1 00:00:00,400 --> 00:00:05,800 Speaker 1: Live from the Windrust Studios w KSCFM, Chicago, Kiss FM 2 00:00:06,200 --> 00:00:09,560 Speaker 1: and I Heart Radio Station. Here's Fred and Angie. Oh everyone, 3 00:00:09,640 --> 00:00:14,239 Speaker 1: good morning. It is Tuesday. The day is Tuesday. Eight 4 00:00:14,320 --> 00:00:17,960 Speaker 1: h six Fred Nedgie Here, Hi, Anjie Taylor, I see 5 00:00:18,040 --> 00:00:21,400 Speaker 1: Rufio and Plan and Paulina got the entertainer report on 6 00:00:21,440 --> 00:00:24,840 Speaker 1: the way in about fifteen after we do waiting by 7 00:00:24,840 --> 00:00:26,840 Speaker 1: the phone, Lindo. Second day for this couple. What's coming 8 00:00:26,800 --> 00:00:29,560 Speaker 1: on a bench? Did Ryan Seacrest have a stroke on 9 00:00:29,680 --> 00:00:34,000 Speaker 1: American Lion? It really did. I'll tell you what he 10 00:00:34,240 --> 00:00:37,159 Speaker 1: and the camp had to say. I don't buy this 11 00:00:37,240 --> 00:00:42,040 Speaker 1: explanation anyway. Here a minute trending stories and blogs this 12 00:00:42,080 --> 00:00:47,440 Speaker 1: hour two one oh three five Josiah Catch one five 13 00:00:47,520 --> 00:00:50,280 Speaker 1: Kiss FM, Chicago's number one hit music station. Fred and 14 00:00:50,320 --> 00:00:53,040 Speaker 1: Nagie waiting by the phone. In just a second, we're 15 00:00:53,040 --> 00:00:55,920 Speaker 1: gonna say hi. Teen Kim Kyle and Chef Tim at 16 00:00:56,000 --> 00:01:01,720 Speaker 1: Square Roots in downtown Crown Point, Indiana. I love Crown Point, 17 00:01:02,440 --> 00:01:06,200 Speaker 1: Family friendly gastrobe pub is Square Roots. They offer the 18 00:01:06,280 --> 00:01:10,560 Speaker 1: largest pressley you've ever seen, Sickness. Your appetizers smoked meats, tacos, 19 00:01:10,760 --> 00:01:14,160 Speaker 1: pub pizzas and a skillet cookie. I will go to 20 00:01:14,200 --> 00:01:16,080 Speaker 1: any restaurant. I want to say it right now. I 21 00:01:16,080 --> 00:01:18,480 Speaker 1: will go to any restaurant that has a skillet cookie 22 00:01:18,520 --> 00:01:21,720 Speaker 1: on the menu, including Square Roots twenty eight taps at 23 00:01:21,720 --> 00:01:25,800 Speaker 1: poor craft beers, ones and handcrafted cocktails designed for every season. 24 00:01:25,800 --> 00:01:28,520 Speaker 1: Also the largest selection bottled and canned beers, along with 25 00:01:28,560 --> 00:01:31,000 Speaker 1: full service bar all this stuff. So you can log 26 00:01:31,040 --> 00:01:35,200 Speaker 1: on Square ROOTSCP dot com at Square Roots CP on Instagram, 27 00:01:35,280 --> 00:01:38,400 Speaker 1: Square Roots on Facebook. They're currently opened, by the way 28 00:01:38,560 --> 00:01:42,160 Speaker 1: in Indiana at fifty percent capacity, and they're offering carry 29 00:01:42,200 --> 00:01:44,240 Speaker 1: on because Indiana lets you do. Then, so there you go. 30 00:01:44,280 --> 00:01:46,640 Speaker 1: So you want to go. You want to go if 31 00:01:46,640 --> 00:01:49,280 Speaker 1: you're craving for someplace to eat because you're like, I'm 32 00:01:49,320 --> 00:01:52,800 Speaker 1: freaking tired of this food doesn't taste the same when 33 00:01:52,800 --> 00:01:55,680 Speaker 1: I'm in my jammy pants, in my in my kitchen 34 00:01:55,760 --> 00:01:57,560 Speaker 1: or whatever. Then you can go to a Square Roots. 35 00:01:57,560 --> 00:01:59,200 Speaker 1: I got a bunch of gift cards zone to get 36 00:01:59,240 --> 00:02:01,840 Speaker 1: you started. So eight five, nine, one, one one or three 37 00:02:01,880 --> 00:02:04,120 Speaker 1: five you live anywhere near Square Roots are damn it. 38 00:02:04,160 --> 00:02:05,360 Speaker 1: I just want to eat in the restaurant, then I 39 00:02:05,440 --> 00:02:06,720 Speaker 1: hit us up right now. We'll give you these gift 40 00:02:06,760 --> 00:02:08,919 Speaker 1: cards and get you started. Thank you Square Roots, Square 41 00:02:09,000 --> 00:02:12,959 Speaker 1: Roots cp dot com. Why did they get blown off? 42 00:02:13,080 --> 00:02:15,440 Speaker 1: You'll find out now in Waiting by the Phone with 43 00:02:15,560 --> 00:02:20,160 Speaker 1: Fredd and Angy. All right, Jacob, how are you? Are 44 00:02:20,200 --> 00:02:22,880 Speaker 1: you very well? Welcome to our show. Waiting by the phone. 45 00:02:23,000 --> 00:02:25,519 Speaker 1: Tell us about Andrea. I know that you guys met 46 00:02:25,560 --> 00:02:28,520 Speaker 1: on Tinder and uh you talked a little bit then 47 00:02:28,520 --> 00:02:32,160 Speaker 1: went out. What happened from there? Yeah, that's right, it was. 48 00:02:32,600 --> 00:02:35,200 Speaker 1: I mean the date was great. Uh like a lot 49 00:02:35,240 --> 00:02:37,359 Speaker 1: of chemistry. We ended up actually going back to her 50 00:02:37,360 --> 00:02:43,919 Speaker 1: place and me hooked up. So okay, well I thought, ah, yeah, 51 00:02:43,960 --> 00:02:47,160 Speaker 1: I thought the hook up was amazing. I mean no, 52 00:02:48,360 --> 00:02:53,240 Speaker 1: I'm just slice right. Well, you would think that's I mean, 53 00:02:53,240 --> 00:02:54,520 Speaker 1: that's a good signe Have you go on a day 54 00:02:54,520 --> 00:02:56,320 Speaker 1: and you went back at her place, you guys look up. 55 00:02:56,360 --> 00:02:58,560 Speaker 1: I mean yeah, that's typically good, except you haven't heard 56 00:02:58,600 --> 00:03:01,079 Speaker 1: from her since then. You reached out, you've called, you've 57 00:03:01,080 --> 00:03:04,919 Speaker 1: texted whatever, ye actually exactly and then nothing. So I 58 00:03:05,120 --> 00:03:07,679 Speaker 1: love and I've tried a few times. That's funny. Okay, 59 00:03:08,120 --> 00:03:10,239 Speaker 1: he's going on. Okay, all right, well that's where we 60 00:03:10,320 --> 00:03:12,320 Speaker 1: come in. We'll call Andrea and we'll get her on 61 00:03:12,360 --> 00:03:14,600 Speaker 1: the phone and we'll ask some questions and you'll be 62 00:03:14,639 --> 00:03:15,880 Speaker 1: on the phone at the same time. I don't want 63 00:03:15,880 --> 00:03:17,359 Speaker 1: you to say anything right at first, but at some 64 00:03:17,480 --> 00:03:19,920 Speaker 1: point definitely coming on the call, and hopefully we can 65 00:03:19,960 --> 00:03:22,119 Speaker 1: figure out what's going on. And there's a simple explanation. 66 00:03:22,160 --> 00:03:23,960 Speaker 1: We can strain it out and get you guys going 67 00:03:24,040 --> 00:03:26,760 Speaker 1: on another day to pay for it. Okay, can you 68 00:03:26,840 --> 00:03:29,080 Speaker 1: hang on for just a second, stay here, You've got 69 00:03:29,160 --> 00:03:31,000 Speaker 1: to hear what happens next, Part two of waiting by 70 00:03:31,040 --> 00:03:33,480 Speaker 1: the phone right after this song Louis Capaldi. We'll do 71 00:03:33,560 --> 00:03:38,160 Speaker 1: it in two minutes on one three five Louis Cafaldi 72 00:03:38,240 --> 00:03:41,360 Speaker 1: one three five Kiss FM, Chicago number one hit music station, 73 00:03:41,400 --> 00:03:44,960 Speaker 1: The Entertainment Reports up next, Jacob. Yeah, we're gonna call Andrea. 74 00:03:45,040 --> 00:03:47,320 Speaker 1: You guys met on tender. You talked for a little bit, 75 00:03:47,440 --> 00:03:49,720 Speaker 1: went out, I had a great day, wound up bag 76 00:03:49,760 --> 00:03:52,240 Speaker 1: at her place. You hooked up. The problem is you've 77 00:03:52,280 --> 00:03:55,640 Speaker 1: reached out since then, texted, call, whatever, and she hasn't responded, 78 00:03:55,680 --> 00:03:57,800 Speaker 1: and you want to know why. Well, that's right, perfect, 79 00:03:57,800 --> 00:03:59,920 Speaker 1: We're gonna call her right now. Good luck, Okay, awesome, 80 00:04:00,080 --> 00:04:11,080 Speaker 1: thank you? Hello? Hi, is this Andrea Hi, Andrea, Fred 81 00:04:11,120 --> 00:04:13,800 Speaker 1: and Angree calling from the morning radio show on Kiss FM. 82 00:04:13,920 --> 00:04:15,320 Speaker 1: And I'm sorry to bother, but I have to tell 83 00:04:15,360 --> 00:04:17,080 Speaker 1: you that we are on the radio and I would 84 00:04:17,120 --> 00:04:19,240 Speaker 1: need your permission to continue with the calls. It okay 85 00:04:19,279 --> 00:04:24,960 Speaker 1: if we keep talking, Okay, it's very weird. Well, thank 86 00:04:25,040 --> 00:04:27,040 Speaker 1: you for that, We appreciate it. We're calling about I'll 87 00:04:27,080 --> 00:04:29,600 Speaker 1: get right to it. A guy named Jacob says he 88 00:04:29,680 --> 00:04:32,719 Speaker 1: met you on Tinder. You guys went out, he did, 89 00:04:32,760 --> 00:04:34,280 Speaker 1: He reached out to us. Did you guys had a 90 00:04:34,279 --> 00:04:39,480 Speaker 1: great date? Do you remember this guy? Yeah? So why 91 00:04:39,480 --> 00:04:41,240 Speaker 1: are you laughing? What happened with this guy? Because he 92 00:04:41,360 --> 00:04:43,320 Speaker 1: told us that you guys had a great date and 93 00:04:43,680 --> 00:04:45,320 Speaker 1: that he's reached out to you for another one and 94 00:04:45,480 --> 00:04:49,240 Speaker 1: you haven't responded, and he's wondering why you're ghosting. Yeah, 95 00:04:49,360 --> 00:04:51,880 Speaker 1: we had a fun time. It was good, but we 96 00:04:52,080 --> 00:04:57,520 Speaker 1: hooked up and he just got really weird. Weird. Why 97 00:04:57,560 --> 00:05:00,120 Speaker 1: did he get weird? How did he get weird? Oh? 98 00:05:00,960 --> 00:05:04,760 Speaker 1: When we started, okay, he all of a sudden went 99 00:05:04,800 --> 00:05:08,800 Speaker 1: into this like Mark Wahlberg impersonation, And at first I 100 00:05:08,880 --> 00:05:12,039 Speaker 1: thought it was funny, but then he never broke character 101 00:05:12,320 --> 00:05:14,720 Speaker 1: like at all, Like We hooked up like he was 102 00:05:14,760 --> 00:05:17,479 Speaker 1: still Mark Wahlberg. We said goodbye, he was still Mark. 103 00:05:18,040 --> 00:05:22,360 Speaker 1: He had the Boston accent. Come and Andrew. You know what, 104 00:05:22,440 --> 00:05:24,880 Speaker 1: you know think I'm hord you know he we hear it, dude, 105 00:05:25,000 --> 00:05:29,840 Speaker 1: like you can't stay with I know you right now? 106 00:05:30,240 --> 00:05:32,640 Speaker 1: Is going on? Hold on a second. I forgot to 107 00:05:32,720 --> 00:05:35,800 Speaker 1: mention that Jacob is here. What do you is that? 108 00:05:36,000 --> 00:05:38,160 Speaker 1: Is that you being Mark Wahlberg? Does that turn women on? 109 00:05:39,080 --> 00:05:43,840 Speaker 1: Every single time? You can't? It's right, you can't. She 110 00:05:44,120 --> 00:05:46,840 Speaker 1: she just gets excited even when she hears are you being? 111 00:05:50,680 --> 00:05:55,120 Speaker 1: What's happened with you? Do you think that? Of course 112 00:05:55,200 --> 00:05:58,400 Speaker 1: that's good? Of course I can you hear her voice? 113 00:05:58,400 --> 00:06:02,880 Speaker 1: Can you hear trembling? Oh my god? What I'm so 114 00:06:03,000 --> 00:06:06,200 Speaker 1: creeped out? Okay, so Jacob, this is your deal? Like 115 00:06:06,320 --> 00:06:08,840 Speaker 1: you slip into Mark Wahlberg voice and like, what are 116 00:06:08,839 --> 00:06:11,040 Speaker 1: you hoping that women will think that you look like him? 117 00:06:11,200 --> 00:06:13,800 Speaker 1: Or I don't understand? Oh you you you want me 118 00:06:13,800 --> 00:06:15,920 Speaker 1: to really bring it? You want me to get excited? Man? 119 00:06:17,720 --> 00:06:22,520 Speaker 1: Are you okay? Like? Everything okay with you? Did you 120 00:06:22,600 --> 00:06:25,720 Speaker 1: take your men? No? So this is what happened. So 121 00:06:25,880 --> 00:06:28,120 Speaker 1: you guys start hooking up and he starts talking like 122 00:06:28,200 --> 00:06:31,320 Speaker 1: that and then wants to be called Mark and yeah, 123 00:06:31,520 --> 00:06:38,240 Speaker 1: okay whatever or marky Mark. Oh my god, this is 124 00:06:38,320 --> 00:06:41,600 Speaker 1: so strange. It's like he has a second personality. I 125 00:06:41,640 --> 00:06:43,560 Speaker 1: don't know if he's it's a frantic or like what 126 00:06:43,800 --> 00:06:46,279 Speaker 1: like I don't even want to I don't I don't 127 00:06:46,320 --> 00:06:51,400 Speaker 1: want to like, Oh, she's crazy, she's crazy. You're the 128 00:06:51,440 --> 00:06:53,400 Speaker 1: one trying to sound like Mark Wahlberg right now. And 129 00:06:53,480 --> 00:06:55,560 Speaker 1: your name is Jacob and you met her on Tinder? 130 00:06:56,040 --> 00:07:00,760 Speaker 1: It well, all right, um, now we're gonna get sunk 131 00:07:00,800 --> 00:07:02,360 Speaker 1: to Jacob again? Are we just gonna keep talking to 132 00:07:02,400 --> 00:07:05,520 Speaker 1: Mark Wahlberg? Are we being punked right now? I'm not 133 00:07:05,640 --> 00:07:08,680 Speaker 1: talking anybody. Do you make Wallburgers? This is really really 134 00:07:08,760 --> 00:07:13,320 Speaker 1: strange Hamburgers? Do you even have to ask if there's 135 00:07:13,840 --> 00:07:16,000 Speaker 1: a chance at another day? Like this is out of control? 136 00:07:16,160 --> 00:07:17,880 Speaker 1: Do I even have to ask if there's a chance 137 00:07:17,920 --> 00:07:19,760 Speaker 1: to another day? To Andrea? Would you consider going out 138 00:07:19,800 --> 00:07:25,600 Speaker 1: with Mark Wahlberg? Junior? No, No, Clay, thank you? That 139 00:07:25,720 --> 00:07:30,400 Speaker 1: would you go out with this guy? Come on? Thanks 140 00:07:31,520 --> 00:07:36,480 Speaker 1: to what you know? You want to know? You want? 141 00:07:38,920 --> 00:07:41,280 Speaker 1: This is strange. This honestly might go down as the 142 00:07:41,480 --> 00:07:44,400 Speaker 1: weirdest thing that has ever happened. I'm waited on the 143 00:07:44,480 --> 00:07:47,120 Speaker 1: phone by far and I'm not even okay, all right, 144 00:07:48,520 --> 00:07:52,560 Speaker 1: nice talking with you Wahlberg, not really, Andrea, thank you 145 00:07:52,600 --> 00:07:54,560 Speaker 1: for your time. I'm really sorry to re expose you 146 00:07:54,600 --> 00:07:58,920 Speaker 1: to whatever this is. Odd. Thank you. I'm glad that 147 00:07:58,960 --> 00:08:01,280 Speaker 1: you witnessed it. Right. Don't feel so alone. I know 148 00:08:01,400 --> 00:08:03,280 Speaker 1: they say that, like when you're you're with someone for 149 00:08:03,280 --> 00:08:04,720 Speaker 1: a long time, you have to spice things out, you 150 00:08:04,760 --> 00:08:06,120 Speaker 1: have to change things up a little bit, and you 151 00:08:06,160 --> 00:08:09,240 Speaker 1: hear about these role play things whatever. I don't. I 152 00:08:09,320 --> 00:08:12,880 Speaker 1: don't know if I maybe I'm just not like open 153 00:08:12,920 --> 00:08:14,800 Speaker 1: minded enough or something. I don't. I don't think I 154 00:08:14,840 --> 00:08:16,280 Speaker 1: could get into that, Like, I don't. I don't think 155 00:08:16,320 --> 00:08:19,480 Speaker 1: that a girl could do a voice like a celebrity 156 00:08:19,520 --> 00:08:22,080 Speaker 1: that I know, and that I that I would feel 157 00:08:22,160 --> 00:08:25,840 Speaker 1: like I was doing that like that person. I don't laugh. Yeah, 158 00:08:25,880 --> 00:08:27,120 Speaker 1: I think I would too, and I be like, Okay, 159 00:08:27,200 --> 00:08:28,880 Speaker 1: enough is enough, and then it's like they stick with it, 160 00:08:28,960 --> 00:08:32,280 Speaker 1: you know, take it serious. I don't know, Like I 161 00:08:32,320 --> 00:08:33,959 Speaker 1: don't know. I'm trying to think of an equivalent, Like 162 00:08:34,040 --> 00:08:35,719 Speaker 1: here's this guy trying to sell like Mark Wahlberg. I 163 00:08:35,840 --> 00:08:37,600 Speaker 1: don't know what a woman could sound like that would 164 00:08:37,600 --> 00:08:39,719 Speaker 1: really turn me on, but I wouldn't. This is a 165 00:08:39,800 --> 00:08:42,199 Speaker 1: very strange thing. And he is he kidding like that? 166 00:08:42,320 --> 00:08:44,520 Speaker 1: Does he? He must not be, because he wouldn't let 167 00:08:44,559 --> 00:08:47,320 Speaker 1: it go. He kept staying in character. Does it work? 168 00:08:47,559 --> 00:08:49,440 Speaker 1: Like he said? Is it affect him or people? Oh? 169 00:08:50,040 --> 00:08:52,199 Speaker 1: Mark Wahr, he's a good looking good well he I mean, 170 00:08:52,520 --> 00:08:54,120 Speaker 1: wasn't he doing it when they were in bed? It 171 00:08:54,240 --> 00:08:56,839 Speaker 1: worked for a minute. Well it didn't work again, No, 172 00:08:57,320 --> 00:08:59,160 Speaker 1: but like for that moment, is it? I feel like 173 00:08:59,160 --> 00:09:00,480 Speaker 1: that's one of those funny things that you do, Like 174 00:09:00,559 --> 00:09:01,959 Speaker 1: if that you know, you're drinking with your friends, you 175 00:09:02,040 --> 00:09:04,200 Speaker 1: to your Mark Wahlberg voice like for maybe ten seconds 176 00:09:04,240 --> 00:09:05,679 Speaker 1: and then's the last time you ever do that? The 177 00:09:05,840 --> 00:09:08,439 Speaker 1: Entertainment Report up to the second Hollywood News and Gossapashi 178 00:09:08,520 --> 00:09:16,240 Speaker 1: has it next on one O three five, one three 179 00:09:16,280 --> 00:09:18,720 Speaker 1: fives Kiss FM Chicago number one he Music station, Fred 180 00:09:18,760 --> 00:09:21,560 Speaker 1: and Nancie. The Entertainment Report after Justin Bieberrow, what are 181 00:09:21,559 --> 00:09:24,439 Speaker 1: you having? Their end have more details on the breakup 182 00:09:24,480 --> 00:09:26,959 Speaker 1: of Brian Austin Green and Megan Fox and yes she 183 00:09:27,080 --> 00:09:31,280 Speaker 1: has moved on and that will break my heart. I 184 00:09:31,320 --> 00:09:32,839 Speaker 1: would have a hard time sleep with a night for 185 00:09:32,920 --> 00:09:35,040 Speaker 1: a very long time after that. It's a perfect you. 186 00:09:38,080 --> 00:09:43,480 Speaker 1: Angie's Entertainment Reports with Fred one three five Kiss fmsproct 187 00:09:43,559 --> 00:09:45,559 Speaker 1: you by comment keeping you informed. You guys see this 188 00:09:45,640 --> 00:09:48,360 Speaker 1: video of Ryan Seacrest, Yes, yeah, yeah, it looks like 189 00:09:49,080 --> 00:09:51,679 Speaker 1: something's going on. It's not just what they're saying is 190 00:09:51,679 --> 00:09:54,400 Speaker 1: going on. I mean some fans are wondering if Ryan 191 00:09:54,520 --> 00:09:57,959 Speaker 1: had a stroke. During the American Idol finale on Sunday. 