WEBVTT - The 8Ball & MJG Episode

0:00:00.160 --> 0:00:03.800
<v Speaker 1>Get get no boys, it's back and rehoaded all in

0:00:03.880 --> 0:00:06.520
<v Speaker 1>your mind. Yeah and now deep throating. This is for

0:00:06.720 --> 0:00:10.480
<v Speaker 1>the streets, the reel, the railroaded, the disenfranchise, the truth,

0:00:10.600 --> 0:00:13.520
<v Speaker 1>the scapegoating, and they ain't knowing we speak the truth,

0:00:13.560 --> 0:00:16.040
<v Speaker 1>so they ain't quoted because we wrote it. The North

0:00:16.079 --> 0:00:19.960
<v Speaker 1>South East coat g b my keeping your head bobbing

0:00:20.280 --> 0:00:23.120
<v Speaker 1>it ain't no stopping and wants to be try head

0:00:23.520 --> 0:00:26.079
<v Speaker 1>by then the system is so corrupt they throw the

0:00:26.160 --> 0:00:28.360
<v Speaker 1>rock out of their heads and then blame it on us.

0:00:30.080 --> 0:00:32.640
<v Speaker 1>Don't get it twisted on code and we ain't dancing

0:00:32.680 --> 0:00:39.640
<v Speaker 1>for no buttment biscuits. It's Willie d y'all scar faces

0:00:39.640 --> 0:00:42.200
<v Speaker 1>in the building. Collectively, we are to get old boys

0:00:42.280 --> 0:00:46.520
<v Speaker 1>reloaded with another episode of information and instructions to help

0:00:46.560 --> 0:00:50.159
<v Speaker 1>you navigate through this wild, crazy, beautiful world in the

0:00:50.240 --> 0:01:02.880
<v Speaker 1>studio eight ball and m J G. Yeah, ain't this jet?

0:01:03.520 --> 0:01:12.240
<v Speaker 1>Are you guys are collective? Will? What do you do

0:01:12.280 --> 0:01:16.959
<v Speaker 1>for your birthday? Oh? Man? What did I do? I

0:01:17.040 --> 0:01:19.280
<v Speaker 1>just I just hung out? Man? You know what I did?

0:01:19.280 --> 0:01:24.680
<v Speaker 1>I went, I went, I went to grid Park. I

0:01:24.760 --> 0:01:28.800
<v Speaker 1>did not get a hair cut, because listen, what I

0:01:28.880 --> 0:01:33.399
<v Speaker 1>have here is is natural cuts. You ever heard natural cuts?

0:01:33.520 --> 0:01:37.960
<v Speaker 1>That's right? So basically, you know you you the way

0:01:38.000 --> 0:01:41.319
<v Speaker 1>your DNA works, My DNA works is that my hat

0:01:41.360 --> 0:01:44.039
<v Speaker 1>don't grow for a month and then I cut it

0:01:44.040 --> 0:01:46.399
<v Speaker 1>and then for a whole another month. It's stays like this.

0:01:46.560 --> 0:01:49.000
<v Speaker 1>Everything no kind of like my bank no growth the

0:01:49.040 --> 0:01:56.559
<v Speaker 1>win bank accounts. Oh good, oh you November one? Yeah,

0:01:56.600 --> 0:02:00.480
<v Speaker 1>so so man, thank you man. So here's what happened. Man.

0:02:00.520 --> 0:02:06.600
<v Speaker 1>You know, I went to grib Park with some family,

0:02:06.920 --> 0:02:10.600
<v Speaker 1>you know, some close friends. And grib Park is a

0:02:12.120 --> 0:02:16.440
<v Speaker 1>is a food truck park, right, That's where I went.

0:02:16.480 --> 0:02:18.800
<v Speaker 1>They want to take me to a restaurant. We go

0:02:18.840 --> 0:02:20.280
<v Speaker 1>anywhere you want to go, anywhere you want to go,

0:02:20.320 --> 0:02:22.520
<v Speaker 1>any restaurant, your favorite restaurant. I said. You know what, man,

0:02:22.840 --> 0:02:25.800
<v Speaker 1>I been wanted to try this, This food truck called

0:02:25.960 --> 0:02:31.600
<v Speaker 1>o MG. They make these uh potatoes, stuffed potatoes with

0:02:31.600 --> 0:02:35.560
<v Speaker 1>with seafood, yeah, lobster and shrimp. You know I can't

0:02:35.600 --> 0:02:38.520
<v Speaker 1>eat you can't. We're not we're not talking about you

0:02:38.840 --> 0:02:40.519
<v Speaker 1>were talking about. We're talking about me. What I wanted

0:02:40.520 --> 0:02:42.760
<v Speaker 1>to talk about your birthday, what I wanted for my birthday.

0:02:42.800 --> 0:02:44.880
<v Speaker 1>But you know what, my people are treating me to

0:02:45.000 --> 0:02:47.600
<v Speaker 1>you know that. But it was beautiful. Man. So you

0:02:47.639 --> 0:02:50.880
<v Speaker 1>had a baked potato for your birthday? Sweet? Yeah, I

0:02:50.919 --> 0:02:53.240
<v Speaker 1>had a baked baked potato from my birthday and some

0:02:53.320 --> 0:03:01.040
<v Speaker 1>cool leg Yeah was a great. Yeah, that's great. It

0:03:01.120 --> 0:03:04.600
<v Speaker 1>was great. Yeah, you can't go. I can't go without

0:03:04.600 --> 0:03:09.400
<v Speaker 1>the great. So I've been on the road. Excuse me. Yeah,

0:03:10.040 --> 0:03:11.560
<v Speaker 1>so I've been on the road with eight ball m

0:03:11.639 --> 0:03:15.320
<v Speaker 1>j G for the past five years. Like, yeah, I

0:03:15.360 --> 0:03:19.919
<v Speaker 1>watched eight ball transformation. He went from big ball to

0:03:20.000 --> 0:03:25.880
<v Speaker 1>little ball, a little bigger ball. I'll be fluxu waiting. Man.

0:03:26.880 --> 0:03:28.520
<v Speaker 1>First he was on that I ain't eating no meat

0:03:29.400 --> 0:03:32.240
<v Speaker 1>still on that, man, and it's going to be three

0:03:32.320 --> 0:03:35.080
<v Speaker 1>years no ship. I just started back even fish like

0:03:35.240 --> 0:03:38.480
<v Speaker 1>three months ago. Maybe, Yeah, I told you that day.

0:03:38.520 --> 0:03:42.240
<v Speaker 1>Man inspired me that day. You'd be cool with the fish. Man.

0:03:42.320 --> 0:03:46.920
<v Speaker 1>Just don't go back to the red meat. Oh definitely. Yeah. Yeah.

0:03:47.200 --> 0:03:49.200
<v Speaker 1>I don't even think about it no more, Like it's

0:03:49.240 --> 0:03:53.760
<v Speaker 1>not even a second. I'd be smelling good good. I'd

0:03:53.760 --> 0:03:58.320
<v Speaker 1>be like, I don't have a second talk. Yeah, you

0:03:58.320 --> 0:04:00.560
<v Speaker 1>know what I do. Man. When I gave up real meat, Man,

0:04:00.640 --> 0:04:04.800
<v Speaker 1>I just started. I just thought I would just eat

0:04:05.000 --> 0:04:08.440
<v Speaker 1>something and make sure you eat something before you go

0:04:08.640 --> 0:04:12.280
<v Speaker 1>to visit people. Don't go on an empty stomach to

0:04:12.360 --> 0:04:15.480
<v Speaker 1>visit people, because then you'll eat whatever they have available.

0:04:16.000 --> 0:04:17.719
<v Speaker 1>So that's why I used to do that a lot,

0:04:17.839 --> 0:04:22.600
<v Speaker 1>Like take the pepperoni off the pizza. If it's just pepperonia,

0:04:23.839 --> 0:04:33.000
<v Speaker 1>eat the just the cheese. I used to do that. Yeah,

0:04:33.680 --> 0:04:39.200
<v Speaker 1>so that's my that's my eight ball story. Yeah, bellies normal. Yeah,

0:04:39.000 --> 0:04:47.480
<v Speaker 1>my ship. Uncle used to got the bel of normal.

0:04:47.640 --> 0:04:53.040
<v Speaker 1>He put my ass into that, put my ass through

0:04:53.040 --> 0:04:56.839
<v Speaker 1>a wall. I ain't working with you, and actually turned

0:04:56.839 --> 0:05:00.240
<v Speaker 1>me onto a record that I hid from everybody when

0:05:00.240 --> 0:05:02.320
<v Speaker 1>I used to go to the store, to the record store,

0:05:02.320 --> 0:05:04.240
<v Speaker 1>and every time I've seen him, I buy him all

0:05:04.240 --> 0:05:06.680
<v Speaker 1>because I didn't want nobody to have it. Yeah, it

0:05:06.760 --> 0:05:10.839
<v Speaker 1>was Marvin Gaye Here my dear, best fucking album I

0:05:10.839 --> 0:05:12.360
<v Speaker 1>ever heard in my life, and I did not want

0:05:12.360 --> 0:05:14.120
<v Speaker 1>I was selfish with that album. I did not want

0:05:14.200 --> 0:05:17.320
<v Speaker 1>nobody here that ship. I didn't want nobody to hear it.

0:05:17.960 --> 0:05:22.280
<v Speaker 1>It was like Morven Gay's wife there something would say

0:05:22.279 --> 0:05:25.800
<v Speaker 1>it was selfish and his wife was unselfish when he

0:05:25.800 --> 0:05:27.760
<v Speaker 1>gave up that album because he gave it to her

0:05:27.839 --> 0:05:34.000
<v Speaker 1>as a part of the Yeah, that's the best album

0:05:34.040 --> 0:05:37.120
<v Speaker 1>Marvin Gay mm a bro because he was man. That

0:05:37.200 --> 0:05:39.480
<v Speaker 1>ship was cold blooded. Man. Thank you for turning me

0:05:39.520 --> 0:05:45.320
<v Speaker 1>on the pleasure. That's probably man, he turned me onto

0:05:45.320 --> 0:05:47.839
<v Speaker 1>that ship. Man. Let's get close to the beginning, man,

0:05:47.920 --> 0:05:51.520
<v Speaker 1>because it's hard to have this conversation without, first of all,

0:05:51.800 --> 0:05:55.680
<v Speaker 1>like setting the foundation, you know, like, how did you

0:05:55.760 --> 0:06:01.000
<v Speaker 1>guys meet? First and foremost? Oh? Man? Just man? Back

0:06:01.600 --> 0:06:09.520
<v Speaker 1>at school? Rich wrong? Yep? Seven grade seven grade man? Okay,

0:06:12.040 --> 0:06:15.559
<v Speaker 1>it was in classes together and just y'all started rapping,

0:06:15.680 --> 0:06:18.880
<v Speaker 1>gravitated towards each other some candada. So was it like

0:06:18.920 --> 0:06:22.000
<v Speaker 1>a day one the moment you guys linked, you know,

0:06:22.640 --> 0:06:25.320
<v Speaker 1>first time you met, you asked, my dude, many good dude.

0:06:25.360 --> 0:06:27.760
<v Speaker 1>That's a good dude. Y'all just clicked. Did it take

0:06:27.800 --> 0:06:31.200
<v Speaker 1>some time? It was over time? Yeah, it was. It

0:06:31.279 --> 0:06:34.760
<v Speaker 1>was instant, but it was like it I think when

0:06:34.800 --> 0:06:37.200
<v Speaker 1>we found out how close we stayed to each other,

0:06:37.279 --> 0:06:40.640
<v Speaker 1>the proximity in the neighborhood. Had a fight, and then

0:06:40.800 --> 0:06:44.400
<v Speaker 1>it was I had to fight against each other one

0:06:44.440 --> 0:06:49.919
<v Speaker 1>time we had a little lock up one. Yeah, I

0:06:50.040 --> 0:06:52.719
<v Speaker 1>love it. We've been mad at hell at each other,

0:06:53.839 --> 0:06:57.120
<v Speaker 1>wanted to fight but at one time, man, we might

0:06:57.160 --> 0:07:02.480
<v Speaker 1>have been checking in class. Uh. He said something about

0:07:02.520 --> 0:07:08.680
<v Speaker 1>my shoes I had these nia were pro wings and

0:07:08.720 --> 0:07:11.320
<v Speaker 1>you know when them johns getting old, they get hard

0:07:11.440 --> 0:07:14.200
<v Speaker 1>from he was bad. He got me by my shoes. Bad.

0:07:14.720 --> 0:07:17.640
<v Speaker 1>I got him about his hero bad. Teacher was out

0:07:17.680 --> 0:07:25.400
<v Speaker 1>the room, had a little out rouh. Yeah, we jumped

0:07:25.440 --> 0:07:28.480
<v Speaker 1>up and locked up everybody. Well then the teacher was

0:07:28.560 --> 0:07:33.880
<v Speaker 1>right back in the room. So yeah, that's pretty goddamn good. Man.

0:07:33.880 --> 0:07:39.880
<v Speaker 1>Has anybody ever left the group? Um? No, man really

0:07:39.920 --> 0:07:42.320
<v Speaker 1>left the group as far as me and him, Yeah,

0:07:42.560 --> 0:07:46.000
<v Speaker 1>really left the group. He been didn't get a boy.

0:07:46.080 --> 0:07:50.640
<v Speaker 1>He leave to win, said in front of the beginning.

0:07:51.360 --> 0:07:56.880
<v Speaker 1>I ain't playing the whole game, man, I had to

0:07:56.960 --> 0:07:59.600
<v Speaker 1>leave for my mental health. Man, you can understand that

0:07:59.640 --> 0:08:03.080
<v Speaker 1>I got ship. I got in that. So so tell us, man,

0:08:03.200 --> 0:08:07.400
<v Speaker 1>how was it like growing up in uh Orange Mountain?

0:08:07.760 --> 0:08:12.280
<v Speaker 1>Orange Mountain, Memphis, right neighborhood? What's that that's the neighborhood? Yeah?

0:08:12.960 --> 0:08:16.640
<v Speaker 1>How how was it like growing up there? Oh? Man,

0:08:17.160 --> 0:08:19.520
<v Speaker 1>it was something special, man, you know because Orange Mound

0:08:19.680 --> 0:08:22.920
<v Speaker 1>is like a town. Man, it's like a town. Uh.

0:08:23.720 --> 0:08:30.720
<v Speaker 1>It's all like the second largest Uh, neighborhood to Harlem

0:08:30.760 --> 0:08:37.360
<v Speaker 1>and uh, the first neighborhood uh uh in America built

0:08:37.600 --> 0:08:42.280
<v Speaker 1>um for black folks and all black black people, by

0:08:42.360 --> 0:08:48.080
<v Speaker 1>black people for black people. Right. Yeah, they bought it.

0:08:48.080 --> 0:08:52.160
<v Speaker 1>It was an orange grove, you know, I hate that.

0:08:52.200 --> 0:08:56.720
<v Speaker 1>I can't remember exactly who it was they bought it. Yeah,

0:08:56.760 --> 0:08:59.040
<v Speaker 1>but they bought it. It was an orange grove. And

0:08:59.080 --> 0:09:02.280
<v Speaker 1>then they made these plots for black people to own

0:09:02.320 --> 0:09:05.520
<v Speaker 1>their own. I think they started out with like fifty

0:09:05.559 --> 0:09:10.400
<v Speaker 1>shotgun houses and uh, and it just grew. I heard

0:09:10.440 --> 0:09:15.360
<v Speaker 1>that the original state site was a plantation. Yeah, damn,

0:09:15.679 --> 0:09:19.800
<v Speaker 1>well that's that's all the southern reasons you want to

0:09:19.840 --> 0:09:23.760
<v Speaker 1>say that. But yeah, yeah, but a lot of that

0:09:24.120 --> 0:09:28.200
<v Speaker 1>area and there it was filled with plantations. You know.

