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Speaker 1: From Hollywood, see you, thank you for listening to us.

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Speaker 1: Ryan Air with Ryan Seacrest. It is what wait, what

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Speaker 1: she's sneezed? I said, bless you. I didn't hear it.

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Speaker 1: Did you close your mike? I did? Are you all right? Yeah?

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Speaker 1: It was like, I don't know why sneeze is really?

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Speaker 1: Don't me like my headphones fly off. My mother's the

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Speaker 1: loudest sneezer you've ever met, like scream sneezes to the

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Speaker 1: point where you wanted, are you doing that on purpose?

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Speaker 1: But apparently not. My sister choose before the a. You know,

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Speaker 1: it's like you, she goes, You like, what is that

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Speaker 1: she goes? That's way to rid. Every time, I feel

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Speaker 1: like I've learned to silent sneezes due to the pandem.

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Speaker 1: I know in the into the air a bow no,

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Speaker 1: just like completely like head game myself into not sneezing

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Speaker 1: you well, no, but during the pandemic, if you sneeze,

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Speaker 1: people rant it. It was two places like in church.

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Speaker 1: I also do want to sneeze in church growing up too,

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Speaker 1: because it was so embarrassing if you would sneeze in church,

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Speaker 1: it's so quiet, everyone stare at you. And you said recently,

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Speaker 1: Like you've been to church recently. Well, I'm not proud

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Speaker 1: of that. I mean, I'm right there with you. I've

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Speaker 1: only been to church when I baptized my kids. I

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Speaker 1: mean I grew up going all the time, and I

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Speaker 1: feel like since I've became an adult, I haven't gone

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Speaker 1: as much. Do you still go every Sunday? Dana used

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Speaker 1: to go every week? I used to go and then

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Speaker 1: and then during the pandemic, they started doing them live

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Speaker 1: on computers, like they would just like webcast them. So

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Speaker 1: every Sunday, not every Sunday, but I webcast from home. Yeah,

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Speaker 1: and I can just like do it from my bed.

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Speaker 1: And does Robbie sit in on that? Yeah? Sometimes. And

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Speaker 1: have you've been a synagogue with him? I have, yes,

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Speaker 1: m hmm. This is so, I mean five years ago

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Speaker 1: and today. I just love it. Though. It's great to

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Speaker 1: be exposed to other people's cultures, religions, thinking's ideas. It

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Speaker 1: really is foods, Yes, it truly is a matter of

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Speaker 1: A friend of mine was just in Turkey, and I've

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Speaker 1: never been a Turkey and he was telling me to

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Speaker 1: speak of the food. He was telling me all about

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Speaker 1: the amazing flavors and spices and foods that are there,

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Speaker 1: And now I'm thinking that's something I don't know anything about.

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Speaker 1: We talked to that guy who walked across the world

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Speaker 1: and he said Turkey was the best place that we

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Speaker 1: meant the most girls for women, That's what he said.

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Speaker 1: He get the most dates. Right, Yeah, I have to

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Speaker 1: say that's interesting. The turkeys come up now twice. Persian

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Speaker 1: food is like bomb. I've never tried it before I

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Speaker 1: was dating Robbie. And does he make Persian food? His

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Speaker 1: mom does that like a family style Persian food dinner.

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Speaker 1: I would actually love to come. Thank you. Okay, that

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Speaker 1: could be our next um our next like mom, we

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Speaker 1: go to Robbie's house and his mom can do the

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Speaker 1: cooking for our get together. Back your barbecue? Very good

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Speaker 1: Persian restaurants around l A that we can cater from,

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Speaker 1: or like you have a favorite because I'd interesting to know.

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Speaker 1: Uh yeah, let me ask. I'll go to the restaurant

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Speaker 1: to ask him right now, it's more personal to like's

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Speaker 1: gonna get a text, good morning, honey, what is your

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Speaker 1: favorite Persian restaurant in l A? What do you call him?

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Speaker 1: What's your name for Robbie? Babe? What do you call Michael, babe.

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Speaker 1: Everyone calls everyone babe, knows just natural would. At a

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Speaker 1: friend's house, I got tight, they called each other sweetie

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Speaker 1: and it felt forced love cute. See, I think sweetie

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Speaker 1: to me, to me, sweetie, sounds like you're trying rays

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Speaker 1: in Glendale. Raffe's England Persian. What do you call your

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Speaker 1: significant others? Babe? To give it up? Making us feel

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Speaker 1: bad for babe? And you say, babe, I don't. My

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Speaker 1: mom calls my dad or something, and my mom calls

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Speaker 1: my dad Garibaldi. His name is gary No, but that's

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Speaker 1: his Italian nickname. Got it okay? Tradition of high standards

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Speaker 1: are meats are hand selected, hand season and carefully grilled.

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Speaker 1: I like this idea for our next She'll get together

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Speaker 1: all right. Back to the show because Ryan's asking, So

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Speaker 1: I have a an idea. I'm gonna put it on TikTok.

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Speaker 1: I was watching all these tiktoker's that we've been having

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Speaker 1: on talking about their food explorations. You know, I have

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Speaker 1: this thing about like, well, I'm gonna do that. So

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Speaker 1: I've come up with a summer snack I'm gonna put

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Speaker 1: on TikTok. That's gonna blow your mind that's gonna go viral?

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Speaker 1: What is it? Think it might? I can't tell you ready,

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Speaker 1: it is not ready. It's ready. It's very simple. It's

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Speaker 1: gotta shoot it. I gotta get my TikTok clock definiative.

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Speaker 1: Your TikTok's not a ready oh right, but the idea

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Speaker 1: is ready. Okay, this is like really, I think it's

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Speaker 1: gonna impress even the purest of the TikTokers and anybody

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Speaker 1: can do it, and it's great and it's food. Gosh.

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Speaker 1: I hope it goes viral for you. Yeah, you're just

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Speaker 1: sitting there waiting for likes or like, I know this

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Speaker 1: is gonna have built in likes. David is our social

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Speaker 1: media guru. David, when I pitched you the idea of

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Speaker 1: this food snack for TikTok, what was your response as

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Speaker 1: a what generation are you genuay? Millennial? Millennial? What was

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Speaker 1: your millennial response? I was really excited. It caught my eye,

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Speaker 1: caught his eye. That's right. He knows all the algorithms

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Speaker 1: of the rhythms. Okay, So, Tanya, what is this TikTok

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Speaker 1: internal shower that you're taking? By the way, he's still

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Speaker 1: sending me Persian restaurants, so just I can't send Yeah, okay,

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Speaker 1: So this internal shower was going viral on TikTok and

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Speaker 1: I I have issues with my um uh yeah, my

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Speaker 1: g I correct. So I saw this trend and I

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Speaker 1: was like, Okay, this is when I should try, because

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Speaker 1: I am the person they are trying to fix. What

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Speaker 1: do you call it? Were they? Whose? Is this a colonoscopy? No?

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Speaker 1: So it's called an internal shower because basically it's just

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Speaker 1: supposed to like cleanse you internally and push everything you eat. Correct,

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Speaker 1: So it's basically, I don't know the exactly, it's like

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Speaker 1: two tablespoons of chia, half of a lemon and uh,

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Speaker 1: I think a cup of water, and you let it

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Speaker 1: sit for five minutes like stir it all together, let's fimans,

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Speaker 1: and then you chug it down. I tried it, and

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Speaker 1: let me tell you, it works and not on like

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Speaker 1: a gross way and like an amazing way, and you

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Speaker 1: feel completely different inside. Yes, I felt so good, and

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Speaker 1: I think you could probably do it every day. It's

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Speaker 1: just kind of annoying to like, I do it before

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Speaker 1: I went to bed and then you an empty stomach.

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Speaker 1: They say, have you tried magnesium I'm sure I haven't,

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Speaker 1: so I've done. I've had magnesium before. They say that's

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Speaker 1: good for sleep, but I took two scoops of it

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Speaker 1: and that really washes you out as well, to the

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Speaker 1: point where you have like cramping. Yeah. Well no, because

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Speaker 1: the thing is, there's nothing bad about this because it's

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Speaker 1: literally just chia and lemon and water. So it's like

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Speaker 1: all just chia fills me up to it's like chia.

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Speaker 1: So you're you're recommending if anybody wants to sort of

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Speaker 1: get right to get on track, chia, lemon water. If

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Speaker 1: anybody else has search internal shower and tiktok'll safe. Yes,

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Speaker 1: you can just search internal shower. Yeah, super safe. It's

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Speaker 1: like really great, great, great, great water, great, great, starting

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Speaker 1: off on the right foot this morning. Everybody's regular. Let

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Speaker 1: me get to these now. If you go to Los

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Speaker 1: Angeles gas prices dot com, you will see most expensive,

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Speaker 1: least expensive, but some of the most expensive. The Chevron

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Speaker 1: on Olympic and Fairfax. That's seven dollars thirty nine cents

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Speaker 1: a gallon shell station on Almeda and Caesar Chavez downtown

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Speaker 1: seven down remember eight bucks, that was eight bucks a gallon,

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Speaker 1: And also most expensive guests the mobile and Beverly in

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Speaker 1: Law Sienaga that's in West Hollywood, seven seventies seven. I mean, yeah,

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Speaker 1: if you're filling up in February, I guess. But the

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Speaker 1: thing is, we are seeing prices on average across the

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Speaker 1: country start to go in the right direction, and that

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Speaker 1: is down. And just so you know, the Costco in

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Speaker 1: Lakewood selling the cheapest gas right now, you can follow

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Speaker 1: it Los Angeles gas prices dot com. You can see

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Speaker 1: most expensive and least expensive today's quote. Wish them all

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Speaker 1: the best, even if it's not reciprocated on air with

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Speaker 1: Ryan SEACRETSM headlines. All the house is pushing people to

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Speaker 1: get COVID boosters as variants spread rapidly to new highly

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Speaker 1: transmissible variants are spreading rapidly across the country. The new variants,

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Speaker 1: labeled B A four and B A five are offshoots

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Speaker 1: of the O Macron strain and has been responsible for

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Speaker 1: nearly all the virus spread in the US and are

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Speaker 1: even more contagious, they say as the previous ones. Twitter

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Speaker 1: has sued Elon Musk to compel him to buy the

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Speaker 1: social media company for forty four billion dollars. As you remember,

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Speaker 1: Elon Musk on Friday said he was terminating the agreement

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Speaker 1: because Twitter hadn't given him enough information on bots on

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Speaker 1: the platform. Will the judge will now determine whether his

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Speaker 1: reasons for exiting the binding contracts are legitimate or not.

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Speaker 1: I guess this is all to be continued. And the

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Speaker 1: two Emmy Awards nominations were revealed yesterday. Succession leads the nominations.

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Speaker 1: HBO's drama series landed a total of twenty five noms,

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Speaker 1: that followed by Apple's Ted Lasso and HBO's The White

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Speaker 1: LOADUS Love That Show, which each earned twenty. Other series

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Speaker 1: with double digit noms include Hacks, Only, Murders in the Building, Euphoria,

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Speaker 1: and Barry and That's just to name a few. Emmys

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Speaker 1: are going to take place on two nights on Saturday,

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Speaker 1: September three and Sunday, September four, on Air with Ryan Seacrest.

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Speaker 1: Can you tell tonight the full moon? It's the buck

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Speaker 1: moon tonight, named for the antlers that male dear grow

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Speaker 1: this time of year. Obviously, Can you tell when the

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Speaker 1: moon is waxing or waning? I cannot. The only time

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Speaker 1: I paid attention to it was when I was pregnant

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Speaker 1: and I was getting close to my due day. If

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Speaker 1: there's a full moon, you don't know. I must have

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Speaker 1: really connected with moon studies because when I look at

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Speaker 1: the moon, I can generally get it right. I can

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Speaker 1: tell if it's waxing or waning. Waxing means it's getting fuller.

