WEBVTT - The Ground Around Her Corpse Was Soaked in Blood and Her Head Was Missing

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<v Speaker 1>Welcome to Haunted Road, a production of iHeartRadio and Grimm

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<v Speaker 1>and Mild from Aaron Minky. Listener discretion is advised. What

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<v Speaker 1>role does music play in influencing paranormal activity? Not just music,

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<v Speaker 1>but a vivacious social scene or bar. I've experimented with

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<v Speaker 1>this actually years ago. While investigating a bar, we were

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<v Speaker 1>told that after hours, particularly on nights where Live's music

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<v Speaker 1>had been played in the venue, were always the most

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<v Speaker 1>active times ghost Twice we experimented with that. We invited

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<v Speaker 1>a Lives band to play during the investigation, and during

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<v Speaker 1>their set we ran all sorts of equipment and kept

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<v Speaker 1>tabs on our surroundings. Sure enough, we captured anomalies and activity.

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<v Speaker 1>Perhaps most telling, once the band had packed up and

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<v Speaker 1>left and we returned to the room to investigate, the

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<v Speaker 1>jukebox turned off by itself, and the credit card machines

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<v Speaker 1>started spitting out blank receipt paper for no reason. Imagine

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<v Speaker 1>working under those circumstances every night. Needless to say, my

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<v Speaker 1>interest in this phenomenon was peaud and there's perhaps no

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<v Speaker 1>better place to explore such a theory than Bobby Mackie's

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<v Speaker 1>Music World. I'm Amy Bruney, and this is Haunted Road. Wilder, Kentucky,

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<v Speaker 1>sits just across the Ohio River from Cincinnati. The small

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<v Speaker 1>town of about three thousand people has only been formally

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<v Speaker 1>incorporated for about ninety years. Before that, it was part

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<v Speaker 1>of a nearby town called Newport. In the eighteenth century,

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<v Speaker 1>Newport was known for its crime, and in particular for

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<v Speaker 1>its ties to organized crime. This was a region that

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<v Speaker 1>upstanding citizens avoided because it promised trouble. These days, if

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<v Speaker 1>motorists pull off of the four lane Licking Road and Wilder,

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<v Speaker 1>they'll see what looks like an abandoned shack. It has

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<v Speaker 1>a false brick front, while the other three walls are white,

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<v Speaker 1>sighting train tracks cut behind it with the Licking River

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<v Speaker 1>behind them. The structure is dark, windowless, and doesn't even

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<v Speaker 1>have a paved parking lot. Visitors can park in the

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<v Speaker 1>patch of white gravel off to the side. But in

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<v Speaker 1>spite of its ominous appearance, this business called Bobby Mackie's

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<v Speaker 1>Music World is still in operation. If you're brave enough

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<v Speaker 1>to enter. The interior decor hints at its colorful past.

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<v Speaker 1>A dive bar with pool tables and a mechanical bowl

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<v Speaker 1>operates alongside a gift shop The black floor features a

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<v Speaker 1>faded logo for the Latin Quarter, a former nightclub that

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<v Speaker 1>used to operate in this building. Dim lights barely illuminate

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<v Speaker 1>the red and black ceiling or the sign behind the

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<v Speaker 1>small stage that reads America's honky Tonk. The basement is

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<v Speaker 1>even more eerie. Visitors have to walk over plywood walkways

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<v Speaker 1>that stretch across crumbling, broken concrete flooring. The walls are

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<v Speaker 1>wooden planks dotted with bullet holes. In a back corner,

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<v Speaker 1>behind wooden barriers, an eighteen inch tall stone circular structure

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<v Speaker 1>rises from the floor. This is an old well, but

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<v Speaker 1>it's anyone's guess exactly how old it is. Some rumors

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<v Speaker 1>suggest it dates to at least eighteen ninety seven, when

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<v Speaker 1>it offered water to the community. Others suggest it's from

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<v Speaker 1>the mid nineteenth century. Rumors say the building used to

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<v Speaker 1>be a slaughter house and the cistern collected blood from

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<v Speaker 1>butchered animals, and some less colorful speculation, like that of

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<v Speaker 1>Dan Smith riding for Haunted America, says the well was

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<v Speaker 1>part of a tunnel system that captured and directed water

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<v Speaker 1>from the nearby Licking River. Asher Albine of the Bitter

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<v Speaker 1>Southerner wrote that there are many rumors that Satanists once

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<v Speaker 1>use the well in some kind of ritual sacrifice. Albeing

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<v Speaker 1>also noted that the gossip is almost certainly untrue, but

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<v Speaker 1>that hasn't stopped even wilder stories from flying, including one

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<v Speaker 1>claim that the well isn't opening into hell. And the

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<v Speaker 1>signs and advertisements throughout Bobby Mackie's Music World demonstrate that

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<v Speaker 1>the current owners have embraced their haunted reputation. Before anyone

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<v Speaker 1>can even set foot inside, they'll spot an outdoor sign

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<v Speaker 1>that says Bobby Mackie's another right underneath it announces that

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<v Speaker 1>visitors can book two hour ghost tours, and inside postings

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<v Speaker 1>feature language like this establishment is reported to be haunted.

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<v Speaker 1>Management is not responsible and cannot be held liable for

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<v Speaker 1>any actions of any ghost spirits on these premises. For

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<v Speaker 1>all the bars ghostly marketing, The region's eerie reputation predates

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<v Speaker 1>Bobby Mackie's by about a century. In January eighteen ninety six,

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<v Speaker 1>a twenty three year old woman named Pearl Brian arrived

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<v Speaker 1>in Newport, Kentucky. A few of her friends or family

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<v Speaker 1>members knew the real reason she left her home in

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<v Speaker 1>Greencastle Indiana. She told them she was visiting a friend,

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<v Speaker 1>but in reality, she was about five months pregnant. It's

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<v Speaker 1>believed she was seeking an illegal abortion, or, as suggested

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<v Speaker 1>in Eric Burnsey's article with the banner graphic, she was

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<v Speaker 1>tracking down the birth father to demand he marry her.

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<v Speaker 1>Whatever her plan, it didn't work out. Soon after her

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<v Speaker 1>arrival on February first, Pearl was found dead in an orchard.

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<v Speaker 1>The ground around her corpse was soaked in blood, and

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<v Speaker 1>her head was missing. Given the sheer amount of blood,

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<v Speaker 1>coroners speculated that she was still living when her murderer

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<v Speaker 1>decapitated her. Understandably, any gruesome story like this will draw attention,

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<v Speaker 1>and Pearl Brian's murder was splashed across newspapers. The police

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<v Speaker 1>worked quickly, and their investigation eventually led them to two men,

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<v Speaker 1>Scott Jackson and his roommate Alonzo Walling. Scott was believed

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<v Speaker 1>to be Pearl's lover, and he was enrolled in a

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<v Speaker 1>dental school in nearby Cincinnati. It would have been relatively

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<v Speaker 1>easy for him to travel across the river to kill

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<v Speaker 1>Pearl and dump her body. When police questioned Scott, he

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<v Speaker 1>claimed he was helping Pearl secure an abortion as a

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<v Speaker 1>favor for a friend the baby's actual father. As Robert

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<v Speaker 1>Wilhelm recorded on the Murder by Gaslight web page The

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<v Speaker 1>Mysteries of Pearl Brian, Scott claimed his roommate Alonzo was

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<v Speaker 1>supposed to help get Pearl to and from the abortion appointment.

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<v Speaker 1>Scott claimed Alonzo killed Pearl when the procedure went wrong. Alonso,

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<v Speaker 1>in turn, suggested Scott always meant to murder Pearl rather

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<v Speaker 1>than get her medical treatment. Each suspect protested his innocence

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<v Speaker 1>while incriminating the other, but the hard evidence didn't look

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<v Speaker 1>good for either accused man. Both Alonzo and Scott were

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<v Speaker 1>seen with Pearl the night of her murder, and, according

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<v Speaker 1>to one horse cab driver, men fitting their descriptions escorted

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<v Speaker 1>a clearly unwell woman across the river from Ohio to Kentucky.

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<v Speaker 1>A bartender also assured the police he saw Scott drug

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<v Speaker 1>Pearls drink that evening. Albert Vinton Stegmann Junior reported a

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<v Speaker 1>particularly disturbing detail on a web page titled Pearl Brian Murder.

