WEBVTT - Mini Crush #56

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<v Speaker 1>Hey, everybody, welcome to Mini Crush the Monday edition where

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<v Speaker 1>I sit here with my good friend Noel and we

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<v Speaker 1>fared around and talk about movies. That is exactly how

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<v Speaker 1>I describe it to my friends. We interact with you

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<v Speaker 1>people via Facebook. I wish it was another way. There's

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<v Speaker 1>gotta be another way. Maybe we'll figure that out. Because

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<v Speaker 1>face maybe Instagram Facebook sucks LinkedIn Facebook, Instagram. No, so

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<v Speaker 1>this is a political thing for you, John, Okay, I said,

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<v Speaker 1>I want to be on there. Twitter. Do you not tweet?

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<v Speaker 1>You don't tweet? Due, I'm not on Twitter, not a tweeter.

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<v Speaker 1>I'm not either. In fact, I miss a lot because

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<v Speaker 1>I don't tweet. Some of the other shows that I wanted.

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<v Speaker 1>We have pretty active twitters, and I'll always hear stuff

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<v Speaker 1>from Ben or Matt about like, hey, do you see

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<v Speaker 1>a thing on Twitter? I'm like, nope, but are you

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<v Speaker 1>missing out? Not really exactly. I usually see it screenshotted

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<v Speaker 1>somewhere else later. Maybe I'm just like a day late. Yeah, yeah,

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<v Speaker 1>I wonder sometimes if all the smartphones went away overnight,

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<v Speaker 1>got raptured, got raptured, like I feel like in a week,

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<v Speaker 1>I would be like, all right, yeah, this is this

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<v Speaker 1>is the most of my life. There are some people

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<v Speaker 1>that would have lose their minds. I think a lot

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<v Speaker 1>of people would literally go crazy. And when I say

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<v Speaker 1>literally go crazy, I mean figuratively go crazy. I was

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<v Speaker 1>without a phone for about three days recently, and it

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<v Speaker 1>was simultaneously liberating and a little like, uh made me

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<v Speaker 1>a little uneasy, but I leaned more in the liberating

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<v Speaker 1>side of it, and it was actually pretty great. Well,

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<v Speaker 1>the funny thing is you hear uh safety like, oh,

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<v Speaker 1>but you have your phone, like, you know, in case

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<v Speaker 1>anything ever happened, like, which is true. But I lived

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<v Speaker 1>thirty seven years without a smartphone. It's true. We were

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<v Speaker 1>all fine. Yeah, you're okay. You were okay? No, I

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<v Speaker 1>was okay. O. God, I'm still okay most of the time.

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<v Speaker 1>How are you good? Okay? Yeah, I'm being fake fake

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<v Speaker 1>outrage okay. I was like when I get fake mad

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<v Speaker 1>at you know, is it all an illusion? Chuck? Is

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<v Speaker 1>it all lies? A bit? Where's the truth? I'm even

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<v Speaker 1>holding up my sign that says it's a bit, and

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<v Speaker 1>you're just looking right past. I'm not. I'm just didn't

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<v Speaker 1>know what they couldn't. I was squinting alright. Uh, let

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<v Speaker 1>me see here. You've seen any good movies lately? By

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<v Speaker 1>the way, Yeah, what are I see? Um? I watched

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<v Speaker 1>big Fish for the first time in years the other day.

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<v Speaker 1>Was that a punishment? You didn't like it? You don't

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<v Speaker 1>like big Fish? It's a little smalt, and I didn't.

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<v Speaker 1>It's not it's a little smalty. I thought my kid

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<v Speaker 1>would like it, but actually kind of she she got

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<v Speaker 1>bored by it. And I realized that my memories of

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<v Speaker 1>it were a little better than in the movie itself.

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<v Speaker 1>It's a little slow. I think that's one of those movies.

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<v Speaker 1>It doesn't hasn't aged well. It's a little hard on sleeve,

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<v Speaker 1>kind of cheesy. It's not the best because I thought

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<v Speaker 1>of it as the last good Tim Burton movie, and

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<v Speaker 1>I realized you can sort of see his decline even

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<v Speaker 1>in that movie. I'm looking up Tim Burton right now. No,

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<v Speaker 1>because I know I've have given that guy shit for

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<v Speaker 1>it is deserved not being that great anymore. But I'm

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<v Speaker 1>looking up because I would I would like to honestly

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<v Speaker 1>see what I would vote as the last good were

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<v Speaker 1>saying good or great? Great? What's what's the qualification? That's

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<v Speaker 1>the thing? Though? Was he ever really great. Yes you

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<v Speaker 1>think so? What was great? What was the great Tim

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<v Speaker 1>Burton movie Batman, pee Wee's pee Wee's Big Adventure? I

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<v Speaker 1>think um Beetlejuice for sure? Hands Yes, yes, yes, I forgot.

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<v Speaker 1>I would I love I forgot about Okay, See, he's

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<v Speaker 1>already sullied his IMDb so much that I've literally forgotten

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<v Speaker 1>about those those great movies because all I think about, like,

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<v Speaker 1>you know, the Bad Planet of the Apes and all

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<v Speaker 1>of the c g I. That movie didn't even make

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<v Speaker 1>a dint, you know, it didn't even make a pain

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<v Speaker 1>on what radar, Like you know, all those horrible looking

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<v Speaker 1>Alice in Wonderland movies that he's just leaning so hard

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<v Speaker 1>on the c g I stuff now that it's like,

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<v Speaker 1>that's what we loved about Tim Burton was that it

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<v Speaker 1>was all practical effects and playmation and like, you know,

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<v Speaker 1>we real weird set design and stuff. You know, you

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<v Speaker 1>know what. No, I'm looking at his list, I'm gonna

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<v Speaker 1>say something pretty controversial right now. For me, it's just

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<v Speaker 1>my dumb opinion. The last truly great movie he made

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<v Speaker 1>that I loved was Edwood Edwards fantastic. But that's the thing.

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<v Speaker 1>Words attacks Sleepy hollow Man, Yeah, Sleepy holloway a man,

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<v Speaker 1>Big Fish Man, Charlie and Chocolate Factory Man. I did

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<v Speaker 1>not see Corpse Bride Fair. It's cool. That might have

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<v Speaker 1>been good, you know, it's it's a lot like Nightmare

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<v Speaker 1>before Christmas, but it's it's not as good. Doesn't have

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<v Speaker 1>the spark, you know, it doesn't have the same the magic.

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<v Speaker 1>Sweeney Todd Alison Wonderland, Dark Shadows, Big Eyes. I thought

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<v Speaker 1>Big Guys was cool. You didn't see Big Guys. I

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<v Speaker 1>saw it, and like you didn't like it. You said

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<v Speaker 1>you didn't like Christoph Waltz. He thought he was just

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<v Speaker 1>smarmy and awful. Well, I said that before he played

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<v Speaker 1>some man from the Bratska sounds like so weird. Uh,

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<v Speaker 1>Dumbo's coming out Beetle Juice too. I mean, of course,

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<v Speaker 1>i'll he has a chance for redemption. Would be such

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<v Speaker 1>a big swing for that to be. There's no way

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<v Speaker 1>it could be as good. There's no way it can

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<v Speaker 1>be as good. But he also has to kind of,

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<v Speaker 1>you know, honor the original material. He can't do an

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<v Speaker 1>Alice in wonderland ized version of Beetlejuice. People will revolt

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<v Speaker 1>in the streets yeah, you know, yeah, I'll be leading

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<v Speaker 1>that charge. I have my I have my axe and

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<v Speaker 1>my my torch, my baseball bat, and we will go

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<v Speaker 1>and we will kill Jim Burton dead. Yeah, seriously, I'm

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<v Speaker 1>just kidding everyone. By the way, we would never I

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<v Speaker 1>could probably get arrested for just saying that. That's probably true, Chuck.

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<v Speaker 1>All right, we're gonna move on to social studies. Social

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<v Speaker 1>and I believe I went with another Oscar related question,

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<v Speaker 1>and that was who or what was robbed the most

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<v Speaker 1>this year with an Oscar snub? Make your case in

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<v Speaker 1>one sentence, of course, a bunch of smart alex on here. Yeah,

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<v Speaker 1>you're listing truly bad movies. But that's okay. There's another

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<v Speaker 1>awards ceremony for those Razzies. We should just thinking about

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<v Speaker 1>the Razzies sometimes. We should let's do a little Razzies thing.

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<v Speaker 1>Should be fund do a Razzies round up. Totally agree,

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<v Speaker 1>Razzi's round up. Gods all right. Julia Lurch says she

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<v Speaker 1>feels like Tony Collette for Hereditary her performance after finding well,

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<v Speaker 1>that's a spoiler, so I won't even read that. And

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<v Speaker 1>then but she says, never mind the dinner table scene.

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<v Speaker 1>It's bonkers. But the thing is, movies like that always

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<v Speaker 1>gets snubbed, I know. And she was so tight in

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<v Speaker 1>that movie, and she was good. I think we talked

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<v Speaker 1>about this. I'm sure we did. The director, who this

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<v Speaker 1>is like his first big movie, decided to turn what

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<v Speaker 1>he had written as a much more of a family

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<v Speaker 1>drama into a horror because he knew would be easier

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<v Speaker 1>to like sell like for a first movie. But yet

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<v Speaker 1>the performances. That's what makes it such an interesting hybrid, right,

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<v Speaker 1>because the performances are legitimately like tense family drama kind

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<v Speaker 1>of stuff. You know. Absolutely, Don Barnhart says Elsie Fisher,

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<v Speaker 1>she should have been nominated for Best Actress for eighth grade.

