WEBVTT - Aaron Neville

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is the one and only Aaron Neville,

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<v Speaker 1>who's got a brand new autobiography. Tell it like it is, Aaron,

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<v Speaker 1>Why a book? Why now say liked?

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<v Speaker 2>And why not? Well, I mean, I don't know how

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<v Speaker 2>many more? Yes, I figured I just do it while

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<v Speaker 2>I'm still got on my mind. Some of my mind anyway,

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<v Speaker 2>you know, was left of it.

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<v Speaker 1>So how did you actually write the book?

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<v Speaker 2>With a wonderful writer, her name is Beth Edelman, and

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<v Speaker 2>she told me the first things that I want this

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<v Speaker 2>book in your voice. And that's what he did. He

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<v Speaker 2>put it in my voice.

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<v Speaker 1>But absolutely seems that way. Okay, a couple of things.

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<v Speaker 1>You mentioned a number of things in your book. You

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<v Speaker 1>say you're retired. Tell me about being retired.

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<v Speaker 2>Well, I'm retired. Uh. When the COVID pandemic came in

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<v Speaker 2>two thousand and maybe twenty, Uh, I was supposed to

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<v Speaker 2>go to California and Sarah to him and she don't

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<v Speaker 2>think I should be on the airplane six hours and

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<v Speaker 2>with you know, with this thing going around, because they

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<v Speaker 2>were taking people and taking the temperature and if they

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<v Speaker 2>had a fever or something. They put them in quarantine

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<v Speaker 2>and some of them wind up dying by theyself somewhere,

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<v Speaker 2>and I just, you know, I'm glad she decided me

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<v Speaker 2>not to go. And through the years I've and I've

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<v Speaker 2>been doing a little singing, but I have asthma, and

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<v Speaker 2>I don't have the breadth to you know, hit the

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<v Speaker 2>notes like I used to, Just like Lynda Rond says,

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<v Speaker 2>say she didn't want to cheat the people. You know,

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<v Speaker 2>I wouldn't want to go out there and old though

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<v Speaker 2>he don't sound you know, you know I got records.

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<v Speaker 2>You know that's thinking to hear all they wanted me

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<v Speaker 2>on the record. I still call them records.

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<v Speaker 1>I do too. Okay, Uh do you miss it?

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<v Speaker 2>You know, in a little I don't miss none of

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<v Speaker 2>the traveling and hotels and buses and all that special airports.

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<v Speaker 2>I call that airport agony, especially what's going on right now.

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<v Speaker 2>But people are just getting stuck in airports for a week.

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<v Speaker 2>And I've had that done that. You know, your your

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<v Speaker 2>flight has been canceled and we don't know where your

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<v Speaker 2>luggage is.

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<v Speaker 1>Okay, you grew up in New Orleans, but you're living

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<v Speaker 1>up in New York State on a farm. That's really different.

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<v Speaker 1>What's it like?

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<v Speaker 2>It's great, it's mondful. I mean this place they have

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<v Speaker 2>is so beautiful, and it's like I call it in

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<v Speaker 2>Shanton Forest because we have all kinds of animals, bad deer,

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<v Speaker 2>we have fox, we have rabbits, we have all kinds

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<v Speaker 2>of birds and and it's just peaceful, you know. So

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<v Speaker 2>like we kind of cut back on the farm. But

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<v Speaker 2>Sarah's still making the air and level. He looks her.

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<v Speaker 2>She mixed with a tumor of ginger, cayenne, honey and

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<v Speaker 2>lemon and what else the upple side of vinegar and

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<v Speaker 2>something I drink every day.

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<v Speaker 1>Wow, it's keeping in good health. So, but living in

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<v Speaker 1>the city and living in the country is different. Do

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<v Speaker 1>you have friends you see in the country. Are you

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<v Speaker 1>more of a loner or you a social kind of guy?

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<v Speaker 1>What kind of guy are you?

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<v Speaker 2>I have three cats, a dog, me and Sarah, you know, so, hey,

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<v Speaker 2>I see the male man. I mean, you know, I

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<v Speaker 2>get out sometimes. It took a ride, Yester, gone for

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<v Speaker 2>like a few hours, get to see people. But that's

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<v Speaker 2>that's the enough for right now. With all the stuff

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<v Speaker 2>going on as well.

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<v Speaker 1>And you talk in the book about staying in contact

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<v Speaker 1>with some people by the phone. So in phone or

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<v Speaker 1>in email, you staying in contact with people, how much

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<v Speaker 1>you're talking connecting.

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<v Speaker 2>I have a couple of few friends, like Morvin. He

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<v Speaker 2>and I grew up together. He's in the book. We've

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<v Speaker 2>done some stuff together. We talk about uh pity Pat

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<v Speaker 2>talk to him every day. He's got cancer and so

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<v Speaker 2>I try to, you know, help him field have a

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<v Speaker 2>feel good day, you know. And my keyboard player, Mike Goods,

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<v Speaker 2>we talk every day, and I talk to my kids.

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<v Speaker 1>And how about email? Do you use the computer?

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<v Speaker 2>Nah? Not really. I mean I can send the email

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<v Speaker 2>on my phone, you know, the computer. I'm not computer

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<v Speaker 2>sad at all.

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<v Speaker 1>Okay, most of the book is about you growing up

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<v Speaker 1>and all the bad activities and all the trouble you

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<v Speaker 1>got in. Was that conscious? You wanted to lay that

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<v Speaker 1>out that there's much more of that than your music career.

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<v Speaker 2>The thing about it, I couldn't have, you know, done

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<v Speaker 2>the book. What I'm telling it all, you know, I'm telling

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<v Speaker 2>it like it is and like it was, and that's

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<v Speaker 2>how it was back in those days. I was stuck

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<v Speaker 2>and stupid a lot of times, you know.

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<v Speaker 1>So tell me what it was like, you know, New

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<v Speaker 1>Orleans has a different legal system a lot of people

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<v Speaker 1>in what way, since you've traveled the world, is New

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<v Speaker 1>Orleans different from the rest of the country and the

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<v Speaker 1>rest of the world.

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<v Speaker 2>New Orleans is like my brother Sarah says, that an

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<v Speaker 2>island that's stuck onto the United States because it's a

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<v Speaker 2>mixture of all kinds of different cultures. You know. They

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<v Speaker 2>have a Caribbean, trans Italian, Kish, and Creole, you name it,

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<v Speaker 2>and it's you know, you your bond with music. All

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<v Speaker 2>through your life there's music, and you're gonna die with music.

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<v Speaker 2>With the second line, you.

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<v Speaker 1>Know, Okay, So, uh, tell me about your family growing up.

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<v Speaker 1>So when what did your parents do for a living.

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<v Speaker 2>Well, my dad when we were kids, him and my

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<v Speaker 2>uncle Jolly was my mother's brother, George Landry. They were

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<v Speaker 2>merchant marines. They would go out on the on the ships.

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<v Speaker 2>A couple of times they got shot at me. One

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<v Speaker 2>time they almost the ship almost got sunk. And then

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<v Speaker 2>when when he was home, he he was a cab driver.

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<v Speaker 2>He worked in a furnished, a moving place. They worked

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<v Speaker 2>at a car place. They worked, he worked at the

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<v Speaker 2>boys home. He was he was a he was a trooper,

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<v Speaker 2>you know, and my mother. She took care of us

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<v Speaker 2>while they were gone, and she uh went to beauty

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<v Speaker 2>school while we went the project. Then she went to

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<v Speaker 2>nursing school so she could fix her hair and help

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<v Speaker 2>people in the hospital.

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<v Speaker 1>And how many kids in the family, Well, there.

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<v Speaker 2>Was six of us. There was Aunt Charles, me, Myla,

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<v Speaker 2>my brother Cyril, and our younger sister cook It she

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<v Speaker 2>died in nineteen seventy one.

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<v Speaker 1>And you know, if your father's out on the boat

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<v Speaker 1>and your mother's there and there's all those kids, how

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<v Speaker 1>much supervision was there or could you do whatever you wanted?

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<v Speaker 2>No, it wasn't that. It is a respecting you know.

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<v Speaker 2>My mom was the greatest. Well we would as she

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<v Speaker 2>would have us. Well, first it was just met Charles,

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<v Speaker 2>and when I was three years old, my sister came

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<v Speaker 2>and Syly didn come till about seven years later. So,

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<v Speaker 2>but my mom used to be on the floor with us,

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<v Speaker 2>playing games and telling reading stories and whatever my mom

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<v Speaker 2>should have done, she did it. You know. She always

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<v Speaker 2>had a smile on her face and uh always made

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<v Speaker 2>hers still good, you know.

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<v Speaker 1>And were you a good student? Bad student?

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<v Speaker 2>I was a good student, But think about it, I

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<v Speaker 2>always had a song in my head, you know. So

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<v Speaker 2>I don't know if the teachers thought, the nuns thought

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<v Speaker 2>I had had the deal whatever. A lot of times

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<v Speaker 2>I was like, yeah, got a song going in my head.

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<v Speaker 1>So tell me more about you know where this was

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<v Speaker 1>there music in the house and you started to sing along.

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<v Speaker 1>How did you ultimately get interested in music admitting by

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<v Speaker 1>the music bug?

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<v Speaker 2>Well, my mother and father were big nactin cole Fans.

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<v Speaker 2>They had all his records and h Charles Brown and

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<v Speaker 2>Louis Jordan, uh Dinah Washington and and before we were born,

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<v Speaker 2>my mother and her brother Jolly was song and dance team.

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<v Speaker 2>I mean they were the best dancers in the Organs

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<v Speaker 2>and they had a chance to go out on the

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<v Speaker 2>road with Louis Prima. My grandmother wouldn't let him go

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<v Speaker 2>because of the Jim Crow laws. They say they wouldn't

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<v Speaker 2>have been treated to night right, you know. So my

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<v Speaker 2>mother said that she would never stop any of us

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<v Speaker 2>from our you know dream, So she let Charles go

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<v Speaker 2>out when he was fifteen. She signed for me to

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<v Speaker 2>play in the French quarters when I was fifteen with

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<v Speaker 2>a whole blind band, and they used to put on

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<v Speaker 2>the show sometimes and I host in the project. The

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<v Speaker 2>jolly would throw my mom over his back and between

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<v Speaker 2>his legs, and Lindy happened all that, you know, and

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<v Speaker 2>she taught us how to dance.

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<v Speaker 1>Okay, when did you realize you could sing?

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<v Speaker 2>Uh? My brother Ought said, when I was a kid

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<v Speaker 2>in the in the crib by just staying fell asleep.

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<v Speaker 2>So I guess I was trying then. But I used

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<v Speaker 2>to mimic nating cool and I used to sing. I

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<v Speaker 2>went to the movies. I was about eleven, something like that.

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<v Speaker 2>I sang mona Lisa, pretend none of that songs. And

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<v Speaker 2>he let me in, give me candy and all. And

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<v Speaker 2>my brother Or had a do wop group. They would

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<v Speaker 2>sit out on the park bench in the evening and harmonized,

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<v Speaker 2>and they would go around and win the talent shows

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<v Speaker 2>and get the girls and all, you know. And I

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<v Speaker 2>used to run up to them and they'd run me away,

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<v Speaker 2>get away to me my kids. You know. I just

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<v Speaker 2>I was persistent. I kept on. He was odd. A

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<v Speaker 2>guy named issacle Garden we called him easy cool. And

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<v Speaker 2>a dude named Turk. And finally Isaul said, hey, Kevin.

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<v Speaker 2>He called me Kevin. I don't know why, but I

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<v Speaker 2>didn't care just love. He said, you hit this note,

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<v Speaker 2>and he showed me the note. Then before you know it,

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<v Speaker 2>they were showing me all the notes how to do

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<v Speaker 2>the harmonies, which I had later on with the Mickey

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<v Speaker 2>Mouse Morse. I'm doing all the background, but doctor John

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<v Speaker 2>is playing the keyboard, Rob Watson and starg Us, I'm

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<v Speaker 2>doing all the background. Uh, the thether Brothers, Uh, Bird

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<v Speaker 2>on the wire. I'm doing all the background and from

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<v Speaker 2>them teaching me.

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<v Speaker 1>Okay, And at what point did you say, I want

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<v Speaker 1>to make it this, I want this to be a career.

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<v Speaker 2>I didn't know about a career and all that, but

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<v Speaker 2>all I knew I wanted to sing. You know. I'd

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<v Speaker 2>go to the movies and I look at the the

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<v Speaker 2>Cowboys and I'd come out at the moving back in

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<v Speaker 2>the project and I'd be yodling, and you know, had

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<v Speaker 2>a mopstick named Pimo Sabi because my host and uh

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<v Speaker 2>it was just and my brother Ought worked at a

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<v Speaker 2>record shop and he used to bring along all of

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<v Speaker 2>the records. But like the Clovers and Over the Sunny Tilon,

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<v Speaker 2>the Oreos, the Hawk Tom's and different groups. Climac Fatter

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<v Speaker 2>Clid mcfatter was one of my favorite inspirations. H besides

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<v Speaker 2>nakink cold because Clyde had that high tenor, you know,

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<v Speaker 2>and my brother Aught had had a real high tenor,

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<v Speaker 2>like a strong high tenor. But I don't think they

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<v Speaker 2>ever gave his voice the right you know.

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<v Speaker 1>Okay, what was it like growing up in the projects?

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<v Speaker 2>Man? It was like paradise back then. You know. It

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<v Speaker 2>was like a village. You know, everybody knew everybody. And

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<v Speaker 2>we had a big oval playground but concrete that went around.

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<v Speaker 2>We could state on or ride a bicycle. We played football,

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<v Speaker 2>We played at marbles and spinning tops and kites all

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<v Speaker 2>in that in that space, and it was like, you know,

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<v Speaker 2>it was just a great place.

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<v Speaker 1>And you talk about football, were you a sportsman.

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<v Speaker 2>Back in the days? Then I got to be a

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<v Speaker 2>teenage I played sandlot football, you know, on the leveo,

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<v Speaker 2>on the medium, on the neutral ground.

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<v Speaker 1>Okay. You talk about hearing about heroin and wanting to

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<v Speaker 1>try it, you know, I was growing up they had

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<v Speaker 1>all these TV shows saying not to try it. So

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<v Speaker 1>what was it like? And tell me about that experience.

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<v Speaker 2>I heard all that, but not to try it. But

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<v Speaker 2>I mean something inside of me was inquisitive, you know,

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<v Speaker 2>I was inquisitive. You I'm fella. As soon as I

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<v Speaker 2>got to be of age and I saw somebody else

0:13:53.320 --> 0:13:56.120
<v Speaker 2>doing it, I said, hey, man, hook me up, you know.

0:13:57.679 --> 0:14:00.439
<v Speaker 2>And it happened to be my brother with his gug Bob,

0:14:00.640 --> 0:14:07.120
<v Speaker 2>and uh so I was playing music on the weekends,

0:14:07.200 --> 0:14:09.520
<v Speaker 2>making you know, twenty dollars a night or whatever. That

0:14:09.600 --> 0:14:12.440
<v Speaker 2>was big money back then. So I come to him

0:14:12.480 --> 0:14:15.000
<v Speaker 2>and told him that I want to school, you know.

0:14:16.040 --> 0:14:17.880
<v Speaker 2>So he got it and he taught me out of

0:14:18.000 --> 0:14:20.640
<v Speaker 2>the first time. No, you you shouldn't do this, Okay,

0:14:21.080 --> 0:14:23.960
<v Speaker 2>I ain't gonna do it next time. Next day, I said,

0:14:24.120 --> 0:14:25.920
<v Speaker 2>didn't some more? I want to get some more and

0:14:25.920 --> 0:14:28.080
<v Speaker 2>I'm gonna do it. And I did it. And it

0:14:28.200 --> 0:14:28.640
<v Speaker 2>was on that.

0:14:30.640 --> 0:14:34.080
<v Speaker 1>And so you did it? How did you do it?

0:14:34.120 --> 0:14:36.440
<v Speaker 1>Did you snort? Did you pop? Do you inject?

0:14:38.920 --> 0:14:44.120
<v Speaker 2>Uh? Charles's girlfriend, Bob. She tied me up and caught

0:14:44.160 --> 0:14:47.320
<v Speaker 2>me with the you know, my band. She said, oh,

0:14:47.360 --> 0:14:49.480
<v Speaker 2>you got a million dollar bands. I hadn't never done

0:14:49.520 --> 0:14:51.960
<v Speaker 2>that until, you know, there was a million dollar bands then,

0:14:53.000 --> 0:14:57.400
<v Speaker 2>and uh hey, I fell in love with it. And

0:14:57.640 --> 0:15:00.400
<v Speaker 2>it wasn't in love with me though, you know, And

0:15:00.440 --> 0:15:01.800
<v Speaker 2>it didn't kill me that until late on.

0:15:03.440 --> 0:15:07.080
<v Speaker 1>So it lived up to your thoughts of what it

0:15:07.120 --> 0:15:12.200
<v Speaker 1>was going to be. Oh yeah, but many people say,

0:15:13.120 --> 0:15:16.120
<v Speaker 1>like with any drug, you know it's good at first,

0:15:16.160 --> 0:15:18.880
<v Speaker 1>and then you're always chasing that initial hide. It never

0:15:18.920 --> 0:15:19.680
<v Speaker 1>lives up to it.

0:15:19.880 --> 0:15:23.280
<v Speaker 2>That's what it called chased, the chasing the dragon, because

0:15:23.280 --> 0:15:26.320
<v Speaker 2>you're looking for that first hit. You never get that

0:15:26.360 --> 0:15:27.240
<v Speaker 2>in i' montell yo, d.

0:15:29.320 --> 0:15:37.560
<v Speaker 1>So, okay, you have this girlfriend Joelle, but her family

0:15:37.640 --> 0:15:41.640
<v Speaker 1>doesn't like you, so tell me about that.

