1
00:00:04,559 --> 00:00:10,520
Speaker 1: So it was me and.

2
00:00:12,080 --> 00:00:21,239
Speaker 2: Brandon Flowers and we were Wowers Flowers, the main killer

3
00:00:21,560 --> 00:00:25,840
Speaker 2: from the Killers for Algebra, one of the baddest dudes

4
00:00:25,880 --> 00:00:26,520
Speaker 2: on the planet.

5
00:00:26,760 --> 00:00:28,920
Speaker 1: And uh, we were.

6
00:00:30,480 --> 00:00:33,920
Speaker 3: Jacket his truck up to put huge tires on giant tire,

7
00:00:34,040 --> 00:00:38,800
Speaker 3: giant monster truck tires, and we're painting.

8
00:00:40,600 --> 00:00:42,200
Speaker 1: Devil horns and.

9
00:00:43,640 --> 00:00:49,400
Speaker 3: Leather jackets and uh, make it a toothpick on the grill.

10
00:00:49,479 --> 00:00:51,800
Speaker 3: Look at like the truck is chewing on a toothpick

11
00:00:51,840 --> 00:00:52,400
Speaker 3: coming out.

12
00:00:52,240 --> 00:00:53,040
Speaker 1: Of the hood of the car.

13
00:00:53,200 --> 00:00:58,320
Speaker 4: Tribal tattoo, tribal tattoo, barbed wire, and we're making the

14
00:00:58,440 --> 00:01:02,720
Speaker 4: truck look tough as hell so that one of the Killers,

15
00:01:02,720 --> 00:01:05,840
Speaker 4: the main Killers, can be driving around looking like a

16
00:01:05,920 --> 00:01:08,479
Speaker 4: bad Give it the eyebrow, so it's doing the rock

17
00:01:08,959 --> 00:01:09,880
Speaker 4: the people's eyebrow.

18
00:01:10,040 --> 00:01:12,800
Speaker 3: We gave it the people's eyebrow over the one headlight

19
00:01:13,040 --> 00:01:15,240
Speaker 3: so that it is kind of giving it to you.

20
00:01:18,120 --> 00:01:21,640
Speaker 3: And as we're doing this, the police show up.

21
00:01:23,080 --> 00:01:24,320
Speaker 1: And they want to arrest the car.

22
00:01:25,680 --> 00:01:31,200
Speaker 3: Yeah, profile filing, profiling, It looks the part the kind

23
00:01:31,240 --> 00:01:32,800
Speaker 3: of element they don't want.

24
00:01:35,280 --> 00:01:37,920
Speaker 1: Yeah. Yeah, Brandon lives in.

25
00:01:40,240 --> 00:01:44,080
Speaker 3: He's uh, he lives in Pleasantville, where a lot of

26
00:01:44,080 --> 00:01:49,440
Speaker 3: the cars look nice. Yeah, and they're also older. This

27
00:01:49,440 --> 00:01:52,320
Speaker 3: this was new. I mean this was a brand new.

28
00:01:54,360 --> 00:01:56,480
Speaker 1: Uh should be.

29
00:01:56,520 --> 00:02:00,640
Speaker 3: Tall hoe and uh So anyway, we into this whole

30
00:02:00,640 --> 00:02:03,920
Speaker 3: thing with the police and uh and I, you know,

31
00:02:04,000 --> 00:02:05,520
Speaker 3: I've got to come up with the bail money for

32
00:02:05,560 --> 00:02:13,360
Speaker 3: the truck. And as we're on the courthouse steps me

33
00:02:14,200 --> 00:02:20,280
Speaker 3: the truck, Brandon doing a press conference, Yes, Commissioner Gordon,

34
00:02:25,200 --> 00:02:30,040
Speaker 3: and we're fielding questions and I just something inside me,

35
00:02:30,080 --> 00:02:32,240
Speaker 3: a voice inside of me tells me to do this.

36
00:02:32,600 --> 00:02:34,400
Speaker 3: I pop up in the glove compartment of the truck

37
00:02:35,919 --> 00:02:37,200
Speaker 3: and he had stolen something.

38
00:02:37,280 --> 00:02:41,919
Speaker 1: Oh my god. And you learn you know why was it?

39
00:02:43,160 --> 00:02:47,960
Speaker 1: Uh Jade scorpions. Hey, welcome to Hollywood Handbook.

40
00:02:48,320 --> 00:02:53,239
Speaker 3: Welcome kicking dropping names, the red carpet lineback always this

41
00:02:53,280 --> 00:02:54,600
Speaker 3: industry we call showbiz. What up?

42
00:02:54,639 --> 00:02:54,920
Speaker 1: What Up?

43
00:02:54,960 --> 00:02:56,880
Speaker 3: We have such a special guest today and we're doing

44
00:02:56,960 --> 00:02:59,120
Speaker 3: such a great fun episode. It's going to be so

45
00:02:59,320 --> 00:03:01,400
Speaker 3: funny and fun to listen to for our for our

46
00:03:01,440 --> 00:03:02,520
Speaker 3: podcast fans.

47
00:03:02,960 --> 00:03:07,000
Speaker 4: Little Janet Varney and I think it's disgraceful that they

48
00:03:07,080 --> 00:03:10,360
Speaker 4: call you this, that it's calling these men say this.

49
00:03:10,320 --> 00:03:14,200
Speaker 3: These men, you're little This is disgrace and it ends

50
00:03:14,280 --> 00:03:18,880
Speaker 3: today j V. They say, as if you're junior varsity,

51
00:03:18,880 --> 00:03:21,040
Speaker 3: and to me, you're the captain and coach of the

52
00:03:21,160 --> 00:03:21,919
Speaker 3: entire squad.

53
00:03:22,840 --> 00:03:27,440
Speaker 5: Thanks, thank you. Today you are systematically eliminating all of

54
00:03:27,440 --> 00:03:32,480
Speaker 5: my fun nicknames. You are big Ja absolutely big Jam.

55
00:03:32,960 --> 00:03:35,720
Speaker 5: I'm going to be driving that truck, big Jim. There's

56
00:03:35,720 --> 00:03:37,960
Speaker 5: no question again.

57
00:03:38,280 --> 00:03:42,960
Speaker 3: Oh yeah, yes, snow chains on even in the summer.

58
00:03:43,000 --> 00:03:45,200
Speaker 1: That's roight. I like to hear the gritty.

59
00:03:45,360 --> 00:03:49,720
Speaker 3: Scrawl, destroy the fucking driveway.

60
00:03:51,680 --> 00:03:55,440
Speaker 1: Voice acting, voice, body act.

61
00:03:56,160 --> 00:04:02,680
Speaker 5: You said, voice acting, Yeah, voys acting, body acting, voice

62
00:04:02,720 --> 00:04:04,600
Speaker 5: on the side, Yeah, a little bit.

63
00:04:05,040 --> 00:04:07,920
Speaker 1: And uh and podcast.

64
00:04:07,640 --> 00:04:10,280
Speaker 6: Yeah, what the heck's going on?

65
00:04:10,560 --> 00:04:13,160
Speaker 1: That's too many? Hold on, I'm running out of fingers here.

66
00:04:13,240 --> 00:04:15,120
Speaker 6: List allbody's gonna arrest me?

67
00:04:15,640 --> 00:04:18,719
Speaker 3: Yeah no, and it's true and and if it does happen,

68
00:04:19,120 --> 00:04:20,520
Speaker 3: you know, you can always call Devin.

69
00:04:21,279 --> 00:04:22,840
Speaker 6: I do feel like I can always call Devan.

70
00:04:22,920 --> 00:04:25,600
Speaker 3: I would answer engineered Devin, I come bail you out.

71
00:04:25,720 --> 00:04:27,920
Speaker 3: He will keep take the wrap himself.

72
00:04:28,279 --> 00:04:31,320
Speaker 4: Well, because he did it, let's be honest, whatever it is,

73
00:04:31,360 --> 00:04:32,599
Speaker 4: he did it.

74
00:04:34,720 --> 00:04:38,240
Speaker 1: So you're here, you're wolf doing a show. Oh yeah,

75
00:04:38,360 --> 00:04:38,920
Speaker 1: do you need.

76
00:04:38,800 --> 00:04:41,960
Speaker 6: Me to tell you what it is, because it's your podcast.

77
00:04:42,560 --> 00:04:45,640
Speaker 1: It's better for me if you.

78
00:04:45,839 --> 00:04:48,880
Speaker 4: Do anything you're doing that I'm not doing. It was great,

79
00:04:48,920 --> 00:04:51,919
Speaker 4: So let's just get that like out on the table

80
00:04:52,000 --> 00:04:54,400
Speaker 4: right now. Yes, if you have a question over whether

81
00:04:54,440 --> 00:04:57,320
Speaker 4: you should do it or I should, you have.

82
00:04:57,240 --> 00:04:57,680
Speaker 1: To do it.

83
00:04:57,839 --> 00:05:01,800
Speaker 5: Okay, okay, all right now, I perform all under pressure

84
00:05:01,960 --> 00:05:02,839
Speaker 5: for sure.

85
00:05:03,040 --> 00:05:03,360
Speaker 4: For me.

86
00:05:03,680 --> 00:05:05,960
Speaker 3: One thing I'll say about this show in general that

87
00:05:06,000 --> 00:05:11,479
Speaker 3: I've been trying to make clear to everyone, I am

88
00:05:11,520 --> 00:05:14,960
Speaker 3: just here to deserve. Okay, all right, I'm strictly here

89
00:05:15,000 --> 00:05:19,479
Speaker 3: to observe, not supposed to be really even talking as

90
00:05:19,560 --> 00:05:21,280
Speaker 3: much as I have, So I will be taking a

91
00:05:21,320 --> 00:05:23,080
Speaker 3: step back now and enjoying this.

92
00:05:23,200 --> 00:05:24,680
Speaker 5: And you really are just here to observe. You're not

93
00:05:24,680 --> 00:05:26,760
Speaker 5: taking notes or anything. So you're going to be going

94
00:05:26,800 --> 00:05:29,160
Speaker 5: off your own memory on the stamp.

95
00:05:29,440 --> 00:05:33,240
Speaker 3: Yes, when I am called in to testify, yes, as

96
00:05:33,279 --> 00:05:35,360
Speaker 3: a character witness for Devin, right.

97
00:05:36,080 --> 00:05:38,560
Speaker 1: After you are arrested for having too many jobs?

98
00:05:38,560 --> 00:05:42,919
Speaker 3: Correct, I am going to be working from memory, which,

99
00:05:43,000 --> 00:05:46,000
Speaker 3: as we know, is a flawed machine.

100
00:05:46,360 --> 00:05:48,599
Speaker 1: Yeah, isn't it extremely flawed?

101
00:05:48,720 --> 00:05:50,520
Speaker 4: Let's talk about the show. I can do a little

102
00:05:50,720 --> 00:05:52,840
Speaker 4: sort of an intro to help people understand it. The

103
00:05:52,880 --> 00:05:57,000
Speaker 4: French refer to this concept of a bone voyage, which

104
00:05:57,080 --> 00:06:04,240
Speaker 4: is a good boy, and that is what we celebrate today.

105
00:06:04,960 --> 00:06:07,440
Speaker 6: Yes, is that true, a bone voyage?

106
00:06:07,680 --> 00:06:12,359
Speaker 4: Yes, yes, and you are doing one of these. But

107
00:06:12,440 --> 00:06:14,080
Speaker 4: it's a voyage of the stars.

108
00:06:15,080 --> 00:06:17,200
Speaker 6: Yeah, I mean in the sense it's almost a voyage

109
00:06:17,240 --> 00:06:18,000
Speaker 6: to the stars.

110
00:06:18,839 --> 00:06:21,040
Speaker 1: Okay, why didn't you call it that instead?

111
00:06:21,120 --> 00:06:22,520
Speaker 6: I don't know at the time.

112
00:06:22,920 --> 00:06:24,840
Speaker 5: You know, it's one of the situations where we feel

113
00:06:24,839 --> 00:06:27,760
Speaker 5: like the word of is not used as often as

114
00:06:27,760 --> 00:06:28,280
Speaker 5: it should be.

115
00:06:28,360 --> 00:06:29,479
Speaker 6: It's one of those rarities.

116
00:06:30,160 --> 00:06:31,800
Speaker 5: Every once in a while you hear the word of

117
00:06:32,040 --> 00:06:38,640
Speaker 5: and you're like, that's it's well on the tongue.

118
00:06:38,720 --> 00:06:43,560
Speaker 3: Yeah, it's not on the tongue. It's really the.

119
00:06:43,760 --> 00:06:46,640
Speaker 6: That vibration of your teeth hitting that bottom.