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<v Speaker 1>She made me relive the awkwardness of junior high, broke

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<v Speaker 1>my heart into pieces. Yeah, I agree, she was great.

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<v Speaker 1>I haven't seen that one. I want to because I've

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<v Speaker 1>got a kid that's not that old, but she's very

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<v Speaker 1>much into that whole YouTube culture. She's not, she's not

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<v Speaker 1>far off a few years. Um. Yeah, you should totally

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<v Speaker 1>see it. You would love it. Christine Fordham says, won't

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<v Speaker 1>you be my neighbor? Um? For Best Documentary? I mean,

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<v Speaker 1>truly one of the great Oscar snubs. Yeah, i'd have

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<v Speaker 1>been in a weird one. And I didn't realize that

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<v Speaker 1>um NPR produced that. Oh yeah, it's like an NPR

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<v Speaker 1>film or something like that, or I don't know exactly

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<v Speaker 1>how they branded it, but they've been They were talking

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<v Speaker 1>about it on NPR and and some of the hosts

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<v Speaker 1>were saying they thought it was a snub, largely for

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<v Speaker 1>selfish reasons because they wanted to be able to go

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<v Speaker 1>to the old scars. Really. Yeah, Well, I'm bummed because

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<v Speaker 1>you know, Scottie uh did some of the camera working,

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<v Speaker 1>some of the interviews on that, and not only did

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<v Speaker 1>I think it was gonna get nominated, I was like, man,

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<v Speaker 1>Scotty will have worked on the Best Documentary winner because

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<v Speaker 1>I was just convinced that was gonna win. It's so good.

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<v Speaker 1>What did good not me? I don't think. I mean, Jesus,

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<v Speaker 1>I don't know. Look it up, I've got got got it.

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<v Speaker 1>There's just a big list your best documentary. Uh, I

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<v Speaker 1>haven't heard of any of these. What are they minding?

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<v Speaker 1>The Gap, which I've heard is great, but I don't

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<v Speaker 1>know what it's about. Seen by Binglu of Fathers and Sons,

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<v Speaker 1>Oh our RBG was good, but honestly didn't see it yet.

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<v Speaker 1>I think I thought that Mr Rodgers was way better

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<v Speaker 1>than RBG. Yeah, that's weird. I think maybe RBG has

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<v Speaker 1>more current weight. I guess in terms of, like, you know,

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<v Speaker 1>I'm just the whole none of it makes sense because

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<v Speaker 1>of course it's great, but like Mr Rogers and all

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<v Speaker 1>the nostalgia and the message in today's climate, like it

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<v Speaker 1>was all there. It's just so you're right, especially as

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<v Speaker 1>it got into the way he handled really difficult subjects

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<v Speaker 1>for kids and testifying in front of Congress, and oh

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<v Speaker 1>and that while you're right, you know, there's absolutely that's

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<v Speaker 1>a very strange snub. Good call. Yeah, I don't I

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<v Speaker 1>don't get it. Debbie. Debbie friend Gadacas, friend Jadacas. She

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<v Speaker 1>also said, won't you be my neighbor? Kelly conquince is

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<v Speaker 1>Bradley Cooper for Director and first Man for Best Picture.

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<v Speaker 1>Fred Nerk the nurkstre says sorry to bother you. I

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<v Speaker 1>thought it was a fantastic movie and deserved a nomination

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<v Speaker 1>for what probably best Picture. Now I don't think it's

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<v Speaker 1>best picture of material. But see that's where we were

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<v Speaker 1>talking about best first time filmmaker or breakout star for

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<v Speaker 1>the girl in eighth grade. And yeah, like that's where

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<v Speaker 1>those might might be some good categories. I think it

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<v Speaker 1>could have like maybe even something for like best it

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<v Speaker 1>had just this should be like a category for weirdo movies,

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<v Speaker 1>like what would you call it that, like most innovative

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<v Speaker 1>or like Noel's favorite exactly. Yeah, I don't know. That's

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<v Speaker 1>that's a good question. Uh, Scott Sodergren, I totally agree,

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<v Speaker 1>Mr soda Gren. You say Ethan Hawk his performance was

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<v Speaker 1>amazing and he really did deserve a nomination for that role. Um,

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<v Speaker 1>totally agree. Man so good in that movie. Uh. Danielle

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<v Speaker 1>Ferlito says, First Man best movie I've seen in like

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<v Speaker 1>fifteen years. I still haven't seen that. This is the

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<v Speaker 1>was it? Buzz? Aldrin? No, it's Neil Armstrong? Right? Is

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<v Speaker 1>he Neil Armstrong? First Man? Noel? Sorry, dude, Armstrong was

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<v Speaker 1>the first The buzz was right. Sorry, you need to

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<v Speaker 1>get up on your NASA. I really do, I really do.

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<v Speaker 1>I didn't go to space Camp. Okay, every all of

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<v Speaker 1>my other colleagues went to space camp except me. So true.

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<v Speaker 1>Nick Kelly says, my boy Gosling. First Man is quiet

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<v Speaker 1>intensity at its best. I love, I love he's really

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<v Speaker 1>quiet intensity to josh of this thing, Yeah, it is,

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<v Speaker 1>come to think of it, Blade Runner, quiet intense, light

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<v Speaker 1>intense drive, quite intensive, quiet intensity. Yeah he should be.

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<v Speaker 1>He's a singer too. You should start a band called

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<v Speaker 1>Quiet Intensity Intense Cities. Joshua Hall says Lucky Stanfield. For

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<v Speaker 1>Best Actor, the guy elevates Sorry to Bother You to

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<v Speaker 1>another level. It's true. He's a great He's got this

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<v Speaker 1>like energy that's so like it's comedy, but it's also

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<v Speaker 1>like very heartfelt and like you know you're there with him.

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<v Speaker 1>I mean, I don't know. It's great. Yeah, Mary O'Donnell

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<v Speaker 1>says Paddington too. Wes Anderson wishes he could make a

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<v Speaker 1>film with such whimsy and heart. Is it really, Oh dude,

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<v Speaker 1>having to do it's crazy. I'm seeing Panison one. We'll

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<v Speaker 1>be able to follow it. Yes, it doesn't matter. They're

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<v Speaker 1>they're very self contained. No, it's it's it's got a

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<v Speaker 1>lot of these great British comics in it, like um

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<v Speaker 1>the dudes from like the Mighty Bush and like I

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<v Speaker 1>T Crowd and all. Really so, I think the guy

0:12:14.240 --> 0:12:16.960
<v Speaker 1>that directed it directed the show The League of Gentlemen,

0:12:17.040 --> 0:12:19.880
<v Speaker 1>which is a really really great weird would would ruby

0:12:19.960 --> 0:12:22.200
<v Speaker 1>like it? Is it? Oh? God, yes, for for three

0:12:22.240 --> 0:12:24.360
<v Speaker 1>and a half year old. It's because that's the beauty

0:12:24.400 --> 0:12:26.400
<v Speaker 1>of it is. It's got something for everybody. It's got

0:12:26.480 --> 0:12:29.240
<v Speaker 1>like adventure, it's got this whimsy like they're saying, it's

0:12:29.280 --> 0:12:31.280
<v Speaker 1>got a great story, and it's got really real heart

0:12:31.320 --> 0:12:33.800
<v Speaker 1>and like it's it's really a beautiful movie. All right,

0:12:34.040 --> 0:12:39.280
<v Speaker 1>it's on the list. Let me see here. Amanda Blaney

0:12:39.520 --> 0:12:43.480
<v Speaker 1>uh Laurier says Tony Collette for Hereditary, another nod for her.

0:12:44.400 --> 0:12:47.240
<v Speaker 1>UM T. J. Danny says if Beale Street could talk

0:12:47.320 --> 0:12:51.480
<v Speaker 1>for Best Picture. I've heard that criticism. UM Sierra Sherry

0:12:51.520 --> 0:12:54.559
<v Speaker 1>says Emily Blunt for a Quiet Place. She gave me

0:12:54.600 --> 0:12:58.280
<v Speaker 1>all the fields? All right, fair enough? UM D. C.

0:12:58.440 --> 0:13:01.839
<v Speaker 1>Hoover says Bradley Cooper for Best to Rector. All right,

0:13:02.679 --> 0:13:06.560
<v Speaker 1>I've heard mixed reviews on that one. On Star is Born,

0:13:07.040 --> 0:13:09.679
<v Speaker 1>and it looks like a big giant movie. Though Hollywood

0:13:09.720 --> 0:13:12.800
<v Speaker 1>loves a big self referential you know, it's also like

0:13:12.880 --> 0:13:16.120
<v Speaker 1>a remake of a classic, so Hollywood remake of the classic,

0:13:16.280 --> 0:13:18.640
<v Speaker 1>which was a remake of Hollywood loves that is a

0:13:18.720 --> 0:13:20.839
<v Speaker 1>third or fourth one, didn't it? I think it's the

0:13:20.880 --> 0:13:25.040
<v Speaker 1>third A. J. Middleset says, eighth grade and hereditary in

0:13:25.120 --> 0:13:31.760
<v Speaker 1>a Quiet Place Peter Farrelli Ian lyons Is Peter Frelli

0:13:32.559 --> 0:13:35.560
<v Speaker 1>for his near perfect direction of The Beautiful Green Book.