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Speaker 1: Waning means it's getting less. Oh, that's easy enough. Not

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Speaker 1: that it's a big skill. I'm sure everybody could do

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Speaker 1: it if they knew what to look for. You use

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Speaker 1: like one of those apps that like shows you everything. No,

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Speaker 1: I just look up. It's kind of I tell time.

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Speaker 1: Love a full moon. It's just so beautiful. I love it.

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Speaker 1: Do you know what? Let's not take for granted a

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Speaker 1: full moon and a pristine sunset. Agreed, a sunset can

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Speaker 1: change your whole vibration totally, just like I'm talking now, right,

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Speaker 1: that's what a sun set. Well, this may be annoying,

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Speaker 1: but a sunset can change your whole vibration. Let's get

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Speaker 1: to Sarah. Good morning, Sarah, is Robbie still text in?

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Speaker 1: Good person? Restaurants? How many do we get? Total? Well,

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Speaker 1: just three, but they're kind of all over town. Well,

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Speaker 1: let's pick the one that we most want to see

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Speaker 1: and go to it. Right, we'll do it at his house,

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Speaker 1: like we'll like pick it up and we'll work on

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Speaker 1: for a second. We're not going to have food brought

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Speaker 1: to his house and family cooks it. Where we can

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Speaker 1: go out to your restaurant. We're gonna bring the restaurant

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Speaker 1: into the house. No, we want fresh from the restaurant.

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Speaker 1: If it's going to be that food. If we're gonna

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Speaker 1: have it from the restaurant, we go there. When you

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Speaker 1: did your thing. If you're not host thing, he is,

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Speaker 1: So we got to send the ground rules. Sarah, I'm

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Speaker 1: so sorry you're hearing this. Are you kidding? First of all,

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Speaker 1: I'm great. I am a super fan of all of you.

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Speaker 1: I met you twenty years ago and you were engaging

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Speaker 1: my son in which hair gel to you because you

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Speaker 1: both had spikes. You know. My family adores you so so.

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Speaker 1: I heard you guys talking about overeating on vacation the

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Speaker 1: other day. And I have been in healthcare as a psychotherapist.

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Speaker 1: I'm also a personal trainer, but I also am somebody

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Speaker 1: who overeats. You know, in spite of the knowledge that

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Speaker 1: I hold, I mean, I knew I was an overeater.

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Speaker 1: When my own grandmother hit strudle from me, I found

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Speaker 1: it in her art covered because she thought I would

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Speaker 1: eat it all. When your grandmother tiding food, you have

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Speaker 1: a problem. Yes, why is it so? Using your background

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Speaker 1: and knowledge, why is it that we do because what

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Speaker 1: we said was we go on vacation and we feel

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Speaker 1: like we have to cram and all the things that

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Speaker 1: are food wise irreverent that we don't do normally, and

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Speaker 1: therefore we come back torturing ourselves. Right, Okay, So on vacation,

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Speaker 1: you're on this mission to do everything you don't do,

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Speaker 1: like sleep in, eat a lot of carbs, have fun.

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Speaker 1: You genuinely feel like you've earned it and you deserve it.

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Speaker 1: And then you combine that with being stressed or tired,

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Speaker 1: you act these secrete hormones that make you hungry and

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Speaker 1: want food and want the wrong foods. The wrong foods

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Speaker 1: like salty and sweet foods make you want more food.

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Speaker 1: So the way that you know you can curtail it

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Speaker 1: is several things. Well, first of all, here's one stupid

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Speaker 1: thing that me and my girlfriends do. I taught them.

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Speaker 1: Just imagine when you're sitting down in front of this

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Speaker 1: about to overeat, ask yourself this, what I eat? This?

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Speaker 1: If I was about to have sex or sitting with

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Speaker 1: the most attractive person in the world, totally stops you

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Speaker 1: in your tracks because it's like the time, It's like, no,

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Speaker 1: I don't want to be fat, bloaded and digesting with

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Speaker 1: this person. Maybe food can be better than sex. So

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Speaker 1: I'm not quite sure how to answer it, you have, Ryan,

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Speaker 1: I actually have a humor page called women after fifty

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Speaker 1: on Facebook, and I had a quote up that said

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Speaker 1: food has replaced sex in my life. I can't even

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Speaker 1: get into my own pants now. So I'm totally with

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Speaker 1: you there. I mean, like, especially, you know, if you

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Speaker 1: have a stressful job, which you do I do you

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Speaker 1: do like twelve million things when you sit down to eat,

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Speaker 1: do a little inventory like how am I feeling? Am

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Speaker 1: I stressed? Am I sad? Am I lonely? On my board? Like?

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Speaker 1: What what am I feeling? If you feel any of

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Speaker 1: those things, then you want to step back and think

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Speaker 1: about and just do this logically. What things do I

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Speaker 1: do in life that bring me pleasure? Not talking sex,

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Speaker 1: but like playing with your dog, going for a walk,

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Speaker 1: good workout at the gym, seeing your best friend, getting hugged.

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Speaker 1: All of those things don't involve food. So when I'm

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Speaker 1: on vacation, i'm sightseeing. I can eat anywhere, but I

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Speaker 1: can't see things, So like try to be in the

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Speaker 1: mindful moment of how beautiful this place is and what

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Speaker 1: could you be doing? That's fun? I love it. Please

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Speaker 1: call back soon again and keep listening, and thank you

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Speaker 1: ad I love you guys. Of course I listen every

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Speaker 1: day so you're the best. Thank you Sarah so much. Hello,

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Speaker 1: there's Sabrina Carpenter. Hello. How's it going? No, no, no, no, no,

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Speaker 1: you do not ask the questions around here. We're asking

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Speaker 1: the questions. You tell us it is uh, it's birthday Friday,

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Speaker 1: and now on birthday coming up this week, how is

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Speaker 1: that feeling? You met my birthday and I was like, no,

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Speaker 1: thank the creative definition of that coming. I mean, it's

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Speaker 1: always such a big deal and this has been a

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Speaker 1: handful of years for you before you've released an album.

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Speaker 1: So what is it feeling like this week? Like the

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Speaker 1: scary a sweek of my life. It's so interesting, like

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Speaker 1: when you have something that's just yours for such a

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Speaker 1: long time and it's very easy to like talk about

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Speaker 1: it when no one's heard it. It's very easy to like,

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Speaker 1: you know, be really proud of it when no one's

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Speaker 1: heard it. Um. And then I think this is the

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Speaker 1: week where you start to go, wait, should I not

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Speaker 1: release it? Should just like scrap it all and start

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Speaker 1: from scratch. And also, which makes me feel a lot better,

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Speaker 1: is like this is the time where I usually will

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Speaker 1: reach out to like artist friends of mine and be like, hey,

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Speaker 1: is this normal, like to hate your album like the

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Speaker 1: week that you put it out and or just like

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Speaker 1: question everything, and they're like, yeah, that means you're an artist.

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Speaker 1: And I was like, okay, that's good. Um. So yeah,

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Speaker 1: I'm in that place right now. But I'm also so

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Speaker 1: excited because I think it's just a really different project

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Speaker 1: for me. It's just such an interesting dynamic. You know,

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Speaker 1: so many personal thoughts and feelings and experiences and vulnerability

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Speaker 1: put into an album and then it's yours and then

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Speaker 1: it shared, and it's like, what do people what do

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Speaker 1: they connect with? What are they hear? You've heard it

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Speaker 1: however many times, and people can hear for the first

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Speaker 1: time and probably different things you may not have even heard. Yeah,

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Speaker 1: I hope for that. I think that's the most exciting,

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Speaker 1: incredible thing, which is why, like I really do try

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Speaker 1: to leave that space open for you know, fans or

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Speaker 1: whoever is listening to be able to connect it to

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Speaker 1: their own lives and kind of, um hear the songs

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Speaker 1: in the way that it applies to their own situations,

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Speaker 1: and um, you know, not so much in the way

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Speaker 1: that it applies to mine, because although it is super personal,

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Speaker 1: like someone's going to hear it in a completely different

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Speaker 1: way than I intended them to hear it, or that

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Speaker 1: I felt it when I wrote it. So I think

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Speaker 1: that's really special and uh yeah, I mean it's it's

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Speaker 1: definitely a very personal album, So I think that's that's

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Speaker 1: probably the scariest part is like it's literally your little

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Speaker 1: diary entries just like yeah, the title alone is so

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Speaker 1: vulnerable emails, like you know, it's such as I hate

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Speaker 1: the word like it's so raw, it's so vulnerable, it's

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Speaker 1: so you know what I mean. Yeah, well, I know

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Speaker 1: I have to stop, but like it really is, like

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Speaker 1: I do feel like every artist, at some point, you know,

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Speaker 1: gets to a place where they kind of get tired

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Speaker 1: of catering to a specific you know, audience or kind

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Speaker 1: of listening to what people are maybe saying like they

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Speaker 1: should do um. And I think for me, like the

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Speaker 1: last two years, it was very easy to be like,

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Speaker 1: let's pull back on the BS now, like let's just

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Speaker 1: very much be ourselves and be straightforward, because I think

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Speaker 1: people can see right through it. I see right through it, uh.

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Speaker 1: And that was really important for me to be honest

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Speaker 1: with myself because I think I desperately needed that in

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Speaker 1: order to be able to grow. So that was that

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Speaker 1: definitely happened. Sabrina commonation with this. Let me play a

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Speaker 1: little clip of fast Time Kids less that's gonna get

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Speaker 1: its side. You can Chinese doing a performance at it

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Speaker 1: right now. Interpretive here, let me an back here all

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Speaker 1: of a cliff I system because everything autobiographical or there

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Speaker 1: elements that are not are you won't tell me or

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Speaker 1: it's very autobiographical. I mean so much of it is

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Speaker 1: is so specific that you almost can't really like, you know,

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Speaker 1: unless unless there are definitely elements where like maybe you

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Speaker 1: all listen to like things that my friends are going

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Speaker 1: through and I'll be like, whoa that actually like, you know,

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Speaker 1: it was really special and unique. Um. But but this

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Speaker 1: this album is kind of my baby in the sense

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Speaker 1: that um, every every song kind of came from a

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Speaker 1: really specific personal memory moment um, which is kind of

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Speaker 1: why I called it Emails I Can't Send, because it

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Speaker 1: started from these emails that I was writing to myself

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Speaker 1: before I had a therapist and um, and I ended

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Speaker 1: up just like reading them back and being like, oh

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Speaker 1: my gosh, you need a therapist, and then also pulling

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Speaker 1: lines from those emails being like, Wow, this is the

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Speaker 1: most raw I've ever been with myself because I'm not

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Speaker 1: thinking about someone reading this. I'm never thinking about someone

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Speaker 1: hearing what I'm saying, so I'm just being super honest.

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Speaker 1: It was I'm curious about that exercise for people who

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Speaker 1: don't have it therapist but obviously want to recommend therapy.

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Speaker 1: But also emails are great. So did you write them

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Speaker 1: and just say draft? What would you do with the emails? Yeah, no,

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Speaker 1: I would definitely draft them. They should well. And also again,

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Speaker 1: like a lot of the times, it was just like truthfully,

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Speaker 1: like you're in the moment. Sometimes people like to write

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Speaker 1: songs from a place of they've been healed, and so

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Speaker 1: they like to get that perspective. And sometimes I feel

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Speaker 1: like the most exciting moment is when you're really in

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Speaker 1: the middle of that emotion that you're feeling. So sometimes

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Speaker 1: I'd be like in the middle of a breakdown and

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Speaker 1: I would just like get my laptop out and just

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Speaker 1: like start writing a bunch of nonsense literally, uh. And

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Speaker 1: that those were usually the you know, phrases that I

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Speaker 1: would pull from those emails, and they would turn into

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Speaker 1: songs or song titles. And then I just looked back

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Speaker 1: on it all and I realized, like, these are all

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Speaker 1: things I'm very afraid of anyone hearing um. And I

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Speaker 1: think that that's kind of the creative of I mean,

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Speaker 1: it makes the most impacts. Abrina Carpenter, Like this here

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Speaker 1: this morning emails I can't send is coming on on Friday,

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Speaker 1: and you're starting and producing a new version of Alice

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Speaker 1: in Wonderland, right, Yes, that's NELI, thank you, thank you. Yeah.

