WEBVTT - QLS Celebrates Black History Month Part 1

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>So welcome back to QLs. This is Questlove.

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<v Speaker 1>Then every year we do special programming in February for

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<v Speaker 1>Black History Month.

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<v Speaker 2>That's especially important for this year. I don't need to

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<v Speaker 2>tell you all that.

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<v Speaker 1>As we gear up for some new conversations, the team

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<v Speaker 1>and I compiled some clips from this show that are

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<v Speaker 1>worth revisiting. Of course, we are about all types of

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<v Speaker 1>history here at a Questlove Supreme. This is kind of

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<v Speaker 1>a historical records platform, but.

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<v Speaker 2>You know, black history is important.

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<v Speaker 1>One to know that we have a history, but also

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<v Speaker 1>to achnowledge that Black history is American history.

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<v Speaker 2>You know, it's not separate.

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<v Speaker 1>And as we can plainly see if your eyes are open,

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<v Speaker 1>if you are awake, you clearly see how easy it

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<v Speaker 1>is with a little bit of misinformation, with a lot

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<v Speaker 1>of unprocessed emotions and a lot of facts turn upside down,

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<v Speaker 1>how easy it is to lose history, to lose information.

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<v Speaker 1>You know, it's a lie one moment, then it's lost

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<v Speaker 1>history years later. So it's important to always keep these

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<v Speaker 1>stories alive. And you know what I really love about

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<v Speaker 1>this platform at Quest Love Supreme is that you know,

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<v Speaker 1>when we have artists come on. Most people come to

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<v Speaker 1>a platform like specifically promote something from you know that's

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<v Speaker 1>currently out, like oh, my new album or my new movie.

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<v Speaker 2>We rarely do that.

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<v Speaker 1>Like when you're a guest on Quest Love Supreme, I'm

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<v Speaker 1>trying to first of all, we want your history just

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<v Speaker 1>so that's on the record, and then ask you more

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<v Speaker 1>timeless questions that don't have anything to do with the

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<v Speaker 1>deadline or like some program that you're on, some movie

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<v Speaker 1>that you're on. So that's why history is important, and

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<v Speaker 1>that's why I think the show, no matter what episode

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<v Speaker 1>we feature or that's in our cannon, it'll be timeless

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<v Speaker 1>because you know, once you create something, it becomes history,

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<v Speaker 1>and history is important. So that's why we are gung

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<v Speaker 1>ho on history here at Questlep Supreme. All Right, so

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<v Speaker 1>we're gonna begin with a good friend of the show,

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<v Speaker 1>my personal friend, fellow aquarian Chris Rock, who spoke about

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<v Speaker 1>how Saturday Night Live trained him for his career. I

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<v Speaker 1>just had the good fortune to spend seventy two hours

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<v Speaker 1>in SNL land. It's always one of those be careful

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<v Speaker 1>for what you ask for movements. Of course, working at

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<v Speaker 1>the Tonight show, going to what I call thirty Rock

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<v Speaker 1>University any chance that I get to roam on the

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<v Speaker 1>eighth floor and just I mean going through the pictures

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<v Speaker 1>on the walls or one thing, but also like looking

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<v Speaker 1>at the historical artifacts, just walking in Studio eight h

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<v Speaker 1>studying the theater structure. It's just it's a one of

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<v Speaker 1>one and it teaches me everything I know about not

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<v Speaker 1>only how comedy shows work, but how creativity works, how

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<v Speaker 1>leadership works. To describe the machine that is SNL, just

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<v Speaker 1>as an outsider, I would take an hour explain that

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<v Speaker 1>to you. But yeah, I spent time with all the greats,

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<v Speaker 1>with Chris Rock, Eddie Murphy, Tracy Morgan celebrating the fiftieth

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<v Speaker 1>anniversary weekend of Saturday Night Live. There was a musical

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<v Speaker 1>concert that we did, and there was also like a

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<v Speaker 1>kind of soret that we did with Lauren Michaels to

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<v Speaker 1>toast him and his history. And then there was of

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<v Speaker 1>course the blowout SNL fifty show, in which pretty much

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<v Speaker 1>every cast member from all fifty years was represented in

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<v Speaker 1>that studio, just like going to an All Star game,

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<v Speaker 1>like watching people together, watching Eddie Murphy and Keenan Thompson

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<v Speaker 1>and Will Furrow, like in the sketch together. I mean,

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<v Speaker 1>that's just anyway, enjoy this Chris episode.

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<v Speaker 2>Yoh, like who recommends?

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<v Speaker 3>Did you audition or I auditioned?

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<v Speaker 4>A guy named James Dixon who's John Stewart's agents, and

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<v Speaker 4>a couple other people.

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<v Speaker 2>Who's the Higgins at the time.

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<v Speaker 4>Who's the Higgins at the Higgins at the time was

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<v Speaker 4>Jim Downey, And who's Higgins? Who's the head writer?

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<v Speaker 2>Higgins is our Sideki Jim No no, no, no, but.

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<v Speaker 4>And Senator Al Franken.

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<v Speaker 2>Oh, keep forgetting it.

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<v Speaker 4>I forgot Al Franken was a senator, he was I

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<v Speaker 4>think they were both the head writers. Conan O'Brien was

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<v Speaker 4>a writer on the show. Bob Odenkirk was a writer

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<v Speaker 4>on the show. Yeah.

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<v Speaker 5>Did you ever have any issues with the things that

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<v Speaker 5>you wrote on that show? I always wonder like, is

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<v Speaker 5>it ever too black for SNL? No?

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<v Speaker 4>I mean or it was too black? Nothing was ever

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<v Speaker 4>too black. It was just it was a situation. First

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<v Speaker 4>of all, I had an amazing time at SNL. Is

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<v Speaker 4>the best thing. It's absolutely the best thing that ever

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<v Speaker 4>happened to me. Really, yeah, because it kind of made

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<v Speaker 4>me legit, you know what I mean, Like it was

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<v Speaker 4>like graduating Harvard.

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<v Speaker 5>Which you did for the up and coming comedians from

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<v Speaker 5>Howard and stuff made it even Yeah.

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<v Speaker 3>I mean, like.

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<v Speaker 4>I was on SNL man, it's only you know, come

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<v Speaker 4>on like SNL forget even black, Like SNL is the

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<v Speaker 4>X Men school of comedy.

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<v Speaker 2>Okay, did Eddie give you any kind of preparation on

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<v Speaker 2>what to expect?

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<v Speaker 4>No, Eddie. The only thing Eddie told me, he kept

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<v Speaker 4>telling me, is like, just just make sure you write

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<v Speaker 4>stuff for update because it's the easiest spot to get on.

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<v Speaker 4>But uh, what was your question?

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<v Speaker 5>I was just asking it was it ever too edgy

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<v Speaker 5>or black?

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<v Speaker 4>To like it was too edgy or black? It was like,

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<v Speaker 4>it's like this situation just white people in general. It's

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<v Speaker 4>like the things they understand about black people tends to

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<v Speaker 4>be it has to have a racial element to it.

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<v Speaker 4>So a lot of stuff I did it was more

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<v Speaker 4>obvious like net X chilling like that stuff's like obvious

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<v Speaker 4>black stuff, you know what I mean. It wasn't really

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<v Speaker 4>at the weird I wasn't allowed to get into my

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<v Speaker 4>weird side the other you know.

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<v Speaker 2>Like it had to be black.

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<v Speaker 4>Yah, so it had to be black, you know what

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<v Speaker 4>I mean? So you know, it's not Essenal, it's just

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<v Speaker 4>white people in general.

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<v Speaker 1>Is that the arcinio factor kicking in? Was that the

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<v Speaker 1>Living Color factor kicking in?

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<v Speaker 4>I got hired because of Living Color. I got hired

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<v Speaker 4>just like every like whatever. That was the girl I

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<v Speaker 4>keep forgetting her name.

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<v Speaker 3>Se Shira I was.

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<v Speaker 4>I got hired pretty much under the same circumstances. SNL

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<v Speaker 4>hadn't had a black cast member in nine years, and

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<v Speaker 4>Living Color was hopping, and they went out looking for

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<v Speaker 4>a black cast member, and you know, I got the job,

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<v Speaker 4>but I forgot what I was getting ready to say. No,

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<v Speaker 4>just white people in general, when they're looking for black stuff,

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<v Speaker 4>they tend to like something either ridiculously black. This is

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<v Speaker 4>what it basically goes to, either Tracy Borga or Larry Wilmore,

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<v Speaker 4>you know what I mean, like in the middle, in

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<v Speaker 4>the middle, nothing.

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<v Speaker 5>In the middle, not for nothing.

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<v Speaker 1>I'm taking well because you explained, but you explain in

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<v Speaker 1>your whole, in your whole theory of you did a

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<v Speaker 1>joke about Obama can only hope to be mediocre? Is again,

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<v Speaker 1>it's like, you know, it's either the perception that we're

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<v Speaker 1>animals or we are super huge.

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<v Speaker 4>We're not calling any person an animal, let's let's let's

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<v Speaker 4>get up.

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<v Speaker 1>Well no, no, no, but I've meant like just whatever the

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<v Speaker 1>one side of the spectrum where it's the extreme, it's

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<v Speaker 1>triple raw or extreme.

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<v Speaker 2>Caricature versus extreme intellect.

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<v Speaker 1>Yes, but the thing with being ground zero middle is

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<v Speaker 1>that that's just regular human yes, which is harder to Yeah.

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<v Speaker 4>I mean that's what's Hey, that's why a letter's genius,

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<v Speaker 4>because it walks that thing. It's like, I was very rounded.

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<v Speaker 5>I was recently told by a bunch of white women

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<v Speaker 5>I take like a comedy class neiahbor I made one joke.

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<v Speaker 5>I get really nervous about making black jokes in front

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<v Speaker 5>of white people, and so when I did finally write one,

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<v Speaker 5>they were like, oh my god, we love it. Tell

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<v Speaker 5>us more about ourselves, tell us about white women.

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<v Speaker 2>And I was like, really, that's to see that.

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<v Speaker 1>That bothers me too, because I feel like that's almost

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<v Speaker 1>like fetishizing.

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<v Speaker 2>Or you know, the whole guilt the guilt factor kick

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<v Speaker 2>it in, and.

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<v Speaker 5>I was wonder if it was a setup. I didn't know,

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<v Speaker 5>but I was like, okay, I got a lot th.

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<v Speaker 2>That's a setup. Damn, I'm sorry, that's a setup.

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<v Speaker 3>Set up.

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<v Speaker 1>So okay, so you you're you're fine with your experience there, and.

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<v Speaker 4>The best experience is literally the best thing that ever

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<v Speaker 4>happened to me. I met the best people, uh not

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<v Speaker 4>just I mean ay, I got exposed about around a

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<v Speaker 4>bunch of comedy. So you know, I'm a guy from

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<v Speaker 4>Bedsty who came through this white system. So I still

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<v Speaker 4>I'm still the guy who has to go and with

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<v Speaker 4>my uncle to go get the guns before the bad

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<v Speaker 4>cousins come. And at the same time, I know, Conan O'Brien,

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<v Speaker 4>how can you fuck with me? You can't fuck with me,

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<v Speaker 4>you know what I mean. Like that's all like, that's

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<v Speaker 4>a lot of route, that's a lot of education.

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<v Speaker 1>Which all right, So that leads me to evan the

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<v Speaker 1>period between your your your in.

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<v Speaker 4>Something forrom I'm sorry, cut you off. I wrote I

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<v Speaker 4>think SNL. We edited a spin magazine that magazine and yes,

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<v Speaker 4>I wrote an article about the end of the black

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<v Speaker 4>super comic is coming because TV was getting more segregated

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<v Speaker 4>and the black supercomic is me. Okay, let's take me

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<v Speaker 4>out of it, because that sounds I sound like I

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<v Speaker 4>sound like a cornerback, right, But uh, you know, there's

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<v Speaker 4>a reason Eddie Murphy, Richard pryor all the greatest black comedians,

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<v Speaker 4>the greatest comedians in America tend to be black. It's

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<v Speaker 4>because you had to work these two systems in a

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<v Speaker 4>world that everybody else has to work one.

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<v Speaker 1>So you're saying Sam Cook record in Harlem, which is

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<v Speaker 1>more blacker than the Sam Cook record at.

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<v Speaker 2>The COPA, he had two live records come.

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<v Speaker 4>Out, and this is the same thing that produced Michael Jackson.

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<v Speaker 4>And like the the fact that you had to work

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<v Speaker 4>two audiences in a world everybody else worked one. It's like,

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<v Speaker 4>how can they fuck with you? Possible? Can't fuck with

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<v Speaker 4>a guy that could work the Apollo and Carniou Hall.

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<v Speaker 3>You can't fuck with that.

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<v Speaker 2>All right.

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<v Speaker 1>So that was Chris Rock speaking on having to maintain

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<v Speaker 1>two audiences in his career, a black audience and a

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<v Speaker 1>mainstream audience. I think that if you want international appeal,

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<v Speaker 1>you have to learn how to code switch. And I

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<v Speaker 1>think that's for everyone, of course, with black creatives, and

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<v Speaker 1>this is what I explore in the slide documentary. I

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<v Speaker 1>think for us it's a little bit deeper, like for

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<v Speaker 1>some people it's you know, studying demographics to grow their

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<v Speaker 1>audience as a creative exercise. My parents came from the

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<v Speaker 1>generation in which you kind of had to adapt to

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<v Speaker 1>cultural lifestyles that weren't your own, just for survivals. And

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<v Speaker 1>I guess even growing up, you know, the way that

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<v Speaker 1>I took to all types of music, maybe I inherently

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<v Speaker 1>or subconsciously knew early that I had to learn the

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<v Speaker 1>language of every type of music genre in order to

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<v Speaker 1>survive in the world. For me, music was how I

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<v Speaker 1>made friends. And if you listen to certain types of music,

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<v Speaker 1>then that's something that you have in common with people.

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<v Speaker 2>Because I went to.

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<v Speaker 1>School with various you know, backgrounds and whatnot of different people.

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<v Speaker 2>I saw the power of knowing other songs.

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<v Speaker 1>Like in the ninth grade, I didn't know nothing about

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<v Speaker 1>led Zeppelin, didn't want to learn anything about led Zeppelin.

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<v Speaker 2>Like I fell for the I drank the kool aid.

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<v Speaker 1>I went to a church that, like you know, was

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<v Speaker 1>staunchly against rock music and MTV and the Thriller video

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<v Speaker 1>and all that stuff. And so we were just told,

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<v Speaker 1>you know, that's the problem them with where we are now.

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<v Speaker 1>Like you just get told by an authority figure and

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<v Speaker 1>you take that ass law without investigating it. So I

0:13:08.520 --> 0:13:10.200
<v Speaker 1>was led to believe that led Zeppelin was like a

0:13:10.200 --> 0:13:15.360
<v Speaker 1>demonic group. You know, if you're a music head, Bustle

0:13:15.480 --> 0:13:18.719
<v Speaker 1>in your Head, Growl, google that. I believe there was

0:13:18.760 --> 0:13:22.920
<v Speaker 1>a some past or something Baptist said that led Zeppelin

0:13:23.080 --> 0:13:28.480
<v Speaker 1>was trying to lure our kids into Satanism, some silly shit,

0:13:28.800 --> 0:13:34.600
<v Speaker 1>and they spun backwards the song Stairway to Heaven, and

0:13:34.880 --> 0:13:39.280
<v Speaker 1>somehow he believes that Bustle in your Head Growl was

0:13:39.360 --> 0:13:43.640
<v Speaker 1>some sort of demonic demon chant. That's the only words

0:13:43.640 --> 0:13:46.520
<v Speaker 1>they can make from the backwards masking of Stairway to

0:13:46.559 --> 0:13:52.040
<v Speaker 1>Heaven anyway, So the whole point is that, you know,

0:13:52.559 --> 0:13:57.360
<v Speaker 1>I started to get into led Zeppelin well, firstly because

0:13:57.360 --> 0:14:03.040
<v Speaker 1>the Beastie Boys started sampling them, so immediately my curiosity speaked.

0:14:03.040 --> 0:14:07.520
<v Speaker 1>And soon thereafter, like if bands were having a jam

0:14:07.679 --> 0:14:09.320
<v Speaker 1>or whatever and they would call out a song like

0:14:09.360 --> 0:14:14.240
<v Speaker 1>the Lemons Song or Custard Pie or you know, in

0:14:14.320 --> 0:14:17.839
<v Speaker 1>My Time of Dying or any of those led Zeppelin classics,

0:14:17.880 --> 0:14:21.000
<v Speaker 1>I immediately knew it. So you know, it never hurts

0:14:21.040 --> 0:14:25.720
<v Speaker 1>to why in your vocabulary, but it also I think,

0:14:26.680 --> 0:14:29.840
<v Speaker 1>you know, you should also be aware of your history

0:14:30.520 --> 0:14:33.880
<v Speaker 1>and not uphold your history in a way that it's

0:14:34.400 --> 0:14:39.240
<v Speaker 1>disparaging to others or traumatic for others. Be proud of

0:14:39.240 --> 0:14:43.160
<v Speaker 1>your history and learn other people's history too. So it

0:14:43.200 --> 0:14:47.400
<v Speaker 1>should go without saying that QLs listeners know that already.

0:14:47.480 --> 0:14:50.280
<v Speaker 2>Anyway, I thought I had my two cents.

0:14:51.120 --> 0:14:55.120
<v Speaker 1>Next is the great late Prodigy of Mob Deep and

0:14:55.520 --> 0:14:58.080
<v Speaker 1>Prodigy is going to speak about his family and their

0:14:58.120 --> 0:15:02.240
<v Speaker 1>contributions to black culture through dance around New York City,

0:15:02.880 --> 0:15:05.320
<v Speaker 1>and he shows that the black experience.

0:15:04.880 --> 0:15:06.080
<v Speaker 2>Is not a monolith.

0:15:07.320 --> 0:15:11.640
<v Speaker 1>Like what eventually brought you to the city to Queens.

0:15:12.720 --> 0:15:16.280
<v Speaker 3>When I turned like eleven twelve, my mom's moved to

0:15:16.360 --> 0:15:20.080
<v Speaker 3>Left Rack. She moved to Left Rack City. My pops

0:15:20.080 --> 0:15:23.280
<v Speaker 3>had split up because my pop said did some crazy shit.

0:15:23.320 --> 0:15:26.840
<v Speaker 3>My pops was wild man. He he had kidnapped me,

0:15:27.000 --> 0:15:28.960
<v Speaker 3>took me to Detroit. We was living in Detroit for

0:15:29.040 --> 0:15:31.160
<v Speaker 3>a minute, balling out of control. He was working in

0:15:31.160 --> 0:15:33.720
<v Speaker 3>the stock market doing some crazy shit.

0:15:34.080 --> 0:15:36.080
<v Speaker 2>And when did you live in Detroit?

0:15:36.640 --> 0:15:36.840
<v Speaker 6>Man?

0:15:36.920 --> 0:15:40.120
<v Speaker 3>This is like early eighties when scofid what year the

0:15:40.160 --> 0:15:42.480
<v Speaker 3>scafface came out? Eighty three to three? Because my pops

0:15:42.480 --> 0:15:48.680
<v Speaker 3>took me to the way. My pops took me to

0:15:48.720 --> 0:15:52.560
<v Speaker 3>the movies in Detroit when at the premiere when Scarface

0:15:52.640 --> 0:15:54.560
<v Speaker 3>first came out. So that's when I was out there.

0:15:54.520 --> 0:15:56.800
<v Speaker 2>In age when you were nine, I was nine.

0:15:57.080 --> 0:15:59.760
<v Speaker 3>So the lyrics pop talked, you try to shooting was

0:15:59.800 --> 0:16:01.360
<v Speaker 3>seven and that was real that really? Oh yeah, the

0:16:01.480 --> 0:16:04.080
<v Speaker 3>pop man, he was off the man that that that

0:16:04.200 --> 0:16:08.480
<v Speaker 3>boy is something else? He was something else? Man.

0:16:08.760 --> 0:16:09.880
<v Speaker 2>Was he a musician as well?

0:16:10.000 --> 0:16:11.880
<v Speaker 3>Or like, yeah, he was. He was a singer, you

0:16:11.920 --> 0:16:13.840
<v Speaker 3>know what I mean. Like I said, he had that group,

0:16:13.920 --> 0:16:16.120
<v Speaker 3>the Chances du Ok group. They had a couple of

0:16:16.200 --> 0:16:20.200
<v Speaker 3>dope songs, you know what I mean. But my father's

0:16:20.240 --> 0:16:23.960
<v Speaker 3>things was computers. In the early eighties. He I remember,

0:16:24.040 --> 0:16:26.160
<v Speaker 3>being like probably five six years old.

0:16:26.240 --> 0:16:26.800
<v Speaker 2>My father was.

0:16:26.800 --> 0:16:29.280
<v Speaker 3>Working on Mcinitar's writing programs, you know what I'm saying.

0:16:29.520 --> 0:16:32.960
<v Speaker 3>Really he was really really dope with it. I think

0:16:33.000 --> 0:16:35.960
<v Speaker 3>it's a school called TCI. I think it's called TCI.

0:16:37.640 --> 0:16:40.520
<v Speaker 3>My father went there and he actually got so good

0:16:40.560 --> 0:16:43.560
<v Speaker 3>he became like a professor there. He started teaching. He

0:16:43.600 --> 0:16:45.840
<v Speaker 3>was in the commercials and all that. Like after a while,

0:16:46.160 --> 0:16:49.640
<v Speaker 3>he got really nice with it, and you know that's

0:16:49.680 --> 0:16:55.920
<v Speaker 3>what he was into. Computers, heroin, alcohol, karate. My father

0:16:56.000 --> 0:16:58.520
<v Speaker 3>had a dojo on Jamaica Avenue, you know what I mean.

0:16:58.560 --> 0:16:59.680
<v Speaker 3>So he used to teach karate.

0:16:59.760 --> 0:17:12.720
<v Speaker 2>You just said that convo back then. Computer it's crazy

0:17:13.440 --> 0:17:13.800
<v Speaker 2>all that.

0:17:13.880 --> 0:17:17.960
<v Speaker 3>It's very crazy, man. My pop's life was wow, it

0:17:18.080 --> 0:17:22.000
<v Speaker 3>was wild. That was his thing. He loved computers and

0:17:22.040 --> 0:17:25.440
<v Speaker 3>he loved fighting and just doing wold ship. He was crazy, man.

0:17:26.359 --> 0:17:28.320
<v Speaker 1>And I know that you you have a closeness with

0:17:28.640 --> 0:17:31.480
<v Speaker 1>your grandmother as well, that she was in the artist.

0:17:31.760 --> 0:17:35.240
<v Speaker 3>Yeah, my grandma, My grandmother was ill. She was she

0:17:35.320 --> 0:17:38.000
<v Speaker 3>was one of the first Cotton Club dances when they

0:17:38.000 --> 0:17:41.280
<v Speaker 3>first opened the Cotton Club way back and uh, you know,

0:17:41.400 --> 0:17:44.320
<v Speaker 3>she was friends with Lena Horn. Horn used to dance

0:17:44.359 --> 0:17:48.360
<v Speaker 3>there early before she became famous, you know. And that's

0:17:48.359 --> 0:17:51.760
<v Speaker 3>how my grandmother met my grandfather because my grandfather used

0:17:51.760 --> 0:17:54.520
<v Speaker 3>to play in the band at the Cotton Club, So

0:17:54.720 --> 0:17:59.200
<v Speaker 3>that's how they met. And you know, after my grandmother

0:17:59.320 --> 0:18:02.160
<v Speaker 3>started a dance school business in a basement of crib

0:18:02.240 --> 0:18:05.879
<v Speaker 3>on a god Brewer and she started with like five students,

0:18:06.119 --> 0:18:07.520
<v Speaker 3>you know what I mean, And it just grew and

0:18:07.560 --> 0:18:10.280
<v Speaker 3>grew over the years until to a point where she

0:18:10.320 --> 0:18:12.760
<v Speaker 3>started renting the building. And then it grew to a

0:18:12.800 --> 0:18:16.159
<v Speaker 3>point where she actually bought her own commercial building in Queens.

0:18:16.160 --> 0:18:18.040
<v Speaker 3>She was like the first black woman to own a

0:18:18.080 --> 0:18:22.159
<v Speaker 3>commercial space in Queens. So you know, it was a

0:18:22.240 --> 0:18:24.239
<v Speaker 3>dance school business, you know what I mean. She was

0:18:24.280 --> 0:18:27.400
<v Speaker 3>that was her thing, dancing. So a lot of her students, man,

0:18:27.440 --> 0:18:31.400
<v Speaker 3>she has some famous students that she uh that she raised,

0:18:31.440 --> 0:18:34.320
<v Speaker 3>like Ben Vereen is one of she raised. Seen like

0:18:34.320 --> 0:18:36.879
<v Speaker 3>you know what I mean? And uh, he used to

0:18:36.920 --> 0:18:38.359
<v Speaker 3>you know, be in the house all the time, like

0:18:38.440 --> 0:18:41.479
<v Speaker 3>you know what I mean, anytime he had something going on.

0:18:41.520 --> 0:18:42.960
<v Speaker 3>We used to watch it in the crab. I don't

0:18:42.960 --> 0:18:48.000
<v Speaker 3>seen roots thousands of times, you know what I mean.

0:18:48.040 --> 0:18:50.639
<v Speaker 3>That's like, everybody get together watch Ben Ben is on.

0:18:51.680 --> 0:18:54.480
<v Speaker 3>You know Michael Peters, he was a famous choreographer, Michael

0:18:57.320 --> 0:18:59.639
<v Speaker 3>Michael Peters. Was that my grandmama's. That was when my

0:18:59.640 --> 0:19:00.760
<v Speaker 3>grandma's students.

0:19:01.600 --> 0:19:02.120
<v Speaker 2>So much shook.

0:19:02.160 --> 0:19:02.760
<v Speaker 5>He did beat it.

