WEBVTT - Challenging Golf Course Architecture’s Status Quo with Tim Jackson and David Kahn

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<v Speaker 1>This episode of the Frida Egg Podcast is brought to

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<v Speaker 2>I miss the green, for example, I'm already upset. When

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<v Speaker 2>I find my ball in the bunker, I'm really upset.

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<v Speaker 2>And when I find my ball in a frid Egg,

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<v Speaker 2>Friday Egg, the Dread and Friday.

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<v Speaker 1>Fridagg Bride Egg Lie, I'm about ready to run off

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<v Speaker 1>of the hump. Welcome back to another edition of the

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<v Speaker 1>Frida Egg Podcast. I am excited for this episode. Spend

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<v Speaker 1>a few years in the making, COVID kind of put

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<v Speaker 1>a pause. I wanted to get down to Arizona to

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<v Speaker 1>see uh David Kahn and Tim Jackson's work at Scottsdale

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<v Speaker 1>National before I had him on.

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<v Speaker 2>They are young. I guess young.

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<v Speaker 1>Young is a relative word in the architecture community.

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<v Speaker 2>I said this to a friend.

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<v Speaker 1>They're like, I didn't know any any golf architect was

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<v Speaker 1>young relatively speaking.

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<v Speaker 2>They're young. They worked for Tom Fazio.

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<v Speaker 1>They are evolved off of that tree, and they are

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<v Speaker 1>building some really thought provoking stuff. Scottsdale National was really

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<v Speaker 1>a cool course to see. Unbelievable the earthwork that they

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<v Speaker 1>did to build that golf course and how real it looks.

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<v Speaker 2>So I was quite excited.

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<v Speaker 1>We went down and spent a day with Tim and

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<v Speaker 1>David and talked a lot, and they've got some different

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<v Speaker 1>opinions than many that come on this podcast, So it

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<v Speaker 1>was it was fun to get a little bit different

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<v Speaker 1>perspective on golf course architecture, and certainly a duo that

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<v Speaker 1>I would be looking out for and excited about their

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<v Speaker 1>future work as they get more and more jobs in

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<v Speaker 1>the coming years. So without further ado, here is David

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<v Speaker 1>Kahn and Tim Jackson.

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<v Speaker 2>How would you guys describe your design style?

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<v Speaker 3>Yeah, no, I haven't either. How would we describe a

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<v Speaker 3>design style? I'll say this we we we I think

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<v Speaker 3>our design style hopefully is we don't want to necessarily

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<v Speaker 3>repeat what we've done in the past. I mean, I

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<v Speaker 3>think there's a lot of golf course designers. You could

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<v Speaker 3>you know, you could be air mailed into the middle

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<v Speaker 3>of a golf course do a three sixty. You know

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<v Speaker 3>who designed the golf course, just based upon the style,

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<v Speaker 3>the features, the look. You know, when you're on a

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<v Speaker 3>Pete Die golf course. There's a lot of great peed

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<v Speaker 3>Die golf courses. You know you're on a peed Die

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<v Speaker 3>golf course, right when you're on a you know, a

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<v Speaker 3>Nicolas course. A lot of times you know you're on

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<v Speaker 3>a Nicholas course or you know, a Palmer course or

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<v Speaker 3>things of that nature. We we don't necessarily like to

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<v Speaker 3>you know, we try to do different things quite honestly.

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<v Speaker 3>You know, we want each project to be unique, not

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<v Speaker 3>be a replication of what's been done in the past. So,

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<v Speaker 3>I mean, I don't know if that's necessarily designed style,

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<v Speaker 3>but that's a thought that we have quite a bit.

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<v Speaker 1>Yeah.

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<v Speaker 4>I mean, not only is it important for the client

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<v Speaker 4>to give them something different to help their product and

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<v Speaker 4>business differentiate from competitors, but as a designer selfishly, it's

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<v Speaker 4>more fun to explore new ideas. So, you know, I

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<v Speaker 4>think we we have overarching philosophies that apply to every project,

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<v Speaker 4>but the physical manifestation of those philosophies, we hope, are

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<v Speaker 4>you know, varied to the point where it doesn't seem

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<v Speaker 4>like we're just copy and pasting.

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<v Speaker 2>Would you guys think.

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<v Speaker 1>It's fair to say that you'd fall into the maximalism camp.

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<v Speaker 3>What is the maximalism can?

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<v Speaker 2>I don't know.

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<v Speaker 1>You know a lot of architects today identify themselves as minimalists,

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<v Speaker 1>like where they want to move as a little dirt

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<v Speaker 1>as possible and kind of let.

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<v Speaker 4>The lay of the land be the I don't I

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<v Speaker 4>don't know how the world out there defines maximalism, but

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<v Speaker 4>I will say that we try very very hard to

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<v Speaker 4>maximize the potential of the design in every project. So

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<v Speaker 4>if that's the definition of it, then I'd say, without

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<v Speaker 4>a doubt, where maximalism maximalists, that does not mean we

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<v Speaker 4>look to move the most amount of dirt in every project.

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<v Speaker 4>But if that's what's required to maximize the potential, then absolutely,

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<v Speaker 4>we're not scared to do it.

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<v Speaker 3>Yeah, you know, I think that, and I'm gonna be

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<v Speaker 3>very honest. There's not a lot of designers out there

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<v Speaker 3>that can successfully take on a project where, in order

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<v Speaker 3>to maximize the golf potential, say you need to move

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<v Speaker 3>four or five million cubic yards of material and then

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<v Speaker 3>create great golf by doing that, right, there's a lot

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<v Speaker 3>of designers that can take a great piece of ground

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<v Speaker 3>and design a great golf course. You know. I think

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<v Speaker 3>once you know that you can take a piece of

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<v Speaker 3>property that may be featureless, that may not have the

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<v Speaker 3>greatest elements, the greatest starting elements, and create great golf,

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<v Speaker 3>it gets pretty easy after that, quite honestly.

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<v Speaker 1>So you think, you know, I think like conventional thought

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<v Speaker 1>recently is like you need a great site to build

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<v Speaker 1>great golf.

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<v Speaker 2>Can you build great golf anywhere?

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<v Speaker 4>Absolutely?

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<v Speaker 1>Yeah.

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<v Speaker 4>I mean they're different, they're different, you know, kind of

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<v Speaker 4>vibes and results at the end of the day. But

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<v Speaker 4>I think that if the desire is there from the

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<v Speaker 4>client and if the funding is there, depending on what

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<v Speaker 4>you're starting with at a certain point there is money

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<v Speaker 4>that is required to build these things, then I don't

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<v Speaker 4>think there are any excuses for not being able to

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<v Speaker 4>create something spectacular.

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<v Speaker 2>Yeah, you know, the.

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<v Speaker 3>You always want to spend the client's money as efficiently

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<v Speaker 3>and as responsibly as possible, right, but you also want

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<v Speaker 3>to make sure that you achieve the client's goals. And

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<v Speaker 3>you know, again there's a starting point and there's a

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<v Speaker 3>desired end result. And if you have the experience to

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<v Speaker 3>understand and know what it's going to take to get

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<v Speaker 3>from point A to point B, and the client's willing

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<v Speaker 3>to support that, there's no reason to hold back from that.

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<v Speaker 3>In our opinion, you know, we we've not necessarily been

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<v Speaker 3>blessed with the opportunity to work on a lot of

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<v Speaker 3>amazing in sites natural sites for golf. In our careers.

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<v Speaker 3>We've had to work on a number of projects, both

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<v Speaker 3>when we were with Tom and as Jackson Cohn that

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<v Speaker 3>required a lot of heavy moving, have a lot of

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<v Speaker 3>heavy lifting to create the golf, essentially create the environment

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<v Speaker 3>and kind of put the golf in it. I guess,

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<v Speaker 3>you know, for for lack of a better term, and

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<v Speaker 3>we feel that we've been you know, relatively successful with that.

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<v Speaker 2>Fortunately, when you say Tom is Tom.

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<v Speaker 1>Yes, yes, yes, yes, So you know, in terms like

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<v Speaker 1>I think like what are the misconceptions about moving dirt

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<v Speaker 1>to create something? What?

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<v Speaker 2>What do you guys think.

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<v Speaker 1>Some in meeting with clients or you know what, or

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<v Speaker 1>just general conversation.

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<v Speaker 3>Well, you know, I think that I think that when

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<v Speaker 3>you look about how golf is written about, and you

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<v Speaker 3>look about at the golf writers that are kind of

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<v Speaker 3>active today in golf, they have collectively a very narrow

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<v Speaker 3>bandwidth on how they feel golf should be created, right,

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<v Speaker 3>And I think that a lot of people read that

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<v Speaker 3>and a lot of people feel that that's the way

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<v Speaker 3>that golf should because they say that's the way the

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<v Speaker 3>golf should be right. You know, the end result is

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<v Speaker 3>really what matters. And I'll be honest, you know, there's

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<v Speaker 3>a lot of guys that we've encountered in our career,

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<v Speaker 3>critics who are just aboring at the thought that we

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<v Speaker 3>would take a piece of ground and move the amount

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<v Speaker 3>of dirt that we do, and we could take them

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<v Speaker 3>out there and they could never tell what was a

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<v Speaker 3>cut or what was a fill. The whole key is

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<v Speaker 3>you have to do it on a scale that you

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<v Speaker 3>create believability in the end result, right, you know, I

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<v Speaker 3>think that you know, we've been fortunate we were taught

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<v Speaker 3>how to do that. You know, it's not something that

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<v Speaker 3>I think that you you know, just instinctively know how

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<v Speaker 3>to do. But again, you know, we had a lot

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<v Speaker 3>of pieces of ground in our career that the expectations

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<v Speaker 3>were very high as far as what the end result

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<v Speaker 3>for golf was going to be, and the starting point

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<v Speaker 3>was not that great.

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<v Speaker 1>I think that's something, you know, having senior guys work

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<v Speaker 1>at Scottsdale National the other course, like something that you know,

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<v Speaker 1>when you think manufactured golf, you kind of like my

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<v Speaker 1>mind goes to containment mounds and you get those like

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<v Speaker 1>eight to ten foot containment mounds down the right or

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<v Speaker 1>the left side, and you know, little mound here, something

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<v Speaker 1>that kind of like what amaze me what you just

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<v Speaker 1>said is making it look real and the scale of it.

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<v Speaker 1>You know, can you talk about that, like what what

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<v Speaker 1>have you guys learned to make stuff look real that

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<v Speaker 1>is very manufactured you know in essence like it's completely created,

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<v Speaker 1>but it looks like it's been there for a long time.

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<v Speaker 4>So you know, in order to trick the human mind,

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<v Speaker 4>it has to be built at a scale large enough

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<v Speaker 4>where you can't immediately or ever perceive you know that

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<v Speaker 4>dirt was actually moved at that immense scale. And what

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<v Speaker 4>I mean by that is, you know, like to your point,

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<v Speaker 4>the old kind of nineteen eighties shaping where it's just

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<v Speaker 4>mounds left right of the golf hole. There you can

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<v Speaker 4>clearly see the man made very rhythmic, very engineered slope.

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<v Speaker 4>Clearly man touched that. And that doesn't en and up

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<v Speaker 4>itself make it bad, but it's it's just striking to

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<v Speaker 4>the eye. It's like, well, that's somebody built that. And

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<v Speaker 4>and in our minds, and we learned a lot, you know,

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<v Speaker 4>working with Tom and senior designers there. When you move dirt,

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<v Speaker 4>when you have to move dirt, when you need to

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<v Speaker 4>move dirt, move it at a scale large enough. And

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<v Speaker 4>and what I mean by that is, don't just necessarily

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<v Speaker 4>do it within one golf hole, have that cut, have

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<v Speaker 4>that fill, you know, transition from one to another to

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<v Speaker 4>a third, maybe a fourth golf hole. And when it's

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<v Speaker 4>done at that large of a scale, it looks like

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<v Speaker 4>a very natural landform. Obviously the shape and esthetic and

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<v Speaker 4>you know the contouring of that movement has to be

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<v Speaker 4>done in a very organic and natural way and not

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<v Speaker 4>very rhythmic, like I said, not engineered. Constant planes, constant

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<v Speaker 4>slopes are immediately scream you know, engineered. And like I said,

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<v Speaker 4>I love Pete die work, and he did a lot

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<v Speaker 4>of that angular, very sharp contouring, and it's it's awesome,

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<v Speaker 4>you know, it's just not the style. I guess to

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<v Speaker 4>go back to your first question of you know, what

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<v Speaker 4>appeals to our eye, and that's something we did on

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<v Speaker 4>the other course of Gustil National is really really large cuts,

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<v Speaker 4>really really large fills, not not vertically but also horizontally.

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<v Speaker 3>Well, I think too. I guess the most extinct way

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<v Speaker 3>of saying is that you have to manufacture in a

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<v Speaker 3>way that looks as natural as possible when it's all

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<v Speaker 3>said and done right, and and a lot of that

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<v Speaker 3>is how it's put back together. So you know, there's

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<v Speaker 3>always the base movement that you're creating, the cuts, the fills,

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<v Speaker 3>the elevations. But then what do you do with those

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<v Speaker 3>those cuts and those fills and elevations when it's all

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<v Speaker 3>said and done. What's the vegetation that goes back in?

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<v Speaker 3>You know, what's the you know, the the rock worker

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<v Speaker 3>and in the you know, in the essence Discustile National.

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<v Speaker 3>You know, we had to blast the lake into the

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<v Speaker 3>irrigation lake, you know, into the ground with I think

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<v Speaker 3>was a sixty foot cut to the bottom of irrigation lake

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<v Speaker 3>hit bedrock at eighteen inches eighteen inches right, So that

0:12:08.000 --> 0:12:10.960
<v Speaker 3>was you know, fifty eight and a half feet of

0:12:11.040 --> 0:12:13.640
<v Speaker 3>rock that needed to be excavated out of there. That

0:12:13.760 --> 0:12:16.280
<v Speaker 3>rock was repurposed around the golf course and placed in

0:12:16.320 --> 0:12:18.520
<v Speaker 3>a way that it actually added it and enhanced and

0:12:18.559 --> 0:12:21.520
<v Speaker 3>made the environment look more natural than if we didn't

0:12:21.520 --> 0:12:24.120
<v Speaker 3>have that. I mean, there's so many areas of Scotstill

0:12:24.240 --> 0:12:28.600
<v Speaker 3>National that are so heavily manufactured and nobody knows they feel.

0:12:28.679 --> 0:12:30.280
<v Speaker 3>You know, one of the bessest compliments I think we

0:12:30.320 --> 0:12:31.880
<v Speaker 3>had from Rand Morris set is everyone's going to think,

0:12:31.880 --> 0:12:34.240
<v Speaker 3>you guys had this amazing site for golf because the

0:12:34.320 --> 0:12:36.800
<v Speaker 3>end result looks so real and it looks so nice,

0:12:36.800 --> 0:12:38.079
<v Speaker 3>and it is real. I mean, it is real.

0:12:38.160 --> 0:12:42.000
<v Speaker 4>It's just you know, you know, the interesting thing about

0:12:42.000 --> 0:12:45.280
<v Speaker 4>all of rock out there was in our initial budget

0:12:45.400 --> 0:12:50.800
<v Speaker 4>we had we were bringing in rock from offsite because

0:12:50.800 --> 0:12:52.960
<v Speaker 4>we always wanted that look to kind of match the

0:12:53.000 --> 0:12:56.839
<v Speaker 4>natural surroundings. We had no idea that we were sitting

0:12:56.920 --> 0:13:00.400
<v Speaker 4>on solid bedrock. And so when we started making the

0:13:00.440 --> 0:13:02.880
<v Speaker 4>cut for the lake and we found that mother earth

0:13:02.960 --> 0:13:06.920
<v Speaker 4>right underneath there, eighteen inches down, and immediately we're like, well, stop,

0:13:07.080 --> 0:13:10.000
<v Speaker 4>stop ordering the truckloads of rock to come in, and

0:13:10.160 --> 0:13:12.440
<v Speaker 4>we have it all right here. And so, you know,

0:13:12.480 --> 0:13:15.640
<v Speaker 4>we utilize that kind of happy accident and repurposed that

0:13:15.679 --> 0:13:18.719
<v Speaker 4>all over the property to uh to kind of eminitize

0:13:18.720 --> 0:13:22.400
<v Speaker 4>the landscape and you know, make it a believable landscape.

0:13:22.679 --> 0:13:25.160
<v Speaker 4>And on the landscape architect pinnacle design that was involved

0:13:25.200 --> 0:13:27.680
<v Speaker 4>in that project was equally as important to making that

0:13:27.840 --> 0:13:30.320
<v Speaker 4>scene in that environment believable because we could have built

0:13:30.320 --> 0:13:32.760
<v Speaker 4>all the cool landforms in the world. But if you

0:13:32.840 --> 0:13:34.840
<v Speaker 4>top that, like Tim said, with the with the wrong

0:13:34.960 --> 0:13:38.319
<v Speaker 4>vegetation or just kind of poor planting or really manufacture

0:13:38.440 --> 0:13:40.960
<v Speaker 4>kind of we call it the bad hair transplant equally

0:13:41.000 --> 0:13:43.880
<v Speaker 4>spacing equally sized plants, then it just it ruins the

0:13:43.880 --> 0:13:45.240
<v Speaker 4>whole effort.

