WEBVTT - Civic Cipher 091722 The Robbery and Death of PnB Rock (Part 2)

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<v Speaker 1>And now.

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<v Speaker 2>My mic back, you're like that, you can strike waters

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<v Speaker 2>and head borders behind him.

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<v Speaker 1>And then if you're just tuning into Civic Cipher, I

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<v Speaker 1>am your host Ramses John.

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<v Speaker 3>He is Ramses John, I am q Ward and you

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<v Speaker 3>are once again tuned in to Civic Cycle.

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<v Speaker 1>Listended, be sure to stick around because we still got

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<v Speaker 1>a lot more so coming your way. I'm not even

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<v Speaker 1>sure how we're going to really approach this, but we're

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<v Speaker 1>going to talk about P and b Rock. If you're

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<v Speaker 1>listening to this, there's a good chance you're listening on

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<v Speaker 1>a hip hop station. This show exists for some real,

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<v Speaker 1>specific reasons. But I didn't want this moment to pass

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<v Speaker 1>without us dealing with some real, some real you know,

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<v Speaker 1>in this show.

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<v Speaker 3>So also before we move on, and you and I

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<v Speaker 3>can both look into this to make sure that we're

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<v Speaker 3>addressing this properly. It's a small thing, but it could

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<v Speaker 3>be a major thing to someone else. I said the

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<v Speaker 3>word dreads when I was living in Atlanta locks, and

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<v Speaker 3>one of my colleagues that had locks corrected me. Now

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<v Speaker 3>we can read up on the proper way to say

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<v Speaker 3>that and the reasons why. But we said that in

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<v Speaker 3>the first Lord Valerian had dreads. I want to correct

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<v Speaker 3>us and say that he had silver locks, and we

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<v Speaker 3>will educate the audience on why that's the case on

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<v Speaker 3>a future episode.

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<v Speaker 1>Sure locks, Yes, indeed, right now we're going to discuss

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<v Speaker 1>how to become a better ally. This one comes from

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<v Speaker 1>Major Threads, so shout out to Major Threads for sponsoring

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<v Speaker 1>this installment. And the article comes via World Economic Forum.

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<v Speaker 1>This is entitled four ways to be an ally in

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<v Speaker 1>the Fight against Racism. So what we're doing is addressing

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<v Speaker 1>systemic racism, So take notes if you want, or of

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<v Speaker 1>course rewind the show or check out sibing cipher dot

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<v Speaker 1>com and download it. But number one is understand that

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<v Speaker 1>systemic racism goes beyond police brutality. It's much bigger. They're

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<v Speaker 1>much bigger things in place, long standing ideals, so farth

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<v Speaker 1>that need to be addressed. Number two, speak up against

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<v Speaker 1>racism in the workplace and support black colleagues. This one

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<v Speaker 1>is very important because racism oftentimes festers or as loudest

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<v Speaker 1>when black people aren't around, and that's the most opportune

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<v Speaker 1>time to address it. And if you are a non

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<v Speaker 1>black person, you end up in those spaces and you

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<v Speaker 1>can hear that you need to address it. Help us

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<v Speaker 1>out target racism and education, promote what is known as

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<v Speaker 1>critical race theory, but really is American history. I saw

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<v Speaker 1>roots in the fourth grade. I'm fine, so did everybody

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<v Speaker 1>else in my class. Number four Petitions and political engagement.

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<v Speaker 1>Stay involved in the political process and just vote with

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<v Speaker 1>your conscious. Visit weforum dot org to view examples of

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<v Speaker 1>how to implement and learn more. All right, so, now,

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<v Speaker 1>pnb Rock, what do.

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<v Speaker 3>You know about this Philadelphia rapper? I think current Los

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<v Speaker 3>Angeles resident someone that the hip hop community not only

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<v Speaker 3>knows very well, but as you can tell from the outcry,

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<v Speaker 3>was fond of not just fans, but even his comrades,

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<v Speaker 3>his colleagues, the people that he shared the space with

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<v Speaker 3>all seemed to collectively speak highly of his character and

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<v Speaker 3>of his person. Him and his lady at Orosco's Chicken

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<v Speaker 3>and Waffle, I think in East LA in a neighborhood

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<v Speaker 3>that you know is maybe not right for celebrity or tourism.

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<v Speaker 3>His lady sharing their location on social media. Some people

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<v Speaker 3>think that has something to do with it. Maybe him

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<v Speaker 3>just being followed to the location by someone who had

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<v Speaker 3>an issue with him. And what I've read was an

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<v Speaker 3>attempt at robbery. I saw a very traumatic video about it,

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<v Speaker 3>and I was not given any preparation, Like the person

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<v Speaker 3>that sent it didn't say, hey, before you watch this,

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<v Speaker 3>it's this.

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<v Speaker 1>I didn't see it, So I just.

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<v Speaker 3>Touched a link and literally saw him lying in a

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<v Speaker 3>pool of blood.

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<v Speaker 1>Oh no, I didn't see that, dying but not dead yet.

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<v Speaker 1>So it was it was worse.

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<v Speaker 3>I'm not watching a steal person where that he's no

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<v Speaker 3>longer animated, and I'm looking at the aftermath like no,

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<v Speaker 3>watching him still like try to move. And again I

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<v Speaker 3>was not giving any heads up. I didn't even know

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<v Speaker 3>who it was when I saw the video, and then

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<v Speaker 3>came the stories hours later of people even at that

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<v Speaker 3>point still trying to figure out if it was who

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<v Speaker 3>they thought, or who if it was who some people

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<v Speaker 3>were reporting. Again, I read what was called a failed

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<v Speaker 3>robbery attempt that could have just been a cold blooded murder.

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<v Speaker 3>Of course, have no idea the reasons why, but they

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<v Speaker 3>could be seen as very very obvious. When you put

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<v Speaker 3>people in an environment and you create conditions where there

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<v Speaker 3>are those that have it all or what appears to

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<v Speaker 3>be everything, and you put them in an environment where

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<v Speaker 3>there are those who have nothing. You create a predator

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<v Speaker 3>prey environment, and a lot of people, a lot of

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<v Speaker 3>sources will and I see a lot of our people

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<v Speaker 3>speaking up angrily about the black on black crime aspect

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<v Speaker 3>of this story, which I think it has very little

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<v Speaker 3>to do with. It is a have versus have not scenario,

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<v Speaker 3>It is a proximity scenario.