0:19:02.800 --> 0:19:06.800
<v Speaker 3>He dancing he did so like that was like events

0:19:06.800 --> 0:19:07.240
<v Speaker 3>same thing.

0:19:07.320 --> 0:19:12.080
<v Speaker 1>Like matter of fact, Peters is the and the beating

0:19:12.320 --> 0:19:13.280
<v Speaker 1>nine battle.

0:19:13.400 --> 0:19:17.840
<v Speaker 2>He's the one in all white.

0:19:16.280 --> 0:19:17.679
<v Speaker 3>Be the one that got their hands tied up.

0:19:18.840 --> 0:19:20.480
<v Speaker 5>When I was six, my dad introduced me to him

0:19:20.520 --> 0:19:22.119
<v Speaker 5>and I was like, but you can't dance better? Than

0:19:22.119 --> 0:19:23.679
<v Speaker 5>Michael Jackson, and he walked away with me with so

0:19:23.760 --> 0:19:29.639
<v Speaker 5>much app toude like.

0:19:27.560 --> 0:19:29.679
<v Speaker 3>Like I remember when I was a little kid, like

0:19:29.840 --> 0:19:31.399
<v Speaker 3>we used to fly to Cali because a lot of

0:19:31.400 --> 0:19:33.840
<v Speaker 3>her students live in Cali and whatnot, So we used

0:19:33.880 --> 0:19:35.719
<v Speaker 3>to fly to Cali and visit them, and she used

0:19:35.760 --> 0:19:37.919
<v Speaker 3>to take care of some business. And Michael Peters used

0:19:37.920 --> 0:19:39.760
<v Speaker 3>to take me to the Universal Studios all the time.

0:19:39.800 --> 0:19:41.640
<v Speaker 3>That was my favorite place when I was a little kid.

0:19:42.480 --> 0:19:45.720
<v Speaker 3>Let's go again again. I've been there like a hundred

0:19:45.760 --> 0:19:48.040
<v Speaker 3>times when I was a kid. That was my favorite ship,

0:19:48.240 --> 0:19:51.280
<v Speaker 3>Like you know what I mean. But yeah, so this

0:19:51.359 --> 0:19:53.520
<v Speaker 3>is my grandma. This is like my grandmother's life. She

0:19:54.080 --> 0:19:56.600
<v Speaker 3>uh you know, this is her her thing in the

0:19:56.720 --> 0:19:59.800
<v Speaker 3>dance world, and she got a lot of choreo cor

0:20:00.040 --> 0:20:03.560
<v Speaker 3>aographers and she she helped out a lot of people

0:20:03.880 --> 0:20:06.280
<v Speaker 3>as far as that in that world. So I grew

0:20:06.359 --> 0:20:09.320
<v Speaker 3>up a lot around her concerts. She would do these

0:20:09.320 --> 0:20:12.760
<v Speaker 3>concerts every year at Lincoln Center, at the Apollo at

0:20:12.800 --> 0:20:17.800
<v Speaker 3>uh Carnegie Hall. You know, every year she would do

0:20:17.840 --> 0:20:20.120
<v Speaker 3>like a big concert and you.

0:20:20.119 --> 0:20:21.760
<v Speaker 2>Were a backstage kid.

0:20:21.840 --> 0:20:24.440
<v Speaker 3>Yeah, me and my cousins be backstage wild and looking

0:20:24.480 --> 0:20:25.679
<v Speaker 3>at the girls getting dressed in.

0:20:28.520 --> 0:20:29.080
<v Speaker 2>Backstage.

0:20:30.240 --> 0:20:32.480
<v Speaker 1>I used to watch old old ass dudes, you know,

0:20:33.200 --> 0:20:35.840
<v Speaker 1>smoke reefers in the well yo.

0:20:36.680 --> 0:20:38.480
<v Speaker 2>But he had a better backstage experience.

0:20:38.560 --> 0:20:43.160
<v Speaker 3>Yeah, especially at my grandmother's dance school. She like hundreds

0:20:43.240 --> 0:20:47.200
<v Speaker 3>of girls from Queen's Like that was like that was man.

0:20:47.400 --> 0:20:48.720
<v Speaker 3>I used to love that place when I was a

0:20:48.720 --> 0:20:51.240
<v Speaker 3>little kid. Man, we had so much fun running around

0:20:51.280 --> 0:20:55.120
<v Speaker 3>Jamaica Avenue and you know, having fun, man with all

0:20:55.160 --> 0:20:57.800
<v Speaker 3>the girls there, and it was crazy crazy growing up,

0:20:57.880 --> 0:20:58.399
<v Speaker 3>Like you know what I mean.

0:21:03.880 --> 0:21:05.920
<v Speaker 2>Welcome back to Quest Love Supreme. Good people.

0:21:06.800 --> 0:21:08.760
<v Speaker 1>One of the things that's cool about the show is

0:21:08.800 --> 0:21:13.119
<v Speaker 1>how different episodes can connect the dots. So before the

0:21:13.160 --> 0:21:17.360
<v Speaker 1>ad break, Prodigy mentioned Ben Vereen and that was in

0:21:17.400 --> 0:21:22.360
<v Speaker 1>the spring of twenty seventeen, before we lost p However,

0:21:22.440 --> 0:21:25.480
<v Speaker 1>in twenty twenty four we had Quest Love Supreme spoke

0:21:25.560 --> 0:21:28.960
<v Speaker 1>to Ben Veren, and Ben shared accounts of meeting Linkston

0:21:29.040 --> 0:21:34.400
<v Speaker 1>News and his game changing work on the series Roots.

0:21:35.280 --> 0:21:37.520
<v Speaker 1>Take me through your life as a creative. What was

0:21:37.560 --> 0:21:40.080
<v Speaker 1>your first step into a profession.

0:21:40.720 --> 0:21:44.680
<v Speaker 6>I just graduated from high school for the performing arts.

0:21:45.520 --> 0:21:49.159
<v Speaker 6>There's a woman there named Janette Carol and she was

0:21:49.240 --> 0:21:53.399
<v Speaker 6>doing Michelle called The Prodigal Sun off Broadway at the

0:21:53.480 --> 0:21:56.840
<v Speaker 6>Greenwich News Theater. So I'm talking about about a professional show, right.

0:21:57.359 --> 0:22:00.439
<v Speaker 6>I never knew anything about Broadway or the the I

0:22:00.480 --> 0:22:04.399
<v Speaker 6>had never been on a Broadway stage until Bob Fosse.

0:22:04.560 --> 0:22:07.119
<v Speaker 6>But I go to the show. It was in a

0:22:07.480 --> 0:22:10.480
<v Speaker 6>graduate Green's roof theater. It was downstairs, a little theater,

0:22:11.080 --> 0:22:14.680
<v Speaker 6>and uh, that was my first production. And one night

0:22:14.760 --> 0:22:17.280
<v Speaker 6>I'm coming out of the theater. I was in my first

0:22:17.320 --> 0:22:20.359
<v Speaker 6>Son of be Bonn and I was lay getting to

0:22:20.400 --> 0:22:22.240
<v Speaker 6>the theater. I had to spend time with my first

0:22:22.240 --> 0:22:25.720
<v Speaker 6>wife and got back to the theater and the dance

0:22:26.760 --> 0:22:29.360
<v Speaker 6>captain had taken my role and gave it to his love.

0:22:30.040 --> 0:22:32.760
<v Speaker 6>And I wasn't going to have that because it was

0:22:32.800 --> 0:22:35.560
<v Speaker 6>my role. So I went on stage anyway. So it

0:22:36.160 --> 0:22:38.240
<v Speaker 6>stage where I said, they can't do that. I said, no,

0:22:38.359 --> 0:22:40.240
<v Speaker 6>they can't. So I went on stage. Guy, I got dressed,

0:22:40.480 --> 0:22:44.480
<v Speaker 6>went on stage, and we're fighting doing the show on stage.

0:22:44.680 --> 0:22:47.639
<v Speaker 6>I'm he's in my place. I'm hitting him, he's hitting me.

0:22:47.920 --> 0:22:50.159
<v Speaker 6>This org and people must say, they're going, wow, this

0:22:50.200 --> 0:22:51.520
<v Speaker 6>show is so real.

0:22:52.040 --> 0:22:52.800
<v Speaker 4>I died.

0:22:52.960 --> 0:22:56.240
<v Speaker 6>So I come off stage. I'm angry. I'm leaving the theater.

0:22:56.640 --> 0:22:59.440
<v Speaker 6>I'm going to Glenn's house, you know, you know, getting

0:22:59.480 --> 0:23:02.880
<v Speaker 6>myself hold off. And it's a little guy sitting outside

0:23:02.920 --> 0:23:06.720
<v Speaker 6>of the door, and he says, he says, excuse me, Yeah,

0:23:06.760 --> 0:23:09.879
<v Speaker 6>what do you want? He says, I'm looking for Benjamin Verena.

0:23:09.920 --> 0:23:12.720
<v Speaker 6>I'm bench Maine. What do you want? He said, you

0:23:12.760 --> 0:23:14.880
<v Speaker 6>look like you could use the dinner. My name was Langston,

0:23:15.040 --> 0:23:16.359
<v Speaker 6>used I wrote this.

0:23:17.560 --> 0:23:20.399
<v Speaker 7>Whoa, Well, you can't just you just drop that. You

0:23:20.440 --> 0:23:21.040
<v Speaker 7>did that?

0:23:25.840 --> 0:23:29.040
<v Speaker 6>Yeah, took me to dinner, he said, you looked like

0:23:30.160 --> 0:23:31.960
<v Speaker 6>nobody he did it. He took me a little to

0:23:32.000 --> 0:23:34.680
<v Speaker 6>a little Italian joy in the village, and we sat

0:23:34.760 --> 0:23:37.080
<v Speaker 6>and talked, and he told me about himself and told

0:23:37.119 --> 0:23:39.520
<v Speaker 6>me a guy he's written the play and invited me

0:23:39.600 --> 0:23:43.399
<v Speaker 6>up the Harlem for the first time. So that was

0:23:43.440 --> 0:23:47.720
<v Speaker 6>my first professional job. Uh. And the time would buy.

0:23:48.240 --> 0:23:51.479
<v Speaker 6>And the next time I got a job was uh

0:23:51.800 --> 0:23:54.840
<v Speaker 6>you'll read about in the book. Was on the subway,

0:23:54.880 --> 0:23:56.720
<v Speaker 6>I jumped and turnstile. I went to New York City.

0:23:57.040 --> 0:23:58.960
<v Speaker 6>I was standing on the corner. I went by my school.

0:23:59.040 --> 0:24:02.399
<v Speaker 6>I was really depressed. I went by performing Arts. I

0:24:02.400 --> 0:24:04.400
<v Speaker 6>looked at the school and going where am I going,

0:24:04.520 --> 0:24:07.080
<v Speaker 6>what's going to happen? And I walked down to the

0:24:07.119 --> 0:24:10.800
<v Speaker 6>news stand and I opened up a newspaper. Backstage in

0:24:10.840 --> 0:24:13.600
<v Speaker 6>his audition for that day for a show called Sweet

0:24:13.680 --> 0:24:16.920
<v Speaker 6>Charity going to a place called Las Vegas, starring Woman

0:24:16.960 --> 0:24:20.760
<v Speaker 6>and Juliette Prowse, directed by Bob Fosse. And that was

0:24:20.800 --> 0:24:23.159
<v Speaker 6>the first time I was stept on Broadway. Storage at

0:24:23.560 --> 0:24:26.159
<v Speaker 6>at the Palace Theater. I went to the audition. It

0:24:26.280 --> 0:24:29.320
<v Speaker 6>was like the opening of all that jazz. Yes, and

0:24:29.359 --> 0:24:31.119
<v Speaker 6>I went, that was one of those kids on the

0:24:31.160 --> 0:24:34.240
<v Speaker 6>stage standing there washing. This cool guy walked down the

0:24:34.240 --> 0:24:37.240
<v Speaker 6>middle of the aisle smoking a cigarette. He gets up

0:24:37.280 --> 0:24:39.840
<v Speaker 6>on stage, he does the demonstration for us to do,

0:24:40.240 --> 0:24:43.840
<v Speaker 6>and the ashes never fall. I said, this.

0:24:43.680 --> 0:24:46.719
<v Speaker 5>Guy, he just smoked to the end and the ashes

0:24:46.800 --> 0:24:47.960
<v Speaker 5>just grew and grew.

0:24:49.080 --> 0:24:53.159
<v Speaker 6>Hung there, but he did the combination turns and boom

0:24:53.200 --> 0:24:55.840
<v Speaker 6>and steps and step boom, and then stopped and going

0:24:55.880 --> 0:24:58.760
<v Speaker 6>you take me, okay, do the steps. We couldn't do

0:24:58.800 --> 0:25:01.520
<v Speaker 6>the steps because you too watching the asses see if

0:25:01.520 --> 0:25:02.200
<v Speaker 6>they're in fall.

0:25:04.640 --> 0:25:04.960
<v Speaker 2>Okay.

0:25:05.040 --> 0:25:09.920
<v Speaker 1>So my mother is, you know, probably the show's biggest fan,

0:25:10.240 --> 0:25:11.960
<v Speaker 1>and she.

0:25:11.960 --> 0:25:12.840
<v Speaker 2>Will scream on me.

0:25:13.440 --> 0:25:16.760
<v Speaker 1>You drop so many names that she'll scream on me

0:25:16.920 --> 0:25:19.119
<v Speaker 1>if I don't go in the further detail. And my

0:25:19.160 --> 0:25:22.240
<v Speaker 1>mom's from Pittsburgh. Okay, I'm gonna ask about Bob Fosse.

0:25:22.400 --> 0:25:26.600
<v Speaker 1>But you mentioned the legendary Martha Graham. You study under it.

0:25:27.200 --> 0:25:31.000
<v Speaker 1>What was what was it like studying under Martha Graham.

0:25:31.480 --> 0:25:33.960
<v Speaker 6>Well, I didn't actually have a class about the Graham.

0:25:34.160 --> 0:25:37.679
<v Speaker 6>I studied with one of her dancers named David Woods. Okay,

0:25:38.119 --> 0:25:40.639
<v Speaker 6>it was one of the teachers there. It was amazing,

0:25:41.359 --> 0:25:45.200
<v Speaker 6>you know, for me getting into the middle. The first

0:25:45.280 --> 0:25:49.120
<v Speaker 6>day of school, they have you line up and then

0:25:49.119 --> 0:25:52.280
<v Speaker 6>they have you change and you get dressed for your class.

0:25:52.560 --> 0:25:55.639
<v Speaker 6>You go to your classes. And my first day in school,

0:25:55.720 --> 0:25:59.560
<v Speaker 6>I wore my suit that wore was sensational Tales to Brooklyn.

0:26:00.000 --> 0:26:02.480
<v Speaker 6>My mother bought me in a tash sharecase. I stole

0:26:02.680 --> 0:26:05.280
<v Speaker 6>like my attash shad case. And then they said, go

0:26:05.320 --> 0:26:07.600
<v Speaker 6>get dressed. All the guys went and put on their

0:26:07.680 --> 0:26:09.879
<v Speaker 6>dance clothes. I put on my dance clothes, put my

0:26:09.920 --> 0:26:13.240
<v Speaker 6>suit back oncu that's what it was raised, you know,

0:26:13.960 --> 0:26:17.240
<v Speaker 6>don't just walk around your underwear. So I get back

0:26:17.280 --> 0:26:19.359
<v Speaker 6>out there in my suit on. She said, excuse me,

0:26:19.440 --> 0:26:22.919
<v Speaker 6>doctor was saying you're taking class of that. I said, yes, said, well,

0:26:22.920 --> 0:26:28.600
<v Speaker 6>where's your dance clothes? I said, my suit. You can't

0:26:28.680 --> 0:26:31.400
<v Speaker 6>dance that way, Get in there, put on your dance clothes.

0:26:31.600 --> 0:26:35.679
<v Speaker 6>And that was the beginning of whoa wonderment. Yeah. But

0:26:35.800 --> 0:26:39.560
<v Speaker 6>David Woods who was really the foundation of my actings

0:26:39.640 --> 0:26:42.320
<v Speaker 6>as well, because he would tell us, he say, you

0:26:42.400 --> 0:26:45.960
<v Speaker 6>can't just dance. It's got to tell a story. So

0:26:46.359 --> 0:26:49.160
<v Speaker 6>find the story that you want to tell through your movement.

0:26:49.800 --> 0:26:51.560
<v Speaker 6>And that's why dance is so personal to me.

0:26:52.800 --> 0:26:53.440
<v Speaker 8>You know, in.

0:26:53.480 --> 0:26:56.480
<v Speaker 6>Mardern dance, you must tell a story. It isn't about

0:26:56.520 --> 0:27:01.399
<v Speaker 6>just steps. It's about emotion. It's about the story that

0:27:01.480 --> 0:27:05.720
<v Speaker 6>you're telling. Although it may not be the choreographer may

0:27:05.760 --> 0:27:08.320
<v Speaker 6>not is telling you his story. But you got to

0:27:08.320 --> 0:27:12.320
<v Speaker 6>find your story within the movement. What makes you move

0:27:12.400 --> 0:27:15.680
<v Speaker 6>this way, what makes you sing this way? What makes

0:27:15.720 --> 0:27:19.080
<v Speaker 6>you tell your story through drama, through the word this way?

0:27:19.320 --> 0:27:21.439
<v Speaker 6>You have to create it, at least for me. You

0:27:21.480 --> 0:27:24.800
<v Speaker 6>have to relate to something within you that connects to

0:27:24.840 --> 0:27:29.439
<v Speaker 6>that emotion. And that's how we dance. That's how I

0:27:29.520 --> 0:27:30.520
<v Speaker 6>danced for.

0:27:30.520 --> 0:27:33.159
<v Speaker 1>A lot of us, at least for my generation. This

0:27:33.280 --> 0:27:37.000
<v Speaker 1>conversation is really transformational as far as like my mind state,

0:27:37.040 --> 0:27:40.080
<v Speaker 1>because I think every person thinks that their era in

0:27:40.119 --> 0:27:44.200
<v Speaker 1>the world is the kind of you know, black and white,

0:27:44.200 --> 0:27:47.280
<v Speaker 1>the color Wizard of Oz thing like everyone thinks like, oh,

0:27:47.280 --> 0:27:49.680
<v Speaker 1>when I was born, then suddenly modern times began.

0:27:50.800 --> 0:27:52.400
<v Speaker 2>But you know, I.

0:27:52.320 --> 0:27:57.320
<v Speaker 9>Would assume that until Roots came along, that a lot

0:27:57.359 --> 0:28:00.800
<v Speaker 9>of African Americans weren't even thinking in terms of their

0:28:00.920 --> 0:28:05.440
<v Speaker 9>history going back to Africa, unless you know, they were

0:28:05.560 --> 0:28:08.679
<v Speaker 9>of the generation that watched Tarzan as a kid in

0:28:08.680 --> 0:28:10.040
<v Speaker 9>the fifties and sixties.

0:28:09.720 --> 0:28:12.200
<v Speaker 5>The Marcus Garvey movement, and he was down.

0:28:11.960 --> 0:28:13.640
<v Speaker 2>With that, right.

0:28:13.920 --> 0:28:16.800
<v Speaker 1>So what I'm asking you is when you're told to

0:28:16.880 --> 0:28:22.320
<v Speaker 1>tell your story and the vocabulary of our African history

0:28:22.480 --> 0:28:26.959
<v Speaker 1>really wasn't super enforced unless you were part of specialized

0:28:27.000 --> 0:28:32.000
<v Speaker 1>movements in your mind, when you are expressing yourself and

0:28:32.119 --> 0:28:36.199
<v Speaker 1>reaching inside for your emotions and through dance, what is

0:28:36.200 --> 0:28:38.840
<v Speaker 1>it that drove you creatively? Like, what are you thinking

0:28:38.880 --> 0:28:42.160
<v Speaker 1>of when they're telling you tell your story?

0:28:43.480 --> 0:28:47.960
<v Speaker 6>Well, I'm thinking of my emotional feelings and what I

0:28:48.040 --> 0:28:52.920
<v Speaker 6>feel in that moment of that story makes sense, all right?

0:28:53.000 --> 0:28:55.080
<v Speaker 6>If I have safe For example, if I tell a

0:28:55.120 --> 0:28:59.080
<v Speaker 6>story of my let's see keep a simple going to

0:28:59.200 --> 0:29:01.960
<v Speaker 6>performing us. What did that make you feel? Like? How

0:29:02.000 --> 0:29:04.480
<v Speaker 6>did you feel the first day you stepped on that stage,

0:29:04.840 --> 0:29:07.320
<v Speaker 6>when you stepped into that studio? What was it feeling

0:29:07.320 --> 0:29:09.520
<v Speaker 6>to you and feeling? What's that story that you want

0:29:09.560 --> 0:29:12.760
<v Speaker 6>to tell right there? And then that creates a whole movement,

0:29:13.360 --> 0:29:16.120
<v Speaker 6>yes for us coming up. And I was as far

0:29:16.160 --> 0:29:18.840
<v Speaker 6>as we're talking about ancestry now, when we talk about

0:29:18.880 --> 0:29:23.040
<v Speaker 6>black history in my school coming up, in my era,

0:29:23.560 --> 0:29:27.960
<v Speaker 6>it was one paragraph your slave and Lincoln freed you,

0:29:27.960 --> 0:29:30.960
<v Speaker 6>you know, and we know that's not true. And long

0:29:31.040 --> 0:29:34.200
<v Speaker 6>comes a wonderful man named Alex Haley who says, I'm

0:29:34.200 --> 0:29:36.960
<v Speaker 6>going to watch that because it's not true. And he

0:29:37.000 --> 0:29:40.360
<v Speaker 6>goes back to Gambia and he finds his roots, and

0:29:40.400 --> 0:29:43.640
<v Speaker 6>he writes a wonderful book called Roots. And we all

0:29:43.720 --> 0:29:47.320
<v Speaker 6>now say, and now the world is going whoa wait

0:29:47.360 --> 0:29:49.920
<v Speaker 6>a minute, waking up. There was more to it than

0:29:49.960 --> 0:29:53.000
<v Speaker 6>this what's in our history books. There's more to my story,

0:29:53.280 --> 0:29:56.400
<v Speaker 6>you see. It's so interesting. When Roots came out, it

0:29:56.520 --> 0:29:59.400
<v Speaker 6>was just the book and I had heard about it,

0:29:59.480 --> 0:30:02.160
<v Speaker 6>and like lot of us there, and I just knew

0:30:02.280 --> 0:30:05.400
<v Speaker 6>I wanted to be a part of that movie, that

0:30:05.520 --> 0:30:08.280
<v Speaker 6>TV series that was And I went to my agent

0:30:08.760 --> 0:30:12.600
<v Speaker 6>and I said to him, listen, there's this book I

0:30:12.600 --> 0:30:14.880
<v Speaker 6>think ABC is gonna make a movie out of it

0:30:14.960 --> 0:30:18.040
<v Speaker 6>called Roots Cinder. I really i'd like to be to

0:30:18.160 --> 0:30:20.880
<v Speaker 6>try out what he says to me, Ben, you're a

0:30:20.960 --> 0:30:21.880
<v Speaker 6>song and dance man.

0:30:22.640 --> 0:30:26.760
<v Speaker 10>They're looking for actors, he said, So listen, there's a

0:30:27.000 --> 0:30:29.400
<v Speaker 10>there's this group that starting out, you got a big

0:30:29.480 --> 0:30:33.720
<v Speaker 10>hit called your Family's Sister Sledge. He says, they're going

0:30:33.800 --> 0:30:35.920
<v Speaker 10>to open for you in Chicago, So why don't you

0:30:36.360 --> 0:30:38.200
<v Speaker 10>go do that? And you have another gig for you

0:30:38.240 --> 0:30:41.880
<v Speaker 10>guys down in Savannah. So I said yeah, But Kenny said, Ben,

0:30:41.920 --> 0:30:44.720
<v Speaker 10>they're looking for actors. So I get on I get

0:30:44.720 --> 0:30:47.040
<v Speaker 10>on the plane. I go to Chicago. Sisters Sledge. They

0:30:47.080 --> 0:30:49.480
<v Speaker 10>opened to me a wonderful these little girls, the little Girls,

0:30:49.920 --> 0:30:51.440
<v Speaker 10>and we get to Sabana, Georgia.

0:30:51.640 --> 0:30:54.800
<v Speaker 6>He used to do a character called Bert Williams about

0:30:55.720 --> 0:30:59.479
<v Speaker 6>my ancestry, about the performer there was a time in

0:30:59.520 --> 0:31:02.800
<v Speaker 6>America history where black people in the theater were not

0:31:02.920 --> 0:31:06.120
<v Speaker 6>allowed on stage unless we wore a blackface, and he

0:31:06.200 --> 0:31:09.800
<v Speaker 6>went through that. So I told that story and coming

0:31:09.880 --> 0:31:13.440
<v Speaker 6>at the show, that afternoon in Savannah, Georgia, there was

0:31:13.480 --> 0:31:17.040
<v Speaker 6>a guy came backstages and they would staying Margolis and

0:31:17.080 --> 0:31:19.480
<v Speaker 6>he said, I want you to read my Chicken George.

0:31:19.840 --> 0:31:23.000
<v Speaker 6>And I said, I said, said, what's the chicken George?