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<v Speaker 1>He writes that during the night, Scott and Alonso went

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<v Speaker 1>into a tavern carrying a red leather valus that had

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<v Speaker 1>once belonged to Pearl. They asked the bartender to hold

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<v Speaker 1>onto the item for them, and when he picked it up,

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<v Speaker 1>he was surprised at how heavy it was. He speculated

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<v Speaker 1>that the bag held a bowling ball, but later, when

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<v Speaker 1>police found the vallas stained with blood, they suspected it

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<v Speaker 1>actually held Pearl's head. It's not clear what became of

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<v Speaker 1>her head after that, because it was never recovered. Some

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<v Speaker 1>speculate the killer tossed it into the Ohio River or

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<v Speaker 1>burned it in a furnace at the dental school, but

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<v Speaker 1>another popular theory is that he threw it down a well,

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<v Speaker 1>the same well that now sits in Bobby Mackie's Music

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<v Speaker 1>World's basement. Either way, the witness's testimony was enough for

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<v Speaker 1>the courts to sentence both men to death. They were

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<v Speaker 1>hanged together on March twentieth, eighteen ninety seven. Even on

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<v Speaker 1>the gallows, each man protested the execution as a miscarriage

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<v Speaker 1>of justice. Indianapolis's The Sunday Journal reports that just before

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<v Speaker 1>he was killed, Alonzo Walling declared, you are about to

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<v Speaker 1>take the life of an innocent man. I call upon

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<v Speaker 1>God to be my witness. There are also rumors which

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<v Speaker 1>I have not been able to verify that one or

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<v Speaker 1>both men warned that if they were unjustly executed, they'd

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<v Speaker 1>remain in the town as ghosts haunting their killers. Sure enough,

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<v Speaker 1>after the hanging, a series of strange and inexplicable disasters

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<v Speaker 1>struck the area. In eighteen seventy six, a distillery was

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<v Speaker 1>built on the land where Bobby Mackie's Music World stands. Now,

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<v Speaker 1>thirty years after it opened its doors, it caught fire. Meanwhile,

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<v Speaker 1>a bridge over the Licking River was constructed nearby. Before

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<v Speaker 1>the builders could finish their work, it collapsed, taking thirty

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<v Speaker 1>one lives. The string of bad luck persisted throughout the

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<v Speaker 1>twentieth century. Numerous pubs and clubs opened and closed on

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<v Speaker 1>the site. These decades were marked by barroom brawls that

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<v Speaker 1>turned deadly, brutal mafia hits, and fatal shootouts. I could

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<v Speaker 1>go on and on about the various murders and suicides

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<v Speaker 1>that struck the patrons and owners of these businesses, but

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<v Speaker 1>in the interest of time, let's move ahead to April

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<v Speaker 1>nineteen seventy eight, That is when Linda and the eponymous

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<v Speaker 1>Bobby Mackie bought the bar. Bobby was a musician and

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<v Speaker 1>may have wanted to open a venue for country performers,

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<v Speaker 1>but it didn't take long for disaster to strike yet again.

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<v Speaker 1>Bobby and Linda were mid renovation when a fire broke

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<v Speaker 1>out at Music World. Numerous stories in the Cincinnati Inquirer

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<v Speaker 1>emphasized that there was no clear cause for the blaze.

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<v Speaker 1>The fire pushed back Music World's opening days several months

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<v Speaker 1>to October twenty seventh, nineteen seventy eight. After that, the

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<v Speaker 1>bar proved to be such a success, Bobby tried opening

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<v Speaker 1>another establishment just next door, but the land he purchased

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<v Speaker 1>in nineteen ninety two suddenly ripped apart as a two

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<v Speaker 1>hundred foot chasm appeared out of nowhere. For context, that's

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<v Speaker 1>the length of a twenty story building, and it was

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<v Speaker 1>determined that Bobby couldn't possibly build there. Five more years

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<v Speaker 1>passed and another fire struck the original bar. This time

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<v Speaker 1>the cause was clear. A customer set the structure alight

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<v Speaker 1>after a confrontation with a waitress about bringing in outside beer. Luckily,

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<v Speaker 1>no one was hurt in the blaze, but it did

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<v Speaker 1>reek thousands of dollars in damages. In spite of all

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<v Speaker 1>these omens, Bobby Mackie didn't cement its reputation as a

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<v Speaker 1>haunted location until the early nineties. Asher Albin wrote about

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<v Speaker 1>how ghost stories become a fundamental part of the bar's

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<v Speaker 1>identity on his page Honky Tonk Haunts on the Bitter

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<v Speaker 1>Southerner website. He says Bobby knew his employee Karl Lawson

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<v Speaker 1>often heard footsteps and got the eerie feeling he was

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<v Speaker 1>being watched even when he was alone. He was so

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<v Speaker 1>unnerved by these incidents he slept with a gun in

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<v Speaker 1>his bed and propped his door closed. Bobby had previously

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<v Speaker 1>warned Carl not to mention the eerie's supernatural encounters, as

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<v Speaker 1>he found them disturbing, but one night Bobby struck up

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<v Speaker 1>a conversation about them with Karl and a regular customer

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<v Speaker 1>and horror writer named Doug Hensley. Doug grew increasingly fascinated

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<v Speaker 1>and begged the two men to tell him everything about

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<v Speaker 1>the hauntings of Bobby Mackie's. Finally, they relented, and Doug

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<v Speaker 1>took careful notes on each story they told him. In

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<v Speaker 1>nineteen ninety one, he published their accounts in a book

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<v Speaker 1>titled Terror at Music World. The bestseller instantly rocketed Doug, Carl,

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<v Speaker 1>Bobby and the Bar to fame. The book inspired countless

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<v Speaker 1>new reports about spectral encounters at Music World. Carl claims

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<v Speaker 1>he performed an exorcism in the kitchen, which only brought

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<v Speaker 1>temporary relief from paranormal incidents. Other guests reported fireballs, unnatural

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<v Speaker 1>swarms of yellow jackets and bats, and, as Douglas Hensley

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<v Speaker 1>wrote in Hell's Gates, Terror at Bobby Mackie's Music World,

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<v Speaker 1>the ceilings are said to bleed onto the walls. These

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<v Speaker 1>accounts even created legal trouble for Bobby. In nineteen ninety three,

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<v Speaker 1>one of his customers sued him on the grounds that

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<v Speaker 1>a ghost had attacked him in the bathroom. The bar's

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<v Speaker 1>lawyer didn't take the claim seriously. His motion to dismiss

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<v Speaker 1>was written in rhyming couplets. The final line declared the

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<v Speaker 1>plaintiff can always pursue his torte upon his death. In

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<v Speaker 1>a higher court. A judge dismissed the lawsuit before it

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<v Speaker 1>could go to trial. Now we can debate how many

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<v Speaker 1>of these reports are true and how much of it

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<v Speaker 1>is savvy marketing. But even if Bobby and Carl exaggerated

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<v Speaker 1>some of the bar's history, there are numerous verified sightings

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<v Speaker 1>within its walls. Reports suggest the jukebox often plays the

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<v Speaker 1>anniversary song even when it's unplugged and off. Strangest of all,

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<v Speaker 1>the anniversary song was never programmed into it as a selection,

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<v Speaker 1>and some unseen presence has a tendency to toss bottles

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<v Speaker 1>across the room and knock furniture over. Some visitors have

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<v Speaker 1>spotted a specter they believe is a former owner named

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<v Speaker 1>Buck Brady. He briefly operated the bar, then called the

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<v Speaker 1>Primrose Country Club in later the Latin Quarter, until the

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<v Speaker 1>mafia wrested control from him. It said he cursed the

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<v Speaker 1>establishment before later taking his own life. Now, a figure

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<v Speaker 1>that looks exactly like his old photographs remains at Music World.

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<v Speaker 1>The Cincinnati Post also features descriptions of a figure that

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<v Speaker 1>appears to be half man and half goat stalking the premises.

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<v Speaker 1>Of course, many narratives feature the three doomed souls who

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<v Speaker 1>kicked off the many disasters in Newport and the surrounding area,

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<v Speaker 1>Pearl Brian, and the two men who were convicted of

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<v Speaker 1>killing her. Many visitors have seen her headless ghost wandering

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<v Speaker 1>through Music World, both the bar itself and the basement.

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<v Speaker 1>A psychic also claims to have made contact with her spirit.

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<v Speaker 1>It's possible that Bobby Mackie's wife, Janet had an ominous

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<v Speaker 1>encounter with Pearl when she was reportedly five months pregnant.

0:14:48.360 --> 0:14:51.320
<v Speaker 1>As she was on the stairs, unseen hands pushed her.

0:14:51.760 --> 0:14:54.880
<v Speaker 1>It said. The fall may have made her give birth prematurely.

0:14:55.560 --> 0:14:58.640
<v Speaker 1>Janet never identified the spirit, but it's hard to ignore

0:14:58.680 --> 0:15:01.040
<v Speaker 1>the parallels between the two two women who were both

0:15:01.040 --> 0:15:04.520
<v Speaker 1>at the same stage of their pregnancy. Janet suffered through

0:15:04.560 --> 0:15:08.920
<v Speaker 1>other aggressive incidents too. Elbin reports that Janet complained of

0:15:08.960 --> 0:15:12.800
<v Speaker 1>hostile energies at Music World, and she said a spirit

0:15:12.880 --> 0:15:15.320
<v Speaker 1>pushed her against a sink that seemed to be filling

0:15:15.360 --> 0:15:19.400
<v Speaker 1>with blood. All these encounters were enough that Janet eventually

0:15:19.400 --> 0:15:22.840
<v Speaker 1>refused to go inside of Music World. She never reversed

0:15:22.840 --> 0:15:25.800
<v Speaker 1>her stance up until her two thousand and nine death.

