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Speaker 1: Hi.

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Speaker 2: I'm Kristin Davis, and I want to know are you

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Speaker 2: a Charlotte? All right, Hi, Hi everyone, welcome back to

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Speaker 2: Are You a Charlotte? We are going to do a

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Speaker 2: whole episode of fan questions. You guys have been amazing

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Speaker 2: and have written in some really, really good questions. So

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Speaker 2: my incredible and handsome producer Easton is going to read

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Speaker 2: the questions to me.

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Speaker 1: That's what you told me to say, you guys.

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Speaker 2: No, I'm paraphrasing, but anyway, he is handsome and he's

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Speaker 2: incredible and super smart, I will add.

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Speaker 1: So he's here to read the questions.

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Speaker 2: And these were questions that you guys wrote in on

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Speaker 2: Instagram and I really appreciate it because part of why

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Speaker 2: I did this podcast was so that I could kind

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Speaker 2: of talk to you guys and hear your thoughts.

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Speaker 1: And here are questions, and I love to hear them.

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Speaker 1: So thank you.

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Speaker 3: Thank you for that lovely introduction. Kristin. Well, I'm lushing

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Speaker 3: over here, but let's get to the Red Hawk questions. Okay,

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Speaker 3: we'll start with this one. Who is your favorite boyfriend

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Speaker 3: who only appeared in one episode and wish he could

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Speaker 3: have appeared more?

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Speaker 2: I mean, first of all, I'm sure there's so many, right,

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Speaker 2: but the one that popped immediately.

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Speaker 1: Into my mind is Dan Futterman.

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Speaker 2: Who plays a guy that we kind of horribly called

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Speaker 2: metrosexual at the time. I am sure that that is

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Speaker 2: not cool anymore. But there's a mice that runs through

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Speaker 2: his kitchen and he squeals and jumps on a chair

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Speaker 2: and Charlotte has to deal with it. And I just

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Speaker 2: love Danny Futterman so much. He's so smart. He's a

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Speaker 2: writer now. I don't know if he's still acting, but

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Speaker 2: he's definitely writing. And he's an incredible guy. And we

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Speaker 2: had the best, incredible, incredible time together. He was just

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Speaker 2: a really great collaborator. But there have been so many

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Speaker 2: incredible actors on our show. It's hard to choose. It's

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Speaker 2: hard to choose, but that's my first thought.

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Speaker 3: Besides Harry, who do you think is the best match

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Speaker 3: for Charlotte.

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Speaker 2: I mean, again, this is terrible what I'm about to say,

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Speaker 2: but I'm gonna say Trey. I mean, it's so sad.

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Speaker 2: I know, it's so sad that I even say that,

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Speaker 2: but it's for me, you know, playing the part of

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Speaker 2: Charlotte obviously for so long. It's really hard to separate

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Speaker 2: my own feelings from Charlotte's experience. So I loved working

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Speaker 2: with Kyle MacLaughlin so incredibly much. Kyle was only supposed

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Speaker 2: to be on for like five episodes, I want to say,

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Speaker 2: which obviously we all really just fell mal in love

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Speaker 2: with him and he had to stay and then it

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Speaker 2: went in so many different crazy ways. But I just

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Speaker 2: remember the joy of being with him, the fun of

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Speaker 2: working We just it was a great energy and I

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Speaker 2: loved I guess I love that Charlotte got what she

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Speaker 2: want in so many ways. Obviously she didn't get what

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Speaker 2: she want in terms of the entire package, and this

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Speaker 2: is the learning curve for Charlotte. So I did love

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Speaker 2: the storyline overall, even the hard parts, because I felt like, yes,

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Speaker 2: it's perfect that someone who is so goal obsessed and

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Speaker 2: so focused on the prize what she perceives to be

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Speaker 2: the prize, which was the wedding, the fantastic wedding, the

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Speaker 2: handsome husband, you know, all everything looking perfect on the outside,

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Speaker 2: and then it wasn't perfect on the inside. That was

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Speaker 2: so brilliant of Michael Patrick to come up with it,

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Speaker 2: and it was so amazing to get to play out

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Speaker 2: that storyline, and I thought it was so incredibly relatable

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Speaker 2: and a really great way for her storyline to go.

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Speaker 2: So I just loved the whole thing, even though obviously

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Speaker 2: it was very difficult, but I still have just such

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Speaker 2: a I only have a wonderful memory.

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Speaker 3: Of Kyle, but he seems like the coolest guy in

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Speaker 3: the world, and.

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Speaker 2: He is, let me tell you he is, but he's

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Speaker 2: also goofy and silly and I just saw him on

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Speaker 2: Saturday night and it was really fun. And I don't

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Speaker 2: even know if I should tell you everything that we

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Speaker 2: talked about, but there's another question coming out, just jump

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Speaker 2: ahead to it. And it was, you know, would Trey

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Speaker 2: and Charlotte ever run into each other on and just

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Speaker 2: like that? And Michael Patrick has this thing where he

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Speaker 2: doesn't like us to talk about ideas for stories that

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Speaker 2: didn't happen. But I'm just going to tell you guys

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Speaker 2: that there was an idea that Trey slash Kyle would

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Speaker 2: come on and dress like that, and then it didn't happen,

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Speaker 2: and so Kyle and I had to talk about it

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Speaker 2: because I was kind of mad at him.

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Speaker 1: I said, why didn't you come on?

