1 00:00:12,400 --> 00:00:14,920 Speaker 1: I don't know Paige J'sorbo or the guy Craig that 2 00:00:15,000 --> 00:00:17,479 Speaker 1: she dated or was engaged to maybe or maybe I 3 00:00:17,520 --> 00:00:18,760 Speaker 1: made that up, or they were getting engaged. 4 00:00:18,800 --> 00:00:19,119 Speaker 2: I don't know. 5 00:00:19,120 --> 00:00:21,480 Speaker 1: They were this darling, cute little couple at the top 6 00:00:21,520 --> 00:00:23,639 Speaker 1: of a wedding cake from the show's summer house that 7 00:00:23,720 --> 00:00:27,000 Speaker 1: I only see through social media clips. But I guess 8 00:00:27,520 --> 00:00:30,680 Speaker 1: she was dating someone. There was maybe overlap, not overlap, 9 00:00:30,720 --> 00:00:34,120 Speaker 1: I don't care. They're young and beautiful and single and 10 00:00:34,159 --> 00:00:37,319 Speaker 1: go with God. And now I guess he's on Ria. 11 00:00:37,360 --> 00:00:39,760 Speaker 1: I could talk about Riyah forever, we could do, we 12 00:00:39,760 --> 00:00:41,920 Speaker 1: could do such a deep dive on Rya. But now 13 00:00:42,520 --> 00:00:44,440 Speaker 1: I guess he's single, as he should, and it seems 14 00:00:44,479 --> 00:00:47,080 Speaker 1: like he's being a little more understated about discussing everything. 15 00:00:47,120 --> 00:00:49,560 Speaker 1: And people are talking about her and who she's dating. 16 00:00:49,600 --> 00:00:51,559 Speaker 1: So she's been trying to kill every bug in Manhattan 17 00:00:51,600 --> 00:00:54,600 Speaker 1: and respond to it, which is how it's more clickbait 18 00:00:54,640 --> 00:00:57,320 Speaker 1: and everyone's talking about it. But the part that jumps 19 00:00:57,360 --> 00:01:01,040 Speaker 1: off the page about it to me is unfollowing each 20 00:01:01,040 --> 00:01:04,640 Speaker 1: other on social media and unfollowing each other's friends, and like, 21 00:01:05,240 --> 00:01:08,400 Speaker 1: remember it would be like Kylie and this one onfollowed Tristan, 22 00:01:08,480 --> 00:01:10,560 Speaker 1: this one follows that one, this one un followed this one. 23 00:01:10,640 --> 00:01:13,480 Speaker 1: Craig un follows Page, Craig on follows the two other 24 00:01:13,480 --> 00:01:15,640 Speaker 1: people from the show talking about Page or aren't talking 25 00:01:15,640 --> 00:01:18,880 Speaker 1: about him or taking sides, or Page unfollows this one. Like, 26 00:01:19,800 --> 00:01:23,600 Speaker 1: I just think the celebrities unfollowing celebrities is ridiculous. Okay. 27 00:01:23,760 --> 00:01:24,640 Speaker 2: One time. 28 00:01:25,959 --> 00:01:28,160 Speaker 1: Jeff Lewis asked me on Andy Cohen's show, made a 29 00:01:28,160 --> 00:01:31,240 Speaker 1: big deal about me unfollowing Kyle because one of the 30 00:01:31,240 --> 00:01:34,440 Speaker 1: papers had made a big deal about me unfollowing Kyle. 31 00:01:34,560 --> 00:01:37,880 Speaker 1: Now I believe I follow Kyle now on Instagram. Okay, 32 00:01:39,560 --> 00:01:41,120 Speaker 1: I don't know if I do, and I don't know 33 00:01:41,120 --> 00:01:44,560 Speaker 1: who else I follow, And this is gonna sound crazy. 34 00:01:44,880 --> 00:01:48,200 Speaker 1: I don't live on Instagram a lot, like you guys know, 35 00:01:48,760 --> 00:01:50,960 Speaker 1: if I'm on TikTok I follow you, or I would know, 36 00:01:51,040 --> 00:01:52,680 Speaker 1: but I wouldn't know if you unfollowed me. It's not 37 00:01:52,720 --> 00:01:55,480 Speaker 1: the same language on TikTok as, Instagram or other places, 38 00:01:56,120 --> 00:01:59,080 Speaker 1: but on Instagram that's like a calling card that it 39 00:01:59,120 --> 00:02:02,360 Speaker 1: shouldn't be. Why I don't look through enough. I don't 40 00:02:02,400 --> 00:02:04,800 Speaker 1: remember the last time I saw a Kyle post and 41 00:02:04,880 --> 00:02:07,160 Speaker 1: I don't look at people's stories and I don't know why, 42 00:02:07,720 --> 00:02:09,679 Speaker 1: but Kyle and I are actually friendly. I'm gonna go 43 00:02:09,720 --> 00:02:11,800 Speaker 1: to Aspen next week. I'm going to text her, so 44 00:02:11,840 --> 00:02:13,560 Speaker 1: if I want to see Kyle and her daughters I 45 00:02:13,600 --> 00:02:16,320 Speaker 1: could see them at the at the cheese shop and Aspen. 