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Speaker 1: Oh man, there's a lot going on behind the scenes.

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Speaker 1: But in his lip service, I'm Angela Yee, I'm Gid Maguire,

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Speaker 1: I'm Jazz and Brand.

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Speaker 2: And I'm a Marsha Ambrosius.

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Speaker 1: Don't be surprised to see Marcia Ambrosius a little soft,

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Speaker 1: beautiful voice on lib service. Right.

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Speaker 3: Well, the voice just changed on me because it was

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Speaker 3: not this.

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Speaker 2: I'm like, well, you said you were Philadelphian, and the

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Speaker 2: Philly comes out when the Philly comes out, so you know,

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Speaker 2: softly spoken and British at times. But then I'm a John. Yes,

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Speaker 2: you definitely get some drinks in me now, all the

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Speaker 2: sponsible mine? Okay, thanks you hospitable around here.

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Speaker 1: Than we are so happy to have you up here,

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Speaker 1: by the way, because you have some exciting things.

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Speaker 2: Oh my gosh, it's been a journey to get here.

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Speaker 2: But yes, Casa Blanco on the way.

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Speaker 1: I love the name. I love it.

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Speaker 2: Casa Blanco a place of destination, somewhere where you can

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Speaker 2: listen to music to fuck to. I feel like it's

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Speaker 2: that today. I don't know. That's the energy I'm getting from.

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Speaker 1: Angel. She'll make a good.

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Speaker 2: Let me say this album plays like when you want

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Speaker 2: to fuck someone to when you start sucking them to

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Speaker 2: realizing that way. Is this love or do I feel

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Speaker 2: like I want to be forever with this person? Is

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Speaker 2: it a one night stand? And then you try and

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Speaker 2: move on but the dick's that good? Then you stay

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Speaker 2: and then you're like, no, fuck you, I've got to go.

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Speaker 2: So not necessarily cheap, but you weren't even together in

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Speaker 2: the first place. You know what, am I hurt? How

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Speaker 2: can you get hurt from someone that you weren't really with?

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Speaker 2: It's stupid. So situation no, no dicuation ship period. Then

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Speaker 2: turn to possible forever. That's what It's so probetic.

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Speaker 1: And everybody can relate to that absolutely slightly.

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Speaker 2: So yeah for you for that's what this album is.

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Speaker 2: That's that's what I feel like it feels like today.

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Speaker 2: That's the blame.

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Speaker 1: So where did you get the inspiration for this? Because

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Speaker 1: you are a.

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Speaker 2: Married lady, I am, and that's fine.

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Speaker 1: Okay, No, that is and that's fine. So let me

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Speaker 1: ask you what changes after you get married, Like as

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Speaker 1: far as your relationship.

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Speaker 2: I mean, we're good, what changes as far as like

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Speaker 2: creating music from.

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Speaker 1: About I mean as far as as far as the

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Speaker 1: relationship like in your journey from when you guys first met,

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Speaker 1: and I know you kind of made the first move,

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Speaker 1: of course, which we'll talk about because I want to

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Speaker 1: know if y'all be doing that. But you made the

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Speaker 1: first move. You guys got engaged, had a beautiful baby.

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Speaker 1: But once you get married, some people will say things change.

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Speaker 1: Some people will say, no, it's it's the same as

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Speaker 1: it was. Did anything change? What was different?

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Speaker 2: We evolve. I think we learn each other so much

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Speaker 2: that you kind of grow with each other. The change

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Speaker 2: is constant, and you just have to know that the

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Speaker 2: person that you fell in love with might not be

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Speaker 2: the same person now and be okay with that. So

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Speaker 2: it's repeating trying to repeat that magic that you had

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Speaker 2: sometimes doesn't work. It's finding other ways to connect with

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Speaker 2: each other as you're both building and growing. So I

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Speaker 2: feel like that's the change. It's just being open to

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Speaker 2: being honest and falling in love each and every day

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Speaker 2: again and lost each and every day again. It's exciting.

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Speaker 2: It's a chase.

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Speaker 1: I've got it.

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Speaker 2: Call one eight hundred casta blanc.

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Speaker 1: So okay, because I remember the story about you guys

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Speaker 1: meeting and kind of like from the first time you

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Speaker 1: all hung out. That was it?

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Speaker 2: Not necessarily it claims that I ignored him. I did not.

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Speaker 2: I was so consumed with trying to get this reunion tour.

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Speaker 2: At the time time it was game six of the

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Speaker 2: Cleveland Warriors. Game in Cleveland. We start the tour in Cleveland,

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Speaker 2: so I want to go watch the game. I could

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Speaker 2: give fu who that is? And I think I noticed

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Speaker 2: him the next day, Red fitted who the fuck is that?

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Speaker 2: Why did no one tell me? We literally introduced to

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Speaker 2: you yesterday. I was like, I was watching the game.

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Speaker 2: I wasn't even looking at him. So now it was

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Speaker 2: me being inquisitive. I saw what's up, and my version

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Speaker 2: of what's up is what's up?

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Speaker 1: What it is?

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Speaker 2: Then I think a week into it, we just started

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Speaker 2: talking and then by the time we got to Virginia,

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Speaker 2: it was the infamous long walk trying to get something

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Speaker 2: to eat, and then we kissed, and I was like, oh, ship,

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Speaker 2: my vagina started fluttering in ways that you give me,

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Speaker 2: not butterfly, you give me flat foodflies, butterflies in your vagina.

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Speaker 2: And for someone to do that to me in such

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Speaker 2: a way, I was just like, you know what, I

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Speaker 2: think this is going to be something so By the

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Speaker 2: time we got to Philadelphia, I told my homies, Oh,

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Speaker 2: we're going to go to such and such a restaurant

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Speaker 2: continental actually on Chestnut where it was at the time,

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Speaker 2: Like I'll meet you over there, and we never left

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Speaker 2: that hotel. We just fucked. And it was like what

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Speaker 2: I thought was going to be a one night stand,

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Speaker 2: because I'd never done anything like that.

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Speaker 3: You never had a one night stand. That was.

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Speaker 1: The first.

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Speaker 2: We said, if you knew something and then had a

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Speaker 2: one night stand, is it technically a one night stand?

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Speaker 2: It is because I knew I liked him and with intention,

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Speaker 2: I was like, oh, we're going to fuck. I didn't

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Speaker 2: know we were going to fuck again and again and

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Speaker 2: again and again. So my one night stand technically hasn't ended.

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Speaker 1: Okay, So yeah, that brings us to the single one

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Speaker 1: night and so was that really about that experience that

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Speaker 1: kind of turned into it.

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Speaker 2: Was a culmination of experience. Okay, I've had several you know,

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Speaker 2: we're grown in here. Yeah, So it was about that.

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Speaker 2: It was about so many other things. It was that

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Speaker 2: dick pic you received unwarranted and you're like, oh the

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Speaker 2: fuck I remember that one though, you know, it's like

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Speaker 2: dicks you've remembered in your past that you wanted to

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Speaker 2: have passed up on, and it's you wake up in

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Speaker 2: that glorious moment of Well, for me, I'm a leo,

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Speaker 2: it's conquering the moment. So the morning after and it's like, oh,

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Speaker 2: who the fuck was that? And what did you just

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Speaker 2: do to me? That feeling? So from a place of

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Speaker 2: that feeling and all of the experiences, Yes it's about him,

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Speaker 2: but it was about others and it was a wild

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Speaker 2: ride and gives you butterflies.

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Speaker 1: Just what would make you pass up on a dick?

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Speaker 1: Like what some sverall things tell us one of the

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Speaker 1: reasons why, because I could think of a couple.

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Speaker 2: I can think of one in particular, and I really

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Speaker 2: liked this guy, like I really did. It was too small,

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Speaker 2: and it's not that.

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Speaker 1: Ding ding ding number one on family feud. It's not

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Speaker 1: too small.

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Speaker 2: I'm saying you have to be matters, but not something

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Speaker 2: that's too small. And it wasn't small. It just wasn't

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Speaker 2: what I was accustomed to, and it wasn't long term

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Speaker 2: gonna do the savagery that I required with my appetite

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Speaker 2: being at it's all time high at that time and

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Speaker 2: I was like, and I was coming off the dic

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Speaker 2: relationship that I had, and it was like, I can't

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Speaker 2: go from that to that.

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Speaker 1: Like do you think that he knew? That's why? Because

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Speaker 1: I feel like, okay, no, because how do you like.

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Speaker 2: Literally literally slid out and then the blame is on

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Speaker 2: you? You too, Gushi? No, you're fucking not.

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Speaker 1: You just can't get because I feel like guys with

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Speaker 1: little dicks that probably happens to them a lot, right,

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Speaker 1: like you're right there, and then the woman's like, you

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Speaker 1: know what.

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Speaker 2: I want to stress that it really wasn't small. It

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Speaker 2: just wasn't big enough.

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Speaker 1: It wasn't Yeah, it's not small, but it wasn't big.

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Speaker 1: It just wasn't the That is the number one reason

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Speaker 1: I think that happened to me this guys. It was

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Speaker 1: it felt like it was some type of uh, I

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Speaker 1: don't want to say handicap.

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Speaker 2: Oh that's fun, took it really fun.

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Speaker 1: No, But it was like it felt like, you know,

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Speaker 1: it could have been like a large vagina. I don't

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Speaker 1: know about it. It was really really small. It was like

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Speaker 1: a buddy, No, it wasn't, I promise like one of.

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Speaker 2: The what's that movie Hangover? Were it was kind of yeah,

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Speaker 2: I feel kind of bad for guys.

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Speaker 1: I what can you do a surgery now? Now even

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Speaker 1: surgery is not like they can make it maybe like

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Speaker 1: an inch or too longer, but not much more than.

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Speaker 2: Just a toy, like I'd rather fucking play with myself,

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Speaker 2: or like.

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Speaker 1: A motor town you need a montor motor.

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Speaker 2: Haven't had the motor toongue. I love, well, I've got

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Speaker 2: a personal mot tongue, but not yea, not the handheld.

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Speaker 2: I don't want to held, not for the tongue. No,

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Speaker 2: it's weird. A dick though, I used to have this

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Speaker 2: ultra what was it called, not that I used to

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Speaker 2: call it the Andre three thousand, but it was purple.

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Speaker 2: It was called something ultra three thousand, and I just

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Speaker 2: I don't know coming love love for the love. It

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Speaker 2: had like the balls in it, and it used to spin,

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Speaker 2: and it had like the so like a giant rabbit.

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Speaker 2: You think about a really nicely sized dick with the

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Speaker 2: things that I was getting all the way on it.

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Speaker 2: But it had the two thing in the front, like

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Speaker 2: the vib so think about the dicks like this, and

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Speaker 2: it's got the two problem things that used to play

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Speaker 2: to clear in the front and then the mind blowing

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Speaker 2: orgasm you'd have offered like it saved me from a lot. Actually,

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Speaker 2: I think like I had a lot of like unnecessary,

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Speaker 2: unwarranted dick offered that I would have taken had I

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Speaker 2: have not.

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Speaker 1: Had my No, I'm good. I only need the headache

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Speaker 1: that comes with that hook up, you know, don't you

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Speaker 1: feel good that like coming up? And we were talking

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Speaker 1: about this before the show. We didn't have social media.

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Speaker 2: Oh my gosh, when we were at the peak of

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Speaker 2: our I did I did, Yeah, I did. My dirt clean.

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Speaker 2: My dirt was clean. I always say that I'm glad

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Speaker 2: that I escaped somewhat unscathed, somewhat because, for fuck's sake, Philadelphia,

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Speaker 2: I'm blaming the city. What a what a time? If

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Speaker 2: it outside in the thousand, when it was like that time,

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Speaker 2: it was like McNab, it was blue zuy.

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Speaker 1: I started working at Okay Well. I left in two

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Speaker 1: thousand and five, though I left to move to I

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Speaker 1: live in Atlanta.

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Speaker 2: I was there from two thousand to two thousand and five.

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Speaker 2: We'd had running Yes, absolutely.

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Speaker 1: Let me tell you know, my best friend is from Philly,

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Speaker 1: and so Santi and so I would go and stay

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Speaker 1: at her house in Mount Airy and spend the whole

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Speaker 1: summer in Philly and half the time of.

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Speaker 2: My life and have beautiful play, so much fun, and

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Speaker 2: I missed it.

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Speaker 1: The guys in Philly was lit. I'm not gonna lie.

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Speaker 3: Life really does.

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Speaker 2: In the two thousand, Philly guys were so fine. I

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Speaker 2: used to do drive bys on the airport because they

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Speaker 2: used to work at the airport in US Airways, and

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Speaker 2: they would be the guys that take the bags outside

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Speaker 2: and we would just drive by the terminal and just

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Speaker 2: look at what time you off, listen the security do

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Speaker 2: the vango. I used to come in his neck every time.

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Speaker 2: He's just gonna come saying it because I'm trying to

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Speaker 2: get in the club and take DJ acted tell your

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Speaker 2: home what mars trying to really?

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Speaker 1: Yes, yes, it's just not a drill. Come. Remember used

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Speaker 1: to be like I really used to go and just

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Speaker 1: walk up street such a tourist. But it was so

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Speaker 1: much fun.

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Speaker 2: It was. I mean, I used to well performing at

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Speaker 2: the t l A. I used to walk home after performances,

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Speaker 2: but we'd go to like Fluid or Latest Dish that

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Speaker 2: was on the corner, Coppa, which was on the corner

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Speaker 2: and drink every flavored margarite. And I remember sitting there

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Speaker 2: after a gig for hours and didn't realize how much

235
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Speaker 2: I'd been drinking. He didn't stand up.

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Speaker 1: I couldn't.

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Speaker 2: I tried to stand up, like marsh, let's go. I

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Speaker 2: was like, but I cannot. We gotta wait, go with

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Speaker 2: flaw move before I drink, they were like Mars Mars,

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Speaker 2: Mars chill. And I'm like, oh, okay.

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Speaker 1: That's the worst thing. You're young and you don't know better.

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Speaker 1: Oh no, for that long islandized tea when I was younger,

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Speaker 1: I want tell me, listen, I don't sell that anymore.

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Speaker 1: By the way, where the last time you see that

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Speaker 1: on the menu?

246
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Speaker 2: You just it has to be make that much.

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Speaker 1: It's probably not because I have like signatures drink, but

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Speaker 1: you gotta if you ask for it, don't make it

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Speaker 1: for you. Yeah, but nobody like that used to be

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Speaker 1: a thing that like, let's get along as people listen

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Speaker 1: to have no idea what a long islandized every liquor?

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Speaker 1: But it good and it tasted good.

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Speaker 2: Yeah, you know you're trying to pretend in your mind

254
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Speaker 2: to taste it good.

255
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Speaker 1: It felt good.

256
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Speaker 2: It did not taste like anything but really strong gasoline

257
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Speaker 2: that I know what that tastes like?

258
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Speaker 1: What it was?

259
00:13:52,080 --> 00:13:56,720
Speaker 2: Nothing? Nothing good about that? You know, I doubt that

260
00:13:57,200 --> 00:13:59,240
Speaker 2: I'm not going But let's.

261
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Speaker 1: Get into this song when nice Stand because we got

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Speaker 1: a little sneak preview. And by the way, we've had

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Speaker 1: conversations about one nice stands up here on a couple

264
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Speaker 1: of different occasions. Now, Jasmine always talks about once you had,

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Speaker 1: but it wasn't really a one nice stand, And we

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Speaker 1: want to first Martia, can you can you define for

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Speaker 1: us what it is? And then Jasmine's going to tell you.

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Speaker 2: On one night's standing, just when you fuck someone that

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Speaker 2: one time that you said you was going to suck them,

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Speaker 2: that's it.

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Speaker 1: Does it have to be somebody like because in my head,

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Speaker 1: it's not somebody you've known for a long time.

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Speaker 2: Yeah, no, it's your decision, your vagina immediately saying I'm

274
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Speaker 2: fucking that. Whoever that is doesn't have to be a stranger.

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Speaker 2: You could know them come out of the blue, like,

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Speaker 2: be someone that you've known for forever who never knew

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Speaker 2: you wanted to smash And is that one time where you.

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Speaker 1: Decided to just say yes one time and one time,

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Speaker 1: one time. What if it happened twice?

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Speaker 2: Now what you feel? Then you're in the dicuations situations

281
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Speaker 2: and that was it a dic relationship.

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Speaker 1: Okay, all right. So, because we have so many questions

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Speaker 1: about what is a one night stand? To me, I

284
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Speaker 1: always looked at it as like, and in my head,

285
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Speaker 1: it's very romanticized, like you're on vacation or you're somewhere,

286
00:15:15,280 --> 00:15:18,680
Speaker 1: you meet somebody, you're in the club, you do it once, y'all,

287
00:15:18,680 --> 00:15:22,320
Speaker 1: don't even really like exchange. Remember you might not even

288
00:15:22,360 --> 00:15:25,000
Speaker 1: know my real name, and then that's it.

289
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Speaker 2: So how stella ahood group?

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00:15:26,440 --> 00:15:28,440
Speaker 1: That sounds like one nice stand to me. Yeah, that's much.

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00:15:28,480 --> 00:15:31,400
Speaker 2: That's romanticize one night So that's cute, that's nice.

292
00:15:31,480 --> 00:15:35,200
Speaker 1: But that's cute, that's cute or whatever. And then in

293
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Speaker 1: a one night stand, do you go all out or

294
00:15:37,280 --> 00:15:39,840
Speaker 1: are you only having sat because like some people will

295
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Speaker 1: be like, I'm not a second no, dick, I'm not.