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Speaker 2: We wanted you to come on, and he said, I

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Speaker 2: just wanted it to be amazing, meaning that it had

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Speaker 2: a kind of almost a sad note.

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Speaker 1: I think I'm not saying too much. I hope Michael's

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Speaker 1: not going to be mad at me. There's a bit

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Speaker 1: of a sad note.

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Speaker 2: But it had this incredible lead up to me seeing

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Speaker 2: Trey again. And the thing that I love the most

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Speaker 2: about this particular episode that did not happen is that

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Speaker 2: Charlotte tells the friends that she has not communicated at

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Speaker 2: all with Trey, which is kind of shocking in a way.

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Speaker 2: But I've never been married, and I've certainly never been divorced,

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Speaker 2: so I don't really know how that works.

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Speaker 1: Do you communicate, do you not communicate? Is it cool

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Speaker 1: to be friends? Is it not cool to be friends?

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Speaker 2: I mean, for Charlotte, she's obviously so happy with Harry.

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Speaker 2: I don't think it would be a the threat to

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Speaker 2: Harry for her to communicate with Trey because of the

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Speaker 2: problems with that relationship also right, But for whatever reason,

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Speaker 2: Charlotte tells the friends and just like that that she

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Speaker 2: has not communicated in any way with Trey this whole time,

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Speaker 2: and she has kind of an unfinished feeling about that.

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Speaker 2: Relationship and she really wants to see him and I

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Speaker 2: Kristin also feel that way. So I'm hoping that we

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Speaker 2: can kind of revisit a maybe they run into each other,

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Speaker 2: you know, just at an event or at a restaurant

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Speaker 2: or something like that.

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Speaker 1: I think it would be so amazing to have Kyle

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Speaker 1: back on.

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Speaker 2: And I did give him a hard time the other day,

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Speaker 2: and then he explained his point of view, and I

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Speaker 2: did understand it, Like when you have played such a

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Speaker 2: wonderful part in the past that people have such a

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Speaker 2: great memory of, and it was so special as a

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Speaker 2: work experience, you know, you want it to be you

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Speaker 2: want it to kind of stay in this kind of

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Speaker 2: glorious place. And I think he just didn't want there

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Speaker 2: to be kind of a sad note to the end.

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Speaker 2: So I get that. I get that, and I hope

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Speaker 2: I didn't say too much. Michael Patrick, Sorry, but I

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Speaker 2: enjoy seeing him.

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Speaker 1: I always enjoy seeing him.

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Speaker 3: Well, now we're going to talk about the other ladies here.

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Speaker 3: Are you Team Big or Team Aiden for Carrie.

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Speaker 2: Well, rewatching is just giving me a whole different perspective.

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Speaker 2: I was always Team Big. Sorry, Yes, yes, I was

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Speaker 2: Team Big because Charlotte was team Big. And this is

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Speaker 2: the kind of the problem with playing a part for

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Speaker 2: thirty years or whatever it is twenty seven years, is

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Speaker 2: that you don't separate out your own thoughts all the time. Right,

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Speaker 2: So in the beginning, I was team Big, and I

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Speaker 2: didn't really doubt it, you know. I just thought, like, yes,

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Speaker 2: I get that, because they have this incredible chemistry in

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Speaker 2: life and on screen. And I thought the writing was

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Speaker 2: so good. Now when I'm looking back on it, I'm like, no, no, no,

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Speaker 2: why is he not nicer to her and more emotionally

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Speaker 2: present and she deserves more than this.

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Speaker 1: This is what I think when I'm watching it now.

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Speaker 2: Aiden, on the other hand, we haven't gotten back to

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Speaker 2: that part of the show where I'm going to rewatch

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Speaker 2: that I might change my mind. But the way that

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Speaker 2: I remember Aiden was that he was much more emotionally

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Speaker 2: present and kind of like more warm and fuzzy, I

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Speaker 2: don't know how to put it, and more earthy, you know,

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Speaker 2: he makes furniture, right like. I love that side. Now,

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Speaker 2: I also know that there were some stylistic problems, like

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Speaker 2: the part that really stands out to.

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Speaker 1: Me that I totally agreed with at.

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Speaker 2: The time, was that he gets her this engagement ring

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Speaker 2: that is wrong, wrong, and many times wrong for her?

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Speaker 2: And why isn't he paying better attention? Why doesn't he

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Speaker 2: know that a gold pear shaped diamond.

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Speaker 1: Is the wrong engagement ring for Carrie?

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Speaker 2: That is one question that I have and I'm interested

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Speaker 2: to see when I rewatch it.

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Speaker 3: We all love Harry. Did you know that he was

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Speaker 3: going to be the one for Charlotte when he was introduced? Yes?

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Speaker 1: I did?

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Speaker 3: I did.

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Speaker 2: I mean, look now when you say the one, like,

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Speaker 2: did I know in my mind that we were going

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Speaker 2: to get to make two films and then do another

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Speaker 2: show and.

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Speaker 1: Just like that?

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Speaker 2: No, he never, ever, ever, ever would have entered my mind.

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Speaker 2: But I did know from Michael. Michael is very wonderfully

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Speaker 2: collaborative with the actors, and so for all four of us,

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Speaker 2: before we started a season, we would have a lunch

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Speaker 2: with Michael where he would tell you everything that was

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Speaker 2: going to happen. He would pitch the season to you,

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Speaker 2: and you would mostly for me, go.

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Speaker 1: Like okay, okay, okay, okay, that's exciting, okay.

