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Speaker 1: Tour announcement starts now. Hello everyone, it is me Sam

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Speaker 1: and I am going on tour this summer. I'm doing

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Speaker 1: my hour of incredible stand up comedy and I would love,

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Speaker 1: love love to see you there. So I will be

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Speaker 1: in San Francisco, Portland, Seattle, Chicago, DC, Boston, Philly and

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Speaker 1: maybe a couple more. But if you are in any

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Speaker 1: of those places, please please please get tickets. I would

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Speaker 1: love to see you all there. And I'm really really

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Speaker 1: excited because I love touring now, so see you there. Okay,

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Speaker 1: Andrea yet Bye, Who doy who? Glamour Girls. You're listening

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Speaker 1: to Strida lab Rewind.

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Speaker 2: Once a month we will be re releasing an old

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Speaker 2: classic Stradio Lab episode to refamiliarize new listeners with the

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Speaker 2: lore that built the podcast. The government cannot shut down

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Speaker 2: because we recorded some of these long long ago. The

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Speaker 2: audio quality may be mixed, but trust the ideas are

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Speaker 2: eternal and dangerous. So take out your notebook and open

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Speaker 2: to page one, because it's time to start taking notes

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Speaker 2: about the things we've said.

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Speaker 1: Okay, enjoy the past. Bye. Podcast starts now, and let

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Speaker 1: me just say Happy Pride. It's officially June. It's just

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Speaker 1: Pride Month.

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Speaker 2: Yeah, you know, more than ever, Yes, June.

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Speaker 1: More than ever. Now, this time comes but once a year,

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Speaker 1: June usually once a year, George, how are you celebrating?

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Speaker 2: You know this is tough because you know, to give

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Speaker 2: everyone a peek behind the curtain. It's currently May thirty first. Oh,

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Speaker 2: so I don't feel proud yet. I hate when you

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Speaker 2: give it and I have to. It is so difficult

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Speaker 2: to think twenty four hours from now, not even you know,

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Speaker 2: twelve hours from now, even I will feel so proud.

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Speaker 2: I'm going to wake up fully erect, ready to take

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Speaker 2: on the day, Ready to buy some products, Ready to

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Speaker 2: RSVP to some Facebook events, potentially activations, launches, what have you?

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Speaker 2: Ready to join apollicule, Ready to welcome a third person

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Speaker 2: into my polyamorous relationship. Ready to book a trip to

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Speaker 2: Fire Island mikonos Ebitha, you know, yes, and I know

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Speaker 2: Abitha is sort of actually kind of straight coded. But

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Speaker 2: when I go, it's going to be Pride Month themed

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Speaker 2: and you.

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Speaker 1: Won't let the straight codedness of Hibetha stop your phone.

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Speaker 1: Living on is your true authentic set. It's going to

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Speaker 1: be me at various parties. Pit Bull is going to

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Speaker 1: be DJing, and it's going to be all Instagram models,

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Speaker 1: and then I'm going to walk.

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Speaker 2: In and say, who here has seen Weekend? That film

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Speaker 2: the Andrew Haye Film Weekend, and all of them are

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Speaker 2: gonna be like what Yeah, And I'm gonna be like,

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Speaker 2: That's what I thought, bitch. And then I'm gonna introduce

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Speaker 2: them to queer cinema. You're gonna be like, DJ put

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Speaker 2: this on, DJ put this on, and it's gonna be

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Speaker 2: the film Weekend. It's gonna be a DVD of the

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Speaker 2: film Weekend, and they're gonna screen it for a variety

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Speaker 2: of Instagram influencers, models, et cetera.

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Speaker 1: Wow, that would be so exciting.

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Speaker 2: So that's called grassroots organizing. And I do a drink

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Speaker 2: Pride month and at no other time.

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Speaker 1: Yeah, yeah, yeah, that's really helpful.

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Speaker 2: How are you celebrating Pride?

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Speaker 1: I just don't know, if I am really completely honest,

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Speaker 1: this is a tough year. I can't celebrate anything this year. Yeah,

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Speaker 1: I can't celebrate I feel because you have a desk job,

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Speaker 1: because essentially, essentially I feel like, you know, I'm a

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Speaker 1: man at sea. I'm completely lost, you know, celebrating Pride,

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Speaker 1: it's sort of like, what how about I have a

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Speaker 1: home first?

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Speaker 2: You know, I see what you're saying, But do you

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Speaker 2: think do you think you can't be prideful unless you have,

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Speaker 2: you know, a nuclear family and home ownership, because that actually,

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Speaker 2: to me goes against the whole premise of pride.

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Speaker 1: No, I don't need a nuclear family. I just don't know,

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Speaker 1: like I think what I'm missing actually, yeah, is that

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Speaker 1: pride is something where you're like, Okay, normally on my

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Speaker 1: let's say, in the month of May, this is what

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Speaker 1: I do. This is normal. So June, I'm not doing

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Speaker 1: that because I'm being abnormal this year. I'm having You're you're.

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Speaker 2: Having a difficult time being like, how can I change

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Speaker 2: my habit?

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Speaker 1: Yeah, it's like I don't have habits right now?

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Speaker 2: Oh you don't have habits raining?

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Speaker 1: Yeah, I'm completely at sea. Well, I mean I have

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Speaker 1: a job, sure, I go to every day, but outside

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Speaker 1: of the job, what am I habits?

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Speaker 2: Yeah? It's so interesting. You actually have the most stable,

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Speaker 2: maybe the most stable schedule you've ever had since I've

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Speaker 2: known you. No, but for you, that is being e.

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Speaker 1: I'm actually more reckless than ever before. I'm completely lost.

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Speaker 1: I yes, I have I know where I am Monday

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Speaker 1: through Friday. Yeah, between the hours that one works, but

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Speaker 1: other than.

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Speaker 2: That, you're having dinner, walking your dog.

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Speaker 1: I'm completely at sea, George, I can't believe this, okay,

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Speaker 1: And also like to I think also the commitment of

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Speaker 1: like when people celebrate Pride, part of me is like,

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Speaker 1: what are you talking? What do you mean? Like would

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Speaker 1: define that for me? And a lot of the definition

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Speaker 1: for a lot of people is like, well, I buy

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Speaker 1: fourteen tickets to events and go to it. Yeah, And

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Speaker 1: to me, I'm like, I don't like committing like that.

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Speaker 3: No.

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Speaker 2: I actually I felt like we had reached a very

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Speaker 2: nice balance at some point where everyone decided like, Okay,

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Speaker 2: we're too you know fill in the blank, old sophisticated, intellectual,

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Speaker 2: well read for Pride, and so I would say, you know,

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Speaker 2: for the for let's say, twenty fifteen through twenty eighteen,

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Speaker 2: I was like, I don't care. I would never imagine

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Speaker 2: going to a Pride party. And then suddenly people go

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Speaker 2: back into it and fully blown thirty eight year old

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Speaker 2: men were like, what are you doing for Pride? And

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Speaker 2: I was like, we're not in college.

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Speaker 1: I have to say, you grow up too fast. Oh

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Speaker 1: my god, you grow up too fast. U saying twenty fifteen,

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Speaker 1: you think you're over at twenty fifteen, you were what

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Speaker 1: twenty six, that's like the normal age to be like going.

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Speaker 2: I guess what I mean is like, we are so

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Speaker 2: lucky that we live in these urban, cosmopolitan centers with

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Speaker 2: a variety of LGBTQ plus people. Pride is every day

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Speaker 2: for me. What is different about June? I just it

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Speaker 2: literally is just that you're over paid. Now, I understand

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Speaker 2: that this is a very sort of basic first order

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Speaker 2: critique that I'm making. I don't think I'm reinventing the

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Speaker 2: wheel here, but like, what is the point of a

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Speaker 2: party being different in the month of June? Tell me?

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Speaker 1: I just like, you know, what it is is that

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Speaker 1: everyone's committed to having a little more fun. Like, I

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Speaker 1: think it gives people an excuse to be like, Okay,

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Speaker 1: you know what, I'm really bad because I think so often.

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Speaker 1: You know, Let's say in the month of April, I

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Speaker 1: keep going back a month They're like, oh, I'm out,

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Speaker 1: but it's it's one am. I should go home. Now

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Speaker 1: you're out. It's one am. People are like, You're like,

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Speaker 1: I should go you know what? Actually, no, it's fucking

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Speaker 1: Pride and I'm staying out till four because you know

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Speaker 1: what this means something And I'm here with all my

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Speaker 1: sisters and we did it.

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Speaker 2: You know what you're describing actually is how I felt

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Speaker 2: when booking this episode is I said, this isn't just

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Speaker 2: any normal episode.

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Speaker 1: What No? I agree. I just wanted to make a face,

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Speaker 1: to be honest, and I think our guest want to

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Speaker 1: make a face as well, because it was great face. Well,

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Speaker 1: it was like a fun transition that added it, I get.

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Speaker 1: I think what was funny to me about it was

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Speaker 1: that it added a lot of weight to this.

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Speaker 2: I agree, well, I also it is true that like

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Speaker 2: and in fact, actually I have to say, our dear

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Speaker 2: producer Olivia at some point emailed us and was like,

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Speaker 2: do you have anything special planned for Pride? And literally

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Speaker 2: my first reaction was like no, I'm an adult. And

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Speaker 2: then I had to reach inside myself and say, why

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Speaker 2: are you rejecting your sense of childlike wonder, why are

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Speaker 2: you rejecting Pride, something our four mothers fought so hard for.

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Speaker 1: You have such an urge to grow up?

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Speaker 2: I do. It's true, Well, we've talked about this, you know,

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Speaker 2: for so long, for all my twenties I wanted to

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Speaker 2: grow up. Now that I am a grown up, I'm like,

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Speaker 2: I need to enter middle school.

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Speaker 1: Yeah, you want to go back. I want to go back.

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Speaker 1: I mean you're about to be the thirty eight year

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Speaker 1: old gig guy being like, what are you doing for prode?

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Speaker 2: Okay, well I have a few more years left. Thank you.

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Speaker 1: I just not literally you know what I mean.

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Speaker 2: So anyway, we said, we decided we remembered. You know,

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Speaker 2: last year we started a new tradition, which is that

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Speaker 2: for Pride we do an episode called Gatio Lab. We

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Speaker 2: are rather than talking about a straight topic, we talk

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Speaker 2: about a gay topic and we do it with basically

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Speaker 2: a straight lab. All star one could say, Okay, someone

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Speaker 2: who's been there from the beginning, someone who's done multiple episodes,

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Speaker 2: live shows, someone who I would say helped helped define

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Speaker 2: the spirit of the podcast and associated brand, wow under

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Speaker 2: the iHeartRadio Umbro. So do you want to do the honors?

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Speaker 1: Please give it up for Celestium? Wow?

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Speaker 4: Thank you?

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Speaker 2: What's up?

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Speaker 3: How are you guys?

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Speaker 1: Really good?

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Speaker 2: We are so good?

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Speaker 3: Actually with you and Pride? Yeah? With me and yeah, Sam,

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Speaker 3: well it does seem like we both have a torture

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Speaker 3: relationship with Pride this year.

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Speaker 2: Well, I just here's what I go ahead.

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Speaker 1: Well, I'm just I can't live with abandon.

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Speaker 2: I see what you're saying, here's here's my issue with Okay.

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Speaker 4: Well that's both your issues kind of we can't live

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Speaker 4: with Oh please.

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Speaker 2: I haven't lived with abandon since I was in the womb,

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Speaker 2: since I was in the woman being Splash, flash flash.

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Speaker 2: As soon as I got out, I was like, where's

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Speaker 2: my dad?

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Speaker 4: Get me a button up now?

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Speaker 2: So here's thing with Pride this year, and I'm gonna

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Speaker 2: try to work through this in real time. For so long,

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Speaker 2: the joke with Pride was it's overly corporate. I'll meet

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Speaker 2: you at the Chase Bank flows. Everyone is marching wearing

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Speaker 2: their corporate teas whatever. Last year this thing happened where

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Speaker 2: because there was so much backlash with anti trans legislation

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Speaker 2: and with like people protesting you know, Target's Pride collection

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Speaker 2: or whatever. Suddenly even the corporate pride felt like important.

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Speaker 2: Somehow do you relate to this at all? I hear

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Speaker 2: what you're saying, like there's something where I was like,

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Speaker 2: wait a minute, this thing that I've been making fun

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Speaker 2: of for so long actually is like, it literally is

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Speaker 2: dangerous for Target to put out a Pride collection. I

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Speaker 2: guess people are gonna come with a gun and protest suddenly,

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Speaker 2: and so that And on top of that, what happened

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Speaker 2: last year and people may not remember, is the sort

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Speaker 2: of like lgbt Q plus creators and influencers didn't get

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Speaker 2: gigs and work because people were doing fewer Pride campaigns.

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Speaker 2: And suddenly I was like, wait a minute again, all

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Speaker 2: these people that I've been making fun of, are they

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Speaker 2: now being marginalized? And should I be on the front

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Speaker 2: lines advocating for Instagram influencers and Instagram creators to get

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Speaker 2: that Brooklyn and campaign now that Brooklyn is terrified of

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Speaker 2: being seen as pro LGBT totally, And so where are we?

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Speaker 2: So where are we now? Is what I'm saying.

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Speaker 3: Yes, it's really smart, George, good job, good job. I

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Speaker 3: didn't think of that. And the last year I actually

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Speaker 3: kind of completely forgot that that happened.

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Speaker 2: But do you remember what I'm saying? It was kind

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Speaker 2: of shocking because you were used to.

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Speaker 3: Every backlash, backlash, backlash.

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Speaker 2: You're used to every year, Suddenly you open Instagram and

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Speaker 2: every random person you follow for some reason is partnering

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Speaker 2: with the brand. Yeah, and suddenly that didn't happen last year.

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Speaker 3: Yes, Yeah, it's hard because it's like we're gonna have

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Speaker 3: to see.

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Speaker 1: We're gonna have to see. I think maybe this is

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Speaker 1: a rebuilding year. Maybe this is like maybe last year

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Speaker 1: we were it's a transitional period.

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Speaker 2: It's a transitional period.

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Speaker 1: This year we can build some new traditions.

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Speaker 4: Yeah, outside of brands, Outside of brands, it will be hard.

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Speaker 2: It will be hard. I'm not seeing any a lot

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Speaker 2: of you know, communal potlucks happening.

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Speaker 1: Yeah, how well, celest we haven't dug into your feelings.

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Speaker 2: Yeah. How do you feel about Pride? Where are you

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Speaker 2: at with Pride as a concept this year?

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Speaker 3: I missed Pride last year because I was traveling m

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Speaker 3: okay brag with my girlfriend.

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Speaker 4: Oh who I have one?

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Speaker 3: So I kind of feel excited to be here this year.

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Speaker 3: But it's not feeling as like both like intents about

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Speaker 3: like the parties, and it's not feeling as like I'll

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Speaker 3: do some panels or whatever. Yeah, So I don't really know,

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Speaker 3: Like I think we're gonna have to see.

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Speaker 4: Yeah, I love Pride, you do, I do?

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Speaker 5: Yea?

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Speaker 2: What do you like about it.

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Speaker 4: I like that it's like everyone has to play.

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Speaker 1: Yeah.

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Speaker 6: Yeah, oh that's a good point. You know, Like it's

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Speaker 6: like can't opt out exactly. It's actually a lot like birthday.

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Speaker 6: It's like it's my birthday, I'm going to stay out.

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Speaker 3: Yeah, you know, it's like we all have to gather

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Speaker 3: because it only happens once a year and involves us

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Speaker 3: all because we love you.

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Speaker 1: I think also, what's it also has a thing I

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Speaker 1: love a communal day like in general, and like like

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Speaker 1: for example, like I think the comparison is my parents

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Speaker 1: are not like religious, but like Easter comes and they're like, well,

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Speaker 1: we're celebrating what we're doing something. Yeah, and that's sort

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Speaker 1: of my like religiohip. I think.

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Speaker 3: I also think, like, okay, how do I put this.

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Speaker 3: I think it's like what made Pride so like delicious

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Speaker 3: in the past few years, like maybe before yeah, I

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Speaker 3: think before this year was that it was like it

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Speaker 3: harkened to the time of like a monocultural celebration point

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Speaker 3: which was so rare, and now monoculture is a little

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Speaker 3: bit back, and I think it's making it less like

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Speaker 3: there's less of a craving.

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Speaker 4: It's probably something we're all doing Do.

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Speaker 3: You know what I mean?

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Speaker 2: Well, I actually, you know, the study of whether or

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Speaker 2: not monoculture is back is approximately ninety percent of what

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Speaker 2: both of us think about. So I do need you

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Speaker 2: to make your argument about why you think monocultures.

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Speaker 4: You guys have different opinions about this.

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Speaker 2: I think we have relatively relatively similar opinions about it.

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Speaker 3: I think there have been a few moments within the past,

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Speaker 3: like Barbinheimer nine to twelve months.

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Speaker 4: Yes, starting maybe with Barbenheimer.

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Speaker 3: But Taylor Swift, Taylor Swift, even Espresso then the eclipse, Yeah,

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Speaker 3: even the Olympics coming.

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Speaker 2: This is interesting because we were saying that is actually

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Speaker 2: an example of how monoculture is not back, because can

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Speaker 2: you believe I.

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Speaker 3: Didn't like the feeling of me saying something and you

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Speaker 3: guys both saying non episode.

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Speaker 2: And I really and and by the way, I want

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Speaker 2: to be on your side because no one is a

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Speaker 2: bigger Olympics stand than me. I mean, it is literally

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Speaker 2: my culture, of course. And I we were at a

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Speaker 2: we did our live show in Los Angeles last week's

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Speaker 2: shout out to the two awesome.

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Speaker 1: Yeah, it was really awesome.

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Speaker 4: That's cool.

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Speaker 2: And one of the things we did for our famous

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Speaker 2: segment based on your copy, based on your trademark copyright issue.

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Speaker 2: There yet was the Olympics, and every single person in

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Speaker 2: the room was like wait what. They were like, it's

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Speaker 2: in Paris this year's wait this summer, and we were

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Speaker 2: like I was. I in fact, it was like, yeah,

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Speaker 2: it's starting in like a couple of weeks and people

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Speaker 2: were like, no, I don't.

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Speaker 3: And I was, you know what, that's true, like you

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Speaker 3: are not hearing about the Olympics, and people keeping like.

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Speaker 1: He had no.

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Speaker 5: Idea, like the Oscars, like you know how the Oscars

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Speaker 5: is fully and by the way, the mechalo this year

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Speaker 5: also did not feel monocultural, right.

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Speaker 3: It literally felt like that's I guess what I'm saying

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Speaker 3: about pride.

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Speaker 7: Like you, I'm allowing this, but you're hear me, hear me, no, no, no,

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Speaker 7: hear me, because it's like, because there are other things

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Speaker 7: that are satiating us to all talk to, like our

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Speaker 7: parents and our friends and our teachers, features about the

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Speaker 7: regular things aren't feeling oh like they're making a big splash.

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Speaker 2: So you're saying because of the monocultural impact of espresso,

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Speaker 2: Barbenheimer and the eclipse, the met Gala and the Olympics

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Speaker 2: are less pride, and pride are less monocultural reed.

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Speaker 4: What else a year away?

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Speaker 1: I think this is genius making a lot of you.

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Speaker 1: We are being well fed monoculture wise, exactly, so we

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Speaker 1: don't need to eat well.

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Speaker 2: There's less pressure on pride to be monoculture that's what

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Speaker 2: you're saying. And we can make it our own.

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Speaker 3: Is that not that there's less pressure, just that there's

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Speaker 3: less like we don't need it as bad.

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Speaker 1: It's like when you have a lot of vacation time. Yeah,

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Speaker 1: like you like, if you're like on vacation for a month,

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Speaker 1: you don't need to like party every night. Well, I'm

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Speaker 1: I've got enough time.

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Speaker 4: Exactly. You should talk more about vacation in this shirt.

