
Speaker 1: And did you just get the emails a virus? Oh?

955
00:43:42,640 --> 00:43:44,040
Speaker 4: No, you got the laughing skull.

956
00:43:44,640 --> 00:43:44,960
Speaker 1: Great.

957
00:43:45,000 --> 00:43:48,160
Speaker 2: See this is why I try to keep his people

958
00:43:48,200 --> 00:43:49,840
Speaker 2: say I love you to him. The problem with what

959
00:43:49,920 --> 00:43:51,719
Speaker 2: pee Wee Herman was doing was he was doing it

960
00:43:51,760 --> 00:43:52,840
Speaker 2: by himself.

961
00:43:52,480 --> 00:43:55,000
Speaker 3: Yeah, when he could have been forcing someone else to

962
00:43:55,040 --> 00:43:56,440
Speaker 3: do it who tried to interview him.

963
00:43:56,800 --> 00:43:57,680
Speaker 4: He had given up.

964
00:43:57,960 --> 00:43:58,960
Speaker 1: What I mean?

965
00:43:59,000 --> 00:44:02,040
Speaker 4: That's the other thing is what if they invented movie

966
00:44:02,920 --> 00:44:05,120
Speaker 4: where you could be like hey, Demi Moore and strip

967
00:44:05,200 --> 00:44:08,319
Speaker 4: teas instead of stripping up there on the screen, come

968
00:44:08,360 --> 00:44:11,680
Speaker 4: down here in a purple Rose of Cairo virtual reality situation,

969
00:44:12,400 --> 00:44:14,759
Speaker 4: and you know, like strip on me.

970
00:44:15,280 --> 00:44:17,920
Speaker 1: That is it's worth a try. I get it.

971
00:44:18,880 --> 00:44:19,960
Speaker 4: I get it, And you're right.

972
00:44:19,880 --> 00:44:21,560
Speaker 1: Put your headphones back on. None of this is like

973
00:44:21,640 --> 00:44:24,560
Speaker 1: getting up sitting down? What are you doing, Kevin? Hang on,

974
00:44:24,600 --> 00:44:25,719
Speaker 1: it's gonna imagine.

975
00:44:25,480 --> 00:44:28,640
Speaker 2: I've just started getting up and Chef Kevin like that

976
00:44:28,680 --> 00:44:29,920
Speaker 2: would be fine up right now.

977
00:44:30,000 --> 00:44:32,319
Speaker 1: That would be funny if I did that, it would

978
00:44:32,360 --> 00:44:33,040
Speaker 1: be really funny.

979
00:44:33,160 --> 00:44:35,799
Speaker 2: Okay, we're barely into this. I can't believe how long

980
00:44:35,880 --> 00:44:37,560
Speaker 2: was that? Yeah, this shit takes forever.

981
00:44:38,000 --> 00:44:40,440
Speaker 4: So let him go, just let him let him go.

982
00:44:40,640 --> 00:44:42,719
Speaker 2: No, No, I mean like when he wants to let

983
00:44:42,800 --> 00:44:46,319
Speaker 2: him go, like fire Kevin, when Wolf? This is so long,

984
00:44:46,360 --> 00:44:47,840
Speaker 2: and I could tell that he's like, when am I

985
00:44:47,840 --> 00:44:49,920
Speaker 2: going to get to like be done with this? And

986
00:44:49,920 --> 00:44:53,160
Speaker 2: it's like just let when Wolf interview? When whatf clearly

987
00:44:53,280 --> 00:44:57,880
Speaker 2: wants to leave? Just let him leave. If you love something, yes,

988
00:44:58,000 --> 00:45:01,920
Speaker 2: give him room. Yes, it is microphone off. It sounds

989
00:45:01,960 --> 00:45:03,799
Speaker 2: like he his microphone was off.

990
00:45:03,840 --> 00:45:05,760
Speaker 4: I wish your microphone was off.

991
00:45:06,400 --> 00:45:09,080
Speaker 3: That was good, that's really good. Yeah, And we asked

992
00:45:09,120 --> 00:45:11,440
Speaker 3: Keaven to say that we were hoping you.

993
00:45:11,600 --> 00:45:12,200
Speaker 1: Spot like that.

994
00:45:12,840 --> 00:45:15,359
Speaker 3: I love how powerful you seem now, Scott, And now

995
00:45:15,400 --> 00:45:17,440
Speaker 3: I'm going like, wow, this guy's a really good guest,

996
00:45:17,600 --> 00:45:19,440
Speaker 3: you know, like maybe I'll even come on the five

997
00:45:19,520 --> 00:45:21,160
Speaker 3: hundred episode of the show next time.

998
00:45:22,000 --> 00:45:24,439
Speaker 2: There's not going to be another five hundred episode there.

999
00:45:24,719 --> 00:45:27,640
Speaker 2: There can't say that about yourself. I don't think it's

1000
00:45:27,840 --> 00:45:30,400
Speaker 2: that's you know, we were talking about confidence.

1001
00:45:30,520 --> 00:45:33,400
Speaker 4: You know, why do you think that you were invited

1002
00:45:33,960 --> 00:45:35,839
Speaker 4: to the five hundred episode?

1003
00:45:36,760 --> 00:45:41,239
Speaker 1: Whoa why? Let me? I mean, I can check my

1004
00:45:41,320 --> 00:45:42,799
Speaker 1: email and see if there is one.

1005
00:45:44,080 --> 00:45:46,080
Speaker 2: All your emails, yeah, I can't get into let me

1006
00:45:46,120 --> 00:45:50,640
Speaker 2: see here it is, okay, CBB app here it is.

1007
00:45:50,719 --> 00:45:53,440
Speaker 2: I found one. It's the most recent one. Yeah, and

1008
00:45:53,480 --> 00:45:56,560
Speaker 2: it says I want to do a CBB suit.