192 00:09:58,280 --> 00:10:00,240 Speaker 1: He was struggling to read off his script. He was 193 00:10:00,320 --> 00:10:03,839 Speaker 1: slurring his words. Viewers noticed that his right eye was 194 00:10:04,120 --> 00:10:06,400 Speaker 1: really small and his left eye was yeah, and the 195 00:10:06,520 --> 00:10:09,079 Speaker 1: droop and everything. It was uncomfortable to watch. I'm like, 196 00:10:09,080 --> 00:10:10,600 Speaker 1: oh my god, what's going on? Not that I saw 197 00:10:10,600 --> 00:10:18,520 Speaker 1: it live, none of us. Yeah, that's why I like, 198 00:10:18,640 --> 00:10:21,120 Speaker 1: did you guys see the clip? Um? It did really 199 00:10:21,200 --> 00:10:23,280 Speaker 1: look like that's what was going on. He was absent 200 00:10:23,400 --> 00:10:25,960 Speaker 1: from Live with Ryan and Kelly or Kelly and Ryan yesterday. 201 00:10:26,000 --> 00:10:28,880 Speaker 1: Adding fuel to that whole stroke rumor, a rep said 202 00:10:29,480 --> 00:10:31,840 Speaker 1: Ryan did not have any kind of stroke like many people. 203 00:10:31,960 --> 00:10:35,319 Speaker 1: Right now, he's adjusting to the new normal. Yeah, that's 204 00:10:35,360 --> 00:10:37,079 Speaker 1: what that was it was the new normal. There did it? 205 00:10:37,240 --> 00:10:40,480 Speaker 1: And finding a work home balance with added stress of 206 00:10:40,600 --> 00:10:44,080 Speaker 1: having to put on live shows from home between okay, 207 00:10:44,320 --> 00:10:47,360 Speaker 1: here we go with the promotion of between Live with 208 00:10:47,520 --> 00:10:50,200 Speaker 1: Kelly and Ryan, American Idol on Air with Ryan Seacrest, 209 00:10:50,240 --> 00:10:53,120 Speaker 1: and the Disney Family Singalong specials. He's been juggling for 210 00:10:53,240 --> 00:10:55,839 Speaker 1: your four jobs, he said, suppressed. I don't think he's 211 00:10:55,880 --> 00:10:59,199 Speaker 1: that good of an actor. And that's not I'm knocking Seacrest, 212 00:10:59,400 --> 00:11:01,599 Speaker 1: But um, do you think it was a sun to 213 00:11:01,679 --> 00:11:03,839 Speaker 1: get people to watch American Idol? Because no, because the 214 00:11:03,920 --> 00:11:06,040 Speaker 1: last episode is I mean, that was it? Right? Is 215 00:11:06,080 --> 00:11:09,720 Speaker 1: it over? I think it's over. The winner was, Yeah, 216 00:11:10,440 --> 00:11:12,600 Speaker 1: that's it. Oh we should have done that then, yeah, 217 00:11:13,559 --> 00:11:15,640 Speaker 1: that's what Katie Ferry tried to do with the sanitizer 218 00:11:15,720 --> 00:11:20,319 Speaker 1: bottle dressed in the episode before even more reason. I 219 00:11:20,360 --> 00:11:24,360 Speaker 1: think that I probably was. We give him a hard time, 220 00:11:24,360 --> 00:11:28,800 Speaker 1: But it could be Bell's palsy, yeah, or his face 221 00:11:28,920 --> 00:11:30,959 Speaker 1: the must in the space day for a while though, 222 00:11:31,000 --> 00:11:32,839 Speaker 1: when you have Bell's palsy, because I had a friend 223 00:11:32,880 --> 00:11:34,199 Speaker 1: that had it in high school and it took like 224 00:11:34,240 --> 00:11:35,719 Speaker 1: a month for that togo. Yeah, but it could just 225 00:11:35,800 --> 00:11:39,800 Speaker 1: suddenly happen as well too. So Wow, Brian Austin Green 226 00:11:39,880 --> 00:11:43,599 Speaker 1: and Megan Fox are overa um so Brian confirmed it 227 00:11:43,679 --> 00:11:46,480 Speaker 1: on his podcast. He said they'd really been trying to 228 00:11:46,880 --> 00:11:49,079 Speaker 1: sort of be apart since the end of twenty nineteen. 229 00:11:49,720 --> 00:11:52,800 Speaker 1: He referenced photos of Megan and Machine Gun Kelly that 230 00:11:52,840 --> 00:11:54,920 Speaker 1: appeared over the weekend. He said, I'll always love her, 231 00:11:55,360 --> 00:11:57,120 Speaker 1: and I know she'll always love me, and I know 232 00:11:57,280 --> 00:11:59,679 Speaker 1: as far as family goes, what we've built is really 233 00:11:59,760 --> 00:12:03,480 Speaker 1: cool and special. He became emotional. He said, it sucks 234 00:12:03,520 --> 00:12:05,719 Speaker 1: when life changes and something that you're used to, that 235 00:12:05,720 --> 00:12:08,719 Speaker 1: you've been doing for fifteen years you try not to 236 00:12:08,760 --> 00:12:11,520 Speaker 1: get rid of, but you change. Blah blah blah. So 237 00:12:11,840 --> 00:12:14,959 Speaker 1: he's said that Machine Gun Kelly has come up and 238 00:12:15,000 --> 00:12:17,240 Speaker 1: talks with he and Megan, but they're just friends at 239 00:12:17,320 --> 00:12:19,599 Speaker 1: this point. I don't want people to think he or 240 00:12:20,200 --> 00:12:22,439 Speaker 1: her or villains or that I was a victim in 241 00:12:22,520 --> 00:12:26,600 Speaker 1: any way. Why does that happen when when like, you're 242 00:12:26,880 --> 00:12:29,000 Speaker 1: unhappy in a relationship but it's not going to work 243 00:12:29,080 --> 00:12:30,920 Speaker 1: and you don't want to be in it, so you're gone. 244 00:12:31,040 --> 00:12:33,120 Speaker 1: But then the moment that you see that person with 245 00:12:33,240 --> 00:12:36,000 Speaker 1: somebody else, you're like, ah, is it because maybe you 246 00:12:36,120 --> 00:12:39,680 Speaker 1: think they got it right even though you know they didn't, 247 00:12:39,760 --> 00:12:41,839 Speaker 1: even though you know the same problems exists, just a 248 00:12:41,920 --> 00:12:45,480 Speaker 1: matter of you know, who's tolerance is to tolerate what? 249 00:12:45,800 --> 00:12:47,599 Speaker 1: You know what I mean? But I mean it's like 250 00:12:48,400 --> 00:12:49,839 Speaker 1: even people I know who break up with people that 251 00:12:49,880 --> 00:12:52,280 Speaker 1: they really can't stand, then as soon as they see 252 00:12:52,320 --> 00:12:54,200 Speaker 1: somebody with somebody, they see him with somebody else, they're 253 00:12:54,200 --> 00:12:56,800 Speaker 1: going like, how come there, how come that guy looks 254 00:12:56,800 --> 00:12:58,280 Speaker 1: like me? Or how come that girl looks like me? 255 00:12:58,440 --> 00:13:01,280 Speaker 1: Or oh my god, already moved on or whatever? Working out? 256 00:13:01,320 --> 00:13:03,439 Speaker 1: What do you care? I thought you didn't give a 257 00:13:03,520 --> 00:13:06,520 Speaker 1: damn right, you know. Yeah, it's wanting what you can't have, 258 00:13:07,040 --> 00:13:09,320 Speaker 1: I guess until you remember why you don't have it anymore, 259 00:13:09,320 --> 00:13:10,360 Speaker 1: and then you get it back, and then you're like, 260 00:13:10,360 --> 00:13:14,240 Speaker 1: I don't want this whole thing. Oh no. Inevitably, why 261 00:13:14,280 --> 00:13:19,960 Speaker 1: are the same problems happening? That's why Joaquin Phoenix what's 262 00:13:19,960 --> 00:13:28,040 Speaker 1: his name? Jaquein laquin Okay Kaylin, Joaquin Phoenix and Rudy 263 00:13:28,120 --> 00:13:30,600 Speaker 1: Marra are expecting their first child together nearly a year 264 00:13:30,600 --> 00:13:32,480 Speaker 1: and a half after they got engaged. They don't have 265 00:13:32,840 --> 00:13:35,640 Speaker 1: Twitter or Instagram because they're way too cool for that 266 00:13:36,040 --> 00:13:38,600 Speaker 1: and they're reps. So far, I haven't responded to requests. 267 00:13:39,040 --> 00:13:42,040 Speaker 1: Um they lived together at their house in the Hollywood Hills. Um. 268 00:13:42,120 --> 00:13:45,199 Speaker 1: But yes, apparently they are expecting. If you haven't seen 269 00:13:45,240 --> 00:13:46,839 Speaker 1: the video, I don't know. If you watched it live 270 00:13:46,920 --> 00:13:52,599 Speaker 1: the Ryan Seacres Um American Pae, you could check it 271 00:13:52,640 --> 00:13:56,560 Speaker 1: out of Freddianci dot com. I don't know. There are 272 00:13:56,559 --> 00:13:57,920 Speaker 1: a lot of things I could say here, but I'm 273 00:13:58,000 --> 00:13:59,800 Speaker 1: not going to because if there's something wrong with them, 274 00:14:00,000 --> 00:14:02,400 Speaker 1: that's not funny. I hope he's I do I sincerely, 275 00:14:02,640 --> 00:14:04,559 Speaker 1: I hope. I mean, you know, I just don't know 276 00:14:04,679 --> 00:14:06,960 Speaker 1: why though if he actually did have a stroke, they 277 00:14:07,000 --> 00:14:08,559 Speaker 1: would try to cover that. I mean, I don't know why. 278 00:14:08,559 --> 00:14:11,920 Speaker 1: That was absolutely not and I was like, yeah, no, 279 00:14:12,080 --> 00:14:14,079 Speaker 1: if if there's really something metically wrong, maybe he's just 280 00:14:14,400 --> 00:14:16,360 Speaker 1: it's a privacy using for him. But maybe but it 281 00:14:16,400 --> 00:14:18,719 Speaker 1: could be more a vulnerability issue, but or it could 282 00:14:18,760 --> 00:14:21,000 Speaker 1: be an opportunity to raise awareness on things like exactly, 283 00:14:21,080 --> 00:14:23,560 Speaker 1: and I hope he does. If he does, maybe they 284 00:14:23,560 --> 00:14:25,400 Speaker 1: don't know yet, you know, because he doesn't want anyone 285 00:14:25,440 --> 00:14:27,520 Speaker 1: to take his job. That's what it is which one 286 00:14:27,640 --> 00:14:31,000 Speaker 1: he's going to work through it? Which job he doesn't want? 287 00:14:31,080 --> 00:14:35,880 Speaker 1: Chris Harrison on his on his heels over there has 288 00:14:36,080 --> 00:14:40,320 Speaker 1: Daily is gonna be the next or on the Today shown. 289 00:14:40,640 --> 00:14:43,840 Speaker 1: He didn't need American Idol. They're gonna bring back Winkleman, 290 00:14:47,560 --> 00:14:51,160 Speaker 1: Wink Winkleman, Brian Dunkleman. Well, you know, we'd be happy 291 00:14:51,160 --> 00:14:52,960 Speaker 1: to fill in until he feels better in Los Angeles 292 00:14:53,000 --> 00:14:55,240 Speaker 1: if that's an option. So you know, for sure we 293 00:14:55,280 --> 00:14:57,600 Speaker 1: would do that for the company, wouldn't. LA's on lockdown 294 00:14:57,680 --> 00:15:00,120 Speaker 1: for a long time. We're not going there, No no no, 295 00:15:00,560 --> 00:15:02,160 Speaker 1: We're doing it from here. No no no, no, no 296 00:15:02,280 --> 00:15:04,480 Speaker 1: no no. I'm not no no, no, no no no. 297 00:15:05,320 --> 00:15:06,720 Speaker 1: But I happen to know what I think he makes, 298 00:15:06,800 --> 00:15:08,160 Speaker 1: and you know we could I'm sure we could split 299 00:15:08,200 --> 00:15:11,160 Speaker 1: that evenly among us, the five of us. I think 300 00:15:11,240 --> 00:15:15,960 Speaker 1: that would be worth our while. That's nice. Yeah, split 301 00:15:16,080 --> 00:15:18,560 Speaker 1: his paycheck between the five of us and then retire 302 00:15:18,680 --> 00:15:22,560 Speaker 1: Richard one year and then retire. Yeah, but that's not 303 00:15:22,640 --> 00:15:24,560 Speaker 1: going to happen because he's going to be okay, because 304 00:15:24,560 --> 00:15:26,960 Speaker 1: he's our teammate at iHeartRadio, and we hope that he does. 305 00:15:27,120 --> 00:15:29,760 Speaker 1: Hope that he's okay, yes, So no jokes about taking 306 00:15:29,800 --> 00:15:32,080 Speaker 1: his job. Trust me, I had written about forty of them, 307 00:15:32,160 --> 00:15:33,720 Speaker 1: but none of them. They're all in my head and 308 00:15:33,800 --> 00:15:35,840 Speaker 1: none of them were appropriate. And I do know when 309 00:15:35,920 --> 00:15:43,520 Speaker 1: to say wins sometimes occasionally. What's trending in Chicago with 310 00:15:43,640 --> 00:15:46,680 Speaker 1: Fred and Angie, I'm one of three five kiss all right, guys. 311 00:15:47,200 --> 00:15:51,440 Speaker 1: So the mayor, our friend, Mayor lightfoots she warns churches 312 00:15:51,480 --> 00:15:53,640 Speaker 1: to stay with him the law. This is a story 313 00:15:53,720 --> 00:15:57,000 Speaker 1: from this morning. Chicago churches will be punished for violating 314 00:15:57,120 --> 00:16:00,240 Speaker 1: the statewide stay at home order. Mary Lorie Lightfoot says 315 00:16:00,280 --> 00:16:02,360 Speaker 1: the city will take action in the form of fines 316 00:16:02,400 --> 00:16:04,640 Speaker 1: against churches that hold services with too many people. The 317 00:16:04,720 --> 00:16:07,840 Speaker 1: mayor says officials are determining which churches have violated the 318 00:16:07,880 --> 00:16:10,280 Speaker 1: stay at home order. Several houses of worship in the 319 00:16:10,320 --> 00:16:13,240 Speaker 1: city held services is past Sunday, and some say they'll 320 00:16:13,240 --> 00:16:15,760 Speaker 1: continue to break the order. A federal judge has upheld 321 00:16:15,800 --> 00:16:19,640 Speaker 1: the governor's authority to set restriction on houses of worship. 322 00:16:19,760 --> 00:16:22,120 Speaker 1: Did you see that priest with a squirt gun? He 323 00:16:22,160 --> 00:16:25,680 Speaker 1: was squirting people with holy water when they drove by. No, really, 324 00:16:26,960 --> 00:16:29,640 Speaker 1: people were doing like drive by, you know. Service in 325 00:16:29,720 --> 00:16:31,800 Speaker 1: their car and he would squirt them with holy water. 326 00:16:34,000 --> 00:16:38,320 Speaker 1: It's hilarious. Watch that guy with the easies, Pastor Cows 327 00:16:38,360 --> 00:16:40,200 Speaker 1: that his name or Pastor n Easy or what's his name. 328 00:16:43,280 --> 00:16:45,680 Speaker 1: Then there's the guy in Charlotte. What's his name? He's Jack. 329 00:16:45,880 --> 00:16:47,640 Speaker 1: If you said it, I would know it. I like 330 00:16:47,800 --> 00:16:50,120 Speaker 1: Pastor Ridge. I don't know any other pastors. There's a 331 00:16:50,160 --> 00:16:52,280 Speaker 1: guy in Charlotte and he's it's the same deal. It's like, 332 00:16:52,400 --> 00:16:56,400 Speaker 1: you know, super trendy clothing, good looking guy Jack. You're 333 00:16:56,400 --> 00:16:58,800 Speaker 1: gonna get me to listen. Actually, I mean, look, I've 334 00:16:58,840 --> 00:17:00,760 Speaker 1: watched a few of these guys in their clearly gifted 335 00:17:01,160 --> 00:17:03,560 Speaker 1: um presenters, right, I mean like I don't I don't 336 00:17:03,960 --> 00:17:06,360 Speaker 1: necessarily know what they're talking about because that's not really 337 00:17:06,440 --> 00:17:09,520 Speaker 1: my you know, my I don't know. I guess I don't. 338 00:17:09,960 --> 00:17:12,040 Speaker 1: I'm not a scholar of the Bible by any means 339 00:17:12,080 --> 00:17:13,520 Speaker 1: that it was surprises a lot of people. A lot 340 00:17:13,560 --> 00:17:15,719 Speaker 1: of people thought that I would be, but I'm not um. 341 00:17:15,800 --> 00:17:18,040 Speaker 1: But I don't know. I find myself like ten minutes later, 342 00:17:18,119 --> 00:17:21,119 Speaker 1: like still watching it. You know, so watch sermons sometimes 343 00:17:21,160 --> 00:17:23,600 Speaker 1: because this guy's so hot and can talk about stuff. 344 00:17:24,040 --> 00:17:26,400 Speaker 1: I feel like they're just like one step removed from 345 00:17:26,440 --> 00:17:30,240 Speaker 1: like life coaches. You know, life coaches, life coaches, scripture. Yeah, 346 00:17:30,480 --> 00:17:34,560 Speaker 1: the same type of people. The persuasive, you know, like 347 00:17:34,800 --> 00:17:37,320 Speaker 1: presence on stage and they know how to talk. The 348 00:17:37,440 --> 00:17:40,119 Speaker 1: only difference is the Bible or whatever you're pitching. The 349 00:17:40,200 --> 00:17:42,200 Speaker 1: guy in Charlotte, my friend interviewed him, and it was 350 00:17:42,240 --> 00:17:45,320 Speaker 1: a big deal because I guess that a lot of 351 00:17:45,359 --> 00:17:47,399 Speaker 1: these guys. The deal is the money they're making is 352 00:17:47,480 --> 00:17:51,040 Speaker 1: from their books. It's not from the you know, congregation. 353 00:17:51,440 --> 00:17:54,680 Speaker 1: But it's a lot of money. And so this dude 354 00:17:54,760 --> 00:17:57,480 Speaker 1: has a mega house and she's like how much what's 355 00:17:57,520 --> 00:18:00,800 Speaker 1: his name? Oh, that's no. I was gonna say, that's 356 00:18:00,800 --> 00:18:02,399 Speaker 1: not the guy in the easies that looks like the Pope. 357 00:18:03,000 --> 00:18:07,159 Speaker 1: I know that people with their water gun um, but 358 00:18:07,720 --> 00:18:11,400 Speaker 1: like those mega church like pastors or dudes got big 359 00:18:11,480 --> 00:18:13,720 Speaker 1: dough and it's like, how how do The question was 360 00:18:13,720 --> 00:18:15,080 Speaker 1: how do you have so much money? Or how much 361 00:18:15,080 --> 00:18:16,879 Speaker 1: do you make? And and of course the answers like, 362 00:18:16,920 --> 00:18:19,159 Speaker 1: you know, the Lord wouldn't want me to you know, 363 00:18:20,400 --> 00:18:22,480 Speaker 1: there was some kind of answer that you know, I 364 00:18:22,520 --> 00:18:26,680 Speaker 1: could pay whatever God wants me to have. I don't 365 00:18:26,720 --> 00:18:28,960 Speaker 1: know why my parents have this thing with the Ostein's 366 00:18:28,960 --> 00:18:30,879 Speaker 1: the Jolos. Of course, my dad thought he retired, and 367 00:18:31,000 --> 00:18:33,359 Speaker 1: he certainly didn't. But um my mom was like, you know, 368 00:18:33,400 --> 00:18:36,560 Speaker 1: I really like them because they're they're really humble, and 369 00:18:36,680 --> 00:18:38,840 Speaker 1: I'm like, well, they might be, but here's a picture 370 00:18:38,840 --> 00:18:41,679 Speaker 1: of their home that's twenty thousand square feet, so they 371 00:18:41,760 --> 00:18:44,200 Speaker 1: might be humble, and may you know, they may well be. 372 00:18:44,400 --> 00:18:47,879 Speaker 1: I went to my first like mega church type wedding 373 00:18:47,960 --> 00:18:50,920 Speaker 1: a couple of years ago. I couldn't stop laughing during 374 00:18:50,960 --> 00:18:53,120 Speaker 1: the whole seremoid because they had a legit rock band 375 00:18:53,200 --> 00:18:55,880 Speaker 1: on stage. Oh yeah, oh yeah, yet full on production 376 00:18:56,359 --> 00:19:00,320 Speaker 1: lights and you know you're supposed to be SERI and 377 00:19:00,359 --> 00:19:02,639 Speaker 1: my husband's like smacking my arm and then you know 378 00:19:02,760 --> 00:19:04,399 Speaker 1: I do the laugh where it's just my shoulders and 379 00:19:04,400 --> 00:19:06,480 Speaker 1: everybody can still tell him laughing because I'm trying to 380 00:19:06,560 --> 00:19:09,720 Speaker 1: hold it in. Look whatever, whatever, cracking, how people find inspiration, 381 00:19:09,800 --> 00:19:12,160 Speaker 1: that's their business, good for them. Um, but oh yeah, 382 00:19:12,160 --> 00:19:18,240 Speaker 1: it's a whole thing. Yeah yeah Steven Steven Um, yeah yeah, yeah, yeah, 383 00:19:18,440 --> 00:19:20,920 Speaker 1: heard of him. Yeah yeah, well look you get a 384 00:19:20,960 --> 00:19:22,560 Speaker 1: good look at him, and you'll want to hear from him. 385 00:19:22,720 --> 00:19:24,359 Speaker 1: I don't know, it's a good looking he's a good 386 00:19:24,400 --> 00:19:28,640 Speaker 1: looking Gentleman's gentleman. That's Stephen Ferdick. Yeah, that's the guy there. 