0:15:26.680 --> 0:15:30.640
<v Speaker 1>Guests have also interacted with Scott Jackson and Alonzo Walling,

0:15:30.960 --> 0:15:35.360
<v Speaker 1>who were executed for Pearl's murder. Employee Carl Lawson claims

0:15:35.400 --> 0:15:37.680
<v Speaker 1>that he has seen the image of a scaffold with

0:15:37.800 --> 0:15:41.920
<v Speaker 1>bodies hanging from it in the basement. In the Richmond Register,

0:15:42.120 --> 0:15:45.720
<v Speaker 1>Taylor six writes of an apparition with a handlebar mustache

0:15:45.760 --> 0:15:49.880
<v Speaker 1>who appears in the men's bathroom. The spirit repeats die Game,

0:15:50.120 --> 0:15:55.239
<v Speaker 1>Die Game, which is Latin four dying Well. Alonzo's girlfriend

0:15:55.240 --> 0:15:59.160
<v Speaker 1>wrote those exact words to him before he was executed.

0:16:00.120 --> 0:16:03.120
<v Speaker 1>These days, accounts of the hauntings at Bobby Mackie's Music

0:16:03.120 --> 0:16:07.600
<v Speaker 1>World feature a blend of rumor, exaggeration, and frightening truth.

0:16:08.240 --> 0:16:11.600
<v Speaker 1>It's undeniable that Bobby Mackie and the other staff are

0:16:11.640 --> 0:16:16.080
<v Speaker 1>benefiting from the bar's haunted reputation. It brings free publicity

0:16:16.160 --> 0:16:19.560
<v Speaker 1>and tourists. But this makes it tricky to cut through

0:16:19.600 --> 0:16:22.760
<v Speaker 1>the various accounts and learn which are true and which

0:16:22.800 --> 0:16:26.080
<v Speaker 1>our fiction to draw in the curious and thrill seekers.

0:16:26.520 --> 0:16:30.040
<v Speaker 1>Up next, we will talk to the delightful Laura Roland.

0:16:30.320 --> 0:16:32.920
<v Speaker 1>She and her team actually head up the tours and

0:16:33.080 --> 0:16:36.600
<v Speaker 1>investigation at Bobby Mackie's Music World. She's the perfect person

0:16:36.640 --> 0:16:40.920
<v Speaker 1>to talk to sift through loare and reality. She's coming

0:16:41.000 --> 0:16:53.480
<v Speaker 1>up after the break, all right, So I am now

0:16:53.600 --> 0:16:58.000
<v Speaker 1>joined by Laura Roland who is with Gatekeeper Paranormal and

0:16:58.080 --> 0:17:01.320
<v Speaker 1>they are the team that kind of over sees the

0:17:01.400 --> 0:17:04.680
<v Speaker 1>tours and the paranormal investigations at Bobby Mackie's, and she's

0:17:04.720 --> 0:17:07.439
<v Speaker 1>been there for quite some time and she's got some

0:17:07.480 --> 0:17:10.080
<v Speaker 1>really great stories. So thanks for joining, Laura, appreciate it.

0:17:10.600 --> 0:17:11.679
<v Speaker 2>Oh, thank you for having me.

0:17:11.920 --> 0:17:13.639
<v Speaker 1>I have to say right off the bat, like this

0:17:13.800 --> 0:17:16.800
<v Speaker 1>is one of Bobby Mackie's is one of those places

0:17:16.920 --> 0:17:21.840
<v Speaker 1>that people ask me about constantly, and I have investigated there.

0:17:21.880 --> 0:17:24.560
<v Speaker 1>It was many years ago. I investigated there with ghost

0:17:24.640 --> 0:17:27.720
<v Speaker 1>hunters and it was a very interesting investigation. I did

0:17:27.720 --> 0:17:33.239
<v Speaker 1>not ride the mechanical bowl, but it was it was

0:17:33.280 --> 0:17:36.560
<v Speaker 1>a lot of fun. So why do you think that

0:17:36.680 --> 0:17:40.439
<v Speaker 1>kind of stigma exists with that building? Why do you

0:17:40.480 --> 0:17:45.000
<v Speaker 1>think people are just so eager to investigate it and

0:17:45.040 --> 0:17:46.199
<v Speaker 1>to know more about it?

0:17:46.640 --> 0:17:49.679
<v Speaker 2>Well, I think there are as many people interested to

0:17:49.760 --> 0:17:52.720
<v Speaker 2>investigate it as there are people who are absolutely terrified

0:17:52.760 --> 0:17:56.560
<v Speaker 2>to go there. And I think both of those groups

0:17:56.600 --> 0:18:01.159
<v Speaker 2>of people are intrigued by the whole story that Carl

0:18:01.280 --> 0:18:06.159
<v Speaker 2>started with the demonic activity there and his exorcism. I

0:18:06.160 --> 0:18:09.480
<v Speaker 2>think that has either terrified people or made them more

0:18:09.720 --> 0:18:10.639
<v Speaker 2>interested to come.

0:18:10.920 --> 0:18:12.760
<v Speaker 1>Now, can you kind of go into that What is

0:18:12.800 --> 0:18:13.960
<v Speaker 1>that story exactly?

0:18:14.640 --> 0:18:17.520
<v Speaker 2>Well, Carl was the caretaker there. He was a good

0:18:17.520 --> 0:18:21.560
<v Speaker 2>friend of Bobby and Bobby's wife, Janet, and he worked

0:18:21.560 --> 0:18:24.000
<v Speaker 2>for him for many, many years, and he eventually moved

0:18:24.000 --> 0:18:27.080
<v Speaker 2>into an apartment upstairs and he lived up there for

0:18:27.160 --> 0:18:31.399
<v Speaker 2>thirteen years. And during the time that he lived there,

0:18:32.040 --> 0:18:37.040
<v Speaker 2>he claimed that he was constantly, I guess, harassed by

0:18:37.600 --> 0:18:39.919
<v Speaker 2>entities in the building and it got so bad for

0:18:40.040 --> 0:18:42.600
<v Speaker 2>him that he felt like they were trying to take

0:18:42.640 --> 0:18:45.119
<v Speaker 2>over his body and his soul and he needed to

0:18:45.200 --> 0:18:50.040
<v Speaker 2>have a priest give him an exorcism. And then that story,

0:18:50.119 --> 0:18:52.119
<v Speaker 2>you know, once that happened, because he would sit at

0:18:52.119 --> 0:18:55.240
<v Speaker 2>the bar every night and tell anybody that would listen,

0:18:55.240 --> 0:18:57.200
<v Speaker 2>he would tell them all the stuff that happened to him,

0:18:57.760 --> 0:19:00.400
<v Speaker 2>and it's just you know, this was pre internet day,

0:19:00.560 --> 0:19:03.000
<v Speaker 2>so this was just totally word of mouth back in

0:19:03.040 --> 0:19:06.000
<v Speaker 2>the eighties and nineties that he's telling all these stories.

0:19:06.160 --> 0:19:09.399
<v Speaker 2>And then the exorcism happened in the early nineties, and

0:19:09.520 --> 0:19:12.760
<v Speaker 2>I think at that point everything just took off from there.

0:19:13.440 --> 0:19:16.840
<v Speaker 1>Yeah. You know, I as someone who has investigated there,

0:19:16.920 --> 0:19:19.680
<v Speaker 1>you know, I unfortunately did not have a ton happened.

0:19:19.680 --> 0:19:23.000
<v Speaker 1>But see, this was I was investigating there with ghost Hunters,

0:19:23.119 --> 0:19:28.919
<v Speaker 1>which back then that TV show was there were like seven,

0:19:29.040 --> 0:19:31.639
<v Speaker 1>sometimes eight of us, and we would go in like

0:19:31.720 --> 0:19:34.400
<v Speaker 1>two at a time, and so sometimes there'd be nights

0:19:34.400 --> 0:19:36.359
<v Speaker 1>where like I would only get to investigate a place

0:19:36.400 --> 0:19:38.800
<v Speaker 1>for like an hour or so, and Bobby Mackie's was

0:19:38.800 --> 0:19:40.439
<v Speaker 1>one of those places where I did not get to

0:19:40.480 --> 0:19:42.000
<v Speaker 1>be in there as much as I wanted to. But

0:19:42.040 --> 0:19:46.359
<v Speaker 1>I do remember distinctly we caught at one point the

0:19:46.520 --> 0:19:49.080
<v Speaker 1>sound of it sounded almost like it was like a

0:19:49.200 --> 0:19:52.159
<v Speaker 1>dog or like some sort of growling dog in the

0:19:52.160 --> 0:19:55.280
<v Speaker 1>bar area, and there's clearly no dogs in the bar,

0:19:56.080 --> 0:19:59.760
<v Speaker 1>but that was the one the one thing that happened

0:19:59.800 --> 0:20:02.119
<v Speaker 1>to me. I did. There was also was quite a

0:20:02.240 --> 0:20:05.720
<v Speaker 1>ruckus in the basement at one point, and I went

0:20:05.760 --> 0:20:08.159
<v Speaker 1>down there and discovered a family of raccoons.