1009
00:45:58,000 --> 00:45:59,200
Speaker 1: I'm so sorry.

1010
00:45:58,920 --> 00:46:03,400
Speaker 4: Authors by the way, to read my private communications.

1011
00:46:02,719 --> 00:46:04,400
Speaker 2: With oh, I thought you were just asking me to

1012
00:46:04,480 --> 00:46:08,480
Speaker 2: do that, And I am so sorry that we didn't

1013
00:46:08,520 --> 00:46:11,960
Speaker 2: get to the email until nil email Roulette.

1014
00:46:12,440 --> 00:46:14,360
Speaker 1: That was a segment we used to used to do

1015
00:46:14,400 --> 00:46:16,239
Speaker 1: a segment. You should take that one.

1016
00:46:16,239 --> 00:46:18,960
Speaker 2: Actually, that would be really good where you would do

1017
00:46:19,040 --> 00:46:21,040
Speaker 2: what you would just click on a round.

1018
00:46:21,040 --> 00:46:23,080
Speaker 1: We would go through our emails and yeah, and we would.

1019
00:46:22,840 --> 00:46:24,480
Speaker 4: Read of course I know you ran it by me.

1020
00:46:25,080 --> 00:46:26,880
Speaker 1: Yeah, this guy's I approved it.

1021
00:46:27,000 --> 00:46:28,080
Speaker 4: I punched it up.

1022
00:46:28,880 --> 00:46:31,200
Speaker 2: I don't like to punch down. I really appreciate that

1023
00:46:31,600 --> 00:46:33,840
Speaker 2: it's going to be just gmail. You're just going to

1024
00:46:33,880 --> 00:46:34,120
Speaker 2: call it.

1025
00:46:34,200 --> 00:46:36,640
Speaker 1: Have you guys ever been invited to a Hollywood punchdown session?

1026
00:46:38,440 --> 00:46:41,239
Speaker 4: Yeah, it's just where you make you go in and

1027
00:46:41,280 --> 00:46:42,680
Speaker 4: you do script doctoring.

1028
00:46:42,840 --> 00:46:46,040
Speaker 1: I just I took all the jokes out.

1029
00:46:46,560 --> 00:46:48,000
Speaker 4: What were some of the jokes that were in there?

1030
00:46:48,360 --> 00:46:50,919
Speaker 3: Just there were really there was a lot of slapsticky stuff,

1031
00:46:50,960 --> 00:46:53,359
Speaker 3: a lot of every time that kid sat down there

1032
00:46:53,400 --> 00:46:54,239
Speaker 3: was a whoope.

1033
00:46:53,880 --> 00:46:57,440
Speaker 4: Cushion under him, And was there like something about Mary

1034
00:46:57,520 --> 00:46:59,680
Speaker 4: like a bit of sploge in his hair on the beach.

1035
00:47:00,120 --> 00:47:01,120
Speaker 1: Yeah, that's right.

1036
00:47:01,600 --> 00:47:05,279
Speaker 3: And and so I was like, let's punch this down,

1037
00:47:05,360 --> 00:47:07,320
Speaker 3: like I think people will take the movie more seriously.

1038
00:47:07,480 --> 00:47:10,560
Speaker 4: Yeah, you know, let's take out all the just like

1039
00:47:10,680 --> 00:47:16,120
Speaker 4: tripping and just like you going through plate glass windows.

1040
00:47:16,360 --> 00:47:19,360
Speaker 3: M all the bong hits, all the freakin yeah falling

1041
00:47:19,400 --> 00:47:22,080
Speaker 3: down the stairs, Yeah, all the freaking nuts.

1042
00:47:22,120 --> 00:47:23,440
Speaker 1: What about like the hair.

1043
00:47:23,360 --> 00:47:26,040
Speaker 4: What about like oh wow, you look like you know,

1044
00:47:26,200 --> 00:47:28,719
Speaker 4: like movies these days of like, you look like a

1045
00:47:28,800 --> 00:47:32,560
Speaker 4: cross between you look like if if Frank Zappa, you know,

1046
00:47:32,880 --> 00:47:34,640
Speaker 4: was swallowing my nuts.

1047
00:47:34,760 --> 00:47:37,799
Speaker 3: I love yeah, I love those, but it just wasn't

1048
00:47:37,800 --> 00:47:39,960
Speaker 3: the right movie for it. I took that out and

1049
00:47:40,000 --> 00:47:41,600
Speaker 3: then I put it into some of the movies that

1050
00:47:41,640 --> 00:47:42,160
Speaker 3: are coming up.

1051
00:47:42,480 --> 00:47:45,000
Speaker 2: Best version as you take any celebrity and you say, like,

1052
00:47:46,320 --> 00:47:49,640
Speaker 2: you look like if Frank Zappa ate Frank Zappa.

1053
00:47:50,040 --> 00:47:54,880
Speaker 4: Oh, like a fatter Frank. Yes, I understand. So like

1054
00:47:54,880 --> 00:47:57,279
Speaker 4: if Frank Zappa was who's a relative, he was a

1055
00:47:57,320 --> 00:47:59,400
Speaker 4: relatively thin I don't know if that had to do

1056
00:47:59,480 --> 00:48:01,400
Speaker 4: with it. Was he sick or was he sick the

1057
00:48:01,560 --> 00:48:02,480
Speaker 4: entire time he was making He.

1058
00:48:02,520 --> 00:48:07,120
Speaker 1: Was certainly sick in the head. Wow. Yeah, and his

1059
00:48:07,239 --> 00:48:09,400
Speaker 1: music was monstrous.

1060
00:48:08,960 --> 00:48:12,719
Speaker 4: Right, But so if he were if you take that

1061
00:48:13,000 --> 00:48:15,919
Speaker 4: thin individual and then he were to eat his own

1062
00:48:15,960 --> 00:48:17,040
Speaker 4: body mass.

