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Speaker 1: I'm going to make a statement that I know producer

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Speaker 1: husband of this podcast would agree with based on the

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Speaker 1: name of his gallery. Nineteen eighty eight is the greatest

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Speaker 1: year in music ever? Do you guys know this year?

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Speaker 2: Producer Jensen Carp husband of this podcast, named his gallery

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Speaker 2: that because it was a great year in sports eighty

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Speaker 2: la sports.

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Speaker 1: I thought it was just like culturally in general, it

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Speaker 1: was like.

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Speaker 3: The greatest year ever, he says. And music and movies,

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Speaker 3: so yeah, he Needlejuice was that year.

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Speaker 1: Yeah, I don't know about movies actually, but well the

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Speaker 1: reason I'm.

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Speaker 4: For why music? What makes you say? What makes you

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Speaker 4: make this statement or this statement?

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Speaker 1: Uh? So, George Michael Faith still just one of the

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Speaker 1: greatest songs. Uh. Tracy Chapman premiered that year. Will So

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Speaker 1: those those are the ones that like I hold on

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Speaker 1: to and I still are like, well, these are perfect

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Speaker 1: songs and like amazing, but every single one of if

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Speaker 1: you go through Sweet Child of Mind, Guns of Roses, Oh,

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Speaker 1: hold On to the Knight or hold hold On to

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Speaker 1: the Knights.

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Speaker 3: By Richard Marx, the Leather Jacket Song, Yes, the Jacket.

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Speaker 1: Song, Hands to Heaven by Breathe. Do you guys know

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Speaker 1: that one and we will be Heaven is a place

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Speaker 1: on Earth Belinda Carlyle. Carle, Uh, I mean seriously, like

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Speaker 1: you go through this and you realize like a man

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Speaker 1: in the mirror by Michael Jackson.

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Speaker 3: It's straight out of Compton.

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Speaker 1: Uh, Is it really all right? See?

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Speaker 4: This is and and Heaven is a place on Earth

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Speaker 4: by Belinda Carlyle, amongst the best songs ever.

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Speaker 1: Really, No, We'll see this is This is why I

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Speaker 1: wanted to bring it up, because this is the question.

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Speaker 1: Obviously I was eight years old, right And part of

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Speaker 1: the reason I'm thinking about this and the reason it

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Speaker 1: was because I brought it up with Indy this morning.

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Speaker 1: We were talking about using and playing music, and I

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Speaker 1: was like, oh, he's eight right now, so his brain

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Speaker 1: is like open in a way that mine obviously was

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Speaker 1: in nineteen eighty eight to like discovering music that like

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Speaker 1: still affects me. When I hear these songs, I cry

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Speaker 1: like instantly, you know. And they can be hard like

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Speaker 1: groovy kind of love. Like they don't have to be

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Speaker 1: good songs, but they just they just are in my

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Speaker 1: soul because for whatever reason, at eight and I've been

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Speaker 1: noticing like Indy's brain is like coming online in a

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Speaker 1: new way. You know. It's like because he's going to

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Speaker 1: remember everything now, so it's a totally different conversation I'm

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Speaker 1: having with him anyway. So I don't know how much

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Speaker 1: of it is just nostalgia. And the reason I think

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Speaker 1: it relates to our you know, podcast, is this question

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Speaker 1: of like, how can you you reach this point with

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Speaker 1: these artifacts, these cultural artifacts, where you can no longer

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Speaker 1: separate your personal connection to their quality, Like it's just

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Speaker 1: there's no way you could. Of course it's good. I'm

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Speaker 1: just saying, like, there's no way I can play a

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Speaker 1: song for Indy. I can't play Heaven is a place

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Speaker 1: on Earth for Indy and be like, this is genuinely

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Speaker 1: a perfect song that change because it changes. Art's not

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Speaker 1: going to you know, it's probably gonna be like an

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Speaker 1: annoying oldie song to him.

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Speaker 5: He'll find his song, He'll find his heaven exactly.

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Speaker 1: And is it just where our brains are at, Like

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Speaker 1: when we're open to these experiences, is it something about

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Speaker 1: being eight or being a young you know, a teenager,

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Speaker 1: whatever stage you're at where you're like fresh to these things,

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Speaker 1: or is it that they get encoded with the experiences

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Speaker 1: you're having. Because the other thing is my dad had

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Speaker 1: a brain tumor in nineteen eighty eight. I thought my

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Speaker 1: dad was going to die, and I remember I got

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Speaker 1: a hold of it. I was able to record the

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Speaker 1: top one hundred songs from the radio and I would

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Speaker 1: listen to it on my headphones in bed, like so

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Speaker 1: all these songs were also like my safe place while

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Speaker 1: I was afraid my dad was going to die. And

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Speaker 1: it's like, oh, well, that's obviously why I'm bawling around

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Speaker 1: face coming on you know on Earth. Yeah, yeah, right, Oh, I.

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Speaker 4: Mean groovy kind of loved, but groovey kind of Love

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Speaker 4: was my wedding song, Like it means so much to

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Speaker 4: me back in the day that that became the first

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Speaker 4: song that Sue and I danced to. So you do

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Speaker 4: the question is is it the song or is it

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Speaker 4: the memory attached to the song exactly?

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Speaker 1: And so it doesn't matter, right because at the end

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Speaker 1: of the day, it it doesn't matter when I watch.

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Speaker 4: But we've talked about this on the podcast, and people

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Speaker 4: are fans have said this to us before, like Boy

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Speaker 4: Meets World is their safe space, so they'll put it

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Speaker 4: on in the back of White nose and white noise

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Speaker 4: exactly like mashes for me.

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Speaker 5: So it's that same kind of thing.

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Speaker 4: So yeah, I mean the statement nineteen eighty eight has

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Speaker 4: the greatest music ever probably.

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Speaker 1: Not accurate maybe, but you know, well here's what's only

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Speaker 1: about that too. And part of the journey is that,

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Speaker 1: like in the nineties, we all talked so much shit

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Speaker 1: about eighties music. Do you remember, like eighties I loved

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Speaker 1: I always loved eighties music. Eighties music is amazing, and

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Speaker 1: I feel like now it's appreciated. But like from like

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Speaker 1: nineteen ninety to like two thousand and five, nob we've

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Speaker 1: talked about eighties music. It was like, right, eah, that

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Speaker 1: is like because it was electron it sounded cheesy, and

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Speaker 1: now we'd listened to it. We'd listen to it, you know.

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Speaker 4: I would listen to it in private by myself because

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Speaker 4: I knew that I would not going to be driving

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Speaker 4: with poison cranking on my on my red like you

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Speaker 4: roll up the window, like, okay, I'm listening to Motley Crue.

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Speaker 1: I'm just going to turn up the close. Of course,

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Speaker 1: these are are great bands, but see, these things go

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Speaker 1: through cycles.

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Speaker 4: Right.

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Speaker 1: Of course, who was talking about boy Mes World in

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Speaker 1: two thousand and five. Besides kids, you know, like now

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Speaker 1: it's like come back around where everyone's old and able

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Speaker 1: to be like, oh, it's kind of cool now.

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Speaker 4: And you know, some of the music that I still

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Speaker 4: listen to was influenced by both of you. And it's

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Speaker 4: because it's music for me. I never I am never

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Speaker 4: open to. And it's not that I'm open to new music.

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Speaker 4: I'm never exposed to it to it because I don't

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Speaker 4: listen to the radio in the car.

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Speaker 5: I don't.

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Speaker 4: I listened to old albums I have when I walk

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Speaker 4: or I run, so I'm never exposed to any type

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Speaker 4: of new music. And I know, like Danielle back in

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Speaker 4: the day, I remember she would go shopping for CDs

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Speaker 4: when we were we were and every fourth or fifth

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Speaker 4: time I would look at her and I would go,

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Speaker 4: surprise me. And you came back and you bought me

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Speaker 4: the Murmurs album, which I still listen to all the time.

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Speaker 4: You bought me like Lincoln Park album. There was like

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Speaker 4: there are certain things you bought me as we were

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Speaker 4: going along that I still listen to this day. Rider

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Speaker 4: with Typhoon. You know one of the guy who did

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Speaker 4: our Kyle Morton, who you hear at the end. Who

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Speaker 4: did our opening title theme music is in a band

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Speaker 4: called Typhoon that I first found through you at your

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Speaker 4: wedding and say when you were listening to them live,

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Speaker 4: going this is amazing, Like this is a really good band.

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Speaker 4: So you guys have exposed me to more music than

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Speaker 4: almost anybody else except maybe my brothers, And so that's

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Speaker 4: how I find it is through my friends.

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Speaker 1: So yeah, that same kind of thing.

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Speaker 2: Well, one thing we can all agree on is that

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Speaker 2: girl you Know It's True by Milli Vanilli came out

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Speaker 2: in nineteen ninety eight and that song bop ninety eight.

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Speaker 1: Yeah, girl, if only they were singing.

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Speaker 4: It you ever sang it is incredible, is incredible.

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Speaker 2: Yeah, welcome to Pod Meets World. I'm Danielle Fischel, I'm

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Speaker 2: Right or Strong, and I'm Wilfordell. So today we are

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Speaker 2: here to recap season three, episode two, The Double Lie.

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Speaker 2: It originally aired September twenty ninth, nineteen ninety five. The

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Speaker 2: synopsis Sean has to stay at the Matthews house when

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Speaker 2: mister Turner says he's going away for the weekend for

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Speaker 2: a wedding, but when Shawn sneaks a hot date back

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Speaker 2: to what was supposed to be mister Turner's empty apartment,

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Speaker 2: he finds out he's not the only one being sneaky.

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Speaker 2: It was directed by Jeff McCracken. It was written by

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Speaker 2: Matthew Nelson. Rest in Peace, We Love You, We Miss

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Speaker 2: You guest starring Aaron Jay Dean as Veronica Watson and

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Speaker 2: Lisa Wilcox as Chris. She was Alice in The Nightmare

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Speaker 2: on ELM Street Movies.

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Speaker 5: She was also Jeff Sherman's Yeah that's Jeff Sherman's X.

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Speaker 1: Now and now ex wife.

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Speaker 4: Yeah, that was her connection to tow Boy.

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Speaker 1: Yeah.

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Speaker 2: Wow, all right, well let's jump into our recap. Do

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Speaker 2: you guys, do you guys want to say anything? I

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Speaker 2: loved again, loved this episode.

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Speaker 1: Yeah, amazing, might be my favorite. I thought it was

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Speaker 1: absolutely great.

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Speaker 4: I thought, had you never seen Boy Me Troll before

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Speaker 4: and there's now a few episodes like this, you would

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Speaker 4: have no idea Corey was the star of the show. Yea,

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Speaker 4: it is totally different. It is to but that being said,

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Speaker 4: it's a phenomenal episode. It's a wonderful EISO.

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Speaker 1: Yeah, that was the one thing I noticed. I was like,

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Speaker 1: where Corey is really he's not even with Feenie. They

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Speaker 1: didn't they didn't give him anything.

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Speaker 5: He kind of bops around you.

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Speaker 3: Or your new partnership with Feenie.

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Speaker 1: Yeah, and the show has just expanded, you know. And

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Speaker 1: I think it's the natural evolution of the show is

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Speaker 1: that you start writing for other characters. Yep. Yeah, it's

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Speaker 1: great though, It's so good.

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Speaker 3: So to jump in. We're in the school hallway.

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Speaker 2: Corey and sew are doing a play by play of

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Speaker 2: a couple fighting in the hallway. One of them is

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Speaker 2: Hatty Veronica Watson. Sean is in a very cool vest.

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Speaker 2: It looks like Bell BIV devo. I love this outfit

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Speaker 2: for you.

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Speaker 1: No, I love this outfit. This is this is peak.

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Speaker 3: This is peak, and I love it. And did you

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Speaker 3: do you actually like it?

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Speaker 1: I do?

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Speaker 3: That's great.

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Speaker 1: I usually there have been a lot of the vests

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Speaker 1: at the end of the second season, the vest shirt

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Speaker 1: combos that have been a little awkward, But this one

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Speaker 1: is kind of fan and this works. Can we talk

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Speaker 1: about Okay? So when Chick Like Me is third season,

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Speaker 1: no Sports season fifties somewhere there. But Veronica is the

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Speaker 1: name that Sean gives himself.

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Speaker 3: Oh he's still obsessed with.

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Speaker 1: Verona Veronica was, so when I heard Veronica Watson on

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Speaker 1: my brain was immediately like, what kind of similar guy? Interesting?

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Speaker 2: Yeah, that makes sense, but then he has to take

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Speaker 2: on an identity for himself and he's like, I'm gonna

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Speaker 2: go after that hot girl I dated in that one

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Speaker 2: episode of Boy Me.

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Speaker 4: I'd also like to know why there's always a blood

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Speaker 4: drive if anybody else does every episode.

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Speaker 1: Of and Blood Drive, there's always a blood draw and

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Speaker 1: there's a pea.

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Speaker 2: Should just start taking blood at the pepper ally? Seriously,

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Speaker 2: they could killed two birds while teaching.

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Speaker 5: While teaching you about safe sex, and you can just and.

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Speaker 1: Shakespeare, Danielle, you're not in this episode? Are you?

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Speaker 4: No?

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Speaker 1: See? I I don't think you were regular yet. I

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Speaker 1: don't think it happened until halfway through third season.

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Speaker 2: You were not a regularly by third season though, I

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Speaker 2: was now maybe being paid for every episode even if

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Speaker 2: I wasn't in because my name, I think is that

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Speaker 2: the is in the beginning credits, so.

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Speaker 4: You're guaranteed all produced, but you're not necessarily in all

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Speaker 4: of them.

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Speaker 2: Right, Okay, So I but I don't know. We really

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Speaker 2: need the Judy Savage. I need to talk to Junie Savage.

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Speaker 1: But do you guys, do you will? Do you remember

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Speaker 1: Aaron at all? I don't, do you? Yeah? Yeah, I

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Speaker 1: mean I kind of had a crush on her. I

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Speaker 1: mean we were making out the entire week, the whole week, Yes,

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Speaker 1: and that's what I obviously remembered that, But I also

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Speaker 1: remember she had she was really she was really awesome,

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Speaker 1: and she had her parents didn't come with her. She

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Speaker 1: had her manager with her. Okay, he was one of

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Speaker 1: those situations. And he was a very nice guy, very Hollywood, like, yeah,

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Speaker 1: super Hollywood, the nicest guy, and very slick and very

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Speaker 1: talkative and like you know, but just yeah, but the

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Speaker 1: really great guy. And I remember he took me and

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Speaker 1: her to lunch one day. I forget where we went,

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Speaker 1: but I remember driving through Hollywood and in his like

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Speaker 1: cool Hollywood car and feeling very Hollywood. But yeah, it was,

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Speaker 1: it was. It was a great week I had. I

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Speaker 1: mean that I didn't remember much about the episode besides

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Speaker 1: making out with Aaron the entire time.