0:15:42.280 --> 0:15:46.360
<v Speaker 2>Well, it's like this also when I was sixteen, I

0:15:46.520 --> 0:15:52.880
<v Speaker 2>got this tattoo in my face. On my sixteenth birthday,

0:15:53.360 --> 0:15:55.360
<v Speaker 2>I had been down in the night walk. My boy

0:15:55.480 --> 0:15:58.360
<v Speaker 2>Melvin had just moved on the night once, so I

0:15:58.360 --> 0:16:00.840
<v Speaker 2>went and the night wab was like, you know, a

0:16:00.960 --> 0:16:03.960
<v Speaker 2>rough area because the guy back down there used to say,

0:16:03.960 --> 0:16:06.120
<v Speaker 2>I'm from the nine and I don't mind dying. All

0:16:06.200 --> 0:16:09.120
<v Speaker 2>kind of stupid ship like that. And uh so I

0:16:09.120 --> 0:16:13.600
<v Speaker 2>had Melvin's uncle's pistol, wasn't it And we took taking

0:16:13.600 --> 0:16:19.120
<v Speaker 2>goofballs and all the you know, abitious And I'm down

0:16:19.160 --> 0:16:24.320
<v Speaker 2>in the Sweet Sweet shop looking at the recast record

0:16:24.320 --> 0:16:25.760
<v Speaker 2>box and couldn't hold of sea and they have my

0:16:25.800 --> 0:16:28.320
<v Speaker 2>hands in my pocket and I felt some hands on

0:16:28.360 --> 0:16:30.520
<v Speaker 2>my shoulder turn me around. I thought it was Melvin,

0:16:31.160 --> 0:16:33.760
<v Speaker 2>go introduce me to somebody, and this big tall guy

0:16:33.960 --> 0:16:36.960
<v Speaker 2>turned me around and punched me out and knocked me

0:16:37.040 --> 0:16:40.160
<v Speaker 2>back up against the recast box and I run my

0:16:40.840 --> 0:16:44.000
<v Speaker 2>tongue across my teeth and he cracked my teeth, and

0:16:44.040 --> 0:16:47.880
<v Speaker 2>that was the most. I didn't care about getting punched,

0:16:48.080 --> 0:16:49.880
<v Speaker 2>but he cracked my teeth, and I come up and

0:16:49.960 --> 0:16:55.520
<v Speaker 2>I shot him, and uh Me and Melvin left out

0:16:55.560 --> 0:16:58.880
<v Speaker 2>the joint h and ran because I mean we were scared.

0:16:58.920 --> 0:17:03.160
<v Speaker 2>I didn't want hill him, you know, But then we

0:17:03.280 --> 0:17:07.760
<v Speaker 2>found out that he wasn't dead. And anyway said about

0:17:07.800 --> 0:17:12.120
<v Speaker 2>my my wife's people. I had a tattoo. I had

0:17:12.119 --> 0:17:14.320
<v Speaker 2>to get gold teeth in my mouth from that punch.

0:17:14.359 --> 0:17:17.480
<v Speaker 2>You know, I had gold teeth. My hair was processed

0:17:17.480 --> 0:17:21.679
<v Speaker 2>be call of the counk. So I looking at him,

0:17:21.680 --> 0:17:23.600
<v Speaker 2>and I can I blame mister Rufe and I want

0:17:23.640 --> 0:17:26.120
<v Speaker 2>me to come around his daughter, you know.

0:17:26.960 --> 0:17:30.040
<v Speaker 1>So how did you convince them that you were okay?

0:17:30.840 --> 0:17:32.720
<v Speaker 2>Because she let him know that she wanted to be

0:17:32.840 --> 0:17:35.560
<v Speaker 2>with me, So you know, I'd go up there and

0:17:35.560 --> 0:17:39.399
<v Speaker 2>sit on the sofa sometime, and I play a piano

0:17:39.440 --> 0:17:42.160
<v Speaker 2>or whatever. When my dad would come home, he used

0:17:42.160 --> 0:17:45.080
<v Speaker 2>to wait for his sister watching her ballroom, so he

0:17:45.119 --> 0:17:48.639
<v Speaker 2>had to spoti five come on arm in the newspaper

0:17:48.640 --> 0:17:51.920
<v Speaker 2>on the other arm, and he come in and said, hey,

0:17:51.960 --> 0:17:56.280
<v Speaker 2>mister Route, and he said, all right, groll and he

0:17:56.480 --> 0:17:58.439
<v Speaker 2>spanks up from being with me. But she, you know,

0:18:00.400 --> 0:18:03.760
<v Speaker 2>I don't know. I guess it was a bad boy

0:18:03.840 --> 0:18:07.320
<v Speaker 2>in me. Whatever she liked, you know, well, we loved

0:18:07.320 --> 0:18:07.680
<v Speaker 2>each other.

0:18:08.960 --> 0:18:11.640
<v Speaker 1>Okay, let's go back a step. Tell us more about

0:18:11.680 --> 0:18:14.040
<v Speaker 1>the dagger tattoo on your face.

0:18:15.240 --> 0:18:19.119
<v Speaker 2>Well, back in the projects at cross right here or

0:18:19.160 --> 0:18:23.080
<v Speaker 2>something or something here, one guy at a scull and cross.

0:18:23.160 --> 0:18:26.480
<v Speaker 2>This is almost a scull and crossbond. I'm glad it wasn't,

0:18:26.480 --> 0:18:30.399
<v Speaker 2>because my daddy would have commit murdered. So with this,

0:18:30.520 --> 0:18:32.879
<v Speaker 2>he made me scrubbed with drill opad and out the

0:18:32.960 --> 0:18:37.600
<v Speaker 2>consult and I look at him not and I have

0:18:37.720 --> 0:18:38.879
<v Speaker 2>no idea why i'd done that.

0:18:41.920 --> 0:18:44.959
<v Speaker 1>Okay, So you're telling me at the time to have

0:18:45.000 --> 0:18:48.280
<v Speaker 1>a face tattoo was not that uncommon where you were living.

0:18:48.720 --> 0:18:49.359
<v Speaker 2>No, it wasn't.

0:18:51.400 --> 0:18:54.720
<v Speaker 1>Okay, And then as you continue to live your life

0:18:56.040 --> 0:18:59.320
<v Speaker 1>to what the greeded people comment about that tattoo word

0:18:59.400 --> 0:19:01.200
<v Speaker 1>judge you on that tattoo.

0:19:02.080 --> 0:19:05.280
<v Speaker 2>Oh, they had all kinds of rumors out Bet. Later

0:19:05.320 --> 0:19:07.919
<v Speaker 2>on they said, oh, that tatoos stopped even going on

0:19:07.920 --> 0:19:10.359
<v Speaker 2>American Bandstand. I never was s gedully going on to

0:19:10.400 --> 0:19:13.399
<v Speaker 2>American bands dance that I was just a rumor and

0:19:13.440 --> 0:19:16.679
<v Speaker 2>when I go on showed they put makeup on him

0:19:16.680 --> 0:19:17.760
<v Speaker 2>to cover it up or whatever. You know.

0:19:19.200 --> 0:19:24.680
<v Speaker 1>You also make the point about the spot above your

0:19:24.760 --> 0:19:28.119
<v Speaker 1>eye that your mother said that the doctor said that

0:19:28.240 --> 0:19:30.879
<v Speaker 1>he could have it removed, but you said, it's like

0:19:30.920 --> 0:19:33.240
<v Speaker 1>one of the greatest She said no, and you said,

0:19:33.280 --> 0:19:36.320
<v Speaker 1>that's one of the best things that's ever you know,

0:19:36.440 --> 0:19:37.040
<v Speaker 1>been about you.

0:19:38.160 --> 0:19:40.679
<v Speaker 2>Yeah, I'm glad she didn't get it taken off. You know.

0:19:40.720 --> 0:19:43.760
<v Speaker 2>It's like it's me And like when the guys used

0:19:43.760 --> 0:19:45.760
<v Speaker 2>to call me in Melvin moble Face, and Melvin he

0:19:45.800 --> 0:19:48.760
<v Speaker 2>thought I didn't they were dissing me. I said, oh yeah,

0:19:48.840 --> 0:19:51.840
<v Speaker 2>mobile Face. You know after that, I used to say

0:19:52.359 --> 0:19:54.280
<v Speaker 2>when I got to be friends. But some of the

0:19:54.320 --> 0:19:59.320
<v Speaker 2>wrestlers bet Bet, the hit Man, Heart, Cactus Jack, h

0:20:00.840 --> 0:20:02.359
<v Speaker 2>a bunch of them. I used to stay if I

0:20:02.400 --> 0:20:05.520
<v Speaker 2>was gonna be in the wrestler that my Monica would

0:20:05.520 --> 0:20:06.400
<v Speaker 2>be mole faith.

0:20:08.600 --> 0:20:11.960
<v Speaker 1>But little kids or you know, can be really mean.

0:20:12.280 --> 0:20:14.480
<v Speaker 1>When you were a little kid, did people bother you

0:20:14.560 --> 0:20:15.600
<v Speaker 1>about the mool.

0:20:16.080 --> 0:20:19.680
<v Speaker 2>No, not really No. I think it was something God

0:20:19.800 --> 0:20:22.119
<v Speaker 2>put there for a reason. You know. It was like

0:20:22.200 --> 0:20:26.520
<v Speaker 2>a beacon, you know, is the respect.

0:20:34.280 --> 0:20:37.440
<v Speaker 1>Okay, So you're growing up, you're growing in the projects.

0:20:38.200 --> 0:20:41.840
<v Speaker 1>Did you feel what was the vibe in the world

0:20:41.920 --> 0:20:44.399
<v Speaker 1>you were living in that you could break out and

0:20:44.440 --> 0:20:47.920
<v Speaker 1>become rich and famous? Or it was about everyday life

0:20:47.960 --> 0:20:49.640
<v Speaker 1>and just be happy where you are.

0:20:50.359 --> 0:20:52.040
<v Speaker 2>Every day life, be happy like you. Oh, I know

0:20:52.119 --> 0:20:55.119
<v Speaker 2>nothing about no riches than anything like that. Then they

0:20:55.119 --> 0:20:58.040
<v Speaker 2>didn't cross my mind back in the project. Oh I

0:20:58.080 --> 0:21:00.119
<v Speaker 2>was rich if I had a fact full of marbles,

0:21:00.520 --> 0:21:04.399
<v Speaker 2>you know, and some candidate. I'm cool because like one

0:21:04.440 --> 0:21:08.520
<v Speaker 2>of my first jobs at Saint Monica's Catholic School was

0:21:08.520 --> 0:21:12.960
<v Speaker 2>cleaning the boys in the girl's bathroom and not keeping

0:21:13.040 --> 0:21:15.399
<v Speaker 2>it with enough money to buy marbles and candid.

0:21:17.440 --> 0:21:21.359
<v Speaker 1>Ultimately, Joe Well gets pregnant, you get married, you drop

0:21:21.400 --> 0:21:23.080
<v Speaker 1>out of school. Tell me about that.

0:21:24.280 --> 0:21:29.240
<v Speaker 2>Yeah, Well, we had went to the this movie. She

0:21:29.440 --> 0:21:36.680
<v Speaker 2>told her mama was going to the movie, and uh,

0:21:37.080 --> 0:21:40.920
<v Speaker 2>and people always bragging about how many girls didn't had

0:21:40.920 --> 0:21:43.040
<v Speaker 2>and all that. Joy was the first girl I ever went,

0:21:43.119 --> 0:21:47.720
<v Speaker 2>you know. But she told her mama was going to

0:21:47.720 --> 0:21:52.960
<v Speaker 2>see a movie called Vera Cruz. And she got pregnant

0:21:52.960 --> 0:21:55.520
<v Speaker 2>then and we went back in the Mama said, well,

0:21:55.520 --> 0:21:58.520
<v Speaker 2>what the movie was about? He said, oh, very was cruising.

0:22:00.280 --> 0:22:04.320
<v Speaker 2>Mom looked at a relations crazy but uh. And then

0:22:04.440 --> 0:22:06.879
<v Speaker 2>nine months later, I haven't came up, but they turned it.

0:22:07.160 --> 0:22:08.520
<v Speaker 2>He was there and then they turned him.

0:22:08.440 --> 0:22:14.040
<v Speaker 1>And I, okay, what are her parents say when it

0:22:14.119 --> 0:22:16.000
<v Speaker 1>turns out that Joel is pregnant.

0:22:17.440 --> 0:22:19.119
<v Speaker 2>I don't know, but this it didn't say nothing to me.

0:22:19.200 --> 0:22:21.960
<v Speaker 2>They probably said they wanted to rather beat her. I

0:22:21.960 --> 0:22:25.000
<v Speaker 2>don't know her dad was, you know, because he's a

0:22:25.080 --> 0:22:25.719
<v Speaker 2>rough character.

0:22:25.760 --> 0:22:31.640
<v Speaker 1>But okay, so to what degree are you freaked out?

0:22:31.920 --> 0:22:32.840
<v Speaker 1>You're student teeth.

0:22:33.400 --> 0:22:35.680
<v Speaker 2>I'm not a freaking I love Joe and I wanted

0:22:35.680 --> 0:22:37.200
<v Speaker 2>to marry. I tell my mom I wanted to marry

0:22:37.240 --> 0:22:43.840
<v Speaker 2>because he got married on January the tenth, and the

0:22:43.880 --> 0:22:46.159
<v Speaker 2>ship my mom assigned for me, I didn't make eighteen

0:22:46.320 --> 0:22:49.320
<v Speaker 2>till January twenty fourth. I couldn't wait that long. I

0:22:49.359 --> 0:22:53.480
<v Speaker 2>wanted to, you know, and Joe's parents didn't come to

0:22:53.520 --> 0:22:58.280
<v Speaker 2>the wedding, and my friend Marvin Melvin was in penitentia,

0:22:58.359 --> 0:23:03.120
<v Speaker 2>so Marvin was my best man, and uh, I think

0:23:03.200 --> 0:23:06.320
<v Speaker 2>her friend and the army was up, made a made

0:23:06.320 --> 0:23:08.880
<v Speaker 2>a minor whatever, and my parents were.

0:23:08.800 --> 0:23:12.959
<v Speaker 1>At And that's when you dropped out of high school.

0:23:14.880 --> 0:23:16.960
<v Speaker 1>And so how did you provide for the family.

0:23:17.960 --> 0:23:22.399
<v Speaker 2>Well, I was working night it jobs like uh at

0:23:22.440 --> 0:23:27.280
<v Speaker 2>one time, helping to build pre prefabricated houses. Uh. Me

0:23:27.320 --> 0:23:31.360
<v Speaker 2>and my friend Varne and we started painting together, and

0:23:31.480 --> 0:23:34.399
<v Speaker 2>uh later on I started working on the riverfront. But

0:23:35.000 --> 0:23:40.200
<v Speaker 2>that was about later on, unloading cargo ships on the ducks.

0:23:41.440 --> 0:23:47.520
<v Speaker 1>Okay, so Aaron is born, you get arrested, and the

0:23:47.560 --> 0:23:51.800
<v Speaker 1>family changes his name to Ivan, right, tell us about

0:23:51.800 --> 0:23:52.720
<v Speaker 1>getting arrested.

0:23:55.400 --> 0:24:01.879
<v Speaker 2>Well, me and Marvin stagged league little Red and and

0:24:02.960 --> 0:24:06.720
<v Speaker 2>Charles and a guy named Robert who was planning on

0:24:06.800 --> 0:24:09.119
<v Speaker 2>going to this picnic that Joe's school was giving up

0:24:10.119 --> 0:24:15.000
<v Speaker 2>and beat the spring Louisiana and uh so me and

0:24:15.040 --> 0:24:17.000
<v Speaker 2>Marvin said we're gonna get a call to go out there,

0:24:17.119 --> 0:24:20.200
<v Speaker 2>and Robert Blason, I'm gonna help my daddy called and

0:24:20.480 --> 0:24:22.840
<v Speaker 2>so sure enough he came up and had his daddy's car,

0:24:23.080 --> 0:24:25.840
<v Speaker 2>as we thought anyway, but me and Marvin had got

0:24:25.880 --> 0:24:29.200
<v Speaker 2>one that night before and stashed it. So we all

0:24:29.280 --> 0:24:32.080
<v Speaker 2>run up to the picnic and the whole while he's saying, oh,

0:24:32.119 --> 0:24:35.280
<v Speaker 2>I'm gonna call after calling a A motors. Something happened

0:24:35.440 --> 0:24:37.520
<v Speaker 2>be wrong my daddy call. He's gonna be mad because

0:24:37.520 --> 0:24:39.000
<v Speaker 2>I was supposed to go and look for a job

0:24:39.119 --> 0:24:41.639
<v Speaker 2>and blah blah. He's putting it in our heads, you know.

0:24:42.320 --> 0:24:45.480
<v Speaker 2>So meanwhile, something happened to the car, and me and

0:24:45.520 --> 0:24:48.879
<v Speaker 2>Marvin have got in the ford and uh drove to

0:24:49.440 --> 0:24:51.239
<v Speaker 2>driving to the fellow station and see if and get

0:24:51.280 --> 0:24:56.000
<v Speaker 2>something to fix the chiproleet. And while we driving, some

0:24:56.480 --> 0:25:00.040
<v Speaker 2>friends about passing the car, and Marma said catching, and

0:25:00.119 --> 0:25:03.040
<v Speaker 2>I stepped on the gas and all of a sudden

0:25:03.040 --> 0:25:05.159
<v Speaker 2>I looked up there and stopped that intersection and I

0:25:05.240 --> 0:25:08.720
<v Speaker 2>hit break the brakes forward, I said, break the stuff,

0:25:08.720 --> 0:25:10.600
<v Speaker 2>and we hit him and knock him by half a block.

0:25:11.320 --> 0:25:13.800
<v Speaker 2>Then we told him said, look, uh, don't call the police.

0:25:13.800 --> 0:25:16.240
<v Speaker 2>Were straighten up. We'll straighten up and we get back in.

