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Speaker 1: Dan danybody come to the breakfast club. I call this

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Speaker 1: the sea you don't control. I''t even doing you so Peto?

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Speaker 1: Are you so Patty? The world's most dangerous morning sho

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Speaker 1: dj n this bitch, ANGELI. I stay in everybody's business,

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Speaker 1: but in a good ray. Charlomagne, the God, the ruler,

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Speaker 1: rubbers you the wrong way. The breakfast clubs for everybody.

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Speaker 1: Good morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo. Good

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Speaker 1: morning Angelie. Ye that money he's any Charlomagne, the gout

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Speaker 1: piece to the planet. It is Friday, Yes, it's Friday.

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Speaker 1: Absolutely March NiFe when he cannabis see, the greatest rapper

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Speaker 1: of all time died on March NiFe. That's right, one

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Speaker 1: of the greatest rappers of all time. You know I

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Speaker 1: wouldn't have a problem if you got him at number one.

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Speaker 1: But then Dentorious big Restie pets to him. Yes, right, um,

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Speaker 1: what else did they? Oh? Wrinkling time, coming times speaking

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Speaker 1: a wrinkling time. Ava Duvenai will be joining us this morning,

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Speaker 1: dropping the clues bombs with Queen Aba Duvenai. Damn it,

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Speaker 1: but that makes sense. This is the second time I've

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Speaker 1: interviewed Able Duvene. I interviewed a Will last year, last

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Speaker 1: summer at the bat Genius talks. Yeah, but she she's

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Speaker 1: here on the Breakfast Club this morning and we'll be

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Speaker 1: kicking on her. Absolutely. I got my power back, Frond,

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Speaker 1: did you lose power on Jersey or no? No, I

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Speaker 1: lost power, man am I generated it and kicking. I

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Speaker 1: bought a generator after Sandy. When when Sandy hit, we

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Speaker 1: were out for like three four days without power. So

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Speaker 1: I bought a generated and I never checked it. I

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Speaker 1: never tested it since Sandy, and I should have tested

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Speaker 1: it because it didn't work. So I was out for

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Speaker 1: power for two days. So soon as power came back

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Speaker 1: on it, it was it was great to get heat,

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Speaker 1: a getting well. It was great to get heat again.

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Speaker 1: I know for a fact America's on autopilot because the

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Speaker 1: town next to my town was completely out of power

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Speaker 1: and so like just one screet I was taking my

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Speaker 1: daughter to Chile and practice yesterday and it's just one

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Speaker 1: street where like every traffic light was out and there

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Speaker 1: was no cops nowhere directing traffic. It's just everybody, just

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Speaker 1: every man for himself, every woman for himself. That's how

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Speaker 1: I know America is completely on auto pilot. Yeah, I'm surprised.

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Speaker 1: My kids had school off for Wednesday, Thursday, and today

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Speaker 1: they don't have any school school because schooling got a power.

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Speaker 1: This school has no power. That's crazy, pilot, It's pretty crazy.

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Speaker 1: It never ever happened to me. No, And we never

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Speaker 1: lost power at school, nothing like that. Never when I

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Speaker 1: was a kid either. But when we were kids, they

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Speaker 1: had candles, never had power to lose, sir, it was candles, yo. Right,

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Speaker 1: all right, But let's get the show cracking front page news.

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Speaker 1: What we're talking about you, Well, let's talk about this

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Speaker 1: whole drama with your President, Donald Trump and Stormy Daniels,

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Speaker 1: the port star who is now filing a lawsuit. She

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Speaker 1: wants to go ahead and not take that, and I

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Speaker 1: talked she talk. Nobody cares about that, Donald Trump. Then

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Speaker 1: through the ultimate to flection, lets talk and kid and

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Speaker 1: it's Trump meeting with King Jong. Exactly what we're going

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Speaker 1: to talk about that too. This a lot of Trump

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Speaker 1: talk this morning. Somebody cares about Stormy Daniels right now,

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Speaker 1: all right, Well, we'll get to that when we come back,

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Speaker 1: and don't forget Ava Duvenai will be joining us. So

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Speaker 1: keeping locked us to breakfast club. Good morning morning. Everybody

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Speaker 1: is dj N v Angela Yee, Charlomagne the guy. We

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Speaker 1: all the Breakfast Club. Let's get in some front page news. Now,

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Speaker 1: let's talk your president, Donald Trump. Yes, so Donald Trump.

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Speaker 1: Now there's some issues. And I've been reading all about

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Speaker 1: Stormy Daniel. She's a pornographic film actress, and she says

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Speaker 1: she had an affair with President Trump and she got

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Speaker 1: some hush money one hundred and thirty thousand dollars payout,

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Speaker 1: and it was an agreement that she signed in twenty

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Speaker 1: sixteen to keep silent. Okay, Now she is suing in

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Speaker 1: order to say that that was not actually a legal

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Speaker 1: contract that she signed. Part of that is they used

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Speaker 1: fake names. So Donald Trump used the name I think

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Speaker 1: it was David Dennison, and she had the name Peggy Peterson.

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Speaker 1: And so she's now saying that that signature, those aliases

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Speaker 1: are not going to hold up in court. They're also

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Speaker 1: saying that one hundred and thirty thousand dollars payout was

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Speaker 1: effectively a contribution to Donald Trump's campaign. That should have

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Speaker 1: been reported to the commission. What's the point of this story?

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Speaker 1: President Trump likes poom poom. We noticed already like he

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Speaker 1: would mean that he lied and he could be forced

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Speaker 1: to testify in depositions. If this does go through, he

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Speaker 1: might have to They might have to reveal things on

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Speaker 1: both sides. That's gonna happen on anyway. Nothing Teflon don

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Speaker 1: like that. That's light work. He already deed. He already

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Speaker 1: deflected by what the Kim jong un store. All right, well,

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Speaker 1: let's talk about that Kim jong un store. Now. Donald

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Speaker 1: Trump has accepted an offer to meet with Kim Jong un.

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Speaker 1: Here is what South Korea's national security advisor had to say.

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Speaker 1: All I told President Trump that no meeting North Korean

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Speaker 1: Little Kim John Mun said he's committed to Team neuclarization.

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Speaker 1: Kim cletched that North kore real Ukraine from any photo

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Speaker 1: Ducleo or this sold tests. I'll be honest with you.

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Speaker 1: I need the subtitles. I don't know what. I don't

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Speaker 1: know what he said. They're not meant to accepted the

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Speaker 1: invitation to meet with Kim Jong un at a place

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Speaker 1: and time to be determined. So that's the plan now,

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Speaker 1: even though the two of them have been going back

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Speaker 1: and forth with the insults NonStop, somehow, somewhere, I guess

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Speaker 1: they've decided to sit down. Where did they meet though?

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Speaker 1: Did they meet in America? Did they meet in South Korea?

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Speaker 1: They got to meet somewhere, like like in the middle

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Speaker 1: safe place maybe maybe I don't know what do they meet?

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Speaker 1: Like they meet in the neutral location to be neutral,

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Speaker 1: they're going to decide that they haven't decided determined what

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Speaker 1: that place is going to be yet. Well, I'm not

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Speaker 1: mad at diploma. See. I would rather have them sit

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Speaker 1: and work things out instead of threatening and throw nukes

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Speaker 1: at each other. My question is with Dennis Rodman be there?

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Speaker 1: Probably not? I don't think so. All right. In addition,

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Speaker 1: in just a couple of weeks, you can expect these

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Speaker 1: tariffs to take place, and that is on still imports

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Speaker 1: twenty five percent tariff and still imports and ten percent

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Speaker 1: on aluminum except for Canada and Mexico. So that's going

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Speaker 1: to happen in fieen days and a lot of companies

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Speaker 1: will be affected. A lot of US companies are going

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Speaker 1: to be affected by these tariffs. In other words, bear cans.

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Speaker 1: They're going to be more expensive because the tariffs will

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Speaker 1: be in effect. Autocart manufacturers, Boeings, Caterpillars, construction equipment, Campbell's

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Speaker 1: soup company, Craft Breweries. Is a lot of companies that

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Speaker 1: are going to be affected that our American companies for

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Speaker 1: General Electric, General motors, oil companies, Whirlpool, all of those

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Speaker 1: that'sn't expect the war. They're saying countries outside are going

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Speaker 1: to be putting tariffs on their stuff as well. So

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Speaker 1: allies are set now with these tariffs. So they're saying

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Speaker 1: it will be an economic disaster, but it's also a

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Speaker 1: security disaster for us. We want to build our ships,

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Speaker 1: we want to build our planes with steal and aluminum

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Speaker 1: from our country, according to Donald Trump, so he says,

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Speaker 1: this has been a long overdue problem. See what, Conda

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Speaker 1: don't have this problem. We Conda glute got vibratium. You know,

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Speaker 1: I'm saying they got the market cornered on the most

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Speaker 1: precious metal in the war minknness, all right, drop on

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Speaker 1: a clues bombsable. Conda always one step ahead of the curve, okay,

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Speaker 1: all right? And by the way, it only stone acknowledge

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Speaker 1: today is a storm read from Wrinkling Time. Okay, and

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Speaker 1: I just Stormy Daniels. All right, LA's front page news.

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Speaker 1: Get it off your chests? Eight don't drip five eight

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Speaker 1: five one on five one. If you're upset, you need

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Speaker 1: to vent. Hit us up right now, Maybe need to vent.

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Speaker 1: You could call us up. Or if you just want

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Speaker 1: to spread some positivity, you could tell him are you blessed? Eight?

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Speaker 1: Don't drip? Five eight five one on five one is

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Speaker 1: to breakfast club. Good morning the breakfast club. Wake up,

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Speaker 1: wake up, wake y'all. This is your time to get

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Speaker 1: it off your chest. Whether you're man or blast, we

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Speaker 1: want to hear from you on a breakfast club. Hello.

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Speaker 1: Who's this? Yeah? This is Marcos from the Connecticut. Ay, Marco,

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Speaker 1: get it off your chests? Bro y know, Charlotte Mane,

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Speaker 1: I'm mad at you, bro Okay, that's serious. Man. What's

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Speaker 1: good with you? And little zin Man, little Zucker mantle

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Speaker 1: Man and the kid you gave dunk in the day

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Speaker 1: Essel Oh oh what a bottom? He just lust his

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Speaker 1: own opinion. Man, Come on, listen, listen, you can have

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Speaker 1: you can You gotta listen to half the music you

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Speaker 1: come out with fall betrayed. He didn't give it to

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Speaker 1: I don't care if I didn't. I didn't give me

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Speaker 1: joking the day because of his music, though. I mean, listen,

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Speaker 1: you can have an opinion, but your opinion can be

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Speaker 1: dead wrong. You do know that, right, Like, It's one

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Speaker 1: thing to say you think two pockets music is boring.

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Speaker 1: Cool music is subjective, But to say that two pockets

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Speaker 1: number two on the cloud scale? Do you know what

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Speaker 1: the word cloud means? Sir? Yeah, you were, yeah, yeah, yeah,

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Speaker 1: he wrong for that. Got donkey today, yeah yeah, yeah,

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Speaker 1: but he for that. He was wrong for that the

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Speaker 1: end of the day. But still you gotta give this

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Speaker 1: music at least a charge. Man, Don't just say it

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Speaker 1: wasn't It wasn't about his music. It was about what

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Speaker 1: he said. I'm not gonna lie. I'm old deed on

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Speaker 1: littles right now. I like Little Oozy because I've seen

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Speaker 1: him perform. He's a great performance. I was listening to

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Speaker 1: the Little Yaddy this morning, but that's old school Little Wayne,

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Speaker 1: Little John. That's my error. You new the new littles.

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Speaker 1: I gotta I gotta fill on those right now, Little

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Speaker 1: Ouzie and Little Yati. That as far as I go, Hello,

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Speaker 1: who's this I had from the Hey, Ma'm gonna get

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Speaker 1: it off his chest? Mad because I had when you

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Speaker 1: have a personal friends and you gotta have a issue

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Speaker 1: and instead of them calling you, they put it out

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Speaker 1: on fatbook, it is makes me stop mad. Yeah that

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Speaker 1: is true. Yeah that's kind of corny. Pick up the

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Speaker 1: phone and call me if we spent We're really cool, bro, Exactly.

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Speaker 1: I walk up to this morning to Facebook sat of

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Speaker 1: stuff out and me like, why didn't you call me?

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Speaker 1: You're talking about best friends sixteen? Are you sure you're

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Speaker 1: not being sensitive? I know sometimes people see Facebook pull

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Speaker 1: like I know they talking about me, but it ain't

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Speaker 1: really about the subliminal. Yeah it was, so maybe it's

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Speaker 1: not as much. It might not be about you. I'm

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Speaker 1: her only bestie. Now, I will say this, The subliminals

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Speaker 1: you think are about you say a lot about you.

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Speaker 1: That's true. Get it off your chests eight hundred five

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Speaker 1: eight five one o five one. If you're upset, you

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Speaker 1: need to vent hit us up right now. It's the

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Speaker 1: breakfast Club. Good morning, the Breakfast Club. Did your time

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Speaker 1: to get it off your chests? Whether you're mad or

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Speaker 1: blast so Peo better have the same Inny, we want

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Speaker 1: to hear from you on the breakfast club. Hello. Who's

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Speaker 1: this Hey, good morning, this is Angel. I'm calling from

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Speaker 1: rich We Virginia. Hey, Angel, get it off your chance

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Speaker 1: farmer dj Envy. I'm actually upset with you today. Are

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Speaker 1: you mad at me? Mama? Because like, I know that

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Speaker 1: today is Biggie's death anniversary, but my thing is it

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Speaker 1: is also bad Woud's birthday. I want to hear today

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Speaker 1: five Bad Wild songs and I'll get some bad one

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Speaker 1: for you, MoMA. I can't do five, okay, thank you?

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Speaker 1: On Wow, you can't even do a bad Wound mix.

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Speaker 1: And it's not it's not it's not a Biggie's fall.

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Speaker 1: Come on, that was my first love. You have to

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Speaker 1: get at least two Bad Wow songs in a yeah.

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Speaker 1: But ain't nobody told bad Way to be born on

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Speaker 1: the day Biggie dot No, no, no, nobody told nobody

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Speaker 1: told about to do that. Go on now, just two songs.

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Speaker 1: I love bad but I can't mix Bad Wild Biggie.

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Speaker 1: If you don't, okay, can we get like a little

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Speaker 1: Bow song like throughout the day? How about you give

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Speaker 1: you a little balk right now. I'll take it. I'll

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Speaker 1: take thank you, on the battle I watched have been

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Speaker 1: Born on the eighth for the tenth Oh my goodness, hello,

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Speaker 1: who's this hey? Man? What's going on? Mister Shaw Collie

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Speaker 1: for Texas? I'm mad about this aluminum tariff tech situation. Man.

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Speaker 1: We get the low the lower income beer companies have

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Speaker 1: to buy aluminum, and they will put them out of

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Speaker 1: business if they have to raise the press on their

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Speaker 1: beer to the American people. I don't think people can't

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Speaker 1: what they drink beer out of, sir. I mean would

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Speaker 1: when when a regular pack of beer was ten dollars

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Speaker 1: one day and it's fifteen and next to a twelve pack,

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Speaker 1: but they can buy it in the bottom bottle. The

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Speaker 1: more expenses they can, Oh, they're gonna drink the aluminum.

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Speaker 1: Everybody gonna really be affected when they go over to

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Speaker 1: somebody's house for a nice little cookout or something and

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Speaker 1: they ain't nothing to wrap up the barbecue you want

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Speaker 1: to take home because it's too expensive. That's when people

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Speaker 1: really gonna fall. No fall. There you go, you know

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Speaker 1: we do, Charlotte mine, We bring guy on down tough

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Speaker 1: work to our bar were smart Negro? There you go,

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Speaker 1: there you go, thank you bro? All right, man, get

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Speaker 1: it off your chests eight hundred five eight five one

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Speaker 1: oh five one. If you're upset, you need to vent

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Speaker 1: hit us up right now. You've got rooms all the

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Speaker 1: way he asked. We'll talk about Rick Ross, will give

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Speaker 1: you an update on how he's doing. And they've also

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Speaker 1: released the nine one one Call, which sounded pretty scary. Also,

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Speaker 1: who is Apple Music's most streamed woman? Well, we'll tell

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Speaker 1: you who's number one on that list. All right, we'll

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Speaker 1: get into all that when we come back. Keep a

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Speaker 1: lockt this to breakfast club. Good morning the Breakfast Club.

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Speaker 1: Good on to guys. It's a Friday. Hey, it is

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Speaker 1: quick question before we get to the room is talk

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Speaker 1: to me. What's your favorite big joint, favorite biggie song ever?

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Speaker 1: Probably my Downfall that one of my favorite. I don't

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Speaker 1: have a favorite exact because it's the vibes are different

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Speaker 1: about you, like of course, I like I got a

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Speaker 1: story to tell, story like the original one more chance,

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Speaker 1: not original when it comes to sex. Something Manilla called

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Speaker 1: me kind of fell a big Jo's beef. Who shot you?

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Speaker 1: Who shot you? All right? I just said a couple

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Speaker 1: of goodness gracious quest. I like the sum with him

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Speaker 1: and little Kim. What do you do when your man

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Speaker 1: is untrue? You cut the I like I need all right? Anyway,

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Speaker 1: let's get to the rum as. Let's talk the most

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Speaker 1: stream female artists. Listen just Oh Gosh Reports, it's the

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Speaker 1: Rum Report, Breakfast Club, Well, Apple Music, and on our

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Speaker 1: International Women's Day yesterday, released a list of the top

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Speaker 1: twenty most streamed women. And guess who was number one

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Speaker 1: on the list? Let me guess, Let me guess. I

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Speaker 1: would say the brand of that Mannise is Swift. She's

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Speaker 1: number two. Actually, Beyonce is number three. Brihanna, Rihanna's number one.

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Speaker 1: That's Island Spices right there. That mannis coming in At

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Speaker 1: number four was Ariana Grande and Adele was number five.

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Speaker 1: Adele is a big y'all manning stopping right enough? Seeing that?

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Speaker 1: All right enough? Rick Ross, that nine one one call

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Speaker 1: before he went to the hospital has been released. It's

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Speaker 1: a male caller calling from Rick Ross's Miami house. And

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Speaker 1: here's how it went. I needed a lamps here. He

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Speaker 1: was thrown up. Look like he's I know, he's ahead

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Speaker 1: of he before he took his medicine. He's not breathing right,

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Speaker 1: He's in and out he's the shaking rear bear. He

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Speaker 1: already was vomiting. Well, he was going up a little

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Speaker 1: light blood and stuff. He just passed. No, he pulled

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Speaker 1: on his shelf. Why why had nine one one called me?

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Speaker 1: I was taking to say, why would they watch? And

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Speaker 1: why is that lady on the phone top say whatnot?

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Speaker 1: But you I gotta repeat my thumbo that have told

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Speaker 1: you everything that's happening to my man. Well, he posted

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Speaker 1: ain't nothing like home. I love y'all, so glad to

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Speaker 1: see that he is home and hopefully feeling better. They

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Speaker 1: saying it was a undisclosed heart complication. And that's a

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Speaker 1: scary situation though, when you have to make a call

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Speaker 1: like that, and if all of those things are happening

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Speaker 1: and you don't know what's going on in that president

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Speaker 1: has had a history of seizures. I'm mad. I shouldn't

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Speaker 1: have to hear that like that should be personal, you should.

