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Speaker 1: First of all, you don't know me. We all about

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Speaker 1: that high school drama, Girl Drama, Girl, all about.

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Speaker 2: Them high school queens.

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Speaker 3: We'll take you for a ride, and our comic.

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Speaker 2: Girl sharing for the right teen.

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Speaker 4: Drama Queens, Jaylie's my girl ofugh girl Fashion, Butch your

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Speaker 4: tough girl.

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Speaker 1: You could sit with us, Girl Drama, Queen Drama, Queens Drama,

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Speaker 1: Queens Drama, John McQueen's drama, Queens.

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Speaker 4: Hey Everybody, Season eight, Episode four is We All Fall Down?

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Speaker 4: Air date October fifth, twenty ten, twenty ten.

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Speaker 2: Guys, this is so long ago, okay.

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Speaker 4: The synopsis is as Brook deals with the mounting financial

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Speaker 4: troubles at Closeover Bros, Nathan and Haley come to a

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Speaker 4: conclusion regarding Nathan's career. Meanwhile, Julian begins a new film project,

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Speaker 4: while Alex and Chase spend their afternoon together. Directed by

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Speaker 4: Peter Kowalski, writer Bill Brown, William Brown. Well, thanks, I

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Speaker 4: hope you guys watched along with us. This was a

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Speaker 4: fun one.

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Speaker 5: This one was.

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Speaker 3: I can I just go ahead and say though that

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Speaker 3: I literally have laughter in all caps in my notes

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Speaker 3: because we open on Nathan training and James is such

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Speaker 3: a g he's just crushing the sports and it, I mean,

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Speaker 3: making buckets to an instrumental of this has got to

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Speaker 3: be a good Life. I was like, why it felt

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Speaker 3: as weird to me as the punk rock over the

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Speaker 3: super emotional last episode, Like I almost feel like someone's

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Speaker 3: taken our music syncs and put them in like a

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Speaker 3: like a boggle jar and just shaken up the dice

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Speaker 3: and you see where it lands. Why was that song

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Speaker 3: for the sports?

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Speaker 4: It must have just been a trending song at the time.

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Speaker 6: It definitely was, But it's kind of like they said, hey,

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Speaker 6: we couldn't jump around by House of Pain, but we

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Speaker 6: were able to get an instrumental of good Life. Yeah,

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Speaker 6: and they're like, uh okay, great. Yeah.

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Speaker 4: Also cutting to the credits that Susie so did I think?

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Speaker 4: Which it was a beautiful rendition, but also why did

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Speaker 4: we just not flip flop them?

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Speaker 2: Because the energy was there?

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Speaker 3: So who knows that energy would have been so much

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Speaker 3: better for Ato three.

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Speaker 2: Yeah.

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Speaker 4: I wonder what happens behind the scenes that we don't

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Speaker 4: know about that sets that up, Like who, I mean,

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Speaker 4: maybe somebody's got an album coming out that week and

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Speaker 4: it needs to be I don't know.

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Speaker 2: I don't know why we should.

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Speaker 4: We really do need to have Lindsay Wolfington on this

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Speaker 4: show before it's all over and ask her all these questions.

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Speaker 3: Yeah, it was such a good opener, but the music

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Speaker 3: feeling mismatched took me out of it. And you know,

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Speaker 3: I'll be the first to say, maybe that's because we

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Speaker 3: made the show. Maybe maybe the audience didn't really bump

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Speaker 3: on it. But I would actually be really curious from

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Speaker 3: the fans at home if you were like, why this song?

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Speaker 6: Also, can I say that my first note is a

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Speaker 6: good song and a sweaty James Lafferty working out montage

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Speaker 6: to start the app sign me up? So clearly I

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Speaker 6: didn't bump on it at all.

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Speaker 2: Yeah, I didn't. Okay, nurice it either. I didn't notice

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Speaker 2: it either.

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Speaker 6: I liked the little American beauty vibe with creeper Julian

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Speaker 6: in this camera.

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Speaker 2: That's what it was, American beauty.

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Speaker 4: Yes, that was weird.

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Speaker 3: I was like, does Nathan know Julian's filming him? Why

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Speaker 3: is Julian sort of hiding behind his car but not

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Speaker 3: completely the whole It felt so weird to me. And

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Speaker 3: then later in the episode when he tells Brook, oh,

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Speaker 3: I'm testing out this new camera. I'm like, could we

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Speaker 3: not have done this at the baseball field with kid?

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Speaker 3: Where it was I felt cute? And then you see

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Speaker 3: him filming the dad and you go, oh, he's doing

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Speaker 3: He's gonna like do this with everybody. I guess we'll

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Speaker 3: figure out why.

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Speaker 4: Instead he drives you to the prison without telling you,

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Speaker 4: and then as coming out, bust out this video camera.

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Speaker 3: Right doesn't feel me going in, God.

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Speaker 4: He susould drive me crazy this stuff, Like, it's just

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Speaker 4: why are we doing this? Can we not just make

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Speaker 4: it make sense? Is there not one person in the

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Speaker 4: room who's just like, can we just it's not that

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Speaker 4: hard to make it make sense. Let's make some slight

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Speaker 4: adjustments exactly.

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Speaker 6: And the blocking, here's the weird thing. If Nathan was

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Speaker 6: playing at a crowded court, totally makes sense for Julian

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Speaker 6: to kind of be doing his own thing tucked away recording.

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Speaker 6: But Nathan is playing at River Court. He is the

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Speaker 6: only person there. He is the only car there, which

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Speaker 6: means seeing Julian pull up and be standing there would

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Speaker 6: be incredibly obvious. It would be weird to not acknowledge

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Speaker 6: each other. So the fact that the blocking had him

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Speaker 6: kind of like tuck behind his car, and it was like,

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Speaker 6: is Nathan aware why the energy was very like lurker creepy.

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Speaker 3: Yeah, it would have made so much more sense to

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Speaker 3: acknowledge each other, to make it look like Julian's doing something,

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Speaker 3: not stalking people. Yeah, and then you know, even see,

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Speaker 3: you could have seen Nathan kind of get lost in

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Speaker 3: it and then catch himself because he knows his friend

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Speaker 3: is there. But to your point, Rob, it's like it's

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Speaker 3: the flattest, most open space in all of Wilmington, and

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Speaker 3: supposedly he doesn't see a giant old Ford truck and

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Speaker 3: a man who's six ' three standing there looking at

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Speaker 3: him like, what are we talking about?

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Speaker 6: Yeah, well he did.

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Speaker 4: He must have seen him. Julian must have told him

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Speaker 4: blah blah blah, the camera this program, can I shoot you?

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Speaker 5: Sure?

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Speaker 2: But then awkward.

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Speaker 6: All it took was the slightest head nod between each

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Speaker 6: other even and you'd be like, yeah, okay.

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Speaker 2: Yeah cool.

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Speaker 4: Part of me hates picking this stuff apart, but I

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Speaker 4: also feel like I love the critical thinking aspect of

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Speaker 4: it because so often we I think it just happens

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Speaker 4: more and more in TV, especially for this demographic where

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Speaker 4: it gets a little lazy. People are whoever's running the

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Speaker 4: show is just like it doesn't really matter, and kids

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Speaker 4: are getting used to not having to critically think. They're

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Speaker 4: just they just accept it because everything is a little

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Speaker 4: bit suspended beyond belief in my opinion.

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Speaker 2: But I see it happened with my daughter. I'm like, well,

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Speaker 2: this doesn't make any sense, and she's just like, whatever,

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Speaker 2: it's just TV. I'm like, yeah, but it's storytelling.

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Speaker 4: Should make sense that how else are you supposed to

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Speaker 4: be emotionally affected by something if there's this part of

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Speaker 4: your brain that's just like, yeah, but how did it,

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Speaker 4: how did you get there?

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Speaker 2: And what happened?

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Speaker 4: And when it's not that hard to tie up the

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Speaker 4: loose ends, I think we should do it.

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Speaker 2: That's my rant.

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Speaker 3: Well, I appreciate the rant, and I also appreciate that

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Speaker 3: because listen, there's a weird thing and I think we

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Speaker 3: certainly we definitely experienced this. Rob Like when we first

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Speaker 3: started the show, I think there was a little bit

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Speaker 3: of shock from some of the fans that were like, whoa,

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Speaker 3: you guys point out a lot of things that aren't great,

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Speaker 3: and I never want to seem like we're complaining but

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Speaker 3: what I do appreciate is saying this could be better.

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Speaker 3: And in a way, yeah, we're reliving these great memories

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Speaker 3: we all had together, but we're kind of film schooling

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Speaker 3: our show.

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Speaker 6: Yes, like this is what you do.

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Speaker 3: In film school, and I do appreciate it. And what

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Speaker 3: I don't want to do is the thing that the

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Speaker 3: writers would do, which is sort of the role you

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Speaker 3: just played, right, joy being like, well, the assumption is

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Speaker 3: they've talked about this off camera, and who cares. You

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Speaker 3: don't need to see it on camera because the most

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Speaker 3: interesting thing and that's actually not true. That's just lazy. Yeah,

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Speaker 3: And I like that we're willing to say that and

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Speaker 3: do that, And like, I don't know. I didn't go

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Speaker 3: to film school and kind of wish I had. And

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Speaker 3: for anyone out there who didn't go to film school either,

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Speaker 3: you're welcome. Welcome to class.

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Speaker 6: Yeah, and pointing out stuff like that isn't like, isn't

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Speaker 6: like knocking the show as a whole. It's not saying

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Speaker 6: we don't like the show. It's it's the same way

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Speaker 6: like when I watch a movie. Unfortunately, I noticed when

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Speaker 6: a character's glass goes from full in one shot to

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Speaker 6: then empty the next shot and then full again. It's

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Speaker 6: like I can't not notice these things. But it doesn't

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Speaker 6: mean like the movie's not good. No, it's not the case. Also,

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Speaker 6: to be fair, listen, TV's fast and loose, and sometimes

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Speaker 6: it can be really lazy. Also, there are some days

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Speaker 6: where there are only so many fires you can put out. Yeah,

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Speaker 6: this might have been a day where there was like

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Speaker 6: three more like more pressing fires, and by fire, I

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Speaker 6: just mean like a problem, and this was the smallest,

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Speaker 6: and they were just they could they didn't have the

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Speaker 6: time for it. Yeah, you know, because TV moves so fast,

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Speaker 6: you know, it's so ambitious. So sometimes it's just like, cool,

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Speaker 6: we have three trash cans and two lids. What are

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Speaker 6: we going to address?

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Speaker 2: A couple of other things.

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Speaker 4: I noticed though, when he flipped that camera, when he

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Speaker 4: turned the recording off, it went to a green light.

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Speaker 2: Did you notice that? Yeah, so it looks like he hadn't.

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Speaker 4: Been recording the whole time. And then when he turned

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Speaker 4: the camera quote unquote off, the green light turned on.

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Speaker 4: Although I guess when you record, a red light runs.

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Speaker 3: Yeah, the red light runs when you're recorded.

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Speaker 4: Why would a green light go on when he turned

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Speaker 4: it off? It was a full green light. Was so strange?

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Speaker 3: Was that supposed to help you make sure you knew

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Speaker 3: you weren't recording?

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Speaker 4: Maybe, except that green means go generally. But I don't

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Speaker 4: know whatever. It was just some random thing. But the

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Speaker 4: other thing was, did anybody catch the giant boom behind

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Speaker 4: Nathan's head when he and I were talking in the kitchen. No,

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Speaker 4: we took up half the frame, Guys on the left.

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Speaker 4: I should have stopped and screenshotted it for you.

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Speaker 3: Like when he comes home from having beers with Julian

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Speaker 3: to tell you that kitchen scene.

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Speaker 4: Yes, we're standing in the kitchen and it's over his

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Speaker 4: shoulder onto me. It's one of my first lines, and

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Speaker 4: the rest of the scene is popped in close on

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Speaker 4: my face and you can tell it's because that's the

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Speaker 4: only take they had, for whatever reason, in the shot,

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Speaker 4: and there was a boom in the shot and so

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Speaker 4: they had to cut deep into the shots. So I

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Speaker 4: was like uber close and Nathan was just sort of

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Speaker 4: like his normal, you know, neck up.

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Speaker 3: Okay, wait, so what's interesting about that scene? I know

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Speaker 3: we're jumping around, but I was watching the episode yesterday

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Speaker 3: and my best friend was here, and you're at the stove,

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Speaker 3: and he, like you know, walks in behind you, puts

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Speaker 3: his bag on the counter, and she goes, why do

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Speaker 3: they have joy in like seven inch platform heels? Isn't

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Speaker 3: isn't Haley pregnant?

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Speaker 2: And I said, and shorts and a jean jacket and

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Speaker 2: a scarf.

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Speaker 3: And I said, Babe, we all had to wear platforms

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Speaker 3: every day because all the boys were so tall. It

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Speaker 3: was the only way they could get us in the

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Speaker 3: two shots. And then you walk up to him and

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Speaker 3: she goes, oh my god, look how tiny she still is.