1063
00:48:17,040 --> 00:48:18,440
Speaker 3: Well what if he were even to eat some of

1064
00:48:18,440 --> 00:48:19,960
Speaker 3: his freaky sound creations.

1065
00:48:21,239 --> 00:48:23,879
Speaker 1: So it was sort of implied by the joke as well, you.

1066
00:48:23,840 --> 00:48:27,120
Speaker 4: Look like if Frank Zappa ate one of his freaky

1067
00:48:27,560 --> 00:48:28,480
Speaker 4: sound creations.

1068
00:48:29,840 --> 00:48:32,920
Speaker 1: Yeah, it's funny. Imagine what that would look like. Yeah, yeah, no,

1069
00:48:33,040 --> 00:48:35,719
Speaker 1: that's a really good one. Sick. He would get yeah

1070
00:48:35,800 --> 00:48:38,319
Speaker 1: with some of the other jokes. I like, you look like.

1071
00:48:38,320 --> 00:48:45,560
Speaker 4: If Ron Jeremy met Jeremy irons. Yeah, yeah, is that something?

1072
00:48:45,640 --> 00:48:49,480
Speaker 1: No, Yeah, that's that's great. Jeremy was a CPA.

1073
00:48:49,800 --> 00:48:51,520
Speaker 3: Like it's somebody kind of looks like around Jeremy, but

1074
00:48:51,560 --> 00:48:53,239
Speaker 3: they've got like a like a tie on.

1075
00:48:53,320 --> 00:48:54,520
Speaker 1: What's the CPA.

1076
00:48:54,640 --> 00:48:58,560
Speaker 3: It's like a corporate accountant or something. Yeah, I don't

1077
00:48:58,600 --> 00:48:58,880
Speaker 3: really know.

1078
00:48:59,000 --> 00:49:02,840
Speaker 2: Yeah, core or account, corporate, corporate republic account.

1079
00:49:02,400 --> 00:49:04,600
Speaker 1: I don't know what I mean. I don't know what

1080
00:49:04,600 --> 00:49:07,319
Speaker 1: it means. But he don't ask me. Suck my dick.

1081
00:49:08,600 --> 00:49:10,960
Speaker 1: But like an hour back in control.

1082
00:49:11,320 --> 00:49:13,920
Speaker 3: One thing I like is when somebody will just say

1083
00:49:14,000 --> 00:49:16,960
Speaker 3: like uh, They'll they'll be talking about a date. It's

1084
00:49:16,960 --> 00:49:19,279
Speaker 3: two dudes. It's dudes like me, yeah, and let's be

1085
00:49:19,280 --> 00:49:22,560
Speaker 3: talking about a date. And they'll go like, hey, man,

1086
00:49:22,600 --> 00:49:26,000
Speaker 3: I gave her the dusty Kleenex.

1087
00:49:26,400 --> 00:49:28,480
Speaker 1: And then the other guy goes, what is that? What

1088
00:49:28,600 --> 00:49:30,400
Speaker 1: is it? It's like, bro, you never heard of the

1089
00:49:30,480 --> 00:49:31,320
Speaker 1: dusty Kleenex.

1090
00:49:31,920 --> 00:49:35,080
Speaker 3: It's when you take a chick, you know, and you

1091
00:49:35,800 --> 00:49:37,719
Speaker 3: and you and in this case, it.

1092
00:49:37,719 --> 00:49:40,600
Speaker 1: Would be like uh you what do you do?

1093
00:49:41,080 --> 00:49:42,120
Speaker 4: Uh? You?

1094
00:49:41,840 --> 00:49:43,560
Speaker 1: You come and then wait for it to dry and

1095
00:49:43,600 --> 00:49:44,960
Speaker 1: put it in her hair or something.

1096
00:49:45,120 --> 00:49:45,480
Speaker 4: I don't know.

1097
00:49:46,120 --> 00:49:47,680
Speaker 1: I think it's you wipe her on a shelf. You

1098
00:49:47,719 --> 00:49:49,120
Speaker 1: wipe her okay, oh great, great?

1099
00:49:49,440 --> 00:49:51,960
Speaker 4: Wait you take the girl and you you you use

1100
00:49:52,040 --> 00:49:52,800
Speaker 4: her to dust.

1101
00:49:53,239 --> 00:49:55,399
Speaker 3: Yeah, you fuck her up against your shelf and then

1102
00:49:55,680 --> 00:49:59,000
Speaker 3: uh and then you sort of uh scrub her butt

1103
00:49:59,080 --> 00:50:03,400
Speaker 3: across the dusty part and not clean it like a

1104
00:50:03,480 --> 00:50:06,799
Speaker 3: high shelf that doesn't get a lot of dusting. Yeah,

1105
00:50:06,840 --> 00:50:08,440
Speaker 3: I guess, dude, you don't know about this.

1106
00:50:08,640 --> 00:50:12,680
Speaker 2: Yeah exactly, And you see this is the this is

1107
00:50:12,680 --> 00:50:13,000
Speaker 2: the thing.

1108
00:50:13,600 --> 00:50:15,560
Speaker 1: And that just sounds like a funny character.

1109
00:50:15,719 --> 00:50:18,440
Speaker 4: Like but if that couldn't possibly be the lead character,

1110
00:50:18,520 --> 00:50:21,680
Speaker 4: that would have to be sort of an Anselest.

1111
00:50:21,320 --> 00:50:25,239
Speaker 1: Kill the character's best friend. I like that guy.

