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Speaker 1: No Willian, no good doctor.

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Speaker 2: People have a hard time doing that when they're in

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Speaker 2: the studio with legend. My bad, sorry, my back, sorry,

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Speaker 2: oh oh peech.

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Speaker 1: Are we rolling? We are rolling? We are back. New

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Speaker 1: new episode of the New gloryan Mall podcast. I Am

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Speaker 1: Mall or we are back. You need everything else? We

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Speaker 1: was We was trying to figure out what we was

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Speaker 1: talking about this on this episode and BABYD has you know,

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Speaker 1: she has control of it, and her her photo booth

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Speaker 1: on her MacBook popped up. Baby D was giving thighs

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Speaker 1: and pis what was you doing over there? Baby D?

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Speaker 1: We saw that who was that form that you had?

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Speaker 1: A little photo you had like it was like an

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Speaker 1: odd direction to that photo shoot and everything like the

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Speaker 1: bed was there. You don't even make it bet up

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Speaker 1: like that, like you know you made the bet up

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Speaker 1: for the photo shoot. You see how COMFORTB was folded

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Speaker 1: man look like he was making content. You know, baby,

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Speaker 1: you got a o F.

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Speaker 2: We don't know about.

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Speaker 1: No, I don't baby, you gotta feed o F. We

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Speaker 1: don't know about for sure. Perspect you gotta foot o F.

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Speaker 1: We don't know about you over there selling feet. You

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Speaker 1: got a nice feet though, so I ain't. But what

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Speaker 1: you was doing over there in.

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Speaker 2: Between the sheets, I don't even know taking photos? You know,

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Speaker 2: sometimes you like to take photos of yourself. This just

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Speaker 2: remind you like, oh you have a nice body, you

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Speaker 2: look good.

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Speaker 1: No, no, no, no, okay, yes, you're right. Sometimes we

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Speaker 1: do like to take photos. But them photos don't just

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Speaker 1: let in the photo booth though, because that's potof that's

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Speaker 1: the MacBook. Like you put the MacBook on the bed.

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Speaker 1: I know that photo would countdown from three, I know

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Speaker 1: how Yeah? Like that was that was a curated photo. Yeah,

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Speaker 1: and it was a it was a carousel. It was

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Speaker 1: like nine pictures up there. Yo. What you So that

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Speaker 1: means that that's the nine that made it off the

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Speaker 1: editing floor. Yeah? So like how long was the photo?

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Speaker 1: Sho was you? I'm a studio? Time? Did you book?

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Speaker 1: It wasn't that.

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Speaker 2: It was just I had gotten dressed for the Variety

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Speaker 2: of Scientists concert and I just thought I.

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Speaker 1: Was from a riot I was with does this past concert? Yeah?

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Speaker 1: When was it? Saturday? Friday? Friday? So this was Babe

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Speaker 1: d was doing on Friday. I see the here you

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Speaker 1: looking like look you looking like Jessica, Jessica Rabbit. You

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Speaker 1: got the Jessica rabbit head like glowing, what's up with you?

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Speaker 2: Yo?

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Speaker 1: What is happening? First of all, how was the How

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Speaker 1: was your weekend? My weekend was good? Coolnatter? We got

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Speaker 1: that out the way I was. How was the show?

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Speaker 1: How was the show?

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Speaker 2: This show was really good? I was you know me,

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Speaker 2: you know, I had to cry. I was so proud

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Speaker 2: of her. I was so happy for her, Like it

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Speaker 2: was the show radio City, Radio City sold out. Shout

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Speaker 2: out to Maria, sold out show at Radio City Music.

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Speaker 2: Holl that's big and it sold out very quickly too.

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Speaker 2: The production was good. She's getting so much better, like

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Speaker 2: her growth from her performances last year. You could tell

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Speaker 2: the budget is bigger. You could tell she's putting more

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Speaker 2: effort in it was. It was really good. And I

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Speaker 2: like being in shows where Radio City isn't. It isn't

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Speaker 2: Barclays right, and it isn't. And hopefully one day she

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Speaker 2: gets to those places. But it feels so intimate, like

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Speaker 2: everybody you can hear everybody as a guest guests, but

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Speaker 2: you can hear everybody screaming every word to every song,

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Speaker 2: every word to every song, Like it was.

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Speaker 1: It was incredible at all there's a lot of pretty women.

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Speaker 1: Oh they were beautiful. But the girl the girls were

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Speaker 1: so cute.

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Speaker 2: They were all dressed up like they were they kind

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Speaker 2: of like dressed up like Maria. They had their cute

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Speaker 2: little leather shorts on and their little funky boots and

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Speaker 2: like like their.

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Speaker 1: Little toy soldiers. That what you gave him for the

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Speaker 1: year concert?

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Speaker 2: I had, Yes, the bodysuit that you saw. I had that,

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Speaker 2: but I did put pants over it.

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Speaker 1: Thank god. I about to say, thank god, you might

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Speaker 1: have just gave him the trench with that on right

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Speaker 1: there to go see going backstage to opening the trench door,

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Speaker 1: I look at like, you know what I'm saying, looking

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Speaker 1: like Apollonia. I thought, that's game right there. But it's

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Speaker 1: all good. So it was a good show. It was Rory.

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Speaker 2: Shout out to Rory and Carl Hustle for surprising me.

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Speaker 2: But Rory so funny. Rory was calling me or whatever,

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Speaker 2: and like I looked at it. Sometimes Rory called me

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Speaker 2: and I knew he was, like what reason. I looked

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Speaker 2: at my location. I'm like, all right, they are around

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Speaker 2: the corner man, what they want? Rory kept calling me,

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Speaker 2: He kept calling me.

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Speaker 1: He texted me.

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Speaker 2: It was like, you want these Mariah Scientist tickets or not?

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Speaker 2: I called back immediately, like, wall, what's going on.

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Speaker 1: That's how they do, that's how they do, Rory, So

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Speaker 1: i'd as they know they got a gift. They called

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Speaker 1: right back, don't they.

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Speaker 3: I'm at I'm at brunch with Carl Hustle and her

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Speaker 3: partner Busy, and she brings up that she has these

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Speaker 3: Rian Scientist tickets but she may not be able to

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Speaker 3: make it. And I would like, I know somebody that's

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Speaker 3: a diehard Mariah fan. You got somebody, And so I'm

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Speaker 3: at lunch two three calls. I'm like, all right, I mean,

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Speaker 3: I'll let you know Carly, but she not answers, like,

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Speaker 3: you know what, let me text her.

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Speaker 1: I say, yo, I got possible before they said delivered.

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Speaker 3: And then the phone started, we're gonna say. Carl says,

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Speaker 3: there's no way. She just called you back when you

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Speaker 3: texted her about the tickets. I said, yeah, that's that's

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Speaker 3: supposed to be my best friend, and then did the bullshit.

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Speaker 1: Yo. I just woke up because you put on.

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Speaker 2: And everything because I was I was in and out.

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Speaker 1: I was to book you up. My phone. My phone

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Speaker 1: was on D and D.

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Speaker 2: I didn't hear anything, but I had just woke up

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Speaker 2: and I looked at my phone, and you know when

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Speaker 2: you in and out of sleep.

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Speaker 1: I looked at my phone. I'm like, man, what rory on?

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Speaker 2: Because I knew that you were coming to Brooklyn, so

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Speaker 2: I thought you were calling.

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Speaker 1: Me to hang out. I didn't feel like hanging out.

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Speaker 2: If you were home and I saw you called me,

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Speaker 2: I would have called you back immediately.

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Speaker 1: But I knew you were in Brooklyn.

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Speaker 2: I'm like, I don't feel like hanging out, like I'm

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Speaker 2: that's why.

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Speaker 1: Because you was like, where are you at? I'm like,

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Speaker 1: where you at? Especially when you don't feel like hanging out?

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Speaker 1: Ignore those two where you at all? Right now?

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Speaker 2: I think that's that's false history or what you did,

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Speaker 2: what you're doing. It was something like that was either

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Speaker 2: where you at or what you're doing. That's why I

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Speaker 2: checked your location. I saw you saying that. He think

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Speaker 2: that's false history is hilarious, false history?

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Speaker 3: Okay, No, I said, where you at? Do you want

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Speaker 3: these vrias science tickets or not?

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Speaker 1: Yeah? He's where you're at? It where you at first?

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Speaker 1: It was where you at first? Within a minute, like

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Speaker 1: it's the same. Okay. All I saw was where you at?

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Speaker 2: And the mist calls and I and I checked his location.

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Speaker 2: I saw he was in Brooklyn. He was like fifteen

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Speaker 2: minutes away. I'm like, I don't feel like hanging out.

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Speaker 2: I'm exhausted. We had a long work week last week.

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Speaker 2: I felt long.

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Speaker 1: For some reason, it was the same work week it felt.

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Speaker 1: I don't know why it felt long. Just say, you

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Speaker 1: ain't feel like hanging out with Rory to do the

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Speaker 1: long work week, you know, just like hanging out with it.

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Speaker 1: I didn't want to hang out either. I'm trying to

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Speaker 1: get you some tickets. That's got a position that's like

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Speaker 1: a person running.

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Speaker 2: Because after we was to hang up, he was like, yo,

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Speaker 2: I'm only like five minutes from your house.

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Speaker 1: I was like, I was just baiting you because I

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Speaker 1: was with Ree. It's like he's like, I' about to

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Speaker 1: get you. I was like, ah, don't do that, no,

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Speaker 1: because the reason I were already going to the city.

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Speaker 1: I was just fucking with you with that. Oh okay,

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Speaker 1: though you haven't like invited me to the house. I

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Speaker 1: would like to see it, but you know, this is

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Speaker 1: defining to ze shit. If we didn't, that's what's going

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Speaker 1: on in the crib shit like with time is brunch

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Speaker 1: because I need to pull up, like if it's thigs

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Speaker 1: and pods like that. Every Friday we in the house.

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Speaker 1: What so all right? Sold on? You hit her Friday? Yes?

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Speaker 1: So what time did you start to shoot? If that

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Speaker 1: was like the book? Because if he.

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Speaker 2: Was right, that was I was about to walk out

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Speaker 2: the door.

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Speaker 1: I was literally about to walk out the door.

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Speaker 3: I told her at three h seven is when I

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Speaker 3: hit her about the tickets. So she did have ample

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Speaker 3: time to get.

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Speaker 1: A photo shooter. Okay, alright, cool, al right.

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Speaker 2: So that was quick though that wasn't that didn't take long.

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Speaker 2: A couple of like thie shots that wasn't find that

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Speaker 2: angle right away ten minutes I'm out the door.

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Speaker 3: I like that, Okay, I will say, though I do

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Speaker 3: believe there's a world where Jamarics is not want to

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Speaker 3: hang out with me.

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Speaker 1: I can accept that.

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Speaker 3: But when I was jokingly like, yo, I'm right down

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Speaker 3: the street, I'm like five minutes from you, like, don't

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Speaker 3: come here, do not come here, I was like, oh,

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Speaker 3: I was joking, but my bad?

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Speaker 1: Why I was drained? I was?

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Speaker 2: I think it's because Tuesday, I usually rot is sitting

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Speaker 2: in the house and I didn't. I was running around Tuesday,

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Speaker 2: like the day we have off. I was running around Tuesday,

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Speaker 2: and like now that we have different personalities on our show,

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Speaker 2: which I love all of them. It was just Thursday

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Speaker 2: was a lot. It was a lot of talking, It

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Speaker 2: was a lot of people.

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Speaker 1: It was a lot. I was just by Friday, I

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Speaker 1: was just like on social media with your bad. Social

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Speaker 1: battery was drained. My social battery was drained.

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Speaker 2: I was like, by yeah, and the reason was in

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Speaker 2: town I went out with him on Wednesday.

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Speaker 1: It was just it was too much people. I was like,

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Speaker 1: it was too much people. Yeah. I was just like, nah,

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Speaker 1: I need to just be alone, like in my house

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Speaker 1: and silence. No, I'm with you, though I was.

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Speaker 3: I was extra exhausted this weekend for some reason, like

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Speaker 3: miss thank god, Miss Rachel dropped some some new heat

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Speaker 3: rock m so I even threw that on and then

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Speaker 3: snuck in like a thirty minute nap. It felt like

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Speaker 3: eight hours. You're like, yeah, I was very tired. I

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Speaker 3: spent most of yesterday just sleeping.

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Speaker 1: Yeah. I don't know why. I was really tired this weekend.

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Speaker 1: It was Yesterday was my been bed right day. Yeah,

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Speaker 1: I was in the crib all day. Yeah, I'm a

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Speaker 1: better guy. But we are backspots about boost Mobile, unlimited talk,

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Speaker 1: text and data. Yes, did you do anything? Uh? And Uh?

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Speaker 1: Saturday I went to see uh Scream seven. I went

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Speaker 1: to the theater Saturday night. I caught the last show.

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Speaker 1: I didn't even know it was coming out. My people

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Speaker 1: said to me, was like, yo, let's go see Scream seven.

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Speaker 1: I was like, didn't even know Scream was coming out.

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Speaker 1: I'm always down to go to the movie. So I

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Speaker 1: went to it.

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Speaker 2: It was.

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Speaker 3: I think seven is a lot. Let me just say,

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Speaker 3: I didn't even know that. I think I missed six,

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Speaker 3: five and four years, Like, like, seven is a lot,

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Speaker 3: but they got saw three. I don't know, man, I wasn't.

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Speaker 3: I wasn't. It had it had his moments.

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Speaker 1: It had some moments that was kind of like, Okay,

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Speaker 1: they put a nice they put a spin on it,

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Speaker 1: but the spin was kind of cheesy. I guess. I

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Speaker 1: don't know, man, That's not my type of scary like film.

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Speaker 1: Like my scary film is you know the prototip cool.

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Speaker 1: You know, get put somebody in a house somewhere where

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Speaker 1: it's like a lake house or somewhere on vacation. And

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Speaker 1: you know what I'm saying, the guy that's the fucking

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Speaker 1: local town I don't know, parks department cleaner guy. He

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Speaker 1: kills everybody to come, like give me that. But like

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Speaker 1: the screen seven, like the Gold's face mask, still like

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Speaker 1: we still see the same guy, Like refresh my memory.

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Speaker 1: I can't remember the last time I watched the scream.

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Speaker 1: You know it's the same guy. But like then there's

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Speaker 1: you know how they do, like how they say, oh,

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Speaker 1: the copycat killers, like people fall in love with like killers.

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Speaker 1: So now other people are mocking him, like trying to

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Speaker 1: be him as well.

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Speaker 3: Because I'm about to say that, I mean, that's that

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Speaker 3: that precinct should be unnoticed.

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Speaker 1: Yea, seven movies, we haven't caught this guy in this town.

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Speaker 1: And I think it is you know what I think

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Speaker 1: it is. I think we are so like desensitized as

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Speaker 1: like just humans. Now. I think like scary movies have

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Speaker 1: to just be a little more like just hopping out

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Speaker 1: of like you know, the dark corner in the crib

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Speaker 1: and standing there. I don't scare us no more. YEA,

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Speaker 1: make a really like raise taxes, Like why can't the

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Speaker 1: killer just raise taxes and like raise the mortgage and

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Speaker 1: then like you know what I'm saying, get fired. The

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Speaker 1: guy got fired and it's like, oh shit, I'm gonna

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Speaker 1: eat that stream ate with Donald Trump and Castell. Yeah,

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Speaker 1: like give us step like this this just I don't know, man,

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Speaker 1: I just think that seven is a lot they could

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Speaker 1: have stopped at like four.

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Speaker 3: You make a good point because we can really open

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Speaker 3: our phone and actually watch people get murdered unfortunately, and

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Speaker 3: like real life, So yeah, I hear you.

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Speaker 1: Scary movies are It's just not you have to have

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Speaker 1: a real story that we absolutely cannot predict. Yeah, and

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Speaker 1: I think that's gonna like give us more of a

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Speaker 1: scare than scary movie seven and ghost Faces here and

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Speaker 1: this that and the third and you know.

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Speaker 2: I know I'm sick because like the only shit that

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Speaker 2: scared me is shit. I can't fight like Nigga the

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Speaker 2: chainsaw fight. You Like, I got a chance even if

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Speaker 2: I died trying, I got a chance. But like some

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Speaker 2: supernatural shit, that's yeah, like some shit I need a

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Speaker 2: priest for all right now, I'm terrified.

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Speaker 3: Yeah, yeah, because the like the real life type of

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Speaker 3: scary movies are definitely like only target liberals, because there's

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Speaker 3: no ways, like why in every the Second Amendment law

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Speaker 3: should kick in at some point in these movies. Yeah,

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Speaker 3: if there's a serial kill on the loose, nobody has

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Speaker 3: a gun. Yeah, he's walking at that pace for this

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Speaker 3: long and no one thought firearm.

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Speaker 1: No cops, no nothing around like this is not this

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Speaker 1: isn't real, Like you can't do nothing without police pulling

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Speaker 1: up now. So yeah, I don't know, it was it

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Speaker 1: was cool. I guess if you're a scary movie you know,

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Speaker 1: like part of that like Hive where you know, they

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Speaker 1: have like a whole high people like watch every series,

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Speaker 1: and if you're one of those, I'm guessing you might

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Speaker 1: have enjoyed it. But it was okay for me, it wasn't.

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Speaker 3: It wasn't all of that I saw on Twitter. I

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Speaker 3: don't know if it was real or not. But there

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Speaker 3: was a trailer for Scary Movie seven or whatever one

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Speaker 3: we're on at this point, and they were making fun

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Speaker 3: of screaming it again Scary Movie six.

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Speaker 1: So they're releasing these in conjunction. It seems like now

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Speaker 1: that would be the smart play.

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Speaker 3: Yeah, yeah, but yeah, I did see they start with

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Speaker 3: a transgender joke, so everyone was upset about it. But

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Speaker 3: I don't know the actual date, but it has everyone

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Speaker 3: from the original caste.

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Speaker 1: So you know another fifty plus you old woman? At you,

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Speaker 1: Regina Hall? Did I did I say? Did I put

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Speaker 1: it in the absolute section? Baby? Sure you did? Yeah,

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Speaker 1: Regina Hole, absolutely, I think that goes without fifty plus? Yeah? Absolutely, thing.

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Speaker 1: She looks amazing.

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Speaker 3: It was a lot of music going on this weekend.

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Speaker 3: Where do we want to begin? Do we want to

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Speaker 3: we want to start with?

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Speaker 1: Uh? This this TI and fifty thing? Do we want

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Speaker 1: us to get with? This? Is to get get it

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Speaker 1: out of the way? How much longer do we got

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Speaker 1: on this? Though? Seriously, baby, I thought the clock was

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Speaker 1: on last Monday. You know what, Let me tell y'all.

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Speaker 1: Let me tell you what I don't now. I got

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Speaker 1: Benzino wearing T shirts. Yeah, let me tell you what

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Speaker 1: I don't like about this fifty T I thing because y'all,

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Speaker 1: y'all came in here or I don't know if y'all

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Speaker 1: said it, but I've seen people on line fifty gotta respond,

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Speaker 1: fifty got to palm what about it? But why like

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Speaker 1: why did he have to respond? And not only that,

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Speaker 1: this is another thing that I didn't like about this

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Speaker 1: whole thing. Isn't TII comedian? Why he just couldn't keep

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Speaker 1: controlling keeping jokes because he's a rapper too. Yeah, but

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Speaker 1: fifty ain't put out a record to him. He posted

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Speaker 1: a picture of his wife like ti I just had

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Speaker 1: a comedy special, just had one. He's he's a comedian, Like,

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Speaker 1: he's all the way a comedian. He's more of a

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Speaker 1: funny guy than fifty.

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Speaker 3: At this point, he should do like pop ups the

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Speaker 3: way Chappelle did, and like maybe do a set of.

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Speaker 1: What about what about doing skits on Instagram? This and fifty?

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Speaker 1: What about doing a skit.

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Speaker 3: Like my name's tip, but here's another tip crimestoppers dot

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Speaker 3: com like something like that.

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Speaker 1: What about that, like one of those skits. I'm just saying,

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Speaker 1: I just a real rapping I just think in the

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Speaker 1: fact that Ti I just put out a song, he

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Speaker 1: had a song with uh Pharrell.

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Speaker 3: Produced it, right, which is great, and it's doing numbers. No,

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Speaker 3: it's it's actually a very popular.

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Speaker 1: No listen, So I understand why t I would get

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Speaker 1: into it. Behooves the business. Mad at rappers rapping? I'm

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Speaker 1: not mad at that, but it behooves the business to

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Speaker 1: get it to a back and forth foot fifty knowing

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Speaker 1: that I have a new song produced by Pharrell available

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Speaker 1: now DSPs. It all helps the brand and the King family.

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Speaker 1: It helps, it helps, it helps the family hustle, right

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Speaker 1: of course, So we understand that. I'm just saying how

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Speaker 1: much longer do we have for this though? Because I

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Speaker 1: get it. You know Demani is in it, and you

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Speaker 1: know Demani shit is only hitting when King put his

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Speaker 1: pen to it. You know that you mean other way?

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Speaker 1: You mean King shit only hitting when Demonic whenever, whichever,

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Speaker 1: when they put out a song, I'm gonna always flipp it.

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Speaker 1: Demani just put out a joint. King put his pen

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Speaker 1: to it.

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Speaker 3: Is is Demani DIGGI and then King is Jojo. I

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Speaker 3: think Demani is older, I know, but Diggy was the

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Speaker 3: better rapper. No dispected Jojo, but he's more King in

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Speaker 3: this situation.

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Speaker 1: Okay, yeah, even though he's the older brother. How many

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Speaker 1: kids does t I have? Uh?

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Speaker 2: So they have the family man family. They have seven

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Speaker 2: all together. They have seven all together.

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Speaker 1: This is gonna be a battle. Ye have seven? Only

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Speaker 1: two kids have released thiss trucks. We got five. Yeah,

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Speaker 1: I'm just listen and listen, I get it. Don't don't

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Speaker 1: let tany get a sheet of paper. I get listen,

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Speaker 1: I get and get the girls together. I get it.

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Speaker 1: But how much how much more time do we have

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Speaker 1: for this stuff? Like? I get it, I understand. Let's

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Speaker 1: let's let's capitalize off the moment. Salute to the hustle's

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Speaker 1: grand hustle, his family hustle. I'm not mad at the hustle.

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Speaker 1: I'm just saying, how much longer do we have before

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Speaker 1: we like, all right, we can move on from this.

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Speaker 1: That's what I'm until. Why why are you calling?

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Speaker 2: Because you niggas is so? This is why they be saying,

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Speaker 2: y'all got New York bias.

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Speaker 1: This is why.

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Speaker 2: Because even with everything that's going on, play the Money's disc,

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Speaker 2: Play the Money's disc.

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Speaker 1: The Moni's disc is fire, bro, the Moni. We have this.

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Speaker 2: First of all, I knew that, Yes, I knew that

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Speaker 2: the Money was a good rapper. Yes, I want to

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Speaker 2: make that he doesn't get that. He doesn't get the

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Speaker 2: you know, not as many people know how good he is.

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Speaker 2: But this is now an opportunity. Everybody is seeing, Oh nahr,

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Speaker 2: this nigga's nice, Like t I got this nigga like

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Speaker 2: this is his seed, Yes it is. This nigga is nice.

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Speaker 2: But now it's how long do we got for this?

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Speaker 2: Like y'all be asking for real rap all day long,

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Speaker 2: like we're the real rappers. There's a lack of talent.

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Speaker 2: There's a lack of talent. The talent comes, now it's

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Speaker 2: how long do we.

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Speaker 1: Have for this? I'm not mad if Demandi puts out mute,

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Speaker 1: but like I'm just something ull with this whole Ti

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Speaker 1: and his family versus fifty three? How much long do

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Speaker 1: we have for this?

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Speaker 3: And Demani is a great rapper and rapped really well

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Speaker 3: on his Miss Jackson disc. But can I say that

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Speaker 3: there's a lack of creativity because this is just some

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Speaker 3: diet Meet the Grahams bullshit.

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Speaker 2: Now, every time somebody comes at somebody's mom, now it's

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Speaker 2: meeting No.

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Speaker 3: No, no, no, this is all right, James, Now you're

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Speaker 3: playing semantic games. You know for a fact this is

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Speaker 3: just a diet Meet the Grams. It's the exact same time.

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Speaker 1: How is this a diet meet the great Just go

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Speaker 1: listen to Meet the Grahams and then go listen to

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Speaker 1: Miss Jackson. It's the same thing.

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Speaker 3: Trying to do the psychological breakdown of your past and

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Speaker 3: this and that. Like he's even whispering the way Kendrick did.

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Speaker 3: It's the same things, right. And also I'm the old head,

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Speaker 3: Get off my lawn. I've already seen Jadakiss and Styles

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Speaker 3: Piece smoked the Miss Jackson beat against fifty.

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Speaker 1: I don't need to hear it again. I don't did

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Speaker 1: they addresses? I'm in there and Ghosts already did that,

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Speaker 1: and it's one of the greatest This was of wall time. Okay, Demani,

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Speaker 1: I think is more talented than just saying, you know

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Speaker 1: what meet the Grahams happened. Let me just go do

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Speaker 1: that and with with Fifty's entire life that he's already

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Speaker 1: told us about. I just want to have how much

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Speaker 1: more time? Whatever? Bro? That's hate. I'm like, I'm gonna

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Speaker 1: call it.

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Speaker 2: That's hey, before anybody else call you hatter, I'm gonna

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Speaker 2: call you a hater first.

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Speaker 1: That's he hate. That's it. You not as loud with it.

432
00:18:45,160 --> 00:18:49,560
Speaker 1: He's hating. How am I hate? He's hating? That's hate? Bro?

433
00:18:49,720 --> 00:18:51,639
Speaker 1: I hate, Bro. I've been saying I hated it. I

434
00:18:51,680 --> 00:18:53,840
Speaker 1: just how much time we got left for it? That's fine?

435
00:18:53,880 --> 00:18:56,360
Speaker 1: What he's talking about is hate? That's hate? Oh being

436
00:18:56,480 --> 00:19:01,520
Speaker 1: a diagnost Yeah, that's hate, Bro, that's hate? Okay? Is it?

437
00:19:01,560 --> 00:19:05,000
Speaker 1: Is it accurate? Hate? No? No, that's fine. I could

438
00:19:05,000 --> 00:19:05,320
Speaker 1: be a hater.

439
00:19:05,840 --> 00:19:08,800
Speaker 2: So you're telling me that that Miss Meet the Grahams.

440
00:19:08,880 --> 00:19:11,600
Speaker 2: I know, Kendrick Lamar is the first. That's the first

441
00:19:11,760 --> 00:19:13,439
Speaker 2: this song that has ever lied.

442
00:19:15,400 --> 00:19:17,000
Speaker 1: Three things about this one.

443
00:19:17,760 --> 00:19:20,440
Speaker 3: It's like when it's like when Bia did the diet

444
00:19:20,560 --> 00:19:23,399
Speaker 3: like that beat a week after like that came out,

445
00:19:23,440 --> 00:19:25,639
Speaker 3: It's like, Okay, it's a little too on the nose

446
00:19:25,760 --> 00:19:27,199
Speaker 3: of what you're trying to do.

447
00:19:27,320 --> 00:19:28,480
Speaker 1: You're just copying another.

448
00:19:28,560 --> 00:19:30,000
Speaker 2: So is he copying Meet the Grams or is he

449
00:19:30,040 --> 00:19:32,920
Speaker 2: copying Jada kissing them? Because the beat was used by

450
00:19:33,040 --> 00:19:34,639
Speaker 2: Like that's that's an obvious flip.

451
00:19:34,680 --> 00:19:37,560
Speaker 1: That's an obvious disc Adam, Miss Jackson sit at the end,

452
00:19:37,840 --> 00:19:41,400
Speaker 1: the Miss Jackson was the hook.

453
00:19:42,160 --> 00:19:44,320
Speaker 3: I'm not hating When somebody says, are you happy with

454
00:19:44,320 --> 00:19:47,040
Speaker 3: the way he's been holding your family name? I need

455
00:19:47,080 --> 00:19:49,119
Speaker 3: to know because I can't sleep at night thinking you

456
00:19:49,160 --> 00:19:49,720
Speaker 3: died in vain.

457
00:19:50,880 --> 00:19:53,400
Speaker 2: You're yes, you're a hater. Yes, actually yes you're a hater.

458
00:19:53,600 --> 00:19:56,560
Speaker 2: You're definitely a hater. Bro, you're a sleep at night

459
00:19:56,560 --> 00:19:59,920
Speaker 2: thinking about Now we're breaking down every word in a mother.

460
00:20:00,240 --> 00:20:04,120
Speaker 1: I thought it was get the bars. I thought we

461
00:20:04,119 --> 00:20:08,320
Speaker 1: was dissecting the bars. Alright, alright, I'm a hater for

462
00:20:08,400 --> 00:20:10,000
Speaker 1: laughing at Demani losing sleep.

463
00:20:12,400 --> 00:20:15,359
Speaker 3: Now I'm a hater because he lost sleep thinking about

464
00:20:15,400 --> 00:20:16,840
Speaker 3: if Sabrina died in Vain.

465
00:20:17,359 --> 00:20:20,280
Speaker 1: He's tossing and turning. Okay, here's my thing.

466
00:20:20,640 --> 00:20:23,120
Speaker 3: I can't prove this, and you can call me a hater,

467
00:20:23,920 --> 00:20:27,479
Speaker 3: but I can almost guarantee when everyone came in the studio,

468
00:20:28,160 --> 00:20:30,520
Speaker 3: Demani right before you hit space mar said, yo, I

469
00:20:30,520 --> 00:20:32,560
Speaker 3: got him with to meet the graham Ship and hit

470
00:20:32,600 --> 00:20:33,000
Speaker 3: space war.

471
00:20:33,160 --> 00:20:36,480
Speaker 1: Oh my god. I can almost guarantee he was in

472
00:20:36,520 --> 00:20:39,040
Speaker 1: the group chat saying, yo, King did that, I'm gonna

473
00:20:39,040 --> 00:20:41,880
Speaker 1: go to meet the Grams. Approach. I guaranteed it. I'm

474
00:20:41,920 --> 00:20:44,359
Speaker 1: not I'm not mad at that I meet the Grams

475
00:20:44,440 --> 00:20:47,400
Speaker 1: was definitely mentioned in this session one thousand for somebody

476
00:20:47,440 --> 00:20:49,080
Speaker 1: in that session. I don't know if THEMANI said that,

477
00:20:49,200 --> 00:20:52,240
Speaker 1: the engineer said it. Somebody saying you should go this, well,

478
00:20:52,320 --> 00:20:56,080
Speaker 1: go meet the Grahams, go meet the Grams.

479
00:20:56,119 --> 00:20:59,000
Speaker 2: All the am I saying that there's not a similarity

480
00:20:59,040 --> 00:21:02,240
Speaker 2: to the approach. Sure, but you saying he's even whispering

481
00:21:02,240 --> 00:21:04,080
Speaker 2: and that's how the money wraps. But you would know

482
00:21:04,080 --> 00:21:05,639
Speaker 2: that because you don't listen to the money. But that's

483
00:21:05,680 --> 00:21:12,800
Speaker 2: how the money. But this is but I knew. I

484
00:21:12,880 --> 00:21:14,960
Speaker 2: knew the money was good because I've heard the money

485
00:21:14,960 --> 00:21:18,199
Speaker 2: back before I shake the money out, so that I

486
00:21:18,400 --> 00:21:20,359
Speaker 2: so I know, no matter whether I'm his biggest fan

487
00:21:20,480 --> 00:21:21,679
Speaker 2: or not, so I know.

488
00:21:21,720 --> 00:21:23,040
Speaker 1: That that's the way that he raps.

489
00:21:23,080 --> 00:21:24,760
Speaker 2: He didn't just start when you're talking about so he

490
00:21:24,840 --> 00:21:26,080
Speaker 2: just started whispering like Kendrick.

491
00:21:26,160 --> 00:21:29,439
Speaker 1: That's how the nigga rat. I heard him freestyle and

492
00:21:29,440 --> 00:21:31,320
Speaker 1: he did not whisper. Okay, that's a freestyle.

493
00:21:31,440 --> 00:21:33,479
Speaker 2: That's not him making it okay at the end of

494
00:21:33,480 --> 00:21:35,280
Speaker 2: the day, if you want to, I thought you were

495
00:21:35,280 --> 00:21:36,720
Speaker 2: going to come in here and call him a diet,

496
00:21:36,880 --> 00:21:38,880
Speaker 2: a diet three stacks or a diet J Cole.

497
00:21:38,920 --> 00:21:41,199
Speaker 1: He's heard that his whole career. That's whatever I've heard

498
00:21:41,200 --> 00:21:43,000
Speaker 1: the J Cole comparisons. But I actually thought that was

499
00:21:43,560 --> 00:21:44,320
Speaker 1: a compliment. Yo.

500
00:21:44,440 --> 00:21:47,080
Speaker 2: For sure, definitely that's my favoritepper. Of course that's a compliment.

