1 00:00:02,520 --> 00:00:06,160 Speaker 1: What's up at the end of way? Yeah, may don't 2 00:00:06,160 --> 00:00:08,639 Speaker 1: get ready up. I mean it's really way up right 3 00:00:08,640 --> 00:00:10,240 Speaker 1: now because because the world Boss. 4 00:00:10,080 --> 00:00:17,360 Speaker 2: We got yeah yeah, I mean yes, yes, oh. 5 00:00:17,280 --> 00:00:19,880 Speaker 3: Man, so many things we got to get into today. 6 00:00:20,239 --> 00:00:20,439 Speaker 4: Now. 7 00:00:20,560 --> 00:00:22,959 Speaker 1: First off, Brooklyn is coming up. You're going to be 8 00:00:22,960 --> 00:00:25,080 Speaker 1: at the Barclays two soul Down shows. It was so 9 00:00:25,160 --> 00:00:26,400 Speaker 1: crazy they had to add one. 10 00:00:26,440 --> 00:00:28,240 Speaker 4: They have to add one. They wanted to add a third. 11 00:00:28,320 --> 00:00:32,840 Speaker 4: I'm like, nah, we're not going treat. 12 00:00:33,320 --> 00:00:35,040 Speaker 2: They wanted to go three back to back. 13 00:00:35,240 --> 00:00:37,199 Speaker 4: Exactly, I'm not doing that. We let's do it back 14 00:00:37,240 --> 00:00:39,200 Speaker 4: to back like Jordan ninety six ninety seven. 15 00:00:39,400 --> 00:00:41,360 Speaker 1: You know how crazy that is because there's people that 16 00:00:41,440 --> 00:00:45,080 Speaker 1: have to like cancel shows, rope off part of the stadium, 17 00:00:45,120 --> 00:00:47,040 Speaker 1: but you they actually have to shout out a. 18 00:00:47,000 --> 00:00:47,440 Speaker 3: Show for you. 19 00:00:47,600 --> 00:00:49,840 Speaker 4: Yeah, that's too easy, man. Remember I put the work 20 00:00:49,880 --> 00:00:52,600 Speaker 4: in over the years. The catalog is big, the fun 21 00:00:52,680 --> 00:00:54,880 Speaker 4: base is big, and the people miss me. I've been there. 22 00:00:54,880 --> 00:00:55,360 Speaker 4: In a minute. 23 00:00:55,520 --> 00:00:58,920 Speaker 1: Let's talk about Brooklyn Anthem though, because when that goes off, 24 00:00:58,960 --> 00:01:02,200 Speaker 1: I'm from flat Bush, he's my best guy. We get 25 00:01:02,200 --> 00:01:04,400 Speaker 1: our shoutouts in Brooklyn Anthem. How many times you think 26 00:01:04,400 --> 00:01:05,480 Speaker 1: you're gonna do that song. 27 00:01:05,880 --> 00:01:09,680 Speaker 4: Several you got sometimes at least five, and that's what 28 00:01:09,760 --> 00:01:12,400 Speaker 4: the people say. Make sure you know the song word 29 00:01:12,480 --> 00:01:15,280 Speaker 4: for word, from start to finish, and like I wrote 30 00:01:15,319 --> 00:01:17,759 Speaker 4: the song, come on, Yeah, but it's gonna be. 31 00:01:17,720 --> 00:01:20,760 Speaker 3: Crazy and everybody's pulling up. I know. 32 00:01:21,040 --> 00:01:22,959 Speaker 1: I can't even imagine what type I guess I mean 33 00:01:23,000 --> 00:01:24,760 Speaker 1: because a lot of artists live out here too. 34 00:01:25,240 --> 00:01:27,679 Speaker 4: No, come on, this is New York. Yeah, so a 35 00:01:27,680 --> 00:01:31,360 Speaker 4: lot of artists coming. Cardi coming but still coming, you 36 00:01:31,400 --> 00:01:33,080 Speaker 4: know what I mean. A lot of people are gonna 37 00:01:33,080 --> 00:01:33,440 Speaker 4: pull up. 38 00:01:33,520 --> 00:01:37,119 Speaker 1: You did the summer Cardi yet, yes, ma'am. Is it 39 00:01:37,120 --> 00:01:38,720 Speaker 1: being debuted or something. 40 00:01:38,520 --> 00:01:41,680 Speaker 4: Or yeah, definitely. I don't know when, but it's coming. 41 00:01:41,880 --> 00:01:43,520 Speaker 3: It should be at the Barklay very soon. 42 00:01:43,920 --> 00:01:46,280 Speaker 4: I'm not sure if maybe that's too soon. 43 00:01:46,680 --> 00:01:49,640 Speaker 1: But we need a snippet or something like a little snippet. 44 00:01:49,640 --> 00:01:52,240 Speaker 1: You gotta do that. Yeah, let's go viral. 45 00:01:52,880 --> 00:01:56,000 Speaker 4: My manager has it. If he wants to drop a snippet, 46 00:01:57,280 --> 00:02:00,720 Speaker 4: come on, let's get it. Let's go Yeah, way up, 47 00:02:01,720 --> 00:02:02,600 Speaker 4: that's it now. 48 00:02:02,680 --> 00:02:06,520 Speaker 3: Listen, Oh, Champagne, I'm on a liquid diet. 49 00:02:06,680 --> 00:02:09,560 Speaker 1: Okay, I see that, and I also saw what you've 50 00:02:09,600 --> 00:02:11,600 Speaker 1: been doing. For the economy, which a rum. 51 00:02:12,040 --> 00:02:15,120 Speaker 4: Yes, it's crazy, right, the biggest in the Caribbean. 52 00:02:15,320 --> 00:02:16,120 Speaker 3: That's a huge. 53 00:02:16,360 --> 00:02:19,120 Speaker 4: That's huge, man, trust me, Man and I had a 54 00:02:19,200 --> 00:02:21,560 Speaker 4: rum before I got arrested. I went to prison and 55 00:02:21,600 --> 00:02:22,760 Speaker 4: that that did work too. 56 00:02:22,840 --> 00:02:26,679 Speaker 3: But this one people are going crazy over this crazy. 57 00:02:26,760 --> 00:02:29,760 Speaker 4: I'm telling you man to make a Rompin shop. I 58 00:02:29,840 --> 00:02:30,680 Speaker 4: recommend that for you. 59 00:02:31,040 --> 00:02:31,919 Speaker 3: Okay, why for me? 60 00:02:32,160 --> 00:02:34,200 Speaker 4: Because it got that bigger than it. It's got that 61 00:02:34,280 --> 00:02:37,320 Speaker 4: thing for the ladies that that get them going. 62 00:02:37,600 --> 00:02:39,480 Speaker 3: Yes, wait, what did you just do? 63 00:02:44,280 --> 00:02:47,840 Speaker 4: As your question? Though, I want to take it back 64 00:02:47,840 --> 00:02:50,000 Speaker 4: a little bit, how was it? How was it doing 65 00:02:50,040 --> 00:02:50,880 Speaker 4: at time? Though? Bro? 66 00:02:51,000 --> 00:02:52,239 Speaker 2: Like, because I did time? 67 00:02:52,280 --> 00:02:54,760 Speaker 4: But when I did time, I wasn't never, I wasn't 68 00:02:54,760 --> 00:02:55,440 Speaker 4: in the industry. 69 00:02:55,760 --> 00:02:58,960 Speaker 2: You was already a huge artist. I was that doing 70 00:02:59,040 --> 00:02:59,680 Speaker 2: time like that. 71 00:03:00,360 --> 00:03:03,960 Speaker 4: I mean, prisoner is prison man regardless. But you know 72 00:03:03,960 --> 00:03:08,800 Speaker 4: what I mean. Just it's Jamaica, so you know. But yeah, 73 00:03:09,440 --> 00:03:11,639 Speaker 4: I mean I was in prison, I was rocking the 74 00:03:11,720 --> 00:03:14,399 Speaker 4: roll ex lateist Jordan's anything. I could get whatever I want. 75 00:03:14,440 --> 00:03:18,400 Speaker 4: I just couldn't leave. So it's kind of different, right, 76 00:03:18,720 --> 00:03:21,200 Speaker 4: But it was a dungeon still because it's not like 77 00:03:21,240 --> 00:03:23,560 Speaker 4: an American prison. Yeah, you know, I mean we still 78 00:03:23,560 --> 00:03:25,720 Speaker 4: didn't have toilets in the cells up to a point. 79 00:03:26,000 --> 00:03:28,560 Speaker 3: I remember when that was a big story or some 80 00:03:28,720 --> 00:03:29,400 Speaker 3: changes had to. 81 00:03:29,360 --> 00:03:31,800 Speaker 4: Be made toilets. Man, you got a shit on newspaper 82 00:03:31,840 --> 00:03:32,959 Speaker 4: and wrap that shit up. 83 00:03:33,000 --> 00:03:36,840 Speaker 1: Because the other problem is also that, you know, aside 84 00:03:36,840 --> 00:03:37,920 Speaker 1: from that Graves disease. 