120
00:06:46,279 --> 00:06:49,760
Speaker 1: Lip gives my teeth a little kiss. But I have

121
00:06:49,800 --> 00:06:52,880
Speaker 1: to do this whole thing too. I'm so tired too.

122
00:06:53,480 --> 00:06:54,920
Speaker 6: I know it's awful.

123
00:06:54,200 --> 00:07:01,120
Speaker 5: It's an awful, awful word. Yeah, yeah, everywhere. Well it's

124
00:07:01,400 --> 00:07:03,719
Speaker 5: I'll say it's a nightmare for audio engineers.

125
00:07:03,760 --> 00:07:05,960
Speaker 1: It sucks. Nightmare sucks.

126
00:07:06,040 --> 00:07:09,520
Speaker 4: Speaking of audio engineers, Devin has been saying over the

127
00:07:09,600 --> 00:07:14,440
Speaker 4: last few weeks that he is effectively the main character

128
00:07:14,560 --> 00:07:18,240
Speaker 4: of this show, or as he refers with the main stars, Yes,

129
00:07:18,320 --> 00:07:20,000
Speaker 4: do you agree with this assessment?

130
00:07:20,080 --> 00:07:20,360
Speaker 1: I do.

131
00:07:20,720 --> 00:07:24,680
Speaker 5: I do in the sense that not dissimilar to your podcast.

132
00:07:25,320 --> 00:07:29,480
Speaker 5: Just having Devon there to observe, I think raises the

133
00:07:29,520 --> 00:07:32,960
Speaker 5: standards of everyone else. It's like the character of New

134
00:07:33,040 --> 00:07:35,280
Speaker 5: York and Sex and the City.

135
00:07:34,160 --> 00:07:36,080
Speaker 1: You're about it.

136
00:07:36,240 --> 00:07:38,800
Speaker 3: You're on your behavior when Devin's there, the character of

137
00:07:38,840 --> 00:07:40,360
Speaker 3: New York and Isle of New York.

138
00:07:40,400 --> 00:07:43,960
Speaker 1: The show is that a show? Yes she was, she

139
00:07:44,080 --> 00:07:48,000
Speaker 1: was flavor Flaves dating these men. Yes, you have to.

140
00:07:48,200 --> 00:07:49,280
Speaker 1: We love you must.

141
00:07:49,560 --> 00:07:53,480
Speaker 5: You absolutely must New York have I I must so

142
00:07:53,600 --> 00:07:55,960
Speaker 5: much that I should have already in and.

143
00:07:56,440 --> 00:07:59,480
Speaker 1: Yes, yes you did. You actually did well in the

144
00:07:59,560 --> 00:08:01,320
Speaker 1: character of Chicago and New.

145
00:08:01,160 --> 00:08:04,320
Speaker 5: Girl or the character of Chicago just in the band

146
00:08:04,640 --> 00:08:08,120
Speaker 5: like a lot of people. You can hear it all

147
00:08:08,280 --> 00:08:11,360
Speaker 5: wy there's a through line of the city of Chicagogo.

148
00:08:11,960 --> 00:08:15,720
Speaker 1: Yes, twenty five or six two four? Right?

149
00:08:16,080 --> 00:08:19,120
Speaker 6: Is that the wait twenty five that's an area code?

150
00:08:19,520 --> 00:08:22,320
Speaker 3: No, no, no, no, no, this is Chicago.

151
00:08:22,480 --> 00:08:23,360
Speaker 6: Okay.

152
00:08:25,000 --> 00:08:28,400
Speaker 5: I ran up against my limited knowledge of Chicago super quick.

153
00:08:28,520 --> 00:08:31,640
Speaker 1: All right, interesting issue?

154
00:08:31,840 --> 00:08:33,440
Speaker 6: I did? I shoehorned it right?

155
00:08:33,440 --> 00:08:36,240
Speaker 1: In an apology accepted thank you.

156
00:08:37,040 --> 00:08:37,280
Speaker 6: Yeah.

157
00:08:37,280 --> 00:08:40,360
Speaker 5: So Devon is definitely the principal character of Voyage to

158
00:08:40,400 --> 00:08:44,000
Speaker 5: the Stars, Avoid to the Stars. I will say that

159
00:08:44,080 --> 00:08:46,880
Speaker 5: he is, and I'm sure you appreciate this, uh, that

160
00:08:46,920 --> 00:08:49,120
Speaker 5: he's if you were in the room with us, all

161
00:08:49,200 --> 00:08:51,240
Speaker 5: bets off, no way right gross?

162
00:08:51,280 --> 00:08:53,480
Speaker 1: Oh yeah, yeah, but he is.

163
00:08:54,080 --> 00:08:57,160
Speaker 5: One of those audio engineers that you if you're the

164
00:08:57,240 --> 00:09:00,440
Speaker 5: kind of person who needs the reinforcement of a live audience,

165
00:09:01,160 --> 00:09:04,320
Speaker 5: you can absolutely cast a glance to see if you've

166
00:09:04,320 --> 00:09:05,120
Speaker 5: made Devon laugh.

167
00:09:05,240 --> 00:09:08,280
Speaker 6: It's a very bad habit. It's dangerous.

168
00:09:08,800 --> 00:09:11,360
Speaker 5: He needs to have more of a poker face because

169
00:09:11,360 --> 00:09:14,880
Speaker 5: then I see, you know, ear Steve Berg's you're Colton

170
00:09:15,040 --> 00:09:19,480
Speaker 5: Duns your quote unquote Felicia Days casting a look over,

171
00:09:19,520 --> 00:09:20,760
Speaker 5: Oh did I make Devon laugh?

172
00:09:21,160 --> 00:09:21,520
Speaker 3: I did?

173
00:09:21,600 --> 00:09:24,240
Speaker 6: Okay, and theferable for the rest of the yea.

174
00:09:25,520 --> 00:09:27,920
Speaker 4: These people are very famous to me as people who

175
00:09:28,120 --> 00:09:30,760
Speaker 4: are continually rescheduling doing this show.

176
00:09:30,920 --> 00:09:33,839
Speaker 1: Yes, yes, they live in my inbox.

177
00:09:34,160 --> 00:09:36,839
Speaker 7: The more you reschedule, the relig that you are sort

178
00:09:36,880 --> 00:09:40,480
Speaker 7: of the greatest hits of people who Kevin has texted

179
00:09:40,520 --> 00:09:43,640
Speaker 7: me and said, like, oh, they actually need to do

180
00:09:44,320 --> 00:09:47,720
Speaker 7: or I'm going to offer them this instead is often yes,

181
00:09:48,040 --> 00:09:50,160
Speaker 7: what their name is associated with yes.

182
00:09:50,360 --> 00:09:52,800
Speaker 6: And the offer them this instead is like a smoothie.

183
00:09:52,960 --> 00:09:56,800
Speaker 3: It's well, well, yes, I assume he's offering them any

184
00:09:56,840 --> 00:09:59,079
Speaker 3: snack they want to come on the show, but he's

185
00:09:59,240 --> 00:10:01,120
Speaker 3: offering them three months.

186
00:10:00,760 --> 00:10:02,560
Speaker 1: Out in the future. So gotcha.

187
00:10:02,760 --> 00:10:04,760
Speaker 3: When we hit that point, we can once again offer

188
00:10:04,800 --> 00:10:06,000
Speaker 3: them another reprieve.

189
00:10:06,640 --> 00:10:10,200
Speaker 6: Yeah, I will say that is I was at.

190
00:10:10,120 --> 00:10:13,480
Speaker 5: A show I had the pleasure of watching a series

191
00:10:13,520 --> 00:10:16,800
Speaker 5: of sketches that I was in. One at the at

192
00:10:16,840 --> 00:10:21,120
Speaker 5: the Groundlings, and this writer named Gene Pac has a

193
00:10:21,160 --> 00:10:25,080
Speaker 5: sketch about like It's. It was so painfully uncomfortable for

194
00:10:25,120 --> 00:10:27,160
Speaker 5: everyone in the audience to watch because it is just

195
00:10:28,240 --> 00:10:30,600
Speaker 5: a scene between two guys who run into each other

196
00:10:30,640 --> 00:10:33,280
Speaker 5: at a coffee shop in Hollywood, and then the amount

197
00:10:33,360 --> 00:10:36,880
Speaker 5: of emails it takes for them to see each other

198
00:10:36,920 --> 00:10:40,920
Speaker 5: again of just like, oh dude, we've got to catch up,

199
00:10:41,040 --> 00:10:44,480
Speaker 5: like and it's and it captures the legitimacy of the

200
00:10:44,520 --> 00:10:48,840
Speaker 5: emotion like it's not. I think people think that flakiness

201
00:10:48,840 --> 00:10:51,880
Speaker 5: in la is fake all across the board, like that

202
00:10:51,920 --> 00:10:54,280
Speaker 5: there's a sort of like, oh, it's not, like you

203
00:10:54,280 --> 00:10:56,920
Speaker 5: don't sincerely like the person that you're flaking on, right,

204
00:10:57,000 --> 00:11:00,440
Speaker 5: But he captured the fact that these guys cared deeply

205
00:11:00,559 --> 00:11:04,440
Speaker 5: for one another and it's still three years and like

206
00:11:04,480 --> 00:11:08,680
Speaker 5: two children that one of them has had by the

207
00:11:08,720 --> 00:11:09,600
Speaker 5: time it's each other again.

208
00:11:09,640 --> 00:11:12,640
Speaker 6: And it really was. It was like it felt like drink.

209
00:11:12,800 --> 00:11:13,480
Speaker 6: I felt like I was.

210
00:11:13,520 --> 00:11:15,280
Speaker 5: Drinking my own poison as I was watching, and I

211
00:11:15,320 --> 00:11:18,080
Speaker 5: was like, this is so everyone I know, including myself

212
00:11:18,080 --> 00:11:19,920
Speaker 5: in La it's gross Janet.

213
00:11:20,000 --> 00:11:23,079
Speaker 1: Unfortunately, we don't have the rights to describe that sketch.

214
00:11:23,400 --> 00:11:27,760
Speaker 1: Oh shit, so we're gonna get sued to Kingdom come.

215
00:11:29,000 --> 00:11:32,439
Speaker 1: And Devin is fantasizing about the length of the beep

216
00:11:32,640 --> 00:11:33,280
Speaker 1: he gets.

217
00:11:35,240 --> 00:11:37,720
Speaker 5: Do you get any control over whether tonally it changes?

218
00:11:37,800 --> 00:11:40,440
Speaker 5: Can it sort of change? Can you match the timber

219
00:11:40,600 --> 00:11:41,600
Speaker 5: of my voice?

220
00:11:41,720 --> 00:11:43,000
Speaker 1: Note wise that's good?

221
00:11:43,160 --> 00:11:51,480
Speaker 6: So it is like that.

222
00:11:48,520 --> 00:11:51,360
Speaker 5: There with a theremin and yeah, And then this is

223
00:11:51,360 --> 00:11:52,920
Speaker 5: going to be such a meme on TikTok. It's going

224
00:11:53,000 --> 00:11:55,200
Speaker 5: to be like all these kids like mouthing what they

225
00:11:55,240 --> 00:11:58,600
Speaker 5: think the story was, wearing various shower caps.

226
00:11:58,600 --> 00:11:59,360
Speaker 6: I don't know how TikTok.

227
00:11:59,559 --> 00:11:59,959
Speaker 1: I know it.

228
00:12:00,040 --> 00:12:06,240
Speaker 7: TikTok is yes, right, it's on the phone exactly egg.

229
00:12:07,559 --> 00:12:09,440
Speaker 1: Coming out. It's on the phone.

230
00:12:09,640 --> 00:12:13,240
Speaker 3: TikTok the Morning show, it's on the phone.

231
00:12:13,480 --> 00:12:19,520
Speaker 6: Sure, yeah, if it's a phone, you're halfway home.

232
00:12:19,679 --> 00:12:24,720
Speaker 3: I think can we sell that to make up the

233
00:12:24,760 --> 00:12:27,199
Speaker 3: money that we're losing by describing the groppling sketch?

234
00:12:27,960 --> 00:12:30,600
Speaker 1: You're in the band, the Groundings band. Uh no, doloud

235
00:12:30,679 --> 00:12:33,120
Speaker 1: music right next to the stage. You're not in the band.

236
00:12:33,360 --> 00:12:35,880
Speaker 6: No no, no, no, no no no. I guess there is.

237
00:12:35,880 --> 00:12:37,640
Speaker 6: There is there a dedicated band for every show.