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Speaker 3: And I said, yeah, we all like basically broke our

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Speaker 3: feet for nine years because we needed to be in

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Speaker 3: heels all the time. Otherwise they could shoot over any

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Speaker 3: of the boy's shoulders. And she could not believe it.

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Speaker 3: And I was like, yeah, wait till you see.

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Speaker 2: Oh, I've got the bunyan to prove it. Don't worry.

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Speaker 3: Amazing hot, so hot. So I was paying attention to

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Speaker 3: your shoes and I fully missed the boom is the

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Speaker 3: pool boom?

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Speaker 4: I may go back and screenshot it for you guys,

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Speaker 4: just for the hell of it, because it really I

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Speaker 4: couldn't believe it was. I actually rewound it just to

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Speaker 4: make sure that I was seeing what I was seeing correctly.

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Speaker 6: Wow, well, testament to you and James, because I really

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Speaker 6: liked that scene and I didn't notice it. I was

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Speaker 6: I think I was all in on the ride of

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Speaker 6: you two and the story, and I had like normally

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Speaker 6: that stuff jumps out at me, didn't even notice it.

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Speaker 4: Yeah, okay, good, that's good. Well, those are the only

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Speaker 4: things about the you know, technic techno. Oh, for god's sake,

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Speaker 4: joy tech technical technical?

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Speaker 2: Why does this happen to me?

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Speaker 6: Hey, you're doing great? Joy?

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Speaker 2: Thanks guys.

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Speaker 4: Yeah, that's all I had about that, those comments. But

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Speaker 4: the lots at the storylines here, Yeah, where do we start?

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Speaker 4: Where do you guys want to start?

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Speaker 3: Well, the Crisis Intervention Center feels kind of like a

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Speaker 3: big thing. You know, we've watched Hailey channeling her experiences

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Speaker 3: finding healthy outlets. The journaling gives us very early days

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Speaker 3: Lucas voiceovers. It feels really sentimental. And then to see

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Speaker 3: there was something about seeing you at that desk in

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Speaker 3: that crisis center that gave me Hailey and the Tutor

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Speaker 3: center energy. Yeah, and it really made me feel nostalgic.

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Speaker 4: Yeah, I thought so too. I remember shooting that stuff.

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Speaker 4: I thought it was such a nice idea for Haley.

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Speaker 4: I wonder if she keeps going back to work there,

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Speaker 4: because I can't remember what's happening with this storyline remember either,

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Speaker 4: But I know they used I'm pretty sure they used

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Speaker 4: that voice at the end, the Irish accent, because we're

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Speaker 4: going to meet her and we need to be able

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Speaker 4: to recognize her right away.

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Speaker 3: Yeah, I just don't.

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Speaker 2: Remember why or how.

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Speaker 4: Yes, I did really love that for Haley. It seems

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Speaker 4: like a good transition for her since she's not teaching anymore.

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Speaker 4: And I don't know what what is Hailey doing right now?

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Speaker 2: I mean, I guess.

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Speaker 6: She's growing a human being.

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Speaker 4: Yeah, but you know, you don't really need to be.

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Speaker 4: It's not like she's on bed rest or something. I

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Speaker 4: don't know why she's I don't know what she's doing.

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Speaker 3: Because didn't mea just go on tour. You guys just

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Speaker 3: finished me as album? Yeah she's on tour. Maybe, Yeah,

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Speaker 3: maybe this is your sort of pause after that big

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Speaker 3: creative project.

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Speaker 4: Well, and her sister just got shot and her mom

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Speaker 4: just died, so yeah, maybe she's just taken a break

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Speaker 4: of life.

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Speaker 6: And Nathan should be at camp right now, so you

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Speaker 6: are probably just staying home to hold the four done.

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Speaker 4: Yeah that's true too, Okay, okay, yeah, So Crisis Intervention

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Speaker 4: Center feels like a nice moment for her to be

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Speaker 4: able to take some time to do some good, do

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Speaker 4: something for the community, keep busy, because Haley likes to

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Speaker 4: be busy, but not take up her whole day.

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Speaker 5: I liked it too.

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Speaker 3: I have another observation from my best friend who was

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Speaker 3: here yesterday. When you realize it's Junk on the phone

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Speaker 3: and you go, hey buddy, seem he goes, oh, how emasculating?

291
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Speaker 3: We were hackling, and it's like, well, what do you say?

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Speaker 3: What do you say? And just that Hayley and hey buddy,

293
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Speaker 3: quick was so good. I liked getting Collin's voice in there.

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Speaker 3: I wish we'd gotten to see him in the episode,

295
00:14:38,560 --> 00:14:42,280
Speaker 3: but even just having Junk come in unexpectedly in that way,

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Speaker 3: it really did give us a moment of levity that

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Speaker 3: I thought was pretty great.

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Speaker 4: Yeah, maybe we get him back soon, I hope. So

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Speaker 4: I really missed those River court boys, such.

300
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Speaker 2: A good vibe.

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Speaker 6: I loved the first time we see Victoria in the

302
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Speaker 6: Big House. She already has an assistant and fear like

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Speaker 6: she already has it all figured out and working for her.

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Speaker 4: Of course, she's got the lingo down, she's got her,

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Speaker 4: she's got her.

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Speaker 2: Yeah, assistant, that'll be enough.

307
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Speaker 3: Adele incredible, I wrote Victoria in prison already already has

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00:15:15,640 --> 00:15:18,960
Speaker 3: staff of course, oh tattoo staff. Oh her name's Adele.

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Speaker 2: So much better than Calliope, so much better.

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Speaker 3: She's so much better than Calliope. And somehow Daphne manages

311
00:15:28,160 --> 00:15:31,720
Speaker 3: to have this incredible blowout. Yes, Like the volume in

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00:15:31,760 --> 00:15:37,080
Speaker 3: her hair is perfect, and she's talking about the quote

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Speaker 3: captains of industry have done their best work while incarcerated.

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Speaker 2: She's so unfazed.

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Speaker 3: Unfazed.

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Speaker 2: Yeah, what else would you expect?

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Speaker 6: But I do appreciate that on the show, penitentiaries and

318
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Speaker 6: hospitals do not get in the way of good hair.

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Speaker 6: Oh yeah, never threatening trauma. Still going to have perfectly

320
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Speaker 6: quaft hair. Incarcerated, still going to have a beautiful blowout.

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Speaker 3: Yes, that's you know what. That's where the response it's

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Speaker 3: TV kind of makes sense. Yes, Yeah, Like if I'm

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Speaker 3: not going to get a little glamour here, where am

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Speaker 3: I going to get it?

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Speaker 4: Yeah, there's several different kinds of shows. There's the shows

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Speaker 4: where it's really real and raw, and they're going for

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Speaker 4: a specific look and a vibe that's not what we

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Speaker 4: were doing.

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Speaker 2: That's nice.

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Speaker 6: This isn't orange is the new black. We don't need

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00:16:23,320 --> 00:16:25,440
Speaker 6: to like have a gritty portrayal of it. Let's just,

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Speaker 6: you know, keep it light and polite and beautifully blown out.

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00:16:29,400 --> 00:16:32,200
Speaker 4: Yeah, Victoria wanting the warden to change the color of

334
00:16:32,240 --> 00:16:35,280
Speaker 4: the jumpsuit. What I would love to see though, is

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00:16:35,320 --> 00:16:38,200
Speaker 4: the next time Brooke visits her that all the jumpsuits

336
00:16:38,240 --> 00:16:40,800
Speaker 4: like actually have been changed. They're all just like a

337
00:16:40,920 --> 00:16:42,800
Speaker 4: nice cerulean or something.

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00:16:43,120 --> 00:16:48,600
Speaker 6: Yeah. The only penitentiary that has that has not orange

339
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Speaker 6: jumpsuits like in the nation.

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Speaker 3: Yeah, and it was a pitch something about you know,

341
00:16:56,080 --> 00:16:58,840
Speaker 3: mental health and the way colors motivate people, like she

342
00:16:58,880 --> 00:17:02,760
Speaker 3: would have had it researched, Yeah, budgeted done, Although maybe

343
00:17:02,760 --> 00:17:05,240
Speaker 3: we shouldn't be trusting Victoria with budgets, given where the

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00:17:05,320 --> 00:17:06,480
Speaker 3: end of the episode.

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Speaker 6: Goes, Okay, this is one of those ones that could

346
00:17:11,040 --> 00:17:16,720
Speaker 6: have been solved in two words student loan, Like, Okay,

347
00:17:16,880 --> 00:17:19,359
Speaker 6: you lost your money invested in close over Bros. So

348
00:17:19,400 --> 00:17:21,440
Speaker 6: you're gonna tell your kids she can't go to college.

349
00:17:22,280 --> 00:17:24,640
Speaker 6: Why not just take out a student loan and still

350
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Speaker 6: let her go to college.

351
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Speaker 4: Yes, semantics for that particular guy's issue agreed.

352
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Speaker 6: I just feel I felt like I felt for him,

353
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Speaker 6: like this is that is horrible that this happened to you,

354
00:17:36,680 --> 00:17:38,399
Speaker 6: and that this is like what the company did to

355
00:17:38,400 --> 00:17:42,080
Speaker 6: you terrible. But I just didn't feel like at the end,

356
00:17:42,119 --> 00:17:44,760
Speaker 6: I'm like, but you know, you can get a loan

357
00:17:45,720 --> 00:17:47,480
Speaker 6: and she can still, Like, you don't have to tell

358
00:17:47,480 --> 00:17:49,560
Speaker 6: her she doesn't. She can't go to college now like

359
00:17:49,760 --> 00:17:53,960
Speaker 6: most people can't afford college. The vast majority of kids

360
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Speaker 6: can't afford it.

361
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Speaker 4: What I really liked about it though, that this guy,

362
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Speaker 4: I mean as an actor. I don't know who what

363
00:18:00,240 --> 00:18:03,280
Speaker 4: his name is, but I thought he did really great

364
00:18:03,320 --> 00:18:06,439
Speaker 4: with that material because that had to have been I

365
00:18:06,440 --> 00:18:08,680
Speaker 4: wonder how many I thought about how many people came

366
00:18:08,720 --> 00:18:12,639
Speaker 4: in to read that audition scene and read it be

367
00:18:12,760 --> 00:18:16,280
Speaker 4: like angry and bitter and a jerk, And he really was.

368
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Speaker 2: I really didn't know where it was going to go.

369
00:18:19,040 --> 00:18:22,119
Speaker 4: He was sweet, and it made the turn of the

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00:18:22,200 --> 00:18:26,000
Speaker 4: revelation of what he was there for even more effective.

371
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Speaker 6: Well in the way he would occasionally slip into the

372
00:18:30,160 --> 00:18:32,840
Speaker 6: past tense like he think he said she was is

373
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Speaker 6: my daughter, like she was going to go to fashion school,

374
00:18:34,640 --> 00:18:37,240
Speaker 6: and I'm like, yeah, as his daughter passed away, That's

375
00:18:37,280 --> 00:18:43,080
Speaker 6: what I was worried about. Did Brook accidentally kill someone too? Like? Wow,

376
00:18:43,560 --> 00:18:46,280
Speaker 6: is that that's going on? Victoria? What'd you do?

377
00:18:48,000 --> 00:18:52,840
Speaker 3: Yeah? I think what was interesting to me about it

378
00:18:52,880 --> 00:18:57,520
Speaker 3: is at the time, I remember thinking, wow, God, this

379
00:18:57,680 --> 00:19:02,040
Speaker 3: is just so sad, and I liked that it could

380
00:19:02,040 --> 00:19:08,120
Speaker 3: be really personal and small for Brooke to be met with.

381
00:19:08,200 --> 00:19:10,000
Speaker 3: You know, if someone starts talking to you about a

382
00:19:10,040 --> 00:19:13,160
Speaker 3: crisis that's hundreds of millions of dollars, Like, what does

383
00:19:13,200 --> 00:19:15,600
Speaker 3: that mean? None of us have ever seen that kind

384
00:19:15,640 --> 00:19:18,920
Speaker 3: of money, you know, But to hear this girl whose

385
00:19:18,960 --> 00:19:23,480
Speaker 3: face you now know, lost her college fund, that's that's

386
00:19:23,560 --> 00:19:28,000
Speaker 3: an experience and an amount of you know, math that

387
00:19:28,080 --> 00:19:30,919
Speaker 3: I think most of us can wrap our heads around.

388
00:19:30,920 --> 00:19:32,720
Speaker 3: We don't need to sit and study the figures and

389
00:19:32,720 --> 00:19:35,119
Speaker 3: ask a bunch of questions and what not to learn.

390
00:19:35,560 --> 00:19:40,479
Speaker 3: It's a quick I get the problem, and you know,

391
00:19:41,040 --> 00:19:44,600
Speaker 3: for her to be met with this is the real

392
00:19:44,640 --> 00:19:49,000
Speaker 3: world effect of this enormous business problem. These hundreds of

393
00:19:49,000 --> 00:19:50,879
Speaker 3: millions of dollars in all these stores and all these

394
00:19:50,960 --> 00:19:54,760
Speaker 3: geographies and all these things. It personalized it really well.