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Speaker 3: Yeah, the whole episode.

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Speaker 1: And she doesn't actually she's really good. She doesn't have

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Speaker 1: much to do, but when she does something, it's great,

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Speaker 1: I know, but it's a bummer that they didn't give

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Speaker 1: her more jokes because she she's really funny when she's funny,

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Speaker 1: but it's like otherwise she's just there kissing me.

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Speaker 3: Yeah.

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Speaker 4: I also can't remember if we talked about this during

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Speaker 4: three oh one, but we should let our dear, dear

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Speaker 4: listeners know that we had now moved to a completely

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Speaker 4: different stage.

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Speaker 1: Did we talk about that?

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Speaker 2: Oh, you're right, we did not talk about that. We

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Speaker 2: are no longer on that giant Disney Storge. We now

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Speaker 2: we've now moved to KTLA, where there's a spaghetti factory. Yes,

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Speaker 2: where it was absolutely mostly deserted slot where there's only news.

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Speaker 1: Yeah, where the news station.

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Speaker 4: And actually I wish I had known, but you know

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Speaker 4: what film next was, which you I didn't find out

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Speaker 4: untill years later, because I would have been at every

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Speaker 4: taping was Mister Show with Bob and David, so I

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Speaker 4: would have.

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Speaker 5: But but yeah, we were so we had moved from this.

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Speaker 4: I mean, the Disney lot was like you're on a

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Speaker 4: college campus. The squirrels would literally come up and eat

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Speaker 4: out of your hand. We had this quick commissary. It

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Speaker 4: was great, and they're like, hey, we're moving you to KTLA,

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Speaker 4: and it was in the heart of Hollywood. It was

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Speaker 4: not a particularly clean area of town.

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Speaker 1: It was so different in a weird like other stage.

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Speaker 1: Do you remember it was like I do.

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Speaker 2: Isn't that when we had the Madagascan hissing cockroaches as pets.

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Speaker 3: Yeah, I remember that. We've been left.

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Speaker 2: Those guys there over a hiatus and they disappeared.

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Speaker 3: They breed and got out, and there may have been a.

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Speaker 2: Madagascin histen cockroach problem on stage.

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Speaker 1: And we used to have our table reads in the

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Speaker 1: stage outside of the school room. Remember it was like that. Yeah,

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Speaker 1: it was like a big empty stage and they built

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Speaker 1: these weird rooms into the corner, so they were like

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Speaker 1: they had no ceiling they had we just had walls.

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Speaker 1: Like basically they were like sets that we were that

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Speaker 1: were our schoolrooms. It was really weird. Why there was

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Speaker 1: no offices they couldn't find anywhere. Such a weird situation. Yeah,

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Speaker 1: you'd walk through this giant stage to a corner, and

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Speaker 1: then wardrobe was next to us too, so we also

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Speaker 1: had the wardrobe. The wardrobe, I don't remember any weird layout.

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Speaker 3: It was a weird It was a.

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Speaker 1: Whole the whole stage was just weird.

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Speaker 5: The whole KTLA was a couple of years.

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Speaker 3: The Bizarre, the Bizarre Years.

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Speaker 2: So Veronica Watson says I never want to see you

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Speaker 2: again to her boyfriend and Sean and gets excited that

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Speaker 2: she is single again. Corey tells Sean to ask act fast,

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Speaker 2: and Sean says he needs to give her some time.

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Speaker 2: Then he takes about three seconds and walks right up

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Speaker 2: to her to ask her out. She says if he

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Speaker 2: is asking her out for Friday night, it is just

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Speaker 2: too soon, and then he asks about Saturday and she

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Speaker 2: says sure, sure, great.

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Speaker 1: Joke, Yeah, very funny joke.

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Speaker 3: Sure.

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Speaker 2: Then Corey congratulates him on acting fast, just as a

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Speaker 2: bunch of guys run down the hall to ask Veronica

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Speaker 2: out for Saturday, and she says she's busy. Corey tells

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Speaker 2: Sean that he will ask Amy and Allen if it's okay,

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Speaker 2: because remember he's staying with the Matthews while mister Turner

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Speaker 2: goes out of town. Sean says he didn't know anything

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Speaker 2: about that, and Corey says, I was standing right there

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Speaker 2: with you when he told.

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Speaker 3: You, and you say, well, well where was I wh

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Speaker 3: TI is great?

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Speaker 2: Corey says his parents are totally cool when Tapega comes over,

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Speaker 2: but they have a ten pm curfew, and Sean says.

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Speaker 3: If he picks her up at eight, that only gives him.

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Speaker 2: And then he can't figure it out because of the

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Speaker 2: stupid metric system, which again I think is a very

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Speaker 2: great joke.

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Speaker 4: It is, but they're also now I can see why

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Speaker 4: they're there's dueling dumb people. So now Eric and Seawn

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Speaker 4: are both dumb, and they're like, we can't, you know,

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Speaker 4: something's got to give. And as they're seeing you become

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Speaker 4: more dramatic with Tony, they're going, all right, we'll just

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Speaker 4: keep Eric dumb and we'll make it.

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Speaker 1: We're still we are, Yeah, absolutely absolutely, it's funny.

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Speaker 2: So then we're in mister Turner's classroom. Sean runs in

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Speaker 2: to talk to mister Turner about going out of town,

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Speaker 2: and you call him John as you're running into the room.

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Speaker 1: I thought, John.

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Speaker 3: I feel like.

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Speaker 2: Mister Turner would have made that clear that you call

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Speaker 2: me John at home, but you called me mister Turner

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Speaker 2: at school, because that that is a little, uh, a

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Speaker 2: little line.

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Speaker 1: But Sean's I mean, I grew up in a situation

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Speaker 1: where a teacher's her first name, So yeah, but you

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Speaker 1: also have to stoke the boilers at your school. That

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Speaker 1: wasn't normal. I'm trying to think what the public schools are. No,

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Speaker 1: I guess they did. You know, we were not Oh no, no, no.

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Speaker 2: You did not call a teacher by unless the teacher

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Speaker 2: made it very clear, Like I did have an English

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Speaker 2: teacher in my senior year high school who went by sir.

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Speaker 2: He wanted he he was like, he didn't go by

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Speaker 2: mister or anything else. He wanted to be called sir,

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Speaker 2: and that was like kind of his name. So you know,

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Speaker 2: I mean unless somebody specified like, no, you're gonna call

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Speaker 2: me this, but otherwise it was.

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Speaker 1: We ever talked about the fact that that Foenie calls

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Speaker 1: everybody by mister, and it's a very like do teachers

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Speaker 1: ever do that ply the old school?

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Speaker 5: Yeah, I mean maybe some of the old school ones by.

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Speaker 1: It's like a defining characteristic of Feenie.

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Speaker 3: Though you're right because I've never seen it in another

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Speaker 3: show either.

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Speaker 4: No, I think it's a very prep school thing too,

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Speaker 4: like a very it was always.

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Speaker 1: Yeah, it's such an interesting like form of showing mutual respect, right,

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Speaker 1: Like it's a way to say, like I will treat

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Speaker 1: you like you treat me. Yeah, like it's a really

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Speaker 1: cool thing.

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Speaker 3: But I've never really thought about but yeah, I like it.

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Speaker 1: It's a neat choice.

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Speaker 3: Well, Sean runs in.

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Speaker 2: He starts buttering up mister Turner about missing him and

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Speaker 2: how good he looks, and he asks if he's dropped

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Speaker 2: a few LB's. Turner suspects something happened with the stereo

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Speaker 2: again and Sean says no, it's still drying out.

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Speaker 1: Trying out.

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Speaker 3: Turner says he already told.

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Speaker 2: Sean he was going out of town for a friend's

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Speaker 2: wedding and doesn't Sean listen? And Sean responds, what, and

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Speaker 2: Turner says slower and louder?

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Speaker 3: Do you this is?

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Speaker 5: This is a Tony Quinn. We did this for all

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Speaker 5: the time ever.

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Speaker 1: We did this till you you listen. It's so funny

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Speaker 1: because I saw it happening and my brain just yea,

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Speaker 1: this was from the show. Yeah, I'm so ingrained. Was

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Speaker 1: it you that always did it?

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Speaker 4: Yeah? Were Tony and Tony and I want to do

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Speaker 4: you listen?

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Speaker 2: He had a few reads in this episode that I

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Speaker 2: thought were hilarious, like when he says sorry later in

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Speaker 2: the kitchen sorry.

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Speaker 4: Yeah, he's got some tons that are just the best.

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Speaker 4: This is We did this for seven years.

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Speaker 1: Yeah, we did. Do you listen? I had no idea

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Speaker 1: what it was from the show. I know what it was

398
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Speaker 1: from Oh my god.

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Speaker 3: It is so funny.

400
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Speaker 2: And he's definitely more and more comfortable, and you can

401
00:17:59,440 --> 00:18:02,160
Speaker 2: feel him are taking more and more risks and and

402
00:18:02,240 --> 00:18:06,280
Speaker 2: they're really paying off. So Sean is still not understanding.

403
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Speaker 2: It's very very dumb Sean in this moment.

404
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Speaker 1: And so this is also seems slightly like a callback

405
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Speaker 1: to the women. Yeah, but also open a book. What Yeah,

406
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Speaker 1: a book which it's just been diminishing returns, you know

407
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Speaker 1: wu right, Yeah, it was a great end of the scene,

408
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Speaker 1: Like I don't want to die to like know what

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Speaker 1: WU is. But like this, it's just yeah, no, it's

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Speaker 1: not that doesn't quite hit at the same speed. Yeah.

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Speaker 2: So Corey steps in to tell Turner that Sean has

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Speaker 2: a date with Veronica Watson.

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Speaker 3: Turner says, nope, there's no way.

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Speaker 2: He's canceling his trip for a friend's wedding and he's

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Speaker 2: staying with the Matthews this weekend. End of story, the

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Speaker 2: school bell rings and Veronica enters the classroom with a

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Speaker 2: bunch of other students. She touches Sean's hair and says, Saturday,

418
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Speaker 2: she might be the coolest dressed girl in Boy Meets

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Speaker 2: World history.

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Speaker 1: Kind of blossom, but yeah, very blossom.

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Speaker 3: She edgy edgy blossom.

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Speaker 1: There you go. I like it.

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00:19:02,800 --> 00:19:06,040
Speaker 2: I like it's Edgie blossom. It's so cool, It's fantastic.

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Speaker 2: Sean looks desperately at Turner, and Turner just says no.

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Speaker 2: And then we're in the school hallway. Sean says, what's

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Speaker 2: the point of having a date with Veronica Watson if

427
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Speaker 2: he stuck at Corey's house. Corey says Topanga has never

428
00:19:16,840 --> 00:19:19,639
Speaker 2: complained and they've had many a blockbuster night on the couch.

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Speaker 2: Corey tells Sean to worry about Verona.

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Speaker 1: Now they're together completely, and we just jumped into yeah, just.

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Speaker 3: Skip right over it.

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Speaker 5: Don't even need to see that anymore. Poor friand girlfriend.

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Speaker 1: We did, we gave that. Yeah, d Yell's not in

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Speaker 1: this episode.

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Speaker 5: They are now married.

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Speaker 1: Move on, yeah, yeah, yeah, except yeah.

437
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Speaker 2: So Corey tells Sean to just worry about Veronica and

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Speaker 2: he will take care of his parents, and Sean says

439
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Speaker 2: he's going to dedicate this date to Corey and Corey says.

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Speaker 3: How do I answer that?

441
00:19:47,800 --> 00:19:48,280
Speaker 1: I don't care?

442
00:19:49,160 --> 00:19:50,000
Speaker 3: How do I laugh at?

443
00:19:50,040 --> 00:19:50,159
Speaker 2: That?

444
00:19:50,280 --> 00:19:52,840
Speaker 3: Is what I wanted to know. I don't.

445
00:19:52,920 --> 00:19:53,600
Speaker 4: I don't.

446
00:19:54,359 --> 00:19:58,000
Speaker 1: Yeah, I don't. I don't know is what I don't know?

447
00:19:58,040 --> 00:19:58,200
Speaker 4: Wait?

448
00:19:58,280 --> 00:19:59,680
Speaker 1: What does the joke again? Say it again?

449
00:19:59,720 --> 00:20:02,919
Speaker 2: Because Sean says, I'm going to dedicate this date to you,

450
00:20:03,000 --> 00:20:04,560
Speaker 2: and Corey is like, so touched?

451
00:20:04,600 --> 00:20:05,959
Speaker 3: He goes, how do I answer that?

452
00:20:07,240 --> 00:20:09,640
Speaker 1: I thought the joke would be that. He's like, how

453
00:20:09,640 --> 00:20:12,120
Speaker 1: do I answer? Like he's confused by how you dedicate?

454
00:20:13,000 --> 00:20:15,480
Speaker 1: You know, like if if Corey just actually asked Sean, like,

455
00:20:15,760 --> 00:20:17,360
Speaker 1: how do you what are you talking about?

456
00:20:17,359 --> 00:20:19,280
Speaker 3: I respond to this? I thought the way he delivered

457
00:20:19,280 --> 00:20:21,360
Speaker 3: it seems you're so touched.

458
00:20:21,400 --> 00:20:22,320
Speaker 1: I'm so touched.

459
00:20:22,440 --> 00:20:24,720
Speaker 4: This means so much to me that a joke, though,

460
00:20:24,800 --> 00:20:26,639
Speaker 4: that's the joke, is like, I'm going to dedicate my

461
00:20:26,720 --> 00:20:28,200
Speaker 4: day to you, Like man, that's right.

462
00:20:28,320 --> 00:20:31,480
Speaker 2: Something that doesn't really mean anything right to him means

463
00:20:31,520 --> 00:20:32,400
Speaker 2: something so much.

464
00:20:32,520 --> 00:20:33,760
Speaker 3: I guess that is the joke.

465
00:20:33,600 --> 00:20:35,360
Speaker 1: But it could it wasn't. Wasn't.

466
00:20:35,640 --> 00:20:39,160
Speaker 4: Maybe used a little little punch, maybe with a lemon

467
00:20:39,240 --> 00:20:39,679
Speaker 4: or something.

468
00:20:40,160 --> 00:20:40,640
Speaker 3: Nearby.

469
00:20:40,840 --> 00:20:43,080
Speaker 2: We shift to Feene, who walks up to mister Turner

470
00:20:43,119 --> 00:20:45,560
Speaker 2: and says he needs to start the Monday staff meeting with.

471
00:20:45,520 --> 00:20:47,240
Speaker 1: Ashton helmet helmet post.

