WEBVTT - Project Blue Book

0:00:00.170 --> 0:00:02.810
<v Speaker 1>Hi, Hollywood UFO people. I'm Bryce Zabel. And you know,

0:00:03.150 --> 0:00:06.670
<v Speaker 1>there are certain television shows that just seem to belong together.

0:00:07.000 --> 0:00:09.400
<v Speaker 1>And today we're going to be talking about our brother

0:00:09.440 --> 0:00:13.139
<v Speaker 1>from another mother, Project Blue Book, the history series that

0:00:13.180 --> 0:00:17.239
<v Speaker 1>ran for two seasons beginning in 2019. Now, Project Blue

0:00:17.280 --> 0:00:20.680
<v Speaker 1>Book takes place in the 1950s. The show that Brent

0:00:20.750 --> 0:00:24.210
<v Speaker 1>Friedman and I created, Dark Skies, takes place in the 1960s.

0:00:24.650 --> 0:00:27.810
<v Speaker 1>But both shows are period dramas built around the real

0:00:27.870 --> 0:00:31.920
<v Speaker 1>history of UFOs and the possibility that somewhere behind the

0:00:31.960 --> 0:00:36.730
<v Speaker 1>official explanations, another story is being kept from us. Both

0:00:36.790 --> 0:00:40.029
<v Speaker 1>shows mix real people and real events with fiction, and

0:00:40.210 --> 0:00:43.790
<v Speaker 1>both shows take a swing at the larger conspiracy instead

0:00:43.830 --> 0:00:48.170
<v Speaker 1>of just chasing a different UFO every week. And strangely enough,

0:00:48.690 --> 0:00:54.080
<v Speaker 1>both shows also produced exactly 20 hours of television. Our

0:00:54.120 --> 0:00:57.040
<v Speaker 1>guest today is going to be David O'Leary, the creator, writer,

0:00:57.100 --> 0:01:01.040
<v Speaker 1>and producer behind Project Blue Book. David and I became

0:01:01.240 --> 0:01:04.140
<v Speaker 1>good friends while Project Blue Book was on the air,

0:01:04.180 --> 0:01:07.020
<v Speaker 1>and we clicked immediately because we had so much in common.

0:01:07.500 --> 0:01:10.720
<v Speaker 1>His show was digging around in the 1950s, Heineck, Project

0:01:10.760 --> 0:01:15.120
<v Speaker 1>Blue Book itself, the Robertson panel, the Washington, D.C. overflights,

0:01:15.480 --> 0:01:19.190
<v Speaker 1>basically the beginnings of the modern UFO mystery. And then

0:01:19.250 --> 0:01:22.610
<v Speaker 1>Dark Skies picked up in 1961, when all of that

0:01:22.709 --> 0:01:26.890
<v Speaker 1>secrecy started colliding with the Kennedy murder, the Cuban Missile Crisis,

0:01:27.330 --> 0:01:31.350
<v Speaker 1>the Moon Race, Majestic Twelve, and basically the growing American

0:01:31.390 --> 0:01:35.929
<v Speaker 1>suspicion that maybe the government wasn't telling us everything about anything.

0:01:36.569 --> 0:01:41.000
<v Speaker 1>Before we bring David O'Leary into our secure, compartmented information

0:01:41.060 --> 0:01:45.240
<v Speaker 1>facility here, let's get my Dark Skies cohort, Brent Friedman, in. Brent,

0:01:45.260 --> 0:01:47.180
<v Speaker 1>how are you doing? I am doing well, thank you.

0:01:47.440 --> 0:01:48.300
<v Speaker 1>I am back home.

0:01:48.920 --> 0:01:49.200
<v Speaker 2>Yes.

0:01:49.480 --> 0:01:51.380
<v Speaker 1>We were like ships passing in the night. I'm in

0:01:51.420 --> 0:01:54.290
<v Speaker 1>San Francisco right now, but you were just in San Francisco.

0:01:54.750 --> 0:01:56.210
<v Speaker 1>I was in San Francisco, yes.

0:01:56.330 --> 0:01:59.170
<v Speaker 2>It's too bad we didn't Get together and do an

0:01:59.290 --> 0:02:01.450
<v Speaker 2>episode with both of us in the same frame, which

0:02:01.470 --> 0:02:03.570
<v Speaker 2>I think we tried for some interview one time.

0:02:03.610 --> 0:02:05.700
<v Speaker 1>I don't think we know how to make the technology

0:02:05.720 --> 0:02:08.320
<v Speaker 1>work for that. I don't think we're ready to do that. Hey, listen,

0:02:08.340 --> 0:02:10.040
<v Speaker 1>just one thing that just hit me while I was

0:02:10.080 --> 0:02:14.260
<v Speaker 1>doing that introduction. You remember how the Dark Skies pilot

0:02:14.419 --> 0:02:18.570
<v Speaker 1>actually introduces our main character, John Loewengard? He gets sent

0:02:18.630 --> 0:02:24.690
<v Speaker 1>to Wright-Patterson Air Force Base to investigate... Project Blue Book. Oh, yeah.

0:02:24.940 --> 0:02:27.600
<v Speaker 2>Yeah, no, this is kind of closing the circle, if

0:02:27.639 --> 0:02:33.190
<v Speaker 2>you will, on that whole storyline. And I'm really looking

0:02:33.210 --> 0:02:36.120
<v Speaker 2>forward to this episode because I didn't watch the show

0:02:36.190 --> 0:02:39.250
<v Speaker 2>initially when it came out, but I have caught up

0:02:39.350 --> 0:02:39.810
<v Speaker 2>on it now.

0:02:40.030 --> 0:02:43.550
<v Speaker 1>And what a fun ride. A great ride. And because

0:02:43.590 --> 0:02:45.950
<v Speaker 1>I wanted to put money in my friend David's pocket,

0:02:46.130 --> 0:02:48.609
<v Speaker 1>I have bought it twice now on Apple, or I

0:02:48.669 --> 0:02:52.240
<v Speaker 1>bought season one and season two on Apple. And really

0:02:52.290 --> 0:02:56.780
<v Speaker 1>enjoyed rewatching it outside of the weekly play out. So

0:02:56.960 --> 0:03:00.119
<v Speaker 1>congratulations to him for that. Another thing, if you think

0:03:00.180 --> 0:03:03.320
<v Speaker 1>about it, our Dark Skies lead, John Lowengard, who is

0:03:03.480 --> 0:03:10.559
<v Speaker 1>a fictional, non-fictional character. He's inspired by non-fiction characters, even

0:03:10.580 --> 0:03:13.540
<v Speaker 1>though he is a fictional character. And the Project Blue

0:03:13.560 --> 0:03:17.019
<v Speaker 1>Book lead, who is J. Allen Hynek, is obviously based

0:03:17.080 --> 0:03:19.840
<v Speaker 1>on a real guy, but then he's fictionalized in some

0:03:19.990 --> 0:03:23.080
<v Speaker 1>things he says and does. But both of those characters,

0:03:23.180 --> 0:03:27.390
<v Speaker 1>Lone Guard and Heineck, are on surprisingly similar journeys because

0:03:27.770 --> 0:03:31.230
<v Speaker 1>neither one starts out as a hardcore UFO believer. They're

0:03:31.250 --> 0:03:35.110
<v Speaker 1>just guys there doing a job, asking questions, and then

0:03:35.290 --> 0:03:37.840
<v Speaker 1>things get a little weird. Absolutely.

0:03:37.900 --> 0:03:40.440
<v Speaker 2>And I love the fact that it's because they do

0:03:40.480 --> 0:03:43.800
<v Speaker 2>their jobs well that they get themselves deeper and deeper

0:03:43.920 --> 0:03:45.700
<v Speaker 2>into the ufology rabbit hole.

0:03:46.160 --> 0:03:48.760
<v Speaker 1>Yeah. And it certainly seems true for Project Blue Book.

0:03:49.120 --> 0:03:52.540
<v Speaker 1>At some point, Lone Guard tells Bach, who's running Majestic 12,

0:03:52.540 --> 0:03:55.590
<v Speaker 1>he goes, I'm pretty close to the truth. And Bach,

0:03:55.970 --> 0:03:59.670
<v Speaker 1>who actually knows what's going on, is dismissive. He kind

0:03:59.710 --> 0:04:02.730
<v Speaker 1>of laughs and goes, the truth is overrated, which is

0:04:02.770 --> 0:04:07.130
<v Speaker 1>certainly what seems to be being said in Project Blue Book,

0:04:07.180 --> 0:04:08.800
<v Speaker 1>or at least the people who are running it seem

0:04:08.840 --> 0:04:11.180
<v Speaker 1>to think that way. If you squint just a little bit,

0:04:11.660 --> 0:04:14.880
<v Speaker 1>Project Blue Book almost feels like the unofficial prequel to

0:04:14.900 --> 0:04:16.700
<v Speaker 1>Dark Skies, which is why I think this show is

0:04:16.740 --> 0:04:19.479
<v Speaker 1>going to be a lot of fun. Yeah, completely. Okay,

0:04:19.700 --> 0:04:21.620
<v Speaker 1>so look, we're going to be right back, folks, with

0:04:21.660 --> 0:04:24.580
<v Speaker 1>David O'Leary. And the three of us, Brent and me

0:04:24.620 --> 0:04:27.210
<v Speaker 1>and David, are going to kick around what it's actually

0:04:27.310 --> 0:04:31.550
<v Speaker 1>like to create a television series that takes real UFO history,

0:04:32.070 --> 0:04:35.690
<v Speaker 1>real government secrecy, and real people, and then turns all

0:04:35.730 --> 0:04:38.870
<v Speaker 1>of that into a period piece that's not afraid at

0:04:38.950 --> 0:04:41.940
<v Speaker 1>all to take big leaps in dramatic license. So we'll

0:04:41.960 --> 0:05:01.560
<v Speaker 1>be right back. I'm Brent Friedman.

0:05:01.740 --> 0:05:04.440
<v Speaker 2>Years ago, a family friend who became a cabinet member

0:05:04.480 --> 0:05:08.260
<v Speaker 2>in the Reagan administration disclosed to me that aliens are real,

0:05:08.800 --> 0:05:10.760
<v Speaker 2>they're here, and he'd seen them.

0:05:11.240 --> 0:05:14.460
<v Speaker 1>I'm Bryce Zabel. Later, when we were producing Dark Skies,

0:05:14.850 --> 0:05:18.330
<v Speaker 1>an NBC TV series about an alien invasion, we were

0:05:18.370 --> 0:05:20.550
<v Speaker 1>approached by men who said they were from the Office

0:05:20.589 --> 0:05:23.589
<v Speaker 1>of Naval Intelligence, and they wanted to give us inside

0:05:23.650 --> 0:05:27.490
<v Speaker 1>information in exchange for access to our show. We didn't

0:05:27.610 --> 0:05:28.600
<v Speaker 1>take that deal seriously.

0:05:29.050 --> 0:05:31.000
<v Speaker 2>But we have never stopped thinking about it.

0:05:31.589 --> 0:05:34.910
<v Speaker 1>That's why we do this podcast. We're working out ideas

0:05:34.970 --> 0:05:39.190
<v Speaker 1>in real time about how Hollywood has portrayed aliens and why.

0:05:39.810 --> 0:05:43.330
<v Speaker 2>Every episode is different because there are so many questions.

0:05:43.710 --> 0:05:47.140
<v Speaker 1>We're looking for answers. It's an active investigation. Let's do

0:05:47.180 --> 0:06:17.180
<v Speaker 1>this together. We've talked about David O'Leary long enough. It's

0:06:17.200 --> 0:06:20.020
<v Speaker 1>time to bring him in here and let him defend himself. Now,

0:06:20.080 --> 0:06:23.540
<v Speaker 1>David is the creator, the writer, and the executive producer

0:06:23.720 --> 0:06:27.230
<v Speaker 1>of Project Blue Book. He did an enormous amount of

0:06:27.320 --> 0:06:30.549
<v Speaker 1>research into the real J. Allen Hynek and the actual

0:06:30.770 --> 0:06:33.599
<v Speaker 1>Air Force program and all the cases that surrounded it.

0:06:33.630 --> 0:06:36.670
<v Speaker 1>So he's got a big database up in his head

0:06:36.710 --> 0:06:40.510
<v Speaker 1>to talk about. But there is something that is very

0:06:40.670 --> 0:06:44.170
<v Speaker 1>also interesting about David that makes him perfect for our show,

0:06:44.230 --> 0:06:47.770
<v Speaker 1>well-suited for it. He graduated from Vassar with a double

0:06:47.870 --> 0:06:52.909
<v Speaker 1>major in film, which, yeah, that fits the Hollywood thing,

0:06:53.089 --> 0:06:54.790
<v Speaker 1>but also cognitive science.

0:06:56.279 --> 0:06:58.779
<v Speaker 2>When we were doing our research on David, and we

0:06:58.800 --> 0:07:01.750
<v Speaker 2>have literally a file on you this thick now, I

0:07:01.830 --> 0:07:05.410
<v Speaker 2>saw that you did a really fascinating project for your thesis.

0:07:06.370 --> 0:07:08.890
<v Speaker 1>I did. And guys, oh my God, thank you so

0:07:08.930 --> 0:07:09.870
<v Speaker 1>much for having me.

0:07:09.970 --> 0:07:13.480
<v Speaker 3>I feel like I've earned my MJ-12 clearance badge and

0:07:13.560 --> 0:07:14.720
<v Speaker 3>I'm in the inner.

0:07:14.580 --> 0:07:16.900
<v Speaker 1>Bunker and I love it. I love it so much.

0:07:17.100 --> 0:07:21.020
<v Speaker 3>I've had a deep interest in UFOs and the paranormal forever.

0:07:21.240 --> 0:07:27.700
<v Speaker 3>And I actually did my cognitive science And I ran

0:07:27.800 --> 0:07:34.300
<v Speaker 3>a sensory deprivation telepathy experiment that has been replicated multiple times.

0:07:34.380 --> 0:07:38.870
<v Speaker 3>It's called a Gansfeld telepathy experiment. And it was amazing.

0:07:38.910 --> 0:07:41.060
<v Speaker 3>It was like something out of altered states. And I

0:07:41.100 --> 0:07:44.000
<v Speaker 3>got all this really cool data. And then I also

0:07:44.040 --> 0:07:47.530
<v Speaker 3>had to defend what the physics of ESP would be.

0:07:47.590 --> 0:07:49.670
<v Speaker 3>So I read a lot of books on quantum physics

0:07:49.730 --> 0:07:54.090
<v Speaker 3>and neurology and quantum neurology and how spooky action at

0:07:54.130 --> 0:07:56.730
<v Speaker 3>a distance and maybe our brain is accessing other realms.

0:07:56.790 --> 0:07:59.650
<v Speaker 3>And this thing sits on my shelf. It's 100 pages,

0:07:59.690 --> 0:08:03.560
<v Speaker 3>but it was like the first really in-depth, lengthy document

0:08:03.600 --> 0:08:05.080
<v Speaker 3>I ever created, really.

0:08:05.960 --> 0:08:10.560
<v Speaker 1>What did you conclude about this whole paranormal and cognitive

0:08:11.190 --> 0:08:13.070
<v Speaker 1>consciousness part of this phenomenon.

0:08:13.310 --> 0:08:17.370
<v Speaker 3>So what's really interesting is there's something called the sheep-goat effect.

0:08:17.770 --> 0:08:24.020
<v Speaker 3>Sheep are believers in ESP. Goats are skeptics. And what

0:08:24.040 --> 0:08:25.640
<v Speaker 3>I had them do is I had them fill out

0:08:25.700 --> 0:08:29.320
<v Speaker 3>a questionnaire beforehand, before their participation in the study, that

0:08:29.370 --> 0:08:31.880
<v Speaker 3>determines whether whether they are a sheep or a goat, right?

0:08:31.920 --> 0:08:34.880
<v Speaker 3>It asks them questions like, I have had an ESP experience.

0:08:35.040 --> 0:08:37.120
<v Speaker 3>I think there were some questions in there about UFOs too,

0:08:37.160 --> 0:08:39.540
<v Speaker 3>by the way. UFOs might be real, right? Just your

0:08:39.580 --> 0:08:43.620
<v Speaker 3>sort of openness to psychic phenomena. So what it turns

0:08:43.780 --> 0:08:49.719
<v Speaker 3>out is one's belief in ESP is a determining factor

0:08:49.820 --> 0:08:53.530
<v Speaker 3>of their ability to perform well on an ESP task.

0:08:53.870 --> 0:08:57.189
<v Speaker 3>And that is very replicated. It's called the sheep goat effect.

0:08:57.230 --> 0:09:00.400
<v Speaker 3>I encourage our listeners or your listeners to look that up.