46 00:02:16,680 --> 00:02:17,000 Speaker 2: Like that. 47 00:02:17,600 --> 00:02:21,040 Speaker 1: It's called market or something meet market and Aspen. So like, 48 00:02:21,680 --> 00:02:23,919 Speaker 1: people place too much value on this. And the reason 49 00:02:23,960 --> 00:02:27,720 Speaker 1: I say this is that but literally, like my best 50 00:02:27,720 --> 00:02:30,200 Speaker 1: friend Sarah is on Instagram, I never see her post. 51 00:02:30,280 --> 00:02:32,520 Speaker 1: Somebody other friend, my friend Amy Callico, she's on Instagram, 52 00:02:32,600 --> 00:02:34,800 Speaker 1: I never see her post. I think you have to 53 00:02:34,840 --> 00:02:38,280 Speaker 1: like be on there enough scrolling through to see everybody's posts. 54 00:02:38,280 --> 00:02:39,960 Speaker 1: And I think I follow a decent amount of people. 55 00:02:40,240 --> 00:02:44,520 Speaker 1: It's completely arbitrary. I could follow some weirdo who talks 56 00:02:44,560 --> 00:02:48,919 Speaker 1: about mushrooms and then like not follow my best friend 57 00:02:48,919 --> 00:02:52,160 Speaker 1: because whoever I'm good friends with? Ah Tim Dillon just 58 00:02:52,200 --> 00:02:54,600 Speaker 1: called We're close. I don't remember the last time I 59 00:02:54,600 --> 00:02:57,360 Speaker 1: saw a post of his. So one post Who's talking 60 00:02:57,400 --> 00:02:59,880 Speaker 1: about my relief work? Which maybe came up because you 61 00:03:00,040 --> 00:03:01,600 Speaker 1: talking about my relief work. But other than that, I 62 00:03:01,600 --> 00:03:04,640 Speaker 1: have no fucking idea so it's like not that relevant. 63 00:03:04,680 --> 00:03:09,120 Speaker 1: And I bring this up because like Craig following page, 64 00:03:09,639 --> 00:03:13,480 Speaker 1: he doesn't him unfollowing her becomes this big like press thing, 65 00:03:13,880 --> 00:03:16,200 Speaker 1: like he unvolwed her, she unfollowed him, they unfollowed them. 66 00:03:16,720 --> 00:03:18,440 Speaker 2: Just keep following her, O cares. Just don't watch it, 67 00:03:18,480 --> 00:03:18,880 Speaker 2: just mute it. 68 00:03:18,880 --> 00:03:19,799 Speaker 1: You don't have to look at it. But like, you 69 00:03:19,800 --> 00:03:21,960 Speaker 1: don't need everyone to talk about your business. There are 70 00:03:22,000 --> 00:03:27,160 Speaker 1: people that I've broken up with or dating. I date people, 71 00:03:27,200 --> 00:03:29,080 Speaker 1: break up with them, I follow them. I'm not gonna 72 00:03:29,120 --> 00:03:31,600 Speaker 1: unfollow it doesn't matter. What does it fucking matter If 73 00:03:31,600 --> 00:03:33,680 Speaker 1: I don't want to see their content, I don't have 74 00:03:33,720 --> 00:03:36,320 Speaker 1: to see their content. And also some people don't post 75 00:03:36,400 --> 00:03:38,800 Speaker 1: as much and I wouldn't see it anyway, So like 76 00:03:39,480 --> 00:03:41,480 Speaker 1: it could be a control tactic where you just don't 77 00:03:41,480 --> 00:03:43,160 Speaker 1: want it presented to you. But then I guess you 78 00:03:43,200 --> 00:03:45,320 Speaker 1: could just mute them or quiet it down. 79 00:03:45,440 --> 00:03:45,840 Speaker 2: I don't know. 80 00:03:45,880 --> 00:03:47,720 Speaker 1: I just I don't think people need to worry about 81 00:03:47,760 --> 00:03:49,720 Speaker 1: who they're following and unfollowing. It doesn't