WEBVTT - Just B Rant: Unfollowing? Following? Who Cares?!?!

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<v Speaker 1>I don't know Paige J'sorbo or the guy Craig that

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<v Speaker 1>she dated or was engaged to maybe or maybe I

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<v Speaker 1>made that up, or they were getting engaged.

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<v Speaker 2>I don't know.

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<v Speaker 1>They were this darling, cute little couple at the top

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<v Speaker 1>of a wedding cake from the show's summer house that

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<v Speaker 1>I only see through social media clips. But I guess

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<v Speaker 1>she was dating someone. There was maybe overlap, not overlap,

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<v Speaker 1>I don't care. They're young and beautiful and single and

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<v Speaker 1>go with God. And now I guess he's on Ria.

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<v Speaker 1>I could talk about Riyah forever, we could do, we

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<v Speaker 1>could do such a deep dive on Rya. But now

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<v Speaker 1>I guess he's single, as he should, and it seems

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<v Speaker 1>like he's being a little more understated about discussing everything.

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<v Speaker 1>And people are talking about her and who she's dating.

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<v Speaker 1>So she's been trying to kill every bug in Manhattan

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<v Speaker 1>and respond to it, which is how it's more clickbait

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<v Speaker 1>and everyone's talking about it. But the part that jumps

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<v Speaker 1>off the page about it to me is unfollowing each

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<v Speaker 1>other on social media and unfollowing each other's friends, and like,

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<v Speaker 1>remember it would be like Kylie and this one onfollowed Tristan,

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<v Speaker 1>this one follows that one, this one un followed this one.

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<v Speaker 1>Craig un follows Page, Craig on follows the two other

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<v Speaker 1>people from the show talking about Page or aren't talking

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<v Speaker 1>about him or taking sides, or Page unfollows this one. Like,

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<v Speaker 1>I just think the celebrities unfollowing celebrities is ridiculous. Okay.

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<v Speaker 2>One time.

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<v Speaker 1>Jeff Lewis asked me on Andy Cohen's show, made a

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<v Speaker 1>big deal about me unfollowing Kyle because one of the

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<v Speaker 1>papers had made a big deal about me unfollowing Kyle.

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<v Speaker 1>Now I believe I follow Kyle now on Instagram. Okay,

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<v Speaker 1>I don't know if I do, and I don't know

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<v Speaker 1>who else I follow, And this is gonna sound crazy.

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<v Speaker 1>I don't live on Instagram a lot, like you guys know,

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<v Speaker 1>if I'm on TikTok I follow you, or I would know,

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<v Speaker 1>but I wouldn't know if you unfollowed me. It's not

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<v Speaker 1>the same language on TikTok as, Instagram or other places,

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<v Speaker 1>but on Instagram that's like a calling card that it

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<v Speaker 1>shouldn't be. Why I don't look through enough. I don't

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<v Speaker 1>remember the last time I saw a Kyle post and

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<v Speaker 1>I don't look at people's stories and I don't know why,

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<v Speaker 1>but Kyle and I are actually friendly. I'm gonna go

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<v Speaker 1>to Aspen next week. I'm going to text her, so

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<v Speaker 1>if I want to see Kyle and her daughters I

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<v Speaker 1>could see them at the at the cheese shop and Aspen.

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<v Speaker 2>Like that.

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<v Speaker 1>It's called market or something meet market and Aspen. So like,

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<v Speaker 1>people place too much value on this. And the reason

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<v Speaker 1>I say this is that but literally, like my best

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<v Speaker 1>friend Sarah is on Instagram, I never see her post.

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<v Speaker 1>Somebody other friend, my friend Amy Callico, she's on Instagram,

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<v Speaker 1>I never see her post. I think you have to

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<v Speaker 1>like be on there enough scrolling through to see everybody's posts.

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<v Speaker 1>And I think I follow a decent amount of people.

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<v Speaker 1>It's completely arbitrary. I could follow some weirdo who talks

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<v Speaker 1>about mushrooms and then like not follow my best friend

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<v Speaker 1>because whoever I'm good friends with? Ah Tim Dillon just

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<v Speaker 1>called We're close. I don't remember the last time I

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<v Speaker 1>saw a post of his. So one post Who's talking

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<v Speaker 1>about my relief work? Which maybe came up because you

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<v Speaker 1>talking about my relief work. But other than that, I

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<v Speaker 1>have no fucking idea so it's like not that relevant.