296
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Speaker 2: Well, this is the thing where it gets tricky if

297
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Speaker 2: you didn't know the person and you were on your

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Speaker 2: whole goddess vibes and you're like, fuck it, I'm gonna

299
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Speaker 2: do shit that I never did.

300
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Speaker 1: Because that's the god vibe because you're like.

301
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Speaker 2: Who's gonna tell, who's gonna know? They don't know me,

302
00:15:58,080 --> 00:16:00,360
Speaker 2: they don't even know that I'm not like this, So

303
00:16:00,400 --> 00:16:02,800
Speaker 2: it's almost like, let me just get out my comfort

304
00:16:02,880 --> 00:16:05,600
Speaker 2: zone and go for all the things I ever wanted

305
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Speaker 2: to do.

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Speaker 1: That's see, and I think that's what one nice thing

307
00:16:08,320 --> 00:16:10,200
Speaker 1: should be. We don't know each other, and so I

308
00:16:10,280 --> 00:16:14,360
Speaker 1: might as well just like do some crazy shit. May

309
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Speaker 1: how often do we go into a one nice stand

310
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Speaker 1: knowing that that's what it's going to be, though, because

311
00:16:18,800 --> 00:16:21,440
Speaker 1: usually there's the intention of this might go somewhere.

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00:16:21,760 --> 00:16:25,920
Speaker 2: It's a vibe once that. I'm telling you, you don't

313
00:16:25,960 --> 00:16:29,480
Speaker 2: have your own personal vagina flutters when you think about

314
00:16:29,520 --> 00:16:31,640
Speaker 2: what you're gonna do. It doesn't necessarily have to be

315
00:16:31,720 --> 00:16:36,000
Speaker 2: the person that you want. It's when you feel sexually charged.

316
00:16:36,920 --> 00:16:39,280
Speaker 2: What that does to your own body. Are you in

317
00:16:39,320 --> 00:16:42,400
Speaker 2: tune with you? Because you know when you want to

318
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Speaker 2: have sex with something that you do know if it's

319
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Speaker 2: going to be my putting in the effort, am I

320
00:16:46,240 --> 00:16:49,760
Speaker 2: gonna you know? Or is it a quickie? You know that?

321
00:16:50,280 --> 00:16:52,480
Speaker 2: So if you're like, Okay, I'm on vacation, you don't

322
00:16:52,520 --> 00:16:54,760
Speaker 2: set out to go Okay, I'm gonna fuck someone while

323
00:16:54,760 --> 00:16:56,720
Speaker 2: I'm here, or you do, or you.

324
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Speaker 1: Do like.

325
00:17:00,120 --> 00:17:03,360
Speaker 2: Choice and you're like, okay, come on now, little come

326
00:17:03,400 --> 00:17:08,480
Speaker 2: on kitchy or whatever you've named your thing is kitty

327
00:17:07,200 --> 00:17:11,760
Speaker 2: kay kitchy. What we do in kitchen catch you decide

328
00:17:11,840 --> 00:17:16,399
Speaker 2: whether or not it's going to be romantic or nasty.

329
00:17:16,480 --> 00:17:22,399
Speaker 2: It's a different level of sex. Yeah, Like again, nothing

330
00:17:22,480 --> 00:17:24,920
Speaker 2: is off limit because it's a vibe with the person.

331
00:17:24,960 --> 00:17:26,560
Speaker 2: If you if I want to fuck someone, I for

332
00:17:26,640 --> 00:17:28,920
Speaker 2: sure want to kiss you like you're not it's the

333
00:17:29,640 --> 00:17:33,240
Speaker 2: if you're not kissable, we're not even crossing. That's not

334
00:17:33,240 --> 00:17:35,320
Speaker 2: even a blurb. I'm just like, I don't want you

335
00:17:35,359 --> 00:17:38,159
Speaker 2: on me if I don't want that passion, even if

336
00:17:38,160 --> 00:17:40,760
Speaker 2: it is for that moment moment, because I will say,

337
00:17:40,880 --> 00:17:43,840
Speaker 2: I didn't know that who is now mine forever was

338
00:17:43,880 --> 00:17:45,880
Speaker 2: going to be that moment, Like I'm giving you all

339
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Speaker 2: the funk out now.

340
00:17:46,720 --> 00:17:50,040
Speaker 1: You did everything the first time? Yeah, okay, yeah, it

341
00:17:50,119 --> 00:17:52,560
Speaker 1: wasn't and it wasn't just the first time. It just

342
00:17:52,640 --> 00:17:54,840
Speaker 1: kept going and going and going, and it's still going.

343
00:17:54,800 --> 00:17:57,680
Speaker 2: Because of that one time. Because what if I didn't

344
00:17:57,720 --> 00:18:00,520
Speaker 2: and it was just a I know I'm in to you.

345
00:18:01,240 --> 00:18:05,080
Speaker 2: We fucked. She let me smash and then I just

346
00:18:05,160 --> 00:18:05,879
Speaker 2: let him smash.

347
00:18:06,200 --> 00:18:08,480
Speaker 1: Yeah, were you nervous knowing that you were gonna have

348
00:18:08,520 --> 00:18:10,359
Speaker 1: to see him because he already was working?

349
00:18:10,320 --> 00:18:16,960
Speaker 2: It was funny. Waited to get in the group, sold

350
00:18:16,960 --> 00:18:20,480
Speaker 2: my mother and everything. Like I told him. When I

351
00:18:20,520 --> 00:18:23,680
Speaker 2: kissed him, I was like, Mom, I'm gonna suck him.

352
00:18:24,160 --> 00:18:26,439
Speaker 2: She was like, I knew it. He's like, how did

353
00:18:26,480 --> 00:18:28,359
Speaker 2: you know? I said, I just know you. I said, well,

354
00:18:28,400 --> 00:18:31,120
Speaker 2: I'm gonna do it. We'll fucking do it. Then, fine, thanks, Mama,

355
00:18:31,600 --> 00:18:35,240
Speaker 2: got your blessing. Told the homies and they just laughed

356
00:18:35,240 --> 00:18:37,719
Speaker 2: it off. We laughed and chuckled and giggles and keyed

357
00:18:37,920 --> 00:18:40,560
Speaker 2: up and gave him all the details and this is

358
00:18:40,640 --> 00:18:41,120
Speaker 2: all wow.

359
00:18:41,640 --> 00:18:41,840
Speaker 1: I know.

360
00:18:41,920 --> 00:18:43,840
Speaker 2: On the other side, he's given his account.

361
00:18:44,520 --> 00:18:45,120
Speaker 1: This is what I want.

362
00:18:45,119 --> 00:18:45,800
Speaker 2: A little movie.

363
00:18:46,359 --> 00:18:47,240
Speaker 1: Guess who id.

364
00:18:49,160 --> 00:18:52,000
Speaker 2: For the both of us? Was a movie? Like you know,

365
00:18:52,200 --> 00:18:54,639
Speaker 2: I'm in my phone as movie and I'm looking at

366
00:18:54,640 --> 00:18:56,480
Speaker 2: his phone. I'm in his phone as movie.

367
00:18:56,720 --> 00:18:59,000
Speaker 1: Oh how romantic. That's how you know how much a

368
00:18:59,000 --> 00:19:01,879
Speaker 1: guy I really liked you? How the details he leaves

369
00:19:01,880 --> 00:19:04,119
Speaker 1: out with his friends because they don't tell it all

370
00:19:04,640 --> 00:19:09,160
Speaker 1: they'll say he said everything probably to which.

371
00:19:08,960 --> 00:19:11,399
Speaker 2: Doesn't make me uncomfortable in front of his friends, actually

372
00:19:11,480 --> 00:19:12,359
Speaker 2: gives me confidence.

373
00:19:12,440 --> 00:19:16,919
Speaker 1: I'm like, are you really really nasty?

374
00:19:18,200 --> 00:19:20,880
Speaker 2: To find really really nasty, because my really nasty might

375
00:19:20,920 --> 00:19:24,080
Speaker 2: be like basic to someone else, Like, what's what's the

376
00:19:24,119 --> 00:19:24,760
Speaker 2: really nasty?

377
00:19:24,800 --> 00:19:27,840
Speaker 1: What would you play like a lot of different badly fluids, spitting,

378
00:19:28,720 --> 00:19:30,880
Speaker 1: licking booty like.

379
00:19:34,680 --> 00:19:37,760
Speaker 2: You know, close to godliness. So when we're there and

380
00:19:37,800 --> 00:19:38,480
Speaker 2: it's you know.

381
00:19:38,480 --> 00:19:41,160
Speaker 1: As long as it's clean, I.

382
00:19:43,680 --> 00:19:45,840
Speaker 2: What's the nastiest thing you've ever done.

383
00:19:47,119 --> 00:19:51,159
Speaker 1: Me? I'm gonna be honest, Jesus probably better that question

384
00:19:51,400 --> 00:19:54,000
Speaker 1: because I'm very I'm not gonna lie. I'm very like

385
00:19:54,560 --> 00:19:57,399
Speaker 1: basic when it comes I don't like people spitting in

386
00:19:57,440 --> 00:19:59,399
Speaker 1: my mouth. I have people ask me to spit in

387
00:19:59,440 --> 00:20:03,439
Speaker 1: their mouth, and it's always been a little gross to me, uncomfortable.

388
00:20:03,480 --> 00:20:06,119
Speaker 1: But I know people from the puss, but I know

389
00:20:06,160 --> 00:20:06,919
Speaker 1: people love that.

390
00:20:07,000 --> 00:20:07,720
Speaker 2: It's just.

391
00:20:09,880 --> 00:20:10,480
Speaker 3: I'm not into that.

392
00:20:10,560 --> 00:20:11,679
Speaker 2: Okay, okay, so.

393
00:20:12,560 --> 00:20:15,760
Speaker 1: But I don't. I'm very accepting of what people do,

394
00:20:15,800 --> 00:20:19,160
Speaker 1: but for me personally, I'm very like, I don't want

395
00:20:19,160 --> 00:20:21,240
Speaker 1: to spit like I'm you know what I'm saying, and

396
00:20:21,280 --> 00:20:21,920
Speaker 1: to spit on the.

397
00:20:21,880 --> 00:20:24,960
Speaker 3: Dick, but I don't want I don't want them spitting.

398
00:20:25,320 --> 00:20:26,720
Speaker 1: I do it from him, though it has to be

399
00:20:26,800 --> 00:20:29,720
Speaker 1: him because guys in my mouth and I want that

400
00:20:30,520 --> 00:20:32,280
Speaker 1: to do that, I'm giving and receiving.

401
00:20:33,840 --> 00:20:33,919
Speaker 2: It.

402
00:20:34,000 --> 00:20:36,680
Speaker 1: So I'm very basic. I am, I am. I'm basic,

403
00:20:36,800 --> 00:20:39,280
Speaker 1: Like I do what I do, you know, and I

404
00:20:39,320 --> 00:20:42,560
Speaker 1: and I love having like all different positions and sex,

405
00:20:42,600 --> 00:20:45,560
Speaker 1: but when it comes to fluids and things like that,

406
00:20:45,640 --> 00:20:49,840
Speaker 1: it's not necessarily you know what.

407
00:20:49,960 --> 00:20:51,199
Speaker 3: Also, I don't like that. I feel like a lot

408
00:20:51,200 --> 00:20:53,120
Speaker 3: of women like I don't like. I don't like when

409
00:20:53,119 --> 00:20:55,639
Speaker 3: it's my butt is super wet and yea, like when

410
00:20:55,680 --> 00:20:57,960
Speaker 3: they eat it's dress like.

411
00:20:58,200 --> 00:21:02,080
Speaker 1: Okay, yeah, see I'm in a puddle.

412
00:21:02,600 --> 00:21:03,080
Speaker 3: Well I'm in.

413
00:21:03,119 --> 00:21:03,880
Speaker 1: I don't have a choice.

414
00:21:03,880 --> 00:21:05,280
Speaker 3: I'm in the puddle too, but I just it's not

415
00:21:05,320 --> 00:21:05,640
Speaker 3: my fair.

416
00:21:05,880 --> 00:21:06,520
Speaker 1: I'm drowning.

417
00:21:07,680 --> 00:21:11,040
Speaker 3: I don't like. I don't like the feeling of like

418
00:21:11,080 --> 00:21:13,159
Speaker 3: a swoppy in your button. Yeah, I don't like the

419
00:21:13,160 --> 00:21:16,040
Speaker 3: feeling of the spit in my butt crack.

420
00:21:16,080 --> 00:21:18,040
Speaker 1: I don't like the feeling. I wish I did, but

421
00:21:18,119 --> 00:21:20,719
Speaker 1: I think that when you're drunk, anything goes more. Like

422
00:21:20,760 --> 00:21:22,199
Speaker 1: you can get me to do a lot more if

423
00:21:22,240 --> 00:21:23,640
Speaker 1: I've been having some drinks.

424
00:21:23,680 --> 00:21:24,520
Speaker 2: That's something fair.

425
00:21:25,880 --> 00:21:26,320
Speaker 1: You can't.

426
00:21:26,520 --> 00:21:26,920
Speaker 2: You can't.

427
00:21:27,480 --> 00:21:29,240
Speaker 1: It has to be more of like I mean, yeah,

428
00:21:29,320 --> 00:21:32,440
Speaker 1: we do feel like when we lose our inhibitions when

429
00:21:32,440 --> 00:21:35,840
Speaker 1: we're created, right. I think when people ask you things

430
00:21:35,920 --> 00:21:37,840
Speaker 1: to it kind of like makes you think too hard

431
00:21:37,840 --> 00:21:40,679
Speaker 1: about it. People kind of have to like it's.

432
00:21:42,160 --> 00:21:45,000
Speaker 2: Like I'm never eating us. It's just not gonna. It's

433
00:21:45,040 --> 00:21:47,400
Speaker 2: not a natural like, oh, I'm going to go there,

434
00:21:47,480 --> 00:21:49,800
Speaker 2: like I'm going to do so many things before that

435
00:21:49,880 --> 00:21:55,240
Speaker 2: even becomes a request. It's not a request. It's sexual energy,

436
00:21:55,720 --> 00:21:59,840
Speaker 2: so the fluids and the spit and when you love someone,

437
00:22:00,560 --> 00:22:04,560
Speaker 2: all of those things are just things. Tune out the

438
00:22:04,600 --> 00:22:09,000
Speaker 2: noise and it's sex and sexy and it's lust and

439
00:22:09,040 --> 00:22:15,520
Speaker 2: it's love and its connection. It's different. Like I remember

440
00:22:15,600 --> 00:22:20,520
Speaker 2: being asked to bite someone. Okay, I can do that,

441
00:22:21,200 --> 00:22:27,280
Speaker 2: but when I say bite, like like break this, like

442
00:22:27,640 --> 00:22:31,320
Speaker 2: bite me. And I didn't realize how into it I'd

443
00:22:31,400 --> 00:22:37,320
Speaker 2: actually be until I did it, and just to broke skin,

444
00:22:38,560 --> 00:22:41,800
Speaker 2: felt him get crazy hard, and it turned me on

445
00:22:41,880 --> 00:22:43,920
Speaker 2: in a way that I was like, have I been

446
00:22:43,960 --> 00:22:49,960
Speaker 2: a vampire or they the vampire? And they turned me.

447
00:22:51,840 --> 00:22:51,879
Speaker 3: No.

448
00:22:52,040 --> 00:22:56,720
Speaker 2: But then am I his makup and I couldn't work

449
00:22:56,760 --> 00:22:59,000
Speaker 2: it out. I was like, how does this work? By

450
00:22:59,080 --> 00:23:01,520
Speaker 2: the vampire? And he's the vampire, but we're both vampires

451
00:23:01,520 --> 00:23:04,880
Speaker 2: and bokeing each other. We tonally like, what the fuck?

452
00:23:05,000 --> 00:23:05,760
Speaker 1: What's happening here?

453
00:23:06,080 --> 00:23:09,080
Speaker 2: I didn't even get it and it was, oh my god,

454
00:23:09,800 --> 00:23:10,800
Speaker 2: it was intense.

455
00:23:11,440 --> 00:23:12,920
Speaker 1: Do you like getting into.

456
00:23:15,080 --> 00:23:18,879
Speaker 2: I didn't, and then I did. It was weird.

457
00:23:19,480 --> 00:23:21,880
Speaker 1: Sometimes it depends on who it is, of course.

458
00:23:22,560 --> 00:23:24,439
Speaker 2: I was thinking this the next day where it was

459
00:23:24,760 --> 00:23:26,960
Speaker 2: where I was being bitten? Is it going to show like?

460
00:23:27,200 --> 00:23:28,879
Speaker 2: And then you tune out the noise and give a

461
00:23:28,920 --> 00:23:31,240
Speaker 2: fuck and go okay bye me?

462
00:23:33,520 --> 00:23:34,680
Speaker 3: Do you like being choked?

463
00:23:36,960 --> 00:23:46,200
Speaker 2: She got like slightly vocals it's a pressure. I like pressure.

464
00:23:46,320 --> 00:23:47,880
Speaker 1: Yeah, yeah, it's important.

465
00:23:47,480 --> 00:23:51,160
Speaker 2: Gripping and pressure. But yeah the pressure me and me, no,

466
00:23:51,320 --> 00:23:52,159
Speaker 2: don't don't take.

467
00:23:52,040 --> 00:23:57,400
Speaker 1: Away the pressure can definitely help the intensity of the orgasm. Okay, yeah,

468
00:23:58,040 --> 00:23:59,919
Speaker 1: well so that's the best time of choke is like

469
00:24:00,080 --> 00:24:01,399
Speaker 1: when you know you about the class.