0:13:45.760 --> 0:13:49.160
<v Speaker 1>Yeah, golf architecture likes to be considered an art, but

0:13:49.280 --> 0:13:53.040
<v Speaker 1>what you just hit on is an interesting, you know,

0:13:53.520 --> 0:13:56.480
<v Speaker 1>divergence from so many other forms. Like if you're a painter,

0:13:56.640 --> 0:13:59.439
<v Speaker 1>you just you sit in your house and paint stuff

0:13:59.800 --> 0:14:02.800
<v Speaker 1>and then people buy it and then maybe you start

0:14:02.800 --> 0:14:06.520
<v Speaker 1>to do some custom commissions, right, like really successful painters

0:14:06.559 --> 0:14:11.520
<v Speaker 1>though just paint stuff. But golf like you're you're always

0:14:11.600 --> 0:14:15.760
<v Speaker 1>tied to what an owner, a developer, a client, a

0:14:15.840 --> 0:14:21.320
<v Speaker 1>committee wants. So in a way, your your art form

0:14:21.720 --> 0:14:23.760
<v Speaker 1>is somewhat constrained.

0:14:23.280 --> 0:14:26.640
<v Speaker 3>Right, Well, you try to choose the projects I think

0:14:26.640 --> 0:14:30.400
<v Speaker 3>where it's least constrained, hopefully, but there's considerations, there's always

0:14:30.440 --> 0:14:33.440
<v Speaker 3>compromising considerations along the way. Right. You can't design in

0:14:33.440 --> 0:14:36.560
<v Speaker 3>a bubble, you can't design in a vacuum. And you know,

0:14:36.640 --> 0:14:40.160
<v Speaker 3>it's you know, we understand that many of the clubs

0:14:40.160 --> 0:14:44.000
<v Speaker 3>that we work with now you know, existing clubs, you

0:14:44.000 --> 0:14:47.280
<v Speaker 3>know there's members that are very passionate about their golf courses, right,

0:14:47.360 --> 0:14:49.680
<v Speaker 3>and you have to, you know, you have to be

0:14:49.680 --> 0:14:52.200
<v Speaker 3>able to take what they feel they want their golf

0:14:52.240 --> 0:14:54.160
<v Speaker 3>course to be and you know, show them what you

0:14:54.160 --> 0:14:56.120
<v Speaker 3>think the potential could be and then you try to

0:14:56.120 --> 0:14:57.840
<v Speaker 3>bridge that gap a lot of times because there's a

0:14:57.880 --> 0:15:00.000
<v Speaker 3>pretty big disconnected times as far as what that might

0:15:00.160 --> 0:15:04.160
<v Speaker 3>be with kind of maximalism.

0:15:05.240 --> 0:15:10.800
<v Speaker 1>I'm curious, you know, in creating these environments. You know, maintenance,

0:15:11.720 --> 0:15:13.720
<v Speaker 1>and you know, I think a lot of people assume

0:15:13.760 --> 0:15:15.560
<v Speaker 1>if you move a lot of dirt then you're going

0:15:15.640 --> 0:15:17.600
<v Speaker 1>to have a higher maintenance budget. Is that true?

0:15:18.440 --> 0:15:21.280
<v Speaker 4>No, not at all. No, you may have a slightly

0:15:21.480 --> 0:15:25.440
<v Speaker 4>higher construction cost maybe. I mean in the big scheme

0:15:25.440 --> 0:15:27.400
<v Speaker 4>of things, when you're building a golf course, moving dirt

0:15:27.760 --> 0:15:31.640
<v Speaker 4>is not a big line item blasting, you know, dealing

0:15:31.680 --> 0:15:34.960
<v Speaker 4>with rock absolutely is, But just moving the dirt is

0:15:35.000 --> 0:15:38.560
<v Speaker 4>not is not that expensive. It's again, it's what you

0:15:38.600 --> 0:15:40.920
<v Speaker 4>put on top of it. How many square feet, how

0:15:40.960 --> 0:15:43.960
<v Speaker 4>many acres of turf do you how many square feet

0:15:44.000 --> 0:15:46.760
<v Speaker 4>acres of bunkers, how many square feed acres of greens?

0:15:47.160 --> 0:15:49.840
<v Speaker 4>That's what matters is It doesn't matter if you found

0:15:49.920 --> 0:15:54.240
<v Speaker 4>that site as is and you grasped it, and may

0:15:54.440 --> 0:15:56.640
<v Speaker 4>you know that maintenance is pretty much the exact same

0:15:58.400 --> 0:16:01.440
<v Speaker 4>as opposed to if you manufactured it. If you have

0:16:01.520 --> 0:16:03.800
<v Speaker 4>the same amount of square footage of golf at the

0:16:03.880 --> 0:16:05.800
<v Speaker 4>end of the day, it doesn't matter how you got there.

0:16:05.840 --> 0:16:08.760
<v Speaker 4>The maintenance, the maintenance starts at that point forward. So

0:16:08.800 --> 0:16:12.920
<v Speaker 4>it's it's it's independent. Yeah, it's part of the earthwork.

0:16:13.080 --> 0:16:14.560
<v Speaker 3>A lot of it goes into how well golf course

0:16:14.920 --> 0:16:17.320
<v Speaker 3>is constructed as far as what the maintenance requirements are.

0:16:17.320 --> 0:16:19.120
<v Speaker 3>The follow right, and I'm going to give you a

0:16:19.160 --> 0:16:23.120
<v Speaker 3>prime example between maximalism and minimalism with that. Okay, So

0:16:23.440 --> 0:16:24.760
<v Speaker 3>you know, again, one of the things that we learned

0:16:24.760 --> 0:16:26.760
<v Speaker 3>from Tom Fazio is that the infrastructure that you put

0:16:26.800 --> 0:16:28.400
<v Speaker 3>in the ground supports which you do on top of that,

0:16:28.440 --> 0:16:30.360
<v Speaker 3>and if you don't get the foundation right, you're going

0:16:30.400 --> 0:16:33.440
<v Speaker 3>to have issues after the fact, right, So you know,

0:16:33.680 --> 0:16:37.080
<v Speaker 3>we know, we feel like we know what it takes

0:16:37.120 --> 0:16:40.640
<v Speaker 3>from an irrigation standpoint, from a drainage standpoint, the things

0:16:40.680 --> 0:16:43.480
<v Speaker 3>that the members never see to be able to have

0:16:43.520 --> 0:16:46.880
<v Speaker 3>a successful project. And we work with the golf course superintendents.

0:16:46.920 --> 0:16:49.120
<v Speaker 3>My degree is in agronomy, it's not in landscape architecture, right,

0:16:49.160 --> 0:16:51.040
<v Speaker 3>so I'm a turf fed So I'd love talking with

0:16:51.080 --> 0:16:53.880
<v Speaker 3>those guys. And it doesn't necessarily mean that it affects

0:16:53.960 --> 0:16:56.040
<v Speaker 3>what we do from a design standpoint. Sometimes we have

0:16:56.040 --> 0:16:58.400
<v Speaker 3>a lot of conversations about maintenance and what that, what

0:16:58.440 --> 0:17:01.160
<v Speaker 3>that means, but we always try to give them what

0:17:01.280 --> 0:17:04.199
<v Speaker 3>they need to be successful to support the design. So

0:17:04.240 --> 0:17:06.159
<v Speaker 3>there's a very well known architect who did a project

0:17:06.160 --> 0:17:11.040
<v Speaker 3>out west and he wanted irrigation spacing in a desert environment,

0:17:11.680 --> 0:17:15.760
<v Speaker 3>high desert environment that was going to create dry areas

0:17:16.000 --> 0:17:18.440
<v Speaker 3>and wet areas because he didn't want everything perfectly green, right,

0:17:19.119 --> 0:17:23.159
<v Speaker 3>minimalist designer, minimalist design I don't want perfect irrigation spacing

0:17:23.160 --> 0:17:24.960
<v Speaker 3>because I want this browned out looking areas.

0:17:25.040 --> 0:17:25.200
<v Speaker 1>Right.

0:17:25.880 --> 0:17:28.159
<v Speaker 3>No understanding of what that was going to do to

0:17:28.200 --> 0:17:30.440
<v Speaker 3>the golf course superintendent when the members came to him

0:17:30.840 --> 0:17:33.080
<v Speaker 3>and said, why does the golf course look this way? Right,

0:17:33.560 --> 0:17:38.120
<v Speaker 3>the minimalist architect dictated the irrigation design in a way

0:17:38.600 --> 0:17:41.000
<v Speaker 3>that was going to create so much more maintenance for

0:17:41.080 --> 0:17:43.240
<v Speaker 3>the golf course superintendent because his guys were going to

0:17:43.240 --> 0:17:46.240
<v Speaker 3>be out there on hoses, hand watering areas. Because the

0:17:46.240 --> 0:17:47.639
<v Speaker 3>members would never have accepted that.

0:17:47.760 --> 0:17:47.920
<v Speaker 1>Right.

0:17:48.920 --> 0:17:50.760
<v Speaker 3>We recognize the fact that we want to support the

0:17:50.800 --> 0:17:53.520
<v Speaker 3>golf course superintendents of what they need to achieve the expectations.

0:17:53.560 --> 0:17:55.520
<v Speaker 3>It's not always about us at the end of the day.

0:17:55.880 --> 0:17:58.080
<v Speaker 3>We want to give them what they need. But there's

0:17:58.119 --> 0:18:01.360
<v Speaker 3>a minimalist designer was his thought, and he was going

0:18:01.359 --> 0:18:03.920
<v Speaker 3>to create far, far more maintenance for the superintendent. Was

0:18:03.920 --> 0:18:04.719
<v Speaker 3>all said and done.

0:18:05.119 --> 0:18:10.760
<v Speaker 4>Yeah, I mean, in to kind of oversimplify, you can

0:18:10.800 --> 0:18:15.600
<v Speaker 4>put more money into the construction to then reduce maintenance

0:18:15.680 --> 0:18:19.160
<v Speaker 4>needs moving forward. So you know, it's it's it's it's

0:18:19.200 --> 0:18:22.879
<v Speaker 4>not the minimalism. It's absolutely maximalism. But you know that

0:18:22.920 --> 0:18:24.800
<v Speaker 4>can be in any aspect of life, not just golf.

0:18:25.200 --> 0:18:27.600
<v Speaker 4>You know, you can put it into your house, more sustainability.

0:18:27.600 --> 0:18:30.040
<v Speaker 4>You can put solar on your roof. Well, that costs

0:18:30.080 --> 0:18:32.400
<v Speaker 4>a lot, but look now you have no power bill

0:18:32.440 --> 0:18:33.000
<v Speaker 4>moving forward.

0:18:33.080 --> 0:18:34.000
<v Speaker 2>So there are.

0:18:33.960 --> 0:18:36.160
<v Speaker 4>Ways you know, with the construction of the golf course

0:18:36.200 --> 0:18:39.320
<v Speaker 4>with better irrigation system, you know, better spacing, better head control,

0:18:39.760 --> 0:18:41.520
<v Speaker 4>all that stuff that costs an arm and a leg

0:18:41.560 --> 0:18:44.520
<v Speaker 4>to put in upfront, but you know that that pays

0:18:44.520 --> 0:18:45.520
<v Speaker 4>dividends in the long run.

0:18:45.600 --> 0:18:49.000
<v Speaker 1>Well, I always, like everybody always like, oh good architecture

0:18:49.040 --> 0:18:51.120
<v Speaker 1>costs more money, but like when you look at it

0:18:51.280 --> 0:18:54.719
<v Speaker 1>from the design standpoint and building, it's something that's gonn't

0:18:54.720 --> 0:18:55.359
<v Speaker 1>really sound.

0:18:55.480 --> 0:18:57.960
<v Speaker 4>It's construction. Construction costs.

0:18:57.960 --> 0:18:59.520
<v Speaker 1>It actually saves you a lot of money in the

0:18:59.560 --> 0:19:01.879
<v Speaker 1>long run because if if it if it cuts your

0:19:01.880 --> 0:19:05.600
<v Speaker 1>maintenance bill by one hundred thousand dollars for thirty years,

0:19:05.600 --> 0:19:08.880
<v Speaker 1>So you're you're probably high fiving, you know about hey

0:19:08.920 --> 0:19:09.800
<v Speaker 1>we save some money.

0:19:10.000 --> 0:19:11.560
<v Speaker 3>Yeah, No, I mean yeah, So it's you know, for

0:19:11.680 --> 0:19:14.600
<v Speaker 3>us again, it's it's it's it's not Maximuslimbers. It's getting

0:19:14.600 --> 0:19:17.160
<v Speaker 3>it right, you know, quite honestly. And you know, again,

0:19:17.320 --> 0:19:19.639
<v Speaker 3>you know, hopefully working with clients, have the resources to

0:19:19.640 --> 0:19:21.359
<v Speaker 3>be able to build something correctly.

0:19:21.080 --> 0:19:24.240
<v Speaker 4>And getting it right for that client, and you know,

0:19:25.240 --> 0:19:28.239
<v Speaker 4>good or bad it that's that's what we do. We

0:19:28.320 --> 0:19:31.080
<v Speaker 4>work for a client. We're not We're not an artist

0:19:31.240 --> 0:19:33.680
<v Speaker 4>just going in our basement and drawing on a canvas

0:19:33.680 --> 0:19:36.760
<v Speaker 4>and saying I like it. It's that would be great,

0:19:36.920 --> 0:19:38.760
<v Speaker 4>But we don't have that much money to just go

0:19:38.800 --> 0:19:41.119
<v Speaker 4>and you know, buy hundreds of acres of land and

0:19:41.119 --> 0:19:43.119
<v Speaker 4>just kind of fiddle around. So we are, at the

0:19:43.200 --> 0:19:45.760
<v Speaker 4>end of the day working for somebody that has to

0:19:45.760 --> 0:19:48.960
<v Speaker 4>meet some degree of a bottom line, and it's our

0:19:49.119 --> 0:19:52.640
<v Speaker 4>responsibility and task to be able to maximize those opportunities

0:19:52.640 --> 0:19:54.840
<v Speaker 4>with staying within that constraint in those realities.

0:19:55.640 --> 0:19:58.480
<v Speaker 1>So yeah, you know, I think i'd love to hear

0:19:59.400 --> 0:20:02.840
<v Speaker 1>who This is a question I love to ask architects,

0:20:02.840 --> 0:20:07.440
<v Speaker 1>and I've been particularly interested with your guys's answer. Who's

0:20:07.440 --> 0:20:10.720
<v Speaker 1>on your Mount Rushmore of golf architecture. So you get

0:20:10.760 --> 0:20:14.000
<v Speaker 1>four spots, right, I want to hear who you guys

0:20:14.080 --> 0:20:16.440
<v Speaker 1>is Mount Rushmore of golf architects.

0:20:17.720 --> 0:20:20.439
<v Speaker 4>For me, Mike Strants would have the biggest head chiseled

0:20:20.480 --> 0:20:24.240
<v Speaker 4>in the mountain. I'll have to think about it. I

0:20:24.280 --> 0:20:27.280
<v Speaker 4>would put Pete Die up there as well. I tend

0:20:27.320 --> 0:20:29.680
<v Speaker 4>to gravitate to the guys that break the mold and

0:20:29.920 --> 0:20:33.520
<v Speaker 4>are risk takers, and probably half the population dislikes them

0:20:33.560 --> 0:20:35.800
<v Speaker 4>and the other half of them. So I kind of

0:20:35.840 --> 0:20:39.399
<v Speaker 4>like those polarizing figures, you know, the safe designers that

0:20:39.440 --> 0:20:42.560
<v Speaker 4>go down the middle of the road and have a long,

0:20:42.600 --> 0:20:45.560
<v Speaker 4>successful career. I just I don't you know, to me,

0:20:45.640 --> 0:20:48.000
<v Speaker 4>they don't move the needle enough to kind of admire

0:20:49.320 --> 0:20:52.320
<v Speaker 4>their talent and their courage.

0:20:53.160 --> 0:20:57.120
<v Speaker 1>I mean, in a way, designs should be slightly provocative.

0:20:57.920 --> 0:21:00.440
<v Speaker 4>Yeah, I mean it's my opinion that the best designs

0:21:00.440 --> 0:21:03.040
<v Speaker 4>out there are some of the most controversial as well.

0:21:03.160 --> 0:21:06.159
<v Speaker 4>I mean honestly, because again, if it's plain Jane, it

0:21:06.240 --> 0:21:10.119
<v Speaker 4>may be good maybe you know, good aconomic conditions, It

0:21:10.119 --> 0:21:12.359
<v Speaker 4>may be a cool environment, but if it's not really

0:21:12.920 --> 0:21:15.840
<v Speaker 4>pushing buttons and making you think and question and stopping

0:21:15.920 --> 0:21:17.920
<v Speaker 4>in your tracks, and it's just they think it's missing

0:21:17.960 --> 0:21:22.040
<v Speaker 4>the mark. You know, strategies, getting getting the math of

0:21:22.040 --> 0:21:25.480
<v Speaker 4>golf is very black and white to us. It's very straightforward.

0:21:26.400 --> 0:21:30.080
<v Speaker 4>Once we know those numbers are correct, and we know

0:21:30.160 --> 0:21:31.840
<v Speaker 4>a hazard wants to go here, and it wants to

0:21:31.840 --> 0:21:34.080
<v Speaker 4>be about yay, big, yay, long, yey wide. You know,

0:21:34.560 --> 0:21:38.080
<v Speaker 4>once you have that, that's where the fun begins. It's

0:21:38.080 --> 0:21:39.760
<v Speaker 4>not like, hey, just go put a circle bunker there

0:21:39.800 --> 0:21:41.360
<v Speaker 4>and call it a day. It's like, no, okay, we've

0:21:41.400 --> 0:21:43.320
<v Speaker 4>positioned it correctly, so it's going to play.

0:21:43.359 --> 0:21:43.560
<v Speaker 1>Right.