85 00:03:38,080 --> 00:03:40,880 Speaker 4: Yeah, I'm still suffering from it now too. So I've 86 00:03:40,880 --> 00:03:43,600 Speaker 4: been through it. Man. But what are you gonna do? Cry? No, 87 00:03:43,720 --> 00:03:46,119 Speaker 4: you gotta just pull your parents up and porch man. 88 00:03:46,520 --> 00:03:47,000 Speaker 4: That's it. 89 00:03:47,240 --> 00:03:49,360 Speaker 1: So yeah, I remember when that story first broke because 90 00:03:49,360 --> 00:03:51,640 Speaker 1: I was, you know, on air and I was talking 91 00:03:51,680 --> 00:03:53,560 Speaker 1: about it here and I was like, this is crazy 92 00:03:53,760 --> 00:03:55,600 Speaker 1: like that you had to go to jail, but how 93 00:03:55,760 --> 00:03:57,440 Speaker 1: was it to be? But when you found out you 94 00:03:57,480 --> 00:04:00,640 Speaker 1: were coming home? Because that had to be like I 95 00:04:00,680 --> 00:04:02,000 Speaker 1: don't know what's about to happen. 96 00:04:02,040 --> 00:04:04,400 Speaker 4: I mean when I found out, like when they said, yeah, 97 00:04:04,440 --> 00:04:07,960 Speaker 4: he's free. But my thing is this, I'm from Jamaica. 98 00:04:08,000 --> 00:04:11,160 Speaker 4: I'm from the ghetto. Like we don't get excited easily, 99 00:04:11,680 --> 00:04:14,280 Speaker 4: Like we got to open the gate and when I 100 00:04:14,360 --> 00:04:17,320 Speaker 4: walk out, that's when I know I'm out. 101 00:04:17,440 --> 00:04:19,160 Speaker 2: So you gave the time back. 102 00:04:20,040 --> 00:04:22,159 Speaker 4: Yes, basically, yeah, they gave me the thirty five years 103 00:04:22,200 --> 00:04:25,960 Speaker 4: I gave them. Yeah, yeah, trust me. So that's why 104 00:04:26,000 --> 00:04:28,400 Speaker 4: I'm here now, you know what I mean. I'm free. 105 00:04:28,480 --> 00:04:31,240 Speaker 4: My record is clean, so I don't know that return 106 00:04:31,640 --> 00:04:34,720 Speaker 4: because it's overturning, you know what I mean. So I'm all. 107 00:04:34,920 --> 00:04:37,680 Speaker 4: I'm blessed. God is the greatest man. He's just doing it. 108 00:04:38,120 --> 00:04:40,640 Speaker 1: I see all these dancer artists now finally being able 109 00:04:40,680 --> 00:04:43,279 Speaker 1: to get their visas too, And this is a huge 110 00:04:43,279 --> 00:04:46,000 Speaker 1: deal because it's nothing like being able to travel, of course, 111 00:04:46,080 --> 00:04:48,160 Speaker 1: and tour to connect with people in that. 112 00:04:48,120 --> 00:04:50,839 Speaker 4: Way, and not just to connect with people, but to 113 00:04:50,880 --> 00:04:51,880 Speaker 4: get the money. 114 00:04:52,160 --> 00:04:53,240 Speaker 3: Yeah, we never forget that. 115 00:04:53,480 --> 00:04:55,920 Speaker 2: Yes, that's what I'm saying, because that's what you work 116 00:04:56,000 --> 00:04:56,560 Speaker 2: for at the end of. 117 00:04:56,560 --> 00:04:59,039 Speaker 4: The day, right, you work to collect that bread. So 118 00:04:59,120 --> 00:05:02,480 Speaker 4: it's good. Yeah, Bounty killer, you know that's my boss. 119 00:05:02,520 --> 00:05:05,840 Speaker 4: He got his visit recently too, so he's back in America, 120 00:05:06,640 --> 00:05:11,320 Speaker 4: see everybody, Yeah, he's back in Miami right now, in 121 00:05:11,360 --> 00:05:12,320 Speaker 4: this in Florida. 122 00:05:12,480 --> 00:05:14,120 Speaker 3: Were you watching the verses in real time? 123 00:05:14,640 --> 00:05:15,360 Speaker 4: Yes? In person? 124 00:05:15,440 --> 00:05:17,400 Speaker 3: Of course that was the best verses. I always say 125 00:05:17,440 --> 00:05:20,320 Speaker 3: that because that's like the culture favorite of the class. 126 00:05:20,360 --> 00:05:21,320 Speaker 3: That is what. 127 00:05:21,279 --> 00:05:23,880 Speaker 2: Versus he was doing because I was doing. 128 00:05:23,680 --> 00:05:26,960 Speaker 4: That already exactly like Bounty and Beani did it and 129 00:05:27,680 --> 00:05:30,600 Speaker 4: did it plus the sound clashes. That was crazy, big 130 00:05:30,680 --> 00:05:34,320 Speaker 4: up the Swiss Man. Like the concept is if. 131 00:05:34,160 --> 00:05:35,400 Speaker 3: You did that, who would it be? 132 00:05:38,080 --> 00:05:41,200 Speaker 4: That's right, that would be crazy. 133 00:05:41,279 --> 00:05:43,320 Speaker 3: I remember that that was a wild time. 134 00:05:43,279 --> 00:05:49,560 Speaker 4: Wild man work. Looking back in hindsight, it was good 135 00:05:49,600 --> 00:05:52,480 Speaker 4: for the music, for the culture and pushed us both 136 00:05:52,480 --> 00:05:55,920 Speaker 4: as artists as individuals, and it spread the genre further 137 00:05:56,040 --> 00:05:58,760 Speaker 4: to places like Africa. Like so it was. It was 138 00:05:58,800 --> 00:05:59,640 Speaker 4: good for the culture. 139 00:05:59,680 --> 00:06:01,359 Speaker 3: I think it's kind of like hip hop too. The 140 00:06:01,400 --> 00:06:05,480 Speaker 3: beef is good for the It's good because it does creak, like. 141 00:06:06,600 --> 00:06:10,760 Speaker 4: Yeah, exactly, you got to go deep. So the art 142 00:06:11,040 --> 00:06:14,120 Speaker 4: improves right right because it's competitive. 143 00:06:14,640 --> 00:06:15,159 Speaker 3: Even Spice. 144 00:06:15,200 --> 00:06:17,960 Speaker 1: Spice just put out of this record, you know, but 145 00:06:18,080 --> 00:06:19,479 Speaker 1: it actually is doing really well. 146 00:06:20,279 --> 00:06:24,400 Speaker 4: Everybody that's the queen like Spice going. 147 00:06:24,920 --> 00:06:28,440 Speaker 1: Every time I see her, I always think about you. 148 00:06:28,520 --> 00:06:31,039 Speaker 1: When I see Spice. I'm always like I do every 149 00:06:31,040 --> 00:06:33,520 Speaker 1: time you'll see it. Whenever I interviewed her, I always 150 00:06:33,520 --> 00:06:35,440 Speaker 1: would be like, how's bad you spoke to us? Because 151 00:06:35,440 --> 00:06:37,680 Speaker 1: I know you guys, even while you was locked up 152 00:06:37,720 --> 00:06:40,560 Speaker 1: doing music together, and you guys were like that, and 153 00:06:40,640 --> 00:06:43,040 Speaker 1: she always would shout you out rocking shot. When I 154 00:06:43,080 --> 00:06:45,520 Speaker 1: first started on the Breakfast Club, when I first started here, 155 00:06:45,720 --> 00:06:47,560 Speaker 1: that song was in such heavy rotation. 156 00:06:48,320 --> 00:06:49,400 Speaker 2: That was a huge son. 157 00:06:50,000 --> 00:06:52,360 Speaker 4: You actually said it when you were talking about me 158 00:06:52,480 --> 00:06:54,440 Speaker 4: years ago, when when you were doing the Breakfast Club. 159 00:06:54,480 --> 00:06:56,480 Speaker 4: I was watching it from prison, and you were saying 160 00:06:56,480 --> 00:06:58,479 Speaker 4: the same thing, like wh came out? 161 00:06:58,520 --> 00:06:59,200 Speaker 3: That was my song? 162 00:07:01,120 --> 00:07:02,920 Speaker 4: I remember that specific. 163 00:07:02,800 --> 00:07:04,560 Speaker 1: And I could be going back in the very beginning 164 00:07:04,560 --> 00:07:06,039 Speaker 1: of it. I was like, oh, you probably can't say that, 165 00:07:06,720 --> 00:07:07,840 Speaker 1: and I was. 166 00:07:07,760 --> 00:07:14,440 Speaker 4: Like, what are they really saying, Like she's saying, like. 167 00:07:13,840 --> 00:07:17,160 Speaker 2: Right, yeah, real place. 168 00:07:17,520 --> 00:07:20,600 Speaker 4: Yes, it's a real place, real places. You guys, don't 169 00:07:20,640 --> 00:07:26,440 Speaker 4: call it me like a motel or something. Yeah, yeah, 170 00:07:27,760 --> 00:07:36,440 Speaker 4: yeah exactly. We're playing Yeah, you're playing there. Yeah that's crazy. 171 00:07:37,320 --> 00:07:40,520 Speaker 1: Now listen, we got to talk about everything else going 172 00:07:40,560 --> 00:07:44,400 Speaker 1: on to like this wedding definitely okay, because it's been 173 00:07:44,440 --> 00:07:46,520 Speaker 1: pushed back, Yeah, because. 