0:25:16.720 --> 0:25:19.760
<v Speaker 2>We could straighten up and anything, you know. So anyway,

0:25:20.040 --> 0:25:22.240
<v Speaker 2>we made our story. We won't in the food was

0:25:22.280 --> 0:25:26.000
<v Speaker 2>in the shiverlet and we walked down the highway and

0:25:26.080 --> 0:25:28.320
<v Speaker 2>hit him. The police said, was all in that foot. No,

0:25:28.520 --> 0:25:31.399
<v Speaker 2>we went in and Shivelet come to see by getting

0:25:31.400 --> 0:25:34.440
<v Speaker 2>something to fix it. They left. They come back then,

0:25:34.600 --> 0:25:37.040
<v Speaker 2>the two of them in the covered shotgun tot y'all

0:25:37.080 --> 0:25:39.480
<v Speaker 2>say you're one in that damn car. Now we want

0:25:39.560 --> 0:25:42.119
<v Speaker 2>to carkis to in this card. It brought us in

0:25:42.160 --> 0:25:46.560
<v Speaker 2>the car, brought us a little jail house and uh

0:25:47.040 --> 0:25:49.119
<v Speaker 2>so we still to our store. We want in the

0:25:49.160 --> 0:25:53.480
<v Speaker 2>fobs and shiverlet police come here. You the driver. Driver,

0:25:53.600 --> 0:25:57.000
<v Speaker 2>I'm I don't even have no driver less, he said,

0:25:57.000 --> 0:25:59.920
<v Speaker 2>come out of there. I'm sitting in the car and

0:26:00.119 --> 0:26:02.200
<v Speaker 2>the front seat he hit, hitting a little slapjack in

0:26:02.240 --> 0:26:05.080
<v Speaker 2>his hand like that. And now I reme much you

0:26:05.160 --> 0:26:06.760
<v Speaker 2>going on tell me the truth? I said, I didn't

0:26:06.760 --> 0:26:09.240
<v Speaker 2>tell you the truth of it. And here on the radio,

0:26:09.320 --> 0:26:13.080
<v Speaker 2>come on the Ford Bostos and solah blah blah, and

0:26:13.080 --> 0:26:14.960
<v Speaker 2>the chepher that said, no, did you note that's Robert

0:26:16.040 --> 0:26:18.000
<v Speaker 2>he's knowing no robber Blue did it? Cause I said,

0:26:18.040 --> 0:26:21.080
<v Speaker 2>I told you, And suppose of them damn call us out.

0:26:21.760 --> 0:26:24.440
<v Speaker 2>So that's how that went.

0:26:24.280 --> 0:26:27.920
<v Speaker 1>Down, And how long Were you in jail that time?

0:26:28.800 --> 0:26:29.679
<v Speaker 2>Six months?

0:26:30.640 --> 0:26:34.240
<v Speaker 1>So now you talk about the state prison in Gola,

0:26:34.520 --> 0:26:38.160
<v Speaker 1>it's being pretty rough. Were you in Angola at that point?

0:26:38.560 --> 0:26:40.639
<v Speaker 2>No, I was in the New Orleans Spanish prison, and

0:26:40.920 --> 0:26:42.560
<v Speaker 2>I looked like I was trying to get the Angola,

0:26:42.600 --> 0:26:46.320
<v Speaker 2>but I never made it. My brother Charles did almost

0:26:46.400 --> 0:26:51.760
<v Speaker 2>four years in Angola for two marijuana cigarettes. So, uh,

0:26:53.520 --> 0:26:55.280
<v Speaker 2>the guy I did say, I'd be glad to start

0:26:55.280 --> 0:26:57.399
<v Speaker 2>giving you all ten years of stealing the people. Cause

0:26:59.119 --> 0:27:01.040
<v Speaker 2>so no, I went past prison.

0:27:01.520 --> 0:27:03.479
<v Speaker 1>Okay, So what was it like being in prison?

0:27:04.320 --> 0:27:06.640
<v Speaker 2>It was It was kind of fun. Really. The first

0:27:06.720 --> 0:27:09.399
<v Speaker 2>night I was in there, I had a dream that

0:27:09.480 --> 0:27:11.919
<v Speaker 2>I had broke out and I was having fun all

0:27:11.960 --> 0:27:14.679
<v Speaker 2>around the Orleans and all of a sudden I had

0:27:14.680 --> 0:27:16.600
<v Speaker 2>to get back in or something bad is gonna happen,

0:27:16.640 --> 0:27:18.840
<v Speaker 2>and I'm trying every kind of way at them. I

0:27:18.840 --> 0:27:20.880
<v Speaker 2>couldn't get back in. On open my eyes and saw

0:27:20.920 --> 0:27:26.919
<v Speaker 2>the balls. I said, that was crazy. I mean, you know,

0:27:27.000 --> 0:27:30.560
<v Speaker 2>had had some assholes, and then some time that did

0:27:30.600 --> 0:27:33.720
<v Speaker 2>be fighting over stuff like looking at the television at

0:27:33.760 --> 0:27:37.840
<v Speaker 2>the Mickey Mouse Club. Uh, and and that show us

0:27:37.880 --> 0:27:40.399
<v Speaker 2>my girl I was here before you. That's getting a

0:27:40.400 --> 0:27:42.000
<v Speaker 2>fight about and that when they sell.

0:27:41.840 --> 0:27:49.240
<v Speaker 1>It, so we hear you know all about prisons with

0:27:49.480 --> 0:27:53.400
<v Speaker 1>fights and gangs and arguing over stuff. Was that your experience?

0:27:53.920 --> 0:27:56.320
<v Speaker 2>No, that wasn't all. That wasn't like that all they had,

0:27:56.440 --> 0:27:58.440
<v Speaker 2>you know, some of the tears was like stupid dead

0:27:59.200 --> 0:28:01.800
<v Speaker 2>one tail called X. And then at one time they

0:28:01.840 --> 0:28:04.479
<v Speaker 2>was calling it the house a shop because they had

0:28:04.480 --> 0:28:07.880
<v Speaker 2>this guy in the urban Stell the stand and Crabby.

0:28:08.920 --> 0:28:10.920
<v Speaker 2>There were two assholes. I mean they would they would

0:28:10.920 --> 0:28:16.080
<v Speaker 2>be down there beating up dudes and they wound up

0:28:16.080 --> 0:28:21.720
<v Speaker 2>going to penitentia doing the same ship. And uh I

0:28:21.800 --> 0:28:25.560
<v Speaker 2>when I first went in, I got a reds of

0:28:25.600 --> 0:28:30.760
<v Speaker 2>blad and I melted it down in a toothbrush to

0:28:30.880 --> 0:28:33.600
<v Speaker 2>make a shame, which I never had to use. I'm glad.

0:28:34.880 --> 0:28:39.480
<v Speaker 2>And we did a lot of singing. You know, everybody

0:28:39.680 --> 0:28:41.320
<v Speaker 2>go to jail, they think they can sing. So you

0:28:41.360 --> 0:28:45.080
<v Speaker 2>know they saw singing spirituals that they get the holy

0:28:45.200 --> 0:28:47.560
<v Speaker 2>goes to ooh Lord here mercy.

0:28:49.960 --> 0:28:52.440
<v Speaker 1>Okay, what does Joel say when you get arrested?

0:28:53.520 --> 0:28:55.880
<v Speaker 2>Well, Christian say, I mean I'm going to jail.

0:28:55.960 --> 0:28:56.120
<v Speaker 1>You know.

0:28:56.600 --> 0:28:59.520
<v Speaker 2>That's when they changed I have a name to from

0:29:00.120 --> 0:29:03.000
<v Speaker 2>into having and it.

0:29:03.200 --> 0:29:04.800
<v Speaker 1>You know, you make a big point about that in

0:29:04.880 --> 0:29:06.400
<v Speaker 1>the book. Are you still pissed about it?

0:29:07.560 --> 0:29:11.840
<v Speaker 2>No? No, I mean no, I got my understanding is

0:29:11.880 --> 0:29:13.440
<v Speaker 2>way better than it was back then, you know.

0:29:15.280 --> 0:29:18.040
<v Speaker 1>Okay. Another thing which you referenced in your story with

0:29:18.120 --> 0:29:21.040
<v Speaker 1>a Ford and Chevrolet, is it you guys were stealing

0:29:21.200 --> 0:29:22.800
<v Speaker 1>cars on a regular basis.

0:29:23.600 --> 0:29:26.280
<v Speaker 2>Well, I don't know. It made it so easy. All

0:29:26.320 --> 0:29:29.640
<v Speaker 2>you needed was sel a papery to stigarette, pack, ball

0:29:29.680 --> 0:29:32.160
<v Speaker 2>it up and put it behind the next ignition on

0:29:32.240 --> 0:29:33.840
<v Speaker 2>the three schools and put it in a loose in

0:29:33.920 --> 0:29:37.800
<v Speaker 2>the study. I mean, you know, hey, who did something

0:29:37.840 --> 0:29:40.880
<v Speaker 2>like that? So?

0:29:42.040 --> 0:29:45.000
<v Speaker 1>Would you steal a car because you had to get somewhere?

0:29:45.080 --> 0:29:47.040
<v Speaker 1>Or did you steal a car because like there's nothing

0:29:47.080 --> 0:29:48.800
<v Speaker 1>better to do, let's go joy riding.

0:29:48.880 --> 0:29:52.680
<v Speaker 2>This jar riding? You know, that's it? And uh, one

0:29:52.760 --> 0:29:54.840
<v Speaker 2>time me and Melvine he kept one for about a month.

0:29:54.920 --> 0:29:58.960
<v Speaker 2>They had a red Uh, but it was fifty one

0:29:59.440 --> 0:30:04.680
<v Speaker 2>convertible Plymouth. We kept it for about a month. It

0:30:04.840 --> 0:30:07.440
<v Speaker 2>was stash it and be washing it like it was ours.

0:30:08.520 --> 0:30:09.080
<v Speaker 2>That's crazy.

0:30:10.240 --> 0:30:12.440
<v Speaker 1>Weren't you worried that someone was gonna be looking for

0:30:12.560 --> 0:30:12.920
<v Speaker 1>the car?

0:30:14.280 --> 0:30:16.120
<v Speaker 2>Well, you know, somebody's gonna be looking for it. And

0:30:16.160 --> 0:30:19.320
<v Speaker 2>then you know the one time me and Melvin riding

0:30:19.560 --> 0:30:22.080
<v Speaker 2>and the police pull up on the side and look

0:30:22.120 --> 0:30:24.560
<v Speaker 2>in the car and didn't see no key. That right,

0:30:24.640 --> 0:30:25.080
<v Speaker 2>pull over.

0:30:28.360 --> 0:30:29.880
<v Speaker 1>Now you make a point in the book that you're

0:30:29.920 --> 0:30:32.760
<v Speaker 1>constantly returning the cars in perfect shape.

0:30:33.400 --> 0:30:35.320
<v Speaker 2>But let's say that must have cracked.

0:30:35.400 --> 0:30:37.000
<v Speaker 1>You must have cracked up a few.

0:30:37.920 --> 0:30:40.360
<v Speaker 2>Another, but just cracked that one up coming from the picnic.

0:30:40.560 --> 0:30:43.320
<v Speaker 2>You know, Other than that, we bucked them close to

0:30:43.360 --> 0:30:44.239
<v Speaker 2>the where it took them.

0:30:45.720 --> 0:30:47.280
<v Speaker 1>And when did you get your first car?

0:30:48.480 --> 0:30:52.000
<v Speaker 2>By nineteen seventy eight? It was the last of the

0:30:52.040 --> 0:30:57.680
<v Speaker 2>big thunderbirds. It was like my pride and joy. It

0:30:57.800 --> 0:30:58.800
<v Speaker 2>was silver and red.

0:31:01.360 --> 0:31:02.720
<v Speaker 1>And how long did you have that car?

0:31:04.880 --> 0:31:12.280
<v Speaker 2>A few years until because that was seventy eight, probably

0:31:12.360 --> 0:31:15.240
<v Speaker 2>tell about uh eighty maen.

0:31:17.080 --> 0:31:21.600
<v Speaker 1>Okay, So at this point in time, you're married, you

0:31:21.640 --> 0:31:25.959
<v Speaker 1>get out of jail, you have a kid. What are

0:31:26.000 --> 0:31:27.080
<v Speaker 1>you doing for work? Then?

0:31:28.160 --> 0:31:31.200
<v Speaker 2>I had to work on the docks on I worked

0:31:31.440 --> 0:31:39.080
<v Speaker 2>grand boats. I had coffee boats, what else, rubber, cotton,

0:31:39.920 --> 0:31:43.320
<v Speaker 2>you name it all. I'm down the river. It never

0:31:43.480 --> 0:31:45.800
<v Speaker 2>was in the same spozzy, you know. That's that made

0:31:45.800 --> 0:31:48.200
<v Speaker 2>it so cool and they paid good.

0:31:49.280 --> 0:31:52.400
<v Speaker 1>But that's backbreaking work. That's really hard work.

0:31:53.440 --> 0:31:55.280
<v Speaker 2>Thing about it, I said, if another man can do it,

0:31:55.280 --> 0:31:57.680
<v Speaker 2>I can't do it. But that fact a how I

0:31:57.800 --> 0:32:01.440
<v Speaker 2>messed my backup back then, because you know, we want

0:32:01.600 --> 0:32:04.120
<v Speaker 2>I didn't know know about using your legs and all that.

0:32:04.480 --> 0:32:07.640
<v Speaker 2>We just bent over and manhouding, which is actually man

0:32:07.680 --> 0:32:11.640
<v Speaker 2>holding us. So but because the older guys they had

0:32:11.840 --> 0:32:14.760
<v Speaker 2>a niche to but it didn't make the thing. They

0:32:15.000 --> 0:32:18.320
<v Speaker 2>had one initial lift and the rest of the time

0:32:18.360 --> 0:32:21.040
<v Speaker 2>it's gotten, just gotten it, you know. And they made

0:32:21.040 --> 0:32:24.600
<v Speaker 2>it easy and we caught on later on, But before

0:32:24.680 --> 0:32:25.760
<v Speaker 2>that was breaking our back.

0:32:26.920 --> 0:32:29.640
<v Speaker 1>But you go on that you have had back problems

0:32:29.680 --> 0:32:30.560
<v Speaker 1>as a result of that.

0:32:31.600 --> 0:32:34.840
<v Speaker 2>Probably that and other I don't know what else, but

0:32:34.960 --> 0:32:38.000
<v Speaker 2>I'm not I never used my legs to bend over

0:32:38.040 --> 0:32:42.120
<v Speaker 2>and pick up heavy you know, coffee sacks and the

0:32:42.200 --> 0:32:46.400
<v Speaker 2>earl drums, turning them and and they had this hook

0:32:46.680 --> 0:32:50.160
<v Speaker 2>and the club on one hand, and one time I

0:32:50.240 --> 0:32:54.800
<v Speaker 2>took the hook all them right through my wrists. Yeah,

0:32:54.840 --> 0:32:56.760
<v Speaker 2>it was you're.

0:32:56.720 --> 0:33:01.760
<v Speaker 1>Thankful And to what where are you singing at this point?

0:33:02.600 --> 0:33:05.600
<v Speaker 2>Well, since you said that, I'd be down in the

0:33:05.640 --> 0:33:09.040
<v Speaker 2>ship old singing, and the guy said, man, you think

0:33:09.040 --> 0:33:10.600
<v Speaker 2>gonna have been just being in the ship, oh you know,

0:33:10.720 --> 0:33:13.640
<v Speaker 2>to be on TV even uh this or that, you know?

0:33:14.800 --> 0:33:17.040
<v Speaker 2>And I said, no, man, I got a family see it,

0:33:17.120 --> 0:33:19.360
<v Speaker 2>and I'm gonna be down in the ship. Will one

0:33:19.440 --> 0:33:22.040
<v Speaker 2>day I'll get out, you know.

0:33:22.720 --> 0:33:27.520
<v Speaker 1>And how do you ultimately make records back then? Yeah?

0:33:28.360 --> 0:33:29.280
<v Speaker 2>How did you get your deal?

0:33:29.320 --> 0:33:31.840
<v Speaker 1>You ultimately do? Tell it like it is? How much

0:33:31.880 --> 0:33:32.800
<v Speaker 1>recording enough.

0:33:34.520 --> 0:33:34.720
<v Speaker 2>It is?

0:33:35.520 --> 0:33:36.960
<v Speaker 1>Tell me, like to tell me the story.

0:33:37.280 --> 0:33:40.960
<v Speaker 2>When I got out of jail in nineteen sixty, that's

0:33:40.960 --> 0:33:45.200
<v Speaker 2>when Lara Williams came down and another distract named Lara McKinley,

0:33:46.320 --> 0:33:48.920
<v Speaker 2>and they hooked me up with many records with Alan

0:33:49.000 --> 0:33:54.760
<v Speaker 2>Tuccent and I got to recall my first record, alln

0:33:54.800 --> 0:33:57.040
<v Speaker 2>Tu Cent Rover Uncle over You. I wrote running the

0:33:57.200 --> 0:34:01.400
<v Speaker 2>in the Paris prisonal call every day about knowing I'm

0:34:01.480 --> 0:34:04.280
<v Speaker 2>dreaming of the dead, that I'll be home soon. Every

0:34:04.360 --> 0:34:06.480
<v Speaker 2>day long about three I'm dreaming of the dead. I'll

0:34:06.560 --> 0:34:09.759
<v Speaker 2>be free. You know. That was my first record, and

0:34:09.880 --> 0:34:11.680
<v Speaker 2>that's when I went on the road with Lead Williams.

0:34:13.640 --> 0:34:17.560
<v Speaker 1>Okay, you make the point that even though that was

0:34:17.640 --> 0:34:20.719
<v Speaker 1>a gigantic kid, you got almost no money.

0:34:21.760 --> 0:34:25.360
<v Speaker 2>No money. Well, I mean the first one they was

0:34:25.440 --> 0:34:28.919
<v Speaker 2>telling me that, uh, you know, go get the bat

0:34:28.920 --> 0:34:30.560
<v Speaker 2>and rude or something like that. You know, it's that

0:34:30.719 --> 0:34:34.080
<v Speaker 2>fine over you. Was on the Charice on the R

0:34:34.120 --> 0:34:36.680
<v Speaker 2>and beach charts. Anyway, it might have been on the

0:34:36.719 --> 0:34:39.719
<v Speaker 2>regular shot our remembers, but a while back. But uh,

0:34:40.920 --> 0:34:44.000
<v Speaker 2>I went on the road, and I remember Rachelle was

0:34:44.040 --> 0:34:45.759
<v Speaker 2>telling me he'd be able dubb that song over you.

0:34:48.440 --> 0:34:51.080
<v Speaker 1>So let's just go back before you're on the road

0:34:51.840 --> 0:34:55.320
<v Speaker 1>to what degree is racism or problem? And we're in

0:34:55.640 --> 0:34:57.080
<v Speaker 1>New Orleans when you're growing up.