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<v Speaker 1>And I bring this up because like Craig following page,

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<v Speaker 1>he doesn't him unfollowing her becomes this big like press thing,

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<v Speaker 1>like he unvolwed her, she unfollowed him, they unfollowed them.

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<v Speaker 2>Just keep following her, O cares. Just don't watch it,

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<v Speaker 2>just mute it.

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<v Speaker 1>You don't have to look at it. But like, you

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<v Speaker 1>don't need everyone to talk about your business. There are

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<v Speaker 1>people that I've broken up with or dating. I date people,

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<v Speaker 1>break up with them, I follow them. I'm not gonna

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<v Speaker 1>unfollow it doesn't matter. What does it fucking matter If

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<v Speaker 1>I don't want to see their content, I don't have

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<v Speaker 1>to see their content. And also some people don't post

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<v Speaker 1>as much and I wouldn't see it anyway, So like

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<v Speaker 1>it could be a control tactic where you just don't

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<v Speaker 1>want it presented to you. But then I guess you

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<v Speaker 1>could just mute them or quiet it down.

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<v Speaker 2>I don't know.

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<v Speaker 1>I just I don't think people need to worry about

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<v Speaker 1>who they're following and unfollowing. It doesn't mean that much.

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<v Speaker 1>You shouldn't play so much weight on it. Just ignore it.

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<v Speaker 1>If the goal is that you don't want to see

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<v Speaker 1>their content, just don't see their content, and I don't

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<v Speaker 1>know if you block someone, if the people would know

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<v Speaker 1>that you didn't follow them, I would imagine. I just

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<v Speaker 1>think it's just a very stupid, juvenile, third grade practice.

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<v Speaker 1>It doesn't fucking matter. So, by the way, whether I'm

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<v Speaker 1>following Kyle or following my best friend Sarah not following them,

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<v Speaker 1>whether I'm following someone I'm dating or sleeping with or

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<v Speaker 1>in a relationship with, it doesn't mean anything. Because if

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<v Speaker 1>I do it and I know you're going to report

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<v Speaker 1>on it, I could manipulate the media.

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<v Speaker 2>I could follow.

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<v Speaker 1>Uh, I don't fucking know some famous actor, so you

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<v Speaker 1>think I'm with them, Like, I could do anything I want.

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<v Speaker 1>It's just it doesn't have to mean anything. It doesn't

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<v Speaker 1>have to mean anything. I could be in love with someone,

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<v Speaker 1>then I could hate someone. It doesn't mean I'm gonna

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<v Speaker 1>unfollow them because I don't want you all to react

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<v Speaker 1>to me on following them, So I'm just not gonna

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<v Speaker 1>unfollow them. I have noticed this dynamic in people that

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<v Speaker 1>makes me crazy, and I call the room of vacuum.

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<v Speaker 2>I love. I love the concept of the room of vacuum.

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<v Speaker 1>I love the room of vacuum, but I like it

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<v Speaker 1>in a device for your home, not in a person.

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<v Speaker 2>And what do I mean?

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<v Speaker 1>And you could be this person, so please look inside

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<v Speaker 1>if you're this person, I'm not this person.

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<v Speaker 2>But there are a lot of room of vacuums. Okay,

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<v Speaker 2>what do I mean?

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<v Speaker 1>I mean people that don't really express themselves or express

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<v Speaker 1>remorse or urgency. It happens a lot in business and

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<v Speaker 1>in the workplace, like someone you basically said say to someone, Okay,

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<v Speaker 1>we have to do this, and overall, I need you

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<v Speaker 1>to be more responsive or I need you to help

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<v Speaker 1>me with this, or I'm not being specific because it

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<v Speaker 1>could be anything. And a person feels a little bit

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<v Speaker 1>like a robot, like they kind of respond to what

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<v Speaker 1>you're saying exactly what you're saying. They hit the wall,

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<v Speaker 1>they go the other direction, and then they go in

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<v Speaker 1>that direction. But you like, in order to be a

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<v Speaker 1>fully functioning business person, you need to be able to

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<v Speaker 1>look at the temperature of the room, look at the highway,

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<v Speaker 1>look at the elements, look at what's going on. Meaning