0:20:08.240 --> 0:20:12.680
<v Speaker 2>So, oh my god, they're probably still there.

0:20:13.040 --> 0:20:14.800
<v Speaker 1>I bet they are. They probably remember me if I

0:20:14.800 --> 0:20:18.040
<v Speaker 1>showed up. So but it is like you were saying,

0:20:18.119 --> 0:20:22.200
<v Speaker 1>people don't ask me have you investigated Bobby Mackie's. They

0:20:22.240 --> 0:20:26.080
<v Speaker 1>asked me, would you investigate Bobby Mackie's, you know, And

0:20:26.119 --> 0:20:29.600
<v Speaker 1>there's a big difference there, and so that kind of

0:20:29.640 --> 0:20:32.560
<v Speaker 1>puts it into perspective, you know, people, It does have

0:20:32.640 --> 0:20:36.320
<v Speaker 1>that kind of really spooky beginning for people. But what

0:20:36.440 --> 0:20:39.160
<v Speaker 1>kind of activity do people experience there on the regular.

0:20:39.320 --> 0:20:42.879
<v Speaker 2>The two most common things that happen are shadow figures

0:20:43.080 --> 0:20:46.520
<v Speaker 2>and disembodied voices. I'd say those are the most common.

0:20:46.880 --> 0:20:49.320
<v Speaker 2>I see shadow figures. I mean I've been there for

0:20:49.400 --> 0:20:52.080
<v Speaker 2>ten years, so, like you're talking about with the show,

0:20:52.280 --> 0:20:54.480
<v Speaker 2>you guys are only there for a short period of time,

0:20:54.560 --> 0:20:57.359
<v Speaker 2>so sometimes you might not get anything right. But over

0:20:57.400 --> 0:20:59.600
<v Speaker 2>the course of ten years, where I've been there at

0:20:59.640 --> 0:21:02.919
<v Speaker 2>least couple times a week, every week, I've seen stuff.

0:21:03.359 --> 0:21:05.919
<v Speaker 2>And I couldn't tell you a part of that building

0:21:05.920 --> 0:21:09.199
<v Speaker 2>where I haven't seen a shadow figure. I mean I

0:21:09.280 --> 0:21:11.840
<v Speaker 2>see them all the time. In fact, last night I

0:21:11.960 --> 0:21:15.360
<v Speaker 2>was there for a tour and I had the lights

0:21:15.400 --> 0:21:17.560
<v Speaker 2>on and I was standing. I don't know if you

0:21:17.600 --> 0:21:21.000
<v Speaker 2>remember the layout, but I was standing kind of We're

0:21:21.040 --> 0:21:23.560
<v Speaker 2>in the room where Carl's exorcism was right in front

0:21:23.560 --> 0:21:25.959
<v Speaker 2>of that, so I could see through the bar and

0:21:26.080 --> 0:21:28.639
<v Speaker 2>like into where the gift shop is, and the lights

0:21:28.640 --> 0:21:31.720
<v Speaker 2>were on, and all of a sudden, this dark figure

0:21:32.160 --> 0:21:36.080
<v Speaker 2>almost ran right past that doorway where the gift shop is.

0:21:36.240 --> 0:21:38.080
<v Speaker 2>I mean it scared me to death. I thought there

0:21:38.160 --> 0:21:40.399
<v Speaker 2>was a person in the building. I thought I hadn't

0:21:40.400 --> 0:21:43.080
<v Speaker 2>locked the door because this thing moved so fast, and

0:21:43.119 --> 0:21:44.800
<v Speaker 2>I kind of jumped back. I'm like, oh my god.

0:21:44.920 --> 0:21:47.359
<v Speaker 2>And the people on the tour, you know, sometimes I

0:21:47.400 --> 0:21:49.120
<v Speaker 2>wonder if they believe me or if they think I'm

0:21:49.160 --> 0:21:53.200
<v Speaker 2>just facan, But I absolutely was not. A figure ran

0:21:53.320 --> 0:21:56.639
<v Speaker 2>past there, and that was unusual because usually the shadow

0:21:56.640 --> 0:21:59.200
<v Speaker 2>figures just kind of lurk and move around real slowly.

0:21:59.280 --> 0:22:02.320
<v Speaker 2>This one was on a mission and he was running. Yeah.

0:22:02.440 --> 0:22:04.439
<v Speaker 1>Now, so who do you think that is? Who do

0:22:04.440 --> 0:22:05.639
<v Speaker 1>you think is responsible for that?

0:22:06.280 --> 0:22:10.400
<v Speaker 2>I have no idea, Honestly. I've always thought that Mackie's

0:22:10.440 --> 0:22:13.960
<v Speaker 2>is almost like a like a bus station in a way,

0:22:14.040 --> 0:22:16.520
<v Speaker 2>like there are a lot of transients I think that

0:22:16.600 --> 0:22:20.280
<v Speaker 2>go through there. The only two that I know of

0:22:21.640 --> 0:22:24.760
<v Speaker 2>that have actually said their names, either on people's recordings

0:22:24.880 --> 0:22:28.720
<v Speaker 2>or through spirit boxes are two guys. One of them

0:22:28.840 --> 0:22:30.919
<v Speaker 2>killed the other one in the men's bathroom back in

0:22:31.000 --> 0:22:34.960
<v Speaker 2>nineteen forty three. The guy that died. His name was

0:22:34.960 --> 0:22:40.880
<v Speaker 2>Paul Goodhue, and he has come through many times on

0:22:40.960 --> 0:22:45.600
<v Speaker 2>people's recordings saying his name and everything, because you know,

0:22:45.800 --> 0:22:49.920
<v Speaker 2>you don't usually get names all that often, at least

0:22:49.920 --> 0:22:53.360
<v Speaker 2>I don't, and not that clearly anyway. But aside from

0:22:53.400 --> 0:22:56.360
<v Speaker 2>those two, I really I think most of the spirits

0:22:56.400 --> 0:22:59.399
<v Speaker 2>there are just either just passing through or they're just

0:22:59.480 --> 0:23:01.240
<v Speaker 2>residuals that are always there.

0:23:01.800 --> 0:23:04.640
<v Speaker 1>I think that's interesting, And you know, I talk about

0:23:04.640 --> 0:23:06.720
<v Speaker 1>that a lot, especially with some of these places that

0:23:06.760 --> 0:23:09.840
<v Speaker 1>seem to be more actively haunted. How it's not always

0:23:10.600 --> 0:23:13.280
<v Speaker 1>just easy to pinpoint it down to one ghost or

0:23:13.320 --> 0:23:16.800
<v Speaker 1>one person that it does seem to be this Sometimes

0:23:16.840 --> 0:23:19.120
<v Speaker 1>they're kind of almost this way station, or maybe it's

0:23:19.119 --> 0:23:21.679
<v Speaker 1>a place they had fond memories or you know, or

0:23:21.720 --> 0:23:24.360
<v Speaker 1>maybe they just like you said, they they're passing through,

0:23:24.440 --> 0:23:26.760
<v Speaker 1>or they notice that people are looking for people like

0:23:26.880 --> 0:23:29.440
<v Speaker 1>them there and they're like, oh, I could probably talk

0:23:29.480 --> 0:23:30.399
<v Speaker 1>to someone here, you know.

0:23:30.960 --> 0:23:31.120
<v Speaker 2>Now.

0:23:31.160 --> 0:23:32.919
<v Speaker 1>So when you saw that shadow, I think that's so

0:23:33.000 --> 0:23:35.760
<v Speaker 1>interesting that it was moving so quickly. I've seen that

0:23:35.800 --> 0:23:38.400
<v Speaker 1>happen a few times myself. I always find when I'm

0:23:38.440 --> 0:23:40.639
<v Speaker 1>running a tour of some sort, if I'm like hosting

0:23:40.680 --> 0:23:43.639
<v Speaker 1>an investigation or teaching a class, you know, you're looking

0:23:43.680 --> 0:23:47.200
<v Speaker 1>towards the group, and then so many times things happen

0:23:47.359 --> 0:23:51.000
<v Speaker 1>behind them and you're watching it or you see it

0:23:51.119 --> 0:23:56.040
<v Speaker 1>and they don't exactly do you think that the spirits

0:23:56.040 --> 0:23:58.719
<v Speaker 1>there know that they're messing with you in some way?