0:09:00.670 --> 0:09:03.580
<v Speaker 3>And that's crazy because my belief in whether a unicorn

0:09:03.880 --> 0:09:07.220
<v Speaker 3>exists shouldn't determine whether a unicorn does exist. But with

0:09:07.280 --> 0:09:10.229
<v Speaker 3>psychic phenomena, it really turns out that if you're open-minded

0:09:10.250 --> 0:09:12.760
<v Speaker 3>and And you feel that maybe it's possible that you'll

0:09:12.780 --> 0:09:16.360
<v Speaker 3>get lucky today or whatever, like you do statistically better

0:09:16.700 --> 0:09:17.640
<v Speaker 3>on an ESP task.

0:09:17.840 --> 0:09:19.200
<v Speaker 1>And we were able to replicate that.

0:09:19.300 --> 0:09:21.740
<v Speaker 3>All of our hits were people who had a high,

0:09:22.100 --> 0:09:24.020
<v Speaker 3>they were high sheep. They really thought that this was

0:09:24.040 --> 0:09:25.719
<v Speaker 3>going to be fun and this was going to be possible.

0:09:26.140 --> 0:09:28.580
<v Speaker 3>So that was like our most interesting result.

0:09:29.200 --> 0:09:30.020
<v Speaker 1>It's fascinating.

0:09:30.140 --> 0:09:34.240
<v Speaker 2>And it validates that inversion of the famous saying that

0:09:34.300 --> 0:09:35.900
<v Speaker 2>seeing is believing is believing.

0:09:36.000 --> 0:09:37.160
<v Speaker 1>Believing is seeing.

0:09:37.460 --> 0:09:40.010
<v Speaker 2>And I think- That all goes back to, I think

0:09:40.210 --> 0:09:42.460
<v Speaker 2>we have a much deeper dive conversation on this, but

0:09:42.880 --> 0:09:45.560
<v Speaker 2>the role of consciousness in all of this, whether it's

0:09:45.580 --> 0:09:50.420
<v Speaker 2>your experiments, ESP, or even the larger topic of UFOs

0:09:51.000 --> 0:09:51.819
<v Speaker 2>and UAP.

0:09:51.820 --> 0:09:56.330
<v Speaker 3>100%. My favorite line in the Mothman Prophecies movie with

0:09:56.390 --> 0:09:59.250
<v Speaker 3>Richard Gere is, what do you look like?

0:09:59.510 --> 0:10:03.080
<v Speaker 1>And it says... it depends on who's looking. It depends

0:10:03.140 --> 0:10:03.840
<v Speaker 1>on who's looking.

0:10:03.920 --> 0:10:08.220
<v Speaker 3>And I was like, oh, this movie is next level great.

0:10:08.500 --> 0:10:13.859
<v Speaker 1>Okay. It understands everything. I love it. It's so funny, David,

0:10:13.900 --> 0:10:16.570
<v Speaker 1>because we did an episode called, I think, All About

0:10:16.610 --> 0:10:19.520
<v Speaker 1>the Woo, And sort of the portal film into that

0:10:19.559 --> 0:10:23.040
<v Speaker 1>was the Mothman Prophecies, okay? And we found that it

0:10:23.059 --> 0:10:25.780
<v Speaker 1>got an enormous amount of interest that we've actually done

0:10:25.840 --> 0:10:30.090
<v Speaker 1>another episode about Woo because people like to talk Woo.

0:10:30.140 --> 0:10:32.630
<v Speaker 1>And I guess you know what Woo is. It's the- Oh, yeah.

0:10:32.890 --> 0:10:35.550
<v Speaker 1>Not the nuts and bolts. It's everything else. So my

0:10:35.610 --> 0:10:38.910
<v Speaker 1>question for you is, have you had any personal experiences

0:10:39.150 --> 0:10:44.530
<v Speaker 1>that would qualify as some kind of experience that's paranormal?

0:10:44.670 --> 0:10:47.570
<v Speaker 1>Or have you experienced your own ESP- experience or anything

0:10:47.610 --> 0:10:48.890
<v Speaker 1>like that? Yes.

0:10:49.150 --> 0:10:51.820
<v Speaker 3>I've only had one UFO experience, which I'm happy to

0:10:51.860 --> 0:10:55.280
<v Speaker 3>talk about, but predating all that with a lot of psychic,

0:10:55.640 --> 0:10:58.440
<v Speaker 3>what I would determine to be psychic experiences growing up.

0:10:58.580 --> 0:11:00.900
<v Speaker 3>And there were things I didn't even remember. Like my

0:11:00.940 --> 0:11:03.959
<v Speaker 3>middle name is Eli, which is both a movie I

0:11:04.020 --> 0:11:08.620
<v Speaker 3>produced and I'm named after a grandfather I never met.

0:11:08.920 --> 0:11:12.069
<v Speaker 3>And he had a sister named Ida who had my

0:11:12.150 --> 0:11:14.880
<v Speaker 3>birthday and he would call her Idy. And when I

0:11:14.920 --> 0:11:17.229
<v Speaker 3>was a little kid, for no reason at all, I

0:11:17.270 --> 0:11:22.180
<v Speaker 3>would call my sister, Kara, Heidi. And so I was calling,

0:11:22.400 --> 0:11:24.330
<v Speaker 3>like there were weird things like that where I couldn't

0:11:24.370 --> 0:11:27.349
<v Speaker 3>have possibly known. So it's like, I was like, I

0:11:27.370 --> 0:11:29.310
<v Speaker 3>always felt like I was channeling my grandfather in that

0:11:29.350 --> 0:11:31.530
<v Speaker 3>way as a very young kid. But over the years,

0:11:31.670 --> 0:11:33.870
<v Speaker 3>my friends, if there's anyone listening here would know that

0:11:33.929 --> 0:11:35.670
<v Speaker 3>I'd be at a party and I would ask girls,

0:11:35.690 --> 0:11:37.270
<v Speaker 3>like think of a number between one and a hundred

0:11:37.330 --> 0:11:38.790
<v Speaker 3>and I would try and guess it and that kind

0:11:38.809 --> 0:11:40.490
<v Speaker 3>of thing. And sometimes I would get it right. I

0:11:40.530 --> 0:11:44.010
<v Speaker 3>was always a big, I was always fascinated by sort

0:11:44.030 --> 0:11:46.820
<v Speaker 3>of mentalism and psychic phenomena. And it always struck me

0:11:46.880 --> 0:11:48.960
<v Speaker 3>as a real thing. And I think that just came

0:11:49.000 --> 0:11:52.100
<v Speaker 3>from various instances in my life where I was like,

0:11:52.140 --> 0:11:54.270
<v Speaker 3>that was so weird. I was just thinking that, and

0:11:54.290 --> 0:11:56.609
<v Speaker 3>then it happened. Or I was just thinking about you

0:11:56.650 --> 0:11:57.770
<v Speaker 3>and here you are.

0:11:57.630 --> 0:11:59.850
<v Speaker 1>And that kind of thing. Regardless of how that worked

0:11:59.910 --> 0:12:02.829
<v Speaker 1>as an ESP experiment, how did it work for picking

0:12:02.890 --> 0:12:07.500
<v Speaker 1>up girls? I'll tell you this, when you get it,

0:12:07.660 --> 0:12:08.160
<v Speaker 1>it works.

0:12:09.540 --> 0:12:11.680
<v Speaker 3>But a lot of times I was like 81 and

0:12:11.700 --> 0:12:14.980
<v Speaker 3>she was like 26. But anyway, excuse me, I have

0:12:15.020 --> 0:12:17.800
<v Speaker 3>to go refill my drink now. But like in college

0:12:17.840 --> 0:12:20.180
<v Speaker 3>and stuff like that, I was always deeply interested in

0:12:20.240 --> 0:12:24.360
<v Speaker 3>the various forms of ESP. And it was great to

0:12:24.380 --> 0:12:27.040
<v Speaker 3>do a college thesis on the subject. What about the

0:12:27.100 --> 0:12:29.600
<v Speaker 3>nuts and bolts? Did you ever see a UFO? People

0:12:29.679 --> 0:12:31.920
<v Speaker 3>always ask and they always want to know whoever you're

0:12:31.940 --> 0:12:33.750
<v Speaker 3>talking to. Did you ever see a UFO?

0:12:33.770 --> 0:12:34.349
<v Speaker 1>What about you?

0:12:34.770 --> 0:12:37.980
<v Speaker 3>So all through my life, the answer was no, but

0:12:38.010 --> 0:12:40.760
<v Speaker 3>I have shared this story before, but shortly after I

0:12:40.960 --> 0:12:44.160
<v Speaker 3>sold Project Blue Book, I remember I was still living.

0:12:44.179 --> 0:12:46.099
<v Speaker 3>It was before the show had gotten greenlit, but it

0:12:46.140 --> 0:12:49.349
<v Speaker 3>was after I showed it to history. I'm walking home

0:12:49.520 --> 0:12:51.609
<v Speaker 3>in an area I used to live in mid city

0:12:51.750 --> 0:12:54.150
<v Speaker 3>Los Angeles at the time. Well, all the homes around

0:12:54.190 --> 0:12:56.730
<v Speaker 3>are about two stories and I'm actually on the phone.

0:12:56.770 --> 0:12:58.870
<v Speaker 3>It's like 1030 at night and I had parked. You

0:12:58.890 --> 0:13:01.010
<v Speaker 3>had to find street parking and I had parked further

0:13:01.050 --> 0:13:03.740
<v Speaker 3>away from my place. And I'm walking and I'm on

0:13:03.760 --> 0:13:06.330
<v Speaker 3>the phone with a buddy of mine. And I look

0:13:06.420 --> 0:13:09.089
<v Speaker 3>up and out of the trees is what looks like

0:13:09.130 --> 0:13:15.990
<v Speaker 3>a teardropped shaped self luminescent green fireball, right? Like a

0:13:16.050 --> 0:13:21.209
<v Speaker 3>Chinese lantern, but completely green. And I look up at

0:13:21.290 --> 0:13:23.410
<v Speaker 3>it and I'm like, I freeze. And then I got

0:13:23.450 --> 0:13:28.050
<v Speaker 3>the sensation that it was moving towards me and I panicked.

0:13:28.540 --> 0:13:30.740
<v Speaker 1>And I was like, oh my God, I'm seeing a UFO.

0:13:30.800 --> 0:13:33.580
<v Speaker 3>And I run underneath this thing as it continues to

0:13:33.720 --> 0:13:36.560
<v Speaker 3>flicker on and just move down the tree line. And

0:13:36.580 --> 0:13:39.209
<v Speaker 3>I watch it go as I'm running away. And I

0:13:39.290 --> 0:13:42.150
<v Speaker 3>sat on that story for about a year.

0:13:42.170 --> 0:13:44.830
<v Speaker 1>I didn't tell anybody except my wife.

0:13:45.250 --> 0:13:48.310
<v Speaker 3>Because A, I was a total coward in the story.

0:13:48.330 --> 0:13:50.990
<v Speaker 3>And B, it sounded like.

0:13:50.890 --> 0:13:51.670
<v Speaker 1>BS, right?

0:13:51.740 --> 0:13:53.579
<v Speaker 3>It sounded like, oh, here's this guy who sold a

0:13:53.679 --> 0:13:55.620
<v Speaker 3>UFO show having a UFO experience.

0:13:56.160 --> 0:13:56.939
<v Speaker 1>But I'm not kidding.

0:13:57.059 --> 0:14:00.140
<v Speaker 3>For months when I would park my car, I was

0:14:00.220 --> 0:14:02.820
<v Speaker 3>like having the sensation that something was over my shoulder

0:14:02.860 --> 0:14:05.320
<v Speaker 3>or something like that. It was like difficult for me

0:14:05.360 --> 0:14:07.080
<v Speaker 3>to park the car and walk through the dark in

0:14:07.120 --> 0:14:10.000
<v Speaker 3>my neighborhood during that time. And it was just, I

0:14:10.020 --> 0:14:11.940
<v Speaker 3>don't know what it was. And it wasn't a drone

0:14:12.020 --> 0:14:14.209
<v Speaker 3>because it like came out of the trees. Like it

0:14:14.250 --> 0:14:16.180
<v Speaker 3>was like, unless you could fly a drone, like in

0:14:16.230 --> 0:14:16.850
<v Speaker 3>the branches.

0:14:16.900 --> 0:14:19.510
<v Speaker 1>It was like, it was very weird. It was very weird.

0:14:19.630 --> 0:14:22.410
<v Speaker 3>And then about a year later when Project Blue Book

0:14:22.430 --> 0:14:26.430
<v Speaker 3>had been greenlit and they did this activation at Comic-Con

0:14:26.650 --> 0:14:29.790
<v Speaker 3>where they built like a fake Project Blue Book headquarters,

0:14:30.100 --> 0:14:33.480
<v Speaker 3>you could report a UFO sighting and zoom it up

0:14:33.560 --> 0:14:36.120
<v Speaker 3>into space. And they really had the satellite there. So fans,

0:14:36.300 --> 0:14:38.320
<v Speaker 3>it was like to build awareness for the show. And

0:14:38.380 --> 0:14:40.340
<v Speaker 3>I was like, all right, I'm doing it. So I

0:14:40.400 --> 0:14:44.100
<v Speaker 3>reported my official UFO sighting into the Project Blue Book

0:14:44.140 --> 0:14:45.920
<v Speaker 3>headquarters and they zacked it out there.

0:14:45.980 --> 0:14:48.840
<v Speaker 1>So- it was a great, a cool way to admit

0:14:48.880 --> 0:14:50.000
<v Speaker 1>that this thing had happened.

0:14:50.720 --> 0:14:55.280
<v Speaker 2>I love the perceived coincidence of you've just started to

0:14:55.340 --> 0:14:58.140
<v Speaker 2>get this blue book project off the ground after doing

0:14:58.200 --> 0:15:01.390
<v Speaker 2>tons of research on it. And then you have for

0:15:01.430 --> 0:15:04.830
<v Speaker 2>the first time in your life, this potential UFO experience.

0:15:05.450 --> 0:15:08.230
<v Speaker 2>And it's easy to say either a total coincidence or

0:15:08.290 --> 0:15:11.190
<v Speaker 2>B that wasn't really a UFO. But if you look

0:15:11.230 --> 0:15:13.460
<v Speaker 2>at both of them and say, no, it wasn't a coincidence.

0:15:13.700 --> 0:15:17.620
<v Speaker 2>And by the way, it was something real. anomalous, then

0:15:18.100 --> 0:15:20.530
<v Speaker 2>it's going back to the Mothman prophecies, right? Where it's

0:15:20.570 --> 0:15:22.810
<v Speaker 2>like the whole point of that story was when you

0:15:22.870 --> 0:15:26.550
<v Speaker 2>start putting your intention and your energy focused on something,

0:15:27.010 --> 0:15:29.210
<v Speaker 2>you get deeper into it. And that is clearly what

0:15:29.230 --> 0:15:31.840
<v Speaker 2>happened to Bryce and I, like as the further we

0:15:31.860 --> 0:15:35.020
<v Speaker 2>got into the dark skies experience, you leave the real

0:15:35.060 --> 0:15:38.310
<v Speaker 2>world and you're in the phenomenon now. And who knows

0:15:38.380 --> 0:15:39.000
<v Speaker 2>what will happen?

0:15:39.250 --> 0:15:40.600
<v Speaker 1>I believe that so strongly.

0:15:40.800 --> 0:15:43.120
<v Speaker 3>Even then it did feel a little, oh, they're just

0:15:43.140 --> 0:15:46.240
<v Speaker 3>saying hello or we see you or we understand that

0:15:46.260 --> 0:15:49.000
<v Speaker 3>you're about to create a show that's going to move

0:15:49.040 --> 0:15:51.770
<v Speaker 3>the needle a little bit on this subject. And I

0:15:51.810 --> 0:15:55.010
<v Speaker 3>think obviously your show did that in a huge way

0:15:55.130 --> 0:15:59.010
<v Speaker 3>as well. And I will say like, all throughout the show.

0:15:59.170 --> 0:16:01.450
<v Speaker 3>And I'm curious, I feel like I know that's just

0:16:01.470 --> 0:16:03.190
<v Speaker 3>from what Bryce has told me too, that this was

0:16:03.250 --> 0:16:07.290
<v Speaker 3>happening to you. We had all kinds of synchronistic, a

0:16:07.350 --> 0:16:09.510
<v Speaker 3>lot of synchronicity is I think what I'll say.

0:16:09.590 --> 0:16:10.430
<v Speaker 1>Like a lot of.

0:16:10.600 --> 0:16:13.000
<v Speaker 3>Weird, like I remember like the first time we went

0:16:13.040 --> 0:16:15.660
<v Speaker 3>up on set and Sean and I were flying. Sean

0:16:15.680 --> 0:16:18.680
<v Speaker 3>was like my partner on this, brought him into show

0:16:18.720 --> 0:16:21.260
<v Speaker 3>run season one and then we were partners season two.

0:16:21.900 --> 0:16:23.720
<v Speaker 1>And he was amazing. He believes in the phenomenon too

0:16:23.840 --> 0:16:25.220
<v Speaker 1>and has had his own experiences.

0:16:25.720 --> 0:16:28.320
<v Speaker 3>We're like getting on a plane together And we look

0:16:28.440 --> 0:16:30.920
<v Speaker 3>up and somebody had like, for the first time to go,

0:16:31.120 --> 0:16:32.680
<v Speaker 3>just a board to go to Canada.