387 00:19:28,680 --> 00:19:33,040 Speaker 1: He is. How you're doing? Yeah, exact exactly exactly. Yea, yeah, 388 00:19:33,320 --> 00:19:36,000 Speaker 1: he's rather prolific. And then I don't know not my 389 00:19:36,080 --> 00:19:42,879 Speaker 1: Instagram is gonna be all mega churches. Yeah, arch I 390 00:19:42,920 --> 00:19:44,840 Speaker 1: told you get up on Sunday for that. I'm gonna 391 00:19:44,880 --> 00:19:48,760 Speaker 1: say we gotta rock band. All of a sudden, you're 392 00:19:48,760 --> 00:19:52,560 Speaker 1: a yes, up there, friend, Let's go to Charlotte. Man, 393 00:19:52,640 --> 00:19:55,480 Speaker 1: what's this guy? It's a Catholic church. I'm not trying 394 00:19:55,520 --> 00:19:59,119 Speaker 1: to be like hip or anything. Okay, Oh, he's absolutely 395 00:19:59,160 --> 00:20:01,600 Speaker 1: trying to be hip. Yeah, the guy's got a stylus 396 00:20:01,640 --> 00:20:03,800 Speaker 1: for sure that God wants them to try. Hey, good, 397 00:20:03,840 --> 00:20:06,600 Speaker 1: good good. Hey. Look I'm not knocking it. I'm just saying, wow. 398 00:20:06,920 --> 00:20:11,359 Speaker 1: You know hey, And here's the thing. Maybe maybe all 399 00:20:11,400 --> 00:20:12,960 Speaker 1: this years is the evolution of the church in a 400 00:20:13,040 --> 00:20:15,160 Speaker 1: way that relates to people. Now, you know, maybe that's 401 00:20:15,200 --> 00:20:17,679 Speaker 1: why they're doing all that. I don't know the closure, 402 00:20:17,720 --> 00:20:20,720 Speaker 1: but you know, the music and in you know, the 403 00:20:20,800 --> 00:20:22,760 Speaker 1: whole stadium seating and the whole thing. You know, it's 404 00:20:22,760 --> 00:20:25,440 Speaker 1: just too. I guess it's to appeal, because, let's face it, 405 00:20:25,480 --> 00:20:26,840 Speaker 1: and I'm not trying to get all religious here, but 406 00:20:26,840 --> 00:20:28,880 Speaker 1: a lot of Catholics. I grew up Catholic, and I don't. 407 00:20:28,960 --> 00:20:32,000 Speaker 1: I don't go to church and go, Wow, this relate. 408 00:20:32,119 --> 00:20:33,800 Speaker 1: I relate to this, you know what I'm saying. It 409 00:20:33,840 --> 00:20:36,440 Speaker 1: doesn't always resonate with me the way that I guess 410 00:20:36,480 --> 00:20:38,240 Speaker 1: it does in this form for a lot of people. 411 00:20:38,480 --> 00:20:41,720 Speaker 1: Researchers are working to develop a face mask that lights 412 00:20:41,920 --> 00:20:44,720 Speaker 1: up when it comes in contact with the coronavirus. For 413 00:20:44,840 --> 00:20:46,919 Speaker 1: the past six years, the team of bioengineers have been 414 00:20:46,960 --> 00:20:49,920 Speaker 1: developing censors that light up to signal the presence of 415 00:20:50,040 --> 00:20:53,760 Speaker 1: viruses like Zeka and ebola. The team is now hoping 416 00:20:53,800 --> 00:20:57,200 Speaker 1: to use the technology to identify coronavirus cases by embedding 417 00:20:57,240 --> 00:21:00,760 Speaker 1: the censors inside face masks. Remember remember when we were 418 00:21:00,800 --> 00:21:03,520 Speaker 1: so scared of remember that, Remember we're scared of Madhow 419 00:21:03,960 --> 00:21:07,400 Speaker 1: so a fluorescent signal would admit when the person breathes 420 00:21:07,600 --> 00:21:12,199 Speaker 1: the virus, coughs, or sneezes. That's that's we're working towards that. Apparently, Rufio, 421 00:21:12,240 --> 00:21:14,560 Speaker 1: I don't know when you went to Atlanta, but According 422 00:21:14,560 --> 00:21:17,200 Speaker 1: to the Atlanta Police, forty four people were arrested in 423 00:21:17,359 --> 00:21:20,000 Speaker 1: charge for illegal street racing. Forty of those people wound 424 00:21:20,080 --> 00:21:22,680 Speaker 1: up in jail. Hey man, they're not fast enough. Oh 425 00:21:24,160 --> 00:21:27,480 Speaker 1: I was gonna sayil is one of the four. But 426 00:21:27,600 --> 00:21:31,320 Speaker 1: they're still looking for In the massive street racing bust, 427 00:21:31,520 --> 00:21:34,560 Speaker 1: officers also issued one hundred and fourteen citations, impounded twenty 428 00:21:34,640 --> 00:21:38,399 Speaker 1: nine cars, and recovered four guns. A spokesperson for the 429 00:21:38,400 --> 00:21:41,080 Speaker 1: Atlanta PD says, we know that they're board. The streets 430 00:21:41,080 --> 00:21:43,359 Speaker 1: are less crowded, and you have kind of a perfect 431 00:21:43,359 --> 00:21:45,760 Speaker 1: storm for this nonsense. Street racing events have become a 432 00:21:45,840 --> 00:21:49,200 Speaker 1: growing concern for police in recent months. They're cracking down 433 00:21:49,240 --> 00:21:51,119 Speaker 1: on that. Now they're arresting the people behind the wheel 434 00:21:51,119 --> 00:21:53,960 Speaker 1: of the cars, and they're also going after spectators as well. 435 00:21:54,119 --> 00:21:55,800 Speaker 1: I would think this is if you're into that, this 436 00:21:55,960 --> 00:21:57,680 Speaker 1: is the time to do it. I've seen people on 437 00:21:57,760 --> 00:22:01,040 Speaker 1: the highway driving crazy. I get to open up my 438 00:22:01,119 --> 00:22:04,320 Speaker 1: car sometimes and I'm like, yeah, because there's nobody there, 439 00:22:04,800 --> 00:22:06,959 Speaker 1: there's also no one else for the cops to pull over. 440 00:22:07,000 --> 00:22:09,560 Speaker 1: He's you stand out. It's amazing how stealthy you are, 441 00:22:09,640 --> 00:22:11,760 Speaker 1: Rufio in these races. He shows up in his minivan. 442 00:22:11,840 --> 00:22:13,399 Speaker 1: It's all souped up, I know, and then all of 443 00:22:13,440 --> 00:22:17,359 Speaker 1: a sudden, you put it, you know, like a finn 444 00:22:17,480 --> 00:22:19,680 Speaker 1: comes out the top of the thing and yeah, and 445 00:22:20,560 --> 00:22:22,520 Speaker 1: on the bottom it's got those like you know, like 446 00:22:23,119 --> 00:22:25,680 Speaker 1: fire shoots out the back. Yeah. Yeah, that's pretty cool. 447 00:22:25,920 --> 00:22:28,960 Speaker 1: This story is everywhere. The University of Kentucky's president announced 448 00:22:29,000 --> 00:22:32,280 Speaker 1: that they fired the cheerleading coach the entire staff actually, 449 00:22:32,320 --> 00:22:36,040 Speaker 1: after an investigation into allegations of hazing, nudity, and other misbehavior. 450 00:22:36,119 --> 00:22:39,280 Speaker 1: The head coach and all three assistant coaches were fired. 451 00:22:39,680 --> 00:22:42,480 Speaker 1: The program's advisor and a lawyer for the university retired 452 00:22:42,520 --> 00:22:44,600 Speaker 1: after finding out about the three month investigation when it 453 00:22:44,640 --> 00:22:47,160 Speaker 1: was in progress. The school found lax oversight and poor 454 00:22:47,320 --> 00:22:49,520 Speaker 1: judgment on the coach's part, and he used to have 455 00:22:49,640 --> 00:22:52,120 Speaker 1: no contact with the cheerleaders. Apparently, in a cheerleading camp 456 00:22:52,160 --> 00:22:54,879 Speaker 1: in Tennessee, squad members were told by others to not 457 00:22:55,040 --> 00:22:59,240 Speaker 1: wear underwear and do leude chance other members through topless 458 00:22:59,320 --> 00:23:02,639 Speaker 1: or bottomless cheerleaders into a lake within the side of coaches. 459 00:23:02,760 --> 00:23:04,440 Speaker 1: This is sort of hazing on the team. I guess. 460 00:23:05,119 --> 00:23:08,199 Speaker 1: Some cheerleaders were intoxicated and then they needed medical attention 461 00:23:08,240 --> 00:23:11,560 Speaker 1: as well. Some naked team members cruise the lake in 462 00:23:11,600 --> 00:23:14,760 Speaker 1: alumnized boats as well. The University of Kentucky, a quote 463 00:23:14,800 --> 00:23:18,359 Speaker 1: from the school, has built the nation's premier collegiate cheerleading program, 464 00:23:18,400 --> 00:23:21,080 Speaker 1: but regrettably, the integrity of the program has been compromised 465 00:23:21,119 --> 00:23:24,680 Speaker 1: by inappropriate behavior by some squad members on on off 466 00:23:24,800 --> 00:23:27,160 Speaker 1: campus trips and by lax oversight. But the program's coaches 467 00:23:27,160 --> 00:23:32,160 Speaker 1: an advisor, so they are going you gon. Krispy Kreme 468 00:23:32,280 --> 00:23:36,719 Speaker 1: announced that it's twenty twenty Graduate Dozen promotion is happening, 469 00:23:36,880 --> 00:23:39,880 Speaker 1: which includes a box of a dozen donuts for free, 470 00:23:40,000 --> 00:23:43,120 Speaker 1: available today only. If you want a free box, high 471 00:23:43,160 --> 00:23:45,119 Speaker 1: school or college seniors have to head to a Krispy 472 00:23:45,200 --> 00:23:48,679 Speaker 1: Kreme where their cap and gown with a twenty twenty tassel. 473 00:23:48,720 --> 00:23:50,560 Speaker 1: If students will have a cap and gown, they had 474 00:23:50,600 --> 00:23:53,160 Speaker 1: the option to where some other sort of twenty twenty 475 00:23:53,160 --> 00:23:56,560 Speaker 1: apparel a letterman jacket or a class ring or something 476 00:23:56,680 --> 00:23:59,399 Speaker 1: like that. You can also bring your student ID. You 477 00:23:59,480 --> 00:24:02,080 Speaker 1: got to be present in order to take advantage of 478 00:24:02,119 --> 00:24:04,440 Speaker 1: the deal. They're also offering a theme Class of twenty 479 00:24:04,520 --> 00:24:08,159 Speaker 1: twenty box available to purchase um which is going through 480 00:24:08,240 --> 00:24:10,200 Speaker 1: May twenty fourth one free don't as class of twenty 481 00:24:10,280 --> 00:24:13,359 Speaker 1: twenty go today with the proof that you really graduated. Um. 482 00:24:13,560 --> 00:24:16,840 Speaker 1: National Devil's Food Cake Day. I'm a fan. Can't remember 483 00:24:16,840 --> 00:24:19,359 Speaker 1: the last time I handsome me either, but it's good. 484 00:24:20,000 --> 00:24:22,800 Speaker 1: My nanna used to make it secret family recipe out 485 00:24:22,800 --> 00:24:27,119 Speaker 1: of a box up. Everybody always is like, what is 486 00:24:27,160 --> 00:24:31,080 Speaker 1: a secret family recipe? Don't get hides him? If you 487 00:24:31,160 --> 00:24:32,520 Speaker 1: really want to do it, do it like Portillo's and 488 00:24:32,560 --> 00:24:34,480 Speaker 1: puts a mail in there. Yeah, and you're all good. 489 00:24:34,520 --> 00:24:38,080 Speaker 1: It's National May Rain Day today as well. We'll come 490 00:24:38,119 --> 00:24:42,920 Speaker 1: back to blogs our audio journals next. Yeah. They talk 491 00:24:43,040 --> 00:24:45,639 Speaker 1: better than they type. These are the radio blogs with 492 00:24:47,680 --> 00:24:50,720 Speaker 1: status updates like we're writing in our diaries, except we 493 00:24:50,760 --> 00:24:54,800 Speaker 1: say them aloud. About this time, Ange, Actually, I'm passing 494 00:24:54,920 --> 00:25:00,119 Speaker 1: my blog to Kalin's thank you Dear blog. So you 495 00:25:00,200 --> 00:25:02,320 Speaker 1: guys have heard me talk about my little sister. Where 496 00:25:02,320 --> 00:25:07,520 Speaker 1: you are thirteen years apart? Little Isabella? Um and an accident. No, 497 00:25:08,200 --> 00:25:11,560 Speaker 1: my mother got Rema. I didn't know she's sixteen or 498 00:25:11,680 --> 00:25:13,920 Speaker 1: she was very much on purpose. What she's sixteen or 499 00:25:13,960 --> 00:25:17,720 Speaker 1: fifteen's turning sixteen in August? Okay? Yeah, yeah, So I 500 00:25:17,880 --> 00:25:20,200 Speaker 1: try so crazy that you're I'm sorry. It's crazy that 501 00:25:20,280 --> 00:25:22,360 Speaker 1: your little sister is the same age as my child. 502 00:25:22,560 --> 00:25:25,480 Speaker 1: It's so crazy. But I can relate to you sometimes 503 00:25:25,520 --> 00:25:27,840 Speaker 1: because sometimes I do feel like a mother and sometimes 504 00:25:27,880 --> 00:25:30,359 Speaker 1: I feel like a sister because there's so much. I mean, 505 00:25:30,400 --> 00:25:32,080 Speaker 1: I could have had her at thirteen, I guess, I 506 00:25:32,160 --> 00:25:35,680 Speaker 1: don't know. I mean, well it's been done a year later, 507 00:25:35,840 --> 00:25:48,320 Speaker 1: is you know? Anyways? Any who? Anybody? I uh? Anyway, 508 00:25:48,400 --> 00:25:51,280 Speaker 1: So I've been trying to, you know, go through like 509 00:25:51,600 --> 00:25:54,119 Speaker 1: movies and writes of passage, doing things with her that 510 00:25:54,200 --> 00:25:56,080 Speaker 1: I think are important for her to do. So I 511 00:25:56,200 --> 00:25:59,359 Speaker 1: had watch Um. I gave her three choices between The Craft, 512 00:25:59,520 --> 00:26:02,399 Speaker 1: Fast Time Times at Richemont High and the Romeo and 513 00:26:02,480 --> 00:26:05,399 Speaker 1: Juliet with a you're doing this? Yeah, those are like 514 00:26:05,880 --> 00:26:07,920 Speaker 1: three bangers of movies. Yeah. I have a list in 515 00:26:07,960 --> 00:26:10,200 Speaker 1: my phone of like movies that change my life, and 516 00:26:10,400 --> 00:26:13,040 Speaker 1: I always send you some forna too. And so I 517 00:26:13,359 --> 00:26:15,200 Speaker 1: told her to watch Fast Times and I forgot it 518 00:26:15,280 --> 00:26:18,919 Speaker 1: was rated R. So she's texting me like whoa, boobs, whoa. 519 00:26:19,280 --> 00:26:22,600 Speaker 1: And there's the guy, you know, um enjoying himself while 520 00:26:22,640 --> 00:26:26,080 Speaker 1: he's watching Yeah. Yeah, yeah, when you get home. When 521 00:26:26,119 --> 00:26:28,000 Speaker 1: you go home to see her in detroittion have a 522 00:26:28,040 --> 00:26:32,159 Speaker 1: Phoebe Kates poster in a room like everybody. And the 523 00:26:32,240 --> 00:26:35,000 Speaker 1: creepy part is is that her best friend Sydney looks 524 00:26:35,000 --> 00:26:37,840 Speaker 1: like Phoebe and she looks like the other um lead 525 00:26:37,960 --> 00:26:40,960 Speaker 1: the like more fair skin blonde girl um. And so 526 00:26:41,160 --> 00:26:42,440 Speaker 1: she was like, oh my god, this is like me 527 00:26:42,520 --> 00:26:45,960 Speaker 1: and Sydney. I'm like, please, don't true, but if anyone 528 00:26:46,040 --> 00:26:48,399 Speaker 1: has any suggestions of other movies, I was thinking of 529 00:26:48,520 --> 00:26:51,520 Speaker 1: days and confused having her watch that. Yeah, and she 530 00:26:51,640 --> 00:26:53,680 Speaker 1: kept saying to me, Oh, I wish high school was 531 00:26:53,720 --> 00:26:57,440 Speaker 1: really like this. I'm like, really, is she thrown off 532 00:26:57,480 --> 00:26:59,560 Speaker 1: by the technology? Like? Is she thrown off by how 533 00:26:59,640 --> 00:27:02,680 Speaker 1: like grainy it looks and not that good? No, all 534 00:27:02,720 --> 00:27:04,919 Speaker 1: she kept saying to me was I wish high school 535 00:27:05,000 --> 00:27:06,720 Speaker 1: was like this. High school is not at all like this, 536 00:27:06,840 --> 00:27:09,760 Speaker 1: because now, when I watched those older movies like eighties 537 00:27:09,760 --> 00:27:12,920 Speaker 1: and nineties or whatever, and I'm like, wow, my daughter, 538 00:27:14,000 --> 00:27:16,000 Speaker 1: this was cutting edge when when we were younger, and 539 00:27:16,040 --> 00:27:18,440 Speaker 1: it looked good to me then. And now you know, 540 00:27:18,600 --> 00:27:21,439 Speaker 1: imagine watching something without HD and you know you can 541 00:27:21,480 --> 00:27:24,119 Speaker 1: see every grain on somebody The funniest part is that 542 00:27:24,760 --> 00:27:28,480 Speaker 1: the lead character wanted the guy to remember her for summer, 543 00:27:28,800 --> 00:27:31,400 Speaker 1: and so she gives him a photo of herself. It's 544 00:27:31,440 --> 00:27:34,080 Speaker 1: not like you send a picture that's funny like bells, 545 00:27:34,119 --> 00:27:35,920 Speaker 1: like this is it. You'd have to like give a 546 00:27:35,960 --> 00:27:37,320 Speaker 1: photo or he's like, you want to go to the 547 00:27:37,440 --> 00:27:39,280 Speaker 1: point and make up. You got to write your phone 548 00:27:39,359 --> 00:27:40,680 Speaker 1: number down on a piece of paper to give it 549 00:27:40,760 --> 00:27:43,560 Speaker 1: to the other. Thing. Yeah, sure, Well the whole thing 550 00:27:43,760 --> 00:27:47,560 Speaker 1: makes when my daughter watches those movies looking back, even Titanic. 