472
00:20:47,400 --> 00:20:50,320
Speaker 5: That's right, always got the helmet safety first.

473
00:20:52,200 --> 00:20:55,080
Speaker 2: So Phoene has a dentist appointment. Turner wants to know

474
00:20:55,119 --> 00:20:57,280
Speaker 2: if it's anything serious, and Phoene says no, just to

475
00:20:57,359 --> 00:20:57,760
Speaker 2: check up.

476
00:20:58,080 --> 00:21:01,200
Speaker 3: But he does find a visit to the dentist oddly pleasant.

477
00:21:01,560 --> 00:21:03,960
Speaker 2: Turner says, maybe they'll find a cavity and you can

478
00:21:04,080 --> 00:21:05,919
Speaker 2: really part, really party.

479
00:21:06,000 --> 00:21:06,680
Speaker 3: Very cute.

480
00:21:07,240 --> 00:21:09,760
Speaker 2: Phoene then stops Eric in the hallway and says a question,

481
00:21:09,960 --> 00:21:12,560
Speaker 2: and Eric misunderstands him and thinks Phoenie wants him to

482
00:21:12,600 --> 00:21:16,400
Speaker 2: ask a question, so he says, uh, who's.

483
00:21:16,119 --> 00:21:18,720
Speaker 3: The French guy who fixed the milk? And at first

484
00:21:18,760 --> 00:21:21,840
Speaker 3: I was like, what what is this?

485
00:21:22,600 --> 00:21:25,320
Speaker 2: But then it ends up paying off. Phoene reminds Eric

486
00:21:25,359 --> 00:21:27,120
Speaker 2: of the ten page paper he owes him. He says

487
00:21:27,119 --> 00:21:30,360
Speaker 2: it was due last year. They have unfinished business. Eric

488
00:21:30,400 --> 00:21:33,240
Speaker 2: suddenly blurts out Louis b Pastor, who is the French

489
00:21:33,240 --> 00:21:37,040
Speaker 2: guy who discovered pasteurization? Yes, of course and quote unquote

490
00:21:37,080 --> 00:21:40,280
Speaker 2: saved milk. He's so proud of himself, and Phoene is

491
00:21:40,320 --> 00:21:42,399
Speaker 2: not that impressed. Phoene says, if he doesn't turn in

492
00:21:42,400 --> 00:21:46,119
Speaker 2: the term paper tomorrow, the incomplete will become an f

493
00:21:46,680 --> 00:21:47,240
Speaker 2: You are so.

494
00:21:47,160 --> 00:21:51,359
Speaker 1: Good in the seats, oh will when you have this

495
00:21:51,400 --> 00:21:53,840
Speaker 1: moment where you're like, wait, the French guy thing. I

496
00:21:53,840 --> 00:21:57,480
Speaker 1: got that. Yes, I love it. It's just so comfortable.

497
00:21:57,520 --> 00:22:00,240
Speaker 4: Now speaking of milk, and did you hear the thing

498
00:22:00,280 --> 00:22:03,600
Speaker 4: that soy milk is just Spanish milk introducing itself.

499
00:22:10,480 --> 00:22:12,880
Speaker 5: For like two days?

500
00:22:13,560 --> 00:22:13,919
Speaker 3: Milk?

501
00:22:17,800 --> 00:22:20,359
Speaker 2: That joke, I mean, if I had to put a

502
00:22:20,440 --> 00:22:23,080
Speaker 2: higher like jokes that are guaranteed to make Danielle laugh,

503
00:22:23,320 --> 00:22:27,000
Speaker 2: that is at the very top. It's really that is

504
00:22:27,160 --> 00:22:31,000
Speaker 2: right in my wheel. That so Eric says, don't worry.

505
00:22:31,040 --> 00:22:33,840
Speaker 2: He's been working on the paper all summer up here,

506
00:22:33,920 --> 00:22:36,400
Speaker 2: and he points to his head, and Phoene says, where

507
00:22:36,440 --> 00:22:40,360
Speaker 2: it's safe, where it's safe, and Eric agrees.

508
00:22:40,480 --> 00:22:41,080
Speaker 5: And this is now.

509
00:22:41,119 --> 00:22:44,359
Speaker 3: Phoenie and Eric are a team now and I love it.

510
00:22:44,520 --> 00:22:45,560
Speaker 3: Do you feel great?

511
00:22:45,960 --> 00:22:49,000
Speaker 4: It feels awesome? But man great? He they they have

512
00:22:49,400 --> 00:22:51,520
Speaker 4: just all of a sudden gone, nope, we're gonna move.

513
00:22:52,160 --> 00:22:54,280
Speaker 2: You know what they're able to do with Eric that

514
00:22:54,359 --> 00:22:58,320
Speaker 2: they aren't able to do with certainly with Corey and Shawn.

515
00:22:59,520 --> 00:23:03,720
Speaker 2: You have the perfect mix of feeling a little more

516
00:23:03,880 --> 00:23:07,000
Speaker 2: like Phoene's peer, like a little more like on a

517
00:23:07,080 --> 00:23:09,920
Speaker 2: Jonathan Turner thing, where like you get away with more

518
00:23:09,960 --> 00:23:13,760
Speaker 2: with Phoene that doesn't come across as too disrespectful. Like

519
00:23:13,800 --> 00:23:17,760
Speaker 2: if Corey or Sean had this same kind of like

520
00:23:17,880 --> 00:23:21,640
Speaker 2: jabby jabby, jabby jabby, it would be like, these kids

521
00:23:21,720 --> 00:23:22,320
Speaker 2: are terrible?

522
00:23:22,359 --> 00:23:23,240
Speaker 3: Who are these children?

523
00:23:23,640 --> 00:23:25,760
Speaker 2: Because you're a little bit older and I don't know,

524
00:23:25,840 --> 00:23:30,200
Speaker 2: there's like there's such an earnest, good natured way about you,

525
00:23:30,520 --> 00:23:34,440
Speaker 2: slash Eric, it feels so much more like it works.

526
00:23:34,480 --> 00:23:36,879
Speaker 3: Yeah, Eric, like Phoene's in on it with you a

527
00:23:36,880 --> 00:23:37,280
Speaker 3: little bit.

528
00:23:37,359 --> 00:23:40,080
Speaker 2: There's still a difference and there's still like a hierarchy

529
00:23:40,080 --> 00:23:42,760
Speaker 2: where he's above you, but also he's he enjoys you

530
00:23:42,960 --> 00:23:45,240
Speaker 2: in a different way that they're really.

531
00:23:45,080 --> 00:23:49,280
Speaker 4: Setting it up to. It's the straight up straight man comedian.

532
00:23:49,359 --> 00:23:52,399
Speaker 4: It's Laura and Hardy, It's the famous comedy teams of

533
00:23:52,440 --> 00:23:54,560
Speaker 4: all time, and that's really what they're setting it up as,

534
00:23:54,600 --> 00:23:58,160
Speaker 4: which is absolutely what it becomes down the line. So yeah,

535
00:23:58,320 --> 00:23:59,879
Speaker 4: it's cool to see the kind of the genesis of

536
00:23:59,920 --> 00:24:01,760
Speaker 4: It's really great well, and in a.

537
00:24:01,720 --> 00:24:04,119
Speaker 1: Lot of ways, the Corey feene dynamic was based on

538
00:24:04,200 --> 00:24:07,760
Speaker 1: him being a sort of little kid like being, you know,

539
00:24:07,800 --> 00:24:10,359
Speaker 1: and now that Ben's not that, like we're older, you know,

540
00:24:10,440 --> 00:24:13,119
Speaker 1: and it just doesn't play off of Peoene as well

541
00:24:13,160 --> 00:24:16,119
Speaker 1: as it did and season one, you know, I'm dancing,

542
00:24:16,720 --> 00:24:20,200
Speaker 1: you know, like, yeah, that level of like watching Bill's face,

543
00:24:20,320 --> 00:24:22,240
Speaker 1: you know, just be the straight man in the face

544
00:24:22,280 --> 00:24:26,480
Speaker 1: of this, you know, hyperactive kid. Yea, yeah, but you

545
00:24:26,480 --> 00:24:28,680
Speaker 1: know that just it doesn't really work the same way.

546
00:24:28,720 --> 00:24:31,600
Speaker 1: So yeah, putting you in that in that position is great. Yeah,

547
00:24:31,640 --> 00:24:33,680
Speaker 1: it was, Yeah, it was fun. It was really fun.

548
00:24:44,119 --> 00:24:45,440
Speaker 3: So we're in the Matthews living room.

549
00:24:45,520 --> 00:24:47,600
Speaker 2: Eric is on the phone ordering a ten page paper

550
00:24:47,640 --> 00:24:50,359
Speaker 2: on the Manhattan Project and he decides to splurge for

551
00:24:50,400 --> 00:24:53,960
Speaker 2: a bibliography. As he hangs up, he tells Carl, who's

552
00:24:53,960 --> 00:24:55,639
Speaker 2: the guy on the phone, he loves him and that

553
00:24:55,720 --> 00:24:57,119
Speaker 2: they provide a real service.

554
00:24:57,200 --> 00:24:59,600
Speaker 1: I love you too. It's in the paper.

555
00:25:00,080 --> 00:25:02,399
Speaker 4: It's like, there's there's an ad in the paper that

556
00:25:02,440 --> 00:25:03,639
Speaker 4: you can go and to get out.

557
00:25:03,680 --> 00:25:07,920
Speaker 2: Ninety five of us exactly. Corey walks in and sees

558
00:25:07,960 --> 00:25:10,880
Speaker 2: the term paper ad. He says, how did Eric pay

559
00:25:10,920 --> 00:25:13,040
Speaker 2: for this? He doesn't have a credit card. Eric pulls

560
00:25:13,040 --> 00:25:14,639
Speaker 2: out a credit card that a bank sent him in

561
00:25:14,640 --> 00:25:16,080
Speaker 2: the mail and says, can you believe they.

562
00:25:16,000 --> 00:25:18,040
Speaker 3: Sent this to me? Like I have the money, I

563
00:25:18,119 --> 00:25:22,000
Speaker 3: have the money. So cute, perfect little credit card joke.

564
00:25:22,560 --> 00:25:25,119
Speaker 2: He tells Corey that Tapanga called sounded important, but he

565
00:25:25,119 --> 00:25:26,800
Speaker 2: didn't write down the number because she was only going

566
00:25:26,880 --> 00:25:28,200
Speaker 2: to be there for a half hour and that was

567
00:25:28,240 --> 00:25:28,880
Speaker 2: about an hour.

568
00:25:29,119 --> 00:25:29,239
Speaker 1: Oh.

569
00:25:30,920 --> 00:25:32,880
Speaker 2: Corey is mad because he was waiting around all day

570
00:25:32,880 --> 00:25:36,560
Speaker 2: for that call. But Eric says, famous moment.

571
00:25:37,440 --> 00:25:39,280
Speaker 1: I couldn't believe it was this early. I was like,

572
00:25:39,280 --> 00:25:41,760
Speaker 1: wait a minute, it's it's it's life's tough. Get a

573
00:25:41,800 --> 00:25:43,240
Speaker 1: helmet already.

574
00:25:43,040 --> 00:25:46,640
Speaker 2: Live's tough, Get a helmet. The snacks Corey in the forehead.

575
00:25:46,720 --> 00:25:46,880
Speaker 1: Yep.

576
00:25:47,640 --> 00:25:51,280
Speaker 2: We hear about this line so often when we go

577
00:25:51,359 --> 00:25:53,960
Speaker 2: to our conventions. People talk about it. You bite it

578
00:25:53,960 --> 00:25:55,880
Speaker 2: as Reil long, It's so great, it's great.

579
00:25:56,160 --> 00:25:57,600
Speaker 1: Yeah, I've always remembered it too.

580
00:25:57,760 --> 00:26:01,560
Speaker 4: Yeah, And pictures with like slapping their forehead and I'm

581
00:26:01,600 --> 00:26:03,800
Speaker 4: doing it. But I had no idea was this early

582
00:26:03,880 --> 00:26:05,760
Speaker 4: in the show. I did no idea.

583
00:26:06,040 --> 00:26:06,480
Speaker 1: Amazing.

584
00:26:07,000 --> 00:26:09,000
Speaker 2: Then Sean walks in with his Duffel bag and Eric

585
00:26:09,040 --> 00:26:11,720
Speaker 2: pretends to celebrate that they're spending the weekend at the house.

586
00:26:11,800 --> 00:26:14,320
Speaker 2: He sarcastically says Corey and Sewan don't get to spend

587
00:26:14,440 --> 00:26:17,160
Speaker 2: enough time together, and he suggests that they just wear

588
00:26:17,320 --> 00:26:21,879
Speaker 2: one big shirt, big shirt.

589
00:26:23,119 --> 00:26:24,639
Speaker 3: I love it. It's so cute.

590
00:26:24,760 --> 00:26:27,399
Speaker 1: Yeah, it's so funny. I like, I like Eric giving

591
00:26:28,080 --> 00:26:31,240
Speaker 1: Coy and Swan crapah in this way, you know, like

592
00:26:31,359 --> 00:26:33,119
Speaker 1: it's it's better than I feel like it's been in

593
00:26:33,160 --> 00:26:35,800
Speaker 1: the past, where you like, are mean to Coy whatever,

594
00:26:35,880 --> 00:26:38,119
Speaker 1: this is teasing in us for being friends.

595
00:26:38,200 --> 00:26:39,880
Speaker 3: You know, it's really fun exactly.

596
00:26:39,880 --> 00:26:42,359
Speaker 4: I should also tell you that, in solidarity with us

597
00:26:42,400 --> 00:26:45,120
Speaker 4: now really launching into season three, I am seeing Lori

598
00:26:45,280 --> 00:26:47,560
Speaker 4: tomorrow and going more blonde?

599
00:26:47,920 --> 00:26:48,800
Speaker 3: Are you yes?

600
00:26:49,080 --> 00:26:50,919
Speaker 5: In solidarity with season three, I am are you?

601
00:26:51,040 --> 00:26:54,360
Speaker 2: Are you seeing how amazing you look with your blonder hair.

602
00:26:54,440 --> 00:26:56,080
Speaker 4: I'm just giving it a try. I'm like, you know

603
00:26:56,119 --> 00:26:58,679
Speaker 4: what season three blonde hair.

604
00:26:58,600 --> 00:26:58,920
Speaker 1: Let's do it.

605
00:26:59,000 --> 00:27:02,399
Speaker 3: Let's do it. I love it. Okay. So Eric quickly leaves,

606
00:27:02,400 --> 00:27:05,479
Speaker 3: and Corey says all system systems are go for Shawn's

607
00:27:05,560 --> 00:27:08,840
Speaker 3: date with Veronica tomorrow night, and Sean asks for deets.