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Speaker 1: They shouldn't release though. I don't see the point of it.

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Speaker 1: I've never I have yet to see the point, not

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Speaker 1: at all to our all nine one one calls made public? Yes,

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Speaker 1: all right, I think unless it's involved with a child. Now,

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Speaker 1: Chris Brown versus Vanessa Carlton, How did this even happen? First,

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Speaker 1: Chris Brown posted mood this song lit Forever and he

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Speaker 1: put this song up downtown face is fasten Them Home? Well,

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Speaker 1: Vanessa Carlton was not too happy about it. She posted

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Speaker 1: today Chris Brown posted my video I am now being

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Speaker 1: repeatedly tagged to his account. Being that today's International Women's Day,

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Speaker 1: I feel compelled to draw a line. I support survivors,

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Speaker 1: not perpetrators of demand stick violence. I do not want

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Speaker 1: to be associated with an artist that has assaulted women

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Speaker 1: on a daylight today, Thank you. I thought that was

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Speaker 1: a reach, man, when that's a cart and you can't

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Speaker 1: pick and choose who likes and buys your music and

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Speaker 1: shares your music. And if there's anyone who should be

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Speaker 1: showing love the women's Chris Brown like, he should definitely

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Speaker 1: be showing people that he's grown and he's evolved and

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Speaker 1: that he loves women. Yeah, so I thought that was

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Speaker 1: a reach on her part. That was a tough one.

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Speaker 1: And he simply posted a part of the song playing

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Speaker 1: on White Chicks and he captain did I love this song?

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Speaker 1: And then he said to Vanessa Carlton, I posted a

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Speaker 1: song that was and still is a great song, and

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Speaker 1: the artist felt she was doing her duty as a

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Speaker 1: woman to continue to spread this kind of hatred Today,

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Speaker 1: I won't keep it up long. I just hope she

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Speaker 1: knows she is loved and her song is great. Yeah,

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Speaker 1: and Chris never lied about the domestic violence. He made

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Speaker 1: a mistake. He said he made a mistake, right right. Yeah,

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Speaker 1: she could have just left that one alone. But also

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Speaker 1: I can't tell her how to react to anything, So

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Speaker 1: she reacted how she reacted, whether or not what Chris

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Speaker 1: Brown to reply with a bunch of fifth emojis, Stop it,

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Speaker 1: stop it stopping man, Why you all one of the

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Speaker 1: man What are you talking about anyway? I'm here, ye,

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Speaker 1: and that is your rumor you've been black pirate, that's

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Speaker 1: what you meant. No, I'm just thinking about all the

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Speaker 1: possible great news scenarios. That's what my mind knows. What

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Speaker 1: that could have went left? Yes, what when we come back,

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Speaker 1: Ava Duvenai will be dropped clues bombs for Queen Ava

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Speaker 1: Dubnai or Wrinkling Time is in theaters today. I keep

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Speaker 1: telling y'all, it's the perfect daddy daughter date. You should

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Speaker 1: take your daughters to go see it. Fathers, this weekend,

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Speaker 1: but I cannot wait to build what they were doing now,

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Speaker 1: I had I interviewed her before. They'll interviewed her last week,

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Speaker 1: not last week or last year, okay, last summer at

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Speaker 1: the bat genius talks. But she's a phenomenal person. She

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Speaker 1: makes me want to be a better human being. All Right,

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Speaker 1: we'll kick it with her when we come back. Don't move.

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Speaker 1: It's to Breakfast Cloud corning morning. Everybody is DJ Envy,

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Speaker 1: Angela Yee, Charlemagne the God. We are the Breakfast Cloud.

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Speaker 1: We have a special guest in the building. This is

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Speaker 1: really a special guest, and said special guest for everybody,

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Speaker 1: but this really is a special guest. A. How you're doing?

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Speaker 1: How's everything? Now? We see you had a lot of people.

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Speaker 1: But it's okay because no, I know I walked in

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Speaker 1: here like I know, I walked in here, like you know,

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Speaker 1: I'm about to do a concert tomorrow. We have a

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Speaker 1: posh yes, threaten us. I'm just gonna walk out in

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Speaker 1: the middle and we in this moment just a black

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Speaker 1: renaissance and TV and film? What is what is rinkle

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Speaker 1: fit into all of that? You know? Wrinkle is is

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Speaker 1: um a big part of it? Like I was just

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Speaker 1: out in LA with just Beautiful right now, Lena Way

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Speaker 1: and Issa and Ryan Coogler and um Angela Bacid and

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Speaker 1: uh and I mean you look at all the shows

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Speaker 1: underground and um uh Tween Sugar and Insecure and Lena's

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Speaker 1: show and Shy the Shy and uh Mar Breakakills got

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Speaker 1: a new show coming out called love Is, which is

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Speaker 1: really cool, and this film as well. In television, Barry

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Speaker 1: Jenkins has another film coming out. Steve McQueen has another

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Speaker 1: film coming out, and he did Twelve Years a Slave.

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Speaker 1: But the bottom line is you can count all those

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Speaker 1: people on two hands, you know. And so while we

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Speaker 1: are kind of in a moment where we can all

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Speaker 1: see each other, that needs to be a lot more.

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Speaker 1: And you know it's really when you talk about brown,

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Speaker 1: you're not seeing, you know, enough attention paid to Latino creators,

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Speaker 1: you know, Asian creators. You ain't never seen no Native

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Speaker 1: American people. You know what, what do they see on TV? Nothing?

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Speaker 1: So that's part of this film is trying to show

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Speaker 1: as many people as possible because we think we aren't

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Speaker 1: seeing those representations, but imagine, imagine everyone else. It's just

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Speaker 1: a lot more to do. Now, let's go back at

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Speaker 1: how did you get into directing in films. I didn't

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Speaker 1: pick up a camera until I was thirty two, which

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Speaker 1: is really old in directory years. Well, um, I didn't

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Speaker 1: go to film school, so it was really improbable that

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Speaker 1: I would ever have made it. See Ryan Coogler, who's

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Speaker 1: a great friend of mine, or director Black Panthers thirty one,

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Speaker 1: he's on his third film. I didn't pick up a

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Speaker 1: camera till I was thirty two. And what gave you that?

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Speaker 1: To pick up a camera? I was just trying it out,

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Speaker 1: just playing with it. I was on these sets. I

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Speaker 1: was a publicist, so I was a publicist for other filmmakers,

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Speaker 1: and I would be on the sets, never with the woman,

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Speaker 1: never with the black person. And I was watching people

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Speaker 1: direct and like I could do that. I feel like

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Speaker 1: I can do it. I never thought it would be

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Speaker 1: living from it. I just picked up a camera to

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Speaker 1: enjoy it for myself, see what I can make, And

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Speaker 1: I just kept making things. You know, it's great even

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Speaker 1: your background doing PR yeah, and being on sets and everything,

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Speaker 1: that's just helpful for when you did decide to do it,

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Speaker 1: because having that skill to be able to do PR

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Speaker 1: for someone else's movie imagine trying to do that for yourself. Yeah,

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Speaker 1: and those connections already in place too. It kind of

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Speaker 1: all fits together. Yeah. I didn't make as many connections,

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Speaker 1: but what I did was I was watching them. That's

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Speaker 1: why I tell people, if you can't go to film school,

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Speaker 1: or you can't afford it, or you you're older and

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Speaker 1: you don't want to go back, just get yourself on

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Speaker 1: a set so you can observe, because that's really, you know,

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Speaker 1: film school. I was able to stand close to directors.

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Speaker 1: I didn't go to film school, but I was able

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Speaker 1: to close to directors on sets and watch what they

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Speaker 1: did right and wrong. Most of what I learned was

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Speaker 1: what I don't want to do, yelling at people being unorganized,

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Speaker 1: you know. So it was a good school, but it

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Speaker 1: was just a different route. Your story is interesting though,

420
00:21:13,720 --> 00:21:15,440
Speaker 1: because like a lot of people always come in and

421
00:21:15,600 --> 00:21:17,960
Speaker 1: be like I knew, I always wanted to be a director.

422
00:21:18,840 --> 00:21:21,800
Speaker 1: Pr you did journalism, Yeah, ran a blog or any

423
00:21:21,800 --> 00:21:23,320
Speaker 1: of those things you're past. I never thought that I

424
00:21:23,560 --> 00:21:26,600
Speaker 1: could be a director. I didn't even know first of all,

425
00:21:27,240 --> 00:21:28,840
Speaker 1: that ladies could be a director. I mean really, in

426
00:21:28,920 --> 00:21:30,919
Speaker 1: my mind, I didn't see anybody doing it at that time. Now,

427
00:21:31,000 --> 00:21:33,639
Speaker 1: I know there were amazing black women filmmakers doing it,

428
00:21:33,760 --> 00:21:36,320
Speaker 1: but at the time, only black director. I feel like

429
00:21:36,359 --> 00:21:38,760
Speaker 1: I knew it was Spike Lee and John Singleton and

430
00:21:38,840 --> 00:21:41,800
Speaker 1: they just felt super you know, there there guys, So

431
00:21:41,880 --> 00:21:43,600
Speaker 1: it wasn't something that's a little girl I looked up to.

432
00:21:43,760 --> 00:21:45,480
Speaker 1: That's why I when I have the barbie in my

433
00:21:45,600 --> 00:21:48,320
Speaker 1: likeness with the director's chair or now black black girls

434
00:21:48,400 --> 00:21:51,919
Speaker 1: like and brown girls, no directing is a possibility, right.

435
00:21:51,960 --> 00:21:54,159
Speaker 1: They see Patty Jenkins and do Wonder Woman. They see it,

436
00:21:54,280 --> 00:21:56,200
Speaker 1: so you know, I believe in if you see it,

437
00:21:56,280 --> 00:21:58,200
Speaker 1: you can be it. Yeah, because it's interesting to be

438
00:21:58,359 --> 00:22:00,639
Speaker 1: the first for a lot for yourself, you know, the

439
00:22:00,720 --> 00:22:03,679
Speaker 1: first woman to direct, but a film with a budget

440
00:22:03,720 --> 00:22:06,159
Speaker 1: over one hundred million dollars, the first black woman to

441
00:22:06,280 --> 00:22:08,520
Speaker 1: do something like that. It feels like why is it

442
00:22:08,840 --> 00:22:12,359
Speaker 1: two thousand? I know people say those things like like

443
00:22:12,480 --> 00:22:14,160
Speaker 1: it's a source of pride. I know it's a source

444
00:22:14,200 --> 00:22:15,760
Speaker 1: of pride for some people, but for me, it's like

445
00:22:16,440 --> 00:22:20,480
Speaker 1: for the industry, like, i't y'all embarrassed that it's twenty eighteen,

446
00:22:20,640 --> 00:22:22,440
Speaker 1: Like they'll say it when I walk out on the stage,

447
00:22:22,440 --> 00:22:24,119
Speaker 1: and it's like you might want to keep that on

448
00:22:24,200 --> 00:22:26,800
Speaker 1: the low that it's twenty eighteen and this is just

449
00:22:26,960 --> 00:22:30,080
Speaker 1: now happening. Um. So, yeah, it's a bittersweet thing when

450
00:22:30,119 --> 00:22:32,080
Speaker 1: I hear it, because I know, I know it wasn't

451
00:22:32,400 --> 00:22:36,240
Speaker 1: wasn't any of my doing. It's only because the industry

452
00:22:36,280 --> 00:22:38,639
Speaker 1: decided to pay attention to somebody right now and I started.

453
00:22:38,920 --> 00:22:41,640
Speaker 1: I happen to be here. There's amazing black women filmmaker

454
00:22:41,640 --> 00:22:44,240
Speaker 1: has been doing this forever, but people really love y'all.

455
00:22:44,280 --> 00:22:46,720
Speaker 1: I was on a flight with you coming from New

456
00:22:46,800 --> 00:22:49,920
Speaker 1: Orleans and I was first class. He was why didn't

457
00:22:49,920 --> 00:22:51,639
Speaker 1: you say hello? Yeah, we were all in first class

458
00:22:51,640 --> 00:22:53,280
Speaker 1: and I didn't know who you are. Okay, well that's

459
00:22:53,320 --> 00:22:57,960
Speaker 1: why why anyone talking about Everybody kept coming up to

460
00:22:58,000 --> 00:23:00,320
Speaker 1: you and they kept complimenting you. You're so nice. STANDI

461
00:23:00,359 --> 00:23:03,000
Speaker 1: Amari was on the flight. It was a bunch of actors,

462
00:23:03,080 --> 00:23:05,399
Speaker 1: A level B, level C levels. It was everybody on

463
00:23:05,480 --> 00:23:07,840
Speaker 1: that flight was just so complimentary about who you are

464
00:23:07,960 --> 00:23:09,560
Speaker 1: and how you was such a pleasure to work with,

465
00:23:09,640 --> 00:23:11,200
Speaker 1: and you don't usually get that from everybody. And I

466
00:23:11,359 --> 00:23:13,080
Speaker 1: was just a fly on the wall just listening. I

467
00:23:13,200 --> 00:23:15,280
Speaker 1: was like, that's pretty dope. She must be an amazing persons.

468
00:23:15,840 --> 00:23:17,960
Speaker 1: He thank you for that, piggybacking off him. How do

469
00:23:18,000 --> 00:23:20,960
Speaker 1: you feel about being a celebrity director because you're a director,

470
00:23:21,000 --> 00:23:22,719
Speaker 1: but you're also a star, like you want to entertainer

471
00:23:22,760 --> 00:23:26,080
Speaker 1: of the Year at the nap. That doesn't happen for

472
00:23:26,119 --> 00:23:27,880
Speaker 1: every directors. How do you feel about the fame side

473
00:23:27,920 --> 00:23:29,960
Speaker 1: of it? I think it's a new a new piece

474
00:23:30,000 --> 00:23:32,640
Speaker 1: of it. Maybe I just feel maybe the last year

475
00:23:32,920 --> 00:23:37,840
Speaker 1: actually where um and so it's different. But you know,

476
00:23:38,040 --> 00:23:40,040
Speaker 1: you made some incredible things happen. The fact that you

477
00:23:40,160 --> 00:23:44,560
Speaker 1: got Sharde to do that incredible. I know. Oh you

478
00:23:44,600 --> 00:23:47,159
Speaker 1: want to tell you how to happen? Please? Okay? So

479
00:23:47,480 --> 00:23:49,840
Speaker 1: Disney said, who would you like to do the song?

480
00:23:50,240 --> 00:23:52,480
Speaker 1: And this is before I'd even you know, shot any

481
00:23:52,560 --> 00:23:53,879
Speaker 1: of it. And I said, well, you're not gonna be

482
00:23:53,920 --> 00:23:57,680
Speaker 1: able to hear who I want? And they're like, well, who, Yeah,

483
00:23:57,720 --> 00:24:00,680
Speaker 1: we probably won't, but we can get you an address.

484
00:24:00,760 --> 00:24:02,919
Speaker 1: We can get a letter to her through the manager

485
00:24:03,000 --> 00:24:06,160
Speaker 1: to the to the direct like country home in London address,

486
00:24:06,320 --> 00:24:10,680
Speaker 1: old school letter, old school handwritten, not even email nothing.

487
00:24:11,160 --> 00:24:12,600
Speaker 1: So I wrote that I did an email too, but

488
00:24:12,680 --> 00:24:15,400
Speaker 1: I also sent an actual letter. I think she got

489
00:24:15,440 --> 00:24:18,959
Speaker 1: the email because anyway, I put three days into this email,

490
00:24:19,200 --> 00:24:20,919
Speaker 1: and first I sounded like, oh my gosh, I love

491
00:24:20,960 --> 00:24:22,440
Speaker 1: you ear the soundtrack of my life. Then I said,

492
00:24:22,440 --> 00:24:24,320
Speaker 1: don't let me be cool. I've got a film, you know,

493
00:24:24,560 --> 00:24:28,160
Speaker 1: like I was rewriting it like nine times it shot

494
00:24:28,240 --> 00:24:31,119
Speaker 1: in So anyway, I sent her a letter and literally

495
00:24:31,160 --> 00:24:34,520
Speaker 1: within twenty four hours, she called me. She knew who

496
00:24:34,520 --> 00:24:35,959
Speaker 1: I was, and she called me and it was her

497
00:24:36,080 --> 00:24:39,480
Speaker 1: voice saying human words on the phone into my actual ear,

498
00:24:40,119 --> 00:24:42,440
Speaker 1: her speaking voice. It sounds like her singing voice. It

499
00:24:42,520 --> 00:24:44,600
Speaker 1: was her was smoky and husky, and she was so

500
00:24:44,800 --> 00:24:47,840
Speaker 1: sweet and she was beautiful, and she called me a queen.

501
00:24:47,960 --> 00:24:50,280
Speaker 1: And she said she loved Selma and she really cared

502
00:24:50,280 --> 00:24:52,000
Speaker 1: about the script in the movie and she wanted to

503
00:24:52,080 --> 00:24:54,880
Speaker 1: make the story about this girl and that she would

504
00:24:54,880 --> 00:24:57,359
Speaker 1: do it. I be honest, if I already threw my

505
00:24:58,359 --> 00:25:00,520
Speaker 1: shot at Oprah and she became my print, I would

506
00:25:00,520 --> 00:25:06,000
Speaker 1: feel like they should have been light working. Well, I

507
00:25:06,200 --> 00:25:08,200
Speaker 1: was lucky. It was lucky. Yeah. So we had a

508
00:25:08,280 --> 00:25:11,560
Speaker 1: really really nice um collaboration. She wrote the song before

509
00:25:11,560 --> 00:25:14,600
Speaker 1: we even shot the movie, so we put her lyrics

510
00:25:15,080 --> 00:25:18,000
Speaker 1: from the song into the dialogue of the characters, which

511
00:25:18,080 --> 00:25:19,639
Speaker 1: is a kind of like the backwards way to do it.

512
00:25:19,760 --> 00:25:22,200
Speaker 1: Usually the song comes at the very very end. So anyway,

513
00:25:22,280 --> 00:25:23,840
Speaker 1: she was great to work with and we've kept in

514
00:25:23,920 --> 00:25:25,760
Speaker 1: great touch. She I had a cold and she sent

515
00:25:25,840 --> 00:25:29,159
Speaker 1: me like herbs and fruits and berries and like, you know,

516
00:25:29,480 --> 00:25:31,520
Speaker 1: I think she's very Yeah. I mean that's why you

517
00:25:31,600 --> 00:25:33,840
Speaker 1: look that way, because you're like, don't put crap in

518
00:25:33,920 --> 00:25:36,280
Speaker 1: your body. So anyway, she's sweet. All right, we have

519
00:25:36,400 --> 00:25:38,440
Speaker 1: more with Ava Duvenai when we come back. Don't move.

520
00:25:38,480 --> 00:25:44,440
Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club Morning.

521
00:25:44,480 --> 00:25:48,119
Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We

522
00:25:48,200 --> 00:25:52,440
Speaker 1: all the Breakfast Club. We have Ava Duvenai in the building. Charlomagne.

