WEBVTT - Episode 462 | hAte-TM

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<v Speaker 1>No Willian, no good doctor.

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<v Speaker 2>People have a hard time doing that when they're in

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<v Speaker 2>the studio with legend. My bad, sorry, my back, sorry,

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<v Speaker 2>oh oh peech.

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<v Speaker 1>Are we rolling? We are rolling? We are back. New

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<v Speaker 1>new episode of the New gloryan Mall podcast. I Am

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<v Speaker 1>Mall or we are back. You need everything else? We

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<v Speaker 1>was We was trying to figure out what we was

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<v Speaker 1>talking about this on this episode and BABYD has you know,

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<v Speaker 1>she has control of it, and her her photo booth

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<v Speaker 1>on her MacBook popped up. Baby D was giving thighs

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<v Speaker 1>and pis what was you doing over there? Baby D?

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<v Speaker 1>We saw that who was that form that you had?

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<v Speaker 1>A little photo you had like it was like an

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<v Speaker 1>odd direction to that photo shoot and everything like the

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<v Speaker 1>bed was there. You don't even make it bet up

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<v Speaker 1>like that, like you know you made the bet up

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<v Speaker 1>for the photo shoot. You see how COMFORTB was folded

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<v Speaker 1>man look like he was making content. You know, baby,

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<v Speaker 1>you got a o F.

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<v Speaker 2>We don't know about.

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<v Speaker 1>No, I don't baby, you gotta feed o F. We

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<v Speaker 1>don't know about for sure. Perspect you gotta foot o F.

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<v Speaker 1>We don't know about you over there selling feet. You

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<v Speaker 1>got a nice feet though, so I ain't. But what

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<v Speaker 1>you was doing over there in.

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<v Speaker 2>Between the sheets, I don't even know taking photos? You know,

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<v Speaker 2>sometimes you like to take photos of yourself. This just

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<v Speaker 2>remind you like, oh you have a nice body, you

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<v Speaker 2>look good.

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<v Speaker 1>No, no, no, no, okay, yes, you're right. Sometimes we

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<v Speaker 1>do like to take photos. But them photos don't just

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<v Speaker 1>let in the photo booth though, because that's potof that's

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<v Speaker 1>the MacBook. Like you put the MacBook on the bed.

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<v Speaker 1>I know that photo would countdown from three, I know

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<v Speaker 1>how Yeah? Like that was that was a curated photo. Yeah,

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<v Speaker 1>and it was a it was a carousel. It was

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<v Speaker 1>like nine pictures up there. Yo. What you So that

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<v Speaker 1>means that that's the nine that made it off the

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<v Speaker 1>editing floor. Yeah? So like how long was the photo?

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<v Speaker 1>Sho was you? I'm a studio? Time? Did you book?

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<v Speaker 1>It wasn't that.

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<v Speaker 2>It was just I had gotten dressed for the Variety

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<v Speaker 2>of Scientists concert and I just thought I.

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<v Speaker 1>Was from a riot I was with does this past concert? Yeah?

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<v Speaker 1>When was it? Saturday? Friday? Friday? So this was Babe

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<v Speaker 1>d was doing on Friday. I see the here you

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<v Speaker 1>looking like look you looking like Jessica, Jessica Rabbit. You

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<v Speaker 1>got the Jessica rabbit head like glowing, what's up with you?

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<v Speaker 2>Yo?

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<v Speaker 1>What is happening? First of all, how was the How

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<v Speaker 1>was your weekend? My weekend was good? Coolnatter? We got

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<v Speaker 1>that out the way I was. How was the show?

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<v Speaker 1>How was the show?

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<v Speaker 2>This show was really good? I was you know me,

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<v Speaker 2>you know, I had to cry. I was so proud

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<v Speaker 2>of her. I was so happy for her, Like it

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<v Speaker 2>was the show radio City, Radio City sold out. Shout

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<v Speaker 2>out to Maria, sold out show at Radio City Music.

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<v Speaker 2>Holl that's big and it sold out very quickly too.

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<v Speaker 2>The production was good. She's getting so much better, like

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<v Speaker 2>her growth from her performances last year. You could tell

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<v Speaker 2>the budget is bigger. You could tell she's putting more

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<v Speaker 2>effort in it was. It was really good. And I

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<v Speaker 2>like being in shows where Radio City isn't. It isn't

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<v Speaker 2>Barclays right, and it isn't. And hopefully one day she

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<v Speaker 2>gets to those places. But it feels so intimate, like

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<v Speaker 2>everybody you can hear everybody as a guest guests, but

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<v Speaker 2>you can hear everybody screaming every word to every song,

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<v Speaker 2>every word to every song, Like it was.

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<v Speaker 1>It was incredible at all there's a lot of pretty women.

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<v Speaker 1>Oh they were beautiful. But the girl the girls were

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<v Speaker 1>so cute.

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<v Speaker 2>They were all dressed up like they were they kind

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<v Speaker 2>of like dressed up like Maria. They had their cute

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<v Speaker 2>little leather shorts on and their little funky boots and

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<v Speaker 2>like like their.

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<v Speaker 1>Little toy soldiers. That what you gave him for the

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<v Speaker 1>year concert?

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<v Speaker 2>I had, Yes, the bodysuit that you saw. I had that,

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<v Speaker 2>but I did put pants over it.

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<v Speaker 1>Thank god. I about to say, thank god, you might

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<v Speaker 1>have just gave him the trench with that on right

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<v Speaker 1>there to go see going backstage to opening the trench door,

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<v Speaker 1>I look at like, you know what I'm saying, looking

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<v Speaker 1>like Apollonia. I thought, that's game right there. But it's

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<v Speaker 1>all good. So it was a good show. It was Rory.

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<v Speaker 2>Shout out to Rory and Carl Hustle for surprising me.

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<v Speaker 2>But Rory so funny. Rory was calling me or whatever,

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<v Speaker 2>and like I looked at it. Sometimes Rory called me

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<v Speaker 2>and I knew he was, like what reason. I looked

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<v Speaker 2>at my location. I'm like, all right, they are around

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<v Speaker 2>the corner man, what they want? Rory kept calling me,

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<v Speaker 2>He kept calling me.

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<v Speaker 1>He texted me.

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<v Speaker 2>It was like, you want these Mariah Scientist tickets or not?

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<v Speaker 2>I called back immediately, like, wall, what's going on.

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<v Speaker 1>That's how they do, that's how they do, Rory, So

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<v Speaker 1>i'd as they know they got a gift. They called

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<v Speaker 1>right back, don't they.

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<v Speaker 3>I'm at I'm at brunch with Carl Hustle and her

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<v Speaker 3>partner Busy, and she brings up that she has these

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<v Speaker 3>Rian Scientist tickets but she may not be able to

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<v Speaker 3>make it. And I would like, I know somebody that's

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<v Speaker 3>a diehard Mariah fan. You got somebody, And so I'm

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<v Speaker 3>at lunch two three calls. I'm like, all right, I mean,

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<v Speaker 3>I'll let you know Carly, but she not answers, like,

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<v Speaker 3>you know what, let me text her.

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<v Speaker 1>I say, yo, I got possible before they said delivered.

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<v Speaker 3>And then the phone started, we're gonna say. Carl says,

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<v Speaker 3>there's no way. She just called you back when you

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<v Speaker 3>texted her about the tickets. I said, yeah, that's that's

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<v Speaker 3>supposed to be my best friend, and then did the bullshit.

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<v Speaker 1>Yo. I just woke up because you put on.

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<v Speaker 2>And everything because I was I was in and out.

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<v Speaker 1>I was to book you up. My phone. My phone

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<v Speaker 1>was on D and D.

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<v Speaker 2>I didn't hear anything, but I had just woke up

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<v Speaker 2>and I looked at my phone, and you know when

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<v Speaker 2>you in and out of sleep.

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<v Speaker 1>I looked at my phone. I'm like, man, what rory on?

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<v Speaker 2>Because I knew that you were coming to Brooklyn, so

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<v Speaker 2>I thought you were calling.

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<v Speaker 1>Me to hang out. I didn't feel like hanging out.

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<v Speaker 2>If you were home and I saw you called me,

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<v Speaker 2>I would have called you back immediately.

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<v Speaker 1>But I knew you were in Brooklyn.

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<v Speaker 2>I'm like, I don't feel like hanging out, like I'm

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<v Speaker 2>that's why.

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<v Speaker 1>Because you was like, where are you at? I'm like,

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<v Speaker 1>where you at? Especially when you don't feel like hanging out?

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<v Speaker 1>Ignore those two where you at all? Right now?

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<v Speaker 2>I think that's that's false history or what you did,

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<v Speaker 2>what you're doing. It was something like that was either

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<v Speaker 2>where you at or what you're doing. That's why I

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<v Speaker 2>checked your location. I saw you saying that. He think

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<v Speaker 2>that's false history is hilarious, false history?

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<v Speaker 3>Okay, No, I said, where you at? Do you want

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<v Speaker 3>these vrias science tickets or not?

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<v Speaker 1>Yeah? He's where you're at? It where you at first?

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<v Speaker 1>It was where you at first? Within a minute, like

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<v Speaker 1>it's the same. Okay. All I saw was where you at?

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<v Speaker 2>And the mist calls and I and I checked his location.

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<v Speaker 2>I saw he was in Brooklyn. He was like fifteen

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<v Speaker 2>minutes away. I'm like, I don't feel like hanging out.

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<v Speaker 2>I'm exhausted. We had a long work week last week.

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<v Speaker 2>I felt long.

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<v Speaker 1>For some reason, it was the same work week it felt.

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<v Speaker 1>I don't know why it felt long. Just say, you

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<v Speaker 1>ain't feel like hanging out with Rory to do the

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<v Speaker 1>long work week, you know, just like hanging out with it.

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<v Speaker 1>I didn't want to hang out either. I'm trying to

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<v Speaker 1>get you some tickets. That's got a position that's like

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<v Speaker 1>a person running.

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<v Speaker 2>Because after we was to hang up, he was like, yo,

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<v Speaker 2>I'm only like five minutes from your house.

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<v Speaker 1>I was like, I was just baiting you because I

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<v Speaker 1>was with Ree. It's like he's like, I' about to

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<v Speaker 1>get you. I was like, ah, don't do that, no,

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<v Speaker 1>because the reason I were already going to the city.

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<v Speaker 1>I was just fucking with you with that. Oh okay,

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<v Speaker 1>though you haven't like invited me to the house. I

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<v Speaker 1>would like to see it, but you know, this is

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<v Speaker 1>defining to ze shit. If we didn't, that's what's going

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<v Speaker 1>on in the crib shit like with time is brunch

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<v Speaker 1>because I need to pull up, like if it's thigs

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<v Speaker 1>and pods like that. Every Friday we in the house.

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<v Speaker 1>What so all right? Sold on? You hit her Friday? Yes?

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<v Speaker 1>So what time did you start to shoot? If that

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<v Speaker 1>was like the book? Because if he.

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<v Speaker 2>Was right, that was I was about to walk out

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<v Speaker 2>the door.

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<v Speaker 1>I was literally about to walk out the door.

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<v Speaker 3>I told her at three h seven is when I

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<v Speaker 3>hit her about the tickets. So she did have ample

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<v Speaker 3>time to get.

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<v Speaker 1>A photo shooter. Okay, alright, cool, al right.

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<v Speaker 2>So that was quick though that wasn't that didn't take long.

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<v Speaker 2>A couple of like thie shots that wasn't find that

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<v Speaker 2>angle right away ten minutes I'm out the door.

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<v Speaker 3>I like that, Okay, I will say, though I do

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<v Speaker 3>believe there's a world where Jamarics is not want to

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<v Speaker 3>hang out with me.

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<v Speaker 1>I can accept that.

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<v Speaker 3>But when I was jokingly like, yo, I'm right down

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<v Speaker 3>the street, I'm like five minutes from you, like, don't

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<v Speaker 3>come here, do not come here, I was like, oh,

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<v Speaker 3>I was joking, but my bad?

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<v Speaker 1>Why I was drained? I was?

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<v Speaker 2>I think it's because Tuesday, I usually rot is sitting

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<v Speaker 2>in the house and I didn't. I was running around Tuesday,

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<v Speaker 2>like the day we have off. I was running around Tuesday,

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<v Speaker 2>and like now that we have different personalities on our show,

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<v Speaker 2>which I love all of them. It was just Thursday

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<v Speaker 2>was a lot. It was a lot of talking, It

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<v Speaker 2>was a lot of people.

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<v Speaker 1>It was a lot. I was just by Friday, I

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<v Speaker 1>was just like on social media with your bad. Social

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<v Speaker 1>battery was drained. My social battery was drained.

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<v Speaker 2>I was like, by yeah, and the reason was in

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<v Speaker 2>town I went out with him on Wednesday.

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<v Speaker 1>It was just it was too much people. I was like,

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<v Speaker 1>it was too much people. Yeah. I was just like, nah,

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<v Speaker 1>I need to just be alone, like in my house

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<v Speaker 1>and silence. No, I'm with you, though I was.

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<v Speaker 3>I was extra exhausted this weekend for some reason, like

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<v Speaker 3>miss thank god, Miss Rachel dropped some some new heat

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<v Speaker 3>rock m so I even threw that on and then

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<v Speaker 3>snuck in like a thirty minute nap. It felt like

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<v Speaker 3>eight hours. You're like, yeah, I was very tired. I

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<v Speaker 3>spent most of yesterday just sleeping.

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<v Speaker 1>Yeah. I don't know why. I was really tired this weekend.

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<v Speaker 1>It was Yesterday was my been bed right day. Yeah,

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<v Speaker 1>I was in the crib all day. Yeah, I'm a

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<v Speaker 1>better guy. But we are backspots about boost Mobile, unlimited talk,

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<v Speaker 1>text and data. Yes, did you do anything? Uh? And Uh?

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<v Speaker 1>Saturday I went to see uh Scream seven. I went

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<v Speaker 1>to the theater Saturday night. I caught the last show.

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<v Speaker 1>I didn't even know it was coming out. My people

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<v Speaker 1>said to me, was like, yo, let's go see Scream seven.

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<v Speaker 1>I was like, didn't even know Scream was coming out.

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<v Speaker 1>I'm always down to go to the movie. So I

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<v Speaker 1>went to it.

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<v Speaker 2>It was.

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<v Speaker 3>I think seven is a lot. Let me just say,

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<v Speaker 3>I didn't even know that. I think I missed six,

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<v Speaker 3>five and four years, Like, like, seven is a lot,

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<v Speaker 3>but they got saw three. I don't know, man, I wasn't.

0:09:40.920 --> 0:09:44.560
<v Speaker 3>I wasn't. It had it had his moments.

0:09:44.559 --> 0:09:46.640
<v Speaker 1>It had some moments that was kind of like, Okay,

0:09:47.040 --> 0:09:48.679
<v Speaker 1>they put a nice they put a spin on it,

0:09:48.720 --> 0:09:51.800
<v Speaker 1>but the spin was kind of cheesy. I guess. I

0:09:51.840 --> 0:09:56.520
<v Speaker 1>don't know, man, That's not my type of scary like film.

0:09:56.640 --> 0:10:00.400
<v Speaker 1>Like my scary film is you know the prototip cool.

0:10:00.640 --> 0:10:04.160
<v Speaker 1>You know, get put somebody in a house somewhere where

0:10:04.200 --> 0:10:07.000
<v Speaker 1>it's like a lake house or somewhere on vacation. And

0:10:07.200 --> 0:10:09.240
<v Speaker 1>you know what I'm saying, the guy that's the fucking

0:10:09.280 --> 0:10:13.920
<v Speaker 1>local town I don't know, parks department cleaner guy. He

0:10:14.200 --> 0:10:16.760
<v Speaker 1>kills everybody to come, like give me that. But like

0:10:16.800 --> 0:10:21.000
<v Speaker 1>the screen seven, like the Gold's face mask, still like

0:10:21.040 --> 0:10:23.840
<v Speaker 1>we still see the same guy, Like refresh my memory.

0:10:23.880 --> 0:10:25.559
<v Speaker 1>I can't remember the last time I watched the scream.

0:10:25.880 --> 0:10:28.440
<v Speaker 1>You know it's the same guy. But like then there's

0:10:28.480 --> 0:10:30.800
<v Speaker 1>you know how they do, like how they say, oh,

0:10:30.480 --> 0:10:34.559
<v Speaker 1>the copycat killers, like people fall in love with like killers.

0:10:34.760 --> 0:10:38.280
<v Speaker 1>So now other people are mocking him, like trying to

0:10:38.280 --> 0:10:38.960
<v Speaker 1>be him as well.

0:10:38.800 --> 0:10:40.600
<v Speaker 3>Because I'm about to say that, I mean, that's that

0:10:40.600 --> 0:10:42.160
<v Speaker 3>that precinct should be unnoticed.

0:10:42.320 --> 0:10:45.920
<v Speaker 1>Yea, seven movies, we haven't caught this guy in this town.

0:10:46.000 --> 0:10:47.079
<v Speaker 1>And I think it is you know what I think

0:10:47.080 --> 0:10:50.000
<v Speaker 1>it is. I think we are so like desensitized as

0:10:50.040 --> 0:10:53.040
<v Speaker 1>like just humans. Now. I think like scary movies have

0:10:53.120 --> 0:10:56.679
<v Speaker 1>to just be a little more like just hopping out

0:10:56.720 --> 0:10:59.560
<v Speaker 1>of like you know, the dark corner in the crib

0:10:59.600 --> 0:11:01.960
<v Speaker 1>and standing there. I don't scare us no more. YEA,

0:11:02.080 --> 0:11:04.120
<v Speaker 1>make a really like raise taxes, Like why can't the

0:11:04.160 --> 0:11:06.199
<v Speaker 1>killer just raise taxes and like raise the mortgage and

0:11:06.240 --> 0:11:08.120
<v Speaker 1>then like you know what I'm saying, get fired. The

0:11:08.120 --> 0:11:09.760
<v Speaker 1>guy got fired and it's like, oh shit, I'm gonna

0:11:09.760 --> 0:11:14.200
<v Speaker 1>eat that stream ate with Donald Trump and Castell. Yeah,

0:11:14.360 --> 0:11:16.600
<v Speaker 1>like give us step like this this just I don't know, man,

0:11:16.720 --> 0:11:19.160
<v Speaker 1>I just think that seven is a lot they could

0:11:19.160 --> 0:11:20.439
<v Speaker 1>have stopped at like four.

0:11:20.760 --> 0:11:22.160
<v Speaker 3>You make a good point because we can really open

0:11:22.200 --> 0:11:25.160
<v Speaker 3>our phone and actually watch people get murdered unfortunately, and

0:11:25.320 --> 0:11:27.120
<v Speaker 3>like real life, So yeah, I hear you.

0:11:27.360 --> 0:11:30.040
<v Speaker 1>Scary movies are It's just not you have to have

0:11:30.080 --> 0:11:34.679
<v Speaker 1>a real story that we absolutely cannot predict. Yeah, and

0:11:34.760 --> 0:11:37.400
<v Speaker 1>I think that's gonna like give us more of a

0:11:37.480 --> 0:11:41.679
<v Speaker 1>scare than scary movie seven and ghost Faces here and

0:11:41.720 --> 0:11:43.440
<v Speaker 1>this that and the third and you know.

0:11:43.559 --> 0:11:45.440
<v Speaker 2>I know I'm sick because like the only shit that

0:11:45.520 --> 0:11:48.319
<v Speaker 2>scared me is shit. I can't fight like Nigga the

0:11:48.440 --> 0:11:51.760
<v Speaker 2>chainsaw fight. You Like, I got a chance even if

0:11:51.800 --> 0:11:54.120
<v Speaker 2>I died trying, I got a chance. But like some

0:11:54.160 --> 0:11:58.040
<v Speaker 2>supernatural shit, that's yeah, like some shit I need a

0:11:58.080 --> 0:12:00.520
<v Speaker 2>priest for all right now, I'm terrified.

0:12:00.720 --> 0:12:03.840
<v Speaker 3>Yeah, yeah, because the like the real life type of

0:12:03.960 --> 0:12:08.080
<v Speaker 3>scary movies are definitely like only target liberals, because there's

0:12:08.120 --> 0:12:12.480
<v Speaker 3>no ways, like why in every the Second Amendment law

0:12:12.559 --> 0:12:14.640
<v Speaker 3>should kick in at some point in these movies. Yeah,

0:12:14.920 --> 0:12:16.840
<v Speaker 3>if there's a serial kill on the loose, nobody has

0:12:16.840 --> 0:12:19.840
<v Speaker 3>a gun. Yeah, he's walking at that pace for this

0:12:20.000 --> 0:12:23.920
<v Speaker 3>long and no one thought firearm.

0:12:23.760 --> 0:12:26.679
<v Speaker 1>No cops, no nothing around like this is not this

0:12:26.760 --> 0:12:29.040
<v Speaker 1>isn't real, Like you can't do nothing without police pulling

0:12:29.080 --> 0:12:31.160
<v Speaker 1>up now. So yeah, I don't know, it was it

0:12:31.200 --> 0:12:33.880
<v Speaker 1>was cool. I guess if you're a scary movie you know,

0:12:34.040 --> 0:12:36.360
<v Speaker 1>like part of that like Hive where you know, they

0:12:36.360 --> 0:12:38.760
<v Speaker 1>have like a whole high people like watch every series,

0:12:38.800 --> 0:12:41.160
<v Speaker 1>and if you're one of those, I'm guessing you might

0:12:41.200 --> 0:12:43.360
<v Speaker 1>have enjoyed it. But it was okay for me, it wasn't.

0:12:43.400 --> 0:12:45.880
<v Speaker 3>It wasn't all of that I saw on Twitter. I

0:12:45.920 --> 0:12:47.199
<v Speaker 3>don't know if it was real or not. But there

0:12:47.280 --> 0:12:50.679
<v Speaker 3>was a trailer for Scary Movie seven or whatever one

0:12:50.720 --> 0:12:53.120
<v Speaker 3>we're on at this point, and they were making fun

0:12:53.160 --> 0:12:55.480
<v Speaker 3>of screaming it again Scary Movie six.

0:12:56.440 --> 0:13:02.080
<v Speaker 1>So they're releasing these in conjunction. It seems like now

0:13:02.280 --> 0:13:03.720
<v Speaker 1>that would be the smart play.

0:13:03.800 --> 0:13:07.360
<v Speaker 3>Yeah, yeah, but yeah, I did see they start with

0:13:07.440 --> 0:13:10.680
<v Speaker 3>a transgender joke, so everyone was upset about it. But

0:13:10.920 --> 0:13:12.840
<v Speaker 3>I don't know the actual date, but it has everyone

0:13:12.880 --> 0:13:14.280
<v Speaker 3>from the original caste.

0:13:14.559 --> 0:13:17.480
<v Speaker 1>So you know another fifty plus you old woman? At you,

0:13:17.640 --> 0:13:20.160
<v Speaker 1>Regina Hall? Did I did I say? Did I put

0:13:20.160 --> 0:13:24.240
<v Speaker 1>it in the absolute section? Baby? Sure you did? Yeah,

0:13:24.280 --> 0:13:29.400
<v Speaker 1>Regina Hole, absolutely, I think that goes without fifty plus? Yeah? Absolutely, thing.

0:13:29.480 --> 0:13:30.240
<v Speaker 1>She looks amazing.

0:13:31.000 --> 0:13:34.280
<v Speaker 3>It was a lot of music going on this weekend.

0:13:34.440 --> 0:13:35.840
<v Speaker 3>Where do we want to begin? Do we want to

0:13:36.520 --> 0:13:37.280
<v Speaker 3>we want to start with?

0:13:37.480 --> 0:13:39.880
<v Speaker 1>Uh? This this TI and fifty thing? Do we want

0:13:39.920 --> 0:13:41.680
<v Speaker 1>us to get with? This? Is to get get it

0:13:41.720 --> 0:13:44.400
<v Speaker 1>out of the way? How much longer do we got

0:13:44.440 --> 0:13:46.560
<v Speaker 1>on this? Though? Seriously, baby, I thought the clock was

0:13:46.600 --> 0:13:49.040
<v Speaker 1>on last Monday. You know what, Let me tell y'all.

0:13:49.160 --> 0:13:50.280
<v Speaker 1>Let me tell you what I don't now. I got

0:13:50.280 --> 0:13:52.560
<v Speaker 1>Benzino wearing T shirts. Yeah, let me tell you what

0:13:52.600 --> 0:13:55.000
<v Speaker 1>I don't like about this fifty T I thing because y'all,

0:13:55.120 --> 0:13:56.880
<v Speaker 1>y'all came in here or I don't know if y'all

0:13:56.880 --> 0:13:59.240
<v Speaker 1>said it, but I've seen people on line fifty gotta respond,

0:13:59.280 --> 0:14:02.640
<v Speaker 1>fifty got to palm what about it? But why like

0:14:04.080 --> 0:14:05.960
<v Speaker 1>why did he have to respond? And not only that,

0:14:06.559 --> 0:14:08.000
<v Speaker 1>this is another thing that I didn't like about this

0:14:08.000 --> 0:14:11.920
<v Speaker 1>whole thing. Isn't TII comedian? Why he just couldn't keep

0:14:11.920 --> 0:14:15.280
<v Speaker 1>controlling keeping jokes because he's a rapper too. Yeah, but

0:14:15.280 --> 0:14:17.200
<v Speaker 1>fifty ain't put out a record to him. He posted

0:14:17.200 --> 0:14:20.560
<v Speaker 1>a picture of his wife like ti I just had

0:14:20.560 --> 0:14:24.080
<v Speaker 1>a comedy special, just had one. He's he's a comedian, Like,

0:14:24.240 --> 0:14:26.600
<v Speaker 1>he's all the way a comedian. He's more of a

0:14:26.640 --> 0:14:28.360
<v Speaker 1>funny guy than fifty.

0:14:28.400 --> 0:14:31.040
<v Speaker 3>At this point, he should do like pop ups the

0:14:31.080 --> 0:14:34.320
<v Speaker 3>way Chappelle did, and like maybe do a set of.

0:14:34.360 --> 0:14:37.480
<v Speaker 1>What about what about doing skits on Instagram? This and fifty?

0:14:37.520 --> 0:14:38.480
<v Speaker 1>What about doing a skit.

0:14:38.600 --> 0:14:41.200
<v Speaker 3>Like my name's tip, but here's another tip crimestoppers dot

0:14:41.200 --> 0:14:42.000
<v Speaker 3>com like something like that.

0:14:42.040 --> 0:14:43.760
<v Speaker 1>What about that, like one of those skits. I'm just saying,

0:14:43.760 --> 0:14:46.000
<v Speaker 1>I just a real rapping I just think in the

0:14:46.040 --> 0:14:48.280
<v Speaker 1>fact that Ti I just put out a song, he

0:14:48.360 --> 0:14:50.360
<v Speaker 1>had a song with uh Pharrell.

0:14:50.240 --> 0:14:53.200
<v Speaker 3>Produced it, right, which is great, and it's doing numbers. No,

0:14:53.320 --> 0:14:54.960
<v Speaker 3>it's it's actually a very popular.

0:14:54.720 --> 0:14:57.800
<v Speaker 1>No listen, So I understand why t I would get

0:14:57.800 --> 0:15:01.440
<v Speaker 1>into it. Behooves the business. Mad at rappers rapping? I'm

0:15:01.480 --> 0:15:04.120
<v Speaker 1>not mad at that, but it behooves the business to

0:15:04.120 --> 0:15:06.680
<v Speaker 1>get it to a back and forth foot fifty knowing

0:15:06.680 --> 0:15:09.200
<v Speaker 1>that I have a new song produced by Pharrell available

0:15:09.240 --> 0:15:12.720
<v Speaker 1>now DSPs. It all helps the brand and the King family.

0:15:12.760 --> 0:15:15.720
<v Speaker 1>It helps, it helps, it helps the family hustle, right

0:15:15.720 --> 0:15:18.680
<v Speaker 1>of course, So we understand that. I'm just saying how

0:15:18.760 --> 0:15:22.400
<v Speaker 1>much longer do we have for this though? Because I

0:15:22.480 --> 0:15:24.720
<v Speaker 1>get it. You know Demani is in it, and you

0:15:24.800 --> 0:15:26.520
<v Speaker 1>know Demani shit is only hitting when King put his

0:15:26.560 --> 0:15:28.400
<v Speaker 1>pen to it. You know that you mean other way?

0:15:28.440 --> 0:15:30.880
<v Speaker 1>You mean King shit only hitting when Demonic whenever, whichever,

0:15:30.920 --> 0:15:33.200
<v Speaker 1>when they put out a song, I'm gonna always flipp it.

0:15:33.520 --> 0:15:35.720
<v Speaker 1>Demani just put out a joint. King put his pen

0:15:35.800 --> 0:15:37.280
<v Speaker 1>to it.

0:15:36.040 --> 0:15:42.120
<v Speaker 3>Is is Demani DIGGI and then King is Jojo. I

0:15:42.200 --> 0:15:44.560
<v Speaker 3>think Demani is older, I know, but Diggy was the

0:15:44.560 --> 0:15:48.560
<v Speaker 3>better rapper. No dispected Jojo, but he's more King in

0:15:48.600 --> 0:15:49.120
<v Speaker 3>this situation.

0:15:49.360 --> 0:15:52.280
<v Speaker 1>Okay, yeah, even though he's the older brother. How many

0:15:52.320 --> 0:15:54.240
<v Speaker 1>kids does t I have? Uh?

0:15:54.520 --> 0:15:57.760
<v Speaker 2>So they have the family man family. They have seven

0:15:57.840 --> 0:15:59.480
<v Speaker 2>all together. They have seven all together.

0:15:59.520 --> 0:16:02.720
<v Speaker 1>This is gonna be a battle. Ye have seven? Only

0:16:02.720 --> 0:16:08.120
<v Speaker 1>two kids have released thiss trucks. We got five. Yeah,

0:16:08.120 --> 0:16:11.080
<v Speaker 1>I'm just listen and listen, I get it. Don't don't

0:16:11.120 --> 0:16:14.240
<v Speaker 1>let tany get a sheet of paper. I get listen,

0:16:14.320 --> 0:16:17.000
<v Speaker 1>I get and get the girls together. I get it.

0:16:17.160 --> 0:16:19.480
<v Speaker 1>But how much how much more time do we have

0:16:19.560 --> 0:16:22.280
<v Speaker 1>for this stuff? Like? I get it, I understand. Let's

0:16:22.360 --> 0:16:25.760
<v Speaker 1>let's let's capitalize off the moment. Salute to the hustle's

0:16:25.800 --> 0:16:29.480
<v Speaker 1>grand hustle, his family hustle. I'm not mad at the hustle.

0:16:30.040 --> 0:16:32.920
<v Speaker 1>I'm just saying, how much longer do we have before

0:16:33.000 --> 0:16:34.640
<v Speaker 1>we like, all right, we can move on from this.

0:16:34.720 --> 0:16:38.680
<v Speaker 1>That's what I'm until. Why why are you calling?

0:16:38.920 --> 0:16:41.680
<v Speaker 2>Because you niggas is so? This is why they be saying,

0:16:41.760 --> 0:16:42.880
<v Speaker 2>y'all got New York bias.

0:16:43.240 --> 0:16:44.480
<v Speaker 1>This is why.

0:16:44.320 --> 0:16:49.160
<v Speaker 2>Because even with everything that's going on, play the Money's disc,

0:16:49.560 --> 0:16:50.560
<v Speaker 2>Play the Money's disc.

0:16:50.800 --> 0:16:54.000
<v Speaker 1>The Moni's disc is fire, bro, the Moni. We have this.

0:16:54.320 --> 0:16:56.680
<v Speaker 2>First of all, I knew that, Yes, I knew that

0:16:56.720 --> 0:16:58.320
<v Speaker 2>the Money was a good rapper. Yes, I want to

0:16:58.320 --> 0:17:00.600
<v Speaker 2>make that he doesn't get that. He doesn't get the

0:17:00.680 --> 0:17:03.120
<v Speaker 2>you know, not as many people know how good he is.

0:17:03.560 --> 0:17:06.640
<v Speaker 2>But this is now an opportunity. Everybody is seeing, Oh nahr,

0:17:06.720 --> 0:17:08.879
<v Speaker 2>this nigga's nice, Like t I got this nigga like

0:17:09.160 --> 0:17:11.960
<v Speaker 2>this is his seed, Yes it is. This nigga is nice.

0:17:12.000 --> 0:17:14.480
<v Speaker 2>But now it's how long do we got for this?

0:17:14.680 --> 0:17:17.760
<v Speaker 2>Like y'all be asking for real rap all day long,

0:17:17.920 --> 0:17:20.000
<v Speaker 2>like we're the real rappers. There's a lack of talent.

0:17:20.040 --> 0:17:22.280
<v Speaker 2>There's a lack of talent. The talent comes, now it's

0:17:22.760 --> 0:17:23.480
<v Speaker 2>how long do we.

0:17:23.480 --> 0:17:26.800
<v Speaker 1>Have for this? I'm not mad if Demandi puts out mute,

0:17:26.800 --> 0:17:29.320
<v Speaker 1>but like I'm just something ull with this whole Ti

0:17:29.320 --> 0:17:31.920
<v Speaker 1>and his family versus fifty three? How much long do

0:17:32.000 --> 0:17:32.480
<v Speaker 1>we have for this?

0:17:32.680 --> 0:17:35.000
<v Speaker 3>And Demani is a great rapper and rapped really well

0:17:35.119 --> 0:17:37.320
<v Speaker 3>on his Miss Jackson disc. But can I say that

0:17:37.320 --> 0:17:39.320
<v Speaker 3>there's a lack of creativity because this is just some

0:17:39.359 --> 0:17:40.680
<v Speaker 3>diet Meet the Grahams bullshit.