501
00:21:47,119 --> 00:21:48,800
Speaker 2: But if you were to come with that, sure, but

502
00:21:48,840 --> 00:21:51,399
Speaker 2: to say that he was like copying Kendrick with the whispering.

503
00:21:51,040 --> 00:21:52,199
Speaker 1: And to meet the graam ship. That's just the way

504
00:21:52,240 --> 00:21:52,880
Speaker 1: he raps bro.

505
00:21:52,880 --> 00:21:55,280
Speaker 3: And I'm also I'm not mad at flipping Miss Jackson

506
00:21:55,280 --> 00:21:57,240
Speaker 3: just because kiss and it goes.

507
00:21:57,800 --> 00:22:04,879
Speaker 1: That's fine, do that. I just insd meet the grabs.

508
00:22:05,080 --> 00:22:08,040
Speaker 1: What do you want from me? Listen? Man, he wrapped

509
00:22:08,119 --> 00:22:08,440
Speaker 1: is great.

510
00:22:08,480 --> 00:22:10,920
Speaker 3: He broke down to ship these whole psyche And now

511
00:22:10,920 --> 00:22:12,199
Speaker 3: I look at fifty way different.

512
00:22:12,840 --> 00:22:16,879
Speaker 2: Oh my god, y'all you it's I just I just

513
00:22:16,960 --> 00:22:17,600
Speaker 2: like seeing.

514
00:22:17,400 --> 00:22:20,399
Speaker 1: People you hate. Baby, he's a fucking hater. That sh

515
00:22:20,560 --> 00:22:21,640
Speaker 1: They're crazy, and.

516
00:22:21,520 --> 00:22:23,239
Speaker 2: It's I'll be sitting you're trying to defend on when

517
00:22:23,240 --> 00:22:23,720
Speaker 2: people say.

518
00:22:23,640 --> 00:22:26,240
Speaker 1: I have I have New York Biers fifty What do

519
00:22:26,280 --> 00:22:29,119
Speaker 1: you want from Ian? I'm gonna have a bias. I

520
00:22:30,080 --> 00:22:31,000
Speaker 1: have a fifty buys.

521
00:22:31,080 --> 00:22:33,840
Speaker 2: Yes, cool, say that, then before preface that, before you

522
00:22:33,880 --> 00:22:38,080
Speaker 2: start hating. Preface that, preface with that saying I'm just having.

523
00:22:37,840 --> 00:22:39,680
Speaker 1: Somebody else is being called to hater that for once.

524
00:22:39,960 --> 00:22:41,200
Speaker 1: They called me a hate every day and I'm like,

525
00:22:41,200 --> 00:22:42,760
Speaker 1: I don't care about none of these niggas enough to

526
00:22:42,760 --> 00:22:45,600
Speaker 1: hate on them. But whatever, go ahead, go ahead and

527
00:22:45,600 --> 00:22:47,320
Speaker 1: hate Up, Get Baby d hate.

528
00:22:47,200 --> 00:22:49,600
Speaker 2: Nash because had he been this is somebody other than

529
00:22:49,600 --> 00:22:51,800
Speaker 2: your fave, you would have been on and this is

530
00:22:51,920 --> 00:22:53,560
Speaker 2: this might have been. This is the greatest thing. We've

531
00:22:53,560 --> 00:22:55,239
Speaker 2: been waiting for real hip hop to come back, and

532
00:22:55,280 --> 00:22:57,600
Speaker 2: it's back. You guys aren't excited it's back.

533
00:22:57,840 --> 00:22:59,800
Speaker 1: No, no, no, no. I don't know if anybody would say

534
00:22:59,800 --> 00:23:02,000
Speaker 1: that about don't gash.

535
00:23:02,040 --> 00:23:02,679
Speaker 2: Up like that.

536
00:23:03,600 --> 00:23:05,320
Speaker 1: I say he's gonna say real hip hop is back

537
00:23:05,359 --> 00:23:07,800
Speaker 1: eighty seven unleaded for sure. But I'm just saying, like,

538
00:23:07,840 --> 00:23:09,120
Speaker 1: I don't think he would say that about them.

539
00:23:09,280 --> 00:23:11,240
Speaker 3: But this, this is where she's wrong when she said,

540
00:23:11,359 --> 00:23:13,280
Speaker 3: if he was this and anyone else but your favor,

541
00:23:13,280 --> 00:23:14,720
Speaker 3: you would love that. I just said, one of the

542
00:23:14,720 --> 00:23:17,439
Speaker 3: greatest dis records of all time is kissing Ghosts on

543
00:23:17,440 --> 00:23:19,679
Speaker 3: the Miss Jackson be against fifty center.

544
00:23:19,760 --> 00:23:22,080
Speaker 1: My favorite. This is an all time guest. He said,

545
00:23:22,359 --> 00:23:26,560
Speaker 1: Checkmate is the greatest ever? Is this in your fave?

546
00:23:26,680 --> 00:23:29,040
Speaker 1: Of course you're gonna pick like the game three hundred

547
00:23:29,080 --> 00:23:32,119
Speaker 1: bars and running. It should be in the fucking museum.

548
00:23:32,160 --> 00:23:34,400
Speaker 1: Another one of your faves. But he's not from New York.

549
00:23:34,800 --> 00:23:37,800
Speaker 1: He's still one of your faves. It's Okay, you have biases,

550
00:23:37,840 --> 00:23:40,600
Speaker 1: That's what we all do. I just want the club.

551
00:23:40,640 --> 00:23:42,080
Speaker 1: I just want to know how much time back. I

552
00:23:42,119 --> 00:23:46,040
Speaker 1: love who else? Everyone dis fifty between fifty and well T.

553
00:23:47,200 --> 00:23:49,840
Speaker 2: The OMG girls might come for that ass next, who knows,

554
00:23:50,960 --> 00:23:51,720
Speaker 2: who knows.

555
00:23:52,040 --> 00:23:54,680
Speaker 3: I think it's kiss fifty like cared about rapping because

556
00:23:54,720 --> 00:23:56,679
Speaker 3: the amount of flips you could do with escape is

557
00:23:56,720 --> 00:23:59,920
Speaker 3: fucking unbelievable. Like, can someone say I wish Banks and

558
00:24:00,080 --> 00:24:03,040
Speaker 3: him were still friends? Can somebody step in?

559
00:24:03,960 --> 00:24:06,919
Speaker 1: No? I don't think anybody needs to step in on this.

560
00:24:06,960 --> 00:24:08,840
Speaker 1: I think I think it's like, Okay, cool, we heard

561
00:24:08,880 --> 00:24:13,120
Speaker 1: from t I, we heard from King, we heard from Demani. Dope,

562
00:24:13,600 --> 00:24:16,439
Speaker 1: got your ship off? Cool. I think that's cool. I

563
00:24:16,440 --> 00:24:18,800
Speaker 1: think a family jumping like one rapper. I think that

564
00:24:19,080 --> 00:24:22,080
Speaker 1: a man. Listen, listen, I respect it, I get it.

565
00:24:22,119 --> 00:24:25,000
Speaker 1: I'm just saying like t I is a comedian too,

566
00:24:25,000 --> 00:24:26,840
Speaker 1: though he could have it could have just been jokes.

567
00:24:26,920 --> 00:24:29,320
Speaker 1: If it was, it could have just stayed t I went.

568
00:24:29,200 --> 00:24:32,919
Speaker 2: And made a fucking sketch onto fucking ig like you

569
00:24:32,960 --> 00:24:35,240
Speaker 2: just said you niggas would be clowning him from here

570
00:24:35,720 --> 00:24:36,680
Speaker 2: to fucking.

571
00:24:36,480 --> 00:24:38,360
Speaker 1: It's on brand. He's he's a comedian.

572
00:24:38,440 --> 00:24:43,560
Speaker 3: Now why not the amount of AM fifty could really

573
00:24:43,600 --> 00:24:45,359
Speaker 3: just wrap that. It's crazy.

574
00:24:45,400 --> 00:24:48,200
Speaker 1: Another man brought your family together, like there's so much

575
00:24:48,359 --> 00:24:52,520
Speaker 1: m O here. You write it, then, I mean I'll

576
00:24:52,600 --> 00:24:57,080
Speaker 1: DM it to him left when you pressed it on

577
00:24:57,080 --> 00:24:59,400
Speaker 1: that DM. Let me read the DM you sent fifty.

578
00:25:00,240 --> 00:25:04,920
Speaker 3: No, no context, it would just be boring. I don't

579
00:25:04,920 --> 00:25:08,040
Speaker 3: care if you don't believe me. I think Demani's this

580
00:25:08,119 --> 00:25:08,400
Speaker 3: is good.

581
00:25:08,560 --> 00:25:12,120
Speaker 1: Okay, do you know? I do? I really it's fine.

582
00:25:12,119 --> 00:25:13,560
Speaker 2: Now you got to clean it up, like you know,

583
00:25:13,560 --> 00:25:15,639
Speaker 2: we was off cameras, fine, how how do you feel it?

584
00:25:15,640 --> 00:25:21,600
Speaker 2: Offside highs were getting right to that.

585
00:25:24,000 --> 00:25:26,720
Speaker 1: I didn't know we was going right there, baby, let's

586
00:25:26,800 --> 00:25:28,560
Speaker 1: just stay on. This is all right?

587
00:25:28,640 --> 00:25:32,840
Speaker 3: Well okay, well, I believe MANI is a great rapper.

588
00:25:34,880 --> 00:25:37,280
Speaker 3: When a Bentley pulls up next to a Chrysler.

589
00:25:37,040 --> 00:25:40,639
Speaker 2: Oh yeah, the different these bars.

590
00:25:39,880 --> 00:25:43,720
Speaker 1: It's about the jet. I'm not talking about the JIT.

591
00:25:45,920 --> 00:25:47,680
Speaker 1: Did you listen to the whole song? Because the song

592
00:25:47,760 --> 00:25:49,520
Speaker 1: is not a J cold Is there a J Cole

593
00:25:49,640 --> 00:25:52,320
Speaker 1: slight in it? For sure? For sure? Yeah, But it's

594
00:25:52,400 --> 00:25:54,679
Speaker 1: also seven minutes of the greatest fucking rapper I've heard

595
00:25:54,720 --> 00:25:59,160
Speaker 1: in quite some time. It's no demany on Miss Jackson.

596
00:25:59,320 --> 00:26:02,800
Speaker 1: But see it's the money. And then there's like, because

597
00:26:02,800 --> 00:26:06,119
Speaker 1: you got Ruth Chris is you know, I mean you

598
00:26:06,160 --> 00:26:08,760
Speaker 1: got Ruth Chris, you got different steakhouses. But then there's

599
00:26:08,840 --> 00:26:12,000
Speaker 1: just like you know, the upper echelon of the steakhouses,

600
00:26:12,040 --> 00:26:14,800
Speaker 1: like this is what Saha does. He's a he's a wordsmith,

601
00:26:14,840 --> 00:26:17,800
Speaker 1: he's a he's a ball technician. Like Saha is one

602
00:26:17,800 --> 00:26:20,560
Speaker 1: of the best rappers that we've ever had, like by far.

603
00:26:20,840 --> 00:26:23,320
Speaker 1: And I think that on on this is it Lost Control?

604
00:26:24,400 --> 00:26:28,120
Speaker 1: Uh yeah, on this Lost Control record, he displayed that

605
00:26:28,200 --> 00:26:30,760
Speaker 1: like he's one of the best rappers. No, it's not

606
00:26:30,800 --> 00:26:32,800
Speaker 1: a lot of it's not the only thing. The only

607
00:26:33,080 --> 00:26:35,439
Speaker 1: my only nine Saha is that's my nigga. But my

608
00:26:35,520 --> 00:26:39,200
Speaker 1: only knock on Sahia is that he doesn't have the

609
00:26:39,240 --> 00:26:42,560
Speaker 1: material that a lot of these other people that we

610
00:26:42,600 --> 00:26:44,719
Speaker 1: think are the best mcs and the best rappers have.

611
00:26:45,080 --> 00:26:48,240
Speaker 1: He doesn't. His his output is not as high as

612
00:26:48,280 --> 00:26:50,119
Speaker 1: a lot of these other artists. But as far as

613
00:26:50,160 --> 00:26:52,679
Speaker 1: just rapping, there's not a lot of rappers that could rap.

614
00:26:54,240 --> 00:26:57,520
Speaker 3: I hear you with the output. But no dope on

615
00:26:57,560 --> 00:26:59,959
Speaker 3: Sundays is to me a classical album.

616
00:27:00,040 --> 00:27:01,160
Speaker 1: Yeah, but that was what two years ago.

617
00:27:01,480 --> 00:27:03,640
Speaker 3: Yeah, but I mean it appears that he is rolling

618
00:27:03,640 --> 00:27:05,720
Speaker 3: something out because we got no competition twelve days ago.

619
00:27:06,200 --> 00:27:08,160
Speaker 1: Then we get lost control.

620
00:27:09,280 --> 00:27:12,760
Speaker 3: And it feels like these are more Lucy's where he's

621
00:27:12,800 --> 00:27:15,679
Speaker 3: just wrapping through. But this seems to be somewhat of

622
00:27:15,720 --> 00:27:19,120
Speaker 3: a rollout. So he had tweeted the that I grew

623
00:27:19,160 --> 00:27:21,960
Speaker 3: up in an era where you're a lyricist from the streets,

624
00:27:22,000 --> 00:27:22,920
Speaker 3: not a bunch of college kids.

625
00:27:22,960 --> 00:27:24,600
Speaker 1: Whatever. We talked about that before.

626
00:27:26,080 --> 00:27:28,520
Speaker 3: Then on the twenty sixth, he said, I wasn't talking

627
00:27:28,520 --> 00:27:31,360
Speaker 3: about j Cole saw how you my man's but you definitely.

628
00:27:31,000 --> 00:27:36,080
Speaker 1: Were like me. If he said he wasn't thet he

629
00:27:36,280 --> 00:27:38,720
Speaker 1: was never heard you are. But it's okay. If he

630
00:27:38,960 --> 00:27:41,919
Speaker 1: said he wasn't, we gotta take that. What's wrong. If

631
00:27:41,920 --> 00:27:44,080
Speaker 1: he was no, it's nothing wrong. But that's what I'm saying.

632
00:27:44,119 --> 00:27:46,240
Speaker 1: That's why if he's said he wasn't, then he wasn't,

633
00:27:46,280 --> 00:27:49,520
Speaker 1: because obviously he has no problem going that cold obviously,

634
00:27:50,000 --> 00:27:51,480
Speaker 1: So that's what I'm saying. If he said he wasn't,

635
00:27:51,520 --> 00:27:54,240
Speaker 1: I believe him because then he gives us lost control.

636
00:27:54,440 --> 00:27:57,520
Speaker 3: So from that tweet, whatever, it was then on the

637
00:27:57,560 --> 00:27:59,199
Speaker 3: twenty six he said, I wasn't talking about Jay Cole,

638
00:27:59,200 --> 00:28:01,040
Speaker 3: but sent y'all remind to me, and then put a

639
00:28:01,080 --> 00:28:05,840
Speaker 3: snippet out with this, which, outside of it being an

640
00:28:05,880 --> 00:28:09,480
Speaker 3: amazing display of rapping, he did say he needed to

641
00:28:09,480 --> 00:28:12,680
Speaker 3: get him back for the False Prophets record, which, for

642
00:28:12,760 --> 00:28:15,920
Speaker 3: those that don't know Cole was dissing, well, not this.

643
00:28:16,240 --> 00:28:18,920
Speaker 3: Cole was explaining where he felt Kanye West was at

644
00:28:18,920 --> 00:28:21,359
Speaker 3: the time in the False Prophets record, and in that

645
00:28:21,440 --> 00:28:24,040
Speaker 3: record he described that maybe the people around him are

646
00:28:24,040 --> 00:28:26,600
Speaker 3: too scared to bring up that you're falling off and

647
00:28:27,000 --> 00:28:30,560
Speaker 3: you whack and I can see Hi taking offense to that,

648
00:28:31,080 --> 00:28:32,520
Speaker 3: like you trying to make me out to be some

649
00:28:32,640 --> 00:28:33,680
Speaker 3: yes man this and that.

650
00:28:34,400 --> 00:28:37,159
Speaker 1: But that's how I was around. Yeah, he's right, especially

651
00:28:37,160 --> 00:28:38,479
Speaker 1: around that time with him.

652
00:28:38,560 --> 00:28:41,840
Speaker 3: Yeah, at this point, no one's going to tell him

653
00:28:41,880 --> 00:28:43,480
Speaker 3: like y'all have a bunch of yes men around him.

654
00:28:43,680 --> 00:28:46,160
Speaker 3: Is what someone could take from what Cole said.

655
00:28:46,400 --> 00:28:49,880
Speaker 1: How long ago was that Bruh went a false Prophets.

656
00:28:50,440 --> 00:28:52,720
Speaker 1: I'm looking it up right now. That was a while ago.

657
00:28:52,920 --> 00:28:55,440
Speaker 1: I hit dog non holland I mean shit, So how

658
00:28:55,440 --> 00:28:57,440
Speaker 1: I was holding he was holding that in He was like, Okay,

659
00:28:57,440 --> 00:29:00,760
Speaker 1: I'm not gonna forget that. I heard you to me.

660
00:29:00,920 --> 00:29:04,760
Speaker 1: That's really where that tweet twenty sixteen, ten years ago. Okay,

661
00:29:06,960 --> 00:29:09,760
Speaker 1: so let me ask you guys, this is there two

662
00:29:09,840 --> 00:29:16,080
Speaker 1: six Wow, he was waiting, He was waiting and six

663
00:29:16,200 --> 00:29:21,560
Speaker 1: on the twenty sixth February two, twenty six exactly. Who's

664
00:29:21,560 --> 00:29:23,160
Speaker 1: the two sixth? God? Now? I think his name is

665
00:29:23,160 --> 00:29:25,840
Speaker 1: Sahi the Prince. Listen, this is some high level rap,

666
00:29:25,880 --> 00:29:29,040
Speaker 1: baby d This is high level bars. This is high

667
00:29:29,120 --> 00:29:31,960
Speaker 1: level bars. That's what's up. These is high level yo.

668
00:29:32,080 --> 00:29:35,160
Speaker 1: You I ain't gonna say it, yeah, but it sounds

669
00:29:35,160 --> 00:29:36,640
Speaker 1: like I feel like you want to you want to

670
00:29:36,680 --> 00:29:38,840
Speaker 1: hate me. I'm not gonna call you a yoh who

671
00:29:39,040 --> 00:29:40,840
Speaker 1: you can never hate outside being a good rapper.

672
00:29:40,880 --> 00:29:44,160
Speaker 3: Okay that it was high level bars throughout the record.

673
00:29:44,240 --> 00:29:47,080
Speaker 3: I think they were just slight low jabs at cold

674
00:29:47,080 --> 00:29:49,640
Speaker 3: that spar session, he said it, dam this is just rap.

675
00:29:49,680 --> 00:29:51,800
Speaker 3: It's just a little spar session. You were scared of

676
00:29:51,800 --> 00:29:54,959
Speaker 3: our good brother and that grand national. Why shouldn't new

677
00:29:55,080 --> 00:29:57,320
Speaker 3: you and that little Honda was gonna have to collide?

678
00:29:58,320 --> 00:30:00,440
Speaker 1: All right? My question to the run, high level for sure,

679
00:30:00,920 --> 00:30:06,560
Speaker 1: said that was a solution. Now you hear. Now you

680
00:30:06,560 --> 00:30:13,760
Speaker 1: put up to the ATM, you that hate you ATM,

681
00:30:13,880 --> 00:30:17,400
Speaker 1: pull that cash out to HATM. Now my question to y'all,

682
00:30:17,400 --> 00:30:21,200
Speaker 1: because y'all are like super J. Cole fans, right, does J.

683
00:30:21,400 --> 00:30:28,800
Speaker 1: Cole have to respond it was too light? He doesn't

684
00:30:28,840 --> 00:30:30,800
Speaker 1: have to because it was too late. Do I want

685
00:30:30,840 --> 00:30:33,400
Speaker 1: him to yes? Baby D.

686
00:30:35,040 --> 00:30:38,280
Speaker 2: I have said a million times, when spread Freddy, when Freddy.

687
00:30:38,000 --> 00:30:41,680
Speaker 1: Gibbs, he was about to come spready Gibbs. Yeah, maybe

688
00:30:41,720 --> 00:30:43,440
Speaker 1: we're not doing that. I heard the spread you was

689
00:30:43,440 --> 00:30:45,200
Speaker 1: about to do. Spread you about to come spready gives

690
00:30:45,200 --> 00:30:45,760
Speaker 1: Freddy Gibbs.

691
00:30:45,800 --> 00:30:48,880
Speaker 2: Okay, Freddie Gibbs with shooting at cold. I have already

692
00:30:48,880 --> 00:30:52,080
Speaker 2: said Cole cannot respond to anybody. It is a lose

693
00:30:52,200 --> 00:30:54,680
Speaker 2: lose situation that he has handicapped himself.

694
00:30:54,680 --> 00:30:56,440
Speaker 1: He can't respond to anybody. So no, I don't want

695
00:30:56,480 --> 00:30:58,280
Speaker 1: him to respond. Wait, but when I said that, y'all

696
00:30:58,360 --> 00:31:01,440
Speaker 1: killed me. But what about Cole can't respond? I didn't

697
00:31:01,480 --> 00:31:03,760
Speaker 1: kill you for that. I agree with you. Nah, we

698
00:31:03,800 --> 00:31:05,959
Speaker 1: got I don't know if you agree. I have been

699
00:31:06,000 --> 00:31:08,200
Speaker 1: saying that you never agree with me on nothing. J. Cole.

700
00:31:12,960 --> 00:31:14,600
Speaker 1: He can't like you. Can't respond.

701
00:31:15,000 --> 00:31:17,520
Speaker 2: It's a lose lose situation, so you can do you

702
00:31:17,560 --> 00:31:19,720
Speaker 2: can do whatever you want, but I don't want to

703
00:31:19,720 --> 00:31:21,480
Speaker 2: have to hear people talk about it, So please don't

704
00:31:21,640 --> 00:31:23,920
Speaker 2: like I was like, it's a lose lose situation.

705
00:31:24,120 --> 00:31:26,600
Speaker 1: So way J Cole don't respond to nobody for us

706
00:31:26,600 --> 00:31:28,560
Speaker 1: of his career. That's how I feel I've said that,

707
00:31:28,600 --> 00:31:31,479
Speaker 1: though I've said that, I feel like I said that

708
00:31:31,480 --> 00:31:33,840
Speaker 1: to y'all. Y'all, y'all kill me for that. No, you

709
00:31:33,880 --> 00:31:36,320
Speaker 1: said his career was over and I laughed. I said,

710
00:31:36,760 --> 00:31:40,040
Speaker 1: I said career suicide, meaning like that when somebody when

711
00:31:40,040 --> 00:31:42,680
Speaker 1: the MC challenges and he can't because you can't pick

712
00:31:42,720 --> 00:31:44,520
Speaker 1: and choose, and that look like you're picking and choose exactly.

713
00:31:44,560 --> 00:31:46,400
Speaker 1: I don't remember that being your sentiment, but if you,

714
00:31:46,520 --> 00:31:50,960
Speaker 1: if you feel like that, I'm respecting it. Yeah. So,

715
00:31:51,040 --> 00:31:55,680
Speaker 1: I mean, Cole didn't reply to some favored rappers on.

716
00:31:55,680 --> 00:31:57,800
Speaker 2: The Fall the funniest fuck, But I feel like that

717
00:31:57,840 --> 00:32:00,800
Speaker 2: was hometown ship. Like that's hometown ship, like that's like

718
00:32:00,840 --> 00:32:03,680
Speaker 2: personal ship. That's like arguing with somebody on Facebook, you

719
00:32:03,720 --> 00:32:04,400
Speaker 2: at the high school with.

720
00:32:04,480 --> 00:32:06,440
Speaker 1: Like, but at the same time, no one really gave

721
00:32:06,480 --> 00:32:09,400
Speaker 1: him ship for that. I was actually kind of shocked.

722
00:32:09,040 --> 00:32:13,640
Speaker 3: That the world wasn't like, okay, you do a full disrecord, but.

723
00:32:13,640 --> 00:32:15,600
Speaker 1: Not a lot of people don't even know that that's

724
00:32:15,600 --> 00:32:16,280
Speaker 1: what he's doing.

725
00:32:16,480 --> 00:32:18,760
Speaker 3: Okay, yeah, because that was just that was direct. This

726
00:32:18,840 --> 00:32:22,280
Speaker 3: is too specific rappers and the like. It wasn't really

727
00:32:22,920 --> 00:32:25,000
Speaker 3: something to hide. It was a disrecord.

728
00:32:25,560 --> 00:32:28,760
Speaker 1: Wait, so J Cole does not have to respond, he said,

729
00:32:29,400 --> 00:32:32,200
Speaker 1: tell Saint John, balls just ain't ain't that jaw dropped?

730
00:32:32,200 --> 00:32:34,120
Speaker 1: He was talking. I was talking about Saint John. No,

731
00:32:34,240 --> 00:32:35,760
Speaker 1: he wasn't. He was talking about the guy that went

732
00:32:35,800 --> 00:32:40,080
Speaker 1: to Saint John. Like, I'm just you forgot. I still

733
00:32:40,080 --> 00:32:42,640
Speaker 1: owe you for false prophets. I rap punchlines as hard

734
00:32:42,640 --> 00:32:44,800
Speaker 1: as Bernard Hopkins. There ain't no yes man over here.

735
00:32:44,880 --> 00:32:45,600
Speaker 1: My dog stop it.

736
00:32:46,120 --> 00:32:49,479
Speaker 3: I mean, these are these are direct responses. I wouldn't

737
00:32:49,480 --> 00:32:50,600
Speaker 3: say they're shots per se.

738
00:32:51,960 --> 00:32:54,600
Speaker 1: Tell Saint John that them raps just ain't that jaw dropping?

739
00:32:55,720 --> 00:32:58,640
Speaker 1: That's challenging the MC's pen. Are we talking about we're

740
00:32:58,640 --> 00:33:01,000
Speaker 1: supposed to You want to disresp like called J Cola

741
00:33:01,160 --> 00:33:02,600
Speaker 1: a bitch or something like that, Like he ain't gonna

742
00:33:02,640 --> 00:33:04,560
Speaker 1: do that. He's just like, Yo, your balls, ain't that

743
00:33:04,640 --> 00:33:06,719
Speaker 1: dope as in MC you were supposed to be like, wait,

744
00:33:06,720 --> 00:33:07,360
Speaker 1: who he told it?

745
00:33:07,440 --> 00:33:07,520
Speaker 2: Now?

746
00:33:07,560 --> 00:33:10,240
Speaker 1: Whole lie, that's just his rap. Like he's like you

747
00:33:10,240 --> 00:33:12,120
Speaker 1: said at the end of the record, is just rap.

748
00:33:12,200 --> 00:33:14,200
Speaker 1: It ain't personal, it ain't be if it ain't none

749
00:33:14,200 --> 00:33:16,120
Speaker 1: of that. It's just bars. That's good.

750
00:33:16,240 --> 00:33:18,520
Speaker 2: But even if he comes and bars side high to

751
00:33:18,560 --> 00:33:20,680
Speaker 2: the gods, even if he was to do that in

752
00:33:20,720 --> 00:33:22,520
Speaker 2: the world he was the coming bar side, none of

753
00:33:22,600 --> 00:33:23,840
Speaker 2: y'all will respect it anyway.

754
00:33:23,920 --> 00:33:25,880
Speaker 1: So what is I wouldn't who wouldn't respect it?

755
00:33:25,920 --> 00:33:27,560
Speaker 3: I was the one that said fifty seving he's a rap.

756
00:33:27,640 --> 00:33:30,600
Speaker 3: Back to t I and now Demani. He's definitely J

757
00:33:30,720 --> 00:33:32,680
Speaker 3: Cole's nephew, but he's losing sleep.

758
00:33:32,760 --> 00:33:34,080
Speaker 1: What are you basing this off? A baby? Why are

759
00:33:34,080 --> 00:33:35,240
Speaker 1: you saying we wouldn't respect it?

760
00:33:35,360 --> 00:33:38,000
Speaker 2: Because y'all gonna say you just said it. Y'all gonna

761
00:33:38,000 --> 00:33:39,320
Speaker 2: say he's picking and choosing.

762
00:33:39,360 --> 00:33:41,320
Speaker 1: You want to say that regardless. But I'm not gonna

763
00:33:41,320 --> 00:33:42,840
Speaker 1: say if his bass is dope. You think I'm gonna

764
00:33:42,840 --> 00:33:43,800
Speaker 1: say his balls ain't dope.

765
00:33:43,920 --> 00:33:46,360
Speaker 2: No, That's not what I'm saying, all right, So conversation

766
00:33:46,520 --> 00:33:49,360
Speaker 2: will always go back to who he didn't respond to

767
00:33:49,480 --> 00:33:50,760
Speaker 2: or who what he what?

768
00:33:51,000 --> 00:33:53,160
Speaker 1: We know we know that like we going into it,

769
00:33:53,200 --> 00:33:55,280
Speaker 1: we know that we know Like Yo, bro, you because

770
00:33:55,280 --> 00:33:57,760
Speaker 1: now anybody was fond to speaking and choosing exactly wouldn't

771
00:33:57,760 --> 00:33:59,680
Speaker 1: respond to this dude. But you was spond to that dude. Cool.

772
00:34:00,000 --> 00:34:01,400
Speaker 1: But we're not gonna sit here and be like the

773
00:34:01,440 --> 00:34:04,160
Speaker 1: bars is whack just because he picking and choose it.

774
00:34:04,400 --> 00:34:06,240
Speaker 1: If you go in there and fire SA high up,

775
00:34:06,320 --> 00:34:08,960
Speaker 1: we're gonna be like Yo, Cole and crap, Sahai, it's

776
00:34:09,040 --> 00:34:11,879
Speaker 1: on you. This is just like it is just rap

777
00:34:11,920 --> 00:34:15,000
Speaker 1: and it's not personal. I don't think hates J Cole

778
00:34:15,120 --> 00:34:17,719
Speaker 1: has b for them. It's just personal. Like Yo, I

779
00:34:17,760 --> 00:34:20,120
Speaker 1: just don't think you that dope like you. I'm saying

780
00:34:20,120 --> 00:34:22,720
Speaker 1: you were scared of our good brother and that grand national.

781
00:34:24,160 --> 00:34:26,080
Speaker 1: You're gonna you should have known that Honda was gonna

782
00:34:26,080 --> 00:34:28,640
Speaker 1: have to collide, like sooner or later, you're gonna have

783
00:34:28,719 --> 00:34:31,120
Speaker 1: to step in front of another MC as MC's you're

784
00:34:31,120 --> 00:34:32,319
Speaker 1: gonna have. That's what you gotta do.

785
00:34:32,520 --> 00:34:35,360
Speaker 2: And but okay, so what do y'all think Sihai is

786
00:34:35,440 --> 00:34:38,160
Speaker 2: doing this for? Because I think we can all agree.

787
00:34:38,200 --> 00:34:42,160
Speaker 2: As talented as Hi is, he knows because he's so talented.

788
00:34:42,160 --> 00:34:42,880
Speaker 1: He knows talent.

789
00:34:43,320 --> 00:34:45,640
Speaker 2: He knows that Jay Cole is not the bars ain't

790
00:34:45,640 --> 00:34:48,239
Speaker 2: all like you like you?

791
00:34:48,280 --> 00:34:51,120
Speaker 1: Maybe he feel like it's not. I'm just saying when

792
00:34:51,120 --> 00:34:53,480
Speaker 1: you when you're at MC, you look at other m

793
00:34:53,520 --> 00:34:56,680
Speaker 1: c's differently. You look at their bars differently, you look

794
00:34:56,719 --> 00:34:59,800
Speaker 1: at their entendres and all the ability to write diffinitely

795
00:35:00,000 --> 00:35:02,440
Speaker 1: as a writer. Saha. As a writer, he writes for himself,

796
00:35:02,520 --> 00:35:05,239
Speaker 1: rights for other rappers, other artists. So he probably looking

797
00:35:05,280 --> 00:35:08,000
Speaker 1: at Cole like his balls ain't that layered? His balls

798
00:35:08,040 --> 00:35:10,520
Speaker 1: ain't that like Cole? Like? He might really feel like that.

799
00:35:10,520 --> 00:35:13,000
Speaker 2: There's so many other niggas who he might who are

800
00:35:13,080 --> 00:35:15,320
Speaker 2: less talented than j Cole that he can say that about.

801
00:35:15,600 --> 00:35:17,200
Speaker 1: But he didn't disc now. But you gotta shoot it

802
00:35:17,280 --> 00:35:19,560
Speaker 1: the best, Yeah, who they say is the best? You

803
00:35:19,600 --> 00:35:21,360
Speaker 1: go to somebody park as a ball? Play baby, yo?