0:13:36.679 --> 0:13:39.720
<v Speaker 1>Another vote for Sorry to Bother You from Mike Doyle

0:13:40.880 --> 0:13:43.640
<v Speaker 1>for screenplay. Yeah. That sometimes it's a good way to

0:13:43.679 --> 0:13:46.280
<v Speaker 1>acknowledge a movie like that. Yeah, with the writing, Yeah,

0:13:46.320 --> 0:13:49.079
<v Speaker 1>sort of like I didn't. Didn't Adaptation win Best Screenplay?

0:13:49.720 --> 0:13:51.760
<v Speaker 1>I believe it did because that's a good one. That's

0:13:51.800 --> 0:13:54.320
<v Speaker 1>like a really kind of taking the form of screenplay

0:13:54.400 --> 0:13:57.839
<v Speaker 1>like to another place. That's definitely what any kind of

0:13:57.920 --> 0:14:00.360
<v Speaker 1>like meta nests in writing is always a good thing.

0:14:01.679 --> 0:14:04.199
<v Speaker 1>Bruce Conwell. Another vote for Tony Collette. I'm glad she's

0:14:04.200 --> 0:14:08.199
<v Speaker 1>getting props at least from the people for for that

0:14:08.320 --> 0:14:11.319
<v Speaker 1>great performance. Even though it's a disturbing horror film, it

0:14:11.360 --> 0:14:14.719
<v Speaker 1>still counts as a movie everyone does, you know, it's

0:14:14.720 --> 0:14:18.360
<v Speaker 1>so weird. Genre pictures just maybe best Genre Picture would

0:14:18.360 --> 0:14:21.920
<v Speaker 1>be a good category. Yeah, So it's like, what would

0:14:21.920 --> 0:14:25.040
<v Speaker 1>that be? What counts the genre? Horror? Sci fi? I

0:14:25.080 --> 0:14:27.720
<v Speaker 1>guess so I would take forever though, they'd have to

0:14:27.760 --> 0:14:30.480
<v Speaker 1>have one for every every genre. Well, no, you could

0:14:30.480 --> 0:14:33.000
<v Speaker 1>just slump them all together. Oh gotcha. Guy's a good point.

0:14:33.080 --> 0:14:35.520
<v Speaker 1>I see, I see. All right, we're gonna move on everyone.

0:14:35.920 --> 0:14:38.560
<v Speaker 1>Those are some good comments and that boy, I'm excited

0:14:38.560 --> 0:14:46.200
<v Speaker 1>about this next bit. Hi Kou theater. I don't know why.

0:14:46.200 --> 0:14:48.480
<v Speaker 1>I know that we've never done this stuff. He should

0:14:48.480 --> 0:14:51.520
<v Speaker 1>know had a high koupas about early on, about eight

0:14:51.600 --> 0:14:53.720
<v Speaker 1>or nine years ago, and we've got so many high

0:14:53.760 --> 0:14:56.680
<v Speaker 1>cous we cut sick of them and hated hikus. Yeah,

0:14:56.760 --> 0:14:59.640
<v Speaker 1>and now you're ready to dive back in back. And

0:15:00.080 --> 0:15:03.440
<v Speaker 1>people really got into this. And I was literally reading

0:15:03.480 --> 0:15:06.360
<v Speaker 1>them out loud to Emily Live as they were coming

0:15:06.400 --> 0:15:09.680
<v Speaker 1>in last night and laughing my ass off, and I

0:15:09.800 --> 0:15:13.400
<v Speaker 1>was like, I gotta stop doing this because all I'll

0:15:13.400 --> 0:15:16.400
<v Speaker 1>do is sit around and read hi kus all night

0:15:16.840 --> 0:15:21.120
<v Speaker 1>and it'll ruin tomorrow. So I'm gonna leave these up

0:15:21.520 --> 0:15:23.320
<v Speaker 1>and I'm gonna keep reading these every other week or

0:15:23.360 --> 0:15:25.280
<v Speaker 1>so because these are so much fun. The deal is

0:15:25.360 --> 0:15:28.680
<v Speaker 1>the movie title is the title of the hiku, and

0:15:28.760 --> 0:15:33.520
<v Speaker 1>then you know the form? Do you know the form? Five? Seven? Five?

0:15:33.600 --> 0:15:37.040
<v Speaker 1>Look at you? Seventeen syllables. Vanessa Lopez, let's start it

0:15:37.080 --> 0:15:43.520
<v Speaker 1>out with Sharkonnado, Sharconnado, raining from the sky. As Chuck

0:15:43.560 --> 0:15:49.120
<v Speaker 1>Stradamus foretold, the Sharkonnado looms. You know I predicted that movie?

0:15:49.160 --> 0:15:51.520
<v Speaker 1>Did you know that? I that was Did you ever

0:15:51.600 --> 0:15:55.480
<v Speaker 1>hear that? I said something about a movie with sharks

0:15:55.520 --> 0:15:58.000
<v Speaker 1>and tornadoes? And like a year and a half two

0:15:58.040 --> 0:16:00.320
<v Speaker 1>years later, that movie came out mass. I mean, the

0:16:00.400 --> 0:16:02.040
<v Speaker 1>fact of the matter is, it doesn't make you wonder.

0:16:02.080 --> 0:16:03.960
<v Speaker 1>I don't think I created that seat of that idea,

0:16:04.000 --> 0:16:06.720
<v Speaker 1>but you really never know. And there's no absolutely, that

0:16:07.000 --> 0:16:08.600
<v Speaker 1>is absolutely on the table that that could have been

0:16:08.640 --> 0:16:10.800
<v Speaker 1>the case. Some dumb could have heard that. Okay, I

0:16:10.880 --> 0:16:12.680
<v Speaker 1>can totally make that happen, and then they just bit

0:16:12.840 --> 0:16:17.480
<v Speaker 1>their side. The sixth sense. This is from Megan Johnson,

0:16:18.080 --> 0:16:21.880
<v Speaker 1>uh frucci and she got forty five up likes, so

0:16:22.040 --> 0:16:24.240
<v Speaker 1>this better be good. And by the way, this as

0:16:24.280 --> 0:16:26.960
<v Speaker 1>a spoiler if you have not seen six cents two

0:16:27.040 --> 0:16:30.120
<v Speaker 1>out for the next eight seconds the sixth cents, Bruce

0:16:30.160 --> 0:16:34.680
<v Speaker 1>Willis is dead. Yes, he's been dead the whole time, dead,

0:16:34.880 --> 0:16:39.200
<v Speaker 1>I tell you dead. That's fantastic. Oh that's a good one.

0:16:40.960 --> 0:16:45.200
<v Speaker 1>Nice jop Megan jennevan Valen. Now I've talked about your

0:16:45.280 --> 0:16:49.360
<v Speaker 1>name before, so close to the perfect name. She's one

0:16:49.360 --> 0:16:54.800
<v Speaker 1>syllable away, all right, Jenna Peewe's Big Adventure. I know

0:16:55.080 --> 0:17:00.640
<v Speaker 1>you are, But what am I without my bike? Loner

0:17:00.760 --> 0:17:06.640
<v Speaker 1>and rebel? Not bad. Our old friend Aaron Cooper has

0:17:06.680 --> 0:17:12.760
<v Speaker 1>one for airplane pilots ate the fish. Can you fly

0:17:12.960 --> 0:17:16.280
<v Speaker 1>and land this plane? Don't call me Shirley. I was

0:17:16.320 --> 0:17:18.160
<v Speaker 1>hoping that was going to be snuck in there, of course.

0:17:19.280 --> 0:17:25.800
<v Speaker 1>Julie Siggens perez for Psycho. Marion steals cash, change his

0:17:25.920 --> 0:17:30.880
<v Speaker 1>mind at creepy motel. Too late. Now she's dead. Not bad?

0:17:31.359 --> 0:17:35.560
<v Speaker 1>Uh cubes down. Cubie, our old pal in Connecticut, says

0:17:35.960 --> 0:17:43.800
<v Speaker 1>Titanic bad contrived romance. Mammoth Iceberg sinks the ship rose

0:17:44.240 --> 0:17:52.960
<v Speaker 1>selfish and cold. She went selfish and cold. Alright. I

0:17:53.000 --> 0:17:55.040
<v Speaker 1>wish people people give her ship because she didn't make

0:17:55.040 --> 0:17:58.000
<v Speaker 1>a space for him on the floating door. There was

0:17:58.000 --> 0:18:00.760
<v Speaker 1>another fun Titanic when in here, Oh here, it is

0:18:00.840 --> 0:18:07.200
<v Speaker 1>right here. Melinda Buccalleo says Titanic Rose is rich but sad.

0:18:08.280 --> 0:18:13.200
<v Speaker 1>Jack is poor but loving life. There's room for two rows.

0:18:14.960 --> 0:18:17.160
<v Speaker 1>So she addresses that right there, and that was sort

0:18:17.200 --> 0:18:19.680
<v Speaker 1>of the voice of the audience screaming and ros I think.