0:23:59.600 --> 0:24:01.960
<v Speaker 2>I thought of it that way, but like they could

0:24:01.960 --> 0:24:04.199
<v Speaker 2>be trying to make me look stupid, like you know

0:24:04.440 --> 0:24:07.359
<v Speaker 2>that I'm jumping at something that startled me and and

0:24:07.440 --> 0:24:09.480
<v Speaker 2>the group is like, what in the world just happened?

0:24:10.760 --> 0:24:13.000
<v Speaker 1>Yeah, I mean, I just I feel like that it's

0:24:13.080 --> 0:24:15.000
<v Speaker 1>just one of those things, like it happens to me

0:24:15.040 --> 0:24:17.280
<v Speaker 1>all the time. And I also wonder too sometimes as

0:24:17.320 --> 0:24:20.040
<v Speaker 1>someone who's in those places salater, as someone who's hosting

0:24:20.040 --> 0:24:23.320
<v Speaker 1>a tour, you might just be so familiar with the

0:24:23.359 --> 0:24:25.959
<v Speaker 1>activity that you can spot it quicker, and you know,

0:24:26.080 --> 0:24:27.920
<v Speaker 1>you know, I don't know. It's just something to think

0:24:27.960 --> 0:24:31.480
<v Speaker 1>about it. I always wonder like, as we subject ourselves

0:24:31.520 --> 0:24:33.800
<v Speaker 1>to these things more and more, you know, what is

0:24:33.840 --> 0:24:35.920
<v Speaker 1>it that we're seeing? And a lot of people aren't

0:24:35.960 --> 0:24:39.080
<v Speaker 1>seeing just yet. But so Bobby Mackie's is open, obviously,

0:24:39.760 --> 0:24:42.119
<v Speaker 1>there's bands and bars and music and so have you

0:24:42.160 --> 0:24:44.960
<v Speaker 1>ever seen paranormal activity, like when it's really busy and

0:24:45.000 --> 0:24:47.399
<v Speaker 1>there has something strange happening where you're like, that's not

0:24:47.560 --> 0:24:51.040
<v Speaker 1>a live person, or have heard stories along those lines.

0:24:50.960 --> 0:24:53.879
<v Speaker 2>Well, personally, I'm not usually there when the bar's open

0:24:54.400 --> 0:24:57.240
<v Speaker 2>because we only do our tours when the bar's closed, right,

0:24:58.080 --> 0:25:00.760
<v Speaker 2>So I haven't personally seen any thing happened when the

0:25:00.800 --> 0:25:03.919
<v Speaker 2>bar's open, but I have heard stories. They mostly involved

0:25:03.960 --> 0:25:06.879
<v Speaker 2>the bathroom and things happening to people when they're in

0:25:06.920 --> 0:25:09.320
<v Speaker 2>the bathroom. But you also have to remember these people

0:25:09.400 --> 0:25:12.800
<v Speaker 2>are likely drink in a little bit, and you know,

0:25:13.359 --> 0:25:14.879
<v Speaker 2>and but you know, I always think that could go

0:25:14.920 --> 0:25:17.960
<v Speaker 2>either way, Like you're either drinking and then you're just

0:25:18.000 --> 0:25:20.320
<v Speaker 2>seeing things that aren't there. But on the other hand,

0:25:20.400 --> 0:25:23.639
<v Speaker 2>maybe you're drinking and you are kind of a little

0:25:23.640 --> 0:25:26.920
<v Speaker 2>more open, you know, and the spirits might take advantage

0:25:26.960 --> 0:25:30.879
<v Speaker 2>of that. So but I think a lot of times

0:25:30.960 --> 0:25:33.320
<v Speaker 2>the day after, like on a Sunday, when the bar's

0:25:33.359 --> 0:25:35.920
<v Speaker 2>been open on Friday and Saturday, A lot of times

0:25:35.960 --> 0:25:38.480
<v Speaker 2>Sundays have a lot of energy in that building, I

0:25:38.520 --> 0:25:41.080
<v Speaker 2>think from all the people and especially if like maybe

0:25:41.080 --> 0:25:43.720
<v Speaker 2>there's fights or something. You know, people get in fights

0:25:43.880 --> 0:25:46.840
<v Speaker 2>sometimes all that energy I think builds up over the

0:25:46.840 --> 0:25:49.119
<v Speaker 2>weekend and Sundays are sometimes pretty active.

0:25:49.560 --> 0:25:49.760
<v Speaker 3>You know.

0:25:49.800 --> 0:25:51.840
<v Speaker 1>That was going to be my next question was that

0:25:52.200 --> 0:25:56.440
<v Speaker 1>after bands play and they have a particularly rowdy night,

0:25:56.560 --> 0:25:59.080
<v Speaker 1>if that impacts the activity at all. Do you guys

0:25:59.080 --> 0:26:01.679
<v Speaker 1>ever go in like direly after the bar closing or

0:26:01.680 --> 0:26:03.640
<v Speaker 1>do you go on like off nights.

0:26:03.720 --> 0:26:07.240
<v Speaker 2>No, because they're there till three am and that's what'll

0:26:07.280 --> 0:26:11.000
<v Speaker 2>past my bedtime. So we're usually there on almost every

0:26:11.040 --> 0:26:12.159
<v Speaker 2>Sunday we have tours.

0:26:12.800 --> 0:26:16.440
<v Speaker 1>And so I'm assuming that the activity does not care

0:26:16.560 --> 0:26:17.680
<v Speaker 1>whether it's day or night.

0:26:18.200 --> 0:26:22.600
<v Speaker 2>Oh, absolutely not. I've had some of the amazing experiences

0:26:22.640 --> 0:26:24.200
<v Speaker 2>that I've ever had there been in the middle of

0:26:24.240 --> 0:26:27.359
<v Speaker 2>the afternoon, So I don't think they know or care

0:26:27.640 --> 0:26:28.440
<v Speaker 2>what time it is.

0:26:28.800 --> 0:26:30.879
<v Speaker 1>What would you say has been your most kind of

0:26:30.960 --> 0:26:32.880
<v Speaker 1>powerful experience that you've had there?

0:26:33.600 --> 0:26:36.560
<v Speaker 2>I've had again, it involves shadow figures. And this just

0:26:36.640 --> 0:26:39.760
<v Speaker 2>happened over the summer. I was in the basement in

0:26:39.800 --> 0:26:41.520
<v Speaker 2>the well room, you know where the well is, that

0:26:41.560 --> 0:26:45.320
<v Speaker 2>old house, and there's a table out in the hallway,

0:26:45.800 --> 0:26:48.040
<v Speaker 2>and it was afternoon, well it was early evening, but

0:26:48.080 --> 0:26:50.640
<v Speaker 2>there was light coming in so you could still see.

0:26:50.680 --> 0:26:53.359
<v Speaker 2>It wasn't pitch black, and I could see under the

0:26:53.359 --> 0:26:55.959
<v Speaker 2>table that's in the hallway, and there was this black

0:26:56.680 --> 0:26:59.200
<v Speaker 2>shape and at first you know you're talking about raccoons.

0:26:59.280 --> 0:27:00.960
<v Speaker 2>I thought it could have been an animal, but it

0:27:01.000 --> 0:27:03.959
<v Speaker 2>was pretty big. It was like dog sized, but it

0:27:04.040 --> 0:27:06.239
<v Speaker 2>was It looked like somebody was sitting there, hugging their

0:27:06.320 --> 0:27:09.359
<v Speaker 2>knees and kind of rocking back and forth. And I

0:27:09.400 --> 0:27:11.520
<v Speaker 2>stared at it for several minutes because my mind was

0:27:11.560 --> 0:27:14.280
<v Speaker 2>trying to figure out what it was and I didn't

0:27:14.280 --> 0:27:16.120
<v Speaker 2>want to startle my group that there was some wild

0:27:16.200 --> 0:27:18.879
<v Speaker 2>animal in the building. So I was just staring at it,

0:27:18.920 --> 0:27:21.480
<v Speaker 2>and all of a sudden, This sounds crazy, but I

0:27:21.520 --> 0:27:25.720
<v Speaker 2>swear it stopped rocking and looked at me like and

0:27:26.080 --> 0:27:27.800
<v Speaker 2>you know, you always have that feeling in your head

0:27:27.840 --> 0:27:29.920
<v Speaker 2>like am I really seeing this or am I imagining

0:27:29.960 --> 0:27:32.480
<v Speaker 2>that it's looking at me? But I swear it stopped

0:27:32.760 --> 0:27:35.479
<v Speaker 2>rocking and turn and looked at me, and then just

0:27:35.600 --> 0:27:37.800
<v Speaker 2>took off out from under the table. That was another

0:27:37.840 --> 0:27:40.400
<v Speaker 2>fast mover, and it just took off.