174 00:07:46,240 --> 00:07:51,800 Speaker 4: It should have been February thirty first, exactly, just because 175 00:07:51,800 --> 00:07:53,520 Speaker 4: I'm busy. I'm all over the place. But she's here 176 00:07:53,560 --> 00:07:56,240 Speaker 4: with me. Okay, Yeah, she's in the hotel, right, No, 177 00:07:56,360 --> 00:07:58,080 Speaker 4: I don't leave her she's my good luck shot. 178 00:07:58,960 --> 00:08:01,200 Speaker 3: That's great. Even the host, how y'all got together? A 179 00:08:01,200 --> 00:08:03,280 Speaker 3: lot of things that happened in your life. Is just like, 180 00:08:03,880 --> 00:08:05,400 Speaker 3: so I. 181 00:08:05,360 --> 00:08:06,840 Speaker 4: Think you giving destiny. 182 00:08:06,920 --> 00:08:07,440 Speaker 3: Yeah it is. 183 00:08:07,480 --> 00:08:09,960 Speaker 1: It's giving destiny because people were a little I think 184 00:08:09,960 --> 00:08:13,280 Speaker 1: people are protective over you. So at first people will 185 00:08:13,320 --> 00:08:15,760 Speaker 1: get me apprehensive about somebody because they didn't know her. 186 00:08:15,880 --> 00:08:18,600 Speaker 4: Yeah, they went in on her. Yeah, they said she 187 00:08:18,720 --> 00:08:22,360 Speaker 4: was fed, she was c I a she was a 188 00:08:22,400 --> 00:08:23,120 Speaker 4: fucking man. 189 00:08:23,280 --> 00:08:26,000 Speaker 3: Oh my god, what okay. 190 00:08:25,640 --> 00:08:27,800 Speaker 4: Yeah, that's that was the last one. Like you said 191 00:08:27,800 --> 00:08:32,600 Speaker 4: she was a man, Like, it's crazy. No, we haven't 192 00:08:32,880 --> 00:08:34,880 Speaker 4: because she has a big family. I have a big family, 193 00:08:35,280 --> 00:08:36,800 Speaker 4: so we have the planet. We wanted to do it 194 00:08:36,840 --> 00:08:40,040 Speaker 4: on Valentine's Day, you know, and honesty, but we didn't 195 00:08:40,080 --> 00:08:41,800 Speaker 4: know that I was going to get the visa so 196 00:08:41,920 --> 00:08:44,200 Speaker 4: quickly and things that are going to escalate like that 197 00:08:44,240 --> 00:08:45,719 Speaker 4: because I'm all over the place now. 198 00:08:48,400 --> 00:08:51,400 Speaker 3: Yeah, so that's we got to get into that. He 199 00:08:51,520 --> 00:08:53,520 Speaker 3: was like, I gotta talk to Vibes because man is 200 00:08:53,520 --> 00:08:53,959 Speaker 3: getting married. 201 00:08:54,000 --> 00:08:56,600 Speaker 1: He don't have a bride, but he said a date already, 202 00:08:56,960 --> 00:08:57,960 Speaker 1: but he don't know to who. 203 00:08:58,520 --> 00:09:01,000 Speaker 3: So I'm just putting looking for someone. 204 00:09:01,080 --> 00:09:03,880 Speaker 2: I'm getting the ring, I'm getting everything. I'm just setting 205 00:09:03,880 --> 00:09:04,160 Speaker 2: it up. 206 00:09:05,160 --> 00:09:10,120 Speaker 4: Manifested the wedding set, that is that the cake. 207 00:09:10,720 --> 00:09:15,040 Speaker 2: No, I want to get a couple of gos. But 208 00:09:15,120 --> 00:09:16,160 Speaker 2: I just got to find a bride. 209 00:09:16,480 --> 00:09:21,760 Speaker 4: That's I don't believe that. He just went yeah, No, 210 00:09:21,880 --> 00:09:23,760 Speaker 4: you should be to put it out there because for 211 00:09:23,920 --> 00:09:25,400 Speaker 4: years I've been saying I want to settle down. 212 00:09:25,960 --> 00:09:27,840 Speaker 2: I got what I gotta take steps. 213 00:09:27,480 --> 00:09:31,480 Speaker 4: To do it true, create the problem and then solve it. 214 00:09:31,800 --> 00:09:33,240 Speaker 4: So that's what you did. That's what men. 215 00:09:33,480 --> 00:09:35,920 Speaker 3: Shouldn't you find a wife first and then plan a 216 00:09:36,000 --> 00:09:36,959 Speaker 3: leading No. 217 00:09:36,760 --> 00:09:41,040 Speaker 4: That's that's that's come on, focus on you get me focused. Man. 218 00:09:42,160 --> 00:09:44,200 Speaker 1: I want to ask you this because Fever is your 219 00:09:44,240 --> 00:09:47,160 Speaker 1: biggest song, but ramping Shop to me is what if 220 00:09:47,200 --> 00:09:49,320 Speaker 1: you have to say what's bigger Fever or ramping Shop? 221 00:09:49,320 --> 00:09:53,560 Speaker 3: What would you say in that argument? As a Crussover song, I. 222 00:09:53,520 --> 00:09:58,800 Speaker 4: Would say it depends because remember certain places you're go 223 00:09:58,880 --> 00:09:59,400 Speaker 4: into the world. 224 00:10:00,040 --> 00:10:02,640 Speaker 3: Clarks is my biggest Clarks pop can. 225 00:10:02,960 --> 00:10:04,800 Speaker 4: Certain places go with summer time. 226 00:10:04,960 --> 00:10:07,480 Speaker 3: Right, summertime is my joint. When I go running in 227 00:10:07,520 --> 00:10:11,359 Speaker 3: the park, that's my little running. 228 00:10:10,080 --> 00:10:10,760 Speaker 2: Places you go. 229 00:10:11,320 --> 00:10:17,280 Speaker 4: They have their own and I went to Africa. Uh 230 00:10:17,520 --> 00:10:22,240 Speaker 4: Ma mayon box the Swiss was my biggest song in Nigeria, okay, 231 00:10:23,480 --> 00:10:25,040 Speaker 4: you know, and if you go to South Africa, it's 232 00:10:25,040 --> 00:10:30,120 Speaker 4: probably something else. Yeah, but those are the top contenders, 233 00:10:30,320 --> 00:10:34,880 Speaker 4: like you said them, the Summer Time, the Fever, the Clerks. 234 00:10:35,640 --> 00:10:38,920 Speaker 4: But so I wouldn't choose one because it depends. 235 00:10:39,240 --> 00:10:41,080 Speaker 3: Did Clarks do a deal with you for that song 236 00:10:41,200 --> 00:10:42,160 Speaker 3: back then or they wasn't. 237 00:10:42,840 --> 00:10:44,600 Speaker 4: I mean, remember when we did that song, we wasn't 238 00:10:44,600 --> 00:10:46,439 Speaker 4: looking for a d We were just singing about how 239 00:10:46,440 --> 00:10:50,800 Speaker 4: we live. But then it became exactly then it became 240 00:10:50,880 --> 00:10:53,640 Speaker 4: big and I went to prisoner, so I didn't get 241 00:10:53,640 --> 00:10:56,880 Speaker 4: to capitalize, okay, but to some extent Popcorn did so 242 00:10:56,920 --> 00:10:59,680 Speaker 4: when I came out, they haven't spoken to me yet. 243 00:11:00,040 --> 00:11:03,360 Speaker 4: Want just go Louis all the way now. You know. 244 00:11:03,480 --> 00:11:05,040 Speaker 1: When I used to work for Wu Tang, they were 245 00:11:05,040 --> 00:11:08,120 Speaker 1: real big on the Clarks. They ended up doing a deal. 246 00:11:08,400 --> 00:11:15,160 Speaker 4: Yeah. They love the Wallabies especially. They love is a 247 00:11:15,280 --> 00:11:20,560 Speaker 4: classic culture, like like Jamaican culture, like fashion. 248 00:11:21,240 --> 00:11:23,360 Speaker 2: You know, I think about even not even just Wallabies, but. 249 00:11:23,400 --> 00:11:27,000 Speaker 4: Those other clocks. Yeah, the desert, that's the like. I 250 00:11:27,080 --> 00:11:29,400 Speaker 4: just thought about that and think about like you know, 251 00:11:29,960 --> 00:11:32,640 Speaker 4: in flat Bush and Crown Heights back in the days 252 00:11:32,720 --> 00:11:37,319 Speaker 4: everybody had clocks. It's crazy, man, Jamaica will be different. Man. 253 00:11:37,480 --> 00:11:40,720 Speaker 3: Now you also added Miami. That's that show is going 254 00:11:40,800 --> 00:11:41,000 Speaker 3: to go. 255 00:11:41,080 --> 00:11:45,320 Speaker 4: Up to easy. That's that's so loud already, man, that's easy. 256 00:11:45,520 --> 00:11:59,800 Speaker 1: But coming home, the first stop was of course Vagina. Okay, yeah, Vagina. 