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Speaker 1: Have you ever wore dressed as a coming would you

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Speaker 1: do that?

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Speaker 2: The thing is like you like you said that, this

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Speaker 2: ship getting repetitive, and and why don't these gentlemen come

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Speaker 2: out on behalf.

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Speaker 1: Of our community?

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Speaker 3: Right if they see that all of these gentlemen bro

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Speaker 3: were saying, the Jamie Foxes, the money Lawrence, the tyler

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Speaker 3: peer is as powerful as you guys is if you

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Speaker 3: did it for whatever reason, why don't these gentlemen come

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Speaker 3: out to say something or.

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Speaker 1: Or what I'm saying it wasn't no and y'o, y'all

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Speaker 1: got that wrong?

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Speaker 2: This you hell long nigga, I won't that. I'd have

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Speaker 2: been in I'm gonna say, coming to America to our talk.

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Speaker 2: That's when I understood how movies work.

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Speaker 1: Though I'm being honest with you.

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Speaker 2: We was on set so many days and then when

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Speaker 2: they start editing that ship, my partner's smaller, smaller and smaller.

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Speaker 1: But it was audition for a cousin.

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Speaker 2: So that's when all the comedians in Atlanta all us

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Speaker 2: in there.

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Speaker 1: So I'm looking around the room.

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Speaker 2: I'm being under u.

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Speaker 1: Desy Banks was in there.

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Speaker 2: Oh they had Disney Banks, they had laugh Love, they

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Speaker 2: had more man any comedian that's in Atlanta. They were

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Speaker 2: trying to get in that boy we was in there. Yeah,

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Speaker 2: so I'm looking around the room, and to be honest

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Speaker 2: with you, I was like, bro I said, all these

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Speaker 2: motherfuckers in shape, I said, they're looking for somebody short.

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Speaker 1: In fact, I got.

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Speaker 2: This bitch, and that's what I had to see early.

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Speaker 2: So sometimes I was like down in myself, like damn,

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Speaker 2: what it gonna take for this year? Yeah, so if

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Speaker 2: somebody had to tell me sometimes it ain't even about talent.

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Speaker 3: With that stuff, they can't be looking for you and

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Speaker 3: Dinzy Banks for the same role. If we're taking that

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Speaker 3: into consideration. Yep, I gotta be able to share with

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Speaker 3: niggas Broh Done taught myself that this year, I want

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Speaker 3: to share with people. I want to not just anybody

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Speaker 3: because Sharon ain't giving and not getting.

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Speaker 1: People think Sharon.

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Speaker 3: Sharon is initiating the barter and trading system. It ain't

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Speaker 3: saying that I'm gonna give you everything and get nothing new.

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Speaker 3: Turned like a wolf. A wolf will eat everything that

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Speaker 3: it has because it's afraid it'll be stolen from it.

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Speaker 3: It gives itself nothing later on. It don't say like

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Speaker 3: you ever see a dog bury a bone, You ever

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Speaker 3: see them take meet and put it somewhere for later on.

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Speaker 3: A wolf won't do that because it's so afraid that

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Speaker 3: wherever it takes, because of the mentality whatever it has.

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Speaker 3: If it don't eat it now, somebody else is gonna

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Speaker 3: get it.

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Speaker 1: Now.

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Speaker 4: Niggas want to lure me to death looms exactly, my man,

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Speaker 4: looms old.

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Speaker 1: Loan, new loom.

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Speaker 5: Okay, okay, all is up there and stuck that when

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Speaker 5: it's up there, man, it's stuck.

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Speaker 1: Shut up.

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Speaker 1: Let's get back to the show. Yo, yo, yo.

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Speaker 3: Welcome to another episode of It's Up That Podcast. I

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Speaker 3: am your active and attractive hosts for another episode of

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Speaker 3: the fastest growing podcasts in the world. Right now, listen,

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Speaker 3: the vibes is how vibrations always high, big homing on

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Speaker 3: every part of the world.

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Speaker 1: Today.

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Speaker 3: I have someone man that I was looking forward to

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Speaker 3: speak with. He's a force to be wrecking with in

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Speaker 3: this comedic world. I got the home in nav Green.

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Speaker 3: What's going on?

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Speaker 1: My brother? What it do?

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Speaker 4: Man?

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Speaker 3: Pleasure to be here, man, appreciate that, brother, Sure, I

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Speaker 3: appreciate that.

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Speaker 1: You know you you in this game. It's content. Game

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Speaker 1: is some motherfucker, man.

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Speaker 2: Yeah, I feel like it could it could go. It

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Speaker 2: could drain you at times, and then I feel like

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Speaker 2: you gotta get rejuvenated with it too. You do sometimes

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Speaker 2: just take a break like and when I say a break,

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Speaker 2: like a mental break like live life too, so you

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Speaker 2: can have something to talk about it even do.

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Speaker 1: Is that how you draw your ship up?

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Speaker 3: Yeah?

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Speaker 2: Because I was noticing, like sometimes we come off the road,

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Speaker 2: we might go I'm back doing something work related, but

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Speaker 2: I ain't had time to like get no, you know

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Speaker 2: what I mean?

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Speaker 3: Yeah, And don't let us content creators can understand that

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Speaker 3: because you fool from literally your soul with.

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Speaker 2: This real life is not saying I'm getting material from

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Speaker 2: my family, but I gotta be around my family experience, Yeah, just.

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Speaker 1: To know what's going on in the world.

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Speaker 2: And when I say the world, like what's going on

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Speaker 2: like in the city, like.

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Speaker 1: What's the good going through? You feel me.

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Speaker 2: I can't do that if all I'm doing is around

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Speaker 2: the work around people with money, Yeah, because they don't

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Speaker 2: know the Yeah.

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Speaker 3: That's why. And sometimes you feel like you call in

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Speaker 3: between this thing. You be like, why ain't broken enough

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Speaker 3: to be in the hood every day? But I ain't

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Speaker 3: rich enough to be in the birds? And then why

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Speaker 3: You're right, you know what I'm saying. So you get

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Speaker 3: stuck in the middle of it. That's why nigga feel alienated.

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Speaker 3: And now I'm trying to figure out why people say

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Speaker 3: this is lonely at the top ship. I don't think

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Speaker 3: it's because I think it's because to get to the top,

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Speaker 3: you gotta shed so much skin that it's like, damn

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Speaker 3: where everybody you look around, damny go.

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Speaker 1: And that's where you disconnected it and then.

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Speaker 2: Because it's like what you just saying that it is

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Speaker 2: some shit that like, I can't keep being around this

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Speaker 2: type of shit though, but sometimes I need to come

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Speaker 2: around it.

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Speaker 1: Just for to speak on behalf of this kind of

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Speaker 1: shpeak on behalf of that shit, and then got them

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Speaker 1: motivate me some more to never go back.

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Speaker 3: I come from that well what yeah, so yeah, And

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Speaker 3: I think, like we was talking man for me content creation.

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Speaker 3: I look at podcasts man, and this is this is deep.

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Speaker 3: But I look at it like almost like the Bible.

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Speaker 3: I look at it like life experiences and stories. Right,

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Speaker 3: some of them are lessons, some of them are experiences.

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Speaker 3: You may see me sit down with a drug dealer

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Speaker 3: that did twenty years. You may see me sitting down

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Speaker 3: with a doctor that been saving lives for twenty years.

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Speaker 3: I'm talking to him about his experiences. I'm talking to

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Speaker 3: him about his lessons. You see what I'm saying. So

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Speaker 3: the podcast thing to me is where I always try

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Speaker 3: to leave something like somebody watch this and gain something

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Speaker 3: from you, just on like damn, what ever, how the

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Speaker 3: fuck he did that? Here's something I want to start

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Speaker 3: talking to talk to you about. Have you ever been

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Speaker 3: in a movie. Yeah, I saw you in a few.

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Speaker 1: But for the people who don't know, tell them the

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Speaker 1: movies you've been in, I'd have been in.

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Speaker 2: I'm gonna say coming to America to our talk, but

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Speaker 2: you know what I'm saying, the role.

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Speaker 1: That's when I understood how movies work.

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Speaker 2: Though, I'm being honest with you, because like, we was

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Speaker 2: on set so many days and then when they start

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Speaker 2: editing that shit, my part got smaller and smaller and smaller.

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Speaker 2: But then from the bigger, bigger scale of it, they

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Speaker 2: edited a lot of the other movie out. But I'm

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Speaker 2: looking at it from my point like, damn, I wanted

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Speaker 2: this to be this and wanted this to be that

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Speaker 2: when sometimes it's just all about like what you just

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Speaker 2: say a lesson in that.

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Speaker 3: Right, and then you build a resume. Yeah, So getting on,

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Speaker 3: getting on, coming to America. How did that come about?

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Speaker 2: Uh? We had audition. I had audition for another role.

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Speaker 2: So uh the first thing I auditioned.

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Speaker 3: Audition with who though where at La No, it was

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Speaker 3: in that Uh in Atlanta. Wow, So Atlanta's having those

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Speaker 3: kind of auditions.

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Speaker 1: Yeah.

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Speaker 2: So the first audition was a role that Tracy Morgan got.

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Speaker 2: But at the time, I don't know who got the

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Speaker 2: role I wasn't for he was the uncle.

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Speaker 1: Okay.

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Speaker 3: It was in the same movie, yeah, the same Okay,

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Speaker 3: so you came to audition for Coming to America and

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Speaker 3: then that role.

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Speaker 2: They just said, okay, so I did the uncle role.

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Speaker 2: Then I didn't get that. So then they came back

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Speaker 2: and it was like it was an audition for a cousin.

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Speaker 2: So that's when all the comedians in Atlanta all us

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Speaker 2: in there. So I'm looking around the room. Well, I'm

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Speaker 2: being under Uh. Desi Banks was in there.

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Speaker 3: Uh.

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Speaker 2: They had Dizzie Banks, they had laugh Love, they had Man.

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Speaker 2: Any comedian that's in Atlanta.

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Speaker 1: They run to get that. We was in there. Yeah.

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Speaker 1: So I'm looking around the room.

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Speaker 2: And to be honest with you, Bro, I said, all

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Speaker 2: these motherfuckers in shape. I said, they're looking for somebody short.

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Speaker 2: In fact, I got this bitch. I look up Rodney

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Speaker 2: period come through a little shorter here, a little God

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Speaker 2: damn got competition.

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Speaker 1: Man, what's so crazy? Bro?

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Speaker 2: Both of us got the part for real, Me and

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Speaker 2: Rodney different parts. Yeah, we was in the same move,

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Speaker 2: but it was like for the like for the family,

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Speaker 2: for his family.

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Speaker 1: So so how does audition go though?

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Speaker 2: Man, you go in the audition, you don't you don't

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Speaker 2: really know what they're looking for. Everybody reading the line

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Speaker 2: the same lines, so you kind of slick, gotta bring

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Speaker 2: something different.

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Speaker 3: So do you walk in and it's four people at

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Speaker 3: the table and they saying you walk in on some

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Speaker 3: American idol ship.

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Speaker 2: Yeah it's something. Some some of the rooms be different.

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Speaker 2: Some of it might be just you and the casting

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Speaker 2: casting director.

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Speaker 3: See that's that's that's that's weird. It could be one

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Speaker 3: on one time because your tape and a nigga don't

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Speaker 3: give a because you can be like, man, I promise

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Speaker 3: I'm funnier than this. That don't mean Yeah, you don't

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Speaker 3: even know how you what they are they giving you

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Speaker 3: any response?

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Speaker 1: Old faith, bad please. And that's the thing.

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Speaker 2: So like with stand up, you hear that immediately. You

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Speaker 2: know if a Joe hit Man, you could be in there.

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Speaker 2: You felt like you did good as hell? What is

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Speaker 2: the what?

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Speaker 3: Let's what is the reason for not giving feedback in

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Speaker 3: the moment for a table read.

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Speaker 1: Or something, Because most of the time, if the.

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Speaker 2: If the producer or directed, a lot of people got

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Speaker 2: to see that tape, so they might be taping it

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Speaker 2: and let somebody see it and they going through. You

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Speaker 2: gotta think if they don't audition thirty people, they want

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Speaker 2: to go through thirty people tapes, so they don't know

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Speaker 2: exactly what The producer and everybody got to come into ingreements.

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Speaker 3: That's what it is. It's that I can't make the

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Speaker 3: decision on my own. Even if I say, boy, he's

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Speaker 3: smoking this, I can't even make that decision just me.

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Speaker 3: I still got to take that to the table. And

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Speaker 3: it's around the producing something.

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Speaker 2: Else though, And somebody had to tell me sometimes it

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Speaker 2: ain't even about talent with that stuff. It ain't even

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Speaker 2: about Sometimes you might not just fit a cast. Everybody

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Speaker 2: tall and you short, how you gonna be in their family?

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Speaker 2: Or everybody short and you six feet right, everybody light skin,

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Speaker 2: you can't be the dark skin brother, right, So sometimes

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Speaker 2: it's about like you just don't have a look.

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Speaker 3: So do they consider that in auditioning, Like did all

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Speaker 3: of those comics come just saying I'm auditioning period, Nigga.

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Speaker 3: I don't care if they say they looking, because they

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Speaker 3: can't be looking for you and Dizzy Banks for the

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Speaker 3: same role.

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Speaker 1: If we're taking that into consideration.

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Speaker 2: Yeah, but sometimes they don't know to look until they

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Speaker 2: cast it everybody else. So sometimes then they'll start piecing

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Speaker 2: everybody together. Well he got this role, he got this role.

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Speaker 2: But they might go together, makes sense, you see what

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Speaker 2: I'm saying, Or they might fit. They chemistry might work,

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Speaker 2: makes sense. So it's like a it's like a puzzle.

255
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Speaker 2: They piecing that shit together, and you don't even know.

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Speaker 2: You in there going off a dream and a damn dollar,

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Speaker 2: they don't even know.

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Speaker 3: Like part of the quake. Them broke your whole dreams

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Speaker 3: in half. You thinking, Man, I went in and pulled

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Speaker 3: my heart.

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Speaker 1: Out, man, and that's what I had to see early.

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Speaker 2: So sometimes I was like down in myself, like damn,

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Speaker 2: what it gonna take for this?

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Speaker 1: Shear?

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Speaker 3: Yeah, But before we get to that, Coming to America,

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Speaker 3: you auditioned in front of who George Pierre and.

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Speaker 2: Then shut out, shout out whoever that is. I'm sure

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Speaker 2: somebody that make it decision, you know what I'm saying,

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Speaker 2: got you all.

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Speaker 1: So I'm saying that's just so you one on one?

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Speaker 1: Was it just you and him? Yeah?

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Speaker 2: It was one on one and he had the camera,

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Speaker 2: so you gotta think he the casting director.

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Speaker 1: So he said, a listen, is it like this right here?

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Speaker 2: Like yeah, how I'm looking at the camera right now

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Speaker 2: after I do my scene, okay, take boom, I'm out

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Speaker 2: the door.

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Speaker 1: And so is they saying something like.

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Speaker 3: I'm the brother and they give a line and you

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Speaker 3: react or like I'm saying, how are they doing this?

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Speaker 1: Are you just reading lines? Or yeah?

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Speaker 3: So they'll read and I read okay, So they are

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Speaker 3: interacting with you, so you okay, So but you.

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Speaker 1: Gotta think they read dry.

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Speaker 2: They ain't putting no character behind the ship like somebody

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Speaker 2: just reading they're supposed to.

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Speaker 3: So the brother said, why are you in my room?

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Speaker 3: And then you gotta come and that's the.

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Speaker 2: Character and you done read that ship drives head that

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Speaker 2: like that like you would have been. You're doing all

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Speaker 2: this shit. She's just sitting there and ain't cool. Yeah,

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Speaker 2: come on, hard to deal with? How many times have

293
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Speaker 2: you auditioned? Oh man, I don't audition so many times?

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Speaker 1: Yeah? Yeah?

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Speaker 2: And you know what, I didn't have got to the

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Speaker 2: point I don't be given the damn Yeah. And when

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Speaker 2: I say I don't be given them, no, I want

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Speaker 2: the part. But it's like I know it might it's

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Speaker 2: not even my y'all. Sometimes they don't need numbers, bro,

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Speaker 2: Sometimes they just need people to audition.

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Speaker 1: They already know who they want. They're going just through

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Speaker 1: the process.

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Speaker 2: So sometimes like you gotta think, when you get to

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Speaker 2: a place where you're comfortable, it's like, hey, what's.

305
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Speaker 1: For me is for me? But what does that is?

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Speaker 1: Making money outside of their system?

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Speaker 3: There you go, because boy, they check depending on that

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Speaker 3: audition that your go.

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Speaker 2: With you you ain't gonna get you, You're gonna get

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Speaker 2: what damn b let's go with that.

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Speaker 1: So it's like I'm touring. I give money outside of this.

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Speaker 1: So it's like I'm doing this many times.

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Speaker 2: I'm winning there and I ain't got ship else going,

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Speaker 2: and motherfucker, I'm in there like I'm doing a Shakespeare player.

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Speaker 2: Nigga got one line, well all the off screen hey

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Speaker 2: ad line, Yeah, trying to put something on it.

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Speaker 1: We just just stick to the script. See that's what

318
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Speaker 1: I'm saying. That's that's breaking the nigga thinking too.

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Speaker 3: Yeah, they said, sir, that's unnecessary. Not just read it

320
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Speaker 3: just a little too much. Producers wasn't going that way

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Speaker 3: with better. Fuck, I'm trying to get y'all a little.

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Speaker 1: They were practicing all at the house. Man, they did

323
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Speaker 1: shit the water to do so.

324
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Speaker 3: So so all right after the audition, you don't know

325
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Speaker 3: if you get it, you leave there, what happens.

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Speaker 2: Uh. After I left there, the agency they called me.

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Speaker 2: They were like, what's your schedule between these dates?

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Speaker 1: So I was like.

329
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Speaker 2: She was like, they're not saying you got the part,

330
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Speaker 2: but they just making sure that you're available. I was like, hell, yeah,

331
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Speaker 2: I'm available. So then she was like, okay, I'm gonna

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Speaker 2: let him know. Then I hit her back like because

333
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Speaker 2: a week none went by. I was like, they still

334
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Speaker 2: ain't saying nothing. She was like, no, but no one

335
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Speaker 2: else has casted it, so you're still good.

336
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Speaker 1: Then like a week.

337
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Speaker 2: No, maybe like four days later she called me and

338
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Speaker 2: I was hitded somewhere, and then she was like, I

339
00:15:48,560 --> 00:15:50,080
Speaker 2: got some good news. I was like, what's up. She

340
00:15:50,160 --> 00:15:53,440
Speaker 2: was like, you got the park. I was stuck because

341
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Speaker 2: that was during a time right there I was going

342
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Speaker 2: through some shit, like just like when I say going

343
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Speaker 2: through some shit like career wise, like I'm like, bro,

344
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Speaker 2: I need something to shape with this ship and not

345
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Speaker 2: saying and then you know at the time you're thinking

346
00:16:06,920 --> 00:16:09,360
Speaker 2: about it like it ain't for me because I know

347
00:16:09,400 --> 00:16:12,640
Speaker 2: where I am talent wise and ability wise. But it's

348
00:16:12,640 --> 00:16:15,000
Speaker 2: like we do certain stuff and want certain stuff though

349
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Speaker 2: prove it, Like I'm here now, I'm at a certain

350
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Speaker 2: level where I can do this.

351
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Speaker 1: But why I was stuck?

352
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Speaker 2: I'm like, man, she was like, you ain't saying and

353
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Speaker 2: I was like, man, I want to cry.

354
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Speaker 1: I rub with God was like what I needed this?

355
00:16:31,360 --> 00:16:34,520
Speaker 2: It was like a win you gotta if you go through,

356
00:16:34,560 --> 00:16:38,400
Speaker 2: like if we're talking sports and if you go through preseason,

357
00:16:38,960 --> 00:16:41,800
Speaker 2: summer camp and all training camps, all this type of stuff,

358
00:16:41,840 --> 00:16:44,000
Speaker 2: you feel what I'm saying. It's like, why I do

359
00:16:44,080 --> 00:16:46,040
Speaker 2: want to make it to the playoffs? You feel what

360
00:16:46,080 --> 00:16:47,880
Speaker 2: I'm saying. So that's why I look at it.

361
00:16:48,120 --> 00:16:51,520
Speaker 3: Before that time, what what what were you doing?

362
00:16:51,560 --> 00:16:54,520
Speaker 2: Were you doing stand up? Just stand up? Just doing

363
00:16:54,560 --> 00:16:56,120
Speaker 2: stand up? And I had like how you said, I

364
00:16:56,120 --> 00:16:58,960
Speaker 2: have many auditions. I have been auditioning for so much shit.

365
00:16:59,160 --> 00:17:00,800
Speaker 2: What would the dates stand up?

366
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Speaker 4: Like?

367
00:17:01,240 --> 00:17:03,400
Speaker 1: How many dates a year were you doing that ship?

368
00:17:03,480 --> 00:17:06,400
Speaker 1: I think during that time, woy, it was scattered.

369
00:17:06,520 --> 00:17:10,359
Speaker 2: That's before even eighty five South yeah and right, and

370
00:17:10,520 --> 00:17:12,520
Speaker 2: like bruh, everything just started like.

371
00:17:14,040 --> 00:17:16,240
Speaker 1: Start piecing together, like organically.

372
00:17:16,760 --> 00:17:20,359
Speaker 2: After that, I started touring with eighty five South, and

373
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Speaker 2: now it was like them dates coming So now when

374
00:17:22,600 --> 00:17:25,880
Speaker 2: the auditions be coming in, sometimes it was a time

375
00:17:25,920 --> 00:17:28,440
Speaker 2: where like, boy, I gotta do this audition. But it's

376
00:17:28,440 --> 00:17:32,080
Speaker 2: like you gotta get back hungry too, sometimes like it

377
00:17:33,960 --> 00:17:36,320
Speaker 2: we don't appreciate starving.

378
00:17:37,560 --> 00:17:41,440
Speaker 1: Yeah for real, Yeah, because it's starting point. Boy, we

379
00:17:41,480 --> 00:17:42,160
Speaker 1: was monsters.

380
00:17:42,280 --> 00:17:45,920
Speaker 2: Why try to hit three rooms a night? You know

381
00:17:45,960 --> 00:17:48,879
Speaker 2: what I'm saying, work on the crawdy. Now it's like

382
00:17:49,200 --> 00:17:53,760
Speaker 2: I'm gonna get some risks, rush away, get your fat ass.

383
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Speaker 3: So so all right, so that was you said, they

384
00:17:58,040 --> 00:18:00,360
Speaker 3: cut you out? What's the editing process? Then, don't even

385
00:18:00,400 --> 00:18:04,159
Speaker 3: let you know was you are? Especially me.

386
00:18:04,200 --> 00:18:06,760
Speaker 2: They ain't gonna let me though, because even when I

387
00:18:06,840 --> 00:18:09,280
Speaker 2: was on set, you gotta think, man, everybody in this

388
00:18:09,440 --> 00:18:14,840
Speaker 2: movie has been in many and multiple films. So it's

389
00:18:14,880 --> 00:18:19,720
Speaker 2: like I'm Eddie Murphy or singing Yo, Tracy Moore and Leslie.

390
00:18:19,400 --> 00:18:21,359
Speaker 1: Jones like all these people.

391
00:18:21,760 --> 00:18:25,080
Speaker 2: Man, I think I had the least amount of credits

392
00:18:25,119 --> 00:18:27,880
Speaker 2: on that whole call shot. Yeah, So it's like when

393
00:18:27,920 --> 00:18:30,480
Speaker 2: I'm on set, I'm like, man, but we had so

394
00:18:30,720 --> 00:18:32,440
Speaker 2: we had about five scenes.

395
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Speaker 1: Five yeah, five different scenes.

396
00:18:35,960 --> 00:18:39,080
Speaker 2: But then the movie so they were shooting so much

397
00:18:39,880 --> 00:18:40,920
Speaker 2: they had to edit it down.

398
00:18:41,640 --> 00:18:43,639
Speaker 1: I wonder why they did it, Like is that just

399
00:18:43,760 --> 00:18:44,800
Speaker 1: process for Hollywood?

400
00:18:45,600 --> 00:18:49,000
Speaker 2: Well, on that they had money. And when I said

401
00:18:49,000 --> 00:18:53,120
Speaker 2: they had money, certain films they only shoot. They got

402
00:18:53,119 --> 00:18:55,520
Speaker 2: a certain a lot a lot of days. And they

403
00:18:55,520 --> 00:18:57,080
Speaker 2: were like, you know, they don't want to waste no

404
00:18:57,160 --> 00:19:01,840
Speaker 2: money with this. This is a big paramount film. They

405
00:19:01,920 --> 00:19:03,760
Speaker 2: got the money right, so they could shoot.

406
00:19:03,800 --> 00:19:05,960
Speaker 1: We can shoot whatever. We're gonna see what we're gonna use. Yeah,

407
00:19:06,000 --> 00:19:08,320
Speaker 1: yeah type yeah, yeah, yeah, that's what it was.

408
00:19:08,720 --> 00:19:11,080
Speaker 3: So in that that's the biggest movie you done, probably

409
00:19:11,240 --> 00:19:12,000
Speaker 3: the biggest movie.

410
00:19:12,080 --> 00:19:15,000
Speaker 1: What's the biggest stage you done done? The biggest stage?

411
00:19:15,320 --> 00:19:15,600
Speaker 2: Oh?

412
00:19:15,680 --> 00:19:15,960
Speaker 1: Man?

413
00:19:16,160 --> 00:19:22,720
Speaker 2: Oh it was in Greensboro now North Carolina, that Greensboro Coliseum.

414
00:19:22,920 --> 00:19:25,240
Speaker 2: It was eighty five south show man they had them

415
00:19:25,280 --> 00:19:28,919
Speaker 2: for it had thirteen k in there. And when I

416
00:19:28,960 --> 00:19:32,720
Speaker 2: say usually when we go on stage before the show

417
00:19:32,880 --> 00:19:36,840
Speaker 2: opens up, it'd be like seventy percent field.

418
00:19:37,920 --> 00:19:40,719
Speaker 1: On this day, bruh, I'm talking about them. Folks were ready.

419
00:19:40,960 --> 00:19:43,440
Speaker 2: They was one hundred percent field by time, gonna stay

420
00:19:43,680 --> 00:19:46,040
Speaker 2: so los on the side. He was like, man, it's

421
00:19:46,080 --> 00:19:48,440
Speaker 2: thirteen thousand and now he was like, you're finna pee

422
00:19:48,480 --> 00:19:52,800
Speaker 2: a little bit a like I said thirteen thousand.

423
00:19:52,680 --> 00:19:54,679
Speaker 1: Well, I ain't never talked to that many people at

424
00:19:54,720 --> 00:19:56,000
Speaker 1: one time. It's different.

425
00:19:56,080 --> 00:19:58,840
Speaker 2: Like you might see people watch a you know what

426
00:19:58,880 --> 00:20:00,800
Speaker 2: I mean, watch something you don't did online and you

427
00:20:00,840 --> 00:20:03,120
Speaker 2: see all them views. But to watch it at one

428
00:20:03,160 --> 00:20:05,560
Speaker 2: time and you get that immediate response that.

429
00:20:05,560 --> 00:20:09,520
Speaker 1: Big roar was like, what it's that ship different?

430
00:20:10,000 --> 00:20:12,760
Speaker 3: Then that's the thing the big rut though, But it

431
00:20:12,880 --> 00:20:16,840
Speaker 3: changes your response time, it changes your joke because you

432
00:20:16,960 --> 00:20:17,800
Speaker 3: got to allow.

433
00:20:17,640 --> 00:20:19,800
Speaker 1: Time for yeah to travel.

434
00:20:19,920 --> 00:20:22,600
Speaker 3: Yeah, in that little in that little bitty room, it's

435
00:20:22,640 --> 00:20:24,080
Speaker 3: it's boom bam and boom bam.

436
00:20:24,080 --> 00:20:25,000
Speaker 1: It's a different cadence.

437
00:20:25,040 --> 00:20:29,080
Speaker 3: Yeah, but in that big room, it's boom boom bam.