0:09:28.280 --> 0:09:32.960
<v Speaker 1>That's that's just recorded. But the Memphis area, I think

0:09:34.360 --> 0:09:37.439
<v Speaker 1>Caryonville and all that, are they trying to gentrify Orange

0:09:37.440 --> 0:09:39.480
<v Speaker 1>Mound right now? It is white people more out there.

0:09:40.360 --> 0:09:50.280
<v Speaker 1>It is is still like yeah, they're trying to bleed. Yeah,

0:09:50.400 --> 0:09:53.600
<v Speaker 1>I know, and they're doing it there. I'm sure everything

0:09:53.679 --> 0:09:57.360
<v Speaker 1>that touches and and and and Orange Mound touches. We

0:09:57.360 --> 0:10:03.199
<v Speaker 1>we eached up that and and we so have they

0:10:03.240 --> 0:10:08.280
<v Speaker 1>started buying an Orange Mountain. Have you guys purchased them

0:10:08.320 --> 0:10:16.480
<v Speaker 1>land out there? Hey, buy that ship? Yeah, because a

0:10:16.520 --> 0:10:19.560
<v Speaker 1>lot of people is hurrying up and buying it all

0:10:19.920 --> 0:10:23.480
<v Speaker 1>like in Bok they're not really looking and they're paying

0:10:23.600 --> 0:10:26.520
<v Speaker 1>over price for stuff. If you want a hunt it

0:10:26.600 --> 0:10:29.240
<v Speaker 1>for this they give you and to give it to

0:10:29.280 --> 0:10:34.800
<v Speaker 1>me right now and yeah and then that don't live there.

0:10:35.160 --> 0:10:41.000
<v Speaker 1>You know, you really gotta have um the resources. Yeah,

0:10:41.760 --> 0:10:48.040
<v Speaker 1>not just money, but the resources. Yeah, the resources, the connections,

0:10:48.080 --> 0:10:53.320
<v Speaker 1>the access because like my kids, mom was trying to

0:10:53.320 --> 0:10:56.920
<v Speaker 1>get me to buy like landing fifth Ward and in

0:10:57.040 --> 0:11:00.120
<v Speaker 1>Midtown before it took off. Baby, this is back. You

0:11:00.200 --> 0:11:03.080
<v Speaker 1>could buy a whole damn near city block in Midtown

0:11:03.160 --> 0:11:06.160
<v Speaker 1>for a million dollars. That's not that it was way

0:11:06.240 --> 0:11:13.320
<v Speaker 1>cheaper than that will here. Well, I'm telling you, I'm

0:11:13.320 --> 0:11:15.000
<v Speaker 1>talking about a host. I'm talking about the block, the

0:11:15.080 --> 0:11:19.480
<v Speaker 1>block grass Hun, I'm talking about the whole block. Yeah

0:11:19.800 --> 0:11:25.200
<v Speaker 1>it was, it was, Yeah, but in any event, we

0:11:25.280 --> 0:11:28.600
<v Speaker 1>know that was considered considerably lower than what it is now.

0:11:29.559 --> 0:11:31.680
<v Speaker 1>The same thing with Fifth Ward. I mean I remember

0:11:31.720 --> 0:11:35.440
<v Speaker 1>those plots, those lots back in the day when when

0:11:35.440 --> 0:11:38.760
<v Speaker 1>I was you know, just getting real money we're talking

0:11:39.760 --> 0:11:42.320
<v Speaker 1>for a lot, and that that same lot would run

0:11:42.400 --> 0:11:46.680
<v Speaker 1>you two hundred and three hundred thousand dollars. And they're

0:11:46.720 --> 0:11:49.920
<v Speaker 1>doing this in every city. Yeah, you know, America is

0:11:50.160 --> 0:11:53.320
<v Speaker 1>is a cookie cutter country. You living anyone in America

0:11:53.360 --> 0:11:55.360
<v Speaker 1>and you're living in the hood, make sure you buy

0:11:55.400 --> 0:12:00.560
<v Speaker 1>that all that ship, buy it all by all, patch

0:12:00.679 --> 0:12:02.800
<v Speaker 1>up and just buy all that ship. Yeah. We we

0:12:02.920 --> 0:12:06.080
<v Speaker 1>work with people, man, you know that that do that though.

0:12:06.160 --> 0:12:09.360
<v Speaker 1>So it's people that like uh that's involved with like

0:12:09.520 --> 0:12:13.400
<v Speaker 1>our beard, the cat that owned the brewery that bruise

0:12:13.480 --> 0:12:23.920
<v Speaker 1>our beard, and a couple of others like okay them

0:12:24.080 --> 0:12:26.920
<v Speaker 1>cash and a couple of other like black business owners man,

0:12:27.000 --> 0:12:29.280
<v Speaker 1>And they do a lot as far as trying to

0:12:29.320 --> 0:12:32.440
<v Speaker 1>get you know, get people like us and others that

0:12:32.520 --> 0:12:35.560
<v Speaker 1>don't have the resources the connections to get you in

0:12:35.600 --> 0:12:38.200
<v Speaker 1>a position. You know. You know, they often say that

0:12:38.280 --> 0:12:42.880
<v Speaker 1>fortune favors the brave, but it also favors the insight

0:12:43.000 --> 0:12:45.680
<v Speaker 1>for the ones who have visions. Because I did not

0:12:45.800 --> 0:12:48.160
<v Speaker 1>have that vision. Had I had the vision, oh it

0:12:48.200 --> 0:12:52.080
<v Speaker 1>would be it would be over. You know, just ask,

0:12:52.840 --> 0:12:57.960
<v Speaker 1>just ask. Back in the day, I was in New

0:12:58.040 --> 0:13:02.240
<v Speaker 1>York with Chuck Dick damn. We were at a fight

0:13:02.840 --> 0:13:06.640
<v Speaker 1>and Chuck said to me, Willie, they got this thing

0:13:06.720 --> 0:13:11.240
<v Speaker 1>called the Internet, hm, and it's gonna be big. He said,

0:13:11.280 --> 0:13:15.480
<v Speaker 1>ten years, half the households in America is going to

0:13:15.600 --> 0:13:21.640
<v Speaker 1>have computers. Now I'm thinking to myself, well, I have

0:13:21.800 --> 0:13:24.840
<v Speaker 1>the money and I don't even have a computer. How

0:13:24.920 --> 0:13:26.920
<v Speaker 1>is that gonna happen? But it's Chuck d something giving

0:13:27.000 --> 0:13:28.560
<v Speaker 1>him the benefit of the doubt that he knows what

0:13:28.640 --> 0:13:32.280
<v Speaker 1>he's talking about. I just can't understand it. Right then

0:13:32.280 --> 0:13:36.839
<v Speaker 1>he told me that we're gonna be getting our mail

0:13:37.800 --> 0:13:40.120
<v Speaker 1>through our computers. I was He's like, We're gonna be

0:13:40.200 --> 0:13:43.400
<v Speaker 1>getting the mail, you know, through computer, And I'm trying

0:13:43.400 --> 0:13:46.160
<v Speaker 1>to think physical How you gonna have physical mail come through?

0:13:46.640 --> 0:13:51.320
<v Speaker 1>He was talking about email. Chuck told me about the

0:13:51.320 --> 0:13:56.800
<v Speaker 1>Internet now, and I'm thinking to myself, after it blows up,

0:13:56.800 --> 0:13:59.280
<v Speaker 1>it took less than ten years, so I'm thinking it

0:13:59.360 --> 0:14:02.400
<v Speaker 1>was more like five years or so three four three

0:14:02.440 --> 0:14:04.720
<v Speaker 1>or four years or something like that. So I'm like,

0:14:04.960 --> 0:14:08.560
<v Speaker 1>so after that, I started thinking to myself, Man, I

0:14:08.600 --> 0:14:11.640
<v Speaker 1>was like, man, had I jumped on that? If I

0:14:11.640 --> 0:14:14.680
<v Speaker 1>would have just taken a leap of faith and jumped

0:14:14.720 --> 0:14:20.040
<v Speaker 1>on it, what could my life have been like financially?

0:14:21.200 --> 0:14:24.320
<v Speaker 1>Perhaps I would have started the Internet company with ten

0:14:24.400 --> 0:14:27.840
<v Speaker 1>thousand dollars and so my internet company a few years

0:14:27.880 --> 0:14:30.320
<v Speaker 1>later for a hundred million dollars like Mark Cuban did,

0:14:30.600 --> 0:14:33.480
<v Speaker 1>and maybe i'd be the owner of the Dallas Mavericks.

0:14:34.040 --> 0:14:36.880
<v Speaker 1>But I didn't have the vision. So I promised myself

0:14:36.920 --> 0:14:43.080
<v Speaker 1>after that I would have a better I would be

0:14:43.160 --> 0:14:47.960
<v Speaker 1>open two new ideas and at least do my research

0:14:48.440 --> 0:14:53.720
<v Speaker 1>before I eliminate the idea of doing it, pursuing it

0:14:53.840 --> 0:14:57.320
<v Speaker 1>or not right, because because at first I was just like,

0:14:57.720 --> 0:14:59.920
<v Speaker 1>I can't, I can't, I can't figure it out. I can't,

0:15:00.120 --> 0:15:02.440
<v Speaker 1>I can't understand it, and I just leave it right there.

0:15:02.480 --> 0:15:04.960
<v Speaker 1>It just dies right there. Now, when I hear something,

0:15:05.040 --> 0:15:07.200
<v Speaker 1>I look into it first, Let me at least look

0:15:07.200 --> 0:15:11.480
<v Speaker 1>into it. I found myself when when cryptocurrency came around,

0:15:11.480 --> 0:15:15.280
<v Speaker 1>I found myself doing the same thing. I didn't catch

0:15:15.320 --> 0:15:19.280
<v Speaker 1>my snap. Well, Buddy kept calling me saying, will will

0:15:19.480 --> 0:15:21.400
<v Speaker 1>check out this big corn check it out, check it out,

0:15:21.440 --> 0:15:24.480
<v Speaker 1>it's going, it's going to going. And finally I caught

0:15:24.520 --> 0:15:28.400
<v Speaker 1>my snap and I jumped on big corn. At I

0:15:28.480 --> 0:15:32.160
<v Speaker 1>jumped on and then I hit and then I reinvested

0:15:32.440 --> 0:15:35.720
<v Speaker 1>in those corn and some other coins and from there,

0:15:36.600 --> 0:15:39.640
<v Speaker 1>you know, I just been off to the races. But

0:15:39.720 --> 0:15:43.640
<v Speaker 1>I said that to say, you have to have the

0:15:45.560 --> 0:15:50.760
<v Speaker 1>fortune favors the visionaries, you know, you got to have

0:15:50.960 --> 0:15:53.920
<v Speaker 1>that vision. And just like with real estate, you're not.

0:15:54.000 --> 0:15:57.560
<v Speaker 1>You don't make your money when you know, with the news.

0:15:57.600 --> 0:16:01.240
<v Speaker 1>You make your money with the rumor. Right, So when

0:16:01.240 --> 0:16:04.000
<v Speaker 1>as a rumor it's going down, it's about to go down,

0:16:04.520 --> 0:16:06.760
<v Speaker 1>that's when you need to be on. Like, that's when

0:16:06.800 --> 0:16:08.760
<v Speaker 1>I should have been on with my kid's mom said, hey,

0:16:08.800 --> 0:16:11.320
<v Speaker 1>you need to get on this room. It's gonna come.

0:16:11.560 --> 0:16:15.080
<v Speaker 1>It's it's coming, it's coming. I waited till the news came,

0:16:15.880 --> 0:16:20.840
<v Speaker 1>and then by that time the land was so now

0:16:21.400 --> 0:16:24.320
<v Speaker 1>any land that I make a move on. Now, I'm

0:16:24.400 --> 0:16:27.280
<v Speaker 1>looking at twenty years down the line, what it might

0:16:27.280 --> 0:16:30.640
<v Speaker 1>look like thirty years down the line, you know, because

0:16:30.680 --> 0:16:32.880
<v Speaker 1>you gotta be willing to plant seeds that you may

0:16:32.920 --> 0:16:37.840
<v Speaker 1>not eat from, you may never see. Yeah, ready to

0:16:37.880 --> 0:16:41.120
<v Speaker 1>lose that. Well, it's your legacy. It's for you, you know,

0:16:41.160 --> 0:16:45.400
<v Speaker 1>it's for the people are after you. You know, that's

0:16:45.400 --> 0:16:47.280
<v Speaker 1>how you gotta look at it, you know, especially at

0:16:47.280 --> 0:16:49.760
<v Speaker 1>the age week. You know, you know thirty or four

0:16:49.880 --> 0:16:54.480
<v Speaker 1>year plans. You know that's for your family. Yeah, y'all

0:16:54.520 --> 0:17:01.520
<v Speaker 1>had y'all first underground UH tape was called listen to

0:17:01.640 --> 0:17:04.640
<v Speaker 1>the lyrics, right, So then y'all hit y'all hit him

0:17:04.680 --> 0:17:08.760
<v Speaker 1>with listen to the lyrics, and then y'all back door

0:17:09.000 --> 0:17:13.520
<v Speaker 1>that with your first commercial album, UH coming out hard.

0:17:14.520 --> 0:17:16.719
<v Speaker 1>So y'all said, y'all first told him listen to the lyrics,

0:17:16.840 --> 0:17:20.440
<v Speaker 1>then y'all said, we're coming out hard. And then y'all

0:17:20.440 --> 0:17:24.560
<v Speaker 1>found yourself on outside looking in, and then you came

0:17:24.600 --> 0:17:27.720
<v Speaker 1>back with U on top of the world. You're on

0:17:27.800 --> 0:17:30.840
<v Speaker 1>top of the world. If you listen just the first

0:17:31.280 --> 0:17:35.320
<v Speaker 1>three albums, if you you know, including the Underground, if

0:17:35.359 --> 0:17:39.119
<v Speaker 1>you if you listen to that, it tells a story

0:17:39.600 --> 0:17:44.320
<v Speaker 1>really about your careers, right if you really listen to it.

0:17:44.320 --> 0:17:49.760
<v Speaker 1>Because you guys are like you're you're, you're you're you're

0:17:49.840 --> 0:17:55.040
<v Speaker 1>very successful, you're accomplished, but you're your low key stars.

0:17:55.760 --> 0:18:00.440
<v Speaker 1>How do you manage to be under the radar still

0:18:00.520 --> 0:18:05.280
<v Speaker 1>going to the respect of your peers Because we respect

0:18:05.359 --> 0:18:10.200
<v Speaker 1>y'all and everybody that I know that understands this game,

0:18:10.240 --> 0:18:18.680
<v Speaker 1>respect and its mutual musical. It's musical, yeah, real man,

0:18:18.760 --> 0:18:23.600
<v Speaker 1>We just I don't know, man, we just gotta say

0:18:24.520 --> 0:18:29.840
<v Speaker 1>we just try hard at being ourselves, you know, because

0:18:29.840 --> 0:18:31.800
<v Speaker 1>you know, man, it's hard to keep an echo. Man.