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<v Speaker 1>if you're in Aspen and your hair is particularly dry

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<v Speaker 1>and it's flat, you're gonna adjust. If you're in Miami

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<v Speaker 1>and it's frizzy. You're going to adjust. If you're in

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<v Speaker 1>business and something happens just because someone told you to

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<v Speaker 1>do something one way, you have to be able to

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<v Speaker 1>understand that elements can change that. So there have been

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<v Speaker 1>things in my business where I've said, all right, we

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<v Speaker 1>need to be doing this because this is what's going

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<v Speaker 1>on in society, and then someone goes in that one

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<v Speaker 1>direction and starts doing that one thing, but then one

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<v Speaker 1>other element pops up and you're like, wait, why'd you

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<v Speaker 1>do that? They're like, well, you told me that we

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<v Speaker 1>need to do this. I'm like, yes, I know, I

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<v Speaker 1>know I did, but like we didn't expect this to happen.

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<v Speaker 1>And it's the room of vacuum. And people that I

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<v Speaker 1>work with, some of them know when I'm talking about

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<v Speaker 1>I'm like, because he's a room of vacuum. A room

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<v Speaker 1>of vacuum is someone that, like you've told one thing,

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<v Speaker 1>they don't have the ability. They have blinders on. They're

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<v Speaker 1>going in the direction you sent them in, but they don't.

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<v Speaker 1>It's like Forrest Gump, like they just walk out the

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<v Speaker 1>door one time and just keep running, which worked out

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<v Speaker 1>a farst Gump, but it was just like he just

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<v Speaker 1>ran until he couldn't run anymore, and like then when

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<v Speaker 1>he hit the end of the country, he's stuffed.

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<v Speaker 2>That's not what you want.

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<v Speaker 1>In a creative or intelligent or successful business person. Someone

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<v Speaker 1>has to be able to get in the car, but

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<v Speaker 1>like get out if something's going wrong, stop and get

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<v Speaker 1>gas if they hit the wall. Like you don't want

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<v Speaker 1>to be a room a vacuum, meaning you have to

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<v Speaker 1>not just take direction and only listen to the thing

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<v Speaker 1>that someone just said. It could be anything. It could

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<v Speaker 1>be a partner, It could be a relationship partner. It

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<v Speaker 1>could be someone that a nanny, It could be a babysitter,

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<v Speaker 1>it could be an assistant, it could be a business partner,

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<v Speaker 1>an accountant. Like you could literally meet someone in a

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<v Speaker 1>relationship and say like, well, right, because I want you know,

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<v Speaker 1>I really want you to hear me or listen to me,

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<v Speaker 1>or do this thing. I don't know how to explain it.

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<v Speaker 1>And then like you switch something and you're like, wait,

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<v Speaker 1>why would you just do that? Like there was just

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<v Speaker 1>an accident, why why didn't you? Why didn't you It

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<v Speaker 1>could be anything pick up the keys as you left

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<v Speaker 1>it because you told me never to pick.

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<v Speaker 2>Up the keys. I'm like, right, but today there was

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<v Speaker 2>a fire.

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<v Speaker 1>You need to pick up the key, like it's the

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<v Speaker 1>most arbitrary thing, and it doesn't matter what the thing is.

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<v Speaker 1>But just know that it's not great to be a

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<v Speaker 1>room of vacuum. And it's not great to have people

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<v Speaker 1>that work with you or for you that are a

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<v Speaker 1>room of vacuums, because you want them to be able

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<v Speaker 1>to think for themselves. Otherwise they're just these robots that

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<v Speaker 1>not until they hit the wall do they go in

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<v Speaker 1>a different direction. I don't know if that makes any

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<v Speaker 1>sense to you, but like I'm trying to think of

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<v Speaker 1>real world examples and I will I'll come up with

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<v Speaker 1>other with room vacuum examples. It's just like if you

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<v Speaker 1>tell your kids something about something they have to do

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<v Speaker 1>every day to and from school, and then one day

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<v Speaker 1>there's a fire at school, or the bus stops down,

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<v Speaker 1>or something bad happens or there's an emergency and they're like, wait,

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<v Speaker 1>but you told me, You're like right, I know I did,

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<v Speaker 1>but today it was but except for this because something

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<v Speaker 1>crazy happened. So anyway, that's the room of vacuum. So