0:16:32.730 --> 0:16:33.190
<v Speaker 1>And there was a.

0:16:33.160 --> 0:16:36.090
<v Speaker 3>Little slip of paper with an alien face on it

0:16:36.370 --> 0:16:39.430
<v Speaker 3>that somebody had stuck at the gate. Like just weird

0:16:39.630 --> 0:16:40.370
<v Speaker 3>stuff like that.

0:16:40.570 --> 0:16:44.109
<v Speaker 1>And that, like so many of those instances, so many.

0:16:44.550 --> 0:16:46.390
<v Speaker 3>Like, so it was really one of those things where

0:16:46.410 --> 0:16:47.950
<v Speaker 3>like the whole time I was like, this is like

0:16:48.790 --> 0:16:49.970
<v Speaker 3>just synchronicity.

0:16:49.990 --> 0:16:51.750
<v Speaker 1>I don't know what else to call it. I think

0:16:51.790 --> 0:16:54.850
<v Speaker 1>we need an origin story for our audience so that

0:16:54.890 --> 0:16:58.410
<v Speaker 1>they understand. Because they've heard Brent and I speak For

0:16:58.450 --> 0:17:02.150
<v Speaker 1>some people, ad nauseum about our origin stories. But what's yours?

0:17:02.410 --> 0:17:06.090
<v Speaker 1>In other words, how did the show first come to

0:17:06.130 --> 0:17:08.100
<v Speaker 1>your head that you were going to even call a

0:17:08.140 --> 0:17:10.659
<v Speaker 1>show Project Blue Book? And then how did you sell

0:17:10.740 --> 0:17:13.220
<v Speaker 1>it and get it started? Absolutely.

0:17:13.260 --> 0:17:14.639
<v Speaker 3>So I'll just say that I grew up in New

0:17:14.660 --> 0:17:17.040
<v Speaker 3>York City, but I've had, for whatever reason, a lifelong

0:17:17.100 --> 0:17:20.979
<v Speaker 3>interest in this phenomenon. I remember dragging my father to

0:17:21.060 --> 0:17:25.800
<v Speaker 3>see the movie Communion, based on Whitley Strieber's book. starring

0:17:25.840 --> 0:17:29.020
<v Speaker 3>Christopher Walken when I was nine years old. I don't

0:17:29.060 --> 0:17:31.700
<v Speaker 3>know what that's about, but I remember being in a

0:17:31.720 --> 0:17:34.159
<v Speaker 3>tiny little movie theater downtown and having that movie, by

0:17:34.200 --> 0:17:35.659
<v Speaker 3>the way, scare the hell out of me. And I

0:17:35.680 --> 0:17:37.609
<v Speaker 3>was definitely somebody who, when I was going through my

0:17:37.640 --> 0:17:41.270
<v Speaker 3>teenage years, rebelling and doing things I shouldn't be doing,

0:17:41.290 --> 0:17:44.330
<v Speaker 3>I would also read these alien abduction books that would

0:17:44.430 --> 0:17:45.970
<v Speaker 3>keep me up at night. I don't know what I

0:17:46.010 --> 0:17:47.869
<v Speaker 3>was doing to myself, but it was like, I was like,

0:17:47.890 --> 0:17:50.310
<v Speaker 3>I need to stop, but I'm also so fascinated and

0:17:50.450 --> 0:17:54.050
<v Speaker 3>terrified by this subject. Anyway, years later, after I moved

0:17:54.070 --> 0:17:56.980
<v Speaker 3>to LA and I Been an assistant and an executive

0:17:57.060 --> 0:17:58.399
<v Speaker 3>and all this. And I think I was still an

0:17:58.420 --> 0:18:01.139
<v Speaker 3>executive when the idea first came up. I watched, we

0:18:01.160 --> 0:18:04.300
<v Speaker 3>were talking about Believing is Seeing. There was a 2008

0:18:04.300 --> 0:18:09.540
<v Speaker 3>documentary special hosted by the late Peter Jennings called Seeing

0:18:09.830 --> 0:18:11.030
<v Speaker 3>is Believing. Right.

0:18:11.050 --> 0:18:11.629
<v Speaker 1>And it was.

0:18:11.570 --> 0:18:17.590
<v Speaker 3>About America's very strange history with UFOs. And I was

0:18:17.630 --> 0:18:20.330
<v Speaker 3>already watching all the UFO documentaries about at that time.

0:18:20.530 --> 0:18:22.210
<v Speaker 3>But what this one really did was it went back

0:18:22.270 --> 0:18:25.350
<v Speaker 3>to the beginning and Project Sign and Grudge and Blue Book.

0:18:25.650 --> 0:18:27.930
<v Speaker 3>And of course it talked about Hynek. And by then

0:18:27.950 --> 0:18:31.280
<v Speaker 3>I'm like a 27 year old VP of development or

0:18:31.300 --> 0:18:33.760
<v Speaker 3>whatever it was. And I watched and they talk about

0:18:33.780 --> 0:18:35.600
<v Speaker 3>the story of Hynek and how he was this total

0:18:35.640 --> 0:18:39.139
<v Speaker 3>skeptical astrophysicist who went from skeptic to believer and became

0:18:39.220 --> 0:18:43.840
<v Speaker 3>the voice of ufology and created the classification system. And

0:18:43.880 --> 0:18:46.580
<v Speaker 3>I was like, oh my God, there is, I think

0:18:46.600 --> 0:18:47.980
<v Speaker 3>at the time I thought it was a movie. I

0:18:48.000 --> 0:18:50.330
<v Speaker 3>was like, there is a movie in this man's life.

0:18:50.980 --> 0:18:53.369
<v Speaker 3>And then many years later, when I was, after I

0:18:53.380 --> 0:18:55.290
<v Speaker 3>had become a writer and I was trying to pivot

0:18:55.330 --> 0:18:58.310
<v Speaker 3>from movies into TV, I'm having glass, a glass of

0:18:58.369 --> 0:19:01.609
<v Speaker 3>wine with my wife. And we're talking about things, shows

0:19:01.650 --> 0:19:04.129
<v Speaker 3>we love, things we love, things I love. And I

0:19:04.150 --> 0:19:06.689
<v Speaker 3>brought up the idea and I still have the paper.

0:19:06.730 --> 0:19:08.890
<v Speaker 3>I scribbled it down on, cause we got so excited.

0:19:08.910 --> 0:19:09.470
<v Speaker 1>I have it.

0:19:09.840 --> 0:19:12.940
<v Speaker 3>Somewhere and it was like it was basically like what

0:19:13.000 --> 0:19:16.760
<v Speaker 3>if i did a real life x files set in

0:19:16.780 --> 0:19:20.280
<v Speaker 3>the time of mad men with alan hynek through the

0:19:20.359 --> 0:19:23.330
<v Speaker 3>eyes of dr j alan hynek and that that's all

0:19:23.369 --> 0:19:25.810
<v Speaker 3>i had right using and then maybe it was like

0:19:25.869 --> 0:19:27.930
<v Speaker 3>and using the real life cases of project blue book

0:19:28.010 --> 0:19:31.010
<v Speaker 3>as its engine and it was just like how has

0:19:31.030 --> 0:19:34.390
<v Speaker 3>nobody done this so that became the basis.

0:19:34.369 --> 0:19:37.439
<v Speaker 1>I would only say that J. Allen Hynek is in

0:19:37.480 --> 0:19:41.119
<v Speaker 1>the Socorro episode of Dark Skies. So there is, not

0:19:41.160 --> 0:19:42.869
<v Speaker 1>only do we have the Blue Book Connect, we have

0:19:43.170 --> 0:19:45.129
<v Speaker 1>a little, we have just a taste of Heineck.

0:19:45.410 --> 0:19:49.220
<v Speaker 3>There is so much, there is so much Dark Skies

0:19:49.520 --> 0:19:51.929
<v Speaker 3>Project Blue Book crossover. It's just fascinating. And by the way,

0:19:51.940 --> 0:19:54.080
<v Speaker 3>the Socorro case is an amazing case. We never had

0:19:54.119 --> 0:19:55.940
<v Speaker 3>a chance, we never had a chance to do it.

0:19:55.940 --> 0:19:58.380
<v Speaker 3>But I always, even in the pit, in the sort

0:19:58.400 --> 0:20:02.730
<v Speaker 3>of series Bible was like a police officer or UFO encounter.

0:20:02.750 --> 0:20:05.750
<v Speaker 3>And we wanted to do Socorro and we just never,

0:20:05.770 --> 0:20:07.070
<v Speaker 3>I don't know, never got there.

0:20:07.700 --> 0:20:10.080
<v Speaker 1>Unfortunately. Well, you didn't get to a season three, which

0:20:10.140 --> 0:20:12.280
<v Speaker 1>I want to ask you about, but we just got

0:20:12.300 --> 0:20:15.379
<v Speaker 1>to put this on the table though first, which is, okay,

0:20:15.420 --> 0:20:19.830
<v Speaker 1>Brent and I have walked our audience through the same

0:20:19.890 --> 0:20:23.250
<v Speaker 1>kind of thing about how we came to create the show,

0:20:23.630 --> 0:20:27.350
<v Speaker 1>but then also how, as you said, synchronicity for you,

0:20:27.410 --> 0:20:30.449
<v Speaker 1>but strange things culminating with a guy that showed up

0:20:30.490 --> 0:20:33.710
<v Speaker 1>at our Dark Skies premiere party named JC, who said

0:20:33.930 --> 0:20:36.350
<v Speaker 1>he was with the Office of Naval Intelligence. They wanted

0:20:36.430 --> 0:20:39.179
<v Speaker 1>us to put stuff into the show, et cetera, and

0:20:39.200 --> 0:20:42.239
<v Speaker 1>they would give us, all right, so people who have

0:20:42.300 --> 0:20:45.609
<v Speaker 1>watched us know about that, people who are only tuning

0:20:45.690 --> 0:20:48.189
<v Speaker 1>in because David O'Leary's on the show, you can go

0:20:48.230 --> 0:20:50.350
<v Speaker 1>back to the beginning of Sound, Light &amp; Frequency and

0:20:50.390 --> 0:20:53.409
<v Speaker 1>watch those episodes. But David, for you, the question is,

0:20:53.630 --> 0:20:57.750
<v Speaker 1>did you ever experience anything at all that led you

0:20:57.950 --> 0:21:01.790
<v Speaker 1>in any way to believe that there is an interest

0:21:02.050 --> 0:21:05.930
<v Speaker 1>in Hollywood's ability to tell these stories as any form

0:21:05.990 --> 0:21:12.040
<v Speaker 1>of acclimation project or anything from government or even private

0:21:12.100 --> 0:21:17.359
<v Speaker 1>contractor sources, were you ever approached personally? So it's so funny.

0:21:17.400 --> 0:21:20.020
<v Speaker 1>So I definitely know your guys' story about what happened

0:21:20.040 --> 0:21:20.660
<v Speaker 1>at the premiere.

0:21:20.700 --> 0:21:23.800
<v Speaker 3>And you better believe I was like looking around the

0:21:23.820 --> 0:21:27.530
<v Speaker 3>premiere at ours because they threw us a wonderful premiere

0:21:27.570 --> 0:21:30.629
<v Speaker 3>at this like 1950s style house up in the Hollywood Hills.

0:21:30.650 --> 0:21:31.830
<v Speaker 1>Like it was awesome what.

0:21:31.770 --> 0:21:33.129
<v Speaker 3>A &amp; E Studios.

0:21:32.850 --> 0:21:35.669
<v Speaker 1>And History did. Because Bryce, you had told me that

0:21:35.710 --> 0:21:37.419
<v Speaker 1>story by then and I was like, I believed it.

0:21:37.500 --> 0:21:38.490
<v Speaker 1>Of course I believed it.

0:21:38.500 --> 0:21:40.050
<v Speaker 3>I know it happened. You guys have talked at length

0:21:40.090 --> 0:21:43.109
<v Speaker 3>about it. So nothing at the premiere, as far as

0:21:43.190 --> 0:21:46.910
<v Speaker 3>I know. But I will say this, I would get

0:21:47.070 --> 0:21:50.510
<v Speaker 3>asked that question a lot by, I guess, fans of

0:21:50.530 --> 0:21:52.970
<v Speaker 3>the show or people who would attend sort of Q &amp; A.

0:21:52.990 --> 0:21:54.930
<v Speaker 3>And they'd always say, is Project Blue Book a part

0:21:54.970 --> 0:21:59.350
<v Speaker 3>of an official governmental disclosure process? Or are you guys,

0:21:59.390 --> 0:22:01.750
<v Speaker 3>because you're taking dramatic liberties, just a part of the

0:22:01.810 --> 0:22:05.430
<v Speaker 3>disinformation campaign to control the public perception on this issue

0:22:05.450 --> 0:22:09.370
<v Speaker 3>and continue to confuse people? And I was like, neither.

0:22:09.590 --> 0:22:12.530
<v Speaker 3>We're just trying to make an amazing show. That said,

0:22:12.550 --> 0:22:15.630
<v Speaker 3>I would sometimes have the sense when being asked that show,

0:22:15.690 --> 0:22:18.649
<v Speaker 3>and this is completely anecdotal, but I would have the

0:22:18.670 --> 0:22:20.990
<v Speaker 3>sense sometimes when those questions were being asked, and I

0:22:21.010 --> 0:22:22.250
<v Speaker 3>don't know what to say about this.

0:22:22.330 --> 0:22:23.540
<v Speaker 1>It's just my experience.

0:22:23.910 --> 0:22:27.359
<v Speaker 3>I would sometimes get the feeling, I guess almost like

0:22:27.400 --> 0:22:29.900
<v Speaker 3>the psychic feeling, that there was somebody in the audience,

0:22:30.400 --> 0:22:32.780
<v Speaker 3>that there was a CIA agent in the audience or

0:22:32.820 --> 0:22:36.439
<v Speaker 3>somebody who was really carefully listening to the answer to

0:22:36.460 --> 0:22:40.300
<v Speaker 3>that question. Again, sometimes I would think I would notice

0:22:40.540 --> 0:22:42.900
<v Speaker 3>a guy standing on the back wall and be like,

0:22:43.710 --> 0:22:46.949
<v Speaker 3>is that a fan? He doesn't look like a Comic-Con fan.

0:22:46.990 --> 0:22:50.410
<v Speaker 3>I don't know. But part of that could, I'm willing

0:22:50.450 --> 0:22:52.280
<v Speaker 3>to freely admit I have no proof of that.

0:22:52.540 --> 0:22:54.260
<v Speaker 1>It was completely subjective.

0:22:54.720 --> 0:22:58.290
<v Speaker 3>And maybe at the time, A little bit of, not paranoia,

0:22:58.410 --> 0:23:00.850
<v Speaker 3>but if you do believe in this subject matter the

0:23:00.890 --> 0:23:03.310
<v Speaker 3>way that we, of course, do, and you're creating a

0:23:03.390 --> 0:23:05.550
<v Speaker 3>show and you believe in the cover-up the way I

0:23:05.710 --> 0:23:07.910
<v Speaker 3>certainly do, and I'm pretty sure you guys do too,

0:23:07.950 --> 0:23:10.070
<v Speaker 3>it's when you're creating a show that is disrupting that

0:23:10.109 --> 0:23:12.070
<v Speaker 3>to some degree, you can't help but every once in

0:23:12.109 --> 0:23:14.570
<v Speaker 3>a while, like walking home late at night, it's sad.

0:23:14.730 --> 0:23:16.710
<v Speaker 3>A car goes by or a car kind of drifts

0:23:16.770 --> 0:23:20.020
<v Speaker 3>or you're, am I being followed? You're never quite sure,

0:23:20.450 --> 0:23:26.399
<v Speaker 3>but nothing overt and explicit other than, The continuance of

0:23:26.680 --> 0:23:30.500
<v Speaker 3>very strange synchronicity throughout the creation of the show.

0:23:35.030 --> 0:23:38.230
<v Speaker 2>Like you said, it isn't paranoia, but it's awareness. It's

0:23:38.270 --> 0:23:41.590
<v Speaker 2>an understanding of the world we live in. And because

0:23:41.609 --> 0:23:44.430
<v Speaker 2>you had done so much research right before you even

0:23:44.510 --> 0:23:47.710
<v Speaker 2>sold the show, you weren't just experiencing things for the

0:23:47.760 --> 0:23:50.560
<v Speaker 2>first time. You came in with probably an opinion or

0:23:50.600 --> 0:23:53.030
<v Speaker 2>a point of view. we can get into your point

0:23:53.070 --> 0:23:54.770
<v Speaker 2>of view, but I feel like in a way it's

0:23:54.850 --> 0:23:58.150
<v Speaker 2>conveyed through your show, through Blue Book, which is, and

0:23:58.190 --> 0:24:00.189
<v Speaker 2>maybe this gives us a chance to, I'll be the

0:24:00.250 --> 0:24:02.270
<v Speaker 2>adult in the room, actually say what the show is

0:24:02.310 --> 0:24:06.810
<v Speaker 2>about for those who don't know. But essentially, Project Blue

0:24:06.850 --> 0:24:12.320
<v Speaker 2>Book was an official government project to look into the

0:24:12.380 --> 0:24:14.240
<v Speaker 2>existence of UFO.