0:18:31.840 --> 0:18:38.480
<v Speaker 1>You know, man, it's hard. Remember that song we did,

0:18:38.560 --> 0:18:44.240
<v Speaker 1>yeah he was on. I think it's on. It's onshing

0:18:44.320 --> 0:18:53.159
<v Speaker 1>the bank. Yeah. Yeah. With us being ourselves all the time, yeah,

0:18:53.160 --> 0:18:56.800
<v Speaker 1>it hurt you in some circles that help you. I

0:18:56.840 --> 0:19:00.080
<v Speaker 1>can relate to that, yeah, you know. But always, you know,

0:19:00.600 --> 0:19:04.800
<v Speaker 1>the fans appreciate that. We always just kind of be us.

0:19:04.840 --> 0:19:08.080
<v Speaker 1>We stopped and take pictures, you know, you know, just

0:19:08.200 --> 0:19:13.480
<v Speaker 1>keep it regularly and we when the we a lot

0:19:13.520 --> 0:19:17.040
<v Speaker 1>of groups perform and deal, you know, do that stuff. Man,

0:19:17.080 --> 0:19:20.040
<v Speaker 1>we out of here may and g sometimes stay to

0:19:20.119 --> 0:19:21.960
<v Speaker 1>the lights, come on, man, you know what I mean.

0:19:22.200 --> 0:19:29.640
<v Speaker 1>Just stuff like that and just being us man, you know,

0:19:30.480 --> 0:19:32.920
<v Speaker 1>never change and kind of you know, trying to show

0:19:32.960 --> 0:19:37.639
<v Speaker 1>the human side. Basically, how did y'all connect with Tony Draper?

0:19:38.720 --> 0:19:42.920
<v Speaker 1>Oh man? Through mutual friends? Um friends that we knew

0:19:42.960 --> 0:19:47.600
<v Speaker 1>that we went to school with, that he knew, and

0:19:48.520 --> 0:19:50.560
<v Speaker 1>you know, and they put us together. They listened to

0:19:50.640 --> 0:19:53.960
<v Speaker 1>the lyrics was out you know that came out. We

0:19:53.960 --> 0:19:57.879
<v Speaker 1>was in the twelfth grade. Um it came out that

0:19:58.040 --> 0:20:04.680
<v Speaker 1>summer or yeah that's something. Uh and uh it just

0:20:05.200 --> 0:20:08.159
<v Speaker 1>it was one of them songs like they used to

0:20:08.240 --> 0:20:10.520
<v Speaker 1>have a little slam of the jamming type of things

0:20:10.960 --> 0:20:14.440
<v Speaker 1>and the gym man they played on the dumping. It

0:20:14.560 --> 0:20:18.040
<v Speaker 1>might have played for like two hundred Knights on the

0:20:18.200 --> 0:20:20.919
<v Speaker 1>row or something like that, like we want like for

0:20:21.080 --> 0:20:24.040
<v Speaker 1>some months, like you know, every night it would be

0:20:24.080 --> 0:20:26.919
<v Speaker 1>our song. You know, man, how was that? Man? How

0:20:26.920 --> 0:20:31.600
<v Speaker 1>did that make y'all feel? No? Ship was crazy. We

0:20:31.600 --> 0:20:34.119
<v Speaker 1>were still a lot of actions. Were still catching the

0:20:34.160 --> 0:20:38.080
<v Speaker 1>bus man and I was catching the women too. That

0:20:38.640 --> 0:20:44.240
<v Speaker 1>it was always us, you know, like we always mean uh,

0:20:45.000 --> 0:20:49.600
<v Speaker 1>having having a having at least a local hit, don't

0:20:49.680 --> 0:20:56.880
<v Speaker 1>hurt it most definitely uh solfing the side of not

0:20:56.960 --> 0:21:01.680
<v Speaker 1>having no money yet were a little broke kids. Yeah,

0:21:02.520 --> 0:21:04.920
<v Speaker 1>you know we were still some little just some little

0:21:04.920 --> 0:21:08.760
<v Speaker 1>broke kids. Man. We was cool with uh skipper school

0:21:08.880 --> 0:21:11.320
<v Speaker 1>was a couple of chicks and smokers and weeds somewhere.

0:21:12.040 --> 0:21:17.240
<v Speaker 1>But people looked at us as this you know, yeah, time,

0:21:17.320 --> 0:21:28.000
<v Speaker 1>but it was you know, at what point do you

0:21:28.080 --> 0:21:34.280
<v Speaker 1>meet Tony? What this like ninety two, something like the

0:21:34.440 --> 0:21:38.880
<v Speaker 1>ninety it maybe in between that time. Do you remember

0:21:38.960 --> 0:21:41.080
<v Speaker 1>the first day that you met him, what that was like,

0:21:41.440 --> 0:21:45.600
<v Speaker 1>like what happened? What was said? Um, generally, you know,

0:21:45.760 --> 0:21:49.520
<v Speaker 1>he was letting us know that he liked the music

0:21:50.119 --> 0:21:54.760
<v Speaker 1>already and he was familiar with the music, and uh,

0:21:55.040 --> 0:21:58.439
<v Speaker 1>he was gonna be staying in touch with us, and

0:21:58.760 --> 0:22:03.320
<v Speaker 1>uh he had plans on doing something with his label

0:22:03.400 --> 0:22:07.440
<v Speaker 1>and getting us to Houston. And I know he generally

0:22:07.520 --> 0:22:11.240
<v Speaker 1>said that in the first meeting. And because it was

0:22:11.280 --> 0:22:15.160
<v Speaker 1>just a bunch of like ome boy kicking it, him

0:22:15.200 --> 0:22:19.200
<v Speaker 1>and our mutual partner come scoop us. You know, they

0:22:19.240 --> 0:22:23.120
<v Speaker 1>had all the cars and stuff. Then you know they

0:22:23.160 --> 0:22:25.920
<v Speaker 1>had the paper you know, paper draper they had, and

0:22:26.160 --> 0:22:29.680
<v Speaker 1>so they came scoop us up and take us places

0:22:29.760 --> 0:22:32.280
<v Speaker 1>and we hang out with them, and you know, in

0:22:32.320 --> 0:22:35.840
<v Speaker 1>between and then just it was like it was October thirteen,

0:22:35.920 --> 0:22:40.080
<v Speaker 1>but I never get um the week before that or

0:22:40.080 --> 0:22:42.720
<v Speaker 1>something like that, he asked us, was we ready to

0:22:42.760 --> 0:22:45.480
<v Speaker 1>be ready? I'm gonna get the tickets, y'all. Come on,

0:22:46.080 --> 0:22:48.360
<v Speaker 1>the first time we flew in everything, we had never

0:22:48.359 --> 0:22:50.760
<v Speaker 1>been on an airplane before. You know, it was my

0:22:50.840 --> 0:22:53.960
<v Speaker 1>MoMA birthday. I never get their part. We was leaving

0:22:54.040 --> 0:22:58.720
<v Speaker 1>on her birthday. So, but first time flying and everything

0:22:59.720 --> 0:23:04.879
<v Speaker 1>came down the Agetown posted up. So yeah, so who

0:23:05.000 --> 0:23:07.240
<v Speaker 1>was first? Who was first? Was it was it? You

0:23:07.320 --> 0:23:11.879
<v Speaker 1>guys are tealer on Suave House? Yeah, so you guys

0:23:11.920 --> 0:23:17.720
<v Speaker 1>was the flagship group? Well it was it was he

0:23:17.800 --> 0:23:21.960
<v Speaker 1>had a group. Uh it was thorough and your board

0:23:22.040 --> 0:23:30.399
<v Speaker 1>Now uh he had a group before us, uh smooth smooth.

0:23:31.080 --> 0:23:34.119
<v Speaker 1>Yeah yeah, he had a group before us and then

0:23:35.000 --> 0:23:38.840
<v Speaker 1>group that was his out of Houston. Yeah, yeah, that

0:23:38.960 --> 0:23:45.920
<v Speaker 1>was his, like that was the that was just project

0:23:46.119 --> 0:23:50.119
<v Speaker 1>and doing the independent label. Yeah. Well who who did

0:23:50.240 --> 0:23:54.680
<v Speaker 1>distribution for you when your album came up? Uh? Back

0:23:54.720 --> 0:23:58.359
<v Speaker 1>then it was probably Southwest and uh not coming out

0:23:58.440 --> 0:24:05.080
<v Speaker 1>hard h that was Phillips New really and select them select,

0:24:07.520 --> 0:24:12.439
<v Speaker 1>I don't know select in South Wales News. Let me

0:24:12.440 --> 0:24:18.080
<v Speaker 1>ask you another question, like being artists on a label

0:24:19.320 --> 0:24:24.040
<v Speaker 1>back then and then looking at as an artist right now,

0:24:24.119 --> 0:24:27.520
<v Speaker 1>how is accounting? Are you being accounted to? You know,

0:24:28.640 --> 0:24:30.679
<v Speaker 1>are you getting your publishing, your writers and all of

0:24:30.680 --> 0:24:34.240
<v Speaker 1>that ship or is it's just one bit clusterfuck saying

0:24:34.280 --> 0:24:36.520
<v Speaker 1>now right now? Are you getting all of your ship

0:24:36.560 --> 0:24:46.040
<v Speaker 1>from back then it kind of is on that accounted to. Yeah,

0:24:46.200 --> 0:24:50.359
<v Speaker 1>we've gone a whole bunch back the last like the

0:24:50.480 --> 0:24:54.199
<v Speaker 1>first ten years after we left squall, we've done a

0:24:54.240 --> 0:24:58.399
<v Speaker 1>whole bunch and we all were still only on a

0:24:58.440 --> 0:25:04.600
<v Speaker 1>percentage of that stuff. Does it interest you to go

0:25:04.680 --> 0:25:11.240
<v Speaker 1>back and get the rest of that publishing Yeah, working, working, Yeah,

0:25:11.240 --> 0:25:18.480
<v Speaker 1>we feel like, you know, it's, um, we should have

0:25:18.760 --> 0:25:22.439
<v Speaker 1>that now because other people have had it for us

0:25:22.480 --> 0:25:27.679
<v Speaker 1>so long that don't let us at least die with it.

0:25:27.840 --> 0:25:33.840
<v Speaker 1>But you know, I mean that publishing company, he's still

0:25:33.920 --> 0:25:39.760
<v Speaker 1>got injuries in it, I do believe. UM. So it's

0:25:39.800 --> 0:25:43.240
<v Speaker 1>a um, a statute or a law or whatever you

0:25:43.280 --> 0:25:46.320
<v Speaker 1>wanna call it. That's set up right now. It's been

0:25:46.320 --> 0:25:53.399
<v Speaker 1>said up since like seventy two artists. So make sure

0:25:54.600 --> 0:25:56.760
<v Speaker 1>that you you know, from the time your album, from

0:25:56.800 --> 0:26:01.679
<v Speaker 1>the time that album comes out until the thirty year period, Man,

0:26:01.800 --> 0:26:04.840
<v Speaker 1>get your ship back, you know what I mean. That's

0:26:04.880 --> 0:26:08.000
<v Speaker 1>the only way we talked about it all that. Yeah,

0:26:08.000 --> 0:26:09.719
<v Speaker 1>that's the only way we're gonna have some money when

0:26:09.760 --> 0:26:13.760
<v Speaker 1>it's ship back. Talk about it all the time, and

0:26:13.800 --> 0:26:17.120
<v Speaker 1>that's why Congress cut the deal. Yeah, I think that's

0:26:17.200 --> 0:26:19.320
<v Speaker 1>I mean, you know, I mean, if that's that's what

0:26:19.359 --> 0:26:21.880
<v Speaker 1>the law is, and that's what the law, ain't nothing

0:26:21.920 --> 0:26:25.399
<v Speaker 1>we're making up with the law. If that's what the

0:26:25.480 --> 0:26:28.440
<v Speaker 1>law say, that's only right. But I don't think that's

0:26:28.480 --> 0:26:30.600
<v Speaker 1>the only way that we're gonna have some money. I

0:26:30.640 --> 0:26:33.800
<v Speaker 1>think we need to diversify. Man. I want to be

0:26:33.880 --> 0:26:36.680
<v Speaker 1>paid from from from from recording. I want to be paid.

0:26:37.320 --> 0:26:39.480
<v Speaker 1>I want to be paid from this job. You know

0:26:39.520 --> 0:26:41.560
<v Speaker 1>what I mean. It's like going to going working at

0:26:41.640 --> 0:26:44.639
<v Speaker 1>McDonald You work all that time and you don't get

0:26:44.680 --> 0:26:47.600
<v Speaker 1>paid until thirty five years later. You want to be

0:26:47.640 --> 0:26:50.959
<v Speaker 1>paid for for working this job right here first? All right,

0:26:51.359 --> 0:26:55.119
<v Speaker 1>I think it diversified back in ninety three, I've been diversified,

0:26:55.240 --> 0:26:57.640
<v Speaker 1>but I still won't get paid from this job. Well

0:26:57.640 --> 0:26:59.399
<v Speaker 1>that's good, I mean you should. You should be paid

0:26:59.400 --> 0:27:01.920
<v Speaker 1>for me any job that you put in work. Uh,

0:27:01.960 --> 0:27:04.600
<v Speaker 1>you know, honest day's work for honest days pay. But

0:27:04.680 --> 0:27:08.320
<v Speaker 1>I but I you know, as a businessman also, I'm

0:27:08.359 --> 0:27:11.800
<v Speaker 1>on both sides just like you, as a businessman and

0:27:12.160 --> 0:27:15.680
<v Speaker 1>you know, as somebody who has been a label exact

0:27:15.760 --> 0:27:18.439
<v Speaker 1>and as an artist for most of my life, I

0:27:18.480 --> 0:27:21.359
<v Speaker 1>can tell you that a deal is a deal until

0:27:21.440 --> 0:27:23.080
<v Speaker 1>you can go out there and make a better deal,

0:27:23.480 --> 0:27:25.200
<v Speaker 1>do you gee know what I'm saying, Because that's why

0:27:25.240 --> 0:27:28.200
<v Speaker 1>they got these contracts, you know, like bottom line man,

0:27:28.359 --> 0:27:31.720
<v Speaker 1>Like you know, the the music industry does not favor

0:27:31.840 --> 0:27:34.280
<v Speaker 1>the artist period. We all know that. It's always been

0:27:34.320 --> 0:27:36.120
<v Speaker 1>like that. It's been that like that from day one.