804
00:35:21,400 --> 00:35:23,279
Speaker 1: Who they said the best? Over here? You come on,

805
00:35:23,320 --> 00:35:25,080
Speaker 1: get on the court, get your five. I got my five.

806
00:35:25,280 --> 00:35:26,560
Speaker 1: That's how I go. You don't want to go at

807
00:35:26,560 --> 00:35:28,840
Speaker 1: the nigga they like, y'all. He trash, Let me play him,

808
00:35:28,920 --> 00:35:31,200
Speaker 1: So you ain't gonna play the trash nigga who y'all

809
00:35:31,239 --> 00:35:33,799
Speaker 1: say is the best? All right, come on, I need

810
00:35:33,920 --> 00:35:35,719
Speaker 1: I need to see who y'all best is. Show me, y'all,

811
00:35:35,760 --> 00:35:38,200
Speaker 1: show me, y'all king, this your king. I bet I

812
00:35:38,280 --> 00:35:40,279
Speaker 1: want to smoke on him. Let me see who he at.

813
00:35:40,520 --> 00:35:43,359
Speaker 1: I just think it's again, it's just good. It's good

814
00:35:43,400 --> 00:35:46,200
Speaker 1: for the art of hip hop, for the art of rap,

815
00:35:46,440 --> 00:35:49,120
Speaker 1: for the best mcs to just have a like I said,

816
00:35:49,160 --> 00:35:51,799
Speaker 1: it's not beef. I don't have a beef for Cole.

817
00:35:52,239 --> 00:35:54,200
Speaker 1: He just like, all right, man, like you think you

818
00:35:54,200 --> 00:35:56,840
Speaker 1: you know you're one of those ones. I don't think you.

819
00:35:56,880 --> 00:35:59,760
Speaker 1: I don't think your your balls is that hard. Let's see.

820
00:36:00,520 --> 00:36:03,080
Speaker 1: I respect it again. I don't think Cole will respond.

821
00:36:03,800 --> 00:36:06,759
Speaker 1: I think he should. I think he should respond. I

822
00:36:06,760 --> 00:36:10,360
Speaker 1: don't think he's going to respond, though. You don't feel

823
00:36:10,400 --> 00:36:15,000
Speaker 1: like Sahi believes what he wrapped there about Jake Cole.

824
00:36:15,360 --> 00:36:15,960
Speaker 1: I'm asking them.

825
00:36:16,360 --> 00:36:20,479
Speaker 3: I think Sah respects Cole's and to the point that

826
00:36:20,520 --> 00:36:23,000
Speaker 3: he said his name, you're right, he could diss a

827
00:36:23,000 --> 00:36:23,960
Speaker 3: whole bunch of other people.

828
00:36:23,960 --> 00:36:25,640
Speaker 1: Besides not going to diss a bunch of rappers that

829
00:36:25,640 --> 00:36:28,439
Speaker 1: are trash. It's rappers that's not trash that he didn't

830
00:36:28,440 --> 00:36:30,400
Speaker 1: dis well, they didn't. They didn't call him.

831
00:36:30,400 --> 00:36:32,239
Speaker 2: I guess, man, I bring this up even with the

832
00:36:32,360 --> 00:36:36,120
Speaker 2: I bring and I love to stand, I stick. He

833
00:36:36,160 --> 00:36:38,440
Speaker 2: didn't even diss him. He didn't even diss him. He

834
00:36:38,520 --> 00:36:40,800
Speaker 2: said people around Kanye need to tell him that he

835
00:36:40,920 --> 00:36:42,360
Speaker 2: fallen off. He could be talking about he could have

836
00:36:42,360 --> 00:36:45,800
Speaker 2: been talked about Kim Kardashian like, but you took that personally.

837
00:36:46,040 --> 00:36:48,680
Speaker 2: Now you took that personally because you shot at Cole

838
00:36:48,719 --> 00:36:51,680
Speaker 2: in your tweet. Everybody acknowledged it, and now you got

839
00:36:51,680 --> 00:36:53,919
Speaker 2: songs coming out, and now it's well, yeah, since y'all

840
00:36:53,920 --> 00:36:55,239
Speaker 2: brought up Cole, here's a.

841
00:36:55,200 --> 00:36:59,239
Speaker 1: Couple of bars towards if I'm writing somebody's music at

842
00:36:59,239 --> 00:37:02,359
Speaker 1: that exact time, and you say your ship is not

843
00:37:02,400 --> 00:37:04,520
Speaker 1: what it used to be, is falling off as trash,

844
00:37:04,680 --> 00:37:07,080
Speaker 1: And I'm the one right in this and my wrapper brain,

845
00:37:07,320 --> 00:37:09,200
Speaker 1: I'm gonna be like, Yo, what the fuck? Well? You

846
00:37:09,239 --> 00:37:11,680
Speaker 1: had ten years? Why do you Why do you wait

847
00:37:11,760 --> 00:37:12,760
Speaker 1: until so many.

848
00:37:12,640 --> 00:37:14,560
Speaker 2: People have lost respect for me because I bowed out

849
00:37:14,600 --> 00:37:16,759
Speaker 2: of a disc battle when I'm a sitting duck?

850
00:37:16,920 --> 00:37:18,279
Speaker 1: Why do you wait until then? Why do you wait

851
00:37:18,320 --> 00:37:20,799
Speaker 1: ten years? Leave him that way? But clearly you viewed

852
00:37:20,840 --> 00:37:24,040
Speaker 1: J Coles that the thing is this Ja Cole just

853
00:37:24,080 --> 00:37:27,759
Speaker 1: put that project out and inside tweeted something about you

854
00:37:27,760 --> 00:37:30,239
Speaker 1: know Cold Well, he said it wasn't about But this

855
00:37:30,280 --> 00:37:32,040
Speaker 1: is why I respect what I said. It wasn't about him,

856
00:37:32,040 --> 00:37:34,160
Speaker 1: because he had no problem then getting in the booth

857
00:37:34,239 --> 00:37:37,160
Speaker 1: and going that Cold I wasn't talking about him. But

858
00:37:37,239 --> 00:37:39,080
Speaker 1: if y'all feel like I'm talking about him now, I'm

859
00:37:39,080 --> 00:37:39,800
Speaker 1: talking about.

860
00:37:39,760 --> 00:37:43,279
Speaker 2: Tweeted that immediately after the release of The motherfucking fall Off.

861
00:37:43,360 --> 00:37:46,000
Speaker 1: You knew that people would assume there was about Cold.

862
00:37:46,000 --> 00:37:50,320
Speaker 1: It was. It was all. All of that was on purpose.

863
00:37:50,960 --> 00:37:53,080
Speaker 1: All of that was hard. So you think it's cloud chasing,

864
00:37:53,280 --> 00:37:53,560
Speaker 1: I don't.

865
00:37:53,600 --> 00:37:55,240
Speaker 2: I don't want to say I don't like cloud chasing.

866
00:37:55,239 --> 00:37:57,680
Speaker 2: You don't mean you disagree on that. I think it's marketing.

867
00:37:57,719 --> 00:37:59,560
Speaker 1: You think it's performative. I think it's marketing. You think

868
00:37:59,560 --> 00:38:01,560
Speaker 1: it's marketing. I think it's marketing. Can we take that

869
00:38:01,600 --> 00:38:03,640
Speaker 1: away with rapping though, well marketing?

870
00:38:04,000 --> 00:38:07,520
Speaker 3: No, that anyone that just raps at other rappers is

871
00:38:07,560 --> 00:38:08,160
Speaker 3: cloud chasing.

872
00:38:09,200 --> 00:38:11,480
Speaker 1: Nah, we got that because some niggas be clod We know,

873
00:38:12,360 --> 00:38:13,959
Speaker 1: get we got to take that. We're we're not getting

874
00:38:14,040 --> 00:38:15,480
Speaker 1: rid of that. Some of these niggas a cloud the

875
00:38:15,480 --> 00:38:17,160
Speaker 1: bridge is over? Is cloud chasing?

876
00:38:17,680 --> 00:38:21,360
Speaker 3: Like what I don't understand why now this new generation

877
00:38:21,520 --> 00:38:24,399
Speaker 3: is allowed to call an art form that has been

878
00:38:24,440 --> 00:38:27,320
Speaker 3: this way since its inception, is cloud chasing? If another

879
00:38:27,400 --> 00:38:28,560
Speaker 3: rapper wraps at another.

880
00:38:28,440 --> 00:38:30,560
Speaker 1: Rapper, no no, no, but you are on the internet doing

881
00:38:30,560 --> 00:38:32,400
Speaker 1: that ship no here cloud chase? No no no. It's the

882
00:38:32,440 --> 00:38:35,120
Speaker 1: timing of it though, So it's the timinal I think

883
00:38:35,160 --> 00:38:37,480
Speaker 1: the timing of it is when it becomes cloud chasing.

884
00:38:37,719 --> 00:38:40,360
Speaker 1: And if you not, I think if you not on

885
00:38:40,400 --> 00:38:43,759
Speaker 1: a certain level, I think you can't you can't be.

886
00:38:44,360 --> 00:38:45,840
Speaker 1: You got to be on a certain level to go

887
00:38:45,880 --> 00:38:48,560
Speaker 1: at certain people. I believe that you got to be

888
00:38:48,560 --> 00:38:51,279
Speaker 1: at a certain level, a certain skill level, you got

889
00:38:51,320 --> 00:38:52,960
Speaker 1: to be at a certain art level, you got to

890
00:38:52,960 --> 00:38:54,839
Speaker 1: be at a certain you know, music making level.

891
00:38:54,880 --> 00:38:57,160
Speaker 3: But that's only people I'm talking about. I'm not talking

892
00:38:57,160 --> 00:39:00,800
Speaker 3: about that personalities that become rap. I'm talking about rappers.

893
00:39:00,840 --> 00:39:04,719
Speaker 1: Yeah. So but even in that, like you know, to me,

894
00:39:04,840 --> 00:39:06,759
Speaker 1: this is valid only because of what like you said,

895
00:39:06,760 --> 00:39:10,560
Speaker 1: what Cole said on false profits. Now, no matter Ifhaw

896
00:39:10,560 --> 00:39:13,280
Speaker 1: waited ten years or not to respond, it don't matter

897
00:39:13,880 --> 00:39:17,440
Speaker 1: Cole said something on False Prophits years ago that Saha

898
00:39:17,440 --> 00:39:19,719
Speaker 1: I took some type of slight too, felt a little

899
00:39:19,719 --> 00:39:23,719
Speaker 1: way about and was like, nah, I ain't like that,

900
00:39:24,080 --> 00:39:25,600
Speaker 1: and I got it. I still have the don't think

901
00:39:25,640 --> 00:39:29,320
Speaker 1: I forgot about that. Waiting ten years is crazy like

902
00:39:29,400 --> 00:39:33,080
Speaker 1: laying on a nigga for ten years. Like I heard

903
00:39:33,080 --> 00:39:35,480
Speaker 1: what you said in twenty sixteen, fam in twenty twenty

904
00:39:35,520 --> 00:39:38,920
Speaker 1: six I'm on your ass. That's crazy to me. But well,

905
00:39:39,160 --> 00:39:41,640
Speaker 1: we've seen the battles happen twenty years later. Dumb bars

906
00:39:41,680 --> 00:39:42,400
Speaker 1: would have never came out.

907
00:39:42,440 --> 00:39:44,160
Speaker 2: You could have felt, however you felt, if the battle

908
00:39:44,239 --> 00:39:45,680
Speaker 2: never happened, these bars will not come out.

909
00:39:45,680 --> 00:39:45,839
Speaker 1: Bro.

910
00:39:46,200 --> 00:39:48,239
Speaker 2: That's and that's where I'm not going to say about

911
00:39:48,280 --> 00:39:50,520
Speaker 2: somebody about marketing.

912
00:39:50,840 --> 00:39:53,400
Speaker 1: If the fall Off didn't come out, then I'm with you.

913
00:39:53,440 --> 00:39:54,239
Speaker 1: But I don't know.

914
00:39:54,280 --> 00:39:56,480
Speaker 3: If the battle didn't happen, Cole could have been a

915
00:39:56,560 --> 00:39:58,439
Speaker 3: victor in the battle. And I still think Saha would

916
00:39:58,440 --> 00:40:00,279
Speaker 3: have done it if the battle never happened. I still

917
00:40:00,280 --> 00:40:02,799
Speaker 3: think Sahai does this because the fall Off came out.

918
00:40:02,920 --> 00:40:08,480
Speaker 2: Okay, wait ten years yeah, yeah, Okay. Multiple cold albums

919
00:40:08,520 --> 00:40:09,960
Speaker 2: have come out in the past.

920
00:40:09,840 --> 00:40:11,719
Speaker 1: So I wasn't rolling out at the time.

921
00:40:14,000 --> 00:40:15,440
Speaker 2: And this is no. I don't want anybody to take

922
00:40:15,440 --> 00:40:18,839
Speaker 2: this as as any disc to how long how long

923
00:40:18,880 --> 00:40:21,960
Speaker 2: did Cole wait to reply to all the two faille guys?

924
00:40:22,280 --> 00:40:26,040
Speaker 1: Twenty years? Yeah, he probably. I'm not even joking.

925
00:40:26,080 --> 00:40:30,960
Speaker 2: It was at least fifteen years to Fayetteville based album.

926
00:40:31,080 --> 00:40:33,279
Speaker 1: The album is about Fayetteville.

927
00:40:33,719 --> 00:40:38,120
Speaker 2: It's dedicated to his hometown like that, That's why it

928
00:40:38,200 --> 00:40:39,120
Speaker 2: started the way that it's.

929
00:40:39,080 --> 00:40:42,160
Speaker 3: Okay and this is dedicated to Rappin And don't forget that.

930
00:40:42,239 --> 00:40:45,800
Speaker 3: I still owe you from false prophets. Either way, I don't.

931
00:40:45,480 --> 00:40:48,080
Speaker 1: I feel like has to respond, though I feel like

932
00:40:48,120 --> 00:40:50,520
Speaker 1: I feel like he should respond. Let me not say

933
00:40:50,560 --> 00:40:52,880
Speaker 1: have to he should respond. I feel like j Cole

934
00:40:52,920 --> 00:40:56,000
Speaker 1: should respond, but we'll have to see if he does. Indeed,

935
00:40:56,400 --> 00:40:58,880
Speaker 1: you know, jumping the ring with that would be a

936
00:40:58,920 --> 00:41:01,640
Speaker 1: dope and furth thought. I will say that to see

937
00:41:01,680 --> 00:41:02,759
Speaker 1: them too go at it fire.

938
00:41:03,000 --> 00:41:04,800
Speaker 3: I would treat it like a completely different thing. I

939
00:41:04,840 --> 00:41:07,279
Speaker 3: would actually fall say high if he just focused on

940
00:41:07,880 --> 00:41:10,000
Speaker 3: cold dropping out of the battle to me that yeah,

941
00:41:10,080 --> 00:41:11,799
Speaker 3: of course, get bars off on that. But if that's

942
00:41:11,800 --> 00:41:13,560
Speaker 3: your focus, I don't want to hear that. Yeah, find

943
00:41:13,560 --> 00:41:15,359
Speaker 3: a new angle. This would be a completely separate thing.

944
00:41:15,400 --> 00:41:18,000
Speaker 3: If Cole replies, I would like to say that, but

945
00:41:18,040 --> 00:41:20,719
Speaker 3: either way, I don't know. It looks like shas in

946
00:41:20,960 --> 00:41:23,000
Speaker 3: the best shape he's ever been in between no competition.

947
00:41:23,560 --> 00:41:26,359
Speaker 1: Yeah, he is music coming out, so we look forward.

948
00:41:26,440 --> 00:41:29,759
Speaker 1: He's in shape shape hell like I can't wait for

949
00:41:29,760 --> 00:41:30,400
Speaker 1: the album.

950
00:41:30,840 --> 00:41:35,520
Speaker 3: No Maul, what can you do with six hundred dollars?

951
00:41:35,719 --> 00:41:38,160
Speaker 3: Don't answer that, because I know with some devious thoughts,

952
00:41:38,239 --> 00:41:41,600
Speaker 3: but that is boost Mobile proving that you don't have

953
00:41:41,680 --> 00:41:45,120
Speaker 3: to overpay with the major carriers. You can only pay

954
00:41:45,160 --> 00:41:50,440
Speaker 3: twenty five dollars a month forever with their unlimited plan.

955
00:41:50,640 --> 00:41:53,319
Speaker 1: You're saving six hundred dollars. Think of the things you

956
00:41:53,360 --> 00:41:55,000
Speaker 1: can do with that six hundred dollars.

957
00:41:55,280 --> 00:41:59,200
Speaker 3: Stop overpaying and switch to a fair price at boost

958
00:41:59,239 --> 00:42:00,839
Speaker 3: mobile dot com Today.

959
00:42:00,560 --> 00:42:03,279
Speaker 1: More based on average annual single line payment of AT

960
00:42:03,360 --> 00:42:05,839
Speaker 1: and T verizony T mobile customers compared to twelve months

961
00:42:05,880 --> 00:42:08,479
Speaker 1: on the bootm Mobile unlimited plan as of January twenty

962
00:42:08,480 --> 00:42:17,839
Speaker 1: twenty six. For full off of details, visit bootsmobile dot com.

963
00:42:17,920 --> 00:42:19,640
Speaker 1: All right, we got some new music over the weekend,

964
00:42:19,680 --> 00:42:21,520
Speaker 1: of course, I feel like we get new music every

965
00:42:21,760 --> 00:42:23,359
Speaker 1: every weekend. I don't feel like it's one weekend where

966
00:42:23,400 --> 00:42:25,680
Speaker 1: we don't get new rap, new R and B is

967
00:42:25,719 --> 00:42:30,160
Speaker 1: too much shit. It's too much shit? Is there we

968
00:42:30,239 --> 00:42:31,759
Speaker 1: need to take like a month off when nobody could

969
00:42:31,760 --> 00:42:34,799
Speaker 1: put out music. I don't like that. Why. I think

970
00:42:34,800 --> 00:42:36,560
Speaker 1: it gives you a chance to kind of hear everything

971
00:42:36,600 --> 00:42:39,360
Speaker 1: like that came outit you might have missed because Concree

972
00:42:39,400 --> 00:42:40,759
Speaker 1: Boys came out with a new album. Shout out to

973
00:42:40,800 --> 00:42:42,719
Speaker 1: Lo Yachti and the Cruise, Shout out to my guy Blowboat.

974
00:42:43,000 --> 00:42:43,680
Speaker 1: All right, No, I mean it.

975
00:42:43,880 --> 00:42:45,400
Speaker 3: It was tough to get to any music this weekend

976
00:42:45,400 --> 00:42:46,920
Speaker 3: because I couldn't get off the YACHTI freestyle.

977
00:42:46,920 --> 00:42:49,000
Speaker 1: I just have that on repeat now. Lo Yati was

978
00:42:49,040 --> 00:42:53,080
Speaker 1: on bootleg keV and he was talking about how you know,

979
00:42:53,120 --> 00:42:54,879
Speaker 1: he heard sugar Hill Gang and that shit was weak

980
00:42:54,880 --> 00:42:57,239
Speaker 1: as hell, right, And we talked about that they can't

981
00:42:57,280 --> 00:43:00,200
Speaker 1: disrespect the foundation because so much was built on the

982
00:43:00,239 --> 00:43:02,600
Speaker 1: foundation and on the backs of what the sugar Hill

983
00:43:02,640 --> 00:43:04,960
Speaker 1: Gang did and now hip hop being what it is

984
00:43:05,000 --> 00:43:10,160
Speaker 1: today and rap being as global as it is, you

985
00:43:10,200 --> 00:43:15,880
Speaker 1: can't say that YACHTI and then give us your rendition

986
00:43:16,040 --> 00:43:20,040
Speaker 1: of the La Leacas freestyle. It's just just like it

987
00:43:20,080 --> 00:43:23,000
Speaker 1: wasn't a rendition he was on there. I mean, buzzy

988
00:43:23,000 --> 00:43:25,799
Speaker 1: though that what's that the YACHTI we know and love?

989
00:43:27,360 --> 00:43:30,080
Speaker 1: Like who I'm just saying? Was it though? Like that's

990
00:43:30,120 --> 00:43:32,720
Speaker 1: all I'm saying, Like we can't get that on bootlet

991
00:43:32,800 --> 00:43:35,759
Speaker 1: cav of sugar Hill game being weak as hell and

992
00:43:35,800 --> 00:43:39,640
Speaker 1: then get that Leakas freestyle Like it's just like you're

993
00:43:39,640 --> 00:43:42,480
Speaker 1: supposed to go on Likas and do what you know

994
00:43:42,960 --> 00:43:45,200
Speaker 1: nobody has ever done. Like if you're gonna say that

995
00:43:45,239 --> 00:43:47,200
Speaker 1: the sugar Hill gang was weak as hell, that's all

996
00:43:47,239 --> 00:43:52,360
Speaker 1: I'm saying. Where where does that rank against?

997
00:43:52,440 --> 00:43:52,560
Speaker 3: You?

998
00:43:52,600 --> 00:43:55,480
Speaker 1: Lost for words? Are you okay? Are you lost for words?

999
00:43:55,520 --> 00:43:57,160
Speaker 3: I'm trying to be because I was a hater this

1000
00:43:57,200 --> 00:43:58,960
Speaker 3: whole time. I'm trying to find a way because they're

1001
00:43:58,960 --> 00:43:59,960
Speaker 3: gonna think I'm just hating on it.

1002
00:44:00,160 --> 00:44:00,480
Speaker 1: I'm sure.

1003
00:44:01,160 --> 00:44:05,080
Speaker 3: It's like when someone loses in a boxing match. You

1004
00:44:05,120 --> 00:44:05,799
Speaker 3: know they got in the ring.

1005
00:44:06,760 --> 00:44:08,520
Speaker 1: Yeah, that's half the battle, right taking the fight?

1006
00:44:08,719 --> 00:44:11,240
Speaker 3: He went to Leakers, I want to say that existed.

1007
00:44:11,280 --> 00:44:13,840
Speaker 3: He showed up and went in front of the microphone.

1008
00:44:13,960 --> 00:44:14,839
Speaker 3: What happened after that?

1009
00:44:15,239 --> 00:44:17,479
Speaker 1: Yeah?

1010
00:44:17,680 --> 00:44:20,319
Speaker 3: Come on, that's your man. That's my guy, that's my

1011
00:44:20,400 --> 00:44:27,040
Speaker 3: guy moving. Yeah. Why why did he go on La Leakers?

1012
00:44:27,239 --> 00:44:30,640
Speaker 1: Yeah? I mean it's a rollout for the album Conky Boys.

1013
00:44:30,880 --> 00:44:31,440
Speaker 1: Here's my thing.

1014
00:44:31,480 --> 00:44:33,600
Speaker 3: I think Yadi is actually a great marketer, and I

1015
00:44:33,640 --> 00:44:36,920
Speaker 3: think there was some calculation to what he did with

1016
00:44:36,920 --> 00:44:38,799
Speaker 3: the rappers light thing. He knows how to ruffle the

1017
00:44:38,840 --> 00:44:43,440
Speaker 3: feathers of the get off my Lawn Golden Age hip

1018
00:44:43,440 --> 00:44:46,879
Speaker 3: hop crowd. Why he didn't take that opportunity to go

1019
00:44:47,160 --> 00:44:50,680
Speaker 3: on Leakers and rap over the rappers delight beat is

1020
00:44:50,719 --> 00:44:53,319
Speaker 3: beyond me because that would have been I would have

1021
00:44:53,400 --> 00:44:55,480
Speaker 3: listened to the Concrete Boys album had he done that.

1022
00:44:55,880 --> 00:44:57,920
Speaker 3: I'm like, you know what, YACHTI, I don't think you're

1023
00:44:57,920 --> 00:45:02,400
Speaker 3: good at rapping, but boy is that amazing hilarious because

1024
00:45:02,400 --> 00:45:04,680
Speaker 3: that was one of like the where is that rank

1025
00:45:04,719 --> 00:45:06,920
Speaker 3: against like o'melly's freestyling.

1026
00:45:06,800 --> 00:45:09,720
Speaker 1: On sway, don't we see? Don't I want no issues

1027
00:45:09,719 --> 00:45:11,600
Speaker 1: with no no, no no, But don't do that though, don't

1028
00:45:11,600 --> 00:45:15,600
Speaker 1: don't don't compare Yachti's leaguers to o'mell's. Don't do that.

1029
00:45:16,160 --> 00:45:20,040
Speaker 1: Don't do that difference. I respect Onmeley for actually freestyle.

1030
00:45:20,320 --> 00:45:22,240
Speaker 3: Nobody does that for sure, so that's why I'm actually

1031
00:45:22,280 --> 00:45:23,400
Speaker 3: saying it was better than Yach's.

1032
00:45:23,480 --> 00:45:27,120
Speaker 1: I'm not mad at that loo Yachty wrapping over the

1033
00:45:27,160 --> 00:45:30,080
Speaker 1: sugar Hill game. I thought that he might when I

1034
00:45:30,080 --> 00:45:32,160
Speaker 1: saw the leak or ship, I was like, he must

1035
00:45:32,200 --> 00:45:33,960
Speaker 1: have picked that beat. He might need to make that

1036
00:45:34,239 --> 00:45:35,680
Speaker 1: a record. He might need to make that a song.

1037
00:45:35,760 --> 00:45:37,800
Speaker 1: Take that sugar Hill beat and make a record for sure,

1038
00:45:38,160 --> 00:45:40,200
Speaker 1: because I'm not mad at that. Like Yachdy is that

1039
00:45:40,320 --> 00:45:42,960
Speaker 1: type of artist where he takes sounds and things that

1040
00:45:43,040 --> 00:45:45,279
Speaker 1: you know you probably you normally wouldn't see him on

1041
00:45:45,400 --> 00:45:48,080
Speaker 1: and actually does a great job of doing that. So

1042
00:45:48,120 --> 00:45:49,400
Speaker 1: I'm not mad at that's a that's a that's a

1043
00:45:49,440 --> 00:45:54,200
Speaker 1: good take. I didn't listen to the Concrete Boys album.

1044
00:45:54,400 --> 00:45:55,080
Speaker 1: Neither did I.

1045
00:45:55,160 --> 00:45:58,480
Speaker 3: It's Us volume too, And again I don't think Yachti

1046
00:45:58,560 --> 00:46:01,080
Speaker 3: is looking for people like me to like his music.

1047
00:46:01,080 --> 00:46:02,719
Speaker 1: I'm gonna listen to it, though, I just didn't listen

1048
00:46:02,760 --> 00:46:04,520
Speaker 1: to it this weekend, but I'm probably not going to.

1049
00:46:06,040 --> 00:46:09,480
Speaker 1: But I mean, I'm sure it's for somebody. It's not

1050
00:46:09,520 --> 00:46:17,960
Speaker 1: for you, for us, by you, it's not no okay,

1051
00:46:19,400 --> 00:46:21,399
Speaker 1: I did you listen to its Us Funny one? Because

1052
00:46:21,400 --> 00:46:23,080
Speaker 1: I actually did listen to that. I listened to that one,

1053
00:46:23,120 --> 00:46:25,280
Speaker 1: I listened to the last I didn't listen to uh

1054
00:46:25,480 --> 00:46:26,239
Speaker 1: to this latest one.

1055
00:46:26,280 --> 00:46:28,480
Speaker 3: Though it's a bunch of music, it's just not my

1056
00:46:28,560 --> 00:46:30,240
Speaker 3: it's not my pocket. They're just not my pocket.

1057
00:46:30,360 --> 00:46:32,000
Speaker 1: Okay, that's fair, there's nothing wrong with that.

1058
00:46:33,320 --> 00:46:36,799
Speaker 3: I thought about clicking it because its caramel's gone, and like,

1059
00:46:37,280 --> 00:46:39,520
Speaker 3: did you want what they did?

1060
00:46:39,760 --> 00:46:41,160
Speaker 2: We hear what they did without booth.

1061
00:46:42,360 --> 00:46:46,120
Speaker 3: But I also think she's trash.

1062
00:46:46,440 --> 00:46:49,160
Speaker 1: Don't do that? Man? Come on, man, why all right?

1063
00:46:49,360 --> 00:46:52,720
Speaker 1: Can I say that and then not be hate yep Kenny,

1064
00:46:52,760 --> 00:46:55,440
Speaker 1: because when I do it, it's hate. I don't, I don't.

1065
00:46:56,120 --> 00:46:58,680
Speaker 1: I'm just saying whenever I say somebody's trash or something

1066
00:46:58,719 --> 00:47:00,920
Speaker 1: is trash, or song is trash or I didn't like

1067
00:47:01,000 --> 00:47:03,040
Speaker 1: that they called me a fucking hater.

1068
00:47:03,200 --> 00:47:05,160
Speaker 3: I think YACHTI is talented in his own right. I

1069
00:47:05,160 --> 00:47:07,520
Speaker 3: hope Yati sells ten million records. I hope Terrible sell

1070
00:47:07,719 --> 00:47:09,760
Speaker 3: ten million records. I just don't care.

1071
00:47:10,239 --> 00:47:11,520
Speaker 1: He had the hate team.

1072
00:47:11,560 --> 00:47:13,719
Speaker 3: What you give me on the radar, give me your

1073
00:47:14,000 --> 00:47:16,960
Speaker 3: baby on the radar. Ship that she did, I know

1074
00:47:17,040 --> 00:47:19,400
Speaker 3: got like a a. I know it's for somebody. People

1075
00:47:19,480 --> 00:47:20,120
Speaker 3: liked it.

1076
00:47:20,120 --> 00:47:20,799
Speaker 1: It's just not for you.

1077
00:47:20,880 --> 00:47:24,720
Speaker 3: And then when it they exposed that or YACHTI exposed

1078
00:47:24,719 --> 00:47:26,120
Speaker 3: that he wrote it, and I was like, why would

1079
00:47:26,160 --> 00:47:26,800
Speaker 3: you want to take.

1080
00:47:26,640 --> 00:47:33,480
Speaker 1: Credit for that? And just you should have just let

1081
00:47:33,560 --> 00:47:37,400
Speaker 1: her have that one terrible was with the group and

1082
00:47:37,400 --> 00:47:41,440
Speaker 1: then she was gone. And then we saw wrote and

1083
00:47:41,440 --> 00:47:45,760
Speaker 1: then I was like, wait, somebody wrote that. He wrote

1084
00:47:45,800 --> 00:47:50,680
Speaker 1: that down on your notes. Yeah, I thought she was

1085
00:47:50,719 --> 00:47:53,120
Speaker 1: just talking at the moment. Man.

1086
00:47:53,239 --> 00:47:56,160
Speaker 3: Oh but yes, for the people that do fuk with

1087
00:47:56,160 --> 00:47:58,759
Speaker 3: with that style of music, I promise you this is

1088
00:47:58,800 --> 00:48:01,160
Speaker 3: not he shout out to the Concrete Boys, shout out.

1089
00:48:01,360 --> 00:48:04,959
Speaker 3: Probably not going to listen to it, but I did

1090
00:48:05,000 --> 00:48:08,520
Speaker 3: listen to the Foggy Raw album, which did ironically have

1091
00:48:08,640 --> 00:48:10,080
Speaker 3: character for.

1092
00:48:10,040 --> 00:48:12,719
Speaker 1: Real, did she did she? Did she? Did she do

1093
00:48:12,760 --> 00:48:15,080
Speaker 1: her thing? Or was it the song dope? Shout out

1094
00:48:15,080 --> 00:48:18,160
Speaker 1: to Foggy. The song was so good you couldn't fail.

1095
00:48:20,040 --> 00:48:22,560
Speaker 1: I know that she couldn't. She couldn't do bad on

1096
00:48:22,600 --> 00:48:25,000
Speaker 1: the song. The song was that still her still was

1097
00:48:25,080 --> 00:48:27,279
Speaker 1: not for me. Yeah, I get it, but the song

1098
00:48:27,400 --> 00:48:30,479
Speaker 1: is good. But listen that That Foggy album is really

1099
00:48:30,480 --> 00:48:32,319
Speaker 1: really good. Shout out to our god Foggy roll with

1100
00:48:32,320 --> 00:48:35,480
Speaker 1: no due respect out now your DSPs. I went to

1101
00:48:35,520 --> 00:48:38,040
Speaker 1: the listening event here. Yeah, I was out of town.

1102
00:48:38,239 --> 00:48:41,160
Speaker 1: I was in Virginia that weekend when he had to

1103
00:48:41,200 --> 00:48:43,400
Speaker 1: listen to it. But you know, we've been watching Foggy

1104
00:48:43,600 --> 00:48:46,440
Speaker 1: for for a long time, supporting him and for him

1105
00:48:46,440 --> 00:48:49,319
Speaker 1: to be able to put his project out finally was

1106
00:48:49,360 --> 00:48:51,640
Speaker 1: dope to see shout out the Foggy roll with no

1107
00:48:51,719 --> 00:48:53,280
Speaker 1: do with no due respect.