608
00:27:08,520 --> 00:27:12,160
Speaker 5: Man man, remember this, we would do this, dude, deeps man.

609
00:27:12,320 --> 00:27:15,119
Speaker 4: Yes, oh yeah, because we were you you thought it

610
00:27:15,200 --> 00:27:16,960
Speaker 4: was like I remember at the time you being like,

611
00:27:17,160 --> 00:27:17,960
Speaker 4: I don't want.

612
00:27:17,840 --> 00:27:19,760
Speaker 5: To say deets man, like.

613
00:27:19,720 --> 00:27:22,440
Speaker 1: I don't want gen of the breeze.

614
00:27:24,000 --> 00:27:27,160
Speaker 4: And we would always afterwards be like, hey, deets man,

615
00:27:27,359 --> 00:27:30,480
Speaker 4: like we would just man because it was so deeps man.

616
00:27:30,560 --> 00:27:32,960
Speaker 4: I mean, yeah, this was one of our inside jokes

617
00:27:33,080 --> 00:27:34,040
Speaker 4: because it was painful.

618
00:27:34,480 --> 00:27:36,560
Speaker 1: You're like, I don't want to say deets man.

619
00:27:36,840 --> 00:27:37,919
Speaker 3: Hey man.

620
00:27:39,520 --> 00:27:42,440
Speaker 2: Corey says his parents made dinner reservations at the Hillside Grill,

621
00:27:42,520 --> 00:27:44,600
Speaker 2: but he canceled them, which means they'll have to wait

622
00:27:44,640 --> 00:27:47,200
Speaker 2: about an hour, which gives Sean more time on his date,

623
00:27:47,520 --> 00:27:49,320
Speaker 2: so much time he may even be able to start

624
00:27:49,320 --> 00:27:51,800
Speaker 2: his second date by the time they get home. Sean

625
00:27:51,800 --> 00:27:54,560
Speaker 2: says that's great, core without opening his mouth, and Corey

626
00:27:54,560 --> 00:27:57,800
Speaker 2: asks what's going on. Sean says he's resting his lips

627
00:27:57,840 --> 00:27:59,920
Speaker 2: and thanks a lot. Now he needs to start over

628
00:28:00,119 --> 00:28:00,679
Speaker 2: and doing.

629
00:28:00,560 --> 00:28:04,320
Speaker 1: It like looking it out. It's good physical comedy.

630
00:28:04,359 --> 00:28:04,600
Speaker 4: It is.

631
00:28:04,640 --> 00:28:06,920
Speaker 1: It's good physical comedy. It was funny, but the first

632
00:28:06,960 --> 00:28:12,560
Speaker 1: lot I was like, what did I not move my mouth? Yea.

633
00:28:13,240 --> 00:28:15,920
Speaker 2: So then we are in the Matthews living room the

634
00:28:16,040 --> 00:28:18,600
Speaker 2: lights are off and Sean and Veronica are making out

635
00:28:18,640 --> 00:28:21,320
Speaker 2: on the couch. She tells him he has great lips.

636
00:28:21,359 --> 00:28:24,840
Speaker 2: They're so and he finishes the sentence with well rested

637
00:28:25,400 --> 00:28:28,879
Speaker 2: and thanks to IMDb trivia, we know that this is

638
00:28:29,000 --> 00:28:35,600
Speaker 2: actress Aaron Dean's first screen kiss. Okay wow, so it

639
00:28:35,640 --> 00:28:38,080
Speaker 2: was a memorable week for her too.

640
00:28:38,360 --> 00:28:41,760
Speaker 4: Pretty good first on screen kiss when it's rider strong.

641
00:28:41,600 --> 00:28:45,880
Speaker 1: Huhne with those well rested lips, well rested legs. Yes.

642
00:28:47,200 --> 00:28:49,040
Speaker 2: Amy walks in the front door and turns on all

643
00:28:49,040 --> 00:28:51,800
Speaker 2: the lights. She notices them making out and says, pretend

644
00:28:51,800 --> 00:28:54,200
Speaker 2: I'm not here. Sean says fine, and he goes back

645
00:28:54,240 --> 00:28:57,880
Speaker 2: to start kissing Veronica, who stops him because it's still awkward.

646
00:28:58,480 --> 00:29:02,240
Speaker 2: Corey runs downstairs just to Alan walks into, also shocked

647
00:29:02,280 --> 00:29:05,360
Speaker 2: to see what appears to be going on. Corey wonders

648
00:29:05,360 --> 00:29:07,720
Speaker 2: how they're home so early since they had reservations, and

649
00:29:07,760 --> 00:29:10,000
Speaker 2: Alan says the restaurant lost them, but they found a

650
00:29:10,040 --> 00:29:12,440
Speaker 2: great romantic place across the street and they were in

651
00:29:12,520 --> 00:29:15,920
Speaker 2: and out in less than ninety minutes. Alan decides to

652
00:29:15,960 --> 00:29:18,440
Speaker 2: sit right down next to Sean on this hot date,

653
00:29:18,480 --> 00:29:20,360
Speaker 2: and Amy tells him why don't you come to the kitchen,

654
00:29:20,400 --> 00:29:22,600
Speaker 2: We'll make some coffee, and he says, no, I'm good

655
00:29:22,720 --> 00:29:23,480
Speaker 2: right here on the couch.

656
00:29:23,560 --> 00:29:25,880
Speaker 1: This is great. Shock, It's so funny.

657
00:29:26,000 --> 00:29:31,120
Speaker 2: It's so funny. He's just given Sean a little little needling. Yeah.

658
00:29:31,160 --> 00:29:34,440
Speaker 1: And we talk about Betsy's sleeveless vesta.

659
00:29:34,880 --> 00:29:37,280
Speaker 3: Yeah cool, I remember this outfit on her.

660
00:29:37,320 --> 00:29:40,840
Speaker 1: Do you do? It's like, whoa, they went out, Yeah,

661
00:29:40,880 --> 00:29:41,640
Speaker 1: got dressed up.

662
00:29:42,000 --> 00:29:45,720
Speaker 2: Yeah they I mean they this hillside place. Me sounds fancy,

663
00:29:45,800 --> 00:29:50,280
Speaker 2: hillside and then yeah, hillside grill. But then they they

664
00:29:50,440 --> 00:29:53,000
Speaker 2: go to this. You can tell that their date nights

665
00:29:53,080 --> 00:29:54,200
Speaker 2: are all about romance.

666
00:29:54,280 --> 00:29:54,880
Speaker 1: Oh yeah.

667
00:29:55,080 --> 00:29:57,600
Speaker 4: And right to him up right when you walked into

668
00:29:57,640 --> 00:30:00,480
Speaker 4: the door, Sue looked at me and she's like, man,

669
00:30:00,880 --> 00:30:02,320
Speaker 4: can wear a blazer and jeans.

670
00:30:02,680 --> 00:30:04,640
Speaker 1: Yeah, like she just rocked it.

671
00:30:04,760 --> 00:30:06,200
Speaker 4: He's got, you know, a pair of jeans and a

672
00:30:06,840 --> 00:30:09,360
Speaker 4: nice black or blue blazer and boom out the door.

673
00:30:09,560 --> 00:30:11,080
Speaker 1: Looks look great.

674
00:30:12,440 --> 00:30:14,760
Speaker 2: So after a second of watching fly fishing on TV,

675
00:30:14,840 --> 00:30:17,280
Speaker 2: sitting next to Sean, Allan says, I'm just messing with

676
00:30:17,320 --> 00:30:20,480
Speaker 2: you and he leaves. Corey says, there you're all alone again,

677
00:30:20,680 --> 00:30:22,520
Speaker 2: and then they look at him and he realizes he's

678
00:30:22,560 --> 00:30:25,120
Speaker 2: the third wheel now and he goes back upstairs. Sean

679
00:30:25,200 --> 00:30:26,520
Speaker 2: and Veronica start kissing again.

680
00:30:27,760 --> 00:30:34,120
Speaker 4: Ye yep, he's just always take it away, yep.

681
00:30:34,960 --> 00:30:37,640
Speaker 2: But then the doorbell rings and Eric comes running down

682
00:30:37,680 --> 00:30:40,040
Speaker 2: to open the door and it is mister Feenie. Sean

683
00:30:40,120 --> 00:30:43,880
Speaker 2: welcomes Phoene to his date, which is very funny, so cute.

684
00:30:44,760 --> 00:30:46,480
Speaker 3: Feeney reveals he got Eric's mail.

685
00:30:46,680 --> 00:30:49,160
Speaker 2: Eric starts to panic, thinking Peene knows he paid someone

686
00:30:49,160 --> 00:30:51,560
Speaker 2: to write his paper. But Pheene just wants the three

687
00:30:51,600 --> 00:30:55,440
Speaker 2: dollars and change for a cod which, for our dear

688
00:30:55,520 --> 00:30:58,200
Speaker 2: listeners who may not know this existed, that was cash

689
00:30:58,240 --> 00:31:00,480
Speaker 2: on delivery. You could have something sent to your house

690
00:31:00,480 --> 00:31:02,960
Speaker 2: and then you just pay for it in cash right there.

691
00:31:03,000 --> 00:31:04,880
Speaker 2: It was a very eighties and nineties thing.

692
00:31:05,080 --> 00:31:05,400
Speaker 4: M hm.

693
00:31:06,200 --> 00:31:08,440
Speaker 2: So you give him like three seventy five or something.

694
00:31:08,480 --> 00:31:11,520
Speaker 2: And Veronica asks Sean, is this the weirdest state you've

695
00:31:11,560 --> 00:31:14,320
Speaker 2: ever been on? And Seohn says not really. One time

696
00:31:14,360 --> 00:31:15,800
Speaker 2: on a blind date, I got set up with my

697
00:31:15,880 --> 00:31:20,040
Speaker 2: uncle Mary. Long story, Uncle Mary again Uncle Mary, and

698
00:31:20,080 --> 00:31:22,680
Speaker 2: the uncle stories just keep rolling.

699
00:31:23,120 --> 00:31:26,560
Speaker 4: This is also I have to say the third third

700
00:31:26,600 --> 00:31:30,760
Speaker 4: trans joke. Yeah, the third or fourth transgender joke.

701
00:31:30,600 --> 00:31:32,520
Speaker 1: And we haven't since we started. And then and then

702
00:31:32,520 --> 00:31:33,760
Speaker 1: obviously we have Chick like Me.

703
00:31:33,880 --> 00:31:36,560
Speaker 4: So right, and then and then Eric dresses Eric and

704
00:31:37,160 --> 00:31:38,560
Speaker 4: uh John dress up too.

705
00:31:38,600 --> 00:31:41,040
Speaker 5: I mean no, this is kind of an ongoing theme.

706
00:31:40,840 --> 00:31:44,479
Speaker 2: Of I know, I'll be interested to see when we

707
00:31:44,520 --> 00:31:48,440
Speaker 2: get to that episode how those like, how well or

708
00:31:48,480 --> 00:31:51,960
Speaker 2: not well the episode, like, does it feel totally out

709
00:31:51,960 --> 00:31:52,280
Speaker 2: of place?

710
00:31:52,360 --> 00:31:54,000
Speaker 5: Yeah, Chick like Me, I think it's going to be

711
00:31:54,160 --> 00:31:55,880
Speaker 5: is going to hold just really well.

712
00:31:55,960 --> 00:31:58,400
Speaker 3: And I don't know that American Jackson thing about it

713
00:31:58,400 --> 00:31:58,720
Speaker 3: at all.

714
00:31:59,480 --> 00:32:01,120
Speaker 4: I don't think Eric and Jack because it was played

715
00:32:01,120 --> 00:32:03,360
Speaker 4: for the joke, whereas Chick Like Me was played.

716
00:32:03,520 --> 00:32:06,240
Speaker 1: I mean there was there was that went on. Yeah,

717
00:32:06,320 --> 00:32:08,440
Speaker 1: there was no learning with Eric and Jack. What's what

718
00:32:08,720 --> 00:32:09,520
Speaker 1: it was. It was a joke.

719
00:32:09,840 --> 00:32:12,040
Speaker 4: So I don't think that'll hold up on that side.

720
00:32:12,040 --> 00:32:13,600
Speaker 4: It might hold up as a comedy, but who knows.

721
00:32:13,640 --> 00:32:15,560
Speaker 4: But yeah, I think chick is going to hold up

722
00:32:15,560 --> 00:32:15,840
Speaker 4: really well.

723
00:32:15,840 --> 00:32:19,200
Speaker 2: Frankly, we'll get to it. Alan Amy and Corey now

724
00:32:19,200 --> 00:32:21,440
Speaker 2: walk in again, creating a real party in the living room.

725
00:32:21,480 --> 00:32:24,280
Speaker 2: Corey pointing to Sean Yelle's people people, the man is

726
00:32:24,320 --> 00:32:24,840
Speaker 2: on a date.

727
00:32:25,160 --> 00:32:26,880
Speaker 3: That's Veronica Watson.

728
00:32:26,480 --> 00:32:29,720
Speaker 2: For crying out loud and everyone then awkwardly stares at her.

729
00:32:29,880 --> 00:32:31,680
Speaker 1: I thought that was funny, where it's like very.

730
00:32:31,520 --> 00:32:33,920
Speaker 3: Funny but also still a bit of a weird button. Yeah,

731
00:32:34,000 --> 00:32:36,479
Speaker 3: just a button of people going hmmm, let's check out

732
00:32:36,520 --> 00:32:37,560
Speaker 3: this Veronica Watson like.

733
00:32:39,200 --> 00:32:42,800
Speaker 2: And then we're in a very funny scene in Alan's car,

734
00:32:43,040 --> 00:32:45,760
Speaker 2: which I love. Sean and Veronica are making out in

735
00:32:45,800 --> 00:32:48,280
Speaker 2: the back seat while Alan is driving. Alan makes them

736
00:32:48,280 --> 00:32:50,520
Speaker 2: stop smooching. He threatens to pull the car over.

737
00:32:51,800 --> 00:32:54,280
Speaker 1: To that teenage, I mean, I was one of them.

738
00:32:54,400 --> 00:32:55,640
Speaker 1: The teenagers will do this.

739
00:32:56,040 --> 00:32:56,800
Speaker 3: I thought the same thing.

740
00:32:56,840 --> 00:32:59,120
Speaker 2: I was like our teenagers that comfortable making out in

741
00:32:59,120 --> 00:32:59,760
Speaker 2: front of their parents.

742
00:32:59,760 --> 00:33:04,200
Speaker 1: But but it's also not his parents. Yeah, but it's

743
00:33:04,280 --> 00:33:06,440
Speaker 1: so bizarre to me. But I definitely did this. Oh

744
00:33:06,640 --> 00:33:10,320
Speaker 1: I remember making out and like I actually had a memory.