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<v Speaker 1>It is a.

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<v Speaker 3>If you listen to the show, Ramses and I are

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<v Speaker 3>very very proud of where we're from. By nature of

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<v Speaker 3>being from two of the coolest cities on earth, you know,

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<v Speaker 3>pardon our bias, but our people, and maybe it's by

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<v Speaker 3>nature of surviving the circumstances we're born into.

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<v Speaker 1>We're typically really.

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<v Speaker 3>Proud about where we're from, not just confident in Detroit,

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<v Speaker 3>but Newark and Brooklyn and New Orleans and Ship the

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<v Speaker 3>South Side of Chicago. Like I can name cities all

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<v Speaker 3>over the world where the circumstances are the same. We

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<v Speaker 3>are the have nots, and mass becoming an adult out

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<v Speaker 3>of that environment where you're born to die, some may

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<v Speaker 3>say and stills a certain pride in us right, very

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<v Speaker 3>very proud of where we're from. But I know when

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<v Speaker 3>I go back to seven Mile Road, you're from there.

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<v Speaker 3>You do not still live there, sir. You are of it,

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<v Speaker 3>or you were in it, but not of it. Right,

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<v Speaker 3>there were some decisions you made that led you to

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<v Speaker 3>be the father of two who gets to sit across

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<v Speaker 3>from Ramses and talk about these very very sometimes difficult,

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<v Speaker 3>but very necessary things. And when I go back to

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<v Speaker 3>that space, I have to have a respect for it.

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<v Speaker 3>There are predators in that space. And when I show

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<v Speaker 3>up with my glasses on and my well tailored clothing,

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<v Speaker 3>with any resemblance of opulence, with any resemblance of success,

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<v Speaker 3>I am now the prey, even though I grew up

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<v Speaker 3>in that very neighborhood. There is a respect required for

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<v Speaker 3>going back into that space that sometimes we don't pay

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<v Speaker 3>because we feel like we're entitled to be there. You know,

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<v Speaker 3>I'm from here, just like you from here, And I

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<v Speaker 3>put my pants on one leg at a time, just

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<v Speaker 3>like you. Sure you do. But that thing on your

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<v Speaker 3>neck cost seventy thousand dollars, sir, and I ain't got it,

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<v Speaker 3>and the rent is due in two weeks, and my

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<v Speaker 3>kids hungry too.

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<v Speaker 1>I'm glad you said that because you mentioned that you know,

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<v Speaker 1>I'm from California, comptent to be exacted. I was in

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<v Speaker 1>California when he was shot. FU. I was just I

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<v Speaker 1>was there, shout out to Big Boy. I was hanging

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<v Speaker 1>out with the Big Boy. If you're a fan of radio,

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<v Speaker 1>he's a mentor and oga mine and as the Boy

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<v Speaker 1>as we're sitting down talking approximately at the time, we

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<v Speaker 1>were just hanging out at Chick fil A. This happened

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<v Speaker 1>not in the same part of town. I don't want

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<v Speaker 1>to give that impression, but I'm you know, there in

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<v Speaker 1>that place. And remember we live and broadcast from Arizona

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<v Speaker 1>from Phoenix, so I was out of town anyway. Yeah,

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<v Speaker 1>being from California, there's a particular association that I have

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<v Speaker 1>with one person who lost his life who was from

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<v Speaker 1>the hip hop community. That just hurt me differently, and

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<v Speaker 1>that was Nipsey Hustle around. A lot of people will agree,

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<v Speaker 1>but you know, I you know Compton is I'm not

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<v Speaker 1>going to act like I grew up in Compton. I

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<v Speaker 1>was gangbanging and this and that and the other. I'm

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<v Speaker 1>from there, just like you was saying, I'm from there,

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<v Speaker 1>so I know people from there. I know what the

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<v Speaker 1>environment is like. I was there in the eighties. You

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<v Speaker 1>know what I'm saying, so I was there when it

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<v Speaker 1>was the worst, and then of course my family stayed there,

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<v Speaker 1>so that's where I have to go visit, you know

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<v Speaker 1>what I'm saying, that sort of stuff. Nipsey Hustle was

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<v Speaker 1>the sort of person where, like, I get it, I understand.

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<v Speaker 1>I know why you talk like that, I know why

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<v Speaker 1>you move like that. You have to. You gotta swim

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<v Speaker 1>in the stream, you know. And for those who know

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<v Speaker 1>the story, Nipsey was killed by a black man. You know,

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<v Speaker 1>we're talking about pm b Rock today, you know what

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<v Speaker 1>I mean. He was robbed. Pmb Rock was robbed at

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<v Speaker 1>the Roscoes for his necklace and I believe his watch

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<v Speaker 1>something like that. And this isn't one of those moments

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<v Speaker 1>where talking about black on black crime is There's never

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<v Speaker 1>a moment when talking about black on black crime is

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<v Speaker 1>meaningful in matters, because black on black crime isn't a

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<v Speaker 1>real thing. It is in the sense that a black

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<v Speaker 1>person can commit a crime and another black person be

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<v Speaker 1>the victim of it, But in terms of it being

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<v Speaker 1>some sort of you know, epidemic sort of thing, it's not.

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<v Speaker 1>That's not true, you know, any more than white on

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<v Speaker 1>white crime is the thing you know, crime is crime,

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<v Speaker 1>and the people closest to the ones they get it.

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<v Speaker 1>You know what I'm saying. If you're a criminal, or

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<v Speaker 1>you know, if you're living a crime infested area, you know,

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<v Speaker 1>if you get an argument with someone, chances are they

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<v Speaker 1>related to you or they know you for a long time.

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<v Speaker 1>You know, you don't just get in fights with strangers

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<v Speaker 1>off the streets. Usually getting strike fights with people you know.

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<v Speaker 1>Those people tend to be closely associated with your tribe.

