1 00:00:00,960 --> 00:00:04,920 Speaker 1: Second date update. We got an email for a second 2 00:00:05,000 --> 00:00:07,560 Speaker 1: date update from one of our listeners named Gabe, who 3 00:00:07,600 --> 00:00:10,959 Speaker 1: says he brought along some friends on his first date. 4 00:00:12,680 --> 00:00:16,119 Speaker 1: Apparently Gabe did not get a kiss, but one of 5 00:00:16,120 --> 00:00:22,480 Speaker 1: his friends did his date. I'm not sure, but all 6 00:00:22,520 --> 00:00:25,320 Speaker 1: I know is now he wants our help. So Gabe, 7 00:00:25,520 --> 00:00:27,120 Speaker 1: what's up man? Welcome to the show. 8 00:00:27,520 --> 00:00:29,720 Speaker 2: Hey, happy to be on. Thanks for taking a call. 9 00:00:30,800 --> 00:00:37,480 Speaker 3: You are a chipper man, I try to be Okay, Okay. 10 00:00:35,760 --> 00:00:37,479 Speaker 1: We'll get into the details every date in just a 11 00:00:37,520 --> 00:00:39,400 Speaker 1: second here, but first, tell us a little bit about 12 00:00:39,400 --> 00:00:41,800 Speaker 1: the woman that you went out with. What's her name? 13 00:00:41,960 --> 00:00:45,239 Speaker 1: Where'd you meet her? What's her net worth? Give us 14 00:00:45,320 --> 00:00:46,199 Speaker 1: give us a rundown. 15 00:00:47,080 --> 00:00:49,720 Speaker 2: Her name is Noel, a very very pretty blonde girl. 16 00:00:50,159 --> 00:00:52,960 Speaker 2: We met on a dating app and we met up 17 00:00:53,000 --> 00:00:54,880 Speaker 2: to this really great pizzeria in town. 18 00:00:55,160 --> 00:00:57,200 Speaker 4: I was hoping he was going to give her net worth. 19 00:01:00,200 --> 00:01:00,920 Speaker 2: But she wouldn't tell. 20 00:01:01,120 --> 00:01:02,320 Speaker 1: Okay, stubborn. 21 00:01:02,480 --> 00:01:04,200 Speaker 2: So we got some Hawaiian pizza. 22 00:01:04,600 --> 00:01:07,560 Speaker 4: Oh controversial that you both like Hawaiian. 23 00:01:07,600 --> 00:01:09,440 Speaker 2: You don't find that many people out there who like it. 24 00:01:09,480 --> 00:01:12,080 Speaker 4: So I was like, I know, real pizza, No it is. 25 00:01:12,160 --> 00:01:15,040 Speaker 1: I love it too, you're not getting into this discussion 26 00:01:15,120 --> 00:01:19,319 Speaker 1: during this second day pizza. No, we're not. We're not 27 00:01:19,360 --> 00:01:22,000 Speaker 1: doing it. Let's just focus on your date, Gabe. Okay, 28 00:01:22,040 --> 00:01:24,640 Speaker 1: tell us more about the horrible pizza that you guys share. 29 00:01:26,400 --> 00:01:31,200 Speaker 2: We had a bunch of that delicious pizza, and you know, 30 00:01:31,319 --> 00:01:34,200 Speaker 2: like you said, I did bring out my friends. You know, 31 00:01:34,280 --> 00:01:37,080 Speaker 2: it's said specifically in my profile that this is who 32 00:01:37,120 --> 00:01:38,080 Speaker 2: I am, what I'm about. 33 00:01:38,240 --> 00:01:41,280 Speaker 4: Wait, what do you mean? You're about Hawaiian pizza with friends? 34 00:01:43,520 --> 00:01:47,160 Speaker 2: So I am a professional amateur impersonator. 35 00:01:47,240 --> 00:01:50,920 Speaker 4: Professional amateur also got me lost? That was on your profile. 36 00:01:51,440 --> 00:01:52,800 Speaker 2: Yes, yes, and you match. 37 00:01:53,200 --> 00:01:56,360 Speaker 1: So your your friends aren't actual people, they're puppets. 