438
00:20:29,240 --> 00:20:32,920
Speaker 3: Then then you grabbed me back. Yeah, yeah, how do

439
00:20:33,040 --> 00:20:35,640
Speaker 3: you develop that? How do you the more you do it?

440
00:20:36,160 --> 00:20:39,400
Speaker 2: Because I remember at first, like you just said, coming

441
00:20:39,440 --> 00:20:42,800
Speaker 2: from like doing comedy clubs and even going to doing theaters,

442
00:20:42,840 --> 00:20:44,720
Speaker 2: I didn't realize the cadence.

443
00:20:45,200 --> 00:20:46,920
Speaker 1: You know what I'm saying. I'm on the next joke,

444
00:20:47,000 --> 00:20:48,920
Speaker 1: but it's like you ain't get time for.

445
00:20:48,960 --> 00:20:51,639
Speaker 2: Them there the head back. Then let it breathe, and

446
00:20:51,680 --> 00:20:54,000
Speaker 2: then it's just getting more comfortable. I'll be walking on

447
00:20:54,080 --> 00:20:57,280
Speaker 2: stage now at them big shows, like it's like I'm still.

448
00:20:57,080 --> 00:20:59,560
Speaker 1: In a room right because I'm like, I know what

449
00:20:59,640 --> 00:21:04,320
Speaker 1: comes with it? Right? Do you? What did where you

450
00:21:04,320 --> 00:21:07,000
Speaker 1: from Atlanta? Yeah? I'm from Atlanta? So what what clubs

451
00:21:07,000 --> 00:21:10,280
Speaker 1: were you working coming up? In? What year did you start?

452
00:21:10,720 --> 00:21:14,239
Speaker 2: Man twenty fourteen? Man in Atlanta? See, this is the

453
00:21:14,280 --> 00:21:18,520
Speaker 2: thing in Atlanta. It was coming to clubs. You had uptown,

454
00:21:18,680 --> 00:21:22,000
Speaker 2: you had Atlanta coming to theater, you had clubs like Punchline.

455
00:21:22,280 --> 00:21:24,679
Speaker 2: But in Atlanta, it's a lot of bars that we

456
00:21:24,840 --> 00:21:28,320
Speaker 2: work work out jokes here, and dog it be coming

457
00:21:28,320 --> 00:21:30,639
Speaker 2: to nights in bars they don't even know it's coming

458
00:21:30,680 --> 00:21:33,640
Speaker 2: to night. Yeah, them niggas be shoot pool loud as

459
00:21:33,680 --> 00:21:37,600
Speaker 2: a motherfucker. Man Washington, we might be doing coming in

460
00:21:37,640 --> 00:21:38,280
Speaker 2: the game on.

461
00:21:38,680 --> 00:21:41,320
Speaker 1: Oh my goodness, and then you competing.

462
00:21:42,600 --> 00:21:45,560
Speaker 2: But I'm telling you, I don't regret it for nothing,

463
00:21:45,600 --> 00:21:49,480
Speaker 2: because it's like if I do coming to with somebody

464
00:21:49,600 --> 00:21:52,000
Speaker 2: coming and they know they gonna laugh or they want

465
00:21:52,000 --> 00:21:54,560
Speaker 2: to laugh, I got a way better chance than when

466
00:21:54,560 --> 00:21:57,440
Speaker 2: I started. Now I gotta get these motherfuckers attention and

467
00:21:57,480 --> 00:21:59,160
Speaker 2: when you finally get their attention.

468
00:21:58,920 --> 00:22:01,240
Speaker 1: Like okay, yeah or not.

469
00:22:01,400 --> 00:22:04,640
Speaker 3: But it's a hard fight, nigga fighting that Sunday night

470
00:22:04,720 --> 00:22:09,200
Speaker 3: game or something or that chiwdboy game. Man, that's a problem.

471
00:22:09,640 --> 00:22:11,920
Speaker 3: So you doing jokes that, do you write them down?

472
00:22:11,960 --> 00:22:12,600
Speaker 3: How you how you.

473
00:22:12,680 --> 00:22:13,800
Speaker 1: Doing sometime with that?

474
00:22:14,160 --> 00:22:17,359
Speaker 2: They don't like they don't want to hear no scripted

475
00:22:17,680 --> 00:22:20,159
Speaker 2: like no scripted joke you had that day? Something got

476
00:22:20,640 --> 00:22:22,800
Speaker 2: you gotta catch some shit that's going on in the room.

477
00:22:22,920 --> 00:22:23,440
Speaker 1: You know what.

478
00:22:23,600 --> 00:22:29,600
Speaker 3: It's something about niggas, man, Because I studied comedy, white folks,

479
00:22:29,720 --> 00:22:33,399
Speaker 3: they'll work they jokes, man, Niggas feel like they gotta

480
00:22:33,520 --> 00:22:37,399
Speaker 3: keep doing new jokes like it's something every time I

481
00:22:37,440 --> 00:22:41,919
Speaker 3: talk here's a black comic talk, at least in the

482
00:22:42,000 --> 00:22:44,359
Speaker 3: new age, because I know back in the day that

483
00:22:44,520 --> 00:22:46,520
Speaker 3: was what it was. But it feels like that there's

484
00:22:46,560 --> 00:22:50,159
Speaker 3: something attached to saying the same jokes over and o.

485
00:22:50,600 --> 00:22:52,840
Speaker 2: How do you feel about that? Is that routine or

486
00:22:52,840 --> 00:22:56,359
Speaker 2: what I think it's like with with me? Sometimes like

487
00:22:56,480 --> 00:22:58,840
Speaker 2: I might get tired of a joke that I undid

488
00:22:58,960 --> 00:23:02,600
Speaker 2: or said or something like you might get different tasks

489
00:23:02,640 --> 00:23:05,080
Speaker 2: to add on that joke because I feel like a

490
00:23:05,160 --> 00:23:08,640
Speaker 2: joke always could get better. So sometimes I might leave

491
00:23:08,680 --> 00:23:10,680
Speaker 2: it alone and come back and get it and have

492
00:23:10,760 --> 00:23:13,840
Speaker 2: some more stuff to go with it. But sometimes even

493
00:23:13,880 --> 00:23:17,080
Speaker 2: being topical going on with current events, we got to

494
00:23:17,119 --> 00:23:19,879
Speaker 2: talk about something that's going on current even just to

495
00:23:19,960 --> 00:23:22,960
Speaker 2: have what's my take on this, what's my thought process

496
00:23:23,040 --> 00:23:26,680
Speaker 2: on this. But then it's like if people don't went

497
00:23:26,720 --> 00:23:29,600
Speaker 2: to your shows and not seeing you do, you don't

498
00:23:29,600 --> 00:23:32,080
Speaker 2: want you don't want the motherfucker to be there. It

499
00:23:32,320 --> 00:23:33,680
Speaker 2: all right, bro, we heard this.

500
00:23:34,480 --> 00:23:37,639
Speaker 3: But on the other hand, you got comics like Bert Christner,

501
00:23:38,359 --> 00:23:40,879
Speaker 3: Well he can come and do the machine story and

502
00:23:40,920 --> 00:23:43,760
Speaker 3: they ever sited for five or six, seven years, and

503
00:23:43,800 --> 00:23:47,200
Speaker 3: people go crazy knowing and anticipating the joke.

504
00:23:47,760 --> 00:23:48,920
Speaker 1: That's what I'm saying something.

505
00:23:48,960 --> 00:23:51,360
Speaker 3: It's something with black comedy, where like now we ain't

506
00:23:51,400 --> 00:23:55,080
Speaker 3: respecting that. Don't not win do your family, don't bring

507
00:23:55,200 --> 00:24:00,760
Speaker 3: it up here again? And then you know, like you say, now,

508
00:24:00,880 --> 00:24:04,040
Speaker 3: there is a place where I believe a joke is finished,

509
00:24:04,560 --> 00:24:08,720
Speaker 3: right and it becomes a set and that set is done.

510
00:24:08,600 --> 00:24:10,639
Speaker 1: Yeah, when you continue.

511
00:24:10,119 --> 00:24:13,080
Speaker 3: To do that set over and over, not a joke,

512
00:24:13,119 --> 00:24:15,960
Speaker 3: because that's a developmental process that a joke has to

513
00:24:16,000 --> 00:24:18,240
Speaker 3: go through. You work it in the little room, you

514
00:24:18,280 --> 00:24:20,720
Speaker 3: work it in the big room, working with the women.

515
00:24:21,200 --> 00:24:24,520
Speaker 2: Different regions too, Like you know what I'm saying, Yeah,

516
00:24:24,800 --> 00:24:26,240
Speaker 2: give you different takes on it.

517
00:24:26,440 --> 00:24:29,440
Speaker 1: But I think what that even saying. It's like.

518
00:24:31,520 --> 00:24:34,200
Speaker 2: I feel like if it's something current like safe instance,

519
00:24:34,680 --> 00:24:38,680
Speaker 2: if you're still doing jokes about when Obama.

520
00:24:38,320 --> 00:24:40,840
Speaker 1: Was the president, Yeah all right, bro, Yeah.

521
00:24:40,840 --> 00:24:43,399
Speaker 2: You feel what I'm saying, like sooner or later, like

522
00:24:43,480 --> 00:24:46,680
Speaker 2: we shouldn't even have no sloppy with it. They're they're

523
00:24:46,800 --> 00:24:49,639
Speaker 2: do it like a family joke or a joke about

524
00:24:49,640 --> 00:24:52,600
Speaker 2: my son, you know, like a bird Christ and a

525
00:24:52,720 --> 00:24:55,760
Speaker 2: joke with it. It's a machine joke where he run

526
00:24:55,760 --> 00:24:58,719
Speaker 2: into somebody in Russia and da da da d you know.

527
00:24:58,800 --> 00:25:01,000
Speaker 2: And so it's that they ain't gonna be a slap

528
00:25:01,160 --> 00:25:03,679
Speaker 2: enough to just yeah, so them type of jokes. But

529
00:25:03,760 --> 00:25:07,800
Speaker 2: sometimes people want I be seeing people requesting little little

530
00:25:07,840 --> 00:25:10,720
Speaker 2: douf All to do jokes even like yeah on the road,

531
00:25:10,800 --> 00:25:13,480
Speaker 2: like Carlos, they might ask him to do like we

532
00:25:13,520 --> 00:25:16,200
Speaker 2: want to hear such and such. So at times people

533
00:25:16,240 --> 00:25:18,840
Speaker 2: want to hear them jokes, but you don't slip, you know,

534
00:25:18,960 --> 00:25:21,280
Speaker 2: forgot about them, Like I wonder, I.

535
00:25:21,280 --> 00:25:24,840
Speaker 3: Wonder like what the difference is though, you know, but

536
00:25:24,880 --> 00:25:27,639
Speaker 3: you freestyle for the most not freestyle, but you do

537
00:25:27,720 --> 00:25:29,880
Speaker 3: you repeat jokes or you Yeah, I.

538
00:25:29,840 --> 00:25:32,280
Speaker 1: Repeat jokes and I do CrowdWork. I mix it in.

539
00:25:33,080 --> 00:25:36,680
Speaker 2: Yeah, so like yeah, I want to, and like I might,

540
00:25:37,040 --> 00:25:39,359
Speaker 2: I'm not gonna do to set the same way. I

541
00:25:39,440 --> 00:25:42,000
Speaker 2: might put this joke in front or add something new

542
00:25:42,040 --> 00:25:43,879
Speaker 2: to this or something like that, so it won't be

543
00:25:44,040 --> 00:25:46,480
Speaker 2: like you don't watch the same thing in case you

544
00:25:46,560 --> 00:25:47,920
Speaker 2: came back from last week.

545
00:25:48,000 --> 00:25:50,320
Speaker 1: You know what I'm saying, last run whenever.

546
00:25:50,080 --> 00:25:53,840
Speaker 2: You saw and then I know, go ahead, I know this.

547
00:25:53,960 --> 00:25:59,160
Speaker 2: With eighty five South, they they crowd travel. You might

548
00:25:59,160 --> 00:26:02,400
Speaker 2: see them because you know they're doing strictly improblems. They

549
00:26:03,080 --> 00:26:05,520
Speaker 2: a motherfucker might come see them in Charlotte and then

550
00:26:05,600 --> 00:26:09,280
Speaker 2: turn around and come see them and and mephis.

551
00:26:09,480 --> 00:26:10,760
Speaker 1: Or see them in Nash Far.

552
00:26:11,080 --> 00:26:14,280
Speaker 2: So it's like, shit, if I knew y'all nigga travel

553
00:26:14,440 --> 00:26:16,480
Speaker 2: like this or gonna be coming to all the show,

554
00:26:16,760 --> 00:26:18,320
Speaker 2: you see what I'm saying, So you gotta mix it

555
00:26:18,400 --> 00:26:19,200
Speaker 2: up a little bit like.

556
00:26:19,160 --> 00:26:19,760
Speaker 1: That for them.

557
00:26:19,920 --> 00:26:23,080
Speaker 3: Yeah yeah, yeah, but some people don't. Some people don't,

558
00:26:23,320 --> 00:26:25,720
Speaker 3: and then you're doing the comic of this service. I

559
00:26:25,720 --> 00:26:28,240
Speaker 3: guess when you don't give them a chance to do

560
00:26:28,440 --> 00:26:32,680
Speaker 3: that sit across the world. That's why Dave and them

561
00:26:32,720 --> 00:26:36,879
Speaker 3: take the phones, you know, Kevin Hard, all these guys

562
00:26:37,720 --> 00:26:41,520
Speaker 3: that up with us because this is they will walk

563
00:26:41,560 --> 00:26:44,520
Speaker 3: off if you see you corner. Yeah, serious about that,

564
00:26:45,359 --> 00:26:48,000
Speaker 3: because when they hear this, it need to be unique

565
00:26:48,040 --> 00:26:48,560
Speaker 3: to the ear.

566
00:26:49,480 --> 00:26:51,240
Speaker 1: Because you can step on a joke.

567
00:26:51,760 --> 00:26:54,879
Speaker 3: That's a real thing to step on a joke, you

568
00:26:54,920 --> 00:26:57,639
Speaker 3: know what I mean, even like hecklerser do that motherfucker

569
00:26:57,640 --> 00:27:00,400
Speaker 3: be in the crowd then figured out where you going,

570
00:27:00,680 --> 00:27:01,760
Speaker 3: and I think the.

571
00:27:01,640 --> 00:27:05,480
Speaker 2: Best, the better, the better jokes. Niggas don't know where

572
00:27:05,520 --> 00:27:06,200
Speaker 2: you're going.

573
00:27:06,119 --> 00:27:10,520
Speaker 1: Right when it at the end, Yeah, nah, you're definitely right.

574
00:27:10,560 --> 00:27:13,760
Speaker 3: But yeah, man, but I like I like comedy, man,

575
00:27:13,800 --> 00:27:17,000
Speaker 3: I don't know. It's something about it that I think.

576
00:27:17,440 --> 00:27:22,240
Speaker 3: You know, y'all are like very unique individuals to be

577
00:27:22,320 --> 00:27:25,560
Speaker 3: able to craft those jokes up, you know what I mean,

578
00:27:25,720 --> 00:27:28,320
Speaker 3: something about that process, bro, to make people laugh.

579
00:27:28,440 --> 00:27:28,640
Speaker 1: Bro.

580
00:27:29,080 --> 00:27:31,280
Speaker 2: And then when somebody might be going through some shit,

581
00:27:31,359 --> 00:27:33,240
Speaker 2: that's when it be like, you know, after the show,

582
00:27:33,480 --> 00:27:35,720
Speaker 2: like man, I need it is I just such and

583
00:27:35,800 --> 00:27:39,240
Speaker 2: such such like like damn and the fact that you

584
00:27:39,400 --> 00:27:41,920
Speaker 2: came out and you forgot about that during that time.

585
00:27:42,280 --> 00:27:45,080
Speaker 2: It be on some That's that's the dope part about it.

586
00:27:45,160 --> 00:27:47,000
Speaker 1: You feel what I'm saying. And so with a toy

587
00:27:47,080 --> 00:27:50,119
Speaker 1: five south, how much would you say that helped you?

588
00:27:51,160 --> 00:27:53,480
Speaker 1: Five oh? Man? Tremendous.

589
00:27:53,880 --> 00:27:56,840
Speaker 2: The reason why I say that because it's like seeing

590
00:27:56,880 --> 00:28:01,240
Speaker 2: so many seeing so many different type of people the

591
00:28:01,400 --> 00:28:07,119
Speaker 2: age range, and then just like hitting different regions that

592
00:28:07,200 --> 00:28:10,200
Speaker 2: I probably want to hit like, you know, like doing

593
00:28:10,240 --> 00:28:13,040
Speaker 2: my trajectory. I want to hit it this fast, you

594
00:28:13,119 --> 00:28:15,600
Speaker 2: know what I'm saying, Or being in different this situation

595
00:28:15,760 --> 00:28:19,280
Speaker 2: this fast, like even going to LA and being out

596
00:28:19,280 --> 00:28:22,080
Speaker 2: there doing like you know what I'm saying, doing certain shows.

597
00:28:22,080 --> 00:28:25,240
Speaker 2: So it was like, okay, bet.

598
00:28:24,640 --> 00:28:25,520
Speaker 1: You know, I think that.

599
00:28:28,400 --> 00:28:32,040
Speaker 3: The tribe is so important too, man, Like to just

600
00:28:32,119 --> 00:28:36,040
Speaker 3: have that tribe of men moving together in and out

601
00:28:36,040 --> 00:28:39,200
Speaker 3: of these states, you know, serving these fans. You have

602
00:28:39,240 --> 00:28:42,120
Speaker 3: an off night, he picked it up, he killed it tonight.

603
00:28:42,240 --> 00:28:42,600
Speaker 1: Yeah.

604
00:28:42,720 --> 00:28:45,240
Speaker 3: You know what I'm saying, These things help man because

605
00:28:45,760 --> 00:28:48,880
Speaker 3: by me maneuvering this thing by myself, that off night

606
00:28:48,960 --> 00:28:50,600
Speaker 3: count ain't.

607
00:28:51,160 --> 00:28:52,640
Speaker 1: You see it? You see it?

608
00:28:53,560 --> 00:28:55,960
Speaker 3: But see as y'all move as a collective, man, it's

609
00:28:55,960 --> 00:28:59,400
Speaker 3: something about the tribe, because human beings are tribal people,

610
00:29:00,080 --> 00:29:02,880
Speaker 3: you know what I mean. And sometimes the people you

611
00:29:02,920 --> 00:29:05,280
Speaker 3: grew up with a lot of times you don't end

612
00:29:05,360 --> 00:29:06,600
Speaker 3: up in business, man.

613
00:29:06,480 --> 00:29:09,200
Speaker 2: They don't understand it sometimes, like you know what I'm saying,

614
00:29:09,200 --> 00:29:13,080
Speaker 2: Like just like you got cousins, you just got homeboys.

615
00:29:13,120 --> 00:29:16,200
Speaker 2: Like we'se homeboys. We grew up together because we were

616
00:29:16,240 --> 00:29:19,240
Speaker 2: in the same neighborhood. But that don't mean we always

617
00:29:19,360 --> 00:29:21,680
Speaker 2: thought the same you know what I'm saying, right, And

618
00:29:21,720 --> 00:29:24,880
Speaker 2: that's sometimes we don't as we grow, like nigga, you

619
00:29:25,040 --> 00:29:29,520
Speaker 2: still not thinking how or I could be I could

620
00:29:29,520 --> 00:29:32,280
Speaker 2: be at fault. I might be thinking too big, but

621
00:29:32,360 --> 00:29:33,160
Speaker 2: how we supposed to.

622
00:29:33,560 --> 00:29:37,080
Speaker 3: It is we we changing And yeah, we we went

623
00:29:37,120 --> 00:29:40,520
Speaker 3: through the same things, but we took different things from

624
00:29:40,560 --> 00:29:43,720
Speaker 3: you know, And I think sometimes that breeds envy because

625
00:29:43,720 --> 00:29:46,920
Speaker 3: people next to you think they deserve what you got

626
00:29:47,240 --> 00:29:50,640
Speaker 3: right without putting the work in, because they somewhat figures

627
00:29:50,680 --> 00:29:52,800
Speaker 3: that they was handed to you, man, and.

628
00:29:52,920 --> 00:29:55,240
Speaker 2: Then they don't see them like you know what I'm saying.

629
00:29:55,280 --> 00:29:59,520
Speaker 2: Sometimes our wings get broadcasted way more than our els.

630
00:30:00,440 --> 00:30:04,720
Speaker 1: But it's like the losses be there. Yeah, and when

631
00:30:04,720 --> 00:30:07,320
Speaker 1: them losses there you don't want that do it? And

632
00:30:07,480 --> 00:30:08,440
Speaker 1: them long nights?

633
00:30:08,720 --> 00:30:11,360
Speaker 3: What they don't know what a nigga go through like me,

634
00:30:11,480 --> 00:30:14,480
Speaker 3: I've been traveling all day. People don't know, Like yo,

635
00:30:14,600 --> 00:30:17,560
Speaker 3: You just see the views and move and the niggas

636
00:30:17,560 --> 00:30:18,080
Speaker 3: here and there.

637
00:30:18,200 --> 00:30:22,400
Speaker 2: Like there's people working hard and chasing these ideas. But

638
00:30:23,640 --> 00:30:28,840
Speaker 2: for anybody listening, though, you gotta remember that there's reward

639
00:30:28,960 --> 00:30:32,080
Speaker 2: on the other side of sacrifice. And so when we

640
00:30:32,160 --> 00:30:36,200
Speaker 2: don't do that, when we don't give ourself anything in

641
00:30:36,240 --> 00:30:39,600
Speaker 2: the future, we do ourselves a disservice, and sacrifice is

642
00:30:39,640 --> 00:30:40,760
Speaker 2: the only way to do that.

643
00:30:41,320 --> 00:30:44,320
Speaker 1: You see what I'm saying. You don't like a wolf.

644
00:30:44,440 --> 00:30:47,080
Speaker 3: A wolf will eat everything that it has because it's

645
00:30:47,120 --> 00:30:48,840
Speaker 3: afraid it'll be stolen from it.

646
00:30:48,840 --> 00:30:50,520
Speaker 1: It gives itself nothing later on.

647
00:30:50,600 --> 00:30:53,440
Speaker 3: It don't say like you ever see a dog bury

648
00:30:53,520 --> 00:30:56,400
Speaker 3: a bone, You ever see them take meet and put

649
00:30:56,400 --> 00:30:58,959
Speaker 3: it somewhere for later on. A wolf won't do that

650
00:30:59,040 --> 00:31:02,480
Speaker 3: because it's so afraid that wherever it takes because of

651
00:31:02,520 --> 00:31:06,040
Speaker 3: the mentality, whatever it has, if it don't eat it now,

652
00:31:06,560 --> 00:31:09,200
Speaker 3: somebody else is gonna get it. And sometimes we have

653
00:31:09,400 --> 00:31:12,840
Speaker 3: that mentality, and I gotta be able to share with niggas.

654
00:31:12,840 --> 00:31:12,920
Speaker 1: Bro.

655
00:31:12,960 --> 00:31:15,440
Speaker 2: I done taught myself that this year, I want to

656
00:31:15,480 --> 00:31:18,840
Speaker 2: share with people. I want to not just anybody because

657
00:31:18,880 --> 00:31:24,720
Speaker 2: Sharon ain't giving and not getting People think Sharon Sharon

658
00:31:25,000 --> 00:31:30,600
Speaker 2: is initiating the barter and trading system. It ain't saying

659
00:31:30,640 --> 00:31:33,080
Speaker 2: that I'm gonna give you everything and get nothing.

660
00:31:32,920 --> 00:31:34,120
Speaker 1: New turned then.

661
00:31:36,680 --> 00:31:41,920
Speaker 3: You know what I'm saying, a nonprofit, No, we ain't

662
00:31:41,960 --> 00:31:44,600
Speaker 3: doing that. You know what I'm saying, what do you?

663
00:31:46,200 --> 00:31:48,160
Speaker 3: How much content do you create a week?

664
00:31:48,880 --> 00:31:49,160
Speaker 4: Man?

665
00:31:49,440 --> 00:31:54,800
Speaker 2: So we started the sports show, Uh broken play that's hard.

666
00:31:54,920 --> 00:31:58,280
Speaker 1: Yeah. So it came from like us just being around.

667
00:31:58,320 --> 00:32:00,640
Speaker 2: They always hear about me, like you know, I gave

668
00:32:00,680 --> 00:32:03,280
Speaker 2: them on sports like you know everybody got advice.

669
00:32:04,200 --> 00:32:07,400
Speaker 1: Yeah, I got a whole list of niggas. Yeah, so

670
00:32:07,480 --> 00:32:10,320
Speaker 1: I gave you though, man, you know.

671
00:32:10,240 --> 00:32:12,240
Speaker 2: What I and I was telling people, you don't be

672
00:32:12,320 --> 00:32:19,400
Speaker 2: hitting b without telling somebody. When you see what when

673
00:32:19,400 --> 00:32:21,560
Speaker 2: you hit and you see how much you don't put in,

674
00:32:21,680 --> 00:32:22,600
Speaker 2: you really ain't hit.

675
00:32:23,680 --> 00:32:25,160
Speaker 1: That shouldn't mind thing. Bro.

676
00:32:25,320 --> 00:32:30,400
Speaker 3: Niggas knocking five from this ship. Yeah man, you ain't hitting, bro. Yeah,

677
00:32:30,720 --> 00:32:35,719
Speaker 3: well it's whooping you, but you winning sometime. What's your

678
00:32:35,800 --> 00:32:38,320
Speaker 3: ratio though, how you looking on that ship? Do you

679
00:32:38,400 --> 00:32:41,200
Speaker 3: know that ship? Or is you bullshipping over with your money?

680
00:32:42,120 --> 00:32:46,040
Speaker 2: I'm gonna look doing a little bow because it's like,

681
00:32:46,080 --> 00:32:49,479
Speaker 2: you know what I'm saying, what what fucks me up?

682
00:32:49,480 --> 00:32:54,719
Speaker 2: If I get an early loss? I now, yeah, now

683
00:32:54,760 --> 00:32:59,360
Speaker 2: I'm chasing straight back too, so I might straight bit.

684
00:32:59,760 --> 00:33:02,239
Speaker 2: Like like the cowboys just fucked me up. I had

685
00:33:02,320 --> 00:33:04,840
Speaker 2: them on Parlais, had them on straight bed bet niggas

686
00:33:04,840 --> 00:33:07,000
Speaker 2: in the city, all that type of shit. They fucked

687
00:33:07,000 --> 00:33:08,680
Speaker 2: me up so that I was like, I'm gonna take

688
00:33:08,680 --> 00:33:09,600
Speaker 2: a couple of days off.

689
00:33:10,720 --> 00:33:13,280
Speaker 1: How much you be betting on them ship? So like

690
00:33:15,560 --> 00:33:17,600
Speaker 1: on my straight on my Parlais, I do like one

691
00:33:17,640 --> 00:33:20,120
Speaker 1: hundred dollars three team and you and what that brain?

692
00:33:20,240 --> 00:33:24,080
Speaker 1: I think that brain let's brain six hundred. See then

693
00:33:24,120 --> 00:33:25,520
Speaker 1: that's a hundred gone. Yeah.

694
00:33:25,520 --> 00:33:28,600
Speaker 2: But then my straight bed Now this supposedly supposed to

695
00:33:28,600 --> 00:33:31,840
Speaker 2: be the lock, the straight bet. Yeah, my straight bet

696
00:33:31,920 --> 00:33:33,600
Speaker 2: this is what? Oh I know this is gonna hit.

697
00:33:33,760 --> 00:33:35,680
Speaker 2: So if I lose the hunter, I ain't tripped. Now

698
00:33:35,760 --> 00:33:38,640
Speaker 2: my lock lose, I'm fucked up. Yeah, So my lock

699
00:33:38,720 --> 00:33:42,080
Speaker 2: be five hundred, I bet straight be so sometimes yeah,

700
00:33:42,120 --> 00:33:42,800
Speaker 2: I might lose.