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<v Speaker 1>And so this is the way that works. So black

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<v Speaker 1>on black crime as a term is something that was

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<v Speaker 1>created and it's meant. The intention is to put the

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<v Speaker 1>blame for black people's problems in the lap of black people,

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<v Speaker 1>which in principle sounds like, yeah, that's fair, But the

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<v Speaker 1>truth is the effect is that it serves as sort

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<v Speaker 1>of a scapegoat or a lightning rod. The term black

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<v Speaker 1>on black crime is a lightning rod. So that I

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<v Speaker 1>hate to keep picking on conservatives, but really that's where

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<v Speaker 1>it comes from. The conservative facet of this country doesn't

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<v Speaker 1>need to really address the systemic issues created by a

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<v Speaker 1>lot of their policies. And I'm not going to let

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<v Speaker 1>the Democrats or the liberals off the hook. Here either

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<v Speaker 1>a lot of times the liberals too, you know, and

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<v Speaker 1>I'm not saying everyone was intentional. Some people just didn't

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<v Speaker 1>know better, you know. But this is the this is

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<v Speaker 1>the truth of the matter. It's cyclical, right, there's there's

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<v Speaker 1>a there's moments in history where these things were flipped.

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<v Speaker 1>The roles were reversed.

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<v Speaker 3>Sure, you know, the Republican and Democratic Party and the

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<v Speaker 3>way that they approached politics and government.

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<v Speaker 1>The roles have reversed a bit.

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<v Speaker 3>They have not always been, uh, in the positions that

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<v Speaker 3>they're in now, but there have always been conservatives that

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<v Speaker 3>they probably think not always existed. It's always been systemically

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<v Speaker 3>oppressing very good.

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<v Speaker 1>So really the the conversation, because you might be listening like,

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<v Speaker 1>oh my god, here they go again.

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<v Speaker 3>But yes, by the way, yes here they go again

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<v Speaker 3>and again, like so next week we on that. Yeah,

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<v Speaker 3>just a you if you just tooed it by me

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<v Speaker 3>thaking you were flipping through, Yes, here they go again

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<v Speaker 3>and next time, just so we're clear.

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<v Speaker 1>Sake, So watch this rather than okay, here's another example

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<v Speaker 1>of a black man killing a black man. They're they're

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<v Speaker 1>eating each other, they're fighting each other, blah blah blah.

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<v Speaker 1>Rather than having that attitude, that approach, that ignorance, that

0:14:29.280 --> 0:14:33.720
<v Speaker 1>that willful ignorance, that that deliberate blindness to the reality

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<v Speaker 1>we choose and many educated people, many people who have

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<v Speaker 1>a much more broad view of what's really happening, tend

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<v Speaker 1>to look at society. Q made it an excellent point

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<v Speaker 1>when we first started talking about this versus half nots.

0:14:53.800 --> 0:14:58.720
<v Speaker 1>A lot of crime that you find in poor neighborhoods

0:14:59.080 --> 0:15:03.200
<v Speaker 1>is the result of economic inequality. And if you address

0:15:03.280 --> 0:15:09.080
<v Speaker 1>the economic inequality, the need for crime drops, and therefore

0:15:09.160 --> 0:15:10.120
<v Speaker 1>crime drops.

0:15:10.320 --> 0:15:13.240
<v Speaker 3>Now rams Is, being one of the most intelligent people

0:15:13.240 --> 0:15:15.760
<v Speaker 3>that I know, won't say this because he feels it

0:15:15.840 --> 0:15:18.280
<v Speaker 3>not necessary, but I will. That does not mean that

0:15:18.440 --> 0:15:23.240
<v Speaker 3>some evil people won't exist, that some criminals won't exist,

0:15:23.800 --> 0:15:27.359
<v Speaker 3>But there are crimes that happen as a result of circumstance,

0:15:27.480 --> 0:15:31.880
<v Speaker 3>uncontrollable circumstance. I am starving, I have nothing and need

0:15:31.920 --> 0:15:34.880
<v Speaker 3>to do my children, and those people over there have

0:15:35.040 --> 0:15:38.320
<v Speaker 3>a lot I need to go get.

0:15:38.120 --> 0:15:39.680
<v Speaker 1>Some of that.

0:15:39.680 --> 0:15:41.960
<v Speaker 3>That does not make it right. Right, And we're talking

0:15:41.960 --> 0:15:44.480
<v Speaker 3>about correlation and causality in the black on black thing

0:15:44.520 --> 0:15:46.560
<v Speaker 3>and the things that we try to tie to the

0:15:46.600 --> 0:15:49.600
<v Speaker 3>reasons why things happen. The real reasons why in a

0:15:49.600 --> 0:15:51.560
<v Speaker 3>lot of cases are reasons that people don't want to

0:15:51.600 --> 0:15:53.360
<v Speaker 3>admit because then they have to point the blame at

0:15:53.400 --> 0:15:57.600
<v Speaker 3>themselves for not just creating, but continuing to perpetuate and

0:15:57.680 --> 0:16:04.080
<v Speaker 3>benefit the same circumstances and benefit from. Right, So, for

0:16:04.280 --> 0:16:05.640
<v Speaker 3>what we are.

0:16:07.080 --> 0:16:14.280
<v Speaker 1>Trying to address, it's necessary to frame this the right way. Now.

0:16:16.920 --> 0:16:21.640
<v Speaker 1>Q and I are members of the hip hop culture.

0:16:21.680 --> 0:16:24.160
<v Speaker 1>We're both DJs, we both come from hip hop radio.

0:16:24.440 --> 0:16:26.440
<v Speaker 1>This is the lifestyle we live, the way that we dress,

0:16:26.480 --> 0:16:27.960
<v Speaker 1>the way that we talk, the way that we move,

0:16:29.080 --> 0:16:34.000
<v Speaker 1>and so something like this is going to feel heavy

0:16:34.240 --> 0:16:37.800
<v Speaker 1>in our world. Perhaps it feels heavy in your world

0:16:37.880 --> 0:16:43.440
<v Speaker 1>as well. Nipsey Hustle in particular, because I'm from California

0:16:43.440 --> 0:16:46.480
<v Speaker 1>and I know, I'm gonna just say it, man, I

0:16:46.480 --> 0:16:50.960
<v Speaker 1>grew up. It was gang bangers everywhere. That's what it is.

