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Speaker 1: Sabrina, what are you wearing?

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Speaker 2: Will? I am wearing the latest fashion of two thousands.

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Speaker 2: I've got my Avril Levine tie on. Uh huh, my

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Speaker 2: preppy little shirt here, okay, my cheetah sweater. I noticed

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Speaker 2: my hat that cannot be straight. It must be to

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Speaker 2: the rice.

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Speaker 1: Slightly rakish angle. Yes, I am.

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Speaker 2: Grooving and moving this morning.

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Speaker 3: Now, Yeah, how far did you have to go to

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Speaker 3: find said fashion?

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Speaker 1: Was this a store? Did you have to order this?

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Speaker 1: How did you find this outfit?

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Speaker 2: I just happened to have these items of the two

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Speaker 2: thousands in my closet. It was just a little get up.

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Speaker 2: I had to look a little bit. This is my

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Speaker 2: husband's tie, Okay, which is this normal? Why is his

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Speaker 2: tie cut?

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Speaker 1: No, that's not that's not normal.

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Speaker 2: I don't know. Sorry to call you out, Jordan. I

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Speaker 2: have no idea what the hell that is.

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Speaker 3: He's even got a great Your husband even has a

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Speaker 3: great mid aught two thousand's boy band name Jordan?

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Speaker 2: I mean, I know, I know, I know. And his

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Speaker 2: middle name is Michael.

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Speaker 1: Oh he could also just be jm.

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Speaker 2: Yeah, there's a play a little bit of a playoff

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Speaker 2: Michael Jordan. But you know, switch it up, just a

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Speaker 2: little bit.

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Speaker 3: Switch it up just well, there's there is no better

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Speaker 3: segue to our film this week. But first of all,

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Speaker 3: welcome to Magical Rewind, the show that makes you want

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Speaker 3: to grab your friends, your pjs and your popcorn and

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Speaker 3: go back to a time when all the houses are smart, the.

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Speaker 1: Waves, tsunamis and the high School's musical.

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Speaker 2: I'm wilfrid All and I'm Sabrina Brian.

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Speaker 1: And Sabrina's outfit.

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Speaker 3: If you can't see it, which you can't if you're

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Speaker 3: just listening to the podcast, but I promise you is

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Speaker 3: a perfect representation of the time which we're talking about today.

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Speaker 2: Which I'm twinsies with Brenda Song.

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Speaker 3: You are absolutely because today we are watching Stuck in

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Speaker 3: the Suburbs, which is.

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Speaker 1: A huge, you know, incredible movie. It was fun, It

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Speaker 1: was fun.

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Speaker 2: Loved it. I loved I thought it was so fun.

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Speaker 1: It was fun.

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Speaker 2: There's definitely things to chat about, of course, of course,

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Speaker 2: but to be honest, I thought it was great. It

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Speaker 2: was perfectly placed in its time, The amount of color,

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Speaker 2: just everything, there's so much. I mean, I love this

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Speaker 2: movie so much because I recognize so many people that

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Speaker 2: I've worked with, including the costume designer.

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Speaker 1: Miss Oh yeah, this was like right in your wheelhouse.

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Speaker 2: This was right during the like Mecha of Like the

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Speaker 2: Cheetah Girls. So it was wonderful to see everyone's work

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Speaker 2: in this movie. I had not seen this. Have you

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Speaker 2: seen this before?

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Speaker 1: No?

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Speaker 2: No, of course I have not seen it. Now I've

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Speaker 2: got another faith.

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Speaker 1: This is another fave.

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Speaker 3: So everybody needs to hone in the auto tune and

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Speaker 3: touch up the blonde highlights because we're diving into two

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Speaker 3: thousand and fours pop music adventures stuck in the suburbs,

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Speaker 3: So right in the middle of the early aughts onslaught

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Speaker 3: of boy bands and trl. This movie deals in fantasy

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Speaker 3: fulfillment and the dilemma of being a true artist, all

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Speaker 3: set in a very normal, uneventful suburb. It premiered on

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Speaker 3: July sixteenth, two thousand and four, to three point seven

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Speaker 3: million viewers, which was scoring the top spot for its

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Speaker 3: time slot in kids six to eleven and nine to fourteen.

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Speaker 1: It was reportedly filmed with a budget of just a million.

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Speaker 3: Dollars, and it also brought along a highly publicized soundtrack

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Speaker 3: from Walt Disney Records and even became He even came.

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Speaker 1: With a poster for the movie.

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Speaker 3: I love that back in the day you got a

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Speaker 3: poster too, which is cool. So, in addition to songs

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Speaker 3: from Haley Duff, Jesse McCartney, Annalise Vanderpohl and Weirdly Stuck

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Speaker 3: in the Middle with You from Steeler's Wheel, which really

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Speaker 3: sticks out in the film, there are tracks for the

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Speaker 3: movie's fictional pop star, Jordan Cahill, and the soundtrack actually

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Speaker 3: charted on the Billboard Top two hundred and two thousand

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Speaker 3: and four. It hit number one eighty two, which is

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Speaker 3: pretty amazing. But before we find ourselves on top of

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Speaker 3: the world making a wish to be more than me,

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Speaker 3: let's break into the synopsis. So Brittany Aerins is your

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Speaker 3: normal teenage girl bored with her predictable life in the suburbs,

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Speaker 3: but all that changes when pop singer Jordan Cahill comes

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Speaker 3: to town and accidentally switches phones with her. Before we

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Speaker 3: really get into the film, did you have a pop like.

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Speaker 1: Sensation growing up?

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Speaker 3: Somebody that you had hanging in your locker that you

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Speaker 3: would scream for that was just your everything?

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Speaker 2: Did not have a locker, which I always have. Movies

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Speaker 2: always make me. Ever, movies always make me sad because

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Speaker 2: I never had a locker?

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Speaker 1: How did you never have a locker?

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Speaker 2: When I was in junior high, which is when I

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Speaker 2: would get a locker, I did independent study for the

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Speaker 2: for pees because I danced so much, and that's the

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Speaker 2: only time you'd have a lockers for pe. By the

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Speaker 2: time I got to high school, they had taken out

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Speaker 2: all the lockers. I don't know why.

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Speaker 1: Wait, wait, so you just walked around.

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Speaker 2: With the backpack with all your crap in it.

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Speaker 3: You never in middle school and in high school that

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Speaker 3: you had to and if they had no lockers.

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Speaker 2: It made me so sad. It makes me still. The

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Speaker 2: decorating of a locker I missed out on.

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Speaker 3: That is one of the weirdest things I've ever heard

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Speaker 3: in my garage.

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Speaker 2: So that I can have one, because I literally have

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Speaker 2: never gotten the locker experience.

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Speaker 1: That is a strange thing.

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Speaker 2: To hear the kiss at the locker. I missed out

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Speaker 2: on all that.

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Speaker 1: That is such a strange.

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Speaker 3: Okay, So if you had a locker, which it would

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Speaker 3: have been, should have.

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Speaker 2: In sync, in sync, in sync and then of course

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Speaker 2: obsessed with Brittney Britney spears, I carry all the pop

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Speaker 2: icons at that point.

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Speaker 3: But in sync, for sure, your your Jordan Cahill would

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Speaker 3: have been the boys from encinc.

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Speaker 1: Yeah, yeah, okay, fair enough.

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Speaker 3: I totally understand that. I obviously was not a pop guy.

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Speaker 3: So my locker had pictures of like I think I

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Speaker 3: had motorcycles and stuff like that. It was, yeah, maybe

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Speaker 3: some sports stuff. But I also never but you.

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Speaker 2: Did decorate it.

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Speaker 1: I might have stuck in middle school. I think we

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Speaker 1: put things up.

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Speaker 3: I think at one point I had like, literally quotes

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Speaker 3: from Karate Kid written in my locker. Yeah yeah, and

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Speaker 3: stuff like that, and it I put put put them

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Speaker 3: in a body bag.

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Speaker 1: Get him a body bag. That was that. And there

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Speaker 1: was a couple of things.

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Speaker 3: So my friends and I had had some some Karate

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Speaker 3: Kid stuff in there. But I can't believe you didn't

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Speaker 3: have a locker. I swear to God, I know what

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Speaker 3: I'm getting you for Christmas. I'm just going to get

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Speaker 3: you a locker.

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Speaker 2: Yeah, I don't know where I'll put it, but that's okay.

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Speaker 1: Let's go with garage. That's a better way. So you

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Speaker 1: we covered this at the top. We both really liked

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Speaker 1: this movie. I did.

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Speaker 2: I thought it was an easy watch. I mean to

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Speaker 2: the point where I had to Normally I do all

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Speaker 2: my Sabrina seaes that you know, we watched these movies twice.

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Speaker 2: I do it all.

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Speaker 1: The first time me too.

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Speaker 2: By mid of the movie, I just was enjoying it

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Speaker 2: and completely stopped writing down little thing I had. Second time,

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Speaker 2: I normally just get to watch it. But the second time,

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Speaker 2: when it came up to the point where I stopped

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Speaker 2: watching making notes, that's when I, oh, I got to

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Speaker 2: start writing these again because I don't have enough and

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Speaker 2: Will's stealing all of them, so I had to make

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Speaker 2: sure that it got a plenty of a list so

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Speaker 2: I can check off the ones that you've got.

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Speaker 1: That makes sense.

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Speaker 3: Yeah, this was This was one of those movies for

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Speaker 3: me that started to make me realize that I'm beginning

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Speaker 3: to watch the movies the way they're supposed to be watched. Yes,

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Speaker 3: because they're really You couldn't have made a movie that

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Speaker 3: was made less for me. I mean, this is obviously

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Speaker 3: made for teenage, mostly teenage and young tween girls.

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Speaker 1: But because some of the I mean all the acting

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Speaker 1: was good.

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Speaker 3: Again, the stories were kind of you know, the story

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Speaker 3: was we'll get into a little bit interesting how they

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Speaker 3: did some of the stuff.

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Speaker 1: But it was fun. It was bright, there was music.

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Speaker 3: It was enjoyable, easy, likable characters, easy to watch.

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Speaker 1: I agree, so it was good.

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Speaker 3: The movie stars Danielle Panabaker as Brittany, the small town

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Speaker 3: girl thrust in the pop music Spotlight because of a

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Speaker 3: cell phone. You might know her from The Flash or

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Speaker 3: really any of the CW DC universe shows like Arrow,

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Speaker 3: Supergirl or Legends of Tomorrow. She was also in that

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Speaker 3: superhero high school movie that was really really good, sky High,

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Speaker 3: a great movie and written by the two guys who

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Speaker 3: did Campossible. She was Caitlin snow by the Way aka

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Speaker 3: Killer Frost, which is a great character in the DC universe.

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Speaker 1: And then Brenda Song is her new bestie.

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Speaker 3: Natasha Kwan Schwartz best known to our audience for roles

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Speaker 3: on the Disney Channel Sweet Life of Zach and Cody

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Speaker 3: and appearances on That So Raven, Phil The Future, Hannah, Montana,

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Speaker 3: and many many more. She is a really really talented

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Speaker 3: actress who's married to mcaulay Culkin.

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Speaker 2: They have two and it has two children and they're adorable. Well.

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Speaker 2: I have very many pictures, but I love her. I do.

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Speaker 1: You were a big Branda Song fan.

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Speaker 2: I love everything she was in, plus as a person,

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Speaker 2: sweet as can be.

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Speaker 1: So unique girl.

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Speaker 2: Yes, yeah, okay again, I'm meeting through meeting through stuff

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Speaker 2: from the channel, Disney Channel, working stuff, Disney games, doing

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Speaker 2: different things for the channel every single time. Such a

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Speaker 2: joy to be around, professional and just the sweetest of sweets.

