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Speaker 1: What's up its way up at Angela. Yeah, I'm here,

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Speaker 1: Jasmine Brand is here, Yes, but the first time ever,

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Speaker 1: Maya's in the seat. Hellou and listen, Maya's in town

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Speaker 1: because you're actually on the Queens of R and B tour.

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Speaker 2: Yes, So how's that been going so far?

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Speaker 3: It's been amazing. I think we are maybe seventeen or

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Speaker 3: eighteen shows in there, oh wow, and it's gone by

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Speaker 3: so fast. But it's such a treat. You know. Those

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Speaker 3: are all the songs that I grew up on and

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Speaker 3: the songs that raised me, soundtrack to my teen years,

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Speaker 3: and I'm singing along with the audience every night. It's

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Speaker 3: just watching the other ladies.

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Speaker 1: Isn't it so weird that there's kids now that are like,

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Speaker 1: I grew up on your music. Yeah, right, Yeah, It's

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Speaker 1: funny because we're like, I grew up on that, and

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Speaker 1: then there's people who grew up listening to Maya.

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Speaker 3: Right. You know, we actually speak about that during the

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Speaker 3: show talking to the audience. It's just the journey, you know.

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Speaker 3: Some of us are celebrating twenty plus years, thirty plus

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Speaker 3: years on stage, so it's just a blessing.

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Speaker 1: And you signed your first deal at the age of sixteen,

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Speaker 1: So that was I mean, I mean the music industry

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Speaker 1: was so different back then.

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Speaker 3: Too, yeah, than what it is today.

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Speaker 1: And I saw I remember last year you celebrated twenty

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Speaker 1: five years since your first album. That's amazing though, because

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Speaker 1: there's a lot of people who started in this business

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Speaker 1: who have since been like, all right, I'm done, or

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Speaker 1: it may not have the longevity that you've had, but

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Speaker 1: even independently, you were one of the first people to

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Speaker 1: be like, I'm gonna do my own thing.

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Speaker 3: Yeah, it's been a journey. You know.

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Speaker 4: What triggered you going into pendent?

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Speaker 3: Oh, well, it's been twenty six years and I was sixteen,

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Speaker 3: like you mentioned, when I got my first deal offered

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Speaker 3: by an independent label in Washington, DC. And then I

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Speaker 3: signed with Interscope in ninety seven ninety eight around that time,

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Speaker 3: who distributed the first album and transferred to Motown, which

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Speaker 3: was an R and B label because initially Interscope was

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Speaker 3: a rap and rock label. Okay, and yeah, that's probably

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Speaker 3: one of the very first R and B test dummies

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Speaker 3: to see if they could have an Yeah, and so

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Speaker 3: it was a great run. I stayed within the Universal

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Speaker 3: Music System and Umbrella and I just transferred to Motown,

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Speaker 3: who was specifically R and B and uh. We worked

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Speaker 3: on my fourth studio album. It was like an accidental release,

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Speaker 3: you know, really states change, there are different territories in

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Speaker 3: the world that sometimes don't get the memo, and so

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Speaker 3: it leaked in Japan and they loved it, and I

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Speaker 3: got offered a deal independently. I left, of course, Motown

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Speaker 3: after that situation. But no bad blood things happened. It

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Speaker 3: was circumstantial, and I just decided to say, hey, okay,

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Speaker 3: well what's independence. Let me try this out and see

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Speaker 3: what it's all about. And so I learned immediately along

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Speaker 3: the way. You know, executive production happened, casting my own producers, assembling,

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Speaker 3: and album funding of course, and what that looks like. Yeah,

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Speaker 3: the legal aspect.

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Speaker 4: Yeah, so it was you were doing when it wasn't cool,

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Speaker 4: being independent, when it wasn't you know.

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Speaker 3: It was different. It was unheard of.

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Speaker 1: Honestly, you know, I think that also back then it

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Speaker 1: was a lot harder because it wasn't like we had

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Speaker 1: social media to directly go to people. It wasn't all

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Speaker 1: these different outlets. Also, for it wasn't set up to

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Speaker 1: be independent. It was like, who's going to work the record,

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Speaker 1: and who's gonna send you to do the radio, who's

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Speaker 1: going to pay for the marketing budget because sometimes it

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Speaker 1: is hard to have to fund things yourself too when

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Speaker 1: you see that money. But at the end of the day,

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Speaker 1: you're always funny things yourself. You just don't know it.

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Speaker 3: Yeah, absolutely, But being independent, the pro of that is

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Speaker 3: that you see everything coming in and going out. But

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Speaker 3: you also dictate what your budget is, you know, and

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Speaker 3: you can make some life decisions and professional decisions simultaneously

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Speaker 3: and say, well, is this song more important than my

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Speaker 3: family or you know, radio is very expensive, and you're

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Speaker 3: also learning as you go as to how much things

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Speaker 3: really cost because you don't really see a budge break

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Speaker 3: down when you're sort of going through the most.

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Speaker 2: You can't tell you anything to.

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Speaker 3: A major label artist. You don't see every nickel.

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Speaker 1: Oh we went out to dinner, so that came out

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Speaker 1: of your budget. And there's meetings that happened that you're

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Speaker 1: not even at.

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Speaker 3: Yeah, yeah there, yeah, So you have to call those

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Speaker 3: shots and make some decisions as far as how fancy

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Speaker 3: you want to go, as far as the hotels and

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Speaker 3: the flights and all kinds of things are you taking dancers,

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Speaker 3: are you taking a fleet of people on the road.

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Speaker 3: Are you keeping overhead to a minimum? So that's where

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Speaker 3: the entrepreneur and the business woman comes in constantly.

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Speaker 1: I've heard artists talk about that how they have to

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Speaker 1: I've heard artists go on tour and say they came

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Speaker 1: back with no money and.

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Speaker 3: You would think possible. Yeah, sure they.

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Speaker 2: Raked it up.

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Speaker 1: But if you care enough about your show and you

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Speaker 1: want to make sure you have dancers, and you want

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Speaker 1: to make sure your stage is set up properly and

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Speaker 1: all of that, it costs a lot of money.

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Speaker 3: I could tell you this. The independent journey teaches you

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Speaker 3: how to be everybody simultaneously like my backup. At the

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Speaker 3: same time, it teaches you to go grond mind in

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Speaker 3: ways that yeah, people may talk really bad about you initially,

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Speaker 3: but it also teaches you to improv and figure it

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Speaker 3: out as you go without a lot of things, the funding,

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Speaker 3: the budget, the hair and makeup. Sometimes you got to

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Speaker 3: be that too, the travel agent, everything, sewing stylist. You

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Speaker 3: have to learn how to do that and fall on

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Speaker 3: yourself because there's not always going to be somebody available

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Speaker 3: or within your budget constraints.

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Speaker 1: And I think It's a good skill to have to

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Speaker 1: because there's been times you go on the road and

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Speaker 1: if somebody if you don't like your makeup, what are.

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Speaker 3: You going to do? What are you supposed to do? Yeah?

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Speaker 1: Thanks, Now you came in here with this Prince T shirt.

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Speaker 1: I told you I had that same T shirt. And

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Speaker 1: Prince was also very big in your life. And he

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Speaker 1: was also a person who who talked about record labels

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Speaker 1: and being independent quite a bit too.

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Speaker 2: So what are some things you learned from Prince?

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Speaker 3: Well, he's a phenomenal talent, first of all, and he

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Speaker 3: really really cared about his artistry, and I think coming

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Speaker 3: from that very sensitive place of protection and something that

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Speaker 3: he loves but also is his God given gift, he

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Speaker 3: wanted to protect that for the next generation, for those

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Speaker 3: that he obviously believed in could have longevity or cared

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Speaker 3: about their craft, and to make sure that at least

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Speaker 3: in some way, shape or form, they maintained spiritual independence,

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Speaker 3: financial independence, a mindset to always move forward in independence,

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Speaker 3: even if you are partnered with a major label, because

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Speaker 3: a lot of times you do have to do things

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Speaker 3: in order for them to catch up or jump on

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Speaker 3: the pan wagon, etc. But to protect your art is

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Speaker 3: to also protect your mind, your sanity, because a lot

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Speaker 3: of us breathe music. We cannot exist or function without

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Speaker 3: music in our lives every day, or utilizing a gift.