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Speaker 2: And then sometimes if you had a question, you'd be like,

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Speaker 2: but why no, you know, and he'd have a reason,

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Speaker 2: and you'd kind of discuss and it wasn't always written

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Speaker 2: in stone. For instance, at one point, the idea was

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Speaker 2: that Miranda and Charlotte would have babies around the same time,

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Speaker 2: and the idea was that we would then contrast the

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Speaker 2: two parenting styles from Miranda and Charlotte, who are obviously

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Speaker 2: very different. And I was very excited about that because

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Speaker 2: that's what Charlotte wanted, right, So I was like, Oh,

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Speaker 2: thank God, she's going to get what she wants.

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Speaker 1: It's going to be wonderful. Then, of course it didn't happen.

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Speaker 2: And the reason it didn't happen is that at a

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Speaker 2: certain point in the season, Michael called me and he said,

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Speaker 2: krist and I, I've got to tell you Charlotte is

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Speaker 2: not going to get to have a baby.

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Speaker 1: And I said, what what, why? What do you mean?

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Speaker 1: I'm so upset And he said, you know, I just

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Speaker 1: don't have enough storylines to do both. It's just too hard.

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Speaker 2: Because Michael wasn't a parent at that point. I don't

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Speaker 2: think any of our female writers were parents yet they

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Speaker 2: are now a lot of them, some of them not,

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Speaker 2: you know, but we needed at that point. We also

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Speaker 2: had a rule that and we still have this rule

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Speaker 2: that all of the storylines had to be either a

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Speaker 2: storyline that the writer went through themselves, or that was

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Speaker 2: one degree separated from the writer, so they had a

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Speaker 2: friend who went through it.

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Speaker 1: It was never us.

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Speaker 2: Everyone thought it was our storylines. No, no, no, that

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Speaker 2: would be very weird. It was our writers and people

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Speaker 2: that they know. They're very close friends. So there just

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Speaker 2: weren't enough parents in the group at that point to

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Speaker 2: have enough storylines to write two different, contrasting mothering storylines.

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Speaker 2: And it was just too far, i think, separated from

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Speaker 2: Michael's own life and the women who were writing the

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Speaker 2: show at that time. And we can ask Janny Bicks

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Speaker 2: about this when she comes. It was too different from

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Speaker 2: their lives for them to write about.

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Speaker 1: And I was so crushed, so crushed. But then in

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Speaker 1: the way that it played out in terms of Miranda

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Speaker 1: getting pregnant by mistake, deciding to have the baby with Steve,

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Speaker 1: Charlotte not being able to get pregnant with her super

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Speaker 1: adorable husband, that was the whole purpose of getting married.

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Speaker 1: It really worked out so perfectly.

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Speaker 2: It was difficult to play that and I didn't really,

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Speaker 2: even at that point in life, probably have a really

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Speaker 2: true understanding of what not being able to get pregnant is, Like,

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Speaker 2: I think I had a few friends that were struggling

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Speaker 2: with that at that point, but not the many, many, many.

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Speaker 1: Friends who have struggled over the years.

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Speaker 2: But I think I had some sense of it, and

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Speaker 2: I really enjoyed the writing, so it worked out great.

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Speaker 1: I don't know if I answered your question though, Harry.

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Speaker 2: So then when we got Harry after that not being

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Speaker 2: able to get pregnant, which was obviously a curveball in

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Speaker 2: that season, And I did know the general plan that

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Speaker 2: Michael had that it was going to be somebody who

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Speaker 2: didn't look like what Charlotte wanted. I didn't know what

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Speaker 2: that meant or you know that he was going to be.

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Speaker 2: I think he was described as a bull in a

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Speaker 2: china shop at at one point, Like, you know, just

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Speaker 2: his general demeanor was different, you know all of those things.

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Speaker 2: And I don't know if Evan and I have talked

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Speaker 2: about this publicly, but there was this other.

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Speaker 1: Ruination just feel terrible. I'm not going to say his name.

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Speaker 2: There's this other actor who auditioned also, So what would

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Speaker 2: happen is they would have a character, they would put

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Speaker 2: out a casting notice with like the general you know,

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Speaker 2: notes about the character, and then when it got down

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Speaker 2: to two or three guys, we would get to read

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Speaker 2: with them so that we would get to have a vote,

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Speaker 2: and also they would be able to see us together

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Speaker 2: to know if they thought that the chemistry worked or whatnot.

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Speaker 2: So there was this other actor that Michael had seen

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Speaker 2: in a play and he just kept raving about this

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Speaker 2: guy like on and on and on and on, and

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Speaker 2: I think that was really who he had in mind, right,

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Speaker 2: But they had to show me someone else.

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Speaker 1: So Evan was the someone else, so I could I go.

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Speaker 1: And it is the most.

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Speaker 2: Horrific thing to be an actor in a callback type

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Speaker 2: you know, final callback type situation for another actor, because

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Speaker 2: you just are dying for that person, you know, You're

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Speaker 2: just like for me, I just want to take care

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Speaker 2: of them so bad. I'm trying to be friendly and

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Speaker 2: nice because sometimes it's just really intimidating. And you know,

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Speaker 2: everyone in our world takes everything very seriously.

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Speaker 1: I think that's clear. So it's like a lot of pressure.

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Speaker 2: Like you know, it's not like casual, you know, it's

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Speaker 2: not like a loose room to walk into, you know

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Speaker 2: what I'm saying.