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Speaker 2: Oh my god, you are so and.

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Speaker 4: Actually kind of white shirt is kind of vacation, that's true.

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Speaker 2: Oh my god.

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Speaker 4: Really, me, I'm in midtown with my shirt.

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Speaker 2: I feel like this is all I feel like.

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Speaker 1: You're brilliant.

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Speaker 2: Okay, Well, you know, my dream, of course, is to

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Speaker 2: be able to be one of those fashionable gay man

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Speaker 2: that is wearing the simplest possible outfit and yet you

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Speaker 2: look like you're in head to toe.

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Speaker 1: You're pretty close to that.

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Speaker 2: I do think I think I maybe need different shoes,

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Speaker 2: but I think like a Crisp Oxford shirt.

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Speaker 4: I think you're like a basic legend.

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Speaker 1: Yeah, I would agree with that.

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Speaker 2: AM like that.

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Speaker 3: You're a basic legend.

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Speaker 1: You're pretty much a basic.

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Speaker 3: Like a splash of water in the face to mean

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Speaker 3: from me, like hello.

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Speaker 2: You, I mean you do have you take fashion risks,

356
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Speaker 2: but when you're at your most blazer, you are basic

357
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Speaker 2: legends exactly.

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Speaker 4: Yeah, I feel really understood right now, not like before.

359
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Speaker 2: How many blazers do you own?

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Speaker 1: You can't just ask someone that.

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Speaker 4: Allow it?

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00:18:36,920 --> 00:18:39,560
Speaker 3: Yeah, five or six?

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Speaker 2: Okay, because I've always wondered, is it that you have

364
00:18:45,040 --> 00:18:47,200
Speaker 2: one and it's your signature or is it that there

365
00:18:47,200 --> 00:18:48,680
Speaker 2: are a few and there there's very subtle.

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Speaker 3: I like to vary it up, but I like to

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Speaker 3: look the same time. I don't want someone to see

368
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Speaker 3: me and say, oh, you know, when you're wearing something

369
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Speaker 3: that you don't normally wear and then people like are

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Speaker 3: complimenting it and you're like.

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Speaker 2: You're you're offending me.

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Speaker 3: Well you I know that what you're feeling is I'm

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Speaker 3: looking different, and so you're saying I like your sweater exactly,

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Speaker 3: I don't like that.

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Speaker 7: No.

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Speaker 2: I actually have reached a point where I think all

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Speaker 2: compliments are insults.

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Speaker 3: They're just notices. It should be you should be able

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Speaker 3: to notice something more easily in our culture.

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Speaker 1: But how much would it hurt for someone to be like, hey,

381
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Speaker 1: are noticing your sweater? No, exactly, that would be miserable,

382
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Speaker 1: Like you're.

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Speaker 4: Wearing a shirt that I'm seeing.

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Speaker 1: It's crazy, I see. I have a different approach obviously

385
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Speaker 1: to what clothes if you want to be a basic legend,

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Speaker 1: I feel like I want to always be like, oh,

387
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Speaker 1: you think I can't do that. I can do that.

388
00:19:44,040 --> 00:19:45,640
Speaker 1: Oh you think I can't Oh I can do that.

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Speaker 3: I really love to be like, don't say to me

390
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Speaker 3: that I can't do that, because.

391
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Speaker 1: I'm doing it right now.

392
00:19:51,160 --> 00:19:56,440
Speaker 2: Well, but you, I mean your entire fashion Uh oh,

393
00:19:57,119 --> 00:20:01,000
Speaker 2: you could hurt your entire fashion. Outlook is basically reclaiming

394
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Speaker 2: various elements of Americana that can be anything from cowboys,

395
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Speaker 2: true the cowboy. It can be schoolboy, it can be

396
00:20:08,840 --> 00:20:14,000
Speaker 2: midwestern dad. It can be like, you know, construction worker.

397
00:20:14,400 --> 00:20:17,320
Speaker 2: But it is various different forms of American masculinity. And

398
00:20:17,359 --> 00:20:18,879
Speaker 2: you're waking up every day and you're saying which of

399
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Speaker 2: them am I going to interrogate?

400
00:20:20,680 --> 00:20:22,840
Speaker 4: No, that's you're our American boy.

401
00:20:23,119 --> 00:20:25,040
Speaker 1: I do love to do that. I can't help it.

402
00:20:25,040 --> 00:20:27,320
Speaker 1: I've gotten so addicted to Western stuff since.

403
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Speaker 2: I mean, Sam was wearing these cowboy boots and he

404
00:20:30,359 --> 00:20:32,480
Speaker 2: told me I bought cowboy boots. Said, right, I believe

405
00:20:32,520 --> 00:20:35,119
Speaker 2: it when I see it. These are like some of

406
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Speaker 2: the best cowboy boots I've ever seen.

407
00:20:37,040 --> 00:20:40,160
Speaker 3: I mean, I would love to see that. I would

408
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Speaker 3: love to see you wearing those.

409
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Speaker 1: I almost wore them to New York, but I said

410
00:20:44,600 --> 00:20:45,919
Speaker 1: that's going to take up so much space.

411
00:20:46,000 --> 00:20:48,159
Speaker 2: Yeah, at that point, you would have to wear them

412
00:20:48,200 --> 00:20:50,879
Speaker 2: on the plane. Suddenly you're the person taking off cowboy boots.

413
00:20:51,480 --> 00:20:53,440
Speaker 2: You're the thing. They're like, is he right wing.

414
00:20:53,840 --> 00:20:57,040
Speaker 1: When you take whenever you take off cowboy boots. Yeah,

415
00:20:57,119 --> 00:21:00,400
Speaker 1: it implies so much because it's really like like I

416
00:21:00,440 --> 00:21:04,479
Speaker 1: was at these like my parents' friend's house, and I

417
00:21:04,560 --> 00:21:08,119
Speaker 1: like took off my cowboy boots and I was immediately like, oh,

418
00:21:08,119 --> 00:21:10,520
Speaker 1: I'm a little boy. Like they think I'm a little boy.

419
00:21:10,520 --> 00:21:12,119
Speaker 1: They think I like got bonked on the head and

420
00:21:12,160 --> 00:21:12,640
Speaker 1: I think I'm.

421
00:21:12,760 --> 00:21:15,439
Speaker 4: In There's like they're just to take them off.

422
00:21:15,280 --> 00:21:18,960
Speaker 2: Like very like yeah, like a cartoon of like short

423
00:21:19,000 --> 00:21:20,720
Speaker 2: man wearing boots and then he takes them off and

424
00:21:20,720 --> 00:21:24,480
Speaker 2: he's cartoonishly shorter. He's like a foot short boots.

425
00:21:24,240 --> 00:21:26,800
Speaker 4: Of course, like it really changes who you are.

426
00:21:26,960 --> 00:21:30,440
Speaker 2: Can I say something about cowboy boots? I actually think

427
00:21:31,320 --> 00:21:35,800
Speaker 2: I do not feel safe enough to reclaim cowboy boots

428
00:21:35,840 --> 00:21:37,679
Speaker 2: in any way, Like to me, they are still a

429
00:21:37,760 --> 00:21:39,320
Speaker 2: symbol of like the George W.

430
00:21:39,400 --> 00:21:42,320
Speaker 3: Bush E finished, well, that's exactly what Sam's fashion like.

431
00:21:42,520 --> 00:21:42,679
Speaker 3: M O.

432
00:21:42,880 --> 00:21:46,480
Speaker 2: Yes, because you were saying I can't do that, Oh

433
00:21:46,520 --> 00:21:47,760
Speaker 2: I could do that.

434
00:21:47,960 --> 00:21:51,240
Speaker 1: Yeah, Yeah, that's sometimes at backfires. But every once in

435
00:21:51,280 --> 00:21:53,400
Speaker 1: a while you think I.

436
00:21:53,320 --> 00:21:53,800
Speaker 2: Can do that.

437
00:21:54,720 --> 00:21:56,160
Speaker 3: I can do that.

438
00:21:56,160 --> 00:21:58,359
Speaker 2: That should be the title of your memoir. Do you

439
00:21:58,400 --> 00:22:00,880
Speaker 2: think I can't do that? Question? Mark, I do that period.

440
00:22:02,440 --> 00:22:05,520
Speaker 3: The feeling that I'm having saying those words is like

441
00:22:05,880 --> 00:22:06,960
Speaker 3: eating a candy.

442
00:22:07,040 --> 00:22:09,480
Speaker 2: Yeah.

443
00:22:07,880 --> 00:22:12,679
Speaker 1: I had another thing recently that I didn't think was weird.

444
00:22:13,440 --> 00:22:17,879
Speaker 1: I was eating with Claire Ocaine recently and I was like,

445
00:22:17,960 --> 00:22:21,360
Speaker 1: I'll have a cold brew and Claire was like, oh,

446
00:22:21,480 --> 00:22:23,520
Speaker 1: I don't see coldbrew on the menu, and I was like,

447
00:22:24,080 --> 00:22:30,560
Speaker 1: I didn't see it anyway, I just said it. She

448
00:22:30,760 --> 00:22:32,920
Speaker 1: was like, that's so crazy, and I was like, that's

449
00:22:33,000 --> 00:22:35,639
Speaker 1: not crazy. It's a restaurant. I'm sure they'll have it.

450
00:22:36,359 --> 00:22:37,560
Speaker 4: Did they They did?

451
00:22:37,800 --> 00:22:38,199
Speaker 3: Of course.

452
00:22:38,880 --> 00:22:41,240
Speaker 2: Do you ever order off menu at restaurants?

453
00:22:42,000 --> 00:22:42,680
Speaker 3: Of course not.

454
00:22:43,000 --> 00:22:46,960
Speaker 2: No, I would. I would rather literally like rip out

455
00:22:46,960 --> 00:22:49,800
Speaker 2: my shirt and perform a Satanic ritual in the middle

456
00:22:49,920 --> 00:22:52,959
Speaker 2: of La Cirque than order than be like, can I

457
00:22:53,040 --> 00:22:56,520
Speaker 2: just have two sliced tomatoes with some ev on top?

458
00:22:56,680 --> 00:22:56,840
Speaker 6: Oh?

459
00:22:56,960 --> 00:22:59,200
Speaker 1: No, for food, I would never ever for.

460
00:22:59,200 --> 00:23:01,920
Speaker 4: Drinks something people that do don't try to be with us.

461
00:23:04,160 --> 00:23:05,399
Speaker 3: If you're with us, you're with us.

462
00:23:05,440 --> 00:23:06,960
Speaker 4: But if you're not, it's okay.

463
00:23:06,960 --> 00:23:09,960
Speaker 2: This is actually but I do agree that for drinks,

464
00:23:10,000 --> 00:23:11,760
Speaker 2: I'm like, if there's a bar, you should be able

465
00:23:11,760 --> 00:23:13,919
Speaker 2: to make anything I asked for. I am not looking

466
00:23:13,960 --> 00:23:20,040
Speaker 2: at To me, there's no there's no bigger defeat than

467
00:23:20,560 --> 00:23:23,760
Speaker 2: looking at a cocktail menu. Like, have a sense of

468
00:23:23,840 --> 00:23:27,720
Speaker 2: self and know what you want and trust your gut. Yeah,

469
00:23:27,920 --> 00:23:32,600
Speaker 2: do not order the you know red hot fire emoji.

470
00:23:32,640 --> 00:23:34,240
Speaker 1: You know what I wish? Actually, I wish they would

471
00:23:34,240 --> 00:23:36,159
Speaker 1: hand you the like and here's our cocktail menu and

472
00:23:36,200 --> 00:23:38,040
Speaker 1: have some amazing options. You open it and just as

473
00:23:38,119 --> 00:23:42,320
Speaker 1: like lauram if some lam like I get that they

474
00:23:42,320 --> 00:23:43,760
Speaker 1: want to hand you something, but it's sort of like

475
00:23:43,840 --> 00:23:45,120
Speaker 1: what your best Yeah.

476
00:23:45,720 --> 00:23:47,840
Speaker 2: No they should. Next time they hand me one, I'm

477
00:23:47,880 --> 00:23:51,240
Speaker 2: gonna rip rip it into tiny faces of throwing out.

478
00:23:51,240 --> 00:23:52,040
Speaker 3: And that's a polite thing.

479
00:23:52,080 --> 00:23:53,879
Speaker 2: That's a polite thing to do. That's what they do

480
00:23:53,880 --> 00:23:57,159
Speaker 2: in friends. Yes, Oh my god, what is it?

481
00:23:57,200 --> 00:23:58,560
Speaker 4: What is it again? I didn't see it.

482
00:23:58,600 --> 00:23:59,399
Speaker 2: I just I didn't see it.

483
00:23:59,400 --> 00:24:01,040
Speaker 4: I just had some amazing Sam.

484
00:24:01,280 --> 00:24:02,359
Speaker 2: That's another great title.

485
00:24:02,640 --> 00:24:06,159
Speaker 1: Yeah, that one. Really, I was like, and sometimes you know,

486
00:24:06,160 --> 00:24:09,280
Speaker 1: when you're reflected back, you're like, whoa. I didn't realize.

487
00:24:09,359 --> 00:24:11,240
Speaker 4: It's kind of the origin of you think I can't

488
00:24:11,280 --> 00:24:11,520
Speaker 4: do that.

489
00:24:11,920 --> 00:24:12,520
Speaker 2: I can do that.

490
00:24:16,960 --> 00:24:17,600
Speaker 1: Wow?

491
00:24:19,320 --> 00:24:21,480
Speaker 2: Should we do our first segment? I almost want to

492
00:24:21,480 --> 00:24:22,439
Speaker 2: just get it out of the way so we can

493
00:24:22,560 --> 00:24:23,200
Speaker 2: get into the meet.

494
00:24:23,960 --> 00:24:25,000
Speaker 4: What are the segments again?

495
00:24:25,040 --> 00:24:28,160
Speaker 1: I wonder you're about to find out? Well, this one,

496
00:24:28,280 --> 00:24:30,600
Speaker 1: since we're doing this is a very special Pride episode

497
00:24:30,920 --> 00:24:35,520
Speaker 1: Stadio Lab. So we're going to do our famous Gatya

498
00:24:35,600 --> 00:24:36,920
Speaker 1: Lab segment Gay Shooters.

499
00:24:38,119 --> 00:24:40,800
Speaker 2: Oh yes, oh right, yeah, so it's.

500
00:24:40,640 --> 00:24:42,399
Speaker 1: A little bit different. It's a twist on the famous

501
00:24:42,440 --> 00:24:43,400
Speaker 1: segment straight Shooters.

502
00:24:43,640 --> 00:24:46,960
Speaker 2: Of course, By the way, I knew that the entire

503
00:24:47,000 --> 00:24:49,360
Speaker 2: time and wrote those. I wrote mine with that in mind.

504
00:24:49,400 --> 00:24:51,760
Speaker 1: Of course, of course I knew that as well.

505
00:24:52,880 --> 00:24:55,680
Speaker 4: I'm so proud of you guys. I've done so many episodes.

506
00:24:55,800 --> 00:24:59,520
Speaker 2: We actually have done Infinity episodes. We just were the

507
00:24:59,560 --> 00:25:01,399
Speaker 2: first five have to do Infinity episode.

508
00:25:01,600 --> 00:25:04,119
Speaker 1: It actually is kind of crazy because in my mind,

509
00:25:04,160 --> 00:25:07,080
Speaker 1: I'm still like we're just getting started. It's like you've

510
00:25:07,119 --> 00:25:09,520
Speaker 1: done this since it's been like four years.

511
00:25:09,600 --> 00:25:11,160
Speaker 4: Yes, I was on I think in twenty.

512
00:25:11,600 --> 00:25:14,159
Speaker 1: Four you are on pre pandemic.

513
00:25:14,640 --> 00:25:16,280
Speaker 2: Yes, yeah, you were on pre Pandemic.

514
00:25:16,400 --> 00:25:18,720
Speaker 3: And I was thinking on my commute over here that

515
00:25:18,800 --> 00:25:22,280
Speaker 3: I remember the commute to the first episode being very long.

516
00:25:22,840 --> 00:25:26,800
Speaker 4: It was like and once again took me kind of

517
00:25:26,840 --> 00:25:27,600
Speaker 4: a bit to get here.

518
00:25:28,160 --> 00:25:31,840
Speaker 2: Respect, I mean, to go from Bushwick to Midtown is

519
00:25:31,880 --> 00:25:33,679
Speaker 2: the ultimate hero's journey?

520
00:25:33,880 --> 00:25:36,919
Speaker 3: Well well, I mean that was there, honey, that was

521
00:25:37,080 --> 00:25:39,440
Speaker 3: there's lights in this room.

522
00:25:39,640 --> 00:25:45,679
Speaker 2: Yeah, blinding. Well yes, well, well, you have.

523
00:25:45,720 --> 00:25:49,400
Speaker 3: Done so many episodes, and I just am proud, Like legit,

524
00:25:49,920 --> 00:25:51,520
Speaker 3: I was looking at the episodes and I was like,

525
00:25:51,560 --> 00:25:57,000
Speaker 3: they have truly done so many since I was here, many,

526
00:25:57,280 --> 00:25:59,320
Speaker 3: so so many, and even trying to come up with

527
00:25:59,359 --> 00:26:02,560
Speaker 3: a topic. One could say it was impossible, yeah, which

528
00:26:02,640 --> 00:26:03,560
Speaker 3: kind of brought me to my.

529
00:26:03,760 --> 00:26:07,399
Speaker 2: Well, I will say, you're I respect that it was impossible. Course,

530
00:26:07,520 --> 00:26:09,600
Speaker 2: I respect it was impossible, but you are, in fact,

531
00:26:09,720 --> 00:26:12,520
Speaker 2: only the second guest to ever do a gay topical rights.

532
00:26:13,080 --> 00:26:15,560
Speaker 3: I wasn't really thinking that.

533
00:26:15,760 --> 00:26:18,240
Speaker 4: I was more going, what should I talk about?

534
00:26:18,320 --> 00:26:19,160
Speaker 3: Even one thing?

535
00:26:19,480 --> 00:26:22,240
Speaker 4: Yeah, totally, that's actually we'll get into it.

536
00:26:22,359 --> 00:26:22,600
Speaker 2: Well.

537
00:26:22,640 --> 00:26:25,119
Speaker 1: I also do want to say a little bit. You know,

538
00:26:25,160 --> 00:26:28,080
Speaker 1: I appreciate you saying you're proud of us. There's something

539
00:26:28,240 --> 00:26:30,840
Speaker 1: about saying for doing so many episodes that sounds a

540
00:26:30,840 --> 00:26:32,320
Speaker 1: little bit like I'm noticing your shirt.

541
00:26:33,119 --> 00:26:36,720
Speaker 2: Yeah, I do think it's sort of there. There's been

542
00:26:36,800 --> 00:26:37,720
Speaker 2: no value.

543
00:26:37,480 --> 00:26:40,960
Speaker 4: Judgment, So you're, like I said, a long time.

544
00:26:40,760 --> 00:26:44,200
Speaker 1: But yeah, there's just a lot of episodes and the

545
00:26:44,240 --> 00:26:47,280
Speaker 1: amount of time that has been spent on this.

546
00:26:47,440 --> 00:26:48,639
Speaker 3: Okay, let me try again.

547
00:26:49,000 --> 00:26:51,600
Speaker 2: No, No, I think you said enough, and I think

548
00:26:51,600 --> 00:26:53,320
Speaker 2: it's time to do our first segment, Gay Show.

549
00:26:53,400 --> 00:26:54,200
Speaker 4: I think we should go.

550
00:27:05,760 --> 00:27:08,359
Speaker 2: So so l's in this segment, we test your familiarity

551
00:27:08,400 --> 00:27:11,720
Speaker 2: with and complicity in gay culture by asking you a

552
00:27:11,760 --> 00:27:13,760
Speaker 2: series of rapid fire questions where you have to choose

553
00:27:13,760 --> 00:27:15,960
Speaker 2: this thing or this other thing, Sam take it away.