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Speaker 3: There's also all kinds of business models that he played with,

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Speaker 3: as far as incorporating the CD to count for a sale,

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Speaker 3: that you see code inside of his concert tickets, working

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Speaker 3: in tandem with AEG and Live Nation, and not necessarily

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Speaker 3: sticking to the structure and the older structure that a

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Speaker 3: lot of us were used to coming from the major

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Speaker 3: label system. And obviously the world is always changing, so

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Speaker 3: he was ahead of his time and his vision. But

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Speaker 3: I think it was more protection and care. And he'd

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Speaker 3: been fighting since he was probably in his teens, eighteen nineteen,

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Speaker 3: even twenties, till the time he ascended for ownership of

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Speaker 3: his masters, and he regained some many of them. I

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Speaker 3: don't think he regained Purple Rain, but he thought it

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Speaker 3: was very important because he pretty much did everything.

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Speaker 2: You see his estate.

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Speaker 1: Now they're having this whole thing with his documentary that's

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Speaker 1: supposed to come out. It was like a six part series.

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Speaker 1: I want to see it so bad, but I understand

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Speaker 1: I wanted to make sure that it's done properly, because

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Speaker 1: they said there were some issues, you know, within that,

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Speaker 1: and it's hard, you know how much he controlled everything

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Speaker 1: that he had going on, and he's not here to say,

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Speaker 1: you know, this is true, this is not true.

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Speaker 3: What's your favorite, Prince saw Oh, that's very very hard.

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Speaker 3: I have to break it, break it down in categories,

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Speaker 3: you know. You know, probably the favorite slow jam would

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Speaker 3: be insatiable, actually insatiable when I'm riding in my car,

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Speaker 3: you know, on a road trip. It might be controversy. Okay,

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Speaker 3: there's there's a lot of you don't have one of all,

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Speaker 3: like just no, there's too much of a catalogue.

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Speaker 1: A lot of different yeah, and even songs that he

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Speaker 1: wrote for other people. People don't even understand.

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Speaker 3: The Crystal Ball album is amazing. There's just so many

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Speaker 3: non singles as well, and untapped territory that many of

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Speaker 3: us haven't even heard. Gems that are my favorites as well.

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Speaker 3: But it's very hard to choose, Like Prince.

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Speaker 1: My favorite prints on I love that song so much yours,

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Speaker 1: you know, and even the movie Purple Rain that is

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Speaker 1: like an iconic thing that I feel like no one's

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Speaker 1: ever can recreate the impact of a Purple Rain to

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Speaker 1: this day and the soundtrack that went along with it.

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Speaker 1: But I seem like we all are prince all right now.

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Speaker 1: Since this is your first time here, we definitely got

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Speaker 1: to get into some Maya history, you know, because we

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Speaker 1: haven't had you on the show before. So talk to

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Speaker 1: me about a young Maya signing her first deal. Because

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Speaker 1: I know you did go to college for a hot

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Speaker 1: stint and your father was also a singer, right, So

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Speaker 1: how did they feel about you saying this is what

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Speaker 1: I want to pursue full time.

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Speaker 3: Well, my dad, it's still doing his thing, Like music

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Speaker 3: runs through his veins and something that he has to

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Speaker 3: do constantly, so he's always gigging old school term and

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Speaker 3: runs his own business as well. And I watched him

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Speaker 3: a lot growing up, whether it's in the studio recording

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Speaker 3: or preparing for a live show. His band would always

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Speaker 3: be over the house, in the garage or the living room.

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Speaker 3: Neighbors complaining all the time, but music is in our veins.

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Speaker 3: So yeah, both of my parents were my managers at

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Speaker 3: the time. Prior to that, you know, I was involved

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Speaker 3: in the arts a lot and in school throughout my

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Speaker 3: entire grade years. You played the violin, Yeah, gospel choir, violin,

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Speaker 3: you know, all kinds of arts.

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Speaker 4: What kind of band I've lived in DC like twenty

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Speaker 4: plus years?

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Speaker 2: Oh really?

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Speaker 4: Yeah?

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Speaker 3: What kind of Was it a go go band that

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Speaker 3: he was in or was it just soul or what

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Speaker 3: was it? It was in everything band mostly so funk,

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Speaker 3: R and B and then of course they did you know,

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Speaker 3: corporate gigs as well, in Top forty as well, covers,

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Speaker 3: but everything and anything with my dad. But I was

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Speaker 3: exposed to the arts very very early on in my childhood.

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Speaker 3: And I was initially a tap dancer, hope for so you.

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Speaker 2: Say all of it.

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Speaker 3: I came to New y when I was about ten

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Speaker 3: with my mom tap dance in the Macy's Day Parade.

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Speaker 3: Oh yeah, she really was, and major reds, all kinds

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Speaker 3: of stuff. I saw Jelly's Last Jem starring Gregory Hines

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Speaker 3: when I was ten years old. It changed my life,

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Speaker 3: and I thought Broadway would be something that I would

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Speaker 3: pursue after studying of course theater in college, etc. But

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Speaker 3: things happened, and actually three tap dance one of my

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Speaker 3: friends shout out to Baccari Wilder with my first dance partner,

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Speaker 3: we would all you know, kind of be freestyle and

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Speaker 3: just doing things on our breaks lunch breaks, and he

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Speaker 3: encourage me to sing because I would sing. And so

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Speaker 3: it was my peers through the arts that encouraged me

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Speaker 3: to say, oh, you should really take this seriously and

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Speaker 3: record as your dad if you can go to a

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Speaker 3: studio or something like that. So I did, and you know,

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Speaker 3: being a dad and the entertainment business that's lasting, he

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Speaker 3: would probably want for his daughter. But they were very

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Speaker 3: supportive parents, both of my parents, and I thought, hey,

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Speaker 3: she has the experience, the discipline through the arts, well,

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Speaker 3: we'll do what we can to invest in recording demos, etc.

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Speaker 3: And it was very basement musician friend of my dad's

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Speaker 3: basement just to start, and then it eventually my parents

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Speaker 3: put together like fifteen hundred dollars, which was a lot

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Speaker 3: of money back then to record my very first professional

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Speaker 3: demo and Hockey Islam from University Music Entertainment. And while

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Speaker 3: I was in high school, he was an independent label

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Speaker 3: that had pure soul girl gospel group Drew Hill at

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Speaker 3: the time from Baltimore, Okay. And he was actually looking

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Speaker 3: for a young female artist that he could sign, and

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Speaker 3: I was local to Washington, DC, Maryland, PG County area.

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Speaker 3: My dad always had his had my demo tape, my

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Speaker 3: bio and all of that. Eight by ten.

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Speaker 1: It was right and recorded on another double tape recording.

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Speaker 3: Okay, yeah, And he heard it and he said, well,

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Speaker 3: I want to check her out and see if she

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Speaker 3: can sing live. So he came to my house after

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Speaker 3: school one day. I came downstairs. I wasn't prepared, but

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Speaker 3: I sang a couple songs acapella for him, and he

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Speaker 3: offered me an independent deal, and I spent about two

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Speaker 3: years recording from ninety six to ninety seven, and released

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Speaker 3: my very first album in ninety eight.

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Speaker 2: Wow.

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Speaker 1: Yeah, see, And that's kind of what you call artist

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Speaker 1: development because it wasn't like you just put out a

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Speaker 1: song right away. Because now it's like sometimes things go

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Speaker 1: viral and artists aren't ready for that.

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Speaker 3: I mean, as a teenager, how ready can you be

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Speaker 3: unless that's your full time everything with tutoring, et cetera.

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Speaker 3: But I've learned a lot along the way. You know,

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Speaker 3: you do what you can when the opportunity knocks. You

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Speaker 3: might not be one hundred percent, but you go for it,

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Speaker 3: you know. And I think, of course, twenty six years

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Speaker 3: later and I better have of course improved right in

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Speaker 3: every aspect of my life, career, womanhood, and rightfully so.