0:21:44.080 --> 0:21:47.040
<v Speaker 4>Now, let's build the art. What are people going to

0:21:47.160 --> 0:21:50.359
<v Speaker 4>look at and get excited about because you know, Tim

0:21:50.400 --> 0:21:52.199
<v Speaker 4>has this kind of saying a lot. I'm surprised he

0:21:52.200 --> 0:21:54.080
<v Speaker 4>hasn't said it. Yeah, and I'll probably butcher it. But

0:21:54.520 --> 0:21:56.840
<v Speaker 4>you know, we stand on a golf tee or you know,

0:21:56.880 --> 0:22:02.119
<v Speaker 4>a golf hole. The majority of golfers cannot even understand strategy.

0:22:02.200 --> 0:22:05.119
<v Speaker 4>They don't it doesn't register, and then the few that

0:22:05.200 --> 0:22:08.160
<v Speaker 4>actually do understand it, a very small percentage of them

0:22:08.280 --> 0:22:11.119
<v Speaker 4>can even execute. So now you're looking at let's just

0:22:11.400 --> 0:22:14.119
<v Speaker 4>call it, ninety five percent of golfers in the world

0:22:14.760 --> 0:22:18.840
<v Speaker 4>are literally just there enjoying the scene and trying to

0:22:18.920 --> 0:22:21.240
<v Speaker 4>hit a golf ball that they can find the next shot. So,

0:22:21.840 --> 0:22:25.439
<v Speaker 4>you know, we don't put all effort into the beauty.

0:22:25.920 --> 0:22:28.800
<v Speaker 4>We put equal effort into getting the math right, getting

0:22:28.840 --> 0:22:32.679
<v Speaker 4>the strategy, the options right, and then really focusing on

0:22:32.720 --> 0:22:35.360
<v Speaker 4>the art because that's what people engage with.

0:22:35.760 --> 0:22:38.960
<v Speaker 1>Yeah, we're going to get back to the Mount Rushmore thing.

0:22:39.000 --> 0:22:41.280
<v Speaker 1>I'm not letting you off the hook that easy, but

0:22:41.600 --> 0:22:44.040
<v Speaker 1>it's something you talked about that I want to touch

0:22:44.040 --> 0:22:47.080
<v Speaker 1>on while we're here. You talked about having to push

0:22:47.080 --> 0:22:51.080
<v Speaker 1>the bounties, having to build provocative stuff. What's an example

0:22:51.119 --> 0:22:54.320
<v Speaker 1>of something that you built that was particularly provocative.

0:22:54.640 --> 0:22:56.439
<v Speaker 3>Well, I think that you know, for us, probably the

0:22:56.440 --> 0:22:59.240
<v Speaker 3>prime example is the you know, the bad little Ninus

0:22:59.240 --> 0:23:05.440
<v Speaker 3>Constan National. You know, the concept behind it, you know, initially,

0:23:05.640 --> 0:23:08.080
<v Speaker 3>you know, for mister Parsons was to create, you know,

0:23:08.200 --> 0:23:10.080
<v Speaker 3>essentially a course that could be set up is the

0:23:10.119 --> 0:23:13.360
<v Speaker 3>hardest part three course in the world, which doesn't sound

0:23:13.400 --> 0:23:15.280
<v Speaker 3>like a lot of fun right in and of itself,

0:23:16.440 --> 0:23:18.359
<v Speaker 3>but when you're out there and it's set up on

0:23:18.400 --> 0:23:21.720
<v Speaker 3>Fridays on challenge days and you see members and their

0:23:21.760 --> 0:23:25.439
<v Speaker 3>guests having just the most amazing time, you know, watching

0:23:25.440 --> 0:23:27.480
<v Speaker 3>a guy you know hit it to you know, fifteen

0:23:27.480 --> 0:23:29.840
<v Speaker 3>feet and walk off a green with a twelve. You know,

0:23:29.880 --> 0:23:32.280
<v Speaker 3>it doesn't sound fun, but it is, It really is

0:23:32.320 --> 0:23:35.560
<v Speaker 3>because of the challenge. It's there. The hardest part for us,

0:23:35.640 --> 0:23:37.960
<v Speaker 3>and Dave talks about the math of golf course architecture

0:23:38.280 --> 0:23:43.080
<v Speaker 3>golf course design was finding the margin between almost impossible

0:23:43.080 --> 0:23:46.000
<v Speaker 3>and impossible on the on the bad Little nine, because

0:23:46.000 --> 0:23:49.159
<v Speaker 3>impossible is not fun, but almost impossible is fun in

0:23:49.200 --> 0:23:52.359
<v Speaker 3>that particular environment. Right, So, and you know, and we

0:23:52.400 --> 0:23:54.080
<v Speaker 3>took a lot of heat for this when we when

0:23:54.119 --> 0:23:56.320
<v Speaker 3>we talked about this from certain components of the Minimalist

0:23:56.440 --> 0:23:59.439
<v Speaker 3>architecture group. You know, we have a young man that

0:23:59.480 --> 0:24:02.600
<v Speaker 3>works for us, and he had a video game that

0:24:02.680 --> 0:24:05.800
<v Speaker 3>he could build basically golf in and so he built

0:24:05.800 --> 0:24:08.760
<v Speaker 3>the Bad Little Nine in this golf game and just

0:24:09.080 --> 0:24:11.760
<v Speaker 3>hundreds and hundreds of thousands of shots were hit to

0:24:11.880 --> 0:24:15.000
<v Speaker 3>try to find those margins between impossible and almost impossible.

0:24:15.040 --> 0:24:17.880
<v Speaker 3>Now it's a you know, it's not the classic way

0:24:17.920 --> 0:24:21.639
<v Speaker 3>of designing golf. It's using you know, new technologies and tools,

0:24:22.560 --> 0:24:25.000
<v Speaker 3>but it worked. It worked in the end results you know,

0:24:25.080 --> 0:24:26.160
<v Speaker 3>kind of kind of showed that.

0:24:26.760 --> 0:24:30.000
<v Speaker 1>Do you think that's actually a you know, a way

0:24:30.040 --> 0:24:33.680
<v Speaker 1>forward sometimes for designer is using these video games.

0:24:33.680 --> 0:24:35.119
<v Speaker 2>Do you think that's effective?

0:24:35.200 --> 0:24:38.480
<v Speaker 1>Like means for if you're you know, building a course,

0:24:38.560 --> 0:24:41.280
<v Speaker 1>like trying doing that and trying it out before you

0:24:41.320 --> 0:24:42.439
<v Speaker 1>put it into the ground.

0:24:42.600 --> 0:24:45.120
<v Speaker 4>Yeah, it is, and it is for two reasons. One

0:24:45.400 --> 0:24:47.480
<v Speaker 4>and probably the most important, is to be able to

0:24:47.520 --> 0:24:50.320
<v Speaker 4>communicate to an owner or a client or a group

0:24:50.359 --> 0:24:51.480
<v Speaker 4>of owners what.

0:24:51.359 --> 0:24:51.919
<v Speaker 1>The vision is.

0:24:52.240 --> 0:24:54.199
<v Speaker 4>It's it's you could say a thousand words to an

0:24:54.240 --> 0:24:57.159
<v Speaker 4>owner explaining your vision and they it's not going to register.

0:24:57.240 --> 0:24:58.720
<v Speaker 4>But if you show them a picture, if you show

0:24:58.800 --> 0:25:01.160
<v Speaker 4>them a video of show them a three D space,

0:25:01.400 --> 0:25:04.000
<v Speaker 4>they're gonna they're gonna get it. So it's very valuable

0:25:04.119 --> 0:25:06.879
<v Speaker 4>from that respect. But the other one is if you

0:25:07.000 --> 0:25:10.280
<v Speaker 4>truly are trying to create something different that there are

0:25:10.280 --> 0:25:13.600
<v Speaker 4>no case studies for you can't go step on properties

0:25:13.920 --> 0:25:17.399
<v Speaker 4>and analyze the contouring and the spaces to then all right,

0:25:17.440 --> 0:25:19.399
<v Speaker 4>we're gonna you know, glean some information here and then

0:25:19.440 --> 0:25:21.880
<v Speaker 4>go apply it in a new way. When you're when

0:25:21.880 --> 0:25:25.080
<v Speaker 4>you're searching for that needle in the haystack of something different,

0:25:25.840 --> 0:25:29.080
<v Speaker 4>experimenting and exploring that in a in a in a

0:25:29.160 --> 0:25:31.880
<v Speaker 4>virtual space. It's pretty much the only way you can

0:25:31.920 --> 0:25:34.800
<v Speaker 4>do it. And and thankfully we live in a in

0:25:34.880 --> 0:25:40.400
<v Speaker 4>a time where the physics of a video game are

0:25:40.440 --> 0:25:44.480
<v Speaker 4>real and so you know, it wasn't just guessing that

0:25:44.640 --> 0:25:48.560
<v Speaker 4>slopes needed to be certain certain severities and and spaces

0:25:48.600 --> 0:25:50.040
<v Speaker 4>need to be a certain size to be able to

0:25:50.080 --> 0:25:52.679
<v Speaker 4>make those shots work. It was it was proving it

0:25:52.720 --> 0:25:56.280
<v Speaker 4>out for us. And then we took that new math

0:25:56.560 --> 0:25:58.560
<v Speaker 4>and we're able to bring that in the dirt and

0:25:58.680 --> 0:25:59.400
<v Speaker 4>make it come real.

0:25:59.560 --> 0:26:01.640
<v Speaker 3>And it still just a foundation though too. I mean,

0:26:01.720 --> 0:26:03.800
<v Speaker 3>you know, you whether it's in a video game, whether

0:26:03.800 --> 0:26:07.320
<v Speaker 3>it's a plan on a desk, you need to do

0:26:07.400 --> 0:26:08.560
<v Speaker 3>it in the dirt, and you need to do it

0:26:08.600 --> 0:26:10.440
<v Speaker 3>in the field. But you have to have a starting point, right,

0:26:11.160 --> 0:26:13.440
<v Speaker 3>And for many architects the starting point is the you know,

0:26:13.520 --> 0:26:15.000
<v Speaker 3>the plan that they draw all the grading plan that's

0:26:15.000 --> 0:26:16.080
<v Speaker 3>on a piece of paper. You give it to the

0:26:16.119 --> 0:26:17.680
<v Speaker 3>contractor they got out there and they stake it out

0:26:17.680 --> 0:26:19.119
<v Speaker 3>and they start doing cut some fils or whatever it

0:26:19.119 --> 0:26:22.240
<v Speaker 3>may be. This was just different. Our starting point was

0:26:22.240 --> 0:26:24.760
<v Speaker 3>was this video game, and we still made adjustments, we

0:26:24.840 --> 0:26:27.639
<v Speaker 3>still modified it in the dirt. We still spend a

0:26:27.680 --> 0:26:29.720
<v Speaker 3>ton of time out there making sure that it looked

0:26:29.720 --> 0:26:31.040
<v Speaker 3>the way we wanted to look and have played the

0:26:31.040 --> 0:26:33.600
<v Speaker 3>way that we wanted it to play. But it was

0:26:33.640 --> 0:26:35.439
<v Speaker 3>just a different way of going about it. But we

0:26:35.480 --> 0:26:37.680
<v Speaker 3>didn't again, we didn't. We wanted to make sure we

0:26:37.760 --> 0:26:41.120
<v Speaker 3>got it right. You know, when we told Bob about

0:26:41.119 --> 0:26:43.760
<v Speaker 3>the concept, you know, we kind of pitched it to him. Bob,

0:26:43.800 --> 0:26:45.560
<v Speaker 3>you know it's it's gonna be so tough if a member,

0:26:45.960 --> 0:26:48.160
<v Speaker 3>you know, shoots power or better, you know, they're gonna

0:26:48.160 --> 0:26:50.200
<v Speaker 3>get free dues for a year. He's like a little

0:26:50.440 --> 0:26:52.639
<v Speaker 3>little much on that one, guys, right, So you know

0:26:52.680 --> 0:26:54.520
<v Speaker 3>it's a thousand dollars on Friday, and he looked at

0:26:54.560 --> 0:26:56.080
<v Speaker 3>his boys. I don't want to write a lot of

0:26:56.080 --> 0:26:57.359
<v Speaker 3>thousand dollars checks, right.

0:26:58.040 --> 0:26:58.960
<v Speaker 2>But you still have to.

0:26:59.080 --> 0:27:01.720
<v Speaker 3>You still have to have it be you know, the

0:27:01.760 --> 0:27:03.840
<v Speaker 3>goal is you have hope it's achievable, and it is

0:27:03.880 --> 0:27:05.800
<v Speaker 3>and some day someone will do it. Some days no

0:27:05.840 --> 0:27:07.200
<v Speaker 3>one's done it yet when it's been set up the

0:27:07.200 --> 0:27:09.040
<v Speaker 3>way it's supposed to be set up properly. But some

0:27:09.160 --> 0:27:11.600
<v Speaker 3>day someone will do it because the opportunity is there.

0:27:11.600 --> 0:27:14.240
<v Speaker 3>Because we got the math right, just have.

0:27:14.280 --> 0:27:17.040
<v Speaker 1>To be kind of perfect for you throw no hitter

0:27:17.400 --> 0:27:18.040
<v Speaker 1>pretty much.

0:27:18.240 --> 0:27:18.639
<v Speaker 2>He had.

0:27:18.680 --> 0:27:21.800
<v Speaker 4>He had a great phrase to me once. He's like,

0:27:21.840 --> 0:27:23.480
<v Speaker 4>you know, some somebody will do it one time and

0:27:23.600 --> 0:27:26.720
<v Speaker 4>we'll pay up. And if that happens the next time,

0:27:26.760 --> 0:27:29.000
<v Speaker 4>I just I won't cut a hole on the ninth grade.

0:27:30.160 --> 0:27:31.080
<v Speaker 4>No one will do it again.

0:27:34.800 --> 0:27:39.359
<v Speaker 1>We you know, it's obviously the bat will dine. And

0:27:39.440 --> 0:27:43.879
<v Speaker 1>I think like other short courses are in similar veins,

0:27:43.920 --> 0:27:49.840
<v Speaker 1>like you see a lot bigger, more daring design that

0:27:49.960 --> 0:27:55.800
<v Speaker 1>pushes boundaries. What is it about par three courses that

0:27:56.280 --> 0:28:01.199
<v Speaker 1>uh play golfers accept those bound is being pushed that

0:28:01.280 --> 0:28:06.160
<v Speaker 1>they then turn around and reject them on a standard

0:28:06.200 --> 0:28:06.840
<v Speaker 1>golf course.

0:28:07.600 --> 0:28:09.000
<v Speaker 4>I don't know what it is about it, but there's

0:28:09.040 --> 0:28:12.840
<v Speaker 4>a stigma, especially in this country, about eighteen holes, you know,

0:28:12.920 --> 0:28:15.400
<v Speaker 4>par seventy two seventy two hundred yards or I don't

0:28:15.400 --> 0:28:20.280
<v Speaker 4>want to play. It's it's an unfortunate truth all too often,

0:28:20.840 --> 0:28:23.200
<v Speaker 4>and I think I think the exact opposite is viewed

0:28:23.280 --> 0:28:25.840
<v Speaker 4>for par three courses. They almost undervalue them and think

0:28:25.880 --> 0:28:28.200
<v Speaker 4>it's that's not real golf, So they don't really care

0:28:28.280 --> 0:28:31.560
<v Speaker 4>if you're kind of breaking the mold there, and I hope,

0:28:31.720 --> 0:28:35.640
<v Speaker 4>I hope that we're in a transition where that type

0:28:35.640 --> 0:28:39.480
<v Speaker 4>of creativity and different is going to be more accepted

0:28:39.640 --> 0:28:44.200
<v Speaker 4>in let's call it more you know, a big boy golf,

0:28:45.800 --> 0:28:47.360
<v Speaker 4>you know, because at the end of the day, we're

0:28:47.400 --> 0:28:50.720
<v Speaker 4>all I think, we're all playing golf to enjoy it

0:28:50.760 --> 0:28:54.200
<v Speaker 4>and have fun. But there's just something about the golfer

0:28:54.240 --> 0:28:59.760
<v Speaker 4>that just loves loves that misery and so anyway, so yeah,

0:28:59.760 --> 0:29:02.040
<v Speaker 4>I just think it's I think part three courses is

0:29:02.120 --> 0:29:04.800
<v Speaker 4>just not really regarded as real golf courses, so they

0:29:04.840 --> 0:29:06.520
<v Speaker 4>just kind of let its lie, yeah, you.

0:29:06.520 --> 0:29:08.239
<v Speaker 3>Know, And I think that it goes back to what

0:29:08.280 --> 0:29:10.720
<v Speaker 3>they've mentioned too. I mean, we're most of the projects

0:29:10.720 --> 0:29:12.760
<v Speaker 3>they work on, we're beholden to a membership, we're beholding

0:29:12.800 --> 0:29:16.960
<v Speaker 3>to an owner and and you know, memberships as a

0:29:16.960 --> 0:29:20.120
<v Speaker 3>whole are pretty risk averse as far as that goes.

0:29:20.840 --> 0:29:22.640
<v Speaker 3>And I'm sure you know you know that and understand

0:29:22.640 --> 0:29:25.280
<v Speaker 3>that and appreciate that, and we certainly do, you know,

0:29:25.320 --> 0:29:28.440
<v Speaker 3>working on a project in Louisiana right now, and it's

0:29:28.480 --> 0:29:31.960
<v Speaker 3>it's just for a couple of brothers, and it's you know,

0:29:31.960 --> 0:29:34.080
<v Speaker 3>it's gonna end up being probably you don't know, ten

0:29:34.120 --> 0:29:36.320
<v Speaker 3>eleven twelve greens whatever it is, and it's on about

0:29:36.720 --> 0:29:39.800
<v Speaker 3>thirty to thirty five acres of land and all interacted.

