WEBVTT - Perfect Chaos • EP 804

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<v Speaker 1>First of all, you don't know me. We all about

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<v Speaker 1>that high school drama, Girl Drama, Girl, all about.

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<v Speaker 2>Them high school queens.

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<v Speaker 3>We'll take you for a ride, and our comic.

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<v Speaker 2>Girl sharing for the right teen.

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<v Speaker 4>Drama Queens, Jaylie's my girl ofugh girl Fashion, Butch your

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<v Speaker 4>tough girl.

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<v Speaker 1>You could sit with us, Girl Drama, Queen Drama, Queens Drama,

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<v Speaker 1>Queens Drama, John McQueen's drama, Queens.

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<v Speaker 4>Hey Everybody, Season eight, Episode four is We All Fall Down?

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<v Speaker 4>Air date October fifth, twenty ten, twenty ten.

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<v Speaker 2>Guys, this is so long ago, okay.

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<v Speaker 4>The synopsis is as Brook deals with the mounting financial

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<v Speaker 4>troubles at Closeover Bros, Nathan and Haley come to a

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<v Speaker 4>conclusion regarding Nathan's career. Meanwhile, Julian begins a new film project,

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<v Speaker 4>while Alex and Chase spend their afternoon together. Directed by

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<v Speaker 4>Peter Kowalski, writer Bill Brown, William Brown. Well, thanks, I

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<v Speaker 4>hope you guys watched along with us. This was a

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<v Speaker 4>fun one.

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<v Speaker 5>This one was.

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<v Speaker 3>I can I just go ahead and say though that

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<v Speaker 3>I literally have laughter in all caps in my notes

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<v Speaker 3>because we open on Nathan training and James is such

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<v Speaker 3>a g he's just crushing the sports and it, I mean,

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<v Speaker 3>making buckets to an instrumental of this has got to

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<v Speaker 3>be a good Life. I was like, why it felt

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<v Speaker 3>as weird to me as the punk rock over the

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<v Speaker 3>super emotional last episode, Like I almost feel like someone's

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<v Speaker 3>taken our music syncs and put them in like a

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<v Speaker 3>like a boggle jar and just shaken up the dice

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<v Speaker 3>and you see where it lands. Why was that song

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<v Speaker 3>for the sports?

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<v Speaker 4>It must have just been a trending song at the time.

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<v Speaker 6>It definitely was, But it's kind of like they said, hey,

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<v Speaker 6>we couldn't jump around by House of Pain, but we

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<v Speaker 6>were able to get an instrumental of good Life. Yeah,

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<v Speaker 6>and they're like, uh okay, great. Yeah.

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<v Speaker 4>Also cutting to the credits that Susie so did I think?

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<v Speaker 4>Which it was a beautiful rendition, but also why did

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<v Speaker 4>we just not flip flop them?

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<v Speaker 2>Because the energy was there?

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<v Speaker 3>So who knows that energy would have been so much

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<v Speaker 3>better for Ato three.

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<v Speaker 2>Yeah.

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<v Speaker 4>I wonder what happens behind the scenes that we don't

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<v Speaker 4>know about that sets that up, Like who, I mean,

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<v Speaker 4>maybe somebody's got an album coming out that week and

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<v Speaker 4>it needs to be I don't know.

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<v Speaker 2>I don't know why we should.

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<v Speaker 4>We really do need to have Lindsay Wolfington on this

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<v Speaker 4>show before it's all over and ask her all these questions.

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<v Speaker 3>Yeah, it was such a good opener, but the music

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<v Speaker 3>feeling mismatched took me out of it. And you know,

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<v Speaker 3>I'll be the first to say, maybe that's because we

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<v Speaker 3>made the show. Maybe maybe the audience didn't really bump

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<v Speaker 3>on it. But I would actually be really curious from

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<v Speaker 3>the fans at home if you were like, why this song?

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<v Speaker 6>Also, can I say that my first note is a

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<v Speaker 6>good song and a sweaty James Lafferty working out montage

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<v Speaker 6>to start the app sign me up? So clearly I

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<v Speaker 6>didn't bump on it at all.

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<v Speaker 2>Yeah, I didn't. Okay, nurice it either. I didn't notice

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<v Speaker 2>it either.

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<v Speaker 6>I liked the little American beauty vibe with creeper Julian

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<v Speaker 6>in this camera.

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<v Speaker 2>That's what it was, American beauty.

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<v Speaker 4>Yes, that was weird.

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<v Speaker 3>I was like, does Nathan know Julian's filming him? Why

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<v Speaker 3>is Julian sort of hiding behind his car but not

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<v Speaker 3>completely the whole It felt so weird to me. And

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<v Speaker 3>then later in the episode when he tells Brook, oh,

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<v Speaker 3>I'm testing out this new camera. I'm like, could we

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<v Speaker 3>not have done this at the baseball field with kid?

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<v Speaker 3>Where it was I felt cute? And then you see

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<v Speaker 3>him filming the dad and you go, oh, he's doing

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<v Speaker 3>He's gonna like do this with everybody. I guess we'll

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<v Speaker 3>figure out why.

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<v Speaker 4>Instead he drives you to the prison without telling you,

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<v Speaker 4>and then as coming out, bust out this video camera.

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<v Speaker 3>Right doesn't feel me going in, God.

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<v Speaker 4>He susould drive me crazy this stuff, Like, it's just

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<v Speaker 4>why are we doing this? Can we not just make

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<v Speaker 4>it make sense? Is there not one person in the

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<v Speaker 4>room who's just like, can we just it's not that

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<v Speaker 4>hard to make it make sense. Let's make some slight

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<v Speaker 4>adjustments exactly.

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<v Speaker 6>And the blocking, here's the weird thing. If Nathan was

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<v Speaker 6>playing at a crowded court, totally makes sense for Julian

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<v Speaker 6>to kind of be doing his own thing tucked away recording.

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<v Speaker 6>But Nathan is playing at River Court. He is the

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<v Speaker 6>only person there. He is the only car there, which

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<v Speaker 6>means seeing Julian pull up and be standing there would

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<v Speaker 6>be incredibly obvious. It would be weird to not acknowledge

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<v Speaker 6>each other. So the fact that the blocking had him

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<v Speaker 6>kind of like tuck behind his car, and it was like,

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<v Speaker 6>is Nathan aware why the energy was very like lurker creepy.

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<v Speaker 3>Yeah, it would have made so much more sense to

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<v Speaker 3>acknowledge each other, to make it look like Julian's doing something,

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<v Speaker 3>not stalking people. Yeah, and then you know, even see,

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<v Speaker 3>you could have seen Nathan kind of get lost in

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<v Speaker 3>it and then catch himself because he knows his friend

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<v Speaker 3>is there. But to your point, Rob, it's like it's

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<v Speaker 3>the flattest, most open space in all of Wilmington, and

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<v Speaker 3>supposedly he doesn't see a giant old Ford truck and

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<v Speaker 3>a man who's six ' three standing there looking at

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<v Speaker 3>him like, what are we talking about?

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<v Speaker 6>Yeah, well he did.

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<v Speaker 4>He must have seen him. Julian must have told him

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<v Speaker 4>blah blah blah, the camera this program, can I shoot you?

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<v Speaker 5>Sure?

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<v Speaker 2>But then awkward.

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<v Speaker 6>All it took was the slightest head nod between each

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<v Speaker 6>other even and you'd be like, yeah, okay.

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<v Speaker 2>Yeah cool.

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<v Speaker 4>Part of me hates picking this stuff apart, but I

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<v Speaker 4>also feel like I love the critical thinking aspect of

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<v Speaker 4>it because so often we I think it just happens

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<v Speaker 4>more and more in TV, especially for this demographic where

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<v Speaker 4>it gets a little lazy. People are whoever's running the

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<v Speaker 4>show is just like it doesn't really matter, and kids

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<v Speaker 4>are getting used to not having to critically think. They're

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<v Speaker 4>just they just accept it because everything is a little

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<v Speaker 4>bit suspended beyond belief in my opinion.

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<v Speaker 2>But I see it happened with my daughter. I'm like, well,

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<v Speaker 2>this doesn't make any sense, and she's just like, whatever,

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<v Speaker 2>it's just TV. I'm like, yeah, but it's storytelling.

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<v Speaker 4>Should make sense that how else are you supposed to

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<v Speaker 4>be emotionally affected by something if there's this part of

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<v Speaker 4>your brain that's just like, yeah, but how did it,

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<v Speaker 4>how did you get there?

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<v Speaker 2>And what happened?

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<v Speaker 4>And when it's not that hard to tie up the

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<v Speaker 4>loose ends, I think we should do it.

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<v Speaker 2>That's my rant.

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<v Speaker 3>Well, I appreciate the rant, and I also appreciate that

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<v Speaker 3>because listen, there's a weird thing and I think we

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<v Speaker 3>certainly we definitely experienced this. Rob Like when we first

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<v Speaker 3>started the show, I think there was a little bit

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<v Speaker 3>of shock from some of the fans that were like, whoa,

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<v Speaker 3>you guys point out a lot of things that aren't great,

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<v Speaker 3>and I never want to seem like we're complaining but

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<v Speaker 3>what I do appreciate is saying this could be better.

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<v Speaker 3>And in a way, yeah, we're reliving these great memories

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<v Speaker 3>we all had together, but we're kind of film schooling

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<v Speaker 3>our show.

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<v Speaker 6>Yes, like this is what you do.

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<v Speaker 3>In film school, and I do appreciate it. And what

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<v Speaker 3>I don't want to do is the thing that the

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<v Speaker 3>writers would do, which is sort of the role you

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<v Speaker 3>just played, right, joy being like, well, the assumption is

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<v Speaker 3>they've talked about this off camera, and who cares. You

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<v Speaker 3>don't need to see it on camera because the most

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<v Speaker 3>interesting thing and that's actually not true. That's just lazy. Yeah,

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<v Speaker 3>And I like that we're willing to say that and

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<v Speaker 3>do that, And like, I don't know. I didn't go

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<v Speaker 3>to film school and kind of wish I had. And

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<v Speaker 3>for anyone out there who didn't go to film school either,

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<v Speaker 3>you're welcome. Welcome to class.

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<v Speaker 6>Yeah, and pointing out stuff like that isn't like, isn't

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<v Speaker 6>like knocking the show as a whole. It's not saying

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<v Speaker 6>we don't like the show. It's it's the same way

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<v Speaker 6>like when I watch a movie. Unfortunately, I noticed when

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<v Speaker 6>a character's glass goes from full in one shot to

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<v Speaker 6>then empty the next shot and then full again. It's

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<v Speaker 6>like I can't not notice these things. But it doesn't

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<v Speaker 6>mean like the movie's not good. No, it's not the case. Also,

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<v Speaker 6>to be fair, listen, TV's fast and loose, and sometimes

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<v Speaker 6>it can be really lazy. Also, there are some days

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<v Speaker 6>where there are only so many fires you can put out. Yeah,

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<v Speaker 6>this might have been a day where there was like

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<v Speaker 6>three more like more pressing fires, and by fire, I

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<v Speaker 6>just mean like a problem, and this was the smallest,

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<v Speaker 6>and they were just they could they didn't have the

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<v Speaker 6>time for it. Yeah, you know, because TV moves so fast,

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<v Speaker 6>you know, it's so ambitious. So sometimes it's just like, cool,

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<v Speaker 6>we have three trash cans and two lids. What are

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<v Speaker 6>we going to address?

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<v Speaker 2>A couple of other things.

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<v Speaker 4>I noticed though, when he flipped that camera, when he

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<v Speaker 4>turned the recording off, it went to a green light.

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<v Speaker 2>Did you notice that? Yeah, so it looks like he hadn't.

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<v Speaker 4>Been recording the whole time. And then when he turned

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<v Speaker 4>the camera quote unquote off, the green light turned on.

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<v Speaker 4>Although I guess when you record, a red light runs.

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<v Speaker 3>Yeah, the red light runs when you're recorded.

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<v Speaker 4>Why would a green light go on when he turned

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<v Speaker 4>it off? It was a full green light. Was so strange?

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<v Speaker 3>Was that supposed to help you make sure you knew

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<v Speaker 3>you weren't recording?

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<v Speaker 4>Maybe, except that green means go generally. But I don't

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<v Speaker 4>know whatever. It was just some random thing. But the

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<v Speaker 4>other thing was, did anybody catch the giant boom behind

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<v Speaker 4>Nathan's head when he and I were talking in the kitchen. No,

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<v Speaker 4>we took up half the frame, Guys on the left.

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<v Speaker 4>I should have stopped and screenshotted it for you.

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<v Speaker 3>Like when he comes home from having beers with Julian

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<v Speaker 3>to tell you that kitchen scene.

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<v Speaker 4>Yes, we're standing in the kitchen and it's over his

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<v Speaker 4>shoulder onto me. It's one of my first lines, and

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<v Speaker 4>the rest of the scene is popped in close on

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<v Speaker 4>my face and you can tell it's because that's the

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<v Speaker 4>only take they had, for whatever reason, in the shot,

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<v Speaker 4>and there was a boom in the shot and so

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<v Speaker 4>they had to cut deep into the shots. So I

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<v Speaker 4>was like uber close and Nathan was just sort of

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<v Speaker 4>like his normal, you know, neck up.

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<v Speaker 3>Okay, wait, so what's interesting about that scene? I know

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<v Speaker 3>we're jumping around, but I was watching the episode yesterday

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<v Speaker 3>and my best friend was here, and you're at the stove,

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<v Speaker 3>and he, like you know, walks in behind you, puts

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<v Speaker 3>his bag on the counter, and she goes, why do

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<v Speaker 3>they have joy in like seven inch platform heels? Isn't

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<v Speaker 3>isn't Haley pregnant?

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<v Speaker 2>And I said, and shorts and a jean jacket and

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<v Speaker 2>a scarf.