38 00:01:56,600 --> 00:02:02,000 Speaker 3: Yeah, that is correct, yes, bar I see are you 39 00:02:02,000 --> 00:02:04,800 Speaker 3: you're like a ventriloquist or something too, Like you make 40 00:02:04,840 --> 00:02:05,600 Speaker 3: the puppets talk. 41 00:02:06,120 --> 00:02:08,160 Speaker 2: Not so much ventrillo quid as it is just like 42 00:02:08,200 --> 00:02:11,959 Speaker 2: a performance. Like sometimes I'm behind like a fake rock 43 00:02:12,080 --> 00:02:14,800 Speaker 2: or something, or I'm inside a really uncomfortable couch and 44 00:02:15,000 --> 00:02:17,120 Speaker 2: I do muppet voices and stuff like that. 45 00:02:17,400 --> 00:02:19,920 Speaker 1: Okay, So I'm just trying to picture this now. So 46 00:02:19,960 --> 00:02:23,119 Speaker 1: you're in a pizzeria with your your muppet friends now 47 00:02:23,200 --> 00:02:26,200 Speaker 1: joining you at the table say you say you do 48 00:02:26,280 --> 00:02:28,840 Speaker 1: the voices too? Oh yeah, yeah, can you give me 49 00:02:28,919 --> 00:02:30,760 Speaker 1: like a sample of how that date would go? 50 00:02:31,680 --> 00:02:34,600 Speaker 2: So naturally I brought out Kermit the Frog first. That's 51 00:02:34,600 --> 00:02:36,600 Speaker 2: how you break the ice. Though it was, hey, how 52 00:02:36,600 --> 00:02:38,760 Speaker 2: are you doing? Are you enjoying the date? I see 53 00:02:38,800 --> 00:02:41,160 Speaker 2: you're not eating as many as of the pineapple as 54 00:02:41,200 --> 00:02:43,080 Speaker 2: he is. Okay, you know he was trying to gasp 55 00:02:43,080 --> 00:02:44,000 Speaker 2: me up a little bit, but. 56 00:02:44,040 --> 00:02:47,400 Speaker 3: Okay, okay's cute. Yeah. 57 00:02:47,919 --> 00:02:49,800 Speaker 1: I don't think of Kermit as like a typical like 58 00:02:49,960 --> 00:02:52,480 Speaker 1: charmer of women, though he seems kind of shye. 59 00:02:52,560 --> 00:02:53,680 Speaker 4: No, I think Hermie smooth. 60 00:02:53,720 --> 00:02:56,240 Speaker 2: That's the thing, you know, no one's expecting Kermit. Everyone 61 00:02:56,280 --> 00:02:58,880 Speaker 2: wants you to go with fazzier animal or someone crazy, 62 00:02:58,919 --> 00:03:01,639 Speaker 2: But bring Kermit when you want to show a little heart. 63 00:03:02,080 --> 00:03:03,600 Speaker 4: How did she react to Kermit? 64 00:03:04,240 --> 00:03:06,200 Speaker 2: She was laughing, she was having a good time. Then 65 00:03:06,280 --> 00:03:08,440 Speaker 2: naturally I brought out Miss Piggy so that there could 66 00:03:08,440 --> 00:03:09,680 Speaker 2: be a bit of a back and forth. You know, 67 00:03:09,720 --> 00:03:11,320 Speaker 2: we had a double date for a little while. 68 00:03:11,680 --> 00:03:13,080 Speaker 4: And how did Miss Piggy sound? 69 00:03:14,000 --> 00:03:17,320 Speaker 2: Kurmy, I think he's doing exceptionally well on this state 70 00:03:18,040 --> 00:03:19,600 Speaker 2: To bother them, they're doing their own thing. 71 00:03:19,800 --> 00:03:20,519 Speaker 5: Cant it rock? 72 00:03:23,120 --> 00:03:24,520 Speaker 4: I think that's a I love it. 73 00:03:25,560 --> 00:03:28,120 Speaker 2: You're just good enough And I could totally tell which 74 00:03:28,120 --> 00:03:28,720 Speaker 2: one you're doing. 75 00:03:28,880 --> 00:03:31,720 Speaker 4: So you're sitting at the table, do you have muppets? Like, 76 00:03:31,760 --> 00:03:33,919 Speaker 4: do you have the actual dolls with you? Or is 77 00:03:33,960 --> 00:03:34,960 Speaker 4: this just voices? 78 00:03:35,120 --> 00:03:37,600 Speaker 2: I have two bags worth, So it looked a little 79 00:03:37,600 --> 00:03:40,600 Speaker 2: weird because I just had two Duffel bags with me. Wow, 80 00:03:41,080 --> 00:03:43,920 Speaker 2: But it seemed like the whole restaurant was actually having 81 00:03:43,920 --> 00:03:46,760 Speaker 2: a good time along with it, because more often than not, 82 00:03:46,800 --> 00:03:49,360 Speaker 2: when you bust out two muppets, people are gonna take notes. 83 00:03:49,440 --> 00:03:50,880 Speaker 2: So yeah, no, I mean the thing. 84 00:03:50,920 --> 00:03:53,360 Speaker 4: Is if she was laughing through it, women love humor. 