0:34:57.560 --> 0:35:02.120
<v Speaker 2>But what racism, Well, I mean, you know, think about

0:35:02.120 --> 0:35:05.279
<v Speaker 2>it relected to bothers. It was a place where you know,

0:35:05.480 --> 0:35:07.560
<v Speaker 2>you could go on places you know you wasn't supposed

0:35:07.600 --> 0:35:13.040
<v Speaker 2>to go, you know, but uh we went sometimes vented

0:35:13.120 --> 0:35:16.120
<v Speaker 2>in the place we weren't supposed to go. And uh

0:35:18.960 --> 0:35:24.200
<v Speaker 2>like like to say, uh, sometimes you go in the

0:35:24.280 --> 0:35:28.879
<v Speaker 2>grocery store and buying something and you get a personal money,

0:35:29.280 --> 0:35:32.239
<v Speaker 2>they throw your chains back at you or something like that,

0:35:32.400 --> 0:35:35.680
<v Speaker 2>and you know, and like in the project, I didn't

0:35:35.840 --> 0:35:39.640
<v Speaker 2>know anything about no racism. You know, there's only white

0:35:39.680 --> 0:35:41.840
<v Speaker 2>people I saw. Really was the priests and the nuns

0:35:42.440 --> 0:35:46.239
<v Speaker 2>at the school or the grocery man would have you know.

0:35:47.360 --> 0:35:49.680
<v Speaker 2>And most of the guys around the project they were cool.

0:35:50.760 --> 0:35:54.640
<v Speaker 2>But you know, you on Balance after they moved on

0:35:54.760 --> 0:35:59.040
<v Speaker 2>Balance Street there Lebruso's grocery. This guy, he was nice.

0:35:59.840 --> 0:36:02.520
<v Speaker 2>The majority of them, they they didn't want to touch

0:36:02.560 --> 0:36:04.040
<v Speaker 2>your hand and ship like that. You know.

0:36:04.120 --> 0:36:10.640
<v Speaker 1>And but you you talk about the police stopping you

0:36:10.760 --> 0:36:12.960
<v Speaker 1>for no good reason and putting you in jail for

0:36:13.080 --> 0:36:14.040
<v Speaker 1>seventy two hours.

0:36:14.680 --> 0:36:16.399
<v Speaker 2>Yeah, well that was the thing, that a thing called

0:36:16.480 --> 0:36:22.000
<v Speaker 2>pendent investigation. So me and my bothers be you know,

0:36:22.160 --> 0:36:24.040
<v Speaker 2>just hanging it. One time the police jumps out and

0:36:24.320 --> 0:36:28.319
<v Speaker 2>my mama's step His name was Turtle, and uh, he said,

0:36:28.320 --> 0:36:30.279
<v Speaker 2>aarone coming in the car, he said, man, when I'm

0:36:30.320 --> 0:36:33.080
<v Speaker 2>going to jailer he said, oh, well, thank you something

0:36:33.120 --> 0:36:35.360
<v Speaker 2>by the time we get to the priest, you know,

0:36:35.440 --> 0:36:42.680
<v Speaker 2>stuff like that. And uh. They had one night in

0:36:42.760 --> 0:36:46.879
<v Speaker 2>the alley between two ballrooms, me and my brother Cyril

0:36:46.960 --> 0:36:48.680
<v Speaker 2>and a guy named Jake who I made the song

0:36:48.800 --> 0:36:53.360
<v Speaker 2>Brother Jake about. His name was Alfred Rudolph. The police

0:36:53.400 --> 0:36:55.800
<v Speaker 2>had come there, told I'm just standing in front of

0:36:55.800 --> 0:36:58.719
<v Speaker 2>the front of the bar and so I said, man,

0:36:58.960 --> 0:37:00.759
<v Speaker 2>I'm tired of being like a roach. Every time the

0:37:00.840 --> 0:37:04.279
<v Speaker 2>light come on. We gotta run. And so Jake pulled

0:37:04.360 --> 0:37:06.120
<v Speaker 2>up there and I went out to tell them to

0:37:06.160 --> 0:37:08.480
<v Speaker 2>come on the joint. And the police must have just

0:37:08.680 --> 0:37:10.759
<v Speaker 2>popped around the corner to come foop right around it.

0:37:11.160 --> 0:37:13.080
<v Speaker 2>So me and Jake and Cyril went back in his

0:37:13.160 --> 0:37:17.960
<v Speaker 2>alley and one of them stood by the gate. Let

0:37:18.000 --> 0:37:21.160
<v Speaker 2>me tell you their now, Barroard Marie. Marie stood by

0:37:21.239 --> 0:37:24.840
<v Speaker 2>the by the gate, and Bararard came in and for

0:37:24.960 --> 0:37:27.200
<v Speaker 2>summer reason, he hit Cyril. With Cyril and Jake. They

0:37:27.239 --> 0:37:30.600
<v Speaker 2>were militant, you know, they were like the cyril name

0:37:30.680 --> 0:37:34.560
<v Speaker 2>was Umbuku and uh. He hit her with that big

0:37:34.640 --> 0:37:37.960
<v Speaker 2>long flashlight and I saw a color I had never

0:37:38.040 --> 0:37:41.200
<v Speaker 2>seen before. It was like called the mom and the truth.

0:37:41.239 --> 0:37:44.080
<v Speaker 2>I grabbed this guy's hand and if he's alive today,

0:37:44.120 --> 0:37:47.120
<v Speaker 2>he got my fingerprints in his in his wrists. And

0:37:47.239 --> 0:37:49.200
<v Speaker 2>I looked a him. I could see the man at

0:37:49.239 --> 0:37:52.520
<v Speaker 2>the gate sent playing please note because he saw what

0:37:52.560 --> 0:37:53.919
<v Speaker 2>I was gonna do. I was gonna grab the gun,

0:37:54.440 --> 0:37:56.399
<v Speaker 2>I said, hit my brother back in. He said, you're

0:37:56.400 --> 0:37:59.120
<v Speaker 2>all gonna die in this fucking alley, you know, and

0:37:59.200 --> 0:38:02.560
<v Speaker 2>he was trembling, and and suddenly that god was there.

0:38:02.600 --> 0:38:05.160
<v Speaker 2>Gods didn't know him, going on, go to jail and

0:38:05.239 --> 0:38:07.920
<v Speaker 2>get the ship over you know. So I told a certainly, come,

0:38:08.040 --> 0:38:09.719
<v Speaker 2>let's go down and get out and go to jail,

0:38:10.160 --> 0:38:13.359
<v Speaker 2>go to central locker. They put us in the car,

0:38:14.640 --> 0:38:18.759
<v Speaker 2>brought us to Napoleon and Britannia. There about seven cars

0:38:18.800 --> 0:38:21.200
<v Speaker 2>the police waiting. If I wouldn't have been there, they

0:38:21.280 --> 0:38:25.239
<v Speaker 2>probably killed Jake and Cyril with the man howling and

0:38:25.360 --> 0:38:27.319
<v Speaker 2>pulling him out the car. They took her and get

0:38:27.360 --> 0:38:29.239
<v Speaker 2>out the car. They know who you are and all

0:38:29.280 --> 0:38:32.040
<v Speaker 2>that shit, you know. And so I told something said,

0:38:32.080 --> 0:38:33.800
<v Speaker 2>may be cool, let's go to jail and get the

0:38:33.800 --> 0:38:38.359
<v Speaker 2>ship over with. So we did, and that's when Jake

0:38:38.920 --> 0:38:42.239
<v Speaker 2>we got out. Jake started in the song. I said

0:38:42.239 --> 0:38:45.400
<v Speaker 2>he had to ride the rail because he was started

0:38:45.440 --> 0:38:49.160
<v Speaker 2>hit shiking, I mean, catching freight trains around the country.

0:38:50.400 --> 0:38:53.880
<v Speaker 2>And when all the way around, come over down to Florida,

0:38:54.680 --> 0:38:57.400
<v Speaker 2>come back to New Orleans and went around one of

0:38:57.480 --> 0:39:01.200
<v Speaker 2>the score places, and the dude caught him off golden

0:39:02.480 --> 0:39:04.200
<v Speaker 2>and hit him and knock him down and head hit

0:39:04.239 --> 0:39:09.000
<v Speaker 2>the curve and he died. And uh so, me and

0:39:09.120 --> 0:39:13.000
<v Speaker 2>Cyril we had went to New York. But y'alls and

0:39:13.120 --> 0:39:15.200
<v Speaker 2>we come back. We're in the ballroom here the police

0:39:15.239 --> 0:39:18.160
<v Speaker 2>coming in Sam too. I said, okay, we're gonna get

0:39:18.160 --> 0:39:20.040
<v Speaker 2>this ship over knock. They had a wine out for us,

0:39:20.080 --> 0:39:23.200
<v Speaker 2>you know. So we get in the car and went

0:39:23.239 --> 0:39:28.480
<v Speaker 2>down there and just squashed the ship. But and while

0:39:28.520 --> 0:39:34.439
<v Speaker 2>we're in the car, bro looking at Aaron Nelt, Cyril Net,

0:39:35.320 --> 0:39:38.080
<v Speaker 2>Alfred Rudolph d o a y'all was glad to hear that,

0:39:38.360 --> 0:39:42.839
<v Speaker 2>said say, yeah, you probably had another one that that's

0:39:42.880 --> 0:39:46.040
<v Speaker 2>just still Please cool it, man, Let's go down and

0:39:46.120 --> 0:39:49.600
<v Speaker 2>get this ship over with. And so we did. But

0:39:49.719 --> 0:39:54.640
<v Speaker 2>it was one of them things, you know, like John

0:39:54.680 --> 0:39:58.800
<v Speaker 2>there for seventy two hours, and every time the ship changed,

0:39:59.520 --> 0:40:01.919
<v Speaker 2>they bring the central lock up and pushing in front

0:40:01.920 --> 0:40:06.520
<v Speaker 2>of the lineup. And if you happen to look like somebody,

0:40:06.640 --> 0:40:12.040
<v Speaker 2>you can wind up with a charge on. So, yeah,

0:40:12.080 --> 0:40:14.960
<v Speaker 2>it was that was part of my growing up, you know.

0:40:16.160 --> 0:40:19.120
<v Speaker 1>So the people you grew up with, your friends, how

0:40:19.200 --> 0:40:22.160
<v Speaker 1>many are still alive and how many died before their time?

0:40:24.080 --> 0:40:26.759
<v Speaker 2>Most of them died before the time. Marvin is still here.

0:40:28.560 --> 0:40:33.359
<v Speaker 2>Don Hobbard is still here. Pitt It Pat the one

0:40:33.400 --> 0:40:36.480
<v Speaker 2>I'm talking. He's got cancer up. But I talked to

0:40:36.520 --> 0:40:39.080
<v Speaker 2>him every day to lift his spirits and all. But

0:40:39.200 --> 0:40:44.560
<v Speaker 2>that's about it. You know. Another one just died. He

0:40:44.719 --> 0:40:47.800
<v Speaker 2>wasn't in the game and he's just it's time to

0:40:47.840 --> 0:40:51.000
<v Speaker 2>get out of here, you know. But most of them gone.

0:40:51.040 --> 0:40:52.440
<v Speaker 2>I saw him fall by the wayside.

0:40:59.760 --> 0:41:03.200
<v Speaker 1>So you're in New Orleans. Facts dominoes from New Orleans.

0:41:03.280 --> 0:41:06.759
<v Speaker 1>He's gigantic in the fifties. To what degree were you

0:41:06.880 --> 0:41:10.960
<v Speaker 1>aware of the musicians were successful? And to what degree

0:41:11.000 --> 0:41:13.920
<v Speaker 1>did you come to know them? Doctor John, Allen Tussain

0:41:14.160 --> 0:41:15.440
<v Speaker 1>all these other people.

0:41:16.360 --> 0:41:19.960
<v Speaker 2>Well fast Domina. I thought he was the you know,

0:41:21.840 --> 0:41:26.279
<v Speaker 2>Ris or whatever, and uh, doctor John. He and I

0:41:27.000 --> 0:41:28.640
<v Speaker 2>ran the space together back in the day. Is you

0:41:28.719 --> 0:41:31.000
<v Speaker 2>know the first time I went in the studio. He

0:41:31.160 --> 0:41:36.040
<v Speaker 2>I'm gonna do some background on somebody who's recalling all Onta.

0:41:36.160 --> 0:41:39.600
<v Speaker 2>He recorded all my face stuff on Miny Records from

0:41:39.680 --> 0:41:43.279
<v Speaker 2>nineteen sixty to about sixty full stuff like that.

0:41:45.040 --> 0:41:49.560
<v Speaker 1>Well, Alan and Mac were you know, these are icons

0:41:50.040 --> 0:41:52.040
<v Speaker 1>in America and the rest of the world. Were they

0:41:52.360 --> 0:41:53.400
<v Speaker 1>icons in New Orleans?

0:41:54.040 --> 0:41:55.520
<v Speaker 2>Oh? Yeah, no doubt.

0:41:57.120 --> 0:42:00.680
<v Speaker 1>They spent okay, so Alter, you're on sure with Larry

0:42:00.719 --> 0:42:06.279
<v Speaker 1>Williams based on your head. Eventually you go to Los Angeles.

0:42:06.880 --> 0:42:09.680
<v Speaker 1>You fly there because Larry Williams is gonna help you

0:42:09.800 --> 0:42:13.720
<v Speaker 1>make it. Larry Williams has some success, but he turns

0:42:13.760 --> 0:42:16.720
<v Speaker 1>out to be a crook almost for sport.

0:42:18.480 --> 0:42:21.799
<v Speaker 2>Well he was. When we was on the road, he said,

0:42:21.840 --> 0:42:24.160
<v Speaker 2>I'm fat of being temped out here. That's what we

0:42:24.239 --> 0:42:27.480
<v Speaker 2>call it. See, I'm going on pimp and back to

0:42:27.640 --> 0:42:30.080
<v Speaker 2>LA And he did so. When I got up there,

0:42:30.160 --> 0:42:34.960
<v Speaker 2>he picking that from the airport. He stopped off at

0:42:35.000 --> 0:42:39.560
<v Speaker 2>a one of his little hotels, like told to one

0:42:39.560 --> 0:42:43.080
<v Speaker 2>of his women, and I can hear him up, you know,

0:42:44.200 --> 0:42:46.960
<v Speaker 2>speaking louds of whatever. And I'm sitting in the car

0:42:47.000 --> 0:42:51.480
<v Speaker 2>and the police pull up. Guys said, hey, it was polite.

0:42:52.040 --> 0:42:58.239
<v Speaker 2>Say how he said, who are you? Said, aaron Nevia

0:42:58.280 --> 0:43:00.760
<v Speaker 2>blah blah blah. So what do you to, mister Williams.

0:43:00.760 --> 0:43:03.120
<v Speaker 2>I said, it's gonna be my manager, Your manage it.

0:43:03.200 --> 0:43:06.840
<v Speaker 2>What do you you know you'll stick a man a

0:43:06.920 --> 0:43:10.040
<v Speaker 2>burglar or what a pimp? I said, No, I'm a singer.

0:43:10.800 --> 0:43:12.839
<v Speaker 2>He said, okay, well they call me Red. I move.

0:43:13.040 --> 0:43:15.440
<v Speaker 2>I'm out of Wilsa district. So I see you over there,

0:43:16.960 --> 0:43:18.880
<v Speaker 2>and a few days later I saw red over there.

0:43:18.920 --> 0:43:22.880
<v Speaker 2>He said, told you and that that it was on

0:43:23.080 --> 0:43:26.640
<v Speaker 2>every time we left the the house that get picked

0:43:26.680 --> 0:43:27.839
<v Speaker 2>up half the time.

0:43:29.400 --> 0:43:33.680
<v Speaker 1>Now ultimately you get arrested and join a firefighting crew.

0:43:34.480 --> 0:43:35.160
<v Speaker 1>Tell me about that.

0:43:36.280 --> 0:43:40.080
<v Speaker 2>Well that happened on I had done maybe with three burglars.

0:43:40.200 --> 0:43:44.680
<v Speaker 2>This is the third one. It's on Sunset Boulevard. And

0:43:44.880 --> 0:43:48.000
<v Speaker 2>a guy rant at a step in van with the

0:43:48.080 --> 0:43:53.600
<v Speaker 2>sliding doors, and it was a man's clothing store and

0:43:53.719 --> 0:43:55.600
<v Speaker 2>it was next to a woman's clothing store. The man's

0:43:55.600 --> 0:43:58.759
<v Speaker 2>clothing store at a Burgerlon. So they popped the lock

0:43:58.840 --> 0:44:01.759
<v Speaker 2>on the woman's store, went through the wall had a

0:44:01.880 --> 0:44:06.640
<v Speaker 2>hole this big, but you can walk, walked through the

0:44:06.760 --> 0:44:10.239
<v Speaker 2>arm little suits, so it looked like somebody that saw us.

0:44:10.719 --> 0:44:14.400
<v Speaker 2>And everybody left. It went different spots, and me and

0:44:14.520 --> 0:44:16.960
<v Speaker 2>a guy named Steve set out on this bench on Sunset.

0:44:18.680 --> 0:44:21.960
<v Speaker 2>So he said everything quieter would check out, so he went.

0:44:22.040 --> 0:44:25.120
<v Speaker 2>He stood. I said, must be all right, so I

0:44:25.200 --> 0:44:28.160
<v Speaker 2>went back. As I was coming towards the truck, I

0:44:28.239 --> 0:44:30.640
<v Speaker 2>heard some talking, so I slipped the door open, the

0:44:30.680 --> 0:44:34.680
<v Speaker 2>guy in and slid the door back closed, and I

0:44:34.719 --> 0:44:38.160
<v Speaker 2>could hear him as they getting closed, and guy, Michelle,

0:44:38.719 --> 0:44:42.160
<v Speaker 2>someone's in the place. And I'm high, I had hair

0:44:42.280 --> 0:44:45.600
<v Speaker 2>on and we eating coke, so I had to do

0:44:45.680 --> 0:44:49.880
<v Speaker 2>that to be done that dumb shit. So I'm all

0:44:50.000 --> 0:44:51.920
<v Speaker 2>kind of visions gone through my head. I'm trying to

0:44:51.960 --> 0:44:55.520
<v Speaker 2>pitch it, and the guy out, hey, what are you

0:44:55.560 --> 0:44:57.839
<v Speaker 2>doing that? And I said, man, be clean enough, leave

0:44:57.880 --> 0:45:01.400
<v Speaker 2>us alone. And the lady said, I didn't hire nobody

0:45:01.440 --> 0:45:03.360
<v Speaker 2>to clean up my police, and that shit was so

0:45:03.520 --> 0:45:06.680
<v Speaker 2>funny than me. I was tumble standing back of the

0:45:06.760 --> 0:45:09.000
<v Speaker 2>food in that damn truck, and all of a sudden

0:45:09.000 --> 0:45:11.840
<v Speaker 2>I heard Larry come out and they got in the squabbling,

0:45:11.840 --> 0:45:13.319
<v Speaker 2>and Larry hit to do it and knock him down.