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<v Speaker 3>And I said, Babe, we all had to wear platforms

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<v Speaker 3>every day because all the boys were so tall. It

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<v Speaker 3>was the only way they could get us in the

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<v Speaker 3>two shots. And then you walk up to him and

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<v Speaker 3>she goes, oh my god, look how tiny she still is.

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<v Speaker 3>And I said, yeah, we all like basically broke our

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<v Speaker 3>feet for nine years because we needed to be in

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<v Speaker 3>heels all the time. Otherwise they could shoot over any

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<v Speaker 3>of the boy's shoulders. And she could not believe it.

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<v Speaker 3>And I was like, yeah, wait till you see.

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<v Speaker 2>Oh, I've got the bunyan to prove it. Don't worry.

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<v Speaker 3>Amazing hot, so hot. So I was paying attention to

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<v Speaker 3>your shoes and I fully missed the boom is the

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<v Speaker 3>pool boom?

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<v Speaker 4>I may go back and screenshot it for you guys,

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<v Speaker 4>just for the hell of it, because it really I

0:11:15.040 --> 0:11:17.720
<v Speaker 4>couldn't believe it was. I actually rewound it just to

0:11:17.720 --> 0:11:20.080
<v Speaker 4>make sure that I was seeing what I was seeing correctly.

0:11:20.400 --> 0:11:24.640
<v Speaker 6>Wow, well, testament to you and James, because I really

0:11:24.760 --> 0:11:26.920
<v Speaker 6>liked that scene and I didn't notice it. I was

0:11:26.960 --> 0:11:29.200
<v Speaker 6>I think I was all in on the ride of

0:11:29.280 --> 0:11:32.920
<v Speaker 6>you two and the story, and I had like normally

0:11:32.960 --> 0:11:35.800
<v Speaker 6>that stuff jumps out at me, didn't even notice it.

0:11:36.040 --> 0:11:40.680
<v Speaker 4>Yeah, okay, good, that's good. Well, those are the only

0:11:40.720 --> 0:11:45.640
<v Speaker 4>things about the you know, technic techno. Oh, for god's sake,

0:11:45.720 --> 0:11:47.880
<v Speaker 4>joy tech technical technical?

0:11:49.600 --> 0:11:50.880
<v Speaker 2>Why does this happen to me?

0:11:52.880 --> 0:11:55.199
<v Speaker 6>Hey, you're doing great? Joy?

0:11:55.400 --> 0:11:56.319
<v Speaker 2>Thanks guys.

0:11:56.720 --> 0:11:59.360
<v Speaker 4>Yeah, that's all I had about that, those comments. But

0:11:59.400 --> 0:12:03.120
<v Speaker 4>the lots at the storylines here, Yeah, where do we start?

0:12:03.120 --> 0:12:04.120
<v Speaker 4>Where do you guys want to start?

0:12:04.320 --> 0:12:07.400
<v Speaker 3>Well, the Crisis Intervention Center feels kind of like a

0:12:07.440 --> 0:12:12.959
<v Speaker 3>big thing. You know, we've watched Hailey channeling her experiences

0:12:13.040 --> 0:12:17.440
<v Speaker 3>finding healthy outlets. The journaling gives us very early days

0:12:18.120 --> 0:12:22.840
<v Speaker 3>Lucas voiceovers. It feels really sentimental. And then to see

0:12:23.440 --> 0:12:27.520
<v Speaker 3>there was something about seeing you at that desk in

0:12:27.559 --> 0:12:32.199
<v Speaker 3>that crisis center that gave me Hailey and the Tutor

0:12:32.240 --> 0:12:35.840
<v Speaker 3>center energy. Yeah, and it really made me feel nostalgic.

0:12:36.960 --> 0:12:40.120
<v Speaker 4>Yeah, I thought so too. I remember shooting that stuff.

0:12:40.160 --> 0:12:42.000
<v Speaker 4>I thought it was such a nice idea for Haley.

0:12:42.040 --> 0:12:44.760
<v Speaker 4>I wonder if she keeps going back to work there,

0:12:44.800 --> 0:12:47.720
<v Speaker 4>because I can't remember what's happening with this storyline remember either,

0:12:48.400 --> 0:12:51.679
<v Speaker 4>But I know they used I'm pretty sure they used

0:12:51.880 --> 0:12:55.600
<v Speaker 4>that voice at the end, the Irish accent, because we're

0:12:55.600 --> 0:12:56.960
<v Speaker 4>going to meet her and we need to be able

0:12:56.960 --> 0:12:58.400
<v Speaker 4>to recognize her right away.

0:12:58.760 --> 0:12:59.680
<v Speaker 3>Yeah, I just don't.

0:12:59.480 --> 0:13:00.800
<v Speaker 2>Remember why or how.

0:13:02.200 --> 0:13:04.679
<v Speaker 4>Yes, I did really love that for Haley. It seems

0:13:04.720 --> 0:13:08.040
<v Speaker 4>like a good transition for her since she's not teaching anymore.

0:13:08.240 --> 0:13:11.600
<v Speaker 4>And I don't know what what is Hailey doing right now?

0:13:11.640 --> 0:13:12.640
<v Speaker 2>I mean, I guess.

0:13:12.800 --> 0:13:14.040
<v Speaker 6>She's growing a human being.

0:13:14.720 --> 0:13:16.640
<v Speaker 4>Yeah, but you know, you don't really need to be.

0:13:16.760 --> 0:13:18.559
<v Speaker 4>It's not like she's on bed rest or something. I

0:13:18.600 --> 0:13:22.160
<v Speaker 4>don't know why she's I don't know what she's doing.

0:13:22.040 --> 0:13:25.160
<v Speaker 3>Because didn't mea just go on tour. You guys just

0:13:25.240 --> 0:13:28.960
<v Speaker 3>finished me as album? Yeah she's on tour. Maybe, Yeah,

0:13:28.960 --> 0:13:31.520
<v Speaker 3>maybe this is your sort of pause after that big

0:13:32.000 --> 0:13:33.079
<v Speaker 3>creative project.

0:13:33.360 --> 0:13:35.520
<v Speaker 4>Well, and her sister just got shot and her mom

0:13:35.640 --> 0:13:37.720
<v Speaker 4>just died, so yeah, maybe she's just taken a break

0:13:37.800 --> 0:13:38.320
<v Speaker 4>of life.

0:13:38.360 --> 0:13:40.680
<v Speaker 6>And Nathan should be at camp right now, so you

0:13:40.720 --> 0:13:43.000
<v Speaker 6>are probably just staying home to hold the four done.

0:13:43.400 --> 0:13:47.280
<v Speaker 4>Yeah that's true too, Okay, okay, yeah, So Crisis Intervention

0:13:47.400 --> 0:13:50.160
<v Speaker 4>Center feels like a nice moment for her to be

0:13:50.160 --> 0:13:51.920
<v Speaker 4>able to take some time to do some good, do

0:13:51.960 --> 0:13:55.080
<v Speaker 4>something for the community, keep busy, because Haley likes to

0:13:55.120 --> 0:13:57.320
<v Speaker 4>be busy, but not take up her whole day.

0:13:57.600 --> 0:14:10.320
<v Speaker 5>I liked it too.

0:14:11.280 --> 0:14:14.840
<v Speaker 3>I have another observation from my best friend who was

0:14:14.840 --> 0:14:18.000
<v Speaker 3>here yesterday. When you realize it's Junk on the phone

0:14:18.000 --> 0:14:22.080
<v Speaker 3>and you go, hey buddy, seem he goes, oh, how emasculating?

0:14:22.840 --> 0:14:26.640
<v Speaker 3>We were hackling, and it's like, well, what do you say?

0:14:27.040 --> 0:14:29.920
<v Speaker 3>What do you say? And just that Hayley and hey buddy,

0:14:30.000 --> 0:14:36.040
<v Speaker 3>quick was so good. I liked getting Collin's voice in there.

0:14:36.080 --> 0:14:38.080
<v Speaker 3>I wish we'd gotten to see him in the episode,

0:14:38.560 --> 0:14:42.280
<v Speaker 3>but even just having Junk come in unexpectedly in that way,

0:14:42.400 --> 0:14:44.360
<v Speaker 3>it really did give us a moment of levity that

0:14:44.400 --> 0:14:45.400
<v Speaker 3>I thought was pretty great.

0:14:45.800 --> 0:14:48.320
<v Speaker 4>Yeah, maybe we get him back soon, I hope. So

0:14:48.560 --> 0:14:51.040
<v Speaker 4>I really missed those River court boys, such.

0:14:50.800 --> 0:14:51.720
<v Speaker 2>A good vibe.

0:14:51.960 --> 0:14:55.480
<v Speaker 6>I loved the first time we see Victoria in the

0:14:55.480 --> 0:15:00.200
<v Speaker 6>Big House. She already has an assistant and fear like

0:15:00.280 --> 0:15:04.400
<v Speaker 6>she already has it all figured out and working for her.

0:15:04.880 --> 0:15:08.280
<v Speaker 4>Of course, she's got the lingo down, she's got her,

0:15:08.880 --> 0:15:09.560
<v Speaker 4>she's got her.

0:15:09.720 --> 0:15:11.280
<v Speaker 2>Yeah, assistant, that'll be enough.

0:15:11.320 --> 0:15:15.600
<v Speaker 3>Adele incredible, I wrote Victoria in prison already already has

0:15:15.640 --> 0:15:18.960
<v Speaker 3>staff of course, oh tattoo staff. Oh her name's Adele.

0:15:20.280 --> 0:15:22.880
<v Speaker 2>So much better than Calliope, so much better.

0:15:22.920 --> 0:15:28.120
<v Speaker 3>She's so much better than Calliope. And somehow Daphne manages

0:15:28.160 --> 0:15:31.720
<v Speaker 3>to have this incredible blowout. Yes, Like the volume in

0:15:31.760 --> 0:15:37.080
<v Speaker 3>her hair is perfect, and she's talking about the quote

0:15:37.360 --> 0:15:40.840
<v Speaker 3>captains of industry have done their best work while incarcerated.

0:15:42.040 --> 0:15:43.440
<v Speaker 2>She's so unfazed.

0:15:43.960 --> 0:15:44.520
<v Speaker 3>Unfazed.

0:15:45.440 --> 0:15:46.800
<v Speaker 2>Yeah, what else would you expect?

0:15:47.320 --> 0:15:52.480
<v Speaker 6>But I do appreciate that on the show, penitentiaries and

0:15:52.640 --> 0:15:54.920
<v Speaker 6>hospitals do not get in the way of good hair.

0:15:55.400 --> 0:15:59.080
<v Speaker 6>Oh yeah, never threatening trauma. Still going to have perfectly

0:15:59.160 --> 0:16:03.200
<v Speaker 6>quaft hair. Incarcerated, still going to have a beautiful blowout.

0:16:03.640 --> 0:16:07.080
<v Speaker 3>Yes, that's you know what. That's where the response it's

0:16:07.080 --> 0:16:09.960
<v Speaker 3>TV kind of makes sense. Yes, Yeah, Like if I'm

0:16:09.960 --> 0:16:11.800
<v Speaker 3>not going to get a little glamour here, where am

0:16:11.800 --> 0:16:12.440
<v Speaker 3>I going to get it?

0:16:12.760 --> 0:16:15.360
<v Speaker 4>Yeah, there's several different kinds of shows. There's the shows

0:16:15.360 --> 0:16:17.800
<v Speaker 4>where it's really real and raw, and they're going for

0:16:17.840 --> 0:16:20.080
<v Speaker 4>a specific look and a vibe that's not what we

0:16:20.080 --> 0:16:20.480
<v Speaker 4>were doing.

0:16:20.600 --> 0:16:21.160
<v Speaker 2>That's nice.

0:16:21.360 --> 0:16:23.280
<v Speaker 6>This isn't orange is the new black. We don't need

0:16:23.320 --> 0:16:25.440
<v Speaker 6>to like have a gritty portrayal of it. Let's just,

0:16:26.000 --> 0:16:29.000
<v Speaker 6>you know, keep it light and polite and beautifully blown out.

0:16:29.400 --> 0:16:32.200
<v Speaker 4>Yeah, Victoria wanting the warden to change the color of

0:16:32.240 --> 0:16:35.280
<v Speaker 4>the jumpsuit. What I would love to see though, is

0:16:35.320 --> 0:16:38.200
<v Speaker 4>the next time Brooke visits her that all the jumpsuits

0:16:38.240 --> 0:16:40.800
<v Speaker 4>like actually have been changed. They're all just like a

0:16:40.920 --> 0:16:42.800
<v Speaker 4>nice cerulean or something.

0:16:43.120 --> 0:16:48.600
<v Speaker 6>Yeah. The only penitentiary that has that has not orange

0:16:48.840 --> 0:16:50.200
<v Speaker 6>jumpsuits like in the nation.

0:16:50.880 --> 0:16:55.680
<v Speaker 3>Yeah, and it was a pitch something about you know,

0:16:56.080 --> 0:16:58.840
<v Speaker 3>mental health and the way colors motivate people, like she

0:16:58.880 --> 0:17:02.760
<v Speaker 3>would have had it researched, Yeah, budgeted done, Although maybe

0:17:02.760 --> 0:17:05.240
<v Speaker 3>we shouldn't be trusting Victoria with budgets, given where the

0:17:05.320 --> 0:17:06.480
<v Speaker 3>end of the episode.

0:17:06.080 --> 0:17:11.040
<v Speaker 6>Goes, Okay, this is one of those ones that could

0:17:11.040 --> 0:17:16.720
<v Speaker 6>have been solved in two words student loan, Like, Okay,

0:17:16.880 --> 0:17:19.359
<v Speaker 6>you lost your money invested in close over Bros. So

0:17:19.400 --> 0:17:21.440
<v Speaker 6>you're gonna tell your kids she can't go to college.