470
00:24:01,480 --> 00:24:03,280
Speaker 2: You know, the first time to buy?

471
00:24:03,480 --> 00:24:07,680
Speaker 1: Yes, my same concept. I'm assuming I'm by I'm gonna

472
00:24:07,680 --> 00:24:09,680
Speaker 1: tell somebody to buy. I think my man likes being

473
00:24:09,680 --> 00:24:14,639
Speaker 1: bitten like that, like I never broke his skin, but

474
00:24:14,800 --> 00:24:23,240
Speaker 1: I think he likes that. Dang shit, the vampire is

475
00:24:23,240 --> 00:24:25,760
Speaker 1: going on here, vampire diaries.

476
00:24:25,520 --> 00:24:29,160
Speaker 2: Vampire diarism, butterflies, butterflies and you know what else.

477
00:24:29,160 --> 00:24:31,400
Speaker 1: It's too since we're talking about all those things. Even

478
00:24:31,680 --> 00:24:34,160
Speaker 1: I from getting out pussy eight, like, there's some guys

479
00:24:34,160 --> 00:24:37,560
Speaker 1: that do a great job and some guys that just

480
00:24:37,840 --> 00:24:40,080
Speaker 1: you're like, it's okay, go.

481
00:24:40,320 --> 00:24:42,240
Speaker 2: On, and I don't like. I just don't think they

482
00:24:42,280 --> 00:24:45,760
Speaker 2: know how what's supposed to be done. I think it's

483
00:24:45,760 --> 00:24:49,000
Speaker 2: a myth. I think it's very poornographic, and then not

484
00:24:49,240 --> 00:24:52,919
Speaker 2: paying attention to what's actually supposed to have been targeted.

485
00:24:53,000 --> 00:24:56,760
Speaker 2: At that point, I'm gonna give directions exactly. It's like,

486
00:24:56,920 --> 00:24:59,720
Speaker 2: no that you don't need to be where your dick

487
00:24:59,760 --> 00:25:05,000
Speaker 2: would be right now. It just gives and don't get out,

488
00:25:05,280 --> 00:25:08,639
Speaker 2: give you a dick or put it right there, or

489
00:25:08,680 --> 00:25:12,520
Speaker 2: I'm going to get this silver bullet and where that

490
00:25:12,640 --> 00:25:15,280
Speaker 2: actual place is and then take me all the way

491
00:25:15,359 --> 00:25:16,400
Speaker 2: to Okay.

492
00:25:16,640 --> 00:25:18,280
Speaker 1: I remember one guy was doing it like it was

493
00:25:18,400 --> 00:25:21,320
Speaker 1: a piece of raw meat and his back back. I

494
00:25:21,359 --> 00:25:27,439
Speaker 1: was like, all right, that a portal.

495
00:25:27,560 --> 00:25:30,200
Speaker 2: Everybody relaxed, and you make me go back to when

496
00:25:30,240 --> 00:25:32,840
Speaker 2: you're saying what changes. I think after I pushed an

497
00:25:32,960 --> 00:25:35,280
Speaker 2: entire baby out of my vaginy, you just kind of

498
00:25:35,320 --> 00:25:37,719
Speaker 2: get a little self conscious as to what that's going

499
00:25:37,800 --> 00:25:41,040
Speaker 2: to be like afterwards. So I think I was definitely

500
00:25:41,160 --> 00:25:44,080
Speaker 2: terrified about how that birth was going to be and

501
00:25:44,119 --> 00:25:46,919
Speaker 2: I was like, oh my god, I pussure, I'm going

502
00:25:47,000 --> 00:25:48,560
Speaker 2: to be tight. No, does it come back?

503
00:25:48,600 --> 00:25:51,560
Speaker 1: I don't, So you don't never see section you did.

504
00:25:52,880 --> 00:25:55,359
Speaker 2: She was a week late. I was induced, and they

505
00:25:55,400 --> 00:25:58,800
Speaker 2: assumed I was gonna have to have Sasyrian and they

506
00:25:58,800 --> 00:26:01,320
Speaker 2: were like, no, no, here, she has a lot of hair.

507
00:26:01,480 --> 00:26:02,159
Speaker 2: Let's let's go.

508
00:26:03,240 --> 00:26:03,919
Speaker 1: That's a good thing.

509
00:26:04,520 --> 00:26:06,600
Speaker 2: It was like it was really a great delivery, but

510
00:26:06,640 --> 00:26:08,359
Speaker 2: thinking about what my va giant was going to be

511
00:26:08,400 --> 00:26:11,639
Speaker 2: like after that was the how does this change our

512
00:26:11,760 --> 00:26:15,320
Speaker 2: bedroom dynamic? And I feel like I was very self

513
00:26:15,320 --> 00:26:21,480
Speaker 2: conscious until pregnancy and the after effects of it. I

514
00:26:21,560 --> 00:26:23,480
Speaker 2: was horny the entire time.

515
00:26:23,560 --> 00:26:24,320
Speaker 1: When you're pregnant.

516
00:26:24,440 --> 00:26:29,200
Speaker 2: Oh my, I wouldn't say it's too much that anybody.

517
00:26:29,240 --> 00:26:30,840
Speaker 3: If I had somebody when I was pregnant, I probably

518
00:26:30,840 --> 00:26:32,439
Speaker 3: would have been Oh I was it.

519
00:26:32,359 --> 00:26:33,359
Speaker 2: Was that sucks?

520
00:26:33,560 --> 00:26:36,080
Speaker 1: Yeah, pregnant and it had nothing I had sex my

521
00:26:36,119 --> 00:26:41,640
Speaker 1: whole pregnancy. No, guys like I got really hard to lie.

522
00:26:41,720 --> 00:26:44,040
Speaker 2: I do not believe that there was plenty of them.

523
00:26:44,480 --> 00:26:47,600
Speaker 2: You're absolutely willing. Oh my god, it's crazy.

524
00:26:47,480 --> 00:26:51,720
Speaker 1: They're like, I can't get a pregnant. I mean you

525
00:26:51,760 --> 00:26:55,080
Speaker 1: said you were. I had No, I was my third trimester.

526
00:26:55,160 --> 00:26:56,480
Speaker 1: I wanted to do it all the time, Like the

527
00:26:56,720 --> 00:26:58,439
Speaker 1: last couple of days before I went to labor, I

528
00:26:58,480 --> 00:27:01,440
Speaker 1: was fucking like crazy, what about what's pregnancy? How long

529
00:27:01,760 --> 00:27:02,560
Speaker 1: before you.

530
00:27:03,480 --> 00:27:06,439
Speaker 2: To say I can't remember whatever? The doctor said that

531
00:27:06,920 --> 00:27:09,800
Speaker 2: six weeks you were ready to have the fifth week

532
00:27:09,840 --> 00:27:18,040
Speaker 2: and six I think I do. I really do. I

533
00:27:18,080 --> 00:27:20,639
Speaker 2: didn't realize I did, because I did go through a

534
00:27:20,680 --> 00:27:23,680
Speaker 2: period where it was crickets, like I don't want to

535
00:27:23,720 --> 00:27:28,640
Speaker 2: period thing over a year. I was on tour the

536
00:27:28,800 --> 00:27:32,040
Speaker 2: entire time, so it was writing music and experience in life,

537
00:27:32,080 --> 00:27:35,000
Speaker 2: and like I said, the dick, that just wasn't worth

538
00:27:35,119 --> 00:27:38,000
Speaker 2: me risking awful, Like you.

539
00:27:38,040 --> 00:27:40,160
Speaker 1: Gotta think about that, Like do I is this worth

540
00:27:40,160 --> 00:27:41,000
Speaker 1: the natchal my belt?

541
00:27:41,600 --> 00:27:41,639
Speaker 2: No?

542
00:27:42,640 --> 00:27:47,160
Speaker 1: Yeah, but women be like I don't know if it's

543
00:27:47,160 --> 00:27:47,520
Speaker 1: worth me.

544
00:27:48,040 --> 00:27:50,280
Speaker 2: No, you're not about to be a body count. And

545
00:27:50,359 --> 00:27:55,840
Speaker 2: I don't have many of them thankfully, And you really

546
00:27:55,880 --> 00:27:59,040
Speaker 2: have to make really crucial decisions as to who you're

547
00:27:59,040 --> 00:28:02,680
Speaker 2: going to share your space with, right, like it's precious.

548
00:28:03,040 --> 00:28:06,159
Speaker 2: It really is really got to be like if you're

549
00:28:06,200 --> 00:28:08,600
Speaker 2: getting in there or getting on it or doing things

550
00:28:08,640 --> 00:28:13,160
Speaker 2: to it, you have to be something phenomenal, like why

551
00:28:13,760 --> 00:28:16,840
Speaker 2: why when you could do it yourself right? Like the

552
00:28:16,960 --> 00:28:24,359
Speaker 2: shit that I can do to me, you better be

553
00:28:24,400 --> 00:28:27,399
Speaker 2: able to do better. You have to.

554
00:28:28,000 --> 00:28:30,359
Speaker 1: You know, some people take a break from sex purposely

555
00:28:30,840 --> 00:28:33,200
Speaker 1: because they feel like it'll make them more focused during

556
00:28:33,240 --> 00:28:36,199
Speaker 1: that year. Did it make you?

557
00:28:36,200 --> 00:28:39,720
Speaker 2: No, You're all over the place? Wasn't angry? I can

558
00:28:39,760 --> 00:28:42,840
Speaker 2: take my I can well angry. I don't know if

559
00:28:42,880 --> 00:28:44,680
Speaker 2: I was, because I can take it out on the music.

560
00:28:44,760 --> 00:28:47,760
Speaker 2: So it came out in the forms of sixty nine

561
00:28:47,880 --> 00:28:50,280
Speaker 2: or So Good or Wear My Shoes and all of

562
00:28:50,320 --> 00:28:55,280
Speaker 2: these songs that I'd fantasize about. Why so I'm creating

563
00:28:55,360 --> 00:28:58,760
Speaker 2: the vibe that I wanted for, you know, my love

564
00:28:58,800 --> 00:29:02,120
Speaker 2: life to be and just ever had that until you know,

565
00:29:02,200 --> 00:29:04,120
Speaker 2: a couple of years down the line where I'm like, yo,

566
00:29:05,160 --> 00:29:07,600
Speaker 2: i want something special and I'm gonna wait for something.

567
00:29:08,000 --> 00:29:10,400
Speaker 2: I didn't come all this way to have something basic.

568
00:29:10,560 --> 00:29:11,880
Speaker 2: Let me have something that's right.

569
00:29:12,080 --> 00:29:13,640
Speaker 1: So what was it like when you did break the

570
00:29:13,720 --> 00:29:15,240
Speaker 1: seal after over a year?

571
00:29:16,400 --> 00:29:19,440
Speaker 2: It was fucked up. I shouldn't have done that either,

572
00:29:19,800 --> 00:29:23,480
Speaker 2: and I did, and it was the one that wasn't

573
00:29:23,600 --> 00:29:27,960
Speaker 2: big enough. It was really nice, though, nice guy like

574
00:29:28,040 --> 00:29:32,320
Speaker 2: it started with. It was a lot of sexual tension,

575
00:29:32,440 --> 00:29:37,200
Speaker 2: sexual energy. He wanted it, I wanted it. And when

576
00:29:37,240 --> 00:29:40,760
Speaker 2: I decided to do it, it was a rooftop party

577
00:29:40,800 --> 00:29:44,720
Speaker 2: in LA and we were with about five or six

578
00:29:44,760 --> 00:29:49,240
Speaker 2: other friends. Went back to his room overlooking the poor party.

579
00:29:49,360 --> 00:29:51,280
Speaker 2: My friends went to the other room, and I kind

580
00:29:51,280 --> 00:29:53,200
Speaker 2: of just shut the door and just staved in maid's

581
00:29:53,240 --> 00:29:57,520
Speaker 2: head and all the other hotel rooms. If you were looking,

582
00:29:57,640 --> 00:29:59,760
Speaker 2: you'd see that. And I really didn't give a fuck,

583
00:30:00,120 --> 00:30:02,640
Speaker 2: kind of blew his head off just for the moment.

584
00:30:03,720 --> 00:30:07,960
Speaker 2: But I wanted that for him, but for me, and

585
00:30:08,000 --> 00:30:09,960
Speaker 2: I also wanted to test what I was working with,

586
00:30:10,400 --> 00:30:15,120
Speaker 2: so you and then because yeah, because I went from

587
00:30:15,320 --> 00:30:22,600
Speaker 2: a substantially larger dick relationship prior to it, where I

588
00:30:22,680 --> 00:30:25,000
Speaker 2: had to do a lot of work to make that

589
00:30:25,080 --> 00:30:28,720
Speaker 2: dick feel what it needed to feel like for fu sake?

590
00:30:28,840 --> 00:30:31,800
Speaker 2: How much how much more fuck do we need to

591
00:30:31,840 --> 00:30:35,960
Speaker 2: do until you are. I can't. I'm exhausted that Dick

592
00:30:36,160 --> 00:30:39,800
Speaker 2: wore me out. So then to get this basic one

593
00:30:40,800 --> 00:30:45,720
Speaker 2: where I'm like, it's okay, basic ecadomy, but I can

594
00:30:45,800 --> 00:30:48,840
Speaker 2: conquer it, you know what I mean? Maybe that's what

595
00:30:48,880 --> 00:30:51,600
Speaker 2: it was. I just felt like I really conquered it.

596
00:30:52,600 --> 00:30:57,280
Speaker 2: He's but by the way, way easier for oral. You

597
00:30:58,440 --> 00:31:02,840
Speaker 2: know how easy that it was? Like twenty four seconds

598
00:31:03,480 --> 00:31:06,640
Speaker 2: I wanted to in my head. I had all these

599
00:31:06,680 --> 00:31:08,680
Speaker 2: things I wanted to do. I didn't even get to do.

600
00:31:09,000 --> 00:31:10,400
Speaker 1: I need to get good already.

601
00:31:11,280 --> 00:31:12,920
Speaker 2: Friends are not at the door, and what you guys

602
00:31:12,960 --> 00:31:17,880
Speaker 2: are doing to go back to You just gave me head,

603
00:31:17,920 --> 00:31:18,880
Speaker 2: and I was like, she.

604
00:31:18,960 --> 00:31:21,160
Speaker 1: Knew that it wasn't It was like an easy deep throat.

605
00:31:21,520 --> 00:31:24,480
Speaker 1: It wasn't worth It wasn't worth going any further, just

606
00:31:24,520 --> 00:31:24,800
Speaker 1: the head.

607
00:31:24,960 --> 00:31:26,760
Speaker 3: It's good that you did that first, and you could know,

608
00:31:26,880 --> 00:31:27,280
Speaker 3: you know.

609
00:31:27,640 --> 00:31:29,040
Speaker 1: Like at least he didn't hurt his feelings.

610
00:31:29,600 --> 00:31:34,440
Speaker 2: Well maybe she did, right, I don't know, Well, would

611
00:31:34,440 --> 00:31:36,960
Speaker 2: you really admit that this was about you? And you

612
00:31:37,000 --> 00:31:40,320
Speaker 2: know what, it's no hard feelings and they know who

613
00:31:40,360 --> 00:31:45,040
Speaker 2: they are, right, And I really truly appreciated our time.

614
00:31:45,000 --> 00:31:48,760
Speaker 1: Literally know how feelings it's I looked at you, it

615
00:31:48,800 --> 00:31:53,840
Speaker 1: was great, It's great, she's being someone to interrupt her.

616
00:31:53,840 --> 00:31:57,000
Speaker 2: But I gotta say this, it set me up for

617
00:31:57,240 --> 00:32:00,600
Speaker 2: the love that I where you observed, and I feel

618
00:32:00,600 --> 00:32:02,760
Speaker 2: like that was the stepping stone.

619
00:32:02,960 --> 00:32:05,400
Speaker 1: You know how amazing it is when you really lack

620
00:32:05,480 --> 00:32:08,240
Speaker 1: a guy and his dick is great, Like that is

621
00:32:08,320 --> 00:32:09,840
Speaker 1: like a unicorn.

622
00:32:10,800 --> 00:32:12,280
Speaker 2: It's not supposed to happen.

623
00:32:12,880 --> 00:32:16,320
Speaker 1: Like that's the best feeling because you're like, this is

624
00:32:16,360 --> 00:32:19,840
Speaker 1: going too good. And then when you get there and

625
00:32:19,880 --> 00:32:23,240
Speaker 1: you're like, oh my god, like you can't go anywhere

626
00:32:23,360 --> 00:32:24,480
Speaker 1: because this is too.

627
00:32:24,440 --> 00:32:28,560
Speaker 2: Good, it's terrifying a little bit. And I feel like, yeah,

628
00:32:28,560 --> 00:32:31,200
Speaker 2: I'm kind of in that space, and that's what the

629
00:32:32,040 --> 00:32:34,640
Speaker 2: supposed to do. I mean, we can't do because we

630
00:32:34,720 --> 00:32:38,400
Speaker 2: find so many other things to do. Yeah, it's a

631
00:32:38,440 --> 00:32:39,920
Speaker 2: great place in place.

632
00:32:39,960 --> 00:32:43,880
Speaker 1: And with one night stand, you also talk about like

633
00:32:44,040 --> 00:32:48,120
Speaker 1: waking up doing it again. See, in my mind at

634
00:32:48,160 --> 00:32:50,520
Speaker 1: one night stand is like you didn't get out, you

635
00:32:50,560 --> 00:32:54,600
Speaker 1: know what I'm saying. But this feels like more than

636
00:32:55,440 --> 00:32:58,080
Speaker 1: just a one night stand when you're like laid up

637
00:32:58,160 --> 00:32:59,520
Speaker 1: waking up doing it again.

