WEBVTT - And Just Like That... Give Me Your Questions... 

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<v Speaker 1>Hi.

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<v Speaker 2>I'm Kristin Davis, and I want to know are you

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<v Speaker 2>a Charlotte? All right, Hi, Hi everyone, welcome back to

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<v Speaker 2>Are You a Charlotte? We are going to do a

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<v Speaker 2>whole episode of fan questions. You guys have been amazing

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<v Speaker 2>and have written in some really, really good questions. So

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<v Speaker 2>my incredible and handsome producer Easton is going to read

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<v Speaker 2>the questions to me.

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<v Speaker 1>That's what you told me to say, you guys.

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<v Speaker 2>No, I'm paraphrasing, but anyway, he is handsome and he's

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<v Speaker 2>incredible and super smart, I will add.

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<v Speaker 1>So he's here to read the questions.

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<v Speaker 2>And these were questions that you guys wrote in on

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<v Speaker 2>Instagram and I really appreciate it because part of why

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<v Speaker 2>I did this podcast was so that I could kind

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<v Speaker 2>of talk to you guys and hear your thoughts.

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<v Speaker 1>And here are questions, and I love to hear them.

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<v Speaker 1>So thank you.

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<v Speaker 3>Thank you for that lovely introduction. Kristin. Well, I'm lushing

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<v Speaker 3>over here, but let's get to the Red Hawk questions. Okay,

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<v Speaker 3>we'll start with this one. Who is your favorite boyfriend

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<v Speaker 3>who only appeared in one episode and wish he could

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<v Speaker 3>have appeared more?

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<v Speaker 2>I mean, first of all, I'm sure there's so many, right,

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<v Speaker 2>but the one that popped immediately.

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<v Speaker 1>Into my mind is Dan Futterman.

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<v Speaker 2>Who plays a guy that we kind of horribly called

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<v Speaker 2>metrosexual at the time. I am sure that that is

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<v Speaker 2>not cool anymore. But there's a mice that runs through

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<v Speaker 2>his kitchen and he squeals and jumps on a chair

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<v Speaker 2>and Charlotte has to deal with it. And I just

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<v Speaker 2>love Danny Futterman so much. He's so smart. He's a

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<v Speaker 2>writer now. I don't know if he's still acting, but

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<v Speaker 2>he's definitely writing. And he's an incredible guy. And we

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<v Speaker 2>had the best, incredible, incredible time together. He was just

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<v Speaker 2>a really great collaborator. But there have been so many

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<v Speaker 2>incredible actors on our show. It's hard to choose. It's

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<v Speaker 2>hard to choose, but that's my first thought.

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<v Speaker 3>Besides Harry, who do you think is the best match

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<v Speaker 3>for Charlotte.

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<v Speaker 2>I mean, again, this is terrible what I'm about to say,

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<v Speaker 2>but I'm gonna say Trey. I mean, it's so sad.

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<v Speaker 2>I know, it's so sad that I even say that,

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<v Speaker 2>but it's for me, you know, playing the part of

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<v Speaker 2>Charlotte obviously for so long. It's really hard to separate

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<v Speaker 2>my own feelings from Charlotte's experience. So I loved working

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<v Speaker 2>with Kyle MacLaughlin so incredibly much. Kyle was only supposed

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<v Speaker 2>to be on for like five episodes, I want to say,

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<v Speaker 2>which obviously we all really just fell mal in love

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<v Speaker 2>with him and he had to stay and then it

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<v Speaker 2>went in so many different crazy ways. But I just

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<v Speaker 2>remember the joy of being with him, the fun of

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<v Speaker 2>working We just it was a great energy and I

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<v Speaker 2>loved I guess I love that Charlotte got what she

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<v Speaker 2>want in so many ways. Obviously she didn't get what

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<v Speaker 2>she want in terms of the entire package, and this

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<v Speaker 2>is the learning curve for Charlotte. So I did love

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<v Speaker 2>the storyline overall, even the hard parts, because I felt like, yes,

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<v Speaker 2>it's perfect that someone who is so goal obsessed and

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<v Speaker 2>so focused on the prize what she perceives to be

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<v Speaker 2>the prize, which was the wedding, the fantastic wedding, the

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<v Speaker 2>handsome husband, you know, all everything looking perfect on the outside,

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<v Speaker 2>and then it wasn't perfect on the inside. That was

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<v Speaker 2>so brilliant of Michael Patrick to come up with it,

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<v Speaker 2>and it was so amazing to get to play out

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<v Speaker 2>that storyline, and I thought it was so incredibly relatable

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<v Speaker 2>and a really great way for her storyline to go.

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<v Speaker 2>So I just loved the whole thing, even though obviously

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<v Speaker 2>it was very difficult, but I still have just such

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<v Speaker 2>a I only have a wonderful memory.

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<v Speaker 3>Of Kyle, but he seems like the coolest guy in

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<v Speaker 3>the world, and.

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<v Speaker 2>He is, let me tell you he is, but he's

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<v Speaker 2>also goofy and silly and I just saw him on

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<v Speaker 2>Saturday night and it was really fun. And I don't

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<v Speaker 2>even know if I should tell you everything that we

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<v Speaker 2>talked about, but there's another question coming out, just jump

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<v Speaker 2>ahead to it. And it was, you know, would Trey

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<v Speaker 2>and Charlotte ever run into each other on and just

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<v Speaker 2>like that? And Michael Patrick has this thing where he

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<v Speaker 2>doesn't like us to talk about ideas for stories that

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<v Speaker 2>didn't happen. But I'm just going to tell you guys

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<v Speaker 2>that there was an idea that Trey slash Kyle would

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<v Speaker 2>come on and dress like that, and then it didn't happen,

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<v Speaker 2>and so Kyle and I had to talk about it

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<v Speaker 2>because I was kind of mad at him.

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<v Speaker 1>I said, why didn't you come on?

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<v Speaker 2>We wanted you to come on, and he said, I

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<v Speaker 2>just wanted it to be amazing, meaning that it had

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<v Speaker 2>a kind of almost a sad note.

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<v Speaker 1>I think I'm not saying too much. I hope Michael's

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<v Speaker 1>not going to be mad at me. There's a bit

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<v Speaker 1>of a sad note.

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<v Speaker 2>But it had this incredible lead up to me seeing

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<v Speaker 2>Trey again. And the thing that I love the most

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<v Speaker 2>about this particular episode that did not happen is that

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<v Speaker 2>Charlotte tells the friends that she has not communicated at

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<v Speaker 2>all with Trey, which is kind of shocking in a way.

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<v Speaker 2>But I've never been married, and I've certainly never been divorced,

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<v Speaker 2>so I don't really know how that works.