mean that much. 82 00:03:49,720 --> 00:03:52,480 Speaker 1: You shouldn't play so much weight on it. Just ignore it. 83 00:03:53,000 --> 00:03:55,000 Speaker 1: If the goal is that you don't want to see 84 00:03:55,000 --> 00:03:57,920 Speaker 1: their content, just don't see their content, and I don't 85 00:03:57,960 --> 00:04:00,080 Speaker 1: know if you block someone, if the people would know 86 00:04:00,160 --> 00:04:02,440 Speaker 1: that you didn't follow them, I would imagine. I just 87 00:04:02,480 --> 00:04:06,440 Speaker 1: think it's just a very stupid, juvenile, third grade practice. 88 00:04:06,880 --> 00:04:09,760 Speaker 1: It doesn't fucking matter. So, by the way, whether I'm 89 00:04:09,880 --> 00:04:13,720 Speaker 1: following Kyle or following my best friend Sarah not following them, 90 00:04:13,720 --> 00:04:16,160 Speaker 1: whether I'm following someone I'm dating or sleeping with or 91 00:04:16,200 --> 00:04:19,440 Speaker 1: in a relationship with, it doesn't mean anything. Because if 92 00:04:19,480 --> 00:04:22,640 Speaker 1: I do it and I know you're going to report 93 00:04:22,680 --> 00:04:24,360 Speaker 1: on it, I could manipulate the media. 94 00:04:24,400 --> 00:04:25,680 Speaker 2: I could follow. 95 00:04:25,720 --> 00:04:31,120 Speaker 1: Uh, I don't fucking know some famous actor, so you 96 00:04:31,240 --> 00:04:33,240 Speaker 1: think I'm with them, Like, I could do anything I want. 97 00:04:33,480 --> 00:04:36,320 Speaker 1: It's just it doesn't have to mean anything. It doesn't 98 00:04:36,360 --> 00:04:39,280 Speaker 1: have to mean anything. I could be in love with someone, 99 00:04:39,480 --> 00:04:42,159 Speaker 1: then I could hate someone. It doesn't mean I'm gonna 100 00:04:42,240 --> 00:04:45,080 Speaker 1: unfollow them because I don't want you all to react 101 00:04:45,120 --> 00:04:46,640 Speaker 1: to me on following them, So I'm just not gonna 102 00:04:46,680 --> 00:04:57,680 Speaker 1: unfollow them. I have noticed this dynamic in people that 103 00:04:58,480 --> 00:05:01,160 Speaker 1: makes me crazy, and I call the room of vacuum. 104 00:05:01,320 --> 00:05:04,080 Speaker 2: I love. I love the concept of the room of vacuum. 105 00:05:04,120 --> 00:05:06,880 Speaker 1: I love the room of vacuum, but I like it 106 00:05:06,960 --> 00:05:10,080 Speaker 1: in a device for your home, not in a person. 107 00:05:10,360 --> 00:05:11,159 Speaker 2: And what do I mean? 108 00:05:11,279 --> 00:05:14,440 Speaker 1: And you could be this person, so please look inside 109 00:05:14,480 --> 00:05:16,400 Speaker 1: if you're this person, I'm not this person. 110 00:05:16,520 --> 00:05:18,680 Speaker 2: But there are a lot of room of vacuums. Okay, 111 00:05:18,680 --> 00:05:19,240 Speaker 2: what do I mean? 112 00:05:20,000 --> 00:05:24,960 Speaker 1: I mean people that don't really express themselves or express 113 00:05:25,640 --> 00:05:30,200 Speaker 1: remorse or urgency. It happens a lot in business and 114 00:05:30,279 --> 00:05:34,400 Speaker 1: in the workplace, like someone you basically said say to someone, Okay, 115 00:05:34,880 --> 00:05:37,520 Speaker 1: we have to do this, and overall, I need you 116 00:05:37,560 --> 00:05:40,440 Speaker 1: to be more responsive or I need you to help 117 00:05:40,480 --> 00:05:42,719 Speaker 1: me with this, or I'm not being specific because it 118 00:05:42,720 --> 00:05:45,520 Speaker 1: could be anything. And a person feels a little bit 119 00:05:45,520 --> 00:05:47,640 Speaker 1: like a robot, like they kind of respond to what 120 00:05:47,680 --> 00:05:50,840 Speaker 1: you're saying exactly what you're saying. They hit the wall, 121 00:05:50,880 --> 00:05:53,279 Speaker 1: they go the other direction, and then they go in 122 00:05:53,320 --> 00:05:56,800 Speaker 1: that