0:17:41.920 --> 0:17:45.359
<v Speaker 2>Now, every time somebody comes at somebody's mom, now it's

0:17:45.400 --> 0:17:45.919
<v Speaker 2>meeting No.

0:17:45.960 --> 0:17:49.000
<v Speaker 3>No, no, no, this is all right, James, Now you're

0:17:49.040 --> 0:17:51.479
<v Speaker 3>playing semantic games. You know for a fact this is

0:17:51.560 --> 0:17:53.720
<v Speaker 3>just a diet Meet the Grams. It's the exact same time.

0:17:53.720 --> 0:17:55.560
<v Speaker 1>How is this a diet meet the great Just go

0:17:55.680 --> 0:17:57.280
<v Speaker 1>listen to Meet the Grahams and then go listen to

0:17:57.320 --> 0:17:59.280
<v Speaker 1>Miss Jackson. It's the same thing.

0:17:59.680 --> 0:18:01.840
<v Speaker 3>Trying to do the psychological breakdown of your past and

0:18:01.880 --> 0:18:04.840
<v Speaker 3>this and that. Like he's even whispering the way Kendrick did.

0:18:05.080 --> 0:18:08.840
<v Speaker 3>It's the same things, right. And also I'm the old head,

0:18:08.880 --> 0:18:11.320
<v Speaker 3>Get off my lawn. I've already seen Jadakiss and Styles

0:18:11.400 --> 0:18:13.800
<v Speaker 3>Piece smoked the Miss Jackson beat against fifty.

0:18:13.880 --> 0:18:17.080
<v Speaker 1>I don't need to hear it again. I don't did

0:18:17.080 --> 0:18:20.000
<v Speaker 1>they addresses? I'm in there and Ghosts already did that,

0:18:20.160 --> 0:18:24.080
<v Speaker 1>and it's one of the greatest This was of wall time. Okay, Demani,

0:18:24.119 --> 0:18:26.320
<v Speaker 1>I think is more talented than just saying, you know

0:18:26.359 --> 0:18:29.080
<v Speaker 1>what meet the Grahams happened. Let me just go do

0:18:29.160 --> 0:18:31.879
<v Speaker 1>that and with with Fifty's entire life that he's already

0:18:31.880 --> 0:18:36.360
<v Speaker 1>told us about. I just want to have how much

0:18:36.400 --> 0:18:39.560
<v Speaker 1>more time? Whatever? Bro? That's hate. I'm like, I'm gonna

0:18:39.560 --> 0:18:39.800
<v Speaker 1>call it.

0:18:39.800 --> 0:18:41.520
<v Speaker 2>That's hey, before anybody else call you hatter, I'm gonna

0:18:41.520 --> 0:18:42.120
<v Speaker 2>call you a hater first.

0:18:42.160 --> 0:18:45.119
<v Speaker 1>That's he hate. That's it. You not as loud with it.

0:18:45.160 --> 0:18:49.560
<v Speaker 1>He's hating. How am I hate? He's hating? That's hate? Bro?

0:18:49.720 --> 0:18:51.639
<v Speaker 1>I hate, Bro. I've been saying I hated it. I

0:18:51.680 --> 0:18:53.840
<v Speaker 1>just how much time we got left for it? That's fine?

0:18:53.880 --> 0:18:56.360
<v Speaker 1>What he's talking about is hate? That's hate? Oh being

0:18:56.480 --> 0:19:01.520
<v Speaker 1>a diagnost Yeah, that's hate, Bro, that's hate? Okay? Is it?

0:19:01.560 --> 0:19:05.000
<v Speaker 1>Is it accurate? Hate? No? No, that's fine. I could

0:19:05.000 --> 0:19:05.320
<v Speaker 1>be a hater.

0:19:05.840 --> 0:19:08.800
<v Speaker 2>So you're telling me that that Miss Meet the Grahams.

0:19:08.880 --> 0:19:11.600
<v Speaker 2>I know, Kendrick Lamar is the first. That's the first

0:19:11.760 --> 0:19:13.439
<v Speaker 2>this song that has ever lied.

0:19:15.400 --> 0:19:17.000
<v Speaker 1>Three things about this one.

0:19:17.760 --> 0:19:20.440
<v Speaker 3>It's like when it's like when Bia did the diet

0:19:20.560 --> 0:19:23.399
<v Speaker 3>like that beat a week after like that came out,

0:19:23.440 --> 0:19:25.639
<v Speaker 3>It's like, Okay, it's a little too on the nose

0:19:25.760 --> 0:19:27.199
<v Speaker 3>of what you're trying to do.

0:19:27.320 --> 0:19:28.480
<v Speaker 1>You're just copying another.

0:19:28.560 --> 0:19:30.000
<v Speaker 2>So is he copying Meet the Grams or is he

0:19:30.040 --> 0:19:32.920
<v Speaker 2>copying Jada kissing them? Because the beat was used by

0:19:33.040 --> 0:19:34.639
<v Speaker 2>Like that's that's an obvious flip.

0:19:34.680 --> 0:19:37.560
<v Speaker 1>That's an obvious disc Adam, Miss Jackson sit at the end,

0:19:37.840 --> 0:19:41.400
<v Speaker 1>the Miss Jackson was the hook.

0:19:42.160 --> 0:19:44.320
<v Speaker 3>I'm not hating When somebody says, are you happy with

0:19:44.320 --> 0:19:47.040
<v Speaker 3>the way he's been holding your family name? I need

0:19:47.080 --> 0:19:49.119
<v Speaker 3>to know because I can't sleep at night thinking you

0:19:49.160 --> 0:19:49.720
<v Speaker 3>died in vain.

0:19:50.880 --> 0:19:53.400
<v Speaker 2>You're yes, you're a hater. Yes, actually yes you're a hater.

0:19:53.600 --> 0:19:56.560
<v Speaker 2>You're definitely a hater. Bro, you're a sleep at night

0:19:56.560 --> 0:19:59.920
<v Speaker 2>thinking about Now we're breaking down every word in a mother.

0:20:00.240 --> 0:20:04.120
<v Speaker 1>I thought it was get the bars. I thought we

0:20:04.119 --> 0:20:08.320
<v Speaker 1>was dissecting the bars. Alright, alright, I'm a hater for

0:20:08.400 --> 0:20:10.000
<v Speaker 1>laughing at Demani losing sleep.

0:20:12.400 --> 0:20:15.359
<v Speaker 3>Now I'm a hater because he lost sleep thinking about

0:20:15.400 --> 0:20:16.840
<v Speaker 3>if Sabrina died in Vain.

0:20:17.359 --> 0:20:20.280
<v Speaker 1>He's tossing and turning. Okay, here's my thing.

0:20:20.640 --> 0:20:23.120
<v Speaker 3>I can't prove this, and you can call me a hater,

0:20:23.920 --> 0:20:27.479
<v Speaker 3>but I can almost guarantee when everyone came in the studio,

0:20:28.160 --> 0:20:30.520
<v Speaker 3>Demani right before you hit space mar said, yo, I

0:20:30.520 --> 0:20:32.560
<v Speaker 3>got him with to meet the graham Ship and hit

0:20:32.600 --> 0:20:33.000
<v Speaker 3>space war.

0:20:33.160 --> 0:20:36.480
<v Speaker 1>Oh my god. I can almost guarantee he was in

0:20:36.520 --> 0:20:39.040
<v Speaker 1>the group chat saying, yo, King did that, I'm gonna

0:20:39.040 --> 0:20:41.880
<v Speaker 1>go to meet the Grams. Approach. I guaranteed it. I'm

0:20:41.920 --> 0:20:44.359
<v Speaker 1>not I'm not mad at that I meet the Grams

0:20:44.440 --> 0:20:47.400
<v Speaker 1>was definitely mentioned in this session one thousand for somebody

0:20:47.440 --> 0:20:49.080
<v Speaker 1>in that session. I don't know if THEMANI said that,

0:20:49.200 --> 0:20:52.240
<v Speaker 1>the engineer said it. Somebody saying you should go this, well,

0:20:52.320 --> 0:20:56.080
<v Speaker 1>go meet the Grahams, go meet the Grams.

0:20:56.119 --> 0:20:59.000
<v Speaker 2>All the am I saying that there's not a similarity

0:20:59.040 --> 0:21:02.240
<v Speaker 2>to the approach. Sure, but you saying he's even whispering

0:21:02.240 --> 0:21:04.080
<v Speaker 2>and that's how the money wraps. But you would know

0:21:04.080 --> 0:21:05.639
<v Speaker 2>that because you don't listen to the money. But that's

0:21:05.680 --> 0:21:12.800
<v Speaker 2>how the money. But this is but I knew. I

0:21:12.880 --> 0:21:14.960
<v Speaker 2>knew the money was good because I've heard the money

0:21:14.960 --> 0:21:18.199
<v Speaker 2>back before I shake the money out, so that I

0:21:18.400 --> 0:21:20.359
<v Speaker 2>so I know, no matter whether I'm his biggest fan

0:21:20.480 --> 0:21:21.679
<v Speaker 2>or not, so I know.

0:21:21.720 --> 0:21:23.040
<v Speaker 1>That that's the way that he raps.

0:21:23.080 --> 0:21:24.760
<v Speaker 2>He didn't just start when you're talking about so he

0:21:24.840 --> 0:21:26.080
<v Speaker 2>just started whispering like Kendrick.

0:21:26.160 --> 0:21:29.439
<v Speaker 1>That's how the nigga rat. I heard him freestyle and

0:21:29.440 --> 0:21:31.320
<v Speaker 1>he did not whisper. Okay, that's a freestyle.

0:21:31.440 --> 0:21:33.479
<v Speaker 2>That's not him making it okay at the end of

0:21:33.480 --> 0:21:35.280
<v Speaker 2>the day, if you want to, I thought you were

0:21:35.280 --> 0:21:36.720
<v Speaker 2>going to come in here and call him a diet,

0:21:36.880 --> 0:21:38.880
<v Speaker 2>a diet three stacks or a diet J Cole.

0:21:38.920 --> 0:21:41.199
<v Speaker 1>He's heard that his whole career. That's whatever I've heard

0:21:41.200 --> 0:21:43.000
<v Speaker 1>the J Cole comparisons. But I actually thought that was

0:21:43.560 --> 0:21:44.320
<v Speaker 1>a compliment. Yo.

0:21:44.440 --> 0:21:47.080
<v Speaker 2>For sure, definitely that's my favoritepper. Of course that's a compliment.

0:21:47.119 --> 0:21:48.800
<v Speaker 2>But if you were to come with that, sure, but

0:21:48.840 --> 0:21:51.399
<v Speaker 2>to say that he was like copying Kendrick with the whispering.

0:21:51.040 --> 0:21:52.199
<v Speaker 1>And to meet the graam ship. That's just the way

0:21:52.240 --> 0:21:52.880
<v Speaker 1>he raps bro.

0:21:52.880 --> 0:21:55.280
<v Speaker 3>And I'm also I'm not mad at flipping Miss Jackson

0:21:55.280 --> 0:21:57.240
<v Speaker 3>just because kiss and it goes.

0:21:57.800 --> 0:22:04.879
<v Speaker 1>That's fine, do that. I just insd meet the grabs.

0:22:05.080 --> 0:22:08.040
<v Speaker 1>What do you want from me? Listen? Man, he wrapped

0:22:08.119 --> 0:22:08.440
<v Speaker 1>is great.

0:22:08.480 --> 0:22:10.920
<v Speaker 3>He broke down to ship these whole psyche And now

0:22:10.920 --> 0:22:12.199
<v Speaker 3>I look at fifty way different.

0:22:12.840 --> 0:22:16.879
<v Speaker 2>Oh my god, y'all you it's I just I just

0:22:16.960 --> 0:22:17.600
<v Speaker 2>like seeing.

0:22:17.400 --> 0:22:20.399
<v Speaker 1>People you hate. Baby, he's a fucking hater. That sh

0:22:20.560 --> 0:22:21.640
<v Speaker 1>They're crazy, and.

0:22:21.520 --> 0:22:23.239
<v Speaker 2>It's I'll be sitting you're trying to defend on when

0:22:23.240 --> 0:22:23.720
<v Speaker 2>people say.

0:22:23.640 --> 0:22:26.240
<v Speaker 1>I have I have New York Biers fifty What do

0:22:26.280 --> 0:22:29.119
<v Speaker 1>you want from Ian? I'm gonna have a bias. I

0:22:30.080 --> 0:22:31.000
<v Speaker 1>have a fifty buys.

0:22:31.080 --> 0:22:33.840
<v Speaker 2>Yes, cool, say that, then before preface that, before you

0:22:33.880 --> 0:22:38.080
<v Speaker 2>start hating. Preface that, preface with that saying I'm just having.

0:22:37.840 --> 0:22:39.680
<v Speaker 1>Somebody else is being called to hater that for once.

0:22:39.960 --> 0:22:41.200
<v Speaker 1>They called me a hate every day and I'm like,

0:22:41.200 --> 0:22:42.760
<v Speaker 1>I don't care about none of these niggas enough to

0:22:42.760 --> 0:22:45.600
<v Speaker 1>hate on them. But whatever, go ahead, go ahead and

0:22:45.600 --> 0:22:47.320
<v Speaker 1>hate Up, Get Baby d hate.

0:22:47.200 --> 0:22:49.600
<v Speaker 2>Nash because had he been this is somebody other than

0:22:49.600 --> 0:22:51.800
<v Speaker 2>your fave, you would have been on and this is

0:22:51.920 --> 0:22:53.560
<v Speaker 2>this might have been. This is the greatest thing. We've

0:22:53.560 --> 0:22:55.239
<v Speaker 2>been waiting for real hip hop to come back, and

0:22:55.280 --> 0:22:57.600
<v Speaker 2>it's back. You guys aren't excited it's back.

0:22:57.840 --> 0:22:59.800
<v Speaker 1>No, no, no, no. I don't know if anybody would say

0:22:59.800 --> 0:23:02.000
<v Speaker 1>that about don't gash.

0:23:02.040 --> 0:23:02.679
<v Speaker 2>Up like that.

0:23:03.600 --> 0:23:05.320
<v Speaker 1>I say he's gonna say real hip hop is back

0:23:05.359 --> 0:23:07.800
<v Speaker 1>eighty seven unleaded for sure. But I'm just saying, like,

0:23:07.840 --> 0:23:09.120
<v Speaker 1>I don't think he would say that about them.

0:23:09.280 --> 0:23:11.240
<v Speaker 3>But this, this is where she's wrong when she said,

0:23:11.359 --> 0:23:13.280
<v Speaker 3>if he was this and anyone else but your favor,

0:23:13.280 --> 0:23:14.720
<v Speaker 3>you would love that. I just said, one of the

0:23:14.720 --> 0:23:17.439
<v Speaker 3>greatest dis records of all time is kissing Ghosts on

0:23:17.440 --> 0:23:19.679
<v Speaker 3>the Miss Jackson be against fifty center.

0:23:19.760 --> 0:23:22.080
<v Speaker 1>My favorite. This is an all time guest. He said,

0:23:22.359 --> 0:23:26.560
<v Speaker 1>Checkmate is the greatest ever? Is this in your fave?

0:23:26.680 --> 0:23:29.040
<v Speaker 1>Of course you're gonna pick like the game three hundred

0:23:29.080 --> 0:23:32.119
<v Speaker 1>bars and running. It should be in the fucking museum.

0:23:32.160 --> 0:23:34.400
<v Speaker 1>Another one of your faves. But he's not from New York.

0:23:34.800 --> 0:23:37.800
<v Speaker 1>He's still one of your faves. It's Okay, you have biases,

0:23:37.840 --> 0:23:40.600
<v Speaker 1>That's what we all do. I just want the club.

0:23:40.640 --> 0:23:42.080
<v Speaker 1>I just want to know how much time back. I

0:23:42.119 --> 0:23:46.040
<v Speaker 1>love who else? Everyone dis fifty between fifty and well T.

0:23:47.200 --> 0:23:49.840
<v Speaker 2>The OMG girls might come for that ass next, who knows,

0:23:50.960 --> 0:23:51.720
<v Speaker 2>who knows.

0:23:52.040 --> 0:23:54.680
<v Speaker 3>I think it's kiss fifty like cared about rapping because

0:23:54.720 --> 0:23:56.679
<v Speaker 3>the amount of flips you could do with escape is

0:23:56.720 --> 0:23:59.920
<v Speaker 3>fucking unbelievable. Like, can someone say I wish Banks and

0:24:00.080 --> 0:24:03.040
<v Speaker 3>him were still friends? Can somebody step in?

0:24:03.960 --> 0:24:06.919
<v Speaker 1>No? I don't think anybody needs to step in on this.

0:24:06.960 --> 0:24:08.840
<v Speaker 1>I think I think it's like, Okay, cool, we heard

0:24:08.880 --> 0:24:13.120
<v Speaker 1>from t I, we heard from King, we heard from Demani. Dope,

0:24:13.600 --> 0:24:16.439
<v Speaker 1>got your ship off? Cool. I think that's cool. I

0:24:16.440 --> 0:24:18.800
<v Speaker 1>think a family jumping like one rapper. I think that

0:24:19.080 --> 0:24:22.080
<v Speaker 1>a man. Listen, listen, I respect it, I get it.

0:24:22.119 --> 0:24:25.000
<v Speaker 1>I'm just saying like t I is a comedian too,

0:24:25.000 --> 0:24:26.840
<v Speaker 1>though he could have it could have just been jokes.

0:24:26.920 --> 0:24:29.320
<v Speaker 1>If it was, it could have just stayed t I went.

0:24:29.200 --> 0:24:32.919
<v Speaker 2>And made a fucking sketch onto fucking ig like you

0:24:32.960 --> 0:24:35.240
<v Speaker 2>just said you niggas would be clowning him from here

0:24:35.720 --> 0:24:36.680
<v Speaker 2>to fucking.

0:24:36.480 --> 0:24:38.360
<v Speaker 1>It's on brand. He's he's a comedian.

0:24:38.440 --> 0:24:43.560
<v Speaker 3>Now why not the amount of AM fifty could really

0:24:43.600 --> 0:24:45.359
<v Speaker 3>just wrap that. It's crazy.

0:24:45.400 --> 0:24:48.200
<v Speaker 1>Another man brought your family together, like there's so much

0:24:48.359 --> 0:24:52.520
<v Speaker 1>m O here. You write it, then, I mean I'll

0:24:52.600 --> 0:24:57.080
<v Speaker 1>DM it to him left when you pressed it on

0:24:57.080 --> 0:24:59.400
<v Speaker 1>that DM. Let me read the DM you sent fifty.

0:25:00.240 --> 0:25:04.920
<v Speaker 3>No, no context, it would just be boring. I don't

0:25:04.920 --> 0:25:08.040
<v Speaker 3>care if you don't believe me. I think Demani's this

0:25:08.119 --> 0:25:08.400
<v Speaker 3>is good.

0:25:08.560 --> 0:25:12.120
<v Speaker 1>Okay, do you know? I do? I really it's fine.

0:25:12.119 --> 0:25:13.560
<v Speaker 2>Now you got to clean it up, like you know,

0:25:13.560 --> 0:25:15.639
<v Speaker 2>we was off cameras, fine, how how do you feel it?

0:25:15.640 --> 0:25:21.600
<v Speaker 2>Offside highs were getting right to that.

0:25:24.000 --> 0:25:26.720
<v Speaker 1>I didn't know we was going right there, baby, let's

0:25:26.800 --> 0:25:28.560
<v Speaker 1>just stay on. This is all right?

0:25:28.640 --> 0:25:32.840
<v Speaker 3>Well okay, well, I believe MANI is a great rapper.

0:25:34.880 --> 0:25:37.280
<v Speaker 3>When a Bentley pulls up next to a Chrysler.

0:25:37.040 --> 0:25:40.639
<v Speaker 2>Oh yeah, the different these bars.

0:25:39.880 --> 0:25:43.720
<v Speaker 1>It's about the jet. I'm not talking about the JIT.

0:25:45.920 --> 0:25:47.680
<v Speaker 1>Did you listen to the whole song? Because the song

0:25:47.760 --> 0:25:49.520
<v Speaker 1>is not a J cold Is there a J Cole

0:25:49.640 --> 0:25:52.320
<v Speaker 1>slight in it? For sure? For sure? Yeah, But it's

0:25:52.400 --> 0:25:54.679
<v Speaker 1>also seven minutes of the greatest fucking rapper I've heard

0:25:54.720 --> 0:25:59.160
<v Speaker 1>in quite some time. It's no demany on Miss Jackson.

0:25:59.320 --> 0:26:02.800
<v Speaker 1>But see it's the money. And then there's like, because

0:26:02.800 --> 0:26:06.119
<v Speaker 1>you got Ruth Chris is you know, I mean you

0:26:06.160 --> 0:26:08.760
<v Speaker 1>got Ruth Chris, you got different steakhouses. But then there's

0:26:08.840 --> 0:26:12.000
<v Speaker 1>just like you know, the upper echelon of the steakhouses,

0:26:12.040 --> 0:26:14.800
<v Speaker 1>like this is what Saha does. He's a he's a wordsmith,

0:26:14.840 --> 0:26:17.800
<v Speaker 1>he's a he's a ball technician. Like Saha is one

0:26:17.800 --> 0:26:20.560
<v Speaker 1>of the best rappers that we've ever had, like by far.

0:26:20.840 --> 0:26:23.320
<v Speaker 1>And I think that on on this is it Lost Control?

0:26:24.400 --> 0:26:28.120
<v Speaker 1>Uh yeah, on this Lost Control record, he displayed that

0:26:28.200 --> 0:26:30.760
<v Speaker 1>like he's one of the best rappers. No, it's not

0:26:30.800 --> 0:26:32.800
<v Speaker 1>a lot of it's not the only thing. The only

0:26:33.080 --> 0:26:35.439
<v Speaker 1>my only nine Saha is that's my nigga. But my

0:26:35.520 --> 0:26:39.200
<v Speaker 1>only knock on Sahia is that he doesn't have the

0:26:39.240 --> 0:26:42.560
<v Speaker 1>material that a lot of these other people that we

0:26:42.600 --> 0:26:44.719
<v Speaker 1>think are the best mcs and the best rappers have.

0:26:45.080 --> 0:26:48.240
<v Speaker 1>He doesn't. His his output is not as high as

0:26:48.280 --> 0:26:50.119
<v Speaker 1>a lot of these other artists. But as far as

0:26:50.160 --> 0:26:52.679
<v Speaker 1>just rapping, there's not a lot of rappers that could rap.

0:26:54.240 --> 0:26:57.520
<v Speaker 3>I hear you with the output. But no dope on

0:26:57.560 --> 0:26:59.959
<v Speaker 3>Sundays is to me a classical album.

0:27:00.040 --> 0:27:01.160
<v Speaker 1>Yeah, but that was what two years ago.

0:27:01.480 --> 0:27:03.640
<v Speaker 3>Yeah, but I mean it appears that he is rolling

0:27:03.640 --> 0:27:05.720
<v Speaker 3>something out because we got no competition twelve days ago.

0:27:06.200 --> 0:27:08.160
<v Speaker 1>Then we get lost control.

0:27:09.280 --> 0:27:12.760
<v Speaker 3>And it feels like these are more Lucy's where he's

0:27:12.800 --> 0:27:15.679
<v Speaker 3>just wrapping through. But this seems to be somewhat of

0:27:15.720 --> 0:27:19.120
<v Speaker 3>a rollout. So he had tweeted the that I grew

0:27:19.160 --> 0:27:21.960
<v Speaker 3>up in an era where you're a lyricist from the streets,

0:27:22.000 --> 0:27:22.920
<v Speaker 3>not a bunch of college kids.

0:27:22.960 --> 0:27:24.600
<v Speaker 1>Whatever. We talked about that before.

0:27:26.080 --> 0:27:28.520
<v Speaker 3>Then on the twenty sixth, he said, I wasn't talking

0:27:28.520 --> 0:27:31.360
<v Speaker 3>about j Cole saw how you my man's but you definitely.

0:27:31.000 --> 0:27:36.080
<v Speaker 1>Were like me. If he said he wasn't thet he

0:27:36.280 --> 0:27:38.720
<v Speaker 1>was never heard you are. But it's okay. If he

0:27:38.960 --> 0:27:41.919
<v Speaker 1>said he wasn't, we gotta take that. What's wrong. If

0:27:41.920 --> 0:27:44.080
<v Speaker 1>he was no, it's nothing wrong. But that's what I'm saying.

0:27:44.119 --> 0:27:46.240
<v Speaker 1>That's why if he's said he wasn't, then he wasn't,

0:27:46.280 --> 0:27:49.520
<v Speaker 1>because obviously he has no problem going that cold obviously,

0:27:50.000 --> 0:27:51.480
<v Speaker 1>So that's what I'm saying. If he said he wasn't,

0:27:51.520 --> 0:27:54.240
<v Speaker 1>I believe him because then he gives us lost control.

0:27:54.440 --> 0:27:57.520
<v Speaker 3>So from that tweet, whatever, it was then on the

0:27:57.560 --> 0:27:59.199
<v Speaker 3>twenty six he said, I wasn't talking about Jay Cole,

0:27:59.200 --> 0:28:01.040
<v Speaker 3>but sent y'all remind to me, and then put a

0:28:01.080 --> 0:28:05.840
<v Speaker 3>snippet out with this, which, outside of it being an

0:28:05.880 --> 0:28:09.480
<v Speaker 3>amazing display of rapping, he did say he needed to

0:28:09.480 --> 0:28:12.680
<v Speaker 3>get him back for the False Prophets record, which, for

0:28:12.760 --> 0:28:15.920
<v Speaker 3>those that don't know Cole was dissing, well, not this.

0:28:16.240 --> 0:28:18.920
<v Speaker 3>Cole was explaining where he felt Kanye West was at

0:28:18.920 --> 0:28:21.359
<v Speaker 3>the time in the False Prophets record, and in that

0:28:21.440 --> 0:28:24.040
<v Speaker 3>record he described that maybe the people around him are

0:28:24.040 --> 0:28:26.600
<v Speaker 3>too scared to bring up that you're falling off and

0:28:27.000 --> 0:28:30.560
<v Speaker 3>you whack and I can see Hi taking offense to that,

0:28:31.080 --> 0:28:32.520
<v Speaker 3>like you trying to make me out to be some

0:28:32.640 --> 0:28:33.680
<v Speaker 3>yes man this and that.

0:28:34.400 --> 0:28:37.159
<v Speaker 1>But that's how I was around. Yeah, he's right, especially

0:28:37.160 --> 0:28:38.479
<v Speaker 1>around that time with him.

0:28:38.560 --> 0:28:41.840
<v Speaker 3>Yeah, at this point, no one's going to tell him

0:28:41.880 --> 0:28:43.480
<v Speaker 3>like y'all have a bunch of yes men around him.

0:28:43.680 --> 0:28:46.160
<v Speaker 3>Is what someone could take from what Cole said.

0:28:46.400 --> 0:28:49.880
<v Speaker 1>How long ago was that Bruh went a false Prophets.

0:28:50.440 --> 0:28:52.720
<v Speaker 1>I'm looking it up right now. That was a while ago.

0:28:52.920 --> 0:28:55.440
<v Speaker 1>I hit dog non holland I mean shit, So how

0:28:55.440 --> 0:28:57.440
<v Speaker 1>I was holding he was holding that in He was like, Okay,

0:28:57.440 --> 0:29:00.760
<v Speaker 1>I'm not gonna forget that. I heard you to me.

0:29:00.920 --> 0:29:04.760
<v Speaker 1>That's really where that tweet twenty sixteen, ten years ago. Okay,

0:29:06.960 --> 0:29:09.760
<v Speaker 1>so let me ask you guys, this is there two

0:29:09.840 --> 0:29:16.080
<v Speaker 1>six Wow, he was waiting, He was waiting and six

0:29:16.200 --> 0:29:21.560
<v Speaker 1>on the twenty sixth February two, twenty six exactly. Who's

0:29:21.560 --> 0:29:23.160
<v Speaker 1>the two sixth? God? Now? I think his name is

0:29:23.160 --> 0:29:25.840
<v Speaker 1>Sahi the Prince. Listen, this is some high level rap,

0:29:25.880 --> 0:29:29.040
<v Speaker 1>baby d This is high level bars. This is high

0:29:29.120 --> 0:29:31.960
<v Speaker 1>level bars. That's what's up. These is high level yo.

0:29:32.080 --> 0:29:35.160
<v Speaker 1>You I ain't gonna say it, yeah, but it sounds

0:29:35.160 --> 0:29:36.640
<v Speaker 1>like I feel like you want to you want to

0:29:36.680 --> 0:29:38.840
<v Speaker 1>hate me. I'm not gonna call you a yoh who

0:29:39.040 --> 0:29:40.840
<v Speaker 1>you can never hate outside being a good rapper.

0:29:40.880 --> 0:29:44.160
<v Speaker 3>Okay that it was high level bars throughout the record.

0:29:44.240 --> 0:29:47.080
<v Speaker 3>I think they were just slight low jabs at cold

0:29:47.080 --> 0:29:49.640
<v Speaker 3>that spar session, he said it, dam this is just rap.

0:29:49.680 --> 0:29:51.800
<v Speaker 3>It's just a little spar session. You were scared of

0:29:51.800 --> 0:29:54.959
<v Speaker 3>our good brother and that grand national. Why shouldn't new

0:29:55.080 --> 0:29:57.320
<v Speaker 3>you and that little Honda was gonna have to collide?

0:29:58.320 --> 0:30:00.440
<v Speaker 1>All right? My question to the run, high level for sure,

0:30:00.920 --> 0:30:06.560
<v Speaker 1>said that was a solution. Now you hear. Now you

0:30:06.560 --> 0:30:13.760
<v Speaker 1>put up to the ATM, you that hate you ATM,

0:30:13.880 --> 0:30:17.400
<v Speaker 1>pull that cash out to HATM. Now my question to y'all,

0:30:17.400 --> 0:30:21.200
<v Speaker 1>because y'all are like super J. Cole fans, right, does J.

0:30:21.400 --> 0:30:28.800
<v Speaker 1>Cole have to respond it was too light? He doesn't

0:30:28.840 --> 0:30:30.800
<v Speaker 1>have to because it was too late. Do I want

0:30:30.840 --> 0:30:33.400
<v Speaker 1>him to yes? Baby D.

0:30:35.040 --> 0:30:38.280
<v Speaker 2>I have said a million times, when spread Freddy, when Freddy.

0:30:38.000 --> 0:30:41.680
<v Speaker 1>Gibbs, he was about to come spready Gibbs. Yeah, maybe

0:30:41.720 --> 0:30:43.440
<v Speaker 1>we're not doing that. I heard the spread you was

0:30:43.440 --> 0:30:45.200
<v Speaker 1>about to do. Spread you about to come spready gives

0:30:45.200 --> 0:30:45.760
<v Speaker 1>Freddy Gibbs.

0:30:45.800 --> 0:30:48.880
<v Speaker 2>Okay, Freddie Gibbs with shooting at cold. I have already

0:30:48.880 --> 0:30:52.080
<v Speaker 2>said Cole cannot respond to anybody. It is a lose

0:30:52.200 --> 0:30:54.680
<v Speaker 2>lose situation that he has handicapped himself.

0:30:54.680 --> 0:30:56.440
<v Speaker 1>He can't respond to anybody. So no, I don't want

0:30:56.480 --> 0:30:58.280
<v Speaker 1>him to respond. Wait, but when I said that, y'all

0:30:58.360 --> 0:31:01.440
<v Speaker 1>killed me. But what about Cole can't respond? I didn't

0:31:01.480 --> 0:31:03.760
<v Speaker 1>kill you for that. I agree with you. Nah, we

0:31:03.800 --> 0:31:05.959
<v Speaker 1>got I don't know if you agree. I have been

0:31:06.000 --> 0:31:08.200
<v Speaker 1>saying that you never agree with me on nothing. J. Cole.

0:31:12.960 --> 0:31:14.600
<v Speaker 1>He can't like you. Can't respond.

0:31:15.000 --> 0:31:17.520
<v Speaker 2>It's a lose lose situation, so you can do you

0:31:17.560 --> 0:31:19.720
<v Speaker 2>can do whatever you want, but I don't want to

0:31:19.720 --> 0:31:21.480
<v Speaker 2>have to hear people talk about it, So please don't

0:31:21.640 --> 0:31:23.920
<v Speaker 2>like I was like, it's a lose lose situation.

0:31:24.120 --> 0:31:26.600
<v Speaker 1>So way J Cole don't respond to nobody for us

0:31:26.600 --> 0:31:28.560
<v Speaker 1>of his career. That's how I feel I've said that,

0:31:28.600 --> 0:31:31.479
<v Speaker 1>though I've said that, I feel like I said that

0:31:31.480 --> 0:31:33.840
<v Speaker 1>to y'all. Y'all, y'all kill me for that. No, you

0:31:33.880 --> 0:31:36.320
<v Speaker 1>said his career was over and I laughed. I said,

0:31:36.760 --> 0:31:40.040
<v Speaker 1>I said career suicide, meaning like that when somebody when

0:31:40.040 --> 0:31:42.680
<v Speaker 1>the MC challenges and he can't because you can't pick

0:31:42.720 --> 0:31:44.520
<v Speaker 1>and choose, and that look like you're picking and choose exactly.

0:31:44.560 --> 0:31:46.400
<v Speaker 1>I don't remember that being your sentiment, but if you,

0:31:46.520 --> 0:31:50.960
<v Speaker 1>if you feel like that, I'm respecting it. Yeah. So,

0:31:51.040 --> 0:31:55.680
<v Speaker 1>I mean, Cole didn't reply to some favored rappers on.

0:31:55.680 --> 0:31:57.800
<v Speaker 2>The Fall the funniest fuck, But I feel like that

0:31:57.840 --> 0:32:00.800
<v Speaker 2>was hometown ship. Like that's hometown ship, like that's like

0:32:00.840 --> 0:32:03.680
<v Speaker 2>personal ship. That's like arguing with somebody on Facebook, you

0:32:03.720 --> 0:32:04.400
<v Speaker 2>at the high school with.