0:16:52.080 --> 0:16:54.760
<v Speaker 1>You know, their strength, there's protection, there's you know what

0:16:54.760 --> 0:16:57.080
<v Speaker 1>I'm saying. And then an environment where there's not a

0:16:57.120 --> 0:17:00.000
<v Speaker 1>lot and people are fighting over scraps, and you introduce

0:17:00.080 --> 0:17:03.040
<v Speaker 1>use a way that people can make money and you know,

0:17:03.120 --> 0:17:06.800
<v Speaker 1>provide for themselves. And this is the CIA that introduced

0:17:08.200 --> 0:17:14.480
<v Speaker 1>a crack into the southern California in the black neighborhoods.

0:17:14.000 --> 0:17:16.040
<v Speaker 3>Into black neighborhoods all over the country.

0:17:15.760 --> 0:17:18.240
<v Speaker 1>By the way, well, ultimately, yes, but it started in

0:17:18.600 --> 0:17:25.680
<v Speaker 1>that part of the country. And you know, now there's

0:17:25.880 --> 0:17:28.880
<v Speaker 1>more to fight over, and the people that you're fighting

0:17:29.040 --> 0:17:31.880
<v Speaker 1>to get stuff from they look like you, they move

0:17:32.000 --> 0:17:35.240
<v Speaker 1>like you, they walk like you. And then so it's

0:17:35.680 --> 0:17:38.480
<v Speaker 1>very easy to hate yourself because you're looking for yourself

0:17:38.560 --> 0:17:41.760
<v Speaker 1>to find the people that are from And then you know,

0:17:41.960 --> 0:17:44.920
<v Speaker 1>even when there's less money involved, now that you've been

0:17:46.080 --> 0:17:49.520
<v Speaker 1>conditioned to hate these people because they've done something new.

0:17:49.520 --> 0:17:51.680
<v Speaker 1>They've robbed you, they've hurt your friend, they've killed your friend,

0:17:51.720 --> 0:17:53.880
<v Speaker 1>your family, your cousin died, this sort of thing. Now

0:17:53.920 --> 0:17:58.400
<v Speaker 1>you're locked in perpetual warfare in an environment that there's

0:17:58.480 --> 0:18:01.480
<v Speaker 1>not a lot to go around. There's not a lot

0:18:01.480 --> 0:18:06.000
<v Speaker 1>of mobility, of course, and it's like a trap. It's

0:18:06.000 --> 0:18:08.960
<v Speaker 1>so funny because that word trap has never been too

0:18:09.000 --> 0:18:16.119
<v Speaker 1>far removed from hip hop. And excuse me. This is

0:18:16.200 --> 0:18:20.280
<v Speaker 1>why when you look at someone when you when you're

0:18:20.320 --> 0:18:22.240
<v Speaker 1>like me and you look at someone like Nipsey Hustle,

0:18:22.240 --> 0:18:24.800
<v Speaker 1>where it's like I can see you, I can see

0:18:24.880 --> 0:18:27.200
<v Speaker 1>myself very fortunate in that I was able to move

0:18:27.200 --> 0:18:29.520
<v Speaker 1>out of there when I was young enough to not

0:18:29.920 --> 0:18:34.160
<v Speaker 1>have to play that game. I had big brothers Raka

0:18:34.320 --> 0:18:39.600
<v Speaker 1>Sean Buddy Raka from Dilated people, that's my brother, big

0:18:39.640 --> 0:18:43.840
<v Speaker 1>brothers that you know, you know, made sure that I

0:18:43.880 --> 0:18:49.560
<v Speaker 1>didn't have to, you know, swim in that stream. And

0:18:49.600 --> 0:18:51.600
<v Speaker 1>then of course I moved to Arizona and was able

0:18:51.640 --> 0:18:55.560
<v Speaker 1>to you know, you know, the story goes how it

0:18:55.560 --> 0:18:58.399
<v Speaker 1>went here. I am talking to you now, but I

0:18:58.440 --> 0:19:04.080
<v Speaker 1>know Nipsey. I know that person to see that he

0:19:04.200 --> 0:19:08.399
<v Speaker 1>made it and he was giving back, and he knew

0:19:08.440 --> 0:19:10.679
<v Speaker 1>what he was into. He knew what was happening. He

0:19:10.720 --> 0:19:12.960
<v Speaker 1>could see it, and he was like, I'm gonna fix this.

0:19:12.960 --> 0:19:15.520
<v Speaker 1>This is wrong. And if no one else is coming here,

0:19:15.560 --> 0:19:19.360
<v Speaker 1>if this environment has been forgotten, there's people just down

0:19:19.400 --> 0:19:21.439
<v Speaker 1>the street in Beverly Hills, there's people over there in

0:19:21.760 --> 0:19:25.760
<v Speaker 1>Mulholland drive these mansion millionaires, people driving ferraris everywhere, and

0:19:25.880 --> 0:19:30.920
<v Speaker 1>we're killing each other over pennies, over nothing. We're locked

0:19:30.920 --> 0:19:34.320
<v Speaker 1>in perpetual warfare, you know. And this is why when

0:19:34.320 --> 0:19:37.000
<v Speaker 1>people look at Chicago like it's just a black issue. No,

0:19:37.400 --> 0:19:41.439
<v Speaker 1>there's there's social con and the reason why, oh god, sorry,

0:19:41.480 --> 0:19:42.800
<v Speaker 1>my brain is all over the place. But the reason

0:19:42.800 --> 0:19:49.560
<v Speaker 1>why so many people feel like blaming Chicago is a

0:19:49.640 --> 0:19:52.600
<v Speaker 1>lightning rod too. You know, people like black people got

0:19:52.600 --> 0:19:55.000
<v Speaker 1>problems in Chicago. Fix those problems before you start trying

0:19:55.000 --> 0:20:00.239
<v Speaker 1>to come at the police. Well, listen, if it is

0:20:00.400 --> 0:20:04.119
<v Speaker 1>easy to fix these sorts of problems, if it was

0:20:04.119 --> 0:20:08.240
<v Speaker 1>something that you could do in a timely manner, then

0:20:08.520 --> 0:20:10.720
<v Speaker 1>I don't think we would have as many issues, are

0:20:10.840 --> 0:20:12.840
<v Speaker 1>as much in the way of pushback. But what we

0:20:12.880 --> 0:20:15.679
<v Speaker 1>do need to do is change the framework of the

0:20:15.720 --> 0:20:19.360
<v Speaker 1>society and then give it time to implement these These

0:20:20.040 --> 0:20:23.080
<v Speaker 1>these conditions took a long time to come about, take

0:20:23.119 --> 0:20:26.040
<v Speaker 1>a long time to dissipate.