0:27:36.600 --> 0:27:39.320
<v Speaker 1>So if you can go back and you know, make

0:27:39.359 --> 0:27:41.960
<v Speaker 1>a better deal for yourself, then hell yeah, knock it

0:27:41.960 --> 0:27:45.080
<v Speaker 1>out the park. That's that's what it's for, Yeah, for

0:27:45.119 --> 0:27:47.480
<v Speaker 1>the artists to be able to make his deal with

0:27:47.600 --> 0:27:54.000
<v Speaker 1>his publishing. That's why they created the UH copyright termination

0:27:54.160 --> 0:27:57.200
<v Speaker 1>is what it's called. Because most artists are young and

0:27:57.280 --> 0:28:01.159
<v Speaker 1>in spirit and inexperience, you know when start off, you know,

0:28:01.200 --> 0:28:06.560
<v Speaker 1>they're either literally children or close to it, you know,

0:28:07.480 --> 0:28:10.960
<v Speaker 1>into their challenge or what they do. They're not and

0:28:11.000 --> 0:28:14.080
<v Speaker 1>so it should be some relief later on after you

0:28:14.119 --> 0:28:18.920
<v Speaker 1>get wiser older. It's the best time to to get

0:28:18.960 --> 0:28:23.399
<v Speaker 1>your uh, your copyrights back right now because you you settle,

0:28:23.680 --> 0:28:25.240
<v Speaker 1>you know, you know what you know, what you want

0:28:25.240 --> 0:28:28.879
<v Speaker 1>to do that should be passed down, you know, I

0:28:28.920 --> 0:28:31.560
<v Speaker 1>think it should be you know, at the minimum, you know,

0:28:31.880 --> 0:28:35.919
<v Speaker 1>uh passed down to your children, you know, because that,

0:28:36.000 --> 0:28:37.960
<v Speaker 1>because that's kind of shitty man. You know, if you

0:28:37.960 --> 0:28:40.040
<v Speaker 1>think about it, if you think about like some of

0:28:40.080 --> 0:28:44.880
<v Speaker 1>these artists who have signed these um eternity deals and

0:28:44.920 --> 0:28:48.719
<v Speaker 1>ship and you know some years down the line, this

0:28:48.440 --> 0:28:51.520
<v Speaker 1>is this is an artist that shut the world, I mean,

0:28:51.920 --> 0:28:57.000
<v Speaker 1>made the world entertain the entire world and sold millions

0:28:57.000 --> 0:28:59.880
<v Speaker 1>of records, and that artist died broke, and that in

0:29:00.000 --> 0:29:03.640
<v Speaker 1>that children don't have anything either. That ship ain't cool.

0:29:03.720 --> 0:29:07.320
<v Speaker 1>And you know that's why, that's why that certain levels

0:29:07.320 --> 0:29:11.960
<v Speaker 1>of protection in Hollywood for young for young actors. Yeah,

0:29:12.280 --> 0:29:16.400
<v Speaker 1>I know you're very well, all right, you don't mean that.

0:29:17.200 --> 0:29:26.760
<v Speaker 1>Go ahead expound, Willie, you don't mean that. If I

0:29:26.800 --> 0:29:30.520
<v Speaker 1>said that, I meanted I'm here to represent it. Make

0:29:30.560 --> 0:29:33.640
<v Speaker 1>me not will tell me why you don't believe that.

0:29:33.680 --> 0:29:36.600
<v Speaker 1>I don't believe it. You can't just can't just throw

0:29:36.600 --> 0:29:40.400
<v Speaker 1>out accusations and ship you got without any type any

0:29:40.440 --> 0:29:45.160
<v Speaker 1>type of you know, solid uh poof behind. Do you

0:29:45.200 --> 0:29:49.040
<v Speaker 1>think that? Talk to him? Let me, let me, let me,

0:29:49.120 --> 0:29:54.920
<v Speaker 1>let me get this together. So you gotta ask Willie

0:29:54.960 --> 0:30:00.520
<v Speaker 1>hypothetical questions. What if? So? Yeah, what if what if

0:30:00.640 --> 0:30:11.840
<v Speaker 1>somebody that you didn't like? Mm hmm, I'm not being

0:30:11.960 --> 0:30:17.080
<v Speaker 1>with it? Hey? What what? What? What? What? Is somebody

0:30:17.120 --> 0:30:21.640
<v Speaker 1>that you didn't like? You'll give him some money? Would

0:30:21.680 --> 0:30:23.680
<v Speaker 1>I just give somebody some money? Or would you let

0:30:23.760 --> 0:30:29.120
<v Speaker 1>I'm just not giving nobody ship? Would you would? You? Would? You? Would?

0:30:29.120 --> 0:30:34.080
<v Speaker 1>You would? You? Would? You want his daddy? Don't leave

0:30:34.160 --> 0:30:37.280
<v Speaker 1>him something? Are you wouldn't give If it's somebody that

0:30:37.360 --> 0:30:40.200
<v Speaker 1>I don't like, I don't give a funk exactly, go

0:30:40.240 --> 0:30:42.800
<v Speaker 1>ahead at all? I know we're not go ahead, So

0:30:42.880 --> 0:30:48.040
<v Speaker 1>I know you don't mean that. You know you know

0:30:48.120 --> 0:30:53.160
<v Speaker 1>this dude right there? Man? You know, man, sometimes sometimes

0:30:53.240 --> 0:30:56.040
<v Speaker 1>I believe that this guy has a personal relationship with

0:30:56.080 --> 0:31:00.720
<v Speaker 1>the devil. I think they talking ship like ain't good morning,

0:31:01.840 --> 0:31:04.720
<v Speaker 1>good morning? How many people died today? That was great,

0:31:05.560 --> 0:31:12.000
<v Speaker 1>shoulder man got to have that shot the show. We

0:31:12.240 --> 0:31:15.480
<v Speaker 1>just dude, I ain't gonna lie. Man. When I was

0:31:15.520 --> 0:31:20.400
<v Speaker 1>standing outside nine point nine uh, smoking a big a

0:31:20.560 --> 0:31:25.920
<v Speaker 1>perfecto blunts at that show with y'all and Luke that night,

0:31:26.240 --> 0:31:28.280
<v Speaker 1>I never thought I'd be sitting here right now doing

0:31:28.320 --> 0:31:35.600
<v Speaker 1>this podcast. We appreciate doing. Man. Man, it's a world away.

0:31:35.640 --> 0:31:38.760
<v Speaker 1>We are a world away. We are that night, but

0:31:38.920 --> 0:31:43.160
<v Speaker 1>we are venturing off into tried the territory of us

0:31:43.240 --> 0:31:48.120
<v Speaker 1>being here. Yeah, you feel me, Y'allways, you know large

0:31:48.160 --> 0:31:50.320
<v Speaker 1>didn't life to us? Man face used to put up

0:31:50.360 --> 0:31:55.960
<v Speaker 1>on the bikes hit up, yeah, Man, did you have

0:31:56.000 --> 0:31:58.400
<v Speaker 1>a full on one of those bikes? Not that I

0:31:58.400 --> 0:32:02.280
<v Speaker 1>can recall. Willie, I ain't fall He used to pull

0:32:02.360 --> 0:32:05.480
<v Speaker 1>up with them boys though every time I ever thought

0:32:05.520 --> 0:32:09.200
<v Speaker 1>about getting the bike, Uh, somebody would fall and die.

0:32:10.000 --> 0:32:12.000
<v Speaker 1>And I just like, you know what, you know, I

0:32:12.000 --> 0:32:16.200
<v Speaker 1>ain't fail. Ain't there? I know. I'm just asking, man,

0:32:17.040 --> 0:32:23.920
<v Speaker 1>how was it working with Puffy Man? Sight from the

0:32:28.480 --> 0:32:30.400
<v Speaker 1>really talking about didn't you crash on the bike? Like

0:32:31.400 --> 0:32:33.760
<v Speaker 1>I actually, have you ever crash? I didn't. I didn't.

0:32:33.840 --> 0:32:39.400
<v Speaker 1>It was not affirmative. I ask you, had you ever crashed? Yeah?

0:32:39.440 --> 0:32:42.840
<v Speaker 1>But it wasn't like working with Puffy Man. Did he

0:32:42.880 --> 0:32:44.560
<v Speaker 1>come in there and actually hit the drummer? Put the

0:32:44.600 --> 0:32:46.640
<v Speaker 1>album out? Did you hit the drum machine? Did you

0:32:46.720 --> 0:32:49.840
<v Speaker 1>hit the drummer? Shee? He hit the drum machine? Did

0:32:49.840 --> 0:32:51.400
<v Speaker 1>he actually come in and hit the drummer sheet? Was

0:32:51.440 --> 0:32:57.400
<v Speaker 1>he just sucking around? Did he? I didn't never see him?

0:32:57.600 --> 0:33:01.240
<v Speaker 1>Did he produce anything for y'all know? Most of the

0:33:01.280 --> 0:33:07.080
<v Speaker 1>stuff that it was produced by Uh, producers from over

0:33:07.120 --> 0:33:10.880
<v Speaker 1>there with a lot of people. There was a lot

0:33:10.880 --> 0:33:14.640
<v Speaker 1>of just different producers were really uh in the you

0:33:14.680 --> 0:33:17.520
<v Speaker 1>know how you uh get in that time in your

0:33:17.560 --> 0:33:26.480
<v Speaker 1>career where you are just doing like don't matter because

0:33:26.480 --> 0:33:28.840
<v Speaker 1>we were so used to medic with T mix for

0:33:29.120 --> 0:33:32.680
<v Speaker 1>ten years, you know, so s so you're trying to

0:33:32.720 --> 0:33:34.880
<v Speaker 1>do this new thing, you know, to keep it, keep

0:33:35.360 --> 0:33:38.840
<v Speaker 1>keep the legacy moving forward, and so you're open to

0:33:38.920 --> 0:33:42.440
<v Speaker 1>these these these different ideas. But how was the experience overall?

0:33:42.520 --> 0:33:46.480
<v Speaker 1>Would you say? Was it a different? Was the difference

0:33:46.520 --> 0:33:51.440
<v Speaker 1>working uh, working with that group as opposed to working

0:33:51.440 --> 0:33:58.239
<v Speaker 1>with Drake? Uh, it was most definitely different. But like

0:33:58.760 --> 0:34:01.360
<v Speaker 1>in most places, you know, we kind of find our pocket,

0:34:01.520 --> 0:34:07.080
<v Speaker 1>you know, and wherever we wherever we didn't recorded it,

0:34:07.920 --> 0:34:10.919
<v Speaker 1>but if we always do us. But it was like

0:34:12.200 --> 0:34:18.480
<v Speaker 1>Suave House was like to me Rap a Lot or

0:34:19.920 --> 0:34:21.880
<v Speaker 1>or even Bad Boy, you know what I mean. But

0:34:22.040 --> 0:34:25.839
<v Speaker 1>we were the you know how uh death Row all

0:34:25.880 --> 0:34:30.160
<v Speaker 1>these family style entities, you know what I mean. And

0:34:30.320 --> 0:34:33.560
<v Speaker 1>that's how Suave House was and Bad Boy was that

0:34:33.760 --> 0:34:37.200
<v Speaker 1>with their original people. We weren't originals, you know what

0:34:37.239 --> 0:34:41.160
<v Speaker 1>I mean, came after we came in. It was kind

0:34:41.160 --> 0:34:45.320
<v Speaker 1>of in this transition. They in transition had more stuff

0:34:45.360 --> 0:34:48.520
<v Speaker 1>going on at that time. He was not as hands

0:34:48.600 --> 0:34:51.799
<v Speaker 1>on it was used to be around a lot. But

0:34:52.000 --> 0:34:56.880
<v Speaker 1>I wouldn't say hands on. Like before he happened to

0:34:56.920 --> 0:34:59.160
<v Speaker 1>pick the beach, changed did a lot of that. He

0:34:59.200 --> 0:35:02.279
<v Speaker 1>didn't change the page picked up produced. I would say,

0:35:02.480 --> 0:35:07.400
<v Speaker 1>you know, produced as far as really listening to stuff

0:35:07.440 --> 0:35:12.640
<v Speaker 1>and set and listening. But we still had like full

0:35:12.680 --> 0:35:16.520
<v Speaker 1>creative control and what we wanted in the songs. Were

0:35:16.520 --> 0:35:20.520
<v Speaker 1>wanted to do titles everything. Man. You know, UM, when

0:35:20.520 --> 0:35:27.759
<v Speaker 1>I think of producers, I think of like somebody that's

0:35:27.760 --> 0:35:34.719
<v Speaker 1>in the studio that's um actually kind of sort of

0:35:34.800 --> 0:35:38.200
<v Speaker 1>directing ship. You know, hey, don't start, you don't start

0:35:38.320 --> 0:35:41.719
<v Speaker 1>right here, like go in on the on the on

0:35:42.080 --> 0:35:45.080
<v Speaker 1>the downbeat. You know that's the type of ship that

0:35:45.080 --> 0:35:48.960
<v Speaker 1>that Um. That's all part of production. Yeah, yeah, that's

0:35:48.960 --> 0:35:50.440
<v Speaker 1>all a part of it. And you know he was

0:35:50.480 --> 0:35:55.800
<v Speaker 1>a mask at that ship. Trey Dr Dre was a

0:35:55.880 --> 0:35:59.640
<v Speaker 1>motherfucker at that ship. Man, like like timing and okay,

0:35:59.680 --> 0:36:02.240
<v Speaker 1>put the get talk back in right here and promot

0:36:02.320 --> 0:36:03.960
<v Speaker 1>dope like that. You know what I mean? Like the

0:36:04.000 --> 0:36:06.560
<v Speaker 1>motherfucker's is like we got some cold producers give that.

0:36:06.920 --> 0:36:10.840
<v Speaker 1>You know a lot of motherfucker's make beats. Motherfucker's like

0:36:10.960 --> 0:36:17.120
<v Speaker 1>tone capone like they fucking producers bro like they really

0:36:17.400 --> 0:36:21.759
<v Speaker 1>or hands zoned and not just just coming in there

0:36:21.760 --> 0:36:24.480
<v Speaker 1>putting their name in there when it's done. You see

0:36:24.480 --> 0:36:28.080
<v Speaker 1>a lot of niggas put their name on ship I did. Okay, Okay,

0:36:28.360 --> 0:36:31.360
<v Speaker 1>they want they they they their names is tied to mind,

0:36:31.840 --> 0:36:34.200
<v Speaker 1>But it was actually me who did the ship whose

0:36:34.280 --> 0:36:37.120
<v Speaker 1>name is tied to yours when you actually did the ship,

0:36:40.640 --> 0:36:45.160
<v Speaker 1>you guys, I mean, look at anybody, anybody, anybody's name

0:36:45.239 --> 0:36:50.200
<v Speaker 1>that's next to mine in production is lying. They're lying.

0:36:51.400 --> 0:36:54.600
<v Speaker 1>If their name is next to yours in production, there

0:36:54.680 --> 0:37:02.799
<v Speaker 1>lying pull that like to see who's lying. Let's see

0:37:03.760 --> 0:37:05.479
<v Speaker 1>is that particularly I am. I can go to any

0:37:05.520 --> 0:37:07.399
<v Speaker 1>one of the motherfucker I want to go to Maid.

0:37:07.680 --> 0:37:12.200
<v Speaker 1>Let's go to Ahead made classic. You know, I'm gonna

0:37:12.200 --> 0:37:15.399
<v Speaker 1>pick the class the class. I think it's a game.

0:37:15.400 --> 0:37:20.879
<v Speaker 1>When it's cot and brains, it is not the same.

0:37:21.719 --> 0:37:24.320
<v Speaker 1>What you expected was the spark dog, but not the flame.