0:32:04.480 --> 0:32:06.440
<v Speaker 1>Like, but at the same time, no one really gave

0:32:06.480 --> 0:32:09.400
<v Speaker 1>him ship for that. I was actually kind of shocked.

0:32:09.040 --> 0:32:13.640
<v Speaker 3>That the world wasn't like, okay, you do a full disrecord, but.

0:32:13.640 --> 0:32:15.600
<v Speaker 1>Not a lot of people don't even know that that's

0:32:15.600 --> 0:32:16.280
<v Speaker 1>what he's doing.

0:32:16.480 --> 0:32:18.760
<v Speaker 3>Okay, yeah, because that was just that was direct. This

0:32:18.840 --> 0:32:22.280
<v Speaker 3>is too specific rappers and the like. It wasn't really

0:32:22.920 --> 0:32:25.000
<v Speaker 3>something to hide. It was a disrecord.

0:32:25.560 --> 0:32:28.760
<v Speaker 1>Wait, so J Cole does not have to respond, he said,

0:32:29.400 --> 0:32:32.200
<v Speaker 1>tell Saint John, balls just ain't ain't that jaw dropped?

0:32:32.200 --> 0:32:34.120
<v Speaker 1>He was talking. I was talking about Saint John. No,

0:32:34.240 --> 0:32:35.760
<v Speaker 1>he wasn't. He was talking about the guy that went

0:32:35.800 --> 0:32:40.080
<v Speaker 1>to Saint John. Like, I'm just you forgot. I still

0:32:40.080 --> 0:32:42.640
<v Speaker 1>owe you for false prophets. I rap punchlines as hard

0:32:42.640 --> 0:32:44.800
<v Speaker 1>as Bernard Hopkins. There ain't no yes man over here.

0:32:44.880 --> 0:32:45.600
<v Speaker 1>My dog stop it.

0:32:46.120 --> 0:32:49.479
<v Speaker 3>I mean, these are these are direct responses. I wouldn't

0:32:49.480 --> 0:32:50.600
<v Speaker 3>say they're shots per se.

0:32:51.960 --> 0:32:54.600
<v Speaker 1>Tell Saint John that them raps just ain't that jaw dropping?

0:32:55.720 --> 0:32:58.640
<v Speaker 1>That's challenging the MC's pen. Are we talking about we're

0:32:58.640 --> 0:33:01.000
<v Speaker 1>supposed to You want to disresp like called J Cola

0:33:01.160 --> 0:33:02.600
<v Speaker 1>a bitch or something like that, Like he ain't gonna

0:33:02.640 --> 0:33:04.560
<v Speaker 1>do that. He's just like, Yo, your balls, ain't that

0:33:04.640 --> 0:33:06.719
<v Speaker 1>dope as in MC you were supposed to be like, wait,

0:33:06.720 --> 0:33:07.360
<v Speaker 1>who he told it?

0:33:07.440 --> 0:33:07.520
<v Speaker 2>Now?

0:33:07.560 --> 0:33:10.240
<v Speaker 1>Whole lie, that's just his rap. Like he's like you

0:33:10.240 --> 0:33:12.120
<v Speaker 1>said at the end of the record, is just rap.

0:33:12.200 --> 0:33:14.200
<v Speaker 1>It ain't personal, it ain't be if it ain't none

0:33:14.200 --> 0:33:16.120
<v Speaker 1>of that. It's just bars. That's good.

0:33:16.240 --> 0:33:18.520
<v Speaker 2>But even if he comes and bars side high to

0:33:18.560 --> 0:33:20.680
<v Speaker 2>the gods, even if he was to do that in

0:33:20.720 --> 0:33:22.520
<v Speaker 2>the world he was the coming bar side, none of

0:33:22.600 --> 0:33:23.840
<v Speaker 2>y'all will respect it anyway.

0:33:23.920 --> 0:33:25.880
<v Speaker 1>So what is I wouldn't who wouldn't respect it?

0:33:25.920 --> 0:33:27.560
<v Speaker 3>I was the one that said fifty seving he's a rap.

0:33:27.640 --> 0:33:30.600
<v Speaker 3>Back to t I and now Demani. He's definitely J

0:33:30.720 --> 0:33:32.680
<v Speaker 3>Cole's nephew, but he's losing sleep.

0:33:32.760 --> 0:33:34.080
<v Speaker 1>What are you basing this off? A baby? Why are

0:33:34.080 --> 0:33:35.240
<v Speaker 1>you saying we wouldn't respect it?

0:33:35.360 --> 0:33:38.000
<v Speaker 2>Because y'all gonna say you just said it. Y'all gonna

0:33:38.000 --> 0:33:39.320
<v Speaker 2>say he's picking and choosing.

0:33:39.360 --> 0:33:41.320
<v Speaker 1>You want to say that regardless. But I'm not gonna

0:33:41.320 --> 0:33:42.840
<v Speaker 1>say if his bass is dope. You think I'm gonna

0:33:42.840 --> 0:33:43.800
<v Speaker 1>say his balls ain't dope.

0:33:43.920 --> 0:33:46.360
<v Speaker 2>No, That's not what I'm saying, all right, So conversation

0:33:46.520 --> 0:33:49.360
<v Speaker 2>will always go back to who he didn't respond to

0:33:49.480 --> 0:33:50.760
<v Speaker 2>or who what he what?

0:33:51.000 --> 0:33:53.160
<v Speaker 1>We know we know that like we going into it,

0:33:53.200 --> 0:33:55.280
<v Speaker 1>we know that we know Like Yo, bro, you because

0:33:55.280 --> 0:33:57.760
<v Speaker 1>now anybody was fond to speaking and choosing exactly wouldn't

0:33:57.760 --> 0:33:59.680
<v Speaker 1>respond to this dude. But you was spond to that dude. Cool.

0:34:00.000 --> 0:34:01.400
<v Speaker 1>But we're not gonna sit here and be like the

0:34:01.440 --> 0:34:04.160
<v Speaker 1>bars is whack just because he picking and choose it.

0:34:04.400 --> 0:34:06.240
<v Speaker 1>If you go in there and fire SA high up,

0:34:06.320 --> 0:34:08.960
<v Speaker 1>we're gonna be like Yo, Cole and crap, Sahai, it's

0:34:09.040 --> 0:34:11.879
<v Speaker 1>on you. This is just like it is just rap

0:34:11.920 --> 0:34:15.000
<v Speaker 1>and it's not personal. I don't think hates J Cole

0:34:15.120 --> 0:34:17.719
<v Speaker 1>has b for them. It's just personal. Like Yo, I

0:34:17.760 --> 0:34:20.120
<v Speaker 1>just don't think you that dope like you. I'm saying

0:34:20.120 --> 0:34:22.720
<v Speaker 1>you were scared of our good brother and that grand national.

0:34:24.160 --> 0:34:26.080
<v Speaker 1>You're gonna you should have known that Honda was gonna

0:34:26.080 --> 0:34:28.640
<v Speaker 1>have to collide, like sooner or later, you're gonna have

0:34:28.719 --> 0:34:31.120
<v Speaker 1>to step in front of another MC as MC's you're

0:34:31.120 --> 0:34:32.319
<v Speaker 1>gonna have. That's what you gotta do.

0:34:32.520 --> 0:34:35.360
<v Speaker 2>And but okay, so what do y'all think Sihai is

0:34:35.440 --> 0:34:38.160
<v Speaker 2>doing this for? Because I think we can all agree.

0:34:38.200 --> 0:34:42.160
<v Speaker 2>As talented as Hi is, he knows because he's so talented.

0:34:42.160 --> 0:34:42.880
<v Speaker 1>He knows talent.

0:34:43.320 --> 0:34:45.640
<v Speaker 2>He knows that Jay Cole is not the bars ain't

0:34:45.640 --> 0:34:48.239
<v Speaker 2>all like you like you?

0:34:48.280 --> 0:34:51.120
<v Speaker 1>Maybe he feel like it's not. I'm just saying when

0:34:51.120 --> 0:34:53.480
<v Speaker 1>you when you're at MC, you look at other m

0:34:53.520 --> 0:34:56.680
<v Speaker 1>c's differently. You look at their bars differently, you look

0:34:56.719 --> 0:34:59.800
<v Speaker 1>at their entendres and all the ability to write diffinitely

0:35:00.000 --> 0:35:02.440
<v Speaker 1>as a writer. Saha. As a writer, he writes for himself,

0:35:02.520 --> 0:35:05.239
<v Speaker 1>rights for other rappers, other artists. So he probably looking

0:35:05.280 --> 0:35:08.000
<v Speaker 1>at Cole like his balls ain't that layered? His balls

0:35:08.040 --> 0:35:10.520
<v Speaker 1>ain't that like Cole? Like? He might really feel like that.

0:35:10.520 --> 0:35:13.000
<v Speaker 2>There's so many other niggas who he might who are

0:35:13.080 --> 0:35:15.320
<v Speaker 2>less talented than j Cole that he can say that about.

0:35:15.600 --> 0:35:17.200
<v Speaker 1>But he didn't disc now. But you gotta shoot it

0:35:17.280 --> 0:35:19.560
<v Speaker 1>the best, Yeah, who they say is the best? You

0:35:19.600 --> 0:35:21.360
<v Speaker 1>go to somebody park as a ball? Play baby, yo?

0:35:21.400 --> 0:35:23.279
<v Speaker 1>Who they said the best? Over here? You come on,

0:35:23.320 --> 0:35:25.080
<v Speaker 1>get on the court, get your five. I got my five.

0:35:25.280 --> 0:35:26.560
<v Speaker 1>That's how I go. You don't want to go at

0:35:26.560 --> 0:35:28.840
<v Speaker 1>the nigga they like, y'all. He trash, Let me play him,

0:35:28.920 --> 0:35:31.200
<v Speaker 1>So you ain't gonna play the trash nigga who y'all

0:35:31.239 --> 0:35:33.799
<v Speaker 1>say is the best? All right, come on, I need

0:35:33.920 --> 0:35:35.719
<v Speaker 1>I need to see who y'all best is. Show me, y'all,

0:35:35.760 --> 0:35:38.200
<v Speaker 1>show me, y'all king, this your king. I bet I

0:35:38.280 --> 0:35:40.279
<v Speaker 1>want to smoke on him. Let me see who he at.

0:35:40.520 --> 0:35:43.359
<v Speaker 1>I just think it's again, it's just good. It's good

0:35:43.400 --> 0:35:46.200
<v Speaker 1>for the art of hip hop, for the art of rap,

0:35:46.440 --> 0:35:49.120
<v Speaker 1>for the best mcs to just have a like I said,

0:35:49.160 --> 0:35:51.799
<v Speaker 1>it's not beef. I don't have a beef for Cole.

0:35:52.239 --> 0:35:54.200
<v Speaker 1>He just like, all right, man, like you think you

0:35:54.200 --> 0:35:56.840
<v Speaker 1>you know you're one of those ones. I don't think you.

0:35:56.880 --> 0:35:59.760
<v Speaker 1>I don't think your your balls is that hard. Let's see.

0:36:00.520 --> 0:36:03.080
<v Speaker 1>I respect it again. I don't think Cole will respond.

0:36:03.800 --> 0:36:06.759
<v Speaker 1>I think he should. I think he should respond. I

0:36:06.760 --> 0:36:10.360
<v Speaker 1>don't think he's going to respond, though. You don't feel

0:36:10.400 --> 0:36:15.000
<v Speaker 1>like Sahi believes what he wrapped there about Jake Cole.

0:36:15.360 --> 0:36:15.960
<v Speaker 1>I'm asking them.

0:36:16.360 --> 0:36:20.479
<v Speaker 3>I think Sah respects Cole's and to the point that

0:36:20.520 --> 0:36:23.000
<v Speaker 3>he said his name, you're right, he could diss a

0:36:23.000 --> 0:36:23.960
<v Speaker 3>whole bunch of other people.

0:36:23.960 --> 0:36:25.640
<v Speaker 1>Besides not going to diss a bunch of rappers that

0:36:25.640 --> 0:36:28.439
<v Speaker 1>are trash. It's rappers that's not trash that he didn't

0:36:28.440 --> 0:36:30.400
<v Speaker 1>dis well, they didn't. They didn't call him.

0:36:30.400 --> 0:36:32.239
<v Speaker 2>I guess, man, I bring this up even with the

0:36:32.360 --> 0:36:36.120
<v Speaker 2>I bring and I love to stand, I stick. He

0:36:36.160 --> 0:36:38.440
<v Speaker 2>didn't even diss him. He didn't even diss him. He

0:36:38.520 --> 0:36:40.800
<v Speaker 2>said people around Kanye need to tell him that he

0:36:40.920 --> 0:36:42.360
<v Speaker 2>fallen off. He could be talking about he could have

0:36:42.360 --> 0:36:45.800
<v Speaker 2>been talked about Kim Kardashian like, but you took that personally.

0:36:46.040 --> 0:36:48.680
<v Speaker 2>Now you took that personally because you shot at Cole

0:36:48.719 --> 0:36:51.680
<v Speaker 2>in your tweet. Everybody acknowledged it, and now you got

0:36:51.680 --> 0:36:53.919
<v Speaker 2>songs coming out, and now it's well, yeah, since y'all

0:36:53.920 --> 0:36:55.239
<v Speaker 2>brought up Cole, here's a.

0:36:55.200 --> 0:36:59.239
<v Speaker 1>Couple of bars towards if I'm writing somebody's music at

0:36:59.239 --> 0:37:02.359
<v Speaker 1>that exact time, and you say your ship is not

0:37:02.400 --> 0:37:04.520
<v Speaker 1>what it used to be, is falling off as trash,

0:37:04.680 --> 0:37:07.080
<v Speaker 1>And I'm the one right in this and my wrapper brain,

0:37:07.320 --> 0:37:09.200
<v Speaker 1>I'm gonna be like, Yo, what the fuck? Well? You

0:37:09.239 --> 0:37:11.680
<v Speaker 1>had ten years? Why do you Why do you wait

0:37:11.760 --> 0:37:12.760
<v Speaker 1>until so many.

0:37:12.640 --> 0:37:14.560
<v Speaker 2>People have lost respect for me because I bowed out

0:37:14.600 --> 0:37:16.759
<v Speaker 2>of a disc battle when I'm a sitting duck?

0:37:16.920 --> 0:37:18.279
<v Speaker 1>Why do you wait until then? Why do you wait

0:37:18.320 --> 0:37:20.799
<v Speaker 1>ten years? Leave him that way? But clearly you viewed

0:37:20.840 --> 0:37:24.040
<v Speaker 1>J Coles that the thing is this Ja Cole just

0:37:24.080 --> 0:37:27.759
<v Speaker 1>put that project out and inside tweeted something about you

0:37:27.760 --> 0:37:30.239
<v Speaker 1>know Cold Well, he said it wasn't about But this

0:37:30.280 --> 0:37:32.040
<v Speaker 1>is why I respect what I said. It wasn't about him,

0:37:32.040 --> 0:37:34.160
<v Speaker 1>because he had no problem then getting in the booth

0:37:34.239 --> 0:37:37.160
<v Speaker 1>and going that Cold I wasn't talking about him. But

0:37:37.239 --> 0:37:39.080
<v Speaker 1>if y'all feel like I'm talking about him now, I'm

0:37:39.080 --> 0:37:39.800
<v Speaker 1>talking about.

0:37:39.760 --> 0:37:43.279
<v Speaker 2>Tweeted that immediately after the release of The motherfucking fall Off.

0:37:43.360 --> 0:37:46.000
<v Speaker 1>You knew that people would assume there was about Cold.

0:37:46.000 --> 0:37:50.320
<v Speaker 1>It was. It was all. All of that was on purpose.

0:37:50.960 --> 0:37:53.080
<v Speaker 1>All of that was hard. So you think it's cloud chasing,

0:37:53.280 --> 0:37:53.560
<v Speaker 1>I don't.

0:37:53.600 --> 0:37:55.240
<v Speaker 2>I don't want to say I don't like cloud chasing.

0:37:55.239 --> 0:37:57.680
<v Speaker 2>You don't mean you disagree on that. I think it's marketing.

0:37:57.719 --> 0:37:59.560
<v Speaker 1>You think it's performative. I think it's marketing. You think

0:37:59.560 --> 0:38:01.560
<v Speaker 1>it's marketing. I think it's marketing. Can we take that

0:38:01.600 --> 0:38:03.640
<v Speaker 1>away with rapping though, well marketing?

0:38:04.000 --> 0:38:07.520
<v Speaker 3>No, that anyone that just raps at other rappers is

0:38:07.560 --> 0:38:08.160
<v Speaker 3>cloud chasing.

0:38:09.200 --> 0:38:11.480
<v Speaker 1>Nah, we got that because some niggas be clod We know,

0:38:12.360 --> 0:38:13.959
<v Speaker 1>get we got to take that. We're we're not getting

0:38:14.040 --> 0:38:15.480
<v Speaker 1>rid of that. Some of these niggas a cloud the

0:38:15.480 --> 0:38:17.160
<v Speaker 1>bridge is over? Is cloud chasing?

0:38:17.680 --> 0:38:21.360
<v Speaker 3>Like what I don't understand why now this new generation

0:38:21.520 --> 0:38:24.399
<v Speaker 3>is allowed to call an art form that has been

0:38:24.440 --> 0:38:27.320
<v Speaker 3>this way since its inception, is cloud chasing? If another

0:38:27.400 --> 0:38:28.560
<v Speaker 3>rapper wraps at another.

0:38:28.440 --> 0:38:30.560
<v Speaker 1>Rapper, no no, no, but you are on the internet doing

0:38:30.560 --> 0:38:32.400
<v Speaker 1>that ship no here cloud chase? No no no. It's the

0:38:32.440 --> 0:38:35.120
<v Speaker 1>timing of it though, So it's the timinal I think

0:38:35.160 --> 0:38:37.480
<v Speaker 1>the timing of it is when it becomes cloud chasing.

0:38:37.719 --> 0:38:40.360
<v Speaker 1>And if you not, I think if you not on

0:38:40.400 --> 0:38:43.759
<v Speaker 1>a certain level, I think you can't you can't be.

0:38:44.360 --> 0:38:45.840
<v Speaker 1>You got to be on a certain level to go

0:38:45.880 --> 0:38:48.560
<v Speaker 1>at certain people. I believe that you got to be

0:38:48.560 --> 0:38:51.279
<v Speaker 1>at a certain level, a certain skill level, you got

0:38:51.320 --> 0:38:52.960
<v Speaker 1>to be at a certain art level, you got to

0:38:52.960 --> 0:38:54.839
<v Speaker 1>be at a certain you know, music making level.

0:38:54.880 --> 0:38:57.160
<v Speaker 3>But that's only people I'm talking about. I'm not talking

0:38:57.160 --> 0:39:00.800
<v Speaker 3>about that personalities that become rap. I'm talking about rappers.

0:39:00.840 --> 0:39:04.719
<v Speaker 1>Yeah. So but even in that, like you know, to me,

0:39:04.840 --> 0:39:06.759
<v Speaker 1>this is valid only because of what like you said,

0:39:06.760 --> 0:39:10.560
<v Speaker 1>what Cole said on false profits. Now, no matter Ifhaw

0:39:10.560 --> 0:39:13.280
<v Speaker 1>waited ten years or not to respond, it don't matter

0:39:13.880 --> 0:39:17.440
<v Speaker 1>Cole said something on False Prophits years ago that Saha

0:39:17.440 --> 0:39:19.719
<v Speaker 1>I took some type of slight too, felt a little

0:39:19.719 --> 0:39:23.719
<v Speaker 1>way about and was like, nah, I ain't like that,

0:39:24.080 --> 0:39:25.600
<v Speaker 1>and I got it. I still have the don't think

0:39:25.640 --> 0:39:29.320
<v Speaker 1>I forgot about that. Waiting ten years is crazy like

0:39:29.400 --> 0:39:33.080
<v Speaker 1>laying on a nigga for ten years. Like I heard

0:39:33.080 --> 0:39:35.480
<v Speaker 1>what you said in twenty sixteen, fam in twenty twenty

0:39:35.520 --> 0:39:38.920
<v Speaker 1>six I'm on your ass. That's crazy to me. But well,

0:39:39.160 --> 0:39:41.640
<v Speaker 1>we've seen the battles happen twenty years later. Dumb bars

0:39:41.680 --> 0:39:42.400
<v Speaker 1>would have never came out.

0:39:42.440 --> 0:39:44.160
<v Speaker 2>You could have felt, however you felt, if the battle

0:39:44.239 --> 0:39:45.680
<v Speaker 2>never happened, these bars will not come out.

0:39:45.680 --> 0:39:45.839
<v Speaker 1>Bro.

0:39:46.200 --> 0:39:48.239
<v Speaker 2>That's and that's where I'm not going to say about

0:39:48.280 --> 0:39:50.520
<v Speaker 2>somebody about marketing.

0:39:50.840 --> 0:39:53.400
<v Speaker 1>If the fall Off didn't come out, then I'm with you.

0:39:53.440 --> 0:39:54.239
<v Speaker 1>But I don't know.

0:39:54.280 --> 0:39:56.480
<v Speaker 3>If the battle didn't happen, Cole could have been a

0:39:56.560 --> 0:39:58.439
<v Speaker 3>victor in the battle. And I still think Saha would

0:39:58.440 --> 0:40:00.279
<v Speaker 3>have done it if the battle never happened. I still

0:40:00.280 --> 0:40:02.799
<v Speaker 3>think Sahai does this because the fall Off came out.

0:40:02.920 --> 0:40:08.480
<v Speaker 2>Okay, wait ten years yeah, yeah, Okay. Multiple cold albums

0:40:08.520 --> 0:40:09.960
<v Speaker 2>have come out in the past.

0:40:09.840 --> 0:40:11.719
<v Speaker 1>So I wasn't rolling out at the time.

0:40:14.000 --> 0:40:15.440
<v Speaker 2>And this is no. I don't want anybody to take

0:40:15.440 --> 0:40:18.839
<v Speaker 2>this as as any disc to how long how long

0:40:18.880 --> 0:40:21.960
<v Speaker 2>did Cole wait to reply to all the two faille guys?

0:40:22.280 --> 0:40:26.040
<v Speaker 1>Twenty years? Yeah, he probably. I'm not even joking.

0:40:26.080 --> 0:40:30.960
<v Speaker 2>It was at least fifteen years to Fayetteville based album.

0:40:31.080 --> 0:40:33.279
<v Speaker 1>The album is about Fayetteville.

0:40:33.719 --> 0:40:38.120
<v Speaker 2>It's dedicated to his hometown like that, That's why it

0:40:38.200 --> 0:40:39.120
<v Speaker 2>started the way that it's.

0:40:39.080 --> 0:40:42.160
<v Speaker 3>Okay and this is dedicated to Rappin And don't forget that.

0:40:42.239 --> 0:40:45.800
<v Speaker 3>I still owe you from false prophets. Either way, I don't.

0:40:45.480 --> 0:40:48.080
<v Speaker 1>I feel like has to respond, though I feel like

0:40:48.120 --> 0:40:50.520
<v Speaker 1>I feel like he should respond. Let me not say

0:40:50.560 --> 0:40:52.880
<v Speaker 1>have to he should respond. I feel like j Cole

0:40:52.920 --> 0:40:56.000
<v Speaker 1>should respond, but we'll have to see if he does. Indeed,

0:40:56.400 --> 0:40:58.880
<v Speaker 1>you know, jumping the ring with that would be a

0:40:58.920 --> 0:41:01.640
<v Speaker 1>dope and furth thought. I will say that to see

0:41:01.680 --> 0:41:02.759
<v Speaker 1>them too go at it fire.

0:41:03.000 --> 0:41:04.800
<v Speaker 3>I would treat it like a completely different thing. I

0:41:04.840 --> 0:41:07.279
<v Speaker 3>would actually fall say high if he just focused on

0:41:07.880 --> 0:41:10.000
<v Speaker 3>cold dropping out of the battle to me that yeah,

0:41:10.080 --> 0:41:11.799
<v Speaker 3>of course, get bars off on that. But if that's

0:41:11.800 --> 0:41:13.560
<v Speaker 3>your focus, I don't want to hear that. Yeah, find

0:41:13.560 --> 0:41:15.359
<v Speaker 3>a new angle. This would be a completely separate thing.

0:41:15.400 --> 0:41:18.000
<v Speaker 3>If Cole replies, I would like to say that, but

0:41:18.040 --> 0:41:20.719
<v Speaker 3>either way, I don't know. It looks like shas in

0:41:20.960 --> 0:41:23.000
<v Speaker 3>the best shape he's ever been in between no competition.

0:41:23.560 --> 0:41:26.359
<v Speaker 1>Yeah, he is music coming out, so we look forward.

0:41:26.440 --> 0:41:29.759
<v Speaker 1>He's in shape shape hell like I can't wait for

0:41:29.760 --> 0:41:30.400
<v Speaker 1>the album.

0:41:30.840 --> 0:41:35.520
<v Speaker 3>No Maul, what can you do with six hundred dollars?

0:41:35.719 --> 0:41:38.160
<v Speaker 3>Don't answer that, because I know with some devious thoughts,

0:41:38.239 --> 0:41:41.600
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0:41:41.680 --> 0:41:45.120
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0:41:45.160 --> 0:41:50.440
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0:41:50.640 --> 0:41:53.319
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0:41:53.360 --> 0:41:55.000
<v Speaker 1>can do with that six hundred dollars.

0:41:55.280 --> 0:41:59.200
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0:41:59.239 --> 0:42:00.839
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0:42:00.560 --> 0:42:03.279
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0:42:03.360 --> 0:42:05.839
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0:42:05.880 --> 0:42:08.479
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0:42:08.480 --> 0:42:17.839
<v Speaker 1>twenty six. For full off of details, visit bootsmobile dot com.

0:42:17.920 --> 0:42:19.640
<v Speaker 1>All right, we got some new music over the weekend,

0:42:19.680 --> 0:42:21.520
<v Speaker 1>of course, I feel like we get new music every

0:42:21.760 --> 0:42:23.359
<v Speaker 1>every weekend. I don't feel like it's one weekend where

0:42:23.400 --> 0:42:25.680
<v Speaker 1>we don't get new rap, new R and B is

0:42:25.719 --> 0:42:30.160
<v Speaker 1>too much shit. It's too much shit? Is there we

0:42:30.239 --> 0:42:31.759
<v Speaker 1>need to take like a month off when nobody could

0:42:31.760 --> 0:42:34.799
<v Speaker 1>put out music. I don't like that. Why. I think

0:42:34.800 --> 0:42:36.560
<v Speaker 1>it gives you a chance to kind of hear everything

0:42:36.600 --> 0:42:39.360
<v Speaker 1>like that came outit you might have missed because Concree

0:42:39.400 --> 0:42:40.759
<v Speaker 1>Boys came out with a new album. Shout out to

0:42:40.800 --> 0:42:42.719
<v Speaker 1>Lo Yachti and the Cruise, Shout out to my guy Blowboat.

0:42:43.000 --> 0:42:43.680
<v Speaker 1>All right, No, I mean it.

0:42:43.880 --> 0:42:45.400
<v Speaker 3>It was tough to get to any music this weekend

0:42:45.400 --> 0:42:46.920
<v Speaker 3>because I couldn't get off the YACHTI freestyle.

0:42:46.920 --> 0:42:49.000
<v Speaker 1>I just have that on repeat now. Lo Yati was

0:42:49.040 --> 0:42:53.080
<v Speaker 1>on bootleg keV and he was talking about how you know,

0:42:53.120 --> 0:42:54.879
<v Speaker 1>he heard sugar Hill Gang and that shit was weak

0:42:54.880 --> 0:42:57.239
<v Speaker 1>as hell, right, And we talked about that they can't

0:42:57.280 --> 0:43:00.200
<v Speaker 1>disrespect the foundation because so much was built on the

0:43:00.239 --> 0:43:02.600
<v Speaker 1>foundation and on the backs of what the sugar Hill

0:43:02.640 --> 0:43:04.960
<v Speaker 1>Gang did and now hip hop being what it is

0:43:05.000 --> 0:43:10.160
<v Speaker 1>today and rap being as global as it is, you

0:43:10.200 --> 0:43:15.880
<v Speaker 1>can't say that YACHTI and then give us your rendition

0:43:16.040 --> 0:43:20.040
<v Speaker 1>of the La Leacas freestyle. It's just just like it

0:43:20.080 --> 0:43:23.000
<v Speaker 1>wasn't a rendition he was on there. I mean, buzzy

0:43:23.000 --> 0:43:25.799
<v Speaker 1>though that what's that the YACHTI we know and love?

0:43:27.360 --> 0:43:30.080
<v Speaker 1>Like who I'm just saying? Was it though? Like that's

0:43:30.120 --> 0:43:32.720
<v Speaker 1>all I'm saying, Like we can't get that on bootlet

0:43:32.800 --> 0:43:35.759
<v Speaker 1>cav of sugar Hill game being weak as hell and

0:43:35.800 --> 0:43:39.640
<v Speaker 1>then get that Leakas freestyle Like it's just like you're

0:43:39.640 --> 0:43:42.480
<v Speaker 1>supposed to go on Likas and do what you know

0:43:42.960 --> 0:43:45.200
<v Speaker 1>nobody has ever done. Like if you're gonna say that

0:43:45.239 --> 0:43:47.200
<v Speaker 1>the sugar Hill gang was weak as hell, that's all

0:43:47.239 --> 0:43:52.360
<v Speaker 1>I'm saying. Where where does that rank against?

0:43:52.440 --> 0:43:52.560
<v Speaker 3>You?

0:43:52.600 --> 0:43:55.480
<v Speaker 1>Lost for words? Are you okay? Are you lost for words?

0:43:55.520 --> 0:43:57.160
<v Speaker 3>I'm trying to be because I was a hater this

0:43:57.200 --> 0:43:58.960
<v Speaker 3>whole time. I'm trying to find a way because they're

0:43:58.960 --> 0:43:59.960
<v Speaker 3>gonna think I'm just hating on it.

0:44:00.160 --> 0:44:00.480
<v Speaker 1>I'm sure.

0:44:01.160 --> 0:44:05.080
<v Speaker 3>It's like when someone loses in a boxing match. You

0:44:05.120 --> 0:44:05.799
<v Speaker 3>know they got in the ring.

0:44:06.760 --> 0:44:08.520
<v Speaker 1>Yeah, that's half the battle, right taking the fight?

0:44:08.719 --> 0:44:11.240
<v Speaker 3>He went to Leakers, I want to say that existed.

0:44:11.280 --> 0:44:13.840
<v Speaker 3>He showed up and went in front of the microphone.

0:44:13.960 --> 0:44:14.839
<v Speaker 3>What happened after that?

0:44:15.239 --> 0:44:17.479
<v Speaker 1>Yeah?

0:44:17.680 --> 0:44:20.319
<v Speaker 3>Come on, that's your man. That's my guy, that's my

0:44:20.400 --> 0:44:27.040
<v Speaker 3>guy moving. Yeah. Why why did he go on La Leakers?

0:44:27.239 --> 0:44:30.640
<v Speaker 1>Yeah? I mean it's a rollout for the album Conky Boys.

0:44:30.880 --> 0:44:31.440
<v Speaker 1>Here's my thing.

0:44:31.480 --> 0:44:33.600
<v Speaker 3>I think Yadi is actually a great marketer, and I

0:44:33.640 --> 0:44:36.920
<v Speaker 3>think there was some calculation to what he did with

0:44:36.920 --> 0:44:38.799
<v Speaker 3>the rappers light thing. He knows how to ruffle the

0:44:38.840 --> 0:44:43.440
<v Speaker 3>feathers of the get off my Lawn Golden Age hip

0:44:43.440 --> 0:44:46.879
<v Speaker 3>hop crowd. Why he didn't take that opportunity to go

0:44:47.160 --> 0:44:50.680
<v Speaker 3>on Leakers and rap over the rappers delight beat is

0:44:50.719 --> 0:44:53.319
<v Speaker 3>beyond me because that would have been I would have

0:44:53.400 --> 0:44:55.480
<v Speaker 3>listened to the Concrete Boys album had he done that.

0:44:55.880 --> 0:44:57.920
<v Speaker 3>I'm like, you know what, YACHTI, I don't think you're

0:44:57.920 --> 0:45:02.400
<v Speaker 3>good at rapping, but boy is that amazing hilarious because

0:45:02.400 --> 0:45:04.680
<v Speaker 3>that was one of like the where is that rank

0:45:04.719 --> 0:45:06.920
<v Speaker 3>against like o'melly's freestyling.

0:45:06.800 --> 0:45:09.720
<v Speaker 1>On sway, don't we see? Don't I want no issues

0:45:09.719 --> 0:45:11.600
<v Speaker 1>with no no, no no, But don't do that though, don't

0:45:11.600 --> 0:45:15.600
<v Speaker 1>don't don't compare Yachti's leaguers to o'mell's. Don't do that.

0:45:16.160 --> 0:45:20.040
<v Speaker 1>Don't do that difference. I respect Onmeley for actually freestyle.

0:45:20.320 --> 0:45:22.240
<v Speaker 3>Nobody does that for sure, so that's why I'm actually

0:45:22.280 --> 0:45:23.400
<v Speaker 3>saying it was better than Yach's.

0:45:23.480 --> 0:45:27.120
<v Speaker 1>I'm not mad at that loo Yachty wrapping over the

0:45:27.160 --> 0:45:30.080
<v Speaker 1>sugar Hill game. I thought that he might when I

0:45:30.080 --> 0:45:32.160
<v Speaker 1>saw the leak or ship, I was like, he must

0:45:32.200 --> 0:45:33.960
<v Speaker 1>have picked that beat. He might need to make that

0:45:34.239 --> 0:45:35.680
<v Speaker 1>a record. He might need to make that a song.