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Speaker 1: It's like pretty serious. So I'd be out in the

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Speaker 1: waiting room like, are you guys okay? Do you need anything?

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Speaker 1: You know, just dying?

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Speaker 2: Like if Sir Jessica was reading with guys, I would

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Speaker 2: go to see those guys so that I could be like,

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Speaker 2: are you guys okay?

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Speaker 1: What's happening.

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Speaker 2: I usually often knew people as well, because I know

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Speaker 2: a lot of actors, so I would know usually people

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Speaker 2: I had never met Evan. I'd never met the other

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Speaker 2: guy either that I'm not gonna name. And the thing

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Speaker 2: that was amazing about Evan is that he just made

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Speaker 2: some choices.

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Speaker 1: You know.

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Speaker 2: He brought in a bag with a big, big, big

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Speaker 2: muffin in it and in and this I think we

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Speaker 2: taped it, but I mean it was in the room, right.

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Speaker 1: He just took this muffin out of.

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Speaker 2: This bag and just stuffed it in his mouth.

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Speaker 1: That I was just like him.

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Speaker 2: So I feel bad about that other actor, but obviously

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Speaker 2: it was Evan, So you know it worked out well.

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Speaker 3: You know, Truo Off conquers all A lot A lot

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Speaker 3: of fans had questions about storylines. Yeah, in your opinion,

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Speaker 3: to you, what was the most shocking storyline that you

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Speaker 3: can remember.

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Speaker 1: Of any character.

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Speaker 3: Yeah, oohans in the city that you lived in, Sex

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Speaker 3: and the city.

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Speaker 1: Gosh, shocking, the most shocking, I don't know. I don't know,

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Speaker 1: you guys, what was the most shocking. I can't think

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Speaker 1: any thoughts, any ideas. The things that are really shocking

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Speaker 1: I tend to forget about. Well, hold on, now, I'm.

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Speaker 2: Thinking if I get to talk about all the shows.

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Speaker 1: And the movies.

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Speaker 2: Yes, the most shocking thing was Big stand and carry

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Speaker 2: up at the winning.

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Speaker 1: That was really really bad. Okay, now, I know we

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Speaker 1: wouldn't have had a movie without it. I get that.

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Speaker 2: I totally get that, and thank god the movie was

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Speaker 2: you know, much seen and beloved and were so grateful

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Speaker 2: for that because it was a really big risk. But

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Speaker 2: that was really bad, Okay, really really bad. And I

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Speaker 2: can't believe she forgave him. Just can't believe it.

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Speaker 1: Still.

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Speaker 3: Okay, next, what most embarrassing storyline? Does anything stand out

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Speaker 3: to you there?

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Speaker 1: Oh, I'm sure.

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Speaker 2: I mean in the show, this is going to say ridiculous,

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Speaker 2: But in the show.

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Speaker 1: This is so silly and probably like petty.

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Speaker 2: But there was a storyline with Evan and I, Harry

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Speaker 2: and I where we go out on Valentine's Day and

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Speaker 2: eat a bunch of French cheese and have like digestive

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Speaker 2: problems and lay on the floor in T shirts.

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Speaker 1: And I just.

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Speaker 2: Hated the storyline so much. And it was our writers,

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Speaker 2: Julian and Alisa Horan and just like that.

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Speaker 1: And I went to them and I was like, please,

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Speaker 1: do we have to do why?

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Speaker 2: And they were like, because it's so funny, and I think,

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Speaker 2: I feel I don't know for sure, but I think

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Speaker 2: it was based on someone had gone to France and

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Speaker 2: this had happened to them, because you know, they have

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Speaker 2: like so many decadent cheeses that we're not used to here.

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Speaker 1: But I didn't like that.

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Speaker 2: I didn't want to lay on the floor in the

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Speaker 2: bathroom with Evan and like staying T shirts ick. Now,

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Speaker 2: then that is second to what Michael put me through

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Speaker 2: in Mexico with the water, which I'm not even going

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Speaker 2: to go into detail because everyone knows, and I mean, honestly,

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Speaker 2: I still have to talk about it in interviews and

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Speaker 2: I'm like, thank you, Michael Patrick King for doing this

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Speaker 2: to me.

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Speaker 3: Now we know Charlotte has her rules, which rule from

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Speaker 3: the series. Do you think was too strict?

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Speaker 2: I think Charlotte's rules are probably all too strict, And

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Speaker 2: I say, this is a mom who has a lot

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Speaker 2: of rules, right, So I think, Charlotte, you know, it's

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Speaker 2: like her, what's the saying like, don't let perfection be

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Speaker 2: the enemy of something?

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Speaker 1: See, I don't even remember the saying. This is clearly

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Speaker 1: my issue.

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Speaker 3: Also, don't let perfection be the enemy of good?

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Speaker 1: Yes, don't let perfection be the enemy of good? This

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Speaker 1: is a good Charlotte needs this.

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Speaker 2: Like scrawled on her wall really big, or maybe on

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Speaker 2: her mirror, because you know, the striving for perfection at

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Speaker 2: all times is hard on people, right, like the people

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Speaker 2: around her, her kids, also herself.

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Speaker 1: So I think all of that.

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Speaker 2: And in the beginning, it's all about out this you know,

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Speaker 2: theoretical husband that she's trying to find, and she brings

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Speaker 2: the book about the rules and this book about how

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Speaker 2: to get a husband in six months or something bizarre.