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<v Speaker 1>last night I ended up on Channel two thousand, seven

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<v Speaker 1>hundred and eighty six on my television in the city

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<v Speaker 1>because that's where my television turned on. And I was like,

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<v Speaker 1>what the fuck are there a million channels? Are there

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<v Speaker 1>infinite channels? How is there? How is there? Like what

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<v Speaker 1>happened to us? I remembered? I feel like I remember

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<v Speaker 1>horse drawn buggies, like I remember very clearly, two four seven,

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<v Speaker 1>Later came five, eleven, nine, and thirteen, like it really

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<v Speaker 1>was two far Like these were channels, and yes there

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<v Speaker 1>was no DVR, and yes it was this crazy there

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<v Speaker 1>was no satellite TV and all the things that happened later.

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<v Speaker 1>But like, I guess it should be in definite because

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<v Speaker 1>there can be infinite content. But I bring this up

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<v Speaker 1>to you because I was on twenty seven hundred and

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<v Speaker 1>eighty six yesterday and I landed on a show called

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<v Speaker 1>Forged in Fire. Okay, Saturday Night Live could not make

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<v Speaker 1>the show. Now, the show wasn't even a bad show, Like,

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<v Speaker 1>and I'm giving the flowers to the people on the

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<v Speaker 1>show because and I can't imagine what they're getting paid,

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<v Speaker 1>because I know people on normal reality TV get paid

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<v Speaker 1>and it's not a lot when they start out, So

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<v Speaker 1>what are the people on Forged in Fire getting paid?

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<v Speaker 1>These are like welders kind of they they're holding they're

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<v Speaker 1>yielding swords, but inside.

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<v Speaker 2>A two studio. Okay, Like I remember.

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<v Speaker 1>When it was like deadliest Catch was the thing, and

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<v Speaker 1>like and people was like, wait, now it's deadliest catch,

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<v Speaker 1>and now it's about fish, and now it's about organizing,

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<v Speaker 1>and now it's about decorating, and now it's about tiny homes,

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<v Speaker 1>and now it's about tiny tiny people and tiny people

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<v Speaker 1>and tiny homes and tiny people with other times like

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<v Speaker 1>everything giant people, medium sized people, like overweight people, people

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<v Speaker 1>that pick their couch, people that are hoarders, like people

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<v Speaker 1>that have managed like infestation. I've seen shows about like

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<v Speaker 1>it's gone crazy. But on two thousand, seven hundred and

0:11:03.960 --> 0:11:06.760
<v Speaker 1>eighty six, it's a show called Forged in Fire and

0:11:07.120 --> 0:11:09.880
<v Speaker 1>there's one girl because there aren't that many girls probably

0:11:09.880 --> 0:11:12.160
<v Speaker 1>that are welders, and you know we have to have

0:11:12.280 --> 0:11:16.080
<v Speaker 1>you know, e DEI in Welding on television. But like

0:11:16.360 --> 0:11:19.640
<v Speaker 1>there are these different people holding swords. They're holding like

0:11:19.720 --> 0:11:22.640
<v Speaker 1>machetes and they evil and we're gonna meet back at

0:11:22.679 --> 0:11:25.800
<v Speaker 1>the anvil. And I guess the anvil is the creative

0:11:25.800 --> 0:11:30.000
<v Speaker 1>way that these people in some boardroom decided to get

0:11:30.040 --> 0:11:33.560
<v Speaker 1>back to the boardroom or the conference table or whatever,

0:11:33.640 --> 0:11:36.760
<v Speaker 1>like The Apprentice years ago when I was on it started,

0:11:37.120 --> 0:11:39.640
<v Speaker 1>But there are these people in these like aprons that

0:11:39.840 --> 0:11:42.040
<v Speaker 1>look like they're blacksmiths, and I don't know how many

0:11:42.080 --> 0:11:44.920
<v Speaker 1>other things they weld if they only work in like

0:11:45.280 --> 0:11:47.880
<v Speaker 1>sharp instruments. I was watching it all of three minutes,

0:11:47.880 --> 0:11:49.720
<v Speaker 1>but I guess people are competing and how they like

0:11:50.240 --> 0:11:54.200
<v Speaker 1>sharpen their swords and machetes. I didn't get to find