238
00:12:38,240 --> 00:12:43,040
Speaker 1: Wow, I don't know. I know. When I was there

239
00:12:43,080 --> 00:12:48,120
Speaker 1: to see a collection of sketches, they played I'm a rebel.

240
00:12:48,240 --> 00:12:51,880
Speaker 1: Just what kicks men they did? They played it are

241
00:12:51,920 --> 00:12:52,280
Speaker 1: you Alive?

242
00:12:53,120 --> 00:12:57,960
Speaker 5: So you can sing that that's my song? But that

243
00:12:58,120 --> 00:13:02,120
Speaker 5: was my story. That was my story describing someone else's property.

244
00:13:02,559 --> 00:13:06,000
Speaker 3: Okay, Oh well, I guess I didn't think of it

245
00:13:06,040 --> 00:13:06,880
Speaker 3: that way.

246
00:13:06,920 --> 00:13:10,400
Speaker 1: Can we confront something which is yeah, yeah, we.

247
00:13:10,240 --> 00:13:14,040
Speaker 4: Were talking about dog before the show. Yes, and you

248
00:13:14,160 --> 00:13:16,959
Speaker 4: were not familiar with this dog tug boat that's around

249
00:13:16,960 --> 00:13:20,920
Speaker 4: the office. It's like very famous and all over Paul F.

250
00:13:20,960 --> 00:13:24,800
Speaker 4: Tompkins is posting picture of tugboat all the time, every day,

251
00:13:24,960 --> 00:13:26,520
Speaker 4: all this every second.

252
00:13:26,320 --> 00:13:30,679
Speaker 3: Taking ownership of tugboat and you're sort of aggressive, distasteful.

253
00:13:30,960 --> 00:13:33,600
Speaker 4: Yes, I'm forced to confront the realization that you have

254
00:13:33,720 --> 00:13:36,600
Speaker 4: muted Paul F. Tompkins. What is the cause of this?

255
00:13:36,760 --> 00:13:39,840
Speaker 5: The politics we are in we are on in person

256
00:13:39,880 --> 00:13:44,120
Speaker 5: speaking terms, but we are at a very very intense war.

257
00:13:46,520 --> 00:13:50,120
Speaker 6: A mute, quiet, silent treatment or.

258
00:13:52,440 --> 00:13:58,440
Speaker 5: I don't I don't look at anyone else's anything ever

259
00:13:58,640 --> 00:14:03,400
Speaker 5: on social media, it's I open up before I say

260
00:14:03,600 --> 00:14:06,880
Speaker 5: here's this, and then I am I do not scroll.

261
00:14:07,040 --> 00:14:09,040
Speaker 6: I just that's not and it's not like.

262
00:14:10,559 --> 00:14:12,440
Speaker 5: It is a one way street, and it's it's not comfortable,

263
00:14:12,520 --> 00:14:14,920
Speaker 5: like I don't want to not respond to people who

264
00:14:14,920 --> 00:14:17,400
Speaker 5: are like, hey, I saw this thing that you said

265
00:14:17,440 --> 00:14:19,480
Speaker 5: I should go to, so I will look at the

266
00:14:19,520 --> 00:14:21,720
Speaker 5: responses to my own tweets.

267
00:14:22,160 --> 00:14:26,800
Speaker 6: But I don't have the I can't, I don't, I can't.

268
00:14:26,800 --> 00:14:28,680
Speaker 6: I it's not like this.

269
00:14:28,680 --> 00:14:30,680
Speaker 5: This is where the conversation breaks down, is that when

270
00:14:30,720 --> 00:14:34,320
Speaker 5: I say I don't really look at other posts or anything,

271
00:14:35,040 --> 00:14:37,920
Speaker 5: then they go, oh my god, how did you manage.

272
00:14:37,560 --> 00:14:38,040
Speaker 6: To do that?

273
00:14:38,280 --> 00:14:40,960
Speaker 5: Or like, how do you stop the addiction? Like how

274
00:14:41,000 --> 00:14:44,120
Speaker 5: do you stop that time suck? That that conversation breaks

275
00:14:44,160 --> 00:14:45,760
Speaker 5: down because I'm like, I don't ever allow.

276
00:14:45,600 --> 00:14:49,720
Speaker 1: To start like, I just don't anything but your own.

277
00:14:49,800 --> 00:14:52,360
Speaker 6: I'm only interested in my own. I wouldn't. I'm certainly

278
00:14:52,440 --> 00:14:53,360
Speaker 6: only going to listen.

279
00:14:53,200 --> 00:14:55,400
Speaker 5: To this episode of your podcast, but I will listen

280
00:14:55,440 --> 00:14:57,800
Speaker 5: to it to see how I come off. But I'll

281
00:14:57,800 --> 00:14:59,480
Speaker 5: turn every time. I think you guys are good, I'm

282
00:14:59,480 --> 00:15:00,760
Speaker 5: mean hear your as I turn it down.

283
00:15:00,920 --> 00:15:02,960
Speaker 1: Well, I'm just here to observe, so you won't be

284
00:15:02,960 --> 00:15:03,360
Speaker 1: hearing me.

285
00:15:03,400 --> 00:15:05,040
Speaker 6: I've barely heard you speak.

286
00:15:05,040 --> 00:15:09,280
Speaker 1: And you won't and you won't, but you have muted Paul.

287
00:15:09,840 --> 00:15:11,040
Speaker 1: That's interesting big time.

288
00:15:11,160 --> 00:15:15,800
Speaker 4: Let's do one of these episodes the show. We are

289
00:15:15,880 --> 00:15:19,880
Speaker 4: doing more and more of these feed drops where people

290
00:15:19,920 --> 00:15:21,880
Speaker 4: come on our show and then we do an episode

291
00:15:21,920 --> 00:15:24,640
Speaker 4: of their show and it goes into the feed of

292
00:15:24,680 --> 00:15:27,680
Speaker 4: this other show, and then at some point.

293
00:15:28,000 --> 00:15:31,520
Speaker 3: We will be reciprocated, and then we will appear on

294
00:15:31,560 --> 00:15:34,240
Speaker 3: someone else's show and they will in some way pay

295
00:15:34,320 --> 00:15:35,080
Speaker 3: tribute to us.

296
00:15:35,880 --> 00:15:40,560
Speaker 1: We've been told. So anyway, who's telling you that?

297
00:15:42,040 --> 00:15:42,360
Speaker 3: Kevin?

298
00:15:44,400 --> 00:15:48,680
Speaker 6: Yeah, well great, he's talking to hey guys here.

299
00:15:48,800 --> 00:15:49,840
Speaker 8: I wasn't listening.

300
00:15:49,960 --> 00:15:51,200
Speaker 1: What did you ask?

301
00:15:52,280 --> 00:15:53,800
Speaker 6: I mean, asked an answered. I think.

302
00:15:55,280 --> 00:15:59,360
Speaker 3: He's a real Janet Vernie of producers, just.

303
00:15:59,600 --> 00:16:00,960
Speaker 1: What he wants to say.

304
00:16:00,880 --> 00:16:04,360
Speaker 6: Ye, get and get out, keep it clean, nothing personal.

305
00:16:04,440 --> 00:16:07,120
Speaker 1: Who is your guy on the show that you do?

306
00:16:07,440 --> 00:16:09,960
Speaker 3: What's the main guy?

307
00:16:10,080 --> 00:16:12,640
Speaker 6: Who's the main guy that I voice?

308
00:16:12,840 --> 00:16:15,520
Speaker 4: Yes, everyone on the show is doing these little guys.

309
00:16:15,560 --> 00:16:17,680
Speaker 4: I understand you're fake.

310
00:16:18,120 --> 00:16:23,000
Speaker 6: Yeah, like a pokemon. Yeah yeah, my guys is.

311
00:16:23,200 --> 00:16:28,680
Speaker 5: Uh, I perform under the guys of being a sarcastic

312
00:16:28,760 --> 00:16:33,920
Speaker 5: ai AI sort of yeah, artificial because a I can

313
00:16:33,960 --> 00:16:37,000
Speaker 5: do that. Have never made that joke, will never assume

314
00:16:37,040 --> 00:16:37,920
Speaker 5: it's going to be beated.

315
00:16:38,120 --> 00:16:42,520
Speaker 3: Sorry, great Hayes has made a sort of a witticism.

316
00:16:43,640 --> 00:16:46,520
Speaker 3: It's like an acronym thing. But but there's been an

317
00:16:46,560 --> 00:16:49,080
Speaker 3: issue with people blowing by my witticisms.

318
00:16:49,160 --> 00:16:54,240
Speaker 1: When we blow by your asshoile get dragged online.

319
00:16:54,520 --> 00:16:56,600
Speaker 3: I mean they'll be in those replies in a really

320
00:16:56,680 --> 00:16:59,520
Speaker 3: nasty way, trying to check your own feats. Please do

321
00:16:59,840 --> 00:17:04,639
Speaker 3: just stop and we acknowledge it and we celebrate it.

322
00:17:04,720 --> 00:17:07,719
Speaker 5: Okay, do we acknowledge you celebrate by or do we

323
00:17:07,760 --> 00:17:08,920
Speaker 5: go back we actually.

324
00:17:08,600 --> 00:17:11,200
Speaker 3: Go back and listen to the hopefully Devin can eliminate

325
00:17:11,280 --> 00:17:13,800
Speaker 3: us blowing by it, okay, and what we'll do is

326
00:17:14,440 --> 00:17:17,480
Speaker 3: erase that piece, and so as if he has just

327
00:17:17,520 --> 00:17:21,800
Speaker 3: said artificial Iris said in response to Ai, and then.

328
00:17:22,880 --> 00:17:26,960
Speaker 1: God, what.

329
00:17:28,920 --> 00:17:33,240
Speaker 5: Okay, somebody came to play just upright?

330
00:17:33,480 --> 00:17:34,000
Speaker 1: I just.

331
00:17:35,640 --> 00:17:41,720
Speaker 3: You just ass up that ship my mind, dude, where

332
00:17:41,760 --> 00:17:43,560
Speaker 3: do you what? High?

333
00:17:43,840 --> 00:17:48,920
Speaker 1: No, I just stop, I do not whoa, I'm not

334
00:17:49,040 --> 00:17:56,359
Speaker 1: well you okay? And I need a minute. And that

335
00:17:56,520 --> 00:17:59,359
Speaker 1: is just how we celebrate that will smart us.

336
00:17:59,480 --> 00:18:03,199
Speaker 4: We said these ideas off to the spirit world with

337
00:18:03,280 --> 00:18:04,440
Speaker 4: an a friend.

338
00:18:05,600 --> 00:18:09,879
Speaker 1: Yea of actually acknowledging it, laughing at.

339
00:18:09,760 --> 00:18:13,920
Speaker 5: Beautiful that is a beautiful and honestly and flowers out

340
00:18:13,920 --> 00:18:15,879
Speaker 5: on the water and maybe I'm mixing.

341
00:18:17,800 --> 00:18:21,120
Speaker 3: If we were doing that for a lot of these jokes,

342
00:18:22,280 --> 00:18:24,800
Speaker 3: we would have to do so many fewer. And I

343
00:18:24,880 --> 00:18:27,720
Speaker 3: see the appeal for some of these other shows of

344
00:18:27,920 --> 00:18:32,479
Speaker 3: just kind of laughing and repeating first that comes up,

345
00:18:33,560 --> 00:18:34,120
Speaker 3: and then.

346
00:18:34,200 --> 00:18:36,640
Speaker 1: The show suddenly or you know what, the show is finished.

347
00:18:38,480 --> 00:18:41,800
Speaker 3: Whereas if you're doing the idiot thing we do, which

348
00:18:41,840 --> 00:18:43,760
Speaker 3: is like try to think of something else to say

349
00:18:43,800 --> 00:18:47,720
Speaker 3: to kind of keep it going and keep creating. Uh no,

350
00:18:48,600 --> 00:18:51,800
Speaker 3: you're ruining it for yourself and the fans. That's correct.

351
00:18:53,200 --> 00:18:55,720
Speaker 1: Who is Darth helmet on the show.

352
00:18:56,080 --> 00:18:58,080
Speaker 6: Darth Helmet is played by Felicia.

353
00:18:58,680 --> 00:19:02,000
Speaker 5: Okay, I see it, yeah, big time.

354
00:19:02,080 --> 00:19:05,080
Speaker 4: She's Uh, it would have been so cool for Rick

355
00:19:05,160 --> 00:19:08,120
Speaker 4: to come out of retirement for this.

356
00:19:08,640 --> 00:19:09,240
Speaker 1: He we did.

357
00:19:09,440 --> 00:19:10,560
Speaker 6: We of course approached him.