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Speaker 1: Oh I love I love hearing that. Yeah, this is

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Speaker 1: the first thing I've ever seen her in. Okay, she

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Speaker 1: was great. Tarren Killum plays singing superstar Jordan K. Hill.

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Speaker 3: Tarren would later go on to be a long running

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Speaker 3: cast member of Saturday Night Live and appear in movies

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Speaker 3: like Just Married, Night School, and Twelve Years a Slave.

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Speaker 3: And Ryan Bellaville plays Eddie the in Hot Water, personal

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Speaker 3: assistant and childhood friend of Jordan k.

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Speaker 1: Hill.

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Speaker 3: The movie runs just eighty two minutes, which is eight

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Speaker 3: below our target, and was shot mostly in New Orleans.

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Speaker 3: It was directed by Now this is I love this

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Speaker 3: and I'll let you know why, directed by Savage Steve Holland,

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Speaker 3: a man who got the nickname Savage in his childhood.

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Speaker 1: After he kicked a kid in the teeth during.

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Speaker 3: A soccer game. That's not why I love him, but

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Speaker 3: that's just how we got the name. He's a legend

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Speaker 3: because in the eighties, he directed cult classics like Better

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Speaker 3: Off Dead One Crazy Summer, which are two of the

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Speaker 3: most important movies of my life growing up. So Savage

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Speaker 3: Steve Holland when I was a kid, very young, eight

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Speaker 3: or nine was the director I wanted to work with.

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Speaker 3: I just want John Cusack starred in all of his movies.

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Speaker 3: I just wanted to be his next John Cusack, to

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Speaker 3: be in Savage Steve Holland movies.

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Speaker 1: It was great.

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Speaker 3: He later went into kids TV, working on big shows

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Speaker 3: like Big Time Rush, Phil of the Future, Lizzie Maguire,

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Speaker 3: And this.

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Speaker 1: Is one of the most interesting things about him. Do

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Speaker 1: you remember the game show Press Your Luck? Are you

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Speaker 1: too young for Press Your Luck? Okay?

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Speaker 2: I think so?

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Speaker 1: So Press Your Luck was in the seventies.

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Speaker 3: Game early seventies and early eighties, and it was really

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Speaker 3: famous for all these people would sit there and this

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Speaker 3: thing goes around, this circle goes and you can hit

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Speaker 3: either you know, five hundred dollars and another spin, another spin,

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Speaker 3: or you'd hit something called a whammy and the whammys

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Speaker 3: were bad.

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Speaker 1: So people would sit there and the thing was going.

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Speaker 3: And you go, okay, no whammy's no Whammy's no Wammy

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Speaker 3: stop and if you hit a whammy, this animation.

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Speaker 1: Would come on of this thing called the Whamy and

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Speaker 1: we'll go like what.

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Speaker 3: So Savage Steve Hall and actually animated all the whammies,

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Speaker 3: which is he does in all of his movies Better

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Speaker 3: Off Dead, One Crazy Summer. There's always these kind of

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Speaker 3: bizarre animated shorts that pop up in the middle, like

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Speaker 3: the famous one and Better Off Dead is two Hamburgers

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Speaker 3: Cheeseburgers dancing to Everybody Wants Some by Van Hall.

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Speaker 1: It's just very very interesting stuff.

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Speaker 3: So that's Savage Steve Hollan, Wendy and Amy Engelberg wrote

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Speaker 3: the script. They were producers and writers on Eight Simple Rules,

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Speaker 3: What I Like About You and Fuller House, and they

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Speaker 3: shared a credit with Dan Berenson, a Disney regular and

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Speaker 3: writer behind Twitches, Camp Rock to the Hannah Montana movie,

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Speaker 3: and something called Cheetah Girls One World.

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Speaker 2: I'm wow, not.

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Speaker 1: Familiar with Cheetah Girls. Hopefully we'll get to watch.

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Speaker 2: Yeah, I wonder what a one world means. That's weird.

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Speaker 1: You're just I can't wait to see the rest of them.

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Speaker 3: So let's start off with something I'm gonna call the

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Speaker 3: Kick It Up clause this is where and it's because

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Speaker 3: I'm a thing that again I'm trying to get over

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Speaker 3: as I watch this, because I understand why they do it.

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Speaker 2: Of course, think I know where you're going with this.

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Speaker 3: This is where grown actors play middle schoolers. So Danielle

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Speaker 3: Panabaker and Brenda Song, we're both sixteen when they filmed

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Speaker 3: the movie.

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Speaker 1: So not I mean, we're not talking.

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Speaker 3: Gotta kick it up kind of ages, no, but still

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Speaker 3: sixteen playing middle schoolers. And the thing that was so

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Speaker 3: strange was the four other friends that they had at

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Speaker 3: the beginning were definitely like middle school age.

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Speaker 2: That was one of my big bold letters of Sabrina

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Speaker 2: Cees was why are her friends seven years.

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Speaker 1: Younger than her?

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Speaker 2: Right, You're so little and they act little, you know,

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Speaker 2: they yeah, little, And she just looks so much more mature.

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Speaker 2: She talks more mature because she is, and that's okay,

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Speaker 2: but it's like why, why why? Why?

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Speaker 1: But do you think that that could be? Why? Then?

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Speaker 3: The second cause the things I find interesting about the

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Speaker 3: character was the second Brenda Song walks into school, she

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Speaker 3: ditches her four friends so fast, bad habit.

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Speaker 2: Bye, I am done with you.

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Speaker 1: I am moving on. It was so quick and abrupt.

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Speaker 2: Yeah, you can tell. I mean it starts with her

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Speaker 2: being the cool one. She's got an aunt that lives

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Speaker 2: in New York sending her her shoes that nobody has.

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Speaker 2: They can't leave it. They're the most basic jelly shoes

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Speaker 2: I've ever seen.

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Speaker 1: But we'll get past. There's only one pair.

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Speaker 2: There's only one pair in middle of America, and it's hers.

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Speaker 2: You know, she's set up as being the cool more

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Speaker 2: of out of the suburbs than anyone else. She finds

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Speaker 2: somebody who wants to be liked, and she just drops

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Speaker 2: the I can't believe as we go on that these

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Speaker 2: friends keep coming back around.

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Speaker 1: I thought the same thing.

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Speaker 3: I was like, you guys just keep getting dissed here

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Speaker 3: and you're still coming back.

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Speaker 2: There's not even a conversation really.

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Speaker 1: About it was very interesting.

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Speaker 2: But yeah, right from the beginning, Right from the.

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Speaker 3: Beginning, we're gonna kick off the movie with Britney and

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Speaker 3: her soccer pals bothering their minivan driving mom.

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Speaker 1: I had a problem with this too.

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Speaker 3: I assumed the mom would be the mom of the

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Speaker 3: lead in the movie. You never see them again, Me too,

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Speaker 3: You never see this mom.

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Speaker 2: Again until the end when she comes back in the same.

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Speaker 3: Car, But why would it not be Britney's mom that

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Speaker 3: is driving the carpool.

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Speaker 1: Why it was just a weird thing.

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Speaker 3: And he's like, this, this a strange choice to make

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Speaker 3: it somebody else's.

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Speaker 1: Yeah, very very weird.

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Speaker 3: But they you know, obviously they're trying to get home

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Speaker 3: because Jordan Cahill's newest video on something called Music Update

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Speaker 3: was which is a fictional version of TRL, which is

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Speaker 3: obviously huge at the time of Carson Dale was his

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Speaker 3: new video was dropping, and they love the video so

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Speaker 3: much that I think normally, like what I imagine girls

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Speaker 3: would do back in the day is there's.

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Speaker 1: Kind of like a synchronized dance that goes along with it.

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Speaker 3: I assumed even though it was a new video, it

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Speaker 3: was an old dance they kind of do to everything.

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Speaker 2: It's absolutely the start of the TikTok stuff that we

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Speaker 2: are now hammered with watching all of these kids bounce

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Speaker 2: around with like half full out moves, giving the like

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Speaker 2: the facials they do. It's just this was my I

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Speaker 2: would have rather this version forever than what all the

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Speaker 2: so much of the stuff I see on TikTok Okay.

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Speaker 1: So are they were? They good.

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Speaker 3: The girl.

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Speaker 2: The girls dancing, they were okay. They were soccer players

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Speaker 2: that were dancing. They were perfect for that. Soccer players

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Speaker 2: that were dancing. Girls that are not in dance class,

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Speaker 2: but girls that are just grooven and love this music

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Speaker 2: that you know, same thing as what I think would

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Speaker 2: have been. You know, a group of girls watching in

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Speaker 2: sync back in the days, crackstreet boys picking up on

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Speaker 2: their moves a little bit.

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Speaker 1: Here and there. Okay, bye bye bye.

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Speaker 2: Everyone knows how to do bye bye bye. That's like

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Speaker 2: a perfect example, ain't no, lie, yes you do bye

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Speaker 2: bye bye. Don't tell me you don't know how.

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Speaker 1: It's this one. It's this one.

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Speaker 2: I do.

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Speaker 1: I do know that one. That's what I mean, I

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Speaker 1: actually do.

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Speaker 2: That's a perfect example.

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Speaker 1: I think Lance taught us that.

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Speaker 2: Well, you cannot tell me that you don't know how

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Speaker 2: to do some stuff.

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Speaker 1: I get it.

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Speaker 2: You're not into pop music, but you were still alive.

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Speaker 3: Yeah again, I've heard something. Oh I've heard bye Bye

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Speaker 3: Bye all the top. I remember when that video dropped,

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Speaker 3: because that was a huge thing where they were doing

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Speaker 3: like running on trains and doing all that.

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Speaker 1: Kind of stuff.

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Speaker 3: Yeah, no, I remember, I remember Bye Bye Bye.

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Speaker 2: They set this whole thing up like this, and I

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Speaker 2: thought they did a good job. I love the kids dancing.

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Speaker 2: The only thing that really irked me was when they

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Speaker 2: take their cleats, which at least their brand new never

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Speaker 2: used cleats on an actual real field because they're they're costuming,

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Speaker 2: and they hit the mom's couch.

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Speaker 1: And slipped the couch over.

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Speaker 2: I would have lost my mind.

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Speaker 1: If it was all Maddy.

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Speaker 2: Oh. That was the only thing that was like, you guys,

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Speaker 2: all right now, we're taking it too far, taking it

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Speaker 2: away too far. Take your cleats off freaking couch.

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Speaker 3: Right. Yeah, Well, cleat shouldn't have been in the house anyway,

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Speaker 3: no matter how fast, even if you're unning in for

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Speaker 3: Jordan's new video. The cleats stay outside, by the way,

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Speaker 3: if they're in the suburbs. If it's either back east

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Speaker 3: or in the middle of the country, there's a mudroom.

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Speaker 3: There's always a mudroom. You take your cleats off in

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Speaker 3: the mudroom. Oh switch, okay, yeah, that's what you do here.

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Speaker 3: We're also introduced to another crappy Disney sibling, which I'm

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Speaker 3: willing to now nickname a Disling.

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Speaker 1: Thank you very much. I'll show myself out.

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Speaker 3: Cooper Cooper is Britney's brother who is always constantly spying,

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Speaker 3: and he's dropping, he's under her bed, he's in the closet.

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Speaker 1: He's got a.

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Speaker 3: Doctor's stethoscope at one point and is listening through the wall.

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Speaker 3: I mean, I know it's a typical little brother trope,

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Speaker 3: but they take it too creepy places, which she.