0:17:22.280 --> 0:17:24.640
<v Speaker 6>Why not just take out a student loan and still

0:17:24.720 --> 0:17:26.040
<v Speaker 6>let her go to college.

0:17:28.400 --> 0:17:32.560
<v Speaker 4>Yes, semantics for that particular guy's issue agreed.

0:17:32.760 --> 0:17:34.440
<v Speaker 6>I just feel I felt like I felt for him,

0:17:34.480 --> 0:17:36.560
<v Speaker 6>like this is that is horrible that this happened to you,

0:17:36.680 --> 0:17:38.399
<v Speaker 6>and that this is like what the company did to

0:17:38.400 --> 0:17:42.080
<v Speaker 6>you terrible. But I just didn't feel like at the end,

0:17:42.119 --> 0:17:44.760
<v Speaker 6>I'm like, but you know, you can get a loan

0:17:45.720 --> 0:17:47.480
<v Speaker 6>and she can still, Like, you don't have to tell

0:17:47.480 --> 0:17:49.560
<v Speaker 6>her she doesn't. She can't go to college now like

0:17:49.760 --> 0:17:53.960
<v Speaker 6>most people can't afford college. The vast majority of kids

0:17:54.000 --> 0:17:54.719
<v Speaker 6>can't afford it.

0:17:54.920 --> 0:17:58.080
<v Speaker 4>What I really liked about it though, that this guy,

0:17:58.400 --> 0:18:00.239
<v Speaker 4>I mean as an actor. I don't know who what

0:18:00.240 --> 0:18:03.280
<v Speaker 4>his name is, but I thought he did really great

0:18:03.320 --> 0:18:06.439
<v Speaker 4>with that material because that had to have been I

0:18:06.440 --> 0:18:08.680
<v Speaker 4>wonder how many I thought about how many people came

0:18:08.720 --> 0:18:12.639
<v Speaker 4>in to read that audition scene and read it be

0:18:12.760 --> 0:18:16.280
<v Speaker 4>like angry and bitter and a jerk, And he really was.

0:18:17.440 --> 0:18:18.919
<v Speaker 2>I really didn't know where it was going to go.

0:18:19.040 --> 0:18:22.119
<v Speaker 4>He was sweet, and it made the turn of the

0:18:22.200 --> 0:18:26.000
<v Speaker 4>revelation of what he was there for even more effective.

0:18:26.880 --> 0:18:30.080
<v Speaker 6>Well in the way he would occasionally slip into the

0:18:30.160 --> 0:18:32.840
<v Speaker 6>past tense like he think he said she was is

0:18:32.840 --> 0:18:34.639
<v Speaker 6>my daughter, like she was going to go to fashion school,

0:18:34.640 --> 0:18:37.240
<v Speaker 6>and I'm like, yeah, as his daughter passed away, That's

0:18:37.280 --> 0:18:43.080
<v Speaker 6>what I was worried about. Did Brook accidentally kill someone too? Like? Wow,

0:18:43.560 --> 0:18:46.280
<v Speaker 6>is that that's going on? Victoria? What'd you do?

0:18:48.000 --> 0:18:52.840
<v Speaker 3>Yeah? I think what was interesting to me about it

0:18:52.880 --> 0:18:57.520
<v Speaker 3>is at the time, I remember thinking, wow, God, this

0:18:57.680 --> 0:19:02.040
<v Speaker 3>is just so sad, and I liked that it could

0:19:02.040 --> 0:19:08.120
<v Speaker 3>be really personal and small for Brooke to be met with.

0:19:08.200 --> 0:19:10.000
<v Speaker 3>You know, if someone starts talking to you about a

0:19:10.040 --> 0:19:13.160
<v Speaker 3>crisis that's hundreds of millions of dollars, Like, what does

0:19:13.200 --> 0:19:15.600
<v Speaker 3>that mean? None of us have ever seen that kind

0:19:15.640 --> 0:19:18.920
<v Speaker 3>of money, you know, But to hear this girl whose

0:19:18.960 --> 0:19:23.480
<v Speaker 3>face you now know, lost her college fund, that's that's

0:19:23.560 --> 0:19:28.000
<v Speaker 3>an experience and an amount of you know, math that

0:19:28.080 --> 0:19:30.919
<v Speaker 3>I think most of us can wrap our heads around.

0:19:30.920 --> 0:19:32.720
<v Speaker 3>We don't need to sit and study the figures and

0:19:32.720 --> 0:19:35.119
<v Speaker 3>ask a bunch of questions and what not to learn.

0:19:35.560 --> 0:19:40.479
<v Speaker 3>It's a quick I get the problem, and you know,

0:19:41.040 --> 0:19:44.600
<v Speaker 3>for her to be met with this is the real

0:19:44.640 --> 0:19:49.000
<v Speaker 3>world effect of this enormous business problem. These hundreds of

0:19:49.000 --> 0:19:50.879
<v Speaker 3>millions of dollars in all these stores and all these

0:19:50.960 --> 0:19:54.760
<v Speaker 3>geographies and all these things. It personalized it really well.

0:19:55.800 --> 0:19:58.000
<v Speaker 3>And on the flip side of, you know, being a

0:19:58.040 --> 0:20:00.760
<v Speaker 3>person who's now been alive for almost twenty more years

0:20:00.760 --> 0:20:02.639
<v Speaker 3>than I was when we filmed this, I was like,

0:20:02.920 --> 0:20:04.760
<v Speaker 3>what do you mean you invested all of your money

0:20:04.760 --> 0:20:07.000
<v Speaker 3>in her college fund, in my credit? What are you

0:20:07.119 --> 0:20:09.560
<v Speaker 3>talking about? Who allowed you to do that? And why

0:20:09.560 --> 0:20:12.680
<v Speaker 3>would you do that in a clothing company that was

0:20:12.800 --> 0:20:15.119
<v Speaker 3>essentially raising So they're in some version of, you know,

0:20:15.240 --> 0:20:18.520
<v Speaker 3>the realnds of startup phasing. Why wouldn't you put money

0:20:18.600 --> 0:20:24.640
<v Speaker 3>into medical device stock? And like, I started asking all

0:20:24.640 --> 0:20:29.880
<v Speaker 3>these questions about how insanely risky this man had been

0:20:29.920 --> 0:20:32.520
<v Speaker 3>with his own child's future. And I was like, oh,

0:20:32.560 --> 0:20:35.160
<v Speaker 3>I'm really I'm taking myself out of the story here,

0:20:35.560 --> 0:20:39.040
<v Speaker 3>because I want to know why nobody in this supposedly

0:20:39.160 --> 0:20:41.360
<v Speaker 3>rich older man's life who's old enough to be my dad,

0:20:41.480 --> 0:20:42.760
<v Speaker 3>told him to invest in the.

0:20:42.640 --> 0:20:42.960
<v Speaker 6>S and B.

0:20:43.520 --> 0:20:46.439
<v Speaker 3>Like I was so mad at him for being so

0:20:46.600 --> 0:20:50.080
<v Speaker 3>reckless with his money and her future. And I was like, oh,

0:20:50.119 --> 0:20:53.240
<v Speaker 3>I've officially I'm in a very different phase of life

0:20:53.320 --> 0:20:56.240
<v Speaker 3>than I was when we filmed this.

0:20:56.560 --> 0:20:59.520
<v Speaker 4>I thought the same thing, and then immediately the next

0:20:59.560 --> 0:21:01.639
<v Speaker 4>scene is thank god because somebody else in the writer's

0:21:01.720 --> 0:21:03.720
<v Speaker 4>room thought the same thing too. Maybe it was Bill

0:21:03.880 --> 0:21:07.000
<v Speaker 4>who wrote this episode. As Victorias say, what kind of

0:21:07.000 --> 0:21:09.600
<v Speaker 4>an idiot invests everything they have in a clothing line?

0:21:09.640 --> 0:21:14.400
<v Speaker 3>Anyway, exactly, it was really interesting.

0:21:14.480 --> 0:21:17.800
<v Speaker 6>Okay, he was misguided, Like, how about you invest your kids'

0:21:17.840 --> 0:21:20.399
<v Speaker 6>college fund money in a college fund?

0:21:20.840 --> 0:21:25.000
<v Speaker 3>Yeah? Yeah, any high yield savings savings that's where it

0:21:25.040 --> 0:21:27.880
<v Speaker 3>should be. Also, to our friends we've gotten from film

0:21:27.920 --> 0:21:31.560
<v Speaker 3>school to finance, you're welcome, high yield savings account. If

0:21:31.600 --> 0:21:33.720
<v Speaker 3>you don't have one, get one.

0:21:34.000 --> 0:21:36.600
<v Speaker 4>Yeah that was it was say, but I did to

0:21:36.640 --> 0:21:40.280
<v Speaker 4>what you were saying earlier. So the concept of someone

0:21:40.359 --> 0:21:46.639
<v Speaker 4>who putting a real face to a real problem, I,

0:21:46.760 --> 0:21:50.960
<v Speaker 4>especially at that age, always thought of investors as like

0:21:51.040 --> 0:21:54.159
<v Speaker 4>shark tank people like people with just so much money,

0:21:54.160 --> 0:21:57.080
<v Speaker 4>money that they could stand to lose a few you know,

0:21:57.080 --> 0:21:59.480
<v Speaker 4>one hundred thousand here or there, fifty thousand or whatever

0:21:59.680 --> 0:22:01.840
<v Speaker 4>it is. It's like, Okay, it's just one of many

0:22:02.680 --> 0:22:05.000
<v Speaker 4>a multifaceted portfolio.

0:22:04.840 --> 0:22:06.919
<v Speaker 3>And it's not that for so many people.

0:22:07.359 --> 0:22:11.800
<v Speaker 4>Yeah, but I man, I loved this storyline for Brook

0:22:12.560 --> 0:22:16.600
<v Speaker 4>and it's the I was gonna say, she's come so far,

0:22:16.640 --> 0:22:18.880
<v Speaker 4>but I think this has always been who I think

0:22:18.880 --> 0:22:21.480
<v Speaker 4>this is who Brook's always been. No matter when this

0:22:21.520 --> 0:22:23.159
<v Speaker 4>would have happened. If it was something like this in

0:22:23.240 --> 0:22:25.800
<v Speaker 4>high school, I think she still would have ultimately done

0:22:25.840 --> 0:22:26.360
<v Speaker 4>the right thing.

0:22:27.880 --> 0:22:28.760
<v Speaker 2>But it's really.

0:22:28.600 --> 0:22:31.400
<v Speaker 4>Nice to see it was just really nice to see

0:22:31.400 --> 0:22:34.320
<v Speaker 4>it in person. Feel the weight of that of like, yeah,

0:22:34.400 --> 0:22:37.280
<v Speaker 4>everything that I have and everything that I own, the

0:22:37.359 --> 0:22:42.000
<v Speaker 4>confidence of knowing that you can rebuild that there there

0:22:42.040 --> 0:22:44.360
<v Speaker 4>there will there will always be more ideas, there will

0:22:44.359 --> 0:22:50.680
<v Speaker 4>always be more opportunities for her, and to be able

0:22:50.720 --> 0:22:53.399
<v Speaker 4>to just do the right thing and make that sacrifice, Like,

0:22:53.520 --> 0:22:56.119
<v Speaker 4>oh wow, that really got me. It was beautiful.

0:22:56.640 --> 0:23:00.000
<v Speaker 3>Yeah, one of the things I liked too. And I

0:23:00.160 --> 0:23:04.840
<v Speaker 3>you know, I remember the whole storyline obviously, but the

0:23:04.960 --> 0:23:08.280
<v Speaker 3>details are the things we discover when we watch every week.

0:23:09.080 --> 0:23:12.400
<v Speaker 3>I loved that in the midst of this sadness, Julian

0:23:12.480 --> 0:23:16.640
<v Speaker 3>took her to the Biltmore estate to say, I want

0:23:16.640 --> 0:23:18.320
<v Speaker 3>you to have your fairy tale. I want you to

0:23:18.359 --> 0:23:21.520
<v Speaker 3>have this. I mean it looks like the Disney Castle

0:23:21.600 --> 0:23:26.000
<v Speaker 3>but better, right. Yeah, And Brooke has wanted this love

0:23:26.040 --> 0:23:28.320
<v Speaker 3>story forever because she didn't grow up with it didn't

0:23:28.359 --> 0:23:32.560
<v Speaker 3>experience it. It was never modeled for her. And I liked

0:23:33.480 --> 0:23:40.760
<v Speaker 3>the actual visual backdrop of her with her man standing

0:23:40.800 --> 0:23:44.719
<v Speaker 3>in front of this castle, dreaming about their wedding, and

0:23:44.760 --> 0:23:47.720
<v Speaker 3>then still that thing percolating for her, and she says,

0:23:47.920 --> 0:23:51.840
<v Speaker 3>is this appropriate? Is it okay to have this? And

0:23:51.880 --> 0:23:54.040
<v Speaker 3>he says, look, when we look back at our wedding,

0:23:54.040 --> 0:23:55.639
<v Speaker 3>we're not going to remember this. We're going to remember

0:23:55.680 --> 0:24:03.080
<v Speaker 3>our wedding. And she's already nervous about being happy. And

0:24:03.119 --> 0:24:05.719
<v Speaker 3>then when she sees this man and she sees how

0:24:05.760 --> 0:24:10.600
<v Speaker 3>it's affected his family. I like that. Then she's put

0:24:10.600 --> 0:24:13.520
<v Speaker 3>in this room and everything's dark and she's in this

0:24:13.720 --> 0:24:16.040
<v Speaker 3>huge leather chair and she looks like a little kid

0:24:16.080 --> 0:24:18.679
<v Speaker 3>again and she has to do this brave thing and

0:24:18.720 --> 0:24:23.240
<v Speaker 3>she's literally going to give up this kind of fairy

0:24:23.280 --> 0:24:27.000
<v Speaker 3>tale she built for herself. Yeah, and it does take

0:24:27.000 --> 0:24:32.679
<v Speaker 3>an immense amount of courage and oof. I just was like,

0:24:32.800 --> 0:24:36.560
<v Speaker 3>oh man, because it wasn't even her mistake, but it

0:24:36.600 --> 0:24:39.520
<v Speaker 3>doesn't matter. It's, you know, the right thing to do,

0:24:39.600 --> 0:24:40.320
<v Speaker 3>and she knows it.