551 00:27:47,760 --> 00:27:50,680 Speaker 1: When she watches Titanic, she's like, the graphics are hilarious, 552 00:27:50,880 --> 00:27:53,200 Speaker 1: and she starts laughing really hard when the people start 553 00:27:53,280 --> 00:27:55,200 Speaker 1: falling off the boat and like hitting the smoke stat 554 00:27:55,640 --> 00:27:58,920 Speaker 1: She thinks, it's hilarious when I feel like that movie 555 00:27:58,960 --> 00:28:02,480 Speaker 1: holds up better than say true true. But it's that 556 00:28:02,640 --> 00:28:05,119 Speaker 1: movie wasn't even that long ago, right, it's still like 557 00:28:05,240 --> 00:28:08,480 Speaker 1: watching it now, you're kind of like, oh yeah, yeah, 558 00:28:08,600 --> 00:28:09,800 Speaker 1: ahead of it. One of you guys that I was 559 00:28:09,840 --> 00:28:13,159 Speaker 1: talking to this about. But it's like being single and 560 00:28:13,520 --> 00:28:15,920 Speaker 1: being on a dating app, you don't really have a 561 00:28:16,040 --> 00:28:18,760 Speaker 1: choice anymore. Like that's that's how you're gonna meet some 562 00:28:18,920 --> 00:28:21,600 Speaker 1: I'm not even coronavirus. I mean, I mean it's almost 563 00:28:21,640 --> 00:28:23,840 Speaker 1: like people get creeped out when strangers approach them in 564 00:28:23,920 --> 00:28:25,480 Speaker 1: a bar and start talking to them. Now, so it's 565 00:28:25,480 --> 00:28:26,960 Speaker 1: like not even you want to talk about writing your 566 00:28:27,040 --> 00:28:29,040 Speaker 1: number down on the piece of paper or whatever. Those 567 00:28:29,160 --> 00:28:31,720 Speaker 1: days are over. It's it's really sad that like we 568 00:28:32,119 --> 00:28:36,000 Speaker 1: lost like that social component so much. There's there's an 569 00:28:36,000 --> 00:28:37,760 Speaker 1: important I think I've gone on this ram before, but 570 00:28:37,880 --> 00:28:40,280 Speaker 1: like there's there's equity in that right, Like if I 571 00:28:40,400 --> 00:28:43,240 Speaker 1: walked up to you and I had the courage to 572 00:28:43,280 --> 00:28:45,160 Speaker 1: ask to talk to you and get your number or whatever, 573 00:28:45,240 --> 00:28:47,520 Speaker 1: and we interacted, then you already know kind of where 574 00:28:47,560 --> 00:28:49,520 Speaker 1: you stand, and if there's chemistry with that person, you're 575 00:28:49,520 --> 00:28:51,240 Speaker 1: interesting then and by the time you get to the 576 00:28:51,280 --> 00:28:53,920 Speaker 1: second date or free even first date, whatever, then there's 577 00:28:54,240 --> 00:28:56,360 Speaker 1: I think a higher likelihood of it working out because 578 00:28:56,920 --> 00:28:59,440 Speaker 1: because you're not dealing with a total unknown. You know, 579 00:28:59,600 --> 00:29:01,720 Speaker 1: now there's no equity. You go on a dating app 580 00:29:01,760 --> 00:29:04,160 Speaker 1: and you match with fifty people, and by the time 581 00:29:04,440 --> 00:29:06,120 Speaker 1: you know those people would by the time you're off 582 00:29:06,200 --> 00:29:08,680 Speaker 1: the first page, you're done. And chances aren't if you 583 00:29:08,760 --> 00:29:11,240 Speaker 1: meet somebody face to face in a bar and get 584 00:29:11,280 --> 00:29:14,520 Speaker 1: their number something you already have established some kind of chemistry, 585 00:29:14,680 --> 00:29:17,120 Speaker 1: like you know right exactly. There wasn't just like Jimmy 586 00:29:17,120 --> 00:29:18,680 Speaker 1: your number and that's it. Well, I told you guys 587 00:29:18,680 --> 00:29:20,320 Speaker 1: about that bar and Detroit that I went to where 588 00:29:20,320 --> 00:29:22,280 Speaker 1: they take your phones and lock them up, And my 589 00:29:22,440 --> 00:29:24,920 Speaker 1: friend was trying to get a girl's number, and it 590 00:29:25,120 --> 00:29:27,600 Speaker 1: was the funniest thing. We were like, does anyone have paper? 591 00:29:27,640 --> 00:29:30,560 Speaker 1: And so he had to remember her Instagram handle to 592 00:29:30,720 --> 00:29:32,920 Speaker 1: later go back. Sometimes that's the easier way to do it. 593 00:29:33,200 --> 00:29:36,360 Speaker 1: I'm like, can remember numbers anymore. But like people aren't 594 00:29:36,400 --> 00:29:38,880 Speaker 1: on these apps. They're not they're not really human. They 595 00:29:38,920 --> 00:29:41,320 Speaker 1: don't they don't really exist until they exist, you know. 596 00:29:42,360 --> 00:29:44,160 Speaker 1: I don't mean to be existential here, but it's like, 597 00:29:44,200 --> 00:29:46,480 Speaker 1: you know, yeah, right, Like it's just another match, and 598 00:29:46,520 --> 00:29:48,000 Speaker 1: it's easy to get caught up in the game and 599 00:29:48,080 --> 00:29:50,520 Speaker 1: not what you're there to do, because oh I skip 600 00:29:50,560 --> 00:29:53,520 Speaker 1: people if they're the wrong height, if they have weird nostrils. 601 00:29:53,600 --> 00:29:55,800 Speaker 1: Like it's just so even when people match with you 602 00:29:55,920 --> 00:29:58,640 Speaker 1: that you wanted to match with you, you're still in 603 00:29:58,760 --> 00:30:01,280 Speaker 1: your mind going, but what's new today? Like what what 604 00:30:01,440 --> 00:30:03,280 Speaker 1: else is on here? And so you flip back over 605 00:30:03,360 --> 00:30:06,040 Speaker 1: to the match thing. I don't think anyone's going this 606 00:30:06,280 --> 00:30:08,680 Speaker 1: person might be good enough. And then they just stop 607 00:30:09,040 --> 00:30:11,520 Speaker 1: and they focus on one person. It's inherently designed to 608 00:30:11,640 --> 00:30:13,239 Speaker 1: keep you coming back, even though they tell you they 609 00:30:13,240 --> 00:30:14,880 Speaker 1: want you to delete it. And then the questions and 610 00:30:14,960 --> 00:30:17,280 Speaker 1: the proms like if they say and then the other 611 00:30:17,360 --> 00:30:20,320 Speaker 1: thing is the first like five messages are going to 612 00:30:20,320 --> 00:30:22,640 Speaker 1: be the same stupid crap. How are you how? It's 613 00:30:22,680 --> 00:30:25,040 Speaker 1: quarantine And I'm guilty of it too. It's like, I mean, 614 00:30:25,480 --> 00:30:27,720 Speaker 1: how do you break ice? Yeah? I don't know because 615 00:30:28,000 --> 00:30:31,200 Speaker 1: there's nothing really to talk about because everybody's on quarantine. Yeah. Yeah, 616 00:30:31,320 --> 00:30:34,200 Speaker 1: well these are all the quarantine. These are all the 617 00:30:34,320 --> 00:30:37,920 Speaker 1: differences in uh, you know, back in the way back 618 00:30:37,960 --> 00:30:41,640 Speaker 1: in the nineties, versus to see like people in high 619 00:30:41,680 --> 00:30:44,840 Speaker 1: school back then, Like my daughter I forgot what, Oh 620 00:30:45,000 --> 00:30:46,720 Speaker 1: we were watching Camp Buy Me Love? Remember that with 621 00:30:47,040 --> 00:30:50,320 Speaker 1: Hatrick Dempsey and those girls in the school, like with 622 00:30:50,440 --> 00:30:53,920 Speaker 1: their high heels and their hucie dresses. She's like, did 623 00:30:54,000 --> 00:30:56,160 Speaker 1: people really dress like that for high school? I'm like, no, 624 00:30:56,560 --> 00:30:58,680 Speaker 1: I know, and I'm never like so much older. But 625 00:30:58,760 --> 00:31:00,280 Speaker 1: I was proud of her because she was row and 626 00:31:00,320 --> 00:31:02,200 Speaker 1: conclude she was like, oh my god, like I met 627 00:31:02,280 --> 00:31:05,320 Speaker 1: this guy in Baio, so she was seeing the similarities. 628 00:31:05,320 --> 00:31:07,120 Speaker 1: But yeah, that's a school dance. You should have her 629 00:31:07,160 --> 00:31:09,440 Speaker 1: watch camp. I mean love okay, and I'll put that up. 630 00:31:09,480 --> 00:31:11,280 Speaker 1: Tell her that she has to do an African ant 631 00:31:11,280 --> 00:31:14,560 Speaker 1: eater ritual on TikTok okay. That would be amazing. She's 632 00:31:14,600 --> 00:31:17,120 Speaker 1: definitely all up in the tick. And I'm trying to 633 00:31:17,160 --> 00:31:19,800 Speaker 1: think in my head about like right of passage movies 634 00:31:19,920 --> 00:31:22,880 Speaker 1: as far as are they still making movies that deal 635 00:31:22,960 --> 00:31:25,680 Speaker 1: with just down and dirty fundamentals of growing up, like 636 00:31:25,800 --> 00:31:29,560 Speaker 1: yet have BookSmart and not but not on the grand scale, 637 00:31:29,640 --> 00:31:31,920 Speaker 1: not like the John Hughes movies, and that it's the 638 00:31:32,040 --> 00:31:34,680 Speaker 1: modern day John like BookSmart in the theaters. You don't 639 00:31:34,680 --> 00:31:37,160 Speaker 1: go supars Bad. We wouldn't gus, we wouldn't saw Book 640 00:31:37,160 --> 00:31:40,200 Speaker 1: Smart in the theater. Yeah, yeah, super Bad was total 641 00:31:41,360 --> 00:31:46,520 Speaker 1: the same movie. They're the same style was you know, Like, 642 00:31:46,880 --> 00:31:49,480 Speaker 1: I mean, but that's those that movie was twenty years ago. Yeah, 643 00:31:49,520 --> 00:31:52,239 Speaker 1: but like book Smart like currently like that was a yes, 644 00:31:52,400 --> 00:31:54,000 Speaker 1: But I'm saying though there was a whole era of 645 00:31:54,120 --> 00:31:56,560 Speaker 1: those movies like it was, but it was one director. 646 00:31:56,680 --> 00:31:59,920 Speaker 1: It was like one guy and she don't know that 647 00:32:00,040 --> 00:32:01,640 Speaker 1: those I don't know that people would go see those 648 00:32:01,880 --> 00:32:04,200 Speaker 1: as much as they'll go see these thrillers and this, 649 00:32:04,680 --> 00:32:07,040 Speaker 1: you know, this stuff that's got the special effects. I mean, 650 00:32:07,080 --> 00:32:09,200 Speaker 1: that's what it's hard when that's what they keep pumping out. 651 00:32:09,240 --> 00:32:11,040 Speaker 1: It's just look at the new computer stuff we can 652 00:32:11,080 --> 00:32:13,440 Speaker 1: do as opposed to movies that you have a really 653 00:32:13,520 --> 00:32:15,920 Speaker 1: deep plotline. When you're a parent of a teen, it 654 00:32:16,080 --> 00:32:19,080 Speaker 1: becomes hard to find a movie that everybody wants to 655 00:32:19,120 --> 00:32:21,240 Speaker 1: see at the theater because they don't want to see 656 00:32:21,360 --> 00:32:23,960 Speaker 1: like the Disney Pixar stuff anymore. They're too old for that, 657 00:32:24,120 --> 00:32:26,440 Speaker 1: too cool for that. And so to find that genre 658 00:32:26,560 --> 00:32:29,080 Speaker 1: that's kind of in the middle where it's not super adults. Yeah, 659 00:32:29,240 --> 00:32:30,920 Speaker 1: there's not a ton of those teen movies that come 660 00:32:30,960 --> 00:32:32,760 Speaker 1: out of here. Maybe I haven't really thought about it enough, 661 00:32:32,800 --> 00:32:36,440 Speaker 1: but I feel like it's either boom bam special effects 662 00:32:36,640 --> 00:32:40,280 Speaker 1: or like deep cinematic trying to win an oscar movie. 663 00:32:40,360 --> 00:32:42,080 Speaker 1: And I don't think there's anything in the middle, because 664 00:32:42,080 --> 00:32:43,680 Speaker 1: I don't think they can make enough money on those. 665 00:32:43,720 --> 00:32:46,120 Speaker 1: Oh yeah, they're Adam Sandlis still makes money, okay, Yeah, 666 00:32:46,880 --> 00:32:48,560 Speaker 1: Or maybe they're all going to Netflix now and they 667 00:32:48,600 --> 00:32:51,080 Speaker 1: don't go to the theaters. But I just super bad. 668 00:32:51,200 --> 00:32:54,120 Speaker 1: I'm telling you're talking about two movies in twenty years 669 00:32:54,160 --> 00:32:57,200 Speaker 1: and as where they were, like you're you've mentioned ten 670 00:32:57,760 --> 00:33:00,360 Speaker 1: that we're from nineteen eighties through nineteen ninety My daughter 671 00:33:00,560 --> 00:33:03,040 Speaker 1: yesterday known to be some of the best movies that 672 00:33:03,120 --> 00:33:05,400 Speaker 1: people have ever seen, life changing. As you say, my 673 00:33:05,520 --> 00:33:07,719 Speaker 1: daughter yesterday said she was going back and rewatching all 674 00:33:07,760 --> 00:33:10,640 Speaker 1: the Diary of a Whippe Kid movies. What do I 675 00:33:10,720 --> 00:33:14,320 Speaker 1: know that? Yeah, it's the book series. I've seen two 676 00:33:14,360 --> 00:33:16,120 Speaker 1: of them. Yeah, I don't know that I know that, 677 00:33:16,280 --> 00:33:19,000 Speaker 1: but that is Oh yeah, there's a whole book series. Yeah, 678 00:33:19,400 --> 00:33:21,160 Speaker 1: they made movies out of them. Um, dear blog, I 679 00:33:21,160 --> 00:33:22,680 Speaker 1: don't even know what the point of sharing this is. 680 00:33:22,920 --> 00:33:25,560 Speaker 1: There really is no like and then and then and 681 00:33:25,720 --> 00:33:30,760 Speaker 1: then maybe I've finally maybe the coronavirus has finally broken me. 682 00:33:31,680 --> 00:33:33,840 Speaker 1: I'm not sure if it's just a culmination of events 683 00:33:33,960 --> 00:33:36,400 Speaker 1: or what. But yesterday I had my Monday Zoom therapy 684 00:33:37,160 --> 00:33:40,600 Speaker 1: and I almost lost it, like literally almost lost it. 685 00:33:41,440 --> 00:33:43,960 Speaker 1: Point to the point where many of things, many of 686 00:33:44,120 --> 00:33:46,480 Speaker 1: things where I probably would have xed out of it, 687 00:33:46,520 --> 00:33:48,120 Speaker 1: because it would have been so uncomfortable, like I was. 688 00:33:48,320 --> 00:33:49,640 Speaker 1: You know, you know, you know that feeling you get 689 00:33:49,680 --> 00:33:52,000 Speaker 1: in the back of your eyes when you're just on 690 00:33:52,160 --> 00:33:55,440 Speaker 1: the version, yes, just what you feel it in your throne. 691 00:33:55,480 --> 00:33:57,920 Speaker 1: And I'm not a crier. I mean I've cried probably 692 00:33:58,000 --> 00:34:01,720 Speaker 1: twice in ten years, and they were really really bad things. Um. 693 00:34:02,680 --> 00:34:06,360 Speaker 1: But maybe maybe I'm finally broken because it was I mean, 694 00:34:06,440 --> 00:34:08,520 Speaker 1: it was like, I don't think you're broken. It was 695 00:34:08,600 --> 00:34:10,880 Speaker 1: like four times where I'm like, oh my god, this 696 00:34:11,080 --> 00:34:12,520 Speaker 1: I am. I'm not going to be able to talk 697 00:34:12,560 --> 00:34:16,640 Speaker 1: for five minutes if you cry. It wasn't that I wouldn't, 698 00:34:16,719 --> 00:34:19,960 Speaker 1: it was it just didn't happen. Um. So I don't know. 699 00:34:20,040 --> 00:34:22,160 Speaker 1: I don't know if it's because I thought the coronavirus. 700 00:34:22,160 --> 00:34:30,239 Speaker 1: I think the coronavirus is having un spoken, indirectlescent. It's 701 00:34:30,280 --> 00:34:33,040 Speaker 1: the new normal. It's the new normal. I don't know. 702 00:34:33,120 --> 00:34:34,799 Speaker 1: I think it even for people like me who are 703 00:34:34,920 --> 00:34:37,080 Speaker 1: used to being alone and are used to a lot 704 00:34:37,160 --> 00:34:39,279 Speaker 1: of the things that other people. I mean, we're still Look, 705 00:34:39,320 --> 00:34:41,600 Speaker 1: we're so privileged because we're still getting a paycheck, we're 706 00:34:41,600 --> 00:34:44,080 Speaker 1: still going to work. Um, we still have somewhat of 707 00:34:44,120 --> 00:34:47,440 Speaker 1: a routine. We still feel some sort of purpose because 708 00:34:47,480 --> 00:34:49,760 Speaker 1: of this, and you know, even people who are working 709 00:34:49,880 --> 00:34:52,560 Speaker 1: in your houses, I know that it's probably hard to 710 00:34:52,640 --> 00:34:56,120 Speaker 1: feel like you're really doing anything because you don't have that. 711 00:34:56,160 --> 00:34:58,080 Speaker 1: You're not able to come compartmentalize, you don't, you not 712 00:34:58,200 --> 00:35:00,160 Speaker 1: you don't have a place to go. I don't I 713 00:35:00,360 --> 00:35:02,040 Speaker 1: know a change of seeing many people who are working, 714 00:35:02,080 --> 00:35:03,640 Speaker 1: it's hard. At least we get to come into the 715 00:35:03,680 --> 00:35:06,400 Speaker 1: studio and it still feels like somewhat normal. So I 716 00:35:06,520 --> 00:35:08,839 Speaker 1: thought I was good, but I guess I'm not good. 717 00:35:09,040 --> 00:35:12,200 Speaker 1: I don't know. But thank God for the therapy, I guess. 718 00:35:12,320 --> 00:35:14,160 Speaker 1: Or maybe finally after three and a half years, she's 719 00:35:14,200 --> 00:35:16,800 Speaker 1: finally like cracking the she's got her finger on the 720 00:35:17,239 --> 00:35:20,359 Speaker 1: on the demons on your neck. Yeah, what if it's 721 00:35:20,400 --> 00:35:22,520 Speaker 1: like once she opens the there was a Friends episode 722 00:35:22,560 --> 00:35:24,919 Speaker 1: like once you open the floodgates, you just like cry 723 00:35:25,000 --> 00:35:28,120 Speaker 1: about everything. Maybe you become like maybe a big break 724 00:35:28,160 --> 00:35:30,680 Speaker 1: in the seal when you're yeah, then you're just not 725 00:35:30,880 --> 00:35:36,400 Speaker 1: now like h like you girls are so everything. Yeah, totally. 726 00:35:36,719 --> 00:35:39,520 Speaker 1: It's also amazing to me that even though I was 727 00:35:39,560 --> 00:35:43,200 Speaker 1: at that point like and I truly my biggest fear 728 00:35:43,239 --> 00:35:44,960 Speaker 1: in going into therapy and spending all this money to 729 00:35:45,000 --> 00:35:48,040 Speaker 1: go every week is not being objective because I think, 730 00:35:48,120 --> 00:35:50,000 Speaker 1: I think the worst thing that people can do, and 731 00:35:50,120 --> 00:35:51,520 Speaker 1: they do it all the time. We do it all 732 00:35:51,520 --> 00:35:54,360 Speaker 1: the time with our friends and maybe doctors and therapists. 733 00:35:54,400 --> 00:35:56,399 Speaker 1: If we don't tell the truth. You know, you tell 734 00:35:56,520 --> 00:35:59,800 Speaker 1: your friends or or or your confidants the version of 735 00:35:59,840 --> 00:36:02,520 Speaker 1: the story that's yours, because what you want is to 736 00:36:02,600 --> 00:36:05,120 Speaker 1: be reaffirmed for the things that you did. In your mind, 737 00:36:05,719 --> 00:36:08,279 Speaker 1: you're not wrong, and so you tell your friends a 738 00:36:08,440 --> 00:36:10,799 Speaker 1: painted version of the truth, and then they come back 739 00:36:10,840 --> 00:36:12,880 Speaker 1: and go, oh my god, I can't believe that happened 740 00:36:12,920 --> 00:36:14,960 Speaker 1: to you. You're not asking for advice, you're asking for 741 00:36:15,000 --> 00:36:17,840 Speaker 1: a validation exactly. But you're not telling the truth. And 742 00:36:17,920 --> 00:36:20,800 Speaker 1: the problem with that is if you walk away with 743 00:36:20,920 --> 00:36:24,880 Speaker 1: empowerment from your version of the story, then then you're 744 00:36:25,560 --> 00:36:28,520 Speaker 1: you're lying to yourself and you're not getting better. You 745 00:36:28,560 --> 00:36:32,960 Speaker 1: don't tell your therapist like the truth. That's my point though, 746 00:36:33,239 --> 00:36:37,319 Speaker 1: is that I I like the whole truths, the ugly truth. 