0:45:35.760 --> 0:45:37.800
<v Speaker 1>Take that sugar Hill beat and make a record for sure,

0:45:38.160 --> 0:45:40.200
<v Speaker 1>because I'm not mad at that. Like Yachdy is that

0:45:40.320 --> 0:45:42.960
<v Speaker 1>type of artist where he takes sounds and things that

0:45:43.040 --> 0:45:45.279
<v Speaker 1>you know you probably you normally wouldn't see him on

0:45:45.400 --> 0:45:48.080
<v Speaker 1>and actually does a great job of doing that. So

0:45:48.120 --> 0:45:49.400
<v Speaker 1>I'm not mad at that's a that's a that's a

0:45:49.440 --> 0:45:54.200
<v Speaker 1>good take. I didn't listen to the Concrete Boys album.

0:45:54.400 --> 0:45:55.080
<v Speaker 1>Neither did I.

0:45:55.160 --> 0:45:58.480
<v Speaker 3>It's Us volume too, And again I don't think Yachti

0:45:58.560 --> 0:46:01.080
<v Speaker 3>is looking for people like me to like his music.

0:46:01.080 --> 0:46:02.719
<v Speaker 1>I'm gonna listen to it, though, I just didn't listen

0:46:02.760 --> 0:46:04.520
<v Speaker 1>to it this weekend, but I'm probably not going to.

0:46:06.040 --> 0:46:09.480
<v Speaker 1>But I mean, I'm sure it's for somebody. It's not

0:46:09.520 --> 0:46:17.960
<v Speaker 1>for you, for us, by you, it's not no okay,

0:46:19.400 --> 0:46:21.399
<v Speaker 1>I did you listen to its Us Funny one? Because

0:46:21.400 --> 0:46:23.080
<v Speaker 1>I actually did listen to that. I listened to that one,

0:46:23.120 --> 0:46:25.280
<v Speaker 1>I listened to the last I didn't listen to uh

0:46:25.480 --> 0:46:26.239
<v Speaker 1>to this latest one.

0:46:26.280 --> 0:46:28.480
<v Speaker 3>Though it's a bunch of music, it's just not my

0:46:28.560 --> 0:46:30.240
<v Speaker 3>it's not my pocket. They're just not my pocket.

0:46:30.360 --> 0:46:32.000
<v Speaker 1>Okay, that's fair, there's nothing wrong with that.

0:46:33.320 --> 0:46:36.799
<v Speaker 3>I thought about clicking it because its caramel's gone, and like,

0:46:37.280 --> 0:46:39.520
<v Speaker 3>did you want what they did?

0:46:39.760 --> 0:46:41.160
<v Speaker 2>We hear what they did without booth.

0:46:42.360 --> 0:46:46.120
<v Speaker 3>But I also think she's trash.

0:46:46.440 --> 0:46:49.160
<v Speaker 1>Don't do that? Man? Come on, man, why all right?

0:46:49.360 --> 0:46:52.720
<v Speaker 1>Can I say that and then not be hate yep Kenny,

0:46:52.760 --> 0:46:55.440
<v Speaker 1>because when I do it, it's hate. I don't, I don't.

0:46:56.120 --> 0:46:58.680
<v Speaker 1>I'm just saying whenever I say somebody's trash or something

0:46:58.719 --> 0:47:00.920
<v Speaker 1>is trash, or song is trash or I didn't like

0:47:01.000 --> 0:47:03.040
<v Speaker 1>that they called me a fucking hater.

0:47:03.200 --> 0:47:05.160
<v Speaker 3>I think YACHTI is talented in his own right. I

0:47:05.160 --> 0:47:07.520
<v Speaker 3>hope Yati sells ten million records. I hope Terrible sell

0:47:07.719 --> 0:47:09.760
<v Speaker 3>ten million records. I just don't care.

0:47:10.239 --> 0:47:11.520
<v Speaker 1>He had the hate team.

0:47:11.560 --> 0:47:13.719
<v Speaker 3>What you give me on the radar, give me your

0:47:14.000 --> 0:47:16.960
<v Speaker 3>baby on the radar. Ship that she did, I know

0:47:17.040 --> 0:47:19.400
<v Speaker 3>got like a a. I know it's for somebody. People

0:47:19.480 --> 0:47:20.120
<v Speaker 3>liked it.

0:47:20.120 --> 0:47:20.799
<v Speaker 1>It's just not for you.

0:47:20.880 --> 0:47:24.720
<v Speaker 3>And then when it they exposed that or YACHTI exposed

0:47:24.719 --> 0:47:26.120
<v Speaker 3>that he wrote it, and I was like, why would

0:47:26.160 --> 0:47:26.800
<v Speaker 3>you want to take.

0:47:26.640 --> 0:47:33.480
<v Speaker 1>Credit for that? And just you should have just let

0:47:33.560 --> 0:47:37.400
<v Speaker 1>her have that one terrible was with the group and

0:47:37.400 --> 0:47:41.440
<v Speaker 1>then she was gone. And then we saw wrote and

0:47:41.440 --> 0:47:45.760
<v Speaker 1>then I was like, wait, somebody wrote that. He wrote

0:47:45.800 --> 0:47:50.680
<v Speaker 1>that down on your notes. Yeah, I thought she was

0:47:50.719 --> 0:47:53.120
<v Speaker 1>just talking at the moment. Man.

0:47:53.239 --> 0:47:56.160
<v Speaker 3>Oh but yes, for the people that do fuk with

0:47:56.160 --> 0:47:58.759
<v Speaker 3>with that style of music, I promise you this is

0:47:58.800 --> 0:48:01.160
<v Speaker 3>not he shout out to the Concrete Boys, shout out.

0:48:01.360 --> 0:48:04.959
<v Speaker 3>Probably not going to listen to it, but I did

0:48:05.000 --> 0:48:08.520
<v Speaker 3>listen to the Foggy Raw album, which did ironically have

0:48:08.640 --> 0:48:10.080
<v Speaker 3>character for.

0:48:10.040 --> 0:48:12.719
<v Speaker 1>Real, did she did she? Did she? Did she do

0:48:12.760 --> 0:48:15.080
<v Speaker 1>her thing? Or was it the song dope? Shout out

0:48:15.080 --> 0:48:18.160
<v Speaker 1>to Foggy. The song was so good you couldn't fail.

0:48:20.040 --> 0:48:22.560
<v Speaker 1>I know that she couldn't. She couldn't do bad on

0:48:22.600 --> 0:48:25.000
<v Speaker 1>the song. The song was that still her still was

0:48:25.080 --> 0:48:27.279
<v Speaker 1>not for me. Yeah, I get it, but the song

0:48:27.400 --> 0:48:30.479
<v Speaker 1>is good. But listen that That Foggy album is really

0:48:30.480 --> 0:48:32.319
<v Speaker 1>really good. Shout out to our god Foggy roll with

0:48:32.320 --> 0:48:35.480
<v Speaker 1>no due respect out now your DSPs. I went to

0:48:35.520 --> 0:48:38.040
<v Speaker 1>the listening event here. Yeah, I was out of town.

0:48:38.239 --> 0:48:41.160
<v Speaker 1>I was in Virginia that weekend when he had to

0:48:41.200 --> 0:48:43.400
<v Speaker 1>listen to it. But you know, we've been watching Foggy

0:48:43.600 --> 0:48:46.440
<v Speaker 1>for for a long time, supporting him and for him

0:48:46.440 --> 0:48:49.319
<v Speaker 1>to be able to put his project out finally was

0:48:49.360 --> 0:48:51.640
<v Speaker 1>dope to see shout out the Foggy roll with no

0:48:51.719 --> 0:48:53.280
<v Speaker 1>do with no due respect.

0:48:53.880 --> 0:48:56.600
<v Speaker 3>Maybe we can table this conversation for for another time,

0:48:56.719 --> 0:48:59.600
<v Speaker 3>but I think it's safe to say that the d

0:48:59.680 --> 0:49:02.799
<v Speaker 3>m v us have a sound now. For a long time,

0:49:02.840 --> 0:49:04.160
<v Speaker 3>that was always the thing, because you know, while it

0:49:04.280 --> 0:49:07.120
<v Speaker 3>was one of these always had a sound though outside

0:49:07.120 --> 0:49:08.799
<v Speaker 3>of Go Go, is what I'm saying, like because when

0:49:08.800 --> 0:49:12.480
<v Speaker 3>while a hit, rightfully so, a lot of his sonics

0:49:12.520 --> 0:49:15.000
<v Speaker 3>were Go Go based, Okay, because I mean he grew

0:49:15.080 --> 0:49:17.359
<v Speaker 3>up in the DMV. Yeah, but I feel like they

0:49:17.400 --> 0:49:22.399
<v Speaker 3>have a sound espect like from what gold Link did,

0:49:22.440 --> 0:49:25.120
<v Speaker 3>what Brent has done, Like the DMV has had so

0:49:25.239 --> 0:49:29.200
<v Speaker 3>many amazing artists in the last fifteen years. I can

0:49:29.239 --> 0:49:31.960
<v Speaker 3>hear the d m V all over this this Fagia.

0:49:32.880 --> 0:49:36.560
<v Speaker 3>It still sounds like the DMV even when he's experimenting.

0:49:36.640 --> 0:49:39.200
<v Speaker 1>So the song where he got Larry June was dope. Yeah.

0:49:39.320 --> 0:49:41.120
<v Speaker 1>I heard that. I they hit that record. I didn't

0:49:41.120 --> 0:49:43.200
<v Speaker 1>hear the whole album yet, but that song with Larry

0:49:43.280 --> 0:49:44.560
<v Speaker 1>was was dope yeah.

0:49:44.600 --> 0:49:47.760
<v Speaker 3>And I mean just the African influence that the DMV

0:49:47.880 --> 0:49:51.440
<v Speaker 3>has is all over his stuff while they's gold Link stuff.

0:49:52.000 --> 0:49:53.480
<v Speaker 3>It's it's a really really good project.

0:49:53.719 --> 0:49:56.080
<v Speaker 1>Got it. I'm gonna check that out tonight. That's my

0:49:56.080 --> 0:50:00.000
<v Speaker 1>my music, my soundtrack for the night, bage, my soundtrack

0:50:00.080 --> 0:50:01.200
<v Speaker 1>for the night. Just you know, put that on.

0:50:01.360 --> 0:50:03.279
<v Speaker 3>Speaking of DMV, the matter still is not listening to

0:50:03.320 --> 0:50:04.440
<v Speaker 3>Brent album, which is pissed me off.

0:50:04.480 --> 0:50:06.600
<v Speaker 2>That's not you just made that up. You just all

0:50:06.640 --> 0:50:08.120
<v Speaker 2>you do is walk around and make shuit up.

0:50:08.200 --> 0:50:13.920
<v Speaker 3>Christopher Columbus, Did he not discover the country that had

0:50:13.920 --> 0:50:14.400
<v Speaker 3>people at it?

0:50:14.400 --> 0:50:17.239
<v Speaker 1>All? Did? Did? It was in our books? You didn't

0:50:17.239 --> 0:50:20.320
<v Speaker 1>read that. I listened. I listened to the Brent album.

0:50:20.480 --> 0:50:22.240
<v Speaker 2>What I did want to come in here and say

0:50:22.880 --> 0:50:25.640
<v Speaker 2>is that after listening to it a couple more times,

0:50:26.160 --> 0:50:31.120
<v Speaker 2>I understand the appeal. And what I also realize is

0:50:31.160 --> 0:50:33.759
<v Speaker 2>Brent makes R and B for. I don't want to say,

0:50:33.760 --> 0:50:36.400
<v Speaker 2>because he has so many female fans. But I understand

0:50:36.440 --> 0:50:38.080
<v Speaker 2>why men like this project so much.

0:50:39.000 --> 0:50:41.480
<v Speaker 1>I get it, all right, baby.

0:50:43.840 --> 0:50:46.360
<v Speaker 2>I never said it that it wasn't for me, and

0:50:46.360 --> 0:50:48.600
<v Speaker 2>I'm still standing on that, but it was what I

0:50:48.640 --> 0:50:49.359
<v Speaker 2>was cleaning the crib.

0:50:49.360 --> 0:50:51.400
<v Speaker 1>It was see what happened When you take THI pictures,

0:50:51.440 --> 0:50:53.600
<v Speaker 1>you start to hit Breton a little clearer, don't you. Yah?

0:50:53.760 --> 0:50:56.480
<v Speaker 1>But but as a brand behind some of those photos,

0:50:56.520 --> 0:50:57.080
<v Speaker 1>and I feel.

0:50:56.880 --> 0:51:00.439
<v Speaker 2>Like, as a person who cares about lyric is more

0:51:00.480 --> 0:51:04.120
<v Speaker 2>than music. This is why this album is not for me.

0:51:04.719 --> 0:51:07.439
<v Speaker 2>But I do like the music on the album is very.

0:51:07.400 --> 0:51:10.239
<v Speaker 1>Very good. This album is incredible, baby D. I'm just

0:51:10.239 --> 0:51:12.160
<v Speaker 1>happy that you you're not really listening for the things

0:51:12.160 --> 0:51:14.239
<v Speaker 1>that I'm listening for. What you're listening for, a baby D,

0:51:14.280 --> 0:51:16.000
<v Speaker 1>because we might be listening for the same ship. I

0:51:16.040 --> 0:51:17.879
<v Speaker 1>need some ship that's gonna touch my soul. It didn't

0:51:17.920 --> 0:51:19.600
<v Speaker 1>touch your soul. Ship that touched you all soul don't

0:51:19.600 --> 0:51:22.960
<v Speaker 1>touch you haven't found love and all the wrong faces.

0:51:23.000 --> 0:51:25.719
<v Speaker 1>So you got some faces that's so level, just like

0:51:26.920 --> 0:51:30.839
<v Speaker 1>very that's very service. Men's love. Men's like not surface level,

0:51:31.600 --> 0:51:33.359
<v Speaker 1>like oh my god, he's speaking to me. No he's

0:51:33.400 --> 0:51:35.560
<v Speaker 1>not well, all right, Hold on. I never listened to

0:51:35.600 --> 0:51:38.919
<v Speaker 1>Bridge that he's speaking for me. Never once said any

0:51:38.920 --> 0:51:41.200
<v Speaker 1>of these niggas is speaking for me. I just said

0:51:41.200 --> 0:51:47.560
<v Speaker 1>the album with fire, I speaking for me. I just

0:51:47.600 --> 0:51:49.799
<v Speaker 1>said the album. I didn't say for you. He ain't

0:51:49.800 --> 0:51:51.560
<v Speaker 1>speaking to me either. I just said the music the

0:51:51.920 --> 0:51:54.040
<v Speaker 1>album was fire. I think. I think the album is incredible.

0:51:54.080 --> 0:51:57.080
<v Speaker 1>The music, the music on the albums, it's really good, incredible, incredible.

0:51:57.120 --> 0:51:59.600
<v Speaker 1>Shout out to another d m V legend for sure.

0:52:01.120 --> 0:52:04.160
<v Speaker 3>All right, we're gonna get to the elephant in the

0:52:04.239 --> 0:52:05.600
<v Speaker 3>room ship.

0:52:05.840 --> 0:52:10.760
<v Speaker 1>Here we go, the elephant in the room.

0:52:10.800 --> 0:52:14.640
<v Speaker 3>The quietest Bruno Mars release of all time happened, Oh weekend.

0:52:14.719 --> 0:52:16.520
<v Speaker 3>Did you guys know that Bruno Mars dropped an album?

0:52:16.600 --> 0:52:20.120
<v Speaker 1>I forgot. Actually I did not know that. I did

0:52:20.120 --> 0:52:21.680
<v Speaker 1>not know that until I came into the studio today

0:52:21.680 --> 0:52:23.200
<v Speaker 1>and you asked me for her Bruno's album, and I

0:52:23.239 --> 0:52:29.279
<v Speaker 1>was like, I didn't even know you put the album out. Well, no, no,

0:52:29.360 --> 0:52:31.080
<v Speaker 1>don't do that. Don't take a huff and a puff.

0:52:32.080 --> 0:52:36.719
<v Speaker 1>Did you listen to the album twice? Twice? Oh? No,

0:52:36.960 --> 0:52:39.000
<v Speaker 1>I know it's a short album, sure did thirty two minutes,

0:52:39.080 --> 0:52:41.560
<v Speaker 1>thirty two minutes, But wen I listened to it at

0:52:41.560 --> 0:52:44.960
<v Speaker 1>a red light. Don't see he's still at the hate

0:52:44.960 --> 0:52:47.560
<v Speaker 1>t you? Why are you still there? What's going on?

0:52:47.840 --> 0:52:50.000
<v Speaker 3>I'm hating on traffic laws in New York. It takes

0:52:50.040 --> 0:52:51.279
<v Speaker 3>thirty minutes to get through a red light.

0:52:51.320 --> 0:52:54.640
<v Speaker 1>That is true. All right, so you go, because y'all

0:52:54.680 --> 0:52:57.040
<v Speaker 1>know how I feel about Bruno. So I didn't hear

0:52:57.040 --> 0:52:59.840
<v Speaker 1>this project yet. Actually, am Lye. Rory played some of

0:52:59.880 --> 0:53:01.840
<v Speaker 1>his I was not to say I'm the liar now.

0:53:02.120 --> 0:53:03.879
<v Speaker 1>Rory played some of it while we was getting while

0:53:03.880 --> 0:53:06.120
<v Speaker 1>we came in early. I put in the group chat,

0:53:06.120 --> 0:53:07.359
<v Speaker 1>what you mean just on the fire?

0:53:07.360 --> 0:53:11.319
<v Speaker 2>To me? She just he was playing it just on fire.

0:53:11.360 --> 0:53:12.479
<v Speaker 2>I haven't listened at all album.

0:53:12.480 --> 0:53:15.319
<v Speaker 1>But what he was playing this is I know your

0:53:15.360 --> 0:53:18.760
<v Speaker 1>niggas be confused that you fuck. How you go from Brent?

0:53:19.120 --> 0:53:22.360
<v Speaker 1>I didn't go from Brent like you don't understand to Nah.

0:53:22.400 --> 0:53:24.600
<v Speaker 1>This ship was fired, cha chaw was fired. I didn't talk.

0:53:24.600 --> 0:53:26.600
<v Speaker 2>I'm not talking about I said what I've heard in

0:53:26.640 --> 0:53:28.839
<v Speaker 2>the office that Rory had played was fired. I didn't

0:53:28.880 --> 0:53:31.520
<v Speaker 2>hear everything, though, think about the songs that I've heard,

0:53:31.680 --> 0:53:32.000
<v Speaker 2>all right?

0:53:32.000 --> 0:53:34.200
<v Speaker 1>Cool? All right? So sore you on the hook of.

0:53:35.239 --> 0:53:37.440
<v Speaker 3>He said, she working that back. I don't know how

0:53:37.480 --> 0:53:40.359
<v Speaker 3>to act slow motion for me, slow motion for me.

0:53:40.719 --> 0:53:43.520
<v Speaker 1>Ship you know, we got that, but not over that though,

0:53:43.880 --> 0:53:46.520
<v Speaker 1>not over the not that music. You might not be

0:53:46.560 --> 0:53:49.760
<v Speaker 1>the target audience. Oh I'm definitely not the target audience

0:53:49.760 --> 0:53:53.480
<v Speaker 1>like brent Is. I mean, Bruno was not targeting me

0:53:53.719 --> 0:53:57.319
<v Speaker 1>as his audience at all. Now I will say no

0:53:57.360 --> 0:54:01.080
<v Speaker 1>matter and I'll get back to it. No matter how

0:54:01.080 --> 0:54:03.640
<v Speaker 1>we feel about Bruno, he's one of the most amazing

0:54:03.719 --> 0:54:08.560
<v Speaker 1>vocalists we have. You took my only positive thing. Oh shit, sorry, Vocally,

0:54:09.280 --> 0:54:11.240
<v Speaker 1>it's a lot of dudes can't stand next to Bruno.

0:54:11.320 --> 0:54:16.759
<v Speaker 1>Bruno's his vocals are incredible, The music is incredible. And

0:54:16.800 --> 0:54:18.880
<v Speaker 1>I'm gonna pause there and I'm gonna get let Rory go,

0:54:18.960 --> 0:54:20.759
<v Speaker 1>and then I'm gonna pick up on my thoughts.

0:54:21.320 --> 0:54:23.879
<v Speaker 3>Because I've been sitting at the Hate TM all day.

0:54:24.120 --> 0:54:27.000
<v Speaker 3>I was trying to find something positive. This album Bruno

0:54:27.040 --> 0:54:31.240
<v Speaker 3>Mars the Romantic did prove and remind me that Bruno

0:54:31.320 --> 0:54:32.120
<v Speaker 3>should be brought up.

0:54:32.080 --> 0:54:38.719
<v Speaker 1>In these vocalist conversations. Absolutely, Bruno's vocals are absolutely fucking incredible. Agree,

0:54:38.840 --> 0:54:44.640
<v Speaker 1>his songs just stink? Okay, his songs stink on this. Okay, okay,

0:54:44.719 --> 0:54:47.320
<v Speaker 1>so on this album, just let's clarify on this. Whoa

0:54:47.320 --> 0:54:50.160
<v Speaker 1>on this album? And we still spending that baby did

0:54:50.800 --> 0:54:51.759
<v Speaker 1>We're still banging that shit.

0:54:53.040 --> 0:54:55.640
<v Speaker 3>I like, why you want to fight? I like on

0:54:55.760 --> 0:54:59.440
<v Speaker 3>my soul and I like nothing left and after that

0:54:59.440 --> 0:54:59.839
<v Speaker 3>there's nothing.

0:55:01.280 --> 0:55:02.600
<v Speaker 1>So that's three out of nine.

0:55:04.239 --> 0:55:08.640
<v Speaker 3>I guess I'm confused. When was the last solo Bruno

0:55:08.680 --> 0:55:09.280
<v Speaker 3>Mars album?

0:55:09.680 --> 0:55:12.200
<v Speaker 2>So twenty sixteen, it will be twenty four care at

0:55:12.200 --> 0:55:13.840
<v Speaker 2>Magic one of my favorite albums all the time.

0:55:15.080 --> 0:55:17.800
<v Speaker 1>Now here to argue. Magic was a great album, great album.

0:55:20.040 --> 0:55:22.839
<v Speaker 3>Ten years it took to give us this thirty two

0:55:22.880 --> 0:55:25.440
<v Speaker 3>minutes that I think Bruno Mars could make in a weekend.

0:55:26.400 --> 0:55:27.839
<v Speaker 1>He might have made it in the weekend. He did

0:55:27.960 --> 0:55:36.239
<v Speaker 1>give us a great album with Anderson two years ago,

0:55:36.560 --> 0:55:39.680
<v Speaker 1>three years ago, I was at Blue Note speaking with

0:55:39.680 --> 0:55:41.520
<v Speaker 1>people that work on this album, and they were leaving

0:55:41.560 --> 0:55:43.440
<v Speaker 1>Blue Note that night so they could go continue to

0:55:43.440 --> 0:55:46.360
<v Speaker 1>work on the Bruno Mars album. It might be a

0:55:46.400 --> 0:55:51.000
<v Speaker 1>different project, be about the dmxis this year. Maybe no,

0:55:51.080 --> 0:55:53.440
<v Speaker 1>maybe it was the Anderson project. No, that had already

0:55:53.440 --> 0:55:56.640
<v Speaker 1>come up. Oh okay, my bad, Bruno tried to help

0:55:56.680 --> 0:55:58.280
<v Speaker 1>you out. It could be anything.

0:55:59.000 --> 0:56:02.080
<v Speaker 3>I think this superstar that he I think it could

0:56:02.080 --> 0:56:04.680
<v Speaker 3>be anything. I won't be at the hatm I will

0:56:04.719 --> 0:56:06.640
<v Speaker 3>be very kind and everything I'm saying. I think we're

0:56:06.920 --> 0:56:11.200
<v Speaker 3>officially at the Bruno Mars Legacy Act phase of his career,

0:56:11.400 --> 0:56:13.800
<v Speaker 3>which is fine, which is totally fine. He's a legend

0:56:13.800 --> 0:56:16.880
<v Speaker 3>in his own right. He has amazing hit records. I

0:56:16.960 --> 0:56:19.440
<v Speaker 3>even said my bucket list, I want to see Bruno live.

0:56:19.520 --> 0:56:22.479
<v Speaker 3>I think it would be incredible. Ten years for this

0:56:22.680 --> 0:56:25.040
<v Speaker 3>thirty two minute project of shit that I really think

0:56:25.080 --> 0:56:27.120
<v Speaker 3>Bruno Mars could make in his fucking sleep, because he

0:56:27.239 --> 0:56:32.000
<v Speaker 3>is extremely talented, is a waste of everyone's time, to

0:56:32.040 --> 0:56:34.680
<v Speaker 3>the point that no one knew it came out, because

0:56:34.719 --> 0:56:38.160
<v Speaker 3>I don't think they cared that anyone knew it came out.

0:56:39.239 --> 0:56:40.720
<v Speaker 1>I definitely didn't know this album came.

0:56:40.560 --> 0:56:43.000
<v Speaker 3>Out when if we known Bruno not to do an

0:56:43.040 --> 0:56:47.560
<v Speaker 3>extravagant rollout. He's one of the biggest pop stars we

0:56:47.600 --> 0:56:50.640
<v Speaker 3>have period of this generation. You just quietly put out

0:56:50.640 --> 0:56:54.600
<v Speaker 3>a mixtape after ten years and it's like, though, it's

0:56:54.640 --> 0:56:59.160
<v Speaker 3>like redundant, cha cha cha, bullshit, there's still signs of

0:56:59.160 --> 0:57:01.200
<v Speaker 3>the Bruno we love here, like I said, why you

0:57:01.239 --> 0:57:04.200
<v Speaker 3>want to fight? It's fucking incredible. Nothing left is beautiful.

0:57:04.400 --> 0:57:06.120
<v Speaker 3>All my soul is a bop. I'm gonna mop my

0:57:06.160 --> 0:57:10.120
<v Speaker 3>floors this week to that record. But this is I

0:57:10.160 --> 0:57:13.000
<v Speaker 3>don't even think. I don't even know Bruno's proud of this.

0:57:16.120 --> 0:57:18.040
<v Speaker 3>You gonna say you don't know if Bruno's proud of that.

0:57:18.160 --> 0:57:21.760
<v Speaker 3>He put it out quietly. Is he trying to get

0:57:21.760 --> 0:57:22.320
<v Speaker 3>out of a deal.

0:57:23.040 --> 0:57:25.560
<v Speaker 1>No, I don't know. But let me say this off

0:57:25.560 --> 0:57:27.160
<v Speaker 1>of the music that you played in that I heard

0:57:27.200 --> 0:57:28.800
<v Speaker 1>from now, because I don't think we got through the

0:57:28.800 --> 0:57:32.240
<v Speaker 1>whole thing, might have got through about five or six tracks.

0:57:34.360 --> 0:57:37.760
<v Speaker 1>Bruno is talented, and we know that Bruno's an incredible artist.

0:57:37.840 --> 0:57:42.760
<v Speaker 1>We know that Bruno. It's just the music is it

0:57:42.880 --> 0:57:47.640
<v Speaker 1>always sounds like a rendition of something. It sounds like

0:57:47.680 --> 0:57:49.920
<v Speaker 1>something that we already got. It sounds like something we

0:57:49.960 --> 0:57:54.160
<v Speaker 1>already heard, Like Bruno Mars sound like you know when

0:57:54.200 --> 0:57:56.080
<v Speaker 1>you watch those movies that are like in the future

0:57:56.600 --> 0:57:58.320
<v Speaker 1>and then they have like moments with it, like oh,

0:57:58.360 --> 0:58:01.080
<v Speaker 1>I remember when this came out likety years ago and

0:58:01.120 --> 0:58:02.600
<v Speaker 1>they play a song and it's like, oh, yeah, that

0:58:02.640 --> 0:58:05.720
<v Speaker 1>was that ship. Bruno sounds like that every album it

0:58:05.800 --> 0:58:09.520
<v Speaker 1>sounds like a blast from the past. Every time Black

0:58:09.560 --> 0:58:11.800
<v Speaker 1>Mirror goes back in time, it's that song. Yeah. It's

0:58:11.840 --> 0:58:14.640
<v Speaker 1>like remember demolition Man when they when they played old

0:58:14.720 --> 0:58:16.160
<v Speaker 1>songs and they was like, oh, this used to be

0:58:16.200 --> 0:58:19.360
<v Speaker 1>the bop. Like that's what Bruno Mars means. It's good.

0:58:19.920 --> 0:58:24.800
<v Speaker 1>But it's like, I feel like we heard this already

0:58:24.800 --> 0:58:28.240
<v Speaker 1>though we heard this rendition. You don't think anything is innovative.

0:58:28.640 --> 0:58:33.080
<v Speaker 1>It's not innovative, it's not. It's just like every every

0:58:33.160 --> 0:58:36.840
<v Speaker 1>everything feels like a cover with a little you know,

0:58:37.000 --> 0:58:40.240
<v Speaker 1>like a moment on there, like she working that back.

0:58:40.280 --> 0:58:41.760
<v Speaker 1>It's like she he throw that in there to try

0:58:41.800 --> 0:58:43.400
<v Speaker 1>to get us like, Okay, that's our ship, right, But

0:58:43.440 --> 0:58:46.920
<v Speaker 1>it's like, yeah, but that ain't not next to the

0:58:46.920 --> 0:58:49.720
<v Speaker 1>cow bell They that don't that don't they don't land

0:58:49.800 --> 0:58:54.600
<v Speaker 1>like that. It's like but again, vocally, Bruno Mars is incredible,

0:58:54.720 --> 0:59:00.480
<v Speaker 1>incredible vocalist, incredible performer, incredible entertainer. It's just the music

0:59:00.560 --> 0:59:04.480
<v Speaker 1>just doesn't fit the feel. It don't feel like something

0:59:04.520 --> 0:59:06.360
<v Speaker 1>that I want to keep going back to because it's

0:59:06.400 --> 0:59:09.560
<v Speaker 1>like I don't believe this is you. I believe this

0:59:09.600 --> 0:59:14.320
<v Speaker 1>is something that you like or you know, grew up

0:59:14.360 --> 0:59:16.640
<v Speaker 1>liking and you're trying to make your version of that

0:59:17.680 --> 0:59:19.720
<v Speaker 1>and I just don't know if it connects to me.

0:59:19.800 --> 0:59:21.920
<v Speaker 1>I'm just speaking about to me, it doesn't connect. But

0:59:22.000 --> 0:59:27.560
<v Speaker 1>vocally as an entertainer, as an artist, Bruno is incredible.

0:59:27.640 --> 0:59:30.480
<v Speaker 1>There's nothing, there's nothing negative to say it in those regards,

0:59:30.520 --> 0:59:33.960
<v Speaker 1>just the music, and it just doesn't I don't know.

0:59:34.000 --> 0:59:35.880
<v Speaker 1>I can't. I can't really connect to the music. I

0:59:36.240 --> 0:59:37.200
<v Speaker 1>know it's going to be hard.

0:59:37.280 --> 0:59:39.840
<v Speaker 2>I haven't run to the Bruno album because, as you

0:59:39.840 --> 0:59:42.040
<v Speaker 2>guys know, I'm a huge Bruno fan and I know

0:59:42.120 --> 0:59:43.920
<v Speaker 2>that I'm going to be disappointed by the album. But

0:59:43.960 --> 0:59:46.040
<v Speaker 2>no matter how good the album was, I was always

0:59:46.040 --> 0:59:48.640
<v Speaker 2>going to be disappointed by the album because twenty four

0:59:48.720 --> 0:59:51.880
<v Speaker 2>Carrot Magic is the perfect album to me, So I

0:59:51.920 --> 0:59:53.440
<v Speaker 2>don't think that he can do better than that.

0:59:53.480 --> 0:59:55.480
<v Speaker 1>I don't think most people can do better than that.

0:59:56.520 --> 1:00:00.960
<v Speaker 2>But I also felt the same way about Cardi b album,

1:00:01.160 --> 1:00:03.200
<v Speaker 2>her second album as well. It's like, it's going to

1:00:03.240 --> 1:00:05.360
<v Speaker 2>be very hard for you to compete with that first one,

1:00:05.640 --> 1:00:08.040
<v Speaker 2>so you'll always be disappointed no matter what, no matter

1:00:08.040 --> 1:00:10.640
<v Speaker 2>how good the second album is, because the bar is

1:00:10.680 --> 1:00:12.680
<v Speaker 2>already because the bar is so fucking high.

1:00:13.040 --> 1:00:15.280
<v Speaker 1>Last, like when Michael made Thriller, it was like, where's

1:00:15.280 --> 1:00:18.080
<v Speaker 1>he gonna go from there? But it wouldn't be a

1:00:18.480 --> 1:00:21.400
<v Speaker 1>thirty two minute project. Ten years later. I'm looking now.

1:00:22.120 --> 1:00:26.080
<v Speaker 3>Most artists, for the most part signed five album deals.

1:00:26.760 --> 1:00:29.640
<v Speaker 3>This if you include which was an Atlantic release with

1:00:29.880 --> 1:00:33.440
<v Speaker 3>Anderson Pack, this would get him to five. Okay, he

1:00:33.480 --> 1:00:37.840
<v Speaker 3>announced the tour, so I'm doing my Mayamara Aha thing.

1:00:38.240 --> 1:00:40.080
<v Speaker 1>Hmm. There's no way.

1:00:40.760 --> 1:00:43.240
<v Speaker 3>Some of my favorite producers and writers ever that put

1:00:43.280 --> 1:00:48.120
<v Speaker 3>this together for over three years landed on those records.

1:00:49.080 --> 1:00:52.320
<v Speaker 3>This is a way to get out of a contract. Okay,

1:00:52.360 --> 1:00:55.000
<v Speaker 3>this is a way to get out of a fucking contract.