0:24:40.880 --> 0:24:41.240
<v Speaker 4>Yeah.

0:24:41.280 --> 0:24:44.320
<v Speaker 6>But like Joyce said, I found myself going, this is

0:24:44.400 --> 0:24:48.159
<v Speaker 6>the right thing to do, And like Brooks, the secret,

0:24:48.240 --> 0:24:51.600
<v Speaker 6>Sauce Brooks the magic. This isn't like they developed an

0:24:51.680 --> 0:24:54.040
<v Speaker 6>app and now she has to sell the company and

0:24:54.040 --> 0:24:56.400
<v Speaker 6>it's like, well, I have nothing. It's like what made

0:24:56.400 --> 0:24:58.960
<v Speaker 6>this work was Brooke and her talent. So again, it's

0:24:58.960 --> 0:25:01.679
<v Speaker 6>not an easy thing to do. But you know, she

0:25:01.680 --> 0:25:03.560
<v Speaker 6>could always start up a new label, or she could

0:25:03.560 --> 0:25:05.920
<v Speaker 6>go design for another really high end late like you

0:25:05.960 --> 0:25:07.919
<v Speaker 6>know what I mean, Like she has options. It's not

0:25:07.960 --> 0:25:10.479
<v Speaker 6>like all is lost in doing this. Again. Doesn't make

0:25:10.520 --> 0:25:14.879
<v Speaker 6>it easy, but it does help it make sense, you know.

0:25:14.920 --> 0:25:17.240
<v Speaker 6>And I agree with what you said earlier. Enjoyed the

0:25:17.359 --> 0:25:21.080
<v Speaker 6>gentleman who played the dad. I think it is such

0:25:21.119 --> 0:25:23.080
<v Speaker 6>an easy trap to fall into when you are a

0:25:23.119 --> 0:25:27.320
<v Speaker 6>guest star with one scene, to go big because you

0:25:27.359 --> 0:25:29.280
<v Speaker 6>want to you want to make an impression. And I

0:25:29.320 --> 0:25:32.399
<v Speaker 6>bet so many of the auditions were real big and

0:25:32.400 --> 0:25:36.720
<v Speaker 6>real heated. But there's such a nice confidence and pulling

0:25:36.760 --> 0:25:40.440
<v Speaker 6>that back and letting it sort of simmer. And yeah,

0:25:40.480 --> 0:25:41.560
<v Speaker 6>he did, he did.

0:25:41.600 --> 0:25:42.120
<v Speaker 2>He did great.

0:25:42.480 --> 0:25:44.520
<v Speaker 6>It was very believable and very effective.

0:25:45.080 --> 0:25:46.480
<v Speaker 3>It was nice.

0:25:58.840 --> 0:26:04.040
<v Speaker 6>Can we talk about Chase and Alex they are so cute.

0:26:04.760 --> 0:26:08.560
<v Speaker 3>Here's the thing, I know exactly what you're like. Are

0:26:08.600 --> 0:26:12.040
<v Speaker 3>we joking because I have the same yea, and yet

0:26:12.119 --> 0:26:17.159
<v Speaker 3>they're so cute together. Janna and Stevens chemistry is so great,

0:26:17.640 --> 0:26:20.960
<v Speaker 3>and she managed no matter what they put her in,

0:26:21.000 --> 0:26:26.879
<v Speaker 3>and no matter what creepy, hyper sexualized scenarios they wrote

0:26:26.960 --> 0:26:31.479
<v Speaker 3>for her, she managed to act in those scenes like

0:26:31.680 --> 0:26:34.679
<v Speaker 3>just the sweetest, funniest girl.

0:26:36.119 --> 0:26:36.239
<v Speaker 4>Like.

0:26:36.400 --> 0:26:39.199
<v Speaker 3>She gave me such Skipper energy, remember when like Barbie

0:26:39.240 --> 0:26:44.240
<v Speaker 3>released the Kid's Sister Skipper Like she she managed in

0:26:44.480 --> 0:26:47.680
<v Speaker 3>the tennis skirt with the corset ties and the crop

0:26:47.720 --> 0:26:51.639
<v Speaker 3>top and the thing she just she was so playful

0:26:51.720 --> 0:26:54.560
<v Speaker 3>and wonderful, and it's such like a It's such a

0:26:54.600 --> 0:26:58.080
<v Speaker 3>piece of Janna's energy that she brought. And I was

0:26:58.160 --> 0:27:01.879
<v Speaker 3>like wow watching them man to be so freakin cute

0:27:02.680 --> 0:27:09.199
<v Speaker 3>in what was arguably like really icky material. I wanted

0:27:09.240 --> 0:27:10.919
<v Speaker 3>to give them a round of applause.

0:27:11.440 --> 0:27:16.360
<v Speaker 4>And I really enjoyed watching Stephen Kletty in this episode.

0:27:16.400 --> 0:27:21.760
<v Speaker 4>I always enjoy watching him. He's so he just feels

0:27:21.760 --> 0:27:26.440
<v Speaker 4>so grounded on screen, which is funny because I remember

0:27:26.800 --> 0:27:29.600
<v Speaker 4>working with him in person. He's got a lot of

0:27:29.600 --> 0:27:34.280
<v Speaker 4>nervous energy. It's just a lot of like moving his

0:27:34.320 --> 0:27:36.600
<v Speaker 4>fingers a lot, and he's kind of like bouncing around

0:27:36.640 --> 0:27:38.720
<v Speaker 4>on his toes a lot, and there's just this sense

0:27:38.720 --> 0:27:42.399
<v Speaker 4>of like whatever is going on internally, and it does

0:27:42.600 --> 0:27:45.440
<v Speaker 4>not necessarily even a negative nervousness. It's just this sort

0:27:45.480 --> 0:27:49.720
<v Speaker 4>of like things are percolating. And so when the camera

0:27:49.920 --> 0:27:52.639
<v Speaker 4>goes on the fact that all of that seems to

0:27:52.680 --> 0:27:58.760
<v Speaker 4>go away and he's just so solid. He was just there, confident, chill,

0:28:00.200 --> 0:28:04.679
<v Speaker 4>not not trying to prove anything. He was like perfect

0:28:04.720 --> 0:28:08.800
<v Speaker 4>boyfriend material. In this episode in particular, I was super

0:28:08.920 --> 0:28:10.679
<v Speaker 4>super crushing on this character.

0:28:10.840 --> 0:28:11.159
<v Speaker 2>Love it.

0:28:11.280 --> 0:28:15.600
<v Speaker 3>Yeah, he's hitting some sort of stride in himself and

0:28:15.680 --> 0:28:20.120
<v Speaker 3>as an actor. And I love that you just mirrored

0:28:20.160 --> 0:28:22.919
<v Speaker 3>her dialogue because I feel like, in a way, by

0:28:22.960 --> 0:28:25.560
<v Speaker 3>the end of their golf date, Alex was sort of

0:28:25.640 --> 0:28:27.639
<v Speaker 3>saying what all the girls were thinking and it was

0:28:27.920 --> 0:28:28.960
<v Speaker 3>so sweet.

0:28:29.640 --> 0:28:30.640
<v Speaker 2>Yeah, it's cute.

0:28:30.840 --> 0:28:34.439
<v Speaker 6>Yeah, they kudos to both of them, and especially Janna.

0:28:34.920 --> 0:28:39.640
<v Speaker 6>She's she's a trooper. She's made a teflon because no

0:28:39.680 --> 0:28:41.640
<v Speaker 6>matter how hard they try, it just sort of she

0:28:41.760 --> 0:28:43.480
<v Speaker 6>just kind of rolls with it. But yeah, I mean,

0:28:43.560 --> 0:28:46.280
<v Speaker 6>like the the outfit, I'm like, all right, ky, uh sure,

0:28:46.480 --> 0:28:50.080
<v Speaker 6>But then I love Pete. But the opening the shot

0:28:50.120 --> 0:28:54.480
<v Speaker 6>of the of up her skirt. I was like, how

0:28:54.600 --> 0:28:56.840
<v Speaker 6>hat on a hat? Does this need to be? Like

0:28:57.560 --> 0:28:59.840
<v Speaker 6>we get it? Like we we it's a visual medium.

0:28:59.840 --> 0:29:01.200
<v Speaker 6>We see what you've dressed her in.

0:29:01.400 --> 0:29:04.560
<v Speaker 4>But who knows what instructions Pete's getting true? But I

0:29:04.600 --> 0:29:07.480
<v Speaker 4>felt like Pete was always so protective of us, always

0:29:07.560 --> 0:29:10.520
<v Speaker 4>looking out to try so that those kinds of things

0:29:10.560 --> 0:29:14.520
<v Speaker 4>feel like when something seems uncharacteristic of a person, You're like, Okay,

0:29:14.840 --> 0:29:16.920
<v Speaker 4>what other thing could have happened that would have made

0:29:16.960 --> 0:29:19.360
<v Speaker 4>him need to do this? And there were a lot

0:29:19.360 --> 0:29:21.120
<v Speaker 4>of phone calls coming in from La.

0:29:21.240 --> 0:29:24.480
<v Speaker 3>Yeah, some of the stuff I noticed too, even that shot.

0:29:25.520 --> 0:29:27.120
<v Speaker 3>I mean, you know, we have to describe it. I

0:29:27.160 --> 0:29:30.000
<v Speaker 3>feel gross describing it. Imagine having to say to Jana,

0:29:30.080 --> 0:29:32.280
<v Speaker 3>this is what I need you to do. But you know,

0:29:32.360 --> 0:29:35.040
<v Speaker 3>she's standing there with her legs spread apart in this

0:29:35.160 --> 0:29:38.239
<v Speaker 3>mini skirt and they're shooting up between her legs. And

0:29:38.280 --> 0:29:40.640
<v Speaker 3>one of the things I noticed is as the shot moves,

0:29:40.680 --> 0:29:44.000
<v Speaker 3>they start to get wider and kind of pan around,

0:29:44.480 --> 0:29:46.960
<v Speaker 3>and I was like, oh, are they trying to do

0:29:47.040 --> 0:29:49.080
<v Speaker 3>what they've been told but also get out of it

0:29:49.840 --> 0:29:54.360
<v Speaker 3>as quickly as they can. And then even when this,

0:29:54.760 --> 0:29:57.520
<v Speaker 3>I mean, you said it. Rob kudos to Jana when

0:29:57.520 --> 0:30:00.040
<v Speaker 3>she's got to stand there again and bend over and

0:30:00.200 --> 0:30:02.920
<v Speaker 3>supposedly isn't wearing underwear and all these guys are crashing

0:30:02.920 --> 0:30:08.240
<v Speaker 3>their golf carts into each other that they didn't They

0:30:08.320 --> 0:30:12.280
<v Speaker 3>only ever shot her from straight on from the front. Yeah, Like,

0:30:13.160 --> 0:30:16.040
<v Speaker 3>I'm sure they were asked to get other angles and

0:30:16.080 --> 0:30:19.080
<v Speaker 3>there just weren't any. And I appreciated that, and I

0:30:19.120 --> 0:30:21.640
<v Speaker 3>appreciate it even that when she goes around and sits

0:30:21.640 --> 0:30:24.600
<v Speaker 3>in the passenger seat of the golf cart early on,

0:30:25.400 --> 0:30:27.680
<v Speaker 3>like somebody told her, Oh, put your feet up and

0:30:27.680 --> 0:30:29.840
<v Speaker 3>cross your feet in front of you, because that's how

0:30:29.840 --> 0:30:33.560
<v Speaker 3>we're going to block you in the shot. And I,

0:30:34.800 --> 0:30:37.640
<v Speaker 3>as gross as it was, I could also see little things.

0:30:37.720 --> 0:30:39.600
<v Speaker 3>And to your point, maybe I'm projecting because I know

0:30:39.640 --> 0:30:43.520
<v Speaker 3>how amazing our crew was and how they had our

0:30:43.560 --> 0:30:45.920
<v Speaker 3>backs then and they still have our backs, you know now.

0:30:46.440 --> 0:30:49.000
<v Speaker 3>But I was like, Ooh, I feel like I can

0:30:49.080 --> 0:30:51.400
<v Speaker 3>see some of our people looking out for our people,

0:30:51.480 --> 0:30:52.360
<v Speaker 3>and I liked it.

0:30:52.880 --> 0:30:55.480
<v Speaker 4>In the middle of it, that's when like the director

0:30:55.520 --> 0:30:58.520
<v Speaker 4>gets with the ad and they're like the scene where

0:30:58.560 --> 0:31:01.480
<v Speaker 4>she bends over, that's the last thing on the docket

0:31:01.640 --> 0:31:04.080
<v Speaker 4>and we're losing the light. Sorry, we can't get.

0:31:03.920 --> 0:31:06.080
<v Speaker 3>Any more ang, Oh no, we can't get any more

0:31:06.120 --> 0:31:09.240
<v Speaker 3>of the shots. We lost the lights. Sorry sorry, La.

0:31:09.120 --> 0:31:10.200
<v Speaker 2>Yeah, that's all we had.

0:31:10.640 --> 0:31:12.680
<v Speaker 4>And those are the things that that's the real boots

0:31:12.680 --> 0:31:15.480
<v Speaker 4>on the ground and how a crew protects the actors.