0:18:20.320 --> 0:18:22.399
<v Speaker 1>And Melinda followed that up with, oh MG, this is

0:18:22.440 --> 0:18:25.560
<v Speaker 1>so much fun. I totally agree. I'm just gonna read

0:18:25.560 --> 0:18:28.119
<v Speaker 1>all these over the next few weeks. Eric Keith for

0:18:28.200 --> 0:18:33.280
<v Speaker 1>Major League the x con pitches, vampire steals the bases,

0:18:34.119 --> 0:18:38.720
<v Speaker 1>Indians beat Yanks. All right, a little more obscure, maybe,

0:18:39.359 --> 0:18:42.200
<v Speaker 1>I like the Major League though, Major League. That was

0:18:42.240 --> 0:18:46.040
<v Speaker 1>the one with Charlie Sheen, right, Charlie Sheens. Sean mccarlane

0:18:46.080 --> 0:18:51.200
<v Speaker 1>for pulp Fiction, what's in the briefcase? I shot Marvin

0:18:51.280 --> 0:18:59.280
<v Speaker 1>in the face? Bad motherfucker. There you go. Let me see.

0:18:59.359 --> 0:19:02.280
<v Speaker 1>That's the joy of the haiku form as you start

0:19:02.320 --> 0:19:05.320
<v Speaker 1>to realize, like the economy of language, you know, Yeah,

0:19:05.720 --> 0:19:09.800
<v Speaker 1>for sure, here we go. Kristen Glenn kissed her for

0:19:09.920 --> 0:19:18.439
<v Speaker 1>Jurassic Park, Mosquito and sap all girl, Dinos make babies life,

0:19:19.000 --> 0:19:25.399
<v Speaker 1>Uh finds a way O god, it's unsyllable. Yes, very creative, Kristen,

0:19:25.560 --> 0:19:32.040
<v Speaker 1>well done, and she said, actually, full props here. Kristen says,

0:19:32.280 --> 0:19:35.480
<v Speaker 1>my son's girlfriend gets credit for the h So this

0:19:35.640 --> 0:19:40.000
<v Speaker 1>was a family affair. I love that. UHF have you

0:19:40.040 --> 0:19:44.960
<v Speaker 1>seen that? All with weird al Y has one for

0:19:45.040 --> 0:19:49.560
<v Speaker 1>that very cute cocker spaniel. By the way, Jason, UHF,

0:19:50.600 --> 0:19:55.120
<v Speaker 1>it really is great. You people think I'm joking. Spin

0:19:55.240 --> 0:19:59.280
<v Speaker 1>the Wheel of Fish. I guess that was the thing

0:19:59.320 --> 0:20:01.960
<v Speaker 1>from that movie. Yeah, that was sort of like drink

0:20:02.000 --> 0:20:03.760
<v Speaker 1>from the fire hose? Was it? Maybe one of those

0:20:04.160 --> 0:20:08.320
<v Speaker 1>I don't know. Wasn't that Kramer from from Yees Steinfeld

0:20:08.440 --> 0:20:09.639
<v Speaker 1>was in? I think he was. He was sort of

0:20:09.680 --> 0:20:12.399
<v Speaker 1>a screwball game show host or something like that. I

0:20:12.440 --> 0:20:13.920
<v Speaker 1>don't know. I would think that Spin the Wheel of

0:20:13.960 --> 0:20:17.359
<v Speaker 1>Fish might have been something that he did. M Karen Knox,

0:20:17.680 --> 0:20:20.240
<v Speaker 1>Karen's on here a lot. Thanks for your participation, Karen.

0:20:21.080 --> 0:20:27.280
<v Speaker 1>For the movie Seven Godless People Die, Brad Pitt, the

0:20:27.720 --> 0:20:35.040
<v Speaker 1>Kevin Spacey. Gwyneth's in the box. That's a good spoiler. Yes,

0:20:35.080 --> 0:20:37.520
<v Speaker 1>that's only four shillables at the end. Gwyneth is in

0:20:37.600 --> 0:20:40.360
<v Speaker 1>the box. Let's do it. We'll just make a slight

0:20:40.400 --> 0:20:43.520
<v Speaker 1>amendment there. That's probably what she meant. Patrick Gorman for

0:20:43.600 --> 0:20:47.440
<v Speaker 1>et Lost and Left Alone, but Elliott saves the day

0:20:48.280 --> 0:20:52.639
<v Speaker 1>Phone Home, Friend, Phone Home. You should write one over there.

0:20:52.640 --> 0:20:55.080
<v Speaker 1>While I'm doing this no, okay, can you do it? Wow,

0:20:55.240 --> 0:20:57.280
<v Speaker 1>that's that's okay, all right, I gotta read two more

0:20:57.400 --> 0:20:59.560
<v Speaker 1>and you need to have one finished by the time

0:20:59.600 --> 0:21:02.920
<v Speaker 1>I've been to that. All right, Caleb Bryant or old

0:21:02.920 --> 0:21:07.159
<v Speaker 1>Buddy says, I love Dogs. Chuck hasn't seen it, so

0:21:07.359 --> 0:21:10.959
<v Speaker 1>he will not get this joke. All right. Well that's

0:21:11.000 --> 0:21:15.440
<v Speaker 1>only six syllables, so Caleb, you're fired. Oh wait, so

0:21:15.640 --> 0:21:19.520
<v Speaker 1>he will not get this joke. Caleb, I'm sorry, I'm fired.

0:21:22.119 --> 0:21:24.520
<v Speaker 1>Let me just start that over. Caleb, I'm so sorry

0:21:25.080 --> 0:21:28.240
<v Speaker 1>I ruined your time in the sun. Caleb blind for

0:21:28.359 --> 0:21:31.160
<v Speaker 1>Isle of Dogs. Chuck hasn't seen it, so he will

0:21:31.200 --> 0:21:37.159
<v Speaker 1>not get this joke. It features haiku. Alright, fair enough? Uh?

0:21:37.200 --> 0:21:38.840
<v Speaker 1>And then one more and then we're gonna go with

0:21:38.920 --> 0:21:44.800
<v Speaker 1>Knolls pressures on from Mike Sam's. He did the never

0:21:44.960 --> 0:21:50.240
<v Speaker 1>ending story. This theme was too deep? Why did our

0:21:50.359 --> 0:21:58.120
<v Speaker 1>tax have to die? Boob Rais Therapy? Wow? Oh yeah,

0:21:58.359 --> 0:22:00.320
<v Speaker 1>that's really good. Actually, you know, I've never seen that

0:22:00.359 --> 0:22:03.600
<v Speaker 1>movie because the boobrets. That's the thing that he literally clocked.

0:22:03.640 --> 0:22:05.119
<v Speaker 1>All the things that that most stuck out to me

0:22:05.200 --> 0:22:07.080
<v Speaker 1>with that movie is the boobrets were these like sphinxes,

0:22:07.400 --> 0:22:10.280
<v Speaker 1>and they had these big breasts with like kind of

0:22:10.560 --> 0:22:13.280
<v Speaker 1>raised erect nipples and shot. The lasers didn't come out

0:22:13.320 --> 0:22:14.800
<v Speaker 1>of the boobs, they come out of the eyes. It's

0:22:14.800 --> 0:22:20.000
<v Speaker 1>like looking at is it like the fimbots. And then

0:22:20.119 --> 0:22:22.399
<v Speaker 1>our text was the horse that sank into the swamps

0:22:22.440 --> 0:22:24.600
<v Speaker 1>of sadness. And then therapy is what you had to

0:22:24.680 --> 0:22:28.840
<v Speaker 1>get after seeing that movie because direct you as a child. Alright, No,

0:22:29.680 --> 0:22:31.479
<v Speaker 1>I don't have it all. I'm gonna read two more

0:22:31.520 --> 0:22:34.600
<v Speaker 1>than We're gonna make you do this, all right, Megan

0:22:34.680 --> 0:22:42.280
<v Speaker 1>Johnson Fruci says, fried Green Tomatoes, Igy be charmer. We'll

0:22:42.359 --> 0:22:47.320
<v Speaker 1>do anything for Ruth Secrets in the Sauce Good movie.

0:22:48.200 --> 0:22:53.359
<v Speaker 1>Kristen Glenn kissed her once again. She has two for Tombstone,

0:22:53.640 --> 0:22:57.160
<v Speaker 1>so you get extra time. White Herb has done. Doc

0:22:57.320 --> 0:23:00.800
<v Speaker 1>is your Hucko Berry. He brings hell with him. And

0:23:00.880 --> 0:23:05.600
<v Speaker 1>then this one also for Tombstone. No bustle, how lewed,

0:23:06.400 --> 0:23:10.120
<v Speaker 1>You're a daisy. If you do Wyatt, you're an oak.

0:23:11.119 --> 0:23:15.399
<v Speaker 1>M good stuff, Kristen. I love that. I'm going to

0:23:15.480 --> 0:23:17.520
<v Speaker 1>read one more just to give you more time. No old,

0:23:17.520 --> 0:23:20.600
<v Speaker 1>because this is Harry Potter, which is probably what you're

0:23:20.600 --> 0:23:24.080
<v Speaker 1>writing over there from our old friend Caroline Gaston, Harry Potter,

0:23:24.560 --> 0:23:29.040
<v Speaker 1>Harry's a wizard fights He who must not be named,

0:23:30.119 --> 0:23:36.840
<v Speaker 1>makes a few friends too. Pretty good stuff. All right,

0:23:36.920 --> 0:23:42.639
<v Speaker 1>nol M, what do you got, Well, I've got one line, Chuck. Okay,

0:23:42.720 --> 0:23:45.000
<v Speaker 1>I'll give you more time while you're really milk in this.