358
00:19:10,600 --> 00:19:15,640
Speaker 1: Oh and he always will tease you. Oh like yes, finally.

359
00:19:15,359 --> 00:19:16,359
Speaker 6: I'm getting in the car.

360
00:19:16,560 --> 00:19:18,400
Speaker 5: We're getting all these group We have a great text

361
00:19:18,720 --> 00:19:21,720
Speaker 5: group with him, which is like, you know, he took

362
00:19:21,720 --> 00:19:23,640
Speaker 5: a picture of himself like and then a little video

363
00:19:23,680 --> 00:19:26,080
Speaker 5: of him. We saw him buckle of seat belt and

364
00:19:26,119 --> 00:19:30,000
Speaker 5: we were like, oh, this ship's happening this time. Nobody

365
00:19:30,040 --> 00:19:33,000
Speaker 5: does that unless they're actually about to drive over the studio.

366
00:19:33,960 --> 00:19:34,480
Speaker 6: He did not.

367
00:19:34,640 --> 00:19:35,960
Speaker 1: Who Who's Emperor.

368
00:19:36,520 --> 00:19:39,840
Speaker 5: Emperor Pepperdine is Colton Dun's character. Yeah, yeah, of course

369
00:19:39,880 --> 00:19:44,920
Speaker 5: he went to Pepperdine Emperor Penguins, so he picked the

370
00:19:45,000 --> 00:19:48,600
Speaker 5: name himself. He wanted to be Pepperdine Emperor and we

371
00:19:48,600 --> 00:19:51,320
Speaker 5: were like, oh, come on, you flip it. It makes all

372
00:19:51,359 --> 00:19:52,720
Speaker 5: the difference, dude.

373
00:19:52,880 --> 00:19:55,760
Speaker 3: And now yes, because it creates this image for me

374
00:19:55,840 --> 00:19:57,320
Speaker 3: of the sky.

375
00:19:58,320 --> 00:20:02,000
Speaker 6: Right, and you nailed That's exactly what he is.

376
00:20:03,359 --> 00:20:04,280
Speaker 1: Yeah in the show.

377
00:20:04,400 --> 00:20:07,640
Speaker 5: Yeah yeah, oh yeah yeah yeah, perfect yeah perfect. Yeah,

378
00:20:07,920 --> 00:20:11,800
Speaker 5: So I play artificial iverson Felicia Day plays Darth Helmet.

379
00:20:12,920 --> 00:20:17,280
Speaker 5: We've established a Coulton plays. There are a couple of

380
00:20:17,320 --> 00:20:19,920
Speaker 5: other people on the show. Which one do you think

381
00:20:20,000 --> 00:20:25,880
Speaker 5: plays whom? What a great question, Yeah, dude, don't think

382
00:20:25,920 --> 00:20:26,920
Speaker 5: about it too much though.

383
00:20:27,520 --> 00:20:29,480
Speaker 1: Oh believe me, I won't.

384
00:20:32,440 --> 00:20:34,480
Speaker 6: Crisis of verdict.

385
00:20:36,359 --> 00:20:42,480
Speaker 1: Hamod Ham. But we have to do our own. Devin,

386
00:20:42,520 --> 00:20:44,400
Speaker 1: did you bring your little sounds?

387
00:20:45,440 --> 00:20:48,640
Speaker 3: Yes, I've got all the little the full sound effects

388
00:20:48,640 --> 00:20:49,560
Speaker 3: library I've created.

389
00:20:49,560 --> 00:20:50,920
Speaker 6: You mean yea, yes, it's a Shane.

390
00:20:50,920 --> 00:20:52,919
Speaker 5: There's no sincerity on this podcast because I would take

391
00:20:52,960 --> 00:20:54,919
Speaker 5: this moment to say that you do an amazing jobs.

392
00:20:55,119 --> 00:20:56,199
Speaker 1: I'll cut that all right.

393
00:20:56,240 --> 00:20:59,359
Speaker 5: Well, have to cool, Yeah, I'm cooler than you. Just

394
00:20:59,440 --> 00:21:00,439
Speaker 5: use that instead the.

395
00:21:02,320 --> 00:21:08,119
Speaker 1: Library. And this comes up a lot, but the film

396
00:21:08,119 --> 00:21:09,280
Speaker 1: We Are Your Friends.

397
00:21:11,480 --> 00:21:14,919
Speaker 3: Is in some ways based on Devin in his life.

398
00:21:15,200 --> 00:21:18,200
Speaker 3: You've seen this No find your sound? No?

399
00:21:19,200 --> 00:21:23,639
Speaker 1: Well, se guy fron plays I think his name is Cole.

400
00:21:24,920 --> 00:21:29,639
Speaker 3: He's a DJ and he's trying to make it in

401
00:21:29,680 --> 00:21:34,879
Speaker 3: this music industry and he's struggling. It's hard, and he

402
00:21:34,920 --> 00:21:37,920
Speaker 3: gets the advice to find his sound, and then suddenly

403
00:21:37,960 --> 00:21:41,200
Speaker 3: he realizes his blue collar construction friend hitting the nail

404
00:21:41,240 --> 00:21:43,959
Speaker 3: gun against the nun.

405
00:21:44,280 --> 00:21:45,760
Speaker 1: He's recording that his.

406
00:21:48,560 --> 00:21:53,320
Speaker 3: Friend's girlfriend, Mentor's girlfriend played by Emily Redakowski, is zipping

407
00:21:53,320 --> 00:21:58,400
Speaker 3: her hoodie up and down, and he's recording that. And

408
00:21:58,480 --> 00:22:01,320
Speaker 3: all these sounds that are us in the world, he

409
00:22:01,359 --> 00:22:05,760
Speaker 3: begins to realize are his sound if he could just

410
00:22:05,800 --> 00:22:08,199
Speaker 3: assemble them the way that Devin has to make it

411
00:22:08,600 --> 00:22:15,119
Speaker 3: outer space or a truck falling down. Sure, banana tree

412
00:22:15,320 --> 00:22:21,240
Speaker 3: explodes anything, and he's and and it's it's really cool

413
00:22:21,280 --> 00:22:22,600
Speaker 3: to see yourself up on screen.

414
00:22:22,760 --> 00:22:27,760
Speaker 1: Huh, yes, it's you know, Efron is He's everything. It

415
00:22:27,880 --> 00:22:31,480
Speaker 1: was directed by the gray haired young cameraman from Catfish.

416
00:22:31,720 --> 00:22:33,480
Speaker 1: Uh huh, okay, the guy who.

417
00:22:33,359 --> 00:22:36,120
Speaker 4: Is filming, but it's also on screen the entire time,

418
00:22:36,160 --> 00:22:39,240
Speaker 4: so they're not using a lot of his stuff.

419
00:22:39,400 --> 00:22:39,600
Speaker 1: Yeah.

420
00:22:39,800 --> 00:22:42,399
Speaker 3: John Burnhal had offered them a job for closing on

421
00:22:42,520 --> 00:22:45,639
Speaker 3: people's homes. Of course, his friends want to do that

422
00:22:45,680 --> 00:22:48,639
Speaker 3: and make some real money. Wes Bentley is a famous

423
00:22:48,720 --> 00:22:52,160
Speaker 3: DJ who's trying to kind of take him under his wing.

424
00:22:52,200 --> 00:22:53,600
Speaker 1: He knows he has something.

425
00:22:54,119 --> 00:22:57,000
Speaker 3: Zac Efron is able to match the beats of the

426
00:22:57,080 --> 00:23:00,000
Speaker 3: music with the people's heartbeats and then drive them up

427
00:23:00,280 --> 00:23:02,479
Speaker 3: during their dancing and you could actually see into their

428
00:23:02,560 --> 00:23:03,480
Speaker 3: chest during the scenes.

429
00:23:03,640 --> 00:23:05,800
Speaker 6: This is a medical program, it's both.

430
00:23:05,880 --> 00:23:11,120
Speaker 3: Yeah, it is definitely medical. But anyway, I don't want

431
00:23:11,119 --> 00:23:13,639
Speaker 3: to go into describing the entire film. We have to

432
00:23:13,640 --> 00:23:16,919
Speaker 3: do one of these, yeah, yeah, but it's based on

433
00:23:17,000 --> 00:23:20,240
Speaker 3: Devin and congratulations and these sounds. I'm looking forward to

434
00:23:20,280 --> 00:23:23,480
Speaker 3: hearing outside of the context of the film, right exactly.

435
00:23:24,160 --> 00:23:27,680
Speaker 1: So let's do like, is there like an opening song?

436
00:23:28,440 --> 00:23:30,520
Speaker 1: I mean there is you want? You want the theme?

437
00:23:31,000 --> 00:23:33,240
Speaker 1: Not there? Just a little well, give it and when

438
00:23:33,280 --> 00:23:34,720
Speaker 1: we'll do a tiny piece of it.

439
00:23:35,080 --> 00:23:38,760
Speaker 6: Yeah, do your most zipper based song from.

440
00:23:38,600 --> 00:23:41,520
Speaker 1: The m I don't have to be there's specifically zipper based,

441
00:23:41,520 --> 00:23:44,199
Speaker 1: but I can do Let's do like a little uh,

442
00:23:44,400 --> 00:23:49,280
Speaker 1: We'll do a little sting. We'll do a little sting. Okay,

443
00:23:49,440 --> 00:23:56,639
Speaker 1: picture the zippers. So this okay, So what's our version

444
00:23:56,640 --> 00:23:58,399
Speaker 1: of that? Hmmm?

445
00:23:59,400 --> 00:24:05,680
Speaker 4: I guess my would be mine would have more information. First, No,

446
00:24:05,880 --> 00:24:13,760
Speaker 4: I didn't learn anything for I'm very confused and bored

447
00:24:14,040 --> 00:24:17,840
Speaker 4: by like just like wanting to like where am I like,

448
00:24:17,880 --> 00:24:19,760
Speaker 4: what am I doing?

449
00:24:21,720 --> 00:24:23,280
Speaker 6: Character? So that's just the voice he does.

450
00:24:23,480 --> 00:24:24,960
Speaker 1: Ours will be more, oh.

451
00:24:26,440 --> 00:24:31,560
Speaker 4: Strange, So man would go goes space. I am an

452
00:24:31,600 --> 00:24:35,000
Speaker 4: astronaut flying into space, and I am in the stars,

453
00:24:35,040 --> 00:24:37,800
Speaker 4: and I am going into the sun, and I'm going

454
00:24:37,880 --> 00:24:38,879
Speaker 4: to live in the sun.

455
00:24:40,119 --> 00:24:42,440
Speaker 3: Hey, look over there, there's a star. I'm going to

456
00:24:42,520 --> 00:24:45,120
Speaker 3: go see that star. Hey, check it out. I'm friends

457
00:24:45,200 --> 00:24:48,200
Speaker 3: with the star. Oh I broke up with the star.

458
00:24:49,000 --> 00:24:53,320
Speaker 3: We had been dating, but now we're muting each other.

459
00:24:54,040 --> 00:24:58,960
Speaker 3: So that is my story, and you get a sense of, oh,

460
00:24:59,000 --> 00:24:59,640
Speaker 3: this is what I'm going.

461
00:24:59,600 --> 00:25:00,000
Speaker 1: To listen to.

462
00:25:01,119 --> 00:25:03,399
Speaker 5: I'm gonna say right now, most of that could not

463
00:25:03,520 --> 00:25:05,639
Speaker 5: have it in the Midwest because it was accompanied by

464
00:25:05,640 --> 00:25:08,600
Speaker 5: a metal straw, which you're going to find on the.

465
00:25:08,520 --> 00:25:16,320
Speaker 4: Coast, and dating before marriage that idea not allowed.

466
00:25:16,480 --> 00:25:19,840
Speaker 1: No, so try that's the show.

467
00:25:19,920 --> 00:25:23,080
Speaker 4: But then we and so we get into the uh

468
00:25:24,280 --> 00:25:30,199
Speaker 4: the ship. So it's like ships flying over and I

469
00:25:30,240 --> 00:25:30,919
Speaker 4: want to hear this.

470
00:25:34,359 --> 00:25:36,560
Speaker 1: Okay, cool? Is it always like? That's where He's like,

471
00:25:36,600 --> 00:25:40,920
Speaker 1: okay here, yeah. So we're in space now around the ship,

472
00:25:42,160 --> 00:25:45,119
Speaker 1: and we zoom in through the window of the ship.

473
00:25:45,440 --> 00:25:46,960
Speaker 6: Boy, I don't okay.

474
00:25:46,760 --> 00:25:50,400
Speaker 4: And we see Darth Helmet looking out the window looking

475
00:25:50,520 --> 00:25:56,000
Speaker 4: for the guys. Yes, and he's like, bring me those guys.