0:31:15.520 --> 0:31:17.320
<v Speaker 4>There's so many things that go on by the seeds

0:31:17.320 --> 0:31:18.360
<v Speaker 4>that you guys don't know about.

0:31:18.360 --> 0:31:19.120
<v Speaker 2>It's so great.

0:31:19.640 --> 0:31:22.320
<v Speaker 3>But I and I'm really glad we're talking about this

0:31:22.360 --> 0:31:25.360
<v Speaker 3>because I know that sometimes when we when we have

0:31:25.520 --> 0:31:28.760
<v Speaker 3>unmasked some of what was really hard and bad, it

0:31:28.800 --> 0:31:31.040
<v Speaker 3>makes people who loved the show feel really sad because

0:31:31.040 --> 0:31:32.920
<v Speaker 3>they're like, oh my god, did I love a painful thing?

0:31:33.640 --> 0:31:37.080
<v Speaker 3>But you also loved a thing that was so good

0:31:37.720 --> 0:31:39.960
<v Speaker 3>and where people showed up for each other and where

0:31:40.000 --> 0:31:45.080
<v Speaker 3>people would yeah, like ride for each other, and yeah,

0:31:45.120 --> 0:31:47.000
<v Speaker 3>sometimes you we'd have a bunch of guys be like,

0:31:47.280 --> 0:31:49.160
<v Speaker 3>I guess we're just gonna have to lose the light.

0:31:50.520 --> 0:31:52.560
<v Speaker 2>So is Yeah, I guess.

0:31:52.600 --> 0:31:53.880
<v Speaker 3>I just want to say that because I don't want

0:31:53.880 --> 0:31:56.800
<v Speaker 3>anyone at home to be like, oh no, it's like yeah,

0:31:56.840 --> 0:32:00.840
<v Speaker 3>there's some oh no, but there's so much more. Hell Yeah,

0:32:00.440 --> 0:32:02.720
<v Speaker 3>and that feels special.

0:32:03.080 --> 0:32:06.600
<v Speaker 4>Absolutely every community, whether it's a workplace or a school

0:32:06.760 --> 0:32:08.840
<v Speaker 4>or a group of friends or whatever, there's always some

0:32:08.960 --> 0:32:12.440
<v Speaker 4>big bad that they're an obstacle or you know, a

0:32:12.480 --> 0:32:15.840
<v Speaker 4>person or whatever the situation is that you know, you

0:32:15.920 --> 0:32:18.200
<v Speaker 4>got to you got to come together and figure out

0:32:18.240 --> 0:32:21.360
<v Speaker 4>how to how to overcome and protect each other.

0:32:21.440 --> 0:32:22.480
<v Speaker 2>And it's okay.

0:32:22.600 --> 0:32:25.640
<v Speaker 4>So don't look at our show and think it's some

0:32:25.680 --> 0:32:29.400
<v Speaker 4>sort of completely out of the ordinary situation. Like we're

0:32:29.720 --> 0:32:33.360
<v Speaker 4>all facings as different, the little communities that we have

0:32:33.400 --> 0:32:35.560
<v Speaker 4>all over the place. We're all facing ways that we

0:32:35.600 --> 0:32:36.480
<v Speaker 4>can band together.

0:32:37.160 --> 0:32:40.440
<v Speaker 6>Yeah, and there's always room for improvement, you know. It

0:32:40.640 --> 0:32:43.360
<v Speaker 6>just happened that on some of our experiences had to

0:32:43.400 --> 0:32:47.040
<v Speaker 6>do with like morality as opposed to dialogue, you know.

0:32:47.520 --> 0:32:49.640
<v Speaker 6>And yeah, and I wasn't hanging that on Pistol p

0:32:49.760 --> 0:32:51.600
<v Speaker 6>because you're absolutely right, he did look out for us

0:32:51.600 --> 0:32:52.960
<v Speaker 6>a lot, And you're right, the rest of the scene

0:32:53.000 --> 0:32:55.280
<v Speaker 6>there wasn't a single suggestive frame.

0:32:55.360 --> 0:32:55.960
<v Speaker 2>Yeah, totally.

0:32:56.400 --> 0:32:58.400
<v Speaker 6>I mean you didn't need to because the dialogue was

0:32:58.400 --> 0:33:01.880
<v Speaker 6>already like it's it's the way that they banter, it's

0:33:01.920 --> 0:33:04.080
<v Speaker 6>so great. But I like, at one point I watched

0:33:04.600 --> 0:33:07.840
<v Speaker 6>like I was watching two good actors make the best

0:33:08.360 --> 0:33:12.600
<v Speaker 6>of some like tricky lines, like when he's giving her

0:33:12.600 --> 0:33:14.680
<v Speaker 6>a pointer and he goes, all right, just keep your

0:33:14.680 --> 0:33:17.520
<v Speaker 6>head down. In fact, I wrote it down. Also, he

0:33:17.560 --> 0:33:19.880
<v Speaker 6>had an amazing They did a profile shot of the

0:33:19.920 --> 0:33:22.600
<v Speaker 6>two of them in the cart, and Steven's hair looks

0:33:22.680 --> 0:33:24.480
<v Speaker 6>like the most incredible pompadour.

0:33:26.160 --> 0:33:27.920
<v Speaker 3>I wrote this down too. I was like, Steven's hair

0:33:27.960 --> 0:33:29.560
<v Speaker 3>looks extra good this episode.

0:33:29.760 --> 0:33:34.120
<v Speaker 6>It was it was large and in charge. But he says,

0:33:34.640 --> 0:33:36.560
<v Speaker 6>he goes, just keep your head down. You know how

0:33:36.560 --> 0:33:37.880
<v Speaker 6>to keep your head down, don't you.

0:33:39.120 --> 0:33:42.360
<v Speaker 2>Yeah, But he said it so straight. He just read

0:33:42.400 --> 0:33:43.280
<v Speaker 2>it straight.

0:33:43.160 --> 0:33:46.200
<v Speaker 6>Like he he sold it as best you could. But

0:33:46.320 --> 0:33:48.400
<v Speaker 6>I'm like, and there's another part too, where it was

0:33:48.400 --> 0:33:51.200
<v Speaker 6>odd that when she goes like, I'm wearing underwear and

0:33:51.240 --> 0:33:53.840
<v Speaker 6>she bends over and all the guys are are so

0:33:54.000 --> 0:33:57.280
<v Speaker 6>blown away that they crash their golf carts and then

0:33:57.360 --> 0:34:00.800
<v Speaker 6>he has to turn around and go my girlfriend prey

0:34:01.440 --> 0:34:04.600
<v Speaker 6>as if he's like stoked, But it was again he

0:34:04.840 --> 0:34:08.200
<v Speaker 6>sold it. But when you look at the words, you're like, what,

0:34:09.640 --> 0:34:11.319
<v Speaker 6>that's the part of her you're proud of?

0:34:11.640 --> 0:34:16.160
<v Speaker 4>Huh, you know what I've What's you're making a great point, Rob,

0:34:16.239 --> 0:34:17.520
<v Speaker 4>because he didn't.

0:34:18.239 --> 0:34:20.360
<v Speaker 2>He didn't sell it like it was written.

0:34:20.520 --> 0:34:22.759
<v Speaker 4>The way it was written was hey, hey, this is

0:34:22.760 --> 0:34:26.000
<v Speaker 4>what I'm proud of what you're talking about. But he

0:34:26.200 --> 0:34:31.919
<v Speaker 4>sold it like a guy who's going she's she's wild,

0:34:32.040 --> 0:34:36.719
<v Speaker 4>she's brave, like she's she is. I'm not sure where

0:34:36.760 --> 0:34:39.239
<v Speaker 4>she's coming from or what her deal is right now,

0:34:39.280 --> 0:34:42.600
<v Speaker 4>or why she's chosen to do that, but I'm I'm

0:34:42.600 --> 0:34:46.960
<v Speaker 4>not impressed, nor am I embarrassed. I'm just here for

0:34:47.120 --> 0:34:50.960
<v Speaker 4>you in whatever state you're in, and I'm along for

0:34:51.000 --> 0:34:53.239
<v Speaker 4>the ride and I support you. That's what I mean

0:34:53.280 --> 0:34:56.480
<v Speaker 4>by good boyfriend energy. It was like she's doing something

0:34:56.600 --> 0:35:01.120
<v Speaker 4>really outrageous that would elicit a huge reaction out of

0:35:01.400 --> 0:35:05.440
<v Speaker 4>most guys. And the fact that he's just like, nah,

0:35:05.480 --> 0:35:06.400
<v Speaker 4>you can't really phase me.

0:35:06.960 --> 0:35:08.960
<v Speaker 2>Love you. I mean he didn't say love you, but

0:35:08.960 --> 0:35:10.280
<v Speaker 2>you know that vibe.

0:35:10.000 --> 0:35:12.160
<v Speaker 3>It felt so but kind of he did. By the end,

0:35:12.480 --> 0:35:14.680
<v Speaker 3>which is where I want to go, I thought it

0:35:14.760 --> 0:35:17.680
<v Speaker 3>was so sweet and as much as you know you

0:35:17.719 --> 0:35:20.400
<v Speaker 3>said it, Rob, they had to really make a meal

0:35:20.520 --> 0:35:24.440
<v Speaker 3>out of some scraps in moments of this whole storyline,

0:35:24.840 --> 0:35:27.960
<v Speaker 3>when they get to the beat, nearing the end of

0:35:28.000 --> 0:35:29.799
<v Speaker 3>the game where he says, well, you might not have

0:35:29.840 --> 0:35:31.319
<v Speaker 3>been in love with any of them, but I bet

0:35:31.360 --> 0:35:34.040
<v Speaker 3>they were in love with you. I was like, oh, Jase,

0:35:34.160 --> 0:35:38.000
<v Speaker 3>you love her, You're falling in love with her, And

0:35:38.040 --> 0:35:40.880
<v Speaker 3>I just loved it. I thought it was so sweet

0:35:41.239 --> 0:35:44.839
<v Speaker 3>and yeah, I like their energy together so much.

0:35:45.840 --> 0:35:48.120
<v Speaker 6>This whole thing surprising because, like I said, I had

0:35:48.160 --> 0:35:51.799
<v Speaker 6>no recollection of them ever being together, so I just

0:35:51.840 --> 0:35:53.640
<v Speaker 6>assumed it was going to be like a one or

0:35:53.640 --> 0:35:56.399
<v Speaker 6>two episode thing and then that he'd get right back

0:35:56.400 --> 0:36:00.759
<v Speaker 6>with Mia. But then I was watching this going, oh, there,

0:36:01.560 --> 0:36:04.480
<v Speaker 6>he's they're courting each other like they're yeah, they're playing

0:36:04.520 --> 0:36:07.760
<v Speaker 6>this slow, like they're building an actual, real foundation here,

0:36:08.640 --> 0:36:10.440
<v Speaker 6>and and then the way it ended, it was obviously

0:36:10.560 --> 0:36:12.759
<v Speaker 6>like things look promising for these two.

0:36:14.040 --> 0:36:15.560
<v Speaker 2>It'd be interesting to see where this goes.

0:36:15.640 --> 0:36:18.759
<v Speaker 3>I do not remember, by the way, Okay, wait, I

0:36:18.800 --> 0:36:20.919
<v Speaker 3>do have one more note on shots, because I wrote

0:36:20.920 --> 0:36:23.880
<v Speaker 3>this down like joy when you talk about how they

0:36:23.880 --> 0:36:26.640
<v Speaker 3>had to punch in with you and and the Hayley

0:36:26.719 --> 0:36:29.759
<v Speaker 3>Nathan stuff in the kitchen, you guys are sitting in

0:36:29.800 --> 0:36:33.240
<v Speaker 3>the hospital talking and it's so sweet, and I love

0:36:34.120 --> 0:36:37.759
<v Speaker 3>the way that in both the Clay and Nathan in

0:36:37.800 --> 0:36:40.279
<v Speaker 3>the hospital and then Julian and Nathan at the bar.

0:36:40.520 --> 0:36:44.360
<v Speaker 3>I love that we're getting to see our men be

0:36:44.640 --> 0:36:50.640
<v Speaker 3>really vulnerable with each other and and have these big conversations,

0:36:50.719 --> 0:36:53.840
<v Speaker 3>but they're also having them kind of facing forward because

0:36:53.880 --> 0:36:55.680
<v Speaker 3>of the way, you know, the bar seats face, the

0:36:55.719 --> 0:36:58.719
<v Speaker 3>way the hospital bed faces. It's like, sometimes I find

0:36:58.719 --> 0:37:00.719
<v Speaker 3>it easier to go on a walk with someone and

0:37:00.760 --> 0:37:03.120
<v Speaker 3>talk about something really emotional rather than sit at the

0:37:03.120 --> 0:37:07.160
<v Speaker 3>table and do it. Yeah, And I was really touched

0:37:07.239 --> 0:37:12.280
<v Speaker 3>by these emotional conversations between men. And there's a moment

0:37:12.400 --> 0:37:15.399
<v Speaker 3>that I loved so much because you guys are having

0:37:15.400 --> 0:37:17.560
<v Speaker 3>this chat. Rob You're in the bed and James is

0:37:17.560 --> 0:37:19.839
<v Speaker 3>sitting next to you, and they punch in on these

0:37:19.880 --> 0:37:22.560
<v Speaker 3>close ups and he's got his head lean back on

0:37:22.560 --> 0:37:25.520
<v Speaker 3>the hospital chair and it's like a bluish color. You've

0:37:25.560 --> 0:37:27.160
<v Speaker 3>got your head on your pillow and it's kind of

0:37:27.160 --> 0:37:29.279
<v Speaker 3>a bluish color, and suddenly it looks like you two

0:37:29.320 --> 0:37:32.680
<v Speaker 3>are in bed together. And I was like, wait, like

0:37:32.719 --> 0:37:34.640
<v Speaker 3>I had grabbed my coffee looked up and I was like,

0:37:34.640 --> 0:37:37.320
<v Speaker 3>did I miss something? And then I was like, also, not, no,

0:37:38.080 --> 0:37:40.960
<v Speaker 3>you guys are very cute, and then it pushed back

0:37:41.000 --> 0:37:42.359
<v Speaker 3>out and I was like, all right, all right, they're

0:37:42.400 --> 0:37:44.799
<v Speaker 3>just like sitting next to each other. But I was like, God,

0:37:44.840 --> 0:37:49.040
<v Speaker 3>there's good. There's just so much good chemistry between all

0:37:49.080 --> 0:37:53.279
<v Speaker 3>of you. And I buy that you all love each other.