0:11:54.200 --> 0:11:56.679
<v Speaker 1>out where they're using these swords and machetes, Like are

0:11:56.679 --> 0:11:59.600
<v Speaker 1>they in the jungle. They looked like civilians that had

0:11:59.640 --> 0:12:02.880
<v Speaker 1>like prescription readers on, so I don't think they're actually

0:12:02.960 --> 0:12:06.400
<v Speaker 1>like hunting buffalo. I don't know what's going on, but

0:12:06.440 --> 0:12:09.520
<v Speaker 1>they're all they go back to the anvil, and then

0:12:09.559 --> 0:12:11.640
<v Speaker 1>there's the host who's got the long hair and like

0:12:12.480 --> 0:12:14.280
<v Speaker 1>is he a welder too? I don't know who he is,

0:12:14.320 --> 0:12:16.920
<v Speaker 1>but he's like judging them, and it's like the knockoff

0:12:17.080 --> 0:12:20.800
<v Speaker 1>of Chopped and Top Chef to a t, like okay,

0:12:20.800 --> 0:12:22.600
<v Speaker 1>but first we have to come back and meet and

0:12:22.679 --> 0:12:24.960
<v Speaker 1>like then you have the otfs, like the interviews where

0:12:24.960 --> 0:12:28.240
<v Speaker 1>the individual welders, like the pressure is really intense, Like

0:12:28.760 --> 0:12:30.959
<v Speaker 1>you know, it's every show from Cupcake Wars too, I

0:12:31.040 --> 0:12:33.960
<v Speaker 1>have to beg the pressure of building making the wedding cake,

0:12:34.080 --> 0:12:35.680
<v Speaker 1>or like we had all these ingredients in the middle

0:12:35.679 --> 0:12:36.840
<v Speaker 1>of the table and we have to come up with

0:12:36.880 --> 0:12:39.320
<v Speaker 1>this shit, or the kids are I was dying.

0:12:39.360 --> 0:12:40.880
<v Speaker 2>I was like, what the fuck is going on?

0:12:40.960 --> 0:12:44.640
<v Speaker 1>There are people inside a studio with those like levery

0:12:44.800 --> 0:12:50.720
<v Speaker 1>aprons and like sand blasting or like fire blazing, whatever

0:12:50.760 --> 0:12:53.920
<v Speaker 1>you call it, like sand blasting or like fire torching,

0:12:54.480 --> 0:12:58.440
<v Speaker 1>like swords and knives, and like what are they What

0:12:58.480 --> 0:13:00.280
<v Speaker 1>are they competing for? How much money they going to win?

0:13:00.640 --> 0:13:04.360
<v Speaker 1>What's the host getting paid? What's going on? Where is

0:13:04.440 --> 0:13:06.880
<v Speaker 1>like the society and how did they cast these people?

0:13:06.960 --> 0:13:09.080
<v Speaker 1>Like I don't I know a lot of people in

0:13:09.120 --> 0:13:12.280
<v Speaker 1>the middle of the country because you know, we overgeneralize.

0:13:12.520 --> 0:13:16.319
<v Speaker 1>I'm on a coast, so like we think we represent everybody.

0:13:16.600 --> 0:13:19.480
<v Speaker 1>You know, everybody thought like the show Seinfeld wouldn't do

0:13:19.600 --> 0:13:23.839
<v Speaker 1>well because it was a Jewish coastal neurotic show, and

0:13:23.920 --> 0:13:26.480
<v Speaker 1>yet it did do well across the country. So the

0:13:26.520 --> 0:13:28.120
<v Speaker 1>country is not as big as we thought. But like,

0:13:28.480 --> 0:13:31.440
<v Speaker 1>so let me just we often ignore, you know, the

0:13:31.440 --> 0:13:33.319
<v Speaker 1>flyover States in the middle of the country, and the

0:13:33.360 --> 0:13:40.360
<v Speaker 1>Bible Belt and the Christian the whole church tour, and

0:13:40.480 --> 0:13:44.400
<v Speaker 1>then there's the Borsched Belt, the whole Jewish community in

0:13:44.480 --> 0:13:45.839
<v Speaker 1>upstate New York A. Right, So it there's a lot

0:13:45.840 --> 0:13:48.400
<v Speaker 1>of different people. But like in my travels, I've met

0:13:48.440 --> 0:13:51.680
<v Speaker 1>a lot of people around the country, and I haven't

0:13:51.720 --> 0:13:56.480
<v Speaker 1>met many people that are like blow torching fucking swords

0:13:56.520 --> 0:13:59.640
<v Speaker 1>inside for that for the eventual super Bowl of Swords

0:13:59.679 --> 0:14:03.040
<v Speaker 1>in at a studio, but like a tooth channel two thousand,

0:14:03.120 --> 0:14:06.440
<v Speaker 1>seven hundred and eighty six, this is where this content lives.