1112
00:50:25,680 --> 00:50:27,839
Speaker 4: Yeah, that guy's funny, but I can't take a lot

1113
00:50:27,880 --> 00:50:30,360
Speaker 4: of him because that would just like a whole movie

1114
00:50:30,360 --> 00:50:32,120
Speaker 4: of that would be bad. But one scene of that

1115
00:50:32,239 --> 00:50:32,920
Speaker 4: is so funny.

1116
00:50:33,280 --> 00:50:38,799
Speaker 3: Yeah, yeah, yeah, no, Yeah, it's a joker. Yeah, you

1117
00:50:38,840 --> 00:50:40,879
Speaker 3: look like the character only goes by his last name.

1118
00:50:41,480 --> 00:50:43,920
Speaker 4: Hey, Juker, what'd you do last night?

1119
00:50:45,280 --> 00:50:45,560
Speaker 5: Bro?

1120
00:50:45,920 --> 00:50:50,160
Speaker 1: I was out with this chick joker man.

1121
00:50:50,440 --> 00:50:52,080
Speaker 3: I got her back home, and I gave her the

1122
00:50:52,080 --> 00:50:53,239
Speaker 3: backwards microphone.

1123
00:50:54,880 --> 00:50:58,560
Speaker 4: What's a backwards microphone is when you haven't heard about this?

1124
00:50:58,640 --> 00:51:01,799
Speaker 3: Yeah, oh dude, you haven't heard of about the backwards microphone. No,

1125
00:51:02,000 --> 00:51:05,040
Speaker 3: it's when you like shout into her asshole and then

1126
00:51:05,120 --> 00:51:07,200
Speaker 3: you fall asleep on her dog.

1127
00:51:08,480 --> 00:51:10,400
Speaker 2: And that is a real That's not just something that

1128
00:51:10,440 --> 00:51:12,680
Speaker 2: Seawn came up with or whatever from something he saw

1129
00:51:12,719 --> 00:51:13,200
Speaker 2: in the room.

1130
00:51:13,239 --> 00:51:15,319
Speaker 4: That is actually that's an actual thing.

1131
00:51:15,480 --> 00:51:16,080
Speaker 1: Yeah, that one.

1132
00:51:16,719 --> 00:51:19,120
Speaker 4: You weren't looking at a backwards microphone at all or

1133
00:51:19,200 --> 00:51:22,920
Speaker 4: a kleenex, right, there are none of those items in

1134
00:51:22,960 --> 00:51:24,880
Speaker 4: this room currently, and you don't keep that. There are

1135
00:51:24,880 --> 00:51:26,680
Speaker 4: only frontwards microphones.

1136
00:51:26,920 --> 00:51:28,800
Speaker 1: Chef Kevin, and you take a picture of the microphone

1137
00:51:28,800 --> 00:51:29,640
Speaker 1: and kleenex.

1138
00:51:29,320 --> 00:51:31,400
Speaker 4: And our noses are running right now because there are

1139
00:51:31,440 --> 00:51:36,160
Speaker 4: no cleanexes. There's just not like piling down on and

1140
00:51:36,200 --> 00:51:37,239
Speaker 4: you're in trouble for that too.

1141
00:51:37,360 --> 00:51:40,120
Speaker 2: Kevin and I see there should be microphones in here,

1142
00:51:41,040 --> 00:51:43,480
Speaker 2: backwards ones, yes, and there should be cleanexes.

1143
00:51:43,560 --> 00:51:47,160
Speaker 1: Okay, how is let's see if this, let's see if

1144
00:51:47,200 --> 00:51:48,120
Speaker 1: this ever ends.

1145
00:51:49,520 --> 00:51:52,719
Speaker 4: Day we are brothers. We should have mentioned that at

1146
00:51:52,719 --> 00:51:56,920
Speaker 4: the toss.

1147
00:51:55,480 --> 00:51:58,799
Speaker 6: The appearance of our generation didn't always understand what Letterman was

1148
00:51:58,800 --> 00:52:01,720
Speaker 6: doing when he was very late night and doing jokes

1149
00:52:01,760 --> 00:52:02,640
Speaker 6: that suddenly felt like.

1150
00:52:02,640 --> 00:52:05,200
Speaker 4: This was all cut out of the actual this bonus

1151
00:52:05,400 --> 00:52:06,240
Speaker 4: material when.

1152
00:52:06,080 --> 00:52:09,279
Speaker 5: We were making fun of traditional entertainment.

1153
00:52:09,360 --> 00:52:10,920
Speaker 1: And I just want to say that was Scott.

1154
00:52:10,960 --> 00:52:14,000
Speaker 2: That was not Scott in the interview saying because you're

1155
00:52:14,080 --> 00:52:17,680
Speaker 2: confusing everyone when you talk while it's going, because.

1156
00:52:17,440 --> 00:52:19,760
Speaker 1: You're the interview too in and we're interviewing.

1157
00:52:19,400 --> 00:52:23,319
Speaker 4: You know, right right, So when I was saying that

1158
00:52:23,320 --> 00:52:23,960
Speaker 4: that was not.

1159
00:52:24,000 --> 00:52:25,960
Speaker 1: Part of the actual clip that you were playing, that

1160
00:52:26,040 --> 00:52:28,480
Speaker 1: was new Scott. I have present day Scott.

1161
00:52:29,080 --> 00:52:31,439
Speaker 4: I'm going to identify myself anytime I talk as present

1162
00:52:31,560 --> 00:52:32,000
Speaker 4: day Scott.

1163
00:52:33,480 --> 00:52:36,879
Speaker 6: Do you feel like there are still people who don't

1164
00:52:36,960 --> 00:52:39,279
Speaker 6: quite understand the irony of what you're going for with

1165
00:52:39,320 --> 00:52:39,840
Speaker 6: your comedy?

1166
00:52:39,920 --> 00:52:40,080
Speaker 1: Yeah?