476
00:25:58,000 --> 00:26:02,040
Speaker 4: Robot come inside. Here and the robot comes in.

477
00:26:03,480 --> 00:26:07,760
Speaker 1: Somebody play the robot? Hello? What did you?

478
00:26:08,160 --> 00:26:08,440
Speaker 6: Uh?

479
00:26:08,720 --> 00:26:11,240
Speaker 1: What's up? I've been looking for these.

480
00:26:11,080 --> 00:26:15,880
Speaker 4: Guys for one hundred years and I'm gonna witch guys,

481
00:26:17,280 --> 00:26:18,160
Speaker 4: the good guys.

482
00:26:18,840 --> 00:26:23,680
Speaker 1: Okay, computing finished?

483
00:26:24,720 --> 00:26:26,320
Speaker 6: Yeah?

484
00:26:26,400 --> 00:26:32,320
Speaker 1: What does it say? What? Sorry? What's the question? What were?

485
00:26:32,359 --> 00:26:35,120
Speaker 1: Where are the guys? Where are these guys? Guys?

486
00:26:35,240 --> 00:26:43,400
Speaker 3: Hold on computing again? Almost done, sir. The guys are

487
00:26:43,760 --> 00:26:45,320
Speaker 3: in the galaxy.

488
00:26:46,880 --> 00:26:50,240
Speaker 4: We have to go there and find them and make

489
00:26:50,320 --> 00:26:53,440
Speaker 4: the ship travel at.

490
00:26:53,240 --> 00:26:55,520
Speaker 1: The highest speed. Sir.

491
00:26:55,640 --> 00:27:02,960
Speaker 4: We're under attack, and then the artificial iverson shows up

492
00:27:03,000 --> 00:27:05,159
Speaker 4: probably at some point, right, I have to imagine that

493
00:27:05,240 --> 00:27:06,200
Speaker 4: happens sometimes.

494
00:27:06,200 --> 00:27:09,119
Speaker 3: That's got to happen at some point, right, Yeah, okay,

495
00:27:09,200 --> 00:27:10,120
Speaker 3: artificial iverson.

496
00:27:10,800 --> 00:27:13,960
Speaker 9: Hey, what are you guys doing?

497
00:27:16,320 --> 00:27:19,280
Speaker 6: What's going on? What do I have something on my face?

498
00:27:20,080 --> 00:27:21,280
Speaker 1: Yeah?

499
00:27:21,320 --> 00:27:22,600
Speaker 6: What is it? Waite?

500
00:27:23,480 --> 00:27:27,919
Speaker 3: It's like looks like zoom in on some kind of

501
00:27:28,840 --> 00:27:32,160
Speaker 3: it's like a cracker. Yeah, it's like a whole cracker.

502
00:27:32,240 --> 00:27:33,240
Speaker 3: How's that staying?

503
00:27:33,560 --> 00:27:35,040
Speaker 6: I don't no, I don't know.

504
00:27:35,080 --> 00:27:36,440
Speaker 1: There's got to be two things on your face.

505
00:27:36,440 --> 00:27:38,520
Speaker 3: There must be some sort of adhesive to keep the

506
00:27:38,520 --> 00:27:41,000
Speaker 3: cracker there, and there's the cracker itself.

507
00:27:41,119 --> 00:27:42,560
Speaker 6: Wait, guys, I realized this.

508
00:27:43,320 --> 00:27:46,640
Speaker 9: What's going on is this cracker has its own planet

509
00:27:46,640 --> 00:27:52,920
Speaker 9: and has own gravity. Cookie gravity that's attaching it help

510
00:27:53,000 --> 00:27:53,679
Speaker 9: to my face?

511
00:27:53,800 --> 00:27:57,280
Speaker 1: Wait, hey, different idea, it's a cracker.

512
00:27:56,760 --> 00:28:03,080
Speaker 6: Cookie, different idea? You be a different here, No, because

513
00:28:03,119 --> 00:28:04,320
Speaker 6: this is kind of my signify.

514
00:28:04,359 --> 00:28:06,440
Speaker 1: Could I mean.

515
00:28:06,359 --> 00:28:08,439
Speaker 3: It's that is up to you? You know, you know,

516
00:28:08,520 --> 00:28:09,640
Speaker 3: no consistency here.

517
00:28:09,920 --> 00:28:10,640
Speaker 6: I would I.

518
00:28:10,560 --> 00:28:13,439
Speaker 9: Would say that it's insulting. You would even ask if

519
00:28:13,480 --> 00:28:15,960
Speaker 9: a graham Cracker is a cookie, that's how uncooking a

520
00:28:16,000 --> 00:28:16,679
Speaker 9: gram cracker?

521
00:28:17,000 --> 00:28:20,399
Speaker 1: Okay, well you've awoken the ire of my friend.

522
00:28:20,760 --> 00:28:23,639
Speaker 4: Yeah, okay, let's stop the show for a minute and

523
00:28:23,680 --> 00:28:24,640
Speaker 4: we'll talk about this.

524
00:28:24,960 --> 00:28:28,960
Speaker 5: Yeah, what's why are you laughing?

525
00:28:30,040 --> 00:28:31,320
Speaker 6: Well, it's funny.

526
00:28:31,480 --> 00:28:34,840
Speaker 1: This is a point of passion for my friend. First

527
00:28:34,840 --> 00:28:38,320
Speaker 1: of all, a graham Cracker is a cookie. It's sweet.

528
00:28:40,400 --> 00:28:42,120
Speaker 6: I'll give you it's a biscuit.

529
00:28:43,320 --> 00:28:46,840
Speaker 1: It's some sort of a biscuit. Did you really in

530
00:28:46,920 --> 00:28:48,680
Speaker 1: the UK is a cookie?

531
00:28:48,800 --> 00:28:52,080
Speaker 6: But not here? And that Yeah, I don't care. We

532
00:28:52,120 --> 00:28:53,040
Speaker 6: don't live in the UK.

533
00:28:53,720 --> 00:28:55,960
Speaker 5: I may be willing to concede it's a basket over there,

534
00:28:56,000 --> 00:28:57,680
Speaker 5: but that doesn't mean I'm willing to con see that's

535
00:28:57,680 --> 00:28:58,600
Speaker 5: a cookie over here.

536
00:28:59,160 --> 00:29:00,840
Speaker 4: I just want I don't don't want to like skip

537
00:29:00,840 --> 00:29:03,240
Speaker 4: the notes process, because we do want to give notes

538
00:29:03,360 --> 00:29:08,560
Speaker 4: on your show. I love the initial conflict of Darth

539
00:29:08,560 --> 00:29:11,000
Speaker 4: Helmet is looking for the guys, and it seemed like

540
00:29:11,000 --> 00:29:15,680
Speaker 4: we were really setting up like like like a pursuit,

541
00:29:16,000 --> 00:29:18,520
Speaker 4: like like an interesting movie.

542
00:29:19,000 --> 00:29:21,400
Speaker 1: And then I thought the idea was.

543
00:29:21,360 --> 00:29:24,880
Speaker 4: Interesting that the crackers that was stuck to your face

544
00:29:25,160 --> 00:29:27,440
Speaker 4: was actually its own planet.

545
00:29:27,560 --> 00:29:29,320
Speaker 6: Yeah, that's deep stuff.

546
00:29:29,280 --> 00:29:31,520
Speaker 4: And maybe that we like that they were going to

547
00:29:31,600 --> 00:29:37,480
Speaker 4: like shrink down there, uh and go save somebody possibly.

548
00:29:37,800 --> 00:29:38,280
Speaker 1: Yeah.

549
00:29:38,680 --> 00:29:42,800
Speaker 4: But then the like the opinion about the Greg Cracker

550
00:29:42,880 --> 00:29:45,440
Speaker 4: was so stupid, well that's the robot.

551
00:29:45,520 --> 00:29:47,280
Speaker 1: It was almost like not believable.

552
00:29:47,600 --> 00:29:50,240
Speaker 5: Yeah, there's a lot of scuttle butt online about the

553
00:29:50,320 --> 00:29:54,520
Speaker 5: robots obsession with like justice. Things are getting interesting. There's

554
00:29:54,680 --> 00:29:57,280
Speaker 5: like a weird right turn where it's like, oh, what's

555
00:29:57,480 --> 00:29:58,240
Speaker 5: what is a cookie?

556
00:29:58,400 --> 00:30:01,480
Speaker 1: Mm hmm? But you know what, people talking.

557
00:30:01,640 --> 00:30:04,200
Speaker 5: It gets people talk in this climate when people are

558
00:30:04,240 --> 00:30:07,160
Speaker 5: free to say anything, just to be able to talk

559
00:30:07,200 --> 00:30:11,600
Speaker 5: about being confused about something without getting lamb bastard.

560
00:30:11,720 --> 00:30:14,080
Speaker 6: I don't know what that word means. Uh is I

561
00:30:14,120 --> 00:30:16,000
Speaker 6: think there's something very special about that.

562
00:30:16,240 --> 00:30:19,240
Speaker 3: It's like, well, and it's like these lists that come out,

563
00:30:19,720 --> 00:30:25,920
Speaker 3: these listical state listicals right where it's here's the top ten, uh,

564
00:30:26,160 --> 00:30:29,040
Speaker 3: you know, hats of all time?

565
00:30:29,240 --> 00:30:32,880
Speaker 5: Yes, which that one gets me everything? And then you

566
00:30:32,880 --> 00:30:34,320
Speaker 5: you don't want to see the top hat.

567
00:30:35,400 --> 00:30:39,280
Speaker 1: Six like it's everyone. It's intentionally listed in.

568
00:30:39,200 --> 00:30:41,920
Speaker 6: A way yea to make people any guess.

569
00:30:41,640 --> 00:30:44,120
Speaker 1: You off and then guess what's happening.

570
00:30:44,160 --> 00:30:47,680
Speaker 3: You're sharing it, you're disagreeing with it, you're discussing, yeah,

571
00:30:48,280 --> 00:30:48,760
Speaker 3: and that.

572
00:30:49,320 --> 00:30:55,160
Speaker 1: You've bookmarked buzzbean and the robot has done this for yeah, yeah,

573
00:30:56,080 --> 00:31:02,880
Speaker 1: the boy it just stops. So it's clearly But is

574
00:31:02,920 --> 00:31:03,320
Speaker 1: it good?

575
00:31:04,520 --> 00:31:07,680
Speaker 5: I mean, I feel like the fact that it's smart

576
00:31:07,720 --> 00:31:08,240
Speaker 5: is enough.

577
00:31:10,120 --> 00:31:13,040
Speaker 4: That's what we've been thinking with our show as well. Yeah,

578
00:31:14,040 --> 00:31:15,360
Speaker 4: what we live by with our show.

579
00:31:15,360 --> 00:31:17,760
Speaker 5: It's gonna be I feel like most entertainment is gonna

580
00:31:17,800 --> 00:31:18,360
Speaker 5: be one of the other.

581
00:31:18,400 --> 00:31:20,920
Speaker 6: It's hey, be smart, it's going to be good. Which

582
00:31:20,960 --> 00:31:21,640
Speaker 6: one do you pick?

583
00:31:22,000 --> 00:31:25,520
Speaker 5: We are an educational show, you know, thank you, we're

584
00:31:25,680 --> 00:31:26,480
Speaker 5: listeners supported.

585
00:31:26,560 --> 00:31:28,000
Speaker 1: And what am I learning? Thank you?

586
00:31:28,400 --> 00:31:29,000
Speaker 6: What are you learning?

587
00:31:29,040 --> 00:31:30,960
Speaker 1: What am I learning? Uh?

588
00:31:31,080 --> 00:31:33,880
Speaker 5: First of all, what is a grand Cracker a cookie.

589
00:31:35,520 --> 00:31:36,480
Speaker 5: That's a big question.

590
00:31:37,520 --> 00:31:38,440
Speaker 1: Your engine flooded.

591
00:31:40,000 --> 00:31:40,880
Speaker 6: All right, you know what.

592
00:31:46,600 --> 00:31:50,560
Speaker 1: Great, great job, guys, she's gone. Yeah, well we need

593
00:31:50,960 --> 00:31:53,640
Speaker 1: we wanted her here. We did well, she's the guest. Okay,

594
00:31:53,680 --> 00:31:54,600
Speaker 1: I should apologize.

595
00:31:54,680 --> 00:31:56,680
Speaker 4: Okay, trying to promote voyage of Star that's the way

596
00:31:56,760 --> 00:31:58,840
Speaker 4: Kevin is booking the show. It seems like it's not

597
00:31:58,880 --> 00:32:01,640
Speaker 4: what the intention of people look coming in walking back.