direction. But you like, in order to be a 123 00:05:56,960 --> 00:06:01,640 Speaker 1: fully functioning business person, you need to be able to 124 00:06:01,680 --> 00:06:04,160 Speaker 1: look at the temperature of the room, look at the highway, 125 00:06:04,200 --> 00:06:06,400 Speaker 1: look at the elements, look at what's going on. Meaning 126 00:06:06,960 --> 00:06:09,679 Speaker 1: if you're in Aspen and your hair is particularly dry 127 00:06:09,720 --> 00:06:11,880 Speaker 1: and it's flat, you're gonna adjust. If you're in Miami 128 00:06:11,920 --> 00:06:14,039 Speaker 1: and it's frizzy. You're going to adjust. If you're in 129 00:06:14,080 --> 00:06:17,400 Speaker 1: business and something happens just because someone told you to 130 00:06:17,440 --> 00:06:20,760 Speaker 1: do something one way, you have to be able to 131 00:06:20,839 --> 00:06:24,080 Speaker 1: understand that elements can change that. So there have been 132 00:06:24,080 --> 00:06:26,080 Speaker 1: things in my business where I've said, all right, we 133 00:06:26,120 --> 00:06:27,920 Speaker 1: need to be doing this because this is what's going 134 00:06:27,920 --> 00:06:30,039 Speaker 1: on in society, and then someone goes in that one 135 00:06:30,080 --> 00:06:34,000 Speaker 1: direction and starts doing that one thing, but then one 136 00:06:34,080 --> 00:06:36,640 Speaker 1: other element pops up and you're like, wait, why'd you 137 00:06:36,640 --> 00:06:37,760 Speaker 1: do that? They're like, well, you told me that we 138 00:06:37,800 --> 00:06:39,400 Speaker 1: need to do this. I'm like, yes, I know, I 139 00:06:39,440 --> 00:06:42,279 Speaker 1: know I did, but like we didn't expect this to happen. 140 00:06:42,680 --> 00:06:45,080 Speaker 1: And it's the room of vacuum. And people that I 141 00:06:45,120 --> 00:06:47,360 Speaker 1: work with, some of them know when I'm talking about 142 00:06:47,440 --> 00:06:49,800 Speaker 1: I'm like, because he's a room of vacuum. A room 143 00:06:49,839 --> 00:06:51,960 Speaker 1: of vacuum is someone that, like you've told one thing, 144 00:06:52,000 --> 00:06:54,000 Speaker 1: they don't have the ability. They have blinders on. They're 145 00:06:54,000 --> 00:06:57,159 Speaker 1: going in the direction you sent them in, but they don't. 146 00:06:58,160 --> 00:07:00,720 Speaker 1: It's like Forrest Gump, like they just walk out the 147 00:07:00,760 --> 00:07:03,240 Speaker 1: door one time and just keep running, which worked out 148 00:07:03,279 --> 00:07:05,400 Speaker 1: a farst Gump, but it was just like he just 149 00:07:05,520 --> 00:07:07,800 Speaker 1: ran until he couldn't run anymore, and like then when 150 00:07:07,800 --> 00:07:09,840 Speaker 1: he hit the end of the country, he's stuffed. 151 00:07:10,080 --> 00:07:11,360 Speaker 2: That's not what you want. 152 00:07:11,120 --> 00:07:14,880 Speaker 1: In a creative or intelligent or successful business person. Someone 153 00:07:14,920 --> 00:07:17,000 Speaker 1: has to be able to get in the car, but 154 00:07:17,120 --> 00:07:19,120 Speaker 1: like get out if something's going wrong, stop and get 155 00:07:19,120 --> 00:07:21,600 Speaker 1: gas if they hit the wall. Like you don't want 156 00:07:21,640 --> 00:07:24,240 Speaker 1: to be a room a vacuum, meaning you have to 157 00:07:24,280 --> 00:07:27,720 Speaker 1: not just take direction and only listen to the thing 158 00:07:27,800 --> 00:07:30,320 Speaker 1: that someone just said. It could be anything. It could 159 00:07:30,320 --> 00:07:32,400 Speaker 1: be a partner, It could be a relationship partner. It 160 00:07:32,440 --> 00:07:36,120 Speaker 1: could be someone that a nanny, It could be a babysitter, 161 00:07:36,200 --> 00:07:38,920 Speaker 1: it could be an assistant, it could be a business partner, 162 