395
00:19:55,800 --> 00:19:58,000
Speaker 3: And on the flip side of, you know, being a

396
00:19:58,040 --> 00:20:00,760
Speaker 3: person who's now been alive for almost twenty more years

397
00:20:00,760 --> 00:20:02,639
Speaker 3: than I was when we filmed this, I was like,

398
00:20:02,920 --> 00:20:04,760
Speaker 3: what do you mean you invested all of your money

399
00:20:04,760 --> 00:20:07,000
Speaker 3: in her college fund, in my credit? What are you

400
00:20:07,119 --> 00:20:09,560
Speaker 3: talking about? Who allowed you to do that? And why

401
00:20:09,560 --> 00:20:12,680
Speaker 3: would you do that in a clothing company that was

402
00:20:12,800 --> 00:20:15,119
Speaker 3: essentially raising So they're in some version of, you know,

403
00:20:15,240 --> 00:20:18,520
Speaker 3: the realnds of startup phasing. Why wouldn't you put money

404
00:20:18,600 --> 00:20:24,640
Speaker 3: into medical device stock? And like, I started asking all

405
00:20:24,640 --> 00:20:29,880
Speaker 3: these questions about how insanely risky this man had been

406
00:20:29,920 --> 00:20:32,520
Speaker 3: with his own child's future. And I was like, oh,

407
00:20:32,560 --> 00:20:35,160
Speaker 3: I'm really I'm taking myself out of the story here,

408
00:20:35,560 --> 00:20:39,040
Speaker 3: because I want to know why nobody in this supposedly

409
00:20:39,160 --> 00:20:41,360
Speaker 3: rich older man's life who's old enough to be my dad,

410
00:20:41,480 --> 00:20:42,760
Speaker 3: told him to invest in the.

411
00:20:42,640 --> 00:20:42,960
Speaker 6: S and B.

412
00:20:43,520 --> 00:20:46,439
Speaker 3: Like I was so mad at him for being so

413
00:20:46,600 --> 00:20:50,080
Speaker 3: reckless with his money and her future. And I was like, oh,

414
00:20:50,119 --> 00:20:53,240
Speaker 3: I've officially I'm in a very different phase of life

415
00:20:53,320 --> 00:20:56,240
Speaker 3: than I was when we filmed this.

416
00:20:56,560 --> 00:20:59,520
Speaker 4: I thought the same thing, and then immediately the next

417
00:20:59,560 --> 00:21:01,639
Speaker 4: scene is thank god because somebody else in the writer's

418
00:21:01,720 --> 00:21:03,720
Speaker 4: room thought the same thing too. Maybe it was Bill

419
00:21:03,880 --> 00:21:07,000
Speaker 4: who wrote this episode. As Victorias say, what kind of

420
00:21:07,000 --> 00:21:09,600
Speaker 4: an idiot invests everything they have in a clothing line?

421
00:21:09,640 --> 00:21:14,400
Speaker 3: Anyway, exactly, it was really interesting.

422
00:21:14,480 --> 00:21:17,800
Speaker 6: Okay, he was misguided, Like, how about you invest your kids'

423
00:21:17,840 --> 00:21:20,399
Speaker 6: college fund money in a college fund?

424
00:21:20,840 --> 00:21:25,000
Speaker 3: Yeah? Yeah, any high yield savings savings that's where it

425
00:21:25,040 --> 00:21:27,880
Speaker 3: should be. Also, to our friends we've gotten from film

426
00:21:27,920 --> 00:21:31,560
Speaker 3: school to finance, you're welcome, high yield savings account. If

427
00:21:31,600 --> 00:21:33,720
Speaker 3: you don't have one, get one.

428
00:21:34,000 --> 00:21:36,600
Speaker 4: Yeah that was it was say, but I did to

429
00:21:36,640 --> 00:21:40,280
Speaker 4: what you were saying earlier. So the concept of someone

430
00:21:40,359 --> 00:21:46,639
Speaker 4: who putting a real face to a real problem, I,

431
00:21:46,760 --> 00:21:50,960
Speaker 4: especially at that age, always thought of investors as like

432
00:21:51,040 --> 00:21:54,159
Speaker 4: shark tank people like people with just so much money,

433
00:21:54,160 --> 00:21:57,080
Speaker 4: money that they could stand to lose a few you know,

434
00:21:57,080 --> 00:21:59,480
Speaker 4: one hundred thousand here or there, fifty thousand or whatever

435
00:21:59,680 --> 00:22:01,840
Speaker 4: it is. It's like, Okay, it's just one of many

436
00:22:02,680 --> 00:22:05,000
Speaker 4: a multifaceted portfolio.

437
00:22:04,840 --> 00:22:06,919
Speaker 3: And it's not that for so many people.

438
00:22:07,359 --> 00:22:11,800
Speaker 4: Yeah, but I man, I loved this storyline for Brook

439
00:22:12,560 --> 00:22:16,600
Speaker 4: and it's the I was gonna say, she's come so far,

440
00:22:16,640 --> 00:22:18,880
Speaker 4: but I think this has always been who I think

441
00:22:18,880 --> 00:22:21,480
Speaker 4: this is who Brook's always been. No matter when this

442
00:22:21,520 --> 00:22:23,159
Speaker 4: would have happened. If it was something like this in

443
00:22:23,240 --> 00:22:25,800
Speaker 4: high school, I think she still would have ultimately done

444
00:22:25,840 --> 00:22:26,360
Speaker 4: the right thing.

445
00:22:27,880 --> 00:22:28,760
Speaker 2: But it's really.

446
00:22:28,600 --> 00:22:31,400
Speaker 4: Nice to see it was just really nice to see

447
00:22:31,400 --> 00:22:34,320
Speaker 4: it in person. Feel the weight of that of like, yeah,

448
00:22:34,400 --> 00:22:37,280
Speaker 4: everything that I have and everything that I own, the

449
00:22:37,359 --> 00:22:42,000
Speaker 4: confidence of knowing that you can rebuild that there there

450
00:22:42,040 --> 00:22:44,360
Speaker 4: there will there will always be more ideas, there will

451
00:22:44,359 --> 00:22:50,680
Speaker 4: always be more opportunities for her, and to be able

452
00:22:50,720 --> 00:22:53,399
Speaker 4: to just do the right thing and make that sacrifice, Like,

453
00:22:53,520 --> 00:22:56,119
Speaker 4: oh wow, that really got me. It was beautiful.

454
00:22:56,640 --> 00:23:00,000
Speaker 3: Yeah, one of the things I liked too. And I

455
00:23:00,160 --> 00:23:04,840
Speaker 3: you know, I remember the whole storyline obviously, but the

456
00:23:04,960 --> 00:23:08,280
Speaker 3: details are the things we discover when we watch every week.

457
00:23:09,080 --> 00:23:12,400
Speaker 3: I loved that in the midst of this sadness, Julian

458
00:23:12,480 --> 00:23:16,640
Speaker 3: took her to the Biltmore estate to say, I want

459
00:23:16,640 --> 00:23:18,320
Speaker 3: you to have your fairy tale. I want you to

460
00:23:18,359 --> 00:23:21,520
Speaker 3: have this. I mean it looks like the Disney Castle

461
00:23:21,600 --> 00:23:26,000
Speaker 3: but better, right. Yeah, And Brooke has wanted this love

462
00:23:26,040 --> 00:23:28,320
Speaker 3: story forever because she didn't grow up with it didn't

463
00:23:28,359 --> 00:23:32,560
Speaker 3: experience it. It was never modeled for her. And I liked

464
00:23:33,480 --> 00:23:40,760
Speaker 3: the actual visual backdrop of her with her man standing

465
00:23:40,800 --> 00:23:44,719
Speaker 3: in front of this castle, dreaming about their wedding, and

466
00:23:44,760 --> 00:23:47,720
Speaker 3: then still that thing percolating for her, and she says,

467
00:23:47,920 --> 00:23:51,840
Speaker 3: is this appropriate? Is it okay to have this? And

468
00:23:51,880 --> 00:23:54,040
Speaker 3: he says, look, when we look back at our wedding,

469
00:23:54,040 --> 00:23:55,639
Speaker 3: we're not going to remember this. We're going to remember

470
00:23:55,680 --> 00:24:03,080
Speaker 3: our wedding. And she's already nervous about being happy. And

471
00:24:03,119 --> 00:24:05,719
Speaker 3: then when she sees this man and she sees how

472
00:24:05,760 --> 00:24:10,600
Speaker 3: it's affected his family. I like that. Then she's put

473
00:24:10,600 --> 00:24:13,520
Speaker 3: in this room and everything's dark and she's in this

474
00:24:13,720 --> 00:24:16,040
Speaker 3: huge leather chair and she looks like a little kid

475
00:24:16,080 --> 00:24:18,679
Speaker 3: again and she has to do this brave thing and

476
00:24:18,720 --> 00:24:23,240
Speaker 3: she's literally going to give up this kind of fairy

477
00:24:23,280 --> 00:24:27,000
Speaker 3: tale she built for herself. Yeah, and it does take

478
00:24:27,000 --> 00:24:32,679
Speaker 3: an immense amount of courage and oof. I just was like,

479
00:24:32,800 --> 00:24:36,560
Speaker 3: oh man, because it wasn't even her mistake, but it

480
00:24:36,600 --> 00:24:39,520
Speaker 3: doesn't matter. It's, you know, the right thing to do,

481
00:24:39,600 --> 00:24:40,320
Speaker 3: and she knows it.

482
00:24:40,880 --> 00:24:41,240
Speaker 4: Yeah.

483
00:24:41,280 --> 00:24:44,320
Speaker 6: But like Joyce said, I found myself going, this is

484
00:24:44,400 --> 00:24:48,159
Speaker 6: the right thing to do, And like Brooks, the secret,

485
00:24:48,240 --> 00:24:51,600
Speaker 6: Sauce Brooks the magic. This isn't like they developed an

486
00:24:51,680 --> 00:24:54,040
Speaker 6: app and now she has to sell the company and

487
00:24:54,040 --> 00:24:56,400
Speaker 6: it's like, well, I have nothing. It's like what made

488
00:24:56,400 --> 00:24:58,960
Speaker 6: this work was Brooke and her talent. So again, it's

489
00:24:58,960 --> 00:25:01,679
Speaker 6: not an easy thing to do. But you know, she

490
00:25:01,680 --> 00:25:03,560
Speaker 6: could always start up a new label, or she could

491
00:25:03,560 --> 00:25:05,920
Speaker 6: go design for another really high end late like you

492
00:25:05,960 --> 00:25:07,919
Speaker 6: know what I mean, Like she has options. It's not

493
00:25:07,960 --> 00:25:10,479
Speaker 6: like all is lost in doing this. Again. Doesn't make

494
00:25:10,520 --> 00:25:14,879
Speaker 6: it easy, but it does help it make sense, you know.

495
00:25:14,920 --> 00:25:17,240
Speaker 6: And I agree with what you said earlier. Enjoyed the

496
00:25:17,359 --> 00:25:21,080
Speaker 6: gentleman who played the dad. I think it is such

497
00:25:21,119 --> 00:25:23,080
Speaker 6: an easy trap to fall into when you are a

498
00:25:23,119 --> 00:25:27,320
Speaker 6: guest star with one scene, to go big because you

499
00:25:27,359 --> 00:25:29,280
Speaker 6: want to you want to make an impression. And I

500
00:25:29,320 --> 00:25:32,399
Speaker 6: bet so many of the auditions were real big and

501
00:25:32,400 --> 00:25:36,720
Speaker 6: real heated. But there's such a nice confidence and pulling

502
00:25:36,760 --> 00:25:40,440
Speaker 6: that back and letting it sort of simmer. And yeah,

503
00:25:40,480 --> 00:25:41,560
Speaker 6: he did, he did.

504
00:25:41,600 --> 00:25:42,120
Speaker 2: He did great.

505
00:25:42,480 --> 00:25:44,520
Speaker 6: It was very believable and very effective.

506
00:25:45,080 --> 00:25:46,480
Speaker 3: It was nice.

507
00:25:58,840 --> 00:26:04,040
Speaker 6: Can we talk about Chase and Alex they are so cute.

508
00:26:04,760 --> 00:26:08,560
Speaker 3: Here's the thing, I know exactly what you're like. Are

509
00:26:08,600 --> 00:26:12,040
Speaker 3: we joking because I have the same yea, and yet

510
00:26:12,119 --> 00:26:17,159
Speaker 3: they're so cute together. Janna and Stevens chemistry is so great,

511
00:26:17,640 --> 00:26:20,960
Speaker 3: and she managed no matter what they put her in,

512
00:26:21,000 --> 00:26:26,879
Speaker 3: and no matter what creepy, hyper sexualized scenarios they wrote

513
00:26:26,960 --> 00:26:31,479
Speaker 3: for her, she managed to act in those scenes like

514
00:26:31,680 --> 00:26:34,679
Speaker 3: just the sweetest, funniest girl.

515
00:26:36,119 --> 00:26:36,239
Speaker 4: Like.