0:45:13.960 --> 0:45:17.560
<v Speaker 2>The woman started screaming. The parking lot felled up. I'm

0:45:17.600 --> 0:45:19.200
<v Speaker 2>trying to get the door open, and it would not

0:45:19.320 --> 0:45:22.400
<v Speaker 2>open nothing. It would not budge until the Sheriff of

0:45:22.480 --> 0:45:25.320
<v Speaker 2>Hollywood and all them that. Then they slid up like

0:45:25.360 --> 0:45:28.560
<v Speaker 2>it was greased. I sat on the running board a

0:45:28.560 --> 0:45:32.120
<v Speaker 2>little cigarette and just waited, you know, And he come

0:45:32.200 --> 0:45:35.760
<v Speaker 2>up and said, what's that. I said, I guess I'm busted,

0:45:36.360 --> 0:45:38.960
<v Speaker 2>you know. But they ran Larry and them all through

0:45:39.000 --> 0:45:42.319
<v Speaker 2>the Hollywood heels and uh put me in the car

0:45:42.320 --> 0:45:44.920
<v Speaker 2>over the hand because behind my back from about that

0:45:45.000 --> 0:45:47.720
<v Speaker 2>was about ten o'clock till about three in the morning

0:45:48.680 --> 0:45:51.960
<v Speaker 2>while they calm in the hills, and right now I

0:45:52.080 --> 0:45:55.520
<v Speaker 2>got to click my thumb to get it right from

0:45:55.600 --> 0:46:03.040
<v Speaker 2>that handcuffed being so tight on my wrists and uh anyway,

0:46:03.760 --> 0:46:05.759
<v Speaker 2>the man asked me who was there. I'd give him

0:46:05.760 --> 0:46:08.719
<v Speaker 2>some phony names. He knew I was lying. He said,

0:46:08.960 --> 0:46:11.279
<v Speaker 2>I'm gonna send you to Saint Quentin. I said, I

0:46:11.360 --> 0:46:15.279
<v Speaker 2>guess that it was Saint Quentin, and uh Larry got

0:46:15.320 --> 0:46:19.200
<v Speaker 2>me out in a bond, got me a lawyer, and

0:46:19.320 --> 0:46:22.120
<v Speaker 2>the lawyer talked to the probation department and all that.

0:46:22.239 --> 0:46:28.799
<v Speaker 2>So uh I went to court sound guilty on two

0:46:28.880 --> 0:46:31.800
<v Speaker 2>cons at second degree burgers and then let me go

0:46:31.920 --> 0:46:35.160
<v Speaker 2>home for about a month to you know, well, come

0:46:35.239 --> 0:46:38.719
<v Speaker 2>back and do my time. So when I come back,

0:46:40.920 --> 0:46:44.480
<v Speaker 2>uh Larry had set it up for me to hang

0:46:44.520 --> 0:46:48.920
<v Speaker 2>out with these two girls then Audie and Kim who

0:46:48.960 --> 0:46:52.439
<v Speaker 2>ill called Chuckling and Vanilla, and uh I was hired.

0:46:52.480 --> 0:46:54.759
<v Speaker 2>I don't know what all happened at that, but they

0:46:54.800 --> 0:46:57.759
<v Speaker 2>were giving me a send off a party, and I

0:46:57.840 --> 0:46:59.560
<v Speaker 2>was trying to get hired, and start could feel them

0:46:59.560 --> 0:47:03.439
<v Speaker 2>and I got the jail. When I got in front

0:47:03.440 --> 0:47:06.920
<v Speaker 2>of the judge. It was supposed to be Judge brand

0:47:06.960 --> 0:47:09.000
<v Speaker 2>who my mom and Joe that wrote letters to and

0:47:09.120 --> 0:47:12.520
<v Speaker 2>all that he was supposed to go light and instead

0:47:12.680 --> 0:47:15.920
<v Speaker 2>Judge Brandt was on vacation and Start as I was

0:47:15.960 --> 0:47:20.000
<v Speaker 2>in there giving out time like it was free ice

0:47:20.080 --> 0:47:22.800
<v Speaker 2>water or something five to lfe, ten to twenty, you know,

0:47:22.800 --> 0:47:25.759
<v Speaker 2>all that kind of and I'm thinking about running and

0:47:25.880 --> 0:47:27.960
<v Speaker 2>I kept saying, no, it's run. You ain't gonna be

0:47:28.080 --> 0:47:32.320
<v Speaker 2>the same. So you got to take you issue. So

0:47:32.440 --> 0:47:35.040
<v Speaker 2>I stood in front of judge. I felt like I

0:47:35.080 --> 0:47:39.760
<v Speaker 2>was about two feet tall, and he said, Aaron Never's

0:47:39.800 --> 0:47:42.920
<v Speaker 2>found guilty of two counts to second green burglar. I

0:47:43.040 --> 0:47:45.319
<v Speaker 2>finally sent you with the love prescribe. He been saying

0:47:45.360 --> 0:47:50.239
<v Speaker 2>that to everybody. You know, my heart just sunk. He said,

0:47:50.400 --> 0:47:54.399
<v Speaker 2>one of fourteen years of Saint Quentin. And he said

0:47:54.440 --> 0:47:56.600
<v Speaker 2>but when he said but, I was holding on to

0:47:56.680 --> 0:48:00.880
<v Speaker 2>a piece of kite through it. But what he starts

0:48:00.880 --> 0:48:02.520
<v Speaker 2>to spend that time to put you on a three

0:48:02.560 --> 0:48:05.880
<v Speaker 2>year provision, providing you do the first year for the County.

0:48:07.360 --> 0:48:12.040
<v Speaker 2>Thank you Johanna, thank you Saint Jude, you know. And

0:48:12.239 --> 0:48:17.279
<v Speaker 2>uh so that was cool, you know. And I got

0:48:17.360 --> 0:48:20.840
<v Speaker 2>that to the central I mean not central lot to

0:48:21.640 --> 0:48:25.239
<v Speaker 2>Elie County and they had my hand because of this

0:48:25.560 --> 0:48:29.560
<v Speaker 2>black dude from Kelp from Texas. Told lanky dude to

0:48:29.880 --> 0:48:32.600
<v Speaker 2>walk around like he's the baddest line in the jungle.

0:48:32.680 --> 0:48:36.480
<v Speaker 2>You know, everybody come get out of my say, man,

0:48:36.520 --> 0:48:39.280
<v Speaker 2>you better freeze that ship man. And then we're walking

0:48:39.320 --> 0:48:43.080
<v Speaker 2>through the to the Ellie conneck. They got about ten

0:48:43.320 --> 0:48:49.840
<v Speaker 2>guys together and some dude and them, so take that

0:48:50.040 --> 0:48:52.640
<v Speaker 2>fucking hat off and the whole god, I didn't even

0:48:52.640 --> 0:48:54.239
<v Speaker 2>have no hell say tell your mama to take I

0:48:54.320 --> 0:48:59.399
<v Speaker 2>had a sucker and you know, I'm ready for whatever.

0:48:59.760 --> 0:49:02.759
<v Speaker 2>So the first thing the man say, well do you

0:49:02.840 --> 0:49:06.400
<v Speaker 2>want to do your time inside outside? That's a no brainer, man,

0:49:06.400 --> 0:49:10.080
<v Speaker 2>I'm want too much time outside. Okay. So I went

0:49:10.120 --> 0:49:13.759
<v Speaker 2>to the wayside on the Rancho close to Pasadena up

0:49:13.800 --> 0:49:20.520
<v Speaker 2>in the and what the mouth there was anyway, they

0:49:20.560 --> 0:49:24.080
<v Speaker 2>had a forest forest fire camp with a T shirt

0:49:24.200 --> 0:49:27.000
<v Speaker 2>to fight forest fires, and the place was like a

0:49:27.040 --> 0:49:30.279
<v Speaker 2>little town. It had like, uh fit the barracks on

0:49:30.400 --> 0:49:35.000
<v Speaker 2>one side, fit the on my side with yeah library

0:49:35.200 --> 0:49:38.880
<v Speaker 2>or uh where you eat and everything in the middle

0:49:39.719 --> 0:49:42.120
<v Speaker 2>and on the end there where you trained for the

0:49:42.200 --> 0:49:45.440
<v Speaker 2>forest fires. And I try to suck up everything and

0:49:45.480 --> 0:49:48.760
<v Speaker 2>try to learn it to the utmost so i'd be safe.

0:49:50.080 --> 0:49:53.040
<v Speaker 2>And this guy, Robert, he walking down the walk with

0:49:53.920 --> 0:49:56.160
<v Speaker 2>get out of my way, and he messed with a

0:49:56.200 --> 0:49:59.160
<v Speaker 2>couple doing had him hand up against the building and ship.

0:50:00.040 --> 0:50:03.280
<v Speaker 2>It didn't detern though, until we got to Camp eighteen,

0:50:03.400 --> 0:50:08.920
<v Speaker 2>which was we locked up and got officers barracks when

0:50:09.280 --> 0:50:12.879
<v Speaker 2>bricks and had the state of the old gym, cafeteria

0:50:12.920 --> 0:50:16.760
<v Speaker 2>and everything. All the rest of the camps are like shacks,

0:50:17.360 --> 0:50:21.759
<v Speaker 2>wooden shocks. So Robert, still acting stupid, he messed with

0:50:21.800 --> 0:50:23.800
<v Speaker 2>the little white dude, I'm gonna take the food or something.

0:50:24.320 --> 0:50:28.440
<v Speaker 2>Dude had him turn upside down. So he went to Siberia.

0:50:28.480 --> 0:50:31.440
<v Speaker 2>That's what they call the hole. You don't go to Siberia.

0:50:32.040 --> 0:50:35.920
<v Speaker 2>So we never seen him in the more and one day,

0:50:35.960 --> 0:50:39.919
<v Speaker 2>I'm the sergeant took a liking to me. He said,

0:50:40.080 --> 0:50:42.640
<v Speaker 2>what you doing in place like this? I said, I've

0:50:42.760 --> 0:50:44.719
<v Speaker 2>done some stupid shit, man, I gotta pay for it,

0:50:44.800 --> 0:50:47.239
<v Speaker 2>you know. And one day I was he got me

0:50:47.239 --> 0:50:49.800
<v Speaker 2>at the buffe his office, you know, with the buffer machine,

0:50:51.400 --> 0:50:55.000
<v Speaker 2>and one of my records came on and the man

0:50:55.080 --> 0:50:57.440
<v Speaker 2>said that was mister Aaron never so I said, no,

0:50:57.560 --> 0:51:01.839
<v Speaker 2>you mean missed sixteen nine fifty five. We left, but yeah,

0:51:02.719 --> 0:51:04.520
<v Speaker 2>so he was cool. Man. I was glad I was there.

0:51:06.680 --> 0:51:09.319
<v Speaker 2>And the forest fires back then wasn't like they are

0:51:09.360 --> 0:51:12.239
<v Speaker 2>the day though to day they on steroids.

0:51:13.680 --> 0:51:18.959
<v Speaker 1>So how depressing was it to be in the work

0:51:19.040 --> 0:51:22.040
<v Speaker 1>camp with your record on the radio and having been

0:51:22.080 --> 0:51:23.400
<v Speaker 1>on tour as a singer.

0:51:24.000 --> 0:51:25.840
<v Speaker 2>It wasn't the person at all. I figured I was

0:51:25.920 --> 0:51:30.200
<v Speaker 2>in the right place. I was satisfied. I wasn't getting

0:51:30.200 --> 0:51:33.320
<v Speaker 2>no visitors. But this this guy from Mena and Louisiana,

0:51:33.400 --> 0:51:36.600
<v Speaker 2>his family would come up and his mother would call

0:51:36.680 --> 0:51:40.480
<v Speaker 2>me out, you know, to sit with them. I mean

0:51:40.560 --> 0:51:43.640
<v Speaker 2>I was. I was. I mean his too. Chicana dudes one.

0:51:43.719 --> 0:51:46.360
<v Speaker 2>Then Pedro and John we worked out together and I

0:51:46.480 --> 0:51:49.360
<v Speaker 2>was looking at the Hawk. I was like, man, I

0:51:49.800 --> 0:51:53.440
<v Speaker 2>love this, you know, building my body up, and uh

0:51:53.600 --> 0:51:56.920
<v Speaker 2>so when I came out there, I was like, my

0:51:57.040 --> 0:51:57.920
<v Speaker 2>clothes wouldn't fit me.

0:52:00.080 --> 0:52:02.759
<v Speaker 1>So this is when you first started to work out. Yeah,

0:52:03.719 --> 0:52:06.480
<v Speaker 1>Now it seems from the outside the youth continue to

0:52:06.560 --> 0:52:08.359
<v Speaker 1>work out the rest of your life. Is that true?

0:52:08.760 --> 0:52:11.240
<v Speaker 2>Oh yeah, man, sir, I worked at twice this morning,

0:52:12.520 --> 0:52:14.799
<v Speaker 2>so you know, at least full time of the week.

0:52:15.719 --> 0:52:18.560
<v Speaker 1>And do you like the process or you like the

0:52:18.600 --> 0:52:20.600
<v Speaker 1>way it makes you look or the way it makes

0:52:20.640 --> 0:52:22.840
<v Speaker 1>you make strong? What about it is appealing to you?

0:52:23.440 --> 0:52:28.839
<v Speaker 2>Everything? The feeling of the iron, you know, and even

0:52:28.880 --> 0:52:33.720
<v Speaker 2>the stuff when you're running or doing cody and stuff.

0:52:33.920 --> 0:52:36.000
<v Speaker 2>But I liked all of it because I know I'm helping.

0:52:36.600 --> 0:52:40.719
<v Speaker 2>I feel it, you know, even when if it hurt,

0:52:40.760 --> 0:52:41.120
<v Speaker 2>it's good.

0:52:41.160 --> 0:52:44.400
<v Speaker 1>Hurry, Okay, you go back to New Orleans after you

0:52:44.520 --> 0:52:48.040
<v Speaker 1>do your time? Is this when Joel essentially kicks you

0:52:48.080 --> 0:52:48.680
<v Speaker 1>out of the house.

0:52:49.920 --> 0:52:53.239
<v Speaker 2>It wasn't. It wasn't that I know when I go

0:52:53.360 --> 0:52:56.840
<v Speaker 2>back from doing my time. Is nineteen sixty four, and

0:52:57.000 --> 0:52:58.479
<v Speaker 2>my daughter I understand his bond.

0:53:00.239 --> 0:53:00.680
<v Speaker 1>And uh.

0:53:02.080 --> 0:53:05.040
<v Speaker 2>So we moved in in a house on Chestnut Street,

0:53:06.600 --> 0:53:15.000
<v Speaker 2>and uh let's see sixty five, Hurricane Betsy came and

0:53:15.160 --> 0:53:18.800
<v Speaker 2>uh me and Melvin started doing roofing work after that

0:53:19.200 --> 0:53:22.600
<v Speaker 2>because his dad knew what it was a roofer and

0:53:22.719 --> 0:53:26.600
<v Speaker 2>we made money doing that. That ran out and this

0:53:26.719 --> 0:53:32.200
<v Speaker 2>guy named Sydney and Uh, George came by with a

0:53:32.239 --> 0:53:34.919
<v Speaker 2>big bag of weed. They wanted to use my house

0:53:35.000 --> 0:53:38.880
<v Speaker 2>to you know, bag it up manicure. But if they

0:53:38.960 --> 0:53:41.480
<v Speaker 2>do with it, my children are at school. Joe was

0:53:41.480 --> 0:53:44.200
<v Speaker 2>at work, said, yeah, have all come up. So they

0:53:44.239 --> 0:53:48.080
<v Speaker 2>gave us a big cake pan full of weed and

0:53:48.160 --> 0:53:50.080
<v Speaker 2>then gave us a bag with the stems. He got

0:53:50.120 --> 0:53:52.960
<v Speaker 2>a letther cake pan out and kid was good. So

0:53:53.120 --> 0:53:57.160
<v Speaker 2>we're selling dollars joints, you know. And I went uptown

0:53:57.880 --> 0:54:02.480
<v Speaker 2>where George used to live and uh, selling dollar joints,

0:54:03.360 --> 0:54:06.560
<v Speaker 2>and all of a sudden, this guy dropped the handkerchief

0:54:07.640 --> 0:54:10.680
<v Speaker 2>to the narcotic agent that tangle I Red was on

0:54:10.800 --> 0:54:14.560
<v Speaker 2>the corner. He was a dope pusher and tangled Red

0:54:14.600 --> 0:54:16.200
<v Speaker 2>has just got in the car and pulled off by

0:54:16.280 --> 0:54:18.759
<v Speaker 2>me being red like, they jumped down on me. And

0:54:18.840 --> 0:54:22.279
<v Speaker 2>I had about twenty joints, and I'm thinking, wow, I'm

0:54:22.320 --> 0:54:25.520
<v Speaker 2>going there and go. Charles already up there doing five

0:54:25.640 --> 0:54:31.000
<v Speaker 2>years to two joints and he was cutting sugar cane

0:54:31.200 --> 0:54:36.040
<v Speaker 2>or it was dean in humane. Later on, anyway, my

0:54:36.160 --> 0:54:39.040
<v Speaker 2>daddy got my lawyer and he came up with something

0:54:39.120 --> 0:54:43.560
<v Speaker 2>like motion to suppress the evidence, and I got me off,

0:54:44.040 --> 0:54:48.720
<v Speaker 2>got me off, and you know, wow.

0:54:49.000 --> 0:54:51.000
<v Speaker 1>But how does your wife end up moving out of

0:54:51.080 --> 0:54:51.439
<v Speaker 1>the house?

0:54:52.120 --> 0:54:56.600
<v Speaker 2>That wasn't until after that was like seventy two, that

0:54:56.680 --> 0:54:57.400
<v Speaker 2>was later.

0:54:58.440 --> 0:55:02.280
<v Speaker 1>Okay, So what was happening between this thing with getting

0:55:02.320 --> 0:55:07.759
<v Speaker 1>arrested with the twenty joints and uh then uh, your

0:55:07.840 --> 0:55:10.560
<v Speaker 1>wife moving out? You moving to New York? What were

0:55:10.600 --> 0:55:13.400
<v Speaker 1>you doing in that period? Working on the docks singing music?