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<v Speaker 1>Do you communicate, do you not communicate? Is it cool

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<v Speaker 1>to be friends? Is it not cool to be friends?

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<v Speaker 2>I mean, for Charlotte, she's obviously so happy with Harry.

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<v Speaker 2>I don't think it would be a the threat to

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<v Speaker 2>Harry for her to communicate with Trey because of the

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<v Speaker 2>problems with that relationship also right, But for whatever reason,

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<v Speaker 2>Charlotte tells the friends and just like that that she

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<v Speaker 2>has not communicated in any way with Trey this whole time,

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<v Speaker 2>and she has kind of an unfinished feeling about that.

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<v Speaker 2>Relationship and she really wants to see him and I

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<v Speaker 2>Kristin also feel that way. So I'm hoping that we

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<v Speaker 2>can kind of revisit a maybe they run into each other,

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<v Speaker 2>you know, just at an event or at a restaurant

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<v Speaker 2>or something like that.

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<v Speaker 1>I think it would be so amazing to have Kyle

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<v Speaker 1>back on.

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<v Speaker 2>And I did give him a hard time the other day,

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<v Speaker 2>and then he explained his point of view, and I

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<v Speaker 2>did understand it, Like when you have played such a

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<v Speaker 2>wonderful part in the past that people have such a

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<v Speaker 2>great memory of, and it was so special as a

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<v Speaker 2>work experience, you know, you want it to be you

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<v Speaker 2>want it to kind of stay in this kind of

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<v Speaker 2>glorious place. And I think he just didn't want there

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<v Speaker 2>to be kind of a sad note to the end.

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<v Speaker 2>So I get that. I get that, and I hope

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<v Speaker 2>I didn't say too much. Michael Patrick, Sorry, but I

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<v Speaker 2>enjoy seeing him.

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<v Speaker 1>I always enjoy seeing him.

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<v Speaker 3>Well, now we're going to talk about the other ladies here.

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<v Speaker 3>Are you Team Big or Team Aiden for Carrie.

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<v Speaker 2>Well, rewatching is just giving me a whole different perspective.

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<v Speaker 2>I was always Team Big. Sorry, Yes, yes, I was

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<v Speaker 2>Team Big because Charlotte was team Big. And this is

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<v Speaker 2>the kind of the problem with playing a part for

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<v Speaker 2>thirty years or whatever it is twenty seven years, is

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<v Speaker 2>that you don't separate out your own thoughts all the time. Right,

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<v Speaker 2>So in the beginning, I was team Big, and I

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<v Speaker 2>didn't really doubt it, you know. I just thought, like, yes,

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<v Speaker 2>I get that, because they have this incredible chemistry in

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<v Speaker 2>life and on screen. And I thought the writing was

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<v Speaker 2>so good. Now when I'm looking back on it, I'm like, no, no, no,

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<v Speaker 2>why is he not nicer to her and more emotionally

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<v Speaker 2>present and she deserves more than this.

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<v Speaker 1>This is what I think when I'm watching it now.

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<v Speaker 2>Aiden, on the other hand, we haven't gotten back to

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<v Speaker 2>that part of the show where I'm going to rewatch

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<v Speaker 2>that I might change my mind. But the way that

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<v Speaker 2>I remember Aiden was that he was much more emotionally

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<v Speaker 2>present and kind of like more warm and fuzzy, I

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<v Speaker 2>don't know how to put it, and more earthy, you know,

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<v Speaker 2>he makes furniture, right like. I love that side. Now,

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<v Speaker 2>I also know that there were some stylistic problems, like

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<v Speaker 2>the part that really stands out to.

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<v Speaker 1>Me that I totally agreed with at.

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<v Speaker 2>The time, was that he gets her this engagement ring

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<v Speaker 2>that is wrong, wrong, and many times wrong for her?

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<v Speaker 2>And why isn't he paying better attention? Why doesn't he

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<v Speaker 2>know that a gold pear shaped diamond.

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<v Speaker 1>Is the wrong engagement ring for Carrie?

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<v Speaker 2>That is one question that I have and I'm interested

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<v Speaker 2>to see when I rewatch it.

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<v Speaker 3>We all love Harry. Did you know that he was

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<v Speaker 3>going to be the one for Charlotte when he was introduced? Yes?

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<v Speaker 1>I did?

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<v Speaker 3>I did.

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<v Speaker 2>I mean, look now when you say the one, like,

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<v Speaker 2>did I know in my mind that we were going

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<v Speaker 2>to get to make two films and then do another

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<v Speaker 2>show and.

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<v Speaker 1>Just like that?

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<v Speaker 2>No, he never, ever, ever, ever would have entered my mind.

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<v Speaker 2>But I did know from Michael. Michael is very wonderfully

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<v Speaker 2>collaborative with the actors, and so for all four of us,

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<v Speaker 2>before we started a season, we would have a lunch

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<v Speaker 2>with Michael where he would tell you everything that was

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<v Speaker 2>going to happen. He would pitch the season to you,

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<v Speaker 2>and you would mostly for me, go.

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<v Speaker 1>Like okay, okay, okay, okay, that's exciting, okay.

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<v Speaker 2>And then sometimes if you had a question, you'd be like,

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<v Speaker 2>but why no, you know, and he'd have a reason,

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<v Speaker 2>and you'd kind of discuss and it wasn't always written

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<v Speaker 2>in stone. For instance, at one point, the idea was

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<v Speaker 2>that Miranda and Charlotte would have babies around the same time,

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<v Speaker 2>and the idea was that we would then contrast the

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<v Speaker 2>two parenting styles from Miranda and Charlotte, who are obviously

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<v Speaker 2>very different. And I was very excited about that because

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<v Speaker 2>that's what Charlotte wanted, right, So I was like, Oh,

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<v Speaker 2>thank God, she's going to get what she wants.

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<v Speaker 1>It's going to be wonderful. Then, of course it didn't happen.

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<v Speaker 2>And the reason it didn't happen is that at a

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<v Speaker 2>certain point in the season, Michael called me and he said,

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<v Speaker 2>krist and I, I've got to tell you Charlotte is

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<v Speaker 2>not going to get to have a baby.

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<v Speaker 1>And I said, what what, why? What do you mean?

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<v Speaker 1>I'm so upset And he said, you know, I just

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<v Speaker 1>don't have enough storylines to do both. It's just too hard.

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<v Speaker 2>Because Michael wasn't a parent at that point. I don't

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<v Speaker 2>think any of our female writers were parents yet they

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<v Speaker 2>are now a lot of them, some of them not,

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<v Speaker 2>you know, but we needed at that point. We also

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<v Speaker 2>had a rule that and we still have this rule

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<v Speaker 2>that all of the storylines had to be either a

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<v Speaker 2>storyline that the writer went through themselves, or that was

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<v Speaker 2>one degree separated from the writer, so they had a

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<v Speaker 2>friend who went through it.