85 00:03:53,560 --> 00:03:55,120 Speaker 4: But how long did it go for? 86 00:03:55,320 --> 00:03:58,880 Speaker 2: I was wondering, not too Yeah, this is like forty 87 00:03:59,000 --> 00:04:00,240 Speaker 2: five to fifteen in it. 88 00:04:02,000 --> 00:04:04,320 Speaker 1: Yeah, an intermission where she got to go to the 89 00:04:04,320 --> 00:04:05,480 Speaker 1: bathroom and then come back. 90 00:04:06,240 --> 00:04:07,800 Speaker 2: Yeah. I did say, you know, I went to the 91 00:04:07,840 --> 00:04:09,360 Speaker 2: bathroom once and I was like, hey, if you're just 92 00:04:09,400 --> 00:04:12,000 Speaker 2: gonna like leave right now, I totally get it, no stress. 93 00:04:12,080 --> 00:04:14,840 Speaker 2: But well and behold, she was still there when I 94 00:04:14,840 --> 00:04:15,440 Speaker 2: came back. 95 00:04:17,360 --> 00:04:17,880 Speaker 5: To walk out. 96 00:04:19,080 --> 00:04:22,880 Speaker 1: They did did you ever get to know anything about Noel? 97 00:04:23,720 --> 00:04:27,640 Speaker 2: Yeah? She she's in the pharmaceutical I guess that's that's 98 00:04:27,640 --> 00:04:28,359 Speaker 2: what she's doing. 99 00:04:28,520 --> 00:04:30,040 Speaker 1: Well, that's aching them. 100 00:04:30,600 --> 00:04:32,200 Speaker 4: It sounds like she's a drug addict. 101 00:04:33,920 --> 00:04:34,760 Speaker 2: She steals all the. 102 00:04:35,120 --> 00:04:38,560 Speaker 1: Yeah, I mean, Gabe. Normally I would ask our listeners 103 00:04:38,600 --> 00:04:41,640 Speaker 1: if there was any awkward moments that happened during the date. 104 00:04:42,160 --> 00:04:44,120 Speaker 1: I feel like I don't need to ask. The whole 105 00:04:44,160 --> 00:04:44,520 Speaker 1: day was. 106 00:04:44,720 --> 00:04:47,320 Speaker 2: There was one funny moment when Kermit and Miss Piggy 107 00:04:47,360 --> 00:04:50,839 Speaker 2: started arguing over the pizza. You know, it got heated. 108 00:04:51,200 --> 00:04:53,920 Speaker 3: Let me get miss Piggy not a fan of pineapple 109 00:04:53,920 --> 00:04:55,039 Speaker 3: on pizza, is what you're saying. 110 00:04:55,120 --> 00:04:58,200 Speaker 2: Yeah, Miss Piggy was not having the Canadian bacon. She 111 00:04:58,279 --> 00:05:00,440 Speaker 2: got midway through with Splice just. 112 00:05:00,320 --> 00:05:02,080 Speaker 5: Went wait, what's on this frog? 113 00:05:03,440 --> 00:05:06,440 Speaker 2: Like naturally, Kermit did. 114 00:05:07,960 --> 00:05:09,640 Speaker 1: I could see that throwing a wrench in your date. 115 00:05:09,680 --> 00:05:12,680 Speaker 1: For sure. You said though, that one of your friends 116 00:05:12,720 --> 00:05:13,920 Speaker 1: got a kiss. 117 00:05:13,720 --> 00:05:16,560 Speaker 2: So admittedly I kind of went for a kiss. I 118 00:05:16,720 --> 00:05:19,479 Speaker 2: may have been a little quick to the shot because 119 00:05:19,520 --> 00:05:23,000 Speaker 2: I had a Kermit on me still, and she instead, 120 00:05:23,000 --> 00:05:26,080 Speaker 2: you know, went to go kiss Kermit, which I get it. 121 00:05:26,160 --> 00:05:30,000 Speaker 2: I get it, that's how it goes sometimes. 122 00:05:30,240 --> 00:05:32,280 Speaker 1: But I'm sure Miss Piggy didn't feel good about that either. 123 00:05:33,360 --> 00:05:35,600 Speaker 2: It was one heck of a car ride home. 124 00:05:35,600 --> 00:05:40,360 Speaker 1: I'll say, two women upset at you after your date. Well, 125 00:05:40,440 --> 00:05:42,000 Speaker 1: I'm imaginings are moving on. 126 00:05:41,960 --> 00:05:45,479 Speaker 3: Their So. 127 00:05:47,960 --> 00:05:50,440 Speaker 1: How long has it been gave since you and Noel 128 00:05:50,760 --> 00:05:51,360 Speaker 1: last spoke. 