0:24:14.520 --> 0:24:15.920
<v Speaker 1>This was well before UAP.

0:24:16.640 --> 0:24:19.609
<v Speaker 2>What I thought was so fascinating about The point of

0:24:19.650 --> 0:24:21.530
<v Speaker 2>view you had of the show is that, yes, Hynek

0:24:21.590 --> 0:24:25.170
<v Speaker 2>is a skeptic, but you put him on a character

0:24:25.280 --> 0:24:29.720
<v Speaker 2>arc of slowly starting to question his skepticism. But you

0:24:29.800 --> 0:24:33.419
<v Speaker 2>never the show far enough to say it is one

0:24:33.480 --> 0:24:38.390
<v Speaker 2>thing or another, only that what seems to be clear

0:24:38.650 --> 0:24:40.990
<v Speaker 2>is that the government that asked you to do the

0:24:41.050 --> 0:24:45.800
<v Speaker 2>investigation might actually be covering up the truth. So the

0:24:45.840 --> 0:24:48.600
<v Speaker 2>very people you're working for to get the truth are

0:24:48.680 --> 0:24:51.580
<v Speaker 2>holding the truth out from you. Whatever that truth is,

0:24:52.520 --> 0:24:55.500
<v Speaker 2>you don't fully disclose in the course of the two

0:24:55.540 --> 0:24:57.979
<v Speaker 2>seasons that you had. And so I just found that

0:24:58.000 --> 0:24:59.699
<v Speaker 2>really fascinating. But if you can go back and just

0:24:59.740 --> 0:25:02.990
<v Speaker 2>talk about maybe the main characters, set up that basic

0:25:03.109 --> 0:25:07.449
<v Speaker 2>triangle of Heineck, Quinn, Harding, so that everyone understands what

0:25:07.490 --> 0:25:10.109
<v Speaker 2>the show is. What's the propulsive narrative engine?

0:25:10.800 --> 0:25:11.990
<v Speaker 1>Brent, I think you nailed it.

0:25:12.100 --> 0:25:13.899
<v Speaker 3>I remember when it was time to try to get

0:25:13.940 --> 0:25:17.179
<v Speaker 3>the show greenlit, I cut a fake trailer for the show,

0:25:17.240 --> 0:25:19.100
<v Speaker 3>like a rip-o-matic trailer for the show.

0:25:19.220 --> 0:25:20.180
<v Speaker 1>And the title.

0:25:19.880 --> 0:25:23.700
<v Speaker 3>Cards were, how do you expose the greatest cover-up of

0:25:23.800 --> 0:25:26.679
<v Speaker 3>all time when you are its cover?

0:25:27.700 --> 0:25:32.159
<v Speaker 1>Because it was all about two men who became these.

0:25:32.560 --> 0:25:35.220
<v Speaker 3>Hynek was not a composite character, but Captain Quinn was

0:25:35.270 --> 0:25:37.979
<v Speaker 3>originally Ed Ruppelt. And then we realized there was going

0:25:38.010 --> 0:25:40.290
<v Speaker 3>to be legal problems with that. And so he became

0:25:40.350 --> 0:25:43.450
<v Speaker 3>an amalgamation of a few different Air Force captains who

0:25:43.850 --> 0:25:46.710
<v Speaker 3>headed Project Blue Book. But yeah, that was the idea

0:25:46.750 --> 0:25:49.850
<v Speaker 3>of you are on the surface, you are investigating this phenomenon,

0:25:49.869 --> 0:25:52.280
<v Speaker 3>trying to get answers, but you're really actually a puppet

0:25:52.380 --> 0:25:56.060
<v Speaker 3>in a larger scheme to explain away UFOs. And that's

0:25:56.100 --> 0:25:59.100
<v Speaker 3>why Hynek, to his own admission, stayed on Project Blue

0:25:59.119 --> 0:26:01.420
<v Speaker 3>Book was for the access. He knew that this was

0:26:01.540 --> 0:26:04.890
<v Speaker 3>a debunking campaign, Project Blue Book for the most part,

0:26:05.330 --> 0:26:07.600
<v Speaker 3>but yet He would get access to the cases so

0:26:07.660 --> 0:26:10.520
<v Speaker 3>he could, yes, explain them away and call them swamp gas,

0:26:10.540 --> 0:26:13.480
<v Speaker 3>but also really be privately collecting his own data. And

0:26:13.520 --> 0:26:16.209
<v Speaker 3>we tried to explore that too. But the show itself,

0:26:16.270 --> 0:26:18.550
<v Speaker 3>that's exactly what it was. It became a show about

0:26:18.570 --> 0:26:22.250
<v Speaker 3>the first captain of Project Blue Book, who himself became

0:26:22.290 --> 0:26:25.770
<v Speaker 3>a total believer, and Alan Hynek, who came to believe

0:26:25.790 --> 0:26:28.990
<v Speaker 3>that UFOs represented an intelligence in our skies that we

0:26:29.010 --> 0:26:32.609
<v Speaker 3>have yet to understand. And- Just the second piece of

0:26:32.630 --> 0:26:35.330
<v Speaker 3>what you were saying is, even in going back into

0:26:35.369 --> 0:26:38.929
<v Speaker 3>the Bible, I've always been intrigued more by the questions

0:26:39.050 --> 0:26:42.580
<v Speaker 3>and theories of what UFOs are than anybody who tells

0:26:42.619 --> 0:26:45.220
<v Speaker 3>us that they have the definitive answers. I think it

0:26:45.260 --> 0:26:48.160
<v Speaker 3>could be that multiple things are happening at the same time.

0:26:48.380 --> 0:26:49.879
<v Speaker 1>We could be being visited.

0:26:49.580 --> 0:26:55.270
<v Speaker 3>By off-world nuts and bolts from other planets while simultaneously

0:26:55.369 --> 0:27:01.140
<v Speaker 3>being also visited visited interdimensionally by sentient orbs that they

0:27:01.180 --> 0:27:05.380
<v Speaker 3>have no physical form, while maybe it's our future selves.

0:27:05.420 --> 0:27:07.900
<v Speaker 1>I've always really loved the idea that UFOs.

0:27:07.580 --> 0:27:10.700
<v Speaker 3>Are time machines and that the kind of humanoid gray

0:27:10.760 --> 0:27:12.240
<v Speaker 3>alien is actually us in the future.

0:27:12.270 --> 0:27:13.790
<v Speaker 1>I wrote a script about that.

0:27:14.250 --> 0:27:17.949
<v Speaker 3>So I always was a little careful with trying to

0:27:18.670 --> 0:27:22.270
<v Speaker 3>keep the guardrails on for places that the show could go.

0:27:22.820 --> 0:27:24.760
<v Speaker 3>And I think in the Bible, it was like the

0:27:24.820 --> 0:27:27.780
<v Speaker 3>initial idea was every season we would look at UFOs

0:27:27.820 --> 0:27:29.980
<v Speaker 3>through a new lens. By the end of the first season,

0:27:30.020 --> 0:27:32.120
<v Speaker 3>we'd think they're alien. And then we're going to go

0:27:32.200 --> 0:27:36.679
<v Speaker 3>interdimensional and then intertemporal. And even I remember this. I

0:27:36.720 --> 0:27:39.820
<v Speaker 3>remember saying to the woman who ran A &amp; E,

0:27:40.560 --> 0:27:44.500
<v Speaker 3>ran the whole show at the time, talking about simulated

0:27:44.600 --> 0:27:47.720
<v Speaker 3>reality and being like, what if UFOs are the game?

0:27:47.740 --> 0:27:51.500
<v Speaker 3>They're the game masters interfacing with the game sphere. And

0:27:51.540 --> 0:27:54.780
<v Speaker 3>I was like, wow, I said simulated reality to Nancy Dubuk,

0:27:54.800 --> 0:27:56.439
<v Speaker 3>who ran the whole show at the time and was

0:27:56.460 --> 0:27:58.020
<v Speaker 3>the one who ultimately greenlit the show.

0:27:58.060 --> 0:28:00.680
<v Speaker 1>And she was in, she was great. She was just like,

0:28:01.560 --> 0:28:05.030
<v Speaker 1>mind blown. I love it. Let's do this. Thankfully, the

0:28:05.070 --> 0:28:06.630
<v Speaker 1>whole team was very.

0:28:06.450 --> 0:28:09.030
<v Speaker 3>Into these kind of other explanations.

0:28:09.710 --> 0:28:12.830
<v Speaker 1>David, when I was doing my project Blue Book Film

0:28:12.850 --> 0:28:15.190
<v Speaker 1>Festival to get ready for the show, kind of a

0:28:15.260 --> 0:28:18.420
<v Speaker 1>second viewing, if you will. And I was trying to think, okay,

0:28:19.270 --> 0:28:23.310
<v Speaker 1>The reduction is to say there's two bookends, Dark Skies,

0:28:23.410 --> 0:28:25.660
<v Speaker 1>Blue Book, and the same coin. It is true that

0:28:25.820 --> 0:28:28.220
<v Speaker 1>you got the 50s, but you're going into the 60s,

0:28:28.260 --> 0:28:30.700
<v Speaker 1>and we're in the 60s, and we've gone to the 70s.

0:28:30.720 --> 0:28:33.510
<v Speaker 1>But as I was thinking about it, it's more than that. Okay,

0:28:33.570 --> 0:28:36.590
<v Speaker 1>with Project Blue Book, you start with guys that are

0:28:36.650 --> 0:28:40.610
<v Speaker 1>looking at the dots out there, looking for the pattern, okay?

0:28:41.010 --> 0:28:45.590
<v Speaker 1>But Dark Skies- really goes in the opposite direction. We

0:28:45.650 --> 0:28:48.610
<v Speaker 1>started by saying, we're not going to blind people because

0:28:48.670 --> 0:28:53.080
<v Speaker 1>our competition then was the X-Files that was continually trying

0:28:53.120 --> 0:28:56.120
<v Speaker 1>to keep people mystified. What's really going on? So we

0:28:56.180 --> 0:28:59.000
<v Speaker 1>said in the opening thing, look, there's craft out there.

0:28:59.040 --> 0:29:02.660
<v Speaker 1>There's aliens out there. So we already had the pattern, right?

0:29:02.960 --> 0:29:06.560
<v Speaker 1>Frank Bach and Majestic 12 knew the pattern. So in

0:29:06.640 --> 0:29:09.790
<v Speaker 1>our show, we were looking at the dots underneath the pattern.

0:29:10.150 --> 0:29:13.090
<v Speaker 1>So for our world, we accepted- that the history people

0:29:13.130 --> 0:29:16.690
<v Speaker 1>had heard about existed, but there was a level underneath it.

0:29:16.710 --> 0:29:19.420
<v Speaker 1>So yeah, you knew John Kennedy was killed, but why?

0:29:20.000 --> 0:29:22.540
<v Speaker 1>You knew there was a power blackout in New York City,

0:29:22.580 --> 0:29:24.320
<v Speaker 1>but did it have anything to do with the UFOs?

0:29:24.780 --> 0:29:28.580
<v Speaker 1>You had a different issue in that I noticed reading

0:29:28.640 --> 0:29:30.770
<v Speaker 1>some reviews from the time, there were a lot of

0:29:30.810 --> 0:29:34.710
<v Speaker 1>people who were thinking to themselves, okay, so this is

0:29:34.770 --> 0:29:37.670
<v Speaker 1>Project Blue Book. These are real cases. These episodes are

0:29:37.690 --> 0:29:40.000
<v Speaker 1>going to show us what happened in real cases. And

0:29:40.080 --> 0:29:41.959
<v Speaker 1>it did. And so you had a different standard you

0:29:41.980 --> 0:29:44.600
<v Speaker 1>had to meet for your audience. Some of them were like, hey,

0:29:45.440 --> 0:29:49.640
<v Speaker 1>you're taking a lot of dramatic license here, right? Yeah.

0:29:49.720 --> 0:29:51.880
<v Speaker 1>The one that got me the most, and I'll just

0:29:51.900 --> 0:29:53.720
<v Speaker 1>be candid about it because I'm a Betty and Barney

0:29:53.740 --> 0:29:58.390
<v Speaker 1>Hill person. And I saw the thing that... History Channel

0:29:58.430 --> 0:30:00.170
<v Speaker 1>at the time was saying, this is the story of

0:30:00.210 --> 0:30:02.190
<v Speaker 1>Betty and Barney Hill. And I watched that one and went,

0:30:02.390 --> 0:30:05.510
<v Speaker 1>that's not Betty and Barney Hill, right? And I'm sure

0:30:05.550 --> 0:30:06.770
<v Speaker 1>I'm not telling you anything either.

0:30:06.890 --> 0:30:09.600
<v Speaker 3>I don't remember when Barney Hill took Project Blue Book hostage.

0:30:09.620 --> 0:30:10.360
<v Speaker 3>You don't remember that?

0:30:10.380 --> 0:30:14.260
<v Speaker 1>No, I don't remember that one. That was the alternative universe. Anyway,

0:30:14.560 --> 0:30:17.280
<v Speaker 1>my question for you, based on that, that's a long windup,

0:30:17.320 --> 0:30:23.010
<v Speaker 1>but what was your take on dramatic license? Because obviously

0:30:23.390 --> 0:30:25.890
<v Speaker 1>you basically at some point said, we're going to do

0:30:26.010 --> 0:30:28.990
<v Speaker 1>real cases, but we're not going to be too concerned

0:30:29.050 --> 0:30:31.970
<v Speaker 1>about what went first and then this and then that.

0:30:32.050 --> 0:30:34.690
<v Speaker 1>So walk me through how you thought about that. It's

0:30:34.730 --> 0:30:35.490
<v Speaker 1>a great question.

0:30:35.520 --> 0:30:38.100
<v Speaker 3>And we had it even before they bought the spec

0:30:38.140 --> 0:30:40.240
<v Speaker 3>pilot and the Bible, because I had written it as

0:30:40.300 --> 0:30:42.460
<v Speaker 3>a spec pilot. I didn't sell it on pitch. I

0:30:42.520 --> 0:30:45.400
<v Speaker 3>had an initial conversation with them and it was history, right?

0:30:45.460 --> 0:30:47.380
<v Speaker 3>And they're like, listen, what kind of liberties are we

0:30:47.400 --> 0:30:50.120
<v Speaker 3>going to take? And what I had always thought would

0:30:50.160 --> 0:30:52.040
<v Speaker 3>be cool, but then I realized, oh my God, history

0:30:52.060 --> 0:30:54.060
<v Speaker 3>is the perfect place for this. It was serendipitous that

0:30:54.120 --> 0:30:55.920
<v Speaker 3>it ended up on history because they were the only

0:30:55.980 --> 0:30:58.860
<v Speaker 3>ones who could do this and did do this is

0:30:59.440 --> 0:31:04.500
<v Speaker 3>create a separate small docu series or whatever that, which

0:31:04.560 --> 0:31:07.010
<v Speaker 3>is essentially what we did with Richard Dolan, by the way,

0:31:07.330 --> 0:31:09.650
<v Speaker 3>which was essentially to learn more about the real life

0:31:09.890 --> 0:31:12.410
<v Speaker 3>case on project blue book, watch this.

0:31:12.870 --> 0:31:13.150
<v Speaker 1>Right.

0:31:13.470 --> 0:31:15.790
<v Speaker 3>And so what for us that became was like a

0:31:15.910 --> 0:31:18.750
<v Speaker 3>line in the sand that we could draw in between. Listen,

0:31:18.890 --> 0:31:22.470
<v Speaker 3>here is what really happened with the Gorman dog fight, right.

0:31:22.830 --> 0:31:25.330
<v Speaker 3>Or with the Flatwoods monster case or whatever it was.

0:31:25.470 --> 0:31:25.670
<v Speaker 1>Right.

0:31:26.580 --> 0:31:29.310
<v Speaker 3>Here are the recorded events, the people who reported it,

0:31:29.380 --> 0:31:31.180
<v Speaker 3>how you can go look it up, all that great stuff.

0:31:31.560 --> 0:31:34.440
<v Speaker 3>And then, but we are a dramatization. One of the things,

0:31:34.500 --> 0:31:36.979
<v Speaker 3>and I don't have to tell Bryce this or Brent this,

0:31:37.000 --> 0:31:39.220
<v Speaker 3>because you guys are both screenwriters. It's like, you got

0:31:39.270 --> 0:31:43.310
<v Speaker 3>to throw your main characters into the story, right? So

0:31:43.330 --> 0:31:47.770
<v Speaker 3>you can't have Heineken Quinn just like really investigating reports

0:31:47.830 --> 0:31:49.610
<v Speaker 3>of UFOs, which is what a lot of people at

0:31:49.650 --> 0:31:53.250
<v Speaker 3>Project Blue Book did. They need to see the UFO themselves, right?