0:20:26.200 --> 0:20:27.600
<v Speaker 3>But ramsay is that's the problem.

0:20:28.000 --> 0:20:31.480
<v Speaker 1>No one will give it time, nobody will give it

0:20:31.520 --> 0:20:33.879
<v Speaker 1>a shot. Too many people benefit from the system the

0:20:33.920 --> 0:20:36.280
<v Speaker 1>way that it's currently set up for there to be

0:20:37.200 --> 0:20:41.400
<v Speaker 1>large scale reform and change. Right that those who are

0:20:41.400 --> 0:20:42.200
<v Speaker 1>in power.

0:20:41.960 --> 0:20:44.680
<v Speaker 3>Benefit the most, So they put things in place to

0:20:44.800 --> 0:20:47.560
<v Speaker 3>keep themselves in power and keep those who have not

0:20:48.000 --> 0:20:52.520
<v Speaker 3>under their thumbs. That system has been in place forever.

0:20:53.080 --> 0:20:56.960
<v Speaker 3>They have no actual agenda or desire to change it.

0:20:57.480 --> 0:20:59.600
<v Speaker 3>And what we've started to notice when it comes to

0:20:59.600 --> 0:21:02.600
<v Speaker 3>our power politicians is it does not matter which side

0:21:02.640 --> 0:21:05.480
<v Speaker 3>of the aisle they sit on. They benefit from it.

0:21:05.520 --> 0:21:07.439
<v Speaker 3>That's the part that's so hurtful. And you know it

0:21:07.480 --> 0:21:10.919
<v Speaker 3>is no actual push from anybody in that space to

0:21:11.000 --> 0:21:14.280
<v Speaker 3>change it because they all benefit from it.

0:21:14.359 --> 0:21:22.959
<v Speaker 1>I'm going to say this for those people that supported

0:21:23.160 --> 0:21:26.960
<v Speaker 1>this show from the first episode. I know you still listen,

0:21:27.720 --> 0:21:30.600
<v Speaker 1>and I know how you feel, and I'm thinking of

0:21:30.640 --> 0:21:33.240
<v Speaker 1>you in this moment when I say this next thing. Okay,

0:21:34.040 --> 0:21:38.359
<v Speaker 1>but I have to say it because it's true. The

0:21:38.440 --> 0:21:41.960
<v Speaker 1>same way I'm looking at this instance with p and

0:21:42.000 --> 0:21:45.600
<v Speaker 1>b Rock losing his life, and I have to look

0:21:45.640 --> 0:21:52.119
<v Speaker 1>at that as a societal issue that manifests itself in

0:21:52.160 --> 0:21:56.040
<v Speaker 1>that way. But also I will not divorce from it.

0:21:56.200 --> 0:22:00.439
<v Speaker 1>The fact that there is an individual who lost the

0:22:00.520 --> 0:22:04.080
<v Speaker 1>line by far and away across the line. He took

0:22:04.119 --> 0:22:09.119
<v Speaker 1>a life or some stuff, right, that is a violation.

0:22:09.359 --> 0:22:11.720
<v Speaker 1>I have to say it. I condemn it, of course,

0:22:11.760 --> 0:22:14.280
<v Speaker 1>and I'm not just going to blame society. That person

0:22:14.400 --> 0:22:18.160
<v Speaker 1>is very wrong, more wrong than anyone. That's the ultimate crime.

0:22:18.200 --> 0:22:20.600
<v Speaker 1>He can't come back, can't raise his daughters, it's end

0:22:20.960 --> 0:22:26.639
<v Speaker 1>of him, right. I also have to say that I

0:22:26.720 --> 0:22:32.600
<v Speaker 1>recognize on this show that we deal with systems, and

0:22:32.640 --> 0:22:37.840
<v Speaker 1>more often than not we have to talk about policing

0:22:37.880 --> 0:22:45.800
<v Speaker 1>in this country. But police get to be individuals too

0:22:46.080 --> 0:22:49.159
<v Speaker 1>who are also a part of a system. And so

0:22:49.240 --> 0:22:52.040
<v Speaker 1>I'm going to say this because it is fair for

0:22:52.119 --> 0:22:53.399
<v Speaker 1>me to be able to say this. And I'm so

0:22:53.440 --> 0:22:55.280
<v Speaker 1>sorry if you are upset with me, because I know

0:22:55.280 --> 0:22:57.200
<v Speaker 1>a lot of people are very upset with police, all

0:22:57.240 --> 0:22:58.919
<v Speaker 1>of police, and they just want to you know, that

0:22:58.960 --> 0:23:00.359
<v Speaker 1>sort of thing. But I'm going to say say this.

0:23:03.080 --> 0:23:08.760
<v Speaker 1>Officer Kevin Gilliland, I thank you for being a kind man.

0:23:09.800 --> 0:23:14.680
<v Speaker 1>He knows what I'm talking about. Officer Daniel, I thank

0:23:14.720 --> 0:23:22.200
<v Speaker 1>you for being a kind man. Officer Suzanne, I thank

0:23:22.240 --> 0:23:25.159
<v Speaker 1>you for being a kind woman. I thank you for

0:23:25.240 --> 0:23:29.359
<v Speaker 1>talking to me knowing who I am and the positions

0:23:29.359 --> 0:23:32.800
<v Speaker 1>that I hold. I thank you for growing me up.