0:31:23.120 --> 0:31:24.760
<v Speaker 6>He said, we'll shoe it down here shooting the show

0:31:24.800 --> 0:31:29.600
<v Speaker 6>called Roots, he said, And I said, I don't care, man,

0:31:29.840 --> 0:31:32.200
<v Speaker 6>if Chicken George's gout and the boat going, let me

0:31:32.320 --> 0:31:35.600
<v Speaker 6>yut of here, let me yut here, please please, I'll

0:31:35.640 --> 0:31:38.040
<v Speaker 6>be there. And that's how I got the bar. But

0:31:38.080 --> 0:31:40.200
<v Speaker 6>I had no idea how deep it was going to

0:31:40.280 --> 0:31:43.720
<v Speaker 6>go and what I mean. It opened up a whole

0:31:43.960 --> 0:31:47.240
<v Speaker 6>avenue for me and for all of us to look

0:31:47.320 --> 0:31:51.600
<v Speaker 6>back and honor our ancestry, which you must continue to do,

0:31:52.280 --> 0:31:55.720
<v Speaker 6>to stay forward, because our ancestry of the reason why

0:31:55.760 --> 0:32:02.520
<v Speaker 6>we're here today, their struggle, their fight, their determination to

0:32:02.600 --> 0:32:08.280
<v Speaker 6>go through slavery. Imagine coming across the water, having being

0:32:08.360 --> 0:32:13.040
<v Speaker 6>stolen from your family. You're on and you're put on chains,

0:32:14.000 --> 0:32:16.480
<v Speaker 6>change what was a chain, and you're being put on

0:32:16.520 --> 0:32:19.520
<v Speaker 6>a boat on and you put to an island and

0:32:19.560 --> 0:32:21.520
<v Speaker 6>you're gone away with a bunch of people you've never

0:32:21.560 --> 0:32:24.480
<v Speaker 6>seen the white and you see a bunch of other

0:32:25.200 --> 0:32:29.120
<v Speaker 6>people your color, were not the same languages, and we're

0:32:29.160 --> 0:32:32.800
<v Speaker 6>all chained inside this boat and someone jumping off the

0:32:32.880 --> 0:32:35.560
<v Speaker 6>side as they refuse to go to They don't know

0:32:35.920 --> 0:32:37.560
<v Speaker 6>what's gonna happen. They don't want to be a part

0:32:37.560 --> 0:32:40.680
<v Speaker 6>of it. But the bravery of those people who went

0:32:41.080 --> 0:32:45.120
<v Speaker 6>through that passage and stood on that on that slave

0:32:45.240 --> 0:32:49.440
<v Speaker 6>block and watch their families being torn apart, which which

0:32:49.600 --> 0:32:56.600
<v Speaker 6>I think in my mind, destroyed our culture togetherness, that strength,

0:32:57.320 --> 0:33:00.360
<v Speaker 6>and to tell their stories to be forgotten. No, no,

0:33:00.440 --> 0:33:01.240
<v Speaker 6>not on my watch.

0:33:02.120 --> 0:33:05.760
<v Speaker 1>How long did they give you to prepare that role,

0:33:06.480 --> 0:33:11.040
<v Speaker 1>take us through the process of preparing, executing, and then

0:33:11.200 --> 0:33:12.120
<v Speaker 1>leaving that character.

0:33:12.760 --> 0:33:14.440
<v Speaker 6>I never looked their character boar.

0:33:17.800 --> 0:33:18.960
<v Speaker 2>All right, ta good joys.

0:33:20.680 --> 0:33:25.760
<v Speaker 6>Well, for me, it was all because I understand my

0:33:25.960 --> 0:33:30.160
<v Speaker 6>family we never sat around and talked about then, because

0:33:30.160 --> 0:33:33.479
<v Speaker 6>we were surviving in the now. My family was the

0:33:34.000 --> 0:33:38.480
<v Speaker 6>educators or the you know, they were not of that ilk,

0:33:38.840 --> 0:33:42.680
<v Speaker 6>you know, if they were field workers, you know, survivors,

0:33:43.080 --> 0:33:48.640
<v Speaker 6>and so we never sat around talked about education, about government,

0:33:49.280 --> 0:33:53.080
<v Speaker 6>about what's going on day to day survival. So when

0:33:53.080 --> 0:33:55.440
<v Speaker 6>I got this, I knew there was a deeper story.

0:33:55.960 --> 0:33:58.720
<v Speaker 6>When I got the opportunity to tell my story, it

0:33:58.840 --> 0:34:01.240
<v Speaker 6>was like, how do I find my research? So I

0:34:01.280 --> 0:34:04.560
<v Speaker 6>called my elders. You know, can you tell me about

0:34:04.760 --> 0:34:07.640
<v Speaker 6>what it was like during this time that time? And

0:34:07.760 --> 0:34:10.960
<v Speaker 6>you know, and a lot of it came from imagination

0:34:11.160 --> 0:34:15.440
<v Speaker 6>once again, what it must have felt like. And Chicken George,

0:34:16.239 --> 0:34:17.080
<v Speaker 6>he's so beautiful.

0:34:17.120 --> 0:34:17.279
<v Speaker 11>You know.

0:34:17.400 --> 0:34:19.359
<v Speaker 6>The one thing I do is that when I get

0:34:19.360 --> 0:34:22.279
<v Speaker 6>to a character, especially someone like Chicken George, I asked

0:34:22.360 --> 0:34:27.520
<v Speaker 6>permission to enter into that realm of consciousness. What's been

0:34:27.719 --> 0:34:32.120
<v Speaker 6>like for you? Educate me, teach me? And he took

0:34:32.120 --> 0:34:36.120
<v Speaker 6>me on his journey. And I tell you the respect

0:34:36.320 --> 0:34:39.879
<v Speaker 6>and the admiration that the cast and the crew had

0:34:39.920 --> 0:34:42.600
<v Speaker 6>doing that, it was amazing. It was amazing.

0:34:43.040 --> 0:34:45.799
<v Speaker 5>Did it feel safe? Did they provide like a cause?

0:34:45.840 --> 0:34:47.960
<v Speaker 5>You know in twenty twenty if you guys made this

0:34:48.000 --> 0:34:50.200
<v Speaker 5>in twenty twenty four or twenty five, there would be

0:34:50.239 --> 0:34:53.440
<v Speaker 5>all kind of counseling on set, and you know, when

0:34:53.480 --> 0:34:55.520
<v Speaker 5>you when you broke out a character, there'd be somebody

0:34:55.560 --> 0:34:58.120
<v Speaker 5>to make sure are you okay? Like, how did y'all

0:34:58.120 --> 0:35:01.840
<v Speaker 5>handle that? No? Not in twenty twenty four, Sorry to

0:35:01.920 --> 0:35:06.520
<v Speaker 5>jump in now, go please, That will come later oh

0:35:06.600 --> 0:35:08.160
<v Speaker 5>not in twenty twenty four, my bad.

0:35:08.000 --> 0:35:13.080
<v Speaker 6>Okay yaour During that time it was self nurturing. And

0:35:13.120 --> 0:35:15.239
<v Speaker 6>that's why I say the cat the crew, even the

0:35:15.320 --> 0:35:19.000
<v Speaker 6>crew was aware that we were touching upon something that

0:35:19.160 --> 0:35:21.759
<v Speaker 6>was in other words, I hate to use this word

0:35:21.800 --> 0:35:27.640
<v Speaker 6>but taboo. But the respect and the reverence that the

0:35:27.840 --> 0:35:31.560
<v Speaker 6>crew had and would like to see that one scene.

0:35:31.800 --> 0:35:35.480
<v Speaker 6>I never forget the scene where Richard Rowntree was dating

0:35:35.520 --> 0:35:38.920
<v Speaker 6>my mother time Leslie other one was playing kissing and

0:35:38.920 --> 0:35:42.000
<v Speaker 6>there's a scene where she had talked him into taking

0:35:42.000 --> 0:35:45.640
<v Speaker 6>her to find her father and they go back and

0:35:45.680 --> 0:35:51.200
<v Speaker 6>they're late coming back to the plantation and his masa

0:35:51.520 --> 0:35:56.840
<v Speaker 6>at the time was supposed to tastise him and Richard

0:35:56.880 --> 0:36:00.440
<v Speaker 6>Rowntree was supposed to beg for him not to beat him.

0:36:00.719 --> 0:36:04.239
<v Speaker 6>And I'll never get this. Richard said, you want me

0:36:04.360 --> 0:36:07.400
<v Speaker 6>to grobble to a white man? Do you know why?

0:36:07.400 --> 0:36:09.480
<v Speaker 5>I am mm hmm.

0:36:10.600 --> 0:36:13.560
<v Speaker 6>I don't grabble for no white man. And the direct

0:36:13.600 --> 0:36:17.200
<v Speaker 6>said said, Richard, we need this just for the next scene.

0:36:17.560 --> 0:36:19.719
<v Speaker 6>He said no to he said, he said you can

0:36:19.760 --> 0:36:23.080
<v Speaker 6>do this. He says, I ain't grabbling no white man.

0:36:24.480 --> 0:36:28.759
<v Speaker 6>It's like that, And he said, well, he said just

0:36:28.920 --> 0:36:32.520
<v Speaker 6>one time, he said. He looked around, he looked at them,

0:36:32.640 --> 0:36:35.400
<v Speaker 6>at Kissey and my mother Leslie, looked at the castle

0:36:35.440 --> 0:36:39.759
<v Speaker 6>and the crew. You went, you got one shot and

0:36:39.800 --> 0:36:41.720
<v Speaker 6>he gets down. He does that scene where he says,

0:36:41.719 --> 0:36:44.279
<v Speaker 6>please bost some morsel, don't beat me, and we just

0:36:44.280 --> 0:36:47.040
<v Speaker 6>finished the direction that gun. Okay, that was a good friend.

0:36:47.400 --> 0:36:51.799
<v Speaker 6>Anybody go home. The one said okay, thank you, thank

0:36:51.880 --> 0:36:54.480
<v Speaker 6>you very much. Because it was, like, I mean, all

0:36:54.480 --> 0:36:56.800
<v Speaker 6>of a sudden, we had to reflect on the fact

0:36:56.880 --> 0:37:01.000
<v Speaker 6>that what it must have been like to have the

0:37:01.200 --> 0:37:07.240
<v Speaker 6>wobble to white people for our survival. That the big

0:37:07.800 --> 0:37:12.440
<v Speaker 6>you know, I think about my oof, don't get me started.

0:37:13.440 --> 0:37:22.680
<v Speaker 6>I think about what people went through as slaves, kings, inventors, doctors,

0:37:23.360 --> 0:37:30.799
<v Speaker 6>leaders being stripped. We built empires and civilizations and now

0:37:30.840 --> 0:37:34.160
<v Speaker 6>we are at the bottom of the chain. They gave

0:37:34.239 --> 0:37:38.120
<v Speaker 6>us slop and we made it a proisine. We made

0:37:38.160 --> 0:37:38.880
<v Speaker 6>it a proisine.

0:37:39.080 --> 0:37:41.480
<v Speaker 5>I can't even get to that extent of thought. It

0:37:41.560 --> 0:37:44.080
<v Speaker 5>makes me think of also the artists who have had

0:37:44.120 --> 0:37:46.919
<v Speaker 5>to play these roles. And it's funny because as you said,

0:37:46.960 --> 0:37:49.040
<v Speaker 5>as you said, this was a taboo thing and now

0:37:49.040 --> 0:37:51.800
<v Speaker 5>it's not. Now we've had several movies that have followed,

0:37:51.800 --> 0:37:54.280
<v Speaker 5>and it makes me think about all the black actors

0:37:54.320 --> 0:37:57.480
<v Speaker 5>who have had to tackle these roles, like from Chiwaitel

0:37:57.560 --> 0:38:01.040
<v Speaker 5>e Joe for to Jamie Fox, to Lapita and Jongo.

0:38:01.600 --> 0:38:03.960
<v Speaker 5>And I'm curious if anybody ever reached back to you

0:38:04.000 --> 0:38:05.960
<v Speaker 5>and went, how did you do this?

0:38:06.680 --> 0:38:09.080
<v Speaker 7>How did you do this thing?

0:38:09.120 --> 0:38:13.719
<v Speaker 6>Because we who were there at the first beginning a

0:38:13.840 --> 0:38:17.479
<v Speaker 6>waiting to say this is how we did it? Because

0:38:17.680 --> 0:38:21.960
<v Speaker 6>what annoysment? I loved my brother LaVar Burden, love him,

0:38:22.840 --> 0:38:25.120
<v Speaker 6>yet he felt that maybe I let me take it

0:38:25.120 --> 0:38:27.680
<v Speaker 6>this way, but he never allowed us to talk to

0:38:27.880 --> 0:38:31.920
<v Speaker 6>the cast, They say, what did you go through? How

0:38:31.960 --> 0:38:33.480
<v Speaker 6>did you get there? At this point?

0:38:33.680 --> 0:38:35.239
<v Speaker 5>Oh with the newer roots? Are you talking about the

0:38:35.280 --> 0:38:37.040
<v Speaker 5>new roots? The newer roots?

0:38:37.840 --> 0:38:41.319
<v Speaker 6>I said, Okay, they did a good job, but as

0:38:41.360 --> 0:38:43.600
<v Speaker 6>far as they could do. But we could have given

0:38:43.640 --> 0:38:47.280
<v Speaker 6>them another layer that's much deeper because we were there.

0:38:47.880 --> 0:38:49.960
<v Speaker 5>We were I was curious about thank you for answering

0:38:50.000 --> 0:38:50.520
<v Speaker 5>that question.

0:38:51.440 --> 0:38:55.719
<v Speaker 6>We cried and wept and we what to do, but

0:38:55.800 --> 0:38:57.279
<v Speaker 6>we knew we had to do it for the art

0:38:57.760 --> 0:39:01.759
<v Speaker 6>and to tell the truth story as far as Hollywood

0:39:01.960 --> 0:39:04.720
<v Speaker 6>would allow us to tell the true stories. You understand,

0:39:05.040 --> 0:39:09.799
<v Speaker 6>Ruth just scraunged upon the surface really went down, But

0:39:09.920 --> 0:39:12.279
<v Speaker 6>what really went down? You get into those wounds, you

0:39:12.360 --> 0:39:16.880
<v Speaker 6>go deeper. They were knights. I come home and my

0:39:17.000 --> 0:39:20.680
<v Speaker 6>wife Nancy, she go you okay, I say yeah, And

0:39:20.880 --> 0:39:24.800
<v Speaker 6>nights I was just being tears and he was like, okay, okay,

0:39:24.800 --> 0:39:27.400
<v Speaker 6>and let me get myself ready. Okay, let's go do

0:39:27.520 --> 0:39:30.000
<v Speaker 6>the scene. And although I was friend chicken George, who

0:39:30.080 --> 0:39:32.239
<v Speaker 6>was like a dandy, but there was that moment when

0:39:32.280 --> 0:39:36.080
<v Speaker 6>he finds out his father is white. It's gone through

0:39:36.320 --> 0:39:43.000
<v Speaker 6>and watching your fellow neighbor brothers, they whipped because they

0:39:43.040 --> 0:39:45.560
<v Speaker 6>didn't want to pick up something they didn't want to do,

0:39:45.640 --> 0:39:48.040
<v Speaker 6>so they said the same wrong thing because they were

0:39:48.120 --> 0:39:50.920
<v Speaker 6>field niggas, then the house niggas, because it was to

0:39:51.000 --> 0:39:56.560
<v Speaker 6>you a little better with the field nigga telling those stories,

0:39:56.800 --> 0:39:59.920
<v Speaker 6>and I think those stories have not been told enough.

0:40:00.719 --> 0:40:03.600
<v Speaker 6>As long as my Jewish brother and sisters can tell

0:40:03.680 --> 0:40:07.440
<v Speaker 6>us about the Holocaust, we must talk about our Holocaust.

0:40:07.840 --> 0:40:12.239
<v Speaker 6>Excuse me, agreed, Let's read so we know where we

0:40:12.360 --> 0:40:15.640
<v Speaker 6>are going, otherwise they will do it to us again.

0:40:21.640 --> 0:40:23.839
<v Speaker 1>So before that last break, we shared a clip from

0:40:23.840 --> 0:40:27.799
<v Speaker 1>Ben Vereen, right, now we got Jennifer Lewis, who just

0:40:27.840 --> 0:40:33.080
<v Speaker 1>gave team supreme wisdom on life from her experience and courage.

0:40:34.480 --> 0:40:37.480
<v Speaker 1>I guess you can say in and out, I've been

0:40:37.480 --> 0:40:40.880
<v Speaker 1>doing therapy for like thirty years. But you know the

0:40:41.000 --> 0:40:46.320
<v Speaker 1>thing is, when the pandemic came, really you know again,

0:40:46.400 --> 0:40:48.600
<v Speaker 1>like I do, I feel like a person shouldn't have

0:40:48.640 --> 0:40:52.160
<v Speaker 1>to be at rock bottom to make the change.

0:40:52.280 --> 0:40:55.400
<v Speaker 2>So that's why I'm really glad the pandemic happened.

0:40:55.520 --> 0:40:59.600
<v Speaker 1>Because it wasn't a rock bottom moment, But that was

0:40:59.640 --> 0:41:03.480
<v Speaker 1>definitely somewhat of a paradigm shift for me and taken

0:41:03.719 --> 0:41:07.320
<v Speaker 1>mental health seriously and all those things. But you mentioned something,

0:41:08.600 --> 0:41:14.480
<v Speaker 1>and I noticed that probably the time that I might

0:41:14.600 --> 0:41:17.520
<v Speaker 1>be liable to get in an argument.

0:41:18.600 --> 0:41:19.160
<v Speaker 2>I mean, not a.

0:41:19.080 --> 0:41:22.960
<v Speaker 1>Fight, not like pugilism or anything. But there's a moment

0:41:23.200 --> 0:41:27.520
<v Speaker 1>after I get off stage where I can't describe the feeling.

0:41:27.560 --> 0:41:30.040
<v Speaker 1>And you you said that, and I was like, oh,

0:41:30.080 --> 0:41:32.640
<v Speaker 1>so I'm not I've you know, I just thought like, well,

0:41:32.680 --> 0:41:35.720
<v Speaker 1>me're sometimes you're just in an asshole after the thirty

0:41:35.760 --> 0:41:39.440
<v Speaker 1>minutes after roots show. It's almost like after a root show,

0:41:41.000 --> 0:41:44.200
<v Speaker 1>I purposely look for a place to just sit silent

0:41:44.280 --> 0:41:45.879
<v Speaker 1>and literally come down and.

0:41:45.840 --> 0:41:46.719
<v Speaker 2>I can't explain it.

0:41:46.760 --> 0:41:48.840
<v Speaker 1>And the thing is is like right after a show,

0:41:49.200 --> 0:41:52.200
<v Speaker 1>that's when people were pulling for you and Amir, let's

0:41:52.200 --> 0:41:55.600
<v Speaker 1>talk to get it write, and I can't explain. And

0:41:55.640 --> 0:41:59.880
<v Speaker 1>the thing is, it's like, because these people aren't entertainers,

0:42:00.680 --> 0:42:04.400
<v Speaker 1>it's hard to really explain to them the process I

0:42:04.480 --> 0:42:08.920
<v Speaker 1>go through, which is kind of why it's almost like

0:42:08.920 --> 0:42:12.520
<v Speaker 1>an ad that feeling of when you're done a show,

0:42:12.560 --> 0:42:17.359
<v Speaker 1>and that how you feel is such a description less

0:42:17.480 --> 0:42:23.319
<v Speaker 1>addiction that I can't describe that. I figured out that

0:42:23.440 --> 0:42:25.279
<v Speaker 1>for the at least the last thirty years, I've been

0:42:25.280 --> 0:42:28.600
<v Speaker 1>doing DJ gigs after the Root show because I love

0:42:28.719 --> 0:42:31.839
<v Speaker 1>music and because I love DJ, but basically I need

0:42:31.880 --> 0:42:34.400
<v Speaker 1>to slowly come down off that high normalcy.

0:42:35.520 --> 0:42:36.440
<v Speaker 2>So usually after.

0:42:36.360 --> 0:42:39.040
<v Speaker 1>Root show, I will DJ for three hours so that

0:42:39.120 --> 0:42:41.800
<v Speaker 1>way I don't have to talk to people. I'm playing

0:42:41.920 --> 0:42:45.719
<v Speaker 1>music and I come down. But and sometimes when I'm

0:42:45.800 --> 0:42:50.520
<v Speaker 1>not DJing, I wonder what that is, And I thought

0:42:50.560 --> 0:42:53.280
<v Speaker 1>I was the only person going through that, because again,

0:42:53.400 --> 0:42:56.879
<v Speaker 1>if I feel weird in talking about the mental health

0:42:56.920 --> 0:42:59.640
<v Speaker 1>space thing and have my occupation, because I always feel

0:42:59.680 --> 0:43:02.640
<v Speaker 1>like people look at me like eh, here's the world

0:43:02.719 --> 0:43:06.920
<v Speaker 1>Stiny's violin. Like, if people are in a certain profession,

0:43:07.080 --> 0:43:11.400
<v Speaker 1>they might not. They might feel unworthy of having problems

0:43:11.480 --> 0:43:11.920
<v Speaker 1>or whatnot.

0:43:12.040 --> 0:43:12.920
<v Speaker 2>Like people might not.

0:43:13.760 --> 0:43:16.360
<v Speaker 5>At this point, the world knows entertainers have trauma.

0:43:16.680 --> 0:43:20.520
<v Speaker 7>Right, I'm just let me interject here. Yes, yes, please please.

0:43:20.640 --> 0:43:20.799
<v Speaker 6>Yeah.

0:43:21.640 --> 0:43:26.760
<v Speaker 12>First of all, we are not normal creatures. Yeah right,

0:43:27.360 --> 0:43:32.719
<v Speaker 12>we are artists. We are different. Are we better or

0:43:32.800 --> 0:43:35.959
<v Speaker 12>worse than anyone? No, we just are who we are

0:43:36.760 --> 0:43:44.920
<v Speaker 12>and we form who we form the artistreet.

0:43:46.160 --> 0:43:52.720
<v Speaker 7>It's like Lena Simone said, an artist's duty is.

0:43:52.760 --> 0:43:59.600
<v Speaker 12>To speak to the times. Nina Simone didn't hide her

0:43:59.640 --> 0:44:03.480
<v Speaker 12>pain and need. It's a more laid it on the piano.

0:44:04.320 --> 0:44:08.600
<v Speaker 12>We have to learn where to put that quest. You

0:44:08.680 --> 0:44:13.279
<v Speaker 12>have to put that somewhere. You have to compartmentalize that

0:44:13.560 --> 0:44:20.399
<v Speaker 12>you expressed it beautifully. It's called a glory train. Love

0:44:21.440 --> 0:44:24.400
<v Speaker 12>you hear me talking to you. It's a glory train.

0:44:24.719 --> 0:44:26.959
<v Speaker 12>And nobody can stay on that train too long.

0:44:27.000 --> 0:44:28.200
<v Speaker 7>You got to come off.

0:44:28.920 --> 0:44:30.719
<v Speaker 12>You got to get in the grass, and you got

0:44:30.760 --> 0:44:36.319
<v Speaker 12>to surround yourself with nature and have that gratitude. It

0:44:36.400 --> 0:44:41.120
<v Speaker 12>is a gratitude moment, so use it for that. You

0:44:41.120 --> 0:44:43.160
<v Speaker 12>don't have to go crazy. Most people go and get

0:44:43.239 --> 0:44:46.200
<v Speaker 12>drunk and party and carry on. Okay, you get a

0:44:46.200 --> 0:44:48.560
<v Speaker 12>couple of those a month, but then sit the fuck

0:44:48.640 --> 0:44:51.560
<v Speaker 12>down and talk about those feelings.

0:44:52.000 --> 0:44:56.040
<v Speaker 7>Write them down so that the next time you feel it,

0:44:56.280 --> 0:44:58.320
<v Speaker 7>you have something to balance it.

0:44:59.120 --> 0:45:03.560
<v Speaker 12>Nobody's coming with the answer, nobody's coming with the recipe.

0:45:03.760 --> 0:45:08.560
<v Speaker 12>You got to pay attention to the self. It is

0:45:08.600 --> 0:45:12.480
<v Speaker 12>the journey within that will get you where you need

0:45:12.520 --> 0:45:18.040
<v Speaker 12>to be, because what you will discover, hmm, is how

0:45:18.080 --> 0:45:19.000
<v Speaker 12>short life is.

0:45:20.400 --> 0:45:22.759
<v Speaker 7>Listen to me, you want to know how You want

0:45:22.760 --> 0:45:23.520
<v Speaker 7>to know how I live?

0:45:24.800 --> 0:45:27.560
<v Speaker 12>I live like I got five minutes left?

0:45:28.400 --> 0:45:34.919
<v Speaker 7>What if? What if you add five FDA minutes left?

0:45:35.280 --> 0:45:41.680
<v Speaker 7>Who would you call? Hmm? Think about that?

0:45:41.920 --> 0:45:42.160
<v Speaker 3>Shit?

0:45:43.480 --> 0:45:44.000
<v Speaker 6>What if?

0:45:44.920 --> 0:45:46.719
<v Speaker 7>And I live like that? I ain't gonna lie to you.

0:45:47.880 --> 0:45:54.160
<v Speaker 12>Sometimes it's something as like when my assistant leaves. I

0:45:54.200 --> 0:45:58.719
<v Speaker 12>want to swim, but the shadows have.

0:45:58.719 --> 0:46:01.480
<v Speaker 7>Come over the pool so it gets a little.

0:46:01.320 --> 0:46:04.439
<v Speaker 12>Chill, and I stand there and go, oh, I don't

0:46:04.480 --> 0:46:09.799
<v Speaker 12>want to get in this pool. Jenny, get in the

0:46:09.800 --> 0:46:13.160
<v Speaker 12>fucking pool and relax yourself.

0:46:13.640 --> 0:46:15.239
<v Speaker 7>You gotta talk to yourself.

0:46:15.400 --> 0:46:18.040
<v Speaker 12>But guess why I got in the pool, Because when

0:46:18.040 --> 0:46:22.640
<v Speaker 12>I woke up, I wrote it down. You will swim today.

0:46:23.960 --> 0:46:28.000
<v Speaker 12>You got That's what living on purpose is about. You

0:46:28.040 --> 0:46:30.320
<v Speaker 12>can't go willy nelly through this bitch.

0:46:30.640 --> 0:46:35.319
<v Speaker 7>It'll eat you a line. This is why that you

0:46:35.600 --> 0:46:39.280
<v Speaker 7>are in charge. Write the ship down.

0:46:39.640 --> 0:46:43.120
<v Speaker 12>You write your story instead of like I said, go

0:46:43.200 --> 0:46:47.560
<v Speaker 12>on willy nilly skipping timptoeing through the fucking tulips.