1108
00:48:53,880 --> 00:48:56,600
Speaker 3: Maybe we can table this conversation for for another time,

1109
00:48:56,719 --> 00:48:59,600
Speaker 3: but I think it's safe to say that the d

1110
00:48:59,680 --> 00:49:02,799
Speaker 3: m v us have a sound now. For a long time,

1111
00:49:02,840 --> 00:49:04,160
Speaker 3: that was always the thing, because you know, while it

1112
00:49:04,280 --> 00:49:07,120
Speaker 3: was one of these always had a sound though outside

1113
00:49:07,120 --> 00:49:08,799
Speaker 3: of Go Go, is what I'm saying, like because when

1114
00:49:08,800 --> 00:49:12,480
Speaker 3: while a hit, rightfully so, a lot of his sonics

1115
00:49:12,520 --> 00:49:15,000
Speaker 3: were Go Go based, Okay, because I mean he grew

1116
00:49:15,080 --> 00:49:17,359
Speaker 3: up in the DMV. Yeah, but I feel like they

1117
00:49:17,400 --> 00:49:22,399
Speaker 3: have a sound espect like from what gold Link did,

1118
00:49:22,440 --> 00:49:25,120
Speaker 3: what Brent has done, Like the DMV has had so

1119
00:49:25,239 --> 00:49:29,200
Speaker 3: many amazing artists in the last fifteen years. I can

1120
00:49:29,239 --> 00:49:31,960
Speaker 3: hear the d m V all over this this Fagia.

1121
00:49:32,880 --> 00:49:36,560
Speaker 3: It still sounds like the DMV even when he's experimenting.

1122
00:49:36,640 --> 00:49:39,200
Speaker 1: So the song where he got Larry June was dope. Yeah.

1123
00:49:39,320 --> 00:49:41,120
Speaker 1: I heard that. I they hit that record. I didn't

1124
00:49:41,120 --> 00:49:43,200
Speaker 1: hear the whole album yet, but that song with Larry

1125
00:49:43,280 --> 00:49:44,560
Speaker 1: was was dope yeah.

1126
00:49:44,600 --> 00:49:47,760
Speaker 3: And I mean just the African influence that the DMV

1127
00:49:47,880 --> 00:49:51,440
Speaker 3: has is all over his stuff while they's gold Link stuff.

1128
00:49:52,000 --> 00:49:53,480
Speaker 3: It's it's a really really good project.

1129
00:49:53,719 --> 00:49:56,080
Speaker 1: Got it. I'm gonna check that out tonight. That's my

1130
00:49:56,080 --> 00:50:00,000
Speaker 1: my music, my soundtrack for the night, bage, my soundtrack

1131
00:50:00,080 --> 00:50:01,200
Speaker 1: for the night. Just you know, put that on.

1132
00:50:01,360 --> 00:50:03,279
Speaker 3: Speaking of DMV, the matter still is not listening to

1133
00:50:03,320 --> 00:50:04,440
Speaker 3: Brent album, which is pissed me off.

1134
00:50:04,480 --> 00:50:06,600
Speaker 2: That's not you just made that up. You just all

1135
00:50:06,640 --> 00:50:08,120
Speaker 2: you do is walk around and make shuit up.

1136
00:50:08,200 --> 00:50:13,920
Speaker 3: Christopher Columbus, Did he not discover the country that had

1137
00:50:13,920 --> 00:50:14,400
Speaker 3: people at it?

1138
00:50:14,400 --> 00:50:17,239
Speaker 1: All? Did? Did? It was in our books? You didn't

1139
00:50:17,239 --> 00:50:20,320
Speaker 1: read that. I listened. I listened to the Brent album.

1140
00:50:20,480 --> 00:50:22,240
Speaker 2: What I did want to come in here and say

1141
00:50:22,880 --> 00:50:25,640
Speaker 2: is that after listening to it a couple more times,

1142
00:50:26,160 --> 00:50:31,120
Speaker 2: I understand the appeal. And what I also realize is

1143
00:50:31,160 --> 00:50:33,759
Speaker 2: Brent makes R and B for. I don't want to say,

1144
00:50:33,760 --> 00:50:36,400
Speaker 2: because he has so many female fans. But I understand

1145
00:50:36,440 --> 00:50:38,080
Speaker 2: why men like this project so much.

1146
00:50:39,000 --> 00:50:41,480
Speaker 1: I get it, all right, baby.

1147
00:50:43,840 --> 00:50:46,360
Speaker 2: I never said it that it wasn't for me, and

1148
00:50:46,360 --> 00:50:48,600
Speaker 2: I'm still standing on that, but it was what I

1149
00:50:48,640 --> 00:50:49,359
Speaker 2: was cleaning the crib.

1150
00:50:49,360 --> 00:50:51,400
Speaker 1: It was see what happened When you take THI pictures,

1151
00:50:51,440 --> 00:50:53,600
Speaker 1: you start to hit Breton a little clearer, don't you. Yah?

1152
00:50:53,760 --> 00:50:56,480
Speaker 1: But but as a brand behind some of those photos,

1153
00:50:56,520 --> 00:50:57,080
Speaker 1: and I feel.

1154
00:50:56,880 --> 00:51:00,439
Speaker 2: Like, as a person who cares about lyric is more

1155
00:51:00,480 --> 00:51:04,120
Speaker 2: than music. This is why this album is not for me.

1156
00:51:04,719 --> 00:51:07,439
Speaker 2: But I do like the music on the album is very.

1157
00:51:07,400 --> 00:51:10,239
Speaker 1: Very good. This album is incredible, baby D. I'm just

1158
00:51:10,239 --> 00:51:12,160
Speaker 1: happy that you you're not really listening for the things

1159
00:51:12,160 --> 00:51:14,239
Speaker 1: that I'm listening for. What you're listening for, a baby D,

1160
00:51:14,280 --> 00:51:16,000
Speaker 1: because we might be listening for the same ship. I

1161
00:51:16,040 --> 00:51:17,879
Speaker 1: need some ship that's gonna touch my soul. It didn't

1162
00:51:17,920 --> 00:51:19,600
Speaker 1: touch your soul. Ship that touched you all soul don't

1163
00:51:19,600 --> 00:51:22,960
Speaker 1: touch you haven't found love and all the wrong faces.

1164
00:51:23,000 --> 00:51:25,719
Speaker 1: So you got some faces that's so level, just like

1165
00:51:26,920 --> 00:51:30,839
Speaker 1: very that's very service. Men's love. Men's like not surface level,

1166
00:51:31,600 --> 00:51:33,359
Speaker 1: like oh my god, he's speaking to me. No he's

1167
00:51:33,400 --> 00:51:35,560
Speaker 1: not well, all right, Hold on. I never listened to

1168
00:51:35,600 --> 00:51:38,919
Speaker 1: Bridge that he's speaking for me. Never once said any

1169
00:51:38,920 --> 00:51:41,200
Speaker 1: of these niggas is speaking for me. I just said

1170
00:51:41,200 --> 00:51:47,560
Speaker 1: the album with fire, I speaking for me. I just

1171
00:51:47,600 --> 00:51:49,799
Speaker 1: said the album. I didn't say for you. He ain't

1172
00:51:49,800 --> 00:51:51,560
Speaker 1: speaking to me either. I just said the music the

1173
00:51:51,920 --> 00:51:54,040
Speaker 1: album was fire. I think. I think the album is incredible.

1174
00:51:54,080 --> 00:51:57,080
Speaker 1: The music, the music on the albums, it's really good, incredible, incredible.

1175
00:51:57,120 --> 00:51:59,600
Speaker 1: Shout out to another d m V legend for sure.

1176
00:52:01,120 --> 00:52:04,160
Speaker 3: All right, we're gonna get to the elephant in the

1177
00:52:04,239 --> 00:52:05,600
Speaker 3: room ship.

1178
00:52:05,840 --> 00:52:10,760
Speaker 1: Here we go, the elephant in the room.

1179
00:52:10,800 --> 00:52:14,640
Speaker 3: The quietest Bruno Mars release of all time happened, Oh weekend.

1180
00:52:14,719 --> 00:52:16,520
Speaker 3: Did you guys know that Bruno Mars dropped an album?

1181
00:52:16,600 --> 00:52:20,120
Speaker 1: I forgot. Actually I did not know that. I did

1182
00:52:20,120 --> 00:52:21,680
Speaker 1: not know that until I came into the studio today

1183
00:52:21,680 --> 00:52:23,200
Speaker 1: and you asked me for her Bruno's album, and I

1184
00:52:23,239 --> 00:52:29,279
Speaker 1: was like, I didn't even know you put the album out. Well, no, no,

1185
00:52:29,360 --> 00:52:31,080
Speaker 1: don't do that. Don't take a huff and a puff.

1186
00:52:32,080 --> 00:52:36,719
Speaker 1: Did you listen to the album twice? Twice? Oh? No,

1187
00:52:36,960 --> 00:52:39,000
Speaker 1: I know it's a short album, sure did thirty two minutes,

1188
00:52:39,080 --> 00:52:41,560
Speaker 1: thirty two minutes, But wen I listened to it at

1189
00:52:41,560 --> 00:52:44,960
Speaker 1: a red light. Don't see he's still at the hate

1190
00:52:44,960 --> 00:52:47,560
Speaker 1: t you? Why are you still there? What's going on?

1191
00:52:47,840 --> 00:52:50,000
Speaker 3: I'm hating on traffic laws in New York. It takes

1192
00:52:50,040 --> 00:52:51,279
Speaker 3: thirty minutes to get through a red light.

1193
00:52:51,320 --> 00:52:54,640
Speaker 1: That is true. All right, so you go, because y'all

1194
00:52:54,680 --> 00:52:57,040
Speaker 1: know how I feel about Bruno. So I didn't hear

1195
00:52:57,040 --> 00:52:59,840
Speaker 1: this project yet. Actually, am Lye. Rory played some of

1196
00:52:59,880 --> 00:53:01,840
Speaker 1: his I was not to say I'm the liar now.

1197
00:53:02,120 --> 00:53:03,879
Speaker 1: Rory played some of it while we was getting while

1198
00:53:03,880 --> 00:53:06,120
Speaker 1: we came in early. I put in the group chat,

1199
00:53:06,120 --> 00:53:07,359
Speaker 1: what you mean just on the fire?

1200
00:53:07,360 --> 00:53:11,319
Speaker 2: To me? She just he was playing it just on fire.

1201
00:53:11,360 --> 00:53:12,479
Speaker 2: I haven't listened at all album.

1202
00:53:12,480 --> 00:53:15,319
Speaker 1: But what he was playing this is I know your

1203
00:53:15,360 --> 00:53:18,760
Speaker 1: niggas be confused that you fuck. How you go from Brent?

1204
00:53:19,120 --> 00:53:22,360
Speaker 1: I didn't go from Brent like you don't understand to Nah.

1205
00:53:22,400 --> 00:53:24,600
Speaker 1: This ship was fired, cha chaw was fired. I didn't talk.

1206
00:53:24,600 --> 00:53:26,600
Speaker 2: I'm not talking about I said what I've heard in

1207
00:53:26,640 --> 00:53:28,839
Speaker 2: the office that Rory had played was fired. I didn't

1208
00:53:28,880 --> 00:53:31,520
Speaker 2: hear everything, though, think about the songs that I've heard,

1209
00:53:31,680 --> 00:53:32,000
Speaker 2: all right?

1210
00:53:32,000 --> 00:53:34,200
Speaker 1: Cool? All right? So sore you on the hook of.

1211
00:53:35,239 --> 00:53:37,440
Speaker 3: He said, she working that back. I don't know how

1212
00:53:37,480 --> 00:53:40,359
Speaker 3: to act slow motion for me, slow motion for me.

1213
00:53:40,719 --> 00:53:43,520
Speaker 1: Ship you know, we got that, but not over that though,

1214
00:53:43,880 --> 00:53:46,520
Speaker 1: not over the not that music. You might not be

1215
00:53:46,560 --> 00:53:49,760
Speaker 1: the target audience. Oh I'm definitely not the target audience

1216
00:53:49,760 --> 00:53:53,480
Speaker 1: like brent Is. I mean, Bruno was not targeting me

1217
00:53:53,719 --> 00:53:57,319
Speaker 1: as his audience at all. Now I will say no

1218
00:53:57,360 --> 00:54:01,080
Speaker 1: matter and I'll get back to it. No matter how

1219
00:54:01,080 --> 00:54:03,640
Speaker 1: we feel about Bruno, he's one of the most amazing

1220
00:54:03,719 --> 00:54:08,560
Speaker 1: vocalists we have. You took my only positive thing. Oh shit, sorry, Vocally,

1221
00:54:09,280 --> 00:54:11,240
Speaker 1: it's a lot of dudes can't stand next to Bruno.

1222
00:54:11,320 --> 00:54:16,759
Speaker 1: Bruno's his vocals are incredible, The music is incredible. And

1223
00:54:16,800 --> 00:54:18,880
Speaker 1: I'm gonna pause there and I'm gonna get let Rory go,

1224
00:54:18,960 --> 00:54:20,759
Speaker 1: and then I'm gonna pick up on my thoughts.

1225
00:54:21,320 --> 00:54:23,879
Speaker 3: Because I've been sitting at the Hate TM all day.

1226
00:54:24,120 --> 00:54:27,000
Speaker 3: I was trying to find something positive. This album Bruno

1227
00:54:27,040 --> 00:54:31,240
Speaker 3: Mars the Romantic did prove and remind me that Bruno

1228
00:54:31,320 --> 00:54:32,120
Speaker 3: should be brought up.

1229
00:54:32,080 --> 00:54:38,719
Speaker 1: In these vocalist conversations. Absolutely, Bruno's vocals are absolutely fucking incredible. Agree,

1230
00:54:38,840 --> 00:54:44,640
Speaker 1: his songs just stink? Okay, his songs stink on this. Okay, okay,

1231
00:54:44,719 --> 00:54:47,320
Speaker 1: so on this album, just let's clarify on this. Whoa

1232
00:54:47,320 --> 00:54:50,160
Speaker 1: on this album? And we still spending that baby did

1233
00:54:50,800 --> 00:54:51,759
Speaker 1: We're still banging that shit.

1234
00:54:53,040 --> 00:54:55,640
Speaker 3: I like, why you want to fight? I like on

1235
00:54:55,760 --> 00:54:59,440
Speaker 3: my soul and I like nothing left and after that

1236
00:54:59,440 --> 00:54:59,839
Speaker 3: there's nothing.

1237
00:55:01,280 --> 00:55:02,600
Speaker 1: So that's three out of nine.

1238
00:55:04,239 --> 00:55:08,640
Speaker 3: I guess I'm confused. When was the last solo Bruno

1239
00:55:08,680 --> 00:55:09,280
Speaker 3: Mars album?

1240
00:55:09,680 --> 00:55:12,200
Speaker 2: So twenty sixteen, it will be twenty four care at

1241
00:55:12,200 --> 00:55:13,840
Speaker 2: Magic one of my favorite albums all the time.

1242
00:55:15,080 --> 00:55:17,800
Speaker 1: Now here to argue. Magic was a great album, great album.

1243
00:55:20,040 --> 00:55:22,839
Speaker 3: Ten years it took to give us this thirty two

1244
00:55:22,880 --> 00:55:25,440
Speaker 3: minutes that I think Bruno Mars could make in a weekend.

1245
00:55:26,400 --> 00:55:27,839
Speaker 1: He might have made it in the weekend. He did

1246
00:55:27,960 --> 00:55:36,239
Speaker 1: give us a great album with Anderson two years ago,

1247
00:55:36,560 --> 00:55:39,680
Speaker 1: three years ago, I was at Blue Note speaking with

1248
00:55:39,680 --> 00:55:41,520
Speaker 1: people that work on this album, and they were leaving

1249
00:55:41,560 --> 00:55:43,440
Speaker 1: Blue Note that night so they could go continue to

1250
00:55:43,440 --> 00:55:46,360
Speaker 1: work on the Bruno Mars album. It might be a

1251
00:55:46,400 --> 00:55:51,000
Speaker 1: different project, be about the dmxis this year. Maybe no,

1252
00:55:51,080 --> 00:55:53,440
Speaker 1: maybe it was the Anderson project. No, that had already

1253
00:55:53,440 --> 00:55:56,640
Speaker 1: come up. Oh okay, my bad, Bruno tried to help

1254
00:55:56,680 --> 00:55:58,280
Speaker 1: you out. It could be anything.

1255
00:55:59,000 --> 00:56:02,080
Speaker 3: I think this superstar that he I think it could

1256
00:56:02,080 --> 00:56:04,680
Speaker 3: be anything. I won't be at the hatm I will

1257
00:56:04,719 --> 00:56:06,640
Speaker 3: be very kind and everything I'm saying. I think we're

1258
00:56:06,920 --> 00:56:11,200
Speaker 3: officially at the Bruno Mars Legacy Act phase of his career,

1259
00:56:11,400 --> 00:56:13,800
Speaker 3: which is fine, which is totally fine. He's a legend

1260
00:56:13,800 --> 00:56:16,880
Speaker 3: in his own right. He has amazing hit records. I

1261
00:56:16,960 --> 00:56:19,440
Speaker 3: even said my bucket list, I want to see Bruno live.

1262
00:56:19,520 --> 00:56:22,479
Speaker 3: I think it would be incredible. Ten years for this

1263
00:56:22,680 --> 00:56:25,040
Speaker 3: thirty two minute project of shit that I really think

1264
00:56:25,080 --> 00:56:27,120
Speaker 3: Bruno Mars could make in his fucking sleep, because he

1265
00:56:27,239 --> 00:56:32,000
Speaker 3: is extremely talented, is a waste of everyone's time, to

1266
00:56:32,040 --> 00:56:34,680
Speaker 3: the point that no one knew it came out, because

1267
00:56:34,719 --> 00:56:38,160
Speaker 3: I don't think they cared that anyone knew it came out.

1268
00:56:39,239 --> 00:56:40,720
Speaker 1: I definitely didn't know this album came.

1269
00:56:40,560 --> 00:56:43,000
Speaker 3: Out when if we known Bruno not to do an

1270
00:56:43,040 --> 00:56:47,560
Speaker 3: extravagant rollout. He's one of the biggest pop stars we

1271
00:56:47,600 --> 00:56:50,640
Speaker 3: have period of this generation. You just quietly put out

1272
00:56:50,640 --> 00:56:54,600
Speaker 3: a mixtape after ten years and it's like, though, it's

1273
00:56:54,640 --> 00:56:59,160
Speaker 3: like redundant, cha cha cha, bullshit, there's still signs of

1274
00:56:59,160 --> 00:57:01,200
Speaker 3: the Bruno we love here, like I said, why you

1275
00:57:01,239 --> 00:57:04,200
Speaker 3: want to fight? It's fucking incredible. Nothing left is beautiful.

1276
00:57:04,400 --> 00:57:06,120
Speaker 3: All my soul is a bop. I'm gonna mop my

1277
00:57:06,160 --> 00:57:10,120
Speaker 3: floors this week to that record. But this is I

1278
00:57:10,160 --> 00:57:13,000
Speaker 3: don't even think. I don't even know Bruno's proud of this.

1279
00:57:16,120 --> 00:57:18,040
Speaker 3: You gonna say you don't know if Bruno's proud of that.

1280
00:57:18,160 --> 00:57:21,760
Speaker 3: He put it out quietly. Is he trying to get

1281
00:57:21,760 --> 00:57:22,320
Speaker 3: out of a deal.

1282
00:57:23,040 --> 00:57:25,560
Speaker 1: No, I don't know. But let me say this off

1283
00:57:25,560 --> 00:57:27,160
Speaker 1: of the music that you played in that I heard

1284
00:57:27,200 --> 00:57:28,800
Speaker 1: from now, because I don't think we got through the

1285
00:57:28,800 --> 00:57:32,240
Speaker 1: whole thing, might have got through about five or six tracks.

1286
00:57:34,360 --> 00:57:37,760
Speaker 1: Bruno is talented, and we know that Bruno's an incredible artist.

1287
00:57:37,840 --> 00:57:42,760
Speaker 1: We know that Bruno. It's just the music is it

1288
00:57:42,880 --> 00:57:47,640
Speaker 1: always sounds like a rendition of something. It sounds like

1289
00:57:47,680 --> 00:57:49,920
Speaker 1: something that we already got. It sounds like something we

1290
00:57:49,960 --> 00:57:54,160
Speaker 1: already heard, Like Bruno Mars sound like you know when

1291
00:57:54,200 --> 00:57:56,080
Speaker 1: you watch those movies that are like in the future

1292
00:57:56,600 --> 00:57:58,320
Speaker 1: and then they have like moments with it, like oh,

1293
00:57:58,360 --> 00:58:01,080
Speaker 1: I remember when this came out likety years ago and

1294
00:58:01,120 --> 00:58:02,600
Speaker 1: they play a song and it's like, oh, yeah, that

1295
00:58:02,640 --> 00:58:05,720
Speaker 1: was that ship. Bruno sounds like that every album it

1296
00:58:05,800 --> 00:58:09,520
Speaker 1: sounds like a blast from the past. Every time Black

1297
00:58:09,560 --> 00:58:11,800
Speaker 1: Mirror goes back in time, it's that song. Yeah. It's

1298
00:58:11,840 --> 00:58:14,640
Speaker 1: like remember demolition Man when they when they played old

1299
00:58:14,720 --> 00:58:16,160
Speaker 1: songs and they was like, oh, this used to be

1300
00:58:16,200 --> 00:58:19,360
Speaker 1: the bop. Like that's what Bruno Mars means. It's good.

1301
00:58:19,920 --> 00:58:24,800
Speaker 1: But it's like, I feel like we heard this already

1302
00:58:24,800 --> 00:58:28,240
Speaker 1: though we heard this rendition. You don't think anything is innovative.

1303
00:58:28,640 --> 00:58:33,080
Speaker 1: It's not innovative, it's not. It's just like every every

1304
00:58:33,160 --> 00:58:36,840
Speaker 1: everything feels like a cover with a little you know,

1305
00:58:37,000 --> 00:58:40,240
Speaker 1: like a moment on there, like she working that back.

1306
00:58:40,280 --> 00:58:41,760
Speaker 1: It's like she he throw that in there to try

1307
00:58:41,800 --> 00:58:43,400
Speaker 1: to get us like, Okay, that's our ship, right, But

1308
00:58:43,440 --> 00:58:46,920
Speaker 1: it's like, yeah, but that ain't not next to the

1309
00:58:46,920 --> 00:58:49,720
Speaker 1: cow bell They that don't that don't they don't land

1310
00:58:49,800 --> 00:58:54,600
Speaker 1: like that. It's like but again, vocally, Bruno Mars is incredible,

1311
00:58:54,720 --> 00:59:00,480
Speaker 1: incredible vocalist, incredible performer, incredible entertainer. It's just the music

1312
00:59:00,560 --> 00:59:04,480
Speaker 1: just doesn't fit the feel. It don't feel like something

1313
00:59:04,520 --> 00:59:06,360
Speaker 1: that I want to keep going back to because it's

1314
00:59:06,400 --> 00:59:09,560
Speaker 1: like I don't believe this is you. I believe this

1315
00:59:09,600 --> 00:59:14,320
Speaker 1: is something that you like or you know, grew up

1316
00:59:14,360 --> 00:59:16,640
Speaker 1: liking and you're trying to make your version of that

1317
00:59:17,680 --> 00:59:19,720
Speaker 1: and I just don't know if it connects to me.

1318
00:59:19,800 --> 00:59:21,920
Speaker 1: I'm just speaking about to me, it doesn't connect. But

1319
00:59:22,000 --> 00:59:27,560
Speaker 1: vocally as an entertainer, as an artist, Bruno is incredible.

1320
00:59:27,640 --> 00:59:30,480
Speaker 1: There's nothing, there's nothing negative to say it in those regards,

1321
00:59:30,520 --> 00:59:33,960
Speaker 1: just the music, and it just doesn't I don't know.

1322
00:59:34,000 --> 00:59:35,880
Speaker 1: I can't. I can't really connect to the music. I

1323
00:59:36,240 --> 00:59:37,200
Speaker 1: know it's going to be hard.

1324
00:59:37,280 --> 00:59:39,840
Speaker 2: I haven't run to the Bruno album because, as you

1325
00:59:39,840 --> 00:59:42,040
Speaker 2: guys know, I'm a huge Bruno fan and I know

1326
00:59:42,120 --> 00:59:43,920
Speaker 2: that I'm going to be disappointed by the album. But

1327
00:59:43,960 --> 00:59:46,040
Speaker 2: no matter how good the album was, I was always

1328
00:59:46,040 --> 00:59:48,640
Speaker 2: going to be disappointed by the album because twenty four

1329
00:59:48,720 --> 00:59:51,880
Speaker 2: Carrot Magic is the perfect album to me, So I

1330
00:59:51,920 --> 00:59:53,440
Speaker 2: don't think that he can do better than that.

1331
00:59:53,480 --> 00:59:55,480
Speaker 1: I don't think most people can do better than that.

1332
00:59:56,520 --> 01:00:00,960
Speaker 2: But I also felt the same way about Cardi b album,

1333
01:00:01,160 --> 01:00:03,200
Speaker 2: her second album as well. It's like, it's going to

1334
01:00:03,240 --> 01:00:05,360
Speaker 2: be very hard for you to compete with that first one,

1335
01:00:05,640 --> 01:00:08,040
Speaker 2: so you'll always be disappointed no matter what, no matter

1336
01:00:08,040 --> 01:00:10,640
Speaker 2: how good the second album is, because the bar is

1337
01:00:10,680 --> 01:00:12,680
Speaker 2: already because the bar is so fucking high.

1338
01:00:13,040 --> 01:00:15,280
Speaker 1: Last, like when Michael made Thriller, it was like, where's

1339
01:00:15,280 --> 01:00:18,080
Speaker 1: he gonna go from there? But it wouldn't be a

1340
01:00:18,480 --> 01:00:21,400
Speaker 1: thirty two minute project. Ten years later. I'm looking now.

1341
01:00:22,120 --> 01:00:26,080
Speaker 3: Most artists, for the most part signed five album deals.

1342
01:00:26,760 --> 01:00:29,640
Speaker 3: This if you include which was an Atlantic release with

1343
01:00:29,880 --> 01:00:33,440
Speaker 3: Anderson Pack, this would get him to five. Okay, he

1344
01:00:33,480 --> 01:00:37,840
Speaker 3: announced the tour, so I'm doing my Mayamara Aha thing.

1345
01:00:38,240 --> 01:00:40,080
Speaker 1: Hmm. There's no way.

1346
01:00:40,760 --> 01:00:43,240
Speaker 3: Some of my favorite producers and writers ever that put

1347
01:00:43,280 --> 01:00:48,120
Speaker 3: this together for over three years landed on those records.

1348
01:00:49,080 --> 01:00:52,320
Speaker 3: This is a way to get out of a contract. Okay,

1349
01:00:52,360 --> 01:00:55,000
Speaker 3: this is a way to get out of a fucking contract.

1350
01:00:55,040 --> 01:00:58,880
Speaker 3: And and ooh, I'm figuring this out all in real time.

1351
01:00:58,960 --> 01:00:59,560
Speaker 1: In real time.

1352
01:01:00,480 --> 01:01:02,840
Speaker 3: By the way, guys, this is I'm full of shit,

1353
01:01:02,960 --> 01:01:04,800
Speaker 3: so don't take anything I'm saying that serious.

1354
01:01:04,840 --> 01:01:07,400
Speaker 1: This is all leged in my brain at the time. Okay.

1355
01:01:07,680 --> 01:01:13,720
Speaker 3: The last Meek album was that Expensive Pain Yes, which

1356
01:01:13,800 --> 01:01:19,160
Speaker 3: we critiqued very much and Meek was very upset on

1357
01:01:19,240 --> 01:01:23,560
Speaker 3: how Atlantic went about promoting that album. It was, I

1358
01:01:23,600 --> 01:01:27,560
Speaker 3: agree with Meek, probably one of the most underpromoted Meek

1359
01:01:27,600 --> 01:01:30,120
Speaker 3: Mill albums. We've ever seen. He had a record on

1360
01:01:30,160 --> 01:01:33,920
Speaker 3: there as well. It wasn't like he was cold, he said. Atlantic,

1361
01:01:34,640 --> 01:01:37,640
Speaker 3: when they found out he was leaving, decided why the

1362
01:01:37,640 --> 01:01:39,480
Speaker 3: fuck would I promote something if you're not going to

1363
01:01:39,560 --> 01:01:42,800
Speaker 3: be here anymore. Now I see this as the most

1364
01:01:42,920 --> 01:01:46,680
Speaker 3: underpromoted Bruno Mars fucking album anything Bru. When Bruno sneezes

1365
01:01:46,680 --> 01:01:50,040
Speaker 3: it's promoted more than this, I think there's a chance

1366
01:01:50,080 --> 01:01:53,960
Speaker 3: maybe he's done with Atlantic and wanted to get the

1367
01:01:53,960 --> 01:01:57,520
Speaker 3: fuck out of there. Nine here's nine songs past thirty

1368
01:01:57,520 --> 01:02:00,600
Speaker 3: two minutes past the seven seven record thing I need

1369
01:02:00,600 --> 01:02:03,760
Speaker 3: to do from an EP to album and I'm out

1370
01:02:03,760 --> 01:02:06,800
Speaker 3: of here because I can't see Bruno Mars following up

1371
01:02:06,800 --> 01:02:11,560
Speaker 3: twenty four K Magic ten years later with this, not

1372
01:02:11,640 --> 01:02:12,720
Speaker 3: with the guys he worked with.

1373
01:02:13,120 --> 01:02:15,200
Speaker 1: I just I don't see it that's fair.

1374
01:02:16,000 --> 01:02:18,120
Speaker 3: It wasn't even like you had one single, you did

1375
01:02:18,160 --> 01:02:20,200
Speaker 3: the video. It just felt like you're trying to get

1376
01:02:20,200 --> 01:02:23,120
Speaker 3: out of a deal. And Atlantic has already been accused

1377
01:02:23,160 --> 01:02:25,560
Speaker 3: of not promoting artists on their last project, which they're

1378
01:02:25,600 --> 01:02:27,480
Speaker 3: not the only label that does that. Once your deal

1379
01:02:27,520 --> 01:02:29,400
Speaker 3: is done, why the fuck would I promote your shit?

1380
01:02:30,040 --> 01:02:33,920
Speaker 1: Mm hm No, that's a fair assessment.

1381
01:02:34,000 --> 01:02:35,360
Speaker 2: We don't know if it's true or false, but I

1382
01:02:35,400 --> 01:02:36,760
Speaker 2: think that that's a pretty fair assessment.

1383
01:02:38,000 --> 01:02:43,160
Speaker 3: And I must love podcasting because I'm insulting writers and

1384
01:02:43,160 --> 01:02:50,080
Speaker 3: producers that I've worked with. I mean, I'm serious, like,

1385
01:02:50,240 --> 01:02:52,120
Speaker 3: I hope to god they don't see this.

1386
01:02:53,080 --> 01:02:55,640
Speaker 1: There's nothing wrong with just being honest about something that

1387
01:02:55,680 --> 01:02:58,840
Speaker 1: you don't feel like they love this. Okay I don't

1388
01:02:58,920 --> 01:03:00,920
Speaker 1: know that, yeah, but you just feel like they did.

1389
01:03:01,000 --> 01:03:02,560
Speaker 1: They Didn't's no way they loved it. Got it.

1390
01:03:02,720 --> 01:03:05,360
Speaker 3: I can hear great moments in it, but this this

1391
01:03:05,440 --> 01:03:08,040
Speaker 3: really feels like I'm trying to get off my label.

1392
01:03:08,400 --> 01:03:12,000
Speaker 1: Yeah, it really feels that way. I'm not mad at that.

1393
01:03:12,040 --> 01:03:13,640
Speaker 1: I just can't connect to the music. I don't know.

1394
01:03:13,720 --> 01:03:18,240
Speaker 1: It's again. Vocally, Bruno sounds incredible, Like just just listening

1395
01:03:18,320 --> 01:03:19,840
Speaker 1: to the five six songs that I heard on this

1396
01:03:19,960 --> 01:03:23,480
Speaker 1: on this album so far, vocally, it's not many many

1397
01:03:23,560 --> 01:03:26,040
Speaker 1: artists that can stand next to Bruno. He's He's incredible vocally.

1398
01:03:26,280 --> 01:03:28,240
Speaker 1: Just the music for me just doesn't it doesn't land.

1399
01:03:28,520 --> 01:03:33,600
Speaker 3: Yeah. Over the weekend as well, Stevie Wonder.

1400
01:03:33,360 --> 01:03:36,960
Speaker 1: Went to Marathon Burger for their Old Steven and Long beach.

1401
01:03:37,000 --> 01:03:39,919
Speaker 1: What I thought. It was the coolest fucking thing ever. Yeah,

1402
01:03:39,920 --> 01:03:41,880
Speaker 1: that was that was fire. Seeing Stevie want that at

1403
01:03:42,640 --> 01:03:43,680
Speaker 1: Marathon Burger.

1404
01:03:43,600 --> 01:03:45,360
Speaker 3: And all you guys that were saying j Cole was

1405
01:03:45,400 --> 01:03:47,280
Speaker 3: being performative with Stevie being performative too.