747 00:36:37,360 --> 00:36:39,239 Speaker 1: That's where I'm going with this is if I'm going 748 00:36:39,360 --> 00:36:42,239 Speaker 1: to ask someone for advice, I have to I have 749 00:36:42,440 --> 00:36:45,080 Speaker 1: to tell them both sides of the story. If anything, 750 00:36:45,200 --> 00:36:49,080 Speaker 1: my therapist says, I'm I'm not nice to myself. If anything, 751 00:36:49,160 --> 00:36:53,560 Speaker 1: she thinks I say that I overcorrect, because because I don't, 752 00:36:53,600 --> 00:36:55,640 Speaker 1: I'm not I'm not going to ask your side. I am. 753 00:36:55,760 --> 00:36:58,360 Speaker 1: I'm not there to ask her for love, advice, or 754 00:36:59,000 --> 00:37:01,000 Speaker 1: work or relationship. But if I go in there and 755 00:37:01,080 --> 00:37:02,840 Speaker 1: I tell her this bad thing happened to me and 756 00:37:02,880 --> 00:37:04,880 Speaker 1: it wasn't my fault, then she's going to go, it 757 00:37:05,000 --> 00:37:07,800 Speaker 1: wasn't your fault and then we move on right. Instead, 758 00:37:07,840 --> 00:37:09,480 Speaker 1: I go in there and say, this is all of 759 00:37:09,600 --> 00:37:12,120 Speaker 1: the this is everything that somebody could possibly say that 760 00:37:12,200 --> 00:37:14,400 Speaker 1: I did wrong. What do I do with that? And 761 00:37:14,520 --> 00:37:18,040 Speaker 1: I think her maybe what makes me upset or sad 762 00:37:18,320 --> 00:37:19,960 Speaker 1: is that her effort is to bring me back to 763 00:37:20,080 --> 00:37:23,279 Speaker 1: wait a minute, um, but but but here are the 764 00:37:23,360 --> 00:37:25,480 Speaker 1: things that you did that were right, and why aren't 765 00:37:25,480 --> 00:37:26,839 Speaker 1: we tell you know, why why didn't you get any 766 00:37:26,880 --> 00:37:28,960 Speaker 1: credit for those you know? Or why why aren't we 767 00:37:29,000 --> 00:37:30,880 Speaker 1: focusing on those things? Or why aren't we focusing on 768 00:37:30,880 --> 00:37:32,799 Speaker 1: the things that you're doing differently now? So I guess 769 00:37:32,840 --> 00:37:35,600 Speaker 1: I overcorrect to the negative, and maybe that's what makes 770 00:37:35,640 --> 00:37:37,680 Speaker 1: me sad is because I think it's doing that that 771 00:37:37,920 --> 00:37:40,600 Speaker 1: that really brings me down. And then it's in therapy 772 00:37:40,680 --> 00:37:42,239 Speaker 1: that she I guess I feel like sometimes she has 773 00:37:42,280 --> 00:37:46,160 Speaker 1: to bring me back to center. You're growing. I just 774 00:37:46,320 --> 00:37:48,720 Speaker 1: can't stand a person who tells their version of events 775 00:37:48,880 --> 00:37:51,520 Speaker 1: and then gets exactly the response they want and then 776 00:37:51,600 --> 00:37:53,920 Speaker 1: think that they're good. That's not gross, No, it's not, 777 00:37:54,280 --> 00:37:56,239 Speaker 1: it's not because it's trust me I've got. I can 778 00:37:56,320 --> 00:37:58,759 Speaker 1: call plenty of people in my life and tell them 779 00:37:58,920 --> 00:38:00,960 Speaker 1: you're just being placated, right, and then they'll tell me 780 00:38:01,080 --> 00:38:03,360 Speaker 1: that I'm the best and whatever. Right, That's why we 781 00:38:03,400 --> 00:38:06,000 Speaker 1: have therapists. But what's funny is my therapist, my mom, 782 00:38:06,280 --> 00:38:09,960 Speaker 1: my sister. I think a lot of people, especially in 783 00:38:10,000 --> 00:38:11,359 Speaker 1: the relationship I have with my mom and my sister, 784 00:38:11,440 --> 00:38:13,719 Speaker 1: they feel like maybe I'm enabled by them. But the 785 00:38:13,800 --> 00:38:15,480 Speaker 1: truth of the matter is those three people are the 786 00:38:15,560 --> 00:38:17,719 Speaker 1: three people who will absolutely call me on my crap. 787 00:38:17,840 --> 00:38:21,359 Speaker 1: My mom would call me so fast if she were 788 00:38:21,360 --> 00:38:23,920 Speaker 1: disappointed as something I was doing or the way that 789 00:38:24,040 --> 00:38:26,480 Speaker 1: I was treating somebody, and I just can't take that 790 00:38:26,600 --> 00:38:28,279 Speaker 1: for granted. Like, I just have to tell the truth, 791 00:38:28,400 --> 00:38:30,000 Speaker 1: even when it makes me look bad. Or when I 792 00:38:30,080 --> 00:38:34,680 Speaker 1: did something stupid because otherwise waste of time. I'm literally too, 793 00:38:35,000 --> 00:38:37,160 Speaker 1: I guess I look at things fiscally and it's a 794 00:38:37,320 --> 00:38:40,360 Speaker 1: waste of my money. If I her and I just go, 795 00:38:41,160 --> 00:38:44,040 Speaker 1: here's where the world did me wrong? And these people 796 00:38:44,120 --> 00:38:46,200 Speaker 1: and these things and everyone's out to get me, and 797 00:38:46,280 --> 00:38:48,080 Speaker 1: then it would be able to see through that as 798 00:38:48,120 --> 00:38:52,560 Speaker 1: well and know that you're, you know, not really observing 799 00:38:52,640 --> 00:38:55,759 Speaker 1: yourself and trying to figure out what she would she 800 00:38:55,840 --> 00:38:57,560 Speaker 1: would call you on that. I don't know. So I 801 00:38:57,600 --> 00:38:59,279 Speaker 1: don't know. I don't know what's going on exactly, but 802 00:38:59,400 --> 00:39:02,320 Speaker 1: maybe maybe it's gross. This damn Rona finally got me. 803 00:39:02,800 --> 00:39:05,080 Speaker 1: It finally has me. Thought a lot of people, it's 804 00:39:05,080 --> 00:39:06,879 Speaker 1: gotten a lot. I thought I was locked down guy 805 00:39:07,280 --> 00:39:09,040 Speaker 1: their own, I had a cup on and the rona 806 00:39:09,040 --> 00:39:11,240 Speaker 1: couldn't kick me in the balls, and it did. Fredd 807 00:39:11,280 --> 00:39:17,839 Speaker 1: and Angie Live from the Interest Studios WUKSCFM Chicago, KIM 808 00:39:18,239 --> 00:39:21,160 Speaker 1: and I Heart Radio Station. Here's Fredda and Angie, my 809 00:39:21,280 --> 00:39:25,000 Speaker 1: True crime fans and Instagram Live alert for Thursday, and 810 00:39:25,040 --> 00:39:31,880 Speaker 1: I'll remind you Thursday, seven o'clock Central. Josh Mankos Datelight, NBC. 811 00:39:32,600 --> 00:39:36,480 Speaker 1: He's become my email friend guys and talk about murder. 812 00:39:36,800 --> 00:39:39,880 Speaker 1: To talk about murder. Motive from Murder is his podcast. 813 00:39:40,360 --> 00:39:43,960 Speaker 1: You're on Instagram Live right after me. I'm on before 814 00:39:44,040 --> 00:39:49,400 Speaker 1: your Yeah, with a dream expert, Oh, celebrity dream experts. 815 00:39:49,560 --> 00:39:54,439 Speaker 1: So if you have reoccurring dreams or crazy stress, coronavirus dreams, 816 00:39:54,760 --> 00:39:57,560 Speaker 1: there you go, there you go, Japany reffering dreams you 817 00:39:57,600 --> 00:40:00,520 Speaker 1: want me to ask her about? Yeah, it's it's the 818 00:40:00,560 --> 00:40:02,600 Speaker 1: college one. It's the college one. I always you what 819 00:40:02,719 --> 00:40:05,800 Speaker 1: you don't graduate? Right, Yeah, I screwed something up and 820 00:40:05,920 --> 00:40:08,440 Speaker 1: I didn't graduate and everyone's disappointed in me. I'll ask 821 00:40:08,440 --> 00:40:11,120 Speaker 1: her about it. Um. Yeah, I mean I've read like 822 00:40:11,360 --> 00:40:14,800 Speaker 1: fifty million different versions of what that means unfinished business 823 00:40:14,880 --> 00:40:17,520 Speaker 1: in your life for who knows. But yeah, let's let's 824 00:40:17,520 --> 00:40:19,680 Speaker 1: see what she says. Yeah, but if you love true crime. 825 00:40:19,920 --> 00:40:22,360 Speaker 1: Josh mankon which any the I started listening to the 826 00:40:22,400 --> 00:40:25,680 Speaker 1: podcast three episodes so far. Fourth one comes out Thursday, 827 00:40:25,680 --> 00:40:28,440 Speaker 1: which is why we're doing it Thursday. It's really interesting 828 00:40:28,480 --> 00:40:32,080 Speaker 1: if you like Cereal or a lot of these other 829 00:40:32,120 --> 00:40:35,359 Speaker 1: ones that go through one one story. Yeah, Dirty John 830 00:40:35,640 --> 00:40:39,160 Speaker 1: based on what dateline specials he's working on, or is 831 00:40:39,160 --> 00:40:42,279 Speaker 1: it random stories. I don't believe there was. There may 832 00:40:42,320 --> 00:40:43,719 Speaker 1: have been a Dayline on this, but I don't think 833 00:40:43,760 --> 00:40:45,400 Speaker 1: they got as deep into it if there, if there 834 00:40:45,560 --> 00:40:49,080 Speaker 1: was an episode about it, but but it follows one story. 835 00:40:50,040 --> 00:40:51,920 Speaker 1: And if you've ever watched Dayline, then you know this 836 00:40:52,000 --> 00:40:53,719 Speaker 1: guy's voice. The only think about his voice is he's 837 00:40:53,760 --> 00:40:56,839 Speaker 1: such a good storyteller that I was laying in bed 838 00:40:56,920 --> 00:40:59,160 Speaker 1: listening to it and I was almost like relaxed by it, 839 00:40:59,200 --> 00:41:01,120 Speaker 1: like I almost thing, yeah, like I almost fell asleep 840 00:41:01,120 --> 00:41:03,080 Speaker 1: because he's just he's got that voice. And then then 841 00:41:03,640 --> 00:41:06,279 Speaker 1: the incident, I don't know, it just anyways, great if 842 00:41:06,280 --> 00:41:08,040 Speaker 1: you like true crime, and then we can ask questions 843 00:41:08,080 --> 00:41:11,280 Speaker 1: about dateline and crazy murders and how I can always 844 00:41:11,320 --> 00:41:14,040 Speaker 1: tell the end of the episode from the beginning of 845 00:41:14,080 --> 00:41:15,960 Speaker 1: the episode because as soon as they interview the perp 846 00:41:16,280 --> 00:41:18,719 Speaker 1: and the background's blurred out and you see some like 847 00:41:18,880 --> 00:41:21,920 Speaker 1: cheesy like really bad polo, surely there's something, then you 848 00:41:22,000 --> 00:41:24,279 Speaker 1: know that they're in prison. Yeah that's the guy. And 849 00:41:24,320 --> 00:41:26,200 Speaker 1: if they're in prison when they're being interviewed, then they 850 00:41:26,280 --> 00:41:29,320 Speaker 1: got convicted. But sometimes is aren't they in prison? And 851 00:41:29,520 --> 00:41:31,440 Speaker 1: is the wrong person? Well, that's the thing I want to. 852 00:41:31,480 --> 00:41:32,680 Speaker 1: I want to talk to him about that. I think 853 00:41:32,680 --> 00:41:35,200 Speaker 1: I've asked him before in person, But it's like, how 854 00:41:35,320 --> 00:41:39,640 Speaker 1: many of these people they all say that say they 855 00:41:39,680 --> 00:41:41,920 Speaker 1: didn't do it? And I wonder if he ever truly 856 00:41:42,040 --> 00:41:44,400 Speaker 1: believes any of them, Like I wonder if he actually 857 00:41:44,400 --> 00:41:45,840 Speaker 1: sits there. And because at this point, he's been on 858 00:41:45,920 --> 00:41:48,880 Speaker 1: that show for twenty five years, so he has interviewed. 859 00:41:49,600 --> 00:41:54,560 Speaker 1: I mean, he's probably researcher caliber guy as it comes to, 860 00:41:54,680 --> 00:41:57,560 Speaker 1: you know, crime and criminals, right, because he's because he's 861 00:41:57,560 --> 00:41:59,759 Speaker 1: talked to so many purps. Ath he'll ever go to 862 00:41:59,840 --> 00:42:03,000 Speaker 1: Kardashian and try to get somebody community I don't know. 863 00:42:03,440 --> 00:42:07,120 Speaker 1: I don't know. Yeah. So anyway, that's Thursday six with 864 00:42:07,239 --> 00:42:11,399 Speaker 1: Angie seven. No, I'm actually at five. I'm at seven, Okay, cool, 865 00:42:11,760 --> 00:42:14,680 Speaker 1: seventh Central. So there you go, entertainer report. We'll do 866 00:42:14,719 --> 00:42:16,479 Speaker 1: it in two songs. Was coming to band the best 867 00:42:16,600 --> 00:42:20,279 Speaker 1: graduation songs of the last twenty five years. You could 868 00:42:20,320 --> 00:42:23,840 Speaker 1: play these at your quarantine graduation party. Oh man, I 869 00:42:23,920 --> 00:42:26,080 Speaker 1: wonder what I was ninety nine. I wonder what that was. 870 00:42:26,120 --> 00:42:31,120 Speaker 1: It was vitamin C or something. It probably was eight 871 00:42:31,400 --> 00:42:36,879 Speaker 1: was boz lerman? Oh, Everybody's free to wear sunscret talks. Yeah, 872 00:42:37,440 --> 00:42:39,239 Speaker 1: that's on the way in a few nine twenty one, 873 00:42:39,320 --> 00:42:45,040 Speaker 1: one three five The Friend Nancie Show. We're now on 874 00:42:45,200 --> 00:42:48,600 Speaker 1: until noon on one three five Kiss FM, Chicago's number 875 00:42:48,640 --> 00:42:52,200 Speaker 1: one hit music station. Good morning, Fuck m Danielle, Hi, Danyelle, 876 00:42:52,200 --> 00:42:54,520 Speaker 1: how are you? Go ahead? Thank you? How are you? 877 00:42:54,760 --> 00:42:56,520 Speaker 1: And yeah, welcome to the show. So we get a 878 00:42:56,560 --> 00:43:00,880 Speaker 1: lot of emails around here asking for feedback on relationship 879 00:43:01,000 --> 00:43:02,840 Speaker 1: matters because we talk about him a lot, waiting by 880 00:43:02,880 --> 00:43:04,960 Speaker 1: the phone or whatever else. And so rather than us 881 00:43:05,120 --> 00:43:08,600 Speaker 1: respond privately, we decided, let's put it out there into 882 00:43:08,600 --> 00:43:11,480 Speaker 1: the world. Let's see what the world meeting all thirteen 883 00:43:11,520 --> 00:43:14,560 Speaker 1: of our listeners think about all the people's relationship drama. So, 884 00:43:14,800 --> 00:43:16,880 Speaker 1: daniel I have your email, but why don't you explain 885 00:43:17,320 --> 00:43:20,960 Speaker 1: what's going on with Jason where you guys stand at, 886 00:43:21,040 --> 00:43:25,200 Speaker 1: what your issue is. Yeah. So I've been dating Jason 887 00:43:25,360 --> 00:43:28,719 Speaker 1: for a little over a year. We just celebrated our 888 00:43:29,040 --> 00:43:32,920 Speaker 1: near anniversary, and I like him a lot, but I 889 00:43:33,360 --> 00:43:37,520 Speaker 1: can't help but feeling like I'm in a sort of 890 00:43:37,680 --> 00:43:44,880 Speaker 1: abnormal relationship. By why what's abnormal? So from the very beginning, 891 00:43:45,000 --> 00:43:48,160 Speaker 1: Jason made it clear that he wanted to split his 892 00:43:48,280 --> 00:43:52,799 Speaker 1: time evenly between me, his friends, and his alone time, 893 00:43:53,120 --> 00:43:57,640 Speaker 1: which I get he's an introvert. Cool, but he's done 894 00:43:57,640 --> 00:44:00,799 Speaker 1: as far as to make an actual schedule, but designated 895 00:44:01,000 --> 00:44:03,960 Speaker 1: nice for each of these characters the categories. I'm like, 896 00:44:05,120 --> 00:44:07,200 Speaker 1: so like what's Friday? Is Friday your night? Or is 897 00:44:07,239 --> 00:44:11,480 Speaker 1: Friday his night? Or so that's the thing is that 898 00:44:11,680 --> 00:44:15,000 Speaker 1: it switches because and he finally was able to do 899 00:44:15,160 --> 00:44:19,000 Speaker 1: that because originally it was like Monday and Wednesday and 900 00:44:19,200 --> 00:44:22,920 Speaker 1: Tuesday Thursday, like it was really I was saying, what 901 00:44:23,040 --> 00:44:25,120 Speaker 1: if you had like an event or something on a 902 00:44:25,160 --> 00:44:28,319 Speaker 1: Saturday and which that's guy's night. Sorry, that's alone night. 903 00:44:28,560 --> 00:44:30,840 Speaker 1: Can help you with that. Sorry, I'll be alone and 904 00:44:31,200 --> 00:44:34,680 Speaker 1: not with you, right, Like isn't that? I don't know. 905 00:44:34,880 --> 00:44:37,560 Speaker 1: I feel like a lot of my friends are like 906 00:44:37,680 --> 00:44:40,720 Speaker 1: he's just trying to live a balanced life. He's great, 907 00:44:41,280 --> 00:44:44,600 Speaker 1: Like why why are you getting naggy about this? And 908 00:44:44,800 --> 00:44:47,240 Speaker 1: he has been like a little bit flexible. He finally 909 00:44:47,719 --> 00:44:49,359 Speaker 1: was willing to move it because I was like, listen, 910 00:44:49,400 --> 00:44:51,640 Speaker 1: I don't want to go on tapes always on Thursdays, 911 00:44:51,800 --> 00:44:55,080 Speaker 1: Like why is this? Can't we Yeah, Like sometimes you're 912 00:44:55,120 --> 00:44:58,080 Speaker 1: on the mood or sometimes what I don't know. You know, 913 00:44:58,640 --> 00:45:00,480 Speaker 1: I don't like that it's it's I was like, it's 914 00:45:00,520 --> 00:45:04,480 Speaker 1: so regimented and concrete. But I kind of like that 915 00:45:04,640 --> 00:45:07,480 Speaker 1: he knows what Okay, like I need I need a 916 00:45:07,560 --> 00:45:10,880 Speaker 1: loane time, I need some time with my friends. I 917 00:45:11,000 --> 00:45:12,840 Speaker 1: can't become one of these people who like is it 918 00:45:13,120 --> 00:45:15,880 Speaker 1: becomes entirely immersed in you, as I realistic, it wouldn't 919 00:45:15,960 --> 00:45:18,520 Speaker 1: last people do that, it would burn out, like I 920 00:45:18,680 --> 00:45:21,480 Speaker 1: know my limits. I like that he's communicating that, but 921 00:45:21,600 --> 00:45:24,400 Speaker 1: it does sound a little bit like, okay, can you 922 00:45:24,440 --> 00:45:29,840 Speaker 1: do that to make an Excel spreadsheet too? It sounds 923 00:45:29,880 --> 00:45:33,840 Speaker 1: like your entire social calendar. So you he has this 924 00:45:34,000 --> 00:45:36,920 Speaker 1: calendar and he's fixed by this gond my god. So 925 00:45:37,120 --> 00:45:39,279 Speaker 1: you've you've brought up that this annoys you, or you've 926 00:45:39,280 --> 00:45:41,120 Speaker 1: brought up that he needs to be more flexible or 927 00:45:41,239 --> 00:45:44,640 Speaker 1: what's the issue. Yeah, I've I've told him that I 928 00:45:44,719 --> 00:45:48,160 Speaker 1: feel like a category in his schedule, like a chunk 929 00:45:48,400 --> 00:45:52,120 Speaker 1: of a pie chart or whatever. Right, that does not 930 00:45:52,719 --> 00:45:57,000 Speaker 1: feel great, and I want more flexibility. But um, I mean, 931 00:45:57,080 --> 00:46:00,960 Speaker 1: I think he's taking it way too far. Um. I know, 932 00:46:01,080 --> 00:46:03,920 Speaker 1: I certainly wouldn't want to live like that. So well, 933 00:46:03,960 --> 00:46:05,520 Speaker 1: now has has he come to you and been like like, 934 00:46:05,640 --> 00:46:07,960 Speaker 1: I want I need to be alone today or tonight, 935 00:46:08,080 --> 00:46:09,719 Speaker 1: or I want some time alone and then you've sort 936 00:46:09,760 --> 00:46:12,080 Speaker 1: of like pushed back on that, and maybe that's why 937 00:46:12,160 --> 00:46:14,560 Speaker 1: he's like laying down these boundaries. Does that ever happened 938 00:46:14,640 --> 00:46:17,279 Speaker 1: or is he just laying down the boundaries in anticipation 939 00:46:17,320 --> 00:46:19,759 Speaker 1: of you doing something like that? Well no, I mean 940 00:46:19,840 --> 00:46:24,000 Speaker 1: I know ahead of time, So so like, is he 941 00:46:24,160 --> 00:46:26,279 Speaker 1: doing that? Is he doing it because he said to 942 00:46:26,360 --> 00:46:29,200 Speaker 1: you in the past I want to be alone and 943 00:46:29,400 --> 00:46:31,360 Speaker 1: you said, no, I'm not, I'm not into that, or 944 00:46:31,440 --> 00:46:33,360 Speaker 1: I have or no we're doing this or I already 945 00:46:33,360 --> 00:46:35,200 Speaker 1: committed us to this or whatever. Do you know what 946 00:46:35,200 --> 00:46:38,479 Speaker 1: I'm saying? Yeah, I haven't been perfect. There are times 947 00:46:38,719 --> 00:46:40,839 Speaker 1: like he's my boyfriend, I want to hang out with them, 948 00:46:40,920 --> 00:46:44,000 Speaker 1: and I there have been times that I'm like, listen, 949 00:46:44,120 --> 00:46:47,160 Speaker 1: I know that you set up this, you know, time 950 00:46:47,360 --> 00:46:50,239 Speaker 1: for yourself for the guys. I mean, if he has 951 00:46:50,560 --> 00:46:52,600 Speaker 1: actually if he has planned with his guy friends, I 952 00:46:52,640 --> 00:46:55,759 Speaker 1: don't mess with that. But if if if he has 953 00:46:55,880 --> 00:46:57,840 Speaker 1: alone time, I'm like, listen, I'll switch dates with you 954 00:46:58,040 --> 00:47:00,640 Speaker 1: can we hang out tonight. He wants a free night. 