745
00:33:11,120 --> 00:33:11,239
Speaker 2: Uh.

746
00:33:11,960 --> 00:33:14,280
Speaker 1: Angel and Vicki we talked about all this podcast. We're

747
00:33:14,320 --> 00:33:18,560
Speaker 1: visiting me up in my hometown and we had my friend,

748
00:33:18,680 --> 00:33:20,720
Speaker 1: my best friend, Nathan, was in the car with his

749
00:33:20,800 --> 00:33:22,720
Speaker 1: girlfriend in the back of the car and we were

750
00:33:22,800 --> 00:33:27,080
Speaker 1: driving somewhere and Nathan and his girlfriend were just making

751
00:33:27,160 --> 00:33:30,719
Speaker 1: out just like this scene, and I just remember we

752
00:33:30,920 --> 00:33:32,520
Speaker 1: got really quiet in the car and we could just

753
00:33:32,600 --> 00:33:39,080
Speaker 1: hear the angel just went sounds like somebody is making spaghetti.

754
00:33:42,960 --> 00:33:47,000
Speaker 1: We all lost it and they was so embarrassed, like,

755
00:33:47,160 --> 00:33:48,880
Speaker 1: but like, what are you doing? You're just sitting there

756
00:33:49,040 --> 00:33:50,960
Speaker 1: making Oh I'm.

757
00:33:50,880 --> 00:33:53,240
Speaker 2: Saying, is so much fun when you're a kid, it's

758
00:33:53,400 --> 00:33:54,400
Speaker 2: just so much fun.

759
00:33:57,400 --> 00:34:01,440
Speaker 1: So embarrassing, but you're just so like you're so desperate

760
00:34:01,480 --> 00:34:06,120
Speaker 1: to be like alone or have the opportunity to to

761
00:34:06,280 --> 00:34:09,560
Speaker 1: make out. It's so it's so bizarre. Oh but it's

762
00:34:09,920 --> 00:34:11,840
Speaker 1: even more bizarre than there's a TV show about it.

763
00:34:11,960 --> 00:34:13,080
Speaker 3: Oh yeah.

764
00:34:13,280 --> 00:34:16,000
Speaker 2: Alan realizes he's turned into his father, which is a

765
00:34:16,080 --> 00:34:18,560
Speaker 2: rite of passage for all men his age. They eventually

766
00:34:18,600 --> 00:34:20,960
Speaker 2: get to Veronica's house and Sean asks if Alan can

767
00:34:21,000 --> 00:34:22,640
Speaker 2: take them around the block a few more times, but

768
00:34:22,680 --> 00:34:25,480
Speaker 2: Alan says no, so Sean starts kissing Veronica again and

769
00:34:25,520 --> 00:34:26,600
Speaker 2: eventually she gets out.

770
00:34:27,040 --> 00:34:29,200
Speaker 4: How rust he was great with this Bye bye bye,

771
00:34:29,320 --> 00:34:30,200
Speaker 4: okay bye bye.

772
00:34:31,360 --> 00:34:32,600
Speaker 3: So funny this whole scene.

773
00:34:32,600 --> 00:34:32,960
Speaker 1: I love.

774
00:34:33,160 --> 00:34:34,600
Speaker 3: I think it's just hilarious.

775
00:34:34,920 --> 00:34:37,200
Speaker 2: Alan asks if Sean is forgetting anything and he tries

776
00:34:37,239 --> 00:34:40,040
Speaker 2: to tip Alan, but Alan meant he should walk as

777
00:34:40,120 --> 00:34:44,080
Speaker 2: date to the door. Another great joke, and Sean says,

778
00:34:44,120 --> 00:34:45,719
Speaker 2: if he gets out of the car, he ain't ever

779
00:34:45,760 --> 00:34:46,359
Speaker 2: coming back.

780
00:34:46,600 --> 00:34:47,920
Speaker 1: So it's a great joke.

781
00:34:49,440 --> 00:34:52,719
Speaker 4: It's it's an phenomenal scene that at the end of

782
00:34:52,719 --> 00:34:55,719
Speaker 4: the day, really isn't necessary at all. He didn't need

783
00:34:55,760 --> 00:34:59,000
Speaker 4: to have Alan driving them home, and you didn't need

784
00:34:59,040 --> 00:35:00,760
Speaker 4: to have them in the car. I mean, it wasn't

785
00:35:00,800 --> 00:35:03,200
Speaker 4: like you could have just cut this entire scene if

786
00:35:03,239 --> 00:35:05,239
Speaker 4: you wanted to, and then cut to Sean at the

787
00:35:05,440 --> 00:35:07,480
Speaker 4: you know, in the bedroom going like, ooh, I need

788
00:35:07,480 --> 00:35:08,840
Speaker 4: to be I need to be. Oh, I got to

789
00:35:08,840 --> 00:35:10,400
Speaker 4: see her. I got to see her if you wanted to.

790
00:35:11,280 --> 00:35:13,880
Speaker 4: It was a it was a great scene all the

791
00:35:13,920 --> 00:35:16,000
Speaker 4: way around. It's just not necessary.

792
00:35:16,160 --> 00:35:18,000
Speaker 2: Well, I do think if you had just gone to

793
00:35:18,080 --> 00:35:20,520
Speaker 2: the next scene, you would wonder where did she go?

794
00:35:20,560 --> 00:35:22,600
Speaker 2: Because you're if you you'd have to stay in the house.

795
00:35:22,640 --> 00:35:24,000
Speaker 2: The last time you would have seen her was the

796
00:35:24,000 --> 00:35:26,960
Speaker 2: family looking at her. Yeah versaa Watson, They're all looking

797
00:35:26,960 --> 00:35:28,120
Speaker 2: at her. And then the next scene is I've got

798
00:35:28,120 --> 00:35:28,440
Speaker 2: to see her.

799
00:35:28,400 --> 00:35:31,400
Speaker 4: I've got is just you had one line at the

800
00:35:31,400 --> 00:35:33,040
Speaker 4: beginning of that scene like dude, she went home, the

801
00:35:33,120 --> 00:35:33,600
Speaker 4: date was over.

802
00:35:33,680 --> 00:35:34,560
Speaker 5: It's like I know, but I can't.

803
00:35:34,600 --> 00:35:36,320
Speaker 2: I got Alan at the end of that scene being like,

804
00:35:36,320 --> 00:35:39,080
Speaker 2: come on, Veronica, I'm taking you home, and then the next.

805
00:35:38,960 --> 00:35:42,040
Speaker 5: Scene are It's a great scene, it just wasn't necessary.

806
00:35:42,520 --> 00:35:43,520
Speaker 3: Yeah. Interesting.

807
00:35:43,840 --> 00:35:45,680
Speaker 2: So then we're in Corey and Eric's room. Sean is

808
00:35:45,719 --> 00:35:48,200
Speaker 2: pacing back and forth. He misses Veronica and he's planning

809
00:35:48,239 --> 00:35:50,400
Speaker 2: to sneak out of the Matthew's house for more kissing.

810
00:35:50,719 --> 00:35:53,759
Speaker 2: Corey is wearing a Randall Cunningham jersey f YI, and

811
00:35:53,840 --> 00:35:55,040
Speaker 2: the name has been taken.

812
00:35:54,800 --> 00:35:55,439
Speaker 3: Off of the back.

813
00:35:55,680 --> 00:35:56,839
Speaker 1: Just yeah, number twelve.

814
00:35:56,840 --> 00:35:59,319
Speaker 3: I would call that a number twelve Randall Cunningham. In

815
00:35:59,400 --> 00:36:02,840
Speaker 3: a callback to you don't know what football he was

816
00:36:02,880 --> 00:36:04,719
Speaker 3: a quarterback Philadelphia equals yes.

817
00:36:05,520 --> 00:36:07,359
Speaker 2: In a callback to the end of season two, Corey

818
00:36:07,400 --> 00:36:10,000
Speaker 2: asks Sean if maybe once when he stays it us

819
00:36:10,000 --> 00:36:12,720
Speaker 2: at his house, maybe he could actually try and stay,

820
00:36:12,920 --> 00:36:14,439
Speaker 2: which I thought was a very joke.

821
00:36:14,520 --> 00:36:18,200
Speaker 3: Yep, a good joke. Sean tries to leave through the window, but.

822
00:36:18,160 --> 00:36:22,040
Speaker 2: Alan and Amy are in the backyard making out, blocking

823
00:36:22,080 --> 00:36:26,040
Speaker 2: his escape route. As a result, Sean makes an elaborate

824
00:36:26,160 --> 00:36:28,800
Speaker 2: escape plan by climbing down a tree, and Corey explains

825
00:36:28,840 --> 00:36:31,360
Speaker 2: to Sean he can just go out the front door instead,

826
00:36:31,560 --> 00:36:34,120
Speaker 2: and after a bit of thinking, Sean says, this is

827
00:36:34,160 --> 00:36:35,200
Speaker 2: a plan so crazy.

828
00:36:35,239 --> 00:36:38,800
Speaker 4: It's crazy, it just might work.

829
00:36:39,880 --> 00:36:42,400
Speaker 2: Then we are at Turner's apartment. Sean takes Veronica to

830
00:36:42,440 --> 00:36:46,279
Speaker 2: Turner's apartment aka the Hotel de Shawn as he calls it.

831
00:36:46,520 --> 00:36:48,600
Speaker 2: But when he opens the door and turns the lights on,

832
00:36:48,760 --> 00:36:51,640
Speaker 2: we see Turner is on the couch making out with

833
00:36:51,680 --> 00:36:54,120
Speaker 2: a new girl. A new woman, I should say a woman.

834
00:36:54,200 --> 00:36:57,080
Speaker 2: She's not a girl. Sean asks what Turner is doing there,

835
00:36:57,080 --> 00:36:59,000
Speaker 2: and he asks the same question back to Sean.

836
00:37:00,840 --> 00:37:01,440
Speaker 3: Double li.

837
00:37:03,440 --> 00:37:06,719
Speaker 4: Can we very briefly talk about how so everybody's hooking

838
00:37:06,800 --> 00:37:07,680
Speaker 4: up in this episode?

839
00:37:08,160 --> 00:37:09,520
Speaker 1: I mean that's kind of the point.

840
00:37:10,360 --> 00:37:13,840
Speaker 4: Except Corey and Topanga, who are now a new couple, Like,

841
00:37:13,920 --> 00:37:15,360
Speaker 4: why would that not be part of it?

842
00:37:17,200 --> 00:37:19,360
Speaker 3: I know we get plenty of makeout.

843
00:37:20,760 --> 00:37:24,279
Speaker 5: Man, is that does that lend itself to this episode?

844
00:37:24,280 --> 00:37:26,200
Speaker 1: It just does whatever?

845
00:37:27,560 --> 00:37:30,520
Speaker 2: So it's uh, We're still in Turner's apartment. Turner says

846
00:37:30,560 --> 00:37:33,080
Speaker 2: this is bad, and Sean says this is bad and.

847
00:37:34,920 --> 00:37:36,080
Speaker 1: In this episode.

848
00:37:36,120 --> 00:37:37,680
Speaker 3: Introed him in the last episode.

849
00:37:37,960 --> 00:37:40,120
Speaker 1: It's a weird episode. I wonder if this was you know,

850
00:37:40,160 --> 00:37:42,719
Speaker 1: this is it feels like this episode might have been

851
00:37:42,719 --> 00:37:46,920
Speaker 1: written before the last one. Right, maybe they decided because

852
00:37:46,960 --> 00:37:50,239
Speaker 1: you know, the way that season two ended was with

853
00:37:50,320 --> 00:37:53,800
Speaker 1: this Sean Turner dynamic, so it's it makes a natural

854
00:37:53,800 --> 00:37:58,160
Speaker 1: progression to be like, let's start season three with developing

855
00:37:58,160 --> 00:38:02,200
Speaker 1: the Shawn Turner dynamic. But and they clearly like decided, no, no, no,

856
00:38:02,280 --> 00:38:04,719
Speaker 1: let's make a whole episode about getting Cory to bang

857
00:38:04,760 --> 00:38:05,600
Speaker 1: it together first.

858
00:38:05,719 --> 00:38:08,200
Speaker 4: Right, Yeah, it's very very strange. But you're right that

859
00:38:08,400 --> 00:38:11,480
Speaker 4: Alex wasn't in it, Danielle wasn't in it. It was yeah, yeah,

860
00:38:11,920 --> 00:38:13,319
Speaker 4: all that everybody's hooking up.

861
00:38:13,480 --> 00:38:14,400
Speaker 1: It was. Yeah, it was strange.

862
00:38:14,440 --> 00:38:16,000
Speaker 4: It was a great episode, but it just it did

863
00:38:16,040 --> 00:38:17,799
Speaker 4: it seemed out of place a little bit.

864
00:38:18,760 --> 00:38:21,560
Speaker 2: So Turner says, this is bad. Seawan says this is bad,

865
00:38:21,680 --> 00:38:24,280
Speaker 2: Veronica says, is this bad? And the new woman says

866
00:38:24,320 --> 00:38:25,839
Speaker 2: it's pretty bad. Honey, it's pretty bad.

867
00:38:25,840 --> 00:38:26,120
Speaker 1: Honey.

868
00:38:26,160 --> 00:38:29,040
Speaker 2: It's a cute little run. Sean says, no, it isn't

869
00:38:29,040 --> 00:38:31,640
Speaker 2: what it looks like. He explains that Turner is Veronica's

870
00:38:31,640 --> 00:38:33,959
Speaker 2: favorite teacher and she wanted a tour of the house.

871
00:38:34,120 --> 00:38:37,920
Speaker 2: Next up Fanny's Turner yells stay like he's talking to

872
00:38:38,000 --> 00:38:40,799
Speaker 2: a dog. And Turner's date says she's going to leave

873
00:38:40,840 --> 00:38:42,319
Speaker 2: and offers to take Veronica home.

874
00:38:42,640 --> 00:38:46,520
Speaker 1: Turner plays off of my like like she goes along

875
00:38:46,560 --> 00:38:48,240
Speaker 1: with my scheme, like it's so funny.

876
00:38:48,239 --> 00:38:52,239
Speaker 2: She's like, oh yeah, yeah, yep, She's totally in for

877
00:38:52,280 --> 00:38:54,200
Speaker 2: the ride, which again is another great thing where you

878
00:38:54,239 --> 00:38:56,840
Speaker 2: don't ever feel uncomfortable about how much Sewan's trying to

879
00:38:56,840 --> 00:38:57,200
Speaker 2: make out.

880
00:38:57,239 --> 00:38:58,200
Speaker 3: She's right there with you.