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Speaker 1: I launched my production company in the middle of the

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Speaker 1: pandemic because I was bored and then no. I wanted

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Speaker 1: to do it for a very long time, but it

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Speaker 1: was the perfect time to do it, and Alice was

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Speaker 1: the first project that we sold. I also just sold

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Speaker 1: a film to HBO Max based on a book that

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Speaker 1: I love, which I'm really excited about. And then there's

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Speaker 1: a few other things that I'm I'm working on in

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Speaker 1: that world, which is really exciting and very new for me.

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Speaker 1: But Alice is one of my favorite stories of all time,

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Speaker 1: and it's a new twist on it. For sure, it'll

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Speaker 1: be We can't wait to see it. Congrats in the

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Speaker 1: prodco on the production company that's PRODC. Yeah, you know

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Speaker 1: we PROUGHDC stick together. Ye. Great to see you. Take

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00:22:00,800 --> 00:22:03,239
Speaker 1: care and good luck on Friday. Okay, thank you, love

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Speaker 1: you all so much. Bye. I was watching U Tanya

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Speaker 1: beaming like a proud sister. She's just so cute and

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Speaker 1: I feel like she's I'm interested to hear this album

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Speaker 1: because I feel like she's been through it the past

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Speaker 1: couple of years. Well, I want to hear what she's

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Speaker 1: been through and how she's compressed. But we don't know

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Speaker 1: her in her thought correct, in her own words, which

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Speaker 1: is the fascinating thing to think about when you listen. Marissa,

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Speaker 1: good morning, good morning. How are you all right? How

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Speaker 1: are you? I'm okay? What can we do for you? So? Um,

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Speaker 1: I've been going to the same local bar with my

402
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Speaker 1: friends for like, I don't know, six months or so,

403
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Speaker 1: and Um, the guy that owns it is also the bartender,

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00:22:48,200 --> 00:22:52,000
Speaker 1: and so I've been going a lot, and um, getting

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Speaker 1: very friendly with him. And so I said that sometimes,

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Speaker 1: like I go to the bar just by myself and

407
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Speaker 1: just sit at the bar. Well, he's working, and the

408
00:23:02,400 --> 00:23:08,120
Speaker 1: problem is that he's engaged. H We've never like hung

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Speaker 1: out outside the bar, We've never done anything, because it's

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Speaker 1: just like, God, I don't know this insane connection between

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Speaker 1: the two of us that I don't even explain, Like

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Speaker 1: I've never felt anything like it before. He said the

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Speaker 1: same thing to you. Um, well, he he told me

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Speaker 1: he's thinking of telling his fiance he doesn't want to

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Speaker 1: marry her anymore. And well, wait a minute, how serious

416
00:23:34,440 --> 00:23:36,760
Speaker 1: it is it? What are these feelings that you have

417
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Speaker 1: merissed that with him? I just I don't even know.

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Speaker 1: I can't even. I just it's insane, like he I

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Speaker 1: can't even I can never felt anything like I literally

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Speaker 1: I don't even have words. Yeah no, no, no, wait,

421
00:23:54,080 --> 00:23:59,320
Speaker 1: no no no. The universe is working its magic. He's

422
00:23:59,359 --> 00:24:04,680
Speaker 1: not married, he's engaged huge commitment. Yeah I know that,

423
00:24:04,920 --> 00:24:07,600
Speaker 1: but he's not married and needs to her soulmates and

424
00:24:07,720 --> 00:24:10,480
Speaker 1: he needs to be honest with you and himself and

425
00:24:10,680 --> 00:24:13,600
Speaker 1: his fiance's going on. You guys have not acted on

426
00:24:13,680 --> 00:24:18,240
Speaker 1: these emotions. No, no, nothing, nothing has ever happened, like

427
00:24:19,000 --> 00:24:21,560
Speaker 1: you know, he just he asked if if he broke

428
00:24:21,600 --> 00:24:23,480
Speaker 1: off his engagement, if we would want to be together.

429
00:24:27,560 --> 00:24:30,760
Speaker 1: You're discovering this before the wedding. Don't like if he

430
00:24:30,960 --> 00:24:33,200
Speaker 1: did this to his fiance, he might do it to

431
00:24:33,320 --> 00:24:37,719
Speaker 1: you one day. Downing ding ding ding ding ding ding. Okay,

432
00:24:38,640 --> 00:24:43,240
Speaker 1: alarm over there. I know he feels that there's something

433
00:24:43,320 --> 00:24:45,160
Speaker 1: there too, and I told him might have to think

434
00:24:45,200 --> 00:24:46,960
Speaker 1: about it. But I don't know. I don't know what

435
00:24:47,119 --> 00:24:50,920
Speaker 1: to say. I mean, I do agree, Like it really

436
00:24:50,960 --> 00:24:53,600
Speaker 1: doesn't make me nervous thinking he would leave his fiance,

437
00:24:53,880 --> 00:24:56,040
Speaker 1: Like are we going to be doing from the start,

438
00:24:56,119 --> 00:24:59,280
Speaker 1: Like he needs to leave her regardless, pass that would

439
00:24:59,320 --> 00:25:01,920
Speaker 1: make it possib wanly try and make it work. He

440
00:25:01,960 --> 00:25:04,200
Speaker 1: needs to leave her regardless. He needs to just leave

441
00:25:04,240 --> 00:25:08,440
Speaker 1: her with Marissa. No, and then maybe he becomes he

442
00:25:08,520 --> 00:25:10,320
Speaker 1: gets with Marissa, But he doesn't need to leave her

443
00:25:10,440 --> 00:25:13,600
Speaker 1: for you. He needs to leave her for him, but

444
00:25:13,720 --> 00:25:17,080
Speaker 1: then go with her. If that's the way the universe.

445
00:25:18,160 --> 00:25:20,119
Speaker 1: I think that you've got to look this dead in

446
00:25:20,200 --> 00:25:23,080
Speaker 1: the eye and say all right, and we can't gauge

447
00:25:23,320 --> 00:25:25,640
Speaker 1: your connection. We're only hearing it for the first time.

448
00:25:25,880 --> 00:25:28,280
Speaker 1: But if you guys were meant to be and are

449
00:25:28,320 --> 00:25:30,800
Speaker 1: the two people that are supposed to be together, then

450
00:25:31,359 --> 00:25:34,200
Speaker 1: good news. He's not married yet and he needs to

451
00:25:34,200 --> 00:25:39,000
Speaker 1: be honest with himself, with you and his fiance. Alright,

452
00:25:39,200 --> 00:25:41,600
Speaker 1: he needs to be honest with himself and his fiance.

453
00:25:41,800 --> 00:25:48,360
Speaker 1: Those are the That's the sentence right there, Marissa Else,

454
00:25:49,359 --> 00:26:04,719
Speaker 1: I don't know, says Wednesday, July today, Amazon Prime Day. Actually,

455
00:26:04,760 --> 00:26:06,440
Speaker 1: you know, I was gonna tell you. I went on

456
00:26:06,600 --> 00:26:14,119
Speaker 1: Amazon earlier and it was telling me recommending things that

457
00:26:14,200 --> 00:26:18,320
Speaker 1: I should buy. And I'm not quite sure what some

458
00:26:18,440 --> 00:26:20,159
Speaker 1: of it is. Have you gone on to see what

459
00:26:20,200 --> 00:26:22,960
Speaker 1: they recommend you buy? Um? Yeah, I mean I want

460
00:26:23,000 --> 00:26:28,560
Speaker 1: it every day, so for me it makes sense. What's this?

461
00:26:29,200 --> 00:26:32,840
Speaker 1: It's an instant pot vortex. Plus it looks like an

462
00:26:32,880 --> 00:26:37,119
Speaker 1: air fryer, so it's recommending Amazon saying, hey guy, you

463
00:26:37,200 --> 00:26:39,040
Speaker 1: need to get this on sale. What have you searched

464
00:26:39,200 --> 00:26:41,879
Speaker 1: on Amazon recently? Because a lot of it they have,

465
00:26:42,080 --> 00:26:45,560
Speaker 1: they have categories that they inspired by your purchases, recommended

466
00:26:45,640 --> 00:26:47,320
Speaker 1: deals for you and I don't know where any of

467
00:26:47,359 --> 00:26:50,600
Speaker 1: this stuff is. Where's this stuff on the Amazon? Yeah,

468
00:26:50,640 --> 00:26:52,600
Speaker 1: but if you go into Amazon, it'll recommend things you

469
00:26:52,640 --> 00:26:55,840
Speaker 1: should buy while it's all Amazon Prime sale time. Here's

470
00:26:55,840 --> 00:26:58,480
Speaker 1: another one, a foot massager. So I got a crock

471
00:26:58,520 --> 00:27:00,600
Speaker 1: pot and a foot massage. You're being recommen It sounds

472
00:27:00,640 --> 00:27:03,240
Speaker 1: like a fun Saturday to me. A water bottle and

473
00:27:03,280 --> 00:27:06,960
Speaker 1: a stationary bike, let's get it. I don't know if

474
00:27:07,000 --> 00:27:09,560
Speaker 1: I'll make any of it like pool float ease or

475
00:27:09,640 --> 00:27:16,600
Speaker 1: like wagons. Right now, I don't know much, Tony. What

476
00:27:16,680 --> 00:27:18,360
Speaker 1: are the recommended deals for you? I don't know where

477
00:27:18,400 --> 00:27:25,639
Speaker 1: you guys are finding this. Jennifer Lopez, what's happening? Okay?

478
00:27:25,720 --> 00:27:28,240
Speaker 1: So mental health is something that people are really talking

479
00:27:28,280 --> 00:27:29,760
Speaker 1: a lot about more these days. You know, the other

480
00:27:29,840 --> 00:27:32,560
Speaker 1: day we were talking about Shawn Mendez taking some time

481
00:27:32,680 --> 00:27:35,359
Speaker 1: for his mental health. Justin Bieber has been really opened

482
00:27:35,400 --> 00:27:39,680
Speaker 1: about it um and recently, Jennifer Lopez has been talking

483
00:27:39,840 --> 00:27:42,920
Speaker 1: about the panic attacks that left her paralyzed and ultimately

484
00:27:43,080 --> 00:27:44,920
Speaker 1: changed the way that she did things in her life.

485
00:27:44,960 --> 00:27:47,240
Speaker 1: So she said she wasn't sleeping and she was kind

486
00:27:47,240 --> 00:27:49,440
Speaker 1: of burning the candle on both ends, and she said

487
00:27:49,560 --> 00:27:53,639
Speaker 1: was completely frozen, which led to these physical symptoms. Um So,

488
00:27:53,840 --> 00:27:56,080
Speaker 1: now she knows that they were panic attacks, but at

489
00:27:56,119 --> 00:27:58,720
Speaker 1: the time it was very scary and jarring and new

490
00:27:58,840 --> 00:28:00,600
Speaker 1: for her. And so she basically said she had a

491
00:28:01,320 --> 00:28:04,399
Speaker 1: reprioritize and change the way that she did some things.