0:55:13.520 --> 0:55:18.239
<v Speaker 2>What I was working on the docks singing recording? Uh,

0:55:20.840 --> 0:55:26.719
<v Speaker 2>I worked the painting houses, driving the truck. I worked

0:55:26.760 --> 0:55:32.880
<v Speaker 2>with both brothers constructing where they would uh, putting cables

0:55:32.960 --> 0:55:37.440
<v Speaker 2>under the ground, you know, underground cables. They did some

0:55:37.640 --> 0:55:41.719
<v Speaker 2>hard weight, but they paid. The riverfront paid the best.

0:55:42.400 --> 0:55:44.440
<v Speaker 2>If you got three days on the riverfront, you had

0:55:44.480 --> 0:55:48.040
<v Speaker 2>a good payday. And uh, that's what I was doing.

0:55:48.960 --> 0:55:50.840
<v Speaker 2>I didn't mind. And when I went to the hiring

0:55:50.880 --> 0:55:53.120
<v Speaker 2>hall in the morning, had you know a lot of

0:55:53.920 --> 0:55:57.040
<v Speaker 2>hundreds of people out there trying to get work. And

0:55:57.200 --> 0:55:59.120
<v Speaker 2>the guy would always have me because you know what,

0:55:59.320 --> 0:56:01.680
<v Speaker 2>I came to wait because some guys would get out

0:56:01.680 --> 0:56:04.520
<v Speaker 2>there and doing the rain dance. You know, as soon

0:56:04.560 --> 0:56:06.000
<v Speaker 2>as they get on the gate, man, I sure we

0:56:06.000 --> 0:56:07.560
<v Speaker 2>shoul rain so I can go home, said, well, why

0:56:07.600 --> 0:56:09.120
<v Speaker 2>did you come out of there brought somebody else could

0:56:09.120 --> 0:56:11.520
<v Speaker 2>have who wanted to work for the air their job,

0:56:11.640 --> 0:56:11.799
<v Speaker 2>you know.

0:56:13.880 --> 0:56:16.080
<v Speaker 1>So tell us about ultimately going to New York.

0:56:17.400 --> 0:56:26.040
<v Speaker 2>Well that was after let's see, seventy Joe left. Jason

0:56:26.160 --> 0:56:28.839
<v Speaker 2>was born in seventy and one. Joe left around seventy three,

0:56:30.360 --> 0:56:33.279
<v Speaker 2>and uh me and Cyah went to New York to

0:56:33.400 --> 0:56:37.160
<v Speaker 2>be with Charles Taker. We could, you know, do some

0:56:37.320 --> 0:56:40.479
<v Speaker 2>music stuff up there, which we did do some music

0:56:40.520 --> 0:56:44.000
<v Speaker 2>stuff we did, like a trio called Myself the Wild

0:56:44.120 --> 0:56:47.879
<v Speaker 2>Chappe of Tulis, which is my uncle John's Indian drive.

0:56:49.360 --> 0:56:53.319
<v Speaker 2>And uh we played clubs we did we didn't want

0:56:54.200 --> 0:56:58.360
<v Speaker 2>called catch a rising Star with Richard Bells, a comedian.

0:56:59.480 --> 0:57:02.600
<v Speaker 2>He was in See and he told the people when

0:57:02.680 --> 0:57:04.800
<v Speaker 2>these guys came up, we thought this coming in the robbers,

0:57:04.880 --> 0:57:09.000
<v Speaker 2>but give him a listener, give really sound good. I

0:57:09.080 --> 0:57:11.240
<v Speaker 2>mean we were jamming. I was playing keyboard and singing.

0:57:11.680 --> 0:57:13.719
<v Speaker 2>Syriah was playing his gum dad and singing. The show

0:57:13.840 --> 0:57:15.320
<v Speaker 2>was going on singing.

0:57:16.800 --> 0:57:19.760
<v Speaker 1>Okay, so you go back to New Orleans and you

0:57:19.920 --> 0:57:21.920
<v Speaker 1>end up working with your uncle Joly.

0:57:24.320 --> 0:57:32.120
<v Speaker 2>Well with let me see nineteen seventy six. Well, first

0:57:32.120 --> 0:57:36.800
<v Speaker 2>of all, I got another story. Then nineteen seventy five.

0:57:37.800 --> 0:57:40.240
<v Speaker 2>This guy, he was a singer all in his name

0:57:40.680 --> 0:57:44.520
<v Speaker 2>little Sonny, and he's coming to me and my brother

0:57:44.600 --> 0:57:47.120
<v Speaker 2>lawn lug it. Hey, man, you score me some coke? Man,

0:57:47.240 --> 0:57:49.080
<v Speaker 2>I know. The guy had, of course tell him no,

0:57:49.320 --> 0:57:51.280
<v Speaker 2>I don't know. I don't know when that brother, you know,

0:57:51.800 --> 0:57:54.200
<v Speaker 2>he kept on. I gave in and I scored some

0:57:54.280 --> 0:57:57.640
<v Speaker 2>coke on. I did it a couple of times, and

0:57:57.720 --> 0:58:02.160
<v Speaker 2>he brought his boy, Freddy, and I scored for Freddy

0:58:02.240 --> 0:58:05.440
<v Speaker 2>twice and the mother with you know you didn't hear

0:58:05.480 --> 0:58:09.720
<v Speaker 2>the mother with hunted since you I didn't pay attention

0:58:09.840 --> 0:58:12.320
<v Speaker 2>to it. And when I did pay attention that it

0:58:12.400 --> 0:58:16.920
<v Speaker 2>was too late, because uh Freddy called me on the phone,

0:58:17.000 --> 0:58:18.880
<v Speaker 2>say you get some more that. I said, no, man,

0:58:18.920 --> 0:58:22.000
<v Speaker 2>the man going out of town. And I said, well,

0:58:22.040 --> 0:58:23.600
<v Speaker 2>you know i'd get some hair on. When he said that,

0:58:23.840 --> 0:58:26.520
<v Speaker 2>my heart just I knew what the hell it was. Said,

0:58:26.560 --> 0:58:30.000
<v Speaker 2>no brain, no dealing man. And I was helping a

0:58:30.120 --> 0:58:32.880
<v Speaker 2>so called friend out, you know. So I hung up

0:58:33.720 --> 0:58:37.120
<v Speaker 2>and Pooshi passed and I tell him about it. He

0:58:37.200 --> 0:58:39.800
<v Speaker 2>gave me a giant and I smoked it and laying

0:58:39.880 --> 0:58:42.920
<v Speaker 2>he just waiting because I knew something's gonna happen. The

0:58:43.000 --> 0:58:44.919
<v Speaker 2>last thing I know I heard, I'm running through the alley,

0:58:45.480 --> 0:58:48.400
<v Speaker 2>bang on the door, and I got them walked through

0:58:48.440 --> 0:58:52.400
<v Speaker 2>and I had to look small window like opening, saw

0:58:52.480 --> 0:58:55.120
<v Speaker 2>Freddie out there with a steal gray suit with a

0:58:55.240 --> 0:58:59.200
<v Speaker 2>star skin husch gun on him. Say it Freddy out

0:58:59.200 --> 0:59:05.680
<v Speaker 2>of posse. Ain't no ready, that's office to see. That's

0:59:05.720 --> 0:59:10.720
<v Speaker 2>when I went to the court again. And first of all,

0:59:11.040 --> 0:59:13.880
<v Speaker 2>just my lawyer said, just pray you don't get this judge.

0:59:14.840 --> 0:59:17.480
<v Speaker 2>As soon as I got my papers, Judge Edward G. Boyl,

0:59:17.640 --> 0:59:22.640
<v Speaker 2>the hanging judge. So me enjoy going My mama's dead then,

0:59:22.760 --> 0:59:24.840
<v Speaker 2>so we enjoyed was going to the steps on our

0:59:24.920 --> 0:59:28.240
<v Speaker 2>knees at Saint Anstraine and gone to Saint Jude and

0:59:29.320 --> 0:59:34.120
<v Speaker 2>saying our prayers. And I went to the court and

0:59:34.280 --> 0:59:38.720
<v Speaker 2>was so found guilty of too uh sales and arcotics.

0:59:38.760 --> 0:59:45.280
<v Speaker 2>The agent and the man told me that sends you

0:59:45.400 --> 0:59:49.600
<v Speaker 2>the one to fifteen years in the federal penitentiary. And

0:59:49.720 --> 0:59:52.720
<v Speaker 2>you said, I don't know why I'm doing this, but

0:59:52.800 --> 0:59:55.480
<v Speaker 2>I'm gonna spend that sentence and put you on a

0:59:55.560 --> 0:59:59.600
<v Speaker 2>three of probation. Say thank you, honor, but I had

0:59:59.640 --> 1:00:01.920
<v Speaker 2>to go in a battle for about six months after that.

1:00:02.040 --> 1:00:06.240
<v Speaker 2>You know, I'm walking out the courthouse and this black

1:00:06.320 --> 1:00:09.960
<v Speaker 2>dude who was the Federal Marshal, his pistolf, He said,

1:00:10.000 --> 1:00:12.480
<v Speaker 2>I don't know you had in this courthouse, but these

1:00:12.560 --> 1:00:16.560
<v Speaker 2>shackles was for your ass. You ain't got me now,

1:00:16.600 --> 1:00:18.520
<v Speaker 2>I ain't coming back in your no more. And that

1:00:18.760 --> 1:00:21.760
<v Speaker 2>was it. But the judicial system.

1:00:29.360 --> 1:00:33.320
<v Speaker 1>So you had to be clean for six months. What

1:00:33.600 --> 1:00:35.680
<v Speaker 1>was going on with you and the dope after that?

1:00:37.280 --> 1:00:38.800
<v Speaker 2>Well, I was still in my six months up. I

1:00:38.920 --> 1:00:42.560
<v Speaker 2>went back again. I mean I was kind of dead.

1:00:43.240 --> 1:00:44.680
<v Speaker 2>I was like doing time right then.

1:00:45.920 --> 1:00:47.840
<v Speaker 1>So tell me that it's after that you work with

1:00:47.920 --> 1:00:49.040
<v Speaker 1>your uncle johny.

1:00:49.880 --> 1:00:52.080
<v Speaker 2>Yeah, he called out of love his down Shall was

1:00:52.120 --> 1:00:56.280
<v Speaker 2>still in the yoke and aught and cereals with the Meters.

1:00:57.560 --> 1:00:59.280
<v Speaker 2>So he called us nice, said I wanted to do

1:00:59.440 --> 1:01:03.320
<v Speaker 2>my Indian music with me, and so we went in

1:01:03.400 --> 1:01:07.800
<v Speaker 2>the studio and set in nineteen seventy six and then

1:01:07.880 --> 1:01:10.680
<v Speaker 2>the Wild Chappatola's album with the Meters and the Nether

1:01:10.800 --> 1:01:14.600
<v Speaker 2>Brothers and a guy named Willie Harper helping us do

1:01:14.680 --> 1:01:17.720
<v Speaker 2>the background. And I mean we went there. We didn't

1:01:17.760 --> 1:01:19.760
<v Speaker 2>have to tell nobody what note to take it. It

1:01:19.880 --> 1:01:21.720
<v Speaker 2>was just and we had never been together, all four

1:01:21.760 --> 1:01:23.920
<v Speaker 2>of us, and had been two of us or three

1:01:23.960 --> 1:01:26.280
<v Speaker 2>of us. You know, this is all four of us together,

1:01:27.360 --> 1:01:32.720
<v Speaker 2>and it was just so easy and the album playing

1:01:32.800 --> 1:01:36.400
<v Speaker 2>out so good, and he said, well, we wanted to

1:01:36.520 --> 1:01:38.680
<v Speaker 2>do the Nether Brothers because Joall has said that that

1:01:38.960 --> 1:01:42.080
<v Speaker 2>her mama and our mama had told him that she'd

1:01:42.200 --> 1:01:46.640
<v Speaker 2>like to see all of us together. So said, yeah, man,

1:01:46.680 --> 1:01:50.560
<v Speaker 2>that's a good idea. So in nineteen seventy seven we

1:01:50.720 --> 1:01:54.440
<v Speaker 2>started rehearsing and stuff, and we got to deal with

1:01:54.560 --> 1:02:01.120
<v Speaker 2>Capital's Records to make album that Jack Niche produced, and

1:02:01.280 --> 1:02:06.560
<v Speaker 2>uh came out in nineteen seventy eight. That's when I

1:02:06.680 --> 1:02:11.200
<v Speaker 2>was able to buy my seventy eight Thunderbird, and Uh,

1:02:16.480 --> 1:02:18.200
<v Speaker 2>I guess that was the start of the Never Bros.

1:02:18.960 --> 1:02:23.080
<v Speaker 1>Okay, from that point, is it pretty much go up

1:02:23.160 --> 1:02:25.560
<v Speaker 1>and up and you're working on the road or is

1:02:25.600 --> 1:02:26.600
<v Speaker 1>it dipped down again?

1:02:28.520 --> 1:02:31.040
<v Speaker 2>Uh? It wasn't. It was working. I didn't I had.

1:02:31.520 --> 1:02:33.200
<v Speaker 2>I didn't have to go back on on the river

1:02:33.240 --> 1:02:37.320
<v Speaker 2>front anymore after that because we started working regular and

1:02:37.600 --> 1:02:46.080
<v Speaker 2>h it was like to eighty one when we were

1:02:46.120 --> 1:02:49.600
<v Speaker 2>playing at Tippetinas and Bett Midler came in and I

1:02:49.680 --> 1:02:51.439
<v Speaker 2>was singing telling like it is, and She's just slid

1:02:51.520 --> 1:02:52.800
<v Speaker 2>down off us stool like it was.

1:02:53.000 --> 1:02:53.160
<v Speaker 1>You know.

1:02:54.000 --> 1:02:56.280
<v Speaker 2>She dug it and she asked us did we have

1:02:56.400 --> 1:02:59.720
<v Speaker 2>a contract, cause that was just the one one record

1:02:59.760 --> 1:03:02.920
<v Speaker 2>deal with Capitol Records. He said, no, we don't have

1:03:03.000 --> 1:03:07.520
<v Speaker 2>a record. She called Jered Morrison, herb alphat at the

1:03:07.520 --> 1:03:10.640
<v Speaker 2>A and M Records. Man, check these guys out, you know.

1:03:11.720 --> 1:03:14.360
<v Speaker 2>So she set it up so we had a chance

1:03:14.440 --> 1:03:17.680
<v Speaker 2>to do an album for A and M Records. That

1:03:17.760 --> 1:03:24.760
<v Speaker 2>was nineteen eighty one. Joe Down was the producer. And

1:03:24.880 --> 1:03:27.840
<v Speaker 2>that's what I'm saying, man, it's time for me to

1:03:28.880 --> 1:03:32.240
<v Speaker 2>get off the pot, you know. So I was ready.

1:03:32.280 --> 1:03:34.320
<v Speaker 2>I was scared, you know. It was like the kid

1:03:34.400 --> 1:03:36.720
<v Speaker 2>in me, you know, just I know about the streets,

1:03:36.760 --> 1:03:38.960
<v Speaker 2>but I don't know about no rehab and all that stuff.

1:03:39.440 --> 1:03:42.480
<v Speaker 2>But the manager at the time, his name was Bill Johnson.

1:03:43.520 --> 1:03:44.800
<v Speaker 2>He set it up for me to go in this

1:03:44.920 --> 1:03:51.920
<v Speaker 2>place called DePaul, which used to be a sanitarium. So anyway,

1:03:53.080 --> 1:03:54.919
<v Speaker 2>we had to go do this album in New York

1:03:55.200 --> 1:04:00.600
<v Speaker 2>called Fire on the Bayer and I's brought them up

1:04:00.880 --> 1:04:03.960
<v Speaker 2>drugs up there to hold me to come back. But

1:04:04.080 --> 1:04:06.440
<v Speaker 2>I'm scared because I'm you know, I don't know when

1:04:06.480 --> 1:04:09.240
<v Speaker 2>the rehab he is. And it was like the little

1:04:09.320 --> 1:04:12.160
<v Speaker 2>kid in me. It was like, you know. So one

1:04:13.280 --> 1:04:15.040
<v Speaker 2>one morning, about three o'clock in the morning, I'm in

1:04:15.080 --> 1:04:19.040
<v Speaker 2>the in the room and this guy named Elliott, he

1:04:19.160 --> 1:04:22.160
<v Speaker 2>was a writer. He was doing the story on us,

1:04:23.080 --> 1:04:26.080
<v Speaker 2>so he was in. I'm playing the piano. My friend

1:04:26.200 --> 1:04:30.520
<v Speaker 2>John Brenners from Petaluma, California, he had had let me

1:04:30.600 --> 1:04:37.640
<v Speaker 2>his recorded tape recorder, and I'm playing Sam Cook and

1:04:37.680 --> 1:04:40.439
<v Speaker 2>the soul said, were you there when they crucified the Lord?

1:04:40.520 --> 1:04:44.440
<v Speaker 2>And he's so wonderful? And I had to stand up

1:04:44.440 --> 1:04:47.720
<v Speaker 2>in front of my class in the sixth grade and

1:04:47.880 --> 1:04:51.160
<v Speaker 2>Reppe recited a poem called Lovely Lady Dressed in Blue

1:04:51.880 --> 1:04:55.520
<v Speaker 2>teach me how to pray? And I started playing like

1:04:55.640 --> 1:04:57.880
<v Speaker 2>somebody told me how to play it and how to

1:04:57.920 --> 1:05:01.040
<v Speaker 2>sing it. And I recorded on one of my albums.