0:23:45.560 --> 0:23:50.399
<v Speaker 1>Jimmy Mallory does Wayne's World Public Access show. It's party

0:23:50.480 --> 0:23:58.960
<v Speaker 1>time excellent, Wayne's World, Mom's Basement. Zoe Sisson says this

0:23:59.200 --> 0:24:03.479
<v Speaker 1>for bird Box, don't look at that thing, look at

0:24:03.520 --> 0:24:09.920
<v Speaker 1>it and then you die. This movie lacks plot. I

0:24:10.040 --> 0:24:12.760
<v Speaker 1>love that. That was a Haiku review. It could be

0:24:12.800 --> 0:24:15.040
<v Speaker 1>an old whole segment all by itself. Well, I mean

0:24:15.080 --> 0:24:17.240
<v Speaker 1>it rhymes is a perfect name for a segment. Hiku

0:24:17.320 --> 0:24:22.760
<v Speaker 1>review review Robert Eldridge says, first, stand by me, a

0:24:22.880 --> 0:24:27.840
<v Speaker 1>bar far rama, biggest one in four counties. We found

0:24:27.920 --> 0:24:32.040
<v Speaker 1>a body. I love this. This is so much fun, man,

0:24:32.160 --> 0:24:33.680
<v Speaker 1>this would be fun too. We should have we should

0:24:33.680 --> 0:24:35.240
<v Speaker 1>have kind of missed a boat on this. We should

0:24:35.240 --> 0:24:36.520
<v Speaker 1>have done it where you had to guess what the

0:24:36.600 --> 0:24:40.000
<v Speaker 1>movie was. Oh, that is not bad, because that would

0:24:40.000 --> 0:24:42.320
<v Speaker 1>stand by me. So maybe we'll do in a dish

0:24:42.760 --> 0:24:45.280
<v Speaker 1>called Mystery Haiku Theater. Here we go. We'll just do

0:24:45.400 --> 0:24:48.160
<v Speaker 1>different versions and I like it. Have you got your high? No, Chuck,

0:24:48.160 --> 0:24:50.000
<v Speaker 1>I don't know how to write a hiku? Okay, God,

0:24:50.160 --> 0:24:52.159
<v Speaker 1>are you really bailing on this? I'm not. I did

0:24:52.240 --> 0:24:54.000
<v Speaker 1>not sign up for this. That that's not bailing if

0:24:54.040 --> 0:24:56.000
<v Speaker 1>I did not agree to this the beginning. You know,

0:24:56.119 --> 0:25:03.920
<v Speaker 1>my first line is is why Harry Potter, I'm sorry

0:25:04.000 --> 0:25:08.240
<v Speaker 1>for that coughing fit? Everyone? All right, I guess we'll

0:25:08.240 --> 0:25:09.679
<v Speaker 1>just end there. No, no, no, I'm gonna keep I'm

0:25:09.680 --> 0:25:11.639
<v Speaker 1>gonna I want to I want to continue this. I mean,

0:25:11.680 --> 0:25:15.399
<v Speaker 1>I hope you're intrigued. Well I am. But do you

0:25:15.480 --> 0:25:17.159
<v Speaker 1>want to do this now? Or do you want to

0:25:17.200 --> 0:25:19.560
<v Speaker 1>come back next week? Chuck? That sounded like thank you?

0:25:19.920 --> 0:25:20.879
<v Speaker 1>Do you want to? Do you really want to do

0:25:21.000 --> 0:25:22.520
<v Speaker 1>this now? Chuck? Do you really want to do this?

0:25:22.840 --> 0:25:25.880
<v Speaker 1>All right? No, I'm literally gonna read the next three

0:25:26.240 --> 0:25:30.080
<v Speaker 1>and if you don't have a haiku, then you're fired. Uh.

0:25:30.640 --> 0:25:38.440
<v Speaker 1>Yavanne and Bodette says for goodwill hunting genius janitor has

0:25:38.520 --> 0:25:43.439
<v Speaker 1>no direction in life. Will, It's not your fault? Good one?

0:25:44.960 --> 0:25:50.040
<v Speaker 1>Rich del Grande, great name? Uh for demon night. Oh,

0:25:50.680 --> 0:25:55.560
<v Speaker 1>let even know what that is. Immortality ain't all it's

0:25:55.600 --> 0:26:02.200
<v Speaker 1>cracked up to be. Zane is persistent. And then we're

0:26:02.200 --> 0:26:07.959
<v Speaker 1>gonna finish with another one from Melinda Baccalo. She has

0:26:08.040 --> 0:26:14.440
<v Speaker 1>gone with the wind Scarlet loves Ashley, but Ashley loves Melanie.

0:26:15.720 --> 0:26:22.480
<v Speaker 1>Rhet gets the last laugh. No do we have our hikup.

0:26:23.240 --> 0:26:27.480
<v Speaker 1>Oh well, here we go everyone. Why Harry Potter, you

0:26:27.720 --> 0:26:36.000
<v Speaker 1>magic wizard person? Why do you haunt me? I can't

0:26:36.000 --> 0:26:38.800
<v Speaker 1>believe that took ten minutes? He look, it didn't take

0:26:38.880 --> 0:26:41.320
<v Speaker 1>ten minutes. It took ten seconds. I just had to

0:26:41.480 --> 0:26:43.200
<v Speaker 1>decide what direction I was gonna go. I saw you.

0:26:43.280 --> 0:26:45.440
<v Speaker 1>They're counting on your fingers. Yeah, that's what I do.

0:26:46.040 --> 0:26:48.600
<v Speaker 1>Oh boy, that was fun. That was fun. Thanks for

0:26:48.680 --> 0:26:50.320
<v Speaker 1>making me do that, Thanks for pulling that out of me.

0:26:58.640 --> 0:27:01.440
<v Speaker 1>All right, everyone, we're gonna finish up with another comment

0:27:01.520 --> 0:27:05.240
<v Speaker 1>card Oscar edition, where you ask your Oscar related questions.

0:27:06.080 --> 0:27:09.960
<v Speaker 1>Two uh, Nolan myself. We're gonna keep that Hyko theater going.

0:27:10.119 --> 0:27:13.920
<v Speaker 1>I like the mystery idea. That's a good idea. We get.

0:27:14.040 --> 0:27:16.840
<v Speaker 1>We have to guess the movie. That's so perfect because

0:27:16.880 --> 0:27:18.400
<v Speaker 1>most of them don't have the movie name and they're

0:27:18.400 --> 0:27:21.320
<v Speaker 1>just like describing a scene or some character thing, and

0:27:21.400 --> 0:27:23.560
<v Speaker 1>a lot of them are like a little little, tricky,

0:27:24.040 --> 0:27:26.439
<v Speaker 1>little shrouded I like that because then people would try

0:27:26.480 --> 0:27:29.760
<v Speaker 1>and stump us. Then it became becomes a game of

0:27:29.800 --> 0:27:33.800
<v Speaker 1>stump stump. The hosts, all right, we're gonna go with

0:27:35.119 --> 0:27:38.720
<v Speaker 1>Zack Pointer. He asked this Oscar question. Is there money

0:27:38.800 --> 0:27:42.879
<v Speaker 1>that comes with the award? No, Zach, they do not

0:27:42.960 --> 0:27:49.119
<v Speaker 1>pay them for winning an Oscar. There's no purse. Sometimes

0:27:49.160 --> 0:27:52.360
<v Speaker 1>the words have a little thing attached, but like a grant. Yeah,

0:27:52.400 --> 0:27:55.120
<v Speaker 1>but these people don't need grants. They don't need grants.

0:27:55.200 --> 0:27:57.480
<v Speaker 1>The money comes from the Oscar buzz. That's where you

0:27:58.400 --> 0:28:01.560
<v Speaker 1>definitely win money when you when you win an Oscar,

0:28:01.600 --> 0:28:03.879
<v Speaker 1>you definitely win money. I just don't give it to

0:28:03.880 --> 0:28:07.760
<v Speaker 1>you directly, right, it is. It is indirect monies in

0:28:07.880 --> 0:28:14.040
<v Speaker 1>your pocket. Charles Ogan says, most notorious Oscar telecast moment

0:28:15.080 --> 0:28:17.800
<v Speaker 1>for me when snow White sang a proud Mary with

0:28:18.000 --> 0:28:22.159
<v Speaker 1>Rob Low. That was a pretty legendary. H wait, what

0:28:22.640 --> 0:28:25.440
<v Speaker 1>weird bit? Yeah, you don't remember that. No, was this?

0:28:25.560 --> 0:28:27.600
<v Speaker 1>When was this like in the eighties or something? No,

0:28:27.880 --> 0:28:31.800
<v Speaker 1>I wasn't even that long ago. Um, I'm not really sure.