638
00:33:02,280 --> 00:33:05,040
Speaker 2: Well, initially with the song it was I get this

639
00:33:05,120 --> 00:33:08,120
Speaker 2: feeling as I'm looking at the ceiling and it's it's

640
00:33:08,160 --> 00:33:12,600
Speaker 2: early in the morning and still we're heavy breathing. I

641
00:33:12,640 --> 00:33:15,160
Speaker 2: thought we'd only go a couple of rounds, a couple

642
00:33:15,280 --> 00:33:18,080
Speaker 2: naps in between. Now we're back at it for a

643
00:33:18,120 --> 00:33:22,200
Speaker 2: couple of hours. I called you an uber and it

644
00:33:22,280 --> 00:33:25,160
Speaker 2: came and went, and I'm probably going to get fined

645
00:33:25,200 --> 00:33:27,800
Speaker 2: for that. It's cool, but it was worth it, Yeah,

646
00:33:27,920 --> 00:33:31,120
Speaker 2: because you too fine for that. You find as ship.

647
00:33:32,440 --> 00:33:35,920
Speaker 2: And then it was it must be this amazing dick

648
00:33:36,040 --> 00:33:39,000
Speaker 2: that allowed me to stay there. So I wanted the

649
00:33:39,040 --> 00:33:41,480
Speaker 2: one night stand. But what makes you stay? What makes

650
00:33:41,520 --> 00:33:44,240
Speaker 2: you have breakfast? What's the awkward slip out of the

651
00:33:44,280 --> 00:33:47,600
Speaker 2: bed boomerang whm in the movie Boomerang? And it's like,

652
00:33:47,880 --> 00:33:51,640
Speaker 2: I'm out with them toes exactly, Like what makes you

653
00:33:51,720 --> 00:33:56,040
Speaker 2: not do that? Is it that good? So it's not

654
00:33:56,080 --> 00:34:00,240
Speaker 2: necessarily restricted to that one night. But I saw what

655
00:34:00,320 --> 00:34:04,040
Speaker 2: this whole album did. I think casta blancole and being

656
00:34:04,080 --> 00:34:08,040
Speaker 2: around so much male energy and seeing how they respond

657
00:34:08,200 --> 00:34:14,040
Speaker 2: to melody and suggestion. It was like seducing each and

658
00:34:14,320 --> 00:34:18,719
Speaker 2: every single person in the room and catering to those feelings.

659
00:34:18,880 --> 00:34:21,520
Speaker 2: And that that's why all of that album is just

660
00:34:22,760 --> 00:34:23,360
Speaker 2: sex to me.

661
00:34:24,040 --> 00:34:26,760
Speaker 1: Yes, I can't wait to this song sound like a movie.

662
00:34:26,880 --> 00:34:31,239
Speaker 1: I already know who I want the production of it.

663
00:34:31,239 --> 00:34:33,600
Speaker 1: It sounds like a movie high end.

664
00:34:33,680 --> 00:34:36,279
Speaker 2: It's it's orchestrazed, like.

665
00:34:36,200 --> 00:34:37,680
Speaker 1: Oh is this the same song? When we were listening

666
00:34:37,760 --> 00:34:41,160
Speaker 1: to it over, I was like yeah. So at the end,

667
00:34:41,239 --> 00:34:43,040
Speaker 1: I was like, I can't wait to see this before

668
00:34:43,200 --> 00:34:45,719
Speaker 1: live because it's going to give me that extra like

669
00:34:46,719 --> 00:34:49,800
Speaker 1: you should do some singles events like now imagine this right.

670
00:34:49,800 --> 00:34:55,160
Speaker 2: Okay, seriously, I feel like we do a gift bag

671
00:34:55,320 --> 00:34:59,760
Speaker 2: giveaway full of the three thousands and you know, a little.

672
00:34:59,600 --> 00:35:01,680
Speaker 1: Bullet because I honestly, I had a meeting with tender

673
00:35:01,719 --> 00:35:04,000
Speaker 1: the other day, okay, And you know, a lot of

674
00:35:04,040 --> 00:35:06,120
Speaker 1: people hook up that way, but they have all different

675
00:35:06,239 --> 00:35:09,040
Speaker 1: levels of like you know, dating when it comes to

676
00:35:09,600 --> 00:35:11,200
Speaker 1: because a lot of people, I feel like, are using

677
00:35:11,239 --> 00:35:13,680
Speaker 1: these asks. Some people are finding there forever, but a

678
00:35:13,719 --> 00:35:16,640
Speaker 1: lot of people are fighting there right now consensually hook

679
00:35:16,719 --> 00:35:20,120
Speaker 1: up like coessentually. I feel like that's okay, and I

680
00:35:20,160 --> 00:35:23,279
Speaker 1: feel like that could be something great, Like imagine an

681
00:35:23,280 --> 00:35:26,840
Speaker 1: event where everybody knows we're coming here to look for

682
00:35:27,239 --> 00:35:30,560
Speaker 1: you know, but that's what my shows.

683
00:35:30,600 --> 00:35:32,959
Speaker 2: Yeah, you don't come to a Marshall and Bergis show

684
00:35:33,160 --> 00:35:35,080
Speaker 2: like single and expect to leave that way.

685
00:35:35,239 --> 00:35:37,040
Speaker 1: I tell you, guys, that's where you need to be

686
00:35:37,400 --> 00:35:41,640
Speaker 1: concerts because the women will be there, Yes, they will concerts,

687
00:35:41,160 --> 00:35:42,959
Speaker 1: and you're smart.

688
00:35:42,960 --> 00:35:45,720
Speaker 2: And you would do that. So yeah, how many.

689
00:35:45,560 --> 00:35:46,960
Speaker 1: People have told you they hooked up at one of

690
00:35:47,000 --> 00:35:47,680
Speaker 1: your concerts?

691
00:35:47,680 --> 00:35:52,520
Speaker 2: Oh? Several. I've got marriages, babies, the whole bunch of proposals.

692
00:35:52,760 --> 00:35:55,160
Speaker 2: Just had one in New York December.

693
00:35:55,640 --> 00:35:57,840
Speaker 1: That's a great feeling to know that you can impact,

694
00:35:58,840 --> 00:35:59,760
Speaker 1: You're part of their life.

695
00:36:00,280 --> 00:36:04,279
Speaker 2: Babies may Yeah, like the pro creating between you know,

696
00:36:04,600 --> 00:36:08,680
Speaker 2: Philly two thousands to now, dang this twenty four year olds,

697
00:36:12,880 --> 00:36:15,719
Speaker 2: they for sure grown, graduated, live in their lives now.

698
00:36:15,840 --> 00:36:19,800
Speaker 2: So that's a beautiful feeling. And I do that with intention.

699
00:36:19,920 --> 00:36:22,480
Speaker 2: I feel like I've always come from a place of

700
00:36:22,520 --> 00:36:28,279
Speaker 2: creating music that allows you to escape and do the

701
00:36:28,320 --> 00:36:30,839
Speaker 2: things that you always thought you could do, even when

702
00:36:30,880 --> 00:36:33,080
Speaker 2: you didn't want to do it, like let me dream bigger,

703
00:36:33,239 --> 00:36:35,160
Speaker 2: Like who says yo, mom, I'm going to go to

704
00:36:35,200 --> 00:36:38,399
Speaker 2: Atlanta and just figure this out, and I'm never coming

705
00:36:38,440 --> 00:36:43,400
Speaker 2: home because It's worked out for me now, just for

706
00:36:43,480 --> 00:36:46,560
Speaker 2: that one decision, you know, and music has brought me

707
00:36:46,640 --> 00:36:50,560
Speaker 2: that way, so I kind of moved that way in life.

708
00:36:50,320 --> 00:36:52,520
Speaker 1: For Kasa Blanc. How much of the album is done.

709
00:36:52,719 --> 00:36:56,120
Speaker 2: All of it is done, okay, absolutely. I think the

710
00:36:56,280 --> 00:37:01,840
Speaker 2: easiest part was to record it because in the midst

711
00:37:01,880 --> 00:37:07,239
Speaker 2: of Dre Doctor Dre had that aneurysm the top of

712
00:37:07,320 --> 00:37:13,200
Speaker 2: January of two thousand and twenty one, so I'd gone

713
00:37:13,239 --> 00:37:17,040
Speaker 2: through my own situation near death experience the end of

714
00:37:17,080 --> 00:37:21,239
Speaker 2: twenty nineteen, so it was like we connected over that

715
00:37:21,320 --> 00:37:24,520
Speaker 2: pandemic year when it was like, okay, if the world

716
00:37:24,560 --> 00:37:27,560
Speaker 2: was going to end, what would we actually do? So

717
00:37:27,719 --> 00:37:29,719
Speaker 2: at that time I was ready to quit music. I

718
00:37:29,719 --> 00:37:31,399
Speaker 2: didn't even want to do it anymore. I'm like Dre,

719
00:37:32,200 --> 00:37:34,520
Speaker 2: I like the team that you have, I love creating here.

720
00:37:34,560 --> 00:37:37,120
Speaker 2: I'd love to produce and write more music, you know,

721
00:37:37,400 --> 00:37:40,879
Speaker 2: just chill and he was like, nah, you go one

722
00:37:40,920 --> 00:37:44,280
Speaker 2: more in you like, I want to see you happy

723
00:37:44,320 --> 00:37:46,759
Speaker 2: and want to make sure that musically you're doing what

724
00:37:47,080 --> 00:37:49,400
Speaker 2: you're supposed to do for the world. And we started

725
00:37:49,480 --> 00:37:53,359
Speaker 2: recording what is now Casablanco and if we'd haven't known

726
00:37:53,400 --> 00:37:55,640
Speaker 2: what it was during that time. I'm pretty sure more

727
00:37:55,640 --> 00:37:59,239
Speaker 2: of it would have been documented, but we were laser focused.

728
00:37:59,280 --> 00:38:02,560
Speaker 2: I mean, he let me do whatever in that studio.

729
00:38:02,719 --> 00:38:04,239
Speaker 2: It was like, oh, we need the horn section, I'm

730
00:38:04,239 --> 00:38:06,760
Speaker 2: calling it right now. Horn section is, we need strings,

731
00:38:06,800 --> 00:38:10,719
Speaker 2: let's get it. Oh we need guitar, drummer by everything.

732
00:38:10,920 --> 00:38:17,759
Speaker 2: And we played good with music literally in one room.

733
00:38:17,880 --> 00:38:22,120
Speaker 2: So myself, them joints focused bluetooth, like just going back

734
00:38:22,200 --> 00:38:25,680
Speaker 2: and forth with ideas like where that light is is

735
00:38:25,719 --> 00:38:28,520
Speaker 2: where my microphone would be, Dre would be sitting right there,

736
00:38:28,520 --> 00:38:31,320
Speaker 2: and we're creating in the same room. So, like I said,

737
00:38:31,440 --> 00:38:36,640
Speaker 2: all male t stuster lotistical, maniac energy and I'm.

738
00:38:36,480 --> 00:38:41,080
Speaker 1: Like, yours as fuck? Do you know how many of

739
00:38:41,080 --> 00:38:43,600
Speaker 1: those guys.

740
00:38:43,600 --> 00:38:46,200
Speaker 2: Like every every time it was like yo, I'm slide out,

741
00:38:46,280 --> 00:38:51,480
Speaker 2: but you are. And I felt empowered by that.

742
00:38:51,640 --> 00:38:52,160
Speaker 1: I love that.

743
00:38:52,280 --> 00:38:56,160
Speaker 2: Because I being the only female there was a female

744
00:38:56,200 --> 00:39:00,440
Speaker 2: engineer shouts to Lola. It was really just then and

745
00:39:00,480 --> 00:39:04,440
Speaker 2: it's how can we conquer these rooms and turn the

746
00:39:04,560 --> 00:39:07,920
Speaker 2: energy around in our favor eagent every time? And that's

747
00:39:07,960 --> 00:39:10,839
Speaker 2: what I'm saying, Like with sex, you do that same thing.

748
00:39:11,040 --> 00:39:13,239
Speaker 2: How do you turn the energy in your favor like

749
00:39:13,440 --> 00:39:17,319
Speaker 2: you have to be empowered by what you have and

750
00:39:17,480 --> 00:39:20,719
Speaker 2: understand the value in that. I understood my value in

751
00:39:20,760 --> 00:39:22,719
Speaker 2: that room. Yes, that stuck to Dre and I know

752
00:39:22,760 --> 00:39:25,560
Speaker 2: what he does. He doesn't do what I do and

753
00:39:25,600 --> 00:39:29,440
Speaker 2: bitch on me, and I felt like he encouraged that.

754
00:39:29,560 --> 00:39:33,160
Speaker 2: And literally, Duwayne Wade, Ali you did to me like

755
00:39:33,200 --> 00:39:37,240
Speaker 2: I was lebron every time, seamlessly. So on the record,

756
00:39:37,280 --> 00:39:40,359
Speaker 2: it's produced by Dre, produced by Marshall, produced by Dre,

757
00:39:40,560 --> 00:39:43,000
Speaker 2: produced by Marshall, written by Marshall, marsh marsh Marsh and

758
00:39:43,000 --> 00:39:46,960
Speaker 2: Marsha several other people, And it's all of these samples

759
00:39:47,440 --> 00:39:55,120
Speaker 2: and intricate moments from culturally our culture, culturally significant hip

760
00:39:55,160 --> 00:39:59,319
Speaker 2: hop or jazz or pub or rug just to make

761
00:39:59,320 --> 00:40:02,000
Speaker 2: you go remember that and just hear all of these

762
00:40:02,040 --> 00:40:04,920
Speaker 2: things that make you feel good in one space. So

763
00:40:05,000 --> 00:40:07,680
Speaker 2: that one album for me was all of the trauma,

764
00:40:08,560 --> 00:40:12,359
Speaker 2: all of the survival, all of the I almost quit

765
00:40:12,400 --> 00:40:12,840
Speaker 2: this ship.

766
00:40:13,880 --> 00:40:15,160
Speaker 1: What do you think you would have done if you

767
00:40:15,280 --> 00:40:17,080
Speaker 1: quit just been behind the scenes.

768
00:40:16,840 --> 00:40:21,600
Speaker 2: Or absolutely probably still writing, but just for me and

769
00:40:21,640 --> 00:40:26,719
Speaker 2: for fun and not for obligation, like yeah, let me

770
00:40:26,719 --> 00:40:28,840
Speaker 2: pop up do a gig every now and again, but

771
00:40:28,920 --> 00:40:36,279
Speaker 2: I'm so content on being NILA's mother. Last I don't know.

772
00:40:36,600 --> 00:40:38,360
Speaker 2: I couldn't say it's.

773
00:40:38,280 --> 00:40:40,600
Speaker 1: Nice to have the luxury to know I can do

774
00:40:40,640 --> 00:40:42,239
Speaker 1: it if I want to, but I don't. I don't have.

775
00:40:42,960 --> 00:40:46,960
Speaker 2: Yes, I have to is a pressure like, yeah, that's

776
00:40:47,040 --> 00:40:51,879
Speaker 2: early two thousands, right, you really had to? But no,

777
00:40:52,000 --> 00:40:55,680
Speaker 2: I think I will continue to create. I'm creative in

778
00:40:55,760 --> 00:40:58,759
Speaker 2: other ways, So I'd find something to do, and I

779
00:40:58,800 --> 00:41:04,920
Speaker 2: would write a book of intimate uh stories?

780
00:41:05,440 --> 00:41:07,560
Speaker 1: Who you was this sexy? Wait? I'm sorry to interrupt you.

781
00:41:08,040 --> 00:41:10,040
Speaker 1: Who knew that you had this much? I mean, we

782
00:41:10,080 --> 00:41:12,360
Speaker 1: know from your music and you know it's always been sensual.

783
00:41:12,440 --> 00:41:14,319
Speaker 1: But just sitting here talking and hearing you say like

784
00:41:14,640 --> 00:41:18,520
Speaker 1: like who like did you play that? You just said

785
00:41:18,560 --> 00:41:22,080
Speaker 1: all of this sexual butterflies? I love that. It's amazing.

786
00:41:22,160 --> 00:41:24,800
Speaker 2: Well, now you've probably listen to my music differently.

787
00:41:24,880 --> 00:41:25,440
Speaker 1: I will.

788
00:41:26,040 --> 00:41:29,680
Speaker 2: I will always been on it, been on it. Yeah.

789
00:41:29,920 --> 00:41:34,600
Speaker 2: So yeah, the intimate stories are accompanied with a soundtrack

790
00:41:34,840 --> 00:41:37,759
Speaker 2: to go with that, which I'd love for people to

791
00:41:37,840 --> 00:41:40,200
Speaker 2: have the audio book and just listen to the music

792
00:41:40,239 --> 00:41:41,040
Speaker 2: while they're reading.

793
00:41:41,160 --> 00:41:42,640
Speaker 1: We know we like that.

794
00:41:43,600 --> 00:41:47,359
Speaker 2: I wouldn't say light porn, but there are some vampires

795
00:41:47,400 --> 00:41:50,239
Speaker 2: in it as.