129 00:05:51,760 --> 00:05:53,880 Speaker 2: It's been like a week week and a half. You know. 130 00:05:53,920 --> 00:05:55,800 Speaker 2: We said we were gonna set up like a brunch 131 00:05:55,920 --> 00:05:58,640 Speaker 2: or something afterwards. Like she seemed really into the idea. 132 00:05:59,160 --> 00:06:01,000 Speaker 2: I texted her a bunch of times, but I still 133 00:06:01,040 --> 00:06:02,560 Speaker 2: haven't heard anything back. I just kind of. 134 00:06:02,800 --> 00:06:04,839 Speaker 3: Tell her that the puppets wouldn't come on the second 135 00:06:04,920 --> 00:06:05,800 Speaker 3: date I did. 136 00:06:05,880 --> 00:06:08,599 Speaker 2: I said, maybe it's mostly just Gabe this time. 137 00:06:08,720 --> 00:06:17,520 Speaker 1: Okay, we have a lot to work with here, Kermit, 138 00:06:17,640 --> 00:06:19,640 Speaker 1: what do you think we should do in this situation? 139 00:06:20,440 --> 00:06:23,280 Speaker 1: I think we should perhaps play a song really quick 140 00:06:23,320 --> 00:06:25,760 Speaker 1: and then come back and call Noel and try and 141 00:06:25,800 --> 00:06:29,560 Speaker 1: get your second date update. That's what Kermit does, right. 142 00:06:29,800 --> 00:06:30,400 Speaker 5: That was great. 143 00:06:30,560 --> 00:06:35,720 Speaker 1: Okay, we'll come back and we'll call them well for 144 00:06:35,760 --> 00:06:43,680 Speaker 1: a second date update right after this update. If you're 145 00:06:43,720 --> 00:06:46,560 Speaker 1: just joining us, one of our listeners, Gabe went out 146 00:06:46,600 --> 00:06:49,760 Speaker 1: for pizza with a woman named Noel recently, and they 147 00:06:49,800 --> 00:06:52,279 Speaker 1: were joined by some of his friends. Kermit and Miss 148 00:06:52,400 --> 00:06:57,400 Speaker 1: Piggy because Gabe is a quote professional amateur puppets here 149 00:06:58,040 --> 00:06:59,040 Speaker 1: actually yeah. 150 00:06:58,960 --> 00:07:00,440 Speaker 4: Yeah, we've already got over that. 151 00:07:00,200 --> 00:07:00,800 Speaker 1: Yeah, that's right. 152 00:07:00,880 --> 00:07:01,440 Speaker 4: It's an issue. 153 00:07:01,520 --> 00:07:04,160 Speaker 1: He actually brought along some of his muppets with him 154 00:07:04,160 --> 00:07:08,120 Speaker 1: and basically put on a show at the pizzeria. Yeah, 155 00:07:08,120 --> 00:07:10,119 Speaker 1: and we heard a lot about what the puppets said 156 00:07:10,120 --> 00:07:13,680 Speaker 1: and did and eight. But Gabe, we never talked about 157 00:07:13,720 --> 00:07:16,120 Speaker 1: alcohol on the date. Was Kermit getting turned. 158 00:07:17,400 --> 00:07:20,040 Speaker 2: Maybe not Kermit, but Gabe was for sure. 159 00:07:20,200 --> 00:07:22,080 Speaker 4: Okay, drink iced tea. 160 00:07:22,400 --> 00:07:24,440 Speaker 1: Yeah that makes sense. 161 00:07:24,560 --> 00:07:27,000 Speaker 3: I mean names the thing is, Gabe, do you have 162 00:07:27,040 --> 00:07:28,720 Speaker 3: any regrets about your Muppet show? 163 00:07:28,760 --> 00:07:30,600 Speaker 4: I mean it went on forty five minutes long. 164 00:07:32,680 --> 00:07:33,680 Speaker 2: No, absolutely not. 165 00:07:33,880 --> 00:07:34,200 Speaker 1: Okay. 166 00:07:34,320 --> 00:07:36,640 Speaker 4: I like that. A man that stands behind its people, 167 00:07:36,760 --> 00:07:37,520 Speaker 4: that's confidence. 168 00:07:37,600 --> 00:07:40,760 Speaker 1: Yeah, women respond to that. So it's been a week 169 00:07:41,080 --> 00:07:43,880 Speaker 1: and Noel is still not calling you back. On a 170 00:07:43,920 --> 00:07:45,920 Speaker 1: scale of one to one hundred percent, what are the 171 00:07:46,040 --> 00:07:49,440 Speaker 1: chances that the reason she isn't calling you is because 172 00:07:49,480 --> 00:07:50,360 Speaker 1: of the puppets. 173 00:07:50,720 --> 00:07:53,400 Speaker 2: That's a good question. I'm gonna say fifty. 