00:07:38,960 --> 00:07:42,040 Speaker 1: an accountant. Like you could literally meet someone in a 163 00:07:42,040 --> 00:07:44,920 Speaker 1: relationship and say like, well, right, because I want you know, 164 00:07:45,480 --> 00:07:49,560 Speaker 1: I really want you to hear me or listen to me, 165 00:07:49,680 --> 00:07:52,160 Speaker 1: or do this thing. I don't know how to explain it. 166 00:07:52,760 --> 00:07:56,440 Speaker 1: And then like you switch something and you're like, wait, 167 00:07:56,480 --> 00:07:58,760 Speaker 1: why would you just do that? Like there was just 168 00:07:58,800 --> 00:08:01,440 Speaker 1: an accident, why why didn't you? Why didn't you It 169 00:08:01,480 --> 00:08:03,560 Speaker 1: could be anything pick up the keys as you left 170 00:08:03,560 --> 00:08:05,480 Speaker 1: it because you told me never to pick. 171 00:08:05,360 --> 00:08:06,640 Speaker 2: Up the keys. I'm like, right, but today there was 172 00:08:06,640 --> 00:08:07,000 Speaker 2: a fire. 173 00:08:07,080 --> 00:08:08,600 Speaker 1: You need to pick up the key, like it's the 174 00:08:08,600 --> 00:08:12,360 Speaker 1: most arbitrary thing, and it doesn't matter what the thing is. 175 00:08:12,400 --> 00:08:16,680 Speaker 1: But just know that it's not great to be a 176 00:08:16,760 --> 00:08:18,920 Speaker 1: room of vacuum. And it's not great to have people 177 00:08:18,920 --> 00:08:20,800 Speaker 1: that work with you or for you that are a 178 00:08:20,840 --> 00:08:22,760 Speaker 1: room of vacuums, because you want them to be able 179 00:08:22,800 --> 00:08:26,400 Speaker 1: to think for themselves. Otherwise they're just these robots that 180 00:08:26,760 --> 00:08:29,680 Speaker 1: not until they hit the wall do they go in 181 00:08:29,720 --> 00:08:32,080 Speaker 1: a different direction. I don't know if that makes any 182 00:08:32,080 --> 00:08:34,400 Speaker 1: sense to you, but like I'm trying to think of 183 00:08:34,480 --> 00:08:36,760 Speaker 1: real world examples and I will I'll come up with 184 00:08:36,800 --> 00:08:42,440 Speaker 1: other with room vacuum examples. It's just like if you 185 00:08:42,559 --> 00:08:45,800 Speaker 1: tell your kids something about something they have to do 186 00:08:45,880 --> 00:08:48,200 Speaker 1: every day to and from school, and then one day 187 00:08:49,679 --> 00:08:52,640 Speaker 1: there's a fire at school, or the bus stops down, 188 00:08:52,880 --> 00:08:56,040 Speaker 1: or something bad happens or there's an emergency and they're like, wait, 189 00:08:56,080 --> 00:08:57,800 Speaker 1: but you told me, You're like right, I know I did, 190 00:08:57,840 --> 00:09:00,439 Speaker 1: but today it was but except for this because something 191 00:09:00,520 --> 00:09:18,040 Speaker 1: crazy happened. So anyway, that's the room of vacuum. So 192 00:09:18,559 --> 00:09:21,160 Speaker 1: last night I ended up on Channel two thousand, seven 193 00:09:21,240 --> 00:09:23,320 Speaker 1: hundred and eighty six on my television in the city 194 00:09:23,320 --> 00:09:25,400 Speaker 1: because that's where my television turned on. And I was like, 195 00:09:25,480 --> 00:09:28,760 Speaker 1: what the fuck are there a million channels? Are there 196 00:09:28,800 --> 00:09:32,160 Speaker 1: infinite channels? How is there? How is there? Like what 197 00:09:32,320 --> 00:09:35,760 Speaker 1: happened to us? I remembered? I feel like I remember 198 00:09:35,840 --> 00:09:43,920 Speaker 1: horse drawn buggies, like I remember very clearly, two four seven, 199 00:09:45,679 --> 00:09:48,920 Speaker 1: Later came five, eleven, nine, and thirteen, like it really 200 00:09:48,960 --> 00:09:51,920 Speaker 1: was two far Like these were channels, and yes there 201 00:09:51,960 --> 00:09:54,760 Speaker 1: was no DVR, and yes it was this crazy there 202 00:09:54,800 --> 00:09:57,800 Speaker 1: was no satellite TV and all the things that happened later. 