701
00:33:43,600 --> 00:33:44,280
Speaker 1: So now like.

702
00:33:46,160 --> 00:33:50,800
Speaker 3: Nigga badly make up for the straight bed if you lose, No,

703
00:33:51,080 --> 00:33:56,120
Speaker 3: sometime my lock might be on the parlais yeah you yeah,

704
00:33:56,280 --> 00:33:59,320
Speaker 3: yeah see but I know niggas been ten k. Yeah,

705
00:34:00,080 --> 00:34:03,960
Speaker 3: Nigga's hitting man. People watching this, No, it's people living

706
00:34:04,000 --> 00:34:08,240
Speaker 3: off sports. Oh yeah, I'm fast, big racks, Yeah, it's big.

707
00:34:09,040 --> 00:34:09,760
Speaker 1: That shit big.

708
00:34:09,960 --> 00:34:12,000
Speaker 2: We asked somebody to come in and he breaking down.

709
00:34:12,239 --> 00:34:14,400
Speaker 2: He was like, cause you know what I'm saying, a

710
00:34:14,440 --> 00:34:17,200
Speaker 2: lot of us be gambling. He looking at it, like, no,

711
00:34:17,640 --> 00:34:20,319
Speaker 2: you get one better day if you lose that shit.

712
00:34:20,480 --> 00:34:23,239
Speaker 2: He was like, spread your money out over thirty days.

713
00:34:23,840 --> 00:34:26,399
Speaker 2: It ain't many. He was like spreading that. Spread your

714
00:34:26,600 --> 00:34:29,120
Speaker 2: money out on thirty days, and he was like, you're

715
00:34:29,120 --> 00:34:31,920
Speaker 2: gonna win more than you lose. But like, if you gambling,

716
00:34:32,400 --> 00:34:34,279
Speaker 2: I can't tell you nothing because you gonna want to

717
00:34:34,360 --> 00:34:36,640
Speaker 2: keep doing it. You're doing this shit like we gotta

718
00:34:36,680 --> 00:34:39,440
Speaker 2: get money out this shit. He been one hundred k back.

719
00:34:39,760 --> 00:34:41,759
Speaker 3: That's what I'm telling you. I got niggas that I

720
00:34:41,880 --> 00:34:45,920
Speaker 3: know for one hundred percent. Fact, my guys one million percent.

721
00:34:46,000 --> 00:34:50,000
Speaker 3: This ain't knowing his participation. I'm telling you not because

722
00:34:50,040 --> 00:34:53,680
Speaker 3: I'm hearing it. I know for a fact that niggas

723
00:34:53,719 --> 00:34:58,840
Speaker 3: is winning forty rags, sixty recks at a time, seventy

724
00:34:58,960 --> 00:35:01,080
Speaker 3: racks at a time. So I'm saying, and it got

725
00:35:01,120 --> 00:35:03,160
Speaker 3: me wanting to go over there, but I know it's trickery.

726
00:35:03,320 --> 00:35:04,640
Speaker 1: Oh yeah, for sure, you're.

727
00:35:04,480 --> 00:35:07,440
Speaker 2: Gonna have your good you man, the same way you

728
00:35:07,480 --> 00:35:09,080
Speaker 2: win it, the same way you lose it.

729
00:35:09,480 --> 00:35:11,919
Speaker 3: So like what about the niggas selling the bets though

730
00:35:12,120 --> 00:35:12,920
Speaker 3: you don't fuck with that?

731
00:35:13,160 --> 00:35:15,280
Speaker 1: Yeah, ship, that's the one he was telling.

732
00:35:15,400 --> 00:35:19,200
Speaker 2: So like, bro, he he would sell his bets and

733
00:35:19,320 --> 00:35:20,480
Speaker 2: like forty people buy the.

734
00:35:20,440 --> 00:35:24,960
Speaker 1: Bets, so like like he's smoking it. He's killing it.

735
00:35:25,080 --> 00:35:27,720
Speaker 1: Even if he lose, he wins. Yeah, he got something.

736
00:35:27,920 --> 00:35:30,799
Speaker 3: That's my bet. Faulty people paying me to get my

737
00:35:30,880 --> 00:35:31,960
Speaker 3: bet that payment.

738
00:35:32,040 --> 00:35:35,239
Speaker 2: That's like I but it be like it's sometimes they'll

739
00:35:35,280 --> 00:35:38,279
Speaker 2: sit there and study that ship four and five hours. Man,

740
00:35:38,360 --> 00:35:40,560
Speaker 2: niggas had me five and six TV's on in the

741
00:35:40,600 --> 00:35:43,400
Speaker 2: trap fucking with that ship right now today.

742
00:35:43,320 --> 00:35:46,799
Speaker 1: Little bitty joints, big joints. It just looks ugly there

743
00:35:46,840 --> 00:35:49,160
Speaker 1: with how they got the prize. Pitch with the players.

744
00:35:49,160 --> 00:35:51,000
Speaker 2: You ain't even got to You ain't even got your

745
00:35:51,000 --> 00:35:53,760
Speaker 2: team ain't even gotta win. Shout out Mike prize picks.

746
00:35:54,040 --> 00:35:57,680
Speaker 2: It just got my situation with prize picking, so you could.

747
00:35:57,520 --> 00:35:59,600
Speaker 1: More or less they ass now you on that ship.

748
00:35:59,719 --> 00:36:02,640
Speaker 2: So I'm like, bro, now it's like you might be

749
00:36:02,680 --> 00:36:05,080
Speaker 2: watching the game and I'm watching the game with the

750
00:36:05,160 --> 00:36:08,200
Speaker 2: kids the other day, and you know they got their

751
00:36:08,239 --> 00:36:14,319
Speaker 2: favorite player. They hey, hey today today? Yeah, yeah, take

752
00:36:14,400 --> 00:36:18,080
Speaker 2: his he going to motherfucking craze. I got him on

753
00:36:18,120 --> 00:36:22,440
Speaker 2: the least, not today, boy, break that motherfucker.

754
00:36:22,520 --> 00:36:25,880
Speaker 3: Man, I'm talking about real that sports bending world is

755
00:36:25,880 --> 00:36:29,480
Speaker 3: a different world. That ship rolls up quickly, and I

756
00:36:29,520 --> 00:36:31,800
Speaker 3: said to myself, Man, if I need, I need to

757
00:36:31,840 --> 00:36:34,920
Speaker 3: get into that ship, because it's more than just imposted bending.

758
00:36:35,000 --> 00:36:37,960
Speaker 3: It's some science on that ship. Hell yeah, and I

759
00:36:38,040 --> 00:36:41,440
Speaker 3: believe the teams to be involved. I be seeing him

760
00:36:41,440 --> 00:36:43,680
Speaker 3: sometime and say, you know we need three.

761
00:36:43,920 --> 00:36:45,439
Speaker 1: Look and I'm gonna tell you another thing.

762
00:36:45,520 --> 00:36:45,680
Speaker 2: Bro.

763
00:36:45,920 --> 00:36:47,960
Speaker 1: When they be doing certain stuff, I was like, bro,

764
00:36:48,040 --> 00:36:51,200
Speaker 1: they know the over under the game. It can't be over.

765
00:36:51,239 --> 00:36:53,480
Speaker 2: The motherfucker just come down there and poper three put

766
00:36:53,560 --> 00:36:54,560
Speaker 2: you down nineteen.

767
00:36:54,880 --> 00:36:56,840
Speaker 1: Run the fucking clock out, man, what you're doing?

768
00:36:56,960 --> 00:37:00,480
Speaker 2: Yes, So I know it referee, they could slow the

769
00:37:00,520 --> 00:37:03,920
Speaker 2: game down, call files now, and they in the penalty early.

770
00:37:04,120 --> 00:37:06,319
Speaker 1: So anytime they get filed, they at the free throw

771
00:37:06,360 --> 00:37:07,160
Speaker 1: line at count.

772
00:37:07,320 --> 00:37:09,960
Speaker 2: Sometimes you hear the commentation like, oh they're letting them

773
00:37:09,960 --> 00:37:11,800
Speaker 2: play no motherfucking out.

774
00:37:11,680 --> 00:37:14,920
Speaker 3: Today, call them foul and that's but that's what I'm saying,

775
00:37:15,000 --> 00:37:16,719
Speaker 3: So they all I believe.

776
00:37:16,520 --> 00:37:18,880
Speaker 1: Him to be involved. Man, I'm saying to myself, I

777
00:37:18,960 --> 00:37:20,160
Speaker 1: believe he folkosed.

778
00:37:19,840 --> 00:37:22,759
Speaker 3: To be involved. Man, like you say, it'll be like, yo,

779
00:37:22,920 --> 00:37:24,319
Speaker 3: why they kicking the field goal?

780
00:37:24,480 --> 00:37:26,040
Speaker 1: What's going on? You can't win?

781
00:37:26,360 --> 00:37:28,640
Speaker 3: It is no reason to kick a field goal right

782
00:37:28,680 --> 00:37:32,520
Speaker 3: now boom yo. That is only helping the bet. There's

783
00:37:32,880 --> 00:37:36,040
Speaker 3: literally no other reason for that. So and I don't

784
00:37:36,080 --> 00:37:37,839
Speaker 3: think is it against the rules for them to bet

785
00:37:37,880 --> 00:37:38,600
Speaker 3: on themselves?

786
00:37:38,719 --> 00:37:39,480
Speaker 1: Yeah it is.

787
00:37:40,239 --> 00:37:42,560
Speaker 3: I guarantee they still betting on this. I know they

788
00:37:42,560 --> 00:37:44,440
Speaker 3: are nigga through they people, nigga.

789
00:37:44,520 --> 00:37:45,239
Speaker 1: Yeah.

790
00:37:45,400 --> 00:37:49,319
Speaker 3: Media puts in fact that athletes has been self through

791
00:37:49,320 --> 00:37:49,920
Speaker 3: their people.

792
00:37:50,000 --> 00:37:50,280
Speaker 1: Nigga.

793
00:37:50,360 --> 00:37:52,759
Speaker 2: Yeah, you might see a nigga go out there, leave

794
00:37:52,800 --> 00:37:55,279
Speaker 2: here blood sweating till well he had the over.

795
00:37:56,080 --> 00:37:59,800
Speaker 1: He ain't even think about passing. Yeah, well, I got.

796
00:37:59,600 --> 00:38:03,759
Speaker 3: Myself for a half a rat man but so so

797
00:38:03,920 --> 00:38:07,320
Speaker 3: you did. So they did the use sports Bend and

798
00:38:07,400 --> 00:38:08,759
Speaker 3: they they say, let's do a show.

799
00:38:09,120 --> 00:38:11,440
Speaker 2: Yeah. So, like we had just started coming up, like

800
00:38:11,520 --> 00:38:14,120
Speaker 2: let's just talk about sports. So we started doing the

801
00:38:14,440 --> 00:38:16,880
Speaker 2: sports prize. Pitch came in, shout out to them, and

802
00:38:16,920 --> 00:38:18,120
Speaker 2: then we just started you.

803
00:38:18,080 --> 00:38:21,839
Speaker 1: Got prize pick, Yeah, okay, shut fucking hey.

804
00:38:21,920 --> 00:38:25,279
Speaker 3: You know one thing about they trying to tap in

805
00:38:25,320 --> 00:38:26,560
Speaker 3: with the Colt you frock with Mike?

806
00:38:26,600 --> 00:38:29,080
Speaker 1: Who you fucking with? Mike shot? Yeah?

807
00:38:29,120 --> 00:38:31,319
Speaker 2: So and then another thing with them, you know what,

808
00:38:31,400 --> 00:38:39,680
Speaker 2: it's like bruh, like they getting people. This ship like

809
00:38:39,680 --> 00:38:42,640
Speaker 2: a drug. I don't want to say it like that,

810
00:38:42,680 --> 00:38:45,480
Speaker 2: but this ship like a because I'm seeing niggas who

811
00:38:45,480 --> 00:38:48,600
Speaker 2: I ain't never think man, man them niggas a man,

812
00:38:48,640 --> 00:38:51,080
Speaker 2: I've seen a nigga like boy, I need this so bad.

813
00:38:51,120 --> 00:38:54,120
Speaker 2: He been three dollars like, bro, man, don't put that

814
00:38:55,080 --> 00:38:58,680
Speaker 2: millionaires sweating sweating. Yeah, so niggas is on it, man.

815
00:38:58,960 --> 00:39:03,239
Speaker 3: I think it rejuvenal native sports what gambling did for sports.

816
00:39:03,280 --> 00:39:04,400
Speaker 1: Literally center shock.

817
00:39:04,640 --> 00:39:07,200
Speaker 2: The viewership going to come back up now because niggas

818
00:39:07,280 --> 00:39:10,279
Speaker 2: is watching the game. Bro, I be watching teams that

819
00:39:10,360 --> 00:39:12,960
Speaker 2: I don't even know what state they until we go

820
00:39:13,040 --> 00:39:14,960
Speaker 2: to the city. Sometimes I'm like, damn, this is what

821
00:39:15,120 --> 00:39:17,719
Speaker 2: Siana at. They gonna been on schools like that?

822
00:39:18,040 --> 00:39:23,080
Speaker 3: Yeah, the is you know he nigga with low voice

823
00:39:24,120 --> 00:39:25,640
Speaker 3: like bro, we might be passing.

824
00:39:26,160 --> 00:39:28,719
Speaker 1: I'm like, what it's what is school like?

825
00:39:29,320 --> 00:39:34,000
Speaker 3: Been on college and all sports bending world. I think

826
00:39:34,400 --> 00:39:36,560
Speaker 3: it picked up the It picked up sports.

827
00:39:36,640 --> 00:39:37,840
Speaker 1: Because you gotta watch it.

828
00:39:37,880 --> 00:39:40,759
Speaker 2: And I got ESPN Plus on my phone now because

829
00:39:40,800 --> 00:39:42,560
Speaker 2: that way you watch all the school that they're not

830
00:39:42,560 --> 00:39:45,560
Speaker 2: gonna show on TV, and now we're watching Watford all

831
00:39:45,640 --> 00:39:48,880
Speaker 2: them even even if it even if they don't seeing

832
00:39:48,960 --> 00:39:51,440
Speaker 2: in viewership, right, let's just say they don't see the

833
00:39:51,480 --> 00:39:56,080
Speaker 2: spike in viewership, but the interaction and involvement and how

834
00:39:56,160 --> 00:40:00,120
Speaker 2: people care about it because money is attached to you

835
00:40:00,120 --> 00:40:02,360
Speaker 2: know what, even if you checking the score, you busy,

836
00:40:02,440 --> 00:40:04,000
Speaker 2: you gotta go to NBA dot Com.

837
00:40:04,080 --> 00:40:06,759
Speaker 1: I gotta rent them speak on them before like I

838
00:40:07,040 --> 00:40:08,240
Speaker 1: don't give a I've heard.

839
00:40:08,200 --> 00:40:11,680
Speaker 3: Irvis Kyprie Irvin say, yo, niggas need to quit hitting

840
00:40:11,719 --> 00:40:14,360
Speaker 3: me about what they bet. Yeah, so I'm telling you

841
00:40:14,440 --> 00:40:17,120
Speaker 3: niggas is hitting them board man. I got two thousand.

842
00:40:18,320 --> 00:40:22,640
Speaker 2: Kevin Durant probably the realist niggas. Somebody had said the

843
00:40:22,719 --> 00:40:26,600
Speaker 2: rest my guy. He somebody had said something about, man,

844
00:40:26,880 --> 00:40:29,240
Speaker 2: you cost me such and s. He was like, y'all, nigga,

845
00:40:29,239 --> 00:40:31,640
Speaker 2: don't hit me when y'all win, you don't send me nothing.

846
00:40:31,640 --> 00:40:35,360
Speaker 1: That nigga said, Nigga, you rich. I can't even argue

847
00:40:35,360 --> 00:40:35,600
Speaker 1: with you.

848
00:40:35,880 --> 00:40:39,440
Speaker 3: That no real though, but both of them, both of

849
00:40:39,440 --> 00:40:42,680
Speaker 3: that's real. Yeah, niggas not mad at them players. Man,

850
00:40:42,760 --> 00:40:44,239
Speaker 3: Niggas hit them folks.

851
00:40:44,280 --> 00:40:46,680
Speaker 1: Man, No, folks don't play the back to back game.

852
00:40:47,080 --> 00:40:50,800
Speaker 3: The rap niggas get what rap niggas really be mad

853
00:40:50,880 --> 00:40:51,840
Speaker 3: at these athletes.

854
00:40:51,920 --> 00:40:55,080
Speaker 1: Nigga, you they put the bag on you. Niggas.

855
00:40:55,920 --> 00:40:58,040
Speaker 3: They ain't sitting in front rod because they no hell

856
00:40:58,080 --> 00:41:00,319
Speaker 3: of fan niggas say they come.

857
00:41:01,320 --> 00:41:04,920
Speaker 1: Yeah, nigga, let me get it going. Niggas is in there.

858
00:41:05,160 --> 00:41:08,080
Speaker 3: Nigga madgisty grain on this motherfucker.

859
00:41:08,160 --> 00:41:12,200
Speaker 1: I'm telling you they betting man. You dead that right though,

860
00:41:12,280 --> 00:41:16,360
Speaker 1: for real, nigga be mad here, that's crazy.

861
00:41:16,680 --> 00:41:19,440
Speaker 3: I'm a nigga from being your favorite player too. You

862
00:41:19,520 --> 00:41:24,239
Speaker 3: done fell out what the nigga unfollowed every time. Don't

863
00:41:24,239 --> 00:41:26,360
Speaker 3: block the nigga so he don't even know.

864
00:41:26,440 --> 00:41:28,399
Speaker 1: You don't even know. You don't even care.

865
00:41:28,960 --> 00:41:33,319
Speaker 3: Kyrie Irving told him, nigga, Man, stop calling me. Listen, Bro,

866
00:41:33,840 --> 00:41:36,120
Speaker 3: I don't tell nobody to bet on me.

867
00:41:36,239 --> 00:41:36,439
Speaker 1: Man.

868
00:41:37,160 --> 00:41:39,680
Speaker 3: Niggas don't care nothing about your family being in turn

869
00:41:39,840 --> 00:41:42,480
Speaker 3: on niggas don't give a damn about.

870
00:41:42,200 --> 00:41:43,760
Speaker 1: You, don't. Man.

871
00:41:43,880 --> 00:41:47,440
Speaker 2: Yeah, how I like what your mental state is?

872
00:41:48,680 --> 00:41:49,880
Speaker 1: Like you remember on my Space.

873
00:41:49,920 --> 00:41:51,640
Speaker 2: I think a nigga need to have a mood on

874
00:41:51,719 --> 00:41:54,080
Speaker 2: Instagram where you know a nigga moved before the game.

875
00:41:54,880 --> 00:41:57,000
Speaker 2: If a niggas say angry ah ship, he might go

876
00:41:57,040 --> 00:41:58,279
Speaker 2: for forty to night or.

877
00:41:58,600 --> 00:42:01,839
Speaker 3: I ain't betting if he's said, you're not nig what

878
00:42:01,880 --> 00:42:06,560
Speaker 3: that nigga put saying that nigga sain he's sad nigga nigga?

879
00:42:07,560 --> 00:42:10,120
Speaker 3: So people don't know like and I bet, I bet

880
00:42:10,160 --> 00:42:12,480
Speaker 3: it's offensive. Like, Bro, you don't think I'm trying my

881
00:42:12,560 --> 00:42:16,480
Speaker 3: hardest right? Some people might not be though, but them guys,

882
00:42:17,680 --> 00:42:20,960
Speaker 3: it be offensive to question some of them men that

883
00:42:21,120 --> 00:42:25,040
Speaker 3: is solidified in putting the work in time after time

884
00:42:25,120 --> 00:42:26,759
Speaker 3: and time after time.

885
00:42:27,719 --> 00:42:29,799
Speaker 2: But then, bro, think about it, how we look at

886
00:42:29,800 --> 00:42:33,239
Speaker 2: sports like that. Imagine if for a nigga did our

887
00:42:33,320 --> 00:42:35,960
Speaker 2: life like that? You know what I'm saying, and what

888
00:42:36,000 --> 00:42:36,719
Speaker 2: we do at our.

889
00:42:38,120 --> 00:42:41,200
Speaker 1: But they do it us. Yeah, but it just ain't

890
00:42:41,239 --> 00:42:45,000
Speaker 1: no more or less we get nigga ainting the light

891
00:42:45,080 --> 00:42:46,480
Speaker 1: of nigga ass up in the coming.

892
00:42:46,560 --> 00:42:48,760
Speaker 2: Yeah, but they ain't. You don't see no nigga betting

893
00:42:48,800 --> 00:42:52,200
Speaker 2: on you though, Like you know what I'm saying it, Madden,

894
00:42:52,239 --> 00:42:54,279
Speaker 2: if you feel like you're good and a nigga, you

895
00:42:54,360 --> 00:42:57,600
Speaker 2: go in and see they said I can't go six points.

896
00:42:57,680 --> 00:43:00,399
Speaker 1: Yeah, you know what I'm damn as far. Yeah, that's

897
00:43:00,400 --> 00:43:00,920
Speaker 1: fucked up.

898
00:43:00,920 --> 00:43:03,240
Speaker 3: You'd have made it to the lead, worked all your life.

899
00:43:03,239 --> 00:43:07,600
Speaker 3: They got you down for one point to day. That

900
00:43:07,840 --> 00:43:14,080
Speaker 3: fucked up, man. Yeah yeah, wow, yeah, get one rebound.

901
00:43:14,400 --> 00:43:18,959
Speaker 3: But now ad a comedian and a crowd that ain't

902
00:43:19,000 --> 00:43:22,160
Speaker 3: giving him nothing, that silence of the crowd.

903
00:43:22,239 --> 00:43:26,759
Speaker 1: Have you ever dealt with that? Man? Damn Yeah, I

904
00:43:26,800 --> 00:43:28,879
Speaker 1: done dealt with that. It's been a long time. Though.

905
00:43:29,680 --> 00:43:33,560
Speaker 3: You're going to familiar places. Some of them people crave now, man,

906
00:43:33,640 --> 00:43:38,680
Speaker 3: to go to people that don't. Really it's biased. Some

907
00:43:38,680 --> 00:43:41,000
Speaker 3: people like to work their jokes, some of the greats

908
00:43:41,200 --> 00:43:45,480
Speaker 3: or work their jokes amongst the people that may not

909
00:43:45,600 --> 00:43:47,120
Speaker 3: necessarily be their crowd.

910
00:43:47,239 --> 00:43:50,520
Speaker 2: Yeah, but man, I'm gonna tell you this I had.

911
00:43:50,560 --> 00:43:54,319
Speaker 2: I had tour with Drewski in twenty twenty three. Shut

912
00:43:54,560 --> 00:43:55,920
Speaker 2: Drew Man, shout.

913
00:43:55,600 --> 00:43:58,879
Speaker 1: Out, what kind of comedy does Drewski do? Man? So

914
00:43:58,960 --> 00:44:02,839
Speaker 1: he was doing it could have been he'll come out

915
00:44:02,880 --> 00:44:03,719
Speaker 1: and do stand.

916
00:44:03,520 --> 00:44:07,000
Speaker 2: Up and then he'll do like uh like you sign

917
00:44:07,080 --> 00:44:09,680
Speaker 2: into his label. So it was a dope ass concept,

918
00:44:09,719 --> 00:44:12,160
Speaker 2: dope ass show. So I was doing the tour, I

919
00:44:12,239 --> 00:44:15,440
Speaker 2: go up and do twenty minutes. Okay, Bro, I'm seeing people.

920
00:44:15,600 --> 00:44:18,080
Speaker 2: We might hit cities that I done been in a

921
00:44:18,120 --> 00:44:20,719
Speaker 2: long time A lot of times. I ain't gonna say

922
00:44:20,719 --> 00:44:23,240
Speaker 2: a long time a lot of times. Bro, I'm seeing

923
00:44:23,239 --> 00:44:26,479
Speaker 2: people I never would back nigga. It was so many

924
00:44:26,520 --> 00:44:29,920
Speaker 2: white people when we did Memphis, because he brings out

925
00:44:29,920 --> 00:44:34,239
Speaker 2: a different crowd. He got a different man, a man

926
00:44:34,480 --> 00:44:37,920
Speaker 2: he reached, bro. And that's what I realized.

927
00:44:38,200 --> 00:44:40,600
Speaker 1: So this one, I'm doing my jokes in front of these.

928
00:44:40,520 --> 00:44:43,920
Speaker 2: I'm like, oh, this ship here, and when I say

929
00:44:43,960 --> 00:44:47,279
Speaker 2: he and is like it translates on both sides because

930
00:44:47,320 --> 00:44:50,879
Speaker 2: it's been times where you know, people was like, oh

931
00:44:51,160 --> 00:44:52,880
Speaker 2: he could do that in front of a nigga crowd.

932
00:44:53,440 --> 00:44:56,399
Speaker 1: What kind of joke? What kind of joke like about what.

933
00:44:57,040 --> 00:44:59,680
Speaker 2: Like, Bro, I talk about shit, I talk about me,

934
00:45:00,080 --> 00:45:02,960
Speaker 2: about my family, talking about kids, look what's going on

935
00:45:03,040 --> 00:45:05,239
Speaker 2: in the world. And sometimes it was like, you know,

936
00:45:05,320 --> 00:45:07,719
Speaker 2: even with my accent, you will hear people say certain

937
00:45:07,719 --> 00:45:10,399
Speaker 2: stuff like or they won't translate you know what I'm saying,

938
00:45:10,400 --> 00:45:15,080
Speaker 2: they won't be able to understand it went over there instantly.

939
00:45:15,160 --> 00:45:17,600
Speaker 2: Ship Like bro, when you got it, you got that ship.

940
00:45:17,680 --> 00:45:19,799
Speaker 2: That why you can't listen to certain shit people say.

941
00:45:20,400 --> 00:45:22,520
Speaker 2: You might want to change your you know, try to

942
00:45:23,360 --> 00:45:25,600
Speaker 2: try to project your voice, you know, try.

943
00:45:25,360 --> 00:45:27,399
Speaker 1: To I know in them auditions you get a lot

944
00:45:27,440 --> 00:45:27,719
Speaker 1: of that.

945
00:45:27,840 --> 00:45:30,360
Speaker 2: Yeah, they cause they hear it. Man, I might audition

946
00:45:30,520 --> 00:45:32,440
Speaker 2: for something in New York. I'm talking just like that.

947
00:45:33,760 --> 00:45:35,200
Speaker 2: I ain't trying to change my voice.

948
00:45:35,200 --> 00:45:36,600
Speaker 1: And because I don't know, I don't.

949
00:45:36,719 --> 00:45:40,960
Speaker 3: I ain't never tried. It's all I know anything. How

950
00:45:41,000 --> 00:45:42,839
Speaker 3: they say, let me talk to you for a second.

951
00:45:43,080 --> 00:45:45,680
Speaker 3: One time I was on set. I was on set

952
00:45:45,960 --> 00:45:48,680
Speaker 3: the movie. It was based out of New Jersey, but

953
00:45:48,719 --> 00:45:51,720
Speaker 3: I had nothing, got the role. And I said something.

954
00:45:51,760 --> 00:45:53,759
Speaker 3: They was like, oh, could you try to, uh.

955
00:45:55,400 --> 00:45:58,680
Speaker 1: Try to your accent.

956
00:45:59,320 --> 00:46:02,799
Speaker 2: Yeah, like you were getting frustrated trying to explain so

957
00:46:02,840 --> 00:46:05,320
Speaker 2: now I'm trying to I can't do it on spot.

958
00:46:05,360 --> 00:46:07,680
Speaker 1: There's some shit I got a train to do. See.

959
00:46:07,719 --> 00:46:10,839
Speaker 3: That's the thing, man, that's I think every time I

960
00:46:10,880 --> 00:46:13,839
Speaker 3: hear about Hollywood, and I'm from the outside looking in,

961
00:46:13,920 --> 00:46:17,759
Speaker 3: so my perspective could be skewed a bit, but I

962
00:46:17,880 --> 00:46:22,880
Speaker 3: tend to view it and say, man, sometimes they have

963
00:46:23,239 --> 00:46:29,000
Speaker 3: unreasonable request. And then I think this leads me to

964
00:46:29,080 --> 00:46:30,120
Speaker 3: the dress conversation.