598
00:32:01,560 --> 00:32:05,720
Speaker 6: To guys, I'm back. He is too big, and it's

599
00:32:05,720 --> 00:32:10,680
Speaker 6: also for a studio way to go stitcher.

600
00:32:10,920 --> 00:32:13,840
Speaker 3: We don't notice it. But people aren't always wearing clogs.

601
00:32:14,120 --> 00:32:15,720
Speaker 6: Yeah, I call them my hooves.

602
00:32:17,560 --> 00:32:18,240
Speaker 1: She laughed again.

603
00:32:18,480 --> 00:32:21,000
Speaker 5: I feel bad because I I felt I did that bit,

604
00:32:21,080 --> 00:32:22,840
Speaker 5: and then I felt bad that I didn't fully close

605
00:32:22,880 --> 00:32:25,920
Speaker 5: the door. So that is that showed you where my

606
00:32:26,040 --> 00:32:28,760
Speaker 5: people plasing begins and the humor ends.

607
00:32:29,720 --> 00:32:30,280
Speaker 6: Yeah.

608
00:32:30,480 --> 00:32:32,360
Speaker 1: I was going to text Kevin to come shut the door.

609
00:32:32,400 --> 00:32:33,440
Speaker 6: But oh well, thank you.

610
00:32:33,560 --> 00:32:33,840
Speaker 1: It's good.

611
00:32:33,840 --> 00:32:36,600
Speaker 4: I appreciate that. What's another place that they go on

612
00:32:36,640 --> 00:32:37,040
Speaker 4: the show.

613
00:32:37,160 --> 00:32:39,440
Speaker 1: Yeah, you ever get off the stars and go anywhere

614
00:32:39,480 --> 00:32:41,960
Speaker 1: else you want to go to a planet? Yeah, there's

615
00:32:41,960 --> 00:32:45,200
Speaker 1: a lot.

616
00:32:42,360 --> 00:32:50,880
Speaker 10: I all right, let's do that. Let's just kind of

617
00:32:50,880 --> 00:32:53,480
Speaker 10: fill space. I can't talking to myself about getting to

618
00:32:53,520 --> 00:32:54,000
Speaker 10: the sound.

619
00:32:54,200 --> 00:32:55,040
Speaker 6: And here we go.

620
00:32:58,400 --> 00:32:59,800
Speaker 1: There's a planet. It's a planet.

621
00:33:00,680 --> 00:33:03,600
Speaker 6: It's the Massage Planet, and kind I feel like you're.

622
00:33:03,520 --> 00:33:10,000
Speaker 4: In a small yeah space, okay, interior the Massage Planet.

623
00:33:10,240 --> 00:33:12,880
Speaker 6: Yeah.

624
00:33:13,040 --> 00:33:16,479
Speaker 4: The uh what was one of the other guys there

625
00:33:16,560 --> 00:33:21,160
Speaker 4: was Darth Helmet, Emperor, Emperor Pepperdinember Pepperdine.

626
00:33:20,720 --> 00:33:24,040
Speaker 6: Artificial Everson. We haven't even gotten to Steveberg's character.

627
00:33:24,160 --> 00:33:29,479
Speaker 4: Emperor Pepperdine is walking through the Massage Planet, missing the beach,

628
00:33:30,200 --> 00:33:31,920
Speaker 4: which is where he gets to go to college.

629
00:33:31,960 --> 00:33:33,040
Speaker 1: Are you kidding thee.

630
00:33:34,960 --> 00:33:38,280
Speaker 4: And he's like, oh god, I'm getting so stressed out

631
00:33:38,400 --> 00:33:40,600
Speaker 4: from not getting to go to the beach.

632
00:33:42,880 --> 00:33:46,240
Speaker 1: Can I interest you in a massage? Emperor? Wow?

633
00:33:46,320 --> 00:33:49,480
Speaker 4: The very planet itself is speaking to me. I'm asking

634
00:33:49,560 --> 00:33:50,959
Speaker 4: if I can get a massage.

635
00:33:53,040 --> 00:33:55,240
Speaker 3: Is there anywhere in particular you'd like me to focus on,

636
00:33:55,360 --> 00:33:57,760
Speaker 3: or any pre existing conditions I should know about.

637
00:33:58,880 --> 00:34:09,920
Speaker 4: Well, I am experiencing pain in my head, and so

638
00:34:10,080 --> 00:34:12,560
Speaker 4: if there's anything you can do to massage that.

639
00:34:12,760 --> 00:34:14,040
Speaker 1: I have the same thing that.

640
00:34:14,040 --> 00:34:18,439
Speaker 4: Happened to Darth Vader of course in Star Wars where

641
00:34:18,480 --> 00:34:20,359
Speaker 4: my head was burned up.

642
00:34:21,440 --> 00:34:22,799
Speaker 1: Is there a massage for this.

643
00:34:24,040 --> 00:34:29,080
Speaker 3: Yeah, okay, So we're gonna start you head down. So

644
00:34:29,160 --> 00:34:31,440
Speaker 3: if you want to get upside down on this table

645
00:34:31,680 --> 00:34:34,080
Speaker 3: under the sheet, I'll come back in in a moment.

646
00:34:34,680 --> 00:34:36,960
Speaker 1: You can undress to your comfort level, of course.

647
00:34:37,640 --> 00:34:40,200
Speaker 4: Okay, I'm gonna stay. I'm gonna keep all my armor

648
00:34:40,239 --> 00:34:41,560
Speaker 4: on if that's okay.

649
00:34:41,800 --> 00:34:45,479
Speaker 3: And my my helmet as well, that's absolutely fine.

650
00:34:45,480 --> 00:34:55,480
Speaker 1: Do you have a preference oiler lotion? Sorry? I sneezed

651
00:34:59,239 --> 00:35:03,359
Speaker 1: really unprofess like. Can you believe I sneezed a bird?

652
00:35:05,600 --> 00:35:07,360
Speaker 1: And that is how a planet would sneeze?

653
00:35:07,520 --> 00:35:07,640
Speaker 3: Is it?

654
00:35:07,960 --> 00:35:09,239
Speaker 1: If you think about it? Oh?

655
00:35:09,320 --> 00:35:12,360
Speaker 6: Yeah, way are we in the meta conversation now? I

656
00:35:12,400 --> 00:35:14,960
Speaker 6: don't understand. Am I supposed to also participate in this?

657
00:35:14,960 --> 00:35:15,680
Speaker 1: I don't want to wish.

658
00:35:15,680 --> 00:35:18,080
Speaker 6: I don't want to rain on anyone's Maybe.

659
00:35:18,080 --> 00:35:22,120
Speaker 1: Maybe the shuttlecraft can land with characters from the main ship. Okay,

660
00:35:22,520 --> 00:35:30,360
Speaker 1: let's do Okay, this is about.

661
00:35:30,120 --> 00:35:32,000
Speaker 6: The thirty minute process. We should have warned you.

662
00:35:32,600 --> 00:35:38,279
Speaker 1: Was the shuttle landing just jerking himself off the sounds?

663
00:35:40,560 --> 00:35:44,800
Speaker 4: Okay, the shuttles here and all the guys get get

664
00:35:45,120 --> 00:35:45,880
Speaker 4: off the shuttle.

665
00:35:48,880 --> 00:35:49,759
Speaker 1: Hey, out of my way.

666
00:35:49,800 --> 00:35:56,680
Speaker 3: Hang you you get out of my way?

667
00:35:56,800 --> 00:35:58,600
Speaker 6: How did we all fit in one shadows?

668
00:36:00,120 --> 00:36:02,640
Speaker 1: This guy's in my way? Hey, what are you guys

669
00:36:02,640 --> 00:36:07,920
Speaker 1: all doing here? Play in each other's wish? Everyone's here

670
00:36:07,960 --> 00:36:12,160
Speaker 1: to get a massage? All right?

671
00:36:12,280 --> 00:36:17,279
Speaker 3: Now? What's everybody looking for? Deep tissues? Sports massage? Just

672
00:36:17,440 --> 00:36:28,240
Speaker 3: Swedish relaxation or rolfing mini rolfing, mini rolfing, please mini

673
00:36:28,400 --> 00:36:29,240
Speaker 3: rolfing coming?

674
00:36:32,160 --> 00:36:35,799
Speaker 6: Why are you sending me through this windmill? Why am

675
00:36:35,880 --> 00:36:39,480
Speaker 6: I going out? Coming out of Dragon's mouth? This is weird.

676
00:36:40,360 --> 00:36:41,560
Speaker 6: I don't feel relaxed.

677
00:36:41,560 --> 00:36:46,160
Speaker 4: Well, sound space, weird place, and that's kind of the

678
00:36:46,200 --> 00:36:47,080
Speaker 4: message of the show.

679
00:36:47,440 --> 00:36:52,759
Speaker 5: Oh yes, yes, just I want to come back to

680
00:36:52,800 --> 00:36:56,239
Speaker 5: something because you have made me aware of kind of

681
00:36:56,239 --> 00:36:57,160
Speaker 5: a weird.

682
00:36:57,080 --> 00:36:57,839
Speaker 6: Thing about the show.

683
00:36:58,000 --> 00:36:59,239
Speaker 1: That's what I do, isn't it.

684
00:36:59,480 --> 00:36:59,719
Speaker 6: Yeah?

685
00:37:00,120 --> 00:37:03,520
Speaker 5: The show, which is that in some ways what you

686
00:37:03,719 --> 00:37:09,160
Speaker 5: described Emperor Pepperdine is being is much closer to Darth Helmet's.

687
00:37:08,760 --> 00:37:10,960
Speaker 6: Character, Like it's what you would expect. I was of

688
00:37:11,040 --> 00:37:11,600
Speaker 6: Darth Helmets.

689
00:37:11,680 --> 00:37:15,040
Speaker 5: I was noticing that Pepperdine said, he actually says, I

690
00:37:15,280 --> 00:37:17,120
Speaker 5: have what Darth Vader has.

691
00:37:17,200 --> 00:37:20,120
Speaker 4: It's a problem with the show that I've noticed. Yeah,

692
00:37:20,320 --> 00:37:23,000
Speaker 4: that everyone is sort of like the same.

693
00:37:23,239 --> 00:37:25,640
Speaker 1: That Darth Helmet is a lot like Yoda.

694
00:37:25,960 --> 00:37:32,240
Speaker 3: Yeah, yes, and that Emperor Pepperdine is just like Vader.

695
00:37:32,880 --> 00:37:35,560
Speaker 4: The show I find often is like losing track of

696
00:37:35,600 --> 00:37:40,520
Speaker 4: which character is talking? Yeah, like and who like you're

697
00:37:40,520 --> 00:37:43,439
Speaker 4: all supposed to im well.

698
00:37:43,320 --> 00:37:45,240
Speaker 6: I mean, if the improv is so good that you're losing.

699
00:37:45,080 --> 00:37:47,560
Speaker 1: Good you don't or what's happening saying?

700
00:37:47,560 --> 00:37:48,440
Speaker 6: And what's happening?

701
00:37:49,200 --> 00:37:50,320
Speaker 1: That's true improv.

702
00:37:50,440 --> 00:37:50,920
Speaker 6: That's a win.

703
00:37:51,120 --> 00:37:56,120
Speaker 3: Right, you're fully in floweh, yes, because you're no longer

704
00:37:56,160 --> 00:38:01,240
Speaker 3: attached to traditional conversation or entertaining in any way.

705
00:38:01,400 --> 00:38:03,880
Speaker 5: I mean if somebody, if you're able to recall something

706
00:38:03,880 --> 00:38:06,440
Speaker 5: that happened earlier on the show and call it back,

707
00:38:06,920 --> 00:38:08,160
Speaker 5: you're not a good improviser.

708
00:38:08,239 --> 00:38:08,880
Speaker 1: You're not present.

709
00:38:08,920 --> 00:38:09,560
Speaker 6: Because you're not.

710
00:38:09,440 --> 00:38:13,239
Speaker 3: Present, you're thinking, you're not.

711
00:38:13,280 --> 00:38:15,680
Speaker 4: Being How selfish for a performing to be like, oh,

712
00:38:15,840 --> 00:38:18,480
Speaker 4: only I get to do this character, Oh this is

713
00:38:18,600 --> 00:38:22,319
Speaker 4: only my stuff that I do. No, people who are

714
00:38:22,360 --> 00:38:24,919
Speaker 4: talking should get to like forget what they're doing. It'd

715
00:38:24,960 --> 00:38:27,520
Speaker 4: just be whichever character they want.