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<v Speaker 1>It was never us.

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<v Speaker 2>Everyone thought it was our storylines. No, no, no, that

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<v Speaker 2>would be very weird. It was our writers and people

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<v Speaker 2>that they know. They're very close friends. So there just

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<v Speaker 2>weren't enough parents in the group at that point to

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<v Speaker 2>have enough storylines to write two different, contrasting mothering storylines.

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<v Speaker 2>And it was just too far, i think, separated from

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<v Speaker 2>Michael's own life and the women who were writing the

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<v Speaker 2>show at that time. And we can ask Janny Bicks

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<v Speaker 2>about this when she comes. It was too different from

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<v Speaker 2>their lives for them to write about.

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<v Speaker 1>And I was so crushed, so crushed. But then in

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<v Speaker 1>the way that it played out in terms of Miranda

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<v Speaker 1>getting pregnant by mistake, deciding to have the baby with Steve,

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<v Speaker 1>Charlotte not being able to get pregnant with her super

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<v Speaker 1>adorable husband, that was the whole purpose of getting married.

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<v Speaker 1>It really worked out so perfectly.

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<v Speaker 2>It was difficult to play that and I didn't really,

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<v Speaker 2>even at that point in life, probably have a really

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<v Speaker 2>true understanding of what not being able to get pregnant is, Like,

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<v Speaker 2>I think I had a few friends that were struggling

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<v Speaker 2>with that at that point, but not the many, many, many.

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<v Speaker 1>Friends who have struggled over the years.

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<v Speaker 2>But I think I had some sense of it, and

0:11:02.400 --> 0:11:04.760
<v Speaker 2>I really enjoyed the writing, so it worked out great.

0:11:04.760 --> 0:11:06.640
<v Speaker 1>I don't know if I answered your question though, Harry.

0:11:06.760 --> 0:11:09.200
<v Speaker 2>So then when we got Harry after that not being

0:11:09.200 --> 0:11:11.840
<v Speaker 2>able to get pregnant, which was obviously a curveball in

0:11:11.840 --> 0:11:16.880
<v Speaker 2>that season, And I did know the general plan that

0:11:16.960 --> 0:11:19.200
<v Speaker 2>Michael had that it was going to be somebody who

0:11:19.200 --> 0:11:22.439
<v Speaker 2>didn't look like what Charlotte wanted. I didn't know what

0:11:22.480 --> 0:11:25.400
<v Speaker 2>that meant or you know that he was going to be.

0:11:25.559 --> 0:11:27.440
<v Speaker 2>I think he was described as a bull in a

0:11:27.520 --> 0:11:29.320
<v Speaker 2>china shop at at one point, Like, you know, just

0:11:29.440 --> 0:11:33.439
<v Speaker 2>his general demeanor was different, you know all of those things.

0:11:33.480 --> 0:11:36.000
<v Speaker 2>And I don't know if Evan and I have talked

0:11:36.000 --> 0:11:38.240
<v Speaker 2>about this publicly, but there was this other.

0:11:38.600 --> 0:11:41.440
<v Speaker 1>Ruination just feel terrible. I'm not going to say his name.

0:11:41.600 --> 0:11:45.200
<v Speaker 2>There's this other actor who auditioned also, So what would

0:11:45.240 --> 0:11:49.080
<v Speaker 2>happen is they would have a character, they would put

0:11:49.080 --> 0:11:52.160
<v Speaker 2>out a casting notice with like the general you know,

0:11:52.880 --> 0:11:55.280
<v Speaker 2>notes about the character, and then when it got down

0:11:55.280 --> 0:11:57.520
<v Speaker 2>to two or three guys, we would get to read

0:11:57.559 --> 0:12:00.000
<v Speaker 2>with them so that we would get to have a vote,

0:12:00.160 --> 0:12:02.040
<v Speaker 2>and also they would be able to see us together

0:12:02.480 --> 0:12:04.840
<v Speaker 2>to know if they thought that the chemistry worked or whatnot.

0:12:05.200 --> 0:12:07.400
<v Speaker 2>So there was this other actor that Michael had seen

0:12:07.440 --> 0:12:10.120
<v Speaker 2>in a play and he just kept raving about this

0:12:10.160 --> 0:12:12.960
<v Speaker 2>guy like on and on and on and on, and

0:12:13.000 --> 0:12:15.760
<v Speaker 2>I think that was really who he had in mind, right,

0:12:15.800 --> 0:12:17.360
<v Speaker 2>But they had to show me someone else.

0:12:17.520 --> 0:12:20.800
<v Speaker 1>So Evan was the someone else, so I could I go.

0:12:21.360 --> 0:12:22.960
<v Speaker 1>And it is the most.

0:12:22.760 --> 0:12:26.480
<v Speaker 2>Horrific thing to be an actor in a callback type

0:12:27.000 --> 0:12:30.199
<v Speaker 2>you know, final callback type situation for another actor, because

0:12:30.240 --> 0:12:32.640
<v Speaker 2>you just are dying for that person, you know, You're

0:12:32.760 --> 0:12:35.120
<v Speaker 2>just like for me, I just want to take care

0:12:35.160 --> 0:12:37.720
<v Speaker 2>of them so bad. I'm trying to be friendly and

0:12:37.840 --> 0:12:40.800
<v Speaker 2>nice because sometimes it's just really intimidating. And you know,

0:12:40.840 --> 0:12:43.120
<v Speaker 2>everyone in our world takes everything very seriously.

0:12:43.160 --> 0:12:45.720
<v Speaker 1>I think that's clear. So it's like a lot of pressure.

0:12:45.800 --> 0:12:48.720
<v Speaker 2>Like you know, it's not like casual, you know, it's

0:12:48.760 --> 0:12:50.880
<v Speaker 2>not like a loose room to walk into, you know

0:12:50.920 --> 0:12:51.360
<v Speaker 2>what I'm saying.

0:12:51.400 --> 0:12:53.520
<v Speaker 1>It's like pretty serious. So I'd be out in the

0:12:54.000 --> 0:12:57.319
<v Speaker 1>waiting room like, are you guys okay? Do you need anything?

0:12:57.480 --> 0:12:58.600
<v Speaker 1>You know, just dying?

0:12:58.640 --> 0:13:00.920
<v Speaker 2>Like if Sir Jessica was reading with guys, I would

0:13:00.960 --> 0:13:03.200
<v Speaker 2>go to see those guys so that I could be like,

0:13:03.240 --> 0:13:04.200
<v Speaker 2>are you guys okay?

0:13:04.880 --> 0:13:05.720
<v Speaker 1>What's happening.