554
00:27:15,840 --> 00:27:21,520
Speaker 1: Okay, Neil Patrick Harris or Michael Patrick King Neil.

555
00:27:22,040 --> 00:27:25,680
Speaker 2: Guilty on thirty four counts or milking an herbivore cow.

556
00:27:27,320 --> 00:27:31,240
Speaker 1: Cow okay, the mark of the beast or the mark

557
00:27:31,280 --> 00:27:33,639
Speaker 1: that you met at the feast, the.

558
00:27:33,520 --> 00:27:35,440
Speaker 3: Mark that you met at the feast.

559
00:27:35,920 --> 00:27:38,600
Speaker 2: Mean girls or bean dip.

560
00:27:39,280 --> 00:27:42,000
Speaker 4: Fian dip obviously.

561
00:27:42,600 --> 00:27:45,440
Speaker 1: Having a rich cultural heritage or having a rich father

562
00:27:45,560 --> 00:27:46,320
Speaker 1: doesn't give a shit.

563
00:27:46,520 --> 00:27:49,840
Speaker 3: Oh damn that this segment has changed since I was here.

564
00:27:50,400 --> 00:27:55,440
Speaker 2: No, no, it's I do remember in the beginning we

565
00:27:55,480 --> 00:27:57,919
Speaker 2: would do like maybe one silly one, but then the

566
00:27:57,960 --> 00:28:00,840
Speaker 2: rest would literally be like blue or black, right right,

567
00:28:01,280 --> 00:28:01,840
Speaker 2: whereas now.

568
00:28:03,040 --> 00:28:05,080
Speaker 3: Is a like gorgeous like wordplay.

569
00:28:05,200 --> 00:28:07,760
Speaker 2: Well, we've you know, we've put it on a lot

570
00:28:07,800 --> 00:28:10,960
Speaker 2: of top ten thousand hours.

571
00:28:09,520 --> 00:28:12,960
Speaker 3: Yeah, Malcolm, can I get can I get yours again too?

572
00:28:13,760 --> 00:28:16,600
Speaker 1: Yeah? It was having a rich cultural heritage or having

573
00:28:16,640 --> 00:28:18,080
Speaker 1: a rich father doesn't give a ship.

574
00:28:18,960 --> 00:28:20,399
Speaker 4: Rich father who doesn't give a ship?

575
00:28:20,480 --> 00:28:20,960
Speaker 1: Totally.

576
00:28:21,080 --> 00:28:24,840
Speaker 2: The Pope is homophobic or I hope it isn't COVID

577
00:28:25,600 --> 00:28:26,080
Speaker 2: the pope.

578
00:28:27,920 --> 00:28:30,480
Speaker 1: Okay, praying to God or blowing your wad.

579
00:28:31,080 --> 00:28:36,120
Speaker 2: Oh that's good. Praying to God Caviatelly with broccoli, rob

580
00:28:36,160 --> 00:28:39,320
Speaker 2: and sausage, or Donna Tella Versace is a boss bitch.

581
00:28:40,680 --> 00:28:41,440
Speaker 3: Is a boss bitch?

582
00:28:42,080 --> 00:28:42,560
Speaker 1: Wow?

583
00:28:42,720 --> 00:28:43,560
Speaker 4: That was really good.

584
00:28:43,880 --> 00:28:48,200
Speaker 1: No, that was amazing. What do you think sleast got?

585
00:28:48,760 --> 00:28:51,600
Speaker 2: Well, I'm trying, I was trying to remember. Do we,

586
00:28:51,920 --> 00:28:55,840
Speaker 2: for Gatio lab change the meter from zero to one

587
00:28:55,840 --> 00:28:59,160
Speaker 2: thousand doves to something else? Maybe we go zero to

588
00:28:59,800 --> 00:29:08,280
Speaker 2: negative one thousand, you know, buttholes and and kind of

589
00:29:08,320 --> 00:29:11,000
Speaker 2: go into a more queer art of failure. So the

590
00:29:11,240 --> 00:29:14,880
Speaker 2: less the less of a oh or you have, the

591
00:29:14,880 --> 00:29:17,880
Speaker 2: lower score you have, the better you did wow, or

592
00:29:17,920 --> 00:29:20,840
Speaker 2: something along those lines. Sure, well in that case, in

593
00:29:20,880 --> 00:29:29,120
Speaker 2: that case, I think you got negative nine hundred twenty

594
00:29:29,440 --> 00:29:34,400
Speaker 2: seven butttholes out of how many? Again, negative one thousand?

595
00:29:34,800 --> 00:29:36,120
Speaker 2: Pretty good, pretty.

596
00:29:35,800 --> 00:29:36,720
Speaker 1: Good, pretty deep.

597
00:29:39,600 --> 00:29:42,080
Speaker 4: This podcast has really changed since I was last year.

598
00:29:42,120 --> 00:29:43,600
Speaker 1: What are the changes? Yeah, what are the changes?

599
00:29:43,600 --> 00:29:44,840
Speaker 3: You're not remember a score?

600
00:29:44,880 --> 00:29:45,800
Speaker 2: I mean obviously you.

601
00:29:45,760 --> 00:29:46,840
Speaker 1: Don't remember the scoresman.

602
00:29:46,880 --> 00:29:50,320
Speaker 2: No, No, no, first step, we came up with the

603
00:29:50,360 --> 00:29:53,600
Speaker 2: score like sort of as we went. Certainly the score

604
00:29:53,760 --> 00:29:58,680
Speaker 2: was you know, canonized by the time you did your

605
00:29:58,680 --> 00:30:01,160
Speaker 2: second appearance, but not when you recorded.

606
00:30:01,200 --> 00:30:03,200
Speaker 1: Because CHROMATICA hadn't come out yet exactly.

607
00:30:03,600 --> 00:30:05,520
Speaker 2: It's it's zero to one thousand doves normally.

608
00:30:06,200 --> 00:30:07,920
Speaker 4: Do you believe I was on post.

609
00:30:08,440 --> 00:30:11,520
Speaker 2: Chromatic, one of the rare dramatic agains.

610
00:30:12,680 --> 00:30:15,080
Speaker 1: I mean that is wild actually.

611
00:30:14,800 --> 00:30:15,320
Speaker 4: And you were.

612
00:30:16,160 --> 00:30:19,560
Speaker 2: Yeah, first live show we ever did issue there yet?

613
00:30:20,200 --> 00:30:20,480
Speaker 3: Right?

614
00:30:21,920 --> 00:30:24,600
Speaker 1: Wow, how have you changed?

615
00:30:24,880 --> 00:30:27,280
Speaker 2: Yeah? How have you changed? You look really different.

616
00:30:27,600 --> 00:30:29,440
Speaker 1: Yeah, a lot of work done.

617
00:30:29,560 --> 00:30:30,920
Speaker 4: Huh yeah, just my nose.

618
00:30:31,960 --> 00:30:35,400
Speaker 2: I think you got a nose inserted the back of

619
00:30:35,440 --> 00:30:38,640
Speaker 2: your before you before your face was flat.

620
00:30:40,640 --> 00:30:41,880
Speaker 3: I have been on the front of the back.

621
00:30:44,680 --> 00:30:46,720
Speaker 4: We should do more characters, I agree.

622
00:30:47,320 --> 00:30:54,040
Speaker 1: Now, what would your debut character be, mister Gringer? I

623
00:30:54,160 --> 00:30:54,640
Speaker 1: love that one.

624
00:30:54,680 --> 00:30:57,360
Speaker 2: That's one of your classic characters. Yeah, what got me?

625
00:30:58,200 --> 00:31:01,400
Speaker 2: Yeah exactly, they said, great character, We're going to make

626
00:31:01,400 --> 00:31:01,840
Speaker 2: them a writer.

627
00:31:04,120 --> 00:31:07,680
Speaker 4: You've shown that you can do development and premise work

628
00:31:07,920 --> 00:31:08,480
Speaker 4: really well.

629
00:31:08,760 --> 00:31:12,440
Speaker 1: Yeah, that's what matters in this industry, in this town,

630
00:31:12,560 --> 00:31:13,400
Speaker 1: in this town.

631
00:31:13,320 --> 00:31:14,960
Speaker 4: This towndging over the mics.

632
00:31:16,120 --> 00:31:17,800
Speaker 1: So that was card.

633
00:31:19,360 --> 00:31:22,560
Speaker 4: That's part of mister binger Beans get into it.

634
00:31:23,720 --> 00:31:24,880
Speaker 2: Bringer Beans is the.

635
00:31:24,920 --> 00:31:29,840
Speaker 3: Name careful making fun of me because recurring segments for

636
00:31:29,920 --> 00:31:32,840
Speaker 3: the whole for the rest of the time describe.

637
00:31:32,560 --> 00:31:35,040
Speaker 2: What are mister gringer Beans qualities.

638
00:31:36,000 --> 00:31:38,360
Speaker 3: I guess the way I came up with it was

639
00:31:38,400 --> 00:31:42,120
Speaker 3: I couldn't think of one single word or last that's

640
00:31:42,160 --> 00:31:44,160
Speaker 3: part of his story. I know.

641
00:31:44,360 --> 00:31:46,560
Speaker 2: Well, anyone watching it home, you sort of did an

642
00:31:46,600 --> 00:31:51,040
Speaker 2: exaggerated uh scratch, face scratch. So maybe part of mister

643
00:31:51,080 --> 00:31:54,680
Speaker 2: gringer Bean is like little what do keep going? The

644
00:31:54,880 --> 00:32:00,000
Speaker 2: little these little things everyone does, uh little jager Okay, yeah,

645
00:32:00,240 --> 00:32:07,040
Speaker 2: little dressures, crossing your legs, clapping, snapping your fingers exactly.

646
00:32:08,400 --> 00:32:10,800
Speaker 2: It is someone who in all other ways is normal,

647
00:32:10,880 --> 00:32:11,880
Speaker 2: has clipped this.

648
00:32:11,920 --> 00:32:14,120
Speaker 1: By the way, no, this is a clip. This is

649
00:32:14,160 --> 00:32:15,120
Speaker 1: the clip that's going virul.

650
00:32:15,720 --> 00:32:17,760
Speaker 2: Don't say don't clip this. We're in the middle of clipping.

651
00:32:19,120 --> 00:32:20,280
Speaker 1: This is currently on Instagram.

652
00:32:20,280 --> 00:32:22,680
Speaker 4: So that's why I'm saying it. I want That's what

653
00:32:22,800 --> 00:32:23,200
Speaker 4: I'm saying.

654
00:32:24,720 --> 00:32:25,160
Speaker 1: We need.

655
00:32:25,720 --> 00:32:28,200
Speaker 2: I want people to do front facing camera work where

656
00:32:28,240 --> 00:32:31,000
Speaker 2: they do their impression mister gringer Beans. And here it is.

657
00:32:31,160 --> 00:32:33,640
Speaker 2: It is someone living their normal life and then they

658
00:32:33,640 --> 00:32:36,920
Speaker 2: have to make some small gesture and exaggerated cartoonishly to

659
00:32:36,960 --> 00:32:38,720
Speaker 2: the point we're it's so funny.

660
00:32:38,800 --> 00:32:44,320
Speaker 1: Okay, So this is mister gringer Beans when he wants

661
00:32:44,360 --> 00:32:46,360
Speaker 1: you to like Uh, you said something, but it was

662
00:32:46,360 --> 00:32:47,160
Speaker 1: a little too quiet.

663
00:32:50,160 --> 00:32:54,400
Speaker 2: This is mister gringer Beans where he's in a panel discussion, uh,

664
00:32:55,120 --> 00:32:58,560
Speaker 2: post film screening, and he just is going to cross

665
00:32:58,600 --> 00:33:04,440
Speaker 2: his legs and so then I thought, whoa.

666
00:33:06,120 --> 00:33:14,800
Speaker 1: Damn go with? That shows whole means is Yeah, I

667
00:33:14,840 --> 00:33:15,840
Speaker 1: had no idea.

668
00:33:17,240 --> 00:33:18,920
Speaker 2: No, I didn't know that that makes such an impact.

669
00:33:19,080 --> 00:33:19,760
Speaker 4: It was really good.

670
00:33:19,880 --> 00:33:22,920
Speaker 1: Yeah, mister well, this is another element of mister ginger Beans.

671
00:33:23,080 --> 00:33:24,560
Speaker 1: He has a really active sex. Yo.

672
00:33:25,160 --> 00:33:27,120
Speaker 2: Well yes, can you imagine how yes sex? Are you

673
00:33:27,160 --> 00:33:27,640
Speaker 2: kidding me?

674
00:33:27,720 --> 00:33:27,920
Speaker 3: Oh?

675
00:33:27,960 --> 00:33:30,160
Speaker 1: It's wilde.

676
00:33:31,400 --> 00:33:36,440
Speaker 2: His arms and legs are not. Okay, so less it's

677
00:33:36,480 --> 00:33:38,880
Speaker 2: your turn for clipping this.

678
00:33:38,880 --> 00:33:42,200
Speaker 3: This is mister gringer Beans when a little bit of

679
00:33:42,240 --> 00:33:44,840
Speaker 3: hair is bothering him on his face.

680
00:33:50,080 --> 00:33:54,480
Speaker 2: That's good, this is good, amazing. Yeah, it's so sad

681
00:33:54,480 --> 00:33:54,680
Speaker 2: that I.

682
00:33:57,240 --> 00:34:00,160
Speaker 3: Know, I trust that you would be seeing mister beans up.

683
00:34:00,200 --> 00:34:02,120
Speaker 4: They played by bowing huge.

684
00:34:04,160 --> 00:34:06,479
Speaker 1: Do you guys remember that show? Was it like the

685
00:34:06,520 --> 00:34:10,520
Speaker 1: Fossy Show with William Yes? Yes, when she did mister

686
00:34:10,560 --> 00:34:13,319
Speaker 1: ginger Beans. Wait, yes, that's where she goes.

687
00:34:17,000 --> 00:34:19,200
Speaker 2: You know who else is so mister gringer Beans. Carrie

688
00:34:19,239 --> 00:34:22,960
Speaker 2: Bradshaw sometimes like Carrie Brad Bradshaw. Literally just walking on

689
00:34:23,000 --> 00:34:30,880
Speaker 2: the street and she's like Carrie knocking on the restaurant.

690
00:34:35,320 --> 00:34:36,000
Speaker 2: You don't get.

691
00:34:36,080 --> 00:34:43,360
Speaker 4: It's like she's like full Marionette.

692
00:34:44,200 --> 00:34:47,719
Speaker 3: Literally, the first married limb is connected with the string.

693
00:34:47,680 --> 00:34:49,920
Speaker 2: Woman Marionette, who's the star up her own show.

694
00:34:50,360 --> 00:34:52,879
Speaker 1: This is crazy. What's weird about this is that from

695
00:34:52,880 --> 00:34:55,880
Speaker 1: now on, whenever someone's like being a little overly expressive,

696
00:34:55,920 --> 00:34:57,520
Speaker 1: I'll refer to it as being a little mister g.

697
00:35:02,040 --> 00:35:04,640
Speaker 2: Even and like, you know, in theater or in film,

698
00:35:04,640 --> 00:35:07,640
Speaker 2: like when a performance is so mister Gringer Beans. Yeah,

699
00:35:07,800 --> 00:35:12,400
Speaker 2: you know who's so mister Ginger Beans, Thurman and you

700
00:35:12,400 --> 00:35:13,640
Speaker 2: know who else? Kerry Washington.

701
00:35:14,200 --> 00:35:14,880
Speaker 1: Oh, totally.

702
00:35:15,080 --> 00:35:17,719
Speaker 3: I try to think of one.

703
00:35:20,800 --> 00:35:22,600
Speaker 2: I think the most obvious one is Nicholas Cage.

704
00:35:22,600 --> 00:35:25,640
Speaker 3: I think, Nicholas, there's so many coming to you.

705
00:35:25,640 --> 00:35:29,600
Speaker 1: You're really good at this. Hmm.

706
00:35:32,640 --> 00:35:34,759
Speaker 2: You think, is beans.

707
00:35:36,320 --> 00:35:40,960
Speaker 4: Beans my thing?

708
00:35:42,680 --> 00:35:46,720
Speaker 2: I do not, Wait, I think, to me, is almost

709
00:35:46,760 --> 00:35:49,719
Speaker 2: could use a little more Grainger Beans. No offense, of course, no.

710
00:35:49,880 --> 00:35:50,719
Speaker 2: I said that as a fan.

711
00:35:51,040 --> 00:35:51,799
Speaker 1: I'm a huge fan.

712
00:35:51,880 --> 00:35:53,719
Speaker 2: I think if mister Gringer Beans gave her a little

713
00:35:53,760 --> 00:35:56,000
Speaker 2: training and said, you know, maybe in moments of real

714
00:35:56,080 --> 00:35:59,520
Speaker 2: dramatic tension. Let's go a little more gringer beans.

715
00:36:00,200 --> 00:36:05,000
Speaker 3: Yeah too, scared of a clip to say more about Okay, yeah, okay,

716
00:36:05,880 --> 00:36:06,520
Speaker 3: but DM me.

717
00:36:08,760 --> 00:36:10,840
Speaker 1: Why ginger beans?

718
00:36:13,680 --> 00:36:16,080
Speaker 4: I decide beans is there?

719
00:36:16,480 --> 00:36:19,680
Speaker 2: That's yes, and that's the one at It's like there's

720
00:36:19,719 --> 00:36:21,640
Speaker 2: a definition of gringer beans, but then it's also and

721
00:36:21,680 --> 00:36:22,560
Speaker 2: also whatever.

722
00:36:22,320 --> 00:36:25,719
Speaker 1: So that yeah, yeah, I can't think of a single

723
00:36:25,760 --> 00:36:31,879
Speaker 1: actor Trump Trump, I can't believe if.

724
00:36:31,960 --> 00:36:34,200
Speaker 2: Sorry, you guys are having a lot of difficulty.

725
00:36:33,760 --> 00:36:35,880
Speaker 4: Coming up, noans scholar.

726
00:36:36,120 --> 00:36:36,480
Speaker 5: The thing.

727
00:36:36,960 --> 00:36:39,399
Speaker 1: The thing is, I'm so this is something I need

728
00:36:39,400 --> 00:36:42,400
Speaker 1: to like work on with a therapist, is trying to

729
00:36:42,440 --> 00:36:46,000
Speaker 1: recall any single actor. Because as soon as someone's like,

730
00:36:46,040 --> 00:36:49,920
Speaker 1: what actor could do this, I'm like, I'm very like

731
00:36:49,960 --> 00:36:52,319
Speaker 1: I didn't do the reading, like I know actors. But

732
00:36:52,400 --> 00:36:54,640
Speaker 1: for some reason, as soon as someone is like, well

733
00:36:54,719 --> 00:36:58,359
Speaker 1: name one, I'm like, mister greener beans.

734
00:37:00,560 --> 00:37:01,439
Speaker 4: What are you trying to say?

735
00:37:01,560 --> 00:37:04,759
Speaker 1: But that's like, no, I know that you wrote that

736
00:37:04,880 --> 00:37:05,960
Speaker 1: like over months, like.

737
00:37:05,920 --> 00:37:07,600
Speaker 2: I know that that was what you wrote it for

738
00:37:07,880 --> 00:37:10,360
Speaker 2: everyone when you did the packet to do this show.

739
00:37:10,880 --> 00:37:14,120
Speaker 4: That was what I'm actually obliged to bring it up.

740
00:37:16,440 --> 00:37:19,160
Speaker 2: Well, okay, I got I would love to get into

741
00:37:19,160 --> 00:37:22,240
Speaker 2: the gay topic. Yeah, celebration of pride.

742
00:37:22,360 --> 00:37:23,640
Speaker 1: Yeah, I think that would be amazing.