0:46:47.920 --> 0:46:52.279
<v Speaker 7>That's what life. Look, Life is not a rehearsal. Live

0:46:52.400 --> 0:46:53.200
<v Speaker 7>this bitch.

0:46:53.760 --> 0:46:55.440
<v Speaker 13>Can I just say real quick, excuse me?

0:46:55.560 --> 0:46:57.640
<v Speaker 5>Let me let me just say this, And I hate

0:46:57.680 --> 0:46:59.480
<v Speaker 5>to be on corny and go to the book that

0:46:59.560 --> 0:47:01.840
<v Speaker 5>you have our walking in Your Joy? But I just realized,

0:47:01.880 --> 0:47:03.839
<v Speaker 5>Am I saying that walking in your joy?

0:47:03.960 --> 0:47:05.480
<v Speaker 7>Yes? Walking in my joy?

0:47:05.680 --> 0:47:08.759
<v Speaker 5>In my joy? But it's so interesting because a lot

0:47:08.800 --> 0:47:11.000
<v Speaker 5>of people write books and they say things, But I

0:47:11.080 --> 0:47:13.000
<v Speaker 5>like that you have some real practical things, like what

0:47:13.080 --> 0:47:15.080
<v Speaker 5>you just said to a mirror about living in those

0:47:15.080 --> 0:47:17.080
<v Speaker 5>five minutes. And then you wrote something else that caught

0:47:17.080 --> 0:47:20.120
<v Speaker 5>me and you said, when you're feeling down, you come

0:47:20.200 --> 0:47:22.319
<v Speaker 5>up with a song about your how much you love

0:47:22.360 --> 0:47:23.200
<v Speaker 5>yourself and how much.

0:47:23.120 --> 0:47:23.799
<v Speaker 7>People love you.

0:47:24.120 --> 0:47:26.720
<v Speaker 5>That's not I'm realizing. Although I haven't finished the book,

0:47:26.880 --> 0:47:29.399
<v Speaker 5>can people like depend that like you pretty much got

0:47:29.480 --> 0:47:32.520
<v Speaker 5>little workable jewels in here. Not just like girl, live

0:47:32.600 --> 0:47:37.560
<v Speaker 5>your best life. It's actually like no, exactly exactly, but.

0:47:38.320 --> 0:47:42.720
<v Speaker 7>Here's the work. The work is how am I gonna

0:47:42.760 --> 0:47:44.120
<v Speaker 7>live my best life?

0:47:44.360 --> 0:47:44.560
<v Speaker 11>Right?

0:47:44.880 --> 0:47:47.759
<v Speaker 12>And that's what And that's the work. That's what you

0:47:47.800 --> 0:47:51.560
<v Speaker 12>write down in the morning, y'all. I don't know if

0:47:51.560 --> 0:47:55.640
<v Speaker 12>you know, but when I wrote The Mother Black Hollywood,

0:47:56.480 --> 0:48:01.640
<v Speaker 12>I started writing in a journal in the seventh grade,

0:48:02.920 --> 0:48:06.799
<v Speaker 12>No I because I knew I was gonna be a

0:48:06.840 --> 0:48:08.480
<v Speaker 12>star and I would need my book.

0:48:10.360 --> 0:48:12.840
<v Speaker 7>That's seventh grade continuously.

0:48:13.120 --> 0:48:18.160
<v Speaker 12>I am sixty five. There are sixty seven journals.

0:48:18.560 --> 0:48:19.600
<v Speaker 14>Oh I'm so jealous.

0:48:19.640 --> 0:48:21.200
<v Speaker 7>That is why don't we do this?

0:48:21.719 --> 0:48:22.960
<v Speaker 5>Why do we start and stop?

0:48:23.000 --> 0:48:24.520
<v Speaker 7>And I got about six?

0:48:25.360 --> 0:48:30.520
<v Speaker 12>Damn it sood details? She saw the Black Hollywood.

0:48:30.520 --> 0:48:31.160
<v Speaker 3>It's so good.

0:48:31.320 --> 0:48:32.960
<v Speaker 7>Because of the details.

0:48:33.120 --> 0:48:37.320
<v Speaker 12>I can tell you that I had hot apple pie all.

0:48:37.239 --> 0:48:41.120
<v Speaker 7>The mold with your only Ralph on this date. Damn

0:48:41.120 --> 0:48:46.160
<v Speaker 7>you see, you see, you see, so nothing is wasted.

0:48:47.320 --> 0:48:48.560
<v Speaker 7>Live your life.

0:48:48.800 --> 0:48:51.719
<v Speaker 12>And when I got into therapy the first time, my

0:48:51.840 --> 0:48:53.680
<v Speaker 12>therapist looked at me when I told her I had

0:48:53.719 --> 0:48:54.720
<v Speaker 12>written all those journals.

0:48:54.760 --> 0:48:56.440
<v Speaker 7>She said, that's what saved your life.

0:48:56.480 --> 0:48:57.960
<v Speaker 4>Little girl, I believe it.

0:48:58.120 --> 0:49:01.360
<v Speaker 7>I didn't know I was saving my life. Yeah, but that.

0:49:01.480 --> 0:49:09.520
<v Speaker 12>Journal served in me learning at an early age. I

0:49:09.560 --> 0:49:15.000
<v Speaker 12>didn't even know I was doing it to be in

0:49:15.200 --> 0:49:20.760
<v Speaker 12>charge of me and leave other people alone. Jour people

0:49:20.800 --> 0:49:24.399
<v Speaker 12>come and go for a season, let it go. When

0:49:24.400 --> 0:49:26.840
<v Speaker 12>they're no longer of reflection of you.

0:49:26.840 --> 0:49:29.040
<v Speaker 7>You're not gonna be comfortable around them.

0:49:29.360 --> 0:49:31.960
<v Speaker 12>If the toxic shit is going on the lines and

0:49:32.000 --> 0:49:34.040
<v Speaker 12>the chaos, y'all get the fuck out of there.

0:49:34.719 --> 0:49:35.279
<v Speaker 7>You ain't there.

0:49:35.360 --> 0:49:39.200
<v Speaker 12>There are many rooms to go to, there are many cities.

0:49:39.320 --> 0:49:42.160
<v Speaker 7>All your dude, leave the room fuck out of there.

0:49:42.239 --> 0:49:46.160
<v Speaker 12>Shit simple, don't sit there with all that drama and shitty.

0:49:46.040 --> 0:49:48.080
<v Speaker 5>Practical things you can use.

0:49:48.600 --> 0:49:50.480
<v Speaker 7>It's so boring. It's boring.

0:49:50.560 --> 0:49:50.919
<v Speaker 2>I said.

0:49:51.360 --> 0:49:53.960
<v Speaker 12>The greatest sin is somebody to say, oh, I'm bored,

0:49:54.080 --> 0:49:55.719
<v Speaker 12>bitch thet to.

0:49:55.840 --> 0:49:56.800
<v Speaker 7>Have my money.

0:49:57.440 --> 0:49:57.760
<v Speaker 2>Okay.

0:49:57.960 --> 0:50:01.840
<v Speaker 1>So, of course, like in the last two years is

0:50:01.880 --> 0:50:06.560
<v Speaker 1>the most that I've heard black people speaking on finding

0:50:06.640 --> 0:50:10.839
<v Speaker 1>joy and finding their mental health and all those things.

0:50:10.840 --> 0:50:14.120
<v Speaker 1>Because previously there's a secret I would never like in

0:50:14.360 --> 0:50:18.280
<v Speaker 1>two thousand and eleven, I would never share with nobody that.

0:50:18.239 --> 0:50:23.040
<v Speaker 5>Likes trauma attached to that you right, because.

0:50:22.800 --> 0:50:24.879
<v Speaker 2>You don't want to share like people think I'm crazy

0:50:24.920 --> 0:50:26.279
<v Speaker 2>or whatever. The thing is is.

0:50:26.239 --> 0:50:31.120
<v Speaker 1>That I know that for black people, their go to

0:50:32.160 --> 0:50:38.960
<v Speaker 1>answer was always the church, especially of an older you know,

0:50:39.000 --> 0:50:40.080
<v Speaker 1>I was born in seventy one.

0:50:40.360 --> 0:50:42.920
<v Speaker 2>I know you were born before I was fifty seven.

0:50:43.960 --> 0:50:47.400
<v Speaker 1>For a lot of people in you know, pre eighties

0:50:47.400 --> 0:50:50.560
<v Speaker 1>people whatever, like their thing is always like I'll find

0:50:50.600 --> 0:50:51.960
<v Speaker 1>God or I'll talk to my preacher.

0:50:52.800 --> 0:50:55.640
<v Speaker 2>How so this is almost a phenomenally to hear.

0:50:57.040 --> 0:51:03.320
<v Speaker 1>Of your generation, of your experience really not even diving

0:51:03.360 --> 0:51:05.600
<v Speaker 1>into the pool of mental therapy, but I mean you're

0:51:05.640 --> 0:51:07.799
<v Speaker 1>going to the abyss of it, You're going to the

0:51:07.840 --> 0:51:08.640
<v Speaker 1>deepest level of it.

0:51:09.000 --> 0:51:10.319
<v Speaker 2>So what was it?

0:51:10.920 --> 0:51:16.680
<v Speaker 1>What was the moment that told you that my mental

0:51:16.840 --> 0:51:20.640
<v Speaker 1>health has to be addressed in and handled this way

0:51:21.040 --> 0:51:25.840
<v Speaker 1>as opposed to I do consider that, I do consider

0:51:25.960 --> 0:51:32.400
<v Speaker 1>organized religion as a vice akin to gambling, sex, joys.

0:51:32.920 --> 0:51:34.040
<v Speaker 7>Let me say this to you.

0:51:34.520 --> 0:51:37.280
<v Speaker 12>Yeah, there's a line in the movie I did, Karina

0:51:37.400 --> 0:51:46.280
<v Speaker 12>Karina where the the little girl says, these people believe

0:51:46.760 --> 0:51:49.480
<v Speaker 12>I'm paraphrasing, but they said, these people believe in God.

0:51:50.440 --> 0:51:53.520
<v Speaker 12>And the people that somebody has said it was Jewish.

0:51:53.840 --> 0:51:56.560
<v Speaker 12>And the question that was asked by a child was

0:51:57.440 --> 0:52:01.759
<v Speaker 12>She said, why do these people sing about this? And

0:52:01.840 --> 0:52:06.120
<v Speaker 12>the mother said because it makes them feel good? And

0:52:06.160 --> 0:52:09.200
<v Speaker 12>the little girl said, what's wrong with that? Mother said,

0:52:10.400 --> 0:52:14.600
<v Speaker 12>I guess nothing. Look, if you want to be an

0:52:14.800 --> 0:52:18.200
<v Speaker 12>organized religion, that's okay. Let people do what they want

0:52:18.239 --> 0:52:21.520
<v Speaker 12>to do. That's what gets me through life. To allow

0:52:22.320 --> 0:52:25.399
<v Speaker 12>allow others to be where they are. What you're gonna do,

0:52:25.719 --> 0:52:28.000
<v Speaker 12>Go and make them a Buddhist, go and make them

0:52:28.040 --> 0:52:29.600
<v Speaker 12>a move them. You're gonna make them what.

0:52:29.640 --> 0:52:30.120
<v Speaker 6>You gonna do.

0:52:31.440 --> 0:52:38.960
<v Speaker 12>Once again, once again, pay attention to yourself. Everybody on

0:52:39.000 --> 0:52:42.920
<v Speaker 12>this planet has one job, and one job on it self.

0:52:43.040 --> 0:52:46.560
<v Speaker 7>Care and if you need to cry to Jesus to.

0:52:46.560 --> 0:52:48.720
<v Speaker 12>Do that, then you go on and cry to Jesus.

0:52:50.040 --> 0:52:52.600
<v Speaker 12>But allow other people to cry to whoever the hell

0:52:52.640 --> 0:52:54.920
<v Speaker 12>they want to cry to. That's what I don't like

0:52:54.960 --> 0:52:58.560
<v Speaker 12>about religion. Everybody think their religion is the best one.

0:52:59.719 --> 0:53:03.360
<v Speaker 7>So oh, I don't believe in that. Lead people alone,

0:53:04.000 --> 0:53:04.920
<v Speaker 7>Lead people alone.

0:53:04.920 --> 0:53:07.000
<v Speaker 12>If they want to work, you, let them work to Jesus,

0:53:07.280 --> 0:53:11.040
<v Speaker 12>let him work the Buddha or a Mohammed or Allah.

0:53:11.160 --> 0:53:13.120
<v Speaker 12>Let people do what the fuck they want to do.

0:53:14.160 --> 0:53:18.279
<v Speaker 7>I know who I am. I searched every religion in

0:53:18.320 --> 0:53:18.880
<v Speaker 7>this world.

0:53:19.960 --> 0:53:24.480
<v Speaker 12>I have been down the road, let's travel, and when

0:53:24.520 --> 0:53:28.000
<v Speaker 12>I got to the end, that wasn't nothing but the

0:53:28.160 --> 0:53:35.240
<v Speaker 12>big ass mirror. You cannot run. Wherever you run, you

0:53:35.280 --> 0:53:36.760
<v Speaker 12>will meet yourself.

0:53:38.120 --> 0:53:40.440
<v Speaker 7>So there's no running. And I told them on the

0:53:40.520 --> 0:53:42.920
<v Speaker 7>breakfast Club, I got money.

0:53:42.680 --> 0:53:46.560
<v Speaker 2>To run, and you can't even run.

0:53:47.920 --> 0:53:48.640
<v Speaker 6>You can't run.

0:53:49.080 --> 0:53:51.400
<v Speaker 7>You can don't ask me. Don't ask me for now.

0:53:51.440 --> 0:53:52.879
<v Speaker 7>I'm like, what's his name?

0:53:52.920 --> 0:53:57.800
<v Speaker 12>The baby I love, Daje Pel I'm rich, bitch, don't.

0:53:57.560 --> 0:53:59.759
<v Speaker 7>Ask me for shit? All right, there you go.

0:54:01.200 --> 0:54:02.120
<v Speaker 5>What do you say to him?

0:54:02.560 --> 0:54:02.759
<v Speaker 6>Even?

0:54:02.840 --> 0:54:05.080
<v Speaker 5>Like to what onn Amir's question, like you're leading the

0:54:05.120 --> 0:54:07.560
<v Speaker 5>pack of your generation in that way, like he said,

0:54:08.000 --> 0:54:10.520
<v Speaker 5>like you're it is kind of special. Do you see

0:54:11.080 --> 0:54:14.399
<v Speaker 5>in the difference in the generational hower Now? I'm using

0:54:14.440 --> 0:54:17.480
<v Speaker 5>words and had vocabulary for things that we didn't have before.

0:54:17.719 --> 0:54:19.879
<v Speaker 7>When I went I Got you.

0:54:19.960 --> 0:54:22.839
<v Speaker 12>When I went on the road with the Mother Black Hollywood,

0:54:22.920 --> 0:54:27.200
<v Speaker 12>because it was my journey through bipolar disorder, I was

0:54:27.239 --> 0:54:31.879
<v Speaker 12>able to feel not only the temperature, but the temperament

0:54:33.239 --> 0:54:34.360
<v Speaker 12>of the United States.

0:54:34.400 --> 0:54:35.080
<v Speaker 7>I went all over.

0:54:35.840 --> 0:54:39.560
<v Speaker 12>During the Trump era, people are starting to wake up.

0:54:40.080 --> 0:54:43.880
<v Speaker 12>I was very pleased. They're starting to get counseling in churches,

0:54:44.640 --> 0:54:48.080
<v Speaker 12>they are starting to put more counseling in youth centers.

0:54:48.520 --> 0:54:52.560
<v Speaker 12>Our children are falling apart, and I'm not the only

0:54:52.680 --> 0:54:57.000
<v Speaker 12>woman in the world that cares. People are coming together.

0:54:57.080 --> 0:55:01.000
<v Speaker 12>We are getting better. Everybody wanted to talk about the stigma. Yes,

0:55:01.040 --> 0:55:04.719
<v Speaker 12>there is a stigma, but we are getting better. You See,

0:55:04.760 --> 0:55:09.359
<v Speaker 12>my mother didn't have the Oprah Winfrey ship. Okay, that's

0:55:09.360 --> 0:55:12.680
<v Speaker 12>what I'm saying. Mamma didn't know nothing about mental illness.

0:55:12.719 --> 0:55:15.600
<v Speaker 12>And yet if someone were to ask me, I would say,

0:55:15.640 --> 0:55:16.759
<v Speaker 12>absolutely she was.

0:55:17.560 --> 0:55:19.280
<v Speaker 7>I do believe that she was depressed.

0:55:19.400 --> 0:55:21.680
<v Speaker 12>She had me when she was twenty six years old

0:55:21.840 --> 0:55:26.000
<v Speaker 12>and I was her seventh child. Whoa, she was scrubbed,

0:55:26.040 --> 0:55:28.240
<v Speaker 12>and she was scrubbing white people's floors.

0:55:28.280 --> 0:55:31.319
<v Speaker 7>You think she had time to give me affection.

0:55:31.560 --> 0:55:36.400
<v Speaker 12>She was exhausted by the time I came along. Listen

0:55:36.680 --> 0:55:39.799
<v Speaker 12>eve Insler, who wrote the Vagina Monologues.

0:55:41.160 --> 0:55:42.720
<v Speaker 7>She ran all around the world.

0:55:42.960 --> 0:55:46.320
<v Speaker 12>She went to Africa with the women that were having

0:55:46.400 --> 0:55:48.400
<v Speaker 12>the clitterictism.

0:55:48.640 --> 0:55:51.320
<v Speaker 7>If it's clitterists, I don't know. If it's her plural,

0:55:51.640 --> 0:55:57.160
<v Speaker 7>I only have one, all right. I used to have

0:55:57.239 --> 0:56:04.479
<v Speaker 7>three but I get y'all want remember one of those

0:56:04.520 --> 0:56:06.280
<v Speaker 7>first wnch stns.

0:56:05.880 --> 0:56:13.400
<v Speaker 12>That bitch tied to when we just had listen, God, damn,

0:56:14.320 --> 0:56:14.640
<v Speaker 12>I have.

0:56:14.719 --> 0:56:15.920
<v Speaker 7>To web it.

0:56:16.000 --> 0:56:18.040
<v Speaker 12>That bitch tied to glitter and she.

0:56:20.040 --> 0:56:23.759
<v Speaker 7>Has something like that, something like that.

0:56:23.840 --> 0:56:26.560
<v Speaker 12>It was funny, but it Let me get back to this, sorry,

0:56:27.400 --> 0:56:33.200
<v Speaker 12>let me get back to serious ship. Listen all I

0:56:33.239 --> 0:56:37.359
<v Speaker 12>can say that, then not go into three clitterists, honey.

0:56:37.320 --> 0:56:39.040
<v Speaker 5>Last in the glitterists, I did too.

0:56:39.480 --> 0:56:42.040
<v Speaker 12>I need to find somebody to tell me whether clittericist

0:56:42.280 --> 0:56:43.880
<v Speaker 12>it's clitterisstens.

0:56:44.400 --> 0:56:45.600
<v Speaker 7>Come on, Jennifer, if.

0:56:45.440 --> 0:56:55.319
<v Speaker 1>You don't need clitter, clit glitteriz, I have no idea.

0:56:55.000 --> 0:56:56.920
<v Speaker 7>You know, I'll come out of the bag with anything.

0:56:56.960 --> 0:56:59.480
<v Speaker 5>I don't multiple clitterists last.

0:56:59.320 --> 0:57:00.680
<v Speaker 7>Thank you? Did you look it up?

0:57:01.160 --> 0:57:03.040
<v Speaker 2>No?

0:57:04.200 --> 0:57:05.160
<v Speaker 7>I was in uh.

0:57:05.239 --> 0:57:08.480
<v Speaker 12>When I was in the serah gaddy uh, two little

0:57:08.520 --> 0:57:12.359
<v Speaker 12>baby rhinoceroses thought I had some food, so they came

0:57:12.400 --> 0:57:12.759
<v Speaker 12>over to.

0:57:12.719 --> 0:57:15.759
<v Speaker 7>Me and they just gone like this, just a don't get,

0:57:15.800 --> 0:57:16.800
<v Speaker 7>don't get, don't.

0:57:17.080 --> 0:57:19.080
<v Speaker 12>And they when they saw it and have no food,

0:57:19.120 --> 0:57:21.600
<v Speaker 12>they kind of don't don't get don't away from me,

0:57:21.880 --> 0:57:23.000
<v Speaker 12>and I start screaming.

0:57:25.360 --> 0:57:27.080
<v Speaker 7>I ever heard of Jenny Craig.

0:57:30.160 --> 0:57:31.080
<v Speaker 3>Had no food for you.

0:57:32.120 --> 0:57:34.960
<v Speaker 12>I'll cuts out a rhinoceros, bitch you hear me? And

0:57:35.000 --> 0:57:37.520
<v Speaker 12>then I had to look up whether it was not

0:57:37.800 --> 0:57:42.240
<v Speaker 12>rhinocerih because most of my friends was wait.

0:57:42.120 --> 0:57:43.360
<v Speaker 7>Man, because wait a minute.

0:57:43.400 --> 0:57:48.000
<v Speaker 12>Listen, because most of my friends are major intellectuals.

0:57:48.000 --> 0:57:49.440
<v Speaker 7>I keep smart people around me.

0:57:49.520 --> 0:57:52.920
<v Speaker 12>Honey, listen, I can feel enough for everybody.

0:57:52.920 --> 0:57:54.880
<v Speaker 7>You just tell me what the ship? What's going on?

0:57:55.080 --> 0:57:55.439
<v Speaker 6>But here?

0:57:55.840 --> 0:57:59.600
<v Speaker 12>But if I listen, if I'm a stand in the

0:58:00.200 --> 0:58:06.200
<v Speaker 12>getty and cuffs out two baby rhinoceroses, what do you

0:58:06.200 --> 0:58:08.280
<v Speaker 12>think I'm gonna do with the story of the clitterists?

0:58:08.320 --> 0:58:09.720
<v Speaker 12>Get the fuck out, Let's go.

0:58:09.840 --> 0:58:10.240
<v Speaker 7>What's that?

0:58:12.800 --> 0:58:12.920
<v Speaker 4>Oh?

0:58:13.160 --> 0:58:16.760
<v Speaker 7>Cos is out? But what you need to know is,

0:58:16.880 --> 0:58:18.480
<v Speaker 7>Jennifer Lord, We'll go anywhere.

0:58:18.920 --> 0:58:21.480
<v Speaker 12>I ain't no shame in my game, baby, I'll do

0:58:21.520 --> 0:58:22.720
<v Speaker 12>anything to make people laugh.

0:58:28.440 --> 0:58:31.360
<v Speaker 1>So clearly, if you're a longtime fan of the show,

0:58:32.320 --> 0:58:38.200
<v Speaker 1>you'll notice that we've had a curious metamorphosis. In the beginning,

0:58:38.320 --> 0:58:41.920
<v Speaker 1>we were raw talking over each other like there's no

0:58:42.200 --> 0:58:47.640
<v Speaker 1>rules of podcasting or interviewing when you first jump in

0:58:47.680 --> 0:58:50.800
<v Speaker 1>the game. And of course, unlike radio, where you're supposed

0:58:50.840 --> 0:58:53.360
<v Speaker 1>to go to communication school and learn how to backsell

0:58:53.480 --> 0:58:56.040
<v Speaker 1>and do stuff in like fifteen seconds.

0:58:56.160 --> 0:58:59.240
<v Speaker 2>Distinctly, it's really a learning process.

0:59:00.280 --> 0:59:05.000
<v Speaker 1>Learning process when you podcast on your own without any

0:59:05.000 --> 0:59:09.880
<v Speaker 1>communication training. Then I'll say, like, after twenty twenty kind

0:59:09.880 --> 0:59:14.080
<v Speaker 1>of had a life epiphany, and without really getting too

0:59:14.080 --> 0:59:16.760
<v Speaker 1>deep into it, let's just say that I became more

0:59:17.200 --> 0:59:22.200
<v Speaker 1>aware of what I wanted to put out into the world.

0:59:23.040 --> 0:59:26.640
<v Speaker 1>And I guess in some abstract way, I guess I'm

0:59:26.920 --> 0:59:32.400
<v Speaker 1>going to Hamilton saying like not wasting my shot, or

0:59:32.560 --> 0:59:34.800
<v Speaker 1>you know, Chuck de says, not rhyming for the sake

0:59:34.840 --> 0:59:38.840
<v Speaker 1>of riddling. Just want to be more mindful of any

0:59:38.880 --> 0:59:42.960
<v Speaker 1>content that I put out in the world. And you know,

0:59:43.480 --> 0:59:49.520
<v Speaker 1>of course that's not in the kind of conservative eighties slash,

0:59:49.680 --> 0:59:53.080
<v Speaker 1>you know, typic Gore way of you know, this whole

0:59:53.120 --> 0:59:56.680
<v Speaker 1>idea that positivity or that sort of thing is seeing

0:59:56.720 --> 1:00:01.080
<v Speaker 1>as a bore or a negative. I think wisdom an

1:00:01.120 --> 1:00:07.720
<v Speaker 1>accurate information. It's important. I think processing of emotions is important.

1:00:07.720 --> 1:00:10.960
<v Speaker 1>I think creativity is important. I think a lot of

1:00:11.000 --> 1:00:14.919
<v Speaker 1>guests like coming onto the show because they're not here

1:00:15.240 --> 1:00:17.160
<v Speaker 1>just to sell you product.

1:00:17.360 --> 1:00:19.360
<v Speaker 2>You know, we're just so used to promoting the movie,

1:00:19.400 --> 1:00:20.240
<v Speaker 2>promoting the movie.