0:37:24.920 --> 0:37:28.040
<v Speaker 1>I can stop the rain, okay, r ai n or

0:37:28.360 --> 0:37:32.960
<v Speaker 1>r e g Yeah either rain, like I can stop

0:37:32.960 --> 0:37:38.719
<v Speaker 1>that ship. Stop let's just gangster ship talk me like, so,

0:37:38.760 --> 0:37:46.600
<v Speaker 1>I would like to see here credits. I mean it's

0:37:46.680 --> 0:37:50.000
<v Speaker 1>very important that because this is about information that instructions, right,

0:37:50.760 --> 0:37:54.480
<v Speaker 1>perhaps we can save the next producer side. There are

0:37:54.560 --> 0:37:57.839
<v Speaker 1>the slash producers from making the same mistake, and I'm

0:37:57.880 --> 0:38:02.319
<v Speaker 1>sure that Brad would welcome such. Let's see made is

0:38:02.360 --> 0:38:10.760
<v Speaker 1>the Night Studio album by Scaring goddamn It two thousand seven. Okay,

0:38:10.760 --> 0:38:16.000
<v Speaker 1>well are these credits. Let's see label producers. I played

0:38:16.040 --> 0:38:19.280
<v Speaker 1>the baseline and never Okay, let me let me find

0:38:20.160 --> 0:38:24.000
<v Speaker 1>the track listing in the producing production for each track,

0:38:24.280 --> 0:38:31.480
<v Speaker 1>play the guitar never never you o Joe drama boardy

0:38:33.239 --> 0:38:35.120
<v Speaker 1>is not that? No, that's not but I played the

0:38:35.120 --> 0:38:37.200
<v Speaker 1>base on their drama boy came with the with the

0:38:37.200 --> 0:38:40.560
<v Speaker 1>original beat. Alright, Joe did the drums over. I played

0:38:40.560 --> 0:38:43.520
<v Speaker 1>the base on the guitar on. Man, your name is

0:38:43.560 --> 0:38:46.919
<v Speaker 1>not on any of these made tracks. And then look

0:38:46.960 --> 0:38:49.200
<v Speaker 1>at look at Boy means Girl. That's me and my

0:38:49.280 --> 0:38:51.920
<v Speaker 1>uncle right there. Whoever put their name there is lying

0:38:52.680 --> 0:38:59.479
<v Speaker 1>Boy meets Girl? You know, Joe, John Beato, Mike Dean,

0:39:00.880 --> 0:39:03.839
<v Speaker 1>fucking Nope, so you know Joe didn't do it either.

0:39:04.760 --> 0:39:07.719
<v Speaker 1>Joe might have laid the drums to that ship from Heavyweight.

0:39:07.840 --> 0:39:12.920
<v Speaker 1>She just named man man Joe, Joe. I gotta get

0:39:13.000 --> 0:39:16.359
<v Speaker 1>Joe his card, man, but I can't get nobody else

0:39:16.400 --> 0:39:22.040
<v Speaker 1>to out out. Okay, So I'd like to You're just

0:39:22.239 --> 0:39:25.520
<v Speaker 1>from you know, the sake of argument, I'd like to

0:39:25.560 --> 0:39:28.640
<v Speaker 1>put up at least one moment to my first half balance,

0:39:29.800 --> 0:39:33.080
<v Speaker 1>which one go to my first album, first album. Here

0:39:33.120 --> 0:39:42.719
<v Speaker 1>we go, scar Faces, Joe's dope. Yeah, man, Hey, all

0:39:42.719 --> 0:39:46.920
<v Speaker 1>that ship was classic, man, but we just gotta be authentic,

0:39:47.000 --> 0:39:50.160
<v Speaker 1>man and just tell the truth. A lot of ship

0:39:50.480 --> 0:39:55.680
<v Speaker 1>that this game. That's that's everybody's so sensitive now. I'm

0:39:55.800 --> 0:39:58.200
<v Speaker 1>very sensitive now about my ship cause a lot of

0:39:58.239 --> 0:40:01.719
<v Speaker 1>motherfucker's put their names on my sho it and their

0:40:01.800 --> 0:40:04.120
<v Speaker 1>names ain't supposed to be next to my name on

0:40:04.280 --> 0:40:10.759
<v Speaker 1>my ship. Okay, okay. Track listing, here we go, Here

0:40:10.800 --> 0:40:18.120
<v Speaker 1>we go, emotion making. They don't even have the they

0:40:18.160 --> 0:40:24.880
<v Speaker 1>don't even have the production, can you okay? Okay? The

0:40:24.880 --> 0:40:32.960
<v Speaker 1>pim I did that Born Killer Simon did that Crazy

0:40:33.000 --> 0:40:37.720
<v Speaker 1>see Ye murdered by Reasons. I did insanity. Your ass

0:40:37.760 --> 0:40:40.479
<v Speaker 1>got too. I did that Diary of a mad Man,

0:40:41.360 --> 0:40:45.600
<v Speaker 1>Big Rolling from New Orleans did that big rolling body Snatchers.

0:40:46.080 --> 0:40:51.120
<v Speaker 1>I did that. Money in the Power Beato did that.

0:40:52.080 --> 0:40:56.160
<v Speaker 1>PT Peter Roling, I did that Good Girl going Back.

0:40:56.239 --> 0:40:59.360
<v Speaker 1>I did that a minute to pray and sad. I

0:40:59.360 --> 0:41:07.640
<v Speaker 1>did that. I'm dead, Simon did that? Okay? For the

0:41:07.719 --> 0:41:10.600
<v Speaker 1>songs that you named that you said I did that.

0:41:11.880 --> 0:41:14.839
<v Speaker 1>Was that any point in history where you saw someone

0:41:14.920 --> 0:41:19.120
<v Speaker 1>else's name credited? I mean, I think Doug King might

0:41:19.160 --> 0:41:22.280
<v Speaker 1>have his name attached to my ship. That's not true,

0:41:23.040 --> 0:41:27.520
<v Speaker 1>Doug King, he might have What did Doug do anyway? Man?

0:41:27.520 --> 0:41:35.440
<v Speaker 1>Because Doug, Doug, Doug is the same, He's the same

0:41:35.480 --> 0:41:38.560
<v Speaker 1>person that Mike Dean is. They are engineers that put

0:41:38.560 --> 0:41:41.759
<v Speaker 1>their name on your production. Because I was like, I

0:41:41.800 --> 0:41:45.440
<v Speaker 1>saw Doug King name on my tricks on me, I

0:41:45.520 --> 0:41:48.799
<v Speaker 1>did that ship? Get your name on my ship? I

0:41:48.840 --> 0:41:51.680
<v Speaker 1>did that ship. I did my mind playing tricks on me,

0:41:51.800 --> 0:41:55.800
<v Speaker 1>Duck king lyon. He's a fucking engineer, dude, he did ship.

0:41:57.080 --> 0:42:00.239
<v Speaker 1>That's me. Now go find us some most ship that

0:42:00.320 --> 0:42:03.920
<v Speaker 1>with Doug King name on it, and you can't because

0:42:03.960 --> 0:42:08.640
<v Speaker 1>that ship came out. That's me cold. If Doug was

0:42:08.640 --> 0:42:11.880
<v Speaker 1>sitting here right now, Doug kissed my motherfucking ass right now,

0:42:11.880 --> 0:42:13.759
<v Speaker 1>if he was sitting here because he didn't do that ship,

0:42:15.200 --> 0:42:23.839
<v Speaker 1>well guess what audience we got, Doug. You know it's

0:42:23.880 --> 0:42:30.640
<v Speaker 1>been rumored that, um, it's been rumored that I'm sharing

0:42:30.719 --> 0:42:35.400
<v Speaker 1>production on sex Faces. Oh and and I know for

0:42:35.480 --> 0:42:40.280
<v Speaker 1>a fact, you know, ABC another bad creation. That's another

0:42:40.320 --> 0:42:44.400
<v Speaker 1>brand creation. Mike Dean played some keys on it, but

0:42:44.480 --> 0:42:47.600
<v Speaker 1>for the most part, and you can ask Mike, I

0:42:47.640 --> 0:42:54.480
<v Speaker 1>did that? So how did that? How do we really

0:42:54.480 --> 0:42:58.480
<v Speaker 1>needed this problem? What do we do? We make motherfucker's

0:42:58.480 --> 0:43:02.759
<v Speaker 1>come clean, make him come clean and and tell the

0:43:02.760 --> 0:43:06.120
<v Speaker 1>truth and shame the devil. So after they come clean,

0:43:07.360 --> 0:43:10.640
<v Speaker 1>history must be correctly written. Right, So you have to

0:43:10.680 --> 0:43:14.080
<v Speaker 1>go back into those credits, and well you got to

0:43:14.120 --> 0:43:15.560
<v Speaker 1>go back. You can leave you you can leave the

0:43:15.600 --> 0:43:18.520
<v Speaker 1>credits like they are. Just no, you just want the

0:43:18.560 --> 0:43:20.560
<v Speaker 1>truth to be I just want the truth to be revealed,

0:43:20.560 --> 0:43:22.959
<v Speaker 1>because you know what, if you listen to anything else

0:43:22.960 --> 0:43:25.840
<v Speaker 1>that came out of anybody else's ship, it don't sound

0:43:25.880 --> 0:43:30.600
<v Speaker 1>like that. You know why, because you ain't built like that.

0:43:31.000 --> 0:43:36.400
<v Speaker 1>You ain't got that. I am the vibe. If you

0:43:36.400 --> 0:43:40.680
<v Speaker 1>ain't got the vibe, you're just recklessly making beats my nigga,

0:43:40.719 --> 0:43:43.799
<v Speaker 1>you got to have to vibe. I was born with

0:43:43.840 --> 0:43:46.239
<v Speaker 1>the vibe, man, vibe. That's why I ain't making no

0:43:46.360 --> 0:43:51.040
<v Speaker 1>beaks and no wraps no more. He got that vibe. Yeah, man,

0:43:51.200 --> 0:43:53.600
<v Speaker 1>you ain't got to vibe. No. I got the vibe,

0:43:53.640 --> 0:43:55.560
<v Speaker 1>but I'm gonna keep it to myself cause niggas keep

0:43:55.560 --> 0:44:00.759
<v Speaker 1>claiming my vibe no more. I mean, why not If

0:44:00.800 --> 0:44:06.400
<v Speaker 1>somebody's claiming your vibe, you know, why not? Why not

0:44:06.840 --> 0:44:09.719
<v Speaker 1>do something to stop him from claiming it? And just

0:44:09.760 --> 0:44:11.600
<v Speaker 1>can't tell you and get your vibe? You better do

0:44:11.600 --> 0:44:16.239
<v Speaker 1>another album. Perhaps I'll do your whole album. The first

0:44:16.280 --> 0:44:22.799
<v Speaker 1>of all, this is this is let me explain something

0:44:22.880 --> 0:44:25.960
<v Speaker 1>to you now. I ain't trying to leave this is.

0:44:26.040 --> 0:44:30.160
<v Speaker 1>This is the classic. This is rock and hide in

0:44:30.160 --> 0:44:32.840
<v Speaker 1>your hand right because he knows I'm about to tell

0:44:32.960 --> 0:44:36.600
<v Speaker 1>everybody that is asked is Lyne. Because he said this

0:44:36.840 --> 0:44:42.760
<v Speaker 1>at least Willie, I am not lying, told the same

0:44:42.840 --> 0:44:46.680
<v Speaker 1>line at least a half a dozen times, Willie. I'm

0:44:46.680 --> 0:44:50.960
<v Speaker 1>gonna produce your album, Willie. I'll produce it, William. And

0:44:51.000 --> 0:44:53.720
<v Speaker 1>so you know what you do when Brad start lying,

0:44:54.440 --> 0:44:57.359
<v Speaker 1>you just call him on it. This say all right, man, uh,

0:44:57.680 --> 0:45:02.360
<v Speaker 1>see you in the studio Monday. Man. Uh, like I

0:45:02.400 --> 0:45:07.759
<v Speaker 1>got to go out to Miami. Yeah, Man, yeah, Man

0:45:08.960 --> 0:45:13.360
<v Speaker 1>yeah Man uh yeah man Man. Man, you someone that

0:45:13.480 --> 0:45:18.319
<v Speaker 1>I'm young and the restless. It's always something. Man, my

0:45:18.400 --> 0:45:23.000
<v Speaker 1>knee hurt. I gotta go get some blood work. I

0:45:23.040 --> 0:45:24.920
<v Speaker 1>gotta go get some blood work. I gotta go do

0:45:25.000 --> 0:45:28.920
<v Speaker 1>a makeup show. I'm staying in the house because I'm

0:45:28.960 --> 0:45:31.280
<v Speaker 1>saying I'm staying in the house because they're saying smost

0:45:31.400 --> 0:45:34.520
<v Speaker 1>supposed to snow. You know, we don't get no snow

0:45:34.560 --> 0:45:48.240
<v Speaker 1>in Texas. Were in Houston. But anyway, man, we talked

0:45:48.239 --> 0:45:54.480
<v Speaker 1>about Drat, we talked about Puff. What about your working

0:45:54.480 --> 0:45:57.759
<v Speaker 1>relationship with t I. How did that go? What was that? Like?

0:45:57.840 --> 0:46:00.480
<v Speaker 1>It was kind of the same with did Man. He

0:46:00.640 --> 0:46:03.560
<v Speaker 1>was he were going through so much at that time.

0:46:03.640 --> 0:46:05.799
<v Speaker 1>At the time, he was kind of going through them

0:46:05.840 --> 0:46:09.040
<v Speaker 1>cases at the time, like I couldn't get a lot

0:46:09.040 --> 0:46:13.280
<v Speaker 1>of hand. It coincidentally happened around the same time, around

0:46:13.320 --> 0:46:16.840
<v Speaker 1>the time we went there. Shortly after that, you know,

0:46:16.920 --> 0:46:20.200
<v Speaker 1>he was in conservrating. Yeah, y'all did y'all wing with

0:46:22.440 --> 0:46:28.360
<v Speaker 1>down the album? That was I didn't know that, uh,

0:46:28.640 --> 0:46:31.399
<v Speaker 1>And then like you know, he got out and then

0:46:32.080 --> 0:46:36.839
<v Speaker 1>got inconsiderated again, and that it was during the time

0:46:36.880 --> 0:46:39.840
<v Speaker 1>we was over there. So where do y'all hear some

0:46:39.960 --> 0:46:43.040
<v Speaker 1>damn paper rentling and ship like crumbling down all that

0:46:43.040 --> 0:46:48.439
<v Speaker 1>old ship? Yea, hear some ship like that? Go ahead?

0:46:48.520 --> 0:46:51.200
<v Speaker 1>He got out, He got out. Yeah, man, he got out.

0:46:51.840 --> 0:46:54.839
<v Speaker 1>You know, the effort was there. You know, he put

0:46:55.080 --> 0:47:00.120
<v Speaker 1>great album, great effort. The album was most definitely out

0:47:00.160 --> 0:47:03.520
<v Speaker 1>of the alum um. But I think it was kind

0:47:03.520 --> 0:47:08.239
<v Speaker 1>of lost in the publicity of you know, what he

0:47:08.320 --> 0:47:10.080
<v Speaker 1>had going on. You know, it was kind of bigger

0:47:10.080 --> 0:47:14.879
<v Speaker 1>than what we were doing at the same time. Yeah,

0:47:14.960 --> 0:47:25.960
<v Speaker 1>e forty too short. I asq snooped up m Mount Westmore?

0:47:27.360 --> 0:47:36.480
<v Speaker 1>Who is you guys? Is Mount Well? Mount ten Moore, Tennessee? Well,

0:47:36.480 --> 0:47:41.839
<v Speaker 1>you know he goes fulheads on the mountain. You don't

0:47:41.840 --> 0:47:44.960
<v Speaker 1>know I'm talking about Tennessee, Tennessee, because you know, you

0:47:45.200 --> 0:47:46.719
<v Speaker 1>got you got some, you got some cats out, you

0:47:46.800 --> 0:47:51.520
<v Speaker 1>got some I got And also Forgotti and don't don't

0:47:51.960 --> 0:47:53.920
<v Speaker 1>don't forget the youngsters. You know what I'm saying. I

0:47:54.040 --> 0:47:57.640
<v Speaker 1>got out there. That's that's doing it too. Who's on

0:47:57.719 --> 0:48:03.440
<v Speaker 1>your in there? If going all the way back to

0:48:03.480 --> 0:48:08.320
<v Speaker 1>the beginning Spanish fly Yeah, I would have to start

0:48:08.360 --> 0:48:14.600
<v Speaker 1>off with with with cats like um Gangster pet Oh

0:48:14.719 --> 0:48:22.120
<v Speaker 1>my god, got about three six pretty toning Player Flayer

0:48:22.239 --> 0:48:31.640
<v Speaker 1>fly Um player fly Yeah man three six. Um Project

0:48:31.719 --> 0:48:37.440
<v Speaker 1>Pat is my guy. I love Project DJ Squeaky Squeak.