0:31:53.270 --> 0:31:56.450
<v Speaker 3>They need to see the Lubbock Lights UFO. happen after

0:31:56.470 --> 0:31:59.520
<v Speaker 3>they come in to investigate. And so that quickly became

0:31:59.740 --> 0:32:01.620
<v Speaker 3>obvious for us that we're going to have to bend

0:32:02.160 --> 0:32:05.940
<v Speaker 3>the rules. We talked a lot about authenticity versus accuracy.

0:32:06.020 --> 0:32:08.880
<v Speaker 3>We were constantly just like, listen, we are not a documentary.

0:32:08.940 --> 0:32:12.200
<v Speaker 3>We are a scripted piece of entertainment that is taking

0:32:12.240 --> 0:32:14.870
<v Speaker 3>a bunch of things that really happened, throwing them in

0:32:14.890 --> 0:32:17.270
<v Speaker 3>a blender, and trying to tell you a great story.

0:32:17.760 --> 0:32:20.880
<v Speaker 3>But what I always loved was two things. One, we

0:32:20.900 --> 0:32:23.180
<v Speaker 3>had that line in the sand. So people, all 20

0:32:23.180 --> 0:32:27.220
<v Speaker 3>episodes got that treatment, got that two minute interstitial documentary

0:32:27.240 --> 0:32:31.000
<v Speaker 3>about the real life case. And my biggest joy or

0:32:31.060 --> 0:32:33.200
<v Speaker 3>one of the biggest joys was I would live tweet

0:32:33.360 --> 0:32:36.340
<v Speaker 3>the show or live X the show. Then it was

0:32:36.380 --> 0:32:40.060
<v Speaker 3>tweeting and engage with the fans as it happened. And listen,

0:32:40.080 --> 0:32:42.160
<v Speaker 3>full disclosure for me, it wasn't live because I would

0:32:42.260 --> 0:32:44.560
<v Speaker 3>write everything I wanted to say beforehand and cut and paste.

0:32:45.070 --> 0:32:47.130
<v Speaker 3>But what a lot of it was educating the audience

0:32:47.310 --> 0:32:50.320
<v Speaker 3>on the real life facts about what this case was

0:32:50.400 --> 0:32:52.940
<v Speaker 3>based on, where you can go to find more information.

0:32:52.960 --> 0:32:56.380
<v Speaker 3>Because I really took the sort of educational side of

0:32:56.440 --> 0:32:58.980
<v Speaker 3>it pretty seriously. And it was great to educate fans. No,

0:32:59.000 --> 0:33:01.800
<v Speaker 3>this was a real thing. There was a commercial airline sighting.

0:33:02.040 --> 0:33:03.360
<v Speaker 3>Then we took it and we threw it in a

0:33:03.380 --> 0:33:05.850
<v Speaker 3>blender and did this as well. And that kind of thing.

0:33:05.950 --> 0:33:06.910
<v Speaker 1>But we never tried to.

0:33:07.070 --> 0:33:11.570
<v Speaker 3>And I get why that would upset pure UFO purist historians.

0:33:11.630 --> 0:33:12.050
<v Speaker 1>We get that.

0:33:12.310 --> 0:33:14.730
<v Speaker 3>Some of it came from the mandate from the network too. Like,

0:33:15.020 --> 0:33:16.660
<v Speaker 3>season two, it was like, guys, we want you to

0:33:16.720 --> 0:33:20.140
<v Speaker 3>do Roswell. And we're like, that happened in 1947. The

0:33:20.400 --> 0:33:24.140
<v Speaker 3>show set in 1952. How are we going to do this?

0:33:24.180 --> 0:33:26.700
<v Speaker 3>And we were not, even that we were like, cannot

0:33:26.740 --> 0:33:28.780
<v Speaker 3>pretend that Roswell happened in the fifties.

0:33:28.840 --> 0:33:31.940
<v Speaker 1>I can't do it. You did a great episode though,

0:33:32.000 --> 0:33:36.080
<v Speaker 1>where you flash back to the Robertson panel, which is

0:33:36.120 --> 0:33:39.350
<v Speaker 1>so important to sound light and frequency because That's where

0:33:39.390 --> 0:33:42.310
<v Speaker 1>the idea that we should be part of, we should

0:33:42.330 --> 0:33:44.870
<v Speaker 1>be reaching out. The CIA is saying, let's reach out

0:33:44.890 --> 0:33:48.360
<v Speaker 1>to Hollywood as part of the Robertson panel. But the

0:33:48.460 --> 0:33:51.580
<v Speaker 1>episode you did is framed as Hynek sitting on the

0:33:51.640 --> 0:33:56.380
<v Speaker 1>set of Close Encounters with Spielberg in 1976. But that's

0:33:56.400 --> 0:33:59.280
<v Speaker 1>not my question. My question for you is we have

0:33:59.340 --> 0:34:03.730
<v Speaker 1>so much trouble with this. Your episode starts with the

0:34:03.810 --> 0:34:05.970
<v Speaker 1>five notes of Close Encounters.

0:34:06.790 --> 0:34:06.870
<v Speaker 3>Okay?

0:34:06.890 --> 0:34:10.370
<v Speaker 1>Okay. Did you pay for that? Did you license it?

0:34:10.690 --> 0:34:12.989
<v Speaker 1>What was the story on that? Because we've talked about

0:34:13.050 --> 0:34:16.110
<v Speaker 1>Spielberg ad nauseum, but we've never, ever thought we had

0:34:16.150 --> 0:34:18.410
<v Speaker 1>the budget to play those notes. What's your take?

0:34:18.830 --> 0:34:20.930
<v Speaker 3>I think what we ended up doing on that one,

0:34:21.010 --> 0:34:22.900
<v Speaker 3>and by the way, just to finish the thought on Roswell,

0:34:22.920 --> 0:34:24.420
<v Speaker 3>we ended up doing it as a cold case where

0:34:24.460 --> 0:34:26.799
<v Speaker 3>it's like somebody, people are talking five years later. So

0:34:26.840 --> 0:34:28.480
<v Speaker 3>we got to do Roswell, but it was still in

0:34:28.600 --> 0:34:33.400
<v Speaker 3>the 1950s. But with that Close Encounters episode is probably

0:34:33.460 --> 0:34:35.719
<v Speaker 3>my favorite episode of the show. And just that it

0:34:35.800 --> 0:34:38.360
<v Speaker 3>took it was a huge risk for us to break

0:34:38.420 --> 0:34:43.100
<v Speaker 3>our formula and flash forward, right? Here Hynek is. And

0:34:43.140 --> 0:34:46.080
<v Speaker 3>it had so many weird things because Paul Hynek, like

0:34:46.219 --> 0:34:49.830
<v Speaker 3>the real life Hynek was like, was a scientific consultant

0:34:50.250 --> 0:34:55.170
<v Speaker 3>for Spielberg's Close Encounters. And then his son, Paul Hynek

0:34:55.210 --> 0:34:58.010
<v Speaker 3>and Joel Hynek, they were consultants for us on Project

0:34:58.030 --> 0:35:01.330
<v Speaker 3>Blue Book. And then Paul Hynek has a cameo in

0:35:01.390 --> 0:35:06.200
<v Speaker 3>the episode, like of Close Encounters where he's like, basically

0:35:06.219 --> 0:35:08.969
<v Speaker 3>playing Spielberg. Like he's in the last shot of like

0:35:09.030 --> 0:35:10.310
<v Speaker 3>a man in a camera going up.

0:35:10.730 --> 0:35:12.270
<v Speaker 1>And so it was just all the weird, I.

0:35:12.250 --> 0:35:16.839
<v Speaker 3>Don't know, meta connections on that. The short answer though,

0:35:17.060 --> 0:35:19.600
<v Speaker 3>is we had Robert Zemeckis. We had Bob Zemeckis as

0:35:19.660 --> 0:35:22.260
<v Speaker 3>our EP, who is very good friends with Steven Spielberg.

0:35:22.320 --> 0:35:25.370
<v Speaker 3>And actually, Something really cool for Sean and I was

0:35:25.410 --> 0:35:29.200
<v Speaker 3>we got to do Spielberg's notes. Not notes, the musical notes,

0:35:29.420 --> 0:35:32.040
<v Speaker 3>but actually notes he had on the script, which is

0:35:32.080 --> 0:35:33.640
<v Speaker 3>the closest I've ever come to Spielberg.

0:35:34.620 --> 0:35:35.719
<v Speaker 1>What were his notes?

0:35:35.880 --> 0:35:38.120
<v Speaker 3>It was to add a little bit more awe and

0:35:38.239 --> 0:35:40.989
<v Speaker 3>mystery to the set itself. And we took it. It

0:35:41.030 --> 0:35:43.170
<v Speaker 3>was a great note. Have the lights that are on

0:35:43.410 --> 0:35:46.670
<v Speaker 3>feel a little otherworldly. Maybe like you have an alien

0:35:46.730 --> 0:35:49.470
<v Speaker 3>come down, like a little kid dressed as an alien

0:35:49.510 --> 0:35:51.930
<v Speaker 3>come down and walk past, which I think became the

0:35:52.050 --> 0:35:53.969
<v Speaker 3>opening shot of the thing. It was like, oh my God,

0:35:54.010 --> 0:35:56.670
<v Speaker 3>are we witnessing an alien landing? Did Project Blue Book

0:35:56.690 --> 0:35:59.049
<v Speaker 3>just jump to shark? And then it's like, cut, you're

0:35:59.110 --> 0:36:02.110
<v Speaker 3>on a set. You find Hynek there, all that stuff.

0:36:02.150 --> 0:36:04.770
<v Speaker 3>So with the notes, I'm pretty sure that we just,

0:36:05.250 --> 0:36:07.260
<v Speaker 3>there was no way of setting it on the set

0:36:07.280 --> 0:36:10.480
<v Speaker 3>of Close Encounters without Spielberg. giving the okay. And we

0:36:10.640 --> 0:36:13.140
<v Speaker 3>must have somebody, history was so good about like getting

0:36:13.200 --> 0:36:15.060
<v Speaker 3>licensing and there was all kinds of things that we

0:36:15.100 --> 0:36:19.710
<v Speaker 3>couldn't do. We must have gotten permission from Universal, from

0:36:19.750 --> 0:36:22.410
<v Speaker 3>whoever owns that thing to use those notes. Yeah.

0:36:22.670 --> 0:36:26.009
<v Speaker 2>The Close Encounters episode was fantastic. I loved it because

0:36:26.050 --> 0:36:28.580
<v Speaker 2>Close Encounters is one of my top 10 favorite movies

0:36:28.600 --> 0:36:29.500
<v Speaker 2>of all time, right?

0:36:29.540 --> 0:36:31.980
<v Speaker 1>Not even- Me too. Don't even put it in a genre.

0:36:32.540 --> 0:36:34.880
<v Speaker 2>And so just that whole, like you said, the idea,

0:36:34.920 --> 0:36:37.799
<v Speaker 2>the meta idea of going back and seeing Heineken on there,

0:36:38.140 --> 0:36:40.219
<v Speaker 2>if you've done any research into this, you know he

0:36:40.260 --> 0:36:41.500
<v Speaker 2>consulted with Spielberg.

0:36:42.100 --> 0:36:43.359
<v Speaker 1>So super cool there.

0:36:43.780 --> 0:36:46.680
<v Speaker 2>I also loved the episode where then you expand on

0:36:46.700 --> 0:36:48.899
<v Speaker 2>that and now you're going to Skinwalker Ranch. Once you've

0:36:48.920 --> 0:36:51.140
<v Speaker 2>made that leap, it just seemed like the world was

0:36:51.160 --> 0:36:54.000
<v Speaker 2>your oyster. It's like, where can't we go, right? My

0:36:54.080 --> 0:36:57.799
<v Speaker 2>favorite episode, though, was the Foo Fighters episode. And the

0:36:57.880 --> 0:37:01.440
<v Speaker 2>reason is because I feel like Foo Fighters, to me,

0:37:01.500 --> 0:37:03.219
<v Speaker 2>is one of those things where, and I think you

0:37:03.260 --> 0:37:07.760
<v Speaker 2>even make the point in the show, there's never been

0:37:07.780 --> 0:37:14.129
<v Speaker 2>a satisfying explanation for what Foo Fighters were. I think

0:37:14.170 --> 0:37:19.270
<v Speaker 2>there's lots of evidence and lots of testimonial that they existed,

0:37:20.330 --> 0:37:24.710
<v Speaker 2>but no one has adequately explained yet what that is.

0:37:24.770 --> 0:37:27.390
<v Speaker 2>To me, that still feels like an open case, even

0:37:27.430 --> 0:37:29.150
<v Speaker 2>going all the way back to Project Blue Book.

0:37:29.790 --> 0:37:30.450
<v Speaker 1>World War II.

0:37:31.390 --> 0:37:33.680
<v Speaker 2>But what I think is so fascinating is you look

0:37:33.719 --> 0:37:35.800
<v Speaker 2>at something that happened in World War II that people

0:37:36.060 --> 0:37:39.580
<v Speaker 2>examined and blue book, tried to figure out. And I'd

0:37:39.620 --> 0:37:42.219
<v Speaker 2>love to know, because I don't know enough about the

0:37:42.380 --> 0:37:45.960
<v Speaker 2>actual case, how much of what you did there was

0:37:46.030 --> 0:37:48.970
<v Speaker 2>real with in terms of the government kind of screwing

0:37:49.010 --> 0:37:51.370
<v Speaker 2>with some of the pilots and their testimony and whatnot.

0:37:51.810 --> 0:37:54.529
<v Speaker 2>But here's the thing. Today, we're in a world now

0:37:55.090 --> 0:37:59.589
<v Speaker 2>where people are on screen talking about on newscasts and

0:37:59.690 --> 0:38:03.340
<v Speaker 2>anywhere you look on the internet about these orbs, about

0:38:03.400 --> 0:38:07.500
<v Speaker 2>these things, these intelligent orbs, whether it's sentient plasmoids or

0:38:07.520 --> 0:38:10.100
<v Speaker 2>whatever you want to call them. You've got Chris Bledsoe,

0:38:10.500 --> 0:38:14.219
<v Speaker 2>who's part of UFOlogy. And summoning these things down and

0:38:14.300 --> 0:38:16.859
<v Speaker 2>showing them off to people and having relationships with them.

0:38:17.200 --> 0:38:21.180
<v Speaker 2>So to me, watching that episode and saying, oh, this

0:38:21.239 --> 0:38:24.410
<v Speaker 2>is all happening way back when, but it's still happening

0:38:24.450 --> 0:38:27.770
<v Speaker 2>today and we still do not understand what it means.

0:38:28.290 --> 0:38:31.010
<v Speaker 2>So A, I just want to give you props because

0:38:31.570 --> 0:38:33.629
<v Speaker 2>it was just doing a deep dive on something that

0:38:34.170 --> 0:38:37.230
<v Speaker 2>seems like it's a B level in terms of it's

0:38:37.270 --> 0:38:39.810
<v Speaker 2>not Roswell, it's not the Hopkinsville case, it's not the

0:38:40.110 --> 0:38:43.440
<v Speaker 2>It's not these big ideas, but it's something that no

0:38:43.540 --> 0:38:45.620
<v Speaker 2>one can still explain. And I'd love to hear what

0:38:45.660 --> 0:38:48.069
<v Speaker 2>your theory on the Foo Fighters are.

0:38:49.330 --> 0:38:49.870
<v Speaker 1>Absolutely.

0:38:49.950 --> 0:38:51.650
<v Speaker 3>And by the way, I think it ended up becoming

0:38:51.690 --> 0:38:54.670
<v Speaker 3>the only case we did that predated Blue Book, right?

0:38:54.710 --> 0:38:56.629
<v Speaker 1>Or any of the Air Force investigations.

0:38:56.910 --> 0:38:59.770
<v Speaker 3>What is more dramatic than the fact that both saw

0:38:59.810 --> 0:39:03.360
<v Speaker 3>during the greatest battle or the highest stakes battle, at

0:39:03.380 --> 0:39:05.279
<v Speaker 3>least in the modern era we've ever had of World

0:39:05.320 --> 0:39:08.839
<v Speaker 3>War II, in the skies, in planes fighting each other,

0:39:09.239 --> 0:39:12.240
<v Speaker 3>killing each other, shooting each other down, they're seeing these...

0:39:12.820 --> 0:39:16.609
<v Speaker 3>orbs that can make impossible maneuvers that behave like they're

0:39:16.640 --> 0:39:20.569
<v Speaker 3>conscious and sentient, and that each side thought was the

0:39:20.670 --> 0:39:24.330
<v Speaker 3>other side's secret technology. All of that is documented, right?