174 00:07:53,360 --> 00:07:56,720 Speaker 4: Fifty to fifty. Okay, choice pretty good. 175 00:07:57,160 --> 00:07:59,280 Speaker 2: I can see that someone's either gonna be oh, that's 176 00:07:59,280 --> 00:08:00,320 Speaker 2: so funny and cute? 177 00:08:00,360 --> 00:08:02,160 Speaker 1: Are they're going to be like, dude, it's a date. 178 00:08:02,280 --> 00:08:05,320 Speaker 2: I wasn't feeling that there's no one between Yeah, I agree. 179 00:08:05,440 --> 00:08:08,480 Speaker 1: Okay, well let's find out which fifty percent it lies on. 180 00:08:08,560 --> 00:08:10,960 Speaker 1: We're going to dial Noel's number right now. We're going 181 00:08:11,040 --> 00:08:12,160 Speaker 1: to get your second date update. 182 00:08:12,200 --> 00:08:13,160 Speaker 5: Okay, okay. 183 00:08:13,280 --> 00:08:15,040 Speaker 2: You know at the end of the day it was 184 00:08:15,080 --> 00:08:17,360 Speaker 2: on my profile, she knew what she was getting into. 185 00:08:17,560 --> 00:08:23,440 Speaker 3: Yeah, yeah, no regrets, all rights, That's what Kermie would say. 186 00:08:24,160 --> 00:08:36,760 Speaker 1: The number right now here we go. Hello, Hi is 187 00:08:36,840 --> 00:08:41,440 Speaker 1: this Noel? Yes, hey, Noel. My name is jeff from 188 00:08:41,440 --> 00:08:43,800 Speaker 1: the radio show Brook and Jeffrey in the Morning. How 189 00:08:43,800 --> 00:08:49,600 Speaker 1: are you doing? Who is this from a morning radio show? 190 00:08:49,800 --> 00:08:54,520 Speaker 1: It's called Brook and Jeffrey in the Morning. Okay, cool, 191 00:08:54,600 --> 00:08:58,560 Speaker 1: thank you, Thanks for listening, or at least knowing someone 192 00:08:58,600 --> 00:08:59,960 Speaker 1: that else someone else. Let's listen. 193 00:09:00,840 --> 00:09:02,120 Speaker 5: Yeah, I wouldn't know what you want. 194 00:09:02,280 --> 00:09:05,120 Speaker 1: Okay, okay, I'll just get right to it. 195 00:09:05,120 --> 00:09:05,320 Speaker 6: Then. 196 00:09:05,640 --> 00:09:07,400 Speaker 1: This is a segment that we do call the second 197 00:09:07,480 --> 00:09:09,560 Speaker 1: Date Update. That's where if you go out with one 198 00:09:09,600 --> 00:09:12,000 Speaker 1: of our listeners and afterwards, if you're not calling them back, 199 00:09:12,360 --> 00:09:14,360 Speaker 1: they reach out to us to call you. So we 200 00:09:14,400 --> 00:09:18,760 Speaker 1: can help them figure out the reason why. Okay, okay, 201 00:09:19,960 --> 00:09:23,880 Speaker 1: well again, my name is Jeff like the namesake Brooke 202 00:09:23,920 --> 00:09:24,439 Speaker 1: and Jeffrey. 203 00:09:24,480 --> 00:09:28,240 Speaker 6: I'm jeff you are, but who was the guy? 204 00:09:28,240 --> 00:09:31,640 Speaker 3: Because Jeffrey, you're making Jeffrey so nervous for some reason. 205 00:09:31,880 --> 00:09:34,920 Speaker 6: As awesome, I mean. 206 00:09:34,800 --> 00:09:37,200 Speaker 5: It's a lot of you guys talking. I try to 207 00:09:37,200 --> 00:09:37,800 Speaker 5: get to the point. 208 00:09:37,880 --> 00:09:39,880 Speaker 1: Yeah, okay, sorry, I don't want to waste your time here. 209 00:09:41,240 --> 00:09:41,440 Speaker 5: Right. 210 00:09:41,640 --> 00:09:42,240 Speaker 1: The listener that. 211 00:09:42,240 --> 00:09:44,280 Speaker 6: We're calling working. 212 00:09:44,679 --> 00:09:46,679 Speaker 1: The listener's name is Gabe. Do you remember going out 213 00:09:46,720 --> 00:09:47,320 Speaker 1: with Gabe? 214 00:09:47,880 --> 00:09:48,520 Speaker 5: Yeah? 215 00:09:48,840 --> 00:09:50,359 Speaker 6: He actually called you guys. 216 00:09:50,800 --> 00:09:54,000 Speaker 5: Did because Gabe, it makes sense he would do something 217 00:09:54,040 --> 00:09:54,199 Speaker 5: like that. 218 00:09:54,520 --> 00:09:58,199 Speaker 6: Yeah, what you mean, because he must have too much 219 00:09:58,240 --> 00:09:59,160 Speaker 6: time on his hands? 