523
00:25:52,600 --> 00:25:54,680
Speaker 1: Now you are initially supposed to be the director for

524
00:25:54,760 --> 00:25:56,960
Speaker 1: Black Panther. Yeah, they asked me. They asked me to

525
00:25:57,040 --> 00:26:00,480
Speaker 1: consider making it. Um. I don't know, maybe three years ago.

526
00:26:00,720 --> 00:26:03,040
Speaker 1: Why why didn't you? Because I wanted to make a

527
00:26:03,119 --> 00:26:05,879
Speaker 1: story about a girl, grad Um. I really wanted to

528
00:26:06,200 --> 00:26:09,879
Speaker 1: to to make something that was girl focused. Did I

529
00:26:09,960 --> 00:26:13,199
Speaker 1: just come off Selma and Thirteenth? I felt like they

530
00:26:13,240 --> 00:26:17,800
Speaker 1: were masculine, masculine and yeah and so uh so, yeah,

531
00:26:17,800 --> 00:26:19,639
Speaker 1: I wanted to make something that was more women focused

532
00:26:19,720 --> 00:26:21,920
Speaker 1: and I love the women and Black Panther also that

533
00:26:22,080 --> 00:26:26,920
Speaker 1: yeah he did. We we edited our films right across

534
00:26:27,000 --> 00:26:29,240
Speaker 1: the hall from E Show, So I saw him. So

535
00:26:29,320 --> 00:26:30,680
Speaker 1: you peeked over a couple of times he peecked in

536
00:26:30,760 --> 00:26:33,000
Speaker 1: on your Yeah, yeah, we we We would take walks

537
00:26:33,040 --> 00:26:35,280
Speaker 1: around a lot and just take a breather. And I've

538
00:26:35,320 --> 00:26:37,520
Speaker 1: known him for a long time and it's just a

539
00:26:37,560 --> 00:26:40,040
Speaker 1: really good friend of mine through the alley to Ryan though,

540
00:26:40,119 --> 00:26:42,040
Speaker 1: like you you would you want to recommended Ryan for

541
00:26:42,119 --> 00:26:45,560
Speaker 1: Black Panther. I don't know if I recommended him. Um,

542
00:26:46,160 --> 00:26:48,000
Speaker 1: it was like a really short list because when you

543
00:26:48,040 --> 00:26:50,480
Speaker 1: look at that space, like coming off of Creed, you know,

544
00:26:50,840 --> 00:26:54,600
Speaker 1: the studios are looking at who's made films that you

545
00:26:54,680 --> 00:26:57,080
Speaker 1: know that have been successful that you could tell they

546
00:26:57,119 --> 00:26:59,480
Speaker 1: can handle the next film at the next budget level.

547
00:26:59,760 --> 00:27:01,720
Speaker 1: And so I mean it's it's a pretty short list

548
00:27:01,920 --> 00:27:04,199
Speaker 1: because there's not a lot of us making films. I mean,

549
00:27:04,400 --> 00:27:06,840
Speaker 1: like I said, on two hands, so so yeah, no,

550
00:27:06,920 --> 00:27:08,560
Speaker 1: he was just coming off of Creed at that time,

551
00:27:08,640 --> 00:27:10,600
Speaker 1: and I don't know, it's just a perfect perfect film

552
00:27:10,640 --> 00:27:13,000
Speaker 1: for him. I really felt like a black man should

553
00:27:13,000 --> 00:27:15,320
Speaker 1: have made that film. I felt strongly that that film

554
00:27:15,680 --> 00:27:17,600
Speaker 1: need to be made by a brother because that was

555
00:27:17,640 --> 00:27:20,520
Speaker 1: a central focus of it. So, um, so it happened

556
00:27:20,560 --> 00:27:22,080
Speaker 1: and it was fantastic. That's what I love about you,

557
00:27:22,160 --> 00:27:25,000
Speaker 1: Like you're so unapologetically black, Yo, so unapologetically a woman

558
00:27:25,080 --> 00:27:27,000
Speaker 1: like yore going these rooms and say no, this need

559
00:27:27,040 --> 00:27:28,680
Speaker 1: to be a black woman directing. This need to be

560
00:27:28,720 --> 00:27:31,720
Speaker 1: a black guy directing. Do they ever get mad at you?

561
00:27:31,840 --> 00:27:34,560
Speaker 1: Look they ever call you bias or anything? I mean

562
00:27:34,640 --> 00:27:37,960
Speaker 1: maybe behind my back, but you know, not to my face.

563
00:27:38,280 --> 00:27:41,639
Speaker 1: You know, how did a wrinkling time come across your desk? Oh? Gosh,

564
00:27:41,760 --> 00:27:44,399
Speaker 1: it was. It was really lovely because they called me.

565
00:27:44,640 --> 00:27:46,359
Speaker 1: And a lot of times in Hollywood they want you

566
00:27:46,440 --> 00:27:50,160
Speaker 1: to come in kind of pitching and begging and asking.

567
00:27:50,400 --> 00:27:53,040
Speaker 1: That's the way that it's kind of set up. Um

568
00:27:53,520 --> 00:27:56,160
Speaker 1: and this one was I was invited and welcomed into

569
00:27:56,240 --> 00:27:58,320
Speaker 1: something that they wanted to do. So there's a brother

570
00:27:58,400 --> 00:28:00,560
Speaker 1: over there at ten don Agenda and he called me

571
00:28:00,640 --> 00:28:03,360
Speaker 1: and said look at the script and I'd never read

572
00:28:03,400 --> 00:28:07,119
Speaker 1: the book. Uh, and he said, imagine the world so

573
00:28:07,280 --> 00:28:09,480
Speaker 1: you can build. I was like, worlds. It's like, yeah,

574
00:28:09,520 --> 00:28:11,800
Speaker 1: this girl hops planets. I was like, house planets out.

575
00:28:12,119 --> 00:28:14,080
Speaker 1: He was like even read it, read it. I was

576
00:28:14,119 --> 00:28:15,920
Speaker 1: reading it. I was just like, this is dope. You

577
00:28:16,000 --> 00:28:18,640
Speaker 1: know what I mean. It's a it's a young black girl.

578
00:28:19,040 --> 00:28:21,320
Speaker 1: It was a young girl. We made her black, but

579
00:28:21,400 --> 00:28:24,320
Speaker 1: a young girl who hops planets and fights the darkness

580
00:28:24,440 --> 00:28:27,480
Speaker 1: and flies and saves the universe. And she's not a superhero,

581
00:28:27,760 --> 00:28:31,080
Speaker 1: she's not a Jedi. She's just a girl. I'm excited

582
00:28:31,080 --> 00:28:33,480
Speaker 1: about this. I have three young daughters with one old. Today,

583
00:28:33,640 --> 00:28:35,920
Speaker 1: I have a sixteen year old and a four year old.

584
00:28:36,040 --> 00:28:37,560
Speaker 1: The one can't The one year old can't go, but

585
00:28:37,600 --> 00:28:39,200
Speaker 1: the four year old is sixteen. I'm gonna take him

586
00:28:39,200 --> 00:28:40,880
Speaker 1: this week. And I'm we're excited about it. I tell

587
00:28:40,880 --> 00:28:43,880
Speaker 1: everybody's the perfect daddy daughter da is La to go

588
00:28:44,000 --> 00:28:46,600
Speaker 1: to the premiere so my daughter could see it and

589
00:28:46,760 --> 00:28:49,360
Speaker 1: meet avel of course. Yeah, but it was great. Yeah, yeah,

590
00:28:49,400 --> 00:28:51,280
Speaker 1: it's good. Good for good because it's a whole thing.

591
00:28:51,320 --> 00:28:53,360
Speaker 1: It's about a father daughter. Yes, yeah, yeah, I said,

592
00:28:53,360 --> 00:28:54,920
Speaker 1: I keep asking my daughter, I don't want to give

593
00:28:54,960 --> 00:28:57,239
Speaker 1: him movie. Well you were you nervous about the come

594
00:28:57,280 --> 00:29:00,640
Speaker 1: and look for me? Yes, I said, what everybody knows,

595
00:29:00,680 --> 00:29:04,440
Speaker 1: the story is about this father. It's really this absentee father.

596
00:29:04,560 --> 00:29:07,200
Speaker 1: That's one of the reasons why to be honest with you,

597
00:29:08,800 --> 00:29:13,160
Speaker 1: exactly exactly. So that's why that's why I did it

598
00:29:13,240 --> 00:29:16,480
Speaker 1: that okay, right and so um and so yeah. So

599
00:29:16,760 --> 00:29:18,680
Speaker 1: he's gone and she's got to go look for him.

600
00:29:18,720 --> 00:29:20,480
Speaker 1: But he's out in the universe, so she gotta go

601
00:29:20,720 --> 00:29:22,440
Speaker 1: from planet to planet to find him. So all the

602
00:29:22,520 --> 00:29:26,520
Speaker 1: dads are like, would you could look? I would say absolutely.

603
00:29:26,880 --> 00:29:29,760
Speaker 1: First of all, you would never leave. I'm glad you

604
00:29:29,840 --> 00:29:32,280
Speaker 1: know that. That's good. That's good that with the budget

605
00:29:32,320 --> 00:29:34,240
Speaker 1: of one hundred million dollars. Did you ever get nervous

606
00:29:34,320 --> 00:29:38,320
Speaker 1: with that much over yourhead at all? No, because it's like, um,

607
00:29:39,360 --> 00:29:41,400
Speaker 1: in La we have ninety nine cent stores. Do you

608
00:29:41,480 --> 00:29:47,800
Speaker 1: all have that dollar? Dollar General? All those? And so

609
00:29:48,040 --> 00:29:50,120
Speaker 1: I love that's one of my favorite places to go.

610
00:29:50,400 --> 00:29:53,680
Speaker 1: Like literally to this day, if you go into dollar stores,

611
00:29:54,480 --> 00:29:58,280
Speaker 1: my thing and so um, it's like going into dollars store,

612
00:29:58,800 --> 00:30:02,000
Speaker 1: not with the dollar, but like hundred dollars. Ain't nothing

613
00:30:02,040 --> 00:30:05,520
Speaker 1: wrong you spending. You enjoyed yourself. You have an idea

614
00:30:05,560 --> 00:30:08,560
Speaker 1: for something you you can make it happen, and so

615
00:30:08,680 --> 00:30:10,880
Speaker 1: it wasn't any kind of pressure or any kind of

616
00:30:10,920 --> 00:30:13,480
Speaker 1: problem in the studio. UM wanted to make a film

617
00:30:13,520 --> 00:30:16,600
Speaker 1: for that amount, and I was happening to make it. Yeah,

618
00:30:16,640 --> 00:30:18,880
Speaker 1: I can do that for you. You prefer a big

619
00:30:18,920 --> 00:30:21,200
Speaker 1: budget a small budget. You know what, at the end

620
00:30:21,240 --> 00:30:23,520
Speaker 1: of the day, it's it's not different when you're running

621
00:30:23,520 --> 00:30:25,240
Speaker 1: out of hours and the sun is going down and

622
00:30:25,280 --> 00:30:27,160
Speaker 1: you still don't have your shot, you know what I mean,

623
00:30:27,320 --> 00:30:29,880
Speaker 1: Like it's just or the actors just not connecting with it,

624
00:30:30,080 --> 00:30:32,560
Speaker 1: or or you know, at the end of the day,

625
00:30:32,640 --> 00:30:34,800
Speaker 1: all of the bells and whistles around it don't make

626
00:30:34,840 --> 00:30:37,200
Speaker 1: a difference to what actually is happening between the actors

627
00:30:37,280 --> 00:30:39,160
Speaker 1: and for the camera. So I like that I can

628
00:30:39,320 --> 00:30:41,800
Speaker 1: do both. But I really I feel like I like

629
00:30:42,560 --> 00:30:46,040
Speaker 1: the mid range films. Like on Summer we had no

630
00:30:46,160 --> 00:30:48,800
Speaker 1: money about twenty million dollars. That aim no money. Yeah,

631
00:30:49,000 --> 00:30:54,120
Speaker 1: not fair. Not twenty million dollars is twenty million dollars.

632
00:30:54,160 --> 00:30:55,480
Speaker 1: That was a period piece, so everybody had to be

633
00:30:55,560 --> 00:30:59,400
Speaker 1: in period dress and costumes. You were doing beatings, marches, rights,

634
00:30:59,440 --> 00:31:01,720
Speaker 1: all that stuff. Of UM twenty million dollars is the

635
00:31:01,760 --> 00:31:04,200
Speaker 1: same amount of money they make like small romantic comedies

636
00:31:04,240 --> 00:31:07,040
Speaker 1: with we're just folks are sitting in rooms talking and

637
00:31:07,120 --> 00:31:08,720
Speaker 1: we were trying to do all the scale with it.

638
00:31:08,840 --> 00:31:11,920
Speaker 1: So it's not it's not a lot um. I remember

639
00:31:12,000 --> 00:31:14,080
Speaker 1: one time on the on the Big on the Big

640
00:31:14,480 --> 00:31:17,800
Speaker 1: scene where they have the assault on the bridge. In

641
00:31:17,960 --> 00:31:20,520
Speaker 1: real life, there were like fifty seven horses, and on

642
00:31:20,560 --> 00:31:22,600
Speaker 1: the day I showed up, they're like, yeah, we have

643
00:31:22,720 --> 00:31:27,640
Speaker 1: seven horses. How how did this happen? They were like, yeah,

644
00:31:27,680 --> 00:31:33,479
Speaker 1: we don't have any horses. Are you feeling any pressure

645
00:31:33,520 --> 00:31:35,959
Speaker 1: because Black Panther made so much money? Do you think

646
00:31:36,000 --> 00:31:38,520
Speaker 1: Disney's looking at you like, okay, you're the Queen. No,

647
00:31:39,040 --> 00:31:42,160
Speaker 1: because that's a it's a Marvel superhero movie. This is

648
00:31:42,160 --> 00:31:45,760
Speaker 1: a kid's movie, that's the thing. This is a kid's movie,

649
00:31:46,080 --> 00:31:49,040
Speaker 1: like for eight to fourteen year old's true, you've seen it.

650
00:31:49,120 --> 00:31:51,960
Speaker 1: It's for the little ones. It's four young people. So

651
00:31:52,440 --> 00:31:55,880
Speaker 1: that's very different than the Dora Milaja, you know, sexually

652
00:31:55,960 --> 00:31:58,480
Speaker 1: coming out with their spears to save what I mean like,

653
00:31:58,960 --> 00:32:00,760
Speaker 1: this is about a little girl who just wants to

654
00:32:00,840 --> 00:32:03,520
Speaker 1: find her daddy and um and so no, no, it's

655
00:32:03,560 --> 00:32:05,800
Speaker 1: a different thing. I mean Black Panther cost twice as

656
00:32:05,920 --> 00:32:08,720
Speaker 1: much as ours and um, and it's a different kind

657
00:32:08,720 --> 00:32:10,840
Speaker 1: of thing. Yeah, I think Black Panther was a cultural moment.

658
00:32:10,880 --> 00:32:12,760
Speaker 1: This is more of a family. Yeah, it's a family

659
00:32:12,920 --> 00:32:15,080
Speaker 1: for kids and families, and it's, you know, something that

660
00:32:15,160 --> 00:32:17,360
Speaker 1: we just want to be a classic that's just around

661
00:32:17,400 --> 00:32:19,200
Speaker 1: for a long time. People may not even catch up

662
00:32:19,240 --> 00:32:20,680
Speaker 1: to it at the theaters. It's one of those things

663
00:32:20,720 --> 00:32:23,880
Speaker 1: where maybe it's cable, maybe it's it's it's DVD. But

664
00:32:24,120 --> 00:32:25,960
Speaker 1: I'm happy that it's in the world. I was reading

665
00:32:26,000 --> 00:32:28,600
Speaker 1: an old LA Weekly article about you from twenty twelve,

666
00:32:28,600 --> 00:32:31,000
Speaker 1: and you said that often films that are deemed positive,

667
00:32:31,080 --> 00:32:33,800
Speaker 1: nobody wants to see them. But but you do positive films.

668
00:32:33,800 --> 00:32:35,840
Speaker 1: So why does your formula work. I don't know if

669
00:32:35,840 --> 00:32:37,600
Speaker 1: it works. I mean someone made it when you made

670
00:32:37,640 --> 00:32:39,320
Speaker 1: you don't know if it works. Well, I mean I

671
00:32:39,400 --> 00:32:41,640
Speaker 1: think it works and putting out things that matter in

672
00:32:41,680 --> 00:32:43,600
Speaker 1: the culture. But you know, it's not like you know

673
00:32:43,680 --> 00:32:46,160
Speaker 1: that it makes you know, a trillion dollars. Someone was

674
00:32:46,160 --> 00:32:49,520
Speaker 1: a modest you know, Queen Sugar is on a basic

675
00:32:49,600 --> 00:32:53,080
Speaker 1: cable network. Um, you know, a wrinkling time. You know,

676
00:32:54,040 --> 00:32:55,720
Speaker 1: you don't make that to make it to be a

677
00:32:55,880 --> 00:32:59,280
Speaker 1: have a hit. I can't make it because Queen Sugar.

678
00:32:59,360 --> 00:33:01,520
Speaker 1: It's a small show. Some people watching, some people don't.

679
00:33:01,560 --> 00:33:03,200
Speaker 1: But I just think you have to put out positivity

680
00:33:03,200 --> 00:33:05,520
Speaker 1: in the world and people will find it. People. We

681
00:33:05,560 --> 00:33:08,080
Speaker 1: are looking forward. We're doing the Central Park five story too. Yeah.

682
00:33:08,080 --> 00:33:11,320
Speaker 1: I'm moving to New York really okay for like six

683
00:33:11,480 --> 00:33:14,040
Speaker 1: months to make Yeah, Central Park five in the summer.

684
00:33:14,440 --> 00:33:17,360
Speaker 1: It is shot. They got to be out of you.

685
00:33:17,480 --> 00:33:22,480
Speaker 1: I can barely handle today, thanks guys, But I am

686
00:33:22,560 --> 00:33:24,520
Speaker 1: excited that you're doing that story. I think that's really

687
00:33:24,600 --> 00:33:27,080
Speaker 1: important for us to talk about right now because I

688
00:33:27,200 --> 00:33:29,880
Speaker 1: remember when all of that happened and all the propaganda

689
00:33:29,920 --> 00:33:31,840
Speaker 1: that was put out there, even Donald Trump taking out

690
00:33:31,920 --> 00:33:35,320
Speaker 1: that huge advertise. Yeah, that's in the paper about the

691
00:33:35,360 --> 00:33:38,440
Speaker 1: Central Park five. What's been your experience talking to Yeah,

692
00:33:38,480 --> 00:33:41,000
Speaker 1: but working with working with the brothers for about two

693
00:33:41,120 --> 00:33:44,400
Speaker 1: years now on it and researching and getting to know

694
00:33:44,520 --> 00:33:47,680
Speaker 1: them and writing the script and um and yeah, they're

695
00:33:47,680 --> 00:33:50,000
Speaker 1: They're remarkable human beings and their stories should be told.