0:48:37.560 --> 0:48:42.400
<v Speaker 1>He's definitely the creator of too thick Um the sound.

0:48:43.120 --> 0:48:52.400
<v Speaker 1>Yeah yeah man. Uh and like um Dolph Dolph is

0:48:52.440 --> 0:48:59.239
<v Speaker 1>a fool dog money bag Um you said, got it? Yeah,

0:49:01.600 --> 0:49:06.040
<v Speaker 1>Gotti is a fool GUARDI of course, uh, Gotti a

0:49:06.280 --> 0:49:10.400
<v Speaker 1>fool and um And you know it's a lot. You know,

0:49:10.440 --> 0:49:12.399
<v Speaker 1>we're kind of making a lot of noise right now,

0:49:12.520 --> 0:49:17.960
<v Speaker 1>so we're really trying to keep up. Yeah. Well, I

0:49:18.000 --> 0:49:24.680
<v Speaker 1>know that Um Memphis is Um Isaac Hayes right the parcades,

0:49:25.800 --> 0:49:30.560
<v Speaker 1>um Stax Records, stacks. But it's one Memphis artist that

0:49:30.800 --> 0:49:34.000
<v Speaker 1>I want to mention, but I don't want to mention

0:49:34.040 --> 0:49:40.319
<v Speaker 1>by name. Okay, all right, but his last name is Presley,

0:49:40.920 --> 0:49:44.520
<v Speaker 1>And I want to personally say Elvis was a hero

0:49:44.680 --> 0:49:49.400
<v Speaker 1>the most, but he never means to me. Simpling Plane

0:49:50.000 --> 0:49:53.920
<v Speaker 1>straight up races motherfuck him and John Wayne because I'm

0:49:53.960 --> 0:50:00.520
<v Speaker 1>black and I'm proud most of my hero don't appear

0:50:00.560 --> 0:50:03.880
<v Speaker 1>on no stamps. Have you ever been out to Grace Land?

0:50:04.880 --> 0:50:08.960
<v Speaker 1>I have not. No, have you ever y'all never been there? Wow,

0:50:09.120 --> 0:50:13.480
<v Speaker 1>I'm gonna tell you the truth. Tell me all right.

0:50:14.080 --> 0:50:15.839
<v Speaker 1>You know when you walk past it? No, no, I said,

0:50:15.840 --> 0:50:18.880
<v Speaker 1>we've walked pasting the drove past. We don't live in

0:50:18.880 --> 0:50:21.879
<v Speaker 1>that area, so we're only you're not even allowed over

0:50:21.880 --> 0:50:24.879
<v Speaker 1>the hunt. Oh no, it's a straight tourist like it's

0:50:25.280 --> 0:50:29.320
<v Speaker 1>they it's I've seen the damn plane over there with it.

0:50:29.680 --> 0:50:32.279
<v Speaker 1>Then he was making when they got his plane over there,

0:50:32.719 --> 0:50:35.800
<v Speaker 1>They got a new stadium, all type of hotels. But

0:50:35.880 --> 0:50:38.799
<v Speaker 1>it really but it's on the main part about it.

0:50:38.920 --> 0:50:41.200
<v Speaker 1>At the house, it's like sitting on West Him. They

0:50:41.200 --> 0:50:44.160
<v Speaker 1>caught it, but it don't really look that big. It was.

0:50:44.600 --> 0:50:51.839
<v Speaker 1>It was that was a man. The house my mom

0:50:51.960 --> 0:50:56.240
<v Speaker 1>working sixty years look exactly like that John, same size

0:50:56.280 --> 0:50:59.520
<v Speaker 1>and everything you feel and but on the elves pressly

0:50:59.560 --> 0:51:03.000
<v Speaker 1>no man uh. I used to watch his movies. Man,

0:51:03.040 --> 0:51:05.480
<v Speaker 1>when I was a kid, I was at home alone

0:51:05.600 --> 0:51:09.600
<v Speaker 1>a lot, you know, mom working and stuff. And Elvis

0:51:09.719 --> 0:51:13.400
<v Speaker 1>was a funny dude man, Like it's funny how you

0:51:13.440 --> 0:51:16.120
<v Speaker 1>make you laugh. You hear the music, just how he

0:51:16.320 --> 0:51:21.720
<v Speaker 1>was the it's the Hollywood machine and what they made

0:51:21.719 --> 0:51:24.600
<v Speaker 1>of him, you know what I mean. And it's just

0:51:24.600 --> 0:51:28.239
<v Speaker 1>just it's funny man, that's all. So he's he's like

0:51:28.440 --> 0:51:31.319
<v Speaker 1>f U d D Why fuddyduddy d u d D?

0:51:31.320 --> 0:51:35.200
<v Speaker 1>Why Buddy Duddy? Just fucking you know. He was the

0:51:36.840 --> 0:51:39.400
<v Speaker 1>he was the playboy in every one of his movies,

0:51:39.480 --> 0:51:41.440
<v Speaker 1>Like he got all the girls. What about when he

0:51:41.480 --> 0:51:43.480
<v Speaker 1>got fat though, when he got fatty, he had a

0:51:43.480 --> 0:51:46.799
<v Speaker 1>big hands lamp. But some things went right here he

0:51:46.840 --> 0:51:54.239
<v Speaker 1>was he wasn't in the movie mud that right there,

0:51:54.800 --> 0:51:57.719
<v Speaker 1>muddon ud. Yeah. I don't think he did too many

0:51:57.760 --> 0:52:01.040
<v Speaker 1>movies when he got to the fatty. Wasn't that Ba

0:52:01.160 --> 0:52:03.160
<v Speaker 1>was eating them hamburgers. They watch that Bobby keep playing

0:52:03.239 --> 0:52:07.399
<v Speaker 1>cross street from Elvin's house for hamburger joining something that's

0:52:07.400 --> 0:52:12.200
<v Speaker 1>close by Elvin's house by the plane. Well that was

0:52:12.280 --> 0:52:13.799
<v Speaker 1>that was so long ago. They might have told that

0:52:13.880 --> 0:52:18.440
<v Speaker 1>mother down to be at the stadium stuff. Yeah, so much. Yeah,

0:52:18.520 --> 0:52:21.439
<v Speaker 1>because when we were going out to Memphis like back then,

0:52:21.719 --> 0:52:24.600
<v Speaker 1>really like it wasn't a whole lot of ship out there.

0:52:25.239 --> 0:52:27.320
<v Speaker 1>And now you said they got baseball stadiums and ship

0:52:27.760 --> 0:52:32.400
<v Speaker 1>oh yeah, memphiss. Really it transitions, like you know, it

0:52:32.440 --> 0:52:38.200
<v Speaker 1>ain't aged town, aged town, y'all lost that he grew

0:52:38.640 --> 0:52:43.760
<v Speaker 1>changed so much from twenty years ago. But yeah, man's

0:52:43.800 --> 0:52:46.920
<v Speaker 1>just uh growing all the time. You know, we distributed,

0:52:48.040 --> 0:52:51.880
<v Speaker 1>so it's it's man, go by that ship, y'all Amazon

0:52:52.040 --> 0:52:54.319
<v Speaker 1>and all that time, Man go by this ship. Man,

0:52:54.320 --> 0:52:58.280
<v Speaker 1>it's coming, it's coming. Go go to the the niggerish

0:52:58.600 --> 0:53:01.960
<v Speaker 1>neighborhood you can find and if you see an empty lot,

0:53:02.040 --> 0:53:04.319
<v Speaker 1>just buy it, just buy and have it. That's in

0:53:04.360 --> 0:53:05.920
<v Speaker 1>case they want to tell that ship down to put

0:53:05.960 --> 0:53:08.200
<v Speaker 1>them all that. You gotta spot there and they're gonna

0:53:08.200 --> 0:53:13.440
<v Speaker 1>have to bid for by that ship. Man. Yeah you

0:53:13.480 --> 0:53:17.799
<v Speaker 1>weren't on a new project, Yeah you are? Yeah yeah

0:53:17.880 --> 0:53:21.239
<v Speaker 1>yeah man. You know what, even if it ain't gonna

0:53:21.239 --> 0:53:25.000
<v Speaker 1>come out, we are always doing work. How many how many?

0:53:25.120 --> 0:53:28.120
<v Speaker 1>How many albums? Records? How many records you think that

0:53:28.239 --> 0:53:33.040
<v Speaker 1>you have, but like that hasn't come out. That's it's

0:53:33.040 --> 0:53:37.240
<v Speaker 1>in the arsenal ship. I probably got a three albums,

0:53:37.239 --> 0:53:45.279
<v Speaker 1>four albums. You got about four albums. I got more,

0:53:45.280 --> 0:53:53.120
<v Speaker 1>probably more than that. I got a studio in my house, Willie,

0:53:53.120 --> 0:53:57.320
<v Speaker 1>before I unplugged all that ship, I'll just be making music,

0:53:57.520 --> 0:53:59.600
<v Speaker 1>making songs. But now I don't even go up there,

0:53:59.600 --> 0:54:03.560
<v Speaker 1>and no more. I fucking unplugged that ship a little. Recording, man,

0:54:04.480 --> 0:54:08.879
<v Speaker 1>I hate recording now a little. I think it got

0:54:08.920 --> 0:54:13.439
<v Speaker 1>too difficult because when ship went digital, you know, computer SS.

0:54:13.480 --> 0:54:16.799
<v Speaker 1>I got SSL in my house. You got computers and

0:54:17.040 --> 0:54:19.400
<v Speaker 1>SSL s, and I adn't never been able to do

0:54:19.480 --> 0:54:23.040
<v Speaker 1>nothing this stuff. I'm lost without an engineer. I'm just

0:54:25.480 --> 0:54:29.880
<v Speaker 1>during the pandemic. I learned proteols, and yeah, I learned proteols.

0:54:30.120 --> 0:54:35.680
<v Speaker 1>I learned SSL long time ago. When I first bought

0:54:35.719 --> 0:54:39.200
<v Speaker 1>my studio, I had an engineering there and I used

0:54:39.239 --> 0:54:42.200
<v Speaker 1>to have to wait on him to do anything. I

0:54:42.200 --> 0:54:47.799
<v Speaker 1>couldn't do nothing. Very I felt hopeless, and one day

0:54:48.239 --> 0:54:50.440
<v Speaker 1>I asked him, I said, man, show me how to

0:54:50.480 --> 0:54:53.080
<v Speaker 1>work this day. He's like, well, you know, man, if

0:54:53.080 --> 0:54:55.640
<v Speaker 1>I show you how to work it, you know it'd

0:54:55.640 --> 0:54:57.200
<v Speaker 1>be easier for me to just do it, man, because

0:54:57.200 --> 0:54:59.600
<v Speaker 1>it's gonna takes so lots of man. That was insulting

0:54:59.680 --> 0:55:02.600
<v Speaker 1>my elligence. And I was like, man, just show I

0:55:02.680 --> 0:55:10.200
<v Speaker 1>was like that was a job security response, right, So

0:55:10.239 --> 0:55:12.439
<v Speaker 1>I was like, man, just show me how to work it.

0:55:12.880 --> 0:55:16.200
<v Speaker 1>And so the man refused to show me. He always

0:55:16.239 --> 0:55:20.000
<v Speaker 1>had an excuse. So one day I just started, like

0:55:20.840 --> 0:55:24.160
<v Speaker 1>I asked another producer engineer to come over and show

0:55:24.239 --> 0:55:26.200
<v Speaker 1>me how to work it. So I had an engineer

0:55:26.239 --> 0:55:28.839
<v Speaker 1>coming over every day just showing me. And each day

0:55:28.880 --> 0:55:31.799
<v Speaker 1>I learned one or two things. You know, you could

0:55:31.800 --> 0:55:35.000
<v Speaker 1>start off with, how to turn the volume up, turn

0:55:35.080 --> 0:55:37.919
<v Speaker 1>it down, how to fade, you know, and just and

0:55:37.920 --> 0:55:41.520
<v Speaker 1>and as you as I learned, I just it just

0:55:41.600 --> 0:55:45.520
<v Speaker 1>kept growing and growing and growing to one day he

0:55:45.600 --> 0:55:47.640
<v Speaker 1>called me and said, hey, we are man. How you

0:55:47.680 --> 0:55:51.080
<v Speaker 1>do this? I got so good that I became a

0:55:51.080 --> 0:55:53.239
<v Speaker 1>better engineer than he was. And I remember when I

0:55:53.280 --> 0:55:56.200
<v Speaker 1>first started, I used to look at dudes doing the

0:55:56.239 --> 0:55:58.080
<v Speaker 1>engineer and stuff, and I thought, man, you had to

0:55:58.080 --> 0:56:00.040
<v Speaker 1>be a genius. I thought you had to be a

0:56:00.120 --> 0:56:02.680
<v Speaker 1>genius to do that. But then I saw Brad doing it.

0:56:02.760 --> 0:56:04.880
<v Speaker 1>I was like, you can do it. I can do

0:56:04.920 --> 0:56:09.799
<v Speaker 1>it because if you put us in the room right now,

0:56:10.800 --> 0:56:13.600
<v Speaker 1>think about us, I can record your whole Yeah, we'll

0:56:13.640 --> 0:56:15.080
<v Speaker 1>come out. We don't need you can record it. We

0:56:15.120 --> 0:56:17.680
<v Speaker 1>don't need. You don't need to produce a engine that

0:56:17.760 --> 0:56:19.399
<v Speaker 1>you put us on the room. We can come out

0:56:19.400 --> 0:56:25.840
<v Speaker 1>with all no ship. That's impressive. Everybody in this room,

0:56:26.040 --> 0:56:29.200
<v Speaker 1>everybody you know, But that's a that's a thing like

0:56:29.239 --> 0:56:31.200
<v Speaker 1>a lot of you know, we can go in the

0:56:31.360 --> 0:56:35.800
<v Speaker 1>room beats everything. Don't uh if you got pro tools

0:56:35.880 --> 0:56:37.719
<v Speaker 1>or whatever it is. Man, he don't show you how

0:56:37.760 --> 0:56:39.480
<v Speaker 1>to do that. I paid thing. If you got a

0:56:39.560 --> 0:56:42.640
<v Speaker 1>booth and all they fired that nigga. Man, you know what,

0:56:42.640 --> 0:56:47.120
<v Speaker 1>I ain't no good engineer, you know, show you that thing.

0:56:47.680 --> 0:56:52.919
<v Speaker 1>Mike Dean, Mike Dean. It's probably one of the best

0:56:52.960 --> 0:56:57.640
<v Speaker 1>engineers in the world. Yeah, I give him that. And

0:56:57.680 --> 0:57:00.399
<v Speaker 1>he's probably one of the best musicians too. He could

0:57:00.400 --> 0:57:05.800
<v Speaker 1>play every thing. It's nothing that he can't play. Yeah. Stevo,

0:57:06.280 --> 0:57:10.839
<v Speaker 1>that called Stevo. That's my personal engineer. And I can't

0:57:10.840 --> 0:57:14.399
<v Speaker 1>record without Stevo. Yeah, Like we've been doing this ship

0:57:14.480 --> 0:57:18.200
<v Speaker 1>so long together until he already know. It's a chemistry.