0:28:31.880 --> 0:28:33.639
<v Speaker 1>Let me look here, snow White, snow White, like the

0:28:33.720 --> 0:28:37.000
<v Speaker 1>animated character. Oh that's snow White, not the other snow

0:28:37.040 --> 0:28:40.800
<v Speaker 1>white porn star. Oh god, no, why do you have

0:28:40.880 --> 0:28:42.200
<v Speaker 1>to say kidding? I don't know if there's a porn

0:28:42.240 --> 0:28:46.680
<v Speaker 1>star name snow White. Um? When was this two? Maybe

0:28:48.320 --> 0:28:50.440
<v Speaker 1>it was just embarrassing. It just was a bad It

0:28:50.560 --> 0:28:54.000
<v Speaker 1>was a bad idea. Yeah, I mean, look at this photo,

0:28:54.080 --> 0:29:02.040
<v Speaker 1>nol it's rab blow thinking was snow White character? Yeah,

0:29:02.200 --> 0:29:04.400
<v Speaker 1>you know, lady dresses snow white. I was picturing and

0:29:04.520 --> 0:29:07.000
<v Speaker 1>being like, who framed Roger Rabbit style with like the

0:29:07.080 --> 0:29:11.120
<v Speaker 1>real animated snow White? Oh? Wait, nine? Is that what

0:29:11.240 --> 0:29:15.959
<v Speaker 1>it was? Sure seems like a eighties ish kind of idea. Geez,

0:29:16.680 --> 0:29:19.480
<v Speaker 1>why did I think that was more recently? It's because

0:29:19.520 --> 0:29:25.120
<v Speaker 1>you're old, Chuck. Yeah. I graduated high school in Yeah,

0:29:25.200 --> 0:29:27.479
<v Speaker 1>class of eighty nine. Baby, that's awesome. What what's your

0:29:27.520 --> 0:29:32.480
<v Speaker 1>class two thousand two? Sounds like future child? How do

0:29:32.520 --> 0:29:34.080
<v Speaker 1>you think I feel when I meet people that were

0:29:34.120 --> 0:29:39.440
<v Speaker 1>born in the nineties. Um, it's funny because if you

0:29:39.480 --> 0:29:41.800
<v Speaker 1>look up Rob Lowe snow White. One of the lead

0:29:42.240 --> 0:29:48.200
<v Speaker 1>articles from Hollywood Reporter is Oscar's Colin rob blows snow

0:29:48.240 --> 0:29:52.240
<v Speaker 1>White the untold story of Oscar's Nightmare opening. I can't

0:29:52.280 --> 0:29:54.480
<v Speaker 1>wait to read that later. Was he the host that

0:29:54.560 --> 0:30:00.120
<v Speaker 1>year or was snow White hosting snow White? I don't know. Man,

0:30:00.200 --> 0:30:04.080
<v Speaker 1>she's famous, that would be great. Whoa, let's see who

0:30:04.120 --> 0:30:07.160
<v Speaker 1>it's best actor. La la la la la la la la.

0:30:07.560 --> 0:30:09.920
<v Speaker 1>Such a good whistler. She is a good whistler. I'm

0:30:09.920 --> 0:30:12.440
<v Speaker 1>a decent whistler too. I can't do it right now, though,

0:30:12.560 --> 0:30:14.640
<v Speaker 1>That's fine, that's sorry. It would be all just blow

0:30:14.680 --> 0:30:16.720
<v Speaker 1>into the mic and be like, yeah, it wouldn't sound

0:30:16.800 --> 0:30:19.280
<v Speaker 1>I've been eating a salteine, so oh yeah. It was

0:30:19.320 --> 0:30:24.360
<v Speaker 1>just be big mess. Well, obviously the Warren Beatty debacle.

0:30:25.040 --> 0:30:27.480
<v Speaker 1>That's the big That's the only really big one. I

0:30:27.520 --> 0:30:29.960
<v Speaker 1>could well that and then, um, you know the whole

0:30:30.040 --> 0:30:35.560
<v Speaker 1>story about Jack Palance errantly giving the award to Marissa

0:30:35.640 --> 0:30:39.120
<v Speaker 1>Toma for my cousin Vinnie. I don't remember that. That's

0:30:39.120 --> 0:30:42.040
<v Speaker 1>sort of the legend, has it is that she really

0:30:42.080 --> 0:30:44.160
<v Speaker 1>did not win that award. He said the wrong name

0:30:44.920 --> 0:30:47.400
<v Speaker 1>and they just rolled with it. I think it has

0:30:47.440 --> 0:30:50.200
<v Speaker 1>been proven that that is not the case, But I'm

0:30:50.240 --> 0:30:52.400
<v Speaker 1>going to dig into that. Maybe I'll recount that story

0:30:52.440 --> 0:30:55.000
<v Speaker 1>in a future It was a good one for Hollywood history.

0:30:55.640 --> 0:30:58.360
<v Speaker 1>It would absolutely no thank you. It makes me think

0:30:58.400 --> 0:31:00.200
<v Speaker 1>I've actually done it. That would be sad if I

0:31:00.440 --> 0:31:04.800
<v Speaker 1>forgot that. I'm old, everyone my memories fading. Let me

0:31:04.880 --> 0:31:09.240
<v Speaker 1>see here, Kevin Hurbond says, is there a chance the

0:31:09.320 --> 0:31:13.360
<v Speaker 1>host won't make this joke? So this year we saw

0:31:13.400 --> 0:31:16.560
<v Speaker 1>a villain with a funky skin tone try to kill

0:31:16.600 --> 0:31:19.480
<v Speaker 1>the world with his children, and we saw a fan

0:31:19.600 --> 0:31:28.920
<v Speaker 1>os That's pretty good, Kevin. You should, uh, they should

0:31:28.920 --> 0:31:31.520
<v Speaker 1>have a hotline where he could submit Oscar jokes because

0:31:31.560 --> 0:31:35.800
<v Speaker 1>that's a perfect Oscar joke. That sounds like Bruce Valanche

0:31:35.840 --> 0:31:38.360
<v Speaker 1>wrote it with his own, uh, with his own stubby fingers.

0:31:38.840 --> 0:31:41.280
<v Speaker 1>It was Bruce Vlanche. He's one of the guys that

0:31:41.360 --> 0:31:42.920
<v Speaker 1>writes for the Oscars every year. Oh he does. He

0:31:43.000 --> 0:31:45.200
<v Speaker 1>writes the punchy little bits. Yeah, he's a he's sort

0:31:45.200 --> 0:31:47.760
<v Speaker 1>of a legendary writer in Hollywood and for writing stuff

0:31:47.760 --> 0:31:49.880
<v Speaker 1>like that. And he was on Hollywood Squares and he

0:31:49.960 --> 0:31:52.120
<v Speaker 1>probably recognized him if he looked him up. He's great,

0:31:52.200 --> 0:31:54.760
<v Speaker 1>he's he's a cheer delight. So I'm not I'm not

0:31:54.880 --> 0:31:58.680
<v Speaker 1>knocking him. I love that guy. Dallas English says, how

0:31:58.720 --> 0:32:00.320
<v Speaker 1>do you think the Oscars will change change in the

0:32:00.400 --> 0:32:03.720
<v Speaker 1>next fifty years? Doesn't seem like they're on a sustained path.

0:32:05.160 --> 0:32:06.840
<v Speaker 1>I don't know. I mean, does he think they're going

0:32:06.880 --> 0:32:11.440
<v Speaker 1>to go away? It's not sustainable to him? Yeah, the

0:32:11.520 --> 0:32:14.800
<v Speaker 1>Oscars is. It's a living and breathing thing. It's changed

0:32:14.800 --> 0:32:17.080
<v Speaker 1>a lot of years. It's sustainable. I mean, there's so

0:32:17.200 --> 0:32:20.880
<v Speaker 1>much money in Hollywood and it's literally it's Hollywood's just

0:32:21.040 --> 0:32:22.760
<v Speaker 1>to pat themselves on the back. They're doing such a

0:32:22.800 --> 0:32:25.560
<v Speaker 1>good job. Not do that. They would never miss that

0:32:25.640 --> 0:32:29.040
<v Speaker 1>opportunity to Well, it's about to say something dirty, but

0:32:29.080 --> 0:32:32.960
<v Speaker 1>I stopped myself pat themselves on the back. There you go,

0:32:33.840 --> 0:32:39.240
<v Speaker 1>pat themselves over and over on the back on the back. Um,

0:32:39.920 --> 0:32:43.280
<v Speaker 1>let me see here. Michael Griffith says, what are the

0:32:43.480 --> 0:32:49.680
<v Speaker 1>real world effects of being nominated or winning? Um? Well,

0:32:51.680 --> 0:32:55.640
<v Speaker 1>you hear about the Oscar bump in your career. It's

0:32:55.680 --> 0:32:59.720
<v Speaker 1>supposed to increase your profile and get better roles, but

0:33:00.000 --> 0:33:03.080
<v Speaker 1>it is no very famously not done that. Sometimes it

0:33:03.120 --> 0:33:05.080
<v Speaker 1>can be fickle because then you get typecast, you get

0:33:05.080 --> 0:33:08.000
<v Speaker 1>associated with that role or something maybe like I remember

0:33:08.560 --> 0:33:13.320
<v Speaker 1>Elizabeth Shoe for leaving Las Vegas. They thought that was like,

0:33:13.520 --> 0:33:16.320
<v Speaker 1>oh well from here on out, but it didn't quite

0:33:16.320 --> 0:33:19.000
<v Speaker 1>go that way. And I think Mercy Tooma as well.