696
00:33:50,080 --> 00:33:52,360
Speaker 1: It's not a documentary, it's a narratives. Who were casting now,

697
00:33:52,720 --> 00:33:55,400
Speaker 1: you got to cast them as boys because they were thirteen, fourteen, fifteen,

698
00:33:55,400 --> 00:33:57,720
Speaker 1: when it happened, when they were accused and convicted of

699
00:33:57,800 --> 00:33:59,600
Speaker 1: a crime that they did not commit. Do you remember

700
00:33:59,640 --> 00:34:02,280
Speaker 1: that as I do. I remember it, you know, I

701
00:34:02,400 --> 00:34:05,120
Speaker 1: remember it because they kept talking about the world wild wilding,

702
00:34:06,160 --> 00:34:08,880
Speaker 1: and I remember but they called it wilding. Yeah, And

703
00:34:09,600 --> 00:34:11,719
Speaker 1: I remember watching TV and I called my cousin who

704
00:34:11,760 --> 00:34:14,120
Speaker 1: lived here, and I was like, what's wilding? And she

705
00:34:14,320 --> 00:34:17,080
Speaker 1: was like, it ain't no wilding. It's called wilding, right,

706
00:34:17,480 --> 00:34:19,960
Speaker 1: And they got it wrong. And I remember thinking, God, Lee,

707
00:34:20,360 --> 00:34:22,600
Speaker 1: they were just like taking our words and and and

708
00:34:22,920 --> 00:34:26,080
Speaker 1: and putting new yeah, putting new meaning onto them because

709
00:34:26,280 --> 00:34:29,239
Speaker 1: they said that wilding meant packs of black kids, and

710
00:34:29,360 --> 00:34:31,719
Speaker 1: we're now doing It's like, it's just you wilding out.

711
00:34:31,760 --> 00:34:34,800
Speaker 1: It's not that serious. So I remember that so distinctly.

712
00:34:35,320 --> 00:34:37,400
Speaker 1: And uh so, No, all that stuff we explore in

713
00:34:37,440 --> 00:34:39,840
Speaker 1: the film and casting now and we'll be shooting it

714
00:34:39,880 --> 00:34:41,560
Speaker 1: here in New York and summer, all right. We got

715
00:34:41,640 --> 00:34:44,160
Speaker 1: more with Ava Duvenai when we come back. We got

716
00:34:44,280 --> 00:34:46,560
Speaker 1: to talk about her being a rapper. Yeah, she used

717
00:34:46,560 --> 00:34:48,239
Speaker 1: to rap. We'll talk about it. Keep a lots, Drake,

718
00:34:48,280 --> 00:34:52,800
Speaker 1: find your love morning. Everybody's dj Envy, Angela Yee Charlomagne,

719
00:34:52,840 --> 00:34:55,120
Speaker 1: the guy we are the breakfast club. We still have

720
00:34:55,280 --> 00:34:58,040
Speaker 1: Ava Duvenai in the building. Charlemagne, you can see yourself

721
00:34:58,040 --> 00:35:01,600
Speaker 1: an activist, I guess. I mean, I think the activists

722
00:35:01,680 --> 00:35:04,680
Speaker 1: is just someone who speaks out. Um, I'm not afraid

723
00:35:04,760 --> 00:35:07,239
Speaker 1: to say what's on their mind. People do that in

724
00:35:07,280 --> 00:35:10,799
Speaker 1: all kinds of ways, especially now with social But yeah,

725
00:35:10,800 --> 00:35:13,279
Speaker 1: I guess, so do you consider yourself No, I don't

726
00:35:13,280 --> 00:35:15,160
Speaker 1: know if I want that title. Well, what is it?

727
00:35:15,440 --> 00:35:18,480
Speaker 1: What are the associations? I think people have a certain

728
00:35:18,600 --> 00:35:22,040
Speaker 1: expectation when you label yourself an activist. And I may

729
00:35:22,120 --> 00:35:24,960
Speaker 1: not be at every protest, yeah, I mean, I mean

730
00:35:25,040 --> 00:35:28,880
Speaker 1: I may not. I may not be familiar with every cause.

731
00:35:29,520 --> 00:35:33,800
Speaker 1: That's impossible for anyone, even for us. They expect you

732
00:35:33,800 --> 00:35:36,320
Speaker 1: to be on the front lines of everything, of everything.

733
00:35:36,600 --> 00:35:37,759
Speaker 1: I don't know. I mean I think of a lot

734
00:35:37,800 --> 00:35:40,200
Speaker 1: of people that I consider you an activist, um, and

735
00:35:40,360 --> 00:35:42,759
Speaker 1: I consider a lot of people who aren't. Necessis because

736
00:35:42,760 --> 00:35:45,080
Speaker 1: now there's other ways to protest in marching, right, And

737
00:35:45,400 --> 00:35:47,200
Speaker 1: I think it's really just about if you have a platform,

738
00:35:47,239 --> 00:35:50,200
Speaker 1: you lift your voice, you know, and so uh so

739
00:35:50,320 --> 00:35:52,440
Speaker 1: you all do that, you know. We have to read

740
00:35:52,520 --> 00:35:55,560
Speaker 1: sometimes with to reframe and redefine these words that have

741
00:35:55,719 --> 00:35:59,440
Speaker 1: become problematic in some ways, we take them back, like

742
00:35:59,520 --> 00:36:04,440
Speaker 1: the word pro problematic and woke up. You don't like

743
00:36:04,520 --> 00:36:07,040
Speaker 1: the word diversity. I don't like the word diversity. Also

744
00:36:07,080 --> 00:36:09,840
Speaker 1: don't like the word moist. But that's a different What

745
00:36:10,080 --> 00:36:13,359
Speaker 1: is that? That's horrible? World? Why it doesn't even sound

746
00:36:13,360 --> 00:36:15,080
Speaker 1: good coming out of anywhere? Sounds good like a cake

747
00:36:15,239 --> 00:36:20,680
Speaker 1: moist snow it doesn't. That's the worst the word don't

748
00:36:20,719 --> 00:36:24,480
Speaker 1: say it? Why? Well, it's horrible. I don't know. I

749
00:36:24,600 --> 00:36:26,879
Speaker 1: just don't like it. I don't like when people yawn

750
00:36:27,000 --> 00:36:29,879
Speaker 1: out loud. Don't yawn out loud. People anyone that hears

751
00:36:31,800 --> 00:36:36,280
Speaker 1: non outlined like so that you can hear like, that's horrible.

752
00:36:36,440 --> 00:36:40,920
Speaker 1: I don't all the time, not him, but time he

753
00:36:41,040 --> 00:36:42,440
Speaker 1: won't blow his nose. I'm like, yo, why are you

754
00:36:42,520 --> 00:36:52,640
Speaker 1: saving your snot that peeves It's serious nose on the O.

755
00:36:52,840 --> 00:36:55,560
Speaker 1: J Trout I did. How was that? I was young?

756
00:36:55,640 --> 00:36:57,919
Speaker 1: I was like nineteen years old. I got this shot

757
00:36:57,960 --> 00:37:01,040
Speaker 1: with CBS News. I thought, oh my gosh, this is it.

758
00:37:01,400 --> 00:37:03,759
Speaker 1: Like I got this internship with CBS. I'm going about

759
00:37:03,800 --> 00:37:06,200
Speaker 1: to be I'm about to be a journalist for real,

760
00:37:06,239 --> 00:37:08,600
Speaker 1: for real. They were like, here's your packet and it

761
00:37:08,719 --> 00:37:11,440
Speaker 1: was an address to one of the juror's houses. And

762
00:37:11,520 --> 00:37:13,680
Speaker 1: they wanted me to sit outside and just like watch

763
00:37:13,760 --> 00:37:16,440
Speaker 1: who came and went look at you know, see what

764
00:37:16,600 --> 00:37:19,040
Speaker 1: was going on in the trash the mail, like, just

765
00:37:19,200 --> 00:37:22,880
Speaker 1: see who came. There was like an investigator, I guess,

766
00:37:23,040 --> 00:37:25,520
Speaker 1: but they were interns from all the networks sitting out front.

767
00:37:25,560 --> 00:37:27,759
Speaker 1: So they had like all these young people. Yeah, and

768
00:37:27,800 --> 00:37:29,960
Speaker 1: we were just looking at each other like okay and

769
00:37:30,320 --> 00:37:32,600
Speaker 1: um and yeah. No. That made me not get into

770
00:37:32,680 --> 00:37:34,719
Speaker 1: journalism because I thought I would be like the black

771
00:37:34,760 --> 00:37:37,080
Speaker 1: woman Walter Cronkite, and I was like digging through trash.

772
00:37:37,160 --> 00:37:40,879
Speaker 1: I was like, I'm cooling the rights. Yeah, I want

773
00:37:44,320 --> 00:37:48,400
Speaker 1: more taking the rights. Those weren't the trial and the rebellion.

774
00:37:48,600 --> 00:37:54,719
Speaker 1: We're not at the same time. Rebellion. That's what words matter. Yes, yes, yes,

775
00:37:55,160 --> 00:37:57,640
Speaker 1: but you know I was. I was. I was out

776
00:37:57,680 --> 00:38:01,600
Speaker 1: and about That's how you got your first camera to

777
00:38:01,600 --> 00:38:06,840
Speaker 1: shoot your now was listening in the Sway Show and

778
00:38:07,280 --> 00:38:10,520
Speaker 1: and uh realize you were a rapper, a rapper name

779
00:38:10,640 --> 00:38:12,879
Speaker 1: even that wasn't even me, that was you. I heard

780
00:38:12,920 --> 00:38:16,520
Speaker 1: that wasn't. But that wasn't me. That wasn't me, It

781
00:38:16,640 --> 00:38:19,840
Speaker 1: was you. Well I assume that you were. Obviously my

782
00:38:19,920 --> 00:38:22,760
Speaker 1: mic sounds nice, so you were. I love I love hippop.

783
00:38:23,120 --> 00:38:25,000
Speaker 1: I love it. I love it. My first two films

784
00:38:25,040 --> 00:38:28,440
Speaker 1: were about hip hop, two documentaries that nobody saw. But um,

785
00:38:28,760 --> 00:38:31,080
Speaker 1: but yeah, no, I love it and I want to

786
00:38:31,080 --> 00:38:33,080
Speaker 1: see that Roxann Sean Tay I do. I really want

787
00:38:33,080 --> 00:38:34,319
Speaker 1: to see it too. It looks good. I just want

788
00:38:34,400 --> 00:38:37,040
Speaker 1: the actress of that out. During Oscar Week, somebody introduced

789
00:38:37,080 --> 00:38:39,160
Speaker 1: me to her. But that's why I was so like

790
00:38:39,360 --> 00:38:41,239
Speaker 1: stunned when one day I picked up the phone and

791
00:38:41,320 --> 00:38:43,399
Speaker 1: it was it was Jay Z's voice on the other line,

792
00:38:43,440 --> 00:38:45,319
Speaker 1: saying that you want to do a video because Charlo

793
00:38:45,400 --> 00:38:47,719
Speaker 1: Mayne could have attest and you all can too. Now

794
00:38:47,760 --> 00:38:51,000
Speaker 1: that I'm here, I'm really a nerd, like big nerd. Yeah, yeah,

795
00:38:51,080 --> 00:38:54,200
Speaker 1: I'm nerdy. I'm nerdy. I don't think so. I love

796
00:38:54,280 --> 00:38:56,920
Speaker 1: it though. I'm just nerdy, right, So being a nerd

797
00:38:57,000 --> 00:38:59,560
Speaker 1: is actually it's nothing wrong with it. L I think

798
00:38:59,560 --> 00:39:02,200
Speaker 1: you okay, I mean, but nerves can be cool too,

799
00:39:02,800 --> 00:39:05,360
Speaker 1: So um, my thought was, I don't know if I

800
00:39:05,360 --> 00:39:07,920
Speaker 1: can make something cool enough for them, right because I'm

801
00:39:07,920 --> 00:39:10,399
Speaker 1: not gonna have like cars or not that he makes

802
00:39:10,440 --> 00:39:15,160
Speaker 1: that those kinds of girls or whatever. But um, but yeah,

803
00:39:15,239 --> 00:39:16,640
Speaker 1: so so it was really really fun to do it,

804
00:39:16,680 --> 00:39:17,920
Speaker 1: and he gave me a lot of freedom to do it.

805
00:39:17,960 --> 00:39:20,879
Speaker 1: But it reconnected with me with my love of hip hop. Yeah,

806
00:39:20,960 --> 00:39:22,920
Speaker 1: now I'm getting calls from everybody to do videos, to

807
00:39:23,000 --> 00:39:26,320
Speaker 1: do videos there. Yeah, it's like, no I make I

808
00:39:26,480 --> 00:39:28,239
Speaker 1: was one. I think that might be my first and

809
00:39:28,320 --> 00:39:30,279
Speaker 1: last unless Sha wants to make a video. You still

810
00:39:30,320 --> 00:39:31,800
Speaker 1: got a lot of connection with hip hop because I

811
00:39:31,840 --> 00:39:34,680
Speaker 1: always say comments should be thinking you every day because

812
00:39:34,680 --> 00:39:36,840
Speaker 1: I feel like every award he got it is because

813
00:39:37,360 --> 00:39:39,480
Speaker 1: you put him in a position to hit the award. Yeah.

814
00:39:39,560 --> 00:39:42,160
Speaker 1: Well yeah, that's my connection to hip hop. Yeah. Yeah, yeah.

815
00:39:42,960 --> 00:39:45,719
Speaker 1: You also directed Thirteenth, which was critically acclaim But you

816
00:39:45,800 --> 00:39:49,600
Speaker 1: think it changed anything in the actual judicial system. Well, unfortunately,

817
00:39:49,680 --> 00:39:51,839
Speaker 1: I think it could have. But you know, our our

818
00:39:51,920 --> 00:39:54,920
Speaker 1: leadership changed, so almost everything that we talked about in

819
00:39:55,000 --> 00:39:58,879
Speaker 1: that has back slid about five years, and every year

820
00:39:59,080 --> 00:40:03,000
Speaker 1: that passes with the current administration, that, um, that issue

821
00:40:03,120 --> 00:40:05,919
Speaker 1: becomes more and more intense. Like it was a moment

822
00:40:06,000 --> 00:40:09,680
Speaker 1: where things were kind of progressing slowly. Um, but that's

823
00:40:09,719 --> 00:40:12,439
Speaker 1: all been reversed now, So it's it's I even watched

824
00:40:12,480 --> 00:40:15,080
Speaker 1: The Thirteenth now, and a lot of towards the end

825
00:40:15,080 --> 00:40:16,920
Speaker 1: of the film where we're talking about solutions, a lot

826
00:40:17,000 --> 00:40:20,320
Speaker 1: of that doesn't even exist anymore. You're you're not afraid

827
00:40:20,320 --> 00:40:22,120
Speaker 1: to speak out ever like you ever, you're not. They

828
00:40:22,160 --> 00:40:23,960
Speaker 1: always say, oh, you don't want to offend you your

829
00:40:24,000 --> 00:40:29,359
Speaker 1: connects in the industry. Um, I don't know. Probably there's

830
00:40:29,400 --> 00:40:35,680
Speaker 1: some things are yeah, like like I the other day said, Um,

831
00:40:36,320 --> 00:40:41,960
Speaker 1: I'm not gonna say white people anymore because colins. No,

832
00:40:42,080 --> 00:40:44,480
Speaker 1: I'm not gonna say white people anymore because whenever I

833
00:40:44,520 --> 00:40:46,680
Speaker 1: see it in a headline, like whenever I see white

834
00:40:46,719 --> 00:40:49,840
Speaker 1: people say the words white people, it becomes a headline

835
00:40:49,880 --> 00:40:54,719
Speaker 1: even say white people and it and it and it,

836
00:40:54,840 --> 00:40:59,360
Speaker 1: and it looks negative. Um, when I'm just talking factor,

837
00:40:59,440 --> 00:41:01,680
Speaker 1: I'm just talking about whatever. So I decided I'm gonna

838
00:41:01,680 --> 00:41:05,759
Speaker 1: say Caucasian. Well your for nobody has another it's just

839
00:41:06,120 --> 00:41:08,279
Speaker 1: oh no, it depends. If you're a racist bigger, I

840
00:41:08,360 --> 00:41:10,960
Speaker 1: call you a crack ass crack of a white If

841
00:41:11,000 --> 00:41:14,520
Speaker 1: you are a racist bigger, I don't just say, let's

842
00:41:14,560 --> 00:41:20,600
Speaker 1: delineate that these are coming from Charlotte, say a dub Day,

843
00:41:21,040 --> 00:41:23,640
Speaker 1: but no, just the idea of you know, of of

844
00:41:24,000 --> 00:41:26,440
Speaker 1: of white folks or white people. There's something in the

845
00:41:26,480 --> 00:41:28,319
Speaker 1: words that whenever I see it associated with my name,

846
00:41:28,640 --> 00:41:31,840
Speaker 1: I think people automatically feel like I'm saying something negative.

847
00:41:31,960 --> 00:41:36,359
Speaker 1: So I start saying Caucasian people. It's softer and it's less,

848
00:41:36,920 --> 00:41:44,440
Speaker 1: it's moisture. But but you know, because I'm just I,

849
00:41:44,840 --> 00:41:46,640
Speaker 1: I talk a lot in terms of white and black

850
00:41:46,719 --> 00:41:49,520
Speaker 1: and what's going on in cultural politics and uh, and

851
00:41:49,680 --> 00:41:52,920
Speaker 1: so your point gets obscured by words that are taken

852
00:41:53,040 --> 00:41:54,920
Speaker 1: in the wrong way. But it's crazy. Now we're in

853
00:41:54,960 --> 00:41:58,520
Speaker 1: a political atmosphere where even saying white people becomes you

854
00:41:58,600 --> 00:42:00,960
Speaker 1: know something that in the in my industry any way,

855
00:42:01,000 --> 00:42:03,399
Speaker 1: people talk about like she's talking about white people. What's

856
00:42:03,440 --> 00:42:05,600
Speaker 1: the biggest herd of that, Ava Duveny faces at this

857
00:42:05,719 --> 00:42:08,400
Speaker 1: point in the industry. Um, I don't know, there's no

858
00:42:08,520 --> 00:42:11,080
Speaker 1: black woman that I can look at who and say, oh,

859
00:42:11,160 --> 00:42:15,560
Speaker 1: I'll do it like her, you know, because you're that person. U. Yeah.

860
00:42:15,600 --> 00:42:16,960
Speaker 1: I mean there's a lot of black women that I

861
00:42:17,040 --> 00:42:20,040
Speaker 1: look at and say, wow, their work is incredible. But um,

862
00:42:20,200 --> 00:42:22,680
Speaker 1: you know, the ones before me haven't been given a

863
00:42:22,760 --> 00:42:25,560
Speaker 1: chance to make films consistently at a certain with a

864
00:42:25,640 --> 00:42:27,960
Speaker 1: certain exposure. So there's no one to look at and

865
00:42:28,040 --> 00:42:29,640
Speaker 1: say I'll do it like that. I can look at

866
00:42:29,680 --> 00:42:31,439
Speaker 1: some black men, and I can look at some white women,

867
00:42:31,480 --> 00:42:33,480
Speaker 1: but there's not a black woman that I can look

868
00:42:33,520 --> 00:42:34,960
Speaker 1: at her, even a woman of color that I can

869
00:42:35,000 --> 00:42:37,160
Speaker 1: look at and say I'll call her and see how

870
00:42:37,200 --> 00:42:39,400
Speaker 1: to do this. What you haven't let that stop you

871
00:42:39,520 --> 00:42:41,719
Speaker 1: at all? Yeah, trying to figure out figure it out

872
00:42:41,800 --> 00:42:43,440
Speaker 1: on my way, Yeah, trying to figure it out on

873
00:42:43,600 --> 00:42:48,800
Speaker 1: So what inspires you young people? Really? And I wouldn't

874
00:42:48,800 --> 00:42:50,680
Speaker 1: have said that before. I don't have kids by choice.