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Speaker 2: Is me when I was little, my really Yes, my

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Speaker 2: sister was eight years older than me, right, so when

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Speaker 2: I'm eight, she's sixteen. Think about all my imagination of

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Speaker 2: how cool her life was. And I wanted to be

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Speaker 2: in her room all the time, and I hid in there.

400
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Speaker 2: I would pick whatever lock she'd have, I would go

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Speaker 2: in there. When she was gone, I would search her

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Speaker 2: whole room.

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Speaker 1: You were a locksmith by this point already.

404
00:18:14,880 --> 00:18:18,199
Speaker 2: That was later on. That was later on, But at

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Speaker 2: the same time, I really did everything I could to

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Speaker 2: get to get in my sister's room. I just wanted

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Speaker 2: to be with her friends and be around with I

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Speaker 2: didn't want to talk. I just wanted to sit there.

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Speaker 1: I guess I get it.

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Speaker 3: I'm mad your's my oldest brother's eight years older than

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00:18:31,720 --> 00:18:33,440
Speaker 3: me too, so I mean I kind of get that.

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Speaker 1: But they he did look a little creepy.

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Speaker 2: This scoop was a little bit too. It's a little much,

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Speaker 2: but he was cute. I thought he was cute and quirky,

415
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Speaker 2: and he was.

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Speaker 3: He was, you know, I'm not sure he competes with

417
00:18:47,240 --> 00:18:50,760
Speaker 3: how bad Robin Lively's character wasn't fuzzbucket, how mean she was,

418
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Speaker 3: but he's definitely not the chill brother. But then they

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Speaker 3: add which I kind of liked this. Then they add

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Speaker 3: the genius older sister, which is just haven't really seen yet.

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Speaker 2: I loved that. We you're right, we have not seen it.

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00:19:04,560 --> 00:19:08,080
Speaker 2: And I thought it added a great dimension to her

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Speaker 2: as a you know. Then now she's a middle child,

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Speaker 2: you know, the annoying brother, the sister that just looks

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Speaker 2: like her has set the bar so high you couldn't try.

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Speaker 1: Yeah, that I loved. I did too. I did too.

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Speaker 3: I thought that was a cool way to go about it.

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Speaker 3: I also liked that they made her where well you

429
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Speaker 3: can tell they're different. She still helps her sister out

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Speaker 3: like she drives her places and does that.

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Speaker 1: Yes, it was a horable driver.

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Speaker 3: Oh, which is which is very fun. Which is another

433
00:19:32,800 --> 00:19:35,520
Speaker 3: kind of funny thing they threw in. They they actually

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Speaker 3: seemed to have care added to the character.

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Speaker 1: Yes, yes, and they did it.

436
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Speaker 3: They had very little time to do it, and they

437
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Speaker 3: gave her enough that it was fun.

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Speaker 4: Yeah.

439
00:19:46,680 --> 00:19:50,680
Speaker 2: I thought my brother was actually helpful to later on

440
00:19:50,960 --> 00:19:53,639
Speaker 2: be a little bit more of like a techie, you know,

441
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Speaker 2: nerd kind of thing, like he was able to help her,

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Speaker 2: which I thought was great. They were annoying in their

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00:19:58,119 --> 00:20:00,800
Speaker 2: own ways, but they were also good siblings. I like

444
00:20:01,000 --> 00:20:03,480
Speaker 2: that they did kind of a family dynamic.

445
00:20:03,640 --> 00:20:05,880
Speaker 1: Yep, agreed, Agreed, because after.

446
00:20:05,760 --> 00:20:09,040
Speaker 2: Robin Lively, I'm like, are we teaching eveiens that they

447
00:20:09,080 --> 00:20:10,320
Speaker 2: have to be annoying like this.

448
00:20:10,640 --> 00:20:12,520
Speaker 3: Or the little sister in my day with the president's

449
00:20:12,600 --> 00:20:13,840
Speaker 3: daughter or any of that, where.

450
00:20:13,680 --> 00:20:16,760
Speaker 2: It's just we're just setting the standard that as a sibling,

451
00:20:17,480 --> 00:20:18,720
Speaker 2: you're annoying, you're.

452
00:20:18,640 --> 00:20:21,399
Speaker 1: Mean and exact, and that's it. But that luckily we

453
00:20:21,400 --> 00:20:22,000
Speaker 1: didn't have to do.

454
00:20:22,320 --> 00:20:29,960
Speaker 2: Yeah.

455
00:20:30,040 --> 00:20:32,960
Speaker 3: Brittany, of course, staying in the suburbs, sees much bigger

456
00:20:32,960 --> 00:20:33,760
Speaker 3: things for herself.

457
00:20:34,040 --> 00:20:35,879
Speaker 1: She's a musician, she writes music.

458
00:20:36,040 --> 00:20:38,720
Speaker 3: She's afraid that nothing important is ever going to happen

459
00:20:38,760 --> 00:20:41,040
Speaker 3: to her, especially you know, she's got a mom who

460
00:20:41,080 --> 00:20:45,119
Speaker 3: tries to help her with kind of local small time

461
00:20:46,000 --> 00:20:50,159
Speaker 3: charity kind of yeah, yeah, like saving saving old homes

462
00:20:50,160 --> 00:20:53,199
Speaker 3: and things like that. But then out of nowhere, a

463
00:20:53,240 --> 00:20:56,320
Speaker 3: new girl transfers in Natasha. She has set it up

464
00:20:56,359 --> 00:20:58,800
Speaker 3: that she's lived all over Europe, she's lived in New York.

465
00:20:59,720 --> 00:21:01,880
Speaker 3: And this is all at the same time that they

466
00:21:01,920 --> 00:21:05,720
Speaker 3: find out that the dreamiest pop star that everybody loves,

467
00:21:05,800 --> 00:21:07,840
Speaker 3: Jordan ka Hill, is actually gonna be coming to town

468
00:21:07,960 --> 00:21:11,280
Speaker 3: to shoot his latest music video. So the suburbs, which

469
00:21:11,280 --> 00:21:13,080
Speaker 3: are normally quiet, all of a sudden have blown up.

470
00:21:13,080 --> 00:21:15,399
Speaker 3: You've got a new friend, You've got Jordan k Hill coming.

471
00:21:16,359 --> 00:21:19,080
Speaker 3: It's pretty amazing. I was going to take this opportunity

472
00:21:19,119 --> 00:21:20,800
Speaker 3: to ask you what you thought of the fashion at

473
00:21:20,800 --> 00:21:25,199
Speaker 3: this point, but seeing as you're how you're dressed, I

474
00:21:25,240 --> 00:21:27,159
Speaker 3: think I know the answer. I doubt you're gonna be like,

475
00:21:27,320 --> 00:21:29,600
Speaker 3: it was terrible. How does anyone dress like that?

476
00:21:29,760 --> 00:21:29,879
Speaker 1: Oh?

477
00:21:29,920 --> 00:21:34,840
Speaker 2: Okay, all right, So this is obviously costume for me. Yes,

478
00:21:35,200 --> 00:21:38,920
Speaker 2: I was watching the movie a little cringey at times

479
00:21:39,040 --> 00:21:43,240
Speaker 2: because it took me back to some of the choices

480
00:21:43,280 --> 00:21:47,240
Speaker 2: that I was I mean, talk about a tie, sure

481
00:21:47,400 --> 00:21:50,800
Speaker 2: Dernda wears a tie. I mean, you want luck, you

482
00:21:50,840 --> 00:21:55,399
Speaker 2: want gloves, tie, a big chunky bell thirteen. You know,

483
00:21:55,480 --> 00:22:01,119
Speaker 2: bracelets on my wrist, earrings, Barrett's hat, like this time

484
00:22:01,160 --> 00:22:05,639
Speaker 2: of the of the the TV world of what girls

485
00:22:05,640 --> 00:22:08,960
Speaker 2: were doing. And it's true. Everyone is over accessorizing, wearing

486
00:22:09,000 --> 00:22:12,919
Speaker 2: way too much. Disney always seemed to take it up

487
00:22:13,000 --> 00:22:13,560
Speaker 2: a notch.

488
00:22:13,760 --> 00:22:15,600
Speaker 1: Yeah, they do, they do.

489
00:22:16,119 --> 00:22:20,640
Speaker 2: The I was cracking up because it's what I wore

490
00:22:20,640 --> 00:22:22,960
Speaker 2: and a lot of my stuff during the time. When

491
00:22:23,000 --> 00:22:26,320
Speaker 2: I mean I have When I actually was on screen

492
00:22:26,359 --> 00:22:29,159
Speaker 2: with Brenda Song and Zach and Cody Sweet Life, I

493
00:22:29,200 --> 00:22:32,000
Speaker 2: am wearing one of the worst outfits I think I

494
00:22:32,119 --> 00:22:32,800
Speaker 2: have ever worn.

495
00:22:33,080 --> 00:22:34,399
Speaker 1: Oh I need to see that, please.

496
00:22:34,480 --> 00:22:38,440
Speaker 2: It is awful. I'm wearing probably five different Cheetah prints,

497
00:22:38,480 --> 00:22:41,400
Speaker 2: and I just have so much going on, and the leggings,

498
00:22:41,400 --> 00:22:42,960
Speaker 2: with the dress and the skirt and the belt and

499
00:22:43,119 --> 00:22:44,360
Speaker 2: this and that. It's just too much.

500
00:22:44,600 --> 00:22:48,720
Speaker 1: Okay, I love it. But it was a lot okay, well.

501
00:22:48,680 --> 00:22:54,320
Speaker 2: And so much color, well fashion right the whole movie.

502
00:22:56,960 --> 00:22:59,440
Speaker 1: Much. It certainly popped like a Disney film.

503
00:22:59,720 --> 00:23:03,520
Speaker 3: Yes, so, Brittany and Natasha dressed in very bright colors

504
00:23:03,560 --> 00:23:05,639
Speaker 3: with a lot of accessories. Go to where Jordan Cahill

505
00:23:05,680 --> 00:23:08,199
Speaker 3: is shooting his music video and they're screaming at the

506
00:23:08,200 --> 00:23:10,200
Speaker 3: top of their lungs to see him. This is really

507
00:23:10,240 --> 00:23:11,800
Speaker 3: the first time we get to see We saw Jordan

508
00:23:11,840 --> 00:23:14,159
Speaker 3: at the beginning in a music video and I liked

509
00:23:14,240 --> 00:23:16,080
Speaker 3: the song. But now we get to see him kind

510
00:23:16,080 --> 00:23:17,879
Speaker 3: of behind the scenes. We get to see what Jordan's

511
00:23:17,920 --> 00:23:20,879
Speaker 3: like as an actual person. He's obviously having serious issues

512
00:23:20,920 --> 00:23:23,000
Speaker 3: with his image and the fact that his record label

513
00:23:23,040 --> 00:23:26,159
Speaker 3: is controlling everything he does. He has his own lyrics,

514
00:23:26,160 --> 00:23:27,840
Speaker 3: he wants to sing, He's got his own ideas for

515
00:23:27,880 --> 00:23:29,960
Speaker 3: how he wants to look, but the powers that be

516
00:23:30,200 --> 00:23:33,040
Speaker 3: obviously will not let him. So Eddie his assistant as

517
00:23:33,040 --> 00:23:34,520
Speaker 3: they set up as his pal from way.

518
00:23:34,359 --> 00:23:36,880
Speaker 1: Back back where he grew up.

519
00:23:37,119 --> 00:23:40,560
Speaker 3: Jordan apparently was singing in his basement three years ago

520
00:23:40,680 --> 00:23:43,840
Speaker 3: and Eddie was his friend and backup singer three years ago.

521
00:23:43,920 --> 00:23:45,840
Speaker 3: So they set that up because that's going to become

522
00:23:45,840 --> 00:23:47,760
Speaker 3: important later that Eddie who's now his assistant.