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Speaker 3: So it's a blessing. I read and I don't know

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Speaker 3: how to do this is I read that you you know,

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Speaker 3: when you were growing up in DC, there are some

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Speaker 3: points where you were bullied. Of course, I mean kids

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Speaker 3: are mean as hey, well, everybody goes through it.

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Speaker 4: Ye know what was that experience like for you? When

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Speaker 4: did that make you shy? More shy than to make

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Speaker 4: you stronger?

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Speaker 3: It made me everything. It made me very much an

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Speaker 3: introvert but also an extrovert in places that I felt

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Speaker 3: material things were not the focus, aesthetics were not the focus,

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Speaker 3: but maybe a common denominator, a common goal. The arts

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Speaker 3: is where I felt safe say it saves lives because

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Speaker 3: everyone is focused on something together versus what you're wearing,

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Speaker 3: what you don't have, how you look. I mean, teenagers

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Speaker 3: we go through so many different phases, hormonally, clicks, validation, acceptance,

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Speaker 3: body changes, a lot of things. And of course we

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Speaker 3: live in a society that's very materialistic, and school can

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Speaker 3: be very very much a task just to get through,

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Speaker 3: to try to not even fit in, but just get

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Speaker 3: through the day. By fitting in so that you're not

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Speaker 3: a focal point and you're just blended and stay out

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Speaker 3: of the way. Because it's still like that in many

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Speaker 3: different places. I was one of those kids that prayed

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Speaker 3: for uniforms, you know what I'm saying. It was a task,

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Speaker 3: like an hour trying to decide what I was going

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Speaker 3: to wear the night before so I would not get teased.

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Speaker 3: And that's not even my personality to even focus on

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Speaker 3: outfits and being a part of a clique. But it's

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Speaker 3: just to get by. So I understand, even with social media,

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Speaker 3: I don't understand what these kids today have to go through.

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Speaker 3: Oh yeah, they are connected globally, globally, and.

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Speaker 1: At any moment, something can make you go viral that

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Speaker 1: you did not anticipate.

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Speaker 3: Yeah, I mean even as an adult, that's true. You

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Speaker 3: say the wrong thing or say a sound bite and

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Speaker 3: then it gets clipped, etcetera. So it's a lot of

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Speaker 3: filtering and you can never be safe. You just like lunches.

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Speaker 1: I like that you were able to share that though,

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Speaker 1: because that will help people, because people might look at

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Speaker 1: you Maya and be like, there's no way she's always

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Speaker 1: been flying lit.

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Speaker 2: But being able to say.

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Speaker 1: That it's something for kids who are coming up and

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Speaker 1: maybe going through it, or some for bullies to understand

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Speaker 1: you might be bullying the next maya.

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Speaker 2: Maybe you need to sit down and chill out.

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Speaker 1: But it is an important discussion to have because sometimes

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Speaker 1: I think people see us as adults and think we

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Speaker 1: always had confidence and always had it like that.

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Speaker 3: I had anxiety getting ready for this interview today. I'm like,

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Speaker 3: oh my gosh, this curl is not curling over here,

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Speaker 3: like what's going on? It's raining outside earlier, it's going

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Speaker 3: to be on camera.

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Speaker 4: I mean, so it's a lifelong thing.

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Speaker 3: Well, when you're dealing with opinions, and of course the

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Speaker 3: world is full of them, and we're all now connected globally,

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Speaker 3: not even regionally in your little community or your block,

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Speaker 3: it's globally. Everyone has an opinion and you're never safe,

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Speaker 3: and you have to understand that not every day is

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Speaker 3: going to be perfect. And I think we can all

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Speaker 3: learn from perfectionism. No one's perfect, but we are perfectly

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Speaker 3: made and no one's your maker. And so I think

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Speaker 3: that's where spirituality is key, and owning every part of

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Speaker 3: yourself and understanding there's going to be some bad days.

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Speaker 3: Horrific moments and rolling with the punches and also learning

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Speaker 3: how to laugh and not taking everything so seriously but

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Speaker 3: with a grain of salt. And that's where foundation comes in.

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Speaker 3: And it takes time.

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Speaker 1: And knowing that things go away pretty fast. Like sometimes

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Speaker 1: things are a big deal to us, but the rest

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Speaker 1: of the world is like, it's not that big a deal.

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Speaker 1: But even though to us it is, it's okay to

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Speaker 1: have that moment, but then you have to be like,

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Speaker 1: all right, something else is going to happen. And this

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Speaker 1: was slide right over. Now, So you did go to

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Speaker 1: college for a semester. What were you going to go

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Speaker 1: to college for?

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Speaker 3: Well, I actually didn't know at the time. I just

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Speaker 3: enrolled for speech communications. That's not something that was my passion.

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Speaker 3: I was taking dance as well, but I didn't know.

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Speaker 3: Nothing actually called me that I was solid in making

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Speaker 3: a decision on. So it was just going through the motions.

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Speaker 1: Yeah, you felt like you're supposed to do this is

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Speaker 1: what you do, you graduate, go to college.

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Speaker 3: Yeah, but it was not where my heart was now

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Speaker 3: living life. Of course, I would totally study psychology, you know,

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Speaker 3: and maybe holistic healing. Being through the journey I've been on,

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Speaker 3: so I have a lot more clarity just with life experience.

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Speaker 3: As far as studies are concerned, it doesn't necessarily have

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Speaker 3: to be college either, might be independent education. So yeah,

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Speaker 3: there's a lot of pressure to conform to societal standards,

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Speaker 3: and I think it's very important. Education is key everywhere,

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Speaker 3: but it doesn't necessarily mean the traditional way. Sometimes a

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Speaker 3: year off just traveling or experiencing life can give clarity

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Speaker 3: versus wasting four years or eight years.

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Speaker 1: I'm a forever student, I always say, because you know,

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Speaker 1: I'm quick to take a class on something. I don't

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Speaker 1: have to necessarily go to traditional school, but I will

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Speaker 1: be like, oh maybe I should get license in this

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Speaker 1: or nutrition is something I've always been interested into. That's

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Speaker 1: why people talk about your journey with becoming a vegan

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Speaker 1: a lot, because they attribute that also to how good

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Speaker 1: you look, just as far as like healthy, youthful, that

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Speaker 1: looks like okay, she's eating her fruits and vegetables.

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Speaker 4: The skin is skinning.

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Speaker 1: The skin is skinning for sure, you know, And so

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Speaker 1: talk about that journey with veganism and even I think

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Speaker 1: clarity in your mind too.

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Speaker 3: Well. It all started with my independent journey. I started

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Speaker 3: creating these challenges of discipline to sharpen my mind and

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Speaker 3: my spirit taking away something that I absolutely really loved

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Speaker 3: or felt like I was addicted to because it was

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Speaker 3: a psychological thing that I felt like I had to

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Speaker 3: build for myself and also learn how to trust myself

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Speaker 3: in moments that something might have been taken away from

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Speaker 3: me again. And so it was really something that I

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Speaker 3: made an effort to do every single year, and it

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Speaker 3: led me to vegetarianism, which also led me to veganism

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Speaker 3: and taking it a step further in learning what that was,

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Speaker 3: but also the different tears. Oh, there's a lot of

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Speaker 3: process food doesn't mean healthy?

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Speaker 4: What does that mean?

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Speaker 2: You know?

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Speaker 3: And just learning how to do better and also identify

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Speaker 3: where I'm slipping, you know, and how I need to

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Speaker 3: do better and so I can show up better for others.

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Speaker 3: It starts with me. It's always a challenge, especially on

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Speaker 3: the road with processed food, traveling processed food. There's a

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Speaker 3: lot of restaurants out here nowadays and make it so

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Speaker 3: easy to go vegan, but I make it a point

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Speaker 3: to try to stay more clean at least a balance

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Speaker 3: so I have my fruits and my smoothies and my

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Speaker 3: juices and my tonics in the morning and do aurble

403
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Speaker 3: cleanses and detoxes because it's necessary. Because I love to

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Speaker 3: eat and I love to cook, and I love to

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Speaker 3: pick out too. Because it's just so much great food.

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Speaker 4: Vegan food. What do you take?