875
00:42:50,719 --> 00:42:53,040
Speaker 1: I'm not a kid person. Never get one kids, No,

876
00:42:53,320 --> 00:42:55,120
Speaker 1: never know it. Since I was a little I never

877
00:42:55,160 --> 00:42:58,040
Speaker 1: want to kids. My mom said it'll change. I was like, okay,

878
00:42:58,120 --> 00:43:00,640
Speaker 1: maybe it'll change. Got older. She's when you find the

879
00:43:00,760 --> 00:43:03,040
Speaker 1: right person. I was like, okay, I'm the right person.

880
00:43:03,280 --> 00:43:05,680
Speaker 1: Still don't want kids, like you just and that's it.

881
00:43:06,440 --> 00:43:08,879
Speaker 1: People act like because I don't have kids yet either,

882
00:43:08,960 --> 00:43:11,040
Speaker 1: and I'm not saying I'm not going to, but people

883
00:43:11,120 --> 00:43:12,520
Speaker 1: act like it's such a big deal, like, oh why

884
00:43:12,560 --> 00:43:16,120
Speaker 1: didn't you do this married with kids? What's wrong with you?

885
00:43:16,560 --> 00:43:19,239
Speaker 1: And yeah, I just I'm better with kids when they

886
00:43:19,239 --> 00:43:26,040
Speaker 1: don't live with me. And that's correct. Yeah, that's really okay.

887
00:43:26,160 --> 00:43:28,560
Speaker 1: Sixteen fourteen four three. I need a couple for taxes,

888
00:43:30,760 --> 00:43:34,520
Speaker 1: tax bracket right now for real. But young people, um,

889
00:43:34,680 --> 00:43:36,719
Speaker 1: I still love to be around, especially in this film

890
00:43:36,800 --> 00:43:39,120
Speaker 1: and even in in CP five. You know those kids

891
00:43:39,239 --> 00:43:41,200
Speaker 1: at the beginning of the story the thirteen fourteen fifteen.

892
00:43:41,200 --> 00:43:42,960
Speaker 1: So I'm looking at a lot of black boys right

893
00:43:43,000 --> 00:43:47,480
Speaker 1: now for that and um and it definitely, Uh, they

894
00:43:47,560 --> 00:43:49,480
Speaker 1: inspire me because I look at them and I say,

895
00:43:49,480 --> 00:43:51,440
Speaker 1: if we can get it right with them, then by

896
00:43:51,440 --> 00:43:52,759
Speaker 1: the time, you know, when we're old and we need

897
00:43:52,840 --> 00:43:54,880
Speaker 1: some taken care of as a country, as a family,

898
00:43:54,920 --> 00:43:57,640
Speaker 1: as a community, we've got some kids that, um, that

899
00:43:57,800 --> 00:44:01,560
Speaker 1: will understand legacy that they uphold and understand the things

900
00:44:01,600 --> 00:44:05,520
Speaker 1: that we need. You create empathetic, solid, strong kids now.

901
00:44:06,120 --> 00:44:08,880
Speaker 1: So um so yeah, no, that's what this film is.

902
00:44:08,960 --> 00:44:12,040
Speaker 1: It's really a love letter to our kids. Uh, to

903
00:44:12,200 --> 00:44:14,480
Speaker 1: focus on the things that matter. I thought about this

904
00:44:14,600 --> 00:44:16,760
Speaker 1: with you and Oprah. I was like, if opening Aba

905
00:44:17,000 --> 00:44:19,080
Speaker 1: had kicks, I read both y'all didn't want kids. I

906
00:44:19,120 --> 00:44:21,360
Speaker 1: don't think y'all be as selfless. I almost feel like

907
00:44:21,520 --> 00:44:24,920
Speaker 1: the universe needs y'all to We're like all your children,

908
00:44:26,000 --> 00:44:28,279
Speaker 1: that's God. Yeah, I mean madag And if she had

909
00:44:28,280 --> 00:44:30,239
Speaker 1: a kid, first of all, that kid, I mean what

910
00:44:30,760 --> 00:44:33,279
Speaker 1: Oprah had a kid. It's just like you wouldn't even

911
00:44:33,360 --> 00:44:41,520
Speaker 1: like that kid, you know, kid, you'd be so salty

912
00:44:41,640 --> 00:44:44,359
Speaker 1: with that kid. Um. So yeah, no, I think there's

913
00:44:44,360 --> 00:44:47,320
Speaker 1: something about it. Um for me anyway, I just know

914
00:44:47,440 --> 00:44:49,320
Speaker 1: when I come out come home at night, like and

915
00:44:49,400 --> 00:44:52,360
Speaker 1: it's selfish. I just I just want to be a

916
00:44:52,440 --> 00:44:55,000
Speaker 1: little we thank you for coming. She has to go guys. Yeah,

917
00:44:55,320 --> 00:44:58,400
Speaker 1: she's very busy. One question, because you told me once

918
00:44:58,480 --> 00:45:00,560
Speaker 1: that decide is the core was your passionate? Yes? Are

919
00:45:00,560 --> 00:45:03,400
Speaker 1: you getting any closer getting I really want to do that? No,

920
00:45:03,600 --> 00:45:06,040
Speaker 1: because the central part five was my current passion. But

921
00:45:06,080 --> 00:45:07,680
Speaker 1: that's something that I really want to turn my attention

922
00:45:07,719 --> 00:45:10,760
Speaker 1: to eventually. Um. I first had to get her permission

923
00:45:10,840 --> 00:45:13,120
Speaker 1: and connect with her. And even if it's not me directed,

924
00:45:13,120 --> 00:45:14,719
Speaker 1: and I want to support that film being made. Do

925
00:45:14,800 --> 00:45:17,759
Speaker 1: you know the story? Yeah? I mean her life is

926
00:45:17,800 --> 00:45:21,600
Speaker 1: incredible and it's it would be an incredible film. Um,

927
00:45:22,040 --> 00:45:24,120
Speaker 1: is that legal? Can you talk to her because she's

928
00:45:24,520 --> 00:45:31,880
Speaker 1: quote so called fugitive. It's not a fugiti, I think

929
00:45:31,920 --> 00:45:37,160
Speaker 1: it still, I don't know. Uh, they call her fugitive. Yeah,

930
00:45:37,520 --> 00:45:41,759
Speaker 1: I don't think right right, So what's what's her word?

931
00:45:42,120 --> 00:45:44,479
Speaker 1: What's what's our word? Yeah? I don't know. Freedom fighter

932
00:45:46,800 --> 00:45:49,759
Speaker 1: of the revolution? Um so heck, yeah we can talk

933
00:45:49,800 --> 00:45:52,080
Speaker 1: to her and people have I just need to make

934
00:45:52,160 --> 00:45:54,719
Speaker 1: the pilgrimage and you know, see what she wants and

935
00:45:55,160 --> 00:45:57,279
Speaker 1: and uh and thank you for reminding me because I

936
00:45:57,280 --> 00:45:59,759
Speaker 1: definitely want to do that. Yeah, he's putting into the universe.

937
00:45:59,800 --> 00:46:02,480
Speaker 1: I feel like I haven't been hip hop enough, cool enough.

938
00:46:03,000 --> 00:46:07,200
Speaker 1: You have you like I haven't been fun enough, controversial enough.

939
00:46:07,640 --> 00:46:09,840
Speaker 1: All right? Why did you guys to say something crazy

940
00:46:09,880 --> 00:46:13,800
Speaker 1: to me? Something out a drop? Want to thank you

941
00:46:14,000 --> 00:46:16,919
Speaker 1: and goodbye. Had a good time with you. You sure

942
00:46:16,960 --> 00:46:28,359
Speaker 1: you want something controversial? Guys? Just Kidding's time? Take your

943
00:46:28,480 --> 00:46:31,880
Speaker 1: children Friday, go check it out a wrinkle anytime. Thank you,

944
00:46:32,000 --> 00:46:39,160
Speaker 1: Ava Duvna, the Breakfast Club, Good morning, the Breakfast Club Morning.

945
00:46:39,200 --> 00:46:42,880
Speaker 1: Everybody is DJ Energy, Angela Ye, Charlomagne, the guy we

946
00:46:42,960 --> 00:46:45,880
Speaker 1: are the Breakfast Club, Salute the Queen. Ava Duvna for

947
00:46:46,000 --> 00:46:49,279
Speaker 1: coming through. Absolutely, Rinkling Time is in theaters today. Take

948
00:46:49,320 --> 00:46:52,080
Speaker 1: your kids, man, it's the perfect daddy daughter date. Me

949
00:46:52,160 --> 00:46:54,120
Speaker 1: and my daughter saw it. If you don't have kids,

950
00:46:54,160 --> 00:46:57,960
Speaker 1: then what you might look a little weird. And that's

951
00:46:58,000 --> 00:47:00,399
Speaker 1: gotta go support. You gotta go support something some way.

952
00:47:00,520 --> 00:47:02,200
Speaker 1: I mean, I think it's important for people to go

953
00:47:02,320 --> 00:47:04,239
Speaker 1: and support so more of these movies get made and

954
00:47:04,280 --> 00:47:08,200
Speaker 1: support able DuVernay. Absolutely, I got niece's nephews. I love it.

955
00:47:10,239 --> 00:47:13,480
Speaker 1: You go on a date to go see it. What

956
00:47:13,520 --> 00:47:15,359
Speaker 1: I'm saying, you don't have to have kids to go, right,

957
00:47:15,520 --> 00:47:18,120
Speaker 1: it's better if I think kids will enjoy it, though

958
00:47:18,600 --> 00:47:21,439
Speaker 1: a lot more than an adult would. You. You'll enjoy

959
00:47:21,480 --> 00:47:23,759
Speaker 1: it if you take your kids with you. But I

960
00:47:23,840 --> 00:47:25,759
Speaker 1: will say able makes me want to be a better

961
00:47:26,320 --> 00:47:29,719
Speaker 1: human being. Absolutely appreciate that. All right, let's get to

962
00:47:29,800 --> 00:47:36,200
Speaker 1: the week. Let's talk Richard. This is the rule of

963
00:47:36,239 --> 00:47:46,520
Speaker 1: report with Angela. Ye. Well, yesterday on Showtime anthy Apolo,

964
00:47:46,680 --> 00:47:49,359
Speaker 1: things didn't go so well for Mason Pryor, that's Richard

965
00:47:49,440 --> 00:47:52,360
Speaker 1: Pryor's son. If you recall, we played this yesterday and

966
00:47:52,560 --> 00:47:54,719
Speaker 1: of course it aired yesterday also, but here it was

967
00:47:54,800 --> 00:47:58,120
Speaker 1: the bombing. Everybody here in American knows the code. If

968
00:47:58,160 --> 00:48:01,240
Speaker 1: you get caught cheap, you gotta cut chill side thing loose.

969
00:48:01,880 --> 00:48:03,879
Speaker 1: Donald Trump still on the phone at the White House

970
00:48:03,960 --> 00:48:08,000
Speaker 1: talking to Russia. Hello, Hey, no, no, I want to

971
00:48:08,040 --> 00:48:11,160
Speaker 1: talk to my man right now? You go getting my poop?

972
00:48:13,120 --> 00:48:15,799
Speaker 1: Is that you my poop? I love you so much.

973
00:48:16,239 --> 00:48:22,560
Speaker 1: I love the way your name comes off my lips booms.

974
00:48:22,600 --> 00:48:28,680
Speaker 1: Half respect, half to respect, he said, book know who

975
00:48:28,719 --> 00:48:31,680
Speaker 1: I'm earned all those boolls. I don't care who you're dad. Well,

976
00:48:31,719 --> 00:48:33,440
Speaker 1: he's still gonna stick with it. Here's what he had

977
00:48:33,480 --> 00:48:36,439
Speaker 1: to say. This was my first big, you know, opening show.

978
00:48:36,680 --> 00:48:38,200
Speaker 1: So when I went out there, the first thing I

979
00:48:38,280 --> 00:48:40,560
Speaker 1: did is I'm looking at the crowd, the lights and everything.

980
00:48:40,600 --> 00:48:43,600
Speaker 1: I'm like, wow, this really does guys, this is gonna

981
00:48:43,640 --> 00:48:46,960
Speaker 1: go great. And you can't kind of tell halfway through

982
00:48:47,040 --> 00:48:49,759
Speaker 1: that like that first Donald Trump. But I'm like, all right,

983
00:48:49,800 --> 00:48:51,560
Speaker 1: this is taking a really long time to get to

984
00:48:51,640 --> 00:48:55,680
Speaker 1: the end. Okay, you gotta now you can make jokes

985
00:48:55,719 --> 00:48:58,000
Speaker 1: about that forever. If at first you don't succeed, you

986
00:48:58,080 --> 00:48:59,600
Speaker 1: try again. I'm not mad at him. You have to

987
00:48:59,760 --> 00:49:02,520
Speaker 1: you and you gotta go right away, keep going that's

988
00:49:02,560 --> 00:49:05,040
Speaker 1: why the boos make you better. The shame of that

989
00:49:05,120 --> 00:49:10,440
Speaker 1: will make him better. Funny, he said, Boost. We do

990
00:49:10,560 --> 00:49:12,279
Speaker 1: have respect for your daddy, but not for your jokes.

991
00:49:12,400 --> 00:49:15,399
Speaker 1: All right, Well, what's happening next on Netflix? It looks

992
00:49:15,440 --> 00:49:20,440
Speaker 1: like Barack and Michelle Obama maybe getting their own show now.

993
00:49:20,520 --> 00:49:23,400
Speaker 1: According to reports, they're going to produce a series of

994
00:49:23,520 --> 00:49:27,560
Speaker 1: high profile shows and provide exclusive content on a global level.

995
00:49:27,600 --> 00:49:30,760
Speaker 1: The focus of the shows will be on highlighting inspirational stories,

996
00:49:31,200 --> 00:49:33,920
Speaker 1: but they said one show will have Barack moderate conversations

997
00:49:33,920 --> 00:49:36,279
Speaker 1: about topics that dominated his time in the White House,

998
00:49:36,600 --> 00:49:39,719
Speaker 1: things like healthcare and things like climate change. So we'll

999
00:49:39,760 --> 00:49:42,800
Speaker 1: see I watch that, Yeah, I mean, that'd be exciting

1000
00:49:42,880 --> 00:49:44,879
Speaker 1: if this really happens. They work for about a half

1001
00:49:44,920 --> 00:49:50,400
Speaker 1: a million boo all right, now. Rachel Dolaze also has

1002
00:49:50,440 --> 00:49:54,520
Speaker 1: a documentary coming to Netflix, and people are outraged over that.

1003
00:49:55,280 --> 00:49:58,200
Speaker 1: If you guys remember Rachel Dolazel was the former president

1004
00:49:58,239 --> 00:50:02,200
Speaker 1: of an a double ACP chapter. She was born white,

1005
00:50:02,239 --> 00:50:05,719
Speaker 1: but she says she's black, identifies as black. Can you

1006
00:50:05,840 --> 00:50:08,439
Speaker 1: do that? She did it, so I guess you could

1007
00:50:08,440 --> 00:50:10,880
Speaker 1: do anything you went. So people were going in on

1008
00:50:11,000 --> 00:50:13,160
Speaker 1: Netflix because of this. They said, there are thousands of

1009
00:50:13,200 --> 00:50:16,440
Speaker 1: fascinating women with incredible stories to tell who deserve attention.

1010
00:50:16,560 --> 00:50:18,359
Speaker 1: She is not one of you. You ought your damn

1011
00:50:18,440 --> 00:50:21,560
Speaker 1: mine the story of a transracial in America, a white

1012
00:50:21,600 --> 00:50:23,520
Speaker 1: woman who thinks she's black, You tell me about story.

1013
00:50:23,840 --> 00:50:27,120
Speaker 1: Times columnists Charles and Blow wrote, Oh hell no, when

1014
00:50:27,280 --> 00:50:31,520
Speaker 1: performing blackness gets more attention than actually being black? Well,

1015
00:50:31,640 --> 00:50:35,799
Speaker 1: here is a trailer from this Rachel Dolizale documentary. Really

1016
00:50:35,880 --> 00:50:37,960
Speaker 1: do I want to focus on this for the rest

1017
00:50:38,040 --> 00:50:40,920
Speaker 1: of my life? Do you think I do? Why does

1018
00:50:41,000 --> 00:50:44,120
Speaker 1: she just let go? When something gets destroyed, you have

1019
00:50:44,239 --> 00:50:49,640
Speaker 1: to rebuild it. It's called rebuilding. Some people read, some

1020
00:50:49,800 --> 00:50:53,560
Speaker 1: people read, and yeah, what happened affected more than just

1021
00:50:53,719 --> 00:50:56,959
Speaker 1: my life. If somebody has hope, don't take that away

1022
00:50:57,040 --> 00:51:02,440
Speaker 1: from them, because maybe that's all they have. Is how

1023
00:51:03,160 --> 00:51:05,319
Speaker 1: he sounds like a mumble rapper? Right? But why why

1024
00:51:05,400 --> 00:51:07,239
Speaker 1: y're acting like y're not gonna watch this? First of all,

1025
00:51:07,480 --> 00:51:09,960
Speaker 1: I didn't say we created the monster name Rachel those all.

1026
00:51:10,040 --> 00:51:11,920
Speaker 1: Y'all could have ignored Rachel those all a couple of

1027
00:51:12,000 --> 00:51:14,680
Speaker 1: years and it's too good, which exactly why you're acting

1028
00:51:14,719 --> 00:51:16,520
Speaker 1: like y'all not gonna watch this show? Y'all the reason

1029
00:51:16,560 --> 00:51:18,920
Speaker 1: she got the show. She said that she still identifies

1030
00:51:18,920 --> 00:51:21,480
Speaker 1: as black, and she says race should not be defined

1031
00:51:21,520 --> 00:51:24,360
Speaker 1: by one's DNA. But I guess what you want to

1032
00:51:24,480 --> 00:51:28,800
Speaker 1: identify with. So the show is called The Rachel Divide.

1033
00:51:28,880 --> 00:51:31,600
Speaker 1: That's what that documentary is called. The beauty of Netflix

1034
00:51:31,760 --> 00:51:33,000
Speaker 1: is you can choose to watch it that, you can

1035
00:51:33,080 --> 00:51:34,800
Speaker 1: choose not to watch it. But I just want to

1036
00:51:34,840 --> 00:51:36,319
Speaker 1: know that she get more than a half a million dollars.

1037
00:51:36,360 --> 00:51:38,000
Speaker 1: That's what I wanted. They said they didn't even pay

1038
00:51:38,040 --> 00:51:40,520
Speaker 1: her to do it. According to Netflix, they gave us

1039
00:51:41,760 --> 00:51:48,960
Speaker 1: they do black women. They all over there, all right,

1040
00:51:48,960 --> 00:51:51,040
Speaker 1: but that would be on Netflix on April twenty seven.