203 00:09:57,880 --> 00:10:00,720 Speaker 1: But like, I guess it should be in definite because 204 00:10:00,800 --> 00:10:03,160 Speaker 1: there can be infinite content. But I bring this up 205 00:10:03,240 --> 00:10:05,400 Speaker 1: to you because I was on twenty seven hundred and 206 00:10:05,440 --> 00:10:09,120 Speaker 1: eighty six yesterday and I landed on a show called 207 00:10:09,320 --> 00:10:13,280 Speaker 1: Forged in Fire. Okay, Saturday Night Live could not make 208 00:10:13,280 --> 00:10:15,320 Speaker 1: the show. Now, the show wasn't even a bad show, Like, 209 00:10:15,320 --> 00:10:17,800 Speaker 1: and I'm giving the flowers to the people on the 210 00:10:17,800 --> 00:10:19,880 Speaker 1: show because and I can't imagine what they're getting paid, 211 00:10:19,880 --> 00:10:22,400 Speaker 1: because I know people on normal reality TV get paid 212 00:10:22,400 --> 00:10:24,360 Speaker 1: and it's not a lot when they start out, So 213 00:10:24,400 --> 00:10:27,760 Speaker 1: what are the people on Forged in Fire getting paid? 214 00:10:27,760 --> 00:10:30,800 Speaker 1: These are like welders kind of they they're holding they're 215 00:10:30,880 --> 00:10:32,800 Speaker 1: yielding swords, but inside. 216 00:10:32,400 --> 00:10:36,200 Speaker 2: A two studio. Okay, Like I remember. 217 00:10:35,880 --> 00:10:37,880 Speaker 1: When it was like deadliest Catch was the thing, and 218 00:10:38,000 --> 00:10:40,400 Speaker 1: like and people was like, wait, now it's deadliest catch, 219 00:10:40,400 --> 00:10:42,480 Speaker 1: and now it's about fish, and now it's about organizing, 220 00:10:42,480 --> 00:10:45,560 Speaker 1: and now it's about decorating, and now it's about tiny homes, 221 00:10:45,559 --> 00:10:47,560 Speaker 1: and now it's about tiny tiny people and tiny people 222 00:10:47,600 --> 00:10:49,760 Speaker 1: and tiny homes and tiny people with other times like 223 00:10:50,679 --> 00:10:55,480 Speaker 1: everything giant people, medium sized people, like overweight people, people 224 00:10:55,520 --> 00:10:57,760 Speaker 1: that pick their couch, people that are hoarders, like people 225 00:10:57,840 --> 00:11:01,080 Speaker 1: that have managed like infestation. I've seen shows about like 226 00:11:01,120 --> 00:11:03,920 Speaker 1: it's gone crazy. But on two thousand, seven hundred and 227 00:11:03,960 --> 00:11:06,760 Speaker 1: eighty six, it's a show called Forged in Fire and 228 00:11:07,120 --> 00:11:09,880 Speaker 1: there's one girl because there aren't that many girls probably 229 00:11:09,880 --> 00:11:12,160 Speaker 1: that are welders, and you know we have to have 230 00:11:12,280 --> 00:11:16,080 Speaker 1: you know, e DEI in Welding on television. But like 231 00:11:16,360 --> 00:11:19,640 Speaker 1: there are these different people holding swords. They're holding like 232 00:11:19,720 --> 00:11:22,640 Speaker 1: machetes and they evil and we're gonna meet back at 233 00:11:22,679 --> 00:11:25,800 Speaker 1: the anvil. And I guess the anvil is the creative 234 00:11:25,800 --> 00:11:30,000 Speaker 1: way that these people in some boardroom decided to get 235 00:11:30,040 --> 00:11:33,560 Speaker 1: back to the boardroom or the conference table or whatever, 236 00:11:33,640 --> 00:11:36,760 Speaker 1: like The Apprentice years ago when I was on it started, 237 00:11:37,120 --> 00:11:39,640 Speaker 1: But there are these people in these like aprons that 238 00:11:39,840 --> 00:11:42,040 Speaker 1: look like they're blacksmiths, and I don't know how many 239 00:11:42,080 --> 00:11:44,920 Speaker 1: other things they weld if they only work in like 240 00:11:45,280 --> 00:11:47,880 Speaker 