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Speaker 3: Yesterday I had vegan and jerk chicken salad and a

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Speaker 3: Nashville Hot vegan chicken wrap. I'm like, it's so much

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Speaker 3: in New York City too.

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Speaker 2: I can't get into fake cheese, that's the one.

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Speaker 4: Don't mind it.

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Speaker 2: I don't really like fake cheese. It's hard to find

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Speaker 2: a good one.

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Speaker 1: Like fake cheese to me sometimes can be very cardboardy tasting.

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Speaker 1: I feel like I could do vegetarian, but I need

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Speaker 1: some real cheese. I can't do vegan because of that.

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Speaker 2: I don't know.

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Speaker 3: There are actually brands within like the last five to

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Speaker 3: ten years that have tremendously improved and it tastes like,

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Speaker 3: you know, the real thing, but much much better and

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Speaker 3: easier to go vegan now.

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Speaker 1: Yeah, it is easier because I feel like playing you

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Speaker 1: go places. Yeah, you do have to make sure. It

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Speaker 1: takes a lot of discipline. And you talk about discipline,

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Speaker 1: What were some of the other things that you said,

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Speaker 1: I'm giving this up, like when you were disciplining yourself.

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Speaker 3: Celibacy wine, any kind of alcohol you can just skip.

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Speaker 2: Over celebrating celibacy wine.

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Speaker 3: Yeah, I mean there's a lot of social drinking. There's

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Speaker 3: a lot of free bottles in your section, you know,

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Speaker 3: when you're doing club dates and all kinds of stuff.

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Speaker 3: It's just always around you. Not that I had any addiction.

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Speaker 3: I never did, but I do love wine, and so

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Speaker 3: I just gave it up for a year just because

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Speaker 3: it is right. I can do without it. Why not

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Speaker 3: start with that? And actually that's the first thing that

437
00:22:57,359 --> 00:22:59,960
Speaker 3: I started with, is no wine?

438
00:23:00,119 --> 00:23:01,760
Speaker 4: Yeah, how about now do you drink?

439
00:23:02,119 --> 00:23:03,880
Speaker 3: Yeah? I actually have a wine on my own. It's

440
00:23:03,960 --> 00:23:07,880
Speaker 3: vegan organic Naji and brought it. It takes to order

441
00:23:08,040 --> 00:23:11,560
Speaker 3: that we should order, but yeah, I'll send you guys

442
00:23:11,600 --> 00:23:12,000
Speaker 3: a bottle.

443
00:23:13,160 --> 00:23:14,280
Speaker 2: We're gonna have order.

444
00:23:14,720 --> 00:23:16,399
Speaker 4: What support? What about this celibacy thing?

445
00:23:16,640 --> 00:23:19,960
Speaker 3: Yeah? What was the longest you went? Oh? Seven years?

446
00:23:20,280 --> 00:23:20,960
Speaker 2: Seven years?

447
00:23:21,480 --> 00:23:24,440
Speaker 3: Seven like a divine and then did you?

448
00:23:24,600 --> 00:23:28,440
Speaker 4: Then you seven is a long that's a good.

449
00:23:28,720 --> 00:23:30,560
Speaker 2: That's a good. Now what did that do for you? Though? Like,

450
00:23:30,680 --> 00:23:33,040
Speaker 2: when you think about your celibacy, did it clear? Like,

451
00:23:33,160 --> 00:23:35,359
Speaker 2: what did it do for you. What did you notice?

452
00:23:35,920 --> 00:23:41,360
Speaker 3: Mental clarity, I'm just doing without. It shifted my mindset.

453
00:23:41,480 --> 00:23:44,320
Speaker 3: It was no longer a focus the rush to be

454
00:23:45,080 --> 00:23:47,640
Speaker 3: in a relationship, the rush to be married, the rush

455
00:23:47,720 --> 00:23:51,639
Speaker 3: to be in something, because that's what you're taught to do,

456
00:23:51,840 --> 00:23:54,880
Speaker 3: to have kids or pro create, and I think there's

457
00:23:54,880 --> 00:23:56,720
Speaker 3: a lot of pressure on women to be able to

458
00:23:56,800 --> 00:24:00,080
Speaker 3: do that and also feeling valid. You know why we

459
00:24:00,160 --> 00:24:02,959
Speaker 3: taught that we have to be taken or made an

460
00:24:03,359 --> 00:24:06,600
Speaker 3: honest woman in my liar. You know, there's a lot

461
00:24:06,640 --> 00:24:12,440
Speaker 3: of things is beautiful with that. You know, love is beautiful,

462
00:24:12,760 --> 00:24:15,200
Speaker 3: and I think the world always needs more of it.

463
00:24:15,800 --> 00:24:19,000
Speaker 3: But I think you must start with yourself. And I

464
00:24:19,200 --> 00:24:24,240
Speaker 3: have to start with self always versus expecting from other sources.

465
00:24:24,720 --> 00:24:27,560
Speaker 3: So it was just reconditioning, and I think it's something

466
00:24:27,600 --> 00:24:32,800
Speaker 3: that was necessary because it's a very spiritual thing and

467
00:24:32,920 --> 00:24:35,720
Speaker 3: you must be very selective if you want better results.

468
00:24:36,080 --> 00:24:40,000
Speaker 3: And so I think that's self accountability. And it started

469
00:24:40,040 --> 00:24:43,400
Speaker 3: with me by just shutting that part of my life off.

470
00:24:43,760 --> 00:24:47,119
Speaker 2: Yeah, it feels like that sounds worth it that you

471
00:24:47,320 --> 00:24:51,360
Speaker 2: have my landski, Oh my god.

472
00:24:51,640 --> 00:24:54,440
Speaker 1: Yeah, But you talk about that and people having things

473
00:24:54,520 --> 00:24:56,840
Speaker 1: to say, because that is tough too, like a lot

474
00:24:56,880 --> 00:24:59,080
Speaker 1: of people went away, and why she ain't wiped up,

475
00:24:59,119 --> 00:25:01,200
Speaker 1: why she ain't got this, why she ain't got that.

476
00:25:01,800 --> 00:25:04,680
Speaker 1: And people also don't know your life because to be clear,

477
00:25:04,800 --> 00:25:06,840
Speaker 1: Maya don't be putting her business out there like that.

478
00:25:07,119 --> 00:25:10,879
Speaker 3: Yeah, well there's a reason for that, because, yeah, you

479
00:25:11,280 --> 00:25:15,320
Speaker 3: grow up semi sex symbol. There's a lot of things

480
00:25:15,400 --> 00:25:19,520
Speaker 3: that are said about you, and you ingest all of that,

481
00:25:19,720 --> 00:25:22,119
Speaker 3: you process or try to process all of that at

482
00:25:22,160 --> 00:25:25,800
Speaker 3: an early age, and then the esthetic that you may

483
00:25:25,880 --> 00:25:29,680
Speaker 3: come with is totally opposite of who you actually really are,

484
00:25:30,480 --> 00:25:33,040
Speaker 3: and it intersects in your life while you're trying to

485
00:25:33,160 --> 00:25:36,680
Speaker 3: date or maybe taking photos with other celebrities, and so

486
00:25:37,560 --> 00:25:40,280
Speaker 3: it can get very tricky. But I think a lot

487
00:25:40,320 --> 00:25:42,840
Speaker 3: of things that are sacred should just remain private for

488
00:25:43,000 --> 00:25:48,680
Speaker 3: me until of course solid I'm ready and the foundation

489
00:25:49,160 --> 00:25:52,080
Speaker 3: of us is together, and even then it's a risk.

490
00:25:52,480 --> 00:25:54,040
Speaker 3: So I don't really play with that part of my

491
00:25:54,119 --> 00:25:54,880
Speaker 3: life publicly.

492
00:25:55,000 --> 00:25:57,159
Speaker 4: I can't imagine you come out publicly with anyone. I

493
00:25:57,240 --> 00:25:58,800
Speaker 4: can imagine it. I'll be like, what.

494
00:26:00,280 --> 00:26:01,720
Speaker 2: Just because I've never.

495
00:26:03,359 --> 00:26:05,040
Speaker 4: Like that, but we've never heard.