492
00:28:04,960 --> 00:28:06,920
Speaker 1: Um But and I was reading this story and it

493
00:28:07,000 --> 00:28:10,720
Speaker 1: kind of got me thinking about when do you realize

494
00:28:10,920 --> 00:28:14,639
Speaker 1: that you've hit that breaking point of like, Okay, I

495
00:28:14,800 --> 00:28:16,639
Speaker 1: can't keep going the way that I'm going. I need

496
00:28:16,680 --> 00:28:21,480
Speaker 1: to make some changes. I think for me, for I

497
00:28:21,560 --> 00:28:24,000
Speaker 1: don't know for many people, you just pushed through the

498
00:28:24,040 --> 00:28:26,920
Speaker 1: breaking point. I mean that's kind of the way we

499
00:28:27,040 --> 00:28:29,600
Speaker 1: were raised. You pushed through the break But yeah, maybe

500
00:28:29,640 --> 00:28:31,840
Speaker 1: you need to put your phone down, maybe need a

501
00:28:31,880 --> 00:28:35,399
Speaker 1: weekend away, But you just sort of pushed through a

502
00:28:35,560 --> 00:28:38,240
Speaker 1: breaking point. And I don't know I've ever put something

503
00:28:38,280 --> 00:28:40,480
Speaker 1: down and walked away from it, right. Well, I don't

504
00:28:40,680 --> 00:28:43,200
Speaker 1: necessarily think that that's what Jennifer Lopez it either, but

505
00:28:43,240 --> 00:28:45,720
Speaker 1: I think she like re prioritize changed the way she

506
00:28:45,760 --> 00:28:49,240
Speaker 1: started her mornings or the way that she tweaks. I

507
00:28:49,280 --> 00:28:50,880
Speaker 1: think you do little tweaks in your life. It's not

508
00:28:50,960 --> 00:28:54,560
Speaker 1: something drastic like I couldn't just completely let go of everything.

509
00:28:54,640 --> 00:28:56,920
Speaker 1: It's like, but could you, Like Shalman is walking away

510
00:28:56,960 --> 00:28:59,480
Speaker 1: for three weeks of shows, but don't you ever want

511
00:28:59,480 --> 00:29:01,840
Speaker 1: to walk away from or could you ever walk away

512
00:29:01,880 --> 00:29:04,800
Speaker 1: from from your life for three weeks? Well? I did

513
00:29:04,840 --> 00:29:07,600
Speaker 1: from attorney to leave, but that was completely different. But

514
00:29:07,720 --> 00:29:09,480
Speaker 1: I think with Shawn, it's like he's not married, isn't

515
00:29:09,480 --> 00:29:11,840
Speaker 1: have kids. It's like, I think, be selfish, you know,

516
00:29:12,000 --> 00:29:14,000
Speaker 1: like when you're single, be that's when you should be

517
00:29:14,040 --> 00:29:16,400
Speaker 1: the most selfish because after that, you ain't got no

518
00:29:16,480 --> 00:29:20,960
Speaker 1: time for yourself. Kanya, what's your view? I was. I

519
00:29:21,120 --> 00:29:24,000
Speaker 1: honestly had like a hard process on it because I

520
00:29:24,120 --> 00:29:27,440
Speaker 1: think that sometimes all you get to that point and

521
00:29:27,480 --> 00:29:29,200
Speaker 1: you don't realize it. So I don't ever want to

522
00:29:29,240 --> 00:29:32,160
Speaker 1: get to that point. I think I stopped prioritizing a

523
00:29:32,200 --> 00:29:33,960
Speaker 1: lot of stuff that I did when I was single,

524
00:29:34,680 --> 00:29:36,360
Speaker 1: when I got into a relationship, and I feel like

525
00:29:36,400 --> 00:29:39,440
Speaker 1: I need to find my balance again. That's so natural though,

526
00:29:39,520 --> 00:29:42,400
Speaker 1: you'll find it. Yeah, But it's interesting that she was

527
00:29:42,480 --> 00:29:45,120
Speaker 1: saying she was doing so much, so much was on

528
00:29:45,160 --> 00:29:47,640
Speaker 1: her plate, Jennifer, that it was like paralyzing, like she

529
00:29:47,720 --> 00:29:51,920
Speaker 1: couldn't make a decision right, But it starts with little

530
00:29:52,000 --> 00:29:53,640
Speaker 1: things like can't decide what do you want to eat

531
00:29:53,640 --> 00:29:55,320
Speaker 1: for dinner? And then it just like goes. I've been

532
00:29:55,320 --> 00:29:57,520
Speaker 1: in those situations where I'm like doing stuff in my

533
00:29:57,640 --> 00:29:59,560
Speaker 1: house and I can't. There's so many things I need

534
00:29:59,640 --> 00:30:03,360
Speaker 1: to do that I can't start right. I need to

535
00:30:03,440 --> 00:30:05,360
Speaker 1: do do something in the kitchen, I need to organize something.

536
00:30:05,360 --> 00:30:06,400
Speaker 1: I need to make a call, and need to check

537
00:30:06,440 --> 00:30:08,560
Speaker 1: an email, and there's so many different little things that

538
00:30:08,640 --> 00:30:10,920
Speaker 1: can't even start the first thing, and you begin to

539
00:30:11,440 --> 00:30:19,520
Speaker 1: if it festers on air with Ryan Seacrest, Sissy Tanya,

540
00:30:19,840 --> 00:30:24,000
Speaker 1: and Ryan Tetter. It's with us this morning, plugging him

541
00:30:24,040 --> 00:30:27,160
Speaker 1: in there he is, are squared? How are you? Hey?

542
00:30:28,120 --> 00:30:30,680
Speaker 1: Look at this Ryan. Last time Ryan Teer was in here,

543
00:30:30,680 --> 00:30:33,800
Speaker 1: I think Tany was crying in your arms. Yeah, yeah, yeah,

544
00:30:34,400 --> 00:30:37,120
Speaker 1: that's right. We're now in a much better place. You're

545
00:30:37,240 --> 00:30:41,480
Speaker 1: here in person, guest, post pandemic. By the way, in

546
00:30:41,560 --> 00:30:44,840
Speaker 1: the studio, this is a big Yeah. Yeah, we while

547
00:30:44,880 --> 00:30:46,560
Speaker 1: we were waiting for you to accept, and now we

548
00:30:46,600 --> 00:30:49,960
Speaker 1: can move on. Yeah, now we can have other people. Yeah,

549
00:30:50,040 --> 00:30:53,560
Speaker 1: exactly know that. I'm I'm happy to be your By

550
00:30:53,600 --> 00:30:59,800
Speaker 1: the way, are you you sick? Do you ask people

551
00:31:00,080 --> 00:31:02,080
Speaker 1: when you walk into their homes? All right of you sick?

552
00:31:02,480 --> 00:31:05,640
Speaker 1: Anyone feeling sick? Did you call? We? We feel pretty

553
00:31:05,680 --> 00:31:08,640
Speaker 1: good actually, and uh sometimes we like to brag about that.

554
00:31:09,560 --> 00:31:11,800
Speaker 1: So tatter, I mean, we're gonna get to a lot

555
00:31:11,840 --> 00:31:13,600
Speaker 1: of things here with Ryan Tetter, who we've known for

556
00:31:13,880 --> 00:31:15,880
Speaker 1: quite a while. Now I've got a new single with

557
00:31:15,960 --> 00:31:18,720
Speaker 1: one republic will get to But just to understand many

558
00:31:18,760 --> 00:31:22,040
Speaker 1: of you know this, but just understand how the machine works.

559
00:31:22,880 --> 00:31:26,360
Speaker 1: There are engines to this, this this big machine. And

560
00:31:27,000 --> 00:31:29,440
Speaker 1: Ryan Tetter has been one of those engines to the

561
00:31:29,520 --> 00:31:31,640
Speaker 1: music machine that is Kiss FM for so many years,

562
00:31:31,680 --> 00:31:35,000
Speaker 1: behind a lot of different songs, written songs, produced different music,

563
00:31:35,040 --> 00:31:39,920
Speaker 1: different artists, most recently been working with Beyonce and you

564
00:31:40,400 --> 00:31:44,560
Speaker 1: looking like you can't tell me, but but I can't,

565
00:31:44,680 --> 00:31:47,080
Speaker 1: well can you tell us? I mean, I said I

566
00:31:47,200 --> 00:31:51,040
Speaker 1: made the mistake. I didn't know years ago how secretive

567
00:31:51,080 --> 00:31:54,800
Speaker 1: the situation was, and so I from the Grammy. I

568
00:31:54,960 --> 00:31:57,840
Speaker 1: just want to grammy, uh for Adele and I'm or

569
00:31:58,040 --> 00:32:00,320
Speaker 1: Taylor or somebody I'm standing on the I can't remember it.

570
00:32:01,400 --> 00:32:05,760
Speaker 1: I'm such a machine, I legit don't remember which one

571
00:32:05,880 --> 00:32:08,440
Speaker 1: was but I was standing in the red carpet and someone, hey,

572
00:32:09,040 --> 00:32:11,320
Speaker 1: what projects you got coming out working on? And I

573
00:32:11,400 --> 00:32:13,640
Speaker 1: knew that Beyonce was coming soon. This is years ago.

574
00:32:14,400 --> 00:32:16,280
Speaker 1: I said, oh, I'm working with so and so and

575
00:32:16,320 --> 00:32:19,520
Speaker 1: so and so Beyonce. And I mean, like, I regretted

576
00:32:19,520 --> 00:32:22,600
Speaker 1: saying put in mouth, so I don't say because here's

577
00:32:22,640 --> 00:32:25,160
Speaker 1: the thing, and I mean this with with the all

578
00:32:25,240 --> 00:32:30,000
Speaker 1: Beyonce projects rightfully, so she deserves the right to completely

579
00:32:30,080 --> 00:32:33,880
Speaker 1: keep it failed and things can change last minute. So like,

580
00:32:34,040 --> 00:32:36,920
Speaker 1: that's where I get really cautious to I'm just like, dude,

581
00:32:36,960 --> 00:32:39,080
Speaker 1: the amount of times in the last three years where

582
00:32:39,160 --> 00:32:42,360
Speaker 1: an artist has told me directly you have the first single,

583
00:32:42,720 --> 00:32:44,880
Speaker 1: only to find out it's not even on the album.

584
00:32:45,560 --> 00:32:48,160
Speaker 1: Like it's just like, you know, I get yeah for

585
00:32:48,240 --> 00:32:50,880
Speaker 1: whatever songs that I have come out that that turn

586
00:32:50,960 --> 00:32:53,160
Speaker 1: into hits. I don't believe anything. The little nose x

587
00:32:53,280 --> 00:32:55,040
Speaker 1: that's what I want. I didn't believe that was I

588
00:32:55,120 --> 00:32:56,560
Speaker 1: knew it was coming up for six months, but every

589
00:32:56,600 --> 00:32:58,280
Speaker 1: single day I told myself, they're not going to put

590
00:32:58,320 --> 00:33:00,479
Speaker 1: this out. They're not just google Ryan header and look

591
00:33:00,520 --> 00:33:05,800
Speaker 1: at all this songs created. Hey Ryan, Okay, I'm Taylor

592
00:33:05,960 --> 00:33:09,920
Speaker 1: Adele nas artist and I'm coming in to work with you,

593
00:33:10,320 --> 00:33:12,640
Speaker 1: and it's day one, right and we gotta get our

594
00:33:12,760 --> 00:33:14,840
Speaker 1: we we know we got juices flowing, but we I

595
00:33:14,920 --> 00:33:16,640
Speaker 1: want to like I want to come into the world.