0:33:19.320 --> 0:33:22.920
<v Speaker 1>It almost seems like you have to already be established

0:33:23.240 --> 0:33:25.440
<v Speaker 1>and then it gives you the bump maybe I don't know,

0:33:25.680 --> 0:33:28.560
<v Speaker 1>or you have to at least be already bankable kind

0:33:28.600 --> 0:33:31.480
<v Speaker 1>of and it maybe raises your profile. Yeah, but it's

0:33:31.520 --> 0:33:34.200
<v Speaker 1>I don't know, that's an interesting phenomenon to to dissect. Yeah,

0:33:34.360 --> 0:33:36.000
<v Speaker 1>it usually to like look at the numbers and look

0:33:36.040 --> 0:33:38.480
<v Speaker 1>at like how it's affected people over over the years

0:33:38.560 --> 0:33:40.080
<v Speaker 1>or whatever. Yeah, Like what you would do is you

0:33:40.080 --> 0:33:42.760
<v Speaker 1>would go back and look, um, like let's say the

0:33:42.880 --> 0:33:46.520
<v Speaker 1>next three movies after your Best Actor Actress award, Like

0:33:46.640 --> 0:33:50.320
<v Speaker 1>what were those? But sometimes, um, I'm not saying it's

0:33:50.440 --> 0:33:54.720
<v Speaker 1>their fault, but sometimes people have made very poor decisions

0:33:54.920 --> 0:33:58.200
<v Speaker 1>for their next movie after their hospital that they thought

0:33:58.320 --> 0:34:00.320
<v Speaker 1>like was going to be the right thing. It turned

0:34:00.320 --> 0:34:02.520
<v Speaker 1>out not to be. Absolutely it just goes to show

0:34:02.520 --> 0:34:05.360
<v Speaker 1>I mean like there's a lot of savvy that has

0:34:05.440 --> 0:34:08.600
<v Speaker 1>to go into like picking roles, and you know, you

0:34:08.719 --> 0:34:10.560
<v Speaker 1>have to have good people. I guess that give you

0:34:10.640 --> 0:34:12.920
<v Speaker 1>good advice, and you have to ultimately have good intuition.

0:34:13.040 --> 0:34:14.960
<v Speaker 1>Otherwise you can tank your career pretty quick if you

0:34:15.000 --> 0:34:17.440
<v Speaker 1>accidentally sign onto something that seems great on paper and

0:34:17.480 --> 0:34:21.040
<v Speaker 1>then it just doesn't sure, and then taking the bad

0:34:21.080 --> 0:34:24.000
<v Speaker 1>advice of an agent or manager too. That factors in

0:34:24.200 --> 0:34:31.040
<v Speaker 1>absolutely absolutely. Um let me see here, Brandon uh suragay

0:34:31.200 --> 0:34:35.879
<v Speaker 1>or sura Gal says, what's your favorite hot sandwich? I'm

0:34:35.880 --> 0:34:38.920
<v Speaker 1>gonna go with what It's a really close one between

0:34:38.960 --> 0:34:42.239
<v Speaker 1>a Philly cheesteak and a French dip. Interesting, what about you?

0:34:42.400 --> 0:34:45.400
<v Speaker 1>Those are very good sandwiches I like. I like ASTRAMI

0:34:45.719 --> 0:34:49.480
<v Speaker 1>like a yeah, like what do they call ram on rye?

0:34:49.760 --> 0:34:52.000
<v Speaker 1>I really think the best sandwich that there there is, though,

0:34:52.160 --> 0:34:55.440
<v Speaker 1>is a really good bond me. Oh sure, because you

0:34:55.520 --> 0:34:58.520
<v Speaker 1>got that crunchy bread, trunchy on the outside, soft on

0:34:58.520 --> 0:35:00.360
<v Speaker 1>the inside. I'll get a little bit of spice, a

0:35:00.360 --> 0:35:03.120
<v Speaker 1>little bit sweet. Yeah. No, monte Cristo, No, I do

0:35:03.239 --> 0:35:05.640
<v Speaker 1>like them like. I'm more of a crook monsieur kind

0:35:05.680 --> 0:35:07.719
<v Speaker 1>of guy. Oh, I love a croak monsieur with the

0:35:07.760 --> 0:35:09.840
<v Speaker 1>egg on the top. Yeah, is that which is the

0:35:09.920 --> 0:35:13.600
<v Speaker 1>mark one on top? I think that's with the egg

0:35:13.719 --> 0:35:15.920
<v Speaker 1>and the cheese and the hand, which is a lot

0:35:15.960 --> 0:35:18.319
<v Speaker 1>like a monte Cristo. So I need to look into

0:35:18.360 --> 0:35:21.960
<v Speaker 1>my sandwiches. I think a monte Cristo has jelly in it,

0:35:22.920 --> 0:35:25.320
<v Speaker 1>and I think it is powdered sugar and powdered sugar.

0:35:25.440 --> 0:35:28.600
<v Speaker 1>Isn't it like frenche toasted? Yes, it's an egg dip,

0:35:28.680 --> 0:35:31.080
<v Speaker 1>but so are the croak monsieur and the crooked. Okay,

0:35:33.080 --> 0:35:35.319
<v Speaker 1>we should totally start a sandwich podcast. I think that's

0:35:35.320 --> 0:35:37.120
<v Speaker 1>a great Yeah. No, you're right. The monte Cristo is

0:35:37.160 --> 0:35:40.400
<v Speaker 1>a fried ham and cheese sandwich and it's a variation

0:35:40.560 --> 0:35:43.919
<v Speaker 1>of the croak Monsieur. I know that when I worked

0:35:43.960 --> 0:35:47.000
<v Speaker 1>at my restaurant in New Jersey that the elderly set

0:35:47.480 --> 0:35:50.840
<v Speaker 1>loved the monte Cristo. Um, and I always associate it

0:35:50.920 --> 0:35:53.680
<v Speaker 1>with being like, you know, like an old person sandwich

0:35:53.840 --> 0:35:56.719
<v Speaker 1>because they ate those things up man, And then I

0:35:56.840 --> 0:35:59.279
<v Speaker 1>never saw kids ordering them. The croak, my damn has

0:35:59.360 --> 0:36:01.160
<v Speaker 1>the egg on hop, so it's almost like an egg

0:36:01.200 --> 0:36:04.920
<v Speaker 1>in the whole kind of situation. It's holding the hole. Well,

0:36:05.000 --> 0:36:06.640
<v Speaker 1>next time you go to l A, go to Barney's

0:36:06.680 --> 0:36:08.839
<v Speaker 1>Beanery and get the toad in the hole. No, I've

0:36:08.880 --> 0:36:12.440
<v Speaker 1>never been there. It's wonderful and it's a legendary place too.

0:36:12.480 --> 0:36:15.200
<v Speaker 1>It's been around you totally has that vibe and you

0:36:15.320 --> 0:36:17.200
<v Speaker 1>never know who you're gonna see in there. It's an

0:36:17.239 --> 0:36:20.839
<v Speaker 1>old school diner. And that is where Janice Joplin went,

0:36:21.520 --> 0:36:25.440
<v Speaker 1>uh and drank the night she died. I wonder what

0:36:25.560 --> 0:36:28.840
<v Speaker 1>she ordered, mm hmmm. Most likely Southern Comfort would be

0:36:28.920 --> 0:36:32.200
<v Speaker 1>I guess that was her jam, Southern Comfort. I love

0:36:32.239 --> 0:36:34.399
<v Speaker 1>Southern com You like it. It's so sweet though. Yeah,

0:36:34.480 --> 0:36:37.400
<v Speaker 1>it's like a cherry cherry liquor. Interesting. I feel like

0:36:37.440 --> 0:36:39.799
<v Speaker 1>drinking a lot of that would make you read. Well,

0:36:39.920 --> 0:36:41.479
<v Speaker 1>here's the deal is. I don't I don't sit around

0:36:41.480 --> 0:36:43.840
<v Speaker 1>and drink Southern Comfort, but that has long been my

0:36:44.000 --> 0:36:49.160
<v Speaker 1>camping uh uh, what do you call it? Yeah, like

0:36:49.280 --> 0:36:51.520
<v Speaker 1>you know, we'll all be hanging around and you know,

0:36:51.600 --> 0:36:54.080
<v Speaker 1>you pass the bottle around of Southern Comfort and you

0:36:54.160 --> 0:36:56.239
<v Speaker 1>take a slug out. But every hour or so I

0:36:56.280 --> 0:36:58.839
<v Speaker 1>would drink Southern Comfort on a camping trip with you, child. Yeah,

0:36:58.840 --> 0:37:01.239
<v Speaker 1>because it has a lower alcohol content. It's not like

0:37:01.880 --> 0:37:04.040
<v Speaker 1>eighty proof or whatever. Ninety proof. That was me dropping

0:37:04.080 --> 0:37:05.200
<v Speaker 1>a hid And I want you to invite. I know

0:37:05.280 --> 0:37:08.840
<v Speaker 1>you're gonna go camp, but with me, you're yes. God,

0:37:10.880 --> 0:37:13.239
<v Speaker 1>can I tell you something funny really quick? Yes? Uh,

0:37:13.480 --> 0:37:15.320
<v Speaker 1>my girlfriend just texted me and she works for the

0:37:15.400 --> 0:37:19.080
<v Speaker 1>state and dealing with like placing homeless people in affordable housing.