220 00:10:00,200 --> 00:10:00,720 Speaker 5: Makes sense? 221 00:10:02,240 --> 00:10:04,120 Speaker 3: Can I just ask because he said that you guys 222 00:10:04,120 --> 00:10:06,200 Speaker 3: met on a dating app. When you saw on the 223 00:10:06,280 --> 00:10:10,480 Speaker 3: dating app that he was a professional amateur puppeteer, what 224 00:10:10,600 --> 00:10:11,199 Speaker 3: were you thinking? 225 00:10:11,720 --> 00:10:14,240 Speaker 5: I was fine with it. So I'm into theater, Okay, 226 00:10:14,320 --> 00:10:15,400 Speaker 5: I like you colectic out. 227 00:10:15,520 --> 00:10:17,440 Speaker 4: Okay, so you're kind of excited about the date. 228 00:10:17,480 --> 00:10:19,560 Speaker 5: Then, yeah, but he took it too far? 229 00:10:20,000 --> 00:10:21,719 Speaker 1: Which which part of it went too far? 230 00:10:22,120 --> 00:10:24,240 Speaker 6: Is the whole thing from beginning to aid? 231 00:10:24,280 --> 00:10:27,320 Speaker 1: Oh, so you're talking about the pizza. The pizza was 232 00:10:27,480 --> 00:10:28,360 Speaker 1: way over the line. 233 00:10:28,520 --> 00:10:30,679 Speaker 6: No, dummy, that's fine. I don't care about the pizza. 234 00:10:31,000 --> 00:10:31,760 Speaker 5: About the puppet. 235 00:10:32,520 --> 00:10:35,240 Speaker 3: Can you describe the date from your perspective, because the 236 00:10:35,280 --> 00:10:36,880 Speaker 3: way he describes. 237 00:10:36,360 --> 00:10:38,800 Speaker 4: It, it sounds like a quirky. 238 00:10:38,559 --> 00:10:41,520 Speaker 3: Fun night of a puppet performance in pizza like it 239 00:10:41,559 --> 00:10:42,600 Speaker 3: sounded really innocent. 240 00:10:42,920 --> 00:10:44,480 Speaker 5: That would be fine. That was the truth. 241 00:10:44,920 --> 00:10:49,520 Speaker 4: Okay, I don't get quirky. So what's the truth? What 242 00:10:49,600 --> 00:10:50,240 Speaker 4: was it really like? 243 00:10:50,840 --> 00:10:53,160 Speaker 5: Okay, so from the beginning it was okay. 244 00:10:53,400 --> 00:10:56,640 Speaker 6: I wasn't really surprised because that's what I read in 245 00:10:56,679 --> 00:10:58,520 Speaker 6: his pull file. But I just don't like it shouldn't 246 00:10:58,559 --> 00:10:59,319 Speaker 6: have to be on a date. 247 00:10:59,400 --> 00:11:03,480 Speaker 5: Joe weird off the back. That's why he's singles. If 248 00:11:03,480 --> 00:11:04,400 Speaker 5: that's what he's been doing. 249 00:11:04,520 --> 00:11:07,520 Speaker 4: Well, he walked in with two Duffel bags full of puppets. 250 00:11:07,160 --> 00:11:07,680 Speaker 5: Yes he did. 251 00:11:07,800 --> 00:11:09,280 Speaker 6: And I didn't know if he was going to bomb 252 00:11:09,320 --> 00:11:12,599 Speaker 6: the place or pull out a credit card out of 253 00:11:12,640 --> 00:11:12,840 Speaker 6: the air. 254 00:11:12,960 --> 00:11:14,960 Speaker 5: I don't know, weird. 255 00:11:15,200 --> 00:11:17,960 Speaker 3: So when you got to the first puppet character, what 256 00:11:18,040 --> 00:11:18,720 Speaker 3: was your reaction? 257 00:11:19,200 --> 00:11:21,120 Speaker 5: That was okay. I was like, okay, let me just 258 00:11:21,240 --> 00:11:23,840 Speaker 5: endure this and embrace this. It was cute. It was 259 00:11:23,920 --> 00:11:28,319 Speaker 5: cool to comit the mistiggy thing or whatever. That was fine, But. 260 00:11:28,320 --> 00:11:31,440 Speaker 6: Then when he the other puppet was like this mafia guy. 261 00:11:31,600 --> 00:11:33,840 Speaker 6: I think it's Joe Lavender. I don't know why he's 262 00:11:33,840 --> 00:11:37,280 Speaker 6: called the Lavender Like Lavender is supposed to be peaceful. Okay, 263 00:11:37,400 --> 00:11:40,000 Speaker 6: you know how when somebody has the puppet, he's speaking 264 00:11:40,040 --> 00:11:44,199 Speaker 6: into the puppet, and the guy was harassed, kind of suggestive, 265 00:11:44,679 --> 00:11:46,920 Speaker 6: like he's gonna put me in a Monty bag and 266 00:11:47,160 --> 00:11:48,120 Speaker 6: he tried to kiss me. 267 00:11:49,120 --> 00:11:53,680 Speaker 2: So what's the romans. 