257 00:12:02,160 --> 00:12:03,480 Speaker 4: Understand each other exactly. 258 00:12:03,520 --> 00:12:04,880 Speaker 3: And I know you didn't last long. 259 00:12:05,280 --> 00:12:17,120 Speaker 5: No fistball probably that was that maybe, oh. 260 00:12:17,040 --> 00:12:19,560 Speaker 3: Ship, sorry, it gets better, but. 261 00:12:22,800 --> 00:12:25,640 Speaker 4: It's been a long time, a long time. Should have 262 00:12:25,679 --> 00:12:26,920 Speaker 4: left you. 263 00:12:27,080 --> 00:12:28,880 Speaker 1: That's great though to see because you know what, you 264 00:12:28,960 --> 00:12:30,560 Speaker 1: might never have fallen in love the way that you 265 00:12:30,640 --> 00:12:34,040 Speaker 1: did having those conversations, you know, while you were locked up, 266 00:12:34,080 --> 00:12:36,600 Speaker 1: because that's it is about before. 267 00:12:37,200 --> 00:12:42,000 Speaker 3: Oh okay, yeah, okay on but it's. 268 00:12:41,840 --> 00:12:43,520 Speaker 1: A different type of like when you get to have 269 00:12:43,600 --> 00:12:46,920 Speaker 1: conversations before you get to see each other and yeah, 270 00:12:47,160 --> 00:12:48,240 Speaker 1: different type of Yeah. 271 00:12:48,280 --> 00:12:51,400 Speaker 4: So me and her is like real friends, yeah right 272 00:12:51,520 --> 00:12:54,160 Speaker 4: right before anything else, we were friends, Like I said, 273 00:12:54,200 --> 00:12:56,760 Speaker 4: we spoke for four years before it was like visit 274 00:12:56,840 --> 00:13:01,160 Speaker 4: me right then she came to visit, like she went 275 00:13:01,280 --> 00:13:03,240 Speaker 4: back and then I was like, you know what, I'm 276 00:13:03,280 --> 00:13:06,600 Speaker 4: coming out, come to Jamaica, come live, and I just 277 00:13:06,920 --> 00:13:07,560 Speaker 4: flew her in. 278 00:13:07,800 --> 00:13:09,760 Speaker 3: The wedding's in Jamaica too, right, it will be in Jamaica. 279 00:13:09,840 --> 00:13:11,360 Speaker 4: No, we wanted to do it in England. But she 280 00:13:11,400 --> 00:13:13,440 Speaker 4: has a big family. A lot of them are in Turkey. 281 00:13:13,480 --> 00:13:15,720 Speaker 4: I have a big family in Jamaica. So it's just 282 00:13:15,760 --> 00:13:18,679 Speaker 4: a time. And like I said, we didn't know I 283 00:13:18,720 --> 00:13:20,839 Speaker 4: was going to get the visa so quick and I'm 284 00:13:20,880 --> 00:13:21,600 Speaker 4: all over the place. 285 00:13:21,880 --> 00:13:23,040 Speaker 3: They didn't play with you. 286 00:13:22,880 --> 00:13:27,920 Speaker 4: Exactly, so they just gave it to you. Yeah, very easy, man. 287 00:13:28,080 --> 00:13:30,240 Speaker 4: So because like I said, once I came out, I 288 00:13:30,320 --> 00:13:32,840 Speaker 4: came out different. I came out positive. I came out 289 00:13:32,880 --> 00:13:37,200 Speaker 4: preaching love forgiveness, come on, determination. My story is an 290 00:13:37,240 --> 00:13:37,880 Speaker 4: amazing one. 291 00:13:38,000 --> 00:13:40,000 Speaker 3: It is. It's a movie, right exactly. 292 00:13:40,120 --> 00:13:44,200 Speaker 4: So there was like, man, will full failure destiny or whatever, 293 00:13:44,280 --> 00:13:47,560 Speaker 4: And I appreciate that and I'm not doing anything to 294 00:13:47,640 --> 00:13:51,720 Speaker 4: mess that up. Yeah, but definitely this year won't pass 295 00:13:51,760 --> 00:13:54,040 Speaker 4: as long as I have breath. We're getting married this year. 296 00:13:54,520 --> 00:13:55,600 Speaker 4: And like I said, she's here. 297 00:13:55,960 --> 00:13:57,000 Speaker 3: Yeah, you know what I mean. 298 00:13:57,160 --> 00:13:58,920 Speaker 4: So I don't leave her out now. 299 00:13:58,920 --> 00:14:00,839 Speaker 1: I know you always talk about Ninja, man, is one 300 00:14:00,880 --> 00:14:03,880 Speaker 1: of your first inspirations, and I see he has an 301 00:14:03,920 --> 00:14:07,319 Speaker 1: appeal as well, so we're keeping our fingers crushed. 302 00:14:07,320 --> 00:14:08,480 Speaker 4: I think he's going to win it too. 303 00:14:08,679 --> 00:14:10,360 Speaker 3: How much, son, that's gonna be crazy. 304 00:14:10,600 --> 00:14:12,280 Speaker 4: He got like twenty five years. 305 00:14:12,800 --> 00:14:14,760 Speaker 2: How much time he's been in he's. 306 00:14:14,600 --> 00:14:17,640 Speaker 4: Been in for a minute that at least six seven years. 307 00:14:17,800 --> 00:14:18,560 Speaker 4: It's been a while. 308 00:14:18,760 --> 00:14:22,560 Speaker 3: Yeah, yeah, that's gonna be wild. Have you been talking 309 00:14:22,600 --> 00:14:22,920 Speaker 3: to him? 310 00:14:23,280 --> 00:14:27,040 Speaker 4: Yeah? We were at the same prison twice. We were 311 00:14:27,080 --> 00:14:29,400 Speaker 4: at the same prison twice. So with the prison that 312 00:14:29,440 --> 00:14:31,800 Speaker 4: I left from when I got released, I left him there. 313 00:14:32,320 --> 00:14:35,360 Speaker 4: Evardo's son was there. He came out too. Vardo's son 314 00:14:35,560 --> 00:14:37,640 Speaker 4: was in prison too, or murder, but he came out. 315 00:14:37,720 --> 00:14:39,200 Speaker 4: He got he won his appeal. 316 00:14:39,960 --> 00:14:41,200 Speaker 1: You know, it kind of makes you think because I 317 00:14:41,200 --> 00:14:44,440 Speaker 1: see people questioning what's going on in Jamaica when it 318 00:14:44,440 --> 00:14:45,840 Speaker 1: comes to like that whole system. 319 00:14:45,920 --> 00:14:47,840 Speaker 4: Oh well, you know, man, that's a third world country. 320 00:14:47,920 --> 00:14:50,320 Speaker 4: You need not say more. Come on, man, I love Jamaica, 321 00:14:50,360 --> 00:14:52,360 Speaker 4: but come on, the truth is the truth. 322 00:14:52,200 --> 00:14:53,320 Speaker 3: Right, you know what I mean? 323 00:14:53,720 --> 00:14:55,440 Speaker 1: Does it make you feel like you got because I 324 00:14:55,440 --> 00:14:57,440 Speaker 1: know prison reform and I know Maya you're big on that. 325 00:14:57,480 --> 00:15:00,560 Speaker 1: You've been going back to Rikers, you know, talking figuring 326 00:15:00,600 --> 00:15:03,640 Speaker 1: out how to be how to be more involved in 327 00:15:03,720 --> 00:15:05,360 Speaker 1: that because you have to deal with it. And I 328 00:15:05,400 --> 00:15:07,520 Speaker 1: know you left behind a lot of people, people that 329 00:15:07,560 --> 00:15:09,920 Speaker 1: was looking out for you you was recording your music, 330 00:15:10,000 --> 00:15:10,840 Speaker 1: and I'm still. 331 00:15:10,720 --> 00:15:13,040 Speaker 4: Looking out for them, trust me, man. So that's why 332 00:15:13,080 --> 00:15:15,160 Speaker 4: when he said they know what's doing the prison thing 333 00:15:15,880 --> 00:15:18,680 Speaker 4: like that, you know because a lot of people in 334 00:15:18,720 --> 00:15:20,480 Speaker 4: there that are good people that that just made me 335 00:15:20,600 --> 00:15:25,320 Speaker 4: dumb mistakes, right, It made mistakes early exactly, and they 336 00:15:25,320 --> 00:15:27,680 Speaker 4: made mistakes at an age and time where you know, 337 00:15:27,760 --> 00:15:28,840 Speaker 4: based on the environment. 