743
00:37:23,719 --> 00:37:26,000
Speaker 2: I mean, I hate to there is a part of

744
00:37:26,000 --> 00:37:28,080
Speaker 2: me that wants to keep talking about mister greener beans

745
00:37:28,080 --> 00:37:29,360
Speaker 2: because I kind of want him to have like a

746
00:37:29,360 --> 00:37:31,239
Speaker 2: specific look so that people can dresses.

747
00:37:31,040 --> 00:37:33,400
Speaker 4: Him for hell of course, but we come back, we can.

748
00:37:33,239 --> 00:37:34,480
Speaker 2: Come back to it. We can come back to it.

749
00:37:35,080 --> 00:37:38,680
Speaker 2: And actually, maybe his look can't even incorporated topic.

750
00:37:39,520 --> 00:37:40,120
Speaker 3: I bet it.

751
00:37:40,160 --> 00:37:44,040
Speaker 2: Well, what is your gay topic that you brought today?

752
00:37:44,080 --> 00:37:47,080
Speaker 2: And maybe a little on what makes it gay for you?

753
00:37:47,160 --> 00:37:49,879
Speaker 4: Of course, so I know it's pride at the time

754
00:37:49,880 --> 00:37:50,279
Speaker 4: of listening.

755
00:37:50,400 --> 00:37:52,920
Speaker 2: Needless to say, it's pride.

756
00:37:54,600 --> 00:37:58,360
Speaker 3: And I know that a lot of podcast guests for

757
00:37:58,440 --> 00:38:02,839
Speaker 3: the gay episode of Stradio Lab, they would bring in poppers,

758
00:38:03,640 --> 00:38:11,840
Speaker 3: they would bring in loud music, sex, sure, dinner parties

759
00:38:14,960 --> 00:38:21,120
Speaker 3: x jealousy. Oh yeah, I thought, I'm not going to

760
00:38:21,200 --> 00:38:25,200
Speaker 3: do that. I'm going to dig deep and I'm going

761
00:38:25,280 --> 00:38:27,239
Speaker 3: to definitely not just be trying to think of one

762
00:38:27,239 --> 00:38:31,000
Speaker 3: single topic to talk about. I am going to bring

763
00:38:31,040 --> 00:38:35,520
Speaker 3: in something that I think, much like many other topics

764
00:38:35,520 --> 00:38:38,640
Speaker 3: on the podcast, are unexpected for the task.

765
00:38:40,960 --> 00:38:44,320
Speaker 1: I just think it's important to let them cook. Just

766
00:38:44,520 --> 00:38:45,480
Speaker 1: it feels like they're stalling.

767
00:38:45,520 --> 00:38:47,160
Speaker 4: Remember when I brought in mister ginger.

768
00:38:46,920 --> 00:38:52,440
Speaker 2: Beans, that brought you and you're gonna saying along.

769
00:38:53,520 --> 00:38:55,960
Speaker 1: It just feels like you're like waiting for like maybe

770
00:38:56,040 --> 00:38:57,439
Speaker 1: to run out the clock, Like.

771
00:38:57,400 --> 00:38:59,839
Speaker 4: Maybe like if I keep on long enough, I can

772
00:38:59,880 --> 00:39:00,279
Speaker 4: just leave.

773
00:39:00,400 --> 00:39:03,279
Speaker 1: Yeah, because George has a hard out if I remember correctly, so.

774
00:39:03,360 --> 00:39:06,200
Speaker 3: Does My topic is umbrella?

775
00:39:06,360 --> 00:39:10,880
Speaker 2: Okay, so tell us why you think that's gay.

776
00:39:11,400 --> 00:39:14,680
Speaker 3: Umbrellas are made for.

777
00:39:14,640 --> 00:39:15,400
Speaker 4: When it's writing.

778
00:39:15,920 --> 00:39:17,120
Speaker 2: Well, that is true, so.

779
00:39:17,120 --> 00:39:18,120
Speaker 4: They're already special.

780
00:39:19,960 --> 00:39:27,399
Speaker 3: They are made for a a type of day yeah

781
00:39:27,719 --> 00:39:34,320
Speaker 3: that actually in most cases comes with whens, comes with lightning.

782
00:39:36,080 --> 00:39:42,600
Speaker 3: And these are impossible circumstances for an umbrella to work within.

783
00:39:43,719 --> 00:39:45,600
Speaker 1: Yes, yes, umbrellas are lying to them.

784
00:39:47,400 --> 00:39:53,080
Speaker 3: Like so yes, leads me to believe that umbrellas are

785
00:39:53,120 --> 00:39:59,359
Speaker 3: are not here for what they're stated to be here for. Yes,

786
00:39:59,640 --> 00:40:01,560
Speaker 3: and they're are actually here to look gorgeous.

787
00:40:02,719 --> 00:40:09,640
Speaker 2: Oh so in the umbrella metaphor, Okay, in the umbrella metaphor,

788
00:40:09,719 --> 00:40:14,560
Speaker 2: what they're here for is like to have a nuclear family,

789
00:40:14,719 --> 00:40:19,520
Speaker 2: to get married, to have procreative sex. But instead they're like, actually,

790
00:40:19,560 --> 00:40:20,320
Speaker 2: watch me twirl.

791
00:40:21,440 --> 00:40:23,799
Speaker 4: Actually you don't think I can do that.

792
00:40:24,719 --> 00:40:27,640
Speaker 2: I can do that? How interesting?

793
00:40:28,000 --> 00:40:29,359
Speaker 1: Is so interest love that?

794
00:40:29,640 --> 00:40:32,040
Speaker 2: Like it is really about them failing to do the thing,

795
00:40:33,280 --> 00:40:34,640
Speaker 2: failing to do the thing they were put on the

796
00:40:34,680 --> 00:40:39,680
Speaker 2: starts to do, while also being so also the ornamental

797
00:40:39,880 --> 00:40:43,400
Speaker 2: element of it, like the fake you're pretending that this

798
00:40:43,480 --> 00:40:45,440
Speaker 2: is functional, but it's actually just stunning.

799
00:40:45,600 --> 00:40:47,120
Speaker 4: It's completely gorgeous.

800
00:40:47,239 --> 00:40:49,960
Speaker 3: Yeah, Like I totally get why when they got to

801
00:40:50,040 --> 00:40:53,279
Speaker 3: the design they got to they were like, it's done.

802
00:40:53,360 --> 00:40:54,880
Speaker 1: Yeah, that's pretty much by this.

803
00:40:55,280 --> 00:40:58,520
Speaker 2: You know, it's also so you know byon it's very

804
00:40:58,600 --> 00:41:00,920
Speaker 2: like Janelle Manet Electric Lady.

805
00:41:01,280 --> 00:41:02,080
Speaker 1: Well, it's dramatic.

806
00:41:02,120 --> 00:41:05,080
Speaker 2: It's dramatic. It is futurist, it is.

807
00:41:05,200 --> 00:41:09,600
Speaker 1: Yeah, it is like it's honestly a little steampunk, very sure,

808
00:41:10,360 --> 00:41:11,680
Speaker 1: but also like.

809
00:41:15,560 --> 00:41:20,719
Speaker 2: Renaissance, like Beyonce here renaissance. Yeah, she would totally be

810
00:41:20,760 --> 00:41:21,560
Speaker 2: carrying an umbrella.

811
00:41:22,200 --> 00:41:26,160
Speaker 3: It's it exists across like it can I can picture

812
00:41:26,160 --> 00:41:26,720
Speaker 3: it anywhere?

813
00:41:26,800 --> 00:41:28,480
Speaker 2: Yes? Yeah, so you know what else it is speaking

814
00:41:28,480 --> 00:41:31,239
Speaker 2: about Fosse, it's very having an umbrella and doing a

815
00:41:31,239 --> 00:41:31,840
Speaker 2: little dance.

816
00:41:31,960 --> 00:41:33,720
Speaker 1: I mean, it's made for Corey, it's.

817
00:41:33,600 --> 00:41:37,160
Speaker 2: Made for choreo. Actually that's actually what it's made for

818
00:41:37,960 --> 00:41:40,200
Speaker 2: what was I made for? That's the umbrella. When she

819
00:41:40,320 --> 00:41:43,040
Speaker 2: realized that she was choreo of course.

820
00:41:43,120 --> 00:41:45,920
Speaker 1: Because it's such a fun extension and it's like a

821
00:41:45,960 --> 00:41:49,040
Speaker 1: little I think the implication that's practical makes it work

822
00:41:49,160 --> 00:41:51,960
Speaker 1: so well in choreo exactly because you're like, oh, I

823
00:41:51,960 --> 00:41:54,439
Speaker 1: didn't well, I thought that was for work, and you're like, nope,

824
00:41:54,480 --> 00:41:55,359
Speaker 1: it's And.

825
00:41:55,280 --> 00:41:57,920
Speaker 2: Also, by the way, it is so impractical, and that

826
00:41:58,040 --> 00:42:00,279
Speaker 2: is what also makes it queer because talk of out

827
00:42:00,520 --> 00:42:02,919
Speaker 2: where do you even put it? Like, if you don't

828
00:42:02,960 --> 00:42:04,359
Speaker 2: have a bag, you have to just be carrying it around.

829
00:42:04,360 --> 00:42:05,759
Speaker 2: If you do have a bag, what you're gonna put

830
00:42:05,760 --> 00:42:11,680
Speaker 2: a wet nylon tarp inside your bag where your copy

831
00:42:11,800 --> 00:42:14,239
Speaker 2: of you know, Emma Clin's the guest is that you're

832
00:42:14,280 --> 00:42:15,080
Speaker 2: reading for the summer.

833
00:42:16,000 --> 00:42:19,560
Speaker 1: I literally just clans the guess. I just picked it up.

834
00:42:19,600 --> 00:42:22,440
Speaker 2: Oh and now I have it's fucking wet.

835
00:42:24,560 --> 00:42:27,080
Speaker 1: Great. Well this, I'm never supporting any bookstore again.

836
00:42:27,120 --> 00:42:29,080
Speaker 2: I'm wording a bookstore again, let alone women.

837
00:42:29,160 --> 00:42:34,040
Speaker 3: Right, it's down, it's water that never escapes the bag.

838
00:42:34,600 --> 00:42:36,920
Speaker 3: The bag just remains wet if you put an umbrella

839
00:42:36,960 --> 00:42:37,279
Speaker 3: in there.

840
00:42:37,440 --> 00:42:40,319
Speaker 1: I okay, An umbrella to me is like I think

841
00:42:40,320 --> 00:42:43,040
Speaker 1: the lying to itself. It's very like the umbrella is

842
00:42:43,160 --> 00:42:45,520
Speaker 1: like waking up and having like a big to do

843
00:42:45,600 --> 00:42:47,400
Speaker 1: list and be like, I'm going to get this done today,

844
00:42:47,680 --> 00:42:49,640
Speaker 1: and then it's like you're gonna get three things done.

845
00:42:49,719 --> 00:42:51,759
Speaker 2: Oh, if you don't think the umbrella has ADHD, you're

846
00:42:51,840 --> 00:42:59,680
Speaker 2: lying eight Vergin. The umbrella is literally neuroda virgin queen.

847
00:43:01,120 --> 00:43:06,080
Speaker 1: Now, okay, okay. The other thing about it, I do

848
00:43:06,160 --> 00:43:10,520
Speaker 1: think there's something so the way that umbrellas are.

849
00:43:10,360 --> 00:43:13,280
Speaker 4: Always lost, Like right, that's the other thing.

850
00:43:13,320 --> 00:43:16,600
Speaker 1: That's like there's something that it's like every gay movie

851
00:43:16,600 --> 00:43:20,960
Speaker 1: where it's like has this deep sadness. Inevitably it's built

852
00:43:21,000 --> 00:43:23,359
Speaker 1: in and it's like an umbrella is meant to be

853
00:43:23,640 --> 00:43:25,160
Speaker 1: you are it will make you sad.

854
00:43:25,440 --> 00:43:30,759
Speaker 3: Yes, it's like like a gay friend. You don't know

855
00:43:30,800 --> 00:43:34,279
Speaker 3: really how it got to you, but when you have it,

856
00:43:34,280 --> 00:43:37,440
Speaker 3: it's yours. Yeah, then you can leave it somewhere.

857
00:43:37,440 --> 00:43:39,440
Speaker 2: And it's communal, it's commune.

858
00:43:39,440 --> 00:43:41,839
Speaker 1: It's communal. It's promiscuous, right, miscuous.

859
00:43:41,920 --> 00:43:44,840
Speaker 2: Yes, Oh, it's passed around like the town bicycle.

860
00:43:44,920 --> 00:43:46,399
Speaker 4: It's impossible to keep one.

861
00:43:46,680 --> 00:43:50,839
Speaker 1: Oh. I mean, it's pretty anti capitalist you cannot own

862
00:43:50,880 --> 00:43:52,800
Speaker 1: an umbrella you can't own.

863
00:43:53,880 --> 00:43:59,560
Speaker 3: You can also range in like value and price, I

864
00:43:59,600 --> 00:44:00,640
Speaker 3: mean like nothing else.

865
00:44:01,640 --> 00:44:05,239
Speaker 1: I will say the range the golf umbrellas, though that's

866
00:44:05,520 --> 00:44:07,000
Speaker 1: very republican.

867
00:44:07,080 --> 00:44:10,640
Speaker 2: I agree. Golf umbrellas is like that they're really big

868
00:44:10,920 --> 00:44:12,360
Speaker 2: and very like well made.

869
00:44:12,840 --> 00:44:15,480
Speaker 4: Of course, yeah, that means we can't afford those.

870
00:44:15,520 --> 00:44:20,920
Speaker 2: That is the that is the like gay ceo, Like

871
00:44:20,960 --> 00:44:22,840
Speaker 2: that is the umbrella that wants to it's pee b

872
00:44:23,400 --> 00:44:27,040
Speaker 2: But I almost think there's something interesting about pe because

873
00:44:27,080 --> 00:44:30,400
Speaker 2: of course he started out as gay CEO, but because

874
00:44:30,440 --> 00:44:32,480
Speaker 2: he was made Secretary of Transportation, which is kind of

875
00:44:32,480 --> 00:44:36,560
Speaker 2: the gayest position you can have. I'm almost like it

876
00:44:36,560 --> 00:44:38,920
Speaker 2: doesn't work anymore to use him as the good to

877
00:44:39,000 --> 00:44:42,560
Speaker 2: example of like neoliberal god guy, because I'm sort of

878
00:44:42,640 --> 00:44:45,560
Speaker 2: like there's something about what he's doing that is actually

879
00:44:46,280 --> 00:44:54,160
Speaker 2: so like perfume genius. But this sort of like the

880
00:44:54,160 --> 00:44:56,959
Speaker 2: perfume genius of being a gay sell out.

881
00:44:57,680 --> 00:44:59,799
Speaker 1: This is like a brand new I've never heard this

882
00:45:00,120 --> 00:45:02,879
Speaker 1: in my life, Like this is the thing. There is

883
00:45:02,960 --> 00:45:04,560
Speaker 1: really something genius about this.

884
00:45:04,920 --> 00:45:06,279
Speaker 2: Like if he had succeeded, that would have been a

885
00:45:06,280 --> 00:45:10,000
Speaker 2: different story. But like he's what Biden's little bitch and

886
00:45:10,040 --> 00:45:11,680
Speaker 2: he has to like go fix the trains.

887
00:45:12,320 --> 00:45:13,399
Speaker 1: Wait, I love this.

888
00:45:13,520 --> 00:45:14,640
Speaker 4: You're being amazing right now.

889
00:45:14,800 --> 00:45:18,840
Speaker 2: Yeah, this is I needed to hear this. Like, I

890
00:45:18,880 --> 00:45:22,560
Speaker 2: actually don't think Pete is golf umbrella. I think Pete is.

891
00:45:23,960 --> 00:45:26,160
Speaker 2: You know what I think Pete is. It's like an

892
00:45:26,320 --> 00:45:31,360
Speaker 2: umbrella that has the logo of a big company or

893
00:45:31,400 --> 00:45:34,200
Speaker 2: a hotel. Yeah, but that was given for free and

894
00:45:34,239 --> 00:45:35,759
Speaker 2: the quality is actually not very good.

895
00:45:35,960 --> 00:45:38,279
Speaker 3: I think it's like, but you that's your umbrella that

896
00:45:38,320 --> 00:45:38,719
Speaker 3: you have.

897
00:45:38,800 --> 00:45:39,840
Speaker 1: Yes, yeah, exactly.

898
00:45:40,000 --> 00:45:45,279
Speaker 2: It's like Hilton Honors, Hilton Rewards program umbrella that you

899
00:45:45,400 --> 00:45:48,120
Speaker 2: got because you stayed at your fiftieth Hilton and then

900
00:45:48,200 --> 00:45:50,480
Speaker 2: that was sent to you along with the candle.

901
00:45:50,880 --> 00:45:51,120
Speaker 1: Wow.

902
00:45:51,200 --> 00:45:53,239
Speaker 3: Yeah, can talk about something else?

903
00:45:53,320 --> 00:46:05,000
Speaker 2: Yes? Please? Easy transition, by the way.

904
00:46:01,080 --> 00:46:02,560
Speaker 4: It was bean.

905
00:46:02,840 --> 00:46:04,240
Speaker 1: Yeah.

906
00:46:04,400 --> 00:46:10,800
Speaker 3: Can I talk about something else now? Little tiny umbrella

907
00:46:10,840 --> 00:46:11,600
Speaker 3: that comes in a drink.

908
00:46:12,239 --> 00:46:17,640
Speaker 4: Oh, don't work, no good, talk about work, no good,

909
00:46:18,239 --> 00:46:21,239
Speaker 4: not be working at all, don't.

910
00:46:20,960 --> 00:46:24,600
Speaker 1: Not be working, but works better than it should exactly.

911
00:46:24,680 --> 00:46:25,920
Speaker 1: Also like a decoration.

912
00:46:26,080 --> 00:46:28,279
Speaker 2: Sorry when it comes to literally its job, which is

913
00:46:28,320 --> 00:46:31,120
Speaker 2: being fabulous, it's getting tens across the board.

914
00:46:31,200 --> 00:46:32,840
Speaker 1: I mean the fact that they make them to open

915
00:46:32,840 --> 00:46:33,240
Speaker 1: and close.

916
00:46:33,239 --> 00:46:34,719
Speaker 3: It's amazing.

917
00:46:35,960 --> 00:46:36,839
Speaker 1: Why do they make them?

918
00:46:37,000 --> 00:46:38,640
Speaker 3: But they're immediately broken.

919
00:46:39,360 --> 00:46:41,200
Speaker 1: They come broken.

920
00:46:40,239 --> 00:46:44,480
Speaker 3: They don't stay though because they have you know, they

921
00:46:44,480 --> 00:46:48,120
Speaker 3: have that tiny elastic that keeps it up. And then

922
00:46:48,280 --> 00:46:50,279
Speaker 3: all of a sudden, like you're like four cips in,

923
00:46:50,320 --> 00:46:51,400
Speaker 3: you're like where the elastic go?

924
00:46:51,880 --> 00:46:53,040
Speaker 4: Yeah, now doesn't stay up.

925
00:46:53,160 --> 00:46:57,839
Speaker 3: It's crazy. Even the the aesthetic like, oh my god,

926
00:46:57,920 --> 00:47:03,920
Speaker 3: I'm even the aesthetic replication of the real umbrella.

927
00:47:04,880 --> 00:47:06,080
Speaker 4: Rot like matches.

928
00:47:06,520 --> 00:47:11,000
Speaker 3: Yes, the original like function and intent, which is that

929
00:47:11,120 --> 00:47:11,839
Speaker 3: it doesn't work.

930
00:47:11,920 --> 00:47:13,800
Speaker 4: It looks gorgeous. Period.

931
00:47:15,040 --> 00:47:17,840
Speaker 1: When those things stop being able to open and close,

932
00:47:17,840 --> 00:47:20,440
Speaker 1: the little drink umbrellas, that's when you know society has fallen,

933
00:47:21,320 --> 00:47:24,480
Speaker 1: Like there will be in our lives like stupid plastic

934
00:47:24,520 --> 00:47:26,040
Speaker 1: ones that just are fake can.