796
00:41:49,160 --> 00:41:56,880
Speaker 1: You as you are. You know. We talked about culturally

797
00:41:56,960 --> 00:41:59,000
Speaker 1: how in the UK we always view it as like

798
00:41:59,080 --> 00:42:02,319
Speaker 1: more sexual, more free, more open than here in the

799
00:42:02,440 --> 00:42:06,000
Speaker 1: United States. Do you think that that's true? Because I remember,

800
00:42:06,480 --> 00:42:08,440
Speaker 1: you know, my first job in the music business was

801
00:42:08,440 --> 00:42:12,080
Speaker 1: working for Wu Tang, right, So I remember going to like,

802
00:42:12,920 --> 00:42:15,880
Speaker 1: you know, different places and going overseas and going to

803
00:42:16,000 --> 00:42:21,719
Speaker 1: Europe and like seeing porn on television, you know, and

804
00:42:21,760 --> 00:42:24,640
Speaker 1: we didn't see that in the United States. It wasn't

805
00:42:24,719 --> 00:42:27,640
Speaker 1: like that. And then also feeling like when we went

806
00:42:27,680 --> 00:42:30,160
Speaker 1: there with the guys, like the women were a lot

807
00:42:30,200 --> 00:42:35,360
Speaker 1: more free sexually. Then I feel like I did feel

808
00:42:35,400 --> 00:42:36,840
Speaker 1: like that, But I don't know how true that is.

809
00:42:36,880 --> 00:42:40,480
Speaker 1: What is your take from having experienced both cultures?

810
00:42:41,120 --> 00:42:44,160
Speaker 2: It's different. I did have the I don't know if

811
00:42:44,160 --> 00:42:46,640
Speaker 2: we all had it. You know, we age around age

812
00:42:46,680 --> 00:42:49,719
Speaker 2: fourteen fifteen. You had the friend in school that was

813
00:42:49,760 --> 00:42:52,640
Speaker 2: already pregnant by her nineteen twenty year old boyfriend, and

814
00:42:52,640 --> 00:42:56,680
Speaker 2: we thought that that was normal, not normal at all.

815
00:42:57,120 --> 00:43:00,920
Speaker 2: In mindsight, it was ridiculous, but we did. I don't know,

816
00:43:01,040 --> 00:43:04,160
Speaker 2: from me at that point in my teenage years, I

817
00:43:04,200 --> 00:43:07,480
Speaker 2: wasn't even equating it to her having sex, thought, oh,

818
00:43:07,600 --> 00:43:12,480
Speaker 2: she's having a baby. I was too busy playing basketball

819
00:43:12,560 --> 00:43:14,360
Speaker 2: and trying to play the piano and all of the

820
00:43:14,400 --> 00:43:17,920
Speaker 2: other things. So as far as sexual liberation, yeah, there

821
00:43:17,920 --> 00:43:21,920
Speaker 2: were after hours channels that used to show tits, and

822
00:43:22,080 --> 00:43:25,359
Speaker 2: you know, as teenagers were just like ah, like, it

823
00:43:25,400 --> 00:43:29,640
Speaker 2: wasn't sexy or sex to us, just shit for me personally.

824
00:43:29,760 --> 00:43:32,719
Speaker 2: So I do get the side where maybe it was

825
00:43:32,760 --> 00:43:35,920
Speaker 2: a bit more liberating over there, but I didn't start

826
00:43:35,960 --> 00:43:40,560
Speaker 2: my sexual sex copaid until I got into the stage

827
00:43:40,600 --> 00:43:46,160
Speaker 2: in like twenty I was very inexperienced, barely barely had

828
00:43:46,160 --> 00:43:51,279
Speaker 2: a buddy, and it turned out basically, do you.

829
00:43:51,200 --> 00:43:53,640
Speaker 1: Feel like you were sheltered as in a way like

830
00:43:53,680 --> 00:43:54,640
Speaker 1: being in the middow?

831
00:43:54,440 --> 00:43:57,520
Speaker 2: No, it was purple rain and apple.

832
00:44:00,320 --> 00:44:02,680
Speaker 1: See my brother Freeze Apolonia getting out of the waters

833
00:44:02,680 --> 00:44:08,279
Speaker 1: of Lake minnetaka tape. I used to be like, yo,

834
00:44:08,360 --> 00:44:10,360
Speaker 1: can we finish watching a movie?

835
00:44:10,640 --> 00:44:13,400
Speaker 2: Okay, So this is where you're like, am I like

836
00:44:13,840 --> 00:44:21,319
Speaker 2: one percent gay? Not sure? Because Apollonia amazing butterflies? Yeah,

837
00:44:21,520 --> 00:44:25,120
Speaker 2: And it's like, was I fantasizing of being like her?

838
00:44:25,320 --> 00:44:28,520
Speaker 2: Or did I with her? Then figured this out? And

839
00:44:28,560 --> 00:44:31,839
Speaker 2: then how dare I Prince was what four f eight?

840
00:44:31,960 --> 00:44:34,600
Speaker 2: It still wanted to fuck him. It's not even a joke,

841
00:44:34,800 --> 00:44:39,919
Speaker 2: like how are you this sexy with eyeliner and oppressed.

842
00:44:39,320 --> 00:44:42,440
Speaker 1: And curl and a little hill just get away with that,

843
00:44:42,560 --> 00:44:45,640
Speaker 1: like women love some damn Prince. You know, Prince is

844
00:44:45,680 --> 00:44:48,960
Speaker 1: my favorite artist of all time, and the fact that

845
00:44:49,000 --> 00:44:52,799
Speaker 1: you could look at him and guys got but it's

846
00:44:52,840 --> 00:44:55,520
Speaker 1: also like he's got so much sex sex.

847
00:44:58,000 --> 00:45:01,120
Speaker 2: It's ridiculous. So I can didn't work out if it

848
00:45:01,160 --> 00:45:06,920
Speaker 2: was Apollonia or Prince recently went to Beyonce Renaissance. Did

849
00:45:07,280 --> 00:45:11,080
Speaker 2: did you go Renaissance the tour? You didn't go? That's

850
00:45:11,120 --> 00:45:15,960
Speaker 2: all Listen. She came out on stage in this tuxedo fit.

851
00:45:17,680 --> 00:45:20,759
Speaker 2: There go the butter. I couldn't figure it out. I

852
00:45:20,800 --> 00:45:23,239
Speaker 2: was like, I couldn't work out was I thinking about

853
00:45:23,239 --> 00:45:27,840
Speaker 2: what jay Z does to her? Or what I.

854
00:45:27,560 --> 00:45:32,960
Speaker 1: Man everything that I need and I don't even know

855
00:45:33,840 --> 00:45:37,640
Speaker 1: you I share You was like I know.

856
00:45:37,800 --> 00:45:41,000
Speaker 2: Well, yeah, I felt like I was obligated to do that,

857
00:45:41,280 --> 00:45:45,400
Speaker 2: but I did and that was me. My husband was

858
00:45:45,440 --> 00:45:49,680
Speaker 2: like the fuck do you know what?

859
00:45:50,360 --> 00:45:50,560
Speaker 1: Yeah?

860
00:45:50,960 --> 00:45:54,560
Speaker 2: I didn't do enough. I didn't you know.

861
00:45:54,520 --> 00:45:57,200
Speaker 1: What it was? It was too much press At the

862
00:45:57,280 --> 00:45:58,200
Speaker 1: time I was.

863
00:45:58,760 --> 00:46:01,480
Speaker 2: Going on it was like the microphone and he had

864
00:46:01,560 --> 00:46:04,640
Speaker 2: like the Bobby Brown head, So I was like, come in.

865
00:46:05,040 --> 00:46:08,040
Speaker 2: Then it would have been on tonk. It's not that

866
00:46:08,080 --> 00:46:09,880
Speaker 2: I think I might have done. When I was drunk

867
00:46:10,040 --> 00:46:14,239
Speaker 2: in the club in LA at one point everyone's party kissed. Uh,

868
00:46:14,719 --> 00:46:16,879
Speaker 2: you haven't party kissed us. I don't think he wasn't

869
00:46:16,880 --> 00:46:21,520
Speaker 2: outside now probably I probably. I know we was part

870
00:46:21,840 --> 00:46:22,960
Speaker 2: in l a club.

871
00:46:23,000 --> 00:46:25,319
Speaker 1: At one point you couldn't eve get into elevator with him.

872
00:46:25,320 --> 00:46:28,000
Speaker 1: Remember we were in DC and he was saying that.

873
00:46:28,440 --> 00:46:30,200
Speaker 1: He was saying that the same we were Philly. We

874
00:46:30,200 --> 00:46:32,240
Speaker 1: were Philly. We were all staying at the same hotel

875
00:46:32,280 --> 00:46:34,759
Speaker 1: for the Roos picnic and the door is open. They

876
00:46:34,760 --> 00:46:38,759
Speaker 1: were like, you can't get on. It's because it wasn't hilarious.

877
00:46:39,600 --> 00:46:43,719
Speaker 2: That's happening lately with the artists, Like it's, well, it

878
00:46:43,800 --> 00:46:45,160
Speaker 2: might be the pandemic and I.

879
00:46:45,080 --> 00:46:47,640
Speaker 1: Don't know of like people would be doing too much

880
00:46:47,640 --> 00:46:51,239
Speaker 1: with phone. Yeah, like I don't think who anybody was

881
00:46:51,400 --> 00:46:54,680
Speaker 1: so yeah, So sometimes that it ain't really the artist

882
00:46:54,719 --> 00:46:55,920
Speaker 1: because like sometimes I'm sure.

883
00:46:55,800 --> 00:46:58,839
Speaker 2: We're exactly so everyone's trying to shelter you from what

884
00:46:58,880 --> 00:47:02,080
Speaker 2: they think is you know, harmful, like all of these

885
00:47:02,080 --> 00:47:04,680
Speaker 2: clips of like artists getting hit in the head with bottles.

886
00:47:04,680 --> 00:47:11,600
Speaker 2: It throws idea you please, because don't don't do that, Philadelphia.

887
00:47:11,760 --> 00:47:15,600
Speaker 2: It's on my side and we've got Sniper. I didn't

888
00:47:15,800 --> 00:47:18,440
Speaker 2: like it's terrible, Like, yeah, I don't know. The internet

889
00:47:18,480 --> 00:47:20,400
Speaker 2: is internet in and people are just doing it for

890
00:47:20,440 --> 00:47:23,280
Speaker 2: clicks and shits and giggles and it's not cute. It's crazy.

891
00:47:23,320 --> 00:47:27,000
Speaker 1: But yeah, listen the greatest. Let's talk about that son too,

892
00:47:27,080 --> 00:47:28,839
Speaker 1: because that was something that you put out a few

893
00:47:28,840 --> 00:47:29,359
Speaker 1: months ago.

894
00:47:29,640 --> 00:47:33,720
Speaker 2: Yes, so that was for the Heisman Trophy campaign for ESPN,

895
00:47:34,080 --> 00:47:37,520
Speaker 2: and I don't know, it just gave me James Bond

896
00:47:37,719 --> 00:47:40,760
Speaker 2: triumphant fields. So it was like something from Casa Blanco

897
00:47:40,920 --> 00:47:45,520
Speaker 2: that sounds in that vein. They chose that record for

898
00:47:45,560 --> 00:47:49,880
Speaker 2: that particular purpose, and I'm just doing it. It's the greatest,

899
00:47:50,320 --> 00:47:53,640
Speaker 2: Like I love performing that song. It's just I need it,

900
00:47:53,840 --> 00:47:55,960
Speaker 2: just elbows like that. I don't even want to call

901
00:47:56,000 --> 00:47:58,120
Speaker 2: him the new James Bond. I just want to action

902
00:47:58,600 --> 00:48:00,759
Speaker 2: hear what that has, what it would be doing that

903
00:48:00,800 --> 00:48:01,799
Speaker 2: as a theme song.

904
00:48:01,960 --> 00:48:05,120
Speaker 1: They don't understand how that would impact people going to

905
00:48:05,200 --> 00:48:06,160
Speaker 1: the movies to see that.

906
00:48:06,480 --> 00:48:09,120
Speaker 2: Right, did you say he just did one? Like we

907
00:48:09,160 --> 00:48:10,880
Speaker 2: was on the airplane. I'm trying to remember. I just

908
00:48:10,960 --> 00:48:13,839
Speaker 2: watched it on the series. Yeah, and I was like,

909
00:48:14,640 --> 00:48:18,719
Speaker 2: give me that. I was like, give me that. I

910
00:48:18,800 --> 00:48:22,520
Speaker 2: want to lose James, like James Bond already exists. Give

911
00:48:22,600 --> 00:48:27,799
Speaker 2: me action, give me let him give me interest the greatest.

912
00:48:28,000 --> 00:48:30,759
Speaker 2: The theme is just oh, it's waiting for your bast it.

913
00:48:31,040 --> 00:48:33,279
Speaker 1: When it comes to you making music, like for this

914
00:48:33,320 --> 00:48:36,120
Speaker 1: new album Casa Blanco, how many songs do you make?

915
00:48:36,120 --> 00:48:40,560
Speaker 1: Because I feel like everything is so intricate and so

916
00:48:41,719 --> 00:48:43,960
Speaker 1: like with you, so well done, But do you do

917
00:48:44,080 --> 00:48:46,759
Speaker 1: like fifty songs and then we pick what makes it?

918
00:48:46,920 --> 00:48:49,359
Speaker 1: Or is it like every song I do? We do

919
00:48:49,400 --> 00:48:50,319
Speaker 1: it specifically?

920
00:48:50,360 --> 00:48:55,520
Speaker 2: For this Casa Blanco was a unique experience, like we

921
00:48:55,560 --> 00:48:59,839
Speaker 2: went back to back with eleven to twelve songs that

922
00:49:00,239 --> 00:49:03,080
Speaker 2: made the cut and then we just stopped when we knew.

923
00:49:03,160 --> 00:49:03,680
Speaker 1: We had it.

924
00:49:04,040 --> 00:49:05,880
Speaker 2: That's it right there. We could keep going and it

925
00:49:05,880 --> 00:49:08,640
Speaker 2: will be something else, but but that shit right there,

926
00:49:09,800 --> 00:49:13,759
Speaker 2: that's it. So I think outside of different albums that

927
00:49:13,800 --> 00:49:17,400
Speaker 2: I've done, I've continued recording until I felt like a

928
00:49:17,800 --> 00:49:20,400
Speaker 2: sequence was right, like, oh, these five songs sound like

929
00:49:20,440 --> 00:49:23,120
Speaker 2: they go together, and let's make a side and a

930
00:49:23,200 --> 00:49:26,479
Speaker 2: B side. So sometimes they have structure. With this one,

931
00:49:27,360 --> 00:49:30,440
Speaker 2: it was like a knocking back to back. Everyone was

932
00:49:30,480 --> 00:49:36,080
Speaker 2: on this crazy wave simultaneously. It was like creative genius

933
00:49:36,880 --> 00:49:40,600
Speaker 2: checking in all at the same time. And yeah, twelve songs,

934
00:49:40,640 --> 00:49:43,520
Speaker 2: thirteen songs, and they all kind of made it. And

935
00:49:43,560 --> 00:49:46,839
Speaker 2: with Casta Blanco, each song is like three songs in

936
00:49:46,920 --> 00:49:49,120
Speaker 2: one song. If you listen to the album, you're never

937
00:49:49,280 --> 00:49:51,560
Speaker 2: gonna like you said, it's just the same, like you're

938
00:49:51,600 --> 00:49:53,800
Speaker 2: never gonna know where you're at. It's just to play

939
00:49:53,840 --> 00:49:56,960
Speaker 2: it like it is a movie from beginning to end.

940
00:49:57,239 --> 00:50:00,760
Speaker 2: And just working with the genius that you know, doctor

941
00:50:00,800 --> 00:50:03,200
Speaker 2: dre Is and the team, it was just the ICU.

942
00:50:03,280 --> 00:50:06,880
Speaker 2: It was I could really do what the fuck I

943
00:50:07,000 --> 00:50:07,719
Speaker 2: wanted at.

944
00:50:07,719 --> 00:50:10,319
Speaker 1: The next level. I imagine what type of conversations were

945
00:50:10,320 --> 00:50:12,000
Speaker 1: happening in the studio with all the guys.

946
00:50:12,080 --> 00:50:15,040
Speaker 2: It was ridiculous. We are not mature.

947
00:50:15,320 --> 00:50:16,719
Speaker 1: It was so bad.

948
00:50:16,800 --> 00:50:21,080
Speaker 2: I think one point, I remember what had happened. But

949
00:50:21,200 --> 00:50:24,640
Speaker 2: dre actually bought me one of those speedbags, like a

950
00:50:24,760 --> 00:50:27,719
Speaker 2: box and stuff, so he brought me a speedbag for

951
00:50:27,800 --> 00:50:30,680
Speaker 2: the booth just in case I knocked someone else. Take

952
00:50:30,719 --> 00:50:34,239
Speaker 2: all your aggression out on that speedbag and don't fuck

953
00:50:34,280 --> 00:50:35,399
Speaker 2: anyone up in there.

954
00:50:35,800 --> 00:50:39,880
Speaker 1: So I was like, yeah, people haven't gone back and

955
00:50:39,920 --> 00:50:40,840
Speaker 1: forth for something.

956
00:50:41,040 --> 00:50:44,960
Speaker 2: A little bit creative tension, but it will always be

957
00:50:44,960 --> 00:50:50,040
Speaker 2: because my pen works faster than sometimes what they're doing

958
00:50:50,080 --> 00:50:52,640
Speaker 2: on the board. So you have a drum loop up,

959
00:50:52,680 --> 00:50:54,960
Speaker 2: the chords are playing, I've written the song already, I'm

960
00:50:55,000 --> 00:50:57,239
Speaker 2: ready to cut, but you want to joke and kick

961
00:50:57,280 --> 00:51:01,080
Speaker 2: here it up and no, get the play the listen.