0:29:39.320 --> 0:29:42.320
<v Speaker 4>Fairways seventy acres as a fairways.

0:29:42.400 --> 0:29:44.800
<v Speaker 3>Right, Yeah, but the but the point being is like

0:29:44.880 --> 0:29:47.640
<v Speaker 3>we're having so much fun, so much fun down there

0:29:47.680 --> 0:29:50.000
<v Speaker 3>because like you throw the rules out, you know, and

0:29:50.280 --> 0:29:52.440
<v Speaker 3>they want something that is stunning. They want something that

0:29:52.480 --> 0:29:53.920
<v Speaker 3>they can take their buddies out there and you know,

0:29:53.960 --> 0:29:56.920
<v Speaker 3>and have fun with and and brag about and you

0:29:56.920 --> 0:29:59.120
<v Speaker 3>know to some extent. And but you can you can

0:29:59.160 --> 0:30:02.200
<v Speaker 3>just be so much more creative in that type of environment.

0:30:02.240 --> 0:30:04.320
<v Speaker 3>You can be so much more creative because I think

0:30:04.360 --> 0:30:07.200
<v Speaker 3>the you know, the expectation is a little bit different.

0:30:08.320 --> 0:30:10.040
<v Speaker 3>You know, when you're when you're working on a say

0:30:10.080 --> 0:30:11.880
<v Speaker 3>a top hundred club and you're doing a master plan.

0:30:11.920 --> 0:30:13.920
<v Speaker 3>I mean, there's a mold that's kind of expected to

0:30:13.960 --> 0:30:15.400
<v Speaker 3>be fit as far as what you're going to do.

0:30:15.800 --> 0:30:17.240
<v Speaker 3>There's not a lot of clubs that are going to

0:30:17.320 --> 0:30:18.920
<v Speaker 3>kind of hit the reset button and lets you blow

0:30:18.920 --> 0:30:19.200
<v Speaker 3>it up.

0:30:19.320 --> 0:30:19.480
<v Speaker 1>Right.

0:30:20.440 --> 0:30:22.920
<v Speaker 3>You may feel, you may know in your heart at

0:30:22.920 --> 0:30:24.640
<v Speaker 3>the end of the day that if you had that opportunity,

0:30:24.680 --> 0:30:26.040
<v Speaker 3>you feel like there be it might be a better

0:30:26.040 --> 0:30:30.000
<v Speaker 3>golf course there, right, but you know, it just comes

0:30:30.040 --> 0:30:32.040
<v Speaker 3>down to whether or not you can ever actually get

0:30:32.080 --> 0:30:34.520
<v Speaker 3>to that point because they are so risk adverse.

0:30:35.720 --> 0:30:41.280
<v Speaker 1>Yeah, I mean, I agree, it's you know, it's it's

0:30:41.320 --> 0:30:44.440
<v Speaker 1>interesting with with clubs and you know, you guys have

0:30:44.560 --> 0:30:49.320
<v Speaker 1>worked with clubs committees, You've worked for single owners like

0:30:49.400 --> 0:30:53.200
<v Speaker 1>Bob Parsons, like I think everybody has seen as commercials

0:30:53.440 --> 0:30:56.600
<v Speaker 1>PHG and obviously a brash guy you worked with these

0:30:56.840 --> 0:31:01.160
<v Speaker 1>you're working with these brothers, you know, I guess you

0:31:01.200 --> 0:31:04.360
<v Speaker 1>know in your experience, is there different setups that work

0:31:04.800 --> 0:31:08.600
<v Speaker 1>better in certain cases? Is there different you know, are

0:31:08.600 --> 0:31:12.000
<v Speaker 1>there personality traits that you notice with you know, owners

0:31:12.040 --> 0:31:15.160
<v Speaker 1>that you know kind of is it hands off better,

0:31:15.400 --> 0:31:19.680
<v Speaker 1>very involved better? Like is there you know situations that

0:31:19.880 --> 0:31:22.200
<v Speaker 1>promote you know, better work.

0:31:24.240 --> 0:31:30.960
<v Speaker 4>I'll answer my opinion without a doubt. A dictator is

0:31:31.000 --> 0:31:34.080
<v Speaker 4>the best, even even a dictator with a bad attitude

0:31:34.240 --> 0:31:39.479
<v Speaker 4>I would take personally over at committee and and and

0:31:39.560 --> 0:31:42.880
<v Speaker 4>if we're being just truly honest, I mean a dictator

0:31:42.960 --> 0:31:47.880
<v Speaker 4>that's hands off, I mean, you know, if if they

0:31:48.000 --> 0:31:53.200
<v Speaker 4>feel they have hired a knowledgeable, talented person or team

0:31:54.080 --> 0:31:57.920
<v Speaker 4>let that talented person or team do their work. And

0:31:58.000 --> 0:32:00.920
<v Speaker 4>you know, I think I think from a creator standpoint,

0:32:02.000 --> 0:32:06.680
<v Speaker 4>the experts in the field, in any field excel when

0:32:08.240 --> 0:32:09.600
<v Speaker 4>left to do their work.

0:32:11.520 --> 0:32:14.040
<v Speaker 3>You know, I'll, you know, we we it's been kind

0:32:14.080 --> 0:32:17.960
<v Speaker 3>of across the board, right in my opinion, NPCC. We

0:32:18.000 --> 0:32:19.880
<v Speaker 3>had a great group of guys that we worked with there,

0:32:19.880 --> 0:32:21.400
<v Speaker 3>that we were fortunate to work with there, that were

0:32:21.440 --> 0:32:24.360
<v Speaker 3>very supportive. You know, what we felt we wanted to

0:32:24.400 --> 0:32:26.480
<v Speaker 3>do from a design standpoint, and what we wanted to

0:32:26.560 --> 0:32:29.480
<v Speaker 3>do from a design standpoint was very different from the

0:32:29.480 --> 0:32:31.320
<v Speaker 3>golf course that they had and the members played, and

0:32:31.480 --> 0:32:33.560
<v Speaker 3>and and so we had a lot of you know,

0:32:33.600 --> 0:32:35.600
<v Speaker 3>we it was it was a it was a good experience.

0:32:35.640 --> 0:32:37.760
<v Speaker 3>I mean, you know, they they just wanted the best

0:32:37.760 --> 0:32:40.080
<v Speaker 3>golf that they could have. And we've had other clubs

0:32:40.080 --> 0:32:42.440
<v Speaker 3>that we work with that wring their hands over whether

0:32:42.480 --> 0:32:44.280
<v Speaker 3>that nose in the bunker is going to be two

0:32:44.280 --> 0:32:46.360
<v Speaker 3>feet this way or two feet that way. It's just

0:32:46.400 --> 0:32:47.840
<v Speaker 3>it's not a lot of fun when you're you know,

0:32:47.840 --> 0:32:51.080
<v Speaker 3>when you're kind of going through that process, and and

0:32:51.160 --> 0:32:54.600
<v Speaker 3>so you know, it's it's certainly more the more freedom

0:32:54.640 --> 0:32:57.239
<v Speaker 3>that we have as designers. I think in any not

0:32:57.280 --> 0:32:59.959
<v Speaker 3>just golf course architecture, golf course design, I think any designer,

0:33:00.080 --> 0:33:02.440
<v Speaker 3>the more freedom they have that feel, the better result

0:33:02.480 --> 0:33:05.680
<v Speaker 3>they feel they can produce. Again, if the client wants

0:33:05.680 --> 0:33:09.120
<v Speaker 3>what he feels, they have to offer, right and so

0:33:09.240 --> 0:33:12.320
<v Speaker 3>it's you know it, it's pretty rare though, you know.

0:33:12.360 --> 0:33:15.960
<v Speaker 3>I mean that's the lesser condition when you have those opportunities.

0:33:16.560 --> 0:33:19.000
<v Speaker 3>In this project in Louisiana, for example, is just it's

0:33:19.280 --> 0:33:22.240
<v Speaker 3>you know, right down the right down the hammer. The

0:33:22.280 --> 0:33:24.040
<v Speaker 3>guys are great and they're just like you guys give

0:33:24.120 --> 0:33:25.880
<v Speaker 3>us the most amazing golf that we can possibly have

0:33:25.920 --> 0:33:27.360
<v Speaker 3>on this property, which is awesome.

0:33:28.400 --> 0:33:32.080
<v Speaker 1>I'd love to talk you know, with NPCC obviously, anybody

0:33:32.080 --> 0:33:35.520
<v Speaker 1>that you know, Monterey Peninsula Country Club. It's it's right

0:33:35.560 --> 0:33:39.080
<v Speaker 1>next to Cyprus, It's right next to Pebble Beach, so

0:33:39.360 --> 0:33:41.240
<v Speaker 1>you know, you know your neighbors, you know where it is.

0:33:41.240 --> 0:33:44.600
<v Speaker 1>It's right on the right on the Pacific Ocean. You know,

0:33:44.880 --> 0:33:49.959
<v Speaker 1>creating in that environment versus creating say in Scottsdale, like

0:33:50.120 --> 0:33:52.240
<v Speaker 1>where you had a very flat desert site. You know

0:33:52.280 --> 0:33:54.280
<v Speaker 1>a lot of it was graded out for home so

0:33:54.320 --> 0:33:58.720
<v Speaker 1>it was dead flat, you know, to talk about creating

0:33:59.240 --> 0:34:04.440
<v Speaker 1>in environment that's already like very beautiful and aesthetically pleasing,

0:34:04.560 --> 0:34:06.840
<v Speaker 1>versus creating from kind of almost nothing.

0:34:07.440 --> 0:34:09.960
<v Speaker 3>Well, you know, I mean, obviously the Monori Peninsula is

0:34:10.000 --> 0:34:11.640
<v Speaker 3>one of the most beautiful places on the face Earth, right,

0:34:11.680 --> 0:34:14.040
<v Speaker 3>So I mean, you know, you're again your starting point

0:34:14.280 --> 0:34:19.319
<v Speaker 3>is relatively strong. You know, NPCC, you know Seth Rainer

0:34:19.360 --> 0:34:22.920
<v Speaker 3>routed it and then you know, really you know, passed

0:34:22.960 --> 0:34:25.440
<v Speaker 3>away before any detail work was from design standpoint, and

0:34:25.480 --> 0:34:28.239
<v Speaker 3>the club doesn't have you know, a tremendous history on

0:34:28.480 --> 0:34:30.239
<v Speaker 3>how they pretty much got from that routing to the

0:34:30.239 --> 0:34:33.759
<v Speaker 3>golf course they played right, and they've they've tried over

0:34:33.800 --> 0:34:35.240
<v Speaker 3>the years to try to you know, kind of figure

0:34:35.280 --> 0:34:38.719
<v Speaker 3>that out to varying degrees of success. But you know,

0:34:38.719 --> 0:34:41.520
<v Speaker 3>we we actually have you know, plans where we were

0:34:41.520 --> 0:34:44.640
<v Speaker 3>rerouting the golf course at NPCC. They have the the

0:34:44.680 --> 0:34:46.680
<v Speaker 3>Point Joe Range and you know, there's five acres of

0:34:46.760 --> 0:34:48.560
<v Speaker 3>land down at the ocean, like you guys have a

0:34:48.560 --> 0:34:51.520
<v Speaker 3>practice facility up here. But we couldn't find better golf

0:34:51.680 --> 0:34:54.560
<v Speaker 3>quite honestly, right, So we we kind of fell back,

0:34:54.800 --> 0:34:58.640
<v Speaker 3>you know, on Rainer's routing, but it was you know,

0:34:58.680 --> 0:35:02.520
<v Speaker 3>it was a complete re detailing of every golful elevations,

0:35:03.000 --> 0:35:06.759
<v Speaker 3>you know, green contours' locations, and really, you know, there

0:35:06.840 --> 0:35:09.480
<v Speaker 3>wasn't any you know, in that instance, any Seth Rayner

0:35:10.000 --> 0:35:12.600
<v Speaker 3>in NPCC other than the routing, right as much as that,

0:35:12.760 --> 0:35:16.319
<v Speaker 3>I guess is a calling card or an identifiable characteristic

0:35:16.360 --> 0:35:20.640
<v Speaker 3>from a design standpoint, and and so you know, for

0:35:20.880 --> 0:35:24.200
<v Speaker 3>us it was it was relatively easy, I think, and

0:35:24.680 --> 0:35:27.200
<v Speaker 3>maybe Dave can you know, maybe he doesn't feel that way,

0:35:27.200 --> 0:35:29.239
<v Speaker 3>but when we like toured the golf course, when we

0:35:29.239 --> 0:35:31.480
<v Speaker 3>were asked to come up and take a look at it,

0:35:31.480 --> 0:35:34.320
<v Speaker 3>it was like we it didn't take us long to figure.

0:35:34.080 --> 0:35:35.759
<v Speaker 4>Out what we thought. It just started appearing in the

0:35:35.840 --> 0:35:36.680
<v Speaker 4>head right away.

0:35:36.560 --> 0:35:38.680
<v Speaker 3>Right, and and you know, and they had, you know,

0:35:38.680 --> 0:35:43.799
<v Speaker 3>again they had they had very identifiable goals. They had

0:35:43.800 --> 0:35:45.840
<v Speaker 3>to reduce the amount of turf grass that they were irrigating.

0:35:46.280 --> 0:35:48.480
<v Speaker 3>There's a finite amount of water on the Moner Ray Pententsul.

0:35:48.520 --> 0:35:52.640
<v Speaker 3>The seven courses share essentially a certain allotment, and there's

0:35:52.680 --> 0:35:54.479
<v Speaker 3>some years where hey, if the water runs out, there's

0:35:54.520 --> 0:35:57.760
<v Speaker 3>no more water, right, so every square foot of turf grass,

0:35:58.560 --> 0:36:00.239
<v Speaker 3>you know, was important to them as far as much

0:36:00.239 --> 0:36:01.560
<v Speaker 3>they had out there and how they were going to operate,

0:36:01.520 --> 0:36:05.920
<v Speaker 3>and it's very expensive water Coachella Valley. You know, the

0:36:05.920 --> 0:36:09.799
<v Speaker 3>the aquaford that underlays that is massive, and you know

0:36:09.840 --> 0:36:12.080
<v Speaker 3>the golf courses in the Coachella Valley. Basically for an

0:36:12.120 --> 0:36:15.160
<v Speaker 3>acre foot of water spent about I don't know, maybe

0:36:15.239 --> 0:36:17.279
<v Speaker 3>eighty or one hundred dollars. It's a replenishment fee for

0:36:17.280 --> 0:36:19.160
<v Speaker 3>three hundred and twenty five thousand gallons of water. That

0:36:19.200 --> 0:36:21.319
<v Speaker 3>same amount of water on the Minory Peninsula costs over

0:36:21.400 --> 0:36:25.040
<v Speaker 3>five thousand dollars. So you know, it was really critical

0:36:25.080 --> 0:36:26.640
<v Speaker 3>for them that you know, that money was well spent.

0:36:26.719 --> 0:36:28.440
<v Speaker 3>They had a great golf course, but it was going

0:36:28.520 --> 0:36:30.879
<v Speaker 3>to be sustainable for them moving forward. So for us,

0:36:30.960 --> 0:36:33.080
<v Speaker 3>that meant taking the areas that we took turf grass

0:36:33.200 --> 0:36:36.320
<v Speaker 3>away within what we did from a design standpoint and

0:36:36.719 --> 0:36:39.680
<v Speaker 3>making it a positive not a negative. And you know,

0:36:39.719 --> 0:36:42.000
<v Speaker 3>for us it was like, hey, this is the dune's course, right,

0:36:42.280 --> 0:36:44.520
<v Speaker 3>let's let's create more dunes, right, And a lot of

0:36:44.560 --> 0:36:47.080
<v Speaker 3>it's manufactured. It really is. But again, when you go

0:36:47.120 --> 0:36:49.239
<v Speaker 3>out there and you play the golf course, not a

0:36:49.320 --> 0:36:50.880
<v Speaker 3>lot of people would know that if they didn't know

0:36:50.920 --> 0:36:54.200
<v Speaker 3>the story if they weren't told. So it was taking

0:36:54.239 --> 0:36:57.920
<v Speaker 3>a need that the club had, making it an opportunity,

0:36:58.560 --> 0:37:00.719
<v Speaker 3>you know, with all within all the other redtailing that

0:37:00.719 --> 0:37:03.320
<v Speaker 3>we did from a golf design standpoint, but to actually

0:37:03.400 --> 0:37:06.160
<v Speaker 3>enhance that environment and just you know, further separated from

0:37:06.200 --> 0:37:08.880
<v Speaker 3>the shore course that was like a really really strong

0:37:09.400 --> 0:37:11.759
<v Speaker 3>expectation from the club is that the shore course that

0:37:11.800 --> 0:37:15.239
<v Speaker 3>Mike stranded, which is just amazing and just a tremendous

0:37:15.320 --> 0:37:17.600
<v Speaker 3>golf course, and I know Dave's a big fan as well,

0:37:17.880 --> 0:37:20.680
<v Speaker 3>but they wanted something completely different. They wanted two distinctly

0:37:20.719 --> 0:37:22.560
<v Speaker 3>different designs and that was important to them.

0:37:23.800 --> 0:37:27.040
<v Speaker 4>Yeah, it's I vividly remember the first time after touring

0:37:27.040 --> 0:37:31.000
<v Speaker 4>the property, I kind of felt jipped and I turned

0:37:31.080 --> 0:37:34.239
<v Speaker 4>Tim on like the dunes course, like we're the f

0:37:34.320 --> 0:37:37.560
<v Speaker 4>for the dunes. We didn't see any dunes. So that's like,

0:37:38.080 --> 0:37:39.880
<v Speaker 4>you know, so right away it's like we gotta we

0:37:39.920 --> 0:37:42.200
<v Speaker 4>got to create dunes, you know, and and again do

0:37:42.280 --> 0:37:44.719
<v Speaker 4>them at a scale big enough and believable enough. And

0:37:44.760 --> 0:37:47.960
<v Speaker 4>we had great templates, you know, right along that stretch

0:37:48.000 --> 0:37:52.040
<v Speaker 4>of the seventeen mile drive to kind of inspire us

0:37:52.040 --> 0:37:54.200
<v Speaker 4>of how to create them, because they have to fit.

