1 00:00:01,880 --> 00:00:06,240 Speaker 1: Hey, listeners, Niminy here, host of historical records. 2 00:00:06,480 --> 00:00:09,559 Speaker 2: Get ready to hear about a historical hero through hip hop. 3 00:00:09,840 --> 00:00:13,480 Speaker 1: Also, parents and teachers, you can download a free activity 4 00:00:13,520 --> 00:00:17,400 Speaker 1: related to today's episodes by visiting story pirates dot com. 5 00:00:17,440 --> 00:00:22,040 Speaker 1: Slash historical records, and now onto the show. After a 6 00:00:22,079 --> 00:00:31,120 Speaker 1: few words for the grown ups, that's stuck to me 7 00:00:33,159 --> 00:00:35,880 Speaker 1: another hour. We don't have that kind of time, Tina. 8 00:00:36,120 --> 00:00:38,880 Speaker 1: The spaceship is scheduled to blast off in one minute. 9 00:00:39,240 --> 00:00:40,000 Speaker 3: One minute. 10 00:00:40,080 --> 00:00:40,920 Speaker 4: Ill un. 11 00:00:44,159 --> 00:00:46,680 Speaker 1: Look, Tina, I don't care if my face is on 12 00:00:46,760 --> 00:00:49,919 Speaker 1: the outside anymore, so long as it flies through space. 13 00:00:50,240 --> 00:00:53,080 Speaker 1: Forget my gorgeous exterior design. Just make sure we have 14 00:00:53,120 --> 00:00:54,000 Speaker 1: a sturdy vessel. 15 00:00:56,040 --> 00:00:57,120 Speaker 4: Tina's gonna dry. 16 00:00:57,280 --> 00:00:59,520 Speaker 5: But the time in this night, Tina's gonna move. 17 00:00:59,640 --> 00:01:04,600 Speaker 1: Fill the hype man gets it, raccoons, let's fire up 18 00:01:04,680 --> 00:01:09,920 Speaker 1: dan Jack. Hey listeners. As you can likely tell, you 19 00:01:10,040 --> 00:01:12,919 Speaker 1: caught me at a pretty tense moment. I am sitting 20 00:01:12,920 --> 00:01:16,080 Speaker 1: inside a homemade rocket and am about to launch into space. 21 00:01:18,160 --> 00:01:21,839 Speaker 1: Why are we doing this well, Tina, I am determined 22 00:01:21,920 --> 00:01:24,600 Speaker 1: to be the first person in history to record a 23 00:01:24,680 --> 00:01:29,120 Speaker 1: song in space. Oh, I got the idea from today's hero. 24 00:01:29,520 --> 00:01:32,200 Speaker 1: I don't know that much about her, but Mary Golda 25 00:01:32,360 --> 00:01:35,400 Speaker 1: Ross is a NASA legend and it got me thinking 26 00:01:35,400 --> 00:01:36,080 Speaker 1: about space. 27 00:01:36,160 --> 00:01:39,320 Speaker 2: Okay, and second til blasto. 28 00:01:39,880 --> 00:01:42,679 Speaker 1: Tina, please tell me we're ready. I'm just you know, 29 00:01:42,959 --> 00:01:45,440 Speaker 1: about to get blasted into the great unknown. I need 30 00:01:45,480 --> 00:01:48,160 Speaker 1: to know the rocket. It's good to go. I'm good. 31 00:01:49,200 --> 00:01:53,720 Speaker 1: Oh this is gonna it close. Yes, you did it, raccoons, 32 00:01:54,000 --> 00:01:54,520 Speaker 1: Here we. 33 00:01:54,480 --> 00:01:58,360 Speaker 6: Go, Three till one Lassa. 34 00:02:03,760 --> 00:02:09,200 Speaker 1: That didn't sound good. It almost sounded like the engine exploded. Okay, 35 00:02:09,400 --> 00:02:12,160 Speaker 1: that definitely sounded like the engine exploded. 36 00:02:15,160 --> 00:02:19,600 Speaker 7: Its historical record. 37 00:02:19,600 --> 00:02:22,639 Speaker 3: You are now listening to historical were. 38 00:02:23,760 --> 00:02:26,800 Speaker 1: To make history, you got to have struggles to make history. 39 00:02:26,919 --> 00:02:29,799 Speaker 1: You got to show poised. Cannot be quiet loud. That's 40 00:02:29,800 --> 00:02:32,800 Speaker 1: a riot to make history. You gotta make some noise. 41 00:02:36,360 --> 00:02:40,800 Speaker 1: Hi listeners, Niminy here welcoming you back to historical records. 42 00:02:41,040 --> 00:02:43,440 Speaker 1: As you know, this is the show where I spearhead 43 00:02:43,520 --> 00:02:48,360 Speaker 1: daring experiments that combine history and hip hop. Unfortunately, we 44 00:02:48,400 --> 00:02:51,079 Speaker 1: are off to a bad start today because the spaceship 45 00:02:51,240 --> 00:02:56,440 Speaker 1: mostly built by my raccoon assistant, exploded. That's true, Tina, 46 00:02:56,680 --> 00:03:00,799 Speaker 1: it was not all your fault. It was most your 47 00:03:00,840 --> 00:03:06,080 Speaker 1: fault anyway, listeners. The good news is that today's historic 48 00:03:06,240 --> 00:03:10,240 Speaker 1: figure knows a lot about spaceships. So I am really 49 00:03:10,280 --> 00:03:13,640 Speaker 1: hoping to get some inspiration or even directly snack some 50 00:03:13,880 --> 00:03:17,440 Speaker 1: first hand space knowledge. Let's head to the library to 51 00:03:17,480 --> 00:03:22,400 Speaker 1: find my historian, Gape. What is that zap noise. 52 00:03:22,160 --> 00:03:24,600 Speaker 5: About, Hi, Niminy Gabe book. 53 00:03:24,680 --> 00:03:26,600 Speaker 1: You just appeared from nowhere? 54 00:03:27,080 --> 00:03:31,080 Speaker 8: Actually, I appeared from somewhere. I teleported here from the beach. 55 00:03:31,560 --> 00:03:34,600 Speaker 1: Is that why you're wearing those Neon red aviator sunglasses? 56 00:03:34,800 --> 00:03:39,320 Speaker 8: No, that's why I'm wearing these flippers. These sunglasses are 57 00:03:39,360 --> 00:03:40,920 Speaker 8: my new history simulator. 58 00:03:41,440 --> 00:03:44,320 Speaker 1: How futuristic and practical. 59 00:03:44,720 --> 00:03:47,160 Speaker 8: Indeed, I realized that if I could just figure out 60 00:03:47,280 --> 00:03:50,600 Speaker 8: how to teleport our bodies through space, then we wouldn't 61 00:03:50,640 --> 00:03:53,160 Speaker 8: need some big honking machine to get us around. We 62 00:03:53,200 --> 00:03:55,880 Speaker 8: could just appear anywhere in history without causing a stir. 63 00:03:56,440 --> 00:03:59,680 Speaker 1: I can't believe you figured out how teleportation works. 64 00:04:00,040 --> 00:04:02,240 Speaker 8: It took me all weekend, which was pretty annoying, but 65 00:04:02,320 --> 00:04:04,920 Speaker 8: I got there. Eventually. Turns out it's all just math. 66 00:04:05,240 --> 00:04:08,560 Speaker 1: Since one has one of my historians become a math expert. 67 00:04:09,080 --> 00:04:12,560 Speaker 8: History is my area of expertise, but math, math is 68 00:04:12,600 --> 00:04:15,080 Speaker 8: my passion everybody needs a hobby, Niminy. 69 00:04:15,400 --> 00:04:17,600 Speaker 1: I feel like I'm learning a lot about you today. 