1: sharp instruments. I was watching it all of three minutes, 241 00:11:47,880 --> 00:11:49,720 Speaker 1: but I guess people are competing and how they like 242 00:11:50,240 --> 00:11:54,200 Speaker 1: sharpen their swords and machetes. I didn't get to find 243 00:11:54,200 --> 00:11:56,679 Speaker 1: out where they're using these swords and machetes, Like are 244 00:11:56,679 --> 00:11:59,600 Speaker 1: they in the jungle. They looked like civilians that had 245 00:11:59,640 --> 00:12:02,880 Speaker 1: like prescription readers on, so I don't think they're actually 246 00:12:02,960 --> 00:12:06,400 Speaker 1: like hunting buffalo. I don't know what's going on, but 247 00:12:06,440 --> 00:12:09,520 Speaker 1: they're all they go back to the anvil, and then 248 00:12:09,559 --> 00:12:11,640 Speaker 1: there's the host who's got the long hair and like 249 00:12:12,480 --> 00:12:14,280 Speaker 1: is he a welder too? I don't know who he is, 250 00:12:14,320 --> 00:12:16,920 Speaker 1: but he's like judging them, and it's like the knockoff 251 00:12:17,080 --> 00:12:20,800 Speaker 1: of Chopped and Top Chef to a t, like okay, 252 00:12:20,800 --> 00:12:22,600 Speaker 1: but first we have to come back and meet and 253 00:12:22,679 --> 00:12:24,960 Speaker 1: like then you have the otfs, like the interviews where 254 00:12:24,960 --> 00:12:28,240 Speaker 1: the individual welders, like the pressure is really intense, Like 255 00:12:28,760 --> 00:12:30,959 Speaker 1: you know, it's every show from Cupcake Wars too, I 256 00:12:31,040 --> 00:12:33,960 Speaker 1: have to beg the pressure of building making the wedding cake, 257 00:12:34,080 --> 00:12:35,680 Speaker 1: or like we had all these ingredients in the middle 258 00:12:35,679 --> 00:12:36,840 Speaker 1: of the table and we have to come up with 259 00:12:36,880 --> 00:12:39,320 Speaker 1: this shit, or the kids are I was dying. 260 00:12:39,360 --> 00:12:40,880 Speaker 2: I was like, what the fuck is going on? 261 00:12:40,960 --> 00:12:44,640 Speaker 1: There are people inside a studio with those like levery 262 00:12:44,800 --> 00:12:50,720 Speaker 1: aprons and like sand blasting or like fire blazing, whatever 263 00:12:50,760 --> 00:12:53,920 Speaker 1: you call it, like sand blasting or like fire torching, 264 00:12:54,480 --> 00:12:58,440 Speaker 1: like swords and knives, and like what are they What 265 00:12:58,480 --> 00:13:00,280 Speaker 1: are they competing for? How much money they going to win? 266 00:13:00,640 --> 00:13:04,360 Speaker 1: What's the host getting paid? What's going on? Where is 267 00:13:04,440 --> 00:13:06,880 Speaker 1: like the society and how did they cast these people? 268 00:13:06,960 --> 00:13:09,080 Speaker 1: Like I don't I know a lot of people in 269 00:13:09,120 --> 00:13:12,280 Speaker 1: the middle of the country because you know, we overgeneralize. 270 00:13:12,520 --> 00:13:16,319 Speaker 1: I'm on a coast, so like we think we represent everybody. 271 00:13:16,600 --> 00:13:19,480 Speaker 1: You know, everybody thought like the show Seinfeld wouldn't do 272 00:13:19,600 --> 00:13:23,839 Speaker 1: well because it was a Jewish coastal neurotic show, and 273 00:13:23,920 --> 00:13:26,480 Speaker 1: yet it did do well across the country. So the 274 00:13:26,520 --> 00:13:28,120 Speaker 1: country is not as big as we thought. But like, 275 00:13:28,480 --> 00:13:31,440 Speaker 1: so let me just we often ignore, you know, the 276 00:13:31,440 --> 00:13:33,319 Speaker 1: flyover States in the middle of the country, and the 277 00:13:33,360 --> 00:13:40,360 Speaker 1: Bible Belt and the Christian the whole church tour, and 278 00:13:40,480 --> 00:13:44,400 Speaker 1: then there's the Borsched Belt, the whole Jewish community in 279 00:13:44,480 --> 00:13:45,839 Speaker 1: upstate