0:37:54.239 --> 0:37:56.520
<v Speaker 4>If you build dunes that look out of place there

0:37:56.600 --> 0:38:00.240
<v Speaker 4>that is a major eye sore. So again the same

0:38:00.000 --> 0:38:04.440
<v Speaker 4>same landscape architect Pinnacle Design helped out kind of vegetating

0:38:04.480 --> 0:38:07.480
<v Speaker 4>on top of the landforms that we created, you know.

0:38:07.480 --> 0:38:08.960
<v Speaker 2>And and it was like back.

0:38:08.719 --> 0:38:11.440
<v Speaker 1>Of nine, that's a created dune, right.

0:38:11.520 --> 0:38:14.200
<v Speaker 4>That one was was there was natural, okay, but what

0:38:14.239 --> 0:38:17.319
<v Speaker 4>we did it was it was severely overgrown. I mean

0:38:17.360 --> 0:38:19.239
<v Speaker 4>we cleaned it out and kind of made it, you

0:38:19.239 --> 0:38:23.040
<v Speaker 4>know a little bit more presentable. The uh, you know

0:38:23.280 --> 0:38:25.279
<v Speaker 4>the one off of the tea on eleven was there

0:38:26.440 --> 0:38:29.640
<v Speaker 4>really twelve and thirteen where where the and and some

0:38:29.719 --> 0:38:31.880
<v Speaker 4>of fifteen around the tees where that's where kind of

0:38:31.880 --> 0:38:34.640
<v Speaker 4>the heavy lifting was done to kind of make more

0:38:36.080 --> 0:38:38.600
<v Speaker 4>more length of dune, more holes that ran through the

0:38:38.719 --> 0:38:40.480
<v Speaker 4>dune environment.

0:38:40.120 --> 0:38:42.760
<v Speaker 1>In that area before was a little bit more subtle

0:38:43.000 --> 0:38:46.520
<v Speaker 1>and kind of wavy, if you would say. And then

0:38:46.800 --> 0:38:49.320
<v Speaker 1>it's creating more of that big dune scape that you

0:38:50.000 --> 0:38:52.120
<v Speaker 1>saw in just little pockets around the court.

0:38:52.160 --> 0:38:53.759
<v Speaker 4>Yeah, there were there were little pockets. And now it

0:38:53.760 --> 0:38:58.920
<v Speaker 4>goes from nine through the teas on seventeen. So I

0:38:58.920 --> 0:39:01.160
<v Speaker 4>mean there's a there's a good chunk of the golf

0:39:01.200 --> 0:39:03.680
<v Speaker 4>course that meanders through this dune environment and onto the

0:39:03.719 --> 0:39:06.719
<v Speaker 4>coast on on the fourteenth hole, and so it was

0:39:07.600 --> 0:39:11.040
<v Speaker 4>it was a really you know, we felt much needed

0:39:12.239 --> 0:39:16.560
<v Speaker 4>detail to kind of you know, make the make the

0:39:16.560 --> 0:39:17.359
<v Speaker 4>course fit its.

0:39:17.320 --> 0:39:19.040
<v Speaker 2>Name with U.

0:39:19.280 --> 0:39:24.400
<v Speaker 1>You know, somebody like me who big admirer of Golden

0:39:24.400 --> 0:39:28.319
<v Speaker 1>Age design, big Seth Rainer fan. You know, I look

0:39:28.360 --> 0:39:32.239
<v Speaker 1>at the dunes course and you know, immediately I would

0:39:32.320 --> 0:39:36.720
<v Speaker 1>be like, oh, this should be restored Seth Rainer on

0:39:36.719 --> 0:39:39.040
<v Speaker 1>on the coast. But just you know, this is not

0:39:39.200 --> 0:39:44.520
<v Speaker 1>about that, but more so the question, in your guys' opinion,

0:39:44.560 --> 0:39:47.880
<v Speaker 1>are too many courses restored that should be renovated?

0:39:50.560 --> 0:39:54.799
<v Speaker 4>I you know, the simple answer is probably yes. But

0:39:54.920 --> 0:39:57.040
<v Speaker 4>I mean we don't have enough personal experience to kind

0:39:57.080 --> 0:40:00.200
<v Speaker 4>of know what went into other other projects to really,

0:40:00.440 --> 0:40:03.799
<v Speaker 4>you know, make a valid, truthful comment on that. But

0:40:04.920 --> 0:40:06.840
<v Speaker 4>I think a lot of times clubs. You know, something

0:40:06.840 --> 0:40:08.799
<v Speaker 4>we did at MPCC, we asked him right off the bat,

0:40:08.880 --> 0:40:10.520
<v Speaker 4>do you want this to be a restoration?

0:40:11.080 --> 0:40:11.319
<v Speaker 3>You know?

0:40:11.560 --> 0:40:14.000
<v Speaker 4>Well that came from the club like, no, we want

0:40:14.000 --> 0:40:15.440
<v Speaker 4>the best course possible.

0:40:15.280 --> 0:40:18.200
<v Speaker 1>Exactly like anybody that ever had an issue with it,

0:40:18.400 --> 0:40:20.160
<v Speaker 1>Like the club bade the decision.

0:40:20.280 --> 0:40:21.960
<v Speaker 2>Right, have they hired you guys to renovate?

0:40:22.160 --> 0:40:25.200
<v Speaker 3>Well, here's the key to though, right, I mean in Man,

0:40:25.239 --> 0:40:28.440
<v Speaker 3>so many times like there was no rainhole tale to

0:40:28.440 --> 0:40:31.600
<v Speaker 3>the golf holes as well. Right, he passed, he ro

0:40:31.600 --> 0:40:33.120
<v Speaker 3>out of the golf course and he passed away. Right.

0:40:33.120 --> 0:40:35.480
<v Speaker 3>So anyone that would come in, you know, the architect

0:40:35.560 --> 0:40:38.719
<v Speaker 3>that was there in the nineteen ninety five restoration or project,

0:40:39.239 --> 0:40:41.600
<v Speaker 3>you know, said he was doing a Seth Rayner type

0:40:41.600 --> 0:40:43.640
<v Speaker 3>of golf course, right, and you played that golf course,

0:40:43.640 --> 0:40:45.560
<v Speaker 3>You're like, no, that is his golf course. Because you

0:40:45.560 --> 0:40:47.919
<v Speaker 3>could go see that golf course one hundred other different

0:40:47.960 --> 0:40:51.000
<v Speaker 3>places and they kind of looks the same, right, you know,

0:40:51.520 --> 0:40:53.480
<v Speaker 3>if anyone would ever and this is kind of interesting

0:40:53.520 --> 0:40:54.880
<v Speaker 3>when you're doing it. We've only been asked to do

0:40:54.920 --> 0:40:58.200
<v Speaker 3>one restoration as Jackson cind Design. We restored sunny Lands,

0:40:58.239 --> 0:41:02.279
<v Speaker 3>which was Dick Wilson's project for Walter Annenberg in Rancha Morage, California.

0:41:03.400 --> 0:41:05.400
<v Speaker 3>And it's an amazing property and it has this amazing

0:41:05.480 --> 0:41:08.239
<v Speaker 3>history in the Annenbergs were incredible people and what it's

0:41:08.239 --> 0:41:12.040
<v Speaker 3>transformed into is just this, you know, really really cool.

0:41:13.360 --> 0:41:17.000
<v Speaker 3>The museum museum essentially so they wanted a museum quality restoration, right,

0:41:17.080 --> 0:41:20.279
<v Speaker 3>so at sunny Lands, and you know, Dick Wilson passed

0:41:20.280 --> 0:41:22.040
<v Speaker 3>away in nineteen sixty five. I was born in nineteen

0:41:22.040 --> 0:41:24.480
<v Speaker 3>seventy four. Day was born in seventy seventy nine, right,

0:41:24.520 --> 0:41:26.719
<v Speaker 3>So I mean he was long gone before we came

0:41:26.760 --> 0:41:30.600
<v Speaker 3>into this world. And so you always go back, now, Okay,

0:41:30.600 --> 0:41:35.960
<v Speaker 3>you research what can we find, right, aerial photography, old plans, notes,

0:41:36.280 --> 0:41:39.319
<v Speaker 3>green sketches, whatever it may be. And there was really

0:41:39.320 --> 0:41:41.920
<v Speaker 3>a dearth of information on sunny Lands. There wasn't a

0:41:41.920 --> 0:41:46.719
<v Speaker 3>whole lot there. Robert von Hagey had inherited Dick Wilson's

0:41:46.719 --> 0:41:49.480
<v Speaker 3>design firm essentially, and all you know, he had a

0:41:49.520 --> 0:41:51.520
<v Speaker 3>fire in his office in Texas in nineteen eighty one

0:41:51.560 --> 0:41:54.279
<v Speaker 3>and a lot of that history was lost. Right, So

0:41:54.320 --> 0:41:56.640
<v Speaker 3>we found like one plan routing plan number two. We

0:41:56.719 --> 0:42:01.200
<v Speaker 3>found some old aerial photography from you know, Riverside County,

0:42:02.120 --> 0:42:04.760
<v Speaker 3>and we found the old golf course superintendent Tony Kuwahar,

0:42:04.800 --> 0:42:06.359
<v Speaker 3>who was ninety one years old and still thinking care

0:42:06.360 --> 0:42:09.480
<v Speaker 3>of a golf course. And that was all we really

0:42:09.560 --> 0:42:11.680
<v Speaker 3>had to go off of, right to do this museum

0:42:11.719 --> 0:42:15.279
<v Speaker 3>quality restoration. We went and looked at three courses that

0:42:15.320 --> 0:42:17.640
<v Speaker 3>we thought were kind of the most original Dick Wilson

0:42:17.840 --> 0:42:20.480
<v Speaker 3>designs that were still left. But we had to make

0:42:20.560 --> 0:42:22.640
<v Speaker 3>a lot of assumptions, right, We had to design in

0:42:22.640 --> 0:42:25.160
<v Speaker 3>the style of Dick Wilson as opposed to a true restoration.

0:42:25.880 --> 0:42:29.279
<v Speaker 3>So many times when I think golf course designers say

0:42:29.280 --> 0:42:33.000
<v Speaker 3>they're doing a restoration, they don't. They don't really restore

0:42:33.040 --> 0:42:35.359
<v Speaker 3>exactly what was there, nor could they quite honestly, right,

0:42:35.760 --> 0:42:37.239
<v Speaker 3>And if anyone would go back to one of our

0:42:37.280 --> 0:42:39.440
<v Speaker 3>projects and say, hey, we found a Jackson con design

0:42:39.480 --> 0:42:42.279
<v Speaker 3>plan for whatever project it is, and the golf course

0:42:42.280 --> 0:42:45.080
<v Speaker 3>that's there today is not that we wouldn't expect it

0:42:45.080 --> 0:42:48.040
<v Speaker 3>to be, because we make so many changes in the field, right,

0:42:48.080 --> 0:42:51.920
<v Speaker 3>We make so many adjustments, and you have to You can't.

0:42:51.960 --> 0:42:55.080
<v Speaker 3>You can't draw something on paper and have it turn

0:42:55.160 --> 0:42:57.160
<v Speaker 3>out nearly as good as being out there in the

0:42:57.200 --> 0:43:00.400
<v Speaker 3>field with the shapers and making those adjustments. So to me,

0:43:00.520 --> 0:43:02.879
<v Speaker 3>it's kind of like, you know, all right, well, if

0:43:02.880 --> 0:43:04.759
<v Speaker 3>they go back to the plans, well, who's to say

0:43:04.760 --> 0:43:06.879
<v Speaker 3>that those architects didn't make those adjustments in the field

0:43:06.920 --> 0:43:08.479
<v Speaker 3>that you know, And if you're going back to a planner.

0:43:08.520 --> 0:43:10.680
<v Speaker 3>You're really to an a restoration. When you're looking at

0:43:10.719 --> 0:43:13.560
<v Speaker 3>an aerial photograph, you're looking at it two dimensionally, right,

0:43:13.600 --> 0:43:16.080
<v Speaker 3>there's no third dimension in that, right, So there's so

0:43:16.160 --> 0:43:19.279
<v Speaker 3>much assumption that goes back into it. To me, we don't,

0:43:19.320 --> 0:43:21.000
<v Speaker 3>you know. And if a client comes to us and says,

0:43:21.040 --> 0:43:23.160
<v Speaker 3>we want you guys to do a restoration, We're like,

0:43:23.200 --> 0:43:25.080
<v Speaker 3>we're not your guys, right, And we try to be

0:43:25.200 --> 0:43:26.799
<v Speaker 3>very honest about that. Now it's sunny Lands. You know,

0:43:26.800 --> 0:43:28.640
<v Speaker 3>we were young designers, we were just starting. It was

0:43:28.640 --> 0:43:30.759
<v Speaker 3>a great opportunity for We had fun doing it, we

0:43:30.800 --> 0:43:32.839
<v Speaker 3>really did, and we did it as faithfully as we could.

0:43:32.840 --> 0:43:34.680
<v Speaker 3>We had to write one hundred and ten page paper

0:43:35.040 --> 0:43:36.680
<v Speaker 3>on how we were going to restore nine holes of

0:43:36.680 --> 0:43:38.239
<v Speaker 3>golf that were built in nineteen sixty five.

0:43:38.719 --> 0:43:44.440
<v Speaker 1>Right. It's yeah, I think like people think because you

0:43:44.520 --> 0:43:46.640
<v Speaker 1>get the plans, that's all we have, the sketches. But

0:43:46.800 --> 0:43:50.840
<v Speaker 1>it's like anything like I can't imagine somebody wrote. You know,

0:43:51.000 --> 0:43:53.759
<v Speaker 1>bands write a song and it's perfect right away, right,

0:43:54.040 --> 0:43:56.719
<v Speaker 1>Like they play the song over and over and over

0:43:56.760 --> 0:43:59.759
<v Speaker 1>again and make little tweaks to, you know, little parts

0:43:59.760 --> 0:44:06.120
<v Speaker 1>of the song lyric here, you know, you know, note here.

0:44:06.160 --> 0:44:08.799
<v Speaker 3>Whatever you would say, right, and I wouldn't say.

0:44:08.719 --> 0:44:10.800
<v Speaker 1>It's like the same thing with the green, right, Okay,

0:44:10.840 --> 0:44:14.000
<v Speaker 1>we like the green here, but it might be you

0:44:14.000 --> 0:44:16.160
<v Speaker 1>know this, this might be a little harsh. Right.

0:44:16.480 --> 0:44:19.640
<v Speaker 4>Even if you stumbled on the most intricate plans, the

0:44:19.640 --> 0:44:24.440
<v Speaker 4>most detailed plans that as built plans, photos, three D models,

0:44:24.840 --> 0:44:27.400
<v Speaker 4>you still have to ask yourself, is that the best

0:44:27.440 --> 0:44:27.920
<v Speaker 4>it can be?

0:44:29.200 --> 0:44:29.839
<v Speaker 1>And I don't.

0:44:29.880 --> 0:44:30.200
<v Speaker 4>I don't.

0:44:30.239 --> 0:44:30.920
<v Speaker 2>I don't know.

0:44:31.000 --> 0:44:34.840
<v Speaker 4>I know we ask that to ourselves and of our clients,

0:44:34.880 --> 0:44:37.520
<v Speaker 4>but I don't know if other architects asked that to

0:44:37.560 --> 0:44:40.480
<v Speaker 4>their clients. I don't know. So so to answer your

0:44:40.520 --> 0:44:44.000
<v Speaker 4>first question from minutes ago, you know, I don't. My

0:44:44.160 --> 0:44:47.480
<v Speaker 4>hunch is that too many courses are being restored that

0:44:47.680 --> 0:44:50.200
<v Speaker 4>could be better. But I don't know the ins and

0:44:50.239 --> 0:44:51.160
<v Speaker 4>outs of every decision.

0:44:51.239 --> 0:44:53.720
<v Speaker 3>Well, and I do think there are certain golf courses

0:44:53.760 --> 0:44:57.319
<v Speaker 3>that you know, historically for whatever reason, I mean, hey,

0:44:57.360 --> 0:45:00.239
<v Speaker 3>they they probably should be restored, right, you know, the

0:45:00.320 --> 0:45:01.760
<v Speaker 3>question is who's going to do it and how faithful

0:45:01.760 --> 0:45:04.520
<v Speaker 3>are they going to be? You know, there's there's been

0:45:04.600 --> 0:45:06.120
<v Speaker 3>you know, some courses in you know, I live in

0:45:06.160 --> 0:45:10.239
<v Speaker 3>southern California, that have in relatively recent history been quote

0:45:10.280 --> 0:45:12.960
<v Speaker 3>unquote restored. Right, And you go out there and look

0:45:12.960 --> 0:45:14.279
<v Speaker 3>at it, and you look at you know, all the

0:45:14.280 --> 0:45:16.640
<v Speaker 3>information that's available, and you're like, ah, I mean kind

0:45:16.640 --> 0:45:20.160
<v Speaker 3>of right, but not necessarily faithfully right. And it's hard

0:45:20.239 --> 0:45:22.400
<v Speaker 3>right every designer like, we're we're all biased, whether we

0:45:22.440 --> 0:45:24.399
<v Speaker 3>admit it or not. Right, I mean, we see things

0:45:24.440 --> 0:45:27.799
<v Speaker 3>a certain way. You know, even when we restored Honey Lens,

0:45:27.880 --> 0:45:30.359
<v Speaker 3>I mean, you know, you know it was we were

0:45:30.400 --> 0:45:31.080
<v Speaker 3>doing our best.