70 00:04:18,040 --> 00:04:22,520 Speaker 1: But wait, Gabe, teleportation just moves people from place to place. 71 00:04:22,960 --> 00:04:25,920 Speaker 1: History simulators don't just need to be able to move 72 00:04:26,040 --> 00:04:29,039 Speaker 1: through space. They also need to be able to move 73 00:04:29,160 --> 00:04:29,880 Speaker 1: through time. 74 00:04:30,400 --> 00:04:33,200 Speaker 8: I was nervous about that too, But luckily time and 75 00:04:33,279 --> 00:04:36,799 Speaker 8: space are inextricably tied together, so we should be able 76 00:04:36,839 --> 00:04:38,159 Speaker 8: to get anywhere we need. 77 00:04:38,760 --> 00:04:39,560 Speaker 1: How does that work? 78 00:04:39,839 --> 00:04:43,680 Speaker 8: Time is just a line, hence the phrase timeline That 79 00:04:43,800 --> 00:04:46,159 Speaker 8: means that any date in the past is just a 80 00:04:46,200 --> 00:04:49,000 Speaker 8: location on that line. You follow, I. 81 00:04:49,040 --> 00:04:52,920 Speaker 1: Do, But you're really surprising me today with this expert 82 00:04:53,000 --> 00:04:55,720 Speaker 1: level math and time travel knowledge. I feel like I'm 83 00:04:55,760 --> 00:04:57,080 Speaker 1: meeting a whole new Gabe. 84 00:04:57,240 --> 00:04:59,680 Speaker 8: Oh, I'm a very different game than I was yesterday, 85 00:05:00,000 --> 00:05:01,839 Speaker 8: in a very different game than I'll be tomorrow. 86 00:05:02,160 --> 00:05:03,920 Speaker 5: That is, if everything goes according to. 87 00:05:03,880 --> 00:05:06,960 Speaker 8: Plan, you know, Niminy, change is the only constant. 88 00:05:07,200 --> 00:05:08,960 Speaker 1: Ain't that the truth? Now? 89 00:05:09,080 --> 00:05:11,800 Speaker 8: Shall we zap our way straight into the life of 90 00:05:11,920 --> 00:05:13,320 Speaker 8: Mary Golde Ross? 91 00:05:13,440 --> 00:05:18,040 Speaker 1: Absolutely? But Gabe, how am I supposed to get around 92 00:05:18,040 --> 00:05:20,799 Speaker 1: If you're the one wearing the history simulator glasses? 93 00:05:21,040 --> 00:05:22,480 Speaker 8: I made you your own pair. 94 00:05:22,680 --> 00:05:24,560 Speaker 1: Fantastic news for the both of us. 95 00:05:24,920 --> 00:05:27,360 Speaker 5: Here you go, and off we head to the National 96 00:05:27,440 --> 00:05:28,720 Speaker 5: Mall in Washington, d C. 97 00:05:29,040 --> 00:05:30,080 Speaker 8: Two thousand and four. 98 00:05:30,960 --> 00:05:33,240 Speaker 1: Oh, what's it the big Don't. 99 00:05:33,000 --> 00:05:35,200 Speaker 8: Worry, we'll reappear momentarily. 100 00:05:37,680 --> 00:05:43,080 Speaker 1: Here we are. Huh the teleportation sunglasses worked. By the way, 101 00:05:43,320 --> 00:05:45,479 Speaker 1: what was that white void we passed through? 102 00:05:45,880 --> 00:05:48,880 Speaker 8: No clue, but I'm really hoping we never get stuck 103 00:05:48,880 --> 00:05:51,080 Speaker 8: in there anyway. Welcome to DC. 104 00:05:51,800 --> 00:05:54,880 Speaker 1: Yes, it's so muggy here is it summer? 105 00:05:55,080 --> 00:05:58,560 Speaker 8: It's early fall actually, But people forget our nation's capital 106 00:05:58,640 --> 00:06:00,960 Speaker 8: was built on a swamp next of the Potomac River. 107 00:06:01,279 --> 00:06:04,599 Speaker 1: The air is so soggy I can barely see where 108 00:06:04,640 --> 00:06:05,040 Speaker 1: we are. 109 00:06:05,360 --> 00:06:05,560 Speaker 4: Oh. 110 00:06:05,680 --> 00:06:08,559 Speaker 1: Also, the lenses on these sunglasses are incredibly dark. 111 00:06:08,839 --> 00:06:11,880 Speaker 8: Both true statements. I can barely see as well. But 112 00:06:11,920 --> 00:06:13,839 Speaker 8: I happen to know. We are a little less than 113 00:06:13,880 --> 00:06:16,760 Speaker 8: a mile from the Lincoln Memorial, the Washington Monument, and 114 00:06:16,880 --> 00:06:17,599 Speaker 8: the White House. 115 00:06:17,839 --> 00:06:20,880 Speaker 1: Cooco, go go co co cool. But Gabe, who is 116 00:06:20,920 --> 00:06:25,360 Speaker 1: that ninety year old woman in that stunningly beautiful ancestral 117 00:06:25,480 --> 00:06:29,080 Speaker 1: Cherokee dress? And why is she leading that processional? 118 00:06:30,080 --> 00:06:31,480 Speaker 8: That's Mary Goldo Ross. 119 00:06:31,760 --> 00:06:33,680 Speaker 1: I suppose I should have seen that coming. 120 00:06:33,560 --> 00:06:36,839 Speaker 8: And she's leading a procession of Indigenous people to celebrate 121 00:06:36,880 --> 00:06:40,440 Speaker 8: the opening of the Smithsonian's National Museum of the American Indian. 122 00:06:40,680 --> 00:06:45,279 Speaker 1: That seems less obvious but makes perfect sense. Huh. If 123 00:06:45,320 --> 00:06:48,359 Speaker 1: she was chosen to lead the processional, she must be 124 00:06:48,440 --> 00:06:49,360 Speaker 1: pretty important. 125 00:06:49,600 --> 00:06:53,240 Speaker 8: Her legacy, much like space, is immeasurable. She made a 126 00:06:53,400 --> 00:06:57,480 Speaker 8: massive impact in US history, Cherokee history, and the space race. 127 00:06:57,880 --> 00:07:01,599 Speaker 1: Space race, you mean the competition between the US and 128 00:07:01,640 --> 00:07:05,320 Speaker 1: the Soviet Union to have superior spaceflight capabilities. 129 00:07:05,760 --> 00:07:08,239 Speaker 8: That's the one, and Mary was right in the middle 130 00:07:08,240 --> 00:07:12,320 Speaker 8: of it. She was a brilliant mathematician specializing in aeronautics, 131 00:07:12,360 --> 00:07:15,760 Speaker 8: so she helped write NASA's manuals for manned spaceflights, all 132 00:07:15,800 --> 00:07:17,480 Speaker 8: while being a proud Cherokee. 133 00:07:17,560 --> 00:07:21,600 Speaker 1: This woman is awesome, And as someone who is hoping 134 00:07:21,640 --> 00:07:24,520 Speaker 1: to get into space herself, maybe we could back up 135 00:07:24,560 --> 00:07:26,760 Speaker 1: a bit and see how she got here. I'd love 136 00:07:26,840 --> 00:07:29,160 Speaker 1: to get away closer look at some of her technical 137 00:07:29,240 --> 00:07:32,280 Speaker 1: know how. That way, maybe a certain podcast host can 138 00:07:32,320 --> 00:07:34,520 Speaker 1: try to get her rocket ship to take off. You 139 00:07:34,560 --> 00:07:35,080 Speaker 1: know what I mean. 140 00:07:35,560 --> 00:07:37,720 Speaker 8: You will need to put your sunglasses back. 141 00:07:37,560 --> 00:07:45,400 Speaker 1: On ready set telaport disappearing passing through the weird White 142 00:07:45,520 --> 00:07:48,640 Speaker 1: boyd and. 143 00:07:47,800 --> 00:07:51,640 Speaker 8: Reappearing Santa Fe, New Mexico in nineteen forty two. 144 00:07:52,120 --> 00:07:56,120 Speaker 1: Ooh, it's hot hair too, but dry as a sand sandwich. 