1:05:02.080 --> 1:05:03.760
<v Speaker 2>But that was like the little kid in me. I

1:05:05.240 --> 1:05:11.040
<v Speaker 2>have a that that recording. I called him my my

1:05:11.200 --> 1:05:17.040
<v Speaker 2>inspiration up tape because I could hear the frightened Aaron Neville,

1:05:17.040 --> 1:05:20.280
<v Speaker 2>you know, and uh, if you want to send it

1:05:20.360 --> 1:05:25.919
<v Speaker 2>to you. Uh. Anyhow, I had a lot of things

1:05:25.960 --> 1:05:30.160
<v Speaker 2>happened on that on that session. Matter of fact, Whitney

1:05:30.200 --> 1:05:32.400
<v Speaker 2>Houston and my mom sang background on some of the

1:05:33.000 --> 1:05:36.760
<v Speaker 2>songs on Fire on the Buyer, and Uh, Keith Richards

1:05:37.080 --> 1:05:39.280
<v Speaker 2>said that to him, that was the best album of

1:05:39.320 --> 1:05:44.080
<v Speaker 2>the year, and uh, the strength I was doing Mona

1:05:44.160 --> 1:05:50.280
<v Speaker 2>Lisa and Joe Donn got Leon Pandorvis he is a

1:05:50.360 --> 1:05:53.919
<v Speaker 2>keyboard player for Saturday Night Live. And Water was there,

1:05:54.200 --> 1:05:56.320
<v Speaker 2>who was out friend from New Orleans has done a

1:05:56.360 --> 1:05:58.640
<v Speaker 2>lot of Alan Tuson and stuff, a lot of bunch

1:05:58.640 --> 1:06:02.800
<v Speaker 2>of other people stuff and Joe was hip Tim. So

1:06:02.960 --> 1:06:05.640
<v Speaker 2>Joe asked him and said, well, what else do you

1:06:05.720 --> 1:06:07.720
<v Speaker 2>need a piano in your run? He said, no, I

1:06:07.880 --> 1:06:10.920
<v Speaker 2>just need a tune in folk. So he wrote the

1:06:11.000 --> 1:06:13.920
<v Speaker 2>Choice with a tune and folk. And while we're in

1:06:13.960 --> 1:06:20.280
<v Speaker 2>the studio, uh, the New York String session, they played

1:06:20.560 --> 1:06:25.560
<v Speaker 2>Leon's person that was killer Man and they snickering at

1:06:26.080 --> 1:06:29.040
<v Speaker 2>at whatever, like he's a country bumpkin and stuffing. You know,

1:06:30.640 --> 1:06:33.160
<v Speaker 2>he gets put the put the music out there, and

1:06:34.840 --> 1:06:38.080
<v Speaker 2>they played it and after that they had to get

1:06:38.120 --> 1:06:42.400
<v Speaker 2>up and hit their pons on the on the music

1:06:42.520 --> 1:06:45.080
<v Speaker 2>stand and give him his problem. I had tears him, asking, man,

1:06:45.200 --> 1:06:47.560
<v Speaker 2>get that man is proper, you know. And I was

1:06:47.640 --> 1:06:51.840
<v Speaker 2>dedicating that song to my mom and dad and it

1:06:52.000 --> 1:06:53.960
<v Speaker 2>was a very special recording for me.

1:06:56.000 --> 1:06:57.440
<v Speaker 1>What did you learn in rehab?

1:06:59.000 --> 1:07:06.080
<v Speaker 2>Well, I learn that dope it's not your friend, and

1:07:06.200 --> 1:07:10.640
<v Speaker 2>that when you take it, it's attacking your organicize, you know.

1:07:10.720 --> 1:07:14.200
<v Speaker 2>And when you get that good feeling and there's just

1:07:14.280 --> 1:07:16.640
<v Speaker 2>no good feeling, it's doing something you kidney or you

1:07:17.440 --> 1:07:20.560
<v Speaker 2>liver your pankers or some shit, you know, and h

1:07:22.280 --> 1:07:29.320
<v Speaker 2>but uh, it didn't stop me. I stopped, Yeah, stopped

1:07:29.520 --> 1:07:33.760
<v Speaker 2>when that time and the next time, but I had

1:07:35.680 --> 1:07:41.240
<v Speaker 2>nineteen ninety one, we went on the road the Nevils

1:07:41.280 --> 1:07:45.040
<v Speaker 2>doctor John Arma Thomas. We went to Japan and Australia,

1:07:45.160 --> 1:07:49.240
<v Speaker 2>New Zealand. First night I turned in the bed and

1:07:49.360 --> 1:07:52.640
<v Speaker 2>I tried to turn back my back. I wouldn't turn.

1:07:52.720 --> 1:07:55.680
<v Speaker 2>Aller to do is roll out the bed, crawl to

1:07:55.760 --> 1:07:58.400
<v Speaker 2>the phone and call it the road man, say John's

1:07:58.480 --> 1:08:00.880
<v Speaker 2>come get me. Middle wheelchair. Got to go to the hospital.

1:08:02.400 --> 1:08:05.560
<v Speaker 2>He came and got me, and they they didn't know

1:08:05.640 --> 1:08:07.360
<v Speaker 2>what was wrong, and I could. They didn't understand what

1:08:07.440 --> 1:08:09.000
<v Speaker 2>I was staying. I don't know what they were saying,

1:08:09.640 --> 1:08:12.720
<v Speaker 2>or I was staying pain hurry, pain hurry. It was

1:08:12.800 --> 1:08:18.160
<v Speaker 2>hurting everywhere, and they was giving me vaca and the

1:08:18.240 --> 1:08:23.400
<v Speaker 2>ship and massages and whatever else they do, but none

1:08:23.439 --> 1:08:26.559
<v Speaker 2>of it work. So we over there like a month.

1:08:28.160 --> 1:08:30.479
<v Speaker 2>If I would have left, the gigs would have folded

1:08:30.520 --> 1:08:33.719
<v Speaker 2>because my record was hit over there. It was everybody

1:08:33.760 --> 1:08:40.240
<v Speaker 2>plays the fool. And so I would tell tell him

1:08:40.280 --> 1:08:44.560
<v Speaker 2>to rule me to the stage in the wheelchair and

1:08:44.640 --> 1:08:47.519
<v Speaker 2>put a chair out on the stage and I stand

1:08:47.640 --> 1:08:49.760
<v Speaker 2>up and I hold hold my thighs because this felt

1:08:49.800 --> 1:08:51.960
<v Speaker 2>like they was opening up with the side of the

1:08:52.040 --> 1:08:55.200
<v Speaker 2>you know, and I had to walk and I sat

1:08:55.280 --> 1:09:00.639
<v Speaker 2>down on a chair and once I st to singing,

1:09:01.520 --> 1:09:04.360
<v Speaker 2>I didn't pay attention to the paint. I looked at

1:09:04.400 --> 1:09:07.120
<v Speaker 2>the audience and it was in. It was cool until

1:09:07.400 --> 1:09:09.120
<v Speaker 2>the gig was over, and then the paint come back

1:09:10.160 --> 1:09:14.400
<v Speaker 2>and hurt everywhere. So that was like a month. I

1:09:14.520 --> 1:09:18.360
<v Speaker 2>came home. I went to one doctor said, oh, we

1:09:18.439 --> 1:09:20.599
<v Speaker 2>got to go in. I said no, I think I'll

1:09:20.640 --> 1:09:24.280
<v Speaker 2>get another second opinion, and went to another doctor said

1:09:24.280 --> 1:09:28.760
<v Speaker 2>the last thing we want to do, said, uh, said,

1:09:28.800 --> 1:09:31.479
<v Speaker 2>he had had his back operator on and he sent

1:09:31.560 --> 1:09:36.320
<v Speaker 2>me to stress relief chiropractice and he told him to

1:09:36.360 --> 1:09:38.320
<v Speaker 2>do a lot of walking, but also give me in

1:09:38.360 --> 1:09:44.240
<v Speaker 2>the Viking and you know, so you get hooked on him.

1:09:46.240 --> 1:09:53.439
<v Speaker 2>And uh. So that was ninety one. I was off

1:09:53.520 --> 1:09:58.200
<v Speaker 2>and on it, you know. And then about two thousand

1:09:58.200 --> 1:10:00.839
<v Speaker 2>and two I went into a re have another rehab,

1:10:03.120 --> 1:10:04.360
<v Speaker 2>the same one I haven't had been in.

1:10:06.040 --> 1:10:08.799
<v Speaker 1>So you went to rehab that time. What was different

1:10:08.800 --> 1:10:10.840
<v Speaker 1>about going other than you were in different drugs? What

1:10:10.960 --> 1:10:13.000
<v Speaker 1>was different about going to rehab the second time?

1:10:13.840 --> 1:10:16.920
<v Speaker 2>Well, that's one of the guys, Drew Pinsky, and you

1:10:17.000 --> 1:10:21.599
<v Speaker 2>probably heard him, of course, he said he said one's

1:10:21.640 --> 1:10:25.800
<v Speaker 2>too many and the thousands not enough. Said, damn, that

1:10:25.920 --> 1:10:30.000
<v Speaker 2>makes so much sense. Once too many and a thousand

1:10:30.120 --> 1:10:32.640
<v Speaker 2>not enough. And you know they give you all the

1:10:32.760 --> 1:10:34.760
<v Speaker 2>history of it too, what it's doing to your thing,

1:10:34.840 --> 1:10:40.000
<v Speaker 2>you know. So I got out at and I was off.

1:10:40.479 --> 1:10:44.679
<v Speaker 2>That was like like two thousand and two. Two thousand

1:10:44.680 --> 1:10:51.479
<v Speaker 2>and four, My wife Joelle had had this call and

1:10:51.600 --> 1:10:53.280
<v Speaker 2>she worked at the hospital, and she said, I am

1:10:53.360 --> 1:10:55.519
<v Speaker 2>going to adopt. I know most of the day, you know,

1:10:56.640 --> 1:11:01.880
<v Speaker 2>and our friend next door doctor Chris Boom. I said, Chris,

1:11:01.960 --> 1:11:03.280
<v Speaker 2>did you come over here and take a look at

1:11:03.520 --> 1:11:07.599
<v Speaker 2>at Joel? And he came over and he checked out

1:11:07.680 --> 1:11:11.040
<v Speaker 2>and he said, Joel, I think you get a cat scan.

1:11:12.880 --> 1:11:15.720
<v Speaker 2>So she went to get a cat scan and the

1:11:15.800 --> 1:11:21.760
<v Speaker 2>doctor said, wow, she had small cell lung cancer right

1:11:21.840 --> 1:11:26.800
<v Speaker 2>close to a trick. So it was inoperable. And doctor,

1:11:26.840 --> 1:11:30.800
<v Speaker 2>so she had three months and something punched me in

1:11:30.880 --> 1:11:34.280
<v Speaker 2>the heart. Joe said, so in other words, you give

1:11:34.320 --> 1:11:37.280
<v Speaker 2>me the death sentence. I said, oh no, that was

1:11:38.280 --> 1:11:41.680
<v Speaker 2>I came up. I can't explain that feeling, you know.

1:11:41.840 --> 1:11:44.639
<v Speaker 2>So me and her and my sister we started having

1:11:44.680 --> 1:11:48.080
<v Speaker 2>a prayer vision with all the churches and prayer and

1:11:49.680 --> 1:11:52.599
<v Speaker 2>and Joe lived by another three years.

1:11:54.360 --> 1:11:59.400
<v Speaker 1>So now that's a big factor in your life. Religion

1:11:59.520 --> 1:12:03.479
<v Speaker 1>and seeing Jude. Will you ever question your faith or

1:12:03.520 --> 1:12:05.000
<v Speaker 1>you're always a believer.

1:12:05.080 --> 1:12:07.599
<v Speaker 2>Always a believer that people say will get mad and Joe,

1:12:09.160 --> 1:12:12.880
<v Speaker 2>this is God's will. You know, I get mad at

1:12:13.200 --> 1:12:17.760
<v Speaker 2>as Joel. Look God, I say, unless she's going to

1:12:17.800 --> 1:12:19.320
<v Speaker 2>heaven because I watched them go through hell.

1:12:22.040 --> 1:12:26.320
<v Speaker 1>But you also talk about going to pray at the shrine.

1:12:26.760 --> 1:12:29.639
<v Speaker 1>Do you pray today? And do you go to church today.

1:12:30.160 --> 1:12:33.439
<v Speaker 2>I pray I've been doing since the pandemic. I've been

1:12:33.479 --> 1:12:37.479
<v Speaker 2>doing it on TV. I say rose every day and

1:12:37.600 --> 1:12:40.280
<v Speaker 2>watched the Mask and I just got prayers that I say.

1:12:40.320 --> 1:12:43.920
<v Speaker 2>I got a little altar, little peel and kneel on

1:12:45.600 --> 1:12:48.960
<v Speaker 2>and stay prayers looking at at the at the trees

1:12:49.040 --> 1:12:49.360
<v Speaker 2>or whatever.

1:12:49.360 --> 1:12:53.800
<v Speaker 1>You know. Okay, you in the book, you go on

1:12:53.920 --> 1:12:57.840
<v Speaker 1>and on how much you love Joel and you don't

1:12:57.880 --> 1:13:00.880
<v Speaker 1>talk about any third parties. But were you faithful all

1:13:00.960 --> 1:13:01.479
<v Speaker 1>these years?

1:13:02.479 --> 1:13:06.640
<v Speaker 2>That's the meeting known for you to find out. I mean,

1:13:06.760 --> 1:13:09.880
<v Speaker 2>I'll tell you about the the two girls that.

1:13:10.160 --> 1:13:11.200
<v Speaker 1>That time out to.

1:13:12.080 --> 1:13:14.960
<v Speaker 2>I don't know what happened because I was I was inegraated,

1:13:15.640 --> 1:13:17.519
<v Speaker 2>So just leave it at that.

1:13:19.479 --> 1:13:24.120
<v Speaker 1>Okay. So now you know, fire on the bio comes out,

1:13:25.960 --> 1:13:30.360
<v Speaker 1>Bill Graham becomes your manager. So you know, do you

1:13:30.439 --> 1:13:33.599
<v Speaker 1>feel like you really admitted because you were frustrated before?

1:13:34.160 --> 1:13:35.200
<v Speaker 1>What's he experienced?

1:13:35.360 --> 1:13:35.400
<v Speaker 2>Like?

1:13:35.560 --> 1:13:35.720
<v Speaker 1>Now?

1:13:37.000 --> 1:13:40.720
<v Speaker 2>You mean when Bill Graham came in? Yeah, well he

1:13:41.120 --> 1:13:43.080
<v Speaker 2>was knocking doors down for us. You know, it was

1:13:43.160 --> 1:13:46.360
<v Speaker 2>like he was showing us off. You know, this this

1:13:46.560 --> 1:13:48.640
<v Speaker 2>is the nevils how much tell to check him out?

1:13:49.439 --> 1:13:54.240
<v Speaker 2>You know, the Great of Dead Huey Lewis, Santana, Uh

1:13:55.000 --> 1:13:59.880
<v Speaker 2>build his tongue that we went on the Amnesty toil

1:14:00.080 --> 1:14:07.639
<v Speaker 2>with you two and Peter Gable Stinging, John Bias, Miles Davis,

1:14:08.000 --> 1:14:09.160
<v Speaker 2>old bunch of people's on that.

1:14:11.920 --> 1:14:15.160
<v Speaker 1>So you were on tour, you know, constantly, and a

1:14:15.240 --> 1:14:17.400
<v Speaker 1>lot of times with Household and Nemax, you know, the

1:14:17.520 --> 1:14:21.559
<v Speaker 1>Rolling Stones, et cetera. Did you hang with these people?

1:14:21.760 --> 1:14:24.040
<v Speaker 1>Did you become friends or did you pretty much just

1:14:24.160 --> 1:14:25.760
<v Speaker 1>hang with your brothers now?

1:14:25.880 --> 1:14:28.880
<v Speaker 2>Because I was friends at all the man Keith's still

1:14:29.000 --> 1:14:35.000
<v Speaker 2>friends and you know he coporeduced my album, My True Story,

1:14:36.439 --> 1:14:40.479
<v Speaker 2>and Santana. He's like a brother Huey Lewis, you know

1:14:42.439 --> 1:14:45.479
<v Speaker 2>with his name is Jared Goliah He he and I

1:14:45.640 --> 1:14:46.519
<v Speaker 2>used to talk together.

1:14:48.960 --> 1:14:50.960
<v Speaker 1>And how did you meet Linda Ronstaff?

1:14:52.320 --> 1:14:55.960
<v Speaker 2>Well, the nether brothers were playing at the World's Fair

1:14:56.000 --> 1:14:59.599
<v Speaker 2>in nineteen eighty four in New Orleans. We were playing

1:14:59.600 --> 1:15:04.680
<v Speaker 2>at Pete Fountains Club on the ground and the Welfare

1:15:05.640 --> 1:15:08.760
<v Speaker 2>and she was Linda was there with Nelson Riddle's band

1:15:08.960 --> 1:15:13.960
<v Speaker 2>at the Amphitheater and after her show she came somebody

1:15:14.040 --> 1:15:16.120
<v Speaker 2>told him that her never brother was playing, so she

1:15:16.240 --> 1:15:18.720
<v Speaker 2>came to see us. Somebody told me she was an

1:15:18.720 --> 1:15:23.639
<v Speaker 2>audience and I dedicated a song to and I call

1:15:23.760 --> 1:15:25.880
<v Speaker 2>up on stage, but she told her. She told the

1:15:25.960 --> 1:15:28.240
<v Speaker 2>press that she don't usually do nothing imprompt like that,

1:15:28.720 --> 1:15:31.479
<v Speaker 2>but she wasn't gonna say no there I never and

1:15:32.360 --> 1:15:35.680
<v Speaker 2>we sang some duop together and all the after the

1:15:35.920 --> 1:15:40.479
<v Speaker 2>expo autograph she stayed to Aaron Love, I'll sing with

1:15:40.560 --> 1:15:44.880
<v Speaker 2>you anytime, any place, anywhere and any key. And it

1:15:45.520 --> 1:15:50.120
<v Speaker 2>was on then. So that was eighty four. Eighty five. Men,

1:15:50.960 --> 1:15:54.759
<v Speaker 2>Alan Howson was starting a thing called New Orleans Artists

1:15:55.600 --> 1:16:01.160
<v Speaker 2>Against Honger and Homelessness, and I asked her to come

1:16:01.240 --> 1:16:04.519
<v Speaker 2>down and do the benefit but she so sure, so

1:16:04.840 --> 1:16:08.439
<v Speaker 2>and the manager Peter Ashley, came down and we were

1:16:08.479 --> 1:16:13.920
<v Speaker 2>down at two Cents Studio and the first thing we

1:16:15.120 --> 1:16:17.320
<v Speaker 2>thought to sing together because we both came up Catholic,

1:16:17.520 --> 1:16:21.920
<v Speaker 2>was ive Maria and we sang that in harmony and

1:16:22.120 --> 1:16:24.559
<v Speaker 2>uh peter A said yeah, should do it record together.

1:16:25.280 --> 1:16:29.880
<v Speaker 2>I said, hey, I'm paying for that, and Linda was damned.