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Speaker 2: And I had to read this book and like hold

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Speaker 2: it and kind of thump it, like, you know, this

368
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Speaker 2: book that was really challenging for me personally because I

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Speaker 2: obviously do not feel that way, and I also feel

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Speaker 2: like it's just slightly insane. But obviously, sometimes your character

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Speaker 2: is going to do something insane that you're playing and

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Speaker 2: you have to find a way.

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Speaker 1: To do it.

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Speaker 2: I would say probably that book moment, which I think

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Speaker 2: is coming soon in season one or maybe season two,

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Speaker 2: that might have been the most extreme time that she

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Speaker 2: didactically was following an actual literal book, you know, in

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Speaker 2: her life, which is bizarre.

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Speaker 3: If Charlotte could give advice to her younger self, what

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Speaker 3: would she say, Well, along.

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Speaker 2: These same lines, I think that the advice Charlotte would

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Speaker 2: say to her younger self is relax a little bit,

383
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Speaker 2: because it's all going to work out. It's all going

384
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Speaker 2: to be amazing, and it might not be exactly how

385
00:18:02,680 --> 00:18:05,120
Speaker 2: you think it's gonna look, but it's all gonna be

386
00:18:05,200 --> 00:18:09,159
Speaker 2: so great. And don't mind that your friends roll their

387
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Speaker 2: eyes so much at you, because they're all gonna be

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Speaker 2: fine too, and they really love you.

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Speaker 3: It's great advice.

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Speaker 1: Thank you.

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Speaker 3: I'm so curious about how you got filming in just

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Speaker 3: like that. Now, how do you deal with like crowd

393
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Speaker 3: control when you guys are filming outside on the streets

394
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Speaker 3: of New York? How does that work?

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Speaker 1: You know, it depends on the day and the situation.

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Speaker 1: It's very interesting, like We're always so amazed when people

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Speaker 1: come out. Sometimes it's so hot.

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Speaker 2: So Jessica and I did a walk and talk in

399
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Speaker 2: the village this summer. It was at least one hundred

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Speaker 2: degrees and there were so many.

401
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Speaker 1: People crammed on this little block. We had quite a big.

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Speaker 2: Setup, like with cranes and lights and so many different things,

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Speaker 2: and they were so great, Like if we asked them,

404
00:19:02,480 --> 00:19:05,920
Speaker 2: like please be quiet during rolling, everyone's very quiet.

405
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Speaker 1: It's amazing.

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Speaker 2: So you've got regular street sounds, but you don't want

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Speaker 2: a crowd sound, right, because that would make us unable

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Speaker 2: to film. So I think everyone just really gets committed to,

409
00:19:14,840 --> 00:19:17,720
Speaker 2: you know, making the scene work, which is so adorable

410
00:19:18,200 --> 00:19:21,800
Speaker 2: and really like incredibly sweet. The first time we went

411
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Speaker 2: back to do and just like that, it was also

412
00:19:24,119 --> 00:19:26,960
Speaker 2: very hot that summer, and I remember being with Mario

413
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Speaker 2: and Alexa down in this basement.

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Speaker 1: Of the Hot Fellas.

415
00:19:31,440 --> 00:19:33,040
Speaker 2: It was not the Hot Fellas that we have now,

416
00:19:33,080 --> 00:19:35,600
Speaker 2: but that the original Hot Fellaw's kitchen that he borrowed,

417
00:19:35,880 --> 00:19:37,959
Speaker 2: and it was also like one hundred something degrees. It

418
00:19:38,000 --> 00:19:40,480
Speaker 2: was late into the night, two or three am. There's

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Speaker 2: just this huge crowd outside. We were downtown somewhere.

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Speaker 1: And Alexa, who is eleven at the time, was like,

421
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Speaker 1: why are all those people out there?

422
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Speaker 2: Shouldn't really fully grasp the what had happened before, and

423
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Speaker 2: just like that, and we.

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Speaker 1: Would try to explain it, she'd just be like, oh, well,

425
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Speaker 1: I had never really heard of it. We'd be like,

426
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Speaker 1: that's okay, you're eleven, it's okay.

427
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Speaker 2: But it's just so sweet to us that people want

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00:20:03,640 --> 00:20:08,919
Speaker 2: to come, and everyone's always been incredibly helpful. Occasionally it's

429
00:20:08,960 --> 00:20:11,960
Speaker 2: weird if they're filming us while we're filming, because we

430
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Speaker 2: don't want to give away storylines, but people are usually

431
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Speaker 2: very polite if we ask them, don't film right now.

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Speaker 1: They're cool. People are amazing.

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Speaker 3: Yeah, I mean that's another question, is like, if you're

434
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Speaker 3: you're filming stuff obviously no one's going to see for months,

435
00:20:25,200 --> 00:20:28,160
Speaker 3: how do you ever film like fake stuff to see? Yeah?

436
00:20:28,000 --> 00:20:30,560
Speaker 2: Yeah, yeah, I think everyone knows what I'm talking about.

437
00:20:30,600 --> 00:20:35,520
Speaker 2: We definitely filmed on at least two occasions I can

438
00:20:35,600 --> 00:20:38,400
Speaker 2: think of, like decoy scenes.

439
00:20:38,600 --> 00:20:40,880
Speaker 1: I was not involved in any of the decoy scenes,

440
00:20:41,200 --> 00:20:42,880
Speaker 1: and at this point, I don't know.