0:27:40.760 --> 0:27:44.960
<v Speaker 1>That's pretty wild. I wonder if if he she and

0:27:45.119 --> 0:27:48.720
<v Speaker 1>I don't know notice that. I know you were noticing

0:27:48.760 --> 0:27:51.320
<v Speaker 1>it and went, oh, wait, she can see me, you know.

0:27:51.640 --> 0:27:53.359
<v Speaker 2>Yeah, That's what it felt like to me because I

0:27:53.440 --> 0:27:55.800
<v Speaker 2>was staring at it so intently, trying to make my

0:27:55.880 --> 0:27:59.000
<v Speaker 2>eyes focus and figure out if that was you know,

0:27:59.400 --> 0:28:01.719
<v Speaker 2>an animal or you know, I didn't know what it was,

0:28:02.240 --> 0:28:05.120
<v Speaker 2>but yeah, that was one of my favorites and most

0:28:05.160 --> 0:28:05.840
<v Speaker 2>recent ones.

0:28:06.480 --> 0:28:08.760
<v Speaker 1>Now when people come out on the tours or they

0:28:08.760 --> 0:28:11.040
<v Speaker 1>come in to investigate and whatnot, like, have you had

0:28:11.080 --> 0:28:13.960
<v Speaker 1>people that just have had enough and like have to leave? Oh?

0:28:14.040 --> 0:28:21.920
<v Speaker 2>Yeah, yeah, I've had people get touched, scratched, whispers in

0:28:21.960 --> 0:28:23.800
<v Speaker 2>their ear, and then they just get freaked out and

0:28:23.800 --> 0:28:26.040
<v Speaker 2>they're like, no, I'm done. I'm going to sit in

0:28:26.040 --> 0:28:28.080
<v Speaker 2>the car while the rest of the people finish the tour.

0:28:28.800 --> 0:28:30.800
<v Speaker 1>And how do you feel about the well? Do you

0:28:30.800 --> 0:28:33.320
<v Speaker 1>think there is something to the well that there's some

0:28:33.359 --> 0:28:35.399
<v Speaker 1>sort of energy about it. I mean, people talk.

0:28:35.280 --> 0:28:38.200
<v Speaker 2>About the well all the time, they do, and I

0:28:38.240 --> 0:28:42.800
<v Speaker 2>mean that room is one of my favorite rooms to investigate.

0:28:42.880 --> 0:28:44.800
<v Speaker 2>I do feel like there's a lot of energy there.

0:28:44.840 --> 0:28:48.200
<v Speaker 2>But I don't know if I'm qualified to say that.

0:28:48.360 --> 0:28:51.840
<v Speaker 2>I think that that's like a portal, because I feel

0:28:51.840 --> 0:28:55.200
<v Speaker 2>like the whole building is a portal, because you know,

0:28:55.360 --> 0:28:58.960
<v Speaker 2>stuff happens everywhere. But I mean, it's just a hole

0:28:59.000 --> 0:29:01.960
<v Speaker 2>in the ground. It's just a tunnel that goes out

0:29:01.960 --> 0:29:04.480
<v Speaker 2>to the licking river behind the building. I don't see

0:29:04.480 --> 0:29:07.880
<v Speaker 2>any reason, you know why it would be that specific

0:29:07.920 --> 0:29:11.320
<v Speaker 2>area that's some sort of portal, But I mean again,

0:29:11.520 --> 0:29:12.760
<v Speaker 2>it could be I don't know.

0:29:13.120 --> 0:29:17.520
<v Speaker 1>Yeah, I mean the area does have a really interesting history,

0:29:17.600 --> 0:29:20.080
<v Speaker 1>of course, and like you stated, like there was definitely

0:29:20.080 --> 0:29:23.360
<v Speaker 1>someone who died in the bathroom at one point. You know,

0:29:23.400 --> 0:29:28.000
<v Speaker 1>it's been and I find that the energy and venues,

0:29:28.120 --> 0:29:33.680
<v Speaker 1>particularly like theaters and musical venues, like there is an

0:29:33.840 --> 0:29:37.040
<v Speaker 1>energy there that might not necessarily even be having to

0:29:37.080 --> 0:29:41.320
<v Speaker 1>do with death, or it's just that you people are feeling,

0:29:41.400 --> 0:29:44.480
<v Speaker 1>they're really feeling something. You know, you have performers that

0:29:44.520 --> 0:29:46.320
<v Speaker 1>are really giving it their all, and then you have

0:29:46.360 --> 0:29:49.280
<v Speaker 1>people just having sometimes some of the best nights of

0:29:49.320 --> 0:29:52.400
<v Speaker 1>their lives, sometimes the worst nights of their lives. And

0:29:52.440 --> 0:29:55.480
<v Speaker 1>that energy, I feel like, over so many years of existence,

0:29:56.160 --> 0:30:00.000
<v Speaker 1>can affect the paranormal activity there or maybe even create it.

0:30:00.080 --> 0:30:02.120
<v Speaker 1>Do you feel like that might have something to do

0:30:02.240 --> 0:30:04.240
<v Speaker 1>with why Bobby Mackie's is so active?

0:30:04.960 --> 0:30:08.920
<v Speaker 2>Yeah, And I've said something along those lines on tours

0:30:09.000 --> 0:30:12.160
<v Speaker 2>many times, just about the energy that's been in the

0:30:12.160 --> 0:30:14.600
<v Speaker 2>building for so many years, because you have to before

0:30:14.720 --> 0:30:17.240
<v Speaker 2>Bobby was even there, you know, it was a mob

0:30:17.320 --> 0:30:21.840
<v Speaker 2>owned nightclub, called the Latin Quarter, and before that it

0:30:21.960 --> 0:30:24.280
<v Speaker 2>was the Primrose and it was during the Primrose days

0:30:24.320 --> 0:30:26.640
<v Speaker 2>that the guy got killed in the bathroom. But the

0:30:26.680 --> 0:30:31.840
<v Speaker 2>whole mob activity that might have gone on there, I mean,

0:30:31.880 --> 0:30:34.320
<v Speaker 2>who knows what they did, especially down in the basement.

0:30:34.360 --> 0:30:37.160
<v Speaker 2>There's bullet holes in a door down in the basement,

0:30:38.360 --> 0:30:40.240
<v Speaker 2>and the mob you just don't know what they're gonna

0:30:40.240 --> 0:30:42.200
<v Speaker 2>do if they you know, they might have killed someone

0:30:42.240 --> 0:30:44.120
<v Speaker 2>in the basement and we don't even know about it

0:30:44.600 --> 0:30:47.960
<v Speaker 2>because they didn't like keep records of that kind of stuff, right.

0:30:47.920 --> 0:30:53.080
<v Speaker 1>So there's no there's no mob record book anywhere unfortunately.

0:30:54.640 --> 0:30:57.320
<v Speaker 1>But you know, and that's actually so I think that

0:30:57.480 --> 0:31:01.000
<v Speaker 1>sometimes with those kind of instances, because I've investigated many

0:31:01.040 --> 0:31:04.080
<v Speaker 1>places where like tragedies and tragic crimes have happened that

0:31:04.120 --> 0:31:06.800
<v Speaker 1>really no one ever had to answer for. And I

0:31:06.920 --> 0:31:10.320
<v Speaker 1>kind of feel like sometimes those spirits are especially just

0:31:10.520 --> 0:31:13.239
<v Speaker 1>really trying to get through to you because you know,

0:31:13.320 --> 0:31:16.480
<v Speaker 1>they want people to know what happened to them, because

0:31:16.520 --> 0:31:19.360
<v Speaker 1>you know, many times they just kind of disappeared, And

0:31:19.400 --> 0:31:21.440
<v Speaker 1>so that might have something to do with it, especially

0:31:21.480 --> 0:31:23.360
<v Speaker 1>when you have people going in there on the right,

0:31:23.480 --> 0:31:27.040
<v Speaker 1>on the writing out and asking questions. So do you

0:31:27.600 --> 0:31:30.040
<v Speaker 1>do you ever feel that kind of desperate energy, like

0:31:30.080 --> 0:31:32.960
<v Speaker 1>there are spirits that are really trying to get through

0:31:33.040 --> 0:31:34.640
<v Speaker 1>to people in that building.

0:31:35.080 --> 0:31:38.600
<v Speaker 2>Well, I always think about because I mentioned people getting

0:31:38.640 --> 0:31:40.680
<v Speaker 2>scared when they get scratched, and you know, there's so

0:31:40.880 --> 0:31:45.640
<v Speaker 2>much I don't know, drama over people being scratched. But

0:31:45.760 --> 0:31:50.600
<v Speaker 2>I don't necessarily think that's something evil. A lot of

0:31:50.640 --> 0:31:54.760
<v Speaker 2>times I think they're just desperately trying to get someone's attention.