935
00:47:25,960 --> 00:47:27,880
Speaker 4: Stay open open, No.

936
00:47:27,760 --> 00:47:31,200
Speaker 1: And that will That's like when I'll go Republican. That

937
00:47:31,280 --> 00:47:33,320
Speaker 1: was like this country used to mean something.

938
00:47:33,440 --> 00:47:34,799
Speaker 4: You're bringing up Republican.

939
00:47:35,239 --> 00:47:36,279
Speaker 1: I do bring it up a lot.

940
00:47:36,560 --> 00:47:38,040
Speaker 2: We both bring it up a lot.

941
00:47:38,120 --> 00:47:38,680
Speaker 1: Yeah, thank you.

942
00:47:38,840 --> 00:47:40,400
Speaker 3: Yeah, it's a worry of yours.

943
00:47:41,640 --> 00:47:44,320
Speaker 2: I think that it's sort of like it's just something

944
00:47:44,320 --> 00:47:46,480
Speaker 2: that it's like it's a respectable way to be, like

945
00:47:47,320 --> 00:47:49,279
Speaker 2: we don't want to make jokes about like suicide. It's

946
00:47:49,280 --> 00:47:50,759
Speaker 2: like you would be like, oh, I'm going to kill

947
00:47:50,760 --> 00:47:52,640
Speaker 2: myself if that happens, but like our version of that

948
00:47:52,719 --> 00:47:55,960
Speaker 2: hitting like I'm going to become a Republican. Don't you

949
00:47:56,000 --> 00:47:57,280
Speaker 2: think that's such?

950
00:47:57,719 --> 00:47:59,000
Speaker 1: That's really funny.

951
00:47:59,239 --> 00:48:01,600
Speaker 4: It's kind of a has turned on I'm going to

952
00:48:01,719 --> 00:48:02,320
Speaker 4: kill myself?

953
00:48:03,680 --> 00:48:05,200
Speaker 2: You mean, like now that it's okay to say it.

954
00:48:05,440 --> 00:48:05,959
Speaker 2: Now it's okay.

955
00:48:06,040 --> 00:48:08,120
Speaker 3: No I'm saying it's like now it's not okay, it's

956
00:48:08,120 --> 00:48:08,560
Speaker 3: not okay.

957
00:48:08,680 --> 00:48:10,839
Speaker 2: Now I'm saying.

958
00:48:10,880 --> 00:48:13,160
Speaker 4: It's like way, way way over used.

959
00:48:13,440 --> 00:48:14,319
Speaker 2: I see, I see, I see.

960
00:48:14,520 --> 00:48:17,440
Speaker 3: It used to be kind of like an inflammatory thing

961
00:48:17,480 --> 00:48:20,040
Speaker 3: to say, an edgy thing to say, and that would

962
00:48:20,080 --> 00:48:22,480
Speaker 3: like like be a guaranteed laugh.

963
00:48:23,000 --> 00:48:24,440
Speaker 4: You know what I mean. And now it's a bit

964
00:48:24,520 --> 00:48:25,600
Speaker 4: like why are you saying that?

965
00:48:26,000 --> 00:48:30,560
Speaker 2: Yeah, yeah, I know there is something about specificity. For

966
00:48:30,640 --> 00:48:32,879
Speaker 2: a while I thought maybe the way around that would

967
00:48:33,200 --> 00:48:36,640
Speaker 2: was being like walk into the ocean, jump off a window.

968
00:48:36,640 --> 00:48:38,920
Speaker 2: I say, jump off a cliffs, still off a cliff,

969
00:48:39,600 --> 00:48:40,480
Speaker 2: but I it does.

970
00:48:40,960 --> 00:48:42,040
Speaker 4: It's over.

971
00:48:42,200 --> 00:48:47,399
Speaker 2: It's over. People don't do that so much already. Well

972
00:48:47,600 --> 00:48:48,239
Speaker 2: they jump off a.

973
00:48:48,200 --> 00:48:52,120
Speaker 4: Cliff, it's over. For me, it's all respect.

974
00:48:53,280 --> 00:48:55,920
Speaker 3: My new thing that I've been saying that could be

975
00:48:56,040 --> 00:49:00,600
Speaker 3: maybe a segment if you guys please, is all respect

976
00:49:00,800 --> 00:49:05,040
Speaker 3: everyone who's ever lived. Oh it's mostly when I'm about

977
00:49:05,040 --> 00:49:06,279
Speaker 3: to say something mean I do.

978
00:49:06,800 --> 00:49:09,720
Speaker 2: I always all respect. I always everyone who ever lived,

979
00:49:09,880 --> 00:49:10,439
Speaker 2: everyone ever.

980
00:49:10,880 --> 00:49:12,400
Speaker 3: Who has ever lived.

981
00:49:12,440 --> 00:49:14,360
Speaker 1: I will live respectful of you.

982
00:49:14,480 --> 00:49:17,560
Speaker 4: But that person's being a bitch.

983
00:49:18,120 --> 00:49:22,400
Speaker 2: Yeah, yeah, I always say I say this with love.

984
00:49:22,640 --> 00:49:24,319
Speaker 2: I would say that's one of my signature of phrase

985
00:49:24,560 --> 00:49:26,080
Speaker 2: is love love.

986
00:49:26,320 --> 00:49:29,880
Speaker 4: But well, I guess like I want my respect to

987
00:49:29,880 --> 00:49:30,400
Speaker 4: be true.

988
00:49:30,840 --> 00:49:37,720
Speaker 3: It's like, listen, everyone's on their own yeah, yeah, life path.

989
00:49:37,920 --> 00:49:40,279
Speaker 2: But I also think I say it with love. I

990
00:49:40,320 --> 00:49:43,200
Speaker 2: mean it semi earnestly because it's like sometimes pointing out

991
00:49:43,200 --> 00:49:46,000
Speaker 2: someone's flaw is the purest expression of love because it

992
00:49:46,040 --> 00:49:47,239
Speaker 2: means you see them for who they are.

993
00:49:47,320 --> 00:49:49,839
Speaker 1: I was thinking today, I was bringing myself to tears

994
00:49:49,880 --> 00:49:53,680
Speaker 1: thinking about how much I like critique.

995
00:49:55,360 --> 00:49:57,520
Speaker 4: Myself.

996
00:49:58,400 --> 00:50:01,320
Speaker 1: Getting yourself there, I was gonna, yeah, well, I was

997
00:50:01,360 --> 00:50:04,360
Speaker 1: just like, what is critique? Like we're all watching and

998
00:50:04,400 --> 00:50:07,319
Speaker 1: consuming things, and it's like but you experience it in

999
00:50:07,360 --> 00:50:10,319
Speaker 1: your own head and you're like, okay, I felt this

1000
00:50:10,400 --> 00:50:13,080
Speaker 1: way about it. I wonder if there's anyone who feels similarly,

1001
00:50:13,120 --> 00:50:16,440
Speaker 1: you can put that into words. I love consuming critiques

1002
00:50:16,880 --> 00:50:21,640
Speaker 1: that are like nuanced and like you like but accurate,

1003
00:50:21,719 --> 00:50:23,960
Speaker 1: like when they hit something that is like, oh, that's it.

1004
00:50:24,040 --> 00:50:26,360
Speaker 1: I wish I could have put that into words. I'm like,

1005
00:50:26,480 --> 00:50:27,600
Speaker 1: I love a good critique.

1006
00:50:27,640 --> 00:50:30,840
Speaker 2: I mean, of course, that's why it's so like intellectually

1007
00:50:30,880 --> 00:50:34,440
Speaker 2: dishonest to be like, oh, critics, Like why don't you

1008
00:50:34,520 --> 00:50:36,839
Speaker 2: make something if you're if you're such a critic. It's like, well,

1009
00:50:36,920 --> 00:50:41,280
Speaker 2: maybe criticism is making something it completely literally making ideas,

1010
00:50:41,280 --> 00:50:42,480
Speaker 2: which is harder.

1011
00:50:42,120 --> 00:50:47,160
Speaker 3: Than making a like trying to measure how close or

1012
00:50:47,280 --> 00:50:49,440
Speaker 3: far you are to something else.

1013
00:50:49,520 --> 00:50:52,640
Speaker 1: Yeah, and obviously there are as. There are bad artists,

1014
00:50:52,680 --> 00:50:54,080
Speaker 1: there are bad critics.

1015
00:50:54,560 --> 00:50:57,040
Speaker 2: That's I think the issue is we need to be

1016
00:50:57,080 --> 00:50:59,080
Speaker 2: more honest about the fact that there are good critics

1017
00:50:59,080 --> 00:51:01,080
Speaker 2: and bad critics, because I think what ends up happening

1018
00:51:01,080 --> 00:51:02,399
Speaker 2: is you put all of them in one box. It's

1019
00:51:02,400 --> 00:51:04,600
Speaker 2: like me waking up and being like, all filmmakers are

1020
00:51:04,600 --> 00:51:06,759
Speaker 2: bad because I just saw the idea.

1021
00:51:06,440 --> 00:51:10,319
Speaker 1: Of you, right right, that's not fair.

1022
00:51:11,600 --> 00:51:16,719
Speaker 4: I'm still stuck on bringing myself to that's mister, that.

1023
00:51:16,719 --> 00:51:21,040
Speaker 2: Is actually what is mister, Gregor Beans is youth having

1024
00:51:21,120 --> 00:51:24,959
Speaker 2: like sort of like a normal thought and crying.

1025
00:51:25,040 --> 00:51:25,560
Speaker 1: Because of it.

1026
00:51:25,600 --> 00:51:29,440
Speaker 3: I was really like, forgetting yourself to cry about something.

1027
00:51:29,920 --> 00:51:30,399
Speaker 2: I love that.

1028
00:51:30,520 --> 00:51:33,719
Speaker 3: Very emotional, but I know, yeah, I'm going to do

1029
00:51:33,760 --> 00:51:35,400
Speaker 3: an act out of bringing yourself to tears.

1030
00:51:35,400 --> 00:51:37,200
Speaker 1: Oh, I think I was literally in the Chipotle at

1031
00:51:37,239 --> 00:51:38,120
Speaker 1: eleven fifteen am.

1032
00:51:39,360 --> 00:51:41,759
Speaker 2: Sometimes. I yeah, sometimes I bring myself to tears. When

1033
00:51:41,760 --> 00:51:44,040
Speaker 2: I think about my relationship with Sam. I'm like, We've

1034
00:51:44,040 --> 00:51:47,520
Speaker 2: been through so much together it still is only getting deeper,

1035
00:51:47,680 --> 00:51:50,920
Speaker 2: and I'm still excited to talk and critique with him

1036
00:51:50,920 --> 00:51:52,480
Speaker 2: every single time we see True.

1037
00:51:52,440 --> 00:51:54,200
Speaker 4: It's the sweetest thing I've ever heard.

1038
00:51:55,080 --> 00:51:55,640
Speaker 8: Do you have a.

1039
00:51:55,640 --> 00:51:59,600
Speaker 2: Special to We've learned, though, to occasionally text each other.

1040
00:51:59,640 --> 00:52:01,960
Speaker 2: I missed you, which is huge for me, Yeah, because

1041
00:52:01,960 --> 00:52:05,239
Speaker 2: we used to be about it. Checking in difficult. Well

1042
00:52:05,680 --> 00:52:07,319
Speaker 2: not just that, but also I think both of us

1043
00:52:07,320 --> 00:52:10,200
Speaker 2: struggle with being earnest and with like straightforwardly being like

1044
00:52:10,360 --> 00:52:10,880
Speaker 2: I miss you.

1045
00:52:11,320 --> 00:52:14,319
Speaker 3: It's really yeah, don't I feel that you too, like

1046
00:52:14,360 --> 00:52:18,120
Speaker 3: are like my special guys for that, Like I'm not

1047
00:52:18,200 --> 00:52:20,520
Speaker 3: relating to you guys, not being able to do that

1048
00:52:20,560 --> 00:52:22,960
Speaker 3: because every time I see you booth, it's like okay, sweety,

1049
00:52:23,080 --> 00:52:23,520
Speaker 3: I see you.

1050
00:52:23,680 --> 00:52:27,640
Speaker 2: Well yeah, yeah, but don't you think there's a sort

1051
00:52:27,640 --> 00:52:29,000
Speaker 2: of Okay, how do I phrase this?

1052
00:52:30,200 --> 00:52:32,839
Speaker 1: I like, you've been doing some expert throat clearing today,

1053
00:52:32,880 --> 00:52:34,799
Speaker 1: and I know it's for like a practical reason, but

1054
00:52:34,960 --> 00:52:35,879
Speaker 1: I find you.

1055
00:52:35,960 --> 00:52:40,560
Speaker 2: Is it Grainger beans? It's my throat clearing brain?

1056
00:52:40,800 --> 00:52:41,959
Speaker 1: It might be beans.

1057
00:52:41,960 --> 00:52:43,080
Speaker 2: I'm sorry, it really no.

1058
00:52:43,200 --> 00:52:45,520
Speaker 1: I like Greinger Beans is a beloved of.

1059
00:52:48,000 --> 00:52:48,720
Speaker 4: It's a compliment.

1060
00:52:49,719 --> 00:52:53,120
Speaker 3: Oh that if someone says it's Granger beans, it's good.

1061
00:52:54,440 --> 00:52:57,240
Speaker 2: Okay, Oh, I know what I was about to say.

1062
00:52:57,360 --> 00:53:01,080
Speaker 2: There's a sort of uh undin intuitive things that happens

1063
00:53:01,120 --> 00:53:05,400
Speaker 2: when you're so close to someone it becomes more difficult

1064
00:53:05,480 --> 00:53:10,479
Speaker 2: to express. Yeah, that intimacy because it's a given, because

1065
00:53:10,520 --> 00:53:12,680
Speaker 2: the given, and because when you express it it feels

1066
00:53:13,400 --> 00:53:19,520
Speaker 2: forced or it feels contrived. It's almost like imagine you

1067
00:53:19,520 --> 00:53:23,560
Speaker 2: know what it is. It's like imagine watching Casablanca and

1068
00:53:23,880 --> 00:53:27,759
Speaker 2: and then having to rate it on letterboxed. Do you

1069
00:53:27,840 --> 00:53:30,040
Speaker 2: know what I'm trying to say? Yes, it's so self

1070
00:53:30,080 --> 00:53:35,280
Speaker 2: evidently a masterpiece that it is so beside the point

1071
00:53:35,320 --> 00:53:37,680
Speaker 2: to be like, hmmm, five stars.

1072
00:53:39,680 --> 00:53:41,120
Speaker 1: I found the characters interesting.

1073
00:53:40,840 --> 00:53:43,200
Speaker 2: Exactly, and so in the same way when someone is,

1074
00:53:43,239 --> 00:53:45,640
Speaker 2: you know, like a sister to you, and then you

1075
00:53:46,040 --> 00:53:48,320
Speaker 2: and then you're like, hey, by the way, don't forget

1076
00:53:48,360 --> 00:53:52,680
Speaker 2: I love you. It's like, okay, well, plus, you're good.

1077
00:53:52,520 --> 00:53:53,840
Speaker 1: At expressing your emotions.

1078
00:53:54,360 --> 00:53:54,759
Speaker 4: Thank you.

1079
00:53:56,120 --> 00:53:57,200
Speaker 1: And that's all I have to say about that.

1080
00:54:01,120 --> 00:54:05,840
Speaker 3: I think I agree with what you're saying practically, but

1081
00:54:05,840 --> 00:54:07,120
Speaker 3: I always think it's nice.

1082
00:54:07,400 --> 00:54:10,360
Speaker 2: I agree, I ultimately agree, and I ultimately always appreciate

1083
00:54:10,360 --> 00:54:13,800
Speaker 2: when someone does express I think you're good at it.

1084
00:54:15,600 --> 00:54:21,240
Speaker 3: I love you. You know what else about Gregor beans.

1085
00:54:21,680 --> 00:54:22,960
Speaker 2: And thank you for bringing it back?

1086
00:54:23,160 --> 00:54:25,719
Speaker 4: It is the perfect It's it's actually so.

1087
00:54:25,800 --> 00:54:31,000
Speaker 3: Gregor Beans being a good thing is the solution to

1088
00:54:31,480 --> 00:54:35,520
Speaker 3: their not being a nice way to say.

1089
00:54:36,400 --> 00:54:37,200
Speaker 4: Noticing your shirt.

1090
00:54:37,760 --> 00:54:43,240
Speaker 3: Yes, it's like someone's doing something big, like someone's using

1091
00:54:43,239 --> 00:54:44,439
Speaker 3: more steps than they have.

1092
00:54:44,400 --> 00:54:47,600
Speaker 4: To being ginger beans.

1093
00:54:47,600 --> 00:54:49,400
Speaker 3: But that's I say this.

1094
00:54:49,840 --> 00:54:52,040
Speaker 2: I say this with love. You're being gringer beans.

1095
00:54:52,200 --> 00:54:56,960
Speaker 3: Ginger beans is all respect to everyone because it's.

1096
00:54:56,840 --> 00:54:57,760
Speaker 2: Not good or bad.

1097
00:54:58,239 --> 00:54:59,239
Speaker 1: It's I would argue, it's good.

1098
00:54:59,600 --> 00:55:00,000
Speaker 4: It is good.

1099
00:55:00,000 --> 00:55:00,600
Speaker 3: That's what I'm saying.

1100
00:55:00,680 --> 00:55:02,680
Speaker 1: Gringer beans is synonymous with good.

1101
00:55:02,719 --> 00:55:03,120
Speaker 2: It's good.

1102
00:55:03,360 --> 00:55:07,759
Speaker 1: Yeah, it's a type of good. It's a big good. Yeah,

1103
00:55:07,800 --> 00:55:09,680
Speaker 1: Like you can still notice someone's shirt if you don't

1104
00:55:09,680 --> 00:55:11,120
Speaker 1: like it, you can still say I'm noticing your shirt.

1105
00:55:11,520 --> 00:55:13,080
Speaker 1: But if you are noticing it and it's big and

1106
00:55:13,120 --> 00:55:15,480
Speaker 1: you like it, you say that sure is exactly.

1107
00:55:15,680 --> 00:55:21,560
Speaker 2: Oh I see, I see because I'm thinking, I feel though, Okay,

1108
00:55:21,840 --> 00:55:24,279
Speaker 2: I hesitate to complicate this because I think we're having

1109
00:55:24,320 --> 00:55:26,320
Speaker 2: such an amazing it's such an amazing moment.

1110
00:55:26,480 --> 00:55:27,920
Speaker 4: And I feel pretty like secure.

1111
00:55:28,160 --> 00:55:31,520
Speaker 2: Yeah of course, but I'm just thinking, like, okay, let's

1112
00:55:31,520 --> 00:55:33,239
Speaker 2: go back to my throat clearing. What if I I

1113
00:55:33,320 --> 00:55:35,520
Speaker 2: understand that at the level that I was doing it,

1114
00:55:35,520 --> 00:55:38,600
Speaker 2: it was adorable, it was incredible. I I I seemed so,

1115
00:55:39,320 --> 00:55:41,319
Speaker 2: and I love you. But what if what if it

1116
00:55:41,400 --> 00:55:43,239
Speaker 2: really reached a point where it was so gringer Beans

1117
00:55:43,239 --> 00:55:45,399
Speaker 2: that it was like disrupting the podcast, or what if,

1118
00:55:45,440 --> 00:55:48,400
Speaker 2: for instance, going back to you know, Uma Thurman, Cary Washington,

1119
00:55:48,560 --> 00:55:52,160
Speaker 2: sometimes there gringer Beans is actually negatively effected.

1120
00:55:52,280 --> 00:55:54,560
Speaker 3: I knew that that's that's what the calculus was in

1121
00:55:54,600 --> 00:55:57,160
Speaker 3: your head. But I think also those are like girls.

1122
00:55:56,920 --> 00:55:58,799
Speaker 1: You love you love them because.