0:37:53.400 --> 0:37:58.080
<v Speaker 3>I buy that when you said, you know, you would

0:37:58.120 --> 0:38:01.799
<v Speaker 3>have ruined your career and he's like, no, this like

0:38:01.960 --> 0:38:04.279
<v Speaker 3>that's just a game. This wasn't a hard decision for me.

0:38:04.800 --> 0:38:05.320
<v Speaker 5>Yeah.

0:38:05.400 --> 0:38:07.359
<v Speaker 3>I like that you're getting to say to each other

0:38:07.440 --> 0:38:09.719
<v Speaker 3>like I love you so much, my friend, and I

0:38:09.719 --> 0:38:15.160
<v Speaker 3>can't imagine living without you without necessarily having to like say,

0:38:15.200 --> 0:38:18.200
<v Speaker 3>it feels very feels very like sweet dude time.

0:38:18.680 --> 0:38:20.920
<v Speaker 6>Yeah. The word I had for I wrote was I

0:38:20.920 --> 0:38:24.480
<v Speaker 6>love the scene between Clain Quinn. I love the sincerity

0:38:24.560 --> 0:38:27.560
<v Speaker 6>and I love that it was just it was just honorable,

0:38:27.680 --> 0:38:31.600
<v Speaker 6>excuse me, vulnerable, honest talk, and they didn't do the

0:38:31.760 --> 0:38:34.399
<v Speaker 6>trophy thing of But then a guy has to make

0:38:34.440 --> 0:38:37.680
<v Speaker 6>a joke, Yes, hey I love you, bro, don't take

0:38:37.719 --> 0:38:40.560
<v Speaker 6>it that way, you know. Like however, Yeah, the thing

0:38:40.600 --> 0:38:42.280
<v Speaker 6>that they feel like they need to do with guys

0:38:42.280 --> 0:38:44.439
<v Speaker 6>where it's like, in order to be vulnerable, they also

0:38:44.480 --> 0:38:45.800
<v Speaker 6>have to couch it in humor.

0:38:46.560 --> 0:38:49.120
<v Speaker 3>Yeah, I'm so relieved that they didn't have Nathan go

0:38:49.320 --> 0:38:51.520
<v Speaker 3>and how would I make any money without you anyway? Man?

0:38:51.760 --> 0:38:55.680
<v Speaker 3>Like something late. Yeah, I liked that you you two

0:38:55.840 --> 0:39:00.720
<v Speaker 3>together and him later with Austin, like everyone's just saying

0:39:00.760 --> 0:39:04.440
<v Speaker 3>the thing and it's really nice to see.

0:39:04.600 --> 0:39:06.600
<v Speaker 4>Yeah. I love that level of maturity. And when he

0:39:06.680 --> 0:39:09.799
<v Speaker 4>tells Julian to say, tell Brooke, don't be afraid of

0:39:09.840 --> 0:39:13.200
<v Speaker 4>what comes next, oh, like that was just so great,

0:39:13.560 --> 0:39:17.040
<v Speaker 4>really encouraging and heartening. And the fact that he's sitting

0:39:17.040 --> 0:39:20.800
<v Speaker 4>there and he makes this decision so quickly. When Julian's

0:39:20.840 --> 0:39:24.320
<v Speaker 4>talks about baseball and Nathan's like baseball Wait what It's.

0:39:24.200 --> 0:39:27.800
<v Speaker 3>Like, No, I'm out. I gotta like what am I doing?

0:39:28.120 --> 0:39:28.880
<v Speaker 2>What am I doing?

0:39:29.239 --> 0:39:31.480
<v Speaker 6>And it was almost like he was he was giving

0:39:31.560 --> 0:39:35.200
<v Speaker 6>himself advice and saying, tellbrook not to be afraid of

0:39:35.239 --> 0:39:37.480
<v Speaker 6>the future. Yes, Yeah, it was sort of him kind

0:39:37.480 --> 0:39:40.239
<v Speaker 6>of girding himself for what he was about to share

0:39:40.239 --> 0:39:40.760
<v Speaker 6>with Haley.

0:39:41.400 --> 0:39:42.360
<v Speaker 3>Yeah.

0:39:42.400 --> 0:39:50.759
<v Speaker 6>And speaking of Austin and the perpetual attempted emasculation of

0:39:50.800 --> 0:39:54.680
<v Speaker 6>Austin love. I love the whole thing with the bringing

0:39:54.719 --> 0:39:58.440
<v Speaker 6>flowers right because to me so it's just a sweet gesture.

0:39:58.520 --> 0:40:03.120
<v Speaker 6>First flowers there, beautiful. I loved that he stops the

0:40:03.120 --> 0:40:05.680
<v Speaker 6>door and he's like, by the way, I'm the one

0:40:05.680 --> 0:40:10.280
<v Speaker 6>who actually picked those flowers out, and Hayley's like, oh okay,

0:40:10.719 --> 0:40:14.160
<v Speaker 6>and then he circles in to be to actually explain specifically.

0:40:14.160 --> 0:40:16.000
<v Speaker 6>I was hoping for these. I couldn't get these. I

0:40:16.000 --> 0:40:18.840
<v Speaker 6>thought these really filled it out. And I just laughed

0:40:18.840 --> 0:40:21.640
<v Speaker 6>because I sort of I wondered, is this one of

0:40:21.680 --> 0:40:24.960
<v Speaker 6>those attempts to make him quirky as opposed to like

0:40:25.120 --> 0:40:27.279
<v Speaker 6>sexy leading man. But then when I laughed, I was going,

0:40:27.920 --> 0:40:32.880
<v Speaker 6>but he's so comfortable in himself that it's incredibly backfired

0:40:32.960 --> 0:40:33.200
<v Speaker 6>to me.

0:40:33.200 --> 0:40:35.520
<v Speaker 2>I was completely Yes, that's.

0:40:35.360 --> 0:40:38.440
<v Speaker 6>A dude who is grounded in himself and he's comfortable,

0:40:39.000 --> 0:40:42.439
<v Speaker 6>and it just it's pretty awesome that he doesn't care

0:40:42.719 --> 0:40:44.520
<v Speaker 6>that like how it looks. He's just like, I'm going

0:40:44.560 --> 0:40:46.200
<v Speaker 6>to tell you why I love your bouquet and why

0:40:46.239 --> 0:40:49.200
<v Speaker 6>I picked it out for you. Yeah, it's endearing.

0:40:49.280 --> 0:40:51.840
<v Speaker 3>Man. Very totally agree.

0:40:52.000 --> 0:40:54.000
<v Speaker 2>He's a master at that. I love that.

0:40:54.239 --> 0:40:56.840
<v Speaker 4>Austin, and I've said this about him before, he always

0:40:56.880 --> 0:40:59.160
<v Speaker 4>just said exactly what was on the page. I very

0:40:59.239 --> 0:41:02.120
<v Speaker 4>rarely remember or Austin ever changing a line. He really

0:41:02.160 --> 0:41:04.360
<v Speaker 4>always strove to just say what was on the page,

0:41:05.440 --> 0:41:09.080
<v Speaker 4>and he Oh, he's a master at figuring it out,

0:41:09.160 --> 0:41:10.759
<v Speaker 4>figuring out how to Oh, they're going to try and

0:41:10.760 --> 0:41:12.400
<v Speaker 4>to masculate me. That's all right, and I know what

0:41:12.400 --> 0:41:14.480
<v Speaker 4>I'm going to do. There's a level of confidence it

0:41:14.520 --> 0:41:17.160
<v Speaker 4>takes to just do what you're gonna do, say what's

0:41:17.200 --> 0:41:18.719
<v Speaker 4>on the page, same thing that Stephen did, but you

0:41:18.840 --> 0:41:22.520
<v Speaker 4>do it from a place of authenticity and can't.

0:41:22.320 --> 0:41:23.760
<v Speaker 2>They can't take him down. Baby.

0:41:23.920 --> 0:41:24.600
<v Speaker 3>Yeah.

0:41:24.640 --> 0:41:27.120
<v Speaker 6>I had a director tell me one time that there's

0:41:27.160 --> 0:41:29.200
<v Speaker 6>something there's a lot of stuff like going on with

0:41:29.239 --> 0:41:30.960
<v Speaker 6>the episode. Was like it was a tricky thing or

0:41:30.960 --> 0:41:33.799
<v Speaker 6>something and there was issues, and I said, like, what

0:41:33.840 --> 0:41:36.880
<v Speaker 6>are you gonna do? And she said, I'll get my revenge.

0:41:37.080 --> 0:41:41.040
<v Speaker 6>I'm going to shoot their script. And I love that

0:41:41.400 --> 0:41:44.000
<v Speaker 6>sort of like Austin going like, I'll get my revenge.

0:41:44.040 --> 0:41:46.760
<v Speaker 6>I'm going to say your words. But then it doesn't,

0:41:46.800 --> 0:41:49.840
<v Speaker 6>it doesn't go the way that whoever thought it was

0:41:49.880 --> 0:41:50.319
<v Speaker 6>going to go.

0:41:50.640 --> 0:41:52.440
<v Speaker 2>No, it makes him more attractive.

0:41:52.880 --> 0:41:55.200
<v Speaker 6>Yeah, yeah, And.

0:41:55.600 --> 0:41:58.200
<v Speaker 3>It's something he manages to do so well in those moments.

0:41:58.239 --> 0:42:00.600
<v Speaker 3>It's something Jan is managing to do so well. It's

0:42:00.640 --> 0:42:05.080
<v Speaker 3>like everyone really has such ownership of their characters, I

0:42:05.120 --> 0:42:10.439
<v Speaker 3>think at this point. And I loved too, the way

0:42:10.480 --> 0:42:13.360
<v Speaker 3>he chose to come back in and be like, Okay,

0:42:13.360 --> 0:42:15.440
<v Speaker 3>so here's my thought process because he knew you would

0:42:15.440 --> 0:42:18.279
<v Speaker 3>appreciate it. You had said, well, they're the nicest ones.

0:42:18.280 --> 0:42:20.520
<v Speaker 3>Of course they're from Brook and he's like, actually me,

0:42:21.320 --> 0:42:24.200
<v Speaker 3>and because you love it, he wants to let you

0:42:24.239 --> 0:42:27.319
<v Speaker 3>in on his little you know, thought process is his

0:42:27.400 --> 0:42:33.319
<v Speaker 3>little secret, and he talks about it in a very

0:42:33.320 --> 0:42:35.800
<v Speaker 3>similar way that he talks to Brooke about the camera

0:42:35.880 --> 0:42:38.400
<v Speaker 3>he's working with and how he's testing it out and

0:42:38.440 --> 0:42:41.319
<v Speaker 3>he's part of this new director program and whatever. And

0:42:42.080 --> 0:42:44.200
<v Speaker 3>what I loved about it and what I wrote down

0:42:44.239 --> 0:42:45.640
<v Speaker 3>here and I love that you saw it.

0:42:45.680 --> 0:42:46.000
<v Speaker 4>Rob Is.

0:42:46.040 --> 0:42:49.920
<v Speaker 3>I was like, Oh, Julian just makes everything into art,

0:42:50.680 --> 0:42:54.640
<v Speaker 3>like that's his job. He's a director. He sees everything

0:42:54.880 --> 0:42:58.480
<v Speaker 3>as something he can make true and beautiful.

0:42:58.920 --> 0:43:00.000
<v Speaker 2>Yeah, and I liked it.

0:43:00.160 --> 0:43:05.400
<v Speaker 3>He brought that energy to this thing that could have

0:43:05.480 --> 0:43:09.839
<v Speaker 3>been weird and he just made it. He was like, yeah,

0:43:09.880 --> 0:43:10.960
<v Speaker 3>this is my other art project.

0:43:10.960 --> 0:43:15.800
<v Speaker 6>It's great, right, Julian has big, open heart energy Because

0:43:15.840 --> 0:43:18.960
<v Speaker 6>I think what's also happening in this scene and circling

0:43:19.000 --> 0:43:22.399
<v Speaker 6>back and telling Haley how he he picked it out,

0:43:22.440 --> 0:43:25.080
<v Speaker 6>He arranged this himself. He's doing two things. He's saying, One,

0:43:26.000 --> 0:43:28.920
<v Speaker 6>I care about you guys enough to spend my time

0:43:29.680 --> 0:43:33.280
<v Speaker 6>creating something beautiful for you. And two, it's an invitation

0:43:33.400 --> 0:43:36.279
<v Speaker 6>for Haley to kind of see him and get to

0:43:36.320 --> 0:43:38.239
<v Speaker 6>know him a little more. Like it's an invite in

0:43:39.200 --> 0:43:41.160
<v Speaker 6>you know, because he could have just walked out the

0:43:41.200 --> 0:43:43.080
<v Speaker 6>dorm and like whatever, I'm the one who did it,

0:43:43.120 --> 0:43:47.680
<v Speaker 6>you know. But yeah, he's Yeah, he's great. And speaking

0:43:47.840 --> 0:43:50.600
<v Speaker 6>of Haley, how about Haley showing up as just the

0:43:50.680 --> 0:43:55.359
<v Speaker 6>like all time Hall of Fame sister. Yeah, this episode,

0:43:55.520 --> 0:43:57.560
<v Speaker 6>the Hailey Quinn stuff I thought was awesome.