716
00:38:27,680 --> 00:38:28,920
Speaker 6: Yeah, it's called socialism.

717
00:38:29,200 --> 00:38:30,279
Speaker 1: Yes, and thank you.

718
00:38:30,560 --> 00:38:36,719
Speaker 3: And if you're really watching late capitalism, late capitalism to

719
00:38:36,840 --> 00:38:39,040
Speaker 3: the extreme, have you been noticing this?

720
00:38:39,200 --> 00:38:41,759
Speaker 5: Wait, is that different than so this late capitalism is

721
00:38:41,800 --> 00:38:45,279
Speaker 5: not post capitalism because we're still in I wish if

722
00:38:45,280 --> 00:38:48,400
Speaker 5: it was post is what we're waiting for.

723
00:38:48,480 --> 00:38:52,800
Speaker 3: Late stage capitalism and it is frustrating.

724
00:38:53,120 --> 00:38:56,319
Speaker 1: Wuld you agree that Devin is a neolib uh?

725
00:38:56,760 --> 00:38:57,759
Speaker 9: Do? I?

726
00:38:57,760 --> 00:39:00,239
Speaker 5: I don't think he understands politics, so I'm I'm not

727
00:39:00,239 --> 00:39:01,280
Speaker 5: sure that exactly.

728
00:39:01,400 --> 00:39:03,440
Speaker 6: I couldn't label him.

729
00:39:03,520 --> 00:39:07,520
Speaker 1: Yeah, yeah, I just don't know. I just don't know.

730
00:39:11,360 --> 00:39:15,440
Speaker 4: When does the show come out?

731
00:39:15,480 --> 00:39:16,000
Speaker 1: What time?

732
00:39:17,320 --> 00:39:18,760
Speaker 6: I don't know what time does it drop?

733
00:39:18,880 --> 00:39:19,760
Speaker 1: Nine pm Pacific?

734
00:39:20,080 --> 00:39:23,520
Speaker 5: Nine pm Pacific? That's earlier than did you say nine

735
00:39:23,560 --> 00:39:25,560
Speaker 5: pm Pacific? Midnight and Eastern open?

736
00:39:26,840 --> 00:39:27,000
Speaker 3: Why?

737
00:39:28,560 --> 00:39:30,560
Speaker 1: Why doesn't come out this early so I get to

738
00:39:30,600 --> 00:39:34,400
Speaker 1: read it? Does not at nine? It does? Why are

739
00:39:34,520 --> 00:39:39,000
Speaker 1: people posting comments earlier than they don't like to see them?

740
00:39:39,239 --> 00:39:41,920
Speaker 1: That's too they posted too late for me.

741
00:39:42,120 --> 00:39:46,040
Speaker 8: There's three waves, Hayes, the first one which is oh ship,

742
00:39:46,600 --> 00:39:48,400
Speaker 8: and then the next one, which is the next morning,

743
00:39:48,400 --> 00:39:51,799
Speaker 8: which was yeah, this was good. And then there's the

744
00:39:52,280 --> 00:39:54,959
Speaker 8: later in the day, which is finally got a chance

745
00:39:55,000 --> 00:39:56,600
Speaker 8: to listen good stuff here.

746
00:39:56,760 --> 00:39:59,960
Speaker 3: He's right, there's three waves. There's just seeing the title

747
00:40:00,160 --> 00:40:00,880
Speaker 3: of this one.

748
00:40:00,760 --> 00:40:04,520
Speaker 1: Got me excited. I scaled when I saw the title.

749
00:40:05,600 --> 00:40:08,040
Speaker 5: You almost wish that wave could be last, because you can't.

750
00:40:08,120 --> 00:40:10,560
Speaker 6: There's you know, you're not gonna get better than that.

751
00:40:10,840 --> 00:40:13,960
Speaker 3: No, that's the best, and I think often the audience

752
00:40:13,960 --> 00:40:15,160
Speaker 3: wishes that was the last thing.

753
00:40:15,160 --> 00:40:18,520
Speaker 4: I would you rather, and this is what they do

754
00:40:18,560 --> 00:40:22,279
Speaker 4: on another show, would you rather be the guest that

755
00:40:22,280 --> 00:40:24,719
Speaker 4: they're like, oh my god, just seeing this made me

756
00:40:24,840 --> 00:40:28,279
Speaker 4: piss my freaking drawers, and then you don't get a

757
00:40:28,280 --> 00:40:31,360
Speaker 4: lot of comments after that. Yeah, Or the one that

758
00:40:31,480 --> 00:40:33,520
Speaker 4: like doesn't have a lot of early momentum, but people

759
00:40:33,560 --> 00:40:35,480
Speaker 4: are like, wasn't sure what to think about this one

760
00:40:35,520 --> 00:40:40,040
Speaker 4: going in, but it actually was a awesome, badass episode.

761
00:40:39,480 --> 00:40:42,400
Speaker 5: Like despite what everyone else is saying, I thought it

762
00:40:42,480 --> 00:40:45,799
Speaker 5: had moments, yes, yes.

763
00:40:45,640 --> 00:40:48,399
Speaker 3: Or do you want them to spot you like eight

764
00:40:48,480 --> 00:40:50,960
Speaker 3: yards but you don't get it across the goal line?

765
00:40:51,080 --> 00:40:55,280
Speaker 5: I want I want a year from the nine pm

766
00:40:55,360 --> 00:41:01,160
Speaker 5: Pacific twelve midnight Eastern? Yes, I want one the anniversary

767
00:41:01,200 --> 00:41:05,640
Speaker 5: of I want someone to DM me And I don't

768
00:41:05,640 --> 00:41:06,399
Speaker 5: know how this is gonna works.

769
00:41:06,440 --> 00:41:08,279
Speaker 6: I don't follow them, so I don't even know how

770
00:41:08,280 --> 00:41:08,759
Speaker 6: they did that.

771
00:41:09,120 --> 00:41:11,439
Speaker 5: But I want them to dm me and say I'm

772
00:41:11,480 --> 00:41:17,399
Speaker 5: sorry I ruined your year by all of the things

773
00:41:17,440 --> 00:41:19,919
Speaker 5: that I did to you in person that you didn't

774
00:41:19,960 --> 00:41:22,239
Speaker 5: realize it was always me because I was wearing disguises

775
00:41:22,880 --> 00:41:23,520
Speaker 5: that episode.

776
00:41:23,560 --> 00:41:26,800
Speaker 6: I've come around to it, and it's funny.

777
00:41:27,719 --> 00:41:33,360
Speaker 5: Okay, you want to have somebody so intent on taking

778
00:41:33,400 --> 00:41:38,080
Speaker 5: your life that when they come around that one eighty

779
00:41:38,280 --> 00:41:38,640
Speaker 5: is that? Right?

780
00:41:38,680 --> 00:41:39,600
Speaker 1: Does that check out? This one?

781
00:41:39,800 --> 00:41:43,160
Speaker 5: That one eighty is? So that is powerful? That's how

782
00:41:43,200 --> 00:41:45,000
Speaker 5: you know an episode was powerful.

783
00:41:45,080 --> 00:41:47,120
Speaker 3: Well, and you know this person also is very rich

784
00:41:47,160 --> 00:41:49,719
Speaker 3: because if they're listening to an episode of an year

785
00:41:49,719 --> 00:41:50,360
Speaker 3: will show.

786
00:41:50,280 --> 00:41:52,600
Speaker 1: One year from the date it was released, then they

787
00:41:52,640 --> 00:41:53,880
Speaker 1: have to be behind the paywall.

788
00:41:53,920 --> 00:41:55,719
Speaker 6: Also disguises.

789
00:41:56,160 --> 00:41:58,920
Speaker 5: I'm very good at identifying people in disguises.

790
00:41:59,040 --> 00:42:00,280
Speaker 6: This guy was so good.

791
00:42:00,640 --> 00:42:04,600
Speaker 5: He was in multiple disguises, actively trying to end my

792
00:42:04,719 --> 00:42:06,480
Speaker 5: life for one year, and I.

793
00:42:06,680 --> 00:42:09,239
Speaker 1: Never recognized that this episode.

794
00:42:09,320 --> 00:42:11,400
Speaker 5: I thought it was a bunch of people who wanted

795
00:42:11,400 --> 00:42:14,520
Speaker 5: me to die, and instead it was that one guy.

796
00:42:15,920 --> 00:42:20,120
Speaker 3: This episode of this show, Oh this one, well, I'm assuming, yeah,

797
00:42:20,160 --> 00:42:24,480
Speaker 3: that we're talking about our show, that this comes out.

798
00:42:24,719 --> 00:42:26,799
Speaker 3: This guy hears it, tries to kill you for a

799
00:42:26,880 --> 00:42:31,560
Speaker 3: year because you've sort of exposed that we're not really

800
00:42:31,640 --> 00:42:33,640
Speaker 3: doing anything on the show.

801
00:42:34,200 --> 00:42:36,799
Speaker 5: You don't feel like people walk away knowing how to

802
00:42:37,000 --> 00:42:39,719
Speaker 5: handle handbook Hollywood.

803
00:42:39,920 --> 00:42:45,200
Speaker 1: Walk away from what exactly? Yeah, exactly, never can walk.

804
00:42:45,080 --> 00:42:49,200
Speaker 5: Home exactly, Guys, a new portmanteau. It is going to

805
00:42:49,480 --> 00:42:50,759
Speaker 5: explode the orde.

806
00:42:51,640 --> 00:42:56,960
Speaker 4: This is what Bernie's talking about, is these rich murderers, Yeah,

807
00:42:57,200 --> 00:43:00,680
Speaker 4: who are disguising them like the f X.

808
00:43:00,960 --> 00:43:01,760
Speaker 6: That's what it was about.

809
00:43:01,880 --> 00:43:06,799
Speaker 4: And yeah, and are able to listen to shows behind

810
00:43:06,840 --> 00:43:09,640
Speaker 4: the paywall, Like maybe we can take a little some

811
00:43:09,680 --> 00:43:12,600
Speaker 4: of their money so other people can disguise themselves, Yeah,

812
00:43:12,719 --> 00:43:13,399
Speaker 4: to murder people.

813
00:43:13,400 --> 00:43:15,799
Speaker 5: Wait, so does it How quickly does something go behind

814
00:43:15,800 --> 00:43:18,200
Speaker 5: a paywall? Because it seems if you would get it

815
00:43:18,239 --> 00:43:19,760
Speaker 5: for a year before it goes behind.

816
00:43:19,520 --> 00:43:20,600
Speaker 1: The six months.

817
00:43:20,600 --> 00:43:22,839
Speaker 6: Oh got it? So those six months have cost him

818
00:43:22,840 --> 00:43:23,480
Speaker 6: a pretty penny.

819
00:43:23,520 --> 00:43:27,080
Speaker 7: Yeah, got a lot in that yaper.

820
00:43:30,400 --> 00:43:34,680
Speaker 1: Yeah he's got the aaper. What day of the week, Yeah,

821
00:43:35,200 --> 00:43:37,239
Speaker 1: it's Saturday. The show come out.

822
00:43:37,280 --> 00:43:42,839
Speaker 6: And this might be our worst argument to date.

823
00:43:43,360 --> 00:43:44,960
Speaker 1: I don't know, granm Cracker Cookie.

824
00:43:47,640 --> 00:43:49,360
Speaker 5: That was more of a pylon because I felt you

825
00:43:49,440 --> 00:43:53,239
Speaker 5: and I were both pile going. Uh, it comes out

826
00:43:53,280 --> 00:43:56,319
Speaker 5: on Tuesdays, but really comes out at nine pm on

827
00:43:56,800 --> 00:43:57,239
Speaker 5: Monday night.

828
00:43:57,239 --> 00:44:01,560
Speaker 4: If is this the only acceptable day for a show

829
00:44:01,640 --> 00:44:02,160
Speaker 4: to come out?

830
00:44:02,200 --> 00:44:02,399
Speaker 1: What?

831
00:44:02,680 --> 00:44:05,000
Speaker 5: Like how I will say, I get a lot of

832
00:44:05,080 --> 00:44:07,520
Speaker 5: podcasts rop, Yeah, that's true a podcast.

833
00:44:07,560 --> 00:44:09,080
Speaker 6: Well, my feed blows up on Tuesday.

834
00:44:09,160 --> 00:44:12,879
Speaker 1: How much more can you do to sabotage us here?

835
00:44:13,480 --> 00:44:17,479
Speaker 3: You should split it up, man space this stuff out, okay?

836
00:44:17,880 --> 00:44:18,400
Speaker 7: Or or.

837
00:44:21,760 --> 00:44:23,919
Speaker 6: We add an extra Tuesday to the week.