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00:20:43,000 --> 00:20:46,600
Speaker 2: I think Michael Patrick has started to write the important

442
00:20:46,600 --> 00:20:51,760
Speaker 2: scenes having them inside which is really helpful. But we

443
00:20:51,840 --> 00:20:54,919
Speaker 2: have films some decoy scenes. I think everyone kind of

444
00:20:54,960 --> 00:20:57,359
Speaker 2: knew that they were. You know, we didn't really totally

445
00:20:57,359 --> 00:21:00,320
Speaker 2: pull it off, I don't think, But that's okay. I

446
00:21:00,359 --> 00:21:02,760
Speaker 2: think the thing for us that's hard is like, we

447
00:21:02,840 --> 00:21:05,280
Speaker 2: love the fans, but we also really want people to

448
00:21:05,320 --> 00:21:08,320
Speaker 2: be able to experience the show for the first time,

449
00:21:08,400 --> 00:21:10,600
Speaker 2: right to see the storylines for the first time, not

450
00:21:10,640 --> 00:21:13,440
Speaker 2: to have everything already rehashed on social.

451
00:21:13,119 --> 00:21:15,160
Speaker 1: Media before it's even actually happened.

452
00:21:15,560 --> 00:21:17,760
Speaker 2: And sometimes that's frustrating, like people will say, like why

453
00:21:17,800 --> 00:21:20,400
Speaker 2: are they all wearing this? Or why is this character

454
00:21:20,560 --> 00:21:22,760
Speaker 2: wearing this? And there is a reason, but we can't

455
00:21:22,760 --> 00:21:24,440
Speaker 2: tell you the reason because we want you to enjoy

456
00:21:24,480 --> 00:21:26,280
Speaker 2: the storyline when we do it, you know.

457
00:21:26,359 --> 00:21:29,879
Speaker 3: Yeah, yeah, Is there a character that you think left

458
00:21:30,240 --> 00:21:32,159
Speaker 3: Sex and the City too early that you would like

459
00:21:32,160 --> 00:21:32,760
Speaker 3: to see return?

460
00:21:33,240 --> 00:21:35,440
Speaker 2: And just like that, well, as we mentioned Kyle McGlocklin,

461
00:21:35,880 --> 00:21:37,639
Speaker 2: I mean, I don't know if you'd left too early

462
00:21:37,680 --> 00:21:40,080
Speaker 2: because that was how the storyline needed to go at

463
00:21:40,080 --> 00:21:42,440
Speaker 2: the time, but we would love to have him back.

464
00:21:42,560 --> 00:21:45,960
Speaker 2: I think I would, and I'm pretty sure Michael Patrick would.

465
00:21:47,320 --> 00:21:50,000
Speaker 2: I mean, we've had so many incredible people and I

466
00:21:50,040 --> 00:21:52,639
Speaker 2: never want anyone to ever leave, you know, But we

467
00:21:52,640 --> 00:21:55,080
Speaker 2: don't have enough time on screen. Really, I'll tell you

468
00:21:55,080 --> 00:21:56,879
Speaker 2: who we have on And just like that, which was

469
00:21:57,000 --> 00:22:01,000
Speaker 2: so much fun was Patty Lapone. The Pone is coming.

470
00:22:01,800 --> 00:22:07,159
Speaker 1: It's so exciting. I mean, so many people though, so

471
00:22:07,160 --> 00:22:07,680
Speaker 1: many people.

472
00:22:07,720 --> 00:22:07,879
Speaker 2: You know.

473
00:22:07,920 --> 00:22:08,480
Speaker 1: We had.

474
00:22:10,000 --> 00:22:14,160
Speaker 2: Andy you know, Cohen on way back in a tiny

475
00:22:14,200 --> 00:22:16,320
Speaker 2: little roll and then I think we had him come

476
00:22:16,320 --> 00:22:18,720
Speaker 2: back briefly, but I think he should come back more.

477
00:22:18,800 --> 00:22:19,440
Speaker 1: That'd be fun.

478
00:22:19,880 --> 00:22:23,040
Speaker 3: So excited about that. Now, looking back on your memories

479
00:22:23,320 --> 00:22:25,919
Speaker 3: of Sex and the City, is there one day on

480
00:22:26,000 --> 00:22:28,480
Speaker 3: set that you wish you could, like magically transport back

481
00:22:28,520 --> 00:22:29,919
Speaker 3: to Gosh?

482
00:22:30,040 --> 00:22:34,480
Speaker 2: I mean probably so many really, Like I remember one time.

483
00:22:35,000 --> 00:22:36,560
Speaker 1: I don't know where we were.

484
00:22:36,600 --> 00:22:40,320
Speaker 2: We were downtown, I think at a shoe store, and

485
00:22:40,960 --> 00:22:44,560
Speaker 2: it was hot and it was late and we were

486
00:22:44,640 --> 00:22:47,680
Speaker 2: just laughing. I think we'd all fallen asleep on the set.

487
00:22:47,760 --> 00:22:49,639
Speaker 2: Usually we would go back to our trailers, but sometimes

488
00:22:49,720 --> 00:22:52,199
Speaker 2: it's logistically hard to go back to our trailers. But

489
00:22:52,280 --> 00:22:54,840
Speaker 2: I just remember laughing hysterically, and I used to have

490
00:22:54,880 --> 00:22:56,879
Speaker 2: this whole ritual that I would do that.

491
00:22:56,920 --> 00:22:59,280
Speaker 1: I think Sarah Jusca's talked about where I.