0:31:54.880 --> 0:31:58.240
<v Speaker 2>And maybe that's you know, a little too aggressive, but

0:31:58.280 --> 0:32:00.560
<v Speaker 2>that's how they're trying to get someone's attention to tell

0:32:00.600 --> 0:32:04.680
<v Speaker 2>them something. But yeah, I think especially in the basement

0:32:05.040 --> 0:32:06.880
<v Speaker 2>because like I said, we don't know what went on

0:32:07.440 --> 0:32:11.880
<v Speaker 2>down there back in the forties and fifties. Sometimes we

0:32:12.000 --> 0:32:16.440
<v Speaker 2>get some interesting responses on EVPs and through the spirit

0:32:16.480 --> 0:32:20.400
<v Speaker 2>boxes about people wanting you know, like they'll we'll ask

0:32:20.440 --> 0:32:24.360
<v Speaker 2>them if they if they were murdered and or if

0:32:24.360 --> 0:32:26.440
<v Speaker 2>they know how they died, And a lot of times

0:32:26.440 --> 0:32:29.840
<v Speaker 2>we get responses to where it sounds like they're wanting

0:32:29.920 --> 0:32:32.800
<v Speaker 2>some help with figuring out or at least someone being

0:32:32.840 --> 0:32:34.680
<v Speaker 2>held responsible for what happened to them.

0:32:35.120 --> 0:32:37.840
<v Speaker 1>Yeah, and so I feel the same way about scratches.

0:32:37.880 --> 0:32:42.040
<v Speaker 1>I try to kind of illustrate that to people sometimes.

0:32:42.080 --> 0:32:43.640
<v Speaker 1>You know, if you think about if you're in a

0:32:43.680 --> 0:32:48.080
<v Speaker 1>situation where you're completely desperate, you are not even sure

0:32:48.120 --> 0:32:51.400
<v Speaker 1>people can hear you. I mean, I'm just I'm speculating

0:32:51.440 --> 0:32:54.080
<v Speaker 1>what a spirit experience is. But you know, if they're

0:32:54.120 --> 0:32:56.600
<v Speaker 1>in a situation where they are desperately trying to get

0:32:56.600 --> 0:33:00.400
<v Speaker 1>through and they're trying to you know, communicate in some way,

0:33:01.160 --> 0:33:03.880
<v Speaker 1>and that they see people around them, they hear people,

0:33:03.880 --> 0:33:06.080
<v Speaker 1>they're not here, you know, they're not responding to you,

0:33:06.280 --> 0:33:09.000
<v Speaker 1>and you find that you can do this thing where

0:33:09.000 --> 0:33:12.520
<v Speaker 1>they can feel you, and like that that might be

0:33:12.600 --> 0:33:14.760
<v Speaker 1>the one thing like oh they can feel they can

0:33:14.800 --> 0:33:17.320
<v Speaker 1>feel me if I do this and like you scratch them,

0:33:17.680 --> 0:33:20.080
<v Speaker 1>you know, trying to get their attention. People ask me

0:33:20.080 --> 0:33:22.560
<v Speaker 1>about that, like you were saying a lot, because they

0:33:22.640 --> 0:33:25.360
<v Speaker 1>just assume it's like some sort of like a demonic

0:33:25.600 --> 0:33:28.120
<v Speaker 1>entity or something, and I'm like, no, like put yourself

0:33:28.160 --> 0:33:31.640
<v Speaker 1>there for a minute. Unless they're aggressively trying to harm you.

0:33:32.160 --> 0:33:35.320
<v Speaker 1>It could be someone just really trying to get your attention.

0:33:35.680 --> 0:33:37.480
<v Speaker 1>And so I you know, I do try to tell

0:33:37.520 --> 0:33:40.200
<v Speaker 1>people or investing when we're investigating that. There are some

0:33:40.360 --> 0:33:43.320
<v Speaker 1>locations that are kind of more notorious for that than others,

0:33:43.440 --> 0:33:45.480
<v Speaker 1>and so I'm glad that you give them that outlook

0:33:45.520 --> 0:33:46.360
<v Speaker 1>when they go in there.

0:33:46.840 --> 0:33:49.920
<v Speaker 2>Yeah, and I've also had and most of the scratching

0:33:50.160 --> 0:33:53.000
<v Speaker 2>happens in the same place. It usually happens in the

0:33:53.000 --> 0:33:55.680
<v Speaker 2>well room or in the jail cell that's in the

0:33:55.720 --> 0:33:58.960
<v Speaker 2>well room. And so, you know, they used to lock

0:33:59.040 --> 0:34:01.760
<v Speaker 2>people in that jail cell. It's not really jail cell.

0:34:01.800 --> 0:34:03.320
<v Speaker 2>It's just like a little stone room. I don't know

0:34:03.320 --> 0:34:06.120
<v Speaker 2>if you remember seeing it in the well room. It's

0:34:06.160 --> 0:34:07.240
<v Speaker 2>just a little stone room.

0:34:07.280 --> 0:34:09.399
<v Speaker 1>I think raccoons at that point.

0:34:09.440 --> 0:34:13.399
<v Speaker 3>But oh, okay, they used to lock people in there

0:34:13.680 --> 0:34:15.360
<v Speaker 3>until they figured out, you know, how they were going

0:34:15.440 --> 0:34:17.359
<v Speaker 3>to deal with them, like whether they're going to beat

0:34:17.400 --> 0:34:19.239
<v Speaker 3>them up or kill them or throw them in the river,

0:34:19.680 --> 0:34:21.359
<v Speaker 3>you know, so they would lock them up in there.

0:34:21.719 --> 0:34:25.239
<v Speaker 2>And that's where a lot of people experience scratching, is

0:34:25.280 --> 0:34:27.640
<v Speaker 2>when they're sitting in that what we call jail cell.

0:34:28.360 --> 0:34:30.440
<v Speaker 2>So it could be that people, you know, maybe the

0:34:30.480 --> 0:34:33.560
<v Speaker 2>spirit of someone that is trapped in there and they're

0:34:33.600 --> 0:34:35.759
<v Speaker 2>scared and they're just trying to reach out for someone

0:34:35.800 --> 0:34:36.319
<v Speaker 2>to help them.

0:34:36.800 --> 0:34:40.200
<v Speaker 1>Yeah, do you feel fine when you're in that place

0:34:40.280 --> 0:34:43.400
<v Speaker 1>by yourself? Do you feel safe that? Like? Do you

0:34:43.440 --> 0:34:45.080
<v Speaker 1>feel good?

0:34:45.840 --> 0:34:50.240
<v Speaker 2>Well, my answer to that question will probably answer your question.

0:34:50.400 --> 0:34:54.160
<v Speaker 2>I don't often go in there by myself, so I

0:34:54.280 --> 0:34:58.080
<v Speaker 2>used to, but sometimes and sometimes it's fine, I'll be honest.

0:34:58.080 --> 0:35:00.680
<v Speaker 2>Sometimes it's fine and it's just like any old building.

0:35:01.000 --> 0:35:04.560
<v Speaker 2>But there are other times where you walk in there

0:35:04.960 --> 0:35:09.279
<v Speaker 2>and you automatically feel this heaviness, like something doesn't want

0:35:09.320 --> 0:35:11.600
<v Speaker 2>me in here. And I've had that happen. So now

0:35:11.920 --> 0:35:13.960
<v Speaker 2>I just wait for my tour group outside because I

0:35:14.000 --> 0:35:16.080
<v Speaker 2>don't I don't like feeling like that. I don't like

0:35:16.160 --> 0:35:19.480
<v Speaker 2>feeling like they don't want me there, or that you know,

0:35:19.520 --> 0:35:22.399
<v Speaker 2>they're angry, maybe that we're coming to bother them again,

0:35:22.400 --> 0:35:24.360
<v Speaker 2>because you know, you're just sitting there, minding your business

0:35:24.400 --> 0:35:26.400
<v Speaker 2>and then all these people come in saying is there

0:35:26.400 --> 0:35:28.319
<v Speaker 2>anybody here? Can you hear me? You know?

0:35:28.480 --> 0:35:31.960
<v Speaker 1>Yeah? That's actually that that makes a lot of sense.

0:35:32.200 --> 0:35:34.239
<v Speaker 1>And now do you do you try to kind of

0:35:34.280 --> 0:35:36.479
<v Speaker 1>guide people when you bring them in, like, hey, try

0:35:36.480 --> 0:35:39.400
<v Speaker 1>to think outside the box. Don't ask the same questions

0:35:39.480 --> 0:35:40.560
<v Speaker 1>over and over again.