881
00:38:58,360 --> 00:39:01,000
Speaker 2: It's the two of you in on this team together

882
00:39:01,480 --> 00:39:02,719
Speaker 2: and just tied to each other.

883
00:39:02,719 --> 00:39:03,560
Speaker 3: It works really great.

884
00:39:03,840 --> 00:39:05,680
Speaker 4: Can we also talk about because now we're going to

885
00:39:05,719 --> 00:39:09,759
Speaker 4: get into the actual lie that Jonathan tells Schawn, and

886
00:39:09,840 --> 00:39:12,239
Speaker 4: if you go back to the first scene where he's

887
00:39:12,280 --> 00:39:16,240
Speaker 4: talking about the wedding, this is an elaborate lie.

888
00:39:16,880 --> 00:39:18,760
Speaker 3: Liars often give too much details.

889
00:39:18,880 --> 00:39:21,520
Speaker 1: I mean, man, he go but it does. He goes

890
00:39:21,560 --> 00:39:22,160
Speaker 1: off on the whole.

891
00:39:22,200 --> 00:39:24,040
Speaker 4: All right, I'll call my friend and I'll tell him

892
00:39:24,080 --> 00:39:25,439
Speaker 4: not to do because I rented a tux.

893
00:39:25,520 --> 00:39:29,040
Speaker 1: I did it. It's like he I mean, man, yeah,

894
00:39:29,080 --> 00:39:34,400
Speaker 1: he lied. Just yeah, it's yeah, this is very elaborate.

895
00:39:34,440 --> 00:39:35,759
Speaker 5: This isn't hey, I'm going to be out of town.

896
00:39:35,840 --> 00:39:38,920
Speaker 4: This is backstory and people that are going to be

897
00:39:39,000 --> 00:39:41,360
Speaker 4: there and making him feel guilty for who am I

898
00:39:41,360 --> 00:39:43,600
Speaker 4: gonna have my friend move his entire wedding.

899
00:39:43,600 --> 00:39:45,239
Speaker 1: I mean it's like this was thought out.

900
00:39:45,920 --> 00:39:47,640
Speaker 3: He really likes this new girl, Chris.

901
00:39:47,719 --> 00:39:48,480
Speaker 1: Yeah.

902
00:39:48,600 --> 00:39:51,319
Speaker 2: So then Veronica and Sean wave goodbye sadly to each other.

903
00:39:51,440 --> 00:39:53,640
Speaker 2: Turner asks Sean what he was thinking, and he says,

904
00:39:53,640 --> 00:39:56,319
Speaker 2: if I can't trust you, And just as Sean is

905
00:39:56,320 --> 00:40:00,759
Speaker 2: about to defend himself, he realizes something and asks how

906
00:40:00,840 --> 00:40:06,120
Speaker 2: was the wedding pals Really great, great read. You see

907
00:40:06,160 --> 00:40:09,759
Speaker 2: it hit you. You see the the wheels turning. You don't

908
00:40:09,800 --> 00:40:12,359
Speaker 2: ask it too angry. It's such a perfect read.

909
00:40:13,040 --> 00:40:13,840
Speaker 5: It's also.

910
00:40:15,600 --> 00:40:17,080
Speaker 1: Because it has nothing to do with school.

911
00:40:17,560 --> 00:40:20,160
Speaker 4: It's street smart stuff, so you get it, you know

912
00:40:20,160 --> 00:40:22,319
Speaker 4: what I mean, Like Sean gets it because it's.

913
00:40:22,200 --> 00:40:24,120
Speaker 1: Like, oh wait, you were scanning me.

914
00:40:25,560 --> 00:40:27,640
Speaker 3: There's a little bit of respect there.

915
00:40:27,480 --> 00:40:30,120
Speaker 1: Yeah, almost. Oh yeah, Well that's what's great about this.

916
00:40:30,239 --> 00:40:31,719
Speaker 1: The rest of the scene is that it gets back

917
00:40:31,760 --> 00:40:33,920
Speaker 1: to that sort of us on the couch together talking

918
00:40:33,960 --> 00:40:36,719
Speaker 1: about doing life and you know, like how I'm going

919
00:40:36,719 --> 00:40:40,120
Speaker 1: to help them with girls. It's it's a great dynamic. Really,

920
00:40:40,520 --> 00:40:42,400
Speaker 1: Sean and Turner be kind of equals.

921
00:40:42,920 --> 00:40:45,479
Speaker 2: Well, mister Turner gets defensive and Sean asks, how about

922
00:40:45,480 --> 00:40:46,160
Speaker 2: that tuxedo?

923
00:40:46,200 --> 00:40:47,240
Speaker 3: Does it come to TUXI?

924
00:40:48,440 --> 00:40:51,520
Speaker 2: Turner says he's the adult and Sean is the kid,

925
00:40:51,600 --> 00:40:54,040
Speaker 2: and Sean asks, so what does that mean? You can

926
00:40:54,120 --> 00:40:59,080
Speaker 2: lie but I can't? Again, great love this dynamic. Turner

927
00:40:59,160 --> 00:41:01,080
Speaker 2: says he needs a little He said he needed a

928
00:41:01,080 --> 00:41:03,239
Speaker 2: little privacy, and Sean says he didn't realize he was

929
00:41:03,280 --> 00:41:05,960
Speaker 2: cramping a style. Turner says, this is his place and

930
00:41:06,000 --> 00:41:08,879
Speaker 2: he doesn't have to defend himself. Shawn storms out, which

931
00:41:09,040 --> 00:41:11,520
Speaker 2: seems to be a very Sean's becoming a very shn

932
00:41:11,640 --> 00:41:12,040
Speaker 2: thing to do.

933
00:41:12,160 --> 00:41:15,360
Speaker 1: Yeah, I'm a I'm a great stormer.

934
00:41:16,560 --> 00:41:21,400
Speaker 2: Yeah, you've a you're an established storm rout storm. And

935
00:41:21,440 --> 00:41:24,120
Speaker 2: then we're in the Matthew's backyard slash side yard. We

936
00:41:24,200 --> 00:41:27,040
Speaker 2: hear Turner pull up on his loud motorcycle to look

937
00:41:27,040 --> 00:41:29,400
Speaker 2: for Sean, and Feene opens his door and asks if

938
00:41:29,400 --> 00:41:32,080
Speaker 2: that was his motorcycle or if a shuttle just landed.

939
00:41:32,560 --> 00:41:33,839
Speaker 2: Phoene says, uh.

940
00:41:33,719 --> 00:41:40,560
Speaker 1: In the smoking robe. Yeah, I love yeah, George love that.

941
00:41:41,120 --> 00:41:43,799
Speaker 2: Phoene says he knew the arrangement Sewn and Turner made

942
00:41:43,800 --> 00:41:46,440
Speaker 2: had the potential to ruin someone's private life, and Turner

943
00:41:46,440 --> 00:41:49,279
Speaker 2: says his private life is far from ruined, and then

944
00:41:49,320 --> 00:41:53,200
Speaker 2: Phoene says, I meant mine, which is which is great?

945
00:41:53,480 --> 00:41:56,880
Speaker 2: And then a woman listed as Nancy in the subtitles,

946
00:41:56,880 --> 00:41:59,920
Speaker 2: by the Way, calls for Feenie from inside his house,

947
00:42:00,080 --> 00:42:01,840
Speaker 2: asking where he keeps his towels.

948
00:42:02,520 --> 00:42:05,560
Speaker 1: The trowels they could have used any word.

949
00:42:06,280 --> 00:42:09,120
Speaker 4: She could have called for any a, George, where's the

950
00:42:09,200 --> 00:42:10,520
Speaker 4: wine open or anything?

951
00:42:10,719 --> 00:42:13,480
Speaker 5: They made towels which alludes to nudity.

952
00:42:13,640 --> 00:42:15,120
Speaker 1: I just want to point that out.

953
00:42:15,680 --> 00:42:18,440
Speaker 4: It could have picked anything, but they could have. I

954
00:42:18,440 --> 00:42:20,240
Speaker 4: thought about that was that was done.

955
00:42:20,000 --> 00:42:21,600
Speaker 3: On purpose inside the house?

956
00:42:21,640 --> 00:42:26,040
Speaker 1: Anyone's new. They couldn't picked anything not wearing globes.

957
00:42:26,160 --> 00:42:29,680
Speaker 4: They could wears the salad, where's the dressing, where's the

958
00:42:29,719 --> 00:42:30,560
Speaker 4: wine glasses?

959
00:42:30,560 --> 00:42:34,520
Speaker 1: He could have picked anything. Where the towels? George, I'm nicking.

960
00:42:35,560 --> 00:42:38,360
Speaker 2: Phoenie says, Remember I'm going to be late on Monday

961
00:42:38,360 --> 00:42:43,759
Speaker 2: morning dental appointment. Turner suspicious Quen's questions dental appointment, and

962
00:42:43,800 --> 00:42:46,080
Speaker 2: Phoene says, she is my dentist.

963
00:42:46,560 --> 00:42:51,080
Speaker 4: So is he planning on sleeping with this woman all

964
00:42:51,160 --> 00:42:55,400
Speaker 4: weekend to the point that he's thing on Monday.

965
00:42:55,760 --> 00:42:59,040
Speaker 3: Again she can't leave Monday mornings.

966
00:42:59,239 --> 00:43:09,520
Speaker 2: This out no sense because he's early on front. You know,

967
00:43:09,520 --> 00:43:19,000
Speaker 2: maybe he has to take her to the airport. Ven

968
00:43:19,040 --> 00:43:21,200
Speaker 2: he goes back into the house. I'm assuming to get

969
00:43:21,239 --> 00:43:24,480
Speaker 2: her some towels, and Alan opens the Matthew's door but

970
00:43:24,560 --> 00:43:26,719
Speaker 2: tells Turner now isn't a good time. But Turner comes

971
00:43:26,760 --> 00:43:29,839
Speaker 2: inside anyway, looking for Sean. Corey comes down and says

972
00:43:29,880 --> 00:43:32,480
Speaker 2: he doesn't know where Sean is, and finally telling the truth,

973
00:43:32,480 --> 00:43:34,799
Speaker 2: it feels good. He says good night everyone, and he

974
00:43:34,800 --> 00:43:37,319
Speaker 2: heads back upstairs, and then he quickly comes back down

975
00:43:37,400 --> 00:43:40,120
Speaker 2: and asks Turner, aren't you supposed to be in Pittsburgh?

976
00:43:40,480 --> 00:43:45,840
Speaker 2: And Turner says yes, and that hurts, and it's so good.

977
00:43:46,760 --> 00:43:49,799
Speaker 2: Now alone, Turner tells Alan he lied to Sean. Alan

978
00:43:49,920 --> 00:43:52,600
Speaker 2: guesses exactly what happened. Sean came to his apartment with

979
00:43:52,680 --> 00:43:54,719
Speaker 2: Veronica and then caught him in the line, and Turner.

980
00:43:54,440 --> 00:43:58,240
Speaker 3: Says, oh, you're good, And then.

981
00:43:58,200 --> 00:44:01,360
Speaker 2: Amy calls for Alan for up upstairs, saying the bathtub

982
00:44:01,400 --> 00:44:04,080
Speaker 2: is full, the champagne is flowing, and the candles are lit,

983
00:44:04,200 --> 00:44:08,600
Speaker 2: and then she walks down in this fancy red long

984
00:44:08,880 --> 00:44:09,840
Speaker 2: lingerie dress.

985
00:44:10,520 --> 00:44:13,360
Speaker 3: It's so pretty. And by the way, I have the

986
00:44:13,560 --> 00:44:14,920
Speaker 3: exact same.

987
00:44:14,800 --> 00:44:18,600
Speaker 2: One but in blue, and it was my mother's from

988
00:44:18,640 --> 00:44:24,160
Speaker 2: the eighties. Wow, And Jensen calls it my fancy ghost nightgown?

989
00:44:24,280 --> 00:44:26,719
Speaker 3: Does you look like a fancy ghost in that?

990
00:44:27,400 --> 00:44:30,360
Speaker 2: And she came down in that red nightgown and Jensen

991
00:44:30,400 --> 00:44:32,120
Speaker 2: and I both went ghost.

992
00:44:35,560 --> 00:44:37,360
Speaker 4: I did have one question that was pointed out by

993
00:44:37,440 --> 00:44:40,040
Speaker 4: my wife, which is, if they're getting in the tub

994
00:44:40,200 --> 00:44:42,920
Speaker 4: and they're just starting all of this, why is she

995
00:44:43,000 --> 00:44:43,760
Speaker 4: in a nightgown?

996
00:44:44,600 --> 00:44:45,680
Speaker 3: You think she should have come down?

997
00:44:45,760 --> 00:44:48,399
Speaker 4: No, no, I think I'm just cheering for taking You're

998
00:44:48,440 --> 00:44:50,520
Speaker 4: going to be in a robe to get into the bathtub?

999
00:44:53,400 --> 00:44:58,320
Speaker 4: My questions, Right, So then take a bath.

1000
00:44:59,000 --> 00:45:05,040
Speaker 2: Maybe the bath is aft her okay, making.

1001
00:45:04,800 --> 00:45:05,840
Speaker 3: Out went upstairs.

1002
00:45:06,480 --> 00:45:09,840
Speaker 2: That's sexy, okay, And now they're taking a bath to

1003
00:45:10,000 --> 00:45:10,520
Speaker 2: end the night.

1004
00:45:11,400 --> 00:45:12,720
Speaker 5: So sexy already happened.

1005
00:45:12,719 --> 00:45:14,839
Speaker 4: But then he wouldn't be like no, no, no, no, it's

1006
00:45:14,880 --> 00:45:16,680
Speaker 4: not a good time.

1007
00:45:16,840 --> 00:45:18,400
Speaker 1: Come on.

1008
00:45:19,880 --> 00:45:21,840
Speaker 2: They had to get the joke that she has to

1009
00:45:21,880 --> 00:45:26,080
Speaker 2: come to her, so funny she was just in a robe,

1010
00:45:26,120 --> 00:45:27,360
Speaker 2: it wouldn't have been quite as funny.

1011
00:45:27,400 --> 00:45:30,960
Speaker 3: And Jon's here beautiful, serious, hilarious.

1012
00:45:31,200 --> 00:45:35,920
Speaker 2: Okay, So she is mortified, Amy runs back upstairs and

1013
00:45:35,920 --> 00:45:41,680
Speaker 2: Turner says, sorry, like a little boy, and it's so funny.

1014
00:45:42,520 --> 00:45:44,319
Speaker 2: Turner says he's going to go look for Sean, and

1015
00:45:44,360 --> 00:45:47,680
Speaker 2: Alan asks where Turner doesn't know. He asks Alan, what

1016
00:45:47,760 --> 00:45:49,680
Speaker 2: was I thinking asking Sean to come live with me?