1:00:55.040 --> 1:00:58.880
<v Speaker 3>And and ooh, I'm figuring this out all in real time.

1:00:58.960 --> 1:00:59.560
<v Speaker 1>In real time.

1:01:00.480 --> 1:01:02.840
<v Speaker 3>By the way, guys, this is I'm full of shit,

1:01:02.960 --> 1:01:04.800
<v Speaker 3>so don't take anything I'm saying that serious.

1:01:04.840 --> 1:01:07.400
<v Speaker 1>This is all leged in my brain at the time. Okay.

1:01:07.680 --> 1:01:13.720
<v Speaker 3>The last Meek album was that Expensive Pain Yes, which

1:01:13.800 --> 1:01:19.160
<v Speaker 3>we critiqued very much and Meek was very upset on

1:01:19.240 --> 1:01:23.560
<v Speaker 3>how Atlantic went about promoting that album. It was, I

1:01:23.600 --> 1:01:27.560
<v Speaker 3>agree with Meek, probably one of the most underpromoted Meek

1:01:27.600 --> 1:01:30.120
<v Speaker 3>Mill albums. We've ever seen. He had a record on

1:01:30.160 --> 1:01:33.920
<v Speaker 3>there as well. It wasn't like he was cold, he said. Atlantic,

1:01:34.640 --> 1:01:37.640
<v Speaker 3>when they found out he was leaving, decided why the

1:01:37.640 --> 1:01:39.480
<v Speaker 3>fuck would I promote something if you're not going to

1:01:39.560 --> 1:01:42.800
<v Speaker 3>be here anymore. Now I see this as the most

1:01:42.920 --> 1:01:46.680
<v Speaker 3>underpromoted Bruno Mars fucking album anything Bru. When Bruno sneezes

1:01:46.680 --> 1:01:50.040
<v Speaker 3>it's promoted more than this, I think there's a chance

1:01:50.080 --> 1:01:53.960
<v Speaker 3>maybe he's done with Atlantic and wanted to get the

1:01:53.960 --> 1:01:57.520
<v Speaker 3>fuck out of there. Nine here's nine songs past thirty

1:01:57.520 --> 1:02:00.600
<v Speaker 3>two minutes past the seven seven record thing I need

1:02:00.600 --> 1:02:03.760
<v Speaker 3>to do from an EP to album and I'm out

1:02:03.760 --> 1:02:06.800
<v Speaker 3>of here because I can't see Bruno Mars following up

1:02:06.800 --> 1:02:11.560
<v Speaker 3>twenty four K Magic ten years later with this, not

1:02:11.640 --> 1:02:12.720
<v Speaker 3>with the guys he worked with.

1:02:13.120 --> 1:02:15.200
<v Speaker 1>I just I don't see it that's fair.

1:02:16.000 --> 1:02:18.120
<v Speaker 3>It wasn't even like you had one single, you did

1:02:18.160 --> 1:02:20.200
<v Speaker 3>the video. It just felt like you're trying to get

1:02:20.200 --> 1:02:23.120
<v Speaker 3>out of a deal. And Atlantic has already been accused

1:02:23.160 --> 1:02:25.560
<v Speaker 3>of not promoting artists on their last project, which they're

1:02:25.600 --> 1:02:27.480
<v Speaker 3>not the only label that does that. Once your deal

1:02:27.520 --> 1:02:29.400
<v Speaker 3>is done, why the fuck would I promote your shit?

1:02:30.040 --> 1:02:33.920
<v Speaker 1>Mm hm No, that's a fair assessment.

1:02:34.000 --> 1:02:35.360
<v Speaker 2>We don't know if it's true or false, but I

1:02:35.400 --> 1:02:36.760
<v Speaker 2>think that that's a pretty fair assessment.

1:02:38.000 --> 1:02:43.160
<v Speaker 3>And I must love podcasting because I'm insulting writers and

1:02:43.160 --> 1:02:50.080
<v Speaker 3>producers that I've worked with. I mean, I'm serious, like,

1:02:50.240 --> 1:02:52.120
<v Speaker 3>I hope to god they don't see this.

1:02:53.080 --> 1:02:55.640
<v Speaker 1>There's nothing wrong with just being honest about something that

1:02:55.680 --> 1:02:58.840
<v Speaker 1>you don't feel like they love this. Okay I don't

1:02:58.920 --> 1:03:00.920
<v Speaker 1>know that, yeah, but you just feel like they did.

1:03:01.000 --> 1:03:02.560
<v Speaker 1>They Didn't's no way they loved it. Got it.

1:03:02.720 --> 1:03:05.360
<v Speaker 3>I can hear great moments in it, but this this

1:03:05.440 --> 1:03:08.040
<v Speaker 3>really feels like I'm trying to get off my label.

1:03:08.400 --> 1:03:12.000
<v Speaker 1>Yeah, it really feels that way. I'm not mad at that.

1:03:12.040 --> 1:03:13.640
<v Speaker 1>I just can't connect to the music. I don't know.

1:03:13.720 --> 1:03:18.240
<v Speaker 1>It's again. Vocally, Bruno sounds incredible, Like just just listening

1:03:18.320 --> 1:03:19.840
<v Speaker 1>to the five six songs that I heard on this

1:03:19.960 --> 1:03:23.480
<v Speaker 1>on this album so far, vocally, it's not many many

1:03:23.560 --> 1:03:26.040
<v Speaker 1>artists that can stand next to Bruno. He's He's incredible vocally.

1:03:26.280 --> 1:03:28.240
<v Speaker 1>Just the music for me just doesn't it doesn't land.

1:03:28.520 --> 1:03:33.600
<v Speaker 3>Yeah. Over the weekend as well, Stevie Wonder.

1:03:33.360 --> 1:03:36.960
<v Speaker 1>Went to Marathon Burger for their Old Steven and Long beach.

1:03:37.000 --> 1:03:39.919
<v Speaker 1>What I thought. It was the coolest fucking thing ever. Yeah,

1:03:39.920 --> 1:03:41.880
<v Speaker 1>that was that was fire. Seeing Stevie want that at

1:03:42.640 --> 1:03:43.680
<v Speaker 1>Marathon Burger.

1:03:43.600 --> 1:03:45.360
<v Speaker 3>And all you guys that were saying j Cole was

1:03:45.400 --> 1:03:47.280
<v Speaker 3>being performative with Stevie being performative too.

1:03:49.320 --> 1:03:53.800
<v Speaker 1>No, Stevie was hungry. See Steve was sitting down. Now. Now,

1:03:53.840 --> 1:03:55.480
<v Speaker 1>it would have been performing if Steve went back just

1:03:55.480 --> 1:03:57.680
<v Speaker 1>start flipping some burgers and I'd been like, all right,

1:03:57.680 --> 1:04:02.680
<v Speaker 1>hold on out of like al Stevie, which got the cameras. Yeah,

1:04:02.720 --> 1:04:05.560
<v Speaker 1>but how you back there flipping burgers? But no, that

1:04:05.600 --> 1:04:07.800
<v Speaker 1>wasn't It wasn't before Steve looked like he was just Steve.

1:04:07.800 --> 1:04:09.720
<v Speaker 1>He was at Nipsey's, you know, he went to he

1:04:09.760 --> 1:04:12.000
<v Speaker 1>went to go support. Definitely cares for obviously the family

1:04:12.480 --> 1:04:15.440
<v Speaker 1>and in marathon burgers. So shout out to Stevie.

1:04:15.120 --> 1:04:18.320
<v Speaker 3>Wonder, Yeah, and congrats to Black Sam. In the entire

1:04:18.480 --> 1:04:20.919
<v Speaker 3>state of Nipsey Hustle. I hope to god we see

1:04:20.960 --> 1:04:22.480
<v Speaker 3>more Marathon Burgers everywhere.

1:04:22.560 --> 1:04:24.520
<v Speaker 1>Yeah, when y'all can we get one in New York?

1:04:27.080 --> 1:04:29.400
<v Speaker 1>Tom Squire, I heard that rumor. I wasn't sure if

1:04:29.440 --> 1:04:32.320
<v Speaker 1>it was was sure or not. Fire. I Black Sam

1:04:32.400 --> 1:04:34.120
<v Speaker 1>and me and Rory coming to flip some burgers. Everybody

1:04:34.120 --> 1:04:37.840
<v Speaker 1>else flipping burgers. I would have so much fun doing that. Yeah,

1:04:37.840 --> 1:04:39.320
<v Speaker 1>but then you try to tell Black Sam how to

1:04:39.360 --> 1:04:42.560
<v Speaker 1>run his operation, You'll start doing too much for sure,

1:04:42.920 --> 1:04:44.960
<v Speaker 1>Like you should go square corners on the burger, not round,

1:04:44.960 --> 1:04:47.800
<v Speaker 1>Like you start telling Sam ship like, well, they're smash burgers, okay,

1:04:47.880 --> 1:04:48.440
<v Speaker 1>so perfect.

1:04:49.800 --> 1:04:51.560
<v Speaker 2>Like I'm telling you, if you listen to me, it

1:04:51.600 --> 1:04:53.840
<v Speaker 2>sounds crazy. But add just a pinch of salt.

1:04:54.280 --> 1:04:56.600
<v Speaker 1>To this, No, I would say, I would say, why

1:04:56.600 --> 1:04:59.680
<v Speaker 1>are you seasoning these so much? This season is gonna

1:04:59.680 --> 1:05:03.680
<v Speaker 1>give every want I blood pressure. They're so spicy. Shout

1:05:03.680 --> 1:05:05.520
<v Speaker 1>out to Marathon Burger though, man love to see them.

1:05:05.560 --> 1:05:07.480
<v Speaker 1>They just opened up that location in Long Beach, so

1:05:07.520 --> 1:05:11.439
<v Speaker 1>that was dope shocking, saying family, I've never had Marathon Burger.

1:05:11.440 --> 1:05:12.800
<v Speaker 1>I've had a marathon yet.

1:05:12.640 --> 1:05:14.560
<v Speaker 3>Every time we've been in LA we haven't had enough

1:05:14.560 --> 1:05:17.160
<v Speaker 3>time to get over there. And the last time the

1:05:17.240 --> 1:05:19.760
<v Speaker 3>lines are also like the last time. The last time

1:05:19.880 --> 1:05:22.120
<v Speaker 3>was that there was BT weekend, so you can imagine.

1:05:22.400 --> 1:05:24.480
<v Speaker 1>God, it was like an event every time at marathon.

1:05:24.480 --> 1:05:26.280
<v Speaker 1>B Yeah, I think he head. I told me, say

1:05:26.400 --> 1:05:27.920
<v Speaker 1>you wouldn't make a call like they get you, right,

1:05:27.960 --> 1:05:29.800
<v Speaker 1>I said, when I got to do that to just

1:05:29.840 --> 1:05:32.919
<v Speaker 1>go to a burger spot, I'm cool, Like I'm going

1:05:32.960 --> 1:05:34.440
<v Speaker 1>back to my hotels.

1:05:34.200 --> 1:05:37.680
<v Speaker 3>Even when it's not bt weekend. Like the lines, which

1:05:37.680 --> 1:05:40.400
<v Speaker 3>I'm happy about, are around the corner. Like you can't

1:05:40.400 --> 1:05:42.240
<v Speaker 3>just pull up to Marathon Burger and grab a burger

1:05:42.280 --> 1:05:42.640
<v Speaker 3>real quick.

1:05:42.800 --> 1:05:44.520
<v Speaker 1>Yeah that's dope. I mean, but in and out is

1:05:44.560 --> 1:05:47.080
<v Speaker 1>the same way I've never gone to trash. I hear

1:05:47.160 --> 1:05:48.040
<v Speaker 1>Marathon Burger is great.

1:05:51.240 --> 1:05:51.520
<v Speaker 2>Kill you.

1:05:52.560 --> 1:05:56.520
<v Speaker 3>Oh they look this camera peage in and out is

1:05:56.680 --> 1:05:58.240
<v Speaker 3>fucking garbage juice.

1:05:58.320 --> 1:06:00.920
<v Speaker 1>Yeah, now we can move on. He's at them. I

1:06:01.040 --> 1:06:04.479
<v Speaker 1>love what he hot today. Look, I love it. I

1:06:04.560 --> 1:06:06.560
<v Speaker 1>love it. They called me a hater every day. I

1:06:06.600 --> 1:06:08.760
<v Speaker 1>love the fact that I have a neighbor. Now, welcome

1:06:08.800 --> 1:06:12.520
<v Speaker 1>to the block, a hater neighbor. So my hater neighbor. Yeah,

1:06:12.600 --> 1:06:14.560
<v Speaker 1>come on, hater neighbor. You know it's a matter of

1:06:14.600 --> 1:06:16.880
<v Speaker 1>time until I gentrified the hater blo oh man, you

1:06:16.880 --> 1:06:18.479
<v Speaker 1>gotta move in and gentrify the hater hood.

1:06:18.800 --> 1:06:21.800
<v Speaker 3>Yeah, no, it's it's really probably like the worst burger

1:06:21.840 --> 1:06:22.760
<v Speaker 3>place on the earth.

1:06:23.280 --> 1:06:23.480
<v Speaker 1>Yeah.

1:06:23.520 --> 1:06:26.400
<v Speaker 2>The things on this list are fucking frying me like

1:06:26.400 --> 1:06:29.040
<v Speaker 2>the way you type things out. Boujou Bontn's son said,

1:06:29.040 --> 1:06:31.000
<v Speaker 2>he almost turned gay, but then he remember boom bye

1:06:31.000 --> 1:06:31.560
<v Speaker 2>bye and with the.

1:06:31.600 --> 1:06:34.120
<v Speaker 1>Church the next day. Like typing that out is fucking

1:06:34.400 --> 1:06:38.040
<v Speaker 1>Is that even real? That's real? Okay, Well, shout out

1:06:38.040 --> 1:06:42.640
<v Speaker 1>to bojoo son. He ain't no delivered. He don't like

1:06:42.680 --> 1:06:48.520
<v Speaker 1>men's no more. I don't like don't wait? Was that

1:06:48.560 --> 1:06:52.479
<v Speaker 1>a real thing? Though? Yes, he said he went to church. Yeah,

1:06:52.960 --> 1:06:54.400
<v Speaker 1>Or did he say he heard boom by by?

1:06:54.640 --> 1:06:57.040
<v Speaker 3>Well, no, he remembered boom bye bye and realized I'm

1:06:57.040 --> 1:06:58.680
<v Speaker 3>not gay and then went to church the next day

1:06:58.720 --> 1:06:59.720
<v Speaker 3>to remind himself again.

1:07:00.320 --> 1:07:02.360
<v Speaker 1>Oh okay, good for him.

1:07:02.520 --> 1:07:05.960
<v Speaker 2>They got that shit taken down everywhere everything Me nearly

1:07:06.000 --> 1:07:06.920
<v Speaker 2>turned fish.

1:07:07.280 --> 1:07:10.800
<v Speaker 1>Sorry, that was nearly turned fish. I didn't want to

1:07:10.800 --> 1:07:12.480
<v Speaker 1>be the one to say it. That's how the cleeves.

1:07:12.240 --> 1:07:18.000
<v Speaker 2>Started me nearly turned fish. He said that, say in

1:07:18.000 --> 1:07:20.040
<v Speaker 2>a play with my mind, Say in.

1:07:20.080 --> 1:07:27.080
<v Speaker 1>A play with my mind? You know what world this

1:07:27.120 --> 1:07:29.120
<v Speaker 1>is a stor don't think this is a simulation. This

1:07:29.200 --> 1:07:33.240
<v Speaker 1>is crazy. This is a real interview, you said. Yes.

1:07:33.320 --> 1:07:35.200
<v Speaker 2>During the interview, that young entertainer opened up about what

1:07:35.240 --> 1:07:37.160
<v Speaker 2>he described as the years of spiritual warfare.

1:07:37.480 --> 1:07:38.760
<v Speaker 1>I'll tell you then, come over.

1:07:38.840 --> 1:07:41.920
<v Speaker 2>If you gave nigga about fighting demons, that it be bisexuality,

1:07:42.120 --> 1:07:45.400
<v Speaker 2>generation and battles with identity. He said there was a

1:07:45.400 --> 1:07:47.400
<v Speaker 2>period where he began losing his desire for women and

1:07:47.440 --> 1:07:49.400
<v Speaker 2>felt his mind was under attack, say in a play

1:07:49.440 --> 1:07:51.240
<v Speaker 2>with my mind. He shared that in the middle of

1:07:51.440 --> 1:07:54.160
<v Speaker 2>that struggle, he began singing his father's controversial hit song

1:07:54.240 --> 1:07:56.840
<v Speaker 2>Boomed by Bye, as a reminder of his upbringing in beliefs.

1:07:56.960 --> 1:07:59.600
<v Speaker 2>According to john Zi l that moment jolted him. In

1:07:59.640 --> 1:08:02.840
<v Speaker 2>the very next day, he walked into church seeking baptism. However,

1:08:02.920 --> 1:08:05.960
<v Speaker 2>john Zo admitted that getting baptized did not immediately fix everything.

1:08:06.400 --> 1:08:09.120
<v Speaker 2>Nothing never changed, he said, adding that he later realized

1:08:09.160 --> 1:08:11.280
<v Speaker 2>deeper prayer and spiritual work were necessary.

1:08:12.600 --> 1:08:14.240
<v Speaker 1>So he said nothing changed with he mean, how he

1:08:14.320 --> 1:08:16.600
<v Speaker 1>know he still went out on a date with a dude.

1:08:17.840 --> 1:08:20.040
<v Speaker 2>Or was it like I think he just he realized

1:08:20.040 --> 1:08:21.439
<v Speaker 2>that he needed to pray a little bit harder.

1:08:21.520 --> 1:08:23.840
<v Speaker 1>Okay, yeah, respectfully, he.

1:08:25.479 --> 1:08:28.000
<v Speaker 2>Seeks medical attention. He saw medical help for what he

1:08:28.000 --> 1:08:29.759
<v Speaker 2>believed was a misdiagnosed illness.

1:08:30.920 --> 1:08:34.679
<v Speaker 1>Gay is a misdiagnosed illness. Yeah according to someone West Indians.

1:08:34.720 --> 1:08:40.360
<v Speaker 1>Absolutely not nobody, but yo, that is crazy, man.

1:08:40.960 --> 1:08:42.920
<v Speaker 3>All right, Well, I think he'd just be happier if

1:08:42.960 --> 1:08:44.920
<v Speaker 3>he would just be gay.

1:08:45.120 --> 1:08:47.120
<v Speaker 1>Yeah, it's always that part of it, right, Like Fam,

1:08:47.120 --> 1:08:49.719
<v Speaker 1>you could just it's okay, like you could.

1:08:49.560 --> 1:08:51.960
<v Speaker 3>Just be I can understand that probably growing up in

1:08:52.080 --> 1:08:54.439
<v Speaker 3>the household of Bontan and that culture.

1:08:54.680 --> 1:08:56.280
<v Speaker 1>But he's a grown man now. You don't still live

1:08:56.280 --> 1:08:57.040
<v Speaker 1>at home with bouju.

1:08:57.200 --> 1:09:00.280
<v Speaker 3>I'm saying he's growing up in a house like that,

1:09:00.600 --> 1:09:06.880
<v Speaker 3>you would feel pressure. Yeah, oh definitely, so definitely that

1:09:07.120 --> 1:09:09.680
<v Speaker 3>can spill over into your adulthood, even once you've moved out.

1:09:09.760 --> 1:09:13.080
<v Speaker 1>Yeah, but no, I unfortunately I did laugh just because

1:09:13.120 --> 1:09:15.360
<v Speaker 1>it was funny. Me nearly turned fish. Funny as fuck.

1:09:15.360 --> 1:09:17.880
<v Speaker 1>I don't nearly turn fish, say, and I play with

1:09:17.920 --> 1:09:23.519
<v Speaker 1>my mind, yo, man, all right, but whatever, that's why.

1:09:23.760 --> 1:09:25.720
<v Speaker 2>But me and Ma have stood on that, like yo,

1:09:25.880 --> 1:09:29.200
<v Speaker 2>Like niggas be claiming they're fighting demons, it be bisexuality, be.

1:09:29.240 --> 1:09:34.000
<v Speaker 1>Gay, Fam, just be gay. Dog. Ain't nobody tripping like

1:09:34.040 --> 1:09:37.880
<v Speaker 1>you in the house, cursing your girl out, arguing because

1:09:37.920 --> 1:09:41.240
<v Speaker 1>she left the the soap dish with a half a

1:09:41.240 --> 1:09:43.200
<v Speaker 1>piece of soap in there, Like, just go be with

1:09:43.240 --> 1:09:47.400
<v Speaker 1>your boyfriend, Like you don't like women, that's fine, yo,

1:09:47.520 --> 1:09:50.280
<v Speaker 1>yeah yeah, fighting with it's not a demon. Just go

1:09:51.360 --> 1:09:53.920
<v Speaker 1>you fighting that text message that you keep ignoring. Just

1:09:54.000 --> 1:09:55.960
<v Speaker 1>answer homeie and go see them. I'm like, that's all

1:09:57.200 --> 1:09:59.280
<v Speaker 1>you ain't nowhere for you to be arguing with your girl, Like,

1:09:59.560 --> 1:10:04.000
<v Speaker 1>just go see boyfriend. Nobody, it's twenty twenty six, nobody cares.

1:10:04.000 --> 1:10:08.320
<v Speaker 1>I promise you can live it mad other places and

1:10:08.320 --> 1:10:11.360
<v Speaker 1>the gays in Jamaica, let's put that out there, like,

1:10:11.479 --> 1:10:14.920
<v Speaker 1>let's just get that out there, the gay people in Jamaica, Like,

1:10:14.960 --> 1:10:17.879
<v Speaker 1>we got to stop that, like gay people in Jamaica.

1:10:17.960 --> 1:10:20.639
<v Speaker 1>But I get it. I understand cultural things like that,

1:10:20.720 --> 1:10:23.000
<v Speaker 1>pressure from the home and things like that. But as

1:10:23.000 --> 1:10:25.960
<v Speaker 1>a grown man, be comfortable, be who you are. Be yourself. Man.

1:10:26.160 --> 1:10:31.720
<v Speaker 1>One life, one life, One life won't love. You heard it,

1:10:31.760 --> 1:10:36.679
<v Speaker 1>One life won't love Relax.

1:10:38.920 --> 1:10:41.840
<v Speaker 3>Speaking of a simulation, did you see that Jim Carrey

1:10:41.880 --> 1:10:42.280
<v Speaker 3>was cloned?

1:10:43.200 --> 1:10:47.000
<v Speaker 1>I saw people trying to make it a thing. They said,

1:10:47.000 --> 1:10:53.160
<v Speaker 1>the eyes are different. I don't know, man, people are weird.

1:10:53.200 --> 1:10:55.960
<v Speaker 1>The thing is just makeup. Maybe Jim got some fellers

1:10:56.000 --> 1:11:01.160
<v Speaker 1>and done. He got a face lift. Yeah, like, that's

1:11:01.240 --> 1:11:03.920
<v Speaker 1>Jim Carrey. Bro, that's Jim Carrey. He got a facelift.

1:11:05.000 --> 1:11:05.639
<v Speaker 1>He can't move.

1:11:05.720 --> 1:11:07.000
<v Speaker 2>You see how tight his forehead is.

1:11:07.360 --> 1:11:08.240
<v Speaker 1>He got a facelift.

1:11:09.040 --> 1:11:12.120
<v Speaker 3>Well, some people would say that if you followed Jim

1:11:12.160 --> 1:11:16.360
<v Speaker 3>Carrey for the last decades, Uh, he wouldn't be the

1:11:16.360 --> 1:11:17.920
<v Speaker 3>one to get a face lift because he does not

1:11:18.000 --> 1:11:22.360
<v Speaker 3>care about society the way maybe an actor would. My

1:11:22.520 --> 1:11:27.519
<v Speaker 3>only conspiracy really was he's on his Andy Kaufman shit,

1:11:27.600 --> 1:11:29.479
<v Speaker 3>and this has to do with some type of role

1:11:29.600 --> 1:11:31.360
<v Speaker 3>or something that he's This is a role, like like

1:11:31.400 --> 1:11:33.080
<v Speaker 3>the way The Weekend was walking around with a fucking

1:11:33.120 --> 1:11:36.599
<v Speaker 3>mask for that. I was like, maybe maybe Jim Carrey's

1:11:36.640 --> 1:11:41.559
<v Speaker 3>doing something. I could see that based off celebrities and

1:11:43.000 --> 1:11:44.360
<v Speaker 3>how dark that world can be.

1:11:44.479 --> 1:11:45.519
<v Speaker 1>This is his latest trick.

1:11:45.800 --> 1:11:49.200
<v Speaker 3>Yes, but I mean even that to me is I

1:11:49.240 --> 1:11:50.360
<v Speaker 3>think it's prize. Is Jim Carrey.

1:11:50.360 --> 1:11:53.840
<v Speaker 1>Bro, that's Jim carry the battie. He got a face lift.

1:11:53.880 --> 1:11:55.920
<v Speaker 1>There's Jim Carrey. Like It's okay, So I get it.

1:11:55.960 --> 1:11:58.559
<v Speaker 1>I know the conspiracy theorists love shit like this. He's

1:11:58.600 --> 1:12:01.519
<v Speaker 1>zooming on the as compared to eyes from five years ago.

1:12:02.240 --> 1:12:04.960
<v Speaker 1>I get it, I understand, but that's that's Jim carry bo.

1:12:05.600 --> 1:12:08.720
<v Speaker 2>It's Jim that face tight though they put their knee

1:12:09.000 --> 1:12:11.839
<v Speaker 2>the god damn.

1:12:12.600 --> 1:12:15.320
<v Speaker 3>But that's the thing I guess with plastic surgery, like

1:12:15.320 --> 1:12:17.880
<v Speaker 3>you really need the right lighting for it to look okay,

1:12:18.800 --> 1:12:19.720
<v Speaker 3>or you look like that.

1:12:20.479 --> 1:12:23.840
<v Speaker 1>Yeah, I mean he looks good though something look crazy,

1:12:24.640 --> 1:12:27.760
<v Speaker 1>some high cheeks. I mean, you know, he looks good though.

1:12:27.800 --> 1:12:29.799
<v Speaker 1>Jim was my favorite thing.

1:12:31.280 --> 1:12:35.839
<v Speaker 3>About conspiracy theorists that I'm starting to like, really notice.

1:12:36.040 --> 1:12:38.920
<v Speaker 3>I don't want to call white conspiracy theorists racist because

1:12:38.920 --> 1:12:42.280
<v Speaker 3>that's unfair, but I think a lot of you guys

1:12:42.280 --> 1:12:45.960
<v Speaker 3>are subconsciously racist, because I do think it's hilarious, especially on.

1:12:45.920 --> 1:12:47.720
<v Speaker 1>The right wing of the QAnon people. This and that.

1:12:47.800 --> 1:12:52.439
<v Speaker 3>You guys can believe every insane conspiracy theory, but draw

1:12:52.520 --> 1:12:59.760
<v Speaker 3>the line at systematic racism, Jay Edgar Hoover, which is

1:12:59.760 --> 1:13:02.360
<v Speaker 3>is you could pull the files at this everything's redacted

1:13:02.520 --> 1:13:03.800
<v Speaker 3>of systematic racism.

1:13:03.960 --> 1:13:06.240
<v Speaker 1>No, racism isn't really anymore.

1:13:06.479 --> 1:13:09.240
<v Speaker 3>But you will literally believe that they're eating babies in

1:13:09.280 --> 1:13:12.639
<v Speaker 3>a layer under la with lizard people. But be like, guys,

1:13:12.920 --> 1:13:18.080
<v Speaker 3>there's no such thing as racism. Systematic racism. Are you crazy?

1:13:18.240 --> 1:13:20.599
<v Speaker 3>The government would never conspire against black people.

1:13:20.680 --> 1:13:25.840
<v Speaker 1>Yeah, I guess. Anyways, with that said, did.

1:13:25.680 --> 1:13:28.559
<v Speaker 3>You guys see the McDonald's CEO to eat his own product?

1:13:29.920 --> 1:13:29.960
<v Speaker 2>No?

1:13:30.080 --> 1:13:32.640
<v Speaker 1>I heard it has so funny it's not even a conspiracy.

1:13:33.000 --> 1:13:33.320
<v Speaker 1>He was.

1:13:33.760 --> 1:13:35.800
<v Speaker 3>I don't know who on their social team was like, yeah,

1:13:35.800 --> 1:13:40.160
<v Speaker 3>you gotta do the lunchtime TikTok. He went and showed

1:13:40.160 --> 1:13:45.760
<v Speaker 3>the new burger, the Big Arch at McDonald's. He took

1:13:45.800 --> 1:13:49.599
<v Speaker 3>the littlest bite of all time. It's the way when

1:13:49.600 --> 1:13:51.360
<v Speaker 3>you go into a Chinese restaurant in New York City,

1:13:51.360 --> 1:13:56.040
<v Speaker 3>you never actually see Chinese people eating the food because

1:13:56.080 --> 1:14:00.320
<v Speaker 3>they know we shouldn't eating the shit, right He so

1:14:00.439 --> 1:14:05.800
<v Speaker 3>he went, mmm, delicious, where's this? He's probably a vegan.

1:14:05.800 --> 1:14:08.120
<v Speaker 1>Where's this McDonald's at that's his office.

1:14:10.000 --> 1:14:12.280
<v Speaker 3>And what's funny is he started out by saying, we

1:14:12.400 --> 1:14:16.439
<v Speaker 3>tested this in Argentina and Germany and Canada. Now we're

1:14:16.439 --> 1:14:20.040
<v Speaker 3>ready for the States. We tried to see what it

1:14:20.080 --> 1:14:21.400
<v Speaker 3>would do to other people.

1:14:22.080 --> 1:14:25.040
<v Speaker 1>So this is the new burger, Big Arch. Okay, you

1:14:25.080 --> 1:14:27.080
<v Speaker 1>can see the crispy onions there. What is it? What's

1:14:27.240 --> 1:14:32.840
<v Speaker 1>what's what's so different about this burger? Nothing. It was

1:14:32.880 --> 1:14:34.439
<v Speaker 1>like a big, like a smash burger type of thing.

1:14:34.439 --> 1:14:40.800
<v Speaker 3>They had more steroids into it. They added successame seeds

1:14:40.800 --> 1:14:42.559
<v Speaker 3>to the bun. I'm just trying to keep up with

1:14:42.600 --> 1:14:43.720
<v Speaker 3>burger culture, got it.

1:14:43.760 --> 1:14:45.920
<v Speaker 2>I don't know if I trust like McDonald's, like with

1:14:46.000 --> 1:14:47.720
<v Speaker 2>the crispy onions, Like, I don't know how.

1:14:47.720 --> 1:14:49.439
<v Speaker 1>I don't know how about that. So that's where you

1:14:49.520 --> 1:14:51.880
<v Speaker 1>draw the line onions, You don't trust me?

1:14:52.479 --> 1:14:55.439
<v Speaker 2>Well, I don't eat McDonald's burgers, but I don't know, Like,

1:14:55.479 --> 1:14:56.880
<v Speaker 2>I don't know if I trust them to get the

1:14:56.880 --> 1:14:59.719
<v Speaker 2>onions crispy like right, Like is that real onion?

1:14:59.760 --> 1:15:02.639
<v Speaker 1>What do you trust them to get? Right? Yeah? Because

1:15:02.640 --> 1:15:04.360
<v Speaker 1>if you leave that burger out for a month, it's

1:15:04.400 --> 1:15:05.720
<v Speaker 1>not going to go bad. I promise you.

1:15:06.400 --> 1:15:08.599
<v Speaker 2>They still do that though, Like they still don't use

1:15:08.600 --> 1:15:10.320
<v Speaker 2>real me. I thought, like because they got called out

1:15:10.360 --> 1:15:12.439
<v Speaker 2>on it so much, they like started, what does that mean?

1:15:12.479 --> 1:15:14.160
<v Speaker 1>We call our shit all the time? Baby? The niggas

1:15:14.200 --> 1:15:16.080
<v Speaker 1>still do the same shit over and over and over.

1:15:16.439 --> 1:15:18.240
<v Speaker 1>It let it blow over and they don't have won't

1:15:18.240 --> 1:15:20.120
<v Speaker 1>be frozen from we don't have that much cows. We

1:15:20.160 --> 1:15:23.120
<v Speaker 1>know that we don't have that much beef for them

1:15:23.160 --> 1:15:25.519
<v Speaker 1>to be selling billions of burgers a year. Think about

1:15:25.520 --> 1:15:28.200
<v Speaker 1>how many McDonald's there are in this country alone, and

1:15:28.320 --> 1:15:30.439
<v Speaker 1>all of them are selling millions of burgers a year.

1:15:32.000 --> 1:15:36.680
<v Speaker 1>How where's that me coming from? We already know the

1:15:36.760 --> 1:15:40.719
<v Speaker 1>nuggets is just everything waste, Like they just grind everything

1:15:40.720 --> 1:15:43.040
<v Speaker 1>together and make a paste. We saw that dock how

1:15:43.040 --> 1:15:45.679
<v Speaker 1>they make nuggets. It comes in a box of pink

1:15:45.760 --> 1:15:48.679
<v Speaker 1>paste and they just take pieces of it and dump

1:15:48.720 --> 1:15:49.599
<v Speaker 1>it in the fry like.

1:15:49.560 --> 1:15:53.519
<v Speaker 2>It's so good though delicious. What's some ranch shit hits?

1:15:54.720 --> 1:15:55.720
<v Speaker 1>Which is not ranch either?

1:15:55.840 --> 1:15:58.639
<v Speaker 2>Every once in a while, I'll crave like McDonald's nuggets

1:15:58.640 --> 1:15:59.439
<v Speaker 2>every once in a while.