145 00:07:56,400 --> 00:07:58,960 Speaker 8: My lips are getting chapped just standing here. Let's head 146 00:07:59,000 --> 00:07:59,960 Speaker 8: inside that school. 147 00:08:01,240 --> 00:08:04,680 Speaker 1: Oh wow, speaking of dry, look at that math equation. 148 00:08:04,800 --> 00:08:06,880 Speaker 1: Mary Golda Ross is riding on the chalkboard. 149 00:08:08,040 --> 00:08:10,440 Speaker 5: Very good, pretty complicated stuff to be sure. 150 00:08:11,120 --> 00:08:15,400 Speaker 1: All right, those kids were saved by the bell help. 151 00:08:15,440 --> 00:08:18,400 Speaker 1: But wait, is she helping that young woman after hours? 152 00:08:18,640 --> 00:08:21,440 Speaker 8: Indeed she is, because Mary was a math teacher and 153 00:08:21,800 --> 00:08:25,120 Speaker 8: advisor for Native American girls in Santa Fe, New Mexico. 154 00:08:26,400 --> 00:08:30,560 Speaker 1: And now her classroom phone is ringing. This woman is busy. 155 00:08:30,840 --> 00:08:34,480 Speaker 8: You have no idea. This is her literally answering the 156 00:08:34,480 --> 00:08:37,120 Speaker 8: call to help the nation in nineteen forty two when 157 00:08:37,160 --> 00:08:38,640 Speaker 8: World War II broke out. 158 00:08:38,840 --> 00:08:41,800 Speaker 1: How could a math teacher with a master's degree help 159 00:08:41,880 --> 00:08:43,199 Speaker 1: the nation during war? 160 00:08:43,520 --> 00:08:47,640 Speaker 8: First, she joined the Lockheed Aircraft Corporation. Next, she used 161 00:08:47,679 --> 00:08:50,280 Speaker 8: math to keep fighter jets from falling apart while flying 162 00:08:50,320 --> 00:08:51,720 Speaker 8: close to the speed of sound. 163 00:08:52,440 --> 00:08:56,520 Speaker 1: Sounds like we should speed to Lockheed Aircraft Corporation so 164 00:08:56,559 --> 00:08:57,319 Speaker 1: we can see her work. 165 00:08:57,360 --> 00:09:04,079 Speaker 5: First, sand to Lockheed in nineteen seven. Ready study teleport. 166 00:09:04,800 --> 00:09:06,560 Speaker 1: And our bodies are disappearing. 167 00:09:07,280 --> 00:09:09,480 Speaker 5: A quick way to the scary white board. 168 00:09:09,800 --> 00:09:12,840 Speaker 1: And now we're at Luckheed, finally a place with a 169 00:09:12,880 --> 00:09:16,040 Speaker 1: temperate climate. Gabe, is it just me? Or is Mary 170 00:09:16,080 --> 00:09:17,440 Speaker 1: the only woman here? 171 00:09:17,800 --> 00:09:20,839 Speaker 8: The only other woman was the secretary. 172 00:09:21,240 --> 00:09:25,200 Speaker 1: And look at her tools. A slide ruler and the 173 00:09:25,240 --> 00:09:27,640 Speaker 1: world's largest calculator. 174 00:09:27,200 --> 00:09:28,960 Speaker 5: That's called a freedom calculator. 175 00:09:29,040 --> 00:09:31,800 Speaker 1: Greatly amazing the things she worked on planes with these 176 00:09:31,840 --> 00:09:35,720 Speaker 1: totally old school tools. Hey, why is everyone at Lockheed 177 00:09:35,720 --> 00:09:36,920 Speaker 1: in such a huge hurry? 178 00:09:37,200 --> 00:09:40,600 Speaker 5: Remember they're in a race, a space race, right? 179 00:09:40,960 --> 00:09:43,720 Speaker 1: But how did the space race begin? Why was everyone 180 00:09:43,760 --> 00:09:45,840 Speaker 1: suddenly so desperate to get into space? 181 00:09:46,200 --> 00:09:49,040 Speaker 8: After World War Two, the United States and the Soviet 182 00:09:49,120 --> 00:09:52,520 Speaker 8: Union got into a heated competition called the Cold War, 183 00:09:52,840 --> 00:09:55,080 Speaker 8: and a big part of that struggle was over the 184 00:09:55,160 --> 00:09:56,320 Speaker 8: control of space. 185 00:09:56,920 --> 00:10:00,199 Speaker 1: Gotcha? So everyone's eyes were on the stars. 186 00:10:00,040 --> 00:10:04,120 Speaker 8: And in nineteen fifty seven, the Soviets launched the first 187 00:10:04,160 --> 00:10:07,679 Speaker 8: ever satellite into orbit, which was called Sputnick. 188 00:10:07,960 --> 00:10:10,439 Speaker 1: So Mary and all her colleagues are trying to catch up. 189 00:10:10,760 --> 00:10:14,040 Speaker 8: It was all hands on deck for US scientists, engineers, 190 00:10:14,080 --> 00:10:18,559 Speaker 8: and mathematicians. But eventually Mary went to NASA. 191 00:10:18,600 --> 00:10:23,679 Speaker 5: Shall we join her there on your marks? Get set teleports. 192 00:10:24,040 --> 00:10:27,240 Speaker 1: I'm terrifying, my good I. 193 00:10:27,200 --> 00:10:28,960 Speaker 5: Don't work here, but welcome to NASA. 194 00:10:29,360 --> 00:10:32,960 Speaker 1: Ooh, look, Mary is over there. Let's go check out 195 00:10:33,000 --> 00:10:35,320 Speaker 1: what she's working on. See if maybe I can learn 196 00:10:35,400 --> 00:10:36,920 Speaker 1: how to get a spaceship in the air. 197 00:10:37,240 --> 00:10:40,040 Speaker 8: Okay, but we should probably try not to be noticed 198 00:10:40,080 --> 00:10:43,440 Speaker 8: because most of what Mary's working on is top secret. 199 00:10:43,679 --> 00:10:46,720 Speaker 1: You're totally right, Gabe. It says top secret right on 200 00:10:46,760 --> 00:10:49,640 Speaker 1: top of the manual she's typing up. I feel like 201 00:10:49,720 --> 00:10:52,840 Speaker 1: we're in a spy movie from the looks of it. 202 00:10:52,920 --> 00:10:56,359 Speaker 8: The thing that she's working on is the operational requirements 203 00:10:56,400 --> 00:10:58,720 Speaker 8: for a spacecraft jack Pot. 204 00:10:58,920 --> 00:11:00,560 Speaker 1: That's exactly what I mean, you need to get my 205 00:11:00,600 --> 00:11:03,880 Speaker 1: spacecraft into space. Just gonna write a couple things down. 206 00:11:05,000 --> 00:11:09,040 Speaker 8: That manual is an absolutely vital part of the Apollo program. 207 00:11:09,280 --> 00:11:12,040 Speaker 8: And you see that pile of papers on her desk. Oh, 208 00:11:12,440 --> 00:11:16,439 Speaker 8: that's gonna turn into NASA's Planetary Flight Handbook. 209 00:11:16,040 --> 00:11:19,280 Speaker 1: Isn't that NASA's comprehensive guide to space travel? 