1:00:20.320 --> 1:00:23.720
<v Speaker 1>Promoting the movie, artists rarely get a chance to just

1:00:23.760 --> 1:00:27.920
<v Speaker 1>talk about how they feel or feel safe to do, so,

1:00:28.560 --> 1:00:31.600
<v Speaker 1>you know, and sometimes we've had episodes in which people

1:00:31.680 --> 1:00:36.840
<v Speaker 1>have been wide open. One of the episodes which I

1:00:37.240 --> 1:00:39.320
<v Speaker 1>you know, even though you've heard me say, like, oh,

1:00:39.360 --> 1:00:42.640
<v Speaker 1>the Jimmy Jam episode or the Babyface episode or one

1:00:42.680 --> 1:00:47.160
<v Speaker 1>of those drunken Christmas episodes, the Family Stand episode is

1:00:47.160 --> 1:00:51.320
<v Speaker 1>definitely exemplary of where there was no filter whatsoever, and

1:00:52.600 --> 1:00:56.080
<v Speaker 1>you know, the truth came out, feelings came out. And

1:00:56.120 --> 1:00:58.800
<v Speaker 1>then there's some episodes in which people held back. We

1:00:58.920 --> 1:01:03.919
<v Speaker 1>still to this day, Joe about Faith Newman's very type

1:01:04.000 --> 1:01:08.560
<v Speaker 1>lipped experiences in the record industry in the eighties and nineties.

1:01:09.000 --> 1:01:09.760
<v Speaker 2>Understandable.

1:01:10.360 --> 1:01:14.040
<v Speaker 1>You know, what happens in life stays in life in

1:01:14.080 --> 1:01:17.720
<v Speaker 1>that present moment when it was. But for me, like,

1:01:18.720 --> 1:01:23.200
<v Speaker 1>wisdom is important. So that way, even if you listen

1:01:23.240 --> 1:01:26.000
<v Speaker 1>to an old episode, like you could listen to that

1:01:26.080 --> 1:01:31.920
<v Speaker 1>Jimmy Jam episode forever because he dropped so much wisdom gyms.

1:01:32.000 --> 1:01:38.000
<v Speaker 1>So that's why wisdom's important, all right. So we've had

1:01:38.040 --> 1:01:44.200
<v Speaker 1>some rather difficult conversations on Questlove Supreme as well. Back

1:01:44.240 --> 1:01:49.920
<v Speaker 1>in twenty sixteen, Solange recounted how she felt profiled at

1:01:49.960 --> 1:01:54.360
<v Speaker 1>a craft Work concert. There was one entry on your

1:01:54.400 --> 1:01:58.320
<v Speaker 1>site that really had me curious, and I wanted to

1:01:58.320 --> 1:02:01.320
<v Speaker 1>call you about it. What I've forgot to and that

1:02:01.480 --> 1:02:04.280
<v Speaker 1>was the I guess we can call it the craft

1:02:04.320 --> 1:02:10.040
<v Speaker 1>Work incident. Yeah, And the thing was I understood. I

1:02:10.040 --> 1:02:14.960
<v Speaker 1>guess what I got from it was that it's really

1:02:15.040 --> 1:02:21.920
<v Speaker 1>hard for you to make people understand that you still

1:02:21.960 --> 1:02:29.760
<v Speaker 1>go through human experiences, which because people perceived you as

1:02:29.840 --> 1:02:31.680
<v Speaker 1>coming from such a this.

1:02:31.680 --> 1:02:32.920
<v Speaker 2>Perceived dynasty of.

1:02:34.520 --> 1:02:37.840
<v Speaker 1>Giants that you know would be time to pull out

1:02:37.880 --> 1:02:42.760
<v Speaker 1>the violin or whatever, like, oh, you know, and it's

1:02:42.920 --> 1:02:46.600
<v Speaker 1>never validated. What I'm saying is that what I got

1:02:46.640 --> 1:02:50.200
<v Speaker 1>from that entry was the fact that you were frustrated

1:02:50.240 --> 1:02:53.880
<v Speaker 1>that you really couldn't figure out a way to express

1:02:54.920 --> 1:02:58.760
<v Speaker 1>the anger you have when those injustices and those situations

1:02:58.800 --> 1:03:01.960
<v Speaker 1>happened to you, because people don't see you as a

1:03:02.040 --> 1:03:07.040
<v Speaker 1>human being and just see you as part of this,

1:03:07.200 --> 1:03:09.720
<v Speaker 1>you know, this dynasty that's supposed to be taught line

1:03:09.840 --> 1:03:14.920
<v Speaker 1>to emotions, and I can imagine that being frustrating.

1:03:15.160 --> 1:03:16.840
<v Speaker 2>Can you explain the craft Work situation?

1:03:17.320 --> 1:03:21.600
<v Speaker 15>Yes, but I will say before before I get into

1:03:21.680 --> 1:03:24.439
<v Speaker 15>that just to carry on what you said. The thing

1:03:24.560 --> 1:03:27.680
<v Speaker 15>is is that doctor Dre is going through this in

1:03:27.720 --> 1:03:31.040
<v Speaker 15>front of his home, and Oprah Winfrey is going through this,

1:03:31.440 --> 1:03:36.240
<v Speaker 15>you know, in the Hermez store, and these are billionaires,

1:03:36.720 --> 1:03:40.720
<v Speaker 15>So that in that landscape, I think those kind of

1:03:40.720 --> 1:03:46.520
<v Speaker 15>micro aggressions happen to everyone daily as as a black

1:03:46.560 --> 1:03:50.560
<v Speaker 15>woman and man in this country. It doesn't matter your class,

1:03:51.600 --> 1:03:53.880
<v Speaker 15>it doesn't matter how much money you have, what kind

1:03:53.920 --> 1:03:59.480
<v Speaker 15>of quote unquote empire dynasty you come from.

1:03:59.560 --> 1:04:02.280
<v Speaker 16>That's just the lay of the land. Essentially.

1:04:04.160 --> 1:04:10.040
<v Speaker 15>My husband and my son who's twelve jewels, and his

1:04:10.160 --> 1:04:15.440
<v Speaker 15>friend Rashid, we went to see craft work. And the

1:04:15.560 --> 1:04:18.520
<v Speaker 15>interesting thing was it was a Friday night. My son

1:04:18.600 --> 1:04:22.120
<v Speaker 15>had his friend over. They had never heard of craft work,

1:04:23.240 --> 1:04:25.920
<v Speaker 15>to be honest, that was the last thing that they wanted.

1:04:25.640 --> 1:04:27.160
<v Speaker 16>To do with their Friday night.

1:04:28.480 --> 1:04:32.960
<v Speaker 15>So, you know, Allen and I are showing them YouTube

1:04:33.080 --> 1:04:36.560
<v Speaker 15>videos and trying to make the link with hip hop

1:04:36.640 --> 1:04:40.880
<v Speaker 15>to get them more interested, and showing them visuals and like, no,

1:04:41.080 --> 1:04:44.920
<v Speaker 15>you guys are gonna love this, like you know, just

1:04:45.040 --> 1:04:53.720
<v Speaker 15>relating and specifically showing the samples that Jules's uncle.

1:04:54.920 --> 1:04:57.400
<v Speaker 16>Sample of craftworks.

1:04:57.600 --> 1:05:01.640
<v Speaker 2>So whoever that is because it took me a minute.

1:05:02.480 --> 1:05:04.360
<v Speaker 16>So essentially.

1:05:05.600 --> 1:05:09.640
<v Speaker 15>That's important to note, just just for the story itself,

1:05:09.960 --> 1:05:14.560
<v Speaker 15>that here you have two young black kids who are

1:05:14.600 --> 1:05:19.520
<v Speaker 15>not really interested, don't have much, you know, knowledge about

1:05:19.520 --> 1:05:25.720
<v Speaker 15>this bad yeah, and we are, you know, trying to

1:05:25.840 --> 1:05:29.320
<v Speaker 15>navigate them into the show and build interests and whatever.

1:05:30.560 --> 1:05:33.960
<v Speaker 16>As soon as we walk in, we got our three

1:05:34.000 --> 1:05:37.080
<v Speaker 16>D glasses said their museum run.

1:05:37.400 --> 1:05:48.360
<v Speaker 15>No, this was at the Orpheum Theater and so yeah,

1:05:48.400 --> 1:05:52.200
<v Speaker 15>we're basically walking to our seats, and it just so

1:05:52.360 --> 1:05:53.920
<v Speaker 15>happened the very song.

1:05:56.480 --> 1:06:02.800
<v Speaker 16>Yes exactly was on, and so we were super stoked.

1:06:03.120 --> 1:06:05.880
<v Speaker 16>We had box seats.

1:06:06.040 --> 1:06:09.720
<v Speaker 15>There was two rows in front of us in one

1:06:09.840 --> 1:06:15.880
<v Speaker 15>row behind us, and we walked our seats and we're

1:06:15.960 --> 1:06:23.480
<v Speaker 15>dancing and these women essentially just started yelling at the

1:06:23.480 --> 1:06:25.080
<v Speaker 15>top of their lung sit.

1:06:24.960 --> 1:06:28.400
<v Speaker 1>Down, now, sit down, shut up.

1:06:28.520 --> 1:06:30.360
<v Speaker 5>You guys are been so disruptive.

1:06:33.000 --> 1:06:37.600
<v Speaker 15>And I turned around and I, in that moment, had

1:06:37.640 --> 1:06:40.800
<v Speaker 15>to make a decision. Am I gonna respond or am

1:06:40.840 --> 1:06:44.040
<v Speaker 15>I just going to enjoy this song and deal with

1:06:44.080 --> 1:06:44.520
<v Speaker 15>it later.

1:06:45.160 --> 1:06:46.480
<v Speaker 16>I actually clocked.

1:06:46.160 --> 1:06:48.840
<v Speaker 15>Into myself, you know, you have that moment, and said

1:06:49.440 --> 1:06:51.720
<v Speaker 15>I'm gonna dance to this song and then I'm gonna

1:06:51.720 --> 1:06:54.120
<v Speaker 15>sit my ass down because I already know where this

1:06:54.280 --> 1:06:59.440
<v Speaker 15>is heading. Simultaneously, which I didn't write about, which Alan

1:06:59.480 --> 1:07:03.080
<v Speaker 15>thought was really important for me to note and note you.

1:07:03.240 --> 1:07:08.200
<v Speaker 15>My son is he was eleven at the time, and

1:07:09.640 --> 1:07:13.720
<v Speaker 15>this the attendant comes over to him and his friend

1:07:13.760 --> 1:07:14.680
<v Speaker 15>who are sitting down.

1:07:14.920 --> 1:07:18.240
<v Speaker 16>They weren't standing up dancing. Alan an hour and.

1:07:18.200 --> 1:07:23.400
<v Speaker 15>Says, put your no electronic cigarettes. Put your cigarettes away

1:07:23.920 --> 1:07:24.920
<v Speaker 15>to these children.

1:07:25.400 --> 1:07:28.880
<v Speaker 16>Yes, yes, cigarettes, note you.

1:07:29.200 --> 1:07:31.320
<v Speaker 15>As soon as we walked in and we saw these

1:07:31.320 --> 1:07:35.120
<v Speaker 15>two older white men sitting in front smoking the cigarettes,

1:07:36.960 --> 1:07:40.760
<v Speaker 15>we took note of that. We weren't bothered, but you know,

1:07:40.840 --> 1:07:43.360
<v Speaker 15>it was just the assumption that if someone was breaking

1:07:43.360 --> 1:07:46.040
<v Speaker 15>the rule, surely it was the two eleven year old

1:07:46.080 --> 1:07:47.640
<v Speaker 15>black kids.

1:07:47.960 --> 1:07:50.960
<v Speaker 13>Because somebody said, yeah, yeah, vaping.

1:07:53.880 --> 1:07:57.320
<v Speaker 16>So it was just a lot of tension in general.

1:07:57.360 --> 1:08:00.320
<v Speaker 15>And thank God, by the grace of God, Allan opped

1:08:00.320 --> 1:08:03.880
<v Speaker 15>into that immediately and was like, ma'am, these are children,

1:08:04.160 --> 1:08:06.000
<v Speaker 15>You've got the wrong people.

1:08:06.400 --> 1:08:06.840
<v Speaker 16>Whatever.

1:08:09.400 --> 1:08:15.880
<v Speaker 15>And then after that, Alan's going to kill me for

1:08:15.880 --> 1:08:19.000
<v Speaker 15>for blinking on the name of the song Ottomond.

1:08:20.439 --> 1:08:21.200
<v Speaker 16>That comes on.

1:08:21.720 --> 1:08:25.439
<v Speaker 15>And on the ride there, Alan had played me the

1:08:25.640 --> 1:08:30.599
<v Speaker 15>entire twelve minute song, and it just so happened that

1:08:30.600 --> 1:08:33.360
<v Speaker 15>that's what they played. So I was like, well, I'm

1:08:33.360 --> 1:08:35.559
<v Speaker 15>gonna just dance to this one too, because we had

1:08:35.680 --> 1:08:41.640
<v Speaker 15>just had that moment, right, and we're at an electronic

1:08:41.720 --> 1:08:42.919
<v Speaker 15>dance music concert.

1:08:43.320 --> 1:08:44.479
<v Speaker 16>It's not like.

1:08:46.400 --> 1:08:48.800
<v Speaker 2>Engaged in.

1:08:48.960 --> 1:08:52.960
<v Speaker 15>So there's two there's two parts of this problem. The

1:08:53.120 --> 1:08:57.479
<v Speaker 15>problem is also that, you know, we probably should have

1:08:57.800 --> 1:09:01.599
<v Speaker 15>asked for floor seats, but we were under the assumption

1:09:01.720 --> 1:09:04.240
<v Speaker 15>that people were going to be dancing all night long.

1:09:05.479 --> 1:09:06.760
<v Speaker 2>So you're in the balcony of the theater.

1:09:07.040 --> 1:09:13.160
<v Speaker 15>Yes, so we're dancing, and then I feel something hit

1:09:13.240 --> 1:09:16.760
<v Speaker 15>me on the back of my head. But I say,

1:09:17.240 --> 1:09:21.320
<v Speaker 15>surely I am tripping, must be tripping, must be tripping, right,

1:09:22.000 --> 1:09:25.000
<v Speaker 15>So I actually tell Alan, I said, I swear, and

1:09:25.080 --> 1:09:28.120
<v Speaker 15>maybe I'm just losing my motherfucking black ass.

1:09:28.200 --> 1:09:31.880
<v Speaker 16>Might but I just felt something hit.

1:09:31.840 --> 1:09:34.320
<v Speaker 15>Me on the back of my head, and he was like, babe,

1:09:34.560 --> 1:09:37.920
<v Speaker 15>you might just be tripping, like just lay low. So

1:09:39.960 --> 1:09:44.760
<v Speaker 15>I actually, you know, shook it off, and then I

1:09:44.880 --> 1:09:50.880
<v Speaker 15>felt something harder, Oh yeah, me on my shoulder, and

1:09:50.920 --> 1:09:55.040
<v Speaker 15>my son, my eleven year old son, tapped me.

1:09:56.160 --> 1:09:57.280
<v Speaker 16>He picked up.

1:09:57.200 --> 1:10:01.680
<v Speaker 15>A line from the ground I have eating line, and

1:10:01.720 --> 1:10:04.840
<v Speaker 15>he said, Mom, I just watched these women throw this

1:10:05.000 --> 1:10:05.639
<v Speaker 15>at you.

1:10:08.600 --> 1:10:21.600
<v Speaker 13>Used to tested in all kinds of ways, and I feel.

1:10:21.400 --> 1:10:24.799
<v Speaker 16>So bad because they gave us the tickets.

1:10:24.880 --> 1:10:27.760
<v Speaker 15>I've never met them, but you know, it just it

1:10:27.920 --> 1:10:30.559
<v Speaker 15>just sucks that they also had to be associated with

1:10:30.600 --> 1:10:34.240
<v Speaker 15>this incident. But yeah, you know, in that moment, I

1:10:34.280 --> 1:10:41.360
<v Speaker 15>basically knew we had probably three choices. One was to react,

1:10:41.640 --> 1:10:48.439
<v Speaker 15>which probably would have led to someone getting arrested, you know,

1:10:49.000 --> 1:10:51.439
<v Speaker 15>just spiraling out of control.

1:10:51.600 --> 1:10:53.240
<v Speaker 16>Or I called the police on.

1:10:53.200 --> 1:10:59.920
<v Speaker 15>Them because essentially, you know, they did throw ship at me.

1:11:02.080 --> 1:11:11.920
<v Speaker 16>Yeah, I mean, you know, you're here sometimes exactly that's

1:11:11.960 --> 1:11:12.599
<v Speaker 16>what they do.

1:11:13.320 --> 1:11:15.800
<v Speaker 15>Literally, But I knew that even if that happened that

1:11:15.960 --> 1:11:19.760
<v Speaker 15>somehow would it would still be our fault, or just

1:11:20.080 --> 1:11:23.160
<v Speaker 15>to just take it and be silenced, because I knew

1:11:23.200 --> 1:11:27.959
<v Speaker 15>that if I spoke to them that it would escalate.

1:11:28.160 --> 1:11:29.400
<v Speaker 16>And my son was there.

1:11:29.920 --> 1:11:33.080
<v Speaker 15>It was already traumatic enough for him to have to

1:11:33.160 --> 1:11:38.280
<v Speaker 15>experience that, especially in a context where it was a

1:11:38.280 --> 1:11:42.240
<v Speaker 15>predominantly white space, and he didn't want to be there

1:11:42.400 --> 1:11:46.400
<v Speaker 15>in the first place. And so now I think the

1:11:46.479 --> 1:11:49.160
<v Speaker 15>thing that saddened me the most is that here we are,

1:11:49.200 --> 1:11:53.560
<v Speaker 15>as parents trying to expand, you know, his horizon and

1:11:54.479 --> 1:11:59.320
<v Speaker 15>his experience and make him feel like he belongs wherever

1:11:59.680 --> 1:12:00.720
<v Speaker 15>he chooses to be.

1:12:01.320 --> 1:12:03.519
<v Speaker 16>But that was not the message that we got.

1:12:03.320 --> 1:12:06.519
<v Speaker 1>That next, what do you think he took from that experience, Like,

1:12:06.560 --> 1:12:08.439
<v Speaker 1>did you explain to him, Oh, yeah.

1:12:08.960 --> 1:12:12.799
<v Speaker 16>Several talks. No, No, we had several talks.

1:12:12.880 --> 1:12:18.400
<v Speaker 15>In fact, you know the we had it was it

1:12:18.439 --> 1:12:20.479
<v Speaker 15>was quite a three days after that.

1:12:20.800 --> 1:12:26.000
<v Speaker 16>I think that number one, I think just as as.

1:12:25.800 --> 1:12:29.800
<v Speaker 15>A young man and him and Alan, both as the

1:12:29.880 --> 1:12:34.760
<v Speaker 15>men and the family also felt silent and powerless just

1:12:34.920 --> 1:12:39.080
<v Speaker 15>in protecting me in that situation because they are black men,

1:12:39.400 --> 1:12:41.760
<v Speaker 15>and no matter what would have been said or done,

1:12:41.880 --> 1:12:45.000
<v Speaker 15>they would have been the aggressive in the situation. So

1:12:45.080 --> 1:12:49.640
<v Speaker 15>on one end, it was about teaching him, you know,

1:12:49.760 --> 1:12:54.120
<v Speaker 15>after the last eleven twelve now twelve years of teaching

1:12:54.200 --> 1:12:57.640
<v Speaker 15>him about injustices and how to stand up for himself

1:12:58.240 --> 1:13:01.439
<v Speaker 15>and to not be afraid and to speak up and

1:13:02.160 --> 1:13:11.720
<v Speaker 15>then having to say but right, So it was it

1:13:11.800 --> 1:13:15.519
<v Speaker 15>was just it's very complicated, but I felt the need

1:13:15.600 --> 1:13:17.439
<v Speaker 15>to write that piece for him.

1:13:18.080 --> 1:13:22.400
<v Speaker 16>I felt the need to essentially not be.

1:13:22.479 --> 1:13:27.120
<v Speaker 15>Silenced in that situation and to let him know that

1:13:27.479 --> 1:13:29.519
<v Speaker 15>there is an outlet in a way to use his

1:13:29.640 --> 1:13:33.240
<v Speaker 15>voice responsibly because there are so many people who read

1:13:33.320 --> 1:13:37.080
<v Speaker 15>that piece who I felt had a deeper understanding of

1:13:37.120 --> 1:13:40.120
<v Speaker 15>the microaggressions that we face as black men and women

1:13:40.200 --> 1:13:44.080
<v Speaker 15>on a daily basis, who were able to empathize, which

1:13:44.120 --> 1:13:47.920
<v Speaker 15>is something that we have the expectation of people to

1:13:48.000 --> 1:13:51.040
<v Speaker 15>do on a daily basis and to treat us with humanity.

1:13:51.760 --> 1:13:57.599
<v Speaker 15>But it was really interesting, and I felt regretful because

1:13:57.920 --> 1:14:01.080
<v Speaker 15>I had so much rage in the moment that I

1:14:01.160 --> 1:14:04.160
<v Speaker 15>started tweeting because I wanted them to see it.

1:14:04.200 --> 1:14:06.479
<v Speaker 16>When they got home, they were put on blast.

1:14:06.600 --> 1:14:09.600
<v Speaker 15>But I wish that I would have just channeled my

1:14:09.720 --> 1:14:14.040
<v Speaker 15>emotions and that waited and channeled in that piece, And

1:14:14.120 --> 1:14:17.200
<v Speaker 15>it was a great lesson learned that you know, it

1:14:17.320 --> 1:14:23.280
<v Speaker 15>really is no way to condense that experience in however

1:14:23.360 --> 1:14:27.000
<v Speaker 15>many letters that you get on one hundred and forty.

1:14:26.760 --> 1:14:29.280
<v Speaker 5>Characters had to write a book about it.

1:14:29.360 --> 1:14:31.599
<v Speaker 16>Yeah, yeah, it's really no way.

1:14:33.040 --> 1:14:36.920
<v Speaker 1>Solange's experiences related to something that I shared on the

1:14:36.960 --> 1:14:42.200
<v Speaker 1>show along with Journey Smollett and Journey and I shared

1:14:42.240 --> 1:14:44.479
<v Speaker 1>a story of the time that both she and I

1:14:44.600 --> 1:14:49.120
<v Speaker 1>got stopped by police, and these were the things that

1:14:49.160 --> 1:14:52.040
<v Speaker 1>people in the mainstream may not always hear because we

1:14:52.160 --> 1:14:56.240
<v Speaker 1>never get again asked about our daily life experiences.

1:14:56.280 --> 1:14:59.400
<v Speaker 2>It's all about our product.

1:15:00.000 --> 1:15:04.840
<v Speaker 1>We uh decided to share that story, and we felt

1:15:04.880 --> 1:15:07.760
<v Speaker 1>it was important to take our you know, take the

1:15:07.800 --> 1:15:10.400
<v Speaker 1>space to share our experiences journey.

1:15:10.400 --> 1:15:11.920
<v Speaker 2>Are we going to tell the story.

1:15:12.439 --> 1:15:14.680
<v Speaker 11>That story you're talking about, to.

1:15:14.600 --> 1:15:19.719
<v Speaker 2>Tell the story? You know the story? Answer? Yes, the story?

1:15:21.280 --> 1:15:26.840
<v Speaker 5>Oh said No, huh, okay, tell it, I'll tell it.

1:15:28.640 --> 1:15:31.840
<v Speaker 8>I mean, it's it's we were you're talking about the

1:15:31.880 --> 1:15:32.760
<v Speaker 8>Marina del Ray one.

1:15:33.520 --> 1:15:34.120
<v Speaker 2>Yeah.

1:15:34.360 --> 1:15:35.920
<v Speaker 7>So often what we.

1:15:35.760 --> 1:15:39.559
<v Speaker 11>Were doing is we were phone bank. You know, he's

1:15:39.560 --> 1:15:47.120
<v Speaker 11>talking about eight, Like really when we started heavily? No, no, no,

1:15:47.160 --> 1:15:48.080
<v Speaker 11>it was Maria del Ray.

1:15:49.439 --> 1:15:52.080
<v Speaker 2>We were leasing place where white people were. That's all

1:15:52.120 --> 1:15:53.200
<v Speaker 2>I remember. Maria.

1:15:55.280 --> 1:16:00.719
<v Speaker 8>Yeah, we were leaving a grassroots organizing meeting. Were Obama

1:16:00.800 --> 1:16:05.000
<v Speaker 8>and eight and it was he was during the primaries.

1:16:05.040 --> 1:16:06.120
<v Speaker 8>He hadn't even won yet.

1:16:07.600 --> 1:16:08.040
<v Speaker 2>Tuesday.

1:16:08.800 --> 1:16:09.559
<v Speaker 7>Yes, we were.

1:16:09.439 --> 1:16:11.719
<v Speaker 2>Depressed and we were depressed. He lost cow.

1:16:13.200 --> 1:16:14.720
<v Speaker 11>California to Hillary.

1:16:15.240 --> 1:16:19.760
<v Speaker 8>We were so depressed and so he was driving his

1:16:19.840 --> 1:16:22.680
<v Speaker 8>Mini coup whatever whenever I mean, would come to l A.

1:16:22.720 --> 1:16:27.280
<v Speaker 2>Would listen.

1:16:27.360 --> 1:16:29.400
<v Speaker 1>You could you could tell like who's knowing me, like

1:16:29.479 --> 1:16:31.880
<v Speaker 1>based on the car I was driving, doing the period.

1:16:32.080 --> 1:16:33.080
<v Speaker 5>And it just goes from there.

1:16:33.360 --> 1:16:39.360
<v Speaker 1>Yeah, you remember, I forgot the we were depressed. Then

1:16:39.400 --> 1:16:41.479
<v Speaker 1>we then we go see like there will be blood

1:16:41.600 --> 1:16:45.479
<v Speaker 1>or something like. It was something depressing, just something I remember.

1:16:45.760 --> 1:16:48.720
<v Speaker 11>I don't remember, but we got pulled over.

1:16:50.240 --> 1:16:54.360
<v Speaker 2>That's that's that's that's the story that slightly putting it. Yeah,

1:16:54.400 --> 1:16:54.840
<v Speaker 2>I forgot.