0:39:24.550 --> 0:39:26.910
<v Speaker 3>So we don't know what these things were. I've seen

0:39:26.930 --> 0:39:30.450
<v Speaker 3>a couple of still photographs of what are allegedly military

0:39:30.810 --> 0:39:34.410
<v Speaker 3>pilots taking photographs of what they were seeing of these

0:39:34.430 --> 0:39:37.219
<v Speaker 3>Foo Fighters. But then I just love the fact that

0:39:37.260 --> 0:39:38.799
<v Speaker 3>when it was all over and the dust settled and

0:39:38.840 --> 0:39:41.319
<v Speaker 3>the war was won, everybody's like, okay, so bust out

0:39:41.360 --> 0:39:45.380
<v Speaker 3>those crazy orbs that can do next level anti-gravity turns

0:39:45.440 --> 0:39:45.800
<v Speaker 3>and twists.

0:39:46.520 --> 0:39:49.620
<v Speaker 1>Nobody had them. Everyone had seen them. Nobody had them.

0:39:49.760 --> 0:39:53.029
<v Speaker 3>So it's funny that for whatever, what I remember about

0:39:53.070 --> 0:39:57.450
<v Speaker 3>that episode is we had some incredible VFX recreations or

0:39:57.469 --> 0:40:00.570
<v Speaker 3>whatever made for when all those pilots are telling the stories.

0:40:00.830 --> 0:40:03.370
<v Speaker 3>But the actors, and I forget, we used a little

0:40:03.410 --> 0:40:04.989
<v Speaker 3>bit because I was like, we got to use them.

0:40:05.010 --> 0:40:06.930
<v Speaker 3>They're so fucking cool. But at the same time, sorry,

0:40:06.950 --> 0:40:07.770
<v Speaker 3>I have to say the F word.

0:40:07.790 --> 0:40:08.109
<v Speaker 1>Sorry there.

0:40:10.010 --> 0:40:13.450
<v Speaker 3>But because the actors really brought it in their performance,

0:40:13.550 --> 0:40:16.049
<v Speaker 3>I remember we really pulled back on some of the

0:40:16.070 --> 0:40:18.339
<v Speaker 3>stuff we blew some money on Because it was just

0:40:18.380 --> 0:40:21.120
<v Speaker 3>it was actually more interesting to look at the faces

0:40:21.280 --> 0:40:23.799
<v Speaker 3>of the pilots who had seen these things. But we

0:40:23.840 --> 0:40:27.209
<v Speaker 3>have some I have some cool Foo Fighters UFO stuff

0:40:27.250 --> 0:40:29.210
<v Speaker 3>that was create visuals that were created for the show

0:40:29.250 --> 0:40:31.819
<v Speaker 3>that I was just like, because our VFX supervisor was

0:40:31.880 --> 0:40:32.640
<v Speaker 3>just so incredible.

0:40:33.200 --> 0:40:33.950
<v Speaker 1>But I love it.

0:40:34.080 --> 0:40:37.960
<v Speaker 3>I think what it represents is a profound interest in

0:40:38.420 --> 0:40:40.339
<v Speaker 3>our warring behavior.

0:40:40.560 --> 0:40:43.580
<v Speaker 1>Our aggression, our violence. Our aggression.

0:40:43.680 --> 0:40:46.219
<v Speaker 3>Are we going to destroy ourselves? That's why the show

0:40:46.260 --> 0:40:48.480
<v Speaker 3>had a huge thing about UFOs and nukes. I got

0:40:48.500 --> 0:40:50.680
<v Speaker 3>that book on my shelf. You know what I mean?

0:40:50.760 --> 0:40:53.240
<v Speaker 3>That was something we always wanted to also talk about

0:40:53.300 --> 0:40:55.520
<v Speaker 3>was like, let's go to the green fireballs. Let's take

0:40:55.560 --> 0:40:58.000
<v Speaker 3>them to military bases where they were being seen. Let's

0:40:58.180 --> 0:41:02.450
<v Speaker 3>understand that this phenomenon is very interested and has made

0:41:02.510 --> 0:41:06.510
<v Speaker 3>us known that it's very interested in our wartime behaviors.

0:41:07.930 --> 0:41:11.150
<v Speaker 1>The power of three is important in your show, but

0:41:11.210 --> 0:41:14.469
<v Speaker 1>also our show, Sound, Light, and Frequency, and so forth.

0:41:14.770 --> 0:41:17.930
<v Speaker 1>And we've talked about the power of three. You actually

0:41:17.969 --> 0:41:20.690
<v Speaker 1>have three central characters, but then you also have his

0:41:20.750 --> 0:41:23.870
<v Speaker 1>wife and the Russian spy and all that. But in

0:41:23.930 --> 0:41:28.239
<v Speaker 1>terms of the discovery run of these characters, you have,

0:41:28.520 --> 0:41:31.440
<v Speaker 1>of course, Hynek, who is the scientist who comes in

0:41:31.520 --> 0:41:34.360
<v Speaker 1>and starts to have more of an open mind. And

0:41:34.400 --> 0:41:37.319
<v Speaker 1>you also, as you point out, Quinn is really Ruppelt,

0:41:37.640 --> 0:41:41.290
<v Speaker 1>Edward Ruppelt by another name. And then you also have Harding.

0:41:41.640 --> 0:41:45.180
<v Speaker 1>who is played by Dan Lugano, who actually, I just

0:41:45.280 --> 0:41:48.180
<v Speaker 1>met him last year and we're working on a film together.

0:41:48.239 --> 0:41:50.880
<v Speaker 1>So he's a great guy, but they've all got the

0:41:50.920 --> 0:41:54.720
<v Speaker 1>same little thing. They start out saying, this can't be real.

0:41:56.280 --> 0:41:59.710
<v Speaker 1>And yet, so they say, if we just look into it,

0:41:59.940 --> 0:42:01.940
<v Speaker 1>we'll figure this thing out. And the more they look

0:42:02.020 --> 0:42:05.000
<v Speaker 1>into it, so it's the classic thing. I just think

0:42:05.040 --> 0:42:07.620
<v Speaker 1>we should give some props to the real Edward Ruppelt.

0:42:08.070 --> 0:42:10.109
<v Speaker 1>or Ruppelt. I never knew how to pronounce his name.

0:42:10.150 --> 0:42:11.549
<v Speaker 1>Do you know how to pronounce his name?

0:42:11.930 --> 0:42:14.190
<v Speaker 3>I always called him Ruppelt, but I could be wrong.

0:42:14.230 --> 0:42:16.350
<v Speaker 1>It could have been Ruppelt. We're going to call him

0:42:16.390 --> 0:42:18.650
<v Speaker 1>Ruppelt from now on. But I'd like you just to

0:42:18.690 --> 0:42:21.870
<v Speaker 1>talk a little bit about two things, the real Edward

0:42:21.930 --> 0:42:25.820
<v Speaker 1>Ruppelt and what he signifies to the history of ufology

0:42:25.860 --> 0:42:29.200
<v Speaker 1>during the period that you guys were writing about. But also,

0:42:29.580 --> 0:42:32.540
<v Speaker 1>now that you've got some distance back and you've had

0:42:32.580 --> 0:42:36.700
<v Speaker 1>this time telling this story dramatically, What's your real take

0:42:36.780 --> 0:42:40.259
<v Speaker 1>on Project Blue Book? How should we as historians look

0:42:40.300 --> 0:42:45.890
<v Speaker 1>back at Project Blue Book and the Quinn Ruppelt character? Sure. Yeah.

0:42:45.910 --> 0:42:48.469
<v Speaker 3>So the real Edward Ruppelt wrote a wonderful book. There

0:42:48.510 --> 0:42:50.950
<v Speaker 3>was a few different editions of it because they did

0:42:51.030 --> 0:42:52.969
<v Speaker 3>censor some of it in the later editions. I have

0:42:52.989 --> 0:42:55.190
<v Speaker 3>the earlier edition. I'm going to blank on the title

0:42:55.250 --> 0:42:57.810
<v Speaker 3>right now. I think it was called The Investigation of Unidentified.

0:42:57.830 --> 0:43:00.930
<v Speaker 3>I think it's The Report on Unidentified Flying Objects. The

0:43:00.950 --> 0:43:04.950
<v Speaker 3>Report on Unidentified Flying Objects. Now what's amazing about that

0:43:04.989 --> 0:43:08.400
<v Speaker 3>book is here you have the first director of Project

0:43:08.420 --> 0:43:11.370
<v Speaker 3>Blue Book. He's a young guy, just like Michael Malarkey

0:43:11.430 --> 0:43:14.360
<v Speaker 3>was who played Michael Quinn, right? looking into this stuff.

0:43:14.500 --> 0:43:18.339
<v Speaker 3>And he himself became very convinced that something was going

0:43:18.480 --> 0:43:20.879
<v Speaker 3>on to the point that he would talk about how

0:43:20.900 --> 0:43:25.210
<v Speaker 3>when they would run atomic tests, they would expect to

0:43:25.270 --> 0:43:28.870
<v Speaker 3>see UFOs after. And it was like a normal thing.

0:43:28.890 --> 0:43:31.770
<v Speaker 3>It was like, something's happening. We run these atomic blasts

0:43:31.910 --> 0:43:34.319
<v Speaker 3>out in the middle of the ocean, and then we

0:43:34.380 --> 0:43:37.120
<v Speaker 3>see these things. And so I think it was the

0:43:37.180 --> 0:43:40.320
<v Speaker 3>takeaway for people is A, read that book. B, understand

0:43:40.340 --> 0:43:44.790
<v Speaker 3>that the first director of Project Blue Book And the

0:43:44.830 --> 0:43:47.850
<v Speaker 3>chief scientific advisor on Project Blue Book, we're utterly convinced

0:43:47.870 --> 0:43:51.010
<v Speaker 3>of the same thing, that UFOs are real and represent

0:43:51.050 --> 0:43:53.930
<v Speaker 3>something in our skies that we don't understand. And that

0:43:53.989 --> 0:43:57.029
<v Speaker 3>Blue Book, somebody upstairs knows that. And that Blue Book

0:43:57.070 --> 0:44:00.230
<v Speaker 3>is this sort of smokescreen. And I think that kind

0:44:00.250 --> 0:44:02.879
<v Speaker 3>of dovetails a little bit to the next question you had, Bryce,

0:44:02.910 --> 0:44:05.719
<v Speaker 3>about like, what's our takeaway? I will say this. I

0:44:05.760 --> 0:44:11.200
<v Speaker 3>had the distinguished pleasure of speaking... before he passed away

0:44:11.280 --> 0:44:14.340
<v Speaker 3>with the last living director of Project Blue Book. And

0:44:14.380 --> 0:44:16.480
<v Speaker 3>we met for two hours. I have a recording of it.

0:44:16.550 --> 0:44:17.270
<v Speaker 1>Robert Friend.

0:44:17.650 --> 0:44:19.230
<v Speaker 3>Lieutenant Colonel Robert Friend.

0:44:19.290 --> 0:44:21.210
<v Speaker 1>And he was 99 years old.

0:44:21.530 --> 0:44:23.410
<v Speaker 3>And I met him. I found him. I tracked him

0:44:23.450 --> 0:44:26.360
<v Speaker 3>down on Facebook. Thank God he lived in San Diego

0:44:26.400 --> 0:44:28.620
<v Speaker 3>and I live in California. And we met and we

0:44:28.660 --> 0:44:32.140
<v Speaker 3>became friends. And I knew his daughter and they were amazing.

0:44:33.420 --> 0:44:36.600
<v Speaker 3>I asked him flat out questions about what he thought

0:44:36.640 --> 0:44:38.880
<v Speaker 3>Project Blue Book was. And he felt the same. He

0:44:38.920 --> 0:44:41.319
<v Speaker 3>was like, listen, we investigated a lot of cases, but

0:44:41.360 --> 0:44:44.770
<v Speaker 3>we had a real mandate. And I remember the question

0:44:44.810 --> 0:44:46.070
<v Speaker 3>I asked him that always stuck out with me. I

0:44:46.090 --> 0:44:49.689
<v Speaker 3>was like, Lieutenant Colonel, could you and will you tell

0:44:49.730 --> 0:44:52.669
<v Speaker 3>me now, if you had seen evidence that there's something

0:44:52.790 --> 0:44:56.009
<v Speaker 3>off otherworldly or extraterrestrial going on here, Could you tell

0:44:56.050 --> 0:44:57.690
<v Speaker 3>me now? And would you tell me now? And he's like,

0:44:57.969 --> 0:45:00.670
<v Speaker 3>I could tell you now, but I won't. So it

0:45:00.710 --> 0:45:02.910
<v Speaker 3>was one of those things where I just was like,

0:45:02.989 --> 0:45:05.000
<v Speaker 3>all right, I'm going to leave it there. But he

0:45:05.040 --> 0:45:07.859
<v Speaker 3>was an amazing man. And I think the takeaway from

0:45:07.920 --> 0:45:11.319
<v Speaker 3>Blue Book was this. It was two things. It was

0:45:11.360 --> 0:45:15.250
<v Speaker 3>a real investigation. And they cataloged some incredible cases, over 700,

0:45:15.230 --> 0:45:20.940
<v Speaker 3>which remained unsolved. And it was a little bit of

0:45:21.120 --> 0:45:23.779
<v Speaker 3>Arrow 1.0 of trying to put the genie bag in

0:45:23.800 --> 0:45:26.299
<v Speaker 3>the bottle, trying to be like, there's nothing to see here.

0:45:26.410 --> 0:45:29.230
<v Speaker 3>And Hynek felt that way his whole time there. He

0:45:29.250 --> 0:45:31.870
<v Speaker 3>was like, oh, I'm a pawn. But he was a

0:45:31.890 --> 0:45:33.930
<v Speaker 3>scientist first. So he was like, I'm going to stay.

0:45:34.410 --> 0:45:36.270
<v Speaker 3>So long as I get access to this stuff, they

0:45:36.310 --> 0:45:38.830
<v Speaker 3>can't stop me forever. And that's why he went off

0:45:38.890 --> 0:45:43.610
<v Speaker 3>and formed his own UFO studies organization afterwards and all that.

0:45:49.219 --> 0:45:53.899
<v Speaker 2>What I find fascinating about Project Blue Book in real

0:45:53.940 --> 0:45:57.700
<v Speaker 2>life is it was an Air Force driven investigation, right?

0:45:58.310 --> 0:46:01.430
<v Speaker 2>And as you're alluding to, they had a mandate and

0:46:01.469 --> 0:46:04.410
<v Speaker 2>you can interpret that however you want. For us, we

0:46:04.450 --> 0:46:07.069
<v Speaker 2>were involved with the other side of the coin, right?

0:46:07.110 --> 0:46:10.630
<v Speaker 2>We had the Office of Naval Intelligence coming and saying,

0:46:11.150 --> 0:46:14.880
<v Speaker 2>whatever mandate might've existed, they wanted to help us break it,

0:46:14.969 --> 0:46:17.649
<v Speaker 2>or they wanted us to help them break it, right?

0:46:18.010 --> 0:46:20.190
<v Speaker 2>Which then goes to something we've talked about on the show,

0:46:20.250 --> 0:46:25.980
<v Speaker 2>this idea of these competing forces within the military industrial complex,

0:46:26.040 --> 0:46:29.120
<v Speaker 2>where it's the aviary is the air force, if you

0:46:29.160 --> 0:46:34.339
<v Speaker 2>believe that terminology, and the aquarium is the Navy. So

0:46:35.200 --> 0:46:37.239
<v Speaker 2>the other thing that I think is fascinating though, is

0:46:37.920 --> 0:46:41.060
<v Speaker 2>how this aligns with something that I hold to be true,

0:46:41.160 --> 0:46:44.239
<v Speaker 2>which is At the end of the day, there's a

0:46:44.280 --> 0:46:47.739
<v Speaker 2>way that I could view Project Blue Book as it's

0:46:47.820 --> 0:46:52.520
<v Speaker 2>all about messaging, right? It's analogous in some ways to

0:46:52.540 --> 0:46:54.400
<v Speaker 2>the Warren Commission. We're going to put a lot of

0:46:54.520 --> 0:46:57.120
<v Speaker 2>learned men together to study all of the facts, and

0:46:57.140 --> 0:47:00.239
<v Speaker 2>they're going to publish a report. And therefore, that will

0:47:00.280 --> 0:47:04.629
<v Speaker 2>be historically known as the truth. There was a lone gunman. Now,

0:47:05.850 --> 0:47:07.730
<v Speaker 2>people can dig at it and find all this stuff,

0:47:07.790 --> 0:47:11.530
<v Speaker 2>but for the most part, the general population goes, oh, okay,

0:47:11.739 --> 0:47:13.259
<v Speaker 2>a bunch of smart guys went in a room and

0:47:13.280 --> 0:47:15.340
<v Speaker 2>they figured it out and it's a lone gunman.

0:47:15.380 --> 0:47:16.259
<v Speaker 1>There it is, moving on.

0:47:17.060 --> 0:47:20.600
<v Speaker 2>Same with Project Blue Book. Let's hire a skeptic. Let's

0:47:20.640 --> 0:47:24.500
<v Speaker 2>have the military and there's going to be 10, 12,000

0:47:24.500 --> 0:47:26.719
<v Speaker 2>cases we're going to look into. And yeah, we can't

0:47:26.760 --> 0:47:29.240
<v Speaker 2>explain everything, but at the end of the day, we

0:47:29.280 --> 0:47:32.670
<v Speaker 2>believe there's nothing really going on here. We spent money,

0:47:32.730 --> 0:47:36.190
<v Speaker 2>we did this. And so that's the official statement, move on.