1:16:00.040 --> 1:16:02.840
<v Speaker 3>I've driven through almost every state in this country. I've

1:16:02.880 --> 1:16:06.679
<v Speaker 3>never seen that many cows that like just just McDonald's period,

1:16:06.720 --> 1:16:10.040
<v Speaker 3>not the rest of it. I've never seen that many came.

1:16:10.120 --> 1:16:13.639
<v Speaker 3>It's not possible, Like you've never through North Dakota'm like, okay,

1:16:13.760 --> 1:16:15.160
<v Speaker 3>I see a million cows just now.

1:16:15.200 --> 1:16:16.760
<v Speaker 1>I see how they do it. But now I get it. Okay,

1:16:16.840 --> 1:16:19.479
<v Speaker 1>there's thirty million cows over there. I get it now. No,

1:16:19.520 --> 1:16:23.120
<v Speaker 1>it's just just not no, it's not possible. At one

1:16:23.160 --> 1:16:25.880
<v Speaker 1>time when McDonald's and they I think this is like

1:16:26.560 --> 1:16:28.599
<v Speaker 1>you can read this. At one time, it was though

1:16:28.640 --> 1:16:31.760
<v Speaker 1>it was just pure one hundred percent beef. When McDonald's

1:16:31.760 --> 1:16:34.360
<v Speaker 1>was you know, obviously first starting years ago, and it

1:16:34.360 --> 1:16:36.639
<v Speaker 1>wasn't as many, it wasn't a franchise as it is today,

1:16:36.680 --> 1:16:38.320
<v Speaker 1>is as big of a brand as it is today.

1:16:38.960 --> 1:16:41.720
<v Speaker 1>But no, there's no way, there's no way that that

1:16:41.720 --> 1:16:44.400
<v Speaker 1>that's real beef. It's impossible.

1:16:44.600 --> 1:16:48.800
<v Speaker 2>They said they're still made one pure USDA inspected beef.

1:16:48.840 --> 1:16:50.920
<v Speaker 2>They say that, oh oh.

1:16:50.800 --> 1:16:56.040
<v Speaker 1>No government bad. I said that, my bad like ay

1:16:56.200 --> 1:16:59.080
<v Speaker 1>I said, it got to be valid. The government says, yes,

1:16:59.479 --> 1:17:03.800
<v Speaker 1>man us D, yeah, they inspected. He just told the

1:17:03.880 --> 1:17:05.920
<v Speaker 1>niggas to go get a vaccine and now spoon stick

1:17:05.960 --> 1:17:09.400
<v Speaker 1>to your arms. I know, pumping us with floor floride

1:17:09.439 --> 1:17:11.479
<v Speaker 1>has children, not the fluoride. You know.

1:17:11.600 --> 1:17:14.720
<v Speaker 2>My dad started with that the fluoride is blocking my

1:17:14.840 --> 1:17:15.400
<v Speaker 2>third eye.

1:17:15.640 --> 1:17:17.720
<v Speaker 1>Welcome nah that be every nigga say that way he

1:17:17.720 --> 1:17:24.160
<v Speaker 1>can't get a job yo the fluoride. Yo? What's up?

1:17:24.200 --> 1:17:27.280
<v Speaker 1>And how the job starts going? Yo? The fluoride? You know,

1:17:27.479 --> 1:17:34.800
<v Speaker 1>saying this my third eye, nigga realized, realize floride, your son,

1:17:34.840 --> 1:17:36.559
<v Speaker 1>you ain't been working at like five months of Yo,

1:17:36.800 --> 1:17:39.760
<v Speaker 1>the fluoride being out here. Niggas can't even see my

1:17:39.880 --> 1:17:50.679
<v Speaker 1>potential kill the first mercury and retrograde. What's floride? Niggas

1:17:50.760 --> 1:17:53.559
<v Speaker 1>love blaming floride. Man, if y'all niggas, don't get out

1:17:53.560 --> 1:17:55.920
<v Speaker 1>of here and brush your stick ass pouth floride. I

1:17:55.920 --> 1:17:58.320
<v Speaker 1>don't care what you put in that motherfucker brush and

1:17:58.560 --> 1:18:03.240
<v Speaker 1>wrench the floride. My third eye, it got the calcium.

1:18:03.640 --> 1:18:06.920
<v Speaker 1>It's covered with my my third eyes calcified. Nigga, Yo,

1:18:07.360 --> 1:18:10.120
<v Speaker 1>go get a job. I love that song. Go get

1:18:10.120 --> 1:18:15.760
<v Speaker 1>a fucking job, man, right though, Oh my god, oh man,

1:18:16.000 --> 1:18:20.240
<v Speaker 1>they're right. Yeah, you still use flor nah.

1:18:20.840 --> 1:18:22.600
<v Speaker 2>I would think that you didn't. Now you give like

1:18:22.720 --> 1:18:24.120
<v Speaker 2>Tom's nah.

1:18:24.160 --> 1:18:26.080
<v Speaker 1>I don't use Toms. This this other brand I'm gonna

1:18:26.120 --> 1:18:29.599
<v Speaker 1>send you. It's fired. Oh baby, what my mouth ain't

1:18:29.600 --> 1:18:34.519
<v Speaker 1>never felt that clean like that ship foam up so crazy. Hey,

1:18:36.120 --> 1:18:40.639
<v Speaker 1>even Ryan went, you know he's twenty three toothpaste. What

1:18:40.640 --> 1:18:42.080
<v Speaker 1>I'm saying, you know how the tooth You know, you

1:18:42.080 --> 1:18:45.120
<v Speaker 1>gotta get a good laugh on the toothpas. But then,

1:18:45.160 --> 1:18:47.479
<v Speaker 1>like you know, when your teeth feel like marble after

1:18:47.520 --> 1:18:50.200
<v Speaker 1>you finished brush. Oh my God, streaky. They felt streaked.

1:18:50.320 --> 1:18:52.640
<v Speaker 1>Oh no, no, no, no, I'm talking about straight marble, like

1:18:52.680 --> 1:18:54.320
<v Speaker 1>you know when you get that clean out the dentist,

1:18:54.560 --> 1:18:57.160
<v Speaker 1>when the dentist like cleans and and shine your teeth.

1:18:57.160 --> 1:18:59.639
<v Speaker 1>Oh yeah, I got I'm gonna see the toothpaste. That's fine.

1:19:00.120 --> 1:19:02.519
<v Speaker 1>I just ordered like six of them ships on Amazon. Okay.

1:19:02.720 --> 1:19:05.439
<v Speaker 1>And the flaws, I guess people that don't flaws.

1:19:05.520 --> 1:19:07.920
<v Speaker 2>If you don't floss, and you're listening to this, if

1:19:07.920 --> 1:19:10.320
<v Speaker 2>you don't floss, go floss and then smell the floss.

1:19:10.520 --> 1:19:12.479
<v Speaker 1>Nah, that's just like the back of an erring. You

1:19:12.479 --> 1:19:16.479
<v Speaker 1>don't want to smell that shit. That's your stink. Not

1:19:16.560 --> 1:19:18.920
<v Speaker 1>floss in. It's kind of nuts, but not floss in

1:19:18.960 --> 1:19:23.000
<v Speaker 1>this crap, Like, you don't you don't have no flaws.

1:19:23.520 --> 1:19:25.040
<v Speaker 1>I'm not gonna lie. I know we say you don't

1:19:25.080 --> 1:19:26.920
<v Speaker 1>judge you. I just if I go to your bathroom

1:19:26.960 --> 1:19:29.120
<v Speaker 1>and it's certain ship not in there, you just you

1:19:29.320 --> 1:19:31.800
<v Speaker 1>just a little funky to me, Like what if you

1:19:31.800 --> 1:19:35.559
<v Speaker 1>don't got baby wipes, I'm judging you have dude wipes,

1:19:36.640 --> 1:19:39.360
<v Speaker 1>dude wipes whatever, whatever, you got some wipes. You need

1:19:39.400 --> 1:19:43.160
<v Speaker 1>some wet wipes in your in your bathroom. You need flaws,

1:19:43.479 --> 1:19:47.599
<v Speaker 1>You need mouthwash like these are, you need Clorox wipes

1:19:47.600 --> 1:19:50.120
<v Speaker 1>for the toilet, Like, it's just certain things you just

1:19:50.200 --> 1:19:51.760
<v Speaker 1>have to have in your bathroom. When you go to

1:19:51.760 --> 1:19:54.960
<v Speaker 1>some bathroom, you're like, famn, you ain't got no mouthwashing here.

1:19:55.040 --> 1:19:57.960
<v Speaker 1>No what you be doing, like how you brush your teeth?

1:19:58.000 --> 1:20:02.240
<v Speaker 1>You just toothpaste on the two Just that's it. That's

1:20:02.280 --> 1:20:04.280
<v Speaker 1>not enough. That's not gonna that's not gonna get it.

1:20:04.280 --> 1:20:04.880
<v Speaker 1>If you don't flaws.

1:20:04.960 --> 1:20:06.639
<v Speaker 3>I'm not gonna say you also don't wash your ass

1:20:06.680 --> 1:20:08.840
<v Speaker 3>when they say you you wash your ass with the

1:20:08.880 --> 1:20:12.439
<v Speaker 3>same rag that you do for your face. Yeah, like

1:20:12.520 --> 1:20:14.479
<v Speaker 3>you literally wipe your butt and then wash your face

1:20:14.520 --> 1:20:15.439
<v Speaker 3>with that rag, just.

1:20:15.439 --> 1:20:18.360
<v Speaker 1>One of the same. I agree. No White's baby d

1:20:18.400 --> 1:20:19.519
<v Speaker 1>get out of it if he ain't got a White's

1:20:19.520 --> 1:20:19.840
<v Speaker 1>baby D.

1:20:20.400 --> 1:20:23.479
<v Speaker 2>Man, No, I'm not because I know eventually when we

1:20:23.560 --> 1:20:28.680
<v Speaker 2>get there, like it's sheet stink sheets, You're never going

1:20:28.760 --> 1:20:30.439
<v Speaker 2>to call a cuddle session in the sheets stink.

1:20:30.760 --> 1:20:34.519
<v Speaker 1>It's someone like butt underhead, Like you never go to

1:20:34.560 --> 1:20:36.680
<v Speaker 1>somebody crib and it's just a blanket everything something like

1:20:36.720 --> 1:20:37.559
<v Speaker 1>butt like you like.

1:20:38.200 --> 1:20:40.680
<v Speaker 3>Y'all think I'm massive, that's never I've never gotten to

1:20:40.680 --> 1:20:42.240
<v Speaker 3>a girl's house in her sheets.

1:20:42.680 --> 1:20:46.960
<v Speaker 1>Yeah, that's the main thing. Yeah, oh mine, don't stink

1:20:47.479 --> 1:20:49.720
<v Speaker 1>your sheets, think blanket stink, go to her crib, her

1:20:49.760 --> 1:20:54.280
<v Speaker 1>pillowcase stink because her bonnet stink. It's like, y'all can't

1:20:54.320 --> 1:20:56.360
<v Speaker 1>even lay down like I'm about to go like what

1:20:56.479 --> 1:20:58.599
<v Speaker 1>is are you a bed stink? How you a bed?

1:20:58.720 --> 1:21:04.880
<v Speaker 1>Funky your how is this this where he's supposed to

1:21:04.920 --> 1:21:07.880
<v Speaker 1>have a good, nice sleeper. It smells like a coffin, like.

1:21:10.120 --> 1:21:12.080
<v Speaker 2>You gotta smell like right when a nigga like where

1:21:12.240 --> 1:21:14.479
<v Speaker 2>he where he lays, like where his butt would be.

1:21:14.520 --> 1:21:15.519
<v Speaker 1>You gotta smell that part of.

1:21:15.520 --> 1:21:19.280
<v Speaker 3>The sheet as soon as what does their bathroom look like?

1:21:19.360 --> 1:21:21.559
<v Speaker 3>If their sheets are like that? Man, Because you can't

1:21:21.720 --> 1:21:24.320
<v Speaker 3>wash your ass in a dirty bathroom. But dirty already

1:21:24.360 --> 1:21:25.680
<v Speaker 3>you can't be people will know.

1:21:25.880 --> 1:21:27.639
<v Speaker 1>This is the thing. This is the thing about dirty people.

1:21:28.040 --> 1:21:31.120
<v Speaker 2>They know what clean people are expecting, right, so they

1:21:31.240 --> 1:21:33.680
<v Speaker 2>know what makes them look clean, so they'll do like

1:21:34.280 --> 1:21:36.880
<v Speaker 2>they'll straighten up and make ship look clean. So unless

1:21:36.920 --> 1:21:39.719
<v Speaker 2>you're really inspecting, you don't know. Notice, but you can't

1:21:39.880 --> 1:21:44.000
<v Speaker 2>hide the smell of funky ass on a sheet. Got

1:21:44.040 --> 1:21:47.679
<v Speaker 2>the top sheet. Don't smell the top sheet, the one underneath. Yeah,

1:21:47.840 --> 1:21:51.000
<v Speaker 2>you gotta get up under there, the one underneath.

1:21:50.960 --> 1:21:52.439
<v Speaker 1>Doubt like where his feet beats.

1:21:52.560 --> 1:21:53.439
<v Speaker 2>Smell down there.

1:21:54.120 --> 1:21:58.400
<v Speaker 1>At the foot. That's how you're with some dirty people. No, no, don't,

1:21:58.560 --> 1:22:01.160
<v Speaker 1>I don't. That's that's how I don't dirt people like

1:22:01.520 --> 1:22:03.760
<v Speaker 1>it takes me one. Look like you be playing at ya.

1:22:03.800 --> 1:22:11.559
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<v Speaker 1>one eight hundred Gambler Arizona, Colorado, Illinois, Michigan, New Jersey, Ohio, Tennessee,

1:23:29.720 --> 1:23:38.760
<v Speaker 1>and Virginia. I need whatever toothpage Shylah Buff is using,

1:23:38.800 --> 1:23:41.800
<v Speaker 1>though that's the third is Shyla Buff is easily the

1:23:41.880 --> 1:23:44.920
<v Speaker 1>funniest dude in the world right now by fars not

1:23:45.120 --> 1:23:49.120
<v Speaker 1>close watch the interview. Who's the interview? With Channel five

1:23:49.439 --> 1:23:54.559
<v Speaker 1>Channel five Shilah Buff. Now was this post arrest? Yes,

1:23:55.880 --> 1:23:58.360
<v Speaker 1>this was his out on Bill. This was his first

1:23:58.439 --> 1:24:01.599
<v Speaker 1>day out. This is shilah Most first day out interview

1:24:01.640 --> 1:24:05.640
<v Speaker 1>on Channel five. I don't know how many clips they

1:24:05.880 --> 1:24:09.879
<v Speaker 1>plan on clipping from this, but this entire entire interview

1:24:10.040 --> 1:24:14.479
<v Speaker 1>was just like incredible, Like Shyla Buff is one of

1:24:14.520 --> 1:24:18.000
<v Speaker 1>my favorite people, for sure. It's funny. I forgot maybe

1:24:18.000 --> 1:24:18.960
<v Speaker 1>it was last week.

1:24:20.680 --> 1:24:23.040
<v Speaker 3>We were talking about maybe I don't know, off Mike,

1:24:23.520 --> 1:24:26.320
<v Speaker 3>we're talking about man crushes. I've had a man crush

1:24:26.400 --> 1:24:29.400
<v Speaker 3>on Shilah Buff my entire life. I'm like a big

1:24:29.560 --> 1:24:30.960
<v Speaker 3>shy La Buff fan.

1:24:31.520 --> 1:24:32.800
<v Speaker 1>So when this dropped.

1:24:34.720 --> 1:24:36.639
<v Speaker 3>To me, this this this was like a new jay

1:24:36.720 --> 1:24:39.840
<v Speaker 3>Z release anytime Shy gets in front of a mic,

1:24:40.040 --> 1:24:43.639
<v Speaker 3>because the the John Bernthal interview that he did three

1:24:43.680 --> 1:24:47.040
<v Speaker 3>years ago is like one of my favorite interviews period,

1:24:47.360 --> 1:24:49.360
<v Speaker 3>and that's somebody that's sober and.

1:24:51.040 --> 1:24:54.200
<v Speaker 1>In a good space in his life, right. But this

1:24:54.360 --> 1:24:56.120
<v Speaker 1>is the Shy I really want to hear his day out.

1:24:56.120 --> 1:24:58.879
<v Speaker 3>I don't want I don't want to hear from this logical,

1:24:59.400 --> 1:25:03.280
<v Speaker 3>understanding human being that Nah, this is.

1:25:03.320 --> 1:25:06.960
<v Speaker 1>The shot we need. I need Marty Groh Shila so

1:25:07.160 --> 1:25:09.240
<v Speaker 1>charlabaff from the Epstein Files. He said, I was chasing

1:25:09.280 --> 1:25:10.800
<v Speaker 1>ass and Marty Guard. Bro, what do you mean I

1:25:10.880 --> 1:25:13.720
<v Speaker 1>wasn't paying no attention to Epstein files. This is beyond me, Bro,

1:25:13.880 --> 1:25:16.040
<v Speaker 1>I don't get into this. Yeah, I just wondered. It

1:25:16.160 --> 1:25:17.560
<v Speaker 1>was like the biggest news story in the world for

1:25:17.600 --> 1:25:19.479
<v Speaker 1>a couple of days. If you've got no life, he's

1:25:19.479 --> 1:25:21.599
<v Speaker 1>just sitting in a hole. That means you're not chasing

1:25:21.640 --> 1:25:23.840
<v Speaker 1>the ass. Motherfuckers that are that are in the street,

1:25:23.920 --> 1:25:25.760
<v Speaker 1>they don't give a fuck about this stupid shit. If

1:25:25.800 --> 1:25:27.720
<v Speaker 1>you're sitting home all day like a like a who

1:25:27.800 --> 1:25:30.559
<v Speaker 1>got kidnapped, your life sucks. You're norm me. But if

1:25:30.600 --> 1:25:32.640
<v Speaker 1>you're out here, nobody cares about none of this. I

1:25:32.720 --> 1:25:35.519
<v Speaker 1>remember asking Kendrick Lamar one time, like, bro, hey Trump

1:25:35.560 --> 1:25:37.760
<v Speaker 1>a Kamala. He was like, you think I give a fuck?

1:25:38.120 --> 1:25:40.360
<v Speaker 1>Like he ain't got a like he ain't got a lion.

1:25:40.840 --> 1:25:43.240
<v Speaker 1>We got families to feed. I'm the good I'm the

1:25:43.320 --> 1:25:45.519
<v Speaker 1>good one. Yeah, you ain't seeing me on this, on

1:25:45.600 --> 1:25:47.439
<v Speaker 1>those lists or in those rooms. My life is in

1:25:47.520 --> 1:25:50.000
<v Speaker 1>the see this is like even what he's saying don't

1:25:50.000 --> 1:25:53.680
<v Speaker 1>make sense. He said, like he ain't got a like

1:25:53.800 --> 1:25:56.720
<v Speaker 1>he ain't God ain't lying. We got families to feed.

1:25:56.800 --> 1:25:57.960
<v Speaker 1>I don't even know what that means.

1:25:58.080 --> 1:25:59.640
<v Speaker 2>I think the person who typed this out might have

1:25:59.640 --> 1:26:01.240
<v Speaker 2>got that wrong, but I think he just meant like

1:26:01.320 --> 1:26:02.800
<v Speaker 2>he ain't lying, we got families to fee.

1:26:02.840 --> 1:26:04.200
<v Speaker 1>I'm the good one. Yeah, you ain't seeing me on

1:26:04.320 --> 1:26:06.040
<v Speaker 1>those lists or in those rooms. My life is in

1:26:06.080 --> 1:26:08.760
<v Speaker 1>the streets. My life is in the streets. Hyla Buff

1:26:08.840 --> 1:26:10.400
<v Speaker 1>is really out here in the streets. She's getting arrested

1:26:10.439 --> 1:26:14.080
<v Speaker 1>in Marty Graus like he's on set. He became a

1:26:14.320 --> 1:26:16.679
<v Speaker 1>gang bang at thirty six just for like research purposes

1:26:16.720 --> 1:26:19.880
<v Speaker 1>for a film. Like y'all, y'all not doing what Shaya

1:26:20.040 --> 1:26:22.720
<v Speaker 1>is doing. Y're not really living like this. This dude

1:26:22.800 --> 1:26:25.160
<v Speaker 1>is the definition of don't give a fuck. I'm free.

1:26:25.479 --> 1:26:27.439
<v Speaker 1>I can do whatever I want, I go wherever I go.

1:26:28.040 --> 1:26:30.519
<v Speaker 1>But on Sophomo all of that, he is a talented actors. Well,

1:26:30.600 --> 1:26:32.080
<v Speaker 1>let's keep over the gang bang part.

1:26:32.720 --> 1:26:35.200
<v Speaker 3>My favorite part was not that Shilah Buff joined the

1:26:35.240 --> 1:26:37.960
<v Speaker 3>gang in thirty six whatever, different strokes for different folks.

1:26:38.760 --> 1:26:41.120
<v Speaker 3>It was when they asked did you get jumped in?

1:26:41.600 --> 1:26:45.720
<v Speaker 3>And he explained that they were considering it, and then

1:26:45.800 --> 1:26:48.439
<v Speaker 3>when come on, man, we can't. We can't jump you.

1:26:49.080 --> 1:26:49.720
<v Speaker 1>We're not doing that.

1:26:50.560 --> 1:26:53.479
<v Speaker 3>What does that group chat look like? Yeah, we thought

1:26:53.479 --> 1:26:54.720
<v Speaker 3>about it. We thought he was gonna put you on

1:26:54.800 --> 1:26:55.479
<v Speaker 3>the black mat, but.

1:26:57.520 --> 1:26:59.120
<v Speaker 1>We don't he's gonna jump you in. But and then

1:26:59.400 --> 1:27:01.479
<v Speaker 1>we decided like, nah, man, we can't do that to you.

1:27:01.880 --> 1:27:03.680
<v Speaker 1>Then we took some time, we talked it over, and

1:27:03.760 --> 1:27:05.519
<v Speaker 1>we don't think that we should jump you into this gag.

1:27:06.360 --> 1:27:07.559
<v Speaker 1>I love I love this dude. Man.

1:27:07.800 --> 1:27:10.000
<v Speaker 2>Do y'all agree with him on miss though? Well, what

1:27:10.600 --> 1:27:12.720
<v Speaker 2>I'm chasing ass at Marty gra Like, what do you mean?

1:27:12.800 --> 1:27:14.880
<v Speaker 1>What do you think? Like? This is No, I don't

1:27:14.960 --> 1:27:16.679
<v Speaker 1>agree with everything.

1:27:17.200 --> 1:27:19.919
<v Speaker 2>If you're sitting home all day like, ah, who got kidnapped?

1:27:19.920 --> 1:27:20.559
<v Speaker 1>Your life sucks?

1:27:20.720 --> 1:27:24.200
<v Speaker 3>No, I think I understood your children. Being sex trafficked

1:27:24.320 --> 1:27:26.759
<v Speaker 3>is something that everyone should care about. I think actually

1:27:26.760 --> 1:27:28.800
<v Speaker 3>a lot of people that don't care about running around

1:27:29.080 --> 1:27:34.080
<v Speaker 3>Marty Gras is somehow how you could possibly get involved

1:27:34.160 --> 1:27:37.240
<v Speaker 3>with sex trafficking if you ignore it. But that's another thing.

1:27:37.320 --> 1:27:39.560
<v Speaker 1>I'm not at Marti grad chasing ass. I'm not doing that.

1:27:40.120 --> 1:27:43.280
<v Speaker 1>I can understand how some people would be, but I'm

1:27:43.320 --> 1:27:45.920
<v Speaker 1>also not. I think what he was was more so

1:27:46.040 --> 1:27:50.680
<v Speaker 1>saying is people are a little too consumed with you know,

1:27:50.760 --> 1:27:53.880
<v Speaker 1>the Epstein files and things like that. Now you should

1:27:53.880 --> 1:27:56.160
<v Speaker 1>it should concern you being a citizen in this country.

1:27:56.439 --> 1:27:59.400
<v Speaker 1>If there's sex trafficking oh anywhere, If this sex trafficking happening,

1:27:59.840 --> 1:28:02.839
<v Speaker 1>and you know, kids are being kidnapped and sex trafficked,

1:28:03.040 --> 1:28:05.760
<v Speaker 1>you should definitely be like concerned about it. But I

1:28:05.800 --> 1:28:08.080
<v Speaker 1>think Shad was also saying like if this is if

1:28:08.120 --> 1:28:11.840
<v Speaker 1>this consumes you every day, like your everyday thoughts in

1:28:12.400 --> 1:28:15.400
<v Speaker 1>you know, your life, then it's like, bro, like what's

1:28:15.479 --> 1:28:17.759
<v Speaker 1>up with you? I get it. I understand how somebody

1:28:17.800 --> 1:28:21.160
<v Speaker 1>can be concerned, but like that's all you are online,

1:28:21.439 --> 1:28:22.960
<v Speaker 1>reading and consuming every day.

1:28:23.280 --> 1:28:25.120
<v Speaker 2>I also think that a lot of I agree with you,

1:28:25.200 --> 1:28:27.080
<v Speaker 2>and I also think that a lot of these people

1:28:27.080 --> 1:28:29.240
<v Speaker 2>are not being real with themselves. They only care because

1:28:29.240 --> 1:28:33.400
<v Speaker 2>it's connected to celebrities. There's sex trafficking everywhere. You can

1:28:33.520 --> 1:28:37.560
<v Speaker 2>get involved with helping to stop sex trafficking locally, Like

1:28:38.240 --> 1:28:41.000
<v Speaker 2>there's so much sex con trafficking in America. People only

1:28:41.080 --> 1:28:43.840
<v Speaker 2>care because it's about people who are celebrity related, Like

1:28:43.960 --> 1:28:44.920
<v Speaker 2>that's why they're so.

1:28:46.560 --> 1:28:47.960
<v Speaker 1>You hear about sex trafficking every day.

1:28:48.080 --> 1:28:50.360
<v Speaker 3>I think there's definitely a group of people that care

1:28:50.560 --> 1:28:52.840
<v Speaker 3>just because there's celebrity names in there. But I do

1:28:53.000 --> 1:28:55.559
<v Speaker 3>think there is a large group of people that are

1:28:55.680 --> 1:28:58.840
<v Speaker 3>very concerned that the elites that run this country, that

1:28:58.920 --> 1:29:01.040
<v Speaker 3>we give our tax dollars to, that make every decision

1:29:01.600 --> 1:29:05.360
<v Speaker 3>are involved in a sex trafficking. For sure, I think

1:29:05.400 --> 1:29:09.120
<v Speaker 3>it's actually above the celebrity thing, like, fuck the celebrity shit, wait,

1:29:09.200 --> 1:29:11.640
<v Speaker 3>you mean the people that are controlling our country have

1:29:11.760 --> 1:29:15.280
<v Speaker 3>been doing this for as long as the countries existed.

1:29:16.360 --> 1:29:19.400
<v Speaker 3>That's It doesn't consume my life every day, but it's

1:29:19.439 --> 1:29:22.880
<v Speaker 3>a big concern to me. There's nothing I can do, unfortunately,

1:29:23.000 --> 1:29:25.479
<v Speaker 3>but I don't even want to go through this because.

1:29:26.240 --> 1:29:30.040
<v Speaker 1>There there was day no. But I can't say that

1:29:30.080 --> 1:29:33.320
<v Speaker 1>there hasn't been a day that I don't think about

1:29:33.320 --> 1:29:36.080
<v Speaker 1>the Epstein Vall. There's never been a day in your

1:29:36.120 --> 1:29:39.960
<v Speaker 1>life where you don't think about this since since they

1:29:40.640 --> 1:29:41.000
<v Speaker 1>came out.

1:29:41.160 --> 1:29:43.280
<v Speaker 3>No, I don't think so that there's been a day

1:29:43.320 --> 1:29:47.880
<v Speaker 3>that I haven't thought about. It's an extremely concerning thing.

1:29:49.320 --> 1:29:54.840
<v Speaker 3>I don't care that random celebrities that someone called a

1:29:54.880 --> 1:29:58.800
<v Speaker 3>hotline about are in it it. It concerns me that

1:29:59.120 --> 1:30:01.640
<v Speaker 3>a lot of the dis vision making that goes on

1:30:01.720 --> 1:30:04.080
<v Speaker 3>in this country, down to the fucking war that we're

1:30:04.400 --> 1:30:09.879
<v Speaker 3>currently in, are attached to somebody that's holding sex trafficking

1:30:10.000 --> 1:30:11.479
<v Speaker 3>over their heads as collateral.

1:30:11.680 --> 1:30:12.280
<v Speaker 1>Like yeah, that that.

1:30:14.400 --> 1:30:18.000
<v Speaker 3>That consumes my mind pretty often. I can't even watch

1:30:18.080 --> 1:30:21.360
<v Speaker 3>this war and not think about that epsteinfall like at all.

1:30:22.320 --> 1:30:25.760
<v Speaker 3>But neither own nor there because I'm here to have fun.

1:30:25.760 --> 1:30:27.360
<v Speaker 3>That's why didn't even want to get too much into

1:30:27.439 --> 1:30:30.320
<v Speaker 3>this part. Because as much as I do fuck with

1:30:30.360 --> 1:30:32.000
<v Speaker 3>Shila buff I think he's made a lot of mistakes.

1:30:32.040 --> 1:30:33.639
<v Speaker 3>I think he's owned up to a lot of mistakes.

1:30:34.360 --> 1:30:37.920
<v Speaker 3>M And he's a grown man that will get in

1:30:37.960 --> 1:30:41.920
<v Speaker 3>front of a microphone if he wants. How do we

1:30:41.960 --> 1:30:43.879
<v Speaker 3>feel about putting a mic in someone's face.

1:30:45.200 --> 1:30:49.200
<v Speaker 1>At this state? That's quote, it's quote entertainment.

1:30:51.320 --> 1:30:51.360
<v Speaker 2>No.

1:30:51.920 --> 1:30:53.799
<v Speaker 1>Here, here's the thing. I'm not here to judge anyone.

1:30:54.000 --> 1:30:56.720
<v Speaker 3>If we were in New Orleans and ran into Shylabuff

1:30:56.760 --> 1:31:00.479
<v Speaker 3>on Bourbon Street, bless you, bless you God bl straight

1:31:00.960 --> 1:31:03.599
<v Speaker 3>on bond, I'd pay for his bond and say would

1:31:03.640 --> 1:31:05.240
<v Speaker 3>you like to do a podcast? I'm not here to

1:31:05.280 --> 1:31:07.519
<v Speaker 3>be on some holier than now shit whatsoever. I would

1:31:07.560 --> 1:31:10.519
<v Speaker 3>one thousand percent do this interview no matter what. But

1:31:12.439 --> 1:31:18.000
<v Speaker 3>looking at it, I appreciate somebody in this form, especially

1:31:18.040 --> 1:31:21.439
<v Speaker 3>people that struggle with addiction and are similar to shoy

1:31:21.640 --> 1:31:23.560
<v Speaker 3>to seeing him in this state do an interview. I

1:31:23.600 --> 1:31:26.479
<v Speaker 3>do think that's important. But at what point did we

1:31:26.600 --> 1:31:29.800
<v Speaker 3>pull back a bit? And like, I don't know if

1:31:29.800 --> 1:31:31.040
<v Speaker 3>we should put some of this out.

1:31:32.200 --> 1:31:34.400
<v Speaker 1>It's a little unfair to do to somebody that is

1:31:35.160 --> 1:31:39.240
<v Speaker 1>telling you that they are not in the best mental,

1:31:40.080 --> 1:31:45.639
<v Speaker 1>addictive state at the moment. Yeah, I mean, I understand

1:31:45.680 --> 1:31:47.360
<v Speaker 1>what you're saying. But at the same time, this is

1:31:47.479 --> 1:31:50.720
<v Speaker 1>this is what he does, though he's not gonna he's

1:31:50.760 --> 1:31:53.360
<v Speaker 1>not doing an interview all the time, like interview every

1:31:53.439 --> 1:31:56.519
<v Speaker 1>every month anything like that, Like I know, yeah, I

1:31:56.600 --> 1:31:58.160
<v Speaker 1>mean I don't. Did you think he was in the

1:31:58.200 --> 1:32:02.720
<v Speaker 1>wrong mental state in his interview? Yeah, okay, we're saying

1:32:02.800 --> 1:32:03.280
<v Speaker 1>this areas.

1:32:03.320 --> 1:32:05.000
<v Speaker 2>I ain't getting this game to be no fucking social

1:32:05.080 --> 1:32:10.200
<v Speaker 2>worker like we're media personalities.

1:32:10.240 --> 1:32:12.160
<v Speaker 1>This is at this point. I don't think chance I

1:32:12.280 --> 1:32:15.080
<v Speaker 1>did anything wrong. What's I want to make that very clear.

1:32:15.120 --> 1:32:17.639
<v Speaker 1>I'm not sitting here trying to be on my high

1:32:17.680 --> 1:32:19.519
<v Speaker 1>horse of like I would do this interview and keep

1:32:19.600 --> 1:32:20.479
<v Speaker 1>everything that was there.

1:32:20.479 --> 1:32:22.400
<v Speaker 3>I probably would have provoked a little bit more than

1:32:22.400 --> 1:32:24.680
<v Speaker 3>he did. I think he handled that very well. But

1:32:24.840 --> 1:32:28.920
<v Speaker 3>it's just, yes, he wanted to do the interview, but

1:32:29.000 --> 1:32:31.960
<v Speaker 3>at what point are we like, oh, no, man, should

1:32:32.000 --> 1:32:34.880
<v Speaker 3>we be doing this right now? I'm talking just to

1:32:34.960 --> 1:32:37.760
<v Speaker 3>the room in general. Yeah, we would do it, absolutely,

1:32:40.400 --> 1:32:42.800
<v Speaker 3>How far is too far? That's what I actually I

1:32:42.920 --> 1:32:46.519
<v Speaker 3>bought Domani and King in them. I just actually the

1:32:46.520 --> 1:32:47.000
<v Speaker 3>same shit.