0:57:18.200 --> 0:57:21.840
<v Speaker 1>It's a chemistry with me and Stevo as engineers. You know.

0:57:21.960 --> 0:57:23.720
<v Speaker 1>So even though I know how to work that ship

0:57:23.800 --> 0:57:25.520
<v Speaker 1>or I know how to mix that ship or whatever,

0:57:26.040 --> 0:57:28.720
<v Speaker 1>I still have dude in there. I don't even you know,

0:57:29.680 --> 0:57:32.520
<v Speaker 1>I gotta have him in there because and make it

0:57:32.560 --> 0:57:35.560
<v Speaker 1>and make the make it, make it way smooth engineer

0:57:35.600 --> 0:57:39.880
<v Speaker 1>that know you, It just makes it flow smoothing. It's

0:57:39.880 --> 0:57:42.440
<v Speaker 1>that much. Even though I know how to do it,

0:57:42.760 --> 0:57:44.760
<v Speaker 1>I don't want to do it. M I want to

0:57:44.800 --> 0:57:49.120
<v Speaker 1>grab that. Yeah, pop quiz, what is the name of

0:57:49.240 --> 0:57:56.560
<v Speaker 1>the very first hip hop song album that Mike Dean

0:57:57.760 --> 0:58:02.880
<v Speaker 1>produced them? The very first hip album? Mhm, it had

0:58:02.960 --> 0:58:08.040
<v Speaker 1>to be uh my street life song? Was it a

0:58:08.160 --> 0:58:12.440
<v Speaker 1>rap a lot album? It was a rap a lout album?

0:58:15.120 --> 0:58:22.920
<v Speaker 1>The first Girl Boy three two? Nope, I'm just getting

0:58:23.000 --> 0:58:28.800
<v Speaker 1>gangster Nope, nope. Who Willie d going out like a soldier?

0:58:28.960 --> 0:58:34.240
<v Speaker 1>Willie I didn't Street life and ninety fucking one or two.

0:58:35.360 --> 0:58:38.360
<v Speaker 1>You see, I forgot about that ship. Just what I'm saying.

0:58:38.400 --> 0:58:41.400
<v Speaker 1>So I did, I did, but I did going out

0:58:41.400 --> 0:58:44.280
<v Speaker 1>like a soldier ninety two. So if you did street life,

0:58:44.640 --> 0:58:50.040
<v Speaker 1>you always did your records after mine, right a wrong?

0:58:51.360 --> 0:58:53.880
<v Speaker 1>Right a wrong? I don't even know when you do.

0:58:53.920 --> 0:58:56.680
<v Speaker 1>You always drop you always dropped your records after I

0:58:56.720 --> 0:59:06.240
<v Speaker 1>don't even know album. And I'm trying to think. He

0:59:06.960 --> 0:59:10.120
<v Speaker 1>always tried to act like he don't know ship, but

0:59:10.200 --> 0:59:12.240
<v Speaker 1>he be he This is the one they going on

0:59:12.360 --> 0:59:16.440
<v Speaker 1>like I sold you come out this one. This is

0:59:16.480 --> 0:59:19.080
<v Speaker 1>like one of the most snooping motherfucker's you're gonna have

0:59:19.120 --> 0:59:23.960
<v Speaker 1>a meet in your life snooping snooping. This motherfucker a man,

0:59:25.080 --> 0:59:28.200
<v Speaker 1>he'd be looking and looking at snooping, like trying to

0:59:28.200 --> 0:59:31.360
<v Speaker 1>figure out what's the hell going on? So he played

0:59:31.360 --> 0:59:36.560
<v Speaker 1>country dumb, but he knows what's going on. Yeah, yeah, yeah,

0:59:36.640 --> 0:59:39.880
<v Speaker 1>that's thinking this ship man eating canny and ship while

0:59:39.880 --> 0:59:42.840
<v Speaker 1>we're doing an interview. That's all that throwing y'all right there,

0:59:42.880 --> 0:59:45.040
<v Speaker 1>because you think, man, who the hell sits up and

0:59:45.040 --> 0:59:50.000
<v Speaker 1>eat candy while conducting not not not doing interview, while

0:59:50.120 --> 0:59:56.320
<v Speaker 1>conducting an interview, He's keeping it real. This guy's keeping

0:59:56.360 --> 1:00:03.480
<v Speaker 1>it like, yeah, it's got a conductor. Are you Are

1:00:03.520 --> 1:00:06.320
<v Speaker 1>you even supposed to be eating candy? Man? Listen, Willie,

1:00:07.960 --> 1:00:12.160
<v Speaker 1>we talked about this. You talked about this, you know,

1:00:12.200 --> 1:00:15.320
<v Speaker 1>because look, man, I mean I I called Chris right

1:00:15.360 --> 1:00:18.280
<v Speaker 1>now and telling the report that kidneys. If you called

1:00:18.320 --> 1:00:22.360
<v Speaker 1>Chris Nick bring his ass up here. We got to

1:00:22.400 --> 1:00:23.920
<v Speaker 1>get me because we we got to take care of

1:00:23.960 --> 1:00:26.280
<v Speaker 1>that kidney. Man. You can't be just getting that kid

1:00:26.640 --> 1:00:29.720
<v Speaker 1>sucking it up, just eating whatever you want to eat. Man,

1:00:29.760 --> 1:00:31.640
<v Speaker 1>we got to go through all this ship again. Man

1:00:32.720 --> 1:00:35.560
<v Speaker 1>trying to do all that in the hospital. You're gonna

1:00:35.560 --> 1:00:39.680
<v Speaker 1>take it back, I called him. And it took nine

1:00:39.720 --> 1:00:45.840
<v Speaker 1>hours to get my kidney putting in right next day.

1:00:45.840 --> 1:00:51.600
<v Speaker 1>Really came up down in the hospital. Yeah, he was

1:00:51.640 --> 1:00:54.600
<v Speaker 1>just fucking shocked because I went from a nigger on

1:00:54.640 --> 1:01:02.080
<v Speaker 1>his deathbed, a nigga bouncing off the walls. Back. Hey,

1:01:02.160 --> 1:01:03.880
<v Speaker 1>that boy was happy. He was scared though when he

1:01:03.920 --> 1:01:05.960
<v Speaker 1>was before he went into the knife, he was skinned.

1:01:06.160 --> 1:01:10.680
<v Speaker 1>I wasn't scared. Mann to the knife, man, Brad, look man, listen.

1:01:11.640 --> 1:01:14.640
<v Speaker 1>Brad called to me like, hey, Willie, I love you, man,

1:01:15.120 --> 1:01:20.120
<v Speaker 1>I know your man. I don't even like Willie, so

1:01:20.200 --> 1:01:24.400
<v Speaker 1>I know for a fact I didn't say that. I

1:01:24.400 --> 1:01:29.040
<v Speaker 1>didn't say that, Willie. I don't even know what. I

1:01:29.120 --> 1:01:31.960
<v Speaker 1>was walking my dog when COVID first came out, when

1:01:32.000 --> 1:01:33.920
<v Speaker 1>you got coble, you remember that. You don't even remember that.

1:01:34.320 --> 1:01:36.720
<v Speaker 1>And I was face taying you. He was like, ball,

1:01:36.840 --> 1:01:39.560
<v Speaker 1>go back in the house. I don't even walk the dog.

1:01:40.200 --> 1:01:44.920
<v Speaker 1>Go back in the house walking to down. Man, go

1:01:45.000 --> 1:01:47.680
<v Speaker 1>back in the house. In the house. I'm telling you,

1:01:48.520 --> 1:01:53.600
<v Speaker 1>real man, it's just real man. Real. Yeah, he knows

1:01:53.600 --> 1:01:55.480
<v Speaker 1>what he said. He know. I know the truth. He

1:01:55.520 --> 1:01:59.200
<v Speaker 1>knows the truth. But hey, man, but I'm glad you're here.

1:01:59.280 --> 1:02:05.120
<v Speaker 1>Brom and I always it was a success. We get

1:02:05.120 --> 1:02:08.680
<v Speaker 1>more success, But I'm not glad I'm here with Willie.

1:02:09.600 --> 1:02:16.640
<v Speaker 1>Ye man, y'all love each other like brothers, like dog. Yeah,

1:02:18.920 --> 1:02:23.160
<v Speaker 1>don't be shane a little each other like that. You know,

1:02:23.240 --> 1:02:30.080
<v Speaker 1>it's real man that be here with that bullish. That's

1:02:31.880 --> 1:02:35.240
<v Speaker 1>that's why if if I'm ever in a place where

1:02:35.240 --> 1:02:39.160
<v Speaker 1>we're having a gathering, and you know, I know, and

1:02:39.240 --> 1:02:42.320
<v Speaker 1>I know, and I know it's a favorite dish that

1:02:42.360 --> 1:02:44.120
<v Speaker 1>he wanted to make sure you eat all that ship

1:02:44.720 --> 1:02:47.120
<v Speaker 1>you come. That's how you do. That's how you get

1:02:47.160 --> 1:02:49.760
<v Speaker 1>them back. These are the type of things that people

1:02:49.800 --> 1:02:52.280
<v Speaker 1>can't get over. You can't get over, get get over

1:02:53.120 --> 1:02:56.080
<v Speaker 1>kind of shootings and stuff. But you eat that that

1:02:56.200 --> 1:03:01.520
<v Speaker 1>last become fine. Some areas that are what did you

1:03:01.600 --> 1:03:10.160
<v Speaker 1>call it? Okay? Yeah, because we caught it, but at

1:03:10.160 --> 1:03:15.840
<v Speaker 1>a certain points of the country they say, yeah, it

1:03:16.000 --> 1:03:20.640
<v Speaker 1>was such a um mhm. It was such an honor

1:03:21.240 --> 1:03:24.000
<v Speaker 1>and a pleasure to be able to to just watch

1:03:24.040 --> 1:03:27.360
<v Speaker 1>the growth of eight Ball and m j G. You

1:03:27.440 --> 1:03:33.640
<v Speaker 1>know from um the way that that album coming out

1:03:33.680 --> 1:03:37.360
<v Speaker 1>hard you know, and just watching the coming out hard,

1:03:37.520 --> 1:03:40.280
<v Speaker 1>you know, in the transition into space, age's pimping and

1:03:40.440 --> 1:03:45.760
<v Speaker 1>you know, just it's just big records. Man. That was wow. Wow,

1:03:45.920 --> 1:03:49.160
<v Speaker 1>just rap styles, different cadences and and niggas just just

1:03:49.240 --> 1:03:51.320
<v Speaker 1>knew how to Niggas from the South that knew how

1:03:51.360 --> 1:03:56.640
<v Speaker 1>to control the mike, you know, MCing, mike controlling, you know,

1:03:57.040 --> 1:04:00.840
<v Speaker 1>handling it and and and I of the growth. Man.

1:04:00.920 --> 1:04:03.720
<v Speaker 1>I remember came over to the house that y'all was

1:04:03.760 --> 1:04:06.360
<v Speaker 1>living in off a beach that back there by what's

1:04:06.400 --> 1:04:13.240
<v Speaker 1>that ship called fun Plex shooting basketball man. Y'all, y'all

1:04:13.280 --> 1:04:16.600
<v Speaker 1>nigga was working in that studio, bro trying to garage

1:04:16.360 --> 1:04:18.760
<v Speaker 1>and turning the garage to a studio and just just

1:04:19.040 --> 1:04:22.520
<v Speaker 1>that transition right, just watching y'all do that ship man

1:04:22.720 --> 1:04:27.160
<v Speaker 1>was was was inspirational, you know to me too. You know, like, man,

1:04:27.200 --> 1:04:30.080
<v Speaker 1>these niggas is going to day doing it in the garage. Man,

1:04:30.680 --> 1:04:33.960
<v Speaker 1>And we was doing Ship and in in in the studio.

1:04:34.040 --> 1:04:37.400
<v Speaker 1>After that first album, we was going to big studios

1:04:37.480 --> 1:04:41.280
<v Speaker 1>and spending money. But y'all, y'all, Ship was sounding you know,

1:04:41.560 --> 1:04:44.440
<v Speaker 1>just as good, if not better out the garage. You know,

1:04:44.720 --> 1:04:47.520
<v Speaker 1>we was we was maning. We was following y'all day. Man,

1:04:48.440 --> 1:04:52.120
<v Speaker 1>you can best believe we looked at y'a all the

1:04:52.160 --> 1:04:55.120
<v Speaker 1>same way. Like from the south, y'all was not just

1:04:55.200 --> 1:04:57.760
<v Speaker 1>on it from the south of y'all as substance, and

1:04:58.200 --> 1:05:00.480
<v Speaker 1>that was probably the most important quarter of and you

1:05:00.560 --> 1:05:03.960
<v Speaker 1>know and everything ghetto boys substance. And then you see

1:05:04.000 --> 1:05:06.800
<v Speaker 1>all this stuff we just named when you was saying

1:05:06.800 --> 1:05:10.960
<v Speaker 1>that thing like we was like and we was real fans,

1:05:11.080 --> 1:05:15.720
<v Speaker 1>man like for real, for real, like of that whole movement.

1:05:15.800 --> 1:05:19.160
<v Speaker 1>Man like all them artists Man k ring No, and

1:05:19.200 --> 1:05:23.440
<v Speaker 1>I don't even know if he was he was he

1:05:23.520 --> 1:05:29.760
<v Speaker 1>was a lot of stuff with like yeah three too. Yeah,

1:05:30.000 --> 1:05:32.040
<v Speaker 1>but man, we listened to all of that, man, I'm

1:05:32.040 --> 1:05:34.800
<v Speaker 1>talking about and that that that a lot of the

1:05:35.080 --> 1:05:39.439
<v Speaker 1>music and stuff. Uh, it shaped a lot of what

1:05:39.520 --> 1:05:42.080
<v Speaker 1>we became and what we were doing as well. You

1:05:42.080 --> 1:05:47.640
<v Speaker 1>know that Yeah, that whole um, the atmosphere that was

1:05:47.680 --> 1:05:52.040
<v Speaker 1>created with all these groups working together. You know, uh,

1:05:52.080 --> 1:05:55.400
<v Speaker 1>that that that was being emulated, man, not only by us,

1:05:55.400 --> 1:05:58.520
<v Speaker 1>but by all the people who you know, don't admit it,

1:05:58.600 --> 1:06:01.400
<v Speaker 1>but man, they got that from I think you know

1:06:01.560 --> 1:06:05.080
<v Speaker 1>Rabber Rabber the first that was the that was the

1:06:05.120 --> 1:06:09.080
<v Speaker 1>first step. That was you know what I mean, honestly, man,

1:06:09.160 --> 1:06:11.800
<v Speaker 1>we were pattned a lot of I grow from the

1:06:12.000 --> 1:06:16.240
<v Speaker 1>man because we went from the garage studios to the

1:06:16.240 --> 1:06:19.480
<v Speaker 1>big joints, and you know, you end up finding out

1:06:19.520 --> 1:06:22.720
<v Speaker 1>that the garage John's are where we want to be.