1:16:56.040 --> 1:16:59.320
<v Speaker 11>I mean pretty much we had. It was almost like

1:16:59.320 --> 1:17:06.360
<v Speaker 11>that scene I think of traffic, traffic, it was it was.

1:17:05.840 --> 1:17:07.760
<v Speaker 2>It was it was traffic for you. It was more

1:17:07.800 --> 1:17:08.920
<v Speaker 2>like Boys in the Hood for me.

1:17:11.000 --> 1:17:12.600
<v Speaker 5>Having done she don't trying to think it was so

1:17:12.600 --> 1:17:14.600
<v Speaker 5>many stories in traffic, which was.

1:17:14.640 --> 1:17:18.000
<v Speaker 1>A crash crash.

1:17:18.000 --> 1:17:19.759
<v Speaker 2>But they're both like the same kind of movie.

1:17:19.840 --> 1:17:22.160
<v Speaker 11>They are a lot of stories and always confusing.

1:17:22.960 --> 1:17:25.559
<v Speaker 8>AnyWho, we get pulled over and I pull out my

1:17:25.760 --> 1:17:28.000
<v Speaker 8>camera and I'm like starting.

1:17:27.680 --> 1:17:31.400
<v Speaker 2>To It's not like it's a phone camera. It's like that.

1:17:34.240 --> 1:17:34.880
<v Speaker 7>Jim Quarter.

1:17:35.760 --> 1:17:37.519
<v Speaker 2>You have to hit the red button like a ghetto

1:17:37.560 --> 1:17:41.120
<v Speaker 2>boom box, like one of the big motherfuckers.

1:17:41.120 --> 1:17:42.840
<v Speaker 11>So the cop walks up to the car and and

1:17:42.880 --> 1:17:44.000
<v Speaker 11>then Journey has the record.

1:17:44.840 --> 1:17:46.240
<v Speaker 2>Yeah, yeah, it was dead.

1:17:46.560 --> 1:17:49.920
<v Speaker 8>Uh, it was like joy that damn thing.

1:17:50.040 --> 1:17:52.160
<v Speaker 7>Wait, you ain't ele Baker right now? Okay, like to

1:17:52.240 --> 1:17:53.519
<v Speaker 7>take the time to be ele Baker.

1:17:53.680 --> 1:17:59.800
<v Speaker 11>Put it away because it's massive, and so they they she.

1:17:59.840 --> 1:18:03.200
<v Speaker 2>Was ready to start the revolution in the car, ready.

1:18:02.880 --> 1:18:07.840
<v Speaker 11>To televise it. And you know, they asked me here

1:18:07.880 --> 1:18:08.679
<v Speaker 11>to get out of the car.

1:18:08.880 --> 1:18:12.920
<v Speaker 8>Don't tell them why then they asked me to get

1:18:12.920 --> 1:18:13.400
<v Speaker 8>out of the car.

1:18:13.960 --> 1:18:17.120
<v Speaker 11>Oh oh, They start patting him down.

1:18:17.280 --> 1:18:19.880
<v Speaker 8>They walk him to the back of the car and

1:18:20.840 --> 1:18:22.639
<v Speaker 8>handcuff him, put him in the back of the car.

1:18:23.400 --> 1:18:27.520
<v Speaker 11>They pat me down, search me in ways.

1:18:27.240 --> 1:18:30.760
<v Speaker 8>That I will say it was incredibly violated.

1:18:33.240 --> 1:18:39.120
<v Speaker 1>They yeah, I mean the difference between now and then

1:18:39.240 --> 1:18:43.679
<v Speaker 1>is that, of course, with the technology it cell phones,

1:18:44.400 --> 1:18:46.920
<v Speaker 1>you don't know if you're being recorded or not. But

1:18:46.960 --> 1:18:49.840
<v Speaker 1>that was definitely, I mean, there's definitely, you know, a

1:18:49.880 --> 1:18:51.960
<v Speaker 1>moment in time where they were just reckless because they

1:18:52.040 --> 1:18:55.679
<v Speaker 1>knew that nobody's ever going to see this or believe

1:18:55.680 --> 1:18:57.599
<v Speaker 1>this or get away with this. Even when they were

1:18:57.640 --> 1:18:58.720
<v Speaker 1>asking me questions like.

1:18:58.760 --> 1:19:00.799
<v Speaker 5>Yeah, what were they say, like what happens?

1:19:01.320 --> 1:19:03.720
<v Speaker 1>We keep calling the thing is is that I know

1:19:03.760 --> 1:19:07.240
<v Speaker 1>it's you know, it's it's it's like the price, it's

1:19:07.280 --> 1:19:10.040
<v Speaker 1>like it's like being on the prices right, And it's

1:19:10.120 --> 1:19:14.640
<v Speaker 1>like when you're home, you know that you know that

1:19:14.720 --> 1:19:18.320
<v Speaker 1>bottle Windexes whatever six ninety nine or whatever. Like when

1:19:18.360 --> 1:19:20.679
<v Speaker 1>you're home, you know, you know all the answers on Jeopardy,

1:19:21.600 --> 1:19:26.000
<v Speaker 1>But when you're there and you see the look in

1:19:26.080 --> 1:19:30.000
<v Speaker 1>their eyes, I was just like, I'm going to die tonight,

1:19:30.400 --> 1:19:35.280
<v Speaker 1>Like this is this is the it's the most helpless,

1:19:35.520 --> 1:19:40.599
<v Speaker 1>e masculating feelings ever. And you know he's talking about

1:19:41.240 --> 1:19:44.280
<v Speaker 1>where's your register? I forgot what question he asked, And

1:19:44.320 --> 1:19:47.680
<v Speaker 1>I said, well, you know my I said, you know,

1:19:47.800 --> 1:19:51.160
<v Speaker 1>my assistant at the office Internet, I mean like office.

1:19:51.920 --> 1:19:55.320
<v Speaker 1>Like it's like you can't be too smart or else

1:19:55.360 --> 1:20:02.559
<v Speaker 1>your assassin or that sort of thing. And your mind

1:20:02.600 --> 1:20:04.720
<v Speaker 1>is just blink because they know you don't know your

1:20:04.800 --> 1:20:07.759
<v Speaker 1>rights of course, you know, knowing what I've seen now,

1:20:08.000 --> 1:20:10.439
<v Speaker 1>like we shouldn't have gotten out the car.

1:20:11.360 --> 1:20:13.000
<v Speaker 5>Yeah, how did he even put handcuffs on you?

1:20:13.080 --> 1:20:13.360
<v Speaker 6>For what?

1:20:13.720 --> 1:20:16.400
<v Speaker 11>Like, I don't well, they didn't give us any explanation.

1:20:16.479 --> 1:20:18.760
<v Speaker 8>They then handcuffed me and put me in the back

1:20:18.800 --> 1:20:22.000
<v Speaker 8>with the mirror and we sat there. It felt like

1:20:22.040 --> 1:20:23.960
<v Speaker 8>an eternity sitting in the back of that car.

1:20:24.000 --> 1:20:24.320
<v Speaker 6>Together.

1:20:24.439 --> 1:20:26.599
<v Speaker 8>We like neither one of us knew what to say.

1:20:26.640 --> 1:20:28.840
<v Speaker 8>We just sat there in silence, you know, in the

1:20:28.880 --> 1:20:31.120
<v Speaker 8>back or in front, in back, Oh.

1:20:31.080 --> 1:20:32.040
<v Speaker 16>My god, that's.

1:20:34.080 --> 1:20:34.680
<v Speaker 7>Yeah.

1:20:34.720 --> 1:20:38.640
<v Speaker 8>And then they came back. They had like, you know,

1:20:39.760 --> 1:20:42.120
<v Speaker 8>looked throughout everything in his car and my purse and

1:20:42.400 --> 1:20:45.080
<v Speaker 8>and just kind of like handed him back his driver's

1:20:45.080 --> 1:20:47.439
<v Speaker 8>license and said, Okay, the weird.

1:20:47.360 --> 1:20:50.760
<v Speaker 1>Ship, the weirdest ship was they wanted to look in

1:20:50.800 --> 1:20:53.720
<v Speaker 1>the trunk and Journey and.

1:20:53.760 --> 1:20:55.639
<v Speaker 2>I had stopped by.

1:20:57.040 --> 1:21:03.320
<v Speaker 1>Borders because Dawn manager had just moved to LA and

1:21:03.360 --> 1:21:06.080
<v Speaker 1>I was like, Okay, I'm gonna get her. I'm gonna

1:21:06.080 --> 1:21:08.080
<v Speaker 1>get her a deluxe crap. I'm gonna get her a

1:21:08.080 --> 1:21:12.439
<v Speaker 1>deluxe scrabble game. In my mind, I was like, he's

1:21:12.479 --> 1:21:15.920
<v Speaker 1>going to open this trunk and see all these scrabbles

1:21:15.960 --> 1:21:19.639
<v Speaker 1>and psychology books in the in the back, and he's

1:21:19.720 --> 1:21:24.040
<v Speaker 1>going to say, there's no way it's this car belongs

1:21:24.040 --> 1:21:24.559
<v Speaker 1>to these two.

1:21:25.200 --> 1:21:25.679
<v Speaker 6>Oh.

1:21:26.439 --> 1:21:29.880
<v Speaker 1>And his thing was that and I never verified it.

1:21:30.840 --> 1:21:32.400
<v Speaker 1>I think we did ask like, why did.

1:21:32.360 --> 1:21:36.519
<v Speaker 2>You pull us over? Rich was calling me on the phone.

1:21:37.840 --> 1:21:38.639
<v Speaker 2>Here's the weird shit.

1:21:39.840 --> 1:21:42.920
<v Speaker 1>Rich was calling me on the phone about Prince's table

1:21:42.960 --> 1:21:48.240
<v Speaker 1>at the jam session. And me, quote being a good citizen.

1:21:48.400 --> 1:21:50.519
<v Speaker 1>I was like, Okay, let me pull the car over

1:21:50.640 --> 1:21:52.479
<v Speaker 1>so I can take this phone call, you know, or

1:21:52.920 --> 1:21:55.240
<v Speaker 1>I could have just picked up the car, you know

1:21:55.360 --> 1:22:00.320
<v Speaker 1>call while I was driving, but I didn't, and we

1:22:00.479 --> 1:22:05.760
<v Speaker 1>happen to be in front of a Mini Coup dealership.

1:22:05.920 --> 1:22:09.960
<v Speaker 1>I guess yeah, I mean he said.

1:22:10.120 --> 1:22:13.040
<v Speaker 8>About you know, he said he said something as if

1:22:13.120 --> 1:22:15.799
<v Speaker 8>the lights the plates didn't match.

1:22:15.600 --> 1:22:19.560
<v Speaker 11>The rental car uh contract.

1:22:19.960 --> 1:22:22.519
<v Speaker 8>And we were like, but how do you know to

1:22:22.560 --> 1:22:24.599
<v Speaker 8>pull us over to check to see if the plates

1:22:24.680 --> 1:22:26.600
<v Speaker 8>matched the rental car contract?

1:22:26.680 --> 1:22:27.479
<v Speaker 11>Like you didn't have a.

1:22:27.479 --> 1:22:31.080
<v Speaker 8>Contract when you decided to pull us over to know

1:22:31.120 --> 1:22:32.080
<v Speaker 8>if they didn't match.

1:22:32.160 --> 1:22:36.479
<v Speaker 11>And and it just was pretty much they let us

1:22:36.520 --> 1:22:38.280
<v Speaker 11>go without a ticket.

1:22:37.960 --> 1:22:40.720
<v Speaker 8>Without a warning, without anything, because there was nothing that

1:22:40.880 --> 1:22:42.320
<v Speaker 8>Emir had actually done wrong.

1:22:42.560 --> 1:22:44.439
<v Speaker 11>It was just he was driving while.

1:22:44.280 --> 1:22:47.400
<v Speaker 8>Black in a Mini Coup with a big fro right,

1:22:47.520 --> 1:22:51.599
<v Speaker 8>and and we just felt, honestly, we just when we

1:22:51.800 --> 1:22:59.120
<v Speaker 8>drove away, it bring night ruined just inside Mayor you

1:22:59.200 --> 1:23:00.960
<v Speaker 8>kept you kept want to Grammy that week.

1:23:01.000 --> 1:23:04.960
<v Speaker 1>That's a weird thing. I don't even consider it, like

1:23:05.240 --> 1:23:07.320
<v Speaker 1>even to look at that. I think that's when I

1:23:07.320 --> 1:23:11.799
<v Speaker 1>started just putting my ships in them, Like I honestly,

1:23:11.880 --> 1:23:15.040
<v Speaker 1>if if you week was it that week?

1:23:15.160 --> 1:23:17.599
<v Speaker 2>The following Sunday I did eight?

1:23:17.680 --> 1:23:17.840
<v Speaker 6>Right?

1:23:18.520 --> 1:23:21.720
<v Speaker 2>Yeah, yeah, and so did you.

1:23:21.880 --> 1:23:22.160
<v Speaker 6>Bill.

1:23:22.360 --> 1:23:23.439
<v Speaker 13>I'm going to say it again.

1:23:24.520 --> 1:23:27.960
<v Speaker 1>Oh damn, that was too Okay, you're right, Bill, You're

1:23:28.000 --> 1:23:28.800
<v Speaker 1>not I get pulled over.

1:23:29.240 --> 1:23:34.640
<v Speaker 2>I did win a Grammy thank you anyway, So that's

1:23:36.080 --> 1:23:36.479
<v Speaker 2>talk about it.

1:23:36.600 --> 1:23:40.680
<v Speaker 5>Like I was just I was gonna let that just

1:23:40.760 --> 1:23:42.439
<v Speaker 5>because I know he know better, he was gonna come that.

1:23:43.120 --> 1:23:47.760
<v Speaker 17>No, no, no, I'm the mini Cooper. I'm sorry. I'm making

1:23:47.760 --> 1:23:49.840
<v Speaker 17>a joke. I shouldn't, but I'm so fucked up by

1:23:49.840 --> 1:23:50.120
<v Speaker 17>all this.

1:23:50.200 --> 1:23:52.479
<v Speaker 2>I don't know what to say.

1:23:53.040 --> 1:23:55.120
<v Speaker 1>Really, this is the one story I rarely share in

1:23:55.160 --> 1:23:59.920
<v Speaker 1>public because it's just, you know, just the process, just

1:24:00.080 --> 1:24:00.840
<v Speaker 1>the process it.

1:24:01.439 --> 1:24:04.400
<v Speaker 8>But it was that word you kept using, you kept saying, jarn.

1:24:04.439 --> 1:24:06.000
<v Speaker 8>I just feel so emasculated.

1:24:06.640 --> 1:24:09.360
<v Speaker 17>Yeah for you to say yeah. Also, the two of

1:24:09.400 --> 1:24:11.360
<v Speaker 17>you in the back of a cop card not speaking

1:24:11.400 --> 1:24:15.400
<v Speaker 17>to each other is the quietest quiet I think I've

1:24:15.400 --> 1:24:18.000
<v Speaker 17>ever heard of. Quiet, Like you're the most talking of

1:24:18.080 --> 1:24:19.800
<v Speaker 17>people I've met in a long time. I feel like

1:24:19.840 --> 1:24:21.679
<v Speaker 17>you would have a lot to say in this particular

1:24:21.760 --> 1:24:26.439
<v Speaker 17>crazy fucked up momentat quiet, it's even more the intense

1:24:26.520 --> 1:24:28.320
<v Speaker 17>than we.

1:24:28.280 --> 1:24:33.120
<v Speaker 1>Live in such a machismo society where I don't let

1:24:33.200 --> 1:24:37.720
<v Speaker 1>other men overpower them in anything and intellect, physically or

1:24:37.760 --> 1:24:41.439
<v Speaker 1>those things. But it's almost like this unspoken thing that

1:24:41.600 --> 1:24:45.280
<v Speaker 1>citizens know that any moment a cop can in your

1:24:45.320 --> 1:24:49.360
<v Speaker 1>life within the bounds of the quote unquote law, and for.

1:24:49.360 --> 1:24:51.519
<v Speaker 5>You, Amir has been to do about it, and you

1:24:51.520 --> 1:24:52.280
<v Speaker 5>had journey with you.

1:24:52.360 --> 1:24:54.639
<v Speaker 8>So as a man, that's what I.

1:24:54.600 --> 1:24:57.719
<v Speaker 11>Was going to say. It's it's deep.

1:24:57.840 --> 1:25:01.439
<v Speaker 8>It goes back to the slave days of like, you know,

1:25:02.080 --> 1:25:05.360
<v Speaker 8>the emasculation of the black man, of like, Okay, we're

1:25:05.360 --> 1:25:08.200
<v Speaker 8>going to do this in front of you and say

1:25:08.280 --> 1:25:12.880
<v Speaker 8>nothing this woman, and guess what, guess what you can't do.

1:25:13.360 --> 1:25:16.160
<v Speaker 8>You can't stop us, right, And so that's what we

1:25:16.320 --> 1:25:19.840
<v Speaker 8>both could feel as we were driving away and he

1:25:19.960 --> 1:25:21.720
<v Speaker 8>kept being like, John, I'm so sorry, and I kept

1:25:21.720 --> 1:25:23.080
<v Speaker 8>being like, what could you have done?

1:25:23.120 --> 1:25:25.439
<v Speaker 11>There was nothing you could have done. Like, we made

1:25:25.439 --> 1:25:26.160
<v Speaker 11>it out a lot.

1:25:26.720 --> 1:25:27.880
<v Speaker 7>That's better than a lot.

1:25:27.760 --> 1:25:31.760
<v Speaker 8>Of people in this situation can say, like, and that's

1:25:31.800 --> 1:25:35.320
<v Speaker 8>a shitty that's a shitty reality to have to settle for.

1:25:35.479 --> 1:25:36.920
<v Speaker 11>It's like, oh well, at least we made it out

1:25:36.960 --> 1:25:40.120
<v Speaker 11>a lot, but we did, y'all. We made it out alive.

1:25:40.400 --> 1:25:40.600
<v Speaker 7>You know.

1:25:41.920 --> 1:25:44.680
<v Speaker 8>That's the shitty thing of driving while black, and the

1:25:44.680 --> 1:25:49.519
<v Speaker 8>shitty thing of you know, walking and walking by black

1:25:49.880 --> 1:25:52.719
<v Speaker 8>black or black and male.

1:25:52.920 --> 1:25:53.240
<v Speaker 11>You know.

1:25:53.800 --> 1:25:58.920
<v Speaker 2>Yeah, have you had any situation like that ever? Or since?

1:25:59.560 --> 1:25:59.720
<v Speaker 6>Oh?

1:25:59.760 --> 1:26:03.640
<v Speaker 11>God, yeah, yeah.

1:26:04.040 --> 1:26:04.240
<v Speaker 13>You know.

1:26:04.920 --> 1:26:07.920
<v Speaker 8>I've shot so much in the South too, you know,

1:26:08.360 --> 1:26:11.240
<v Speaker 8>so I've had several experiences. I mean, I remember shooting

1:26:11.280 --> 1:26:14.479
<v Speaker 8>Great Debaters. Was that after before I can't remember. I

1:26:14.520 --> 1:26:16.360
<v Speaker 8>think that was before, but I remember we did the

1:26:16.439 --> 1:26:18.920
<v Speaker 8>lynching scene and I was driving a set in the

1:26:19.000 --> 1:26:22.400
<v Speaker 8>van and over the radio I heard one of the

1:26:22.600 --> 1:26:26.000
<v Speaker 8>teamsters say, well, we're having a lunch in today, ladies

1:26:26.040 --> 1:26:29.880
<v Speaker 8>and gentlemen. I mean, like, yeah, I've dealt with some

1:26:30.240 --> 1:26:35.800
<v Speaker 8>crazy as stuff, you know, yeah, as you all have too.

1:26:36.400 --> 1:26:38.880
<v Speaker 5>Yeah, but you deal with it and then you acted out.

1:26:38.920 --> 1:26:40.360
<v Speaker 13>It's different, you like re enacted.

1:26:40.680 --> 1:26:42.160
<v Speaker 5>So it's it's to me, it's like.

1:26:42.240 --> 1:26:45.559
<v Speaker 8>Well that's my that's my way of channeling the pain,

1:26:45.680 --> 1:26:49.240
<v Speaker 8>I guess, yeah, is trying to place it somewhere.

1:26:49.560 --> 1:26:49.800
<v Speaker 4>You know.

1:26:50.360 --> 1:26:52.559
<v Speaker 8>Obviously with love Craft, there was a lot I had

1:26:52.560 --> 1:26:56.479
<v Speaker 8>to pull bro Okay, A lot in my life was

1:26:56.960 --> 1:26:58.160
<v Speaker 8>shitty at that time.

1:26:59.680 --> 1:27:04.719
<v Speaker 2>But is there talks of season two or a return or.

1:27:05.760 --> 1:27:07.800
<v Speaker 14>I don't know that's interesting.

1:27:07.960 --> 1:27:11.559
<v Speaker 2>Wait still, this is not an instant slam dunk.

1:27:11.600 --> 1:27:14.160
<v Speaker 5>And she said we will see like we will see

1:27:14.520 --> 1:27:15.959
<v Speaker 5>like we will see.

1:27:17.400 --> 1:27:18.280
<v Speaker 7>I mean as in, like.

1:27:20.200 --> 1:27:23.280
<v Speaker 11>The powers that be that's above my pay grades.

1:27:23.680 --> 1:27:25.439
<v Speaker 5>To get their ship together. That's what I know.

1:27:27.479 --> 1:27:32.120
<v Speaker 1>Nothing angers me more when I get emotionally involved in

1:27:32.200 --> 1:27:35.360
<v Speaker 1>a series only for it to be yanked away.

1:27:36.800 --> 1:27:40.640
<v Speaker 17>Phone calls that you can't make your phone calls at

1:27:40.640 --> 1:27:42.560
<v Speaker 17>what I am exactly.

1:27:42.800 --> 1:27:46.040
<v Speaker 8>The good news is that all signs point to very

1:27:46.200 --> 1:27:51.760
<v Speaker 8>positive response from folks, from critics from I mean, the

1:27:52.520 --> 1:27:56.599
<v Speaker 8>I was recently told the pilot is like it's, you know,

1:27:56.720 --> 1:27:58.760
<v Speaker 8>setting records for how many people have watched it.

1:27:58.840 --> 1:28:03.920
<v Speaker 18>So it's yeah, I'm sure that I count for I

1:28:04.000 --> 1:28:06.920
<v Speaker 18>count for twenty eight of those views. Johnny, I watched

1:28:06.960 --> 1:28:09.400
<v Speaker 18>the pilot like maybe eleven times because I've made other

1:28:09.439 --> 1:28:10.840
<v Speaker 18>people me too.

1:28:11.280 --> 1:28:12.160
<v Speaker 3>Yeah, watch as well.

1:28:12.240 --> 1:28:14.559
<v Speaker 11>We're in good shape, y'all.

1:28:14.600 --> 1:28:20.960
<v Speaker 7>We're in good shape, all right.

1:28:21.000 --> 1:28:25.080
<v Speaker 1>So Qols discusses black history through political and global lenses.

1:28:26.120 --> 1:28:30.320
<v Speaker 1>Here's Angela Raie speaking about what she learned from Congresswoman

1:28:30.439 --> 1:28:31.520
<v Speaker 1>Maximum waters.

1:28:31.880 --> 1:28:34.920
<v Speaker 2>I hope Angela Rye runs for office one day.

1:28:35.520 --> 1:28:38.800
<v Speaker 1>I'm gonna manifest that for her, although I wouldn't wish

1:28:38.840 --> 1:28:41.600
<v Speaker 1>it on anyone because of the amount of stressed and

1:28:41.640 --> 1:28:44.080
<v Speaker 1>gaslighting one has to deal with, but.

1:28:45.040 --> 1:28:47.960
<v Speaker 2>I would like to see that. So Angela Raie.

1:28:47.960 --> 1:28:52.360
<v Speaker 1>Of course, Lensenderry for her work on the Congressional Black Caucus,

1:28:52.800 --> 1:28:58.080
<v Speaker 1>and even though this was from twenty seventeen, it's unfortunately

1:28:58.960 --> 1:29:00.680
<v Speaker 1>still very relevant.

1:29:01.479 --> 1:29:03.080
<v Speaker 5>Can you break down what the Black CAUs does? Because

1:29:03.080 --> 1:29:04.240
<v Speaker 5>there are people who really don't.

1:29:04.080 --> 1:29:07.639
<v Speaker 19>Know, sure they're often they don't know, especially those that say,

1:29:07.640 --> 1:29:09.960
<v Speaker 19>where's the Congressional White Caucus, as if the rest of

1:29:09.960 --> 1:29:11.679
<v Speaker 19>the four hundred and thirty five members aren't white?

1:29:11.680 --> 1:29:12.240
<v Speaker 16>I digress.

1:29:12.600 --> 1:29:16.439
<v Speaker 19>So the Congressional Black Caucus is an entity that was

1:29:16.840 --> 1:29:20.120
<v Speaker 19>founded in nineteen seventy one. By then, I think it

1:29:20.200 --> 1:29:23.920
<v Speaker 19>was twelve members that were black in the House of

1:29:23.960 --> 1:29:27.679
<v Speaker 19>Representatives and they established the organization so that there could

1:29:27.720 --> 1:29:30.240
<v Speaker 19>be a space where black people's issues were heard. They're

1:29:30.280 --> 1:29:32.720
<v Speaker 19>known as the Conscience of the Congress and now they

1:29:32.760 --> 1:29:37.040
<v Speaker 19>are almost to fifty members. And of course there are

1:29:37.040 --> 1:29:40.759
<v Speaker 19>two senators in the United States Senate who also serve

1:29:40.960 --> 1:29:44.000
<v Speaker 19>as members of the Congressional Black Caucus. There are three

1:29:44.080 --> 1:29:49.759
<v Speaker 19>Black senators, but one opted not to join. Tim Scott say, thank.