1:32:47.800 --> 1:32:49.439
<v Speaker 1>Yeah, but I don't know, man, I think I get

1:32:49.479 --> 1:32:52.280
<v Speaker 1>what you're saying about mental mental health and mentally people

1:32:52.320 --> 1:32:54.360
<v Speaker 1>being in a certain space and should you put a

1:32:54.439 --> 1:32:56.880
<v Speaker 1>camera in their face? But but I also at the

1:32:56.920 --> 1:32:59.839
<v Speaker 1>shot he could have declined an interview. For sure. He's

1:32:59.880 --> 1:33:02.639
<v Speaker 1>a grown man not in the right mental state.

1:33:02.760 --> 1:33:05.040
<v Speaker 2>But if you're not in the right mental state, like

1:33:05.760 --> 1:33:07.599
<v Speaker 2>that goes with any type of And I don't want

1:33:07.600 --> 1:33:09.080
<v Speaker 2>to call this assault because that's not what it is.

1:33:09.640 --> 1:33:13.839
<v Speaker 2>That goes with anything when you're taking advantage of someone

1:33:15.200 --> 1:33:18.599
<v Speaker 2>who doesn't know better or isn't in the right mental

1:33:18.640 --> 1:33:21.080
<v Speaker 2>state to stand up for themselves. Of course he agreed

1:33:21.080 --> 1:33:24.840
<v Speaker 2>to it, that doesn't mean that it's good for him, like,

1:33:25.240 --> 1:33:26.920
<v Speaker 2>if he's in a bad mental state, if he's not

1:33:26.960 --> 1:33:29.360
<v Speaker 2>in his right state of mind, yeah, he's gonna agree

1:33:29.400 --> 1:33:32.280
<v Speaker 2>to shit. He probably shouldn't like that. People who want

1:33:32.360 --> 1:33:38.320
<v Speaker 2>crack are gonna suck strangers dick for crack like sensual. Yes,

1:33:38.360 --> 1:33:41.519
<v Speaker 2>it's consensual, but you already know that this person is

1:33:41.640 --> 1:33:43.559
<v Speaker 2>in dire need of something or they're not in their

1:33:43.640 --> 1:33:46.240
<v Speaker 2>right mental state, so you are wrong for still taking

1:33:46.280 --> 1:33:46.920
<v Speaker 2>advantage of them.

1:33:47.439 --> 1:33:49.680
<v Speaker 3>I mean, at the same time, I also think this

1:33:49.760 --> 1:33:52.120
<v Speaker 3>is why I'm a hypocrite. At the same time, I

1:33:52.160 --> 1:33:55.120
<v Speaker 3>thought it was beautiful watching somebody work out something in

1:33:55.280 --> 1:33:58.799
<v Speaker 3>real time on camera. I thought that was an actual

1:33:58.880 --> 1:34:01.280
<v Speaker 3>not to be corn, a very beautiful thing. Like in

1:34:01.360 --> 1:34:03.080
<v Speaker 3>the middle of his answers, he was still trying to

1:34:03.080 --> 1:34:04.720
<v Speaker 3>figure out. He's like, I'm in the moment of this

1:34:04.960 --> 1:34:09.920
<v Speaker 3>entire thing, which I think is cool to watch as

1:34:10.320 --> 1:34:12.360
<v Speaker 3>human being to human being, because we've all been in

1:34:12.479 --> 1:34:15.320
<v Speaker 3>situations where things are going left and we're trying to

1:34:15.320 --> 1:34:16.360
<v Speaker 3>figure them out in real time.

1:34:16.520 --> 1:34:21.160
<v Speaker 1>People have said that about Orlando Brown for a while now.

1:34:21.240 --> 1:34:23.400
<v Speaker 1>That was gonna be my my nextame is shy is

1:34:23.479 --> 1:34:28.799
<v Speaker 1>like they're the same nigga. No, they're not even what Orlando,

1:34:29.280 --> 1:34:31.240
<v Speaker 1>you don't even know, you don't even know Shy's body

1:34:31.320 --> 1:34:35.080
<v Speaker 1>like that. No, you can't do that. Okay, how do

1:34:35.120 --> 1:34:37.519
<v Speaker 1>you think they're the same? So shot? Okay is Shy

1:34:37.640 --> 1:34:39.479
<v Speaker 1>or Ragon? I think Baby is saying the same as

1:34:39.520 --> 1:34:41.040
<v Speaker 1>far as like they say whatever the fuck they want

1:34:41.040 --> 1:34:41.719
<v Speaker 1>to they say.

1:34:41.600 --> 1:34:43.560
<v Speaker 2>Whatever they want to say. They're not but they have

1:34:43.880 --> 1:34:46.439
<v Speaker 2>been mentally healthy in a while. And when people shove

1:34:46.520 --> 1:34:49.679
<v Speaker 2>cameras in their faces hoping they say absolute crazy shit.

1:34:49.880 --> 1:34:50.160
<v Speaker 1>I think.

1:34:50.200 --> 1:34:52.880
<v Speaker 2>But I think Orlando is he's reached a point of

1:34:53.320 --> 1:34:57.799
<v Speaker 2>you think it's trolling. I think Orlando is really mentally unhealthy.

1:34:57.800 --> 1:34:58.720
<v Speaker 2>I don't think it's I think both.

1:34:58.760 --> 1:35:00.519
<v Speaker 1>I'm not saying he's I'm not saying and he isn't

1:35:00.560 --> 1:35:04.400
<v Speaker 1>mentally unhealthy. I'm just saying he also is trolling at

1:35:04.439 --> 1:35:06.240
<v Speaker 1>the same time, like when he sat down with ray

1:35:06.320 --> 1:35:11.639
<v Speaker 1>J and and what's the other Marco and he started

1:35:11.720 --> 1:35:14.240
<v Speaker 1>like biting a microphone like it's like you know at

1:35:14.240 --> 1:35:16.360
<v Speaker 1>that point, ye like like you know, come on, man,

1:35:16.439 --> 1:35:19.839
<v Speaker 1>like are you serious? Like he's trolling, Like he's definitely

1:35:19.960 --> 1:35:22.880
<v Speaker 1>know he knows everybody thinks he's batshit crazy. He knows

1:35:22.920 --> 1:35:24.920
<v Speaker 1>when he walks in the room and cameras are there.

1:35:24.960 --> 1:35:27.000
<v Speaker 1>People are waiting for him to say or do some

1:35:27.080 --> 1:35:28.840
<v Speaker 1>crazy shit like he knows that at this point he

1:35:29.000 --> 1:35:32.000
<v Speaker 1>knows okay, But I'm not saying he hasn't been through

1:35:32.080 --> 1:35:34.760
<v Speaker 1>some some issues and had drug issues and things like that.

1:35:34.920 --> 1:35:38.000
<v Speaker 1>We've saw obviously the real moments and as far as

1:35:38.080 --> 1:35:41.439
<v Speaker 1>that goes. But I think he knows the lane he

1:35:41.520 --> 1:35:44.240
<v Speaker 1>called for himself, and he knows he has people in

1:35:44.280 --> 1:35:46.400
<v Speaker 1>the palm in his hands whenever he sits down for

1:35:46.479 --> 1:35:48.160
<v Speaker 1>an interview and he's like, all right, they're waiting for

1:35:48.240 --> 1:35:51.320
<v Speaker 1>the next crazy Orlando moment, like I'm gonna give it

1:35:51.320 --> 1:35:53.360
<v Speaker 1>to him. I gotta give him something like He's definitely

1:35:53.479 --> 1:35:54.280
<v Speaker 1>aware of that as well.

1:35:54.439 --> 1:35:57.000
<v Speaker 3>I think those first interviews were very much somebody that

1:35:57.080 --> 1:35:59.000
<v Speaker 3>has mental health issues on camera, and.

1:35:59.040 --> 1:36:00.720
<v Speaker 1>Then he leaned into it.

1:36:02.200 --> 1:36:06.519
<v Speaker 3>Him and Rasby started arguing and they were both claiming

1:36:06.560 --> 1:36:07.479
<v Speaker 3>blood and crip.

1:36:10.200 --> 1:36:11.679
<v Speaker 1>No, like they were.

1:36:11.640 --> 1:36:14.439
<v Speaker 3>Yelling sets that neither one of them are a part of.

1:36:14.960 --> 1:36:18.679
<v Speaker 3>But no, they He was screaming rolling sixties and throwing

1:36:18.760 --> 1:36:24.639
<v Speaker 3>up a blood son. Oh yes, I think it's it's performing.

1:36:24.680 --> 1:36:28.320
<v Speaker 3>At the same time, it does appear though that Shilah

1:36:28.600 --> 1:36:33.879
<v Speaker 3>Love was possibly never mind he was arrested for yelling gaslers.

1:36:34.880 --> 1:36:35.920
<v Speaker 1>Oh that's why he was arrested.

1:36:36.080 --> 1:36:40.439
<v Speaker 3>Well, he was arrested for disturbing the peace and getting

1:36:40.479 --> 1:36:43.760
<v Speaker 3>in a fight. But it was because there also may

1:36:43.960 --> 1:36:48.519
<v Speaker 3>possibly be a hate crime charge that's added to what

1:36:48.640 --> 1:36:52.320
<v Speaker 3>it was because it may have started from slurs. Now,

1:36:52.400 --> 1:36:53.320
<v Speaker 3>he had said that.

1:36:54.840 --> 1:36:58.280
<v Speaker 1>He is homophobic if it means when big gays touch

1:36:58.320 --> 1:37:04.000
<v Speaker 1>your leg, you don't like it, don't look at it.

1:37:04.120 --> 1:37:06.040
<v Speaker 1>Why are you looking at me? Why are you looking

1:37:06.080 --> 1:37:08.720
<v Speaker 1>at me? I just felt them one when he said that,

1:37:08.800 --> 1:37:10.360
<v Speaker 1>I felt the same way, Like it's.

1:37:10.240 --> 1:37:11.880
<v Speaker 2>Like when ma all about to say some ship that

1:37:12.040 --> 1:37:13.320
<v Speaker 2>he know I'm gonna end up cutting out.

1:37:13.520 --> 1:37:15.479
<v Speaker 1>No, I just look at me before he because I

1:37:15.560 --> 1:37:17.200
<v Speaker 1>just I just felt shy when he said that I

1:37:17.200 --> 1:37:19.719
<v Speaker 1>would be uncomfortable to if big gay man started touching

1:37:19.760 --> 1:37:22.679
<v Speaker 1>my leg. I'm not gay. Why are you touching my leg?

1:37:23.200 --> 1:37:25.400
<v Speaker 1>I think that was crazy for shy to so. I mean,

1:37:25.439 --> 1:37:26.680
<v Speaker 1>but I feel like I don't see a world in

1:37:26.720 --> 1:37:28.519
<v Speaker 1>the way that would happen that. Let me say that,

1:37:28.840 --> 1:37:32.000
<v Speaker 1>where was shy when big gay dudes started touching his leg?

1:37:33.360 --> 1:37:35.880
<v Speaker 1>All right, it's a party town. It's a party, it's

1:37:35.920 --> 1:37:40.439
<v Speaker 1>a card was you know we have I mean what

1:37:40.560 --> 1:37:42.919
<v Speaker 1>were they wearing, how were they dressed or they gladly

1:37:43.040 --> 1:37:46.559
<v Speaker 1>dressed or did they have one you had? Cut off

1:37:46.600 --> 1:37:49.240
<v Speaker 1>gen shorts is gay? I think that's a note that's

1:37:49.320 --> 1:37:52.720
<v Speaker 1>like a universal that man might be gay when it's

1:37:53.000 --> 1:37:56.439
<v Speaker 1>not the long cut off gen shorts, the short like

1:37:56.520 --> 1:37:59.880
<v Speaker 1>the joints you would wear baby d okay short like

1:38:00.040 --> 1:38:02.720
<v Speaker 1>the short short gene shorts like in the photobo. Yeah,

1:38:02.760 --> 1:38:05.360
<v Speaker 1>you know that's gay men attire. They gay men love

1:38:05.479 --> 1:38:09.400
<v Speaker 1>denim shorts like but the short, the short denims though

1:38:09.479 --> 1:38:14.120
<v Speaker 1>not the the knee joints to up here like if

1:38:14.160 --> 1:38:15.719
<v Speaker 1>I if I sit down, I might show a little

1:38:15.760 --> 1:38:19.920
<v Speaker 1>fur like them type of you know, it's like that

1:38:20.040 --> 1:38:23.880
<v Speaker 1>gentleman might be gay, that's all. I just like the

1:38:23.960 --> 1:38:26.960
<v Speaker 1>genlem shorts with the like you know, if they have

1:38:27.000 --> 1:38:29.120
<v Speaker 1>the Doc Martin boots on like the black with the

1:38:29.200 --> 1:38:31.599
<v Speaker 1>gate with the denim shorts, that gentleman might be gay.

1:38:31.720 --> 1:38:35.960
<v Speaker 1>When they like super in shape. Gay men love the

1:38:36.040 --> 1:38:37.639
<v Speaker 1>gym game. Men gonna work o, they're gonna look good

1:38:37.640 --> 1:38:40.680
<v Speaker 1>for they man. Yeah, so you know if one of

1:38:40.720 --> 1:38:42.439
<v Speaker 1>those dudes was to touch me, I would be uncomfortable

1:38:42.439 --> 1:38:44.360
<v Speaker 1>to you. So what I'm saying like, don't touch me fan.

1:38:44.800 --> 1:38:46.800
<v Speaker 2>I feel like if any grown man touched your legg

1:38:46.800 --> 1:38:48.960
<v Speaker 2>you would be uncomfortable. He doesn't have to have Daisy

1:38:49.040 --> 1:38:49.400
<v Speaker 2>Dukes on.

1:38:49.960 --> 1:38:52.200
<v Speaker 1>Yeah, you can have on a Nike Tech. If nigga

1:38:52.280 --> 1:38:54.600
<v Speaker 1>touched my, I'm gonna be like, yo, fav now I

1:38:54.680 --> 1:38:57.760
<v Speaker 1>gotta kill you and you can't with don't touch me. Yeah,

1:38:57.800 --> 1:39:01.080
<v Speaker 1>I'm uncomfortable. Yeah, as a sexual man, no man should

1:39:01.080 --> 1:39:03.200
<v Speaker 1>be touching me. I know the case is petting Shyla

1:39:03.280 --> 1:39:05.479
<v Speaker 1>buffs full of shit. There's no way he was sitting

1:39:05.600 --> 1:39:09.479
<v Speaker 1>between two large gay men and they started grabbing his legs. No,

1:39:09.640 --> 1:39:12.160
<v Speaker 1>they might don't know he saw a gay person and

1:39:12.320 --> 1:39:15.040
<v Speaker 1>yelled some shit. He shouldn't have said, yeah, I could

1:39:15.040 --> 1:39:17.840
<v Speaker 1>see that happening. That's a thousand percent what happen. He

1:39:17.960 --> 1:39:20.160
<v Speaker 1>was not just chilling and then just just now. But

1:39:20.240 --> 1:39:23.800
<v Speaker 1>you don't know he's he's a Hollywood actor. The guys

1:39:23.880 --> 1:39:26.280
<v Speaker 1>probably saw know who Shya is. They probably thought he

1:39:26.400 --> 1:39:30.000
<v Speaker 1>was attractive. They probably read he was gay. Somewhere. It's

1:39:30.120 --> 1:39:33.559
<v Speaker 1>Marty Graway all drinking. Anyone's read that Hilda buffs gay.

1:39:33.680 --> 1:39:35.200
<v Speaker 1>I mean I think it was something like that about

1:39:35.200 --> 1:39:37.759
<v Speaker 1>shy before yo, but also when married.

1:39:37.880 --> 1:39:40.000
<v Speaker 2>I'm calling cat because a gay man not just gonna

1:39:40.040 --> 1:39:42.280
<v Speaker 2>rub your leg you, Shyla Bo. He's gonna rub your face.

1:39:42.400 --> 1:39:44.160
<v Speaker 2>He gonna slide his hand down your face like this.

1:39:45.120 --> 1:39:47.080
<v Speaker 2>If you Shyla Bo, I've never seen the.

1:39:48.680 --> 1:39:52.360
<v Speaker 1>But slid his hand down his face like oh, like

1:39:52.439 --> 1:39:53.880
<v Speaker 1>he gonna call him cute or some shit like that.

1:39:53.960 --> 1:39:55.760
<v Speaker 2>Like they're not gonna just grab your legs like I

1:39:55.800 --> 1:39:58.320
<v Speaker 2>don't like that, making game like big gay men aggressive

1:39:58.439 --> 1:40:02.840
<v Speaker 2>Like no, he's gonna stroke your face gently, that's not aggressive. No,

1:40:03.280 --> 1:40:04.840
<v Speaker 2>but you can it can make you uncomfortable with those

1:40:04.840 --> 1:40:05.639
<v Speaker 2>that grabbed your leg.

1:40:05.760 --> 1:40:08.400
<v Speaker 1>Stroking your face isn't aggressive. Baby. If you're on a

1:40:08.479 --> 1:40:10.639
<v Speaker 1>date with guy right now, he stroked your face, that's

1:40:10.640 --> 1:40:13.080
<v Speaker 1>not aggressive to you. What do you look like? See exactly?

1:40:13.960 --> 1:40:14.760
<v Speaker 1>That's we were all.

1:40:15.080 --> 1:40:17.840
<v Speaker 3>If we were all walking down the street and a

1:40:17.960 --> 1:40:19.600
<v Speaker 3>man came up to you and went like this to

1:40:19.680 --> 1:40:23.280
<v Speaker 3>your face, and I would not the dog ship.

1:40:23.600 --> 1:40:25.880
<v Speaker 1>Like baby did, oh my god, it's so good to

1:40:25.960 --> 1:40:28.400
<v Speaker 1>see you. That's not aggressive. It would be handed throat

1:40:28.520 --> 1:40:31.560
<v Speaker 1>immediately like that's aggressive. Yeah, that's what I'm saying. So,

1:40:32.280 --> 1:40:37.080
<v Speaker 1>but at Marty Grass acceptable At Marty Grass is acceptable. Nah,

1:40:37.160 --> 1:40:39.040
<v Speaker 1>not for Shy. He don't want the big gays touching him.

1:40:39.560 --> 1:40:40.200
<v Speaker 1>He's not rolling.

1:40:41.080 --> 1:40:45.120
<v Speaker 3>But all right, anyone non consensually that's big that touches me,

1:40:45.200 --> 1:40:48.680
<v Speaker 3>I'm gonna feel like if if Ronda Rousey grabbed my

1:40:48.760 --> 1:40:51.759
<v Speaker 3>thigh like unconsensually, I'd be I'd be scared.

1:40:52.520 --> 1:40:55.320
<v Speaker 1>No, I would be terrified, like I need to work

1:40:55.320 --> 1:40:56.720
<v Speaker 1>on my gobline, squatch a little bit, like what I

1:40:56.800 --> 1:40:58.479
<v Speaker 1>need to do. I would ask Ronda like what I

1:40:58.560 --> 1:41:00.840
<v Speaker 1>need to do in the gym. I would think she's saying, like, Yo,

1:41:01.040 --> 1:41:02.160
<v Speaker 1>Rowsey is beautiful.

1:41:02.200 --> 1:41:06.000
<v Speaker 3>I'm just saying, unconsensually somebody that can clearly beat me up.

1:41:06.680 --> 1:41:08.719
<v Speaker 1>I would feel threatened. Oh so it's whenever you feel

1:41:08.720 --> 1:41:09.800
<v Speaker 1>like you can be beat up.

1:41:10.520 --> 1:41:14.799
<v Speaker 3>If someone is unconsensually touching me and I feel threatened,

1:41:14.960 --> 1:41:18.840
<v Speaker 3>like they would harm me. Yes, I feel threatened. Okay,

1:41:19.560 --> 1:41:22.360
<v Speaker 3>do you think you could beat up ro aroundy? So

1:41:22.479 --> 1:41:24.920
<v Speaker 3>if you didn't want her touch and she touched you,

1:41:24.960 --> 1:41:28.639
<v Speaker 3>would you not feel fear she was gonna take your manhood?

1:41:28.680 --> 1:41:30.360
<v Speaker 1>Yeah? I would let her have a Rhonda she could take.

1:41:30.400 --> 1:41:33.120
<v Speaker 1>She gonna have a way with Ronni. Goo ahead, man,

1:41:33.160 --> 1:41:37.960
<v Speaker 1>go go ahead, get you some go ahead to get

1:41:37.960 --> 1:41:39.040
<v Speaker 1>you a little. I don't know how much of this

1:41:39.080 --> 1:41:41.000
<v Speaker 1>we're gonna keep. This is just I feel like this

1:41:41.120 --> 1:41:48.680
<v Speaker 1>isn't bad. And I'm a liberal. Wait what, baby, d

1:41:48.880 --> 1:41:52.800
<v Speaker 1>what you are a liberal? What the happening? Yes? On paper?

1:41:53.560 --> 1:41:55.760
<v Speaker 1>Oh gosh, I'm the only liberal in this room. We

1:41:55.800 --> 1:41:57.719
<v Speaker 1>don't know about Ryan yet, but I'm the only liberal.

1:41:58.160 --> 1:42:07.200
<v Speaker 1>Ry liberal. Oh he's a big dem big dem big Democrat. Anyways,

1:42:07.240 --> 1:42:10.040
<v Speaker 1>I did really enjoy this, this Shilah buff interview. No,

1:42:10.200 --> 1:42:11.120
<v Speaker 1>this was this was dope.

1:42:11.960 --> 1:42:15.040
<v Speaker 3>I do hope he finds the piece that he's looking for.

1:42:15.400 --> 1:42:17.679
<v Speaker 3>I hope he doesn't have to sit down for a while.

1:42:17.960 --> 1:42:19.840
<v Speaker 3>But he said he's fine if he has to do that.

1:42:19.920 --> 1:42:21.720
<v Speaker 1>I believe him. I don't believe anything is wrong with

1:42:21.760 --> 1:42:22.960
<v Speaker 1>Shyla bu Well, since we're.

1:42:22.840 --> 1:42:25.080
<v Speaker 2>Talking about mental health, I wanted to get you guys's

1:42:25.200 --> 1:42:28.479
<v Speaker 2>opinion on you know, we love to diagnose people here,

1:42:28.560 --> 1:42:31.040
<v Speaker 2>like Rory has called people autistic and all.

1:42:30.920 --> 1:42:34.200
<v Speaker 1>Of these things. Right, you did diagnose the game with autism.

1:42:34.760 --> 1:42:38.200
<v Speaker 1>I said he was bipolar. Both, it was definitely both. No,

1:42:38.320 --> 1:42:39.120
<v Speaker 1>I said he was bipolar.

1:42:39.120 --> 1:42:41.960
<v Speaker 2>Oh, bipolar okay, well, since we diagnosed people. I came

1:42:42.000 --> 1:42:44.880
<v Speaker 2>across a TikTok there was a young white woman shout

1:42:44.880 --> 1:42:47.240
<v Speaker 2>out to her and her pain, and she was talking

1:42:47.280 --> 1:42:50.679
<v Speaker 2>about her ex, her ex being a new NFL player.

1:42:50.760 --> 1:42:53.040
<v Speaker 2>Tes Johnson who got signed to the Bucks last year,

1:42:53.160 --> 1:42:55.600
<v Speaker 2>drafted to the Bucks, and she was talking about the

1:42:55.680 --> 1:42:59.320
<v Speaker 2>day that she got engaged and the day she got engaged,

1:42:59.320 --> 1:43:01.840
<v Speaker 2>everything was beauty, she was in love. A couple months later,

1:43:02.439 --> 1:43:05.439
<v Speaker 2>his ex, you know, once his ex saw that they

1:43:05.520 --> 1:43:08.160
<v Speaker 2>were engaged, blah blah blah, contacted her and sent her

1:43:08.200 --> 1:43:11.000
<v Speaker 2>some screenshots of some things that he sent her on

1:43:11.160 --> 1:43:14.000
<v Speaker 2>the day of the engagement. On the day of the engagement,

1:43:14.120 --> 1:43:16.720
<v Speaker 2>tex Johnson text his ex at nine to eleven in

1:43:16.760 --> 1:43:22.439
<v Speaker 2>the morning and said, neath your throat, never forget kneeds

1:43:22.479 --> 1:43:26.200
<v Speaker 2>your throat, never forget At nine to eleven, am, I'm.

1:43:26.040 --> 1:43:28.840
<v Speaker 1>Forgets your throat. No, I didn't forget her throat, never forget.

1:43:28.840 --> 1:43:32.200
<v Speaker 2>Day of his engagement, right, So text that goes on

1:43:32.320 --> 1:43:34.880
<v Speaker 2>to plan the whole day, you know, proposes to his

1:43:35.000 --> 1:43:40.000
<v Speaker 2>fiance all of these things, right. He then he then

1:43:40.200 --> 1:43:42.559
<v Speaker 2>texts at the end of the day, right twelve twenty

1:43:42.600 --> 1:43:44.519
<v Speaker 2>two in the morning after proposing to his fiance, and

1:43:44.600 --> 1:43:46.400
<v Speaker 2>she says yes. He says, when can I nut in

1:43:46.400 --> 1:43:49.000
<v Speaker 2>you and fuck you like I want to? The ex

1:43:49.120 --> 1:43:51.800
<v Speaker 2>girlfriend to the ex girlfriend day he got engaged, the

1:43:51.880 --> 1:43:54.320
<v Speaker 2>day he got engaged, So before the engagement, it was

1:43:55.360 --> 1:43:57.000
<v Speaker 2>your throw. After the engagement, it was when can I

1:43:57.080 --> 1:43:58.240
<v Speaker 2>nut in you and fuck you like I want?

1:43:58.680 --> 1:44:03.320
<v Speaker 1>Same day? Same day? Mm hmm, that's being what were

1:44:03.360 --> 1:44:03.879
<v Speaker 1>her replies?

1:44:05.320 --> 1:44:08.880
<v Speaker 2>She cut those, she herded kneeds your throat, and then

1:44:09.840 --> 1:44:12.200
<v Speaker 2>she cut everything else out. I guess before she screenshot

1:44:12.280 --> 1:44:12.840
<v Speaker 2>it in sentence?

1:44:12.960 --> 1:44:16.519
<v Speaker 1>Why they do that? You let me said that doesn't matter,

1:44:17.520 --> 1:44:19.200
<v Speaker 1>It doesn't You didn't know he was getting engaged, so

1:44:19.280 --> 1:44:22.799
<v Speaker 1>you're right, I understand that, but like, just for context,

1:44:23.479 --> 1:44:26.080
<v Speaker 1>just curious what your replies, Curious what your replies, that's all.

1:44:26.640 --> 1:44:28.800
<v Speaker 1>But there's a reason you blacked it out, So all right, cool,

1:44:30.160 --> 1:44:33.479
<v Speaker 1>he's wild to start there, he's wild for that. Like

1:44:33.680 --> 1:44:36.519
<v Speaker 1>on the day you're getting engaged, you're texting your axe

1:44:36.520 --> 1:44:38.400
<v Speaker 1>and need your throat and I want to nut in you?

1:44:38.600 --> 1:44:40.560
<v Speaker 1>And what when can I nut in you? And you

1:44:40.680 --> 1:44:42.280
<v Speaker 1>like I want we can I nut you? And like

1:44:42.320 --> 1:44:46.559
<v Speaker 1>I want laying next weird, laying next to your five

1:44:46.760 --> 1:44:51.360
<v Speaker 1>hour old fiance. When you put it that way, Yeah,

1:44:51.479 --> 1:44:55.080
<v Speaker 1>he's he's he's tripping, he's wild for that, he's wild.

1:44:55.240 --> 1:44:58.840
<v Speaker 1>Texting like that is wild. Period like period whatever. Yeah,

1:44:58.880 --> 1:45:01.240
<v Speaker 1>that's our related. We have a sexual relationship. Yeah, that's

1:45:01.280 --> 1:45:03.360
<v Speaker 1>a normal that's a normal Saturday morning. That's that's how

1:45:03.439 --> 1:45:05.639
<v Speaker 1>we do. Wake up, waking, bake, you know what I'm saying,

1:45:05.680 --> 1:45:07.760
<v Speaker 1>that's how we do. But then why get engaged. I

1:45:07.920 --> 1:45:11.000
<v Speaker 1>was if you're feeling this way that that morning at

1:45:11.040 --> 1:45:13.639
<v Speaker 1>nine to eleven, maybe you should keep the wedding day gage.

1:45:13.680 --> 1:45:16.320
<v Speaker 1>I just holded it like like, you know what, today,

1:45:16.360 --> 1:45:18.679
<v Speaker 1>maybe it's not the day. There's nothing that maybe eventually

1:45:18.800 --> 1:45:20.840
<v Speaker 1>we can get there. I still need her throat, Like

1:45:21.439 --> 1:45:23.840
<v Speaker 1>maybe I don't need to have a fiance like goes

1:45:23.880 --> 1:45:25.640
<v Speaker 1>in and hey, if you need another woman's throat, you

1:45:25.680 --> 1:45:26.320
<v Speaker 1>don't need that with you.

1:45:26.560 --> 1:45:28.599
<v Speaker 2>Why don't you propose to the one that you talked

1:45:28.600 --> 1:45:31.200
<v Speaker 2>to like that, because I would assume a few texted

1:45:31.240 --> 1:45:31.519
<v Speaker 2>her like that.

1:45:31.800 --> 1:45:35.000
<v Speaker 1>It's clearly just sex. It's clearly just like that's my

1:45:35.280 --> 1:45:38.560
<v Speaker 1>you know, I need her throat. I don't need the

1:45:38.640 --> 1:45:42.000
<v Speaker 1>rest of her, nah, just the throat. Well, I needs

1:45:42.040 --> 1:45:44.880
<v Speaker 1>somewhere to nut as well the throat. Nobody said he's

1:45:44.920 --> 1:45:47.400
<v Speaker 1>gonna nothing inside. Well, I guess maybe he's about the throat. Yeah,

1:45:47.560 --> 1:45:49.920
<v Speaker 1>I thought he was talking more about her vagiant can.

1:45:50.000 --> 1:45:51.680
<v Speaker 1>He said, when can I win? When can I nut

1:45:51.760 --> 1:45:53.639
<v Speaker 1>in you and fuck you like I want? Yeah? When

1:45:53.680 --> 1:45:55.960
<v Speaker 1>can I nut in you? The throats? I've never.

1:45:57.600 --> 1:45:59.680
<v Speaker 3>Tim I I've never came in a woman's mouth and

1:45:59.720 --> 1:46:02.439
<v Speaker 3>thought I nonel inside of her. But I guess by

1:46:02.560 --> 1:46:03.320
<v Speaker 3>definition I did.

1:46:03.479 --> 1:46:05.880
<v Speaker 1>Yeah, So sorry to my parents that are watching this. Yeah,

1:46:06.439 --> 1:46:08.720
<v Speaker 1>I'm just saying he's he's either way. He's wild for

1:46:08.840 --> 1:46:12.040
<v Speaker 1>texting his ex that and he gets engaged. That's like,

1:46:12.880 --> 1:46:15.720
<v Speaker 1>fam you you got you living like multiple lives at

1:46:15.760 --> 1:46:16.120
<v Speaker 1>this point.

1:46:16.439 --> 1:46:19.000
<v Speaker 2>But is that like the horror complex of like, because

1:46:19.000 --> 1:46:21.439
<v Speaker 2>I've had this conversation with men that I've dated where

1:46:21.439 --> 1:46:23.240
<v Speaker 2>there were things they were like, there's things I'm just

1:46:23.360 --> 1:46:25.880
<v Speaker 2>not comfortable doing with you because those are things we

1:46:26.000 --> 1:46:26.559
<v Speaker 2>do the horrors.

1:46:27.680 --> 1:46:30.400
<v Speaker 1>Fine, right, this is totally different. This is the day

1:46:30.439 --> 1:46:31.560
<v Speaker 1>you're getting engaged.

1:46:32.080 --> 1:46:34.439
<v Speaker 2>But what I'm saying is the issue might be is

1:46:34.520 --> 1:46:37.880
<v Speaker 2>that he looks at his future wife or ex future

1:46:37.920 --> 1:46:40.599
<v Speaker 2>wife one way and that other girl another way.

1:46:40.840 --> 1:46:43.160
<v Speaker 1>Yeah, with her, it's like his pornho his little porn star.

1:46:43.439 --> 1:46:45.960
<v Speaker 1>They have great sex. It's just like a sexual chemistry.

1:46:46.120 --> 1:46:48.280
<v Speaker 1>Married a porn star. Why would you not want to

1:46:48.280 --> 1:46:51.360
<v Speaker 1>slut out your wife? Some people don't, especially in the South,

1:46:51.479 --> 1:46:55.280
<v Speaker 1>some people don't. Some people don't. Yeah, some people don't.

1:46:55.320 --> 1:46:57.320
<v Speaker 1>Some people don't feel like they should be doing that

1:46:57.400 --> 1:46:57.920
<v Speaker 1>to their wife.

1:46:57.960 --> 1:47:00.200
<v Speaker 3>And I mean slid out in the most positive way

1:47:00.439 --> 1:47:01.960
<v Speaker 3>and the most like if you want to be with

1:47:02.040 --> 1:47:04.800
<v Speaker 3>this person, all right, so then you're just dedicated to

1:47:04.880 --> 1:47:07.400
<v Speaker 3>a life of cheating some people because if those are

1:47:07.439 --> 1:47:13.000
<v Speaker 3>your needs, which are fine consentually, Like what why wouldn't

1:47:13.000 --> 1:47:13.360
<v Speaker 3>you want.