496
00:26:05,200 --> 00:26:07,320
Speaker 2: But I'm not mad at it, But I'm not mad

497
00:26:07,400 --> 00:26:08,040
Speaker 2: at that at all.

498
00:26:08,280 --> 00:26:11,880
Speaker 3: I just have to be ready, you know, and Sody

499
00:26:12,200 --> 00:26:13,359
Speaker 3: and he got to be ready, and.

500
00:26:13,400 --> 00:26:15,080
Speaker 2: That's a lot of pressure for guys.

501
00:26:15,560 --> 00:26:21,040
Speaker 3: I'll be like, what, Yeah, it's very weird, you know.

502
00:26:21,200 --> 00:26:22,720
Speaker 1: And so let me ask you this. And when you

503
00:26:22,800 --> 00:26:24,800
Speaker 1: first put out it's all about me and that sound.

504
00:26:24,840 --> 00:26:27,480
Speaker 1: That was a huge smash song for you. What was

505
00:26:27,560 --> 00:26:29,240
Speaker 1: your mentality like at that time?

506
00:26:29,800 --> 00:26:34,080
Speaker 3: Oh, my mentality was well, there were so many different mentalities.

507
00:26:35,600 --> 00:26:40,399
Speaker 3: This was my first shot, first introduction to the world. Cisco,

508
00:26:40,680 --> 00:26:43,800
Speaker 3: Drew Hill, they were all my labor label mates. They

509
00:26:43,840 --> 00:26:47,800
Speaker 3: were very instrumental and the Push. I was also a

510
00:26:47,880 --> 00:26:51,040
Speaker 3: test dummy at the time and right Innerscope like the

511
00:26:51,160 --> 00:26:53,040
Speaker 3: first R and B artist.

512
00:26:53,320 --> 00:26:54,359
Speaker 2: It worked, It.

513
00:26:55,840 --> 00:26:59,359
Speaker 3: Worked, and you know, nothing is guaranteed in this life.

514
00:26:59,440 --> 00:27:02,320
Speaker 3: So it was just a one day at a time

515
00:27:03,160 --> 00:27:07,080
Speaker 3: process or mentality for me. Let's just take it one

516
00:27:07,160 --> 00:27:09,040
Speaker 3: day at a time. I know that I have the discipline.

517
00:27:09,480 --> 00:27:11,560
Speaker 3: I know that I believe in me. I hope they

518
00:27:11,640 --> 00:27:14,199
Speaker 3: believe in me. Let's keep all emotions to a minimum

519
00:27:15,359 --> 00:27:18,359
Speaker 3: and learn as you go and then apply everything that

520
00:27:18,440 --> 00:27:22,480
Speaker 3: you did with all of your masters, your teachers, the

521
00:27:22,600 --> 00:27:25,000
Speaker 3: ones that made you get it right, get it right,

522
00:27:25,200 --> 00:27:28,280
Speaker 3: no shortcuts, And there were a lot of horrific moments. Uh,

523
00:27:28,760 --> 00:27:30,760
Speaker 3: you don't know how to conduct a sound check, you

524
00:27:30,840 --> 00:27:34,040
Speaker 3: don't know what radio drops are. You're learning as you go,

525
00:27:34,840 --> 00:27:37,680
Speaker 3: and so you're very vulnerable and life just teaches you

526
00:27:37,800 --> 00:27:39,520
Speaker 3: as you go. You're gonna fall in your face a

527
00:27:39,640 --> 00:27:43,119
Speaker 3: lot of times, and that's what I did. But they

528
00:27:43,160 --> 00:27:44,119
Speaker 3: were my best lessons.

529
00:27:44,440 --> 00:27:46,840
Speaker 1: You know, it's interesting you talk about being like the test,

530
00:27:46,880 --> 00:27:49,040
Speaker 1: I mean, because you did have a lot of hip

531
00:27:49,080 --> 00:27:52,560
Speaker 1: hop collapse. Yeah, I did, and so so that was

532
00:27:52,760 --> 00:27:54,200
Speaker 1: was that the label like we're gonna put self the

533
00:27:54,200 --> 00:27:56,960
Speaker 1: shaker on this, We're gonna put jay.

534
00:27:56,880 --> 00:27:58,640
Speaker 2: Z, you and jay Z. I mean, they were good.

535
00:27:58,800 --> 00:28:00,280
Speaker 4: They were all bangers to say so.

536
00:28:01,359 --> 00:28:05,800
Speaker 3: There was a magical era nineties where R and B

537
00:28:06,440 --> 00:28:10,359
Speaker 3: and hip hop became fused together. Mary J. Blige was

538
00:28:10,440 --> 00:28:15,000
Speaker 3: one of the first to do it. Yeah, that whole movement,

539
00:28:15,720 --> 00:28:18,600
Speaker 3: and I was very lucky to be a part of that.

540
00:28:18,800 --> 00:28:22,399
Speaker 3: On the end of course, ninety seven ninety eight, and

541
00:28:22,480 --> 00:28:24,320
Speaker 3: it was just a part of the culture. You know,

542
00:28:25,080 --> 00:28:27,280
Speaker 3: happy fifty one years to hip hop, by the way,

543
00:28:27,880 --> 00:28:31,760
Speaker 3: So it was a beautiful time. Everything was so exciting,

544
00:28:32,000 --> 00:28:34,520
Speaker 3: and some of it was my idea because that's just

545
00:28:34,920 --> 00:28:38,800
Speaker 3: what I grew up on. The labels, the independent labels.

546
00:28:38,920 --> 00:28:42,440
Speaker 3: We thought it just made a different synergy. There's different

547
00:28:42,480 --> 00:28:46,200
Speaker 3: fan bases when you fuse the two together in different regions. Also,

548
00:28:46,320 --> 00:28:48,560
Speaker 3: there was no limit in the South. Then you have

549
00:28:49,240 --> 00:28:54,120
Speaker 3: the New York cluster of like hip hop classic artists.

550
00:28:54,680 --> 00:28:58,240
Speaker 3: So it was a blessing to work with everybody.

551
00:28:58,440 --> 00:29:02,680
Speaker 2: And Lady Marmalade, think about what a huge, huge moment that.

552
00:29:02,760 --> 00:29:03,880
Speaker 3: Way the Caribbean.

553
00:29:04,240 --> 00:29:07,280
Speaker 2: Yeah, we're going to get to that because it feels

554
00:29:07,280 --> 00:29:08,360
Speaker 2: like that's your passion too.

555
00:29:08,440 --> 00:29:11,800
Speaker 1: Though, Like now as you are making these decisions, seeing

556
00:29:11,960 --> 00:29:15,200
Speaker 1: all these Caribbean artists that you choose to work with,

557
00:29:15,680 --> 00:29:19,120
Speaker 1: I like that, you know, because that's her jam. Better

558
00:29:19,160 --> 00:29:21,360
Speaker 1: to hear you with that Jock Cure with a Bounty

559
00:29:21,440 --> 00:29:25,600
Speaker 1: Killer with BC Beanie Man, I saw you said, Shaggy

560
00:29:26,160 --> 00:29:27,440
Speaker 1: Yeah as well.

561
00:29:27,960 --> 00:29:30,520
Speaker 3: It's feel good music. I love to be in company

562
00:29:30,600 --> 00:29:34,000
Speaker 3: with people that just exude joy and happiness and love

563
00:29:34,080 --> 00:29:35,680
Speaker 3: to work with each other, and that's a part of

564
00:29:35,680 --> 00:29:39,040
Speaker 3: the culture. So and I love to be in the Islands,

565
00:29:40,520 --> 00:29:43,800
Speaker 3: that's a fact. And it's it's global music too. And

566
00:29:45,120 --> 00:29:48,400
Speaker 3: you know nothing like summertime music as well. So would

567
00:29:48,440 --> 00:29:52,200
Speaker 3: you be open to like doing afrobeats or I'm always open.

568
00:29:53,400 --> 00:29:56,760
Speaker 3: Every genre is ground Junior Sanchez.

569
00:29:56,880 --> 00:30:00,440
Speaker 1: We saw you doing a lot of great collaborations country.