962
00:51:01,520 --> 00:51:03,680
Speaker 2: Let me get the fuck out now, everyone get out

963
00:51:03,800 --> 00:51:06,279
Speaker 2: and let me steal what I'm doing. So I think

964
00:51:06,320 --> 00:51:09,759
Speaker 2: that happened with One Night's Stand. Yeah, it was like, oh,

965
00:51:09,800 --> 00:51:11,520
Speaker 2: we have to beat I'm like, well, can I write

966
00:51:11,560 --> 00:51:14,799
Speaker 2: the fucking song? Just like everyone's oh, Dre's going back

967
00:51:14,880 --> 00:51:17,200
Speaker 2: upstairs and he's like, oh, I'm out, you know, see

968
00:51:17,239 --> 00:51:20,920
Speaker 2: you guys tomorrow, And then oh, it's playtime. I'm not playing.

969
00:51:21,120 --> 00:51:23,920
Speaker 2: I'm ready to work, Like this is fun for you,

970
00:51:24,040 --> 00:51:27,680
Speaker 2: but this is I feel like we're really onto something

971
00:51:27,760 --> 00:51:29,800
Speaker 2: with this, Like it's a bit bigger than the album.

972
00:51:29,840 --> 00:51:32,960
Speaker 2: I was like, where's the album? Where's the albums? That

973
00:51:33,080 --> 00:51:37,000
Speaker 2: sounds so basic in comparison to like what this actually is?

974
00:51:37,280 --> 00:51:39,080
Speaker 1: What would you call this? What would you consider this?

975
00:51:39,600 --> 00:51:45,719
Speaker 2: It's a Casablanco has always felt like a place like

976
00:51:45,800 --> 00:51:47,759
Speaker 2: it takes you to a place like I want to

977
00:51:47,880 --> 00:51:50,120
Speaker 2: go there. I want to be with the people that

978
00:51:50,239 --> 00:51:55,560
Speaker 2: go there and understand what that is, and it just it.

979
00:51:58,239 --> 00:51:58,439
Speaker 1: Is.

980
00:51:58,680 --> 00:52:04,120
Speaker 2: I feel like it's a massive experience, like something I've

981
00:52:04,160 --> 00:52:05,200
Speaker 2: never done this before.

982
00:52:05,320 --> 00:52:07,200
Speaker 1: We need to hear this and I cannot wait here.

983
00:52:07,560 --> 00:52:09,480
Speaker 1: What are you and your husband like? Okay, if you

984
00:52:09,480 --> 00:52:13,320
Speaker 1: were gonna pick a song to get in bed and

985
00:52:13,320 --> 00:52:15,880
Speaker 1: and make love to, what song would that be?

986
00:52:17,840 --> 00:52:21,800
Speaker 2: Be? Random? Like we fucked from everything from Baby Shark

987
00:52:21,960 --> 00:52:26,800
Speaker 2: to come on now you have a kid and you

988
00:52:26,840 --> 00:52:31,000
Speaker 2: will find out she.

989
00:52:30,960 --> 00:52:35,439
Speaker 1: Does love Baby Shark? But on your album? What would

990
00:52:35,480 --> 00:52:37,759
Speaker 1: you say, oh on my album? Do you ever have

991
00:52:37,840 --> 00:52:39,919
Speaker 1: sex to your own music? I have?

992
00:52:40,200 --> 00:52:49,960
Speaker 2: Okay, very very I don't know. It's weird because I'm

993
00:52:50,040 --> 00:52:54,879
Speaker 2: halfway laughing because I'm like, this is crazy. If it's

994
00:52:54,920 --> 00:52:58,440
Speaker 2: a song that I intentionally wrote about someone and I'm

995
00:52:58,480 --> 00:53:03,360
Speaker 2: fucking someone else right a threesome now and that's like

996
00:53:04,640 --> 00:53:07,560
Speaker 2: too many things? And then I don't know, but fras

997
00:53:07,640 --> 00:53:10,120
Speaker 2: it like it's too much, like wait, wait, back it up.

998
00:53:10,160 --> 00:53:11,279
Speaker 2: I need to figure this out.

999
00:53:12,400 --> 00:53:13,879
Speaker 1: Have you ever cast somebody the wrong game?

1000
00:53:15,160 --> 00:53:18,920
Speaker 2: No, but something crazy happened to me where I was

1001
00:53:19,600 --> 00:53:24,840
Speaker 2: about to fuck someone and we were passionately kissing or whatever,

1002
00:53:25,000 --> 00:53:27,400
Speaker 2: and he like grips me up and I'm on tub

1003
00:53:27,520 --> 00:53:31,799
Speaker 2: and I looked at them and they weren't who they

1004
00:53:31,880 --> 00:53:36,680
Speaker 2: were anymore. It wasn't him. It was someone else, and

1005
00:53:36,719 --> 00:53:39,960
Speaker 2: it fucked me up, like he looked like someone else.

1006
00:53:40,000 --> 00:53:42,759
Speaker 2: I used to like it. I don't know. It was

1007
00:53:42,840 --> 00:53:46,200
Speaker 2: a fucking nightmare and I didn't fuck that person.

1008
00:53:47,080 --> 00:53:48,680
Speaker 1: He was like, what the fuck? Can't do this?

1009
00:53:48,800 --> 00:53:50,400
Speaker 2: And I couldn't. It was like a movie.

1010
00:53:50,440 --> 00:53:51,480
Speaker 1: You couldn't even like it.

1011
00:53:51,800 --> 00:53:55,439
Speaker 2: No, I was like, what in the powerful brain? Shit?

1012
00:53:55,560 --> 00:53:55,879
Speaker 2: Is this?

1013
00:53:56,120 --> 00:53:59,640
Speaker 1: Like? Anybody saved you from something that?

1014
00:54:00,080 --> 00:54:03,120
Speaker 2: Because I couldn't even tell you who that was. I

1015
00:54:03,200 --> 00:54:03,719
Speaker 2: just knew, not.

1016
00:54:05,719 --> 00:54:06,640
Speaker 1: That you saw.

1017
00:54:08,960 --> 00:54:11,120
Speaker 2: Who did. I just mention it just elbow, say you

1018
00:54:11,200 --> 00:54:12,840
Speaker 2: go into funk it just elb you know what it

1019
00:54:13,000 --> 00:54:16,040
Speaker 2: just elbow looks like he grips you up. You on

1020
00:54:16,280 --> 00:54:19,759
Speaker 2: talk and it's not him. It doesn't matter who that was.

1021
00:54:20,320 --> 00:54:23,200
Speaker 1: This not the person could be just ain't it. It

1022
00:54:23,360 --> 00:54:27,920
Speaker 1: was feeling like there would be certain signs that that

1023
00:54:28,160 --> 00:54:32,600
Speaker 1: will save you. I was saved from I remember one

1024
00:54:32,600 --> 00:54:35,120
Speaker 1: time my ex boyfriend he caught me and he put

1025
00:54:35,120 --> 00:54:38,080
Speaker 1: me on whold his the other line ring, and he

1026
00:54:38,120 --> 00:54:41,919
Speaker 1: accidentally clicked me in. He managed the call yes, but

1027
00:54:42,200 --> 00:54:44,360
Speaker 1: I was talking and he couldn't hear me. For some reason.

1028
00:54:44,880 --> 00:54:46,600
Speaker 1: It was like God was like, you need to hear this,

1029
00:54:47,520 --> 00:54:49,560
Speaker 1: and I was like, hello, hello, I'm still on the

1030
00:54:49,560 --> 00:54:52,080
Speaker 1: phone because you know, nothing had happened yet. His boy

1031
00:54:52,160 --> 00:54:53,880
Speaker 1: was calling and he was on the other line and

1032
00:54:53,920 --> 00:54:56,160
Speaker 1: he was like, yeah, I just he had just told

1033
00:54:56,160 --> 00:54:59,160
Speaker 1: me he was gonna stay in, you know whatever. And

1034
00:54:59,280 --> 00:55:02,399
Speaker 1: it turns out he was like lying, yeah, it had

1035
00:55:02,440 --> 00:55:04,319
Speaker 1: some chick coming over to this guy's house. And I

1036
00:55:04,360 --> 00:55:06,800
Speaker 1: heard everything and I was at first I was like hello, hello,

1037
00:55:06,840 --> 00:55:08,719
Speaker 1: and he couldn't hear me, so I hung up calling back,

1038
00:55:08,719 --> 00:55:11,600
Speaker 1: I said, I heard your whole conversation, you know. But

1039
00:55:11,680 --> 00:55:15,719
Speaker 1: it was sometimes things happened. Somebody's looking out for you.

1040
00:55:15,800 --> 00:55:17,440
Speaker 1: I don't know who it is, but that was like,

1041
00:55:18,120 --> 00:55:20,600
Speaker 1: why would that happen? Why would he not log out

1042
00:55:20,640 --> 00:55:25,719
Speaker 1: of his email on my laptop? We remember that story,

1043
00:55:26,840 --> 00:55:29,279
Speaker 1: look at God loot God won't he do it? Guy said,

1044
00:55:29,320 --> 00:55:34,160
Speaker 1: look at this email. Did have you ever cheated like

1045
00:55:34,200 --> 00:55:35,800
Speaker 1: in your past and relationships?

1046
00:55:35,920 --> 00:55:39,399
Speaker 2: No, I'm not a sure or I'm as done. I'm good,

1047
00:55:40,360 --> 00:55:43,880
Speaker 2: I'll go we'm cheating for I hate the lie. The

1048
00:55:44,000 --> 00:55:46,279
Speaker 2: idea of the lie is just dumb to me. Like

1049
00:55:46,400 --> 00:55:49,439
Speaker 2: what we cheating for? So I can get excited about

1050
00:55:49,560 --> 00:55:50,240
Speaker 2: doing something?

1051
00:55:50,440 --> 00:55:52,880
Speaker 1: How many serious before you got married? How many serious

1052
00:55:52,960 --> 00:55:56,760
Speaker 1: relationships would you say you've been in too? Okay, okay,

1053
00:55:57,560 --> 00:55:59,399
Speaker 1: yeah that's a small number.

1054
00:55:59,520 --> 00:56:05,279
Speaker 2: Yeah serious. I'm a leah, I'm not really serious most

1055
00:56:05,360 --> 00:56:07,759
Speaker 2: of the time. And I go in like that. I'm like,

1056
00:56:07,840 --> 00:56:11,360
Speaker 2: I'm selfish as fuck. I want things my way until

1057
00:56:12,040 --> 00:56:15,560
Speaker 2: I meet someone that shows me otherwise, and then it's.

1058
00:56:16,280 --> 00:56:18,320
Speaker 1: Okay, are you giving ourselfish?

1059
00:56:18,360 --> 00:56:23,799
Speaker 2: In the bedroom, it's it's both ways. It's give and take.

1060
00:56:24,719 --> 00:56:28,640
Speaker 2: Once it's right, it doesn't even matter, it's just good.

1061
00:56:31,440 --> 00:56:32,280
Speaker 1: Do you squirt?

1062
00:56:33,440 --> 00:56:39,920
Speaker 2: Yeah, it's terrible because the whole and then it's messy

1063
00:56:40,239 --> 00:56:42,440
Speaker 2: and then you vagina fart and as you're trying to

1064
00:56:42,960 --> 00:56:45,000
Speaker 2: go to the bathroom to like get the rest of

1065
00:56:45,080 --> 00:56:49,000
Speaker 2: it out, like how you get it wasn't what you

1066
00:56:49,120 --> 00:56:52,000
Speaker 2: thought it was. And then you're in the bathroom you're

1067
00:56:52,040 --> 00:56:55,680
Speaker 2: still why are you sitting there? And you're trying to

1068
00:56:55,800 --> 00:57:02,400
Speaker 2: talk literally butterflying after my after my. Yeah, it's just ridiculous.

1069
00:57:03,520 --> 00:57:07,680
Speaker 1: But guys love that. Some there a guy that doesn't like.

1070
00:57:07,960 --> 00:57:09,040
Speaker 1: I don't know what guys like.

1071
00:57:09,120 --> 00:57:12,279
Speaker 2: I don't know what. Sometimes no one's saying that I

1072
00:57:12,520 --> 00:57:16,800
Speaker 2: want it, but it's an involuntary response from something that

1073
00:57:16,920 --> 00:57:21,120
Speaker 2: they did. I can't intentionally you do it. It's done.

1074
00:57:22,000 --> 00:57:25,560
Speaker 2: If you hit that spot, I can't control that ship.

1075
00:57:29,400 --> 00:57:31,360
Speaker 1: It's your fault. You did it.

1076
00:57:32,120 --> 00:57:34,840
Speaker 2: My congrats, right. Yeah.

1077
00:57:35,000 --> 00:57:36,560
Speaker 1: I feel like for you guys as the goal, like

1078
00:57:36,640 --> 00:57:39,720
Speaker 1: if they can make you squirt, they feel like like

1079
00:57:39,800 --> 00:57:41,400
Speaker 1: the first time it happened for you, did you know

1080
00:57:41,520 --> 00:57:42,080
Speaker 1: what was going on?

1081
00:57:42,360 --> 00:57:47,520
Speaker 2: No? No, not at all. It was a strange out

1082
00:57:47,560 --> 00:57:52,800
Speaker 2: of body experience, but not more intense than the shaky leg. Okay,

1083
00:57:53,240 --> 00:57:54,320
Speaker 2: you have the shaky leg.

1084
00:57:54,640 --> 00:57:57,160
Speaker 1: Yeah, that's see. I like that. I like to orgasm

1085
00:57:57,240 --> 00:57:59,640
Speaker 1: with I've never squared it in my life, Okay, but

1086
00:57:59,760 --> 00:58:01,080
Speaker 1: I will have an orgasm.

1087
00:58:01,640 --> 00:58:05,920
Speaker 2: Yeah, and like you know of shaky leg and yeah, no,

1088
00:58:06,160 --> 00:58:10,000
Speaker 2: the shaky leg is different because you can't stop that

1089
00:58:11,240 --> 00:58:15,320
Speaker 2: that's ridiculous. And it's not because you've been hauled up

1090
00:58:15,400 --> 00:58:18,440
Speaker 2: in you know, a certain position that you haven't stretched

1091
00:58:18,560 --> 00:58:21,280
Speaker 2: enough that day, and it's like a workout, like if

1092
00:58:21,320 --> 00:58:24,760
Speaker 2: you're not flexible and your thigh is like out and

1093
00:58:24,840 --> 00:58:27,680
Speaker 2: you're not stuck after the orgasm because of that. It's

1094
00:58:27,800 --> 00:58:32,080
Speaker 2: because I don't know, there's just this pressure. I don't know,

1095
00:58:32,240 --> 00:58:33,960
Speaker 2: you know, when your knees are like all the way

1096
00:58:34,080 --> 00:58:41,120
Speaker 2: up and it's like long, dick, no, but it's long, big,

1097
00:58:41,240 --> 00:58:44,920
Speaker 2: big pressure. But it's all on your clip. So it's

1098
00:58:45,040 --> 00:58:48,080
Speaker 2: literally doing this and it's when it pushes to a

1099
00:58:48,240 --> 00:58:52,360
Speaker 2: point where it's the bracelet for me, and then you

1100
00:58:52,520 --> 00:58:57,560
Speaker 2: go and then you just it's the explosion that your

1101
00:58:57,600 --> 00:58:58,160
Speaker 2: body does.

1102
00:58:59,200 --> 00:58:59,880
Speaker 1: That's why.

1103
00:59:01,520 --> 00:59:06,400
Speaker 2: It's unmatched. That for me is unmatched because it's a

1104
00:59:06,480 --> 00:59:10,680
Speaker 2: power that it's taken away from you. That's why you

1105
00:59:10,760 --> 00:59:14,040
Speaker 2: can't share yourself with everyone. You're powerless in that moment.

1106
00:59:14,200 --> 00:59:16,480
Speaker 2: Imagine someone trying to do what they wanted to do

1107
00:59:16,600 --> 00:59:20,880
Speaker 2: to you when you're just subdued like that. I was like, oh,

1108
00:59:20,960 --> 00:59:25,520
Speaker 2: you've got me how And you're like, if you're a giver,

1109
00:59:25,960 --> 00:59:30,480
Speaker 2: also you put them out of commission also, But there.

1110
00:59:30,560 --> 00:59:31,680
Speaker 2: You try something, I'm gonna.

1111
00:59:31,480 --> 00:59:33,280
Speaker 1: Get you back, which is a great It's nothing greater

1112
00:59:33,360 --> 00:59:35,360
Speaker 1: than when you put it on him and he goes asleep.

1113
00:59:36,320 --> 00:59:38,880
Speaker 1: I think that's where he passes out and he can't

1114
00:59:38,960 --> 00:59:39,280
Speaker 1: help it.

1115
00:59:39,720 --> 00:59:42,480
Speaker 2: It's fucked up because sometimes I'll get that good dick

1116
00:59:42,640 --> 00:59:44,600
Speaker 2: and I'll still want to go and make a sandwich

1117
00:59:44,680 --> 00:59:46,840
Speaker 2: or something. I have this like bursting energy.

1118
00:59:48,200 --> 00:59:51,880
Speaker 4: Right, and I'm like sometimes sometimes sometimes sometimes I'm not

1119
00:59:52,080 --> 00:59:56,720
Speaker 4: that mouth open snoring, can't even wake up, but that

1120
00:59:56,920 --> 00:59:58,480
Speaker 4: one where I've got all the energy.