338 00:15:29,040 --> 00:15:31,920 Speaker 2: So you can't hold the crime to me. 339 00:15:32,000 --> 00:15:33,520 Speaker 4: Is like when you take a sixteen year old kid 340 00:15:33,600 --> 00:15:36,440 Speaker 4: and that made a mistake and stretch them out pause 341 00:15:36,560 --> 00:15:39,320 Speaker 4: for twenty thirty years, taking his whole life. 342 00:15:39,360 --> 00:15:41,640 Speaker 2: That's fine, Like, come on. 343 00:15:42,080 --> 00:15:44,360 Speaker 4: You could have been a lawyer, you know what I mean? Like, 344 00:15:44,480 --> 00:15:47,000 Speaker 4: I believe in forgiveness. The system says it in church, 345 00:15:47,040 --> 00:15:51,000 Speaker 4: but they don't appreciate on Mondays, right, say that it 346 00:15:51,040 --> 00:15:52,080 Speaker 4: sounds good on Sunday? 347 00:15:52,640 --> 00:15:54,800 Speaker 3: Yeah No, I feel yeah, yeah man. 348 00:15:54,880 --> 00:15:59,400 Speaker 4: It's deep by Man Ninja Man free than Gogan, real 349 00:15:59,560 --> 00:15:59,920 Speaker 4: bad man. 350 00:16:01,480 --> 00:16:04,680 Speaker 3: That's so. 351 00:16:04,880 --> 00:16:07,520 Speaker 1: Also, I want to talk to you about the major 352 00:16:07,600 --> 00:16:10,320 Speaker 1: laser song Panda Floor that was also that was right 353 00:16:10,360 --> 00:16:11,600 Speaker 1: before you ended up having it. 354 00:16:11,800 --> 00:16:11,960 Speaker 4: Yeah. 355 00:16:14,800 --> 00:16:16,240 Speaker 3: I like that song and the video. 356 00:16:16,400 --> 00:16:17,880 Speaker 4: The video sick crazy. 357 00:16:17,600 --> 00:16:20,400 Speaker 1: Right, Yeah, that was real, real creative. That was dope 358 00:16:20,440 --> 00:16:21,960 Speaker 1: to see you on that too. And they named that 359 00:16:22,000 --> 00:16:23,760 Speaker 1: as like one of the biggest dance songs. 360 00:16:24,040 --> 00:16:25,520 Speaker 4: I think it's in some billboard. 361 00:16:25,640 --> 00:16:27,200 Speaker 1: Yeah, the billboard named it as like one of the 362 00:16:27,200 --> 00:16:28,360 Speaker 1: biggest dance songs ever. 363 00:16:29,160 --> 00:16:31,960 Speaker 4: That's crazy, big up the board, big major laser man. 364 00:16:32,160 --> 00:16:34,120 Speaker 1: And you're also going to be doing videos for all 365 00:16:34,160 --> 00:16:35,640 Speaker 1: of these songs. 366 00:16:34,920 --> 00:16:37,440 Speaker 4: That's not all, but a lot of them, but the 367 00:16:37,480 --> 00:16:40,160 Speaker 4: classics because I wasn't even in Fever, so I got 368 00:16:40,200 --> 00:16:41,120 Speaker 4: to do a video for Fever. 369 00:16:41,200 --> 00:16:45,800 Speaker 3: You have to do it, Yeah, all the classics. 370 00:16:45,920 --> 00:16:49,160 Speaker 4: Yes, maybe that you doesn't. I couldn't. Was in prison 371 00:16:49,600 --> 00:16:52,320 Speaker 4: and definitely know you have a ton of footage, Yes, 372 00:16:52,440 --> 00:16:53,680 Speaker 4: I do from prison. 373 00:16:53,840 --> 00:16:55,560 Speaker 3: No, just oh you have footage in prison. 374 00:16:55,360 --> 00:16:59,520 Speaker 4: Too, footage from doing crazy Ship in prison line. Yeah. 375 00:17:00,120 --> 00:17:01,560 Speaker 4: Because now you. 376 00:17:01,480 --> 00:17:03,920 Speaker 3: Can go that's the old it's. 377 00:17:03,840 --> 00:17:06,600 Speaker 2: Content, yeah, you know, I mean the game it's different. 378 00:17:06,640 --> 00:17:08,600 Speaker 2: You can go back and do the old stuff. 379 00:17:08,320 --> 00:17:14,080 Speaker 4: Like right, sorry, TikTok loves because a lot of the 380 00:17:14,119 --> 00:17:17,280 Speaker 4: girls like the Cartel songs. When those songs came out, 381 00:17:17,440 --> 00:17:18,960 Speaker 4: he wasn't they wasn't even. 382 00:17:19,880 --> 00:17:26,720 Speaker 1: Yeah, and it's a great way to monetize. 383 00:17:25,960 --> 00:17:27,320 Speaker 2: Something like that go viral. 384 00:17:27,640 --> 00:17:32,800 Speaker 4: Today they're still discovering old stuff right exactly right now? Yeah, man, man, 385 00:17:32,880 --> 00:17:33,520 Speaker 4: they still do. 386 00:17:33,920 --> 00:17:36,280 Speaker 3: Are your kids big on? TikTok to? I know to 387 00:17:36,480 --> 00:17:37,439 Speaker 3: your sons are artists? 388 00:17:37,480 --> 00:17:37,600 Speaker 4: Right? 389 00:17:37,920 --> 00:17:40,920 Speaker 3: You got look of vibes and look oh. 390 00:17:41,080 --> 00:17:44,960 Speaker 4: You know that? Yes, And so my sons y'all. 391 00:17:46,000 --> 00:17:48,000 Speaker 1: Well no, because I know you're big on and I've 392 00:17:48,040 --> 00:17:49,719 Speaker 1: seen you know them out and about. 393 00:17:50,240 --> 00:17:51,200 Speaker 3: But I also see. 394 00:17:51,119 --> 00:17:53,399 Speaker 1: That you're with me too, okay. And I tell you 395 00:17:53,640 --> 00:17:56,520 Speaker 1: everybody went shopping. That had to be a great feeling 396 00:17:56,560 --> 00:17:59,000 Speaker 1: as a dad to come home and be like, let's 397 00:17:59,080 --> 00:17:59,560 Speaker 1: run it up. 398 00:18:00,080 --> 00:18:02,160 Speaker 4: Yeah I did. I brought even my other son, he's 399 00:18:02,160 --> 00:18:04,919 Speaker 4: from Flatbush, she was born here. I know that's right, Yeah, 400 00:18:04,960 --> 00:18:08,760 Speaker 4: sonim roll the other day and to the Louis. You 401 00:18:08,800 --> 00:18:10,200 Speaker 4: know that's my favorite brand. 402 00:18:10,240 --> 00:18:13,439 Speaker 3: And we see they need to do something with you 403 00:18:13,760 --> 00:18:20,639 Speaker 3: ship Louis. You hear that, he said, ship? Ye, I 404 00:18:20,640 --> 00:18:21,560 Speaker 3: can see that happening. 405 00:18:22,960 --> 00:18:23,160 Speaker 5: Yeah. 406 00:18:23,240 --> 00:18:26,400 Speaker 3: See there you go, and it looked good on you. 407 00:18:26,480 --> 00:18:28,120 Speaker 4: Thank you, thank you. 408 00:18:27,640 --> 00:18:28,120 Speaker 3: You know what else. 409 00:18:28,160 --> 00:18:31,400 Speaker 1: It seems like you are excited doing interviews and you've 410 00:18:31,440 --> 00:18:34,280 Speaker 1: been doing a lot. But what But I love that 411 00:18:34,359 --> 00:18:36,600 Speaker 1: because sometimes people come they know they got to promote. 412 00:18:36,600 --> 00:18:38,440 Speaker 1: You don't even got to promote Shi's been sold out. 413 00:18:38,680 --> 00:18:41,960 Speaker 4: Yeah, but the interviews is good, manute. Remember we're from 414 00:18:41,960 --> 00:18:45,440 Speaker 4: the old school interviews is. I love interviews. I love 415 00:18:45,520 --> 00:18:48,199 Speaker 4: chopping it up with the holst and we promote what 416 00:18:48,200 --> 00:18:51,240 Speaker 4: we're promoting the people who the vibe and it's good. 417 00:18:51,560 --> 00:18:53,639 Speaker 1: There's a reason people call you the teacher and that 418 00:18:53,680 --> 00:18:57,840 Speaker 1: they've dubbed you that I could see you like teacher 419 00:18:57,920 --> 00:19:01,679 Speaker 1: for real, like doing classes. And you're always big on 420 00:19:01,720 --> 00:19:04,040 Speaker 1: also helping out up and coming artists because I think 421 00:19:04,080 --> 00:19:06,800 Speaker 1: a lot of the artists who the first time you know, 422 00:19:07,000 --> 00:19:09,199 Speaker 1: they did a big song is with you. 423 00:19:09,600 --> 00:19:12,640 Speaker 4: Yeah, that's true. We have to remember Bounty Lay gave 424 00:19:12,720 --> 00:19:15,639 Speaker 4: me my break in the music industry. And I don't 425 00:19:15,720 --> 00:19:17,080 Speaker 4: know him from nowhere. 426 00:19:17,760 --> 00:19:20,520 Speaker 2: I just so he took a liking to you. 427 00:19:20,200 --> 00:19:23,320 Speaker 4: Exactly, and he took a chance so we do the same. 428 00:19:23,400 --> 00:19:24,480 Speaker 2: He was already huge. 429 00:19:25,040 --> 00:19:26,560 Speaker 4: Yeah, he was the that's. 430 00:19:28,960 --> 00:19:31,760 Speaker 3: The dye anyway. 