1167
00:52:40,120 --> 00:52:42,400
Speaker 4: I mean when I was a teenager, the fact that

1168
00:52:42,480 --> 00:52:45,720
Speaker 4: David Letterman was making fun of everything. He was making

1169
00:52:45,719 --> 00:52:47,759
Speaker 4: fun of TV, he was making fun of just the

1170
00:52:47,800 --> 00:52:51,080
Speaker 4: idea of doing a celebrity interview. He would never take

1171
00:52:51,120 --> 00:52:53,839
Speaker 4: those interviews seriously. If you watch his share interview ers,

1172
00:52:53,960 --> 00:52:56,640
Speaker 4: his Madonna interview, he wasn't taking it seriously.

1173
00:52:56,680 --> 00:53:00,520
Speaker 1: He wasn't okay, already, this is it's so long.

1174
00:53:00,680 --> 00:53:03,520
Speaker 4: This is present day, Scott. I look, I agree with you.

1175
00:53:03,640 --> 00:53:07,560
Speaker 4: It's oh I I'm not interested.

1176
00:53:08,120 --> 00:53:11,359
Speaker 2: First of all, he said, no, it's I'm just trying

1177
00:53:11,360 --> 00:53:14,600
Speaker 2: to fill time. It's very even about it's very interesting

1178
00:53:14,920 --> 00:53:18,080
Speaker 2: to say like like it's good to like hate TV

1179
00:53:18,320 --> 00:53:22,239
Speaker 2: and stuff, and like it's like good to like not

1180
00:53:22,360 --> 00:53:24,040
Speaker 2: takes it in. Whoever those other people are you were

1181
00:53:24,080 --> 00:53:25,960
Speaker 2: talking about, like it's good to make fun of them

1182
00:53:25,960 --> 00:53:29,560
Speaker 2: and all that. It's very dangerous for the kinds of

1183
00:53:29,600 --> 00:53:32,279
Speaker 2: other stuff that you want to do. And I have

1184
00:53:32,320 --> 00:53:34,360
Speaker 2: to say, I hate to bring this up, Scott. I

1185
00:53:34,400 --> 00:53:36,960
Speaker 2: hate to bring this up. But you do this interview

1186
00:53:37,320 --> 00:53:40,080
Speaker 2: and then Siso goes away like right after that.

1187
00:53:40,800 --> 00:53:43,840
Speaker 4: Yeah, I guess I never really thought about that, like

1188
00:53:43,960 --> 00:53:47,080
Speaker 4: pretty much the day after it came out. Uh huh,

1189
00:53:47,600 --> 00:53:49,120
Speaker 4: went away, uh huh.

1190
00:53:49,160 --> 00:53:51,840
Speaker 2: And here you are in this thing saying TV sucks.

1191
00:53:51,920 --> 00:53:54,440
Speaker 2: I do like everyone sucks. Who does it? I'm making

1192
00:53:54,480 --> 00:53:57,560
Speaker 2: fun of it? And then maybe someone is saying like, okay,

1193
00:53:57,600 --> 00:53:59,120
Speaker 2: well if he doesn't want to do it.

1194
00:53:59,120 --> 00:54:00,640
Speaker 4: So much, let's ansel Siso.

1195
00:54:01,040 --> 00:54:05,960
Speaker 1: Right. Yeah, I guess that's true. I'm sorry, sis and

1196
00:54:06,000 --> 00:54:09,720
Speaker 1: I think that is gonna be enough. That's all they want.

1197
00:54:09,960 --> 00:54:12,520
Speaker 1: The people I know here, you say yeah.

1198
00:54:12,480 --> 00:54:15,560
Speaker 4: Like TV said, like TV's great, great.

1199
00:54:15,880 --> 00:54:18,879
Speaker 3: Yes, So for me, Letterman went a little too far

1200
00:54:18,960 --> 00:54:20,720
Speaker 3: with some of his poking fun at some of this stuff,

1201
00:54:20,719 --> 00:54:21,680
Speaker 3: and maybe you should.

1202
00:54:21,520 --> 00:54:22,560
Speaker 4: Can he ask me that again?

1203
00:54:22,719 --> 00:54:25,880
Speaker 1: Yes? Yeah, yeah, And I love this attitude.

1204
00:54:26,000 --> 00:54:29,239
Speaker 2: And also when he says that Letterman was on very

1205
00:54:29,280 --> 00:54:31,719
Speaker 2: late night, you say something like, that's not late for me.

1206
00:54:31,760 --> 00:54:32,799
Speaker 1: I can stay up as late as I want.

1207
00:54:32,840 --> 00:54:34,040
Speaker 4: Okay, let me try Let me try this.

1208
00:54:34,760 --> 00:54:37,880
Speaker 6: The parents of our generation didn't always understand what Letterman

1209
00:54:38,000 --> 00:54:39,839
Speaker 6: was doing when he was very late night.

1210
00:54:40,920 --> 00:54:43,680
Speaker 4: Uh can I interrupt you here? This is present day, Scott,

1211
00:54:44,520 --> 00:54:48,880
Speaker 4: I Uh, not late for me. I don't have a bedtime.

1212
00:54:49,640 --> 00:54:53,680
Speaker 4: I'm a grown ass man and I go to sleep whenever,

1213
00:54:53,800 --> 00:54:57,400
Speaker 4: and quite honestly, wherever I want, and sometimes it's not

1214
00:54:57,440 --> 00:54:58,359
Speaker 4: even in my own bed.

1215
00:54:58,520 --> 00:54:59,520
Speaker 1: That's cool. Yeah.