0:23:34.560 --> 0:23:36.840
<v Speaker 1>I thank you for allowing me to grow you up too,

0:23:37.600 --> 0:23:41.720
<v Speaker 1>and for understanding and sharing my pain and the pain

0:23:41.760 --> 0:23:45.359
<v Speaker 1>of my people with you. And just like I have

0:23:45.480 --> 0:23:48.840
<v Speaker 1>these conversations, I hope that you have these conversations with

0:23:48.920 --> 0:23:53.000
<v Speaker 1>your audience, with your fellow officers and so forth, in

0:23:53.080 --> 0:23:56.440
<v Speaker 1>this moment, I will send you my love and hope

0:23:56.480 --> 0:24:00.879
<v Speaker 1>that we will continue to build something profound and we

0:24:00.960 --> 0:24:07.040
<v Speaker 1>all will be better for these conversations. And let the

0:24:07.080 --> 0:24:11.159
<v Speaker 1>back last come and I had to say it, so

0:24:11.680 --> 0:24:18.640
<v Speaker 1>moving on, It's time for the Way Black History Facts.

0:24:21.760 --> 0:24:24.040
<v Speaker 1>The Way Black History Fact this week is I'm brought

0:24:24.040 --> 0:24:28.479
<v Speaker 1>to you by Hip Hop Looking Magazine and we are

0:24:28.560 --> 0:24:36.440
<v Speaker 1>going to read from indiawire dot com. Why has Hollywood

0:24:36.480 --> 0:24:41.160
<v Speaker 1>still not given pioneering Black filmmaker Oscar Michelle is due?

0:24:41.480 --> 0:24:44.240
<v Speaker 1>All right, let's read Michelle was one of the great

0:24:44.280 --> 0:24:46.840
<v Speaker 1>trailblazers in film history, but the industry has yet to

0:24:46.840 --> 0:24:50.320
<v Speaker 1>fully appreciate his legacy. Time to change that. Black filmmakers

0:24:50.320 --> 0:24:55.080
<v Speaker 1>have struggled the representation as long as the movies have existed.

0:24:55.400 --> 0:24:57.240
<v Speaker 1>As Hollywood took shape in the early half of the

0:24:57.240 --> 0:25:01.119
<v Speaker 1>twentieth century, black directors were already looking for ways to

0:25:01.200 --> 0:25:05.800
<v Speaker 1>push back on prevailing stereotypes. From the uplift films of

0:25:05.840 --> 0:25:08.600
<v Speaker 1>the nineteen tens produced by initiatives at the Tuskegee and

0:25:08.640 --> 0:25:13.040
<v Speaker 1>Hampton Institutes, to the naturalistic shorts made by William Hoster

0:25:13.160 --> 0:25:16.400
<v Speaker 1>in Chicago and the work of the London Motion Picture Company,

0:25:16.760 --> 0:25:19.840
<v Speaker 1>the first black owned film production enterprise in the United States.

0:25:21.720 --> 0:25:24.800
<v Speaker 1>There was no shortage of examples. The most prolific and

0:25:24.840 --> 0:25:28.639
<v Speaker 1>tireless voice during this period was Oscar Michelle, who blazed

0:25:28.680 --> 0:25:31.840
<v Speaker 1>trails in Black American cinema, beginning with his nineteen nineteen

0:25:31.880 --> 0:25:35.480
<v Speaker 1>feature debut The Homesteader, the first feature film written and

0:25:35.520 --> 0:25:38.320
<v Speaker 1>directed by an African American. It's been ninety years since

0:25:38.320 --> 0:25:41.160
<v Speaker 1>he became the first black filmmaker to produce a sound

0:25:41.359 --> 0:25:46.080
<v Speaker 1>feature with The Exile. It's been seventy years since his death,

0:25:46.359 --> 0:25:50.400
<v Speaker 1>and still Michelle's impact hasn't been fully measured and recognized

0:25:50.480 --> 0:25:54.360
<v Speaker 1>by Hollywood, as the HFPA faces a major reckoning over

0:25:54.359 --> 0:25:58.439
<v Speaker 1>its diversity issues and the award's infrastructure faces major questions

0:25:58.440 --> 0:26:03.800
<v Speaker 1>about representation. Miss Show's underappreciated legacy is worth another visit.

0:26:04.680 --> 0:26:07.000
<v Speaker 1>Michelle produced and directed films at a time when black

0:26:07.000 --> 0:26:11.639
<v Speaker 1>people were still considered by a virtue by a racist

0:26:11.720 --> 0:26:15.679
<v Speaker 1>white establishment, undeserving of their humanity, let alone their freedom

0:26:15.680 --> 0:26:19.920
<v Speaker 1>to tell their own stories. His quote nothing impossible, unquote

0:26:19.960 --> 0:26:24.640
<v Speaker 1>self sufficiency and the diy nature of his films paved

0:26:24.680 --> 0:26:26.720
<v Speaker 1>the way for indies that would follow the child of

0:26:26.760 --> 0:26:29.960
<v Speaker 1>a former slave and America's preeminent black filmmaker for almost

0:26:30.000 --> 0:26:34.040
<v Speaker 1>three decades. Miss Shows started the Mishow Film Corporation and

0:26:34.119 --> 0:26:36.560
<v Speaker 1>made about forty four films, often as a writer, director,

0:26:36.560 --> 0:26:40.280
<v Speaker 1>and producer. Like Hitchcocky often cameoed in his own work.

0:26:40.400 --> 0:26:44.080
<v Speaker 1>He financed those movies anyway he could, including incredibly selling

0:26:44.119 --> 0:26:46.680
<v Speaker 1>stock in his company to white farmers in South Dakota.

0:26:47.320 --> 0:26:50.240
<v Speaker 1>This was the early nineteen twenties. Considering the racial tenor

0:26:50.280 --> 0:26:53.240
<v Speaker 1>of the times, it's certainly a propos to wonder how

0:26:53.240 --> 0:26:56.479
<v Speaker 1>a black man a very humble roots, with limited education

0:26:56.560 --> 0:27:00.000
<v Speaker 1>and virtually no technical or artistic training became a filmmaker

0:27:00.040 --> 0:27:02.399
<v Speaker 1>of note and created a film production company with a

0:27:02.400 --> 0:27:06.080
<v Speaker 1>reputation that has endured. Until it did, his legacy has

0:27:06.080 --> 0:27:09.320
<v Speaker 1>not been entirely disregarded. Contemporary black filmmakers like Spike Lee,

0:27:09.320 --> 0:27:12.480
<v Speaker 1>hath been vocal about Mishow's influence. Lee even once called

0:27:12.680 --> 0:27:15.480
<v Speaker 1>Michew his idol who inspired him to do his first film.