0:45:31.560 --> 0:45:34.360
<v Speaker 4>They could have ten different architects with the same information

0:45:35.000 --> 0:45:37.560
<v Speaker 4>restore the same course, and you're going to get ten

0:45:37.800 --> 0:45:41.279
<v Speaker 4>variations of that. And that's not a bad thing. But

0:45:41.320 --> 0:45:44.120
<v Speaker 4>that's the truth because you because we're not.

0:45:44.160 --> 0:45:47.959
<v Speaker 1>Sting a course from nineteen twenty and if we dog

0:45:48.160 --> 0:45:51.280
<v Speaker 1>this is what everybody struggles with, is like, well should

0:45:51.280 --> 0:45:53.719
<v Speaker 1>I keep leave the bunker here? But the intent was

0:45:53.760 --> 0:45:55.439
<v Speaker 1>for that to be off the tee and I could

0:45:55.440 --> 0:45:57.839
<v Speaker 1>move it thirty yards up into this other hill and

0:45:58.280 --> 0:45:59.200
<v Speaker 1>you have it, you.

0:45:59.120 --> 0:46:02.040
<v Speaker 4>Know, And if you could incarnate Dick Wilson and bring

0:46:02.160 --> 0:46:05.600
<v Speaker 4>him back in twenty ten and do that restoration, he

0:46:05.640 --> 0:46:08.080
<v Speaker 4>would have a different iteration of it. I guarantee I

0:46:08.080 --> 0:46:10.120
<v Speaker 4>don't know how it would vary, but it would. It's

0:46:10.200 --> 0:46:10.800
<v Speaker 4>human nature.

0:46:11.400 --> 0:46:13.759
<v Speaker 1>I think this like I think restoration. I think the

0:46:13.800 --> 0:46:17.560
<v Speaker 1>boom of restoration. I don't think there's that many great

0:46:17.600 --> 0:46:22.480
<v Speaker 1>restoration opportunities anymore. I think the big next wave is renovation,

0:46:22.760 --> 0:46:27.120
<v Speaker 1>with a lot of courses coming like that real in

0:46:27.160 --> 0:46:31.920
<v Speaker 1>nineteen sixty, reimagining these golf courses, reimagining even older courses,

0:46:32.000 --> 0:46:34.440
<v Speaker 1>like some you know, Golden age courses that maybe it

0:46:34.520 --> 0:46:37.279
<v Speaker 1>was Tom Bendolo. No offense, I'm not trying to drive

0:46:37.320 --> 0:46:40.040
<v Speaker 1>by Tom Bendelo, but you know we've got this Tom

0:46:40.080 --> 0:46:44.120
<v Speaker 1>Bendolo course. Like what can we do reimagine this? You know?

0:46:45.160 --> 0:46:48.200
<v Speaker 1>With like the housing golf courses, do you have any

0:46:48.280 --> 0:46:52.080
<v Speaker 1>idea create you know, ideas around like how do you

0:46:52.120 --> 0:46:55.439
<v Speaker 1>make a golf course with houses and water on Hou's

0:46:55.520 --> 0:46:57.279
<v Speaker 1>on one side, water on the other, How do you

0:46:57.320 --> 0:46:59.040
<v Speaker 1>make How would you reimagine those?

0:46:59.040 --> 0:46:59.440
<v Speaker 2>Do you do?

0:46:59.480 --> 0:47:02.000
<v Speaker 1>You have you thought that at all? Is it obviously

0:47:02.120 --> 0:47:06.840
<v Speaker 1>site specific? Site specific, but like just generally well.

0:47:06.960 --> 0:47:09.759
<v Speaker 3>It you know it it is so site specific. I

0:47:09.800 --> 0:47:12.800
<v Speaker 3>mean I'll say this, I mean, you know, we're fortunate

0:47:12.880 --> 0:47:14.200
<v Speaker 3>to be in a position and this is one of

0:47:14.239 --> 0:47:15.880
<v Speaker 3>the things mister Fasio taught us, and this is one

0:47:15.880 --> 0:47:17.359
<v Speaker 3>of the things he told us specifically when we started

0:47:17.400 --> 0:47:19.719
<v Speaker 3>Jackson cond Design was make sure you guys choose your

0:47:19.760 --> 0:47:21.279
<v Speaker 3>clients as much as they choose you, right. And if

0:47:21.280 --> 0:47:23.839
<v Speaker 3>you're able to do that, you know you're able to

0:47:23.920 --> 0:47:26.359
<v Speaker 3>involve yourself in projects that are engaging, to hold your

0:47:26.360 --> 0:47:27.800
<v Speaker 3>interest and that you think you can have a positive

0:47:27.800 --> 0:47:28.239
<v Speaker 3>outcome on.

0:47:28.360 --> 0:47:28.520
<v Speaker 1>Right.

0:47:29.360 --> 0:47:30.239
<v Speaker 3>You know, I don't know if we would be the

0:47:30.239 --> 0:47:31.839
<v Speaker 3>guys to look at a Tom Benda Loo golf course

0:47:31.880 --> 0:47:34.279
<v Speaker 3>with houses on one side, water or another and come

0:47:34.320 --> 0:47:35.880
<v Speaker 3>up with something that we feel that we would, you know,

0:47:36.000 --> 0:47:38.880
<v Speaker 3>be happy with the end result. Right. And you know,

0:47:38.920 --> 0:47:40.759
<v Speaker 3>when you really think about it, when you really think

0:47:40.800 --> 0:47:45.160
<v Speaker 3>about the true amount of quality, great courses in the

0:47:45.239 --> 0:47:49.560
<v Speaker 3>United States of America versus how much banal architecture is

0:47:49.600 --> 0:47:54.040
<v Speaker 3>out there. Man, there's there's there's not a lot of truly, truly,

0:47:54.080 --> 0:47:55.759
<v Speaker 3>truly great stuff. And I think there's more of it

0:47:55.800 --> 0:47:57.359
<v Speaker 3>now over this last twenty five years, with a lot

0:47:57.360 --> 0:47:58.360
<v Speaker 3>of courses that have been built.

0:47:59.080 --> 0:47:59.960
<v Speaker 2>I'd be remiss.

0:48:00.320 --> 0:48:03.359
<v Speaker 1>You know. I think most people know Bob Parsons. He's

0:48:03.400 --> 0:48:09.799
<v Speaker 1>a brash personality, obviously extraordinarily successful businessman, you know, was

0:48:09.800 --> 0:48:13.879
<v Speaker 1>in the military. Also, you know, he got into golf.

0:48:13.920 --> 0:48:17.320
<v Speaker 1>He loves golf, and he's got a golf equipment company,

0:48:18.480 --> 0:48:23.239
<v Speaker 1>and he decided to you know, build his golf paradise effectively.

0:48:23.840 --> 0:48:27.000
<v Speaker 1>I think, you know, I'm really curious how it was

0:48:27.120 --> 0:48:29.680
<v Speaker 1>working with Bob Parsons, just because you know, I think

0:48:29.719 --> 0:48:33.360
<v Speaker 1>a lot of people probably see the commercials think okay,

0:48:33.520 --> 0:48:35.760
<v Speaker 1>but like what was the experience like for you guys

0:48:35.760 --> 0:48:37.320
<v Speaker 1>working with him as a as an owner?

0:48:40.880 --> 0:48:47.560
<v Speaker 4>The wonderful for the most part, for all the part. Actually,

0:48:48.760 --> 0:48:51.000
<v Speaker 4>you know, he was a dream client to be frank,

0:48:51.520 --> 0:48:55.800
<v Speaker 4>you know, never talked about budget once only one of

0:48:55.840 --> 0:49:02.319
<v Speaker 4>the best. Was very interested in our ideas, but very

0:49:02.400 --> 0:49:05.640
<v Speaker 4>quick to say if he wasn't on board with those ideas,

0:49:05.719 --> 0:49:09.440
<v Speaker 4>which completely fair. You know, he's a bit of a

0:49:09.480 --> 0:49:12.680
<v Speaker 4>wild card, so we were always on eggshells at times.

0:49:12.760 --> 0:49:17.160
<v Speaker 4>But you know, there was a mutual trust gained you know,

0:49:17.239 --> 0:49:20.400
<v Speaker 4>over time, and and he allowed us to spread our

0:49:20.440 --> 0:49:23.319
<v Speaker 4>wings and maximize the opportunity for him on that property. So,

0:49:24.280 --> 0:49:28.840
<v Speaker 4>you know, being able to have an unlimited budget is awesome,

0:49:29.200 --> 0:49:34.120
<v Speaker 4>but being able to have unlimited creativity is way better.

0:49:34.600 --> 0:49:36.880
<v Speaker 4>If you have unlimited creativity in a small budget, you

0:49:36.880 --> 0:49:43.719
<v Speaker 4>can still create awesome golf. Obviously, the budget was was

0:49:44.080 --> 0:49:47.640
<v Speaker 4>so big because of the starting point and his expectations.

0:49:47.640 --> 0:49:50.520
<v Speaker 4>I mean they were worlds apart. We started with a

0:49:50.560 --> 0:49:54.279
<v Speaker 4>dirt parking lot with not one piece of vegetation, and

0:49:54.360 --> 0:49:57.560
<v Speaker 4>so you know, his expectation of what was built that

0:49:57.600 --> 0:50:01.480
<v Speaker 4>required a certain amount of capital. So you know, thankfully,

0:50:01.680 --> 0:50:05.640
<v Speaker 4>you know, he never once questioned or whittled down our

0:50:05.760 --> 0:50:10.759
<v Speaker 4>vision to you know, meet some some desired number, and

0:50:11.280 --> 0:50:14.279
<v Speaker 4>he just let us. He let us go and and

0:50:14.560 --> 0:50:16.760
<v Speaker 4>really didn't want to see it until we could surprise

0:50:16.800 --> 0:50:17.359
<v Speaker 4>him at the end.

0:50:17.880 --> 0:50:25.600
<v Speaker 1>What's an example of having unlimited creativity at the golf

0:50:26.080 --> 0:50:30.480
<v Speaker 1>at Scottsdale National that like in for most people obviously

0:50:30.600 --> 0:50:33.160
<v Speaker 1>will never see this golf course, but like if you

0:50:33.200 --> 0:50:35.640
<v Speaker 1>could explain like what you were able to do that,

0:50:36.280 --> 0:50:40.240
<v Speaker 1>you know, because you had this unlimited freedom of creativit.

0:50:40.320 --> 0:50:43.240
<v Speaker 4>Yeah, mean the surface is simply just you know, not micromanaging,

0:50:43.320 --> 0:50:45.560
<v Speaker 4>not saying, you know, you can't put any bunkers at

0:50:45.600 --> 0:50:47.680
<v Speaker 4>two hundred and twenty yards, or I don't want anything

0:50:47.719 --> 0:50:50.400
<v Speaker 4>on the right side of the golf hole, or you know,

0:50:50.400 --> 0:50:53.839
<v Speaker 4>it's just kind of armchair architecting, which which we get

0:50:54.000 --> 0:50:55.760
<v Speaker 4>a lot in most all.

0:50:55.640 --> 0:50:56.440
<v Speaker 3>Of our projects.

0:50:56.560 --> 0:50:59.520
<v Speaker 4>It's it's the nature of the business, especially in the

0:50:59.520 --> 0:51:03.360
<v Speaker 4>renovation world, where there's already you know, a golf course

0:51:03.360 --> 0:51:06.080
<v Speaker 4>and an expectation and you're changing it. Even if you're

0:51:06.160 --> 0:51:09.960
<v Speaker 4>changing it for the better, it's change, right, you know.

0:51:10.040 --> 0:51:13.400
<v Speaker 4>So so not having that that that leash, you know,

0:51:13.719 --> 0:51:16.359
<v Speaker 4>allowed us to explore ideas of how we were going

0:51:16.400 --> 0:51:20.279
<v Speaker 4>to achieve his goals for the project and and do

0:51:20.400 --> 0:51:23.840
<v Speaker 4>some bold and brash things to meet his personality. So

0:51:24.239 --> 0:51:27.959
<v Speaker 4>you know, nine foot false false fronts on the fifth

0:51:28.000 --> 0:51:30.680
<v Speaker 4>Green for example, which is also twenty two thousand square feet,

0:51:31.760 --> 0:51:34.040
<v Speaker 4>you know, a lot of sand, a lot of a

0:51:34.080 --> 0:51:39.640
<v Speaker 4>lot of strategic impactful sand, a lot of visual sand.

0:51:40.320 --> 0:51:45.600
<v Speaker 4>You know, just the boldness of of the golf, the

0:51:45.960 --> 0:51:50.520
<v Speaker 4>strength at times of the visuals. You know, the blasting

0:51:50.560 --> 0:51:52.160
<v Speaker 4>that we had to do. We had to do seventy

0:51:52.200 --> 0:51:55.759
<v Speaker 4>five plus dynamite blasts to build that thing. And that

0:51:55.840 --> 0:51:59.360
<v Speaker 4>was never a topic of conversation with him. It's like,

0:51:59.680 --> 0:52:01.839
<v Speaker 4>you got you do it, do what you need to do.

0:52:02.840 --> 0:52:06.400
<v Speaker 4>So you know that that is an incredible opportunity where

0:52:06.760 --> 0:52:09.400
<v Speaker 4>there was really if we felt it was the best idea,

0:52:09.960 --> 0:52:12.319
<v Speaker 4>and we knew how to make it happen. We went

0:52:12.360 --> 0:52:15.359
<v Speaker 4>and made it happen, and versus having to go back

0:52:15.360 --> 0:52:17.000
<v Speaker 4>to a committee and say, hey, we have this thought,

0:52:17.040 --> 0:52:18.560
<v Speaker 4>what do you think of this? And then it's it's

0:52:18.600 --> 0:52:20.560
<v Speaker 4>a pow wow for two weeks and then you know,

0:52:20.600 --> 0:52:23.040
<v Speaker 4>it just gets watered down or or not done at all,

0:52:23.200 --> 0:52:25.920
<v Speaker 4>or or maybe it does happen. But with Bob it

0:52:26.080 --> 0:52:28.520
<v Speaker 4>was it was not the idea.

0:52:28.160 --> 0:52:32.400
<v Speaker 1>Will change, you know, once there's conversation, you know, almost

0:52:32.480 --> 0:52:34.880
<v Speaker 1>like when it's just say hey, we're going to do this,

0:52:35.000 --> 0:52:38.520
<v Speaker 1>where it becomes your vision, and like you know, when

0:52:38.520 --> 0:52:42.680
<v Speaker 1>there's collaboration, collaboration can make things better, absolutely, but it

0:52:42.760 --> 0:52:45.840
<v Speaker 1>also can divert it and send it down some trail

0:52:45.960 --> 0:52:49.719
<v Speaker 1>that it just basically takes an idea and moves in

0:52:49.760 --> 0:52:50.560
<v Speaker 1>a different direction.

0:52:50.920 --> 0:52:53.960
<v Speaker 3>Well, and you know, and Bob had some overarching goals

0:52:54.040 --> 0:52:56.960
<v Speaker 3>for for the golf it's costal, national, and he expressed

0:52:56.960 --> 0:52:59.520
<v Speaker 3>those to us very clearly as far as what he wanted.

0:53:00.480 --> 0:53:03.160
<v Speaker 3>But then you know, once we had those marching orders,

0:53:03.200 --> 0:53:05.640
<v Speaker 3>i mean, everything after that was really kind of left

0:53:05.640 --> 0:53:06.920
<v Speaker 3>to our devices to achieve that.

0:53:06.960 --> 0:53:09.560
<v Speaker 4>For him, there were very broad strokes and those were

0:53:09.600 --> 0:53:12.080
<v Speaker 4>our that was our bible, and and every decision we

0:53:12.160 --> 0:53:14.400
<v Speaker 4>made needed to kind of fall into one of those buckets.

0:53:14.440 --> 0:53:18.919
<v Speaker 4>But they were very freeing buckets in order we could

0:53:18.920 --> 0:53:21.440
<v Speaker 4>have executed him in a in a myriad of ways.

0:53:21.520 --> 0:53:24.560
<v Speaker 3>And well, and Bob, you know, he does have a

0:53:24.560 --> 0:53:26.880
<v Speaker 3>brash personality, but he's actually one of the most charitable

0:53:26.920 --> 0:53:28.560
<v Speaker 3>people and has a heart of gold and wouldn't want

0:53:28.560 --> 0:53:32.239
<v Speaker 3>anybody know that. But he's actually he's actually a great

0:53:32.320 --> 0:53:34.960
<v Speaker 3>human being. He really is. But we were, you know,

0:53:35.000 --> 0:53:38.960
<v Speaker 3>we were at that stage in our careers. We could

0:53:38.960 --> 0:53:41.960
<v Speaker 3>not have asked for a better owner or a better opportunity,

0:53:42.040 --> 0:53:45.719
<v Speaker 3>quite frankly, and you know, it was, you know, it

0:53:45.760 --> 0:53:47.319
<v Speaker 3>was it was. It was touch and go for a while.

0:53:47.400 --> 0:53:50.080
<v Speaker 3>And Bill Corr, you know, gave us a tremendous you know,

0:53:50.200 --> 0:53:53.839
<v Speaker 3>kind of endorsement to Bob to allow us to have

0:53:53.880 --> 0:53:56.279
<v Speaker 3>that opportunity, which we you know, we had the opportunity

0:53:56.280 --> 0:53:59.840
<v Speaker 3>to thank him, you know, and which was you know

0:54:00.160 --> 0:54:02.800
<v Speaker 3>that he you know, just we were really really blessed,

0:54:02.800 --> 0:54:03.400
<v Speaker 3>really fortunate.