0:35:40.800 --> 0:35:44.360
<v Speaker 2>Oh yeah, yeah, I I you know, ask them something

0:35:44.400 --> 0:35:46.560
<v Speaker 2>for like, you know, what's your favorite food, what's your

0:35:46.600 --> 0:35:50.040
<v Speaker 2>favorite drink, or you know anything, but other than you know,

0:35:50.120 --> 0:35:51.360
<v Speaker 2>can you knock three times?

0:35:51.440 --> 0:35:51.839
<v Speaker 1>You know right?

0:35:52.520 --> 0:35:53.040
<v Speaker 2>You're dead?

0:35:53.239 --> 0:35:56.480
<v Speaker 1>You know, yeah, I know. I try to tell people

0:35:56.480 --> 0:35:59.080
<v Speaker 1>to get really inventive with the conversation or draw and

0:35:59.239 --> 0:36:03.720
<v Speaker 1>like events from the time, that kind of thing. But

0:36:03.719 --> 0:36:05.440
<v Speaker 1>but it's nice to hear that, you know, you kind

0:36:05.480 --> 0:36:08.319
<v Speaker 1>of go in in a respectful fashion. But but yeah,

0:36:08.400 --> 0:36:11.239
<v Speaker 1>I can imagine like for them with groups coming in,

0:36:12.239 --> 0:36:15.560
<v Speaker 1>you know, sometimes they might get a little a little aggravated.

0:36:15.800 --> 0:36:19.120
<v Speaker 1>So yeah, but it's nice to be cognizant of that,

0:36:19.360 --> 0:36:23.600
<v Speaker 1>you know, be respectful. And so you the basement in particular,

0:36:23.680 --> 0:36:26.279
<v Speaker 1>it sounds like that is a spot that's kind of

0:36:26.320 --> 0:36:29.240
<v Speaker 1>like a hot spot for you. Is there anywhere else

0:36:29.640 --> 0:36:33.279
<v Speaker 1>that you feel like might be underrated as far as

0:36:33.320 --> 0:36:34.800
<v Speaker 1>activity goes in the building?

0:36:35.760 --> 0:36:39.759
<v Speaker 2>Well, actually the main floor, because you know, last night

0:36:39.800 --> 0:36:42.759
<v Speaker 2>when I had that shadow figure run the whole time

0:36:42.800 --> 0:36:44.960
<v Speaker 2>I was up, which about an hour I was up

0:36:45.040 --> 0:36:48.720
<v Speaker 2>on that main level, I was very uneasy because something

0:36:48.800 --> 0:36:52.680
<v Speaker 2>about that just really you know, startled me and I

0:36:52.800 --> 0:36:55.640
<v Speaker 2>just felt really uneasy. And then sometimes you go in

0:36:55.680 --> 0:36:58.040
<v Speaker 2>the basement where everybody thinks, you know, the demons are

0:36:58.080 --> 0:37:01.720
<v Speaker 2>hanging out, and it's just it's completely quiet and calm

0:37:01.800 --> 0:37:05.000
<v Speaker 2>down there, but upstairs, you know, it's really you know,

0:37:05.120 --> 0:37:08.200
<v Speaker 2>heavy and intense. So you know, a lot of people

0:37:08.280 --> 0:37:09.880
<v Speaker 2>just want to go to the basement and you know,

0:37:09.920 --> 0:37:11.880
<v Speaker 2>because that's what they hear about all the time, is

0:37:11.920 --> 0:37:14.040
<v Speaker 2>the well and you know all of that going on,

0:37:14.520 --> 0:37:17.760
<v Speaker 2>but a lot of times upstairs on the main level

0:37:17.960 --> 0:37:19.800
<v Speaker 2>is way more active.

0:37:20.239 --> 0:37:23.399
<v Speaker 1>Well yeah, and I'm sure they move around too. Oh yeah,

0:37:23.400 --> 0:37:25.719
<v Speaker 1>So well that's I mean, that's that's good to know.

0:37:25.920 --> 0:37:28.200
<v Speaker 1>I mean, I think also you might I tell people

0:37:28.239 --> 0:37:31.200
<v Speaker 1>this too, Like when you're around a live person in

0:37:31.239 --> 0:37:33.319
<v Speaker 1>front of you, you can feel that vibe that they're

0:37:33.360 --> 0:37:36.239
<v Speaker 1>giving off. So it makes me think that maybe the

0:37:36.440 --> 0:37:39.359
<v Speaker 1>energy around some of these spirits, like you can feel them.

0:37:39.440 --> 0:37:41.719
<v Speaker 1>You're like, oh, someone's here is not very happy, and

0:37:41.760 --> 0:37:43.600
<v Speaker 1>then next thing you know, you see a shadow running

0:37:43.600 --> 0:37:46.719
<v Speaker 1>across the room. You know. Yeah, so you probably are

0:37:46.840 --> 0:37:48.960
<v Speaker 1>pretty in tune there, maybe more so than others, just

0:37:48.960 --> 0:37:51.839
<v Speaker 1>because you're there so often. So if people want to visit,

0:37:51.840 --> 0:37:53.440
<v Speaker 1>if people want to go on a tour, what do

0:37:53.480 --> 0:37:54.120
<v Speaker 1>they have to do?

0:37:54.520 --> 0:37:57.200
<v Speaker 2>Well, there's two options. Most people find it easier to

0:37:57.280 --> 0:38:00.000
<v Speaker 2>just go to Bobby Macki's website because it's easy Bobby

0:38:00.080 --> 0:38:02.279
<v Speaker 2>Mai dot com and there's a link on there that

0:38:02.320 --> 0:38:04.839
<v Speaker 2>says paranormal and if they click on that, it'll take

0:38:04.840 --> 0:38:08.399
<v Speaker 2>them right to our page to book a tour, or

0:38:08.520 --> 0:38:11.560
<v Speaker 2>they can go to Gatekeeper Paranormal dot com and do

0:38:11.640 --> 0:38:13.719
<v Speaker 2>the same thing, book a tour online.

0:38:13.960 --> 0:38:16.920
<v Speaker 1>Okay, that's great. Well, I really do thank you for

0:38:16.960 --> 0:38:19.919
<v Speaker 1>taking the time. You've been lovely and at some point

0:38:20.000 --> 0:38:21.800
<v Speaker 1>I'm going to have to make it back out there

0:38:22.160 --> 0:38:25.080
<v Speaker 1>and you say hello to my friends in the basement

0:38:25.480 --> 0:38:27.440
<v Speaker 1>and also hopefully meet you in person.

0:38:27.680 --> 0:38:29.440
<v Speaker 2>So yeah, that would be awesome.

0:38:33.480 --> 0:38:36.960
<v Speaker 1>Many of the sightings and reports from Bobby Mackie's Music

0:38:37.000 --> 0:38:40.920
<v Speaker 1>World have a violent tinge to them, from ghostly assaults

0:38:40.960 --> 0:38:44.640
<v Speaker 1>to hostile energies to throw them bottles and toppling furniture.

0:38:45.160 --> 0:38:48.960
<v Speaker 1>It's apparent that the spirits there are angry, and with

0:38:49.040 --> 0:38:52.080
<v Speaker 1>good reason. The bar has been a silent witness to

0:38:52.320 --> 0:38:57.080
<v Speaker 1>murder many times over. Sadly, justice is elusive. We may

0:38:57.120 --> 0:39:00.160
<v Speaker 1>never know who killed Pearlbrian, or of the men who

0:39:00.160 --> 0:39:03.359
<v Speaker 1>were hanged for the crime innocent, and that's before we

0:39:03.400 --> 0:39:07.280
<v Speaker 1>get into the other tragedies and miscarriages of justice that followed.

0:39:07.920 --> 0:39:11.080
<v Speaker 1>At the very least, the original trio's anger seems to

0:39:11.120 --> 0:39:15.960
<v Speaker 1>live on, and it may persist forever. I'm Amy Bruney

0:39:16.160 --> 0:39:25.560
<v Speaker 1>and this was Haunted Road. Haunted Road is hosted and

0:39:25.600 --> 0:39:29.480
<v Speaker 1>written by me Amy Bruney, with additional research by Cassandra

0:39:29.600 --> 0:39:33.280
<v Speaker 1>de Alba. This show is edited and produced by rema

0:39:33.360 --> 0:39:38.000
<v Speaker 1>El Kali, with supervising producer Josh Thain and executive producers

0:39:38.000 --> 0:39:42.440
<v Speaker 1>Aaron Menke, Alex Williams, and Matt Frederick. Haunted Road is

0:39:42.480 --> 0:39:46.279
<v Speaker 1>a production of iHeartRadio and Grim and Mild from Aaron Menke.

0:39:46.880 --> 0:39:51.040
<v Speaker 1>Learn more about this show over at Grimanmild dot com,

0:39:51.080 --> 0:39:55.320
<v Speaker 1>and for more podcasts from iHeartRadio, visit the iHeartRadio app,

0:39:55.520 --> 0:39:59.200
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.