1123
00:55:59,239 --> 00:56:03,439
Speaker 3: You know what I mean, because I saw you doing

1124
00:56:03,480 --> 00:56:05,040
Speaker 3: the maths, like, but I had said all.

1125
00:56:04,920 --> 00:56:06,040
Speaker 4: Those people are gregor Being.

1126
00:56:06,160 --> 00:56:09,200
Speaker 2: Yes, that was like legit with I also literally said

1127
00:56:09,200 --> 00:56:12,320
Speaker 2: Trump was Gregor Be And so you know it is tough, tough.

1128
00:56:12,360 --> 00:56:15,000
Speaker 2: Maybe I do love. I mean he's using ging beans

1129
00:56:15,040 --> 00:56:17,040
Speaker 2: for he's using Graingermans for evil. Of course, you can

1130
00:56:17,160 --> 00:56:18,839
Speaker 2: use ginger beans for evil. I mean you can use

1131
00:56:18,840 --> 00:56:19,560
Speaker 2: anything for evil.

1132
00:56:19,680 --> 00:56:21,280
Speaker 1: Yeah, that's like charm.

1133
00:56:21,280 --> 00:56:22,200
Speaker 4: That's so deep.

1134
00:56:23,440 --> 00:56:26,880
Speaker 3: Well, you can use anything you can.

1135
00:56:27,680 --> 00:56:29,200
Speaker 2: What can you not use for you? Well, I guess

1136
00:56:29,200 --> 00:56:32,160
Speaker 2: you can't for instance, a very obvious point. But it's

1137
00:56:32,200 --> 00:56:33,760
Speaker 2: like you can use philanthropy for evil.

1138
00:56:34,480 --> 00:56:38,000
Speaker 3: Yeah, but y'all already know there's one thing you can't

1139
00:56:38,080 --> 00:56:38,840
Speaker 3: use for evil.

1140
00:56:39,000 --> 00:56:39,239
Speaker 2: Love.

1141
00:56:40,280 --> 00:56:40,520
Speaker 1: Yeah.

1142
00:56:41,120 --> 00:56:44,040
Speaker 4: Do you think let's think, let's think, well.

1143
00:56:43,960 --> 00:56:46,920
Speaker 2: I think definitely manipulate love and use it for evil,

1144
00:56:46,960 --> 00:56:48,560
Speaker 2: like if you are but that's not.

1145
00:56:48,640 --> 00:56:57,640
Speaker 9: Love, girl, love that's your book title, but that's not

1146
00:56:57,800 --> 00:56:59,760
Speaker 9: love dot dot dot girl.

1147
00:57:02,320 --> 00:57:03,040
Speaker 3: L l.

1148
00:57:04,520 --> 00:57:06,319
Speaker 2: Okay. I mean this is I don't even think we

1149
00:57:06,360 --> 00:57:08,920
Speaker 2: have enough time right now. But like, is it true

1150
00:57:08,960 --> 00:57:11,359
Speaker 2: that when you use love for evil it stops becoming love?

1151
00:57:13,560 --> 00:57:13,880
Speaker 3: Yes?

1152
00:57:14,000 --> 00:57:15,800
Speaker 2: Do you think so? I don't think so. I think Like,

1153
00:57:15,880 --> 00:57:17,600
Speaker 2: let's say you're a mother and you love your daughter

1154
00:57:19,080 --> 00:57:25,240
Speaker 2: and separately you're committing crimes and.

1155
00:57:25,200 --> 00:57:26,160
Speaker 4: Then you blame it on her.

1156
00:57:26,520 --> 00:57:28,400
Speaker 1: No, let's say like Gypsy Rose.

1157
00:57:28,760 --> 00:57:31,840
Speaker 2: Yeah, well, okay, hold on that. But I do think

1158
00:57:31,880 --> 00:57:34,320
Speaker 2: that's not love. Maybe you think did you think mother

1159
00:57:34,520 --> 00:57:36,280
Speaker 2: Gypsy loved daughter Gypsy?

1160
00:57:37,080 --> 00:57:38,120
Speaker 1: They're both named Gypsy?

1161
00:57:38,200 --> 00:57:41,080
Speaker 2: No, I just I just don't know their names.

1162
00:57:41,120 --> 00:57:43,840
Speaker 4: Don't bring up don't confuse him already lost.

1163
00:57:47,600 --> 00:57:51,520
Speaker 2: I don't know, you know what, I think that's maybe

1164
00:57:51,600 --> 00:57:53,320
Speaker 2: something we have to throw out to the listeners.

1165
00:57:53,360 --> 00:57:55,040
Speaker 4: I feel really confident.

1166
00:57:54,760 --> 00:57:57,120
Speaker 2: You really feel I get it. You know what I

1167
00:57:57,160 --> 00:58:02,240
Speaker 2: actually appreciate about you. You have very clearly defined morality.

1168
00:58:03,000 --> 00:58:06,160
Speaker 4: People say that to me a lot. I wonder what

1169
00:58:06,200 --> 00:58:07,920
Speaker 4: that's coming from, because I don't.

1170
00:58:07,720 --> 00:58:08,440
Speaker 3: Know if that's true.

1171
00:58:08,680 --> 00:58:09,600
Speaker 2: You don't think that's true.

1172
00:58:09,680 --> 00:58:12,760
Speaker 3: I think I have like a regular sense of what

1173
00:58:12,840 --> 00:58:16,120
Speaker 3: I think is right and wrong. Well, if it's because

1174
00:58:16,120 --> 00:58:19,320
Speaker 3: I'm like being like randomly like two opinionated sometimes or

1175
00:58:19,360 --> 00:58:21,000
Speaker 3: something that people think.

1176
00:58:20,960 --> 00:58:24,040
Speaker 2: That you about it, Yeah, but I also think because

1177
00:58:24,080 --> 00:58:28,240
Speaker 2: you thinking it's regular, it is like part of it

1178
00:58:28,400 --> 00:58:31,040
Speaker 2: not being regular, Like you have such a strong sense

1179
00:58:31,040 --> 00:58:34,040
Speaker 2: of morality that you can't imagine anyone not having that

1180
00:58:34,160 --> 00:58:38,480
Speaker 2: strong sense of morality. Right, So you're like, well, I'm regular.

1181
00:58:39,120 --> 00:58:41,160
Speaker 3: Right, and like I've kind of been feeling like that's

1182
00:58:41,160 --> 00:58:43,120
Speaker 3: coming from like may being stubborn or something.

1183
00:58:44,240 --> 00:58:46,040
Speaker 4: But maybe I have to like be practicing more love.

1184
00:58:46,240 --> 00:58:48,480
Speaker 2: But don't you think being stubborn. You can be stubborn

1185
00:58:48,520 --> 00:58:49,520
Speaker 2: and have bad morality.

1186
00:58:50,320 --> 00:58:52,520
Speaker 3: I know. I'm just saying like maybe, like I just

1187
00:58:52,560 --> 00:58:55,280
Speaker 3: always wonder what that's what's being picked up on from me.

1188
00:58:55,560 --> 00:58:58,320
Speaker 2: I see that people think that I see but love you,

1189
00:58:58,480 --> 00:59:01,160
Speaker 2: respect and so many of you have your exact merality,

1190
00:59:01,200 --> 00:59:02,800
Speaker 2: but they're not as like in your face about it,

1191
00:59:02,840 --> 00:59:03,440
Speaker 2: is what you're saying.

1192
00:59:03,600 --> 00:59:06,160
Speaker 4: Yeah, Like I just am like, you're Grainger.

1193
00:59:05,920 --> 00:59:10,760
Speaker 2: Beans in morality? Hello, what are you saying? I mean

1194
00:59:10,800 --> 00:59:15,959
Speaker 2: going back to going back to morales being good? It's like, hello,

1195
00:59:16,160 --> 00:59:19,160
Speaker 2: going to a protest is Gringer beans in morale. It's

1196
00:59:19,200 --> 00:59:21,360
Speaker 2: like it's like God forbid, you have a private thought.

1197
00:59:21,400 --> 00:59:25,120
Speaker 2: You're going out and you're holding a sign. It's like, oh,

1198
00:59:25,160 --> 00:59:27,040
Speaker 2: I woke up saying I was like, I believe in equality.

1199
00:59:27,080 --> 00:59:29,120
Speaker 2: I have to be as loud about it as possible.

1200
00:59:29,160 --> 00:59:32,560
Speaker 1: Well, this is why would you say Jan six protesters

1201
00:59:32,760 --> 00:59:34,840
Speaker 1: were they were using Grainger beans?

1202
00:59:35,520 --> 00:59:37,000
Speaker 2: Yes, that was classic Ringer beats.

1203
00:59:37,240 --> 00:59:39,720
Speaker 4: Did you guys pass the rat today on the way?

1204
00:59:40,080 --> 00:59:43,600
Speaker 2: Oh no, no, no, no, like no, no, I didn't see

1205
00:59:43,640 --> 00:59:44,200
Speaker 2: I didn't see her.

1206
00:59:44,240 --> 00:59:48,120
Speaker 3: That rat should be named Gringer Beans. That's love her,

1207
00:59:48,160 --> 00:59:48,520
Speaker 3: by the way.

1208
00:59:48,520 --> 00:59:51,040
Speaker 2: I love her. Of course, she's a legend. It's Gabby.

1209
00:59:51,120 --> 00:59:51,800
Speaker 2: It's can't be the rat.

1210
00:59:51,920 --> 00:59:52,600
Speaker 4: It's can't be the rap.

1211
00:59:54,640 --> 00:59:55,800
Speaker 3: Hey.

1212
00:59:56,640 --> 00:59:58,200
Speaker 1: That would have been an amazing time to have a thought,

1213
00:59:58,240 --> 00:59:59,000
Speaker 1: but it just didn't have.

1214
00:59:59,080 --> 01:00:00,720
Speaker 2: No, No, I woul do it all on post.

1215
01:00:00,720 --> 01:00:01,360
Speaker 4: It's going to go on.

1216
01:00:01,560 --> 01:00:04,960
Speaker 2: Yeah, every sentence post is going to sound like, you know,

1217
01:00:05,040 --> 01:00:06,040
Speaker 2: all in with Chris Hayes.

1218
01:00:07,920 --> 01:00:10,040
Speaker 1: I have one an umbrella based question.

1219
01:00:10,080 --> 01:00:11,560
Speaker 2: Oh yes, oh yeah about that?

1220
01:00:11,840 --> 01:00:12,320
Speaker 4: Yeah, me too.

1221
01:00:12,640 --> 01:00:15,920
Speaker 1: How do you to treat your umbrellas?

1222
01:00:18,240 --> 01:00:29,800
Speaker 3: I treat them like it's it's like a conversation or something.

1223
01:00:30,400 --> 01:00:35,480
Speaker 3: It's like it's not I don't own one, but I

1224
01:00:35,520 --> 01:00:39,240
Speaker 3: can have one when I'm with someone else. It's like

1225
01:00:39,280 --> 01:00:44,000
Speaker 3: so intangible to me. Yeah, Like it's not like I

1226
01:00:44,160 --> 01:00:48,040
Speaker 3: like don't ever know where one is. Yeah, don't ever

1227
01:00:48,440 --> 01:00:52,160
Speaker 3: remember like if I brought one, but if I need one,

1228
01:00:52,440 --> 01:00:53,840
Speaker 3: it's like it's there.

1229
01:00:54,200 --> 01:01:00,400
Speaker 2: You know. What I think is essentially identical in form, function,

1230
01:01:00,520 --> 01:01:05,480
Speaker 2: and spirit to an umbrella chapstick. It is something that

1231
01:01:05,560 --> 01:01:07,240
Speaker 2: does not do what it's meant to do very well.

1232
01:01:07,760 --> 01:01:10,040
Speaker 2: It is something that you literally always lose. No one

1233
01:01:10,040 --> 01:01:12,920
Speaker 2: has ever finished a tube of chapstick. It is something

1234
01:01:12,960 --> 01:01:15,680
Speaker 2: that you always have with you somehow, except for the

1235
01:01:15,680 --> 01:01:16,560
Speaker 2: one time you need it.

1236
01:01:16,680 --> 01:01:17,040
Speaker 3: Mm hmm.

1237
01:01:19,600 --> 01:01:22,600
Speaker 2: It is something that's like cheap enough where it's you

1238
01:01:22,720 --> 01:01:25,280
Speaker 2: sort of like don't care. No one's ever like, oh god,

1239
01:01:25,280 --> 01:01:27,200
Speaker 2: I lost my chapstick as I'll have to save up

1240
01:01:27,680 --> 01:01:28,520
Speaker 2: next month.

1241
01:01:28,960 --> 01:01:31,360
Speaker 4: And you're calling in something queer and.

1242
01:01:31,360 --> 01:01:33,880
Speaker 2: Exactly it's something crare. I mean, the idea of chapstick

1243
01:01:33,960 --> 01:01:36,120
Speaker 2: is literally the definition of campaus you're putting lipstick on,

1244
01:01:36,200 --> 01:01:37,120
Speaker 2: but it's not adding color.

1245
01:01:37,280 --> 01:01:40,760
Speaker 3: Yes, and the chapstick lesbian of course, of course, what

1246
01:01:40,840 --> 01:01:42,120
Speaker 3: would an umbrella gay be?

1247
01:01:43,160 --> 01:01:46,640
Speaker 2: An umbrella gay? An umbrella like if someone if you're like,

1248
01:01:46,680 --> 01:01:48,040
Speaker 2: oh he's such an umbrella ye yeah?

1249
01:01:48,040 --> 01:01:49,640
Speaker 1: Does that mean okay, this could be a couple of things.

1250
01:01:49,640 --> 01:01:50,200
Speaker 4: Okay, Yeah.

1251
01:01:50,360 --> 01:01:52,280
Speaker 1: I could see it being like almost like.

1252
01:01:52,280 --> 01:01:53,840
Speaker 2: A dapper gay exactly.

1253
01:01:53,960 --> 01:01:56,320
Speaker 1: Yeah, Like it's sort of like I wear wool pants

1254
01:01:56,400 --> 01:01:58,320
Speaker 1: and like fetishize London.

1255
01:02:01,160 --> 01:02:01,720
Speaker 2: What's the word.

1256
01:02:02,120 --> 01:02:04,520
Speaker 1: See it kind of being tech gay where it's like

1257
01:02:04,640 --> 01:02:08,080
Speaker 1: I have like my pants are moisture wicking.

1258
01:02:08,200 --> 01:02:09,960
Speaker 3: And I could also see it being like lost my

1259
01:02:10,000 --> 01:02:13,360
Speaker 3: phone and wallet gay, yeah, like where's my phone, where's

1260
01:02:13,360 --> 01:02:13,840
Speaker 3: my wallet?

1261
01:02:13,960 --> 01:02:14,520
Speaker 4: And my girl?

1262
01:02:14,800 --> 01:02:16,000
Speaker 1: Yeah, totally yeah.

1263
01:02:16,120 --> 01:02:19,600
Speaker 2: And his umbrella is like decrepit. It's like half of

1264
01:02:19,640 --> 01:02:21,680
Speaker 2: it is fully gone. One of the things is like

1265
01:02:21,680 --> 01:02:23,480
Speaker 2: poking a woman in the I s he's walking.

1266
01:02:23,840 --> 01:02:26,920
Speaker 1: I mean, I never feel more like star of a

1267
01:02:26,960 --> 01:02:28,959
Speaker 1: movie than when I have a cheap umbrella and it's

1268
01:02:29,000 --> 01:02:31,560
Speaker 1: fully busted and flying in the wind and I'm like, oh,

1269
01:02:31,640 --> 01:02:34,280
Speaker 1: I'm this is the beginning of my movie, like down

1270
01:02:34,280 --> 01:02:34,680
Speaker 1: on my luck.

1271
01:02:34,760 --> 01:02:38,160
Speaker 3: But what's amazing about an umbrella is like even the cheapest,

1272
01:02:38,240 --> 01:02:44,800
Speaker 3: most broken one and like and the most expensive good one,

1273
01:02:46,040 --> 01:02:49,520
Speaker 3: like give you this. They give you the same experience.

1274
01:02:50,080 --> 01:02:52,960
Speaker 3: Like you're getting wet, you're getting you're holding a big thing.

1275
01:02:53,000 --> 01:02:57,919
Speaker 3: You're getting some wet an umbrella gay an umbrella gay?

1276
01:02:58,760 --> 01:03:02,120
Speaker 3: It also okay, this is maybe I can't tell this

1277
01:03:02,120 --> 01:03:04,760
Speaker 3: is gay or straight about it. Actually, but walking with

1278
01:03:04,800 --> 01:03:07,840
Speaker 3: a friend starts pouring rain, there's one umbrella. Suddenly you're

1279
01:03:07,880 --> 01:03:11,160
Speaker 3: a couple. This doesn't matter a couple.

1280
01:03:11,280 --> 01:03:14,800
Speaker 2: It's actually something I would love to talk about which

1281
01:03:14,840 --> 01:03:17,200
Speaker 2: is and I think it relates to what you're saying.

1282
01:03:17,240 --> 01:03:19,960
Speaker 2: The use of umbrella as a metaphor meaning under the

1283
01:03:20,000 --> 01:03:24,880
Speaker 2: blank umbrella. Now here's the issue with that. Definitionally, if

1284
01:03:24,880 --> 01:03:27,960
Speaker 2: two people are under if multiple people are under an umbrella,

1285
01:03:28,040 --> 01:03:31,000
Speaker 2: it does not actually cover them and it sort of

1286
01:03:31,040 --> 01:03:34,160
Speaker 2: fucks everyone over. So to say such and such as

1287
01:03:34,240 --> 01:03:38,520
Speaker 2: under the LGBTQ plus umbrella is almost being like watch

1288
01:03:38,560 --> 01:03:42,120
Speaker 2: out your right surrender attack, Like, umbrella is not going

1289
01:03:42,200 --> 01:03:44,200
Speaker 2: to protect you bits, all your shoulders getting wet, all

1290
01:03:44,240 --> 01:03:44,959
Speaker 2: your shoulders are.

1291
01:03:44,880 --> 01:03:47,640
Speaker 4: You're in the place that the umbrella puts the water.

1292
01:03:48,080 --> 01:03:51,760
Speaker 2: Yeah, right, exactly.

1293
01:03:51,920 --> 01:03:52,640
Speaker 4: It's crazy.

1294
01:03:53,040 --> 01:03:56,680
Speaker 2: There's a sense of at first glance, saying you are

1295
01:03:56,760 --> 01:04:00,560
Speaker 2: under an umbrella gives you a form of safety, but

1296
01:04:00,600 --> 01:04:02,680
Speaker 2: it's like who's in the center of the umbrella and

1297
01:04:02,720 --> 01:04:04,760
Speaker 2: who's that the edges getting more wet than if they

1298
01:04:04,800 --> 01:04:06,040
Speaker 2: didn't have an umbrella to begin with.

1299
01:04:06,600 --> 01:04:08,480
Speaker 1: Oh my god, beautiful metaphor.

1300
01:04:09,280 --> 01:04:10,160
Speaker 4: That's crazy.

1301
01:04:11,120 --> 01:04:11,720
Speaker 2: That's crazy.

1302
01:04:11,800 --> 01:04:13,280
Speaker 3: So what kind of gig guy is that.

1303
01:04:15,560 --> 01:04:16,200
Speaker 1: Party promoter?

1304
01:04:17,920 --> 01:04:21,960
Speaker 4: Well, well, that's interesting because they're.

1305
01:04:21,880 --> 01:04:25,760
Speaker 1: Just like only because it's like like yes, everyone's like

1306
01:04:25,800 --> 01:04:29,640
Speaker 1: it's a queer party. Everyone come, But it's like somebody, Yeah,

1307
01:04:29,680 --> 01:04:30,400
Speaker 1: who do you know.

1308
01:04:30,560 --> 01:04:33,200
Speaker 2: That umbrella is exclusive?