1216
00:54:59,560 --> 00:55:04,960
Speaker 4: And secondly, secondly, TV's great. I don't like you impugning

1217
00:55:05,200 --> 00:55:08,560
Speaker 4: its integrity. TV's great. CISO is very successful and will

1218
00:55:08,640 --> 00:55:12,319
Speaker 4: last a millennia, if not longer, And I don't like

1219
00:55:12,320 --> 00:55:16,000
Speaker 4: your attitude. So why don't you get down here, since

1220
00:55:16,000 --> 00:55:18,080
Speaker 4: we're in New York City and give me a little RoadHead.

1221
00:55:18,800 --> 00:55:24,200
Speaker 3: Mmmm, yes, I'm looking at a guest.

1222
00:55:24,640 --> 00:55:28,040
Speaker 4: Holy shit, I feel so powerful.

1223
00:55:28,200 --> 00:55:29,600
Speaker 1: Hey, yes.

1224
00:55:31,560 --> 00:55:32,320
Speaker 4: This works.

1225
00:55:32,680 --> 00:55:36,759
Speaker 1: We're in New York City. This is huge and a little.

1226
00:55:36,480 --> 00:55:40,480
Speaker 3: Bit of RoadHead holy ship. And all of a sudden

1227
00:55:40,880 --> 00:55:46,640
Speaker 3: cisows back on. Yeah, Wolf's off. I mean he was crying.

1228
00:55:46,840 --> 00:55:49,600
Speaker 2: He's like, well he moved back to his hometown.

1229
00:55:49,920 --> 00:55:50,800
Speaker 1: He's again.

1230
00:55:51,000 --> 00:55:56,640
Speaker 3: We're doing the five everything. Oh yeah, that's so, and

1231
00:55:56,680 --> 00:55:59,240
Speaker 3: we're doing we're doing the five hundred.

1232
00:55:59,440 --> 00:56:02,560
Speaker 2: All of these things can be undone, yes, everything. We

1233
00:56:02,760 --> 00:56:05,360
Speaker 2: just rewind the clock back of the two hundredth. We

1234
00:56:05,400 --> 00:56:08,279
Speaker 2: are booked on r. Two hundred. That is not gonna take.

1235
00:56:08,280 --> 00:56:08,920
Speaker 2: It's locked in.

1236
00:56:09,520 --> 00:56:11,920
Speaker 4: I only wish this was like a Christmas Carol situation

1237
00:56:11,960 --> 00:56:14,760
Speaker 4: where you were like friendly ghosts or even unfriendly ghosts,

1238
00:56:14,800 --> 00:56:18,440
Speaker 4: and we could change the past and we could you know,

1239
00:56:20,239 --> 00:56:22,719
Speaker 4: it's not necessarily what will be, it's what could be.

1240
00:56:23,640 --> 00:56:27,320
Speaker 4: But you guys aren't ghosts. Like toy get me a goose? Yeah,

1241
00:56:27,520 --> 00:56:30,399
Speaker 4: the one as big as me? Yeah, yeah, I flipping down,

1242
00:56:30,760 --> 00:56:33,000
Speaker 4: you know, a hey, penny or however much.

1243
00:56:33,200 --> 00:56:34,279
Speaker 1: How much do geese cost?

1244
00:56:34,360 --> 00:56:34,719
Speaker 4: Back then?

1245
00:56:35,800 --> 00:56:42,760
Speaker 2: It was like it was like a tuppence two pence? Yeah,

1246
00:56:42,800 --> 00:56:45,239
Speaker 2: that's a lot for a goose. If you didn't know,

1247
00:56:45,360 --> 00:56:47,160
Speaker 2: you know, if you like knew the guy, then.

1248
00:56:47,200 --> 00:56:49,120
Speaker 4: If you knew the guy, he would go Okay, but

1249
00:56:49,800 --> 00:56:51,840
Speaker 4: you're not ghosts, I don't think.

1250
00:56:52,840 --> 00:56:56,160
Speaker 3: No, no, no, I'd have to tell you legally if

1251
00:56:56,200 --> 00:56:57,759
Speaker 3: you are a ghost, you do have to tell me.

1252
00:56:58,000 --> 00:57:01,359
Speaker 4: I've seen your paperwork too, and I think that in

1253
00:57:01,440 --> 00:57:03,279
Speaker 4: order to give you paychecks, we would have to give

1254
00:57:03,280 --> 00:57:04,160
Speaker 4: you ghost paychecks.

1255
00:57:04,200 --> 00:57:07,319
Speaker 2: Here if your ghosts. So, I've seen your paperwork and

1256
00:57:07,360 --> 00:57:09,600
Speaker 2: you're not toast those that is I think what I've

1257
00:57:09,600 --> 00:57:12,000
Speaker 2: been getting so unfortunately.

1258
00:57:12,080 --> 00:57:14,640
Speaker 4: Yeah, I mean the amounts on him, it's almost like

1259
00:57:14,640 --> 00:57:15,720
Speaker 4: your paychecks are haunted.

1260
00:57:16,280 --> 00:57:22,280
Speaker 2: Yeah, yeah, yeah, imagine. Yeah, I'd be boyfriends with Annabelle. Yeah,

1261
00:57:22,720 --> 00:57:25,400
Speaker 2: and the doll you get to be edit those boyfriends,

1262
00:57:28,480 --> 00:57:29,160
Speaker 2: that's the dream.

1263
00:57:29,920 --> 00:57:33,000
Speaker 1: So cool you would date her, I think, so, I mean,

1264
00:57:33,080 --> 00:57:33,560
Speaker 1: I don't know.

1265
00:57:33,600 --> 00:57:34,880
Speaker 4: I mean, I mean you may not have a lot

1266
00:57:34,920 --> 00:57:36,880
Speaker 4: to choose from, right and.

1267
00:57:36,720 --> 00:57:38,600
Speaker 2: I and I'm not saying that I would definitely that

1268
00:57:38,640 --> 00:57:39,720
Speaker 2: she would definitely want me to be.