0:13:05.880 --> 0:13:08.000
<v Speaker 2>I usually often knew people as well, because I know

0:13:08.040 --> 0:13:10.319
<v Speaker 2>a lot of actors, so I would know usually people

0:13:10.520 --> 0:13:12.280
<v Speaker 2>I had never met Evan. I'd never met the other

0:13:12.320 --> 0:13:16.120
<v Speaker 2>guy either that I'm not gonna name. And the thing

0:13:16.200 --> 0:13:21.320
<v Speaker 2>that was amazing about Evan is that he just made

0:13:21.400 --> 0:13:22.120
<v Speaker 2>some choices.

0:13:22.400 --> 0:13:22.600
<v Speaker 1>You know.

0:13:22.920 --> 0:13:26.760
<v Speaker 2>He brought in a bag with a big, big, big

0:13:26.840 --> 0:13:29.920
<v Speaker 2>muffin in it and in and this I think we

0:13:30.120 --> 0:13:32.160
<v Speaker 2>taped it, but I mean it was in the room, right.

0:13:32.600 --> 0:13:34.400
<v Speaker 1>He just took this muffin out of.

0:13:34.320 --> 0:13:36.400
<v Speaker 2>This bag and just stuffed it in his mouth.

0:13:38.360 --> 0:13:40.120
<v Speaker 1>That I was just like him.

0:13:40.320 --> 0:13:42.600
<v Speaker 2>So I feel bad about that other actor, but obviously

0:13:42.640 --> 0:13:45.640
<v Speaker 2>it was Evan, So you know it worked out well.

0:13:45.679 --> 0:13:48.480
<v Speaker 3>You know, Truo Off conquers all A lot A lot

0:13:48.520 --> 0:13:52.520
<v Speaker 3>of fans had questions about storylines. Yeah, in your opinion,

0:13:53.000 --> 0:13:55.560
<v Speaker 3>to you, what was the most shocking storyline that you

0:13:55.559 --> 0:13:56.520
<v Speaker 3>can remember.

0:13:56.559 --> 0:13:58.000
<v Speaker 1>Of any character.

0:13:58.559 --> 0:14:01.800
<v Speaker 3>Yeah, oohans in the city that you lived in, Sex

0:14:01.840 --> 0:14:02.599
<v Speaker 3>and the city.

0:14:02.520 --> 0:14:08.959
<v Speaker 1>Gosh, shocking, the most shocking, I don't know. I don't know,

0:14:09.000 --> 0:14:12.520
<v Speaker 1>you guys, what was the most shocking. I can't think

0:14:12.679 --> 0:14:16.319
<v Speaker 1>any thoughts, any ideas. The things that are really shocking

0:14:16.360 --> 0:14:20.280
<v Speaker 1>I tend to forget about. Well, hold on, now, I'm.

0:14:20.160 --> 0:14:23.479
<v Speaker 2>Thinking if I get to talk about all the shows.

0:14:23.120 --> 0:14:23.800
<v Speaker 1>And the movies.

0:14:24.040 --> 0:14:26.800
<v Speaker 2>Yes, the most shocking thing was Big stand and carry

0:14:26.880 --> 0:14:27.440
<v Speaker 2>up at the winning.

0:14:27.840 --> 0:14:30.800
<v Speaker 1>That was really really bad. Okay, now, I know we

0:14:30.840 --> 0:14:33.040
<v Speaker 1>wouldn't have had a movie without it. I get that.

0:14:33.080 --> 0:14:35.600
<v Speaker 2>I totally get that, and thank god the movie was

0:14:35.720 --> 0:14:39.240
<v Speaker 2>you know, much seen and beloved and were so grateful

0:14:39.240 --> 0:14:41.200
<v Speaker 2>for that because it was a really big risk. But

0:14:41.240 --> 0:14:45.320
<v Speaker 2>that was really bad, Okay, really really bad. And I

0:14:45.360 --> 0:14:48.640
<v Speaker 2>can't believe she forgave him. Just can't believe it.

0:14:48.760 --> 0:14:49.080
<v Speaker 1>Still.

0:14:49.520 --> 0:14:54.440
<v Speaker 3>Okay, next, what most embarrassing storyline? Does anything stand out

0:14:54.480 --> 0:14:54.920
<v Speaker 3>to you there?

0:14:55.360 --> 0:14:56.800
<v Speaker 1>Oh, I'm sure.

0:14:57.840 --> 0:15:00.720
<v Speaker 2>I mean in the show, this is going to say ridiculous,

0:15:00.720 --> 0:15:02.040
<v Speaker 2>But in the show.

0:15:01.920 --> 0:15:05.320
<v Speaker 1>This is so silly and probably like petty.

0:15:05.440 --> 0:15:07.720
<v Speaker 2>But there was a storyline with Evan and I, Harry

0:15:07.760 --> 0:15:10.360
<v Speaker 2>and I where we go out on Valentine's Day and

0:15:10.400 --> 0:15:14.000
<v Speaker 2>eat a bunch of French cheese and have like digestive

0:15:14.040 --> 0:15:16.800
<v Speaker 2>problems and lay on the floor in T shirts.

0:15:16.840 --> 0:15:17.640
<v Speaker 1>And I just.

0:15:17.640 --> 0:15:20.800
<v Speaker 2>Hated the storyline so much. And it was our writers,

0:15:20.880 --> 0:15:22.600
<v Speaker 2>Julian and Alisa Horan and just like that.

0:15:22.640 --> 0:15:24.160
<v Speaker 1>And I went to them and I was like, please,

0:15:24.200 --> 0:15:25.200
<v Speaker 1>do we have to do why?

0:15:25.440 --> 0:15:27.800
<v Speaker 2>And they were like, because it's so funny, and I think,

0:15:28.200 --> 0:15:30.680
<v Speaker 2>I feel I don't know for sure, but I think

0:15:30.720 --> 0:15:33.760
<v Speaker 2>it was based on someone had gone to France and

0:15:33.800 --> 0:15:35.520
<v Speaker 2>this had happened to them, because you know, they have

0:15:35.840 --> 0:15:38.240
<v Speaker 2>like so many decadent cheeses that we're not used to here.

0:15:39.000 --> 0:15:39.760
<v Speaker 1>But I didn't like that.

0:15:39.760 --> 0:15:41.640
<v Speaker 2>I didn't want to lay on the floor in the

0:15:41.680 --> 0:15:45.680
<v Speaker 2>bathroom with Evan and like staying T shirts ick. Now,

0:15:45.720 --> 0:15:49.120
<v Speaker 2>then that is second to what Michael put me through

0:15:49.560 --> 0:15:53.440
<v Speaker 2>in Mexico with the water, which I'm not even going

0:15:53.520 --> 0:15:56.080
<v Speaker 2>to go into detail because everyone knows, and I mean, honestly,

0:15:56.120 --> 0:15:57.840
<v Speaker 2>I still have to talk about it in interviews and

0:15:57.880 --> 0:15:59.760
<v Speaker 2>I'm like, thank you, Michael Patrick King for doing this

0:15:59.760 --> 0:16:00.200
<v Speaker 2>to me.