1406
01:03:49,320 --> 01:03:53,800
Speaker 1: No, Stevie was hungry. See Steve was sitting down. Now. Now,

1407
01:03:53,840 --> 01:03:55,480
Speaker 1: it would have been performing if Steve went back just

1408
01:03:55,480 --> 01:03:57,680
Speaker 1: start flipping some burgers and I'd been like, all right,

1409
01:03:57,680 --> 01:04:02,680
Speaker 1: hold on out of like al Stevie, which got the cameras. Yeah,

1410
01:04:02,720 --> 01:04:05,560
Speaker 1: but how you back there flipping burgers? But no, that

1411
01:04:05,600 --> 01:04:07,800
Speaker 1: wasn't It wasn't before Steve looked like he was just Steve.

1412
01:04:07,800 --> 01:04:09,720
Speaker 1: He was at Nipsey's, you know, he went to he

1413
01:04:09,760 --> 01:04:12,000
Speaker 1: went to go support. Definitely cares for obviously the family

1414
01:04:12,480 --> 01:04:15,440
Speaker 1: and in marathon burgers. So shout out to Stevie.

1415
01:04:15,120 --> 01:04:18,320
Speaker 3: Wonder, Yeah, and congrats to Black Sam. In the entire

1416
01:04:18,480 --> 01:04:20,919
Speaker 3: state of Nipsey Hustle. I hope to god we see

1417
01:04:20,960 --> 01:04:22,480
Speaker 3: more Marathon Burgers everywhere.

1418
01:04:22,560 --> 01:04:24,520
Speaker 1: Yeah, when y'all can we get one in New York?

1419
01:04:27,080 --> 01:04:29,400
Speaker 1: Tom Squire, I heard that rumor. I wasn't sure if

1420
01:04:29,440 --> 01:04:32,320
Speaker 1: it was was sure or not. Fire. I Black Sam

1421
01:04:32,400 --> 01:04:34,120
Speaker 1: and me and Rory coming to flip some burgers. Everybody

1422
01:04:34,120 --> 01:04:37,840
Speaker 1: else flipping burgers. I would have so much fun doing that. Yeah,

1423
01:04:37,840 --> 01:04:39,320
Speaker 1: but then you try to tell Black Sam how to

1424
01:04:39,360 --> 01:04:42,560
Speaker 1: run his operation, You'll start doing too much for sure,

1425
01:04:42,920 --> 01:04:44,960
Speaker 1: Like you should go square corners on the burger, not round,

1426
01:04:44,960 --> 01:04:47,800
Speaker 1: Like you start telling Sam ship like, well, they're smash burgers, okay,

1427
01:04:47,880 --> 01:04:48,440
Speaker 1: so perfect.

1428
01:04:49,800 --> 01:04:51,560
Speaker 2: Like I'm telling you, if you listen to me, it

1429
01:04:51,600 --> 01:04:53,840
Speaker 2: sounds crazy. But add just a pinch of salt.

1430
01:04:54,280 --> 01:04:56,600
Speaker 1: To this, No, I would say, I would say, why

1431
01:04:56,600 --> 01:04:59,680
Speaker 1: are you seasoning these so much? This season is gonna

1432
01:04:59,680 --> 01:05:03,680
Speaker 1: give every want I blood pressure. They're so spicy. Shout

1433
01:05:03,680 --> 01:05:05,520
Speaker 1: out to Marathon Burger though, man love to see them.

1434
01:05:05,560 --> 01:05:07,480
Speaker 1: They just opened up that location in Long Beach, so

1435
01:05:07,520 --> 01:05:11,439
Speaker 1: that was dope shocking, saying family, I've never had Marathon Burger.

1436
01:05:11,440 --> 01:05:12,800
Speaker 1: I've had a marathon yet.

1437
01:05:12,640 --> 01:05:14,560
Speaker 3: Every time we've been in LA we haven't had enough

1438
01:05:14,560 --> 01:05:17,160
Speaker 3: time to get over there. And the last time the

1439
01:05:17,240 --> 01:05:19,760
Speaker 3: lines are also like the last time. The last time

1440
01:05:19,880 --> 01:05:22,120
Speaker 3: was that there was BT weekend, so you can imagine.

1441
01:05:22,400 --> 01:05:24,480
Speaker 1: God, it was like an event every time at marathon.

1442
01:05:24,480 --> 01:05:26,280
Speaker 1: B Yeah, I think he head. I told me, say

1443
01:05:26,400 --> 01:05:27,920
Speaker 1: you wouldn't make a call like they get you, right,

1444
01:05:27,960 --> 01:05:29,800
Speaker 1: I said, when I got to do that to just

1445
01:05:29,840 --> 01:05:32,919
Speaker 1: go to a burger spot, I'm cool, Like I'm going

1446
01:05:32,960 --> 01:05:34,440
Speaker 1: back to my hotels.

1447
01:05:34,200 --> 01:05:37,680
Speaker 3: Even when it's not bt weekend. Like the lines, which

1448
01:05:37,680 --> 01:05:40,400
Speaker 3: I'm happy about, are around the corner. Like you can't

1449
01:05:40,400 --> 01:05:42,240
Speaker 3: just pull up to Marathon Burger and grab a burger

1450
01:05:42,280 --> 01:05:42,640
Speaker 3: real quick.

1451
01:05:42,800 --> 01:05:44,520
Speaker 1: Yeah that's dope. I mean, but in and out is

1452
01:05:44,560 --> 01:05:47,080
Speaker 1: the same way I've never gone to trash. I hear

1453
01:05:47,160 --> 01:05:48,040
Speaker 1: Marathon Burger is great.

1454
01:05:51,240 --> 01:05:51,520
Speaker 2: Kill you.

1455
01:05:52,560 --> 01:05:56,520
Speaker 3: Oh they look this camera peage in and out is

1456
01:05:56,680 --> 01:05:58,240
Speaker 3: fucking garbage juice.

1457
01:05:58,320 --> 01:06:00,920
Speaker 1: Yeah, now we can move on. He's at them. I

1458
01:06:01,040 --> 01:06:04,479
Speaker 1: love what he hot today. Look, I love it. I

1459
01:06:04,560 --> 01:06:06,560
Speaker 1: love it. They called me a hater every day. I

1460
01:06:06,600 --> 01:06:08,760
Speaker 1: love the fact that I have a neighbor. Now, welcome

1461
01:06:08,800 --> 01:06:12,520
Speaker 1: to the block, a hater neighbor. So my hater neighbor. Yeah,

1462
01:06:12,600 --> 01:06:14,560
Speaker 1: come on, hater neighbor. You know it's a matter of

1463
01:06:14,600 --> 01:06:16,880
Speaker 1: time until I gentrified the hater blo oh man, you

1464
01:06:16,880 --> 01:06:18,479
Speaker 1: gotta move in and gentrify the hater hood.

1465
01:06:18,800 --> 01:06:21,800
Speaker 3: Yeah, no, it's it's really probably like the worst burger

1466
01:06:21,840 --> 01:06:22,760
Speaker 3: place on the earth.

1467
01:06:23,280 --> 01:06:23,480
Speaker 1: Yeah.

1468
01:06:23,520 --> 01:06:26,400
Speaker 2: The things on this list are fucking frying me like

1469
01:06:26,400 --> 01:06:29,040
Speaker 2: the way you type things out. Boujou Bontn's son said,

1470
01:06:29,040 --> 01:06:31,000
Speaker 2: he almost turned gay, but then he remember boom bye

1471
01:06:31,000 --> 01:06:31,560
Speaker 2: bye and with the.

1472
01:06:31,600 --> 01:06:34,120
Speaker 1: Church the next day. Like typing that out is fucking

1473
01:06:34,400 --> 01:06:38,040
Speaker 1: Is that even real? That's real? Okay, Well, shout out

1474
01:06:38,040 --> 01:06:42,640
Speaker 1: to bojoo son. He ain't no delivered. He don't like

1475
01:06:42,680 --> 01:06:48,520
Speaker 1: men's no more. I don't like don't wait? Was that

1476
01:06:48,560 --> 01:06:52,479
Speaker 1: a real thing? Though? Yes, he said he went to church. Yeah,

1477
01:06:52,960 --> 01:06:54,400
Speaker 1: Or did he say he heard boom by by?

1478
01:06:54,640 --> 01:06:57,040
Speaker 3: Well, no, he remembered boom bye bye and realized I'm

1479
01:06:57,040 --> 01:06:58,680
Speaker 3: not gay and then went to church the next day

1480
01:06:58,720 --> 01:06:59,720
Speaker 3: to remind himself again.

1481
01:07:00,320 --> 01:07:02,360
Speaker 1: Oh okay, good for him.

1482
01:07:02,520 --> 01:07:05,960
Speaker 2: They got that shit taken down everywhere everything Me nearly

1483
01:07:06,000 --> 01:07:06,920
Speaker 2: turned fish.

1484
01:07:07,280 --> 01:07:10,800
Speaker 1: Sorry, that was nearly turned fish. I didn't want to

1485
01:07:10,800 --> 01:07:12,480
Speaker 1: be the one to say it. That's how the cleeves.

1486
01:07:12,240 --> 01:07:18,000
Speaker 2: Started me nearly turned fish. He said that, say in

1487
01:07:18,000 --> 01:07:20,040
Speaker 2: a play with my mind, Say in.

1488
01:07:20,080 --> 01:07:27,080
Speaker 1: A play with my mind? You know what world this

1489
01:07:27,120 --> 01:07:29,120
Speaker 1: is a stor don't think this is a simulation. This

1490
01:07:29,200 --> 01:07:33,240
Speaker 1: is crazy. This is a real interview, you said. Yes.

1491
01:07:33,320 --> 01:07:35,200
Speaker 2: During the interview, that young entertainer opened up about what

1492
01:07:35,240 --> 01:07:37,160
Speaker 2: he described as the years of spiritual warfare.

1493
01:07:37,480 --> 01:07:38,760
Speaker 1: I'll tell you then, come over.

1494
01:07:38,840 --> 01:07:41,920
Speaker 2: If you gave nigga about fighting demons, that it be bisexuality,

1495
01:07:42,120 --> 01:07:45,400
Speaker 2: generation and battles with identity. He said there was a

1496
01:07:45,400 --> 01:07:47,400
Speaker 2: period where he began losing his desire for women and

1497
01:07:47,440 --> 01:07:49,400
Speaker 2: felt his mind was under attack, say in a play

1498
01:07:49,440 --> 01:07:51,240
Speaker 2: with my mind. He shared that in the middle of

1499
01:07:51,440 --> 01:07:54,160
Speaker 2: that struggle, he began singing his father's controversial hit song

1500
01:07:54,240 --> 01:07:56,840
Speaker 2: Boomed by Bye, as a reminder of his upbringing in beliefs.

1501
01:07:56,960 --> 01:07:59,600
Speaker 2: According to john Zi l that moment jolted him. In

1502
01:07:59,640 --> 01:08:02,840
Speaker 2: the very next day, he walked into church seeking baptism. However,

1503
01:08:02,920 --> 01:08:05,960
Speaker 2: john Zo admitted that getting baptized did not immediately fix everything.

1504
01:08:06,400 --> 01:08:09,120
Speaker 2: Nothing never changed, he said, adding that he later realized

1505
01:08:09,160 --> 01:08:11,280
Speaker 2: deeper prayer and spiritual work were necessary.

1506
01:08:12,600 --> 01:08:14,240
Speaker 1: So he said nothing changed with he mean, how he

1507
01:08:14,320 --> 01:08:16,600
Speaker 1: know he still went out on a date with a dude.

1508
01:08:17,840 --> 01:08:20,040
Speaker 2: Or was it like I think he just he realized

1509
01:08:20,040 --> 01:08:21,439
Speaker 2: that he needed to pray a little bit harder.

1510
01:08:21,520 --> 01:08:23,840
Speaker 1: Okay, yeah, respectfully, he.

1511
01:08:25,479 --> 01:08:28,000
Speaker 2: Seeks medical attention. He saw medical help for what he

1512
01:08:28,000 --> 01:08:29,759
Speaker 2: believed was a misdiagnosed illness.

1513
01:08:30,920 --> 01:08:34,679
Speaker 1: Gay is a misdiagnosed illness. Yeah according to someone West Indians.

1514
01:08:34,720 --> 01:08:40,360
Speaker 1: Absolutely not nobody, but yo, that is crazy, man.

1515
01:08:40,960 --> 01:08:42,920
Speaker 3: All right, Well, I think he'd just be happier if

1516
01:08:42,960 --> 01:08:44,920
Speaker 3: he would just be gay.

1517
01:08:45,120 --> 01:08:47,120
Speaker 1: Yeah, it's always that part of it, right, Like Fam,

1518
01:08:47,120 --> 01:08:49,719
Speaker 1: you could just it's okay, like you could.

1519
01:08:49,560 --> 01:08:51,960
Speaker 3: Just be I can understand that probably growing up in

1520
01:08:52,080 --> 01:08:54,439
Speaker 3: the household of Bontan and that culture.

1521
01:08:54,680 --> 01:08:56,280
Speaker 1: But he's a grown man now. You don't still live

1522
01:08:56,280 --> 01:08:57,040
Speaker 1: at home with bouju.

1523
01:08:57,200 --> 01:09:00,280
Speaker 3: I'm saying he's growing up in a house like that,

1524
01:09:00,600 --> 01:09:06,880
Speaker 3: you would feel pressure. Yeah, oh definitely, so definitely that

1525
01:09:07,120 --> 01:09:09,680
Speaker 3: can spill over into your adulthood, even once you've moved out.

1526
01:09:09,760 --> 01:09:13,080
Speaker 1: Yeah, but no, I unfortunately I did laugh just because

1527
01:09:13,120 --> 01:09:15,360
Speaker 1: it was funny. Me nearly turned fish. Funny as fuck.

1528
01:09:15,360 --> 01:09:17,880
Speaker 1: I don't nearly turn fish, say, and I play with

1529
01:09:17,920 --> 01:09:23,519
Speaker 1: my mind, yo, man, all right, but whatever, that's why.

1530
01:09:23,760 --> 01:09:25,720
Speaker 2: But me and Ma have stood on that, like yo,

1531
01:09:25,880 --> 01:09:29,200
Speaker 2: Like niggas be claiming they're fighting demons, it be bisexuality, be.

1532
01:09:29,240 --> 01:09:34,000
Speaker 1: Gay, Fam, just be gay. Dog. Ain't nobody tripping like

1533
01:09:34,040 --> 01:09:37,880
Speaker 1: you in the house, cursing your girl out, arguing because

1534
01:09:37,920 --> 01:09:41,240
Speaker 1: she left the the soap dish with a half a

1535
01:09:41,240 --> 01:09:43,200
Speaker 1: piece of soap in there, Like, just go be with

1536
01:09:43,240 --> 01:09:47,400
Speaker 1: your boyfriend, Like you don't like women, that's fine, yo,

1537
01:09:47,520 --> 01:09:50,280
Speaker 1: yeah yeah, fighting with it's not a demon. Just go

1538
01:09:51,360 --> 01:09:53,920
Speaker 1: you fighting that text message that you keep ignoring. Just

1539
01:09:54,000 --> 01:09:55,960
Speaker 1: answer homeie and go see them. I'm like, that's all

1540
01:09:57,200 --> 01:09:59,280
Speaker 1: you ain't nowhere for you to be arguing with your girl, Like,

1541
01:09:59,560 --> 01:10:04,000
Speaker 1: just go see boyfriend. Nobody, it's twenty twenty six, nobody cares.

1542
01:10:04,000 --> 01:10:08,320
Speaker 1: I promise you can live it mad other places and

1543
01:10:08,320 --> 01:10:11,360
Speaker 1: the gays in Jamaica, let's put that out there, like,

1544
01:10:11,479 --> 01:10:14,920
Speaker 1: let's just get that out there, the gay people in Jamaica, Like,

1545
01:10:14,960 --> 01:10:17,879
Speaker 1: we got to stop that, like gay people in Jamaica.

1546
01:10:17,960 --> 01:10:20,639
Speaker 1: But I get it. I understand cultural things like that,

1547
01:10:20,720 --> 01:10:23,000
Speaker 1: pressure from the home and things like that. But as

1548
01:10:23,000 --> 01:10:25,960
Speaker 1: a grown man, be comfortable, be who you are. Be yourself. Man.

1549
01:10:26,160 --> 01:10:31,720
Speaker 1: One life, one life, One life won't love. You heard it,

1550
01:10:31,760 --> 01:10:36,679
Speaker 1: One life won't love Relax.

1551
01:10:38,920 --> 01:10:41,840
Speaker 3: Speaking of a simulation, did you see that Jim Carrey

1552
01:10:41,880 --> 01:10:42,280
Speaker 3: was cloned?

1553
01:10:43,200 --> 01:10:47,000
Speaker 1: I saw people trying to make it a thing. They said,

1554
01:10:47,000 --> 01:10:53,160
Speaker 1: the eyes are different. I don't know, man, people are weird.

1555
01:10:53,200 --> 01:10:55,960
Speaker 1: The thing is just makeup. Maybe Jim got some fellers

1556
01:10:56,000 --> 01:11:01,160
Speaker 1: and done. He got a face lift. Yeah, like, that's

1557
01:11:01,240 --> 01:11:03,920
Speaker 1: Jim Carrey. Bro, that's Jim Carrey. He got a facelift.

1558
01:11:05,000 --> 01:11:05,639
Speaker 1: He can't move.

1559
01:11:05,720 --> 01:11:07,000
Speaker 2: You see how tight his forehead is.

1560
01:11:07,360 --> 01:11:08,240
Speaker 1: He got a facelift.

1561
01:11:09,040 --> 01:11:12,120
Speaker 3: Well, some people would say that if you followed Jim

1562
01:11:12,160 --> 01:11:16,360
Speaker 3: Carrey for the last decades, Uh, he wouldn't be the

1563
01:11:16,360 --> 01:11:17,920
Speaker 3: one to get a face lift because he does not

1564
01:11:18,000 --> 01:11:22,360
Speaker 3: care about society the way maybe an actor would. My

1565
01:11:22,520 --> 01:11:27,519
Speaker 3: only conspiracy really was he's on his Andy Kaufman shit,

1566
01:11:27,600 --> 01:11:29,479
Speaker 3: and this has to do with some type of role

1567
01:11:29,600 --> 01:11:31,360
Speaker 3: or something that he's This is a role, like like

1568
01:11:31,400 --> 01:11:33,080
Speaker 3: the way The Weekend was walking around with a fucking

1569
01:11:33,120 --> 01:11:36,599
Speaker 3: mask for that. I was like, maybe maybe Jim Carrey's

1570
01:11:36,640 --> 01:11:41,559
Speaker 3: doing something. I could see that based off celebrities and

1571
01:11:43,000 --> 01:11:44,360
Speaker 3: how dark that world can be.

1572
01:11:44,479 --> 01:11:45,519
Speaker 1: This is his latest trick.

1573
01:11:45,800 --> 01:11:49,200
Speaker 3: Yes, but I mean even that to me is I

1574
01:11:49,240 --> 01:11:50,360
Speaker 3: think it's prize. Is Jim Carrey.

1575
01:11:50,360 --> 01:11:53,840
Speaker 1: Bro, that's Jim carry the battie. He got a face lift.

1576
01:11:53,880 --> 01:11:55,920
Speaker 1: There's Jim Carrey. Like It's okay, So I get it.

1577
01:11:55,960 --> 01:11:58,559
Speaker 1: I know the conspiracy theorists love shit like this. He's

1578
01:11:58,600 --> 01:12:01,519
Speaker 1: zooming on the as compared to eyes from five years ago.

1579
01:12:02,240 --> 01:12:04,960
Speaker 1: I get it, I understand, but that's that's Jim carry bo.

1580
01:12:05,600 --> 01:12:08,720
Speaker 2: It's Jim that face tight though they put their knee

1581
01:12:09,000 --> 01:12:11,839
Speaker 2: the god damn.

1582
01:12:12,600 --> 01:12:15,320
Speaker 3: But that's the thing I guess with plastic surgery, like

1583
01:12:15,320 --> 01:12:17,880
Speaker 3: you really need the right lighting for it to look okay,

1584
01:12:18,800 --> 01:12:19,720
Speaker 3: or you look like that.

1585
01:12:20,479 --> 01:12:23,840
Speaker 1: Yeah, I mean he looks good though something look crazy,

1586
01:12:24,640 --> 01:12:27,760
Speaker 1: some high cheeks. I mean, you know, he looks good though.

1587
01:12:27,800 --> 01:12:29,799
Speaker 1: Jim was my favorite thing.

1588
01:12:31,280 --> 01:12:35,839
Speaker 3: About conspiracy theorists that I'm starting to like, really notice.

1589
01:12:36,040 --> 01:12:38,920
Speaker 3: I don't want to call white conspiracy theorists racist because

1590
01:12:38,920 --> 01:12:42,280
Speaker 3: that's unfair, but I think a lot of you guys

1591
01:12:42,280 --> 01:12:45,960
Speaker 3: are subconsciously racist, because I do think it's hilarious, especially on.

1592
01:12:45,920 --> 01:12:47,720
Speaker 1: The right wing of the QAnon people. This and that.

1593
01:12:47,800 --> 01:12:52,439
Speaker 3: You guys can believe every insane conspiracy theory, but draw

1594
01:12:52,520 --> 01:12:59,760
Speaker 3: the line at systematic racism, Jay Edgar Hoover, which is

1595
01:12:59,760 --> 01:13:02,360
Speaker 3: is you could pull the files at this everything's redacted

1596
01:13:02,520 --> 01:13:03,800
Speaker 3: of systematic racism.

1597
01:13:03,960 --> 01:13:06,240
Speaker 1: No, racism isn't really anymore.

1598
01:13:06,479 --> 01:13:09,240
Speaker 3: But you will literally believe that they're eating babies in

1599
01:13:09,280 --> 01:13:12,639
Speaker 3: a layer under la with lizard people. But be like, guys,

1600
01:13:12,920 --> 01:13:18,080
Speaker 3: there's no such thing as racism. Systematic racism. Are you crazy?

1601
01:13:18,240 --> 01:13:20,599
Speaker 3: The government would never conspire against black people.

1602
01:13:20,680 --> 01:13:25,840
Speaker 1: Yeah, I guess. Anyways, with that said, did.

1603
01:13:25,680 --> 01:13:28,559
Speaker 3: You guys see the McDonald's CEO to eat his own product?

1604
01:13:29,920 --> 01:13:29,960
Speaker 2: No?

1605
01:13:30,080 --> 01:13:32,640
Speaker 1: I heard it has so funny it's not even a conspiracy.

1606
01:13:33,000 --> 01:13:33,320
Speaker 1: He was.

1607
01:13:33,760 --> 01:13:35,800
Speaker 3: I don't know who on their social team was like, yeah,

1608
01:13:35,800 --> 01:13:40,160
Speaker 3: you gotta do the lunchtime TikTok. He went and showed

1609
01:13:40,160 --> 01:13:45,760
Speaker 3: the new burger, the Big Arch at McDonald's. He took

1610
01:13:45,800 --> 01:13:49,599
Speaker 3: the littlest bite of all time. It's the way when

1611
01:13:49,600 --> 01:13:51,360
Speaker 3: you go into a Chinese restaurant in New York City,

1612
01:13:51,360 --> 01:13:56,040
Speaker 3: you never actually see Chinese people eating the food because

1613
01:13:56,080 --> 01:14:00,320
Speaker 3: they know we shouldn't eating the shit, right He so

1614
01:14:00,439 --> 01:14:05,800
Speaker 3: he went, mmm, delicious, where's this? He's probably a vegan.

1615
01:14:05,800 --> 01:14:08,120
Speaker 1: Where's this McDonald's at that's his office.

1616
01:14:10,000 --> 01:14:12,280
Speaker 3: And what's funny is he started out by saying, we

1617
01:14:12,400 --> 01:14:16,439
Speaker 3: tested this in Argentina and Germany and Canada. Now we're

1618
01:14:16,439 --> 01:14:20,040
Speaker 3: ready for the States. We tried to see what it

1619
01:14:20,080 --> 01:14:21,400
Speaker 3: would do to other people.

1620
01:14:22,080 --> 01:14:25,040
Speaker 1: So this is the new burger, Big Arch. Okay, you

1621
01:14:25,080 --> 01:14:27,080
Speaker 1: can see the crispy onions there. What is it? What's

1622
01:14:27,240 --> 01:14:32,840
Speaker 1: what's what's so different about this burger? Nothing. It was

1623
01:14:32,880 --> 01:14:34,439
Speaker 1: like a big, like a smash burger type of thing.

1624
01:14:34,439 --> 01:14:40,800
Speaker 3: They had more steroids into it. They added successame seeds

1625
01:14:40,800 --> 01:14:42,559
Speaker 3: to the bun. I'm just trying to keep up with

1626
01:14:42,600 --> 01:14:43,720
Speaker 3: burger culture, got it.

1627
01:14:43,760 --> 01:14:45,920
Speaker 2: I don't know if I trust like McDonald's, like with

1628
01:14:46,000 --> 01:14:47,720
Speaker 2: the crispy onions, Like, I don't know how.

1629
01:14:47,720 --> 01:14:49,439
Speaker 1: I don't know how about that. So that's where you

1630
01:14:49,520 --> 01:14:51,880
Speaker 1: draw the line onions, You don't trust me?

1631
01:14:52,479 --> 01:14:55,439
Speaker 2: Well, I don't eat McDonald's burgers, but I don't know, Like,

1632
01:14:55,479 --> 01:14:56,880
Speaker 2: I don't know if I trust them to get the

1633
01:14:56,880 --> 01:14:59,719
Speaker 2: onions crispy like right, Like is that real onion?

1634
01:14:59,760 --> 01:15:02,639
Speaker 1: What do you trust them to get? Right? Yeah? Because

1635
01:15:02,640 --> 01:15:04,360
Speaker 1: if you leave that burger out for a month, it's

1636
01:15:04,400 --> 01:15:05,720
Speaker 1: not going to go bad. I promise you.

1637
01:15:06,400 --> 01:15:08,599
Speaker 2: They still do that though, Like they still don't use

1638
01:15:08,600 --> 01:15:10,320
Speaker 2: real me. I thought, like because they got called out

1639
01:15:10,360 --> 01:15:12,439
Speaker 2: on it so much, they like started, what does that mean?

1640
01:15:12,479 --> 01:15:14,160
Speaker 1: We call our shit all the time? Baby? The niggas

1641
01:15:14,200 --> 01:15:16,080
Speaker 1: still do the same shit over and over and over.

1642
01:15:16,439 --> 01:15:18,240
Speaker 1: It let it blow over and they don't have won't

1643
01:15:18,240 --> 01:15:20,120
Speaker 1: be frozen from we don't have that much cows. We

1644
01:15:20,160 --> 01:15:23,120
Speaker 1: know that we don't have that much beef for them

1645
01:15:23,160 --> 01:15:25,519
Speaker 1: to be selling billions of burgers a year. Think about

1646
01:15:25,520 --> 01:15:28,200
Speaker 1: how many McDonald's there are in this country alone, and

1647
01:15:28,320 --> 01:15:30,439
Speaker 1: all of them are selling millions of burgers a year.

1648
01:15:32,000 --> 01:15:36,680
Speaker 1: How where's that me coming from? We already know the

1649
01:15:36,760 --> 01:15:40,719
Speaker 1: nuggets is just everything waste, Like they just grind everything

1650
01:15:40,720 --> 01:15:43,040
Speaker 1: together and make a paste. We saw that dock how

1651
01:15:43,040 --> 01:15:45,679
Speaker 1: they make nuggets. It comes in a box of pink

1652
01:15:45,760 --> 01:15:48,679
Speaker 1: paste and they just take pieces of it and dump

1653
01:15:48,720 --> 01:15:49,599
Speaker 1: it in the fry like.

1654
01:15:49,560 --> 01:15:53,519
Speaker 2: It's so good though delicious. What's some ranch shit hits?

1655
01:15:54,720 --> 01:15:55,720
Speaker 1: Which is not ranch either?

1656
01:15:55,840 --> 01:15:58,639
Speaker 2: Every once in a while, I'll crave like McDonald's nuggets

1657
01:15:58,640 --> 01:15:59,439
Speaker 2: every once in a while.

1658
01:16:00,040 --> 01:16:02,840
Speaker 3: I've driven through almost every state in this country. I've

1659
01:16:02,880 --> 01:16:06,679
Speaker 3: never seen that many cows that like just just McDonald's period,

1660
01:16:06,720 --> 01:16:10,040
Speaker 3: not the rest of it. I've never seen that many came.

1661
01:16:10,120 --> 01:16:13,639
Speaker 3: It's not possible, Like you've never through North Dakota'm like, okay,

1662
01:16:13,760 --> 01:16:15,160
Speaker 3: I see a million cows just now.

1663
01:16:15,200 --> 01:16:16,760
Speaker 1: I see how they do it. But now I get it. Okay,

1664
01:16:16,840 --> 01:16:19,479
Speaker 1: there's thirty million cows over there. I get it now. No,

1665
01:16:19,520 --> 01:16:23,120
Speaker 1: it's just just not no, it's not possible. At one

1666
01:16:23,160 --> 01:16:25,880
Speaker 1: time when McDonald's and they I think this is like

1667
01:16:26,560 --> 01:16:28,599
Speaker 1: you can read this. At one time, it was though

1668
01:16:28,640 --> 01:16:31,760
Speaker 1: it was just pure one hundred percent beef. When McDonald's

1669
01:16:31,760 --> 01:16:34,360
Speaker 1: was you know, obviously first starting years ago, and it

1670
01:16:34,360 --> 01:16:36,639
Speaker 1: wasn't as many, it wasn't a franchise as it is today,

1671
01:16:36,680 --> 01:16:38,320
Speaker 1: is as big of a brand as it is today.

1672
01:16:38,960 --> 01:16:41,720
Speaker 1: But no, there's no way, there's no way that that

1673
01:16:41,720 --> 01:16:44,400
Speaker 1: that's real beef. It's impossible.

1674
01:16:44,600 --> 01:16:48,800
Speaker 2: They said they're still made one pure USDA inspected beef.

1675
01:16:48,840 --> 01:16:50,920
Speaker 2: They say that, oh oh.

1676
01:16:50,800 --> 01:16:56,040
Speaker 1: No government bad. I said that, my bad like ay

1677
01:16:56,200 --> 01:16:59,080
Speaker 1: I said, it got to be valid. The government says, yes,

1678
01:16:59,479 --> 01:17:03,800
Speaker 1: man us D, yeah, they inspected. He just told the

1679
01:17:03,880 --> 01:17:05,920
Speaker 1: niggas to go get a vaccine and now spoon stick

1680
01:17:05,960 --> 01:17:09,400
Speaker 1: to your arms. I know, pumping us with floor floride

1681
01:17:09,439 --> 01:17:11,479
Speaker 1: has children, not the fluoride. You know.

1682
01:17:11,600 --> 01:17:14,720
Speaker 2: My dad started with that the fluoride is blocking my

1683
01:17:14,840 --> 01:17:15,400
Speaker 2: third eye.

1684
01:17:15,640 --> 01:17:17,720
Speaker 1: Welcome nah that be every nigga say that way he

1685
01:17:17,720 --> 01:17:24,160
Speaker 1: can't get a job yo the fluoride. Yo? What's up?

1686
01:17:24,200 --> 01:17:27,280
Speaker 1: And how the job starts going? Yo? The fluoride? You know,

1687
01:17:27,479 --> 01:17:34,800
Speaker 1: saying this my third eye, nigga realized, realize floride, your son,

1688
01:17:34,840 --> 01:17:36,559
Speaker 1: you ain't been working at like five months of Yo,

1689
01:17:36,800 --> 01:17:39,760
Speaker 1: the fluoride being out here. Niggas can't even see my

1690
01:17:39,880 --> 01:17:50,679
Speaker 1: potential kill the first mercury and retrograde. What's floride? Niggas

1691
01:17:50,760 --> 01:17:53,559
Speaker 1: love blaming floride. Man, if y'all niggas, don't get out

1692
01:17:53,560 --> 01:17:55,920
Speaker 1: of here and brush your stick ass pouth floride. I

1693
01:17:55,920 --> 01:17:58,320
Speaker 1: don't care what you put in that motherfucker brush and

1694
01:17:58,560 --> 01:18:03,240
Speaker 1: wrench the floride. My third eye, it got the calcium.

1695
01:18:03,640 --> 01:18:06,920
Speaker 1: It's covered with my my third eyes calcified. Nigga, Yo,

1696
01:18:07,360 --> 01:18:10,120
Speaker 1: go get a job. I love that song. Go get

1697
01:18:10,120 --> 01:18:15,760
Speaker 1: a fucking job, man, right though, Oh my god, oh man,

1698
01:18:16,000 --> 01:18:20,240
Speaker 1: they're right. Yeah, you still use flor nah.

1699
01:18:20,840 --> 01:18:22,600
Speaker 2: I would think that you didn't. Now you give like

1700
01:18:22,720 --> 01:18:24,120
Speaker 2: Tom's nah.