0:43:58.000 --> 0:44:02.719
<v Speaker 4>Yeah, It's just it's a lot. Yeah, Hailey's always It's

0:44:02.800 --> 0:44:05.480
<v Speaker 4>nice to see her go into caretaker mode. It's a

0:44:05.520 --> 0:44:08.920
<v Speaker 4>really natural The nurturing is a really natural space for her.

0:44:09.640 --> 0:44:12.600
<v Speaker 6>The washing of her hair, it was very sweet.

0:44:13.320 --> 0:44:14.520
<v Speaker 3>Yeah.

0:44:14.920 --> 0:44:17.360
<v Speaker 2>Yeah, it's a good space for Haley. I feel like

0:44:17.400 --> 0:44:19.919
<v Speaker 2>it was good for me too.

0:44:20.239 --> 0:44:25.000
<v Speaker 4>I remember shooting a lot of that stuff, and I

0:44:25.040 --> 0:44:28.759
<v Speaker 4>feel like I was at my happiest on set when

0:44:28.920 --> 0:44:32.640
<v Speaker 4>Haley was in caretaker mode was nice.

0:44:33.880 --> 0:44:37.719
<v Speaker 3>There's something about it to the journey that you've been

0:44:37.760 --> 0:44:42.960
<v Speaker 3>on as a character. I think one of the greatest

0:44:43.000 --> 0:44:46.120
<v Speaker 3>traumas of people who go through loss, you know, in

0:44:46.200 --> 0:44:50.720
<v Speaker 3>life or family that is quick, like you guys did

0:44:50.880 --> 0:44:54.560
<v Speaker 3>as sisters with your mom, you know, to find out

0:44:54.640 --> 0:44:58.080
<v Speaker 3>Lydia was sick and have it be so fast. It's

0:44:58.120 --> 0:45:05.680
<v Speaker 3>like a compounded trauma. And the kind of I don't

0:45:05.680 --> 0:45:07.719
<v Speaker 3>want to call it a second chance that feels maybe

0:45:07.760 --> 0:45:12.760
<v Speaker 3>a little icky, but the opportunity to, in the face

0:45:12.800 --> 0:45:17.360
<v Speaker 3>of potentially another loss of that magnitude, get kind of

0:45:17.360 --> 0:45:20.960
<v Speaker 3>the second chance, like Quinn winds up being okay, and

0:45:21.040 --> 0:45:24.359
<v Speaker 3>you get to not only love her because she's your

0:45:24.400 --> 0:45:27.120
<v Speaker 3>sister and you want to be there and nurturing is

0:45:27.200 --> 0:45:29.799
<v Speaker 3>natural for Haley and all these things, but you get

0:45:29.840 --> 0:45:31.919
<v Speaker 3>to kind of love her, show up for her, take

0:45:31.960 --> 0:45:34.560
<v Speaker 3>care of her, cook for her, do the things for

0:45:34.600 --> 0:45:37.960
<v Speaker 3>her that you don't get to do for your mom anymore. Yeah,

0:45:38.000 --> 0:45:40.840
<v Speaker 3>and that you didn't really get much time to do

0:45:40.960 --> 0:45:44.000
<v Speaker 3>for your mom. And I should say for her mom.

0:45:44.040 --> 0:45:46.359
<v Speaker 3>I'm personalizing it and now it makes me feel weird.

0:45:46.360 --> 0:45:47.680
<v Speaker 3>I'm like, I don't want to put that energy in

0:45:47.719 --> 0:45:50.440
<v Speaker 3>the world. But you know what I mean, Like it

0:45:50.480 --> 0:45:54.240
<v Speaker 3>would have been meaningful anyway to watch Haley and Quinn

0:45:54.239 --> 0:45:56.719
<v Speaker 3>go through this experience and Haley Quinn and Clay and

0:45:56.800 --> 0:45:59.880
<v Speaker 3>Nathan and the whole thing, but watching it happen after

0:46:00.160 --> 0:46:03.080
<v Speaker 3>the loss of a mother for me as a viewer,

0:46:03.120 --> 0:46:05.560
<v Speaker 3>made it twice as touching.

0:46:06.480 --> 0:46:11.920
<v Speaker 6>Yeah I'm glad, Yeah boomshot aside, I thought the scene

0:46:12.360 --> 0:46:16.200
<v Speaker 6>with Haley and Nathan in the kitchen was beautiful and

0:46:16.760 --> 0:46:18.960
<v Speaker 6>had the same takeaway. I have a lot of times

0:46:19.520 --> 0:46:21.279
<v Speaker 6>with scenes with them where it's just like they're a

0:46:21.280 --> 0:46:25.600
<v Speaker 6>great team, you know. I love that Haley's first reaction

0:46:25.719 --> 0:46:28.239
<v Speaker 6>wasn't what are we going to do financially? She was like,

0:46:28.400 --> 0:46:30.360
<v Speaker 6>is this what you want? Like she was just checking

0:46:30.400 --> 0:46:35.919
<v Speaker 6>in with her person, which so great. And then there's

0:46:35.920 --> 0:46:37.680
<v Speaker 6>a lot of integrity, right because it's like then we

0:46:37.719 --> 0:46:40.640
<v Speaker 6>see Brooks signing away all liquidating all of her own

0:46:40.680 --> 0:46:43.719
<v Speaker 6>personal fortune assets to pay people back. It's like, Wow,

0:46:44.000 --> 0:46:46.320
<v Speaker 6>that's integrity. And then Nathan shows up to Clay and

0:46:46.400 --> 0:46:51.520
<v Speaker 6>Quinn's and listen, I love the idea behind where you're going, buddy.

0:46:51.640 --> 0:46:53.800
<v Speaker 6>I love you trying to be of service for your friend.

0:46:54.120 --> 0:46:57.919
<v Speaker 6>But yeah, maybe the room covered in four day old

0:46:58.000 --> 0:47:00.960
<v Speaker 6>dried blood. Maybe that's a for a professional.

0:47:01.040 --> 0:47:02.319
<v Speaker 3>Yeah, that's not gonna come out.

0:47:02.640 --> 0:47:04.200
<v Speaker 2>Also, isn't it a crime scene.

0:47:04.520 --> 0:47:06.640
<v Speaker 6>It's a crime scene. There's still police tape on the door.

0:47:06.920 --> 0:47:08.440
<v Speaker 6>I was like, I think, maybe.

0:47:08.160 --> 0:47:09.600
<v Speaker 2>You're not supposed to do that.

0:47:10.560 --> 0:47:13.680
<v Speaker 3>Yeah, maybe you're That was one of those moments where

0:47:13.680 --> 0:47:15.919
<v Speaker 3>I was like, even a Stanley steamer would not get

0:47:15.920 --> 0:47:18.879
<v Speaker 3>that out. No, you have to rip up the carpet. Yeah,

0:47:18.920 --> 0:47:20.640
<v Speaker 3>you have to have somebody come it. You got to

0:47:20.760 --> 0:47:25.640
<v Speaker 3>sand that door and repaint it, like sweetheart. And I

0:47:25.760 --> 0:47:28.160
<v Speaker 3>was so that was one of those moments where again

0:47:28.200 --> 0:47:30.799
<v Speaker 3>our crew is so great because whatever mixture they made

0:47:30.840 --> 0:47:33.760
<v Speaker 3>to put into that rug so he could actually start

0:47:33.760 --> 0:47:36.480
<v Speaker 3>getting the stain out. Like I watched the stain start lifting,

0:47:36.480 --> 0:47:39.040
<v Speaker 3>and I was like, what's in there? What is in there?

0:47:39.080 --> 0:47:43.160
<v Speaker 3>That's not organic material? And I love the intention behind

0:47:43.200 --> 0:47:47.280
<v Speaker 3>it so much, but yeah, what I would have appreciated

0:47:47.440 --> 0:47:50.080
<v Speaker 3>was like him trying to get it out, realizing it's

0:47:50.120 --> 0:47:54.960
<v Speaker 3>not coming up, feeling overwhelmed, and like googling a carpet

0:47:55.000 --> 0:47:57.399
<v Speaker 3>company and being like I need you to come rip

0:47:57.440 --> 0:47:58.280
<v Speaker 3>out all these carpets.

0:47:58.320 --> 0:48:01.840
<v Speaker 4>Like also, could we have got a message on Clay's

0:48:01.840 --> 0:48:05.279
<v Speaker 4>phone or something like, hey, your house isn't a crime

0:48:05.320 --> 0:48:07.120
<v Speaker 4>scene anymore, like and some I don't know how they

0:48:07.120 --> 0:48:09.320
<v Speaker 4>tell you those things, but you're.

0:48:09.200 --> 0:48:10.680
<v Speaker 3>Interfering with the crime scene.

0:48:11.400 --> 0:48:12.360
<v Speaker 2>That's so crazy.

0:48:13.080 --> 0:48:13.759
<v Speaker 6>Yeah, it was.

0:48:13.920 --> 0:48:15.520
<v Speaker 2>It was I'm still out there.

0:48:16.280 --> 0:48:18.840
<v Speaker 6>Yeah he did that. But when I do, why, I

0:48:18.880 --> 0:48:21.960
<v Speaker 6>don't mind it though. Was it's like there's a lot

0:48:22.040 --> 0:48:25.359
<v Speaker 6>going on and he's just trying his best. Maybe he's

0:48:25.440 --> 0:48:28.759
<v Speaker 6>not thinking critically. He's just like, my buddy's house is

0:48:28.760 --> 0:48:30.839
<v Speaker 6>a disaster. I'm going to fix it for him.

0:48:31.200 --> 0:48:31.719
<v Speaker 3>Yeah.

0:48:31.800 --> 0:48:33.560
<v Speaker 2>Yeah, they don't need to come home to look at this.

0:48:34.200 --> 0:48:36.480
<v Speaker 6>No, you just need to buy a new rug, get

0:48:36.480 --> 0:48:38.520
<v Speaker 6>it professionally cleaned, or you just recarpet that room.

0:48:38.600 --> 0:48:39.120
<v Speaker 5>Yeah.

0:48:39.239 --> 0:48:41.399
<v Speaker 4>Yeah, there are people who do that crime scene clean

0:48:41.480 --> 0:48:45.520
<v Speaker 4>up well. And I liked that we all knew and

0:48:45.560 --> 0:48:49.399
<v Speaker 4>he knew what Quinn was asking. Yeah, and we all

0:48:49.480 --> 0:48:50.640
<v Speaker 4>knew what he was saying.

0:48:50.719 --> 0:48:52.120
<v Speaker 3>It's going to be good for you to go back

0:48:52.120 --> 0:48:55.080
<v Speaker 3>there when you're ready, and he wants them to go

0:48:55.160 --> 0:48:57.600
<v Speaker 3>back to the way it was before. It's so sweet.

0:48:57.640 --> 0:48:58.600
<v Speaker 3>It's so lovely.

0:48:59.200 --> 0:49:00.400
<v Speaker 2>Yeah, And.

0:49:02.000 --> 0:49:04.040
<v Speaker 3>What I appreciated it was weird. It was such a

0:49:04.040 --> 0:49:07.799
<v Speaker 3>big swing because something nobody talks about is the fact

0:49:07.840 --> 0:49:10.839
<v Speaker 3>that at a crime scene or when there is a

0:49:10.880 --> 0:49:15.680
<v Speaker 3>medical emergency, the amts and police don't clean up. You know,

0:49:15.760 --> 0:49:18.200
<v Speaker 3>you see all the gauze, You see the needles because

0:49:18.200 --> 0:49:21.000
<v Speaker 3>they probably had to inject you guys with adrenaline. You know,

0:49:21.800 --> 0:49:25.319
<v Speaker 3>you see the wreckage of them saving your life. That

0:49:25.520 --> 0:49:31.000
<v Speaker 3>was very powerful to me. And then as powerful as

0:49:31.040 --> 0:49:33.239
<v Speaker 3>it was to be honest about what it would look

0:49:33.280 --> 0:49:35.920
<v Speaker 3>like in that room after an event like this, then

0:49:35.960 --> 0:49:37.680
<v Speaker 3>it did the opposite where I was like, there is

0:49:37.760 --> 0:49:42.480
<v Speaker 3>no way weeks old blood is coming out of that rug.

0:49:42.920 --> 0:49:44.920
<v Speaker 3>And I was like, God, we did so good on

0:49:44.960 --> 0:49:47.480
<v Speaker 3>the one hand, and then we just we pushed it.

0:49:47.960 --> 0:49:50.200
<v Speaker 3>We knocked it right over with the other. But it

0:49:50.360 --> 0:49:52.680
<v Speaker 3>was that's one of those moments where you go, it's

0:49:52.719 --> 0:49:56.040
<v Speaker 3>the gesture, it's the thing. And even though I don't

0:49:56.080 --> 0:49:58.800
<v Speaker 3>ever believe our answer for something that doesn't work should

0:49:58.800 --> 0:50:01.239
<v Speaker 3>be oh, it happened off camera, I was like, I

0:50:01.320 --> 0:50:04.759
<v Speaker 3>have to believe that. Maybe three minutes after we left

0:50:04.800 --> 0:50:09.200
<v Speaker 3>him scrubbing, he called Stanley Steamer and the store.

0:50:09.600 --> 0:50:12.240
<v Speaker 6>Because it wasn't you know, it wasn't like someone cracked

0:50:12.280 --> 0:50:15.080
<v Speaker 6>their head open. It's like we were both shot and

0:50:15.160 --> 0:50:19.600
<v Speaker 6>bled out for like something like twelve hours. Yeah, that's

0:50:19.640 --> 0:50:22.600
<v Speaker 6>so much blood, so much a carpet and then being

0:50:22.760 --> 0:50:25.719
<v Speaker 6>left for days, if not a week or two?