0:37:19.520 --> 0:37:21.400
<v Speaker 1>Really amazing, and she busts her ass and she's a

0:37:21.440 --> 0:37:23.719
<v Speaker 1>total badass. And she just sent me this litany of

0:37:23.800 --> 0:37:26.959
<v Speaker 1>like really difficult things that she's been dealing with today.

0:37:27.200 --> 0:37:30.480
<v Speaker 1>And I said, I have a baby job. You're dealing

0:37:30.560 --> 0:37:32.680
<v Speaker 1>with all these real world problems that affect people. And

0:37:32.760 --> 0:37:39.240
<v Speaker 1>I wrote a Harry Potter haiku and I found it difficult. Yeah,

0:37:39.960 --> 0:37:41.759
<v Speaker 1>I had to write myself with that a long time ago,

0:37:41.800 --> 0:37:44.000
<v Speaker 1>and old for being a goofus who just runs his

0:37:44.080 --> 0:37:46.839
<v Speaker 1>mouth for a living. But um, I think it's uh,

0:37:47.600 --> 0:37:49.520
<v Speaker 1>we've got enough good feedback over the years that it's

0:37:49.520 --> 0:37:51.320
<v Speaker 1>a there's value to it. Oh, No, they're absolutely is that.

0:37:51.360 --> 0:37:53.279
<v Speaker 1>I'm totally joking. But at the same time, it's just

0:37:53.440 --> 0:37:55.560
<v Speaker 1>it's just funny because you see real work being done.

0:37:55.920 --> 0:37:57.480
<v Speaker 1>You know, it is real working. We do things other

0:37:57.520 --> 0:37:59.640
<v Speaker 1>than run our mouths, by the way, Chuck, I know,

0:38:00.280 --> 0:38:03.839
<v Speaker 1>but I'm just I'm just being hard on us all right.

0:38:03.840 --> 0:38:06.160
<v Speaker 1>And the final question of the day that we're gonna

0:38:06.200 --> 0:38:11.400
<v Speaker 1>go with is uh from Felix Lennen says, uh, what

0:38:11.600 --> 0:38:18.480
<v Speaker 1>is your favorite spike Lee character? Ever? That's really really

0:38:18.560 --> 0:38:23.799
<v Speaker 1>tough because so many great spike Lee characters come to mind.

0:38:24.440 --> 0:38:26.960
<v Speaker 1>My first instinct is to go with Mookie from Do

0:38:27.080 --> 0:38:30.400
<v Speaker 1>the Right Thing or Danny a Yellow's character and Do

0:38:30.520 --> 0:38:33.120
<v Speaker 1>the Right Thing. And then my brain goes to Noah

0:38:33.200 --> 0:38:35.320
<v Speaker 1>Darling from She's Got to Have It, or Mars Blackman

0:38:35.920 --> 0:38:38.280
<v Speaker 1>from She's Got to Have It, which has been fully

0:38:38.400 --> 0:38:43.920
<v Speaker 1>enriched by the TV version, or Jungle Fever. Oh, or

0:38:44.000 --> 0:38:48.080
<v Speaker 1>he got Game man Denzel and he Got Game, one

0:38:48.120 --> 0:38:51.680
<v Speaker 1>of my favorite movies. Or maybe Bleak Gillham in mo

0:38:51.800 --> 0:38:55.040
<v Speaker 1>Better Blues. God, I'm so bad at this. Oh God,

0:38:55.080 --> 0:38:57.320
<v Speaker 1>are the little or Alfrey Woodard in Crookland. You're just

0:38:57.440 --> 0:39:00.040
<v Speaker 1>a Spike Lee fan, I am man. It's it's it

0:39:00.040 --> 0:39:02.080
<v Speaker 1>would be really hard to pick. And I'm looking over

0:39:02.280 --> 0:39:05.560
<v Speaker 1>his list of his films, and I think I've seen

0:39:05.600 --> 0:39:08.080
<v Speaker 1>almost all of them. I never saw Red Hook Summer.

0:39:08.120 --> 0:39:11.719
<v Speaker 1>I need to see that one. Uh that was out

0:39:11.760 --> 0:39:13.839
<v Speaker 1>a few years ago, it was like five or six

0:39:13.920 --> 0:39:15.400
<v Speaker 1>years ago. I don't know. I didn't see that for

0:39:15.480 --> 0:39:18.239
<v Speaker 1>whatever reason, I then no real reason at all. Um,

0:39:18.400 --> 0:39:21.160
<v Speaker 1>I have not seen any of those deep, those older

0:39:21.239 --> 0:39:24.319
<v Speaker 1>Spike Lee movies. When you say any have you seen

0:39:24.360 --> 0:39:27.920
<v Speaker 1>Do the Right Thing? No? God, have you seen Malcolm X? No?

0:39:28.440 --> 0:39:30.040
<v Speaker 1>Have you seen She's Got to Have It? Now? Have

0:39:30.160 --> 0:39:32.239
<v Speaker 1>you seen School Days? No? Have you seen Jungle Fever?

0:39:32.640 --> 0:39:36.520
<v Speaker 1>Have you seen She? Have you seen Crookland? Have you

0:39:36.520 --> 0:39:42.040
<v Speaker 1>seen mo Better Blues? Oh? No, I'm just I'm being honest, man.

0:39:43.400 --> 0:39:46.880
<v Speaker 1>I know, I know, just like The Hulk, and I

0:39:47.000 --> 0:39:50.239
<v Speaker 1>think I really like Bamboozled When I was younger, Like,

0:39:50.320 --> 0:39:53.200
<v Speaker 1>I thought that was a really interesting, weird, great movie.

0:39:53.400 --> 0:39:54.759
<v Speaker 1>And I think that's probably looked at as one of

0:39:54.840 --> 0:39:57.560
<v Speaker 1>his like lesser movies, but came out when I was

0:39:57.719 --> 0:40:01.279
<v Speaker 1>you know, it was two thousand and Uh. I just

0:40:01.520 --> 0:40:03.200
<v Speaker 1>have not seen any of those movies. And there's no

0:40:03.320 --> 0:40:04.840
<v Speaker 1>reason for it. I need need to, I need to,

0:40:05.239 --> 0:40:08.560
<v Speaker 1>I need to correct that. Yeah. I feel like you

0:40:08.560 --> 0:40:10.560
<v Speaker 1>should almost do just do like a Spike Lee week

0:40:10.600 --> 0:40:13.200
<v Speaker 1>and see like five movies in a row. My my

0:40:13.400 --> 0:40:15.880
<v Speaker 1>best friend Frank Um recently saw Do the Right Thing

0:40:15.960 --> 0:40:18.000
<v Speaker 1>for the first time, and he just couldn't stop talking

0:40:18.000 --> 0:40:21.080
<v Speaker 1>about it. I mean, that's the one you should holds up,

0:40:21.200 --> 0:40:23.200
<v Speaker 1>you know, incredibly well. Or he could just go in

0:40:23.360 --> 0:40:26.600
<v Speaker 1>order maybe and just go She's gotta have it, School Days,

0:40:27.840 --> 0:40:31.360
<v Speaker 1>do the right Thing, Jungle Fever and mo Better Blues.

0:40:31.440 --> 0:40:34.960
<v Speaker 1>That's a good like five spot to get you going.

0:40:35.960 --> 0:40:38.479
<v Speaker 1>One of my heroes, everyone, the great great Spike Lee fingers.

0:40:38.800 --> 0:40:42.480
<v Speaker 1>Do you think he deserves the wind for Black Klansman? Yeah?

0:40:42.520 --> 0:40:44.880
<v Speaker 1>Why not? Why not? But do you don't think that

0:40:45.040 --> 0:40:47.600
<v Speaker 1>was like one of his best movies though? Right? That

0:40:47.680 --> 0:40:49.359
<v Speaker 1>was what we're talking about. It's sort of like, why

0:40:49.440 --> 0:40:51.040
<v Speaker 1>didn't he get one for any of these ones that

0:40:51.239 --> 0:40:52.879
<v Speaker 1>you seem to hold up so high? And then there's

0:40:52.920 --> 0:40:55.200
<v Speaker 1>this one now he's finally getting nominated four? It does

0:40:55.239 --> 0:40:58.360
<v Speaker 1>it compare to his other work? It's a it's a

0:40:58.440 --> 0:41:00.600
<v Speaker 1>top ten Spike Lee movie, got it? Uh? And And

0:41:00.680 --> 0:41:03.480
<v Speaker 1>I'm okay with the uh the body of work, Oscar,

0:41:03.800 --> 0:41:05.360
<v Speaker 1>I'll just go ahead and say it. That's fine with me.

0:41:06.680 --> 0:41:09.839
<v Speaker 1>I don't care. I think I think that's great. All right,

0:41:10.120 --> 0:41:12.040
<v Speaker 1>that's in everyone. I think we're done. Noel, do you

0:41:12.080 --> 0:41:14.040
<v Speaker 1>feel good? I feel great? Man? Are you ready get

0:41:14.040 --> 0:41:15.279
<v Speaker 1>out of here? Yeah? I'm ready to go out of here.

0:41:15.320 --> 0:41:17.560
<v Speaker 1>And start my spike Lee Marathon. All right, let's do it.

0:41:18.040 --> 0:41:18.759
<v Speaker 1>See any time