0:16:04.800 --> 0:16:08.840
<v Speaker 3>Now we know Charlotte has her rules, which rule from

0:16:08.840 --> 0:16:10.960
<v Speaker 3>the series. Do you think was too strict?

0:16:12.760 --> 0:16:16.040
<v Speaker 2>I think Charlotte's rules are probably all too strict, And

0:16:16.080 --> 0:16:17.720
<v Speaker 2>I say, this is a mom who has a lot

0:16:17.760 --> 0:16:23.560
<v Speaker 2>of rules, right, So I think, Charlotte, you know, it's

0:16:23.640 --> 0:16:28.280
<v Speaker 2>like her, what's the saying like, don't let perfection be

0:16:28.640 --> 0:16:31.640
<v Speaker 2>the enemy of something?

0:16:31.720 --> 0:16:34.520
<v Speaker 1>See, I don't even remember the saying. This is clearly

0:16:34.640 --> 0:16:35.240
<v Speaker 1>my issue.

0:16:35.280 --> 0:16:37.720
<v Speaker 3>Also, don't let perfection be the enemy of good?

0:16:38.000 --> 0:16:41.200
<v Speaker 1>Yes, don't let perfection be the enemy of good? This

0:16:41.240 --> 0:16:43.160
<v Speaker 1>is a good Charlotte needs this.

0:16:43.160 --> 0:16:45.920
<v Speaker 2>Like scrawled on her wall really big, or maybe on

0:16:45.960 --> 0:16:50.120
<v Speaker 2>her mirror, because you know, the striving for perfection at

0:16:50.160 --> 0:16:53.160
<v Speaker 2>all times is hard on people, right, like the people

0:16:53.200 --> 0:16:55.720
<v Speaker 2>around her, her kids, also herself.

0:16:55.960 --> 0:16:57.960
<v Speaker 1>So I think all of that.

0:16:58.120 --> 0:17:01.480
<v Speaker 2>And in the beginning, it's all about out this you know,

0:17:01.880 --> 0:17:05.639
<v Speaker 2>theoretical husband that she's trying to find, and she brings

0:17:05.640 --> 0:17:08.440
<v Speaker 2>the book about the rules and this book about how

0:17:08.440 --> 0:17:11.280
<v Speaker 2>to get a husband in six months or something bizarre.

0:17:11.640 --> 0:17:14.119
<v Speaker 2>And I had to read this book and like hold

0:17:14.119 --> 0:17:16.439
<v Speaker 2>it and kind of thump it, like, you know, this

0:17:16.520 --> 0:17:19.800
<v Speaker 2>book that was really challenging for me personally because I

0:17:19.840 --> 0:17:21.880
<v Speaker 2>obviously do not feel that way, and I also feel

0:17:21.880 --> 0:17:25.840
<v Speaker 2>like it's just slightly insane. But obviously, sometimes your character

0:17:25.920 --> 0:17:27.800
<v Speaker 2>is going to do something insane that you're playing and

0:17:27.800 --> 0:17:28.720
<v Speaker 2>you have to find a way.

0:17:28.560 --> 0:17:28.919
<v Speaker 1>To do it.

0:17:30.000 --> 0:17:32.400
<v Speaker 2>I would say probably that book moment, which I think

0:17:32.480 --> 0:17:34.720
<v Speaker 2>is coming soon in season one or maybe season two,

0:17:35.080 --> 0:17:38.760
<v Speaker 2>that might have been the most extreme time that she

0:17:38.880 --> 0:17:44.760
<v Speaker 2>didactically was following an actual literal book, you know, in

0:17:44.800 --> 0:17:46.120
<v Speaker 2>her life, which is bizarre.

0:17:47.000 --> 0:17:49.919
<v Speaker 3>If Charlotte could give advice to her younger self, what

0:17:49.920 --> 0:17:51.800
<v Speaker 3>would she say, Well, along.

0:17:51.560 --> 0:17:54.240
<v Speaker 2>These same lines, I think that the advice Charlotte would

0:17:54.240 --> 0:17:56.680
<v Speaker 2>say to her younger self is relax a little bit,

0:17:56.760 --> 0:17:59.439
<v Speaker 2>because it's all going to work out. It's all going

0:17:59.520 --> 0:18:02.639
<v Speaker 2>to be amazing, and it might not be exactly how

0:18:02.680 --> 0:18:05.120
<v Speaker 2>you think it's gonna look, but it's all gonna be

0:18:05.200 --> 0:18:09.159
<v Speaker 2>so great. And don't mind that your friends roll their

0:18:09.200 --> 0:18:12.480
<v Speaker 2>eyes so much at you, because they're all gonna be

0:18:12.560 --> 0:18:14.480
<v Speaker 2>fine too, and they really love you.

0:18:15.080 --> 0:18:15.879
<v Speaker 3>It's great advice.

0:18:16.040 --> 0:18:16.359
<v Speaker 1>Thank you.

0:18:26.880 --> 0:18:30.800
<v Speaker 3>I'm so curious about how you got filming in just

0:18:30.880 --> 0:18:33.639
<v Speaker 3>like that. Now, how do you deal with like crowd

0:18:33.680 --> 0:18:35.720
<v Speaker 3>control when you guys are filming outside on the streets

0:18:35.720 --> 0:18:36.720
<v Speaker 3>of New York? How does that work?

0:18:37.359 --> 0:18:39.520
<v Speaker 1>You know, it depends on the day and the situation.

0:18:40.200 --> 0:18:43.639
<v Speaker 1>It's very interesting, like We're always so amazed when people

0:18:43.640 --> 0:18:45.399
<v Speaker 1>come out. Sometimes it's so hot.

0:18:45.760 --> 0:18:47.399
<v Speaker 2>So Jessica and I did a walk and talk in

0:18:47.440 --> 0:18:49.440
<v Speaker 2>the village this summer. It was at least one hundred

0:18:49.480 --> 0:18:51.000
<v Speaker 2>degrees and there were so many.

0:18:50.760 --> 0:18:54.720
<v Speaker 1>People crammed on this little block. We had quite a big.

0:18:54.440 --> 0:18:58.240
<v Speaker 2>Setup, like with cranes and lights and so many different things,

0:18:58.760 --> 0:19:02.480
<v Speaker 2>and they were so great, Like if we asked them,

0:19:02.480 --> 0:19:05.920
<v Speaker 2>like please be quiet during rolling, everyone's very quiet.

0:19:06.080 --> 0:19:06.840
<v Speaker 1>It's amazing.