838
00:44:24,560 --> 00:44:25,440
Speaker 1: Okay.

839
00:44:25,840 --> 00:44:28,640
Speaker 6: I mean it's like Daylight Savings. It's like, well why not?

840
00:44:29,520 --> 00:44:30,080
Speaker 6: You know what I mean?

841
00:44:30,280 --> 00:44:32,839
Speaker 3: This is an idea that was discussed once on something

842
00:44:32,880 --> 00:44:37,000
Speaker 3: I worked on, where you could invent something of a

843
00:44:37,080 --> 00:44:41,719
Speaker 3: Monday Day. Yes, we're in between Sunday and Monday. You

844
00:44:41,800 --> 00:44:43,880
Speaker 3: just get up at like midnight on Sunday, have a

845
00:44:43,880 --> 00:44:45,960
Speaker 3: whole day and on your weekends longer.

846
00:44:46,280 --> 00:44:49,120
Speaker 1: I like it. But this could be the idea of

847
00:44:49,440 --> 00:44:51,200
Speaker 1: a Tuesday too.

848
00:44:51,280 --> 00:44:56,200
Speaker 5: Because it's in the name Tuesday. It's basically saying there.

849
00:44:56,120 --> 00:44:58,200
Speaker 1: Are two of them.

850
00:45:00,000 --> 00:45:03,319
Speaker 3: Monday Monday would become Tuesday one, and then Tuesday would

851
00:45:03,320 --> 00:45:05,719
Speaker 3: be Tuesday two. Because you have Sunday and Monday Day

852
00:45:06,400 --> 00:45:09,680
Speaker 3: Sunday and Mondaday Monday, which is Tuesday, Tuesday, which is

853
00:45:09,800 --> 00:45:13,040
Speaker 3: Tuesday Wednesday.

854
00:45:11,880 --> 00:45:15,160
Speaker 5: Burning into anything else it's just a new day, days

855
00:45:15,200 --> 00:45:19,600
Speaker 5: the same. But it's an eight day week. Yeah, God, yes,

856
00:45:19,600 --> 00:45:22,879
Speaker 5: it's just no Monday. Well it is an eight day week.

857
00:45:22,920 --> 00:45:24,880
Speaker 5: Storming out, you don't want to invent Monday.

858
00:45:25,040 --> 00:45:29,359
Speaker 1: Wants that, so you literally don't want to invent monda day.

859
00:45:29,400 --> 00:45:30,680
Speaker 1: If you have a three day or weekend.

860
00:45:30,719 --> 00:45:32,400
Speaker 3: If you don't want to have a three day weekend

861
00:45:32,400 --> 00:45:34,120
Speaker 3: with your two Tuesdays.

862
00:45:33,640 --> 00:45:35,120
Speaker 6: Day week, we can have a night.

863
00:45:35,200 --> 00:45:37,560
Speaker 1: Hello is a weekend. It doesn't days.

864
00:45:37,840 --> 00:45:40,560
Speaker 4: It doesn't solve the problem of our shows coming out

865
00:45:40,560 --> 00:45:41,279
Speaker 4: on the same day.

866
00:45:41,440 --> 00:45:42,640
Speaker 1: If everything stays the same.

867
00:45:42,760 --> 00:45:44,319
Speaker 6: You've added another day.

868
00:45:44,560 --> 00:45:48,200
Speaker 3: I've added another day. You don't want to You want Monday.

869
00:45:47,880 --> 00:45:50,640
Speaker 2: Tuesday, Tuesday, Wednesday, Thursday, Friday.

870
00:45:50,760 --> 00:45:55,200
Speaker 1: Bay, where does Heday go? I want up day to

871
00:45:55,280 --> 00:45:56,160
Speaker 1: second Tuesday.

872
00:45:57,239 --> 00:46:00,640
Speaker 5: By your poisonous rhetoric, I want the us to.

873
00:46:00,600 --> 00:46:01,320
Speaker 6: Stay the same.

874
00:46:01,840 --> 00:46:03,879
Speaker 3: Then you don't want your day, and you don't want

875
00:46:03,880 --> 00:46:06,240
Speaker 3: a three day weekend because you would just have Saturday

876
00:46:06,239 --> 00:46:12,960
Speaker 3: and Sunday. You're talking out both sides of your fucking

877
00:46:13,040 --> 00:46:16,080
Speaker 3: neck little Janet party, and I'm the only one willing

878
00:46:16,120 --> 00:46:17,960
Speaker 3: to call your ass out anymore.

879
00:46:18,120 --> 00:46:19,200
Speaker 6: This is Upset the dog.

880
00:46:20,080 --> 00:46:25,200
Speaker 1: He's kind of tissing actively upset. You are very he

881
00:46:25,280 --> 00:46:27,560
Speaker 1: has an opinion on it. I mean this kind of thing.

882
00:46:27,719 --> 00:46:30,480
Speaker 6: How often do people say he has such soulful eyes?

883
00:46:30,960 --> 00:46:31,759
Speaker 6: That's kind of you.

884
00:46:33,280 --> 00:46:38,200
Speaker 1: You're the first one to notice. What do you think

885
00:46:38,320 --> 00:46:42,480
Speaker 1: looking at his jowl? Bosh? What do you think Bosh

886
00:46:42,640 --> 00:46:43,400
Speaker 1: in the opinion?

887
00:46:44,000 --> 00:46:47,760
Speaker 5: Oh boy, God, there's so much you guys are missing.

888
00:46:47,800 --> 00:46:49,200
Speaker 5: Who can't see this happening?

889
00:46:49,760 --> 00:46:50,280
Speaker 1: Oh?

890
00:46:50,320 --> 00:46:53,600
Speaker 5: I have seen ears at on high alert. I've seen

891
00:46:53,680 --> 00:46:54,720
Speaker 5: him flat down again.

892
00:46:55,120 --> 00:46:58,760
Speaker 3: H I mean I've been sort of a similar spot

893
00:46:58,800 --> 00:47:01,760
Speaker 3: with these. You know all my shows come out on Wednesday?

894
00:47:02,040 --> 00:47:03,560
Speaker 6: Yeah?

895
00:47:03,719 --> 00:47:07,480
Speaker 1: Is that right? Bosh? I got mass Cigar, he got

896
00:47:07,520 --> 00:47:08,240
Speaker 1: stumped down?

897
00:47:08,880 --> 00:47:09,680
Speaker 6: Can I ask you a question?

898
00:47:09,719 --> 00:47:13,520
Speaker 5: But dogs are known to have a supreme sense of smell.

899
00:47:13,680 --> 00:47:16,120
Speaker 5: You sound like you have a cold. I guess I'm

900
00:47:16,120 --> 00:47:19,080
Speaker 5: wondering is that your normal voice? Like, do you kind

901
00:47:19,080 --> 00:47:21,640
Speaker 5: of have a stuffed up dog nose? Or what am

902
00:47:21,640 --> 00:47:22,279
Speaker 5: I missing here?

903
00:47:22,840 --> 00:47:27,200
Speaker 6: I was just up really late Monday Day.

904
00:47:27,000 --> 00:47:34,680
Speaker 1: Got of those Monday day blues. He works like he yeah,

905
00:47:34,719 --> 00:47:36,120
Speaker 1: he's like working really late.

906
00:47:36,719 --> 00:47:40,279
Speaker 3: But if Stumptown could come out on Monday Day, then

907
00:47:40,320 --> 00:47:42,080
Speaker 3: I could watch mass Cigar when it comes out on

908
00:47:42,120 --> 00:47:45,759
Speaker 3: Wednesday instead of waiting and just space it out, just

909
00:47:45,760 --> 00:47:49,959
Speaker 3: like if Star Wars, if the freaking Star Wars rip

910
00:47:49,960 --> 00:47:53,080
Speaker 3: off thing while to go frigging beyond?

911
00:47:53,239 --> 00:47:54,560
Speaker 6: Uh what voyage at the Star?

912
00:47:56,160 --> 00:47:56,560
Speaker 1: You say?

913
00:47:56,600 --> 00:48:01,520
Speaker 3: So? Oh that reminds me Dancing with the Stars.

914
00:48:01,600 --> 00:48:05,480
Speaker 5: Yes, So you want your Monday day to have a

915
00:48:05,520 --> 00:48:10,240
Speaker 5: lot of show loaded? Yeah, just just not do anything

916
00:48:10,320 --> 00:48:12,040
Speaker 5: but still but just watch TV on that day.

917
00:48:12,360 --> 00:48:12,920
Speaker 1: Yeah.

918
00:48:13,200 --> 00:48:17,360
Speaker 3: Could Monday Day just be a TV day for the TV?

919
00:48:17,840 --> 00:48:19,120
Speaker 1: Like fewer people are watching?

920
00:48:19,239 --> 00:48:21,080
Speaker 4: It could be really smart to just have a day

921
00:48:21,120 --> 00:48:22,400
Speaker 4: where everyone watches TV.

922
00:48:22,719 --> 00:48:25,399
Speaker 6: Yeah. It feels weird to me that he doesn't. Does

923
00:48:25,400 --> 00:48:26,600
Speaker 6: he not watch Bosh?

924
00:48:26,719 --> 00:48:30,520
Speaker 4: Or he does watch but uh he's yeah, he sort

925
00:48:30,560 --> 00:48:32,920
Speaker 4: of denies there is another one.

926
00:48:32,960 --> 00:48:36,200
Speaker 1: He's kind of mad about it. Yeah, because it's like,

927
00:48:37,680 --> 00:48:41,640
Speaker 1: if that's Bosh, then who's he existential? Yeah? I got

928
00:48:41,640 --> 00:48:43,000
Speaker 1: it and shook him up pretty good.

929
00:48:43,080 --> 00:48:44,319
Speaker 6: Yeah.

930
00:48:44,360 --> 00:48:45,080
Speaker 1: What's your dog?

931
00:48:45,960 --> 00:48:46,759
Speaker 6: What's your dog?

932
00:48:47,320 --> 00:48:48,400
Speaker 1: Uh?

933
00:48:48,440 --> 00:48:49,719
Speaker 6: I love this part of the podcast.

934
00:48:49,760 --> 00:48:49,960
Speaker 4: I do.

935
00:48:50,239 --> 00:48:52,080
Speaker 6: I was, I to be honest, I was looking forward

936
00:48:52,080 --> 00:48:52,719
Speaker 6: to the what's your dog?

937
00:48:52,800 --> 00:48:53,360
Speaker 1: This segment?

938
00:48:53,680 --> 00:48:56,560
Speaker 5: Yeah, well, first of all, I have too But should

939
00:48:56,560 --> 00:48:57,160
Speaker 5: I just pick one?

940
00:48:57,760 --> 00:48:58,160
Speaker 9: Mm?

941
00:48:58,239 --> 00:48:59,400
Speaker 1: Yeah a double dog me?

942
00:49:00,080 --> 00:49:01,719
Speaker 6: Uh?

943
00:49:01,840 --> 00:49:05,080
Speaker 5: One is Jasper? One is Whitley. One's a red husky.

944
00:49:05,680 --> 00:49:08,880
Speaker 5: One's some sort of mutt that's probably a border Collie

945
00:49:09,000 --> 00:49:10,360
Speaker 5: terrier type scenario.

946
00:49:10,719 --> 00:49:14,200
Speaker 1: Whitley named after Jasmine, Guy's character in a Different World.

947
00:49:14,280 --> 00:49:14,600
Speaker 6: Correct.

948
00:49:16,200 --> 00:49:18,320
Speaker 1: And Jasper is this a birthstone?

949
00:49:19,280 --> 00:49:21,760
Speaker 5: I mean maybe I don't have a lot of information

950
00:49:21,840 --> 00:49:25,799
Speaker 5: about his chart Jasper when he was exactly a born.

951
00:49:25,880 --> 00:49:28,280
Speaker 1: Jasper named after.

952
00:49:27,520 --> 00:49:33,080
Speaker 3: The track on the Percy Hill's second album, Straight On

953
00:49:33,120 --> 00:49:34,080
Speaker 3: Until Morning.

954
00:49:35,080 --> 00:49:39,680
Speaker 5: Which is about the painter Jasper John's known for his

955
00:49:39,840 --> 00:49:43,480
Speaker 5: many American flags flags.

956
00:49:43,560 --> 00:49:45,319
Speaker 6: Yeah, so you got it.

957
00:49:45,480 --> 00:49:46,120
Speaker 1: I got it.

958
00:49:46,960 --> 00:49:53,200
Speaker 4: What is the show cult It's called Voyage to the Stars.

959
00:49:53,320 --> 00:49:58,600
Speaker 1: Thank you Bye,