0:47:36.570 --> 0:47:40.090
<v Speaker 2>And yet- The person who disclosed to me, who, as

0:47:40.110 --> 0:47:42.670
<v Speaker 2>we've talked about, was a member of the Reagan administration,

0:47:42.790 --> 0:47:45.130
<v Speaker 2>one of the things he said was that there was

0:47:45.190 --> 0:47:50.870
<v Speaker 2>a multi-billion dollar propaganda campaign. So if that is true,

0:47:51.610 --> 0:47:55.200
<v Speaker 2>then it makes sense of why the government would go

0:47:55.260 --> 0:47:57.300
<v Speaker 2>to all the trouble. Because you could ask the question,

0:47:57.320 --> 0:47:59.239
<v Speaker 2>wait a minute, if they just want to cover it up,

0:47:59.300 --> 0:48:01.319
<v Speaker 2>why would they put a spotlight on it? If you

0:48:01.360 --> 0:48:05.180
<v Speaker 2>completely cover it up and you say, no, don't look there, well,

0:48:06.150 --> 0:48:08.589
<v Speaker 2>People are all teenagers at heart. Everyone that's told you

0:48:08.630 --> 0:48:10.410
<v Speaker 2>can't do something, they're going to do it and they're

0:48:10.430 --> 0:48:12.049
<v Speaker 2>going to be fascinated by it. But if you do

0:48:12.090 --> 0:48:15.350
<v Speaker 2>it instead for them and then you publish a report

0:48:15.390 --> 0:48:17.759
<v Speaker 2>and we've spent money and years and smart people and

0:48:18.040 --> 0:48:21.720
<v Speaker 2>here's the truth, most people are content with that truth

0:48:21.800 --> 0:48:24.299
<v Speaker 2>because that's probably what they want to hear anyway. There's

0:48:24.340 --> 0:48:25.219
<v Speaker 2>nothing going on here.

0:48:25.260 --> 0:48:25.460
<v Speaker 1>Great.

0:48:25.500 --> 0:48:27.840
<v Speaker 2>I can get back to work and my life and whatnot.

0:48:28.450 --> 0:48:31.790
<v Speaker 2>And so to me, it all kind of fits in

0:48:31.950 --> 0:48:36.489
<v Speaker 2>this larger kind of lens of Whatever the truth is

0:48:36.550 --> 0:48:38.370
<v Speaker 2>that's going on, and I don't think any of us

0:48:38.430 --> 0:48:42.210
<v Speaker 2>could definitively say, there's people at the top who do

0:48:42.290 --> 0:48:46.549
<v Speaker 2>not want it to come out. They'll fund programs. They'll

0:48:46.570 --> 0:48:49.160
<v Speaker 2>look at things. They'll show us videos and stuff. But

0:48:49.530 --> 0:48:51.339
<v Speaker 2>we're only going to be seeing the tip of the

0:48:51.480 --> 0:48:53.799
<v Speaker 2>iceberg compared to what is probably happening.

0:48:54.190 --> 0:48:55.130
<v Speaker 1>Behind the scenes.

0:48:55.430 --> 0:48:57.820
<v Speaker 3>I completely agree with everything you just said. Even on

0:48:57.860 --> 0:49:01.180
<v Speaker 3>the show, we would talk about how the greatest lies

0:49:01.200 --> 0:49:03.799
<v Speaker 3>are 80% truth and that kind of thing. You made

0:49:03.840 --> 0:49:06.480
<v Speaker 3>me think of our season one finale with the Washington

0:49:06.520 --> 0:49:10.270
<v Speaker 3>merry-go-round case where, and this is true, fighter jets were

0:49:10.270 --> 0:49:13.760
<v Speaker 3>scrambled when UFOs were seen over our nation's capital for

0:49:13.760 --> 0:49:17.260
<v Speaker 3>two consecutive weekends in July of 1952. And ultimately, it

0:49:17.260 --> 0:49:20.460
<v Speaker 3>was explained away as like temperature aversions in the, in

0:49:20.480 --> 0:49:22.280
<v Speaker 3>the atmosphere and things of that nature.

0:49:22.340 --> 0:49:24.540
<v Speaker 1>Right. Despite like them being chased.

0:49:24.600 --> 0:49:28.569
<v Speaker 3>And I remember us like always every episode, even for

0:49:28.610 --> 0:49:30.950
<v Speaker 3>the show, we, every episode needed to have a real

0:49:30.989 --> 0:49:35.930
<v Speaker 3>life explanation or like a, a grounded factual non extraterrestrial

0:49:35.989 --> 0:49:39.500
<v Speaker 3>explanation that, And then, or like this other explanation, right?

0:49:39.580 --> 0:49:41.520
<v Speaker 3>And it was always like, even when like, there's the

0:49:41.560 --> 0:49:44.400
<v Speaker 3>famous case where like Hynek sees an alien and we're like,

0:49:44.620 --> 0:49:47.100
<v Speaker 3>is it an alien? Or was that like a space monkey?

0:49:47.160 --> 0:49:50.140
<v Speaker 3>That's been like, they're running a secret space program.

0:49:50.160 --> 0:49:50.920
<v Speaker 1>They're using monkeys.

0:49:50.940 --> 0:49:53.340
<v Speaker 3>Like it was always trying to keep it on both sides.

0:49:53.440 --> 0:49:55.860
<v Speaker 3>But where I think Dark Skies was so ahead of

0:49:55.920 --> 0:49:59.610
<v Speaker 3>its time is like really exploring the machinations of a

0:49:59.640 --> 0:50:03.890
<v Speaker 3>conspiracy where the conspiracy was the case also. And we took,

0:50:03.910 --> 0:50:05.710
<v Speaker 3>we were really wanting to do that as well, as

0:50:05.750 --> 0:50:08.830
<v Speaker 3>much as we could. But everything we read about now

0:50:09.030 --> 0:50:12.310
<v Speaker 3>is about different factions with different agendas. You got people

0:50:12.350 --> 0:50:13.970
<v Speaker 3>in Congress who are really trying to get the truth

0:50:14.050 --> 0:50:17.980
<v Speaker 3>out and holding hearings. You got like Arrow doing its thing.

0:50:18.020 --> 0:50:20.960
<v Speaker 3>You got like the president saying, no, we're going to

0:50:21.020 --> 0:50:24.220
<v Speaker 3>release what we have with Pursue. And so there's all this.

0:50:24.700 --> 0:50:27.690
<v Speaker 3>What's great is there's all this chatter happening. There's all

0:50:27.730 --> 0:50:31.620
<v Speaker 3>this movement and discussion happening. But what it's revealing is

0:50:31.640 --> 0:50:34.400
<v Speaker 3>that like this, the wheels of this thing have been

0:50:34.440 --> 0:50:36.839
<v Speaker 3>around for a very long time and they've been taking

0:50:36.880 --> 0:50:41.540
<v Speaker 3>it very seriously for a century. And that I think

0:50:41.560 --> 0:50:43.940
<v Speaker 3>tells you everything. It's like, I don't see this kind

0:50:43.960 --> 0:50:47.339
<v Speaker 3>of machination with ghosts or this kind of machination with,

0:50:47.560 --> 0:50:49.839
<v Speaker 3>although there may well be, I don't rule out ghosts,

0:50:50.239 --> 0:50:54.640
<v Speaker 3>but it's just billions of governmental dollars investigating this stuff

0:50:54.700 --> 0:50:56.760
<v Speaker 3>and hiding it and covering it up. Of course, there's

0:50:56.780 --> 0:50:57.410
<v Speaker 3>something there.

0:50:57.710 --> 0:50:59.830
<v Speaker 1>Speaking of something there, I'd like to clean up the

0:50:59.870 --> 0:51:03.690
<v Speaker 1>Roswell thing for us because we're both into it. Okay.

0:51:03.969 --> 0:51:06.129
<v Speaker 1>For the dark skies thing, Brent and I said, let's

0:51:06.170 --> 0:51:10.989
<v Speaker 1>take the two great conspiracies, the JFK assassination, the Roswell coverup.

0:51:11.410 --> 0:51:13.779
<v Speaker 1>Let's put them in an atom collider. Boom. See what

0:51:13.820 --> 0:51:17.660
<v Speaker 1>we got. We got dark skies. Okay. Our take on Roswell, though,

0:51:17.719 --> 0:51:20.500
<v Speaker 1>we always wanted to be different. Now, currently, a lot

0:51:20.520 --> 0:51:22.680
<v Speaker 1>of people are saying Roswell is real. These are high

0:51:22.739 --> 0:51:26.160
<v Speaker 1>level people, David Grush and Christopher Mellon. People like that

0:51:26.280 --> 0:51:29.920
<v Speaker 1>are basically saying, Yeah, Roswell was a nuts and bolts

0:51:29.980 --> 0:51:33.840
<v Speaker 1>craft with some physical bodies and they were scooped up

0:51:33.940 --> 0:51:37.000
<v Speaker 1>and covered up. Okay. So for Dark Skies, what we

0:51:37.040 --> 0:51:41.029
<v Speaker 1>said was actually, yes, Dark Skies was a craft in bodies,

0:51:41.090 --> 0:51:45.350
<v Speaker 1>but we shot it down. Okay. So that was, and

0:51:45.430 --> 0:51:48.450
<v Speaker 1>we made that as part of our initial thing. Roswell

0:51:49.110 --> 0:51:52.870
<v Speaker 1>was the driving secret that JFK was going to tell

0:51:52.930 --> 0:51:55.410
<v Speaker 1>people in the second term that got him killed. Okay,

0:51:55.590 --> 0:51:58.760
<v Speaker 1>but you guys at Project Blue Book did something different

0:51:58.780 --> 0:52:00.980
<v Speaker 1>with Roswell. As you start your second season, you had

0:52:01.000 --> 0:52:05.160
<v Speaker 1>a two-parter, and you're basically saying it looks like Roswell

0:52:05.219 --> 0:52:08.060
<v Speaker 1>is real, but some of the evidence that looks to

0:52:08.140 --> 0:52:12.029
<v Speaker 1>prove it's real is faked evidence, right? So you had

0:52:12.070 --> 0:52:13.969
<v Speaker 1>a whole different take. You were trying to do what

0:52:13.989 --> 0:52:17.750
<v Speaker 1>you just described, keep open the idea that things that

0:52:17.810 --> 0:52:21.110
<v Speaker 1>look like they may solve the puzzle still have question

0:52:21.150 --> 0:52:23.160
<v Speaker 1>marks on them. Would that be accurate?

0:52:24.120 --> 0:52:26.320
<v Speaker 3>Sure. I think our big thing was the idea, and

0:52:26.360 --> 0:52:28.580
<v Speaker 3>I think this is well-reported in the Roswell story, is

0:52:28.620 --> 0:52:32.700
<v Speaker 3>that they switched the evidence. Right. That they had, oh God,

0:52:32.719 --> 0:52:34.860
<v Speaker 3>why am I blanking on his name now? There was

0:52:34.900 --> 0:52:36.440
<v Speaker 3>the rancher, Mack Brazel.

0:52:36.460 --> 0:52:36.620
<v Speaker 2>Brazel.

0:52:36.700 --> 0:52:39.540
<v Speaker 1>And then who was the famous- Jesse Marcel. Jesse Marcel.

0:52:39.580 --> 0:52:39.900
<v Speaker 1>Thank you.

0:52:40.280 --> 0:52:43.719
<v Speaker 3>And Jesse Marcel attests that all those photographs of him

0:52:43.860 --> 0:52:46.399
<v Speaker 3>holding up what looked like tinfoil, he's like, this isn't

0:52:46.440 --> 0:52:48.120
<v Speaker 3>what I saw. This is what they told me to

0:52:48.160 --> 0:52:50.940
<v Speaker 3>pose as. in front of and all that. And so

0:52:51.000 --> 0:52:52.920
<v Speaker 3>we tried to honor that story. I don't need to

0:52:53.000 --> 0:52:55.840
<v Speaker 3>educate either of you about Roswell history. I know Bryce

0:52:55.880 --> 0:52:59.710
<v Speaker 3>is an authority in that subject. I'll just say I

0:52:59.750 --> 0:53:03.730
<v Speaker 3>learned so much building those episodes by going back and

0:53:03.850 --> 0:53:07.870
<v Speaker 3>reading Witness to Roswell and just hearing all the accounts.

0:53:08.210 --> 0:53:10.530
<v Speaker 1>And so for me, this is hundreds of people.

0:53:10.570 --> 0:53:14.279
<v Speaker 3>This is a village silenced with intimidation. This was, you

0:53:14.300 --> 0:53:16.819
<v Speaker 3>could cover something like this up in a small town

0:53:16.880 --> 0:53:19.009
<v Speaker 3>in Roswell. But of course, what people now know is

0:53:19.070 --> 0:53:23.250
<v Speaker 3>Roswell was so important. It was not just random cattle town.

0:53:23.650 --> 0:53:26.290
<v Speaker 3>It housed the Enola Gay, right? It housed the bomb,

0:53:26.650 --> 0:53:30.330
<v Speaker 3>the planes that dropped bombs on the atomic weapons on Hiroshima.

0:53:30.370 --> 0:53:32.630
<v Speaker 3>They were running atomic tests out there in the desert.

0:53:32.750 --> 0:53:33.190
<v Speaker 1>It was a.

0:53:33.310 --> 0:53:36.080
<v Speaker 3>Hotspot of sort of military activity. It was the most

0:53:36.140 --> 0:53:39.820
<v Speaker 3>important base of its time. The only nuclear bomber base

0:53:39.860 --> 0:53:43.220
<v Speaker 3>at the time. Right. And so it's just, I think

0:53:43.300 --> 0:53:46.069
<v Speaker 3>what essentially people claim happened at Roswell did. I don't

0:53:46.110 --> 0:53:47.969
<v Speaker 3>pretend to know like how many bodies there were, were

0:53:47.989 --> 0:53:49.989
<v Speaker 3>there multiple ships? Was it one ship that broke up?

0:53:50.469 --> 0:53:52.470
<v Speaker 3>I think we treated it as one ship that broke

0:53:52.570 --> 0:53:54.900
<v Speaker 3>up with two different crash sites where some of the

0:53:54.920 --> 0:53:57.080
<v Speaker 3>debris fell on Mack Brazel's ranch. The rest of it

0:53:57.120 --> 0:54:00.180
<v Speaker 3>embedded itself in the side of a bluff, but it's

0:54:00.200 --> 0:54:03.680
<v Speaker 3>an incredible thing. story and I'd be shocked to learn

0:54:03.700 --> 0:54:07.040
<v Speaker 3>that if it wasn't exactly what people say it was,

0:54:07.140 --> 0:54:08.220
<v Speaker 3>because there's just so.

0:54:08.060 --> 0:54:08.940
<v Speaker 1>Many hundreds of witnesses.

0:54:09.160 --> 0:54:10.959
<v Speaker 3>And then as Bryce, to your point, so many people

0:54:11.020 --> 0:54:14.100
<v Speaker 3>coming out now being like, yeah, like this was this,

0:54:14.219 --> 0:54:15.480
<v Speaker 3>and it might not even have been the first one.

0:54:15.530 --> 0:54:18.510
<v Speaker 3>It just became the one that they put on the airwaves.

0:54:19.330 --> 0:54:21.630
<v Speaker 1>As we round the corner here, I just want to

0:54:22.450 --> 0:54:25.350
<v Speaker 1>talk to you about where you were going. Season two

0:54:25.410 --> 0:54:29.580
<v Speaker 1>begins with your two-parter on Roswell and it ends with Quinn,

0:54:29.680 --> 0:54:32.930
<v Speaker 1>I believe, in a sub or he's under, he's in

0:54:32.969 --> 0:54:36.089
<v Speaker 1>the water and he's looking into USO. So you were

0:54:36.530 --> 0:54:39.550
<v Speaker 1>going into the ocean and I don't think he's recovered

0:54:39.590 --> 0:54:42.709
<v Speaker 1>at the end of that season. All right. So look,

0:54:42.890 --> 0:54:45.530
<v Speaker 1>I know you, you could be coy for a while

0:54:45.630 --> 0:54:48.440
<v Speaker 1>because maybe we're trying to get that third season, but

0:54:48.480 --> 0:54:51.000
<v Speaker 1>now I'm sure you've moved on. You're on with your

0:54:51.040 --> 0:54:53.120
<v Speaker 1>life as Brent and I have moved on. We're not

0:54:53.300 --> 0:54:55.700
<v Speaker 1>planning to do season two of dark skies, although we'd

0:54:55.719 --> 0:54:59.400
<v Speaker 1>love to, but as you would love to do season three, but,

0:54:59.770 --> 0:55:03.410
<v Speaker 1>Where were you going to go in season three? Were

0:55:03.450 --> 0:55:06.420
<v Speaker 1>you going to change your position and start to say

0:55:06.460 --> 0:55:10.100
<v Speaker 1>your characters are sure about anything? Where were you going?