523
00:23:48,240 --> 00:23:51,320
Speaker 2: Also, I did not catch that the first time. Oh yeah, okay,

524
00:23:51,440 --> 00:23:53,520
Speaker 2: I did not catch that the first time.

525
00:23:53,440 --> 00:23:55,880
Speaker 3: Because if not, really, the ending is they go by

526
00:23:55,920 --> 00:23:57,119
Speaker 3: it so quick they.

527
00:23:57,000 --> 00:23:57,960
Speaker 1: Do, it's weird.

528
00:23:58,160 --> 00:24:00,240
Speaker 3: So he keeps setting it up to that his whole

529
00:24:00,240 --> 00:24:02,680
Speaker 3: life is in his phone. Please download everything from my phone.

530
00:24:02,720 --> 00:24:04,200
Speaker 3: My whole life is in my phone. My whole life

531
00:24:04,280 --> 00:24:05,800
Speaker 3: is in my phone. My whole life is in my phone.

532
00:24:05,920 --> 00:24:08,400
Speaker 3: And yet he's never holding his phone. Only as assistant

533
00:24:08,480 --> 00:24:11,719
Speaker 3: has his phone. So through a random series of events,

534
00:24:11,720 --> 00:24:13,480
Speaker 3: which is something that I think we're gonna say quite

535
00:24:13,480 --> 00:24:16,199
Speaker 3: a bit hashtag random series of events on when you're

536
00:24:16,240 --> 00:24:21,879
Speaker 3: talking about a d com, Eddie and Brittany end up

537
00:24:21,960 --> 00:24:27,679
Speaker 3: slamming into each eide aving on. It's like he's saying,

538
00:24:29,200 --> 00:24:32,280
Speaker 3: it's like he's a linebacker and he lowers his shoulder and.

539
00:24:32,320 --> 00:24:33,000
Speaker 1: Takes her out.

540
00:24:33,440 --> 00:24:36,040
Speaker 2: Was he going, why did they have to go so

541
00:24:36,280 --> 00:24:39,159
Speaker 2: quickly to the bus that was right there? It wasn't

542
00:24:39,200 --> 00:24:41,200
Speaker 2: even far.

543
00:24:41,520 --> 00:24:43,720
Speaker 3: Like again, he does everything but lower the shoulder and

544
00:24:43,840 --> 00:24:44,720
Speaker 3: drive into her.

545
00:24:45,160 --> 00:24:49,200
Speaker 1: So I'm saying it was it was a good hit.

546
00:24:49,520 --> 00:24:53,760
Speaker 3: Everything goes everywhere. His bag gets opened, her bag gets opened.

547
00:24:53,880 --> 00:24:56,520
Speaker 3: Everything goes everywhere, and they switch phones.

548
00:24:56,880 --> 00:25:00,320
Speaker 2: It's obvious, so obvious about what's going to happen. About

549
00:25:00,320 --> 00:25:01,440
Speaker 2: to happen is obvious.

550
00:25:01,600 --> 00:25:06,480
Speaker 3: As they're frantically, you know that something's gonna get traded.

551
00:25:06,600 --> 00:25:11,840
Speaker 1: But they didn't even attempt to make the phones look

552
00:25:12,520 --> 00:25:14,320
Speaker 1: even slightly similar.

553
00:25:14,640 --> 00:25:19,960
Speaker 2: No, not black and gray, not muted colors for bright pink.

554
00:25:20,280 --> 00:25:23,439
Speaker 2: They're not even the same shape long I had that

555
00:25:23,520 --> 00:25:26,880
Speaker 2: phone when I was fifteen, the longer phone, the Nokia.

556
00:25:27,320 --> 00:25:29,960
Speaker 1: Yes, and then his phone that.

557
00:25:29,960 --> 00:25:32,480
Speaker 2: Was supposed to be like a BlackBerry of some sort.

558
00:25:33,119 --> 00:25:35,159
Speaker 1: They're not even it's not even the same. It's not

559
00:25:35,240 --> 00:25:35,800
Speaker 1: even the same.

560
00:25:36,040 --> 00:25:36,800
Speaker 2: How you did that?

561
00:25:37,080 --> 00:25:39,560
Speaker 1: No? So that that bumped me.

562
00:25:39,640 --> 00:25:42,800
Speaker 2: I can't he put it on the outside walks in

563
00:25:42,880 --> 00:25:45,480
Speaker 2: the bus. Don't you think someone would be like, whose phone?

564
00:25:45,520 --> 00:25:49,760
Speaker 1: Is that your bright pink phone? No? So when did you? Yeah,

565
00:25:49,920 --> 00:25:51,560
Speaker 1: just even even even.

566
00:25:51,520 --> 00:25:54,840
Speaker 3: Make it her phone, but just make it silver silver,

567
00:25:55,119 --> 00:25:57,440
Speaker 3: or he likes pink, but give him a pink phone too.

568
00:25:57,480 --> 00:25:59,800
Speaker 3: I mean that works too, It's like it doesn't. So

569
00:25:59,880 --> 00:26:01,840
Speaker 3: that through me. It was like, at least make the

570
00:26:01,880 --> 00:26:03,880
Speaker 3: phones look slightly similar.

571
00:26:04,119 --> 00:26:05,119
Speaker 1: Yeah.

572
00:26:05,200 --> 00:26:11,439
Speaker 3: So the girls find out as Madonna calls that they

573
00:26:11,480 --> 00:26:14,720
Speaker 3: so first they think it's Eddie's phone. Yeah, and oh, okay,

574
00:26:14,800 --> 00:26:16,080
Speaker 3: I just want to get I want to get my

575
00:26:16,080 --> 00:26:19,000
Speaker 3: phone back from Eddie. It's you know, I want his

576
00:26:19,119 --> 00:26:21,600
Speaker 3: phone that we don't want it, And then Madonna calls

577
00:26:21,720 --> 00:26:27,080
Speaker 3: and they realize, wait a second, we have Jordan Cahill's.

578
00:26:26,640 --> 00:26:32,240
Speaker 2: Phone, right, I wish that they had revealed.

579
00:26:31,760 --> 00:26:34,440
Speaker 1: This better then Madonna calling.

580
00:26:35,080 --> 00:26:37,840
Speaker 2: Yeah, Madonna could have called, but I feel it should

581
00:26:37,840 --> 00:26:40,600
Speaker 2: have been maybe a miss call. They saw a phone

582
00:26:40,640 --> 00:26:44,399
Speaker 2: call come in from multiple celebrities, the fact that it

583
00:26:44,520 --> 00:26:48,000
Speaker 2: was one celebrity, the fact that it was Madonna at

584
00:26:48,040 --> 00:26:50,320
Speaker 2: that time, Right, I don't know if that's the only

585
00:26:50,359 --> 00:26:52,439
Speaker 2: one they got clearance of using, or I.

586
00:26:52,400 --> 00:26:53,840
Speaker 1: Think he can use anybody's name.

587
00:26:54,080 --> 00:26:56,679
Speaker 3: Also, I seriously doubt Madonna has a five five to

588
00:26:56,680 --> 00:26:57,240
Speaker 3: five number.

589
00:26:58,160 --> 00:26:59,800
Speaker 1: I just I just don't believe that's acting.

590
00:27:00,000 --> 00:27:04,080
Speaker 2: Five five numbers just a given though, Right, I can't.

591
00:27:03,840 --> 00:27:06,240
Speaker 1: Be Madonna's numbers. She can't be five five something.

592
00:27:06,760 --> 00:27:10,000
Speaker 2: Yeah, So I didn't love that. Actual the way they

593
00:27:10,000 --> 00:27:12,640
Speaker 2: did that, that was kind of they could have done

594
00:27:12,680 --> 00:27:15,800
Speaker 2: gotten a little bit more creative, I think. But regardless,

595
00:27:15,840 --> 00:27:19,320
Speaker 2: the girl's reactions to it were so funny.

596
00:27:19,440 --> 00:27:21,840
Speaker 3: Oh, the screaming very and then throwing the phone down

597
00:27:22,080 --> 00:27:23,520
Speaker 3: very funny, very natural.

598
00:27:23,680 --> 00:27:26,040
Speaker 2: Brenda goes from acting like she doesn't care of any

599
00:27:26,320 --> 00:27:30,320
Speaker 2: being a huge fan, just a giant fan. And now

600
00:27:30,359 --> 00:27:31,360
Speaker 2: here's where.

601
00:27:31,280 --> 00:27:33,040
Speaker 1: I get start to get a little thrown.

602
00:27:33,520 --> 00:27:37,919
Speaker 3: Because now they start using the phone to kind of

603
00:27:38,040 --> 00:27:41,800
Speaker 3: mess with him. Jordan, Yes, they think they're doing the

604
00:27:41,840 --> 00:27:44,480
Speaker 3: good like a good thing, but they call his hairdresser

605
00:27:44,480 --> 00:27:47,600
Speaker 3: at one point to have all of his hair cut off,

606
00:27:47,680 --> 00:27:49,600
Speaker 3: because of course, if you're an international pop star, you're

607
00:27:49,600 --> 00:27:51,400
Speaker 3: going to go to a random hair salon in the suburbs.

608
00:27:51,400 --> 00:27:53,160
Speaker 1: You're not going to carry your own have your own

609
00:27:53,200 --> 00:27:54,000
Speaker 1: hair people.

610
00:27:53,760 --> 00:27:56,040
Speaker 3: There, and then you're also not going to notice that

611
00:27:56,080 --> 00:27:57,520
Speaker 3: they're cutting off all.

612
00:27:57,400 --> 00:27:58,359
Speaker 1: Of your hair out.

613
00:27:58,440 --> 00:28:01,760
Speaker 3: I don't know how as a former long hair holder,

614
00:28:02,040 --> 00:28:04,840
Speaker 3: I'm gonna know if they're cutting off nine inches of

615
00:28:04,880 --> 00:28:05,520
Speaker 3: my hair.

616
00:28:05,920 --> 00:28:10,560
Speaker 2: That was Natasha though, need to do that.

617
00:28:10,920 --> 00:28:12,480
Speaker 1: I don't just get what they're doing.

618
00:28:13,240 --> 00:28:17,040
Speaker 2: It's it's I think it's just to kind of create mischief.

619
00:28:17,080 --> 00:28:21,320
Speaker 2: She kind of challenges her. Natasha challenges Brittany, you constantly

620
00:28:21,320 --> 00:28:24,720
Speaker 2: talk about having this boring life. Here's an opportunity to

621
00:28:24,800 --> 00:28:27,719
Speaker 2: make it fun to do this. And she's not a

622
00:28:27,720 --> 00:28:31,199
Speaker 2: great friend to push someone into doing things that you

623
00:28:31,280 --> 00:28:34,080
Speaker 2: know you're gonna regret. But it's really Natasha kind of

624
00:28:34,400 --> 00:28:40,080
Speaker 2: pushing for that. Okay, fun when you're in junior high

625
00:28:40,160 --> 00:28:45,520
Speaker 2: having fun usually comes along with mischief. Okay that most

626
00:28:45,520 --> 00:28:47,920
Speaker 2: teachers in the world do not ever want to teach

627
00:28:47,960 --> 00:28:52,000
Speaker 2: those grades because those kids are just sorry, guys, you're

628
00:28:52,160 --> 00:28:55,160
Speaker 2: jerks at that age. I'm sure I was. You're just

629
00:28:55,200 --> 00:28:58,720
Speaker 2: a jerk. You find any reason to just cause mischief.