1:29:49.640 --> 1:29:50.280
<v Speaker 5>You, write it down.

1:29:52.240 --> 1:29:56.280
<v Speaker 1>So can I assume that most of the members of

1:29:56.400 --> 1:29:58.400
<v Speaker 1>the CBC are Democrat?

1:29:58.800 --> 1:30:03.560
<v Speaker 19>Yes, there is one current member of the CBC who's Republican.

1:30:03.600 --> 1:30:07.160
<v Speaker 19>Her name is Mia Love. She is from Utah. My

1:30:07.280 --> 1:30:08.800
<v Speaker 19>aunt that's not your aunt.

1:30:08.960 --> 1:30:11.360
<v Speaker 2>Well, her last name was Love. So just that all

1:30:11.439 --> 1:30:14.080
<v Speaker 2>loves related.

1:30:14.680 --> 1:30:17.200
<v Speaker 19>My dad normally says maybe the same plantation. That's what

1:30:17.240 --> 1:30:19.080
<v Speaker 19>he says today, Just to be honest with you, that's

1:30:19.120 --> 1:30:19.400
<v Speaker 19>what he.

1:30:19.360 --> 1:30:21.360
<v Speaker 2>Says, the same plantation.

1:30:21.520 --> 1:30:21.800
<v Speaker 8>Yeah.

1:30:21.920 --> 1:30:23.599
<v Speaker 2>Has she attended meetings or Yeah?

1:30:23.640 --> 1:30:27.040
<v Speaker 19>She has been active on some issues. She it definitely

1:30:27.040 --> 1:30:30.000
<v Speaker 19>divergent on others, but she's been active on some issues.

1:30:30.320 --> 1:30:30.639
<v Speaker 3>I see.

1:30:32.160 --> 1:30:38.120
<v Speaker 1>So not why because I appreciate your your grassroots involvement

1:30:38.160 --> 1:30:42.920
<v Speaker 1>and you using elbow grease and getting down and dirty,

1:30:43.000 --> 1:30:47.000
<v Speaker 1>but why would you choose this particular field?

1:30:47.160 --> 1:30:50.080
<v Speaker 2>I mean, you went to law school. You could have

1:30:50.160 --> 1:30:53.080
<v Speaker 2>you know, you could have just.

1:30:54.520 --> 1:30:55.559
<v Speaker 4>Been some other stuff.

1:30:56.160 --> 1:30:58.120
<v Speaker 2>Yeah, I mean what what truly made you?

1:30:58.280 --> 1:31:02.240
<v Speaker 1>Was it following the family business or in your father's

1:31:02.680 --> 1:31:07.240
<v Speaker 1>footsteps as far as the community, like what most lawyers

1:31:07.360 --> 1:31:10.320
<v Speaker 1>I know are thinking in terms of, oh, success from

1:31:10.479 --> 1:31:12.760
<v Speaker 1>my own law firm, being a partner and that sort

1:31:12.800 --> 1:31:13.080
<v Speaker 1>of thing.

1:31:13.160 --> 1:31:14.720
<v Speaker 2>So should we know who her father is?

1:31:15.760 --> 1:31:19.599
<v Speaker 19>His name is Eddie Yeer Jr. He's an activist in Seattle.

1:31:19.640 --> 1:31:22.760
<v Speaker 19>But it's actually a really interesting story. What I'll tell

1:31:22.800 --> 1:31:27.040
<v Speaker 19>you is there were two other paths that I thought

1:31:27.080 --> 1:31:30.200
<v Speaker 19>I would choose before I chose politics. I grew up

1:31:30.240 --> 1:31:32.559
<v Speaker 19>in a house with a dad who's an activist, and

1:31:32.640 --> 1:31:35.600
<v Speaker 19>I thought he was always on the opposite side.

1:31:35.360 --> 1:31:37.200
<v Speaker 16>Of elected politics.

1:31:37.200 --> 1:31:39.240
<v Speaker 19>So I hated it growing up because I couldn't understand

1:31:39.240 --> 1:31:42.080
<v Speaker 19>why they didn't understand why, you know, why he was

1:31:42.120 --> 1:31:46.200
<v Speaker 19>pressing pressing for you know, or a part of the

1:31:46.240 --> 1:31:50.320
<v Speaker 19>parts antipartsy movements, or you know, getting involved with ensuring

1:31:50.320 --> 1:31:54.919
<v Speaker 19>that subcontractors and contractors of color had an equal share.

1:31:54.720 --> 1:31:55.160
<v Speaker 16>Of the pie.

1:31:55.200 --> 1:31:57.160
<v Speaker 19>I didn't understand why that was even an issue, right,

1:31:58.200 --> 1:32:01.280
<v Speaker 19>And so growing up with him, I hated politics because

1:32:01.280 --> 1:32:04.599
<v Speaker 19>they were never on his side. And it wasn't until

1:32:04.800 --> 1:32:08.640
<v Speaker 19>I was in my last year, my fall semester of

1:32:08.720 --> 1:32:12.559
<v Speaker 19>law school. I wanted to do an internship in Los

1:32:12.560 --> 1:32:17.479
<v Speaker 19>Angeles and Maxine Waters was someone I respected a lot,

1:32:17.520 --> 1:32:18.760
<v Speaker 19>and so I was like, well, if I can learn

1:32:18.760 --> 1:32:20.640
<v Speaker 19>from her, you know, maybe this will be good. But

1:32:20.680 --> 1:32:23.760
<v Speaker 19>I'm gonna go so that I could be a trial attorney.

1:32:23.400 --> 1:32:24.120
<v Speaker 5>Like Johnny Coppran.

1:32:24.120 --> 1:32:27.360
<v Speaker 19>I just want to get an offer at the Cochran firm.

1:32:27.439 --> 1:32:29.639
<v Speaker 19>And before that, I wanted to be a sports entertainment lawyer.

1:32:29.680 --> 1:32:31.719
<v Speaker 19>But I'll save that story for another day. It's really

1:32:31.720 --> 1:32:35.519
<v Speaker 19>interesting how that happened or didn't happen. But in my

1:32:35.960 --> 1:32:38.240
<v Speaker 19>I did my internship and like fell in love with

1:32:38.520 --> 1:32:42.320
<v Speaker 19>the bridge between activism and politics, and there's no better

1:32:42.400 --> 1:32:46.280
<v Speaker 19>bridge for that than Maxine Waters. I started calling her

1:32:46.520 --> 1:32:49.840
<v Speaker 19>the Nation's Congresswoman then that was in two thousand four,

1:32:49.920 --> 1:32:53.639
<v Speaker 19>two thousand and five, and just loved working with her,

1:32:53.760 --> 1:32:58.080
<v Speaker 19>loved how she made everything work together for us, regardless

1:32:58.120 --> 1:33:00.960
<v Speaker 19>of if we lived in her district or not. And

1:33:01.800 --> 1:33:03.840
<v Speaker 19>I did get an offer from the Cochran firm, like

1:33:03.920 --> 1:33:06.160
<v Speaker 19>had a mentor, Shawn Chapman Holly shout out to Seawan

1:33:06.200 --> 1:33:09.000
<v Speaker 19>Chapman Holly, who's still a good friend, had an offer

1:33:09.040 --> 1:33:12.000
<v Speaker 19>with the firm, and then he died, damn, And I

1:33:12.120 --> 1:33:14.479
<v Speaker 19>was like, oh Lord, maybe this wasn't the path. So

1:33:14.680 --> 1:33:17.320
<v Speaker 19>at my the National Black Lost in Association.

1:33:17.439 --> 1:33:21.200
<v Speaker 2>Weird he died with your thousand and five Okay.

1:33:21.800 --> 1:33:24.639
<v Speaker 19>At the convention, I was getting ready to introduce Congressman

1:33:24.680 --> 1:33:25.840
<v Speaker 19>Waters who came to our convention.

1:33:25.960 --> 1:33:27.320
<v Speaker 5>I was like, what am I gonna do now?

1:33:27.400 --> 1:33:29.439
<v Speaker 19>Johnny concran died, and She's like, I told you to

1:33:29.479 --> 1:33:31.080
<v Speaker 19>go to the hill. So I was like, well, maybe

1:33:31.120 --> 1:33:34.160
<v Speaker 19>y'all think about that now. And that's really the short

1:33:34.240 --> 1:33:37.120
<v Speaker 19>version of how that happened. But she's never been wrong,

1:33:37.200 --> 1:33:40.200
<v Speaker 19>and I'm so happy to see millennials woke about her now.

1:33:40.240 --> 1:33:43.800
<v Speaker 19>But she been doing this. The nation's congresswoman, Queen Maxine's

1:33:43.880 --> 1:33:44.439
<v Speaker 19>been doing this.

1:33:44.560 --> 1:33:47.519
<v Speaker 5>So you got her back to it all makes sense

1:33:47.520 --> 1:33:49.599
<v Speaker 5>now too. Why you had her back even more when

1:33:49.600 --> 1:33:52.519
<v Speaker 5>that whole stupid bill o'reiley, I think.

1:33:52.360 --> 1:33:53.360
<v Speaker 19>I would have had any results.

1:33:53.360 --> 1:33:55.280
<v Speaker 5>I want to through that. That was stupid.

1:33:55.520 --> 1:33:57.960
<v Speaker 19>She's on the floor of the United States House of

1:33:58.000 --> 1:34:01.120
<v Speaker 19>Representatives talking about what patriots in the era of Trump

1:34:01.160 --> 1:34:05.280
<v Speaker 19>really means, like it's not, you know, pledging blind allegiance

1:34:05.360 --> 1:34:08.720
<v Speaker 19>to some concept. It's about standing up for what we

1:34:08.800 --> 1:34:11.559
<v Speaker 19>know to be truthful and righteous. And for her to

1:34:11.560 --> 1:34:13.559
<v Speaker 19>be talking about that and he's talking about it, damn

1:34:13.800 --> 1:34:15.680
<v Speaker 19>James Brown Wig. It took me to send me to

1:34:15.720 --> 1:34:20.519
<v Speaker 19>a place it's dismissive. Yeah, yeah, among other things, a.

1:34:20.520 --> 1:34:22.639
<v Speaker 2>Lot of shit, but dismissive of the kind.

1:34:23.200 --> 1:34:24.439
<v Speaker 16>Yes, that was very kind of.

1:34:25.880 --> 1:34:30.520
<v Speaker 1>So do you I mean, obviously, I know it gets overwhelming,

1:34:30.840 --> 1:34:37.200
<v Speaker 1>but just watching you in action, of course, like in

1:34:37.200 --> 1:34:40.640
<v Speaker 1>the age of social media, a lot of people are

1:34:40.680 --> 1:34:45.439
<v Speaker 1>familiar with you as as far as your your clips

1:34:45.479 --> 1:34:53.080
<v Speaker 1>on the internet, usually going at people well and rightfully,

1:34:53.120 --> 1:34:58.840
<v Speaker 1>so whenever facts are are are sprouted out. And that's

1:34:58.840 --> 1:35:01.599
<v Speaker 1>the thing, like when I when I watch you go

1:35:01.680 --> 1:35:06.880
<v Speaker 1>against two, three, four people at a time, it is

1:35:07.080 --> 1:35:08.760
<v Speaker 1>I mean, it's baffling to me. I don't know if

1:35:08.800 --> 1:35:11.200
<v Speaker 1>it's the equivalent of someone asking, well, you know, how

1:35:11.200 --> 1:35:13.240
<v Speaker 1>do you how do you coordinate your kick drum and

1:35:13.280 --> 1:35:15.000
<v Speaker 1>your high hat foot in your left hand in your

1:35:15.080 --> 1:35:17.000
<v Speaker 1>right hand and talk to people?

1:35:17.000 --> 1:35:18.720
<v Speaker 5>You know, how are you not exhausted?

1:35:19.200 --> 1:35:20.680
<v Speaker 16>I didn't say I wasn't exhausted.

1:35:22.560 --> 1:35:26.000
<v Speaker 1>I did not say that, But I mean have I mean,

1:35:26.320 --> 1:35:30.640
<v Speaker 1>as I read the the era that we live in now,

1:35:30.680 --> 1:35:33.880
<v Speaker 1>which is, of course, I guess the alternative facts era

1:35:34.240 --> 1:35:37.840
<v Speaker 1>in which things are said with such a straight face,

1:35:38.800 --> 1:35:41.599
<v Speaker 1>I think, you know, in general, a lot of us

1:35:41.640 --> 1:35:46.400
<v Speaker 1>have been programmed to believe that if any information comes

1:35:46.400 --> 1:35:51.799
<v Speaker 1>from someone wearing a suit and spoken in the King's English,

1:35:51.840 --> 1:35:55.040
<v Speaker 1>then why should they lie to me? Like, you know,

1:35:55.760 --> 1:35:57.799
<v Speaker 1>why would they want to lie to me? And usually,

1:35:57.880 --> 1:36:00.519
<v Speaker 1>you know, a lot of benefits of doubt are given,

1:36:02.280 --> 1:36:07.640
<v Speaker 1>and we're seeing straight up false information. How I mean

1:36:07.760 --> 1:36:10.599
<v Speaker 1>to me, it's like the equivalent of you playing a

1:36:10.640 --> 1:36:14.840
<v Speaker 1>tennis match to with five people on the other side. Yeah, yeah,

1:36:14.880 --> 1:36:16.920
<v Speaker 1>I mean, how do you I mean, just in this era,

1:36:17.000 --> 1:36:21.760
<v Speaker 1>especially when you agreed to do pundit remarks on on shows,

1:36:23.080 --> 1:36:25.519
<v Speaker 1>how do you grasp your information? Because you have to

1:36:26.320 --> 1:36:28.559
<v Speaker 1>know what they stand for and how they come Like

1:36:28.600 --> 1:36:30.280
<v Speaker 1>do you does someone train you?

1:36:30.439 --> 1:36:30.920
<v Speaker 2>Is it?

1:36:31.400 --> 1:36:31.599
<v Speaker 6>No?

1:36:32.160 --> 1:36:35.720
<v Speaker 19>I've never had media training, but I will say that

1:36:36.960 --> 1:36:39.840
<v Speaker 19>I did get Crossfire training. I don't know if you

1:36:39.880 --> 1:36:42.120
<v Speaker 19>all remember Crossfired, like the CNN show back in the

1:36:42.160 --> 1:36:43.760
<v Speaker 19>day when it was all the old white dudes at

1:36:43.760 --> 1:36:44.200
<v Speaker 19>the table.

1:36:45.439 --> 1:36:46.360
<v Speaker 5>Just growing up with my dad.

1:36:46.439 --> 1:36:49.519
<v Speaker 19>Now he doesn't lie, but we don't always agree on

1:36:49.600 --> 1:36:52.720
<v Speaker 19>the means to an end goal. So growing up like

1:36:52.840 --> 1:36:55.639
<v Speaker 19>just debating him or you know, talking to my friends,

1:36:55.720 --> 1:36:58.559
<v Speaker 19>or debating race issues, like I went to a majority

1:36:58.560 --> 1:37:01.080
<v Speaker 19>white high school, you know, started to black student union,

1:37:01.120 --> 1:37:03.640
<v Speaker 19>and so you get used to having to explain to

1:37:03.680 --> 1:37:06.519
<v Speaker 19>people your perspective because it's not the majority view.

1:37:06.920 --> 1:37:07.920
<v Speaker 16>So whether or not.

1:37:08.160 --> 1:37:12.599
<v Speaker 19>This is this may be an alternate universe, but it's

1:37:12.600 --> 1:37:15.559
<v Speaker 19>still not the majority view on the panel, so it's

1:37:15.640 --> 1:37:16.320
<v Speaker 19>just debating.

1:37:17.040 --> 1:37:19.120
<v Speaker 16>The problem I have, and I think when.

1:37:18.960 --> 1:37:24.480
<v Speaker 19>People see me get really upset is when I remember

1:37:24.720 --> 1:37:29.600
<v Speaker 19>the responsibility that we have to give people factual information.

1:37:29.800 --> 1:37:32.439
<v Speaker 19>I think the frustration that I have, if nothing else

1:37:32.520 --> 1:37:36.559
<v Speaker 19>right now, is being able to speak to people in

1:37:36.600 --> 1:37:39.680
<v Speaker 19>their homes on their TV screens is an awesome privilege,

1:37:40.120 --> 1:37:43.320
<v Speaker 19>and we have an obligation to give them information they

1:37:43.360 --> 1:37:46.559
<v Speaker 19>can rely upon. And so I'll normally lose it, especially

1:37:46.560 --> 1:37:48.680
<v Speaker 19>on like black networks, like on TV one. If I'm

1:37:48.680 --> 1:37:52.040
<v Speaker 19>on Rolling Show and somebody's lying, I flip out, like

1:37:52.280 --> 1:37:55.160
<v Speaker 19>there's been you know, Jiff or Gift depending on how

1:37:55.160 --> 1:37:58.479
<v Speaker 19>you said jiffable moments just from that, like please don't

1:37:58.479 --> 1:38:02.080
<v Speaker 19>come here and lie to our folks. Not that folks

1:38:02.080 --> 1:38:03.960
<v Speaker 19>should be lied to unseen in either, but I just

1:38:04.000 --> 1:38:07.000
<v Speaker 19>think that there's a different type of responsibility and even

1:38:07.040 --> 1:38:09.759
<v Speaker 19>with seeing it, and I think it is really hard

1:38:09.840 --> 1:38:14.679
<v Speaker 19>because I remember one of the debates during the general

1:38:14.720 --> 1:38:20.240
<v Speaker 19>election the Debate Commission decided that the moderator did not

1:38:20.400 --> 1:38:24.120
<v Speaker 19>have an obligation to fact check the candidates, and I

1:38:24.200 --> 1:38:24.680
<v Speaker 19>lost it.

1:38:24.720 --> 1:38:27.559
<v Speaker 5>I was like, what do you mean, Like, that's your only.

1:38:27.400 --> 1:38:30.479
<v Speaker 19>Responsibility besides asking the questions like you had one job

1:38:31.120 --> 1:38:33.800
<v Speaker 19>or two? You know, one an one b like all

1:38:33.800 --> 1:38:35.920
<v Speaker 19>in one, but you have something What do you mean like,

1:38:36.040 --> 1:38:38.479
<v Speaker 19>of course you have to make sure that they're being like,

1:38:38.479 --> 1:38:41.120
<v Speaker 19>what are you debating? Then if if facts become a

1:38:41.160 --> 1:38:44.040
<v Speaker 19>debatable point and not just the perspectives on those facts,

1:38:44.400 --> 1:38:46.400
<v Speaker 19>that is a new challenge.

1:38:46.800 --> 1:38:47.840
<v Speaker 16>And so I do.

1:38:48.000 --> 1:38:52.120
<v Speaker 19>I find it immensely frustrating because I don't understand how

1:38:52.200 --> 1:38:54.720
<v Speaker 19>someone could be deemed credible at all if they're not

1:38:54.800 --> 1:38:57.840
<v Speaker 19>relying on the same principle of truth. You know, it's

1:38:57.880 --> 1:39:01.559
<v Speaker 19>just it's maddening, really, it really really is. And so

1:39:01.640 --> 1:39:03.720
<v Speaker 19>to me, I just think that the energy I take

1:39:03.760 --> 1:39:06.640
<v Speaker 19>into those spaces is if you're not going to be

1:39:06.680 --> 1:39:08.519
<v Speaker 19>told the truth from anyone else, you're going to hear

1:39:08.520 --> 1:39:10.519
<v Speaker 19>it from me. And if I'm ever if I ever

1:39:10.600 --> 1:39:13.400
<v Speaker 19>misspeak on something, if a stat is wrong, you know,

1:39:13.520 --> 1:39:15.240
<v Speaker 19>if I said a word wrong, I'll fact check it

1:39:15.280 --> 1:39:17.439
<v Speaker 19>later on Twitter. But I'm not gonna lie to people

1:39:17.600 --> 1:39:19.479
<v Speaker 19>intentionally deceiving.

1:39:19.000 --> 1:39:20.920
<v Speaker 7>Them like that is just wrong.

1:39:21.720 --> 1:39:23.840
<v Speaker 5>And that's just kind of where I draw the line.

1:39:24.520 --> 1:39:32.840
<v Speaker 2>Now as of this particular taping. Right now, the healthcare.

1:39:34.680 --> 1:39:38.479
<v Speaker 1>Situation is in the hands of the Senate, and I'm

1:39:38.520 --> 1:39:43.559
<v Speaker 1>seeing a lot of them. I guess at one point

1:39:43.600 --> 1:39:45.800
<v Speaker 1>on Twitter there were at least three or four of

1:39:45.800 --> 1:39:50.600
<v Speaker 1>them that tweeted out or gave interviews sorted to the

1:39:50.640 --> 1:39:55.280
<v Speaker 1>tune of you know, you're saying that you know that

1:39:55.760 --> 1:39:58.800
<v Speaker 1>twenty two million people might lose their insurance or and

1:39:59.000 --> 1:40:02.800
<v Speaker 1>this several hundred thousand might die if this law goes

1:40:02.840 --> 1:40:06.800
<v Speaker 1>and you know that was that was not a good

1:40:06.840 --> 1:40:11.240
<v Speaker 1>conversation point to sway them the other way. But I mean,

1:40:11.280 --> 1:40:14.400
<v Speaker 1>what is for those because I have a lot of

1:40:14.479 --> 1:40:18.280
<v Speaker 1>friends who are so overwhelmed with what's going on that

1:40:18.439 --> 1:40:23.120
<v Speaker 1>now my friends are at the point where they're just

1:40:23.280 --> 1:40:29.120
<v Speaker 1>so not even past the point of indifference, but just

1:40:29.200 --> 1:40:31.160
<v Speaker 1>so overwhelmed that they don't.

1:40:30.920 --> 1:40:31.920
<v Speaker 2>Watch the news at all.

1:40:33.439 --> 1:40:37.439
<v Speaker 1>And these are the ones who are generally on my

1:40:37.560 --> 1:40:38.200
<v Speaker 1>side of the fence.

1:40:38.200 --> 1:40:38.559
<v Speaker 2>I don't know.

1:40:38.760 --> 1:40:40.920
<v Speaker 1>I can't sleep at night unless I at least watch

1:40:41.560 --> 1:40:44.000
<v Speaker 1>an hour or two of at least Rachel's show, or

1:40:44.200 --> 1:40:45.880
<v Speaker 1>just someone that I know that's going to give.

1:40:45.800 --> 1:40:52.439
<v Speaker 2>Me straight up facts. But how do you how do we.

1:40:52.439 --> 1:40:59.599
<v Speaker 1>Reignite people or a community of people that just feel

1:40:59.640 --> 1:41:02.599
<v Speaker 1>like it's it's no use.

1:41:03.040 --> 1:41:06.400
<v Speaker 2>Yeah, no use. I started. God, have you guys heard

1:41:06.439 --> 1:41:08.400
<v Speaker 2>of a handmaids Handmaid's Tale?

1:41:08.479 --> 1:41:09.400
<v Speaker 13>I haven't watched it yet.

1:41:09.479 --> 1:41:11.040
<v Speaker 2>Yeah, have you watched it? I haven't watched it, but

1:41:11.200 --> 1:41:13.880
<v Speaker 2>I know something. It's yeah, I heard.

1:41:13.760 --> 1:41:16.000
<v Speaker 5>It's the future really sad like like.

1:41:16.040 --> 1:41:18.679
<v Speaker 1>If you yeah, if you think that like a House

1:41:18.720 --> 1:41:22.440
<v Speaker 1>of Cards or you know, whatever's being depicted now in

1:41:22.880 --> 1:41:28.160
<v Speaker 1>television as don't hamm okay, almost feels like this is

1:41:28.360 --> 1:41:29.439
<v Speaker 1>that's where it's going to go to.

1:41:29.640 --> 1:41:31.600
<v Speaker 2>Okay, I checked that. I haven't even watched it. I

1:41:31.640 --> 1:41:33.919
<v Speaker 2>gave up on House of Cards, like I just because.

1:41:33.680 --> 1:41:33.920
<v Speaker 13>It was.

1:41:36.400 --> 1:41:36.519
<v Speaker 5>Right.

1:41:36.800 --> 1:41:37.400
<v Speaker 2>Yeah, I don't.

1:41:37.439 --> 1:41:39.040
<v Speaker 5>I don't know how they did that. Yeah, I like

1:41:39.080 --> 1:41:43.160
<v Speaker 5>weight blame House of Cards actually right, all of it.

1:41:43.360 --> 1:41:44.479
<v Speaker 2>You're not even being ironic.

1:41:45.000 --> 1:41:49.680
<v Speaker 19>Just I need to find somebody to blame because this

1:41:49.800 --> 1:41:53.479
<v Speaker 19>makes no sense besides old lad like I just I

1:41:53.520 --> 1:41:55.360
<v Speaker 19>gotta I don't know, don't happen.

1:41:55.200 --> 1:41:57.040
<v Speaker 5>On the hils of what a Mirror said and on

1:41:57.080 --> 1:42:00.559
<v Speaker 5>that note, how do you prioritize the issues you should

1:42:00.560 --> 1:42:02.240
<v Speaker 5>be most careing about, because yes, health care is the

1:42:02.280 --> 1:42:06.040
<v Speaker 5>issue right now, but there are numerous issues that you know,

1:42:06.120 --> 1:42:09.200
<v Speaker 5>our president right now and his congress are about the

1:42:09.240 --> 1:42:12.040
<v Speaker 5>fuck up life with. So how do you do that, Angela?

1:42:12.120 --> 1:42:16.920
<v Speaker 19>How do you prioritize so first that y'all's president's that's

1:42:17.920 --> 1:42:21.200
<v Speaker 19>so no. So I think that that's a really, really

1:42:21.200 --> 1:42:24.120
<v Speaker 19>good question, And what I appreciate about it is I

1:42:24.160 --> 1:42:28.320
<v Speaker 19>get so frustrated with whether they're elected officials that are

1:42:28.320 --> 1:42:31.200
<v Speaker 19>sitting members of Congress right now, who will say, well,

1:42:31.240 --> 1:42:33.280
<v Speaker 19>we don't need to be talking about Russia because what

1:42:33.320 --> 1:42:35.760
<v Speaker 19>people really want to know about is their health care.