570
00:30:01,440 --> 00:30:06,520
Speaker 4: Yeah, you know little step tap dance, so know how

571
00:30:06,520 --> 00:30:08,400
Speaker 4: to do everything music.

572
00:30:08,480 --> 00:30:09,320
Speaker 3: It's just how you feel.

573
00:30:09,480 --> 00:30:12,400
Speaker 4: Have you ever thought about, you know, Broadway or Dancing

574
00:30:12,440 --> 00:30:13,480
Speaker 4: with the Stars or.

575
00:30:13,880 --> 00:30:16,320
Speaker 3: Oh yeah, so I did season nine of Dancing with

576
00:30:16,400 --> 00:30:16,800
Speaker 3: the Stars.

577
00:30:17,480 --> 00:30:22,720
Speaker 2: I felt like that was yeah, yeah, because I know

578
00:30:22,840 --> 00:30:25,200
Speaker 2: everybody saying that at the time too. I remember they

579
00:30:25,240 --> 00:30:27,120
Speaker 2: were Maya could dance.

580
00:30:27,240 --> 00:30:29,320
Speaker 3: I wasn't pressed for a mirror ball, but I did

581
00:30:29,440 --> 00:30:31,080
Speaker 3: want to make sure I just didn't mess up every

582
00:30:31,160 --> 00:30:36,920
Speaker 3: d live TV. I was so nervous every night. I've

583
00:30:37,000 --> 00:30:39,760
Speaker 3: never done that kind of dance before. You know, that's

584
00:30:39,960 --> 00:30:43,240
Speaker 3: not something that I grew up doing. And you're learning

585
00:30:43,320 --> 00:30:47,560
Speaker 3: different types of styles and techniques every single week, and

586
00:30:47,960 --> 00:30:52,120
Speaker 3: it's grueling, but it's it's beautiful. It's live television, though,

587
00:30:52,560 --> 00:30:56,440
Speaker 3: and you can't fumble, So the nerves were sky high.

588
00:30:56,640 --> 00:30:59,680
Speaker 3: I learned a lot. I had an amazing dance partner teacher,

589
00:31:00,840 --> 00:31:04,360
Speaker 3: and it was a learning experience. But yeah, it also

590
00:31:04,400 --> 00:31:07,440
Speaker 3: works very differently. You can be perfect all day long

591
00:31:07,480 --> 00:31:09,720
Speaker 3: on Dancing with the Stars. It's about that. It's about

592
00:31:09,800 --> 00:31:15,000
Speaker 3: the votes, that's a fact. It's about your fan base.

593
00:31:15,200 --> 00:31:18,760
Speaker 3: It's about people calling in if they think you're safe

594
00:31:18,800 --> 00:31:21,360
Speaker 3: and they're not voting because oh, you just got perfect tense.

595
00:31:21,520 --> 00:31:25,200
Speaker 3: That's where you can get off the show. You know what.

596
00:31:25,320 --> 00:31:25,800
Speaker 2: I enjoyed it.

597
00:31:25,840 --> 00:31:28,040
Speaker 1: I watched for you though, because when you were on there,

598
00:31:28,320 --> 00:31:30,440
Speaker 1: I was like, Maya is gonna kill it, and you did.

599
00:31:30,600 --> 00:31:34,560
Speaker 1: I'm gonna be honest, just because I just like, thank you.

600
00:31:36,800 --> 00:31:39,160
Speaker 1: What do you love to do outside of work?

601
00:31:39,520 --> 00:31:39,720
Speaker 3: Like what?

602
00:31:39,920 --> 00:31:44,160
Speaker 2: Just yeah, outside of what we know about you, like

603
00:31:44,240 --> 00:31:45,160
Speaker 2: a day off for mine.

604
00:31:45,240 --> 00:31:48,760
Speaker 3: I'm so country, I am. I love animals. I just

605
00:31:48,880 --> 00:31:51,200
Speaker 3: love to go lay in the grass. I bought a

606
00:31:51,320 --> 00:31:58,360
Speaker 3: tent during the pandemic. I slept outside stargaze. I'm really simple,

607
00:31:59,200 --> 00:32:01,600
Speaker 3: you know. I love the ocean. I love just to

608
00:32:01,680 --> 00:32:07,880
Speaker 3: be in nature. Traveling is one of probably the top three. Okay, yeah,

609
00:32:08,440 --> 00:32:13,800
Speaker 3: adventure of course, skydiving a couple of times, and skydiving

610
00:32:14,320 --> 00:32:14,880
Speaker 3: a couple of times.

611
00:32:15,040 --> 00:32:18,560
Speaker 1: Action, I think, yeah, skydivings. You know, I think I

612
00:32:18,600 --> 00:32:20,360
Speaker 1: should watched some videos I shouldn't have.

613
00:32:21,000 --> 00:32:21,920
Speaker 3: I love comedy too.

614
00:32:22,040 --> 00:32:24,200
Speaker 2: Yeah, okay, we are all.

615
00:32:24,920 --> 00:32:27,920
Speaker 4: Angela likes comed it's one of your favorite comedians, not

616
00:32:28,040 --> 00:32:28,600
Speaker 4: the favorite, but.

617
00:32:28,600 --> 00:32:30,240
Speaker 3: One of your school old school Richard Pryor.

618
00:32:30,400 --> 00:32:31,240
Speaker 2: Okay, that's fair.

619
00:32:32,400 --> 00:32:35,680
Speaker 3: Yeah, there's so many though. I just I love comedians.

620
00:32:35,760 --> 00:32:38,760
Speaker 3: I think Jake Dave Chappelle is a genius. What he's

621
00:32:38,880 --> 00:32:43,240
Speaker 3: very DC so he does it so dry but so amazing.

622
00:32:44,280 --> 00:32:45,320
Speaker 3: It's strategic. Man.

623
00:32:45,760 --> 00:32:51,360
Speaker 2: I could see have to come to Yellow Springs's about to.

624
00:32:51,320 --> 00:32:53,040
Speaker 1: Hook that Upah, listen, you about to go to Yellow

625
00:32:53,080 --> 00:32:57,000
Speaker 1: Springs to day's comedy shows in the cornfields. But he

626
00:32:57,080 --> 00:33:00,520
Speaker 1: opened up like a comedy club out there too.

627
00:33:01,320 --> 00:33:06,960
Speaker 3: I have to that experience. How was Time Essence Festival?

628
00:33:07,120 --> 00:33:10,880
Speaker 3: I had about twenty six hours in New Orleans and

629
00:33:11,000 --> 00:33:14,360
Speaker 3: we drove from Little Rock, Arkansas from the tour and

630
00:33:14,520 --> 00:33:16,920
Speaker 3: I was up for a straight forty eight to seventy

631
00:33:16,960 --> 00:33:20,800
Speaker 3: two and I hit about six or seven events up

632
00:33:21,040 --> 00:33:23,440
Speaker 3: all on one day Alca Changes. It was beautiful because

633
00:33:23,440 --> 00:33:26,720
Speaker 3: I actually never really got the chance to be fully

634
00:33:26,760 --> 00:33:31,240
Speaker 3: engulfed in essencevest my entire career, to actually spend a

635
00:33:31,360 --> 00:33:36,160
Speaker 3: day going to different booths and different things are going

636
00:33:36,280 --> 00:33:39,400
Speaker 3: on all over the place. And see so many people,

637
00:33:39,480 --> 00:33:43,680
Speaker 3: shake hands, take photos and exchange words. I've done performances

638
00:33:43,880 --> 00:33:46,400
Speaker 3: or like a kickoff party as well, but then we

639
00:33:46,520 --> 00:33:48,720
Speaker 3: had to leave immediately in the past. But this was

640
00:33:48,760 --> 00:33:51,200
Speaker 3: a day where I got to see first of all,

641
00:33:51,280 --> 00:33:54,240
Speaker 3: one of my inspirations is Queen of Fula. Oh I've

642
00:33:54,280 --> 00:33:56,800
Speaker 3: worked with. I know Queen host a vegan panel with her.