492
00:22:59,240 --> 00:23:02,399
Speaker 2: Would wait and to like, you're just at the end

493
00:23:02,440 --> 00:23:04,120
Speaker 2: of your rope and you're so tired and you don't

494
00:23:04,160 --> 00:23:04,760
Speaker 2: have energy.

495
00:23:04,960 --> 00:23:06,359
Speaker 1: And I would have my diet coke.

496
00:23:07,240 --> 00:23:09,320
Speaker 2: And I don't drink Dick Coke anymore, but at the time,

497
00:23:09,359 --> 00:23:10,879
Speaker 2: I still drink Die coke. And I would get my

498
00:23:10,880 --> 00:23:12,640
Speaker 2: diet coke and I would wrap it in paper towel

499
00:23:12,640 --> 00:23:14,879
Speaker 2: so that they didn't drip on my clothes. And I

500
00:23:14,880 --> 00:23:17,960
Speaker 2: would also, if we were really doing this as a group,

501
00:23:18,000 --> 00:23:21,160
Speaker 2: we would get McDonald's French fries and we would eat

502
00:23:21,160 --> 00:23:24,760
Speaker 2: them together and it would be incredible, because normally I'd

503
00:23:24,760 --> 00:23:26,159
Speaker 2: try to be healthier than that, but it would be

504
00:23:26,280 --> 00:23:28,080
Speaker 2: so good and it would be something that we would

505
00:23:28,080 --> 00:23:30,320
Speaker 2: look forward to at say like two am, three am.

506
00:23:30,680 --> 00:23:33,080
Speaker 2: I also remember so many fun nights.

507
00:23:32,800 --> 00:23:35,960
Speaker 1: Where we would work till like maybe.

508
00:23:36,320 --> 00:23:38,960
Speaker 2: Six or seven whenever the sun rose on Saturday morning,

509
00:23:39,400 --> 00:23:41,320
Speaker 2: and a lot of us would be going out to

510
00:23:41,720 --> 00:23:45,200
Speaker 2: the Hampton's cast and crew, and so we were obviously

511
00:23:45,200 --> 00:23:46,760
Speaker 2: we've been up all night and we were so tired.

512
00:23:46,760 --> 00:23:49,160
Speaker 2: We would do like a caravan and I would usually

513
00:23:49,240 --> 00:23:52,480
Speaker 2: ride with Sarah Jessica and we would just like drop

514
00:23:52,520 --> 00:23:55,160
Speaker 2: people off in whichever Hampton's they were in and make

515
00:23:55,200 --> 00:23:57,479
Speaker 2: sure that they got there safely because we were also tired.

516
00:23:57,720 --> 00:23:58,840
Speaker 1: And that was really really fun.

517
00:23:58,880 --> 00:24:01,080
Speaker 2: And sometimes we'd get out get something at a store,

518
00:24:01,480 --> 00:24:03,600
Speaker 2: like you know, seven to eleven and like switch cars.

519
00:24:03,680 --> 00:24:05,880
Speaker 1: It was really really fun. I remember things like that.

520
00:24:06,840 --> 00:24:09,560
Speaker 2: I mean so many things, but I mean also, we

521
00:24:09,680 --> 00:24:13,200
Speaker 2: had such an incredible time in Morocco for the second movie.

522
00:24:13,600 --> 00:24:15,159
Speaker 1: Oh god, I would go back.

523
00:24:15,000 --> 00:24:18,680
Speaker 2: There on a second anyway. So many, so many it's

524
00:24:18,680 --> 00:24:20,800
Speaker 2: hard to even think of. Also, it's the Central Park.

525
00:24:21,400 --> 00:24:23,960
Speaker 2: So many incredible times shooting in Central Park when it

526
00:24:24,000 --> 00:24:28,160
Speaker 2: was beautiful, also cold. But I remember one time Cynthia

527
00:24:28,240 --> 00:24:30,360
Speaker 2: and Sarah and I are walking down the promenade, which

528
00:24:30,400 --> 00:24:33,280
Speaker 2: is one of my all time favorite parts of the park,

529
00:24:33,320 --> 00:24:37,000
Speaker 2: and I'm wearing my full Berbery raincoat, which I still

530
00:24:37,000 --> 00:24:40,879
Speaker 2: have in my closet, and I think there's an umbrella involved.

531
00:24:40,920 --> 00:24:43,320
Speaker 2: And it was possibly first or second season. It was

532
00:24:43,400 --> 00:24:45,879
Speaker 2: just so magical to get the film in Central Park.

533
00:24:46,960 --> 00:24:48,239
Speaker 3: Truly magical, isn't it?

534
00:24:48,400 --> 00:24:48,520
Speaker 2: Uh?

535
00:24:48,920 --> 00:24:52,280
Speaker 3: Do you do you remember how did it feel when

536
00:24:52,280 --> 00:24:54,480
Speaker 3: you finished filming Season six?

537
00:24:54,720 --> 00:24:56,800
Speaker 1: Oh? I remember it because there's pictures of it too.

538
00:24:57,080 --> 00:25:02,720
Speaker 2: It was horrible because we really I don't know actually

539
00:25:02,800 --> 00:25:04,719
Speaker 2: now that I'm thinking of it, I don't know if

540
00:25:04,760 --> 00:25:06,119
Speaker 2: we really thought it was the end or not.

541
00:25:06,320 --> 00:25:07,399
Speaker 1: But let me tell you this.