1:16:29.920 --> 1:16:32.800
<v Speaker 2>So you know, that was eighty five, So it took

1:16:32.840 --> 1:16:34.479
<v Speaker 2>a couple of years, but it was right on time,

1:16:35.720 --> 1:16:38.240
<v Speaker 2>you know. When she called me to do the four

1:16:38.320 --> 1:16:42.680
<v Speaker 2>songs on Cry like a Ryan Stone, and we did

1:16:43.160 --> 1:16:48.240
<v Speaker 2>don't know much And I told her Mesh at the Grammars,

1:16:48.560 --> 1:16:50.320
<v Speaker 2>I was joking, but not joking because it was that

1:16:50.439 --> 1:16:54.640
<v Speaker 2>great of a song, you know, And sure enough, so

1:16:54.800 --> 1:16:58.080
<v Speaker 2>I still missed up. We talked, you know, every a

1:16:58.160 --> 1:16:59.560
<v Speaker 2>few days a week or something like that.

1:17:00.880 --> 1:17:03.360
<v Speaker 1>So what was it like having that level of success

1:17:03.439 --> 1:17:04.479
<v Speaker 1>after all these years?

1:17:05.160 --> 1:17:07.000
<v Speaker 2>That was great? Man. I was able to do a

1:17:07.080 --> 1:17:10.479
<v Speaker 2>lot of Joel and kids and all, and you know

1:17:10.720 --> 1:17:15.360
<v Speaker 2>that right them and the wrongs and life is good.

1:17:17.800 --> 1:17:21.479
<v Speaker 1>So is this all instinctive? You don't have to rehearse?

1:17:21.560 --> 1:17:25.120
<v Speaker 1>You can just show up and sing no problem back then?

1:17:25.400 --> 1:17:26.880
<v Speaker 2>Yeah, yeah, no doubt.

1:17:29.439 --> 1:17:34.040
<v Speaker 1>So then you're working with your brothers, you ultimately make

1:17:34.160 --> 1:17:38.200
<v Speaker 1>solo albums. Do you feel at this end that you've

1:17:38.320 --> 1:17:41.519
<v Speaker 1>gotten the respect and achieved the success you deserve?

1:17:42.720 --> 1:17:47.680
<v Speaker 2>I think so, you know, I'm not. I appreciate the

1:17:47.760 --> 1:17:52.720
<v Speaker 2>people that bought my records and came to my constrations

1:17:52.760 --> 1:17:56.320
<v Speaker 2>and all. And I ain't got no regrets, you know.

1:17:58.400 --> 1:18:00.360
<v Speaker 1>And you know you're on your brother the road with

1:18:00.479 --> 1:18:03.640
<v Speaker 1>your brothers. The money has to be split, you know,

1:18:03.960 --> 1:18:06.640
<v Speaker 1>four ways, never mind the other players. How are you,

1:18:06.840 --> 1:18:09.200
<v Speaker 1>how did you do? And how are you doing financially?

1:18:09.960 --> 1:18:12.479
<v Speaker 2>But it did good, I mean, you know it as ways.

1:18:12.560 --> 1:18:15.840
<v Speaker 2>But I's done the record with Lenda that opened a

1:18:15.840 --> 1:18:18.560
<v Speaker 2>lot of doors. So it's you know, then when I

1:18:18.640 --> 1:18:24.720
<v Speaker 2>did the Judge Johnson granted that open Country people, you know,

1:18:24.880 --> 1:18:35.600
<v Speaker 2>and m we did good, you know, and like I

1:18:35.720 --> 1:18:38.599
<v Speaker 2>feel like I played but the baddest band in the land,

1:18:38.640 --> 1:18:42.360
<v Speaker 2>the Neville Brothers. Like this guy named Eric Copp used

1:18:42.360 --> 1:18:45.320
<v Speaker 2>to be a tech man and played keyboard it. He

1:18:45.360 --> 1:18:49.280
<v Speaker 2>used to announces the New Orleans the Mighty Mighty Never

1:18:49.400 --> 1:18:51.200
<v Speaker 2>brother They used to run a chill when they say

1:18:51.280 --> 1:18:53.759
<v Speaker 2>that because we were in Mighty Mighty Never Brothers.

1:18:56.000 --> 1:18:58.519
<v Speaker 1>And so you know, there's a hit you get performing

1:18:58.640 --> 1:19:01.519
<v Speaker 1>live you can't get sitting here your living room. So

1:19:01.720 --> 1:19:06.479
<v Speaker 1>what was the key to winning the audience over? What

1:19:06.560 --> 1:19:09.639
<v Speaker 1>do you mean you show up on stage, you get

1:19:09.680 --> 1:19:13.000
<v Speaker 1>big applause. How do you make sure the audience is

1:19:13.080 --> 1:19:15.800
<v Speaker 1>with you and lift the audience up through the show.

1:19:16.479 --> 1:19:18.680
<v Speaker 2>Just don't go fake and be you be real? You know,

1:19:19.040 --> 1:19:21.920
<v Speaker 2>do what you do. This is what I do. I'm

1:19:21.960 --> 1:19:23.960
<v Speaker 2>not gonna tap dance and jump up and down. I'm

1:19:24.000 --> 1:19:27.240
<v Speaker 2>gonna say, you know, and I'm gonna make my voice

1:19:27.320 --> 1:19:32.599
<v Speaker 2>touch you say something in you because it touches something

1:19:32.640 --> 1:19:32.800
<v Speaker 2>in me.

1:19:34.080 --> 1:19:38.479
<v Speaker 1>Okay, you start to gain success everywhere you go, do

1:19:38.560 --> 1:19:39.680
<v Speaker 1>people recognize you?

1:19:40.280 --> 1:19:47.439
<v Speaker 2>Oh? Yeah, well man, heyp and so you like that

1:19:47.640 --> 1:19:49.560
<v Speaker 2>or do you not like that? It's cool? You know

1:19:49.800 --> 1:19:53.200
<v Speaker 2>when when we're living in the city, we'll be walking

1:19:53.240 --> 1:19:55.599
<v Speaker 2>down the street and all of a sudden you might

1:19:55.680 --> 1:20:01.280
<v Speaker 2>hear somebody hit the bridge legend, oh she and stuff

1:20:01.360 --> 1:20:03.519
<v Speaker 2>like that. You know, that's that's cool.

1:20:05.400 --> 1:20:09.679
<v Speaker 1>And how about ultimately being on TV and in movies?

1:20:09.840 --> 1:20:10.800
<v Speaker 1>How did that come about?

1:20:10.840 --> 1:20:14.320
<v Speaker 2>And did you enjoy that? I did? Uh? I think

1:20:14.400 --> 1:20:16.280
<v Speaker 2>the first time I did was with Dennis Quid and

1:20:17.040 --> 1:20:21.120
<v Speaker 2>John Goodman and Jessica Lang and Timothy Hutton on Everybody's

1:20:21.160 --> 1:20:25.080
<v Speaker 2>All American, which they did done in Baton Rouge, Louisiana.

1:20:26.439 --> 1:20:28.880
<v Speaker 2>Then I did it one in New Orleans but uh,

1:20:31.400 --> 1:20:35.479
<v Speaker 2>Zander Lee but who was it? J Ryan Hull and

1:20:36.560 --> 1:20:42.920
<v Speaker 2>Nicholas Cage and I forget the latest name. Anyway, I

1:20:43.000 --> 1:20:46.920
<v Speaker 2>played a bartime in that one. I played a jail

1:20:47.439 --> 1:20:50.599
<v Speaker 2>a jail cell buddy with Mickey Rope in a movie

1:20:50.680 --> 1:20:56.959
<v Speaker 2>called The Last Ride. So you know, it was all cool.

1:20:58.400 --> 1:21:01.880
<v Speaker 1>And then Joel dies, But ultimately you meet your new

1:21:01.960 --> 1:21:04.800
<v Speaker 1>wife who's a photographer. How does that happen?

1:21:05.520 --> 1:21:10.960
<v Speaker 2>How does that happen? Joe died January fifth, two thousand

1:21:10.960 --> 1:21:17.360
<v Speaker 2>and seven. And I was a basket case. The doctor

1:21:17.520 --> 1:21:19.639
<v Speaker 2>gave me some kind of nerve pure for my nerves

1:21:19.680 --> 1:21:21.960
<v Speaker 2>and stuff, and every time I laid on it felt

1:21:22.000 --> 1:21:26.840
<v Speaker 2>like little things creatures were scurring around on the bed. Said,

1:21:26.840 --> 1:21:29.800
<v Speaker 2>now I can't take this. But meanwhile, Joelle had all

1:21:29.840 --> 1:21:33.920
<v Speaker 2>this narcotics, said that she didn't want to take. She

1:21:34.040 --> 1:21:44.160
<v Speaker 2>had morphine, the uh percose perkadan, but the other one

1:21:44.240 --> 1:21:45.600
<v Speaker 2>is that I can't think of the name of it.

1:21:46.200 --> 1:21:49.760
<v Speaker 2>But anyway, she had all this drugs. So I went

1:21:49.840 --> 1:21:55.240
<v Speaker 2>to that because that's it was familiar. And then but

1:21:55.360 --> 1:21:58.400
<v Speaker 2>that ran out. I would get the doctors the right prescription.

1:21:59.160 --> 1:22:02.880
<v Speaker 2>I could get them on this street, you know. And

1:22:03.080 --> 1:22:06.640
<v Speaker 2>uh so two thousand and eight, you know, I was

1:22:07.160 --> 1:22:10.720
<v Speaker 2>I had to go on the road. Nobody else knew

1:22:10.720 --> 1:22:12.600
<v Speaker 2>what I was going through. You know. That was my

1:22:13.280 --> 1:22:19.400
<v Speaker 2>my solo. Uh that was just for me. And uh

1:22:21.439 --> 1:22:27.919
<v Speaker 2>let's see it get kind of emotional, you know. Anyway,

1:22:28.520 --> 1:22:36.720
<v Speaker 2>the Nevills was going back Joell after after she was

1:22:36.960 --> 1:22:42.040
<v Speaker 2>diagnosed with the cancer. Hurricane Katrina came in two thousand

1:22:42.040 --> 1:22:47.040
<v Speaker 2>and five, so we moved to Nashville, and that's where

1:22:47.080 --> 1:22:52.000
<v Speaker 2>she died in Nashville. And uh, like I said, took

1:22:52.040 --> 1:22:58.040
<v Speaker 2>all those drugs and May. Matter of fact, I met

1:22:58.160 --> 1:23:02.280
<v Speaker 2>Dreell in May, and I met Sarah and two thousand

1:23:02.280 --> 1:23:07.519
<v Speaker 2>and eight people magazines sent out to to photograph the

1:23:07.600 --> 1:23:11.919
<v Speaker 2>Nevels for their return to the Jazz best since Katrina.

1:23:14.120 --> 1:23:17.439
<v Speaker 2>And we did it at the Nevile's office up on

1:23:17.520 --> 1:23:22.320
<v Speaker 2>the balcony, and when I saw something about it, I

1:23:22.520 --> 1:23:27.000
<v Speaker 2>just I don't usually do that, but it's just my

1:23:27.120 --> 1:23:30.240
<v Speaker 2>eyes caught hers and I just never stopped looking at

1:23:30.320 --> 1:23:35.520
<v Speaker 2>the whole time she was taking it. She was so professional,

1:23:35.600 --> 1:23:40.320
<v Speaker 2>you know she and she got pictures just right. And

1:23:40.439 --> 1:23:43.920
<v Speaker 2>after the session was over, everybody else left and I

1:23:44.000 --> 1:23:48.360
<v Speaker 2>stuck around until she had never heard of never Bro.

1:23:49.000 --> 1:23:53.519
<v Speaker 2>So I'll give up a copy on my book and

1:23:53.640 --> 1:23:55.680
<v Speaker 2>I give let her hear some of the music and on,

1:23:57.320 --> 1:23:59.680
<v Speaker 2>and I asked my phone numb. She gave me an

1:23:59.720 --> 1:24:03.519
<v Speaker 2>office number, and I waited a couple of days and

1:24:03.600 --> 1:24:09.320
<v Speaker 2>I called and it was cool. And also I started

1:24:09.400 --> 1:24:13.679
<v Speaker 2>calling every other day and we got start getting closer,

1:24:13.720 --> 1:24:18.280
<v Speaker 2>and so I'd go up to New York and be

1:24:18.400 --> 1:24:22.880
<v Speaker 2>with them. By that time, I moved from Nashville to

1:24:24.360 --> 1:24:29.439
<v Speaker 2>coming to Louisiana. That's like about on a half from

1:24:29.479 --> 1:24:34.439
<v Speaker 2>New Orleans across the lake. And so she would come

1:24:34.479 --> 1:24:41.160
<v Speaker 2>there sometime and I backs and forwards and the next thing,

1:24:41.240 --> 1:24:47.720
<v Speaker 2>and it's talking about moving together and uh, and were

1:24:48.640 --> 1:24:52.000
<v Speaker 2>trying to make sure we could, you know, buy something

1:24:52.040 --> 1:24:54.519
<v Speaker 2>together and all. And so I want to check my

1:24:55.439 --> 1:24:58.040
<v Speaker 2>credit and stuff. And she'd look at the credit and

1:24:58.120 --> 1:25:02.479
<v Speaker 2>my credit was down in the dumps. And I thought

1:25:02.520 --> 1:25:06.160
<v Speaker 2>everything on up and up, but she started looking and

1:25:06.240 --> 1:25:11.840
<v Speaker 2>finding all kinds of discrepancies. Uh, things getting was missing.

1:25:12.960 --> 1:25:17.120
<v Speaker 2>A lot of money was missing, and the business manager

1:25:18.360 --> 1:25:21.160
<v Speaker 2>we had to wind up sewing to get some of

1:25:21.200 --> 1:25:30.080
<v Speaker 2>the money back. And so anyway back and forth from

1:25:30.160 --> 1:25:33.800
<v Speaker 2>New York. One time she was in Coventant and was

1:25:33.840 --> 1:25:37.400
<v Speaker 2>getting ready to go out to dinner, and I want

1:25:37.520 --> 1:25:40.920
<v Speaker 2>my pocket to get the cookies and and pull the

1:25:41.000 --> 1:25:43.759
<v Speaker 2>cockies out of about ten vikings fell on the ground

1:25:44.880 --> 1:25:47.760
<v Speaker 2>and Sarah she had and Data is a guy who

1:25:48.080 --> 1:25:49.760
<v Speaker 2>who was the drug addict before, and she knew what

1:25:49.800 --> 1:25:52.760
<v Speaker 2>it was about. She said oh no, not this ship again. No,

1:25:54.439 --> 1:25:56.160
<v Speaker 2>So I had to make a choice. I gave her

1:25:56.240 --> 1:25:59.040
<v Speaker 2>had about two hundred pills and gave U she's just

1:26:00.280 --> 1:26:07.360
<v Speaker 2>this caught it. That was it number over. So here

1:26:07.400 --> 1:26:13.280
<v Speaker 2>I am. But this November we'll be married thirteen years.

1:26:15.400 --> 1:26:20.040
<v Speaker 1>Wow. Great story. Let's go back to New Orleans. To

1:26:20.160 --> 1:26:22.479
<v Speaker 1>what degree is New Orleans although you don't live there

1:26:22.479 --> 1:26:25.840
<v Speaker 1>anymore the same or is it different? After Katrina?

1:26:27.200 --> 1:26:30.800
<v Speaker 2>It was different? I mean it was like that water

1:26:30.920 --> 1:26:32.600
<v Speaker 2>is sit there for so long and then telling them

1:26:32.640 --> 1:26:35.200
<v Speaker 2>what was in that water from all of the like

1:26:35.320 --> 1:26:37.880
<v Speaker 2>they have these train cars out on the facts with

1:26:38.400 --> 1:26:41.839
<v Speaker 2>all these different chemicals in it and all that everything

1:26:41.920 --> 1:26:46.160
<v Speaker 2>people had under this, you know, under cleaning, under the

1:26:46.200 --> 1:26:49.599
<v Speaker 2>sink and dead folks, all that was in that water.

1:26:51.479 --> 1:26:53.160
<v Speaker 2>I had that friend of mine who still lived on

1:26:53.360 --> 1:26:56.559
<v Speaker 2>that they she had never had an allergy, but now

1:26:56.640 --> 1:26:59.360
<v Speaker 2>she had to get a shot alleges shot every month.

1:27:00.240 --> 1:27:00.720
<v Speaker 2>So I don't know.

1:27:01.720 --> 1:27:03.840
<v Speaker 1>And what about your kids? What are your kids up to?

1:27:04.000 --> 1:27:05.640
<v Speaker 1>And to what degree do you have a connection and

1:27:05.720 --> 1:27:06.320
<v Speaker 1>support them?

1:27:06.920 --> 1:27:09.599
<v Speaker 2>They talk all the time. Well, you know I haven't.

1:27:09.640 --> 1:27:13.920
<v Speaker 2>He's on the road a lot, my son Jason, him

1:27:13.960 --> 1:27:16.120
<v Speaker 2>and his wife, they have a band Jason nevan Is

1:27:17.520 --> 1:27:20.519
<v Speaker 2>Funker Stole Band. They do a lot of new all

1:27:20.600 --> 1:27:22.800
<v Speaker 2>and stuff, but they did that sound too. They was

1:27:22.880 --> 1:27:26.760
<v Speaker 2>just in somewhere in Mexico or a son airon. He

1:27:26.880 --> 1:27:30.920
<v Speaker 2>does some kind of jobs. My daughter in the staying

1:27:31.000 --> 1:27:34.200
<v Speaker 2>seat waits for the Civil sheriff Department.

1:27:36.320 --> 1:27:39.000
<v Speaker 1>Okay, Aaron, I want to thank you so much for

1:27:39.120 --> 1:27:42.960
<v Speaker 1>taking time with my audience. You know, these stories are

1:27:43.040 --> 1:27:45.400
<v Speaker 1>amplified and they're a lot more in his book, which

1:27:45.479 --> 1:27:49.040
<v Speaker 1>is very easy to read. So once again, Aaron, thanks

1:27:49.080 --> 1:27:50.719
<v Speaker 1>for taking the time to tell your stories.

1:27:51.080 --> 1:27:51.840
<v Speaker 2>Thanks for listening.

1:27:51.880 --> 1:27:56.760
<v Speaker 1>Bob, you bet. Until next time. This is Bob left

1:27:56.800 --> 1:27:57.120
<v Speaker 1>sets

1:28:18.880 --> 1:28:19.000
<v Speaker 2>Sh