1017
00:45:49,840 --> 00:45:51,760
Speaker 2: I'm a single guy. I'm not ready to be a parent,

1018
00:45:52,000 --> 00:45:54,320
Speaker 2: And Alan says he's got three kids and he's still

1019
00:45:54,320 --> 00:45:55,160
Speaker 2: not ready.

1020
00:45:55,040 --> 00:45:58,000
Speaker 1: And that show is so good at this point, Like

1021
00:45:58,120 --> 00:46:01,680
Speaker 1: this is when I just love so much because I'm

1022
00:46:01,719 --> 00:46:05,279
Speaker 1: like too. Every character is allowed their anxiety and you're

1023
00:46:05,320 --> 00:46:07,600
Speaker 1: able to like bounce it off each other and like

1024
00:46:07,760 --> 00:46:10,719
Speaker 1: insecurities and not knowing what they're doing, and so the

1025
00:46:10,840 --> 00:46:14,560
Speaker 1: adults are complicated, complex, they're helping each other.

1026
00:46:15,000 --> 00:46:17,480
Speaker 5: Everyone goes to everybody else for advice, which is nice.

1027
00:46:17,560 --> 00:46:19,560
Speaker 1: Yeah, I know, this is nice, just wonderful to see

1028
00:46:19,560 --> 00:46:22,040
Speaker 1: it played out, and you're like, yeah, like, how does

1029
00:46:22,080 --> 00:46:24,000
Speaker 1: Turner know what to be a dad? Like that doesn't

1030
00:46:24,000 --> 00:46:26,520
Speaker 1: make any it must be crazy. And then the fact

1031
00:46:26,560 --> 00:46:30,160
Speaker 1: that you know, Rusty's allowed to sort of also admit

1032
00:46:30,239 --> 00:46:32,840
Speaker 1: he doesn't know what he's doing, like right, It's just great.

1033
00:46:32,920 --> 00:46:36,400
Speaker 1: It's just fully developed and the acting is incredible. I

1034
00:46:36,440 --> 00:46:37,200
Speaker 1: just love these guys.

1035
00:46:37,239 --> 00:46:38,520
Speaker 3: It's also really nice.

1036
00:46:38,520 --> 00:46:40,720
Speaker 2: One of the criticisms writer that you've had about Corey

1037
00:46:40,800 --> 00:46:42,800
Speaker 2: is how he can have a tendency to make everything

1038
00:46:42,840 --> 00:46:45,160
Speaker 2: about him. And one of the things I love is

1039
00:46:45,160 --> 00:46:48,399
Speaker 2: that in this situation, when Turner says, you know, what

1040
00:46:48,440 --> 00:46:50,720
Speaker 2: was I thinking? What was I doing? And Alan says, listen,

1041
00:46:50,760 --> 00:46:53,000
Speaker 2: I don't know what I'm doing either. Instead of saying

1042
00:46:53,360 --> 00:46:55,400
Speaker 2: just that, listen, let me tell you about my experience.

1043
00:46:55,400 --> 00:46:58,040
Speaker 2: And I've got three kids, he actually get He actually

1044
00:46:58,040 --> 00:47:00,400
Speaker 2: gives them a compliment. He goes, listen, I know feels

1045
00:47:00,400 --> 00:47:02,280
Speaker 2: like you don't know what's going on, but I've seen

1046
00:47:02,320 --> 00:47:03,000
Speaker 2: you with Sean.

1047
00:47:03,400 --> 00:47:04,359
Speaker 1: You're really great.

1048
00:47:04,440 --> 00:47:04,640
Speaker 3: Good.

1049
00:47:04,760 --> 00:47:05,680
Speaker 1: Yeah, you're great with him.

1050
00:47:05,840 --> 00:47:09,800
Speaker 2: That little bit of like you're doing a good job

1051
00:47:10,160 --> 00:47:13,400
Speaker 2: is exactly what what sometimes you need as a parent

1052
00:47:13,560 --> 00:47:16,920
Speaker 2: or as a responsible adult figure who's who's maybe feeling

1053
00:47:16,960 --> 00:47:19,600
Speaker 2: in over your head. Is like, you've got this. And

1054
00:47:19,640 --> 00:47:21,680
Speaker 2: he gives that to him and gives him an example.

1055
00:47:21,760 --> 00:47:23,920
Speaker 2: So he says he's seen mister Turner with Sean and

1056
00:47:23,960 --> 00:47:26,080
Speaker 2: that he's great. Turner says he wasn't great about an

1057
00:47:26,120 --> 00:47:28,800
Speaker 2: hour ago, and then Alan tells a story about losing

1058
00:47:28,800 --> 00:47:31,200
Speaker 2: four year old Eric at an amusement park, and Eric

1059
00:47:31,320 --> 00:47:34,560
Speaker 2: just rolled a roller coaster for six hours, which has many.

1060
00:47:34,520 --> 00:47:37,000
Speaker 4: Loops, make any sense because a four year old is

1061
00:47:37,000 --> 00:47:38,280
Speaker 4: not going to be on a loop coaster.

1062
00:47:38,480 --> 00:47:41,920
Speaker 1: Ever, know you're not past that n thing.

1063
00:47:42,000 --> 00:47:44,000
Speaker 2: Yes, may be you might be a lot of those

1064
00:47:44,160 --> 00:47:46,000
Speaker 2: roller coasters are well, I don't know about the looped ones.

1065
00:47:46,040 --> 00:47:47,040
Speaker 2: I was gonna say a lot of them are just

1066
00:47:47,080 --> 00:47:49,960
Speaker 2: forty two inches, which Adler is already forty inches?

1067
00:47:50,120 --> 00:47:50,720
Speaker 1: Is he? Okay?

1068
00:47:50,760 --> 00:47:52,840
Speaker 5: So maybe I guess, but I don't know.

1069
00:47:52,880 --> 00:47:54,880
Speaker 3: Maybe not. Maybe one with a loop wouldn't be forty.

1070
00:47:54,920 --> 00:47:55,399
Speaker 1: That's what I mean.

1071
00:47:55,400 --> 00:47:57,160
Speaker 4: I think the loop ones are bigger. And again that's

1072
00:47:57,160 --> 00:48:00,680
Speaker 4: just me being yeah, that being crazy about it, But

1073
00:48:00,760 --> 00:48:04,160
Speaker 4: that happens, by the way we do. This happened in

1074
00:48:04,200 --> 00:48:07,120
Speaker 4: my life when I was four or five. I kind

1075
00:48:07,160 --> 00:48:10,680
Speaker 4: of ran away from my dad at a amusement park

1076
00:48:11,160 --> 00:48:12,839
Speaker 4: and I went and I rode the tea cups because

1077
00:48:12,840 --> 00:48:14,640
Speaker 4: I thought everything was fine. And it's still a story

1078
00:48:14,680 --> 00:48:17,080
Speaker 4: my dad tells where he's like, I had twenty minutes.

1079
00:48:16,800 --> 00:48:19,799
Speaker 1: Of you know, this is the eighties, where it was.

1080
00:48:19,800 --> 00:48:23,319
Speaker 4: Like, I'm sure you were kidnapped by this point, and

1081
00:48:23,360 --> 00:48:25,759
Speaker 4: I'm running all over the place where getting security or

1082
00:48:25,800 --> 00:48:28,680
Speaker 4: doing and I find you on the tea cups by yourself.

1083
00:48:30,360 --> 00:48:32,480
Speaker 1: Dad thrown an F bomb in there. I think he did.

1084
00:48:32,560 --> 00:48:37,799
Speaker 4: Yeah, he actually did, because he's like attorney captain for Dell.

1085
00:48:37,840 --> 00:48:42,240
Speaker 3: It's even attorney captain for now a J. You're doing

1086
00:48:42,239 --> 00:48:46,200
Speaker 3: a JJ.

1087
00:48:46,760 --> 00:48:48,760
Speaker 1: You have to tell that story. Have already told that story.

1088
00:48:48,760 --> 00:48:50,359
Speaker 1: I feel like we might have already told that. I've

1089
00:48:50,360 --> 00:48:50,880
Speaker 1: already told that.

1090
00:48:50,960 --> 00:48:51,120
Speaker 4: Yeah.

1091
00:48:51,520 --> 00:48:54,920
Speaker 1: My dad refers to you got a drugs, talking to

1092
00:48:55,680 --> 00:48:57,120
Speaker 1: how are you going to get through life when you're

1093
00:48:57,120 --> 00:48:58,200
Speaker 1: doing how to.

1094
00:48:58,160 --> 00:49:00,319
Speaker 5: Get through life if you're doing a J. I was like,

1095
00:49:02,960 --> 00:49:04,040
Speaker 5: but no, we had this.

1096
00:49:03,840 --> 00:49:06,359
Speaker 1: This literal thing. I remember my dad talking.

1097
00:49:06,080 --> 00:49:08,080
Speaker 4: To me about this episode, like you did that, you

1098
00:49:08,200 --> 00:49:09,440
Speaker 4: ran away at face.

1099
00:49:09,280 --> 00:49:10,440
Speaker 3: Stole this from your life.

1100
00:49:10,560 --> 00:49:14,520
Speaker 1: I thought this was a possible origin story for Eric's

1101
00:49:15,320 --> 00:49:16,080
Speaker 1: not brightness.

1102
00:49:17,080 --> 00:49:17,799
Speaker 3: They allude to it.

1103
00:49:17,920 --> 00:49:19,640
Speaker 1: I know because at the end of the episode, at

1104
00:49:19,640 --> 00:49:21,319
Speaker 1: the end of the scene, he's like, yo, because you

1105
00:49:21,360 --> 00:49:23,239
Speaker 1: come in, and then he's like, yeah, just around a round.

1106
00:49:23,280 --> 00:49:25,759
Speaker 1: I was like, oh, because the theory of.

1107
00:49:28,280 --> 00:49:29,680
Speaker 5: This could be that we figure it out.

1108
00:49:30,000 --> 00:49:32,120
Speaker 2: Eric then walks in reading his term paper about the

1109
00:49:32,120 --> 00:49:34,839
Speaker 2: Manhattan Project and he is bewildered that it actually took

1110
00:49:34,880 --> 00:49:38,120
Speaker 2: place in New Mexico. He says he could be a scientist.

1111
00:49:38,440 --> 00:49:41,400
Speaker 2: And then Turner looks at Alan and says, six hours.

1112
00:49:41,520 --> 00:49:41,759
Speaker 3: Huh.

1113
00:49:42,239 --> 00:49:44,480
Speaker 4: I remember this was like take two or three, and

1114
00:49:44,520 --> 00:49:46,919
Speaker 4: I didn't know what to do, and Tony's were talking

1115
00:49:46,920 --> 00:49:48,400
Speaker 4: about the button of the scene and all that kind

1116
00:49:48,400 --> 00:49:50,799
Speaker 4: of stuff, and Tony he's like, yeah, you'll figure out.

1117
00:49:50,800 --> 00:49:51,239
Speaker 1: He figured it.

1118
00:49:51,239 --> 00:49:53,319
Speaker 4: And I just started concentrating on the coke can and

1119
00:49:53,360 --> 00:49:56,480
Speaker 4: like tapping the can and people started laughing, and he's like,

1120
00:49:56,480 --> 00:49:57,200
Speaker 4: where did that come from?

1121
00:49:57,280 --> 00:50:00,080
Speaker 5: I went, I don't know's I have no idea, and

1122
00:50:00,160 --> 00:50:01,399
Speaker 5: it was it was just I didn't know what to do,

1123
00:50:02,440 --> 00:50:04,440
Speaker 5: just right, make it a thing, yeah, to make it

1124
00:50:04,440 --> 00:50:04,719
Speaker 5: a thing.

1125
00:50:05,280 --> 00:50:05,880
Speaker 3: So funny.

1126
00:50:06,400 --> 00:50:08,440
Speaker 2: And then we're in Turner's apartment. Sean is sitting on

1127
00:50:08,480 --> 00:50:10,719
Speaker 2: the couch when Turner walks in. He says he took off,

1128
00:50:10,719 --> 00:50:12,720
Speaker 2: but he had no place to go, so he came back.

1129
00:50:13,200 --> 00:50:15,520
Speaker 2: Sean asks what should we do now, and Turner says

1130
00:50:15,840 --> 00:50:18,600
Speaker 2: he doesn't know because Sean didn't come with an instruction manual,

1131
00:50:18,640 --> 00:50:20,480
Speaker 2: and he's making it up as he goes along, and

1132
00:50:20,520 --> 00:50:23,279
Speaker 2: again we get that same little bit of the thing

1133
00:50:23,320 --> 00:50:25,680
Speaker 2: that made the last scene so beautiful. These adults admitting

1134
00:50:25,760 --> 00:50:29,040
Speaker 2: vulnerably that they don't actually know what to do and

1135
00:50:29,080 --> 00:50:30,680
Speaker 2: they have to just figure it out as they go

1136
00:50:30,960 --> 00:50:34,480
Speaker 2: is just amazing. And Sean says Turner lied to him,

1137
00:50:34,520 --> 00:50:37,759
Speaker 2: and Turner apologizes, which is another thing I think is

1138
00:50:37,880 --> 00:50:40,400
Speaker 2: so beautiful. I think it is so great when an

1139
00:50:40,440 --> 00:50:43,879
Speaker 2: adult can apologize to a child for something they did

1140
00:50:43,920 --> 00:50:44,399
Speaker 2: that was wrong.

1141
00:50:44,880 --> 00:50:48,160
Speaker 1: It don't mean I have not changed that much physically,

1142
00:50:48,200 --> 00:50:50,759
Speaker 1: but don't I seem so much older than last season? Yes?

1143
00:50:50,920 --> 00:50:54,279
Speaker 1: You do, but it was striking to me that I look,

1144
00:50:54,360 --> 00:50:56,600
Speaker 1: I mean, I'm fifteen in real life, and I just

1145
00:50:57,280 --> 00:50:59,239
Speaker 1: it's like I actually haven't grown any like I haven't

1146
00:50:59,280 --> 00:51:02,640
Speaker 1: gotten taller, but you can just tell her do. I

1147
00:51:02,719 --> 00:51:05,120
Speaker 1: just feel I just feel so much older, you know,

1148
00:51:05,200 --> 00:51:06,759
Speaker 1: And it's a really I could feel it in this

1149
00:51:07,080 --> 00:51:08,920
Speaker 1: in this episode, way more than even the last one.

1150
00:51:08,960 --> 00:51:11,240
Speaker 1: I was like, Oh, I'm I'm like a full teenager.

1151
00:51:11,239 --> 00:51:13,560
Speaker 3: Now your your teenage really mature?