210 00:11:19,480 --> 00:11:21,320 Speaker 5: Sure is doubbleteg bood. 211 00:11:21,640 --> 00:11:25,319 Speaker 1: Just gonna take a couple more notes here, and. 212 00:11:25,360 --> 00:11:28,559 Speaker 8: This report over here is full of preliminary concepts for 213 00:11:28,800 --> 00:11:30,840 Speaker 8: flights to Mars and Venus. 214 00:11:31,160 --> 00:11:34,840 Speaker 1: Are you saying that Mary laid the groundwork for missions 215 00:11:34,840 --> 00:11:38,440 Speaker 1: that haven't yet come to fruition. I am Oh, she's 216 00:11:38,559 --> 00:11:41,160 Speaker 1: so cool. I love learning about cool people. 217 00:11:41,400 --> 00:11:44,400 Speaker 8: You're not alone, which is why there's a sculpture of 218 00:11:44,440 --> 00:11:47,880 Speaker 8: her at Buffalo State College. Also, there's a painting by 219 00:11:47,960 --> 00:11:52,000 Speaker 8: Cherokee artist America Meredith at the Smithsonian National Museum of 220 00:11:52,040 --> 00:11:54,640 Speaker 8: the American Indian that we have to go see. 221 00:11:54,960 --> 00:11:58,200 Speaker 1: It better be her against a starry rocket filled sky. 222 00:11:58,800 --> 00:12:02,280 Speaker 5: That is exactly what it is. How did you know that? Good? Guess? 223 00:12:02,760 --> 00:12:03,880 Speaker 1: Tward time. 224 00:12:06,280 --> 00:12:07,920 Speaker 8: And we're back to the Smithsonian. 225 00:12:08,200 --> 00:12:12,840 Speaker 1: Lock there's our painting, Mary Golde Ross in Space. It's 226 00:12:12,920 --> 00:12:15,360 Speaker 1: absolutely stunning. Well, let's get closer. 227 00:12:16,400 --> 00:12:20,080 Speaker 8: The painting is entitled ad Astra per Astra, which means 228 00:12:20,280 --> 00:12:23,679 Speaker 8: to the stars from the stars and a reference to 229 00:12:23,720 --> 00:12:26,959 Speaker 8: a Cherokee origin story about how humans arrived on Earth 230 00:12:27,000 --> 00:12:27,880 Speaker 8: from the Pleiades. 231 00:12:28,160 --> 00:12:29,320 Speaker 5: Let's take a closer look. 232 00:12:30,320 --> 00:12:34,760 Speaker 1: Look at all this detail. Wow, this painting is packed 233 00:12:34,800 --> 00:12:37,079 Speaker 1: with symbolism. I actually know about this. 234 00:12:37,559 --> 00:12:38,160 Speaker 8: Say more. 235 00:12:38,360 --> 00:12:43,040 Speaker 1: Okay, First, there's this seven pointed star, which references the 236 00:12:43,120 --> 00:12:48,120 Speaker 1: seven Sisters constellation Bingo. Second you have the seven clans 237 00:12:48,160 --> 00:12:51,760 Speaker 1: of the Cherokee Bengo. And last you have got the 238 00:12:51,840 --> 00:12:56,240 Speaker 1: seven directions in Cherokee cosmology Bongo Niminy. 239 00:12:56,640 --> 00:12:57,720 Speaker 5: I had no idea. 240 00:12:57,840 --> 00:12:58,480 Speaker 8: You knew all that. 241 00:12:59,160 --> 00:13:01,640 Speaker 1: It's pretty amaze the stuff that will float around in 242 00:13:01,679 --> 00:13:04,880 Speaker 1: your noodle from high school history. But Gabe, what is 243 00:13:04,920 --> 00:13:06,760 Speaker 1: that spacecraft in the painting? 244 00:13:07,200 --> 00:13:10,079 Speaker 8: That is the agent a spacecraft? It was a versatile 245 00:13:10,120 --> 00:13:13,400 Speaker 8: American rocket and satellite bus used by NASA and the 246 00:13:13,559 --> 00:13:15,840 Speaker 8: US Air Force for tons of projects. 247 00:13:16,120 --> 00:13:18,680 Speaker 1: Oh and look at this Marry quote below the painting. 248 00:13:19,520 --> 00:13:22,920 Speaker 1: To function efficiently in today's world, you need math. The 249 00:13:22,960 --> 00:13:25,720 Speaker 1: world is so technical. If you plan to work in it, 250 00:13:25,800 --> 00:13:28,440 Speaker 1: a math background will let you go farther and faster. 251 00:13:28,840 --> 00:13:31,640 Speaker 8: She was truly an example of how important math is 252 00:13:31,720 --> 00:13:32,400 Speaker 8: for everyone. 253 00:13:32,760 --> 00:13:35,640 Speaker 1: To be honest, I didn't realize how important math is 254 00:13:35,679 --> 00:13:38,000 Speaker 1: and making so many big things happen in the real world. 255 00:13:38,240 --> 00:13:42,199 Speaker 1: I kind of feel my way through a lot in life. Nimity. 256 00:13:42,360 --> 00:13:44,920 Speaker 8: Can I ask you, were you using any math to 257 00:13:44,960 --> 00:13:46,800 Speaker 8: try to record a song in space? 258 00:13:47,320 --> 00:13:52,439 Speaker 1: Absolutely? One rocket ship plus one song equals one space song. Oh, 259 00:13:52,480 --> 00:13:54,720 Speaker 1: I realized now it was a little simple. 260 00:13:55,440 --> 00:13:58,160 Speaker 5: I admire your gumption and it got you on your way. 261 00:13:58,559 --> 00:14:01,440 Speaker 1: True, and now than to Mary, I have got the 262 00:14:01,480 --> 00:14:04,360 Speaker 1: goods and I am ready to try again. Speaking of which, 263 00:14:04,520 --> 00:14:05,720 Speaker 1: are you ready to head back home? 264 00:14:06,120 --> 00:14:08,959 Speaker 5: Actually, I'm going to teleport into the White Void? 265 00:14:09,400 --> 00:14:10,640 Speaker 1: What what game? 266 00:14:10,880 --> 00:14:14,360 Speaker 8: It's so endless and blank, trust me, I know, but 267 00:14:14,480 --> 00:14:18,360 Speaker 8: seeing how fearless Mary Golder Ross was made me realize 268 00:14:18,640 --> 00:14:20,560 Speaker 8: it was time to face my fears. 269 00:14:21,080 --> 00:14:24,280 Speaker 1: Well, good luck with that game. I obviously want the 270 00:14:24,320 --> 00:14:27,600 Speaker 1: full report. As for me, I'm headed back to the bunker. 271 00:14:28,000 --> 00:14:38,040 Speaker 1: Activate teleport. Bye. Who I am back in the here 272 00:14:38,160 --> 00:14:42,000 Speaker 1: and now da come take a look at these notes 273 00:14:42,000 --> 00:14:45,320 Speaker 1: I took. I have some serious improvements on the construction 274 00:14:45,440 --> 00:14:50,920 Speaker 1: and operation of our rocket ship. Yeah, I know, pretty 275 00:14:50,920 --> 00:15:00,120 Speaker 1: smart stuff, right? Can you make these changes? Fantastic? And 276 00:15:00,200 --> 00:15:02,720 Speaker 1: while they are working on the rocket ship, I'm gonna 277 00:15:02,760 --> 00:15:07,040 Speaker 1: go ahead and get in my space suit. I'll see 278 00:15:07,040 --> 00:15:09,680 Speaker 1: it's probably for the best. We didn't actually get into 279 00:15:09,680 --> 00:15:13,040 Speaker 1: space last time. We didn't even have a proper protocol. Huh. 280 00:15:13,440 --> 00:15:15,800 Speaker 1: I'm in, And now that I am suited up, I 281 00:15:15,840 --> 00:15:22,720 Speaker 1: am going to go ahead and get inside. Welcome, thanks 282 00:15:22,800 --> 00:15:28,200 Speaker 1: robot voice. Wow, it is starting to look good in here. 283 00:15:28,720 --> 00:15:33,880 Speaker 1: Tina what's the word that was quick? I suppose when 284 00:15:33,920 --> 00:15:36,320 Speaker 1: you're not guessing how to build a spaceship, it's a 285 00:15:36,360 --> 00:15:41,600 Speaker 1: lot easier. Huh. Well, thanks to Marigold Ross for straightening 286 00:15:41,600 --> 00:15:45,600 Speaker 1: out our space aspirations and making this possible. Robot boys, 287 00:15:45,720 --> 00:15:52,400 Speaker 1: let's get this thing going and seconds. Listeners, we are 288 00:15:52,440 --> 00:15:55,400 Speaker 1: about to make some history by making music about some 289 00:15:55,600 --> 00:15:59,800 Speaker 1: history and featuring one of today's special guests, Crystal. 