1701
01:18:24,160 --> 01:18:26,080
Speaker 1: I don't use Toms. This this other brand I'm gonna

1702
01:18:26,120 --> 01:18:29,599
Speaker 1: send you. It's fired. Oh baby, what my mouth ain't

1703
01:18:29,600 --> 01:18:34,519
Speaker 1: never felt that clean like that ship foam up so crazy. Hey,

1704
01:18:36,120 --> 01:18:40,639
Speaker 1: even Ryan went, you know he's twenty three toothpaste. What

1705
01:18:40,640 --> 01:18:42,080
Speaker 1: I'm saying, you know how the tooth You know, you

1706
01:18:42,080 --> 01:18:45,120
Speaker 1: gotta get a good laugh on the toothpas. But then,

1707
01:18:45,160 --> 01:18:47,479
Speaker 1: like you know, when your teeth feel like marble after

1708
01:18:47,520 --> 01:18:50,200
Speaker 1: you finished brush. Oh my God, streaky. They felt streaked.

1709
01:18:50,320 --> 01:18:52,640
Speaker 1: Oh no, no, no, no, I'm talking about straight marble, like

1710
01:18:52,680 --> 01:18:54,320
Speaker 1: you know when you get that clean out the dentist,

1711
01:18:54,560 --> 01:18:57,160
Speaker 1: when the dentist like cleans and and shine your teeth.

1712
01:18:57,160 --> 01:18:59,639
Speaker 1: Oh yeah, I got I'm gonna see the toothpaste. That's fine.

1713
01:19:00,120 --> 01:19:02,519
Speaker 1: I just ordered like six of them ships on Amazon. Okay.

1714
01:19:02,720 --> 01:19:05,439
Speaker 1: And the flaws, I guess people that don't flaws.

1715
01:19:05,520 --> 01:19:07,920
Speaker 2: If you don't floss, and you're listening to this, if

1716
01:19:07,920 --> 01:19:10,320
Speaker 2: you don't floss, go floss and then smell the floss.

1717
01:19:10,520 --> 01:19:12,479
Speaker 1: Nah, that's just like the back of an erring. You

1718
01:19:12,479 --> 01:19:16,479
Speaker 1: don't want to smell that shit. That's your stink. Not

1719
01:19:16,560 --> 01:19:18,920
Speaker 1: floss in. It's kind of nuts, but not floss in

1720
01:19:18,960 --> 01:19:23,000
Speaker 1: this crap, Like, you don't you don't have no flaws.

1721
01:19:23,520 --> 01:19:25,040
Speaker 1: I'm not gonna lie. I know we say you don't

1722
01:19:25,080 --> 01:19:26,920
Speaker 1: judge you. I just if I go to your bathroom

1723
01:19:26,960 --> 01:19:29,120
Speaker 1: and it's certain ship not in there, you just you

1724
01:19:29,320 --> 01:19:31,800
Speaker 1: just a little funky to me, Like what if you

1725
01:19:31,800 --> 01:19:35,559
Speaker 1: don't got baby wipes, I'm judging you have dude wipes,

1726
01:19:36,640 --> 01:19:39,360
Speaker 1: dude wipes whatever, whatever, you got some wipes. You need

1727
01:19:39,400 --> 01:19:43,160
Speaker 1: some wet wipes in your in your bathroom. You need flaws,

1728
01:19:43,479 --> 01:19:47,599
Speaker 1: You need mouthwash like these are, you need Clorox wipes

1729
01:19:47,600 --> 01:19:50,120
Speaker 1: for the toilet, Like, it's just certain things you just

1730
01:19:50,200 --> 01:19:51,760
Speaker 1: have to have in your bathroom. When you go to

1731
01:19:51,760 --> 01:19:54,960
Speaker 1: some bathroom, you're like, famn, you ain't got no mouthwashing here.

1732
01:19:55,040 --> 01:19:57,960
Speaker 1: No what you be doing, like how you brush your teeth?

1733
01:19:58,000 --> 01:20:02,240
Speaker 1: You just toothpaste on the two Just that's it. That's

1734
01:20:02,280 --> 01:20:04,280
Speaker 1: not enough. That's not gonna that's not gonna get it.

1735
01:20:04,280 --> 01:20:04,880
Speaker 1: If you don't flaws.

1736
01:20:04,960 --> 01:20:06,639
Speaker 3: I'm not gonna say you also don't wash your ass

1737
01:20:06,680 --> 01:20:08,840
Speaker 3: when they say you you wash your ass with the

1738
01:20:08,880 --> 01:20:12,439
Speaker 3: same rag that you do for your face. Yeah, like

1739
01:20:12,520 --> 01:20:14,479
Speaker 3: you literally wipe your butt and then wash your face

1740
01:20:14,520 --> 01:20:15,439
Speaker 3: with that rag, just.

1741
01:20:15,439 --> 01:20:18,360
Speaker 1: One of the same. I agree. No White's baby d

1742
01:20:18,400 --> 01:20:19,519
Speaker 1: get out of it if he ain't got a White's

1743
01:20:19,520 --> 01:20:19,840
Speaker 1: baby D.

1744
01:20:20,400 --> 01:20:23,479
Speaker 2: Man, No, I'm not because I know eventually when we

1745
01:20:23,560 --> 01:20:28,680
Speaker 2: get there, like it's sheet stink sheets, You're never going

1746
01:20:28,760 --> 01:20:30,439
Speaker 2: to call a cuddle session in the sheets stink.

1747
01:20:30,760 --> 01:20:34,519
Speaker 1: It's someone like butt underhead, Like you never go to

1748
01:20:34,560 --> 01:20:36,680
Speaker 1: somebody crib and it's just a blanket everything something like

1749
01:20:36,720 --> 01:20:37,559
Speaker 1: butt like you like.

1750
01:20:38,200 --> 01:20:40,680
Speaker 3: Y'all think I'm massive, that's never I've never gotten to

1751
01:20:40,680 --> 01:20:42,240
Speaker 3: a girl's house in her sheets.

1752
01:20:42,680 --> 01:20:46,960
Speaker 1: Yeah, that's the main thing. Yeah, oh mine, don't stink

1753
01:20:47,479 --> 01:20:49,720
Speaker 1: your sheets, think blanket stink, go to her crib, her

1754
01:20:49,760 --> 01:20:54,280
Speaker 1: pillowcase stink because her bonnet stink. It's like, y'all can't

1755
01:20:54,320 --> 01:20:56,360
Speaker 1: even lay down like I'm about to go like what

1756
01:20:56,479 --> 01:20:58,599
Speaker 1: is are you a bed stink? How you a bed?

1757
01:20:58,720 --> 01:21:04,880
Speaker 1: Funky your how is this this where he's supposed to

1758
01:21:04,920 --> 01:21:07,880
Speaker 1: have a good, nice sleeper. It smells like a coffin, like.

1759
01:21:10,120 --> 01:21:12,080
Speaker 2: You gotta smell like right when a nigga like where

1760
01:21:12,240 --> 01:21:14,479
Speaker 2: he where he lays, like where his butt would be.

1761
01:21:14,520 --> 01:21:15,519
Speaker 1: You gotta smell that part of.

1762
01:21:15,520 --> 01:21:19,280
Speaker 3: The sheet as soon as what does their bathroom look like?

1763
01:21:19,360 --> 01:21:21,559
Speaker 3: If their sheets are like that? Man, Because you can't

1764
01:21:21,720 --> 01:21:24,320
Speaker 3: wash your ass in a dirty bathroom. But dirty already

1765
01:21:24,360 --> 01:21:25,680
Speaker 3: you can't be people will know.

1766
01:21:25,880 --> 01:21:27,639
Speaker 1: This is the thing. This is the thing about dirty people.

1767
01:21:28,040 --> 01:21:31,120
Speaker 2: They know what clean people are expecting, right, so they

1768
01:21:31,240 --> 01:21:33,680
Speaker 2: know what makes them look clean, so they'll do like

1769
01:21:34,280 --> 01:21:36,880
Speaker 2: they'll straighten up and make ship look clean. So unless

1770
01:21:36,920 --> 01:21:39,719
Speaker 2: you're really inspecting, you don't know. Notice, but you can't

1771
01:21:39,880 --> 01:21:44,000
Speaker 2: hide the smell of funky ass on a sheet. Got

1772
01:21:44,040 --> 01:21:47,679
Speaker 2: the top sheet. Don't smell the top sheet, the one underneath. Yeah,

1773
01:21:47,840 --> 01:21:51,000
Speaker 2: you gotta get up under there, the one underneath.

1774
01:21:50,960 --> 01:21:52,439
Speaker 1: Doubt like where his feet beats.

1775
01:21:52,560 --> 01:21:53,439
Speaker 2: Smell down there.

1776
01:21:54,120 --> 01:21:58,400
Speaker 1: At the foot. That's how you're with some dirty people. No, no, don't,

1777
01:21:58,560 --> 01:22:01,160
Speaker 1: I don't. That's that's how I don't dirt people like

1778
01:22:01,520 --> 01:22:03,760
Speaker 1: it takes me one. Look like you be playing at ya.

1779
01:22:03,800 --> 01:22:11,559
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1780
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1807
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Speaker 1: one eight hundred Gambler Arizona, Colorado, Illinois, Michigan, New Jersey, Ohio, Tennessee,

1808
01:23:29,720 --> 01:23:38,760
Speaker 1: and Virginia. I need whatever toothpage Shylah Buff is using,

1809
01:23:38,800 --> 01:23:41,800
Speaker 1: though that's the third is Shyla Buff is easily the

1810
01:23:41,880 --> 01:23:44,920
Speaker 1: funniest dude in the world right now by fars not

1811
01:23:45,120 --> 01:23:49,120
Speaker 1: close watch the interview. Who's the interview? With Channel five

1812
01:23:49,439 --> 01:23:54,559
Speaker 1: Channel five Shilah Buff. Now was this post arrest? Yes,

1813
01:23:55,880 --> 01:23:58,360
Speaker 1: this was his out on Bill. This was his first

1814
01:23:58,439 --> 01:24:01,599
Speaker 1: day out. This is shilah Most first day out interview

1815
01:24:01,640 --> 01:24:05,640
Speaker 1: on Channel five. I don't know how many clips they

1816
01:24:05,880 --> 01:24:09,879
Speaker 1: plan on clipping from this, but this entire entire interview

1817
01:24:10,040 --> 01:24:14,479
Speaker 1: was just like incredible, Like Shyla Buff is one of

1818
01:24:14,520 --> 01:24:18,000
Speaker 1: my favorite people, for sure. It's funny. I forgot maybe

1819
01:24:18,000 --> 01:24:18,960
Speaker 1: it was last week.

1820
01:24:20,680 --> 01:24:23,040
Speaker 3: We were talking about maybe I don't know, off Mike,

1821
01:24:23,520 --> 01:24:26,320
Speaker 3: we're talking about man crushes. I've had a man crush

1822
01:24:26,400 --> 01:24:29,400
Speaker 3: on Shilah Buff my entire life. I'm like a big

1823
01:24:29,560 --> 01:24:30,960
Speaker 3: shy La Buff fan.

1824
01:24:31,520 --> 01:24:32,800
Speaker 1: So when this dropped.

1825
01:24:34,720 --> 01:24:36,639
Speaker 3: To me, this this this was like a new jay

1826
01:24:36,720 --> 01:24:39,840
Speaker 3: Z release anytime Shy gets in front of a mic,

1827
01:24:40,040 --> 01:24:43,639
Speaker 3: because the the John Bernthal interview that he did three

1828
01:24:43,680 --> 01:24:47,040
Speaker 3: years ago is like one of my favorite interviews period,

1829
01:24:47,360 --> 01:24:49,360
Speaker 3: and that's somebody that's sober and.

1830
01:24:51,040 --> 01:24:54,200
Speaker 1: In a good space in his life, right. But this

1831
01:24:54,360 --> 01:24:56,120
Speaker 1: is the Shy I really want to hear his day out.

1832
01:24:56,120 --> 01:24:58,879
Speaker 3: I don't want I don't want to hear from this logical,

1833
01:24:59,400 --> 01:25:03,280
Speaker 3: understanding human being that Nah, this is.

1834
01:25:03,320 --> 01:25:06,960
Speaker 1: The shot we need. I need Marty Groh Shila so

1835
01:25:07,160 --> 01:25:09,240
Speaker 1: charlabaff from the Epstein Files. He said, I was chasing

1836
01:25:09,280 --> 01:25:10,800
Speaker 1: ass and Marty Guard. Bro, what do you mean I

1837
01:25:10,880 --> 01:25:13,720
Speaker 1: wasn't paying no attention to Epstein files. This is beyond me, Bro,

1838
01:25:13,880 --> 01:25:16,040
Speaker 1: I don't get into this. Yeah, I just wondered. It

1839
01:25:16,160 --> 01:25:17,560
Speaker 1: was like the biggest news story in the world for

1840
01:25:17,600 --> 01:25:19,479
Speaker 1: a couple of days. If you've got no life, he's

1841
01:25:19,479 --> 01:25:21,599
Speaker 1: just sitting in a hole. That means you're not chasing

1842
01:25:21,640 --> 01:25:23,840
Speaker 1: the ass. Motherfuckers that are that are in the street,

1843
01:25:23,920 --> 01:25:25,760
Speaker 1: they don't give a fuck about this stupid shit. If

1844
01:25:25,800 --> 01:25:27,720
Speaker 1: you're sitting home all day like a like a who

1845
01:25:27,800 --> 01:25:30,559
Speaker 1: got kidnapped, your life sucks. You're norm me. But if

1846
01:25:30,600 --> 01:25:32,640
Speaker 1: you're out here, nobody cares about none of this. I

1847
01:25:32,720 --> 01:25:35,519
Speaker 1: remember asking Kendrick Lamar one time, like, bro, hey Trump

1848
01:25:35,560 --> 01:25:37,760
Speaker 1: a Kamala. He was like, you think I give a fuck?

1849
01:25:38,120 --> 01:25:40,360
Speaker 1: Like he ain't got a like he ain't got a lion.

1850
01:25:40,840 --> 01:25:43,240
Speaker 1: We got families to feed. I'm the good I'm the

1851
01:25:43,320 --> 01:25:45,519
Speaker 1: good one. Yeah, you ain't seeing me on this, on

1852
01:25:45,600 --> 01:25:47,439
Speaker 1: those lists or in those rooms. My life is in

1853
01:25:47,520 --> 01:25:50,000
Speaker 1: the see this is like even what he's saying don't

1854
01:25:50,000 --> 01:25:53,680
Speaker 1: make sense. He said, like he ain't got a like

1855
01:25:53,800 --> 01:25:56,720
Speaker 1: he ain't God ain't lying. We got families to feed.

1856
01:25:56,800 --> 01:25:57,960
Speaker 1: I don't even know what that means.

1857
01:25:58,080 --> 01:25:59,640
Speaker 2: I think the person who typed this out might have

1858
01:25:59,640 --> 01:26:01,240
Speaker 2: got that wrong, but I think he just meant like

1859
01:26:01,320 --> 01:26:02,800
Speaker 2: he ain't lying, we got families to fee.

1860
01:26:02,840 --> 01:26:04,200
Speaker 1: I'm the good one. Yeah, you ain't seeing me on

1861
01:26:04,320 --> 01:26:06,040
Speaker 1: those lists or in those rooms. My life is in

1862
01:26:06,080 --> 01:26:08,760
Speaker 1: the streets. My life is in the streets. Hyla Buff

1863
01:26:08,840 --> 01:26:10,400
Speaker 1: is really out here in the streets. She's getting arrested

1864
01:26:10,439 --> 01:26:14,080
Speaker 1: in Marty Graus like he's on set. He became a

1865
01:26:14,320 --> 01:26:16,679
Speaker 1: gang bang at thirty six just for like research purposes

1866
01:26:16,720 --> 01:26:19,880
Speaker 1: for a film. Like y'all, y'all not doing what Shaya

1867
01:26:20,040 --> 01:26:22,720
Speaker 1: is doing. Y're not really living like this. This dude

1868
01:26:22,800 --> 01:26:25,160
Speaker 1: is the definition of don't give a fuck. I'm free.

1869
01:26:25,479 --> 01:26:27,439
Speaker 1: I can do whatever I want, I go wherever I go.

1870
01:26:28,040 --> 01:26:30,519
Speaker 1: But on Sophomo all of that, he is a talented actors. Well,

1871
01:26:30,600 --> 01:26:32,080
Speaker 1: let's keep over the gang bang part.

1872
01:26:32,720 --> 01:26:35,200
Speaker 3: My favorite part was not that Shilah Buff joined the

1873
01:26:35,240 --> 01:26:37,960
Speaker 3: gang in thirty six whatever, different strokes for different folks.

1874
01:26:38,760 --> 01:26:41,120
Speaker 3: It was when they asked did you get jumped in?

1875
01:26:41,600 --> 01:26:45,720
Speaker 3: And he explained that they were considering it, and then

1876
01:26:45,800 --> 01:26:48,439
Speaker 3: when come on, man, we can't. We can't jump you.

1877
01:26:49,080 --> 01:26:49,720
Speaker 1: We're not doing that.

1878
01:26:50,560 --> 01:26:53,479
Speaker 3: What does that group chat look like? Yeah, we thought

1879
01:26:53,479 --> 01:26:54,720
Speaker 3: about it. We thought he was gonna put you on

1880
01:26:54,800 --> 01:26:55,479
Speaker 3: the black mat, but.

1881
01:26:57,520 --> 01:26:59,120
Speaker 1: We don't he's gonna jump you in. But and then

1882
01:26:59,400 --> 01:27:01,479
Speaker 1: we decided like, nah, man, we can't do that to you.

1883
01:27:01,880 --> 01:27:03,680
Speaker 1: Then we took some time, we talked it over, and

1884
01:27:03,760 --> 01:27:05,519
Speaker 1: we don't think that we should jump you into this gag.

1885
01:27:06,360 --> 01:27:07,559
Speaker 1: I love I love this dude. Man.

1886
01:27:07,800 --> 01:27:10,000
Speaker 2: Do y'all agree with him on miss though? Well, what

1887
01:27:10,600 --> 01:27:12,720
Speaker 2: I'm chasing ass at Marty gra Like, what do you mean?

1888
01:27:12,800 --> 01:27:14,880
Speaker 1: What do you think? Like? This is No, I don't

1889
01:27:14,960 --> 01:27:16,679
Speaker 1: agree with everything.

1890
01:27:17,200 --> 01:27:19,919
Speaker 2: If you're sitting home all day like, ah, who got kidnapped?

1891
01:27:19,920 --> 01:27:20,559
Speaker 1: Your life sucks?

1892
01:27:20,720 --> 01:27:24,200
Speaker 3: No, I think I understood your children. Being sex trafficked

1893
01:27:24,320 --> 01:27:26,759
Speaker 3: is something that everyone should care about. I think actually

1894
01:27:26,760 --> 01:27:28,800
Speaker 3: a lot of people that don't care about running around

1895
01:27:29,080 --> 01:27:34,080
Speaker 3: Marty Gras is somehow how you could possibly get involved

1896
01:27:34,160 --> 01:27:37,240
Speaker 3: with sex trafficking if you ignore it. But that's another thing.

1897
01:27:37,320 --> 01:27:39,560
Speaker 1: I'm not at Marti grad chasing ass. I'm not doing that.

1898
01:27:40,120 --> 01:27:43,280
Speaker 1: I can understand how some people would be, but I'm

1899
01:27:43,320 --> 01:27:45,920
Speaker 1: also not. I think what he was was more so

1900
01:27:46,040 --> 01:27:50,680
Speaker 1: saying is people are a little too consumed with you know,

1901
01:27:50,760 --> 01:27:53,880
Speaker 1: the Epstein files and things like that. Now you should

1902
01:27:53,880 --> 01:27:56,160
Speaker 1: it should concern you being a citizen in this country.

1903
01:27:56,439 --> 01:27:59,400
Speaker 1: If there's sex trafficking oh anywhere, If this sex trafficking happening,

1904
01:27:59,840 --> 01:28:02,839
Speaker 1: and you know, kids are being kidnapped and sex trafficked,

1905
01:28:03,040 --> 01:28:05,760
Speaker 1: you should definitely be like concerned about it. But I

1906
01:28:05,800 --> 01:28:08,080
Speaker 1: think Shad was also saying like if this is if

1907
01:28:08,120 --> 01:28:11,840
Speaker 1: this consumes you every day, like your everyday thoughts in

1908
01:28:12,400 --> 01:28:15,400
Speaker 1: you know, your life, then it's like, bro, like what's

1909
01:28:15,479 --> 01:28:17,759
Speaker 1: up with you? I get it. I understand how somebody

1910
01:28:17,800 --> 01:28:21,160
Speaker 1: can be concerned, but like that's all you are online,

1911
01:28:21,439 --> 01:28:22,960
Speaker 1: reading and consuming every day.

1912
01:28:23,280 --> 01:28:25,120
Speaker 2: I also think that a lot of I agree with you,

1913
01:28:25,200 --> 01:28:27,080
Speaker 2: and I also think that a lot of these people

1914
01:28:27,080 --> 01:28:29,240
Speaker 2: are not being real with themselves. They only care because

1915
01:28:29,240 --> 01:28:33,400
Speaker 2: it's connected to celebrities. There's sex trafficking everywhere. You can

1916
01:28:33,520 --> 01:28:37,560
Speaker 2: get involved with helping to stop sex trafficking locally, Like

1917
01:28:38,240 --> 01:28:41,000
Speaker 2: there's so much sex con trafficking in America. People only

1918
01:28:41,080 --> 01:28:43,840
Speaker 2: care because it's about people who are celebrity related, Like

1919
01:28:43,960 --> 01:28:44,920
Speaker 2: that's why they're so.

1920
01:28:46,560 --> 01:28:47,960
Speaker 1: You hear about sex trafficking every day.

1921
01:28:48,080 --> 01:28:50,360
Speaker 3: I think there's definitely a group of people that care

1922
01:28:50,560 --> 01:28:52,840
Speaker 3: just because there's celebrity names in there. But I do

1923
01:28:53,000 --> 01:28:55,559
Speaker 3: think there is a large group of people that are

1924
01:28:55,680 --> 01:28:58,840
Speaker 3: very concerned that the elites that run this country, that

1925
01:28:58,920 --> 01:29:01,040
Speaker 3: we give our tax dollars to, that make every decision

1926
01:29:01,600 --> 01:29:05,360
Speaker 3: are involved in a sex trafficking. For sure, I think

1927
01:29:05,400 --> 01:29:09,120
Speaker 3: it's actually above the celebrity thing, like, fuck the celebrity shit, wait,

1928
01:29:09,200 --> 01:29:11,640
Speaker 3: you mean the people that are controlling our country have

1929
01:29:11,760 --> 01:29:15,280
Speaker 3: been doing this for as long as the countries existed.

1930
01:29:16,360 --> 01:29:19,400
Speaker 3: That's It doesn't consume my life every day, but it's

1931
01:29:19,439 --> 01:29:22,880
Speaker 3: a big concern to me. There's nothing I can do, unfortunately,

1932
01:29:23,000 --> 01:29:25,479
Speaker 3: but I don't even want to go through this because.

1933
01:29:26,240 --> 01:29:30,040
Speaker 1: There there was day no. But I can't say that

1934
01:29:30,080 --> 01:29:33,320
Speaker 1: there hasn't been a day that I don't think about

1935
01:29:33,320 --> 01:29:36,080
Speaker 1: the Epstein Vall. There's never been a day in your

1936
01:29:36,120 --> 01:29:39,960
Speaker 1: life where you don't think about this since since they

1937
01:29:40,640 --> 01:29:41,000
Speaker 1: came out.

1938
01:29:41,160 --> 01:29:43,280
Speaker 3: No, I don't think so that there's been a day

1939
01:29:43,320 --> 01:29:47,880
Speaker 3: that I haven't thought about. It's an extremely concerning thing.

1940
01:29:49,320 --> 01:29:54,840
Speaker 3: I don't care that random celebrities that someone called a

1941
01:29:54,880 --> 01:29:58,800
Speaker 3: hotline about are in it it. It concerns me that

1942
01:29:59,120 --> 01:30:01,640
Speaker 3: a lot of the dis vision making that goes on

1943
01:30:01,720 --> 01:30:04,080
Speaker 3: in this country, down to the fucking war that we're

1944
01:30:04,400 --> 01:30:09,879
Speaker 3: currently in, are attached to somebody that's holding sex trafficking

1945
01:30:10,000 --> 01:30:11,479
Speaker 3: over their heads as collateral.

1946
01:30:11,680 --> 01:30:12,280
Speaker 1: Like yeah, that that.

1947
01:30:14,400 --> 01:30:18,000
Speaker 3: That consumes my mind pretty often. I can't even watch

1948
01:30:18,080 --> 01:30:21,360
Speaker 3: this war and not think about that epsteinfall like at all.

1949
01:30:22,320 --> 01:30:25,760
Speaker 3: But neither own nor there because I'm here to have fun.

1950
01:30:25,760 --> 01:30:27,360
Speaker 3: That's why didn't even want to get too much into

1951
01:30:27,439 --> 01:30:30,320
Speaker 3: this part. Because as much as I do fuck with

1952
01:30:30,360 --> 01:30:32,000
Speaker 3: Shila buff I think he's made a lot of mistakes.

1953
01:30:32,040 --> 01:30:33,639
Speaker 3: I think he's owned up to a lot of mistakes.

1954
01:30:34,360 --> 01:30:37,920
Speaker 3: M And he's a grown man that will get in

1955
01:30:37,960 --> 01:30:41,920
Speaker 3: front of a microphone if he wants. How do we

1956
01:30:41,960 --> 01:30:43,879
Speaker 3: feel about putting a mic in someone's face.

1957
01:30:45,200 --> 01:30:49,200
Speaker 1: At this state? That's quote, it's quote entertainment.

1958
01:30:51,320 --> 01:30:51,360
Speaker 2: No.

1959
01:30:51,920 --> 01:30:53,799
Speaker 1: Here, here's the thing. I'm not here to judge anyone.

1960
01:30:54,000 --> 01:30:56,720
Speaker 3: If we were in New Orleans and ran into Shylabuff

1961
01:30:56,760 --> 01:31:00,479
Speaker 3: on Bourbon Street, bless you, bless you God bl straight

1962
01:31:00,960 --> 01:31:03,599
Speaker 3: on bond, I'd pay for his bond and say would

1963
01:31:03,640 --> 01:31:05,240
Speaker 3: you like to do a podcast? I'm not here to

1964
01:31:05,280 --> 01:31:07,519
Speaker 3: be on some holier than now shit whatsoever. I would

1965
01:31:07,560 --> 01:31:10,519
Speaker 3: one thousand percent do this interview no matter what. But

1966
01:31:12,439 --> 01:31:18,000
Speaker 3: looking at it, I appreciate somebody in this form, especially

1967
01:31:18,040 --> 01:31:21,439
Speaker 3: people that struggle with addiction and are similar to shoy

1968
01:31:21,640 --> 01:31:23,560
Speaker 3: to seeing him in this state do an interview. I

1969
01:31:23,600 --> 01:31:26,479
Speaker 3: do think that's important. But at what point did we

1970
01:31:26,600 --> 01:31:29,800
Speaker 3: pull back a bit? And like, I don't know if

1971
01:31:29,800 --> 01:31:31,040
Speaker 3: we should put some of this out.

1972
01:31:32,200 --> 01:31:34,400
Speaker 1: It's a little unfair to do to somebody that is

1973
01:31:35,160 --> 01:31:39,240
Speaker 1: telling you that they are not in the best mental,

1974
01:31:40,080 --> 01:31:45,639
Speaker 1: addictive state at the moment. Yeah, I mean, I understand

1975
01:31:45,680 --> 01:31:47,360
Speaker 1: what you're saying. But at the same time, this is

1976
01:31:47,479 --> 01:31:50,720
Speaker 1: this is what he does, though he's not gonna he's

1977
01:31:50,760 --> 01:31:53,360
Speaker 1: not doing an interview all the time, like interview every

1978
01:31:53,439 --> 01:31:56,519
Speaker 1: every month anything like that, Like I know, yeah, I

1979
01:31:56,600 --> 01:31:58,160
Speaker 1: mean I don't. Did you think he was in the

1980
01:31:58,200 --> 01:32:02,720
Speaker 1: wrong mental state in his interview? Yeah, okay, we're saying

1981
01:32:02,800 --> 01:32:03,280
Speaker 1: this areas.

1982
01:32:03,320 --> 01:32:05,000
Speaker 2: I ain't getting this game to be no fucking social

1983
01:32:05,080 --> 01:32:10,200
Speaker 2: worker like we're media personalities.

1984
01:32:10,240 --> 01:32:12,160
Speaker 1: This is at this point. I don't think chance I

1985
01:32:12,280 --> 01:32:15,080
Speaker 1: did anything wrong. What's I want to make that very clear.

1986
01:32:15,120 --> 01:32:17,639
Speaker 1: I'm not sitting here trying to be on my high

1987
01:32:17,680 --> 01:32:19,519
Speaker 1: horse of like I would do this interview and keep

1988
01:32:19,600 --> 01:32:20,479
Speaker 1: everything that was there.

1989
01:32:20,479 --> 01:32:22,400
Speaker 3: I probably would have provoked a little bit more than

1990
01:32:22,400 --> 01:32:24,680
Speaker 3: he did. I think he handled that very well. But

1991
01:32:24,840 --> 01:32:28,920
Speaker 3: it's just, yes, he wanted to do the interview, but

1992
01:32:29,000 --> 01:32:31,960
Speaker 3: at what point are we like, oh, no, man, should

1993
01:32:32,000 --> 01:32:34,880
Speaker 3: we be doing this right now? I'm talking just to

1994
01:32:34,960 --> 01:32:37,760
Speaker 3: the room in general. Yeah, we would do it, absolutely,

1995
01:32:40,400 --> 01:32:42,800
Speaker 3: How far is too far? That's what I actually I

1996
01:32:42,920 --> 01:32:46,519
Speaker 3: bought Domani and King in them. I just actually the

1997
01:32:46,520 --> 01:32:47,000
Speaker 3: same shit.

1998
01:32:47,800 --> 01:32:49,439
Speaker 1: Yeah, but I don't know, man, I think I get

1999
01:32:49,479 --> 01:32:52,280
Speaker 1: what you're saying about mental mental health and mentally people

2000
01:32:52,320 --> 01:32:54,360
Speaker 1: being in a certain space and should you put a

2001
01:32:54,439 --> 01:32:56,880
Speaker 1: camera in their face? But but I also at the

2002
01:32:56,920 --> 01:32:59,839
Speaker 1: shot he could have declined an interview. For sure. He's

2003
01:32:59,880 --> 01:33:02,639
Speaker 1: a grown man not in the right mental state.

2004
01:33:02,760 --> 01:33:05,040
Speaker 2: But if you're not in the right mental state, like

2005
01:33:05,760 --> 01:33:07,599
Speaker 2: that goes with any type of And I don't want

2006
01:33:07,600 --> 01:33:09,080
Speaker 2: to call this assault because that's not what it is.

2007
01:33:09,640 --> 01:33:13,839
Speaker 2: That goes with anything when you're taking advantage of someone

2008
01:33:15,200 --> 01:33:18,599
Speaker 2: who doesn't know better or isn't in the right mental

2009
01:33:18,640 --> 01:33:21,080
Speaker 2: state to stand up for themselves. Of course he agreed

2010
01:33:21,080 --> 01:33:24,840
Speaker 2: to it, that doesn't mean that it's good for him, like,

2011
01:33:25,240 --> 01:33:26,920
Speaker 2: if he's in a bad mental state, if he's not

2012
01:33:26,960 --> 01:33:29,360
Speaker 2: in his right state of mind, yeah, he's gonna agree

2013
01:33:29,400 --> 01:33:32,280
Speaker 2: to shit. He probably shouldn't like that. People who want

2014
01:33:32,360 --> 01:33:38,320
Speaker 2: crack are gonna suck strangers dick for crack like sensual. Yes,

2015
01:33:38,360 --> 01:33:41,519
Speaker 2: it's consensual, but you already know that this person is

2016
01:33:41,640 --> 01:33:43,559
Speaker 2: in dire need of something or they're not in their

2017
01:33:43,640 --> 01:33:46,240
Speaker 2: right mental state, so you are wrong for still taking

2018
01:33:46,280 --> 01:33:46,920
Speaker 2: advantage of them.