New York A. Right, So it there's a lot 280 00:13:45,840 --> 00:13:48,400 Speaker 1: of different people. But like in my travels, I've met 281 00:13:48,440 --> 00:13:51,680 Speaker 1: a lot of people around the country, and I haven't 282 00:13:51,720 --> 00:13:56,480 Speaker 1: met many people that are like blow torching fucking swords 283 00:13:56,520 --> 00:13:59,640 Speaker 1: inside for that for the eventual super Bowl of Swords 284 00:13:59,679 --> 00:14:03,040 Speaker 1: in at a studio, but like a tooth channel two thousand, 285 00:14:03,120 --> 00:14:06,440 Speaker 1: seven hundred and eighty six, this is where this content lives. 286 00:14:06,520 --> 00:14:08,400 Speaker 1: And I imagine if I go to the next channel, 287 00:14:08,440 --> 00:14:09,920 Speaker 1: there's gonna be a whole other thing. I didn't know, 288 00:14:09,960 --> 00:14:12,679 Speaker 1: like people were like, you know, making things out of wax. 289 00:14:12,720 --> 00:14:15,679 Speaker 1: And it's wonderful that there's something for everyone. It's actually 290 00:14:15,720 --> 00:14:19,200 Speaker 1: really wonderful. I just don't know how far this goes. 291 00:14:20,440 --> 00:14:26,960 Speaker 1: But but to my point that I'd made many other times, 292 00:14:27,000 --> 00:14:29,520 Speaker 1: in many ways, TV is like a dinosaur because on 293 00:14:29,640 --> 00:14:32,800 Speaker 1: social media you can have one person organizing tappaware and 294 00:14:32,840 --> 00:14:36,560 Speaker 1: another person collecting buttons, and you can be on motorcycle 295 00:14:36,640 --> 00:14:39,440 Speaker 1: talk and but I and I want to go into 296 00:14:39,480 --> 00:14:44,640 Speaker 1: TikTok and start putting like blowtorch welders and into my TikTok, 297 00:14:44,720 --> 00:14:48,040 Speaker 1: so I can see if I land on like sword 298 00:14:48,280 --> 00:14:54,320 Speaker 1: yielding sand blowtorching, sand blasting talk. I thought like I 299 00:14:54,360 --> 00:14:55,840 Speaker 1: was in the back of a prison and like the 300 00:14:55,840 --> 00:15:00,040 Speaker 1: welder's room, but like very serious competition. I don't, no, 301 00:15:00,320 --> 00:15:02,680 Speaker 1: they should do that in prisons. They should have reality 302 00:15:02,720 --> 00:15:06,640 Speaker 1: shows in one portion of a prison where like wood 303 00:15:06,640 --> 00:15:07,760 Speaker 1: shopping and welding. 304 00:15:07,920 --> 00:15:08,480 Speaker 2: I don't know. 305 00:15:08,680 --> 00:15:12,760 Speaker 1: I just I thought like monster trucks and inked and 306 00:15:14,040 --> 00:15:17,840 Speaker 1: those type pimped my ride or like, yeah, I thought 307 00:15:17,880 --> 00:15:21,080 Speaker 1: that shit was like niche and adjacent. Now we're into 308 00:15:21,080 --> 00:15:25,960 Speaker 1: a whole fucking other abyss and and sphere of television 309 00:15:26,000 --> 00:15:28,920 Speaker 1: and entertainment. Just wanted you to know. And I didn't 310 00:15:28,920 --> 00:15:30,440 Speaker 1: go as high as I could go. I didn't bring 311 00:15:30,440 --> 00:15:34,520 Speaker 1: my passport. I didn't like get my altitude medication. I 312 00:15:34,600 --> 00:15:36,640 Speaker 1: just didn't know it would go that high. I guess 313 00:15:36,680 --> 00:15:39,440 Speaker 1: it's like a colonic. I could go deep, hi, I don't. 314 00:15:39,720 --> 00:15:40,280 Speaker 2: I don't know. 315 00:15:40,680 --> 00:15:42,840 Speaker 1: I just know that I just turned my television on 316 00:15:42,880 --> 00:15:47,480 Speaker 1: and landed in some on some other fucking sword wielding planet. 317 00:15:49,000 --> 00:15:52,080 Speaker 1: So that's my useless rant du Jour. 318 00:16:00,480 --> 00:16:02,360 Speaker 2: Got back to the counter. 319 00:16:04,400 --> 00:16:12,400 Speaker 1: Most got back to answer back to the conser.