268 00:11:57,040 --> 00:11:57,440 Speaker 1: Hold on? 269 00:11:58,840 --> 00:12:03,040 Speaker 2: Who is talking on the good name of Joe Lavender 270 00:12:03,080 --> 00:12:04,280 Speaker 2: and Joe Lavendar. 271 00:12:03,920 --> 00:12:08,840 Speaker 5: I believe on the other line, like ye, Noel. 272 00:12:08,840 --> 00:12:10,800 Speaker 1: I was supposed to let you know at a time 273 00:12:10,960 --> 00:12:13,920 Speaker 1: when it was convenient that gabe'sman on the other line 274 00:12:13,960 --> 00:12:16,000 Speaker 1: listening and wants to talk to you. But it sounds 275 00:12:16,120 --> 00:12:17,439 Speaker 1: like Joe Lavender might be. 276 00:12:17,400 --> 00:12:19,760 Speaker 5: Talking weirding my song. 277 00:12:20,000 --> 00:12:22,920 Speaker 2: I'm mafia esque. I'm not involved with no bodies or 278 00:12:22,920 --> 00:12:23,320 Speaker 2: no things. 279 00:12:23,400 --> 00:12:23,600 Speaker 5: I'm just. 280 00:12:26,640 --> 00:12:26,720 Speaker 2: Up. 281 00:12:26,960 --> 00:12:29,400 Speaker 4: She didn't like Joe Lavender. Why would you be doing 282 00:12:29,480 --> 00:12:31,480 Speaker 4: Joe Lavendar? Did you not hear what she said? 283 00:12:31,920 --> 00:12:32,400 Speaker 6: Oh? 284 00:12:32,559 --> 00:12:34,200 Speaker 2: I cannot believe you would do this. 285 00:12:35,679 --> 00:12:35,920 Speaker 5: Man? 286 00:12:36,360 --> 00:12:38,760 Speaker 2: Just after shared Hawaiian slices. 287 00:12:39,200 --> 00:12:41,840 Speaker 5: This is the dish respect that you are paying me. 288 00:12:42,480 --> 00:12:45,800 Speaker 3: Well, can you stop? 289 00:12:46,960 --> 00:12:48,640 Speaker 4: Can you stop Joe Lavender? 290 00:12:48,800 --> 00:12:52,160 Speaker 1: Yeah, put Joe Lavender back in the bag, and we'd 291 00:12:52,200 --> 00:12:53,400 Speaker 1: like to talk to Gabe please. 292 00:12:55,040 --> 00:12:56,800 Speaker 5: Hey, oh, hey, guys, Hey guys, what's up? 293 00:12:56,840 --> 00:12:57,880 Speaker 1: Hey, welcome back here? 294 00:12:58,800 --> 00:13:01,920 Speaker 5: Give me off. This phone is here. We'll get you 295 00:13:02,000 --> 00:13:03,720 Speaker 5: off weird and it's a waste of my time. 296 00:13:04,040 --> 00:13:07,800 Speaker 1: Maybe it'd be useful to help Gabe be a better 297 00:13:07,880 --> 00:13:10,040 Speaker 1: data in the future, if you can a therapist. 298 00:13:11,880 --> 00:13:16,000 Speaker 3: She brings up a good point gave Gabe. Are you 299 00:13:16,200 --> 00:13:19,880 Speaker 3: listening to anything she just said? Could you have an apology? 300 00:13:19,920 --> 00:13:21,679 Speaker 3: I mean she was offended. 301 00:13:22,200 --> 00:13:25,480 Speaker 2: What I will say, Noel, I'm sorry that's how you 302 00:13:25,520 --> 00:13:30,520 Speaker 2: feel it went. I offer no apologies and not just 303 00:13:30,679 --> 00:13:31,240 Speaker 2: my puppets. 304 00:13:32,160 --> 00:13:34,320 Speaker 5: I listen. I'm glad you want to be yourself. I 305 00:13:34,320 --> 00:13:35,560 Speaker 5: hope it works for your future. 