596
00:33:16,720 --> 00:33:18,000
Speaker 1: You want to relax me, and we want to get

597
00:33:18,040 --> 00:33:20,120
Speaker 1: the best out of each other. What do how do

598
00:33:20,240 --> 00:33:22,280
Speaker 1: you produce me? Like? What do we do? Where do

599
00:33:22,360 --> 00:33:23,960
Speaker 1: we go? What happens on that first day? The first

600
00:33:24,000 --> 00:33:26,840
Speaker 1: thing we do is hot yoga in my um no,

601
00:33:28,160 --> 00:33:33,160
Speaker 1: actually actually kind of like it in my Lulu Limit

602
00:33:33,280 --> 00:33:38,240
Speaker 1: guys group chronic with me, so I know what I

603
00:33:38,360 --> 00:33:41,440
Speaker 1: do if it's the first time. UM, I'm kind of

604
00:33:41,600 --> 00:33:45,840
Speaker 1: an unbridled, like just burst of energy in a room.

605
00:33:45,880 --> 00:33:48,080
Speaker 1: I'm kind of NonStop. I'm a M A D D.

606
00:33:48,200 --> 00:33:50,680
Speaker 1: So I keep I keep the energy level super high.

607
00:33:50,720 --> 00:33:52,840
Speaker 1: I try to make them as calm as possible. I

608
00:33:52,960 --> 00:33:56,000
Speaker 1: try to figure out if it's a newer artist, UM,

609
00:33:56,200 --> 00:33:59,360
Speaker 1: I try I go on, listen to two or three

610
00:33:59,400 --> 00:34:01,280
Speaker 1: other songs, or if they have one hit, Like the

611
00:34:01,400 --> 00:34:03,239
Speaker 1: last two years, I've been a bunch of artists who

612
00:34:03,280 --> 00:34:05,800
Speaker 1: just come out of nowhere with one hit. UM, I

613
00:34:05,920 --> 00:34:07,520
Speaker 1: do a little bit of research, figure out kind of

614
00:34:07,560 --> 00:34:09,799
Speaker 1: what makes them tick. I kind of like I can

615
00:34:09,840 --> 00:34:12,359
Speaker 1: figure out pretty quickly by hearing one song where their

616
00:34:12,400 --> 00:34:15,319
Speaker 1: influences lie, and so part of it I might drop.

617
00:34:15,520 --> 00:34:18,440
Speaker 1: I might say, hey, so, um, you know clearly you

618
00:34:18,640 --> 00:34:21,600
Speaker 1: like if I hear a little Regina Specter, I hear

619
00:34:21,640 --> 00:34:24,399
Speaker 1: a little uh tore Amos, you know, I'll make these

620
00:34:24,480 --> 00:34:27,120
Speaker 1: kind of where the artist is like, oh my god,

621
00:34:27,239 --> 00:34:31,400
Speaker 1: that's how how do you know? Machine? I'm a machine? Um?

622
00:34:31,640 --> 00:34:34,520
Speaker 1: So I I really A lot of it is is therapy,

623
00:34:34,719 --> 00:34:37,120
Speaker 1: and it's it is. I say, I don't care how

624
00:34:37,200 --> 00:34:41,120
Speaker 1: talented you are as a writer producer. If you put

625
00:34:41,200 --> 00:34:44,000
Speaker 1: out weird energy or you don't put out the right

626
00:34:44,120 --> 00:34:46,480
Speaker 1: energy in a room, you're not gonna get anywhere. You

627
00:34:46,600 --> 00:34:51,200
Speaker 1: have to bedside manner in a studio is everything being

628
00:34:51,320 --> 00:34:54,959
Speaker 1: super supportive, empathetic. You know. I let the art feel

629
00:34:54,960 --> 00:34:57,959
Speaker 1: like you are a therapist sometimes because they will tap

630
00:34:58,120 --> 00:35:02,719
Speaker 1: into emotion and story they never may have told people. Um,

631
00:35:02,760 --> 00:35:06,240
Speaker 1: I mean, every every artist is different. Um My dream

632
00:35:06,360 --> 00:35:10,200
Speaker 1: artists come in come in hot. They come in hot,

633
00:35:10,320 --> 00:35:12,960
Speaker 1: meaning they that they just went through something yesterday, last night,

634
00:35:13,040 --> 00:35:15,560
Speaker 1: that week that they just can't shut up about. And

635
00:35:16,120 --> 00:35:19,040
Speaker 1: artists that are like that. I mean Adele when she's

636
00:35:19,080 --> 00:35:22,400
Speaker 1: going through something is unbridled. Taylor is unbridled. She just

637
00:35:22,520 --> 00:35:26,279
Speaker 1: comes in hot. Um, Miley probably would be number one

638
00:35:26,320 --> 00:35:29,560
Speaker 1: in turns. They call you to Miley call, you'd say, bro,

639
00:35:29,760 --> 00:35:32,920
Speaker 1: I just I gotta get in So like, I'll tell

640
00:35:32,920 --> 00:35:35,879
Speaker 1: you an example, like we we um yeah, Miley. Miley

641
00:35:35,960 --> 00:35:39,720
Speaker 1: will text me, you know, like ninety them on a Sunday,

642
00:35:39,760 --> 00:35:45,080
Speaker 1: what are you doing? I am sitting next to my

643
00:35:45,360 --> 00:35:50,759
Speaker 1: kids watching Carton. What are you doing? And uh so

644
00:35:51,120 --> 00:35:55,240
Speaker 1: you know. But what's great about Miley? The best artists.

645
00:35:55,800 --> 00:36:00,640
Speaker 1: The best artists can do two things. And historically, Number one,

646
00:36:01,200 --> 00:36:04,440
Speaker 1: they have an untapped, unfettered access to their emotions and

647
00:36:04,520 --> 00:36:06,800
Speaker 1: they are completely vulnerable at all times. There are a

648
00:36:06,920 --> 00:36:09,600
Speaker 1: raw nerve that is open, that doesn't close. Miley is

649
00:36:10,000 --> 00:36:12,680
Speaker 1: one of those artists. Taylor is one of those artists. Um,

650
00:36:12,920 --> 00:36:16,359
Speaker 1: that's number one. Number two, the best artists, the ones

651
00:36:16,400 --> 00:36:18,839
Speaker 1: with the longest careers. They can write their own hit,

652
00:36:19,360 --> 00:36:21,560
Speaker 1: but they can recognize when a hit walks into the

653
00:36:21,840 --> 00:36:24,239
Speaker 1: into the room, and they don't let it leave the room.

654
00:36:24,719 --> 00:36:27,600
Speaker 1: Meaning what meaning? Like you have you have enough enough

655
00:36:27,640 --> 00:36:29,839
Speaker 1: of an ego that you want to tell your story.

656
00:36:30,440 --> 00:36:32,120
Speaker 1: But if someone else walks in, you go, you know what,

657
00:36:32,200 --> 00:36:33,680
Speaker 1: I didn't write that story, but I can make it

658
00:36:33,800 --> 00:36:37,080
Speaker 1: my own. And that's a smash and let's let's do

659
00:36:37,200 --> 00:36:39,359
Speaker 1: not let that leave. That's the Clive Davis approach to music,

660
00:36:39,400 --> 00:36:40,960
Speaker 1: like don't let it walk out the room. And so

661
00:36:41,920 --> 00:36:43,680
Speaker 1: you know, most of those artists I just names can

662
00:36:43,760 --> 00:36:47,000
Speaker 1: do that. You know. Taylor would historically send voice memos,

663
00:36:47,120 --> 00:36:49,279
Speaker 1: you know, or text usually voice memos and say here's

664
00:36:49,320 --> 00:36:51,160
Speaker 1: what I'm hearing, Like for Welcome to New York, it

665
00:36:51,239 --> 00:36:53,840
Speaker 1: was literally she sent me the entire the music. She

666
00:36:53,920 --> 00:36:55,640
Speaker 1: was like, it should go dump dump dump dump dump

667
00:36:55,719 --> 00:36:57,920
Speaker 1: dump tump dump dump. Like she had the whole thing

668
00:36:58,000 --> 00:37:00,920
Speaker 1: on piano. She had Welcome to Oh yeah, it's been

669
00:37:00,960 --> 00:37:04,080
Speaker 1: waiting for you, like the whole thing was was mapped out.

670
00:37:04,160 --> 00:37:07,120
Speaker 1: Whereas you know, uh, with with the with the debt,

671
00:37:07,120 --> 00:37:09,600
Speaker 1: I mean Beyonce, it was exactly what she wants, like

672
00:37:09,800 --> 00:37:12,840
Speaker 1: she has mapped out. She is the most uh, it

673
00:37:13,000 --> 00:37:15,120
Speaker 1: is completely in her mind mapped out as to what

674
00:37:15,280 --> 00:37:18,800
Speaker 1: she wants. And she's very giving with information and and

675
00:37:18,920 --> 00:37:21,480
Speaker 1: sharing where you know what the color tones, you know,

676
00:37:21,640 --> 00:37:24,600
Speaker 1: what what should inspire you? All these things and then

677
00:37:24,640 --> 00:37:27,040
Speaker 1: you have you know, that's that's it, it's best, And

678
00:37:27,120 --> 00:37:29,680
Speaker 1: then you have um everything in the middle. You have

679
00:37:29,719 --> 00:37:31,480
Speaker 1: a lot of artists that walk in and are like,

680
00:37:32,400 --> 00:37:36,200
Speaker 1: you know, I'm extracting, I'm pulling, I'm I'm I'm doing

681
00:37:36,400 --> 00:37:40,400
Speaker 1: fracking to get information out of them. I'm calling excellent.

682
00:37:40,520 --> 00:37:44,160
Speaker 1: You know, can you please drill down and a mile

683
00:37:44,320 --> 00:37:46,200
Speaker 1: and see if there's something that has to do with trust.

684
00:37:46,239 --> 00:37:48,120
Speaker 1: Maybe they don't know you and they know that's a

685
00:37:48,120 --> 00:37:50,560
Speaker 1: big part of it. You got to get to trust

686
00:37:50,600 --> 00:37:52,479
Speaker 1: each So I gotta get them talking what's beautiful about

687
00:37:52,480 --> 00:37:55,439
Speaker 1: country music and what what country artists writers are so great?

688
00:37:55,560 --> 00:37:59,359
Speaker 1: I've had it a couple a couple of country hits. Um.

689
00:38:00,120 --> 00:38:04,520
Speaker 1: They they walk in and they it's storytelling, so it

690
00:38:04,640 --> 00:38:08,640
Speaker 1: doesn't necessarily have to be their story, but it's storytelling.

691
00:38:08,920 --> 00:38:11,879
Speaker 1: And there's a beginning of middle and end. Sessions last

692
00:38:11,960 --> 00:38:13,759
Speaker 1: two hours two and a half hours. You walk out

693
00:38:13,800 --> 00:38:17,080
Speaker 1: with a finished song. You don't overthink anything, and there

694
00:38:17,239 --> 00:38:20,640
Speaker 1: is a uh you know, there's just there's a community

695
00:38:20,760 --> 00:38:24,400
Speaker 1: understanding of what you're there to accomplish. Right with pop music,

696
00:38:24,760 --> 00:38:26,920
Speaker 1: which is way harder to nail down, it's harder to

697
00:38:27,000 --> 00:38:29,560
Speaker 1: have a hit now at at top forty or at

698
00:38:29,640 --> 00:38:32,960
Speaker 1: pop globally than it has ever been by by a

699
00:38:33,160 --> 00:38:36,319
Speaker 1: million miles, because you've got Not only does the song

700
00:38:36,480 --> 00:38:38,680
Speaker 1: need to be phenomenal and be a hit and be

701
00:38:38,840 --> 00:38:41,200
Speaker 1: vulnerable and be or if it's a fun record, it's

702
00:38:41,200 --> 00:38:43,279
Speaker 1: a Lizzer record. It's it's you know uh, you know

703
00:38:43,800 --> 00:38:47,120
Speaker 1: about damn time. It's it's the baseline is a hook,

704
00:38:47,239 --> 00:38:49,160
Speaker 1: and the chorus is a hook, and that second verse

705
00:38:49,239 --> 00:38:50,880
Speaker 1: I'm gonna need to in a minute, I'm gonnait to

706
00:38:50,960 --> 00:38:53,440
Speaker 1: you know all that right. Not only do you need

707
00:38:53,520 --> 00:38:58,080
Speaker 1: all those things, then you need some someone somewhere in

708
00:38:58,160 --> 00:39:00,879
Speaker 1: the world to take part of that song, make a video,

709
00:39:01,120 --> 00:39:03,080
Speaker 1: and it has to go viral on TikTok, which is

710
00:39:03,480 --> 00:39:06,279
Speaker 1: which is the stage, so many layers to it. It's

711
00:39:06,280 --> 00:39:09,040
Speaker 1: a layer cake, dude. So yeah, I'm a I'm a

712
00:39:09,080 --> 00:39:13,520
Speaker 1: part time therapist and playing patients. Here. Let me play

713
00:39:13,600 --> 00:39:16,759
Speaker 1: this track Tedor is here from one Republican Here they are.