965
00:46:31,120 --> 00:46:36,439
Speaker 1: Right, have you ever wore dress as a coming? Would

966
00:46:36,480 --> 00:46:36,920
Speaker 1: you do that?

967
00:46:37,200 --> 00:46:37,359
Speaker 2: Nah?

968
00:46:37,480 --> 00:46:37,680
Speaker 1: When?

969
00:46:38,239 --> 00:46:41,319
Speaker 2: And and I don't know, like the stipulation with that

970
00:46:41,400 --> 00:46:45,839
Speaker 2: shit I wentn't wasn't no dress for one because of

971
00:46:45,880 --> 00:46:51,239
Speaker 2: how I'm built, like like I look like a like

972
00:46:51,280 --> 00:46:56,000
Speaker 2: a little thick bit. Well nah all jose aside, Bro,

973
00:46:56,080 --> 00:46:58,280
Speaker 2: he's like you see you hear all that type of stuff.

974
00:46:58,320 --> 00:47:00,799
Speaker 1: I'm like, Bro, it's like I feel like.

975
00:47:03,680 --> 00:47:08,400
Speaker 2: It's women actresses, Like what what I'm portraying with this?

976
00:47:08,560 --> 00:47:10,080
Speaker 2: You know what I'm saying, what I'm doing with this?

977
00:47:10,440 --> 00:47:13,120
Speaker 2: And I think if you probably would have caught somebody

978
00:47:13,160 --> 00:47:15,759
Speaker 2: in their younger, younger years, you know what I'm saying.

979
00:47:15,760 --> 00:47:19,520
Speaker 2: When you just like because I grew up, when I

980
00:47:19,560 --> 00:47:22,239
Speaker 2: say younger years, do what I'm gonna say, but I

981
00:47:22,280 --> 00:47:24,520
Speaker 2: grew up watching Mark. I used to think it was

982
00:47:24,600 --> 00:47:28,799
Speaker 2: hilarious him doing Shnay doing Mama Pain. So I didn't

983
00:47:28,840 --> 00:47:30,759
Speaker 2: look at it as like a man in a dress.

984
00:47:31,120 --> 00:47:34,160
Speaker 1: What if that was forced? That's what I didn't know.

985
00:47:34,880 --> 00:47:37,799
Speaker 2: We don't know until you start hearing those conversations, and

986
00:47:37,880 --> 00:47:40,880
Speaker 2: now you know, we get old and I'm like, damn.

987
00:47:42,239 --> 00:47:44,560
Speaker 2: You see they have a list of comedians and showing

988
00:47:44,600 --> 00:47:46,320
Speaker 2: a little collages of comedians. K.

989
00:47:46,600 --> 00:47:49,000
Speaker 1: So, damn what all this is about? You feel what

990
00:47:49,000 --> 00:47:49,399
Speaker 1: I'm saying?

991
00:47:49,400 --> 00:47:51,520
Speaker 3: What do you think what I'm saying? Well, let's talk

992
00:47:51,560 --> 00:47:54,160
Speaker 3: about that. I want to know what that ship is about.

993
00:47:54,640 --> 00:47:58,360
Speaker 3: That's what I don't know yet. It gotta be, Yeah,

994
00:47:58,480 --> 00:48:00,600
Speaker 3: it gotta be some crazy shit. But when you see

995
00:48:00,600 --> 00:48:02,040
Speaker 3: that type of shit, like what's.

996
00:48:01,920 --> 00:48:02,600
Speaker 1: Funny about it?

997
00:48:02,800 --> 00:48:06,720
Speaker 3: But if you were in your younger years, those times

998
00:48:06,719 --> 00:48:10,080
Speaker 3: when you would starve in auditions, if they were to say, yo,

999
00:48:10,280 --> 00:48:12,640
Speaker 3: a dress, get it done, cause you.

1000
00:48:12,600 --> 00:48:15,400
Speaker 2: Gotta think I'm still I'm knowing now I'm talking about

1001
00:48:15,440 --> 00:48:18,040
Speaker 2: like when I used to watch marn and watch you know,

1002
00:48:18,200 --> 00:48:19,120
Speaker 2: watch Jamie Foxx.

1003
00:48:19,160 --> 00:48:22,240
Speaker 1: Do wonder those type of I thought it was funny

1004
00:48:22,360 --> 00:48:22,879
Speaker 1: at the time.

1005
00:48:22,920 --> 00:48:25,319
Speaker 2: But now when I'm older and I'm saying, like I

1006
00:48:25,400 --> 00:48:28,120
Speaker 2: might if they talk about madea or something like that.

1007
00:48:29,280 --> 00:48:31,920
Speaker 1: What's funny about this shit? And then my thing is

1008
00:48:32,840 --> 00:48:35,080
Speaker 1: like you, like you said that, this shit getting repetitive?

1009
00:48:35,440 --> 00:48:38,480
Speaker 3: And and why don't these gentlemen come out on behalf

1010
00:48:38,560 --> 00:48:42,080
Speaker 3: of our community? Right if they see that all of

1011
00:48:42,120 --> 00:48:45,480
Speaker 3: these gentlemen bro we saying that Jamie Foxes, the morn

1012
00:48:45,640 --> 00:48:48,720
Speaker 3: Lawrence the tyler peer is as powerful as you, guys

1013
00:48:48,960 --> 00:48:51,520
Speaker 3: is if you did it for whatever reason, why don't

1014
00:48:51,560 --> 00:48:53,840
Speaker 3: these gentlemen come out to say something.

1015
00:48:54,160 --> 00:48:57,560
Speaker 1: Or I'm sing, hey, it wasn't no fun and yo,

1016
00:48:57,680 --> 00:48:58,680
Speaker 1: y'all got that wrong.

1017
00:48:59,400 --> 00:49:06,680
Speaker 2: This is hell no nigga I wrote that, But it's like, say, so, man.

1018
00:49:06,600 --> 00:49:12,320
Speaker 3: How y'all quiet? Listen, twenty five niggas is silent. Ain't

1019
00:49:12,360 --> 00:49:15,279
Speaker 3: nobody on the list come out to dispute. Ain't yo,

1020
00:49:15,360 --> 00:49:16,200
Speaker 3: that ain't what it is?

1021
00:49:16,239 --> 00:49:16,600
Speaker 1: Family?

1022
00:49:16,760 --> 00:49:20,560
Speaker 2: No, no, no, no, y'all got that the other niggas,

1023
00:49:20,560 --> 00:49:22,960
Speaker 2: but me, I wrote that point on my own. I

1024
00:49:23,040 --> 00:49:25,960
Speaker 2: put myself in that motherfucker h y'all leaving room and

1025
00:49:26,000 --> 00:49:30,879
Speaker 2: then't even spelt even that can speak to the environment, right,

1026
00:49:32,320 --> 00:49:35,320
Speaker 2: Sometimes it's It's just like niggas leave with money because

1027
00:49:35,360 --> 00:49:38,080
Speaker 2: they know these a lot of girls gold diggers. Sometimes

1028
00:49:38,120 --> 00:49:40,919
Speaker 2: women are gold diggers, right, so sometimes you leave with money.

1029
00:49:40,960 --> 00:49:41,960
Speaker 1: That's why when you put.

1030
00:49:41,880 --> 00:49:44,440
Speaker 3: Cheese on the rat trap, it's because you know the

1031
00:49:44,520 --> 00:49:46,800
Speaker 3: cheese to get him over there, to get his neck snap.

1032
00:49:48,160 --> 00:49:51,719
Speaker 1: You feel me. So it's the same thing they try to.

1033
00:49:51,840 --> 00:49:55,040
Speaker 3: They lead you over there knowing that if I put

1034
00:49:55,040 --> 00:49:59,279
Speaker 3: the dress on, their green lighted. But if I just

1035
00:49:59,360 --> 00:50:02,120
Speaker 3: come regular, funny. If I just come regular, they ain't

1036
00:50:02,120 --> 00:50:04,000
Speaker 3: gonna grin. But if I put the dress on, I

1037
00:50:04,000 --> 00:50:06,000
Speaker 3: got a better chance, and I'm green lightning.

1038
00:50:06,840 --> 00:50:08,160
Speaker 1: And sometimes it can be that.

1039
00:50:08,320 --> 00:50:10,759
Speaker 2: And Dave Chappelle he had spoken on one time when

1040
00:50:10,760 --> 00:50:13,080
Speaker 2: he was on Blue Streak set, they had put a

1041
00:50:13,200 --> 00:50:16,320
Speaker 2: dress in his trailer, but it never was in the script.

1042
00:50:16,760 --> 00:50:18,520
Speaker 2: They were like, nah, we thought it would be funny

1043
00:50:18,480 --> 00:50:21,040
Speaker 2: if we do that, Like he did an interview about it,

1044
00:50:21,080 --> 00:50:23,279
Speaker 2: but he told him, no, he didn't do it.

1045
00:50:23,360 --> 00:50:24,080
Speaker 1: You know what I'm saying.

1046
00:50:24,120 --> 00:50:27,359
Speaker 2: But it was like, sometimes I guess they'll tell you

1047
00:50:28,200 --> 00:50:30,719
Speaker 2: why you on set or something like that, or just

1048
00:50:30,760 --> 00:50:33,120
Speaker 2: you know, just bring it just to try you. Maybe

1049
00:50:33,120 --> 00:50:35,440
Speaker 2: I don't know, but he told him now, but you

1050
00:50:35,560 --> 00:50:38,719
Speaker 2: saying you wouldn't do it? Nah, I no, you ain't

1051
00:50:38,719 --> 00:50:40,279
Speaker 2: gonna see me in no dress. No, you ain't gonna

1052
00:50:40,280 --> 00:50:40,520
Speaker 2: see me.

1053
00:50:40,520 --> 00:50:40,560
Speaker 1: No.

1054
00:50:41,719 --> 00:50:44,239
Speaker 3: I just think it's interesting though. Why don't you think

1055
00:50:44,320 --> 00:50:46,279
Speaker 3: no one comes out to speak on that?

1056
00:50:46,920 --> 00:50:52,600
Speaker 1: Man, shit, I don't, bro. This is how I look

1057
00:50:52,640 --> 00:50:55,320
Speaker 1: at it, like some shit you got it?

1058
00:50:55,480 --> 00:50:59,040
Speaker 2: Like say, like if you know what I'm saying, or

1059
00:50:59,120 --> 00:51:01,960
Speaker 2: maybe they used to allegations on them what they like.

1060
00:51:02,080 --> 00:51:05,600
Speaker 2: I can't address everyone on twenty five different people though,

1061
00:51:05,680 --> 00:51:08,120
Speaker 2: but man, it's like if you it's like it's some

1062
00:51:08,280 --> 00:51:11,680
Speaker 2: kind of cold attached to it. Twenty five Like it's

1063
00:51:11,760 --> 00:51:15,880
Speaker 2: like twenty comics bro literally on their collage thing. Nobody

1064
00:51:15,920 --> 00:51:18,520
Speaker 2: won't come out and say, y'all have the wrong idea

1065
00:51:18,680 --> 00:51:21,560
Speaker 2: about Hollywood, y'all have it wrong right.

1066
00:51:21,719 --> 00:51:24,279
Speaker 3: Nobody forced me to do that. I was never put

1067
00:51:24,280 --> 00:51:27,080
Speaker 3: in that Circum'm not on that. Nobody won't say that

1068
00:51:27,080 --> 00:51:29,919
Speaker 3: that says something that's just like where we're from.

1069
00:51:29,960 --> 00:51:32,359
Speaker 2: I say, the two worst things somebody could put on

1070
00:51:32,400 --> 00:51:34,160
Speaker 2: you is like if you not you know what I'm

1071
00:51:34,200 --> 00:51:37,239
Speaker 2: saying is if you a snitch or you gay?

1072
00:51:37,840 --> 00:51:40,000
Speaker 1: Yes, if somebody say that, I feel like you defend

1073
00:51:40,120 --> 00:51:40,399
Speaker 1: or you.

1074
00:51:40,400 --> 00:51:44,040
Speaker 3: Got HIV aids Oh, you got to come out of yo,

1075
00:51:44,120 --> 00:51:47,200
Speaker 3: that's untrue, untrue.

1076
00:51:48,239 --> 00:51:51,680
Speaker 1: I got kids and everything. Hey, nah, I know you

1077
00:51:51,719 --> 00:51:52,840
Speaker 1: call me a fuck nigga.

1078
00:51:52,880 --> 00:51:55,840
Speaker 2: I ain't to speak because you might. I might have

1079
00:51:55,920 --> 00:51:59,120
Speaker 2: did some nigga, but look, don't have HIV.

1080
00:52:00,520 --> 00:52:03,000
Speaker 3: You know, niggas you can make the news for having

1081
00:52:03,040 --> 00:52:05,600
Speaker 3: a like that's a serious thing, you know.

1082
00:52:05,719 --> 00:52:08,040
Speaker 1: So got the dispute. You've seen that girl.

1083
00:52:08,080 --> 00:52:10,520
Speaker 2: It was a girl who said somebody had an STD

1084
00:52:10,680 --> 00:52:12,480
Speaker 2: missed him up in college and all that he had

1085
00:52:12,520 --> 00:52:15,400
Speaker 2: to get his results and go live and all you

1086
00:52:15,440 --> 00:52:15,879
Speaker 2: saw that.

1087
00:52:16,680 --> 00:52:20,680
Speaker 1: Yeah he was in college. Yeah, what happened? They broke

1088
00:52:20,760 --> 00:52:23,239
Speaker 1: up and she just did the ship? She said, what

1089
00:52:23,320 --> 00:52:26,560
Speaker 1: he dirt his ship dick dirt? Yeah? Was it HIV?

1090
00:52:27,480 --> 00:52:28,560
Speaker 1: She said HIV?

1091
00:52:28,800 --> 00:52:33,400
Speaker 2: Yeah, So he had his family made him go get tested.

1092
00:52:33,480 --> 00:52:35,920
Speaker 1: He went live. Then did if any name?

1093
00:52:36,280 --> 00:52:39,480
Speaker 3: You got to so tell me why dudes got our

1094
00:52:39,520 --> 00:52:44,000
Speaker 3: whole entire community. This is the whole sector of the

1095
00:52:44,040 --> 00:52:47,120
Speaker 3: black community that's saying, Yo, there's something going on with

1096
00:52:47,160 --> 00:52:50,120
Speaker 3: the dresses, and not one of the niggas in a

1097
00:52:50,320 --> 00:52:55,080
Speaker 3: dress can come out and clarify these voices a loud.

1098
00:52:55,120 --> 00:52:59,279
Speaker 3: So I just for some reason, I don't I don't

1099
00:52:59,360 --> 00:53:02,760
Speaker 3: understand that are your movies that you have been auditioning?

1100
00:53:02,840 --> 00:53:07,400
Speaker 1: What they for Hollywood? Have they all been in Atlanta? Yeah?

1101
00:53:08,440 --> 00:53:11,000
Speaker 1: So is Atlanta Hollywood now? Man?

1102
00:53:11,120 --> 00:53:15,040
Speaker 2: So look, this is what they do. Filming in Atlanta

1103
00:53:15,120 --> 00:53:18,640
Speaker 2: is cheaper than filming in la you know what I'm saying.

1104
00:53:19,080 --> 00:53:20,920
Speaker 2: So a lot of them they cast for movies and

1105
00:53:20,920 --> 00:53:22,680
Speaker 2: then when they get here, they have to cast certain

1106
00:53:22,760 --> 00:53:25,520
Speaker 2: roles to fill out the movie. So it might be

1107
00:53:25,680 --> 00:53:29,680
Speaker 2: sometimes cheaper than flying a comedian from La Inn to

1108
00:53:29,800 --> 00:53:31,720
Speaker 2: do certain parts of certain roles.

1109
00:53:31,760 --> 00:53:34,160
Speaker 3: But you never been approach on no weird shit in

1110
00:53:34,600 --> 00:53:37,080
Speaker 3: no hell No, I wonder like that's what I'm saying.

1111
00:53:37,120 --> 00:53:38,000
Speaker 3: I think they come with you.

1112
00:53:38,080 --> 00:53:40,719
Speaker 2: Oh and then another thing, maybe I'm right where I

1113
00:53:40,800 --> 00:53:43,759
Speaker 2: need to be. Well, nigga, don't need to come drive

1114
00:53:43,800 --> 00:53:44,719
Speaker 2: me with that ship up.

1115
00:53:45,040 --> 00:53:45,239
Speaker 4: I know.

1116
00:53:45,280 --> 00:53:47,920
Speaker 1: I'm like, what the fuck? Yeah?

1117
00:53:48,040 --> 00:53:51,160
Speaker 2: Yeah, I couldn't whisper that shit. I'm like, what y'all

1118
00:53:51,160 --> 00:53:52,080
Speaker 2: boy triven to here?

1119
00:53:52,280 --> 00:53:52,520
Speaker 1: See?

1120
00:53:52,560 --> 00:53:54,400
Speaker 3: And that's you know, I've seen something there and I

1121
00:53:54,440 --> 00:53:57,440
Speaker 3: want to talk to you about this. Oh, for those

1122
00:53:57,520 --> 00:53:59,719
Speaker 3: on the where a couple of days ago, there was

1123
00:53:59,719 --> 00:54:04,640
Speaker 3: a versus one with Krishan Rock. This circumstance with a

1124
00:54:04,640 --> 00:54:10,400
Speaker 3: couple of YouTube individuals ended up in pure violence. The

1125
00:54:10,440 --> 00:54:13,600
Speaker 3: reason it ended up in pure violence is because the guys.

1126
00:54:13,719 --> 00:54:15,239
Speaker 1: I guess there's a couple.

1127
00:54:14,960 --> 00:54:18,439
Speaker 3: Different YouTube crews that meet to do this twenty versus one,

1128
00:54:18,480 --> 00:54:20,960
Speaker 3: which is where they get twenty girls verse one dude

1129
00:54:21,440 --> 00:54:25,279
Speaker 3: or twenty dudes verse one. Okay, they take the rappers, right,

1130
00:54:25,360 --> 00:54:27,600
Speaker 3: they bring a rapper through and you bring the girl

1131
00:54:27,640 --> 00:54:29,960
Speaker 3: out on some old school game show kind of shit.

1132
00:54:30,840 --> 00:54:33,719
Speaker 3: This one was a twenty verse one for Krishan, So

1133
00:54:33,800 --> 00:54:36,000
Speaker 3: twenty men trying to.

1134
00:54:36,200 --> 00:54:37,040
Speaker 1: Get her attention.

1135
00:54:38,120 --> 00:54:41,200
Speaker 2: For some reason, they get into it about the content

1136
00:54:41,280 --> 00:54:44,719
Speaker 2: and saying I want to release the content first. There's

1137
00:54:44,760 --> 00:54:48,000
Speaker 2: an argument about that to the tune of a fight

1138
00:54:48,120 --> 00:54:52,520
Speaker 2: breaks out, footage comes out, guns out. The reason I'm

1139
00:54:52,560 --> 00:54:56,719
Speaker 2: bringing this up is because the energy of this dude

1140
00:54:57,800 --> 00:55:03,480
Speaker 2: reminded me of the circumstance that I think sometimes you

1141
00:55:03,640 --> 00:55:05,960
Speaker 2: be like it just was a weird energy.

1142
00:55:06,080 --> 00:55:08,840
Speaker 3: So it's a bigger guy, right, he get the fighting

1143
00:55:08,880 --> 00:55:11,479
Speaker 3: with the dude, He do some kind of spinning back.

1144
00:55:11,680 --> 00:55:16,160
Speaker 3: He missing everything, big boy, missing everything. He going, but

1145
00:55:16,200 --> 00:55:18,360
Speaker 3: he got hard. I could tell this brought him because

1146
00:55:18,400 --> 00:55:22,560
Speaker 3: he got hard and I know the secret. And I

1147
00:55:22,640 --> 00:55:24,759
Speaker 3: know the secret because I come from hustling. I kept

1148
00:55:24,760 --> 00:55:27,520
Speaker 3: a fat nigga with him, keep a fat nigga which

1149
00:55:27,640 --> 00:55:31,680
Speaker 3: he had everything he got, an ounce and a half

1150
00:55:31,719 --> 00:55:35,000
Speaker 3: of everything you want under this bey in his neighbor

1151
00:55:35,160 --> 00:55:38,080
Speaker 3: I come from this. Niggas watching this right now saying

1152
00:55:38,120 --> 00:55:41,319
Speaker 3: he ain't lying. I had niggas ran with me with

1153
00:55:41,520 --> 00:55:45,200
Speaker 3: dope in their neighbors under they flaps of they bed list,

1154
00:55:45,680 --> 00:55:49,080
Speaker 3: under they thigh. Yeah, we ride around the hood like

1155
00:55:49,120 --> 00:55:51,400
Speaker 3: that because I come from a hood where they had

1156
00:55:51,440 --> 00:55:56,000
Speaker 3: got at a snigg people in that social media skit

1157
00:55:56,640 --> 00:55:59,440
Speaker 3: eco system, and then there's people on the outside of.

1158
00:55:59,440 --> 00:56:01,640
Speaker 1: Him into fruition.

1159
00:56:02,360 --> 00:56:04,080
Speaker 2: Even when they were talking about the app, I said,

1160
00:56:04,080 --> 00:56:06,319
Speaker 2: we don't need that, and you know why, because mother

1161
00:56:06,400 --> 00:56:10,160
Speaker 2: people like to get over the other day, a female

1162
00:56:10,280 --> 00:56:13,120
Speaker 2: came in there with her three kids, trying to buy

1163
00:56:13,239 --> 00:56:16,600
Speaker 2: all of them meals with her reward points. I said, all, babe,

1164
00:56:16,640 --> 00:56:18,600
Speaker 2: we ain't doing that. She said, well, what you mean,

1165
00:56:18,640 --> 00:56:20,480
Speaker 2: I earned it. I don't know where you earned that.

1166
00:56:21,160 --> 00:56:24,400
Speaker 2: All these scamas going on, you could have stole the

1167
00:56:24,520 --> 00:56:27,000
Speaker 2: reward points. I said, look, I give you one small

1168
00:56:27,080 --> 00:56:29,120
Speaker 2: free fry and you could get the fup out of here.

1169
00:56:29,960 --> 00:56:33,280
Speaker 3: The characters I see it, you know, because what happens

1170
00:56:33,440 --> 00:56:36,759
Speaker 3: is for us for this era to have that Friday

1171
00:56:36,920 --> 00:56:41,080
Speaker 3: kind of movie, we're gonna have to unfortunately pull from our.

1172
00:56:41,000 --> 00:56:42,360
Speaker 1: Social media characters.

1173
00:56:42,719 --> 00:56:45,440
Speaker 3: If it comes together for this era and do do

1174
00:56:45,520 --> 00:56:48,560
Speaker 3: what it needs to do for comics, it's gonna be

1175
00:56:48,600 --> 00:56:52,319
Speaker 3: from a social media standpoint of characters that's living like

1176
00:56:52,400 --> 00:56:56,120
Speaker 3: the Country Wayne character, like Polay with desert banks. This

1177
00:56:56,160 --> 00:57:00,160
Speaker 3: will now become this era's Friday.

1178
00:57:00,680 --> 00:57:01,480
Speaker 1: The Shift Leader.

1179
00:57:02,200 --> 00:57:04,400
Speaker 2: It's a lot of cussing in the Shift Leader, like

1180
00:57:05,040 --> 00:57:07,680
Speaker 2: they monetized. Yeah, but what I'm saying with me off

1181
00:57:07,800 --> 00:57:09,080
Speaker 2: top and may.

1182
00:57:09,120 --> 00:57:13,360
Speaker 1: You get bleed cussing out, I ain't for fifty thousand

1183
00:57:13,400 --> 00:57:19,280
Speaker 1: a month. Who can fit thou? There? Misload numbers.

1184
00:57:20,760 --> 00:57:24,360
Speaker 2: From like I'm thinking strictly talent when you're thinking on

1185
00:57:24,400 --> 00:57:27,880
Speaker 2: the side of like, yes.

1186
00:57:27,720 --> 00:57:30,920
Speaker 3: What you can get because the reason why, because what

1187
00:57:31,120 --> 00:57:36,800
Speaker 3: separates you and those guys is not talent, because you

1188
00:57:36,800 --> 00:57:39,479
Speaker 3: will be upset looking up in a year now two

1189
00:57:39,600 --> 00:57:43,240
Speaker 3: years and some young comic come up, you inspired and

1190
00:57:43,320 --> 00:57:44,600
Speaker 3: now he's doing.

1191
00:57:44,280 --> 00:57:46,680
Speaker 1: That what are he doing? The shift leader? Yeah? And

1192
00:57:46,720 --> 00:57:48,360
Speaker 1: now he's going to another level.

1193
00:57:48,440 --> 00:57:51,720
Speaker 2: Now he's up the whole time, you see, I was

1194
00:57:51,760 --> 00:57:54,400
Speaker 2: saying like, yeah, man, just tell you.

1195
00:57:54,360 --> 00:57:56,320
Speaker 1: Said another daughter that hold up.

1196
00:57:58,400 --> 00:58:01,680
Speaker 3: Privileged Because I'm saying getting money together is showing love.

1197
00:58:02,120 --> 00:58:04,840
Speaker 3: And I think we've confused the culture far too long

1198
00:58:04,960 --> 00:58:08,760
Speaker 3: with the showing love with the picture or showing love

1199
00:58:08,880 --> 00:58:12,480
Speaker 3: with the repost. I'm saying, yo, yo, bruh, tell me

1200
00:58:12,520 --> 00:58:17,200
Speaker 3: how I can monetize my shift leader thing. Are you

1201
00:58:17,280 --> 00:58:23,720
Speaker 3: afraid to go buy yourself out there as a comedys.

1202
00:58:21,760 --> 00:58:22,760
Speaker 1: Want to lure me to death?

1203
00:58:23,840 --> 00:58:29,240
Speaker 4: Exactly? My man, Lord loans old loan new look.

1204
00:58:29,600 --> 00:58:34,760
Speaker 5: Okay, okays is up there and stuck that n when

1205
00:58:34,800 --> 00:58:36,120
Speaker 5: it's up there, Man, it's stuck there.

1206
00:58:36,280 --> 00:58:40,040
Speaker 1: Shut up.

1207
00:58:40,640 --> 00:58:43,040
Speaker 3: This episode is brought to you by Prize Picks, the

1208
00:58:43,120 --> 00:58:46,600
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1209
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1210
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1211
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1212
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1213
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1214
00:59:01,560 --> 00:59:04,080
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1215
00:59:04,160 --> 00:59:07,960
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1216
00:59:08,040 --> 00:59:11,919
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1217
00:59:11,960 --> 00:59:14,400
Speaker 3: on the game when you could put something on the name.

1218
00:59:14,680 --> 00:59:17,120
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1219
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Speaker 3: picks today, I utp Cole. Let's get back to the show,

1220
00:59:25,720 --> 00:59:30,400
Speaker 3: Sean Rock. This circumstance with a couple of YouTube individuals

1221
00:59:30,520 --> 00:59:35,400
Speaker 3: ended up in pure violence. What the reason that ended

1222
00:59:35,480 --> 00:59:38,120
Speaker 3: up in pure violence is because the guys, I guess

1223
00:59:38,200 --> 00:59:39,200
Speaker 3: there's a couple.

1224
00:59:39,080 --> 00:59:41,560
Speaker 1: Different YouTube crews that meet to do this.

1225
00:59:41,600 --> 00:59:44,200
Speaker 3: Twenty versus one, which is where they get twenty girls

1226
00:59:44,280 --> 00:59:46,880
Speaker 3: verse one dude or twenty dudes verse one.

1227
00:59:47,000 --> 00:59:48,720
Speaker 1: Okay, they take.