1:47:13.200 --> 1:47:14.760
<v Speaker 1>To do that to your girl? But that's a real

1:47:15.200 --> 1:47:18.200
<v Speaker 1>because maybe the fiance is not into that type of sex.

1:47:18.240 --> 1:47:20.000
<v Speaker 1>Oh she's not then that that's what we don't know.

1:47:20.040 --> 1:47:22.519
<v Speaker 1>Maybe maybe that's not your person. Maybe he don't want

1:47:22.560 --> 1:47:24.479
<v Speaker 1>her to be into that. Maybe he don't want her

1:47:24.520 --> 1:47:26.160
<v Speaker 1>to be which is a that's the conversation me and

1:47:26.240 --> 1:47:28.240
<v Speaker 1>all are having. That's a real thing. Yeah, a lot

1:47:28.240 --> 1:47:29.880
<v Speaker 1>of people don't look at their wife and say, you

1:47:29.920 --> 1:47:30.720
<v Speaker 1>know what, I'm with you.

1:47:30.760 --> 1:47:32.680
<v Speaker 3>No, we're all having the same conversation. I think that's

1:47:32.760 --> 1:47:36.640
<v Speaker 3>insane that you would not want your life partner to

1:47:36.880 --> 1:47:38.200
<v Speaker 3>explore sexually.

1:47:38.360 --> 1:47:42.720
<v Speaker 1>You know, I think that's very odd. No, I'm just

1:47:42.800 --> 1:47:47.200
<v Speaker 1>saying he just shouldn't have gotten engaged. No, Like, at

1:47:47.240 --> 1:47:49.000
<v Speaker 1>some point, I think you should explore more with your

1:47:49.000 --> 1:47:50.880
<v Speaker 1>wife than you would with a horror. But some but

1:47:51.040 --> 1:47:54.759
<v Speaker 1>some people are raised that good girls don't do these things.

1:47:55.040 --> 1:47:58.240
<v Speaker 1>But it's a wife now women and men are so

1:47:58.320 --> 1:48:00.200
<v Speaker 1>you're a girls just don't do that WESTI and the

1:48:00.280 --> 1:48:02.080
<v Speaker 1>Brothers where she was like, my mom taught me that

1:48:02.160 --> 1:48:03.960
<v Speaker 1>good girls don't suck dick like that.

1:48:04.240 --> 1:48:06.719
<v Speaker 2>That's a real thing, and it continues in the South.

1:48:07.280 --> 1:48:08.080
<v Speaker 2>That's a real thing.

1:48:08.400 --> 1:48:09.880
<v Speaker 1>I remember a girl told me that one time, and

1:48:10.000 --> 1:48:11.519
<v Speaker 1>but she died to eat me up, like I ain't

1:48:11.560 --> 1:48:14.600
<v Speaker 1>never been ate up before. I was like, why are

1:48:14.600 --> 1:48:18.320
<v Speaker 1>you lying like that? She was like, what now I

1:48:18.360 --> 1:48:20.479
<v Speaker 1>don't trust you because now you know you lying. You

1:48:20.560 --> 1:48:23.840
<v Speaker 1>knew that head was crazy, you ain't. That wasn't your

1:48:23.880 --> 1:48:27.479
<v Speaker 1>first time and your first time like and that like that, No,

1:48:27.800 --> 1:48:30.560
<v Speaker 1>that wasn't my first time, not that I care, but

1:48:30.600 --> 1:48:34.360
<v Speaker 1>it's like she was being very you know, like she

1:48:34.479 --> 1:48:39.280
<v Speaker 1>don't do this, very shy, very like those are the ones, clearly,

1:48:39.600 --> 1:48:41.800
<v Speaker 1>that was the ones somebody tell you, I don't do

1:48:41.880 --> 1:48:43.840
<v Speaker 1>this often. They do it every day. They do that shit.

1:48:44.800 --> 1:48:46.200
<v Speaker 1>But bye bye weekly.

1:48:47.280 --> 1:48:48.800
<v Speaker 3>I guess you all right. I don't even know if

1:48:48.800 --> 1:48:51.120
<v Speaker 3>it's a South thing because uh. Rest in peace to

1:48:51.120 --> 1:48:54.240
<v Speaker 3>Eugene Farrell. I'm I'm so sorry Grandpa for telling the story.

1:48:54.680 --> 1:48:57.960
<v Speaker 3>He did tell me that Italian men don't let their

1:48:58.000 --> 1:49:00.600
<v Speaker 3>wife suck dick because they kissed the kids. And I

1:49:00.720 --> 1:49:03.000
<v Speaker 3>was like, who wouldn't want their Italian Who wouldn't want

1:49:03.040 --> 1:49:04.080
<v Speaker 3>their wife to suck.

1:49:06.160 --> 1:49:09.240
<v Speaker 1>That? I don't believe that. I believe it. That sounds

1:49:09.280 --> 1:49:13.200
<v Speaker 1>like I believe that my grandfather's arrow. I believe that.

1:49:14.320 --> 1:49:16.879
<v Speaker 1>But then I was thinking, like, well, you said Italian?

1:49:16.880 --> 1:49:21.000
<v Speaker 1>Where Irish? Grandma? What the fuck? There? You go that fast?

1:49:21.040 --> 1:49:24.800
<v Speaker 1>We solved it that fast, recipe, Gene Farrow.

1:49:25.760 --> 1:49:27.559
<v Speaker 3>But no, dead ass, like you should want to select

1:49:27.560 --> 1:49:31.080
<v Speaker 3>your wife out. I think that's a pretty easy way

1:49:31.200 --> 1:49:33.160
<v Speaker 3>to keep a marriage moving for the rest of your

1:49:33.200 --> 1:49:36.040
<v Speaker 3>life and not to be faithful, Like you shouldn't look

1:49:36.040 --> 1:49:36.559
<v Speaker 3>at your wife.

1:49:36.880 --> 1:49:39.240
<v Speaker 1>She's a good girl. She's married and doing horror things

1:49:39.320 --> 1:49:42.280
<v Speaker 1>with you. That's a good girl. That's a little horror bucket. Now,

1:49:42.600 --> 1:49:47.000
<v Speaker 1>Oh that's people referring to him these days, no a wife,

1:49:47.040 --> 1:49:48.280
<v Speaker 1>but you know, sorry.

1:49:48.320 --> 1:49:50.960
<v Speaker 3>So she just exposed this on the internet and just yeah,

1:49:51.000 --> 1:49:53.240
<v Speaker 3>she she talked about see her, we don't even particularly

1:49:53.240 --> 1:49:53.559
<v Speaker 3>care for.

1:49:53.760 --> 1:49:58.280
<v Speaker 2>She well, she I guess she's an influencer. And at

1:49:58.360 --> 1:50:01.720
<v Speaker 2>the time she her engagement was big and it was

1:50:01.760 --> 1:50:03.920
<v Speaker 2>called off suddenly she wasn't living with him, she wasn't married,

1:50:03.960 --> 1:50:05.880
<v Speaker 2>so people were like, what the fuck happened? And she

1:50:05.920 --> 1:50:07.400
<v Speaker 2>came home she was like, yeah, I have no problem

1:50:07.439 --> 1:50:11.280
<v Speaker 2>exposing terrible fucking people, because since I originally talked about this,

1:50:11.400 --> 1:50:13.240
<v Speaker 2>a bunch of other girls have come out and said, oh,

1:50:13.320 --> 1:50:16.120
<v Speaker 2>well I'm dating him and this looked funny and this

1:50:16.280 --> 1:50:18.200
<v Speaker 2>and this, and it's like, yeah, I don't mind when

1:50:18.240 --> 1:50:20.320
<v Speaker 2>people like, if you're gonna do horrible shit to people

1:50:20.439 --> 1:50:22.040
<v Speaker 2>like that, I don't mind you getting put on on

1:50:22.120 --> 1:50:24.960
<v Speaker 2>Front Street, like I understand like keeping it pee, but nah,

1:50:25.080 --> 1:50:28.200
<v Speaker 2>if you gonna play with people's like safety and emotions

1:50:28.280 --> 1:50:29.960
<v Speaker 2>and shit like that, people need to out you as

1:50:29.960 --> 1:50:30.599
<v Speaker 2>a terrible person.

1:50:30.800 --> 1:50:32.760
<v Speaker 1>And there will still be women. You're rich, there will

1:50:32.760 --> 1:50:33.920
<v Speaker 1>still be women who will date you.

1:50:34.600 --> 1:50:38.240
<v Speaker 3>I'm not stopping from getting busy, I agree with I

1:50:38.360 --> 1:50:39.880
<v Speaker 3>just don't know if you're gonna get the response that

1:50:39.960 --> 1:50:44.240
<v Speaker 3>you want, Like, no one's sitting here thinking about how

1:50:44.280 --> 1:50:44.800
<v Speaker 3>she's feeling.

1:50:45.320 --> 1:50:47.240
<v Speaker 1>Well, we're laughing at the text.

1:50:47.479 --> 1:50:50.760
<v Speaker 2>She has an audience, and her audience cares about like, yeah,

1:50:51.000 --> 1:50:52.800
<v Speaker 2>of course a bunch of men on a podcast is

1:50:52.960 --> 1:50:53.760
<v Speaker 2>are gonna laugh at her.

1:50:53.840 --> 1:50:56.200
<v Speaker 1>That's fine. Well, no, I do feel like, yeah, well

1:50:56.280 --> 1:50:59.360
<v Speaker 1>I'm lying, I don't like you don't care. I'm not demanding.

1:50:59.360 --> 1:51:01.680
<v Speaker 1>I'm not gonna lose leap over it, but I mean

1:51:01.720 --> 1:51:04.360
<v Speaker 1>I do such a feel feel for her, Like that's

1:51:04.360 --> 1:51:06.360
<v Speaker 1>fucked up. Yeah, that didn't bring it up at nine

1:51:06.400 --> 1:51:08.519
<v Speaker 1>am on your fucking engagement you're saying, let me get

1:51:08.520 --> 1:51:09.080
<v Speaker 1>that fucking out.

1:51:09.160 --> 1:51:11.000
<v Speaker 2>How brought it up? So y'all laugh at the text messages?

1:51:11.000 --> 1:51:13.000
<v Speaker 2>That's why it was on the dock heat all right,

1:51:13.640 --> 1:51:14.680
<v Speaker 2>do we have voicemails?

1:51:14.920 --> 1:51:16.599
<v Speaker 1>We do have got male.

1:51:18.640 --> 1:51:24.479
<v Speaker 4>So Rory and maul I was looking at Saha shooting

1:51:24.520 --> 1:51:28.280
<v Speaker 4>at j Cole or whatever. Like he got me to

1:51:28.360 --> 1:51:33.560
<v Speaker 4>thinking about like lyricists in the South, specifically Atlanta, Like

1:51:34.640 --> 1:51:35.479
<v Speaker 4>was the audio good on that?

1:51:35.800 --> 1:51:35.960
<v Speaker 1>You know?

1:51:36.160 --> 1:51:39.639
<v Speaker 4>Andre three thousand is to go to that's the name.

1:51:39.760 --> 1:51:41.840
<v Speaker 4>Niggas go out there just to make it sound like

1:51:41.880 --> 1:51:46.800
<v Speaker 4>they know what they talking about. I really think about it.

1:51:46.960 --> 1:51:51.160
<v Speaker 4>I think Saha is a better lyricist than Andre three thousand,

1:51:51.400 --> 1:51:55.679
<v Speaker 4>Like I know he has. He got the way doper

1:51:55.800 --> 1:51:58.960
<v Speaker 4>lines like Andre can kind of play with his flow,

1:51:59.040 --> 1:52:03.280
<v Speaker 4>maybe a little bit better bar for bars size kind

1:52:03.320 --> 1:52:07.280
<v Speaker 4>of getting Andre three thousand out of here, John, thank.

1:52:10.120 --> 1:52:12.320
<v Speaker 1>You hate three stacks? You can go ahead first. I

1:52:12.400 --> 1:52:19.160
<v Speaker 1>don't hate these stacks atm. I understand what he's saying.

1:52:20.240 --> 1:52:22.280
<v Speaker 1>I get what he's saying. I understand what he's saying.

1:52:25.000 --> 1:52:29.880
<v Speaker 1>Three thousand probably has wide arrange when it comes to

1:52:29.960 --> 1:52:31.519
<v Speaker 1>flow and things like that, but he's just talking about

1:52:31.600 --> 1:52:37.360
<v Speaker 1>lyrics and bars. Three thousands got bars. But if you

1:52:37.520 --> 1:52:40.720
<v Speaker 1>listen to Saha like and like really a Saha fan,

1:52:43.439 --> 1:52:45.360
<v Speaker 1>I ain't gonna say he better than he's a better

1:52:45.439 --> 1:52:49.720
<v Speaker 1>lyricist in two thousands. But he's right there. He's right there,

1:52:49.840 --> 1:52:52.720
<v Speaker 1>like he's not like three thousands is not gonna just

1:52:52.760 --> 1:52:55.559
<v Speaker 1>wrap circles around side. He wouldn't wrap circles around them.

1:52:56.080 --> 1:52:58.599
<v Speaker 1>Saha doesn't get that against Side doesn't have the material

1:52:59.240 --> 1:53:02.519
<v Speaker 1>the output that three thousand has over the years. And

1:53:02.640 --> 1:53:04.559
<v Speaker 1>that's my only knock to size. I wish he put

1:53:04.600 --> 1:53:08.519
<v Speaker 1>out more music and drop more albums because he would

1:53:08.560 --> 1:53:11.759
<v Speaker 1>be in those conversations if people heard him more often.

1:53:12.400 --> 1:53:16.160
<v Speaker 1>But to what this gentleman is saying, I'm not I'm

1:53:16.200 --> 1:53:20.280
<v Speaker 1>not gonna say he's lyrically getting three thousand out of here.

1:53:20.280 --> 1:53:24.280
<v Speaker 1>I'm not gonna say that. But he is right there,

1:53:24.320 --> 1:53:27.479
<v Speaker 1>though he's in that his pen can stand next to

1:53:27.520 --> 1:53:29.960
<v Speaker 1>three thousand when it comes to bars and lyrics without

1:53:29.960 --> 1:53:34.120
<v Speaker 1>a doubt. Artists, artist Thry that's another conversation. I don't

1:53:34.120 --> 1:53:35.760
<v Speaker 1>know if he's the artist that three thousand is, but

1:53:36.960 --> 1:53:39.200
<v Speaker 1>lyrically rapping, just put a beat on and let these

1:53:39.200 --> 1:53:43.679
<v Speaker 1>two mcs go. I don't know if three thousand's gonna

1:53:43.680 --> 1:53:46.720
<v Speaker 1>wrap circles around side. I don't. I don't. I don't

1:53:46.720 --> 1:53:47.360
<v Speaker 1>think that will happen.

1:53:48.920 --> 1:53:52.000
<v Speaker 3>These are like eleven PM barbershop conversations to me, when

1:53:52.000 --> 1:53:54.800
<v Speaker 3>everyone's just running out of shit to talk about. This

1:53:54.960 --> 1:53:57.120
<v Speaker 3>is is the weirdest comparison ever.

1:53:57.439 --> 1:54:00.559
<v Speaker 1>Well, he bought up this. People talk about rappers from

1:54:00.600 --> 1:54:01.479
<v Speaker 1>the South and best rap.

1:54:01.880 --> 1:54:05.680
<v Speaker 3>If three Stacks was in a different era and was

1:54:05.840 --> 1:54:07.760
<v Speaker 3>trying to come up the way Sahai was, where he

1:54:07.880 --> 1:54:10.439
<v Speaker 3>has to make the biggest statement on so appalled or

1:54:10.560 --> 1:54:13.160
<v Speaker 3>like he has to do leakers freestyles. Do I think

1:54:13.600 --> 1:54:18.040
<v Speaker 3>that Three Stacks could do could rap the way Sahai

1:54:18.160 --> 1:54:20.400
<v Speaker 3>raps like these two records that came out? Of course,

1:54:20.439 --> 1:54:22.280
<v Speaker 3>I think he could do that. He made records his

1:54:22.320 --> 1:54:25.560
<v Speaker 3>whole life. That was his focus every time was was

1:54:25.680 --> 1:54:28.680
<v Speaker 3>not unless you get if you go through life in

1:54:28.760 --> 1:54:31.479
<v Speaker 3>times of Andre Benjamin, like that's him rapping for four

1:54:31.520 --> 1:54:34.800
<v Speaker 3>minutes straight just to show you I can do it. Like,

1:54:35.880 --> 1:54:38.680
<v Speaker 3>it's just a weird comparison because it's different eras, Like

1:54:39.960 --> 1:54:43.000
<v Speaker 3>do I think King Los could fucking rap with Nas?

1:54:43.160 --> 1:54:43.360
<v Speaker 1>Yeah?

1:54:43.880 --> 1:54:46.160
<v Speaker 3>But I also think if Nas dedicated his life to

1:54:46.240 --> 1:54:48.480
<v Speaker 3>rap the way King Los does, Knods could do it better.

1:54:51.040 --> 1:54:53.000
<v Speaker 1>I just think it's it's in. It's such a weird

1:54:53.360 --> 1:54:57.440
<v Speaker 1>comparison because they both have different objectives lyrics. But that's

1:54:57.440 --> 1:54:57.960
<v Speaker 1>what I'm saying.

1:54:58.840 --> 1:55:00.960
<v Speaker 3>Three Stacks always held, for the most part, a lot

1:55:01.040 --> 1:55:04.240
<v Speaker 3>of his ship, unless it was the features on songs

1:55:04.280 --> 1:55:07.000
<v Speaker 3>to sixteen bars hook sixteen bars, Like he comes from

1:55:07.040 --> 1:55:10.800
<v Speaker 3>that era of making songs and albums where Si Hi

1:55:11.240 --> 1:55:13.960
<v Speaker 3>has done that. Yes, but he's also in an era

1:55:14.040 --> 1:55:18.000
<v Speaker 3>where people are just barring people the fuck down. HM,

1:55:18.520 --> 1:55:20.920
<v Speaker 3>So I just I don't think it's a fair comparison

1:55:21.560 --> 1:55:25.800
<v Speaker 3>to even like put those two in a category.

1:55:26.000 --> 1:55:28.440
<v Speaker 2>Okay, but if you had to choose, gun to your head,

1:55:29.080 --> 1:55:32.040
<v Speaker 2>who could rap better? Who was a better lyricist? Which

1:55:32.080 --> 1:55:33.560
<v Speaker 2>is different than who can rap better?

1:55:34.400 --> 1:55:44.480
<v Speaker 1>Uh? One hundred in two thousands? Okay, mom, I understand,

1:55:44.520 --> 1:55:46.840
<v Speaker 1>But listen, this is what I do like though. I

1:55:47.000 --> 1:55:50.960
<v Speaker 1>like the fact that but slouch. I'm not gonna make

1:55:51.000 --> 1:55:53.080
<v Speaker 1>that very clear that I'd just like the fact that

1:55:53.160 --> 1:55:56.640
<v Speaker 1>people are even saying that. Though same, I do like

1:55:56.720 --> 1:55:59.960
<v Speaker 1>that his name is does that along in the converse.

1:56:00.160 --> 1:56:02.920
<v Speaker 1>I like the fact that people are even speaking about Saha,

1:56:03.120 --> 1:56:07.440
<v Speaker 1>like because again, he's one of them season that should

1:56:07.520 --> 1:56:09.320
<v Speaker 1>be spoken about. He's one of the rappers that we

1:56:09.360 --> 1:56:13.240
<v Speaker 1>should be talking about, and his skill set, his songwriting

1:56:13.320 --> 1:56:14.560
<v Speaker 1>ability is incredible.

1:56:14.600 --> 1:56:18.320
<v Speaker 3>So I just don't think lyricism always just lands on punchlines.

1:56:19.360 --> 1:56:20.840
<v Speaker 3>I guess that's kind of my point because I still

1:56:20.880 --> 1:56:24.760
<v Speaker 3>put lyricism and content in the same bag. I don't

1:56:24.760 --> 1:56:27.600
<v Speaker 3>think everything has to be in mind you SI has content,

1:56:27.800 --> 1:56:31.240
<v Speaker 3>like for sure, I think Saha should be brought up

1:56:31.440 --> 1:56:36.600
<v Speaker 3>in the Atlanta Lyricists Top five conversation without question, SI

1:56:37.480 --> 1:56:41.560
<v Speaker 3>without question. You could make a huge case if you

1:56:41.640 --> 1:56:45.200
<v Speaker 3>want to get into lyricists bag in that Yeshi is there,

1:56:46.240 --> 1:56:48.800
<v Speaker 3>It's going to be a lot of Dungeon family TI.

1:56:49.680 --> 1:56:52.240
<v Speaker 1>But Sahai is right there. H I think. I think

1:56:52.560 --> 1:56:55.120
<v Speaker 1>is one of the best lyricists period. But I just

1:56:55.200 --> 1:57:00.800
<v Speaker 1>add three stacks. He's just different though he is. But

1:57:01.600 --> 1:57:03.640
<v Speaker 1>I'd just love to pack the fact that Saha is

1:57:03.680 --> 1:57:07.000
<v Speaker 1>being you know, given his flowers it man, just start

1:57:07.080 --> 1:57:10.640
<v Speaker 1>talking about the real mcs, the real rap, the real

1:57:10.720 --> 1:57:13.040
<v Speaker 1>spit is, the real ball writers. Like start, let's start

1:57:13.040 --> 1:57:15.240
<v Speaker 1>talking about them some more. I understand, you know, he

1:57:15.320 --> 1:57:17.880
<v Speaker 1>doesn't have the music that some of these guys has,

1:57:17.960 --> 1:57:20.480
<v Speaker 1>but the skill set is incredible.

1:57:20.640 --> 1:57:24.400
<v Speaker 3>But then again, with his era, I don't know, find

1:57:24.440 --> 1:57:28.080
<v Speaker 3>me an album that can compete with No Dope on Sundays, right, Like,

1:57:28.120 --> 1:57:31.760
<v Speaker 3>if you're going through a lyricist type of bag in

1:57:31.840 --> 1:57:33.640
<v Speaker 3>the last fifteen years.

1:57:33.840 --> 1:57:37.360
<v Speaker 1>Yeah, there's good music on that album. It's not just

1:57:37.480 --> 1:57:40.600
<v Speaker 1>fucking rap. Great on that album. Is incredible music on

1:57:40.680 --> 1:57:43.520
<v Speaker 1>that album. Shout out to Saja Man. Yeah, before we go,

1:57:43.640 --> 1:57:45.600
<v Speaker 1>we want to send a resting piece to Oliver Grant

1:57:45.840 --> 1:57:48.879
<v Speaker 1>Power Power, one of the architects one of the founders,

1:57:49.360 --> 1:57:52.000
<v Speaker 1>one of the pillars of the Wu Tang clan. We

1:57:52.160 --> 1:57:54.760
<v Speaker 1>lost him last week, so we want to send the

1:57:54.840 --> 1:57:59.960
<v Speaker 1>rest in peace, prays, condolences to Oliver Grant's family, condolence

1:58:00.200 --> 1:58:03.640
<v Speaker 1>to the tay Wu Tang clan, and thank you Power

1:58:03.720 --> 1:58:06.280
<v Speaker 1>for everything that you contributed to hip hop, everything that

1:58:06.360 --> 1:58:10.240
<v Speaker 1>you gave the culture. And again continue prayers and condolences

1:58:10.560 --> 1:58:14.240
<v Speaker 1>to his family. Also recipes still Michael five thousand Watts,

1:58:14.960 --> 1:58:17.160
<v Speaker 1>we lost him. I think a couple of weeks ago

1:58:18.200 --> 1:58:21.720
<v Speaker 1>Houston DJ found a Swisher house, one of the pioneers

1:58:21.760 --> 1:58:25.360
<v Speaker 1>and chopped and screwed out of Houston. Uh, one of

1:58:25.400 --> 1:58:29.320
<v Speaker 1>the big, big pillars in Houston hip hop. We lost

1:58:29.400 --> 1:58:31.920
<v Speaker 1>him as well. So rest in peace to Michael Watts

1:58:32.720 --> 1:58:34.640
<v Speaker 1>and prais condolences his family and.

1:58:35.480 --> 1:58:38.640
<v Speaker 3>You get there though, Like that's one that I think

1:58:38.800 --> 1:58:41.560
<v Speaker 3>hip hop needs to celebrate a little bit more.

1:58:41.840 --> 1:58:43.000
<v Speaker 1>Five thousand Watts.

1:58:44.160 --> 1:58:46.680
<v Speaker 3>I've said for years, especially based off a lot of

1:58:46.720 --> 1:58:49.640
<v Speaker 3>what Drake has done with the Houston sound comes from

1:58:50.520 --> 1:58:53.480
<v Speaker 3>from Oh No, for sure, like modern music even from

1:58:53.520 --> 1:58:57.240
<v Speaker 3>eight to eight with that Dark Ship comes from Houstons.

1:58:57.280 --> 1:59:01.240
<v Speaker 3>Everything that he was pushing when yeah, I can't say

1:59:01.320 --> 1:59:04.160
<v Speaker 3>enough and to power as well. I mean doing the

1:59:04.200 --> 1:59:07.160
<v Speaker 3>woolwear thing. I don't think I don't even know if

1:59:07.440 --> 1:59:11.200
<v Speaker 3>if Rockaware gets to where it's at without opening up

1:59:11.360 --> 1:59:14.280
<v Speaker 3>a woolwear store in Staten Island, of all places that

1:59:14.400 --> 1:59:17.520
<v Speaker 3>you do that, like, these are people that completely shifted.

1:59:18.760 --> 1:59:20.680
<v Speaker 3>Rest in peace of Nipsey. Everything we talk about with

1:59:21.000 --> 1:59:23.640
<v Speaker 3>his marathon store starts with wouwear and what they were

1:59:23.640 --> 1:59:27.160
<v Speaker 3>doing in Staten Island, absolutely independently as well on the

1:59:27.200 --> 1:59:29.840
<v Speaker 3>clothing side, Ray Kwon giving ten thousand, All right, fuck,

1:59:29.960 --> 1:59:30.360
<v Speaker 3>let's try it.

1:59:31.280 --> 1:59:32.600
<v Speaker 1>Just showing us that it's possible.

1:59:33.320 --> 1:59:36.160
<v Speaker 3>Two people that were legitimate visionaries that you can see

1:59:36.200 --> 1:59:39.640
<v Speaker 3>their DNA in everything that we champion today comes with

1:59:39.760 --> 1:59:42.080
<v Speaker 3>power and comes with with Mike Watston for sure.

1:59:43.040 --> 1:59:47.520
<v Speaker 1>And then I mean, of course Jesse Jackson's Jesse Jackson

1:59:47.560 --> 1:59:51.200
<v Speaker 1>we lost some a couple couple weeks ago as well. Obviously,

1:59:51.240 --> 1:59:54.480
<v Speaker 1>you know, Jesse Jackson one of the biggest pillars that

1:59:54.520 --> 1:59:56.640
<v Speaker 1>we had and coming out of the civil rights movement

1:59:57.120 --> 2:00:00.320
<v Speaker 1>and everything that this country, everything that black people who

2:00:00.320 --> 2:00:01.480
<v Speaker 1>have to go through in this country, he was a

2:00:01.520 --> 2:00:04.960
<v Speaker 1>big figure in voicing the oppressors of the black people

2:00:05.000 --> 2:00:08.160
<v Speaker 1>and fighting for civil rights and for justice for black

2:00:08.200 --> 2:00:10.640
<v Speaker 1>people in this country. So rest in peace of Jesse Jackson,

2:00:10.680 --> 2:00:13.520
<v Speaker 1>and thank you for everything that you've given us. I

2:00:14.920 --> 2:00:17.160
<v Speaker 1>never met Jesse Jackson, but he walked past me. One.

2:00:18.320 --> 2:00:22.120
<v Speaker 1>I wasn't Jesse. It was out Shopton. Yeah, all right,

2:00:22.600 --> 2:00:23.080
<v Speaker 1>skinny ol.

2:00:25.360 --> 2:00:27.680
<v Speaker 3>When I was working for I think this was the

2:00:27.760 --> 2:00:32.960
<v Speaker 3>first week we had partnered with kW or Kevin Lyle's company.

2:00:33.920 --> 2:00:37.080
<v Speaker 3>And I'm sitting at my desk and it faced the

2:00:37.160 --> 2:00:39.760
<v Speaker 3>door of the entrance. First week, sitting down on my

2:00:39.840 --> 2:00:43.840
<v Speaker 3>laptop doing fucking social media shit for kW well and

2:00:44.040 --> 2:00:46.600
<v Speaker 3>walks to Jesse Jackson. I'm like, where am I right now?

2:00:48.200 --> 2:00:53.720
<v Speaker 1>Staring at Jesse Jesse Jackson. Jesse Jackson, Reverend Jesse Jackson.

2:00:54.280 --> 2:00:58.040
<v Speaker 1>Also rest in peace. Katherino or Harrah, most notably known

2:00:58.200 --> 2:01:02.080
<v Speaker 1>as from the Mom of a Home Alone. She passed

2:01:02.120 --> 2:01:07.920
<v Speaker 1>away last week. And also Robert Duval, actor another actor

2:01:07.960 --> 2:01:09.840
<v Speaker 1>that we lost some of my favorite movies.

2:01:10.720 --> 2:01:12.000
<v Speaker 3>You guys are telling me this in real time. I

2:01:12.040 --> 2:01:14.360
<v Speaker 3>did not know Robert Duval passed away. Yeah, Robert Duval

2:01:15.120 --> 2:01:16.200
<v Speaker 3>Christ rest in peace.

2:01:16.800 --> 2:01:19.320
<v Speaker 1>Yeah. So rest peace to Catherine Harrah and rested peace

2:01:19.360 --> 2:01:22.680
<v Speaker 1>to Rober Duval. Pairs and condulences to their families. All right,

2:01:23.040 --> 2:01:24.160
<v Speaker 1>well it was good seeing y'all.

2:01:24.680 --> 2:01:28.640
<v Speaker 3>Uh, quickly before we do get out of here, Jay

2:01:28.720 --> 2:01:33.480
<v Speaker 3>Z and Big stropped another record. Listen, man, we're just

2:01:33.480 --> 2:01:33.960
<v Speaker 3>trying to get some.

2:01:34.000 --> 2:01:40.520
<v Speaker 1>Pluses just us. But if something happens, then you know,

2:01:42.800 --> 2:01:45.840
<v Speaker 1>he's just randomly dropping stuff on stream. Still, okay, I mean,

2:01:46.000 --> 2:01:47.440
<v Speaker 1>you know, why not. I'm not gonna say the name

2:01:47.440 --> 2:01:53.839
<v Speaker 1>of the song, but what not? Man, I did appreciate

2:01:53.880 --> 2:01:55.680
<v Speaker 1>that they did just put the actual name of the

2:01:55.760 --> 2:01:58.320
<v Speaker 1>song on the artwork. Yeah, why not? Because you could

2:01:58.320 --> 2:02:04.280
<v Speaker 1>do it because you own that exactly his ship, his art. So, like,

2:02:05.080 --> 2:02:07.400
<v Speaker 1>I mean, should I stand outside Barclays now? Like, what

2:02:07.800 --> 2:02:09.760
<v Speaker 1>do you think? What do you think is the best route?

2:02:10.160 --> 2:02:13.160
<v Speaker 1>I mean, you can if you want to. I don't

2:02:13.160 --> 2:02:14.760
<v Speaker 1>know if you should, but you know, if you want

2:02:14.800 --> 2:02:16.840
<v Speaker 1>to go to the Barclays and just pitch your ten

2:02:16.920 --> 2:02:19.480
<v Speaker 1>out there and just you know, just sleep for a

2:02:19.520 --> 2:02:22.760
<v Speaker 1>couple of days, do you think I just want to

2:02:22.960 --> 2:02:25.440
<v Speaker 1>put me in those blease? I don't care. Matter of fact,

2:02:25.440 --> 2:02:27.200
<v Speaker 1>I prefer I want to see the whole show we'll see.

2:02:27.400 --> 2:02:29.360
<v Speaker 1>I mean, I mean I would love to see Jay

2:02:29.440 --> 2:02:32.040
<v Speaker 1>jew a show at the Barclays just a reasonable doubt,

2:02:33.200 --> 2:02:35.400
<v Speaker 1>reasonable doubt show. I would love to see that, but

2:02:35.880 --> 2:02:36.200
<v Speaker 1>I don't know.

2:02:36.280 --> 2:02:38.400
<v Speaker 2>We'll see who Rory gotta fuck to give us a ticket,

2:02:38.440 --> 2:02:40.800
<v Speaker 2>Like I'm not gonna lie, like if there's like an

2:02:40.800 --> 2:02:43.360
<v Speaker 2>assistant or something who needs some hole, like Rory is

2:02:43.400 --> 2:02:45.400
<v Speaker 2>ready to fuck for whoever, whoever we got to do.

2:02:45.480 --> 2:02:47.600
<v Speaker 1>Like, I'm glad you put that much stake in me fucking.

2:02:47.640 --> 2:02:51.120
<v Speaker 1>I appreciate that. I said some whole. I didn't like,

2:02:51.200 --> 2:02:52.560
<v Speaker 1>you have to get some mot up to like a

2:02:52.600 --> 2:02:57.000
<v Speaker 1>gay assistant. They're not going to do it, broke. I

2:02:57.080 --> 2:03:00.320
<v Speaker 1>thought that was funny. No, I didn't out of here

2:03:00.320 --> 2:03:02.600
<v Speaker 1>and we talk to y'all soon, Be safe, be blessed.

2:03:02.600 --> 2:03:04.360
<v Speaker 1>I'm that nigga. He's just ginger peace.

2:03:04.920 --> 2:03:06.440
<v Speaker 2>No willan now