0:27:16.119 --> 0:27:18.920
<v Speaker 1>In nineteen eighty six, the Director's Guild of America honored

0:27:18.920 --> 0:27:21.359
<v Speaker 1>Mi Show with a Lifetime Achievement ward. In twenty ten,

0:27:21.440 --> 0:27:25.080
<v Speaker 1>the US Postal Service issued a Mishow commemorative stamp. In

0:27:25.119 --> 0:27:28.800
<v Speaker 1>twenty nineteen, Michew's masterpiece Body and Soul was selected by

0:27:28.800 --> 0:27:31.960
<v Speaker 1>the Library of Congress for preservation in the National Film

0:27:32.000 --> 0:27:36.879
<v Speaker 1>Registry for being culturally, historically, or esthetically significant. The nineteen

0:27:36.960 --> 0:27:40.840
<v Speaker 1>twenty five Race film featured Paul Robson, then twenty seven

0:27:40.920 --> 0:27:44.440
<v Speaker 1>years old, in his motion picture debut. In twenty seventeen,

0:27:44.600 --> 0:27:49.119
<v Speaker 1>HBO announced it would develop a Mischhow biopic. Tyler Perry,

0:27:49.160 --> 0:27:52.920
<v Speaker 1>whose assent mimics that of Michow's, was on board to star.

0:27:54.040 --> 0:27:56.320
<v Speaker 1>Yet Michew has yet to be recognized in any way

0:27:56.359 --> 0:27:59.639
<v Speaker 1>by the Academy of Motion Picture Arts and Sciences AKA,

0:27:59.680 --> 0:28:04.920
<v Speaker 1>the most famous and prestigious organization in the film world.

0:28:05.320 --> 0:28:08.040
<v Speaker 1>That suggests either total ignorance or perhaps the lack of

0:28:08.080 --> 0:28:11.320
<v Speaker 1>appreciation among the Academy's brass for what he was able

0:28:11.359 --> 0:28:14.200
<v Speaker 1>to accomplish as a black man in Jim Crow America.

0:28:14.520 --> 0:28:16.359
<v Speaker 1>What is time to do something about it? One idea,

0:28:17.040 --> 0:28:19.600
<v Speaker 1>whether the Academy or another organization goes for it, would

0:28:19.640 --> 0:28:22.520
<v Speaker 1>be an annual award named after Michell, designed to celebrate

0:28:22.560 --> 0:28:27.440
<v Speaker 1>pioneering blacky pioneering work of other relatively unknown black artists

0:28:27.440 --> 0:28:32.520
<v Speaker 1>of yesteryear. There's gold and then they are hills. After all,

0:28:32.600 --> 0:28:36.200
<v Speaker 1>it's not just Michelle whose career has been rendered inconsequential.

0:28:36.359 --> 0:28:38.720
<v Speaker 1>During the first half of the twentieth century, specifically nineteen

0:28:38.760 --> 0:28:42.120
<v Speaker 1>thirty seven through forty, more than fifty black movies were produced.

0:28:42.600 --> 0:28:45.240
<v Speaker 1>They diverged from the aesthetic of earlier black films, like

0:28:45.280 --> 0:28:54.560
<v Speaker 1>the inexpensive melodramas made by Michelle and depictions of black

0:28:54.600 --> 0:28:57.720
<v Speaker 1>people in Hollywood fair. The intent was to appeal to

0:28:57.800 --> 0:28:59.840
<v Speaker 1>appeal to the mainstream on their own terms. Many of

0:28:59.840 --> 0:29:04.800
<v Speaker 1>these these films are presumed loss. The average movie buff

0:29:04.800 --> 0:29:07.560
<v Speaker 1>will likely know about films of black performers and filmmakers

0:29:07.560 --> 0:29:09.680
<v Speaker 1>who thrived to an extent prior to the signing of

0:29:09.680 --> 0:29:14.960
<v Speaker 1>the Civil Rights Act nineteen sixty four, Sidney Portier, Harry Bellafonte,

0:29:15.000 --> 0:29:19.400
<v Speaker 1>Dorothy Dandridge, and the first black Oscar winner, Pattie McDaniel,

0:29:19.480 --> 0:29:22.160
<v Speaker 1>But the enterprising work of black actors, producers, and directors

0:29:22.200 --> 0:29:25.160
<v Speaker 1>like Ral Cooper, who wore all three hats also known

0:29:25.160 --> 0:29:29.640
<v Speaker 1>as the Bronze Bogart and Dark Gable are largely ignored

0:29:30.360 --> 0:29:36.600
<v Speaker 1>along with white producers. Harry and Leo co founded Million

0:29:36.640 --> 0:29:40.160
<v Speaker 1>Dollar Pictures, which produced around a dozen films during that

0:29:40.200 --> 0:29:44.239
<v Speaker 1>four year stretch, many of them starring the actor, many

0:29:44.280 --> 0:29:46.000
<v Speaker 1>of them starring the actor. He launched his career with

0:29:46.080 --> 0:29:48.800
<v Speaker 1>Dark Manhattan, a nineteen thirty seven crime drama that adapted

0:29:48.840 --> 0:29:52.040
<v Speaker 1>the Hollywood gangster formula with an all black cast. Prior

0:29:52.040 --> 0:29:54.600
<v Speaker 1>to the film's opening credits, the title reads, we dedicate

0:29:54.640 --> 0:29:57.800
<v Speaker 1>this pictures to the memories of RB. Harrison, Bert Williams,

0:29:57.920 --> 0:30:00.800
<v Speaker 1>Florence Mills, and all the pioneer Negro actors who, by

0:30:00.800 --> 0:30:06.600
<v Speaker 1>their many sacrifices, made this presentation if possible. In twenty seventeen,

0:30:06.600 --> 0:30:09.959
<v Speaker 1>Martin Scorsese launched an initiative to locate and restore classic

0:30:10.000 --> 0:30:14.240
<v Speaker 1>African American films via his Film Foundation in partnership with

0:30:14.280 --> 0:30:17.400
<v Speaker 1>the Pan African Federation of Filmmakers and UNESCO, dubbed the