955 00:47:00,800 --> 00:47:07,480 Speaker 1: You won't switch? Um sometimes yes, usually no, calendar, can't, 956 00:47:07,600 --> 00:47:09,279 Speaker 1: can't do it. I do know some people in ball 957 00:47:09,280 --> 00:47:11,000 Speaker 1: and chain relationship for it's like, hey can I and 958 00:47:11,160 --> 00:47:13,040 Speaker 1: they're always asking for permission to do this, and it 959 00:47:13,040 --> 00:47:14,680 Speaker 1: would I guess suppose it would be easier if they 960 00:47:14,719 --> 00:47:16,839 Speaker 1: didn't have to ask for permission and they just knew 961 00:47:16,960 --> 00:47:19,480 Speaker 1: to make plans on this night. And so you know, 962 00:47:19,640 --> 00:47:21,239 Speaker 1: it's like, well, let me ask my wife, let me 963 00:47:21,239 --> 00:47:23,560 Speaker 1: ask my girlfriend, let me ask my boyfriend, and then 964 00:47:23,880 --> 00:47:26,160 Speaker 1: before long it's oh no, we can't, or before long 965 00:47:26,239 --> 00:47:27,680 Speaker 1: it doesn't happen. You know what I'm saying, too many 966 00:47:27,719 --> 00:47:31,520 Speaker 1: logistics In this case, he's saying, Hey, Thursdays are the 967 00:47:31,680 --> 00:47:33,839 Speaker 1: night I hang out with my guys, and so don't 968 00:47:33,880 --> 00:47:36,520 Speaker 1: make plans on Thursday because I'm gonna have plans on 969 00:47:36,600 --> 00:47:38,080 Speaker 1: Thursday and then we don't have to fight about it. 970 00:47:38,600 --> 00:47:40,920 Speaker 1: So so I see it that way. That's not to 971 00:47:41,160 --> 00:47:43,480 Speaker 1: be able to bend and to have sort of like 972 00:47:44,000 --> 00:47:47,759 Speaker 1: scheduled regimented fun isn't fun. Let me open it up. 973 00:47:47,760 --> 00:47:49,480 Speaker 1: I want to see what people think. Daniell. I appreciate 974 00:47:49,480 --> 00:47:52,480 Speaker 1: you calling. Thanks for sharing your story. Yeah, all right, 975 00:47:52,520 --> 00:47:56,919 Speaker 1: so should she stay there go? This guy doesn't sound 976 00:47:56,960 --> 00:47:58,880 Speaker 1: like he's all that flexible. It sounds like he's drawing 977 00:47:58,920 --> 00:48:00,680 Speaker 1: the line in the sand the same. Look. Some nights 978 00:48:00,719 --> 00:48:02,320 Speaker 1: are gonna be my nights. Some nights are gonna be 979 00:48:02,360 --> 00:48:04,799 Speaker 1: your night, our night together. Some nights are gonna be um, 980 00:48:04,960 --> 00:48:07,520 Speaker 1: you know, guy nights. And I want you to know 981 00:48:07,600 --> 00:48:10,520 Speaker 1: ahead of time so there's no confusion. Yes, Kalin, I 982 00:48:10,680 --> 00:48:13,160 Speaker 1: like the idea that he has, but I don't do 983 00:48:13,400 --> 00:48:15,640 Speaker 1: well with rules, so that would be hard for me 984 00:48:15,800 --> 00:48:18,160 Speaker 1: to feel like he was telling me what we were 985 00:48:18,239 --> 00:48:20,640 Speaker 1: at you like, I feel it's important for everybody to 986 00:48:20,760 --> 00:48:23,280 Speaker 1: have their nights with their friends and their nights alone 987 00:48:23,400 --> 00:48:26,000 Speaker 1: they're alone, it's important for that, But to regiment, it's 988 00:48:26,040 --> 00:48:30,320 Speaker 1: so military style where there's no bending. What if I 989 00:48:30,400 --> 00:48:32,440 Speaker 1: need you for something one night. What if I need 990 00:48:32,480 --> 00:48:34,359 Speaker 1: a load time and we're scheduled to go on a date. 991 00:48:34,400 --> 00:48:36,400 Speaker 1: Am I in trouble now? Like? I don't like the 992 00:48:36,520 --> 00:48:44,480 Speaker 1: idea of that. Let me see what you guys think too. Hey, Michael, Hey, 993 00:48:44,560 --> 00:48:47,120 Speaker 1: good morning guys, Michael, good morning, Stay or go? So 994 00:48:47,400 --> 00:48:49,520 Speaker 1: just a second ago, you heard the story. This is 995 00:48:49,600 --> 00:48:54,120 Speaker 1: Danielle saying that her boyfriend of a year, he really compartmentalizes, 996 00:48:54,560 --> 00:48:56,800 Speaker 1: like this day is for me, this day is for 997 00:48:56,880 --> 00:48:59,920 Speaker 1: the boys, this day is for date night. And he's 998 00:49:00,200 --> 00:49:03,560 Speaker 1: regimented about his time and prioritizing and it's annoying her. 999 00:49:03,600 --> 00:49:05,600 Speaker 1: And she wants to know if she should, you know, 1000 00:49:05,719 --> 00:49:07,920 Speaker 1: push those boundaries, or if she should just bail on 1001 00:49:07,960 --> 00:49:11,040 Speaker 1: the relationship right now. What do you think, Listen? I 1002 00:49:11,160 --> 00:49:14,719 Speaker 1: agree with you, guys, you can't smother the other person 1003 00:49:14,840 --> 00:49:18,080 Speaker 1: in a relationship, but you need to have some kind 1004 00:49:18,160 --> 00:49:21,600 Speaker 1: of structure. But he's going a little too far. She 1005 00:49:21,760 --> 00:49:24,560 Speaker 1: needs to be like, listen, it's a schedule. I'm gonna 1006 00:49:24,640 --> 00:49:30,120 Speaker 1: date you because I mean, really, what if Saturday is 1007 00:49:30,239 --> 00:49:32,360 Speaker 1: our schedule date night and all of a sudden I 1008 00:49:32,440 --> 00:49:34,319 Speaker 1: don't feel good on Saturday? Does that mean I lose 1009 00:49:34,400 --> 00:49:36,719 Speaker 1: my date with you this week? Yeah? Likes going on, 1010 00:49:37,200 --> 00:49:39,640 Speaker 1: but I'm playing Devil's advocate. You're on the flip side, 1011 00:49:39,760 --> 00:49:41,759 Speaker 1: Like I said, I know, I know, guys, whatever reason 1012 00:49:41,840 --> 00:49:43,640 Speaker 1: you know, I have more male friends and female friends. 1013 00:49:43,640 --> 00:49:46,600 Speaker 1: I guess where I know people who it's whenever they 1014 00:49:46,640 --> 00:49:48,200 Speaker 1: want to go someplace, they just go and do it. 1015 00:49:48,280 --> 00:49:50,719 Speaker 1: And it's fine. Yeah, I know people who they're constantly 1016 00:49:50,840 --> 00:49:53,640 Speaker 1: asking for permission to do stuff and usually the answer 1017 00:49:53,840 --> 00:49:56,920 Speaker 1: is no. And so in this case, that eliminates that 1018 00:49:57,080 --> 00:50:01,879 Speaker 1: argument or that animosity or that whatever it is. Um right, 1019 00:50:02,320 --> 00:50:05,919 Speaker 1: because this is my day and in this particular case, 1020 00:50:05,920 --> 00:50:07,320 Speaker 1: I can make my own plans. I don't have to 1021 00:50:07,360 --> 00:50:09,440 Speaker 1: ask you for some people having that space I think 1022 00:50:09,480 --> 00:50:11,880 Speaker 1: would be healthy. And I agree with you, but you 1023 00:50:11,960 --> 00:50:15,560 Speaker 1: need to have some kind of compromise you like you know, um, 1024 00:50:16,160 --> 00:50:18,879 Speaker 1: you know what? Like in you said you don't feel good, Well, 1025 00:50:18,920 --> 00:50:24,160 Speaker 1: you can't say, well, I'm sorry, you're bumped at Sorry 1026 00:50:24,239 --> 00:50:26,880 Speaker 1: for you. Thank you, Michael, glad you call. I have 1027 00:50:26,880 --> 00:50:32,040 Speaker 1: a great day, Thanks for listening. Hey Michelle, Yes, I say, 1028 00:50:32,040 --> 00:50:34,239 Speaker 1: what do we do with this guy Daniel's boyfriend who 1029 00:50:34,360 --> 00:50:38,480 Speaker 1: he wants everything scheduled out? She definitely means because the 1030 00:50:38,560 --> 00:50:40,800 Speaker 1: way I look at it is if they're planning for 1031 00:50:40,880 --> 00:50:44,759 Speaker 1: a future, what happens when they get married or have kids? Yeah, 1032 00:50:44,760 --> 00:50:47,279 Speaker 1: because kids, it's far more fluid, right, Like you, it 1033 00:50:47,480 --> 00:50:49,719 Speaker 1: has to be because they don't like it you're on 1034 00:50:49,800 --> 00:50:52,520 Speaker 1: their schedule. Sometimes it doesn't really matter what you want 1035 00:50:52,560 --> 00:50:54,880 Speaker 1: to do. They're gonna do what they do. Yeah, and 1036 00:50:54,960 --> 00:50:58,319 Speaker 1: I totally get having space, but come on, he's taking 1037 00:50:58,320 --> 00:51:00,640 Speaker 1: a little too far. Okay, fair enough, thank you, Michelle, 1038 00:51:00,640 --> 00:51:03,640 Speaker 1: Glad you called. I have a great day. Love you too, Hey, 1039 00:51:03,760 --> 00:51:07,600 Speaker 1: Dylan hr Um. Okay, So I feel like if you're married, 1040 00:51:07,800 --> 00:51:10,560 Speaker 1: that's a totally different thing. But for right now, I 1041 00:51:10,640 --> 00:51:12,760 Speaker 1: went take a weekend day off, so like a weekday 1042 00:51:12,840 --> 00:51:15,120 Speaker 1: for your boys. I feel like it's totally fair. I 1043 00:51:15,200 --> 00:51:18,560 Speaker 1: think it's fair anytime, totally, but like to have a 1044 00:51:18,680 --> 00:51:21,040 Speaker 1: day with your friends like every For instance, my husband 1045 00:51:21,040 --> 00:51:24,279 Speaker 1: has a standing Wednesday night thing like night out with 1046 00:51:24,360 --> 00:51:26,600 Speaker 1: his guys every Wednesday night. I think it's together. God 1047 00:51:26,680 --> 00:51:30,480 Speaker 1: forbid I die on a Wednesday. Yeah, I won't see 1048 00:51:30,560 --> 00:51:34,240 Speaker 1: him exactly. But at the same time, for other days, 1049 00:51:34,360 --> 00:51:36,040 Speaker 1: like when you need your alone time or when we 1050 00:51:36,080 --> 00:51:37,680 Speaker 1: have a date, I need to know that it's okay, 1051 00:51:38,160 --> 00:51:41,279 Speaker 1: that we're a little bit more fluid there. Yeah, I 1052 00:51:41,320 --> 00:51:43,200 Speaker 1: don't know. You'll have to send me that look invite 1053 00:51:43,239 --> 00:51:44,880 Speaker 1: and i'll i may or man to prove it. I 1054 00:51:44,920 --> 00:51:47,000 Speaker 1: don't know, to send me a calendar invite and I'll 1055 00:51:47,040 --> 00:51:49,120 Speaker 1: see if I can squeeze into my because I don't 1056 00:51:49,160 --> 00:51:51,640 Speaker 1: know that night, maybe it feels like a business that 1057 00:51:52,080 --> 00:51:54,480 Speaker 1: might be flipper flop Knight and flipper flop Knight don't 1058 00:51:54,480 --> 00:51:56,000 Speaker 1: true with me. I swear to God if you call 1059 00:51:56,120 --> 00:51:59,920 Speaker 1: me during flippery no, absolutely I have to see it 1060 00:52:00,000 --> 00:52:02,680 Speaker 1: live incise someone spoils it. Thank you, have a good day, 1061 00:52:03,040 --> 00:52:09,160 Speaker 1: Hey Alex, Hey, I think just kind of ridiculous life happened. 1062 00:52:09,239 --> 00:52:12,200 Speaker 1: What if, all right, something comes up and you have 1063 00:52:12,360 --> 00:52:15,440 Speaker 1: to change plans and not being willing to change plans 1064 00:52:15,560 --> 00:52:17,360 Speaker 1: isn't like a partner that you want to be with 1065 00:52:17,480 --> 00:52:20,000 Speaker 1: in the long run. Also, that's just boring having a 1066 00:52:21,760 --> 00:52:24,120 Speaker 1: kind of like a straight edge who wants to be 1067 00:52:24,239 --> 00:52:27,279 Speaker 1: with someone that's not willing to do adventurous things that 1068 00:52:27,360 --> 00:52:29,799 Speaker 1: the drop of the hat, you can't have any spontaneity 1069 00:52:29,880 --> 00:52:33,560 Speaker 1: because everything is scheduled. You don't want to be around 1070 00:52:33,560 --> 00:52:35,200 Speaker 1: me if I miss flip for flop. Okay, So I 1071 00:52:35,320 --> 00:52:39,719 Speaker 1: totally get the serious Thank you, Alex. I'm glad you 1072 00:52:39,760 --> 00:52:42,120 Speaker 1: called it out a good day. Thank you for a 1073 00:52:42,360 --> 00:52:44,080 Speaker 1: Most people see even think this is ridiculous. It is, 1074 00:52:44,760 --> 00:52:47,440 Speaker 1: But I also I would argue that there would need 1075 00:52:47,480 --> 00:52:49,439 Speaker 1: to be you know then that then if you don't 1076 00:52:49,480 --> 00:52:51,440 Speaker 1: like this, then you got to make sure that you're 1077 00:52:51,440 --> 00:52:54,000 Speaker 1: flexible with him too, because I feel like maybe there's 1078 00:52:54,040 --> 00:52:56,200 Speaker 1: a chance he's doing this because he's been told no 1079 00:52:56,320 --> 00:52:58,360 Speaker 1: a lot. She did acknowledge that she don't be in 1080 00:52:58,400 --> 00:53:00,400 Speaker 1: a relationship, or somebody's trying to tell you what to do. 1081 00:53:00,480 --> 00:53:02,719 Speaker 1: All I just think of skives, give and take, you know, 1082 00:53:02,760 --> 00:53:04,320 Speaker 1: And I feel like if you if you say no 1083 00:53:04,560 --> 00:53:07,320 Speaker 1: enough times, then eventually either they're gonna disregard the no, 1084 00:53:07,600 --> 00:53:09,399 Speaker 1: or they're gonna start doing stuff like this where it's 1085 00:53:09,440 --> 00:53:12,799 Speaker 1: like no, hard and fast. I'm doing this and you're 1086 00:53:12,840 --> 00:53:15,320 Speaker 1: not saying anything, and before long there's resentment. But you 1087 00:53:15,360 --> 00:53:17,000 Speaker 1: may do that for his own schedule, but don't do 1088 00:53:17,040 --> 00:53:18,600 Speaker 1: that with mine, you know what I mean? Like, don't 1089 00:53:18,600 --> 00:53:20,960 Speaker 1: tell me when I can date my my boyfriend anyway. 1090 00:53:20,960 --> 00:53:23,640 Speaker 1: Look log into my my Google calendar. If it's marked 1091 00:53:23,680 --> 00:53:30,160 Speaker 1: as busy tough Nugies for you? You heard me? Have 1092 00:53:30,200 --> 00:53:35,399 Speaker 1: you heard me? The weekends one on three five because 1093 00:53:35,400 --> 00:53:38,320 Speaker 1: steams Chicago's number one hit music station. Friend and Agie 1094 00:53:38,360 --> 00:53:41,120 Speaker 1: the Entertainment Report after Jonas Brothers in two minutes? What 1095 00:53:41,200 --> 00:53:43,600 Speaker 1: else you're working on for that? Arianna Grande and Justin 1096 00:53:43,640 --> 00:53:46,560 Speaker 1: Bieber going at it with Chakashi six nine I'll tell 1097 00:53:46,600 --> 00:53:50,320 Speaker 1: you all about that. Hang out for that mag next 1098 00:53:50,440 --> 00:53:59,320 Speaker 1: on one three Fiveie's Entertainment Reports with friend and Angie 1099 00:53:59,400 --> 00:54:03,920 Speaker 1: I'm One of Three. Ariana Grande and Justin Bieber, firing 1100 00:54:04,000 --> 00:54:06,719 Speaker 1: back at Takashi six nine, claimed that they bought their 1101 00:54:06,840 --> 00:54:09,320 Speaker 1: way to number one this week. Arianna took to Instagram 1102 00:54:09,480 --> 00:54:13,839 Speaker 1: yesterday celebrating her and Justin's singles Stuck with You, which 1103 00:54:14,080 --> 00:54:17,359 Speaker 1: landed number one, beating out Dozer Cats Say So, as 1104 00:54:17,400 --> 00:54:20,440 Speaker 1: well as Takashi's new single Guba, which came in third so. 1105 00:54:21,480 --> 00:54:24,360 Speaker 1: Arianna took a minute to address Takashi's allegations that she, 1106 00:54:25,239 --> 00:54:28,440 Speaker 1: Justin Bieber and people working for them allegedly maxed out 1107 00:54:28,560 --> 00:54:32,000 Speaker 1: six credit cards to purchase thirty thousand units of the 1108 00:54:32,080 --> 00:54:34,759 Speaker 1: last Minute to secure their spot at number one, which 1109 00:54:34,880 --> 00:54:38,320 Speaker 1: is really shady if they did that. Arianna insists the 1110 00:54:38,400 --> 00:54:40,600 Speaker 1: reason that Stuck with You moved the way it did 1111 00:54:40,760 --> 00:54:43,640 Speaker 1: is because more people actually purchase their song instead of 1112 00:54:43,760 --> 00:54:45,680 Speaker 1: streaming it. She goes on to say that she and 1113 00:54:45,760 --> 00:54:49,320 Speaker 1: Bieber have longtime writer die fans and they're credited with 1114 00:54:49,400 --> 00:54:52,640 Speaker 1: the bump. Justin pointed out billboard rules only allow for 1115 00:54:52,719 --> 00:54:55,719 Speaker 1: four units to be purchased her credit card anyway, and said, 1116 00:54:55,760 --> 00:54:57,560 Speaker 1: if you're gonna say her name, make sure you say 1117 00:54:57,640 --> 00:55:02,040 Speaker 1: mine because it's our song. I wouldn't for Takashi. I 1118 00:55:02,080 --> 00:55:05,160 Speaker 1: wouldn't want to be anywhere around Takashi. I don't know 1119 00:55:05,160 --> 00:55:08,279 Speaker 1: if Takashi's long for this earth. He's tattling again on 1120 00:55:08,400 --> 00:55:12,880 Speaker 1: people always snitching. Rapper Nori took to Instagram where he 1121 00:55:12,920 --> 00:55:15,920 Speaker 1: claimed that eminem is interested in taking on DMBAX in 1122 00:55:16,000 --> 00:55:18,759 Speaker 1: a versus battle so versus If you haven't seen it, 1123 00:55:18,840 --> 00:55:21,840 Speaker 1: pitts producers, songwriters, artists against each other in rap battle 1124 00:55:21,880 --> 00:55:25,440 Speaker 1: style format on Instagram. Live. Competitors take turns playing a 1125 00:55:25,480 --> 00:55:27,960 Speaker 1: song from a list of twenty in their whole collection, 1126 00:55:28,440 --> 00:55:30,640 Speaker 1: and a winner is later decided by Tim Llin and 1127 00:55:30,640 --> 00:55:34,080 Speaker 1: Swiss Beat. So Nori said DMX was up for a challenge, 1128 00:55:34,600 --> 00:55:36,760 Speaker 1: but it's jay Z who he really wants to battle. 