1269
00:57:39,840 --> 00:57:42,040
Speaker 4: Who are the most famous ghosts we have? Casper? Yeah,

1270
00:57:42,120 --> 00:57:46,400
Speaker 4: with Beetlejuice. That's about it. And that's slim Pickens. I

1271
00:57:46,400 --> 00:57:49,920
Speaker 4: guess there's Slim Pickens. He's a ghost, Okay, but that's

1272
00:57:49,960 --> 00:57:50,440
Speaker 4: about it.

1273
00:57:50,520 --> 00:57:52,600
Speaker 1: I mean the Bye Bye man, I mean the.

1274
00:57:52,520 --> 00:57:54,880
Speaker 2: Babba Duke, Babba Duke.

1275
00:57:54,880 --> 00:57:56,760
Speaker 1: I don't know if he's a ghost.

1276
00:57:57,520 --> 00:58:04,960
Speaker 2: Hey, shit, the ghost Kevin, The Ghostbusters weren't ghosts. Slimer

1277
00:58:05,160 --> 00:58:09,800
Speaker 2: Slimmer was the ghost aka onion Head and girlfriend in

1278
00:58:09,840 --> 00:58:12,200
Speaker 2: the cartoon. He was part of the Ghostbusters.

1279
00:58:12,440 --> 00:58:13,440
Speaker 4: But that's not canon.

1280
00:58:15,000 --> 00:58:16,120
Speaker 1: He yes, Kevin.

1281
00:58:16,160 --> 00:58:18,320
Speaker 2: I've seen Kevin write out Ghostbusters and he puts the

1282
00:58:18,320 --> 00:58:20,360
Speaker 2: space between ghosts and Busters.

1283
00:58:20,640 --> 00:58:24,160
Speaker 1: So he's our busters who happened to be ghosts? No, no, no, no,

1284
00:58:24,840 --> 00:58:26,680
Speaker 1: they bust the ghosts, Kevin.

1285
00:58:26,800 --> 00:58:31,920
Speaker 2: It's one word. Whoa So yeah, you like him a

1286
00:58:31,920 --> 00:58:32,520
Speaker 2: little more now.

1287
00:58:32,600 --> 00:58:34,800
Speaker 4: It makes a lot more sense. It does the reason

1288
00:58:34,800 --> 00:58:38,560
Speaker 4: they're fighting all the ghosts all the time. They're busting them. Yeah,

1289
00:58:38,600 --> 00:58:41,240
Speaker 4: it's not a civil war between fellow ghosts.

1290
00:58:41,240 --> 00:58:43,640
Speaker 2: This is actually a great object lesson is the Ghostbusters,

1291
00:58:43,680 --> 00:58:46,680
Speaker 2: because if we remember what ray Stance is getting out

1292
00:58:46,720 --> 00:58:48,960
Speaker 2: of these ghosts every once in a while in the movie,

1293
00:58:49,080 --> 00:58:50,720
Speaker 2: he's not just busting them for free.

1294
00:58:50,760 --> 00:58:53,680
Speaker 1: Sometimes he gets mm hmm, a little.

1295
00:58:53,480 --> 00:58:57,640
Speaker 4: Bit of road yeah from ghosts In a dream sequence,

1296
00:58:57,760 --> 00:58:59,760
Speaker 4: but still counts totally.

1297
00:59:00,240 --> 00:59:00,960
Speaker 1: That was a dream.

1298
00:59:01,480 --> 00:59:04,200
Speaker 2: Do you think Ray Parker Junior was ever like, Hey,

1299
00:59:04,240 --> 00:59:06,440
Speaker 2: my name is Ray.

1300
00:59:06,600 --> 00:59:08,120
Speaker 4: There's a character named Ray.

1301
00:59:08,200 --> 00:59:08,400
Speaker 6: Yeah?

1302
00:59:09,000 --> 00:59:11,640
Speaker 1: Pretty cool, right, Ray? Yeah, that's pretty cool.

1303
00:59:12,840 --> 00:59:15,320
Speaker 4: Do you ever think of that conversation ever happened?

1304
00:59:16,240 --> 00:59:20,480
Speaker 1: Yeah? Who's he talking to? I don't know, maybe his dad,

1305
00:59:20,560 --> 00:59:21,080
Speaker 1: Ray Parker.

1306
00:59:21,920 --> 00:59:25,360
Speaker 3: Okay, well, oh well that's a pretty circular conversation because

1307
00:59:25,400 --> 00:59:28,720
Speaker 3: then well, yeah, if I would.

1308
00:59:28,480 --> 00:59:29,320
Speaker 1: Say what about me?

1309
00:59:29,520 --> 00:59:31,640
Speaker 2: I mean, why are you saying it's cool that that

1310
00:59:31,760 --> 00:59:32,680
Speaker 2: is also my name?

1311
00:59:32,760 --> 00:59:32,920
Speaker 4: Yeah?

1312
00:59:32,960 --> 00:59:36,160
Speaker 1: He could clap back with facts and that's a rat. Yep.

1313
00:59:37,520 --> 00:59:40,480
Speaker 1: Well I feel like I learned, Yeah, hang on, hang on,

1314
00:59:41,520 --> 00:59:46,240
Speaker 1: Hazel do it? Well, I feel like I learned a lot.

1315
00:59:46,360 --> 00:59:52,680
Speaker 4: I shut up, you fucking piece of ship. You don't

1316
00:59:52,680 --> 00:59:55,000
Speaker 4: have the brain to learn. You learn what I tell

1317
00:59:55,040 --> 00:59:55,520
Speaker 4: you to learn.

1318
00:59:58,760 --> 01:00:02,840
Speaker 1: Okay, So, uh, you know, chet, it's cool. I want

1319
01:00:02,880 --> 01:00:04,280
Speaker 1: to I want to suck them up.