0:55:10.140 --> 0:55:11.660
<v Speaker 1>What was season three going to be?

0:55:12.100 --> 0:55:12.420
<v Speaker 3>Sure.

0:55:12.560 --> 0:55:13.779
<v Speaker 1>So I'll answer that in a couple of ways.

0:55:13.820 --> 0:55:15.930
<v Speaker 3>We actually had a writer's room for season three and

0:55:15.950 --> 0:55:18.170
<v Speaker 3>we mapped out all 10 episodes. So we had outlines

0:55:18.190 --> 0:55:21.130
<v Speaker 3>for all 10 before COVID happened and the show got canceled.

0:55:21.150 --> 0:55:24.250
<v Speaker 3>So we were absolutely finding Quinn. Like end of season

0:55:24.270 --> 0:55:26.549
<v Speaker 3>two is like Quinn is gone. The big answer really

0:55:26.590 --> 0:55:30.410
<v Speaker 3>is that we were going to go global. The 1954

0:55:30.410 --> 0:55:33.879
<v Speaker 3>was an amazing time abroad. There was like that famous

0:55:33.980 --> 0:55:36.420
<v Speaker 3>case in a soccer stadium in Rome where they saw

0:55:36.440 --> 0:55:38.919
<v Speaker 3>this like angel hair drop down. There was the French wave.

0:55:38.940 --> 0:55:41.660
<v Speaker 3>They were seeing these mysterious, like cylindrical objects. There's a

0:55:41.700 --> 0:55:44.279
<v Speaker 3>French word for it that I'll blank on now, but

0:55:44.340 --> 0:55:44.920
<v Speaker 3>we had.

0:55:44.800 --> 0:55:46.460
<v Speaker 2>The coolest cases.

0:55:46.500 --> 0:55:48.800
<v Speaker 3>We were going to go to Stonehenge. We were like,

0:55:48.960 --> 0:55:50.860
<v Speaker 3>we even built like a season three poster, which is

0:55:50.880 --> 0:55:53.640
<v Speaker 3>like Heineken Quinn with Stonehenge behind it. Like it was

0:55:53.660 --> 0:55:58.010
<v Speaker 3>going to be the 1954 UFO wave, essentially character. Character-wise,

0:55:58.070 --> 0:56:01.049
<v Speaker 3>we wanted to really start to shift Quinn. He has

0:56:01.090 --> 0:56:05.029
<v Speaker 3>had this profound experience underwater. He has seen something. But

0:56:05.070 --> 0:56:06.930
<v Speaker 3>we were going to basically find him in the first

0:56:06.989 --> 0:56:10.540
<v Speaker 3>episode of season three and get the gang back together.

0:56:10.760 --> 0:56:12.000
<v Speaker 3>But it was going to be something where he didn't

0:56:12.020 --> 0:56:14.419
<v Speaker 3>want to talk about it for a while. And then

0:56:14.520 --> 0:56:16.100
<v Speaker 3>Quinn was going to start to open up about the

0:56:16.140 --> 0:56:17.100
<v Speaker 3>things that happened to him.

0:56:17.360 --> 0:56:21.330
<v Speaker 2>One of the things I admired so much about your show, David,

0:56:21.570 --> 0:56:25.770
<v Speaker 2>is that we had no restraint. We had more grays

0:56:25.830 --> 0:56:29.230
<v Speaker 2>per minute than most shows did in our pilot episode,

0:56:29.410 --> 0:56:32.689
<v Speaker 2>where we said aliens are real, they're here, and they've

0:56:32.710 --> 0:56:36.650
<v Speaker 2>changed history. Your show, on the other hand, was elusive

0:56:36.710 --> 0:56:41.320
<v Speaker 2>about that, right? You were showing a lot of things,

0:56:41.380 --> 0:56:44.020
<v Speaker 2>but then there was also a way to debunk certain things.

0:56:44.300 --> 0:56:47.020
<v Speaker 2>And I know that was core to the central tension

0:56:47.060 --> 0:56:49.640
<v Speaker 2>of the show, right? Where it's like, if aliens are real,

0:56:49.700 --> 0:56:53.290
<v Speaker 2>then Blue Book has already finished its job, right? So

0:56:53.310 --> 0:56:55.989
<v Speaker 2>it didn't really make sense. But what I want to

0:56:56.030 --> 0:57:00.490
<v Speaker 2>know is, I consider you now to be an informed opinion.

0:57:00.610 --> 0:57:02.930
<v Speaker 2>You've done a lot of studying and reading and thinking

0:57:02.969 --> 0:57:03.430
<v Speaker 2>about this.

0:57:04.130 --> 0:57:06.870
<v Speaker 1>What is your take? Are aliens real?

0:57:07.070 --> 0:57:08.629
<v Speaker 2>I know you've said a little bit, maybe it could

0:57:08.650 --> 0:57:10.549
<v Speaker 2>be a lot of things, but if somebody called you

0:57:10.590 --> 0:57:14.509
<v Speaker 2>into Congress and said, under oath, you have to tell

0:57:14.570 --> 0:57:17.770
<v Speaker 2>us what you believe based on everything you know and

0:57:17.810 --> 0:57:19.820
<v Speaker 2>what's going on right now, what is that?

0:57:20.280 --> 0:57:22.460
<v Speaker 3>Oh my God, that's such a great question. And it

0:57:22.520 --> 0:57:25.500
<v Speaker 3>changes as I go. You're absolutely right in pointing out like, yeah,

0:57:25.540 --> 0:57:27.260
<v Speaker 3>we always had to have that. Is it the Flatwoods

0:57:27.300 --> 0:57:29.100
<v Speaker 3>monster or is it an owl on a tree that

0:57:29.120 --> 0:57:31.180
<v Speaker 3>looks like a monster? And it was all that kind

0:57:31.200 --> 0:57:33.230
<v Speaker 3>of stuff throughout the DNA of the show.

0:57:33.250 --> 0:57:34.530
<v Speaker 1>And that's what kept the mystery alive.

0:57:35.550 --> 0:57:38.950
<v Speaker 3>I tend to think that multiple things are happening at

0:57:38.970 --> 0:57:42.590
<v Speaker 3>the same time. I tend to think that... I'm very

0:57:42.650 --> 0:57:49.330
<v Speaker 3>intrigued by the interdimensional hypothesis, but... interdimensional time travel. When

0:57:49.350 --> 0:57:52.370
<v Speaker 3>you're traveling the vast distances through space, if they're able

0:57:52.410 --> 0:57:54.180
<v Speaker 3>to zip in and out, go here and then go

0:57:54.220 --> 0:57:56.640
<v Speaker 3>like millions of miles away to another solar system, they're

0:57:56.660 --> 0:57:59.960
<v Speaker 3>traveling through time also, right? It's like how you move

0:57:59.980 --> 0:58:01.980
<v Speaker 3>through space is how you move through time. That's why

0:58:02.000 --> 0:58:04.960
<v Speaker 3>we have space time. So it's almost like there's different

0:58:05.040 --> 0:58:07.930
<v Speaker 3>lenses to look at it through. I do think that

0:58:08.110 --> 0:58:12.140
<v Speaker 3>some of it might be off world AI, right? Like,

0:58:12.200 --> 0:58:15.560
<v Speaker 3>I do think that it's very probable, like, that it's

0:58:15.620 --> 0:58:18.080
<v Speaker 3>some sort of, like, we're merging, just the way that

0:58:18.120 --> 0:58:21.660
<v Speaker 3>we are probably merging with our technology, that they, ancient

0:58:21.700 --> 0:58:24.450
<v Speaker 3>civilizations may have merged with their technology. We might be

0:58:24.470 --> 0:58:24.890
<v Speaker 3>seeing our.

0:58:24.910 --> 0:58:27.770
<v Speaker 1>Like, off-world AI technology.

0:58:28.350 --> 0:58:30.450
<v Speaker 3>Even with the Greys, some of them have described them

0:58:30.490 --> 0:58:34.960
<v Speaker 3>as biologically synthesized machines, like biotech. But I think what

0:58:34.980 --> 0:58:37.820
<v Speaker 3>it says is that there are intelligences out there in

0:58:37.860 --> 0:58:41.670
<v Speaker 3>this universe that are far more ancient, far more intelligent,

0:58:41.710 --> 0:58:44.660
<v Speaker 3>far just have a much deeper understanding of being able

0:58:44.700 --> 0:58:48.280
<v Speaker 3>to manipulate reality than we do. And part of that

0:58:48.340 --> 0:58:51.610
<v Speaker 3>does connect to consciousness. I'm a big believer that consciousness

0:58:51.640 --> 0:58:55.250
<v Speaker 3>affects reality. They've proven that, right? You stare at a

0:58:55.270 --> 0:58:58.570
<v Speaker 3>quantum particle, it locks into position, right? You can affect

0:58:58.710 --> 0:59:02.530
<v Speaker 3>a quantum random number generator just by observing it over

0:59:02.570 --> 0:59:03.090
<v Speaker 3>and over again.

0:59:03.830 --> 0:59:06.730
<v Speaker 1>That's micro telekinesis. It's so crazy.

0:59:06.770 --> 0:59:09.190
<v Speaker 3>And then I've read a couple of books on simulation

0:59:09.230 --> 0:59:11.190
<v Speaker 3>theory too. So I'm like, oh gosh, is this all

0:59:11.230 --> 0:59:14.490
<v Speaker 3>just like game master kind of stuff interfacing with the

0:59:14.530 --> 0:59:18.270
<v Speaker 3>game sphere? But I leave all options on the table

0:59:18.330 --> 0:59:20.550
<v Speaker 3>because I just love the question and I love the

0:59:20.640 --> 0:59:23.010
<v Speaker 3>journey and I love going down the rabbit holes. But

0:59:23.930 --> 0:59:26.600
<v Speaker 3>I guess if I had to say, is any one

0:59:26.620 --> 0:59:28.700
<v Speaker 3>thing happening? I do think for sure that there's some

0:59:28.740 --> 0:59:35.959
<v Speaker 3>sort of interplanetary off world from another planet's element to this.

0:59:36.160 --> 0:59:38.220
<v Speaker 1>To some of this. But I think there might be

0:59:38.300 --> 0:59:39.419
<v Speaker 1>other things going on too.

0:59:39.460 --> 0:59:41.800
<v Speaker 3>I think that might be the greatest conspiracy is that

0:59:41.840 --> 0:59:43.960
<v Speaker 3>there's four or five different things going on. I don't

0:59:43.980 --> 0:59:46.500
<v Speaker 3>rule out the time travel thing either. It'd be wild

0:59:46.580 --> 0:59:49.340
<v Speaker 3>if that was the answer, ultimately, that we're going back

0:59:49.410 --> 0:59:52.470
<v Speaker 3>in time to visit our previous selves in some way.

0:59:52.810 --> 0:59:53.770
<v Speaker 1>That could be amazing too.

0:59:54.210 --> 0:59:54.530
<v Speaker 3>Excellent.

0:59:54.570 --> 0:59:56.930
<v Speaker 1>Good answer. Hey, listen, I do want to ask you

0:59:57.050 --> 1:00:00.390
<v Speaker 1>one thing. that kind of goes with your testimony before Congress,

1:00:00.770 --> 1:00:03.790
<v Speaker 1>which is we built our show around the reality of

1:00:03.850 --> 1:00:07.730
<v Speaker 1>Majestic 12. You were in Project Blue Book. Would you

1:00:07.830 --> 1:00:11.960
<v Speaker 1>have ever taken a position on Majestic 12? And or

1:00:12.200 --> 1:00:16.320
<v Speaker 1>do you personally have a position on whether it existed

1:00:16.360 --> 1:00:18.640
<v Speaker 1>or did not exist? Oh, yeah.

1:00:18.740 --> 1:00:20.560
<v Speaker 3>Actually, I would go so far as to say is

1:00:20.660 --> 1:00:24.880
<v Speaker 3>that round room underground where the generals would gather, which

1:00:24.900 --> 1:00:27.500
<v Speaker 3>we were always trying to humanize those characters too. For me,

1:00:27.540 --> 1:00:30.700
<v Speaker 3>that really was the precursor to Majestic 12. That was

1:00:30.800 --> 1:00:37.040
<v Speaker 3>Twining and Hart and Vandenberg and Forrester sitting around with

1:00:37.080 --> 1:00:39.460
<v Speaker 3>a bunch of other guys deciding how are we going

1:00:39.480 --> 1:00:42.800
<v Speaker 3>to handle this thing? I tend to, and I know

1:00:42.820 --> 1:00:45.810
<v Speaker 3>you guys delved into Majestic 12 a I tend to

1:00:45.850 --> 1:00:48.070
<v Speaker 3>think that I think that there's enough evidence to support

1:00:48.110 --> 1:00:52.630
<v Speaker 3>the fact that that magic clearance, M-A-J-I-C and the Majestic

1:00:52.630 --> 1:00:55.590
<v Speaker 3>12 and those documents were genuine and that those people

1:00:55.630 --> 1:00:58.150
<v Speaker 3>were genuinely involved. I know that there are people who

1:00:58.170 --> 1:01:01.490
<v Speaker 3>claim that they've debunked those documents. I don't think so.

1:01:01.730 --> 1:01:07.320
<v Speaker 3>It's been showed on multiple places. So yeah, I'm pretty

1:01:07.360 --> 1:01:09.419
<v Speaker 3>convinced that the Majestic 12 stuff is real.

1:01:09.920 --> 1:01:12.500
<v Speaker 1>Cool. We appreciate you, my friend. And we just want

1:01:12.520 --> 1:01:15.040
<v Speaker 1>to point one thing out to our audience. We appreciate

1:01:15.060 --> 1:01:17.440
<v Speaker 1>you as well. We love it when you leave comments

1:01:17.560 --> 1:01:20.470
<v Speaker 1>on the podcast version. We love your comments on the

1:01:20.510 --> 1:01:24.450
<v Speaker 1>YouTube version. We love likes and thumbs up and follows

1:01:24.510 --> 1:01:26.670
<v Speaker 1>and all that great stuff. But if you leave your

1:01:26.710 --> 1:01:29.930
<v Speaker 1>comments this time, remember, David is also going to listen

1:01:29.970 --> 1:01:32.550
<v Speaker 1>to them or read them, and we'll probably be responding

1:01:32.590 --> 1:01:34.439
<v Speaker 1>to them as well. So you're going to get three

1:01:34.480 --> 1:01:36.640
<v Speaker 1>for the price of two, which I think is a

1:01:36.680 --> 1:01:40.200
<v Speaker 1>bargain in today's world. David, for me personally... It's great

1:01:40.220 --> 1:01:42.980
<v Speaker 1>being your friend. I've enjoyed that. Enjoy having a good

1:01:43.140 --> 1:01:47.030
<v Speaker 1>UFO conversation anytime. And I was proud to introduce you

1:01:47.070 --> 1:01:50.790
<v Speaker 1>to Brent because you guys are brothers from another mother,

1:01:51.010 --> 1:01:53.230
<v Speaker 1>as they say. We are.

1:01:53.290 --> 1:01:55.350
<v Speaker 3>You really do feel a profound connection to people who

1:01:55.390 --> 1:01:57.530
<v Speaker 3>really share your passion and interest in this. And I

1:01:57.610 --> 1:02:00.010
<v Speaker 3>know that the two of you do. And the parallels

1:02:00.150 --> 1:02:02.410
<v Speaker 3>are so insane in terms of us both creating shows

1:02:02.530 --> 1:02:05.270
<v Speaker 3>and being lucky enough to create shows in this space. Anytime, guys.

1:02:05.310 --> 1:02:08.000
<v Speaker 1>This was like such a treat. Yeah. All right. Thank

1:02:08.040 --> 1:02:09.640
<v Speaker 1>you so much, David.

1:02:10.490 --> 1:02:12.570
<v Speaker 3>Tell David what our sign out is and let him

1:02:12.650 --> 1:02:14.770
<v Speaker 3>say it because it comes from his pal Spielberg.

1:02:15.690 --> 1:02:19.350
<v Speaker 1>Watch the skies. David, watch the skies.

1:02:19.750 --> 1:02:19.930
<v Speaker 2>Oh, yeah.

1:02:20.390 --> 1:02:21.470
<v Speaker 1>We're out of here. Bye.

1:02:22.880 --> 1:02:23.200
<v Speaker 2>Bye.

1:02:39.520 --> 1:02:43.550
<v Speaker 1>Soundlight and Frequency is an iHeart podcast produced by Stellar Productions.

1:02:43.930 --> 1:02:47.730
<v Speaker 1>It's executive produced by Nick Johnson. And for Stellar, Jackie Zabel.

1:02:48.150 --> 1:02:51.560
<v Speaker 1>Our show's music was written by Anna Stumpf and Hamilton Lighthouser.

1:02:51.900 --> 1:02:55.160
<v Speaker 1>And your hosts and executive producers are Bryce Zabel, that's me,

1:02:55.500 --> 1:03:28.020
<v Speaker 1>and Brent Friedman. Watch the skies. Thank you.