630
00:28:59,000 --> 00:29:02,200
Speaker 1: Okay, I'll buy that. I'm gonna that's a good I

631
00:29:02,360 --> 00:29:05,160
Speaker 1: think that's a good a good reason, so I'll buy that.

632
00:29:05,560 --> 00:29:06,400
Speaker 1: But they so they do.

633
00:29:06,480 --> 00:29:08,800
Speaker 3: They start like they have him cut off his hair,

634
00:29:08,960 --> 00:29:12,200
Speaker 3: they start changing his wardrobe, They get his girlfriend to

635
00:29:12,240 --> 00:29:13,760
Speaker 3: break up with him. I mean, at one point, she

636
00:29:13,840 --> 00:29:17,880
Speaker 3: picks up the phone and without fully saying I'm dating

637
00:29:17,920 --> 00:29:20,320
Speaker 3: him now, is like, oh no, this is Brittany, that's

638
00:29:20,320 --> 00:29:22,160
Speaker 3: a bad time for you to come into town.

639
00:29:22,280 --> 00:29:24,800
Speaker 1: He already has plans. I mean, she's kind of insinuating.

640
00:29:25,160 --> 00:29:28,360
Speaker 2: Yeah, but that's a typical junior high little that's high school.

641
00:29:28,560 --> 00:29:29,240
Speaker 1: That's harsh.

642
00:29:29,280 --> 00:29:30,880
Speaker 2: You know what, I'm gonna go ahead and say, in

643
00:29:30,920 --> 00:29:35,680
Speaker 2: your twenties, even just a joke, move to do, you know,

644
00:29:35,960 --> 00:29:38,720
Speaker 2: like you know you're trying to And at this point

645
00:29:38,760 --> 00:29:40,960
Speaker 2: she is battling because she wants her phone back, but

646
00:29:41,040 --> 00:29:43,960
Speaker 2: she also is wanting to meet Jordan. Really they should

647
00:29:43,960 --> 00:29:46,280
Speaker 2: have just made it happen right, figured.

648
00:29:46,040 --> 00:29:46,400
Speaker 1: Out a way.

649
00:29:46,400 --> 00:29:48,600
Speaker 3: And meanwhile, she's also she had her little we talked

650
00:29:48,600 --> 00:29:50,440
Speaker 3: about her little brother helping Her little brother helped her

651
00:29:50,480 --> 00:29:53,080
Speaker 3: break into the phone, and she's found out again.

652
00:29:53,200 --> 00:29:55,120
Speaker 1: Because Brittany has no boundaries whatsoever.

653
00:29:55,440 --> 00:29:59,440
Speaker 3: She's also reading his personal lyrics and she likes his

654
00:29:59,560 --> 00:30:01,440
Speaker 3: lyrics better than the lyrics that are out there, and

655
00:30:01,480 --> 00:30:04,400
Speaker 3: she also writes lyrics, so she's kind of learning that

656
00:30:04,480 --> 00:30:06,840
Speaker 3: he's a real person while doing everything she can to

657
00:30:06,960 --> 00:30:10,360
Speaker 3: destroy his life. At the same time, they have dogs

658
00:30:10,400 --> 00:30:12,520
Speaker 3: delivered to him, So that's the strange thing that's happening,

659
00:30:12,520 --> 00:30:14,920
Speaker 3: is everything they're doing to him, cutting off his hair,

660
00:30:15,080 --> 00:30:18,360
Speaker 3: changing his clothes. There it turns out that he's actually

661
00:30:18,400 --> 00:30:21,040
Speaker 3: liking it because he feels like, in a way, even

662
00:30:21,080 --> 00:30:23,880
Speaker 3: though somebody else is doing it all, he's taking control

663
00:30:23,960 --> 00:30:26,720
Speaker 3: back a little bit over his life.

664
00:30:26,600 --> 00:30:29,920
Speaker 2: And he's because it's going against everything that his management

665
00:30:30,000 --> 00:30:32,080
Speaker 2: has been forcing him to do yes for what it

666
00:30:32,080 --> 00:30:32,760
Speaker 2: looks like years.

667
00:30:33,000 --> 00:30:36,280
Speaker 3: It also gets her to start really focusing on her

668
00:30:36,760 --> 00:30:38,800
Speaker 3: own lyrics. And I'm sorry if I'm going to ruin

669
00:30:38,840 --> 00:30:41,000
Speaker 3: a Sabrina ses if this is the Sabrina Sees, But

670
00:30:41,920 --> 00:30:43,960
Speaker 3: can you tell me why every time they cut to

671
00:30:44,040 --> 00:30:47,239
Speaker 3: her lyrics, the title is fine, but all of the

672
00:30:47,280 --> 00:30:48,640
Speaker 3: words are blurred out.

673
00:30:49,000 --> 00:30:49,840
Speaker 1: Did you notice that?

674
00:30:50,200 --> 00:30:53,360
Speaker 3: No, So go back and look on the notebook. Every

675
00:30:53,360 --> 00:30:55,240
Speaker 3: time they cut to it, you can see the title,

676
00:30:55,280 --> 00:30:58,680
Speaker 3: but they have digitally blurred out the lyrics of the

677
00:30:58,720 --> 00:31:01,600
Speaker 3: song Rah intentionally they did it to or three.

678
00:31:01,840 --> 00:31:04,680
Speaker 2: You could literally take this segment away and starting with.

679
00:31:06,720 --> 00:31:10,320
Speaker 3: No, it's I would never do that, but it's yeah,

680
00:31:10,600 --> 00:31:12,640
Speaker 3: they I mean, they're fully blur.

681
00:31:12,640 --> 00:31:15,600
Speaker 2: I really only think I paid attention to it the

682
00:31:15,640 --> 00:31:18,640
Speaker 2: first time around when she first wrote it, and I

683
00:31:18,680 --> 00:31:19,480
Speaker 2: didn't notice.

684
00:31:19,200 --> 00:31:20,960
Speaker 1: It, then okay, yeah, we'll have to see if it

685
00:31:21,000 --> 00:31:21,600
Speaker 1: was the first time.

686
00:31:21,640 --> 00:31:25,040
Speaker 2: But her song really didn't draw it for you.

687
00:31:26,160 --> 00:31:28,320
Speaker 3: The sea of the Sea of wherever, on an island

688
00:31:28,320 --> 00:31:29,520
Speaker 3: of misfit toys or whatever it was.

689
00:31:29,680 --> 00:31:31,640
Speaker 1: It was a line. It was a good line.

690
00:31:32,520 --> 00:31:36,080
Speaker 3: Brittany is also losing herself after ditching her friends. She's

691
00:31:36,120 --> 00:31:37,840
Speaker 3: starting to lose a little bit of who she was

692
00:31:38,040 --> 00:31:43,760
Speaker 3: and becoming a little more like Natasha and yes, dressing

693
00:31:44,000 --> 00:31:47,120
Speaker 3: much like you are a dressed now and caught up

694
00:31:47,160 --> 00:31:51,040
Speaker 3: in kind of controlling Jordan's life, and all of a sudden,

695
00:31:51,040 --> 00:31:54,680
Speaker 3: then she decides to fully after hacking into the celebrity

696
00:31:54,720 --> 00:31:56,959
Speaker 3: cell phone getting his girlfriend and break up with them.

697
00:31:56,960 --> 00:31:57,560
Speaker 1: Doing all this stuff.

698
00:31:57,680 --> 00:32:00,680
Speaker 3: Now she's going to go for straight blackmail and essentially says,

699
00:32:00,680 --> 00:32:02,680
Speaker 3: if you want the phone back, he's got to perform.

700
00:32:02,800 --> 00:32:04,800
Speaker 3: You've got she's talking to Eddie, You've got to get

701
00:32:04,880 --> 00:32:06,640
Speaker 3: Jordan to perform at the.

702
00:32:08,080 --> 00:32:09,880
Speaker 1: Save the old House.

703
00:32:09,800 --> 00:32:14,520
Speaker 2: The house that no one would ever care about. I

704
00:32:15,040 --> 00:32:18,280
Speaker 2: hate to say, they didn't understood why they should have

705
00:32:18,320 --> 00:32:21,400
Speaker 2: made it house. She grew up like I did the

706
00:32:21,440 --> 00:32:24,880
Speaker 2: mom care about this house. Maybe that's because I don't

707
00:32:24,880 --> 00:32:28,880
Speaker 2: have something like that in my area, something that would be.

708
00:32:29,120 --> 00:32:30,680
Speaker 1: Yeah, I grew up with those.

709
00:32:30,720 --> 00:32:34,280
Speaker 3: But the lyric from the seventeen hundreds and a President

710
00:32:34,360 --> 00:32:36,800
Speaker 3: slept it was something I think they kind of said,

711
00:32:36,800 --> 00:32:38,680
Speaker 3: like they thought one of the presidents.

712
00:32:38,280 --> 00:32:39,440
Speaker 1: Stuff there, but they didn't really.

713
00:32:39,560 --> 00:32:43,320
Speaker 2: There was a rumor, there was a writ about it

714
00:32:43,360 --> 00:32:44,240
Speaker 2: when they were doing that.

715
00:32:44,320 --> 00:32:46,360
Speaker 3: Yeah, So Natasha and Brittany end up getting into a fight.

716
00:32:46,720 --> 00:32:49,880
Speaker 3: We find out Natasha was actually lying about living in

717
00:32:49,880 --> 00:32:51,880
Speaker 3: Europe and all the things that she's kind of done.

718
00:32:52,040 --> 00:32:53,760
Speaker 3: She and Brittany go back and forth at each other.

719
00:32:53,920 --> 00:32:56,200
Speaker 3: They get into a fight, which leads to one out

720
00:32:56,200 --> 00:32:58,920
Speaker 3: of seventy three montages that were actually in this movie.

721
00:32:59,120 --> 00:33:02,280
Speaker 3: There's lots of this movie that were there to remind

722
00:33:02,360 --> 00:33:04,680
Speaker 3: us of something that just happened ten minutes ago, right,

723
00:33:05,080 --> 00:33:06,720
Speaker 3: so we could have cut I think one.

724
00:33:06,680 --> 00:33:08,400
Speaker 1: Or two of the montages, if I'm honest.

725
00:33:08,560 --> 00:33:12,360
Speaker 2: My favorite was the ice cream bone happening on the bike.

726
00:33:12,680 --> 00:33:16,200
Speaker 1: Yes, and it was just kind of strange.

727
00:33:16,760 --> 00:33:19,640
Speaker 3: Again, through a random series of events hashtag random series

728
00:33:19,680 --> 00:33:22,680
Speaker 3: of events, the record execs have started to track his phone,

729
00:33:22,720 --> 00:33:24,600
Speaker 3: which they could have done at the beginning, and are

730
00:33:24,640 --> 00:33:26,760
Speaker 3: on their way to go find it, and so the

731
00:33:26,760 --> 00:33:29,240
Speaker 3: girls are kind of on the run. But at the

732
00:33:29,280 --> 00:33:33,440
Speaker 3: same time, now Jordan realized his phone has gone and

733
00:33:33,520 --> 00:33:36,200
Speaker 3: started calling his number, and so he and Brittany have

734
00:33:36,280 --> 00:33:39,640
Speaker 3: struck up a friendship and he's going to meet her

735
00:33:39,680 --> 00:33:43,720
Speaker 3: in town and she's going to take him to the save.

736
00:33:43,600 --> 00:33:46,000
Speaker 2: The random house that no one cares about option.

737
00:33:45,880 --> 00:33:49,080
Speaker 3: Event, and so we learn more about him as a person.

738
00:33:49,320 --> 00:33:51,920
Speaker 3: He was kind of from a very similar town.