0:19:07.080 --> 0:19:09.280
<v Speaker 2>So you've got regular street sounds, but you don't want

0:19:09.280 --> 0:19:11.679
<v Speaker 2>a crowd sound, right, because that would make us unable

0:19:11.720 --> 0:19:14.280
<v Speaker 2>to film. So I think everyone just really gets committed to,

0:19:14.840 --> 0:19:17.720
<v Speaker 2>you know, making the scene work, which is so adorable

0:19:18.200 --> 0:19:21.800
<v Speaker 2>and really like incredibly sweet. The first time we went

0:19:21.840 --> 0:19:24.000
<v Speaker 2>back to do and just like that, it was also

0:19:24.119 --> 0:19:26.960
<v Speaker 2>very hot that summer, and I remember being with Mario

0:19:27.040 --> 0:19:29.480
<v Speaker 2>and Alexa down in this basement.

0:19:29.960 --> 0:19:31.400
<v Speaker 1>Of the Hot Fellas.

0:19:31.440 --> 0:19:33.040
<v Speaker 2>It was not the Hot Fellas that we have now,

0:19:33.080 --> 0:19:35.600
<v Speaker 2>but that the original Hot Fellaw's kitchen that he borrowed,

0:19:35.880 --> 0:19:37.959
<v Speaker 2>and it was also like one hundred something degrees. It

0:19:38.000 --> 0:19:40.480
<v Speaker 2>was late into the night, two or three am. There's

0:19:40.560 --> 0:19:43.720
<v Speaker 2>just this huge crowd outside. We were downtown somewhere.

0:19:43.640 --> 0:19:46.080
<v Speaker 1>And Alexa, who is eleven at the time, was like,

0:19:46.400 --> 0:19:47.840
<v Speaker 1>why are all those people out there?

0:19:47.920 --> 0:19:52.040
<v Speaker 2>Shouldn't really fully grasp the what had happened before, and

0:19:52.200 --> 0:19:52.840
<v Speaker 2>just like that, and we.

0:19:52.840 --> 0:19:55.600
<v Speaker 1>Would try to explain it, she'd just be like, oh, well,

0:19:55.640 --> 0:19:57.119
<v Speaker 1>I had never really heard of it. We'd be like,

0:19:57.160 --> 0:19:58.639
<v Speaker 1>that's okay, you're eleven, it's okay.

0:19:59.400 --> 0:20:03.640
<v Speaker 2>But it's just so sweet to us that people want

0:20:03.640 --> 0:20:08.919
<v Speaker 2>to come, and everyone's always been incredibly helpful. Occasionally it's

0:20:08.960 --> 0:20:11.960
<v Speaker 2>weird if they're filming us while we're filming, because we

0:20:11.960 --> 0:20:14.679
<v Speaker 2>don't want to give away storylines, but people are usually

0:20:14.800 --> 0:20:16.800
<v Speaker 2>very polite if we ask them, don't film right now.

0:20:16.840 --> 0:20:18.600
<v Speaker 1>They're cool. People are amazing.

0:20:18.880 --> 0:20:22.080
<v Speaker 3>Yeah, I mean that's another question, is like, if you're

0:20:22.320 --> 0:20:24.840
<v Speaker 3>you're filming stuff obviously no one's going to see for months,

0:20:25.200 --> 0:20:28.160
<v Speaker 3>how do you ever film like fake stuff to see? Yeah?

0:20:28.000 --> 0:20:30.560
<v Speaker 2>Yeah, yeah, I think everyone knows what I'm talking about.

0:20:30.600 --> 0:20:35.520
<v Speaker 2>We definitely filmed on at least two occasions I can

0:20:35.600 --> 0:20:38.400
<v Speaker 2>think of, like decoy scenes.

0:20:38.600 --> 0:20:40.880
<v Speaker 1>I was not involved in any of the decoy scenes,

0:20:41.200 --> 0:20:42.880
<v Speaker 1>and at this point, I don't know.

0:20:43.000 --> 0:20:46.600
<v Speaker 2>I think Michael Patrick has started to write the important

0:20:46.600 --> 0:20:51.760
<v Speaker 2>scenes having them inside which is really helpful. But we

0:20:51.840 --> 0:20:54.919
<v Speaker 2>have films some decoy scenes. I think everyone kind of

0:20:54.960 --> 0:20:57.359
<v Speaker 2>knew that they were. You know, we didn't really totally

0:20:57.359 --> 0:21:00.320
<v Speaker 2>pull it off, I don't think, But that's okay. I

0:21:00.359 --> 0:21:02.760
<v Speaker 2>think the thing for us that's hard is like, we

0:21:02.840 --> 0:21:05.280
<v Speaker 2>love the fans, but we also really want people to

0:21:05.320 --> 0:21:08.320
<v Speaker 2>be able to experience the show for the first time,

0:21:08.400 --> 0:21:10.600
<v Speaker 2>right to see the storylines for the first time, not

0:21:10.640 --> 0:21:13.440
<v Speaker 2>to have everything already rehashed on social.

0:21:13.119 --> 0:21:15.160
<v Speaker 1>Media before it's even actually happened.

0:21:15.560 --> 0:21:17.760
<v Speaker 2>And sometimes that's frustrating, like people will say, like why

0:21:17.800 --> 0:21:20.400
<v Speaker 2>are they all wearing this? Or why is this character

0:21:20.560 --> 0:21:22.760
<v Speaker 2>wearing this? And there is a reason, but we can't

0:21:22.760 --> 0:21:24.440
<v Speaker 2>tell you the reason because we want you to enjoy

0:21:24.480 --> 0:21:26.280
<v Speaker 2>the storyline when we do it, you know.

0:21:26.359 --> 0:21:29.879
<v Speaker 3>Yeah, yeah, Is there a character that you think left

0:21:30.240 --> 0:21:32.159
<v Speaker 3>Sex and the City too early that you would like

0:21:32.160 --> 0:21:32.760
<v Speaker 3>to see return?

0:21:33.240 --> 0:21:35.440
<v Speaker 2>And just like that, well, as we mentioned Kyle McGlocklin,

0:21:35.880 --> 0:21:37.639
<v Speaker 2>I mean, I don't know if you'd left too early

0:21:37.680 --> 0:21:40.080
<v Speaker 2>because that was how the storyline needed to go at

0:21:40.080 --> 0:21:42.440
<v Speaker 2>the time, but we would love to have him back.

0:21:42.560 --> 0:21:45.960
<v Speaker 2>I think I would, and I'm pretty sure Michael Patrick would.