643
00:33:57,120 --> 00:34:02,040
Speaker 1: She has those amazing you I had. I have her

644
00:34:02,120 --> 00:34:06,440
Speaker 1: book too, yeah, Sacred Woman. Yeah, yeah, amazing Okay, So

645
00:34:06,920 --> 00:34:07,200
Speaker 1: and I know.

646
00:34:07,280 --> 00:34:08,319
Speaker 4: They love you at Essence too.

647
00:34:09,160 --> 00:34:11,960
Speaker 2: Really yeah everybody.

648
00:34:14,280 --> 00:34:16,960
Speaker 3: Oh yeah, I could to see so many people that

649
00:34:17,160 --> 00:34:19,920
Speaker 3: I've never met, but I feel like I've met Peky

650
00:34:19,960 --> 00:34:23,400
Speaker 3: and I have spoken. But oh in Queen of Floyd

651
00:34:23,400 --> 00:34:27,960
Speaker 3: and I also we've worked together virtually, especially during the pandemic,

652
00:34:28,120 --> 00:34:30,440
Speaker 3: you know, leading detoxes, but we've never met, but it

653
00:34:30,560 --> 00:34:33,200
Speaker 3: felt like she I met her and this is the

654
00:34:33,239 --> 00:34:35,200
Speaker 3: first time we actually got a chance to see each

655
00:34:35,200 --> 00:34:37,920
Speaker 3: other face to face, hug and brace each other. So yeah,

656
00:34:38,000 --> 00:34:39,960
Speaker 3: so many people were out, It's it turned into like

657
00:34:40,040 --> 00:34:43,640
Speaker 3: a whole jam session at the film Moore. Raheem DeVaughn

658
00:34:43,800 --> 00:34:49,200
Speaker 3: was there, Blau came through, Anthony Hamilton was there, everybody

659
00:34:49,320 --> 00:34:53,080
Speaker 3: was singing Luke James. The mics were on, but everybody

660
00:34:53,160 --> 00:34:55,719
Speaker 3: was singing, freestyling, and so it was just a jam

661
00:34:55,800 --> 00:34:56,680
Speaker 3: session moment.

662
00:34:56,520 --> 00:34:58,800
Speaker 1: Because I feel like you don't just run into Maya anywhere,

663
00:34:59,040 --> 00:34:59,880
Speaker 1: like it has to be.

664
00:35:00,239 --> 00:35:02,920
Speaker 2: She's there for a like, we just don't run into her.

665
00:35:03,400 --> 00:35:08,319
Speaker 3: I get told I'm not outside outside and that I'm

666
00:35:08,360 --> 00:35:13,000
Speaker 3: always like hustling. I'm always doing the show, traveling, working

667
00:35:13,040 --> 00:35:15,880
Speaker 3: on the paperwork, whatever it is. But this was a

668
00:35:15,960 --> 00:35:18,400
Speaker 3: treat for me because I never really get to be

669
00:35:18,520 --> 00:35:21,040
Speaker 3: outside outside like that. But we liked it in the mix.

670
00:35:21,200 --> 00:35:22,880
Speaker 3: We like that, do more of it.

671
00:35:23,200 --> 00:35:24,680
Speaker 1: I feel like, is there going to be a time

672
00:35:24,760 --> 00:35:28,120
Speaker 1: and we'll get a full Maya story from Maya if

673
00:35:28,160 --> 00:35:30,800
Speaker 1: that's what y'all want, sure, because there's so much. I

674
00:35:30,880 --> 00:35:33,320
Speaker 1: feel like there's so much we don't know that you

675
00:35:33,440 --> 00:35:35,759
Speaker 1: went through because think about it in that business, like

676
00:35:35,920 --> 00:35:37,719
Speaker 1: you blew up at such a young early age and

677
00:35:37,880 --> 00:35:39,759
Speaker 1: like you said, you were a sex symb but but

678
00:35:39,880 --> 00:35:42,480
Speaker 1: you were so young, people saying things about you that

679
00:35:42,600 --> 00:35:44,880
Speaker 1: weren't true, and having to go through that and then

680
00:35:44,920 --> 00:35:47,400
Speaker 1: becoming independent at a time when it wasn't so popular,

681
00:35:47,760 --> 00:35:49,719
Speaker 1: and just your whole journey into spirituality.

682
00:35:49,760 --> 00:35:51,400
Speaker 2: I feel like there's a lot about.

683
00:35:51,120 --> 00:35:57,960
Speaker 1: It that you know, Oh yeah, we don't have no idea, no,

684
00:35:58,120 --> 00:36:00,160
Speaker 1: but I'm saying I think people would love to to

685
00:36:00,280 --> 00:36:03,400
Speaker 1: hear that, maya just from you, because somebody who has

686
00:36:03,480 --> 00:36:05,920
Speaker 1: maintained themselves in this business the way that you have,

687
00:36:06,480 --> 00:36:09,800
Speaker 1: that's been consistent that still today, like people are so

688
00:36:09,960 --> 00:36:12,680
Speaker 1: excited to meet you and see you out because, like

689
00:36:12,800 --> 00:36:14,480
Speaker 1: you said, people have told you we don't get to

690
00:36:14,480 --> 00:36:15,440
Speaker 1: see you outside like that.

691
00:36:16,360 --> 00:36:18,360
Speaker 3: I just think I will make more of an effort

692
00:36:19,520 --> 00:36:24,200
Speaker 3: to take less shows and outside a little bit more,

693
00:36:24,800 --> 00:36:29,000
Speaker 3: you know, But it matters because the magic that happens

694
00:36:29,040 --> 00:36:32,800
Speaker 3: and also the relationships that happen with balance. You know,

695
00:36:33,480 --> 00:36:35,440
Speaker 3: I need to practice more balance, and I know that

696
00:36:36,040 --> 00:36:38,920
Speaker 3: when I see the magic happened in my life, when

697
00:36:39,000 --> 00:36:41,319
Speaker 3: oh I can go work out and do a little

698
00:36:41,320 --> 00:36:42,960
Speaker 3: bit more in that area than I'm supposed to do

699
00:36:43,040 --> 00:36:46,320
Speaker 3: versus just hustling, hustling hustling or make time, you know,

700
00:36:46,440 --> 00:36:50,720
Speaker 3: for my friends and my family and myself, it's very important.

701
00:36:51,120 --> 00:36:54,520
Speaker 3: Money is not everything. Hustles not everything. So that's been

702
00:36:55,080 --> 00:36:59,400
Speaker 3: a very difficult listen, being an independent artist, always in

703
00:36:59,480 --> 00:37:02,799
Speaker 3: fight or fly, always in investment mode, always in a grind, grind, grind,

704
00:37:03,000 --> 00:37:05,719
Speaker 3: like it's never gonna come. But also I realized just

705
00:37:05,800 --> 00:37:09,560
Speaker 3: within the last two three years, it's very important to

706
00:37:09,840 --> 00:37:13,959
Speaker 3: create balance in your life. Otherwise you're gonna pay for it. Yeah,

707
00:37:14,280 --> 00:37:17,560
Speaker 3: the hard way. Your knees are not kneeing anymore.

708
00:37:19,960 --> 00:37:22,000
Speaker 2: A lot of accupuncture, I do.

709
00:37:22,320 --> 00:37:24,720
Speaker 3: Okay, she just got a massage last night after rehearsal,

710
00:37:25,360 --> 00:37:28,560
Speaker 3: and it was amazing. That's quite a last puncture. But

711
00:37:28,640 --> 00:37:32,600
Speaker 3: I got Thaie Swedish hot rock and deep tissue at

712
00:37:32,600 --> 00:37:33,520
Speaker 3: the same hour.

713
00:37:34,200 --> 00:37:35,000
Speaker 2: That sounds amazing.

714
00:37:35,120 --> 00:37:36,719
Speaker 3: Yeah, and pain is good. I love it.

715
00:37:37,080 --> 00:37:37,680
Speaker 2: Pain is good.

716
00:37:37,760 --> 00:37:42,439
Speaker 1: You heard it here first, but honestly, Maya, I feel

717
00:37:42,440 --> 00:37:43,919
Speaker 1: like we could sit and talk to you for like hours.