739
00:33:52,120 --> 00:33:54,920
Speaker 2: Did you hold your breath the second when he said

740
00:33:54,960 --> 00:33:58,960
Speaker 2: he was from here? I don't tell me this kid

741
00:33:59,080 --> 00:34:01,520
Speaker 2: is from the same time, and she had no idea

742
00:34:01,560 --> 00:34:04,479
Speaker 2: when she knows right, and thank god that's not how

743
00:34:04,520 --> 00:34:04,760
Speaker 2: it was.

744
00:34:05,000 --> 00:34:06,440
Speaker 1: Yes, I thought the same thing. I was like other

745
00:34:06,560 --> 00:34:07,960
Speaker 1: not g it's like, yeah, it was your neighbor. Didn't

746
00:34:08,000 --> 00:34:11,800
Speaker 1: you remember your brother? Baby Like yeah, no, So luckily.

747
00:34:11,440 --> 00:34:14,799
Speaker 3: I mean she knew everything about this guy, yes, but yeah,

748
00:34:14,880 --> 00:34:19,240
Speaker 3: So they meet up, they trade phones again, he decides

749
00:34:19,280 --> 00:34:21,560
Speaker 3: that he wants to actually help her and sing at

750
00:34:21,600 --> 00:34:25,680
Speaker 3: the event. He grabs her guitar. He makes one chord

751
00:34:25,719 --> 00:34:28,919
Speaker 3: that's not actually a chord. He has no microphone. There's

752
00:34:28,920 --> 00:34:31,839
Speaker 3: a band somewhere, and he plays a song at the end,

753
00:34:32,880 --> 00:34:35,920
Speaker 3: and it's clear that Tarren had no idea how to

754
00:34:35,920 --> 00:34:36,520
Speaker 3: play the guitar.

755
00:34:37,000 --> 00:34:38,960
Speaker 2: Yeah, it is true.

756
00:34:39,560 --> 00:34:42,239
Speaker 1: It's you know, and he was in this movie, and I.

757
00:34:42,280 --> 00:34:44,239
Speaker 2: Know we're going to get a chance to chat with him,

758
00:34:44,320 --> 00:34:47,280
Speaker 2: but we are. We're gonna have to ask him about

759
00:34:47,320 --> 00:34:48,840
Speaker 2: how that happened and how he felt.

760
00:34:49,320 --> 00:34:49,960
Speaker 1: How did that work?

761
00:34:50,120 --> 00:34:50,839
Speaker 2: Yeah, it went down.

762
00:34:51,200 --> 00:34:53,880
Speaker 3: And so then we get to what can only be

763
00:34:55,080 --> 00:35:01,120
Speaker 3: described as the wildly confusing end of this film, which is,

764
00:35:01,400 --> 00:35:01,960
Speaker 3: so the.

765
00:35:01,840 --> 00:35:03,640
Speaker 1: Girls are so he does.

766
00:35:03,480 --> 00:35:06,479
Speaker 3: The concert at the auction house.

767
00:35:06,520 --> 00:35:07,960
Speaker 1: We don't know if the house is saved, but we

768
00:35:08,000 --> 00:35:08,839
Speaker 1: assume that it is.

769
00:35:09,239 --> 00:35:11,600
Speaker 3: They never actually tell us that the girls are now

770
00:35:11,719 --> 00:35:15,360
Speaker 3: phone friends with Jordan, who's back in New York performing

771
00:35:15,400 --> 00:35:19,960
Speaker 3: his own music and ideas, but matching the beginning of

772
00:35:20,000 --> 00:35:23,399
Speaker 3: the movie, they're in soccer uniforms again and they run

773
00:35:23,400 --> 00:35:24,720
Speaker 3: in to see the new video.

774
00:35:25,800 --> 00:35:26,480
Speaker 1: You turn it on.

775
00:35:27,120 --> 00:35:33,320
Speaker 3: They're the backup dancers, but the new pop singer is Eddie,

776
00:35:33,760 --> 00:35:35,720
Speaker 3: the assistant to Jordan.

777
00:35:36,800 --> 00:35:39,719
Speaker 1: So my question for you is, uh huh, you didn't

778
00:35:39,760 --> 00:35:42,520
Speaker 1: follow that? No? I so so at.

779
00:35:42,480 --> 00:35:46,840
Speaker 2: The beginning when they were going to meet him, you know,

780
00:35:46,920 --> 00:35:50,320
Speaker 2: that's the first time. Natasha is how many to see this,

781
00:35:50,320 --> 00:35:53,359
Speaker 2: this Jordan situation? And the whole point is they were

782
00:35:53,400 --> 00:35:57,239
Speaker 2: trying the beginning part was to try to get on

783
00:35:57,280 --> 00:35:59,759
Speaker 2: this new video to be backup dancers on.

784
00:36:00,680 --> 00:36:02,560
Speaker 1: Right in the very beginning on Jordan's thing.

785
00:36:02,600 --> 00:36:06,000
Speaker 3: But how is now Eddie the star and doing the

786
00:36:06,000 --> 00:36:08,520
Speaker 3: pop star thing which Jordan's he didn't do?

787
00:36:08,680 --> 00:36:10,960
Speaker 2: And what Eddie was the star until I watched back

788
00:36:11,000 --> 00:36:14,360
Speaker 2: and we talked about earlier today that that he was

789
00:36:14,360 --> 00:36:17,640
Speaker 2: on it. He was with Jordan's singing.

790
00:36:18,000 --> 00:36:21,280
Speaker 3: So Jordan gave up his pop career and is starting

791
00:36:22,040 --> 00:36:23,200
Speaker 3: from scratch.

792
00:36:23,040 --> 00:36:26,760
Speaker 1: And Eddie liked it. Eddie liked what Morning.

793
00:36:27,239 --> 00:36:30,560
Speaker 3: He's okay with singing someone else's lyrics and doing everything else, yes,

794
00:36:30,880 --> 00:36:35,000
Speaker 3: but the label hated him though didn't the label hate him.

795
00:36:35,520 --> 00:36:38,000
Speaker 2: I don't know was that explained then? I missed that.

796
00:36:38,560 --> 00:36:40,440
Speaker 1: The whole thing just seemed very strange.

797
00:36:40,880 --> 00:36:41,680
Speaker 2: It was strange.

798
00:36:42,320 --> 00:36:47,000
Speaker 3: Why not do a different Jordan Cahill, like, it's clearly

799
00:36:47,120 --> 00:36:50,200
Speaker 3: Jordan's lyrics that we know they're Jordan's lyrics, and they're

800
00:36:50,320 --> 00:36:51,560
Speaker 3: in that vision in it.

801
00:36:52,000 --> 00:36:55,280
Speaker 2: Just getting to be a part of the audience or something, Yeah.

802
00:36:55,160 --> 00:36:58,400
Speaker 3: The audience, or you show him where he's now dressed.

803
00:36:58,440 --> 00:37:00,399
Speaker 3: He's not like a pop star at all. All that

804
00:37:00,480 --> 00:37:01,640
Speaker 3: kind of it.

805
00:37:01,520 --> 00:37:03,479
Speaker 2: Felt to me. It was the way Disney was trying

806
00:37:03,480 --> 00:37:06,719
Speaker 2: to find their button, right, the y end thing that

807
00:37:06,719 --> 00:37:08,560
Speaker 2: brings the beginning, It was the way they were trying

808
00:37:08,560 --> 00:37:11,560
Speaker 2: to find their button. The girls danced in their soccer

809
00:37:11,640 --> 00:37:14,920
Speaker 2: uniforms the first time now and I love that dance

810
00:37:15,000 --> 00:37:15,399
Speaker 2: and this.

811
00:37:15,840 --> 00:37:17,520
Speaker 1: I think you should have just done it with Jordan.

812
00:37:17,800 --> 00:37:18,800
Speaker 1: It should have just been Jordan.

813
00:37:18,880 --> 00:37:21,120
Speaker 3: It should have a new version of Jordan's that they're

814
00:37:21,200 --> 00:37:22,200
Speaker 3: in his all his.

815
00:37:22,160 --> 00:37:24,680
Speaker 2: Dreams coming true, who he wanted to be as an

816
00:37:24,760 --> 00:37:27,480
Speaker 2: artist and they're getting to They're need to.

817
00:37:29,480 --> 00:37:32,480
Speaker 1: Share that because they helped to create the new Jordan.

818
00:37:32,520 --> 00:37:34,879
Speaker 3: They helped them find himself totally, and so they get

819
00:37:34,920 --> 00:37:37,960
Speaker 3: to be as opposed to just so they it seemed

820
00:37:38,000 --> 00:37:48,280
Speaker 3: like the label fired him. I don't know, we should

821
00:37:48,280 --> 00:37:49,840
Speaker 3: do some real reviews, and I think I'm going to

822
00:37:49,880 --> 00:37:51,239
Speaker 3: do the five star this time if that's okay.

823
00:37:51,360 --> 00:37:54,359
Speaker 1: Yes, I love it last time. So the first five

824
00:37:54,360 --> 00:37:56,040
Speaker 1: star review is from Banana Ana.

825
00:37:56,360 --> 00:37:59,000
Speaker 2: Banana Anna, my daughter loved.

826
00:37:58,719 --> 00:38:00,239
Speaker 3: Your movie and wanted me to tell you that the

827
00:38:00,320 --> 00:38:03,359
Speaker 3: absence of drinking, smoking, and drugs is really great. She's

828
00:38:03,360 --> 00:38:06,160
Speaker 3: currently working on a Girl Scout badge called High on Life,

829
00:38:06,239 --> 00:38:08,400
Speaker 3: which asked her to view three shows movies and rate

830
00:38:08,440 --> 00:38:10,799
Speaker 3: their quality based in the presence or absence of all

831
00:38:10,920 --> 00:38:12,680
Speaker 3: references to drinking, smoking, and drugs.

832
00:38:12,920 --> 00:38:14,480
Speaker 1: Your movie was one of her favorite choices.

833
00:38:14,520 --> 00:38:16,160
Speaker 3: She would like you to know that she can't wait

834
00:38:16,400 --> 00:38:18,960
Speaker 3: until you make another movie that is free from substance abuse.

835
00:38:19,560 --> 00:38:21,840
Speaker 3: Thank you, Banana Anna for your five star review.

836
00:38:22,520 --> 00:38:26,560
Speaker 2: Banana and I totally agree, and I agree with everything

837
00:38:26,600 --> 00:38:30,880
Speaker 2: you're talking about. But that had nothing to do with

838
00:38:31,160 --> 00:38:31,840
Speaker 2: this movie.

839
00:38:32,520 --> 00:38:34,240
Speaker 1: Well, it's just they're saying, that's awesome.

840
00:38:35,000 --> 00:38:39,640
Speaker 2: Yeah, such of the movie that was that wasn't it

841
00:38:39,800 --> 00:38:42,840
Speaker 2: just wasn't that. You're gonna buy that on any Disney

842
00:38:42,960 --> 00:38:45,680
Speaker 2: Channel movie? Did she do we need to buy Nana

843
00:38:45,719 --> 00:38:47,440
Speaker 2: Hanna's for all other movies.

844
00:38:47,600 --> 00:38:49,920
Speaker 3: If I remember Cheetah Girls with just you guys drinking

845
00:38:49,960 --> 00:38:51,080
Speaker 3: and doing drugs for an hour.

846
00:38:52,160 --> 00:38:53,080
Speaker 2: Don't you dare?

847
00:38:53,719 --> 00:38:57,040
Speaker 1: I remember you guys just rolling.

848
00:38:56,840 --> 00:38:57,400
Speaker 3: Up the weed.

849
00:38:57,760 --> 00:38:57,840
Speaker 1: No.