0:50:25.840 --> 0:50:27.640
<v Speaker 2>Oh yeah yeah floorboards.

0:50:28.000 --> 0:50:30.160
<v Speaker 6>Yeah, but bless his heart, you know, as it's in.

0:50:30.120 --> 0:50:31.920
<v Speaker 3>The less harmless.

0:50:44.600 --> 0:50:46.839
<v Speaker 6>I think we should do honorable mentions and maybe a

0:50:46.840 --> 0:50:50.960
<v Speaker 6>fan question. Sure, my honorable mention is going to be

0:50:51.840 --> 0:50:56.440
<v Speaker 6>sweet Sweet Stephen Coletti and Janet Ramer. Yeah, they sold

0:50:56.440 --> 0:50:58.040
<v Speaker 6>the heck out of that. They made it do a

0:50:58.120 --> 0:51:03.799
<v Speaker 6>very charming store and it could have not gone that way.

0:51:04.320 --> 0:51:04.960
<v Speaker 3>I love that.

0:51:05.400 --> 0:51:06.760
<v Speaker 2>I'm on board with that as well.

0:51:06.880 --> 0:51:08.880
<v Speaker 3>I was going to say the same, and now I'm like,

0:51:09.520 --> 0:51:11.520
<v Speaker 3>should we toss it up? Because I know I feel

0:51:11.560 --> 0:51:13.719
<v Speaker 3>like we all said the same last week. I'm going

0:51:13.719 --> 0:51:16.160
<v Speaker 3>to give my honorable mention to Victoria's hair in prison,

0:51:18.840 --> 0:51:20.279
<v Speaker 3>just for a little levity at the end of.

0:51:20.320 --> 0:51:23.160
<v Speaker 4>The show, Like I want to know what she's using

0:51:23.200 --> 0:51:24.440
<v Speaker 4>instead of belcrow rollers?

0:51:24.440 --> 0:51:26.839
<v Speaker 2>Are there so many cans? Like how is she doing this?

0:51:27.200 --> 0:51:29.799
<v Speaker 3>It must be That's a scene I'd like to see

0:51:29.840 --> 0:51:33.799
<v Speaker 3>as well. When we get Victoria and Martha Stewart, we

0:51:33.840 --> 0:51:35.600
<v Speaker 3>can see the coke can rollers for.

0:51:35.520 --> 0:51:40.560
<v Speaker 4>Sure, Yeah, all right, do we have a question we do?

0:51:40.640 --> 0:51:45.520
<v Speaker 6>It comes in from B. B Asks. I have watched

0:51:45.560 --> 0:51:49.200
<v Speaker 6>seasons one through nine countless times, and I've never understood

0:51:49.200 --> 0:51:52.399
<v Speaker 6>why Haley just stops being a teacher in seasons five

0:51:52.440 --> 0:51:55.279
<v Speaker 6>and six, She's a teacher, gets fired, and then just

0:51:55.400 --> 0:51:57.840
<v Speaker 6>never teaches again. A lot of work goes into becoming

0:51:57.840 --> 0:52:00.840
<v Speaker 6>a teacher. It seems strange she just abandoned as a career.

0:52:01.360 --> 0:52:03.279
<v Speaker 6>Why do you think the writers never had her go

0:52:03.440 --> 0:52:04.240
<v Speaker 6>back and teach.

0:52:05.880 --> 0:52:10.719
<v Speaker 4>Wow, that's a great point. I guess they forgot or

0:52:10.800 --> 0:52:17.880
<v Speaker 4>maybe they felt like it just didn't serve the story anymore.

0:52:17.960 --> 0:52:20.120
<v Speaker 4>They wanted to do other things. I don't know, because

0:52:20.160 --> 0:52:23.680
<v Speaker 4>Hayley's doing a lot of When did I stop teaching?

0:52:23.719 --> 0:52:27.320
<v Speaker 4>I get fired? And then what and then I started

0:52:27.360 --> 0:52:28.440
<v Speaker 4>running the record label?

0:52:28.960 --> 0:52:32.960
<v Speaker 3>Well that's the thing in season six, when you get fired,

0:52:33.000 --> 0:52:36.800
<v Speaker 3>it's over such moral ground and wanting to do the

0:52:36.880 --> 0:52:37.359
<v Speaker 3>right thing.

0:52:37.440 --> 0:52:39.400
<v Speaker 2>And I mean, yeah, that would put you off for

0:52:39.440 --> 0:52:39.880
<v Speaker 2>a while.

0:52:40.440 --> 0:52:42.359
<v Speaker 3>Yeah. And also what a sort of premonition. I mean,

0:52:42.360 --> 0:52:44.279
<v Speaker 3>look what teachers in our country are having to deal

0:52:44.320 --> 0:52:46.840
<v Speaker 3>with all over the place right now. And at the

0:52:46.880 --> 0:52:51.120
<v Speaker 3>same time as you're teaching and working on music, and

0:52:51.160 --> 0:52:54.080
<v Speaker 3>then you're essentially told you can't allow a student to

0:52:54.120 --> 0:52:57.000
<v Speaker 3>tell their truth and be who they are, which feels

0:52:57.000 --> 0:52:59.320
<v Speaker 3>like the antithesis of what a school environment is supposed

0:52:59.360 --> 0:53:04.880
<v Speaker 3>to be. Then Mia needs help, she needs a producer.

0:53:04.920 --> 0:53:08.200
<v Speaker 3>A producer is essentially a teacher. It's kind of like

0:53:08.239 --> 0:53:10.239
<v Speaker 3>being a college professor really.

0:53:10.120 --> 0:53:13.040
<v Speaker 4>Yeah, yeah, like one on one really just like walking

0:53:13.040 --> 0:53:14.120
<v Speaker 4>her through the ropes.

0:53:14.560 --> 0:53:18.319
<v Speaker 3>So in my mind, Haley didn't stop teaching. She just

0:53:19.239 --> 0:53:24.560
<v Speaker 3>she really pursued her greatest passion. But yeah, I don't know.

0:53:24.600 --> 0:53:27.520
<v Speaker 3>Maybe that's why in this episode the crisis center feels

0:53:27.520 --> 0:53:31.680
<v Speaker 3>so nostalgic to me, but it is an interesting.

0:53:31.280 --> 0:53:34.640
<v Speaker 4>Point, Yeah, because you can see like the nurturing she

0:53:34.719 --> 0:53:37.040
<v Speaker 4>wants to help. She wants to be a part of

0:53:38.719 --> 0:53:42.280
<v Speaker 4>helping people and helping them grow into the best versions

0:53:42.320 --> 0:53:46.680
<v Speaker 4>of themselves, or helping in small situations, and there's always.

0:53:47.960 --> 0:53:49.480
<v Speaker 2>That's just always who she's been.

0:53:50.320 --> 0:53:58.360
<v Speaker 4>So yeah, even though the classroom environment went away, I agree,

0:53:58.400 --> 0:54:00.280
<v Speaker 4>I think she was still showing up and doing doing

0:54:00.920 --> 0:54:03.040
<v Speaker 4>something to that effect well.

0:54:03.040 --> 0:54:07.759
<v Speaker 6>And also on the non creative side, logistically, it is

0:54:07.920 --> 0:54:10.880
<v Speaker 6>much easier from a production standpoint to have you doing

0:54:11.280 --> 0:54:13.919
<v Speaker 6>red bedroom stuff where it's just you and one other

0:54:13.960 --> 0:54:16.480
<v Speaker 6>person versus you and a school that they have to

0:54:16.520 --> 0:54:19.000
<v Speaker 6>populate with sixty background actors.

0:54:19.280 --> 0:54:23.120
<v Speaker 4>Yeah, yeah, and how many issues. I think they felt

0:54:23.160 --> 0:54:25.600
<v Speaker 4>like we had been in the classroom for so long.

0:54:25.640 --> 0:54:28.759
<v Speaker 4>And I think because the first four years was all

0:54:29.200 --> 0:54:31.960
<v Speaker 4>in the classroom on the basketball court, and then as

0:54:32.000 --> 0:54:35.320
<v Speaker 4>we moved on, I think the audience may have wanted

0:54:36.080 --> 0:54:39.920
<v Speaker 4>and astutee that it is a stute that the writer's

0:54:40.000 --> 0:54:42.120
<v Speaker 4>room would have noticed this, that it would be really

0:54:42.160 --> 0:54:44.719
<v Speaker 4>helpful as a transition point for the audience to still

0:54:44.760 --> 0:54:47.600
<v Speaker 4>be able to be in the classroom in some way

0:54:47.640 --> 0:54:51.600
<v Speaker 4>with us as we transition into adulthood. But I think

0:54:51.640 --> 0:54:53.960
<v Speaker 4>at some point it just served its purpose, like we

0:54:54.000 --> 0:54:56.080
<v Speaker 4>had just run through all the storylines that we really

0:54:56.160 --> 0:55:00.000
<v Speaker 4>could have without interfering too much on the larger group scale.

0:55:00.600 --> 0:55:03.160
<v Speaker 3>And I also think there really is the This is

0:55:03.200 --> 0:55:08.799
<v Speaker 3>where the sort of personal professional overlap happens too. You know,

0:55:09.320 --> 0:55:12.880
<v Speaker 3>you are a musician. You are an incredible musician. You

0:55:12.920 --> 0:55:15.880
<v Speaker 3>were writing music, you were writing musicals. You are I

0:55:15.880 --> 0:55:19.000
<v Speaker 3>mean you, you moved to the music capital of America

0:55:19.120 --> 0:55:23.719
<v Speaker 3>like you. You are a music a musical being in

0:55:23.760 --> 0:55:28.279
<v Speaker 3>yourself as joy and so I also think given all

0:55:28.320 --> 0:55:33.280
<v Speaker 3>of that and and what Haley as a musician allowed

0:55:33.880 --> 0:55:38.400
<v Speaker 3>us to maintain on the show, particularly with Peyton leaving

0:55:39.120 --> 0:55:43.479
<v Speaker 3>and you taking over Red bedroom, that I just think

0:55:43.520 --> 0:55:48.960
<v Speaker 3>for both story and your creative inspiration, it made more sense.

0:55:49.640 --> 0:55:53.160
<v Speaker 4>Yeah, I think so too. Yeah, B thanks for asking.

0:55:53.239 --> 0:55:57.480
<v Speaker 2>Great, it's a great question. Interesting. Okay, let's been a wheal.

0:55:58.120 --> 0:55:59.240
<v Speaker 3>Let's do it, kiddos.

0:56:00.200 --> 0:56:02.040
<v Speaker 4>It's so funny when they run this, we get to

0:56:02.040 --> 0:56:05.000
<v Speaker 4>see like it running through all the all the different possibilities.

0:56:05.200 --> 0:56:11.480
<v Speaker 2>I know, Oh how funny.

0:56:12.239 --> 0:56:15.880
<v Speaker 6>Most likely to win the show survivor.

0:56:15.760 --> 0:56:18.160
<v Speaker 2>To win not just be a contestant.

0:56:17.960 --> 0:56:18.920
<v Speaker 6>Victoria Davis.

0:56:20.280 --> 0:56:24.719
<v Speaker 4>Yes, yes, one thousand percent yes. And it would come

0:56:24.760 --> 0:56:27.919
<v Speaker 4>down to Victoria Davis and Dan Scott and Victoria would

0:56:27.920 --> 0:56:31.600
<v Speaker 4>get the upper hand somehow, but for sure Victoria wins.

0:56:31.800 --> 0:56:33.920
<v Speaker 3>Yeah, and Dan would beg He'd be like, but be

0:56:34.040 --> 0:56:35.840
<v Speaker 3>like the girl in the Hunger Games and save us

0:56:35.880 --> 0:56:43.279
<v Speaker 3>both and Victoria would be like, no, I love it.

0:56:44.000 --> 0:56:44.480
<v Speaker 3>That's it.

0:56:45.040 --> 0:56:45.360
<v Speaker 5>Okay.

0:56:45.400 --> 0:56:49.279
<v Speaker 4>Next episode, Season eight, episode five, Nobody taught us to quit.

0:56:50.640 --> 0:56:51.960
<v Speaker 2>I wonder what's going to happen there?

0:56:52.640 --> 0:56:55.960
<v Speaker 4>For tuning in friends, always nice to spend an afternoon

0:56:55.960 --> 0:56:58.920
<v Speaker 4>evening or morning with you and hope to see so bane.

0:57:00.280 --> 0:57:01.840
<v Speaker 2>Hey, thanks for listening.

0:57:01.560 --> 0:57:03.719
<v Speaker 3>Don't forget to leave us a review. You can also

0:57:03.840 --> 0:57:07.000
<v Speaker 3>follow us on Instagram at Drama Queens O t H

0:57:07.480 --> 0:57:11.640
<v Speaker 3>or email us at Drama Queens at iHeartRadio dot com.

0:57:11.920 --> 0:57:12.920
<v Speaker 2>See you next time.

0:57:14.160 --> 0:57:16.520
<v Speaker 3>We all about that high school drama.

0:57:16.560 --> 0:57:20.040
<v Speaker 2>Girl Drama Girl, all about them high school queens.

0:57:20.080 --> 0:57:22.240
<v Speaker 4>We'll take you for a ride at our comic Girl

0:57:23.080 --> 0:57:26.640
<v Speaker 4>cheering for the right teams. Drama Queenslease my girl, up

0:57:26.760 --> 0:57:28.640
<v Speaker 4>girl fashion, but your tough girl.

0:57:28.480 --> 0:57:29.400
<v Speaker 2>You could sit with us.

0:57:29.480 --> 0:57:33.560
<v Speaker 1>Girl Drama Queens, Drama Queens, Drama Queens, Drama Drama Queens

0:57:33.600 --> 0:57:35.240
<v Speaker 1>Drama Queens