1228
00:59:48,560 --> 00:59:51,000
Speaker 3: The rappers right, they bring a rapper through and you

1229
00:59:51,080 --> 00:59:53,520
Speaker 3: bring the girl loud on some old school game show

1230
00:59:53,600 --> 00:59:56,600
Speaker 3: kind of shit. This one was a twenty verse one

1231
00:59:56,840 --> 01:00:01,160
Speaker 3: for Krishan, so twenty men trying to get herd tense.

1232
01:00:02,200 --> 01:00:05,320
Speaker 3: For some reason, they get into it about the content

1233
01:00:05,360 --> 01:00:08,840
Speaker 3: and saying I want to release the content first. There's

1234
01:00:08,880 --> 01:00:12,120
Speaker 3: an argument about that to the tune of a fight

1235
01:00:12,200 --> 01:00:15,120
Speaker 3: breaks out, footage comes out, guns out.

1236
01:00:15,960 --> 01:00:17,600
Speaker 1: The reason I'm bringing this up.

1237
01:00:17,560 --> 01:00:23,320
Speaker 2: Is because the the energy of this dude reminded me of.

1238
01:00:24,880 --> 01:00:28,800
Speaker 3: The circumstance that I think sometimes you be like it

1239
01:00:28,960 --> 01:00:32,200
Speaker 3: just was a weird energy. So it's a bigger guy, right,

1240
01:00:32,240 --> 01:00:34,280
Speaker 3: he get the fighting with the dude. He do some

1241
01:00:34,520 --> 01:00:39,000
Speaker 3: kind of spinning back. He missing everything, big boy, missing

1242
01:00:39,040 --> 01:00:41,680
Speaker 3: everything going. But he got hard. I could tell this

1243
01:00:41,800 --> 01:00:46,040
Speaker 3: brought him because he got hard. And I know the secret.

1244
01:00:46,320 --> 01:00:48,520
Speaker 3: And I know the secret because I come from hustling.

1245
01:00:48,560 --> 01:00:51,040
Speaker 3: I kept a fat nigga with him, keep a fat

1246
01:00:51,120 --> 01:00:55,280
Speaker 3: nigga which he had everything. He got an ounce and

1247
01:00:55,320 --> 01:00:58,280
Speaker 3: a half of everything you want under this barey in

1248
01:00:58,400 --> 01:01:01,680
Speaker 3: his neighbor. I come from this niggas watching this right

1249
01:01:01,760 --> 01:01:04,800
Speaker 3: now saying he ain't lying. I had niggas ran with

1250
01:01:05,040 --> 01:01:08,400
Speaker 3: me with dope in their nah boys, under their flaps

1251
01:01:08,440 --> 01:01:10,720
Speaker 3: of their bed list, under they thigh.

1252
01:01:11,480 --> 01:01:12,640
Speaker 1: Yeah, we riding.

1253
01:01:12,440 --> 01:01:14,520
Speaker 3: Around the hood like that because I come from a

1254
01:01:14,520 --> 01:01:16,600
Speaker 3: hood where they had got at a snigg.

1255
01:01:17,920 --> 01:01:21,400
Speaker 1: Yeah, he got ship everywhere.

1256
01:01:21,400 --> 01:01:23,840
Speaker 3: So look ibo, because I come from a hood where

1257
01:01:23,880 --> 01:01:26,080
Speaker 3: at a certain point they knew we were hustling, so

1258
01:01:26,120 --> 01:01:28,520
Speaker 3: they sent the vice unit. They would just pull you

1259
01:01:28,600 --> 01:01:30,800
Speaker 3: over and search you, search you. We kept it fat

1260
01:01:30,840 --> 01:01:32,880
Speaker 3: nigga with It's hard to find this ship on the

1261
01:01:33,040 --> 01:01:33,840
Speaker 3: big niggas.

1262
01:01:34,000 --> 01:01:36,800
Speaker 1: They get the sweating, so I know they wondered how

1263
01:01:36,840 --> 01:01:38,400
Speaker 1: the fuck his guns in here?

1264
01:01:40,040 --> 01:01:43,000
Speaker 3: Fat boy? Some kind of way they had got to fight.

1265
01:01:43,120 --> 01:01:45,640
Speaker 3: Fat Boy come out his shirt. Fat Boy hit the

1266
01:01:45,720 --> 01:01:50,920
Speaker 3: spinning back fist, miss everything. Stumbling dude hit him too.

1267
01:01:52,000 --> 01:01:55,640
Speaker 3: He handed them to him. Boy dude run up and

1268
01:01:55,680 --> 01:01:58,600
Speaker 3: hit him with the gun. Foo knocked the tooth flu

1269
01:01:58,800 --> 01:02:02,000
Speaker 3: Look he fo all back like they get what big boy? Dude,

1270
01:02:02,400 --> 01:02:04,120
Speaker 3: see I do where you were going for a big

1271
01:02:04,160 --> 01:02:07,360
Speaker 3: boy got that dog? What's a swiss? Big boy go

1272
01:02:07,560 --> 01:02:10,200
Speaker 3: like itself in the sweat because the sweat falled down.

1273
01:02:10,600 --> 01:02:14,120
Speaker 3: He flaps over that fat old grab big clock out

1274
01:02:14,160 --> 01:02:14,400
Speaker 3: of there.

1275
01:02:14,920 --> 01:02:19,440
Speaker 1: Look over that dude and hit him dead and bust

1276
01:02:19,480 --> 01:02:19,960
Speaker 1: his ship.

1277
01:02:20,560 --> 01:02:23,240
Speaker 3: Now, I'm saying that to say, the whole time they

1278
01:02:23,360 --> 01:02:26,920
Speaker 3: was in there, that fat nigga had that gun under

1279
01:02:27,000 --> 01:02:32,240
Speaker 3: some kind of flap in his what I don't spro Listen,

1280
01:02:32,440 --> 01:02:36,040
Speaker 3: you don't know what that nigga had some I don't

1281
01:02:36,040 --> 01:02:38,600
Speaker 3: know where it comes from, but I know the trick

1282
01:02:38,680 --> 01:02:43,200
Speaker 3: of the big man in the crew. So I don't

1283
01:02:43,200 --> 01:02:44,720
Speaker 3: know what I was talking about.

1284
01:02:47,080 --> 01:02:51,680
Speaker 1: Talking about the YouTube. So so you haven't saw that

1285
01:02:51,840 --> 01:02:57,360
Speaker 1: video of that? Have you saw it? Yo? Bro?

1286
01:02:58,120 --> 01:03:01,320
Speaker 2: Now them niggas going to jail and ship like content.

1287
01:03:01,520 --> 01:03:03,840
Speaker 2: And it started off because who wanted to release it?

1288
01:03:03,880 --> 01:03:06,600
Speaker 3: Who wanted to release the content first? How do y'all

1289
01:03:06,640 --> 01:03:09,040
Speaker 3: deal with that in this ecosystem that you in.

1290
01:03:09,960 --> 01:03:12,200
Speaker 2: Well, you know, like sometimes people like if they coming

1291
01:03:12,200 --> 01:03:15,560
Speaker 2: to like shoot something, they had their own cameraman in

1292
01:03:15,800 --> 01:03:18,480
Speaker 2: recording some stuff and stuff like that. But it's like,

1293
01:03:19,200 --> 01:03:21,960
Speaker 2: you know what I mean, it's a conversation though ain't

1294
01:03:23,080 --> 01:03:25,800
Speaker 2: to no point, like I don't know, there might have

1295
01:03:25,880 --> 01:03:28,520
Speaker 2: been some JITs like younger, you know what I'm saying.

1296
01:03:28,480 --> 01:03:31,360
Speaker 3: And them niggas got the squabbling in that. Dude, God

1297
01:03:31,640 --> 01:03:34,640
Speaker 3: I thief was on the ground. Blood was on the ground.

1298
01:03:34,800 --> 01:03:36,919
Speaker 2: I ain't pulling no strap on the nigga about who's

1299
01:03:36,920 --> 01:03:38,400
Speaker 2: gonna release it first.

1300
01:03:38,720 --> 01:03:41,560
Speaker 1: But you gotta remember what these things do now.

1301
01:03:42,400 --> 01:03:46,280
Speaker 2: They know they know, like I need these views first

1302
01:03:46,440 --> 01:03:48,920
Speaker 2: because once you put it up, if you put it

1303
01:03:49,000 --> 01:03:49,800
Speaker 2: up first.

1304
01:03:49,520 --> 01:03:51,840
Speaker 3: Looking at this piece of content might be worth for

1305
01:03:51,920 --> 01:03:53,120
Speaker 3: fifty sixty grand.

1306
01:03:54,000 --> 01:03:57,040
Speaker 2: And like I'm saying, dude was kind of handling big Boy.

1307
01:03:57,560 --> 01:04:00,600
Speaker 2: He was kind of handling Big Boy for big Boy.

1308
01:04:01,040 --> 01:04:03,160
Speaker 1: Big Boy had that secret sauce with he.

1309
01:04:03,000 --> 01:04:05,960
Speaker 3: Didn't know it, and he put it on and he

1310
01:04:06,080 --> 01:04:08,800
Speaker 3: didn't know that. Big boy got the kind of man

1311
01:04:08,920 --> 01:04:11,200
Speaker 3: where even though it's over, I ain't letting it go.

1312
01:04:12,160 --> 01:04:14,400
Speaker 3: The fight was up because they done drew down on him,

1313
01:04:14,400 --> 01:04:16,200
Speaker 3: so so dude was now it is.

1314
01:04:16,240 --> 01:04:18,280
Speaker 1: Kind of over with, but he still looking at.

1315
01:04:18,280 --> 01:04:23,440
Speaker 2: Him like, now, yeah, let me open. Soon as they

1316
01:04:23,560 --> 01:04:25,520
Speaker 2: draw it open.

1317
01:04:25,920 --> 01:04:28,800
Speaker 3: They got the boy like his big boy still looking

1318
01:04:28,800 --> 01:04:32,160
Speaker 3: at him like cause you got me a little bit,

1319
01:04:32,600 --> 01:04:35,400
Speaker 3: and he looked at him, bro, and dude was kind

1320
01:04:35,400 --> 01:04:38,200
Speaker 3: of like thinking this over man. He took it and

1321
01:04:38,240 --> 01:04:43,000
Speaker 3: he done done this, hippifore you. He put that motherfucker

1322
01:04:43,200 --> 01:04:45,920
Speaker 3: just how you want it with the side of and

1323
01:04:46,360 --> 01:04:49,200
Speaker 3: dude didn't even see it coming boom and looked at him.

1324
01:04:49,280 --> 01:04:51,760
Speaker 1: Dude, They're like, he couldn't do nothing. But if even

1325
01:04:51,800 --> 01:04:54,120
Speaker 1: it gets shot in here, plane ain't So look tell

1326
01:04:54,160 --> 01:04:55,800
Speaker 1: me that who put this out?

1327
01:04:56,080 --> 01:04:59,520
Speaker 3: I don't I think the nigga soone, the nigga who

1328
01:04:59,600 --> 01:05:02,000
Speaker 3: threw the This is why it's all about views, man,

1329
01:05:02,200 --> 01:05:05,320
Speaker 3: dangerous get the YouTube niggas trying to get together to

1330
01:05:05,800 --> 01:05:07,200
Speaker 3: maximize the audience.

1331
01:05:07,680 --> 01:05:10,240
Speaker 1: This shit getting dangerous, trying to maximize yall.

1332
01:05:10,360 --> 01:05:13,640
Speaker 3: And that's why champion y'all in this ecosystem because where

1333
01:05:13,640 --> 01:05:16,080
Speaker 3: do you see black dudes come together and be able

1334
01:05:16,120 --> 01:05:16,840
Speaker 3: to do this here?

1335
01:05:17,680 --> 01:05:20,080
Speaker 1: Man, I think it gets it.

1336
01:05:20,120 --> 01:05:24,320
Speaker 2: Gotta get to a point where I think, man, who

1337
01:05:24,360 --> 01:05:26,720
Speaker 2: who you are is who you are? And sometimes like

1338
01:05:26,720 --> 01:05:28,520
Speaker 2: people can hide it, but you only can hide it

1339
01:05:28,520 --> 01:05:32,000
Speaker 2: for so long you will start sensing some stuff, like bro,

1340
01:05:32,200 --> 01:05:36,120
Speaker 2: like it's so much when people realize the fight ain't

1341
01:05:36,160 --> 01:05:40,000
Speaker 2: against the fight ain't against us, it's against them, Like

1342
01:05:40,080 --> 01:05:44,360
Speaker 2: and we come together, we could knock all this ship down, but.

1343
01:05:44,400 --> 01:05:47,240
Speaker 3: We can't come together with the suckers in position. That's

1344
01:05:47,280 --> 01:05:49,920
Speaker 3: what's fucked up. That's why I kind of respect what

1345
01:05:50,040 --> 01:05:53,040
Speaker 3: Cat Williams done to a certain extent because it's like, Yo,

1346
01:05:53,400 --> 01:05:56,280
Speaker 3: let's put let's let's put some conversations on the table,

1347
01:05:56,560 --> 01:05:59,160
Speaker 3: Like let's have some conversations, like Yo, what's going on?

1348
01:05:59,840 --> 01:06:03,160
Speaker 3: You know, whether y'all agree or disagree, but let's start

1349
01:06:03,200 --> 01:06:05,080
Speaker 3: these conversations and get to talk.

1350
01:06:05,320 --> 01:06:07,960
Speaker 2: Yeah, and then bruh, not just so much that nigga

1351
01:06:08,040 --> 01:06:12,400
Speaker 2: interview was so interesting that that people will watch, you say,

1352
01:06:12,440 --> 01:06:16,080
Speaker 2: the viewers the views on it, like bro, And I

1353
01:06:16,120 --> 01:06:19,520
Speaker 2: know me like I watch interviews, like I could I

1354
01:06:19,560 --> 01:06:21,520
Speaker 2: could get on YouTube and watch interviews, you know, what

1355
01:06:21,560 --> 01:06:24,720
Speaker 2: I'm saying, because I do that, like if it's stuff

1356
01:06:24,760 --> 01:06:28,000
Speaker 2: like that. But that interview, bro, I don't. I done

1357
01:06:28,080 --> 01:06:30,640
Speaker 2: went back two or three times because the parts whereas

1358
01:06:30,880 --> 01:06:33,160
Speaker 2: he got some some funny shit in that, like you're

1359
01:06:33,160 --> 01:06:34,040
Speaker 2: watching a special.

1360
01:06:34,440 --> 01:06:36,920
Speaker 1: You do know what I'm saying, Yeah, fife.

1361
01:06:39,880 --> 01:06:43,440
Speaker 3: Now the interesting part in that is that Kat Williams

1362
01:06:43,480 --> 01:06:44,200
Speaker 3: don't get a back.

1363
01:06:44,320 --> 01:06:48,360
Speaker 1: You know, if any money, he ain't do it. I

1364
01:06:48,400 --> 01:06:49,280
Speaker 1: would have sent them.

1365
01:06:49,120 --> 01:06:51,480
Speaker 2: A check though, yeah, if it just to be player,

1366
01:06:51,600 --> 01:06:53,640
Speaker 2: or sent them a check just to be Playure sent

1367
01:06:53,720 --> 01:06:54,440
Speaker 2: them a check, bro.

1368
01:06:54,560 --> 01:06:56,720
Speaker 1: But you notice he said that during the interview what

1369
01:06:56,800 --> 01:06:59,160
Speaker 1: it was gonna do. But I think it's the year

1370
01:06:59,200 --> 01:07:01,720
Speaker 1: of that. I think gets the year. Yo. Man, he

1371
01:07:01,760 --> 01:07:03,800
Speaker 1: could have gave me an opportunity, but he didn't.

1372
01:07:03,800 --> 01:07:05,640
Speaker 3: I ain't mad at him, but he know that, and

1373
01:07:05,760 --> 01:07:08,120
Speaker 3: y'all need to know that behind the scenes, this is

1374
01:07:08,160 --> 01:07:08,920
Speaker 3: what's going on.

1375
01:07:09,160 --> 01:07:11,520
Speaker 2: But see, you know how sometimes people ask, well, why

1376
01:07:11,600 --> 01:07:14,040
Speaker 2: such and such no folks and so them like, nah,

1377
01:07:14,080 --> 01:07:16,760
Speaker 2: ain't no problem. People used to just keep it, you

1378
01:07:16,800 --> 01:07:19,200
Speaker 2: know what I mean. But now niggas like, nah, he

1379
01:07:19,280 --> 01:07:21,560
Speaker 2: do funck shit and it is what it is. Yeah,

1380
01:07:21,600 --> 01:07:23,840
Speaker 2: because there's no problem with I just don't. I don't

1381
01:07:23,920 --> 01:07:25,000
Speaker 2: rock like how he w's what.

1382
01:07:25,120 --> 01:07:27,400
Speaker 1: I don't feel as though we ever work together.

1383
01:07:27,520 --> 01:07:31,360
Speaker 3: And it's youngsters following me, and so they find themselves

1384
01:07:31,360 --> 01:07:34,440
Speaker 3: in these rooms with these guys and they don't understand

1385
01:07:34,560 --> 01:07:37,440
Speaker 3: that a lot of tricks are being played. It's my

1386
01:07:37,760 --> 01:07:42,000
Speaker 3: duty to over communicate, seeing the road, travel, seeing which

1387
01:07:42,040 --> 01:07:44,520
Speaker 3: way I win. It's my duty to let these youngsters

1388
01:07:44,560 --> 01:07:45,560
Speaker 3: know what I'm encounter.

1389
01:07:45,840 --> 01:07:47,800
Speaker 2: You know the worst thing, Bro, You in a room

1390
01:07:47,800 --> 01:07:50,080
Speaker 2: with somebody or a room with a group of people

1391
01:07:50,440 --> 01:07:52,840
Speaker 2: and you leave out the room, you don't really know

1392
01:07:52,880 --> 01:07:54,600
Speaker 2: if you if y'all right?

1393
01:07:55,040 --> 01:07:57,520
Speaker 1: You know what I'm saying, Like, Bro, that energy win? Yeah,

1394
01:07:57,800 --> 01:07:58,440
Speaker 1: I don't like it.

1395
01:07:58,600 --> 01:08:01,400
Speaker 2: They're probably with some flake shit. So like I don't

1396
01:08:01,400 --> 01:08:04,320
Speaker 2: want to be in rooms like that. You run into that, yeah,

1397
01:08:04,560 --> 01:08:07,120
Speaker 2: because sometimes like how we just work. But it's like

1398
01:08:07,160 --> 01:08:09,160
Speaker 2: if I walk out the room and I'll adapt you up.

1399
01:08:09,280 --> 01:08:11,320
Speaker 2: I don't want to walk out thinking you gonna say

1400
01:08:11,320 --> 01:08:14,320
Speaker 2: some shit like oh man, I don't fuck but right yeah,

1401
01:08:14,640 --> 01:08:16,720
Speaker 2: Like no, nigga, don't You don't have to work with

1402
01:08:16,800 --> 01:08:18,639
Speaker 2: niggas if you don't fuck with.

1403
01:08:18,560 --> 01:08:23,479
Speaker 3: Them, simple, simple, simple, who you you got comedy smoke.

1404
01:08:23,960 --> 01:08:26,439
Speaker 2: Nah, I ain't got no comedy smoke. But that's the thing.

1405
01:08:26,560 --> 01:08:29,200
Speaker 2: I don't be around if I do. You don't know,

1406
01:08:29,520 --> 01:08:32,960
Speaker 2: I don't know, they probably donna fuck with me. Because

1407
01:08:33,000 --> 01:08:35,560
Speaker 2: there's certain calls you should get. Like there's an ecosystem

1408
01:08:35,600 --> 01:08:39,280
Speaker 2: of money being spent, bro, this is what creates right.

1409
01:08:39,600 --> 01:08:42,320
Speaker 3: I expect people with no understanding not to have an

1410
01:08:42,360 --> 01:08:45,880
Speaker 3: issue with how things are rolling right, because when you

1411
01:08:45,920 --> 01:08:49,400
Speaker 3: don't understand the ecosystem attached to these opportunities and the

1412
01:08:49,479 --> 01:08:56,920
Speaker 3: money and the financial gain and certain certain pathways that

1413
01:08:57,000 --> 01:09:00,479
Speaker 3: is being created by way of opportunity, then you don't

1414
01:09:00,479 --> 01:09:02,360
Speaker 3: have any business with a dog in the fight.

1415
01:09:02,439 --> 01:09:04,280
Speaker 1: You don't even know what I'm talking about.

1416
01:09:04,800 --> 01:09:08,519
Speaker 3: But when you understand that, yo, at this point, at

1417
01:09:08,520 --> 01:09:09,559
Speaker 3: this juncture, you.

1418
01:09:09,520 --> 01:09:11,080
Speaker 1: Should be able to be doing this.

1419
01:09:11,760 --> 01:09:15,479
Speaker 3: But that call isn't coming or they call for whatever reason,

1420
01:09:15,760 --> 01:09:20,760
Speaker 3: y'all don't work together. Like, who's somebody out there that

1421
01:09:21,840 --> 01:09:26,200
Speaker 3: you feel as though you should be working with right now?

1422
01:09:26,320 --> 01:09:28,080
Speaker 2: You could work with right now that you want to

1423
01:09:28,120 --> 01:09:30,160
Speaker 2: work with right now? Who I would want to work

1424
01:09:30,160 --> 01:09:35,760
Speaker 2: with right now? I want to work I want to

1425
01:09:35,800 --> 01:09:39,679
Speaker 2: work Kevin Hart not saying, but you know, like sometimes

1426
01:09:39,720 --> 01:09:41,400
Speaker 2: you have shit on your bucket list, like you know

1427
01:09:41,439 --> 01:09:43,120
Speaker 2: what I'm saying, like people to work with and stuff

1428
01:09:43,160 --> 01:09:45,720
Speaker 2: like that, and it's just like shit, you see that

1429
01:09:45,800 --> 01:09:48,160
Speaker 2: nigga work ethic and shit like that type of shit.

1430
01:09:48,240 --> 01:09:48,360
Speaker 1: Right.

1431
01:09:48,800 --> 01:09:52,080
Speaker 2: Other than that, it's like the people I'm already working with, bro,

1432
01:09:52,200 --> 01:09:55,040
Speaker 2: So it's like I don't even I mentioned Kevin Hart

1433
01:09:55,120 --> 01:09:57,040
Speaker 2: just because like you know what I'm saying. You see

1434
01:09:57,040 --> 01:09:59,400
Speaker 2: the the shit he doing and there, like you know

1435
01:09:59,439 --> 01:10:02,200
Speaker 2: what I'm saying that that's the type of like okay, boom,

1436
01:10:02,600 --> 01:10:05,360
Speaker 2: that'll be dope. But if it don't, I ain't tripping either,

1437
01:10:05,760 --> 01:10:09,080
Speaker 2: because it's like the people that are organically working around

1438
01:10:09,560 --> 01:10:11,559
Speaker 2: I think these niggas is dope and funny.

1439
01:10:12,600 --> 01:10:15,679
Speaker 1: They might not be by yourself. Do you tour by yourself?

1440
01:10:15,840 --> 01:10:18,479
Speaker 1: Oh no? Are you expected to do that? Do you

1441
01:10:18,520 --> 01:10:19,160
Speaker 1: want to do that?

1442
01:10:19,200 --> 01:10:23,200
Speaker 2: Ever, if it comes to it, you know what I'm saying,

1443
01:10:23,320 --> 01:10:27,200
Speaker 2: it's like how we we we just started a tour

1444
01:10:27,320 --> 01:10:31,200
Speaker 2: U me Clay English and money Bag. We've been doing

1445
01:10:31,200 --> 01:10:34,400
Speaker 2: that tour and that shit been dope. So it'd be

1446
01:10:34,479 --> 01:10:38,160
Speaker 2: like like how you mentioned that. The tribal instance of it,

1447
01:10:38,760 --> 01:10:40,719
Speaker 2: like being around other like you know what I'm.

1448
01:10:40,600 --> 01:10:41,960
Speaker 1: Saying like we cool, do you?

1449
01:10:42,160 --> 01:10:44,439
Speaker 3: But see that's why I but I do have a

1450
01:10:44,479 --> 01:10:48,160
Speaker 3: certain respect for that nigga even though it's still tribal

1451
01:10:48,240 --> 01:10:51,280
Speaker 3: on all these shows, right, it's still it's still like

1452
01:10:51,320 --> 01:10:55,080
Speaker 3: a Dave Chappelle. Yeah, but boy, it's like he demands

1453
01:10:55,120 --> 01:10:56,719
Speaker 3: a certain energy out.

1454
01:10:56,520 --> 01:10:58,240
Speaker 1: There here, a different type of nigga.

1455
01:10:58,400 --> 01:11:00,400
Speaker 2: Yeah, man, you know why I say he every type

1456
01:11:00,400 --> 01:11:04,760
Speaker 2: of nigga, like bro even with the craft that how

1457
01:11:04,760 --> 01:11:08,639
Speaker 2: he how he channeled his craft. He'll he'll talk about

1458
01:11:08,640 --> 01:11:11,760
Speaker 2: it on like, oh I got booed in this city

1459
01:11:11,800 --> 01:11:13,760
Speaker 2: and boot in that city. Like he'll sit there and

1460
01:11:13,800 --> 01:11:18,639
Speaker 2: work his material, go places and like he he's worked ethic.

1461
01:11:18,880 --> 01:11:20,960
Speaker 2: A lot of people talk about Kevin hard work ethic.

1462
01:11:21,200 --> 01:11:24,400
Speaker 2: Dall got a mean ad work ethic too. That nigga

1463
01:11:24,400 --> 01:11:29,439
Speaker 2: be on stage every night. Yeah yeah, two three show.

1464
01:11:29,520 --> 01:11:31,960
Speaker 2: They say you might leave somewhere, And he didn't just

1465
01:11:32,000 --> 01:11:36,200
Speaker 2: work on some ship. He loved coming ill prodigy.

1466
01:11:36,439 --> 01:11:39,479
Speaker 1: He started when he was a afraid of that though.

1467
01:11:39,800 --> 01:11:42,519
Speaker 3: Are you afraid to go buy yourself out there as

1468
01:11:42,560 --> 01:11:43,160
Speaker 3: a comedian?

1469
01:11:43,240 --> 01:11:46,800
Speaker 1: Hell no, I just gotta get ass and seats.

1470
01:11:47,920 --> 01:11:49,800
Speaker 2: If I get ass in c I would have been

1471
01:11:49,920 --> 01:11:54,639
Speaker 2: on you, man, ship with the social media now, steady

1472
01:11:54,680 --> 01:11:58,280
Speaker 2: putting out content, building your own fan base. So a

1473
01:11:58,280 --> 01:12:00,960
Speaker 2: lot of shit I was doing with the shift Leader

1474
01:12:01,760 --> 01:12:06,880
Speaker 2: and that ship been catching fire on TikTok like the

1475
01:12:07,080 --> 01:12:11,200
Speaker 2: man it's brouh. I'll be lying to you. I didn't

1476
01:12:11,200 --> 01:12:14,160
Speaker 2: even wasn't ever putting sh it on TikTok. I'm on

1477
01:12:14,240 --> 01:12:19,120
Speaker 2: Instagram right because ship not at I ain't old, but

1478
01:12:19,280 --> 01:12:21,439
Speaker 2: shit like you know, learning something new, like I ain't

1479
01:12:21,479 --> 01:12:22,639
Speaker 2: got that ship.

1480
01:12:22,800 --> 01:12:26,320
Speaker 1: Yeah, man, it's.

1481
01:12:25,320 --> 01:12:28,320
Speaker 2: A uh he's probably like twenty two twenty three out

1482
01:12:28,320 --> 01:12:31,840
Speaker 2: of Memphis. Just start putting my videos on TikTok. Made

1483
01:12:31,880 --> 01:12:37,479
Speaker 2: a page nigga. That ship booming, so I'm liked off. Yeah,

1484
01:12:37,640 --> 01:12:42,680
Speaker 2: but look he getting paid. He told me. He he

1485
01:12:42,800 --> 01:12:45,200
Speaker 2: told me cause the nigga had me blocked that first.