290 00:15:59,480 --> 00:16:21,040 Speaker 7: Light It Nie for three Mass. I go by the 291 00:16:21,120 --> 00:16:26,800 Speaker 7: name of Mary Golda Ross, aka the first known Native 292 00:16:26,840 --> 00:16:33,400 Speaker 7: American female aerospace engineer. I am a mathematician, I am 293 00:16:33,440 --> 00:16:36,240 Speaker 7: a Cherokee, and I am a trailblazer. 294 00:16:37,120 --> 00:16:37,680 Speaker 5: Here we go. 295 00:16:37,880 --> 00:16:41,080 Speaker 7: I was born in Oklahoma nineteen o eight, a small 296 00:16:41,120 --> 00:16:43,760 Speaker 7: town called park Hill, Whard. Life wasn't so great, but 297 00:16:43,880 --> 00:16:46,720 Speaker 7: from a very early age I showed a growth rate 298 00:16:46,920 --> 00:16:49,880 Speaker 7: at learning to compute, to count and cold. Late, I 299 00:16:49,920 --> 00:16:52,520 Speaker 7: had a mind for math and I got mathem my mind. 300 00:16:52,680 --> 00:16:55,680 Speaker 7: But for Native girls, you'll find it wasn't a good time. 301 00:16:55,840 --> 00:16:57,600 Speaker 7: But I'm a great grand. 302 00:16:57,600 --> 00:16:59,040 Speaker 9: Child of a Cherokee. 303 00:16:59,080 --> 00:17:03,360 Speaker 7: GI me a healthless belief. Those around me, they often 304 00:17:03,440 --> 00:17:06,520 Speaker 7: agreed spend my next few years with their help. 305 00:17:06,400 --> 00:17:08,720 Speaker 9: In pursuit of my dreams knowledge. 306 00:17:08,800 --> 00:17:12,240 Speaker 7: I sought it college with plots, math class, I taught 307 00:17:12,240 --> 00:17:13,199 Speaker 7: it masters. 308 00:17:13,280 --> 00:17:13,840 Speaker 1: I got it. 309 00:17:13,880 --> 00:17:17,560 Speaker 7: But after the next chapter in my biography, one in 310 00:17:17,600 --> 00:17:21,880 Speaker 7: which the prodigy in geometry wants to honestly do astronomy. 311 00:17:22,080 --> 00:17:26,000 Speaker 7: But misogyny in the field is the quantity of females 312 00:17:26,040 --> 00:17:26,920 Speaker 7: that's near zero. 313 00:17:27,160 --> 00:17:29,440 Speaker 9: It's hard to see a past if you can't see 314 00:17:29,440 --> 00:17:29,919 Speaker 9: a hero. 315 00:17:30,320 --> 00:17:33,600 Speaker 7: So we roll back to a reservation. I worked in education. 316 00:17:33,760 --> 00:17:36,679 Speaker 7: Maybe my dream was dead and men instead for the 317 00:17:36,760 --> 00:17:37,800 Speaker 7: next generation. 318 00:17:38,760 --> 00:17:42,560 Speaker 9: I never know where my pathletes plot. I solved all 319 00:17:42,600 --> 00:17:45,760 Speaker 9: my problems. I got math, lets, married gold. 320 00:17:45,840 --> 00:17:50,439 Speaker 7: I plus remember me check my legacy engineer and Cherokee. 321 00:17:50,480 --> 00:17:52,760 Speaker 7: I did I advise the kids right? 322 00:17:52,880 --> 00:17:55,760 Speaker 9: But I felt I never ever really get that big life. 323 00:17:55,800 --> 00:17:59,159 Speaker 7: But then Germany starts picking a big fight, and my 324 00:17:59,280 --> 00:18:00,879 Speaker 7: world changes quick overnight. 325 00:18:01,359 --> 00:18:02,720 Speaker 2: You might not know, but. 326 00:18:02,800 --> 00:18:05,960 Speaker 7: In World War Two, men were overseas siegings, so the 327 00:18:06,000 --> 00:18:09,200 Speaker 7: girls would do new jobs that before would never hurt 328 00:18:09,280 --> 00:18:09,720 Speaker 7: towards you. 329 00:18:10,000 --> 00:18:11,600 Speaker 5: A new world soars through. 330 00:18:11,600 --> 00:18:14,240 Speaker 1: And I'm world for you. So what Stava signed? 331 00:18:14,560 --> 00:18:17,879 Speaker 7: Search for the sign and the coast sign. I headed 332 00:18:17,960 --> 00:18:21,480 Speaker 7: for the coastline to lock Heed on a course I 333 00:18:21,640 --> 00:18:24,439 Speaker 7: was charged in, a few didn't and a few I 334 00:18:24,600 --> 00:18:28,119 Speaker 7: was starting at the job I always wanted do, an 335 00:18:28,160 --> 00:18:31,879 Speaker 7: aeronautics making military place started silivery and rockets. 336 00:18:31,880 --> 00:18:34,800 Speaker 9: Finally had that money in my pockets on a trade with. 337 00:18:34,920 --> 00:18:39,160 Speaker 7: Nope stopping within the war stopped, and then the men 338 00:18:39,240 --> 00:18:42,200 Speaker 7: came home. So then I didn't know if they'd let 339 00:18:42,240 --> 00:18:43,360 Speaker 7: me do that work. 340 00:18:43,520 --> 00:18:44,240 Speaker 9: An needs more. 341 00:18:44,600 --> 00:18:47,560 Speaker 7: Once again, Mary Bosses at a cross roads, at a 342 00:18:47,680 --> 00:18:48,920 Speaker 7: lost or where to go? 343 00:18:49,160 --> 00:18:50,920 Speaker 5: Oh no, I. 344 00:18:51,040 --> 00:18:54,560 Speaker 9: Never know where My pat leads plat us alve all 345 00:18:54,600 --> 00:18:58,000 Speaker 9: my problems. I am at leads married go up. 346 00:18:58,119 --> 00:19:02,119 Speaker 7: Plus remember me check my legacy engineer and there at. 347 00:19:02,000 --> 00:19:13,720 Speaker 3: The squeze, make him say. 348 00:19:14,600 --> 00:19:18,280 Speaker 7: Take a girl multiplier with some passion and actions attract 349 00:19:18,359 --> 00:19:22,200 Speaker 7: all distraction, add a little traction and a fraction, a 350 00:19:22,359 --> 00:19:25,879 Speaker 7: fashion and a glass ceiling. Would you get the answer? 