516
00:26:36,400 --> 00:26:39,199
Speaker 3: She gave me such Skipper energy, remember when like Barbie

517
00:26:39,240 --> 00:26:44,240
Speaker 3: released the Kid's Sister Skipper Like she she managed in

518
00:26:44,480 --> 00:26:47,680
Speaker 3: the tennis skirt with the corset ties and the crop

519
00:26:47,720 --> 00:26:51,639
Speaker 3: top and the thing she just she was so playful

520
00:26:51,720 --> 00:26:54,560
Speaker 3: and wonderful, and it's such like a It's such a

521
00:26:54,600 --> 00:26:58,080
Speaker 3: piece of Janna's energy that she brought. And I was

522
00:26:58,160 --> 00:27:01,879
Speaker 3: like wow watching them man to be so freakin cute

523
00:27:02,680 --> 00:27:09,199
Speaker 3: in what was arguably like really icky material. I wanted

524
00:27:09,240 --> 00:27:10,919
Speaker 3: to give them a round of applause.

525
00:27:11,440 --> 00:27:16,360
Speaker 4: And I really enjoyed watching Stephen Kletty in this episode.

526
00:27:16,400 --> 00:27:21,760
Speaker 4: I always enjoy watching him. He's so he just feels

527
00:27:21,760 --> 00:27:26,440
Speaker 4: so grounded on screen, which is funny because I remember

528
00:27:26,800 --> 00:27:29,600
Speaker 4: working with him in person. He's got a lot of

529
00:27:29,600 --> 00:27:34,280
Speaker 4: nervous energy. It's just a lot of like moving his

530
00:27:34,320 --> 00:27:36,600
Speaker 4: fingers a lot, and he's kind of like bouncing around

531
00:27:36,640 --> 00:27:38,720
Speaker 4: on his toes a lot, and there's just this sense

532
00:27:38,720 --> 00:27:42,399
Speaker 4: of like whatever is going on internally, and it does

533
00:27:42,600 --> 00:27:45,440
Speaker 4: not necessarily even a negative nervousness. It's just this sort

534
00:27:45,480 --> 00:27:49,720
Speaker 4: of like things are percolating. And so when the camera

535
00:27:49,920 --> 00:27:52,639
Speaker 4: goes on the fact that all of that seems to

536
00:27:52,680 --> 00:27:58,760
Speaker 4: go away and he's just so solid. He was just there, confident, chill,

537
00:28:00,200 --> 00:28:04,679
Speaker 4: not not trying to prove anything. He was like perfect

538
00:28:04,720 --> 00:28:08,800
Speaker 4: boyfriend material. In this episode in particular, I was super

539
00:28:08,920 --> 00:28:10,679
Speaker 4: super crushing on this character.

540
00:28:10,840 --> 00:28:11,159
Speaker 2: Love it.

541
00:28:11,280 --> 00:28:15,600
Speaker 3: Yeah, he's hitting some sort of stride in himself and

542
00:28:15,680 --> 00:28:20,120
Speaker 3: as an actor. And I love that you just mirrored

543
00:28:20,160 --> 00:28:22,919
Speaker 3: her dialogue because I feel like, in a way, by

544
00:28:22,960 --> 00:28:25,560
Speaker 3: the end of their golf date, Alex was sort of

545
00:28:25,640 --> 00:28:27,639
Speaker 3: saying what all the girls were thinking and it was

546
00:28:27,920 --> 00:28:28,960
Speaker 3: so sweet.

547
00:28:29,640 --> 00:28:30,640
Speaker 2: Yeah, it's cute.

548
00:28:30,840 --> 00:28:34,439
Speaker 6: Yeah, they kudos to both of them, and especially Janna.

549
00:28:34,920 --> 00:28:39,640
Speaker 6: She's she's a trooper. She's made a teflon because no

550
00:28:39,680 --> 00:28:41,640
Speaker 6: matter how hard they try, it just sort of she

551
00:28:41,760 --> 00:28:43,480
Speaker 6: just kind of rolls with it. But yeah, I mean,

552
00:28:43,560 --> 00:28:46,280
Speaker 6: like the the outfit, I'm like, all right, ky, uh sure,

553
00:28:46,480 --> 00:28:50,080
Speaker 6: But then I love Pete. But the opening the shot

554
00:28:50,120 --> 00:28:54,480
Speaker 6: of the of up her skirt. I was like, how

555
00:28:54,600 --> 00:28:56,840
Speaker 6: hat on a hat? Does this need to be? Like

556
00:28:57,560 --> 00:28:59,840
Speaker 6: we get it? Like we we it's a visual medium.

557
00:28:59,840 --> 00:29:01,200
Speaker 6: We see what you've dressed her in.

558
00:29:01,400 --> 00:29:04,560
Speaker 4: But who knows what instructions Pete's getting true? But I

559
00:29:04,600 --> 00:29:07,480
Speaker 4: felt like Pete was always so protective of us, always

560
00:29:07,560 --> 00:29:10,520
Speaker 4: looking out to try so that those kinds of things

561
00:29:10,560 --> 00:29:14,520
Speaker 4: feel like when something seems uncharacteristic of a person, You're like, Okay,

562
00:29:14,840 --> 00:29:16,920
Speaker 4: what other thing could have happened that would have made

563
00:29:16,960 --> 00:29:19,360
Speaker 4: him need to do this? And there were a lot

564
00:29:19,360 --> 00:29:21,120
Speaker 4: of phone calls coming in from La.

565
00:29:21,240 --> 00:29:24,480
Speaker 3: Yeah, some of the stuff I noticed too, even that shot.

566
00:29:25,520 --> 00:29:27,120
Speaker 3: I mean, you know, we have to describe it. I

567
00:29:27,160 --> 00:29:30,000
Speaker 3: feel gross describing it. Imagine having to say to Jana,

568
00:29:30,080 --> 00:29:32,280
Speaker 3: this is what I need you to do. But you know,

569
00:29:32,360 --> 00:29:35,040
Speaker 3: she's standing there with her legs spread apart in this

570
00:29:35,160 --> 00:29:38,239
Speaker 3: mini skirt and they're shooting up between her legs. And

571
00:29:38,280 --> 00:29:40,640
Speaker 3: one of the things I noticed is as the shot moves,

572
00:29:40,680 --> 00:29:44,000
Speaker 3: they start to get wider and kind of pan around,

573
00:29:44,480 --> 00:29:46,960
Speaker 3: and I was like, oh, are they trying to do

574
00:29:47,040 --> 00:29:49,080
Speaker 3: what they've been told but also get out of it

575
00:29:49,840 --> 00:29:54,360
Speaker 3: as quickly as they can. And then even when this,

576
00:29:54,760 --> 00:29:57,520
Speaker 3: I mean, you said it. Rob kudos to Jana when

577
00:29:57,520 --> 00:30:00,040
Speaker 3: she's got to stand there again and bend over and

578
00:30:00,200 --> 00:30:02,920
Speaker 3: supposedly isn't wearing underwear and all these guys are crashing

579
00:30:02,920 --> 00:30:08,240
Speaker 3: their golf carts into each other that they didn't They

580
00:30:08,320 --> 00:30:12,280
Speaker 3: only ever shot her from straight on from the front. Yeah, Like,

581
00:30:13,160 --> 00:30:16,040
Speaker 3: I'm sure they were asked to get other angles and

582
00:30:16,080 --> 00:30:19,080
Speaker 3: there just weren't any. And I appreciated that, and I

583
00:30:19,120 --> 00:30:21,640
Speaker 3: appreciate it even that when she goes around and sits

584
00:30:21,640 --> 00:30:24,600
Speaker 3: in the passenger seat of the golf cart early on,

585
00:30:25,400 --> 00:30:27,680
Speaker 3: like somebody told her, Oh, put your feet up and

586
00:30:27,680 --> 00:30:29,840
Speaker 3: cross your feet in front of you, because that's how

587
00:30:29,840 --> 00:30:33,560
Speaker 3: we're going to block you in the shot. And I,

588
00:30:34,800 --> 00:30:37,640
Speaker 3: as gross as it was, I could also see little things.

589
00:30:37,720 --> 00:30:39,600
Speaker 3: And to your point, maybe I'm projecting because I know

590
00:30:39,640 --> 00:30:43,520
Speaker 3: how amazing our crew was and how they had our

591
00:30:43,560 --> 00:30:45,920
Speaker 3: backs then and they still have our backs, you know now.

592
00:30:46,440 --> 00:30:49,000
Speaker 3: But I was like, Ooh, I feel like I can

593
00:30:49,080 --> 00:30:51,400
Speaker 3: see some of our people looking out for our people,

594
00:30:51,480 --> 00:30:52,360
Speaker 3: and I liked it.

595
00:30:52,880 --> 00:30:55,480
Speaker 4: In the middle of it, that's when like the director

596
00:30:55,520 --> 00:30:58,520
Speaker 4: gets with the ad and they're like the scene where

597
00:30:58,560 --> 00:31:01,480
Speaker 4: she bends over, that's the last thing on the docket

598
00:31:01,640 --> 00:31:04,080
Speaker 4: and we're losing the light. Sorry, we can't get.

599
00:31:03,920 --> 00:31:06,080
Speaker 3: Any more ang, Oh no, we can't get any more

600
00:31:06,120 --> 00:31:09,240
Speaker 3: of the shots. We lost the lights. Sorry sorry, La.

601
00:31:09,120 --> 00:31:10,200
Speaker 2: Yeah, that's all we had.

602
00:31:10,640 --> 00:31:12,680
Speaker 4: And those are the things that that's the real boots

603
00:31:12,680 --> 00:31:15,480
Speaker 4: on the ground and how a crew protects the actors.

604
00:31:15,520 --> 00:31:17,320
Speaker 4: There's so many things that go on by the seeds

605
00:31:17,320 --> 00:31:18,360
Speaker 4: that you guys don't know about.

606
00:31:18,360 --> 00:31:19,120
Speaker 2: It's so great.

607
00:31:19,640 --> 00:31:22,320
Speaker 3: But I and I'm really glad we're talking about this

608
00:31:22,360 --> 00:31:25,360
Speaker 3: because I know that sometimes when we when we have

609
00:31:25,520 --> 00:31:28,760
Speaker 3: unmasked some of what was really hard and bad, it

610
00:31:28,800 --> 00:31:31,040
Speaker 3: makes people who loved the show feel really sad because

611
00:31:31,040 --> 00:31:32,920
Speaker 3: they're like, oh my god, did I love a painful thing?

612
00:31:33,640 --> 00:31:37,080
Speaker 3: But you also loved a thing that was so good

613
00:31:37,720 --> 00:31:39,960
Speaker 3: and where people showed up for each other and where

614
00:31:40,000 --> 00:31:45,080
Speaker 3: people would yeah, like ride for each other, and yeah,

615
00:31:45,120 --> 00:31:47,000
Speaker 3: sometimes you we'd have a bunch of guys be like,

616
00:31:47,280 --> 00:31:49,160
Speaker 3: I guess we're just gonna have to lose the light.

617
00:31:50,520 --> 00:31:52,560
Speaker 2: So is Yeah, I guess.

618
00:31:52,600 --> 00:31:53,880
Speaker 3: I just want to say that because I don't want

619
00:31:53,880 --> 00:31:56,800
Speaker 3: anyone at home to be like, oh no, it's like yeah,

620
00:31:56,840 --> 00:32:00,840
Speaker 3: there's some oh no, but there's so much more. Hell Yeah,

621
00:32:00,440 --> 00:32:02,720
Speaker 3: and that feels special.

622
00:32:03,080 --> 00:32:06,600
Speaker 4: Absolutely every community, whether it's a workplace or a school

623
00:32:06,760 --> 00:32:08,840
Speaker 4: or a group of friends or whatever, there's always some

624
00:32:08,960 --> 00:32:12,440
Speaker 4: big bad that they're an obstacle or you know, a

625
00:32:12,480 --> 00:32:15,840
Speaker 4: person or whatever the situation is that you know, you

626
00:32:15,920 --> 00:32:18,200
Speaker 4: got to you got to come together and figure out

627
00:32:18,240 --> 00:32:21,360
Speaker 4: how to how to overcome and protect each other.

628
00:32:21,440 --> 00:32:22,480
Speaker 2: And it's okay.

629
00:32:22,600 --> 00:32:25,640
Speaker 4: So don't look at our show and think it's some

630
00:32:25,680 --> 00:32:29,400
Speaker 4: sort of completely out of the ordinary situation. Like we're

631
00:32:29,720 --> 00:32:33,360
Speaker 4: all facings as different, the little communities that we have

632
00:32:33,400 --> 00:32:35,560
Speaker 4: all over the place. We're all facing ways that we

633
00:32:35,600 --> 00:32:36,480
Speaker 4: can band together.

634
00:32:37,160 --> 00:32:40,440
Speaker 6: Yeah, and there's always room for improvement, you know. It

635
00:32:40,640 --> 00:32:43,360
Speaker 6: just happened that on some of our experiences had to

636
00:32:43,400 --> 00:32:47,040
Speaker 6: do with like morality as opposed to dialogue, you know.