714
00:39:16,960 --> 00:39:19,840
Speaker 1: This is I Worried one or two point seven kids FM.

715
00:39:21,719 --> 00:39:26,400
Speaker 1: I Worried. It's the beach football game scene out of

716
00:39:26,440 --> 00:39:29,399
Speaker 1: Top Gun Maverick right there, and it's the best song

717
00:39:29,520 --> 00:39:31,600
Speaker 1: to make a real too. If you took like a

718
00:39:31,600 --> 00:39:34,320
Speaker 1: summer vacation, I went camping with the kids, and this

719
00:39:34,520 --> 00:39:38,399
Speaker 1: is my song with like I was. But you look

720
00:39:38,440 --> 00:39:40,279
Speaker 1: through the lens of that song, and how do you

721
00:39:40,360 --> 00:39:43,480
Speaker 1: describe the feelings of that song. So here's where the

722
00:39:43,520 --> 00:39:45,920
Speaker 1: song came from. Um it was the beginning of COVID.

723
00:39:46,200 --> 00:39:49,400
Speaker 1: I was locked down in my airstream recording studio and

724
00:39:49,440 --> 00:39:51,759
Speaker 1: I get a call from a buddy mine Randy at

725
00:39:52,160 --> 00:39:54,239
Speaker 1: Paramount Pictures, and I've done a bunch of and I

726
00:39:54,640 --> 00:39:56,879
Speaker 1: started my The first money I ever made was writing

727
00:39:56,920 --> 00:39:59,520
Speaker 1: songs for film and TV, and so I still do

728
00:39:59,600 --> 00:40:01,160
Speaker 1: it to this day. We I do probably four or

729
00:40:01,160 --> 00:40:02,920
Speaker 1: five films a year. He calls me and says like

730
00:40:02,920 --> 00:40:05,480
Speaker 1: I'm having a problem with top Gun. Top Gun. What

731
00:40:05,920 --> 00:40:08,680
Speaker 1: he goes, We got this scene, it's the the beach scene.

732
00:40:08,760 --> 00:40:12,080
Speaker 1: It's a three minute scene. It's a full song. We've

733
00:40:12,160 --> 00:40:15,160
Speaker 1: tried thirty songs in this scene, literally three zero and

734
00:40:15,280 --> 00:40:17,120
Speaker 1: none of them. Tom's not happy with any of him.

735
00:40:17,120 --> 00:40:18,880
Speaker 1: Will you jump on a zoom with Tom Cruise and

736
00:40:18,960 --> 00:40:28,000
Speaker 1: Jerry Brook So so I say I say absolutely not, no, no.

737
00:40:28,560 --> 00:40:31,439
Speaker 1: The next the next day we jump on thirty minutes zoom.

738
00:40:31,480 --> 00:40:33,319
Speaker 1: We watched the scene together, but what do they say?

739
00:40:33,400 --> 00:40:36,799
Speaker 1: Hold on? So you're on the zoom. You know, he's

740
00:40:36,840 --> 00:40:39,640
Speaker 1: not happy. So there's a little pressure coming in that

741
00:40:39,680 --> 00:40:42,080
Speaker 1: you're going to save the day. So how is it

742
00:40:42,160 --> 00:40:44,160
Speaker 1: tied up? From T C and j B from T

743
00:40:45,360 --> 00:40:49,080
Speaker 1: from from Tom and Jerry. So from T C and JB. Uh,

744
00:40:49,400 --> 00:40:51,840
Speaker 1: Tom says to me, and he's, you know, high end energy.

745
00:40:52,040 --> 00:40:54,000
Speaker 1: He's like the scene you know used to be Kenny

746
00:40:54,040 --> 00:40:56,480
Speaker 1: Loggins playing with the boys, like it's iconic, you got it.

747
00:40:56,719 --> 00:40:58,000
Speaker 1: I was like, Tom, what do you want it to

748
00:40:58,160 --> 00:41:00,320
Speaker 1: feel like? He's okay. It was the only part of

749
00:41:00,360 --> 00:41:02,279
Speaker 1: the movie, not to give anything away from Top Gun,

750
00:41:02,760 --> 00:41:05,120
Speaker 1: it's the only time in the movie in two hours

751
00:41:05,200 --> 00:41:07,520
Speaker 1: where they let off the gas and you can actually

752
00:41:07,600 --> 00:41:09,560
Speaker 1: relax for three or three and a half minutes right

753
00:41:10,960 --> 00:41:12,360
Speaker 1: before the storm. It's the common before the storm. And

754
00:41:12,400 --> 00:41:14,839
Speaker 1: it's in the middle of the movie. So he said,

755
00:41:15,239 --> 00:41:17,160
Speaker 1: you know, these guys are about to go risk their lives.

756
00:41:17,160 --> 00:41:19,440
Speaker 1: Somebody's gonna die, you know, blah bla bla blah blah.

757
00:41:19,719 --> 00:41:23,400
Speaker 1: And I wanted to feel it's it's California, It's you know,

758
00:41:23,440 --> 00:41:25,640
Speaker 1: southern California beach seing palm trees, and I was like, Okay,

759
00:41:26,000 --> 00:41:28,480
Speaker 1: what what I'm hearing is a little bit of beach Boys.

760
00:41:29,000 --> 00:41:31,520
Speaker 1: I'm hearing like beach boy kind of feel good harmonies

761
00:41:31,600 --> 00:41:33,880
Speaker 1: and vocals. I'm I'm thinking I'm gonna sing in a

762
00:41:33,960 --> 00:41:37,640
Speaker 1: higher register because that's Brian Wilson. I'm thinking a little

763
00:41:37,640 --> 00:41:41,480
Speaker 1: bit of the Guerrillas, like cool Baseline fielding, you know,

764
00:41:41,640 --> 00:41:44,840
Speaker 1: Clint Eastwood, um. And I wanted to have an indie vibe,

765
00:41:44,880 --> 00:41:47,759
Speaker 1: like an indie band, alternative band, not not like, uh,

766
00:41:48,000 --> 00:41:51,160
Speaker 1: you know, necessarily our typical one Republic sound. I wrote

767
00:41:51,239 --> 00:41:53,080
Speaker 1: it not even thinking it was a one Republic song.

768
00:41:53,120 --> 00:41:55,480
Speaker 1: I wrote it the next morning with my bass player.

769
00:41:55,880 --> 00:41:57,719
Speaker 1: First thing out of my mouth, I said, send me

770
00:41:57,800 --> 00:41:59,840
Speaker 1: some cords. He send me some chords, and I do

771
00:42:00,000 --> 00:42:02,200
Speaker 1: the whistle, and I go, dude, what if we start

772
00:42:02,320 --> 00:42:04,560
Speaker 1: the song with a whistle and then the verse melody

773
00:42:04,800 --> 00:42:07,040
Speaker 1: is the whistle? So every single thing you hear is

774
00:42:07,080 --> 00:42:10,560
Speaker 1: a hook and and Tom actually said, these guys, for

775
00:42:10,600 --> 00:42:12,600
Speaker 1: the only time in the movie, they're not worried about anything.

776
00:42:12,880 --> 00:42:15,960
Speaker 1: So that's where that and I go, So this is

777
00:42:16,000 --> 00:42:18,160
Speaker 1: what I wish every song happened like this. Some songs

778
00:42:18,360 --> 00:42:21,440
Speaker 1: Counting Counting you know, Counting Stars took me writing lyrics

779
00:42:21,480 --> 00:42:24,080
Speaker 1: off and on for like five months, apologize to six months,

780
00:42:24,200 --> 00:42:27,360
Speaker 1: but like, of all the people to deliver for Overnight,

781
00:42:28,760 --> 00:42:30,759
Speaker 1: that was Overnight. The only other song I've written that

782
00:42:31,160 --> 00:42:33,680
Speaker 1: that I've written that quick was Halo, which was like

783
00:42:33,800 --> 00:42:37,600
Speaker 1: a three hour turnaround. And and I ain't worried that stuck.

784
00:42:37,760 --> 00:42:40,320
Speaker 1: I didn't suck. I did the whistle. I did the whistle,

785
00:42:40,480 --> 00:42:42,879
Speaker 1: and I just had the like, you know, time's running out,

786
00:42:43,040 --> 00:42:45,279
Speaker 1: like sees it while you got it and don't stress out.

787
00:42:45,360 --> 00:42:47,480
Speaker 1: And then the chorus just fell from the sky. It

788
00:42:47,640 --> 00:42:51,040
Speaker 1: does feel, I mean, you wouldn't forget the movie for

789
00:42:51,080 --> 00:42:52,680
Speaker 1: a second. You listen to that and you feel like

790
00:42:52,719 --> 00:42:56,440
Speaker 1: you're in southern Californiac Like you feel like you're in

791
00:42:56,520 --> 00:42:58,760
Speaker 1: a convertible. Well, the irony is that we were working

792
00:42:58,800 --> 00:43:01,720
Speaker 1: a single which is now all like it's crushing in Europe,

793
00:43:01,719 --> 00:43:03,920
Speaker 1: which is funny because the timing of streaming and culture

794
00:43:03,960 --> 00:43:05,759
Speaker 1: and Brady and blah blah blah. We were working a

795
00:43:05,880 --> 00:43:08,520
Speaker 1: song at the time we hadn't We've gone to hot

796
00:43:08,600 --> 00:43:10,320
Speaker 1: extiveing on top forty in the US with with a

797
00:43:10,360 --> 00:43:13,640
Speaker 1: song called West Coast, which is literally the Beach Boys.

798
00:43:13,719 --> 00:43:15,239
Speaker 1: It's we were on the same page and I said,

799
00:43:15,280 --> 00:43:17,359
Speaker 1: I was like Tom Dude, like, literally, this is where

800
00:43:17,440 --> 00:43:20,040
Speaker 1: my head's at. I'm in this zone. I'm in the

801
00:43:20,160 --> 00:43:23,399
Speaker 1: so Caw feel good West Coast summer vibes. We're coming

802
00:43:23,440 --> 00:43:27,160
Speaker 1: out of a pandemic. It's it was like going into wintertime.

803
00:43:27,600 --> 00:43:29,759
Speaker 1: And I was like, everybody, even if you don't live here,

804
00:43:29,840 --> 00:43:32,840
Speaker 1: you want that Southern California and nobody is doing the

805
00:43:32,920 --> 00:43:36,360
Speaker 1: Beach Boys thing, mamas and the Papa's thing now. So

806
00:43:36,520 --> 00:43:37,920
Speaker 1: for me, that was part of it. I wanted. I

807
00:43:37,960 --> 00:43:40,680
Speaker 1: wanted to bring back that sixties so Caw culture with

808
00:43:40,800 --> 00:43:44,160
Speaker 1: a song and people need there's so much stuff to

809
00:43:44,200 --> 00:43:47,000
Speaker 1: stress us out right now between the economy and war

810
00:43:47,200 --> 00:43:50,360
Speaker 1: and yeah, politics, like I am worried. You need that

811
00:43:50,480 --> 00:43:52,400
Speaker 1: three minute checkout, And that's really what it was. It

812
00:43:52,480 --> 00:43:55,040
Speaker 1: was like it was like a you know me, I

813
00:43:55,080 --> 00:43:59,920
Speaker 1: would say audible medicine for three minutes. Yeah, I'm think

814
00:44:00,160 --> 00:44:03,160
Speaker 1: of like the whistling. So in the track we heard

815
00:44:03,360 --> 00:44:06,600
Speaker 1: was that an instrument critic that is you actually whistling?