1486
01:12:45,320 --> 01:12:48,400
Speaker 2: I said, look, I don't want the money, brou I said,

1487
01:12:48,400 --> 01:12:50,599
Speaker 2: what I need you to do? Go cut the rest

1488
01:12:50,600 --> 01:12:53,800
Speaker 2: of them up. Put the because it's boy, it's helping,

1489
01:12:53,840 --> 01:12:56,280
Speaker 2: because bro, people don't because it's like I.

1490
01:12:56,240 --> 01:12:58,280
Speaker 1: Paid for marketing. Keep the money.

1491
01:12:58,640 --> 01:13:01,120
Speaker 2: He hit me one time, he was like, man, I

1492
01:13:01,160 --> 01:13:03,040
Speaker 2: know I shouldn't be doing this, but I gotta ask

1493
01:13:03,080 --> 01:13:05,080
Speaker 2: you for a favor. I was like, what's up? He

1494
01:13:05,080 --> 01:13:08,000
Speaker 2: would like somebody paying me to do a promo. I

1495
01:13:08,080 --> 01:13:11,680
Speaker 2: need you to dress up and ship leader and see it.

1496
01:13:11,760 --> 01:13:13,200
Speaker 2: I said, Bro, you know what I got?

1497
01:13:13,280 --> 01:13:14,880
Speaker 1: Fucked with you? I got you. I did it for

1498
01:13:15,520 --> 01:13:16,519
Speaker 1: He locked in forever.

1499
01:13:16,640 --> 01:13:16,760
Speaker 4: Now.

1500
01:13:17,400 --> 01:13:19,800
Speaker 3: This episode is brought to you by Prize Picks, the

1501
01:13:19,840 --> 01:13:23,360
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1512
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Speaker 1: I U TP Cole. Let's get back to the show. Bro. Listen,

1513
01:14:03,479 --> 01:14:05,040
Speaker 1: this is what I'm gona tell you this. He locked

1514
01:14:05,040 --> 01:14:06,280
Speaker 1: in forever about that.

1515
01:14:06,479 --> 01:14:10,040
Speaker 2: This last Halloween that your passed. Bro, it's so many

1516
01:14:10,080 --> 01:14:13,320
Speaker 2: people drenched up as the shift leader. So just imagine

1517
01:14:13,400 --> 01:14:15,000
Speaker 2: I would have been on some whole ship with him.

1518
01:14:15,040 --> 01:14:17,720
Speaker 1: Got the page, Like you know what I'm saying. People

1519
01:14:17,760 --> 01:14:18,800
Speaker 1: don't be realizing that.

1520
01:14:18,840 --> 01:14:21,680
Speaker 2: It's like, Bro, it's people around me who ain't even

1521
01:14:21,760 --> 01:14:22,400
Speaker 2: think to put up.

1522
01:14:22,920 --> 01:14:24,880
Speaker 1: I could add a home boy who did that ship?

1523
01:14:25,840 --> 01:14:29,400
Speaker 2: Like, bro, you tripping talk. He chopped that ship up,

1524
01:14:29,680 --> 01:14:32,360
Speaker 2: got the pages the ship. He don't start putting broken

1525
01:14:32,400 --> 01:14:33,240
Speaker 2: place ship on there.

1526
01:14:33,680 --> 01:14:39,040
Speaker 1: He got work. That's dope. I don't know what team man.

1527
01:14:39,160 --> 01:14:43,360
Speaker 3: Yes, shout out the bru sho. I be telling them,

1528
01:14:43,400 --> 01:14:46,479
Speaker 3: young niggas, just go to work. I'm just some money. Hey,

1529
01:14:46,560 --> 01:14:47,320
Speaker 3: when it comes.

1530
01:14:47,160 --> 01:14:48,160
Speaker 1: To time, I'm a fire.

1531
01:14:48,240 --> 01:14:50,560
Speaker 2: So I'm like I'm telling them when we're trying to

1532
01:14:50,600 --> 01:14:53,040
Speaker 2: do social media country, I'm like, y'all nigga tripping.

1533
01:14:53,280 --> 01:14:56,160
Speaker 1: I got a nigga. He'll figure that out. Yes, tell

1534
01:14:56,320 --> 01:14:58,160
Speaker 1: for people who don't know. Tell him what the shift

1535
01:14:58,200 --> 01:14:58,680
Speaker 1: leader is.

1536
01:14:58,920 --> 01:15:03,320
Speaker 2: The shift leader like, man, he shiftfuley at McDonald's. But

1537
01:15:03,360 --> 01:15:06,959
Speaker 2: he feels like he owned that motherfucker. You can't tell him.

1538
01:15:07,560 --> 01:15:12,040
Speaker 2: He not like, you know what I mean? Heat the CEO.

1539
01:15:13,439 --> 01:15:15,600
Speaker 2: He take it as that. So it like, but it

1540
01:15:15,680 --> 01:15:19,960
Speaker 2: came from me just working a job and just seeing

1541
01:15:20,000 --> 01:15:22,559
Speaker 2: how people let a title.

1542
01:15:22,720 --> 01:15:23,599
Speaker 1: Just go to that. Bro.

1543
01:15:24,080 --> 01:15:27,240
Speaker 2: Nigga, you make a dollar more than me. Relaxed, Bro,

1544
01:15:27,360 --> 01:15:31,679
Speaker 2: it's that chill bro. I had a supervisor. We worked

1545
01:15:31,720 --> 01:15:35,160
Speaker 2: that damn the dome, the Georgia Dome before they changed

1546
01:15:35,200 --> 01:15:37,400
Speaker 2: the Mercedes, being state. I'm fresh out of high school.

1547
01:15:38,040 --> 01:15:38,200
Speaker 1: Bro.

1548
01:15:38,960 --> 01:15:41,320
Speaker 2: Some days you might do housekeeping, some days you might

1549
01:15:41,360 --> 01:15:42,479
Speaker 2: do goddamn set up.

1550
01:15:43,320 --> 01:15:44,040
Speaker 1: We got damn.

1551
01:15:44,280 --> 01:15:46,639
Speaker 2: We gotta mop the flows, like the little pathway before

1552
01:15:46,640 --> 01:15:49,040
Speaker 2: they go down the steps at the dome. So you're

1553
01:15:49,040 --> 01:15:52,080
Speaker 2: supposed to do three and change the mob water, Nigga,

1554
01:15:52,120 --> 01:15:54,840
Speaker 2: I might have went four or five. That nigga stopped me.

1555
01:15:55,720 --> 01:15:58,720
Speaker 2: That nigga said, you don't went too many, Nigga, you

1556
01:15:58,720 --> 01:16:03,120
Speaker 2: could eyeball more.

1557
01:16:03,160 --> 01:16:06,519
Speaker 1: I started looking. I said, but they can't be my life, Bro.

1558
01:16:09,120 --> 01:16:11,320
Speaker 1: He said, he get eyeball mop That.

1559
01:16:11,280 --> 01:16:14,000
Speaker 2: Nigga eye man. That nigga looked at that ship. He said, oh,

1560
01:16:14,040 --> 01:16:18,560
Speaker 2: you went one too many. I said, but a bad motherfucker,

1561
01:16:18,760 --> 01:16:21,120
Speaker 2: And he was right. But I said, damn, you're a

1562
01:16:21,240 --> 01:16:26,559
Speaker 2: bad boy. What that nigga eyeball? So a lot of

1563
01:16:26,560 --> 01:16:30,280
Speaker 2: that ship came from me working around him, and then

1564
01:16:30,280 --> 01:16:31,400
Speaker 2: it just got damn.

1565
01:16:31,520 --> 01:16:34,639
Speaker 3: You don't know I got turned up fucking with this. Yeah,

1566
01:16:34,720 --> 01:16:37,400
Speaker 3: hey man, so what was it? So how long you

1567
01:16:37,439 --> 01:16:38,360
Speaker 3: work with that nigga?

1568
01:16:38,760 --> 01:16:42,040
Speaker 2: I worked with that nigga, man, bro, he was older

1569
01:16:42,080 --> 01:16:44,719
Speaker 2: than us, that nigga Curtis might have been at the time.

1570
01:16:44,760 --> 01:16:48,960
Speaker 2: I was nineteen. That nigga probably like fifty two, Like

1571
01:16:49,040 --> 01:16:51,160
Speaker 2: he might do some ship like this. He'll bet us

1572
01:16:51,240 --> 01:16:54,040
Speaker 2: on the game we lose, we come getting a gat,

1573
01:16:54,280 --> 01:16:58,160
Speaker 2: you know, get the money. That nigga, he'll he'll lose

1574
01:16:58,479 --> 01:17:03,240
Speaker 2: that nigga one time, pay me in ben sheets. So

1575
01:17:03,360 --> 01:17:05,880
Speaker 2: you know, I at the nigga like an old uncle,

1576
01:17:06,040 --> 01:17:09,920
Speaker 2: old granddad, but like nigga cheating the fucker. You think

1577
01:17:09,960 --> 01:17:13,160
Speaker 2: you got all the sick that nigga got their working

1578
01:17:13,200 --> 01:17:14,720
Speaker 2: ship get on the bus.

1579
01:17:15,640 --> 01:17:18,519
Speaker 1: What I said, boy, I can't do this ship. I stuck.

1580
01:17:18,600 --> 01:17:21,080
Speaker 3: I was like, boy, I gotta get ship led into you,

1581
01:17:21,080 --> 01:17:22,519
Speaker 3: you know, made a character out of it.

1582
01:17:22,920 --> 01:17:24,320
Speaker 1: What else was it? Just that?

1583
01:17:25,479 --> 01:17:25,639
Speaker 2: Oh?

1584
01:17:26,600 --> 01:17:27,240
Speaker 1: Yeah, just that?

1585
01:17:27,360 --> 01:17:29,920
Speaker 2: And then like seeing how people work at fast food.

1586
01:17:30,120 --> 01:17:32,200
Speaker 2: You know what I'm saying. I had I never worked.

1587
01:17:31,920 --> 01:17:32,679
Speaker 1: That fast food.

1588
01:17:33,560 --> 01:17:36,760
Speaker 2: My first job was that, like working at the Georgia down.

1589
01:17:37,160 --> 01:17:38,920
Speaker 2: I would have worked that fast food, but I know

1590
01:17:39,040 --> 01:17:40,960
Speaker 2: I would have been one of them niggas who didn't

1591
01:17:40,960 --> 01:17:43,360
Speaker 2: give a fun by work stealing. We had a homeboy

1592
01:17:43,439 --> 01:17:47,080
Speaker 2: work that Matt number nigga boy. We used to I know,

1593
01:17:47,479 --> 01:17:50,800
Speaker 2: but he was a man. That nigga will go up there,

1594
01:17:51,400 --> 01:17:54,559
Speaker 2: that nigga load that bag up. We might have gave

1595
01:17:54,640 --> 01:17:57,360
Speaker 2: four dollars that nigga load us up. We go to

1596
01:17:57,400 --> 01:17:58,200
Speaker 2: the how play the game?

1597
01:17:58,560 --> 01:18:06,480
Speaker 1: Yeah yeah niggas ybody, yeah you know real yeah, hell yeah.

1598
01:18:06,640 --> 01:18:09,320
Speaker 2: Then sometime then after that, you know, like we're his

1599
01:18:09,479 --> 01:18:11,920
Speaker 2: stories from that. Then when I once I started doing

1600
01:18:11,920 --> 01:18:13,560
Speaker 2: the Ship Leader, they were like, man, you need to

1601
01:18:13,560 --> 01:18:15,120
Speaker 2: talk about such and stuff when they do this and

1602
01:18:15,200 --> 01:18:17,680
Speaker 2: when they do that. So it just like experiences and

1603
01:18:17,760 --> 01:18:21,240
Speaker 2: jeff Rick, I'm a part of it too, though ain't

1604
01:18:21,280 --> 01:18:24,600
Speaker 2: too far away. I still now go to McDonald's just

1605
01:18:24,640 --> 01:18:26,880
Speaker 2: for ships and given look around.

1606
01:18:26,560 --> 01:18:27,920
Speaker 1: When of the last time you did one of them

1607
01:18:27,920 --> 01:18:29,920
Speaker 1: Shift Leader, George shit I did.

1608
01:18:30,080 --> 01:18:33,920
Speaker 2: The last time I recorded something was like in November,

1609
01:18:34,280 --> 01:18:35,880
Speaker 2: because I knew I had to put some new ones

1610
01:18:35,920 --> 01:18:37,920
Speaker 2: out cause, like like I told you, after that scene

1611
01:18:37,920 --> 01:18:40,400
Speaker 2: that ship on Halloween, I was like, but this ship

1612
01:18:40,520 --> 01:18:43,839
Speaker 2: because like how we were saying, like we get jaded

1613
01:18:43,880 --> 01:18:46,280
Speaker 2: from it, like tired from it. Like, Bro, I've been

1614
01:18:46,280 --> 01:18:49,120
Speaker 2: doing it shift leader ship. I started doing this shit

1615
01:18:49,160 --> 01:18:54,880
Speaker 2: in twenty fourteen dollars. That's nine years. So it's like, damn,

1616
01:18:54,920 --> 01:18:57,559
Speaker 2: how much shit can this niggas go through? Why he's

1617
01:18:57,600 --> 01:19:00,400
Speaker 2: still the shift leader? But then I said, it's still

1618
01:19:00,439 --> 01:19:03,880
Speaker 2: the shift Yeah. After that TikTok resurgence, I don't give

1619
01:19:03,960 --> 01:19:05,040
Speaker 2: a fuck what the niggas say.

1620
01:19:05,280 --> 01:19:07,000
Speaker 1: It's new motherfucker loving this ship.

1621
01:19:09,000 --> 01:19:11,600
Speaker 2: Yeah, but Duvall had to even tell me, like, you

1622
01:19:11,600 --> 01:19:15,320
Speaker 2: gotta think people growing up on that ship too. You always,

1623
01:19:15,520 --> 01:19:17,080
Speaker 2: no matter what you do, you're always gonna be the

1624
01:19:17,080 --> 01:19:20,439
Speaker 2: shift leaders. So no, keep putting out that ship. So

1625
01:19:20,520 --> 01:19:22,600
Speaker 2: sometimes I find myself like I need to do that.

1626
01:19:22,720 --> 01:19:24,280
Speaker 2: But being Lazer, Bro.

1627
01:19:24,200 --> 01:19:28,840
Speaker 3: What's the relationship with little little duv h Man, what's

1628
01:19:28,840 --> 01:19:29,320
Speaker 3: so crazy?

1629
01:19:29,400 --> 01:19:29,559
Speaker 2: Long?

1630
01:19:29,680 --> 01:19:32,840
Speaker 1: Little Clay? I made him through Clay Evan. That's tip

1631
01:19:32,880 --> 01:19:33,400
Speaker 1: manager too.

1632
01:19:34,400 --> 01:19:39,760
Speaker 2: So uh with Duvall, I had did his host gnar

1633
01:19:39,960 --> 01:19:43,160
Speaker 2: had Uh was getting sick. So Dull asked me that

1634
01:19:43,200 --> 01:19:45,320
Speaker 2: I want to do some dates with him. Hell yeah,

1635
01:19:45,400 --> 01:19:48,240
Speaker 2: cause you know, like growing up all legend up. You

1636
01:19:48,360 --> 01:19:50,800
Speaker 2: know what I'm saying, do all the legend Anyway, I

1637
01:19:50,800 --> 01:19:52,280
Speaker 2: ain't gonna say to us, but it's like you know

1638
01:19:52,280 --> 01:19:54,960
Speaker 2: what I'm saying. We grew up on the Duval watching Duvall,

1639
01:19:55,040 --> 01:19:58,960
Speaker 2: so going around him like the niggas so smart though,

1640
01:19:59,479 --> 01:20:01,360
Speaker 2: And when I said smart, like you don't notice to

1641
01:20:01,439 --> 01:20:04,400
Speaker 2: you around certain people, you hit them, talk about certain

1642
01:20:04,439 --> 01:20:05,519
Speaker 2: stuff like that.

1643
01:20:05,520 --> 01:20:08,320
Speaker 1: Nigga be knowing what's going on and just he'll give

1644
01:20:08,360 --> 01:20:11,599
Speaker 1: you game. He ain't tripping. Same with Loos Losa.

1645
01:20:11,640 --> 01:20:14,840
Speaker 2: Give anybody game and don't don't be looking for no

1646
01:20:15,360 --> 01:20:17,920
Speaker 2: feedback back or need you the goddamn go out and

1647
01:20:17,960 --> 01:20:21,040
Speaker 2: say you did. But it'd be like it's real people

1648
01:20:21,080 --> 01:20:21,639
Speaker 2: like that.

1649
01:20:22,320 --> 01:20:25,160
Speaker 3: When the last time he did a comedy thing, what

1650
01:20:25,240 --> 01:20:26,600
Speaker 3: you mean comedy specialist?

1651
01:20:26,800 --> 01:20:31,559
Speaker 2: Oh I think twenty twenty?

1652
01:20:31,280 --> 01:20:35,120
Speaker 1: What's your take on comedy special? Comedy? It ain't special

1653
01:20:35,160 --> 01:20:36,960
Speaker 1: no more? Yeah?

1654
01:20:37,360 --> 01:20:40,280
Speaker 2: And reason why because like everybody, people could put it

1655
01:20:40,479 --> 01:20:43,479
Speaker 2: on any platform. Now you remember, at a certain time,

1656
01:20:43,560 --> 01:20:45,920
Speaker 2: it was like the reason why they called it special

1657
01:20:45,960 --> 01:20:48,640
Speaker 2: because it was rare that somebody put it out. It

1658
01:20:48,680 --> 01:20:51,080
Speaker 2: was a piece of work that somebody worked on for

1659
01:20:51,120 --> 01:20:53,479
Speaker 2: a minute and then they finally put it out. Then

1660
01:20:53,479 --> 01:20:55,560
Speaker 2: you got somebody like Burning Mack. We never seen a

1661
01:20:55,600 --> 01:20:56,479
Speaker 2: special from him.

1662
01:20:57,320 --> 01:20:58,360
Speaker 1: Wonder why.

1663
01:21:00,280 --> 01:21:02,880
Speaker 2: As dope as he was, he got so many you know,

1664
01:21:02,920 --> 01:21:05,559
Speaker 2: he got the material, but it just was it was

1665
01:21:05,720 --> 01:21:08,360
Speaker 2: rare then when somebody would do specials.

1666
01:21:08,600 --> 01:21:10,519
Speaker 1: They did the Kings of Comedy. You know what I'm saying.

1667
01:21:10,520 --> 01:21:13,920
Speaker 2: That was dope, but just one man show. We would

1668
01:21:14,040 --> 01:21:15,719
Speaker 2: love to see a special from Burning Man.

1669
01:21:17,400 --> 01:21:21,120
Speaker 1: Damn. I never thought about that specials Like, but you ain't.

1670
01:21:21,400 --> 01:21:21,840
Speaker 1: You don't care.

1671
01:21:21,960 --> 01:21:24,160
Speaker 3: You don't really care if you get a Netflix special

1672
01:21:24,280 --> 01:21:25,080
Speaker 3: or no ship, Like.

1673
01:21:25,439 --> 01:21:28,320
Speaker 1: I ain't gonna say that, That's what I'm saying. Yeah,

1674
01:21:28,360 --> 01:21:32,720
Speaker 1: I won't one. Yeah, but they're at more common a

1675
01:21:32,760 --> 01:21:37,160
Speaker 1: little bit. That ship. Hey, whatt you a colleage? You

1676
01:21:37,160 --> 01:21:38,360
Speaker 1: don't know if.

1677
01:21:38,280 --> 01:21:43,000
Speaker 2: It's on Netflix, I might call this ship now flicks y'all?

1678
01:21:43,080 --> 01:21:45,760
Speaker 2: Fuck with that enough whatever.

1679
01:21:45,680 --> 01:21:48,439
Speaker 1: You'll get it your thinking though, you know it takes time. Yeah.

1680
01:21:49,400 --> 01:21:52,080
Speaker 2: I probably just shot around, you know what I mean?

1681
01:21:52,360 --> 01:21:53,439
Speaker 2: I figure that ship out.

1682
01:21:53,520 --> 01:21:59,000
Speaker 3: Yeah yeah, but nah, I think I think, man, when

1683
01:21:59,080 --> 01:22:02,040
Speaker 3: I when I think about it with you doing content

1684
01:22:02,200 --> 01:22:05,040
Speaker 3: like the shift Leyder was that just like the internet thing?

1685
01:22:05,439 --> 01:22:06,840
Speaker 1: Yeah? It was an Internet thing?

1686
01:22:09,400 --> 01:22:12,200
Speaker 3: Are you making money off that? Like say a country

1687
01:22:12,240 --> 01:22:14,479
Speaker 3: Wayne or Funny Mark.

1688
01:22:14,479 --> 01:22:20,000
Speaker 1: Or hell no? Now, why is that what's the disconnect?

1689
01:22:20,280 --> 01:22:27,280
Speaker 2: So like with Country Wayne' Bro that nigga, That nigga

1690
01:22:27,280 --> 01:22:29,280
Speaker 2: in a whole nother world when it comes to that

1691
01:22:29,400 --> 01:22:32,960
Speaker 2: social media shit like Bro, like it's people because we're

1692
01:22:32,960 --> 01:22:35,559
Speaker 2: done me and money Bad. We played some characters on

1693
01:22:35,760 --> 01:22:39,920
Speaker 2: some on the series he had on there and Bry

1694
01:22:40,560 --> 01:22:45,519
Speaker 2: it's a whole different audience. People might see us like

1695
01:22:45,600 --> 01:22:49,480
Speaker 2: why I watched that? Every day they watch it like faithfully,

1696
01:22:49,880 --> 01:22:52,400
Speaker 2: and I'm gonna tell you this. He have a fan

1697
01:22:52,479 --> 01:22:57,080
Speaker 2: base where there's no cursing on there. So older people

1698
01:22:57,240 --> 01:23:00,919
Speaker 2: and people on Facebook, they'll watch it. They'll feel comfortable,

1699
01:23:00,960 --> 01:23:03,479
Speaker 2: you know what I'm saying. I could share this on

1700
01:23:03,560 --> 01:23:06,320
Speaker 2: my page and laugh. Well, I ain't got to worry

1701
01:23:06,360 --> 01:23:09,519
Speaker 2: about people that I work with taking work. Yeah, I

1702
01:23:09,520 --> 01:23:12,080
Speaker 2: could do all that type of stuff. So it's like, yeah,

1703
01:23:12,120 --> 01:23:15,240
Speaker 2: so like he able to monetize and get that money

1704
01:23:15,240 --> 01:23:16,880
Speaker 2: off that in people like you know what I'm saying.

1705
01:23:16,920 --> 01:23:17,679
Speaker 1: So it's different.

1706
01:23:17,920 --> 01:23:21,880
Speaker 3: But it's like ecosystem though, because I believe Vanni Marco

1707
01:23:22,000 --> 01:23:24,680
Speaker 3: is in the ecosystem. I believe Desert Banks is in

1708
01:23:24,720 --> 01:23:30,480
Speaker 3: the ecosystem. There's people in that social media skit ecosystem.

1709
01:23:30,479 --> 01:23:33,360
Speaker 1: And then there's people on the outside of it. Yeah right.

1710
01:23:33,439 --> 01:23:36,200
Speaker 3: You just happen to be good enough to make money

1711
01:23:36,200 --> 01:23:39,439
Speaker 3: from pardon from Comedy with eighty five and y'all doing

1712
01:23:39,520 --> 01:23:43,960
Speaker 3: that from auditions. But there's other people, like say a

1713
01:23:44,000 --> 01:23:44,679
Speaker 3: fat boy.

1714
01:23:44,680 --> 01:23:48,880
Speaker 1: Sc or Queen's Flip type guys. They don't.

1715
01:23:49,320 --> 01:23:53,040
Speaker 3: They may make money now like sc raps flip is

1716
01:23:53,080 --> 01:23:56,479
Speaker 3: on Joe Budden, but without that, they live in that

1717
01:23:56,600 --> 01:23:59,320
Speaker 3: skid world. But I'm not sure if they have been

1718
01:23:59,400 --> 01:24:03,840
Speaker 3: introduced to that. Them guys are monetizing. If you watch

1719
01:24:04,160 --> 01:24:08,400
Speaker 3: Desi Banks drop a blog immediate after he goes live,

1720
01:24:09,120 --> 01:24:11,200
Speaker 3: he's telling his live to go on there, Hey yo,

1721
01:24:11,240 --> 01:24:13,720
Speaker 3: get under that, Hey tag ten people, Hey get under that?

1722
01:24:14,600 --> 01:24:17,519
Speaker 1: No? No, Then he go under that and comment under Yeah.

1723
01:24:17,960 --> 01:24:20,960
Speaker 3: So he's doing he's understanding I'm in this system that

1724
01:24:21,040 --> 01:24:22,320
Speaker 3: I need to run these.

1725
01:24:22,200 --> 01:24:24,840
Speaker 1: Numbers through that man. He taught me. Is that the

1726
01:24:24,880 --> 01:24:25,880
Speaker 1: case for you? Though?

1727
01:24:26,080 --> 01:24:29,519
Speaker 2: See okay for one, the shift leader, it's a lot

1728
01:24:29,520 --> 01:24:33,240
Speaker 2: of cussing in the shift leader, like they monetized. Yeah,

1729
01:24:33,280 --> 01:24:36,120
Speaker 2: but I'm saying with me off top man.

1730
01:24:35,960 --> 01:24:39,479
Speaker 1: You can bleep cussing out. I ain't bleeping nigga for

1731
01:24:39,520 --> 01:24:44,519
Speaker 1: fifty thousand a month. Who can fIF thousand them is

1732
01:24:44,600 --> 01:24:45,400
Speaker 1: load numbers.

1733
01:24:45,560 --> 01:24:48,400
Speaker 3: If a nigga getting a million to say say them

1734
01:24:48,479 --> 01:24:52,680
Speaker 3: niggas is getting nigga like Desi Banks them getting a

1735
01:24:52,920 --> 01:24:57,040
Speaker 3: million views on it, two three, four hundred thousand likes

1736
01:24:57,200 --> 01:25:01,519
Speaker 3: and it's in ad sponsorships and in a revenue in

1737
01:25:01,640 --> 01:25:04,320
Speaker 3: it bro and then he got a series of it.

1738
01:25:04,439 --> 01:25:07,800
Speaker 3: Here's another trick they're doing when they uploaded added to

1739
01:25:07,880 --> 01:25:08,640
Speaker 3: a playlist.

1740
01:25:08,680 --> 01:25:11,479
Speaker 1: So right after that it goes right towards to another one.

1741
01:25:11,479 --> 01:25:13,479
Speaker 2: So if you like this, when you're gonna keep watching it,

1742
01:25:13,760 --> 01:25:16,920
Speaker 2: if you don't touch your phone, it'll keep going.

1743
01:25:17,400 --> 01:25:20,960
Speaker 3: Nigga, You now, I don't leave your algorithm. You don't

1744
01:25:21,000 --> 01:25:22,479
Speaker 3: spend eight minutes on my shit.

1745
01:25:22,600 --> 01:25:25,000
Speaker 2: Now nigga might put that motherfucker on before they got

1746
01:25:25,040 --> 01:25:25,599
Speaker 2: in the shower.

1747
01:25:25,720 --> 01:25:26,720
Speaker 1: That shits still going.

1748
01:25:27,560 --> 01:25:30,200
Speaker 3: So you've had conversations with Desie Banks and these guys.

1749
01:25:30,240 --> 01:25:34,559
Speaker 3: Why isn't it Why don't you think that information or

1750
01:25:35,000 --> 01:25:36,640
Speaker 3: you think it's the content.

1751
01:25:37,160 --> 01:25:40,759
Speaker 2: Not so much the content, Like that's why you remember

1752
01:25:40,840 --> 01:25:44,160
Speaker 2: it was a time where people were going against stand

1753
01:25:44,200 --> 01:25:46,639
Speaker 2: up comedians. How you feel about people who do coming

1754
01:25:46,680 --> 01:25:48,439
Speaker 2: on social media? And they were going against each other.