1041
00:51:51,080 --> 00:51:54,120
Speaker 1: I'll stay with you now, Monique on that one. All right?

1042
00:51:54,920 --> 00:51:57,120
Speaker 1: Those all need to get her coins? And that's your rumor.

1043
00:51:57,320 --> 00:51:59,359
Speaker 1: How do they do black women like that? I don't

1044
00:51:59,360 --> 00:52:01,839
Speaker 1: want to ever hear I say get coins ever again.

1045
00:52:02,160 --> 00:52:04,879
Speaker 1: Please never want to hear you say that. Why can't

1046
00:52:04,920 --> 00:52:07,520
Speaker 1: I get on coins? Stop? Please say that? All right?

1047
00:52:07,600 --> 00:52:12,239
Speaker 1: Chocolate milk, you giving that donkey too. Listen, we need

1048
00:52:12,440 --> 00:52:14,160
Speaker 1: twenty seven year old rand Shannon to come to the

1049
00:52:14,200 --> 00:52:15,839
Speaker 1: front of the congregation. We'd like to have a world

1050
00:52:15,840 --> 00:52:18,320
Speaker 1: with him. And guess where Ran Shannon is from. Ladies

1051
00:52:18,320 --> 00:52:22,120
Speaker 1: and gentlemen, the Bronx of Florida. You already know Florida.

1052
00:52:22,239 --> 00:52:25,120
Speaker 1: Good morning, Oh my goodness. All right, we'll get into

1053
00:52:25,160 --> 00:52:27,520
Speaker 1: that when we come back. Also, we got to talk

1054
00:52:27,640 --> 00:52:31,200
Speaker 1: about what happened on that morning show in DC. Now

1055
00:52:31,320 --> 00:52:33,640
Speaker 1: if you haven't heard um, the question is we're gonna

1056
00:52:33,640 --> 00:52:36,600
Speaker 1: take outside of that that morning show eight hundred five

1057
00:52:36,680 --> 00:52:39,839
Speaker 1: eight show. Come on, I don't know, expect I don't

1058
00:52:39,840 --> 00:52:43,279
Speaker 1: know Quick Silver and Danny Starr and who else you

1059
00:52:43,320 --> 00:52:45,719
Speaker 1: don't even know? He gonna say, he gonna say, don't

1060
00:52:45,719 --> 00:52:47,320
Speaker 1: even know the people. I don't know the name of

1061
00:52:47,360 --> 00:52:49,200
Speaker 1: the show, the family. It's called the Fan of the Family.

1062
00:52:49,880 --> 00:52:52,240
Speaker 1: All right, everybody relaxed. How you know? I know Quicksilver,

1063
00:52:52,320 --> 00:52:54,399
Speaker 1: That's all I know. It's Quicksilver, and I think other ones.

1064
00:52:54,400 --> 00:52:59,799
Speaker 1: Five nine. But well, I said, I said five nine.

1065
00:53:00,239 --> 00:53:03,320
Speaker 1: You did not I didn't say that for this assid

1066
00:53:03,360 --> 00:53:08,160
Speaker 1: I didn't know. I didn't think. Alright, eight hundred five

1067
00:53:08,239 --> 00:53:11,040
Speaker 1: eight five one five one? Would you hire someone more

1068
00:53:11,160 --> 00:53:13,560
Speaker 1: attractive than you? That? We're talking about that when we

1069
00:53:13,640 --> 00:53:16,080
Speaker 1: come back. And also, if you're watching a Vote TV,

1070
00:53:16,160 --> 00:53:19,120
Speaker 1: they got an exclusive is David Banner's new single is

1071
00:53:19,160 --> 00:53:21,880
Speaker 1: called Magnolia and it's featuring c low Green. So you

1072
00:53:21,920 --> 00:53:24,200
Speaker 1: can see that next on Revolt as the Breakfast Club.

1073
00:53:24,239 --> 00:53:33,279
Speaker 1: Good Morning's time for Donkey of the Day Democrat. So

1074
00:53:33,400 --> 00:53:35,520
Speaker 1: being Dunky of the Day a little bit of a

1075
00:53:35,600 --> 00:53:43,800
Speaker 1: mixed up like other day. Now, I've been called a

1076
00:53:43,920 --> 00:53:45,880
Speaker 1: lot of my twenty three years, but Donkey of the

1077
00:53:45,960 --> 00:53:49,360
Speaker 1: Day is a new wife. Yes, Donkey to Day. For Friday,

1078
00:53:49,520 --> 00:53:53,160
Speaker 1: March Knife, the anniversary of the notorious Brg's death, goes

1079
00:53:53,200 --> 00:53:55,919
Speaker 1: to twenty seven year old Ranch Shannon of the Great

1080
00:53:55,960 --> 00:53:58,399
Speaker 1: State of Florida. Drop one of clues, mom for Florida man,

1081
00:53:59,160 --> 00:54:02,080
Speaker 1: and always remember the key word is Florida. All right,

1082
00:54:02,200 --> 00:54:05,200
Speaker 1: Long before Donald Globla and the writers on Atlanta introduced

1083
00:54:05,280 --> 00:54:08,000
Speaker 1: y'all to Florida man, your uncle Sharla for years has

1084
00:54:08,040 --> 00:54:09,960
Speaker 1: been getting on this radio telling you that all the

1085
00:54:10,040 --> 00:54:13,239
Speaker 1: craziest people in America come from the Bronx and all

1086
00:54:13,320 --> 00:54:15,960
Speaker 1: of Florida. And Rant Shannon is just more evidence that

1087
00:54:16,080 --> 00:54:18,960
Speaker 1: is proving my point. She ran. Shannon was driving through

1088
00:54:19,000 --> 00:54:21,040
Speaker 1: an accident in Gainesville, Florida. And you know how it

1089
00:54:21,120 --> 00:54:24,040
Speaker 1: is when you're driving through a traffic accident, everything slows down,

1090
00:54:24,400 --> 00:54:27,120
Speaker 1: and it's nothing worse than having that happened while you're

1091
00:54:27,120 --> 00:54:28,600
Speaker 1: on your way to work. Like for me, I wake

1092
00:54:28,680 --> 00:54:30,399
Speaker 1: up in the morning every day at four to twenty,

1093
00:54:30,600 --> 00:54:32,640
Speaker 1: I'm out to crib By five, and that always makes

1094
00:54:32,680 --> 00:54:34,160
Speaker 1: me feel good because I know if I'm out to

1095
00:54:34,160 --> 00:54:35,920
Speaker 1: crib By five, I'll be at the station by like

1096
00:54:36,040 --> 00:54:38,840
Speaker 1: five forty five. But nothing worse when you're cruising and

1097
00:54:38,960 --> 00:54:40,799
Speaker 1: you know you're about to be more than on time

1098
00:54:41,040 --> 00:54:44,480
Speaker 1: and then boo, traffic slows to a crawl because of

1099
00:54:44,520 --> 00:54:47,359
Speaker 1: an accident. But here's the thing, all right, here's the thing.

1100
00:54:47,520 --> 00:54:50,200
Speaker 1: Nothing pisses me off more than people who start blowing

1101
00:54:50,280 --> 00:54:53,640
Speaker 1: the horn and getting agitated when there is absolutely nothing

1102
00:54:53,760 --> 00:54:57,680
Speaker 1: any of us can do about said traffic accident. Okay,

1103
00:54:57,760 --> 00:55:00,640
Speaker 1: in those moments, you just have to remember your serenity. Prey, God,

1104
00:55:00,680 --> 00:55:03,000
Speaker 1: grant me the serenity to accept the things I cannot change,

1105
00:55:03,160 --> 00:55:05,200
Speaker 1: courage to change of things I can, and the wisdom

1106
00:55:05,239 --> 00:55:07,320
Speaker 1: to know the difference. When you are caught in traffic

1107
00:55:07,680 --> 00:55:09,719
Speaker 1: because of a traffic accident, you have to be wise

1108
00:55:09,840 --> 00:55:12,120
Speaker 1: enough to know that there's nothing you can do except

1109
00:55:12,200 --> 00:55:15,319
Speaker 1: for let emergency responders through their job. You can blow

1110
00:55:15,400 --> 00:55:19,000
Speaker 1: the horn all damn day, you can scream, you can curse,

1111
00:55:19,160 --> 00:55:22,239
Speaker 1: but it's not going to change anything until emergency responders

1112
00:55:22,400 --> 00:55:25,279
Speaker 1: get done doing what they're doing. But young twenty seven

1113
00:55:25,360 --> 00:55:28,799
Speaker 1: year old Ranch Shannon, Okay, he didn't get that memo.

1114
00:55:29,120 --> 00:55:31,440
Speaker 1: And if it's anybody who who should have been patient

1115
00:55:31,760 --> 00:55:35,200
Speaker 1: and been a model citizen in that moment due to

1116
00:55:35,320 --> 00:55:38,399
Speaker 1: his circumstances, it was Ranch Shannon. But Rance couldn't show

1117
00:55:38,480 --> 00:55:41,160
Speaker 1: discipline in that moment of being in a traffic accident

1118
00:55:41,239 --> 00:55:43,680
Speaker 1: because he's clearly not the highest grade of weed in

1119
00:55:43,760 --> 00:55:48,360
Speaker 1: the dispensary. But it's not his fault because he's from Florida.

1120
00:55:48,960 --> 00:55:51,040
Speaker 1: Would you like for me to reveal why Floridian Ranch

1121
00:55:51,080 --> 00:55:53,759
Speaker 1: Shannon is getting donkey today? Please let's go to w

1122
00:55:54,000 --> 00:55:56,880
Speaker 1: c JB ABC twenty for the report. Police police arrested

1123
00:55:56,960 --> 00:55:59,600
Speaker 1: the man who harned to repeatedly at first responders working

1124
00:55:59,640 --> 00:56:02,839
Speaker 1: on a topic accident. Police approached twenty seven year old

1125
00:56:02,880 --> 00:56:05,799
Speaker 1: Ranchan and it smelled marijuana coming from his car. They

1126
00:56:05,840 --> 00:56:08,040
Speaker 1: said they found a loaded gun on him in multiple

1127
00:56:08,120 --> 00:56:10,920
Speaker 1: and a multitude of drugs, including five Mason jars and

1128
00:56:11,000 --> 00:56:14,000
Speaker 1: marijuana and nearly one hundred grams of cocaine. They also

1129
00:56:14,120 --> 00:56:17,520
Speaker 1: found ten thousand dollars in cash and his waistband. There

1130
00:56:17,560 --> 00:56:19,160
Speaker 1: were other guns in the car to include an AK

1131
00:56:19,280 --> 00:56:21,719
Speaker 1: forty seven and an AR fifteen boy all that in

1132
00:56:21,800 --> 00:56:24,800
Speaker 1: the car, So why he decided to alert need Police's

1133
00:56:24,840 --> 00:56:27,239
Speaker 1: attention to him by honking his horn is still beyond me.

1134
00:56:27,600 --> 00:56:30,000
Speaker 1: That news report isn't even telling the whole story. Ranch

1135
00:56:30,000 --> 00:56:34,279
Speaker 1: Shannon a convicted felon riding dirty, riding filthy. He had

1136
00:56:34,320 --> 00:56:37,200
Speaker 1: a loaded nine millimeter handgun, over ten grand in cash,

1137
00:56:37,239 --> 00:56:40,279
Speaker 1: a four inch knife for AAR fifteen five mason jars

1138
00:56:40,320 --> 00:56:42,960
Speaker 1: full of weed and hash, ninety four grams of cocaine,

1139
00:56:43,080 --> 00:56:47,120
Speaker 1: eleven grams of amphetamine, power with sixteen Zanex and oxycodine pills,

1140
00:56:47,200 --> 00:56:49,480
Speaker 1: and he had another book bag full of weed and edibles.

1141
00:56:49,560 --> 00:56:54,200
Speaker 1: And in the trunk he had four more handguns, AKT ammunition,

1142
00:56:54,480 --> 00:56:57,319
Speaker 1: boat cutters, and gloves. Ranch Shannon, who in the name

1143
00:56:57,400 --> 00:56:59,640
Speaker 1: of grand theft auto was you going to kill? It

1144
00:56:59,760 --> 00:57:01,760
Speaker 1: was to go in. It sounds like you were providing

1145
00:57:01,800 --> 00:57:04,120
Speaker 1: all the drugs in Gainesville, But the fact you were

1146
00:57:04,200 --> 00:57:07,800
Speaker 1: acting like you was doing something normal like delivering pizza

1147
00:57:08,239 --> 00:57:11,520
Speaker 1: is so Florida traffic want to close bombs with Florida again.

1148
00:57:11,560 --> 00:57:14,920
Speaker 1: I hate, I hate to be the back in my

1149
00:57:15,080 --> 00:57:18,120
Speaker 1: day guy. Well, back in my day, when you was

1150
00:57:18,240 --> 00:57:22,480
Speaker 1: riding dirty, trafficking drugs and guns, you was cautious as possible.

1151
00:57:22,880 --> 00:57:24,840
Speaker 1: You made sure your tags was great, you made sure

1152
00:57:24,840 --> 00:57:27,480
Speaker 1: your license and registration was great. You didn't drive a

1153
00:57:27,520 --> 00:57:29,320
Speaker 1: car that would bring attention to you. That was the

1154
00:57:29,520 --> 00:57:32,360
Speaker 1: whole point. When you were riding dirty, you wanted to

1155
00:57:32,360 --> 00:57:34,880
Speaker 1: bring as little attention to yourself as possible. But this

1156
00:57:35,160 --> 00:57:40,680
Speaker 1: ranch Shannon impatient asked Floridian keyword Floria. Ridian was riding

1157
00:57:40,760 --> 00:57:44,320
Speaker 1: philthy and decided to start blaring his horn while emergency

1158
00:57:44,440 --> 00:57:46,840
Speaker 1: responders worked at a traffic accident. Can we go to

1159
00:57:47,040 --> 00:57:49,680
Speaker 1: w c JB ABC twenty for the report? Once more?

1160
00:57:49,680 --> 00:57:51,920
Speaker 1: Please just played. Police arrested a man who harned to

1161
00:57:51,960 --> 00:57:55,440
Speaker 1: repeatedly at first responders working on a traffic accident. Police

1162
00:57:55,440 --> 00:57:58,480
Speaker 1: approached twenty seven year old Ranchan and it smelled marijuana

1163
00:57:58,560 --> 00:58:01,120
Speaker 1: coming from his car. They found a load of gun

1164
00:58:01,200 --> 00:58:03,720
Speaker 1: on him in multiple and a multitude of drugs, including

1165
00:58:03,960 --> 00:58:06,720
Speaker 1: five Mason jars and marijuana and nearly one hundred grahams

1166
00:58:06,760 --> 00:58:10,440
Speaker 1: of cocaine. They also found ten thousand dollars in cash

1167
00:58:10,600 --> 00:58:12,480
Speaker 1: and his waistband. There were other guns in the car

1168
00:58:12,520 --> 00:58:14,680
Speaker 1: to include an AK forty seven and an AAR fifteen.

1169
00:58:15,280 --> 00:58:17,440
Speaker 1: All that in the car. So why he decided to

1170
00:58:17,800 --> 00:58:20,480
Speaker 1: alert me police's attention to him by honking his horn

1171
00:58:20,560 --> 00:58:23,880
Speaker 1: is still beyond me. Why he decided to bring attention

1172
00:58:23,920 --> 00:58:27,480
Speaker 1: to himself when he was riding so dirty is beyond

1173
00:58:27,600 --> 00:58:30,640
Speaker 1: me too. But the answer to that question is simply

1174
00:58:30,720 --> 00:58:33,520
Speaker 1: because he's from Florida. And what do I always tell

1175
00:58:33,560 --> 00:58:36,480
Speaker 1: you the craziest people come from the Bronx and all

1176
00:58:36,520 --> 00:58:39,920
Speaker 1: of Florida, and all you Floridians who always say to me, Charlemagne,

1177
00:58:39,960 --> 00:58:44,240
Speaker 1: all people from Florida are crazy. Well, I'm gonna give

1178
00:58:44,240 --> 00:58:46,760
Speaker 1: you the cherry on top of his donkey today. There's more.

1179
00:58:47,080 --> 00:58:49,560
Speaker 1: There's one more little piece that needs to be at it.

1180
00:58:50,480 --> 00:58:53,640
Speaker 1: According to the New York Post, Rant, Shannon, after being arrested,

1181
00:58:54,240 --> 00:58:57,440
Speaker 1: told authorities verbat him that he was a nice guy

1182
00:58:58,240 --> 00:59:00,760
Speaker 1: because he could have used the weapons again instant WHOA,

1183
00:59:02,400 --> 00:59:07,400
Speaker 1: I repeat, Ranch Shannon, after being arrested for all this stuff,

1184
00:59:07,920 --> 00:59:11,360
Speaker 1: whold authorities verbatim that he was a nice guy because

1185
00:59:11,400 --> 00:59:13,400
Speaker 1: he could have used the weapons he got caught with

1186
00:59:14,160 --> 00:59:20,280
Speaker 1: against him. Florida, Ladies and gentlemen, Florida, please let Remy

1187
00:59:20,320 --> 00:59:22,760
Speaker 1: Mark get Floridian ranch Shannon the biggest he has he

1188
00:59:23,600 --> 00:59:29,760
Speaker 1: he ha, you stupid, mother, Are you dumb? He's very dumb, Florida. No,

1189
00:59:29,880 --> 00:59:34,040
Speaker 1: he's very Florida. All right, you know Florida. Yeah, all right, well,

1190
00:59:34,080 --> 00:59:36,400
Speaker 1: thank you for that down kid today Florida. Now when

1191
00:59:36,440 --> 00:59:38,840
Speaker 1: we come back, we have to talk about what happened

1192
00:59:39,080 --> 00:59:42,520
Speaker 1: on Quicksilver shout to him in his morning show which

1193
00:59:42,640 --> 00:59:45,120
Speaker 1: is in DCAM in the Morning, The Fam in the

1194
00:59:45,200 --> 00:59:47,720
Speaker 1: Morning with five nine and Danny Star Now to the people,

1195
00:59:47,760 --> 00:59:51,800
Speaker 1: what happened? Ye, Well, apparently Danny Star needed to get

1196
00:59:51,840 --> 00:59:54,240
Speaker 1: a new nanny because her nanny quit and her unexpectedly.

1197
00:59:54,360 --> 00:59:58,320
Speaker 1: She has two kids, and they talked about on the show. Okay,

1198
00:59:58,480 --> 01:00:00,320
Speaker 1: and one woman had DM t her she was a

1199
01:00:00,400 --> 01:00:02,440
Speaker 1: very beautiful, attractive woman, and she said, I would never

1200
01:00:02,520 --> 01:00:06,200
Speaker 1: hire this woman as a nanny because she was attractive,

1201
01:00:06,440 --> 01:00:08,360
Speaker 1: because she was too attractive. And she said she had

1202
01:00:08,400 --> 01:00:11,560
Speaker 1: a history. Her father cheated on her mom before with

1203
01:00:11,640 --> 01:00:14,800
Speaker 1: the babysitter, right right, and her own husband cheated yeah, right,

1204
01:00:14,840 --> 01:00:18,240
Speaker 1: As she's scared. She's insecure, rightfully, so, so then what happened?