816
00:44:07,000 --> 00:44:14,279
Speaker 1: I'll try it my lips a little drive alright, So yeah,

817
00:44:14,320 --> 00:44:18,160
Speaker 1: it was me checks out, all right, so it is

818
00:44:18,239 --> 00:44:19,920
Speaker 1: the real Ryan Tep. I forgot it was me. It

819
00:44:20,000 --> 00:44:22,080
Speaker 1: was funny the other day. I'm not making this up.

820
00:44:22,160 --> 00:44:24,600
Speaker 1: We were we were doing, uh like rehearsing for Good

821
00:44:24,640 --> 00:44:26,800
Speaker 1: Morning America or something, and and I turned my to

822
00:44:26,880 --> 00:44:28,279
Speaker 1: my bass player who I wrote the song with, and

823
00:44:28,360 --> 00:44:30,759
Speaker 1: I go, I go, dude, who who did you get

824
00:44:30,800 --> 00:44:32,680
Speaker 1: to do that whistle? Who's doing this? I swear to God,

825
00:44:32,719 --> 00:44:34,080
Speaker 1: swear to God, I go, who did the whistle in

826
00:44:34,120 --> 00:44:35,800
Speaker 1: the song? And he looks at me because you're you're joking.

827
00:44:35,920 --> 00:44:38,279
Speaker 1: I was like, no, because dude, you're an idiot. That's you.

828
00:44:38,800 --> 00:44:40,400
Speaker 1: You did that. You did that. I was like, I

829
00:44:40,480 --> 00:44:42,520
Speaker 1: have no memory of doing that. He's like, no, that's you.

830
00:44:42,640 --> 00:44:44,080
Speaker 1: Nobody else did it. I was like, all right, that's

831
00:44:44,080 --> 00:44:46,200
Speaker 1: like saying tomorrow, if you asked me who was on

832
00:44:46,280 --> 00:44:48,000
Speaker 1: this show, I'll play that you were here. Yeah, I

833
00:44:48,040 --> 00:44:51,520
Speaker 1: know you. Every days runs together, dude. I do five

834
00:44:51,560 --> 00:44:53,560
Speaker 1: to seven songs a week. So I literally lost. I

835
00:44:53,680 --> 00:44:56,160
Speaker 1: completely lost track of who did it. And I gotta

836
00:44:56,239 --> 00:44:59,120
Speaker 1: say just to say that nobody knows anything when it

837
00:44:59,160 --> 00:45:01,200
Speaker 1: comes to music these days. What's gonna go off? I

838
00:45:01,239 --> 00:45:07,960
Speaker 1: want to I want to personally think Miles Teller's Abs'

839
00:45:08,080 --> 00:45:11,640
Speaker 1: turning married into a hit. Thank you Miles Teller's Abs.

840
00:45:11,640 --> 00:45:13,520
Speaker 1: I'm sending you a bottle of don prgnon. You will

841
00:45:13,560 --> 00:45:15,399
Speaker 1: get it this week. You'll drink it through your belly button.

842
00:45:15,440 --> 00:45:20,640
Speaker 1: You will drink it through your belly buck badass. Awesome

843
00:45:20,680 --> 00:45:22,600
Speaker 1: to see you, Ryan, Thanks for coming in now check

844
00:45:22,600 --> 00:45:24,920
Speaker 1: it out. One Republic's new single, Lion Word is out now.

845
00:45:25,000 --> 00:45:28,600
Speaker 1: Tickets to there Never Ending summer tour on sale ticketmaster

846
00:45:28,800 --> 00:45:31,160
Speaker 1: dot com. And let's stay close, buddy. Always great to

847
00:45:31,200 --> 00:45:35,759
Speaker 1: see you. Good as see man. Thank you. Air with

848
00:45:36,120 --> 00:45:40,480
Speaker 1: Ryan Seacrets. I got back on the phone and we

849
00:45:40,760 --> 00:45:43,880
Speaker 1: now Toms has really gone all out this summer. He's

850
00:45:43,960 --> 00:45:48,200
Speaker 1: installed a new screen right here on my counter that

851
00:45:48,400 --> 00:45:50,880
Speaker 1: is essentially in a large phone. So it's a big

852
00:45:50,960 --> 00:45:52,560
Speaker 1: phone screen where I can see all the texts coming

853
00:45:52,600 --> 00:45:55,480
Speaker 1: into four one or two seven. People still texting about

854
00:45:55,520 --> 00:45:58,840
Speaker 1: the spooky Foodie and the haunted restaurants in Los Angeles.

855
00:45:59,080 --> 00:46:02,879
Speaker 1: Spooky food he was talking and about uh three three

856
00:46:02,880 --> 00:46:08,440
Speaker 1: says Marie Counters in Monterey Park. Um lazy dog Oxnard

857
00:46:08,520 --> 00:46:14,200
Speaker 1: has a friendly ghost spirit wandering around. My gym is haunted.

858
00:46:15,760 --> 00:46:19,600
Speaker 1: So is mine. Yeah, if you're gonna be in here

859
00:46:19,680 --> 00:46:23,000
Speaker 1: ghost and give me a spot. Yeah. And by the way, yeah,

860
00:46:23,000 --> 00:46:24,840
Speaker 1: if you're a ghost in a gym, help me with

861
00:46:24,880 --> 00:46:27,640
Speaker 1: some heavyweight. Nobody can see your right made me look

862
00:46:27,680 --> 00:46:32,560
Speaker 1: good exactly, that's a good plan. Greb Becca North, Hollywood, Becky,

863
00:46:32,600 --> 00:46:35,040
Speaker 1: good morning. How are you? I'm good? How are you

864
00:46:35,640 --> 00:46:39,640
Speaker 1: doing well? Thank you? So what's the question on your mind? So?

865
00:46:39,760 --> 00:46:42,239
Speaker 1: I need your help with something. I was at a

866
00:46:42,320 --> 00:46:44,400
Speaker 1: party last weekend and I met a guy who was

867
00:46:44,440 --> 00:46:46,680
Speaker 1: like a friend of a friend and I thought he

868
00:46:46,800 --> 00:46:49,400
Speaker 1: was really cute and sweet. But I don't know why.

869
00:46:49,400 --> 00:46:52,480
Speaker 1: I just assumed that he was gay. But then he

870
00:46:52,680 --> 00:46:55,120
Speaker 1: texted me and asked me out to dinner. So I

871
00:46:55,200 --> 00:46:57,799
Speaker 1: need your help because why why assume? What? What made

872
00:46:57,840 --> 00:47:01,680
Speaker 1: you assume something? Well? I just kind of got a vibe.

873
00:47:01,719 --> 00:47:04,480
Speaker 1: And then he used the word partner instead of like

874
00:47:04,600 --> 00:47:09,000
Speaker 1: boyfriend or girlfriend a few different times, so like it

875
00:47:09,080 --> 00:47:10,880
Speaker 1: triggered something in me, and I was like, oh, maybe

876
00:47:11,520 --> 00:47:14,759
Speaker 1: maybe he is I use partner all the time. I

877
00:47:14,880 --> 00:47:18,120
Speaker 1: use partner companions other like I do that all the time.

878
00:47:18,239 --> 00:47:19,719
Speaker 1: How was he using it though? Was he talking about

879
00:47:19,760 --> 00:47:23,440
Speaker 1: somebody else or himself? Um? I was. I just kind

880
00:47:23,440 --> 00:47:29,480
Speaker 1: of overheard it, so I wasn't exactly sure. So what's

881
00:47:29,680 --> 00:47:31,800
Speaker 1: your issue? You don't know whether to go out with

882
00:47:31,880 --> 00:47:35,120
Speaker 1: him or not? Well I already said yes, like I'm

883
00:47:35,120 --> 00:47:36,080
Speaker 1: going to go out with him, but I don't know

884
00:47:36,120 --> 00:47:38,000
Speaker 1: if I should assume it's a date or as friend

885
00:47:38,160 --> 00:47:40,480
Speaker 1: because he wasn't really like flirting with me at the party.

886
00:47:40,920 --> 00:47:43,040
Speaker 1: So that's why. Another one, how did he ask you?

887
00:47:43,320 --> 00:47:45,200
Speaker 1: What were the words he used to ask you out?

888
00:47:45,280 --> 00:47:48,800
Speaker 1: Good question? Um, he just said like hey, um, like

889
00:47:48,920 --> 00:47:50,680
Speaker 1: it was great to meet you, Like I was wondering

890
00:47:50,719 --> 00:47:54,120
Speaker 1: if you wanted to go out this weekend, like it

891
00:47:54,239 --> 00:47:59,600
Speaker 1: was really go out that date? Well, what what do

892
00:47:59,680 --> 00:48:02,480
Speaker 1: you do for living? What does he do for a living? Um?

893
00:48:02,640 --> 00:48:07,880
Speaker 1: He is a musician and I'm a nurse. Okay, what

894
00:48:07,960 --> 00:48:09,480
Speaker 1: did that tell us? I was trying to see like

895
00:48:09,560 --> 00:48:12,040
Speaker 1: if she was she's a musician, if she worked at

896
00:48:12,080 --> 00:48:14,879
Speaker 1: a record label or something, then like maybe he's he's

897
00:48:14,920 --> 00:48:16,080
Speaker 1: more of a business you know what I mean? Like

898
00:48:16,160 --> 00:48:19,080
Speaker 1: he's no, he's asking you out. That is clear on

899
00:48:19,320 --> 00:48:22,040
Speaker 1: a date. I'm trying to think of, like how I

900
00:48:22,120 --> 00:48:27,520
Speaker 1: would text to ask someone out for food? Like simple, right,

901
00:48:27,560 --> 00:48:29,719
Speaker 1: It's like yeah, like nice to me. I'm just thinking

902
00:48:29,719 --> 00:48:31,959
Speaker 1: out loud, nice to meet you. Would you be grabbing

903
00:48:31,960 --> 00:48:36,920
Speaker 1: a bite anytime something like that, right, I mean that's okay.

904
00:48:36,920 --> 00:48:42,560
Speaker 1: I would say, when you, let's grab Jenner and catch

905
00:48:42,640 --> 00:48:44,880
Speaker 1: up sometime. Wonderful to me? Here, I think you just

906
00:48:45,000 --> 00:48:48,200
Speaker 1: go no expectations, feel it out still, and see where

907
00:48:48,200 --> 00:48:50,000
Speaker 1: the night go. But I think you go in knowing

908
00:48:50,200 --> 00:48:56,359
Speaker 1: that this pretty much is a date. You're interested in him, right, yeah?

909
00:48:56,360 --> 00:48:58,279
Speaker 1: I mean I thought I didn't think anything of it

910
00:48:58,360 --> 00:49:00,880
Speaker 1: at the party, but I mean I do think he's you. No, no, no,

911
00:49:01,280 --> 00:49:03,680
Speaker 1: we're giving her bad advice. You should go into it

912
00:49:03,840 --> 00:49:06,240
Speaker 1: thinking it's not a date, because then you get pleasantly

913
00:49:06,280 --> 00:49:11,239
Speaker 1: surprised at it is a date. But yeah, then you

914
00:49:11,320 --> 00:49:14,080
Speaker 1: prepared different for the night. Do you not remember, Sissy?