431 00:19:32,240 --> 00:19:37,560 Speaker 4: Yeah, yeah, man, Bounty is like pool parking. Look into 432 00:19:37,760 --> 00:19:40,960 Speaker 4: one kind of Yeah, yeah, that's the man. 433 00:19:41,240 --> 00:19:43,119 Speaker 3: I remember you said he gave you like ten grand 434 00:19:43,400 --> 00:19:44,200 Speaker 3: at first. 435 00:19:44,280 --> 00:19:47,520 Speaker 4: First ten thousand dollars I ever gotesh Yeah, and he 436 00:19:47,600 --> 00:19:50,240 Speaker 4: gave me to start tak phones. And because I met 437 00:19:50,320 --> 00:19:52,560 Speaker 4: him as a writer, right so I used to write 438 00:19:52,600 --> 00:19:55,399 Speaker 4: joints for him and stuff and yeah, want to get 439 00:19:55,520 --> 00:19:56,400 Speaker 4: is a real g man? 440 00:19:56,600 --> 00:19:57,760 Speaker 3: Did you write for other people too? 441 00:19:58,080 --> 00:20:00,119 Speaker 4: Yeah? I wrote for a lot of people. All the 442 00:20:00,160 --> 00:20:02,240 Speaker 4: girls in my crew, I wrote for them to Gods 443 00:20:02,240 --> 00:20:04,560 Speaker 4: are Slim while they were the she but even do 444 00:20:04,760 --> 00:20:08,720 Speaker 4: you name it? Man? The popcorn the popcorn part of 445 00:20:08,760 --> 00:20:12,159 Speaker 4: the clock song. Yeah, I'm a good writer, is what 446 00:20:12,160 --> 00:20:12,600 Speaker 4: I'm saying. 447 00:20:12,680 --> 00:20:13,679 Speaker 3: That's what we hear it. 448 00:20:13,760 --> 00:20:18,040 Speaker 2: Where's the ol gs that like super Cat and like 449 00:20:19,640 --> 00:20:22,080 Speaker 2: shavo Oh geez. 450 00:20:22,320 --> 00:20:24,960 Speaker 4: I think funny you mentioned that. I think they both 451 00:20:25,040 --> 00:20:27,919 Speaker 4: live in New York? Really yeaheah right TJ. I think 452 00:20:27,960 --> 00:20:32,600 Speaker 4: they both. Yeah, yeah, man, but those are legends, you said, 453 00:20:31,560 --> 00:20:39,280 Speaker 4: the real g Manyeah yeah, super Cat, super you know 454 00:20:39,359 --> 00:20:48,440 Speaker 4: Shallow was for the Lady right watch God? Yeah? Yeah, 455 00:20:48,480 --> 00:20:51,879 Speaker 4: nothing but hits yeah man, one of the first Grammys. Yeah, 456 00:20:51,960 --> 00:20:55,280 Speaker 4: let's not he put on though, like he really put on. 457 00:20:55,440 --> 00:20:58,760 Speaker 4: He did it he was over here doing like big Song. 458 00:21:00,320 --> 00:21:03,440 Speaker 3: And super Cats with the heavy. 459 00:21:05,520 --> 00:21:15,720 Speaker 2: Hot Yeah, that's not for that's the first time that. Yeah, 460 00:21:17,320 --> 00:21:18,520 Speaker 2: you know history right here. 461 00:21:18,880 --> 00:21:21,280 Speaker 4: You know you know, man, trust me. The connection is. 462 00:21:21,280 --> 00:21:23,000 Speaker 3: Real man, and it feels good. 463 00:21:23,040 --> 00:21:25,399 Speaker 1: Also even with you, I feel like you also have 464 00:21:25,480 --> 00:21:27,960 Speaker 1: great relationships with women. And I know people could be 465 00:21:28,000 --> 00:21:32,000 Speaker 1: critical of of dance talk because it is nasty, but 466 00:21:32,000 --> 00:21:32,760 Speaker 1: that's also why. 467 00:21:32,640 --> 00:21:33,240 Speaker 3: We like it. 468 00:21:33,240 --> 00:21:34,840 Speaker 4: It's very sexual man, Yeah. 469 00:21:34,960 --> 00:21:36,639 Speaker 3: And I love that for it. I don't want it 470 00:21:36,640 --> 00:21:37,520 Speaker 3: to be you know. 471 00:21:37,880 --> 00:21:40,200 Speaker 4: Why would I wanted to change? You want something commercials 472 00:21:41,080 --> 00:21:46,960 Speaker 4: afro beats, that's my stupid. You want to get down 473 00:21:47,000 --> 00:21:49,200 Speaker 4: and call me in spice, nigga? 474 00:21:49,440 --> 00:21:49,960 Speaker 2: You know what I mean. 475 00:21:52,920 --> 00:21:53,520 Speaker 3: I love it. 476 00:21:54,520 --> 00:21:56,200 Speaker 1: What do you say to the younger artists because like 477 00:21:56,240 --> 00:21:59,040 Speaker 1: you said, listen that you know the guys that versus 478 00:21:59,040 --> 00:22:02,240 Speaker 1: Gully that was wild time. And so for the younger 479 00:22:02,320 --> 00:22:04,359 Speaker 1: artists now coming up, and if they're like taking shots 480 00:22:04,359 --> 00:22:06,720 Speaker 1: at each other, because I feel like with social media now, 481 00:22:06,760 --> 00:22:10,960 Speaker 1: things do get elevated quickly and the fans definitely play 482 00:22:10,960 --> 00:22:13,640 Speaker 1: a part in that. So from somebody who has come 483 00:22:13,640 --> 00:22:15,600 Speaker 1: from that, But like you said, it's also produced some 484 00:22:15,680 --> 00:22:16,320 Speaker 1: great music. 485 00:22:16,400 --> 00:22:17,480 Speaker 4: Yeah, it does at the time. 486 00:22:17,600 --> 00:22:19,080 Speaker 3: What do you say to the artists. 487 00:22:18,800 --> 00:22:21,680 Speaker 1: Today though, when it comes to going at each other 488 00:22:21,880 --> 00:22:23,200 Speaker 1: having an issue to be there at a beefing. 489 00:22:23,600 --> 00:22:27,480 Speaker 4: I mean I can't speak to that as it relates 490 00:22:27,520 --> 00:22:29,480 Speaker 4: to hip hop, but as it relates a dancea on 491 00:22:29,560 --> 00:22:32,600 Speaker 4: not a lot of beefing is taking place now because 492 00:22:32,640 --> 00:22:34,879 Speaker 4: of social media, because remember back in our time, we 493 00:22:34,960 --> 00:22:37,200 Speaker 4: have to do it physically. I have to run upon 494 00:22:37,240 --> 00:22:39,760 Speaker 4: you on stage, you know what I mean. So now 495 00:22:39,840 --> 00:22:42,880 Speaker 4: I guess, like Drake said, trigger finger turned to Twitter fingers, 496 00:22:43,520 --> 00:22:45,680 Speaker 4: as it relates to Jamaica culture, you know what I mean. 497 00:22:45,800 --> 00:22:49,800 Speaker 4: So yeah, not much clashing taking place in Jamaica. But 498 00:22:49,840 --> 00:22:52,840 Speaker 4: the kids are doing amazing work man, and I like them. 499 00:22:53,200 --> 00:22:54,639 Speaker 4: I like them. 500 00:22:54,960 --> 00:22:55,919 Speaker 3: Line, who do you like? 501 00:22:57,359 --> 00:23:00,080 Speaker 4: I like you? 502 00:23:00,640 --> 00:23:01,399 Speaker 3: Yeah, who do you like? 503 00:23:01,600 --> 00:23:04,720 Speaker 4: Chronic Club? I mean Jamal, He's doing good in Jamaica, 504 00:23:04,920 --> 00:23:11,200 Speaker 4: dun Swan, Pablo, I G. You know my sons as well, Yeah, 505 00:23:11,320 --> 00:23:14,760 Speaker 4: Chronic Class, Skilly Bang, Oh yeah, come on, man. 506 00:23:14,880 --> 00:23:17,560 Speaker 3: You know it's I just have Valiant up here. 507 00:23:17,760 --> 00:23:19,280 Speaker 4: Valiant as well. He's bad. 508 00:23:19,280 --> 00:23:22,520 Speaker 1: The girls love him, yeah, they did love him Room, 509 00:23:22,560 --> 00:23:24,880 Speaker 1: but you know that room but so oh yeah, they listen, 510 00:23:24,960 --> 00:23:27,959 Speaker 1: may not like him because he had a song about polygamy. 511 00:23:28,080 --> 00:23:30,920 Speaker 2: Yeah, it's crazy flaming. 512 00:23:30,640 --> 00:23:35,160 Speaker 4: It again, Polly, Yeah, yeah, friend like, but he's doing 513 00:23:35,200 --> 00:23:37,520 Speaker 4: big things the kids that the kids are on fire man, like, 514 00:23:38,560 --> 00:23:40,320 Speaker 4: just get Maley done too. I saw him. 515 00:23:40,200 --> 00:23:45,280 Speaker 3: Recently Ael for real Yeah, and they were crazy. 516 00:23:45,520 --> 00:23:46,200 Speaker 4: Yeah, he's doing. 