637
00:32:47,520 --> 00:32:49,640
Speaker 6: And yeah, and I wasn't hanging that on Pistol p

638
00:32:49,760 --> 00:32:51,600
Speaker 6: because you're absolutely right, he did look out for us

639
00:32:51,600 --> 00:32:52,960
Speaker 6: a lot, And you're right, the rest of the scene

640
00:32:53,000 --> 00:32:55,280
Speaker 6: there wasn't a single suggestive frame.

641
00:32:55,360 --> 00:32:55,960
Speaker 2: Yeah, totally.

642
00:32:56,400 --> 00:32:58,400
Speaker 6: I mean you didn't need to because the dialogue was

643
00:32:58,400 --> 00:33:01,880
Speaker 6: already like it's it's the way that they banter, it's

644
00:33:01,920 --> 00:33:04,080
Speaker 6: so great. But I like, at one point I watched

645
00:33:04,600 --> 00:33:07,840
Speaker 6: like I was watching two good actors make the best

646
00:33:08,360 --> 00:33:12,600
Speaker 6: of some like tricky lines, like when he's giving her

647
00:33:12,600 --> 00:33:14,680
Speaker 6: a pointer and he goes, all right, just keep your

648
00:33:14,680 --> 00:33:17,520
Speaker 6: head down. In fact, I wrote it down. Also, he

649
00:33:17,560 --> 00:33:19,880
Speaker 6: had an amazing They did a profile shot of the

650
00:33:19,920 --> 00:33:22,600
Speaker 6: two of them in the cart, and Steven's hair looks

651
00:33:22,680 --> 00:33:24,480
Speaker 6: like the most incredible pompadour.

652
00:33:26,160 --> 00:33:27,920
Speaker 3: I wrote this down too. I was like, Steven's hair

653
00:33:27,960 --> 00:33:29,560
Speaker 3: looks extra good this episode.

654
00:33:29,760 --> 00:33:34,120
Speaker 6: It was it was large and in charge. But he says,

655
00:33:34,640 --> 00:33:36,560
Speaker 6: he goes, just keep your head down. You know how

656
00:33:36,560 --> 00:33:37,880
Speaker 6: to keep your head down, don't you.

657
00:33:39,120 --> 00:33:42,360
Speaker 2: Yeah, But he said it so straight. He just read

658
00:33:42,400 --> 00:33:43,280
Speaker 2: it straight.

659
00:33:43,160 --> 00:33:46,200
Speaker 6: Like he he sold it as best you could. But

660
00:33:46,320 --> 00:33:48,400
Speaker 6: I'm like, and there's another part too, where it was

661
00:33:48,400 --> 00:33:51,200
Speaker 6: odd that when she goes like, I'm wearing underwear and

662
00:33:51,240 --> 00:33:53,840
Speaker 6: she bends over and all the guys are are so

663
00:33:54,000 --> 00:33:57,280
Speaker 6: blown away that they crash their golf carts and then

664
00:33:57,360 --> 00:34:00,800
Speaker 6: he has to turn around and go my girlfriend prey

665
00:34:01,440 --> 00:34:04,600
Speaker 6: as if he's like stoked, But it was again he

666
00:34:04,840 --> 00:34:08,200
Speaker 6: sold it. But when you look at the words, you're like, what,

667
00:34:09,640 --> 00:34:11,319
Speaker 6: that's the part of her you're proud of?

668
00:34:11,640 --> 00:34:16,160
Speaker 4: Huh, you know what I've What's you're making a great point, Rob,

669
00:34:16,239 --> 00:34:17,520
Speaker 4: because he didn't.

670
00:34:18,239 --> 00:34:20,360
Speaker 2: He didn't sell it like it was written.

671
00:34:20,520 --> 00:34:22,759
Speaker 4: The way it was written was hey, hey, this is

672
00:34:22,760 --> 00:34:26,000
Speaker 4: what I'm proud of what you're talking about. But he

673
00:34:26,200 --> 00:34:31,919
Speaker 4: sold it like a guy who's going she's she's wild,

674
00:34:32,040 --> 00:34:36,719
Speaker 4: she's brave, like she's she is. I'm not sure where

675
00:34:36,760 --> 00:34:39,239
Speaker 4: she's coming from or what her deal is right now,

676
00:34:39,280 --> 00:34:42,600
Speaker 4: or why she's chosen to do that, but I'm I'm

677
00:34:42,600 --> 00:34:46,960
Speaker 4: not impressed, nor am I embarrassed. I'm just here for

678
00:34:47,120 --> 00:34:50,960
Speaker 4: you in whatever state you're in, and I'm along for

679
00:34:51,000 --> 00:34:53,239
Speaker 4: the ride and I support you. That's what I mean

680
00:34:53,280 --> 00:34:56,480
Speaker 4: by good boyfriend energy. It was like she's doing something

681
00:34:56,600 --> 00:35:01,120
Speaker 4: really outrageous that would elicit a huge reaction out of

682
00:35:01,400 --> 00:35:05,440
Speaker 4: most guys. And the fact that he's just like, nah,

683
00:35:05,480 --> 00:35:06,400
Speaker 4: you can't really phase me.

684
00:35:06,960 --> 00:35:08,960
Speaker 2: Love you. I mean he didn't say love you, but

685
00:35:08,960 --> 00:35:10,280
Speaker 2: you know that vibe.

686
00:35:10,000 --> 00:35:12,160
Speaker 3: It felt so but kind of he did. By the end,

687
00:35:12,480 --> 00:35:14,680
Speaker 3: which is where I want to go, I thought it

688
00:35:14,760 --> 00:35:17,680
Speaker 3: was so sweet and as much as you know you

689
00:35:17,719 --> 00:35:20,400
Speaker 3: said it, Rob, they had to really make a meal

690
00:35:20,520 --> 00:35:24,440
Speaker 3: out of some scraps in moments of this whole storyline,

691
00:35:24,840 --> 00:35:27,960
Speaker 3: when they get to the beat, nearing the end of

692
00:35:28,000 --> 00:35:29,799
Speaker 3: the game where he says, well, you might not have

693
00:35:29,840 --> 00:35:31,319
Speaker 3: been in love with any of them, but I bet

694
00:35:31,360 --> 00:35:34,040
Speaker 3: they were in love with you. I was like, oh, Jase,

695
00:35:34,160 --> 00:35:38,000
Speaker 3: you love her, You're falling in love with her, And

696
00:35:38,040 --> 00:35:40,880
Speaker 3: I just loved it. I thought it was so sweet

697
00:35:41,239 --> 00:35:44,839
Speaker 3: and yeah, I like their energy together so much.

698
00:35:45,840 --> 00:35:48,120
Speaker 6: This whole thing surprising because, like I said, I had

699
00:35:48,160 --> 00:35:51,799
Speaker 6: no recollection of them ever being together, so I just

700
00:35:51,840 --> 00:35:53,640
Speaker 6: assumed it was going to be like a one or

701
00:35:53,640 --> 00:35:56,399
Speaker 6: two episode thing and then that he'd get right back

702
00:35:56,400 --> 00:36:00,759
Speaker 6: with Mia. But then I was watching this going, oh, there,

703
00:36:01,560 --> 00:36:04,480
Speaker 6: he's they're courting each other like they're yeah, they're playing

704
00:36:04,520 --> 00:36:07,760
Speaker 6: this slow, like they're building an actual, real foundation here,

705
00:36:08,640 --> 00:36:10,440
Speaker 6: and and then the way it ended, it was obviously

706
00:36:10,560 --> 00:36:12,759
Speaker 6: like things look promising for these two.

707
00:36:14,040 --> 00:36:15,560
Speaker 2: It'd be interesting to see where this goes.

708
00:36:15,640 --> 00:36:18,759
Speaker 3: I do not remember, by the way, Okay, wait, I

709
00:36:18,800 --> 00:36:20,919
Speaker 3: do have one more note on shots, because I wrote

710
00:36:20,920 --> 00:36:23,880
Speaker 3: this down like joy when you talk about how they

711
00:36:23,880 --> 00:36:26,640
Speaker 3: had to punch in with you and and the Hayley

712
00:36:26,719 --> 00:36:29,759
Speaker 3: Nathan stuff in the kitchen, you guys are sitting in

713
00:36:29,800 --> 00:36:33,240
Speaker 3: the hospital talking and it's so sweet, and I love

714
00:36:34,120 --> 00:36:37,759
Speaker 3: the way that in both the Clay and Nathan in

715
00:36:37,800 --> 00:36:40,279
Speaker 3: the hospital and then Julian and Nathan at the bar.

716
00:36:40,520 --> 00:36:44,360
Speaker 3: I love that we're getting to see our men be

717
00:36:44,640 --> 00:36:50,640
Speaker 3: really vulnerable with each other and and have these big conversations,

718
00:36:50,719 --> 00:36:53,840
Speaker 3: but they're also having them kind of facing forward because

719
00:36:53,880 --> 00:36:55,680
Speaker 3: of the way, you know, the bar seats face, the

720
00:36:55,719 --> 00:36:58,719
Speaker 3: way the hospital bed faces. It's like, sometimes I find

721
00:36:58,719 --> 00:37:00,719
Speaker 3: it easier to go on a walk with someone and

722
00:37:00,760 --> 00:37:03,120
Speaker 3: talk about something really emotional rather than sit at the

723
00:37:03,120 --> 00:37:07,160
Speaker 3: table and do it. Yeah, And I was really touched

724
00:37:07,239 --> 00:37:12,280
Speaker 3: by these emotional conversations between men. And there's a moment

725
00:37:12,400 --> 00:37:15,399
Speaker 3: that I loved so much because you guys are having

726
00:37:15,400 --> 00:37:17,560
Speaker 3: this chat. Rob You're in the bed and James is

727
00:37:17,560 --> 00:37:19,839
Speaker 3: sitting next to you, and they punch in on these

728
00:37:19,880 --> 00:37:22,560
Speaker 3: close ups and he's got his head lean back on

729
00:37:22,560 --> 00:37:25,520
Speaker 3: the hospital chair and it's like a bluish color. You've

730
00:37:25,560 --> 00:37:27,160
Speaker 3: got your head on your pillow and it's kind of

731
00:37:27,160 --> 00:37:29,279
Speaker 3: a bluish color, and suddenly it looks like you two

732
00:37:29,320 --> 00:37:32,680
Speaker 3: are in bed together. And I was like, wait, like

733
00:37:32,719 --> 00:37:34,640
Speaker 3: I had grabbed my coffee looked up and I was like,

734
00:37:34,640 --> 00:37:37,320
Speaker 3: did I miss something? And then I was like, also, not, no,

735
00:37:38,080 --> 00:37:40,960
Speaker 3: you guys are very cute, and then it pushed back

736
00:37:41,000 --> 00:37:42,359
Speaker 3: out and I was like, all right, all right, they're

737
00:37:42,400 --> 00:37:44,799
Speaker 3: just like sitting next to each other. But I was like, God,

738
00:37:44,840 --> 00:37:49,040
Speaker 3: there's good. There's just so much good chemistry between all

739
00:37:49,080 --> 00:37:53,279
Speaker 3: of you. And I buy that you all love each other.

740
00:37:53,400 --> 00:37:58,080
Speaker 3: I buy that when you said, you know, you would

741
00:37:58,120 --> 00:38:01,799
Speaker 3: have ruined your career and he's like, no, this like

742
00:38:01,960 --> 00:38:04,279
Speaker 3: that's just a game. This wasn't a hard decision for me.

743
00:38:04,800 --> 00:38:05,320
Speaker 5: Yeah.

744
00:38:05,400 --> 00:38:07,359
Speaker 3: I like that you're getting to say to each other

745
00:38:07,440 --> 00:38:09,719
Speaker 3: like I love you so much, my friend, and I

746
00:38:09,719 --> 00:38:15,160
Speaker 3: can't imagine living without you without necessarily having to like say,

747
00:38:15,200 --> 00:38:18,200
Speaker 3: it feels very feels very like sweet dude time.

748
00:38:18,680 --> 00:38:20,920
Speaker 6: Yeah. The word I had for I wrote was I

749
00:38:20,920 --> 00:38:24,480
Speaker 6: love the scene between Clain Quinn. I love the sincerity

750
00:38:24,560 --> 00:38:27,560
Speaker 6: and I love that it was just it was just honorable,

751
00:38:27,680 --> 00:38:31,600
Speaker 6: excuse me, vulnerable, honest talk, and they didn't do the

752
00:38:31,760 --> 00:38:34,399
Speaker 6: trophy thing of But then a guy has to make

753
00:38:34,440 --> 00:38:37,680
Speaker 6: a joke, Yes, hey I love you, bro, don't take

754
00:38:37,719 --> 00:38:40,560
Speaker 6: it that way, you know. Like however, Yeah, the thing

755
00:38:40,600 --> 00:38:42,280
Speaker 6: that they feel like they need to do with guys

756
00:38:42,280 --> 00:38:44,439
Speaker 6: where it's like, in order to be vulnerable, they also

757
00:38:44,480 --> 00:38:45,800
Speaker 6: have to couch it in humor.