2019
01:33:47,439 --> 01:33:49,680
Speaker 3: I mean, at the same time, I also think this

2020
01:33:49,760 --> 01:33:52,120
Speaker 3: is why I'm a hypocrite. At the same time, I

2021
01:33:52,160 --> 01:33:55,120
Speaker 3: thought it was beautiful watching somebody work out something in

2022
01:33:55,280 --> 01:33:58,799
Speaker 3: real time on camera. I thought that was an actual

2023
01:33:58,880 --> 01:34:01,280
Speaker 3: not to be corn, a very beautiful thing. Like in

2024
01:34:01,360 --> 01:34:03,080
Speaker 3: the middle of his answers, he was still trying to

2025
01:34:03,080 --> 01:34:04,720
Speaker 3: figure out. He's like, I'm in the moment of this

2026
01:34:04,960 --> 01:34:09,920
Speaker 3: entire thing, which I think is cool to watch as

2027
01:34:10,320 --> 01:34:12,360
Speaker 3: human being to human being, because we've all been in

2028
01:34:12,479 --> 01:34:15,320
Speaker 3: situations where things are going left and we're trying to

2029
01:34:15,320 --> 01:34:16,360
Speaker 3: figure them out in real time.

2030
01:34:16,520 --> 01:34:21,160
Speaker 1: People have said that about Orlando Brown for a while now.

2031
01:34:21,240 --> 01:34:23,400
Speaker 1: That was gonna be my my nextame is shy is

2032
01:34:23,479 --> 01:34:28,799
Speaker 1: like they're the same nigga. No, they're not even what Orlando,

2033
01:34:29,280 --> 01:34:31,240
Speaker 1: you don't even know, you don't even know Shy's body

2034
01:34:31,320 --> 01:34:35,080
Speaker 1: like that. No, you can't do that. Okay, how do

2035
01:34:35,120 --> 01:34:37,519
Speaker 1: you think they're the same? So shot? Okay is Shy

2036
01:34:37,640 --> 01:34:39,479
Speaker 1: or Ragon? I think Baby is saying the same as

2037
01:34:39,520 --> 01:34:41,040
Speaker 1: far as like they say whatever the fuck they want

2038
01:34:41,040 --> 01:34:41,719
Speaker 1: to they say.

2039
01:34:41,600 --> 01:34:43,560
Speaker 2: Whatever they want to say. They're not but they have

2040
01:34:43,880 --> 01:34:46,439
Speaker 2: been mentally healthy in a while. And when people shove

2041
01:34:46,520 --> 01:34:49,679
Speaker 2: cameras in their faces hoping they say absolute crazy shit.

2042
01:34:49,880 --> 01:34:50,160
Speaker 1: I think.

2043
01:34:50,200 --> 01:34:52,880
Speaker 2: But I think Orlando is he's reached a point of

2044
01:34:53,320 --> 01:34:57,799
Speaker 2: you think it's trolling. I think Orlando is really mentally unhealthy.

2045
01:34:57,800 --> 01:34:58,720
Speaker 2: I don't think it's I think both.

2046
01:34:58,760 --> 01:35:00,519
Speaker 1: I'm not saying he's I'm not saying and he isn't

2047
01:35:00,560 --> 01:35:04,400
Speaker 1: mentally unhealthy. I'm just saying he also is trolling at

2048
01:35:04,439 --> 01:35:06,240
Speaker 1: the same time, like when he sat down with ray

2049
01:35:06,320 --> 01:35:11,639
Speaker 1: J and and what's the other Marco and he started

2050
01:35:11,720 --> 01:35:14,240
Speaker 1: like biting a microphone like it's like you know at

2051
01:35:14,240 --> 01:35:16,360
Speaker 1: that point, ye like like you know, come on, man,

2052
01:35:16,439 --> 01:35:19,839
Speaker 1: like are you serious? Like he's trolling, Like he's definitely

2053
01:35:19,960 --> 01:35:22,880
Speaker 1: know he knows everybody thinks he's batshit crazy. He knows

2054
01:35:22,920 --> 01:35:24,920
Speaker 1: when he walks in the room and cameras are there.

2055
01:35:24,960 --> 01:35:27,000
Speaker 1: People are waiting for him to say or do some

2056
01:35:27,080 --> 01:35:28,840
Speaker 1: crazy shit like he knows that at this point he

2057
01:35:29,000 --> 01:35:32,000
Speaker 1: knows okay, But I'm not saying he hasn't been through

2058
01:35:32,080 --> 01:35:34,760
Speaker 1: some some issues and had drug issues and things like that.

2059
01:35:34,920 --> 01:35:38,000
Speaker 1: We've saw obviously the real moments and as far as

2060
01:35:38,080 --> 01:35:41,439
Speaker 1: that goes. But I think he knows the lane he

2061
01:35:41,520 --> 01:35:44,240
Speaker 1: called for himself, and he knows he has people in

2062
01:35:44,280 --> 01:35:46,400
Speaker 1: the palm in his hands whenever he sits down for

2063
01:35:46,479 --> 01:35:48,160
Speaker 1: an interview and he's like, all right, they're waiting for

2064
01:35:48,240 --> 01:35:51,320
Speaker 1: the next crazy Orlando moment, like I'm gonna give it

2065
01:35:51,320 --> 01:35:53,360
Speaker 1: to him. I gotta give him something like He's definitely

2066
01:35:53,479 --> 01:35:54,280
Speaker 1: aware of that as well.

2067
01:35:54,439 --> 01:35:57,000
Speaker 3: I think those first interviews were very much somebody that

2068
01:35:57,080 --> 01:35:59,000
Speaker 3: has mental health issues on camera, and.

2069
01:35:59,040 --> 01:36:00,720
Speaker 1: Then he leaned into it.

2070
01:36:02,200 --> 01:36:06,519
Speaker 3: Him and Rasby started arguing and they were both claiming

2071
01:36:06,560 --> 01:36:07,479
Speaker 3: blood and crip.

2072
01:36:10,200 --> 01:36:11,679
Speaker 1: No, like they were.

2073
01:36:11,640 --> 01:36:14,439
Speaker 3: Yelling sets that neither one of them are a part of.

2074
01:36:14,960 --> 01:36:18,679
Speaker 3: But no, they He was screaming rolling sixties and throwing

2075
01:36:18,760 --> 01:36:24,639
Speaker 3: up a blood son. Oh yes, I think it's it's performing.

2076
01:36:24,680 --> 01:36:28,320
Speaker 3: At the same time, it does appear though that Shilah

2077
01:36:28,600 --> 01:36:33,879
Speaker 3: Love was possibly never mind he was arrested for yelling gaslers.

2078
01:36:34,880 --> 01:36:35,920
Speaker 1: Oh that's why he was arrested.

2079
01:36:36,080 --> 01:36:40,439
Speaker 3: Well, he was arrested for disturbing the peace and getting

2080
01:36:40,479 --> 01:36:43,760
Speaker 3: in a fight. But it was because there also may

2081
01:36:43,960 --> 01:36:48,519
Speaker 3: possibly be a hate crime charge that's added to what

2082
01:36:48,640 --> 01:36:52,320
Speaker 3: it was because it may have started from slurs. Now,

2083
01:36:52,400 --> 01:36:53,320
Speaker 3: he had said that.

2084
01:36:54,840 --> 01:36:58,280
Speaker 1: He is homophobic if it means when big gays touch

2085
01:36:58,320 --> 01:37:04,000
Speaker 1: your leg, you don't like it, don't look at it.

2086
01:37:04,120 --> 01:37:06,040
Speaker 1: Why are you looking at me? Why are you looking

2087
01:37:06,080 --> 01:37:08,720
Speaker 1: at me? I just felt them one when he said that,

2088
01:37:08,800 --> 01:37:10,360
Speaker 1: I felt the same way, Like it's.

2089
01:37:10,240 --> 01:37:11,880
Speaker 2: Like when ma all about to say some ship that

2090
01:37:12,040 --> 01:37:13,320
Speaker 2: he know I'm gonna end up cutting out.

2091
01:37:13,520 --> 01:37:15,479
Speaker 1: No, I just look at me before he because I

2092
01:37:15,560 --> 01:37:17,200
Speaker 1: just I just felt shy when he said that I

2093
01:37:17,200 --> 01:37:19,719
Speaker 1: would be uncomfortable to if big gay man started touching

2094
01:37:19,760 --> 01:37:22,679
Speaker 1: my leg. I'm not gay. Why are you touching my leg?

2095
01:37:23,200 --> 01:37:25,400
Speaker 1: I think that was crazy for shy to so. I mean,

2096
01:37:25,439 --> 01:37:26,680
Speaker 1: but I feel like I don't see a world in

2097
01:37:26,720 --> 01:37:28,519
Speaker 1: the way that would happen that. Let me say that,

2098
01:37:28,840 --> 01:37:32,000
Speaker 1: where was shy when big gay dudes started touching his leg?

2099
01:37:33,360 --> 01:37:35,880
Speaker 1: All right, it's a party town. It's a party, it's

2100
01:37:35,920 --> 01:37:40,439
Speaker 1: a card was you know we have I mean what

2101
01:37:40,560 --> 01:37:42,919
Speaker 1: were they wearing, how were they dressed or they gladly

2102
01:37:43,040 --> 01:37:46,559
Speaker 1: dressed or did they have one you had? Cut off

2103
01:37:46,600 --> 01:37:49,240
Speaker 1: gen shorts is gay? I think that's a note that's

2104
01:37:49,320 --> 01:37:52,720
Speaker 1: like a universal that man might be gay when it's

2105
01:37:53,000 --> 01:37:56,439
Speaker 1: not the long cut off gen shorts, the short like

2106
01:37:56,520 --> 01:37:59,880
Speaker 1: the joints you would wear baby d okay short like

2107
01:38:00,040 --> 01:38:02,720
Speaker 1: the short short gene shorts like in the photobo. Yeah,

2108
01:38:02,760 --> 01:38:05,360
Speaker 1: you know that's gay men attire. They gay men love

2109
01:38:05,479 --> 01:38:09,400
Speaker 1: denim shorts like but the short, the short denims though

2110
01:38:09,479 --> 01:38:14,120
Speaker 1: not the the knee joints to up here like if

2111
01:38:14,160 --> 01:38:15,719
Speaker 1: I if I sit down, I might show a little

2112
01:38:15,760 --> 01:38:19,920
Speaker 1: fur like them type of you know, it's like that

2113
01:38:20,040 --> 01:38:23,880
Speaker 1: gentleman might be gay, that's all. I just like the

2114
01:38:23,960 --> 01:38:26,960
Speaker 1: genlem shorts with the like you know, if they have

2115
01:38:27,000 --> 01:38:29,120
Speaker 1: the Doc Martin boots on like the black with the

2116
01:38:29,200 --> 01:38:31,599
Speaker 1: gate with the denim shorts, that gentleman might be gay.

2117
01:38:31,720 --> 01:38:35,960
Speaker 1: When they like super in shape. Gay men love the

2118
01:38:36,040 --> 01:38:37,639
Speaker 1: gym game. Men gonna work o, they're gonna look good

2119
01:38:37,640 --> 01:38:40,680
Speaker 1: for they man. Yeah, so you know if one of

2120
01:38:40,720 --> 01:38:42,439
Speaker 1: those dudes was to touch me, I would be uncomfortable

2121
01:38:42,439 --> 01:38:44,360
Speaker 1: to you. So what I'm saying like, don't touch me fan.

2122
01:38:44,800 --> 01:38:46,800
Speaker 2: I feel like if any grown man touched your legg

2123
01:38:46,800 --> 01:38:48,960
Speaker 2: you would be uncomfortable. He doesn't have to have Daisy

2124
01:38:49,040 --> 01:38:49,400
Speaker 2: Dukes on.

2125
01:38:49,960 --> 01:38:52,200
Speaker 1: Yeah, you can have on a Nike Tech. If nigga

2126
01:38:52,280 --> 01:38:54,600
Speaker 1: touched my, I'm gonna be like, yo, fav now I

2127
01:38:54,680 --> 01:38:57,760
Speaker 1: gotta kill you and you can't with don't touch me. Yeah,

2128
01:38:57,800 --> 01:39:01,080
Speaker 1: I'm uncomfortable. Yeah, as a sexual man, no man should

2129
01:39:01,080 --> 01:39:03,200
Speaker 1: be touching me. I know the case is petting Shyla

2130
01:39:03,280 --> 01:39:05,479
Speaker 1: buffs full of shit. There's no way he was sitting

2131
01:39:05,600 --> 01:39:09,479
Speaker 1: between two large gay men and they started grabbing his legs. No,

2132
01:39:09,640 --> 01:39:12,160
Speaker 1: they might don't know he saw a gay person and

2133
01:39:12,320 --> 01:39:15,040
Speaker 1: yelled some shit. He shouldn't have said, yeah, I could

2134
01:39:15,040 --> 01:39:17,840
Speaker 1: see that happening. That's a thousand percent what happen. He

2135
01:39:17,960 --> 01:39:20,160
Speaker 1: was not just chilling and then just just now. But

2136
01:39:20,240 --> 01:39:23,800
Speaker 1: you don't know he's he's a Hollywood actor. The guys

2137
01:39:23,880 --> 01:39:26,280
Speaker 1: probably saw know who Shya is. They probably thought he

2138
01:39:26,400 --> 01:39:30,000
Speaker 1: was attractive. They probably read he was gay. Somewhere. It's

2139
01:39:30,120 --> 01:39:33,559
Speaker 1: Marty Graway all drinking. Anyone's read that Hilda buffs gay.

2140
01:39:33,680 --> 01:39:35,200
Speaker 1: I mean I think it was something like that about

2141
01:39:35,200 --> 01:39:37,759
Speaker 1: shy before yo, but also when married.

2142
01:39:37,880 --> 01:39:40,000
Speaker 2: I'm calling cat because a gay man not just gonna

2143
01:39:40,040 --> 01:39:42,280
Speaker 2: rub your leg you, Shyla Bo. He's gonna rub your face.

2144
01:39:42,400 --> 01:39:44,160
Speaker 2: He gonna slide his hand down your face like this.

2145
01:39:45,120 --> 01:39:47,080
Speaker 2: If you Shyla Bo, I've never seen the.

2146
01:39:48,680 --> 01:39:52,360
Speaker 1: But slid his hand down his face like oh, like

2147
01:39:52,439 --> 01:39:53,880
Speaker 1: he gonna call him cute or some shit like that.

2148
01:39:53,960 --> 01:39:55,760
Speaker 2: Like they're not gonna just grab your legs like I

2149
01:39:55,800 --> 01:39:58,320
Speaker 2: don't like that, making game like big gay men aggressive

2150
01:39:58,439 --> 01:40:02,840
Speaker 2: Like no, he's gonna stroke your face gently, that's not aggressive. No,

2151
01:40:03,280 --> 01:40:04,840
Speaker 2: but you can it can make you uncomfortable with those

2152
01:40:04,840 --> 01:40:05,639
Speaker 2: that grabbed your leg.

2153
01:40:05,760 --> 01:40:08,400
Speaker 1: Stroking your face isn't aggressive. Baby. If you're on a

2154
01:40:08,479 --> 01:40:10,639
Speaker 1: date with guy right now, he stroked your face, that's

2155
01:40:10,640 --> 01:40:13,080
Speaker 1: not aggressive to you. What do you look like? See exactly?

2156
01:40:13,960 --> 01:40:14,760
Speaker 1: That's we were all.

2157
01:40:15,080 --> 01:40:17,840
Speaker 3: If we were all walking down the street and a

2158
01:40:17,960 --> 01:40:19,600
Speaker 3: man came up to you and went like this to

2159
01:40:19,680 --> 01:40:23,280
Speaker 3: your face, and I would not the dog ship.

2160
01:40:23,600 --> 01:40:25,880
Speaker 1: Like baby did, oh my god, it's so good to

2161
01:40:25,960 --> 01:40:28,400
Speaker 1: see you. That's not aggressive. It would be handed throat

2162
01:40:28,520 --> 01:40:31,560
Speaker 1: immediately like that's aggressive. Yeah, that's what I'm saying. So,

2163
01:40:32,280 --> 01:40:37,080
Speaker 1: but at Marty Grass acceptable At Marty Grass is acceptable. Nah,

2164
01:40:37,160 --> 01:40:39,040
Speaker 1: not for Shy. He don't want the big gays touching him.

2165
01:40:39,560 --> 01:40:40,200
Speaker 1: He's not rolling.

2166
01:40:41,080 --> 01:40:45,120
Speaker 3: But all right, anyone non consensually that's big that touches me,

2167
01:40:45,200 --> 01:40:48,680
Speaker 3: I'm gonna feel like if if Ronda Rousey grabbed my

2168
01:40:48,760 --> 01:40:51,759
Speaker 3: thigh like unconsensually, I'd be I'd be scared.

2169
01:40:52,520 --> 01:40:55,320
Speaker 1: No, I would be terrified, like I need to work

2170
01:40:55,320 --> 01:40:56,720
Speaker 1: on my gobline, squatch a little bit, like what I

2171
01:40:56,800 --> 01:40:58,479
Speaker 1: need to do. I would ask Ronda like what I

2172
01:40:58,560 --> 01:41:00,840
Speaker 1: need to do in the gym. I would think she's saying, like, Yo,

2173
01:41:01,040 --> 01:41:02,160
Speaker 1: Rowsey is beautiful.

2174
01:41:02,200 --> 01:41:06,000
Speaker 3: I'm just saying, unconsensually somebody that can clearly beat me up.

2175
01:41:06,680 --> 01:41:08,719
Speaker 1: I would feel threatened. Oh so it's whenever you feel

2176
01:41:08,720 --> 01:41:09,800
Speaker 1: like you can be beat up.

2177
01:41:10,520 --> 01:41:14,799
Speaker 3: If someone is unconsensually touching me and I feel threatened,

2178
01:41:14,960 --> 01:41:18,840
Speaker 3: like they would harm me. Yes, I feel threatened. Okay,

2179
01:41:19,560 --> 01:41:22,360
Speaker 3: do you think you could beat up ro aroundy? So

2180
01:41:22,479 --> 01:41:24,920
Speaker 3: if you didn't want her touch and she touched you,

2181
01:41:24,960 --> 01:41:28,639
Speaker 3: would you not feel fear she was gonna take your manhood?

2182
01:41:28,680 --> 01:41:30,360
Speaker 1: Yeah? I would let her have a Rhonda she could take.

2183
01:41:30,400 --> 01:41:33,120
Speaker 1: She gonna have a way with Ronni. Goo ahead, man,

2184
01:41:33,160 --> 01:41:37,960
Speaker 1: go go ahead, get you some go ahead to get

2185
01:41:37,960 --> 01:41:39,040
Speaker 1: you a little. I don't know how much of this

2186
01:41:39,080 --> 01:41:41,000
Speaker 1: we're gonna keep. This is just I feel like this

2187
01:41:41,120 --> 01:41:48,680
Speaker 1: isn't bad. And I'm a liberal. Wait what, baby, d

2188
01:41:48,880 --> 01:41:52,800
Speaker 1: what you are a liberal? What the happening? Yes? On paper?

2189
01:41:53,560 --> 01:41:55,760
Speaker 1: Oh gosh, I'm the only liberal in this room. We

2190
01:41:55,800 --> 01:41:57,719
Speaker 1: don't know about Ryan yet, but I'm the only liberal.

2191
01:41:58,160 --> 01:42:07,200
Speaker 1: Ry liberal. Oh he's a big dem big dem big Democrat. Anyways,

2192
01:42:07,240 --> 01:42:10,040
Speaker 1: I did really enjoy this, this Shilah buff interview. No,

2193
01:42:10,200 --> 01:42:11,120
Speaker 1: this was this was dope.

2194
01:42:11,960 --> 01:42:15,040
Speaker 3: I do hope he finds the piece that he's looking for.

2195
01:42:15,400 --> 01:42:17,679
Speaker 3: I hope he doesn't have to sit down for a while.

2196
01:42:17,960 --> 01:42:19,840
Speaker 3: But he said he's fine if he has to do that.

2197
01:42:19,920 --> 01:42:21,720
Speaker 1: I believe him. I don't believe anything is wrong with

2198
01:42:21,760 --> 01:42:22,960
Speaker 1: Shyla bu Well, since we're.

2199
01:42:22,840 --> 01:42:25,080
Speaker 2: Talking about mental health, I wanted to get you guys's

2200
01:42:25,200 --> 01:42:28,479
Speaker 2: opinion on you know, we love to diagnose people here,

2201
01:42:28,560 --> 01:42:31,040
Speaker 2: like Rory has called people autistic and all.

2202
01:42:30,920 --> 01:42:34,200
Speaker 1: Of these things. Right, you did diagnose the game with autism.

2203
01:42:34,760 --> 01:42:38,200
Speaker 1: I said he was bipolar. Both, it was definitely both. No,

2204
01:42:38,320 --> 01:42:39,120
Speaker 1: I said he was bipolar.

2205
01:42:39,120 --> 01:42:41,960
Speaker 2: Oh, bipolar okay, well, since we diagnosed people. I came

2206
01:42:42,000 --> 01:42:44,880
Speaker 2: across a TikTok there was a young white woman shout

2207
01:42:44,880 --> 01:42:47,240
Speaker 2: out to her and her pain, and she was talking

2208
01:42:47,280 --> 01:42:50,679
Speaker 2: about her ex, her ex being a new NFL player.

2209
01:42:50,760 --> 01:42:53,040
Speaker 2: Tes Johnson who got signed to the Bucks last year,

2210
01:42:53,160 --> 01:42:55,600
Speaker 2: drafted to the Bucks, and she was talking about the

2211
01:42:55,680 --> 01:42:59,320
Speaker 2: day that she got engaged and the day she got engaged,

2212
01:42:59,320 --> 01:43:01,840
Speaker 2: everything was beauty, she was in love. A couple months later,

2213
01:43:02,439 --> 01:43:05,439
Speaker 2: his ex, you know, once his ex saw that they

2214
01:43:05,520 --> 01:43:08,160
Speaker 2: were engaged, blah blah blah, contacted her and sent her

2215
01:43:08,200 --> 01:43:11,000
Speaker 2: some screenshots of some things that he sent her on

2216
01:43:11,160 --> 01:43:14,000
Speaker 2: the day of the engagement. On the day of the engagement,

2217
01:43:14,120 --> 01:43:16,720
Speaker 2: tex Johnson text his ex at nine to eleven in

2218
01:43:16,760 --> 01:43:22,439
Speaker 2: the morning and said, neath your throat, never forget kneeds

2219
01:43:22,479 --> 01:43:26,200
Speaker 2: your throat, never forget At nine to eleven, am, I'm.

2220
01:43:26,040 --> 01:43:28,840
Speaker 1: Forgets your throat. No, I didn't forget her throat, never forget.

2221
01:43:28,840 --> 01:43:32,200
Speaker 2: Day of his engagement, right, So text that goes on

2222
01:43:32,320 --> 01:43:34,880
Speaker 2: to plan the whole day, you know, proposes to his

2223
01:43:35,000 --> 01:43:40,000
Speaker 2: fiance all of these things, right. He then he then

2224
01:43:40,200 --> 01:43:42,559
Speaker 2: texts at the end of the day, right twelve twenty

2225
01:43:42,600 --> 01:43:44,519
Speaker 2: two in the morning after proposing to his fiance, and

2226
01:43:44,600 --> 01:43:46,400
Speaker 2: she says yes. He says, when can I nut in

2227
01:43:46,400 --> 01:43:49,000
Speaker 2: you and fuck you like I want to? The ex

2228
01:43:49,120 --> 01:43:51,800
Speaker 2: girlfriend to the ex girlfriend day he got engaged, the

2229
01:43:51,880 --> 01:43:54,320
Speaker 2: day he got engaged, So before the engagement, it was

2230
01:43:55,360 --> 01:43:57,000
Speaker 2: your throw. After the engagement, it was when can I

2231
01:43:57,080 --> 01:43:58,240
Speaker 2: nut in you and fuck you like I want?

2232
01:43:58,680 --> 01:44:03,320
Speaker 1: Same day? Same day? Mm hmm, that's being what were

2233
01:44:03,360 --> 01:44:03,879
Speaker 1: her replies?

2234
01:44:05,320 --> 01:44:08,880
Speaker 2: She cut those, she herded kneeds your throat, and then

2235
01:44:09,840 --> 01:44:12,200
Speaker 2: she cut everything else out. I guess before she screenshot

2236
01:44:12,280 --> 01:44:12,840
Speaker 2: it in sentence?

2237
01:44:12,960 --> 01:44:16,519
Speaker 1: Why they do that? You let me said that doesn't matter,

2238
01:44:17,520 --> 01:44:19,200
Speaker 1: It doesn't You didn't know he was getting engaged, so

2239
01:44:19,280 --> 01:44:22,799
Speaker 1: you're right, I understand that, but like, just for context,

2240
01:44:23,479 --> 01:44:26,080
Speaker 1: just curious what your replies, Curious what your replies, that's all.

2241
01:44:26,640 --> 01:44:28,800
Speaker 1: But there's a reason you blacked it out, So all right, cool,

2242
01:44:30,160 --> 01:44:33,479
Speaker 1: he's wild to start there, he's wild for that. Like

2243
01:44:33,680 --> 01:44:36,519
Speaker 1: on the day you're getting engaged, you're texting your axe

2244
01:44:36,520 --> 01:44:38,400
Speaker 1: and need your throat and I want to nut in you?

2245
01:44:38,600 --> 01:44:40,560
Speaker 1: And what when can I nut in you? And you

2246
01:44:40,680 --> 01:44:42,280
Speaker 1: like I want we can I nut you? And like

2247
01:44:42,320 --> 01:44:46,559
Speaker 1: I want laying next weird, laying next to your five

2248
01:44:46,760 --> 01:44:51,360
Speaker 1: hour old fiance. When you put it that way, Yeah,

2249
01:44:51,479 --> 01:44:55,080
Speaker 1: he's he's he's tripping, he's wild for that, he's wild.

2250
01:44:55,240 --> 01:44:58,840
Speaker 1: Texting like that is wild. Period like period whatever. Yeah,

2251
01:44:58,880 --> 01:45:01,240
Speaker 1: that's our related. We have a sexual relationship. Yeah, that's

2252
01:45:01,280 --> 01:45:03,360
Speaker 1: a normal that's a normal Saturday morning. That's that's how

2253
01:45:03,439 --> 01:45:05,639
Speaker 1: we do. Wake up, waking, bake, you know what I'm saying,

2254
01:45:05,680 --> 01:45:07,760
Speaker 1: that's how we do. But then why get engaged. I

2255
01:45:07,920 --> 01:45:11,000
Speaker 1: was if you're feeling this way that that morning at

2256
01:45:11,040 --> 01:45:13,639
Speaker 1: nine to eleven, maybe you should keep the wedding day gage.

2257
01:45:13,680 --> 01:45:16,320
Speaker 1: I just holded it like like, you know what, today,

2258
01:45:16,360 --> 01:45:18,679
Speaker 1: maybe it's not the day. There's nothing that maybe eventually

2259
01:45:18,800 --> 01:45:20,840
Speaker 1: we can get there. I still need her throat, Like

2260
01:45:21,439 --> 01:45:23,840
Speaker 1: maybe I don't need to have a fiance like goes

2261
01:45:23,880 --> 01:45:25,640
Speaker 1: in and hey, if you need another woman's throat, you

2262
01:45:25,680 --> 01:45:26,320
Speaker 1: don't need that with you.

2263
01:45:26,560 --> 01:45:28,599
Speaker 2: Why don't you propose to the one that you talked

2264
01:45:28,600 --> 01:45:31,200
Speaker 2: to like that, because I would assume a few texted

2265
01:45:31,240 --> 01:45:31,519
Speaker 2: her like that.

2266
01:45:31,800 --> 01:45:35,000
Speaker 1: It's clearly just sex. It's clearly just like that's my

2267
01:45:35,280 --> 01:45:38,560
Speaker 1: you know, I need her throat. I don't need the

2268
01:45:38,640 --> 01:45:42,000
Speaker 1: rest of her, nah, just the throat. Well, I needs

2269
01:45:42,040 --> 01:45:44,880
Speaker 1: somewhere to nut as well the throat. Nobody said he's

2270
01:45:44,920 --> 01:45:47,400
Speaker 1: gonna nothing inside. Well, I guess maybe he's about the throat. Yeah,

2271
01:45:47,560 --> 01:45:49,920
Speaker 1: I thought he was talking more about her vagiant can.

2272
01:45:50,000 --> 01:45:51,680
Speaker 1: He said, when can I win? When can I nut

2273
01:45:51,760 --> 01:45:53,639
Speaker 1: in you and fuck you like I want? Yeah? When

2274
01:45:53,680 --> 01:45:55,960
Speaker 1: can I nut in you? The throats? I've never.

2275
01:45:57,600 --> 01:45:59,680
Speaker 3: Tim I I've never came in a woman's mouth and

2276
01:45:59,720 --> 01:46:02,439
Speaker 3: thought I nonel inside of her. But I guess by

2277
01:46:02,560 --> 01:46:03,320
Speaker 3: definition I did.

2278
01:46:03,479 --> 01:46:05,880
Speaker 1: Yeah, So sorry to my parents that are watching this. Yeah,

2279
01:46:06,439 --> 01:46:08,720
Speaker 1: I'm just saying he's he's either way. He's wild for

2280
01:46:08,840 --> 01:46:12,040
Speaker 1: texting his ex that and he gets engaged. That's like,

2281
01:46:12,880 --> 01:46:15,720
Speaker 1: fam you you got you living like multiple lives at

2282
01:46:15,760 --> 01:46:16,120
Speaker 1: this point.

2283
01:46:16,439 --> 01:46:19,000
Speaker 2: But is that like the horror complex of like, because

2284
01:46:19,000 --> 01:46:21,439
Speaker 2: I've had this conversation with men that I've dated where

2285
01:46:21,439 --> 01:46:23,240
Speaker 2: there were things they were like, there's things I'm just

2286
01:46:23,360 --> 01:46:25,880
Speaker 2: not comfortable doing with you because those are things we

2287
01:46:26,000 --> 01:46:26,559
Speaker 2: do the horrors.

2288
01:46:27,680 --> 01:46:30,400
Speaker 1: Fine, right, this is totally different. This is the day

2289
01:46:30,439 --> 01:46:31,560
Speaker 1: you're getting engaged.

2290
01:46:32,080 --> 01:46:34,439
Speaker 2: But what I'm saying is the issue might be is

2291
01:46:34,520 --> 01:46:37,880
Speaker 2: that he looks at his future wife or ex future

2292
01:46:37,920 --> 01:46:40,599
Speaker 2: wife one way and that other girl another way.

2293
01:46:40,840 --> 01:46:43,160
Speaker 1: Yeah, with her, it's like his pornho his little porn star.

2294
01:46:43,439 --> 01:46:45,960
Speaker 1: They have great sex. It's just like a sexual chemistry.

2295
01:46:46,120 --> 01:46:48,280
Speaker 1: Married a porn star. Why would you not want to

2296
01:46:48,280 --> 01:46:51,360
Speaker 1: slut out your wife? Some people don't, especially in the South,

2297
01:46:51,479 --> 01:46:55,280
Speaker 1: some people don't. Some people don't. Yeah, some people don't.

2298
01:46:55,320 --> 01:46:57,320
Speaker 1: Some people don't feel like they should be doing that

2299
01:46:57,400 --> 01:46:57,920
Speaker 1: to their wife.

2300
01:46:57,960 --> 01:47:00,200
Speaker 3: And I mean slid out in the most positive way

2301
01:47:00,439 --> 01:47:01,960
Speaker 3: and the most like if you want to be with

2302
01:47:02,040 --> 01:47:04,800
Speaker 3: this person, all right, so then you're just dedicated to

2303
01:47:04,880 --> 01:47:07,400
Speaker 3: a life of cheating some people because if those are

2304
01:47:07,439 --> 01:47:13,000
Speaker 3: your needs, which are fine consentually, Like what why wouldn't

2305
01:47:13,000 --> 01:47:13,360
Speaker 3: you want.

2306
01:47:13,200 --> 01:47:14,760
Speaker 1: To do that to your girl? But that's a real

2307
01:47:15,200 --> 01:47:18,200
Speaker 1: because maybe the fiance is not into that type of sex.

2308
01:47:18,240 --> 01:47:20,000
Speaker 1: Oh she's not then that that's what we don't know.

2309
01:47:20,040 --> 01:47:22,519
Speaker 1: Maybe maybe that's not your person. Maybe he don't want

2310
01:47:22,560 --> 01:47:24,479
Speaker 1: her to be into that. Maybe he don't want her

2311
01:47:24,520 --> 01:47:26,160
Speaker 1: to be which is a that's the conversation me and

2312
01:47:26,240 --> 01:47:28,240
Speaker 1: all are having. That's a real thing. Yeah, a lot

2313
01:47:28,240 --> 01:47:29,880
Speaker 1: of people don't look at their wife and say, you

2314
01:47:29,920 --> 01:47:30,720
Speaker 1: know what, I'm with you.

2315
01:47:30,760 --> 01:47:32,680
Speaker 3: No, we're all having the same conversation. I think that's

2316
01:47:32,760 --> 01:47:36,640
Speaker 3: insane that you would not want your life partner to

2317
01:47:36,880 --> 01:47:38,200
Speaker 3: explore sexually.