0:21:47.320 --> 0:21:50.000
<v Speaker 2>I mean, we've had so many incredible people and I

0:21:50.040 --> 0:21:52.639
<v Speaker 2>never want anyone to ever leave, you know, But we

0:21:52.640 --> 0:21:55.080
<v Speaker 2>don't have enough time on screen. Really, I'll tell you

0:21:55.080 --> 0:21:56.879
<v Speaker 2>who we have on And just like that, which was

0:21:57.000 --> 0:22:01.000
<v Speaker 2>so much fun was Patty Lapone. The Pone is coming.

0:22:01.800 --> 0:22:07.159
<v Speaker 1>It's so exciting. I mean, so many people though, so

0:22:07.160 --> 0:22:07.680
<v Speaker 1>many people.

0:22:07.720 --> 0:22:07.879
<v Speaker 2>You know.

0:22:07.920 --> 0:22:08.480
<v Speaker 1>We had.

0:22:10.000 --> 0:22:14.160
<v Speaker 2>Andy you know, Cohen on way back in a tiny

0:22:14.200 --> 0:22:16.320
<v Speaker 2>little roll and then I think we had him come

0:22:16.320 --> 0:22:18.720
<v Speaker 2>back briefly, but I think he should come back more.

0:22:18.800 --> 0:22:19.440
<v Speaker 1>That'd be fun.

0:22:19.880 --> 0:22:23.040
<v Speaker 3>So excited about that. Now, looking back on your memories

0:22:23.320 --> 0:22:25.919
<v Speaker 3>of Sex and the City, is there one day on

0:22:26.000 --> 0:22:28.480
<v Speaker 3>set that you wish you could, like magically transport back

0:22:28.520 --> 0:22:29.919
<v Speaker 3>to Gosh?

0:22:30.040 --> 0:22:34.480
<v Speaker 2>I mean probably so many really, Like I remember one time.

0:22:35.000 --> 0:22:36.560
<v Speaker 1>I don't know where we were.

0:22:36.600 --> 0:22:40.320
<v Speaker 2>We were downtown, I think at a shoe store, and

0:22:40.960 --> 0:22:44.560
<v Speaker 2>it was hot and it was late and we were

0:22:44.640 --> 0:22:47.680
<v Speaker 2>just laughing. I think we'd all fallen asleep on the set.

0:22:47.760 --> 0:22:49.639
<v Speaker 2>Usually we would go back to our trailers, but sometimes

0:22:49.720 --> 0:22:52.199
<v Speaker 2>it's logistically hard to go back to our trailers. But

0:22:52.280 --> 0:22:54.840
<v Speaker 2>I just remember laughing hysterically, and I used to have

0:22:54.880 --> 0:22:56.879
<v Speaker 2>this whole ritual that I would do that.

0:22:56.920 --> 0:22:59.280
<v Speaker 1>I think Sarah Jusca's talked about where I.

0:22:59.240 --> 0:23:02.399
<v Speaker 2>Would wait and to like, you're just at the end

0:23:02.440 --> 0:23:04.120
<v Speaker 2>of your rope and you're so tired and you don't

0:23:04.160 --> 0:23:04.760
<v Speaker 2>have energy.

0:23:04.960 --> 0:23:06.359
<v Speaker 1>And I would have my diet coke.

0:23:07.240 --> 0:23:09.320
<v Speaker 2>And I don't drink Dick Coke anymore, but at the time,

0:23:09.359 --> 0:23:10.879
<v Speaker 2>I still drink Die coke. And I would get my

0:23:10.880 --> 0:23:12.640
<v Speaker 2>diet coke and I would wrap it in paper towel

0:23:12.640 --> 0:23:14.879
<v Speaker 2>so that they didn't drip on my clothes. And I

0:23:14.880 --> 0:23:17.960
<v Speaker 2>would also, if we were really doing this as a group,

0:23:18.000 --> 0:23:21.160
<v Speaker 2>we would get McDonald's French fries and we would eat

0:23:21.160 --> 0:23:24.760
<v Speaker 2>them together and it would be incredible, because normally I'd

0:23:24.760 --> 0:23:26.159
<v Speaker 2>try to be healthier than that, but it would be

0:23:26.280 --> 0:23:28.080
<v Speaker 2>so good and it would be something that we would

0:23:28.080 --> 0:23:30.320
<v Speaker 2>look forward to at say like two am, three am.

0:23:30.680 --> 0:23:33.080
<v Speaker 2>I also remember so many fun nights.

0:23:32.800 --> 0:23:35.960
<v Speaker 1>Where we would work till like maybe.

0:23:36.320 --> 0:23:38.960
<v Speaker 2>Six or seven whenever the sun rose on Saturday morning,

0:23:39.400 --> 0:23:41.320
<v Speaker 2>and a lot of us would be going out to

0:23:41.720 --> 0:23:45.200
<v Speaker 2>the Hampton's cast and crew, and so we were obviously

0:23:45.200 --> 0:23:46.760
<v Speaker 2>we've been up all night and we were so tired.

0:23:46.760 --> 0:23:49.160
<v Speaker 2>We would do like a caravan and I would usually

0:23:49.240 --> 0:23:52.480
<v Speaker 2>ride with Sarah Jessica and we would just like drop

0:23:52.520 --> 0:23:55.160
<v Speaker 2>people off in whichever Hampton's they were in and make

0:23:55.200 --> 0:23:57.479
<v Speaker 2>sure that they got there safely because we were also tired.

0:23:57.720 --> 0:23:58.840
<v Speaker 1>And that was really really fun.

0:23:58.880 --> 0:24:01.080
<v Speaker 2>And sometimes we'd get out get something at a store,

0:24:01.480 --> 0:24:03.600
<v Speaker 2>like you know, seven to eleven and like switch cars.

0:24:03.680 --> 0:24:05.880
<v Speaker 1>It was really really fun. I remember things like that.

0:24:06.840 --> 0:24:09.560
<v Speaker 2>I mean so many things, but I mean also, we

0:24:09.680 --> 0:24:13.200
<v Speaker 2>had such an incredible time in Morocco for the second movie.

0:24:13.600 --> 0:24:15.159
<v Speaker 1>Oh god, I would go back.

0:24:15.000 --> 0:24:18.680
<v Speaker 2>There on a second anyway. So many, so many it's

0:24:18.680 --> 0:24:20.800
<v Speaker 2>hard to even think of. Also, it's the Central Park.

0:24:21.400 --> 0:24:23.960
<v Speaker 2>So many incredible times shooting in Central Park when it

0:24:24.000 --> 0:24:28.160
<v Speaker 2>was beautiful, also cold. But I remember one time Cynthia

0:24:28.240 --> 0:24:30.360
<v Speaker 2>and Sarah and I are walking down the promenade, which

0:24:30.400 --> 0:24:33.280
<v Speaker 2>is one of my all time favorite parts of the park,

0:24:33.320 --> 0:24:37.000
<v Speaker 2>and I'm wearing my full Berbery raincoat, which I still

0:24:37.000 --> 0:24:40.879
<v Speaker 2>have in my closet, and I think there's an umbrella involved.