758
00:38:46,560 --> 00:38:49,120
Speaker 3: Yeah, I'm so relieved that they didn't have Nathan go

759
00:38:49,320 --> 00:38:51,520
Speaker 3: and how would I make any money without you anyway? Man?

760
00:38:51,760 --> 00:38:55,680
Speaker 3: Like something late. Yeah, I liked that you you two

761
00:38:55,840 --> 00:39:00,720
Speaker 3: together and him later with Austin, like everyone's just saying

762
00:39:00,760 --> 00:39:04,440
Speaker 3: the thing and it's really nice to see.

763
00:39:04,600 --> 00:39:06,600
Speaker 4: Yeah. I love that level of maturity. And when he

764
00:39:06,680 --> 00:39:09,799
Speaker 4: tells Julian to say, tell Brooke, don't be afraid of

765
00:39:09,840 --> 00:39:13,200
Speaker 4: what comes next, oh, like that was just so great,

766
00:39:13,560 --> 00:39:17,040
Speaker 4: really encouraging and heartening. And the fact that he's sitting

767
00:39:17,040 --> 00:39:20,800
Speaker 4: there and he makes this decision so quickly. When Julian's

768
00:39:20,840 --> 00:39:24,320
Speaker 4: talks about baseball and Nathan's like baseball Wait what It's.

769
00:39:24,200 --> 00:39:27,800
Speaker 3: Like, No, I'm out. I gotta like what am I doing?

770
00:39:28,120 --> 00:39:28,880
Speaker 2: What am I doing?

771
00:39:29,239 --> 00:39:31,480
Speaker 6: And it was almost like he was he was giving

772
00:39:31,560 --> 00:39:35,200
Speaker 6: himself advice and saying, tellbrook not to be afraid of

773
00:39:35,239 --> 00:39:37,480
Speaker 6: the future. Yes, Yeah, it was sort of him kind

774
00:39:37,480 --> 00:39:40,239
Speaker 6: of girding himself for what he was about to share

775
00:39:40,239 --> 00:39:40,760
Speaker 6: with Haley.

776
00:39:41,400 --> 00:39:42,360
Speaker 3: Yeah.

777
00:39:42,400 --> 00:39:50,759
Speaker 6: And speaking of Austin and the perpetual attempted emasculation of

778
00:39:50,800 --> 00:39:54,680
Speaker 6: Austin love. I love the whole thing with the bringing

779
00:39:54,719 --> 00:39:58,440
Speaker 6: flowers right because to me so it's just a sweet gesture.

780
00:39:58,520 --> 00:40:03,120
Speaker 6: First flowers there, beautiful. I loved that he stops the

781
00:40:03,120 --> 00:40:05,680
Speaker 6: door and he's like, by the way, I'm the one

782
00:40:05,680 --> 00:40:10,280
Speaker 6: who actually picked those flowers out, and Hayley's like, oh okay,

783
00:40:10,719 --> 00:40:14,160
Speaker 6: and then he circles in to be to actually explain specifically.

784
00:40:14,160 --> 00:40:16,000
Speaker 6: I was hoping for these. I couldn't get these. I

785
00:40:16,000 --> 00:40:18,840
Speaker 6: thought these really filled it out. And I just laughed

786
00:40:18,840 --> 00:40:21,640
Speaker 6: because I sort of I wondered, is this one of

787
00:40:21,680 --> 00:40:24,960
Speaker 6: those attempts to make him quirky as opposed to like

788
00:40:25,120 --> 00:40:27,279
Speaker 6: sexy leading man. But then when I laughed, I was going,

789
00:40:27,920 --> 00:40:32,880
Speaker 6: but he's so comfortable in himself that it's incredibly backfired

790
00:40:32,960 --> 00:40:33,200
Speaker 6: to me.

791
00:40:33,200 --> 00:40:35,520
Speaker 2: I was completely Yes, that's.

792
00:40:35,360 --> 00:40:38,440
Speaker 6: A dude who is grounded in himself and he's comfortable,

793
00:40:39,000 --> 00:40:42,439
Speaker 6: and it just it's pretty awesome that he doesn't care

794
00:40:42,719 --> 00:40:44,520
Speaker 6: that like how it looks. He's just like, I'm going

795
00:40:44,560 --> 00:40:46,200
Speaker 6: to tell you why I love your bouquet and why

796
00:40:46,239 --> 00:40:49,200
Speaker 6: I picked it out for you. Yeah, it's endearing.

797
00:40:49,280 --> 00:40:51,840
Speaker 3: Man. Very totally agree.

798
00:40:52,000 --> 00:40:54,000
Speaker 2: He's a master at that. I love that.

799
00:40:54,239 --> 00:40:56,840
Speaker 4: Austin, and I've said this about him before, he always

800
00:40:56,880 --> 00:40:59,160
Speaker 4: just said exactly what was on the page. I very

801
00:40:59,239 --> 00:41:02,120
Speaker 4: rarely remember or Austin ever changing a line. He really

802
00:41:02,160 --> 00:41:04,360
Speaker 4: always strove to just say what was on the page,

803
00:41:05,440 --> 00:41:09,080
Speaker 4: and he Oh, he's a master at figuring it out,

804
00:41:09,160 --> 00:41:10,759
Speaker 4: figuring out how to Oh, they're going to try and

805
00:41:10,760 --> 00:41:12,400
Speaker 4: to masculate me. That's all right, and I know what

806
00:41:12,400 --> 00:41:14,480
Speaker 4: I'm going to do. There's a level of confidence it

807
00:41:14,520 --> 00:41:17,160
Speaker 4: takes to just do what you're gonna do, say what's

808
00:41:17,200 --> 00:41:18,719
Speaker 4: on the page, same thing that Stephen did, but you

809
00:41:18,840 --> 00:41:22,520
Speaker 4: do it from a place of authenticity and can't.

810
00:41:22,320 --> 00:41:23,760
Speaker 2: They can't take him down. Baby.

811
00:41:23,920 --> 00:41:24,600
Speaker 3: Yeah.

812
00:41:24,640 --> 00:41:27,120
Speaker 6: I had a director tell me one time that there's

813
00:41:27,160 --> 00:41:29,200
Speaker 6: something there's a lot of stuff like going on with

814
00:41:29,239 --> 00:41:30,960
Speaker 6: the episode. Was like it was a tricky thing or

815
00:41:30,960 --> 00:41:33,799
Speaker 6: something and there was issues, and I said, like, what

816
00:41:33,840 --> 00:41:36,880
Speaker 6: are you gonna do? And she said, I'll get my revenge.

817
00:41:37,080 --> 00:41:41,040
Speaker 6: I'm going to shoot their script. And I love that

818
00:41:41,400 --> 00:41:44,000
Speaker 6: sort of like Austin going like, I'll get my revenge.

819
00:41:44,040 --> 00:41:46,760
Speaker 6: I'm going to say your words. But then it doesn't,

820
00:41:46,800 --> 00:41:49,840
Speaker 6: it doesn't go the way that whoever thought it was

821
00:41:49,880 --> 00:41:50,319
Speaker 6: going to go.

822
00:41:50,640 --> 00:41:52,440
Speaker 2: No, it makes him more attractive.

823
00:41:52,880 --> 00:41:55,200
Speaker 6: Yeah, yeah, And.

824
00:41:55,600 --> 00:41:58,200
Speaker 3: It's something he manages to do so well in those moments.

825
00:41:58,239 --> 00:42:00,600
Speaker 3: It's something Jan is managing to do so well. It's

826
00:42:00,640 --> 00:42:05,080
Speaker 3: like everyone really has such ownership of their characters, I

827
00:42:05,120 --> 00:42:10,439
Speaker 3: think at this point. And I loved too, the way

828
00:42:10,480 --> 00:42:13,360
Speaker 3: he chose to come back in and be like, Okay,

829
00:42:13,360 --> 00:42:15,440
Speaker 3: so here's my thought process because he knew you would

830
00:42:15,440 --> 00:42:18,279
Speaker 3: appreciate it. You had said, well, they're the nicest ones.

831
00:42:18,280 --> 00:42:20,520
Speaker 3: Of course they're from Brook and he's like, actually me,

832
00:42:21,320 --> 00:42:24,200
Speaker 3: and because you love it, he wants to let you

833
00:42:24,239 --> 00:42:27,319
Speaker 3: in on his little you know, thought process is his

834
00:42:27,400 --> 00:42:33,319
Speaker 3: little secret, and he talks about it in a very

835
00:42:33,320 --> 00:42:35,800
Speaker 3: similar way that he talks to Brooke about the camera

836
00:42:35,880 --> 00:42:38,400
Speaker 3: he's working with and how he's testing it out and

837
00:42:38,440 --> 00:42:41,319
Speaker 3: he's part of this new director program and whatever. And

838
00:42:42,080 --> 00:42:44,200
Speaker 3: what I loved about it and what I wrote down

839
00:42:44,239 --> 00:42:45,640
Speaker 3: here and I love that you saw it.

840
00:42:45,680 --> 00:42:46,000
Speaker 4: Rob Is.

841
00:42:46,040 --> 00:42:49,920
Speaker 3: I was like, Oh, Julian just makes everything into art,

842
00:42:50,680 --> 00:42:54,640
Speaker 3: like that's his job. He's a director. He sees everything

843
00:42:54,880 --> 00:42:58,480
Speaker 3: as something he can make true and beautiful.

844
00:42:58,920 --> 00:43:00,000
Speaker 2: Yeah, and I liked it.

845
00:43:00,160 --> 00:43:05,400
Speaker 3: He brought that energy to this thing that could have

846
00:43:05,480 --> 00:43:09,839
Speaker 3: been weird and he just made it. He was like, yeah,

847
00:43:09,880 --> 00:43:10,960
Speaker 3: this is my other art project.

848
00:43:10,960 --> 00:43:15,800
Speaker 6: It's great, right, Julian has big, open heart energy Because

849
00:43:15,840 --> 00:43:18,960
Speaker 6: I think what's also happening in this scene and circling

850
00:43:19,000 --> 00:43:22,399
Speaker 6: back and telling Haley how he he picked it out,

851
00:43:22,440 --> 00:43:25,080
Speaker 6: He arranged this himself. He's doing two things. He's saying, One,

852
00:43:26,000 --> 00:43:28,920
Speaker 6: I care about you guys enough to spend my time

853
00:43:29,680 --> 00:43:33,280
Speaker 6: creating something beautiful for you. And two, it's an invitation

854
00:43:33,400 --> 00:43:36,279
Speaker 6: for Haley to kind of see him and get to

855
00:43:36,320 --> 00:43:38,239
Speaker 6: know him a little more. Like it's an invite in

856
00:43:39,200 --> 00:43:41,160
Speaker 6: you know, because he could have just walked out the

857
00:43:41,200 --> 00:43:43,080
Speaker 6: dorm and like whatever, I'm the one who did it,

858
00:43:43,120 --> 00:43:47,680
Speaker 6: you know. But yeah, he's Yeah, he's great. And speaking

859
00:43:47,840 --> 00:43:50,600
Speaker 6: of Haley, how about Haley showing up as just the

860
00:43:50,680 --> 00:43:55,359
Speaker 6: like all time Hall of Fame sister. Yeah, this episode,

861
00:43:55,520 --> 00:43:57,560
Speaker 6: the Hailey Quinn stuff I thought was awesome.

862
00:43:58,000 --> 00:44:02,719
Speaker 4: Yeah, It's just it's a lot. Yeah, Hailey's always It's

863
00:44:02,800 --> 00:44:05,480
Speaker 4: nice to see her go into caretaker mode. It's a

864
00:44:05,520 --> 00:44:08,920
Speaker 4: really natural The nurturing is a really natural space for her.

865
00:44:09,640 --> 00:44:12,600
Speaker 6: The washing of her hair, it was very sweet.

866
00:44:13,320 --> 00:44:14,520
Speaker 3: Yeah.

867
00:44:14,920 --> 00:44:17,360
Speaker 2: Yeah, it's a good space for Haley. I feel like

868
00:44:17,400 --> 00:44:19,919
Speaker 2: it was good for me too.

869
00:44:20,239 --> 00:44:25,000
Speaker 4: I remember shooting a lot of that stuff, and I

870
00:44:25,040 --> 00:44:28,759
Speaker 4: feel like I was at my happiest on set when

871
00:44:28,920 --> 00:44:32,640
Speaker 4: Haley was in caretaker mode was nice.