718
00:37:43,960 --> 00:37:47,120
Speaker 1: You have a great soothing voice too, just your regular

719
00:37:47,239 --> 00:37:49,120
Speaker 1: talking voice. It's like, what else happened?

720
00:37:49,160 --> 00:37:49,359
Speaker 3: Girl?

721
00:37:49,520 --> 00:37:49,680
Speaker 4: Yeah?

722
00:37:49,719 --> 00:37:54,200
Speaker 3: I know, I was like, I love her talking. It's

723
00:37:54,320 --> 00:37:58,640
Speaker 3: low today because you know, I'm lacking on sleep, so yeah,

724
00:37:58,719 --> 00:38:01,400
Speaker 3: it gets a little deeper. I haven't slept.

725
00:38:01,719 --> 00:38:04,040
Speaker 2: But listen, you better come back and join us again.

726
00:38:04,320 --> 00:38:06,160
Speaker 1: I know you're on tour and I know you're super busy,

727
00:38:06,160 --> 00:38:07,919
Speaker 1: and I do appreciate it because I know MI don't

728
00:38:08,000 --> 00:38:12,839
Speaker 1: just show up and do interviews anywhere next time.

729
00:38:13,000 --> 00:38:16,080
Speaker 3: Yeah, Well, thank you, missus Angela. And you know what,

730
00:38:16,440 --> 00:38:18,800
Speaker 3: congratulations on this endeavor.

731
00:38:19,080 --> 00:38:19,840
Speaker 2: Thank you, thank you.

732
00:38:20,040 --> 00:38:22,920
Speaker 3: I know you have your journey as well. Yes, if

733
00:38:22,960 --> 00:38:26,800
Speaker 3: you are an entrepreneur, a boss, you know, a woman

734
00:38:27,520 --> 00:38:30,439
Speaker 3: that knows herself and owns herself every aspect, and I'd

735
00:38:30,440 --> 00:38:32,560
Speaker 3: love to see it. So congratulating you.

736
00:38:32,680 --> 00:38:35,759
Speaker 1: I'm gonna get you some juices next time too. You

737
00:38:35,840 --> 00:38:37,120
Speaker 1: know I know that we're both into that.

738
00:38:37,680 --> 00:38:44,399
Speaker 3: Yeah, congratulations on this whole enterprise endeavor and life journey. Yeah,

739
00:38:45,280 --> 00:38:46,920
Speaker 3: and it's a pleasure, but thank you.

740
00:38:46,960 --> 00:38:48,480
Speaker 1: I'm just glad you showed up. I was like, it's

741
00:38:48,520 --> 00:38:51,040
Speaker 1: not you're gonna really sit with us, but I appreciate it.

742
00:38:51,160 --> 00:38:53,000
Speaker 1: And not that you've ever canceled or anything, but I

743
00:38:53,120 --> 00:38:55,759
Speaker 1: was just like, I'm like, main don't do a whole

744
00:38:55,800 --> 00:38:58,279
Speaker 1: lot of interviews, So I appreciate you for that so much.

745
00:38:58,520 --> 00:39:01,160
Speaker 1: Is there a date by this next project, because I

746
00:39:01,239 --> 00:39:01,880
Speaker 1: know you've been put in.

747
00:39:02,080 --> 00:39:03,879
Speaker 3: Oh, I mean, which one are you talking about?

748
00:39:03,960 --> 00:39:05,560
Speaker 2: I know you have a few different ones done, but

749
00:39:05,640 --> 00:39:06,200
Speaker 2: what's going to be?

750
00:39:06,719 --> 00:39:09,120
Speaker 3: I don't announce dates. I've learned that to do that anymore.

751
00:39:09,239 --> 00:39:13,520
Speaker 3: But you know, when all the components soon are there,

752
00:39:14,239 --> 00:39:17,560
Speaker 3: it is ready, I will make that announcement.

753
00:39:18,040 --> 00:39:21,279
Speaker 1: I know, because we've heard Wine featuring Bounty Killer. You know,

754
00:39:21,360 --> 00:39:23,719
Speaker 1: I like that, and I feel like you don't want

755
00:39:23,760 --> 00:39:25,439
Speaker 1: to be in a specific genre either.

756
00:39:25,960 --> 00:39:26,959
Speaker 2: So is that tough?

757
00:39:27,840 --> 00:39:30,000
Speaker 3: No, it's not, because that's why I have different projects.

758
00:39:30,160 --> 00:39:32,560
Speaker 2: Okay, so each project might be a different genre, a

759
00:39:32,640 --> 00:39:37,160
Speaker 2: specific direction. So what do you have, like three? Four ready?

760
00:39:37,239 --> 00:39:38,000
Speaker 2: What do you have for us?

761
00:39:38,880 --> 00:39:42,360
Speaker 3: Three are actually already done. Four is a bunch of

762
00:39:42,400 --> 00:39:46,239
Speaker 3: stuff that I've revisited with Junior Sanchez and a couple

763
00:39:46,280 --> 00:39:49,719
Speaker 3: of other producers just from the archives, and we've rebuilt

764
00:39:49,840 --> 00:39:53,360
Speaker 3: a lot of the production. So I'm always in the studio.

765
00:39:53,560 --> 00:39:57,080
Speaker 3: You know, it's a playground being an artist. And yeah,

766
00:39:57,160 --> 00:39:58,239
Speaker 3: there's just much more to come.

767
00:39:58,440 --> 00:40:00,520
Speaker 2: Are label hitting you up and like come on girl

768
00:40:00,560 --> 00:40:01,240
Speaker 2: less they've.

769
00:40:01,040 --> 00:40:03,839
Speaker 3: Always hit me up. But it's more about making sure

770
00:40:05,200 --> 00:40:09,120
Speaker 3: the vision also the outline of the project direction is

771
00:40:09,280 --> 00:40:13,320
Speaker 3: very clear for me. And then also the timing and

772
00:40:13,440 --> 00:40:20,719
Speaker 3: the other components, the financing, all the components too. Oh

773
00:40:20,800 --> 00:40:25,200
Speaker 3: the bag, Yeah, you know it's not cheap, but let's

774
00:40:25,239 --> 00:40:28,400
Speaker 3: be clear and making sure that it's also aligning with

775
00:40:28,480 --> 00:40:31,359
Speaker 3: who I am when I do release it, because things

776
00:40:31,400 --> 00:40:33,880
Speaker 3: get old and you got to go remix it to

777
00:40:34,000 --> 00:40:37,080
Speaker 3: reflect how you really feel, so that it's authentic and

778
00:40:37,160 --> 00:40:39,920
Speaker 3: true to who you are now because you got to

779
00:40:40,040 --> 00:40:42,359
Speaker 3: promote it, you got to really love it and live

780
00:40:42,400 --> 00:40:47,480
Speaker 3: in it. And yeah, so you read and.

781
00:40:47,520 --> 00:40:50,000
Speaker 2: You walked away with your masters when you left the labels.

782
00:40:50,600 --> 00:40:54,160
Speaker 3: So I have an old catalog at UMG Universal Music

783
00:40:54,200 --> 00:40:58,000
Speaker 3: Group and my whole independent catalog are the masters that

784
00:40:58,040 --> 00:41:00,400
Speaker 3: I own. But during an artist career, he tho's a

785
00:41:00,480 --> 00:41:03,960
Speaker 3: specific type of time where you can go regain your master's,

786
00:41:04,000 --> 00:41:05,080
Speaker 3: re record them, et cetera.

787
00:41:05,440 --> 00:41:08,120
Speaker 2: Okay, yeah, so that's happening. Okay, cool.

788
00:41:11,960 --> 00:41:15,040
Speaker 1: When you do the live showing, well, thank you so much.

789
00:41:15,120 --> 00:41:18,480
Speaker 1: Maya again, and next time, let my Olansky come and

790
00:41:18,560 --> 00:41:19,120
Speaker 1: we'll talk to her.

791
00:41:19,800 --> 00:41:23,280
Speaker 3: Okay, we like that she's here today.

792
00:41:25,400 --> 00:41:27,840
Speaker 2: All right, Well, my ladies and gentlemen, it's way up.

793
00:41:30,480 --> 00:41:30,680
Speaker 3: Well