351 00:19:25,960 --> 00:19:27,520 Speaker 9: Risk, Mary Ross. 352 00:19:27,560 --> 00:19:30,240 Speaker 7: And if they would have said you can't do Matthew anymore, 353 00:19:30,359 --> 00:19:33,120 Speaker 7: I'd be very cross. That would be a scary thought, 354 00:19:33,240 --> 00:19:35,920 Speaker 7: because my mind absorbing all these facts like the water, 355 00:19:36,040 --> 00:19:38,359 Speaker 7: and my brain is made of terry claws. Yes, what 356 00:19:38,640 --> 00:19:41,000 Speaker 7: I was so good that they kept me here? Pay 357 00:19:41,080 --> 00:19:44,000 Speaker 7: for me to train again to be an engineer. Say 358 00:19:44,040 --> 00:19:47,120 Speaker 7: for twenty plus years, earn my pension here and did 359 00:19:47,280 --> 00:19:50,200 Speaker 7: even more things than I can mention here. Most of 360 00:19:50,280 --> 00:19:53,200 Speaker 7: it is classified, but the fe to say you got 361 00:19:53,240 --> 00:19:56,520 Speaker 7: Mary Ross to think for your flights today only woman 362 00:19:56,680 --> 00:19:59,520 Speaker 7: in the room where the fellas is with the melanine 363 00:19:59,600 --> 00:20:03,639 Speaker 7: helping then new tech development and writing manuals for the 364 00:20:03,680 --> 00:20:08,440 Speaker 7: skunk Works. And after I retired, I'm inspiring the young squirts, 365 00:20:08,640 --> 00:20:11,480 Speaker 7: helping kids who look like me do what I did, 366 00:20:11,640 --> 00:20:19,000 Speaker 7: be a hero so they could dream big. 367 00:20:16,720 --> 00:20:25,160 Speaker 3: Je squeeze, make. 368 00:20:25,040 --> 00:20:36,359 Speaker 1: Him say squeeze. 369 00:20:54,480 --> 00:20:57,000 Speaker 2: We'll be right back after a few words for the 370 00:20:57,080 --> 00:20:57,720 Speaker 2: grown ups. 371 00:21:02,080 --> 00:21:06,600 Speaker 7: Landing in the three te ones, a. 372 00:21:06,840 --> 00:21:11,240 Speaker 1: Flawless re entry and landing. I sure am glad to 373 00:21:11,320 --> 00:21:14,080 Speaker 1: be back home. Now. Let me just push the button 374 00:21:14,119 --> 00:21:15,760 Speaker 1: to open the spaceship door. 375 00:21:17,359 --> 00:21:18,760 Speaker 5: Raccoons, we did it. 376 00:21:19,080 --> 00:21:21,520 Speaker 1: We recorded a song in space. 377 00:21:22,040 --> 00:21:24,879 Speaker 5: Yah, how she did it? 378 00:21:25,160 --> 00:21:25,360 Speaker 1: Yeah? 379 00:21:25,760 --> 00:21:28,560 Speaker 5: First, you need to record a song edge first. 380 00:21:29,000 --> 00:21:30,800 Speaker 1: Hey, it's my high fant Phil. 381 00:21:31,080 --> 00:21:31,280 Speaker 5: Oh. 382 00:21:31,400 --> 00:21:35,520 Speaker 4: Yeah, Phil's here here in person and the spirit. 383 00:21:36,400 --> 00:21:40,280 Speaker 1: Well, thanks to everyone for being my welcome committee, Phil, Tina, 384 00:21:40,600 --> 00:21:44,439 Speaker 1: other nameless Raccoons. When I was recording that absolute smash 385 00:21:44,560 --> 00:21:48,000 Speaker 1: hit of a tune in deep Space, I realized something. 386 00:21:47,840 --> 00:21:50,840 Speaker 5: They did and now used to tell us spool. 387 00:21:51,760 --> 00:21:55,360 Speaker 1: I realized I use math all the time in music. 388 00:21:55,680 --> 00:22:00,880 Speaker 1: Music and math are like time and space, inextricably to same. 389 00:22:00,960 --> 00:22:01,120 Speaker 6: All. 390 00:22:01,440 --> 00:22:02,880 Speaker 2: Phil doesn't get it yet. 391 00:22:03,119 --> 00:22:08,200 Speaker 1: Think about it, Phil, Rhythms, patterns, intervals, scales, the notations 392 00:22:08,200 --> 00:22:11,160 Speaker 1: of a composer communicate the sounds that a musician needs 393 00:22:11,200 --> 00:22:13,800 Speaker 1: to make. It all involves mass. 394 00:22:15,080 --> 00:22:19,920 Speaker 5: Music, man and blood is grateful exactly. 395 00:22:20,280 --> 00:22:23,280 Speaker 1: Oh now, everyone, if you'll excuse me, my Space mission 396 00:22:23,320 --> 00:22:25,160 Speaker 1: went a touch too long and I have to head 397 00:22:25,160 --> 00:22:26,560 Speaker 1: to my interview stat. 398 00:22:26,560 --> 00:22:28,359 Speaker 5: Wait, nmity, I have a question. 399 00:22:28,760 --> 00:22:31,240 Speaker 1: What is it, Phil? And why do you suddenly sound 400 00:22:31,320 --> 00:22:31,960 Speaker 1: so earnest? 401 00:22:32,400 --> 00:22:33,760 Speaker 5: Can you send me into space? 402 00:22:34,080 --> 00:22:37,280 Speaker 4: I'm really excited for you, but I'm also extremely jealous. 403 00:22:37,680 --> 00:22:40,399 Speaker 5: It was my childhood dream calling a mission to space. 404 00:22:40,640 --> 00:22:44,400 Speaker 4: I honestly just stumbled into this whole highbad thing, which 405 00:22:44,440 --> 00:22:47,920 Speaker 4: is great, don't get me wrong, but space that was 406 00:22:47,960 --> 00:22:48,760 Speaker 4: my first love. 407 00:22:49,240 --> 00:22:52,560 Speaker 1: Phil. I'm so glad you said something. I'd be thrilled 408 00:22:52,560 --> 00:22:56,480 Speaker 1: to lend you my rocket ship. Really under one condition. 409 00:22:56,320 --> 00:22:58,160 Speaker 5: Phil will do anything you ask. 410 00:22:58,640 --> 00:23:02,240 Speaker 1: I need you to promise that you'll keep Space totally hyped. 411 00:23:02,680 --> 00:23:08,080 Speaker 4: Oh yeah, space man, combinding my job am. 412 00:23:07,880 --> 00:23:15,479 Speaker 1: My Tina please help fill into space. Thanks team, and 413 00:23:15,560 --> 00:23:23,119 Speaker 1: now for today's interview, we have two really special guests 414 00:23:23,200 --> 00:23:26,760 Speaker 1: joining us. Please welcome Christina and Vivian. 415 00:23:27,240 --> 00:23:27,640 Speaker 6: Hi. 416 00:23:28,080 --> 00:23:29,560 Speaker 1: Please introduce yourselves. 417 00:23:29,920 --> 00:23:35,400 Speaker 10: Yeah, eh Sha Christina Helna Yinishia sitting on Jenny Nishtafni 418 00:23:35,440 --> 00:23:39,040 Speaker 10: bashish chin ttich ain'ty dashi che ashiha Dashanela. 419 00:23:39,440 --> 00:23:39,640 Speaker 1: Hi. 420 00:23:40,000 --> 00:23:42,680 Speaker 10: My name is Christina Helna and I am the Black 421 00:23:42,720 --> 00:23:46,320 Speaker 10: Streak Wood People Clan born for the Folded Arms People Clan. 422 00:23:46,520 --> 00:23:49,879 Speaker 10: The Bitter Water Clan is my maternal grandfather's clan and 423 00:23:49,920 --> 00:23:53,080 Speaker 10: the Salt Clan is my paternal grandfather's clan. I am 424 00:23:53,160 --> 00:23:57,399 Speaker 10: Navajo originally from the Nawaha Reservation from Samila, Arizona. I 425 00:23:57,400 --> 00:24:00,760 Speaker 10: am the intio's Rocket Systems Engineering program Men. You're at NORTHFORLK. 