1205
01:00:18,960 --> 01:00:22,480
Speaker 1: So I guess they went behind her back allegedly and

1206
01:00:22,760 --> 01:00:24,840
Speaker 1: called this woman up to the show, and the woman,

1207
01:00:25,320 --> 01:00:28,160
Speaker 1: as Danny said, ambushed her. The whole show ambushed her

1208
01:00:28,320 --> 01:00:29,840
Speaker 1: on air, and they had a big argument on that.

1209
01:00:29,880 --> 01:00:31,160
Speaker 1: We have a clip of it. Let's play a clip

1210
01:00:31,200 --> 01:00:33,800
Speaker 1: of it. I am not insecure, Okay, I have been

1211
01:00:33,920 --> 01:00:36,439
Speaker 1: cheated on. I have been very open and botheful about

1212
01:00:36,480 --> 01:00:40,280
Speaker 1: my stuff. I did you decide what happens in my household? Okay? Well,

1213
01:00:40,320 --> 01:00:44,080
Speaker 1: my daddy slept with a babysitter, so I know my situation. Danny,

1214
01:00:44,120 --> 01:00:46,960
Speaker 1: you are insecure. You're suffering from post traumatic side check disorder.

1215
01:00:47,240 --> 01:00:49,480
Speaker 1: Happens to the best of them, all right, So we're

1216
01:00:49,520 --> 01:00:52,400
Speaker 1: asking eight hundred five eight five one oh five one?

1217
01:00:53,000 --> 01:00:56,040
Speaker 1: Would you hire an attractive person to work for you?

1218
01:00:56,640 --> 01:01:00,520
Speaker 1: Would you envy in my house? My house and regular

1219
01:01:00,560 --> 01:01:04,400
Speaker 1: life is differently my house? No in a situation? Hell no, no, no,

1220
01:01:04,600 --> 01:01:06,560
Speaker 1: I'm not. No. You know you're calling your nanny ugly

1221
01:01:06,680 --> 01:01:10,680
Speaker 1: right now. I thought you meant like an ugly I

1222
01:01:10,720 --> 01:01:13,360
Speaker 1: thought you meant like when I hire on a man

1223
01:01:13,520 --> 01:01:16,480
Speaker 1: to work in my ugly Miami. Would you would you

1224
01:01:16,560 --> 01:01:19,200
Speaker 1: hire an attract My danny is gorgeous? I didn't ask

1225
01:01:19,240 --> 01:01:23,120
Speaker 1: you that. I said, would you had at she's amazing looking,

1226
01:01:23,240 --> 01:01:27,280
Speaker 1: a lover, great, great human being as well? What trying

1227
01:01:27,320 --> 01:01:29,880
Speaker 1: to say anything? Okay, i'd here calling your nanny ugly.

1228
01:01:30,000 --> 01:01:32,600
Speaker 1: I didn't say yeah. I didn't say, you know, you

1229
01:01:32,720 --> 01:01:34,240
Speaker 1: know what, go home and look at her. You know what?

1230
01:01:34,480 --> 01:01:37,280
Speaker 1: Would you mind hiring somebody like a man to do

1231
01:01:37,480 --> 01:01:40,720
Speaker 1: the lawn or something like that that looked like Trey Songs.

1232
01:01:42,320 --> 01:01:47,120
Speaker 1: I looked like Boris Kojoe Old Boris Chestnut or Michael B. Jordan.

1233
01:01:47,200 --> 01:01:50,280
Speaker 1: I'm gonna be hones with almost said something racist. No,

1234
01:01:50,360 --> 01:01:52,120
Speaker 1: I'm growing up. So you know what eight hundred five

1235
01:01:52,200 --> 01:01:55,320
Speaker 1: eight five one five one. I want to hear. It's

1236
01:01:55,360 --> 01:02:01,400
Speaker 1: the Breakfast Local Morning, the Breakfast Club that was Gucci

1237
01:02:01,520 --> 01:02:05,560
Speaker 1: Mane Morning. Everybody's DJ Envy Angela Yee, Charlomagne the guy

1238
01:02:05,640 --> 01:02:07,960
Speaker 1: we are the Breakfast Club. Eight hundred and five A

1239
01:02:08,080 --> 01:02:11,120
Speaker 1: five one on five one. Ladies, would you hire an

1240
01:02:11,120 --> 01:02:13,919
Speaker 1: attractive babysitter or nanny to take care of your kids?

1241
01:02:14,240 --> 01:02:16,440
Speaker 1: That is the question. Charlomagne said he has no problem

1242
01:02:16,520 --> 01:02:18,640
Speaker 1: with it. I do I'm sorry. I don't want to

1243
01:02:18,680 --> 01:02:23,880
Speaker 1: attractive female. I don't want an attractive male. It's just basically,

1244
01:02:23,920 --> 01:02:26,200
Speaker 1: you're calling your nanny and babysitter's ugly. Right now, I'm

1245
01:02:26,240 --> 01:02:29,080
Speaker 1: not doing Yes, they're not You're saying they're not attractive.

1246
01:02:29,160 --> 01:02:31,680
Speaker 1: That's just saying. That's exactly what you just said. They

1247
01:02:31,720 --> 01:02:34,760
Speaker 1: are attractive, my baby, My nanny is very attractive, and

1248
01:02:34,840 --> 01:02:37,320
Speaker 1: I appreciate her so much for caring for my kids.

1249
01:02:37,640 --> 01:02:39,200
Speaker 1: So I don't know if you had to compare her

1250
01:02:39,240 --> 01:02:42,080
Speaker 1: to an active actress, who which one would you? Sophia

1251
01:02:42,080 --> 01:02:48,040
Speaker 1: of Agar Okay, okay, all right, I love my nanny. Okay,

1252
01:02:48,480 --> 01:02:50,160
Speaker 1: I don't know who y'all think. Y'all are calling your

1253
01:02:50,240 --> 01:02:54,959
Speaker 1: nanny's and babysit is ugly. Nobody said ugly, go too far? Hello?

1254
01:02:55,040 --> 01:03:00,480
Speaker 1: Who's this Michell? Hey Michelle? Would you hire an attractive babysitter? Hell? No,

1255
01:03:01,320 --> 01:03:04,840
Speaker 1: oh Michelle? Why not? Wind not Michelle, it's just wise.

1256
01:03:04,920 --> 01:03:07,520
Speaker 1: You don't put no female in the houpitel man, just

1257
01:03:07,600 --> 01:03:09,840
Speaker 1: don't to do that. This is messed up, man. I'm

1258
01:03:09,840 --> 01:03:11,560
Speaker 1: gonna tell you why this is messed up. Y'all about

1259
01:03:11,560 --> 01:03:14,240
Speaker 1: to give babysitters and nanny's a complex. All the ones

1260
01:03:14,280 --> 01:03:17,000
Speaker 1: that get hired gonna think they ugly as hell. So

1261
01:03:17,480 --> 01:03:21,959
Speaker 1: you need a job, right, everybody needs a Hello? Who's

1262
01:03:22,000 --> 01:03:26,400
Speaker 1: this Victoria? Hey Victoria, would you hire an attractive babysitter

1263
01:03:26,480 --> 01:03:29,320
Speaker 1: on nanny? Yes? I would. Oh, you wouldn't mind. I

1264
01:03:29,400 --> 01:03:32,520
Speaker 1: wouldn't mind because one, nowadays you can't tell thee to

1265
01:03:32,560 --> 01:03:40,000
Speaker 1: be a man or a woman. And two left said,

1266
01:03:40,000 --> 01:03:44,480
Speaker 1: you can't tell if it's get it's a hot woman. Okay,

1267
01:03:44,640 --> 01:03:47,200
Speaker 1: says it says that a woman and an attractive nanny?

1268
01:03:47,280 --> 01:03:48,600
Speaker 1: How do you ride out of you? How do you

1269
01:03:48,640 --> 01:03:51,240
Speaker 1: not know it's really a man? All right, I'm not playing.

1270
01:03:51,640 --> 01:03:55,520
Speaker 1: Where are you from? Sound like Alabama? Alsome Jersey? Originally

1271
01:03:55,560 --> 01:03:59,720
Speaker 1: well imparted, Okay, now you know? All right, I'm sorry,

1272
01:03:59,760 --> 01:04:02,040
Speaker 1: I'll Bama. I would never compare y'all the Florida. I

1273
01:04:02,080 --> 01:04:04,840
Speaker 1: just knew something was awful. Little bit Florida explained it though, Hello,

1274
01:04:04,920 --> 01:04:07,360
Speaker 1: who's this? What going on? What was going on? First

1275
01:04:07,360 --> 01:04:09,920
Speaker 1: of all, good morning, my name is Cheyenne. To be honest,

1276
01:04:09,920 --> 01:04:12,480
Speaker 1: it just depends on the on the person's self control.

1277
01:04:12,560 --> 01:04:15,160
Speaker 1: You know, you just think somebody good looking, but doesn't

1278
01:04:15,200 --> 01:04:16,800
Speaker 1: mean you have to act on it, you know, because

1279
01:04:16,800 --> 01:04:18,720
Speaker 1: I'm around a whole bunch of good looking people a day.

1280
01:04:19,080 --> 01:04:21,200
Speaker 1: You know, it's it's all about how you carry yourself

1281
01:04:21,240 --> 01:04:23,920
Speaker 1: and if you really true to your significant it's robably

1282
01:04:24,000 --> 01:04:26,400
Speaker 1: different somebody that's in the house all the time. It's

1283
01:04:26,440 --> 01:04:28,040
Speaker 1: way different somebody in the house in the post of

1284
01:04:28,120 --> 01:04:30,400
Speaker 1: working at What are you're saying is true? Though? Man?

1285
01:04:30,480 --> 01:04:33,080
Speaker 1: I mean, it ain't about whether or not the nanny's attractive.

1286
01:04:33,120 --> 01:04:37,360
Speaker 1: It's about you, Like you know, if you're attractive, you

1287
01:04:37,600 --> 01:04:39,320
Speaker 1: can't just be pushing up on the nanny. No, you

1288
01:04:39,400 --> 01:04:42,080
Speaker 1: definitely can't. But I'm talking about a man. I wouldn't

1289
01:04:42,120 --> 01:04:45,200
Speaker 1: want an attractive man working in my house doing anything.

1290
01:04:45,280 --> 01:04:48,600
Speaker 1: I'm sorry, Does that mean that you're insecure? Yes? Okay,

1291
01:04:48,720 --> 01:04:50,760
Speaker 1: I just want everybody who ever goes to work on

1292
01:04:50,880 --> 01:04:53,360
Speaker 1: anything at dj Envy's house, from the pool people who

1293
01:04:53,640 --> 01:04:55,800
Speaker 1: to the lawn people. He thinks you ugly that I

1294
01:04:55,840 --> 01:05:01,800
Speaker 1: don't reason employee his manager jew bad enough that you're

1295
01:05:01,880 --> 01:05:03,920
Speaker 1: looking down on people from your estate. Now you call

1296
01:05:03,960 --> 01:05:05,880
Speaker 1: them the people that worked there ugly. I didn't say

1297
01:05:05,920 --> 01:05:08,920
Speaker 1: that five a five one oh five one. Would you

1298
01:05:09,120 --> 01:05:11,640
Speaker 1: hire someone attractive to work in your home? It's the

1299
01:05:11,640 --> 01:05:15,880
Speaker 1: Breakfast Club, Morning Morning. Everybody is DJ Envy, Angela Yee,

1300
01:05:16,000 --> 01:05:19,240
Speaker 1: Charlomagne the guy. We are the Breakfast Club. We're asking

1301
01:05:19,320 --> 01:05:22,080
Speaker 1: eighty five one oh five one? Would you hire someone

1302
01:05:22,360 --> 01:05:25,240
Speaker 1: attractive to work in your home? Hello? Who's this? This

1303
01:05:25,440 --> 01:05:28,439
Speaker 1: is Jessica from DC. Hey, Jessica, would you hire someone

1304
01:05:28,760 --> 01:05:31,000
Speaker 1: attractive to work in your home? A babysit or nanny? So,

1305
01:05:31,280 --> 01:05:34,360
Speaker 1: I'm actually a nanny in the DC area, and I

1306
01:05:34,480 --> 01:05:37,120
Speaker 1: caught the show later on in the day. But basically,

1307
01:05:37,760 --> 01:05:40,080
Speaker 1: I don't think she's insecure. I think that she has

1308
01:05:40,120 --> 01:05:42,400
Speaker 1: the choice to hire whoever she's wants to move home

1309
01:05:42,560 --> 01:05:45,200
Speaker 1: as a nanny, and as a woman that's been through

1310
01:05:45,280 --> 01:05:48,040
Speaker 1: something like that before, that's up to her to guard

1311
01:05:48,120 --> 01:05:52,200
Speaker 1: her her household. And a nanny job is so personal

1312
01:05:52,840 --> 01:05:55,280
Speaker 1: day to day, it's not like you're going into a workplace.

1313
01:05:55,600 --> 01:05:57,960
Speaker 1: Even quitting a nanny job for a nanny is hard

1314
01:05:58,000 --> 01:06:00,800
Speaker 1: because it's so personal. So I don't blame her at all.

1315
01:06:02,080 --> 01:06:04,680
Speaker 1: By the way, by the way, you're wrong, She's very insecure.

1316
01:06:04,960 --> 01:06:07,800
Speaker 1: She's suffering from post traumatic side check disorder. She said

1317
01:06:07,840 --> 01:06:10,320
Speaker 1: her father. She said her father slept with the babysitt

1318
01:06:10,440 --> 01:06:11,959
Speaker 1: and her man cheating on her with like a sitter

1319
01:06:12,040 --> 01:06:14,640
Speaker 1: or something. She's definitely insecure about that. Now let me

1320
01:06:14,680 --> 01:06:17,920
Speaker 1: ask you a question about learning from your past, Darlam.

1321
01:06:18,240 --> 01:06:19,520
Speaker 1: Now let me ask you a question. You worked in

1322
01:06:19,560 --> 01:06:21,760
Speaker 1: many houses before. Has a husband ever kicked it to

1323
01:06:21,800 --> 01:06:24,520
Speaker 1: you or pushed up on you? No? Absolutely not, OK.

1324
01:06:24,760 --> 01:06:27,000
Speaker 1: And if they did, I wouldn't feel comfortable. I would

1325
01:06:27,040 --> 01:06:28,840
Speaker 1: have to leave. I'm about to start marrying a nanny

1326
01:06:28,880 --> 01:06:31,680
Speaker 1: agency in the in the business in the area, so

1327
01:06:31,880 --> 01:06:34,800
Speaker 1: I'm kind of like, this is crazy right now, right,

1328
01:06:34,920 --> 01:06:38,200
Speaker 1: so you you have come into your household. That is

1329
01:06:38,320 --> 01:06:41,240
Speaker 1: your decision. You don't know whether it's a friend, a worker,

1330
01:06:41,600 --> 01:06:44,240
Speaker 1: a law a guy. Right you can decide that you

1331
01:06:44,320 --> 01:06:47,440
Speaker 1: want to hire an attractive nanny. Do you solicit for

1332
01:06:47,560 --> 01:06:49,640
Speaker 1: nanny's I'm not an ugly girl. Let me just say

1333
01:06:49,680 --> 01:06:52,640
Speaker 1: that I've been a nanny for seven years. You sound ugly. Listen,

1334
01:06:52,640 --> 01:06:55,600
Speaker 1: when you sliced for nanny, do you put must be

1335
01:06:55,720 --> 01:06:59,080
Speaker 1: ugly as a prerequcity. No, No, not at all, not

1336
01:06:59,240 --> 01:07:01,760
Speaker 1: at all. It's not even a matter really about the look.

1337
01:07:01,840 --> 01:07:03,480
Speaker 1: It's about it who gets who gets connected to the

1338
01:07:03,560 --> 01:07:08,439
Speaker 1: kids and qualified some qualification, knows how to handle the kids. Hello,

1339
01:07:08,520 --> 01:07:11,560
Speaker 1: who's this the one? Missus? Erica? Hey Erica? Would you

1340
01:07:11,640 --> 01:07:14,440
Speaker 1: hire someone attractive to work in your crib as a nanny? Now?

1341
01:07:15,280 --> 01:07:17,439
Speaker 1: Me and my husband has this debate all the time.

1342
01:07:17,520 --> 01:07:19,680
Speaker 1: He says, when we have a house, but she gonna

1343
01:07:19,680 --> 01:07:21,640
Speaker 1: be a little young son Crian, I say, she's gonna

1344
01:07:21,640 --> 01:07:25,600
Speaker 1: be an old lady name okam sweet. Um, not gonna

1345
01:07:25,640 --> 01:07:29,400
Speaker 1: have no young attractive person walking around in my house.

1346
01:07:29,600 --> 01:07:32,560
Speaker 1: It's my house, it's my fake. You just watch the

1347
01:07:32,640 --> 01:07:37,000
Speaker 1: hand that rocks the cradles girl walking around being her manny. Well,

1348
01:07:37,000 --> 01:07:38,840
Speaker 1: I would never hire a young nanny, but who have

1349
01:07:38,960 --> 01:07:40,760
Speaker 1: nothing to do with Look, I wouldn't hire young nanny

1350
01:07:40,800 --> 01:07:42,720
Speaker 1: just because I don't like all of that social media

1351
01:07:42,800 --> 01:07:44,880
Speaker 1: stuff and I just don't feel like a young person

1352
01:07:45,000 --> 01:07:47,320
Speaker 1: would be focused on my children the way that they

1353
01:07:47,400 --> 01:07:49,200
Speaker 1: need to. I just think an older person is better.

1354
01:07:49,240 --> 01:07:53,240
Speaker 1: I love, I personally love older babysitters, older nanny. I've

1355
01:07:53,240 --> 01:07:55,520
Speaker 1: had older nanni's and I've had younger nannies. This nanny's

1356
01:07:55,520 --> 01:07:58,000
Speaker 1: around thirty years old, and she is the best nanny

1357
01:07:58,040 --> 01:08:00,320
Speaker 1: that I've had so far. She handles the kids amazing

1358
01:08:00,360 --> 01:08:03,160
Speaker 1: when I'm not there, and um, that's great. So I

1359
01:08:03,320 --> 01:08:05,800
Speaker 1: have no problem. That's probably want by personality. Yeah, definitely,

1360
01:08:05,800 --> 01:08:09,959
Speaker 1: a social media like that. I got requirements I wanted.

1361
01:08:10,160 --> 01:08:12,400
Speaker 1: When I wanted nanny, I wanted a woman from the Caribbean,

1362
01:08:12,480 --> 01:08:15,320
Speaker 1: and that's what I got. Okay, Hello, who's this Good morning?

1363
01:08:15,400 --> 01:08:18,000
Speaker 1: My name is Ju from Houston, Texas. Hey, good morning, mama.