1121
00:59:58,520 --> 01:00:03,360
Speaker 2: I'll watch to Netflix make it like he's like, what

1122
01:00:03,520 --> 01:00:06,040
Speaker 2: is wrong with can be knocked out?

1123
01:00:06,480 --> 01:00:09,320
Speaker 1: I'm making a sandwich and Jess, oh, I didn't even

1124
01:00:09,400 --> 01:00:11,200
Speaker 1: let you tell you one night stand stuf. I can

1125
01:00:11,280 --> 01:00:11,560
Speaker 1: save it.

1126
01:00:12,960 --> 01:00:15,600
Speaker 3: This is one night stand is the okay, So so

1127
01:00:15,800 --> 01:00:18,080
Speaker 3: I think this is considered one nice stand. I was

1128
01:00:18,160 --> 01:00:23,480
Speaker 3: in Vegas for one of the fights Vegas, and I

1129
01:00:23,600 --> 01:00:27,680
Speaker 3: think I met this guy at a pool party and

1130
01:00:29,920 --> 01:00:32,880
Speaker 3: I think we partied pool party, went somewhere else.

1131
01:00:33,720 --> 01:00:35,720
Speaker 1: It's my first time hearing this because I just I

1132
01:00:35,840 --> 01:00:36,440
Speaker 1: forgot about it.

1133
01:00:37,000 --> 01:00:41,600
Speaker 3: Yeah, so we went somewhere else and then we ate,

1134
01:00:41,720 --> 01:00:43,080
Speaker 3: we went to eat. It was like you know how

1135
01:00:43,320 --> 01:00:48,440
Speaker 3: Vegas just doesn't. We went to we went to eat,

1136
01:00:48,480 --> 01:00:51,800
Speaker 3: and then I went to his room. We had sex,

1137
01:00:51,840 --> 01:00:56,000
Speaker 3: and I remember the kind of got stuck. Yes, so

1138
01:00:56,080 --> 01:00:59,560
Speaker 3: I had to go on the toilet and like push

1139
01:00:59,640 --> 01:01:03,320
Speaker 3: it out, giving birth to a kind. And then then

1140
01:01:03,560 --> 01:01:05,640
Speaker 3: we did exchange numbers. But I saw him the next day,

1141
01:01:05,800 --> 01:01:07,200
Speaker 3: but that it had that. I saw him next day

1142
01:01:07,320 --> 01:01:09,440
Speaker 3: like out, you know whatever whatever, and I was like hey,

1143
01:01:09,520 --> 01:01:14,000
Speaker 3: He's like, hey, yeah, I wasn't really times after you know,

1144
01:01:14,000 --> 01:01:14,440
Speaker 3: it's kind of.

1145
01:01:14,440 --> 01:01:16,880
Speaker 2: Like, you know, so did you go in it with

1146
01:01:17,000 --> 01:01:17,720
Speaker 2: the intention to.

1147
01:01:19,320 --> 01:01:19,840
Speaker 3: Room? Of course?

1148
01:01:21,360 --> 01:01:23,160
Speaker 1: Was it good? The only thing that happen is he

1149
01:01:23,160 --> 01:01:25,720
Speaker 1: could tell himself out of it wasn't memorable, which is

1150
01:01:25,800 --> 01:01:26,360
Speaker 1: like you forgotten.

1151
01:01:27,320 --> 01:01:29,400
Speaker 3: Probably the only thing that the thing that's memorable is

1152
01:01:29,400 --> 01:01:30,280
Speaker 3: the kind of getting stuff.

1153
01:01:30,400 --> 01:01:32,280
Speaker 1: Okay, Yeah, so that's the story.

1154
01:01:32,320 --> 01:01:33,880
Speaker 3: Yeah, that's that's what I remember.

1155
01:01:34,240 --> 01:01:36,640
Speaker 2: My as went for one night signed in Vegas, and

1156
01:01:37,720 --> 01:01:40,919
Speaker 2: what happened in Vegas there? I am vagina, y stay

1157
01:01:40,960 --> 01:01:41,480
Speaker 2: to my vagina.

1158
01:01:41,560 --> 01:01:43,120
Speaker 1: Here, I am pushing a condo out on the.

1159
01:01:44,840 --> 01:01:47,280
Speaker 3: Like I don't you know, like I don't even I wouldn't.

1160
01:01:47,280 --> 01:01:49,000
Speaker 3: I wouldn't know him if he walked up.

1161
01:01:48,920 --> 01:01:53,120
Speaker 1: With that was definitely a one nice thing. Yeah, that's okay, okay,

1162
01:01:54,360 --> 01:01:59,040
Speaker 1: before yeah, I forgot. I forgot until you got about

1163
01:01:59,080 --> 01:02:01,400
Speaker 1: Vegas and he was like, yeah that you know everybody.

1164
01:02:01,640 --> 01:02:03,480
Speaker 1: Can you remember everybody you've ever had sex with?

1165
01:02:06,800 --> 01:02:08,720
Speaker 3: I thought I did until I forgot that.

1166
01:02:08,880 --> 01:02:12,400
Speaker 1: Yeah, yeah, but you do remember. I remember remember everybody,

1167
01:02:13,720 --> 01:02:15,360
Speaker 1: single one. I think I do.

1168
01:02:15,600 --> 01:02:18,000
Speaker 3: I think I do, And I may not remember a name.

1169
01:02:18,000 --> 01:02:19,120
Speaker 3: I'm gonna keep it a buck.

1170
01:02:19,040 --> 01:02:20,160
Speaker 1: But I remember the situation.

1171
01:02:20,280 --> 01:02:23,640
Speaker 2: Situation, yeah, yeah, all the names. Places.

1172
01:02:23,760 --> 01:02:25,960
Speaker 1: Do you know every detail? You want to know everybody?

1173
01:02:26,120 --> 01:02:28,720
Speaker 1: Every detail? No, but you know everybody you had sex with? Everybody?

1174
01:02:28,800 --> 01:02:33,520
Speaker 2: Yeah, but detail now yeah, no details, details, No, I can't.

1175
01:02:33,600 --> 01:02:35,080
Speaker 2: I can't remember details.

1176
01:02:35,680 --> 01:02:38,080
Speaker 1: Details. It's really good. I remember if it was right,

1177
01:02:38,120 --> 01:02:39,080
Speaker 1: the significant ones.

1178
01:02:39,120 --> 01:02:41,800
Speaker 2: Of course we write us, so I tell you, yeah,

1179
01:02:45,040 --> 01:02:46,200
Speaker 2: all things, good.

1180
01:02:47,160 --> 01:02:51,120
Speaker 1: Things that just all right, worth don't serve you like

1181
01:02:51,600 --> 01:02:51,960
Speaker 1: I want to.

1182
01:02:52,080 --> 01:02:55,640
Speaker 2: Speaking of forgetting, we came into this with you saying

1183
01:02:55,680 --> 01:02:57,200
Speaker 2: that you weren't going to drink, and then you were

1184
01:02:57,320 --> 01:02:59,760
Speaker 2: drinking with everyone because you were going.

1185
01:02:59,600 --> 01:03:03,920
Speaker 1: Through Yeah I had a bad day off when I'm

1186
01:03:04,040 --> 01:03:06,520
Speaker 1: actually going through a problem with my kid. I don't

1187
01:03:06,560 --> 01:03:09,800
Speaker 1: have a mommy problem. I'm mad at her.

1188
01:03:10,120 --> 01:03:10,480
Speaker 4: What you.

1189
01:03:13,120 --> 01:03:16,200
Speaker 1: She's twenty seven? Ok yeah, she's will be for her.

1190
01:03:16,360 --> 01:03:18,600
Speaker 1: She's such a good girl. She's an adult.

1191
01:03:18,640 --> 01:03:22,080
Speaker 3: First of all, she's still the baby.

1192
01:03:22,480 --> 01:03:23,520
Speaker 2: Any of these things.

1193
01:03:23,840 --> 01:03:28,000
Speaker 1: Yeah, like it's not and we never seven seven this

1194
01:03:28,200 --> 01:03:33,360
Speaker 1: year already, I'm know we never have any problems.

1195
01:03:33,400 --> 01:03:35,680
Speaker 2: And I'm so mad at her, right she don't.

1196
01:03:36,520 --> 01:03:41,040
Speaker 1: Okay, I'm sorry that hers because never Yeah, okay, you

1197
01:03:41,080 --> 01:03:43,720
Speaker 1: said what she telling me? Don't don't rush anything.

1198
01:03:45,040 --> 01:03:47,640
Speaker 2: Yeah, it's like you want them to start talking and

1199
01:03:47,840 --> 01:03:52,240
Speaker 2: being in dependent. You say that, until that happens. I

1200
01:03:52,440 --> 01:03:55,080
Speaker 2: missed your baby. You have to do that all over again,

1201
01:03:55,280 --> 01:03:57,960
Speaker 2: like missing your baby and then get to know your kids.

1202
01:03:58,200 --> 01:03:59,960
Speaker 1: Okay, did your daughter know your face?

1203
01:04:00,040 --> 01:04:05,040
Speaker 2: Miss a little bit? Like she'll know my songs, she'll

1204
01:04:05,200 --> 01:04:10,200
Speaker 2: see videos and stuff and yeah, kind of. I don't

1205
01:04:10,240 --> 01:04:14,800
Speaker 2: know what that means to her though, It's so unrealistic,

1206
01:04:15,360 --> 01:04:18,360
Speaker 2: like it really doesn't like the reason why well, partially

1207
01:04:18,480 --> 01:04:21,760
Speaker 2: the reason why Casta Blanco happened is because of a

1208
01:04:21,840 --> 01:04:26,240
Speaker 2: pizza party that Dre did for the kids. So NILA's

1209
01:04:26,280 --> 01:04:30,680
Speaker 2: there at Dre's house, eating pizza, bouncing on bouncy castles

1210
01:04:30,760 --> 01:04:35,240
Speaker 2: and eating snow cones, and that's normal for her to

1211
01:04:35,360 --> 01:04:40,600
Speaker 2: be a mansion, like a regular as we're staying, you know,

1212
01:04:40,760 --> 01:04:45,240
Speaker 2: in Beverly Hills, walking rainy markets and valet services and

1213
01:04:45,440 --> 01:04:47,040
Speaker 2: white tablecloth breakfast.

1214
01:04:47,120 --> 01:04:48,200
Speaker 1: It's just a normal life her.

1215
01:04:49,200 --> 01:04:54,080
Speaker 2: I was like, this is unrealistic, Like I don't even

1216
01:04:54,120 --> 01:04:56,680
Speaker 2: live like this. Drey's allowing me to live like this.

1217
01:04:56,840 --> 01:04:59,040
Speaker 2: I lived like that for close to the year twenty

1218
01:04:59,240 --> 01:05:02,600
Speaker 2: twenty one, twenty twenty one, I lived like that from

1219
01:05:02,640 --> 01:05:06,240
Speaker 2: the top of the year. It's or like Halloween. It's ridiculous.

1220
01:05:06,600 --> 01:05:09,520
Speaker 2: I was like, this is She's not going to know

1221
01:05:09,800 --> 01:05:12,640
Speaker 2: any different, right, And I don't know if I want

1222
01:05:12,640 --> 01:05:15,000
Speaker 2: her to. We want our kids to be better than us, right, yeah,

1223
01:05:16,120 --> 01:05:20,160
Speaker 2: the best. Yeah, But she's my baby. She's such a sweetheart,

1224
01:05:20,680 --> 01:05:26,320
Speaker 2: and I'm praying that I am showing her a better life,

1225
01:05:26,520 --> 01:05:29,400
Speaker 2: but that she's grateful for that and doesn't understand that.

1226
01:05:30,080 --> 01:05:33,480
Speaker 2: I mean, she does understand that this isn't how the.

1227
01:05:33,560 --> 01:05:38,640
Speaker 4: Majority of Yeah, like I didn't have a pool, a

1228
01:05:38,840 --> 01:05:41,480
Speaker 4: basketball court and a big old house.

1229
01:05:41,520 --> 01:05:45,200
Speaker 2: It never happened, like, but I did want that for

1230
01:05:45,360 --> 01:05:48,480
Speaker 2: my life. I think when I decided what I wanted,

1231
01:05:48,600 --> 01:05:50,000
Speaker 2: When you say, you know, am I going to make

1232
01:05:50,120 --> 01:05:53,240
Speaker 2: more music after this. It was I've clogged it. This

1233
01:05:53,440 --> 01:05:58,600
Speaker 2: is super Mario Brothers level eight. The process. Yes, done,

1234
01:05:59,160 --> 01:06:00,560
Speaker 2: jumped over the drag in the south.

1235
01:06:01,840 --> 01:06:03,520
Speaker 1: But it feels good to know you don't have to

1236
01:06:03,600 --> 01:06:06,520
Speaker 1: do whatever you don't want to do. Like, honestly, that's

1237
01:06:06,560 --> 01:06:09,120
Speaker 1: an amazing feeling. Do you still love it? Like going

1238
01:06:09,160 --> 01:06:11,720
Speaker 1: on tour performing in front of you, I can't really

1239
01:06:11,840 --> 01:06:12,880
Speaker 1: do And that's the main thing.

1240
01:06:13,120 --> 01:06:14,880
Speaker 2: Last year, towards the end of the year, we did

1241
01:06:14,960 --> 01:06:19,840
Speaker 2: that run and it was you get that. I don't know.

1242
01:06:20,000 --> 01:06:24,840
Speaker 2: It's it's an adrenaline rush that you can't explain to

1243
01:06:24,960 --> 01:06:27,240
Speaker 2: anyone who doesn't do that. I mean even this for

1244
01:06:27,320 --> 01:06:30,720
Speaker 2: you guys having conversations with different energies. What are we

1245
01:06:30,800 --> 01:06:32,680
Speaker 2: going to get from this today? What do I walk

1246
01:06:32,720 --> 01:06:36,240
Speaker 2: away with today? That's me on stage. It's like it

1247
01:06:36,360 --> 01:06:39,120
Speaker 2: might be the same song, the same show, but it's

1248
01:06:39,160 --> 01:06:42,000
Speaker 2: a different place, it's different people, it's different energy. What

1249
01:06:42,160 --> 01:06:44,720
Speaker 2: does far away mean to you? Or what just say

1250
01:06:44,800 --> 01:06:46,880
Speaker 2: yes mean to you? Or just late nights and everyone

1251
01:06:47,000 --> 01:06:49,360
Speaker 2: is mean to you? And you know, moving on into

1252
01:06:49,400 --> 01:06:52,040
Speaker 2: the future, what's one night stand for you?

1253
01:06:52,720 --> 01:06:54,600
Speaker 3: When you say these titles, I can hear the songs.

1254
01:06:54,760 --> 01:06:57,520
Speaker 2: The songs right, yeah, I love it and it takes

1255
01:06:57,560 --> 01:06:59,640
Speaker 2: you to a place. But that's the power of music.

1256
01:07:00,120 --> 01:07:04,200
Speaker 2: And I've been fortunate enough to make a lot of

1257
01:07:04,880 --> 01:07:08,320
Speaker 2: you know, your sexy playlist that you listen to and

1258
01:07:08,440 --> 01:07:10,680
Speaker 2: you want to get it on. So I'm your indirect

1259
01:07:10,840 --> 01:07:11,760
Speaker 2: threesome anyway.

1260
01:07:12,080 --> 01:07:14,920
Speaker 1: You know what you know's like, I know that's right.

1261
01:07:15,160 --> 01:07:15,560
Speaker 2: Period.

1262
01:07:16,240 --> 01:07:17,480
Speaker 1: Have you ever been with a woman.

1263
01:07:19,240 --> 01:07:23,280
Speaker 2: I'm alonelyer in my mind at one time with Beyonce, No,

1264
01:07:23,840 --> 01:07:28,440
Speaker 2: I don't. I think I have. I adore and respect

1265
01:07:28,840 --> 01:07:35,640
Speaker 2: us so much. I know when I'm attracted to someone

1266
01:07:36,440 --> 01:07:40,520
Speaker 2: or I admire something, and there's a huge difference. And

1267
01:07:40,640 --> 01:07:43,800
Speaker 2: I've had many women come on to me and offer

1268
01:07:46,040 --> 01:07:52,840
Speaker 2: the world like the world of pussy like and I

1269
01:07:52,920 --> 01:07:55,120
Speaker 2: knew in that moment, like, oh shit, I just don't

1270
01:07:55,280 --> 01:07:59,120
Speaker 2: like girls. And that's okay too. I couldn't say yes

1271
01:07:59,200 --> 01:08:01,840
Speaker 2: to it because would be unfair, like even to try,

1272
01:08:02,000 --> 01:08:06,080
Speaker 2: Like that's not something you couldn't say. Something I would

1273
01:08:06,200 --> 01:08:09,440
Speaker 2: experiment with because I'm in a phase. It was never

1274
01:08:09,560 --> 01:08:12,240
Speaker 2: a thing, not saying. I always knew I wanted dick,

1275
01:08:12,400 --> 01:08:15,320
Speaker 2: but what by the time I got it, I knew exactly.

1276
01:08:15,440 --> 01:08:19,880
Speaker 2: That's what I wanted to I like it, but it's

1277
01:08:20,000 --> 01:08:22,960
Speaker 2: also to respect what that's been for me. I know

1278
01:08:23,120 --> 01:08:26,760
Speaker 2: the sexual energy that I give off and exude and

1279
01:08:26,880 --> 01:08:31,439
Speaker 2: have allowed other people, whatever the sexual preferences, to live

1280
01:08:31,680 --> 01:08:37,960
Speaker 2: through the music. So could I be with a woman,

1281
01:08:39,360 --> 01:08:41,640
Speaker 2: I don't know, you know, you never know.