0:54:03.760 --> 0:54:07.240
<v Speaker 1>Yeah, Like, how did that opportunity come about? Like, I mean, obviously,

0:54:07.320 --> 0:54:10.680
<v Speaker 1>I think one of the things from from Bob's perspective

0:54:10.800 --> 0:54:12.680
<v Speaker 1>is like he did, you know, in a way take

0:54:12.719 --> 0:54:15.040
<v Speaker 1>a little bit of a risk too, which I think,

0:54:15.280 --> 0:54:19.200
<v Speaker 1>you know him as an entrepreneur, someone who bucked the

0:54:19.280 --> 0:54:22.799
<v Speaker 1>trend and did something different probably helped him be more

0:54:22.800 --> 0:54:24.160
<v Speaker 1>comfortable taking that risk.

0:54:24.320 --> 0:54:27.839
<v Speaker 3>Right Well, I'll say this, Yes he did take a risk,

0:54:27.880 --> 0:54:30.319
<v Speaker 3>but Bob also wanted something that no one else had,

0:54:30.760 --> 0:54:33.960
<v Speaker 3>and at that time nobody had a Jackson con you know,

0:54:34.080 --> 0:54:36.160
<v Speaker 3>designed golf course and Scott Hopmin was a huge, huge,

0:54:36.239 --> 0:54:37.800
<v Speaker 3>huge part of the project as well, huge part of

0:54:37.840 --> 0:54:43.200
<v Speaker 3>the project. Scott's extraordinarily talented guy, you know. So you know, yes,

0:54:43.239 --> 0:54:45.200
<v Speaker 3>he took a risk, but yes, there was gain for

0:54:45.280 --> 0:54:47.279
<v Speaker 3>him as well in doing that, you know, to a

0:54:47.360 --> 0:54:51.560
<v Speaker 3>large degree. And you know again you know, right spot,

0:54:51.640 --> 0:54:54.880
<v Speaker 3>right time, you know, kind words and you know this

0:54:55.320 --> 0:54:56.960
<v Speaker 3>one of the things that you know, Dave and I

0:54:57.160 --> 0:54:59.480
<v Speaker 3>talk about a lot is like give us a you know,

0:54:59.480 --> 0:55:01.480
<v Speaker 3>give us a the flags, give us some paint, guns man.

0:55:01.560 --> 0:55:03.799
<v Speaker 3>We're like so comfortable out in the field doing that

0:55:03.880 --> 0:55:07.200
<v Speaker 3>designing and really enjoy that. You know, we're still learning

0:55:07.200 --> 0:55:09.719
<v Speaker 3>the business side of this, to be quite honest, and

0:55:09.760 --> 0:55:12.560
<v Speaker 3>it's it's pretty cutthroat. I mean, it really is. You know,

0:55:13.040 --> 0:55:14.960
<v Speaker 3>when you read things that guys say about you that

0:55:15.040 --> 0:55:17.400
<v Speaker 3>have never visited your project, or never seen you or

0:55:17.440 --> 0:55:19.759
<v Speaker 3>never met you, and are very comfortable saying those things

0:55:19.800 --> 0:55:22.399
<v Speaker 3>about you, man, you realize at this point in time,

0:55:22.440 --> 0:55:24.400
<v Speaker 3>I mean, it's it's it can be pretty harsh, it

0:55:24.520 --> 0:55:27.160
<v Speaker 3>really can. So it's nice when you have a guy

0:55:27.200 --> 0:55:29.680
<v Speaker 3>like Bill Krr who's kind enough to step in and say, hey,

0:55:30.040 --> 0:55:31.879
<v Speaker 3>the boys are talented, they can do the job.

0:55:32.840 --> 0:55:35.440
<v Speaker 1>Well, guy, get back to the Mount Rushmore.

0:55:36.520 --> 0:55:37.399
<v Speaker 2>To light you off the huck.

0:55:37.880 --> 0:55:39.919
<v Speaker 4>I named two of mine, and I would put Bill

0:55:39.920 --> 0:55:44.759
<v Speaker 4>and Ben as a third, mashed their face together. The

0:55:44.760 --> 0:55:46.719
<v Speaker 4>fourth one doesn't come so easy for me. So if

0:55:46.760 --> 0:55:48.799
<v Speaker 4>you have tim yours, you can chime in and I'll

0:55:48.840 --> 0:55:50.840
<v Speaker 4>circle back. Yeah, I think of a fourth.

0:55:51.000 --> 0:55:53.080
<v Speaker 3>Yeah, I'm a you know, I'm a I think Mike

0:55:53.160 --> 0:55:55.359
<v Speaker 3>Strantz was an artist who happened to be a golf

0:55:55.400 --> 0:55:58.520
<v Speaker 3>course designer. I'm a big, big fan of of of

0:55:58.680 --> 0:56:02.719
<v Speaker 3>Core Crenshaw as well. You know, I really enjoy a

0:56:02.760 --> 0:56:05.160
<v Speaker 3>lot of their golf courses. I enjoy I think a

0:56:05.160 --> 0:56:07.600
<v Speaker 3>lot of what they do. It's it's it's distinctly different,

0:56:07.640 --> 0:56:10.200
<v Speaker 3>I think from what we do at times. But you know,

0:56:10.200 --> 0:56:12.359
<v Speaker 3>I still have a great appreciation for it and what

0:56:12.400 --> 0:56:18.200
<v Speaker 3>they produce. Ultimately, I have two more. You know, I

0:56:18.280 --> 0:56:19.680
<v Speaker 3>I think I agree with you. I think I think

0:56:19.680 --> 0:56:23.319
<v Speaker 3>Pete die. You know, it's interesting when he did when

0:56:23.320 --> 0:56:26.400
<v Speaker 3>he did the stadium course at PGA West. Tom and

0:56:26.440 --> 0:56:28.560
<v Speaker 3>I had this conversation we were doing a project Madison

0:56:28.600 --> 0:56:32.160
<v Speaker 3>Club in laking To, California, and Tom was like a

0:56:32.239 --> 0:56:37.160
<v Speaker 3>he was very he was very positive about what Pete

0:56:37.200 --> 0:56:41.040
<v Speaker 3>I did at at TPS are at at PGA West

0:56:41.040 --> 0:56:43.600
<v Speaker 3>Stadium course, which actually shocked me because it was like

0:56:43.640 --> 0:56:46.600
<v Speaker 3>so antithical to what Tom Fazio would ever design. But

0:56:46.640 --> 0:56:50.640
<v Speaker 3>he was so like appreciative of of, you know, what

0:56:50.880 --> 0:56:52.719
<v Speaker 3>Pete did, and it kind of put like laking To

0:56:52.800 --> 0:56:56.200
<v Speaker 3>California on the map in a way. And and so

0:56:56.440 --> 0:56:58.120
<v Speaker 3>that kind of really struck me because you know, a

0:56:58.160 --> 0:57:01.000
<v Speaker 3>lot of designers, I think they they only have appreciation

0:57:01.040 --> 0:57:03.760
<v Speaker 3>for what they do or what people do that's similar

0:57:03.760 --> 0:57:06.880
<v Speaker 3>to what they do. Right, And and I'll say this, right,

0:57:06.880 --> 0:57:09.719
<v Speaker 3>I mean, you know, in golf course design today, there's

0:57:09.760 --> 0:57:11.719
<v Speaker 3>a lot of golf that's being produced that looks a

0:57:11.719 --> 0:57:13.399
<v Speaker 3>lot like a lot of the other golf that's being

0:57:13.440 --> 0:57:17.280
<v Speaker 3>produced now. Maybe good, right, But there's a lot of

0:57:17.320 --> 0:57:21.000
<v Speaker 3>similarity in that in those design styles, in in you know,

0:57:21.040 --> 0:57:24.520
<v Speaker 3>the expression of the design. Right, So it will be interesting,

0:57:24.560 --> 0:57:26.439
<v Speaker 3>like where does golf go from here? Because now we've

0:57:26.440 --> 0:57:29.360
<v Speaker 3>had twenty years of the minimalism, We've had twenty years

0:57:29.400 --> 0:57:32.680
<v Speaker 3>of those types of golf courses and that type of design.

0:57:33.160 --> 0:57:35.040
<v Speaker 3>You know what's coming next? You know, you know, I

0:57:35.040 --> 0:57:38.800
<v Speaker 3>don't know. So you know, strands Coret Crenshaw and I'll

0:57:38.840 --> 0:57:40.080
<v Speaker 3>throw that. You know, I grew up playing a Bill

0:57:40.120 --> 0:57:42.800
<v Speaker 3>Diddle design, you know, back in the Midwest man. And

0:57:43.040 --> 0:57:45.840
<v Speaker 3>you know for Laport, Indiana, you know, municipal golf course,

0:57:45.880 --> 0:57:47.440
<v Speaker 3>and it was it was you know, that was my

0:57:47.560 --> 0:57:48.600
<v Speaker 3>stopping grounds.

0:57:48.360 --> 0:57:48.920
<v Speaker 2>Right Johnson.

0:57:50.400 --> 0:57:52.640
<v Speaker 3>It's called Beechwood, Yeah, beech Woods the name of the

0:57:52.640 --> 0:57:56.120
<v Speaker 3>golf course. But I thought it was Yeah, But you know,

0:57:56.160 --> 0:57:58.120
<v Speaker 3>Bill Diddle was actually the guy that Pete Allie went

0:57:58.120 --> 0:57:59.840
<v Speaker 3>to when they started in golf course design. You know,

0:57:59.840 --> 0:58:01.960
<v Speaker 3>he is out of Indianapolis and and Alice lived in

0:58:01.960 --> 0:58:04.640
<v Speaker 3>Indianapolis and Pete moved there when they got married, and

0:58:05.160 --> 0:58:06.160
<v Speaker 3>you know, and and you know.

0:58:06.560 --> 0:58:09.160
<v Speaker 1>He says, I think I remember for the buck billed

0:58:09.200 --> 0:58:10.920
<v Speaker 1>that I was like, why the hell, would you want

0:58:10.960 --> 0:58:12.440
<v Speaker 1>to become a golf market.

0:58:12.400 --> 0:58:14.000
<v Speaker 3>Yeah, I think pretty much. Yeah, I think that was

0:58:14.000 --> 0:58:17.720
<v Speaker 3>a quote, right, Yeah. And and you know, but there's

0:58:17.840 --> 0:58:20.520
<v Speaker 3>you know, there's there's design characteristics that you know that

0:58:20.560 --> 0:58:22.200
<v Speaker 3>I grew up playing on that golf course that still

0:58:22.200 --> 0:58:24.560
<v Speaker 3>stick with me quite honestly, right. And you know, there's

0:58:24.600 --> 0:58:26.280
<v Speaker 3>not a lot of people out there that like, like,

0:58:26.320 --> 0:58:27.840
<v Speaker 3>who's Bill Diddlell Right, and he was one of the

0:58:27.840 --> 0:58:30.000
<v Speaker 3>you know, founders of the Golf Course Architects Society, you know,

0:58:30.040 --> 0:58:32.480
<v Speaker 3>a pretty influential guy kind of back in the day.

0:58:32.560 --> 0:58:36.640
<v Speaker 3>But he did design, you know, he wasn't like Bendalow

0:58:36.680 --> 0:58:38.800
<v Speaker 3>thirty six stakes in an afternoon, right, And you know,

0:58:38.880 --> 0:58:42.120
<v Speaker 3>whatever happens after that, we'll see. But but you know,

0:58:42.200 --> 0:58:44.280
<v Speaker 3>it's like I said, Dave and I, we're not we're

0:58:44.320 --> 0:58:46.720
<v Speaker 3>not golf course stops. We have an appreciation I think,

0:58:46.760 --> 0:58:48.560
<v Speaker 3>for for what people do and and we know how

0:58:48.600 --> 0:58:50.880
<v Speaker 3>they do it at times, which you know, really I

0:58:50.920 --> 0:58:52.880
<v Speaker 3>think impresses upon us what the end result is and

0:58:52.920 --> 0:58:55.560
<v Speaker 3>how they get there. But but there's also you know,

0:58:55.600 --> 0:58:57.040
<v Speaker 3>there's also a lot of stuff out there. I mean,

0:58:57.080 --> 0:58:59.080
<v Speaker 3>here's the thing, you know, and it kind of goes

0:58:59.120 --> 0:59:01.120
<v Speaker 3>back to you know, I think a lot of the

0:59:01.560 --> 0:59:04.680
<v Speaker 3>golf writers today and how they view golf course architecture

0:59:04.680 --> 0:59:06.120
<v Speaker 3>and what it should be, and how that kind of

0:59:06.160 --> 0:59:09.400
<v Speaker 3>dictates the taste of the people that play golf and

0:59:09.400 --> 0:59:11.400
<v Speaker 3>engage in golf and because they feel, hey, these writers

0:59:11.400 --> 0:59:14.040
<v Speaker 3>are the experts, right. If we all looked at golf

0:59:14.040 --> 0:59:16.040
<v Speaker 3>the same way, if we all design golf the same way,

0:59:16.080 --> 0:59:17.280
<v Speaker 3>golf would be pretty damn boring.

0:59:17.400 --> 0:59:17.560
<v Speaker 1>Right.

0:59:18.120 --> 0:59:20.280
<v Speaker 3>You need to have that big tent, You need to

0:59:20.320 --> 0:59:22.280
<v Speaker 3>have that wide band with you need to have guys

0:59:22.280 --> 0:59:24.480
<v Speaker 3>that are designing different things and doing things in different

0:59:24.480 --> 0:59:28.200
<v Speaker 3>ways so there's different end results, right, And so you know,

0:59:28.280 --> 0:59:30.880
<v Speaker 3>I think that should be celebrated, not frowned upon. You

0:59:30.960 --> 0:59:33.480
<v Speaker 3>know when you again, when you know, projects that we

0:59:33.560 --> 0:59:35.480
<v Speaker 3>work on get critique because well, gosh, they move more

0:59:35.520 --> 0:59:36.240
<v Speaker 3>dirts than they should have.

0:59:36.240 --> 0:59:36.760
<v Speaker 2>Who cares?

0:59:37.240 --> 0:59:38.320
<v Speaker 3>What's the end result?

0:59:38.560 --> 0:59:38.800
<v Speaker 1>Right?

0:59:38.840 --> 0:59:40.800
<v Speaker 3>And is it different? And is it engaging? And is

0:59:40.840 --> 0:59:41.280
<v Speaker 3>it fun?

0:59:42.080 --> 0:59:44.160
<v Speaker 1>Variety is the spice of life. Absolutely.

0:59:44.320 --> 0:59:46.120
<v Speaker 2>It also goes to like.

0:59:46.200 --> 0:59:49.120
<v Speaker 1>And the other thing is that you know, I think

0:59:49.160 --> 0:59:51.440
<v Speaker 1>about this all the time with the Golden Age guys,

0:59:51.560 --> 0:59:54.320
<v Speaker 1>is like, you know, you start to look at like

0:59:54.360 --> 0:59:58.360
<v Speaker 1>the sophistication of where it was going. You know, Rayner

0:59:58.400 --> 1:00:03.160
<v Speaker 1>and McDonald like length for Moreau are were I think

1:00:03.240 --> 1:00:07.160
<v Speaker 1>more there's some more sophisticated shaping earth moving with those

1:00:07.160 --> 1:00:10.880
<v Speaker 1>guys than you know, Rainer McDonald had done. They were

1:00:10.920 --> 1:00:13.040
<v Speaker 1>evolving and they were hitting their peak, and then the

1:00:13.080 --> 1:00:16.760
<v Speaker 1>depression hit, you know, and in architecture, you know, you

1:00:16.840 --> 1:00:20.160
<v Speaker 1>had them, and then you had Maxwell who was just

1:00:20.280 --> 1:00:23.800
<v Speaker 1>condemning the steam shovel, you know, and he was you know, minimalist,

1:00:24.280 --> 1:00:27.880
<v Speaker 1>and it's like but then the depression and World War

1:00:27.920 --> 1:00:30.920
<v Speaker 1>two hit and everything halted. But there was like a

1:00:31.080 --> 1:00:35.040
<v Speaker 1>very clear like there was maximalism and minimal like and

1:00:35.360 --> 1:00:39.400
<v Speaker 1>both of them push architecture forward, you know, evolution, more

1:00:39.560 --> 1:00:41.720
<v Speaker 1>new stuff like, and that's where it has to go.

1:00:41.800 --> 1:00:44.200
<v Speaker 1>It has to be new stuff. And I think like

1:00:45.000 --> 1:00:46.720
<v Speaker 1>different styles should be celebrated.

1:00:47.320 --> 1:00:49.040
<v Speaker 3>Well, you know, I'll say this too. I think you know,

1:00:49.080 --> 1:00:53.080
<v Speaker 3>there I don't know if there's you know, another sport,

1:00:53.320 --> 1:00:58.600
<v Speaker 3>if there's another engagement that everyone always tries to kind

1:00:58.600 --> 1:01:03.400
<v Speaker 3>of identify and in place golf course designs and boxes

1:01:03.640 --> 1:01:08.080
<v Speaker 3>right and in you know, it's such a gosh, man,

1:01:08.120 --> 1:01:09.960
<v Speaker 3>I don't know, it just it's to me, it seems

1:01:09.960 --> 1:01:12.360
<v Speaker 3>like such a fool's Errand you know, at times, you

1:01:12.360 --> 1:01:14.560
<v Speaker 3>know the golf course ranking system, right, Hey, if you

1:01:14.600 --> 1:01:17.040
<v Speaker 3>like a golf course, you know, who cares what is

1:01:17.120 --> 1:01:18.920
<v Speaker 3>ranked or if this one's higher than that or whatever, Right,

1:01:18.960 --> 1:01:20.640
<v Speaker 3>I mean, it really doesn't matter at the end of

1:01:20.640 --> 1:01:22.880
<v Speaker 3>the day, right, I mean, Listen, some clubs get to

1:01:22.920 --> 1:01:24.480
<v Speaker 3>put a plaque on the wall, and you know, they're

1:01:24.480 --> 1:01:26.560
<v Speaker 3>pretty excited about where they are on that list or whatnot.