426 00:24:00,760 --> 00:24:03,520 Speaker 10: Grumman Corporation in Chandler, Arizona. Hi. 427 00:24:03,640 --> 00:24:06,600 Speaker 6: My name is Vivian. I am eight years old. I 428 00:24:06,760 --> 00:24:11,439 Speaker 6: live in Ohio. I am Odawa in Hana, Nashoni. My 429 00:24:11,640 --> 00:24:13,359 Speaker 6: name is Alway Hunted. 430 00:24:13,880 --> 00:24:16,440 Speaker 1: I'm so happy to have both of you here. Let's 431 00:24:16,440 --> 00:24:17,919 Speaker 1: start off with your first question. 432 00:24:18,040 --> 00:24:22,000 Speaker 6: Vivian, how do you know you wanted to be an engineer? 433 00:24:22,440 --> 00:24:26,000 Speaker 10: Great question, Vivian. I actually knew I wanted to be 434 00:24:26,080 --> 00:24:28,840 Speaker 10: an Internet at a very young age, which is very rare. 435 00:24:29,200 --> 00:24:31,440 Speaker 10: I was probably about your age, maybe even a year 436 00:24:31,520 --> 00:24:34,040 Speaker 10: or two younger than you are right now. I saw 437 00:24:34,080 --> 00:24:37,159 Speaker 10: an airplane go by above me, and I'd asked my 438 00:24:37,280 --> 00:24:40,520 Speaker 10: mom what was that, and she told me what it was, 439 00:24:40,720 --> 00:24:43,000 Speaker 10: and I was like, was there people on there? I 440 00:24:43,040 --> 00:24:45,560 Speaker 10: was just asking all kinds of questions and she was 441 00:24:45,640 --> 00:24:48,080 Speaker 10: just like, okay, well, have to take it to the library. 442 00:24:48,320 --> 00:24:52,920 Speaker 10: I checked out books about airplanes and astronauts and space 443 00:24:53,480 --> 00:24:58,840 Speaker 10: and rockets, and when I found out who designs rockets 444 00:24:58,840 --> 00:25:02,560 Speaker 10: and airplanes, I found out was an aerospace engineer, and 445 00:25:02,680 --> 00:25:05,040 Speaker 10: so that's what I said I was going to do. 446 00:25:05,119 --> 00:25:06,879 Speaker 10: I was like, I want to make things fly. I 447 00:25:06,960 --> 00:25:07,760 Speaker 10: want to do that. 448 00:25:08,160 --> 00:25:10,560 Speaker 6: What does it feel like to be an engineer? 449 00:25:11,280 --> 00:25:16,159 Speaker 10: Well, Vivian, it actually feels pretty amazing, you know, especially 450 00:25:16,160 --> 00:25:18,360 Speaker 10: as a Native American woman. There's not many of us 451 00:25:18,480 --> 00:25:19,439 Speaker 10: in the stem field. 452 00:25:19,520 --> 00:25:19,760 Speaker 1: You know. 453 00:25:19,800 --> 00:25:23,320 Speaker 10: Mary Ross was the very first Native American engineer at 454 00:25:23,359 --> 00:25:27,240 Speaker 10: Lockheed and just in general in the world, and you know, 455 00:25:27,359 --> 00:25:30,160 Speaker 10: I just kind of use her path. She would work 456 00:25:30,280 --> 00:25:32,359 Speaker 10: very hardy get where she was and she was making 457 00:25:32,359 --> 00:25:35,000 Speaker 10: great waved links to do what she loved and I'm 458 00:25:35,040 --> 00:25:38,960 Speaker 10: going to do the same. And how she inspired individuals 459 00:25:39,040 --> 00:25:42,800 Speaker 10: Native Americans alight like myself to pursue a STEM degree. 460 00:25:42,840 --> 00:25:46,000 Speaker 10: She was definitely someone I looked up to and I'm 461 00:25:46,040 --> 00:25:49,320 Speaker 10: hoping I'm able to inspire others as well, just telling 462 00:25:49,440 --> 00:25:51,919 Speaker 10: the young Indigenous kids out there that they can do 463 00:25:51,960 --> 00:25:54,760 Speaker 10: anything they want. They can be an engineer like myself 464 00:25:54,800 --> 00:25:55,679 Speaker 10: and Mary Ross. 465 00:25:56,000 --> 00:25:59,520 Speaker 1: Mary Ross is so inspirational. Can you tell us a 466 00:25:59,560 --> 00:26:01,879 Speaker 1: little more about what she worked on, Christina? 467 00:26:02,000 --> 00:26:05,000 Speaker 10: She worked on very different projects. One of them you 468 00:26:05,119 --> 00:26:07,600 Speaker 10: might not be aware with, Vivian because you're so young, 469 00:26:08,280 --> 00:26:10,959 Speaker 10: is the skunk Works project at Lackey Martin. Then they 470 00:26:11,080 --> 00:26:14,600 Speaker 10: did a lot of classified projects what they called skunk Works. 471 00:26:14,800 --> 00:26:18,840 Speaker 10: The bomber there. They really quiet airplane that makes no 472 00:26:18,840 --> 00:26:21,000 Speaker 10: noise when it's flying up above. Like she gets to 473 00:26:21,119 --> 00:26:23,040 Speaker 10: t got to work up really cool projects like that. 474 00:26:23,359 --> 00:26:24,040 Speaker 10: She was amazing. 475 00:26:24,480 --> 00:26:26,920 Speaker 6: What was your favorite thing in school? 476 00:26:27,280 --> 00:26:30,239 Speaker 10: Sciences was actually my favorite, just because you got to 477 00:26:30,280 --> 00:26:33,400 Speaker 10: do a little bit of everything. And then what got 478 00:26:33,440 --> 00:26:36,119 Speaker 10: me really interested in what I'm doing right now as 479 00:26:36,119 --> 00:26:39,720 Speaker 10: an engineer in general is learning about physics and working 480 00:26:39,760 --> 00:26:43,679 Speaker 10: on bottle rockets and the Newton's laws and all that 481 00:26:43,760 --> 00:26:46,520 Speaker 10: craziness growing up. You know, I also like arts and 482 00:26:46,560 --> 00:26:49,760 Speaker 10: crafts too, which is a little bit different than a 483 00:26:49,760 --> 00:26:52,199 Speaker 10: little bit different than my engineering background. But you know, 484 00:26:52,320 --> 00:26:55,680 Speaker 10: growing up, I used to watch my grandmother and grandparents 485 00:26:55,880 --> 00:26:59,160 Speaker 10: leave rugs, so they had to use actually math to 486 00:26:59,160 --> 00:27:01,679 Speaker 10: to do thatgure out how the rug weaving would go, 487 00:27:01,760 --> 00:27:03,720 Speaker 10: how the patterns would look like, and to have to 488 00:27:03,720 --> 00:27:06,080 Speaker 10: think about that ahead of time. My grandparents also did 489 00:27:06,119 --> 00:27:09,879 Speaker 10: a lot of drawings and pottery, and so seeing that 490 00:27:09,920 --> 00:27:12,000 Speaker 10: as a child kind of made me appreciate the arts 491 00:27:12,000 --> 00:27:12,640 Speaker 10: a little bit too. 492 00:27:12,800 --> 00:27:17,000 Speaker 1: Oh, your grandparents sound really talented, Vivian. You're interested in 493 00:27:17,119 --> 00:27:17,680 Speaker 1: art too. 494 00:27:17,600 --> 00:27:20,080 Speaker 6: Right, I think I like drawing. 