1309
01:04:33,440 --> 01:04:35,600
Speaker 1: Yeah, it's a little like some of you are gonna

1310
01:04:35,600 --> 01:04:36,080
Speaker 1: be outside.

1311
01:04:36,920 --> 01:04:39,920
Speaker 3: That's interesting. Okay, So maybe an umbrella gay is like

1312
01:04:41,000 --> 01:04:45,479
Speaker 3: the guy who like invites like half of a friend

1313
01:04:45,480 --> 01:04:46,760
Speaker 3: group over a gatekeeper.

1314
01:04:47,120 --> 01:04:50,640
Speaker 2: Yeah, gatekeeper. Maybe umbrella is gatekeeper. It's like I'm holding

1315
01:04:50,680 --> 01:04:52,640
Speaker 2: the umbrella and I decide who goes under it.

1316
01:04:52,880 --> 01:04:55,560
Speaker 3: Yeah, but there has to be an element of like

1317
01:04:55,760 --> 01:05:08,479
Speaker 3: the umbrellas doesn't work so good? Yeah, should we maybe

1318
01:05:08,480 --> 01:05:11,160
Speaker 3: try to approach it like from the drink, from the

1319
01:05:11,240 --> 01:05:12,320
Speaker 3: umbrella in the drink.

1320
01:05:14,640 --> 01:05:19,160
Speaker 2: Okay, So in terms of in terms of someone who

1321
01:05:19,240 --> 01:05:22,439
Speaker 2: is basically a gatekeeper, like a flop gatekeeper, someone who

1322
01:05:22,480 --> 01:05:25,400
Speaker 2: thinks they're the head of the group. Yeah, oh no,

1323
01:05:25,520 --> 01:05:27,440
Speaker 2: here's what it is. An umbrella ge someone who is

1324
01:05:27,640 --> 01:05:33,080
Speaker 2: always host always sending party full links, like always hosting parties,

1325
01:05:33,120 --> 01:05:36,920
Speaker 2: always sending party full links, close friends, friends, everything, but

1326
01:05:37,000 --> 01:05:41,920
Speaker 2: no one's like that into their events. That's interesting, you

1327
01:05:41,960 --> 01:05:44,960
Speaker 2: know what I mean? Yes, And there are people like that,

1328
01:05:45,040 --> 01:05:49,160
Speaker 2: like always having some theme party, always wanting to host

1329
01:05:49,160 --> 01:05:52,280
Speaker 2: the pregame. They have this complex where they think they're

1330
01:05:52,320 --> 01:05:54,600
Speaker 2: the center of the group, but no one else really

1331
01:05:54,600 --> 01:05:56,560
Speaker 2: thinks so, but because someone else is stepping up to

1332
01:05:56,600 --> 01:05:58,200
Speaker 2: be the center, people are like, yeah, I guess we'll

1333
01:05:58,240 --> 01:05:59,440
Speaker 2: go to Jared's place.

1334
01:06:01,080 --> 01:06:03,640
Speaker 1: That just is like one of the saddest things, Like

1335
01:06:03,680 --> 01:06:05,200
Speaker 1: that picture is like bumming me out.

1336
01:06:05,520 --> 01:06:08,000
Speaker 2: Yeah, well, welcome to umbrella.

1337
01:06:09,240 --> 01:06:12,680
Speaker 1: It's literally raining outside. Literally it's not supposed to be pleasant.

1338
01:06:12,680 --> 01:06:13,840
Speaker 2: It's not supposed to be pleasant.

1339
01:06:14,120 --> 01:06:15,080
Speaker 4: Welcome to umbrella.

1340
01:06:15,160 --> 01:06:16,280
Speaker 1: Welcome to umbrella.

1341
01:06:16,440 --> 01:06:19,240
Speaker 2: I do think on a more literal level too. You know,

1342
01:06:19,240 --> 01:06:23,320
Speaker 2: it's associated with rain. Rain. No, this is like very

1343
01:06:23,640 --> 01:06:25,560
Speaker 2: rain is queer in the sense that it's like a

1344
01:06:25,600 --> 01:06:27,400
Speaker 2: different thing that the sky can do.

1345
01:06:29,120 --> 01:06:30,600
Speaker 4: And it's rare, and it's rare.

1346
01:06:30,640 --> 01:06:32,280
Speaker 2: It's literally like if you add up the days and

1347
01:06:32,320 --> 01:06:34,280
Speaker 2: you're like, what percentage of days are raining, it's the

1348
01:06:34,280 --> 01:06:36,440
Speaker 2: same exact percentage of people who are queer it is.

1349
01:06:36,440 --> 01:06:37,920
Speaker 3: It's like it's a lot, but it's not.

1350
01:06:38,080 --> 01:06:41,080
Speaker 4: It's not. It's way less than most.

1351
01:06:41,200 --> 01:06:43,640
Speaker 2: Minority of places in some places.

1352
01:06:44,000 --> 01:06:45,600
Speaker 3: But I wish that we could find it like a

1353
01:06:45,680 --> 01:06:48,360
Speaker 3: way of explaining that's like a blasees of m top

1354
01:06:48,560 --> 01:06:49,040
Speaker 3: like you know what I.

1355
01:06:49,120 --> 01:06:50,680
Speaker 2: Mean for an umbrella.

1356
01:06:50,880 --> 01:06:53,480
Speaker 4: You I did all of that and you're like no,

1357
01:06:57,480 --> 01:07:01,160
Speaker 4: because I'm not going to say that you want sexually.

1358
01:07:01,320 --> 01:07:09,040
Speaker 1: Well, simple, simple, simple, okay. An umbrella is okay, okay.

1359
01:07:09,080 --> 01:07:12,960
Speaker 1: An umbrella is someone who like talks about sex a lot,

1360
01:07:13,040 --> 01:07:14,240
Speaker 1: but like doesn't have sex very much.

1361
01:07:14,800 --> 01:07:18,280
Speaker 2: Yes, that's exactly it, No further questions, q e D.

1362
01:07:19,160 --> 01:07:22,880
Speaker 1: Good job, thank you. That's that's in the vision.

1363
01:07:23,200 --> 01:07:27,600
Speaker 2: I love that. It's literally like the entire identity, the

1364
01:07:27,720 --> 01:07:30,320
Speaker 2: entire identity of umbrella is protect. Do you want to

1365
01:07:30,320 --> 01:07:32,760
Speaker 2: bring me in my rain? And you're like, okay, I'll

1366
01:07:32,800 --> 01:07:34,120
Speaker 2: bring you, And then it's like I'm shy.

1367
01:07:35,160 --> 01:07:37,320
Speaker 1: The Umbrella's literally like I'm gonna take every fucking job.

1368
01:07:37,600 --> 01:07:42,760
Speaker 1: You're not gonna like exactly, exactly, exactly, nothing will be love.

1369
01:07:43,040 --> 01:07:45,000
Speaker 4: Yeah, don't worry.

1370
01:07:45,360 --> 01:07:48,520
Speaker 2: Yeah, come on, rain on me, rain on me. And

1371
01:07:48,560 --> 01:07:50,840
Speaker 2: then this guy does rain, and the umbrellas like, oh,

1372
01:07:52,120 --> 01:07:53,360
Speaker 2: I'm like sorry, sorry, sorry.

1373
01:07:53,160 --> 01:07:54,480
Speaker 1: Oh I didn't know that we wind.

1374
01:07:57,840 --> 01:08:00,720
Speaker 2: Yeah that's good, right, we got it?

1375
01:08:01,000 --> 01:08:01,280
Speaker 1: Cool?

1376
01:08:02,040 --> 01:08:02,320
Speaker 3: Are gay?

1377
01:08:04,640 --> 01:08:05,480
Speaker 1: I agree? Yes?

1378
01:08:05,680 --> 01:08:09,760
Speaker 2: I would say I certainly agree. Wow.

1379
01:08:10,160 --> 01:08:13,400
Speaker 4: I was pretty worried about that, you really. I was

1380
01:08:13,520 --> 01:08:16,960
Speaker 4: just like, I'm gonna have to stretch it. And it did.

1381
01:08:17,120 --> 01:08:17,320
Speaker 1: Though.

1382
01:08:18,120 --> 01:08:20,840
Speaker 2: I think I think you pushed us to some truths

1383
01:08:20,880 --> 01:08:24,360
Speaker 2: because you were. I think many people when we start

1384
01:08:24,439 --> 01:08:27,519
Speaker 2: theorizing are sort of like sure, girl, and then we

1385
01:08:27,680 --> 01:08:30,519
Speaker 2: like move on. You were, but you were being very

1386
01:08:30,600 --> 01:08:34,120
Speaker 2: much like that's not a full like that you've shown

1387
01:08:34,160 --> 01:08:36,479
Speaker 2: your work and it doesn't quite add up. Let's keep going.

1388
01:08:36,880 --> 01:08:39,519
Speaker 2: And in that sense, you are like the teacher. You're

1389
01:08:39,560 --> 01:08:42,320
Speaker 2: like Robin Williams and Goodwill Hunting, like you're the the

1390
01:08:43,080 --> 01:08:44,360
Speaker 2: or dead poets decide or whatever.

1391
01:08:44,200 --> 01:08:45,880
Speaker 3: The fu both both.

1392
01:08:46,920 --> 01:08:49,760
Speaker 1: I I mean I that's always what I struggled with

1393
01:08:50,120 --> 01:08:52,040
Speaker 1: is when they were like, okay, so but like write

1394
01:08:52,040 --> 01:08:54,120
Speaker 1: the conclusion. I was like, you read the whole thing right,

1395
01:08:54,200 --> 01:08:54,519
Speaker 1: that's it.

1396
01:08:54,960 --> 01:08:58,120
Speaker 4: Right, because it doesn't feel natural, but you have to

1397
01:08:58,720 --> 01:08:59,600
Speaker 4: go in conclusion.

1398
01:09:00,200 --> 01:09:05,040
Speaker 3: I felt like, like my last topics Christianity, di dicotomies,

1399
01:09:05,680 --> 01:09:06,719
Speaker 3: they were dropped.

1400
01:09:07,960 --> 01:09:10,479
Speaker 2: Oh yeah, well I wanted something.

1401
01:09:10,720 --> 01:09:11,559
Speaker 4: Yeah wow.

1402
01:09:11,800 --> 01:09:13,400
Speaker 2: I actually think a lot of people, and I think

1403
01:09:13,400 --> 01:09:14,679
Speaker 2: I would have this instinct to a lot of people

1404
01:09:14,720 --> 01:09:17,519
Speaker 2: come onto the podcast and think, the most intellectual thing

1405
01:09:17,560 --> 01:09:20,000
Speaker 2: I can do is pick the broadest possible thing is

1406
01:09:20,040 --> 01:09:23,800
Speaker 2: to be like, my topic is, you know, climate change,

1407
01:09:25,000 --> 01:09:28,280
Speaker 2: but in fact, the smaller I mean we've talked about

1408
01:09:28,280 --> 01:09:31,840
Speaker 2: this before, smaller is big and big at small. The

1409
01:09:32,000 --> 01:09:36,360
Speaker 2: smaller topics is the more you can dig deep and

1410
01:09:36,520 --> 01:09:37,720
Speaker 2: do more intellectual work.

1411
01:09:38,439 --> 01:09:40,760
Speaker 3: You've got to get specific, you got to get gay

1412
01:09:40,880 --> 01:09:47,560
Speaker 3: with because, like legit, some things are not gay and

1413
01:09:47,760 --> 01:09:48,280
Speaker 3: not straight.

1414
01:09:49,040 --> 01:09:49,280
Speaker 2: Yeah.

1415
01:09:49,520 --> 01:09:53,160
Speaker 1: Yeah, you know it's really hard when people come on

1416
01:09:53,200 --> 01:09:55,599
Speaker 1: and they say something and I'm like, to be honest,

1417
01:09:55,640 --> 01:09:56,320
Speaker 1: I think that's.

1418
01:09:56,160 --> 01:09:58,320
Speaker 4: Gay, like their topics.

1419
01:09:58,520 --> 01:10:02,040
Speaker 1: Yeah, and I'm trying to do I like do fundamentally,

1420
01:10:02,120 --> 01:10:04,040
Speaker 1: like I think there's something interesting. When it's like this

1421
01:10:04,320 --> 01:10:07,160
Speaker 1: podcast is completely fake, and then sometimes I'll.

1422
01:10:07,040 --> 01:10:12,920
Speaker 4: Be like wall rules, Right, it's not like magic, you know,

1423
01:10:13,640 --> 01:10:14,800
Speaker 4: it's like fake.

1424
01:10:14,920 --> 01:10:20,200
Speaker 2: But it's like, yeah, if we like from the beginning,

1425
01:10:22,479 --> 01:10:26,280
Speaker 2: we were not that strict about the rules in a

1426
01:10:26,360 --> 01:10:30,160
Speaker 2: way that sometimes I'm like, well, don't make a mockery

1427
01:10:30,200 --> 01:10:32,640
Speaker 2: of it, Like let's go back and then let's do

1428
01:10:32,720 --> 01:10:35,840
Speaker 2: it again and be like really strict because in fact,

1429
01:10:35,920 --> 01:10:40,320
Speaker 2: when we get into the zone of critique, we're dead serious.

1430
01:10:40,720 --> 01:10:40,960
Speaker 1: Yeah.

1431
01:10:43,800 --> 01:10:45,800
Speaker 2: Language is literally the most important thing we have.

1432
01:10:46,120 --> 01:10:49,240
Speaker 3: I mean, what you're describing is like legit theater in place.

1433
01:10:50,360 --> 01:10:54,120
Speaker 3: It's like, I know that's a guy, but we have

1434
01:10:54,720 --> 01:10:58,960
Speaker 3: to be playing along and thinking through what is being said. Yeah,

1435
01:11:00,120 --> 01:11:01,040
Speaker 3: because then it's like.

1436
01:11:04,080 --> 01:11:05,479
Speaker 4: I'm actually bored of what I'm saying.

1437
01:11:06,760 --> 01:11:10,720
Speaker 2: Wow wow, talk about like the opposite of Gringer like

1438
01:11:10,800 --> 01:11:12,400
Speaker 2: giving up halfway through. It's Miss.

1439
01:11:14,160 --> 01:11:18,839
Speaker 4: Drinkle Tack oh, Miss Drinkle Trinkle or Wrinkle Trinkle.

1440
01:11:19,000 --> 01:11:23,040
Speaker 2: Miss Trinkle is mister gringer Beans flop wife because like

1441
01:11:23,160 --> 01:11:25,479
Speaker 2: he's constantly performing at every dinner party and.

1442
01:11:25,520 --> 01:11:27,200
Speaker 4: She's like, oh god too much.

1443
01:11:27,479 --> 01:11:29,679
Speaker 1: Like somebody's like, what did you do today, Miss Trinkle

1444
01:11:29,800 --> 01:11:30,880
Speaker 1: Tach And she's like, I.

1445
01:11:32,560 --> 01:11:33,200
Speaker 2: What did I do.

1446
01:11:42,120 --> 01:11:42,280
Speaker 1: Next?

1447
01:11:43,000 --> 01:11:49,519
Speaker 3: Like she's like, it's like, how are you? She's like,

1448
01:11:49,880 --> 01:11:50,280
Speaker 3: I'm good.

1449
01:11:54,080 --> 01:11:56,080
Speaker 1: I love that she kept her last name. Yeah.

1450
01:11:56,560 --> 01:11:58,759
Speaker 2: Wow, Well you know you have to draw the line somewhere.

1451
01:12:00,280 --> 01:12:05,200
Speaker 3: She's not still not fully it, yeahsible like yeah because

1452
01:12:05,200 --> 01:12:06,080
Speaker 3: of the family pressure.

1453
01:12:06,280 --> 01:12:09,000
Speaker 2: Yeah, definitely. Well, also, mister gringer Beans is so wealthy.

1454
01:12:10,080 --> 01:12:16,160
Speaker 2: Of course, of course, hello talk about Gringer Beans thing.

1455
01:12:16,200 --> 01:12:19,559
Speaker 2: It's having so much money, more than you need, more

1456
01:12:19,640 --> 01:12:22,679
Speaker 2: than you needs, stuff to talk about using Gringer Beans

1457
01:12:22,720 --> 01:12:28,799
Speaker 2: for evil is accumulating. Well, all right, I love that couple.

1458
01:12:29,360 --> 01:12:29,720
Speaker 2: I love that.

1459
01:12:29,840 --> 01:12:32,080
Speaker 1: I really like I can see mister ginger Beans, you

1460
01:12:32,120 --> 01:12:32,479
Speaker 1: know what I mean?

1461
01:12:33,000 --> 01:12:35,640
Speaker 2: What do you look like to you? Help me.

1462
01:12:36,000 --> 01:12:39,799
Speaker 1: Well, he's got one of those hats that's like rounded

1463
01:12:39,880 --> 01:12:40,080
Speaker 1: at the.

1464
01:12:40,120 --> 01:12:43,479
Speaker 2: Top of it's a monopoly man Monopoly, but.

1465
01:12:43,640 --> 01:12:45,960
Speaker 1: There's like a yellow tie. Yeah, and he's like a

1466
01:12:46,040 --> 01:12:49,360
Speaker 1: little bit like like I seep walking to everyone sort

1467
01:12:49,360 --> 01:12:50,320
Speaker 1: of jokingly being.

1468
01:12:50,880 --> 01:12:55,000
Speaker 2: You know what it is, Yeah, monopoly, yellow tie, but

1469
01:12:55,200 --> 01:12:58,200
Speaker 2: stilettos like bigger, like big.

1470
01:12:58,120 --> 01:13:02,600
Speaker 1: Pants and.

1471
01:13:04,479 --> 01:13:04,960
Speaker 3: See why.

1472
01:13:05,120 --> 01:13:09,639
Speaker 4: But like when he walks, it jingles jingle, jingle, jingle.

1473
01:13:11,840 --> 01:13:14,960
Speaker 4: He's amazing. Oh my god, I love him.

1474
01:13:15,439 --> 01:13:16,439
Speaker 1: I love him so much.

1475
01:13:16,439 --> 01:13:18,840
Speaker 4: It's cute. And he walks with the cane but he

1476
01:13:18,920 --> 01:13:19,479
Speaker 4: doesn't need it.

1477
01:13:19,760 --> 01:13:20,400
Speaker 3: It's an umbrella.

1478
01:13:20,560 --> 01:13:25,839
Speaker 1: It's an umbrella. Should we do our final segment?

1479
01:13:26,280 --> 01:13:27,080
Speaker 2: I think we have to.

1480
01:13:38,600 --> 01:13:39,360
Speaker 3: Are you stressed?

1481
01:13:39,640 --> 01:13:43,000
Speaker 2: I'm not stressed independently about other things in my life,

1482
01:13:43,040 --> 01:13:46,439
Speaker 2: as you know I'm doing after this recording. But no,

1483
01:13:46,680 --> 01:13:49,040
Speaker 2: I'm certainly not in the future.

1484
01:13:49,400 --> 01:13:50,000
Speaker 3: Yeah, I know.

1485
01:13:51,040 --> 01:13:52,880
Speaker 2: One of the most powerful things is to literally be

1486
01:13:53,000 --> 01:13:57,280
Speaker 2: like the future doesn't exist yet, and therefore I can't

1487
01:13:57,320 --> 01:13:57,800
Speaker 2: think about it.

1488
01:13:58,280 --> 01:13:59,680
Speaker 4: I don't have to deal with that now.

1489
01:14:00,840 --> 01:14:03,479
Speaker 1: So let's normally our final segment of shout outs, but

1490
01:14:03,720 --> 01:14:06,719
Speaker 1: because we're doing our Pride episode, of which is Gadio

1491
01:14:06,840 --> 01:14:12,080
Speaker 1: lab Our, final segment is brand partnerships and in the

1492
01:14:12,120 --> 01:14:16,600
Speaker 1: style of your favorite LGBTQ plus creators, we want you

1493
01:14:16,680 --> 01:14:19,559
Speaker 1: to partner with anything that you're enjoying around the globe.