306 00:13:36,200 --> 00:13:38,840 Speaker 1: That's a nice way to say, threw off. 307 00:13:40,480 --> 00:13:44,360 Speaker 3: So, Noel, I'm guessing you don't really like Gabe that much. 308 00:13:45,120 --> 00:13:47,520 Speaker 6: I mean, no, I try to, and it just went 309 00:13:47,640 --> 00:13:52,520 Speaker 6: too extra bizarre, too extra bizarre hashtag day. 310 00:13:52,679 --> 00:13:56,360 Speaker 1: I'm sensing a lot of there's a lot of friction here. Obviously, 311 00:13:56,880 --> 00:13:59,280 Speaker 1: But friction is what you need to create a spark, 312 00:13:59,360 --> 00:14:00,679 Speaker 1: and sparks it's a fire. 313 00:14:02,640 --> 00:14:04,440 Speaker 3: Is this where you're going to ask, Well, if she 314 00:14:04,480 --> 00:14:06,920 Speaker 3: wants to go out again, I would love I'm. 315 00:14:06,800 --> 00:14:08,000 Speaker 5: Not going out with him again. 316 00:14:08,120 --> 00:14:10,640 Speaker 1: Okay, maybe if you won't go out with Gaye, but 317 00:14:10,720 --> 00:14:12,600 Speaker 1: maybe you'll go out with Joe Lavender. Can we put 318 00:14:12,640 --> 00:14:13,680 Speaker 1: Joe Lavender on the line. 319 00:14:14,440 --> 00:14:18,040 Speaker 2: Joe, yes, Joe Lavender is here. It's lonely at the top. 320 00:14:18,160 --> 00:14:19,240 Speaker 2: It's lonely at the top. 321 00:14:21,200 --> 00:14:22,920 Speaker 6: Only at the bottom because you're weird? 322 00:14:25,680 --> 00:14:27,040 Speaker 1: Is going very well? 323 00:14:27,160 --> 00:14:28,880 Speaker 5: Frankly, I can't. 324 00:14:29,000 --> 00:14:30,680 Speaker 2: He was censoring himself quite a bit. 325 00:14:30,760 --> 00:14:33,040 Speaker 5: That was holding back that day. 326 00:14:36,920 --> 00:14:39,119 Speaker 2: After midnight, it's a whole other story. 327 00:14:39,840 --> 00:14:41,760 Speaker 1: I don't know to know what happens with the puppets 328 00:14:41,760 --> 00:14:43,760 Speaker 1: after midde. 329 00:14:43,880 --> 00:14:46,600 Speaker 6: You never see him on the next special about being 330 00:14:46,640 --> 00:14:48,440 Speaker 6: a weird puppet murderer. 331 00:14:49,520 --> 00:14:51,960 Speaker 2: Hell no, that is a compliment and I appreciate that. 332 00:14:52,000 --> 00:14:56,800 Speaker 6: Oh my god, Okay, I'm leaning up all right, thank 333 00:14:56,840 --> 00:15:02,760 Speaker 6: you for your time. Ready, Oh my god, you can 334 00:15:02,760 --> 00:15:03,360 Speaker 6: hang up now. 335 00:15:03,480 --> 00:15:07,680 Speaker 1: Noel O, Gabe, it doesn't seem like she was the 336 00:15:07,720 --> 00:15:08,680 Speaker 1: best match for you. 337 00:15:09,320 --> 00:15:11,320 Speaker 2: Hey, you know, there are a lot of fish out 338 00:15:11,320 --> 00:15:13,040 Speaker 2: in that sea and I plan on swimming. 339 00:15:13,280 --> 00:15:14,440 Speaker 1: Really, I would. 340 00:15:14,160 --> 00:15:18,200 Speaker 3: Say, good luck, maybe rework that whole Joe Lavender character 341 00:15:18,240 --> 00:15:19,600 Speaker 3: a little bit more. 342 00:15:19,800 --> 00:15:21,960 Speaker 2: No, No, I think I think Joe is pretty good. 343 00:15:22,280 --> 00:15:23,960 Speaker 2: I think it's everyone else with the problem. 344 00:15:24,200 --> 00:15:28,240 Speaker 1: Okay, Hey, Gabe, man, if you hear a knock at 345 00:15:28,280 --> 00:15:30,520 Speaker 1: your door later, it's not because I had somebody go 346 00:15:30,600 --> 00:15:32,400 Speaker 1: over to check you out, to make sure that you're 347 00:15:32,400 --> 00:15:36,480 Speaker 1: you know, Okay. 348 00:15:35,200 --> 00:15:36,040 Speaker 2: No need to worry. 349 00:15:36,160 --> 00:15:37,240 Speaker 5: I'm glad I'm on the radio. 350 00:15:37,240 --> 00:15:40,200 Speaker 2: Disni, you gonna get a show now, y. 351 00:15:40,400 --> 00:15:42,160 Speaker 1: You know what, Joe, you can take over from my 352 00:15:42,280 --> 00:15:44,080 Speaker 1: position because I'm obviously terrible at that. 353 00:15:45,000 --> 00:15:47,680 Speaker 2: Okay, here we go. This is broken Joe in the Morning, 354 00:15:48,040 --> 00:15:50,520 Speaker 2: puting them tunes from morning until the 355 00:15:53,040 --> 00:15:57,840 Speaker 3: Good Luck pass pass, brooking Jeffrey in the Morning.