517 00:23:46,880 --> 00:23:49,119 Speaker 1: Shout out to my girl Chelsea who always she helps 518 00:23:49,200 --> 00:23:50,880 Speaker 1: get everybody for you day. 519 00:23:50,920 --> 00:23:52,639 Speaker 3: I know she's in Jamaica right now. She wanted to 520 00:23:52,640 --> 00:23:53,000 Speaker 3: be here. 521 00:23:53,359 --> 00:23:54,840 Speaker 4: I don't know Chelsea's Jamaican. 522 00:23:55,440 --> 00:23:59,040 Speaker 1: Yeah, and she's not Chelsea not Jamaican. She's always in Jamaica. 523 00:23:59,280 --> 00:24:01,400 Speaker 1: She's what she's Guyanese. 524 00:24:01,960 --> 00:24:04,600 Speaker 4: Oh oh yeah, we love Guyana. 525 00:24:05,560 --> 00:24:06,800 Speaker 3: She's always in Jamaica though. 526 00:24:06,960 --> 00:24:09,760 Speaker 4: Yeah, and I'm always in Guyana. He really left there. 527 00:24:09,760 --> 00:24:12,359 Speaker 4: We launched the rum, the straight Drum sold out in 528 00:24:12,400 --> 00:24:13,119 Speaker 4: like two days. 529 00:24:13,320 --> 00:24:17,520 Speaker 1: Guyana's got some nice new resorts too, is what I'm hearing. 530 00:24:17,600 --> 00:24:19,760 Speaker 4: Yeah, they're doing they're doing real well man. You know 531 00:24:19,960 --> 00:24:22,520 Speaker 4: since they found the oil the money. 532 00:24:22,320 --> 00:24:23,960 Speaker 3: Oh yeah, they're not playing and. 533 00:24:23,880 --> 00:24:26,440 Speaker 4: Like the investors are pouring in. I was literally there 534 00:24:26,480 --> 00:24:29,840 Speaker 4: the other day. Like they're building new highways, new hotels, 535 00:24:29,960 --> 00:24:32,480 Speaker 4: like they're popping up all over the place. So shout 536 00:24:32,520 --> 00:24:34,880 Speaker 4: out to the Prime Minister. I met him, to the president, 537 00:24:35,800 --> 00:24:38,560 Speaker 4: the PM. We actually went to his house. He cooked 538 00:24:38,560 --> 00:24:40,760 Speaker 4: some food, We had a vibe. Yeah, it's crazy. 539 00:24:40,960 --> 00:24:48,760 Speaker 1: Now, besides Vagina, what did you come home to when throat's. 540 00:24:46,640 --> 00:24:47,800 Speaker 4: My god like? 541 00:24:49,680 --> 00:24:53,080 Speaker 3: And I hope you reciprocated. No, I didn't come on 542 00:24:54,000 --> 00:24:54,679 Speaker 3: this old school. 543 00:24:55,240 --> 00:25:00,800 Speaker 4: I'm forty nine. I'm not acting a our old school. 544 00:25:01,080 --> 00:25:02,440 Speaker 1: I don't want to get him in trouble, I know, 545 00:25:02,600 --> 00:25:05,639 Speaker 1: but I know he's he's done. He's doing it. 546 00:25:07,160 --> 00:25:10,760 Speaker 4: First. Hold on, that's crazy. I don't remember who. 547 00:25:10,720 --> 00:25:12,080 Speaker 3: You had on the show, Champaul. 548 00:25:12,760 --> 00:25:16,440 Speaker 4: No, no, it was a woman answered the question about 549 00:25:16,480 --> 00:25:22,280 Speaker 4: Jamaican man and eating pussy and they all do it. No, no, no, 550 00:25:22,720 --> 00:25:26,960 Speaker 4: they know, but this is the person was like, yeah, 551 00:25:27,000 --> 00:25:29,159 Speaker 4: they do it. And I'm like, oh, that's crazy. We're like, 552 00:25:29,240 --> 00:25:32,080 Speaker 4: did you actually fun three million Jamaican men? 553 00:25:34,080 --> 00:25:34,760 Speaker 2: So you've got to do. 554 00:25:34,720 --> 00:25:36,679 Speaker 4: You have to care for what you say. That's crazy. 555 00:25:37,480 --> 00:25:38,760 Speaker 2: If you do it, you do it. 556 00:25:38,880 --> 00:25:42,320 Speaker 1: You like, it's kind of like ratings. You know, if 557 00:25:42,440 --> 00:25:44,280 Speaker 1: if ten people did it, that means you'll all do it, 558 00:25:44,320 --> 00:25:46,640 Speaker 1: because then it just makes. 559 00:25:46,440 --> 00:25:51,080 Speaker 4: Another dominently that's been a thing like that man they 560 00:25:51,080 --> 00:25:52,679 Speaker 4: said that Jamaican men don't do that and. 561 00:25:52,720 --> 00:25:54,040 Speaker 3: We should down either. 562 00:25:54,560 --> 00:25:55,920 Speaker 4: Who stopping. 563 00:25:58,400 --> 00:25:58,760 Speaker 3: All? 564 00:25:59,800 --> 00:26:05,240 Speaker 4: And I'm than you not down. 565 00:26:07,800 --> 00:26:08,480 Speaker 2: Trying to sell. 566 00:26:09,840 --> 00:26:13,440 Speaker 4: Right, You gotta be careful, I'm very careful, said yeah, 567 00:26:13,840 --> 00:26:14,439 Speaker 4: no comment. 568 00:26:14,720 --> 00:26:17,120 Speaker 3: Yeah someone I heard. 569 00:26:17,560 --> 00:26:19,480 Speaker 1: If you get some of this straight vibe um though, 570 00:26:20,560 --> 00:26:23,719 Speaker 1: then you would like for the I mean, and then 571 00:26:23,760 --> 00:26:26,640 Speaker 1: you can blame it on the run you watch up. 572 00:26:29,240 --> 00:26:33,320 Speaker 4: Sleeping. Yeah, but I mean, it is what it is, 573 00:26:33,320 --> 00:26:35,040 Speaker 4: what it is, what it is. But the culture is 574 00:26:35,040 --> 00:26:39,159 Speaker 4: a culture. It's like hip hop is African American. That 575 00:26:39,200 --> 00:26:42,600 Speaker 4: doesn't mean every single African American listens to hip you 576 00:26:42,600 --> 00:26:44,960 Speaker 4: know what I mean. It's like it's like going to 577 00:26:45,000 --> 00:26:47,520 Speaker 4: the beach. You have a glass, you dip it in 578 00:26:47,600 --> 00:26:49,639 Speaker 4: the water at the beach, right at the beach, and 579 00:26:49,680 --> 00:26:51,680 Speaker 4: you're like, look, I told you there are no sharks 580 00:26:51,680 --> 00:26:57,879 Speaker 4: in the sea. That's that small sample. So no, I can't. 581 00:26:58,080 --> 00:27:01,320 Speaker 4: I'm not gonna say. You have to stick to the culture. Man, Jerma, 582 00:27:01,920 --> 00:27:04,160 Speaker 4: do not eat and we don't cheat. 583 00:27:04,680 --> 00:27:06,360 Speaker 3: Okay, Well now he's definitely lying. 584 00:27:06,440 --> 00:27:08,800 Speaker 4: Yeah yeah, if they. 585 00:27:08,760 --> 00:27:13,840 Speaker 2: Cheated, but not not not me. 586 00:27:14,160 --> 00:27:16,400 Speaker 4: Not. I'm a one burner. You know what the one 587 00:27:16,440 --> 00:27:20,119 Speaker 4: burner is. You know what the one burner is one flame, yes, 588 00:27:20,720 --> 00:27:27,800 Speaker 4: this one flame. But you used to cheat a lot, 589 00:27:28,359 --> 00:27:38,680 Speaker 4: a lot and twice on Sundays. 590 00:27:35,680 --> 00:27:37,479 Speaker 1: And you guys to right end up. You think that 591 00:27:37,600 --> 00:27:39,159 Speaker 1: comes with age. Somebody tell me. 592 00:27:39,160 --> 00:27:43,760 Speaker 4: No, maturity has nothing to do with age, in fact nothing. 593 00:27:44,840 --> 00:27:46,600 Speaker 1: And you kind of you're so busy you can't. You 594 00:27:46,600 --> 00:27:48,840 Speaker 1: don't even have time to really cheat. 595 00:27:49,400 --> 00:27:51,359 Speaker 4: Always time to cheat if you want to cheat, if 596 00:27:51,359 --> 00:27:54,639 Speaker 4: you want you want to. 597 00:27:55,160 --> 00:27:58,480 Speaker 3: What's the words? You got caught cheating? Because I know when. 598 00:27:58,359 --> 00:28:02,240 Speaker 4: I got stopped by my man, she caught me with 599 00:28:02,280 --> 00:28:03,040 Speaker 4: a girl. 600 00:28:02,760 --> 00:28:03,680 Speaker 2: And stabbed you. 601 00:28:03,960 --> 00:28:07,520 Speaker 4: Yeah, because I was trying to like chilling, she stabbed me, 602 00:28:07,520 --> 00:28:10,119 Speaker 4: but I didn't know I got stabbed. Yeah. It was 603 00:28:10,160 --> 00:28:12,560 Speaker 4: my friend who told me that, Sean Salm and it 604 00:28:12,680 --> 00:28:14,880 Speaker 4: was in prison together. That's my bro, and he told 605 00:28:14,920 --> 00:28:17,199 Speaker 4: me I got stabbed. Then I looked down, I saw it. 606 00:28:17,200 --> 00:28:21,160 Speaker 1: That was like, yeah, where were you cheating in your 607 00:28:21,200 --> 00:28:26,199 Speaker 1: house that you shared with her? That's disrespectful. It was 608 00:28:26,240 --> 00:28:29,920 Speaker 1: my house, right, it was my house when you together. 