872
00:44:33,880 --> 00:44:37,719
Speaker 3: There's something about it to the journey that you've been

873
00:44:37,760 --> 00:44:42,960
Speaker 3: on as a character. I think one of the greatest

874
00:44:43,000 --> 00:44:46,120
Speaker 3: traumas of people who go through loss, you know, in

875
00:44:46,200 --> 00:44:50,720
Speaker 3: life or family that is quick, like you guys did

876
00:44:50,880 --> 00:44:54,560
Speaker 3: as sisters with your mom, you know, to find out

877
00:44:54,640 --> 00:44:58,080
Speaker 3: Lydia was sick and have it be so fast. It's

878
00:44:58,120 --> 00:45:05,680
Speaker 3: like a compounded trauma. And the kind of I don't

879
00:45:05,680 --> 00:45:07,719
Speaker 3: want to call it a second chance that feels maybe

880
00:45:07,760 --> 00:45:12,760
Speaker 3: a little icky, but the opportunity to, in the face

881
00:45:12,800 --> 00:45:17,360
Speaker 3: of potentially another loss of that magnitude, get kind of

882
00:45:17,360 --> 00:45:20,960
Speaker 3: the second chance, like Quinn winds up being okay, and

883
00:45:21,040 --> 00:45:24,359
Speaker 3: you get to not only love her because she's your

884
00:45:24,400 --> 00:45:27,120
Speaker 3: sister and you want to be there and nurturing is

885
00:45:27,200 --> 00:45:29,799
Speaker 3: natural for Haley and all these things, but you get

886
00:45:29,840 --> 00:45:31,919
Speaker 3: to kind of love her, show up for her, take

887
00:45:31,960 --> 00:45:34,560
Speaker 3: care of her, cook for her, do the things for

888
00:45:34,600 --> 00:45:37,960
Speaker 3: her that you don't get to do for your mom anymore. Yeah,

889
00:45:38,000 --> 00:45:40,840
Speaker 3: and that you didn't really get much time to do

890
00:45:40,960 --> 00:45:44,000
Speaker 3: for your mom. And I should say for her mom.

891
00:45:44,040 --> 00:45:46,359
Speaker 3: I'm personalizing it and now it makes me feel weird.

892
00:45:46,360 --> 00:45:47,680
Speaker 3: I'm like, I don't want to put that energy in

893
00:45:47,719 --> 00:45:50,440
Speaker 3: the world. But you know what I mean, Like it

894
00:45:50,480 --> 00:45:54,240
Speaker 3: would have been meaningful anyway to watch Haley and Quinn

895
00:45:54,239 --> 00:45:56,719
Speaker 3: go through this experience and Haley Quinn and Clay and

896
00:45:56,800 --> 00:45:59,880
Speaker 3: Nathan and the whole thing, but watching it happen after

897
00:46:00,160 --> 00:46:03,080
Speaker 3: the loss of a mother for me as a viewer,

898
00:46:03,120 --> 00:46:05,560
Speaker 3: made it twice as touching.

899
00:46:06,480 --> 00:46:11,920
Speaker 6: Yeah I'm glad, Yeah boomshot aside, I thought the scene

900
00:46:12,360 --> 00:46:16,200
Speaker 6: with Haley and Nathan in the kitchen was beautiful and

901
00:46:16,760 --> 00:46:18,960
Speaker 6: had the same takeaway. I have a lot of times

902
00:46:19,520 --> 00:46:21,279
Speaker 6: with scenes with them where it's just like they're a

903
00:46:21,280 --> 00:46:25,600
Speaker 6: great team, you know. I love that Haley's first reaction

904
00:46:25,719 --> 00:46:28,239
Speaker 6: wasn't what are we going to do financially? She was like,

905
00:46:28,400 --> 00:46:30,360
Speaker 6: is this what you want? Like she was just checking

906
00:46:30,400 --> 00:46:35,919
Speaker 6: in with her person, which so great. And then there's

907
00:46:35,920 --> 00:46:37,680
Speaker 6: a lot of integrity, right because it's like then we

908
00:46:37,719 --> 00:46:40,640
Speaker 6: see Brooks signing away all liquidating all of her own

909
00:46:40,680 --> 00:46:43,719
Speaker 6: personal fortune assets to pay people back. It's like, Wow,

910
00:46:44,000 --> 00:46:46,320
Speaker 6: that's integrity. And then Nathan shows up to Clay and

911
00:46:46,400 --> 00:46:51,520
Speaker 6: Quinn's and listen, I love the idea behind where you're going, buddy.

912
00:46:51,640 --> 00:46:53,800
Speaker 6: I love you trying to be of service for your friend.

913
00:46:54,120 --> 00:46:57,919
Speaker 6: But yeah, maybe the room covered in four day old

914
00:46:58,000 --> 00:47:00,960
Speaker 6: dried blood. Maybe that's a for a professional.

915
00:47:01,040 --> 00:47:02,319
Speaker 3: Yeah, that's not gonna come out.

916
00:47:02,640 --> 00:47:04,200
Speaker 2: Also, isn't it a crime scene.

917
00:47:04,520 --> 00:47:06,640
Speaker 6: It's a crime scene. There's still police tape on the door.

918
00:47:06,920 --> 00:47:08,440
Speaker 6: I was like, I think, maybe.

919
00:47:08,160 --> 00:47:09,600
Speaker 2: You're not supposed to do that.

920
00:47:10,560 --> 00:47:13,680
Speaker 3: Yeah, maybe you're That was one of those moments where

921
00:47:13,680 --> 00:47:15,919
Speaker 3: I was like, even a Stanley steamer would not get

922
00:47:15,920 --> 00:47:18,879
Speaker 3: that out. No, you have to rip up the carpet. Yeah,

923
00:47:18,920 --> 00:47:20,640
Speaker 3: you have to have somebody come it. You got to

924
00:47:20,760 --> 00:47:25,640
Speaker 3: sand that door and repaint it, like sweetheart. And I

925
00:47:25,760 --> 00:47:28,160
Speaker 3: was so that was one of those moments where again

926
00:47:28,200 --> 00:47:30,799
Speaker 3: our crew is so great because whatever mixture they made

927
00:47:30,840 --> 00:47:33,760
Speaker 3: to put into that rug so he could actually start

928
00:47:33,760 --> 00:47:36,480
Speaker 3: getting the stain out. Like I watched the stain start lifting,

929
00:47:36,480 --> 00:47:39,040
Speaker 3: and I was like, what's in there? What is in there?

930
00:47:39,080 --> 00:47:43,160
Speaker 3: That's not organic material? And I love the intention behind

931
00:47:43,200 --> 00:47:47,280
Speaker 3: it so much, but yeah, what I would have appreciated

932
00:47:47,440 --> 00:47:50,080
Speaker 3: was like him trying to get it out, realizing it's

933
00:47:50,120 --> 00:47:54,960
Speaker 3: not coming up, feeling overwhelmed, and like googling a carpet

934
00:47:55,000 --> 00:47:57,399
Speaker 3: company and being like I need you to come rip

935
00:47:57,440 --> 00:47:58,280
Speaker 3: out all these carpets.

936
00:47:58,320 --> 00:48:01,840
Speaker 4: Like also, could we have got a message on Clay's

937
00:48:01,840 --> 00:48:05,279
Speaker 4: phone or something like, hey, your house isn't a crime

938
00:48:05,320 --> 00:48:07,120
Speaker 4: scene anymore, like and some I don't know how they

939
00:48:07,120 --> 00:48:09,320
Speaker 4: tell you those things, but you're.

940
00:48:09,200 --> 00:48:10,680
Speaker 3: Interfering with the crime scene.

941
00:48:11,400 --> 00:48:12,360
Speaker 2: That's so crazy.

942
00:48:13,080 --> 00:48:13,759
Speaker 6: Yeah, it was.

943
00:48:13,920 --> 00:48:15,520
Speaker 2: It was I'm still out there.

944
00:48:16,280 --> 00:48:18,840
Speaker 6: Yeah he did that. But when I do, why, I

945
00:48:18,880 --> 00:48:21,960
Speaker 6: don't mind it though. Was it's like there's a lot

946
00:48:22,040 --> 00:48:25,359
Speaker 6: going on and he's just trying his best. Maybe he's

947
00:48:25,440 --> 00:48:28,759
Speaker 6: not thinking critically. He's just like, my buddy's house is

948
00:48:28,760 --> 00:48:30,839
Speaker 6: a disaster. I'm going to fix it for him.

949
00:48:31,200 --> 00:48:31,719
Speaker 3: Yeah.

950
00:48:31,800 --> 00:48:33,560
Speaker 2: Yeah, they don't need to come home to look at this.

951
00:48:34,200 --> 00:48:36,480
Speaker 6: No, you just need to buy a new rug, get

952
00:48:36,480 --> 00:48:38,520
Speaker 6: it professionally cleaned, or you just recarpet that room.

953
00:48:38,600 --> 00:48:39,120
Speaker 5: Yeah.

954
00:48:39,239 --> 00:48:41,399
Speaker 4: Yeah, there are people who do that crime scene clean

955
00:48:41,480 --> 00:48:45,520
Speaker 4: up well. And I liked that we all knew and

956
00:48:45,560 --> 00:48:49,399
Speaker 4: he knew what Quinn was asking. Yeah, and we all

957
00:48:49,480 --> 00:48:50,640
Speaker 4: knew what he was saying.

958
00:48:50,719 --> 00:48:52,120
Speaker 3: It's going to be good for you to go back

959
00:48:52,120 --> 00:48:55,080
Speaker 3: there when you're ready, and he wants them to go

960
00:48:55,160 --> 00:48:57,600
Speaker 3: back to the way it was before. It's so sweet.

961
00:48:57,640 --> 00:48:58,600
Speaker 3: It's so lovely.

962
00:48:59,200 --> 00:49:00,400
Speaker 2: Yeah, And.

963
00:49:02,000 --> 00:49:04,040
Speaker 3: What I appreciated it was weird. It was such a

964
00:49:04,040 --> 00:49:07,799
Speaker 3: big swing because something nobody talks about is the fact

965
00:49:07,840 --> 00:49:10,839
Speaker 3: that at a crime scene or when there is a

966
00:49:10,880 --> 00:49:15,680
Speaker 3: medical emergency, the amts and police don't clean up. You know,

967
00:49:15,760 --> 00:49:18,200
Speaker 3: you see all the gauze, You see the needles because

968
00:49:18,200 --> 00:49:21,000
Speaker 3: they probably had to inject you guys with adrenaline. You know,

969
00:49:21,800 --> 00:49:25,319
Speaker 3: you see the wreckage of them saving your life. That

970
00:49:25,520 --> 00:49:31,000
Speaker 3: was very powerful to me. And then as powerful as

971
00:49:31,040 --> 00:49:33,239
Speaker 3: it was to be honest about what it would look

972
00:49:33,280 --> 00:49:35,920
Speaker 3: like in that room after an event like this, then

973
00:49:35,960 --> 00:49:37,680
Speaker 3: it did the opposite where I was like, there is

974
00:49:37,760 --> 00:49:42,480
Speaker 3: no way weeks old blood is coming out of that rug.

975
00:49:42,920 --> 00:49:44,920
Speaker 3: And I was like, God, we did so good on

976
00:49:44,960 --> 00:49:47,480
Speaker 3: the one hand, and then we just we pushed it.

977
00:49:47,960 --> 00:49:50,200
Speaker 3: We knocked it right over with the other. But it

978
00:49:50,360 --> 00:49:52,680
Speaker 3: was that's one of those moments where you go, it's

979
00:49:52,719 --> 00:49:56,040
Speaker 3: the gesture, it's the thing. And even though I don't

980
00:49:56,080 --> 00:49:58,800
Speaker 3: ever believe our answer for something that doesn't work should

981
00:49:58,800 --> 00:50:01,239
Speaker 3: be oh, it happened off camera, I was like, I

982
00:50:01,320 --> 00:50:04,759
Speaker 3: have to believe that. Maybe three minutes after we left

983
00:50:04,800 --> 00:50:09,200
Speaker 3: him scrubbing, he called Stanley Steamer and the store.

984
00:50:09,600 --> 00:50:12,240
Speaker 6: Because it wasn't you know, it wasn't like someone cracked

985
00:50:12,280 --> 00:50:15,080
Speaker 6: their head open. It's like we were both shot and

986
00:50:15,160 --> 00:50:19,600
Speaker 6: bled out for like something like twelve hours. Yeah, that's

987
00:50:19,640 --> 00:50:22,600
Speaker 6: so much blood, so much a carpet and then being

988
00:50:22,760 --> 00:50:25,719
Speaker 6: left for days, if not a week or two?

989
00:50:25,840 --> 00:50:27,640
Speaker 2: Oh yeah yeah floorboards.

990
00:50:28,000 --> 00:50:30,160
Speaker 6: Yeah, but bless his heart, you know, as it's in.

991
00:50:30,120 --> 00:50:31,920
Speaker 3: The less harmless.

992
00:50:44,600 --> 00:50:46,839
Speaker 6: I think we should do honorable mentions and maybe a

993
00:50:46,840 --> 00:50:50,960
Speaker 6: fan question. Sure, my honorable mention is going to be

994
00:50:51,840 --> 00:50:56,440
Speaker 6: sweet Sweet Stephen Coletti and Janet Ramer. Yeah, they sold

995
00:50:56,440 --> 00:50:58,040
Speaker 6: the heck out of that. They made it do a

996
00:50:58,120 --> 00:51:03,799
Speaker 6: very charming store and it could have not gone that way.

997
00:51:04,320 --> 00:51:04,960
Speaker 3: I love that.