850
00:38:57,960 --> 00:39:00,360
Speaker 2: I understand to do a review like this about something

851
00:39:00,400 --> 00:39:03,600
Speaker 2: that was was pinpointing that message. But to me, this

852
00:39:04,040 --> 00:39:09,320
Speaker 2: one's kind of just I love. Yeah, I don't know anyway,

853
00:39:09,360 --> 00:39:15,520
Speaker 2: the one star this name is just makes me. This

854
00:39:15,560 --> 00:39:20,319
Speaker 2: is teenage drama, rama at its finest. It comes from

855
00:39:20,920 --> 00:39:26,840
Speaker 2: Unconditional Love. Yes, I found the film a bit predictable

856
00:39:26,880 --> 00:39:36,720
Speaker 2: and boring, but I'm fourteen, okay. I was really annoyed

857
00:39:36,719 --> 00:39:40,239
Speaker 2: with my little cousin as she was very hyper that day,

858
00:39:40,320 --> 00:39:42,759
Speaker 2: so I saw a film on the Disney Channel and

859
00:39:42,800 --> 00:39:44,640
Speaker 2: put it on and told her to watch it. It

860
00:39:44,719 --> 00:39:47,120
Speaker 2: is definitely a film for if you are seriously bored

861
00:39:47,320 --> 00:39:51,160
Speaker 2: or ten and under. It calmed my cousin down, although

862
00:39:51,239 --> 00:39:53,239
Speaker 2: all she did was sing for the rest of the day.

863
00:39:53,280 --> 00:39:55,919
Speaker 2: Then sorry, Unconditional Love.

864
00:39:56,920 --> 00:40:00,640
Speaker 1: That's a great review too. Are well, we are not

865
00:40:00,719 --> 00:40:02,520
Speaker 1: going to move to a new feature, okay?

866
00:40:02,560 --> 00:40:03,640
Speaker 3: Then I think is going to be a little bit

867
00:40:03,640 --> 00:40:08,000
Speaker 3: of fun and we're calling it pixel imperfect much love it.

868
00:40:08,120 --> 00:40:10,000
Speaker 3: As we said, the soundtrack is Stuck in the Suburbs

869
00:40:10,040 --> 00:40:12,160
Speaker 3: actually charted on the Billboard top two hundred with a

870
00:40:12,160 --> 00:40:15,319
Speaker 3: handful of songs by quote unquote Jordan Cahill, which was

871
00:40:15,360 --> 00:40:18,280
Speaker 3: not actually the voice of Taran Killum or his guitar playing,

872
00:40:18,440 --> 00:40:19,520
Speaker 3: as we mentioned.

873
00:40:19,520 --> 00:40:20,400
Speaker 1: So we're going to get.

874
00:40:20,320 --> 00:40:24,160
Speaker 3: Four examples of lyrics and we have to decide if

875
00:40:24,160 --> 00:40:26,560
Speaker 3: this is from one of Jordan Cahill's actual songs in

876
00:40:26,600 --> 00:40:33,040
Speaker 3: the soundtrack or no, something created by AI when Ai

877
00:40:33,160 --> 00:40:36,200
Speaker 3: big brother when asked to create cheesy pop lyrics from

878
00:40:36,280 --> 00:40:38,799
Speaker 3: two thousand and four. So here's the first one. Now,

879
00:40:38,840 --> 00:40:40,680
Speaker 3: i'd like to point out we do not know the

880
00:40:40,719 --> 00:40:42,320
Speaker 3: answer to this. We are going to be getting the

881
00:40:42,360 --> 00:40:45,480
Speaker 3: answer as we go. As you are, we have the

882
00:40:46,080 --> 00:40:48,440
Speaker 3: our producers swear did not tell us the answer. So

883
00:40:48,440 --> 00:40:51,319
Speaker 3: here's the first one. Number one, you make a wish

884
00:40:51,320 --> 00:40:53,080
Speaker 3: on a star and believe in your heart you can

885
00:40:53,120 --> 00:40:54,279
Speaker 3: be anything that you want to be.

886
00:40:56,480 --> 00:40:58,600
Speaker 1: What do you think is that AI or is that

887
00:40:58,640 --> 00:41:01,279
Speaker 1: from the that's got to be a I. I'm going

888
00:41:01,360 --> 00:41:02,600
Speaker 1: to agree with you. I think that's a I. I

889
00:41:02,640 --> 00:41:04,600
Speaker 1: think it's too basic. So I think that's a.

890
00:41:04,880 --> 00:41:06,360
Speaker 2: Yeah, it doesn't rhyme.

891
00:41:06,800 --> 00:41:09,680
Speaker 1: I think, Jordan k Hill is that.

892
00:41:13,280 --> 00:41:20,239
Speaker 3: We're already over one. All right, okay, so second, so

893
00:41:20,360 --> 00:41:22,919
Speaker 3: take my hand. Let's fly away to a world will

894
00:41:22,920 --> 00:41:26,320
Speaker 3: love or always stay. We're unstoppable like a runaway train.

895
00:41:31,480 --> 00:41:33,440
Speaker 3: I would say, Jordan Kale, but now I think that's

896
00:41:33,480 --> 00:41:36,160
Speaker 3: gonna be a I unstoppable like a runaway train.

897
00:41:36,239 --> 00:41:37,560
Speaker 1: I don't know. It's very Disney.

898
00:41:37,960 --> 00:41:41,239
Speaker 2: It is very Disney. So take my hand. Let's fly away.

899
00:41:41,280 --> 00:41:43,640
Speaker 2: I mean you're talking. You're right up Aladdin there.

900
00:41:43,680 --> 00:41:46,000
Speaker 3: Yeah, to a world where love will always stay. We're

901
00:41:46,080 --> 00:41:50,480
Speaker 3: unstoppable like a runaway train. Oh, I think yeah, okay,

902
00:41:50,600 --> 00:41:57,400
Speaker 3: Jordan Ai, Jordan k h that's a computer. We're over

903
00:41:57,520 --> 00:42:01,959
Speaker 3: to thank you, producer, just over to in the number three.

904
00:42:02,960 --> 00:42:06,000
Speaker 3: You can get one right in this symphony will make

905
00:42:06,040 --> 00:42:08,600
Speaker 3: our mark. You're the melody that's singing in my heart.

906
00:42:09,280 --> 00:42:10,000
Speaker 1: Gotta be Ai.

907
00:42:10,520 --> 00:42:11,440
Speaker 2: No, that's Jordan.

908
00:42:12,360 --> 00:42:15,840
Speaker 1: I'm gonna say Ai. You're gonna say Jordan, Okay, it's.

909
00:42:15,680 --> 00:42:20,640
Speaker 3: A I yeah, one right, I go one right, I

910
00:42:20,719 --> 00:42:22,160
Speaker 3: am one four? Three?

911
00:42:22,320 --> 00:42:23,600
Speaker 1: You are still oh for three?

912
00:42:24,120 --> 00:42:25,560
Speaker 2: Do we just talk about what?

913
00:42:26,880 --> 00:42:28,960
Speaker 1: And the last one? Number four?

914
00:42:29,680 --> 00:42:32,080
Speaker 3: Take a chance, take a risk, hope is where the

915
00:42:32,080 --> 00:42:35,200
Speaker 3: magic is, make all your dreams come true. That's Jordan Klee, right,

916
00:42:35,280 --> 00:42:38,320
Speaker 3: is that right? From the first song take a chance,

917
00:42:38,440 --> 00:42:39,200
Speaker 3: take a risk?

918
00:42:39,280 --> 00:42:41,760
Speaker 1: Hope is with the magic is not the song?

919
00:42:41,920 --> 00:42:45,680
Speaker 2: Yes, I think, so okay, that's Jordan. I'm wildly happy.

920
00:42:45,719 --> 00:42:50,160
Speaker 1: You remember the song that is Jordan Kle and wow

921
00:42:50,560 --> 00:42:57,440
Speaker 1: yees so I'm fifty you're one four? That was fun?

922
00:42:57,680 --> 00:42:59,040
Speaker 1: And what else was fun?

923
00:42:59,600 --> 00:43:05,480
Speaker 3: Let's do some Sabrina seas.

924
00:43:06,360 --> 00:43:09,640
Speaker 2: Let's see all right, so I already talked about the

925
00:43:09,680 --> 00:43:13,200
Speaker 2: soccer shoes. That really one of the first things. Though.

926
00:43:13,520 --> 00:43:17,080
Speaker 2: From the very second this movie starts and the girls

927
00:43:17,120 --> 00:43:21,800
Speaker 2: are screaming and chiming and all of the cringing that

928
00:43:21,800 --> 00:43:27,360
Speaker 2: that young girls do, I just started instantly going, oh gosh,

929
00:43:27,360 --> 00:43:32,239
Speaker 2: that's gonna be me ten years. Oh gosh, I need

930
00:43:32,280 --> 00:43:34,640
Speaker 2: to get a partition in my car, I think, is

931
00:43:34,640 --> 00:43:35,319
Speaker 2: what I'm gonna ask.

932
00:43:35,440 --> 00:43:37,439
Speaker 3: So, like a limo driver, you can press a button

933
00:43:37,440 --> 00:43:39,560
Speaker 3: in the window comes a solid window comes up.

934
00:43:39,600 --> 00:43:42,799
Speaker 2: Parents already feel like at that age anyway, taking them

935
00:43:42,840 --> 00:43:47,680
Speaker 2: from soccer to ballet to piano glasses, it's you might

936
00:43:47,719 --> 00:43:49,400
Speaker 2: as well be a limo driver. Why not just get

937
00:43:49,440 --> 00:43:51,320
Speaker 2: a partition and just be able to jam out to

938
00:43:51,360 --> 00:43:52,320
Speaker 2: your music.

939
00:43:52,360 --> 00:43:54,040
Speaker 1: I think you've already got the hat for it.

940
00:43:54,239 --> 00:43:59,399
Speaker 2: I've already got the hat. My next one, there was more,

941
00:43:59,440 --> 00:44:01,840
Speaker 2: but I'm gonna go through the next one. When Brenda's

942
00:44:01,840 --> 00:44:05,560
Speaker 2: song makes her entrance in the school. In the school

943
00:44:06,640 --> 00:44:10,960
Speaker 2: was the most obvious. She was on a platform that

944
00:44:11,280 --> 00:44:14,680
Speaker 2: had wheels under it, and as she's gliding, she is

945
00:44:14,840 --> 00:44:19,719
Speaker 2: not really the Beyonce moment, the winds blowing through her hair.

946
00:44:19,840 --> 00:44:21,319
Speaker 1: She's yes, she.

947
00:44:21,400 --> 00:44:26,120
Speaker 2: Is the new cool girl on campus, but she's somehow

948
00:44:26,239 --> 00:44:31,879
Speaker 2: on a motorized cart was taking her down. That was Yeah,

949
00:44:32,600 --> 00:44:34,920
Speaker 2: they should have had that under just a nice um.

950
00:44:37,200 --> 00:44:38,839
Speaker 1: That one was pretty good, good one.

951
00:44:38,960 --> 00:44:41,640
Speaker 2: And then the last thing. This is more of a question.

952
00:44:41,920 --> 00:44:46,399
Speaker 2: Do you think that the stalker van situation with the

953
00:44:46,480 --> 00:44:50,879
Speaker 2: adult men chasing after the women would happen in twenty

954
00:44:51,040 --> 00:44:53,760
Speaker 2: twenty four Disney Channel movie.

955
00:44:54,280 --> 00:44:56,279
Speaker 3: Well no, I mean I think, well, first of all,

956
00:44:56,400 --> 00:44:57,759
Speaker 3: don't you think it looked.