1:42:35.960 --> 1:42:37.880
<v Speaker 5>What people really want to know about is you know

1:42:37.920 --> 1:42:38.280
<v Speaker 5>where the.

1:42:38.240 --> 1:42:39.919
<v Speaker 16>Next job is going to come from the economy.

1:42:40.680 --> 1:42:41.759
<v Speaker 5>But here's the that's.

1:42:41.600 --> 1:42:44.479
<v Speaker 19>Right, And if so, if we're honest, every single day,

1:42:44.560 --> 1:42:47.880
<v Speaker 19>all of us are responsible for balancing something mer we

1:42:47.920 --> 1:42:50.600
<v Speaker 19>were talking about your time earlier, like we're responsible for

1:42:50.720 --> 1:42:55.240
<v Speaker 19>balancing some things. We are people who can walk into

1:42:55.360 --> 1:42:58.080
<v Speaker 19>gum at the same time and be okay. So it's

1:42:58.120 --> 1:42:59.680
<v Speaker 19>actually okay for us to try to get to the

1:42:59.680 --> 1:43:02.320
<v Speaker 19>bottom of what happened with Russia and how they ended

1:43:02.400 --> 1:43:06.840
<v Speaker 19>up in several you know polls, you know, precincts, messing

1:43:06.920 --> 1:43:09.720
<v Speaker 19>with stuff. You know, that's important for us to understand

1:43:09.800 --> 1:43:14.680
<v Speaker 19>because over time, if if countries, if entities can continue

1:43:15.200 --> 1:43:19.360
<v Speaker 19>to uh interrupt and disrupt our democracy the ways in

1:43:19.400 --> 1:43:22.120
<v Speaker 19>which we engage in the electoral process, people are going

1:43:22.160 --> 1:43:26.600
<v Speaker 19>to become disillusioned with that. That is very very very dangerous.

1:43:26.439 --> 1:43:30.439
<v Speaker 19>That's exactly right. That means a select few are picking

1:43:31.000 --> 1:43:34.080
<v Speaker 19>your your leaders. And what happens is this healthcare bill

1:43:34.200 --> 1:43:36.760
<v Speaker 19>to bring this back full circle, which is you know,

1:43:37.280 --> 1:43:40.800
<v Speaker 19>very toxic. It is you know, it's it's it's it's

1:43:40.840 --> 1:43:43.519
<v Speaker 19>a tax cut for billionaires. You know, it is a

1:43:43.560 --> 1:43:47.639
<v Speaker 19>way of One of the Senate compromises that came about

1:43:47.760 --> 1:43:51.960
<v Speaker 19>yesterday was okay, well we'll just uh, we'll reinstitute the

1:43:52.400 --> 1:43:57.000
<v Speaker 19>mandatory healthcare you have to sign up mandatorily. But what

1:43:57.000 --> 1:43:58.720
<v Speaker 19>we're going to do is if there's a lapse in

1:43:58.760 --> 1:44:02.080
<v Speaker 19>your health care, then there's gonna be a six month

1:44:02.120 --> 1:44:03.559
<v Speaker 19>window for you to get healthcare.

1:44:03.640 --> 1:44:03.920
<v Speaker 16>Again.

1:44:04.280 --> 1:44:07.160
<v Speaker 19>What happens if something happens to you in those six

1:44:07.200 --> 1:44:09.519
<v Speaker 19>months and you can't afford to pay for health care

1:44:09.560 --> 1:44:10.480
<v Speaker 19>out of pocket.

1:44:10.520 --> 1:44:11.720
<v Speaker 7>That's not a compromise.

1:44:11.880 --> 1:44:13.880
<v Speaker 19>And if it's a compromise, who is it on the

1:44:13.920 --> 1:44:16.720
<v Speaker 19>backs of And those are folks who normally look like us,

1:44:16.760 --> 1:44:20.200
<v Speaker 19>if they're underserved and marginalized communities, black and brown communities.

1:44:20.360 --> 1:44:21.519
<v Speaker 7>We have to pay attention.

1:44:21.960 --> 1:44:24.439
<v Speaker 19>And so if there's nothing else that I hope comes

1:44:24.439 --> 1:44:28.599
<v Speaker 19>out of this treacherous, dangerous, awful time, it is that

1:44:28.680 --> 1:44:32.439
<v Speaker 19>I hope we realize that these people are working for us.

1:44:32.439 --> 1:44:35.639
<v Speaker 19>And I use this analogy on a panel the other day.

1:44:36.320 --> 1:44:38.439
<v Speaker 19>There's not a single one of us who if we

1:44:38.520 --> 1:44:41.840
<v Speaker 19>are employing people, just are like, Okay, we're gonna pay you.

1:44:41.840 --> 1:44:44.160
<v Speaker 19>You go and do whatever, and never check in. There's

1:44:44.200 --> 1:44:47.040
<v Speaker 19>a team call, there's a team meeting, there's an agenda,

1:44:47.200 --> 1:44:50.960
<v Speaker 19>there's some type of metrics for accountability where they have

1:44:51.080 --> 1:44:54.240
<v Speaker 19>to check in with us. We pay these people, they

1:44:54.320 --> 1:44:57.000
<v Speaker 19>owe us answers, they owe us to do the right thing.

1:44:57.040 --> 1:44:59.840
<v Speaker 5>I think it's town halls, and town halls aren't even

1:44:59.880 --> 1:45:02.320
<v Speaker 5>a got to show up to those, and people.

1:45:02.080 --> 1:45:04.479
<v Speaker 19>Are starting to show up townhouse. But even that's not enough.

1:45:04.520 --> 1:45:06.559
<v Speaker 19>We need to be checking them on what they're doing,

1:45:06.640 --> 1:45:09.200
<v Speaker 19>what they're doing in pacts us more in some instances

1:45:09.240 --> 1:45:10.360
<v Speaker 19>than the employees that we have.

1:45:12.320 --> 1:45:15.720
<v Speaker 1>All Right, here is Gina your share speaking about her

1:45:15.760 --> 1:45:20.360
<v Speaker 1>family who immigrated to London, England from Nigeria and the

1:45:20.400 --> 1:45:23.320
<v Speaker 1>experiences that they had and it's a fact.

1:45:23.120 --> 1:45:26.000
<v Speaker 2>On Gina's upbringing. This from twenty twenty one.

1:45:27.040 --> 1:45:29.400
<v Speaker 5>Can I ask the question though, because even though Gina

1:45:29.600 --> 1:45:31.840
<v Speaker 5>is born and raised in London, her mother is not,

1:45:32.280 --> 1:45:34.360
<v Speaker 5>and so I must think that your mother does not

1:45:34.439 --> 1:45:38.080
<v Speaker 5>feel the same way about this English food. And on

1:45:38.120 --> 1:45:40.120
<v Speaker 5>the back of that question, can you also break down

1:45:40.479 --> 1:45:44.000
<v Speaker 5>like how dope and royal of a situation your mother

1:45:44.080 --> 1:45:45.840
<v Speaker 5>came to to come and they came to London and

1:45:45.840 --> 1:45:47.280
<v Speaker 5>it was a flip of thew the switch.

1:45:47.400 --> 1:45:49.919
<v Speaker 20>Oh yeah, For one, my mom loves a bit of babings,

1:45:49.920 --> 1:45:50.600
<v Speaker 20>don't even knock it.

1:45:50.920 --> 1:45:51.719
<v Speaker 14>My mom is full.

1:45:51.640 --> 1:45:54.639
<v Speaker 20>Nightge though she loves Nigean food like when mother kids

1:45:54.760 --> 1:45:57.280
<v Speaker 20>at Nigeria foods in the house. But my mom loved

1:45:57.320 --> 1:46:02.519
<v Speaker 20>mashed potatoes and my mom loves beans, so it was

1:46:02.680 --> 1:46:05.720
<v Speaker 20>the dichotomy. But yeah, yeah, my mom was from a

1:46:05.760 --> 1:46:07.880
<v Speaker 20>wealthy way well on her family. My mom's from a

1:46:07.920 --> 1:46:11.360
<v Speaker 20>family called the Abasaki family and they are practically royalty

1:46:11.400 --> 1:46:13.759
<v Speaker 20>in Nigeria. And my mom is from a wealthy family.

1:46:13.800 --> 1:46:15.960
<v Speaker 20>Her dad had a load of wives. She was educated.

1:46:17.120 --> 1:46:19.080
<v Speaker 20>Her dad traveled all over the world on business and

1:46:19.120 --> 1:46:21.320
<v Speaker 20>he took her with him and she went to private

1:46:21.360 --> 1:46:25.240
<v Speaker 20>school and she was a school principal in Nigeria before

1:46:25.280 --> 1:46:26.439
<v Speaker 20>she was twenty four years old.

1:46:26.479 --> 1:46:27.559
<v Speaker 14>So she was very you.

1:46:27.600 --> 1:46:28.360
<v Speaker 2>Know, she did.

1:46:28.560 --> 1:46:31.840
<v Speaker 14>Yeah, she was very She achieved a lot and then

1:46:32.080 --> 1:46:33.800
<v Speaker 14>she came to England.

1:46:33.840 --> 1:46:37.599
<v Speaker 2>Before why did she come to England?

1:46:37.800 --> 1:46:40.400
<v Speaker 20>Well, long story short. If you read my new book

1:46:40.439 --> 1:46:44.080
<v Speaker 20>that's coming, that's how you know that. My mother was

1:46:44.120 --> 1:46:47.800
<v Speaker 20>the daughter of the first wife. So my grandfather had

1:46:47.800 --> 1:46:50.839
<v Speaker 20>many wives. As you know, polygamy was widely practiced in Nigeria.

1:46:51.200 --> 1:46:52.000
<v Speaker 2>Tell me about it.

1:46:52.080 --> 1:46:57.920
<v Speaker 20>Oh yeah, lots of wives, lots of lots of wives

1:46:57.960 --> 1:47:00.759
<v Speaker 20>and daughter. My mom was the daughter of the first wife.

1:47:01.040 --> 1:47:03.800
<v Speaker 20>But the first wife was very powerful, as the first

1:47:03.800 --> 1:47:07.519
<v Speaker 20>wife is as the first The otherwise were very jealous

1:47:07.560 --> 1:47:10.760
<v Speaker 20>and there was the other wives murdered my grandmother.

1:47:11.200 --> 1:47:11.760
<v Speaker 2>They pull you.

1:47:11.920 --> 1:47:18.080
<v Speaker 1>Oh yeah, well we never get the beginning the throne ship.

1:47:18.280 --> 1:47:20.760
<v Speaker 2>Yeah, yeah, for real greatship.

1:47:21.320 --> 1:47:23.920
<v Speaker 20>So yeah, the other wives did not my mother. My

1:47:23.960 --> 1:47:26.760
<v Speaker 20>grandmother was like, listen, the other wives don't like me.

1:47:26.800 --> 1:47:29.479
<v Speaker 20>These bitches are trying to kill me if anything happens

1:47:29.479 --> 1:47:32.720
<v Speaker 20>to me, get my daughter out of Nigeria. So she

1:47:32.840 --> 1:47:35.240
<v Speaker 20>ended up dying. She was poisoned and when she died

1:47:35.240 --> 1:47:37.040
<v Speaker 20>she had a mark on her throat. Now, before my

1:47:37.120 --> 1:47:39.280
<v Speaker 20>grandmother died, she always used to say when I come back,

1:47:39.400 --> 1:47:41.640
<v Speaker 20>when I come back, I'm going to I'm going to

1:47:41.680 --> 1:47:44.280
<v Speaker 20>speak English, I'm going to be in England. I'm not

1:47:44.320 --> 1:47:45.920
<v Speaker 20>going to have all these children because my mom and

1:47:46.120 --> 1:47:47.960
<v Speaker 20>my grandmother had eleven kids and I don't want to

1:47:47.960 --> 1:47:48.639
<v Speaker 20>all these children.

1:47:48.840 --> 1:47:50.920
<v Speaker 14>I'm going to do a man's job. I'm going to

1:47:50.960 --> 1:47:52.400
<v Speaker 14>have freedom, all of you.

1:47:52.479 --> 1:47:52.599
<v Speaker 13>Thing.

1:47:52.720 --> 1:47:54.800
<v Speaker 20>When she died from a poison she had a mark

1:47:54.840 --> 1:47:55.640
<v Speaker 20>on her throat.

1:47:55.880 --> 1:47:57.559
<v Speaker 14>Obviously, when she.

1:47:57.560 --> 1:48:01.200
<v Speaker 20>Died, my grandfather sent my mom out the because who's

1:48:01.240 --> 1:48:02.920
<v Speaker 20>like weld, I've killed the wife. I'm not going to

1:48:02.960 --> 1:48:05.200
<v Speaker 20>have them kill my daughter to so he sent my

1:48:05.280 --> 1:48:07.720
<v Speaker 20>mom to England to study and that is where my

1:48:07.840 --> 1:48:10.600
<v Speaker 20>mom met my dad. They met each other, they had me,

1:48:11.360 --> 1:48:13.679
<v Speaker 20>and I came out with this mark on my flow.

1:48:13.800 --> 1:48:17.120
<v Speaker 20>So basically I'm a reincarnation of my grandmother.

1:48:17.520 --> 1:48:18.559
<v Speaker 14>So that that's the story.

1:48:18.560 --> 1:48:21.120
<v Speaker 20>Because Nigeras believed heavily in the incarnation, and I came

1:48:21.160 --> 1:48:26.240
<v Speaker 20>out doing all the things that my grandmother said.

1:48:24.439 --> 1:48:28.120
<v Speaker 14>I fulfilled everything.

1:48:28.200 --> 1:48:30.519
<v Speaker 20>So when I said my mo, mom was like comedian,

1:48:30.600 --> 1:48:31.439
<v Speaker 20>you want to become a clown.

1:48:31.479 --> 1:48:33.920
<v Speaker 14>I was like, mom, remember this is what your mother wanted.

1:48:34.240 --> 1:48:38.400
<v Speaker 14>I am your mother. That's how I get away with her.

1:48:39.080 --> 1:48:39.880
<v Speaker 14>But yeah, my mom.

1:48:40.000 --> 1:48:42.479
<v Speaker 20>So that's how my mother ended up in England studying

1:48:42.640 --> 1:48:44.760
<v Speaker 20>and she was a teacher. She came to England. She

1:48:44.840 --> 1:48:46.920
<v Speaker 20>wanted to carry on working as a teacher. For England

1:48:46.960 --> 1:48:48.920
<v Speaker 20>was super racist. She couldn't my dad.

1:48:48.960 --> 1:48:49.639
<v Speaker 14>She met my dad.

1:48:49.720 --> 1:48:52.960
<v Speaker 20>My dad was studying for his PhD. He was and

1:48:53.240 --> 1:48:55.920
<v Speaker 20>he was also a qualified lawyer. They could he couldn't

1:48:55.920 --> 1:48:59.160
<v Speaker 20>get work as a lawyer in England. So basically they met,

1:48:59.200 --> 1:49:01.639
<v Speaker 20>they got married, they had us, and then my dad

1:49:01.760 --> 1:49:04.439
<v Speaker 20>was like, forget this, I want to go back to Nigeria.

1:49:04.640 --> 1:49:06.519
<v Speaker 20>This is not I am driving a bust when I'm

1:49:06.520 --> 1:49:08.759
<v Speaker 20>a lawyer. I'm a lawyer in Nigeria. I'm not staying

1:49:08.760 --> 1:49:10.519
<v Speaker 20>here to drive a bus. Let's get the kids, let's go.

1:49:11.000 --> 1:49:13.519
<v Speaker 20>And my mom was like, no, I've had my children

1:49:13.520 --> 1:49:16.400
<v Speaker 20>in England. They are British. I want them to stay

1:49:16.400 --> 1:49:19.880
<v Speaker 20>in England and be afforded all the opportunities that being

1:49:19.880 --> 1:49:24.040
<v Speaker 20>British entails. I'm staying here with my kids. So basically

1:49:24.040 --> 1:49:26.160
<v Speaker 20>my mom and dad's My dad went back to Nigeria

1:49:26.240 --> 1:49:27.960
<v Speaker 20>when I was three and I didn't see him again

1:49:28.200 --> 1:49:30.519
<v Speaker 20>till I was thirty seven, and when I went out

1:49:30.560 --> 1:49:32.080
<v Speaker 20>there to do a show in Nigeria.

1:49:32.240 --> 1:49:32.840
<v Speaker 5>So that was it.

1:49:33.080 --> 1:49:35.599
<v Speaker 2>Wait, you met your father backstage at a show.

1:49:36.000 --> 1:49:36.960
<v Speaker 14>He came to my show.

1:49:37.080 --> 1:49:40.040
<v Speaker 20>So at that point I was pretty well known in

1:49:40.080 --> 1:49:42.160
<v Speaker 20>England and pretty well known in Nigeria. I'd done a

1:49:42.200 --> 1:49:44.599
<v Speaker 20>couple of sketches on television in England that had gone

1:49:44.680 --> 1:49:47.040
<v Speaker 20>viral in Nigeria. So I got flown out to Nigeria

1:49:47.120 --> 1:49:50.120
<v Speaker 20>to do a show, and obviously I still carried my

1:49:50.120 --> 1:49:52.719
<v Speaker 20>father's name, so my father was like when I was going,

1:49:52.760 --> 1:49:54.479
<v Speaker 20>my mom was like, oh, your father is going to

1:49:54.479 --> 1:49:54.880
<v Speaker 20>turn up.

1:49:54.880 --> 1:49:55.800
<v Speaker 14>You watch he's going to.

1:49:58.520 --> 1:49:58.560
<v Speaker 6>You.

1:49:58.840 --> 1:49:59.360
<v Speaker 7>And he did.

1:49:59.439 --> 1:50:00.880
<v Speaker 14>He turned off the show with a.

1:50:00.840 --> 1:50:03.840
<v Speaker 20>Bunch of brothers and sisters I'd never met. So it

1:50:03.920 --> 1:50:05.400
<v Speaker 20>was it was it's all in the book. It's all

1:50:05.400 --> 1:50:06.360
<v Speaker 20>in the book, people.

1:50:06.479 --> 1:50:06.720
<v Speaker 13>It is.

1:50:07.000 --> 1:50:08.600
<v Speaker 5>And also in the book, I remember I want to

1:50:08.600 --> 1:50:10.640
<v Speaker 5>tell people too. You give a good history on the

1:50:10.640 --> 1:50:13.240
<v Speaker 5>Empire of Benin and whatnot. I was like, oh, Wow,

1:50:13.280 --> 1:50:15.720
<v Speaker 5>I had no idea, So can you.

1:50:15.240 --> 1:50:17.960
<v Speaker 1>Can you briefly let me know about I just recently

1:50:18.000 --> 1:50:23.519
<v Speaker 1>found out my lineage to Benin like a year ago and.

1:50:23.520 --> 1:50:26.280
<v Speaker 20>In the country next to Nigeria or been in the

1:50:26.280 --> 1:50:30.280
<v Speaker 20>city in Nigeria. I've been in this because there's two Benu.

1:50:30.360 --> 1:50:32.720
<v Speaker 20>There's been in city in Nigeria, which is where my

1:50:33.120 --> 1:50:35.599
<v Speaker 20>family from. And then there's been in the country which

1:50:35.640 --> 1:50:37.439
<v Speaker 20>is next country, Nigeria where they speak French.

1:50:38.800 --> 1:50:41.600
<v Speaker 14>Yeah, so are you. But if they say Banin in

1:50:41.640 --> 1:50:43.360
<v Speaker 14>your I'm assuming it's been in the country.

1:50:44.200 --> 1:50:44.519
<v Speaker 3>Okay.

1:50:44.560 --> 1:50:47.760
<v Speaker 1>I believe that it was the country simply because when

1:50:47.760 --> 1:50:53.360
<v Speaker 1>there was a civil war happening, the Nigerians had some

1:50:54.000 --> 1:50:58.000
<v Speaker 1>beneen prisoners that they used as.

1:50:59.240 --> 1:51:00.400
<v Speaker 2>Leverage to Nigger allotiate.

1:51:00.640 --> 1:51:00.760
<v Speaker 19>Uh.

1:51:01.520 --> 1:51:03.639
<v Speaker 2>My great your great grandfathers was one.

1:51:03.479 --> 1:51:07.360
<v Speaker 1>Of those, uh those captured and sold in the slavery

1:51:07.400 --> 1:51:08.000
<v Speaker 1>in America.

1:51:08.200 --> 1:51:11.760
<v Speaker 14>So the country, Yeah, it's definitely the country then in yes,

1:51:12.200 --> 1:51:12.559
<v Speaker 14>but yeah.

1:51:12.560 --> 1:51:16.120
<v Speaker 20>I opened my book with history of Nigeria and the

1:51:16.160 --> 1:51:18.880
<v Speaker 20>be In within Nigeria which is now southern Nigeria where

1:51:18.880 --> 1:51:22.160
<v Speaker 20>my family is from, and and how advanced the society

1:51:22.400 --> 1:51:25.519
<v Speaker 20>was and how the British came and tried to take

1:51:26.280 --> 1:51:28.519
<v Speaker 20>and they got their asses handed to them by the

1:51:28.560 --> 1:51:32.720
<v Speaker 20>Bnin warriors. And then they came back and burnt Been

1:51:32.760 --> 1:51:35.120
<v Speaker 20>into the ground and stole all those bronzes. And hence

1:51:35.160 --> 1:51:38.600
<v Speaker 20>while you've got all these bill In bronzes in museums

1:51:38.600 --> 1:51:40.719
<v Speaker 20>in New York and around the world, because the British

1:51:40.760 --> 1:51:44.599
<v Speaker 20>came burnt down Benin, stole all the bronzes and sold

1:51:44.680 --> 1:51:47.280
<v Speaker 20>the bronzes to pay for the army that they've used

1:51:47.520 --> 1:51:48.880
<v Speaker 20>to burn down Been In.

1:51:50.960 --> 1:51:53.240
<v Speaker 2>The British have done to the world, man Jesus.

1:51:53.920 --> 1:51:57.720
<v Speaker 20>Like, yeah, exactly when you guys go, oh Britain is

1:51:57.720 --> 1:52:00.639
<v Speaker 20>so polite and genteel it, No it is they are

1:52:00.680 --> 1:52:02.679
<v Speaker 20>straight savages well.

1:52:03.000 --> 1:52:05.519
<v Speaker 5>And also not for nothing. Nigerians usually act like ain't

1:52:05.560 --> 1:52:07.840
<v Speaker 5>nobody come and mess with them at all, So this

1:52:08.040 --> 1:52:10.080
<v Speaker 5>history is not always told in that aspect. It's like

1:52:10.080 --> 1:52:12.200
<v Speaker 5>anybody comes, try to colonized us, We got no, We're good.

1:52:12.400 --> 1:52:13.679
<v Speaker 13>Oh no, they were coming.

1:52:14.160 --> 1:52:15.400
<v Speaker 14>We only got our independence.

1:52:15.479 --> 1:52:18.880
<v Speaker 20>Niger only got air independence in nineteen sixty and from

1:52:20.720 --> 1:52:23.040
<v Speaker 20>nineteen sixty we got our independence, and even then, the

1:52:23.360 --> 1:52:25.639
<v Speaker 20>economy was completely messed up after that because white people

1:52:26.280 --> 1:52:29.200
<v Speaker 20>came out and took everything with them, and they'd already

1:52:29.280 --> 1:52:31.400
<v Speaker 20>raked it of all the resources, all the oil, all

1:52:31.439 --> 1:52:34.719
<v Speaker 20>the everything. And then there was a lot of money

1:52:34.720 --> 1:52:38.439
<v Speaker 20>in oil for a while, but it all collapsed.

1:52:38.479 --> 1:52:39.280
<v Speaker 14>It all collapsed.

1:52:39.560 --> 1:52:42.200
<v Speaker 20>The school systems was based on the British school systems.

1:52:42.640 --> 1:52:45.720
<v Speaker 20>You know, they took away the element that Nigerians were

1:52:45.720 --> 1:52:48.559
<v Speaker 20>all about. Africans were all about family and learning trades

1:52:48.600 --> 1:52:51.280
<v Speaker 20>and passing down stuff within the family. And the British

1:52:51.360 --> 1:52:55.280
<v Speaker 20>came and went, now, don't forget about family stuff. That capitalism.

1:52:55.360 --> 1:52:58.120
<v Speaker 20>It's all about capitalism. You learned to get these qualifications

1:52:58.160 --> 1:53:00.800
<v Speaker 20>and then like it. And so they completely change the

1:53:00.840 --> 1:53:03.639
<v Speaker 20>way that Nigerians worked and it's just ruined, in my opinion,

1:53:03.720 --> 1:53:05.639
<v Speaker 20>ruined the country. Now you've got a few greedy people

1:53:05.920 --> 1:53:07.160
<v Speaker 20>just creaming everything off there.

1:53:07.280 --> 1:53:10.040
<v Speaker 7>Just so that's the history.

1:53:11.360 --> 1:53:12.840
<v Speaker 5>Hey, at least you know yours. You don't have to

1:53:12.840 --> 1:53:14.439
<v Speaker 5>go to Africa ancestry, right somebody?

1:53:15.040 --> 1:53:19.920
<v Speaker 20>Oh yeah yeah.

1:53:19.960 --> 1:53:24.000
<v Speaker 1>And that's part one of qols's celebration of Black History Month.

1:53:25.000 --> 1:53:26.800
<v Speaker 2>Please come back next week for part two.

1:53:27.400 --> 1:53:37.679
<v Speaker 1>All right, y'all. Peace Quest Love Supreme is a production

1:53:37.880 --> 1:53:46.080
<v Speaker 1>of iHeart Radio. For more podcasts from iHeart Radio, visit

1:53:46.120 --> 1:53:49.559
<v Speaker 1>the iHeart radio, app, Apple podcasts, or wherever you listen

1:53:49.640 --> 1:53:50.519
<v Speaker 1>to your favorite shows.