609 00:28:30,200 --> 00:28:32,679 Speaker 4: No, it was my house. I bought it. It was 610 00:28:32,800 --> 00:28:36,600 Speaker 4: my house. But since you wanted to get technical, she 611 00:28:36,760 --> 00:28:39,760 Speaker 4: lived there, yes, all right, so that was messed up. 612 00:28:40,880 --> 00:28:42,080 Speaker 4: But don't. Yeah, I'm messed up. 613 00:28:42,120 --> 00:28:46,680 Speaker 1: Okay, okay, so you got I got stabbed. Did that 614 00:28:46,760 --> 00:28:49,200 Speaker 1: scare you straight? Did you stay with her after she 615 00:28:49,240 --> 00:28:52,440 Speaker 1: stabbed you? Yes, okay, why. 616 00:28:52,320 --> 00:28:55,920 Speaker 4: Would I leave? I love her more when she did, right, 617 00:28:56,120 --> 00:28:58,280 Speaker 4: I did. But she had to come nurse after help 618 00:28:58,320 --> 00:29:00,400 Speaker 4: and then you still, she had to come nurse me 619 00:29:00,480 --> 00:29:00,920 Speaker 4: back to hell. 620 00:29:01,080 --> 00:29:03,160 Speaker 3: I stab you for cheating, and then I nurse you 621 00:29:03,200 --> 00:29:04,360 Speaker 3: back to her, nurse. 622 00:29:04,240 --> 00:29:06,000 Speaker 4: Me back to cheat again. 623 00:29:07,960 --> 00:29:08,720 Speaker 3: Oh my god. 624 00:29:08,840 --> 00:29:12,600 Speaker 4: The toxicity, right, I love Toxicity though one of my 625 00:29:12,640 --> 00:29:15,600 Speaker 4: favorite cities, but toxic city. 626 00:29:16,280 --> 00:29:19,400 Speaker 2: I visited that place so many times I've been. 627 00:29:19,400 --> 00:29:27,960 Speaker 4: That's probably like one of my places vis. 628 00:29:29,440 --> 00:29:32,960 Speaker 3: Have you ever caught a woman cheating on you one time? 629 00:29:33,240 --> 00:29:38,880 Speaker 4: Yes, before my before shorty, I had a girl up. 630 00:29:38,880 --> 00:29:41,440 Speaker 4: Her name was Stania too, Okay, yeah, I called her 631 00:29:41,560 --> 00:29:45,600 Speaker 4: kissing this guy you walked. It's not just not just 632 00:29:45,640 --> 00:29:47,400 Speaker 4: the kids, what I'm saying. 633 00:29:47,680 --> 00:29:50,320 Speaker 2: You gotta watch her. 634 00:29:51,280 --> 00:29:52,480 Speaker 3: He wasn't it nothing, you know. 635 00:29:53,360 --> 00:29:57,400 Speaker 2: Listen, kiss leaves that anyways, Come on to come on, 636 00:29:57,520 --> 00:29:58,040 Speaker 2: stop this. 637 00:29:58,040 --> 00:30:00,640 Speaker 3: Ship, Come on and what you do you mean what 638 00:30:00,720 --> 00:30:01,040 Speaker 3: I did? 639 00:30:01,120 --> 00:30:04,680 Speaker 4: Because I fucked him up? Okay, at the time, I 640 00:30:04,720 --> 00:30:13,160 Speaker 4: was a different person. Yes, that was way back in 641 00:30:13,200 --> 00:30:13,880 Speaker 4: the nineties. 642 00:30:14,000 --> 00:30:15,520 Speaker 3: Yeah, you had a life, boy. 643 00:30:15,640 --> 00:30:18,320 Speaker 4: Let me tell you, I live, man, several lifetimes in 644 00:30:18,440 --> 00:30:20,320 Speaker 4: one human form. Man. 645 00:30:20,360 --> 00:30:22,040 Speaker 1: But this life is about to be the best. And 646 00:30:22,320 --> 00:30:23,840 Speaker 1: I'm happy for you for that. 647 00:30:24,400 --> 00:30:26,600 Speaker 3: You know, coming home, and I want to say, while 648 00:30:26,600 --> 00:30:28,160 Speaker 3: you was locked up, you did a lot more work 649 00:30:28,200 --> 00:30:31,440 Speaker 3: than people who had a lot more success than people 650 00:30:31,440 --> 00:30:32,640 Speaker 3: who were home, which is wild. 651 00:30:32,720 --> 00:30:35,120 Speaker 4: And I so gold from prison. That's so silver from 652 00:30:35,120 --> 00:30:39,160 Speaker 4: prison I got for the Grammys of the prison album. 653 00:30:39,160 --> 00:30:41,160 Speaker 4: That's I put that work in, man. That's why I'm 654 00:30:41,160 --> 00:30:44,960 Speaker 4: not surprised when I'm reaping the rewards and the benefits. Plus, 655 00:30:45,000 --> 00:30:47,000 Speaker 4: I believe in God and I put everything in his 656 00:30:47,120 --> 00:30:50,560 Speaker 4: hands and I work hard, so I deserve it. As 657 00:30:50,560 --> 00:30:52,080 Speaker 4: long as I'm alive, I'm gonna be good. 658 00:30:52,840 --> 00:30:55,520 Speaker 3: Yes, you know I'm dead. You'd be good because the 659 00:30:55,600 --> 00:30:56,080 Speaker 3: kids would be. 660 00:30:56,080 --> 00:30:59,240 Speaker 4: Good, exactly. That's what I'm saying. It's giving Bob Marley and. 661 00:30:59,160 --> 00:31:01,560 Speaker 1: All your kids come together. I saw the video, Like 662 00:31:01,640 --> 00:31:02,960 Speaker 1: your kids get to hang out. 663 00:31:03,000 --> 00:31:05,040 Speaker 4: They all yeah, yeah, yeah. 664 00:31:04,840 --> 00:31:05,760 Speaker 3: They all know each other. 665 00:31:05,880 --> 00:31:09,040 Speaker 1: The moms are still like you. 666 00:31:09,080 --> 00:31:10,600 Speaker 3: Yeah, they are still like you. That's cool. 667 00:31:10,680 --> 00:31:13,760 Speaker 4: They love me. I don't got no problem. 668 00:31:13,480 --> 00:31:14,560 Speaker 3: Are they invited to the wedding. 669 00:31:15,520 --> 00:31:25,440 Speaker 4: Okay around and what they have they say at the 670 00:31:25,440 --> 00:31:27,080 Speaker 4: wedding speak now or. 671 00:31:29,040 --> 00:31:36,200 Speaker 5: Four voices like yeah, yeah. 672 00:31:34,520 --> 00:31:37,000 Speaker 3: All right, well listen, you gotta go because you want 673 00:31:37,000 --> 00:31:38,680 Speaker 3: to Yeah, that's they wrapping you up. 674 00:31:39,120 --> 00:31:42,960 Speaker 1: You want to tes my publishists motion, Yeah you got 675 00:31:44,440 --> 00:31:44,920 Speaker 1: but listen. 676 00:31:45,040 --> 00:31:46,360 Speaker 3: I'm so happy you came to see me. 677 00:31:46,400 --> 00:31:48,720 Speaker 1: I was like, even before you came to New York, 678 00:31:48,760 --> 00:31:50,640 Speaker 1: everybody was like, Vibe is going to come to your show. 679 00:31:50,680 --> 00:31:52,160 Speaker 3: It's is going to come to your show. And I'm like, 680 00:31:52,200 --> 00:31:53,240 Speaker 3: we got to figure this out. 681 00:31:53,760 --> 00:31:55,600 Speaker 4: This show to your questions are different. 682 00:31:55,840 --> 00:31:58,560 Speaker 3: Oh yeah, because yeah you've been doing that business. I 683 00:31:58,600 --> 00:31:58,880 Speaker 3: didn't know. 684 00:31:59,480 --> 00:32:05,400 Speaker 1: Yeah yeah, well now well now we really know each other. 685 00:32:05,480 --> 00:32:07,120 Speaker 1: So next time it's going to be even more intense. 686 00:32:07,360 --> 00:32:11,960 Speaker 1: You're not wait for that. Well, thank you so much, 687 00:32:12,040 --> 00:32:13,840 Speaker 1: Vibes car. This is everything I dreamed it would be. 688 00:32:13,840 --> 00:32:16,080 Speaker 1: So I appreciate you for coming through you are you 689 00:32:16,160 --> 00:32:16,720 Speaker 1: a good time? 690 00:32:17,000 --> 00:32:18,520 Speaker 4: Thank you very much. I'm the Vie. 691 00:32:18,760 --> 00:32:22,560 Speaker 3: You are the Vibes for sure, the Viking. 692 00:32:26,640 --> 00:32:32,680 Speaker 1: Oh my god, all right out