957
00:44:57,880 --> 00:45:00,759
Speaker 2: Very creepy and it's super inappropriate? Oh, I think what

958
00:45:00,800 --> 00:45:02,080
Speaker 2: they were doing twenty four.

959
00:45:02,280 --> 00:45:04,040
Speaker 3: So here's the thing, though, I think here's how I

960
00:45:04,560 --> 00:45:08,680
Speaker 3: justified it in my head. They weren't the adults, especially

961
00:45:08,719 --> 00:45:12,040
Speaker 3: because Eddie never fessed up they weren't chasing the girls.

962
00:45:12,120 --> 00:45:13,440
Speaker 1: They were chasing the phone.

963
00:45:14,040 --> 00:45:17,399
Speaker 3: Okay, so they'd never I don't think Eddie said go

964
00:45:17,440 --> 00:45:18,160
Speaker 3: get the phone.

965
00:45:18,239 --> 00:45:20,080
Speaker 1: I think he even says at one point chase her.

966
00:45:20,239 --> 00:45:23,279
Speaker 3: Yes, yes, No, They're supposed to be the wacky kind

967
00:45:23,280 --> 00:45:27,719
Speaker 3: of villains in the in the vein of like the

968
00:45:28,040 --> 00:45:30,880
Speaker 3: two old guy or the two older burglars breaking in

969
00:45:30,880 --> 00:45:33,759
Speaker 3: and home alone, you know that kind of thing. So

970
00:45:33,800 --> 00:45:37,000
Speaker 3: I think it's more wacky bumbling burglar after phone is

971
00:45:37,040 --> 00:45:37,719
Speaker 3: what they were going for.

972
00:45:37,800 --> 00:45:39,279
Speaker 1: But no, it probably would not happen now.

973
00:45:39,280 --> 00:45:42,000
Speaker 2: But then again, as a mama bear, now, yeah, yeah,

974
00:45:42,000 --> 00:45:44,120
Speaker 2: I'm sure if I had seen this movie back then,

975
00:45:44,239 --> 00:45:46,279
Speaker 2: or even ten years ago, I've only been a mom

976
00:45:46,320 --> 00:45:48,840
Speaker 2: for three so probably even five years ago I wouldn't

977
00:45:48,880 --> 00:45:50,880
Speaker 2: have thought of it. But now it's I get you

978
00:45:51,880 --> 00:45:54,440
Speaker 2: it just as a cridge Worthy mama a moment.

979
00:45:54,360 --> 00:45:57,480
Speaker 3: I also thought this movie frankly, this is another one

980
00:45:57,520 --> 00:46:01,000
Speaker 3: of the films where I'm starting to realize and of

981
00:46:01,040 --> 00:46:02,920
Speaker 3: course this isn't of course moment for me where I

982
00:46:02,920 --> 00:46:03,399
Speaker 3: was like, well, of.

983
00:46:03,360 --> 00:46:04,280
Speaker 1: Course, duh.

984
00:46:04,640 --> 00:46:07,120
Speaker 3: But I don't know why I thought d coms were

985
00:46:07,120 --> 00:46:10,680
Speaker 3: more pointed at people in high school there obviously weren't.

986
00:46:10,680 --> 00:46:11,279
Speaker 1: They're pointed out.

987
00:46:11,440 --> 00:46:14,440
Speaker 2: No, I didn't need to realize that this was supposed

988
00:46:14,480 --> 00:46:16,640
Speaker 2: to be. I thought they were high schoolers. That That's

989
00:46:16,680 --> 00:46:18,640
Speaker 2: why the one of my first things is why her

990
00:46:18,880 --> 00:46:21,600
Speaker 2: friend's so young. I thought they was in high school.

991
00:46:21,600 --> 00:46:23,920
Speaker 2: It wasn't until the second time I watched it that

992
00:46:23,920 --> 00:46:25,440
Speaker 2: that I realized they were in middle school.

993
00:46:25,480 --> 00:46:27,879
Speaker 1: Middle school, so that's where they're all young.

994
00:46:27,960 --> 00:46:30,560
Speaker 2: Where they're filming looks more like a high school than

995
00:46:30,600 --> 00:46:33,000
Speaker 2: in middle it does. But every time that we have

996
00:46:33,239 --> 00:46:36,839
Speaker 2: this issue, last but not least, I have to say this,

997
00:46:37,160 --> 00:46:40,080
Speaker 2: shout out to Drew Seely. He's the one that was

998
00:46:40,120 --> 00:46:43,360
Speaker 2: the voice for Jordan. I know him well. He was

999
00:46:43,440 --> 00:46:47,040
Speaker 2: on my BU soundtrack. He was also he did the

1000
00:46:47,239 --> 00:46:50,000
Speaker 2: song Dance with Me in the second Cheetah Girls movie.

1001
00:46:50,440 --> 00:46:55,120
Speaker 2: He's an incredible singer and great guy and he gets

1002
00:46:55,160 --> 00:46:57,720
Speaker 2: at which I was so excited. He was the front

1003
00:46:57,760 --> 00:47:00,279
Speaker 2: desk clerk at the hotel when they're trying to get

1004
00:47:00,360 --> 00:47:06,160
Speaker 2: up to see true get it.

1005
00:47:06,400 --> 00:47:07,160
Speaker 4: I did not know.

1006
00:47:07,520 --> 00:47:10,080
Speaker 2: I'm so excited. And you did a great job with

1007
00:47:10,160 --> 00:47:12,040
Speaker 2: singing and acting super excitingly.

1008
00:47:12,200 --> 00:47:14,800
Speaker 3: Well, then let's rate the movie then that's where we

1009
00:47:14,840 --> 00:47:16,719
Speaker 3: are at the rating portion. So well, let's do one

1010
00:47:16,719 --> 00:47:21,960
Speaker 3: out of ten phones with internet blonde highlights, ties and

1011
00:47:22,000 --> 00:47:26,280
Speaker 3: skirts and trucker hats, assistant music videos or.

1012
00:47:26,280 --> 00:47:27,720
Speaker 1: High on life girls scout badges.

1013
00:47:27,960 --> 00:47:31,600
Speaker 3: I'd also like to add actual singer cameos because I

1014
00:47:31,600 --> 00:47:32,080
Speaker 3: did not know.

1015
00:47:32,000 --> 00:47:32,480
Speaker 4: I was there.

1016
00:47:32,560 --> 00:47:33,920
Speaker 2: I want to let you choose this time. I got

1017
00:47:33,960 --> 00:47:34,920
Speaker 2: to choose the last one.

1018
00:47:35,200 --> 00:47:37,279
Speaker 3: I think just because of what it is, I think

1019
00:47:37,320 --> 00:47:39,319
Speaker 3: we should do one out of ten blond highlights.

1020
00:47:39,520 --> 00:47:40,120
Speaker 2: I think so too.

1021
00:47:40,520 --> 00:47:42,759
Speaker 3: I think that's what it should be. So I think

1022
00:47:42,760 --> 00:47:45,640
Speaker 3: I started last time. Uh huh you so you tell

1023
00:47:45,719 --> 00:47:46,840
Speaker 3: me what? What do you think?

1024
00:47:47,320 --> 00:47:47,920
Speaker 1: One out of ten?

1025
00:47:48,080 --> 00:47:50,759
Speaker 2: Because I found myself literally getting lost in it and

1026
00:47:50,920 --> 00:47:54,359
Speaker 2: just enjoying it, I'm going to give it an eight Soliday.

1027
00:47:54,800 --> 00:47:56,680
Speaker 1: Yeah, I was gonna be I'm right around there. I'm

1028
00:47:56,680 --> 00:47:57,120
Speaker 1: going to give it.

1029
00:47:57,320 --> 00:47:59,560
Speaker 3: There were some issues I had story wise and things

1030
00:47:59,600 --> 00:48:01,840
Speaker 3: like that. Never gonna not be able to get around that.

1031
00:48:01,880 --> 00:48:05,359
Speaker 3: So but I'm I'm solid seven point five. Yeah, I mean,

1032
00:48:05,400 --> 00:48:06,560
Speaker 3: this was it was enjoyable.

1033
00:48:06,600 --> 00:48:08,880
Speaker 1: It was what it was. I get it.

1034
00:48:08,920 --> 00:48:11,839
Speaker 3: The music was catchy, uh, the acting was good, it

1035
00:48:11,880 --> 00:48:13,360
Speaker 3: was bright, it was fun. I could have done with

1036
00:48:13,400 --> 00:48:15,920
Speaker 3: a few less montages and some story stuff at the

1037
00:48:15,960 --> 00:48:16,480
Speaker 3: end didn't make.

1038
00:48:16,400 --> 00:48:18,480
Speaker 1: A whole lot of sense, But uh, seven point five

1039
00:48:18,520 --> 00:48:20,320
Speaker 1: to eight, I agree with you. Not a bad movie.

1040
00:48:20,360 --> 00:48:22,279
Speaker 1: And we are not actually done.

1041
00:48:22,040 --> 00:48:24,560
Speaker 3: Being stuck in the suburbs right now, because we get

1042
00:48:24,600 --> 00:48:28,000
Speaker 3: to speak with Arren Killum over on our magical rewind

1043
00:48:28,080 --> 00:48:31,080
Speaker 3: feed dropping on Monday. But you're gonna get to hear

1044
00:48:31,120 --> 00:48:32,759
Speaker 3: a little piece of it now, so let's jump into

1045
00:48:32,760 --> 00:48:33,239
Speaker 3: that real quick.

1046
00:48:34,920 --> 00:48:37,400
Speaker 4: It was very interesting because the first half of my

1047
00:48:37,520 --> 00:48:41,440
Speaker 4: shoot had I had like these actual hair extensions in right,

1048
00:48:41,600 --> 00:48:45,920
Speaker 4: they like hot hair, they hot glued hair into it,

1049
00:48:46,080 --> 00:48:47,960
Speaker 4: and like at the time, I'm living in a in

1050
00:48:48,000 --> 00:48:50,560
Speaker 4: an apartment with like three of my college buddies, Like

1051
00:48:50,600 --> 00:48:54,040
Speaker 4: it's just in this disgusting like bachelor pad and I

1052
00:48:54,120 --> 00:48:56,319
Speaker 4: come home with you, and they just gave me so

1053
00:48:56,600 --> 00:48:58,759
Speaker 4: much for them.

1054
00:49:00,280 --> 00:49:02,920
Speaker 3: And that interview, which was so much fun, is going

1055
00:49:02,960 --> 00:49:05,279
Speaker 3: to be dropping on Monday on our magical rewind feed,

1056
00:49:05,320 --> 00:49:06,799
Speaker 3: so go and check it out because Tarren had some

1057
00:49:06,880 --> 00:49:09,360
Speaker 3: great insight into playing Jordan K.

1058
00:49:09,560 --> 00:49:13,880
Speaker 1: Hill, the Blonde Tipped amazing teen Idol himself teen Idol,

1059
00:49:14,320 --> 00:49:15,040
Speaker 1: very very fun.

1060
00:49:15,080 --> 00:49:17,680
Speaker 3: So thank you all for joining us as we were

1061
00:49:17,719 --> 00:49:19,719
Speaker 3: stuck in the suburbs and remember to subscribe to our

1062
00:49:19,719 --> 00:49:22,040
Speaker 3: feed and you can follow us at Magical rewind Pod

1063
00:49:22,080 --> 00:49:23,160
Speaker 3: on the Instagram machine.

1064
00:49:23,160 --> 00:49:27,120
Speaker 1: So join us next time as we continue our dcom journey.

1065
00:49:27,200 --> 00:49:28,600
Speaker 1: Thanks everybody, later,