1755
01:25:48,600 --> 01:25:52,160
Speaker 2: People don't realize, bru, that shit on social media not easy.

1756
01:25:52,520 --> 01:25:54,320
Speaker 2: That shit has worked. That shit is an art in

1757
01:25:54,360 --> 01:25:58,200
Speaker 2: itself to continuously come up with content every day. Put

1758
01:25:58,240 --> 01:26:00,760
Speaker 2: your content out, know how to edit then put it out.

1759
01:26:00,840 --> 01:26:02,720
Speaker 2: But to put it out for a viewership, that shit

1760
01:26:02,720 --> 01:26:05,200
Speaker 2: ain't easy. And you can't make these people engage, bro,

1761
01:26:05,360 --> 01:26:06,040
Speaker 2: that shit is working.

1762
01:26:06,040 --> 01:26:08,680
Speaker 3: Getting the followers up and getting them to engage is

1763
01:26:08,680 --> 01:26:09,360
Speaker 3: a different thing.

1764
01:26:09,479 --> 01:26:11,320
Speaker 1: So getting to like is a different thing.

1765
01:26:11,400 --> 01:26:13,720
Speaker 3: Getting them to comment, getting them to share, getting them

1766
01:26:13,760 --> 01:26:16,480
Speaker 3: the book mark, these are different things.

1767
01:26:16,880 --> 01:26:18,840
Speaker 2: So to be real with you, it's a lot of work.

1768
01:26:20,840 --> 01:26:22,160
Speaker 2: It's more work than anything.

1769
01:26:22,720 --> 01:26:24,040
Speaker 1: So do you believe.

1770
01:26:25,320 --> 01:26:27,080
Speaker 3: How much do you believe there's in them to be

1771
01:26:27,080 --> 01:26:31,280
Speaker 3: making You don't think they? I know they making stupids

1772
01:26:31,280 --> 01:26:34,800
Speaker 3: amount of money off this shit. You said you work

1773
01:26:34,880 --> 01:26:37,639
Speaker 3: with Country Wayne before. What was your character over there?

1774
01:26:38,000 --> 01:26:38,479
Speaker 1: We did.

1775
01:26:39,400 --> 01:26:43,920
Speaker 2: We worked with the Vendom Machine with Mike, Mike bless

1776
01:26:43,920 --> 01:26:45,000
Speaker 2: over that shout out to him.

1777
01:26:45,160 --> 01:26:50,000
Speaker 1: We worked on over him. Yeah. Do you ever ask

1778
01:26:50,080 --> 01:26:50,960
Speaker 1: them about that though?

1779
01:26:51,000 --> 01:26:52,840
Speaker 3: Like, Yo, man, maybe I can take the shift leader

1780
01:26:52,880 --> 01:26:55,559
Speaker 3: bring it in your world, yo, Dizzy Bank, let me

1781
01:26:55,600 --> 01:26:58,479
Speaker 3: pop up over there. Shift Leader, We do one right quick.

1782
01:26:59,000 --> 01:27:02,080
Speaker 3: You come in, make them your character black forces. Whatever

1783
01:27:02,120 --> 01:27:05,040
Speaker 3: you doing, I'm shift leader, I kick you out or

1784
01:27:05,479 --> 01:27:07,920
Speaker 3: you know, get your cold for whatever it is, Like,

1785
01:27:08,160 --> 01:27:12,000
Speaker 3: do you ever think about collabing like that with those guys.

1786
01:27:12,280 --> 01:27:14,880
Speaker 2: It was a time where like that shit was heavy,

1787
01:27:14,960 --> 01:27:17,479
Speaker 2: like with us collabining. But like I just was saying,

1788
01:27:18,040 --> 01:27:20,240
Speaker 2: I don't be doing that shit enough to even be

1789
01:27:20,360 --> 01:27:22,840
Speaker 2: saying it. I'm buyshit on my own with that type

1790
01:27:22,840 --> 01:27:26,639
Speaker 2: of stuff, like taking it. It's like, why though, bro,

1791
01:27:28,680 --> 01:27:32,120
Speaker 2: I kind of like, well, doing that shit so long,

1792
01:27:33,720 --> 01:27:36,320
Speaker 2: Like gotta think, like I start. We started that shit

1793
01:27:36,479 --> 01:27:38,920
Speaker 2: when we was doing the twenty fourteen, like we was

1794
01:27:38,960 --> 01:27:44,920
Speaker 2: all with ratchet people meet it was me, DC, email Hudson, Markolevel,

1795
01:27:45,120 --> 01:27:49,719
Speaker 2: Erica Dutch, like all us around, money bag Philip Hudson,

1796
01:27:49,840 --> 01:27:52,120
Speaker 2: all of us would just do skits.

1797
01:27:52,800 --> 01:27:57,040
Speaker 1: So it's like but they were free or to get

1798
01:27:57,080 --> 01:28:00,679
Speaker 1: your name up. Now that's true money for these.

1799
01:28:00,560 --> 01:28:03,080
Speaker 3: Nigga driving rolls, rosses and shit, and a nigga just

1800
01:28:03,120 --> 01:28:05,040
Speaker 3: sit back saying, yo, I just I don't know, I

1801
01:28:05,120 --> 01:28:06,559
Speaker 3: just don't feel like doing it.

1802
01:28:06,560 --> 01:28:09,760
Speaker 1: It's money being left on the field. Fucking with that. Yeah,

1803
01:28:10,000 --> 01:28:12,519
Speaker 1: you know what comes with that too, what a lot

1804
01:28:12,520 --> 01:28:18,160
Speaker 1: of bullshit. Yeah, could it could put.

1805
01:28:18,120 --> 01:28:20,280
Speaker 3: You done, put the work in already, and you got

1806
01:28:20,280 --> 01:28:23,680
Speaker 3: the character that's already in the world. It's already in

1807
01:28:23,760 --> 01:28:27,320
Speaker 3: an algorithm to not build on that. It's like if

1808
01:28:27,360 --> 01:28:31,480
Speaker 3: you were signed to somebody that was like like Hollywood

1809
01:28:31,560 --> 01:28:33,679
Speaker 3: type shit, they would develop that character.

1810
01:28:33,880 --> 01:28:36,640
Speaker 1: Yeah and make it a TV show. Yeah, yeah, this

1811
01:28:36,800 --> 01:28:39,040
Speaker 1: thing but you but see that's the thing.

1812
01:28:39,080 --> 01:28:41,160
Speaker 3: I think all of those guys are trying to head

1813
01:28:41,240 --> 01:28:43,559
Speaker 3: towards it, like some of these characters getting plucked out

1814
01:28:43,600 --> 01:28:47,640
Speaker 3: social media and brought into the big screen, you know,

1815
01:28:47,880 --> 01:28:50,439
Speaker 3: role because you look at these things.

1816
01:28:50,479 --> 01:28:54,519
Speaker 1: Where's this eras blank? Man? Where's this errors in of

1817
01:28:54,560 --> 01:28:59,120
Speaker 1: that shit? Man? We did when you get a chance

1818
01:28:59,200 --> 01:29:01,320
Speaker 1: check it out the apartments.

1819
01:29:01,160 --> 01:29:03,200
Speaker 3: I was looking at. I've seen that. I've seen some

1820
01:29:03,280 --> 01:29:05,120
Speaker 3: clips of that motherfucker look good.

1821
01:29:05,200 --> 01:29:11,439
Speaker 2: Yeah, Jay Ski do vall DC, Carlos Tip directed it,

1822
01:29:12,680 --> 01:29:14,520
Speaker 2: Tyler Chronicles running joint.

1823
01:29:14,920 --> 01:29:18,719
Speaker 1: Uh damn. Tip had everybody Tokyo, both of the Tokyo.

1824
01:29:21,240 --> 01:29:24,439
Speaker 1: That's hard. Yeah, he put that ship together. It looked

1825
01:29:24,479 --> 01:29:28,240
Speaker 1: good too. Yeah, that's you put that motherfucker together. Yeah.

1826
01:29:28,320 --> 01:29:30,479
Speaker 1: How long did it take the film net? It took

1827
01:29:30,520 --> 01:29:32,479
Speaker 1: about two weeks. That's cool.

1828
01:29:33,760 --> 01:29:35,559
Speaker 2: It first was it was gonna be like a TV

1829
01:29:35,600 --> 01:29:40,200
Speaker 2: show episodic, but then with everybody scheduling it was hard

1830
01:29:40,240 --> 01:29:42,120
Speaker 2: to god damn. He was like, we could turn this

1831
01:29:42,120 --> 01:29:44,840
Speaker 2: ship into a movie, and like he really was hands

1832
01:29:44,840 --> 01:29:47,960
Speaker 2: on with that ship. What did you grab from the

1833
01:29:48,000 --> 01:30:00,120
Speaker 2: Cat Williams Interview, bro, The biggest thing being happy with

1834
01:30:00,479 --> 01:30:01,920
Speaker 2: what you're doing and what you got.

1835
01:30:02,600 --> 01:30:03,240
Speaker 1: You know what I'm saying.

1836
01:30:03,280 --> 01:30:06,040
Speaker 2: And the reason why I say that is like how

1837
01:30:06,080 --> 01:30:10,120
Speaker 2: somebody could be watching, you know when he said, somebody

1838
01:30:10,240 --> 01:30:14,600
Speaker 2: go right now and look at my networks. And I

1839
01:30:14,640 --> 01:30:16,360
Speaker 2: got that on me right now. But you could just

1840
01:30:16,400 --> 01:30:19,320
Speaker 2: tell a lot of people call him better. He went better.

1841
01:30:19,840 --> 01:30:23,720
Speaker 2: You could tell he happy, he could tent. Yeah, and

1842
01:30:23,760 --> 01:30:26,040
Speaker 2: I get a lot of stories. I mean that's that's.

1843
01:30:26,240 --> 01:30:28,320
Speaker 2: Oh he look out for a year for a lot

1844
01:30:28,360 --> 01:30:28,799
Speaker 2: of people.

1845
01:30:29,560 --> 01:30:31,920
Speaker 3: But people took that like he was taking shots. A

1846
01:30:31,920 --> 01:30:33,120
Speaker 3: lot of people responded.

1847
01:30:35,320 --> 01:30:37,559
Speaker 2: But he even said that a lot of them people

1848
01:30:37,560 --> 01:30:40,280
Speaker 2: that came to the interview, they talked about him first

1849
01:30:40,400 --> 01:30:43,280
Speaker 2: he would come back because he ain't even God damn, really,

1850
01:30:43,360 --> 01:30:45,519
Speaker 2: they ain't really introduce it introduced him.

1851
01:30:46,120 --> 01:30:48,680
Speaker 1: He said, right now, boy, I got some shit to say.

1852
01:30:48,840 --> 01:30:49,400
Speaker 1: But it's.

1853
01:30:50,840 --> 01:30:53,320
Speaker 3: But also but That's what it be like when you

1854
01:30:53,360 --> 01:30:55,559
Speaker 3: were thinking, man, right, when you sit in the back

1855
01:30:55,640 --> 01:30:58,879
Speaker 3: cave and you you look at the field. I'm always

1856
01:30:58,920 --> 01:31:01,080
Speaker 3: looking at the field, right, And that's why I can

1857
01:31:01,160 --> 01:31:03,559
Speaker 3: say what they've done, what they've been paid for, what

1858
01:31:03,600 --> 01:31:04,040
Speaker 3: it's worth.

1859
01:31:04,080 --> 01:31:04,719
Speaker 1: You see, I'm.

1860
01:31:04,560 --> 01:31:07,519
Speaker 3: Speaking about DESI I don't do common I don't even

1861
01:31:07,520 --> 01:31:10,920
Speaker 3: do social media content like that, but I'm i'm I

1862
01:31:11,080 --> 01:31:13,920
Speaker 3: recognize value in the market over there. I see it

1863
01:31:14,240 --> 01:31:17,080
Speaker 3: with streaming, I see it with all it TikTok stuff.

1864
01:31:17,120 --> 01:31:20,120
Speaker 3: I see it with the replay value the characters.

1865
01:31:20,160 --> 01:31:21,519
Speaker 1: I see it. You know.

1866
01:31:21,640 --> 01:31:25,000
Speaker 3: Because what happens is for us for this era to

1867
01:31:25,040 --> 01:31:29,360
Speaker 3: have that Friday kind of movie, we're gonna have to, unfortunately,

1868
01:31:29,439 --> 01:31:33,200
Speaker 3: pull from our social media characters. We are not gonna

1869
01:31:33,200 --> 01:31:36,519
Speaker 3: be able to just draw characters up like they did

1870
01:31:36,560 --> 01:31:40,120
Speaker 3: with Smoky and Big Worm. These will have to naturally

1871
01:31:40,200 --> 01:31:43,639
Speaker 3: be Internet characters like the Shift Leader, like a crypt Mac,

1872
01:31:44,280 --> 01:31:47,000
Speaker 3: like a you know, the Friday is gonna if it

1873
01:31:47,120 --> 01:31:50,160
Speaker 3: comes together for this era and do what it needs

1874
01:31:50,200 --> 01:31:53,320
Speaker 3: to do for comics, It's gonna be from a social

1875
01:31:53,439 --> 01:31:57,040
Speaker 3: media standpoint of characters that's living like the country Way

1876
01:31:57,080 --> 01:31:59,719
Speaker 3: and character like Polay with Desert Banks.

1877
01:32:00,040 --> 01:32:02,960
Speaker 1: This will now become this era's Friday.

1878
01:32:03,479 --> 01:32:07,120
Speaker 3: But people have to continue to develop those characters alongside

1879
01:32:07,120 --> 01:32:09,800
Speaker 3: each other. That's why I thank the opportunity for you

1880
01:32:09,880 --> 01:32:12,240
Speaker 3: and that ship, because you will be upset looking up

1881
01:32:12,280 --> 01:32:15,400
Speaker 3: in a year now two years and some young coming

1882
01:32:15,560 --> 01:32:16,040
Speaker 3: come up.

1883
01:32:16,200 --> 01:32:19,639
Speaker 2: You inspired, and now he's doing that what are he doing?

1884
01:32:19,640 --> 01:32:22,559
Speaker 2: The shift leader? Yeah, and now he's going to another level.

1885
01:32:22,640 --> 01:32:27,120
Speaker 1: Now he's up. The whole time. You see, I was saying, like, yeah, man,

1886
01:32:27,400 --> 01:32:29,960
Speaker 1: just ship man, you said another diigga? Do it that?

1887
01:32:30,040 --> 01:32:30,439
Speaker 1: Hold up?

1888
01:32:32,320 --> 01:32:36,160
Speaker 3: That different because you're gonna see him avery like how

1889
01:32:36,240 --> 01:32:39,479
Speaker 3: Cat was on that character that count hold up.

1890
01:32:41,520 --> 01:32:45,080
Speaker 1: So I'm saying, man, Nah, You're definitely right.

1891
01:32:45,080 --> 01:32:49,040
Speaker 2: Though sometimes it like sometimes people don't be realizing. Sometimes

1892
01:32:49,040 --> 01:32:52,160
Speaker 2: you gotta hear certain stuff and like conversations and like

1893
01:32:52,600 --> 01:32:56,040
Speaker 2: certain stuff where we see something we don't realize it could.

1894
01:32:55,840 --> 01:32:59,160
Speaker 3: Be bigger because you looking at it from a talent perspective.

1895
01:32:59,280 --> 01:33:02,680
Speaker 3: I'm always like, I'm an innovator and a producer kind

1896
01:33:02,720 --> 01:33:06,439
Speaker 3: of nigga anyway, So I'm saying, yo, this era needs

1897
01:33:06,520 --> 01:33:10,360
Speaker 3: our Friday for us to elevate those comics to that

1898
01:33:10,479 --> 01:33:12,519
Speaker 3: level that Cat and Ricky and.

1899
01:33:13,000 --> 01:33:16,320
Speaker 1: All the niggas after that. We need that.

1900
01:33:16,520 --> 01:33:18,519
Speaker 3: And so when I say how can we do that,

1901
01:33:18,920 --> 01:33:20,760
Speaker 3: You're not gonna be able to do that the old

1902
01:33:20,800 --> 01:33:24,439
Speaker 3: fashioned way. Everybody come in audition. We got these lists

1903
01:33:24,479 --> 01:33:29,160
Speaker 3: of characters. It needs to be more palatable for the consumer.

1904
01:33:29,280 --> 01:33:33,360
Speaker 3: And the consumer the shift leader has an audience, probably

1905
01:33:33,560 --> 01:33:37,360
Speaker 3: has an audience. The country Wayne character has an audience.

1906
01:33:37,400 --> 01:33:40,960
Speaker 3: You see what I'm saying, d C. He has an

1907
01:33:41,000 --> 01:33:44,840
Speaker 3: audience as hisself in that world, in that social media,

1908
01:33:45,040 --> 01:33:47,120
Speaker 3: in that world that there's in them, live in d

1909
01:33:47,320 --> 01:33:48,400
Speaker 3: sing them lived in on.

1910
01:33:48,520 --> 01:33:54,679
Speaker 1: Vine, Yeah for real. So you gotta remember.

1911
01:33:54,760 --> 01:33:57,400
Speaker 3: And for me, if I'm looking at it as a producer,

1912
01:33:57,560 --> 01:34:00,320
Speaker 3: as just these individuals, I say, Yo, keep developing these

1913
01:34:00,400 --> 01:34:01,880
Speaker 3: characters on social media.

1914
01:34:01,640 --> 01:34:03,599
Speaker 1: Making the little thousands they come with it.

1915
01:34:03,880 --> 01:34:07,160
Speaker 3: But at some point one of us is gonna put

1916
01:34:07,200 --> 01:34:10,000
Speaker 3: together something and draw from all of this out there.

1917
01:34:10,080 --> 01:34:12,559
Speaker 3: Now I'm putting this in the universe. Somebody gonna, Yo,

1918
01:34:12,800 --> 01:34:14,640
Speaker 3: just pay me or just let me be involved in

1919
01:34:14,640 --> 01:34:17,320
Speaker 3: that because I put you something. You're a consultant, Yeah,

1920
01:34:17,439 --> 01:34:20,920
Speaker 3: I just put you gotta be yeah for show. Because

1921
01:34:20,960 --> 01:34:24,080
Speaker 3: I believe the shift leader interacting with the desk character

1922
01:34:24,479 --> 01:34:28,280
Speaker 3: like that's our eras Friday, if it's done right with

1923
01:34:28,360 --> 01:34:31,960
Speaker 3: your crypt Max, with your guys, this the Joker do

1924
01:34:32,200 --> 01:34:34,599
Speaker 3: for Miami, like you gotta pour from the whites, and

1925
01:34:34,920 --> 01:34:36,559
Speaker 3: you gotta pour from every you see.

1926
01:34:36,439 --> 01:34:39,000
Speaker 1: What I'm saying, like and we can do that. Somebody

1927
01:34:39,080 --> 01:34:43,680
Speaker 1: liked showing us that with the whites here you.

1928
01:34:43,760 --> 01:34:46,719
Speaker 3: Think his character in the the Drew Skid, the Shift Leader,

1929
01:34:46,880 --> 01:34:49,880
Speaker 3: the oh my, this shit can be like yo, if

1930
01:34:49,920 --> 01:34:53,760
Speaker 3: everybody just don't be greedy and just when you walk

1931
01:34:53,880 --> 01:34:57,719
Speaker 3: the money, let's do what Ice Cube and them done.

1932
01:34:58,240 --> 01:35:00,879
Speaker 1: And you know how easy it is to say that though.

1933
01:35:05,000 --> 01:35:07,479
Speaker 3: Niggas are doing on cameo tip. But I'm talking about yo,

1934
01:35:07,560 --> 01:35:08,680
Speaker 3: we gotta dedicate some time.

1935
01:35:08,800 --> 01:35:11,080
Speaker 1: Yeah, everybody to take out this this block of time.

1936
01:35:11,160 --> 01:35:11,640
Speaker 1: Let's do this.

1937
01:35:11,880 --> 01:35:13,960
Speaker 2: But then you know what I will say this watching

1938
01:35:14,000 --> 01:35:18,479
Speaker 2: that Cat Williams another thing like, Bro, I'm glad it

1939
01:35:18,479 --> 01:35:20,720
Speaker 2: ain't so much of this if it is. You know

1940
01:35:20,760 --> 01:35:23,439
Speaker 2: what I'm saying, you don't see it as much though, Bro.

1941
01:35:24,080 --> 01:35:26,320
Speaker 2: Like people, you will see people working with each other,

1942
01:35:26,880 --> 01:35:30,439
Speaker 2: showing niggas love. So I will say, and this era

1943
01:35:30,600 --> 01:35:31,160
Speaker 2: kind of difference.

1944
01:35:31,240 --> 01:35:33,920
Speaker 1: What is showing love? Though? When I say I saw

1945
01:35:34,040 --> 01:35:35,800
Speaker 1: the different with the eighty five South.

1946
01:35:35,880 --> 01:35:38,519
Speaker 3: I think you're talking from privilege because I'm saying getting

1947
01:35:38,600 --> 01:35:41,879
Speaker 3: money together is showing love. And I think we've confused

1948
01:35:41,880 --> 01:35:45,160
Speaker 3: the culture far too long with the showing love with

1949
01:35:45,280 --> 01:35:50,479
Speaker 3: the picture or showing love with the repost. I'm saying, yo, yo, bro,

1950
01:35:50,640 --> 01:35:54,400
Speaker 3: tell me how I can monetize my shift leader thing.

1951
01:35:56,880 --> 01:35:58,639
Speaker 1: That's that's what love is.

1952
01:35:59,479 --> 01:36:02,160
Speaker 3: I ain't saying we co workers, we work together, but

1953
01:36:02,200 --> 01:36:05,439
Speaker 3: I'm talking about we've confused this love thing this era.

1954
01:36:05,560 --> 01:36:08,920
Speaker 3: And I think dudes like Cat is coming out saying that, saying, Yo,

1955
01:36:09,479 --> 01:36:13,320
Speaker 3: that ain't love. Y'all sin y'all thinking niggas showing love.

1956
01:36:13,400 --> 01:36:15,320
Speaker 3: But let me tell you, da da da da da.

1957
01:36:15,439 --> 01:36:17,000
Speaker 3: You gotta sa da da da da da da And

1958
01:36:17,000 --> 01:36:18,720
Speaker 3: you gotta da da da da da da dad just

1959
01:36:18,720 --> 01:36:22,000
Speaker 3: to get in there. And niggas like damn, I thought

1960
01:36:22,040 --> 01:36:25,400
Speaker 3: they were showing love. But you think it's love. You

1961
01:36:25,479 --> 01:36:28,679
Speaker 3: think people showing love in this era because you from

1962
01:36:28,680 --> 01:36:29,280
Speaker 3: eighty five.

1963
01:36:29,920 --> 01:36:32,000
Speaker 2: Yeah, And like you said, I could be looking at

1964
01:36:32,080 --> 01:36:35,160
Speaker 2: from a privilege standpoint, but it's like people working with

1965
01:36:35,200 --> 01:36:35,599
Speaker 2: each other.

1966
01:36:35,640 --> 01:36:39,400
Speaker 1: Though who a lot don't work with each other. You'll see.

1967
01:36:39,479 --> 01:36:41,800
Speaker 2: It was a time where I seen Country Wayne and

1968
01:36:41,840 --> 01:36:43,040
Speaker 2: Das working with each other.

1969
01:36:43,439 --> 01:36:45,720
Speaker 3: It's in the ty Coons though it makes sense, which

1970
01:36:45,800 --> 01:36:49,160
Speaker 3: I just said, sharing ain't giving everything for nothing, so

1971
01:36:49,200 --> 01:36:49,960
Speaker 3: that makes sense.

1972
01:36:50,000 --> 01:36:53,160
Speaker 2: Okay, then you might see flying Drewski working with each

1973
01:36:53,160 --> 01:36:54,880
Speaker 2: other makes sense, makes sense.

1974
01:36:55,040 --> 01:37:00,360
Speaker 3: So yeah, so when I'm gonna see you and Dezzy

1975
01:37:00,560 --> 01:37:02,600
Speaker 3: you this is what I'm saying though you see what

1976
01:37:02,600 --> 01:37:05,519
Speaker 3: I'm saying. This is what I'm saying because this is

1977
01:37:05,560 --> 01:37:10,599
Speaker 3: when I believe that it to make sense. Like sometimes

1978
01:37:10,600 --> 01:37:13,000
Speaker 3: with the podcast thing with interviews, and she'd be like, yo,

1979
01:37:13,080 --> 01:37:14,639
Speaker 3: it makes sense to sit down with long.

1980
01:37:14,720 --> 01:37:16,960
Speaker 1: Why they ain't doing it, don't. I don't get it.

1981
01:37:18,000 --> 01:37:21,880
Speaker 3: So I'm saying, when would I see you introduced in

1982
01:37:22,000 --> 01:37:22,760
Speaker 3: those scenario?

1983
01:37:23,120 --> 01:37:24,920
Speaker 1: See what okay? For me?

1984
01:37:25,120 --> 01:37:27,320
Speaker 2: I be looking at it from a different standpoint. All

1985
01:37:27,320 --> 01:37:30,040
Speaker 2: the names I know mission they done did the podcast.

1986
01:37:30,320 --> 01:37:31,080
Speaker 1: You see what I'm saying.

1987
01:37:31,600 --> 01:37:34,120
Speaker 2: So it's like, yeah, so that's why I say they

1988
01:37:34,160 --> 01:37:38,280
Speaker 2: show love. But it's like to a point of like, bro.

1989
01:37:39,479 --> 01:37:41,679
Speaker 1: And you're really not interested in that character?

1990
01:37:41,760 --> 01:37:42,160
Speaker 4: No more.

1991
01:37:42,840 --> 01:37:47,000
Speaker 2: I ain't saying that nigga that say, I wouldn't much.

1992
01:37:47,840 --> 01:37:51,679
Speaker 1: No, we gotta make this shit bigger than life for real.

1993
01:37:51,920 --> 01:37:55,160
Speaker 3: Put a movie, but no, And I think those guys

1994
01:37:55,160 --> 01:37:57,960
Speaker 3: show up because their appearance on the show means a lot.

1995
01:37:58,240 --> 01:38:01,280
Speaker 3: But I think them dudes beat to your wealth of information.

1996
01:38:01,760 --> 01:38:03,400
Speaker 1: Yeah, that's true, That's what I'm saying.

1997
01:38:03,560 --> 01:38:06,680
Speaker 2: So what I understand what you're saying right now is

1998
01:38:06,720 --> 01:38:09,760
Speaker 2: like what are what are you taking from those situations?

1999
01:38:10,080 --> 01:38:13,479
Speaker 1: Because like even there we can look at it as rap.

2000
01:38:14,280 --> 01:38:17,439
Speaker 2: So if somebody come and do your podcast, you do

2001
01:38:17,439 --> 01:38:18,759
Speaker 2: it like, but that's a big feature.

2002
01:38:19,920 --> 01:38:21,640
Speaker 1: So like me coming over here, like but it's a

2003
01:38:21,640 --> 01:38:22,479
Speaker 1: big feature for me.

2004
01:38:22,720 --> 01:38:25,160
Speaker 2: You know what I'm saying, Like I'm gonna loom podt

2005
01:38:25,200 --> 01:38:26,920
Speaker 2: you know what I'm saying. So it's like that's how

2006
01:38:26,960 --> 01:38:29,719
Speaker 2: I be taking it from Like I'm thinking strictly talent

2007
01:38:30,240 --> 01:38:32,360
Speaker 2: when you're thinking on the side of like.

2008
01:38:34,280 --> 01:38:38,880
Speaker 3: Yes, because the reason why, because what separates you and

2009
01:38:38,920 --> 01:38:42,640
Speaker 3: those guys is not talent, that's the whole play. What

2010
01:38:42,840 --> 01:38:46,280
Speaker 3: separates you and those guys is the business. You see

2011
01:38:46,320 --> 01:38:48,640
Speaker 3: what I'm saying, That's what that's what's making it. You

2012
01:38:48,920 --> 01:38:50,600
Speaker 3: hear that shit right on the head, you know what

2013
01:38:50,600 --> 01:38:53,000
Speaker 3: I mean. That's why when they come around, you got

2014
01:38:53,040 --> 01:38:54,400
Speaker 3: to pay attention to the business.