0:14:06.520 --> 0:14:08.400
<v Speaker 1>And I imagine if I go to the next channel,

0:14:08.440 --> 0:14:09.920
<v Speaker 1>there's gonna be a whole other thing. I didn't know,

0:14:09.960 --> 0:14:12.679
<v Speaker 1>like people were like, you know, making things out of wax.

0:14:12.720 --> 0:14:15.679
<v Speaker 1>And it's wonderful that there's something for everyone. It's actually

0:14:15.720 --> 0:14:19.200
<v Speaker 1>really wonderful. I just don't know how far this goes.

0:14:20.440 --> 0:14:26.960
<v Speaker 1>But but to my point that I'd made many other times,

0:14:27.000 --> 0:14:29.520
<v Speaker 1>in many ways, TV is like a dinosaur because on

0:14:29.640 --> 0:14:32.800
<v Speaker 1>social media you can have one person organizing tappaware and

0:14:32.840 --> 0:14:36.560
<v Speaker 1>another person collecting buttons, and you can be on motorcycle

0:14:36.640 --> 0:14:39.440
<v Speaker 1>talk and but I and I want to go into

0:14:39.480 --> 0:14:44.640
<v Speaker 1>TikTok and start putting like blowtorch welders and into my TikTok,

0:14:44.720 --> 0:14:48.040
<v Speaker 1>so I can see if I land on like sword

0:14:48.280 --> 0:14:54.320
<v Speaker 1>yielding sand blowtorching, sand blasting talk. I thought like I

0:14:54.360 --> 0:14:55.840
<v Speaker 1>was in the back of a prison and like the

0:14:55.840 --> 0:15:00.040
<v Speaker 1>welder's room, but like very serious competition. I don't, no,

0:15:00.320 --> 0:15:02.680
<v Speaker 1>they should do that in prisons. They should have reality

0:15:02.720 --> 0:15:06.640
<v Speaker 1>shows in one portion of a prison where like wood

0:15:06.640 --> 0:15:07.760
<v Speaker 1>shopping and welding.

0:15:07.920 --> 0:15:08.480
<v Speaker 2>I don't know.

0:15:08.680 --> 0:15:12.760
<v Speaker 1>I just I thought like monster trucks and inked and

0:15:14.040 --> 0:15:17.840
<v Speaker 1>those type pimped my ride or like, yeah, I thought

0:15:17.880 --> 0:15:21.080
<v Speaker 1>that shit was like niche and adjacent. Now we're into

0:15:21.080 --> 0:15:25.960
<v Speaker 1>a whole fucking other abyss and and sphere of television

0:15:26.000 --> 0:15:28.920
<v Speaker 1>and entertainment. Just wanted you to know. And I didn't

0:15:28.920 --> 0:15:30.440
<v Speaker 1>go as high as I could go. I didn't bring

0:15:30.440 --> 0:15:34.520
<v Speaker 1>my passport. I didn't like get my altitude medication. I

0:15:34.600 --> 0:15:36.640
<v Speaker 1>just didn't know it would go that high. I guess

0:15:36.680 --> 0:15:39.440
<v Speaker 1>it's like a colonic. I could go deep, hi, I don't.

0:15:39.720 --> 0:15:40.280
<v Speaker 2>I don't know.

0:15:40.680 --> 0:15:42.840
<v Speaker 1>I just know that I just turned my television on

0:15:42.880 --> 0:15:47.480
<v Speaker 1>and landed in some on some other fucking sword wielding planet.

0:15:49.000 --> 0:15:52.080
<v Speaker 1>So that's my useless rant du Jour.

0:16:00.480 --> 0:16:02.360
<v Speaker 2>Got back to the counter.

0:16:04.400 --> 0:16:12.400
<v Speaker 1>Most got back to answer back to the conser.