915
00:49:14,080 --> 00:49:15,640
Speaker 1: You will remember this. I went out I thought it

916
00:49:15,719 --> 00:49:18,319
Speaker 1: was a date with this guy. I got all gussied up,

917
00:49:18,520 --> 00:49:20,680
Speaker 1: I like ubered there because I was gonna get drunk

918
00:49:21,000 --> 00:49:23,479
Speaker 1: and it was totally not a date. We ordered tea

919
00:49:23,680 --> 00:49:26,440
Speaker 1: and I was so bummed. Okay, well, Beck is not

920
00:49:26,480 --> 00:49:28,399
Speaker 1: going to make that mistake. Now. I'm just saying it's

921
00:49:28,440 --> 00:49:31,359
Speaker 1: better to go in Hope. I tell you I think

922
00:49:31,360 --> 00:49:35,759
Speaker 1: it's always better to go in over like overdressed. Or

923
00:49:36,320 --> 00:49:39,919
Speaker 1: that's true. You always want to look over prepared then under,

924
00:49:40,520 --> 00:49:44,359
Speaker 1: so Becca, you choose, but keep us posted. All right,

925
00:49:45,280 --> 00:49:48,200
Speaker 1: all right, sounds good, Thank you. Did someone just use

926
00:49:48,280 --> 00:49:50,480
Speaker 1: the words gussied up? Did I hear that? I know

927
00:49:50,640 --> 00:49:52,400
Speaker 1: I was trying. I don't know if I heard it.

928
00:49:52,520 --> 00:49:55,200
Speaker 1: I heard gussied up, and I was like, what is that?

929
00:49:56,960 --> 00:49:59,440
Speaker 1: It means like I got all done up well in

930
00:49:59,560 --> 00:50:04,160
Speaker 1: The Great Gatsby. Yeah, and that's what it meant. I

931
00:50:04,200 --> 00:50:08,920
Speaker 1: don't know about now. Our TikToker is all gussied up? Gussie?

932
00:50:09,480 --> 00:50:11,080
Speaker 1: Did I heard? I don't know why I said that.

933
00:50:11,200 --> 00:50:12,919
Speaker 1: I haven't said that a long I read the book

934
00:50:12,960 --> 00:50:15,120
Speaker 1: back in school called The Great Gatsby, and it was

935
00:50:15,160 --> 00:50:17,279
Speaker 1: in there. I think when you dated that guy, it

936
00:50:17,360 --> 00:50:20,600
Speaker 1: was around the Great Gatsby times up in one minute, No, No,

937
00:50:20,680 --> 00:50:22,480
Speaker 1: I'm talking about the book way back in the day.

938
00:50:22,880 --> 00:50:26,520
Speaker 1: By the way, speaking of songs on the air here,

939
00:50:27,239 --> 00:50:30,279
Speaker 1: a few minutes ago, I played DOJ Cat get into Yeah,

940
00:50:30,719 --> 00:50:32,359
Speaker 1: and I didn't realize it. Over the course of last

941
00:50:32,360 --> 00:50:34,560
Speaker 1: few weeks, I've been calling that song different names every time,

942
00:50:34,800 --> 00:50:36,600
Speaker 1: and Sissy and Tanya. I have not been pointing it out.

943
00:50:36,680 --> 00:50:42,880
Speaker 1: I might point out, no, we did changed it. So

944
00:50:43,560 --> 00:50:47,399
Speaker 1: I guess someone stayed up all night last night. She's

945
00:50:47,440 --> 00:50:52,040
Speaker 1: near Tany. To go back into the logs of shows,

946
00:50:53,120 --> 00:50:55,440
Speaker 1: and you found the different ways I have said that song,

947
00:50:55,680 --> 00:50:58,560
Speaker 1: and these aren't even like the worst ones, I don't think.

948
00:50:58,600 --> 00:51:01,120
Speaker 1: I don't think we could find all of them. So

949
00:51:01,239 --> 00:51:03,279
Speaker 1: many the show just sort of happens in real time.

950
00:51:03,520 --> 00:51:07,879
Speaker 1: So whatever happens happens. And that song is called get

951
00:51:07,920 --> 00:51:13,960
Speaker 1: into You, it's like it's like you're struggling. Well, it's

952
00:51:14,480 --> 00:51:17,799
Speaker 1: I don't know, there's because there's a lot of there's

953
00:51:17,880 --> 00:51:22,120
Speaker 1: three teas very close together, get into you. We should

954
00:51:22,360 --> 00:51:25,440
Speaker 1: we shouldn't even say the yeah, that's parenthetically. Just get

955
00:51:25,480 --> 00:51:30,440
Speaker 1: into is in parentheses. Joe Ja Cat get into it.

956
00:51:32,320 --> 00:51:38,080
Speaker 1: Sm Doja Cat get into it? Doja Cat into it?

957
00:51:39,000 --> 00:51:42,640
Speaker 1: Doja Cat get into it? A kiss? All right? So

958
00:51:42,800 --> 00:51:45,000
Speaker 1: I don't think that was so far off the mark. Okay,

959
00:51:45,160 --> 00:51:48,399
Speaker 1: listen to it again, get into it, joe Ja Cat

960
00:51:48,680 --> 00:51:53,520
Speaker 1: get into it. Well that's what it's called Ja Cat

961
00:51:53,640 --> 00:51:57,800
Speaker 1: get into it. That's what it's called into it. So

962
00:51:57,960 --> 00:51:59,759
Speaker 1: what is wrong with what I'm saying? No, those aren't

963
00:51:59,800 --> 00:52:04,759
Speaker 1: the first ones. Yeah, cat into it, into cat get

964
00:52:04,840 --> 00:52:10,680
Speaker 1: into it exactly, get into it. Pause pause, Ye right,

965
00:52:10,960 --> 00:52:13,840
Speaker 1: because it's parenthetical. I even try to help you with

966
00:52:13,960 --> 00:52:16,200
Speaker 1: one of them. I was like, yeah, but those that

967
00:52:16,719 --> 00:52:19,160
Speaker 1: that is the title of the song, get into it. Yeah,

968
00:52:19,400 --> 00:52:22,040
Speaker 1: those aren't the worst ones. We'll let it go, stay

969
00:52:22,120 --> 00:52:25,279
Speaker 1: up all night again, We'll go back to the drawing

970
00:52:25,320 --> 00:52:28,920
Speaker 1: board on that. I'm always into what the new cars

971
00:52:29,000 --> 00:52:31,640
Speaker 1: are that they're talking about. It's just like the fashion world,

972
00:52:31,719 --> 00:52:34,560
Speaker 1: Like you see these dresses, but or these these fashion

973
00:52:34,600 --> 00:52:36,680
Speaker 1: statements on the runways. They never really make it to

974
00:52:36,760 --> 00:52:39,200
Speaker 1: the racks. But stay with the cars. They talk all

975
00:52:39,200 --> 00:52:42,359
Speaker 1: these dream cars, but I never see them on the streets. Well,

976
00:52:42,400 --> 00:52:43,960
Speaker 1: this one is going to make it. What is this one?

977
00:52:44,000 --> 00:52:46,480
Speaker 1: Ill tell me about this new car. Um. It's solar

978
00:52:46,719 --> 00:52:49,200
Speaker 1: powered and it's from this Dutch company called light Year,

979
00:52:49,360 --> 00:52:52,680
Speaker 1: so it's the light Year zero or the light Year oh. Um.

980
00:52:52,800 --> 00:52:56,120
Speaker 1: It has curved solar panels basically along the whole top

981
00:52:56,200 --> 00:52:58,600
Speaker 1: of the car, from the hood to the top to

982
00:52:58,680 --> 00:53:02,200
Speaker 1: the back trunk area. Just picture it, all solar panel paneled.

983
00:53:02,680 --> 00:53:04,960
Speaker 1: And they say you can drive up to three eight

984
00:53:05,080 --> 00:53:09,400
Speaker 1: miles straight without stopping to recharge, and the solar panels

985
00:53:09,440 --> 00:53:12,640
Speaker 1: alone get you forty four miles a day with just that.

986
00:53:13,000 --> 00:53:16,040
Speaker 1: So for example, if your commute was let's say twenty

987
00:53:16,120 --> 00:53:20,040
Speaker 1: minutes a day, you could theoretically go months and months

988
00:53:20,080 --> 00:53:23,080
Speaker 1: and months without ever having to charge your car, like

989
00:53:23,200 --> 00:53:26,680
Speaker 1: maybe seven up to seven months without recharging. That's pretty cool,

990
00:53:26,880 --> 00:53:29,719
Speaker 1: isn't that crazy? And also why is it taking so

991
00:53:29,880 --> 00:53:33,759
Speaker 1: long for us to figure out like out solar paneled cars. Yeah,

992
00:53:33,760 --> 00:53:36,600
Speaker 1: I know we're taking pictures of other galaxies, but we

993
00:53:36,680 --> 00:53:38,319
Speaker 1: can't get these panels on the roof of our car.

994
00:53:38,360 --> 00:53:40,960
Speaker 1: And so I've seen people with solar panels in their

995
00:53:41,000 --> 00:53:45,520
Speaker 1: backyards for years exactly. So if this is the future, great,

996
00:53:45,640 --> 00:53:47,879
Speaker 1: I mean I have a plug in hybrid and that's

997
00:53:47,880 --> 00:53:51,240
Speaker 1: saving me tons on gas right now. But solar panel

998
00:53:51,400 --> 00:53:53,680
Speaker 1: is like probably the movement. It sounds almost too good

999
00:53:53,680 --> 00:53:56,080
Speaker 1: to be true because it's two hundred and sixty tho

1000
00:53:56,360 --> 00:53:58,239
Speaker 1: dollars for one of these cars. But this is just

1001
00:53:58,400 --> 00:54:01,239
Speaker 1: like a flat screen. Yeah, the pod screens came out,

1002
00:54:01,440 --> 00:54:03,759
Speaker 1: you couldn't afford that. Now they come way down, So

1003
00:54:03,840 --> 00:54:05,959
Speaker 1: I would wait this out, don't get into this right away,

1004
00:54:06,239 --> 00:54:08,359
Speaker 1: even out it's going to come out there, saying later

1005
00:54:08,480 --> 00:54:11,839
Speaker 1: this year in Europe, probably Portugal, Spain, where like they

1006
00:54:11,880 --> 00:54:16,359
Speaker 1: get the sunnier um climates. Just like little computers, little

1007
00:54:16,440 --> 00:54:18,719
Speaker 1: phones and flat screens, all that stuff came on the

1008
00:54:18,800 --> 00:54:22,399
Speaker 1: market with unfare, affordable prices and then it comes down

1009
00:54:22,600 --> 00:54:24,400
Speaker 1: and that's the way it we'll go. But I like

1010
00:54:24,600 --> 00:54:28,000
Speaker 1: the idea of a solar paneled car and the look

1011
00:54:28,120 --> 00:54:30,000
Speaker 1: is pretty cheat Yeah, it's pretty sleek. I like it.

1012
00:54:31,400 --> 00:54:37,399
Speaker 1: On Air with Ryan Seacrest, tubs passed over the notes.

1013
00:54:37,880 --> 00:54:40,640
Speaker 1: That's it for us today. Let me see tomorrow Rachel

1014
00:54:40,719 --> 00:54:47,880
Speaker 1: and Gabby, the Batchelorettes and Ryan's Roses. Tomm morning, I'm

1015
00:54:47,920 --> 00:54:50,200
Speaker 1: a great, great day. We'll talk to you to mom.

1016
00:54:50,920 --> 00:54:53,719
Speaker 1: Thanks for listening to On Air with Ryan Seacrest. Make

1017
00:54:53,719 --> 00:54:55,920
Speaker 1: sure to subscribe and we'll talk to you again tomorrow