0:24:40.920 --> 0:24:43.320
<v Speaker 2>And it was possibly first or second season. It was

0:24:43.400 --> 0:24:45.879
<v Speaker 2>just so magical to get the film in Central Park.

0:24:46.960 --> 0:24:48.239
<v Speaker 3>Truly magical, isn't it?

0:24:48.400 --> 0:24:48.520
<v Speaker 2>Uh?

0:24:48.920 --> 0:24:52.280
<v Speaker 3>Do you do you remember how did it feel when

0:24:52.280 --> 0:24:54.480
<v Speaker 3>you finished filming Season six?

0:24:54.720 --> 0:24:56.800
<v Speaker 1>Oh? I remember it because there's pictures of it too.

0:24:57.080 --> 0:25:02.720
<v Speaker 2>It was horrible because we really I don't know actually

0:25:02.800 --> 0:25:04.719
<v Speaker 2>now that I'm thinking of it, I don't know if

0:25:04.760 --> 0:25:06.119
<v Speaker 2>we really thought it was the end or not.

0:25:06.320 --> 0:25:07.399
<v Speaker 1>But let me tell you this.

0:25:07.480 --> 0:25:10.640
<v Speaker 2>We cried and cried and cried and cried, and Sarah

0:25:10.680 --> 0:25:13.280
<v Speaker 2>Jessica Parker cried and Sara Juska is not a crier.

0:25:13.359 --> 0:25:15.480
<v Speaker 1>I don't know if you're aware of this, because.

0:25:15.280 --> 0:25:17.719
<v Speaker 2>At that point, I think we believed there was going

0:25:17.800 --> 0:25:19.960
<v Speaker 2>to be a film. We hoped there was going to

0:25:19.960 --> 0:25:22.439
<v Speaker 2>be a film, but it hadn't been greenlit, so it

0:25:22.480 --> 0:25:27.120
<v Speaker 2>was kind of this unknown thing of like, can we

0:25:27.520 --> 0:25:30.159
<v Speaker 2>move to this next phase that we really really wanted

0:25:30.200 --> 0:25:32.280
<v Speaker 2>to move to and we believed we were going to

0:25:32.359 --> 0:25:35.040
<v Speaker 2>move to, but at the same time, you don't really know,

0:25:35.359 --> 0:25:37.919
<v Speaker 2>so it could actually be the end, which was just

0:25:38.560 --> 0:25:40.640
<v Speaker 2>impossible to actually believe.

0:25:40.880 --> 0:25:44.200
<v Speaker 1>Like I was just like, why why are we ending?

0:25:44.240 --> 0:25:48.119
<v Speaker 2>And I knew I know intellectually why, and I understand

0:25:48.240 --> 0:25:52.040
<v Speaker 2>intellectually why, but it just didn't personally make sense for me.

0:25:52.280 --> 0:25:54.960
<v Speaker 2>Like for me, I never wanted it to end, as

0:25:55.000 --> 0:25:58.040
<v Speaker 2>I never do now, right, but like back then especially,

0:25:58.040 --> 0:26:01.600
<v Speaker 2>I just felt like this is so dumb. People were

0:26:01.640 --> 0:26:04.040
<v Speaker 2>just being so dumb. We have this incredible thing.

0:26:04.080 --> 0:26:06.199
<v Speaker 1>Why are we doing this? No? Sorry if I just

0:26:06.240 --> 0:26:09.399
<v Speaker 1>deafened everyone, but obviously it worked out. It worked out fine.

0:26:09.400 --> 0:26:11.239
<v Speaker 2>But like, we cried and cried, and there was a

0:26:11.280 --> 0:26:14.080
<v Speaker 2>scene in that final episode where Charlotte is supposed to

0:26:14.119 --> 0:26:17.040
<v Speaker 2>cry because she believes Carrie's moving to Paris, and I

0:26:17.080 --> 0:26:20.400
<v Speaker 2>had to cry for the entire day and I did it,

0:26:20.520 --> 0:26:22.560
<v Speaker 2>and it was good. At the beginning, I was like, yes,

0:26:22.600 --> 0:26:24.680
<v Speaker 2>I need to cry because also we were ending the show.

0:26:24.840 --> 0:26:27.080
<v Speaker 2>But even then, by then, by the time that we

0:26:27.280 --> 0:26:30.280
<v Speaker 2>actually had our final day of filming, I think I

0:26:30.400 --> 0:26:34.280
<v Speaker 2>was somewhat depleted of tears because of the filming day

0:26:34.280 --> 0:26:37.080
<v Speaker 2>of crying, but Sir Jusica was not depleted of tears.

0:26:37.200 --> 0:26:38.680
<v Speaker 1>So when she cries, I cry.

0:26:38.800 --> 0:26:42.280
<v Speaker 3>Basically, we have time for one more question here, Okay,

0:26:42.440 --> 0:26:44.080
<v Speaker 3>do you have a favorite Charlotte quote?

0:26:44.760 --> 0:26:47.359
<v Speaker 1>Wow, a question I don't know the answer to.

0:26:47.960 --> 0:26:50.439
<v Speaker 2>Honestly, I have no idea, because you know what's funny

0:26:50.560 --> 0:26:52.520
<v Speaker 2>is like, I'm not objective.

0:26:52.560 --> 0:26:54.000
<v Speaker 1>I don't remember this stuff. I said.

0:26:54.160 --> 0:26:57.720
<v Speaker 2>That's why rewatching is so fascinating. I don't remember hardly

0:26:57.800 --> 0:27:02.320
<v Speaker 2>anything that I say. I remember experiences of filming or

0:27:02.359 --> 0:27:05.800
<v Speaker 2>maybe what the others said or like, I have visual memory,

0:27:05.800 --> 0:27:08.160
<v Speaker 2>but I don't really remember words as well.

0:27:08.400 --> 0:27:11.120
<v Speaker 1>Yeah, I don't know. Everyone should write in and tell

0:27:11.160 --> 0:27:13.399
<v Speaker 1>me what they liked that I said. I don't know.

0:27:13.720 --> 0:27:15.239
<v Speaker 1>I don't know. You guys, you tell me.

0:27:15.359 --> 0:27:18.000
<v Speaker 3>Okay, this was so much fun. Thank you for answering

0:27:18.000 --> 0:27:18.600
<v Speaker 3>these questions.

0:27:18.800 --> 0:27:22.680
<v Speaker 1>Thanks thank you for fans asking them. We love it.

0:27:22.840 --> 0:27:28.120
<v Speaker 1>We'll do more of it, so you guys write in. Fine,