998
00:51:05,400 --> 00:51:06,760
Speaker 2: I'm on board with that as well.

999
00:51:06,880 --> 00:51:08,880
Speaker 3: I was going to say the same, and now I'm like,

1000
00:51:09,520 --> 00:51:11,520
Speaker 3: should we toss it up? Because I know I feel

1001
00:51:11,560 --> 00:51:13,719
Speaker 3: like we all said the same last week. I'm going

1002
00:51:13,719 --> 00:51:16,160
Speaker 3: to give my honorable mention to Victoria's hair in prison,

1003
00:51:18,840 --> 00:51:20,279
Speaker 3: just for a little levity at the end of.

1004
00:51:20,320 --> 00:51:23,160
Speaker 4: The show, Like I want to know what she's using

1005
00:51:23,200 --> 00:51:24,440
Speaker 4: instead of belcrow rollers?

1006
00:51:24,440 --> 00:51:26,839
Speaker 2: Are there so many cans? Like how is she doing this?

1007
00:51:27,200 --> 00:51:29,799
Speaker 3: It must be That's a scene I'd like to see

1008
00:51:29,840 --> 00:51:33,799
Speaker 3: as well. When we get Victoria and Martha Stewart, we

1009
00:51:33,840 --> 00:51:35,600
Speaker 3: can see the coke can rollers for.

1010
00:51:35,520 --> 00:51:40,560
Speaker 4: Sure, Yeah, all right, do we have a question we do?

1011
00:51:40,640 --> 00:51:45,520
Speaker 6: It comes in from B. B Asks. I have watched

1012
00:51:45,560 --> 00:51:49,200
Speaker 6: seasons one through nine countless times, and I've never understood

1013
00:51:49,200 --> 00:51:52,399
Speaker 6: why Haley just stops being a teacher in seasons five

1014
00:51:52,440 --> 00:51:55,279
Speaker 6: and six, She's a teacher, gets fired, and then just

1015
00:51:55,400 --> 00:51:57,840
Speaker 6: never teaches again. A lot of work goes into becoming

1016
00:51:57,840 --> 00:52:00,840
Speaker 6: a teacher. It seems strange she just abandoned as a career.

1017
00:52:01,360 --> 00:52:03,279
Speaker 6: Why do you think the writers never had her go

1018
00:52:03,440 --> 00:52:04,240
Speaker 6: back and teach.

1019
00:52:05,880 --> 00:52:10,719
Speaker 4: Wow, that's a great point. I guess they forgot or

1020
00:52:10,800 --> 00:52:17,880
Speaker 4: maybe they felt like it just didn't serve the story anymore.

1021
00:52:17,960 --> 00:52:20,120
Speaker 4: They wanted to do other things. I don't know, because

1022
00:52:20,160 --> 00:52:23,680
Speaker 4: Hayley's doing a lot of When did I stop teaching?

1023
00:52:23,719 --> 00:52:27,320
Speaker 4: I get fired? And then what and then I started

1024
00:52:27,360 --> 00:52:28,440
Speaker 4: running the record label?

1025
00:52:28,960 --> 00:52:32,960
Speaker 3: Well that's the thing in season six, when you get fired,

1026
00:52:33,000 --> 00:52:36,800
Speaker 3: it's over such moral ground and wanting to do the

1027
00:52:36,880 --> 00:52:37,359
Speaker 3: right thing.

1028
00:52:37,440 --> 00:52:39,400
Speaker 2: And I mean, yeah, that would put you off for

1029
00:52:39,440 --> 00:52:39,880
Speaker 2: a while.

1030
00:52:40,440 --> 00:52:42,359
Speaker 3: Yeah. And also what a sort of premonition. I mean,

1031
00:52:42,360 --> 00:52:44,279
Speaker 3: look what teachers in our country are having to deal

1032
00:52:44,320 --> 00:52:46,840
Speaker 3: with all over the place right now. And at the

1033
00:52:46,880 --> 00:52:51,120
Speaker 3: same time as you're teaching and working on music, and

1034
00:52:51,160 --> 00:52:54,080
Speaker 3: then you're essentially told you can't allow a student to

1035
00:52:54,120 --> 00:52:57,000
Speaker 3: tell their truth and be who they are, which feels

1036
00:52:57,000 --> 00:52:59,320
Speaker 3: like the antithesis of what a school environment is supposed

1037
00:52:59,360 --> 00:53:04,880
Speaker 3: to be. Then Mia needs help, she needs a producer.

1038
00:53:04,920 --> 00:53:08,200
Speaker 3: A producer is essentially a teacher. It's kind of like

1039
00:53:08,239 --> 00:53:10,239
Speaker 3: being a college professor really.

1040
00:53:10,120 --> 00:53:13,040
Speaker 4: Yeah, yeah, like one on one really just like walking

1041
00:53:13,040 --> 00:53:14,120
Speaker 4: her through the ropes.

1042
00:53:14,560 --> 00:53:18,319
Speaker 3: So in my mind, Haley didn't stop teaching. She just

1043
00:53:19,239 --> 00:53:24,560
Speaker 3: she really pursued her greatest passion. But yeah, I don't know.

1044
00:53:24,600 --> 00:53:27,520
Speaker 3: Maybe that's why in this episode the crisis center feels

1045
00:53:27,520 --> 00:53:31,680
Speaker 3: so nostalgic to me, but it is an interesting.

1046
00:53:31,280 --> 00:53:34,640
Speaker 4: Point, Yeah, because you can see like the nurturing she

1047
00:53:34,719 --> 00:53:37,040
Speaker 4: wants to help. She wants to be a part of

1048
00:53:38,719 --> 00:53:42,280
Speaker 4: helping people and helping them grow into the best versions

1049
00:53:42,320 --> 00:53:46,680
Speaker 4: of themselves, or helping in small situations, and there's always.

1050
00:53:47,960 --> 00:53:49,480
Speaker 2: That's just always who she's been.

1051
00:53:50,320 --> 00:53:58,360
Speaker 4: So yeah, even though the classroom environment went away, I agree,

1052
00:53:58,400 --> 00:54:00,280
Speaker 4: I think she was still showing up and doing doing

1053
00:54:00,920 --> 00:54:03,040
Speaker 4: something to that effect well.

1054
00:54:03,040 --> 00:54:07,759
Speaker 6: And also on the non creative side, logistically, it is

1055
00:54:07,920 --> 00:54:10,880
Speaker 6: much easier from a production standpoint to have you doing

1056
00:54:11,280 --> 00:54:13,919
Speaker 6: red bedroom stuff where it's just you and one other

1057
00:54:13,960 --> 00:54:16,480
Speaker 6: person versus you and a school that they have to

1058
00:54:16,520 --> 00:54:19,000
Speaker 6: populate with sixty background actors.

1059
00:54:19,280 --> 00:54:23,120
Speaker 4: Yeah, yeah, and how many issues. I think they felt

1060
00:54:23,160 --> 00:54:25,600
Speaker 4: like we had been in the classroom for so long.

1061
00:54:25,640 --> 00:54:28,759
Speaker 4: And I think because the first four years was all

1062
00:54:29,200 --> 00:54:31,960
Speaker 4: in the classroom on the basketball court, and then as

1063
00:54:32,000 --> 00:54:35,320
Speaker 4: we moved on, I think the audience may have wanted

1064
00:54:36,080 --> 00:54:39,920
Speaker 4: and astutee that it is a stute that the writer's

1065
00:54:40,000 --> 00:54:42,120
Speaker 4: room would have noticed this, that it would be really

1066
00:54:42,160 --> 00:54:44,719
Speaker 4: helpful as a transition point for the audience to still

1067
00:54:44,760 --> 00:54:47,600
Speaker 4: be able to be in the classroom in some way

1068
00:54:47,640 --> 00:54:51,600
Speaker 4: with us as we transition into adulthood. But I think

1069
00:54:51,640 --> 00:54:53,960
Speaker 4: at some point it just served its purpose, like we

1070
00:54:54,000 --> 00:54:56,080
Speaker 4: had just run through all the storylines that we really

1071
00:54:56,160 --> 00:55:00,000
Speaker 4: could have without interfering too much on the larger group scale.

1072
00:55:00,600 --> 00:55:03,160
Speaker 3: And I also think there really is the This is

1073
00:55:03,200 --> 00:55:08,799
Speaker 3: where the sort of personal professional overlap happens too. You know,

1074
00:55:09,320 --> 00:55:12,880
Speaker 3: you are a musician. You are an incredible musician. You

1075
00:55:12,920 --> 00:55:15,880
Speaker 3: were writing music, you were writing musicals. You are I

1076
00:55:15,880 --> 00:55:19,000
Speaker 3: mean you, you moved to the music capital of America

1077
00:55:19,120 --> 00:55:23,719
Speaker 3: like you. You are a music a musical being in

1078
00:55:23,760 --> 00:55:28,279
Speaker 3: yourself as joy and so I also think given all

1079
00:55:28,320 --> 00:55:33,280
Speaker 3: of that and and what Haley as a musician allowed

1080
00:55:33,880 --> 00:55:38,400
Speaker 3: us to maintain on the show, particularly with Peyton leaving

1081
00:55:39,120 --> 00:55:43,479
Speaker 3: and you taking over Red bedroom, that I just think

1082
00:55:43,520 --> 00:55:48,960
Speaker 3: for both story and your creative inspiration, it made more sense.

1083
00:55:49,640 --> 00:55:53,160
Speaker 4: Yeah, I think so too. Yeah, B thanks for asking.

1084
00:55:53,239 --> 00:55:57,480
Speaker 2: Great, it's a great question. Interesting. Okay, let's been a wheal.

1085
00:55:58,120 --> 00:55:59,240
Speaker 3: Let's do it, kiddos.

1086
00:56:00,200 --> 00:56:02,040
Speaker 4: It's so funny when they run this, we get to

1087
00:56:02,040 --> 00:56:05,000
Speaker 4: see like it running through all the all the different possibilities.

1088
00:56:05,200 --> 00:56:11,480
Speaker 2: I know, Oh how funny.

1089
00:56:12,239 --> 00:56:15,880
Speaker 6: Most likely to win the show survivor.

1090
00:56:15,760 --> 00:56:18,160
Speaker 2: To win not just be a contestant.

1091
00:56:17,960 --> 00:56:18,920
Speaker 6: Victoria Davis.

1092
00:56:20,280 --> 00:56:24,719
Speaker 4: Yes, yes, one thousand percent yes. And it would come

1093
00:56:24,760 --> 00:56:27,919
Speaker 4: down to Victoria Davis and Dan Scott and Victoria would

1094
00:56:27,920 --> 00:56:31,600
Speaker 4: get the upper hand somehow, but for sure Victoria wins.

1095
00:56:31,800 --> 00:56:33,920
Speaker 3: Yeah, and Dan would beg He'd be like, but be

1096
00:56:34,040 --> 00:56:35,840
Speaker 3: like the girl in the Hunger Games and save us

1097
00:56:35,880 --> 00:56:43,279
Speaker 3: both and Victoria would be like, no, I love it.

1098
00:56:44,000 --> 00:56:44,480
Speaker 3: That's it.

1099
00:56:45,040 --> 00:56:45,360
Speaker 5: Okay.

1100
00:56:45,400 --> 00:56:49,279
Speaker 4: Next episode, Season eight, episode five, Nobody taught us to quit.

1101
00:56:50,640 --> 00:56:51,960
Speaker 2: I wonder what's going to happen there?

1102
00:56:52,640 --> 00:56:55,960
Speaker 4: For tuning in friends, always nice to spend an afternoon

1103
00:56:55,960 --> 00:56:58,920
Speaker 4: evening or morning with you and hope to see so bane.

1104
00:57:00,280 --> 00:57:01,840
Speaker 2: Hey, thanks for listening.

1105
00:57:01,560 --> 00:57:03,719
Speaker 3: Don't forget to leave us a review. You can also

1106
00:57:03,840 --> 00:57:07,000
Speaker 3: follow us on Instagram at Drama Queens O t H

1107
00:57:07,480 --> 00:57:11,640
Speaker 3: or email us at Drama Queens at iHeartRadio dot com.

1108
00:57:11,920 --> 00:57:12,920
Speaker 2: See you next time.

1109
00:57:14,160 --> 00:57:16,520
Speaker 3: We all about that high school drama.

1110
00:57:16,560 --> 00:57:20,040
Speaker 2: Girl Drama Girl, all about them high school queens.

1111
00:57:20,080 --> 00:57:22,240
Speaker 4: We'll take you for a ride at our comic Girl

1112
00:57:23,080 --> 00:57:26,640
Speaker 4: cheering for the right teams. Drama Queenslease my girl, up

1113
00:57:26,760 --> 00:57:28,640
Speaker 4: girl fashion, but your tough girl.

1114
00:57:28,480 --> 00:57:29,400
Speaker 2: You could sit with us.

1115
00:57:29,480 --> 00:57:33,560
Speaker 1: Girl Drama Queens, Drama Queens, Drama Queens, Drama Drama Queens

1116
00:57:33,600 --> 00:57:35,240
Speaker 1: Drama Queens