495 00:27:20,640 --> 00:27:21,600 Speaker 10: What do you like to draw? 496 00:27:22,000 --> 00:27:25,119 Speaker 6: Sometimes I just draw Star Wars? 497 00:27:25,400 --> 00:27:25,600 Speaker 1: Oh? 498 00:27:25,640 --> 00:27:28,240 Speaker 10: You like Star Wars? What's your favorite character? 499 00:27:28,560 --> 00:27:30,920 Speaker 6: M R too D two You know what? 500 00:27:31,200 --> 00:27:33,600 Speaker 10: So do? I I love R two, D two and 501 00:27:33,680 --> 00:27:37,240 Speaker 10: CP three to Oh. I call them their besties because 502 00:27:37,240 --> 00:27:38,080 Speaker 10: they're always together. 503 00:27:39,119 --> 00:27:41,600 Speaker 1: Hey, now that I think about it, R two, D 504 00:27:41,720 --> 00:27:46,119 Speaker 1: two and C three PO were probably built by engineers. 505 00:27:46,600 --> 00:27:48,760 Speaker 1: Thank you both for joining me today. 506 00:27:48,760 --> 00:27:50,360 Speaker 10: Viviana, so nice to meet you. 507 00:27:50,760 --> 00:27:53,560 Speaker 6: Nice to meet you too. Thank you, Christina. 508 00:27:53,760 --> 00:27:59,160 Speaker 1: Bye, Thank you bye, listeners. Thanks for joining me today 509 00:27:59,200 --> 00:28:03,120 Speaker 1: for hours epic. Pretty amazing. We made it so far 510 00:28:03,200 --> 00:28:06,840 Speaker 1: into space and back, well almost all of us. I 511 00:28:06,880 --> 00:28:11,880 Speaker 1: still haven't heard from Gabe. Gabe, You're back and right 512 00:28:11,920 --> 00:28:12,399 Speaker 1: on time. 513 00:28:12,760 --> 00:28:15,119 Speaker 5: Hey, Nimity, How was the infinite White Void? 514 00:28:15,720 --> 00:28:19,320 Speaker 8: Very intimidating at first and then very calming? 515 00:28:19,720 --> 00:28:20,200 Speaker 1: Calming? 516 00:28:20,720 --> 00:28:23,359 Speaker 8: Turns out a place without time and space can be 517 00:28:23,480 --> 00:28:27,120 Speaker 8: pretty chill. Nowhere to be no time crunch for anything. 518 00:28:27,400 --> 00:28:29,240 Speaker 8: I'm pretty sure I spent years there. 519 00:28:29,680 --> 00:28:33,280 Speaker 1: Oh, but you mention it. You are glowing slightly. 520 00:28:35,280 --> 00:28:38,000 Speaker 8: Also, it was hard to sleep because it was so bright, 521 00:28:38,920 --> 00:28:40,560 Speaker 8: So I think I'm gonna go lay down. 522 00:28:41,440 --> 00:28:44,240 Speaker 1: Totally nice to catch up and hear about your mind 523 00:28:44,280 --> 00:28:49,000 Speaker 1: bending adventure. Listeners. We'll talk before we dive into Mary's legacy. 524 00:28:49,520 --> 00:28:52,640 Speaker 1: I had no idea math played such a big role 525 00:28:52,680 --> 00:28:55,440 Speaker 1: in my life. Are there ways that math plays a 526 00:28:55,440 --> 00:28:58,000 Speaker 1: big role in your daily lives? I'd love to know 527 00:28:58,920 --> 00:29:04,440 Speaker 1: anyway us Thanks to today's guests Vivian, Crystal and Christina 528 00:29:05,160 --> 00:29:08,920 Speaker 1: Remember Parents and Teachers. You can download a free activity 529 00:29:08,960 --> 00:29:12,800 Speaker 1: related to today's episode by visiting story pirates dot com. 530 00:29:12,840 --> 00:29:15,080 Speaker 2: Slash Historical Records. 531 00:29:15,120 --> 00:29:17,400 Speaker 1: And I can't wait to go on another adventure with 532 00:29:17,480 --> 00:29:21,080 Speaker 1: you all very soon. Until next time it's face. Don't 533 00:29:21,080 --> 00:29:25,760 Speaker 1: forget to make history. You gotta make some noise and 534 00:29:26,120 --> 00:29:38,880 Speaker 1: possibly explode a spaceship engine or two bye. 535 00:29:40,080 --> 00:29:44,320 Speaker 11: Historical Records is produced in partnership with Story Pirate Studios, 536 00:29:44,560 --> 00:29:49,640 Speaker 11: Questlove's two on five Entertainment John Blickman and iHeart Podcasts 537 00:29:50,240 --> 00:29:55,400 Speaker 11: Executive produced by Emir Questlove, Thompson, John Glickman, Le Overtree 538 00:29:55,600 --> 00:30:00,360 Speaker 11: and Benjamin Salga. Executive produced for iHeart Podcasts by Noah Brown. 539 00:30:00,760 --> 00:30:04,800 Speaker 11: Producers for Story Pirate Studios are Isabella Riccio, Sam Bear, 540 00:30:05,160 --> 00:30:09,640 Speaker 11: Carrit Gerson, Andrew Miller, Lee Overtree, Peter McNerney and niminy Ware. 541 00:30:10,160 --> 00:30:13,640 Speaker 11: Producers for two one five are Sean ge Britney, Benjamin 542 00:30:13,720 --> 00:30:17,440 Speaker 11: and Sarah Zolman. Hosted by niminy Ware. Our head writer 543 00:30:17,640 --> 00:30:21,840 Speaker 11: is Duke Doyle. Our historians are Gabe Pacheco and Lee Polus. 544 00:30:22,440 --> 00:30:26,240 Speaker 11: Music supervision for two one five by Stroe Elliott. Scoring 545 00:30:26,320 --> 00:30:29,680 Speaker 11: and music supervision for Story Pirate Studios by Eric Gerson. 546 00:30:30,160 --> 00:30:32,120 Speaker 8: Sound designed and mixing by Sam. 547 00:30:31,880 --> 00:30:34,480 Speaker 11: Bear at the Relic Room in New York City. Song 548 00:30:34,560 --> 00:30:38,120 Speaker 11: mastering by Josh Han theme song by Dan Foster and 549 00:30:38,240 --> 00:30:42,200 Speaker 11: Eric Gerson and produced by Eric Erson. Production coordination by 550 00:30:42,240 --> 00:30:46,600 Speaker 11: Isabelle Riccio, Production management by Maggie Lee. The line producer 551 00:30:46,640 --> 00:30:50,080 Speaker 11: for story Pired Studios is Glennis Brault. Pr for Story 552 00:30:50,080 --> 00:30:54,000 Speaker 11: Pired Studios is provided by Naomi Shaw. Episode artwork by 553 00:30:54,040 --> 00:30:58,000 Speaker 11: Camilla Franklin. This episode was written by Duke Doyle. The 554 00:30:58,080 --> 00:31:00,920 Speaker 11: song Mary golda Ross was written by Dan Foster and 555 00:31:01,000 --> 00:31:04,800 Speaker 11: Niminy Ware and produced by Micah James with vocal direction 556 00:31:04,960 --> 00:31:08,840 Speaker 11: and additional music supervision by Jack Mitchell. Additional recording at 557 00:31:08,880 --> 00:31:13,800 Speaker 11: Red Room Studios in Edmonton, Alberta, Canada. Special guests Crystal Lightning, 558 00:31:14,040 --> 00:31:19,120 Speaker 11: Christina Helona and Kid interviewer Vivian. This episode features performances 559 00:31:19,160 --> 00:31:24,520 Speaker 11: by Sarah Elizabeth Haynes, Peter McNerney, Lee Overtree, and Gabe Pacheco. 560 00:31:25,040 --> 00:31:41,840 Speaker 11: Special thanks to David Kurns and Joey Clift