2015
01:38:54,520 --> 01:38:57,880
Speaker 1: I know they watching it. Saying he right, bro right.

2016
01:38:57,920 --> 01:39:01,679
Speaker 1: Now they looking at saying bro right and told he told.

2017
01:39:01,479 --> 01:39:05,080
Speaker 3: The nigga snob because they talking, Yeah, I think they

2018
01:39:05,240 --> 01:39:08,680
Speaker 3: respecting it from a standpoint saying that's one hundred percent.

2019
01:39:08,520 --> 01:39:13,400
Speaker 1: Right because you say something.

2020
01:39:14,720 --> 01:39:17,320
Speaker 3: Because look what I'm doing with my business. That's the

2021
01:39:17,360 --> 01:39:21,040
Speaker 3: only thing separates us. Because now funning a motherfucker like

2022
01:39:21,120 --> 01:39:23,920
Speaker 3: I'm funny. He even got a content dude, he even

2023
01:39:23,960 --> 01:39:27,280
Speaker 3: got a social media this nigga doe layers of it

2024
01:39:27,479 --> 01:39:28,040
Speaker 3: just like me.

2025
01:39:29,200 --> 01:39:31,479
Speaker 1: Country wayin't say he ain't even interested in going on

2026
01:39:31,520 --> 01:39:35,679
Speaker 1: the road, but you don't what a shit he shouldn't.

2027
01:39:35,680 --> 01:39:37,320
Speaker 1: The ecosystem on, motherfucker.

2028
01:39:38,160 --> 01:39:41,600
Speaker 2: And look even when you go over there and like

2029
01:39:41,680 --> 01:39:43,160
Speaker 2: you know what I mean, dude, skits with them and

2030
01:39:43,240 --> 01:39:44,880
Speaker 2: stuff you get bunny.

2031
01:39:44,600 --> 01:39:47,080
Speaker 1: Yeah, yeah he ain't. They ain't on no, no shit.

2032
01:39:47,160 --> 01:39:50,080
Speaker 2: Well you know what I'm saying, Like this for exposure

2033
01:39:50,160 --> 01:39:52,120
Speaker 2: even though it's big exposed to They making sure you

2034
01:39:52,160 --> 01:39:52,840
Speaker 2: get paid too.

2035
01:39:53,120 --> 01:39:53,960
Speaker 1: That's good. Yeah.

2036
01:39:54,000 --> 01:39:57,400
Speaker 2: So he like, I will get him in my credit

2037
01:39:57,439 --> 01:39:59,400
Speaker 2: and Chase Walker like them boy, they.

2038
01:39:59,439 --> 01:40:02,120
Speaker 3: Yeah, fuck cut away't man. I think what he do,

2039
01:40:02,200 --> 01:40:04,599
Speaker 3: what he's staying for its been cool. Would you date

2040
01:40:04,640 --> 01:40:07,400
Speaker 3: a comic. I think he dated just hilarious.

2041
01:40:06,880 --> 01:40:11,479
Speaker 2: With our day to coming what you considered day like

2042
01:40:11,840 --> 01:40:17,040
Speaker 2: going public with him, being with him, going public for sure.

2043
01:40:18,400 --> 01:40:19,120
Speaker 1: For a little while.

2044
01:40:20,000 --> 01:40:22,519
Speaker 2: For a little while, you ain't trying to go public.

2045
01:40:24,040 --> 01:40:28,000
Speaker 2: It's like you into public relationships. So you ain't into that.

2046
01:40:28,000 --> 01:40:31,800
Speaker 2: That's why I say, why not ship? I ain't into

2047
01:40:31,920 --> 01:40:32,719
Speaker 2: public ship?

2048
01:40:36,880 --> 01:40:41,360
Speaker 1: Take out so right now, so I'm saying for the women,

2049
01:40:41,520 --> 01:40:44,160
Speaker 1: watch it. Are you single? What are you doing like.

2050
01:40:46,439 --> 01:40:46,479
Speaker 4: That?

2051
01:40:46,640 --> 01:40:47,200
Speaker 1: Hit me up?

2052
01:40:47,280 --> 01:40:47,439
Speaker 2: Man?

2053
01:40:47,520 --> 01:40:52,280
Speaker 1: This hit you up? Just talking? No, I got with

2054
01:40:52,360 --> 01:40:55,679
Speaker 1: your how many kids you got? We got? We got

2055
01:40:55,680 --> 01:41:01,679
Speaker 1: to them the only two you got farther that nigga?

2056
01:41:01,920 --> 01:41:02,400
Speaker 1: Sound sure?

2057
01:41:02,960 --> 01:41:05,920
Speaker 2: I was as far as I know, No, But nah, man,

2058
01:41:06,000 --> 01:41:09,160
Speaker 2: it's like I just be feeling like the world we're

2059
01:41:09,160 --> 01:41:10,560
Speaker 2: living in with the relationship.

2060
01:41:10,640 --> 01:41:12,920
Speaker 1: Bro, I feel like social media fucking that ship up.

2061
01:41:13,040 --> 01:41:13,720
Speaker 1: It is, bro.

2062
01:41:13,920 --> 01:41:15,960
Speaker 2: And when I say that, bro, you be seeing what

2063
01:41:15,960 --> 01:41:18,200
Speaker 2: what they be talking about on social media, they be

2064
01:41:18,320 --> 01:41:20,439
Speaker 2: like what women expect out of man?

2065
01:41:20,720 --> 01:41:24,360
Speaker 1: With me, Like, bro, everything ain't for everybody. Man, they

2066
01:41:24,400 --> 01:41:26,559
Speaker 1: don't confuse motherfuckers. I love.

2067
01:41:27,040 --> 01:41:29,800
Speaker 3: I'm a slick mad that the social media ship for

2068
01:41:29,840 --> 01:41:31,960
Speaker 3: an they done got my bitch.

2069
01:41:35,560 --> 01:41:36,960
Speaker 1: Yeah you told me.

2070
01:41:39,240 --> 01:41:41,920
Speaker 3: That's who got your big I look up my guess

2071
01:41:41,960 --> 01:41:46,639
Speaker 3: start hollering narcissisted. Yeah, I said, what where that comes from?

2072
01:41:46,760 --> 01:41:49,480
Speaker 3: I know what schools and ship you went to. Yeah,

2073
01:41:49,680 --> 01:41:53,920
Speaker 3: you start calling me what not? Took care of everything

2074
01:41:54,160 --> 01:41:57,599
Speaker 3: they done, tricked you in the belief. So, oh lord,

2075
01:41:57,720 --> 01:42:00,479
Speaker 3: I can't fight it. I'm hustling too hard, but I can't.

2076
01:42:01,120 --> 01:42:02,240
Speaker 3: You got it confused?

2077
01:42:02,280 --> 01:42:04,040
Speaker 1: Man? You just hit that ship right on the head

2078
01:42:04,960 --> 01:42:09,000
Speaker 1: like that's their favorite word. Now, narcissists. Why because I'm

2079
01:42:09,000 --> 01:42:11,040
Speaker 1: not gonna stand like I'm standing for something.

2080
01:42:13,080 --> 01:42:16,840
Speaker 2: I'm telling you you can't.

2081
01:42:16,920 --> 01:42:19,639
Speaker 1: You can't say ship nowadays. That's fucked up. Bro.

2082
01:42:19,880 --> 01:42:23,040
Speaker 2: When I start speaking on something, Oh no, everything gotta

2083
01:42:23,080 --> 01:42:26,200
Speaker 2: go your No, I'm just telling you this how it is.

2084
01:42:26,640 --> 01:42:30,000
Speaker 1: Why wouldn't it not go my way? Is we talk

2085
01:42:30,080 --> 01:42:30,840
Speaker 1: hold on now?

2086
01:42:31,280 --> 01:42:33,439
Speaker 3: I would hope she want things to go her way,

2087
01:42:34,160 --> 01:42:36,480
Speaker 3: and I would hope we meet at the intersection.

2088
01:42:37,000 --> 01:42:40,120
Speaker 2: Why things going my way? Things are going your way?

2089
01:42:40,280 --> 01:42:42,600
Speaker 2: And then you be seeing the motherfuckers in the comments.

2090
01:42:42,920 --> 01:42:44,519
Speaker 2: Oh my god, couldn't be me.

2091
01:42:45,200 --> 01:42:48,760
Speaker 3: You ain't got no nigga and you will leave your

2092
01:42:48,840 --> 01:42:49,439
Speaker 3: nigga for me?

2093
01:42:50,160 --> 01:42:52,680
Speaker 2: Bro, even with it when they be talking about who

2094
01:42:52,720 --> 01:42:54,880
Speaker 2: pay the bills and all that type of stuff, bro,

2095
01:42:55,760 --> 01:43:04,599
Speaker 2: whatever works for your households.

2096
01:43:00,960 --> 01:43:01,880
Speaker 1: Paying the bills or what.

2097
01:43:03,960 --> 01:43:07,160
Speaker 3: Cause niggas say they got women that demanding that they

2098
01:43:07,200 --> 01:43:09,400
Speaker 3: pay the bills. This is something Chad just said. The

2099
01:43:09,560 --> 01:43:15,040
Speaker 3: way is weighing on me. He said that men were

2100
01:43:15,040 --> 01:43:17,880
Speaker 3: gonna always do the financial label, yeah.

2101
01:43:18,040 --> 01:43:22,040
Speaker 1: And uh and and.

2102
01:43:19,360 --> 01:43:23,800
Speaker 3: The regular label, but women have to show up with

2103
01:43:23,960 --> 01:43:28,000
Speaker 3: the emotional label. And what he was saying was that

2104
01:43:28,240 --> 01:43:33,479
Speaker 3: together that makes our family hold. Women tend to believe

2105
01:43:33,640 --> 01:43:36,400
Speaker 3: sometimes they can just show up as is and not

2106
01:43:36,520 --> 01:43:40,400
Speaker 3: do any work. You see what I mean thinking because

2107
01:43:40,439 --> 01:43:42,960
Speaker 3: they don't have to work in the same way I work,

2108
01:43:43,040 --> 01:43:46,280
Speaker 3: that they need to be invisible as it pertains the work.

2109
01:43:47,400 --> 01:43:47,599
Speaker 1: Right.

2110
01:43:47,800 --> 01:43:50,040
Speaker 3: What needs to happen is you need to be doing

2111
01:43:50,120 --> 01:43:54,080
Speaker 3: emotional label and I'll handle everything else, you see what

2112
01:43:54,080 --> 01:43:54,439
Speaker 3: I mean?

2113
01:43:54,720 --> 01:43:56,960
Speaker 1: And that's where I think, loom. I'm gonna tell you this, bro.

2114
01:43:58,000 --> 01:43:59,040
Speaker 1: It done got to a point.

2115
01:43:59,040 --> 01:44:02,280
Speaker 2: You remember, like growing up or what we might thought

2116
01:44:02,320 --> 01:44:07,160
Speaker 2: was us financially that ain't even enough for women no more.

2117
01:44:08,320 --> 01:44:10,799
Speaker 1: Wow. And you know why I say that, man.

2118
01:44:11,400 --> 01:44:13,800
Speaker 2: Not too long ago, me and my baby mama, we

2119
01:44:13,800 --> 01:44:18,640
Speaker 2: we having a dispute. So she told me this. She

2120
01:44:18,760 --> 01:44:21,400
Speaker 2: was like, well, take away. She was like, you say

2121
01:44:21,439 --> 01:44:24,120
Speaker 2: you you pay the bills. You saying you you're paying

2122
01:44:24,120 --> 01:44:26,839
Speaker 2: the mortgage. Take that, take that out of the equation.

2123
01:44:26,960 --> 01:44:28,599
Speaker 2: Why the foot were taking that out of the equation.

2124
01:44:29,040 --> 01:44:29,960
Speaker 2: That ain't nothing small.

2125
01:44:30,240 --> 01:44:31,280
Speaker 1: Yeah that's a trick.

2126
01:44:31,360 --> 01:44:33,800
Speaker 2: But okay, we take that out of the equation. So

2127
01:44:33,960 --> 01:44:36,800
Speaker 2: then she was like, so what, like, what what did

2128
01:44:36,800 --> 01:44:38,360
Speaker 2: you do for this? What did you do for me

2129
01:44:38,439 --> 01:44:38,720
Speaker 2: on this?

2130
01:44:38,800 --> 01:44:40,240
Speaker 1: Okay? I was like, okay, now.

2131
01:44:42,080 --> 01:44:44,960
Speaker 2: If I use that because you you you bring up

2132
01:44:45,040 --> 01:44:46,880
Speaker 2: you know, I pay for the daycare, all this type

2133
01:44:46,880 --> 01:44:51,439
Speaker 2: of stuff. I said, okay, now take you cooking and cleaning,

2134
01:44:52,479 --> 01:44:54,679
Speaker 2: because because you said I would have to pay mortgage

2135
01:44:54,680 --> 01:44:57,800
Speaker 2: and pay bills, whether I stayed by myself, you would

2136
01:44:57,800 --> 01:44:59,920
Speaker 2: have to cook and clean if you stayed by your

2137
01:45:00,120 --> 01:45:01,519
Speaker 2: So take that out of equation.

2138
01:45:01,840 --> 01:45:02,559
Speaker 1: What do you do?

2139
01:45:03,840 --> 01:45:07,160
Speaker 2: See so sometimes but if I say that, so I

2140
01:45:07,160 --> 01:45:07,960
Speaker 2: guess I don't do.

2141
01:45:10,439 --> 01:45:12,120
Speaker 1: Here go the trick that social media.

2142
01:45:12,280 --> 01:45:16,720
Speaker 3: Yeah, and see that's when Instagram then captured my gas. Yeah,

2143
01:45:17,000 --> 01:45:19,800
Speaker 3: a lot of you niggas gas is captured. Instagram got

2144
01:45:19,800 --> 01:45:21,720
Speaker 3: your gay mam. She coming in there with that, she

2145
01:45:21,800 --> 01:45:24,800
Speaker 3: donna start calling you ship. But here's the thing with that.

2146
01:45:25,120 --> 01:45:29,320
Speaker 3: I believe that women and men have to understand that

2147
01:45:29,360 --> 01:45:33,200
Speaker 3: the trick is even doing that even being having even

2148
01:45:33,280 --> 01:45:36,120
Speaker 3: having to be here to have this conversation about what

2149
01:45:36,200 --> 01:45:36,599
Speaker 3: I do.

2150
01:45:36,640 --> 01:45:40,800
Speaker 1: And if we subtract this, we already already we.

2151
01:45:40,840 --> 01:45:43,280
Speaker 2: Already behind the eight ball. But we shouldn't even be

2152
01:45:43,320 --> 01:45:45,479
Speaker 2: talking about it. But you know why we're talking about

2153
01:45:45,479 --> 01:45:50,720
Speaker 2: this because we both and you done been captured. They

2154
01:45:50,840 --> 01:45:54,800
Speaker 2: describing they heartbreak about a nigga. They possibly done took

2155
01:45:54,920 --> 01:45:58,559
Speaker 2: back by now and you just seeing this clips six

2156
01:45:58,680 --> 01:46:02,240
Speaker 2: months ago and now it's done affected your real relationship

2157
01:46:02,280 --> 01:46:04,400
Speaker 2: for a nigga beholding you down for ten years, right,

2158
01:46:04,640 --> 01:46:09,479
Speaker 2: and everything relationship goes till they break up. Everybody wanted

2159
01:46:09,479 --> 01:46:13,240
Speaker 2: that car to be off set related, all of them

2160
01:46:13,400 --> 01:46:16,920
Speaker 2: Young Miami and P Diddy. My man, we go together,

2161
01:46:17,080 --> 01:46:19,439
Speaker 2: we go together, real band. I ain't seen the bitch

2162
01:46:19,439 --> 01:46:22,760
Speaker 2: say that yet. They stopped saying that ship. Now you

2163
01:46:22,760 --> 01:46:24,640
Speaker 2: don't go to you don't go together real bad with

2164
01:46:24,720 --> 01:46:25,320
Speaker 2: the motherfucker.

2165
01:46:25,400 --> 01:46:28,920
Speaker 3: No more so. Now that ship is to media a bitch, bro.

2166
01:46:29,640 --> 01:46:32,640
Speaker 3: They your social media buses. You sit down with therapists,

2167
01:46:33,080 --> 01:46:35,920
Speaker 3: sometimes not in real life I talked to them on

2168
01:46:35,960 --> 01:46:39,400
Speaker 3: the show, had show before, but I don't know, man,

2169
01:46:39,439 --> 01:46:40,600
Speaker 3: I don't know if they can help me.

2170
01:46:40,640 --> 01:46:43,280
Speaker 1: How you feel about therapists, Bro, It's.

2171
01:46:43,200 --> 01:46:46,240
Speaker 2: Like I feel like I'm gonna say this, like as

2172
01:46:46,280 --> 01:46:48,920
Speaker 2: me and Bro, I don't think we able to vent.

2173
01:46:49,960 --> 01:46:52,320
Speaker 2: I don't need no therapist to figure shit out for me.

2174
01:46:52,680 --> 01:46:55,600
Speaker 2: Just listen, because you know why I just brought that

2175
01:46:55,720 --> 01:46:58,080
Speaker 2: up because when you just see how child was saying

2176
01:46:58,120 --> 01:47:02,479
Speaker 2: about the emotional label women, don't listen no motherfucking more.

2177
01:47:03,680 --> 01:47:07,040
Speaker 1: I don't need you to solve shit. You can't solve

2178
01:47:07,080 --> 01:47:13,640
Speaker 1: shit on your own, motherfucker.

2179
01:47:13,720 --> 01:47:17,479
Speaker 3: Tell me one time, I tell you, see, I'm very awall.

2180
01:47:17,960 --> 01:47:20,800
Speaker 3: I just talk slow because I'm from the South. But boy,

2181
01:47:20,840 --> 01:47:23,000
Speaker 3: if they take this, I got they in the trick bag.

2182
01:47:23,040 --> 01:47:25,519
Speaker 3: If they take the slow talking for being dumb, I

2183
01:47:25,560 --> 01:47:26,920
Speaker 3: got them.

2184
01:47:27,080 --> 01:47:29,599
Speaker 1: I might talk even slower and they got damn right.

2185
01:47:29,600 --> 01:47:32,479
Speaker 3: He and I keep the dreads and the necklaces. Boy,

2186
01:47:32,520 --> 01:47:36,479
Speaker 3: this is a I'm on you niggas head. But guess what.

2187
01:47:36,760 --> 01:47:39,080
Speaker 3: So I had a month for a girl. One time,

2188
01:47:39,200 --> 01:47:43,439
Speaker 3: tell me, uh, don't you think you need to be

2189
01:47:43,520 --> 01:47:52,120
Speaker 3: going over to your sisters? I said, you don't even

2190
01:47:52,160 --> 01:47:58,640
Speaker 3: give me no recommendations. You don't give me no recommendations

2191
01:47:58,680 --> 01:48:01,000
Speaker 3: about my time that on a fec you what I

2192
01:48:01,120 --> 01:48:05,040
Speaker 3: do with you? Dig You need to focus on things

2193
01:48:05,120 --> 01:48:08,320
Speaker 3: that affect you and I you telling me now you

2194
01:48:08,360 --> 01:48:10,760
Speaker 3: done got into the wards with this thing. I had

2195
01:48:10,800 --> 01:48:13,439
Speaker 3: to check her like, Yo, you done went too far

2196
01:48:13,520 --> 01:48:14,200
Speaker 3: with this thing.

2197
01:48:15,520 --> 01:48:17,479
Speaker 1: You feel what I'm saying? Now? You over here telling

2198
01:48:17,520 --> 01:48:19,080
Speaker 1: me what I should do on my time. You know

2199
01:48:19,160 --> 01:48:20,840
Speaker 1: I don't respond to nothing like that.

2200
01:48:21,040 --> 01:48:23,519
Speaker 3: But if I'm not aware, most men are not aware

2201
01:48:23,560 --> 01:48:26,320
Speaker 3: that they should not even be doing that. So here

2202
01:48:26,360 --> 01:48:30,000
Speaker 3: they come trying to explain not knowing that, yo, that

2203
01:48:30,160 --> 01:48:33,599
Speaker 3: it ain't never a proble. She gonna just switch the problem.

2204
01:48:33,640 --> 01:48:36,120
Speaker 3: She gonna just once you sawve everyone this, this is

2205
01:48:36,120 --> 01:48:38,200
Speaker 3: the new problem where you need to be. We don't

2206
01:48:38,200 --> 01:48:39,719
Speaker 3: got no business over here, loom.

2207
01:48:39,720 --> 01:48:41,880
Speaker 2: I'm gonna tell you the something else, bro, When you

2208
01:48:41,960 --> 01:48:44,320
Speaker 2: start speaking on their thing. Women can speak on a

2209
01:48:44,360 --> 01:48:47,559
Speaker 2: million things you do wrong or what men do wrong.

2210
01:48:47,600 --> 01:48:48,920
Speaker 2: They could go over there and have a whole list

2211
01:48:48,960 --> 01:48:51,920
Speaker 2: on social media. Soon as you say something, say say

2212
01:48:51,960 --> 01:48:54,439
Speaker 2: me and you having this conversation right, Oh damn, they

2213
01:48:54,479 --> 01:48:55,280
Speaker 2: don't like women.

2214
01:48:55,560 --> 01:48:58,439
Speaker 1: Why y'all keep jumping. Why they gotta be the go too,

2215
01:48:58,800 --> 01:49:01,240
Speaker 1: cause if we could, we can't call. We can't say

2216
01:49:01,280 --> 01:49:01,880
Speaker 1: nothing if.

2217
01:49:01,800 --> 01:49:04,720
Speaker 2: They look at me and get energy that I don't like.

2218
01:49:05,000 --> 01:49:06,120
Speaker 2: No I'm saying why.

2219
01:49:06,120 --> 01:49:07,360
Speaker 1: I'm just saying I don't.

2220
01:49:07,439 --> 01:49:11,120
Speaker 3: But the conversation does give that to women who don't

2221
01:49:11,240 --> 01:49:16,160
Speaker 3: understand perspective. Right, So I'm saying to the women that's listening,

2222
01:49:16,280 --> 01:49:18,960
Speaker 3: if you even think it gives that, you need to

2223
01:49:19,000 --> 01:49:24,160
Speaker 3: go see a doctor, a mind, a head doctor immediately

2224
01:49:24,600 --> 01:49:26,559
Speaker 3: because I ain't never giving nothing.

2225
01:49:26,600 --> 01:49:32,559
Speaker 1: But I love women, logo. That's how we here. I'm

2226
01:49:32,600 --> 01:49:34,840
Speaker 1: loving women like for sure, for sure.

2227
01:49:34,880 --> 01:49:38,800
Speaker 3: So now my critique of women don't come from a

2228
01:49:38,840 --> 01:49:42,599
Speaker 3: hateful place. It comes from the fact that I gotta

2229
01:49:42,640 --> 01:49:43,519
Speaker 3: deal with women.

2230
01:49:43,640 --> 01:49:46,320
Speaker 1: You know, you can't take constructive criticism. What kind of

2231
01:49:46,320 --> 01:49:47,280
Speaker 1: shit y'all got to be.

2232
01:49:47,240 --> 01:49:50,080
Speaker 3: In a dictatorship, I just got to accept what they

2233
01:49:50,200 --> 01:49:50,599
Speaker 3: give me.

2234
01:49:50,640 --> 01:49:52,920
Speaker 1: Hey, what what was that? That isn't what it is?

2235
01:49:52,960 --> 01:49:56,840
Speaker 1: Calling them countries? Just accept it. Don't say nothing about it.

2236
01:49:57,000 --> 01:49:59,600
Speaker 2: You can't do nothing democracy and the other ones or

2237
01:49:59,600 --> 01:50:00,920
Speaker 2: what dictatorship?

2238
01:50:01,200 --> 01:50:01,559
Speaker 1: That's it?

2239
01:50:01,800 --> 01:50:05,280
Speaker 3: Yeah, So you know it's what I feel. I just

2240
01:50:05,400 --> 01:50:08,519
Speaker 3: I don't know, man, what anything you want? To talk

2241
01:50:08,560 --> 01:50:13,680
Speaker 3: about what's on your mind. I think all that flowed perfectly.

2242
01:50:14,120 --> 01:50:17,960
Speaker 2: It did because even when we were talking about with

2243
01:50:18,080 --> 01:50:21,400
Speaker 2: the Cat Williams and we just flowed right into that.

2244
01:50:20,800 --> 01:50:23,880
Speaker 1: Ship to do it. But that's just that's how it goes. Yeah,

2245
01:50:23,880 --> 01:50:27,400
Speaker 1: that's the conversation. Man, even even though you're behind the camera.

2246
01:50:27,880 --> 01:50:30,760
Speaker 2: He started speaking about the women ship, I'm going through

2247
01:50:30,760 --> 01:50:35,280
Speaker 2: the same ship. What me and Wow, it's just like, bro,

2248
01:50:35,439 --> 01:50:37,799
Speaker 2: you know how you might be talking to your homeboy.

2249
01:50:37,840 --> 01:50:41,800
Speaker 1: You say something, man, old boy, it'd be like they

2250
01:50:41,880 --> 01:50:46,519
Speaker 1: be ready to because let me call you right through

2251
01:50:46,520 --> 01:50:50,080
Speaker 1: all that ship. Yeah, nigga dumping on you.

2252
01:50:49,040 --> 01:50:52,559
Speaker 3: You ain't even mean to do it.

2253
01:50:52,600 --> 01:50:54,280
Speaker 1: You the hug up on you? Get that what I

2254
01:50:54,360 --> 01:50:57,280
Speaker 1: be talking about? She badly? He said, Yeah, Man, bitches

2255
01:50:57,320 --> 01:51:00,200
Speaker 1: ain't ship. He done went all the way down. Man,

2256
01:51:00,240 --> 01:51:04,640
Speaker 1: I thought about killing mine. Nigga. Why this bitch I

2257
01:51:04,720 --> 01:51:09,760
Speaker 1: didn't take I was just goodnit.

2258
01:51:10,520 --> 01:51:10,760
Speaker 4: Yeah.

2259
01:51:10,840 --> 01:51:13,000
Speaker 1: But niggas going through here but silently.

2260
01:51:13,120 --> 01:51:16,200
Speaker 3: Men are going through hell though a lot of niggas

2261
01:51:16,200 --> 01:51:18,400
Speaker 3: in relationship they don't want to be in whether they

2262
01:51:18,439 --> 01:51:19,080
Speaker 3: said or not.

2263
01:51:20,280 --> 01:51:23,080
Speaker 2: I feel like they gotta do the right thing. In prison,

2264
01:51:23,200 --> 01:51:28,040
Speaker 2: man locked.

2265
01:51:27,840 --> 01:51:31,960
Speaker 3: Down them niggas there, I'd be holling free Couk cut

2266
01:51:32,479 --> 01:51:33,360
Speaker 3: cook cuting, I.

2267
01:51:33,280 --> 01:51:36,720
Speaker 1: Mean prison with the bitch man. Man, you feel me.

2268
01:51:36,760 --> 01:51:37,240
Speaker 1: It's rough.

2269
01:51:37,360 --> 01:51:40,480
Speaker 3: It's rough, man, But I think we had a great conversation.

2270
01:51:40,640 --> 01:51:41,479
Speaker 1: Man, for sure.

2271
01:51:41,479 --> 01:51:44,040
Speaker 3: I think we had a great conversation. It's Up There Partcast.

2272
01:51:44,080 --> 01:51:46,240
Speaker 3: I see y'all next week. Let's get it.

2273
01:51:46,640 --> 01:51:49,560
Speaker 1: Thanks for watching this clip from It's Up There podcast.

2274
01:51:50,000 --> 01:51:52,439
Speaker 1: To see the rest of the interview, click one of

2275
01:51:52,479 --> 01:51:56,920
Speaker 1: the boxes on the screen. Also join Discord and Patreon

2276
01:51:57,040 --> 01:51:58,480
Speaker 1: to be in our community.