1320
01:00:04,400 --> 01:00:07,200
Speaker 3: Check us out next season on cisow uh you know

1321
01:00:07,880 --> 01:00:09,040
Speaker 3: iTunes five stars.

1322
01:00:09,040 --> 01:00:14,080
Speaker 1: Help so much. Please thank you for subscribe.

1323
01:00:14,280 --> 01:00:18,960
Speaker 3: Thanks, come to our live shows, support other Earwolf shows,

1324
01:00:19,000 --> 01:00:21,520
Speaker 3: Get in there, get on stitch your premium, listen to

1325
01:00:21,560 --> 01:00:24,520
Speaker 3: that stuff. Uh, there's some really cool, exciting stuff. You know,

1326
01:00:24,560 --> 01:00:27,960
Speaker 3: it's not just our show. Go to Chef Kevin's website.

1327
01:00:28,400 --> 01:00:31,840
Speaker 3: He's got a bunch of great video boys Patreon, dough Boys, Patreon,

1328
01:00:31,920 --> 01:00:36,760
Speaker 3: please donate the Action Boys. Listen to that, you know,

1329
01:00:36,800 --> 01:00:38,280
Speaker 3: Big Trouble, Little China Everything.

1330
01:00:38,320 --> 01:00:40,680
Speaker 2: Yeah, you're doing the Chop House Gang whatever. That other

1331
01:00:40,760 --> 01:00:45,840
Speaker 2: show is, trap House Chop Come Town. What a fucked

1332
01:00:45,920 --> 01:00:47,360
Speaker 2: up name? I mean, that's so crazy.

1333
01:00:48,160 --> 01:00:50,240
Speaker 1: Hey, these people more.

1334
01:00:50,160 --> 01:00:55,480
Speaker 3: Get in there, subscribe. Yeah, guys, guys, guys, we fucked. Guys,

1335
01:00:55,480 --> 01:01:00,760
Speaker 3: we didn't fucked. Uh, Welcome to the family. The Murder Show.

1336
01:01:01,720 --> 01:01:05,680
Speaker 1: Yes, the Murder Show now my favorite murder now part

1337
01:01:05,720 --> 01:01:06,360
Speaker 1: of the family.

1338
01:01:06,520 --> 01:01:08,760
Speaker 4: Welcome murders. We fucked murders.

1339
01:01:08,760 --> 01:01:12,000
Speaker 1: We fucked. What else?

1340
01:01:12,480 --> 01:01:15,240
Speaker 3: Go back s Town, you know, get back in the archives,

1341
01:01:15,720 --> 01:01:18,600
Speaker 3: the archives again suddenly things.

1342
01:01:18,720 --> 01:01:21,040
Speaker 4: Yeah, just go back like like if you get Stitch

1343
01:01:21,040 --> 01:01:22,400
Speaker 4: your premium. Yeah, there's a lot.

1344
01:01:22,320 --> 01:01:23,880
Speaker 1: Of new stuff you can listen to, but go back

1345
01:01:23,920 --> 01:01:27,960
Speaker 1: through the archives. Oh YEAHO.

1346
01:01:29,720 --> 01:01:31,960
Speaker 4: Be like the librarian at the beginning of Ghostbusters where

1347
01:01:31,960 --> 01:01:33,320
Speaker 4: she's like, oh, look at this card cattle.

1348
01:01:33,440 --> 01:01:37,640
Speaker 3: You think Hannibal started the one the layman get in there.

1349
01:01:37,520 --> 01:01:41,120
Speaker 1: On the watch why watch why with handleburgon not just podcast?

1350
01:01:41,200 --> 01:01:43,840
Speaker 4: Watch Watch watch handle the movie, Watch the.

1351
01:01:43,920 --> 01:01:47,640
Speaker 1: Movie, See Hannibals, see the Yeah, see the.

1352
01:01:47,440 --> 01:01:50,360
Speaker 4: Show, Red Dragon, It wasn't the Red Drag all the

1353
01:01:50,400 --> 01:01:53,120
Speaker 4: way Hunter, all the way back to Manhunt, Love Manhunter.

1354
01:01:53,960 --> 01:01:54,959
Speaker 1: It's the better one.

1355
01:01:55,240 --> 01:01:59,600
Speaker 3: See Thief, You Know Another under Tandine dreams the Score,

1356
01:02:00,200 --> 01:02:05,919
Speaker 3: Give you the c p o uh cpo tomes uh and.

1357
01:02:05,800 --> 01:02:08,520
Speaker 4: So I like the death tem Pp. You're in town

1358
01:02:08,600 --> 01:02:10,760
Speaker 4: condition where a kid will see it and go, oh.

1359
01:02:10,600 --> 01:02:12,000
Speaker 1: Wow, ivery town. Yeah.

1360
01:02:13,000 --> 01:02:16,080
Speaker 4: C Hamilton, Hamilton, definitely Hamilton. If you if you haven't

1361
01:02:16,080 --> 01:02:20,240
Speaker 4: seen Hamilton, you're piece of ship, your poor loser?

1362
01:02:20,360 --> 01:02:20,760
Speaker 1: Have you ever?

1363
01:02:20,840 --> 01:02:21,520
Speaker 2: Have you ever done?

1364
01:02:21,720 --> 01:02:22,320
Speaker 1: You're in town?

1365
01:02:22,600 --> 01:02:27,440
Speaker 3: Shut up, shut up, Kevin Bye.

1366
01:02:31,200 --> 01:02:34,000
Speaker 4: This has been an ear Wolf production executive produced by

1367
01:02:34,000 --> 01:02:36,840
Speaker 4: Scott Ackerman, Chris Bannon, and Colin Anderson.

1368
01:02:37,080 --> 01:02:44,840
Speaker 2: For more information and content, visit earwolf dot com