1152
00:51:13,680 --> 00:51:15,840
Speaker 1: Yeah? Yeah, your fae I don't know. But what's funny

1153
00:51:15,880 --> 00:51:17,920
Speaker 1: is how often then it switches on a dime when

1154
00:51:17,960 --> 00:51:19,919
Speaker 1: I can you know, when I give him these sort

1155
00:51:19,920 --> 00:51:22,839
Speaker 1: of like sad puppy dog looks that I do still

1156
00:51:22,920 --> 00:51:24,279
Speaker 1: kind of look like a little kid, and I'm like,

1157
00:51:24,360 --> 00:51:27,360
Speaker 1: oh god, I look young there, But then the next second,

1158
00:51:27,360 --> 00:51:30,480
Speaker 1: I definitely look older. It's like, in a weird way,

1159
00:51:30,520 --> 00:51:34,400
Speaker 1: I feel like I have I now look like I

1160
00:51:34,719 --> 00:51:36,520
Speaker 1: when we talk about the second season, how weird it

1161
00:51:36,560 --> 00:51:38,040
Speaker 1: was that everybody was making out and you know, it

1162
00:51:38,040 --> 00:51:41,520
Speaker 1: felt too old. Like now I feel like I'm appropriately

1163
00:51:41,680 --> 00:51:44,080
Speaker 1: the right age going through all the stuff that the

1164
00:51:44,200 --> 00:51:44,919
Speaker 1: writing for me.

1165
00:51:44,880 --> 00:51:47,440
Speaker 2: It's like agreed, and I think that actually everything you

1166
00:51:47,600 --> 00:51:51,560
Speaker 2: just described is one of the uh like very realistic

1167
00:51:51,600 --> 00:51:54,719
Speaker 2: aspects of teenagehood that are hard for parents, where it's

1168
00:51:54,760 --> 00:51:59,000
Speaker 2: like you are both so mature and yet such an

1169
00:51:59,000 --> 00:52:03,719
Speaker 2: idiot kid, such a child, and yet also kind of

1170
00:52:03,800 --> 00:52:07,279
Speaker 2: grown up and finding that like balance of what to

1171
00:52:07,400 --> 00:52:10,040
Speaker 2: allow you to have independence on what not to. It's

1172
00:52:10,080 --> 00:52:11,520
Speaker 2: such a it's such a back and forth.

1173
00:52:12,239 --> 00:52:14,359
Speaker 3: So Turner, don't.

1174
00:52:15,080 --> 00:52:19,200
Speaker 2: Turner apologizes, and Sean also, but also Sean should not

1175
00:52:19,239 --> 00:52:21,400
Speaker 2: be bringing fifteen year old girls home back to the

1176
00:52:21,400 --> 00:52:24,120
Speaker 2: apartment alone. Sean asks if Turner is going to kick

1177
00:52:24,200 --> 00:52:27,439
Speaker 2: him out, but mister Turner explains, listen, Sean, every time

1178
00:52:27,440 --> 00:52:30,560
Speaker 2: there's a mistake, it doesn't mean someone needs to take off,

1179
00:52:30,920 --> 00:52:36,319
Speaker 2: which another beautiful lesson that is so important and so

1180
00:52:36,520 --> 00:52:39,160
Speaker 2: touching knowing the kind of life that Sean has had

1181
00:52:39,719 --> 00:52:45,560
Speaker 2: that in this relationship, in real family dynamics, healthy family dynamics,

1182
00:52:45,760 --> 00:52:48,600
Speaker 2: you can f up. You can make a mistake, you

1183
00:52:48,600 --> 00:52:51,239
Speaker 2: can do something wrong, and it doesn't need to be

1184
00:52:51,280 --> 00:52:54,239
Speaker 2: a breakup or an end, or it doesn't need to be.

1185
00:52:54,320 --> 00:52:56,880
Speaker 2: It just you both messed up, and we'll do it

1186
00:52:56,960 --> 00:52:58,359
Speaker 2: right next time, which is what he says.

1187
00:52:58,400 --> 00:53:00,560
Speaker 1: Next, and you can still bring I have a life

1188
00:53:00,640 --> 00:53:04,000
Speaker 1: lesson with Sewn's history. Yes, so you can know without

1189
00:53:04,160 --> 00:53:06,520
Speaker 1: having to really be stated because we've already known that

1190
00:53:06,560 --> 00:53:08,640
Speaker 1: his mom took off. It's just wonderful.

1191
00:53:08,880 --> 00:53:14,240
Speaker 4: And you're in a wonderful safe space with a ridiculous

1192
00:53:14,360 --> 00:53:18,279
Speaker 4: number of magazines, is the other thing that's way. I

1193
00:53:18,800 --> 00:53:22,560
Speaker 4: was like, he's got like forty magazines at his coffee.

1194
00:53:22,160 --> 00:53:24,520
Speaker 1: Table, Like, what the hell's going on?

1195
00:53:25,160 --> 00:53:29,080
Speaker 2: So yeah, it's nice, Sean says, Look, if Turner, you

1196
00:53:29,080 --> 00:53:30,880
Speaker 2: want to be alone with your girlfriend, you can just

1197
00:53:30,960 --> 00:53:33,440
Speaker 2: tell me, well, I can find something to do. And

1198
00:53:33,480 --> 00:53:35,600
Speaker 2: then he throws in there and if I want to

1199
00:53:35,600 --> 00:53:38,080
Speaker 2: be alone with my girlfriends, you can do the same right,

1200
00:53:38,160 --> 00:53:40,560
Speaker 2: which is so funny. Turner shoots him a look and

1201
00:53:40,600 --> 00:53:41,360
Speaker 2: Sean says.

1202
00:53:41,160 --> 00:53:42,200
Speaker 3: Wow, I had to try.

1203
00:53:42,360 --> 00:53:46,440
Speaker 2: They shake hands and Sean asks, very genuinely, are we cool,

1204
00:53:46,680 --> 00:53:50,000
Speaker 2: and Turner says, yeah, we're cool, and it's a beautiful

1205
00:53:50,000 --> 00:53:50,680
Speaker 2: moment between you.

1206
00:53:50,760 --> 00:53:53,719
Speaker 1: It's great. Well. I was like sitting there going thinking

1207
00:53:53,719 --> 00:53:56,520
Speaker 1: about how we talked about the ending of the episode

1208
00:53:56,520 --> 00:53:59,120
Speaker 1: with Rusty and Ben. I was like, this is getting

1209
00:53:59,120 --> 00:54:01,080
Speaker 1: a little too sentiment like right here, I was like,

1210
00:54:01,960 --> 00:54:04,799
Speaker 1: and then thankfully there's a joke's an extra read. I

1211
00:54:04,840 --> 00:54:06,359
Speaker 1: was like, oh, if we freeze frame on this, I'm

1212
00:54:06,360 --> 00:54:07,160
Speaker 1: going to be a little different.

1213
00:54:07,560 --> 00:54:11,040
Speaker 2: But no, there's a few seconds of silence. Turner asks,

1214
00:54:11,480 --> 00:54:14,279
Speaker 2: is Veronica behind the couch? Sean says yes, and she

1215
00:54:14,400 --> 00:54:16,600
Speaker 2: pops up from behind them and says nice place.

1216
00:54:16,880 --> 00:54:19,160
Speaker 3: And she's a great actress, And that's one of those moments.

1217
00:54:19,200 --> 00:54:19,960
Speaker 3: It's so funny.

1218
00:54:20,040 --> 00:54:21,719
Speaker 1: Yeah, I just wish they'd given her more or brought

1219
00:54:21,760 --> 00:54:23,360
Speaker 1: it by now. I think this is only know the

1220
00:54:23,360 --> 00:54:25,480
Speaker 1: only episode she did was she's fantastic.

1221
00:54:25,640 --> 00:54:26,680
Speaker 3: Yeah, she's really good.

1222
00:54:27,280 --> 00:54:30,480
Speaker 2: Sean says, Veronica wats in like everyone should give him

1223
00:54:30,480 --> 00:54:33,799
Speaker 2: a pass for everything because she's so beautiful, and then

1224
00:54:34,080 --> 00:54:36,480
Speaker 2: we're in the tag it's the school hallway. Phoene comes

1225
00:54:36,520 --> 00:54:38,440
Speaker 2: looking for Eric after creating his term paper.

1226
00:54:38,840 --> 00:54:40,799
Speaker 3: Eric says he almost enjoyed.

1227
00:54:40,480 --> 00:54:43,160
Speaker 2: Writing the paper, and Phoene says he was assigned to

1228
00:54:43,160 --> 00:54:46,880
Speaker 2: the Manhattan Project. But the paper is about Abraham Lincoln.

1229
00:54:47,560 --> 00:54:50,239
Speaker 2: All the while Corey is watching in the background. The

1230
00:54:50,280 --> 00:54:53,399
Speaker 2: paper that was submitted to Feene was not only about

1231
00:54:53,440 --> 00:54:56,480
Speaker 2: Abraham Lincoln. It was actually a paper that had been

1232
00:54:56,480 --> 00:54:58,520
Speaker 2: written by Sean Hunter last year.

1233
00:54:59,000 --> 00:55:02,279
Speaker 3: It talks about Lincoln, Beard and Colonel Sanders.

1234
00:55:01,760 --> 00:55:06,680
Speaker 1: Great beards, and the great periods of history. So actually

1235
00:55:06,680 --> 00:55:11,200
Speaker 1: probably be a great book somebody's.

1236
00:55:09,440 --> 00:55:11,080
Speaker 3: Out there somewhere, good idea.

1237
00:55:11,880 --> 00:55:13,720
Speaker 2: Eric lets it slip that he paid for the paper

1238
00:55:13,760 --> 00:55:15,640
Speaker 2: in an ad he saw from the back of a magazine,

1239
00:55:15,640 --> 00:55:18,000
Speaker 2: but it's confused how his paper was swapped with Shawn's.

1240
00:55:18,360 --> 00:55:21,120
Speaker 3: Right. Then Corey comes up and says, life's.

1241
00:55:20,840 --> 00:55:23,160
Speaker 2: Tough, get a helmet, and he hits Eric on the

1242
00:55:23,160 --> 00:55:25,240
Speaker 2: forehead the same way he hit him at the beginning

1243
00:55:25,280 --> 00:55:26,040
Speaker 2: of the episode.

1244
00:55:26,360 --> 00:55:28,720
Speaker 3: Eric tells is probably why that line is so iconic.

1245
00:55:28,760 --> 00:55:32,319
Speaker 1: It comes around delayed callback, Yeah, yeah, and it works.

1246
00:55:32,960 --> 00:55:33,680
Speaker 1: It really works.

1247
00:55:34,640 --> 00:55:36,399
Speaker 2: Eric tells Feoene he has to go make some room

1248
00:55:36,400 --> 00:55:39,920
Speaker 2: at his breakfast table and runs after Corey and it's

1249
00:55:40,280 --> 00:55:43,240
Speaker 2: just a great cute, funny episode.

1250
00:55:43,280 --> 00:55:45,480
Speaker 4: I did the so in that take, I stop and

1251
00:55:45,520 --> 00:55:47,719
Speaker 4: I look behind me like I lost him, which is

1252
00:55:47,760 --> 00:55:50,760
Speaker 4: eat straight up John Belushi from Animal House.

1253
00:55:51,320 --> 00:55:53,640
Speaker 1: And you can hear our writers.

1254
00:55:53,640 --> 00:55:55,520
Speaker 4: It's one of those times you can hear our writers

1255
00:55:55,520 --> 00:56:00,160
Speaker 4: and producers laughing like it mostly for the exactly it's

1256
00:56:00,160 --> 00:56:02,640
Speaker 4: a complete thing for them. And I remember get getting

1257
00:56:03,120 --> 00:56:05,000
Speaker 4: backstage there and Ben's like, what did you do? And

1258
00:56:05,040 --> 00:56:06,520
Speaker 4: I'm like, oh, I just look like I lost you,

1259
00:56:06,560 --> 00:56:08,600
Speaker 4: And he's like, you know, oh, okay, because it was we.

1260
00:56:08,520 --> 00:56:09,920
Speaker 1: Heard the writers. Good it.

1261
00:56:10,000 --> 00:56:12,120
Speaker 4: Yeah, but it was just like a straight up John

1262
00:56:12,120 --> 00:56:13,680
Speaker 4: Belushi Animal House moment.

1263
00:56:13,760 --> 00:56:15,040
Speaker 3: Yeah, so funny.

1264
00:56:15,760 --> 00:56:17,840
Speaker 2: Well, thank you all for joining us for this episode

1265
00:56:17,840 --> 00:56:19,799
Speaker 2: of Podmeets World. You can join us for our next

1266
00:56:19,840 --> 00:56:22,799
Speaker 2: recap episode, which will be season three, episode three, What

1267
00:56:22,880 --> 00:56:26,520
Speaker 2: I Meant to Say, which originally aired October thirteenth, nineteen

1268
00:56:26,560 --> 00:56:29,359
Speaker 2: ninety five. Thank you guys for joining us. You can

1269
00:56:29,360 --> 00:56:31,520
Speaker 2: follow us on Instagram pod Meets World Show. You can

1270
00:56:31,560 --> 00:56:34,520
Speaker 2: send us your emails pod Meets Worldshow at gmail dot com,

1271
00:56:34,560 --> 00:56:36,920
Speaker 2: and we have merch March.

1272
00:56:38,160 --> 00:56:40,040
Speaker 1: Wow, I like that one like you.

1273
00:56:40,680 --> 00:56:45,200
Speaker 3: Podmeets Worldshow dot com will send us out.

1274
00:56:45,600 --> 00:56:47,720
Speaker 5: We love you all, pod dismiss.

1275
00:56:50,280 --> 00:56:52,960
Speaker 4: Pod Meets World is an iHeart podcast produced and hosted

1276
00:56:53,000 --> 00:56:56,800
Speaker 4: by Danielle Fischel, Wilfredell and Ryder Strong Executive producers Jensen

1277
00:56:56,840 --> 00:57:00,000
Speaker 4: Karp and Amy Sugarman. Executive in charge of production, Danielle Rome,

1278
00:57:00,280 --> 00:57:04,160
Speaker 4: producer and editor, Taras Sudbach, producer Jackie Rodriguez, engineer and

1279
00:57:04,200 --> 00:57:06,840
Speaker 4: Boy Meets World superfan Easton Allen. Our theme song is

1280
00:57:06,880 --> 00:57:09,160
Speaker 4: by Kyle Morton of Typhoon and you can follow us

1281
00:57:09,160 --> 00:57:12,239
Speaker 4: on Instagram at Pod Meets World Show or email us

1282
00:57:12,239 --> 00:57:12,880
Speaker 4: at Podmeets

1283
00:57:12,880 --> 00:57:15,040
Speaker 1: Worldshow at gmail dot com