1494
01:14:19,960 --> 01:14:22,880
Speaker 1: People place these things ideas just you know, be excited

1495
01:14:22,920 --> 01:14:23,759
Speaker 1: to partner with them.

1496
01:14:24,160 --> 01:14:25,920
Speaker 2: And we're thinking of them on the spot just for

1497
01:14:26,000 --> 01:14:26,639
Speaker 2: everyone at home.

1498
01:14:26,800 --> 01:14:29,120
Speaker 1: Yeah, we don't know what we're going to sew.

1499
01:14:29,160 --> 01:14:30,040
Speaker 4: You guys have something.

1500
01:14:30,200 --> 01:14:32,559
Speaker 2: I think I can whip something up, but it will

1501
01:14:32,640 --> 01:14:33,800
Speaker 2: be right now.

1502
01:14:33,720 --> 01:14:38,479
Speaker 1: When my mind is completely blank. So George, if you want.

1503
01:14:38,280 --> 01:14:46,879
Speaker 2: To go sure. Hey guys, I'm George. I'm a Canadian

1504
01:14:47,000 --> 01:14:51,080
Speaker 2: podcaster and lgbt creator and this June I'm partnering with

1505
01:14:51,200 --> 01:14:55,320
Speaker 2: Oxford Shirts. Oxford shirts are the most versatile shirt out there,

1506
01:14:55,960 --> 01:14:59,080
Speaker 2: and they're sort of in this really incredible space between

1507
01:14:59,200 --> 01:15:01,479
Speaker 2: casual and you can dress them up, you can dress

1508
01:15:01,520 --> 01:15:05,360
Speaker 2: them down. And nothing says verse like being a proud

1509
01:15:05,520 --> 01:15:11,160
Speaker 2: LGBTQ American, especially in these times. So next time you're out,

1510
01:15:11,439 --> 01:15:15,800
Speaker 2: whether you're protesting insert issue here or just going to

1511
01:15:15,840 --> 01:15:18,559
Speaker 2: your office job, put on an Oxford shirt. They come

1512
01:15:18,640 --> 01:15:22,519
Speaker 2: in white, blue, sometimes white and blue stripe in a

1513
01:15:22,520 --> 01:15:25,519
Speaker 2: way that can be really really cool and you can

1514
01:15:25,600 --> 01:15:28,920
Speaker 2: wear them no matter what your gender is. And by

1515
01:15:29,000 --> 01:15:31,840
Speaker 2: the way, all genders are valid, just like all shirts

1516
01:15:31,880 --> 01:15:36,840
Speaker 2: are valid whether they are Oxford or otherwise. And go

1517
01:15:37,080 --> 01:15:42,320
Speaker 2: out there and use promo code George dot com.

1518
01:15:44,600 --> 01:15:46,559
Speaker 1: I didn't know what you were giving is a website.

1519
01:15:46,880 --> 01:15:49,320
Speaker 1: Keep going to buy an.

1520
01:15:49,320 --> 01:15:53,400
Speaker 2: Oxford shirt for your next event, and remember you guys,

1521
01:15:54,280 --> 01:15:55,320
Speaker 2: please go out and vote.

1522
01:15:57,160 --> 01:15:58,000
Speaker 4: That's amazing.

1523
01:15:58,439 --> 01:15:58,679
Speaker 3: Wow.

1524
01:16:00,320 --> 01:16:06,439
Speaker 1: Okay, hey everybody, I'm Sam. You may have seen me

1525
01:16:06,680 --> 01:16:12,640
Speaker 1: on my podcast Stradio Lab, available now on everywhere you

1526
01:16:12,720 --> 01:16:17,240
Speaker 1: get your podcasts and including YouTube. And I am so

1527
01:16:17,520 --> 01:16:20,920
Speaker 1: excited to announce my partnership with running into People at

1528
01:16:20,960 --> 01:16:24,639
Speaker 1: the Airport. I think running into people at the airport

1529
01:16:24,800 --> 01:16:28,719
Speaker 1: is one of the most LGBTQ friendly things you can do, because,

1530
01:16:28,840 --> 01:16:32,400
Speaker 1: you know, if you're traveling like me, you feel so

1531
01:16:32,560 --> 01:16:35,040
Speaker 1: lonely and you feel you're carrying your bags and you're

1532
01:16:35,720 --> 01:16:38,200
Speaker 1: you're without roots, and you say who am I? And

1533
01:16:38,320 --> 01:16:39,040
Speaker 1: then who is that?

1534
01:16:39,560 --> 01:16:39,680
Speaker 3: Oh?

1535
01:16:39,760 --> 01:16:43,160
Speaker 1: Why that's someone you know? Suddenly you're at home. You're

1536
01:16:43,200 --> 01:16:46,479
Speaker 1: feeling chosen family, You're feeling like the airport is your

1537
01:16:46,640 --> 01:16:50,120
Speaker 1: childhood home. And I just find it so fun and

1538
01:16:50,240 --> 01:16:52,880
Speaker 1: creates this interesting dynamic of sort of a you know,

1539
01:16:53,840 --> 01:16:58,400
Speaker 1: before midnight, after sunset type vibe where you're like, do

1540
01:16:58,560 --> 01:17:01,000
Speaker 1: we hang out the whole time? Do we just talk

1541
01:17:01,080 --> 01:17:03,840
Speaker 1: for a little bit? Are we? Is this the moment

1542
01:17:03,880 --> 01:17:07,559
Speaker 1: we fall in love? And I think I'm so excited

1543
01:17:07,600 --> 01:17:09,880
Speaker 1: to partner with running into people into an airport and.

1544
01:17:10,160 --> 01:17:13,879
Speaker 8: I think you guys should check it out into an airport,

1545
01:17:15,160 --> 01:17:18,439
Speaker 8: running into people, running out, running into people you know

1546
01:17:18,680 --> 01:17:23,960
Speaker 8: in an airport setting, and use promote code slay Alma

1547
01:17:25,200 --> 01:17:28,040
Speaker 8: check out, say Sam Sanya, Bye.

1548
01:17:28,640 --> 01:17:30,760
Speaker 2: Wow, that was really good. And I actually think that's

1549
01:17:30,760 --> 01:17:32,639
Speaker 2: a beautiful description of what it's like to run into

1550
01:17:32,640 --> 01:17:33,320
Speaker 2: people at the airport.

1551
01:17:33,400 --> 01:17:34,120
Speaker 3: You really got it right.

1552
01:17:34,240 --> 01:17:35,439
Speaker 4: Is it something you've experienced lately?

1553
01:17:35,640 --> 01:17:40,400
Speaker 1: I experienced it. Yeah, I mean into Murcy Goldman yesterday.

1554
01:17:40,680 --> 01:17:41,919
Speaker 1: I came here yesterday.

1555
01:17:42,200 --> 01:17:46,200
Speaker 4: Great and now it's flying off the shelves.

1556
01:17:46,479 --> 01:17:46,679
Speaker 3: Yeah.

1557
01:17:48,400 --> 01:17:59,560
Speaker 4: Hey guys, it's the last year writer, model and engineer.

1558
01:18:01,479 --> 01:18:02,080
Speaker 3: This pride.

1559
01:18:02,439 --> 01:18:04,679
Speaker 4: I want to talk to you about something that's close

1560
01:18:04,720 --> 01:18:05,160
Speaker 4: to my heart.

1561
01:18:06,960 --> 01:18:12,080
Speaker 3: You know, when you're thirsty and hungry, what I like

1562
01:18:12,160 --> 01:18:17,680
Speaker 3: to do when the feeling strikes is eat fruit. This

1563
01:18:19,760 --> 01:18:23,880
Speaker 3: fruit is what I'm eating every day. Can you imagine

1564
01:18:24,280 --> 01:18:25,760
Speaker 3: being a caveman.

1565
01:18:25,800 --> 01:18:28,719
Speaker 4: And all you've ever eaten is meat and water.

1566
01:18:31,680 --> 01:18:38,120
Speaker 3: Coming across something that looks like completely inedible, almost as

1567
01:18:38,120 --> 01:18:44,040
Speaker 3: a rock, cracking that open and realizing it's a mango,

1568
01:18:45,720 --> 01:18:48,519
Speaker 3: you would be the happiest person who has ever lived.

1569
01:18:48,720 --> 01:18:51,280
Speaker 3: You will probably die from the joy of the feeling.

1570
01:18:52,920 --> 01:18:58,280
Speaker 3: That's why this Pride, I'm encouraging you to go buy

1571
01:18:58,360 --> 01:19:02,960
Speaker 3: some fruit. When you go to the grocery store now

1572
01:19:03,160 --> 01:19:07,080
Speaker 3: and get fruit, you can also buy every other kind

1573
01:19:07,120 --> 01:19:16,240
Speaker 3: of food used promo code Caveman, thirsty hungry at checkout for.

1574
01:19:18,479 --> 01:19:19,559
Speaker 1: God, it's such a good deal.

1575
01:19:22,400 --> 01:19:23,040
Speaker 3: It is amazing.

1576
01:19:23,800 --> 01:19:29,519
Speaker 4: It's free, and I cannot believe it exists.

1577
01:19:32,120 --> 01:19:33,559
Speaker 3: Check it out and follow.

1578
01:19:34,320 --> 01:19:37,960
Speaker 1: Wow, I mean that's amazing, so fun.

1579
01:19:41,600 --> 01:19:49,920
Speaker 2: You get free therapy for line. Okay, wow, you know.

1580
01:19:50,640 --> 01:19:51,320
Speaker 2: Let me just say this.

1581
01:19:51,800 --> 01:19:52,000
Speaker 3: Yeah.

1582
01:19:52,360 --> 01:19:54,759
Speaker 2: I started this episode not being in the mood for Pride.

1583
01:19:54,960 --> 01:19:57,600
Speaker 2: I've never felt more private. Oh my god, I was

1584
01:19:57,680 --> 01:20:01,000
Speaker 2: so ready to go out there and be proudly out Georgia.

1585
01:20:02,600 --> 01:20:05,080
Speaker 2: But this is so to parties. I'm going to be

1586
01:20:05,320 --> 01:20:08,519
Speaker 2: so gringer beans. I'm going to be mixed gringer beans

1587
01:20:08,880 --> 01:20:09,920
Speaker 2: this Pride.

1588
01:20:09,720 --> 01:20:15,640
Speaker 4: Of course, and oh my god, we mixed. How are

1589
01:20:15,680 --> 01:20:16,040
Speaker 4: they doing?

1590
01:20:17,840 --> 01:20:21,360
Speaker 2: I actually think that's a great question because mixed Emma.

1591
01:20:21,920 --> 01:20:25,120
Speaker 2: When we invented them, they were a college student.

1592
01:20:25,320 --> 01:20:26,840
Speaker 3: Yes, and that was four years ago.

1593
01:20:27,600 --> 01:20:31,439
Speaker 2: This is what I mean, like literally like out and

1594
01:20:31,520 --> 01:20:37,759
Speaker 2: about adults. They're an adult. They are, you know, probably

1595
01:20:37,800 --> 01:20:39,479
Speaker 2: working out a company of some sort.

1596
01:20:39,600 --> 01:20:40,559
Speaker 1: It's an ethical company.

1597
01:20:40,920 --> 01:20:42,639
Speaker 2: I mean, this is what I've been. That's why I'm

1598
01:20:43,080 --> 01:20:45,880
Speaker 2: delaying what I'm about to say. I don't I'm like,

1599
01:20:46,080 --> 01:20:47,320
Speaker 2: is it well?

1600
01:20:47,560 --> 01:20:50,320
Speaker 3: I think it's the job that they got and maybe

1601
01:20:50,360 --> 01:20:53,960
Speaker 3: that's not exactly what they would like to be doing,

1602
01:20:54,200 --> 01:20:57,599
Speaker 3: but that's okay for me right now.

1603
01:20:58,360 --> 01:21:01,600
Speaker 2: And do you think they like.

1604
01:21:03,680 --> 01:21:05,120
Speaker 4: I feel like there was still Emma.

1605
01:21:06,000 --> 01:21:07,960
Speaker 2: Huh oh did they still go by Emma?

1606
01:21:08,080 --> 01:21:08,439
Speaker 1: Not sure?

1607
01:21:09,040 --> 01:21:09,320
Speaker 3: Wow?

1608
01:21:10,520 --> 01:21:11,120
Speaker 1: What do you think?

1609
01:21:11,280 --> 01:21:16,120
Speaker 3: I think they probably go by chair now chair Wow.

1610
01:21:17,920 --> 01:21:20,160
Speaker 3: But but they it's not like a dead name, but

1611
01:21:20,280 --> 01:21:23,560
Speaker 3: they prefer chair. Oh so it's not it's like like

1612
01:21:23,800 --> 01:21:25,519
Speaker 3: like yeah, yeah, like that's what their friends call them

1613
01:21:25,520 --> 01:21:27,720
Speaker 3: and like they're still cool with like m M that

1614
01:21:27,880 --> 01:21:30,519
Speaker 3: kind of thing. Yeah, but they do prefer chair.

1615
01:21:31,080 --> 01:21:34,679
Speaker 2: Yeah. Okay, wow, but I just shout out to Chair

1616
01:21:34,800 --> 01:21:39,280
Speaker 2: And honestly, like I do think I would say I

1617
01:21:39,400 --> 01:21:42,080
Speaker 2: have faith that they will land on their feet, Like, yes,

1618
01:21:42,160 --> 01:21:43,680
Speaker 2: this is not an ideal drop for them, but like

1619
01:21:44,320 --> 01:21:44,840
Speaker 2: they have such.

1620
01:21:44,680 --> 01:21:46,200
Speaker 4: A beautiful voice, beautiful voice.

1621
01:21:46,760 --> 01:21:50,320
Speaker 2: They're living with two great roommates. You know, they've gotten

1622
01:21:50,320 --> 01:21:52,640
Speaker 2: really good at cooking, really good at cooking. Yes, I

1623
01:21:52,720 --> 01:21:54,840
Speaker 2: mean they've cooked through because you know, when we first

1624
01:21:54,960 --> 01:21:59,040
Speaker 2: met them, they were cooking Alison room and stew. But

1625
01:21:59,360 --> 01:22:02,040
Speaker 2: I moved through the rest of alist in Roman.

1626
01:22:01,880 --> 01:22:04,160
Speaker 4: Books and they're doing cold carry cake.

1627
01:22:04,520 --> 01:22:06,920
Speaker 2: But you know what is happening now, Actually they are

1628
01:22:07,040 --> 01:22:10,720
Speaker 2: now vegan. They were good, good for.

1629
01:22:10,760 --> 01:22:17,160
Speaker 3: Them, yeah, and it's because of the they're they're an

1630
01:22:17,280 --> 01:22:23,120
Speaker 3: ethical disagreement having to do with humans, not with animals exactly.

1631
01:22:23,240 --> 01:22:24,559
Speaker 2: They don't give a shit about animals.

1632
01:22:25,360 --> 01:22:27,440
Speaker 3: But they heard about the kinds of diseases.

1633
01:22:29,600 --> 01:22:32,280
Speaker 2: They're a sort of a what's it called when you

1634
01:22:32,320 --> 01:22:33,080
Speaker 2: always think you're sick?

1635
01:22:33,160 --> 01:22:35,600
Speaker 4: They made them really upset, the hypochondria.

1636
01:22:35,240 --> 01:22:39,679
Speaker 2: Hypochondria which actually falls under the LGBTQ plus on brown.

1637
01:22:40,720 --> 01:22:44,120
Speaker 2: But they're on the very very edge getting poisoned by acid.

1638
01:22:44,200 --> 01:22:50,360
Speaker 3: Right. Oh, but they're good, they're good, and they're in love.

1639
01:22:50,840 --> 01:22:55,679
Speaker 2: Oh my god, that's right. It's cool with a photographer.

1640
01:22:55,160 --> 01:22:59,040
Speaker 4: With a photographer, a really good for photographer.

1641
01:22:59,120 --> 01:23:01,360
Speaker 2: Yeah, that's age instead of spread for paper.

1642
01:23:01,200 --> 01:23:03,839
Speaker 4: Magazine of imm A Chamberlain.

1643
01:23:04,080 --> 01:23:08,559
Speaker 1: Yes, I'm a Chamberlain and it was sort of caveman themed.

1644
01:23:08,720 --> 01:23:13,080
Speaker 2: Yeah, and guess what Emma Chamberlain is then new mix

1645
01:23:13,479 --> 01:23:15,800
Speaker 2: Emma now that the old mix Semma is Chair.

1646
01:23:16,000 --> 01:23:17,160
Speaker 4: That's what they related about.

1647
01:23:17,240 --> 01:23:18,920
Speaker 2: That's what they related about, because like.

1648
01:23:19,479 --> 01:23:24,600
Speaker 3: Mixed, Chair doesn't have shame about changing. So they were like,

1649
01:23:26,040 --> 01:23:28,080
Speaker 3: my name was actually for many years.

1650
01:23:28,240 --> 01:23:30,160
Speaker 2: Yeah, and I'm a Chamberlain was like, oh my god,

1651
01:23:30,840 --> 01:23:32,920
Speaker 2: that's so crazy. You want to selfie.

1652
01:23:35,680 --> 01:23:39,560
Speaker 1: Oh well, what a beautiful note to end on. That

1653
01:23:39,640 --> 01:23:40,840
Speaker 1: was like catching up with the college friend.

1654
01:23:41,080 --> 01:23:41,439
Speaker 3: It was.

1655
01:23:43,080 --> 01:23:45,599
Speaker 2: Straight in the lab, deep lore and I think we're

1656
01:23:45,640 --> 01:23:47,719
Speaker 2: not going to expl if you haven't listened to literally

1657
01:23:47,800 --> 01:23:49,439
Speaker 2: episodes or.

1658
01:23:49,479 --> 01:23:52,320
Speaker 4: Something, if you know, you know, do you think you

1659
01:23:52,439 --> 01:23:54,560
Speaker 4: can't do that? I can need that.

1660
01:23:57,560 --> 01:23:59,960
Speaker 2: I didn't need it, I said, I.

1661
01:24:03,479 --> 01:24:03,960
Speaker 3: Just said it.

1662
01:24:05,640 --> 01:24:10,320
Speaker 2: A happy pride, Happy pride to all, Happy pride to

1663
01:24:10,360 --> 01:24:12,479
Speaker 2: all the glamour girls out there, Happy pride to Chair,

1664
01:24:12,960 --> 01:24:19,360
Speaker 2: Happy pride to Emma Chamberlain and happy mister mister bring

1665
01:24:20,640 --> 01:24:30,320
Speaker 2: bringle Bean, sorry mister, and missus missus Trinkles Trinker techrink

1666
01:24:30,760 --> 01:24:36,720
Speaker 2: Trinkle tech trinkle, tech trinkle, I believe. Yeah, yeah, God,

1667
01:24:36,760 --> 01:24:38,840
Speaker 2: it is so like her to have people forget her name.

1668
01:24:39,680 --> 01:24:41,720
Speaker 4: Well, she could help us a bit.

1669
01:24:42,360 --> 01:24:44,920
Speaker 1: Yeah yeah, it's sort of not the victim lame, but

1670
01:24:45,000 --> 01:24:48,759
Speaker 1: she can live out loud a little more. I agree, Okay,

1671
01:24:50,160 --> 01:24:53,080
Speaker 1: I love you. Stradio Lab is a production by Will

1672
01:24:53,120 --> 01:24:56,880
Speaker 1: Ferrell's Big Money Players and iHeartRadio podcasts, created.

1673
01:24:56,560 --> 01:24:59,400
Speaker 2: And hosted by Sam Taggart and George saveris.

1674
01:24:59,120 --> 01:25:03,280
Speaker 1: Executive produced by Becca Ramos, produced by Casey Donahue, edited

1675
01:25:03,320 --> 01:25:04,559
Speaker 1: and mixed by Laurence Stump.

1676
01:25:05,040 --> 01:25:07,160
Speaker 2: Social video done by hot Dog Sandwich