1129 00:55:37,280 --> 00:55:40,080 Speaker 1: He said, X say he can still get it, but 1130 00:55:40,239 --> 00:55:43,880 Speaker 1: I want jay haha, so classic behind the scenes. Sorry 1131 00:55:43,960 --> 00:55:46,680 Speaker 1: if I was not supposed to say anything, but I 1132 00:55:46,800 --> 00:55:49,640 Speaker 1: had to DMX versus Slim Shady. What do y'all think? 1133 00:55:49,760 --> 00:55:52,200 Speaker 1: I'm writing with the dogs? So that would be interesting. 1134 00:55:52,280 --> 00:55:55,200 Speaker 1: They're both really angry rappers. They would just scream at 1135 00:55:55,239 --> 00:55:56,880 Speaker 1: each other the whole time. I don't know, I just 1136 00:55:57,080 --> 00:56:02,040 Speaker 1: need to get the Wi Fi situation. Every week, somebody 1137 00:56:02,080 --> 00:56:07,279 Speaker 1: always screws. Who was it with the baby face? One? 1138 00:56:08,800 --> 00:56:13,520 Speaker 1: A Riley is a baby face and I forgot my goodness. 1139 00:56:15,120 --> 00:56:18,000 Speaker 1: There's so many good ones that could like battle every week, 1140 00:56:18,040 --> 00:56:21,359 Speaker 1: but I would. I would watch eminem and Dmax jack Um. 1141 00:56:21,440 --> 00:56:23,800 Speaker 1: This week is all about commiserating with a class of 1142 00:56:23,840 --> 00:56:27,040 Speaker 1: twenty twenty about their anti climactic final school year. Sorry 1143 00:56:27,040 --> 00:56:30,239 Speaker 1: about that, guys. So Rolling Stone has put together a 1144 00:56:30,360 --> 00:56:32,919 Speaker 1: list of the twenty best graduation songs of the last 1145 00:56:33,040 --> 00:56:35,400 Speaker 1: twenty five years. So what do we have your rufio 1146 00:56:35,840 --> 00:56:38,239 Speaker 1: on his file to one? Okay, so I'll tell you. 1147 00:56:38,360 --> 00:56:41,840 Speaker 1: They define graduation songs as songs that have captured the 1148 00:56:41,920 --> 00:56:45,640 Speaker 1: proper feelings of pride, nostalgia, excitement, and sadness that the 1149 00:56:45,719 --> 00:56:48,600 Speaker 1: companies graduating that whole rite of passage. So let's do 1150 00:56:48,800 --> 00:56:52,320 Speaker 1: ten to one year. Um, well, it doesn't really go 1151 00:56:52,400 --> 00:57:04,200 Speaker 1: by years, and I would never a graduation song. It's 1152 00:57:04,239 --> 00:57:09,239 Speaker 1: a banger, but I like it. I like the songs. Okay, okay, sure, 1153 00:57:09,280 --> 00:57:14,359 Speaker 1: why not? That was number ten Okay, I've never heard 1154 00:57:14,400 --> 00:57:17,400 Speaker 1: this song. I don't know that it's called. The song 1155 00:57:17,520 --> 00:57:19,800 Speaker 1: is called My Last Semester and it's by a group 1156 00:57:19,840 --> 00:57:22,640 Speaker 1: called The Wonder Years. I've never heard this song. I 1157 00:57:22,680 --> 00:57:27,400 Speaker 1: would love this for sure. This wasn't I had to 1158 00:57:27,480 --> 00:57:32,040 Speaker 1: get this offing from twenty ten. Promise me that I 1159 00:57:32,120 --> 00:57:35,840 Speaker 1: hope you. I love this song, but it makes me sad. 1160 00:57:36,880 --> 00:57:41,840 Speaker 1: Who stakes the original? Just sit it out? Is Dolly Pardon? 1161 00:57:42,200 --> 00:57:46,440 Speaker 1: Maybe do somebody who? I don't know? Somebody sings an original? 1162 00:57:51,280 --> 00:57:54,000 Speaker 1: That's a great song though. Alright, bawling at my graduation. 1163 00:57:56,080 --> 00:58:00,120 Speaker 1: This is Matchbox twenty Yes, how Far Do We Go? 1164 00:58:03,440 --> 00:58:06,480 Speaker 1: That's from two thousand and seven? Hold on, like, are 1165 00:58:06,520 --> 00:58:09,640 Speaker 1: people just dissecting song lyrics and making this up? Or like? 1166 00:58:09,720 --> 00:58:12,280 Speaker 1: Were these songs that were? I don't some of them. 1167 00:58:12,360 --> 00:58:14,360 Speaker 1: Some of them are actual songs, some of them are 1168 00:58:14,360 --> 00:58:19,160 Speaker 1: just about lyrics. This is a great Paul Walker, Kalif 1169 00:58:19,280 --> 00:58:23,720 Speaker 1: and Charlie Pooh See You Again is number six jingle Ball. 1170 00:58:23,760 --> 00:58:28,000 Speaker 1: This was amazing when yeahs it is Paul Walker. Yeah 1171 00:58:28,920 --> 00:58:35,919 Speaker 1: goes on LCD sound systems, My friends. This is also 1172 00:58:36,000 --> 00:58:38,400 Speaker 1: from two thousand and seven. Songs that one's trying to 1173 00:58:38,440 --> 00:58:41,520 Speaker 1: be ironic. The song before My Life and like it 1174 00:58:41,680 --> 00:58:44,080 Speaker 1: just tipped. It was this all instrumentals, like are the 1175 00:58:44,240 --> 00:58:51,040 Speaker 1: lyric They're weird? So my chemical romance Okay, my daughter's like, yeah, 1176 00:58:52,600 --> 00:58:58,040 Speaker 1: that's number four, you remember, can't be too commercial. Number 1177 00:58:58,040 --> 00:58:59,760 Speaker 1: three is one of my most favorite songs ever though. 1178 00:59:00,640 --> 00:59:05,880 Speaker 1: Greatness is what we want to poop us. Yeah, and 1179 00:59:06,080 --> 00:59:12,080 Speaker 1: Drake Bow Bow Bow your knees. Yeah, good song, moment 1180 00:59:12,120 --> 00:59:18,480 Speaker 1: for life. At this moment, I just feel so alive live. Yeah, 1181 00:59:18,480 --> 00:59:21,920 Speaker 1: that's a good song. A live number less for you 1182 00:59:24,480 --> 00:59:34,200 Speaker 1: please every time and do amazement less nickle Back, you don't. 1183 00:59:36,760 --> 00:59:38,800 Speaker 1: I'll make a confession, I don't hate that song. If 1184 00:59:38,840 --> 00:59:46,080 Speaker 1: that song comes on in the cars, I gotta hear 1185 00:59:46,080 --> 00:59:50,160 Speaker 1: the chorus now, sorry, I just got that part. Whold know, 1186 00:59:50,240 --> 00:59:51,720 Speaker 1: I know you are you were Russian, but hold on 1187 00:59:51,840 --> 00:59:55,120 Speaker 1: the second now, I gotta hear me. If you don't 1188 00:59:55,160 --> 00:59:56,960 Speaker 1: get pumped up by the chorus of this song that, 1189 00:59:57,160 --> 00:59:59,560 Speaker 1: I'm not sure if you're human. H And you can 1190 00:59:59,600 --> 01:00:02,160 Speaker 1: say what you want about Nickelback, which is funny. Were 1191 01:00:02,160 --> 01:00:04,240 Speaker 1: gonna play the whole song? No, We're gonna do a 1192 01:00:04,280 --> 01:00:33,840 Speaker 1: live with nice good Yeah? You so what do you want? 1193 01:00:33,840 --> 01:00:38,240 Speaker 1: About Nickel's song and the number one song graduation songs 1194 01:00:38,240 --> 01:00:43,520 Speaker 1: of all time. There's always gonna be another mountain, then 1195 01:00:43,800 --> 01:00:50,240 Speaker 1: want making me, always gonna be on the green game, 1196 01:00:50,920 --> 01:00:56,800 Speaker 1: good radiance, a good ridence. I thought it was on 1197 01:00:56,920 --> 01:01:08,440 Speaker 1: the other side. Yes, all right, there's a couple of 1198 01:01:08,480 --> 01:01:11,760 Speaker 1: weird choices in there. But whatever. Our graduation song was 1199 01:01:11,840 --> 01:01:15,640 Speaker 1: TLC what about your friends? So that will date me? 1200 01:01:15,840 --> 01:01:22,760 Speaker 1: And that's throw where she gotta excited, crazy y. She 1201 01:01:22,840 --> 01:01:24,480 Speaker 1: got it wrong and I got it wrong, and I 1202 01:01:24,560 --> 01:01:27,000 Speaker 1: got it wrong. I think you were not conceived yet 1203 01:01:27,040 --> 01:01:29,080 Speaker 1: and I was How old were you? Well I had 1204 01:01:29,120 --> 01:01:30,480 Speaker 1: that album? Yeah, but how old were you when it 1205 01:01:30,520 --> 01:01:32,360 Speaker 1: came out? Oh? I don't know what year was it? 1206 01:01:32,480 --> 01:01:34,120 Speaker 1: What year were you born? I was born in nin 1207 01:01:34,160 --> 01:01:41,640 Speaker 1: do one. No way, she was one to the extreme 1208 01:01:41,720 --> 01:01:48,280 Speaker 1: just yeah, rock mic like a fan tool. Yeah, but 1209 01:01:48,400 --> 01:01:50,760 Speaker 1: at the stage you watch the chump like a candle dance. 1210 01:01:51,120 --> 01:01:53,640 Speaker 1: All right, MORC gout online. That was just the top 1211 01:01:53,720 --> 01:01:56,520 Speaker 1: ten songs of the last twenty five years. There's twenty five, 1212 01:01:56,680 --> 01:01:58,960 Speaker 1: or there's twenty altogether. If you want to see that, 1213 01:01:59,040 --> 01:02:02,480 Speaker 1: maybe play it at your garage graduation party this weekend Friday. 1214 01:02:02,480 --> 01:02:04,880 Speaker 1: Anti dot Com some good news stories in just a 1215 01:02:04,920 --> 01:02:10,880 Speaker 1: second Dona cats on one three five Kiss, Chicago's number 1216 01:02:10,920 --> 01:02:13,760 Speaker 1: one hit music station, Friend and Nage gets you good 1217 01:02:13,800 --> 01:02:16,960 Speaker 1: news stories in just a second time. There maybe some 1218 01:02:17,040 --> 01:02:20,400 Speaker 1: more good news here. Adults are worrying less becoming more 1219 01:02:20,520 --> 01:02:23,600 Speaker 1: happy during quarantining. This is from a Gallup poll. It 1220 01:02:23,680 --> 01:02:26,680 Speaker 1: shows this is not me Less than a half say 1221 01:02:27,320 --> 01:02:31,440 Speaker 1: they were worried most of the previous day. Held on 1222 01:02:31,520 --> 01:02:34,560 Speaker 1: a second A studied by Gallup shows less than a 1223 01:02:34,600 --> 01:02:37,400 Speaker 1: half say they were worried most of the previous day, 1224 01:02:37,440 --> 01:02:40,080 Speaker 1: which is a drop from fifty nine percent over a 1225 01:02:40,160 --> 01:02:42,720 Speaker 1: month ago. The latest data recorded between April twenty seven 1226 01:02:42,760 --> 01:02:46,000 Speaker 1: and May tenth, shows that Americans have less worry as 1227 01:02:46,040 --> 01:02:48,400 Speaker 1: some states begin to open up and ease stay at 1228 01:02:48,440 --> 01:02:51,160 Speaker 1: home restrictions. The best news is seventy two percent of 1229 01:02:51,240 --> 01:02:56,040 Speaker 1: those survey reported general happiness. Despite the COVID issues and 1230 01:02:56,200 --> 01:02:59,200 Speaker 1: the fact that deaths are still increasing. Researchers say everyone's 1231 01:02:59,240 --> 01:03:01,760 Speaker 1: future emotional well being may depend on what happens with 1232 01:03:01,880 --> 01:03:04,280 Speaker 1: the disease as more and more parts of the nation 1233 01:03:04,360 --> 01:03:06,640 Speaker 1: try to return to some type of normal, the new normal. 1234 01:03:06,760 --> 01:03:10,360 Speaker 1: Everyone I feel, yeah, I feel like there is a 1235 01:03:10,400 --> 01:03:13,400 Speaker 1: little bit of optimism that's starting to bubble. People feel 1236 01:03:13,440 --> 01:03:16,320 Speaker 1: like we're maybe turning a corner a little bit. Yeah, um, 1237 01:03:16,880 --> 01:03:21,280 Speaker 1: loneliness stats of state. Even though boredom has dipped, Zoe, 1238 01:03:21,760 --> 01:03:23,800 Speaker 1: I don't get so bored. I don't get lonely. That 1239 01:03:24,040 --> 01:03:26,840 Speaker 1: that one I don't get because you know, no, because 1240 01:03:26,840 --> 01:03:28,440 Speaker 1: I'm used to this. How do you get lonely? You 1241 01:03:28,480 --> 01:03:30,760 Speaker 1: got you got a mom, You go home too, It's crazy, 1242 01:03:30,880 --> 01:03:33,160 Speaker 1: that's Kayla and Antie this like I see you guys 1243 01:03:33,200 --> 01:03:34,880 Speaker 1: every morning, right, and then I go home and I 1244 01:03:34,920 --> 01:03:37,400 Speaker 1: see my mom and sister, and I still feel empty inside. 1245 01:03:37,480 --> 01:03:39,800 Speaker 1: Well you could be. I could be in a room 1246 01:03:39,840 --> 01:03:42,200 Speaker 1: full of people and still feel lonely. It's just all 1247 01:03:42,240 --> 01:03:45,240 Speaker 1: about you know, your interactions with other people. If you 1248 01:03:45,360 --> 01:03:46,880 Speaker 1: go home and you're not really hanging with your mom, 1249 01:03:46,960 --> 01:03:49,560 Speaker 1: you're not chatting, right, there's a loneliness to that. I 1250 01:03:49,640 --> 01:03:52,480 Speaker 1: do misslike socializing, I think, even being exiting at the bar. 1251 01:03:52,640 --> 01:03:56,120 Speaker 1: Oh my god, I feel good. I so no much. 1252 01:03:56,240 --> 01:03:59,280 Speaker 1: I missed just sitting like on a patio, or striking 1253 01:03:59,360 --> 01:04:01,760 Speaker 1: up a conversation with the person next to me, a stranger. 1254 01:04:01,920 --> 01:04:04,560 Speaker 1: I love talking a stranger, Like I just I'm just 1255 01:04:04,840 --> 01:04:07,320 Speaker 1: that part I really really miss. That's different. I guess 1256 01:04:07,320 --> 01:04:09,360 Speaker 1: it's a different thing from me than than loneliness. That 1257 01:04:09,440 --> 01:04:11,640 Speaker 1: doesn't make me feel lonely or less lonely. To your point, 1258 01:04:12,080 --> 01:04:14,320 Speaker 1: I miss that. I miss being able to walk into 1259 01:04:14,360 --> 01:04:17,320 Speaker 1: a bar and to sort of absorb whatever energy comes 1260 01:04:17,440 --> 01:04:19,720 Speaker 1: from love being around other people when I choose to. 1261 01:04:19,920 --> 01:04:21,400 Speaker 1: You know, now I don't have that choice, I guess, 1262 01:04:21,440 --> 01:04:23,240 Speaker 1: which I don't like. When you don't have the choice, 1263 01:04:23,280 --> 01:04:25,880 Speaker 1: then you start to feel a little claustrophobic. And I'm 1264 01:04:25,920 --> 01:04:28,760 Speaker 1: also like lonely romantically, I feel because I can't go 1265 01:04:28,840 --> 01:04:30,560 Speaker 1: out and like date like I did. Like you know 1266 01:04:30,560 --> 01:04:32,640 Speaker 1: what I'm saying, I'm missing that part. Get the whole 1267 01:04:32,720 --> 01:04:34,880 Speaker 1: us for nothing. You were living well, we knew that 1268 01:04:35,120 --> 01:04:38,320 Speaker 1: you were living dangerously before. What do you were? Come on, Paulina, 1269 01:04:38,440 --> 01:04:40,600 Speaker 1: that's why we're probably save in your life. It likes 1270 01:04:40,640 --> 01:04:43,080 Speaker 1: to live dangerously, and now it's like nothing. I think 1271 01:04:43,120 --> 01:04:45,600 Speaker 1: you can you can thank the coronavirus and not being pregnant. 1272 01:04:45,880 --> 01:04:48,680 Speaker 1: Oh man, I think go ahead and say it, Paulina, 1273 01:04:48,760 --> 01:04:51,600 Speaker 1: thank you coronavirus. Nope, not doing it, Thank you coronavirus. 1274 01:04:51,760 --> 01:04:56,040 Speaker 1: Right than another another eight weeks that I definitely am 1275 01:04:56,080 --> 01:05:02,200 Speaker 1: not pregnant. Thank you coronavirus. Good news stories next, Yeah, 1276 01:05:02,840 --> 01:05:05,720 Speaker 1: it feels good with Fred and Angie on one h 1277 01:05:05,760 --> 01:05:08,320 Speaker 1: three five, Kiss and lots of good news, happy stuff 1278 01:05:08,360 --> 01:05:10,520 Speaker 1: to share these days, five times a day. We do 1279 01:05:10,560 --> 01:05:12,840 Speaker 1: it on Kiss and would you five. Mother and daughter 1280 01:05:13,040 --> 01:05:16,080 Speaker 1: in Louisiana are making history. Is the first to graduate 1281 01:05:16,160 --> 01:05:19,760 Speaker 1: from medical school at the same time. Doctor Cynthia Coogee 1282 01:05:19,880 --> 01:05:23,959 Speaker 1: attended the University of Medicine and Health Sciences at Saint 1283 01:05:24,040 --> 01:05:28,640 Speaker 1: Kitts and Maine, while her daughter, doctor Jasmine Cougie, attended 1284 01:05:29,760 --> 01:05:33,520 Speaker 1: attended Louisiana State University School in Madison. Cynthia said she 1285 01:05:33,520 --> 01:05:35,920 Speaker 1: always had dreams of becoming a doctor, but made a 1286 01:05:36,000 --> 01:05:38,720 Speaker 1: career shift when she got pregnant. At twenty three. After 1287 01:05:38,880 --> 01:05:41,120 Speaker 1: ten years of working as an r end, she decided 1288 01:05:41,160 --> 01:05:44,120 Speaker 1: to complete her medical goals. The mother and daughter duo 1289 01:05:44,280 --> 01:05:47,200 Speaker 1: both said the journey was challenging, but grateful to have 1290 01:05:47,280 --> 01:05:50,560 Speaker 1: shared that experience together. I will always tell people we 1291 01:05:50,720 --> 01:05:53,680 Speaker 1: laughed together, we cry together, we study together. I think 1292 01:05:53,760 --> 01:05:56,600 Speaker 1: medicalool school is one of those experiences that you truly 1293 01:05:56,640 --> 01:05:59,720 Speaker 1: don't understand until you're in it. So they both graduated 1294 01:06:00,080 --> 01:06:05,240 Speaker 1: just recently both doctors. Wow. Very cool. Yeah, so we 1295 01:06:05,240 --> 01:06:09,960 Speaker 1: retired NBA star started Gilbert Arenas. He won three hundred 1296 01:06:10,000 --> 01:06:15,600 Speaker 1: thousand dollars your Arenus. Now, before you get pissed about 1297 01:06:15,600 --> 01:06:18,360 Speaker 1: the fact that a multimillionaire won three hundred grand in 1298 01:06:18,480 --> 01:06:21,480 Speaker 1: California's lottery last week after an encounter with the homeless 1299 01:06:21,520 --> 01:06:27,320 Speaker 1: man who predicted that the ex Wizard's guard was going 1300 01:06:27,440 --> 01:06:30,000 Speaker 1: to win. Long story short, he had gone in to 1301 01:06:30,160 --> 01:06:32,760 Speaker 1: get his weekly Mega Millions ticket because this dude already 1302 01:06:32,800 --> 01:06:35,200 Speaker 1: has millions, but he still plays the megamillions. So he 1303 01:06:35,280 --> 01:06:38,320 Speaker 1: goes into get the ticket I know, as if he 1304 01:06:38,360 --> 01:06:42,200 Speaker 1: doesn't have enough, but whatever walks out he only had 1305 01:06:42,320 --> 01:06:44,080 Speaker 1: enough gas to get to the store, I guess, and 1306 01:06:44,200 --> 01:06:45,920 Speaker 1: a home and he only had ten bucks in his 1307 01:06:46,000 --> 01:06:48,680 Speaker 1: pocket supposedly, so a homeless guys like, hey, can have 1308 01:06:48,800 --> 01:06:50,320 Speaker 1: some money. He's like, look, you can have five, and 1309 01:06:50,360 --> 01:06:53,560 Speaker 1: I'll put five in my car. And the homeless guy 1310 01:06:53,600 --> 01:06:55,640 Speaker 1: actually said to him, look, I you won't get to 1311 01:06:55,680 --> 01:06:58,640 Speaker 1: where you're going with that much gas, but if you 1312 01:06:58,720 --> 01:07:00,440 Speaker 1: win the lotter, I think it'll win the lottery, so 1313 01:07:00,640 --> 01:07:02,400 Speaker 1: you know, just remember me when you do. Turns out 1314 01:07:02,440 --> 01:07:04,680 Speaker 1: he won three hundred grand Wow, which was the second 1315 01:07:04,760 --> 01:07:08,880 Speaker 1: place prize. First place was let me see here, it 1316 01:07:09,000 --> 01:07:12,800 Speaker 1: was stupid money. Um first place sixty five millions something 1317 01:07:12,920 --> 01:07:15,960 Speaker 1: like that. What was the number three hundred thousands? Nothing, 1318 01:07:16,000 --> 01:07:18,680 Speaker 1: just knees at It was a lot of money. Twenty 1319 01:07:18,720 --> 01:07:21,400 Speaker 1: two hundred forty eight million was the gram prize. Second 1320 01:07:21,400 --> 01:07:23,360 Speaker 1: place prize three hundred thousand dollars. So what did he do? 1321 01:07:23,440 --> 01:07:25,480 Speaker 1: He went back to the gas station, found the homeless man, 1322 01:07:25,680 --> 01:07:27,840 Speaker 1: and he gave him a cut. He broke him off. Yep, 1323 01:07:28,160 --> 01:07:29,960 Speaker 1: broke him off. That's the guy said, you're gonna win. 1324 01:07:30,120 --> 01:07:32,520 Speaker 1: Did Gilbert always like choked people out on the court 1325 01:07:32,560 --> 01:07:34,360 Speaker 1: and stuff? Wasn't he like kind of rowdy? Was he? 1326 01:07:34,560 --> 01:07:39,760 Speaker 1: I don't think so. No, no, no, m my bad. 1327 01:07:40,920 --> 01:07:44,560 Speaker 1: That's nice how he turned his life from No, he 1328 01:07:44,680 --> 01:07:47,000 Speaker 1: brandished a gun in the locker round. That's what I'm 1329 01:07:47,040 --> 01:07:50,240 Speaker 1: talking about. Okay, No, I remember lat trial because he 1330 01:07:50,280 --> 01:07:55,160 Speaker 1: played for the Wolves, and then I yeah, when he 1331 01:07:55,200 --> 01:07:58,360 Speaker 1: played for the Warriors and you arenas had something something 1332 01:07:58,440 --> 01:08:00,240 Speaker 1: guns to the lock. People bring his guns to the lock. Yeah, 1333 01:08:00,240 --> 01:08:02,880 Speaker 1: he got suspected who does games and a four million 1334 01:08:02,880 --> 01:08:05,160 Speaker 1: dollars fine for busting his gun out in the locker round. Yeah, 1335 01:08:05,160 --> 01:08:07,280 Speaker 1: I don't think he's I don't think he's that rich though, 1336 01:08:07,440 --> 01:08:08,960 Speaker 1: I mean, he hasn't been in the league for a 1337 01:08:09,000 --> 01:08:12,000 Speaker 1: long three thousand was probably, but I mean second round 1338 01:08:12,040 --> 01:08:14,360 Speaker 1: picking air from Arizona two thousand and one. I'm trying 1339 01:08:14,360 --> 01:08:15,760 Speaker 1: to see how long you played. He played for a 1340 01:08:15,840 --> 01:08:17,880 Speaker 1: long time. Even if he made a few million bucks 1341 01:08:17,880 --> 01:08:20,839 Speaker 1: a year, he did fun he still has it. Anyway, 1342 01:08:21,520 --> 01:08:24,000 Speaker 1: that's a cool story that he's some money away. Yeah, 1343 01:08:24,080 --> 01:08:28,200 Speaker 1: which is cool. Black Andybert would have known though, no, no, no, 1344 01:08:28,280 --> 01:08:30,720 Speaker 1: he probably wouldn't. Well, probably would have actually because it 1345 01:08:30,720 --> 01:08:33,040 Speaker 1: would have been on the news. You know that homeless 1346 01:08:33,040 --> 01:08:35,160 Speaker 1: guys waiting outside the gas station every day, like when 1347 01:08:35,280 --> 01:08:39,479 Speaker 1: is this bitch? Yeah, let's assume that Gilbert did the 1348 01:08:39,600 --> 01:08:41,920 Speaker 1: right thing for the wrong reasons. Black Eyed Piece one 1349 01:08:42,000 --> 01:08:49,200 Speaker 1: on three five very style kiss up from Chicago's number 1350 01:08:49,240 --> 01:08:51,799 Speaker 1: one hit music station, Fred Nancy will get to trending 1351 01:08:51,960 --> 01:08:55,200 Speaker 1: stories and just a second bullet points to start your Tuesday. 1352 01:08:55,320 --> 01:08:59,599 Speaker 1: The day is Tuesday. Oh, I have in your fast 1353 01:08:59,680 --> 01:09:02,840 Speaker 1: and few curious trending University of Kentucky. That's a crazy story. 1354 01:09:03,360 --> 01:09:07,000 Speaker 1: Free Crispy cream too, that's unaway. In a few and 1355 01:09:07,640 --> 01:09:11,440 Speaker 1: a company has developed a mechanical face mask, a mechanical 1356 01:09:11,640 --> 01:09:13,680 Speaker 1: so as if the mask still look ominous enough that 1357 01:09:13,720 --> 01:09:16,280 Speaker 1: everyone's wearing a better one mechanical. If you're gonna be 1358 01:09:16,320 --> 01:09:18,439 Speaker 1: within six feet of people, you better wear one. But 1359 01:09:18,840 --> 01:09:21,400 Speaker 1: this is a mechanical mask that will allow the wear 1360 01:09:21,520 --> 01:09:24,240 Speaker 1: to open and close the mouth in order to eat 1361 01:09:24,320 --> 01:09:27,479 Speaker 1: food without having to remove it. How much is when 1362 01:09:27,479 --> 01:09:29,720 Speaker 1: you're eating, stay away from people, take the mask off, 1363 01:09:29,880 --> 01:09:32,640 Speaker 1: eat the meal, and then putting the thing back on. Right. 1364 01:09:32,760 --> 01:09:35,400 Speaker 1: The mask could be powered by a hand controller lever 1365 01:09:35,479 --> 01:09:38,280 Speaker 1: attached to it, and the slit in the mask appears 1366 01:09:38,320 --> 01:09:40,479 Speaker 1: large enough to fit a fork or other utensil. Through 1367 01:09:41,800 --> 01:09:44,120 Speaker 1: a lot of jokes there too. A company in Israel 1368 01:09:44,280 --> 01:09:46,800 Speaker 1: is planning to begin manufacturing in the specialty masks in 1369 01:09:46,880 --> 01:09:49,680 Speaker 1: the coming months. It's gone a low far yeah, too much, 1370 01:09:49,960 --> 01:09:51,560 Speaker 1: or like the mask that has the hole in the 1371 01:09:51,600 --> 01:09:53,519 Speaker 1: middle of it, It's like that's not a mask anymore. 1372 01:09:53,560 --> 01:09:56,800 Speaker 1: So don't even you know, it's like or you can like, 1373 01:09:56,880 --> 01:09:58,640 Speaker 1: you know, pull the thing for the straw. It's like 1374 01:09:58,800 --> 01:10:00,760 Speaker 1: do it all the way or don't do it. I'm saying, 1375 01:10:00,840 --> 01:10:03,960 Speaker 1: why aren't we like making them less uh, you know, 1376 01:10:04,160 --> 01:10:06,920 Speaker 1: secure or less effective? Than they already are. I don't 1377 01:10:06,920 --> 01:10:09,720 Speaker 1: even I don't know trending stories next to a leap 1378 01:10:10,000 --> 01:10:14,680 Speaker 1: one h three five the weekend, it's one h three 1379 01:10:14,760 --> 01:10:17,120 Speaker 1: five Kiss FM, Chicago's number one hit music station, Fred 1380 01:10:17,240 --> 01:10:20,679 Speaker 1: Nanzi want to plug your business hopefully things Maybe June 1381 01:10:20,760 --> 01:10:23,360 Speaker 1: first we start to roll stuff out. Maybe maybe, I 1382 01:10:23,439 --> 01:10:25,759 Speaker 1: don't know. It depends on on where you are exactly. 1383 01:10:25,800 --> 01:10:27,920 Speaker 1: But if you're a business that's still open, if you're 1384 01:10:27,960 --> 01:10:30,560 Speaker 1: making food, or we're offering a service or whatever, we 1385 01:10:30,600 --> 01:10:32,400 Speaker 1: want to make sure we tell people about it, get 1386 01:10:32,439 --> 01:10:35,120 Speaker 1: people there, throw some gift cards. Will plug you eight 1387 01:10:35,160 --> 01:10:38,680 Speaker 1: o'clock every morning on the Fred Nangi radio program. Hit 1388 01:10:38,760 --> 01:10:40,600 Speaker 1: us up Fred Nangie dot com. Tell us about you 1389 01:10:40,720 --> 01:10:42,600 Speaker 1: and we'll get you. On fall Out Boy one h 1390 01:10:42,680 --> 01:10:47,160 Speaker 1: three five, We're gonna make it Bend Drake twenty three five, 1391 01:10:47,280 --> 01:10:49,840 Speaker 1: Kiss FM, Chicago's number one hit music station. Fred and 1392 01:10:49,880 --> 01:10:52,400 Speaker 1: Nangi will make it to this again tomorrow because I 1393 01:10:53,240 --> 01:10:55,439 Speaker 1: want to know more. But in case you were wondering, 1394 01:10:55,520 --> 01:10:59,200 Speaker 1: researchers say that online symptom checkers rarely provide the correct 1395 01:10:59,240 --> 01:11:01,760 Speaker 1: diagnosis on the first try. Well, no kidding. The sites 1396 01:11:01,800 --> 01:11:04,000 Speaker 1: were also found to give people bad information about when 1397 01:11:04,160 --> 01:11:06,719 Speaker 1: and where to see doctor's help. But that being said, 1398 01:11:06,840 --> 01:11:09,040 Speaker 1: I still do it. I still do it too. And 1399 01:11:09,320 --> 01:11:12,080 Speaker 1: I'm telling you, I've had every disease known to man 1400 01:11:12,479 --> 01:11:14,479 Speaker 1: according to that, and it's always the worst thing. It's 1401 01:11:14,520 --> 01:11:16,240 Speaker 1: always I have a headache and shortness of bread. Do 1402 01:11:16,240 --> 01:11:18,800 Speaker 1: you have a brain tumor you're dead? You are actually dead. 1403 01:11:18,840 --> 01:11:20,400 Speaker 1: I can't believe you were able to google this. Know 1404 01:11:20,479 --> 01:11:23,120 Speaker 1: why I keep doing it because I know that it's 1405 01:11:23,200 --> 01:11:25,000 Speaker 1: the wrong thing to do and it'll only freaked me out. 1406 01:11:25,040 --> 01:11:28,360 Speaker 1: And you know, it's happening more than ever now with coronavirus. 1407 01:11:28,360 --> 01:11:29,840 Speaker 1: I mean, as soon as you type in do I 1408 01:11:30,160 --> 01:11:32,560 Speaker 1: and then it fills out the rest on Google have coronavirus? 1409 01:11:32,680 --> 01:11:35,240 Speaker 1: Have you? I know you watched ninety Day Fiance, which 1410 01:11:35,320 --> 01:11:37,400 Speaker 1: is the greatest show on TV. Have you watched ninety 1411 01:11:37,439 --> 01:11:41,400 Speaker 1: Day Fiance quarantine addition, I can't I can't do Every 1412 01:11:41,479 --> 01:11:43,639 Speaker 1: person on that show thinks they have the rown out. 1413 01:11:43,680 --> 01:11:45,400 Speaker 1: I can't do it. I did catch up though, last 1414 01:11:45,479 --> 01:11:48,280 Speaker 1: night on the latest episode, and that's gonna be good. 1415 01:11:48,320 --> 01:11:50,000 Speaker 1: If you've seen the End of a Gun, yes, that's 1416 01:11:50,040 --> 01:11:52,880 Speaker 1: gonna be good. When the Russian Chicken, the new girl 1417 01:11:52,960 --> 01:11:58,720 Speaker 1: from Tennessee that was going to happen, knew it was 1418 01:11:58,760 --> 01:12:02,479 Speaker 1: going to help across the country and doesn't tell anybody. 1419 01:12:02,520 --> 01:12:05,800 Speaker 1: Oh my, and after turning down a proposal, Dude, that 1420 01:12:05,920 --> 01:12:09,680 Speaker 1: guy has every unless he's unless they've been talking inappropriately 1421 01:12:09,720 --> 01:12:11,160 Speaker 1: and we don't know about I don't know about it, 1422 01:12:11,320 --> 01:12:13,639 Speaker 1: but he has every right to move on. How bold 1423 01:12:13,800 --> 01:12:16,040 Speaker 1: was she though, to bring all her bags and everything? 1424 01:12:16,160 --> 01:12:17,680 Speaker 1: Like I only got a host hel for one day. 1425 01:12:17,680 --> 01:12:19,160 Speaker 1: I'm like, nah, baby, she got it for like the 1426 01:12:19,200 --> 01:12:21,160 Speaker 1: whole two weeks. Just in I also think there's some 1427 01:12:21,280 --> 01:12:24,360 Speaker 1: Shenanigan zoe because what are the odds that she shows 1428 01:12:24,400 --> 01:12:25,760 Speaker 1: up at his door, knocks on it and the other 1429 01:12:25,800 --> 01:12:29,200 Speaker 1: girl's there? You know, well, the producers planted that. He 1430 01:12:29,360 --> 01:12:31,960 Speaker 1: said that he wanted a relationship with that girl, but 1431 01:12:32,040 --> 01:12:36,120 Speaker 1: at that very moment, what anyway, Yeah, somebody, the chances 1432 01:12:36,120 --> 01:12:38,080 Speaker 1: are they're going to be around that show is that 1433 01:12:38,160 --> 01:12:42,040 Speaker 1: show is television gold? Yeah, the greatest show on television. 1434 01:12:42,160 --> 01:12:44,760 Speaker 1: I don't care. It's brilliant. Friends. People you sign fellow 1435 01:12:44,800 --> 01:12:47,519 Speaker 1: people like everything to go in the Hall of Fame 1436 01:12:47,560 --> 01:12:49,720 Speaker 1: if there's one or something or something like that. He 1437 01:12:49,760 --> 01:12:53,960 Speaker 1: needs to go into Smithsonian something Oh God, that the 1438 01:12:54,080 --> 01:12:59,240 Speaker 1: thumb is done. The thumb is done. The Entertainment Reporting 1439 01:12:59,360 --> 01:13:03,479 Speaker 1: X one of three five. I'm really glad that I'm 1440 01:13:03,479 --> 01:13:06,200 Speaker 1: got a graduate of anything, because you can get a 1441 01:13:06,280 --> 01:13:09,800 Speaker 1: free entire dozen donuts from Krispy Kreme if you are, 1442 01:13:10,280 --> 01:13:11,960 Speaker 1: if you wear your cap and gown or show them 1443 01:13:12,000 --> 01:13:14,200 Speaker 1: an ID that says that you graduated. But if you're 1444 01:13:14,280 --> 01:13:17,080 Speaker 1: eighteen and graduating, well then I could. I could crushed 1445 01:13:17,120 --> 01:13:19,400 Speaker 1: the whole thing and I gain alte could have eaten 1446 01:13:19,439 --> 01:13:21,720 Speaker 1: a dozen exact Crispy Creme donuts. If I ate a 1447 01:13:21,840 --> 01:13:24,880 Speaker 1: dozen Krispy Creme donuts, now you would have to roll 1448 01:13:25,000 --> 01:13:26,960 Speaker 1: me out of whatever room and I would look like 1449 01:13:27,040 --> 01:13:28,800 Speaker 1: that for the next six months. See it on my 1450 01:13:28,880 --> 01:13:32,639 Speaker 1: body right away. But go if you are, you're eighteen, 1451 01:13:32,680 --> 01:13:34,720 Speaker 1: that's the only time you can. You better go. You 1452 01:13:34,880 --> 01:13:36,640 Speaker 1: better go in to hail that thing and think of me, 1453 01:13:37,000 --> 01:13:39,080 Speaker 1: and maybe I'll just get the Maybe I'll drive by 1454 01:13:39,120 --> 01:13:40,360 Speaker 1: and just get the whiff of the place, and that's 1455 01:13:40,360 --> 01:13:42,760 Speaker 1: about all I can do. You know, it's swimsuit season, guys, 1456 01:13:42,800 --> 01:13:45,160 Speaker 1: I love a Krispy Kreme. It's almost swimsuit season, believe 1457 01:13:45,160 --> 01:13:50,000 Speaker 1: it or not. Black Bear one three five one three 1458 01:13:50,080 --> 01:13:52,760 Speaker 1: five Kiss FM, Chicago's number one hit music station, Fred 1459 01:13:52,760 --> 01:13:55,040 Speaker 1: and Nanjie As somebody told me that I have to 1460 01:13:55,560 --> 01:13:57,800 Speaker 1: work around their schedule on Friday because they don't want 1461 01:13:57,840 --> 01:13:59,320 Speaker 1: to be there too late because it's a it's a 1462 01:13:59,439 --> 01:14:04,160 Speaker 1: holiday week Oh is it we've been. It's not like 1463 01:14:04,280 --> 01:14:06,800 Speaker 1: it's been like you know, we're banging out fifty hour 1464 01:14:06,920 --> 01:14:09,680 Speaker 1: weeks in the in the plans, and we need to 1465 01:14:09,680 --> 01:14:11,680 Speaker 1: get off early so we can meet going like where 1466 01:14:11,760 --> 01:14:15,719 Speaker 1: you gotta go. That's That's what I'm saying, Like, dude, anyway, Um, however, 1467 01:14:16,000 --> 01:14:18,519 Speaker 1: it is a holiday weekend, Memorial Day weekend, and we're 1468 01:14:18,560 --> 01:14:20,880 Speaker 1: gonna count down the one hundred and three and a 1469 01:14:21,000 --> 01:14:24,720 Speaker 1: half biggest songs to ever play point five. I get it. 1470 01:14:25,439 --> 01:14:27,439 Speaker 1: Apparently we're hosting this as I just now read this, 1471 01:14:27,479 --> 01:14:30,880 Speaker 1: I'm reading this network we are me and you and 1472 01:14:31,080 --> 01:14:33,799 Speaker 1: everybody else. Oh cool, it was to me. I literally 1473 01:14:33,880 --> 01:14:37,599 Speaker 1: just read that. How they intend to do that because 1474 01:14:37,800 --> 01:14:40,640 Speaker 1: the holiday weekend, I get the hell out of here. 1475 01:14:40,920 --> 01:14:44,679 Speaker 1: I got big plans. Hey, I gotta get out of here. Yeah, anyway, 1476 01:14:44,720 --> 01:14:48,400 Speaker 1: that's all weekend. So the songs that made the radio 1477 01:14:48,479 --> 01:14:54,479 Speaker 1: station on one h three five Perfect three five Kiss Family, 1478 01:14:54,600 --> 01:14:57,040 Speaker 1: Chicago's number one he music station. Fred Nancy, thank you 1479 01:14:57,080 --> 01:15:03,200 Speaker 1: so much for having us on show B, Shelley and La. 1480 01:15:05,760 --> 01:15:07,880 Speaker 1: It's next. How do I say next? Pommy is uh? 1481 01:15:08,760 --> 01:15:11,920 Speaker 1: Was after this? It's this twist day, this West Day. 1482 01:15:11,960 --> 01:15:18,640 Speaker 1: I want a proxima. See Okay, Gas, Gassias, Kleen have 1483 01:15:18,720 --> 01:15:23,240 Speaker 1: an amazing Oh oh did you say? You didn't say it? 1484 01:15:23,479 --> 01:15:29,000 Speaker 1: Say it? I got it. I was like I felt 1485 01:15:29,040 --> 01:15:31,479 Speaker 1: the same way when she comes. That made me feel 1486 01:15:31,479 --> 01:15:36,840 Speaker 1: a certain kind of wake my massage, Poppy. Can somebody 1487 01:15:36,920 --> 01:15:40,280 Speaker 1: isolate that for me? Have an amazing thing. Shelley's up next. 1488 01:15:40,320 --> 01:15:42,639 Speaker 1: We'll see somemorrow waiting by the phone and more by 1489 01:15:42,840 --> 01:15:44,639 Speaker 1: Edge Audio's Mommy