542
00:25:07,480 --> 00:25:10,640
Speaker 2: We cried and cried and cried and cried, and Sarah

543
00:25:10,680 --> 00:25:13,280
Speaker 2: Jessica Parker cried and Sara Juska is not a crier.

544
00:25:13,359 --> 00:25:15,480
Speaker 1: I don't know if you're aware of this, because.

545
00:25:15,280 --> 00:25:17,719
Speaker 2: At that point, I think we believed there was going

546
00:25:17,800 --> 00:25:19,960
Speaker 2: to be a film. We hoped there was going to

547
00:25:19,960 --> 00:25:22,439
Speaker 2: be a film, but it hadn't been greenlit, so it

548
00:25:22,480 --> 00:25:27,120
Speaker 2: was kind of this unknown thing of like, can we

549
00:25:27,520 --> 00:25:30,159
Speaker 2: move to this next phase that we really really wanted

550
00:25:30,200 --> 00:25:32,280
Speaker 2: to move to and we believed we were going to

551
00:25:32,359 --> 00:25:35,040
Speaker 2: move to, but at the same time, you don't really know,

552
00:25:35,359 --> 00:25:37,919
Speaker 2: so it could actually be the end, which was just

553
00:25:38,560 --> 00:25:40,640
Speaker 2: impossible to actually believe.

554
00:25:40,880 --> 00:25:44,200
Speaker 1: Like I was just like, why why are we ending?

555
00:25:44,240 --> 00:25:48,119
Speaker 2: And I knew I know intellectually why, and I understand

556
00:25:48,240 --> 00:25:52,040
Speaker 2: intellectually why, but it just didn't personally make sense for me.

557
00:25:52,280 --> 00:25:54,960
Speaker 2: Like for me, I never wanted it to end, as

558
00:25:55,000 --> 00:25:58,040
Speaker 2: I never do now, right, but like back then especially,

559
00:25:58,040 --> 00:26:01,600
Speaker 2: I just felt like this is so dumb. People were

560
00:26:01,640 --> 00:26:04,040
Speaker 2: just being so dumb. We have this incredible thing.

561
00:26:04,080 --> 00:26:06,199
Speaker 1: Why are we doing this? No? Sorry if I just

562
00:26:06,240 --> 00:26:09,399
Speaker 1: deafened everyone, but obviously it worked out. It worked out fine.

563
00:26:09,400 --> 00:26:11,239
Speaker 2: But like, we cried and cried, and there was a

564
00:26:11,280 --> 00:26:14,080
Speaker 2: scene in that final episode where Charlotte is supposed to

565
00:26:14,119 --> 00:26:17,040
Speaker 2: cry because she believes Carrie's moving to Paris, and I

566
00:26:17,080 --> 00:26:20,400
Speaker 2: had to cry for the entire day and I did it,

567
00:26:20,520 --> 00:26:22,560
Speaker 2: and it was good. At the beginning, I was like, yes,

568
00:26:22,600 --> 00:26:24,680
Speaker 2: I need to cry because also we were ending the show.

569
00:26:24,840 --> 00:26:27,080
Speaker 2: But even then, by then, by the time that we

570
00:26:27,280 --> 00:26:30,280
Speaker 2: actually had our final day of filming, I think I

571
00:26:30,400 --> 00:26:34,280
Speaker 2: was somewhat depleted of tears because of the filming day

572
00:26:34,280 --> 00:26:37,080
Speaker 2: of crying, but Sir Jusica was not depleted of tears.

573
00:26:37,200 --> 00:26:38,680
Speaker 1: So when she cries, I cry.

574
00:26:38,800 --> 00:26:42,280
Speaker 3: Basically, we have time for one more question here, Okay,

575
00:26:42,440 --> 00:26:44,080
Speaker 3: do you have a favorite Charlotte quote?

576
00:26:44,760 --> 00:26:47,359
Speaker 1: Wow, a question I don't know the answer to.

577
00:26:47,960 --> 00:26:50,439
Speaker 2: Honestly, I have no idea, because you know what's funny

578
00:26:50,560 --> 00:26:52,520
Speaker 2: is like, I'm not objective.

579
00:26:52,560 --> 00:26:54,000
Speaker 1: I don't remember this stuff. I said.

580
00:26:54,160 --> 00:26:57,720
Speaker 2: That's why rewatching is so fascinating. I don't remember hardly

581
00:26:57,800 --> 00:27:02,320
Speaker 2: anything that I say. I remember experiences of filming or

582
00:27:02,359 --> 00:27:05,800
Speaker 2: maybe what the others said or like, I have visual memory,

583
00:27:05,800 --> 00:27:08,160
Speaker 2: but I don't really remember words as well.

584
00:27:08,400 --> 00:27:11,120
Speaker 1: Yeah, I don't know. Everyone should write in and tell

585
00:27:11,160 --> 00:27:13,399
Speaker 1: me what they liked that I said. I don't know.

586
00:27:13,720 --> 00:27:15,239
Speaker 1: I don't know. You guys, you tell me.

587
00:27:15,359 --> 00:27:18,000
Speaker 3: Okay, this was so much fun. Thank you for answering

588
00:27:18,000 --> 00:27:18,600
Speaker 3: these questions.

589
00:27:18,800 --> 00:27:22,680
Speaker 1: Thanks thank you for fans asking them. We love it.

590
00:27:22,840 --> 00:27:28,120
Speaker 1: We'll do more of it, so you guys write in. Fine,