1282
01:08:41,960 --> 01:08:44,160
Speaker 3: The part that that throws me off about being with

1283
01:08:44,280 --> 01:08:48,400
Speaker 3: a woman is the vagina. I just I'm not into

1284
01:08:48,520 --> 01:08:50,600
Speaker 3: another vagina, want to.

1285
01:08:50,560 --> 01:08:51,320
Speaker 1: Be the only vagina.

1286
01:08:51,960 --> 01:08:54,280
Speaker 2: I can't even put it together in my head what happens.

1287
01:08:55,160 --> 01:08:59,439
Speaker 1: I can't get with the vagina, but you could also

1288
01:08:59,520 --> 01:09:01,080
Speaker 1: they could get into yours and you don't have to.

1289
01:09:01,760 --> 01:09:01,920
Speaker 2: You know.

1290
01:09:02,000 --> 01:09:05,080
Speaker 3: Also, I like I like dick, you know what I'm saying.

1291
01:09:05,120 --> 01:09:08,800
Speaker 1: Like I like to show us. I like it.

1292
01:09:08,960 --> 01:09:11,080
Speaker 3: I love I love how I love the man, like

1293
01:09:11,280 --> 01:09:14,439
Speaker 3: I love how man feels and looks and stuff like that.

1294
01:09:15,200 --> 01:09:17,280
Speaker 2: But I can respect the beauty of a woman. I

1295
01:09:17,360 --> 01:09:22,360
Speaker 2: can get turned on by a sexy woman and not

1296
01:09:22,520 --> 01:09:23,240
Speaker 2: want to fuck her.

1297
01:09:23,400 --> 01:09:25,439
Speaker 1: Right, you know she has a vagina.

1298
01:09:28,479 --> 01:09:31,360
Speaker 2: It's not about the vagina, it's the energy. Like I

1299
01:09:31,439 --> 01:09:35,320
Speaker 2: said when Beyonce on stage Renaissance, it was I was like,

1300
01:09:35,560 --> 01:09:38,320
Speaker 2: this bitch is giving all the sex that I need

1301
01:09:39,000 --> 01:09:41,360
Speaker 2: right now and had nothing to do with me wanting

1302
01:09:41,400 --> 01:09:46,439
Speaker 2: to fuck her. I felt fuckable right because of her.

1303
01:09:46,800 --> 01:09:48,920
Speaker 2: You know what I'm saying. I'm not saying like men

1304
01:09:49,280 --> 01:09:51,360
Speaker 2: men on the other side, not saying that they do

1305
01:09:51,479 --> 01:09:53,519
Speaker 2: the same thing. But if a good looking dude walks

1306
01:09:53,560 --> 01:09:55,200
Speaker 2: in the room and like yo, but he gets all

1307
01:09:55,240 --> 01:09:58,679
Speaker 2: the bitches saying the same thing, Yeah, it's the same

1308
01:09:58,840 --> 01:10:00,760
Speaker 2: energy does exactly.

1309
01:10:02,880 --> 01:10:04,439
Speaker 1: The only one who does the reason.

1310
01:10:05,720 --> 01:10:06,920
Speaker 2: Yeah, I guess.

1311
01:10:06,960 --> 01:10:12,080
Speaker 1: So you eat pussy though I do. Okay, how does

1312
01:10:12,120 --> 01:10:14,640
Speaker 1: it taste? Hopefully hopefully like what?

1313
01:10:14,760 --> 01:10:17,960
Speaker 2: It's not like a generic because old dick don't taste

1314
01:10:18,120 --> 01:10:21,599
Speaker 2: the same fish after.

1315
01:10:21,960 --> 01:10:25,920
Speaker 3: Okay, so different vaginas taste like have a different.

1316
01:10:25,840 --> 01:10:30,200
Speaker 1: Yeah, but it's just it's usually the same. And I'm

1317
01:10:30,200 --> 01:10:32,879
Speaker 1: gonna say this, I've never had like bad vagina.

1318
01:10:33,320 --> 01:10:37,000
Speaker 2: Okay, I've never a texture thing. Trying to figure out

1319
01:10:37,040 --> 01:10:37,320
Speaker 2: what this.

1320
01:10:37,840 --> 01:10:41,040
Speaker 1: It's I mean, I mean, like the curtains, I don't.

1321
01:10:40,960 --> 01:10:42,000
Speaker 3: Know, Like.

1322
01:10:48,880 --> 01:10:53,040
Speaker 2: Dick is like a dick, right, The vagina is intricate,

1323
01:10:55,000 --> 01:10:58,160
Speaker 2: so it's like it's a commitlippery slide and then you're

1324
01:10:58,200 --> 01:11:00,599
Speaker 2: on the out. You know, it's like layers.

1325
01:11:01,680 --> 01:11:08,320
Speaker 1: It is none with you. It feels like your own

1326
01:11:08,800 --> 01:11:15,360
Speaker 1: so so it just feels with being with a woman

1327
01:11:15,800 --> 01:11:18,560
Speaker 1: is like I play with myself a lot, right, so

1328
01:11:18,760 --> 01:11:21,080
Speaker 1: like it's like three D masturbation. Like why I play

1329
01:11:21,160 --> 01:11:22,920
Speaker 1: with myself when I can play with her and she'll

1330
01:11:22,960 --> 01:11:25,320
Speaker 1: play back. So it's like you know, you're in the mirror.

1331
01:11:26,240 --> 01:11:29,559
Speaker 1: It's like an oculate, especially because I like I like pretty,

1332
01:11:29,840 --> 01:11:31,559
Speaker 1: I like body, I like you know what I'm saying.

1333
01:11:31,600 --> 01:11:34,640
Speaker 1: I like feminine. You would like you, Jaz.

1334
01:11:34,800 --> 01:11:36,840
Speaker 2: So that's what I'm thinking to myself because I love me,

1335
01:11:37,439 --> 01:11:39,519
Speaker 2: I like I do.

1336
01:11:39,640 --> 01:11:43,200
Speaker 1: Like my body. Anybody who is a carbon copy of

1337
01:11:43,320 --> 01:11:44,479
Speaker 1: Marsha please hit her up.

1338
01:11:45,760 --> 01:11:48,240
Speaker 2: She likes her myself. Where are you?

1339
01:11:49,760 --> 01:11:51,559
Speaker 1: Everybody has a twin out here somewhere.

1340
01:11:53,160 --> 01:11:53,920
Speaker 2: I'll give it to you.

1341
01:11:54,920 --> 01:11:56,960
Speaker 1: But listen, we appreciate you so much for coming through.

1342
01:11:57,479 --> 01:12:00,240
Speaker 1: Had a great time. Amazing. I love this whole like

1343
01:12:00,479 --> 01:12:04,240
Speaker 1: I can't wait for listen. Ot wait, it's a vibe already.

1344
01:12:04,360 --> 01:12:05,759
Speaker 1: Definitely are you doing a tourist?

1345
01:12:06,240 --> 01:12:10,000
Speaker 2: I have to have the life experience of it has

1346
01:12:10,120 --> 01:12:13,519
Speaker 2: to happen and it's going to be incredible. I can't

1347
01:12:13,560 --> 01:12:14,040
Speaker 2: wait and.

1348
01:12:14,160 --> 01:12:17,800
Speaker 1: Get my tickets. I have to and all those look

1349
01:12:17,960 --> 01:12:22,720
Speaker 1: like you got to show up, not lou you imagine

1350
01:12:22,800 --> 01:12:25,800
Speaker 1: that Marcia Ambrosia's orgy.

1351
01:12:26,560 --> 01:12:30,120
Speaker 2: Oh, a bunch of marsh a bunch of mar green eyed,

1352
01:12:30,200 --> 01:12:30,880
Speaker 2: big head ma.

1353
01:12:33,400 --> 01:12:37,400
Speaker 1: I like me, I love me well.

1354
01:12:37,760 --> 01:12:40,920
Speaker 2: During a show very recently, I started singing a lot

1355
01:12:40,920 --> 01:12:43,439
Speaker 2: of Jo Tosy songs and I started pretending that I

1356
01:12:43,640 --> 01:12:48,400
Speaker 2: was Casey, and I really started crooning and singing to

1357
01:12:48,520 --> 01:12:50,680
Speaker 2: a lot of ladies in the front wrote and it

1358
01:12:50,840 --> 01:12:54,720
Speaker 2: really got me off badly, to the point where I'm

1359
01:12:54,720 --> 01:12:56,960
Speaker 2: telling the band, don't made me walk away from this

1360
01:12:57,040 --> 01:12:58,160
Speaker 2: gig with more bitches than you.

1361
01:12:58,439 --> 01:13:00,360
Speaker 1: Don't do it about.

1362
01:13:02,280 --> 01:13:04,360
Speaker 2: It was bad, Like I was like, it's been an

1363
01:13:04,439 --> 01:13:07,880
Speaker 2: hour since you've been gone, and oh my god, I

1364
01:13:08,000 --> 01:13:15,040
Speaker 2: really got really like can yeah, Like it was cry

1365
01:13:15,120 --> 01:13:20,400
Speaker 2: for you. It's forever, my lady, Casey singing forever my lady.

1366
01:13:22,760 --> 01:13:27,240
Speaker 2: It's like, listen this lady in Atlanta. She was ready.

1367
01:13:27,360 --> 01:13:29,400
Speaker 2: She was like, are you really doing this right now? Yes,

1368
01:13:29,479 --> 01:13:31,280
Speaker 2: it's you babes going home.

1369
01:13:32,040 --> 01:13:35,320
Speaker 1: Bab She went home and rubbed out something serious.

1370
01:13:35,160 --> 01:13:35,800
Speaker 2: So did I.

1371
01:13:37,000 --> 01:13:41,720
Speaker 1: At thefore, why not do it together? It's okay that

1372
01:13:42,520 --> 01:13:46,320
Speaker 1: cheering it comes back to back. Is that the type

1373
01:13:46,320 --> 01:13:48,760
Speaker 1: of porn you wise too, would you say like lesbian porn.

1374
01:13:49,280 --> 01:13:53,400
Speaker 2: No, I'm really like the ebony section and everyone has

1375
01:13:53,439 --> 01:13:56,000
Speaker 2: to be. It's like if you're not attractive, I can't

1376
01:13:56,280 --> 01:13:59,599
Speaker 2: before I'm not attracted to it, like pawn, so I'm

1377
01:13:59,720 --> 01:14:04,000
Speaker 2: yeah not yeah, don't you that's been Dick's beautiful.

1378
01:14:04,520 --> 01:14:08,720
Speaker 3: Yes, shiny ones they can be.

1379
01:14:09,280 --> 01:14:11,200
Speaker 1: They can be, but then they can be terrible to

1380
01:14:11,560 --> 01:14:15,479
Speaker 1: they could be what they can be, terrible to be

1381
01:14:15,520 --> 01:14:16,080
Speaker 1: shaped weird.

1382
01:14:16,520 --> 01:14:21,599
Speaker 2: Even even the mildly modestly sized one was very pretty.

1383
01:14:22,760 --> 01:14:25,160
Speaker 2: I'll give it that. It was gorgeous looking. It was

1384
01:14:25,320 --> 01:14:26,000
Speaker 2: just modest.

1385
01:14:27,320 --> 01:14:29,840
Speaker 1: That's a very nice that's a very nice way to

1386
01:14:30,040 --> 01:14:30,840
Speaker 1: the humble penis.

1387
01:14:31,880 --> 01:14:34,639
Speaker 2: Yeah, and I feel like everything else he was giving.

1388
01:14:35,320 --> 01:14:37,400
Speaker 2: Of course you'd have a humble penis because you can't

1389
01:14:37,479 --> 01:14:41,360
Speaker 2: have everything. It's like me with Megan. The Stallion asks,

1390
01:14:41,760 --> 01:14:45,120
Speaker 2: unfucking fair? How am I singing your drawers off? And

1391
01:14:45,280 --> 01:14:48,000
Speaker 2: I've got an ask that would be fair. God's like, no,

1392
01:14:49,240 --> 01:14:51,839
Speaker 2: you can't, savage, you absolutely savage.

1393
01:14:52,000 --> 01:14:54,360
Speaker 1: No, that's that God knows who to give a voice to.

1394
01:14:54,400 --> 01:14:57,840
Speaker 1: Because if I I feel like if I had a voice,

1395
01:14:58,160 --> 01:15:00,840
Speaker 1: imagine having a voice. I feel like if I can

1396
01:15:00,920 --> 01:15:03,280
Speaker 1: make that happen. I will get you some singing I would.

1397
01:15:03,400 --> 01:15:07,160
Speaker 2: Take I will teach you. You only need to do

1398
01:15:07,360 --> 01:15:11,400
Speaker 2: like three things to get it together, or almost cheat

1399
01:15:11,439 --> 01:15:14,320
Speaker 2: your way into making people believe that you can actually sing,

1400
01:15:14,360 --> 01:15:19,720
Speaker 2: because I don't sing. I just make noises that some

1401
01:15:19,840 --> 01:15:23,160
Speaker 2: people be say like I know saying is I do

1402
01:15:23,479 --> 01:15:27,560
Speaker 2: stuff intentionally? I do my thing. So you have to

1403
01:15:27,600 --> 01:15:31,240
Speaker 2: really talk again. I'll say anything, say anything.

1404
01:15:32,120 --> 01:15:33,280
Speaker 1: Come I did you keep going?

1405
01:15:33,640 --> 01:15:38,559
Speaker 2: Now? You're scared? You see how you start? You're spo

1406
01:15:39,560 --> 01:15:42,320
Speaker 2: You're like, yeah, right there, So if you just take

1407
01:15:42,400 --> 01:15:46,760
Speaker 2: it down and give a breath, get a breath right there,

1408
01:15:47,760 --> 01:15:50,759
Speaker 2: say let me take your breath away.

1409
01:15:51,240 --> 01:15:52,400
Speaker 1: Let me take your breath away.

1410
01:15:52,880 --> 01:15:55,840
Speaker 2: Now put a melody to it. Let me take your

1411
01:15:55,880 --> 01:16:01,960
Speaker 2: breath away, let me take your birth away. That studio

1412
01:16:02,800 --> 01:16:03,600
Speaker 2: to be to it.

1413
01:16:06,360 --> 01:16:10,720
Speaker 1: The album service coming soon, the album. But honestly, we

1414
01:16:10,840 --> 01:16:13,439
Speaker 1: had such a great time with you today. Can you

1415
01:16:13,560 --> 01:16:15,879
Speaker 1: imagine how lucky you sing in the bedroom.

1416
01:16:17,280 --> 01:16:20,439
Speaker 2: I can't even get to that place like I'm screaming, Wow,

1417
01:16:20,680 --> 01:16:23,600
Speaker 2: I mean you have a two year olds? Well, well no,

1418
01:16:23,960 --> 01:16:27,479
Speaker 2: it might be different. I've learned how to have silent sex,

1419
01:16:28,080 --> 01:16:31,120
Speaker 2: to have a and I didn't realize we were doing

1420
01:16:31,160 --> 01:16:32,920
Speaker 2: it that much. By the time we were in the

1421
01:16:33,040 --> 01:16:34,400
Speaker 2: room or the house alone.

1422
01:16:34,880 --> 01:16:35,439
Speaker 1: You still have.

1423
01:16:38,040 --> 01:16:43,160
Speaker 2: You trying to rep heads in the pillow and loud.

1424
01:16:43,280 --> 01:16:46,759
Speaker 1: Now you gotta be quiet, my god.

1425
01:16:46,640 --> 01:16:49,840
Speaker 2: That can be loud. Tour bus Sex the loudest you

1426
01:16:49,920 --> 01:16:52,240
Speaker 2: can get. That engine is wearing.

1427
01:16:53,080 --> 01:16:55,519
Speaker 1: No one knows what you're doing, so they turn the

1428
01:16:55,560 --> 01:16:57,080
Speaker 1: engine off and you don't know you were to rest up.

1429
01:16:58,680 --> 01:17:00,599
Speaker 2: I'm oh no, you feel them bumps.

1430
01:17:00,640 --> 01:17:00,960
Speaker 1: You do it.

1431
01:17:02,080 --> 01:17:04,040
Speaker 2: The hydraulics in the back of that thing kick in,

1432
01:17:04,200 --> 01:17:07,760
Speaker 2: so when you stop, you stop. Okay, all right, well

1433
01:17:07,800 --> 01:17:10,360
Speaker 2: we love it well, doing the album later, I'll produce

1434
01:17:10,400 --> 01:17:14,679
Speaker 2: your whole album. Wait, I can't wait, presented my lip

1435
01:17:14,800 --> 01:17:17,800
Speaker 2: Service produced by Marsh and Rosies the album.

1436
01:17:18,120 --> 01:17:19,960
Speaker 1: Of course, you guys can hear one nice? And when

1437
01:17:20,040 --> 01:17:22,920
Speaker 1: is the full album? Coming soon soon? All right? That's

1438
01:17:22,960 --> 01:17:23,519
Speaker 1: all we need to know.

1439
01:17:23,880 --> 01:17:25,720
Speaker 2: We need to know is that it's the way, and

1440
01:17:25,840 --> 01:17:29,160
Speaker 2: we enjoy, enjoy your one night stands and we can

1441
01:17:29,240 --> 01:17:31,800
Speaker 2: talk about it together. Give me all the stories, all

1442
01:17:31,840 --> 01:17:33,479
Speaker 2: the things, and I will be here for it and

1443
01:17:33,600 --> 01:17:38,880
Speaker 2: we are coming soon, coming, absolutely, it's lip service.