1:01:26.600 --> 1:01:29.480
<v Speaker 3>And we understand, you know, certain memberships is important. We

1:01:29.520 --> 1:01:32.320
<v Speaker 3>get that, and we understand that. But there's so much

1:01:32.400 --> 1:01:36.600
<v Speaker 3>effort that is put in into identifying ranking golf courses.

1:01:36.640 --> 1:01:38.480
<v Speaker 3>What style is this? What style is that?

1:01:38.800 --> 1:01:38.960
<v Speaker 1>You know?

1:01:39.000 --> 1:01:42.280
<v Speaker 3>Again, ultimately it's the end user experience that matters, right,

1:01:42.960 --> 1:01:46.440
<v Speaker 3>It's not necessarily wasn't maximal, wasn't minimal? Was it this

1:01:46.560 --> 1:01:47.880
<v Speaker 3>or was it that? Did you have a good time

1:01:47.880 --> 1:01:49.800
<v Speaker 3>out there today? Did you have shots that we're engaging?

1:01:49.800 --> 1:01:51.480
<v Speaker 3>Did you have things that really got you excited about

1:01:51.560 --> 1:01:53.440
<v Speaker 3>you were doing? If you did great, the rest of

1:01:53.480 --> 1:01:54.200
<v Speaker 3>it doesn't matter.

1:01:54.400 --> 1:01:57.240
<v Speaker 1>Do you want to go back and play it again? Right? Yeah,

1:01:57.360 --> 1:02:00.439
<v Speaker 1>Like that to me is always the biggest thing. It's like, God,

1:02:00.560 --> 1:02:03.200
<v Speaker 1>do I like, really, do I want to go back

1:02:03.200 --> 1:02:05.480
<v Speaker 1>and play again, Like I want to hit that shot again?

1:02:05.600 --> 1:02:07.760
<v Speaker 1>Like you know, that's the stuff that matters the most.

1:02:07.880 --> 1:02:09.040
<v Speaker 3>Dave and I say this all the time. If we

1:02:09.040 --> 1:02:10.520
<v Speaker 3>walk off the eighteen green and we want to go

1:02:10.560 --> 1:02:15.320
<v Speaker 3>back to the first tea, we were successful. End of story.

1:02:15.440 --> 1:02:22.560
<v Speaker 4>Yeah. Yeah, Variety is It's everything, And I think I

1:02:22.600 --> 1:02:24.840
<v Speaker 4>hope we're trending this way, but I think in the past,

1:02:26.160 --> 1:02:30.320
<v Speaker 4>you know, a variety comes on different scales too. Everyone

1:02:30.320 --> 1:02:33.240
<v Speaker 4>seems to focus on the variety within the golf course,

1:02:33.320 --> 1:02:36.040
<v Speaker 4>within those eighteen holes, having a good variety of angles

1:02:36.080 --> 1:02:39.560
<v Speaker 4>and distances and pars and elevations and all that, which

1:02:39.600 --> 1:02:43.880
<v Speaker 4>is great, but you do that fifteen thousand times. Now

1:02:43.880 --> 1:02:47.040
<v Speaker 4>we have no variety from course to course, and I

1:02:47.040 --> 1:02:49.640
<v Speaker 4>think we need to zoom out a level and think

1:02:49.680 --> 1:02:53.160
<v Speaker 4>of the actual golf course and the golf experience as

1:02:53.480 --> 1:02:54.680
<v Speaker 4>having more variety.

1:02:55.080 --> 1:02:56.440
<v Speaker 2>So just a dumb.

1:02:56.280 --> 1:02:58.480
<v Speaker 4>Example, I mean, if there was an eighteen hole part

1:02:58.520 --> 1:03:00.000
<v Speaker 4>five course, I know you're saying it would be fun,

1:03:00.360 --> 1:03:04.000
<v Speaker 4>but just that concept is variety. It may be very

1:03:04.200 --> 1:03:08.000
<v Speaker 4>mundane on paper because it's part five, part five by five,

1:03:08.280 --> 1:03:11.200
<v Speaker 4>but if as executed well, you can have incredible variety

1:03:11.240 --> 1:03:14.720
<v Speaker 4>within those part fives, and then the course as a whole,

1:03:15.200 --> 1:03:17.520
<v Speaker 4>amongst the collection of golf in the country or the

1:03:17.560 --> 1:03:22.320
<v Speaker 4>world has immense variety. And so I hope, I hope

1:03:22.360 --> 1:03:25.720
<v Speaker 4>we can. I hope clients can, you know, get on

1:03:25.760 --> 1:03:28.120
<v Speaker 4>board with it. I hope other designers get on board

1:03:28.120 --> 1:03:31.040
<v Speaker 4>with it, and I feel like they are. It's slowly starting,

1:03:31.080 --> 1:03:33.480
<v Speaker 4>and I hope it's it's momentum is growing and it's

1:03:33.520 --> 1:03:37.120
<v Speaker 4>not just a little blip. But I think golf, you know,

1:03:37.920 --> 1:03:40.640
<v Speaker 4>on a much more macro scale needs more variety.

1:03:41.240 --> 1:03:43.160
<v Speaker 3>Yeah, And to some extent, I think there's a de

1:03:43.320 --> 1:03:46.960
<v Speaker 3>traditionalizing that. That's a term of golf in America today, right,

1:03:47.040 --> 1:03:49.960
<v Speaker 3>and the top golf Right, here's a here's a you know,

1:03:50.000 --> 1:03:52.240
<v Speaker 3>here's an entity that's been created that has a quote

1:03:52.280 --> 1:03:55.480
<v Speaker 3>unquote golf experience. It's you know, vastly different, right from

1:03:55.480 --> 1:03:57.720
<v Speaker 3>the traditional golf experience that you have, right, Just as

1:03:57.720 --> 1:04:01.480
<v Speaker 3>an example, you know, there's there's there's going to be

1:04:01.600 --> 1:04:06.360
<v Speaker 3>I think more types of golf experiences, whether it's you know,

1:04:07.160 --> 1:04:09.520
<v Speaker 3>not a traditionally teen golf course, right, because that would

1:04:09.560 --> 1:04:11.560
<v Speaker 3>be you know, something that's been done so many times before.

1:04:12.720 --> 1:04:14.480
<v Speaker 3>But those are going to be created. And I think

1:04:14.520 --> 1:04:16.200
<v Speaker 3>they're going to be created because there's a need for that.

1:04:16.320 --> 1:04:19.800
<v Speaker 3>There's a desire for that. And you know, society is changing,

1:04:19.960 --> 1:04:23.280
<v Speaker 3>right and and so you know, and it's you know,

1:04:23.360 --> 1:04:27.000
<v Speaker 3>the model of the traditional country club. You know what

1:04:27.000 --> 1:04:29.160
<v Speaker 3>that's been for the past one hundred years. It'll be

1:04:29.200 --> 1:04:30.760
<v Speaker 3>interesting to see where that goes moving forward.

1:04:31.360 --> 1:04:33.360
<v Speaker 4>You give me a club and a ball, I don't

1:04:33.360 --> 1:04:35.320
<v Speaker 4>care where I am. I'll make some sort of golf

1:04:35.320 --> 1:04:37.080
<v Speaker 4>fun out of it. Right in this house right here,

1:04:37.320 --> 1:04:39.360
<v Speaker 4>going to a hotel, you're putting four hundred feet down

1:04:39.400 --> 1:04:42.640
<v Speaker 4>the hallway. You just it's a it's fun to hit

1:04:42.680 --> 1:04:44.600
<v Speaker 4>the ball and try to get it close to a target.

1:04:44.680 --> 1:04:48.000
<v Speaker 1>I mean, you're talking to somebody that logged hours upon

1:04:48.160 --> 1:04:52.560
<v Speaker 1>hours whiffleball golf through my neighbor's front yards. Trees were

1:04:52.600 --> 1:04:55.280
<v Speaker 1>the holes. You know, the street was in the old

1:04:55.280 --> 1:04:58.080
<v Speaker 1>water hazard. And you know, me and my buddy would

1:04:58.120 --> 1:05:01.920
<v Speaker 1>just play up and down the street, hacking divots out

1:05:01.920 --> 1:05:02.480
<v Speaker 1>of our neighbors.

1:05:02.520 --> 1:05:06.000
<v Speaker 4>Yet, if I could wave a wage, if I could

1:05:06.000 --> 1:05:09.600
<v Speaker 4>wave a magic wand over the golfing population, I would

1:05:09.600 --> 1:05:12.960
<v Speaker 4>wish that all of them just become kids. Again, because

1:05:13.240 --> 1:05:16.680
<v Speaker 4>they embrace the spirit of the game and don't have

1:05:16.800 --> 1:05:20.160
<v Speaker 4>that preconceived construct of what golf should or shouldn't be.

1:05:20.480 --> 1:05:24.520
<v Speaker 4>They just are enjoying playing the game, and the game

1:05:24.600 --> 1:05:26.920
<v Speaker 4>is literally just hitting the ball towards the target. That's

1:05:26.920 --> 1:05:30.280
<v Speaker 4>all the game is. There's a lot more flexibility and

1:05:30.400 --> 1:05:31.960
<v Speaker 4>what that can unravel into.

1:05:33.280 --> 1:05:35.800
<v Speaker 1>All right, David, we're letting you off the hook. It's

1:05:36.200 --> 1:05:39.680
<v Speaker 1>you're gonna have three heads on your mount Rushmore. You'll

1:05:39.720 --> 1:05:41.320
<v Speaker 1>be able to leave the fourth blank.

1:05:41.680 --> 1:05:41.960
<v Speaker 2>Yeah.

1:05:42.000 --> 1:05:46.640
<v Speaker 4>So you know, the way I I interpret your question

1:05:46.840 --> 1:05:52.080
<v Speaker 4>is which architects would I want to kind of see

1:05:52.120 --> 1:05:56.480
<v Speaker 4>their resume? That's how I read that question, And and

1:05:56.680 --> 1:05:59.720
<v Speaker 4>Strands and Pete Dye and Core Crenshaw. I would love

1:06:00.520 --> 1:06:04.200
<v Speaker 4>the lifestyle to provide me the opportunity to go play

1:06:04.200 --> 1:06:08.000
<v Speaker 4>all those courses. I can't, but but I really would

1:06:08.040 --> 1:06:11.360
<v Speaker 4>love to. And and so the fourth person, you know,

1:06:11.840 --> 1:06:14.280
<v Speaker 4>is very well known to us and not to everyone else.

1:06:14.320 --> 1:06:17.400
<v Speaker 4>But honestly, I got to put Scott Hoffman in that category.

1:06:18.280 --> 1:06:20.880
<v Speaker 4>He has never gotten the credit he deserves, you know.

1:06:20.920 --> 1:06:22.960
<v Speaker 4>I mean, he worked a long time under Tom Fazio.

1:06:23.040 --> 1:06:25.160
<v Speaker 4>That's where Tim and I met him. I have learned

1:06:25.200 --> 1:06:28.160
<v Speaker 4>a tremendous amount from Scotty. We were fortunate enough for

1:06:28.240 --> 1:06:30.800
<v Speaker 4>him to join us. Uh, you know JKD for four

1:06:30.920 --> 1:06:34.200
<v Speaker 4>or five years. He was instrumental in Scottsdale National. I

1:06:34.240 --> 1:06:38.040
<v Speaker 4>think he has hands down the best router of a

1:06:38.080 --> 1:06:41.560
<v Speaker 4>golf course. He is absolutely the best greater of a

1:06:41.560 --> 1:06:42.160
<v Speaker 4>golf course.

1:06:42.640 --> 1:06:45.360
<v Speaker 3>Yeah, he's doing something in in Nebraska right now that's

1:06:45.360 --> 1:06:48.360
<v Speaker 3>going to be really really cool. And you know, Scott's

1:06:48.560 --> 1:06:51.480
<v Speaker 3>you know, he's he's a pretty modest guy, doesn't seek

1:06:51.520 --> 1:06:55.320
<v Speaker 3>the limelight, doesn't want the limelight, but he is he

1:06:55.400 --> 1:06:57.920
<v Speaker 3>is so so very talented. He's a great friend of

1:06:57.920 --> 1:07:00.680
<v Speaker 3>ours and you know, and we're hopeful that we'll continue

1:07:00.720 --> 1:07:04.200
<v Speaker 3>to collaborate, you know, in the future moving forward on projects.

1:07:04.200 --> 1:07:07.280
<v Speaker 3>And Scott has a very specific narrow bandwidth of the

1:07:07.280 --> 1:07:09.160
<v Speaker 3>type of projects that he wants to collaborate on, which

1:07:09.200 --> 1:07:09.840
<v Speaker 3>is fine by us.

1:07:10.000 --> 1:07:11.240
<v Speaker 4>We don't want to be in that position.

1:07:11.360 --> 1:07:14.080
<v Speaker 3>Yeah, but but yeah, he is. He is one of

1:07:14.120 --> 1:07:15.840
<v Speaker 3>the most talented people that no one's ever heard of.

1:07:16.160 --> 1:07:18.600
<v Speaker 1>It's uh, you know that you guys. Also, you know,

1:07:18.880 --> 1:07:21.440
<v Speaker 1>we talk about variety. I think you got we got

1:07:21.480 --> 1:07:27.000
<v Speaker 1>the first Mount Rushmore without McKenzie on it. So that's exciting.

1:07:27.600 --> 1:07:32.560
<v Speaker 2>There you go, new Mount Rushmore. So thank you guys.

1:07:33.080 --> 1:07:36.440
<v Speaker 1>People can find you you're You're on social media a little.

1:07:36.160 --> 1:07:39.600
<v Speaker 4>Bit, you know, a little bit mostly Instagram. Yeah, that's

1:07:39.880 --> 1:07:42.440
<v Speaker 4>kind of where we contribute the most, but it's not

1:07:42.760 --> 1:07:46.080
<v Speaker 4>I wouldn't call us having a tremendous We're too busy,

1:07:46.200 --> 1:07:48.880
<v Speaker 4>you know, having fun doing work. But every once in

1:07:48.880 --> 1:07:50.400
<v Speaker 4>a while we post some stuff, but we don't have

1:07:50.440 --> 1:07:53.560
<v Speaker 4>a huge following and don't really seek it out. But

1:07:53.640 --> 1:07:56.560
<v Speaker 4>for those that are interested, yeah, at JK D Golf

1:07:56.600 --> 1:08:00.280
<v Speaker 4>Design is where he could find us and look forward

1:08:00.320 --> 1:08:01.280
<v Speaker 4>to seeing more of your works.

1:08:01.440 --> 1:08:05.200
<v Speaker 1>That's you know, I think I'm excited with I know

1:08:05.240 --> 1:08:06.600
<v Speaker 1>you guys have got a bunch of stuff in the

1:08:06.640 --> 1:08:09.960
<v Speaker 1>pipeline and excited for everybody to see more and more

1:08:09.960 --> 1:08:10.520
<v Speaker 1>of your work.

1:08:10.920 --> 1:08:14.280
<v Speaker 4>Man, We're thankful to be alive in the very flourishing

1:08:14.280 --> 1:08:16.479
<v Speaker 4>time of the industry and we'll ride this wave as

1:08:16.520 --> 1:08:18.559
<v Speaker 4>long as it's here. But I appreciate you having us

1:08:18.600 --> 1:08:20.360
<v Speaker 4>on and thank you for coming all the way to

1:08:20.360 --> 1:08:31.400
<v Speaker 4>scott Still to spend the day with us.

1:08:32.960 --> 1:08:36.040
<v Speaker 1>Thank you for listening to another edition of the Frida

1:08:36.040 --> 1:08:40.880
<v Speaker 1>Egg Podcast. Today's episode was edited by the great meg Adkins.

1:08:40.880 --> 1:08:41.559
<v Speaker 2>Thank you Meg.

1:08:42.040 --> 1:08:45.000
<v Speaker 1>And as a reminder, we have a sale in the

1:08:45.040 --> 1:08:47.680
<v Speaker 1>pro Shop for you podcast listeners. If you use the

1:08:47.680 --> 1:08:51.080
<v Speaker 1>promo code winter Blues, you will get ten percent off

1:08:51.080 --> 1:08:54.080
<v Speaker 1>your order. We've got hats, we've got winter hats if

1:08:54.080 --> 1:08:56.599
<v Speaker 1>you're in dealing with winter, and.

1:08:56.760 --> 1:08:58.360
<v Speaker 2>All sorts of stuff including Prince.

1:08:58.640 --> 1:09:01.160
<v Speaker 1>So check it out pro Shop at the Friday dot

1:09:01.200 --> 1:09:04.000
<v Speaker 1>com and thank you for listening to another episode. We

1:09:04.080 --> 1:09:07.120
<v Speaker 1>will be back on Friday this week and we also

1:09:07.160 --> 1:09:10.720
<v Speaker 1>have Bill Corr coming next Tuesday. So we've got we've

1:09:10.760 --> 1:09:12.840
<v Speaker 1>got some good pods on the dock and so talk

1:09:12.880 --> 1:09:14.639
<v Speaker 1>to you soon and thank you for listening.