1364
01:08:18,080 --> 01:08:20,439
Speaker 1: Now we're talking. Would you hire someone attractive to be

1365
01:08:20,520 --> 01:08:23,640
Speaker 1: a nanny or a babysitter? Absolutely? I haven't namy from

1366
01:08:23,640 --> 01:08:27,519
Speaker 1: my daughter and she's Brazilian, she's young, she's beautiful. I

1367
01:08:27,880 --> 01:08:29,920
Speaker 1: believe I am a beautiful person, so I don't want

1368
01:08:29,920 --> 01:08:31,880
Speaker 1: to be surrounded by people who are not. I don't

1369
01:08:31,920 --> 01:08:34,519
Speaker 1: think that you should judge someone just strictly how they

1370
01:08:34,680 --> 01:08:37,200
Speaker 1: look in their work ethics. If you find somebody who

1371
01:08:37,320 --> 01:08:39,880
Speaker 1: you can trust with your child, who you can you know,

1372
01:08:40,320 --> 01:08:42,200
Speaker 1: go out and not feel like somebody's gonna hurn my

1373
01:08:42,320 --> 01:08:44,160
Speaker 1: child regardless of how they look, then you should go

1374
01:08:44,240 --> 01:08:46,639
Speaker 1: ahead and consider that person. If you have a fine

1375
01:08:46,680 --> 01:08:48,240
Speaker 1: man who wants to cut your grass, and he does

1376
01:08:48,320 --> 01:08:51,040
Speaker 1: a great job edge in the lawn, then why would

1377
01:08:51,080 --> 01:08:53,000
Speaker 1: you stop him from doing what he's good at? Right,

1378
01:08:53,000 --> 01:08:55,600
Speaker 1: I'm gonna give him a bonus to look, yeah, go

1379
01:08:55,640 --> 01:08:57,320
Speaker 1: ahead and let go ahead and open the window. White

1380
01:08:57,320 --> 01:09:00,280
Speaker 1: he cuts the grass, No, because they've become the grass

1381
01:09:00,320 --> 01:09:03,040
Speaker 1: with their shirts off. Sometimes you do have somebody who

1382
01:09:03,200 --> 01:09:07,040
Speaker 1: you truly feel is going to interrupt your relationship because

1383
01:09:07,040 --> 01:09:09,040
Speaker 1: of how they're listening. Yeah, well, then that's going to

1384
01:09:09,080 --> 01:09:11,320
Speaker 1: be on you to make the better decisions. Maybe have

1385
01:09:11,439 --> 01:09:14,840
Speaker 1: somebody who doesn't look as beautiful as yourself in order

1386
01:09:14,920 --> 01:09:17,920
Speaker 1: to take care of whatever need you had round your home. Well,

1387
01:09:17,960 --> 01:09:21,360
Speaker 1: thank you, mamma, thank you. What's the moral of the story.

1388
01:09:21,680 --> 01:09:24,000
Speaker 1: The moral of the story is, stop calling your nannies

1389
01:09:24,000 --> 01:09:26,280
Speaker 1: and babysitter is ugly? All right? This is disgusting. I

1390
01:09:26,360 --> 01:09:29,639
Speaker 1: am so offended this morning that all y'all called the bin,

1391
01:09:29,800 --> 01:09:32,720
Speaker 1: just called all your ugly. That's what I got from you.

1392
01:09:32,840 --> 01:09:35,639
Speaker 1: Nobody said that. My whole thing is is your house.

1393
01:09:35,840 --> 01:09:38,479
Speaker 1: Whatever makes you comfortable in your house. I want all

1394
01:09:38,600 --> 01:09:42,160
Speaker 1: you babysitizen and nannies to go to your respective places

1395
01:09:42,160 --> 01:09:43,519
Speaker 1: to day and look people in the eyes that all

1396
01:09:43,520 --> 01:09:45,320
Speaker 1: you think I'm ugly? I want you to ask you

1397
01:09:45,720 --> 01:09:48,000
Speaker 1: ask the people that you are employed with, do you

1398
01:09:48,040 --> 01:09:52,120
Speaker 1: think I'm ugly? All right? Giving got rooms on the way, yes, O. J. Simpson.

1399
01:09:52,160 --> 01:09:54,080
Speaker 1: We've been telling you about this show that's coming out

1400
01:09:54,160 --> 01:09:57,160
Speaker 1: on Fox on Sunday. We have some more from his

1401
01:09:57,479 --> 01:09:59,560
Speaker 1: Lost Confession. All right, we'll get into that when we

1402
01:09:59,640 --> 01:10:01,559
Speaker 1: come back. Keep a lot this to Breakfast Club. Good morning,

1403
01:10:02,000 --> 01:10:04,080
Speaker 1: let's talk about it hit TV show that is getting

1404
01:10:04,080 --> 01:10:13,840
Speaker 1: a movie now. It's about the rumor report Angela needs

1405
01:10:14,280 --> 01:10:23,960
Speaker 1: on the Breakfast Club. That's right, girlfriends, I'm kidding. Did

1406
01:10:24,040 --> 01:10:27,519
Speaker 1: you see his face like that? Don't do like that.

1407
01:10:29,960 --> 01:10:32,439
Speaker 1: I was like, oh my goodness, I just want to

1408
01:10:32,479 --> 01:10:37,599
Speaker 1: see Charlemagne was paying attention. All right, it's actually the Sopranos, okay,

1409
01:10:37,760 --> 01:10:42,560
Speaker 1: and they're they're doing is dope and that listen to

1410
01:10:42,680 --> 01:10:44,599
Speaker 1: what it is though. Okay. The working title right now

1411
01:10:44,720 --> 01:10:47,439
Speaker 1: is The Many Saints of Nork, So it's actually gonna

1412
01:10:47,479 --> 01:10:49,600
Speaker 1: be based in Nork, if you it's set in the

1413
01:10:49,720 --> 01:10:52,720
Speaker 1: nineteen sixties and the riots between the African American and

1414
01:10:52,840 --> 01:10:55,639
Speaker 1: Italian communities. So it's gonna have some of the characters

1415
01:10:55,680 --> 01:10:59,120
Speaker 1: from the original series. Yeah, but Tony Sopranos, it would

1416
01:10:59,120 --> 01:11:01,160
Speaker 1: be a younger version of him because it's a prequel,

1417
01:11:01,320 --> 01:11:04,000
Speaker 1: so you wouldn't have to be in it. Guys Duhr

1418
01:11:04,280 --> 01:11:07,280
Speaker 1: in the sixties. I'll watch it, but I'm not necessarily interested.

1419
01:11:07,360 --> 01:11:09,240
Speaker 1: That's not something I was. I was, I was clamoring

1420
01:11:09,320 --> 01:11:12,800
Speaker 1: for you know, I was a big fan too, But

1421
01:11:12,880 --> 01:11:17,679
Speaker 1: it's it's over girlfriends though the city. Did their movie

1422
01:11:17,880 --> 01:11:20,000
Speaker 1: have sex in the city too? I want a girlfriend's movie.

1423
01:11:20,240 --> 01:11:22,680
Speaker 1: All right? Well, sorry, I'm not here yet. Marob Rock

1424
01:11:22,680 --> 01:11:24,000
Speaker 1: could kill. I'm telling you. I don't know you, but

1425
01:11:24,080 --> 01:11:26,479
Speaker 1: we got beef rock kill. I love you, but we

1426
01:11:26,600 --> 01:11:28,439
Speaker 1: got beef until I get closed. We're gonna get closed

1427
01:11:28,520 --> 01:11:30,680
Speaker 1: when we all die. Okay. Another movie that's coming is

1428
01:11:30,720 --> 01:11:33,479
Speaker 1: the Dapper Damn biopic. I'd like to see. He's getting

1429
01:11:33,520 --> 01:11:35,479
Speaker 1: his just dude. Now he's got his story in Harlan

1430
01:11:35,640 --> 01:11:38,200
Speaker 1: with Gucci, and now he has a movie. Sony's developing

1431
01:11:38,280 --> 01:11:41,480
Speaker 1: the film and it's actually going to be produced by Carmichael.

1432
01:11:41,560 --> 01:11:44,559
Speaker 1: Gerard Carmichael dropping a clues bump from my guy draw Carmichael.

1433
01:11:44,600 --> 01:11:46,720
Speaker 1: I like that, trying to I'm trying to figure out

1434
01:11:46,760 --> 01:11:48,519
Speaker 1: the connection though, but I'm not mad at it. You know,

1435
01:11:48,560 --> 01:11:51,200
Speaker 1: whoever can get the story done can get the story done,

1436
01:11:51,280 --> 01:11:53,559
Speaker 1: you know, right, So it should be pretty exciting. If

1437
01:11:53,560 --> 01:11:55,160
Speaker 1: you don't know who Dapper Dan is, he was the

1438
01:11:55,200 --> 01:11:58,320
Speaker 1: one who would customize brands like Louis Batan and Gucci

1439
01:11:58,680 --> 01:12:00,280
Speaker 1: for all the stars. And when you saw up people

1440
01:12:00,280 --> 01:12:03,400
Speaker 1: wearing that, and then Gucci actually came back and faced

1441
01:12:03,479 --> 01:12:05,920
Speaker 1: some of those ye stealing his ideas of him using

1442
01:12:05,960 --> 01:12:09,439
Speaker 1: their prints. So he posted the news on Instagram. Dapadan said,

1443
01:12:09,439 --> 01:12:11,559
Speaker 1: it's time to tell all from growing up with holes

1444
01:12:11,560 --> 01:12:13,760
Speaker 1: in my shoes and swimming in the Harlem River to

1445
01:12:13,920 --> 01:12:15,920
Speaker 1: crossing the river and now in Africa in search of

1446
01:12:16,040 --> 01:12:18,719
Speaker 1: my identity. I came from nothing and God has blessed

1447
01:12:18,720 --> 01:12:20,560
Speaker 1: me with the partnership with Gucci, a book deal with

1448
01:12:20,720 --> 01:12:23,320
Speaker 1: Random House and now a movie deal with Stony Pictures

1449
01:12:23,360 --> 01:12:25,519
Speaker 1: Harlem in Africa. Through the grace of God have shaped

1450
01:12:25,560 --> 01:12:26,880
Speaker 1: in my life. I wonder if he's gonna show this

1451
01:12:27,160 --> 01:12:29,760
Speaker 1: Mike Tyson fight in his store or Mike Tyson beat up.

1452
01:12:30,000 --> 01:12:33,160
Speaker 1: I think that was in front of the story in

1453
01:12:33,240 --> 01:12:35,120
Speaker 1: the store. I let imagine how you couldn't have that.

1454
01:12:35,200 --> 01:12:37,519
Speaker 1: You gotta have that absolutely all r Right now, Calie

1455
01:12:37,560 --> 01:12:40,080
Speaker 1: has reportedly bought a farm. She plans to cultivate her

1456
01:12:40,120 --> 01:12:42,960
Speaker 1: own produce. So that's actually, if you can do that,

1457
01:12:43,360 --> 01:12:46,120
Speaker 1: an excellent idea. Nothing more natural than that she said,

1458
01:12:46,160 --> 01:12:47,439
Speaker 1: in the past year, I've kind of felt like I

1459
01:12:47,520 --> 01:12:49,360
Speaker 1: need a restaurant. I need a space where I can

1460
01:12:49,400 --> 01:12:51,080
Speaker 1: actually be creative and I can do this on a

1461
01:12:51,160 --> 01:12:54,720
Speaker 1: daily basis, that being really necessary for me. So she said,

1462
01:12:55,200 --> 01:12:56,840
Speaker 1: let's do a farm. We started looking for a farm.

1463
01:12:56,880 --> 01:12:58,320
Speaker 1: We found a property and we're going to start to

1464
01:12:58,360 --> 01:13:01,240
Speaker 1: grow everything. That's what she's putting his money to good use. Man,

1465
01:13:01,320 --> 01:13:03,640
Speaker 1: didn't he just get like forty million? They said from that?

1466
01:13:03,760 --> 01:13:06,400
Speaker 1: Did he invested in that? That thing from sea tink?

1467
01:13:06,560 --> 01:13:10,800
Speaker 1: It was the doorbell an Amazon? But all right, and

1468
01:13:10,920 --> 01:13:14,840
Speaker 1: OJ Simpson, remember we were telling you about the Lost Confession.

1469
01:13:15,000 --> 01:13:18,040
Speaker 1: It was an interview that was filmed where it was

1470
01:13:18,080 --> 01:13:20,040
Speaker 1: based on that book If I Did It, where he

1471
01:13:20,040 --> 01:13:23,680
Speaker 1: discusses the nineteen nine trial. Well, that is going to

1472
01:13:23,760 --> 01:13:26,800
Speaker 1: air on Fox at eight pm on Sunday, if you

1473
01:13:26,840 --> 01:13:29,640
Speaker 1: guys want to watch it. And here's another snippet of O. J.

1474
01:13:29,800 --> 01:13:33,000
Speaker 1: Simpson doing his Lost Confessions where he says he met

1475
01:13:33,120 --> 01:13:35,000
Speaker 1: Nicole while she was working at a restaurant and he

1476
01:13:35,080 --> 01:13:37,360
Speaker 1: was still in a relationship a place called a Daisy

1477
01:13:37,400 --> 01:13:39,640
Speaker 1: It's a little breakfast place, and I ran into a

1478
01:13:39,680 --> 01:13:41,760
Speaker 1: friend of mine. He said, let's have breakfast. And when

1479
01:13:41,800 --> 01:13:44,639
Speaker 1: we walked in this this vision turned to me and said,

1480
01:13:44,880 --> 01:13:46,639
Speaker 1: what do you want to sit? And I remember thinking,

1481
01:13:46,760 --> 01:13:49,519
Speaker 1: what a gorgeous girl. But I can't deal with this.

1482
01:13:49,720 --> 01:13:51,640
Speaker 1: So it's three days later when I came back. I

1483
01:13:51,720 --> 01:13:53,679
Speaker 1: went back into the days and I was having lunch

1484
01:13:53,720 --> 01:13:57,920
Speaker 1: with the owner and she came back in and I said, man,

1485
01:13:57,920 --> 01:13:59,880
Speaker 1: I would really like to take this girl off. And

1486
01:14:00,080 --> 01:14:03,200
Speaker 1: he called her over and introducers and you know, said

1487
01:14:03,760 --> 01:14:05,479
Speaker 1: this is one of the good guys and you were

1488
01:14:05,600 --> 01:14:07,760
Speaker 1: together from now on. Oh yeah, Well that I had

1489
01:14:07,800 --> 01:14:09,240
Speaker 1: to take her before I went to the party. I

1490
01:14:09,520 --> 01:14:12,080
Speaker 1: explained to her that I was married. Pretty creepy, guys.

1491
01:14:12,240 --> 01:14:14,160
Speaker 1: I think everybody involved in this is going to hell.

1492
01:14:14,240 --> 01:14:17,280
Speaker 1: I think everybody involved in the production of this. Judah

1493
01:14:17,280 --> 01:14:19,280
Speaker 1: freaks in the interview and I love Judae FREGM, but Joe,

1494
01:14:19,360 --> 01:14:22,560
Speaker 1: you all are accomplices to some bs. You know what

1495
01:14:22,640 --> 01:14:24,559
Speaker 1: I'm saying, Like, he shouldn't be allowed to get that off.

1496
01:14:24,960 --> 01:14:26,800
Speaker 1: And if somebody from the coaches his family claps him

1497
01:14:26,800 --> 01:14:28,760
Speaker 1: of something they got every right to. Supposedly the family

1498
01:14:28,840 --> 01:14:31,960
Speaker 1: is supporting this. Now they want to see why in hell? Yeah,

1499
01:14:32,000 --> 01:14:33,839
Speaker 1: because when they clap him. They want us to understand

1500
01:14:33,840 --> 01:14:35,920
Speaker 1: why they clapped him, all right, and last but not least,

1501
01:14:36,040 --> 01:14:37,600
Speaker 1: you know, I'm sure we all saw this coming, But

1502
01:14:37,760 --> 01:14:39,920
Speaker 1: Michael Smith is going to host his last edition of

1503
01:14:40,280 --> 01:14:43,640
Speaker 1: ESPN Sports Center today, So really that's his exit. Is

1504
01:14:43,640 --> 01:14:45,920
Speaker 1: a little more than a month after Jamal Hill left

1505
01:14:46,120 --> 01:14:48,080
Speaker 1: to join the undertating. Now he still has the years

1506
01:14:48,120 --> 01:14:50,120
Speaker 1: left on his contract with ESPN, so it looks like

1507
01:14:50,200 --> 01:14:52,800
Speaker 1: he's going to move into a different capacity at the network.

1508
01:14:52,920 --> 01:14:54,880
Speaker 1: Had a good thing going. Yeah, but you know what,

1509
01:14:54,920 --> 01:14:56,439
Speaker 1: they should have never put them on the six. And

1510
01:14:56,479 --> 01:14:57,800
Speaker 1: if they was gonna put them on the six, they

1511
01:14:57,840 --> 01:14:59,400
Speaker 1: should have let them do the same thing that they

1512
01:14:59,479 --> 01:15:02,439
Speaker 1: was doing on hers isn't herds was unique? It was funny.

1513
01:15:02,439 --> 01:15:04,360
Speaker 1: I used to let the sketches that they did, that

1514
01:15:04,600 --> 01:15:06,640
Speaker 1: was their thing. Their fingerprints was all over that. But

1515
01:15:06,680 --> 01:15:09,000
Speaker 1: they moved into six and the white people didn't like

1516
01:15:09,080 --> 01:15:11,000
Speaker 1: it because the white people didn't want black people hosting

1517
01:15:11,080 --> 01:15:13,720
Speaker 1: sports in it in prime time like that. And you know,

1518
01:15:13,920 --> 01:15:16,000
Speaker 1: and they had even said there was a time that

1519
01:15:16,080 --> 01:15:18,679
Speaker 1: we weren't even talking to each other during the broadcast anymore.

1520
01:15:19,040 --> 01:15:21,360
Speaker 1: No more, Michael and Jamil not less not hearing they're

1521
01:15:21,439 --> 01:15:23,840
Speaker 1: no more Michael and Jamial talking, no more of their commentary.

1522
01:15:24,160 --> 01:15:26,719
Speaker 1: It's just strictly live shots and analysts. That's what pissed

1523
01:15:26,720 --> 01:15:28,040
Speaker 1: me off so much. And don't tell me that you

1524
01:15:28,200 --> 01:15:29,560
Speaker 1: love me and then put me in a position and

1525
01:15:29,600 --> 01:15:31,720
Speaker 1: tell me to change everything about me. You love my game,

1526
01:15:31,800 --> 01:15:33,560
Speaker 1: you love how I playing, but now that I'm in

1527
01:15:33,640 --> 01:15:35,759
Speaker 1: this position, you want me to change my game totally.

1528
01:15:35,840 --> 01:15:37,920
Speaker 1: That's whack. Yeah, that was definitely whack. All right, well

1529
01:15:38,000 --> 01:15:39,920
Speaker 1: let me antel laye and that is your rumor report.

1530
01:15:40,040 --> 01:15:42,040
Speaker 1: All right, Well, you know, shout to revote. We'll see

1531
01:15:42,080 --> 01:15:45,120
Speaker 1: them all everybody else. It's all about the Notorious Big

1532
01:15:45,760 --> 01:15:48,479
Speaker 1: the greatest rapper of all time died on March night,

1533
01:15:48,560 --> 01:15:50,160
Speaker 1: and we're gonna get on a Biggie mixed. Let me

1534
01:15:50,200 --> 01:15:52,400
Speaker 1: know your favorite Big joint. It's the Breakfast Club Goal