2318
01:47:38,360 --> 01:47:42,720
Speaker 1: You know, I think that's very odd. No, I'm just

2319
01:47:42,800 --> 01:47:47,200
Speaker 1: saying he just shouldn't have gotten engaged. No, Like, at

2320
01:47:47,240 --> 01:47:49,000
Speaker 1: some point, I think you should explore more with your

2321
01:47:49,000 --> 01:47:50,880
Speaker 1: wife than you would with a horror. But some but

2322
01:47:51,040 --> 01:47:54,759
Speaker 1: some people are raised that good girls don't do these things.

2323
01:47:55,040 --> 01:47:58,240
Speaker 1: But it's a wife now women and men are so

2324
01:47:58,320 --> 01:48:00,200
Speaker 1: you're a girls just don't do that WESTI and the

2325
01:48:00,280 --> 01:48:02,080
Speaker 1: Brothers where she was like, my mom taught me that

2326
01:48:02,160 --> 01:48:03,960
Speaker 1: good girls don't suck dick like that.

2327
01:48:04,240 --> 01:48:06,719
Speaker 2: That's a real thing, and it continues in the South.

2328
01:48:07,280 --> 01:48:08,080
Speaker 2: That's a real thing.

2329
01:48:08,400 --> 01:48:09,880
Speaker 1: I remember a girl told me that one time, and

2330
01:48:10,000 --> 01:48:11,519
Speaker 1: but she died to eat me up, like I ain't

2331
01:48:11,560 --> 01:48:14,600
Speaker 1: never been ate up before. I was like, why are

2332
01:48:14,600 --> 01:48:18,320
Speaker 1: you lying like that? She was like, what now I

2333
01:48:18,360 --> 01:48:20,479
Speaker 1: don't trust you because now you know you lying. You

2334
01:48:20,560 --> 01:48:23,840
Speaker 1: knew that head was crazy, you ain't. That wasn't your

2335
01:48:23,880 --> 01:48:27,479
Speaker 1: first time and your first time like and that like that, No,

2336
01:48:27,800 --> 01:48:30,560
Speaker 1: that wasn't my first time, not that I care, but

2337
01:48:30,600 --> 01:48:34,360
Speaker 1: it's like she was being very you know, like she

2338
01:48:34,479 --> 01:48:39,280
Speaker 1: don't do this, very shy, very like those are the ones, clearly,

2339
01:48:39,600 --> 01:48:41,800
Speaker 1: that was the ones somebody tell you, I don't do

2340
01:48:41,880 --> 01:48:43,840
Speaker 1: this often. They do it every day. They do that shit.

2341
01:48:44,800 --> 01:48:46,200
Speaker 1: But bye bye weekly.

2342
01:48:47,280 --> 01:48:48,800
Speaker 3: I guess you all right. I don't even know if

2343
01:48:48,800 --> 01:48:51,120
Speaker 3: it's a South thing because uh. Rest in peace to

2344
01:48:51,120 --> 01:48:54,240
Speaker 3: Eugene Farrell. I'm I'm so sorry Grandpa for telling the story.

2345
01:48:54,680 --> 01:48:57,960
Speaker 3: He did tell me that Italian men don't let their

2346
01:48:58,000 --> 01:49:00,600
Speaker 3: wife suck dick because they kissed the kids. And I

2347
01:49:00,720 --> 01:49:03,000
Speaker 3: was like, who wouldn't want their Italian Who wouldn't want

2348
01:49:03,040 --> 01:49:04,080
Speaker 3: their wife to suck.

2349
01:49:06,160 --> 01:49:09,240
Speaker 1: That? I don't believe that. I believe it. That sounds

2350
01:49:09,280 --> 01:49:13,200
Speaker 1: like I believe that my grandfather's arrow. I believe that.

2351
01:49:14,320 --> 01:49:16,879
Speaker 1: But then I was thinking, like, well, you said Italian?

2352
01:49:16,880 --> 01:49:21,000
Speaker 1: Where Irish? Grandma? What the fuck? There? You go that fast?

2353
01:49:21,040 --> 01:49:24,800
Speaker 1: We solved it that fast, recipe, Gene Farrow.

2354
01:49:25,760 --> 01:49:27,559
Speaker 3: But no, dead ass, like you should want to select

2355
01:49:27,560 --> 01:49:31,080
Speaker 3: your wife out. I think that's a pretty easy way

2356
01:49:31,200 --> 01:49:33,160
Speaker 3: to keep a marriage moving for the rest of your

2357
01:49:33,200 --> 01:49:36,040
Speaker 3: life and not to be faithful, Like you shouldn't look

2358
01:49:36,040 --> 01:49:36,559
Speaker 3: at your wife.

2359
01:49:36,880 --> 01:49:39,240
Speaker 1: She's a good girl. She's married and doing horror things

2360
01:49:39,320 --> 01:49:42,280
Speaker 1: with you. That's a good girl. That's a little horror bucket. Now,

2361
01:49:42,600 --> 01:49:47,000
Speaker 1: Oh that's people referring to him these days, no a wife,

2362
01:49:47,040 --> 01:49:48,280
Speaker 1: but you know, sorry.

2363
01:49:48,320 --> 01:49:50,960
Speaker 3: So she just exposed this on the internet and just yeah,

2364
01:49:51,000 --> 01:49:53,240
Speaker 3: she she talked about see her, we don't even particularly

2365
01:49:53,240 --> 01:49:53,559
Speaker 3: care for.

2366
01:49:53,760 --> 01:49:58,280
Speaker 2: She well, she I guess she's an influencer. And at

2367
01:49:58,360 --> 01:50:01,720
Speaker 2: the time she her engagement was big and it was

2368
01:50:01,760 --> 01:50:03,920
Speaker 2: called off suddenly she wasn't living with him, she wasn't married,

2369
01:50:03,960 --> 01:50:05,880
Speaker 2: so people were like, what the fuck happened? And she

2370
01:50:05,920 --> 01:50:07,400
Speaker 2: came home she was like, yeah, I have no problem

2371
01:50:07,439 --> 01:50:11,280
Speaker 2: exposing terrible fucking people, because since I originally talked about this,

2372
01:50:11,400 --> 01:50:13,240
Speaker 2: a bunch of other girls have come out and said, oh,

2373
01:50:13,320 --> 01:50:16,120
Speaker 2: well I'm dating him and this looked funny and this

2374
01:50:16,280 --> 01:50:18,200
Speaker 2: and this, and it's like, yeah, I don't mind when

2375
01:50:18,240 --> 01:50:20,320
Speaker 2: people like, if you're gonna do horrible shit to people

2376
01:50:20,439 --> 01:50:22,040
Speaker 2: like that, I don't mind you getting put on on

2377
01:50:22,120 --> 01:50:24,960
Speaker 2: Front Street, like I understand like keeping it pee, but nah,

2378
01:50:25,080 --> 01:50:28,200
Speaker 2: if you gonna play with people's like safety and emotions

2379
01:50:28,280 --> 01:50:29,960
Speaker 2: and shit like that, people need to out you as

2380
01:50:29,960 --> 01:50:30,599
Speaker 2: a terrible person.

2381
01:50:30,800 --> 01:50:32,760
Speaker 1: And there will still be women. You're rich, there will

2382
01:50:32,760 --> 01:50:33,920
Speaker 1: still be women who will date you.

2383
01:50:34,600 --> 01:50:38,240
Speaker 3: I'm not stopping from getting busy, I agree with I

2384
01:50:38,360 --> 01:50:39,880
Speaker 3: just don't know if you're gonna get the response that

2385
01:50:39,960 --> 01:50:44,240
Speaker 3: you want, Like, no one's sitting here thinking about how

2386
01:50:44,280 --> 01:50:44,800
Speaker 3: she's feeling.

2387
01:50:45,320 --> 01:50:47,240
Speaker 1: Well, we're laughing at the text.

2388
01:50:47,479 --> 01:50:50,760
Speaker 2: She has an audience, and her audience cares about like, yeah,

2389
01:50:51,000 --> 01:50:52,800
Speaker 2: of course a bunch of men on a podcast is

2390
01:50:52,960 --> 01:50:53,760
Speaker 2: are gonna laugh at her.

2391
01:50:53,840 --> 01:50:56,200
Speaker 1: That's fine. Well, no, I do feel like, yeah, well

2392
01:50:56,280 --> 01:50:59,360
Speaker 1: I'm lying, I don't like you don't care. I'm not demanding.

2393
01:50:59,360 --> 01:51:01,680
Speaker 1: I'm not gonna lose leap over it, but I mean

2394
01:51:01,720 --> 01:51:04,360
Speaker 1: I do such a feel feel for her, Like that's

2395
01:51:04,360 --> 01:51:06,360
Speaker 1: fucked up. Yeah, that didn't bring it up at nine

2396
01:51:06,400 --> 01:51:08,519
Speaker 1: am on your fucking engagement you're saying, let me get

2397
01:51:08,520 --> 01:51:09,080
Speaker 1: that fucking out.

2398
01:51:09,160 --> 01:51:11,000
Speaker 2: How brought it up? So y'all laugh at the text messages?

2399
01:51:11,000 --> 01:51:13,000
Speaker 2: That's why it was on the dock heat all right,

2400
01:51:13,640 --> 01:51:14,680
Speaker 2: do we have voicemails?

2401
01:51:14,920 --> 01:51:16,599
Speaker 1: We do have got male.

2402
01:51:18,640 --> 01:51:24,479
Speaker 4: So Rory and maul I was looking at Saha shooting

2403
01:51:24,520 --> 01:51:28,280
Speaker 4: at j Cole or whatever. Like he got me to

2404
01:51:28,360 --> 01:51:33,560
Speaker 4: thinking about like lyricists in the South, specifically Atlanta, Like

2405
01:51:34,640 --> 01:51:35,479
Speaker 4: was the audio good on that?

2406
01:51:35,800 --> 01:51:35,960
Speaker 1: You know?

2407
01:51:36,160 --> 01:51:39,639
Speaker 4: Andre three thousand is to go to that's the name.

2408
01:51:39,760 --> 01:51:41,840
Speaker 4: Niggas go out there just to make it sound like

2409
01:51:41,880 --> 01:51:46,800
Speaker 4: they know what they talking about. I really think about it.

2410
01:51:46,960 --> 01:51:51,160
Speaker 4: I think Saha is a better lyricist than Andre three thousand,

2411
01:51:51,400 --> 01:51:55,679
Speaker 4: Like I know he has. He got the way doper

2412
01:51:55,800 --> 01:51:58,960
Speaker 4: lines like Andre can kind of play with his flow,

2413
01:51:59,040 --> 01:52:03,280
Speaker 4: maybe a little bit better bar for bars size kind

2414
01:52:03,320 --> 01:52:07,280
Speaker 4: of getting Andre three thousand out of here, John, thank.

2415
01:52:10,120 --> 01:52:12,320
Speaker 1: You hate three stacks? You can go ahead first. I

2416
01:52:12,400 --> 01:52:19,160
Speaker 1: don't hate these stacks atm. I understand what he's saying.

2417
01:52:20,240 --> 01:52:22,280
Speaker 1: I get what he's saying. I understand what he's saying.

2418
01:52:25,000 --> 01:52:29,880
Speaker 1: Three thousand probably has wide arrange when it comes to

2419
01:52:29,960 --> 01:52:31,519
Speaker 1: flow and things like that, but he's just talking about

2420
01:52:31,600 --> 01:52:37,360
Speaker 1: lyrics and bars. Three thousands got bars. But if you

2421
01:52:37,520 --> 01:52:40,720
Speaker 1: listen to Saha like and like really a Saha fan,

2422
01:52:43,439 --> 01:52:45,360
Speaker 1: I ain't gonna say he better than he's a better

2423
01:52:45,439 --> 01:52:49,720
Speaker 1: lyricist in two thousands. But he's right there. He's right there,

2424
01:52:49,840 --> 01:52:52,720
Speaker 1: like he's not like three thousands is not gonna just

2425
01:52:52,760 --> 01:52:55,559
Speaker 1: wrap circles around side. He wouldn't wrap circles around them.

2426
01:52:56,080 --> 01:52:58,599
Speaker 1: Saha doesn't get that against Side doesn't have the material

2427
01:52:59,240 --> 01:53:02,519
Speaker 1: the output that three thousand has over the years. And

2428
01:53:02,640 --> 01:53:04,559
Speaker 1: that's my only knock to size. I wish he put

2429
01:53:04,600 --> 01:53:08,519
Speaker 1: out more music and drop more albums because he would

2430
01:53:08,560 --> 01:53:11,759
Speaker 1: be in those conversations if people heard him more often.

2431
01:53:12,400 --> 01:53:16,160
Speaker 1: But to what this gentleman is saying, I'm not I'm

2432
01:53:16,200 --> 01:53:20,280
Speaker 1: not gonna say he's lyrically getting three thousand out of here.

2433
01:53:20,280 --> 01:53:24,280
Speaker 1: I'm not gonna say that. But he is right there,

2434
01:53:24,320 --> 01:53:27,479
Speaker 1: though he's in that his pen can stand next to

2435
01:53:27,520 --> 01:53:29,960
Speaker 1: three thousand when it comes to bars and lyrics without

2436
01:53:29,960 --> 01:53:34,120
Speaker 1: a doubt. Artists, artist Thry that's another conversation. I don't

2437
01:53:34,120 --> 01:53:35,760
Speaker 1: know if he's the artist that three thousand is, but

2438
01:53:36,960 --> 01:53:39,200
Speaker 1: lyrically rapping, just put a beat on and let these

2439
01:53:39,200 --> 01:53:43,679
Speaker 1: two mcs go. I don't know if three thousand's gonna

2440
01:53:43,680 --> 01:53:46,720
Speaker 1: wrap circles around side. I don't. I don't. I don't

2441
01:53:46,720 --> 01:53:47,360
Speaker 1: think that will happen.

2442
01:53:48,920 --> 01:53:52,000
Speaker 3: These are like eleven PM barbershop conversations to me, when

2443
01:53:52,000 --> 01:53:54,800
Speaker 3: everyone's just running out of shit to talk about. This

2444
01:53:54,960 --> 01:53:57,120
Speaker 3: is is the weirdest comparison ever.

2445
01:53:57,439 --> 01:54:00,559
Speaker 1: Well, he bought up this. People talk about rappers from

2446
01:54:00,600 --> 01:54:01,479
Speaker 1: the South and best rap.

2447
01:54:01,880 --> 01:54:05,680
Speaker 3: If three Stacks was in a different era and was

2448
01:54:05,840 --> 01:54:07,760
Speaker 3: trying to come up the way Sahai was, where he

2449
01:54:07,880 --> 01:54:10,439
Speaker 3: has to make the biggest statement on so appalled or

2450
01:54:10,560 --> 01:54:13,160
Speaker 3: like he has to do leakers freestyles. Do I think

2451
01:54:13,600 --> 01:54:18,040
Speaker 3: that Three Stacks could do could rap the way Sahai

2452
01:54:18,160 --> 01:54:20,400
Speaker 3: raps like these two records that came out? Of course,

2453
01:54:20,439 --> 01:54:22,280
Speaker 3: I think he could do that. He made records his

2454
01:54:22,320 --> 01:54:25,560
Speaker 3: whole life. That was his focus every time was was

2455
01:54:25,680 --> 01:54:28,680
Speaker 3: not unless you get if you go through life in

2456
01:54:28,760 --> 01:54:31,479
Speaker 3: times of Andre Benjamin, like that's him rapping for four

2457
01:54:31,520 --> 01:54:34,800
Speaker 3: minutes straight just to show you I can do it. Like,

2458
01:54:35,880 --> 01:54:38,680
Speaker 3: it's just a weird comparison because it's different eras, Like

2459
01:54:39,960 --> 01:54:43,000
Speaker 3: do I think King Los could fucking rap with Nas?

2460
01:54:43,160 --> 01:54:43,360
Speaker 1: Yeah?

2461
01:54:43,880 --> 01:54:46,160
Speaker 3: But I also think if Nas dedicated his life to

2462
01:54:46,240 --> 01:54:48,480
Speaker 3: rap the way King Los does, Knods could do it better.

2463
01:54:51,040 --> 01:54:53,000
Speaker 1: I just think it's it's in. It's such a weird

2464
01:54:53,360 --> 01:54:57,440
Speaker 1: comparison because they both have different objectives lyrics. But that's

2465
01:54:57,440 --> 01:54:57,960
Speaker 1: what I'm saying.

2466
01:54:58,840 --> 01:55:00,960
Speaker 3: Three Stacks always held, for the most part, a lot

2467
01:55:01,040 --> 01:55:04,240
Speaker 3: of his ship, unless it was the features on songs

2468
01:55:04,280 --> 01:55:07,000
Speaker 3: to sixteen bars hook sixteen bars, Like he comes from

2469
01:55:07,040 --> 01:55:10,800
Speaker 3: that era of making songs and albums where Si Hi

2470
01:55:11,240 --> 01:55:13,960
Speaker 3: has done that. Yes, but he's also in an era

2471
01:55:14,040 --> 01:55:18,000
Speaker 3: where people are just barring people the fuck down. HM,

2472
01:55:18,520 --> 01:55:20,920
Speaker 3: So I just I don't think it's a fair comparison

2473
01:55:21,560 --> 01:55:25,800
Speaker 3: to even like put those two in a category.

2474
01:55:26,000 --> 01:55:28,440
Speaker 2: Okay, but if you had to choose, gun to your head,

2475
01:55:29,080 --> 01:55:32,040
Speaker 2: who could rap better? Who was a better lyricist? Which

2476
01:55:32,080 --> 01:55:33,560
Speaker 2: is different than who can rap better?

2477
01:55:34,400 --> 01:55:44,480
Speaker 1: Uh? One hundred in two thousands? Okay, mom, I understand,

2478
01:55:44,520 --> 01:55:46,840
Speaker 1: But listen, this is what I do like though. I

2479
01:55:47,000 --> 01:55:50,960
Speaker 1: like the fact that but slouch. I'm not gonna make

2480
01:55:51,000 --> 01:55:53,080
Speaker 1: that very clear that I'd just like the fact that

2481
01:55:53,160 --> 01:55:56,640
Speaker 1: people are even saying that. Though same, I do like

2482
01:55:56,720 --> 01:55:59,960
Speaker 1: that his name is does that along in the converse.

2483
01:56:00,160 --> 01:56:02,920
Speaker 1: I like the fact that people are even speaking about Saha,

2484
01:56:03,120 --> 01:56:07,440
Speaker 1: like because again, he's one of them season that should

2485
01:56:07,520 --> 01:56:09,320
Speaker 1: be spoken about. He's one of the rappers that we

2486
01:56:09,360 --> 01:56:13,240
Speaker 1: should be talking about, and his skill set, his songwriting

2487
01:56:13,320 --> 01:56:14,560
Speaker 1: ability is incredible.

2488
01:56:14,600 --> 01:56:18,320
Speaker 3: So I just don't think lyricism always just lands on punchlines.

2489
01:56:19,360 --> 01:56:20,840
Speaker 3: I guess that's kind of my point because I still

2490
01:56:20,880 --> 01:56:24,760
Speaker 3: put lyricism and content in the same bag. I don't

2491
01:56:24,760 --> 01:56:27,600
Speaker 3: think everything has to be in mind you SI has content,

2492
01:56:27,800 --> 01:56:31,240
Speaker 3: like for sure, I think Saha should be brought up

2493
01:56:31,440 --> 01:56:36,600
Speaker 3: in the Atlanta Lyricists Top five conversation without question, SI

2494
01:56:37,480 --> 01:56:41,560
Speaker 3: without question. You could make a huge case if you

2495
01:56:41,640 --> 01:56:45,200
Speaker 3: want to get into lyricists bag in that Yeshi is there,

2496
01:56:46,240 --> 01:56:48,800
Speaker 3: It's going to be a lot of Dungeon family TI.

2497
01:56:49,680 --> 01:56:52,240
Speaker 1: But Sahai is right there. H I think. I think

2498
01:56:52,560 --> 01:56:55,120
Speaker 1: is one of the best lyricists period. But I just

2499
01:56:55,200 --> 01:57:00,800
Speaker 1: add three stacks. He's just different though he is. But

2500
01:57:01,600 --> 01:57:03,640
Speaker 1: I'd just love to pack the fact that Saha is

2501
01:57:03,680 --> 01:57:07,000
Speaker 1: being you know, given his flowers it man, just start

2502
01:57:07,080 --> 01:57:10,640
Speaker 1: talking about the real mcs, the real rap, the real

2503
01:57:10,720 --> 01:57:13,040
Speaker 1: spit is, the real ball writers. Like start, let's start

2504
01:57:13,040 --> 01:57:15,240
Speaker 1: talking about them some more. I understand, you know, he

2505
01:57:15,320 --> 01:57:17,880
Speaker 1: doesn't have the music that some of these guys has,

2506
01:57:17,960 --> 01:57:20,480
Speaker 1: but the skill set is incredible.

2507
01:57:20,640 --> 01:57:24,400
Speaker 3: But then again, with his era, I don't know, find

2508
01:57:24,440 --> 01:57:28,080
Speaker 3: me an album that can compete with No Dope on Sundays, right, Like,

2509
01:57:28,120 --> 01:57:31,760
Speaker 3: if you're going through a lyricist type of bag in

2510
01:57:31,840 --> 01:57:33,640
Speaker 3: the last fifteen years.

2511
01:57:33,840 --> 01:57:37,360
Speaker 1: Yeah, there's good music on that album. It's not just

2512
01:57:37,480 --> 01:57:40,600
Speaker 1: fucking rap. Great on that album. Is incredible music on

2513
01:57:40,680 --> 01:57:43,520
Speaker 1: that album. Shout out to Saja Man. Yeah, before we go,

2514
01:57:43,640 --> 01:57:45,600
Speaker 1: we want to send a resting piece to Oliver Grant

2515
01:57:45,840 --> 01:57:48,879
Speaker 1: Power Power, one of the architects one of the founders,

2516
01:57:49,360 --> 01:57:52,000
Speaker 1: one of the pillars of the Wu Tang clan. We

2517
01:57:52,160 --> 01:57:54,760
Speaker 1: lost him last week, so we want to send the

2518
01:57:54,840 --> 01:57:59,960
Speaker 1: rest in peace, prays, condolences to Oliver Grant's family, condolence

2519
01:58:00,200 --> 01:58:03,640
Speaker 1: to the tay Wu Tang clan, and thank you Power

2520
01:58:03,720 --> 01:58:06,280
Speaker 1: for everything that you contributed to hip hop, everything that

2521
01:58:06,360 --> 01:58:10,240
Speaker 1: you gave the culture. And again continue prayers and condolences

2522
01:58:10,560 --> 01:58:14,240
Speaker 1: to his family. Also recipes still Michael five thousand Watts,

2523
01:58:14,960 --> 01:58:17,160
Speaker 1: we lost him. I think a couple of weeks ago

2524
01:58:18,200 --> 01:58:21,720
Speaker 1: Houston DJ found a Swisher house, one of the pioneers

2525
01:58:21,760 --> 01:58:25,360
Speaker 1: and chopped and screwed out of Houston. Uh, one of

2526
01:58:25,400 --> 01:58:29,320
Speaker 1: the big, big pillars in Houston hip hop. We lost

2527
01:58:29,400 --> 01:58:31,920
Speaker 1: him as well. So rest in peace to Michael Watts

2528
01:58:32,720 --> 01:58:34,640
Speaker 1: and prais condolences his family and.

2529
01:58:35,480 --> 01:58:38,640
Speaker 3: You get there though, Like that's one that I think

2530
01:58:38,800 --> 01:58:41,560
Speaker 3: hip hop needs to celebrate a little bit more.

2531
01:58:41,840 --> 01:58:43,000
Speaker 1: Five thousand Watts.

2532
01:58:44,160 --> 01:58:46,680
Speaker 3: I've said for years, especially based off a lot of

2533
01:58:46,720 --> 01:58:49,640
Speaker 3: what Drake has done with the Houston sound comes from

2534
01:58:50,520 --> 01:58:53,480
Speaker 3: from Oh No, for sure, like modern music even from

2535
01:58:53,520 --> 01:58:57,240
Speaker 3: eight to eight with that Dark Ship comes from Houstons.

2536
01:58:57,280 --> 01:59:01,240
Speaker 3: Everything that he was pushing when yeah, I can't say

2537
01:59:01,320 --> 01:59:04,160
Speaker 3: enough and to power as well. I mean doing the

2538
01:59:04,200 --> 01:59:07,160
Speaker 3: woolwear thing. I don't think I don't even know if

2539
01:59:07,440 --> 01:59:11,200
Speaker 3: if Rockaware gets to where it's at without opening up

2540
01:59:11,360 --> 01:59:14,280
Speaker 3: a woolwear store in Staten Island, of all places that

2541
01:59:14,400 --> 01:59:17,520
Speaker 3: you do that, like, these are people that completely shifted.

2542
01:59:18,760 --> 01:59:20,680
Speaker 3: Rest in peace of Nipsey. Everything we talk about with

2543
01:59:21,000 --> 01:59:23,640
Speaker 3: his marathon store starts with wouwear and what they were

2544
01:59:23,640 --> 01:59:27,160
Speaker 3: doing in Staten Island, absolutely independently as well on the

2545
01:59:27,200 --> 01:59:29,840
Speaker 3: clothing side, Ray Kwon giving ten thousand, All right, fuck,

2546
01:59:29,960 --> 01:59:30,360
Speaker 3: let's try it.

2547
01:59:31,280 --> 01:59:32,600
Speaker 1: Just showing us that it's possible.

2548
01:59:33,320 --> 01:59:36,160
Speaker 3: Two people that were legitimate visionaries that you can see

2549
01:59:36,200 --> 01:59:39,640
Speaker 3: their DNA in everything that we champion today comes with

2550
01:59:39,760 --> 01:59:42,080
Speaker 3: power and comes with with Mike Watston for sure.

2551
01:59:43,040 --> 01:59:47,520
Speaker 1: And then I mean, of course Jesse Jackson's Jesse Jackson

2552
01:59:47,560 --> 01:59:51,200
Speaker 1: we lost some a couple couple weeks ago as well. Obviously,

2553
01:59:51,240 --> 01:59:54,480
Speaker 1: you know, Jesse Jackson one of the biggest pillars that

2554
01:59:54,520 --> 01:59:56,640
Speaker 1: we had and coming out of the civil rights movement

2555
01:59:57,120 --> 02:00:00,320
Speaker 1: and everything that this country, everything that black people who

2556
02:00:00,320 --> 02:00:01,480
Speaker 1: have to go through in this country, he was a

2557
02:00:01,520 --> 02:00:04,960
Speaker 1: big figure in voicing the oppressors of the black people

2558
02:00:05,000 --> 02:00:08,160
Speaker 1: and fighting for civil rights and for justice for black

2559
02:00:08,200 --> 02:00:10,640
Speaker 1: people in this country. So rest in peace of Jesse Jackson,

2560
02:00:10,680 --> 02:00:13,520
Speaker 1: and thank you for everything that you've given us. I

2561
02:00:14,920 --> 02:00:17,160
Speaker 1: never met Jesse Jackson, but he walked past me. One.

2562
02:00:18,320 --> 02:00:22,120
Speaker 1: I wasn't Jesse. It was out Shopton. Yeah, all right,

2563
02:00:22,600 --> 02:00:23,080
Speaker 1: skinny ol.

2564
02:00:25,360 --> 02:00:27,680
Speaker 3: When I was working for I think this was the

2565
02:00:27,760 --> 02:00:32,960
Speaker 3: first week we had partnered with kW or Kevin Lyle's company.

2566
02:00:33,920 --> 02:00:37,080
Speaker 3: And I'm sitting at my desk and it faced the

2567
02:00:37,160 --> 02:00:39,760
Speaker 3: door of the entrance. First week, sitting down on my

2568
02:00:39,840 --> 02:00:43,840
Speaker 3: laptop doing fucking social media shit for kW well and

2569
02:00:44,040 --> 02:00:46,600
Speaker 3: walks to Jesse Jackson. I'm like, where am I right now?

2570
02:00:48,200 --> 02:00:53,720
Speaker 1: Staring at Jesse Jesse Jackson. Jesse Jackson, Reverend Jesse Jackson.

2571
02:00:54,280 --> 02:00:58,040
Speaker 1: Also rest in peace. Katherino or Harrah, most notably known

2572
02:00:58,200 --> 02:01:02,080
Speaker 1: as from the Mom of a Home Alone. She passed

2573
02:01:02,120 --> 02:01:07,920
Speaker 1: away last week. And also Robert Duval, actor another actor

2574
02:01:07,960 --> 02:01:09,840
Speaker 1: that we lost some of my favorite movies.

2575
02:01:10,720 --> 02:01:12,000
Speaker 3: You guys are telling me this in real time. I

2576
02:01:12,040 --> 02:01:14,360
Speaker 3: did not know Robert Duval passed away. Yeah, Robert Duval

2577
02:01:15,120 --> 02:01:16,200
Speaker 3: Christ rest in peace.

2578
02:01:16,800 --> 02:01:19,320
Speaker 1: Yeah. So rest peace to Catherine Harrah and rested peace

2579
02:01:19,360 --> 02:01:22,680
Speaker 1: to Rober Duval. Pairs and condulences to their families. All right,

2580
02:01:23,040 --> 02:01:24,160
Speaker 1: well it was good seeing y'all.

2581
02:01:24,680 --> 02:01:28,640
Speaker 3: Uh, quickly before we do get out of here, Jay

2582
02:01:28,720 --> 02:01:33,480
Speaker 3: Z and Big stropped another record. Listen, man, we're just

2583
02:01:33,480 --> 02:01:33,960
Speaker 3: trying to get some.

2584
02:01:34,000 --> 02:01:40,520
Speaker 1: Pluses just us. But if something happens, then you know,

2585
02:01:42,800 --> 02:01:45,840
Speaker 1: he's just randomly dropping stuff on stream. Still, okay, I mean,

2586
02:01:46,000 --> 02:01:47,440
Speaker 1: you know, why not. I'm not gonna say the name

2587
02:01:47,440 --> 02:01:53,839
Speaker 1: of the song, but what not? Man, I did appreciate

2588
02:01:53,880 --> 02:01:55,680
Speaker 1: that they did just put the actual name of the

2589
02:01:55,760 --> 02:01:58,320
Speaker 1: song on the artwork. Yeah, why not? Because you could

2590
02:01:58,320 --> 02:02:04,280
Speaker 1: do it because you own that exactly his ship, his art. So, like,

2591
02:02:05,080 --> 02:02:07,400
Speaker 1: I mean, should I stand outside Barclays now? Like, what

2592
02:02:07,800 --> 02:02:09,760
Speaker 1: do you think? What do you think is the best route?

2593
02:02:10,160 --> 02:02:13,160
Speaker 1: I mean, you can if you want to. I don't

2594
02:02:13,160 --> 02:02:14,760
Speaker 1: know if you should, but you know, if you want

2595
02:02:14,800 --> 02:02:16,840
Speaker 1: to go to the Barclays and just pitch your ten

2596
02:02:16,920 --> 02:02:19,480
Speaker 1: out there and just you know, just sleep for a

2597
02:02:19,520 --> 02:02:22,760
Speaker 1: couple of days, do you think I just want to

2598
02:02:22,960 --> 02:02:25,440
Speaker 1: put me in those blease? I don't care. Matter of fact,

2599
02:02:25,440 --> 02:02:27,200
Speaker 1: I prefer I want to see the whole show we'll see.

2600
02:02:27,400 --> 02:02:29,360
Speaker 1: I mean, I mean I would love to see Jay

2601
02:02:29,440 --> 02:02:32,040
Speaker 1: jew a show at the Barclays just a reasonable doubt,

2602
02:02:33,200 --> 02:02:35,400
Speaker 1: reasonable doubt show. I would love to see that, but

2603
02:02:35,880 --> 02:02:36,200
Speaker 1: I don't know.

2604
02:02:36,280 --> 02:02:38,400
Speaker 2: We'll see who Rory gotta fuck to give us a ticket,

2605
02:02:38,440 --> 02:02:40,800
Speaker 2: Like I'm not gonna lie, like if there's like an

2606
02:02:40,800 --> 02:02:43,360
Speaker 2: assistant or something who needs some hole, like Rory is

2607
02:02:43,400 --> 02:02:45,400
Speaker 2: ready to fuck for whoever, whoever we got to do.

2608
02:02:45,480 --> 02:02:47,600
Speaker 1: Like, I'm glad you put that much stake in me fucking.

2609
02:02:47,640 --> 02:02:51,120
Speaker 1: I appreciate that. I said some whole. I didn't like,

2610
02:02:51,200 --> 02:02:52,560
Speaker 1: you have to get some mot up to like a

2611
02:02:52,600 --> 02:02:57,000
Speaker 1: gay assistant. They're not going to do it, broke. I

2612
02:02:57,080 --> 02:03:00,320
Speaker 1: thought that was funny. No, I didn't out of here

2613
02:03:00,320 --> 02:03:02,600
Speaker 1: and we talk to y'all soon, Be safe, be blessed.

2614
02:03:02,600 --> 02:03:04,360
Speaker 1: I'm that nigga. He's just ginger peace.

2615
02:03:04,920 --> 02:03:06,440
Speaker 2: No willan now