1:06:23.320 --> 1:06:25.720
<v Speaker 1>That I mean, I to paying all that money for

1:06:25.800 --> 1:06:29.720
<v Speaker 1>them big studios and all that. But we, man, we followed,

1:06:29.760 --> 1:06:32.919
<v Speaker 1>you know, followed y'all pals man, you know, like y'all. Yeah,

1:06:32.920 --> 1:06:35.240
<v Speaker 1>we did the whole on Top of the World album

1:06:35.360 --> 1:06:38.440
<v Speaker 1>in a bedroom, and that's because we was in the

1:06:38.480 --> 1:06:41.040
<v Speaker 1>transition to move into another spot. You know, we had

1:06:41.080 --> 1:06:43.240
<v Speaker 1>already been using the big studio and all that the

1:06:43.320 --> 1:06:45.800
<v Speaker 1>last couple of albums, but we was in the process

1:06:45.800 --> 1:06:48.000
<v Speaker 1>of moving, so we had to go through our studio

1:06:48.680 --> 1:06:51.600
<v Speaker 1>that was in Garge And so we did that whole

1:06:51.640 --> 1:06:56.360
<v Speaker 1>album in a in a third bedroom. Uh and uh

1:06:56.520 --> 1:07:00.760
<v Speaker 1>our girl Katie, Katie may house and she still lives

1:07:00.760 --> 1:07:05.160
<v Speaker 1>in the same residence right now. So Louise, I don't

1:07:05.240 --> 1:07:09.320
<v Speaker 1>man and one of them bed room. We just say

1:07:09.360 --> 1:07:11.760
<v Speaker 1>that the same man. You know, it's musical, man, to

1:07:11.880 --> 1:07:15.600
<v Speaker 1>love the the respect and everything. Man, it's musical. Man,

1:07:16.560 --> 1:07:22.080
<v Speaker 1>it wouldn't be no us without yall without really, at

1:07:22.120 --> 1:07:26.520
<v Speaker 1>some point a good student will become a teacher. And

1:07:26.600 --> 1:07:29.960
<v Speaker 1>that's a testament to the statement that people make oftentimes

1:07:30.000 --> 1:07:32.560
<v Speaker 1>when they reference you guys, they say that you guys

1:07:32.600 --> 1:07:37.440
<v Speaker 1>have laid the foundation of the Southern Sound today today sound.

1:07:38.000 --> 1:07:44.960
<v Speaker 1>How do y'all feel about that statement? Man? It's uh,

1:07:45.320 --> 1:07:47.240
<v Speaker 1>you know, we just makes you go back and think,

1:07:48.360 --> 1:07:53.520
<v Speaker 1>um about how long you've been doing it, um, and

1:07:53.560 --> 1:07:57.960
<v Speaker 1>maybe the influence maybe uh, you know, I look at

1:07:57.960 --> 1:08:02.960
<v Speaker 1>it like, um, maybe you know I understand because you

1:08:03.480 --> 1:08:05.600
<v Speaker 1>you know, we knew how them times was back then,

1:08:05.960 --> 1:08:10.080
<v Speaker 1>you know, coming from the South, and uh, it wasn't

1:08:10.120 --> 1:08:12.479
<v Speaker 1>a lot of representation for the South, you know, like

1:08:12.880 --> 1:08:15.600
<v Speaker 1>you know, the East Coast had a grip on the game,

1:08:15.760 --> 1:08:21.280
<v Speaker 1>you know. Yeah, first feature I heard south to East

1:08:21.320 --> 1:08:25.000
<v Speaker 1>Coast you and cool Gi rap Yeah, and that we

1:08:25.040 --> 1:08:26.679
<v Speaker 1>did that on and we did that on the West

1:08:26.720 --> 1:08:29.760
<v Speaker 1>Coast and I never heard that before, like the East

1:08:29.800 --> 1:08:33.559
<v Speaker 1>Coast and somebody like him, somebody from the South, you know,

1:08:34.040 --> 1:08:37.519
<v Speaker 1>and you don't want to uh diverse that that bill

1:08:38.120 --> 1:08:42.720
<v Speaker 1>late for Coogi rap I wrote that did you know

1:08:42.760 --> 1:08:46.559
<v Speaker 1>that Willie No, he wanted to vaguely remember something like

1:08:46.600 --> 1:08:50.000
<v Speaker 1>that happening now really really didn't do the record. We

1:08:50.040 --> 1:08:52.400
<v Speaker 1>did a lot of shout out cool g rep to

1:08:53.000 --> 1:08:57.960
<v Speaker 1>g rap Yeah, yeah, yeah, yeah. We had some good

1:08:57.960 --> 1:09:01.880
<v Speaker 1>times with a little bit. Yeah. Oh did pulenty time

1:09:01.960 --> 1:09:06.880
<v Speaker 1>over this house, smoking out, kicking it. Y'all? Was Bill

1:09:06.960 --> 1:09:10.920
<v Speaker 1>cool to be around with, y'all? He times we was around.

1:09:11.000 --> 1:09:13.920
<v Speaker 1>I don't think we were. You know, people like Bill,

1:09:14.200 --> 1:09:17.160
<v Speaker 1>y'all spent more time with him. So y'all know Bill

1:09:17.240 --> 1:09:19.639
<v Speaker 1>for readers, yea, let the build that you know Bill

1:09:19.720 --> 1:09:23.360
<v Speaker 1>got Memphis. Yeah, he had his moments and ship, but

1:09:23.400 --> 1:09:28.479
<v Speaker 1>never like probably y'alls. Yeah. Yeah, one thing Bill pass

1:09:28.560 --> 1:09:37.960
<v Speaker 1>that blunt don't know. I'm not passing. We had some

1:09:38.000 --> 1:09:44.280
<v Speaker 1>good times back in Houston too. Yeah. Man, what other

1:09:44.320 --> 1:09:46.360
<v Speaker 1>good times you guys want to have? I don't know.

1:09:46.479 --> 1:09:49.040
<v Speaker 1>Maybe it's good times and maybe it's just legacy building here,

1:09:49.439 --> 1:09:53.560
<v Speaker 1>but what other what else do you guys want? Is

1:09:53.600 --> 1:09:55.719
<v Speaker 1>there anything else that you want out of this hip

1:09:55.720 --> 1:10:01.680
<v Speaker 1>hop game? Oh? Man? I just wanted keep flourishing, you know, uh,

1:10:03.040 --> 1:10:09.639
<v Speaker 1>keep growing and uh keep evolving. Man. Uh uh it's

1:10:09.800 --> 1:10:15.559
<v Speaker 1>you know, it's a voice. You know, it's a voice. Uh. Man,

1:10:15.640 --> 1:10:20.240
<v Speaker 1>it's the youth. Um, and I think, uh, it kept

1:10:20.360 --> 1:10:24.760
<v Speaker 1>us all young. I think, uh, I think it kept

1:10:24.840 --> 1:10:29.439
<v Speaker 1>us all all in this room. And and um, it's

1:10:29.479 --> 1:10:32.160
<v Speaker 1>like something in the water, you know. I think, you know,

1:10:32.200 --> 1:10:36.800
<v Speaker 1>when hip hop came alone, you know, it made us

1:10:37.000 --> 1:10:40.400
<v Speaker 1>as a whole culture more youthful and more youthful thinking.

1:10:41.080 --> 1:10:44.040
<v Speaker 1>Like if you look back at old pictures in old times,

1:10:44.040 --> 1:10:48.680
<v Speaker 1>you know, it's like, um, it's like a lot of

1:10:48.720 --> 1:10:52.200
<v Speaker 1>youngsters was in a hurry to get old, look old,

1:10:52.920 --> 1:10:56.240
<v Speaker 1>start acting old, you know, like you know, like when

1:10:56.280 --> 1:10:58.679
<v Speaker 1>you look back, you know, like in the thirties, fours

1:10:58.720 --> 1:11:00.120
<v Speaker 1>and fifties, and you look at some of them hit

1:11:00.280 --> 1:11:03.040
<v Speaker 1>is you know cats, you know it was twenty two

1:11:03.120 --> 1:11:05.760
<v Speaker 1>already looking like you know what their granddaddy looked like,

1:11:05.880 --> 1:11:11.599
<v Speaker 1>you know, just but selling in them ways, you know early.

1:11:11.800 --> 1:11:15.200
<v Speaker 1>And I think hip hop a different fort The hip

1:11:15.200 --> 1:11:20.080
<v Speaker 1>hop made a different made forty different in this atmosphere.

1:11:20.439 --> 1:11:22.599
<v Speaker 1>Made And not to say that you know, the older

1:11:22.600 --> 1:11:26.960
<v Speaker 1>cats wasn't on the game and only hustle, but I

1:11:26.960 --> 1:11:29.960
<v Speaker 1>think hip hop just made us more youthful, youth for thinking.

1:11:30.000 --> 1:11:32.080
<v Speaker 1>And you know you're right about that, man, because when

1:11:32.120 --> 1:11:34.439
<v Speaker 1>I was growing up, I mean, a forty year old

1:11:34.920 --> 1:11:40.639
<v Speaker 1>pretty much looked like a grandmother. Now yeah, grandmother, remember

1:11:41.280 --> 1:11:44.280
<v Speaker 1>looked like But I mean when I was in my

1:11:44.360 --> 1:11:47.880
<v Speaker 1>team with some forms and Cats and two would be like, oh,

1:11:48.200 --> 1:11:50.880
<v Speaker 1>there's no rep. I listen to blues. I listened to this,

1:11:51.640 --> 1:11:53.599
<v Speaker 1>you know, I remember this. You know that cats who

1:11:53.760 --> 1:11:56.040
<v Speaker 1>was and they twenties, was like, we don't listen no rep.

1:11:56.240 --> 1:12:01.599
<v Speaker 1>You know, back at a certain time. But now everybody,

1:12:01.720 --> 1:12:04.040
<v Speaker 1>everybody Hill, you know, everybody want to be hip and

1:12:04.120 --> 1:12:06.679
<v Speaker 1>you know it's a good thing. You know. I think

1:12:06.760 --> 1:12:09.679
<v Speaker 1>man hip hop and ball and ge Man. I think

1:12:09.760 --> 1:12:14.240
<v Speaker 1>you know, we have made a mark. I think we

1:12:14.680 --> 1:12:20.640
<v Speaker 1>are yet to make that mark that's gonna really you

1:12:20.640 --> 1:12:22.280
<v Speaker 1>know what I mean, Like, I don't think it's gonna

1:12:22.320 --> 1:12:27.880
<v Speaker 1>be we I can't say what it is. But we've

1:12:27.920 --> 1:12:33.240
<v Speaker 1>been kept around for a reason. And I know that

1:12:33.280 --> 1:12:37.240
<v Speaker 1>we start. Yeah, and we we love this. We love

1:12:37.320 --> 1:12:39.559
<v Speaker 1>the music man and and and and I'm gonna put

1:12:39.560 --> 1:12:42.479
<v Speaker 1>this out there. I'm gonna leave alone. Marlon and Primro

1:12:43.560 --> 1:12:46.280
<v Speaker 1>would have been Model and Primro if we was working

1:12:46.280 --> 1:12:48.760
<v Speaker 1>at fed Ex, them too, niggers that work in fed Ex,

1:12:49.160 --> 1:12:51.639
<v Speaker 1>they'd be tripping, sneaking in the back smoking weed all

1:12:51.680 --> 1:12:56.520
<v Speaker 1>that that would have been. If we were truck drivers,

1:12:56.840 --> 1:13:00.679
<v Speaker 1>we would like always with them old at the truck

1:13:00.760 --> 1:13:03.960
<v Speaker 1>stopping would be tripping man, you know, we would have

1:13:04.000 --> 1:13:09.360
<v Speaker 1>been them guys. My my last question, My last question, primro,

1:13:10.360 --> 1:13:16.040
<v Speaker 1>have you have a lot letter? And on that note,

1:13:16.120 --> 1:13:20.040
<v Speaker 1>we're out of here. Before I let you guys go,

1:13:20.280 --> 1:13:21.920
<v Speaker 1>I don't even want to know this. I want to know,

1:13:22.439 --> 1:13:26.120
<v Speaker 1>are you guys in the crypto. I'm trying to get

1:13:26.160 --> 1:13:36.320
<v Speaker 1>into it all right, Yeah, we're gonna rap man, please.

1:13:36.800 --> 1:13:39.679
<v Speaker 1>I had the same story you had about the years

1:13:39.680 --> 1:13:42.400
<v Speaker 1>ago with the computer things. Years ago, a friend of

1:13:42.400 --> 1:13:47.040
<v Speaker 1>mine talked about it. Don't remind it, and they mind

1:13:47.080 --> 1:13:48.840
<v Speaker 1>it for a long time, you know what I mean.

1:13:49.000 --> 1:13:51.760
<v Speaker 1>And look now and just look at it now, you

1:13:51.760 --> 1:13:53.840
<v Speaker 1>know what I mean. And I just thinking we had

1:13:54.000 --> 1:13:57.000
<v Speaker 1>got in on anything you could mind because we most

1:13:57.000 --> 1:14:00.599
<v Speaker 1>definitely had people around us telling us about it. Definitely.

1:14:00.960 --> 1:14:03.599
<v Speaker 1>It's still a lot of great projects that come out

1:14:03.600 --> 1:14:08.920
<v Speaker 1>on crypto damn their daily uh. And and it's still

1:14:09.160 --> 1:14:12.639
<v Speaker 1>very very young. Although Crypto a lot of people are

1:14:12.840 --> 1:14:15.360
<v Speaker 1>catching on. You know, the numbers of the percentage of

1:14:15.360 --> 1:14:18.040
<v Speaker 1>people in the US especially, it's going up around the

1:14:18.080 --> 1:14:20.960
<v Speaker 1>world they got the US, I pacede. But in the

1:14:21.080 --> 1:14:26.800
<v Speaker 1>US that number is consistently going up. And you know, hey, man,

1:14:29.240 --> 1:14:33.000
<v Speaker 1>now is the time, like now is the time. I

1:14:33.040 --> 1:14:35.120
<v Speaker 1>don't I don't know a suite of game. I just

1:14:35.160 --> 1:14:37.960
<v Speaker 1>don't know a sweeter game. I mean I've made I've

1:14:38.000 --> 1:14:42.439
<v Speaker 1>made more money in crypto in the last five years,

1:14:42.479 --> 1:14:46.840
<v Speaker 1>and I've made in thirty years. And here almost at

1:14:46.880 --> 1:14:51.080
<v Speaker 1>coast partners each and every one of Yeah, and in

1:14:51.160 --> 1:14:54.559
<v Speaker 1>the last year, man, man, I mean last year takes

1:14:54.600 --> 1:14:58.280
<v Speaker 1>out all years combined. You know, like crypto is where

1:14:58.280 --> 1:15:02.200
<v Speaker 1>it's that we'll have a conversation. It's good to see y'all.

1:15:02.840 --> 1:15:04.800
<v Speaker 1>It's good to see y'all come out. Man, Good to

1:15:04.800 --> 1:15:07.280
<v Speaker 1>see yall and good spears, good health. And it's also

1:15:07.360 --> 1:15:10.840
<v Speaker 1>good to see you guys still have that that hunger,

1:15:10.880 --> 1:15:16.559
<v Speaker 1>that drive to get to get Morely, we appreciate. We

1:15:16.560 --> 1:15:18.640
<v Speaker 1>don't do this for nobody else. Man, y'all remember that

1:15:20.960 --> 1:15:26.120
<v Speaker 1>he's only get this type of podcast, ladies, gentlemen, prim

1:15:26.240 --> 1:15:33.920
<v Speaker 1>Roe Smith. And it's good if you want to know

1:15:33.960 --> 1:15:38.120
<v Speaker 1>what m you did. What I'm saying, no more talks.

1:15:39.960 --> 1:15:42.559
<v Speaker 1>This episode was produced by a King and brought to

1:15:42.600 --> 1:15:46.920
<v Speaker 1>you by the Black Effect Podcast Network and i Heart

1:15:47.200 --> 1:15:47.559
<v Speaker 1>Radio