0:30:17.440 --> 0:30:22.320
<v Speaker 1>African Film Heritage Project, fifty films distinguished for their historic,

0:30:22.400 --> 0:30:25.880
<v Speaker 1>artistic and cultural value where to be identified and preserved. Ultimately,

0:30:25.920 --> 0:30:28.280
<v Speaker 1>the goal is to protect essential titles to ensure that

0:30:28.360 --> 0:30:32.040
<v Speaker 1>new generations of African moviegoers can actually see, appreciate, and

0:30:32.080 --> 0:30:35.200
<v Speaker 1>maybe even be influenced by them, rather than the deluge

0:30:35.560 --> 0:30:38.280
<v Speaker 1>of titles from the West that have flooded African markets

0:30:38.320 --> 0:30:42.600
<v Speaker 1>for decades, race films like those by Michell have been neglected,

0:30:42.680 --> 0:30:44.520
<v Speaker 1>in part due to their perceived lack of value in

0:30:44.560 --> 0:30:48.600
<v Speaker 1>limited reach. It parallels the mud muzzling of marginalized voices

0:30:48.640 --> 0:30:51.240
<v Speaker 1>of the period. Note that the nineteen twenties through the

0:30:51.240 --> 0:30:53.400
<v Speaker 1>forties had some of the highest concentration of work by

0:30:53.400 --> 0:30:56.160
<v Speaker 1>black filmmakers, the likes of which the industry wouldn't see

0:30:56.160 --> 0:31:00.400
<v Speaker 1>again until decades later. And finally, black film history is

0:31:00.440 --> 0:31:03.800
<v Speaker 1>American history, and the seeds planted by black pioneers like

0:31:03.840 --> 0:31:07.000
<v Speaker 1>Michelle a century ago continue to probably yield returns. They

0:31:07.000 --> 0:31:10.640
<v Speaker 1>deserve to be celebrated and their trailblazing work held in

0:31:10.680 --> 0:31:13.800
<v Speaker 1>the same high regard as their white contemporaries. Hollywood is

0:31:13.840 --> 0:31:17.160
<v Speaker 1>making progress on celebrating current black talent. Now it's time

0:31:17.400 --> 0:31:22.600
<v Speaker 1>to take the long view. So that's a name I

0:31:22.600 --> 0:31:25.680
<v Speaker 1>didn't know. Shout out to our producer ms Maggie Akba.

0:31:26.200 --> 0:31:28.640
<v Speaker 1>Maggie be known for to give one up for us

0:31:30.040 --> 0:31:32.160
<v Speaker 1>so that we could all be a little bit more

0:31:32.240 --> 0:31:37.440
<v Speaker 1>educated about stuff that we don't know. You know, this

0:31:37.480 --> 0:31:40.240
<v Speaker 1>is I mean, we were talking earlier about representation and

0:31:40.280 --> 0:31:43.520
<v Speaker 1>seeing ourselves in fantasies. It's also important to see ourselves

0:31:43.560 --> 0:31:48.000
<v Speaker 1>in history. You know, yes, this is certainly a wonderful

0:31:48.040 --> 0:31:51.080
<v Speaker 1>example of that. A lot of these way black history

0:31:51.120 --> 0:31:54.120
<v Speaker 1>facts I know all about them, but every so often

0:31:54.320 --> 0:31:56.200
<v Speaker 1>one that I'm like, oh there's a new one. And

0:31:56.240 --> 0:31:58.840
<v Speaker 1>today was one such day. So once again shout out

0:31:58.880 --> 0:32:02.880
<v Speaker 1>to Maggie be known, she do, because she do. But

0:32:03.040 --> 0:32:05.400
<v Speaker 1>that is going to be that that's going to do

0:32:05.440 --> 0:32:07.320
<v Speaker 1>it for us here on Civicipher Once again, I'm your host,

0:32:07.440 --> 0:32:10.520
<v Speaker 1>Rams this job I am q Ward is indeed and

0:32:11.000 --> 0:32:15.719
<v Speaker 1>show produced by Maggie Boan. Do us a favor at

0:32:15.760 --> 0:32:18.800
<v Speaker 1>the website civiccipher dot com. Download this in any previous episodes.

0:32:20.040 --> 0:32:22.640
<v Speaker 1>You can also shoot us an idea for some topics

0:32:22.680 --> 0:32:24.360
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0:32:41.520 --> 0:32:43.760
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0:33:04.040 --> 0:33:07.440
<v Speaker 2>Like yo, we handled it. These brothers a fabulous our

0:33:07.560 --> 0:33:10.840
<v Speaker 2>lady showing you where bomb travel is world speak tons

0:33:10.880 --> 0:33:14.400
<v Speaker 2>from sunlight to move, busting on stage like gonna fights

0:33:14.440 --> 0:33:17.000
<v Speaker 2>the boss, throw my mic back.

0:33:17.040 --> 0:33:17.920
<v Speaker 1>You're like that.

0:33:17.840 --> 0:33:21.080
<v Speaker 2>Journalist when journalists too, we can strike back all corb

0:33:21.200 --> 0:33:24.360
<v Speaker 2>borders with waters from head borders behind in the beline

0:33:24.400 --> 0:33:27.120
<v Speaker 2>side up and the borders the press passage. We bring

0:33:27.160 --> 0:33:29.560
<v Speaker 2>it to you as it happens the streets love popping

0:33:29.680 --> 0:33:33.560
<v Speaker 2>from music and rapping the street compared the slash peak expander.

0:33:33.800 --> 0:33:36.200
<v Speaker 2>You're gonna fight the stand up with the proper propaganda.

0:33:36.360 --> 0:33:37.120
<v Speaker 2>What's happenings?

0:33:37.200 --> 0:33:39.360
<v Speaker 1>How you got a question to ask? If the news

0:33:39.520 --> 0:33:40.520
<v Speaker 1>is just a TV show?

0:33:40.840 --> 0:33:45.160
<v Speaker 2>You're passing? And this from a wife wartime journalist headlines, Wait,

0:33:45.240 --> 0:33:49.320
<v Speaker 2>got preps and rest like this like what like this?

0:33:49.600 --> 0:33:55.800
<v Speaker 2>Like we kick findance action and sports, sports, politics, new

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